cindermond/bento huggingface dataset:
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Ross Carl "Rocky" Anderson (born September 9, 1951) is an American attorney and politician. He served two terms as the 33rd mayor of Salt Lake City, Utah from 2000-08. He is the Executive Director of High Road for Human Rights and a founding member of the Justice Party. Prior to serving as Mayor, he practiced law for 21 years in Salt Lake City, during which time he was listed in Best Lawyers in America, was rated A-V (highest rating) by Martindale-Hubbell, served as Chair of the Utah State Bar Litigation Section and was Editor-in-Chief of, and a contributor to, Voir Dire legal journal.

Anderson was a member of the Mayors Against Illegal Guns Coalition, a bi-partisan group with the stated goal of "making the public safer by getting illegal guns off the streets". The Coalition was co-chaired by Boston Mayor Thomas Menino and New York City Mayor Michael Bloomberg. Anderson restructured Salt Lake City's criminal justice system and, after reviewing the peer-reviewed literature indicating that DARE is ineffective in reducing drug use, discontinued the DARE program in Salt Lake City schools. Instead, he supported the implementation of other programs -- ATLAS and ATHENA -- that have demonstrated some success. He called for an end to the failed "war on drugs" and for better drug prevention education, the implementation of harm reduction policies, and the availability of substance abuse treatment on demand. He successfully lobbied President Clinton to grant a commutation of a lengthy prison sentence imposed on a Salt Lake City man who had already served several years in a federal penitentiary for his first and only conviction for violating drug laws. In 2000, Anderson asked the Salt Lake City Police Department to end its participation in the DARE program. He told DARE officials: "I think your organization has been an absolute fraud on the people of this country... For you to continue taking precious drug-prevention dollars when we have such a serious and, in some instances, growing addiction problem is unconscionable." Instead of pushing for more minor offenders to be sent to jail or prison, Anderson constructed innovative restorative justice programs, which earned him a nomination for a second World Leadership Award. He implemented reforms to ensure that mental health courts would channel mentally ill criminals into mandatory treatment programs rather than putting them behind bars. People arrested on drug charges, or for prostitution or the solicitation of prostitutes (as well as several other types of offenses), were sent through a comprehensive course of counselling rather than automatically being handed criminal convictions and custodial sentences. The results were better, and the costs far lower, than with the traditional retributive approach. CANNOTANSWER

Is there anything else interesting about him?

He successfully lobbied President Clinton to grant a commutation of a lengthy prison sentence
Throwdown is an American straight edge heavy metal band from Orange County, California, formed in 1997. They have toured as part of Ozzfest, Sounds of the Underground, Hellfest, and Warped Tour, and with bands such as In Flames, Lamb of God, As I Lay Dying, Killswitch Engage, Korn and Cavalera Conspiracy. The songs "Forever" and "Burn" have been staples on MTV2's Headbanger's Ball and Revolver Magazine called them part of "The Future of Metal" after hearing the album Vendetta. Initially branded a hardcore band, their most recent albums Venom and Tears and Deathless have taken a sharp direction towards metal, with critics likening the band's sound to that of Pantera, Sepultura, and Crowbar.

Throwdown was formed in 1997 by vocalist Keith Barney, who would also be an active member of both Adamantium and Eighteen Visions, guitarists Tommy Love and Javier Van Huss, bassist Dom Macaluso, and drummer Marc Jackson. The group took on the title Throwdown as a "wry irony on their collective stature," at the time no band member being more than 5 feet 8 inches (1.73 m). The band released their debut, self-titled 7-inch single that same year through Prime Directive Records. Van Huss left the band, and was replaced by Brandan Schieppati. After sign a recording contract with Indecision Records, the band released their first studio album Beyond Repair the following year. In 1999, Barney also relinquished his role in Death by Stereo to prioritise Throwdown. Schieppati left the band to concentrate full-time on his other band Bleeding Through, being replaced by Dave Peters. The following year, the new line-up released the Drive Me Dead EP. In 2001, Throwdown released their second studio album, You Don't Have to Be Blood to Be Family. They also recorded a tongue-in-cheek metalcore version of Sir Mix-a-Lot's hit single "Baby Got Back" for Radical Records' Too Legit for the Pit: Hardcore Takes the Rap compilation, which also featured Candiria, Stretch Arm Strong, and The Movielife. Allmusic reviewer Rick Anderson gave the album four and a half out of five stars, stating that Throwdown's version for the song was "absolutely hilarious". The idea of cover a hip hop song, was a collaboration between Macaluso and Love. Originally they wanted to cover House of Pain's "Jump Around". Then the band decided there was too much in the song, as they felt that hip hop songs are hard to cover. Peters said, "Sir Mix-a-Lot was easy and funny, and that's what we're all about, playing easy stuff and trying to be funny." The following year, Barney expressed a desire to switch to guitar (which he played in Eighteen Visions already) because he would often lose his voice on tour. Peters took over on vocals. Fill-in guitarist Matt Mentley would fill in whenever Barney had shows with Eighteen Visions. Lacking a permanent drummer after the departure of Jackson, 18V drummer Ken Floyd regularly filled in around this time as well. After that in 2002 Throwdown made their next cd Face the Mirror EP with no changes except for Ken Floyd on drums. CANNOTANSWER

Answer the following question by taking a quote from the article: Was the band very popular at first?

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The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programs such as Doctor Who and Quatermass and the Pit during the 1950s and '60s. The original Radiophonic Workshop was based in the BBC's Maida Vale Studios in Delaware Road, Maida Vale, London. The Workshop was closed in March 1998, although much of its traditional work had already been outsourced by 1995.

In 1958, Desmond Briscoe was appointed the Senior Studio Manager with Dick Mills employed as a technical assistant. Much of The Radiophonic Workshop's early work was in effects for radio, in particular experimental drama and "radiophonic poems". Their significant early output included creating effects for the popular science-fiction serial Quatermass and the Pit and memorable comedy sounds for The Goon Show. In 1959, Daphne Oram left the workshop to set up her own studio, the Oramics Studios for Electronic Composition, where she eventually developed her "Oramics" technique of electronic sound creation. That year Maddalena Fagandini joined the workshop from the BBC's Italian Service. From the early sixties the Workshop began creating television theme tunes and jingles, particularly for low budget schools programmes. The shift from the experimental nature of the late 50s dramas to theme tunes was noticeable enough for one radio presenter to have to remind listeners that the purpose of the Workshop was not pop music. In fact, in 1962 one of Fagandini's interval signals "Time Beat" was reworked with assistance from George Martin (in his pre-Beatles days) and commercially released as a single using the pseudonym Ray Cathode. During this early period the innovative electronic approaches to music in the Workshop began to attract some significant young talent including Delia Derbyshire, Brian Hodgson and John Baker, who was in fact a jazz pianist with an interest in reverse tape effects. Later, in 1967. they were joined by David Cain, a jazz bass player and mathematician. In these early days, one criticism the Workshop attracted was its policy of not allowing musicians from outside the BBC to use its equipment, which was some of the most advanced in the country at that time not only because of its nature, but also because of the unique combinations and workflows which the Workshop afforded its composers. In later years this would become less important as more electronic equipment became readily available to a wider audience. CANNOTANSWER

BBC Radiophonic Workshop
Morgan was born in Nashville, Tennessee, and made her first appearance on the Grand Ole Opry at age 13, performing Fred Spielman and Janice Torre's "Paper Roses". After her father died in 1975, she took over his band at age 16 and began leading the group through various club gigs. After disbanding the group, she joined the Little Roy Wiggins band in 1977. She then became a receptionist and demo singer at Acuff-Rose Music, where she also wrote songs. In the late 1970s, she was the featured vocalist on a morning television show hosted by Ralph Emery, on Nashville's WSM-TV (now WSMV); Emery was a longtime friend of her father, who appeared on Emery's Opry Star Spotlight, an overnight music and interview show that ran for many years on WSM-AM. Morgan had one minor hit single in 1978; the following year she recorded another minor hit with "I'm Completely Satisfied With You," an electronically dubbed duet with her father who died in 1975. She began touring Nashville nightclubs and opened for a number of acts, including Jack Greene, Billy Thunderkloud and Jeannie Seely. She toured as a duet partner with George Jones and spent two years as part of the Opryland USA bluegrass show and as a regular singer on TNN's Nashville Now. In 1984, Morgan scored a minor hit with "Don't Go Changing." That year she became the youngest singer ever to join the Grand Ole Opry. Four years later, she signed with RCA Records, her first major label; her first album on that label, Leave the Light On, was released in 1989. CANNOTANSWER

Answer this question "What songs did she played with the group?" by extracting the answer from the text above.

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Paul Verhoeven was born on 18 July 1938, the son of a school teacher, Wim Verhoeven, and a hat maker, Nel van Schaardenburg. Although he was born in Amsterdam, the family lived in the village of Slikkerveer. In 1943 the family moved to The Hague, the location of the German headquarters in the Netherlands during World War II. The Verhoeven house was near a German military base with V1 and V2-rocket launchers, which was repeatedly bombed by allied forces.

Gerard Soeteman also wrote the script for Verhoeven's first American film, Flesh and Blood (1985), which starred Rutger Hauer and Jennifer Jason Leigh. Verhoeven moved to Hollywood for a wider range of opportunities in filmmaking. Working in the U.S. he made a serious change in style, directing big-budget, very violent, special-effects-heavy smashes RoboCop and Total Recall. RoboCop, for Sound Effects Editing, and Total Recall, for Visual Effects, each won an Academy Special Achievement Award. Verhoeven followed those successes with the equally intense and provocative Basic Instinct (1992), an erotic thriller. The ninth-highest-grossing film of the year, the movie was a return to themes Verhoeven had explored in Turkish Delight and The Fourth Man. The film's most notorious scene shows Sharon Stone's character in a police interrogation, where she uncrosses her legs, briefly revealing her vulva (she does not wear underwear underneath her skirt). The film received two Academy Awards nominations, for Film Editing and for Original Music. Verhoeven's next film was the poorly received, NC-17 rated Showgirls (1995), about a stripper in Las Vegas trying to make a career as a showgirl. The film won seven Golden Raspberry Awards including Worst Film and Worst Director; Verhoeven became the first director to accept his "award" in person. Afterward, the film enjoyed success on the home video market, generating more than $100 million from video rentals  and became one of MGM's top 20 all-time bestsellers. After Basic Instinct and Showgirls, Verhoeven returned to the science fiction, graphic violence, and special-effects tropes that had marked his earlier films with Starship Troopers (1997), loosely based on the novel of the same name by Robert A. Heinlein and Hollow Man (2000). Each film received an Academy Award nomination for Best Visual Effects. CANNOTANSWER

Paul Verhoeven
Winfrey interviewed Kathy Bray three weeks after her 10-year-old son, Scott, was accidentally killed by a friend who had found his father's gun. Viewers later commented that the interview changed their feelings about having guns in their homes. In the 1989-90 season, Truddi Chase--a woman who was diagnosed with dissociative identity disorder, having 92 distinct personalities--appeared on the show. Chase had been violently and sexually abused beginning at the age of two and said her old self ceased to exist after that. After introducing Chase, who was there to promote her book When Rabbit Howls, Winfrey unexpectedly broke down in tears while reading the teleprompter, relating her own childhood molestation to that of the guest. Unable to control herself, Winfrey repeatedly asked producers to stop filming. Erin Kramp, a mother dying of breast cancer, appeared on the show in 1998. After realizing that her six-year-old daughter, Peyton, would have to grow up without her, Kramp began recording videotapes filled with motherly advice on everything from makeup tips to finding a husband. She also wrote letters and bought gifts for Peyton to open every Christmas and birthday she was gone. Kramp lost her battle with cancer on October 31, 1998. She had recorded over a hundred videos and audiotapes for her daughter. Jo Ann Compton's daughter Laurie Ann was stabbed to death in 1988--and a decade later, the mom was tangled in her grief. "I hope they're in the same hell I'm in." she said of her daughter's murderers on a 1998 show. Oprah brought in Dr. Phil to help Jo Ann. He asked her if she thought her daughter would want her to be in so much pain--and Compton said no. "Maybe the betrayal is focusing on the day of her death, rather than celebrating the event of her life." Phil continued. "She lived for 18 vibrant years, and you focus on the day she died." After a moment, Compton uttered her breakthrough sentence: "I never thought of it that way." Later, she sobbed while revealing that she had been planning to end her life after the show. When Compton returned to the show in 2011, she had a new viewpoint on the daughter she lost: "She continues to stay alive every time I do something positive." Compton's surviving daughter, Cindy, said "She went from existing to living. It was an amazing transformation." In 2001, Winfrey met 11-year-old Mattie Stepanek, who was born with dysautonomic mitochondrial myopathy and wrote inspirational poetry he titled "Heartsongs." On the show, Stepanek stated, "A heartsong doesn't have to be a song in your heart. It doesn't have to be talking about love and peace. ... It's your message, what you feel like you need to do." In October 2008, Winfrey spoke at the posthumous dedication of Mattie J.T Stepanek Park in Maryland. CANNOTANSWER

Answer this question "What was her role on the show?" by extracting the answer from the text above.

Kramp began recording videotapes filled with motherly advice on everything from makeup tips to finding a husband. She also wrote letters and bought gifts
Background: Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]
Context: Wagner's later musical style introduced new ideas in harmony, melodic process (leitmotif) and operatic structure. Notably from Tristan und Isolde onwards, he explored the limits of the traditional tonal system, which gave keys and chords their identity, pointing the way to atonality in the 20th century. Some music historians date the beginning of modern classical music to the first notes of Tristan, which include the so-called Tristan chord. Wagner inspired great devotion. For a long period, many composers were inclined to align themselves with or against Wagner's music. Anton Bruckner and Hugo Wolf were greatly indebted to him, as were Cesar Franck, Henri Duparc, Ernest Chausson, Jules Massenet, Richard Strauss, Alexander von Zemlinsky, Hans Pfitzner and numerous others. Gustav Mahler was devoted to Wagner and his music; aged 15, he sought him out on his 1875 visit to Vienna, became a renowned Wagner conductor, and his compositions are seen by Richard Taruskin as extending Wagner's "maximalization" of "the temporal and the sonorous" in music to the world of the symphony. The harmonic revolutions of Claude Debussy and Arnold Schoenberg (both of whose oeuvres contain examples of tonal and atonal modernism) have often been traced back to Tristan and Parsifal. The Italian form of operatic realism known as verismo owed much to the Wagnerian concept of musical form. Wagner made a major contribution to the principles and practice of conducting. His essay "About Conducting" (1869) advanced Hector Berlioz's technique of conducting and claimed that conducting was a means by which a musical work could be re-interpreted, rather than simply a mechanism for achieving orchestral unison. He exemplified this approach in his own conducting, which was significantly more flexible than the disciplined approach of Felix Mendelssohn; in his view this also justified practices that would today be frowned upon, such as the rewriting of scores. Wilhelm Furtwangler felt that Wagner and Bulow, through their interpretative approach, inspired a whole new generation of conductors (including Furtwangler himself). Amongst those claiming inspiration from Wagner's music are the German band Rammstein, and the electronic composer Klaus Schulze, whose 1975 album Timewind consists of two 30-minute tracks, Bayreuth Return and Wahnfried 1883. Joey DeMaio of the band Manowar has described Wagner as "The father of heavy metal". The Slovenian group Laibach created the 2009 suite VolksWagner, using material from Wagner's operas. Phil Spector's Wall of Sound recording technique was, it has been claimed, heavily influenced by Wagner. CANNOTANSWER
Question: What else was known

Answer:

Anton Bruckner and Hugo Wolf were greatly indebted to him,
Joe Diffie was born into a musical family in Tulsa, Oklahoma, in 1958. His first musical performance came at age four, when he performed in his aunt's country music band. Diffie's father, Joe R., played guitar and banjo, and his mother sang. Following in his mother's footsteps, Diffie began to sing at an early age, often listening to the albums in his father's record collection.

In 2001, Sony Nashville transferred Diffie from its Epic division to the Monument Records division. This move was due to a corporate decision that Epic had too many artists and Monument had too few. Cook and Wilson also produced his only album for Monument, which was titled In Another World. Regarding this album, Diffie told Billboard that its material had a common theme of love, and that he wanted to create a more contemporary sound through the production. The album's title track peaked at number ten on the country charts and number 66 on the Hot 100. Only one other single was released from the album: "This Pretender" (co-written by Rascal Flatts lead singer Gary LeVox), which failed to make the country music Top 40. In Another World received mixed reviews. Country Weekly reviewer wrote that Diffie "deals with adult emotions" and described the title track as "a shimmering ballad perfect for his expressive tenor." William Ruhlmann called the album "sturdy formula country", and Jeffrey B. Remz of Country Standard Time said that he "easily interpret[s]" the songs but "doesn't seem to be doing anything too dramatically different." After Monument closed its Nashville branch, Diffie began touring with Mark Chesnutt and Tracy Lawrence on the Rockin' Roadhouse Tour, which began in 2002. That same year, Diffie was inducted into the Oklahoma Music Hall of Fame. Diffie signed to the independent Broken Bow Records in 2003. His only album for the label was Tougher Than Nails, which he and Wilson produced with Buddy Cannon. It included five songs that Diffie co-wrote, as well as a duet with George Jones entitled "What Would Waylon Do". Tougher Than Nails produced a Top 20 hit in its title track, followed by "If I Could Only Bring You Back", which peaked at number 50 and spent only eight weeks on the charts. This latter song was also his last charting single. Erlewine said of the album's content, "there's nothing new, but there doesn't need to be", and Country Standard Time said that the album "shows that he's still got the talent that took him to stardom in the first place." In 2005, Jo Dee Messina released "My Give a Damn's Busted", which Diffie co-wrote and originally recorded on In Another World. Her version of the song, included on her album Delicious Surprise, was a number one single that year. CANNOTANSWER

Using a quote from the above article, answer the following question: What other songs can be found on the Another World Album?

The album's title track
Bradlaugh returned to London in 1853 and took a post as a solicitor's clerk. By this time he was a convinced freethinker and in his free time he became a pamphleteer and writer about "secularist" ideas, adopting the pseudonym "Iconoclast" to protect his employer's reputation. He gradually attained prominence in a number of liberal or radical political groups or societies, including the Reform League, Land Law Reformers, and Secularists. He was President of the London Secular Society from 1858. In 1860 he became editor of the secularist newspaper, the National Reformer, and in 1866 co-founded the National Secular Society, in which Annie Besant became his close associate. In 1868, the Reformer was prosecuted by the British Government for blasphemy and sedition. Bradlaugh was eventually acquitted on all charges, but fierce controversy continued both in the courts and in the press. A decade later (1876), Bradlaugh and Besant decided to republish the American Charles Knowlton's pamphlet advocating birth control, The Fruits of Philosophy, or the Private Companion of Young Married People, whose previous British publisher had already been successfully prosecuted for obscenity. The two activists were both tried in 1877, and Charles Darwin refused to give evidence in their defence, pleading ill-health, but at the time writing to Bradlaugh that his testimony would have been of little use to them because he opposed birth control. They were sentenced to heavy fines and six months' imprisonment, but their conviction was overturned by the Court of Appeal on the basis that the prosecution had not set out the precise words which were alleged to be obscene in the indictment. The Malthusian League was founded as a result of the trial to promote birth control. He was a member of a Masonic lodge in Bolton, although he was later to resign due to the nomination of the Prince of Wales as Grand Master. On 6 March 1881 he spoke at the opening of Leicester Secular Society's new Secular Hall in Humberstone Gate, Leicester. The other speakers were George Jacob Holyoake, Annie Besant and Harriet Law. CANNOTANSWER

Answer this question "Did he get in trouble with the authorities?" by extracting the answer from the text above.

The two activists were both tried in 1877,
Background: Corbin Bleu Reivers (; born February 21, 1989), known professionally as Corbin Bleu, is an American actor, model, dancer, film producer and singer-songwriter. He performed in the High School Musical film series (2006-2008). Songs from the films also charted worldwide, with the song "I Don't Dance" peaking inside the Top 10 of the Billboard Hot 100.
Context: Bleu's first professionally recorded song was titled "Circles" or "Circles in My Mind" for his then TV show, Flight 29 Down. Bleu signed a contract with Hollywood Records, a Disney-owned label. His debut album Another Side, was released in May 2007. The album debuted at No. 36 on the Billboard 200 album charts, selling 18,000 in its first week. The album fuses rhythm and blues with hip-hop and other pop genres in an upbeat, wholesome commercial blend. Bleu, who admires Prince, Michael Jackson, and Justin Timberlake, cowrote five songs on the album. In 2007 he toured in support of Another Side with the teen sister duo Aly & AJ. Blue worked with Ne-Yo on "I Get Lonely," and with other performers such as Matthew Gerrard and Eric Hudson. A music video for his first single, "Push It to the Limit", premiered on the Disney Channel, and was used to promote the movie Jump In! "Push It to the Limit" reached the Top 20 on the Billboard Hot 100, and his second single, "Deal With It", was originally written and sung by Jay Sean. He later gave it to Corbin Bleu, whose version of the song features background vocals by Jay Sean. The song earned Jay Sean a BMI Songwriter Award. peaking at No. 15. He sings the duet "Still There For Me" with Vanessa Hudgens for him debut album. Bleu toured with fellow High School Musical cast members from late November 2006 to late January 2007 in High School Musical: The Concert, and with Drake Bell and Aly & AJ performing in about 40 different cities. To promote his debut album, Bleu performed at the Nextfest tour with the teen sister duo Aly & AJ and Drake Bell with Special Guest Bianca Ryan. On Another Side, he wrote or co-wrote five of the album's twelve songs. He wrote two songs that appear as bonus tracks on the European version. One of those tracks was titled "Shake It Off", an ode to the musician Prince. His debut single "Run It Back Again", The song has been featured in movie Minutemen, on January 22, 2008. The song is also featured on Radio Disney Jams, Vol. 10. CANNOTANSWER
Question: Did it continue to make a lot of money?. Whats the answer?

The song is also featured on Radio Disney Jams, Vol. 10.
Background: One Ok Rock, stylized as ONE OK ROCK, is a Japanese rock band, formed in Tokyo, Japan in 2005. The band currently consists of Takahiro Moriuchi (vocalist), Toru Yamashita (guitarist, bandleader), Ryota Kohama (bassist), and Tomoya Kanki (drummer). They have been playing many different styles of music, with songs ranging from alternative rock to emo to post-hardcore to pop rock. The band's name comes from "one o'clock", the time that the band used to practice their music on weekends.
Context: Their debut single, "Naihishinsho", reached number 48 on the Oricon Charts and sold 15,000 copies. Their second single, Yume Yume, followed that success and charted at number 43. After those singles, they released their debut album Zeitakubyo in 2007 and had their first tour, the Tokyo-Osaka-Nagoya Quattro Tour. They released their second album Beam of Light in May 2008. In an interview with Rockin'On Japan magazine in June 2012, ONE OK ROCK said they didn't count this album as an album, but rather as a part of growing up as a band. When they made the album, they hadn't been in the right mood, but felt that they had to make it to grow as a band. The band came up with many sound sources and ended up making a punk album. The album's confused origins were the reason why they wouldn't play any songs from Beam of Light in live performances until now. Shortly after releasing Beam of Light, they performed a gig at Shibuya AX. They had planned to release two albums in that one year, so they released Kanjo Effect in November 2008. At this point, the band had gained more experience and were able to do some more serious recording. They settled into the western sound they loved and followed by replacing all their engineers and introducing their music to new producers. This led to some division within the band - Taka and Alex in particular disagreed about how to make this album. On April 5, 2009, Alex was arrested for groping the leg of a twenty-one-year-old female student on a train. He admitted to the charges and the case was settled out of court. The band reached their weakest point at this time. Ryota intended to leave bass and take up guitar. They felt it was impossible for them to add a new member. The band's next single "Around the World Shounen", which was planned for a May 6 release and to be used as the theme song for the TV drama God Hand Teru, and their nationwide tour were both cancelled. In May 2009, it was announced that One Ok Rock would continue on without Alex, who went back to the United States. Toru took his place as lead guitar, and the band re-arranged their songs to be played for one guitar. CANNOTANSWER
Question: who took his place?. Whats the answer?

Toru took his place as lead guitar, and the band re-arranged their songs to be played for one guitar.
Answer by taking a quote from the following article:

Marco Simoncelli (Italian pronunciation: ['marko simon'tSelli]; 20 January 1987 - 23 October 2011) was an Italian professional motorcycle racer. He competed in the MotoGP World Championship for 10 years from 2002 to 2011. He started in the 125cc class before moving up to the 250cc class in 2006. He won the 250cc World Championship with Gilera in 2008.

Simoncelli got off to a slow start to the 2010 season, having suffered two preseason testing crashes at Sepang; the second of which cracked his helmet. After finishing eleventh on debut, Simoncelli improved over the rest of the season, finishing 16 of the 18 races in the points en route to eighth place in the championship with 125 points. His best finish was a fourth place in Portugal, missing a podium by 0.06 seconds to Andrea Dovizioso. In the 2011 season, Simoncelli was promoted to ride a factory Honda as part of the Gresini team, whilst Hiroshi Aoyama rode a satellite Honda for the team. Simoncelli was predicted to be the surprise package of the season. He finished fifth in the season opening race in Qatar, before falling from the lead of the wet race at Jerez. He secured his highest starting position to that point of 2nd, before falling on the first lap of the Estoril race. During the French Grand Prix at Le Mans, Simoncelli collided with Dani Pedrosa while they were battling for second. The resulting crash saw Pedrosa break his collarbone and Simoncelli received a ride-through penalty, eventually finishing fifth. Simoncelli initially rejected blame for the crash, claiming he braked no later than normal, and that he left Pedrosa room. Before the next race, however, he accepted that he needed to reflect on his riding style. Simoncelli was required to meet with race direction before the start of the racing weekend at Catalonia. On the track, Simoncelli secured his first MotoGP pole position, 0.016 seconds ahead of Casey Stoner. However, a poor start saw him drop to seventh managing only to recover one position to finish sixth. Simoncelli earned his first podium in the premier class, with a third place in the Czech Republic. His best MotoGP finish was second place in the Australian GP at Phillip Island. CANNOTANSWER

Does it state how old he was?

CANNOTANSWER
William James "Count" Basie (August 21, 1904 - April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. His mother taught him to play the piano and he started performing in his teens. Dropping out of school, he learned to operate lights for vaudeville and to improvise accompaniment for silent films at a local movie theater in his home town of Red Bank, New Jersey. By age 16, he increasingly played jazz piano at parties, resorts and other venues.

Around 1920, Basie went to Harlem, a hotbed of jazz, where he lived down the block from the Alhambra Theater. Early after his arrival, he bumped into Sonny Greer, who was by then the drummer for the Washingtonians, Duke Ellington's early band. Soon, Basie met many of the Harlem musicians who were "making the scene," including Willie "the Lion" Smith and James P. Johnson. Basie toured in several acts between 1925 and 1927, including Katie Krippen and Her Kiddies as part of the Hippity Hop show; on the Keith, the Columbia Burlesque, and the Theater Owners Bookers Association (T.O.B.A.) vaudeville circuits; and as a soloist and accompanist to blues singers Katie Krippen and Gonzelle White. His touring took him to Kansas City, St. Louis, New Orleans, and Chicago. Throughout his tours, Basie met many jazz musicians, including Louis Armstrong. Before he was 20 years old, he toured extensively on the Keith and TOBA vaudeville circuits as a solo pianist, accompanist, and music director for blues singers, dancers, and comedians. This provided an early training that was to prove significant in his later career. Back in Harlem in 1925, Basie gained his first steady job at Leroy's, a place known for its piano players and its "cutting contests." The place catered to "uptown celebrities," and typically the band winged every number without sheet music using "head arrangements." He met Fats Waller, who was playing organ at the Lincoln Theater accompanying silent movies, and Waller taught him how to play that instrument. (Basie later played organ at the Eblon Theater in Kansas City). As he did with Duke Ellington, Willie "the Lion" Smith helped Basie out during the lean times by arranging gigs at "house-rent parties," introducing him to other leading musicians, and teaching him some piano technique. In 1928, Basie was in Tulsa and heard Walter Page and his Famous Blue Devils, one of the first big bands, which featured Jimmy Rushing on vocals. A few months later, he was invited to join the band, which played mostly in Texas and Oklahoma. It was at this time that he began to be known as "Count" Basie (see Jazz royalty). CANNOTANSWERAnswer this question using a quote from the following article:

Did Basie stay in Texas/Oklahoma, or did he go elsewhere?

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Background: Humphrey Richard Adeane Lyttelton (23 May 1921 - 25 April 2008), also known as Humph, was an English jazz musician and broadcaster from the aristocratic Lyttelton family. Having taught himself the trumpet at school, Lyttelton became a popular figure of the trad jazz revival, leading his own eight-piece band, which recorded a hit single, "Bad Penny Blues", in 1956. As a broadcaster, he presented BBC Radio 2's The Best of Jazz for forty years, and hosted the comedy panel game I'm
Context: From 1967 until April 2007, Lyttelton presented The Best of Jazz on BBC Radio 2, a programme that featured his idiosyncratic mix of recordings from all periods of the music's history, including current material. In 2007 he chose to cut his commitment to two quarterly seasons per year, in order to spend more time on other projects. In 1972 Lyttelton was chosen to host the comedy panel game I'm Sorry I Haven't a Clue (ISIHAC) on BBC Radio 4. The show was originally devised as a comedic antidote to traditional BBC panel games (both radio and television), which had come to be seen as dull and formulaic, and in keeping with the staid middle-class "Auntie Beeb" image. Lyttelton continued in this role until shortly before his death, and was famed both for his deadpan, disgruntled, and occasionally bewildered style of chairmanship, and for his near-the-knuckle doubles entendres and innuendo which, despite always being open to an innocent interpretation, was, according to fellow cartoonist William Rushton, "the filthiest thing on radio" (BBC Radio, unlike BBC Television, has no watershed and thus can feature adult or risque material during any time of day). The programme's success had considerable influence on the manner in which comedy was presented on radio, and Lyttelton's persona was a significant part of that success: he was a straight man surrounded by mayhem. At the time of his death, Lyttelton was the oldest active panel game host in the UK, being two and a half years older than his closest rival, Nicholas Parsons. As well as his other activities, Lyttelton was a keen calligrapher and President of The Society for Italic Handwriting. He named his own record label "Calligraph" after this extracurricular interest. This label, founded in the early 1980s, not only issues his own albums and those of associates, but also re-issues (on CD) his analogue recordings for the Parlophone label in the 1950s. He is reported to have turned down a knighthood in 1995. CANNOTANSWER
Question: what is he most likely to be remembered for

Answer:

BBC Radio,
The Living End are an Australian punk rock band, which formed in 1994. Since 2002 the line up consists of Chris Cheney (vocals, guitar), Scott Owen (double bass, vocals) and Andy Strachan (drums). The band rose to fame in 1997 after the release of their double A-sided single, "Second Solution" / "Prisoner of Society", which peaked at No. 4 on the ARIA Singles Chart. They have released six studio albums and two reached the No. 1 spot on the ARIA Albums Chart: self-titled album (12 October 1998) and State of Emergency (4 February 2006).

The Living End toured Australia for a year, then in August 1997 they recorded new material to sell at their live shows. Their double A-sided single, "Second Solution" / "Prisoner of Society", was issued in January the following year. Also that month they had supported The Offspring on the Australian leg of their tour. "Second Solution" / "Prisoner of Society" peaked at No. 4 on the ARIA Singles Chart, and was certified double-platinum by ARIA for shipment of 140,000 copies. At the ARIA Music Awards of 1998 it won the Highest Selling Single category; and eventually became the highest selling Australian single of the 1990s. It lasted a record-breaking 47 weeks in the Top 50. In October 1998 it peaked at No. 28 on the New Zealand Singles Chart. It was later featured in the game, Guitar Hero World Tour. "Second Solution" was used in the soundtrack for the 2002 movie, Cheats, which starred Trevor Fehrman, Matthew Lawrence, and Mary Tyler Moore. Early in 1998 "Prisoner of Society" was issued as a separate single in the United Kingdom and, the following year, in the US. The single appeared in the top 200 of the UK Singles Chart, and peaked at No. 23 on the Billboard's Alternative Songs Chart. The band signed with Modular Recordings for the release of their debut self-titled album, which appeared on 12 October 1998, and was co-produced by Gravina with the trio. It peaked at No. 1 on the ARIA Albums Chart, became the then-second highest-selling debut rock album in Australian music history and, by 1999, was certified 4x Platinum for shipment of 280,000 units. Their next Australian single, "Save the Day", was issued in September 1998, a month ahead of the album. It made the top 30 on the ARIA Singles Chart. It became their highest charting hit on the New Zealand Singles Chart, where it reached No. 10. From the album, a total of six singles were released including a live cover version of "Tainted Love", which was issued as a radio-only single on Triple J. At the ARIA Music Awards of 1999, The Living End won two more awards: Best Group and Breakthrough Artist - Album. At the ceremony they were also nominated for Album of the Year and Highest Selling Album. In October 2010 their debut album was listed in the book, 100 Best Australian Albums. CANNOTANSWER

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Background: Charles Augustus Lindbergh (February 4, 1902 - August 26, 1974), nicknamed Lucky Lindy, The Lone Eagle, and Slim was an American aviator, military officer, author, inventor, explorer, and environmental activist. At age 25 in 1927, he went from obscurity as a U.S. Air Mail pilot to instantaneous world fame by winning the Orteig Prize: making a nonstop flight from Roosevelt Field, Long Island, New York, to Paris, France. He covered the  33 1/2-hour, 3,600 statute miles (5,800 km) alone in a single-engine purpose-built Ryan monoplane, Spirit of St. Louis. This was the first solo transatlantic flight and the first non-stop flight between North America and mainland Europe.
Context: In the early morning of Friday, May 20, 1927, Lindbergh took off from Roosevelt Field across the Atlantic Ocean for Paris, France. His monoplane was loaded with 450 U.S. gallons (1,704 liters) of fuel that was strained repeatedly to avoid fuel line blockage. The aircraft weighed about 2,710 lb (1,230 kg), and takeoff was hampered by a muddy, rain-soaked runway. Lindbergh's monoplane was powered by a J-5C Wright Whirlwind radial engine and gained speed very slowly during its 7:52 a.m. takeoff, but cleared telephone lines at the far end of the field "by about twenty feet [six meters] with a fair reserve of flying speed". Over the next  33 1/2 hours, Lindbergh and the Spirit faced many challenges, which included skimming over storm clouds at 10,000 ft (3,000 m) and wave tops at as low as 10 ft (3.0 m). The aircraft fought icing, flew blind through fog for several hours, and Lindbergh navigated only by dead reckoning. (He was not proficient at navigating by the sun and stars and he rejected radio navigation gear as heavy and unreliable. He was fortunate that the winds over the Atlantic cancelled each other out, giving him zero wind drift - and thus accurate navigation during the long flight over featureless ocean.) He landed at Le Bourget Aerodrome at 10:22 p.m. on Saturday, May 21. The airfield was not marked on his map and Lindbergh knew only that it was some seven miles northeast of the city; he initially mistook it for some large industrial complex because of the bright lights spreading out in all directions--in fact the headlights of tens of thousands of spectators' cars caught in "the largest traffic jam in Paris history" in their attempt to be present for Lindbergh's landing. A crowd estimated at 150,000 stormed the field, dragged Lindbergh out of the cockpit, and literally carried him around above their heads for "nearly half an hour". Some damage was done to the Spirit (especially to the fine linen, silver-painted fabric covering on the fuselage) by souvenir hunters before pilot and plane reached the safety of a nearby hangar with the aid of French military fliers, soldiers, and police. Lindbergh's flight was certified by the National Aeronautic Association based on the readings from a sealed barograph placed in the Spirit. CANNOTANSWER
Question: Were there other challenges?. Whats the answer?

The aircraft fought icing, flew blind through fog for several hours, and Lindbergh navigated only by dead reckoning. (
The Kingston Trio is an American folk and pop music group that helped launch the folk revival of the late 1950s to late 1960s. The group started as a San Francisco Bay Area nightclub act with an original lineup of Dave Guard, Bob Shane, and Nick Reynolds. It rose to international popularity, fueled by unprecedented sales of LP records, and helped to alter the direction of popular music in the U.S. The Kingston Trio was one of the most prominent groups of the era's pop-folk boom that started in 1958 with the release of their first album and its hit recording of "Tom Dooley", which sold over three million copies as a single.

Over the years, the Kingston Trio expanded its song selection beyond the rearranged traditional numbers, calypso songs, and Broadway show tunes that had appeared on its first several albums. In an obituary for Nick Reynolds (d. October 1, 2008), Spencer Leigh wrote in Britain's Independent on Sunday: Looking at their repertoire now, it is apparent that the Kingston Trio was far more adventurous than is generally supposed. They introduced "It Was A Very Good Year" in 1961, later a standard for Frank Sinatra, and they were one of the first to spot the potential of English language versions of Jacques Brel's songs by recording "Seasons in the Sun" in 1963. They encouraged young songwriters including Hoyt Axton ("Greenback Dollar"), Rod McKuen ("Ally Ally Oxen Free", "The World I Used to Know") and Billy Edd Wheeler ("Reverend Mr Black"). Best of all, in 1962 they introduced listeners to one of the most poignant songs ever written, the anti-war ballad "Where Have All The Flowers Gone?" by Pete Seeger, formerly with the Weavers. Further, Peter Dreier points out that "the group deserves credit for helping to launch the folk boom that brought recognition to older folkies and radicals like Woody Guthrie and Pete Seeger, and for paving the way for newcomers like Joan Baez, Bob Dylan and Phil Ochs, who were well known for their progressive political views and topical songs. By the time these younger folk singers arrived on the scene, the political climate had changed enough to provide a wide audience for protest music." The passage of time may well have made the controversy moot. Writing in the British daily The Guardian, again in an obituary for Reynolds, Ken Hunt asserted that "[the Kingston Trio] helped to turn untold numbers of people on to folk music... [T]hey put the boom in folk boom. The Kingston Trio carried the torch overseas, most notably with their international hit of 1958, Tom Dooley. They were the greatest of the bands to emerge after the McCarthy-era blacklisting of folk musicians and breathed new air into the genre." CANNOTANSWER

What is meant by the 21st-century perspectives?

expanded its song selection beyond the rearranged traditional numbers, calypso songs, and Broadway show tunes that had appeared on its first several albums.
Kaine was born at Saint Joseph's Hospital in St. Paul, Minnesota. He is the eldest of three sons born to Mary Kathleen (nee Burns), a home economics teacher, and Albert Alexander Kaine, Jr., a welder and the owner of a small iron-working shop. He was raised Catholic. One of Kaine's great-grandparents was Scottish and the other seven were Irish.

In the 113th Congress (2013-15), Kaine was on the Committee on Armed Services, the Committee on the Budget, and the Committee on Foreign Relations. In the current (114th) Congress, Kaine is on the same three committees, plus the Special Committee on Aging. In July 2013, Kaine was named chairman of the United States Senate Foreign Relations Subcommittee on Near East, South Asia, Central Asia and Counterterrorism. Within the Senate Armed Services Committee, Kaine is a member of the Subcommittee on Emerging Threats and Capabilities, the Subcommittee on Readiness and Management Support (for which he is the ranking member), and the Subcommittee on Seapower. Within the Senate Foreign Affairs Committee, Kaine is a member of the Subcommittee on State Department and USAID Management, International Operations, and Bilateral International Development (for which he is the ranking member), the Subcommittee on Europe and Regional Security Cooperation, the Subcommittee on Near East, South Asia, Central Asia, and Counterterrorism, and the Subcommittee on Western Hemisphere, Transnational Crime, Civilian Security, Democracy, Human Rights and Global Women's Issues. In January 2014, Kaine, with Republican Senator Rob Portman of Ohio, established the bipartisan Senate Career and Technical Education Caucus (CTE Caucus), which focuses on vocational education and technical education. Kaine and Portman co-chair the caucus. In 2014, Kaine and Portman introduced the CTE Excellence and Equity Act to the Senate; the legislation would provide $500 million in federal funding, distributed by competitive grants, to high schools to further CTE programs. The legislation, introduced as an amendment to the omnibus Carl D. Perkins Career and Technical Education Act of 2006, would promote apprenticeships and similar initiatives. Kaine and Portman introduced similar legislation, the Educating Tomorrow's Workforce Act, in 2017. CANNOTANSWER

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What did he accomplish as a committee member on the budget?