cindermond/bento huggingface dataset:
Tan Dun (simplified Chinese: Tan Dun ; traditional Chinese: Tan Dun ; pinyin: Tan Dun, Mandarin pronunciation: [than tu@n]; born 18 August 1957) is a Chinese contemporary classical composer and conductor, most widely known for his scores for the movies Crouching Tiger, Hidden Dragon and Hero, as well as composing music for the medal ceremonies at the 2008 Beijing Olympics. His works often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance. In 2013, he was named a UNESCO Goodwill Ambassador. He has won numerous awards for his works, including an Academy Award, a Grammy Award and a BAFTA award.

In the mid-1990s, Tan Dun began working on another series of orchestral works known as the Yi series, named for the I Ching (Yi Jing in pinyin). Each numbered work in the series builds upon the original, Yideg: Concerto for Orchestra (published 2002), by adding a solo instrument. The first concerto in the series, Yi1: Intercourse of Fire and Water (1994), was written for and premiered by cellist Anssi Karttunen. The second work, Yi2: Concerto for Guitar and Orchestra (1996), combines flamenco and pipa techniques and was premiered by Sharon Isbin. Originally titled Secret Land, Tan Dun wrote a concerto for twelve solo cellos and orchestra called Four Secret Road of Marco Polo (2004). Commissioned and premiered by the Berlin Philharmonic, the work is a musical exploration of the Silk Road. To achieve these sounds, the cello soloists employ sitar and pipa techniques. Tan Dun wrote a concerto for Lang Lang titled Piano Concerto: "The Fire" (2008), a commission by the New York Philharmonic. The concerto is reportedly inspired by the composer's love for martial arts, and the soloist is instructed to play certain passages of the music with fists and forearms. Other more tranquil sections evoke ancient Chinese instruments such as the guqin. In 2008, Tan Dun was commissioned by Google and YouTube to write an inaugural symphony for the YouTube Symphony Orchestra (YTSO) project. The resultant work, Internet Symphony No. 1 "Eroica", was recorded by the London Symphony Orchestra and uploaded to YouTube in November 2008, thus beginning the open call for video audition submissions. Voted on by members of the YouTube community as well as professional musicians, the YTSO was assembled of 96 musicians from over 30 countries. In April 2009, a mashup video of the submissions was premiered at Carnegie Hall, followed by a live performance of the work. CANNOTANSWER

Using a quote from the above article, answer the following question: What was the title of the piece he wrote for Google and YouTube?

Eroica
The Box Tops are an American rock band, formed in Memphis in 1967. They are best known for the hits "The Letter", "Cry Like a Baby", and "Soul Deep" and are considered a major blue-eyed soul group of the period. They performed a mixture of current soul music songs by artists such as James & Bobby Purify and Clifford Curry; pop tunes such as "A Whiter Shade of Pale" by Keith Reid, Gary Brooker, and Matthew Fisher of Procol Harum; and songs written by their producers, Dan Penn, Spooner Oldham, and Chips Moman. Vocalist Alex Chilton went on to front the power pop band Big Star and to launch a career as a solo artist, during which he occasionally performed songs he had sung with the Box Tops.

There was a one-off Box Tops charity concert in Nashville, Tennessee, at a venue called Ace of Clubs in 1989 for Harold Cloud's family member. The lineup for this show comprised Chilton, Evans, Talley, Harold Cloud (bass), and Gene Houston (drums). At this show the group was also augmented by backup singers Tracy Nelson, Jonell Mosser, and Kim Morrison and a full horn section. Cunningham next organized a reunion of all the band's original members, including Chilton, in 1996. The group subsequently released a self-produced album of new material recorded at Easley McCain Recording, Tear Off!, and resumed performing concerts internationally. The Tear Off! album included a new original by guitarist Talley ("Last Laugh"); covers of Bobby Womack's "I'm in Love", Eddie Floyd's "Big Bird" (often covered in solo concerts since the 1980s by Chilton), and The Gentrys' "Keep on Dancing"; and a new recording of "The Letter". Other songs on the album reflected the band members' varied soul, novelty, rock-and-roll, and country music influences. B.B. Cunningham Jr. played a guitar on the album version of "Trip to Bandstand", his 1959 Memphis novelty single. The album also featured horn arrangements and performances by The Memphis Horns, who subsequently participated in some of the group's concerts. By 2000, John Evans was no longer in the band and was replaced by Nashville session man Barry Walsh. John is employed by the University of Memphis. In 2001 the group contributed a Blondie cover tune to a various artists collection of "songs you never thought you'd hear" called When Pigs Fly. Sold-out Box Tops concerts in Germany in 2003 were aired on German radio, and the group's 2005 tour schedule showed a number of American dates planned despite the group members' busy careers outside the band. The Box Tops did their last Memphis concert on May 29, 2009, at The Memphis Italian Festival. On March 17, 2010, lead vocalist Alex Chilton died of a heart attack. CANNOTANSWER

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What were some of their successes after their reunion?
Yune Sugihara (Shan Yuan  You Yin , Sugihara Yune), born Yasuhiro Sugihara (Shan Yuan  Kang Hong , Sugihara Yasuhiro, on July 8, 1969 in Hadano, Kanagawa, Japan), known exclusively by his stage name Sugizo, is a Japanese musician, singer, songwriter, composer, and record producer. He is best known as lead guitarist and violinist of the rock band Luna Sea.

Upon returning to Japan, on January 27 Sugizo released two digital singles, "Fatima" and "Do-Funk Dance", another on February 24 entitled "Prana", which also topped the iTunes electronic charts, and one more on March 31 named "Dear Spiritual Life". Sugizo was the music director and composer of the soundtrack for jidaigeki theatre stage play Nemuri Kyoshiro Buraihikae, featuring Gackt in the main role, which ran for 120 performances across Japan. In April he performed at the Nagisa Music Festival. On July 8, Sugizo announced that he would help his friend Mick Karn, who was diagnosed with cancer, by remixing his song "Missing". The song was renamed "Missing Link" and was available for download in return for a donation on Mick's official website to help fund the expensive medical treatment. Mick Karn died on January 4, 2011. On August 29, he held a fan club only event called "Soul's Mate Day IV". The show featured an acoustic set which was given the name "Soul's Mate Quintet". On August 31, he and Luna Sea attended a press conference in Hong Kong, where they announced that they would be touring worldwide after 10 years of inactivity. From November 5 to 8, Sugizo teamed up with drummers Budgie, Leonard Eto and Mabi, and multi-instrumentalist Knox Chandler in Hong Kong, to participate in a project called "The Butterfly Effect: East-West Percussive Parade", as part of the "New Vision Arts Festival". On April 13, 2011, Sugizo released two singles, "No More Nukes Play the Guitar" and "The Edge". On June 29, he released the single "Miranda", followed by "Neo Cosmoscape" on July 27, which was remixed by System 7, "Enola Gay" on August 15, and "Pray for Mother Earth" on September 9, a song he wrote with Toshinori Kondo for Earth Day 2006. On December 14, Sugizo released two albums, Flower of Life and Tree of Life. The first is completely instrumental with psychedelic and electronica songs, while the second includes remixed songs and those done in collaboration with other artists. In December, a four-date tour titled "Stairway to the Flower of Life" was held, with a concert in Taipei and Hong Kong. CANNOTANSWER

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Did he release any other singles between the years?
Saint Peter (Syriac/Aramaic: shem`won kE`'p'A', Shemayon Keppa, Hebrew: shm`vn br yvnh Shim'on bar Yona, Greek: Petros Petros, Coptic: , translit.

Peter's original name, as indicated in the New Testament, was "Simon" (Simon Simon in Greek) or (only in Acts 15:14 and 2 Peter 1:1) "Simeon" (Sumeon in Greek). The Simon/Simeon variation has been explained as reflecting "the well-known custom among Jews at the time of giving the name of a famous patriarch or personage of the Old Testament to a male child along with a similar sounding Greek/Roman name". He was later given the name ke'ypa (Kepha) in Aramaic, which was rendered in Greek (by transliteration and the addition of a final sigma to make it a masculine word) as Kephas, whence Latin and English Cephas (9 occurrences in the New Testament); or (by translation with masculine termination) as Petros, whence Latin Petrus and English Peter (156 occurrences in the New Testament). The precise meaning of the Aramaic word is disputed, some saying that its usual meaning is "rock" or "crag", others saying that it means rather "stone" and, particularly in its application by Jesus to Simon, "precious stone" or "jewel", but most scholars agree that as a proper name it denotes a rough or tough character. Both meanings, "stone" (jewel or hewn stone) and "rock", are indicated in dictionaries of Aramaic and Syriac. Catholic theologian Rudolf Pesch argues that the Aramaic cepha means "stone, ball, clump, clew" and that "rock" is only a connotation; that in the Attic Greek petra denotes "grown rock, rocky range, cliff, grotto"; and that petros means "small stone, firestone, sling stone, moving boulder". The combined name Simon Petros (Simon Peter) appears 19 times in the New Testament. In some Syriac documents he is called, in English translation, Simon Cephas. CANNOTANSWER

what does the names and etymologies have to do with saint peter

Peter's original name, as indicated in the New Testament, was "Simon" (Simon Simon in Greek) or (only in Acts 15:14 and 2 Peter 1:1) "Simeon" (
Gerald Joseph Mulligan (April 6, 1927 - January 20, 1996) was an American jazz saxophonist, clarinetist, composer and arranger. Though Mulligan is primarily known as one of the leading jazz baritone saxophonists - playing the instrument with a light and airy tone in the era of cool jazz - he was also a significant arranger, working with Claude Thornhill, Miles Davis, Stan Kenton, and others. Mulligan's pianoless quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the best cool jazz groups. Mulligan was also a skilled pianist and played several other reed instruments.

Throughout Mulligan's orchestral work and until the end of his life, Mulligan maintained an active career performing and recording jazz - usually with a quartet that included a piano. In June 1988, Mulligan was invited to be the first Composer-in-Residence at the Glasgow International Jazz Festival and was commissioned to write a work, which he titled The Flying Scotsman. In 1991, Mulligan contacted Miles Davis about revisiting the music from the germane 1949 Birth of the Cool album. Davis had recently performed some of his Gil Evans collaborations with Quincy Jones at the Montreux Jazz Festival and was enthusiastic. However, Davis died in September and Mulligan continued the recording project and tour with Wallace Roney and Art Farmer subbing for Davis. Re-Birth of the Cool (released in 1992) featured the charts from Birth of the Cool, and a new nonet which included Lewis and Barber from the original Davis band. Mulligan appeared at the Brecon Jazz Festival 1991. Mulligan's final recording was a quartet album (with guests), Dragonfly, recorded in the summer of 1995 and released on the Telarc label. Mulligan gave his final performance on the 13th Annual Floating Jazz Festival, SS Norway, Caribbean Cruise, November 9, 1995. Mulligan died in Darien, Connecticut, on January 20, 1996, at the age of 68, following complications from knee surgery. His widow Franca - to whom he had been married since 1976 - said he had also been suffering from liver cancer. Upon Mulligan's death, his library and numerous personal effects (including a gold-plated Conn baritone saxophone) were given to the Library of Congress. 'The Gerry Mulligan Collection' is open to registered public researchers in the library's Performing Arts Research Center. The library placed Mulligan's saxophone on permanent exhibit in early 2009. CANNOTANSWER

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what did he record
Glenda May Jackson, CBE (born 9 May 1936) is a British actress and former Labour Party politician. As a professional actress from the late 1950s, she spent four years as a member of the Royal Shakespeare Company from 1964, being particularly associated with the work of director Peter Brook. During her film career, she won two Academy Awards for Best Actress: for Women in Love (1970), and A Touch of Class (1973). Other award-winning performances include Alex in the film Sunday Bloody Sunday (1971) and the BBC television serial Elizabeth R (also 1971); for the latter, she received a Primetime Emmy Award.

Jackson was born in Birkenhead on the Wirral, where her father was a builder, and her mother worked in shops and as a cleaner. Jackson was educated at the West Kirby County Grammar School for Girls, and performed at the Townswomen's Guild drama group during her teens. She worked for two years in a branch of the Boots the Chemist chain before taking up a scholarship in 1954 to study at the Royal Academy of Dramatic Art. Jackson made her professional stage debut in Terence Rattigan's Separate Tables in 1957 while at RADA. and appeared in repertory for the next six years. Her film debut was a bit part in This Sporting Life (1963). A member of the Royal Shakespeare Company for four years from 1964, she originally joined for director Peter Brook's 'Theatre of Cruelty' season which included Peter Weiss' Marat/Sade (1965) in which she played an inmate of an asylum portraying Charlotte Corday, the assassin of Marat. The production ran on Broadway in 1965 and in Paris (Jackson appeared in the 1967 film version) and Jackson also appeared as Ophelia in Peter Hall's production of Hamlet in the same year. Critic Penelope Gilliatt thought Jackson was the only Ophelia she had seen who was ready to play the Prince himself. The RSC's staging at the Aldwych Theatre of US (1966), a protest play against the Vietnam War, also featured Jackson, and she appeared in its film version, Tell Me Lies. Later that year, she starred in the psychological drama Negatives (1968), which was not a huge financial success, but won her more good reviews. CANNOTANSWER

Answer the following question by taking a quote from the article: where did she attend school?

Jackson was educated at the West Kirby County Grammar School for Girls, and performed at the Townswomen's Guild drama group during her teens.
Spandau Ballet  are an English band formed in Islington, London in 1979. The band were inspired by, and an integral part of, the electro movement. They became one of the most successful groups to emerge during the New Romantic era. The band's classic line-up features brothers Gary Kemp and Martin Kemp on guitars, vocalist Tony Hadley, saxophonist Steve Norman, and drummer John Keeble.

The band released their third album, True, in March 1983. Produced by Tony Swain and Steve Jolley, the album featured a slicker pop sound. It was at this point that Steve Norman began playing saxophone for the band. Preceded by the title track which reached number one in various countries, the album also reached number one in the UK. Their next single, "Gold", reached number 2. The follow-up album, Parade, was released in June 1984, and its singles were again big successes in the charts in Europe, Oceania and Canada. The album's opening song, "Only When You Leave", became the band's last American hit. At the end of 1984, the band performed on the Band Aid charity single and in 1985 performed at Wembley Stadium as part of Live Aid. During this same year, Spandau Ballet achieved platinum status with the compilation The Singles Collection, which kept the focus on the band between studio albums and celebrated its five years of success. However, the album was released by Chrysalis Records without the band's approval and the band instigated legal action against the label. In 1986, Spandau Ballet signed to CBS Records and released the album Through the Barricades, in which the band moved away from the pop and soul influences of True and Parade and more toward rock. Though the first single, "Fight for Ourselves" peaked at 15 in the UK, the title track and the album both reached the Top 10 in the UK and Europe. After a hiatus from recording, the band released their next album, Heart Like a Sky, in September 1989. The album and its singles were unsuccessful in the UK, and the album itself was not released in the United States. It did, however, do well in Italy (where its singles "Raw" and "Be Free with Your Love" reached the Top 10) and also in Belgium, Germany and the Netherlands. CANNOTANSWER

What were the notable songs from the album Parade?

The album's opening song, "Only When You Leave",
Information Society (also known as InSoc) is an American band originally from Minneapolis, Minnesota, initially active from 1982 to 1997, primarily consisting of Kurt Harland Larson, Paul Robb, and James Cassidy; the latter two reconvened the band in 2006, initially with Christopher Anton as lead vocalist, then with Harland rejoining them as lead vocalist by 2008. The group's breakout hit was 1988's "What's on Your Mind (Pure Energy)", a synthpop/freestyle hit, which spent 39 weeks on the dance chart, going straight to No. 1, and would also peak at No. 3 on the Hot 100 pop chart. The track included a vocal sample of Mr. Spock (Leonard Nimoy) from Star Trek, saying "pure energy."

In 1997 the band released a fourth album, Don't Be Afraid (1997). Written and performed by Kurt Harland alone and produced by Steven Seibold, DBA was more industrial-driven than previous albums and reflected more of what Harland wanted to do during most of his tenure with InSoc. Cleopatra Records released the album, but -- like Tommy Boy Records -- did little to promote it. Harland's love of computer-related materials continued to be evident, as the album included a CD-ROM filled with bonus material, not yet a common occurrence in 1997. The disc included a selection of digital samples used in the album's production, miscellaneous works of art by InSoc fans, a program to generate the distinctive border graphics used on the album's cover, and the music video of "Peace & Love, Inc." There was also a carefully orchestrated digital scavenger hunt culminating in the discovery of a bonus track called "White Roses." The scavenger hunt began with decoding a modem's signal recorded at the end of the audio CD, resulting in a text message from Harland which pointed the way to a Web site where the search began. There is also a cover included of Gary Numan's "Are 'Friends' Electric?". Also included is "Ozar Midrashim", later used as the main theme for the videogame Soul Reaver. The album eventually went out of print, but it had a second release in a remastered version in 2008, this time with "White Roses" included as an audio track. A remix album, InSoc Recombinant (1999), was produced, featuring vocals to the band's earlier hits remixed by various artists. The vocals to songs pre-Don't Be Afraid were not the originals, they were new versions re-recorded by Harland alone specifically for the remixers' use. Included on a bonus, unadvertised CD-ROM were digital copies most of the band's officially-produced promotional videos, including a copy of the "Peace and Love Inc." video of higher quality than that distributed with Don't Be Afraid. This CD-ROM, however, did not feature the "How Long" video. CANNOTANSWER

Using a quote from the above article, answer the following question: Did they receive any awards or honors?

CANNOTANSWER
Background: Henryk Mikolaj Gorecki (Polish: ['xenrik mji'kowaj gu'retski]; English pronunciation Go-RET-ski; December 6, 1933 - November 12, 2010) was a Polish composer of contemporary classical music. According to critic Alex Ross, no recent classical composer has had as much commercial success as Gorecki. Gorecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw.
Context: Gorecki's music covers a variety of styles, but tends towards relative harmonic and rhythmical simplicity. He is considered to be a founder of the so-called New Polish School. Described by Terry Teachout, he said Gorecki has "more conventional array of compositional techniques includes both elaborate counterpoint and the ritualistic repetition of melodic fragments and harmonic patterns." His first works, dating from the last half of the 1950s, were in the avant-garde style of Webern and other serialists of that time. Some of these twelve-tone and serial pieces include Epitaph (1958), First Symphony (1959), and Scontri (1960) (Mirka 2004, p. 305). At that time, Gorecki's reputation was not lagging behind that of his near-exact contemporary and his status was confirmed in 1960s when "Monologhi" won first prize. Even until 1962, he was firmly ensconced in the minds of the Warsaw Autumn public as a leader of the Polish Modern School, alongside Penderecki. Danuta Mirka has shown that Gorecki's compositional techniques in the 1960s were often based on geometry, including axes, figures, one- and two-dimensional patterns, and especially symmetry. Thus, she proposes the term "geometrical period" to refer to Gorecki's works between 1962 and 1970. Building on Krzysztof Droba's classifications, she further divides this period into two phases: (1962-63) "the phase of sonoristic means"; and (1964-70) "the phase of reductive constructicism" (Mirka 2004, p. 329). During the middle 1960s and early 1970s, Gorecki progressively moved away from his early career as radical modernist, and began to compose with a more traditional, romantic mode of expression. His change of style was viewed as an affront to the then avant-garde establishment, and though he continued to receive commissions from various Polish agencies, by the mid-1970s Gorecki was no longer regarded as a composer that mattered. In the words of one critic, his "new material was no longer cerebral and sparse; rather, it was intensely expressive, persistently rhythmic and often richly colored in the darkest of orchestral hues". CANNOTANSWER
Question: Where did he move to

Answer:

moved away from his early career as radical modernist, and began to compose with a more traditional, romantic mode of expression.
Christopher Eric Hitchens (13 April 1949 - 15 December 2011) was an Anglo-American author, columnist, essayist, orator, religious and literary critic, social critic, and journalist. Hitchens was the author, co-author, editor or co-editor of over 30 books, including five collections of essays on culture, politics and literature. A staple of public discourse, his confrontational style of debate made him both a lauded intellectual and a controversial public figure. He contributed to New Statesman, The Nation, The Weekly Standard, The Atlantic, London Review of Books, The Times Literary Supplement, Slate, Free Inquiry and Vanity Fair.

Hitchens wrote book-length biographical essays about Thomas Jefferson (Thomas Jefferson: Author of America), Thomas Paine (Thomas Paine's "Rights of Man": A Biography) and George Orwell (Why Orwell Matters). He became known for his critiques of public contemporary figures including Mother Teresa, Bill Clinton and Henry Kissinger-- the subjects of three separate full length texts, The Missionary Position: Mother Teresa in Theory and Practice, No One Left to Lie To: The Triangulations of William Jefferson Clinton, and The Trial of Henry Kissinger. In 2007, while promoting his book God Is Not Great: How Religion Poisons Everything, Hitchens described the Christian evangelist Billy Graham as "a self-conscious fraud" and "a disgustingly evil man". Hitchens claimed that the evangelist, who had recently been hospitalized for intestinal bleeding, made a living by "going around spouting lies to young people. What a horrible career. I gather it's soon to be over. I certainly hope so." In response to the comments, writers Nancy Gibbs and Michael Duffy published an article in Time Magazine in which, among other things, they refuted Hitchens's suggestion that Graham went into ministry to make money. They argued that during his career Graham 'turn[ed] down million-dollar television and Hollywood offers'. They also pointed out that having established the Billy Graham Evangelistic Association in 1950, Graham drew a straight salary, comparable to that of a senior minister, irrespective of the money raised by his meetings. Other of Hitchens's critiques took the form of opinion pieces or lengthy lectures, including his critiques of Jerry Falwell, George Galloway, Slobodan Milosevic, Mel Gibson, the 14th Dalai Lama, Michael Moore, Daniel Pipes, Ronald Reagan, Jesse Helms, and Cindy Sheehan. CANNOTANSWER

Answer the following question by taking a quote from the article: Who of other influential people critiqued him?

CANNOTANSWER
In 1956 Shockley moved from New Jersey to Mountain View, California to start Shockley Semiconductor Laboratory to live closer to his ailing mother in Palo Alto, California. The company, a division of Beckman Instruments, Inc., was the first establishment working on silicon semiconductor devices in what came to be known as Silicon Valley. "His way" could generally be summed up as domineering and increasingly paranoid. In one well-known incident, he claimed that a secretary's cut thumb was the result of a malicious act and he demanded lie detector tests to find the culprit, when in reality, the secretary had simply grabbed at a door handle that happened to have an exposed tack on it for the purpose of hanging paper notes on. After he received the Nobel Prize in 1956 his demeanor changed, as evidenced in his increasingly autocratic, erratic and hard-to-please management style. In late 1957, eight of Shockley's researchers, who would come to be known as the "traitorous eight", resigned after Shockley decided not to continue research into silicon-based semiconductors. They went on to form Fairchild Semiconductor, a loss from which Shockley Semiconductor never recovered. Over the course of the next 20 years, more than 65 new enterprises would end up having employee connections back to Fairchild. A group of about thirty colleagues who had met on and off since 1956 met again at Stanford in 2002 to reminisce about their time with Shockley and his central role in sparking the information technology revolution. The group's organizer said, "Shockley is the man who brought silicon to Silicon Valley." CANNOTANSWER

Answer this question "Who did Shockley work with?" by extracting the answer from the text above.

In late 1957, eight of Shockley's researchers, who would come to be known as the "traitorous eight",
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Miyamoto Musashi (Gong Ben  Wu Zang , c. 1584 - June 13, 1645), also known as Shinmen Takezo, Miyamoto Bennosuke or, by his Buddhist name, Niten Doraku, was a Japanese swordsman, philosopher, writer and ronin. Musashi, as he was often simply known, became renowned through stories of his excellent and unique double-bladed swordsmanship and undefeated record in his 61 duels (next is 33 by Ito Ittosai).

I have trained in the way of strategy since my youth, and at the age of thirteen I fought a duel for the first time. My opponent was called Arima Kihei, a sword adept of the Shinto ryu, and I defeated him. At the age of sixteen I defeated a powerful adept by the name of Akiyama, who came from Tajima Province. At the age of twenty-one I went up to Kyoto and fought duels with several adepts of the sword from famous schools, but I never lost. According to the introduction of The Book of Five Rings, Musashi states that his first successful duel was at the age of 13, against a samurai named Arima Kihei who fought using the Kashima Shinto-ryu style, founded by Tsukahara Bokuden (b. 1489, d. 1571). The main source of the duel is the Hyoho senshi denki ("Anecdotes about the Deceased Master"). Summarized, its account goes as follows: In 1596, Musashi was 13, and Arima Kihei, who was traveling to hone his art, posted a public challenge in Hirafuku-mura. Musashi wrote his name on the challenge. A messenger came to Dorin's temple, where Musashi was staying, to inform Musashi that his duel had been accepted by Kihei. Dorin, Musashi's uncle, was shocked by this, and tried to beg off the duel in Musashi's name, based on his nephew's age. Kihei was adamant that the only way his honor could be cleared was if Musashi apologized to him when the duel was scheduled. So when the time set for the duel arrived, Dorin began apologizing for Musashi, who merely charged at Kihei with a six-foot quarterstaff, shouting a challenge to Kihei. Kihei attacked with a wakizashi, but Musashi threw Kihei on the floor, and while Kihei tried to get up, Musashi struck Arima between the eyes and then beat him to death. Arima was said to have been arrogant, overly eager to battle, and not a terribly talented swordsman. CANNOTANSWER

what was special about the duel?

CANNOTANSWER
Background: Sanctus Real is an American Christian rock band formed in Toledo, Ohio, in 1996. The group is composed of Chris Rohman (lead guitar), Mark Graalman (drums), and Dustin Lolli (lead vocals). The band is best known for their number one singles "Lead Me", "Forgiven", "Whatever You're Doing", "I'm Not Alright", "Don't Give Up", "We Need Each Other", "
Context: The band recorded a cover of U2's song, "Beautiful Day", for the compilation album In the Name of Love: Artists United for Africa, which was released at the beginning of 2004. The track reached number 1 on R&R magazine's Christian rock chart in 2004, becoming their first chart-topping single. "Beautiful Day" also received a GMA Dove Award nomination for Modern Rock Song of the Year in 2004. The band also did a cover of the song "Promised Land" for the 2004 album Veggie Rocks. In February 2004, the band went back in studio to record their second album; almost all of its tracks were written the previous month. It was recorded in six weeks with producer Tedd T, and soon released under the title Fight the Tide in June 2004. The lead single "Everything About You" was released in mid-2004, and by September it had stayed at number 1 on R&R's Christian rock chart for six consecutive weeks. The song was later featured on the X 2006 compilation album in 2005. In September 2004, Sanctus Real launched their first headlining tour, the Fight the Tide Tour. The tour featured guest bands Hawk Nelson, Seven Places and Ever Stays Red, and traveled through more than 25 cities. After being nominated in late 2004, Fight the Tide won the GMA Dove Award for "Modern Rock Album of the Year" in early 2005. Released near the beginning of the year, "The Fight Song" was Sanctus Real's next single, and in May 2005 it reached the top of R&R's Christian rock chart, becoming the band's third number 1 song. In April 2005, bass player Steve Goodrum left the band and was replaced by Dan Gartley, a previous touring member of Relient K. Gartley played his first concert with Sanctus Real at the Agape Festival in May 2005. CANNOTANSWER
Question: when was the album released?

Answer:

February 2004,
Chester William David Brown (born 16 May 1960) is a Canadian cartoonist. Brown has gone through several stylistic and thematic periods. He gained notice in alternative comics circles in the 1980s for the surreal, scatological Ed the Happy Clown serial. After bringing Ed to an abrupt end, he delved into confessional autobiographical comics in the early 1990s and was strongly associated with fellow Toronto-based cartoonists Seth and Joe Matt, and the contemporary autobiographical comics trend.

The 19th issue of Yummy Fur began his Brown's autobiographical period. First came the strip "Helder", about a violent tenant in Brown's boarding house; then "Showing 'Helder'", about the creation of "Helder" and the reactions of Brown's friends to the work-in-progress. With "Showing 'Helder'" Brown breaks from his earlier syle by giving the panels no borders and arranging them organically on the page--a style that was to characterize his work of this period. He found his friends were uncomfortable with his writing about their lives, and soon turned to his adolescence for source material. Brown began the first installment of what was to become the graphic novel The Playboy in Yummy Fur #21, under the title Disgust. The revealing, confessional story tells of the teenage Brown's feelings of guilt over his obsessive masturbating over the Playmates of Playboy magazine, and the difficulties he had relating to women even into adulthood. Critical and fan reception was strong, though it drew some criticism from those who saw it glorifying pornography. Playboy's publisher Hugh Hefner wrote Brown a letter of concern that Brown could feel such guilt in a post-sexual revolution world. It appeared in a collected edition titled The Playboy in 1992. Around this time, Brown had become friends with the cartoonists Seth and Joe Matt. The three became noted for doing confessional autobio comics in the early 1990s, and for depicting each other in their works. In 1993, they did an interview together in The Comics Journal's autobiographical comics issue. Seth had joined the new Montreal-based comics publisher Drawn and Quarterly, which had also started publishing Julie Doucet. D&Q's Chris Oliveros had been courting Brown to join as well, but Brown had felt loyal to Bill Marks for giving him his first break. When his contract came up in 1991, however, Oliveros offered Brown nearly double the royalty he was getting from Vortex. Brown moved to D&Q starting with Yummy Fur #25. CANNOTANSWER

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When did Brown publish his autobio?
Background: We Are Scientists is a New York City-based rock band that formed in Berkeley, California, in 2000. It consists of guitarist and vocalist Keith Murray and bass guitarist Chris Cain. The band's breakthrough success came with their first studio album, With Love and Squalor, which sold 100,000 copies in the first six months. Their second album, Brain Thrust Mastery, charted at number 11 in the UK album chart, with two top-40 singles, "After Hours" and "Chick Lit".
Context: On January 11, 2005 the band began the recording of their second full-length album in Los Angeles with Ariel Rechtshaid and engineering from Rob Brill. The band ended their time in the studio on February 23, throughout their time in the studio the band posted blogs on their official website, many of which told of a cat called Lewis, which would later be used on the album's artwork. Having recorded the album, the band decided to sign to Virgin Records to handle to release. On May 15, 2005, the first single from the album was aired in the UK, "Nobody Move, Nobody Get Hurt", this came after a number of dates in the UK with Editors. "Nobody Move, Nobody Get Hurt" was released later on June 27 at the same time as their own headline Summer 2005 UK tour. In July the band shot a music video for their second single, "The Great Escape", as well as appearing on MTV2 for the first time to plug their upcoming release. The band also appeared on at Reading and Leeds Festivals for the first time, performing on the Carling Stage, and later the band released the album With Love and Squalor in the United Kingdom on October 17, 2005 celebrating with an album signing session and intimate gig in London's Selectdisc on Berwick Street. In December 2005 the band made their U.S. Network television debut on the Late Show with David Letterman where they performed "Nobody Move, Nobody Get Hurt", as well as announcing the release of their second album, With Love and Squalor which would be released on January 10, 2006, although in January the band would be in the United Kingdom on the NME Shockwaves Tour with Mystery Jets, Arctic Monkeys and Maximo Park, before embarking on their own headline tour in April and releasing "Its a Hit" on February 20 and re-releasing "Nobody Move, Nobody Gets Hurt" on May 3. In September a co-headline tour across the USA with Art Brut and a new split single with Art Brut covering W.A.S single "The Great Escape" and in-turn We Are Scientists covering Art Brut's "Bang Bang Rock & Roll". With their ongoing success in the United Kingdom the band embarked on another full 15 date tour, with two nights at Brixton Academy in London due to demand, it was on this tour that the band released Crap Attack, a compilation album of b-sides and covers, as well as a DVD featuring music videos for all of the tracks on With Love and Squalor and live performances. CANNOTANSWER
Question: did it do well?. Whats the answer?

With their ongoing success in the United Kingdom the band embarked on another full 15 date tour,
Alvin and the Chipmunks, originally David Seville and the Chipmunks or simply The Chipmunks, is an American animated music group created by Ross Bagdasarian Sr. for a novelty record in 1958. The group consists of three singing animated anthropomorphic chipmunks: Alvin, the mischievous troublemaker, who quickly became the star of the group; Simon, the tall, bespectacled intellectual; and Theodore, the chubby, impressionable one. The trio is managed by their human adoptive father, David (Dave) Seville. In reality, "David Seville" was Bagdasarian's stage name, and the Chipmunks themselves are named after the executives of their original record label.

Theodore is the child of innocence and the youngest of the Chipmunks. He is shy, loving, sensitive, chubby, gullible, trusting, and naive. In short, he is an easy target for Alvin's manipulations. He wears green attire and has green eyes (brown in the CGI animated series). Theodore often holds the swing vote between his two brothers' choices of action. Simon appeals to Theodore's better nature while Alvin goes straight to bribery. He has a big appetite, constantly craving snacks and in one episode, Theodore tried to eat Alvin's hand because of his hunger. He plays the drums, the guitar, and other instruments. In vocal harmonies, his voice is typically the highest. He is fragile yet unpredictable and not very brave, but he will put on a brave face when his brothers are in trouble. At times, he is childish and Alvin's follower, but he is also the glue that binds his brothers despite Alvin and Simon's differences and regular disagreements. Although he is sometimes teased by Alvin, Theodore loves his big brother and knows that Alvin loves him too. He seems to have affection for Eleanor, who shares physical traits with him, but she is smarter, braver and more athletic. They each have a passion for cooking, as Theodore is seen baking Christmas cookies in some Christmas episodes. In the live action/animated films, it is revealed that Theodore is sensitive about his weight and is often hurt when he is criticized for his chubby physique. This also applies to Eleanor, but she is able to stand for herself and wishes that Theodore would do the same. Like his brothers, he was originally voiced by Ross Bagdasarian Sr. In the animated series and film, his voice was provided by Janice Karman, Ross Bagdasarian Jr.'s wife and the voice of all three Chipettes. Jesse McCartney voiced Theodore in the live-action/animated film series. CANNOTANSWER

Answer the following question by taking a quote from the article: did he do any movies?

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Clarence Leonidas "Leo" Fender (August 10, 1909 - March 21, 1991) was an American inventor who founded Fender Electric Instrument Manufacturing Company, or "Fender" for short. In January 1965, he sold the company to CBS and later founded two other musical instrument companies, Music Man and G&L Musical Instruments. The guitars, bass guitars, and amplifiers he designed from the 1940s on are still widely used: the Fender Telecaster (1950) was the first mass-produced solid-body electric guitar; the Fender Stratocaster (1954) is among the world's most iconic electric guitars; the Fender Precision Bass (1951) set the standard for electric bass guitars, and the Fender Bassman amplifier, popular enough in its own right, became the basis for later amplifiers (notably by Marshall and Mesa Boogie) that dominated rock and roll music. Leo Fender was inducted into the Rock and Roll Hall of Fame in 1992--a unique achievement given that he never learned to play the instruments that he made a career of building.

Clarence Leonidas Fender ("Leo") was born on August 10, 1909, to Clarence Monte Fender and Harriet Elvira Wood, owners of a successful orange grove located between Anaheim and Fullerton, California. From an early age, Fender showed an interest in tinkering with electronics. When he was 13 years old, his uncle, who ran an automotive-electric shop, sent him a box filled with discarded car radio parts, and a battery. The following year, Leo visited his uncle's shop in Santa Maria, California, and was fascinated by a radio his uncle had built from spare parts and placed on display in the front of the shop. Leo later claimed that the loud music coming from the speaker of that radio made a lasting impression on him. Soon thereafter, Leo began repairing radios in a small shop in his parents' home. In the spring of 1928, Fender graduated from Fullerton Union High School, and entered Fullerton Junior College that fall, as an accounting major. While he was studying to be an accountant, he continued to teach himself electronics, and tinker with radios and other electrical items but never took any kind of electronics course. After college, Fender took a job as a delivery man for Consolidated Ice and Cold Storage Company in Anaheim, where he was later made the bookkeeper. It was around this time that a local band leader approached Leo, asking him if he could build a public address system for use by the band at dances in Hollywood. Fender was contracted to build six of these PA systems. In 1933, Fender met Esther Klosky, and they were married in 1934. About that time, he took a job as an accountant for the California Highway Department in San Luis Obispo. In a depression government change, his job was eliminated, and he then took a job in the accounting department of a tire company. After working there for six months, Leo lost his job along with the other accountants in the company. CANNOTANSWER

Does he have any siblings?

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Carlos Juan Ortiz (born September 9, 1936) is a Puerto Rican former professional boxer. He won three world titles, two at lightweight and once at light welterweight. Along with Felix Trinidad, Miguel Cotto, Wilfredo Gomez, Hector Camacho, and Wilfred Benitez, Ortiz is considered among the best Puerto Rican boxers of all time by sports journalists and analysts. As of January 2018, Ortiz holds the record for the most wins in unified lightweight title bouts in boxing history at 10.

Instead of going up in weight, like most boxers throughout history have done after losing the title in their original division, Ortiz went down in weight, and challenged world champion Joe Brown (also a member of the International Boxing Hall Of Fame). Ortiz won a 15-round decision over Brown on April 21 of 1962 in Las Vegas, to win his second world title, this time in his second championship division. Ortiz defended with a 5-round knockout of Teruo Kosaka in Tokyo before making his Puerto Rican debut, with a 13-round knockout win over Doug Valiant to retain his title on April 7, 1963 in San Juan. A knockout win in 14 rounds over another Hall of Famer, Gabriel Elorde, Flash in the Philippines followed, and then a remach with Lane, this time Ortiz retaining his world Lightweight title with a 15-round decision in San Juan. But in 1965 he went to Panama and fought yet another member of the International Boxing Hall Of Fame, Ismael Laguna who defeated him in 15 rounds to claim Ortiz's world Lightweight title. A rematch in San Juan followed, and Ortiz regained the world Lightweight title beating Laguna by a 15-round decision also. 1966 saw Ortiz draw with world Jr Welterweight champion Nicolino Locche in a ten-round non-title affair in Argentina, and retain his title vs Johnny Bizarro (KO in 12 in Pittsburgh), Cuban Sugar Ramos (another International Boxing Hall Of Fame Member, KO in 5 rounds in Mexico City) and Filipino Flash Elorde, also by KO in 14 at a New York rematch. The Ramos fight proved controversial, because the WBC's president proclaimed at first that the punch with which Ortiz had beaten Ramos with had been illegal, but he later reconsidered and gave Ortiz the title, and the knockout victory, back, with the condition that a rematch be fought in the future. And so 1967 came, and Ortiz and Ramos met once again, this time in San Juan. Ortiz retained the title by a knockout in 4 rounds, and this time the bout went without any controversies. Then, he and Laguna fought a third time, and Ortiz retained his title by a 15-round decision in New York. CANNOTANSWER

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champion of what?
Background: Kenneth Robert Rosewall  (born 2 November 1934) is a former world top-ranking amateur and professional tennis player from Australia. He won a record 23 tennis Majors including 8 Grand Slam singles titles and, before the Open Era, a record 15 Pro Slam titles; overall, he reached a record 35 Major finals. He won the Pro Grand Slam in 1963. Rosewall won 9 slams in doubles with a career double grand slam.
Context: From August 1972 players could enter almost all the tournaments they wanted and the real open era began (at Forest Hills they created the ATP) Rosewall won seven tournaments in 1972, including the depleted Australian Open and became the oldest Grand Slam male singles champion (37 years and 2 months old) in the open era, and was ranked, by Judith Elian or Tingay or McCauley, No. 3 behind Smith and Ilie Nastase (Bud Collins permuting Nastase and Rosewall). He lost in the second round of the 1972 U.S. Open against Mark Cox. For Rosewall the beginning of 1973 was identical to the second half of 1972: a desert. He recorded possibly his worst defeat in his whole career at the 1973 Australian Open (again with a weak field because as in 1972 among the Top 20 only Rosewall and Newcombe participated) when seeded first he was defeated by German Karl Meiler in his first match (second round) in straight sets: 2-6, 3-6, 2-6. Between May 1972 (victory at Dallas) and April 1973 (victory at Houston, River Oaks) Rosewall captured only two minor titles, Tokyo WCT (not giving points for the WCT Finals) and Brisbane (in December 1972) where he was the only Top 20 player. If 1967 has been the first year of a relative decline with however many highlights, 1973 (and more accurately his "after-Dallas 1972") has been the real start of Rosewall's true decline : admittedly he was still one of the best players but not one fighting for the first place. Rosewall did not play Wimbledon that year as the edition was boycotted by the ATP players. After an absence of 17 years Rosewall returned to Davis Cup play in November when he played a doubles match with Rod Laver in the interzonal final against Czechoslovakia. His best performances in 1973 were firstly his semifinal at the US Open (as in 1972 the greatest event of the year) and secondly his third place at the WCT Finals (he was beaten by Ashe in the semifinals and defeated Laver for 3rd place). He also won at Houston WCT, Cleveland WCT, Charlotte WCT, Osaka and Tokyo. He was still ranked in the top 10. Tommasi ranked Rosewall 4, Tingay 6, ATP 6, Collins 5, and McCauley 7. CANNOTANSWER
Question: what was a tournement he played in?

Answer:

Rosewall won seven tournaments in 1972,