cindermond/bento huggingface dataset:
Gypsy is a 1959 musical with music by Jule Styne, lyrics by Stephen Sondheim, and a book by Arthur Laurents. Gypsy is loosely based on the 1957 memoirs of Gypsy Rose Lee, the famous striptease artist, and focuses on her mother, Rose, whose name has become synonymous with "the ultimate show business mother." It follows the dreams and efforts of Rose to raise two daughters to perform onstage and casts an affectionate eye on the hardships of show business life. The character of Louise is based on Lee, and the character of June is based on Lee's sister, the actress June Havoc.

In January 2011, the New York Post reported that Barbra Streisand was in negotiations to produce, direct and star in a new film version of Gypsy. In an interview with the New York Post, Arthur Laurents said, "We've talked about it a lot, and she knows what she's doing. She has my approval." He said that he would not write the screenplay. In a clarifying statement and report, The New York Times wrote that Streisand would star, but would not produce or direct. Streisand's spokesperson confirmed that "there have been conversations". However, Frank Rizzo of courant.com reported on March 12, 2011 that the film with Streisand "is not going to happen, according to playwright-director Arthur Laurents, one of the rights holders to the work." But that was contradicted by an August 2011 report by USA TODAY that the plans for a film adaptation of Gypsy were still intact. "Before writer and director Arthur Laurents died at age 93 last May, there had been much talk about a movie version of Gypsy starring Streisand as Rose. 'We just have to find our team and a writer,' said Streisand. 'It's too bad, because I was looking forward to working with Arthur,' who directed Streisand in her Broadway debut. 'I had seen him a few months before that, and he seemed so strong and healthy.'" In March 2012, reports stated that Universal Pictures was pressing on with the new film. Streisand was still attached to produce and play Rose, with Joel Silver co-producing and Julian Fellowes scripting. Playbill reported in October 2015 that "Universal, which had been working with Streisand on the project, formally put Gypsy in turnaround, meaning it has decided not to develop the film any further. Streisand reportedly has been working with producer Joel Silver on the project, and they are now free to shop their Gypsy around to other studios." In April 2016, it was reported that Streisand was in advanced negotiations to star in and produce the film, which will be directed by Barry Levinson and distributed by STX Entertainment. In July 2016, it was reported that Richard LaGravenese had finished writing the script for the film and that production for the film is aiming to begin in early 2017. However, on August 3, 2016, it was reported that STX Entertainment "was withdrawing as distributor and co-financier of the film." CANNOTANSWER

Did the project continue being developed?

that was contradicted by an August 2011 report by USA TODAY that the plans for a film adaptation of Gypsy were still intact.
Louis Pasteur (, French: [lwi pastoeR]; December 27, 1822 - September 28, 1895) was a French biologist, microbiologist and chemist renowned for his discoveries of the principles of vaccination, microbial fermentation and pasteurization. He is remembered for his remarkable breakthroughs in the causes and prevention of diseases, and his discoveries have saved many lives ever since. He reduced mortality from puerperal fever, and created the first vaccines for rabies and anthrax. His medical discoveries provided direct support for the germ theory of disease and its application in clinical medicine.

Scientists before Pasteur had studied fermentation. In the 1830s, Charles Cagniard-Latour, Friedrich Traugott Kutzing and Theodor Schwann used microscopes to study yeasts and concluded that yeasts were living organisms. In 1839, Justus von Liebig, Friedrich Wohler and Jons Jacob Berzelius stated that yeast was not an organism and was produced when air acted on plant juice. In 1855, Antoine Bechamp, Professor of Chemistry at the University of Montpellier, conducted experiments with sucrose solutions and concluded that water was the factor for fermentation. He changed his conclusion in 1858, stating that fermentation was directly related to the growth of moulds, which required air for growth. He regarded himself as the first to show the role of microorganisms in fermentation. Pasteur started his experiments in 1857 and published his findings in 1858 (April issue of Comptes Rendus Chimie, Bechamp's paper appeared in January issue). Bechamp noted that Pasteur did not bring any novel idea or experiments. On the other hand, Bechamp was probably aware of Pasteur's 1857 preliminary works. With both scientists claiming priority on the discovery, a dispute, extending to several areas, lasted throughout their lives. However, Bechamp was on the losing side, as the BMJ obituary remarked: His name was "associated with bygone controversies as to priority which it would be unprofitable to recall". Bechamp proposed the incorrect theory of microzymes. According to K. L. Manchester, anti-vivisectionists and proponents of alternative medicine promoted Bechamp and microzymes, unjustifiably claiming that Pasteur plagiarized Bechamp. Pasteur thought that succinic acid inverted sucrose. In 1860, Marcellin Berthelot isolated invertase and showed that succinic acid did not invert sucrose. Pasteur believed that fermentation was only due to living cells. Hans Buchner discovered that zymase catalyzed fermentation, showing that fermentation was catalyzed by enzymes within cells. Eduard Buchner also discovered that fermentation could take place outside living cells. CANNOTANSWER

What is fermentation?

Hans Buchner discovered that zymase catalyzed fermentation, showing that fermentation was catalyzed by enzymes within cells.
Robert Emerson Clampett was born in San Diego, California on May 8, 1913. Clampett was displaying extraordinary art skills by the age of five. From the beginning, Clampett was intrigued with and influenced by Douglas Fairbanks, Lon Chaney, Charlie Chaplin, Buster Keaton and Harold Lloyd, and he began making film short-subjects in his garage beginning when he was twelve. While living in Hollywood as a young boy, Clampett and his mother Joan lived next door to Charlie Chaplin and his brother Syd.

Since 1984, The Bob Clampett Humanitarian Award is given each year at the Eisner Awards. Recipients of the award include June Foray, Jack Kirby, Sergio Aragones, Patrick McDonnell, Maggie Thompson, Ray Bradbury and Mark Evanier. Clampett's Tin Pan Alley Cats (1943) was chosen by the Library of Congress as a "prime example of the music and mores of our times" and a print was buried in a time capsule in Washington, D.C. so future generations might see it. Porky in Wackyland (1938) was inducted into the National Film Registry of the Library of Congress in 2000, deemed "culturally, historically, or aesthetically significant." John Kricfalusi, best known as the creator of The Ren & Stimpy Show, got to know Clampett in his later years and has reflected on those times as inspirational. Kricfalusi calls Clampett his favorite cartoon director and calls The Great Piggy Bank Robbery (1946) his favorite cartoon: "I saw this thing and it completely changed my life, I thought it was the greatest thing I'd ever seen, and I still think it is." Animation historian Leonard Maltin has called Clampett's cartoons "unmistakable." Milton Gray believes that Schlesinger put Clampett in charge of the black and white cartoon division in order to save it, and many historians have singled out a scene in Porky's Duck Hunt in which Daffy exits as a defining Clampett moment. Maltin called it "a level of wackiness few moviegoers had ever seen." Historian Charles Solomon noted a rubbery, flexible animation quality visible in all Clampett's shorts, and Maltin noted an "energetic, comic anarchy." While Clampett's cartoons were not as well known in the latter half of the 20th century because television syndicators only had the rights to the post-1948 Warner cartoons, his creations have increased in notoriety and acclaim in recent decades. CANNOTANSWER

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Was given any other awards?
The elder child of Dale Burdell Ride and Carol Joyce (nee Anderson), Ride was born in Los Angeles. She had one sibling, Karen "Bear" Ride, who is a Presbyterian minister. Both parents were elders in the Presbyterian Church. Ride's mother had worked as a volunteer counselor at a women's correctional facility.

In 1987, Ride left her position in Washington, D.C., to work at the Stanford University Center for International Security and Arms Control. In 1989, she became a professor of physics at the University of California, San Diego, and director of the California Space Institute. From the mid-1990s until her death, Ride led two public-outreach programs for NASA--the ISS EarthKAM and GRAIL MoonKAM projects, in cooperation with NASA's Jet Propulsion Laboratory and UCSD. The programs allowed middle school students to request images of the Earth and moon. In 1999, she acted in the season 5 finale of Touched by an Angel, titled "Godspeed". In 2003, she was asked to serve on the Columbia Accident Investigation Board. She was the president and CEO of Sally Ride Science, a company she co-founded in 2001 that creates entertaining science programs and publications for upper elementary and middle school students, with a particular focus on girls. According to Roger Boisjoly, the engineer who warned of the technical problems that led to the Challenger disaster, after the entire workforce of Morton-Thiokol shunned him Ride was the only public figure to show support for him when he went public with his pre-disaster warnings. Sally Ride hugged him publicly to show her support for his efforts. Ride wrote or co-wrote seven books on space aimed at children, with the goal of encouraging children to study science. Ride endorsed Barack Obama for U.S. President in 2008. She was a member of the Review of United States Human Space Flight Plans Committee, an independent review requested by the Office of Science and Technology Policy (OSTP) on May 7, 2009. CANNOTANSWER

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She was the president and CEO of Sally Ride Science,
Walter Winchell (April 7, 1897 - February 20, 1972) was an American newspaper and radio gossip commentator. Winchell showed a particular talent for finding embarrassing stories about famous people by exploiting his exceptionally wide circle of contacts, and trading gossip, sometimes in return for his silence. His uniquely outspoken style made him both feared and admired, and his column was syndicated worldwide. In the 1930s, he attacked the appeasers of Nazism, and later aligned with Joseph McCarthy in his campaign against communists.

Many other columnists began to write gossip soon after Winchell's initial success, such as Ed Sullivan in New York and Louella Parsons in Los Angeles. He wrote in a style filled with slang and incomplete sentences. Winchell's casual writing style famously earned him the ire of mobster Dutch Schultz, who confronted him at New York's Cotton Club and publicly lambasted him for using the phrase "pushover" to describe Schultz's penchant for blonde women. Some notable Winchell quotations are: "Nothing recedes like success", and "I usually get my stuff from people who promised somebody else that they would keep it a secret". Herman Klurfeld, a ghostwriter for Winchell for almost three decades, started writing to four newspaper columns per week for Winchell in 1936 and worked for him for 29 years. He also wrote many of the signature one-liners, called "lasties", that Mr. Winchell used at the end of his Sunday evening radio broadcasts. One of Klurfeld's quips was "She's been on more laps than a napkin". In 1952, the New York Post revealed Mr. Klurfeld as Mr. Winchell's ghostwriter.  (Klurfeld also wrote a biography of Winchell entitled Walter Winchell: His Life and Times, which was the basis for the 1998 movie Winchell.) Winchell opened his radio broadcasts by pressing randomly on a telegraph key, a sound that created a sense of urgency and importance, and using the catchphrase "Good evening, Mr. and Mrs. America from border to border and coast to coast and all the ships at sea. Let's go to press." He would then read each of his stories with a staccato delivery (up to a rate of 197 words per minute, though he claimed a speed of well over 200 words per minute in an interview in 1967), noticeably faster than the typical pace of American speech. His diction also can be heard in his breathless narration of the Untouchables television series as well as in several Hollywood films. CANNOTANSWER

Using a quote from the above article, answer the following question: Did people like the things Walter would say?

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The Kingston Trio is an American folk and pop music group that helped launch the folk revival of the late 1950s to late 1960s. The group started as a San Francisco Bay Area nightclub act with an original lineup of Dave Guard, Bob Shane, and Nick Reynolds. It rose to international popularity, fueled by unprecedented sales of LP records, and helped to alter the direction of popular music in the U.S. The Kingston Trio was one of the most prominent groups of the era's pop-folk boom that started in 1958 with the release of their first album and its hit recording of "Tom Dooley", which sold over three million copies as a single.

Over the years, the Kingston Trio expanded its song selection beyond the rearranged traditional numbers, calypso songs, and Broadway show tunes that had appeared on its first several albums. In an obituary for Nick Reynolds (d. October 1, 2008), Spencer Leigh wrote in Britain's Independent on Sunday: Looking at their repertoire now, it is apparent that the Kingston Trio was far more adventurous than is generally supposed. They introduced "It Was A Very Good Year" in 1961, later a standard for Frank Sinatra, and they were one of the first to spot the potential of English language versions of Jacques Brel's songs by recording "Seasons in the Sun" in 1963. They encouraged young songwriters including Hoyt Axton ("Greenback Dollar"), Rod McKuen ("Ally Ally Oxen Free", "The World I Used to Know") and Billy Edd Wheeler ("Reverend Mr Black"). Best of all, in 1962 they introduced listeners to one of the most poignant songs ever written, the anti-war ballad "Where Have All The Flowers Gone?" by Pete Seeger, formerly with the Weavers. Further, Peter Dreier points out that "the group deserves credit for helping to launch the folk boom that brought recognition to older folkies and radicals like Woody Guthrie and Pete Seeger, and for paving the way for newcomers like Joan Baez, Bob Dylan and Phil Ochs, who were well known for their progressive political views and topical songs. By the time these younger folk singers arrived on the scene, the political climate had changed enough to provide a wide audience for protest music." The passage of time may well have made the controversy moot. Writing in the British daily The Guardian, again in an obituary for Reynolds, Ken Hunt asserted that "[the Kingston Trio] helped to turn untold numbers of people on to folk music... [T]hey put the boom in folk boom. The Kingston Trio carried the torch overseas, most notably with their international hit of 1958, Tom Dooley. They were the greatest of the bands to emerge after the McCarthy-era blacklisting of folk musicians and breathed new air into the genre." CANNOTANSWER

Answer the following question by taking a quote from the article: What are some other important things to happen during this time?

They introduced "It Was A Very Good Year" in 1961, later a standard for Frank Sinatra,
Prior to the post-Crisis introduction of Kara Zor-El into mainstream continuity, the pre-Crisis Kara Zor-El made an appearance in Peter David's Supergirl: Many Happy Returns. The then-current Supergirl series, at the time starring Linda Danvers, was in danger of cancellation and Peter David thought a story arc involving Kara Zor-El would be enough to revitalize the series. In an interview with Cliff Biggers of Newsarama, David states: Although it had always been in the back of my mind that doing a Kara-related storyline might be fun, the impetus at this point was, frankly, sales...I was trying to figure out who currently wasn't reading the series, and came up with two groups that we'd have a shot at getting: Those who'd become bored with the current storyline, and those who didn't accept any Supergirl save Kara. By doing 'Many Happy Returns,' I sought to pull in both potential audiences. In the Linda Danvers' Supergirl series issues 48 and 49 in 2001, the original dead Kara appears as Linda's "guardian angel". Then in issues 75 to 80, "Many Happy Returns", a young Kara appears from an earlier time long before the Crisis. The paradox becomes a moral crisis for Linda who tries to take her place as the Crisis sacrifice, living for years in a Silver Age universe where "no one swears, the villains are always easy to defeat, and everything's very, very clean." This run was illustrated by Ed Benes who had also illustrated Gail Simone's Birds of Prey which had a similar whimsical camaraderie between its female leads. Linda's inability to ultimately save Kara is so devastating that it ends her own career as Supergirl. This story arc is usually cited as one of the best Supergirl stories ever written. The series ended with issue 80. CANNOTANSWER

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2001,
Pepys was born in Salisbury Court, Fleet Street, London on 23 February 1633, the son of John Pepys (1601-1680), a tailor, and Margaret Pepys (nee Kite; died 1667), daughter of a Whitechapel butcher. His great uncle Talbot Pepys was Recorder and briefly Member of Parliament (MP) for Cambridge in 1625. His father's first cousin Sir Richard Pepys was elected MP for Sudbury in 1640, appointed Baron of the Exchequer on 30 May 1654, and appointed Lord Chief Justice of Ireland on 25 September 1655. Pepys was the fifth of eleven children, but child mortality was high and he was soon the oldest survivor.

Outbreaks of plague were not particularly unusual events in London; major epidemics had occurred in 1592, 1603, 1625 and 1636. Furthermore, Pepys was not among the group of people who were most at risk. He did not live in cramped housing, he did not routinely mix with the poor, and he was not required to keep his family in London in the event of a crisis. It was not until June 1665 that the unusual seriousness of the plague became apparent, so Pepys's activities in the first five months of 1665 were not significantly affected by it. Indeed, Claire Tomalin writes that "the most notable fact about Pepys's plague year is that to him it was one of the happiest of his life." In 1665, he worked very hard, and the outcome was that he quadrupled his fortune. In his annual summary on 31 December, he wrote, "I have never lived so merrily (besides that I never got so much) as I have done this plague time". Nonetheless, Pepys was certainly concerned about the plague. On 16 August he wrote: But, Lord! how sad a sight it is to see the streets empty of people, and very few upon the 'Change. Jealous of every door that one sees shut up, lest it should be the plague; and about us two shops in three, if not more, generally shut up. He also chewed tobacco as a protection against infection, and worried that wig-makers might be using hair from the corpses as a raw material. Furthermore, it was Pepys who suggested that the Navy Office should evacuate to Greenwich, although he did offer to remain in town himself. He later took great pride in his stoicism. Meanwhile, Elisabeth Pepys was sent to Woolwich. She did not return to Seething Lane until January 1666, and was shocked by the sight of St Olave's churchyard, where 300 people had been buried. CANNOTANSWER

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In 1970, El Gran Combo's contract with Gema Records was not renewed. Despite offers from other record companies including the Motown label, the group decided to self-release recordings under their own newly created independent label, Combo Records (alternatively known as EGC Records). The first album released on the label was the 1970 album entitled Estamos Primeros. On February 15, 1970, the members of El Gran Combo shared a near death experience. They were at Venezuela, and scheduled to fly the following day to Las Americas International Airport in Santo Domingo. After landing they were told about the Dominicana Airlines DC-9 that crashed off the Caribbean coast which occurred the night before. Therefore, the tale about a group member having a bad feeling regarding that flight while stranded at the Santo Domingo airport is not entirely true, since they did not arrive there until the day after the crash. In 1971, El Gran Combo introduced the trombone to their instrument mix. The trombone was played by Fanny Ceballos. Soon after, their production named De Punta a Punta was released. In 1972, they released the album "Por el Libro", which marks the 10th anniversary of the orchestra. Pellin Rodriguez left the group to embark on a solo career. Rodriguez was replaced by Charlie Aponte at the recommendation of Jerry Concepcion and the well known sportscaster Rafael Bracero, both friends of Ithier. In 1973, El Gran Combo sang in front of 50,000 fans at the famous Yankee Stadium in New York City as the opening act for the Fania All-Stars' sold out concert. Montanez left the band in early 1977 and went to live in Venezuela where he replaced Oscar D'Leon in another orchestra, Dimension Latina. Jerry Rivas was then chosen to join the orchestra. Both Rivas and Aponte are still members of the orchestra to this day. The success of this new duo was proved with their 1977 album International and 1978's En Las Vegas which reached gold record status. In 1966, En Navidad, a Christmas album, was released, with Martin Quinones appearing as Santa Claus in the album's cover. After an automobile accident in early 1977, Quinones was replaced in the band by his son, Martin Quinones Jr. He stayed until 1979, being replaced by Luis Diaz. CANNOTANSWER

Answer this question "What happened in the 1970s?" by extracting the answer from the text above.

In 1970, El Gran Combo's contract with Gema Records was not renewed. Despite offers from other record companies
William Morris Hughes,  (25 September 1862 - 28 October 1952) was an Australian politician who served as the seventh Prime Minister of Australia, in office from 1915 to 1923. He is best known for leading the country during World War I, but his influence on national politics spanned several decades. Hughes was a member of parliament from 1901 until his death, the only person to have served for more than 50 years. He represented six political parties during his career, leading five, outlasting four, and being expelled from three.

In 1919 Hughes, with former Prime Minister Joseph Cook, travelled to Paris to attend the Versailles Peace Conference. He remained away for 16 months, and signed the Treaty of Versailles on behalf of Australia - the first time Australia had signed an international treaty. At Versailles, Hughes claimed: "I speak for 60 000 [Australian] dead". He asked of Woodrow Wilson; "How many do you speak for?" when the United States President failed to acknowledge his demands. Hughes, unlike Wilson or South African Prime Minister Jan Smuts, demanded heavy reparations from Germany, suggesting a staggering sum of PS24,000,000,000 of which Australia would claim many millions to off-set its own war debt. Hughes frequently clashed with President Wilson, who described him as a "pestiferous varmint". Hughes demanded that Australia have independent representation within the newly-formed League of Nations. Despite the rejection of his conscription policy, Hughes retained popularity with Australian voters, and in the Australian federal election of December 1919 his government was comfortably re-elected. At the Treaty negotiations, Hughes was the most prominent opponent of the inclusion of Japan's Racial Equality Proposal, which as a result of lobbying by him and others was not included in the final Treaty. His position on this issue reflected the general mindset of "racial categories" during this time. Japan was notably offended by Hughes's position on the issue. Like Jan Smuts of South Africa, Hughes was concerned by the rise of Japan. Within months of the declaration of the European War in 1914, Japan, Australia and New Zealand had seized all German territorial possessions in the Pacific. Though Japan had occupied German possessions with the blessing of the British, Hughes felt alarm at this turn of events. In 1919 at the Peace Conference the British Dominions of New Zealand, South Africa and Australia argued their case to keep their occupied German possessions of German Samoa, German South West Africa, and German New Guinea respectively; these territories were given as "Class C Mandates" to the respective Dominions. In a same-same deal Japan obtained control over its occupied German possessions north of the equator. With reference to Hughes's actions at the Peace Conference, the historian Seth Tillman described him as "a noisesome demagogue", the "bete noir  [sic] of Anglo-American relations". Unlike Smuts, Hughes totally opposed the concept of the League of Nations, as in it he saw the flawed idealism of "collective security". CANNOTANSWER

Who was at the conference?

former Prime Minister Joseph Cook,
Former British prime minister Tony Blair said, "Christopher Hitchens was a complete one-off, an amazing mixture of writer, journalist, polemicist, and unique character. He was fearless in the pursuit of truth and any cause in which he believed. And there was no belief he held that he did not advocate with passion, commitment, and brilliance. He was an extraordinary, compelling, and colourful human being whom it was a privilege to know." Richard Dawkins, a friend of Hitchens, said, "I think he was one of the greatest orators of all time. He was a polymath, a wit, immensely knowledgeable, and a valiant fighter against all tyrants, including imaginary supernatural ones." American theoretical physicist and cosmologist Lawrence Krauss said, "Christopher was a beacon of knowledge and light in a world that constantly threatens to extinguish both. He had the courage to accept the world for just what it is and not what he wanted it to be. That's the highest praise, I believe, one can give to any intellect. He understood that the universe doesn't care about our existence or welfare and he epitomized the realization that our lives have meaning only to the extent that we give them meaning." Bill Maher paid tribute to Hitchens on his show Real Time with Bill Maher, saying, "We lost a hero of mine, a friend, and one of the great talk show guests of all time." Salman Rushdie and English comedian Stephen Fry paid tribute at the Christopher Hitchens Vanity Fair Memorial 2012. Three weeks before Hitchens's death, George Eaton of the New Statesman wrote, "He is determined to ensure that he is not remembered simply as a 'lefty who turned right' or as a contrarian and provocateur. Throughout his career, he has retained a commitment to the Enlightenment values of reason, secularism and pluralism. His targets--Mother Teresa, Bill Clinton, Henry Kissinger, God--are chosen not at random, but rather because they have offended one or more of these principles. The tragedy of Hitchens' illness is that it came at a time when he enjoyed a larger audience than ever. The great polemicist is certain to be remembered, but, as he is increasingly aware, perhaps not as he would like." The Chronicle of Higher Education asked if Hitchens was the last public intellectual. In 2015, an annual prize of $50,000 was established in his honour for "an author or journalist whose work reflects a commitment to free expression and inquiry, a range and depth of intellect, and a willingness to pursue the truth without regard to personal or professional consequence." CANNOTANSWER

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an author or journalist whose work reflects a commitment to free expression and inquiry, a range and depth of intellect,
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Patricia Campbell Hearst (born February 20, 1954), granddaughter of American publishing magnate William Randolph Hearst, became internationally known for events following her 1974 kidnapping and physical violation by a domestic American terrorist group known as the Symbionese Liberation Army. Hearst was found nineteen months after being abducted, by which time she was a fugitive wanted for serious crimes. She was held in custody, despite speculation that her family's resources would prevent her from spending time in jail. At her trial, the prosecution suggested that she had joined the Symbionese Liberation Army of her own volition.

The SLA was formed through contacts made by a study group, coordinated by a University of California, Berkeley professor. Its purpose was the tutelage of black inmates, and over time the ethos became increasingly radicalized. Eventually, black convicts came to be viewed as heroic political prisoners, victimized by a racist American society. On March 5, 1973, Donald DeFreeze escaped from prison. Radical penal activists and future SLA members Russell Little and William Wolfe took DeFreeze to Patricia Soltysik's house. The SLA was led by DeFreeze, who, after a prison acquaintance named Wheeler left, was the only African American in the group. By the time the group became active, most of the members of the tiny group were women, some of whom have, like Soltysik and her roommate Nancy Ling Perry, been described as in lesbian relationships. The members included William and Emily Harris and Angela Atwood. DeFreeze was suspected by many of being a government provocateur, but his race and prison time gave him unquestioned authority in the SLA. He also had sexual dominion over women in the group. They acquired resources by robbing homes in the Bay Area. The first proposed operation, assassinating the head of the state penitentiaries, was cancelled because of possible repercussions for inmates; instead, Marcus Foster, a black educator regarded by the SLA as a fascist who had brought police onto school campuses, was targeted and killed. DeFreeze's estimation of the military strength of the then dozen-strong SLA group was hyperbolic, and he gave himself a concomitantly grandiose title of 'field marshal'. Soltysik is believed to have created much of the SLA ideological material, which stated the organization was opposed to "racism, sexism, agism [sic], fascism, individualism, competitiveness, possessiveness and all other institutions that have made or sustained capitalism". CANNOTANSWER

Does it show dates  SLA was formed?

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Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]

Wagner's later musical style introduced new ideas in harmony, melodic process (leitmotif) and operatic structure. Notably from Tristan und Isolde onwards, he explored the limits of the traditional tonal system, which gave keys and chords their identity, pointing the way to atonality in the 20th century. Some music historians date the beginning of modern classical music to the first notes of Tristan, which include the so-called Tristan chord. Wagner inspired great devotion. For a long period, many composers were inclined to align themselves with or against Wagner's music. Anton Bruckner and Hugo Wolf were greatly indebted to him, as were Cesar Franck, Henri Duparc, Ernest Chausson, Jules Massenet, Richard Strauss, Alexander von Zemlinsky, Hans Pfitzner and numerous others. Gustav Mahler was devoted to Wagner and his music; aged 15, he sought him out on his 1875 visit to Vienna, became a renowned Wagner conductor, and his compositions are seen by Richard Taruskin as extending Wagner's "maximalization" of "the temporal and the sonorous" in music to the world of the symphony. The harmonic revolutions of Claude Debussy and Arnold Schoenberg (both of whose oeuvres contain examples of tonal and atonal modernism) have often been traced back to Tristan and Parsifal. The Italian form of operatic realism known as verismo owed much to the Wagnerian concept of musical form. Wagner made a major contribution to the principles and practice of conducting. His essay "About Conducting" (1869) advanced Hector Berlioz's technique of conducting and claimed that conducting was a means by which a musical work could be re-interpreted, rather than simply a mechanism for achieving orchestral unison. He exemplified this approach in his own conducting, which was significantly more flexible than the disciplined approach of Felix Mendelssohn; in his view this also justified practices that would today be frowned upon, such as the rewriting of scores. Wilhelm Furtwangler felt that Wagner and Bulow, through their interpretative approach, inspired a whole new generation of conductors (including Furtwangler himself). Amongst those claiming inspiration from Wagner's music are the German band Rammstein, and the electronic composer Klaus Schulze, whose 1975 album Timewind consists of two 30-minute tracks, Bayreuth Return and Wahnfried 1883. Joey DeMaio of the band Manowar has described Wagner as "The father of heavy metal". The Slovenian group Laibach created the 2009 suite VolksWagner, using material from Wagner's operas. Phil Spector's Wall of Sound recording technique was, it has been claimed, heavily influenced by Wagner. CANNOTANSWER

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The Italian form of operatic realism known as verismo owed much to the Wagnerian concept of musical form.
John Anthony Gillis was born in Detroit, Michigan, the youngest of ten children--and the seventh son--of Teresa (nee Bandyk) and Gorman M. Gillis. His mother's family was Polish, while his father was Scottish-Canadian. He was raised a Catholic, and his father and mother both worked for the Archdiocese of Detroit as the Building Maintenance Superintendent and secretary in the Cardinal's office, respectively. Gillis became an altar boy, which landed him an uncredited role in the 1987 movie The Rosary Murders, filmed mainly at Holy Redeemer parish in southwest Detroit.

Jack and Meg married on September 21, 1996 and divorced on March 24, 2000. In 2003, he had a brief relationship with actress Renee Zellweger, whom he met during the filming of Cold Mountain. That summer, the couple were in a car accident in which White broke his left index finger and was forced to reschedule much of the summer tour. He posted the footage of his finger surgery on the web for fans. White and Zellweger's breakup became public in December 2004. White met British model Karen Elson when she appeared in The White Stripes music video for "Blue Orchid". The video's director, Floria Sigismondi, noted "you sensed an energy between them". They married on June 1, 2005, in Manaus, Brazil. The wedding took place in a canoe on the Amazon River and was officiated by a shaman. A Roman Catholic priest later convalidated their marriage. Manager Ian Montone was the best man and Meg White was the maid of honor. Official wedding announcements stated that "it was the first marriage" for both. In 2006, the couple had a daughter Scarlett Teresa. Their second child, son Henry Lee, was born in 2007. The family resided in Brentwood, a suburb south of Nashville, where Elson managed a vintage clothing store called Venus & Mars. Elson provided vocals on White's first solo record. The couple announced their intention to divorce in June 2011, throwing "a positive swing bang humdinger" party to commemorate the split. On July 22, 2013, a Nashville judge barred White from having "any contact with Karen Elson whatsoever except as it relates to parenting time with the parties' minor children." A counter-motion was filed on August 2, 2013, stating that "The reason for filing this response is that Mr. White does not want to be portrayed as something he is not, violent toward his wife and children." The divorce was finalized on November 26, 2013. Elson later recanted the charges, attributing the "aggressive" proceedings to her divorce attorneys, and saying "those who gain of a marriage ending helped to create a downward spiral at my most vulnerable." White agreed, saying, "When shitty lawyers are in a situation like divorce, their goal is to villainize." The former couple reportedly remain on good terms. CANNOTANSWER

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Are they still married?
Charles Parker Jr. (August 29, 1920 - March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer. Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Parker was a blazingly fast virtuoso, and he introduced revolutionary harmonic ideas including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber.

In the late 1930s Parker began to practice diligently. During this period he mastered improvisation and developed some of the ideas that led to bebop. In an interview with Paul Desmond, he said that he spent three to four years practicing up to 15 hours a day. Bands led by Count Basie and Bennie Moten certainly influenced Parker. He played with local bands in jazz clubs around Kansas City, Missouri, where he perfected his technique, with the assistance of Buster Smith, whose dynamic transitions to double and triple time influenced Parker's developing style. In 1937, Parker played at a jam session at the Reno Club in Kansas City. His attempt to improvise failed when he lost track of the chord changes. This prompted Jo Jones, the drummer for Count Basie's Orchestra, to contemptuously throw a cymbal at his feet as a signal to leave the stage. However, rather than discouraging Parker, the incident caused him to vow to practice harder, and turned out to be a seminal moment in the young musician's career when he returned as a new man a year later. In 1938 Parker joined pianist Jay McShann's territory band. The band toured nightclubs and other venues of the southwest, as well as Chicago and New York City. Parker made his professional recording debut with McShann's band. As a teenager, Parker developed a morphine addiction while hospitalized after an automobile accident, and subsequently became addicted to heroin. He continued using heroin throughout his life, and it ultimately contributed to his death. CANNOTANSWER

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improvisation and developed some of the ideas that led to bebop.
Spandau Ballet  are an English band formed in Islington, London in 1979. The band were inspired by, and an integral part of, the electro movement. They became one of the most successful groups to emerge during the New Romantic era. The band's classic line-up features brothers Gary Kemp and Martin Kemp on guitars, vocalist Tony Hadley, saxophonist Steve Norman, and drummer John Keeble.

In the 1990s, the band split up after a disagreement about royalties. Hadley, Norman and Keeble launched an unsuccessful court case against Gary Kemp for a share of Kemp's songwriting royalties from his work with Spandau Ballet. Although they vowed to appeal the verdict, they later decided against this. The three non-Kemp members then continued to tour as a trio, but they had to sell their shares in Spandau Ballet's company to Gary Kemp to pay off legal debts. Because the company owned the rights to the name of Spandau Ballet, the trio had to tour under the moniker "Hadley, Norman and Keeble, ex-Spandau Ballet". In 1990, the Kemp brothers played the lead roles in the film The Krays. Martin Kemp landed an acting role in the UK soap opera EastEnders. Gary Kemp also did more acting, appearing in a supporting role in the Whitney Houston hit The Bodyguard. In 1995 he released his only solo album, Little Bruises. Meanwhile, Tony Hadley tried to establish a solo career but with little success. After leaving EastEnders, Martin Kemp continued acting in various high-profile projects and appeared on TV in other roles. He wrote and directed his first film, Martin Kemp's Stalker. Gary Kemp wrote songs with Paul Stratham, who had written songs for Dido, continued acting on stage, in film and in television, and worked on the musicals Begbug and A Terrible Beauty with Guy Pratt. Steve Norman moved to Ibiza, where he formed a lounge band, Cloudfish, with Rafa Peletey and Shelley Preston in 2001. Hadley released three studio albums, landed the lead role in the musical Chicago and won the ITV reality show Reborn in the USA. In 1999, Hadley appeared as a guest vocalist on the Alan Parsons album The Time Machine, performing lead vocals on the song "Out of the Blue". CANNOTANSWER

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After leaving EastEnders, Martin Kemp continued acting in various high-profile projects and appeared on TV in other roles.
The Birthday Massacre (abbreviated TBM) is a Canadian band, formed in 1999 in London, Ontario, and currently based in Toronto, Ontario. The current lineup consists of lead vocalist Chibi, rhythm guitarist Rainbow, lead guitarist Falcore, drummer Rhim, keyboardist Owen, and bassist Nate Manor. When the band formed in 1999, they were known as Imagica. This name was inspired from the fantasy novel Imajica (1991) by Clive Barker.

On July 20, 2004, the Birthday Massacre again independently released an EP, Violet, and at the end of the year, re-released Nothing with new sleeve artwork. In the fall of 2004, Kai Schmidt, former member of electronic group Funker Vogt, signed the band to his label in Germany. They released a remastered and expanded LP version of Violet in Europe, including updated album art in a Digipak case. Adm left the band shortly before signing to Repo Records and can be seen in the original group photo on the nine song EP but is absent in the Digipak and LP version. In 2004, Brett Carruthers briefly joined the band on live keyboards. 2004 saw the band touring outside of Canada for the first time, playing the states of New York, Ohio, Indiana, Michigan, Illinois, Virginia, Pennsylvania and Maryland performing with American bands 51 Peg, Deadstar Assembly, Celldweller and Crossbreed. In 2005, the band signed to Metropolis Records and re-released Violet. In August, the band began a series of international tours taking them to Germany, Switzerland, Netherlands, Hungary, Czech Republic, Belgium, Spain and UK. Also in August the band released a DVD with the video for Blue by Dan Ouellette. Owen joined on keyboards first assuming the name Waffles, then O-en, then finally using his given name. Owen previously met the Birthday Massacre when playing in another band called Electric Knife Fight and joined just after the Blue filming was completed and therefore missed making an appearance in the video. On New Year's Eve the band performed in Los Angeles, California, at Bar Sinister. In early 2006, the Birthday Massacre toured North America, playing across Canada, the United States and Mexico on their "Broken Minds" tour sharing the stage with KMFDM, Schoolyard Heroes, Suicide City and the Start. They toured Europe again with bands Das Ich, Jesus on Extasy and Dope Stars Inc; playing in France, Italy, and Poland's Castle Party 2006. Through its European debut, Violet ranked high in the alternative charts. In several countries, the band made it onto the front pages of magazines; performing at some of Germany's largest music festivals, including the annual Highfeild and M'era Luna summer festivals. Also in 2006 the band recorded a remix of the song "Straight to Video" by Mindless Self Indulgence. Later in 2008, the band would record a second remix, this time of the song Never Wanted to Dance with the addition of Chibi's vocals. CANNOTANSWERAnswer this question using a quote from the following article:

what is violet?

On July 20, 2004, the Birthday Massacre again independently released an EP, Violet,
Seth Woodbury MacFarlane (; born October 26, 1973) is an American actor, animator, writer, producer, director, and singer, working primarily in animation and comedy, as well as live-action and other genres. MacFarlane is the creator of the TV series Family Guy (1999-2003, 2005-present) and The Orville (2017-present), and co-creator of the TV series American Dad! (2005-present) and The Cleveland Show (2009-2013).

MacFarlane was the executive producer of a live-action sitcom starring Rob Corddry called The Winner. The plot has a man named Glen discussing the time he matured at 32 and has him pursuing his only love after she moves in next door. Glen meets her son and both become good friends. The show ran on Fox for six episodes in Spring 2007. In August 2011, Fox ordered a 13-part updated series of Cosmos: A Spacetime Odyssey. MacFarlane co-produced the series with Ann Druyan and Steven Soter. The new series is hosted by Neil deGrasse Tyson and began airing on the channel in March 2014, with repeats airing on the National Geographic Channel on the next night. In addition to serving as one of the executive producers, MacFarlane provided voices for characters during the animated portions of the series. In 2013 and 2014, MacFarlane produced one season of a live-action sitcom called Dads. The series, revolves around Eli, played by Seth Green, and Warner, played by Giovanni Ribisi, two successful guys in their 30's whose world is turned upside down when their dads move in with them. MacFarlane, Alec Sulkin and Wellesley Wild executive-produced the series, with Sulkin and Wild writing. In 2014, MacFarlane executive-produced a two-season, 20-episode series called Blunt Talk for Starz. The series followed an English newscaster who moves to Los Angeles with his alcoholic manservant and the baggage of several failed marriages to host a sanctimonious talk show. In 2009 MacFarlane began work on the animated series Bordertown. The series is set in Texas and follows a border patrol agent and a Mexican immigrant, satirizing America's changing cultural landscape. It ran for 13 episodes in the first half of 2016, on Fox. CANNOTANSWER

Using a quote from the above article, answer the following question: Is there any other tv shows that MacFarlane produced?

In 2013 and 2014, MacFarlane produced one season of a live-action sitcom called Dads.