cindermond/bento huggingface dataset:
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Sir Thomas Malory (c. 1415 - 14 March 1471) was an English writer, the author or compiler of Le Morte d'Arthur (originally titled, The Whole Book of King Arthur and His Noble Knights of the Round table). Since the late nineteenth century, he has generally been identified as Sir Thomas Malory of Newbold Revel in Warwickshire, a knight, land-owner, and Member of Parliament. Previously, it was suggested by antiquary John Leland and John Bale that he was Welsh (identifying "Malory" with "Maelor"). The name could also be rooted in Irish & Scottish Gaelic and mean "follower of the king," as in "maol" ("follower") and "ry" or "ree" ("king"). "

A second candidate was presented by A.T. Martin, another antiquarian, in an article in the Athenaeum in September 1897, who proposed that the author was Thomas Malory of Papworth St Agnes in Huntingdonshire. Martin's argument was based on a will made at Papworth on 16 September 1469 and proved at Lambeth on 27 October the same year. This identification was taken seriously for some time by editors of Malory, including Alfred W. Pollard, the noted bibliographer, who included it in his edition of Malory published in 1903. This Thomas Malory was born on 6 December 1425 at Moreton Corbet Castle, Shropshire, the eldest son of Sir William Mallory, member of Parliament for Cambridgeshire, who had married Margaret, the widow of Robert Corbet (died 1420) of Moreton Corbet. Thomas inherited his father's estates in 1425 and was placed in the wardship of the King, initially as a minor, but later (for reasons unknown) remaining there until within four months of his death in 1469. Nothing else is known of him, apart from one peculiar incident discovered by William Matthews. A collection of Chancery proceedings includes a petition brought against Malory by Richard Kyd, parson of Papworth, claiming that Malory ambushed him on a November evening and took him from Papworth to Huntingdon, and then to Bedford and on to Northampton, all the while threatening his life and demanding that he either forfeit his church to Malory or give him 100 pounds. The outcome of this case is unknown, but it seems to indicate that this Malory was something other than an ordinary country gentleman. However, there is no evidence that this Malory was ever actually knighted and the very specific use of the word "knight" in respect of the author Malory tells against him. CANNOTANSWER

What became of this incident?

The outcome of this case is unknown, but it seems to indicate that this Malory was something other than an ordinary country gentleman.
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"'03 Bonnie & Clyde" is a song recorded by American rapper Jay-Z featuring his then-girlfriend, American singer Beyonce. It was composed by Shawn Carter, Kanye West, Prince Nelson, Tupac Shakur, Darryl Harper, Ricky Rouse and Tyrone Wrice for Jay-Z's seventh studio album The Blueprint 2: The Gift & The Curse (2002).

"'03 Bonnie & Clyde" marked the first collaboration between rapper Jay-Z and R&B singer Beyonce. While listening to Shakur's The Don Killuminati: The 7 Day Theory, producer Kanye West suggested that American rapper Tupac Shakur's song "Me and My Girlfriend" would make a good sample to use on Jay-Z's duet with Beyonce. West told MTV News that Jay-Z had asked him on the telephone for a duet for him and Beyonce: "We got this joint, it has to be the best beat you ever made." He continued: So I went home and called my dog, E Base, who plays a lot of instruments up at Baseline [studio] for me and [producer] Just Blaze. [E] came through. I programmed the drums in 10 minutes, and then he played all the different parts. This version is all live bass, live guitars, [live] chords on it. I brought it to Hov that night, he heard it, he thought of the video treatment before he thought of the rap. He just knew it was gonna be the one. Tensions arose during the conception of "'03 Bonnie & Clyde" over the sampling of "Me and My Girlfriend. Senior Vice President of A&R Tina Davis commented on the issue, "We only had one day to clear the [Tupac Shakur] sample [from 'Me and my Girlfriend'] that was used on ''03 Bonnie and Clyde' last year with Jay-Z and Beyonce [Beyonce]. We were back and forth with Afeni Shakur all day until we got the clearance. And then it's a hit." "'03 Bonnie & Clyde" was released on October 10, 2002, as the lead single from Jay-Z's album The Blueprint2: The Gift & the Curse. Beyonce later included the song as a bonus track on international editions of her 2003 debut solo album Dangerously in Love. In 2003, Now That's What I Call Music! included "'03 Bonnie & Clyde" as the opening track of the 12th volume of the US release and the fifteenth track of the 54th volume of the UK release. The song's release was the first indication of Jay-Z's and Beyonce's romantic status, spawning rumors about a burgeoning relationship. Their relationship was not made public until Jay-Z featured on Beyonce's songs "Crazy In Love" (2003) and "Deja Vu" (2006). It was later announced that they had been dating since recording "'03 Bonnie & Clyde". The latter's release also marked the debut of the solo career of Beyonce, leaving Destiny's Child on hiatus. CANNOTANSWER

'03 Bonnie & Clyde
Wahid returned to Jakarta expecting that in a year's time, he would be abroad again to study at McGill University in Canada. He kept himself busy by joining the Institute for Economic and Social Research, Education and Information (LP3ES), an organization which consisted of intellectuals with progressive Muslims and social-democratic views. LP3ES established the magazine Prisma and Wahid became one of the main contributors to the magazine. Whilst working as a contributor for LP3ES, he also conducted tours to pesantren and madrasah across Java. It was a time when pesantren were desperate to gain state funding by adopting state-endorsed curricula and Wahid was concerned that the traditional values of the pesantren were being damaged because of this change. He was also concerned with the poverty of the pesantren which he saw during his tours. At the same time as it was encouraging pesantren to adopt state-endorsed curricula, the Government was also encouraging pesantren as agents for change and to help assist the government in the economic development of Indonesia. It was at this time that Wahid finally decided to drop plans for overseas studies in favor of promoting the development of the pesantren. Wahid continued his career as a journalist, writing for the magazine Tempo and Kompas, a leading Indonesian newspaper. His articles were well received, and he began to develop a reputation as a social commentator. Wahid's popularity was such that at this time he was invited to give lectures and seminars, obliging him to travel back and forth between Jakarta and Jombang, where he now lived with his family. Despite having a successful career up to that point, Wahid still found it hard to make ends meet, and he worked to earn extra income by selling peanuts and delivering ice to be used for his wife's Es Lilin (popsicle) business. In 1974, he found extra employment in Jombang as a Muslim Legal Studies teacher at Pesantren Tambakberas and soon developed a good reputation. A year later, Wahid added to his workload as a teacher of Kitab al-Hikam, a classical text of sufism. In 1977, Wahid joined the Hasyim Asyari University as Dean of the Faculty of Islamic Beliefs and Practices. Again he excelled in his job and the University wanted to him to teach extra subjects such as pedagogy, sharia, and missiology. However, his excellence caused some resentment from within the ranks of university and he was blocked from teaching the subjects. Whilst undertaking all these ventures he also regularly delivered speeches during Ramadan to the Muslim community in Jombang. CANNOTANSWER

Answer this question "Is there anything else interesting in your article?" by extracting the answer from the text above.

Despite having a successful career up to that point, Wahid still found it hard to make ends meet,
Bernard Joseph Francis Lonergan  (17 December 1904 - 26 November 1984) was a Canadian Jesuit priest, philosopher, and theologian, regarded by many as one of the most important thinkers of the 20th century. Lonergan's works include Insight: A Study of Human Understanding (1957) and Method in Theology (1972), as well as two studies of Thomas Aquinas, several theological textbooks, and numerous essays, including two posthumously published essays on macroeconomics. A projected 25-volume Collected Works is underway with the University of Toronto Press. He held appointments at the Pontifical Gregorian University, Regis College, Toronto, as Distinguished Visiting Professor at Boston College, and as Stillman Professor of Divinity at Harvard University.

While at the Gregorian University, Lonergan composed a two-volume Latin textbook, De Deo Trino (third edition, 1964). It has recently appeared in the Collected Works together with an interleaf English translation under the title The Triune God: Doctrines (2009) and The Triune God: Systematics (2007). In The Triune God: Doctrines, Lonergan begins with an examination of the dialectical process by which the dogma of the Trinity developed in the first four centuries. This section was previously published in English as The Way to Nicea. The second section of the work advances dogmatic theses on (1) the consubstantiality of the Son with the Father, (2) the divinity of the Holy Spirit, (3) the distinction of the divine persons by relations of origin, and (4) the procession of the Holy Spirit from the Father and the Son (the Filioque). The fifth and final thesis is that the Trinity is a theological mystery in the strict sense and can only be understood analogically. A concluding scholion presents New Testament evidence in favor of the "psychological" analogy of the Trinity. In The Triune God: Systematics, Lonergan develops the theory of intelligible (or spiritual) emanations in God as propounded by Thomas Aquinas. The volume begins with a discussion of the method of systematic theology which seeks an imperfect but highly fruitful understanding of the mysteries of faith by means of analogies. The following chapters develop an analogical conception of the divine processions (as intelligible emanations), relations, persons, and the two missions of the Word and Spirit. CANNOTANSWERAnswer this question using a quote from the following article:

Was any of his work published?

Lonergan composed a two-volume Latin textbook, De Deo Trino (third edition, 1964).
Pinochet suffered a heart attack on the morning of 3 December 2006, and subsequently the same day he was given the last rites. On 4 December 2006, the Chilean Court of Appeals ordered the suspension of his house arrest. On 10 December 2006 at 13:30 local time (16:30 UTC) he was taken to the intensive care unit. He died of congestive heart failure and pulmonary edema, surrounded by family members, at the Military Hospital at 14:15 local time (17:15 UTC). Massive spontaneous street demonstrations broke out throughout the country upon the news of his death. In Santiago, opponents celebrated his death in Alameda Avenue, while supporters grieved outside the Military Hospital. Pinochet's remains lay in repose on 11 December 2006 at the Military Academy in Las Condes. During this ceremony, Francisco Cuadrado Prats--the grandson of Carlos Prats (a former Commander-in-Chief of the Army in the Allende government who was murdered by Pinochet's secret police)--spat on the coffin, and was quickly surrounded by supporters of Pinochet, who kicked and insulted him. Pinochet's funeral took place the following day at the same venue before a gathering of 60,000 supporters. In a government decision, he was not granted a state funeral (an honor normally bestowed upon past presidents of Chile) but a military funeral as former commander-in-chief of the Army appointed by Allende. The government also refused to declare an official national day of mourning, but it did authorize flags at military barracks to be flown at half staff, and for the Chilean flag to be draped on Pinochet's coffin. Socialist President Michelle Bachelet, whose father Alberto was temporarily imprisoned and tortured after the 1973 coup and died shortly afterwards from heart complications, said that it would be "a violation of [her] conscience" to attend a state funeral for Pinochet. The only government authority present at the public funeral was the Defense Minister, Vivianne Blanlot. In Spain, supporters of late dictator Francisco Franco paid homage to Pinochet. Antonio Tejero, who led the failed coup of 1981, attended a memorial service in Madrid. Pinochet's body was cremated in Parque del Mar Cemetery, Concon on 12 December 2006, on his request to "avoid vandalism of his tomb," according to his son Marco Antonio. His ashes were delivered to his family later that day, and are deposited in Los Boldos, Santo Domingo, Valparaiso, Chile; one of his personal residences. The armed forces refused to allow his ashes to be deposited on military property. CANNOTANSWER

Answer this question "How his death affected his country?" by extracting the answer from the text above.

In Spain, supporters of late dictator Francisco Franco paid homage to Pinochet.
Louis Cachet (French pronunciation:  [lwi kaSe]) (born Kristian Vikernes [Norwegian: [vi:k@ne:s]], 11 February 1973), more popularly known as Varg Vikernes, is a Norwegian musician and writer. In 1991, he founded the one-man music project Burzum, which is considered one of the most influential black metal acts. Three years later, he was convicted of murder and arson, and subsequently served over 14 years in prison.

On 6 June 1992, the Fantoft Stave Church, dating from the 12th century and considered architecturally significant, was burned to the ground by arson. By January 1993, arson attacks had occurred on at least seven other major stave churches, including one on Christmas Eve of 1992. Vikernes was found guilty of several of these cases: the arson and attempted arson of Asane Church and Storetveit Church, respectively, in Bergen, the arson of Skjold Church in Vindafjord, and the arson of Holmenkollen Chapel in Oslo. He was also charged with the arson of Fantoft Stave Church, although the jurors found him not guilty. The judges called this an error but did not overthrow the whole case. At the time, claims were made by media outlets that Vikernes was associated with theistic Satanism. However, in an interview with Michael Moynihan, Vikernes made a statement about the church burnings that hints at a heathen rather than a Satanist motivation: I am not going to say that I burnt any churches. But let me put it this way: There was one person who started it. I was not found guilty of burning the Fantoft stave church, but anyway, that was what triggered the whole thing. That was the 6th of June and everyone linked it to Satanism ... What everyone overlooked was that on the 6th June, 793, in Lindesfarne in Britain was the site of the first known Viking raid in history, with Vikings from Hordaland, which is my county ... They [the Christians] desecrated our graves, our burial mounds, so it's revenge. Echoing this sentiment, he writes in Vargsmal: "For each devastated graveyard, one heathen grave is avenged, for each ten churches burnt to ashes, one heathen hof is avenged, for each ten priests or freemasons assassinated, one heathen is avenged." When asked whether the church burnings were linked to Odinism or Germanic neopaganism he replied: "The point is that all these churches [i.e. church burnings] are linked to one person ... who was not Oystein obviously. All the church burnings, with the exception of Stavanger, because that was another group--who, by the way, have also turned into nationalistic pagans." CANNOTANSWER

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What happened in the other cases?
Background: Sir Noel Peirce Coward (16 December 1899 - 26 March 1973) was an English playwright, composer, director, actor and singer, known for his wit, flamboyance, and what Time magazine called "a sense of personal style, a combination of cheek and chic, pose and poise". Born in Teddington, south-west London, Coward attended a dance academy in London as a child, making his professional stage debut at the age of eleven. As a teenager he was introduced into the high society in which most of his plays would be set. Coward achieved enduring success as a playwright, publishing more than 50 plays from his teens onwards.
Context: By the end of the 1960s, Coward suffered from arteriosclerosis and, during the run of Suite in Three Keys, he struggled with bouts of memory loss. This also affected his work in The Italian Job, and he retired from acting immediately afterwards. Coward was knighted in 1969 and was elected a fellow of the Royal Society of Literature. He received a Tony Award for lifetime achievement. In 1972, he was awarded an honorary Doctor of Letters degree by the University of Sussex. Coward died at his home, Firefly Estate, in Jamaica on 26 March 1973 of heart failure and was buried three days later on the brow of Firefly Hill, overlooking the north coast of the island. A memorial service was held in St Martin-in-the-Fields in London on 29 May 1973, for which the Poet Laureate, John Betjeman, wrote and delivered a poem in Coward's honour,  John Gielgud and Laurence Olivier read verse and Yehudi Menuhin played Bach. On 28 March 1984 a memorial stone was unveiled by the Queen Mother in Poets' Corner, Westminster Abbey. Thanked by Coward's partner, Graham Payn, for attending, the Queen Mother replied, "I came because he was my friend." The Noel Coward Theatre in St. Martin's Lane, originally opened in 1903 as the New Theatre and later called the Albery, was renamed in his honour after extensive refurbishment, re-opening on 1 June 2006. A statue of Coward by Angela Conner was unveiled by the Queen Mother in the foyer of the Theatre Royal, Drury Lane in 1998. There are also sculptures of Coward displayed in New York and Jamaica, and a bust of him in the library in Teddington, near where he was born. In 2008 an exhibition devoted to Coward was mounted at the National Theatre in London. The exhibition was later hosted by the Museum of Performance & Design in San Francisco and the Academy of Motion Picture Arts and Sciences in Beverly Hills, California. CANNOTANSWER
Question: When did he die. Whats the answer?

Coward died at his home, Firefly Estate, in Jamaica on 26 March 1973 of heart failure and was buried three days
Background: Augustus Welby Northmore Pugin ( PEW-jin; 1 March 1812 - 14 September 1852) was an English architect, designer, artist, and critic who is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, England and its iconic clock tower, later renamed the Elizabeth Tower, which houses the bell known as Big Ben. Pugin designed many churches in England and some in Ireland and Australia. He was the son of Auguste Pugin, and the father of Edward Welby and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.
Context: Following the destruction by fire of the Palace of Westminster in Westminster, London in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for the entry of James Gillespie Graham. This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to the Roman Catholic Church in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout England. Other works include St. Chad's Cathedral, Erdington Abbey, and Oscott College, all in Birmingham, England. He also designed the collegiate buildings of St. Patrick and St. Mary in St. Patrick's College, Maynooth, Ireland; though not the collegiate chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J. J. McCarthy. Also in Ireland, Pugin designed St. Mary's Cathedral in Killarney, St. Aidan's Cathedral in Enniscorthy (renovated in 1996), and the Dominican Church of the Holy Cross in Tralee. He revised the plans for St. Michael Church in Ballinasloe, Galway, Ireland. Bishop Wareing also invited Pugin to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin. Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy. CANNOTANSWER
Question: What was his most famous piece?. Whats the answer?

He also designed the collegiate buildings of St. Patrick and St. Mary in St. Patrick's College, Maynooth, Ireland; though not the collegiate chapel.
The Prodigy are an English electronic dance music group from Braintree, Essex, formed in 1990 by keyboardist and songwriter Liam Howlett. The first line-up of the band also included Maxim (MC and vocalist), Keith Flint (dancer and vocalist), Leeroy Thornhill (dancer and live keyboardist), and female dancer and vocalist Sharky. Along with the Chemical Brothers, Fatboy Slim, and other acts, the Prodigy have been credited as pioneers of the big beat genre, which achieved mainstream popularity in the 1990s. The Prodigy first emerged in the underground rave scene in the early 1990s and have since achieved popularity and worldwide recognition.

The Prodigy were founded in Braintree, Essex, in 1990 by keyboardist and songwriter Liam Howlett. He had taken piano lessons in his youth and gained the ability to play difficult passages in just a few run-throughs. After he decided to pursue a music career, Howlett met dancer and vocalist Keith Flint in mid-1989 during an outdoor night party at which Howlett was spinning records. After Flint requested Howlett make a mix tape for him, Howlett obliged, returning a cassette several days later with a collection of his own songs on the other side. Howlett had scratched the word "Prodigy" onto the cassette, the same name as the Moog Prodigy analogue synthesizer, and Howlett's moniker. The tape was well-received by Flint and keyboardist Leeroy Thornhill who developed new dance sequences to the music and suggested to Howlett they begin a group together. They were soon joined by MC and vocalist Maxim, then known as Maxim Reality, and female dancer and vocalist Sharky, a friend of Flint's. Together they became the first line-up of the Prodigy. The group's first live gig occurred at Four Aces in Dalston, London. With a group secured, Howlett wrote, produced, and mixed a 10-track demo tape on a Roland W-30 sampling workstation keyboard, and approached Tam Tam Records with the hope of securing a record deal, but they declined. He then turned to XL Recordings, headed by Nick Halkes and Tim Palmer, who agreed to a meeting and subsequently picked up the demo. In February 1991, the band released the extended play What Evil Lurks on 12-inch vinyl, containing four songs that Howlett had produced on the demo. In August 1991, the Prodigy released their debut single "Charly", which samples dialogue from the Charley Says series of animated films produced by the Central Office of Information. It became a hit in the rave scene at the time, and reached number 3 on the UK Singles Chart, thus catapulting the band into the wider public attention. The success of "Charly" began a trend of mixing dance and "hardcore rave" tracks with cartoon samples, such as "A Trip to Trumpton" by Urban Hype and "Sesame's Treet" by Smart E's, which were a hit with speed and ecstasy-fuelled clubbers, but not to reviewers and critics, who dismissed the music as "kiddie rave" or "toytown techno". CANNOTANSWER

Answer the following question by taking a quote from the article: When did the band form?

in 1990
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Information Society (also known as InSoc) is an American band originally from Minneapolis, Minnesota, initially active from 1982 to 1997, primarily consisting of Kurt Harland Larson, Paul Robb, and James Cassidy; the latter two reconvened the band in 2006, initially with Christopher Anton as lead vocalist, then with Harland rejoining them as lead vocalist by 2008. The group's breakout hit was 1988's "What's on Your Mind (Pure Energy)", a synthpop/freestyle hit, which spent 39 weeks on the dance chart, going straight to No. 1, and would also peak at No. 3 on the Hot 100 pop chart. The track included a vocal sample of Mr. Spock (Leonard Nimoy) from Star Trek, saying "pure energy."

In 1997 the band released a fourth album, Don't Be Afraid (1997). Written and performed by Kurt Harland alone and produced by Steven Seibold, DBA was more industrial-driven than previous albums and reflected more of what Harland wanted to do during most of his tenure with InSoc. Cleopatra Records released the album, but -- like Tommy Boy Records -- did little to promote it. Harland's love of computer-related materials continued to be evident, as the album included a CD-ROM filled with bonus material, not yet a common occurrence in 1997. The disc included a selection of digital samples used in the album's production, miscellaneous works of art by InSoc fans, a program to generate the distinctive border graphics used on the album's cover, and the music video of "Peace & Love, Inc." There was also a carefully orchestrated digital scavenger hunt culminating in the discovery of a bonus track called "White Roses." The scavenger hunt began with decoding a modem's signal recorded at the end of the audio CD, resulting in a text message from Harland which pointed the way to a Web site where the search began. There is also a cover included of Gary Numan's "Are 'Friends' Electric?". Also included is "Ozar Midrashim", later used as the main theme for the videogame Soul Reaver. The album eventually went out of print, but it had a second release in a remastered version in 2008, this time with "White Roses" included as an audio track. A remix album, InSoc Recombinant (1999), was produced, featuring vocals to the band's earlier hits remixed by various artists. The vocals to songs pre-Don't Be Afraid were not the originals, they were new versions re-recorded by Harland alone specifically for the remixers' use. Included on a bonus, unadvertised CD-ROM were digital copies most of the band's officially-produced promotional videos, including a copy of the "Peace and Love Inc." video of higher quality than that distributed with Don't Be Afraid. This CD-ROM, however, did not feature the "How Long" video. CANNOTANSWER

Information Society (band)
Background: Anna Stepanovna Politkovskaya (Russian: Anna Stepanovna Politkovskaia, IPA: ['an:@ sjtjI'pan@vn@ p@ljIt'kofsk@j@]; Ukrainian: Ganna Stepanivna Politkovs'ka ['han:a ste'panjiuna poljit'kousjka]; nee Mazepa [ma'zepa]; 30 August 1958 - 7 October 2006) was a Russian journalist, writer, and human rights activist who reported on political events in Russia, in particular, the Second Chechen War (1999-2005).
Context: In September 2016 Vladimir Markin, official spokesman for the Investigative Committee, included the killing of Anna Politkovskaya among the Most Dramatic Crimes in 21st century Russia and claimed that it had been solved. Her colleagues at Novaya gazeta protested that until the instigator or sponsor of the crime was identified, arrested and prosecuted the case was not closed. On 7 October 2016 Novaya gazeta released a video clip of its editors, correspondents, photographers and technical and administrative staff holding text-boards giving details of the case and stating, repeatedly, "The sponsor of Anna's murder has not been found". On the same day deputy chief editor Sergei Sokolov published a damning summary of the official investigation, describing its false turns and shortcomings, and emphasised that it had now effectively been wound up. After the three Makhmudov brothers, Khadjikurbanov and Lom-Ali Gaitukayev were convicted in 2014, wrote Sokolov, the once large team of investigators was reduced to one person and within a year he retired, to be replaced by a lower-ranking investigator. In accordance with Russian law there is a 15-year statute of limitation for the "particularly grave" crime of first degree murder. The 2000 killing of Igor Domnikov, another Novaya gazeta journalist, showed that the perpetrators might be identified (they were convicted in 2008), as was the businessman-intermediary who hired them (he was sentenced in December 2013 to seven years' imprisonment). The man allegedly responsible for ordering the attack on Domnikov was brought to court in 2015. In May that year the case against him was discontinued because the statute of limitations had expired. The Intercept published a top-secret document released by Edward Snowden with a screenshot of Intellipedia according to which (TS//SI/REL TO USA, AUS, CAN, GBR, NZL) Russian Federal Intelligence Services (probably FSB) are known to have targeted the webmail account of the murdered Russian journalist Anna Politkovskaya. On 5 December 2005, RFIS initiated an attack against the account annapolitovskaya@US Provider1, by deploying malicious software which is not available in the public domain. It is not known whether the attack is in any way associated with the death of the journalist.[1] CANNOTANSWER
Question: Is there anything else interesting in the article?. Whats the answer?

In accordance with Russian law there is a 15-year statute of limitation for the "particularly grave" crime of first degree murder.
The Muppets are an ensemble cast of puppet characters known for their self-aware, burlesque, and meta-referential style of variety-sketch comedy. Created by Jim Henson and his wife Jane Henson in 1955, they are the namesake for the Disney media franchise that encompasses feature films, television series, music recordings, theme park attractions, print publications, merchandising, and other media works associated with the characters. The Muppets debuted on the television program Sam and Friends, which aired from 1955 to 1961. After appearing on skits in several late night talk shows and advertising commercials during the 1960s, the Muppets began appearing on Sesame Street in 1969.

The success of The Muppet Show allowed Henson Associates to diversify into theatrical feature films based on the Muppets and went on to produce The Muppet Movie, The Great Muppet Caper and The Muppets Take Manhattan, which followed in 1979, 1981 and 1984, respectively. Altogether, the three films received four Academy Award nominations. By 1983, Henson had introduced another television series, Fraggle Rock, which ran on HBO in the United States until 1987. By the late 1980s, Henson entered discussions with Michael Eisner and The Walt Disney Company, in which the latter would acquire Jim Henson Productions and in turn, own the Muppets. Disney was interested in purchasing the company for $150 million. In addition to the company and Muppet characters, Eisner expressed a desire to include the Sesame Street characters as part of the acquisition. Henson declined the proposal, however, consistently referring to such a motive as a "non-starter" for the deal. As discussions between the two companies continued, Henson and Walt Disney Imagineering preemptively began developing Muppet-themed attractions for the Disney-MGM Studios at Walt Disney World. However, negotiations broke off after Jim Henson's death in 1990. Nevertheless, Disney entered into a licensing agreement with Jim Henson Productions for permission to use the characters in the theme parks. The following year, Muppet*Vision 3D debuted at Disney-MGM Studios, the only attraction to come to fruition from the original Imagineering plans. Still interested in the franchise, Disney co-produced the fourth and fifth Muppet films, The Muppet Christmas Carol and Muppet Treasure Island, with Jim Henson Productions in 1992 and 1996, respectively. Following that, the characters starred in Muppets Tonight which ran on ABC from 1996 to 1998 and a sixth film, Muppets from Space, released by Columbia Pictures in 1999. In 2000, Henson Productions was sold to EM.TV & Merchandising AG for $680 million. Following the sale, EM.TV was plagued with financial problems and the Henson family purchased the company back in 2003, with the exception of the rights to the Sesame Street characters, which had been sold by EM.TV to Sesame Workshop. CANNOTANSWER

Using a quote from the above article, answer the following question: When did Disney make that offer?

By the late 1980s, Henson entered discussions with Michael Eisner and The Walt Disney Company, in which the latter would acquire Jim Henson Productions
Artist Bert Christman and writer Gardner Fox are generally credited as co-creating the original, Wesley Dodd version of the DC Comics character the Sandman. While the character's first appearance is usually given as Adventure Comics No. 40 (cover-dated July 1939), he also appeared in DC Comics' 1939 New York World's Fair Comics omnibus, which historians believe appeared on newsstands one to two weeks earlier, while also believing the Adventure Comics story was written and drawn first. Each of the two stories' scripts were credited to the pseudonym "Larry Dean"; Fox wrote the untitled, 10-page story in New York World's Fair #1, while he simply plotted, and Christman scripted, the untitled, six-page story, generally known as "The Tarantula Strikes", in Adventure #40. Creig Flessel, who drew many early Sandman adventures, has sometimes been credited as co-creator on the basis of drawing the Sandman cover of Adventure #40, but no other evidence has surfaced. Following these two first appearances, the feature "The Sandman" continued to appear in the omnibus Adventure Comics through No. 102 (Feb-Mar 1946). One of the medium's seminal "mystery men", as referred to at the time, the Sandman straddled the pulp magazine detective tradition and the emerging superhero tradition by dint of his dual identity and his fanciful, masked attire and weapon: an exotic "gas gun" that could compel villains to tell the truth, as well as put them to sleep. Unlike many superheroes, he frequently found himself the victim of gunshot wounds, both in the Golden Age and in stories in DC's modern-day Vertigo imprint, and he would continue fighting in spite of his injuries. In his early career, Dodds (the character's surname was given as "Dodd" in his first four appearances; he became "Dodds" in Adventure Comics #44) was frequently aided by his girlfriend, Dian Belmont, who is aware of his dual identity. Unlike many superhero love interests, Belmont was often, though not always, portrayed as an equal partner of the Sandman, rather than a damsel in distress. Later stories would reveal that the two remained together for the duration of their lives, though they never married. The Sandman was one of the original members of the Justice Society of America when that superhero team was introduced in All Star Comics No. 3, published by All-American Comics, one of the companies that would merge to form DC. In Adventure Comics No. 69 (December 1941), Dodds was given a yellow-and-purple costume by writer Mort Weisinger and artist Paul Norris, as well as a yellow-clad kid sidekick, Sandy the Golden Boy, nephew of Dian Belmont. Later that year, the celebrated team of Joe Simon and Jack Kirby took over this version of the character. In 1942, Dodds enlisted in the U.S. Army and served as an anti-aircraft gunner during World War II. CANNOTANSWER

Answer this question "When was the golden age of comic books?" by extracting the answer from the text above.

the character's first appearance is usually given as Adventure Comics No. 40 (cover-dated July 1939),
William Jennings Bryan (March 19, 1860 - July 26, 1925) was an American orator and politician from Nebraska. Beginning in 1896, he emerged as a dominant force in the Democratic Party, standing three times as the party's nominee for President of the United States. He also served in the United States House of Representatives and as the United States Secretary of State under Woodrow Wilson. Because of his faith in the wisdom of the common people, he was often called "The Great Commoner".

L. Frank Baum satirized Bryan as the Cowardly Lion in The Wonderful Wizard of Oz, published in 1900. Baum had been a Republican activist in 1896 and wrote on McKinley's behalf. Inherit the Wind, a 1955 play by Jerome Lawrence and Robert Edwin Lee, is a highly fictionalized account of the Scopes Trial written in response to McCarthyism. A populist thrice-defeated Presidential candidate from Nebraska named Matthew Harrison Brady comes to a small town named Hillsboro in Tennessee to help prosecute a young teacher for teaching evolution to his schoolchildren. He is opposed by a famous trial lawyer, Henry Drummond (based on Darrow), and mocked by a cynical newspaperman (based on H.L. Mencken) as the trial assumes a national profile. A 1960 Hollywood film adaptation, written by the playwrights, was directed by Stanley Kramer and stars Spencer Tracy as lawyer Henry Drummond and Fredric March as his friend and rival Matthew Harrison Brady. Bryan also appears as a character in Douglas Moore's 1956 opera The Ballad of Baby Doe and is briefly mentioned in John Steinbeck's East of Eden. In addition, he is a (very) minor character in Thomas Wolfe's Look Homeward, Angel. His death is referred to in Ernest Hemingway's The Sun Also Rises. In Robert A. Heinlein's Job: A Comedy of Justice, Bryan's unsuccessful or successful runs for the presidency are seen as the "splitting off" events of the alternate histories through which the protagonists travel. He also has a biographical part in "The 42nd Parallel" in John Dos Passos' USA Trilogy. Vachel Lindsay's "singing poem" "Bryan, Bryan, Bryan, Bryan" is a lengthy tribute to the idol of the poet's youth. CANNOTANSWERAnswer this question using a quote from the following article:

Did he ever run for anything else?

CANNOTANSWER
In what would turn out to become her last year as an amateur player, Lenglen played what many consider to be her most memorable match. In a February 1926 tournament at the Carlton Club in Cannes, she played her only match against Helen Wills. The 20-year-old American was already a two-time winner of the U.S. Championships and would dominate the women's game in the late 1920s and early 1930s in the same way that Lenglen had dominated it since 1919. Public attention for their meeting in the tournament final was immense, and scalper ticket prices went through the roof. Roofs and windows of nearby buildings were also crowded with spectators. The match itself saw Lenglen clinging on to a 6-3, 8-6 victory after being close to a collapse on several occasions. According to many authorities, including Larry Englemann in his book, The Goddess and the American Girl: The Story of Suzanne Lenglen and Helen Wills, Lenglen was forbidden to play Wills by her father, and, because almost for the first time she was defying her father, she was sleepless for the whole night before the match, and in a state of the highest nervous tension. Later in the year, Lenglen seemed to be on course for her seventh Wimbledon singles title. However, Lenglen unknowingly kept Queen Mary waiting in the Royal Box for her appearance in a preliminary match. Lenglen, who had been told that her match would not start until much later, fainted upon being informed of her error, which was seen by aristocratic English attendees as an insult to the monarchy. Lenglen withdrew from the tournament, which would be her last appearance at the courts of Wimbledon. CANNOTANSWER

Answer this question "what was this match" by extracting the answer from the text above.

tournament at the Carlton Club in Cannes, she played her only match against
Styx  is an American rock band from Chicago that formed in 1972 and became famous for its albums released in the late 1970s and early 1980s. They are best known for melding hard rock guitar balanced with acoustic guitar, synthesizers mixed with acoustic piano, upbeat tracks with power ballads, and incorporating elements of international musical theatre. The band established itself with a progressive rock sound in the 1970s, and began to incorporate pop rock and soft rock elements in the 1980s. Styx is best known for the hit songs "Lady",

On the success of "Babe", DeYoung began pushing for a more theatrical direction, while Shaw and Young favored a harder-edged approach. This arguing over musical direction led to a bit of tension in early 1980 after Young and Shaw objected to the ballad "First Time" released as the second single from Cornerstone (1979) album. However, things were quickly smoothed over. Moreover, this song did not chart in the U.S. but became a huge hit single in the Philippines in 1981. In January 1981, Styx released Paradise Theatre, a concept album that became their biggest hit, reaching No. 1 on the Billboard pop albums chart and yielding five singles, including the top ten hits "The Best of Times" by DeYoung (#3) and "Too Much Time on My Hands" by Shaw (#9). Paradise Theatre became the band's fourth consecutive multi-platinum album. The band was accused by a California religious group and later the Parents Music Resource Center of backmasking Satanic messages in their anti-cocaine anthem, "Snowblind". James Young has denied this charge during his introduction for "Snowblind" when played live. Dennis DeYoung has denied the accusation as well, joking on the In the Studio with Redbeard program "we had enough trouble to make the music sound right forward." Also, James Young quotes, "If we were going to put something Satanic in our songs, we would have put it so it was in the song forward. Not so you would have to buy some $400 tape recorder to hear it." Throughout the 1980s, the band would use the Paradise Theatre (1981) album's opening track, "Rockin' the Paradise" (charted at No. 8 on Top Rock Tracks Chart) to open their shows. CANNOTANSWERAnswer this question using a quote from the following article:

What was a single off the album?

five singles, including the top ten hits "The Best of Times" by DeYoung (#3) and "Too Much Time on My Hands" by Shaw (#9).
Tan Dun (simplified Chinese: Tan Dun ; traditional Chinese: Tan Dun ; pinyin: Tan Dun, Mandarin pronunciation: [than tu@n]; born 18 August 1957) is a Chinese contemporary classical composer and conductor, most widely known for his scores for the movies Crouching Tiger, Hidden Dragon and Hero, as well as composing music for the medal ceremonies at the 2008 Beijing Olympics. His works often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance. In 2013, he was named a UNESCO Goodwill Ambassador. He has won numerous awards for his works, including an Academy Award, a Grammy Award and a BAFTA award.

Many of Tan Dun's works call for instruments made of materials such as paper, stone, or water, but the compositions that he classifies as "organic music" feature these instruments most prominently. The first major work for organic instruments was his Water Concerto for Water Percussion and Orchestra (1998), dedicated to Toru Takemitsu. According to the composer, the sounds made by the soloist are inspired by the sounds of everyday life growing up in Hunan. Basins are filled with water, and the contents are manipulated with bowls, bottles, hands, and other devices. Other water instruments used include the waterphone. Various means of amplification are used, including contact microphones on the basins. The techniques devised in the Water Concerto were used again in Tan Dun's Water Passion After St. Matthew (2000). Written to commemorate the 250th anniversary of the death of Johann Sebastian Bach, the work for chorus, orchestra, and water percussion follows the Gospel of Matthew, beginning with Christ's baptism. The chorus doubles on tingsha, and the soprano and bass soloists double on xun. The score also requires Mongolian overtone singing from the soloists. As with Orchestral Theatre I: O, members of the orchestra play their instruments with techniques borrowed from non-Western traditions. Tan Dun's next major organic work, Paper Concerto for Paper Percussion and Orchestra (2003), explores the acoustic range of paper. Instruments constructed from differing thicknesses of paper are used as cymbals, drums, or reeds. Additionally, sheets of paper are shaken or struck. These sounds are amplified primarily through wireless microphones worn by the musicians. This work was commissioned by the Los Angeles Philharmonic for the opening of the Walt Disney Concert Hall. Earth Concerto for stone and ceramic percussion and orchestra (2009) draws from Gustav Mahler's Das Lied von der Erde (The Song of the Earth), which in turn draws from the poetry of Li Po. Ceramic instruments include percussion instruments similar to those Tan Dun had used in previous works, as well as wind instruments and xun. CANNOTANSWER

what was his first work?

The first major work for organic instruments was his Water Concerto for Water Percussion and Orchestra (1998), dedicated to Toru Takemitsu.
Joseph Frank "Buster" Keaton (October 4, 1895 - February 1, 1966) was an American actor, comedian, film director, producer, screenwriter, and stunt performer. He was best known for his silent films, in which his trademark was physical comedy with a consistently stoic, deadpan expression, earning him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929, [when] he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies". His career declined afterward with a dispiriting loss of his artistic independence when he was hired by Metro-Goldwyn-Mayer and he descended into alcoholism, ruining his family life.

Film critic David Thomson later described Keaton's style of comedy: "Buster plainly is a man inclined towards a belief in nothing but mathematics and absurdity ... like a number that has always been searching for the right equation. Look at his face--as beautiful but as inhuman as a butterfly--and you see that utter failure to identify sentiment." Gilberto Perez commented on "Keaton's genius as an actor to keep a face so nearly deadpan and yet render it, by subtle inflections, so vividly expressive of inner life. His large, deep eyes are the most eloquent feature; with merely a stare, he can convey a wide range of emotions, from longing to mistrust, from puzzlement to sorrow." Critic Anthony Lane also noted Keaton's body language: The traditional Buster stance requires that he remain upstanding, full of backbone, looking ahead... [in The General] he clambers onto the roof of his locomotive and leans gently forward to scan the terrain, with the breeze in his hair and adventure zipping toward him around the next bend. It is the angle that you remember: the figure perfectly straight but tilted forward, like the Spirit of Ecstasy on the hood of a Rolls-Royce... [in The Three Ages], he drives a low-grade automobile over a bump in the road, and the car just crumbles beneath him. Rerun it on video, and you can see Buster riding the collapse like a surfer, hanging onto the steering wheel, coming beautifully to rest as the wave of wreckage breaks." Film historian Jeffrey Vance wrote: Buster Keaton's comedy endures not just because he had a face that belongs on Mount Rushmore, at once hauntingly immovable and classically American, but because that face was attached to one of the most gifted actors and directors who ever graced the screen. Evolved from the knockabout upbringing of the vaudeville stage, Keaton's comedy is a whirlwind of hilarious, technically precise, adroitly executed, and surprising gags, very often set against a backdrop of visually stunning set pieces and locations--all this masked behind his unflinching, stoic veneer." Keaton has inspired full academic study. CANNOTANSWER

Answer the following question by taking a quote from the article: what does this section say about his body language?

Film critic David Thomson later described Keaton's style of comedy: "Buster plainly is a man inclined towards a belief in nothing but mathematics and absurdity ...