cindermond/bento huggingface dataset:
Ted Shawn (21 October 1891 - 9 January 1972), originally Edwin Myers Shawn, was one of the first notable male pioneers of American modern dance. Along with creating Denishawn with former wife Ruth St. Denis he is also responsible for the creation of the well known all-male company Ted Shawn and His Men Dancers. With his innovative ideas of masculine movement, he is one of the most influential choreographers and dancers of his day. He is also the founder and creator of Jacob's Pillow Dance Festival in Massachusetts, and "was knighted by the King of Denmark for his efforts on behalf of the Royal Danish Ballet".

Due to marital problems of Ruth St. Denis and Ted Shawn and financial difficulties, Denishawn concluded in the early 1930s. Consequently, Shawn went on to form an all-male dance company, made up of athletes he taught at Springfield College in Massachusetts. Shawn's mission in creating this company was to fight for acceptance of the American male dancer and to bring awareness of the art form from a male perspective. The all-male company was based out of a farm that Shawn purchased near his hometown Lee, Massachusetts. On July 14, 1933, Ted Shawn and His Men Dancers had their premier performance at Shawn's farm, which would later be known as Jacob's Pillow Dance Festival. Shawn produced some of his most innovate and controversial choreography to date with this company such as "Ponca Indian Dance", "Sinhalse Devil Dance", "Maori War Haka", "Hopi Indian Eagle Dance", "Dyak Spear Dances", and "Kinetic Molpai". Through these creative works Shawn showcased athletic and masculine movement that soon would gain popularity. The company performed in the United States and Canada, touring more than 750 cities, in addition to international success in London and Havana. Ted Shawn and His Men Dancers concluded at Jacob's Pillow on August 31, 1940 with a homecoming performance. During the years of the company, Shawn's love for the relationships created by the men in his dances soon translated into love between himself and one of his company members, Barton Mumaw (1912-2001), which lasted from 1931 to 1948. One of the leading stars of the company, Barton Mumaw would emerge onto the dance industry and be considered "the American Nijinsky." While with Shawn, Mumaw began a relationship with a John Christian, a stage manager for the company. Mumaw introduced Shawn to Christian. Later, Shawn formed a partnership with John Christian, with whom he stayed from 1949 until his death in 1972. CANNOTANSWERAnswer this question using a quote from the following article:

Where was Shawn's farm?

farm that Shawn purchased near his hometown Lee, Massachusetts.
Alan Irwin Menken was born on July 22, 1949, at French Hospital in New York City, to Judith and Norman Menken. His father was a boogie-woogie piano-playing dentist, and his mother was an actress, dancer and playwright. His family was Jewish. Menken developed an interest in music at an early age, taking piano and violin lessons.

After graduating, Menken's plan was to become either a rock star or a recording artist. His interest in writing musicals increased when he joined the Broadcast Music, Inc. (BMI) Musical Theatre Workshop and was mentored by Lehman Engel. From 1974 to 1978, he showcased various BMI workshop works, such as Midnight, Apartment House (lyric by Muriel Robinson), Conversations with Pierre,Harry the Rat and Messiah on Mott Street (lyrics by David Zippel). According to Menken, during this period, he "worked as a ballet and modern dance accompanist, a musical director for club acts, a jingle writer, arranger, a songwriter for Sesame Street and a vocal coach. He performed his material at clubs like The Ballroom, Reno Sweeny and Tramps." In 1976, John Wilson reported for The New York Times that members of Engel's BMI Workshop began performing as part of the "Broadway at the Ballroom" series: "The opening workshop program ... featured Maury Yeston and Alan Menken, both playing their piano accompaniment and singing songs they have written for potential musicals." Wilson reviewed a performance at the Ballroom in 1977 where Menken accompanied a singer: "In the current cabaret world, a piano accompanist is no longer expected to merely play piano for a singer. More and more, pianists can be heard joining in vocally, harmonizing with the singer, creating a background of shouts and exclamations or even doing brief passages of solo singing." Menken contributed material to revues like New York's Back in Town, Big Apple Country, The Present Tense (1977), Real Life Funnies (Off-Broadway, 1981), Diamonds (Off-Broadway, 1984), and Personals (Off-Off-Broadway, 1985). His revue Patch, Patch, Patch ran at the West Bank Cafe in New York City in 1979 and featured Chip Zien. The New York Times reviewer, Mel Gussow, wrote: "The title song ... refers to a life's passage. According to Alan Menken ... after age 30 it is a downhill plunge." Menken wrote several shows that were not produced, including Atina, Evil Queen of the Galaxy (1980), with lyrics by Steve Brown. He also wrote The Thorn with lyrics by Brown, which was commissioned by Divine in 1980. This was a parody of the film The Rose, but they could not raise the money to have it produced. He collaborated with Howard Ashman in an uncompleted musical called Babe (c. 1981), with Tom Eyen in Kicks: The Showgirl Musical (1984), and with David Rogers in The Dream in Royal Street (c. 1981), which was an adaptation of A Midsummer Night's Dream. Menken contributed music for the film The Line (1980), directed by Robert J. Siegel. CANNOTANSWER

Using a quote from the above article, answer the following question: Did he work on any movies?

Menken contributed music for the film The Line (1980), directed by Robert J. Siegel.
In 2003, Rob Hotchkiss left the band citing creative differences. According to band interviews, Hotchkiss resented being pushed away as a songwriter and decided to leave. Hotchkiss started pursuing a solo career, after having contributed to six of the 11 songs on the (at the time) upcoming album My Private Nation. His solo album, the critically acclaimed Midnight Ghost, was released in 2004. The band's third album, My Private Nation, was released in June 2003 with "Calling All Angels" as the lead single. "Calling All Angels" became Train's third top 20 hit, and was a major hit on the Billboard Hot Adult Contemporary Tracks chart. "Calling All Angels" has been certified RIAA Gold. In October 2003, bassist Charlie Colin was forced to leave the band because of substance abuse. According to singer Pat Monahan, Colin was "a mess". After a live presentation in Oregon, he called an emergency meeting and told the band that "you can have your bass player, or you can have your singer". In 2004, their non-album song "Ordinary" was featured in the movie Spider-Man 2. In 2007, it was featured again, this time in the NBC series Heroes. The music video for "Ordinary" was in rotation on MTV, but the song only charted on the Adult Top 40 Tracks chart. In July 2005, after the song was featured in an advertising campaign for Cingular, the band released "Get to Me" as the final single from My Private Nation. "Get to Me" (written by Rob Hotchkiss and Pat Monahan) reached number nine on the Billboard Adult Top 40. Paul Buckmaster returned on "My Private Nation" with string arrangements for the tracks "Lincoln Avenue" and "Your Every Color". The album was certified platinum by the RIAA. The band released their first live album, Alive at Last, in 2004, later winning a Radio Music Award for best artist. CANNOTANSWER

Answer this question "What is my private nation?" by extracting the answer from the text above.

The band's third album,
Background: Tan Dun (simplified Chinese: Tan Dun ; traditional Chinese: Tan Dun ; pinyin: Tan Dun, Mandarin pronunciation: [than tu@n]; born 18 August 1957) is a Chinese contemporary classical composer and conductor, most widely known for his scores for the movies Crouching Tiger, Hidden Dragon and Hero, as well as composing music for the medal ceremonies at the 2008 Beijing Olympics. His works often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance. In 2013, he was named a UNESCO Goodwill Ambassador. He has won numerous awards for his works, including an Academy Award, a Grammy Award and a BAFTA award.
Context: In the mid-1990s, Tan Dun began working on another series of orchestral works known as the Yi series, named for the I Ching (Yi Jing in pinyin). Each numbered work in the series builds upon the original, Yideg: Concerto for Orchestra (published 2002), by adding a solo instrument. The first concerto in the series, Yi1: Intercourse of Fire and Water (1994), was written for and premiered by cellist Anssi Karttunen. The second work, Yi2: Concerto for Guitar and Orchestra (1996), combines flamenco and pipa techniques and was premiered by Sharon Isbin. Originally titled Secret Land, Tan Dun wrote a concerto for twelve solo cellos and orchestra called Four Secret Road of Marco Polo (2004). Commissioned and premiered by the Berlin Philharmonic, the work is a musical exploration of the Silk Road. To achieve these sounds, the cello soloists employ sitar and pipa techniques. Tan Dun wrote a concerto for Lang Lang titled Piano Concerto: "The Fire" (2008), a commission by the New York Philharmonic. The concerto is reportedly inspired by the composer's love for martial arts, and the soloist is instructed to play certain passages of the music with fists and forearms. Other more tranquil sections evoke ancient Chinese instruments such as the guqin. In 2008, Tan Dun was commissioned by Google and YouTube to write an inaugural symphony for the YouTube Symphony Orchestra (YTSO) project. The resultant work, Internet Symphony No. 1 "Eroica", was recorded by the London Symphony Orchestra and uploaded to YouTube in November 2008, thus beginning the open call for video audition submissions. Voted on by members of the YouTube community as well as professional musicians, the YTSO was assembled of 96 musicians from over 30 countries. In April 2009, a mashup video of the submissions was premiered at Carnegie Hall, followed by a live performance of the work. CANNOTANSWER
Question: Are there any other interesting aspects about this article?. Whats the answer?

In April 2009, a mashup video of the submissions was premiered at Carnegie Hall, followed by a live performance of the work.
Background: Mohammad Amir was born in 1992 in Gujar Khan, Pothohar. Pakistan He was the second youngest of seven children. "Wasim Akram is my favourite, he's my idol.
Context: Amir played his second ICC ODI tournament in 2017 ICC Champions Trophy. During the first two games against arch rivals India and South Africa, Amir failed to pick up wickets but was economical with the figures of 0/32 (8.1) and 0/50 (10) respectively. It was Sri Lanka game where he picked up his first wickets. He picked important wickets of Angelo Mathews and Niroshan Dickwella and ended with figures of 2/53 (10). But his important contribution came from bat where he scored 28 from 63. Chasing Sri Lanka's target of 237, Pakistan were struggling at 162/7 before he arrived and, along with skipper Sarfraz Ahmed, shared an unbeaten stand of 75 to guide his team to their fourth semi final of their Champions Trophy. Amir missed the semi final against England due to back spasms. But his absences was barely noticeable as his replacement, Rumman Raees bowled well on debut with 2/44. Pakistan won that match by 8 wickets. Amir was pivotal for helping Pakistan win 2017 ICC Champions Trophy by claiming top three wickets against arch-rivals India in the Final. Amir entered his second ICC final. It was against India, who were in comfortable position. After Pakistan posted a challenging total of 338, it was Indian batsmen that needed to be taken care of. Their top three batsmen, Rohit Sharma, Shikhar Dhawan and Virat Kohli scored 70% of India's run in the tournament. Amir took them all out. He trapped Sharma on front for LBW where he was given a three ball golden duck. Then he took the Indian skipper for 5. Kohli, at first, was dropped by Azhar Ali at first slip. However, he didn't have to wait much to take the wicket of the best batsman in the world,making him edge next ball to point where Shadab Khan took a good catch. Amir got his third after he bowled cross seamer to Dhawan for 21. Amir finished with the figures of 3/16 (6). It was Amir's dream spell as his side bowled out the defending champions for 158, winning by 180 runs. Amir has rated Indian cricketer Virat Kohli as the best batsman in the world. Kohli also rated Amir as one of the 'toughest' bowlers to face in the world cricket. Amir's brother said that this was what he wanted to do. After that spot fixing scandal at same city, he wanted to make up for his wrongdoings and the spell in the final was something that brought his family to relief. CANNOTANSWER
Question: Who was he playing for?. Whats the answer?

Pakistan
Mystique (Raven Darkholme) is a fictional character appearing in American comic books published by Marvel Comics, commonly in association with the X-Men. Created by artist David Cockrum and writer Chris Claremont, she first appeared in the comic book Ms. Marvel #16, published in 1978. Mystique is a member of a subspecies of humanity known as mutants, who are born with superhuman abilities. Mystique is a shapeshifter who can mimic the appearance and voice of any person with exquisite precision, and her natural appearance includes blue skin and yellow eyes.

After the Hecatomb battle on Providence, Rogue's team returns to Rogue's childhood home in Caldecott County, Mississippi, which Mystique owns for some downtime. Mystique alerts the X-Men, who come to treat Rogue's illness, that there are intruders in the area. Only after Lady Mastermind drops her illusions do the X-Men realize that it is an all-out attack, and that both Lady Mastermind and Omega Sentinel (the latter being possessed by Malice) have defected sides. During the Marauders' initial ambush, Mystique prevents Scalphunter from shooting Rogue. She then reveals herself as a traitor as well, shoots her adopted daughter, and orders the remaining Marauders to kill the X-Men. Mystique remains with the Marauders during the hunt for the first new mutant baby, but is revealed to have murdered Mister Sinister in a plot involving the baby and Rogue's killing touch. She also appears to be working with Gambit, who, like her, has ulterior motives to want to betray Mister Sinister. When Sinister approaches Mystique as she is with the comatose Rogue, Mystique shoves Sinister onto Rogue, killing him through fatal skin-to-skin contact. Then, in keeping with the words of the Destiny Diaries, she touches the baby's face to Rogue's. The baby's touch purges her of the Strain 88 virus and all the residual psyches she had absorbed over her life, including Hecatomb. Rogue is sickened by Mystique's manipulations, and leaves. Wolverine tracks Mystique to the Middle East and then into Afghanistan. It is hinted at that Mystique's recent betrayal is not the only reason Logan is out to kill her, as they have a common history of friendship, love, and ultimately, betrayal. After a heated fight, Wolverine wounds Mystique, but denies her the Coup de grace. CANNOTANSWER

Using a quote from the above article, answer the following question: Who are the maraauders

Lady Mastermind and Omega Sentinel (
Anne Inez McCaffrey (1 April 1926 - 21 November 2011) was an American-born writer who emigrated to Ireland and was best known for the Dragonriders of Pern fantasy series. Early in McCaffrey's 46-year career as a writer, she became the first woman to win a Hugo Award for fiction and the first to win a Nebula Award. Her 1978 novel The White Dragon became one of the first science-fiction books to appear on the New York Times Best Seller list.

Anne Inez McCaffrey was born in Cambridge, Massachusetts, the second of three children of Anne Dorothy (nee McElroy) and Col. George Herbert McCaffrey. She had two brothers: Hugh ("Mac", died 1988) and Kevin Richard McCaffrey ("Kevie"). Her father had Irish and English ancestry, and her mother was of Irish descent. She attended Stuart Hall (a girls' boarding school in Staunton, Virginia), and graduated from Montclair High School in Montclair, New Jersey. In 1947 she graduated cum laude from Radcliffe College with a degree in Slavonic languages and Literature. In 1950 she married Horace Wright Johnson (died 2009), who shared her interests in music, opera and ballet. They had three children: Alec Anthony, born 1952; Todd, born 1956; and Georgeanne ("Gigi", Georgeanne Kennedy), born 1959. Except for a short time in Dusseldorf, the family lived for most of a decade in Wilmington, Delaware. They moved to Sea Cliff, Long Island in 1965, and McCaffrey became a full-time writer. McCaffrey served a term as secretary-treasurer of the Science Fiction Writers of America from 1968 to 1970. In addition to handcrafting the Nebula Award trophies, her responsibilities included production of two monthly newsletters and their distribution by mail to the membership. McCaffrey emigrated to Ireland with her two younger children in 1970, weeks after filing for divorce. Ireland had recently exempted resident artists from income taxes, an opportunity that fellow science-fiction author Harry Harrison had promptly taken and helped to promote. McCaffrey's mother soon joined the family in Dublin. The following spring, McCaffrey was guest of honour at her first British science-fiction convention (Eastercon 22, 1971). There she met British reproductive biologist Jack Cohen, who would be a consultant on the science of Pern. CANNOTANSWER

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where did she go to schools?
Background: Sir Ronald Ross  (13 May 1857 - 16 September 1932), was a British medical doctor who received the Nobel Prize for Physiology or Medicine in 1902 for his work on the transmission of malaria, becoming the first British Nobel laureate, and the first born outside Europe. His discovery of the malarial parasite in the gastrointestinal tract of a mosquito in 1897 proved that malaria was transmitted by mosquitoes, and laid the foundation for the method of combating the disease. He was a polymath, writing a number of poems, published several novels, and composed songs. He was also an amateur artist and natural mathematician.
Context: In 1899, Ross resigned from Indian Medical Service and went to England to join the faculty of the Liverpool School of Tropical Medicine as lecturer. He continued to work on prevention of malaria in different parts of the world, including West Africa, the Suez Canal zone, Greece, Mauritius, Cyprus, and in the areas affected by the First World War. He also initiated organisations, which proved to be well established, for fighting malaria in India and Sri Lanka. He was appointed as Professor and Chair of Tropical Medicine of the Liverpool School of Tropical Medicine in 1902, which he held up to 1912. In 1912 he was appointed Physician for Tropical Diseases at King's College Hospital in London, and simultaneously hold the Chair of Tropical Sanitation in Liverpool. He remained in these posts until 1917 when he became (honorary) Consultant in Malariology in British War Office. He travelled to Thessaloniki and Italy in November to advise and on the way, "in a landlocked bay close to the Leucadian Rock (where Sappho is supposed to have drowned hers)", his ship escaped a torpedo attack. Between 1918 and 1926 he worked as Consultant in Malaria in the Ministry of Pensions and National Insurance. Ross developed mathematical models for the study of malaria epidemiology, which he initiated in his report on Mauritius in 1908. He elaborated the concept in his book The Prevention of malaria in 1910 (2nd edition in 1911) and further elaborated in a more generalised form in scientific papers published by the Royal Society in 1915 and 1916. These papers represented a profound mathematical interest which was not confined to epidemiology, but led him to make material contributions to both pure and applied mathematics. Ross was one of the supporters of Sir William Osler in the founding of the History of Medicine Society in 1912, and in 1913 was the history of medicines's sections vice-president. CANNOTANSWER
Question: What did Ross do in England?. Whats the answer?

join the faculty of the Liverpool School of Tropical Medicine as lecturer.
Background: Palestinian art is a term used to refer to paintings, posters, installation art and other visual media produced by Palestinian artists. While the term has also been used to refer to ancient art produced in the geographical region of Palestine, in its modern usage it generally refers to work of contemporary Palestinian artists. Similar to the structure of Palestinian society, the Palestinian art field extends over four main geographic centers: the West Bank and Gaza Strip; Israel; the Palestinian diaspora in the Arab world, Europe and the United States. Contemporary Palestinian art finds its roots in folk art and traditional Christian and Islamic painting popular in Palestine over the ages.
Context: Before 1948, most Palestinian artists were self-taught, painting landscapes and religious scenes in imitation of the European style. Art exhibitions were almost unheard of. Notable artists of this era include Khalil Halaby, Nahil Bishara and Faddoul Odeh. Jamal Badran (1909-1999) was a leading artist in the Islamic style. Sophie Halaby studied in France and Italy before returning to teach at the Schmidt Girls College in 1935-1955. One of the earliest artists to add a political dimension to his works was Nicola Saig (1863-1942). While most of the art in his day explored religious themes and non-controversial issues, Saig's work ventured into politics. Caliph Umar at Jerusalem Gates c. 1920, for example, seems to recount a popular religious legend about Umar bloodlessly taking over Jerusalem and ushering centuries of peace between the local Christian and Jewish populations. However, upon closer look, the Christ-like stature given to the Caliph jab at what many Palestinians saw as divisive policies of the British during the Mandate Period which attempted to create friction between Muslims and Christian Arabs. After 1948, Ismail Shammout, Naji al-ali, Mustafa al-Hallaj, Abdul Hay Mosallam and Paul Guiragossian tackled the painful memories of the Nabka showing massacres, refugees and clear political themes. Others such as Sophia Halaby, Ibrahim Ghannam, and Juliana Seraphim focused more subtly on questions of identity including Palestinian cultural traditions, physical geography, and a surrealistic look at memories of childhood reverie. According to Tal Ben Zvi, Palestinian artists after 1948 reside in four geographical territories and have no art colleges. Thus unlike sovereign nation-states where art is based on "national borders, national museums and institutes of learning, he claims Palestinian art is based chiefly on artists operating within the frame of Palestinian identity. CANNOTANSWER
Question: What role does politics play in Palestinian art?. Whats the answer?

While most of the art in his day explored religious themes and non-controversial issues, Saig's work ventured into politics.
Background: Isabella Augusta, Lady Gregory (nee Persse; 15 March 1852 - 22 May 1932) was an Irish dramatist, folklorist and theatre manager. With William Butler Yeats and Edward Martyn, she co-founded the Irish Literary Theatre and the Abbey Theatre, and wrote numerous short works for both companies. Lady Gregory produced a number of books of retellings of stories taken from Irish mythology.
Context: The Gregorys travelled in Ceylon, India, Spain, Italy and Egypt. While in Egypt, Lady Gregory had an affair with the English poet Wilfrid Scawen Blunt, during which she wrote a series of love poems, A Woman's Sonnets. Her earliest work to appear under her own name was Arabi and His Household (1882), a pamphlet--originally a letter to The Times--in support of Ahmed Orabi Pasha, leader of what has come to be known as the Urabi Revolt, an 1879 Egyptian nationalist revolt against the oppressive regime of the Khedive and the European domination of Egypt. She later said of this booklet, "whatever political indignation or energy was born with me may have run its course in that Egyptian year and worn itself out". Despite this, in 1893 she published A Phantom's Pilgrimage, or Home Ruin, an anti-Nationalist pamphlet against William Ewart Gladstone's proposed second Home Rule Act. She continued to write prose during the period of her marriage. During the winter of 1883, whilst her husband was in Ceylon, she worked on a series of memoirs of her childhood home, with a view to publishing them under the title An Emigrant's Notebook, but this plan was abandoned. She wrote a series of pamphlets in 1887 called Over the River, in which she appealed for funds for the parish of St. Stephens in Southwark, south London. She also wrote a number of short stories in the years 1890 and 1891, although these also never appeared in print. A number of unpublished poems from this period have also survived. When Sir William Gregory died in March 1892, Lady Gregory went into mourning and returned to Coole Park; there she edited her husband's autobiography, which she published in 1894. She was to write later, "If I had not married I should not have learned the quick enrichment of sentences that one gets in conversation; had I not been widowed I should not have found the detachment of mind, the leisure for observation necessary to give insight into character, to express and interpret it. Loneliness made me rich--'full', as Bacon says." CANNOTANSWER
Question: What were her best-known works?

Answer:

CANNOTANSWER
Henryk Mikolaj Gorecki (Polish: ['xenrik mji'kowaj gu'retski]; English pronunciation Go-RET-ski; December 6, 1933 - November 12, 2010) was a Polish composer of contemporary classical music. According to critic Alex Ross, no recent classical composer has had as much commercial success as Gorecki. Gorecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw.

Gorecki's music covers a variety of styles, but tends towards relative harmonic and rhythmical simplicity. He is considered to be a founder of the so-called New Polish School. Described by Terry Teachout, he said Gorecki has "more conventional array of compositional techniques includes both elaborate counterpoint and the ritualistic repetition of melodic fragments and harmonic patterns." His first works, dating from the last half of the 1950s, were in the avant-garde style of Webern and other serialists of that time. Some of these twelve-tone and serial pieces include Epitaph (1958), First Symphony (1959), and Scontri (1960) (Mirka 2004, p. 305). At that time, Gorecki's reputation was not lagging behind that of his near-exact contemporary and his status was confirmed in 1960s when "Monologhi" won first prize. Even until 1962, he was firmly ensconced in the minds of the Warsaw Autumn public as a leader of the Polish Modern School, alongside Penderecki. Danuta Mirka has shown that Gorecki's compositional techniques in the 1960s were often based on geometry, including axes, figures, one- and two-dimensional patterns, and especially symmetry. Thus, she proposes the term "geometrical period" to refer to Gorecki's works between 1962 and 1970. Building on Krzysztof Droba's classifications, she further divides this period into two phases: (1962-63) "the phase of sonoristic means"; and (1964-70) "the phase of reductive constructicism" (Mirka 2004, p. 329). During the middle 1960s and early 1970s, Gorecki progressively moved away from his early career as radical modernist, and began to compose with a more traditional, romantic mode of expression. His change of style was viewed as an affront to the then avant-garde establishment, and though he continued to receive commissions from various Polish agencies, by the mid-1970s Gorecki was no longer regarded as a composer that mattered. In the words of one critic, his "new material was no longer cerebral and sparse; rather, it was intensely expressive, persistently rhythmic and often richly colored in the darkest of orchestral hues". CANNOTANSWER

Using a quote from the above article, answer the following question: What was he considered in the 1970s

his "new material was no longer cerebral and sparse; rather, it was intensely expressive, persistently rhythmic and often richly colored in the darkest of orchestral hues".
Background: Rundgren was born in Philadelphia, Pennsylvania, the son of Ruth (nee Fleck; April 29, 1922 - April 6, 2016) and Harry W. Rundgren (1917-1996). He grew up in Upper Darby. His father was of half Swedish and half Austrian descent, and his mother was mostly of German descent. Todd was a 1966 graduate of Upper Darby High School.
Context: Although he had originally intended to concentrate on production rather than his own music, in 1970 Todd formed the 'band' Runt, consisting of himself, teenagers Hunt Sales on drums, and his brother Tony Sales on bass (the Sales brothers, sons of US comedian Soupy Sales, were in a short lived band called Tony and the Tigers and went on to play with Iggy Pop, David Bowie, and Tin Machine). Rundgren himself wrote, produced, sang and played guitars, keyboards and other instruments. Whether Runt is best described as a band or simply as a pseudonym for Rundgren as a solo artist is unclear--for the album Runt (1970) the group appeared to be a bona fide trio, but on their second album Runt: The Ballad of Todd Rundgren (1971), Hunt Sales plays only on two tracks and is replaced by N. D. Smart on the rest of the album. Furthermore, only Rundgren is pictured on the covers of both albums, and both albums have been subsequently reissued with the same titles and cover art, but bearing the artist credit "Todd Rundgren". Whether a solo project or a band, Runt had a No. 20 hit in the United States with "We Gotta Get You a Woman" in 1970, and two other Runt songs placed in the lower reaches of the Hot 100. By this time, Rundgren had effectively moved his base to Los Angeles. As he prepared for his second solo album, he was introduced to aspiring L.A. band Halfnelson, led by brothers Ron Mael and Russell Mael and guitarist Earle Mankey. After attending an elaborate, self-staged 'showcase' performance by the group at their L.A. rehearsal space, Rundgren became intrigued by their music and agreed to produce their debut album, originally released as Halfnelson and later retitled Sparks. The brothers later credited Rundgren as being instrumental in launching their career and in 2010 Russell Mael commented that when reviewing the album in 2008 they were still "... really happy with the way it sounded. There's nothing there that really sounds 'of an era' because it didn't exactly sound 'of an era' at the time." By 1972, the Runt persona/band identity had been abandoned, and Rundgren's next project, the ambitious double LP Something/Anything? (1972) was credited simply to Rundgren, who wrote, played, sang, engineered, and produced everything on three of the four sides of the album. Something/Anything? featured the Top 20 U.S. hits "I Saw the Light" (#16; not to be confused with the Hank Williams song of the same name), and a remake of the Nazz near-hit "Hello It's Me", which reached No. 5 in the United States and is Rundgren's biggest hit. The former song featured Rundgren on all vocals and instruments. On his ensuing concert tour, his backing band was the Hello People, whose own album he later produced. CANNOTANSWER
Question: Did the band release any albums ?. Whats the answer?

the album Runt (1970)
Train is an American rock band from San Francisco, formed in 1993. The band currently consists of Patrick Monahan (lead vocals), Luis Maldonado (guitar), Hector Maldonado (bass, vocals), Drew Shoals (drums), Jerry Becker (keyboards, guitar), Sakai Smith (backup vocals), and Nikita Houston (backup vocals). With a lineup that included original members Monahan, Rob Hotchkiss, Jimmy Stafford, Scott Underwood, and Charlie Colin, the band achieved mainstream success with their debut album Train, which was released in 1998 with the hit "Meet Virginia". Train's 2001 album, Drops of Jupiter contained the lead single "Drops of Jupiter (Tell Me)", which won two Grammy Awards in 2002.

In 2003, Rob Hotchkiss left the band citing creative differences. According to band interviews, Hotchkiss resented being pushed away as a songwriter and decided to leave. Hotchkiss started pursuing a solo career, after having contributed to six of the 11 songs on the (at the time) upcoming album My Private Nation. His solo album, the critically acclaimed Midnight Ghost, was released in 2004. The band's third album, My Private Nation, was released in June 2003 with "Calling All Angels" as the lead single. "Calling All Angels" became Train's third top 20 hit, and was a major hit on the Billboard Hot Adult Contemporary Tracks chart. "Calling All Angels" has been certified RIAA Gold. In October 2003, bassist Charlie Colin was forced to leave the band because of substance abuse. According to singer Pat Monahan, Colin was "a mess". After a live presentation in Oregon, he called an emergency meeting and told the band that "you can have your bass player, or you can have your singer". In 2004, their non-album song "Ordinary" was featured in the movie Spider-Man 2. In 2007, it was featured again, this time in the NBC series Heroes. The music video for "Ordinary" was in rotation on MTV, but the song only charted on the Adult Top 40 Tracks chart. In July 2005, after the song was featured in an advertising campaign for Cingular, the band released "Get to Me" as the final single from My Private Nation. "Get to Me" (written by Rob Hotchkiss and Pat Monahan) reached number nine on the Billboard Adult Top 40. Paul Buckmaster returned on "My Private Nation" with string arrangements for the tracks "Lincoln Avenue" and "Your Every Color". The album was certified platinum by the RIAA. The band released their first live album, Alive at Last, in 2004, later winning a Radio Music Award for best artist. CANNOTANSWER

Using a quote from the above article, answer the following question: Did the band do any tours with this hit

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Katherine Murray Millett (September 14, 1934 - September 6, 2017) was an American feminist writer, educator, artist, and activist. She attended Oxford University and was the first American woman to be awarded a degree with first-class honors after studying at St Hilda's College, Oxford. She has been described as "a seminal influence on second-wave feminism", and is best known for her book Sexual Politics (1970), which was based on her doctoral dissertation at Columbia University. Journalist Liza Featherstone attributes previously unimaginable "legal abortion, greater professional equality between the sexes, and a sexual freedom" being made possible partially due to Millett's efforts.

Sexual Politics originated as Millett's PhD dissertation and was published in 1970, the same year that she was awarded her doctorate from Columbia University. The bestselling book, a critique of patriarchy in Western society and literature, addressed the sexism and heterosexism of the modern novelists D. H. Lawrence, Henry Miller, and Norman Mailer and contrasted their perspectives with the dissenting viewpoint of the homosexual author Jean Genet. Millett questioned the origins of patriarchy, argued that sex-based oppression was both political and cultural, and posited that undoing the traditional family was the key to true sexual revolution. In its first year on the market, the book sold 80,000 copies and went through seven printings and is considered to be the movement's manifesto. As a symbol of the women's liberation movement, Millett was featured in a Time magazine cover story, "The Politics of Sex", which called Sexual Politics a "remarkable book" that provided a coherent theory about the feminist movement. Alice Neel created the depiction of Millett for the August 31, 1970 cover. According to biographer Peter Manso, The Prisoner of Sex was written by Norman Mailer in response to Millett's Sexual Politics. "The Prisoner of Sex is structured as a contest. His rhetoric against her prose, his charm against her earnestness, his polemic rage against her vitriolic charges. The aim is to convert the larger audience, the stronger presence as the sustaining truth. The Prisoner of Sex combines self parody and satire...", said Andrew Wilson, author of Norman Mailer: An American Aesthetic. CANNOTANSWER

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Background: A daughter of Charles and Anais Lenglen, Suzanne Lenglen was born in Paris. During her youth, she suffered from numerous health problems including chronic asthma, which also plagued her at a later age. Because his daughter was so frail and sickly, Charles Lenglen, the owner of a carriage company, decided that it would be good for her to compete in tennis and gain strength. Her first try at the game was in 1910, when she played on the tennis court at the family property in Marest-sur-Matz.
Context: In what would turn out to become her last year as an amateur player, Lenglen played what many consider to be her most memorable match. In a February 1926 tournament at the Carlton Club in Cannes, she played her only match against Helen Wills. The 20-year-old American was already a two-time winner of the U.S. Championships and would dominate the women's game in the late 1920s and early 1930s in the same way that Lenglen had dominated it since 1919. Public attention for their meeting in the tournament final was immense, and scalper ticket prices went through the roof. Roofs and windows of nearby buildings were also crowded with spectators. The match itself saw Lenglen clinging on to a 6-3, 8-6 victory after being close to a collapse on several occasions. According to many authorities, including Larry Englemann in his book, The Goddess and the American Girl: The Story of Suzanne Lenglen and Helen Wills, Lenglen was forbidden to play Wills by her father, and, because almost for the first time she was defying her father, she was sleepless for the whole night before the match, and in a state of the highest nervous tension. Later in the year, Lenglen seemed to be on course for her seventh Wimbledon singles title. However, Lenglen unknowingly kept Queen Mary waiting in the Royal Box for her appearance in a preliminary match. Lenglen, who had been told that her match would not start until much later, fainted upon being informed of her error, which was seen by aristocratic English attendees as an insult to the monarchy. Lenglen withdrew from the tournament, which would be her last appearance at the courts of Wimbledon. CANNOTANSWER
Question: What else happened during her final amateur year

Answer:

Lenglen was forbidden to play Wills by her father, and, because almost for the first time she was defying her father,
Ian William Geddes Johnson CBE (8 December 1917 - 9 October 1998) was an Australian cricketer who played 45 Test matches as a slow off-break bowler between 1946 and 1956. Johnson captured 109 Test wickets at an average of 29.19 runs per wicket and as a lower order batsman made 1,000 runs at an average of 22.92 runs per dismissal. He captained the Australian team in 17 Tests, winning seven and losing five, with a further five drawn. Despite this record, he is better known as the captain who lost consecutive Ashes series against England.

On the return journey from England, the Australians toured India and Pakistan for the first time, with mixed results. On a matting pitch, unfamiliar to the Australians, Johnson's team lost the inaugural Test against Pakistan at Karachi. Responding to the loss, a cartoon drawn by Norman Mitchell of the Adelaide News newspaper suggested island planters might be able to scrape together a team that would be a match for the Australians. Returning to turf pitches in India, the Australians restored some pride. Johnson was the highest scorer in the Australian team's victory by an innings and five runs in the First Test at Nehru Stadium in Madras. Due to injury, both Johnson and Miller missed the drawn Second Test at Brabourne Stadium at Bombay; Lindwall skippered the side. Johnson returned for the Third Test at Eden Gardens, Calcutta for what would ultimately prove to be his final Test. The Australians won the match by 94 runs, giving them a 2-0 series win. S. K. Gurunathan, summing up in the Indian Cricket Almanack, wrote: "The Australians showed themselves to be a superior side even when their batting failed". When the team finally arrived home, Johnson announced his retirement from all cricket at the age of 39. In all, he played 45 Tests, capturing 109 wickets at an average of 29.19, including three five-wicket hauls. He scored exactly 1,000 runs, making him one of only fourteen Australians to achieve the double of 1,000 runs and 100 wickets in Test cricket. In all first-class cricket, Johnson had taken 619 wickets and scored 4,905 runs. His record as the Australian captain was mixed; he had captained Australia in 17 Tests, winning seven and losing five. However, he was better known as the first captain to lead Australia to successive Ashes defeats in the 20th century. Reviewing Johnson's time as captain, Wisden said, "Unfortunately for him, he took over in the mid-1950s, when Australian cricket was decidedly inferior to England's for the first time since before the Bradman era" but "he was a fine cricketer and, in some respects, a visionary". CANNOTANSWER

Answer the following question by taking a quote from the article: when did retireing happen

When the team finally arrived home, Johnson announced his retirement
Answer by taking a quote from the following article:

Louis Pasteur (, French: [lwi pastoeR]; December 27, 1822 - September 28, 1895) was a French biologist, microbiologist and chemist renowned for his discoveries of the principles of vaccination, microbial fermentation and pasteurization. He is remembered for his remarkable breakthroughs in the causes and prevention of diseases, and his discoveries have saved many lives ever since. He reduced mortality from puerperal fever, and created the first vaccines for rabies and anthrax. His medical discoveries provided direct support for the germ theory of disease and its application in clinical medicine.

Scientists before Pasteur had studied fermentation. In the 1830s, Charles Cagniard-Latour, Friedrich Traugott Kutzing and Theodor Schwann used microscopes to study yeasts and concluded that yeasts were living organisms. In 1839, Justus von Liebig, Friedrich Wohler and Jons Jacob Berzelius stated that yeast was not an organism and was produced when air acted on plant juice. In 1855, Antoine Bechamp, Professor of Chemistry at the University of Montpellier, conducted experiments with sucrose solutions and concluded that water was the factor for fermentation. He changed his conclusion in 1858, stating that fermentation was directly related to the growth of moulds, which required air for growth. He regarded himself as the first to show the role of microorganisms in fermentation. Pasteur started his experiments in 1857 and published his findings in 1858 (April issue of Comptes Rendus Chimie, Bechamp's paper appeared in January issue). Bechamp noted that Pasteur did not bring any novel idea or experiments. On the other hand, Bechamp was probably aware of Pasteur's 1857 preliminary works. With both scientists claiming priority on the discovery, a dispute, extending to several areas, lasted throughout their lives. However, Bechamp was on the losing side, as the BMJ obituary remarked: His name was "associated with bygone controversies as to priority which it would be unprofitable to recall". Bechamp proposed the incorrect theory of microzymes. According to K. L. Manchester, anti-vivisectionists and proponents of alternative medicine promoted Bechamp and microzymes, unjustifiably claiming that Pasteur plagiarized Bechamp. Pasteur thought that succinic acid inverted sucrose. In 1860, Marcellin Berthelot isolated invertase and showed that succinic acid did not invert sucrose. Pasteur believed that fermentation was only due to living cells. Hans Buchner discovered that zymase catalyzed fermentation, showing that fermentation was catalyzed by enzymes within cells. Eduard Buchner also discovered that fermentation could take place outside living cells. CANNOTANSWER

Did he prove his theory?

also discovered that fermentation could take place outside living cells.
After Rondon's pioneering work, the SPI was turned over to bureaucrats and military officers and its work declined after 1957. The new officials did not share Rondon's deep commitment to the Indians. SPI sought to address tribal issues by transforming the tribes into mainstream Brazilian society. The lure of reservation riches enticed cattle ranchers and settlers to continue their assault on Indians lands - and the SPI eased the way. Between 1900 and 1967, an estimated 98 indigenous tribes were wiped out. Mostly due to the efforts of the Villas-Boas brothers, Brazil's first Indian reserve, the Xingu National Park, was established by the Federal Government in 1961. During the social and political upheaval in the 1960s, reports of mistreatment of Indians increasingly reached Brazil's urban centers and began to affect Brazilian thinking. In 1967, following the publication of the Figueiredo Report, commissioned by the Ministry of the Interior, the military government launched an investigation into SPI. It soon came to light that the SPI was corrupt and failing to protect natives, their lands, and, culture. The 5,000-page report catalogued atrocities including slavery, sexual abuse, torture, and mass murder. It has been charged that agency officials, in collaboration with land speculators, were systematically slaughtering the Indians by intentionally circulating disease-laced clothes. Criminal prosecutions followed, and the SPI was disbanded. The same year the government established Fundacao Nacional do Indio (National Indian Foundation), known as FUNAI which is responsible for protecting the interests, cultures, and rights of the Brazilian indigenous populations. Some tribes have become significantly integrated into Brazilian society. The unacculturated tribes which have been contacted by FUNAI, are supposed to be protected and accommodated within Brazilian society in varying degrees. By 1987 it was recognized that unessential contact with the tribes was causing illness and social disintegration. The uncontacted tribes are now supposed to be protected from intrusion and interference in their life style and territory. However, the exploitation of rubber and other Amazonic natural resources has led to a new cycle of invasion, expulsion, massacres and death, which continues to this day. CANNOTANSWER

Answer this question "Are they involved in the government?" by extracting the answer from the text above.

the Xingu National Park, was established by the Federal Government in 1961.