cindermond/bento huggingface dataset:
Background: That Was the Week That Was, informally TWTWTW or TW3, was a satirical television comedy programme on BBC Television in 1962 and 1963. It was devised, produced and directed by Ned Sherrin and presented by David Frost. An American version by the same name aired on NBC from 1964 to 1965, also featuring Frost. The programme is considered a significant element of the satire boom in the UK in the early 1960s.
Context: Prime Minister Harold Macmillan was initially supportive, chastising the Postmaster General Reginald Bevins for threatening to "do something about it". However, the BBC received many complaints from organisations and establishment figures. Lord Aldington, vice-chairman of the Conservative Party, wrote to the BBC's director-general Hugh Carleton Greene that Frost had a "hatred" of the Prime Minister, which "he finds impossible to control". The programme also attracted complaints from the Boy Scout Association, upset by an item questioning the sexuality of its founder Lord Baden-Powell, and the government of Cyprus, which claimed that a joke about Archbishop Makarios, the country's ruler, was a "gross violation of internationally accepted ethics". Historians have identified TW3 as breaking ground in comedy and broadcasting. Graham McCann said it challenged the "convention that television should not acknowledge that it is television; the show made no attempt to hide its cameras, allowed the microphone boom to intrude and often revealed other nuts and bolts of studio technology." In the 1960s, this was unusual and gave the programme an exciting, modern feel. TW3 also flouted conventions by adopting "a relaxed attitude to its running time: loosely structured and open-ended, it seemed to last just as long as it wanted and needed to last, even if that meant going beyond the advertised time for the ending [...] the real controversy of course, was caused by the content." Its subject matter has also been praised. McCann says: "TW3...did its research, thought its arguments through and seemed unafraid of anything or anyone.... Every hypocrisy was highlighted and each contradiction was held up for sardonic inspection. No target was deemed out of bounds: royalty was reviewed by republicans; rival religions were subjected to no-nonsense 'consumer reports'; pompous priests were symbolically defrocked; corrupt businessmen, closet bigots and chronic plagiarists were exposed; and topical ideologies were treated to swingeing critiques." CANNOTANSWER
Question: why did boy scouts have an issue?. Whats the answer?

upset by an item questioning the sexuality of its founder Lord Baden-Powell,
Rebel Melanie Elizabeth Wilson (born 2 March 1980) is an Australian actress, writer, and producer. After graduating from the Australian Theatre for Young People in 2003, she began appearing as Toula on the Special Broadcasting Service (SBS) comedy series Pizza and the sketch comedy series The Wedge. In 2008, Wilson wrote, produced and starred in the musical comedy series Bogan Pride. The following year, she won the Tropfest best actress award for her role in Bargain and made a guest appearance in City Homicide.

Wilson studied at the Australian Theatre for Young People (ATYP). In 2003 she moved to New York after winning the ATYP International scholarship, which was funded by Nicole Kidman. While she was in New York, Wilson trained with The Second City. She appeared with the Sydney Theatre Company and performed at the Melbourne International Comedy Festival. She first came to the public's attention in 2002 with her stage musical The Westie Monologues, which she wrote, starred in and produced in Sydney. Her follow-up stage productions, which she wrote, produced and starred in include Spunks and Confessions of an Exchange Student. In Australia, Wilson is most known for her roles as Toula on the SBS comedy series Pizza and as various characters including Lucy, Fat Mandi and Karla Bangs on the sketch comedy series The Wedge. She played an Australian Idol mad schoolgirl in a series of Telstra advertisements shown during Australian Idol from 2004 to 2005. She also had roles in the feature films Fat Pizza and Ghost Rider. In 2008, Wilson created, wrote, produced and starred in the musical comedy series Bogan Pride on SBS One and also starred in the improvisational Nine Network series Monster House. In 2009 Wilson won the Tropfest Best Actress award for her role in the film Bargain. She has made appearances on the improvisational comedy show Thank God You're Here and the comedy game show Talkin' 'Bout Your Generation. She performed stand-up on the television special The Breast Darn Show In Town and guest starred in the Seven Network drama City Homicide and performed improv at the Upright Citizens Brigade in Los Angeles. CANNOTANSWERAnswer this question using a quote from the following article:

What did she do first early in her career?

Wilson studied at the Australian Theatre for Young People (ATYP).
Jennie Jerome was born in the Cobble Hill section of Brooklyn in 1854, the second of four daughters (one died in childhood) of financier, sportsman, and speculator Leonard Jerome and his wife Clarissa (always called Clara), daughter of Ambrose Hall, a landowner. She was raised in Brooklyn, Paris, and New York City. She had two surviving sisters, Clarita (1851-1935) and Leonie (born 1859). Another sister, Camille (1855-1863) died when Jennie was nine.

Lord Randolph died in 1895, aged 45. His death freed Jennie to move effortlessly in spite of her impecuniosity; she mixed in the highest London society circles, and was much-admired by the Prince of Wales. Attending a party hosted by Daisy Warwick, Jennie was introduced to George Cornwallis-West, who was just 26 days older than Winston; he was instantly smitten, and they spent much time together. A captain in the Scots Guards, George had two sisters: Constance (known as Shelagh) was the first wife of the 2nd Duke of Westminster; Daisy was married to the Prince of Pless. George and Jennie were married on 28 July 1900 at St Paul's Church, Knightsbridge. Around this time, Jennie became well-known for chartering the hospital ship RFA Maine to care for those wounded in the Second Boer War, for which she received the decoration of the Royal Red Cross (RRC) in the South Africa Honours list published on 26 June 1902. In 1908, she wrote her memoirs The Reminiscences of Lady Randolph Churchill. George doted on Jennie, amorously nicknaming her "pussycat". However, they drifted apart. The Churchills were becoming a dedicated-literary family, and George, who was a financial failure in the City, slowly fell out of love with his wife, who was old enough to be his mother. Short of money, Jennie contemplated selling the family home in Hertfordshire to move into the Ritz Hotel in Piccadilly. George was in fragile health when he recuperated at the royal skiing resort of St Moritz. Jennie took to writing plays for the West End, in many of which the star was Mrs. Patrick Campbell. Jennie separated from George in 1912, and they were divorced in April 1914, whereupon, in a bit of irony, Cornwallis-West married Mrs. Campbell. Jennie dropped the surname Cornwallis-West, and resumed, by deed poll, the name Lady Randolph Churchill. Her third marriage, on 1 June 1918, was to Montagu Phippen Porch (1877-1964), a member of the British Civil Service in Nigeria, who was younger than Winston by three years. At the end of World War I, Porch resigned from the colonial service. After Jennie's death, he returned to West Africa, where his business investments had proven successful. CANNOTANSWERAnswer this question using a quote from the following article:

When did she get married for the third time?

on 1 June 1918,
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Patricia Campbell Hearst (born February 20, 1954), granddaughter of American publishing magnate William Randolph Hearst, became internationally known for events following her 1974 kidnapping and physical violation by a domestic American terrorist group known as the Symbionese Liberation Army. Hearst was found nineteen months after being abducted, by which time she was a fugitive wanted for serious crimes. She was held in custody, despite speculation that her family's resources would prevent her from spending time in jail. At her trial, the prosecution suggested that she had joined the Symbionese Liberation Army of her own volition.

The SLA was formed through contacts made by a study group, coordinated by a University of California, Berkeley professor. Its purpose was the tutelage of black inmates, and over time the ethos became increasingly radicalized. Eventually, black convicts came to be viewed as heroic political prisoners, victimized by a racist American society. On March 5, 1973, Donald DeFreeze escaped from prison. Radical penal activists and future SLA members Russell Little and William Wolfe took DeFreeze to Patricia Soltysik's house. The SLA was led by DeFreeze, who, after a prison acquaintance named Wheeler left, was the only African American in the group. By the time the group became active, most of the members of the tiny group were women, some of whom have, like Soltysik and her roommate Nancy Ling Perry, been described as in lesbian relationships. The members included William and Emily Harris and Angela Atwood. DeFreeze was suspected by many of being a government provocateur, but his race and prison time gave him unquestioned authority in the SLA. He also had sexual dominion over women in the group. They acquired resources by robbing homes in the Bay Area. The first proposed operation, assassinating the head of the state penitentiaries, was cancelled because of possible repercussions for inmates; instead, Marcus Foster, a black educator regarded by the SLA as a fascist who had brought police onto school campuses, was targeted and killed. DeFreeze's estimation of the military strength of the then dozen-strong SLA group was hyperbolic, and he gave himself a concomitantly grandiose title of 'field marshal'. Soltysik is believed to have created much of the SLA ideological material, which stated the organization was opposed to "racism, sexism, agism [sic], fascism, individualism, competitiveness, possessiveness and all other institutions that have made or sustained capitalism". CANNOTANSWER

What happened they took DeFreeze to Patricias' house?

Donald DeFreeze escaped from prison.
Answer by taking a quote from the following article:

Forrest Gump is a 1994 American drama film based on the 1986 novel of the same name by Winston Groom. The film was directed by Robert Zemeckis and stars Tom Hanks, Robin Wright, Gary Sinise, Mykelti Williamson, and Sally Field. The story depicts several decades in the life of its titular character (Hanks), a slow-witted but kind-hearted, good-natured and athletically prodigious man from Alabama. Gump witnesses, and in some cases influences, some of the defining events of the latter half of the 20th century in the United States, specifically the period between his birth in 1944 and 1982.

Ken Ralston and his team at Industrial Light & Magic were responsible for the film's visual effects. Using CGI techniques, it was possible to depict Gump meeting deceased personages and shaking their hands. Hanks was first shot against a blue screen along with reference markers so that he could line up with the archive footage. To record the voices of the historical figures, voice actors were filmed and special effects were used to alter lip-syncing for the new dialogue. Archival footage was used and with the help of such techniques as chroma key, image warping, morphing, and rotoscoping, Hanks was integrated into it. In one Vietnam War scene, Gump carries Bubba away from an incoming napalm attack. To create the effect, stunt actors were initially used for compositing purposes. Then, Hanks and Williamson were filmed, with Williamson supported by a cable wire as Hanks ran with him. The explosion was then filmed, and the actors were digitally added to appear just in front of the explosions. The jet fighters and napalm canisters were also added by CGI. The CGI removal of actor Gary Sinise's legs, after his character had them amputated, was achieved by wrapping his legs with a blue fabric, which later facilitated the work of the "roto-paint" team to paint out his legs from every single frame. At one point, while hoisting himself into his wheelchair, his legs are used for support. The scene where Forrest spots Jenny at a peace rally at the Lincoln Memorial and Reflecting Pool in Washington, D.C., required visual effects to create the large crowd of people. Over two days of filming, approximately 1,500 extras were used. At each successive take, the extras were rearranged and moved into a different quadrant away from the camera. With the help of computers, the extras were multiplied to create a crowd of several hundred thousand people. CANNOTANSWER

Is there anything else interesting about the visual effects that were used?

The CGI removal of actor Gary Sinise's legs, after his character had them amputated, was achieved by wrapping his legs with a blue fabric,
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Born in Kansas City, Missouri, to novelist Ernest Hemingway and his second wife, Pauline Pfeiffer, he was in childhood called Gigi or Gig and was, according to a close observer, "a tremendous athlete" and a "crack shot." As an adult, he preferred the name Greg. Hemingway attended the Canterbury School, a Catholic prep school in Connecticut, graduating in 1949. He dropped out of St. John's College, Annapolis, after one year and worked for a time as an aircraft mechanic before moving to California in 1951.

In the course of his first four marriages, Gregory Hemingway had eight children: Patrick, Edward, Sean, Brendan, Vanessa, Maria, John, and Lorian. One of his marriages, to Valerie Danby-Smith, Ernest Hemingway's secretary, lasted almost 20 years. Gregory's fourth marriage, to Ida Mae Galliher, ended in divorce in 1995 after three years, though they continued to live together and remarried in 1997. In 1972, Maia Rodman, Hemingway's childhood tennis coach and a family friend who had fallen in love with him, dedicated her book The Life and Death of a Brave Bull to Gregory. He practiced medicine in the 1970s and 1980s, first in New York and then as a rural family doctor in Montana, first in Fort Benton and later as the medical officer for Garfield County, based in Jordan, Montana. Interviewed there, he said: "When I smell the sagebrush or see the mountains, or a vast clean stream, I love those things. Some of my happiest memories of childhood were associated with the West." In 1988, authorities in Montana declined to renew Hemingway's medical license because of his alcoholism. Hemingway battled bipolar disorder, alcoholism, and drug abuse for many years. Hemingway and his brothers tried to protect their father's name and their inheritance by taking legal action to stop the popular local celebrations called "Hemingway Days" in Key West, Florida. In 1999, they collaborated in creating a business venture, Hemingway Ltd., to market the family name as "an up-scale lifestyle accessory brand". Their first venture created controversy by putting the Hemingway name on a line of shotguns. CANNOTANSWER

Why did they divorce?

CANNOTANSWER
Malcolm John Rebennack (born November 21, 1940), better known by his stage name Dr. John, is an American singer, songwriter, actor, pianist and guitarist, whose music combines blues, pop, jazz, boogie woogie and rock and roll. Active as a session musician since the late 1950s, he gained a cult following in the late 1960s following the release of his album Gris-Gris and his appearance at the Bath Festival of Blues and Progressive Music. He performed a wildly theatrical stage show inspired by medicine shows, Mardi Gras costumes and voodoo ceremonies. Rebennack has recorded more than 20 albums and in 1973 scored a top-10 hit with "Right Place, Wrong Time".

Rebennack was always fascinated with New Orleans voodoo, and in Los Angeles he developed the idea of the Dr. John persona for his old friend Ronnie Barron. He recalls reading about the original Doctor John in his youth, a purported Senegalese prince who came to New Orleans from Haiti, a medicinal and spiritual healer. The Doctor was a free man of color who lived on Bayou Road and claimed to have 15 wives and over 50 children. He maintained a fascination with reptiles and kept an assortment of snakes and lizards, along with embalmed scorpions and animal and human skulls. His specialization was healing, and as such, in selling gris-gris, voodoo amulets that protected the wearer from harm. "Well, there was a guy the name of Dr. John, a hoodoo guy in New Orleans. He was competition to Marie Laveau. He was like her opposite. I actually got a clipping ... about how my great-great-great-grandpa Wayne was busted with this guy for runnin' a voodoo operation in a whorehouse in 1860. I decided I would produce the record with this as a concept." Rebennack imagined that this character could front an interesting stage show, while serving as an emblem of New Orleans heritage. Although initially the plan was for Barron to front the act assuming the identity of "Dr. John", while Rebbenack worked behind the scenes as Dr. John's writer/musician/arranger/producer, this didn't come to pass. Barron dropped out of the project, and Rebennack somewhat apprehensively took over the role (and identity) of Dr. John. Gris-Gris became the name of Dr. John's debut album, representing his own form of "voodoo medicine". CANNOTANSWER

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Did he collaborate with any other bands ?
His mother, Emma Berdis Jones, left his biological father because of his drug abuse. She moved to Harlem, New York, where Baldwin was born in Harlem Hospital. In New York, his mother married a preacher, David Baldwin, with whom she had eight children, born between 1927 and 1943; her husband also had one son from a previous marriage who was nine years older than James. The family was poor and Baldwin's stepfather was harder on him than on the rest of the children.

Growing up in Harlem, Baldwin faced many obstacles, one of which was his education. "I knew I was black, of course, but I also knew I was smart. I didn't know how I would use my mind, or even if I could, but that was the only thing I had to use," he said. Baldwin attended P.S. 24 on 128th Street, between Fifth and Madison Avenues in Harlem, where he wrote the school song which was used until the school closed. As recounted in "Notes of a Native Son," when he was nine and a half years old, Baldwin wrote a play that was directed by a teacher at his school. Seeing his talent and potential, she offered to take him to "real" plays. This caused some backlash from Baldwin's stepfather because the teacher was white. His uncertainty was ultimately overruled by Baldwin's mother who said that "it would not be very nice to let such a kind woman make the trip for nothing." When his teacher came to pick him up, Baldwin noticed that his stepfather was filled with disgust. Baldwin later realized that this encounter was an "unprecedented and frightening" situation for his parents: "It was clear, during the brief interview in our living room, that my father was agreeing very much against his will and that he would have refused permission if he had dared. The fact that he did not dare caused me to despise him: I had no way of knowing that he was facing in that living room a wholly unprecedented and frightening situation." His middle school years were spent at Frederick Douglass Junior High where he was influenced by poet Countee Cullen, a leading figure in the Harlem Renaissance, and was encouraged by his math teacher to serve as editor of the school newspaper, The Douglass Pilot. (Directly preceding him at Frederick Douglass were Brock Peters, the future actor, and Bud Powell, the future jazz pianist.) Also in "Notes of a Native Son," Baldwin gives advice to little James to "Take no one's word for anything, including mine--but trust your experience." He then went on to DeWitt Clinton High School in the Bronx's Bedford Park section. There, along with Richard Avedon, Baldwin worked on the school magazine as literary editor but disliked school because of the constant racial slurs. CANNOTANSWER

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Did he teach?
Spandau Ballet  are an English band formed in Islington, London in 1979. The band were inspired by, and an integral part of, the electro movement. They became one of the most successful groups to emerge during the New Romantic era. The band's classic line-up features brothers Gary Kemp and Martin Kemp on guitars, vocalist Tony Hadley, saxophonist Steve Norman, and drummer John Keeble.

The band released their third album, True, in March 1983. Produced by Tony Swain and Steve Jolley, the album featured a slicker pop sound. It was at this point that Steve Norman began playing saxophone for the band. Preceded by the title track which reached number one in various countries, the album also reached number one in the UK. Their next single, "Gold", reached number 2. The follow-up album, Parade, was released in June 1984, and its singles were again big successes in the charts in Europe, Oceania and Canada. The album's opening song, "Only When You Leave", became the band's last American hit. At the end of 1984, the band performed on the Band Aid charity single and in 1985 performed at Wembley Stadium as part of Live Aid. During this same year, Spandau Ballet achieved platinum status with the compilation The Singles Collection, which kept the focus on the band between studio albums and celebrated its five years of success. However, the album was released by Chrysalis Records without the band's approval and the band instigated legal action against the label. In 1986, Spandau Ballet signed to CBS Records and released the album Through the Barricades, in which the band moved away from the pop and soul influences of True and Parade and more toward rock. Though the first single, "Fight for Ourselves" peaked at 15 in the UK, the title track and the album both reached the Top 10 in the UK and Europe. After a hiatus from recording, the band released their next album, Heart Like a Sky, in September 1989. The album and its singles were unsuccessful in the UK, and the album itself was not released in the United States. It did, however, do well in Italy (where its singles "Raw" and "Be Free with Your Love" reached the Top 10) and also in Belgium, Germany and the Netherlands. CANNOTANSWER

Answer the following question by taking a quote from the article: Did they release another album after that?

After a hiatus from recording, the band released their next album, Heart Like a Sky,
Roberto Mangabeira Unger (; born 24 March 1947) is a philosopher and politician. He has developed his views and positions across many fields, including social, political, and economic theory. In legal theory, he is best known by his work in the 1970s and 80s while at Harvard Law School as part of the Critical Legal Studies movement, which is held to have helped disrupt the methodological consensus in American law schools. His political activity helped the transition to democracy in Brazil in the aftermath of the military regime, and culminated with his appointment as Brazil's Minister of Strategic Affairs in 2007 and again in 2015.

Key in Unger's thinking is the need to re-imagine social institutions before attempting to revise them. This calls for a program, or programmatic thought. In building this program, however, we must not entertain complete revolutionary overhaul, lest we be plagued by three false assumptions: Typological Fallacy: the fallacy that there is closed list of institutional alternatives in history, such as "feudalism" or "capitalism". There is not a natural form of society, only the specific result of the piecemeal institutional changes, political movements, and cultural reforms (as well as the accidents and coincidences of history) that came before it. Indivisibility Fallacy: most subscribers to revolutionary Leftism wrongly believe that institutional structures must stand and fall together. However, structures can be reformed piecemeal. Determinism Fallacy: the fallacy that uncontrollable and little understood law-like forces drive the historical succession of institutional systems. However, there is no natural flow of history. We make ourselves and our world, and can do so in any way we choose. To think about social transformation programmatically, one must first mark the direction one wants society to move in, and then identify the first steps with which we can move in that direction. In this way we can formulate proposals at points along the trajectory, be they relatively close to how things are now or relatively far away. This provides a third way between revolution and reform. It is revolutionary reform, where one has a revolutionary vision, but acts on that vision in a sequence of piecemeal reforms. As Unger puts it, transformative politics is "not about blueprints; it is about pathways. It is not architecture; it is music". CANNOTANSWER

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What is the third one?
Joseph Frank "Buster" Keaton (October 4, 1895 - February 1, 1966) was an American actor, comedian, film director, producer, screenwriter, and stunt performer. He was best known for his silent films, in which his trademark was physical comedy with a consistently stoic, deadpan expression, earning him the nickname "The Great Stone Face". Critic Roger Ebert wrote of Keaton's "extraordinary period from 1920 to 1929, [when] he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies". His career declined afterward with a dispiriting loss of his artistic independence when he was hired by Metro-Goldwyn-Mayer and he descended into alcoholism, ruining his family life.

Film critic David Thomson later described Keaton's style of comedy: "Buster plainly is a man inclined towards a belief in nothing but mathematics and absurdity ... like a number that has always been searching for the right equation. Look at his face--as beautiful but as inhuman as a butterfly--and you see that utter failure to identify sentiment." Gilberto Perez commented on "Keaton's genius as an actor to keep a face so nearly deadpan and yet render it, by subtle inflections, so vividly expressive of inner life. His large, deep eyes are the most eloquent feature; with merely a stare, he can convey a wide range of emotions, from longing to mistrust, from puzzlement to sorrow." Critic Anthony Lane also noted Keaton's body language: The traditional Buster stance requires that he remain upstanding, full of backbone, looking ahead... [in The General] he clambers onto the roof of his locomotive and leans gently forward to scan the terrain, with the breeze in his hair and adventure zipping toward him around the next bend. It is the angle that you remember: the figure perfectly straight but tilted forward, like the Spirit of Ecstasy on the hood of a Rolls-Royce... [in The Three Ages], he drives a low-grade automobile over a bump in the road, and the car just crumbles beneath him. Rerun it on video, and you can see Buster riding the collapse like a surfer, hanging onto the steering wheel, coming beautifully to rest as the wave of wreckage breaks." Film historian Jeffrey Vance wrote: Buster Keaton's comedy endures not just because he had a face that belongs on Mount Rushmore, at once hauntingly immovable and classically American, but because that face was attached to one of the most gifted actors and directors who ever graced the screen. Evolved from the knockabout upbringing of the vaudeville stage, Keaton's comedy is a whirlwind of hilarious, technically precise, adroitly executed, and surprising gags, very often set against a backdrop of visually stunning set pieces and locations--all this masked behind his unflinching, stoic veneer." Keaton has inspired full academic study. CANNOTANSWER

Using a quote from the above article, answer the following question: what else is noteworthy of this section?

Film historian Jeffrey Vance wrote: Buster Keaton's comedy endures
Rundgren was born in Philadelphia, Pennsylvania, the son of Ruth (nee Fleck; April 29, 1922 - April 6, 2016) and Harry W. Rundgren (1917-1996). He grew up in Upper Darby. His father was of half Swedish and half Austrian descent, and his mother was mostly of German descent. Todd was a 1966 graduate of Upper Darby High School.

Although he had originally intended to concentrate on production rather than his own music, in 1970 Todd formed the 'band' Runt, consisting of himself, teenagers Hunt Sales on drums, and his brother Tony Sales on bass (the Sales brothers, sons of US comedian Soupy Sales, were in a short lived band called Tony and the Tigers and went on to play with Iggy Pop, David Bowie, and Tin Machine). Rundgren himself wrote, produced, sang and played guitars, keyboards and other instruments. Whether Runt is best described as a band or simply as a pseudonym for Rundgren as a solo artist is unclear--for the album Runt (1970) the group appeared to be a bona fide trio, but on their second album Runt: The Ballad of Todd Rundgren (1971), Hunt Sales plays only on two tracks and is replaced by N. D. Smart on the rest of the album. Furthermore, only Rundgren is pictured on the covers of both albums, and both albums have been subsequently reissued with the same titles and cover art, but bearing the artist credit "Todd Rundgren". Whether a solo project or a band, Runt had a No. 20 hit in the United States with "We Gotta Get You a Woman" in 1970, and two other Runt songs placed in the lower reaches of the Hot 100. By this time, Rundgren had effectively moved his base to Los Angeles. As he prepared for his second solo album, he was introduced to aspiring L.A. band Halfnelson, led by brothers Ron Mael and Russell Mael and guitarist Earle Mankey. After attending an elaborate, self-staged 'showcase' performance by the group at their L.A. rehearsal space, Rundgren became intrigued by their music and agreed to produce their debut album, originally released as Halfnelson and later retitled Sparks. The brothers later credited Rundgren as being instrumental in launching their career and in 2010 Russell Mael commented that when reviewing the album in 2008 they were still "... really happy with the way it sounded. There's nothing there that really sounds 'of an era' because it didn't exactly sound 'of an era' at the time." By 1972, the Runt persona/band identity had been abandoned, and Rundgren's next project, the ambitious double LP Something/Anything? (1972) was credited simply to Rundgren, who wrote, played, sang, engineered, and produced everything on three of the four sides of the album. Something/Anything? featured the Top 20 U.S. hits "I Saw the Light" (#16; not to be confused with the Hank Williams song of the same name), and a remake of the Nazz near-hit "Hello It's Me", which reached No. 5 in the United States and is Rundgren's biggest hit. The former song featured Rundgren on all vocals and instruments. On his ensuing concert tour, his backing band was the Hello People, whose own album he later produced. CANNOTANSWERAnswer this question using a quote from the following article:

How was the album received by the critics ?

CANNOTANSWER
Background: Michael Alan Weiner (born March 31, 1942), better known by his professional name Michael Savage, is an American radio host, author, activist, nutritionist, and conservative political commentator. He is the host of The Savage Nation, a nationally syndicated talk show that aired on Talk Radio Network across the United States until 2012, and in 2009 was the second most listened-to radio talk show in the country with an audience of over 20 million listeners on 400 stations across the United States. Since October 23, 2012, Michael Savage has been syndicated by Cumulus Media Networks. He holds master's degrees from the University of Hawaii in medical botany and medical anthropology, and a Ph.D. from the University of California, Berkeley in nutritional ethnomedicine.
Context: Michael Savage calls himself an "independent-minded individualist" and says that he "fits no stereotype." He has also cited Barry Goldwater as an influence. Savage criticizes big government as well as liberalism and liberal activism, and accuses the mainstream news media of liberal bias. He considers the three aspects that define a nation as borders, language, and culture; those aspects inspired the motto of the Paul Revere Society. In 2003, Savage said that he voted in 2000 for George W. Bush "quite reluctantly, incidentally." In 2004, Savage and the Revere Society hosted a party at Schroeder's Cafe in San Francisco celebrating the re-election of Bush. Savage donated $5,600 to the campaign of Democratic candidate Jerry Brown in the 2006 California Attorney General election. Regarding candidates for the 2012 Republican primaries, Savage said that Ron Paul had "great ideas" but expressed hope that Rick Perry would be the nominee. On December 12, 2011, he offered Newt Gingrich "1 million dollars" to withdraw from the United States Presidential contest. He stated that only Mitt Romney had a chance to beat Barack Obama, a man he had previously described as a "quasi-pseudo-crypto Marxist" and a possible foreign usurper, in the 2012 election. Savage strongly supported Donald Trump, a regular guest on his talk show, since Trump's June 2015 announcement of his candidacy in the United States 2016 presidential election. Trump has claimed to be a listener and a fan of Savage's show, and an April 2016 Salon article described Savage as having been a major influence on Trump's campaign. Over Christmas of 2017, Michael Savage and his family met several times with President Trump. During a dinner, Savage strongly urged the President to support the cause of wildlife preservation. This followed a series of pleas on his radio show for the President to support legislation that protected wildlife. CANNOTANSWER
Question: What were some of the political topics he was passionate about?. Whats the answer?

Savage criticizes big government as well as liberalism and liberal activism, and accuses the mainstream news media of liberal bias.
On November 17, 2010, Zenyatta was slated to be retired. She arrived at Lane's End Farm in Versailles, Kentucky, on December 6, 2010. On February 23, 2011, she traveled by van to Darley Stud, where she was bred to Bernardini. On March 29, after coming up negative on a 45-day pregnancy checkup, Zenyatta was bred again to Bernardini. She was announced to be in foal 60 days later. Zenyatta later give birth to a dark bay colt, eventually named Cozmic One, on March 8, 2012. Cozmic One had two starts in 2015 and performed poorly at the track. He has since been retired and in 2018 will become an ambassador for the Retired Racehorse Project after training at De Sousa Stables. On May 8, 2012, she was confirmed in foal to Tapit. She delivered a chestnut colt, Ziconic, on April 1, 2013, her 9th birthday. Ziconic began his racing career in 2016, and, like his dam, demonstrates a last-to-first running style. On June 14, 2013, she was confirmed in foal to Claiborne Farm stallion War Front. She delivered a dark bay filly, nicknamed "Z Princess," on Easter, April 20, 2014, at 12:03 am. The filly was euthanized as a weanling on October 28, 2014 at Rood & Riddle Equine Hospital in Lexington, Kentucky, after an accident in the paddock. On May 27, 2015, Zenyata was confirmed to be in foal, again bred to War Front, after receiving a year off from breeding. She gave birth to a dark bay colt with a blaze on April 10, 2016. The colt died two days later due to complications from meconium aspiration syndrome. Zenyatta was bred to Medaglia d'Oro on May 2, 2016, and delivered a bay filly from that issue on May 9, 2017, at 8:50 P.M. CANNOTANSWER

Answer this question "When was retirement?" by extracting the answer from the text above.

On November 17, 2010, Zenyatta was slated to be retired.
Paterno was born December 21, 1926, in Brooklyn, New York, the son of Florence de LaSalle Cafiero, a homemaker, and Angelo Lafayette Paterno, a law clerk. His family was of Italian ancestry. He spoke throughout his life with a marked Brooklyn accent. In 1944, Paterno graduated from Brooklyn Preparatory School.

After the announcement of his appointment as head coach in 1966, Paterno set out to conduct what he called a "Grand Experiment" in melding athletics and academics in the collegiate environment, an idea that he had learned during his years at Brown. As a result, Penn State's players have consistently demonstrated above-average academic success compared to Division I-A schools nationwide. According to the NCAA's 2008 Graduation Rates Report, Penn State's four-year Graduation Success Rate of 78% easily exceeds the 67% Division I average, second to only Northwestern among Big Ten institutions. In 2011, Penn State football players had an 80% graduation rate and showed no achievement gap between its black and white players, which is extremely rare for Division I football teams. The New American Foundation ranked Penn State No. 1 in its 2011 Academic Bowl Championship Series. Paterno was also renowned for his charitable contributions to academics at Penn State. He and his wife Sue have contributed over $4 million towards various departments and colleges, including support for the Penn State All-Sports Museum, which opened in 2002, and the Pasquerilla Spiritual Center, which opened in 2003. After helping raise over $13.5 million in funds for the 1997 expansion of Pattee Library, the university named the expansion Paterno Library in their honor. In 2007, former player Franco Harris and his company R Super Foods honored Paterno for his contributions to Penn State by featuring his story and picture on boxes of Super Donuts and Super Buns in Central PA. A portion of the sales will be donated to an endowment fund for the university library that bears his name. Paterno also attended the annual Penn State Dance Marathon, a popular weekend-long charity event and the largest student-run philanthropy in the world (it raised over $10 million in 2012), every year to raise money for kids with cancer. CANNOTANSWERAnswer this question using a quote from the following article:

What did Joe do for the Spiritual Center?

He and his wife Sue have contributed over $4 million towards various departments and colleges,
Joey Yung (Chinese: Rong Zu Er ; Jyutping: Jung4 Zo2 Ji4; born 16 June 1980) is a Hong Kong singer and actress signed to Emperor Entertainment Group.

At the end of 2006, Yung released the Cantonese album Close Up to commercial success, selling out at stores over Hong Kong as well as online CD stores. A second version of the album was released on 26 January 2007, containing a bonus DVD with music videos for the songs "Splendid Encounter (Hua Li Xie Hou )" and "Elated Heart (Xin Hua Nu Fang )". Around the same time, Yung held a concert organised by Neway with appearances from other artists such as Anthony Wong, at17, Hins Cheung, Yumiko Cheng, Vincent Wong, and Sun Boy'z. In 2007, she became Hong Kong's ambassador of the World Vision 30 Hour Famine campaign and visited Kenya in March. On 5 July, she released her fifth Mandarin album, Insignificant Me, with the title track produced by Jay Chou. Unfortunately, it was one of her worst selling Mandarin album. On 7 July, she performed at the Live Earth concert in Shanghai. On 7 November, she released another album, Glow. In early 2008, Yung released her fourth compilation album Love Joey 4, and held her fifth concert titled StarLight Live over ten days at the Hong Kong Coliseum. During the concert she performed "The Power Medley", a 20-minute intense dance medley of her fast-tempo tracks. The concert's success led to a four-night extension. In February, Yung travelled to New York City with the hope of improving her dancing skills. That year she sang a number of official songs for the 2008 Beijing Olympics and began a world tour shortly afterwards with shows in Malaysia, Canada, the United States, Mainland China, Singapore, and Macau. The year 2009 marked the tenth anniversary of Yung's career with EEG. To celebrate the occasion, two albums (A Time For Us and Very Busy) and a documentary were released and a mini-concert (Perfect Ten Live at the Hong Kong Cultural Centre's Grand Theatre, where Yung won her first major singing contest in 1995) was held on 4 October, with tickets for the two shows selling out within seven minutes. The "Perfect Ten Live Boxset" was released in two versions in December: the normal version included two concert DVDs, the Perfect 10 documentary, and a photo album; while deluxe version contained two more CDs from Perfect Ten Live and more photos. Towards the end of the year, Yung performed at the concert Music Is Live with Mobile Chan, and won the Media Award for the third time (having previously won the award in 2003 and 2004). CANNOTANSWER

Was it a hit in the market?

To celebrate the occasion, two albums (A Time For Us and Very Busy) and a documentary were released and a mini-concert
Henryk Mikolaj Gorecki (Polish: ['xenrik mji'kowaj gu'retski]; English pronunciation Go-RET-ski; December 6, 1933 - November 12, 2010) was a Polish composer of contemporary classical music. According to critic Alex Ross, no recent classical composer has had as much commercial success as Gorecki. Gorecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw.

Henryk Gorecki was born on December 6, 1933, in the village of Czernica, in present-day Silesian Voivodeship, southwest Poland. The Gorecki family lived modestly, though both parents had a love of music. His father Roman (1904-1991) worked at the goods office of a local railway station, but was an amateur musician, while his mother Otylia (1909-1935), played piano. Otylia died when her son was just two years old, and many of his early works were dedicated to her memory. Henryk developed an interest in music from an early age, though he was discouraged by both his father and new stepmother to the extent that he was not allowed to play his mother's old piano. However, he persisted, and in 1943 was allowed to take violin lessons with Pawel Hajduga; a local amateur musician, instrument maker, sculptor, painter, poet and chlopski filozof (peasant philosopher). In 1937, Gorecki fell while playing in a neighbor's yard and dislocated his hip. The resulting suppurative inflammation was misdiagnosed by a local doctor, and delay in proper treatment led to tubercular complications in the bone. The illness went largely untreated for two years, by which time permanent damage had been sustained. He spent the following twenty months in a hospital in Germany, where he underwent four operations. Gorecki continued to suffer ill health throughout his life and, as a result, said he had "talked with death often". In early 1950s he studied in the Szafrankowie Brothers State School of Music in Rybnik. Later studied at the State Higher School of Music in Katowice between 1955 and 1960. He joined the faculty of his alma mater in Katowice in 1965, where he was made a lecturer in 1968, and then rose to provost before resigning in 1979. CANNOTANSWER

Answer the following question by taking a quote from the article: How did he get started with music?

both parents had a love of music.
One Ok Rock, stylized as ONE OK ROCK, is a Japanese rock band, formed in Tokyo, Japan in 2005. The band currently consists of Takahiro Moriuchi (vocalist), Toru Yamashita (guitarist, bandleader), Ryota Kohama (bassist), and Tomoya Kanki (drummer). They have been playing many different styles of music, with songs ranging from alternative rock to emo to post-hardcore to pop rock. The band's name comes from "one o'clock", the time that the band used to practice their music on weekends.

Their debut single, "Naihishinsho", reached number 48 on the Oricon Charts and sold 15,000 copies. Their second single, Yume Yume, followed that success and charted at number 43. After those singles, they released their debut album Zeitakubyo in 2007 and had their first tour, the Tokyo-Osaka-Nagoya Quattro Tour. They released their second album Beam of Light in May 2008. In an interview with Rockin'On Japan magazine in June 2012, ONE OK ROCK said they didn't count this album as an album, but rather as a part of growing up as a band. When they made the album, they hadn't been in the right mood, but felt that they had to make it to grow as a band. The band came up with many sound sources and ended up making a punk album. The album's confused origins were the reason why they wouldn't play any songs from Beam of Light in live performances until now. Shortly after releasing Beam of Light, they performed a gig at Shibuya AX. They had planned to release two albums in that one year, so they released Kanjo Effect in November 2008. At this point, the band had gained more experience and were able to do some more serious recording. They settled into the western sound they loved and followed by replacing all their engineers and introducing their music to new producers. This led to some division within the band - Taka and Alex in particular disagreed about how to make this album. On April 5, 2009, Alex was arrested for groping the leg of a twenty-one-year-old female student on a train. He admitted to the charges and the case was settled out of court. The band reached their weakest point at this time. Ryota intended to leave bass and take up guitar. They felt it was impossible for them to add a new member. The band's next single "Around the World Shounen", which was planned for a May 6 release and to be used as the theme song for the TV drama God Hand Teru, and their nationwide tour were both cancelled. In May 2009, it was announced that One Ok Rock would continue on without Alex, who went back to the United States. Toru took his place as lead guitar, and the band re-arranged their songs to be played for one guitar. CANNOTANSWERAnswer this question using a quote from the following article:

how did that album do?

CANNOTANSWER
Joseph Vincent McCarthy (April 21, 1887 - January 13, 1978) was a manager in Major League Baseball, most renowned for his leadership of the "Bronx Bombers" teams of the New York Yankees from 1931 to 1946. The first manager to win pennants with both National and American League teams, he won nine league titles overall and seven World Series championships - a record tied only by Casey Stengel. McCarthy was elected to the Baseball Hall of Fame in 1957. McCarthy's career winning percentages in both the regular season (.615) and postseason (.698, all in the World Series) are the highest in major league history.

Despite his teams' great performance, McCarthy was not without his detractors, who believed he was simply fortunate enough to be provided with great talent and was not a strong game tactician. During his peak period from 1936 to 1943, when the Yankees won seven pennants in eight seasons, White Sox manager Jimmy Dykes described McCarthy as a "push-button" manager. Yet McCarthy was an outstanding teacher and developer of talent, and was particularly adept at handling temperamental players such as Babe Ruth, who had hoped to become New York's manager and resented a team "outsider" being hired. Ruth and McCarthy's relationship was lukewarm at best, and chilled considerably in 1934 when Ruth began openly campaigning to become manager. Partly due to this, Ruth was traded to the lowly Boston Braves after the season. While managing, McCarthy utilized a low-key approach, never going to the mound to remove a pitcher or arguing with an umpire except on a point of the rules, preferring to stay at his seat in the center of the dugout. He also declined to wear a numbered uniform with the Yankees and Red Sox. In order to draw attention to his presumed masterful leadership of the Yankees, McCarthy was given the nickname of "Marse Joe" by sportswriters. "Marse" is a Southern English rendition of the word "master". McCarthy's success throughout his career was such that in 32 years of managing, his 1922 Louisville club was the only team which finished either with a losing record or below fourth place. McCarthy was named Major League Manager of the Year by The Sporting News in 1936 - the first year the award was given - and again in 1938 and 1943. CANNOTANSWERAnswer this question using a quote from the following article:

was he respected as a coach?

Babe Ruth, who had hoped to become New York's manager and resented a team "outsider" being hired.