cindermond/bento huggingface dataset:
Background: Leno was born in New Rochelle, New York. His homemaker mother, Catherine (nee Muir; 1911-1993), was born in Greenock, Scotland, and came to the United States at age 11. His father, Angelo (1910-1994), was an insurance salesman who was born in New York, to immigrants from Flumeri, Italy. Leno grew up in Andover, Massachusetts, and graduated from Andover High School.
Context: In their new roles, neither O'Brien nor Leno succeeded in delivering the viewing audiences the network anticipated. On January 7, 2010, multiple media outlets reported that beginning March 1, 2010, Jay Leno would move from his 10 p.m. weeknight time slot to 11:35 p.m., due to a combination of pressure from local affiliates whose newscasts were suffering, and both Leno's and O'Brien's poor ratings. Leno's show would be shortened from an hour to 30 minutes. All NBC late night programming would be preempted by the 2010 Winter Olympics between February 15 and 26. This would move The Tonight Show to 12:05 a.m., a post-midnight timeslot for the first time in its history. O'Brien's contract stipulated that NBC could move the show back to 12:05 a.m. without penalty (a clause put in primarily to accommodate sports preemptions). On January 10, NBC confirmed that they would move Jay Leno out of primetime as of February 12 and intended to move him to late night as soon as possible. TMZ reported that O'Brien was given no advance notice of this change, and that NBC offered him two choices: an hour-long 12:05am time slot, or the option to leave the network. On January 12, O'Brien issued a press release that stated he would not continue with Tonight if it moved to a 12:05 a.m. time slot, saying, "I believe that delaying The Tonight Show into the next day to accommodate another comedy program will seriously damage what I consider to be the greatest franchise in the history of broadcasting. The Tonight Show at 12:05 simply isn't The Tonight Show." On January 21, it was announced that NBC had struck a deal with O'Brien. It was decided that O'Brien would leave The Tonight Show. The deal was made that O'Brien would receive a $33 million payout and that his staff of almost 200 would receive $12 million in the departure. O'Brien's final episode aired on Friday, January 22, 2010. Leno returned as host of The Tonight Show following the 2010 Winter Olympics on March 1, 2010. On July 1, 2010, Variety reported that total viewership for Jay Leno's Tonight Show had dropped from 5 million to 4 million for the second quarter of 2010, compared to the same period in 2009. Although this represented the lowest second-quarter ratings for the show since 1992, Tonight was still the most-watched late night program, ahead of ABC's Nightline (3.7 million) and Late Show with David Letterman (3.3 million). CANNOTANSWER
Question: Why was it moved?

Answer:

due to a combination of pressure from local affiliates whose newscasts were suffering, and both Leno's and O'Brien's poor ratings.
Answer by taking a quote from the following article:

His mother, Emma Berdis Jones, left his biological father because of his drug abuse. She moved to Harlem, New York, where Baldwin was born in Harlem Hospital. In New York, his mother married a preacher, David Baldwin, with whom she had eight children, born between 1927 and 1943; her husband also had one son from a previous marriage who was nine years older than James. The family was poor and Baldwin's stepfather was harder on him than on the rest of the children.

Growing up in Harlem, Baldwin faced many obstacles, one of which was his education. "I knew I was black, of course, but I also knew I was smart. I didn't know how I would use my mind, or even if I could, but that was the only thing I had to use," he said. Baldwin attended P.S. 24 on 128th Street, between Fifth and Madison Avenues in Harlem, where he wrote the school song which was used until the school closed. As recounted in "Notes of a Native Son," when he was nine and a half years old, Baldwin wrote a play that was directed by a teacher at his school. Seeing his talent and potential, she offered to take him to "real" plays. This caused some backlash from Baldwin's stepfather because the teacher was white. His uncertainty was ultimately overruled by Baldwin's mother who said that "it would not be very nice to let such a kind woman make the trip for nothing." When his teacher came to pick him up, Baldwin noticed that his stepfather was filled with disgust. Baldwin later realized that this encounter was an "unprecedented and frightening" situation for his parents: "It was clear, during the brief interview in our living room, that my father was agreeing very much against his will and that he would have refused permission if he had dared. The fact that he did not dare caused me to despise him: I had no way of knowing that he was facing in that living room a wholly unprecedented and frightening situation." His middle school years were spent at Frederick Douglass Junior High where he was influenced by poet Countee Cullen, a leading figure in the Harlem Renaissance, and was encouraged by his math teacher to serve as editor of the school newspaper, The Douglass Pilot. (Directly preceding him at Frederick Douglass were Brock Peters, the future actor, and Bud Powell, the future jazz pianist.) Also in "Notes of a Native Son," Baldwin gives advice to little James to "Take no one's word for anything, including mine--but trust your experience." He then went on to DeWitt Clinton High School in the Bronx's Bedford Park section. There, along with Richard Avedon, Baldwin worked on the school magazine as literary editor but disliked school because of the constant racial slurs. CANNOTANSWER

Did he go to college?

CANNOTANSWER
James Ussher (or Usher; 4 January 1581 - 21 March 1656) was the Church of Ireland Archbishop of Armagh and Primate of All Ireland between 1625 and 1656. He was a prolific scholar and church leader, who today is most famous for his identification of the genuine letters of the church father, Ignatius, and for his chronology that sought to establish the time and date of the creation as "the entrance of the night preceding the 23rd day of October... the year before Christ 4004"; that is, around 6 pm on 22 October 4004 BC according to the proleptic Julian calendar.

Ussher was born in Dublin to a well-to-do family. His maternal grandfather, James Stanihurst, had been speaker of the Irish parliament. Ussher's father, Arland Ussher, was a clerk in chancery who married James Stanihurst's daughter, Margaret (by his first wife Anne Fitzsimon), who was reportedly a Roman Catholic. Ussher's younger, and only surviving, brother, Ambrose, became a distinguished scholar of Arabic and Hebrew. According to his chaplain and biographer, Nicholas Bernard, the elder brother was taught to read by two blind, spinster aunts. A gifted polyglot, he entered Dublin Free School and then the newly founded (1591) Trinity College, Dublin on 9 January 1594, at the age of thirteen (not an unusual age at the time). He had received his Bachelor of Arts degree by 1598, and was a fellow and MA by 1600 (though Bernard claims he did not gain his MA till 1601). In May 1602, he was ordained in the Trinity College Chapel as a deacon in the Protestant, established, Church of Ireland (and possibly priest on the same day) by his uncle Henry Ussher, the Archbishop of Armagh and Primate of All Ireland. Ussher went on to become Chancellor of St Patrick's Cathedral, Dublin in 1605 and Prebend of Finglas. He became Professor of Theological Controversies at Trinity College and a Bachelor of Divinity in 1607, Doctor of Divinity in 1612, and then Vice-Chancellor in 1615 and vice-provost in 1616. In 1613, he married Phoebe, daughter of a previous Vice-Provost, Luke Challoner, and published his first work. In 1615, he was closely involved with the drawing up of the first confession of faith of the Church of Ireland. CANNOTANSWER

Did Ussher receive any other degrees?

He had received his Bachelor of Arts degree by 1598, and was a fellow and MA by 1600
Yair Lapid was born in Tel Aviv. His father was journalist and politician Yosef "Tommy" Lapid and his mother is novelist and playwright Shulamit (Giladi) Lapid.

On 8 January 2012 Lapid announced that he would be leaving journalism in order to enter politics. On 30 April 2012 Lapid formally registered his party, "Yesh Atid" (Hebrew: ysh `tyd, lit. "There's a Future"). The move was aimed to coincide with the general expectation in Israel for early elections to be held in the early fall of 2012. A few days after Yesh Atid's registration, in a surprise move, Israeli prime minister Benjamin Netanyahu formed a national unity government. It was then thought that Lapid's party would have to wait until late 2013 before it could participate in national elections. But in October 2012, following the departure of Kadima from Netanyahu's coalition over how to implement a Supreme Court decision ending the exemption from the military draft for the ultra-Orthodox, Netanyahu announced that elections would take place in late January 2013, affording Yesh Atid its first opportunity to run since its formation. In November 2012, Yesh Atid was polling an average of 11.6%, or 13-14 seats in the 120-seat Knesset. The final results of the January election showed the party winning an unexpected 19 seats, making Yesh Atid the second-largest party in the 19th Knesset. Lapid was named Israel's finance minister on 15 March 2013. Only nine months later, a survey was published showing a continuing trend of decreasing popularity with 75% of those polled claiming to be disappointed by his performance and his party would only achieve 10 seats in the Knesset as opposed to the 19 party members who were elected at the beginning of the year. On 2 December 2014, Lapid was fired from his post as finance minister by Prime Minister Benjamin Netanyahu. CANNOTANSWER

What did he do when he left journalism for politics?

On 30 April 2012 Lapid formally registered his party, "Yesh Atid" (Hebrew: ysh `tyd, lit. "There's a Future").
Status Quo are an English rock band who play a brand of boogie rock. The group originated in The Spectres, founded by schoolboys Francis Rossi and Alan Lancaster in 1962. After a number of lineup changes, which included the introduction of Rick Parfitt in 1967, the band became The Status Quo in 1967 and Status Quo in 1969. They have had over 60 chart hits in the UK, more than any other rock band, including "Pictures of Matchstick Men" in 1968, "Whatever You Want" in 1979 and

Status Quo was formed in 1962 under the name "The Scorpions" by Francis Rossi and Alan Lancaster at Sedgehill Comprehensive School, Catford, along with classmates Jess Jaworski (keyboards) and Alan Key (drums). Rossi and Lancaster played their first gig at the Samuel Jones Sports Club in Dulwich, London. In 1963, Key was replaced by John Coghlan and the band changed name to "The Spectres". In 1965, when Rossi, Lancaster, and Jaworski had reached the end of their school education, Jaworski opted to leave the band, and was replaced by Roy Lynes. They began writing their own material and later that year met Rick Parfitt who was playing with a cabaret band called The Highlights. By the end of 1965, Rossi and Parfitt, who had become close friends, made a commitment to continue working together. On 18 July 1966, The Spectres signed a five-year deal with Piccadilly Records, releasing two singles that year, "I (Who Have Nothing)" and "Hurdy Gurdy Man" (written by Alan Lancaster), and one the next year called "(We Ain't Got) Nothin' Yet" (a song originally recorded by New York psychedelic band The Blues Magoos). All three singles failed to make an impact on the charts. By 1967, the group had discovered psychedelia and named themselves Traffic, but were soon forced to change it to "Traffic Jam" to avoid confusion with Steve Winwood's Traffic, following an argument over who had registered the name first. The band secured an appearance on BBC Radio's Saturday Club, but in June their next single, "Almost But Not Quite There", underperformed. The following month saw Parfitt, at the request of manager Pat Barlow, joining the band as rhythm guitarist and vocalist. Shortly after Parfitt's recruitment, in August 1967, the band officially became The Status Quo. CANNOTANSWER

Answer the following question by taking a quote from the article: What famous songs did they release?

their next single, "Almost But Not Quite There", underperformed.
Which entity is this text about?

Andrew Kennedy Irvine (born 14 June 1942), known as Andy Irvine, is a British-born, Irish-based folk musician, singer-songwriter, and a founding member of such popular bands as Sweeney's Men, Planxty, Patrick Street, Mozaik, LAPD and Usher's Island. He plays the mandolin, mandola, bouzouki, harmonica and hurdy-gurdy. Irvine has been influential in folk music for over five decades, during which he recorded a large repertoire of songs and tunes he assembled from books, old recordings and folk-song collectors rooted in the Irish, English, Scottish, Eastern European, Australian and American old-time and folk traditions. Imbued with a sense of social justice, Irvine often selects or writes songs that are based on historical events and presented from the victim's perspective.

In 1962, when his two-year contract with the BBC's 'Rep' ended, Irvine moved to Dublin and continued earning a living as an actor for a while, playing at The Olympia, The Gaiety, The Gate and The Eblana. He also performed at the Pike Theatre, where he played the role of Jerry as one of only two actors in Edward Albee's The Zoo Story, and where he also appeared as Tethra (the Irish god of war) in Moytura by Padraic Colum, during the Dublin Theatre Festival in 1963. In late 1963, he had a part in a few episodes of Down at Flannery's, a forerunner of the popular RTE soapTolka Row in which he appeared for five episodes in the role of Jim "Beardie" Toomey, the boyfriend of Laurie Morton's character, Peggy Kinnear. One of his last acting performances was at the Olympia Theatre on 28 September 1964 as Sir Peregrine in Sir Buccaneer, a musical by G.P. Gallivan. However, he very quickly noticed that a burgeoning folk scene was emerging, centred around the Baggot Street-Merrion quarter of Dublin's city centre. "As soon as I found my feet there, I thought, 'That's it, goodbye acting!'". After discovering Irish music through Seamus Ennis on Peter Kennedy's BBC programme As I Roved Out and through Ciaran Mac Mathuna on Raidio Eireann, Irvine studiously spent many hours at the National Library, scouring old songbooks like the Child Ballads and Sam Henry's Songs of the People, as well as A.L. Lloyd's Penguin Book of English Folk Songs. He also drew inspiration from Ewan MacColl, notably the songs he wrote for his radio-ballads. Gravitating around Paddy and Maureen O'Donoghue's Pub, Irvine met like-minded people such as Ronnie Drew, Luke Kelly and Barney McKenna, who would later form The Dubliners. Decades later, he recorded "O'Donoghue's"--released on the album Changing Trains (2004)--a song of eleven verses in which he vividly recalls these happy times, naming many of the people who were part of his transition from actor to folk musician. CANNOTANSWER

Andy Irvine (musician)
Background: James William Johnson (born July 16, 1943) is an American football broadcaster and former player, coach, and executive. He served as the head football coach at Oklahoma State University-Stillwater from 1979 to 1983 and the University of Miami from 1984 to 1988. Johnson then moved to the National Football League (NFL), serving as head coach of the Dallas Cowboys from 1989 to 1993, winning two Super Bowls with the team (both against the Buffalo Bills), and finally serving as head coach of the Miami Dolphins from 1996 to 1999. As of 2016, he is an analyst for Fox NFL Sunday, the Fox network's NFL pregame show for the NFL games.
Context: Johnson began as an assistant coach at Louisiana Tech University in 1965. During this time, Phil Robertson of Duck Dynasty fame was the starting quarterback, and Jimmy helped recruit high school quarterback Terry Bradshaw from nearby Shreveport, Louisiana. He then became an assistant coach at Picayune Memorial High School in Picayune, Mississippi, in 1966. In 1967, he was an assistant at Wichita State University, then in 1968 and 1969, he served under Johnny Majors at Iowa State University in Ames. In 1970, he moved on to another Big Eight Conference school to become a defensive line coach at the University of Oklahoma, working under head coach Chuck Fairbanks and alongside future rivals Barry Switzer and Jim Dickey. In 1973, he returned to Arkansas, where he served as defensive coordinator through the 1976 season. There, he coached such players as Brison Manor and Dirt Winston. Johnson had hopes of being named head coach when Broyles retired, but was passed over for Lou Holtz. Holtz offered to retain Johnson on his staff, but he decided to move on and amicably parted company with his alma mater. Johnson became assistant head coach and defensive coordinator at the University of Pittsburgh under Jackie Sherrill in 1977 and 1978. There, he coached Randy Holloway, David Logan, Al Chesley, J. C. Wilson, and Hugh Green, and was introduced to a Pitt alumnus and assistant coach Dave Wannstedt, who later teamed up with Johnson again at the University of Miami, the Cowboys, and the Dolphins. In 1979, Johnson became head coach at Oklahoma State. Johnson coached for five seasons at Oklahoma State, from 1979 to 1983, before taking the head coaching job at the University of Miami. Johnson interviewed for the head coaching job at Arkansas when Lou Holtz left following the 1983 season, then later found out Ken Hatfield had already been hired. Upset that Frank Broyles (who was still the Arkansas athletic director) made no mention of this during the interview, Jimmy distanced himself from his alma mater. As payback for the snub, a home-and-home series was scheduled with Arkansas. In 1987, Miami gave Arkansas its worst home loss ever at the time, 51-7. CANNOTANSWER
Question: Anything else you found interesting?. Whats the answer?

Johnson interviewed for the head coaching job at Arkansas when Lou Holtz left following the 1983 season,
Background: Sharon was born to Pablo Cuneta (1911-1999), a former Mayor of Pasay who was the longest-serving mayor in the Philippines from 1951 to 1998, and Elaine Gamboa (1934 - 2014), a sister of actress and singer Helen Gamboa. She was born on January 6, 1966 at Our Lady of Lourdes Hospital in Santa Mesa, Manila. She has lived most of her early years in Dasmarinas Village, Makati. Cuneta grew up surrounded by music, listening to her dad's record collection.
Context: In 1981, Contrary to popular notion, Cuneta's first film was not produced by Viva Films but by a production outfit known as Sining Silangan. Director Danny Zialcita was selected to direct the film; part of his job was also to convince the Cuneta household to allow Sharon to jump into acting. Almers De Luna, a member of the group Sharon's Angels, revealed that the Cunetas asked for a P220,000-talent fee, which at the time was a large amount for a newcomer. To the disbelief of Sharon's parents, Sining Silangan agreed to pay the sum without reservation. Cuneta starred in her very first feature film entitled, Dear Heart. She was paired with then Close-Up model and Regal Films' 1980s heartthrob, Gabby Concepcion. Dear Heart was successful and paved the way for future collaborations. Due to the commercial success of Dear Heart, a sequel was made. Since Sining Silangan didn't have the means to create an immediate follow up film, Pablo Cuneta collaborated with Vic Del Rosario and established Viva Films. On November 12, 1981, Viva Films released its first feature film, P.S. I Love You, starring Cuneta and Concepcion. The film was a box office success and was followed by another Sharon-Gabby collaboration, My Only Love (1982). Cuneta was also paired with other leading men, with the likes of William Martinez (in Forgive and Forget), Rowell Santiago (in Cross My Heart and Friends in Love) and Miguel Rodriguez (in To Love Again) from 1982-83, which made her the Ms. RP Movies for the years mentioned. She continued hosting the noontime show, Germspesyal, later called GMA Supershow, with German Moreno. She released albums such as PS I Love You (1981), Sixteen (1982) and Sharon & Love (1983). CANNOTANSWER
Question: Who else did she work with?

Answer:

Rowell Santiago (in Cross My Heart and Friends in Love
Sandra Day O'Connor (born March 26, 1930) is a retired Associate Justice of the Supreme Court of the United States, serving from her appointment in 1981 by Ronald Reagan to 2006. She is the first woman to serve on the Court. Prior to O'Connor's tenure on the Court, she was an elected official and judge in Arizona serving as the first female Majority Leader of a state senate as the Republican leader in the Arizona Senate. Upon her nomination to the Court, O'Connor was confirmed unanimously by the Senate.

In the 1990 and 1995 Missouri v. Jenkins rulings, O'Connor voted with the majority that district courts had no authority to require the state of Missouri to increase school funding in order to counteract racial inequality. In the 1991 Freeman v. Pitts case, O'Connor joined a concurring opinion in a plurality, agreeing that a school district that had formerly been under judicial review for racial segregation could be freed of this review, even though not all desegregation targets had been met. Law professor Herman Schwartz criticized these rulings, writing that in both cases "both the fact and effects of segregation were still present." In 1987's McCleskey v. Kemp, O'Connor joined a 5-4 majority that voted to uphold the death penalty for an African American man, Warren McCleskey, convicted of killing a white police officer, despite statistical evidence that black defendants were more likely to receive the death penalty than others both in Georgia and in the U.S. as a whole. In 1996's Shaw v. Hunt and Shaw v. Reno, O'Connor joined a Rehnquist opinion, following an earlier precedent from an opinion she authored in 1993, in which the Court struck down an electoral districting plan designed to facilitate the election of two black representatives out of twelve from North Carolina, a state that had not had any black representative since Reconstruction, despite being approximately 20% black--the Court held that the districts were unacceptably gerrymandered and O'Connor called the odd shape of the district in question, North Carolina's 12th, "bizarre". Law Professor Herman Schwartz called O'Connor "the Court's leader in its assault on racially oriented affirmative action," although she joined with the Court in upholding the constitutionality of race-based admissions to universities. In late 2008, O'Connor said she believed racial affirmative action should continue to help heal the inequalities created by racial discrimination. She stressed this would not be a cure-all but rather a bandage and that society has to do much more to correct our racial imbalance. In 2003 Justice O'Connor authored a majority Supreme Court opinion (Grutter v. Bollinger) saying racial affirmative action wouldn't be constitutional permanently but long enough to correct past discrimination - an approximation limit of around 25 years, or until 2028. CANNOTANSWER

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Did she work on any other death penalty cases?
The first Catholic Bishop of New South Wales, Australia, John Bede Polding, met Pugin and was present when St Chad's Cathedral, Birmingham and St Giles' Catholic Church, Cheadle were officially opened. Polding persuaded Pugin to design a series of churches for him. Although a number of churches do not survive, St Francis Xavier's in Berrima, New South Wales is regarded as a fine example of a Pugin church. St Stephen's Chapel, now in the cathedral grounds in Elizabeth Street, Brisbane, was built to a design of A.W.N. Pugin. Construction began in 1848, and the first mass in the church was celebrated on 12 May 1850. In 1859 James Quinn was appointed Bishop of Brisbane, Brisbane becoming a diocese, and Pugin's small church became a cathedral. When the new cathedral of St Stephen was opened in 1874 the small Pugin church became a school room, and later church offices and storage room. It was several times threatened with demolition before its restoration in the 1990s. In Sydney, there are several altered examples of his work, namely St Benedict's, Chippendale; St Charles Borromeo, Ryde; the former church of St Augustine of Hippo (next to the existing church), Balmain; and St Patrick's Cathedral, Parramatta, which was gutted by a fire in 1996 Pugin's legacy in Australia, is particularly of the idea of what a church should look like: Pugin's notion was that Gothic was Christian and Christian was Gothic ... It became the way people built churches and perceived churches should be. Even today if you ask someone what a church should look like, they'll describe a Gothic building with pointed windows and arches. Right across Australia, from outback towns with tiny churches made out of corrugated iron with a little pointed door and pointed windows, to our very greatest cathedrals, you have buildings which are directly related to Pugin's ideas. After his death Pugin's two sons, E. W. Pugin and Peter Paul Pugin, continued operating their father's architectural firm under the name Pugin & Pugin. This work includes most of the "Pugin" buildings in Australia and New Zealand. CANNOTANSWER

Answer this question "Are there any other interesting aspects about this article?" by extracting the answer from the text above.

Pugin's legacy in Australia, is particularly of the idea of what a church should look like:
The Goon Show was a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show, a title inspired, according to Spike Milligan, by a Popeye character. The show's chief creator and main writer was Spike Milligan. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects.

The Goon Show has been variously described as "avant-garde", "surrealist", "abstract", and "four dimensional". The show paved the way for surreal and alternative humour, as acknowledged by comedians such as Eddie Izzard. The surreality was part of the attraction for Sellers, and this exacerbated his mental instability especially during the third series. Many of the sequences have been cited as being visionary in the way that they challenged the traditional conventions of comedy. In the Pythons' autobiography, Terry Jones states "The Goons of course were my favourite. It was the surreality of the imagery and the speed of the comedy that I loved - the way they broke up the conventions of radio and played with the very nature of the medium." This is reiterated by Michael Palin and John Cleese in their contributions to Ventham's (2002) book. Cleese recalls listening to The Goon Show as a teenager in the mid-1950s "and being absolutely amazed by its surreal humour. It came at a key stage in my own development and I never missed a show". Additionally, Milligan played games with the medium itself. Whole scenes were written in which characters would leave, close the door behind themselves, yet still be inside the room. Further to this, characters would announce their departure, slam a door, but it would be another character who had left the room. That character would then beat on the door for re-admittance, the door would open and close and again the wrong character would be locked out. CANNOTANSWER

Using a quote from the above article, answer the following question: What did people say about the show?

It was the surreality of the imagery and the speed of the comedy that I loved -
Answer by taking a quote from the following article:

The Mamas & the Papas were an American folk rock vocal group who recorded and performed from 1965 to 1968, and were a defining force in the music scene of the Counterculture of the 1960s. The band reunited briefly in 1971 to record the album People Like Us but did not perform outside their recording studio at that time. The group was composed of John Phillips, Denny Doherty, Cass Elliot, and Michelle Phillips nee Gilliam. Their sound was based on vocal harmonies arranged by John Phillips, the songwriter, musician, and leader of the group who adapted folk to the new beat style of the early sixties.

After completing their brief East coast tour, the group started work immediately on its third album, The Mamas & The Papas Deliver, which was recorded in the autumn of 1966. The first single from the album, "Look Through My Window", was released in September 1966 (before the last single from The Mamas and the Papas). It reached number twenty-four in the US, but did not chart in the UK. The second single, "Dedicated to the One I Love" (February 1967), did much better, peaking at number two in both the US and the UK. That success helped the album, also released in February 1967, reach number two in the US and number four in the UK. The third single, "Creeque Alley" (April 1967), chronicled the band's early history. It peaked at number five in the US and number nine in the UK. The strain on the group was apparent when they performed indifferently at the first Monterey International Pop Festival in June 1967, as can be heard on Historic Performances Recorded at the Monterey International Pop Festival (1970). The band was badly under-rehearsed - partly because John and Michelle Phillips and Lou Adler were preoccupied with organizing the festival, partly because Doherty arrived at the last minute from another sojourn in the Virgin Islands, and partly, it is said, because he was drinking heavily in the aftermath of his affair with Michelle Phillips. They rallied for their performance before 18,000 people at the Hollywood Bowl in August (with Jimi Hendrix as the opener), which both John and Michelle Phillips would remember as the apex of the band's career: "There would never be anything quite like it again." Deliver was followed in October 1967 by the non-album single "Glad to Be Unhappy", which reached number twenty-six in the US. "Dancing Bear" from the group's second album was released as a single in November. It peaked at number fifty-one in the US. Neither of these singles charted in the UK. CANNOTANSWER

Did they start to practice more together after that?

They rallied for their performance before 18,000 people at the Hollywood Bowl in August (with Jimi Hendrix as the opener),
Berra was called up to the Yankees and played his first game on September 22, 1946; he played 7 games that season and 83 games in 1947. He played in more than a hundred games in each of the following fourteen years. Berra appeared in fourteen World Series, including 10 World Series championships, both of which are records. In part because Berra's playing career coincided with the Yankees' most consistent period of World Series participation, he established Series records for the most games (75), at bats (259), hits (71), doubles (10), singles (49), games caught (63), and catcher putouts (457). In Game 3 of the 1947 World Series, Berra hit the first pinch-hit home run in World Series history, off Brooklyn Dodgers pitcher Ralph Branca (who later gave up Bobby Thomson's famous Shot Heard 'Round the World in 1951). Berra was an All-Star for 15 seasons, and was selected to 18 All-Star Games (MLB held two All-Star Games in 1959 through 1962). He won the American League (AL) MVP award in 1951, 1954, and 1955; Berra never finished lower than fourth in the MVP voting from 1950 to 1957. He received MVP votes in fifteen consecutive seasons, tied with Barry Bonds and second only to Hank Aaron's nineteen straight seasons with MVP support. From 1949 to 1955, on a team filled with stars such as Mickey Mantle and Joe DiMaggio, it was Berra who led the Yankees in RBI for seven consecutive seasons. One of the most notable games of Berra's playing career came when he caught Don Larsen's perfect game in the 1956 World Series, the first of only two no-hitters ever thrown in MLB postseason play. The picture of Berra leaping into Larsen's arms following Dale Mitchell's called third strike to end the game is one of the sport's most memorable images. CANNOTANSWER

Answer this question "Are there any other interesting aspects about this article?" by extracting the answer from the text above.

From 1949 to 1955, on a team filled with stars such as Mickey Mantle and Joe DiMaggio, it was Berra who led the Yankees in RBI for seven consecutive seasons.
Background: Peter Hitchens was born in the Crown Colony of Malta, where his father, a career naval officer, was stationed as part of the then Mediterranean Fleet of the Royal Navy. Hitchens originally hoped to become a naval officer himself, but an eye defect prevented him from doing so. He was educated at the Leys School and the Oxford College of Further Education before being accepted at the University of York, where he studied Philosophy and Politics and was a member of Alcuin College, graduating in 1973. He later commented that he "must have been a severe disappointment" to his parents after making sure he "would never get into Oxbridge" by sabotaging his own education, through actions which included being arrested breaking into a government fall-out shelter in Cambridge.
Context: In 2002, Hitchens wrote a column criticising Sir Alan Duncan after he became the first Conservative MP to come out as gay. Hitchens wrote that as a "private homosexual," Duncan "needed and deserved the tolerance of those, like me, who think his choice is wrong but believe he had the right to make it." However, he continued, by "asking for open acceptance of his choice as normal," he had undermined the position of "heterosexual marriage" as the "ideal and right form of sexual partnership," and made a "gesture of contempt" to millions of Conservative voters. He now argues that it is futile to express "conservative" opinions on homosexuality and same-sex marriage, as to do so merely ensures that one will immediately be accused of bigotry and the "subjectively defined thoughtcrime" of homophobia, against which, he argues, it is impossible to defend oneself. For Hitchens, the same-sex marriage debate is a "Stalingrad" and a "diversion" from the more important and central issue of the general breakdown of marriage in British society, exemplified by the increased prevalence of divorce and single-parent families. In 2016, he wrote a column criticising the outcome of the Northern Irish 'Gay Cake' case, in which the owners of a Belfast bakery were successfully sued by a gay couple for refusing to bake a cake with the words "support gay marriage" written in icing. In a later radio discussion, he called the ruling "outrageously totalitarian," and said, "Where people can be forced to publish things with which they disagree, there is no freedom." In November 2017, in response to the sacking of a primary school teacher for accidentally misgendering a transgender pupil, Hitchens wrote a column attacking the transgender rights movement. CANNOTANSWER
Question: What was the radio discussion about?

Answer:

he called the ruling "outrageously totalitarian,"
Their requests for payment having been ignored, Robey and two other music publishers initiated unprecedented legal proceedings in April against the record companies that released these competing songs, alleging copyright infringement. As a result, Chess Records withdrew Brim's "Rattlesnake" from sale. In the Memphis courts, Lion Publishing Co. sought royalties and treble damages, claiming "Bear Cat" was "a dead steal". In May, Phillips responded: "There's a lot of difference in the words. As for the tune, there's practically no melody, but a rhythm pattern", adding that it is hard to differentiate between any two 12-bar blues songs. By June 1953 in a "precedent-setting" decision the Court ruled against Phillips, and upheld the charges of plagiarism, finding the tune and some of the lyrics of "Bear Cat" to be identical to those of "Hound Dog". Phillips was ordered to pay 2% of all of the profits of "Bear Cat" plus court costs. As this amounted to $35,000 compensation, Phillips was reduced to near bankruptcy, ultimately forcing him to sell Elvis Presley's Sun contract to RCA for $35,000 to raise the funds to settle his debts. On June 4, 1953, Jet reported that: "The Sun Record Company of Memphis agreed to pay $2,080 to a Texas Recording firm because its blues tune, Bear Cat, is too similar to Hound Dog. Lion Publishing Company of Houston, Tex., won the out-of-court settlement after contending in a court suit that Bear Cat was a "conscious imitation" of their own recording with "only minor variations." Sam C. Phillips of Sun Record agreed to pay Hound Dog owners two cents per record for 79,000 waxings of Bear Cat already sold and two cents a record for future sales. On July 8 Robey wrote to Phillips again, thanking him "kindly for your co-operation in this matter", but Phillips still refused to purchase a mechanical license for Thomas' "Bear Cat". Robey then instructed his company lawyer Irving Marcus to sue Phillips and Sun Records, hoping to use this as a test case to determine the legal status of all answer songs. While earlier pressings of Sun 181 bore the caption "(The Answer To Hound Dog)" above the A-side title, as a result of the legal action this was removed from all later pressings. In the 1980s, Sam Phillips conceded: "I should have known better. The melody was exactly the same as theirs, but we claimed the credit for writing the damn thing". CANNOTANSWER

Answer this question "Who filed the suit?" by extracting the answer from the text above.

Robey and two other music publishers initiated unprecedented legal proceedings
Cook was born in Houston, Texas and raised in Blue Springs, Missouri. His parents are Beth Foraker and Stanley Cook. He is the middle of three brothers - the late Adam Cook being older and Andrew younger. He is of German, Irish, and English descent.

On May 10, 2012, Cook performed a new song entitled "The Last Song I'll Write for You" on the eleventh season of American Idol. Before the performance, Cook confirmed to Shirley Halperin of the Hollywood Reporter that he is without a recording contract, having departed from RCA, and is self-releasing "The Last Song I'll Write for You". On April 30, 2013, Cook released a new single, "Laying Me Low", through XIX Recordings, the record label of American Idol creator Simon Fuller, although Cook shortly departed from Fuller's label. Cook co-penned country music singer David Nail's 2014 single, "Kiss You Tonight" from his album I'm a Fire. On November 17, 2014, a new single, "Wait For Me", was released. On March 24, 2015, it was announced that Cook had signed a publishing deal with Warner/Chappell Music. Cook's move to Nashville saw his newfound role as producer of his fourth album, often citing his move as the source of creativity. He worked with previous songwriters like Zac Maloy, Kevin Griffin, David Hodges, and Andy Skib (who also contributed as engineer). Cook also collaborated with Jerry Flowers (Keith Urban's bass guitarist), Earth to Andy members Andy Waldeck and Chris Reardon (with Reardon also serving as co-producer on one track - Laying Me Low), local Nashville writers Blair Daly and Chad Carlson, former bandmate Devin Bronson, and Steven Miller. The album's title Digital Vein and track listing was announced on June 23, 2015, with "Criminals" being the first official single from the album released on July 31, 2015. Digital Vein was released on September 18, 2015 through Cook's own independent label, Analog Heart Music. Cook promoted the album on the Digital Vein Tour throughout late 2015 and early 2016. The first half of the tour, with opening act Andrew Ripp, consisted of 33 shows in 24 states, beginning on September 30, 2015 in Phoenix, Arizona and ending on November 21, 2015 in Tulsa, Oklahoma. In this tour, Daniel Damico replaced Andy Skib and Devin Bronson as the lead guitarist and keyboardist, drummer Adam Reidelbach replaced Nick Adams, and Andy Wildrick replaced Monty Anderson as the bass guitarist. His second single "Broken Windows" was released on February 22, 2016 and coincided with the second half of the tour. Featuring opening act Tony Lucca, the run consisted of 18 shows in 14 states, beginning on February 23, 2016 in Chattanooga, Tennessee and ending on March 19, 2016 in Oklahoma City, Oklahoma. CANNOTANSWER

Answer the following question by taking a quote from the article: How did it do?

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John Anthony Gillis was born in Detroit, Michigan, the youngest of ten children--and the seventh son--of Teresa (nee Bandyk) and Gorman M. Gillis. His mother's family was Polish, while his father was Scottish-Canadian. He was raised a Catholic, and his father and mother both worked for the Archdiocese of Detroit as the Building Maintenance Superintendent and secretary in the Cardinal's office, respectively. Gillis became an altar boy, which landed him an uncredited role in the 1987 movie The Rosary Murders, filmed mainly at Holy Redeemer parish in southwest Detroit.

White has long been a proponent of analog equipment and the associated working methods. Beginning in the fifth grade, he and his childhood friend, Dominic Suchyta, would listen to records in White's attic on weekends and began to record cover songs on an old four-track reel to reel tape machine. The White Stripes' first album was largely recorded in the attic of his parents' home. As their fame grew beyond Detroit, the Stripes became known for their affected innocence and stripped-down playing style. In particular, White became distinguished for his nasal vocal delivery and loose, explosive guitar delivery. In an early New York Times concert review from 2001, Ann Powers said that, while White's playing was "ingenious," he "created more challenges by playing an acoustic guitar with paper taped over the hole and a less-than-high-quality solid body electric." His home studio in Nashville contains two rooms ("I want everyone close, focused, feeling like we're in it together.") with two pieces of equipment: a Neve mixing console, and two Studer A800 2-inch 8-track tape recorders. In his introduction in the documentary film, It Might Get Loud, White showcases his minimalist style by constructing a guitar built out of a plank of wood, three nails, a glass Coke bottle, a guitar string, and a pickup. He ends the demonstration by saying, "Who says you need to buy a guitar?" In a 2012 episode of the show, Portlandia, White made a cameo in a sketch spoofing home studio enthusiasts who prefer antique recording equipment. CANNOTANSWERAnswer this question using a quote from the following article:

Are there other aspects of his lifestyle you find interesting?

In particular, White became distinguished for his nasal vocal delivery and loose, explosive guitar delivery.
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John Anthony Gillis was born in Detroit, Michigan, the youngest of ten children--and the seventh son--of Teresa (nee Bandyk) and Gorman M. Gillis. His mother's family was Polish, while his father was Scottish-Canadian. He was raised a Catholic, and his father and mother both worked for the Archdiocese of Detroit as the Building Maintenance Superintendent and secretary in the Cardinal's office, respectively. Gillis became an altar boy, which landed him an uncredited role in the 1987 movie The Rosary Murders, filmed mainly at Holy Redeemer parish in southwest Detroit.

Jack and Meg married on September 21, 1996 and divorced on March 24, 2000. In 2003, he had a brief relationship with actress Renee Zellweger, whom he met during the filming of Cold Mountain. That summer, the couple were in a car accident in which White broke his left index finger and was forced to reschedule much of the summer tour. He posted the footage of his finger surgery on the web for fans. White and Zellweger's breakup became public in December 2004. White met British model Karen Elson when she appeared in The White Stripes music video for "Blue Orchid". The video's director, Floria Sigismondi, noted "you sensed an energy between them". They married on June 1, 2005, in Manaus, Brazil. The wedding took place in a canoe on the Amazon River and was officiated by a shaman. A Roman Catholic priest later convalidated their marriage. Manager Ian Montone was the best man and Meg White was the maid of honor. Official wedding announcements stated that "it was the first marriage" for both. In 2006, the couple had a daughter Scarlett Teresa. Their second child, son Henry Lee, was born in 2007. The family resided in Brentwood, a suburb south of Nashville, where Elson managed a vintage clothing store called Venus & Mars. Elson provided vocals on White's first solo record. The couple announced their intention to divorce in June 2011, throwing "a positive swing bang humdinger" party to commemorate the split. On July 22, 2013, a Nashville judge barred White from having "any contact with Karen Elson whatsoever except as it relates to parenting time with the parties' minor children." A counter-motion was filed on August 2, 2013, stating that "The reason for filing this response is that Mr. White does not want to be portrayed as something he is not, violent toward his wife and children." The divorce was finalized on November 26, 2013. Elson later recanted the charges, attributing the "aggressive" proceedings to her divorce attorneys, and saying "those who gain of a marriage ending helped to create a downward spiral at my most vulnerable." White agreed, saying, "When shitty lawyers are in a situation like divorce, their goal is to villainize." The former couple reportedly remain on good terms. CANNOTANSWER

Jack White
Burnham returned to North America and for the next few years became associated with the Yaqui River irrigation project in Mexico. While investigating the Yaqui valley for mineral and agricultural resources, Burnham reasoned that a dam could provide year-round water to rich alluvial soil in the valley; turning the region into one of the garden spots of the world and generate much needed electricity. He purchased water rights and some 300 acres (1.2 km2) of land in this region and contacted an old friend from his time in Africa, John Hays Hammond, who conducted his own studies and then purchased an additional 900,000 acres (3,600 km2) of this land--an area the size of Rhode Island. Burnham together with Charles Frederick Holder made important archaeological discoveries of Mayan civilization in this region, including the Esperanza Stone. In 1909, William Howard Taft and Porfirio Diaz planned a summit in El Paso, Texas, and Ciudad Juarez, Mexico, an historic first meeting between a U.S. president and a Mexican president and also the first time an American president would cross the border into Mexico. But tensions rose on both sides of the border, including threats of assassination, so the Texas Rangers, 4,000 U.S. and Mexican troops, U.S. Secret Service agents, FBI agents and U.S. marshals were all called in to provide security. Burnham was put in charge of a 250 private security detail hired by Hammond, who in addition to owning large investments in Mexico was a close friend of Taft from Yale and a U.S. Vice-Presidential candidate in 1908. On October 16, the day of the summit, Burnham and Private C.R. Moore, a Texas Ranger, discovered a man holding a concealed palm pistol standing at the El Paso Chamber of Commerce building along the procession route. Burnham and Moore captured and disarmed the assassin within only a few feet of Taft and Diaz. After the Taft-Diaz summit, Burnham led a team of 500 men in guarding mining properties owned by Hammond, J. P. Morgan, and the Guggenheims in the Mexican state of Sonora. Just as the irrigation and mining projects were nearing completion in 1912, a long series of Mexican revolutions began. The final blow to these efforts came in 1917 when Mexico passed laws prohibiting the sale of land to foreigners. Burnham and Hammond carried their properties until 1930 and then sold them to the Mexican government. CANNOTANSWER

Answer this question "any other important thing i should know" by extracting the answer from the text above.

William Howard Taft and Porfirio Diaz planned a summit in El Paso, Texas, and Ciudad Juarez, Mexico, an historic first meeting between a U.S. president and a Mexican president