cindermond/bento huggingface dataset:
Yui (born March 26, 1987), stylized as YUI or yui, is a Japanese singer-songwriter, multi-instrumentalist, and actress. Born and raised in Fukuoka prefecture, she played live at various locations in her hometown before being noticed by Sony Music Japan when she was 17 years old, and released her debut single months later. Her singles, however, were only met with moderate success until the breakout "Good-bye Days", which charted for 44 weeks on Oricon and marked her as one of the Japanese music industry's rising stars. Since Yui's debut album, From Me to You, each of her soloist album releases has topped the charts, with at least one single reaching number one on the Oricon charts from 2007 until her second hiatus in 2012, including five straight from mid-2008 to late 2010.

Yui was born in Fukuoka, Japan. The Associated Press has reported that her full name is Yui Yoshioka. She grew up in a single-parent family, her father leaving her mother when she was three. Growing up, Yui asserted that she had always been close to music, as she would remember the beats from music she heard on the radio, and would be able to sing it. During elementary school, Yui thought she would like to become a singer. Self-described as shy and horrible at talking to others as a child, she would play outside by herself in mountains, rivers, by the sea and in rice paddies. During her third year in primary school, she was influenced by her mother to begin writing a journal of her feelings and tried to compose them into poems. By the time Yui attended high school, she began to write songs, thinking of that as being able to express herself little by little. While in high school, she worked part-time at a Chinese restaurant to help pay for tuition. Between music, school and work, however, she only had one or two hours of sleep, and believed she no longer had the time to realize her dreams of a music career. She subsequently became ill; however, it was at the hospital that she was overwhelmed with the desire to make music, and finally decided that school and music could not coexist. Soon after leaving the hospital, she got a chance to see her first live street performance. She expressed a desire to pursue a musical career to the band, Bianco Nero, at the end of the concert. The band advised Yui to join a private music school, juku. Despite the social norm of finishing school in Japan and discouragement from her teachers, Yui did not hesitate to drop out of high school and began to study guitar and songwriting at the music cram school "Voice" in her hometown of Fukuoka. Aspiring to become a professional, she took to street performing at Fukuoka's Tenjin Station. These street performances helped Yui to overcome her shyness. CANNOTANSWER

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During her third year in primary school, she was influenced by her mother to begin writing a journal of her feelings and tried to compose them into poems.
Lyttelton was born at Eton College, (then in Buckinghamshire), where his father, George William Lyttelton (second son of the 8th Viscount Cobham), was a house master. (As a male-line descendant of Charles Lyttelton, Lyttelton was in remainder to both the Viscountcy Cobham and the Barony of Lyttelton.) From Sunningdale Preparatory School, Lyttelton duly progressed to Eton College. He was a cousin of the 10th Viscount Cobham and a great-nephew of the politician and sportsman Alfred Lyttelton, the first man to represent England at both football and cricket, both of whom also attended Eton. At Eton, Lyttelton fagged for Lord Carrington and formed his love of jazz. He was inspired by the trumpeters Louis Armstrong (who subsequently referred to Lyttelton as "that cat in England who swings his ass off") and Nat Gonella. He taught himself the instrument, and formed a quartet at the school in 1936 that included the future journalist Ludovic Kennedy on drums. After leaving school, Lyttelton spent some time at the Port Talbot steel plate works in South Wales, an experience which led to him becoming what he termed a "romantic socialist". After being called up for war service, he was commissioned in the Grenadier Guards as a second lieutenant on 29 November 1941 alongside future politician Mark Bonham Carter, and seeing action at Salerno, Italy, during Operation Avalanche when he came ashore with his pistol in one hand, and his trumpet in the other. On VE Day, 8 May 1945, Lyttelton joined in the celebrations by playing his trumpet from a wheelbarrow, inadvertently giving his first broadcast performance; the BBC recording still survives. Following demobilisation after World War II, he attended Camberwell Art College for two years. In 1949, he joined the Daily Mail as a cartoonist, where he remained until 1956. Several of his cartoons have recently been on display in various branches of the Abbey National bank, as part of their new advertising campaign. He was one of the collaborators with Wally Fawkes on the long running cartoon strip Flook. CANNOTANSWER

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On VE Day, 8 May 1945, Lyttelton joined in the celebrations by playing his trumpet from a wheelbarrow, inadvertently giving his first broadcast performance;
Background: Senses Fail is an American post-hardcore band that formed in Ridgewood, New Jersey in 2002. The band has seen many lineup changes; the only founding member still in the band being lead singer James "Buddy" Nielsen. The lineup currently consists of Nielsen, bassist/guitarist Gavin Caswell and drummer Chris Hornbrook.
Context: Senses Fail began on October 17, 2001 after Garrett Zablocki posted an advertisement on the Internet to recruit members for the band. The advertisement attracted attention from Buddy Nielsen, who then began writing with Zablocki. Later Zablocki contacted Dave Miller to join the band who also brought along his friend, James Gill. After a short time with another drummer the band came across Dan Trapp, who was only 14-years-old at the time. Before the band signed to Drive-Thru Records, James Gill was kicked out of the band due to irreconcilable differences; he was replaced by Tokyo Rose ex-drummer Mike Glita. The name Senses Fail, lead singer James "Buddy" Nielsen explains, "In Hinduism, they believe that being alive is hell, and the only way to reach Nirvana is to ultimately have no attachments to anything. So, people go out and live in the middle of the woods and they don't eat and don't drink. They just meditate because they've reached such a high level where they're not attached to love, relationships or anything. And if you want to reach the highest level of being and see God, you have to have all your senses fail." Building a local fan base by playing any gig they could find from skate parks and clubs to churches, they soon entered the studio and started to record. Their first release, From the Depths of Dreams, was a six-track EP that was originally released on ECA Records on August 16, 2002. It originally started as two three-song demo CDs, but was later joined together to make one release by producer John Naclerio. The independent release did very well and caught the attention of some record labels. They signed to Drive-Thru Records, and reissued their EP on April 29, 2003 with two extra tracks, improved mixing and new cover art. The release saw much success, and sold enough copies to peak at No. 144 on the Billboard chart. In support of the EP, Senses Fail toured with such bands as Finch, The Used, Millencolin, and The Starting Line. CANNOTANSWER
Question: What is something interesting about the band?. Whats the answer?

The name Senses Fail, lead singer James "Buddy" Nielsen explains, "In Hinduism, they believe that being alive is hell, and the only way to reach Nirvana
Yair Lapid was born in Tel Aviv. His father was journalist and politician Yosef "Tommy" Lapid and his mother is novelist and playwright Shulamit (Giladi) Lapid.

On 8 January 2012 Lapid announced that he would be leaving journalism in order to enter politics. On 30 April 2012 Lapid formally registered his party, "Yesh Atid" (Hebrew: ysh `tyd, lit. "There's a Future"). The move was aimed to coincide with the general expectation in Israel for early elections to be held in the early fall of 2012. A few days after Yesh Atid's registration, in a surprise move, Israeli prime minister Benjamin Netanyahu formed a national unity government. It was then thought that Lapid's party would have to wait until late 2013 before it could participate in national elections. But in October 2012, following the departure of Kadima from Netanyahu's coalition over how to implement a Supreme Court decision ending the exemption from the military draft for the ultra-Orthodox, Netanyahu announced that elections would take place in late January 2013, affording Yesh Atid its first opportunity to run since its formation. In November 2012, Yesh Atid was polling an average of 11.6%, or 13-14 seats in the 120-seat Knesset. The final results of the January election showed the party winning an unexpected 19 seats, making Yesh Atid the second-largest party in the 19th Knesset. Lapid was named Israel's finance minister on 15 March 2013. Only nine months later, a survey was published showing a continuing trend of decreasing popularity with 75% of those polled claiming to be disappointed by his performance and his party would only achieve 10 seats in the Knesset as opposed to the 19 party members who were elected at the beginning of the year. On 2 December 2014, Lapid was fired from his post as finance minister by Prime Minister Benjamin Netanyahu. CANNOTANSWER

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Robert Brydon Jones,  (born 3 May 1965), known professionally as Rob Brydon, is a Welsh actor, comedian, radio and television presenter, singer, and impressionist. He played Dr Paul Hamilton in the Australian/British comedy series Supernova, Bryn West in the sitcom Gavin & Stacey and Keith Barret in the BBC comedy series Marion and Geoff and its spin-off The Keith Barret Show. He has appeared in a number of shows for the BBC with Steve Coogan, including The Trip series in 2010, released as a feature film later that year; and The Trip to Italy in 2014 and The Trip to Spain in 2017, also edited and released as feature films. Since 2009, Brydon has presented the BBC One comedy panel show Would I Lie to You?

For a brief period in the early 1990s Brydon was a presenter for the Home Shopping Network. He began to find small roles in several successful films and television series. In 2000 he made his mark in television comedy, with two series which he co-wrote and performed for the BBC: Human Remains, co-written by Julia Davis; and the commercially successful Marion and Geoff. Since these series Brydon has developed a career path as a character actor, in both comedic and serious roles. He portrayed controversial theatre critic Kenneth Tynan in the BBC Four film Kenneth Tynan: In Praise of Hardcore (2005), opposite Julian Sands as Laurence Olivier. His character Bryn West in Gavin & Stacey, written by Ruth Jones and James Corden, allowed him to return to his South Wales roots. In this role Brydon performed the 2009 Comic Relief charity single, "(Barry) Islands in the Stream", with Ruth Jones (both actors appearing as their characters from Gavin & Stacey) and singer Tom Jones. It reached No.1 in the UK singles chart on 15 March 2009. In 2010 Brydon starred alongside Steve Coogan in Michael Winterbottom's partially improvised BBC Two sitcom series The Trip, in which both actors played fictionalized versions of their public personas (Brydon, optimistic and always eager to do an impression; and Coogan, misanthropic and bitter that he's not the major international star he believes he should be). Brydon's book Small Man in a Book (the title a play on his "small-man-in-a-box" impression) was published in November 2011. CANNOTANSWER

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On September 25, 2017, Anthony was traded to the Thunder in exchange for Enes Kanter, Doug McDermott and a 2018 second-round pick. On November 9, 2017, with only 12 points needed to move up in the rankings, Anthony passed Allen Iverson on the NBA all-time scoring list and moved to the 24th spot. He finished the game with 28 points. On November 26, 2017, Anthony passed Ray Allen on the NBA all-time scoring list and moved to 23rd place. On December 11, 2017, Anthony passed Vince Carter for 22nd on the NBA all-time scoring list. On January 4, 2018, in Oklahoma City's game against the Los Angeles Clippers as part of their LA back-to-back (on January 3 they beat the LA Lakers 133-96), Anthony scored 22 points moving past the New York Knick's Patrick Ewing into 21st place on the NBA all-time scoring list. On January 27, 2018, Anthony became the 21st NBA player to score 25,000 career points. In addition, he has 1,693 playoff points. On March 6, 2018, in Oklahoma City's game against the Houston Rockets, Anthony scored 23 points to move past NBA legend Jerry West into the Top 20 in the NBA career scoring list as he now has a total of 25,210 as compared to West's 25,192 total points. On March 19, 2018, in a 132-125 victory over the Toronto Raptors, Anthony scored 15 points to up his career total to 25,289 thereby moving past Reggie Miller into 19th place in the NBA career scoring ladder. CANNOTANSWER

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Immediately after Speaker's death, the baseball field at the city park in Cleburne, Texas, was renamed in honor of Speaker. In 1961, the Tris Speaker Memorial Award was created by the Baseball Writers' Association of America to honor players or officials who make outstanding contributions to baseball. In 1999, he ranked number 27 on the Sporting News' list of the 100 Greatest Baseball Players. He was named to the Major League Baseball All-Century Team. Speaker is mentioned in the poem "Line-Up for Yesterday" by Ogden Nash. In 2008, former baseball players' union chief Marvin Miller, trying to defend the recently retired catcher Mike Piazza against claims that he should not be elected to the Hall of Fame because of association with the use of steroids, on the basis that the Hall of Fame has various unsavory people in it, opined that Speaker should be removed from the Hall of Fame because of alleged membership in the Ku Klux Klan. Miller said, "Some of the early people inducted in the Hall were members of the Ku Klux Klan: Tris Speaker, Cap Anson, and some people suspect Ty Cobb as well. I think that by and large, the players, and certainly the ones I knew, are good people. But the Hall is full of villains." Miller's comment about Anson has no basis, other than speculating that he could have been a Klansman since he was a racist during his playing career, which ended in 1897, although he was umpiring games with black players by 1901, including featuring the all-black Columbia Giants. Miller, age 91 at the time the 2008 article appeared, is the earliest source for declaring that it is factual that Anson was a member of the Klan, based purely on an Internet search of sources that try to link Anson to the Klan. By contrast, Speaker-Cobb-Rogers Hornsby biographer Charles C. Alexander, a Klan expert in his general history writings, told fellow baseball author Marty Appel, apparently referring to the 1920s (Anson died in 1922), "As I've suggested in the biographies, it's possible that they [Speaker, Cobb and Hornsby] were briefly in the Klan, which was very strong in Texas and especially in Fort Worth and Dallas. The Klan went all out to recruit prominent people in all fields, provided they were native born, Protestant and white." Baseball historian Bill James does not dispute this claim in apparently referring to Speaker and possibly Cobb, but says that the Klan had toned down its racist overtures during the 1920s and pulled in hundreds of thousands of non-racist men, including Hugo Black. James adds that Speaker was a staunch supporter of Doby when he broke the American League color barrier, working long hours with the former second baseman on how to play the outfield. CANNOTANSWER

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In 1961, the Tris Speaker Memorial Award was created by the Baseball Writers' Association of America to honor players or officials who make outstanding contributions to baseball.
Background: Small Faces were an English rock band from East London. The group was founded in 1965 by members Steve Marriott, Ronnie Lane, Kenney Jones, and Jimmy Winston, although by 1966 Winston was replaced by Ian McLagan as the band's keyboardist. The band is remembered as one of the most acclaimed and influential mod groups of the 1960s  with memorable hit songs such as "Itchycoo Park", "Lazy Sunday", "All or Nothing", and "Tin Soldier", as well as their concept album Ogdens' Nut Gone Flake. They later evolved into one of the UK's most successful psychedelic acts before disbanding in 1969.
Context: After Small Faces split, Lane, Jones and McLagan floundered briefly before joining forces with two former members of The Jeff Beck Group, singer Rod Stewart and guitarist Ronnie Wood. This line-up dropped the "Small" tag and became Faces. However, hoping to capitalize on Small Faces' earlier success, record company executives wanted the band to keep their old name. The band objected, arguing the personnel changes resulted in a group altogether different from Small Faces. As a compromise, the new line-up's first album in the UK was credited as First Step by Faces, while in the US the same album was released as First Step by Small Faces. The album was only a mild commercial success, and the record companies perceived no further need to market this new line-up as "Small Faces". Accordingly, all subsequent albums by this incarnation of the band appeared under the new name Faces, on both sides of the Atlantic. However, all North American LP, cassette and CD reissues of First Step still credit the band as Small Faces. Jones and McLagan stayed with the 'sequel' group Faces until their breakup in 1975. Lane exited Faces slightly earlier, in 1973. With his backing band Slim Chance, Lane then released several singles and albums from 1973-1976, including the 1974 UK hit "How Come". Marriott's first post-Small Faces venture was with the rock group Humble Pie, formed with the former Herd member Peter Frampton. Initially, the group was a huge hit in the U.S. and the UK, but Humble Pie split in 1975 due to lack of later chart success, and Marriott went solo. CANNOTANSWER
Question: Why did they break up?. Whats the answer?

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George Armstrong Custer (December 5, 1839 - June 25, 1876) was a United States Army officer and cavalry commander in the American Civil War and the American Indian Wars. Raised in Michigan and Ohio, Custer was admitted to West Point in 1857, where he graduated last in his class in 1861. With the outbreak of the Civil War, Custer was called to serve with the Union Army. Custer developed a strong reputation during the Civil War.

Pleasonton was promoted on June 22, 1863 to Major General of U.S. Volunteers. On June 29, after consulting with his new commander, George Meade, Pleasanton began replacing political generals with "commanders who were prepared to fight, to personally lead mounted attacks". He found just the kind of aggressive fighters he wanted in three of his aides: Wesley Merritt, Elon J. Farnsworth (both of whom had command experience) and George A. Custer. All received immediate promotions; Custer to brigadier general of volunteers, commanding the Michigan Cavalry Brigade ("Wolverines"). Despite having no direct command experience, Custer became one of the youngest generals in the Union Army at age 23. Custer lost no time in implanting his aggressive character on his brigade, part of the division of Brigadier General Judson Kilpatrick. Now a general officer, Custer had great latitude in choosing his uniform. Though often criticized as gaudy, it was more than personal vanity. "A showy uniform for Custer was one of command presence on the battlefield: he wanted to be readily distinguishable at first glance from all other soldiers. He intended to lead from the front, and to him it was a crucial issue of unit morale that his men be able to look up in the middle of a charge, or at any other time on the battlefield, and instantly see him leading the way into danger." Some have claimed Custer's leadership in battle as reckless or foolhardy. However, he "meticulously scouted every battlefield, gauged the enemies [sic] weak points and strengths, ascertained the best line of attack and only after he was satisfied was the 'Custer Dash' with a Michigan yell focused with complete surprise on the enemy in routing them every time." CANNOTANSWER

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Lindsay McAllister M "The Doctor" McDougall (born 3 March 1978) is an Australian rock guitarist and radio presenter. Since 1996, he has been the lead guitarist in punk rock band, Frenzal Rhomb alongside lead singer Jay Whalley. He has co-written songs with fellow band members including their highest charting single, "You Are Not My Friend".

In August 1996 Lindsay McDougall joined Australian punk rock band Frenzal Rhomb after original guitarist Ben Costello left to attend university and become an animal rights activist. Frenzal Rhomb had formed in Sydney in 1992 with mainstay Jason Whalley on lead vocals. In November 1996 the group issued a CD EP, Punch in the Face and, in January 1997, performed at Big Day Out. Late that year they toured the United States supporting less than jake with Blink-182 opening. In September 1997, the band released their third album, Meet the Family. It was their first to be certified gold by Australian Recording Industry Association (ARIA). The next Frenzal Rhomb LP, A Man's Not a Camel was released in March 1999 and was supported by a nationwide tour. It remains their highest placed album to date, reaching No. 11 on the ARIA Albums Chart. It spawned their highest charting single, "You Are Not My Friend", which reached No. 48. The song was co-written by McDougall with fellow band members Whalley, Lex Feltham and Gordy Forman. In April 2003 the band released Sans Souci, followed by Forever Malcolm Young in 2006. During 2003 McDougall organised Rock Against Howard, a compilation album, by various Australian musicians as a protest against incumbent Prime Minister, John Howard's government. It was released in August 2004, before the October federal election, when Howard's coalition was re-elected. Also that year, McDougall and Whalley formed a side-project, Self Righteous Brothers, as an alternative rock group and issued the album, Love Songs for the Wrong at Heart on Shock Records. A track, "There's No Town Like Snowtown" referenced the Snowtown murders and was labelled "insensitive" by the Adelaide Tourism Commission after being played on radio. For the album, McDougall provided lead vocals, acoustic and electric guitars, banjo, piano, violin, viola, cello, pan flute, glockenspiel, zither, timbales, and cymbals. In March 2009 Frenzal Rhomb undertook The Boys are Back in Brown Tour, the following year they toured Japan and played a number of festivals in Australia, including Come Together and Rollercoaster. In December 2010, they joined the No Sleep Til Festival Tour with punk and metal bands: Megadeth, Descendents, NOFX, Gwar and Dropkick Murphys. In August 2011 Frenzal Rhomb issued their next album Smoko at the Pet Food Factory. CANNOTANSWERAnswer this question using a quote from the following article:

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In March 2009 Frenzal Rhomb undertook The Boys are Back in Brown Tour,
Alan Irwin Menken was born on July 22, 1949, at French Hospital in New York City, to Judith and Norman Menken. His father was a boogie-woogie piano-playing dentist, and his mother was an actress, dancer and playwright. His family was Jewish. Menken developed an interest in music at an early age, taking piano and violin lessons.

After graduating, Menken's plan was to become either a rock star or a recording artist. His interest in writing musicals increased when he joined the Broadcast Music, Inc. (BMI) Musical Theatre Workshop and was mentored by Lehman Engel. From 1974 to 1978, he showcased various BMI workshop works, such as Midnight, Apartment House (lyric by Muriel Robinson), Conversations with Pierre,Harry the Rat and Messiah on Mott Street (lyrics by David Zippel). According to Menken, during this period, he "worked as a ballet and modern dance accompanist, a musical director for club acts, a jingle writer, arranger, a songwriter for Sesame Street and a vocal coach. He performed his material at clubs like The Ballroom, Reno Sweeny and Tramps." In 1976, John Wilson reported for The New York Times that members of Engel's BMI Workshop began performing as part of the "Broadway at the Ballroom" series: "The opening workshop program ... featured Maury Yeston and Alan Menken, both playing their piano accompaniment and singing songs they have written for potential musicals." Wilson reviewed a performance at the Ballroom in 1977 where Menken accompanied a singer: "In the current cabaret world, a piano accompanist is no longer expected to merely play piano for a singer. More and more, pianists can be heard joining in vocally, harmonizing with the singer, creating a background of shouts and exclamations or even doing brief passages of solo singing." Menken contributed material to revues like New York's Back in Town, Big Apple Country, The Present Tense (1977), Real Life Funnies (Off-Broadway, 1981), Diamonds (Off-Broadway, 1984), and Personals (Off-Off-Broadway, 1985). His revue Patch, Patch, Patch ran at the West Bank Cafe in New York City in 1979 and featured Chip Zien. The New York Times reviewer, Mel Gussow, wrote: "The title song ... refers to a life's passage. According to Alan Menken ... after age 30 it is a downhill plunge." Menken wrote several shows that were not produced, including Atina, Evil Queen of the Galaxy (1980), with lyrics by Steve Brown. He also wrote The Thorn with lyrics by Brown, which was commissioned by Divine in 1980. This was a parody of the film The Rose, but they could not raise the money to have it produced. He collaborated with Howard Ashman in an uncompleted musical called Babe (c. 1981), with Tom Eyen in Kicks: The Showgirl Musical (1984), and with David Rogers in The Dream in Royal Street (c. 1981), which was an adaptation of A Midsummer Night's Dream. Menken contributed music for the film The Line (1980), directed by Robert J. Siegel. CANNOTANSWER

Answer the following question by taking a quote from the article: Did he continue to write musicals?

Menken contributed material to revues like New York's Back in Town, Big Apple Country, The Present Tense (1977), Real Life Funnies (Off-Broadway, 1981),
Background: Phair was born in New Haven, Connecticut on April 17, 1967, but raised in Cincinnati, and later Winnetka, Illinois, by upper middle-class adoptive parents, Nancy, a historian, and John Phair. Her father was an AIDS researcher and head of infectious diseases at Northwestern Memorial Hospital; her mother, a docent who worked at the Art Institute of Chicago. She graduated from New Trier High School in 1985. During high school, Phair was involved in student government, yearbook, and the cross country team, and took AP Studio Art her senior year, among many other advanced-level classes.
Context: In 2003, her self-titled fourth album was released on her new label, Capitol Records. Phair had not released an album in several years; she had been working on her record, as well as making guest appearances on other tracks (she lent backing vocals to the Sheryl Crow hit "Soak Up the Sun"). Initially, Phair worked on several album tracks with songwriter Michael Penn as the producer. When she submitted the finished Penn-produced album to Capitol, the label gave it a lukewarm reception and was unwilling to release it as submitted. Having already exhausted her recording budget, label president Andy Slater offered Phair more money to record only if Phair agreed to work with the production team known as The Matrix (best known as songwriters for Britney Spears and Avril Lavigne) to come up with some singles for the album. Phair's collaboration with the Matrix resulted in only four songs, but much of the media attention focused solely on the Matrix-produced tracks, which were a departure from her earlier work. The album received many negative reviews, especially from the independent music press, who accused Phair of "selling out" by making the record very pop-oriented. Liz Phair provoked a strong backlash from critics and disappointed fans of her earlier work. Many decried her for "selling out", and she became a "pinata for critics." The New York Times' Meghan O'Rourke's review, titled "Liz Phair's Exile in Avril-ville", said that Phair "gushes like a teenager" and had "committed an embarrassing form of career suicide." Somebody's Miracle, Phair's fifth album (and final album with Capitol Records), was released on October 4, 2005. The album returned to a more traditional rock sound, mixing the mood of Phair's earlier work with a more mellow sound. The album received mixed reviews and was not a chart success. CANNOTANSWER
Question: was the album a success

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Background: Ellen Naomi Cohen was born in Baltimore, Maryland, the daughter of Philip Cohen (d: 1962) and his wife Bess (nee Levine, 1915-1994). Both her parents were the children of Jewish immigrants from the Russian Empire. Elliot's family was subject to significant financial stresses and uncertainties during her childhood years. Her father, involved in several business ventures throughout his life, ultimately succeeded through the development of a lunch wagon business in Baltimore, providing meals to construction workers.
Context: With two female members, the New Journeymen needed a new name. According to Doherty, Elliot had the inspiration for the band's new name; as written on his website: We're all just lying around vegging out watching TV and discussing names for the group. The New Journeymen was not a handle that was going to hang on this outfit. John was pushing for the Magic Cyrcle. Eech, but none of us could come up with anything better, then we switch the channel and, hey, it's the Hells Angels on the Carson show... And the first thing we hear is: "Now hold on there, Hoss. Some people call our women cheap, but we just call them our Mamas." Cass jumped up: "Yeah! I want to be a Mama." And Michelle is going: "We're the Mamas! We're the Mamas!" OK. I look at John. He's looking at me going: "The Papas?" Problem solved. A toast! To the Mamas and the Papas. Well, after many, many toasts, Cass and John are passed out." Doherty also said that the occasion marked the beginning of his affair with Michelle Phillips. Elliot was in love with Doherty and was displeased when he told her of the affair. Doherty has said that Elliot once proposed to him, but that he was so stoned at the time that he could not even respond. Elliot was known for her sense of humor and optimism, and was considered by some to be the most charismatic member of the group. Her powerful, distinctive voice was a major factor in their success. She is best remembered for her vocals on the group's hits "California Dreamin'", "Monday, Monday", "Words of Love", and the solo "Dream a Little Dream of Me", which the group recorded in 1968 after learning about the death of Fabian Andre, one of the men who co-wrote it, whom Michelle Phillips had met years earlier. Elliot's version is noteworthy for its contemplative pace, whereas almost all earlier recordings of "Dream a Little Dream of Me" (including one by Nat King Cole and another by Ozzie Nelson) had been up-tempo versions--the song having been written in 1931 as a dance tune. The Mamas & the Papas continued to record to meet the terms of their record contract. Their final album was released in 1971. CANNOTANSWER
Question: When was The Mamas and the Papas formed?

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Because of the prevalence of Northern Dancer's bloodline, a certain degree of inbreeding to him is becoming common, especially in Europe and Australia. Whenever this happens, there is a concern that the inbreeding will weaken the breed, making horses more prone to injury and potentially leading to inbreeding depression. Statistical studies have shown that inbreeding has increased by a small but significant amount in the last 50 years, partly because of the larger number of foals that a successful stallion will now sire each year compared to in the past. To illustrate this last point, Northern Dancer produced 645 foals in 20 years at stud, whereas his grandson Danehill sired 2,499 foals in 14 years at stud. Statistical analysis has shown that inbreeding to Northern Dancer is on average slightly less effective than when stallions of his line are bred to mares who do not have Northern Dancer in their pedigree (referred to as an outcross). However, many successful stallions are inbred, in part because this can make it easier to pass on dominant characteristics. Notable sires that are inbred to Northern Dancer (within four generations) include Oasis Dream, Rock of Gibraltar, Hernando, Spinning World, and Redoute's Choice. The undefeated Frankel is also inbred to Northern Dancer, but it is too early to evaluate his success as a stallion as his first crop just reached racing age in 2016. Analysis of inbreeding to Northern Dancer has shown that best practice is inbreeding "through" the best, which means to use horses that have demonstrated their fitness on the racecourse. In contrast, inbreeding to a descendant such as Danzig is viewed as potentially problematic because he was retired from racing due to unsoundness after only three starts. However, Danzig line horses have been crossed successfully with other Northern Dancer line horses, especially Sadlers' Wells. Outcross bloodlines can still be found, most notably via the German-bred stallion Monsun. Northern Dancer lines were originally outcrossed on descendants of Mr. Prospector or Nasrullah, but this had been done to such as extent that it is increasingly difficult to find horses from these lines without some trace of Northern Dancer breeding. In North America, Northern Dancer often appears further back in the pedigree of major stallions, which reduces the risks associated with inbreeding. For example, Tapit, the leading sire in North America for 2014-2015, is inbred to Nijinsky 3 x 5 (thus only 4 x 6 to Northern Dancer) and has crossed well with mares from other Northern Dancer lines. CANNOTANSWER

Answer this question "How did imbreedng hurt the horses?" by extracting the answer from the text above.

Statistical analysis has shown that inbreeding to Northern Dancer is on average slightly less effective
Canned Heat is an American rock band formed in Los Angeles in 1965. The group has been noted for its interpretations of blues material and for its efforts to promote interest in this type of music and its original artists. It was launched by two blues enthusiasts, Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat" (from the original 1914 product name Sterno Canned Heat), After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a lineup consisting of Hite (vocals), Wilson (guitar, harmonica and vocals), Henry Vestine and later Harvey Mandel (lead guitar), Larry Taylor (bass), and Adolfo de la Parra (drums).

With Taylor and Mandel gone, Vestine returned on guitar, accompanied by bassist Antonio de la Barreda who had played with de la Parra for five years in Mexico City and was previously a member of the groups Jerome and Sam & the Goodtimers. This lineup went into the studio to record with John Lee Hooker the tracks that would yield the double album, Hooker 'n Heat. The band had originally met Hooker at the airport in Portland, Oregon, and discovered they were fans of each other's work. Hooker and Canned Heat became good friends and Hooker had stated that Wilson was "the greatest harmonica player ever". The planned format for the sessions called for Hooker to perform a few songs by himself, followed by some duets with Wilson playing piano or guitar. The rest of the album featured Hooker with some backing by the group (sans Bob Hite, who co-produced the album along with Skip Taylor). The album was finished after Wilson's passing and became the first album in Hooker's career to make the charts, topping out at #73 in February 1971. Hooker 'n Heat would unite again in 1978 and record a live album at the Fox Venice Theatre in Los Angeles, released in 1981 as, Hooker 'n Heat, Live at the Fox Venice Theatre, under Rhino Records. Also in 1989, Canned Heat (and many others) guested on John Lee Hooker's album The Healer. Shortly after the original Hooker 'n Heat sessions, Wilson, who had always suffered from depression, was said by some to have attempted suicide by driving his van off the road near Hite's home in Topanga Canyon. Unlike other members of the band, Wilson did not have much success with women and was deeply upset and frustrated by this. His depression also worsened over time. On September 3, 1970, just prior to leaving for a festival in Berlin, the band learned of Wilson's death by barbiturate overdose; his body was found on a hillside behind Hite's home. De la Parra and other members of the band believed that his death was a suicide. Wilson died at the age of 27, just weeks before Janis Joplin and Jimi Hendrix. CANNOTANSWER

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1970,
After two years of production, Cohen returned to music in 2001 with the release of Ten New Songs, featuring a heavy influence from producer and co-composer Sharon Robinson. The album, recorded at Cohen's and Robinson's home studios - Still Life Studios, includes the song "Alexandra Leaving", a transformation of the poem "The God Abandons Antony", by the Greek poet Constantine P. Cavafy. The album was a major hit for Cohen in Canada and Europe, and he supported it with the hit single "In My Secret Life" and accompanying video shot by Floria Sigismondi. The album won him four Canadian Juno Awards in 2002: Best Artist, Best Songwriter, Best Pop Album, and Best Video ("In My Secret Life"). And the following year he was given Canada's highest civilian honor, the Companion of the Order of Canada. In October 2004, Cohen released Dear Heather, largely a musical collaboration with jazz chanteuse (and romantic partner) Anjani Thomas, although Sharon Robinson returned to collaborate on three tracks (including a duet). As light as the previous album was dark, Dear Heather reflects Cohen's own change of mood - he said in a number of interviews that his depression had lifted in recent years, which he attributed to Zen Buddhism. In an interview following his induction into the Canadian Songwriters' Hall of Fame, Cohen explained that the album was intended to be a kind of notebook or scrapbook of themes, and that a more formal record had been planned for release shortly afterwards, but that this was put on ice by his legal battles with his ex-manager. Blue Alert, an album of songs co-written by Anjani and Cohen, was released in 2006 to positive reviews. Sung by Anjani, who according to one reviewer "...sounds like Cohen reincarnated as woman... though Cohen doesn't sing a note on the album, his voice permeates it like smoke." Before embarking on his 2008-2010 world tour, and without finishing the new album which had been in work since 2006, Cohen contributed a few tracks to other artists' albums - a new version of his own "Tower of Song" was performed by him, Anjani Thomas and U2 in the 2006 tribute film Leonard Cohen I'm Your Man (the video and track were included on the film's soundtrack and released as the B-side of U2's single "Window in the Skies", reaching No 1 in the Canadian Singles Chart). In 2007 he recited "The Sound of Silence" on album Tribute to Paul Simon: Take Me to the Mardi Gras and "The Jungle Line" by Joni Mitchell, accompanied by Herbie Hancock on piano, on Hancock's Grammy-winning album River: The Joni Letters, while in 2008, he recited the poem "Since You've Asked" on the album Born to the Breed: A Tribute to Judy Collins. CANNOTANSWER

Answer this question "Did he struggle with depression a lot?" by extracting the answer from the text above.

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Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]

Wagner's later musical style introduced new ideas in harmony, melodic process (leitmotif) and operatic structure. Notably from Tristan und Isolde onwards, he explored the limits of the traditional tonal system, which gave keys and chords their identity, pointing the way to atonality in the 20th century. Some music historians date the beginning of modern classical music to the first notes of Tristan, which include the so-called Tristan chord. Wagner inspired great devotion. For a long period, many composers were inclined to align themselves with or against Wagner's music. Anton Bruckner and Hugo Wolf were greatly indebted to him, as were Cesar Franck, Henri Duparc, Ernest Chausson, Jules Massenet, Richard Strauss, Alexander von Zemlinsky, Hans Pfitzner and numerous others. Gustav Mahler was devoted to Wagner and his music; aged 15, he sought him out on his 1875 visit to Vienna, became a renowned Wagner conductor, and his compositions are seen by Richard Taruskin as extending Wagner's "maximalization" of "the temporal and the sonorous" in music to the world of the symphony. The harmonic revolutions of Claude Debussy and Arnold Schoenberg (both of whose oeuvres contain examples of tonal and atonal modernism) have often been traced back to Tristan and Parsifal. The Italian form of operatic realism known as verismo owed much to the Wagnerian concept of musical form. Wagner made a major contribution to the principles and practice of conducting. His essay "About Conducting" (1869) advanced Hector Berlioz's technique of conducting and claimed that conducting was a means by which a musical work could be re-interpreted, rather than simply a mechanism for achieving orchestral unison. He exemplified this approach in his own conducting, which was significantly more flexible than the disciplined approach of Felix Mendelssohn; in his view this also justified practices that would today be frowned upon, such as the rewriting of scores. Wilhelm Furtwangler felt that Wagner and Bulow, through their interpretative approach, inspired a whole new generation of conductors (including Furtwangler himself). Amongst those claiming inspiration from Wagner's music are the German band Rammstein, and the electronic composer Klaus Schulze, whose 1975 album Timewind consists of two 30-minute tracks, Bayreuth Return and Wahnfried 1883. Joey DeMaio of the band Manowar has described Wagner as "The father of heavy metal". The Slovenian group Laibach created the 2009 suite VolksWagner, using material from Wagner's operas. Phil Spector's Wall of Sound recording technique was, it has been claimed, heavily influenced by Wagner. CANNOTANSWERAnswer this question using a quote from the following article:

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For a long period, many composers were inclined to align themselves with or against Wagner's music.
Keith Lionel Urban was born on 26 October 1967, in Whangarei, New Zealand, He is the youngest son of Marienne and Robert "Bob" Urban. At the age of 13, he attended Sir Edmund Hillary College in Otara, South Auckland, New Zealand and by the age of 17, he lived with his parents in Caboolture, Queensland, Australia. His father, who owned a convenience store, put an advertisement for a guitar teacher in his shop window. Urban took lessons from his teacher, Sue McCarthy and began entering local competitions, in addition to acting in a local theater company.

In June 2015, Urban released "John Cougar, John Deere, John 3:16", as the lead single to his eighth American studio album, Ripcord. In October 2015, Urban teased a new song called "Break on Me"; it was released to the public on 23 October. It reached number one on the Country Airplay chart. On 22 September 2015, Urban celebrated the 10th anniversary of his third studio album Golden Road being certified triple platinum, for sales of three million copies of his record. "Wasted Time" was released as the album's third single and it went on to reach the number one spot on the Country Airplay chart. "Blue Ain't Your Color" was released as the album's fourth single and became a huge hit for Urban. It topped the Hot Country Songs chart as well as the Country Airplay Chart, spending twelve weeks at number one on the former chart. "The Fighter", a duet with Carrie Underwood, was released as the fifth single from the album. In 2016, Urban was selected as one of thirty artists to perform on "Forever Country", a medley of "Take Me Home, Country Roads", "On the Road Again", and "I Will Always Love You" which celebrates 50 years of the CMA Awards. On 8 November 2017, Urban released "Female", which has been described as "an empowerment anthem partially inspired by the Harvey Weinstein scandal." Urban said of the song that "as a husband and a father of two young girls, it affects me in a lot of ways. And as a son -- my mother is alive. It just speaks to all of the females in my life, particularly. For a guy who grew up with no sisters in a house of boys, it's incredible how now I'm surrounded by girls. But not only in my house; I employ a huge amount of women in my team. The song just hit me for so many reasons." Kidman provided background vocals on the song, which was slated to be the lead single for Urban's upcoming studio album. CANNOTANSWER

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Did Ripcord go platinum, or diamond or what?