cindermond/bento huggingface dataset:
Raymond Poulidor (born 15 April 1936), nicknamed "Pou-Pou", is a French former professional bicycle racer, who rode for Mercier his entire career. His career was distinguished, despite coinciding with two great riders - Jacques Anquetil and Eddy Merckx. This underdog position may have been the reason Poulidor was a favourite of the public. He was known as "The Eternal Second", because he never won the Tour de France despite finishing in second place three times, and in third place five times (including his final Tour at the age of 40).

Poulidor's rivalry with Anquetil is a legend in cycling. While a good climber, Poulidor had a hard time matching Anquetil in the individual time trial, often having victory snatched from him by losing time in time-trial stages of the Tour de France. Poulidor's riding style was aggressive and attacking, whereas Anquetil preferred to control the race in the mountains and win time in the time-trials. Poulidor became the darling of the French public, to the ire of Anquetil. Poulidor's mid-France upbringing and his slow Limousin speech also contrasted with Anquetil's northern background and sharper accent. Poulidor's face was deeply tanned and furrowed; Anquetil had high cheekbones, a smoother face and brushed-up blond hair. Poulidor's best chance of defeating Anquetil came in the 1964 Tour de France, in the finish on the Puy de Dome. Anquetil rode beside Poulidor but both were so exhausted that only in the last few hundred metres could Poulidor take nearly enough time to threaten Anquetil's first place in the general classification. The Tour organiser, Jacques Goddet, was behind the pair as they turned off the main road and climbed through what police estimated as half a million spectators. Anquetil rode on the inside by the mountain wall while Poulidor took the outer edge by the precipice. They could sometimes feel the other's hot gasps on their bare arms. At the end, Anquetil cracked, after a battle of wills and legs so intense that at times they banged elbows. Poulidor says he was so tired that he has no memory of the two touching, although a photograph shows that they did. Of Anquetil, the veteran French reporter Pierre Chany wrote: "His face, until then purple, lost all its colour; the sweat ran down in drops through the creases of his cheeks." Anquetil was only semiconscious, he said. Poulidor gained time but when they reached Paris, Anquetil still had a 55-second lead and won his last Tour de France thanks to the time-trial on the final day. CANNOTANSWER

Using a quote from the above article, answer the following question: Is there any interesting information?

Poulidor's riding style was aggressive and attacking, whereas Anquetil preferred to control the race in the mountains and win time in the time-trials.
Phyllis McAlpin Schlafly (; nee Stewart;

Schlafly focused political opposition to the ERA in defense of traditional gender roles, such as only men fighting in war. That the equal rights amendment would eliminate the men-only draft and guarantee the possibility that women would be equally subject to conscription and be required to serve in combat; that defense of traditional gender roles proved a useful tactic. In Illinois, the anti-ERA activists used traditional symbols of the American housewife, and took homemade foods (bread, jams, apple pies, etc.) to the state legislators, with the slogans, "Preserve us from a congressional jam; Vote against the ERA sham" and "I am for Mom and apple pie." The historian Lisa Levenstein said that, in the late 1970s, the feminist movement briefly attempted a program to help older divorced and widowed women. Many widows were ineligible for Social Security benefits, few divorcees received alimony, and, after a career as a housewife, few had any work skills with which to enter the labor force. The program, however, encountered sharp criticism from young activists who gave priority to poor minority women rather than to middle-class women. By 1980, NOW downplayed the program, as they focused almost exclusively on ratification of the ERA. Schlafly moved into the political vacuum, and denounced the feminists for abandoning older, middle-class widows and divorcees in need, and warned that the ERA would equalize the laws for the benefit of men, stripping legal protections that older women urgently needed. Schlafly said the ERA was designed for the benefit of young career women, and warned that if men and women had to be treated equally, that social condition would threaten the security of middle-aged housewives without job skills. That the ERA would repeal legal protections, such as alimony, and eliminate the judicial tendency for divorced mothers to receive custody of their children. Schlafly's argument that protective laws would be lost resonated with working-class women. CANNOTANSWER

Did she win the fight to oppose it?

CANNOTANSWER
George Armstrong Custer (December 5, 1839 - June 25, 1876) was a United States Army officer and cavalry commander in the American Civil War and the American Indian Wars. Raised in Michigan and Ohio, Custer was admitted to West Point in 1857, where he graduated last in his class in 1861. With the outbreak of the Civil War, Custer was called to serve with the Union Army. Custer developed a strong reputation during the Civil War.

Pleasonton was promoted on June 22, 1863 to Major General of U.S. Volunteers. On June 29, after consulting with his new commander, George Meade, Pleasanton began replacing political generals with "commanders who were prepared to fight, to personally lead mounted attacks". He found just the kind of aggressive fighters he wanted in three of his aides: Wesley Merritt, Elon J. Farnsworth (both of whom had command experience) and George A. Custer. All received immediate promotions; Custer to brigadier general of volunteers, commanding the Michigan Cavalry Brigade ("Wolverines"). Despite having no direct command experience, Custer became one of the youngest generals in the Union Army at age 23. Custer lost no time in implanting his aggressive character on his brigade, part of the division of Brigadier General Judson Kilpatrick. Now a general officer, Custer had great latitude in choosing his uniform. Though often criticized as gaudy, it was more than personal vanity. "A showy uniform for Custer was one of command presence on the battlefield: he wanted to be readily distinguishable at first glance from all other soldiers. He intended to lead from the front, and to him it was a crucial issue of unit morale that his men be able to look up in the middle of a charge, or at any other time on the battlefield, and instantly see him leading the way into danger." Some have claimed Custer's leadership in battle as reckless or foolhardy. However, he "meticulously scouted every battlefield, gauged the enemies [sic] weak points and strengths, ascertained the best line of attack and only after he was satisfied was the 'Custer Dash' with a Michigan yell focused with complete surprise on the enemy in routing them every time." CANNOTANSWER

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?

Custer had great latitude in choosing his uniform.
Background: Sir Edward German (17 February 1862 - 11 November 1936) was an English musician and composer of Welsh descent, best remembered for his extensive output of incidental music for the stage and as a successor to Arthur Sullivan in the field of English comic opera. Some of his light operas, especially Merrie England, are still performed. As a youth, German played the violin and led the town orchestra of Whitchurch, Shropshire. He also began to compose music.
Context: At the age of 18, he studied privately with Walter Cecil Hay, the conductor of the Whitchurch choral society and director of music at St. Chad's of Shrewsbury. German entered the Royal Academy of Music, where he eventually changed his name to J. E. German (and later simply Edward German) to avoid confusion with another student named Edward Jones. He continued his studies of violin and organ, also beginning a more formal study of composition under Ebenezer Prout. Many of German's student works were played at Academy concerts. In 1884, the Academy appointed German a sub-professor of the violin. During his time as an instructor, he was well regarded and won several medals and prizes, such as the Tubbs Bow for his skill with the violin. In 1885, he won the Charles Lucas Medal for his Te Deum for soloists, choir and organ, leading him to change his focus from violin to composition. He soon wrote a light opera, The Two Poets (for four soloists and piano), in 1886, which was produced at the Academy and then performed at St. George's Hall. In 1887, his first symphony, in E Minor, was also performed at the Academy. In 1890 he conducted a revised version of this symphony at the Crystal Palace, while The Two Poets toured successfully in England. During his time at the Royal Academy, German taught at Wimbledon School and played the violin in theatre orchestras, including the Savoy Theatre. He visited Germany in 1886 and 1888-89 and was impressed by its opera, particularly at Bayreuth. His circle of close friends at the Academy included Dora Bright and Ethel Mary Boyce (1863-1936) from Chertsey, Surrey. He and Boyce became engaged. She was also a promising composition student and won the Lady Goldsmid scholarship in 1885, the Sterndale Bennett Prize in 1886 and the Charles Lucas Medal in 1889. Although the engagement was broken off, they remained friends. German never married. CANNOTANSWER
Question: What was the Royal Academy?

Answer:

the Royal Academy of Music,
Which entity is this text about?

Brando was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr. (1895-1965), a pesticide and chemical feed manufacturer, and Dorothy Julia (nee Pennebaker; 1897-1954). Brando had two older sisters, Jocelyn Brando (1919-2005) and Frances (1922-1994).

Brando decided to follow his sisters to New York, studying at the American Theatre Wing Professional School, part of the Dramatic Workshop of the New School, with influential German director Erwin Piscator. In a 1988 documentary, Marlon Brando: The Wild One, Brando's sister Jocelyn remembered, "He was in a school play and enjoyed it ... So he decided he would go to New York and study acting because that was the only thing he had enjoyed. That was when he was 18." In the A&E Biography episode on Brando, George Englund said Brando fell into acting in New York because "he was accepted there. He wasn't criticized. It was the first time in his life that he heard good things about himself." Brando was an avid student and proponent of Stella Adler, from whom he learned the techniques of the Stanislavski system. This technique encouraged the actor to explore both internal and external aspects to fully realize the character being portrayed. Brando's remarkable insight and sense of realism were evident early on. Adler used to recount that when teaching Brando, she had instructed the class to act like chickens, and added that a nuclear bomb was about to fall on them. Most of the class clucked and ran around wildly, but Brando sat calmly and pretended to lay an egg. Asked by Adler why he had chosen to react this way, he said, "I'm a chicken--what do I know about bombs?" Despite being commonly regarded as a Method actor, Brando disagreed. He claimed to have abhorred Lee Strasberg's teachings: After I had some success, Lee Strasberg tried to take credit for teaching me how to act. He never taught me anything. He would have claimed credit for the sun and the moon if he believed he could get away with it. He was an ambitious, selfish man who exploited the people who attended the Actors Studio and tried to project himself as an acting oracle and guru. Some people worshipped him, but I never knew why. I sometimes went to the Actors Studio on Saturday mornings because Elia Kazan was teaching, and there were usually a lot of good-looking girls, but Strasberg never taught me acting. Stella (Adler) did--and later Kazan. Brando was the first to bring a natural approach to acting on film. According to Dustin Hoffman in his online Masterclass, Brando would often talk to camera men and fellow actors about their weekend even after the director would call action. Once Brando felt he could deliver the dialogue as natural as that conversation he would start the dialogue. In his 2015 documentary, Listen To Me Marlon, he said before that actors were like breakfast cereals. He was calling them predictable. Critics would later say this was Brando being difficult, but actors who worked opposite would say it was just all part of his technique. CANNOTANSWER

Marlon Brando
Answer by taking a quote from the following article:

Shriver was born in Chicago, Illinois, the second child and only daughter of the politician Sargent Shriver and activist Eunice Kennedy Shriver. Shriver is the niece of United States President John F. Kennedy, U.S. Attorney General and U.S. Senator Robert F. Kennedy, U.S. Senator Ted Kennedy, and five other prominent siblings. A Roman Catholic, she is of mostly Irish and German descent. Shriver attended Westland Middle School in Bethesda, Maryland, a suburb of Washington, D.C., and graduated in 1973 from Stone Ridge School of the Sacred Heart in Bethesda.

In October 2009, Shriver launched "The Shriver Report: A Woman's Nation Changes Everything," a national study and comprehensive report conducted in partnership with the Center for American Progress, USC's Annenberg Center on Communication, Leadership and Policy, and the Rockefeller Foundation. The Shriver Report revealed that American women, for the first time, make up half of the United States workforce and studied how that fact is impacting major institutions like family, business, government and faith organizations. The report was released in 2013 in partnership with TIME and NBC News. According to The New York Times, the report "was modeled on a study undertaken almost 50 years ago during the administration of John F. Kennedy, Shriver's uncle, and led by Eleanor Roosevelt." The report features, among other things, writings by public figures including Suze Orman, Beyonce, Tammy Duckworth, Billie Jean King, Heidi Hartmann, Susan J. Douglas, Stephanie Coontz, Kristin Rowe-Finkbeiner, John Podesta, and Oprah Winfrey. In 2010 The Shriver Report: A Woman's Nation Takes on Alzheimer's was published. It is a study by Maria Shriver and the Alzheimer's Association. It features, among other things, writings by public figures including Barbra Streisand, Laura Bush, Patti Davis, Soleil Moon Frye, Rosalynn Carter, Susan Collins, Kathleen Sebelius, Barbara Mikulski, Kathleen Sebelius, and Joe Biden. In 2014, The Shriver Report: A Woman's Nation Pushes Back from the Brink was published; it is about women and their children in poverty. It is by Maria Shriver, with editors Olivia Morgan, and Karen Skelton, and features, among other things, writings by public figures including Carol Gilligan, Beyonce, Joan Chittister, Ai-Jen Poo, Eva Longoria, Stephanie Coontz, Jennifer Garner, Kathleen Sebelius, Jada Pinkett Smith, Anne-Marie Slaughter, Tory Burch, Sheryl Sandberg, Kirsten Gillibrand, Barbara Ehrenreich, LeBron James, and Hillary Clinton. CANNOTANSWER

Are there any other interesting aspects about this article?

"The Shriver Report: A Woman's Nation Changes Everything," a national study and comprehensive report conducted in partnership with the Center for American Progress,
A second candidate was presented by A.T. Martin, another antiquarian, in an article in the Athenaeum in September 1897, who proposed that the author was Thomas Malory of Papworth St Agnes in Huntingdonshire. Martin's argument was based on a will made at Papworth on 16 September 1469 and proved at Lambeth on 27 October the same year. This identification was taken seriously for some time by editors of Malory, including Alfred W. Pollard, the noted bibliographer, who included it in his edition of Malory published in 1903. This Thomas Malory was born on 6 December 1425 at Moreton Corbet Castle, Shropshire, the eldest son of Sir William Mallory, member of Parliament for Cambridgeshire, who had married Margaret, the widow of Robert Corbet (died 1420) of Moreton Corbet. Thomas inherited his father's estates in 1425 and was placed in the wardship of the King, initially as a minor, but later (for reasons unknown) remaining there until within four months of his death in 1469. Nothing else is known of him, apart from one peculiar incident discovered by William Matthews. A collection of Chancery proceedings includes a petition brought against Malory by Richard Kyd, parson of Papworth, claiming that Malory ambushed him on a November evening and took him from Papworth to Huntingdon, and then to Bedford and on to Northampton, all the while threatening his life and demanding that he either forfeit his church to Malory or give him 100 pounds. The outcome of this case is unknown, but it seems to indicate that this Malory was something other than an ordinary country gentleman. However, there is no evidence that this Malory was ever actually knighted and the very specific use of the word "knight" in respect of the author Malory tells against him. CANNOTANSWER

Answer this question "What was the incident?" by extracting the answer from the text above.

claiming that Malory ambushed him on a November evening and took him from Papworth to Huntingdon,
Background: Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore (born 1935) and the baritone/tenor (lower) voice was Dave Prater (1937-1988). Sam & Dave are members of the Rock and Roll Hall of Fame, the Grammy Hall of Fame, the Vocal Group Hall of Fame, the Memphis Music Hall of Fame, and are Grammy Award and multiple gold record award-winning artists.
Context: Jerry Wexler with co-producer Tom Dowd tried producing Sam & Dave in New York, with Atlantic songwriters and musicians. It took eight months to issue "Ooh, Ooh, Ooh", the first Atlantic single in August 1969. It was not a very good record, by Sam's own admission, and it represented the first time in four years that a Sam & Dave single failed to chart. Two more singles followed in 1970, "Baby, Baby, Don't Stop Now," and "One Part Love, Two Parts Pain." The first was a leftover Hayes-Porter recording from Stax; the second was produced by Wexler and Dowd in New York, and was written by Stax executive Al Bell and Allen Jones. Both failed to chart. According to Wexler, "We just made some shit-ass records with them. I never really got into their sensibilities as a producer." Wexler then sent the duo south to Muscle Shoals and Miami to work with producers Brad Shapiro and Dave Crawford for their next single "Knock It Out The Park," which also failed to chart. Sam & Dave split in June 1970, according to Moore as a result of Moore's dissatisfaction with the duo and his desire to pursue a career solo. According to Prater, they broke up because "[Moore] decided to do what he wanted to do on his own." Moore recorded three solo singles (none of which charted) for Atlantic over the next year and was preparing an album produced by King Curtis, which was shelved after Curtis was stabbed to death in 1971. Prater recorded a single for Alston. Neither was commercially successful as a solo act, and they reunited in August 1971. In October 1971, their last Atlantic single, "Don't Pull Your Love," was a cover of a hit by Hamilton, Joe Frank & Reynolds. This Shapiro/Crawford production was a minor hit (R&B #36/Pop #102), but not a substantial enough commercial success to keep the duo signed to the label. Sam & Dave recorded four final songs for Atlantic in August, 1972, none of which was released by the label. Their contract with Atlantic expired shortly thereafter. CANNOTANSWER
Question: What happened after they split ?

Answer:

According to Prater, they broke up because "[Moore] decided to do what he wanted to do on his own.
Which entity is this text about?

Corbin Bleu Reivers (; born February 21, 1989), known professionally as Corbin Bleu, is an American actor, model, dancer, film producer and singer-songwriter. He performed in the High School Musical film series (2006-2008). Songs from the films also charted worldwide, with the song "I Don't Dance" peaking inside the Top 10 of the Billboard Hot 100.

And his second album Speed of Light was released on March 10, 2009, via Hollywood Records. In an interview with Billboard, Bleu stated: The album's first single, "Moments That Matter", was performed by Bleu at Kids' Inaugural: "We Are the Future". It was released a teaser from the music video. The song has been featured in Bleu's movie Free Style, and which was released with a music video. The album failed to debut on Billboard Top 200 album charts. Producer Eric Hudson was attached to the project, along with songwriter/lyricist Claude Kelly. Bleu performed the planned tracks "Close", "Whatever It Takes", and "Champion" on a summer concert tour with singer/actor Justin Stein. According to sources, the album sold less than 4,000 in its first week, despite promotion from Myspace. The album spawned the singles "Celebrate You", was released in January 2009. Bleu performed that song at Disneyland as part of the 25th anniversary of the Disney Parks Christmas Day Parade. The song is the official song of the "Year of Celebration" at the Disneyland Resort and the "What Will You Celebrate?" campaign at the Walt Disney World. In 2009, he sings the duet "If We Were a Movie" with Miley Cyrus for the Hannah Montana 3 soundtrack album. In 2017, Bleu signed a one-album recording contract with The Ghostlight Records to distribute his Holiday Inn, The New Irving Berlin Musical soundtrack music, will be released digitally in June 2, 2017. The album will feature a twenty-one song, the album is produced by Kurt Deutsch with Todd Whitelock serving as coproducer and Universal Stage Productions as executive producer. CANNOTANSWER

Corbin Bleu
Background: William Morris Hughes,  (25 September 1862 - 28 October 1952) was an Australian politician who served as the seventh Prime Minister of Australia, in office from 1915 to 1923. He is best known for leading the country during World War I, but his influence on national politics spanned several decades. Hughes was a member of parliament from 1901 until his death, the only person to have served for more than 50 years. He represented six political parties during his career, leading five, outlasting four, and being expelled from three.
Context: Hughes and his followers, which included many of Labor's early leaders, called themselves the National Labor Party and began laying the groundwork for forming a party that they felt would be both avowedly nationalist as well as socially radical. Hughes was forced to conclude a confidence and supply agreement with the opposition Commonwealth Liberal Party to stay in office. A few months later, the Governor-General, Sir Ronald Munro Ferguson, persuaded Hughes and Liberal Party leader Joseph Cook (himself a former Labor man) to turn their wartime coalition into a formal party. This was the Nationalist Party of Australia, which was formally launched in February. Although the Liberals were the larger partner in the merger, Hughes emerged as the new party's leader, with Cook as his deputy. The presence of several working-class figures--including Hughes--in what was basically an upper- and middle-class party allowed the Nationalists to convey an image of national unity. At the same time, he became and remains a traitor in Labor histories. At the May 1917 federal election Hughes and the Nationalists won a huge electoral victory. At this election Hughes gave up his working-class Sydney seat and was elected for Bendigo, Victoria, becoming the first of only a handful of people who have represented more than one state or territory in the Parliament. Hughes had promised to resign if his Government did not win the power to conscript. Queensland Premier T. J. Ryan was a key opponent to conscription, and violence almost broke out when Hughes ordered a raid on the Government Printing Office in Brisbane, with the aim of confiscating copies of Hansard that covered debates in the Queensland Parliament where anti-conscription sentiments had been aired. A second plebiscite on conscription was held in December 1917, but was again defeated, this time by a wider margin. Hughes, after receiving a vote of no confidence in his leadership by his party, resigned as Prime Minister. However, there were no credible alternative candidates. For this reason, Munro-Ferguson used his reserve power to immediately re-commission Hughes, thus allowing him to remain as Prime Minister while keeping his promise to resign. CANNOTANSWER
Question: how did he persuade him to do that?

Answer:

CANNOTANSWER
Rufus McGarrigle Wainwright (born July 22, 1973) is an American-Canadian singer, songwriter, and composer. He has recorded seven albums of original music and numerous tracks on compilations and film soundtracks. He has also written a classical opera and set Shakespeare sonnets to music for a theater piece by Robert Wilson. Wainwright's self-titled debut album was released through DreamWorks Records in May 1998.

Through weekly shows at Cafe Sarajevo, Wainwright was on the Montreal club circuit and eventually cut a series of demo tapes produced by Pierre Marchand, who later produced Wainwright's album Poses. The resulting tapes impressed his father Loudon, who passed them on to his friend Van Dyke Parks. Parks sent the recordings to Lenny Waronker, the DreamWorks executive who eventually signed Wainwright to his label. Waronker stated the following of Wainwright: "When I was about to listen to his tape, I remember clearly I was thinking, 'Gee, if he has the mom's musicality and smarts, and the dad's smarts and voice, that'd be nice.' Then I put it on and I said, 'Oh, my God, this is stunning.'" The singer moved to New York City in 1996, performing regularly at Club Fez. He relocated to Los Angeles that year and began his first studio album, 1998's Rufus Wainwright. Waronker paired Wainwright with producer Jon Brion, and the two spent most of 1996 and 1997 making the record. Wainwright recorded 56 songs in total, on 62 rolls of tape. The sessions cost $700,000. Wainwright's self-titled debut received critical acclaim; Rolling Stone recognized it as one of the best albums of the year, and named the singer "Best New Artist" of the year. Wainwright was nominated for four awards by the Gay & Lesbian American Music Awards, including Album of the Year, Pop Recording of the Year and Video of the Year, and won for Best New Artist. Rufus Wainwright won a GLAAD Media Award for Outstanding Music Album and a Juno Award for Best Alternative Album. However, commercial success of the album was limited; the debut failed to chart in any country, though he ranked No.24 on Billboard's Top Heatseekers chart. In 1996 Wainwright toured the UK as "Special Guest" of Kate & Anna McGarrigle. He toured with Sean Lennon in 1998 and began his first headline tour later that year. In December 1998, he appeared in a Gap commercial directed by Phil Harder, performing Frank Loesser's "What Are You Doing New Year's Eve?". In March 1999, Wainwright began a headlining tour in Hoboken, New Jersey. CANNOTANSWER

Ask a question about this article.

Rufus Wainwright won what media award?
Tatchell was born in Melbourne, Australia. His father was a lathe operator and his mother worked in a biscuit factory. His parents divorced when he was four and his mother remarried soon afterwards. Since the family finances were strained by medical bills, he had to leave school at 16 in 1968.

Tatchell's book Democratic Defence was published in 1985. This outlined how defence of the United Kingdom might be assured after the nuclear disarmament that he and the Labour Party were then committed to. (Labour has since abandoned this policy.) Tatchell argued that the British military was still organised on an imperialist strategy of basing troops abroad rather than on a strategy of defending the UK itself against foreign attacks. Citing the problems that the British army was facing in Northern Ireland, he argued that their long-established methods were ineffective against guerilla warfare. He argued for a range of methods to liberalise the regime in the armed forces so that troops could be allowed to join trade unions and political parties, and to end [what he referred to as] the "bull" of "petty regulations" and harsh punishments for violating them. He upheld the British Home Guard as an example of a citizens' army that had been effective in fighting Nazi Germany, and also upheld the armed forces of Sweden, Switzerland and Yugoslavia as effective in deterring foreign aggression. Tatchell argued for withdrawal from NATO and for the establishment of a European Self-Defence Organisation, independent of both the United States and the Soviet Union. Regarding the United States, he felt that Europe had become too dependent on their military protection and that this was inappropriate given the differing interests of many European countries. He condemned the Soviet Union's invasions of Czechoslovakia and of Afghanistan, as well as condemning its internal repression. He wrote, "It is quite evident that the Soviet system today represents the complete opposite of everything that the left in the West is striving for..." He quoted with approval Enoch Powell's argument that the threat from the Soviet Union to the UK was exaggerated. CANNOTANSWER

Using a quote from the above article, answer the following question: What was the book Democratic Defense about?

This outlined how defence of the United Kingdom might be assured after the nuclear disarmament that he and the Labour Party were then committed to.
Therapy? are an alternative metal band from Northern Ireland. The band was formed in 1989 by guitarist-vocalist Andy Cairns from Ballyclare and drummer-vocalist Fyfe Ewing from Larne, Northern Ireland. The band initially recorded their first demo with Cairns filling in on bass guitar. To complete the lineup, the band recruited Larne bassist Michael McKeegan.

On 18 February 2014, the band began pre-production on studio album number 14 with producer Tom Dalgety in their now usual surroundings of Blast Studios in Newcastle. The session finished on 28 February with 18 tracks laid down in demo form. Having chosen 11 songs, the band began recording the album proper on 17 April 2014 and it was completed on 30 April 2014. The album, entitled Disquiet, was released on the bands' new record label on 23 March 2015. Pre-orders of the album were announced on 23 February 2015 and included an instant download of two album tracks and an exclusive pre-order track called We Kill People. A digital only single called Still Hurts, featuring two more non-album tracks, was released on 9 March 2015. The band began the first leg of their Disquiet Tour in the UK in March, before taking in the Netherlands, Belgium and Germany, and returning to the UK throughout April. Their performance in Utrecht was filmed by 'Quantum VR Media' for a future 360 VR release. In early May, Therapy? recorded a session for XFM, their 4th overall following previous sessions in 2001, 2004 and 2012. Deathstimate was released as a download only single on 30 October 2015. The single Tides was released on 15 April 2016, although it was available in early March to purchase on limited edition CD at the bands' UK tour performing the Infernal Love album in its entirety. Summer festivals on the European circuit followed, including a date at the Wacken Open Air in Germany. Therapy? performed a fully acoustic "Wood & Wire" tour through Belgium, Holland, Austria, Germany and the UK from 14 November until 1 December 2016. A newly recorded 11 track acoustic album entitled Wood & Wire was available for purchase on CD at these shows. A six date Irish Wood & Wire tour took place in April 2017. On 21 July 2017 the band announced a double live acoustic album, Communion: Live at the Union Chapel, for release on 21 August 2017. The album was recorded in London on 1 December 2016 during the "Wood & Wire" European tour. CANNOTANSWER

Using a quote from the above article, answer the following question: What else is notable about the album?

Pre-orders of the album were announced on 23 February 2015 and included an instant download of two album tracks and an exclusive pre-order track called We Kill People.
Background: Arvydas Romas Sabonis (born December 19, 1964) is a Lithuanian retired professional basketball player and businessman. Recognized as one of the best European players of all time, he won the Euroscar six times, and the Mr. Europa Award twice. He played in a variety of leagues, and spent seven seasons in the National Basketball Association (NBA), in the United States. Playing the center position, Sabonis won a gold medal at the 1988 Summer Olympics, in South Korea, for the Soviet Union, and later earned bronze medals at the 1992 Olympic Games and 1996 Olympic Games, while representing Lithuania.
Context: Sabonis is married to Ingrida Mikelionyte, the first Miss Lithuania, a fashion model, and a movie actress. They have a daughter named Ausrine, and three sons: Zygimantas, Tautvydas, and Domantas - the last two being born in the cities his father was playing, Valladolid and Portland. Once Sabonis left the NBA, the family moved to the Spanish coastal city of Malaga. Tautvydas played for the Unicaja Malaga junior team, and was a member of the Lithuania under-19 national team that won the 2011 FIBA Under-19 World Cup. He later played in Mallorca. The other two sons have also represented Lithuanian national teams, in FIBA youth tournaments of their age groups; in August 2011, Domantas was touted as Lithuania's top under-15 player. During the 2012 FIBA Europe Under-16 Championship, Domantas averaged 14.1 points and 14.4 rebounds per game. Domantas went on to play at Unicaja, but did not play under a professional contract; which enabled him to sign to play college basketball at Gonzaga, beginning in the 2014-15 season. After playing two seasons at Gonzaga, Domantas declared for the 2016 NBA draft, and was selected 11th overall by the Orlando Magic. He was immediately sent to the Oklahoma City Thunder, in a trade that involved three other players. Zygimantas chose not to follow Domantas to the U.S., and is currently a free agent, after spending his last season with Pozuelo. In September 2011, Sabonis suffered a heart attack, while playing basketball in Lithuania. Doctors said that the heart attack was not life-threatening. According to his son, Domantas, Arvydas is a huge fan of the Boston Celtics, his favorite basketball player is Larry Bird, and his favorite color is green. CANNOTANSWER
Question: Is he married?. Whats the answer?

Sabonis is married to Ingrida Mikelionyte,
Faye Wong (born 8 August 1969) is a Hong Kong singer-songwriter and actress, often referred to as the "diva" (Chinese: Tian Hou ; literally: "Heavenly Queen") among Chinese speakers. Early in her career she briefly used the stage name Shirley Wong. Born in Beijing, she moved to British Hong Kong in 1987 and came to public attention in the early 1990s by singing in Cantonese, often combining alternative music with mainstream Chinese pop. Since 1997 she has recorded mostly in her native Mandarin.

Besides two Cantonese albums in 1994, Wong released two other albums in Mandarin in Taiwan, Mystery (Mi ) and Sky (Tian Kong ). The runaway hit "I'm Willing" (Wo Yuan Yi ) in Mystery became her trademark hit in the Mandarin-speaking communities for years, and has been covered by other singers such as Gigi Leung, Sammi Cheng and Jay Chou. Sky was seen by fans as a successful amalgam of artistic experimentation and commercialism. While her hits in Hong Kong were noticeably alternative, her two Mandarin albums were more lyrical and traditional. Critics generally credit Taiwanese producer Yang Ming-huang for their success. Four best-selling albums in Cantonese and Mandarin, a record-breaking 18 consecutive concerts in Hong Kong, and a widely acclaimed film (Chungking Express) made Faye Wong the most eminent female Hong Kong singer in the mid-1990s. Meanwhile, her distaste for the profit-oriented HK entertainment industry became more and more apparent. She was frequently in touch with the rock circle in Beijing. Given her somewhat reticent and nonchalant personality, she would sometimes give terse, direct, and somewhat unexpected answers when asked personal questions by the HK media. In 1995, she released Decadent Sounds of Faye (Fei Mi Mi Zhi Yin ), a cover album of songs originally recorded by her idol Teresa Teng, one of the most revered Chinese singers of the 20th century. A duet with Teng was planned for the album, but unfortunately she died before this could be recorded. Decadent Sounds sold well despite initial negative criticism, and has come to be recognised as an example of imaginative covering by recent critics. In December, she released her Cantonese album Di-Dar which mixes an alternative yodelling style with a touch of Indian and Middle Eastern flavour. This album was a success, partly because it was so different from the mainstream Cantopop music, but--ironically--a couple of very traditional romantic songs topped the charts. CANNOTANSWER

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Charles Parker Jr. (August 29, 1920 - March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer. Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Parker was a blazingly fast virtuoso, and he introduced revolutionary harmonic ideas including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber.

In the late 1930s Parker began to practice diligently. During this period he mastered improvisation and developed some of the ideas that led to bebop. In an interview with Paul Desmond, he said that he spent three to four years practicing up to 15 hours a day. Bands led by Count Basie and Bennie Moten certainly influenced Parker. He played with local bands in jazz clubs around Kansas City, Missouri, where he perfected his technique, with the assistance of Buster Smith, whose dynamic transitions to double and triple time influenced Parker's developing style. In 1937, Parker played at a jam session at the Reno Club in Kansas City. His attempt to improvise failed when he lost track of the chord changes. This prompted Jo Jones, the drummer for Count Basie's Orchestra, to contemptuously throw a cymbal at his feet as a signal to leave the stage. However, rather than discouraging Parker, the incident caused him to vow to practice harder, and turned out to be a seminal moment in the young musician's career when he returned as a new man a year later. In 1938 Parker joined pianist Jay McShann's territory band. The band toured nightclubs and other venues of the southwest, as well as Chicago and New York City. Parker made his professional recording debut with McShann's band. As a teenager, Parker developed a morphine addiction while hospitalized after an automobile accident, and subsequently became addicted to heroin. He continued using heroin throughout his life, and it ultimately contributed to his death. CANNOTANSWER

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In 1937, Parker played at a jam session at the Reno Club in Kansas City. His attempt to improvise failed
Pepys was born in Salisbury Court, Fleet Street, London on 23 February 1633, the son of John Pepys (1601-1680), a tailor, and Margaret Pepys (nee Kite; died 1667), daughter of a Whitechapel butcher. His great uncle Talbot Pepys was Recorder and briefly Member of Parliament (MP) for Cambridge in 1625. His father's first cousin Sir Richard Pepys was elected MP for Sudbury in 1640, appointed Baron of the Exchequer on 30 May 1654, and appointed Lord Chief Justice of Ireland on 25 September 1655. Pepys was the fifth of eleven children, but child mortality was high and he was soon the oldest survivor.

The diary gives a detailed account of Pepys' personal life. He liked wine, plays, and the company of other people. He also spent time evaluating his fortune and his place in the world. He was always curious and often acted on that curiosity, as he acted upon almost all his impulses. Periodically, he would resolve to devote more time to hard work instead of leisure. For example, in his entry for New Year's Eve, 1661, he writes: "I have newly taken a solemn oath about abstaining from plays and wine..." The following months reveal his lapses to the reader; by 17 February, it is recorded, "Here I drank wine upon necessity, being ill for the want of it." Pepys was one of the most important civil servants of his age, and was also a widely cultivated man, taking an interest in books, music, the theatre and science. He was passionately interested in music; he composed, sang, and played for pleasure, and even arranged music lessons for his servants. He played the lute, viol, violin, flageolet, recorder and spinet to varying degrees of proficiency. He was also a keen singer, performing at home, in coffee houses, and even in Westminster Abbey. He and his wife took flageolet lessons from master Thomas Greeting. He also taught his wife to sing and paid for dancing lessons for her (although these stopped when he became jealous of the dancing master). Pepys was known to be brutal to his servants, once beating a servant Jane with a broom until she cried. He kept a boy servant whom he frequently beat with a cane, a birch rod, a whip or a rope's end. CANNOTANSWER

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He and his wife took flageolet lessons
Lord Randolph died in 1895, aged 45. His death freed Jennie to move effortlessly in spite of her impecuniosity; she mixed in the highest London society circles, and was much-admired by the Prince of Wales. Attending a party hosted by Daisy Warwick, Jennie was introduced to George Cornwallis-West, who was just 26 days older than Winston; he was instantly smitten, and they spent much time together. A captain in the Scots Guards, George had two sisters: Constance (known as Shelagh) was the first wife of the 2nd Duke of Westminster; Daisy was married to the Prince of Pless. George and Jennie were married on 28 July 1900 at St Paul's Church, Knightsbridge. Around this time, Jennie became well-known for chartering the hospital ship RFA Maine to care for those wounded in the Second Boer War, for which she received the decoration of the Royal Red Cross (RRC) in the South Africa Honours list published on 26 June 1902. In 1908, she wrote her memoirs The Reminiscences of Lady Randolph Churchill. George doted on Jennie, amorously nicknaming her "pussycat". However, they drifted apart. The Churchills were becoming a dedicated-literary family, and George, who was a financial failure in the City, slowly fell out of love with his wife, who was old enough to be his mother. Short of money, Jennie contemplated selling the family home in Hertfordshire to move into the Ritz Hotel in Piccadilly. George was in fragile health when he recuperated at the royal skiing resort of St Moritz. Jennie took to writing plays for the West End, in many of which the star was Mrs. Patrick Campbell. Jennie separated from George in 1912, and they were divorced in April 1914, whereupon, in a bit of irony, Cornwallis-West married Mrs. Campbell. Jennie dropped the surname Cornwallis-West, and resumed, by deed poll, the name Lady Randolph Churchill. Her third marriage, on 1 June 1918, was to Montagu Phippen Porch (1877-1964), a member of the British Civil Service in Nigeria, who was younger than Winston by three years. At the end of World War I, Porch resigned from the colonial service. After Jennie's death, he returned to West Africa, where his business investments had proven successful. CANNOTANSWER

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and they were divorced in April 1914, whereupon, in a bit of irony, Cornwallis-West married Mrs. Campbell.
Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]

Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

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