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Herman Northrop Frye  (July 14, 1912 - January 23, 1991) was a Canadian literary critic and literary theorist, considered one of the most influential of the 20th century. Frye gained international fame with his first book, Fearful Symmetry (1947), which led to the reinterpretation of the poetry of William Blake. His lasting reputation rests principally on the theory of literary criticism that he developed in Anatomy of Criticism (1957), one of the most important works of literary theory published in the twentieth century. The American critic Harold Bloom commented at the time of its publication that Anatomy established Frye as "the foremost living student of Western literature."

The recurring primitive formulas Frye noticed in his survey of the "greatest classics" provide literature with an order of words, a "skeleton" which allows the reader "to respond imaginatively to any literary work by seeing it in the larger perspective provided by its literary and social contexts" (Hamilton 20). Frye identifies these formulas as the "conventional myths and metaphors" which he calls "archetypes" (Spiritus Mundi 118). The archetypes of literature exist, Frye argues, as an order of words, providing criticism with a conceptual framework and a body of knowledge derived not from an ideological system but rooted in the imagination itself. Thus, rather than interpreting literary works from some ideological 'position' -- what Frye calls the "superimposed critical attitude" (Anatomy 7) -- criticism instead finds integrity within the literary field itself. Criticism for Frye, then, is not a task of evaluation -- that is, of rejecting or accepting a literary work -- but rather simply of recognizing it for what it is and understanding it in relation to other works within the 'order of words'  (Cotrupi 4). Imposing value judgments on literature belongs, according to Frye, "only to the history of taste, and therefore follows the vacillations of fashionable prejudice" (Anatomy 9). Genuine criticism "progresses toward making the whole of literature intelligible" (Anatomy 9) so that its goal is ultimately knowledge and not evaluation. For the critic in Frye's mode, then, . . . a literary work should be contemplated as a pattern of knowledge, an act that must be distinguished, at least initially, from any direct experience of the work, . . . [Thus] criticism begins when reading ends: no longer imaginatively subjected to a literary work, the critic tries to make sense out of it, not by going to some historical context or by commenting on the immediate experience of reading but by seeing its structure within literature and literature within culture (Hamilton 27). CANNOTANSWER

Northrop Frye
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Roscoe Conkling Arbuckle was born on March 24, 1887 in Smith Center, Kansas, one of nine children of Mary E. "Mollie" Gordon (d. February 19, 1898) and William Goodrich Arbuckle. He weighed in excess of 13 lb (5.9 kg) at birth and, as both parents had slim builds, his father believed the child was not his. Consequently, he named the baby after a politician (and notorious philanderer) whom he despised, Republican senator Roscoe Conkling of New York. The birth was traumatic for Mollie and resulted in chronic health problems that contributed to her death 12 years later.

In 1904, Sid Grauman invited Arbuckle to sing in his new Unique Theater in San Francisco, beginning a long friendship between the two. He then joined the Pantages Theatre Group touring the West Coast of the United States and in 1906 played the Orpheum Theater in Portland, Oregon in a vaudeville troupe organized by Leon Errol. Arbuckle became the main act and the group took their show on tour. On August 6, 1908, Arbuckle married Minta Durfee (1889-1975), the daughter of Charles Warren Durfee and Flora Adkins. Durfee starred in many early comedy films, often with Arbuckle. They made a strange couple, as Minta was short and petite while Arbuckle tipped the scales at 300 lbs. Arbuckle then joined the Morosco Burbank Stock vaudeville company and went on a tour of China and Japan returning in early 1909. Arbuckle began his film career with the Selig Polyscope Company in July 1909 when he appeared in Ben's Kid. Arbuckle appeared sporadically in Selig one-reelers until 1913, moved briefly to Universal Pictures and became a star in producer-director Mack Sennett's Keystone Cops comedies (However, according to the Motion Picture Studio Directory for 1919 and 1921, Arbuckle began his screen career with Keystone in 1913 as an extra for $3 a day (equivalent to approximately $74 in 2017 dollars), working his way up through the acting ranks to become a lead player and director.) Although his large size was undoubtedly part of his comedic appeal Arbuckle was self-conscious about his weight and refused to use it to get "cheap" laughs. For example, he would not allow himself to be stuck in a doorway or chair. Arbuckle was a talented singer. After famed operatic tenor Enrico Caruso heard him sing, he urged the comedian to "...give up this nonsense you do for a living, with training you could become the second greatest singer in the world." CANNOTANSWER

Did he ever become a lead player and director?

Arbuckle was a talented singer. After famed operatic tenor Enrico Caruso heard him sing, he urged the comedian to "...give up this nonsense you do for a living,
Background: Tan Dun (simplified Chinese: Tan Dun ; traditional Chinese: Tan Dun ; pinyin: Tan Dun, Mandarin pronunciation: [than tu@n]; born 18 August 1957) is a Chinese contemporary classical composer and conductor, most widely known for his scores for the movies Crouching Tiger, Hidden Dragon and Hero, as well as composing music for the medal ceremonies at the 2008 Beijing Olympics. His works often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance. In 2013, he was named a UNESCO Goodwill Ambassador. He has won numerous awards for his works, including an Academy Award, a Grammy Award and a BAFTA award.
Context: In the mid-1990s, Tan Dun began working on another series of orchestral works known as the Yi series, named for the I Ching (Yi Jing in pinyin). Each numbered work in the series builds upon the original, Yideg: Concerto for Orchestra (published 2002), by adding a solo instrument. The first concerto in the series, Yi1: Intercourse of Fire and Water (1994), was written for and premiered by cellist Anssi Karttunen. The second work, Yi2: Concerto for Guitar and Orchestra (1996), combines flamenco and pipa techniques and was premiered by Sharon Isbin. Originally titled Secret Land, Tan Dun wrote a concerto for twelve solo cellos and orchestra called Four Secret Road of Marco Polo (2004). Commissioned and premiered by the Berlin Philharmonic, the work is a musical exploration of the Silk Road. To achieve these sounds, the cello soloists employ sitar and pipa techniques. Tan Dun wrote a concerto for Lang Lang titled Piano Concerto: "The Fire" (2008), a commission by the New York Philharmonic. The concerto is reportedly inspired by the composer's love for martial arts, and the soloist is instructed to play certain passages of the music with fists and forearms. Other more tranquil sections evoke ancient Chinese instruments such as the guqin. In 2008, Tan Dun was commissioned by Google and YouTube to write an inaugural symphony for the YouTube Symphony Orchestra (YTSO) project. The resultant work, Internet Symphony No. 1 "Eroica", was recorded by the London Symphony Orchestra and uploaded to YouTube in November 2008, thus beginning the open call for video audition submissions. Voted on by members of the YouTube community as well as professional musicians, the YTSO was assembled of 96 musicians from over 30 countries. In April 2009, a mashup video of the submissions was premiered at Carnegie Hall, followed by a live performance of the work. CANNOTANSWER
Question: What was another piece that he wrote?. Whats the answer?

In 2008, Tan Dun was commissioned by Google and YouTube to write an inaugural symphony for the YouTube Symphony Orchestra (YTSO) project.
Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]

Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWERAnswer this question using a quote from the following article:

Who was an opponent of wagner

like Debussy,
The Black Dahlia Murder is an American death metal band from Waterford, Michigan, formed in 2001. Their name is derived from the 1947 unsolved murder of Elizabeth Short, often referred to as Black Dahlia. The band currently comprises vocalist Trevor Strnad, guitarists Brian Eschbach and Brandon Ellis, drummer Alan Cassidy, and bassist Max Lavelle. Out of the eight studio albums they have released to date, the last seven have charted on the U.S. Billboard 200, with their fifth album Ritual peaking at No. 31 in 2011, marking them as one of the most popular contemporary American extreme metal bands.

In early 2013, despite the news of the departure of two band members (drummer Shannon Lucas and bassist Bart Williams), plans were announced for an upcoming album release, to be entitled Everblack. Tentative plans estimated its release to be early summer 2013; likely June. On April 10, 2013, the iTunes Store was updated with official release and availability information, including cover art, a full track listing, and an official U.S. release date of June 11, 2013. The album has 10 tracks in total. On the same day, the band's first single from Everblack was made available for purchase and download, titled "Into The Everblack". The album itself was then released on June 11 and peaked at No. 32 on the U.S. Billboard 200. On November 28, 2014 (the day after Thanksgiving), The Black Dahlia Murder released a 7" EP titled Grind 'Em All featuring 3 short grindcore covers of punk rock songs: a cover of "Ripped Up" by Left for Dead, of "Rebel Without a Car" by Sedition and of "Populous" by Gyga. The covers were originally recorded almost 10 years earlier during the era of Miasma. The EP was released as part of Record Store Day's Black Friday event via A389 Recordings (rather than the band's label, Metal Blade Records), made available for purchase on the band's online merchandise store and also streamed in its entirety via Exclaim!. The album art for Grind 'Em All was designed by Szymon Siech. Lead guitarist Ryan Knight confirmed in early 2015 that the band will deliver a seventh studio release that year, followed by extensive touring, and that he is planning to start working on a solo album afterwards. Vocalist Trevor Strnad stated that the band's new album, titled Abysmal, will be "more raw and natural sounding" and feature "more dynamic and developed songs" than their previous work. "Vlad, Son of the Dragon", the first song from the album, was released online on June 24, followed by "Receipt" on July 22 and "Threat Level No. 3" on August 19. Abysmal was produced by Mark Lewis and Ryan Williams and released worldwide through Metal Blade on September 18. In early February 2016, it was announced that Knight had left the band; Brandon Ellis will replace him as touring lead guitarist. CANNOTANSWER

Had Ellis worked with them before?

CANNOTANSWER
Pepys was born in Salisbury Court, Fleet Street, London on 23 February 1633, the son of John Pepys (1601-1680), a tailor, and Margaret Pepys (nee Kite; died 1667), daughter of a Whitechapel butcher. His great uncle Talbot Pepys was Recorder and briefly Member of Parliament (MP) for Cambridge in 1625. His father's first cousin Sir Richard Pepys was elected MP for Sudbury in 1640, appointed Baron of the Exchequer on 30 May 1654, and appointed Lord Chief Justice of Ireland on 25 September 1655. Pepys was the fifth of eleven children, but child mortality was high and he was soon the oldest survivor.

Outbreaks of plague were not particularly unusual events in London; major epidemics had occurred in 1592, 1603, 1625 and 1636. Furthermore, Pepys was not among the group of people who were most at risk. He did not live in cramped housing, he did not routinely mix with the poor, and he was not required to keep his family in London in the event of a crisis. It was not until June 1665 that the unusual seriousness of the plague became apparent, so Pepys's activities in the first five months of 1665 were not significantly affected by it. Indeed, Claire Tomalin writes that "the most notable fact about Pepys's plague year is that to him it was one of the happiest of his life." In 1665, he worked very hard, and the outcome was that he quadrupled his fortune. In his annual summary on 31 December, he wrote, "I have never lived so merrily (besides that I never got so much) as I have done this plague time". Nonetheless, Pepys was certainly concerned about the plague. On 16 August he wrote: But, Lord! how sad a sight it is to see the streets empty of people, and very few upon the 'Change. Jealous of every door that one sees shut up, lest it should be the plague; and about us two shops in three, if not more, generally shut up. He also chewed tobacco as a protection against infection, and worried that wig-makers might be using hair from the corpses as a raw material. Furthermore, it was Pepys who suggested that the Navy Office should evacuate to Greenwich, although he did offer to remain in town himself. He later took great pride in his stoicism. Meanwhile, Elisabeth Pepys was sent to Woolwich. She did not return to Seething Lane until January 1666, and was shocked by the sight of St Olave's churchyard, where 300 people had been buried. CANNOTANSWER

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Around what year was this happening?
Background: The Goon Show was a British radio comedy programme, originally produced and broadcast by the BBC Home Service from 1951 to 1960, with occasional repeats on the BBC Light Programme. The first series broadcast from 28 May to 20 September 1951, was titled Crazy People; subsequent series had the title The Goon Show, a title inspired, according to Spike Milligan, by a Popeye character. The show's chief creator and main writer was Spike Milligan. The scripts mixed ludicrous plots with surreal humour, puns, catchphrases and an array of bizarre sound effects.
Context: In George Perry's book The Life of Python (1999) he comments: "In the Britain of 1950, humour was derived from three main sources: print, film and radio, and despite the advent of television, throughout the 1950s radio remained the dominant source of broadcast comedy. In this period, two radio comedy shows exercised a profound influence. The first was Take It From Here, with its polished professionalism. The other was The Goon Show, with its absurdity, manic surreality and unpredictability." On the influence of The Goons, Eric Sykes wrote that in the post-World War II years, "other shows came along but 'The House of Comedy' needed electricity. Then, out of the blue ... The Goons ...Spike Milligan simply blew the roof off, and lit the whole place with sunshine. At a cursory glance, The Goon Show was merely quick-fire delivery of extremely funny lines mouthed by eccentric characters, but this was only the froth. In The Goon Show, Spike was unknowingly portraying every facet of the British psyche". Sykes and Milligan, along with Ray Galton, Alan Simpson, Frankie Howerd and Stanley ("Scruffy") Dale, co-founded the writers' cooperative Associated London Scripts (ALS), which over time included others such as Larry Stephens. In his book Spike & Co (2006, pp. 344-345), Graham McCann says "the anarchic spirit of the Goon Show...would inspire, directly or indirectly and to varying extents, Monty Python's Flying Circus, The Hitchhiker's Guide to the Galaxy, The Young Ones, Vic Reeves Big Night Out, The League of Gentlemen, Brass Eye and countless other strange and bold new comedies". Other ALS-related comedies such as Sykes and A..., Hancock's Half Hour, Steptoe and Son, Beyond Our Ken, and Round The Horne influenced their own genres of comedy. Eddie Izzard notes that the Goons and Milligan in particular "influenced a new generation of comedians who came to be known as 'alternative'." In Ventham's (2002, p. 151) compilation, John Cleese notes that "In comedy, there are a very small number of defining moments when somebody comes along and genuinely creates a breakthrough, takes us into territory where nobody has been before. The only experiences to which I can compare my own discovery of the Goons are going to see N F Simpson's play One Way Pendulum ... or, later on, hearing Peter Cook for the first time. They were just light years ahead of everyone else." CANNOTANSWER
Question: What did people have to say about the show

Answer:

later on, hearing Peter Cook for the first time. They were just light years ahead of everyone else."
Background: Thomas Lawson "Tom" McCall (March 22, 1913 -  January 8, 1983) was an American politician and journalist in the state of Oregon. A Republican, he was the 30th Governor of Oregon from 1967 to 1975. A native of Massachusetts, he grew up there and in Central Oregon before attending the University of Oregon. After college he worked as a journalist including time at Portland's The Oregonian during World War II.
Context: In 1970 McCall was faced with a potential riot in Portland. In May of that year a week-long student protest at Portland State University over the Kent State shootings had ended with charges of excessive police violence. The American Legion had scheduled a convention in Portland later that summer; local antiwar groups were organizing a series of demonstrations at the same time under the name of the "People's Army Jamboree" and expected to draw up to 50,000 protesters. After attempts to convince the People's Army Jamboree to either not carry out their plans or to move the date, McCall decided to hold a rock festival at Milo McIver State Park near Estacada, Oregon called "Vortex I: A Biodegradable Festival of Life," in imitation of the famous Woodstock Festival held the previous year. "I think I just committed political suicide," McCall is reported to have remarked immediately after approving the event. Vortex was the first and so far only state-sponsored rock festival in U.S. history. The festival, nicknamed "The Governor's Pot Party" by Oregonians, was a success, attracting between 50,000 and 100,000 people. Gold, The Portland Zoo, Osceola, Fox, and Chrome Cyrcus were among the bands that played. The media announced that Santana, Jefferson Airplane and the Grateful Dead were on the way but none of them appeared. The feared violent clash between the antiwar groups and the conservative American Legion was avoided, and the city of Portland passed the summer relatively uneventfully. And in the general election that November, McCall was returned to office with 56% of the vote. CANNOTANSWER
Question: Are there any other interesting aspects about this article?

Answer:

in the general election that November, McCall was returned to office with 56% of the vote.
The Seekers are an Australian folk-influenced pop quartet, originally formed in Melbourne in 1962. They were the first Australian pop music group to achieve major chart and sales success in the United Kingdom and the United States. They were popular during the 1960s with their best-known configuration as: Judith Durham on vocals, piano, and tambourine; Athol Guy on double bass and vocals; Keith Potger on twelve-string guitar, banjo, and vocals; and Bruce Woodley on guitar, mandolin, banjo, and vocals. The group had Top 10 hits in the 1960s with "I'll Never Find Another You", "A World of Our Own", "Morningtown Ride", "Someday, One Day" (written by Paul Simon),

The Seekers were offered a twelve-month position as on-board entertainment on the Sitmar Line passenger cruise ship Fairsky in March 1964. In May, they travelled to the U.K. and had intended to return to Australia after staying ten weeks, but upon arrival they were offered work by a London booking agency, the Grade Organisation. They signed there with World Record Club and issued a single, "Myra", co-written by the group. The group regularly appeared on a British TV show series, "Call in on Carroll", hosted by Ronnie Carroll. After filling in on a bill headlined by folk singer Dusty Springfield, they met her brother, songwriter and producer Tom Springfield, who had experience with writing folk-pop material and lyrics/tunes with the siblings' earlier group The Springfields. He penned "I'll Never Find Another You", which they recorded in November 1964. It was released by EMI Records, on their Columbia Graphophone Company (Columbia) label, in December and was championed by the offshore radio station "Radio Caroline" which frequently played and promoted their music. Despite the fact that the group had not signed a contract with EMI, the single reached the U.K. "Top 50" and began selling well. In February 1965, it reached No.1 in the U.K. and Australia, and No.4 in the United States where it was released on EMI's Capitol Records label. "I'll Never Find Another You" was the seventh biggest-selling single in Britain for 1965 though their own "The Carnival Is Over", released later in the year, would eventually eclipse it - and went on to sell 1.75 million copies worldwide. The Seekers were the first Australian pop group to have a "Top 5" hit in all three countries - Australia, U.K. and U.S.A. Australian music historian, Ian McFarlane described their style as "concentrated on a bright, uptempo sound, although they were too pop oriented to be considered strictly folk and too folk to be rock." The distinctive soprano voice of Durham, the group's vocal harmonies and memorable songs encouraged the British media, including the national broadcasting agency on radio and television, the BBC, to give them exposure, allowing them to appeal to a broad cross-section of the young British folk, pop and rock music audience. CANNOTANSWER

Is there any other important data about the bands discovery?

the single reached the U.K. "Top 50" and began selling well.
Katrina Kaif (pronounced [k@'tri:na: 'ke:f], born Katrina Turquotte, 16 July 1983) is an English actress who works in Hindi films. Despite receiving mixed reviews from critics for her acting prowess, she has established herself in Bollywood, and is considered among the country's most attractive and highest-paid actresses. Born in Hong Kong, Kaif and her family lived in several countries before she moved to London. She received her first modelling assignment as a teenager and later pursued a career as a fashion model.

Kaif's personal life has been the subject of extensive media attention. She is reluctant to discuss her romantic life: "I have always believed that there is life before marriage and after marriage. Before marriage ... you are termed a single woman and I choose to conduct that part of my life with absolute dignity and discretion". Although rumours of a relationship with Salman Khan first emerged in 2003, it was not until after their 2010 breakup that Kaif spoke of the affair, calling it her first serious relationship. They have remained friends, and the actress credits Khan with giving her confidence and guidance: The reported reason for their breakup was Kaif's increasing closeness to Ranbir Kapoor during the filming of Ajab Prem Ki Ghazab Kahani. Although this was denied by Kaif and Kapoor, the nature of their relationship was scrutinised by the media because they were thought to be involved with others at the time. In August 2013, photographs of Kapoor and Kaif on holiday in Ibiza were leaked by Stardust; the media interpreted this as confirmation of an affair. After the appearance of the photos, Kaif published an open letter to the media saying that she was "upset, distressed and invaded" by the breach of privacy. She later acknowledged Kapoor as "an extremely important part of [her] life". In February 2016, the media reported that they had broken up. Kaif has a close relationship with her family, and the lack of a father figure in her life has given her a sense of responsibility towards them. While Kaif's mother is Christian and her father is Muslim, Kaif was brought up to practise all faiths and says she is a "firm believer in God". The Times of India reported in 2009 that she visits Siddhivinayak Temple, Mount Mary Church and the Sufi shrine Ajmer Sharif Dargah before her films are released. CANNOTANSWER

Answer the following question by taking a quote from the article: Did Kaif ever get into another relationship?

The reported reason for their breakup was Kaif's increasing closeness to Ranbir Kapoor
Mohammad Amir was born in 1992 in Gujar Khan, Pothohar. Pakistan He was the second youngest of seven children. "Wasim Akram is my favourite, he's my idol.

On 9 November 2009 he scored 73 runs against New Zealand which was a record for a number 10 batsman in ODI history until Ravi Rampaul surpassed that record with scoring 86* when batting at number 10 position in 2011. In that innings, with his batting partner Saeed Ajmal, Amir added 103 runs to Pakistan's chase, only to fall short by 7 runs. He impressed the Pakistan cricket team, including Wasim Akram, who took credit for discovering Amir, although Akram later commented that Amir needed to gain more weight to aid his development. Later in 2009, Pakistan toured Sri Lanka and in the first One Day International match, he shared a 62 run partnership with fast bowler Umar Gul for the tenth wicket but Pakistan lost by 36 runs. He also played a game against New Zealand in 2009-2010. During a match in the third One Day International match, when Pakistan were reduced to 8 wickets for 86 runs, he scored 73 runs not out, making the highest score by a number 10 batsman in One Day International cricket and putting on a 103 runs, 10th wicket partnership with Saeed Ajmal. He was unable to get his side to their victory target of 212 runs, as Ajmal was declare out in the last over and Pakistan lost by just 7 runs. During the Test match series against Australia in 2010, at the Melbourne Cricket Ground, he took his first five wicket haul, taking the wickets of Australian batsmen Ricky Ponting, Michael Hussey and Michael Clarke. On 24 July 2010 he was influential in helping Pakistan win the 2nd Test match against Australia; the first Test match Pakistan had won against them in 15 years, which also drew the series 1-1. During this match he took 7 wickets overall, and was declared man of the match. Overall, in the second series, he was the leading wicket taker of both teams with his 11 scalps. In the summer of 2010, Amir was awarded the man of the match award for becoming the youngest player to ever take a five-wicket haul in England. He also became the youngest player to take 50 test wickets earning praise from several former international cricketers. In that eventful series against England, he took 19 wickets, the highest of the Pakistanis and third highest overall at an outstanding average of 18.3. He also took 2 five-wicket hauls. CANNOTANSWERAnswer this question using a quote from the following article:

Was he written about in the international press?

CANNOTANSWER
Background: Frederick William Herschel,  (; German: Friedrich Wilhelm Herschel; 15 November 1738 - 25 August 1822) was a German-born British astronomer, composer and brother of fellow astronomer Caroline Herschel, with whom he worked. Born in the Electorate of Hanover, Herschel followed his father into the Military Band of Hanover, before migrating to Great Britain in 1757 at the age of nineteen. Herschel constructed his first large telescope in 1774, after which he spent nine years carrying out sky surveys to investigate double stars.
Context: In his later career, Herschel discovered two moons of Saturn, Mimas and Enceladus; as well as two moons of Uranus, Titania and Oberon. He did not give these moons their names; they were named by his son John in 1847 and 1852, respectively, after his death. Herschel measured the axial tilt of Mars and discovered that the martian ice caps, first observed by Giovanni Domenico Cassini (1666) and Christiaan Huygens (1672), changed size with that planet's seasons. It has been suggested that Herschel might have discovered rings around Uranus. Herschel introduced but did not create the word "asteroid", meaning star-like (from the Greek asteroeides, aster "star" + -eidos "form, shape"), in 1802 (shortly after Olbers discovered the second minor planet, 2 Pallas, in late March), to describe the star-like appearance of the small moons of the giant planets and of the minor planets; the planets all show discs, by comparison. By the 1850s 'asteroid' became a standard term for describing certain minor planets. From studying the proper motion of stars, the nature and extent of the solar motion was first demonstrated by Herschel in 1783, along with first determining the direction for the solar apex to Lambda Herculis, only 10deg away from today's accepted position. He also studied the structure of the Milky Way and concluded that it was in the shape of a disk. He incorrectly assumed the sun was in the centre of the disc, a theory known as Galactocentrism, which was eventually corrected by the findings of Harlow Shapley in 1918. CANNOTANSWER
Question: Did he teach at a university?

Answer:

CANNOTANSWER
She was born in Duncan, Oklahoma, the daughter of an oilfield wildcatter, Welcher F. Jordan, and his wife, Leona (nee Kile). She attended Emerson Elementary School there and was known to her classmates as "Duane Jordan." She had a younger sibling, Jerry. At 12, her father moved the family to Mt. Vernon, Illinois, where she graduated from Mt. Vernon Township High School.

Kirkpatrick said, "What takes place in the Security Council more closely resembles a mugging than either a political debate or an effort at problem-solving." Still, she finished her term with a certain respect for the normative power of the United Nations as the "institution whose majorities claim the right to decide--for the world--what is legitimate and what is illegitimate." She noted that the United States had increasingly ignored that significance and became increasingly isolated. That was problematic, because "relative isolation in a body like the United Nations is a sign of impotence," especially given its ability to shape international attitudes. She was ambassador to the UN during the September 1, 1983 Soviet shooting down of Korean Air Lines Flight 007, near Moneron Island. It had carried 269 passengers and crew including a sitting congressman, Larry McDonald (D-GA). She played before the Security Council the audio of the electronic intercept of the interceptor pilot during the attack, and the Soviet Union could no longer deny its responsibility for the shootdown. Kirkpatrick was a Board Member of the American Foundation for Resistance International and the National Council to Support the Democracy Movements, intended to help bring down Soviet and East European Communism. Along with Vladimir Bukovsky, Martin Colman and Richard Perle, she worked to organize democratic revolutions against communism. According to Jay Nordlinger, on a visit with American dignitaries, Soviet human rights activist Andrei Sakharov said, "Kirkpatski, Kirkpatski, which of you is Kirkpatski?" When others pointed to Kirkpatrick, he said, "Your name is known in every cell in the Gulag" because she had named Soviet political prisoners on the floor of the UN. Kirkpatrick said she would serve only one term at the UN and stepped down in April 1985. CANNOTANSWER

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Phyllis McAlpin Schlafly (; nee Stewart;

Schlafly focused political opposition to the ERA in defense of traditional gender roles, such as only men fighting in war. That the equal rights amendment would eliminate the men-only draft and guarantee the possibility that women would be equally subject to conscription and be required to serve in combat; that defense of traditional gender roles proved a useful tactic. In Illinois, the anti-ERA activists used traditional symbols of the American housewife, and took homemade foods (bread, jams, apple pies, etc.) to the state legislators, with the slogans, "Preserve us from a congressional jam; Vote against the ERA sham" and "I am for Mom and apple pie." The historian Lisa Levenstein said that, in the late 1970s, the feminist movement briefly attempted a program to help older divorced and widowed women. Many widows were ineligible for Social Security benefits, few divorcees received alimony, and, after a career as a housewife, few had any work skills with which to enter the labor force. The program, however, encountered sharp criticism from young activists who gave priority to poor minority women rather than to middle-class women. By 1980, NOW downplayed the program, as they focused almost exclusively on ratification of the ERA. Schlafly moved into the political vacuum, and denounced the feminists for abandoning older, middle-class widows and divorcees in need, and warned that the ERA would equalize the laws for the benefit of men, stripping legal protections that older women urgently needed. Schlafly said the ERA was designed for the benefit of young career women, and warned that if men and women had to be treated equally, that social condition would threaten the security of middle-aged housewives without job skills. That the ERA would repeal legal protections, such as alimony, and eliminate the judicial tendency for divorced mothers to receive custody of their children. Schlafly's argument that protective laws would be lost resonated with working-class women. CANNOTANSWER

Using a quote from the above article, answer the following question: How else did she oppose ERA?

Schlafly said the ERA was designed for the benefit of young career women,
Bernard Joseph Francis Lonergan  (17 December 1904 - 26 November 1984) was a Canadian Jesuit priest, philosopher, and theologian, regarded by many as one of the most important thinkers of the 20th century. Lonergan's works include Insight: A Study of Human Understanding (1957) and Method in Theology (1972), as well as two studies of Thomas Aquinas, several theological textbooks, and numerous essays, including two posthumously published essays on macroeconomics. A projected 25-volume Collected Works is underway with the University of Toronto Press. He held appointments at the Pontifical Gregorian University, Regis College, Toronto, as Distinguished Visiting Professor at Boston College, and as Stillman Professor of Divinity at Harvard University.

While at the Gregorian University, Lonergan composed a two-volume Latin textbook, De Deo Trino (third edition, 1964). It has recently appeared in the Collected Works together with an interleaf English translation under the title The Triune God: Doctrines (2009) and The Triune God: Systematics (2007). In The Triune God: Doctrines, Lonergan begins with an examination of the dialectical process by which the dogma of the Trinity developed in the first four centuries. This section was previously published in English as The Way to Nicea. The second section of the work advances dogmatic theses on (1) the consubstantiality of the Son with the Father, (2) the divinity of the Holy Spirit, (3) the distinction of the divine persons by relations of origin, and (4) the procession of the Holy Spirit from the Father and the Son (the Filioque). The fifth and final thesis is that the Trinity is a theological mystery in the strict sense and can only be understood analogically. A concluding scholion presents New Testament evidence in favor of the "psychological" analogy of the Trinity. In The Triune God: Systematics, Lonergan develops the theory of intelligible (or spiritual) emanations in God as propounded by Thomas Aquinas. The volume begins with a discussion of the method of systematic theology which seeks an imperfect but highly fruitful understanding of the mysteries of faith by means of analogies. The following chapters develop an analogical conception of the divine processions (as intelligible emanations), relations, persons, and the two missions of the Word and Spirit. CANNOTANSWER

Answer the following question by taking a quote from the article: Did he believe in a certain theory?

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Background: The Master is a recurring character in the British science fiction television series Doctor Who and its associated spin-off works. The character is a renegade alien Time Lord and the archenemy of the title character the Doctor. The Master has been played by multiple actors since the character's introduction in 1971.
Context: The Master appeared as a main character of the 1996 Doctor Who television movie, played by American actor Eric Roberts. In the prologue, the Master (portrayed briefly by Gordon Tipple) is executed by the Daleks as a punishment for his "evil crimes". But before his apparent death, the Master requests his remains to be brought back to Gallifrey by the Seventh Doctor. However, as posited in the novelisation of the television movie by Gary Russell, the Master's self-alterations to extend his lifespan allow him to survive his execution by transferring his mind into a snake-like entity called a "morphant". This interpretation is made explicit in the first of the Eighth Doctor Adventures novels, The Eight Doctors by Terrance Dicks, and also used in the Doctor Who Magazine comic strip story The Fallen, which states that the morphant was a shape-shifting animal native to Skaro. Using his morphant body to break free from the container holding his remains, the Master sabotages the TARDIS console to force the vessel to crash land in San Francisco at the start of Earth's new millennium. From there, the Master has the morphant enter the body of a paramedic named Bruce to take control of him. However, the Master finds his human host to be unsustainable as the body slowly begins to degenerate, although the Master has the added abilities to spit an acid-like bile, both as a weapon and to mentally control victims as an alternative to his usual hypnotic abilities. The Master attempts to access the Eye of Harmony to steal the remaining regenerations of the Eighth Doctor (Paul McGann), but instead is sucked into it and supposedly killed. CANNOTANSWER
Question: Why is the Master executed?

Answer:

as a punishment for his "evil crimes".
Dennis Keith Rodman (born May 13, 1961) is an American retired professional basketball player, who played for the Detroit Pistons, San Antonio Spurs, Chicago Bulls, Los Angeles Lakers, and Dallas Mavericks in the National Basketball Association (NBA). He was nicknamed "The Worm" and was known for his fierce defensive and rebounding abilities. Rodman played at the small forward position in his early years before becoming a power forward. He earned NBA All-Defensive First Team honors seven times and won the NBA Defensive Player of the Year Award twice.

After his NBA career, Rodman took a long break from basketball and concentrated on his film career and on wrestling. After a longer hiatus, Rodman returned to play basketball for the Long Beach Jam of the newly formed American Basketball Association during the 2003-04 season, with hopes of being called up to the NBA midseason. While he did not get that wish that season, he did help the Jam win the ABA championship in their inaugural season. He also played in Mexico, with Fuerza Regia in 2004. In the following 2004-05 season, he signed with the ABA's Orange County Crush and the following season with the league's Tijuana Dragons. In November 2005, he played one match for Torpan Pojat of the Finland's basketball league, Korisliiga. The return to the NBA never materialized, but on January 26, 2006, it was announced that Rodman had signed a one-game "experiment" deal for the UK basketball team Brighton Bears of the British Basketball League to play Guildford Heat on January 28, and went on to play three games for the Bears. In spring 2006, he played two exhibition games in the Philippines along with NBA ex-stars Darryl Dawkins, Kevin Willis, Calvin Murphy, Otis Birdsong and Alex English. On April 27, they defeated a team of former Philippine Basketball Association stars in Mandaue City, Cebu and Rodman scored five points and grabbed 18 rebounds. On May 1, 2006, Rodman's team played their second game and lost to the Philippine national basketball team 110-102 at the Araneta Coliseum, where he scored three points and recorded 16 rebounds. On April 4, 2011, it was announced that Rodman would be inducted into the Naismith Memorial Basketball Hall of Fame. CANNOTANSWER

Answer the following question by taking a quote from the article: did they win

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Porgy and Bess is an English-language opera by the American composer George Gershwin, with a libretto written by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play Porgy, itself an adaptation of DuBose Heyward's 1925 novel of the same name. Porgy and Bess was first performed in Boston on September 30, 1935, before it moved to Broadway in New York City. It featured a cast of classically trained African-American singers--a daring artistic choice at the time.

Blevins Davis and Robert Breen produced a revival in 1952 which restored much of the music cut in the Crawford version, including many of the recitatives. It divided the opera into two acts, with the intermission occurring after Crown forces Bess to stay on Kittiwah Island. This version restored the work to a more operatic form, though not all of the recitatives were retained. In this version, Porgy and Bess was warmly received throughout Europe. The London premiere took place on October 9, 1952 at the Stoll Theatre, where the opera continued until February 10, 1953. This production's original cast featured Americans Leontyne Price as Bess, William Warfield as Porgy, and Cab Calloway as Sportin' Life, a role that Gershwin had composed with him in mind. The role of Clara was played by a young Maya Angelou. Price and Warfield met and wed while on the tour. The role of Porgy was the first for Warfield after his appearance as Joe, singing "Ol' Man River" in the popular 1951 MGM film of Show Boat. After a tour of Europe financed by the United States Department of State, the production came to Broadway's Ziegfeld Theatre in March 1953. It later toured North America. After completing its North American run in Montreal, the company embarked on an international tour, with LeVern Hutcherson as Porgy and Gloria Davy as Bess. The production first performed in Venice, Paris, and London, and in other cities in Belgium, Germany, Greece, Italy, Switzerland, and Yugoslavia. The company also made a stop at the Cairo Opera House in Egypt in January 1955. In 1955-1956 the company toured in cities in the Middle East, Africa, Russia, and Latin America. During this tour, Porgy and Bess was presented for the first time at La Scala in Milan in February 1955. A historic yet tense premiere took place in Moscow in December 1955; it was during the Cold War and the first time an American theater group had been to the Soviet capital since the Bolshevik Revolution. Author Truman Capote traveled with the cast and crew, and wrote an account included in his book The Muses Are Heard. CANNOTANSWER

was it a hit?

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During the filming of the second season, the band became tired of scripts which they deemed monotonous and stale. They had already succeeded in eliminating the laugh track (a then-standard on American sitcoms), with the bulk of Season 2 episodes airing minus the canned chuckles. They proposed switching the format of the series to become more like a variety show, with musical guests and live performances. This desire was partially fulfilled within some second-season episodes, with guest stars like musicians Frank Zappa, Tim Buckley and Charlie Smalls (composer of The Wiz) performing on the show. However, NBC was not interested in eliminating the existing format, and the group (except for Peter) had little desire to continue for a third season. Tork said in DVD commentary that everyone had developed such difficult personalities that the big-name stars invited as guests on the show would invariably leave the experience "hating everybody". Screen Gems and NBC went ahead with the existing format anyway, commissioning Monkees writers Gerald Gardner and Dee Caruso to create a straight-comedy, no-music half-hour in the Monkees mold; a pilot episode was filmed with the then-popular nightclub act the Pickle Brothers. The pilot had the same energy and pace of The Monkees, but never became a series. In June 1968, Music Supervisor Lester Sill chose to release the two non-album tracks "D.W. Washburn" b/w "It's Nice To Be With You" as the Monkees' next single. The Leiber/Stoller-penned A-side would break into the Top 20, peaking at No. 19 on the charts. CANNOTANSWER

Answer this question "Why did they get rid of the laugh tracks?" by extracting the answer from the text above.

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