cindermond/bento huggingface dataset:
Sanctus Real is an American Christian rock band formed in Toledo, Ohio, in 1996. The group is composed of Chris Rohman (lead guitar), Mark Graalman (drums), and Dustin Lolli (lead vocals). The band is best known for their number one singles "Lead Me", "Forgiven", "Whatever You're Doing", "I'm Not Alright", "Don't Give Up", "We Need Each Other", "

In 1996, lead singer and guitarist Matt Hammitt met guitarist Chris Rohman when they were both tenth graders attending Toledo Christian School in Ohio. They led youth worship at their school and church, and began writing their own music that year. Drummer Mark Graalman and bassist Matt Kollar soon joined, forming the band's original line-up. The group performed their first concert for several friends in the back of a warehouse in December 1996. They released a six-track demo tape in August 1997, and a five-track EP titled All This Talk of Aliens in January 1998. Sanctus Real's full-length studio album Message for the Masses was released on June 18, 1999, and shortly afterward, bassist Matt Kollar was replaced by Steve Goodrum. Following Message for the Masses, which was recorded in a garage, the band made plans to record tracks at a major studio. To earn money for the endeavor, Hammitt and Goodrum took telemarketing jobs for a few months, which were difficult and described by Hammitt as "the most dreadful [jobs] ever". They recorded three songs with producer Skidd Mills in Memphis, Tennessee, and after winning a local radio contest, decided to record an entire independent album with Mills. It was completed in 2000 under the title Nothing to Lose, and the band attended 2001's Gospel Music Week in Nashville to distribute copies of the project. From 1996 to 2001, Sanctus Real toured areas of the United States, and also sent demos to several Christian and mainstream record labels. After they received multiple recording contract offers in 2001, the band decided to sign with Sparrow Records. Matt Hammitt said, "At that point, we really had to do some soul searching and figure out where it was we were supposed to be ... Ultimately, we knew we could relate to kids in the church. We are passionate about our faith ... [and] from our personal experience, we felt this was the place we were supposed to be." CANNOTANSWER

Answer the following question by taking a quote from the article: Were their songs successful?

Sanctus Real's full-length studio album Message for the Masses was released
Mohammed Hussein redirects here; for the Muslim cleric, see Muhammad Ahmad Hussein. Babrak Karmal (Dari/Pashto: bbrkh khrml, born Sultan Hussein; 6 January 1929 - 1 or 3 December 1996) was an Afghan politician who was installed as president of Afghanistan by the Soviet Union when they invaded in 1979. Karmal was born in Kamari and educated at Kabul University.

In March 1979, the military budget was 6.4 million US$, which was 8.3 percent of the government budget, but only 2.2 of gross national product. After the Soviet intervention, the defence budget increased to 208 million US$ in 1980, and 325 million US$ by 1981. In 1982 it was reported that the government spent around 22 percent of total expenditure. When the political solution failed (see "PDPA base" section), the Afghan government and the Soviet military decided to solve the conflict militarily. The change from a political to a military solution did not come suddenly. It began in January 1981, as Karmal doubled wages for military personnel, issued several promotions, and decorated one general and thirteen colonels. The draft age was lowered, the obligatory length of arms duty was extended and the age for reservists was increased to thirty-five years of age. In June 1981, Assadullah Sarwari lost his seat in the PDPA Politburo, replaced by Mohammad Aslam Watanjar, a former tank commander and Minister of Communications, Major General Mohammad Rafi was madeMinister of Defence and Mohammad Najibullah appointed KHAD Chairman. These measures were introduced due to the collapse of the army during the Soviet intervention. Before the invasion the army could field 100,000 troops, after the invasion only 25,000. Desertions were pandemic, and the recruitment campaigns for young people often drove them to the opposition. To better organize the military, seven military zones were established, each with its own Defence Council. The Defence Councils were established at the national, provincial and district level to empower the local PDPA. It is estimated that the Afghan government spent as much as 40 percent of government revenue on defense. CANNOTANSWERAnswer this question using a quote from the following article:

Was any controversy involved?

In 1982 it was reported that the government spent around 22 percent of total expenditure.
Bure was born in Moscow in 1971 to Vladimir and Tatiana Bure. At age 12, his parents separated, and he remained with his mother. Vladimir Bure, a Russian swimming legend, had dreams of Pavel becoming a professional swimmer, but he aspired to play hockey at an early age. He attended his first tryout with the CSKA Moscow hockey school at the age of six, despite his limited skating ability.

Prior to joining the NHL in 1991, Bure competed for the Soviet Union in several junior, international tournaments. The first was the 1988 Quebec Esso Cup, an under-17 tournament (now known as the World U-17 Hockey Challenge) held in Quebec City, where he earned a gold medal. That same year, he competed in his first of two consecutive European Junior Championships, winning a bronze medal. The following year, Bure debuted at the world under-20 level as a 17-year-old at the 1989 World Junior Championships in Anchorage, Alaska. The top line of CSKA Moscow teammates Bure, Alexander Mogilny and Sergei Fedorov led the Soviet Union to a gold medal. Bure's eight goals tied him for the tournament lead with Jeremy Roenick of the United States; he led the Soviet team with 14 points. He was named to the Tournament All-Star Team, and earned Best Forward honours. He again participated in the 1989 European Junior Championship, helping the Soviet Union win the gold medal. Bure competed in his second World Juniors in 1990, winning a silver medal in Helsinki, Finland, and scoring seven goals in seven games. Later that year, he made his senior debut with the Soviet national team as a 19-year-old at the 1990 World Championships in Switzerland. He scored two goals and four assists in ten games to help the Soviets to a gold medal finish. The Soviet team also won silver in the European Championship, which was decided from games played among the European teams at the tournament. Several months later, in July, Bure took part in his third international tournament of the year at the 1990 Goodwill Games in Seattle. Bure scored four goals and an assist in five games, and the Soviets won the gold medal. In 1991, Bure appeared in his third and final World Junior Championships. Bure finished the tournament as the leading scorer with 12 goals in 7 games and the Soviets won the silver medal. He finished his three-year World Junior career with a tournament-record 27 goals, to go with 39 points, in 21 games. Bure later competed in the 1991 World Championships, his second international appearance of the year. He improved on his previous year's total with 11 points in 11 games, tied for the team lead with Valeri Kamensky, and helped the Soviets to a bronze medal finish. Bure was named to the tournament's Second All-Star Team. The 1991 team marked the last World Championships for the USSR, as the country was dissolved later that year. CANNOTANSWER

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What is Junior?
Bauhaus were an English post-punk band, formed in Northampton, England in 1978. The group consisted of Peter Murphy (vocals, occasional instruments), Daniel Ash (guitar), Kevin Haskins (drums) and David J (bass). The band was originally named Bauhaus 1919 in reference to the first operating year of the German art school Bauhaus, although they shortened the name within a year of formation. One of the first gothic rock groups, Bauhaus were known for their dark image and gloomy sound, although they mixed many genres, including dub, glam rock, psychedelia and funk.

Although the band were short-lived, their music was influential upon many bands and artists that followed. They had a significant impact on gothic and deathrock artists including Christian Death, Type O Negative and Glenn Danzig. The Mission's Wayne Hussey sang with Murphy on stage in 2013. According to Courtney Love: The Real Story, Kurt Cobain was a "closet deathrocker" and his Bauhaus records were "scratched up". Bauhaus inspired many industrial rock groups, like Marilyn Manson, Nine Inch Nails, Nitzer Ebb and Skinny Puppy. The band has been cited as an influence by electronic act Carl Craig, the crust punk band Amebix and the extreme metal band Celtic Frost. Bauhaus were also hailed by several alternative/indie rock groups including Jane's Addiction, Soundgarden, A Neon Rome, AFI, Hole, Interpol, My Chemical Romance, She Wants Revenge, Elliott Smith, the Dresden Dolls, the Flaming Lips and the Horrors. Bauhaus influenced Dead Kennedys frontman Jello Biafra in the writing of that band's 1982 album Plastic Surgery Disasters. Duff McKagan of Guns N' Roses listed the Bauhaus compilation Bauhaus 1979-1983 in his 100 favorite albums list. The group have been namechecked by several other prominent musicians Steve Albini (of Big Black), Al Jourgensen (of Ministry), Fred Durst (of Limp Bizkit), Jonathan Davis (of Korn), Stuart Braithwaite (of Mogwai), and Stephen Malkmus (of Pavement). Blink-182 namedropped Bauhaus on their song "She's Out of Her Mind" on their California album. The Bauhaus song "All We Ever Wanted Was Everything" (from the album The Sky's Gone Out) was covered by several artists and bands, including John Frusciante (former guitarist of Red Hot Chili Peppers), MGMT  and Xiu Xiu (who recorded it in 2006 for their Tu Mi Piaci EP). Billy Corgan of Smashing Pumpkins sang T. Rex's "Telegram Sam" and "All We Ever Wanted Was Everything" live on stage with Bauhaus in 1998. Bauhaus' signature song, "Bela Lugosi's Dead", was covered by several acts, including Massive Attack, Trent Reznor and Chris Cornell (former singer of Soundgarden). CANNOTANSWER

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What other famous band credited Bauhaus with influence on thier style?
David Bruce Vitter (born May 3, 1961) is an American lobbyist, lawyer and politician who served as United States Senator for Louisiana from 2005 to 2017. He was the first Republican elected to the Senate from his state since the Reconstruction Era. Previously, he served in the United States House of Representatives, representing the suburban Louisiana's 1st congressional district. He served as a member of the Louisiana House of Representatives before entering the U.S. House.

In October 2009, the Senate passed Democratic Senator Al Franken's amendment to the 2010 Defense Appropriations bill that would forbid federal contractors from forcing victims of sexual assault, battery and discrimination to submit to binding arbitration (where a third-party typically chosen by the contractor adjudicates) and thereby prohibiting them from going to court. The impetus for the amendment came from the story of Jamie Leigh Jones who alleged that she was drugged and gang-raped by employees of Halliburton/KBR, a federal contractor. The amendment passed 68 to 30 with all opposition coming from Republicans including Vitter (all four female Republicans, six other Republicans and all present Democrats voted for passage). Vitter's 2010 Democratic Senatorial opponent Charlie Melancon criticized Vitter for his vote saying, "David Vitter has refused to explain why he voted to allow taxpayer-funded companies to sweep rape charges under the rug. We can only guess what his reasons were." However, The Washington Post columnist Kathleen Parker argued that the 30 senators were being "unfairly smeared for doing the harder thing, maybe even for the right reasons." Republican senators said they voted against it because it was unenforceable, a position also taken by the Department of Defense (DOD) and the Obama administration. However, the DOD and the White House stated they agreed with the intent of the legislation and suggested it would be better if it was broadened to prohibit the use of arbitration in cases of sexual assault for any business contract, not just federal contractors. Senators explained their vote against the legislation by saying it was a political attack on Halliburton and that the Senate shouldn't regulate contracts. The latter argument is countered with many examples of similar restrictions on contractors such as discrimination, bonuses and health care. Others felt it was unconstitutional and that arbitration is useful in resolving disputes, often faster, privately and cheaper. Later, a Baton Rouge rape survivor confronted Vitter at a town hall meeting saying, "[it] meant everything to me that I was able to put the person who attacked me behind bars ... How can you support a law that tells a rape victim that she does not have the right to defend herself?" Vitter replied, "The language in question did not say that in any way shape or form." CANNOTANSWER

Using a quote from the above article, answer the following question: How did it proceed?

The amendment passed 68 to 30
Ursula Kroeber Le Guin (; October 21, 1929 - January 22, 2018) was an American novelist. She worked mainly in the genres of fantasy and science fiction. She also authored children's books, short stories, poetry, and essays.

Le Guin was influenced by fantasy writers, including J. R. R. Tolkien, by science fiction writers, including Philip K. Dick (who was in her high school class, though they did not know each other), by central figures of Western literature such as Leo Tolstoy, Virgil and the Bronte sisters, by feminist writers such as Virginia Woolf, by children's literature such as Alice in Wonderland, The Wind in the Willows, The Jungle Book, by Norse mythology, and by books from the Eastern tradition such as the Tao Te Ching. When asked about her influences, she replied: Once I learned to read, I read everything. I read all the famous fantasies - Alice in Wonderland, and Wind in the Willows, and Kipling. I adored Kipling's Jungle Book. And then when I got older I found Lord Dunsany. He opened up a whole new world - the world of pure fantasy. And ... Worm Ouroboros. Again, pure fantasy. Very, very fattening. And then my brother and I blundered into science fiction when I was 11 or 12. Early Asimov, things like that. But that didn't have too much effect on me. It wasn't until I came back to science fiction and discovered Sturgeon - but particularly Cordwainer Smith. ... I read the story "Alpha Ralpha Boulevard", and it just made me go, "Wow! This stuff is so beautiful, and so strange, and I want to do something like that." In the mid-1950s, she read J. R. R. Tolkien's The Lord of the Rings, which had an enormous impact on her. But rather than making her want to follow in Tolkien's footsteps, it simply showed her what was possible with the fantasy genre. CANNOTANSWER

Answer the following question by taking a quote from the article: how did Philip influence her?

CANNOTANSWER
Background: Supergirl is a fictional superhero appearing in American comic books published by DC Comics. The character was created by writer Otto Binder and designed by artist Al Plastino. Supergirl first appeared in a story published in Action Comics #252 (May 1959) titled "The Supergirl from Krypton". Kara Zor-El is the biological cousin of Kal-El (Superman).
Context: After the launch of the Superman/Batman comic book series, Executive Editor Dan DiDio had been looking for a way to simplify the Supergirl character from her convoluted post-crisis history; the simplest version of course, was Superman's cousin. Jeph Loeb and editor Eddie Berganza found an opening to reintroduce the character following the conclusion of the first story arc of Superman/Batman. Loeb states: It was the convergence of two trains heading on toward each other. I was working on the Superman monthly when Superman Group Editor Eddie "Extravaganza" Berganza and I were kicking around an Armageddon type story where this giant asteroid from Krypton was making its way toward Earth, and somewhere out past Neptune Superman was beginning to feel it. We figured we could tie it into "The Fall of Luthor" since DC was very kind to let me both put Lex in the White House and figure out how to get him out. Eddie and I started giggling over the possibilities of there being "something" in the asteroid. Or "someone" in the asteroid -- neither of us daring to speak her name, but we both knew who [we] were talking about. The modern version of Kara Zor-El made her debut in Superman/Batman #8 (2004). Kara takes the mantle of Supergirl at the conclusion of the storyline. The Supergirl comic book series would later be relaunched, now starring Kara Zor-El as "The Girl of Steel". The first arc of the new series was written by Jeph Loeb and illustrated by Ian Churchill. Loeb would later describe the appeal of writing for Supergirl: I love that she has all this power and has to learn what it is to be a superhero in the DCU," said Loeb. "It's one thing to try that with Manhunter (which is terrific), but when you have an icon like Supergirl trying to find her way and, at the same time, at a power level that we haven't even begun to explore ... it should make for a bitchin' good time. As the character continued to be reinvented, steps towards regarding the iconic character were some of the most prominent changes. Artist Jamal Igle and editor Matt Idleson moved to transition the character away from red panties under her skirt to biker shorts, feeling such a change was a logical progression and "more respectable." CANNOTANSWER
Question: How was she revived?

Answer:

Executive Editor Dan DiDio had been looking for a way to simplify the Supergirl character
Background: Robert McNair Price (born July 7, 1954) is an American theologian and writer, known for arguing against the existence of a historical Jesus (the Christ myth theory). He taught philosophy and religion at the Johnnie Colemon Theological Seminary. He is a professor of biblical criticism at the Center for Inquiry Institute, and the author of a number of books on theology and the historicity of Jesus. A former Baptist minister, he was the editor of the Journal of Higher Criticism from 1994 until it ceased publication in 2003.
Context: He views Jesus of Nazareth as an invented figure conforming to the Rank-Raglan mythotype.  In the documentary The God Who Wasn't There, Price supports a version of the Christ myth theory, suggesting that the early Christians adopted the model for the figure of Jesus from the popular Mediterranean dying-rising saviour myths of the time, such as that of Dionysus. He argues that the comparisons were known at the time, as early church father Justin Martyr had admitted the similarities. Price suggests that Christianity simply adopted themes from the dying-rising god stories of the day and supplemented them with themes (escaping crosses, empty tombs, children being persecuted by tyrants, etc.) from the popular stories of the day in order to come up with the narratives about Christ. [Per the Kyrios Christos Cult] The ancient Mediterranean world was hip-deep in religions centering on the death and resurrection of a savior god. [...] It is very hard not to see extensive and basic similarities between these religions and the Christian religion. But somehow Christian scholars have managed not to see it, and this, one must suspect, for dogmatic reasons. [...] But it seems to me that the definitive proof that the resurrection of the Mystery Religion saviors preceded Christianity is the fact that ancient Christian apologists did not deny it! [...] A Christ religion modeled after a Mystery cult is a Mystery cult, [and against Mack's Christ cult] a Christ cult worthy of the name. This is what we expect Burton Mack to be talking about when he talks about Christ cults. Price notes that historians of classical antiquity approached mythical figures such as Heracles by rejecting supernatural tales while doggedly assuming that "a genuine historical figure" could be identified at the root of the legend. He describes this general approach as Euhemerism, and argues that most historical Jesus research today is also Euhemerist. Price argues that Jesus is like other ancient mythic figures, in that no mundane, secular information seems to have survived. Accordingly, Jesus also should be regarded as a mythic figure. But, Price admits to some uncertainty in this regard. He writes at the conclusion of his 2000 book Deconstructing Jesus: "There may have been a real figure there, but there is simply no longer any way of being sure." CANNOTANSWER
Question: Are there any other interesting aspects about this article?

Answer:

He views Jesus of Nazareth as an invented figure conforming to the Rank-Raglan mythotype.
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Arvydas Romas Sabonis (born December 19, 1964) is a Lithuanian retired professional basketball player and businessman. Recognized as one of the best European players of all time, he won the Euroscar six times, and the Mr. Europa Award twice. He played in a variety of leagues, and spent seven seasons in the National Basketball Association (NBA), in the United States. Playing the center position, Sabonis won a gold medal at the 1988 Summer Olympics, in South Korea, for the Soviet Union, and later earned bronze medals at the 1992 Olympic Games and 1996 Olympic Games, while representing Lithuania.

In 1982, Sabonis was one of the players in the senior Soviet Union national team that toured the United States, playing against various college basketball teams. Despite being recommended to rest, instead of playing in the 1988 Summer Olympics, the Soviets allowed Sabonis to remain a part of their national team. Sabonis led the Soviet Union to a gold medal, with a win against a United States team that featured future NBA All-Stars David Robinson, Mitch Richmond, and Danny Manning in the semifinals. The team later beat Yugoslavia in the finals. In his career with the senior Soviet national team, Sabonis also played at the following major tournaments: the 1982 FIBA World Championship (gold medal), the 1983 EuroBasket (bronze medal), the 1985 EuroBasket (gold medal), the 1986 FIBA World Championship (silver medal), and the 1989 EuroBasket (bronze medal). He was named to the EuroBasket All-Tournament Team in 1983 and 1985, and he was named the EuroBasket MVP in 1985. The 1985-1988 stretch of a heavy playing schedule, and lack of rest, took a significant toll on Sabonis' future health and durability. Various leg injuries weren't given much time to heal, due to the Cold War climate that surrounded international competition, as well as the intense rivalry of the Zalgiris Kaunas versus CSKA Moscow games in the USSR Premier League. In a 2011 interview, Sabonis expressed an opinion, that overuse by the coaches of the Soviet national program, was a major contributing factor to his first Achilles' tendon injury, back in 1986. Another key moment for his future health, took place in 1988, when Sabonis had a surgical Achilles procedure performed in Portland, but was rushed back on the floor with the USSR Olympic team, before a full recovery. The decision to include a limping Sabonis, on the USSR roster for the 1988 Olympic Games, was protested at the time by the Portland medical staff, and was later heavily criticized. While the Soviets cleared him to play professionally in 1989, when his Soviet national teammate, Sarunas Marciulionis, went to North America, Sabonis postponed his travel, over feeling that he was not physically ready for the NBA. Eventually, Sabonis would develop chronic knee, ankle and groin issues, that substantially limited his mobility and explosiveness, by the mid-1990s. CANNOTANSWER

Arvydas Sabonis
Billy Wayne "Crash" Craddock (born June 16, 1939) is an American country and rockabilly singer. He first gained popularity in Australia in the 1950s with a string of rockabilly hits, including the Australian number one hit "Boom Boom Baby". Switching to country music, he gained popularity in United States in the 1970s with a string of top ten country hits, several of which were number one hits, including "Rub It In", "Broken Down in Tiny Pieces", and "Ruby Baby". Craddock is known to fans as "The King Of Country Rock Music " and "Mr. Country Rock" for his uptempo rock-influenced style of country music.

Craddock spent several years out of the music business while working in a cigarette factory and hanging drywall. He soon returned to recording, now as a country singer. He signed with Cartwheel Records in 1969. He soon had his first number one hit with a cover of the Tony Orlando and Dawn pop hit "Knock Three Times" in 1971. His version was faster and included Cajun fiddles. The song also reached the top five of the Billboard magazine Hot Country Singles chart that spring, beginning a streak of hits that continued throughout the 1970s. Other hits he had for Cartwheel, all during 1971-1972, included "Dream Lover", "You Better Move On", "Ain't Nothin' Shakin' (But the Leaves on The Trees)", and "I'm Gonna Knock on Your Door", were all top 10 hits in 1971 and 1972. In 1973, Craddock signed with ABC Records (later ABC/Dot Records), where he enjoyed his biggest hits. One was "Sweet Magnolia Blossom" but his biggest hit, 1974's "Rub It In", was also a modest pop hit. Today, several bars from the song are featured in commercials for Glade Plug-In products. Craddock was also credited with doing one of the better covers of Roy Head and the Traits "Treat Her Right". In 1975 he released Still Thinkin' 'Bout You. Craddock consistently hit the country top ten in the 1970s and he became one of country music's first male sex symbols, unusually handsome for a male country star of the era and dressed in stage clothes exposing his hairy, muscular chest as he growled his way through rocking numbers and love songs with a stage persona strongly influenced by Elvis Presley. In 1977, he moved to Capitol Records, where he had his last two top 10 hits: "I Cheated on a Good Woman's Love" (1978) and "If I Could Write a Song as Beautiful as You" (1979). He recorded several more albums for Capitol before leaving the label in 1983. CANNOTANSWER

Using a quote from the above article, answer the following question: What other top songs did he have?

Other hits he had for Cartwheel, all during 1971-1972, included "Dream Lover", "You Better Move On", "Ain't Nothin' Shakin' (
Background: Megadeth is an American heavy metal band from Los Angeles, California. Guitarist Dave Mustaine and bassist David Ellefson formed the band in 1983 shortly after Mustaine's dismissal from Metallica. A pioneer of the American thrash metal scene, Megadeth is credited as one of the genre's "big four," along with Metallica, Anthrax, and Slayer, responsible for thrash metal's development and popularization. Megadeth plays in a technical style, featuring complex arrangements and fast rhythm sections.
Context: In 1985, Combat Records gave the band $8,000 to record and produce its debut album. After spending $4,000 of the budget on drugs, alcohol, and food, the band fired the original producer and finished the recording themselves. Despite its low fidelity sound, Killing Is My Business... and Business Is Good! was relatively successful in underground metal circles on its release that summer and attracted major-label interest. Music writer Joel McIver praised its "blistering technicality" and stated that the album "raised the bar for the whole thrash metal scene, with guitarists forced to perform even more accurately and powerfully". The front cover marked the debut of band mascot Vic Rattlehead, who regularly appeared on subsequent album artwork. Killing Is My Business... and Business Is Good! features "Mechanix," a song Mustaine wrote during his time with Metallica. Though Mustaine told the band after his dismissal not to use the music he had written, Metallica recorded a different version of the song entitled "The Four Horsemen", with a slower tempo and a melodic middle section. The album also included a cover of Nancy Sinatra's "These Boots Are Made for Walkin'," at a faster tempo and with altered lyrics. Megadeth's version generated controversy during the 1990s, when its writer, Lee Hazlewood, called Mustaine's changes "vile and offensive". Under threat of legal action, the song was removed from pressings released from 1995 to 2001. In mid-1985, on a bill with Canadian speed metal band Exciter, Megadeth played its first North American tour: the Killing for a Living Tour. Poland was in the band as the tour began, but abruptly left and was replaced by touring guitarist Mike Albert. Poland rejoined Megadeth in October 1985, shortly before the group began recording its second album for Combat. CANNOTANSWER
Question: Was it successful?

Answer:

Killing Is My Business... and Business Is Good! was relatively successful in underground metal circles on its release that summer and attracted major-label interest.
Modern Talking was a German duo consisting of Thomas Anders and Dieter Bohlen. They have been referred to as Germany's most successful pop duo, and have had a number of hit singles, reaching the top five in many countries. Some of their most popular and widely known singles are "You're My Heart

In 1984, Bohlen cited the hit single "Precious Little Diamond" (by Fox the Fox), as his inspiration for using falsetto choruses. The studio vocal line up of Rolf Kohler, Michael Scholz, Detlef Wiedeke and (on early albums) Birger Corleis, in addition to Bohlen and Anders, produced the high choruses characteristic of Modern Talking. Kohler, Scholz and Wiedeke later went on to work with Bohlen in Blue System, before joining with songwriter Thomas Widrat to form Systems in Blue. Kohler, Scholz and Wiedeke were never credited on the Modern Talking albums, and eventually went to court over the matter. They received an out of court settlement and Bohlen published a sleeve note for his next release (Obsession, by Blue System), acknowledging the trio's contribution. Further influences include German-language schlager music, disco pop (the Bee Gees) and romantic English-language songs of Italian and French origin, like Gazebo's "I Like Chopin". After the 1998 reunion, Bohlen produced Eurodance as well as American-style MOR ballads. Global sales of Modern Talking, after the duo's second and final break-up in 2003, had reached 120 million singles and albums combined, making them the biggest-selling German music act in history. Dieter Bohlen also composed for other artists while still in Modern Talking, such as for Chris Norman and Smokie, whose song "Midnight Lady" (1986) remains Bohlen's most popular composition. He also composed a large number of tracks for C. C. Catch, using an accelerated, less-romantic sound. Some English Bohlen songs such as "You're My Heart, You're My Soul" were also recorded with German lyrics by Mary Roos, using the same playback tracks. When Modern Talking split up in 1987, a number of tracks written for the last album were re-arranged and then transferred onto Bohlen's first solo album by Blue System. Modern Talking's sixth album was released about the same time as the first single from Blue System, "Sorry Little Sarah", where Bohlen competed on the charts against Modern Talking's "In 100 Years" hit song. CANNOTANSWER

Answer the following question by taking a quote from the article: What was their most profitable album?

Bohlen's first solo album
Background: Augustus Welby Northmore Pugin ( PEW-jin; 1 March 1812 - 14 September 1852) was an English architect, designer, artist, and critic who is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, England and its iconic clock tower, later renamed the Elizabeth Tower, which houses the bell known as Big Ben. Pugin designed many churches in England and some in Ireland and Australia. He was the son of Auguste Pugin, and the father of Edward Welby and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.
Context: Following the destruction by fire of the Palace of Westminster in Westminster, London in 1834, Pugin was employed by Sir Charles Barry to supply interior designs for his entry to the architectural competition which would determine who would build the new Palace of Westminster. Pugin also supplied drawings for the entry of James Gillespie Graham. This followed a period of employment when Pugin had worked with Barry on the interior design of King Edward's School, Birmingham. Despite his conversion to the Roman Catholic Church in 1834, Pugin designed and refurbished both Anglican and Catholic churches throughout England. Other works include St. Chad's Cathedral, Erdington Abbey, and Oscott College, all in Birmingham, England. He also designed the collegiate buildings of St. Patrick and St. Mary in St. Patrick's College, Maynooth, Ireland; though not the collegiate chapel. His original plans included both a chapel and an aula maxima (great hall), neither of which were built because of financial constraints. The college chapel was designed by a follower of Pugin, the Irish architect J. J. McCarthy. Also in Ireland, Pugin designed St. Mary's Cathedral in Killarney, St. Aidan's Cathedral in Enniscorthy (renovated in 1996), and the Dominican Church of the Holy Cross in Tralee. He revised the plans for St. Michael Church in Ballinasloe, Galway, Ireland. Bishop Wareing also invited Pugin to design what eventually became Northampton Cathedral, a project that was completed in 1864 by Pugin's son Edward Welby Pugin. Pugin visited Italy in 1847; his experience there confirmed his dislike of Renaissance and Baroque architecture, but he found much to admire in the medieval art of northern Italy. CANNOTANSWER
Question: Are there any other interesting aspects about this article?

Answer:

Following the destruction by fire of the Palace of Westminster in Westminster, London in 1834, Pugin was employed by Sir Charles Barry to supply interior designs
Willie Lee McCovey (born January 10, 1938), nicknamed "Mac", "Big Mac", and "Stretch", is an American former Major League Baseball first baseman. He played nineteen seasons for the San Francisco Giants, and three more for the San Diego Padres and Oakland Athletics, between 1959 and 1980. He batted and threw left-handed and was inducted into the Baseball Hall of Fame in 1986. One of the most intimidating power hitters of his era, McCovey was called "the scariest hitter in baseball" by pitcher Bob Gibson, an assessment with which Reggie Jackson concurred.

McCovey returned to the Giants in 1977. With Hank Aaron and Frank Robinson having retired at the end of the 1976 season with 755 and 586 home runs respectively, McCovey began 1977 as the active home run leader with 465. That year, during a June 27 game against the Cincinnati Reds, he became the first player to hit two home runs in one inning twice in his career (the first was on April 12, 1973), a feat since accomplished by only Andre Dawson and Jeff King. One was a grand slam and he became the first National Leaguer to hit seventeen. At age 39, he had 28 home runs and 86 RBI and was named the Comeback Player of the Year. On June 30, 1978, at Atlanta's Fulton County Stadium, McCovey hit his 500th home run, and two years later, on May 3, 1980, at Montreal's Olympic Stadium, McCovey hit his 521st and last home run, off Scott Sanderson of the Montreal Expos. This home run gave McCovey the distinction, along with Ted Williams (with whom he was tied in home runs), Rickey Henderson, and Omar Vizquel of homering in four different decades: the 1950s, 60s, 70s, and 80s. McCovey is one of only 29 players in baseball history to date to have appeared in Major League baseball games in four decades. In his 22-year career, McCovey batted .270, with 521 home runs and 1,555 RBI, 1,229 runs scored, 2,211 hits, 353 doubles, 46 triples, a .374 on-base percentage and a .515 slugging percentage. He also hit 18 grand slam home runs in his career, which is still a National League record. CANNOTANSWER

Can you tell me about the return to san francisco?

McCovey began 1977 as the active home run leader with 465.
The elder child of Dale Burdell Ride and Carol Joyce (nee Anderson), Ride was born in Los Angeles. She had one sibling, Karen "Bear" Ride, who is a Presbyterian minister. Both parents were elders in the Presbyterian Church. Ride's mother had worked as a volunteer counselor at a women's correctional facility.

Ride was one of 8,000 people who answered an advertisement in the Stanford student newspaper seeking applicants for the space program. She was chosen to join NASA in 1978. During her career, Ride served as the ground-based capsule communicator (CapCom) for the second and third space shuttle flights (STS-2 and STS-3) and helped develop the space shuttle's "Canadarm" robot arm. Prior to her first space flight, she was subject to media attention due to her gender. During a press conference, she was asked questions such as, "Will the flight affect your reproductive organs?" and "Do you weep when things go wrong on the job?" Despite this and the historical significance of the mission, Ride insisted that she saw herself in only one way--as an astronaut. On June 18, 1983, she became the first American woman in space as a crew member on space shuttle Challenger for STS-7. She was preceded by two Soviet women, Valentina Tereshkova in 1963 and Svetlana Savitskaya in 1982. The five-person crew of the STS-7 mission deployed two communications satellites and conducted pharmaceutical experiments. Ride was the first woman to use the robot arm in space and the first to use the arm to retrieve a satellite. Her second space flight was in 1984, also on board the Challenger. She spent a total of more than 343 hours in space. Ride had completed eight months of training for her third flight (STS-61-M, a TDRS deployment mission) when the space shuttle Challenger disaster occurred. She was named to the Rogers Commission (the presidential commission investigating the accident) and headed its subcommittee on operations. Following the investigation, Ride was assigned to NASA headquarters in Washington, D.C., where she led NASA's first strategic planning effort, authored a report titled "NASA Leadership and America's Future in Space" and founded NASA's Office of Exploration. After Sally Ride's death in 2012, General Donald Kutyna revealed that she had discreetly provided him with key information about O-rings (namely, that they become stiff at low temperatures) that eventually led to identification of the cause of the explosion. CANNOTANSWER

Answer the following question by taking a quote from the article: Did she do anything else?

and helped develop the space shuttle's "Canadarm" robot arm.
Tablo was born in Seoul, South Korea on July 22, 1980. After he was born, his parents moved with him to Jakarta, Indonesia, due to his father's work. He then spent around 3 years living in Jakarta before his family relocated again several times to Switzerland and Hong Kong for his father's career until Tablo was six, when they returned to South Korea briefly. His family moved again to Canada when he was eight. Tablo attended St. George's School in Vancouver, British Columbia. He then transferred to Seoul International School. As a coterminal student at Stanford University, Tablo simultaneously attained a Bachelor's Degree in English literature and a Master's Degree in creative writing in three years. Tablo has an older sister and an older brother, who graduated from Cornell University and Columbia University respectively. Tablo started playing piano at the age of six but later switched to violin, which he played for 10 years. His music teacher, who had been a pupil of Isaac Stern, used to lecture him saying: "Music is communism, but you're playing democracy". Tablo wrote the lyrics to legendary singer Kim Gun-mo's song "Rainy Christmas" when he was sixteen years old, as Kim took an interest in Tablo after reading a poem of his. During his early life, Tablo suffered from bouts of depression. Whenever he faced hardship, hip hop music served as an outlet. However, Tablo's father disapproved of his career choice, so as a teenager, he frequently ran away from home. Ostensibly, Tablo asked a friend to live out his dream, but when that friend died of cancer, it became an impetus for him to re-enter the music industry. Tablo later admitted his family forced him to enroll in Stanford, and even after the release of his second album, was still persuading him to return to the United States to attend Law School. While he was at Stanford, Tablo associated with an underground hip hop group, 4n Objectz. CANNOTANSWER

Answer this question "Where was his birthplace?" by extracting the answer from the text above.

Seoul, South Korea
Gates was born in Seattle, Washington on October 28, 1955. He is the son of William H. Gates Sr. (b. 1925) and Mary Maxwell Gates (1929-1994). His ancestry includes English, German, Irish, and Scots-Irish.

After Gates read the January 1975 issue of Popular Electronics, which demonstrated the Altair 8800, he contacted Micro Instrumentation and Telemetry Systems (MITS), the creators of the new microcomputer, to inform them that he and others were working on a BASIC interpreter for the platform. In reality, Gates and Allen did not have an Altair and had not written code for it; they merely wanted to gauge MITS's interest. MITS president Ed Roberts agreed to meet them for a demo, and over the course of a few weeks they developed an Altair emulator that ran on a minicomputer, and then the BASIC interpreter. The demonstration, held at MITS's offices in Albuquerque, was a success and resulted in a deal with MITS to distribute the interpreter as Altair BASIC. Paul Allen was hired into MITS, and Gates took a leave of absence from Harvard to work with Allen at MITS in Albuquerque in November 1975. They named their partnership "Micro-Soft" and had their first office located in Albuquerque. Within a year, the hyphen was dropped, and on November 26, 1976, the trade name "Microsoft" was registered with the Office of the Secretary of the State of New Mexico. Gates never returned to Harvard to complete his studies. Microsoft's Altair BASIC was popular with computer hobbyists, but Gates discovered that a pre-market copy had leaked into the community and was being widely copied and distributed. In February 1976, Gates wrote an Open Letter to Hobbyists in the MITS newsletter in which he asserted that more than 90 percent of the users of Microsoft Altair BASIC had not paid Microsoft for it and by doing so the Altair "hobby market" was in danger of eliminating the incentive for any professional developers to produce, distribute, and maintain high-quality software. This letter was unpopular with many computer hobbyists, but Gates persisted in his belief that software developers should be able to demand payment. Microsoft became independent of MITS in late 1976, and it continued to develop programming language software for various systems. The company moved from Albuquerque to its new home in Bellevue, Washington, on January 1, 1979. During Microsoft's early years, all employees had broad responsibility for the company's business. Gates oversaw the business details, but continued to write code as well. In the first five years, according to Bill Gates' own claims, he personally reviewed every line of code the company shipped, and often rewrote parts of it as he saw fit. CANNOTANSWER

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did he further develop BASIC?
Dylan's late March 1965 album Bringing It All Back Home was another leap, featuring his first recordings with electric instruments. The first single, "Subterranean Homesick Blues", owed much to Chuck Berry's "Too Much Monkey Business"; its free association lyrics described as harkening back to the energy of beat poetry and as a forerunner of rap and hip-hop. The song was provided with an early video, which opened D. A. Pennebaker's cinema verite presentation of Dylan's 1965 tour of Great Britain, Dont Look Back. Instead of miming, Dylan illustrated the lyrics by throwing cue cards containing key words from the song on the ground. Pennebaker said the sequence was Dylan's idea, and it has been imitated in music videos and advertisements. The second side of Bringing It All Back Home contained four long songs on which Dylan accompanied himself on acoustic guitar and harmonica. "Mr. Tambourine Man" became one of his best-known songs when the Byrds recorded an electric version that reached number one in the US and UK. "It's All Over Now, Baby Blue" and "It's Alright Ma (I'm Only Bleeding)" were two of Dylan's most important compositions. In 1965, headlining the Newport Folk Festival, Dylan performed his first electric set since high school with a pickup group featuring Mike Bloomfield on guitar and Al Kooper on organ. Dylan had appeared at Newport in 1963 and 1964, but in 1965 met with cheering and booing and left the stage after three songs. One version has it that the boos were from folk fans whom Dylan had alienated by appearing, unexpectedly, with an electric guitar. Murray Lerner, who filmed the performance, said: "I absolutely think that they were booing Dylan going electric." An alternative account claims audience members were upset by poor sound and a short set. This account is supported by Kooper and one of the directors of the festival, who reports his recording proves the only boos were in reaction to the MC's announcement that there was only enough time for a short set. Nevertheless, Dylan's performance provoked a hostile response from the folk music establishment. In the September issue of Sing Out!, Ewan MacColl wrote: "Our traditional songs and ballads are the creations of extraordinarily talented artists working inside disciplines formulated over time ...'But what of Bobby Dylan?' scream the outraged teenagers ... Only a completely non-critical audience, nourished on the watery pap of pop music, could have fallen for such tenth-rate drivel." On July 29, four days after Newport, Dylan was back in the studio in New York, recording "Positively 4th Street". The lyrics contained images of vengeance and paranoia, and it has been interpreted as Dylan's put-down of former friends from the folk community--friends he had known in clubs along West 4th Street. CANNOTANSWER

Answer this question "How does the phrase "going electric" pertain to Dylan?" by extracting the answer from the text above.

appearing, unexpectedly, with an electric guitar.