cindermond/bento huggingface dataset:
Phillip Harvey Spector (born Harvey Phillip Spector, December 26, 1939) is an American record producer, musician, and songwriter who developed the Wall of Sound, a music production formula he described as a "Wagnerian" approach to rock and roll. Spector is considered the first auteur among musical artists for the unprecedented freedom and control he had over every phase of the recording process. Additionally, he helped engender the idea of the studio as its own distinct instrument. For these contributions, he is acknowledged as one of the most influential figures in pop music history.

Spector began to reemerge in the late 1970s, producing and co-writing a controversial 1977 album by Leonard Cohen, entitled Death of a Ladies' Man. This angered many devout Cohen fans who preferred his stark acoustic sound to the orchestral and choral wall of sound that the album contains. The recording was fraught with difficulty. After Cohen had laid down practice vocal tracks, Spector mixed the album in studio sessions, rather than allowing Cohen to take a role in the mixing, as Cohen had previously done. Cohen remarked that the end result is "grotesque", but also "semi-virtuous"--for many years, he included a reworked version of the track "Memories" in live concerts. Bob Dylan and Allen Ginsberg also participated in the background vocals on "Don't Go Home with Your Hard-On", which is the second time Spector indirectly "produced" Dylan--the first being Dylan's live recordings on The Concert for Bangladesh. Spector also produced the much-publicized Ramones album End of the Century in 1979. As with his work with Leonard Cohen, End of the Century received criticism from Ramones fans who were angered over its radio-friendly sound. However, it contains some of the best known and most successful Ramones singles, such as "Rock 'n' Roll High School", "Do You Remember Rock 'n' Roll Radio?" and their cover of a previously released Spector song for the Ronettes, "Baby, I Love You." Guitarist Johnny Ramone later commented on working with Spector on the recording of the album, "It really worked when he got to a slower song like 'Danny Says'--the production really worked tremendously. For the harder stuff, it didn't work as well." Rumors circulated for years that Spector had threatened members of the Ramones with a gun during the sessions. Dee Dee claimed that Spector once pulled a gun on him when he tried to leave a session. Drummer Marky Ramone recalled in 2008, "They [guns] were there but he had a license to carry. He never held us hostage. We could have left at any time". CANNOTANSWERAnswer this question using a quote from the following article:

Was this album a success?

End of the Century received criticism from Ramones fans who were angered over its radio-friendly sound. However, it contains some of the best known and most successful Ramones singles,
Sun Yat-sen (; 12 November 1866 - 12 March 1925) was a Chinese physician, writer, philosopher, calligrapher and revolutionary, the first president and founding father of the Republic of China. As the foremost pioneer and first leader of a Republican China, Sun is referred to as the "Father of the Nation" in the Republic of China (ROC) and the "forerunner of democratic revolution" in the People's Republic of China (PRC). Sun played an instrumental role in the overthrow of the Qing dynasty (the last imperial dynasty of China) during the years leading up to the Xinhai Revolution.

At the age of 10, Sun Yat-sen began seeking schooling. It is also at this point where he met childhood friend Lu Haodong. By age 13 in 1878 after receiving a few years of local schooling, Sun went to live with his elder brother, Sun Mei (Sun Mei ) in Honolulu. Sun Mei financed Sun Yat-sen's education and would later be a major contributor for the overthrow of the Manchus. During his stay in Honolulu, Sun Yat-sen went to `Iolani School where he studied English, British history, mathematics, science, and Christianity. While he was originally unable to speak English, Sun Yat-sen quickly picked up the language and received a prize for academic achievement from King David Kalakaua before graduating in 1882. He then attended Oahu College (now known as Punahou School) for one semester. In 1883 he was soon sent home to China as his brother was becoming worried that Sun Yat-sen was beginning to embrace Christianity. When he returned to China in 1883 at age 17, Sun met up with his childhood friend Lu Haodong again at Beijidian (Bei Ji Dian ), a temple in Cuiheng Village. They saw many villagers worshipping the Beiji (literally North Pole) Emperor-God in the temple, and were dissatisfied with their ancient healing methods. They broke the statue, incurring the wrath of fellow villagers, and escaped to Hong Kong. While in Hong Kong in 1883 he studied at the Diocesan Boys' School, and from 1884 to 1886 he was at The Government Central School. In 1886 Sun studied medicine at the Guangzhou Boji Hospital under the Christian missionary John G. Kerr. Ultimately, he earned the license of Christian practice as a medical doctor from the Hong Kong College of Medicine for Chinese (the forerunner of The University of Hong Kong) in 1892. Notably, of his class of 12 students, Sun was one of only two who graduated. CANNOTANSWER

Using a quote from the above article, answer the following question: Did Sun have any accomplishments in school?

Ultimately, he earned the license of Christian practice as a medical doctor
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The Mamas & the Papas were an American folk rock vocal group who recorded and performed from 1965 to 1968, and were a defining force in the music scene of the Counterculture of the 1960s. The band reunited briefly in 1971 to record the album People Like Us but did not perform outside their recording studio at that time. The group was composed of John Phillips, Denny Doherty, Cass Elliot, and Michelle Phillips nee Gilliam. Their sound was based on vocal harmonies arranged by John Phillips, the songwriter, musician, and leader of the group who adapted folk to the new beat style of the early sixties.

After completing their brief East coast tour, the group started work immediately on its third album, The Mamas & The Papas Deliver, which was recorded in the autumn of 1966. The first single from the album, "Look Through My Window", was released in September 1966 (before the last single from The Mamas and the Papas). It reached number twenty-four in the US, but did not chart in the UK. The second single, "Dedicated to the One I Love" (February 1967), did much better, peaking at number two in both the US and the UK. That success helped the album, also released in February 1967, reach number two in the US and number four in the UK. The third single, "Creeque Alley" (April 1967), chronicled the band's early history. It peaked at number five in the US and number nine in the UK. The strain on the group was apparent when they performed indifferently at the first Monterey International Pop Festival in June 1967, as can be heard on Historic Performances Recorded at the Monterey International Pop Festival (1970). The band was badly under-rehearsed - partly because John and Michelle Phillips and Lou Adler were preoccupied with organizing the festival, partly because Doherty arrived at the last minute from another sojourn in the Virgin Islands, and partly, it is said, because he was drinking heavily in the aftermath of his affair with Michelle Phillips. They rallied for their performance before 18,000 people at the Hollywood Bowl in August (with Jimi Hendrix as the opener), which both John and Michelle Phillips would remember as the apex of the band's career: "There would never be anything quite like it again." Deliver was followed in October 1967 by the non-album single "Glad to Be Unhappy", which reached number twenty-six in the US. "Dancing Bear" from the group's second album was released as a single in November. It peaked at number fifty-one in the US. Neither of these singles charted in the UK. CANNOTANSWER

The Mamas & the Papas
William Seward Burroughs II (; February 5, 1914 - August 2, 1997) was an American writer and visual artist. Burroughs was a primary figure of the Beat Generation and a major postmodernist author whose influence is considered to have affected a range of popular culture as well as literature. Burroughs wrote eighteen novels and novellas, six collections of short stories and four collections of essays. Five books have been published of his interviews and correspondences.

Burroughs finished high school at Taylor School in Clayton, Missouri, and in 1932, left home to pursue an arts degree at Harvard University, where he was affiliated with Adams House. During the summers, he worked as a cub reporter for the St. Louis Post-Dispatch, covering the police docket. He disliked the work, and refused to cover some events, like the death of a drowned child. He lost his virginity in an East St. Louis, Illinois brothel that summer with a female prostitute whom he regularly patronized. While at Harvard, Burroughs made trips to New York City and was introduced to the gay subculture there. He visited lesbian dives, piano bars, and the Harlem and Greenwich Village homosexual underground with Richard Stern, a wealthy friend from Kansas City. They would drive from Boston to New York in a reckless fashion. Once, Stern scared Burroughs so badly that he asked to be let out of the vehicle. Burroughs graduated from Harvard in 1936. According to Ted Morgan's Literary Outlaw, His parents, upon his graduation, had decided to give him a monthly allowance of $200 out of their earnings from Cobblestone Gardens, a substantial sum in those days. It was enough to keep him going, and indeed it guaranteed his survival for the next twenty-five years, arriving with welcome regularity. The allowance was a ticket to freedom; it allowed him to live where he wanted to and to forgo employment. Burroughs' parents sold the rights to his grandfather's invention and had no share in the Burroughs Corporation. Shortly before the 1929 stock market crash, they sold their stock for $200,000 (equivalent to approximately $2,850,388 in today's funds). CANNOTANSWER

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What did Burroughs study at Harvard?
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"'03 Bonnie & Clyde" is a song recorded by American rapper Jay-Z featuring his then-girlfriend, American singer Beyonce. It was composed by Shawn Carter, Kanye West, Prince Nelson, Tupac Shakur, Darryl Harper, Ricky Rouse and Tyrone Wrice for Jay-Z's seventh studio album The Blueprint 2: The Gift & The Curse (2002).

"'03 Bonnie & Clyde" marked the first collaboration between rapper Jay-Z and R&B singer Beyonce. While listening to Shakur's The Don Killuminati: The 7 Day Theory, producer Kanye West suggested that American rapper Tupac Shakur's song "Me and My Girlfriend" would make a good sample to use on Jay-Z's duet with Beyonce. West told MTV News that Jay-Z had asked him on the telephone for a duet for him and Beyonce: "We got this joint, it has to be the best beat you ever made." He continued: So I went home and called my dog, E Base, who plays a lot of instruments up at Baseline [studio] for me and [producer] Just Blaze. [E] came through. I programmed the drums in 10 minutes, and then he played all the different parts. This version is all live bass, live guitars, [live] chords on it. I brought it to Hov that night, he heard it, he thought of the video treatment before he thought of the rap. He just knew it was gonna be the one. Tensions arose during the conception of "'03 Bonnie & Clyde" over the sampling of "Me and My Girlfriend. Senior Vice President of A&R Tina Davis commented on the issue, "We only had one day to clear the [Tupac Shakur] sample [from 'Me and my Girlfriend'] that was used on ''03 Bonnie and Clyde' last year with Jay-Z and Beyonce [Beyonce]. We were back and forth with Afeni Shakur all day until we got the clearance. And then it's a hit." "'03 Bonnie & Clyde" was released on October 10, 2002, as the lead single from Jay-Z's album The Blueprint2: The Gift & the Curse. Beyonce later included the song as a bonus track on international editions of her 2003 debut solo album Dangerously in Love. In 2003, Now That's What I Call Music! included "'03 Bonnie & Clyde" as the opening track of the 12th volume of the US release and the fifteenth track of the 54th volume of the UK release. The song's release was the first indication of Jay-Z's and Beyonce's romantic status, spawning rumors about a burgeoning relationship. Their relationship was not made public until Jay-Z featured on Beyonce's songs "Crazy In Love" (2003) and "Deja Vu" (2006). It was later announced that they had been dating since recording "'03 Bonnie & Clyde". The latter's release also marked the debut of the solo career of Beyonce, leaving Destiny's Child on hiatus. CANNOTANSWER

How soon after the song's release, did it become a hit?

CANNOTANSWER
Robert Emerson Clampett was born in San Diego, California on May 8, 1913. Clampett was displaying extraordinary art skills by the age of five. From the beginning, Clampett was intrigued with and influenced by Douglas Fairbanks, Lon Chaney, Charlie Chaplin, Buster Keaton and Harold Lloyd, and he began making film short-subjects in his garage beginning when he was twelve. While living in Hollywood as a young boy, Clampett and his mother Joan lived next door to Charlie Chaplin and his brother Syd.

Since 1984, The Bob Clampett Humanitarian Award is given each year at the Eisner Awards. Recipients of the award include June Foray, Jack Kirby, Sergio Aragones, Patrick McDonnell, Maggie Thompson, Ray Bradbury and Mark Evanier. Clampett's Tin Pan Alley Cats (1943) was chosen by the Library of Congress as a "prime example of the music and mores of our times" and a print was buried in a time capsule in Washington, D.C. so future generations might see it. Porky in Wackyland (1938) was inducted into the National Film Registry of the Library of Congress in 2000, deemed "culturally, historically, or aesthetically significant." John Kricfalusi, best known as the creator of The Ren & Stimpy Show, got to know Clampett in his later years and has reflected on those times as inspirational. Kricfalusi calls Clampett his favorite cartoon director and calls The Great Piggy Bank Robbery (1946) his favorite cartoon: "I saw this thing and it completely changed my life, I thought it was the greatest thing I'd ever seen, and I still think it is." Animation historian Leonard Maltin has called Clampett's cartoons "unmistakable." Milton Gray believes that Schlesinger put Clampett in charge of the black and white cartoon division in order to save it, and many historians have singled out a scene in Porky's Duck Hunt in which Daffy exits as a defining Clampett moment. Maltin called it "a level of wackiness few moviegoers had ever seen." Historian Charles Solomon noted a rubbery, flexible animation quality visible in all Clampett's shorts, and Maltin noted an "energetic, comic anarchy." While Clampett's cartoons were not as well known in the latter half of the 20th century because television syndicators only had the rights to the post-1948 Warner cartoons, his creations have increased in notoriety and acclaim in recent decades. CANNOTANSWER

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What is he most notable for?
Blish was born on 23 May 1921 at East Orange, New Jersey. While in high school, Blish self-published a fanzine using a hectograph, called The Planeteer. The fanzine ran for six issues. Blish attended meetings of the Futurian Science Fiction Society in New York City, during this period.

Blish was among the first literary critics of science fiction, and he judged works in the genre by the standards applied to "serious" literature. He took to task his fellow authors for deficiencies, such as bad grammar and a misunderstanding of scientific concepts, and the magazine editors, who accepted and published such material without editorial intervention. His critiques were published in "fanzines" in the 1950s under the pseudonym William Atheling, Jr. The essays were collected in The Issue at Hand (1964) and More Issues at Hand (1970). Reviewing The Issue at Hand, Algis Budrys said that Atheling had, along with Damon Knight, "transformed the reviewer's trade in this field". He described the persona of Atheling as "acidulous, assertive, categorical, conscientious and occasionally idiosyncratic". Blish was a fan of the works of James Branch Cabell, and for a time edited Kalki, the journal of the Cabell Society. In his works of science fiction, James Blish developed many ideas and terms which have influenced other writers and on occasion have been adopted more widely, such as faster than light communication via the dirac computer, introduced in the short story "Beep" (1954). The dirac is comparable to Ursula K. Le Guin's ansible. Blish is also credited with coining the term gas giant, in the story "Solar Plexus" as it appeared in the anthology Beyond Human Ken, edited by Judith Merril. The story was originally published in 1941, but did not contain the term. Blish reworked the story, change the description of a large magnetic field to "a magnetic field of some strength nearby, one that didn't belong to the invisible gas giant revolving half a million miles away". CANNOTANSWER

Answer the following question by taking a quote from the article: What is the greatest legacy of James Blish?

James Blish developed many ideas and terms which have influenced other writers and on occasion have been adopted
Background: RuPaul Andre Charles (born November 17, 1960) is an American drag queen, actor, model, singer, songwriter, television personality, and author. Since 2009, he has produced and hosted the reality competition series RuPaul's Drag Race, for which he received two Primetime Emmy Awards in 2016 and 2017. RuPaul is considered to be the most commercially successful drag queen in the United States. In 2017, he was included in the annual Time 100 list of the most influential people in the world.
Context: In April 2011, coinciding with the finale of season 3 of RuPaul's Drag Race, RuPaul released his sixth studio album Glamazon, produced by Revolucian, who previously worked with RuPaul on his album Champion. The album charted on the Billboard Dance/Electronic Albums chart and the Billboard Top Heatseekers chart at number 11 and 8 respectively. In July 2011, RuPaul released another remix EP entitled SuperGlam DQ, which features remixes of tracks from Glamazon, remixes of the "Drag U Theme Song", and a new song, "Sexy Drag Queen". Starting in June 2011, the second season of RuPaul's Drag U aired. In late 2011, promotions for season 4 of Drag Race began. RuPaul made appearances on The Rosie Show and The Chew, and also attended a Drag Race NY Premiere party at Patricia Field's store in New York. Season 4 of RuPaul's Drag Race premiered on Logo on January 30, 2012, with RuPaul returning as the main host and judge. After season 4 ended, TV.com declared that it was the best reality TV show on television. In the fall of 2012, the spin-off RuPaul's Drag Race: All Stars premiered after a large fan demand. The show featured past contestants of the previous four seasons to compete. Season 5 of RuPaul's Drag Race premiered on January 28, 2013, with a 90-minute special and RuPaul returning as the main host and judge. On April 30, 2013, RuPaul released a single "Lick It Lollipop" featuring Lady Bunny, who RuPaul previously collaborated with on Champion. On October 25, 2013 RuPaul reported via Twitter that the new album would be released in January 2014. In fall of 2013, RuPaul joined forces with cosmetic manufacturers Colorevolution to launch his debut make-up line featuring ultra-rich pigment cosmetics and a beauty collection. Released alongside the line was a unisex perfume entitled "Glamazon". Talking to World of Wonder, RuPaul said: "Glamazon is for women and men of all ages and preferences who share one thing in common: They are not afraid to be fierce. For me, glamour should be accessible to all, and I am committed to helping the world look and smell more beautiful." The line was exclusively sold on the Colorevolution website in various gift sets. CANNOTANSWER
Question: Did it have any singles?. Whats the answer?

remixes of the "Drag U Theme Song", and a new song, "Sexy Drag Queen".
The Black Eyed Peas (originally simply Black Eyed Peas) are an American musical group, consisting of rappers will.i.am, apl.de.ap, and Taboo, and formerly Fergie. Originally an alternative hip hop group, they subsequently changed their musical sound to pop and dance-pop music. Although the group was founded in Los Angeles in 1995, it was not until the release of their third album, Elephunk, in 2003, that they achieved high record sales. Since that time, the group has sold an estimated 76 million records (35 million albums and 41 million singles), making them one of the world's best-selling groups of all time.

During an interview with NRJ, will.i.am in talking about his solo album also confirmed that the Black Eyed Peas would start recording sessions for their seventh studio album in 2015. In an interview on Capital Breakfast, will.i.am said that the Peas will reform in 2015 for their 20th anniversary. The Peas premiered a new song titled "Awesome" that was included in commercials for the 2015 NBA playoffs. The song did not include Fergie, with people questioning if she would be a part of the upcoming album. On the 20th anniversary of their debut, the Peas premiered a new song titled "Yesterday" through Apple Music, though the song also does not feature Fergie. On August 31, 2016, the Black Eyed Peas released a new version of their song "Where Is the Love?". The song is titled #WHERESTHELOVE and is credited to "The Black Eyed Peas featuring The World". The song as well as the accompanying video feature many other popular artists and all four members of the group, will.i.am, Fergie, apl.de.ap & Taboo. On June 3, 2017, they performed at the opening ceremony of the 2017 UEFA Champions League Final in Millennium Stadium, Cardiff. The performance, which included a pyrotechnic display, ran over time and forced the kick-off to be delayed by several minutes. On June 2, 2017, a Billboard article rumored that Fergie was departing from the band. will.i.am dismissed this, but they did announce that she was taking a break from the group to work on her sophomore solo album Double Dutchess while the remaining members were working on the graphic novel Masters of the Sun. On January 9, 2018, Black Eyed Peas released their first single in seven years, without Fergie, titled "Street Livin'". On February 18, 2018, will.i.am confirmed Fergie's departure from the band, in an interview with the Daily Star. CANNOTANSWER

Answer the following question by taking a quote from the article: Did they record a new album in 2015?

Black Eyed Peas would start recording sessions for their seventh studio album in 2015.
Background: Yanni was born November 14, 1954 in Kalamata, Greece, the son of Sotiri Chryssomallis, a banker, and Triandafili Chryssomallis (Felitsa Chryssomallis), a homemaker (Felitsa is short for Triandafili, which means "rose"). He displayed musical talent at a young age, playing the piano at the age of 6. His parents encouraged him to learn at his own pace and in his own way, without formal music training. The self-taught musician continues to use the "musical shorthand" that he developed as a child, rather than employing traditional musical notation.
Context: In 2000, after the two-year hiatus, Yanni released If I Could Tell You, his first studio album in seven years. The album sold 55,000 copies in its first week and landed at No. 20 on the Billboard charts, his highest debut to date. Yanni described the album as more of an even-tempered "listening" album, less dramatic than the live concert albums Live at the Acropolis or Tribute. He explained that he himself created all of the album's sounds, including apparent vocalizations, through the manipulation of sound in his studio. The music in Yanni's 2003 album Ethnicity represented many of the world's cultures, Yanni saying it uses ethnicity to reflect the color and beauty of a multicultural society. The album was released near the publication date of Yanni's autobiography, Yanni in Words. On October 23, 2003, Yanni performed a keyboard instrumental version of The Star-Spangled Banner before Game 5 of the 2003 World Series. For the first time in his career, Yanni brought vocalists to the forefront in the Ric Wake collaboration Yanni Voices, the artist's first studio album in six years. PBS broadcast video of a November 2008 Voices Acapulco concert weeks before the album's March 24, 2009 release by Walt Disney Records' Disney Pearl Imprint, the album release preceding a tour produced by Pearl's Buena Vista Concerts division. The album Mexicanisimo, released in November of Mexico's bicentennial year 2010, was a tribute to that country through Yanni's collaborative interpretation of its folk music. It involved collaboration with singer-songwriter Pepe Aguilar and singer-actress Lucero. CANNOTANSWER
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Answer:

The album Mexicanisimo, released in November of Mexico's bicentennial year 2010,
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Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore (born 1935) and the baritone/tenor (lower) voice was Dave Prater (1937-1988). Sam & Dave are members of the Rock and Roll Hall of Fame, the Grammy Hall of Fame, the Vocal Group Hall of Fame, the Memphis Music Hall of Fame, and are Grammy Award and multiple gold record award-winning artists.

Jerry Wexler with co-producer Tom Dowd tried producing Sam & Dave in New York, with Atlantic songwriters and musicians. It took eight months to issue "Ooh, Ooh, Ooh", the first Atlantic single in August 1969. It was not a very good record, by Sam's own admission, and it represented the first time in four years that a Sam & Dave single failed to chart. Two more singles followed in 1970, "Baby, Baby, Don't Stop Now," and "One Part Love, Two Parts Pain." The first was a leftover Hayes-Porter recording from Stax; the second was produced by Wexler and Dowd in New York, and was written by Stax executive Al Bell and Allen Jones. Both failed to chart. According to Wexler, "We just made some shit-ass records with them. I never really got into their sensibilities as a producer." Wexler then sent the duo south to Muscle Shoals and Miami to work with producers Brad Shapiro and Dave Crawford for their next single "Knock It Out The Park," which also failed to chart. Sam & Dave split in June 1970, according to Moore as a result of Moore's dissatisfaction with the duo and his desire to pursue a career solo. According to Prater, they broke up because "[Moore] decided to do what he wanted to do on his own." Moore recorded three solo singles (none of which charted) for Atlantic over the next year and was preparing an album produced by King Curtis, which was shelved after Curtis was stabbed to death in 1971. Prater recorded a single for Alston. Neither was commercially successful as a solo act, and they reunited in August 1971. In October 1971, their last Atlantic single, "Don't Pull Your Love," was a cover of a hit by Hamilton, Joe Frank & Reynolds. This Shapiro/Crawford production was a minor hit (R&B #36/Pop #102), but not a substantial enough commercial success to keep the duo signed to the label. Sam & Dave recorded four final songs for Atlantic in August, 1972, none of which was released by the label. Their contract with Atlantic expired shortly thereafter. CANNOTANSWER

What else did Sam do ?

and was preparing an album produced by King Curtis,
During the first year following the election defeat, Romney generally kept a low profile, with his ordinary daily activities around San Diego being captured via social media glimpses. In December 2012, he joined the board of Marriott International for a third stint as a director. In March 2013, Romney gave a reflective interview on Fox News Sunday, stating, "It kills me not to be there, not to be in the White House doing what needs to be done." He again expressed regret at the "47 percent" remark, saying "There's no question that hurt and did real damage to my campaign." (He was still echoing both of these sentiments a year later.) Romney began working as executive partner group chairman for Solamere Capital, a private capital firm in Boston owned by his son Tagg. He was also involved in supporting several charitable causes. The Romneys bought a home again in the Deer Valley area of Park City, Utah, followed by a property in Holladay, Utah, where they plan to tear down an existing house and build a new one. They also gained long-sought permission to replace their La Jolla home with a much bigger one, including a car elevator that had brought some derision during the 2012 campaign. In addition, Romney and his siblings continue to own a cottage in the gated community called Beach O' Pines located south of Grand Bend, Ontario, which has been in the family for more than sixty years. With the new acquisitions the couple briefly had five homes, located near each of their five sons and respective families, and the couple continued to spend considerable time with their grandchildren, who by 2013 numbered 22. They then sold the condominium in Belmont and decided to make their main residence in Utah, including switching voter registration. The 2014 documentary film Mitt showed a behind-the-scenes, family-based perspective on both of Romney's presidential campaigns and received positive notices for humanizing the candidate and illustrating the toll that campaigning takes. Romney himself thought he might be branded a "loser for life" and fade into an obscurity like Michael Dukakis (a similar figure with no obvious base of political support who had lost what his party considered a winnable presidential election) but, to the surprise of many political observers, that did not happen. Romney re-emerged onto the political scene in the run-up to the 2014 U.S. midterm elections, endorsing, campaigning, and fundraising for a number of Republican candidates, especially those running for the U.S. Senate. CANNOTANSWER

Answer this question "Where has he been active?" by extracting the answer from the text above.

Romneys bought a home again in the Deer Valley area of Park City, Utah,
Background: "Purple Haze" is a song written by Jimi Hendrix and released as the second record single by the Jimi Hendrix Experience on March 17, 1967. As a record chart hit in several countries and the opening number on the Experience's debut American album, it was many people's first exposure to Hendrix's psychedelic rock sound. The song features his inventive guitar playing, which uses the signature Hendrix chord and a mix of blues and Eastern modalities, shaped by novel sound processing techniques. Because of ambiguities in the lyrics, listeners often interpret the song as referring to a psychedelic experience, although Hendrix described it as a love song. "
Context: On March 17, 1967, "Purple Haze" was released in the UK as the first single on Track Records. Another Hendrix composition, the R&B-influenced "51st Anniversary" was included as the B-side. Paul McCartney, who was an early Hendrix supporter, gave the record an enthusiastic pre-release review in Melody Maker. The single entered the charts at number 39 on Record Mirror and at number 43 on Melody Maker. It peaked at number three and spent 14 weeks on the chart. During March 1967, several performances of "Purple Haze" were filmed to promote the song and used for television programs, such as Beat-Club, Dee Time, and Top of the Pops. Live performances were also broadcast on German NDR and BBC Radio's Saturday Club. For the American single, Reprise Records paired the song with "The Wind Cries Mary". It was released on June 19, 1967, the day following the Experience's performance at the Monterey Pop Festival. The single entered the Billboard Hot 100 pop chart on August 26, where it spent eight weeks and reached number 65. "Purple Haze" was included as the opening track on the American release of Are You Experienced on August 23, 1967. Because of the song's airplay on underground FM radio, the album became more popular than Hendrix's singles. One of Hendrix's most popular songs, "Purple Haze" appears on numerous compilation albums. Some of these include Smash Hits, The Essential Jimi Hendrix, The Singles Album, Kiss the Sky, Cornerstones: 1967-1970, The Ultimate Experience, Experience Hendrix: The Best of Jimi Hendrix, Voodoo Child: The Jimi Hendrix Collection, and The Singles Collection. An alternative version recorded at the same time, but with different vocal and guitar overdubs, is the first song on The Jimi Hendrix Experience 2000 box set. Live recordings of "Purple Haze" as performed by each of the different Hendrix lineups have been released. These include Live at Monterey (the Experience), Live at Woodstock (Gypsy Sun and Rainbows), Live at the Fillmore East (Band of Gypsys), and Live at Berkeley (the Cry of Love touring group). Additional live recordings with the Experience appear on Winterland (2011 Billboard number 49 album) and Miami Pop Festival (2013 Billboard number 39 album). CANNOTANSWER
Question: Was the song released with his album?. Whats the answer?

Purple Haze" was included as the opening track on the American release of Are You Experienced
Background: Phair was born in New Haven, Connecticut on April 17, 1967, but raised in Cincinnati, and later Winnetka, Illinois, by upper middle-class adoptive parents, Nancy, a historian, and John Phair. Her father was an AIDS researcher and head of infectious diseases at Northwestern Memorial Hospital; her mother, a docent who worked at the Art Institute of Chicago. She graduated from New Trier High School in 1985. During high school, Phair was involved in student government, yearbook, and the cross country team, and took AP Studio Art her senior year, among many other advanced-level classes.
Context: In 2003, her self-titled fourth album was released on her new label, Capitol Records. Phair had not released an album in several years; she had been working on her record, as well as making guest appearances on other tracks (she lent backing vocals to the Sheryl Crow hit "Soak Up the Sun"). Initially, Phair worked on several album tracks with songwriter Michael Penn as the producer. When she submitted the finished Penn-produced album to Capitol, the label gave it a lukewarm reception and was unwilling to release it as submitted. Having already exhausted her recording budget, label president Andy Slater offered Phair more money to record only if Phair agreed to work with the production team known as The Matrix (best known as songwriters for Britney Spears and Avril Lavigne) to come up with some singles for the album. Phair's collaboration with the Matrix resulted in only four songs, but much of the media attention focused solely on the Matrix-produced tracks, which were a departure from her earlier work. The album received many negative reviews, especially from the independent music press, who accused Phair of "selling out" by making the record very pop-oriented. Liz Phair provoked a strong backlash from critics and disappointed fans of her earlier work. Many decried her for "selling out", and she became a "pinata for critics." The New York Times' Meghan O'Rourke's review, titled "Liz Phair's Exile in Avril-ville", said that Phair "gushes like a teenager" and had "committed an embarrassing form of career suicide." Somebody's Miracle, Phair's fifth album (and final album with Capitol Records), was released on October 4, 2005. The album returned to a more traditional rock sound, mixing the mood of Phair's earlier work with a more mellow sound. The album received mixed reviews and was not a chart success. CANNOTANSWER
Question: what other album did she released. Whats the answer?

Somebody's Miracle, Phair's fifth album (and final album with Capitol Records), was released on October 4, 2005.
Background: Koufax was born in Brooklyn, New York, to a Jewish family, and raised in Borough Park. His parents, Evelyn (nee Lichtenstein) and Jack Braun, divorced when he was three years old. His mother was remarried when he was nine, to Irving Koufax. Shortly after his mother's remarriage, the family moved to the Long Island suburb of Rockville Centre.
Context: In 1962, the Dodgers moved from the Los Angeles Coliseum, which had a 250-foot left field line, to pitcher-friendly Dodger Stadium. The new park had a large foul territory and a comparatively poor hitting background. Koufax was an immediate beneficiary of the change, lowering his home ERA from 4.29 to 1.75. On June 30 against the expansion New York Mets, Koufax threw his first no-hitter. In the first inning of that game, Koufax struck out three batters on nine pitches to become the sixth National League pitcher and the 11th pitcher in Major League history to accomplish a nine-pitch/three-strikeout half-inning. With the no-hitter, a 4-2 record, 73 strikeouts, and a 1.23 ERA for June, he was named Major League Baseball Player of the Month Award. It would be the only time in his career he earned this distinction. Koufax had his strong season despite an injured pitching hand. While batting in April, Koufax had been jammed by a pitch from Earl Francis. A numbness developed in Koufax's index finger on his left hand, and the finger became cold and white. Koufax was pitching better than ever, however, so he ignored the problem, hoping that the condition would clear up. By July, though, his entire hand was becoming numb and he was unable to complete some games. In a start in Cincinnati, his finger split open after one inning. A vascular specialist determined that Koufax had a crushed artery in his palm. Ten days of experimental medicine successfully reopened the artery. Koufax finally was able to pitch again in September, when the team was locked in a tight pennant race with the Giants. But after the long layoff, Koufax was ineffective in three appearances as the Giants caught the Dodgers at the end of the regular season, forcing a three-game playoff. The night before the National League playoffs began, Manager Walter Alston asked Koufax if he could start the first game the next day. With an overworked pitching staff, there was no one else, as Don Drysdale and Johnny Podres had pitched the prior two days. Koufax obliged. Koufax later said, "I had nothing at all." He was knocked out in the second inning, after giving up home runs to Hall of Famer Willie Mays and Jim Davenport. After winning the second game of the series, the Dodgers blew a 4-2 lead in the ninth inning of the deciding third game, losing the pennant. CANNOTANSWER
Question: Why did his finger become numb?. Whats the answer?

While batting in April, Koufax had been jammed by a pitch from Earl Francis.
Romulus himself was the subject of the famous legend of the suckling she-wolf (lupa) that kept Romulus and his twin Remus alive in a cave on the Palatine Hill (the Lupercal) after they had been thrown into the river Tiber on the orders of their wicked uncle, Amulius. The latter had usurped the throne of Alba from the twins' grandfather, king Numitor, and then confined their mother, Rhea Silvia, to the Vestal convent. They were washed ashore by the river, and after a few days with the wolf, were rescued by shepherds. Mainstream scholarly opinion regards Romulus as an entirely mythical character, and the legend fictitious. On this view, Romulus was a name fabricated to provide Rome with an eponymous founding hero, a common feature of classical foundation-myths; it is possible that Romulus was named after Rome instead of vice versa. The name contains the Latin diminutive -ulus, so it means simply "Roman" or "little Roman". It has been suggested that the name "Roma" was of Etruscan origin, or that it was derived from the Latin word ruma ("teat"), presumably because the shape of the Palatine Hill and/or Capitoline Hill resembled a woman's teats. If Romulus was named after the city, it is more likely that he was historical. Nevertheless, Cornell argues that "Romulus probably never existed... His biography is a complex mixture of legend and folk-tale, interspersed with antiquarian speculation and political propaganda". In contrast, Andrea Carandini, an archaeologist who has spent most of his career excavating central Rome, advanced the theory that Romulus was a historical figure who indeed founded the city in c. 753 BC, as related by the ancient chroniclers, by ploughing a symbolic sacred furrow to define the city's boundary. But Carandini's views have received scant support among fellow-scholars. In contrast to the legend of Aeneas, which was clearly imported into the Latin world from an extraneous culture, it appears that the Romulus legend of the suckling she-wolf is a genuine indigenous Latin myth. The wolf was an emblem widespread among the Italic peoples. Aside from Rome, the wolf was also the ethnic emblem of the Samnites, the fierce pastoralists of the mountains of southern Italy. CANNOTANSWER

Answer this question "When did Romulus pass away?" by extracting the answer from the text above.

CANNOTANSWER
The Monkees were an American rock and pop band originally active between 1966 and 1971, with subsequent reunion albums and tours in the decades that followed. They were formed in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the American television series The Monkees which aired from 1966 to 1968. The musical acting quartet was composed of Americans Micky Dolenz, Michael Nesmith, and Peter Tork; and British actor and singer Davy Jones.

During the filming of the second season, the band became tired of scripts which they deemed monotonous and stale. They had already succeeded in eliminating the laugh track (a then-standard on American sitcoms), with the bulk of Season 2 episodes airing minus the canned chuckles. They proposed switching the format of the series to become more like a variety show, with musical guests and live performances. This desire was partially fulfilled within some second-season episodes, with guest stars like musicians Frank Zappa, Tim Buckley and Charlie Smalls (composer of The Wiz) performing on the show. However, NBC was not interested in eliminating the existing format, and the group (except for Peter) had little desire to continue for a third season. Tork said in DVD commentary that everyone had developed such difficult personalities that the big-name stars invited as guests on the show would invariably leave the experience "hating everybody". Screen Gems and NBC went ahead with the existing format anyway, commissioning Monkees writers Gerald Gardner and Dee Caruso to create a straight-comedy, no-music half-hour in the Monkees mold; a pilot episode was filmed with the then-popular nightclub act the Pickle Brothers. The pilot had the same energy and pace of The Monkees, but never became a series. In June 1968, Music Supervisor Lester Sill chose to release the two non-album tracks "D.W. Washburn" b/w "It's Nice To Be With You" as the Monkees' next single. The Leiber/Stoller-penned A-side would break into the Top 20, peaking at No. 19 on the charts. CANNOTANSWER

When were these songs released?

1968,
Which entity is this text about?

Heifetz was born into a Russian-Jewish family in Vilna, Lithuania then part of the Russian Empire. His father, Reuven Heifetz, son of Elie, was a local violin teacher and served as the concertmaster of the Vilnius Theatre Orchestra for one season before the theatre closed down. While Jascha was an infant, his father did a series of tests, observing how his son responded to his fiddling. This convinced him that Jascha had great potential, and before Jascha was two years old, his father bought him a small violin, and taught him bowing and simple fingering.

Heifetz was "regarded as the greatest violin virtuoso since Paganini," wrote Lois Timnick of the Los Angeles Times. "He set all standards for 20th-century violin playing...everything about him conspired to create a sense of awe," wrote music critic Harold Schonberg of the New York Times. "The goals he set still remain, and for violinists today it's rather depressing that they may never really be attained again," wrote violinist Itzhak Perlman. Virgil Thomson, possibly referencing Richard Wagner's reputed taste for silk next to his skin, called Heifetz's style of playing "silk underwear music", a term he did not intend as a compliment. Other critics argue that he infused his playing with feeling and reverence for the composer's intentions. His style of playing was highly influential in defining the way modern violinists approach the instrument. His use of rapid vibrato, emotionally charged portamento, fast tempi, and superb bow control coalesced to create a highly distinctive sound that makes Heifetz's playing instantly recognizable to aficionados. The violinist Itzhak Perlman, who himself is noted for his rich warm tone and expressive use of portamento, describes Heifetz's tone as like "a tornado" because of its emotional intensity. Perlman said that Heifetz preferred to be recorded relatively close to the microphone; as a result, one would perceive a somewhat different tone quality when listening to Heifetz during a concert hall performance. Heifetz was very particular about his choice of strings. He used a silver wound Tricolore gut G string, plain gut unvarnished D and A strings, and a Goldbrokat steel E string medium including clear Hill brand rosin sparingly. Heifetz believed that playing on gut strings was important in rendering an individual sound. CANNOTANSWER

Jascha Heifetz
Background: Antonie Philips van Leeuwenhoek (; Dutch: [an'to:ni van 'le:u@(n),huk] ( listen); 24 October 1632 - 26 August 1723) was a Dutch businessman and scientist in the Golden Age of Dutch science and technology. A largely self-taught man in science, he is commonly known as "the Father of Microbiology", and one of the first microscopists and microbiologists. Van Leeuwenhoek is best known for his pioneering work in microscopy and for his contributions toward the establishment of microbiology as a scientific discipline.
Context: Antonie van Leeuwenhoek was born in Delft, Dutch Republic, on 24 October 1632. On 4 November, he was baptized as Thonis. His father, Philips Antonisz van Leeuwenhoek, was a basket maker who died when Antonie was only five years old. His mother, Margaretha (Bel van den Berch), came from a well-to-do brewer's family. She remarried Jacob Jansz Molijn, a painter. Antonie had four older sisters, Margriet, Geertruyt, Neeltje, and Catharina. When he was around ten years old his step-father died. He attended school in Warmond for a short time before being sent to live in Benthuizen with his uncle, an attorney. At the age of 16 he became a bookkeeper's apprentice at a linen-draper's shop in Amsterdam, which was owned by the Scot William Davidson. Van Leeuwenhoek left there after six years. Van Leeuwenhoek married Barbara de Mey in July 1654, with whom he fathered one surviving daughter, Maria (four other children died in infancy). That same year he returned to Delft, where he would live and study for the rest of his life. He opened a draper's shop, which he ran throughout the 1650s. His wife died in 1666, and in 1671, Van Leeuwenhoek remarried to Cornelia Swalmius with whom he had no children. His status in Delft had grown throughout the years. In 1660 he received a lucrative job as chamberlain for the assembly chamber of the Delft sheriffs in the city hall, a position which he would hold for almost 40 years. In 1669 he was appointed as a land surveyor by the court of Holland; at some time he combined it with another municipal job, being the official "wine-gauger" of Delft and in charge of the city wine imports and taxation. Van Leeuwenhoek was a contemporary of another famous Delft citizen, the painter Johannes Vermeer, who was baptized just four days earlier. It has been suggested that he is the man portrayed in two Vermeer paintings of the late 1660s, The Astronomer and The Geographer, but others argue that there appears to be little physical similarity. Because they were both relatively important men in a city with only 24,000 inhabitants, it is likely that they were at least acquaintances; Van Leeuwenhoek acted as the executor of Vermeer's will after the painter died in 1675. CANNOTANSWER
Question: Court of what. Whats the answer?

court of Holland; at some time he combined it with another municipal job, being the official "