cindermond/bento huggingface dataset:
Gentle Giant were an English progressive rock band active between 1970 and 1980. The band were known for the complexity and sophistication of its music and for the varied musical skills of its members. All of the band members, except Malcolm Mortimore, were multi-instrumentalists. Although not commercially successful, they did achieve a cult following.

Gentle Giant was formed in 1970 when the Shulman brothers teamed up with two other multi-instrumentalists, Gary Green (guitar, mandolin, recorder etc.) and Kerry Minnear (keyboards, vibraphone, cello etc.), plus drummer Martin Smith, who had previously drummed for Simon Dupree and the Big Sound. The classically trained Minnear had recently graduated from the Royal College of Music with a degree in composition, and had played with the band Rust. Green was essentially a blues player and had never worked with a band above the semi-professional level, but adapted readily to the demanding music of the new band. The Shulman brothers, meanwhile, settled into typically multi-instrumental roles of their own: Derek on saxophone and recorder; Ray on bass and violin; Phil on saxophone, trumpet, and clarinet. The new band also featured three lead vocalists. Derek Shulman sang in a tough rhythm-and-blues style and generally handled the more rock-oriented vocals; Phil Shulman handled the more folk-or-jazz-influenced songs; and Kerry Minnear (who had a particularly delicate voice) sang the lighter folk and chamber-classical lead vocals. Minnear did not sing lead vocals at live concerts, because of his inability to support and project his voice at a level suitable for live amplification (Derek and Phil Shulman handled Minnear's lead vocal parts when the band played live). It has been reported that Elton John unsuccessfully auditioned for lead vocalist with the newly formed group. According to a booklet that was included in their first album, the band's name was a reference to a fictional character, a "gentle giant" that happens upon a band of musicians and is enthralled with their music. The character is reminiscent of those from the Renaissance tales of Francois Rabelais. From the start, Gentle Giant was a particularly flexible band because of the exceptionally broad musical skills of its members. One Gentle Giant album would list a total of forty-six instruments in the musician credits -- all of which had been played by group members -- and five of the six members sang, enabling the band to write and perform detailed vocal harmony and counterpoint. The band's approach to songwriting was equally diverse, blending a wide variety of ideas and influences whether they were considered commercial or otherwise. CANNOTANSWER

Answer the following question by taking a quote from the article: Did they have any family?

CANNOTANSWER
Testament is an American thrash metal band from Berkeley, California. Formed in 1983 under the name Legacy, the band's current lineup comprises guitarists Eric Peterson and Alex Skolnick, lead vocalist Chuck Billy, drummer Gene Hoglan, and bassist Steve Di Giorgio. Since its inception, Testament has had numerous lineup changes, leaving Peterson as the only constant member. Billy replaced original singer Steve "Zetro" Souza (who left the band to join Exodus as the replacement of Paul Baloff) in 1986, prior to the recording of their first studio album, The Legacy, and has been a member of the band since.

In a March 2017 interview with Japan's Roppongi Rocks, frontman Chuck Billy revealed that Testament had begun working on new material for their twelfth studio album, and planned to continue writing in the summer after their U.S. and European tours. Billy also expressed hope that the album would be released in 2018, stating, "We thought we'd have a record out after two years; it just ended up being four, because the process just... I don't know what happened, but it took forever. So this time, like, you know what? I don't wanna do that again. I told Eric exactly when we were done recording. I said, 'You know what? It's a great record now, but I don't wanna go through what I had to go through to do this again. So why don't we start writing now?' So we decided that when we're not on the road, let's get together and just jam and maybe come up and at least get to that point where we were with this record -- a bunch of ideas and riffs and lyrics." In a December 2017 interview with Metal Messiah Radio, Billy stated that Testament will start working on their new album after they finish touring in support of Brotherhood of the Snake in August 2018, hoping not to repeat the four year gaps between their last three albums. He explained, "If we can get a head start on riffs and ideas, and then hopefully after that, you know, really dig in to put out a record in 2019, sometime." Peterson confirmed in a February 2018 interview with RockSverige that he has begun the songwriting process of the album, and added, "Our plan was to end in August 2018 and maybe get into the studio by the end of 2018 and put the record out in 2019. But, you know, Slayer's announced [their farewell tour] and they want us to be a part of it. I would imagine, if that stuff happens, then things will get pushed back a little bit, but the initial plan is to have it out in 2019. [We're] ready for summer to do all the A markets for festivals and stuff. This summer we're not doing a lot of festivals; we're actually talking about bowing out of a couple to make other things happen with the Slayer farewell thing." In support of their twelfth studio album, Testament will reportedly embark on a revamped version of the Clash of the Titans tour with Megadeth, Slayer and Sepultura. CANNOTANSWER

Answer the following question by taking a quote from the article: What can you tell me about their next album?

a March 2017 interview with Japan's Roppongi Rocks, frontman Chuck Billy revealed that Testament had begun working on new material for their twelfth studio album,
Chao's mother, Felisa Ortega, is from Bilbao, Basque Country, and his father, writer and journalist Ramon Chao, is from Vilalba, Galicia. They emigrated to Paris to avoid Francisco Franco's dictatorship--Manu's grandfather had been sentenced to death. Shortly after Manu's birth, the Chao family moved to the outskirts of Paris, and Manu spent most of his childhood in Boulogne-Billancourt and Sevres. As he grew up he was surrounded by many artists and intellectuals, most of whom were acquaintances of his father.

In 2003 he approached Amadou & Mariam and later produced their 2004 album Dimanche a Bamako ("Sunday in Bamako"). His song "Me llaman Calle", written for the 2005 Spanish film Princesas, earned that film a Goya nomination for Best Original Song. It has been released in 2007's La Radiolina. Vocals from the song are included in the Go Lem System song "Calle Go Lem". Time magazine named "Me Llaman Calle" one of The 10 Best Songs of 2007, ranking it at No. 8. Writer Josh Tyrangiel observed, Chao's warm singing over Jose Manuel Gamboa and Carlos Herrero's leaping Flamenco counter melody creates a direct emotional line to the core of this mid-tempo ballad. With its easy melody and universal rhythm Me Llaman Calle walks proudly in the shadow of Bob Marley, the last guy who made world music this disarmingly simple. Manu Chao was featured on the album True Love by Toots and the Maytals, which won the Grammy Award in 2004 for Best Reggae Album, and showcased many notable musicians including Willie Nelson, Eric Clapton, Jeff Beck, Trey Anastasio, Gwen Stefani / No Doubt, Ben Harper, Bonnie Raitt, The Roots, Ryan Adams, Keith Richards, Toots Hibbert, Paul Douglas, Jackie Jackson, Ken Boothe, and The Skatalites. His song "La Vida Tombola" was featured in the documentary film Maradona by Serbian filmmaker Emir Kusturica. The song "La Trampa", recorded with Tonino Carotone for the compilation album Fuerza! was used as the theme song for the short-lived improvisational comedy Drew Carey's Green Screen Show. The songs "Bongo Bong" and "Je ne t'aime plus", which appear back-to-back on Clandestino, were covered by British singers Robbie Williams and Lily Allen, who recorded them as a single track, "Bongo Bong and Je Ne T'aime Plus" and released it as a single from the album Rudebox. CANNOTANSWER

Answer the following question by taking a quote from the article: what did he release first in his solo years?

"Me llaman Calle
Small Faces were an English rock band from East London. The group was founded in 1965 by members Steve Marriott, Ronnie Lane, Kenney Jones, and Jimmy Winston, although by 1966 Winston was replaced by Ian McLagan as the band's keyboardist. The band is remembered as one of the most acclaimed and influential mod groups of the 1960s  with memorable hit songs such as "Itchycoo Park", "Lazy Sunday", "All or Nothing", and "Tin Soldier", as well as their concept album Ogdens' Nut Gone Flake. They later evolved into one of the UK's most successful psychedelic acts before disbanding in 1969.

After Small Faces split, Lane, Jones and McLagan floundered briefly before joining forces with two former members of The Jeff Beck Group, singer Rod Stewart and guitarist Ronnie Wood. This line-up dropped the "Small" tag and became Faces. However, hoping to capitalize on Small Faces' earlier success, record company executives wanted the band to keep their old name. The band objected, arguing the personnel changes resulted in a group altogether different from Small Faces. As a compromise, the new line-up's first album in the UK was credited as First Step by Faces, while in the US the same album was released as First Step by Small Faces. The album was only a mild commercial success, and the record companies perceived no further need to market this new line-up as "Small Faces". Accordingly, all subsequent albums by this incarnation of the band appeared under the new name Faces, on both sides of the Atlantic. However, all North American LP, cassette and CD reissues of First Step still credit the band as Small Faces. Jones and McLagan stayed with the 'sequel' group Faces until their breakup in 1975. Lane exited Faces slightly earlier, in 1973. With his backing band Slim Chance, Lane then released several singles and albums from 1973-1976, including the 1974 UK hit "How Come". Marriott's first post-Small Faces venture was with the rock group Humble Pie, formed with the former Herd member Peter Frampton. Initially, the group was a huge hit in the U.S. and the UK, but Humble Pie split in 1975 due to lack of later chart success, and Marriott went solo. CANNOTANSWERAnswer this question using a quote from the following article:

Was that band successful?

the group was a huge hit in the U.S. and the UK, but Humble Pie split in 1975 due to lack of later chart success,
Answer by taking a quote from the following article:

Irwin was born on his mother's birthday to Lyn and Bob Irwin in Essendon, a suburb of Melbourne, Victoria. He was of Irish descent on his father's side. He moved with his parents as a child to Queensland in 1970, where he attended Landsborough State School and Caloundra State High School. Irwin described his father as a wildlife expert interested in herpetology, while his mother Lyn was a wildlife rehabilitator.

Irwin loved mixed martial arts competitions and trained with Greg Jackson in the fighting/grappling system of Gaidojutsu. Like many Australians, he was an avid cricket fan. This was seen during his visit to Sri Lanka where he played cricket with some local children and said "I love cricket" and "It's a shame we have to go catch some snakes now". This was seen during the Crocodile Hunter episode "Island of the Snakes". Having grown up in Essendon, Irwin was a fan of the Essendon Bombers, an Australian rules football club in the Australian Football League. Irwin took part in an Australian Rules football promotion in Los Angeles as part of "Australia Week" in early 2006. After his death, a picture of Irwin wearing a Bombers Guernsey was shown by ESPN.com in their Bottom 10 ranking of the worst Division I FBS college football teams after Week 1 of the season in tribute to him. Having lived in Queensland most of his life, Irwin was also a fan of rugby league. As a teenager, he played for the Caloundra Sharks as a second-rower, and as an adult he was known to be a passionate Brisbane Broncos fan and was involved with the club on several occasions. On one occasion after turning up to training he asked if he could tackle the largest player, Shane Webcke. Despite being thrown to the ground and looking like he'd been crushed he was jovial about the experience. Irwin laughingly shared the experience with the Queensland State of Origin squad before the 2006 series. Irwin also supported rugby union, being a fan of the national team, the Wallabies. He once wore a Wallaby jersey during a demonstration at the zoo. A behind-the-scenes episode of The Crocodile Hunter showed Irwin and the crew finding a petrol station in a remote part of Namibia to watch the Wallabies defeat France in the 1999 Rugby World Cup Final. Irwin was also a talented surfer. CANNOTANSWER

Was he ever in any competitions?

Irwin was also a fan of rugby league. As a teenager, he played for the Caloundra Sharks as a second-rower,
Background: Katherine Murray Millett (September 14, 1934 - September 6, 2017) was an American feminist writer, educator, artist, and activist. She attended Oxford University and was the first American woman to be awarded a degree with first-class honors after studying at St Hilda's College, Oxford. She has been described as "a seminal influence on second-wave feminism", and is best known for her book Sexual Politics (1970), which was based on her doctoral dissertation at Columbia University. Journalist Liza Featherstone attributes previously unimaginable "legal abortion, greater professional equality between the sexes, and a sexual freedom" being made possible partially due to Millett's efforts.
Context: Sexual Politics originated as Millett's PhD dissertation and was published in 1970, the same year that she was awarded her doctorate from Columbia University. The bestselling book, a critique of patriarchy in Western society and literature, addressed the sexism and heterosexism of the modern novelists D. H. Lawrence, Henry Miller, and Norman Mailer and contrasted their perspectives with the dissenting viewpoint of the homosexual author Jean Genet. Millett questioned the origins of patriarchy, argued that sex-based oppression was both political and cultural, and posited that undoing the traditional family was the key to true sexual revolution. In its first year on the market, the book sold 80,000 copies and went through seven printings and is considered to be the movement's manifesto. As a symbol of the women's liberation movement, Millett was featured in a Time magazine cover story, "The Politics of Sex", which called Sexual Politics a "remarkable book" that provided a coherent theory about the feminist movement. Alice Neel created the depiction of Millett for the August 31, 1970 cover. According to biographer Peter Manso, The Prisoner of Sex was written by Norman Mailer in response to Millett's Sexual Politics. "The Prisoner of Sex is structured as a contest. His rhetoric against her prose, his charm against her earnestness, his polemic rage against her vitriolic charges. The aim is to convert the larger audience, the stronger presence as the sustaining truth. The Prisoner of Sex combines self parody and satire...", said Andrew Wilson, author of Norman Mailer: An American Aesthetic. CANNOTANSWER
Question: When did sh become involved in politics?

Answer:

Sexual Politics originated as Millett's PhD dissertation and was published in 1970, the same year that she was awarded her doctorate from Columbia University.
Background: Robert Emerson Clampett was born in San Diego, California on May 8, 1913. Clampett was displaying extraordinary art skills by the age of five. From the beginning, Clampett was intrigued with and influenced by Douglas Fairbanks, Lon Chaney, Charlie Chaplin, Buster Keaton and Harold Lloyd, and he began making film short-subjects in his garage beginning when he was twelve. While living in Hollywood as a young boy, Clampett and his mother Joan lived next door to Charlie Chaplin and his brother Syd.
Context: Since 1984, The Bob Clampett Humanitarian Award is given each year at the Eisner Awards. Recipients of the award include June Foray, Jack Kirby, Sergio Aragones, Patrick McDonnell, Maggie Thompson, Ray Bradbury and Mark Evanier. Clampett's Tin Pan Alley Cats (1943) was chosen by the Library of Congress as a "prime example of the music and mores of our times" and a print was buried in a time capsule in Washington, D.C. so future generations might see it. Porky in Wackyland (1938) was inducted into the National Film Registry of the Library of Congress in 2000, deemed "culturally, historically, or aesthetically significant." John Kricfalusi, best known as the creator of The Ren & Stimpy Show, got to know Clampett in his later years and has reflected on those times as inspirational. Kricfalusi calls Clampett his favorite cartoon director and calls The Great Piggy Bank Robbery (1946) his favorite cartoon: "I saw this thing and it completely changed my life, I thought it was the greatest thing I'd ever seen, and I still think it is." Animation historian Leonard Maltin has called Clampett's cartoons "unmistakable." Milton Gray believes that Schlesinger put Clampett in charge of the black and white cartoon division in order to save it, and many historians have singled out a scene in Porky's Duck Hunt in which Daffy exits as a defining Clampett moment. Maltin called it "a level of wackiness few moviegoers had ever seen." Historian Charles Solomon noted a rubbery, flexible animation quality visible in all Clampett's shorts, and Maltin noted an "energetic, comic anarchy." While Clampett's cartoons were not as well known in the latter half of the 20th century because television syndicators only had the rights to the post-1948 Warner cartoons, his creations have increased in notoriety and acclaim in recent decades. CANNOTANSWER
Question: Did Clampett receive any other awards?. Whats the answer?

Clampett's Tin Pan Alley Cats (1943) was chosen by the Library of Congress
Background: Phillips was born in Parris Island, South Carolina. His father, Claude Andrew Phillips, was a retired United States Marine Corps officer who won an Oklahoma bar from another Marine in a poker game on the way home from France after World War I. His mother, Edna Gertrude (nee Gaines), who had English ancestry, met his father in Oklahoma. According to his autobiography, Papa John, Phillips' father was a heavy drinker who suffered from poor health.
Context: In September 2009, eight years after Phillips's death, his eldest daughter Mackenzie claimed that she and her father had a 10-year incestuous relationship. Mackenzie wrote of the relationship, which she said began when she was 19 years old in 1979, in her memoir High on Arrival. Mackenzie wrote that the relationship began after Phillips raped her while they were both under the influence of heavy narcotics on the eve of her first marriage. Mackenzie Phillips appeared on The Oprah Winfrey Show on September 23, 2009, and told Winfrey that her father injected her with cocaine and heroin. According to Phillips, the incestuous relationship ended when she became pregnant and did not know who had fathered the child. As her story goes, these doubts resulted in an abortion, which her father paid for, "and," she stated, "I never let him touch me again." Genevieve Waite, John's wife at the time,denies the allegations, saying they were inconsistent with his character. Michelle Phillips, John's second wife, also stated that she had "every reason to believe [Mackenzie's account is] untrue." Chynna Phillips, Michelle Phillips' daughter, stated that she believed Mackenzie's claims and that Mackenzie first told her about the relationship during a phone conversation in 1997, approximately 11 years after the supposed relationship had ended. Mackenzie's half-sister Bijou Phillips from her father's marriage to Genevieve Waite has stated that Mackenzie informed her of the relationship when Bijou was 13 years old, and the information had a devastating effect on Bijou's teenage years, stripping her of her innocence and leaving her "wary of [her] father." She also stated "I'm 29 now, I've talked to everyone who was around during that time, I've asked the hard questions. I do not believe my sister. Our father [was] many things. This is not one of them." Jessica Woods, daughter of Denny Doherty, said that her father had told her that he knew "the awful truth," and that he was "horrified at what John had done." CANNOTANSWER
Question: how did it begin?

Answer:

the relationship began after Phillips raped her while they were both under the influence of heavy narcotics on the eve of her first marriage.
Born Mario Brown, he is the son of gospel recording artist Vickie Winans (nee Bowman) and her first husband, Bishop Ronald Brown. He is also the stepson of his mother's second husband, gospel singer, Pastor Marvin Winans whom she married in 1978. Marvin and Vickie Winans had twos sons, Josiah Winans, and Marvin Winans Jr. Vickie and Marvin Winans divorced in 1995 and she has since remarried.

Winans recorded his second album Hurt No More in 2001, 2002, and 2003 in between working with other artists. The album is based on stories of love and betrayal. The first single "I Don't Wanna Know" was based on a sample of the Fugees' 1996 hit single "Ready or Not", which itself was based on a slowed-down sample of the instrumental track "Boadicea" by Enya from her 1987 self-titled album. Enya and her representatives became angry when Winans did not seek her approval for the sample, as he was unaware that the Fugees sample he had used had itself been a sample. So, a compromise was reached to credit the single as "Mario Winans featuring P. Diddy and Enya". The song features a rap by P. Diddy. The song was released as the single in early 2004 and became a worldwide hit, reaching number 1 in Germany and the United Kingdom and on the rhythmic top 40 radio chart in the United States; to number 2 on the Billboard Hot 100 and the US R&B/Hip-Hop singles chart; and to number 3 on both the Australian and Norwegian singles charts. It also reached the top ten on a composite European singles chart. Hurt No More was released on April 20, 2004 in the US and by early June 2004 had reached number 1 on the Billboard R&B/Hip-Hop Albums chart, number 2 on the Billboard 200, and number 3 on the UK Albums Chart. The album's second single, "Never Really Was", used a sample of the orchestrated beginning of Madonna's 1986 hit, "Papa Don't Preach", as its background music. However, the song failed to chart in America. A remix version was released as a single featuring rapper Lil Flip. The song "This Is the Thanks I Get" was stated to be the album's third and final single but no official release was set. The song went on to peak on the Billboard Bubbling Under R&B chart at number 12. CANNOTANSWER

Ask a question about this article.

did he win any awards for it
Jose Arcadio Limon (January 12, 1908 - December 2, 1972) was a dancer and choreographer who developed what is now known as 'Limon technique'. In the 1940s he founded the Jose Limon Dance Company (now the Limon Dance Company), and in 1968 he created the Jose Limon Foundation to carry on his work. In his choreography, Limon spoke to the complexities of human life as experienced through the body. His dances feature large, visceral gestures -- reaching, bending, pulling, grasping -- to communicate emotion.

In 1930, Limon first performed on Broadway, and later that same year he choreographed his first dance, "Etude in D Minor", a duet with Letitia Ide. Limon recruited Ide and schoolmates Eleanor King and Ernestine Stodelle to form "The Little Group". From 1932 to 1933, Limon made two more Broadway appearances, in the musical revue Americana and in Irving Berlin's As Thousands Cheer, choreographed by Charles Weidman. Limon also tried his hand at choreography at Broadway's New Amsterdam Theatre. Limon made several more appearances throughout the next few years in shows such as Humphrey's New Dance, Theatre Piece, With my Red Fires, and Weidman's Quest. In 1937, Limon was selected as one of the first Bennington Fellows. At the Bennington Festival at Mills College in 1939, Limon created his first major choreographic work, titled Danzas Mexicanas. After five years, however, Limon would return to Broadway to star as a featured dancer in Keep Off the Grass under the choreographer George Balanchine. In 1941, Limon left the Humphrey-Weidman company to work with May O'Donnell. They co-choreographed several pieces together, such as War Lyrics and Curtain Riser. On October 3, 1942 Limon married Pauline Lawrence, a founding member and the manager of the Humphrey-Weidman company. The partnership with O'Donnell dissolved the following year, and Limon created work for a program at Humphrey-Weidman. In 1943, Limon's made his final appearance on Broadway in Balanchine's Rosalinda, a piece he performed with Mary Ellen Moylan. He spent the rest of that year creating dances on American and folk themes at the Studio Theatre before being drafted into the Army in April 1943. During this time, he collaborated with composers Frank Loesser and Alex North, choreographing several works for the U.S. Army Special Services. The most well-known among these is Concerto Grosso. CANNOTANSWER

What did he do as a Bennington Fellow?

At the Bennington Festival at Mills College in 1939, Limon created his first major choreographic work,
Augustus Welby Northmore Pugin ( PEW-jin; 1 March 1812 - 14 September 1852) was an English architect, designer, artist, and critic who is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, England and its iconic clock tower, later renamed the Elizabeth Tower, which houses the bell known as Big Ben. Pugin designed many churches in England and some in Ireland and Australia. He was the son of Auguste Pugin, and the father of Edward Welby and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

In 1834, Pugin converted to the Roman Catholic Church and was received into it the following year. Pugin's father, Auguste-Charles Pugin was a Frenchman who had immigrated to England as a result of the French Revolution, and probably, like many others, converted to the Anglican Church in order to obtain employment, because it was very improbable that any non-Anglican would obtain a governmental commission or tender, for example. British society at the time had many restrictions on any person not adhering to the state religion of the Church of England: Non-Anglicans could not attend a university, for example, or serve on parish or city councils, be a member of Parliament, serve in the armed forces, or even serve on a jury. A number of reforms in the early 19th century relieved these restrictions, the most important of which was the Roman Catholic Relief Act of 1829, which specifically abolished the restrictions. After 1829 it became, at least theoretically, possible for Roman Catholics to have a successful career; this was the context of A. W. Pugin's conversion to the Roman Catholic Church. However, his conversion also acquainted him with new patrons and employers. In 1832 he made the acquaintance of John Talbot, 16th Earl of Shrewsbury, a Roman Catholic sympathetic to his aesthetic theory and who employed him in alterations and additions to his residence of Alton Towers, which subsequently led to many more commissions. Shrewsbury commissioned him to build St. Giles Roman Catholic Church, Cheadle, Staffordshire, England, which was completed in 1846, and Pugin was also responsible for designing the oldest Catholic Church in Shropshire, England, St Peter and Paul Church, Newport. CANNOTANSWER

What happened after the conversion?

Pugin's father, Auguste-Charles Pugin was a Frenchman who had immigrated to England as a result of the French Revolution,
Background: John Zorn (born September 2, 1953) is an American composer, arranger, producer, saxophonist, and multi-instrumentalist with hundreds of album credits as performer, composer, and producer across a variety of genres, including jazz, rock, hardcore, classical, surf, metal, soundtrack, ambient, and improvised music. He incorporates diverse styles in his compositions which he identifies as avant-garde or experimental. Zorn was described by Down Beat as "one of our most important composers". Zorn established himself within the New York City downtown music movement in the mid-1970s performing with musicians across the sonic spectrum and developing experimental methods of composing new music.
Context: John Zorn was born in New York City and learned piano, guitar and flute as a child. His family had diverse musical tastes: his mother, Vera (nee Studenski; 1918-1999), listened to classical and world music, his father, Henry Zorn (1913-1992), was interested in jazz, French chansons, and country music, and his older brother collected doo-wop, and 1950s rock and roll records. Zorn attended the United Nations International School from kindergarten to high school associating with school friends from many different cultures. He spent his teenage years exploring classical music, film music, and, "listening to The Doors and playing bass in a surf band." He also acquired an interest in experimental and avant-garde music after buying a record by Mauricio Kagel in 1968 at the age of fifteen. He taught himself orchestration and counterpoint by transcribing scores and studied composition under Leonardo Balada. Zorn started playing the saxophone after discovering Anthony Braxton's album For Alto (1969) when he was studying composition at Webster College (now Webster University) in St. Louis, Missouri, where he attended classes taught by Oliver Lake. While still at Webster, he incorporated elements of free jazz, avant-garde and experimental music, film scores, performance art and the cartoon scores of Carl Stalling into his first recordings which were later released as First Recordings 1973 (1995). Zorn dropped out of college and, following a stint on the West Coast, moved to Manhattan where he gave concerts in his apartment and other small NY venues, playing saxophone and a variety of reeds, duck calls, tapes, and other instruments. Zorn immersed himself in the underground art scene, assisting Jack Smith with his performances and attending plays by Richard Foreman. He founded a performance art project called the Theatre of Musical Optics in 1975 and became a major participant in the downtown music scene as a composer, performer, and producer of music that challenged the confines of any single musical genre. CANNOTANSWER
Question: where did he grow up. Whats the answer?

in New York City
Sir Ronald Ross  (13 May 1857 - 16 September 1932), was a British medical doctor who received the Nobel Prize for Physiology or Medicine in 1902 for his work on the transmission of malaria, becoming the first British Nobel laureate, and the first born outside Europe. His discovery of the malarial parasite in the gastrointestinal tract of a mosquito in 1897 proved that malaria was transmitted by mosquitoes, and laid the foundation for the method of combating the disease. He was a polymath, writing a number of poems, published several novels, and composed songs. He was also an amateur artist and natural mathematician.

Ronald Ross was noted to be eccentric and egocentric, described as an "impulsive man". His professional life appeared to be in constant feud with his students, colleagues and fellow scientists. His personal vendetta with G.B. Grassi became a legendary tale in science. He was openly envious of his mentor Patrick Manson's affluence from private practices. This was largely due to his own ineptitude to compete with other physicians. His Memories of Sir Patrick Manson (1930) was a direct attempt to belittle Manson's influences on his works on malaria. He hardly had good ties with the administration of Liverpool School of Tropical Medicine, complaining of being underpaid. He resigned twice, and was eventually discharged without any pension. Ross was frequently embittered by lack of government support (what he called "administrative barbarism") for scientists in medical research. In 1928 he advertised his papers for sale in Science Progress, with a statement that the money was for financial support of his wife and family. Lady Houston bought them for PS2000, and offered them to the British Museum, which turned her down for various reasons. The papers are now preserved by the London School of Hygiene and Tropical Medicine and the Royal College of Physicians and Surgeons of Glasgow. In 1889 Ross married Rosa Bessie Bloxam (d.1931). They had two daughters, Dorothy (1891-1947) and Sylvia (1893-1925), and two sons, Ronald Campbell (1895-1914) and Charles Claye (1901-1966). His wife died in 1931. Ronald and Sylvia pre-deceased him too: Ronald was killed at the Battle of Le Cateau on 26 August 1914. Ross died at the hospital of his namesake after a long illness and asthma attack. He was buried at the nearby Putney Vale Cemetery, next to his wife. CANNOTANSWER

Answer the following question by taking a quote from the article: Where is he buried?

He was buried at the nearby Putney Vale Cemetery, next to his wife.
Texas are a Scottish pop rock band from Glasgow. They were founded in 1986 by Johnny McElhone (formerly of the bands Altered Images and Hipsway) and Sharleen Spiteri on lead vocals. Texas made their performing debut in March 1988 at the University of Dundee. They took their name from the 1984 Wim Wenders movie Paris, Texas.

In April 1999, Texas released the first single from their forthcoming fifth studio album. "In Our Lifetime" peaked at No. 4 on the UK Singles Charts and was also included on the Notting Hill film soundtrack that year. The band's fifth album, The Hush, was released in May 1999 and charted at No. 1 on the UK Album Charts in its first week of release. A second single, "Summer Son", was released in August 1999, reaching No. 5, the band's seventh UK Top 10 single at that point. A third and final single, "When We Are Together", was released in November 1999 and narrowly missed the UK Top 10 (peaking at 12). The album was certified 3 x Platinum by the BPI for UK sales in excess of 900,000 copies. In October 2000, Texas released their first compilation album, The Greatest Hits. The album featured tracks spanning their career, from their 1989 debut to the current day and included three new songs. A new single, "In Demand" was released on 2 October 2000 and reached No. 6 in the UK, with a video that featured the actor Alan Rickman. When The Greatest Hits was released, it became the band's third consecutive album to debut at No. 1 in the UK. A second new single from the collection, "Inner Smile", was released at the end of 2000, also reaching No. 6 on the UK Singles Charts. The video for "Inner Smile" featured a homage to Elvis Presley (and specifically his '68 Comeback Special shows) with lead singer Sharleen Spiteri dressed and made up to look like Elvis in his famous black leather suit. In July 2001, a remix of "I Don't Want A Lover" was released which made the UK Top 20. By this time, The Greatest Hits album had become a huge success and was eventually certified 6 x Platinum by the BPI for UK sales in excess of 1.8 million copies. The single "Like Lovers (Holding On)" was featured during the closing credits of the 2000 animated feature film Titan A.E and also appears briefly in one scene as background music. The song was included on the Titan A.E. soundtrack as well. CANNOTANSWERAnswer this question using a quote from the following article:

So was the album a success then?

The album was certified 3 x Platinum by the BPI for UK sales in excess of 900,000 copies.
Sir Ronald Ross  (13 May 1857 - 16 September 1932), was a British medical doctor who received the Nobel Prize for Physiology or Medicine in 1902 for his work on the transmission of malaria, becoming the first British Nobel laureate, and the first born outside Europe. His discovery of the malarial parasite in the gastrointestinal tract of a mosquito in 1897 proved that malaria was transmitted by mosquitoes, and laid the foundation for the method of combating the disease. He was a polymath, writing a number of poems, published several novels, and composed songs. He was also an amateur artist and natural mathematician.

Ronald Ross was noted to be eccentric and egocentric, described as an "impulsive man". His professional life appeared to be in constant feud with his students, colleagues and fellow scientists. His personal vendetta with G.B. Grassi became a legendary tale in science. He was openly envious of his mentor Patrick Manson's affluence from private practices. This was largely due to his own ineptitude to compete with other physicians. His Memories of Sir Patrick Manson (1930) was a direct attempt to belittle Manson's influences on his works on malaria. He hardly had good ties with the administration of Liverpool School of Tropical Medicine, complaining of being underpaid. He resigned twice, and was eventually discharged without any pension. Ross was frequently embittered by lack of government support (what he called "administrative barbarism") for scientists in medical research. In 1928 he advertised his papers for sale in Science Progress, with a statement that the money was for financial support of his wife and family. Lady Houston bought them for PS2000, and offered them to the British Museum, which turned her down for various reasons. The papers are now preserved by the London School of Hygiene and Tropical Medicine and the Royal College of Physicians and Surgeons of Glasgow. In 1889 Ross married Rosa Bessie Bloxam (d.1931). They had two daughters, Dorothy (1891-1947) and Sylvia (1893-1925), and two sons, Ronald Campbell (1895-1914) and Charles Claye (1901-1966). His wife died in 1931. Ronald and Sylvia pre-deceased him too: Ronald was killed at the Battle of Le Cateau on 26 August 1914. Ross died at the hospital of his namesake after a long illness and asthma attack. He was buried at the nearby Putney Vale Cemetery, next to his wife. CANNOTANSWER

What did he die from?

Ronald was killed at the Battle of Le Cateau
The Master is a recurring character in the British science fiction television series Doctor Who and its associated spin-off works. The character is a renegade alien Time Lord and the archenemy of the title character the Doctor. The Master has been played by multiple actors since the character's introduction in 1971.

The Master, played by Roger Delgado, makes his first appearance in Terror of the Autons (1971), where he allies with the Nestene Consciousness to help them invade Earth. The Third Doctor (Jon Pertwee) convinces the Master to stop this plan at the last minute, and the Master subsequently escapes, albeit with his TARDIS, a space-time ship, left non-functioning after the Doctor confiscates the ship's dematerialisation circuit. Having become a main character in the show's eighth season, the Master reappears in The Mind of Evil, where he regains his TARDIS' circuit from the Doctor after attempting to launch a nerve gas missile that would initiate World War III. After another incursion on Earth in The Claws of Axos, and failing to hold the galaxy to ransom using a doomsday weapon on the planet Uxarieus in the year 2472 in Colony in Space, in The Daemons the Master is finally captured on Earth by the organisation UNIT after Jo Grant (Katy Manning) prevents the alien Azal (Stephen Thorne) from gifting the Master his powers. In The Sea Devils (1972), the Master is shown to be imprisoned on an island prison off the coast of England. He convinces the governor of the prison, Colonel Trenchard (Clive Morton), to help him steal electronics from HMS Seaspite, the nearby naval base, which helps the Master contact the reptilian Sea Devils, the former rulers of Earth, so he can help them retake the planet from humanity. The Master convinces the Doctor to help him build machinery that would bring the Sea Devils out of their millions of years of hibernation, but the Doctor sabotages the device by overloading it, destroying the Sea Devil base and preventing war between humanity and reptiles. The Master subsequently escapes in a hovercraft. The Doctor reveals in this serial that the Master was once a "very good friend" of his. Delgado's last appearance as the Master is in Frontier in Space (1973), where he works alongside the Dalek and Ogron races to provoke a war between the Human and Draconian Empires. The scheme fails, and the Master escapes after he shoots at the Doctor. Delgado was slated to return in a serial called The Final Game, which would have been the season 11 finale. However, he died in a car crash in June 1973 and the story was never filmed. CANNOTANSWER

Answer the following question by taking a quote from the article: Who encounters the Third Doctor?

CANNOTANSWER
Indigenous peoples, also known as first peoples, aboriginal peoples or native peoples, are ethnic groups who are the original inhabitants of a given region, in contrast to groups that have settled, occupied or colonized the area more recently. Groups are usually described as indigenous when they maintain traditions or other aspects of an early culture that is associated with a given region. Not all indigenous peoples share this characteristic, usually having adopted substantial elements of a colonising culture, such as dress, religion or language. Indigenous peoples may be settled in a given region (sedentary) or exhibit a nomadic lifestyle across a large territory, but they are generally historically associated with a specific territory on which they depend.

The adjective indigenous was historically used to describe animals and plant origins. During the late twentieth century, the term Indigenous people began to be used to describe a legal category in indigenous law created in international and national legislations; it refers to culturally distinct groups affected by colonization. It is derived from the Latin word indigena, which is based on the root gen- 'to be born' with an archaic form of the prefix in 'in'. Any given people, ethnic group or community may be described as indigenous in reference to some particular region or location that they see as their traditional tribal land claim. Other terms used to refer to indigenous populations are aboriginal, native, original, or first (as in Canada's First Nations). The use of the term peoples in association with the indigenous is derived from the 19th century anthropological and ethnographic disciplines that Merriam-Webster Dictionary defines as "a body of persons that are united by a common culture, tradition, or sense of kinship, which typically have common language, institutions, and beliefs, and often constitute a politically organized group". James Anaya, former Special Rapporteur on the Rights of Indigenous Peoples, has defined indigenous peoples as "living descendants of pre-invasion inhabitants of lands now dominated by others. They are culturally distinct groups that find themselves engulfed by other settler societies born of forces of empire and conquest". They form at present non-dominant sectors of society and are determined to preserve, develop and transmit to future generations their ancestral territories, and their ethnic identity, as the basis of their continued existence as peoples, in accordance with their own cultural patterns, social institutions and legal system. The International Day of the World's Indigenous People falls on 9 August as this was the date of the first meeting in 1982 of the United Nations Working Group of Indigenous Populations of the Subcommission on Prevention of Discrimination and Protection of Minorities of the Commission on Human Rights. CANNOTANSWER

Answer the following question by taking a quote from the article: what was the change?

the term Indigenous people began to be used to describe a legal category in indigenous law
Boris Nikolayevich Yeltsin (Russian: Boris Nikolaevich El'tsin, IPA: [ba'rjis njIka'laIvjItc 'jeljtsin] ( listen); 1 February 1931 - 23 April 2007) was a Soviet and Russian politician and the first President of the Russian Federation, serving from 1991 to 1999. Originally a supporter of Mikhail Gorbachev, Yeltsin emerged under the perestroika reforms as one of Gorbachev's most powerful political opponents. During the late 1980s, Yeltsin had been a candidate member of the Politburo, and in late 1987 tendered a letter of resignation in protest. No one had resigned from the Politburo before.

Yeltsin underwent emergency quintuple heart bypass surgery in November 1996, and remained in the hospital for months. During his presidency, Russia received US$40 billion in funds from the International Monetary Fund and other international lending organizations. However, his opponents allege that most of these funds were stolen by people from Yeltsin's circle and placed in foreign banks. In 1998, a political and economic crisis emerged when Yeltsin's government defaulted on its debts, causing financial markets to panic and the ruble to collapse in the 1998 Russian financial crisis. During the 1999 Kosovo war, Yeltsin strongly opposed the NATO military campaign against Yugoslavia, and warned of possible Russian intervention if NATO deployed ground troops to Kosovo. In televised comments he stated: "I told NATO, the Americans, the Germans: Don't push us toward military action. Otherwise there will be a European war for sure and possibly world war." On 9 August 1999 Yeltsin fired his prime minister, Sergei Stepashin, and for the fourth time, fired his entire cabinet. In Stepashin's place he appointed Vladimir Putin, relatively unknown at that time, and announced his wish to see Putin as his successor. In late 1999 Yeltsin and President Clinton openly disagreed on the war in Chechnya. At the November meeting of the Organization for Security and Cooperation in Europe, Clinton pointed his finger at Yeltsin and demanded he halt bombing attacks that had resulted in many civilian casualties. Yeltsin immediately left the conference. In December while visiting China to seek support on Chechnya, Yeltsin replied to Clinton's criticism of a Russian ultimatum to citizens of Grozny. He bluntly pronounced: "Yesterday, Clinton permitted himself to put pressure on Russia. It seems he has for a minute, for a second, for half a minute, forgotten that Russia has a full arsenal of nuclear weapons. He has forgotten about that." Clinton dismissed Yeltsin's comments stating: "I didn't think he'd forgotten that America was a great power when he disagreed with what I did in Kosovo." It fell to Putin to downplay Yeltsin's comments and present reassurances about U.S. and Russian relations. CANNOTANSWER

Did he run for a 3rd term?

CANNOTANSWER