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Bernard Joseph Francis Lonergan  (17 December 1904 - 26 November 1984) was a Canadian Jesuit priest, philosopher, and theologian, regarded by many as one of the most important thinkers of the 20th century. Lonergan's works include Insight: A Study of Human Understanding (1957) and Method in Theology (1972), as well as two studies of Thomas Aquinas, several theological textbooks, and numerous essays, including two posthumously published essays on macroeconomics. A projected 25-volume Collected Works is underway with the University of Toronto Press. He held appointments at the Pontifical Gregorian University, Regis College, Toronto, as Distinguished Visiting Professor at Boston College, and as Stillman Professor of Divinity at Harvard University.

While at the Gregorian University, Lonergan composed a two-volume Latin textbook, De Deo Trino (third edition, 1964). It has recently appeared in the Collected Works together with an interleaf English translation under the title The Triune God: Doctrines (2009) and The Triune God: Systematics (2007). In The Triune God: Doctrines, Lonergan begins with an examination of the dialectical process by which the dogma of the Trinity developed in the first four centuries. This section was previously published in English as The Way to Nicea. The second section of the work advances dogmatic theses on (1) the consubstantiality of the Son with the Father, (2) the divinity of the Holy Spirit, (3) the distinction of the divine persons by relations of origin, and (4) the procession of the Holy Spirit from the Father and the Son (the Filioque). The fifth and final thesis is that the Trinity is a theological mystery in the strict sense and can only be understood analogically. A concluding scholion presents New Testament evidence in favor of the "psychological" analogy of the Trinity. In The Triune God: Systematics, Lonergan develops the theory of intelligible (or spiritual) emanations in God as propounded by Thomas Aquinas. The volume begins with a discussion of the method of systematic theology which seeks an imperfect but highly fruitful understanding of the mysteries of faith by means of analogies. The following chapters develop an analogical conception of the divine processions (as intelligible emanations), relations, persons, and the two missions of the Word and Spirit. CANNOTANSWER

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Phillip Harvey Spector (born Harvey Phillip Spector, December 26, 1939) is an American record producer, musician, and songwriter who developed the Wall of Sound, a music production formula he described as a "Wagnerian" approach to rock and roll. Spector is considered the first auteur among musical artists for the unprecedented freedom and control he had over every phase of the recording process. Additionally, he helped engender the idea of the studio as its own distinct instrument. For these contributions, he is acknowledged as one of the most influential figures in pop music history.

Spector began to reemerge in the late 1970s, producing and co-writing a controversial 1977 album by Leonard Cohen, entitled Death of a Ladies' Man. This angered many devout Cohen fans who preferred his stark acoustic sound to the orchestral and choral wall of sound that the album contains. The recording was fraught with difficulty. After Cohen had laid down practice vocal tracks, Spector mixed the album in studio sessions, rather than allowing Cohen to take a role in the mixing, as Cohen had previously done. Cohen remarked that the end result is "grotesque", but also "semi-virtuous"--for many years, he included a reworked version of the track "Memories" in live concerts. Bob Dylan and Allen Ginsberg also participated in the background vocals on "Don't Go Home with Your Hard-On", which is the second time Spector indirectly "produced" Dylan--the first being Dylan's live recordings on The Concert for Bangladesh. Spector also produced the much-publicized Ramones album End of the Century in 1979. As with his work with Leonard Cohen, End of the Century received criticism from Ramones fans who were angered over its radio-friendly sound. However, it contains some of the best known and most successful Ramones singles, such as "Rock 'n' Roll High School", "Do You Remember Rock 'n' Roll Radio?" and their cover of a previously released Spector song for the Ronettes, "Baby, I Love You." Guitarist Johnny Ramone later commented on working with Spector on the recording of the album, "It really worked when he got to a slower song like 'Danny Says'--the production really worked tremendously. For the harder stuff, it didn't work as well." Rumors circulated for years that Spector had threatened members of the Ramones with a gun during the sessions. Dee Dee claimed that Spector once pulled a gun on him when he tried to leave a session. Drummer Marky Ramone recalled in 2008, "They [guns] were there but he had a license to carry. He never held us hostage. We could have left at any time". CANNOTANSWERAnswer this question using a quote from the following article:

What this album successful?

This angered many devout Cohen fans who preferred his stark acoustic sound to the orchestral and choral wall of sound that the album contains.
A daughter of Charles and Anais Lenglen, Suzanne Lenglen was born in Paris. During her youth, she suffered from numerous health problems including chronic asthma, which also plagued her at a later age. Because his daughter was so frail and sickly, Charles Lenglen, the owner of a carriage company, decided that it would be good for her to compete in tennis and gain strength. Her first try at the game was in 1910, when she played on the tennis court at the family property in Marest-sur-Matz.

During this period, Lenglen's only defeat in singles (not counting pre-match withdrawals) occurred in an unscheduled appearance at the 1921 US Championships. To raise reconstruction funds for the regions of France that had been devastated by the battles of World War I, she went to the United States to play several exhibition matches against the Norwegian-born US champion, Molla Bjurstedt Mallory. Lenglen arrived in New York City the day before the tournament after a stormy and delayed sea voyage, during which she was ill the whole time. Upon arrival, Lenglen learned that, without her permission, tournament officials had announced her participation in the US Championships. Because of immense public pressure, she agreed to play in the tournament despite suffering from what was diagnosed later as whooping cough. As a concession, she was given a day to recover. To her surprise, there was no seeding for the event and her name had been drawn to play Eleanor Goss, a leading American player. Goss immediately defaulted, leaving Lenglen to face Mallory in the second round as her first opponent. In their match, Lenglen lost the first set 6-2 and just as the second set got underway, she began coughing and burst into tears, unable to continue. The crowd jeered her as she walked off the court, and the American press severely criticised her. This worsened when, under doctor's orders after it was confirmed that she was afflicted with whooping cough, she cancelled her exhibition match. Unaccustomed to such treatment, a devastated Lenglen went home. Once healthy, she set about preparing herself for redemption. In the singles final at Wimbledon the following year, she defeated Mallory in only 26 minutes, winning 6-2, 6-0, reputedly the fastest Ladies' major tournament match on record. The two met again later that year at a tournament in Nice where, with Lenglen showing her complete mastery of the sport, Mallory failed to win even one game. Mary K. Browne relates that she asked Lenglen how she greeted Mallory at the net after the game when they met to shake hands. She said that Lenglen told her that after shaking hands she emitted a couple of gentle 'coughs'. CANNOTANSWER

Answer the following question by taking a quote from the article: What happened there?

To raise reconstruction funds for the regions of France that had been devastated by the battles of World War I, she went to the United States to play
Jean-Martin Charcot (; French: [SaRko]; 29 November 1825 - 16 August 1893) was a French neurologist and professor of anatomical pathology. He is best known today for his work on hypnosis and hysteria, in particular his work with his hysteria patient Louise Augustine Gleizes. He is also known as "the founder of modern neurology", and his name has been associated with at least 15 medical eponyms, including Charcot-Marie-Tooth disease and Charcot disease (better known as amyotrophic lateral sclerosis, motor neurone disease, or Lou Gehrig disease). Charcot has been referred to as "the father of French neurology and one of the world's pioneers of neurology".

Distorted views of Charcot as harsh and tyrannical have arisen from some sources that rely on a fanciful autobiographical novel by Axel Munthe, The Story of San Michele (1929). Munthe claimed to have been Charcot's assistant, but in fact, Munthe was just a medical student among hundreds of others. Munthe's most direct contact with Charcot was when Munthe helped a young female patient "escape" from a ward of the hospital and took her into his home. Charcot threatened to report this to the police, and ordered that Munthe not be allowed on the wards of the hospital again. In a 1931 letter to The New York Times Book Review, Charcot's son Jean-Baptiste Charcot, who had, himself, been a formal student of his father at the Salpetriere, emphatically stated: I can certify that Dr Munthe never was trained by my father"; and, further, that "[although Munthe] may have [incidentally] followed, like hundreds of others, some courses of Charcot, ...he was not trained by him and certainly never had the intimacy of which he boasts [in his recently reviewed work, Memories and Vagaries]. ...I was, myself, a student at the Salpetriere then, and can certify that he was not one of his students and that my father never knew him. Everything he says about professor Charcot is false.... Bengt Jangfeldt, in his 2008 biography, Axel Munthe: The Road to San Michele, states that "Charcot is not mentioned in a single letter of Axel's out of the hundreds that have been preserved from his Paris years" (p. 96). CANNOTANSWER

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The New York Times Book Review, Charcot's son Jean-Baptiste Charcot, who had, himself, been a formal student of his father at the Salpetriere, emphatically stated:
Zola Pieterse (nee Budd; born 26 May 1966) is a middle-distance and long-distance runner. She competed at the 1984 Olympic Games for Great Britain and the 1992 Olympic Games for South Africa, both times in the 3000 metres. In 1984 (unratified) and 1985, she broke the world record in the women's 5000 metres. She was also a two-time winner at the World Cross Country Championships (1985-1986).

The Daily Mail, a British tabloid newspaper, persuaded Budd's father to encourage her to apply for British citizenship, on the grounds that her grandfather was British, to circumvent the international sporting boycott of South Africa, so that she could compete in the 1984 Summer Olympics in Los Angeles. With a strong push from the Daily Mail, British citizenship was granted in short order and she moved to Guildford. Her application and arrival was controversial due to her acquiring a passport under preferential circumstances. Groups supporting the abolition of apartheid campaigned vociferously and effectively to highlight the special treatment she received; other applicants had to wait sometimes years to be granted citizenship, if at all. Shortly afterwards, Budd was forced to pull out of a 1500 metres race in Crawley, Sussex, when the town council withdrew their invitation at short notice. The race was part of the inaugural event for the town's new Bewbush Leisure Centre and Mayor Alf Pegler said members of the council had expressed misgivings that the local significance of the event would be overshadowed by "political connotations and anti-apartheid demonstrators". She ran her first competitive race on the cinder track at Central Park in Dartford, Kent, covering 3000m in 9 mins. 2.6 seconds in a race shown live on the BBC's Grandstand programme. She ran in further races in Britain, including the UK Championships 1500m (won in 4 mins. 4 secs.) and the 3000m in the UK Olympic trials, which she won in 8 mins. 40 secs., earning a place on the British Olympic team. In the 2000m at Crystal Palace in July 1984 she set a new world record of 5 mins. 33.15 secs. Commenting during the race for the BBC, David Coleman exclaimed, "The message will now be flashed around the world - Zola Budd is no myth." In Britain, Budd trained at Aldershot, Farnham and District Athletics Club. CANNOTANSWER

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what did she do once she became a british citizen?
Although styling himself as a man of peace and a willing negotiator, Rajapaksa signaled his intention to end the peace process once in power by forging an alliance with the Sinhalese nationalist Janatha Vimukthi Peramuna and the Jathika Hela Urumaya. The JVP had opposed the original 2002 peace process as treasonous. The agreement made with Rajapaksa included provisions which called for a revision of the ceasefire agreement to give the military broader powers against the LTTE, as well as ruling out of any devolution of power to the Tamil people. Furthermore, the cessation of aid to the tsunami struck LTTE occupied areas, and the sidelining of the Norwegian facilitators due to their alleged bias were included. Immediately following his election victory, a series of mine blasts blamed on the LTTE in the country claimed the lives of many off-duty servicemen and civilians, pushing the country back to the brink of war. Following the closure by the LTTE of a reservoir supplying water to 15,000 people named "Mavil Aru" in government controlled areas on 21 July 2006, the Sri Lankan military launched an offensive against the LTTE, bringing the entire reservoir under government control. Further military engagements have led to the LTTE been driven out of the entire Eastern Province of Sri Lanka and loss of 95% of the territory they controlled. The Sri Lanka government declared total victory on 18 May 2009. on 19 May 2009 President Mahinda Rajapaksa delivered a victory address to the Parliament and declared that Sri Lanka is liberated from terrorism. CANNOTANSWER

Answer this question "Did the peace process end?" by extracting the answer from the text above.

The agreement made with Rajapaksa included provisions which called for a revision of the ceasefire agreement
Modern Talking was a German duo consisting of Thomas Anders and Dieter Bohlen. They have been referred to as Germany's most successful pop duo, and have had a number of hit singles, reaching the top five in many countries. Some of their most popular and widely known singles are "You're My Heart

In 1984, Bohlen cited the hit single "Precious Little Diamond" (by Fox the Fox), as his inspiration for using falsetto choruses. The studio vocal line up of Rolf Kohler, Michael Scholz, Detlef Wiedeke and (on early albums) Birger Corleis, in addition to Bohlen and Anders, produced the high choruses characteristic of Modern Talking. Kohler, Scholz and Wiedeke later went on to work with Bohlen in Blue System, before joining with songwriter Thomas Widrat to form Systems in Blue. Kohler, Scholz and Wiedeke were never credited on the Modern Talking albums, and eventually went to court over the matter. They received an out of court settlement and Bohlen published a sleeve note for his next release (Obsession, by Blue System), acknowledging the trio's contribution. Further influences include German-language schlager music, disco pop (the Bee Gees) and romantic English-language songs of Italian and French origin, like Gazebo's "I Like Chopin". After the 1998 reunion, Bohlen produced Eurodance as well as American-style MOR ballads. Global sales of Modern Talking, after the duo's second and final break-up in 2003, had reached 120 million singles and albums combined, making them the biggest-selling German music act in history. Dieter Bohlen also composed for other artists while still in Modern Talking, such as for Chris Norman and Smokie, whose song "Midnight Lady" (1986) remains Bohlen's most popular composition. He also composed a large number of tracks for C. C. Catch, using an accelerated, less-romantic sound. Some English Bohlen songs such as "You're My Heart, You're My Soul" were also recorded with German lyrics by Mary Roos, using the same playback tracks. When Modern Talking split up in 1987, a number of tracks written for the last album were re-arranged and then transferred onto Bohlen's first solo album by Blue System. Modern Talking's sixth album was released about the same time as the first single from Blue System, "Sorry Little Sarah", where Bohlen competed on the charts against Modern Talking's "In 100 Years" hit song. CANNOTANSWERAnswer this question using a quote from the following article:

Who was in charge of production?

Kohler, Scholz and Wiedeke were never credited on the Modern Talking albums, and eventually went to court over the matter.
In 1964, music producer Phil Spector came across the Righteous Brothers when they performed in a show at the Cow Palace in Daly City, where one of Spector's acts, The Ronettes, was also appearing. Spector was impressed enough to arrange a deal with Moonglow in early October 1964 which allowed Spector to record and release songs by the Righteous Brothers in the US, Canada and UK under his own label, Philles Records. Prior to this, all the songs Spector produced for Philles Records featured black singers; the Righteous Brothers would be his first white vocal group for the label, but they had a black vocal style, termed "blue-eyed soul", that suited Spector. Spector commissioned Barry Mann and Cynthia Weil to write a song for them, which turned out to be "You've Lost That Lovin' Feelin'". The song, released in late 1964, became their first major hit single and reached No. 1 in February 1965. Produced by Phil Spector, the record is often cited as one of the peak expressions of Spector's Wall of Sound production techniques. It is one of the most successful pop singles of its time, despite exceeding the then-standard length for radio play. Indeed, according to BMI, "You've Lost That Lovin' Feelin'" is the most-played song on American radio and television of the 20th century, with more than eight million airplays by the end of 1999. The Righteous Brothers had several other hit singles with Philles Records in 1965, including "Just Once in My Life" and "Unchained Melody" (originally the B-side of "Hung on You"), both reaching the Billboard Top 10. "Unchained Melody" was produced by Medley; according to Medley, it was originally intended only as an album track, and Spector had asked him to produce the albums so Spector could spend time and money on producing singles. Later copies of the original 45 release credited Spector as producer when it became a hit. After the success of "Unchained Melody", Spector started recording older songs with the Righteous Brothers, including "Ebb Tide", which reached No. 5. Hatfield was the only vocal on "Unchained Melody" and "Ebb Tide", and both were songs Bobby Hatfield had performed with his first group, the Variations. According to Medley, both the early singles "You've Lost That Lovin' Feelin'" and "Just Once in My Life" featured Medley's vocal strongly, which caused some friction between the duo, and the Hatfield solos in later singles restored some balance between the two. The last single released that they recorded with Philles Records was "The White Cliffs of Dover". Although Spector focused his attention in producing singles, a number of albums by the Righteous Brothers released with Philles Records sold well. In 1965, they had a couple of guest appearances in the films A Swingin' Summer and Beach Ball. They also became the first rock and roll act to play the Strip in Las Vegas (at The Sands). CANNOTANSWER

Answer this question "Did they win any other awards?" by extracting the answer from the text above.

You've Lost That Lovin' Feelin'" is the most-played song on American radio and television of the 20th century, with more than eight million airplays by the end of 1999.
O'Neal maintained a high level of interest in the workings of police departments and became personally involved in law enforcement. O'Neal went through the Los Angeles County Sheriff's Reserve Academy and became a reserve officer with the Los Angeles Port Police. He appeared in a commercial for ESPN in Miami Police garb climbing a tree to rescue LSU's costumed mascot Mike the Tiger. On March 2, 2005, O'Neal was given an honorary U.S. Deputy Marshal title and named the spokesman for the Safe Surfin' Foundation; he served an honorary role on the task force of the same name, which tracks down sexual predators who target children on the Internet. Upon his trade to Miami, O'Neal began training to become a Miami Beach reserve officer. On December 8, 2005, he was sworn in, but elected for a private ceremony to avoid distracting attention from the other officers. He assumed a $1 per year salary in this capacity. Shortly thereafter, in Miami, O'Neal witnessed a hate crime (assaulting a man while calling out homophobic slurs) and called Miami-Dade police, describing the suspect and helping police, over his cell phone, track the offender. O'Neal's actions resulted in the arrest of two suspects on charges of aggravated battery, assault, and a hate crime. In September 2006, O'Neal took part in a raid on a home in rural Bedford County, Virginia. O'Neal had been made an "honorary deputy" by the local sheriff's department. O'Neal was not qualified as a SWAT officer. In December 2016, O'Neal was sworn in as a sheriff's deputy in Jonesboro, Georgia as part of Clayton County, Georgia Sheriff's Department. O'Neal holds the county record of Tallest Sheriff's Deputy. CANNOTANSWER

Answer this question "What happened after the ceremony" by extracting the answer from the text above.

Shortly thereafter, in Miami, O'Neal witnessed a hate crime (assaulting a man while calling out homophobic slurs) and called Miami-Dade police, describing
Isabella Augusta, Lady Gregory (nee Persse; 15 March 1852 - 22 May 1932) was an Irish dramatist, folklorist and theatre manager. With William Butler Yeats and Edward Martyn, she co-founded the Irish Literary Theatre and the Abbey Theatre, and wrote numerous short works for both companies. Lady Gregory produced a number of books of retellings of stories taken from Irish mythology.

Edward Martyn was a neighbour of Lady Gregory, and it was during a visit to his home, Tullira Castle, in 1896 that she first met W. B. Yeats. Discussions between the three of them, over the following year or so, led to the founding of the Irish Literary Theatre in 1899. Lady Gregory undertook fundraising, and the first programme consisted of Martyn's The Heather Field and Yeats's The Countess Cathleen. The Irish Literary Theatre project lasted until 1901, when it collapsed owing to lack of funding. In 1904, Lady Gregory, Martyn, Yeats, John Millington Synge, AE, Annie Horniman and William and Frank Fay came together to form the Irish National Theatre Society. The first performances staged by the society took place in a building called the Molesworth Hall. When the Hibernian Theatre of Varieties in Lower Abbey Street and an adjacent building in Marlborough Street became available, Horniman and William Fay agreed to their purchase and refitting to meet the needs of the society. On 11 May 1904, the society formally accepted Horniman's offer of the use of the building. As Horniman was not normally resident in Ireland, the Royal Letters Patent required were paid for by her but granted in the name of Lady Gregory. One of her own plays, Spreading the News, was performed on the opening night, 27 December 1904. At the opening of Synge's The Playboy of the Western World in January 1907, a significant portion of the crowd rioted, causing the remainder of the performances to be acted out in dumbshow. Lady Gregory did not think as highly of the play as Yeats did, but she defended Synge as a matter of principle. Her view of the affair is summed up in a letter to Yeats where she wrote of the riots: "It is the old battle, between those who use a toothbrush and those who don't." CANNOTANSWER

Was it successful?

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The Master, played by Roger Delgado, makes his first appearance in Terror of the Autons (1971), where he allies with the Nestene Consciousness to help them invade Earth. The Third Doctor (Jon Pertwee) convinces the Master to stop this plan at the last minute, and the Master subsequently escapes, albeit with his TARDIS, a space-time ship, left non-functioning after the Doctor confiscates the ship's dematerialisation circuit. Having become a main character in the show's eighth season, the Master reappears in The Mind of Evil, where he regains his TARDIS' circuit from the Doctor after attempting to launch a nerve gas missile that would initiate World War III. After another incursion on Earth in The Claws of Axos, and failing to hold the galaxy to ransom using a doomsday weapon on the planet Uxarieus in the year 2472 in Colony in Space, in The Daemons the Master is finally captured on Earth by the organisation UNIT after Jo Grant (Katy Manning) prevents the alien Azal (Stephen Thorne) from gifting the Master his powers. In The Sea Devils (1972), the Master is shown to be imprisoned on an island prison off the coast of England. He convinces the governor of the prison, Colonel Trenchard (Clive Morton), to help him steal electronics from HMS Seaspite, the nearby naval base, which helps the Master contact the reptilian Sea Devils, the former rulers of Earth, so he can help them retake the planet from humanity. The Master convinces the Doctor to help him build machinery that would bring the Sea Devils out of their millions of years of hibernation, but the Doctor sabotages the device by overloading it, destroying the Sea Devil base and preventing war between humanity and reptiles. The Master subsequently escapes in a hovercraft. The Doctor reveals in this serial that the Master was once a "very good friend" of his. Delgado's last appearance as the Master is in Frontier in Space (1973), where he works alongside the Dalek and Ogron races to provoke a war between the Human and Draconian Empires. The scheme fails, and the Master escapes after he shoots at the Doctor. Delgado was slated to return in a serial called The Final Game, which would have been the season 11 finale. However, he died in a car crash in June 1973 and the story was never filmed. CANNOTANSWER

Answer this question "Why is he imprisoned?" by extracting the answer from the text above.

He convinces the governor of the prison, Colonel Trenchard (Clive Morton), to help him steal electronics from
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Henryk Mikolaj Gorecki (Polish: ['xenrik mji'kowaj gu'retski]; English pronunciation Go-RET-ski; December 6, 1933 - November 12, 2010) was a Polish composer of contemporary classical music. According to critic Alex Ross, no recent classical composer has had as much commercial success as Gorecki. Gorecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw.

Gorecki's music covers a variety of styles, but tends towards relative harmonic and rhythmical simplicity. He is considered to be a founder of the so-called New Polish School. Described by Terry Teachout, he said Gorecki has "more conventional array of compositional techniques includes both elaborate counterpoint and the ritualistic repetition of melodic fragments and harmonic patterns." His first works, dating from the last half of the 1950s, were in the avant-garde style of Webern and other serialists of that time. Some of these twelve-tone and serial pieces include Epitaph (1958), First Symphony (1959), and Scontri (1960) (Mirka 2004, p. 305). At that time, Gorecki's reputation was not lagging behind that of his near-exact contemporary and his status was confirmed in 1960s when "Monologhi" won first prize. Even until 1962, he was firmly ensconced in the minds of the Warsaw Autumn public as a leader of the Polish Modern School, alongside Penderecki. Danuta Mirka has shown that Gorecki's compositional techniques in the 1960s were often based on geometry, including axes, figures, one- and two-dimensional patterns, and especially symmetry. Thus, she proposes the term "geometrical period" to refer to Gorecki's works between 1962 and 1970. Building on Krzysztof Droba's classifications, she further divides this period into two phases: (1962-63) "the phase of sonoristic means"; and (1964-70) "the phase of reductive constructicism" (Mirka 2004, p. 329). During the middle 1960s and early 1970s, Gorecki progressively moved away from his early career as radical modernist, and began to compose with a more traditional, romantic mode of expression. His change of style was viewed as an affront to the then avant-garde establishment, and though he continued to receive commissions from various Polish agencies, by the mid-1970s Gorecki was no longer regarded as a composer that mattered. In the words of one critic, his "new material was no longer cerebral and sparse; rather, it was intensely expressive, persistently rhythmic and often richly colored in the darkest of orchestral hues". CANNOTANSWER

Henryk Górecki
The Marx Brothers were an American family comedy act that was successful in vaudeville, on Broadway, and in motion pictures from 1905 to 1949. Five of the Marx Brothers' thirteen feature films were selected by the American Film Institute (AFI) as among the top 100 comedy films, with two of them (Duck Soup and A Night at the Opera) in the top twelve. They are widely considered by critics, scholars, and fans to be among the greatest and most influential comedians of the 20th century. The brothers were included in AFI's 100 Years...

The Marx Brothers' stage shows became popular just as motion pictures were evolving to "talkies". They signed a contract with Paramount Pictures and embarked on their film career at Paramount's studios in New York City's Astoria section. Their first two released films (after an unreleased short silent film titled Humor Risk) were adaptations of the Broadway shows The Cocoanuts (1929) and Animal Crackers (1930). Both were written by George S. Kaufman and Morrie Ryskind. Production then shifted to Hollywood, beginning with a short film that was included in Paramount's twentieth anniversary documentary, The House That Shadows Built (1931), in which they adapted a scene from I'll Say She Is. Their third feature-length film, Monkey Business (1931), was their first movie not based on a stage production. Horse Feathers (1932), in which the brothers satirized the American college system and Prohibition, was their most popular film yet, and won them the cover of Time magazine. It included a running gag from their stage work, in which Harpo produces a ludicrous array of props from inside his coat, including a wooden mallet, a fish, a coiled rope, a tie, a poster of a woman in her underwear, a cup of hot coffee, a sword; and, just after Groucho warns him that he "can't burn the candle at both ends," a candle burning at both ends. During this period Chico and Groucho starred in a radio comedy series, Flywheel, Shyster and Flywheel. Though the series was short lived, much of the material developed for it was used in subsequent films. The show's scripts and recordings were believed lost until copies of the scripts were found in the Library of Congress in the 1980s. After publication in a book they were performed with Marx Brothers impersonators for BBC Radio. Their last Paramount film, Duck Soup (1933), directed by the highly regarded Leo McCarey, is the highest rated of the five Marx Brothers films on the American Film Institute's "100 years ... 100 Movies" list. It did not do as well financially as Horse Feathers, but was the sixth-highest grosser of 1933. The film sparked a dispute between the Marxes and the village of Fredonia, New York. "Freedonia" was the name of a fictional country in the script, and the city fathers wrote to Paramount and asked the studio to remove all references to Freedonia because "it is hurting our town's image". Groucho fired back a sarcastic retort asking them to change the name of their town, because "it's hurting our picture." CANNOTANSWER

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Did they have any additional projects?
Background: Jonah Tali Lomu  (12 May 1975 - 18 November 2015) was a New Zealand rugby union player. He became the youngest ever All Black when he played his first international in 1994 at the age of 19 years and 45 days. Playing on the wing Lomu finished his international career with 63 caps and 37 tries. He is regarded as the first true global superstar of rugby and consequently had a huge impact on the game.
Context: Following the World Cup New Zealand played Australia home and away for the Bledisloe Cup with Lomu scoring tries in both matches. Lomu's scoring for New Zealand continued later that year when he scored two tries in the All Blacks victory over Italy in Bologna. Lomu played in a losing effort against France in Toulouse, where New Zealand failed to score any tries. He scored a try in the second test in Paris, helping his team to victory. Lomu played for the All Blacks in matches against the touring Samoa and Scotland teams in June 1996, scoring in one of the Scottish matches. Just before the World Cup final a deal was struck between South Africa, New Zealand and Australia (SANZAR) to create the Tri-Nations, an annual round robin competition between the three nations launched with the advent of professionalism in rugby. New Zealand won all their games to become the first Tri-Nations winners. Lomu scored a try in a 43-6 victory over Australia in the inaugural match, which has been described by New Zealand Herald journalist David Leggat as "the perfect wet-weather game". At the end of 1996, he was diagnosed with a rare and serious kidney disorder, which saw him take time off from the sport. As a result, he did not play in the 1997 Tri Nations Series, but he was included in the All Blacks tour of the northern hemisphere at the end of the year. Lomu played in the two warm up matches, scoring tries against Wales 'A' and Emerging England. He played the first test against England at Old Trafford, as well as the test against Wales at Wembley Stadium, and the second match against England--he did not score in any of the three games. At the 1998 Commonwealth Games in Kuala Lumpur, he won a gold medal representing New Zealand in the Sevens Rugby event. The English rugby team came to New Zealand the following year for a two test series. Lomu played in both of the matches, scoring in the first, which was a 64-22 win in Dunedin, but not in the second test won 40-10 by the All Blacks. CANNOTANSWER
Question: Did anything else happen in 1996?

Answer:

Following the World Cup New Zealand played Australia home and away for the Bledisloe Cup with Lomu scoring tries in both matches.
Andrew Kennedy Irvine (born 14 June 1942), known as Andy Irvine, is a British-born, Irish-based folk musician, singer-songwriter, and a founding member of such popular bands as Sweeney's Men, Planxty, Patrick Street, Mozaik, LAPD and Usher's Island. He plays the mandolin, mandola, bouzouki, harmonica and hurdy-gurdy. Irvine has been influential in folk music for over five decades, during which he recorded a large repertoire of songs and tunes he assembled from books, old recordings and folk-song collectors rooted in the Irish, English, Scottish, Eastern European, Australian and American old-time and folk traditions. Imbued with a sense of social justice, Irvine often selects or writes songs that are based on historical events and presented from the victim's perspective.

Andy Irvine was born in St John's Wood, northwest London on 14 June 1942 to an Irish mother from Lisburn, County Antrim, and a Scottish father from Glasgow. His mother, Felice Lascelles, had been a musical comedy actress and Irvine would later say that "she may have given up the stage, but she never stopped acting!". As a child, Irvine was given opportunities to appear on stage, TV and in films. In the summer holidays of 1950, when he was eight years old, his first role was to play Jimmy in the film A Tale of Five Cities. At thirteen, he starred as Nokie (short for Pinocchio) in the ITV children's series Round at the Redways and joined a school for child actors. He made his stage debut in the Grand Theatre in Wolverhampton and, at fourteen, received rave reviews for his performance as Morgan in the ITV Television Playhouse drama The Magpies, adapted from a Henry James short story. The same year, he was Eric Brandt in Escape to Happiness, for the Armchair Theatre programme and also played John Logie Baird as a boy in the film A Voice in Vision. In early 1958, Irvine featured as Archie Almond in five episodes of Run to Earth. Aged fifteen, he played Lord Heybrook in French Without Tears, for the Saturday Playhouse TV series and, soon after, was one of the 'Pygmies' in Brouhaha, with Peter Sellers as the Sultan. Irvine then played Raymond opposite Laurence Harvey in Room at the Top and, although his scene was cut from the final release, he still appears briefly in the film, handing a bottle of champagne to Harvey during a wedding scene. In late 1959, he featured as Lanky Graham in Ask for King Billy and, in early 1960, he played a schoolboy in A Holiday Abroad for ITV Television Playhouse. Later that year, at eighteen, Irvine performed as Dan in three episodes of Sheep's Clothing, after which he was offered a two-year contract with the BBC's Repertory company ('The Rep'), where he befriended the poet Louis MacNeice who worked there as a writer for over twenty years. As Irvine recalled much later: However, Irvine would give up acting in his early twenties, after moving to Dublin at the end of his time with the 'Rep'. CANNOTANSWER

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DId he take them up on their offer?
Background: Jose Julio Sarria also known as The Grand Mere, Absolute Empress I de San Francisco, and the Widow Norton (December 13, 1922 - August 19, 2013) was an American political activist from San Francisco, California, who in 1961 became the first openly gay candidate for public office in the United States. He is also remembered for performing as a drag queen at the Black Cat Bar and as the founder of the Imperial Court System. Jose Sarria was born to Julio Sarria and Maria Dolores Maldonado.
Context: With the demise of the Black Cat, Sarria helped found the Society for Individual Rights (SIR) in 1963. SIR grew out of a split between Sarria and Strait over the direction that LCE was heading. Strait and his supporters wanted to focus more on publishing the group's newsletter, while Sarria and his backers wanted to maintain focus on street-level organizing. SIR sponsored both social and political functions, including bowling leagues, bridge clubs, voter registration drives and "Candidates' Nights" and published its own magazine, Vector. In association with the Tavern Guild, SIR printed and distributed "Pocket Lawyers". These pocket-sized guides offered advice on what to do if arrested or harassed by police. SIR lasted for 17 years. Crowned Queen of the Beaux Arts Ball in 1964 by the Tavern Guild, Sarria, stating that he was "already a queen", proclaimed himself "Her Royal Majesty, Empress of San Francisco, Jose I, The Widow Norton". Sarria devised the name "Widow Norton" as a reference to the much-celebrated citizen of 19th century San Francisco, Joshua Norton, who had declared himself Emperor of the United States and Protector of Mexico in 1859. Sarria organized elaborate annual pilgrimages to lay flowers on Norton's grave in the Woodlawn Cemetery in Colma, California. He purchased a plot adjacent to Norton's where he is now interred. Sarria's assumption of the title of Empress led to the establishment of the Imperial Court System, a network of non-profit charitable organizations throughout the United States, Canada, and Mexico that raises money for various beneficiaries. Sarria is much revered within the hierarchy of the Imperial Court System and is affectionately and informally known as "Mama" or "Mama Jose" among Imperial Court members. The "Jose Honors Awards" are presented to Imperial Court dignitaries and others in a bi-annual banquet held in Sarria's honor. CANNOTANSWER
Question: When did this happen

Answer:

in 1964
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The culture of Turkey combines a heavily diverse and heterogeneous set of elements that have been derived from the various cultures of the Eastern Mediterranean (West Asian) and Central Asian region and to a lesser degree, Eastern European, and Caucasian traditions. Many of these traditions were initially brought together by the Ottoman Empire, a multi-ethnic and multi-religious state. During the early years of the republic, the government invested a large amount of resources into fine arts such as paintings, sculpture and architecture. This was done as both a process of modernization and of creating a cultural identity.

Turkish literature is the collection of written and oral texts composed in the Turkish language, either in its Ottoman form or in less exclusively literary forms, such as that spoken in the Republic of Turkey today. Traditional examples for Turkish folk literature include stories of Karagoz and Hacivat, Keloglan, Incili Cavus and Nasreddin Hoca, as well as the works of folk poets such as Yunus Emre and Asik Veysel. The Book of Dede Korkut and the Epic of Koroglu have been the main elements of the Turkish epic tradition in Anatolia for several centuries. The two primary streams of Ottoman literature were poetry and prose. Of the two, the Ottoman Divan poetry, a highly ritualized and symbolic art form, was the dominant stream. The vast majority of Divan poetry was lyric in nature: either ghazals or qasidas. There were, however, other common genres, most particularly the mathnawi (also known as mesnevi), a kind of verse romance and thus a variety of narrative poetry. The tradition of Ottoman prose was exclusively non-fictional in nature; as the fiction tradition was limited to narrative poetry. The Tanzimat reforms of 1839-1876 brought changes to the language of Ottoman written literature, and introduced previously unknown Western genres, primarily the novel and the short story. Many of the writers in the Tanzimat period wrote in several different genres simultaneously: for instance, the poet Namik Kemal also wrote the important 1876 novel Intibah (Awakening), while the journalist Ibrahim Sinasi is noted for writing, in 1860, the first modern Turkish play, the one-act comedy "Sair Evlenmesi" (The Poet's Marriage). Most of the roots of modern Turkish literature were formed between the years 1896 and 1923. Broadly, there were three primary literary movements during this period: the Edebiyyat-i Cedide (New Literature) movement; the Fecr-i Ati (Dawn of the Future) movement; and the Milli Edebiyyat (National Literature) movement. The Edebiyyat-i Cedide (New Literature) movement began with the founding in 1891 of the magazine Servet-i Funun (Scientific Wealth), which was largely devoted to progress (both intellectual and scientific) along the Western model. Accordingly, the magazine's literary ventures, under the direction of the poet Tevfik Fikret, were geared towards creating a Western-style "high art" in Turkey. CANNOTANSWER

what was special about the poetry?

the Ottoman Divan poetry, a highly ritualized and symbolic art form, was the dominant stream.
Background: The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programs such as Doctor Who and Quatermass and the Pit during the 1950s and '60s. The original Radiophonic Workshop was based in the BBC's Maida Vale Studios in Delaware Road, Maida Vale, London. The Workshop was closed in March 1998, although much of its traditional work had already been outsourced by 1995.
Context: As the sixties drew to a close many of the techniques used by the Workshop changed as more electronic music began to be produced by synthesisers. Many of the old members of the Workshop were reluctant to use the new instruments, often because of the limitations and unreliable nature of many of the early synthesisers but also, for some, because of a dislike of the sounds they created. This led to many leaving the workshop making way for a new generation of musicians in the early 1970s including Malcolm Clarke, Paddy Kingsland, Roger Limb and Peter Howell. From the early days of a studio full of tape reels and electronic oscillators, the Workshop now found itself in possession of various synthesisers including the EMS VCS 3 and the EMS Synthi 100 nicknamed the "Delaware" by the members of the Workshop. In 1977, Workshop co-founder Desmond Briscoe retired from organisational duties with Brian Hodgson, returning after a five-year gap away from the Workshop, taking over. By this point the output of the Workshop was vast with high demand for complete scores for programmes as well as the themes and sound effects for which it had made its name. By the end of the decade the workshop was contributing to over 300 programmes a year from all departments of the BBC and had long since expanded from its early two room setup. Its contributions included material for programmes such as The Body in Question, Blue Peter and Tomorrow's World as well as sound effects for popular science fiction programmes Blake's 7 and The Hitchhiker's Guide to the Galaxy (in both its radio and television forms) by Richard Yeoman-Clark and Paddy Kingsland respectively. CANNOTANSWER
Question: Is there anything else interesting?. Whats the answer?

In 1977, Workshop co-founder Desmond Briscoe retired from organisational duties
At Last the 1948 Show is a satirical TV show made by David Frost's company, Paradine Productions (although it was not credited on the programmes), in association with Rediffusion London. Transmitted on Britain's ITV network in 1967, it brought Cambridge Footlights humour to a broader audience. The show starred Tim Brooke-Taylor, Graham Chapman, John Cleese, Marty Feldman and Aimi MacDonald. Cleese and Brooke-Taylor were also the programme editors.

Thames Television wiped the material once they had acquired the Rediffusion London archive, and all but two episodes were destroyed. John Cleese became aware of tapes from two surviving episodes after Feldman's wife left them to him in her will. Five compilation episodes for Swedish television also survived. Much missing material has been recovered in video, and surviving video has been restored by the British Film Institute. The majority of a previously missing episode (season 2, episode 6 tx 31.10.67) was returned to the BFI in May 2010. On 23 October 2014, the BFI announced film copies of two previously missing episodes - the first and final episodes of the series (tx 15.02.1967 and 07.11.1967) - had been recovered from the private collection of the show's executive producer David Frost. A year later, the BFI announced the recovery of another two episodes, with one of the new recoveries - the third episode of the first series (tx 01.03.1967) - to be screened at the Radio Times Festival at Hampton Court on 25 September 2015. Out of an original total of 13 episodes, eleven now exist in complete or near-complete form, while two remain incomplete. While most surviving episodes are from original tapes or telerecordings, two of the complete episodes have been reconstructed from footage recovered from five compilation tapes returned from Sweden. The two incomplete episodes' surviving footage also comes from these compilations. The complete audio of all 13 episodes exist, recorded off air by several fans. An LP compilation was produced using audio from the original videotapes. This has since been reissued on CD. CANNOTANSWER

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