cindermond/bento huggingface dataset:
Eastwood was born on May 31, 1930, in San Francisco, California, the son of Clinton Eastwood Sr. (1906-1970) and Ruth Wood (nee Runner; 1909-2006). Ruth later took the surname of her second husband, John Belden Wood (1913-2004), whom she married after the death of Clinton Sr. Eastwood was nicknamed "Samson" by the hospital nurses because he weighed 11 pounds 6 ounces (5.2 kg) at birth.

Eastwood favors jazz (especially bebop), blues, classic rhythm and blues, classical, and country-and-western music; his favorite musicians include saxophonists Charlie Parker and Lester Young, pianists Thelonious Monk, Oscar Peterson, Dave Brubeck, and Fats Waller, and Delta bluesman Robert Johnson. He is also a pianist and composer. Jazz has played an important role in Eastwood's life from a young age and, although he never made it as a professional musician, he passed on the influence to his son Kyle Eastwood, a successful jazz bassist and composer. Eastwood developed as a boogie-woogie pianist early on and had originally intended to pursue a career in music by studying for a music theory degree after graduating from high school. In late 1959 he produced the album Cowboy Favorites, released on the Cameo label. Eastwood has his own Warner Bros. Records-distributed imprint Malpaso Records, as part of his deal with Warner Brothers, which has released all of the scores of Eastwood's films from The Bridges of Madison County onward. Eastwood co-wrote "Why Should I Care" with Linda Thompson and Carole Bayer Sager, which was recorded by Diana Krall. Eastwood composed the film scores of Mystic River, Million Dollar Baby, Flags of Our Fathers, Grace Is Gone, Changeling, Hereafter, J. Edgar, and the original piano compositions for In the Line of Fire. He wrote and performed the song heard over the credits of Gran Torino. The music in Grace Is Gone received two Golden Globe nominations by the Hollywood Foreign Press Association for the 65th Golden Globe Awards. Eastwood was nominated for Best Original Score, while the song "Grace is Gone" with music by Eastwood and lyrics by Carole Bayer Sager was nominated for Best Original Song. It won the Satellite Award for Best Song at the 12th Satellite Awards. Changeling was nominated for Best Score at the 14th Critics' Choice Awards, Best Original Score at the 66th Golden Globe Awards, and Best Music at the 35th Saturn Awards. On September 22, 2007, Eastwood was awarded an honorary Doctor of Music degree from the Berklee College of Music at the Monterey Jazz Festival, on which he serves as an active board member. Upon receiving the award he gave a speech claiming, "It's one of the great honors I'll cherish in this lifetime." CANNOTANSWER

Answer the following question by taking a quote from the article: Did he make music for any other movies?

Eastwood composed the film scores of Mystic River, Million Dollar Baby, Flags of Our Fathers, Grace Is Gone, Changeling, Hereafter, J. Edgar,
Which entity is this text about?

Josh Groban was born in Los Angeles, California, to Lindy (nee Johnston), a school teacher, and Jack Groban, a businessman. Josh's younger brother, Chris, was born on Josh's fourth birthday. Josh's father is a descendant of Jewish immigrants from Poland and Ukraine, and converted from Judaism to Christianity upon marrying Josh's mother. Josh's mother's ancestry includes English, German, and Norwegian.

In June 2007, Groban recorded a Christmas album in London with the London Symphony Orchestra and the Magdalen College Choir, which he discussed on the DVD from "The Making of Noel". It was released on October 9, 2007, and is titled Noel. The album has been highly successful in the U.S., breaking numerous records for a Christmas album, as well as becoming the best selling album of 2007 in only its tenth week of release, at sales of 3.6 million. On July 1, 2007, Groban performed with Sarah Brightman at the Concert for Diana at Wembley Stadium; it was broadcast to over 500 million homes in 140 countries. On February 10, 2008, Groban performed at the 2008 Grammy Awards with Andrea Bocelli in a tribute to Luciano Pavarotti. On April 14, 2008, Groban joined Idina Menzel for a PBS Soundstage taping. The next day, he held his own taping for the same PBS TV series at Lincoln Center's Rose Hall at Jazz in Manhattan. On May 12 and 13, 2008 At Royal Albert Hall, London, Groban performed as "The Russian" Anatoly Sergievsky; joining with Broadway stars Idina Menzel and Adam Pascal in "Chess in Concert" a live concert version of the musical Chess composed by Benny Andersson and Bjorn Ulvaeus of ABBA fame. This performance has since been made into a DVD and CD recording. On September 21, 2008, Groban performed a comical medley of well-known TV theme songs at the 60th Annual Primetime Emmy Awards. In December 2008, Groban appeared on Never Mind the Buzzcocks. He performed a duet with Only Men Aloud! at the Royal Variety Show at the London Palladium for the Prince of Wales and Duchess of Cornwall. On January 18, 2009, Groban performed as part of the Presidential Inauguration ceremonies, performing "My Country 'Tis of Thee" in duet with Heather Headley. On January, 19. 2009, Groban performed with Herbie Hancock as part of Feeding America's Rally Against Hunger in Washington DC. The event was also attended by Martin Luther King III and actor Ben Affleck. At the 2010 BCS National Championship Game, he performed the Star Spangled Banner on Jan. 7, 2010, with Red Hot Chili Peppers bassist Flea, at the historic Rose Bowl in Pasadena, California. CANNOTANSWER

Josh Groban
Background: Dando was born at Ashcombe House Maternity Home in Weston-super-Mare, Somerset. She was the daughter of Jack Dando (February 1918 - February 2009), who died in Weston-super-Mare on his 91st birthday, and Winifred Mary Jean Dando (August 1928 - January 1986), who died of leukaemia aged 57. Her only sibling, brother Nigel (born 1952), worked as a journalist for BBC Radio Bristol but retired in 2017, having previously worked as a journalist in local newspapers since the 1970s. Dando was raised as a Baptist.
Context: Dando's first job was as a trainee reporter for the local weekly newspaper, the Weston Mercury, where her father and brother worked. After five years as a print journalist, she started to work for the BBC becoming a newsreader for BBC Radio Devon in 1985. That year, she transferred to BBC South West, where she presented a regional news magazine programme, Spotlight South West. In 1987, she worked for Television South West, then worked for BBC Spotlight in Plymouth. In early 1988, Dando moved from regional to national television in London to present BBC television news, specifically the short on-the-hour bulletins that aired on both BBC1 and BBC2 from 1986 until the mid-1990s. Dando presented the BBC television programmes Breakfast Time, Breakfast News, the BBC One O'Clock News, the Six O'Clock News, the travel programme Holiday, the crime appeal series Crimewatch (from 1995 until her death) and occasionally Songs of Praise. In 1994, she moved to Fulham. On 25 April 1999, Dando presented the first episode of The Antiques Inspectors. She was scheduled to present the Six O'Clock News on the evening of the following day. She was featured on the cover of that week's Radio Times magazine (for 24 to 30 April). At the time of her death, she was among those with the highest profile of the BBC's on-screen staff, and had been the 1997 BBC Personality of the Year. Crimewatch reconstructed her murder in an attempt to aid the police in the search for her killer. After Barry George was charged with the murder but acquitted, Crimewatch made no further appeals for information concerning the case. CANNOTANSWER
Question: Anything interesting about her career?

Answer:

Dando presented the BBC television programmes Breakfast Time, Breakfast News, the BBC One O'Clock News, the Six O'Clock News,
Sanctus Real is an American Christian rock band formed in Toledo, Ohio, in 1996. The group is composed of Chris Rohman (lead guitar), Mark Graalman (drums), and Dustin Lolli (lead vocals). The band is best known for their number one singles "Lead Me", "Forgiven", "Whatever You're Doing", "I'm Not Alright", "Don't Give Up", "We Need Each Other", "

The band recorded a cover of U2's song, "Beautiful Day", for the compilation album In the Name of Love: Artists United for Africa, which was released at the beginning of 2004. The track reached number 1 on R&R magazine's Christian rock chart in 2004, becoming their first chart-topping single. "Beautiful Day" also received a GMA Dove Award nomination for Modern Rock Song of the Year in 2004. The band also did a cover of the song "Promised Land" for the 2004 album Veggie Rocks. In February 2004, the band went back in studio to record their second album; almost all of its tracks were written the previous month. It was recorded in six weeks with producer Tedd T, and soon released under the title Fight the Tide in June 2004. The lead single "Everything About You" was released in mid-2004, and by September it had stayed at number 1 on R&R's Christian rock chart for six consecutive weeks. The song was later featured on the X 2006 compilation album in 2005. In September 2004, Sanctus Real launched their first headlining tour, the Fight the Tide Tour. The tour featured guest bands Hawk Nelson, Seven Places and Ever Stays Red, and traveled through more than 25 cities. After being nominated in late 2004, Fight the Tide won the GMA Dove Award for "Modern Rock Album of the Year" in early 2005. Released near the beginning of the year, "The Fight Song" was Sanctus Real's next single, and in May 2005 it reached the top of R&R's Christian rock chart, becoming the band's third number 1 song. In April 2005, bass player Steve Goodrum left the band and was replaced by Dan Gartley, a previous touring member of Relient K. Gartley played his first concert with Sanctus Real at the Agape Festival in May 2005. CANNOTANSWER

Ask a question about this article.

when did they go on tour?
A daughter of Charles and Anais Lenglen, Suzanne Lenglen was born in Paris. During her youth, she suffered from numerous health problems including chronic asthma, which also plagued her at a later age. Because his daughter was so frail and sickly, Charles Lenglen, the owner of a carriage company, decided that it would be good for her to compete in tennis and gain strength. Her first try at the game was in 1910, when she played on the tennis court at the family property in Marest-sur-Matz.

During this period, Lenglen's only defeat in singles (not counting pre-match withdrawals) occurred in an unscheduled appearance at the 1921 US Championships. To raise reconstruction funds for the regions of France that had been devastated by the battles of World War I, she went to the United States to play several exhibition matches against the Norwegian-born US champion, Molla Bjurstedt Mallory. Lenglen arrived in New York City the day before the tournament after a stormy and delayed sea voyage, during which she was ill the whole time. Upon arrival, Lenglen learned that, without her permission, tournament officials had announced her participation in the US Championships. Because of immense public pressure, she agreed to play in the tournament despite suffering from what was diagnosed later as whooping cough. As a concession, she was given a day to recover. To her surprise, there was no seeding for the event and her name had been drawn to play Eleanor Goss, a leading American player. Goss immediately defaulted, leaving Lenglen to face Mallory in the second round as her first opponent. In their match, Lenglen lost the first set 6-2 and just as the second set got underway, she began coughing and burst into tears, unable to continue. The crowd jeered her as she walked off the court, and the American press severely criticised her. This worsened when, under doctor's orders after it was confirmed that she was afflicted with whooping cough, she cancelled her exhibition match. Unaccustomed to such treatment, a devastated Lenglen went home. Once healthy, she set about preparing herself for redemption. In the singles final at Wimbledon the following year, she defeated Mallory in only 26 minutes, winning 6-2, 6-0, reputedly the fastest Ladies' major tournament match on record. The two met again later that year at a tournament in Nice where, with Lenglen showing her complete mastery of the sport, Mallory failed to win even one game. Mary K. Browne relates that she asked Lenglen how she greeted Mallory at the net after the game when they met to shake hands. She said that Lenglen told her that after shaking hands she emitted a couple of gentle 'coughs'. CANNOTANSWER

Using a quote from the above article, answer the following question: How did the first matches go?

Because of immense public pressure, she agreed to play in the tournament despite suffering from what was diagnosed later as whooping cough.
Mary Wollstonecraft Shelley (nee Godwin; 30 August 1797 - 1 February 1851) was an English novelist, short story writer, dramatist, essayist, biographer, and travel writer, best known for her Gothic novel Frankenstein: or, The Modern Prometheus (1818). She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin, and her mother was the philosopher and feminist Mary Wollstonecraft.

In 1840 and 1842, mother and son travelled together on the continent, journeys that Mary Shelley recorded in Rambles in Germany and Italy in 1840, 1842 and 1843 (1844). In 1844, Sir Timothy Shelley finally died at the age of ninety, "falling from the stalk like an overblown flower", as Mary put it. For the first time, she and her son were financially independent, though the estate proved less valuable than they had hoped. In the mid-1840s, Mary Shelley found herself the target of three separate blackmailers. In 1845, an Italian political exile called Gatteschi, whom she had met in Paris, threatened to publish letters she had sent him. A friend of her son's bribed a police chief into seizing Gatteschi's papers, including the letters, which were then destroyed. Shortly afterwards, Mary Shelley bought some letters written by herself and Percy Bysshe Shelley from a man calling himself G. Byron and posing as the illegitimate son of the late Lord Byron. Also in 1845, Percy Bysshe Shelley's cousin Thomas Medwin approached her claiming to have written a damaging biography of Percy Shelley. He said he would suppress it in return for PS250, but Mary Shelley refused. In 1848, Percy Florence married Jane Gibson St John. The marriage proved a happy one, and Mary Shelley and Jane were fond of each other. Mary lived with her son and daughter-in-law at Field Place, Sussex, the Shelleys' ancestral home, and at Chester Square, London, and accompanied them on travels abroad. Mary Shelley's last years were blighted by illness. From 1839, she suffered from headaches and bouts of paralysis in parts of her body, which sometimes prevented her from reading and writing. On 1 February 1851, at Chester Square, she died at the age of fifty-three from what her physician suspected was a brain tumour. According to Jane Shelley, Mary Shelley had asked to be buried with her mother and father; but Percy and Jane, judging the graveyard at St Pancras to be "dreadful", chose to bury her instead at St Peter's Church, Bournemouth, near their new home at Boscombe. On the first anniversary of Mary Shelley's death, the Shelleys opened her box-desk. Inside they found locks of her dead children's hair, a notebook she had shared with Percy Bysshe Shelley, and a copy of his poem Adonais with one page folded round a silk parcel containing some of his ashes and the remains of his heart. CANNOTANSWERAnswer this question using a quote from the following article:

What was her son's name?

CANNOTANSWER
Background: Schuur was born in Tacoma, Washington, two months premature and weighing less than three pounds. Complications of prematurity resulted in her total loss of vision. Her twin brother, David, had normal vision at birth but some hearing loss. She also has a younger sister.
Context: In 1975, at age 22, Schuur auditioned for drummer/bandleader Ed Shaughnessy. Escorted by her twin brother, she went backstage to seek out Shaughnessy after he had finished a concert in Seattle with bandleader Doc Severinsen. Shaughnessy said, "Doc's concert was over and this young blind girl comes in and sits down at the Fender Rhodes keyboard and starts singing the blues. Well, my hair stood on end!" He hired her to be the vocalist in his orchestra, "Energy Force". Jazz trumpeter Dizzy Gillespie heard her and, in 1979, invited her to sit in on a set at the Monterey Jazz Festival. According to Dave Gelly in his 2002 book, Stan Getz: Nobody Else But Me, Schuur's performance created "a minor sensation". Despite this success, the Shaughnessy connection was not the breakthrough she had hoped for. Schuur failed to impress bandleader Doc Severinsen, who turned her down when she auditioned for a guest spot on Johnny Carson's Tonight Show. Some people in the industry dubbed her "Lady Overkill" because she had a tendency to oversing or tried to put everything she knew into a brief space. For the next three years, Shuur performed in clubs and sharpened her skills. Jazz saxophonist Stan Getz, who had been impressed when he heard her sing "Amazing Grace" at Monterey in 1979, did not give up on her. He became her advisor and coach. Discussing Getz in this role, Schuur stated, "he really was a mentor of mine. He taught me that less is more." Schuur recorded her first album, Pilot of my Destiny in 1981 in Seattle on the independent label, Great American Records. It included some of her original compositions and Getz performed on it. Entertainment writer Michael Hoffman, writing in the Arizona Daily Star, said the album suffered from "poor production and distribution" and did not do very well. The album has become a collectors' item since the original masters were lost. It was re-released on the MIM Label in 1982, on vinyl only. CANNOTANSWER
Question: Did she ever make it on a TV show?

Answer:

CANNOTANSWER
Background: The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programs such as Doctor Who and Quatermass and the Pit during the 1950s and '60s. The original Radiophonic Workshop was based in the BBC's Maida Vale Studios in Delaware Road, Maida Vale, London. The Workshop was closed in March 1998, although much of its traditional work had already been outsourced by 1995.
Context: In 1958, Desmond Briscoe was appointed the Senior Studio Manager with Dick Mills employed as a technical assistant. Much of The Radiophonic Workshop's early work was in effects for radio, in particular experimental drama and "radiophonic poems". Their significant early output included creating effects for the popular science-fiction serial Quatermass and the Pit and memorable comedy sounds for The Goon Show. In 1959, Daphne Oram left the workshop to set up her own studio, the Oramics Studios for Electronic Composition, where she eventually developed her "Oramics" technique of electronic sound creation. That year Maddalena Fagandini joined the workshop from the BBC's Italian Service. From the early sixties the Workshop began creating television theme tunes and jingles, particularly for low budget schools programmes. The shift from the experimental nature of the late 50s dramas to theme tunes was noticeable enough for one radio presenter to have to remind listeners that the purpose of the Workshop was not pop music. In fact, in 1962 one of Fagandini's interval signals "Time Beat" was reworked with assistance from George Martin (in his pre-Beatles days) and commercially released as a single using the pseudonym Ray Cathode. During this early period the innovative electronic approaches to music in the Workshop began to attract some significant young talent including Delia Derbyshire, Brian Hodgson and John Baker, who was in fact a jazz pianist with an interest in reverse tape effects. Later, in 1967. they were joined by David Cain, a jazz bass player and mathematician. In these early days, one criticism the Workshop attracted was its policy of not allowing musicians from outside the BBC to use its equipment, which was some of the most advanced in the country at that time not only because of its nature, but also because of the unique combinations and workflows which the Workshop afforded its composers. In later years this would become less important as more electronic equipment became readily available to a wider audience. CANNOTANSWER
Question: What else did the workshop do in the early days?

Answer:

some of the most advanced in the country at that time not only because of its nature, but also because of the unique combinations and workflows
Hugh Edward McElhenny Jr. (born December 31, 1928) is a former professional American football player who was a halfback in the National Football League (NFL) from 1952 to 1964 for the San Francisco 49ers, Minnesota Vikings, New York Giants, and Detroit Lions. He was noted for his explosive, elusive running style and was frequently called "The King" and "Hurryin' Hugh". A member of San Francisco's famed "Million Dollar Backfield" and one of the franchise's most popular players, McElhenny's number 39 jersey is retired by the 49ers and he is a member of the San Francisco 49ers Hall of Fame. McElhenny first rose to stardom as a standout all-around player for Compton Junior College in 1948.

McElhenny gained 11,375 all-purpose yards in his thirteen-year career and retired as one of just three players to eclipse 11,000 yards. He was nicknamed "The King" while with the 49ers because he was "the most feared running back in the NFL." 49ers quarterback Frankie Albert gave him the nickname in the locker room following McElhenny's fourth game as a rookie, in which he returned a punt 96 yards for a touchdown against the Bears. He was elected to the Pro Football Hall of Fame in 1970, an honor he described as the highlight of his life. Others inducted in the class were contemporaries Jack Christiansen, Tom Fears, and Pete Pihos. His jersey number 39 is retired by the 49ers, and by virtue of his membership in the pro hall of fame, he was automatically inducted as a charter member of the San Francisco 49ers Hall of Fame in 2009. NFL Network ranked him the fourth most elusive runner of all time in 2007. McElhenny was inducted into State of Washington Sports Hall of Fame in 1963 and the College Football Hall of Fame in 1981. As of 2016, his 12 rushing touchdowns in 1950 and 13 in 1951 both remain in the top ten all-time for a Washington player in a single season, and his 28 career rushing touchdowns tie him for sixth in school history. On January 20, 1985, McElhenny participated in the opening coin toss at Super Bowl XIX at Stanford Stadium, along with U.S. President Ronald Reagan, who participated by video feed from the White House after having been sworn into his second term of office earlier that day. CANNOTANSWER

Ask a question about this article.

Are there any other interesting aspects about this article?
Smash is the third studio album by American punk rock band The Offspring. After touring in support of their previous album, Ignition (1992), The Offspring began recording Smash in January 1994 at Track Record in North Hollywood, California. Recording and production were finished a month later, and the album was released on April 8, 1994 on Epitaph Records.

Punk rock bands like Green Day and Rancid were gaining popularity, and riding on this wave of popularity, Smash's singles became radio rock hits. An example of this was the success of The Offspring's first major single release, "Come Out and Play", which reached #1 on Billboard Modern Rock Tracks chart. The second single released from the album, "Self Esteem", became a radio hit, managing to peak at number 4 on the Billboard Modern Rock Tracks chart, although it didn't hit number 1 like its prior hit, "Self Esteem" was actually more popular and more successful worldwide. The lyrics are about an abusive relationship in which the girl takes advantage of her boyfriend, as he has "no self-esteem" to stand up to her. Contrary to popular belief, the song is not autobiographical. In an interview Dexter revealed that it is about one of his old friends. This song was the most successful and most popular of the album's three singles. The third single, "Gotta Get Away" was another rock radio hit, although it was not as successful as the previous two singles. The song reached number 6 on the Billboard Modern Rock Tracks chart. Being the last song written for the album, the lyrics describe a point in Dexter's life when he was suffering from extreme pressure due to the then-upcoming deadline of the album. "What Happened To You" is driven by a Jamaican ska beat. A fourth song, "Bad Habit", received radio play in some areas, but was never officially released. However, it is often their set opener and is a favorite among fans. The lyrics discuss road rage to the point where the protagonist shoots at the car in front of him. The only cover in the album was "Killboy Powerhead", by The Didjits. CANNOTANSWER

Using a quote from the above article, answer the following question: What are the lyrics about?

The lyrics discuss road rage to the point where the protagonist shoots at the car in front of him.
The style of the current novelists can be traced back to the "Young Pens" (Genc Kalemler) journal in the Ottoman period. Young Pens was published in Selanik under Omer Seyfettin, Ziya Gokalp and Ali Canip Yontem. They covered the social and political concepts of their time with the nationalistic perspective. They were the core of a movement which became known as the "national literature." With the declaration of the Turkish Republic in 1923, Turkish literature became interested in folkloric styles. This was also the first time since the 19th century that Turkish literature was escaping from Western influence and began to mix Western forms with other forms. During the 1930s, Yakup Kadri Karaosmanoglu and Vedat Nedim Tor published Kadro, which was revolutionary in its view of life. Stylistically, the early prose of the Republic of Turkey was essentially a continuation of the National Literature movement, with Realism and Naturalism predominating. This trend culminated in the 1932 novel Yaban (The Wilds) by Yakup Kadri Karaosmanoglu. This novel can be seen as the precursor to two trends that would soon develop: social realism, and the "village novel" (koy romani). The social realist movement was led by the short-story writer Sait Faik Abasiyanik. The major writers of the "village novel" tradition were Kemal Tahir, Orhan Kemal, and Yasar Kemal. In a very different tradition, but evincing a similar strong political viewpoint, was the satirical short-story writer Aziz Nesin. Other important novelists of this period were Ahmet Hamdi Tanpinar and Oguz Atay. Orhan Pamuk, winner of the 2006 Nobel Prize in Literature, is among the innovative novelists, whose works show the influence of postmodernism and magic realism. Important poets of the Republic of Turkey period include Ahmet Hasim, Yahya Kemal Beyatli and Nazim Hikmet (who introduced the free verse style). Orhan Veli Kanik, Melih Cevdet Anday and Oktay Rifat led the Garip movement; while Turgut Uyar, Edip Cansever and Cemal Sureya led the Ikinci Yeni movement. Outside of the Garip and Ikinci Yeni movements, a number of other significant poets such as Fazil Husnu Daglarca, Behcet Necatigil and Can Yucel also flourished. Orhan Pamuk is a leading Turkish novelist of post-modern literature. His works have been translated into more than twenty languages. He is the recipient of major Turkish and international literary awards, such as the 2006 Nobel Prize in Literature. CANNOTANSWER

Answer this question "Were there any other important journals?" by extracting the answer from the text above.

They covered the social and political concepts of their time with the nationalistic perspective. They were the core of a movement which became known as the "national literature."
The Righteous Brothers are an American musical duo of Bill Medley and (formerly) Bobby Hatfield. They began performing together in 1962 in the Los Angeles area as part of a five-member group called the Paramours, but adopted the name "The Righteous Brothers" when they embarked on their recording career as a duo. Their most active recording period was in the 1960s and 70s, and although the duo was inactive for some years, Hatfield and Medley reunited in 1981 and continued to perform until Hatfield's death in 2003. Their emotive vocal style is sometimes dubbed "blue-eyed soul".

The duo split up in February 1968, a breakup that would last for more than six years, when Medley left to pursue a solo career. Medley recorded a few solo recordings on several labels, while Hatfield teamed up with singer Jimmy Walker (from The Knickerbockers) using the Righteous Brothers name on the MGM label. Medley first recorded "I Can't Make It Alone" written by Carole King, but the song failed to make much of an impact. The following single, "Brown Eyed Woman" written by Mann and Weil, performed better. However, neither he nor Hatfield were able to match their previous chart success. Hatfield and Jimmy Walker recorded an album, Re-Birth, as "The Righteous Brothers" before disbanding in 1971. In a 2013 interview, Jimmy Walker said he had wanted to continue, but Hatfield decided to take a break and broke up the act. In 1969, Hatfield appeared in a TV movie, The Ballad of Andy Crocker, and also recorded "Only You". He released a solo album, Messin' In Muscle Shoals in 1971. According to Medley, he was performing three shows a night in Las Vegas, but finding it too much of a strain on his voice singing solo, and under advice he sought out Hatfield to reform The Righteous Brothers; Hatfield at this point was broke and living alone in a small apartment. In 1974, Medley and Hatfield announced their reunion at an appearance on The Sonny & Cher Comedy Hour. They signed with Haven Records, run by producers Dennis Lambert and Brian Potter and distributed by Capitol Records. Within a few weeks of reforming, they recorded Alan O'Day's "Rock and Roll Heaven", a paean to several deceased rock singers which became a hit, peaking at No. 3 on the Billboard Hot 100. Several more minor hits on Haven followed. After 1975, however, the Righteous Brothers would not appear in music charts except for re-releases of older songs and compilation albums, some of which were re-recordings of earlier works. CANNOTANSWER

Ask a question about this article.

Why did they disband?
DJs Daddy G and Andrew Vowles and graffiti artist-turned-rapper Robert Del Naja met as members of partying collective The Wild Bunch. One of the first homegrown soundsystems in the UK, The Wild Bunch became dominant on the Bristol club scene in the mid-1980s. Massive Attack started as a spin-off production trio in 1988, with the independently released song, "Any Love", sung by falsetto-voiced singer-songwriter Carlton McCarthy, and then, with considerable backing from Neneh Cherry, they signed to Circa Records in 1990 - committing to deliver six studio albums and a "best of" compilation. Circa became a subsidiary of, and was later subsumed into, Virgin Records, which in turn was acquired by EMI. Blue Lines (1991), was co-produced by Jonny Dollar and Cameron McVey, who also became their first manager. Geoff Barrow, who went on to form Portishead, was an intern and trainee tape operator at Bristol's Coach House studio when the album was recorded. McVey (credited at the time as 'Booga Bear') and his wife, Neneh Cherry, provided crucial financial support and in-kind assistance to the early careers of Massive Attack, Portishead and Tricky during this period, even paying regular wages to them through their Cherry Bear Organisation. Massive Attack used guest vocalists, interspersed with Del Naja and Marshall's (initially Tricky's) own sprechgesang stylings, on top of what became regarded as an essentially British creative sampling production; a trademark sound that fused down-tempo hip hop, soul, reggae and other eclectic references, musical and lyrical. In the nineties, the trio became known for often not being able to easily get along with one another and working increasingly separately. Andy Vowles (Mushroom), who had once thought of himself as the trio's musical director, acrimoniously left Massive Attack in late 1999, after an ultimatum from the other two members to end the group immediately if he did not. Despite having taken Del Naja's side in the effective firing of Vowles and then participating in a show-of-unity webcast as a duo the following year, Grant Marshall (G) had also effectively left by 2001 in that he abandoned the studio altogether. Marshall returned to a studio role in 2005, having joined the touring line-up in 2003 and 2004. CANNOTANSWER

Answer this question "Did the trio recruit additional members?" by extracting the answer from the text above.

co-produced by Jonny Dollar and Cameron McVey, who also became their first manager.
The diary gives a detailed account of Pepys' personal life. He liked wine, plays, and the company of other people. He also spent time evaluating his fortune and his place in the world. He was always curious and often acted on that curiosity, as he acted upon almost all his impulses. Periodically, he would resolve to devote more time to hard work instead of leisure. For example, in his entry for New Year's Eve, 1661, he writes: "I have newly taken a solemn oath about abstaining from plays and wine..." The following months reveal his lapses to the reader; by 17 February, it is recorded, "Here I drank wine upon necessity, being ill for the want of it." Pepys was one of the most important civil servants of his age, and was also a widely cultivated man, taking an interest in books, music, the theatre and science. He was passionately interested in music; he composed, sang, and played for pleasure, and even arranged music lessons for his servants. He played the lute, viol, violin, flageolet, recorder and spinet to varying degrees of proficiency. He was also a keen singer, performing at home, in coffee houses, and even in Westminster Abbey. He and his wife took flageolet lessons from master Thomas Greeting. He also taught his wife to sing and paid for dancing lessons for her (although these stopped when he became jealous of the dancing master). Pepys was known to be brutal to his servants, once beating a servant Jane with a broom until she cried. He kept a boy servant whom he frequently beat with a cane, a birch rod, a whip or a rope's end. CANNOTANSWER

Answer this question "What instruments did he play?" by extracting the answer from the text above.

the lute, viol, violin, flageolet, recorder and spinet to varying degrees of proficiency. He was also a keen singer,
Smash is the third studio album by American punk rock band The Offspring. After touring in support of their previous album, Ignition (1992), The Offspring began recording Smash in January 1994 at Track Record in North Hollywood, California. Recording and production were finished a month later, and the album was released on April 8, 1994 on Epitaph Records.

Punk rock bands like Green Day and Rancid were gaining popularity, and riding on this wave of popularity, Smash's singles became radio rock hits. An example of this was the success of The Offspring's first major single release, "Come Out and Play", which reached #1 on Billboard Modern Rock Tracks chart. The second single released from the album, "Self Esteem", became a radio hit, managing to peak at number 4 on the Billboard Modern Rock Tracks chart, although it didn't hit number 1 like its prior hit, "Self Esteem" was actually more popular and more successful worldwide. The lyrics are about an abusive relationship in which the girl takes advantage of her boyfriend, as he has "no self-esteem" to stand up to her. Contrary to popular belief, the song is not autobiographical. In an interview Dexter revealed that it is about one of his old friends. This song was the most successful and most popular of the album's three singles. The third single, "Gotta Get Away" was another rock radio hit, although it was not as successful as the previous two singles. The song reached number 6 on the Billboard Modern Rock Tracks chart. Being the last song written for the album, the lyrics describe a point in Dexter's life when he was suffering from extreme pressure due to the then-upcoming deadline of the album. "What Happened To You" is driven by a Jamaican ska beat. A fourth song, "Bad Habit", received radio play in some areas, but was never officially released. However, it is often their set opener and is a favorite among fans. The lyrics discuss road rage to the point where the protagonist shoots at the car in front of him. The only cover in the album was "Killboy Powerhead", by The Didjits. CANNOTANSWER

Using a quote from the above article, answer the following question: Did they say who the song was about?

In an interview Dexter revealed that it is about one of his old friends.
Background: Ian William Geddes Johnson CBE (8 December 1917 - 9 October 1998) was an Australian cricketer who played 45 Test matches as a slow off-break bowler between 1946 and 1956. Johnson captured 109 Test wickets at an average of 29.19 runs per wicket and as a lower order batsman made 1,000 runs at an average of 22.92 runs per dismissal. He captained the Australian team in 17 Tests, winning seven and losing five, with a further five drawn. Despite this record, he is better known as the captain who lost consecutive Ashes series against England.
Context: On the return journey from England, the Australians toured India and Pakistan for the first time, with mixed results. On a matting pitch, unfamiliar to the Australians, Johnson's team lost the inaugural Test against Pakistan at Karachi. Responding to the loss, a cartoon drawn by Norman Mitchell of the Adelaide News newspaper suggested island planters might be able to scrape together a team that would be a match for the Australians. Returning to turf pitches in India, the Australians restored some pride. Johnson was the highest scorer in the Australian team's victory by an innings and five runs in the First Test at Nehru Stadium in Madras. Due to injury, both Johnson and Miller missed the drawn Second Test at Brabourne Stadium at Bombay; Lindwall skippered the side. Johnson returned for the Third Test at Eden Gardens, Calcutta for what would ultimately prove to be his final Test. The Australians won the match by 94 runs, giving them a 2-0 series win. S. K. Gurunathan, summing up in the Indian Cricket Almanack, wrote: "The Australians showed themselves to be a superior side even when their batting failed". When the team finally arrived home, Johnson announced his retirement from all cricket at the age of 39. In all, he played 45 Tests, capturing 109 wickets at an average of 29.19, including three five-wicket hauls. He scored exactly 1,000 runs, making him one of only fourteen Australians to achieve the double of 1,000 runs and 100 wickets in Test cricket. In all first-class cricket, Johnson had taken 619 wickets and scored 4,905 runs. His record as the Australian captain was mixed; he had captained Australia in 17 Tests, winning seven and losing five. However, he was better known as the first captain to lead Australia to successive Ashes defeats in the 20th century. Reviewing Johnson's time as captain, Wisden said, "Unfortunately for him, he took over in the mid-1950s, when Australian cricket was decidedly inferior to England's for the first time since before the Bradman era" but "he was a fine cricketer and, in some respects, a visionary". CANNOTANSWER
Question: what year did they go back to there home

Answer:

CANNOTANSWER
Richard Marvin Butkus was born in Chicago, Illinois, the youngest of eight children, but the first to be born in a hospital. He was a large baby, weighing 13 pounds 6 ounces (6.1 kg) at birth. His father John, a Lithuanian immigrant to Ellis Island who spoke broken English, was an electrician and worked for the Pullman-Standard railroad company. His mother Emma worked 50 hours a week in a laundry.

Succeeding Hall of Famer Bill George at middle linebacker, Butkus made an immediate impact as a rookie. He established himself as a ball hawk by intercepting five passes and recovering seven opponents' fumbles, and he was also credited unofficially with having forced six fumbles. Against the New York Giants on November 28, he intercepted a pass and recovered a fumble, and was named the NFL Defensive Player of the Week by the AP for the first of four times in his career. He finished third in balloting for the AP's rookie of the year award, behind Sayers and Ken Willard of the San Francisco 49ers, with AP sportswriter Jack Hand remarking that Butkus would have certainly won if there was a separate award for defenders. He was named a first-team All-Pro by the AP and was invited to his first of eight straight Pro Bowls. In 1966, Butkus was named the second-team middle linebacker on the All-Pro teams of the AP, UPI, Newspaper Enterprise Association (NEA), and New York Daily News, with each selector placing him behind Ray Nitschke of the Green Bay Packers. He reclaimed the first-team spot on the UPI and NEA teams in 1967, the AP team in 1968, and the Daily News team in 1969, all of which he occupied through the 1970 season. Butkus scored the first points of his career on November 9, 1969, when he tackled Steelers quarterback Dick Shiner in the end zone for a safety. He also recorded 25 tackles in the game, and for his efforts was recognized as the NFL Defensive Player of the Week by the AP. That 38-7 win for the Bears was their only one of the season; they finished with a 1-13 record, which was the worst in franchise history. Additionally, Butkus' five-year contract had reached its end. A number of Bears players, including Butkus, expressed interest in being traded or cut by the team, but he signed a multi-year contract extension prior to the 1970 season to remain in Chicago. The contract raised his salary from $50,000 per year to nearly $100,000 per year. Despite the ineptitude of the Bears as a team, Butkus developed a reputation around the league as one of its best players. In both 1969 and 1970, he was named the NFL Defensive Player of the Year by the NEA, which was voted on by NFL players. He appeared on the cover of Sports Illustrated in September 1970 with the caption, "The Most Feared Man in the Game". A panel of NFL coaches that year named Butkus the player they would most prefer to start a team with if they were building one from the ground up. CANNOTANSWER

Answer the following question by taking a quote from the article: what was his position?

middle linebacker,
Shriver was born in Chicago, Illinois, the second child and only daughter of the politician Sargent Shriver and activist Eunice Kennedy Shriver. Shriver is the niece of United States President John F. Kennedy, U.S. Attorney General and U.S. Senator Robert F. Kennedy, U.S. Senator Ted Kennedy, and five other prominent siblings. A Roman Catholic, she is of mostly Irish and German descent. Shriver attended Westland Middle School in Bethesda, Maryland, a suburb of Washington, D.C., and graduated in 1973 from Stone Ridge School of the Sacred Heart in Bethesda.

In October 2009, Shriver launched "The Shriver Report: A Woman's Nation Changes Everything," a national study and comprehensive report conducted in partnership with the Center for American Progress, USC's Annenberg Center on Communication, Leadership and Policy, and the Rockefeller Foundation. The Shriver Report revealed that American women, for the first time, make up half of the United States workforce and studied how that fact is impacting major institutions like family, business, government and faith organizations. The report was released in 2013 in partnership with TIME and NBC News. According to The New York Times, the report "was modeled on a study undertaken almost 50 years ago during the administration of John F. Kennedy, Shriver's uncle, and led by Eleanor Roosevelt." The report features, among other things, writings by public figures including Suze Orman, Beyonce, Tammy Duckworth, Billie Jean King, Heidi Hartmann, Susan J. Douglas, Stephanie Coontz, Kristin Rowe-Finkbeiner, John Podesta, and Oprah Winfrey. In 2010 The Shriver Report: A Woman's Nation Takes on Alzheimer's was published. It is a study by Maria Shriver and the Alzheimer's Association. It features, among other things, writings by public figures including Barbra Streisand, Laura Bush, Patti Davis, Soleil Moon Frye, Rosalynn Carter, Susan Collins, Kathleen Sebelius, Barbara Mikulski, Kathleen Sebelius, and Joe Biden. In 2014, The Shriver Report: A Woman's Nation Pushes Back from the Brink was published; it is about women and their children in poverty. It is by Maria Shriver, with editors Olivia Morgan, and Karen Skelton, and features, among other things, writings by public figures including Carol Gilligan, Beyonce, Joan Chittister, Ai-Jen Poo, Eva Longoria, Stephanie Coontz, Jennifer Garner, Kathleen Sebelius, Jada Pinkett Smith, Anne-Marie Slaughter, Tory Burch, Sheryl Sandberg, Kirsten Gillibrand, Barbara Ehrenreich, LeBron James, and Hillary Clinton. CANNOTANSWER

Ask a question about this article.

What did the report state?
Background: Michael Kiske (born January 24, 1968) is a German singer best known as the lead vocalist for the German power metal band Helloween. After his departure from the band, Kiske recorded four solo albums, participated on various metal and rock related projects, such as Avantasia, Place Vendome and Kiske/Somerville, while he also performed with numerous bands as a guest vocalist. In late 2009, he formed the hard rock / heavy metal band Unisonic and began touring again after 17 years of absence. On October 2017 Kiske joined Helloween and Kai Hansen for the "Pumpkins United World Tour" that will continue throughout 2018.
Context: On August 16, 1996, three years after leaving Helloween, Kiske released his first solo album, Instant Clarity. The album featured guest appearances by Adrian Smith of Iron Maiden, Kai Hansen and Ciriaco Taraxes and contained songs in a wide variety of styles. A music video for the ballad "Always", dedicated to deceased Helloween drummer Ingo Schwichtenberg, was filmed and produced in New York City. Instant Clarity was reissued in 2006 with the addition of 4 bonus tracks. During the same year he also wrote a book, 'Kunst Und Materialismus', which is only available in German. His second solo album, Readiness to Sacrificeincluded sings by Ciriaco Taraxes, it was released in Korea and Japan in 1999, and in Europe in 2001. The music on the album featured Michael moving completely away from his heavy metal roots and even contained two symphonic songs. In 2003, out of desire to make rock music again, Kiske formed a project, named SupaRed. They released a self-titled album in January 2003. This album had a modern rock sound and a song structure, distinct from both his solo albums and the heavy metal sound of Helloween. The project was under promoted and unsuccessful and he dissolved the band. In 2006, Michael Kiske released his third full-length solo album under the name of Kiske. The album contained songs in a mellow, acoustic singer-songwriter style and was a step away from the sound of his previous solo albums. According to Michael "It's a healthy-careless and musically free album. I am very proud of this record because it is a true statement from myself". In 2008, Kiske released his fourth solo work, entitled Past in Different Ways. The album contained acoustic re-arrangements of his old Helloween material and one new song. According to Kiske the album "on one hand shows that I don't reject my past just because I'm a different person today, and on the other hand it can maybe give people who were part of that past a different view at those songs". CANNOTANSWER
Question: Was it a success?

Answer:

CANNOTANSWER