cindermond/bento huggingface dataset:
Harold Eugene "Gene" Clark (November 17, 1944 - May 24, 1991) was an American singer-songwriter and founding member of the folk rock band the Byrds. He was the Byrds' principal songwriter between 1964 and early 1966, writing most of the band's best-known originals from this period, including "I'll Feel a Whole Lot Better", "She Don't Care About Time", and "Set You Free This Time". Although he did not achieve commercial success as a solo artist, Clark was in the vanguard of popular music during much of his career, prefiguring developments in such disparate subgenres as psychedelic rock, baroque pop, newgrass, country rock, and alternative country.

Clark was invited to join an established regional folk group, the Surf Riders, working out of Kansas City at the Castaways Lounge, owned by Hal Harbaum. On August 12, 1963, he was performing with them when he was discovered by the New Christy Minstrels. They hired him, and he recorded two albums with the ensemble before leaving in early 1964. After hearing the Beatles, Clark quit the New Christy Minstrels and moved to Los Angeles, where he met fellow folkie and Beatles convert Jim (later Roger) McGuinn at the Troubadour Club. In early 1964 they began to assemble a band that would become the Byrds. Clark wrote or co-wrote many of the Byrds' best-known originals from their first three albums, including "I'll Feel a Whole Lot Better", "Set You Free This Time", "Here Without You", "You Won't Have to Cry", "If You're Gone", "The World Turns All Around Her", "She Don't Care About Time" and "Eight Miles High". He initially played rhythm guitar in the band, but relinquished that position to David Crosby and became the tambourine and harmonica player. Bassist Chris Hillman noted years later in an interview remembering Clark, "At one time, he was the power in the Byrds, not McGuinn, not Crosby--it was Gene who would burst through the stage curtain banging on a tambourine, coming on like a young Prince Valiant. A hero, our savior. Few in the audience could take their eyes off this presence. He was the songwriter. He had the 'gift' that none of the rest of us had developed yet.... What deep inner part of his soul conjured up songs like 'Set You Free This Time,' 'I'll Feel A Whole Lot Better,' 'I'm Feelin' Higher,' 'Eight Miles High'? So many great songs! We learned a lot of songwriting from him and in the process learned a little bit about ourselves." A management decision gave McGuinn the lead vocals for their major singles and Bob Dylan songs. This disappointment, combined with Clark's dislike of traveling (including a chronic fear of flying) and resentment by other band members about the extra income he derived from his songwriting, led to internal squabbling, and he left the group in early 1966. He briefly returned to Kansas City before moving back to Los Angeles to form Gene Clark & the Group with Chip Douglas, Joel Larson, and Bill Rhinehart. CANNOTANSWER

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The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programs such as Doctor Who and Quatermass and the Pit during the 1950s and '60s. The original Radiophonic Workshop was based in the BBC's Maida Vale Studios in Delaware Road, Maida Vale, London. The Workshop was closed in March 1998, although much of its traditional work had already been outsourced by 1995.

As the sixties drew to a close many of the techniques used by the Workshop changed as more electronic music began to be produced by synthesisers. Many of the old members of the Workshop were reluctant to use the new instruments, often because of the limitations and unreliable nature of many of the early synthesisers but also, for some, because of a dislike of the sounds they created. This led to many leaving the workshop making way for a new generation of musicians in the early 1970s including Malcolm Clarke, Paddy Kingsland, Roger Limb and Peter Howell. From the early days of a studio full of tape reels and electronic oscillators, the Workshop now found itself in possession of various synthesisers including the EMS VCS 3 and the EMS Synthi 100 nicknamed the "Delaware" by the members of the Workshop. In 1977, Workshop co-founder Desmond Briscoe retired from organisational duties with Brian Hodgson, returning after a five-year gap away from the Workshop, taking over. By this point the output of the Workshop was vast with high demand for complete scores for programmes as well as the themes and sound effects for which it had made its name. By the end of the decade the workshop was contributing to over 300 programmes a year from all departments of the BBC and had long since expanded from its early two room setup. Its contributions included material for programmes such as The Body in Question, Blue Peter and Tomorrow's World as well as sound effects for popular science fiction programmes Blake's 7 and The Hitchhiker's Guide to the Galaxy (in both its radio and television forms) by Richard Yeoman-Clark and Paddy Kingsland respectively. CANNOTANSWERAnswer this question using a quote from the following article:

What there other shows that were popular as well?

as well as sound effects for popular science fiction programmes Blake's 7 and The Hitchhiker's Guide to the Galaxy
Background: Keith Lionel Urban was born on 26 October 1967, in Whangarei, New Zealand, He is the youngest son of Marienne and Robert "Bob" Urban. At the age of 13, he attended Sir Edmund Hillary College in Otara, South Auckland, New Zealand and by the age of 17, he lived with his parents in Caboolture, Queensland, Australia. His father, who owned a convenience store, put an advertisement for a guitar teacher in his shop window. Urban took lessons from his teacher, Sue McCarthy and began entering local competitions, in addition to acting in a local theater company.
Context: In June 2015, Urban released "John Cougar, John Deere, John 3:16", as the lead single to his eighth American studio album, Ripcord. In October 2015, Urban teased a new song called "Break on Me"; it was released to the public on 23 October. It reached number one on the Country Airplay chart. On 22 September 2015, Urban celebrated the 10th anniversary of his third studio album Golden Road being certified triple platinum, for sales of three million copies of his record. "Wasted Time" was released as the album's third single and it went on to reach the number one spot on the Country Airplay chart. "Blue Ain't Your Color" was released as the album's fourth single and became a huge hit for Urban. It topped the Hot Country Songs chart as well as the Country Airplay Chart, spending twelve weeks at number one on the former chart. "The Fighter", a duet with Carrie Underwood, was released as the fifth single from the album. In 2016, Urban was selected as one of thirty artists to perform on "Forever Country", a medley of "Take Me Home, Country Roads", "On the Road Again", and "I Will Always Love You" which celebrates 50 years of the CMA Awards. On 8 November 2017, Urban released "Female", which has been described as "an empowerment anthem partially inspired by the Harvey Weinstein scandal." Urban said of the song that "as a husband and a father of two young girls, it affects me in a lot of ways. And as a son -- my mother is alive. It just speaks to all of the females in my life, particularly. For a guy who grew up with no sisters in a house of boys, it's incredible how now I'm surrounded by girls. But not only in my house; I employ a huge amount of women in my team. The song just hit me for so many reasons." Kidman provided background vocals on the song, which was slated to be the lead single for Urban's upcoming studio album. CANNOTANSWER
Question: What is ripcord?

Answer:

eighth American studio album,
The Mashantucket Pequot Tribal Nation is a federally recognized Native American nation in the state of Connecticut. They are descended from the Pequot people, an Algonquian-language tribe that dominated the southern New England coastal areas. Within their reservation in Ledyard, New London County, the Mashantucket Pequot own and operate Foxwoods Resort Casino. As of 2012, it is the world's largest resort casino in terms of gambling space and number of slot machines.

By the time of the 1910 US Census, only 13 tribal members lived on the reservation. By the early 20th century, the reservation of 214 acres had a total population of 20 or 30 persons. In 1973, with the death of Elizabeth George (1894-1973), the last Pequot living on the reservation, the federal government started planning to take back the land. But in this period, the number of tribal members had increased, and they had maintained some continuity of culture. They began to organize politically and planned to assert their sovereignty and try to reclaim some of the land they had lost in the 19th-century Connecticut sale. In 1976, under the leadership of newly appointed tribal council chairman, Richard "Skip" Hayward, son of Elizabeth George, the Mashantucket Pequot filed a federal land claim against the state. They challenged the state's illegal sale of more than 800 acres of reservation lands in 1855. The US Department of Justice entered the suit, as it dealt with federal issues and constitutionality of the state action. The suit's settlement was documented by federal legislation in 1983: the Mashantucket Pequot Indian Land Claims Settlement Act included the tribe's federal recognition, and was signed into law by President Ronald Reagan. also filing a federal land claims suit against the state of Connecticut for its sale of land in 1855. The tribe achieved political success by persuading Congressmen and appropriate committees in making the case for recognition and land claims. In this period, some tribes based in New York filed land claim suits against its state government, winning in court. On October 18, 1983, President Ronald Reagan signed the Connecticut Indian Land Claims Settlement Act, which included federal recognition of the Mashantucket Pequot. They were the eighth American Indian tribe to gain federal recognition through an act of Congress rather than through the administrative process of the Bureau of Indian Affairs (BIA) and Department of Interior. At least one other case of recognition had also been tied to the settlement of a tribe's legitimate land claim. The Mashantucket Pequot have since added to their reservation by purchase and placed the additional lands into trust with the Bureau of Indian Affairs (BIA) on behalf of the tribe. As of the 2000 census, their total land area was 2.17 square miles (5.6 km2). CANNOTANSWER

Was the government successful in taking back the land?

The tribe achieved political success by persuading Congressmen and appropriate committees in making the case for recognition and land claims.
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Sir Ronald Ross  (13 May 1857 - 16 September 1932), was a British medical doctor who received the Nobel Prize for Physiology or Medicine in 1902 for his work on the transmission of malaria, becoming the first British Nobel laureate, and the first born outside Europe. His discovery of the malarial parasite in the gastrointestinal tract of a mosquito in 1897 proved that malaria was transmitted by mosquitoes, and laid the foundation for the method of combating the disease. He was a polymath, writing a number of poems, published several novels, and composed songs. He was also an amateur artist and natural mathematician.

Ronald Ross was noted to be eccentric and egocentric, described as an "impulsive man". His professional life appeared to be in constant feud with his students, colleagues and fellow scientists. His personal vendetta with G.B. Grassi became a legendary tale in science. He was openly envious of his mentor Patrick Manson's affluence from private practices. This was largely due to his own ineptitude to compete with other physicians. His Memories of Sir Patrick Manson (1930) was a direct attempt to belittle Manson's influences on his works on malaria. He hardly had good ties with the administration of Liverpool School of Tropical Medicine, complaining of being underpaid. He resigned twice, and was eventually discharged without any pension. Ross was frequently embittered by lack of government support (what he called "administrative barbarism") for scientists in medical research. In 1928 he advertised his papers for sale in Science Progress, with a statement that the money was for financial support of his wife and family. Lady Houston bought them for PS2000, and offered them to the British Museum, which turned her down for various reasons. The papers are now preserved by the London School of Hygiene and Tropical Medicine and the Royal College of Physicians and Surgeons of Glasgow. In 1889 Ross married Rosa Bessie Bloxam (d.1931). They had two daughters, Dorothy (1891-1947) and Sylvia (1893-1925), and two sons, Ronald Campbell (1895-1914) and Charles Claye (1901-1966). His wife died in 1931. Ronald and Sylvia pre-deceased him too: Ronald was killed at the Battle of Le Cateau on 26 August 1914. Ross died at the hospital of his namesake after a long illness and asthma attack. He was buried at the nearby Putney Vale Cemetery, next to his wife. CANNOTANSWER

Ronald Ross
Background: His mother, Emma Berdis Jones, left his biological father because of his drug abuse. She moved to Harlem, New York, where Baldwin was born in Harlem Hospital. In New York, his mother married a preacher, David Baldwin, with whom she had eight children, born between 1927 and 1943; her husband also had one son from a previous marriage who was nine years older than James. The family was poor and Baldwin's stepfather was harder on him than on the rest of the children.
Context: Growing up in Harlem, Baldwin faced many obstacles, one of which was his education. "I knew I was black, of course, but I also knew I was smart. I didn't know how I would use my mind, or even if I could, but that was the only thing I had to use," he said. Baldwin attended P.S. 24 on 128th Street, between Fifth and Madison Avenues in Harlem, where he wrote the school song which was used until the school closed. As recounted in "Notes of a Native Son," when he was nine and a half years old, Baldwin wrote a play that was directed by a teacher at his school. Seeing his talent and potential, she offered to take him to "real" plays. This caused some backlash from Baldwin's stepfather because the teacher was white. His uncertainty was ultimately overruled by Baldwin's mother who said that "it would not be very nice to let such a kind woman make the trip for nothing." When his teacher came to pick him up, Baldwin noticed that his stepfather was filled with disgust. Baldwin later realized that this encounter was an "unprecedented and frightening" situation for his parents: "It was clear, during the brief interview in our living room, that my father was agreeing very much against his will and that he would have refused permission if he had dared. The fact that he did not dare caused me to despise him: I had no way of knowing that he was facing in that living room a wholly unprecedented and frightening situation." His middle school years were spent at Frederick Douglass Junior High where he was influenced by poet Countee Cullen, a leading figure in the Harlem Renaissance, and was encouraged by his math teacher to serve as editor of the school newspaper, The Douglass Pilot. (Directly preceding him at Frederick Douglass were Brock Peters, the future actor, and Bud Powell, the future jazz pianist.) Also in "Notes of a Native Son," Baldwin gives advice to little James to "Take no one's word for anything, including mine--but trust your experience." He then went on to DeWitt Clinton High School in the Bronx's Bedford Park section. There, along with Richard Avedon, Baldwin worked on the school magazine as literary editor but disliked school because of the constant racial slurs. CANNOTANSWER
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Lombardo was born in London, Ontario, to Italian immigrants, Gaetano Sr. and Lena Lombardo. His father, who had worked as a tailor, was an amateur singer with a baritone voice and had four of his five sons learn to play instruments so they could accompany him. Lombardo and his brothers formed their first orchestra while still in grammar school and rehearsed in the back of their father's tailor shop. Lombardo first performed in public with his brother Carmen at a church lawn party in London in 1914.

Lombardo was also an important figure in hydroplane speedboat racing, winning the Gold Cup in 1946 in his record-breaking speedboat, Tempo VI, designed and built by John L. Hacker. He then went on to win the Ford Memorial competition in 1948 and the President's Cup and the Silver Cup in 1952. From 1946 to 1949, he was the reigning US national champion. Before his retirement from the sport in the late 1950s, he had won every trophy in the field. In 1959 Lombardo was attempting a run on the absolute water speed record with the jet engine powered Tempo Alcoa when it was destroyed on a radio controlled test run doing over 250 miles per hour (400 km/h). After the destruction of the Tempo Alcoa, Lombardo retired from hydroplane racing. In 2002 he was inducted into the Canadian Motorsport Hall of Fame for his accomplishments. Beginning in 1958, Lombardo endorsed the Guy Lombardo Royal Fleet, a line of fiberglass boats manufactured and sold by the United States Boat Corporation of Newark, New Jersey, a division of U.S. Pools Corporation. The boats were manufactured under license from Skagit Plastics of La Conner, Washington. The endeavor was short-lived and ended in 1961 with the closure of Skagit Plastics. In his later years, Lombardo lived in Freeport, Long Island, New York where he kept Tempo, Tempo VI, and Tempo VII (built in 1955). He invested in a nearby seafood restaurant called "Liota's East Point House" that eventually became "Guy Lombardo's East Point House". Lombardo became promoter and musical director of Jones Beach Marine Theater. The venue was built with him in mind by Robert Moses, a fan of Lombardo. One of Lombardo's productions at Jones Beach was Paradise Island in 1961. His final production there was the 1977 staging of Finian's Rainbow with Christopher Hewett in the title role. CANNOTANSWER

Guy Lombardo
Walk Among Us was released in March 1982 through Ruby and Slash Records. It was the first full-length Misfits album to be properly released, and the only album to be released while the early incarnation of the band was still active. A national tour in support of the album followed, and the band's performances began to grow more intense and violent. Danzig and Googy clashed frequently during the tour, and after a heated argument at a McDonald's restaurant Danzig kicked Googy out of the band, delaying their plans to record their next EP. They offered the vacant drummer position to their friend Eerie Von, who had served as their occasional roadie and photographer, but he had already committed to drumming for Rosemary's Babies. Henry Rollins recommended former Black Flag drummer Robo, who flew to New Jersey to join the Misfits in July 1982. Doyle graduated from high school and he and Only began working full-time at their father's machine shop, earning money to purchase new instruments, fund the band's tours, and press records, while Danzig ran the Fiend Club and continued writing new songs. In September 1982 the Misfits embarked on a national tour, with the Necros as their opening act. During the tour they stopped at a studio to record the instrumental tracks for their next EP. They were arrested in New Orleans on charges of grave robbing while attempting to locate the grave of voodoo practitioner Marie Laveau, but bailed themselves out of jail and skipped their court date in order to drive to their next performance in Florida. Following the tour they released seven songs from the November 1981 performance in San Francisco in limited numbers only to members of the Fiend Club as the Evilive EP. By this time Danzig was growing increasingly dissatisfied with the Misfits and had begun writings songs for a new band project. In June 1983 he confided to Henry Rollins that he planned to quit the group. In July 1983 the Misfits finished recording their EP, and Danzig decided to record two more songs that he had intended for his new project, turning it into a full album. Earth A.D./Wolfs Blood demonstrated the increased influence of hardcore punk and heavy metal on the band, though they would break up just two months before it was released. After a series of arguments with Danzig, Robo left the band in August and Danzig became further disenchanted, beginning to audition musicians for his next project. On October 29, 1983, the Misfits played their annual Halloween performance at Greystone Hall in Detroit with the Necros. Danzig had selected Brian Damage, formerly of Genocide and Verbal Abuse, as the band's new drummer. However, Damage became drunk before the show and could not play properly. After several songs Doyle escorted him off the stage and Todd Swalla of the Necros filled in for the remainder of the performance. Tensions came to a head and Danzig announced to the audience that it would be the band's final show. Upon returning to Lodi the band members went their separate ways. CANNOTANSWER

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Koufax was born in Brooklyn, New York, to a Jewish family, and raised in Borough Park. His parents, Evelyn (nee Lichtenstein) and Jack Braun, divorced when he was three years old. His mother was remarried when he was nine, to Irving Koufax. Shortly after his mother's remarriage, the family moved to the Long Island suburb of Rockville Centre.

In 1963, Major League Baseball expanded the strike zone. Compared to the previous season, National League walks fell 13 percent, strikeouts increased six percent, the league batting average fell from .261 to .245, and runs fell 15 percent. Koufax, who had reduced his walks allowed per nine innings to 3.4 in 1961 and 2.8 in 1962, reduced his walk rate further to 1.7 in 1963, which ranked fifth in the league. The top pitchers of the era - Don Drysdale, Juan Marichal, Jim Bunning, Bob Gibson, Warren Spahn, and above all Koufax - significantly reduced the walks-given-up-to-batters-faced ratio for 1963, and subsequent years. On May 11, Koufax no-hit the San Francisco Giants 8-0, besting future Hall of Fame pitcher Juan Marichal--himself a no-hit pitcher a month later, on June 15. Koufax carried a perfect game into the eighth inning against the powerful Giants lineup, including future Hall of Famers Willie Mays, Willie McCovey, and Orlando Cepeda. He walked Ed Bailey on a 3-and-2 pitch in the 8th, and pinch-hitter McCovey on four pitches in the 9th, before closing out the game. As the Dodgers won the pennant, Koufax won the pitchers' Triple Crown, leading the league in wins (25), strikeouts (306) and ERA (1.88). Koufax threw 11 shutouts, setting a new post-1900 record for shutouts by a left-handed pitcher that stands to this day (the previous record of 10 shutouts had been held by Carl Hubbell for 30 years). Only Bob Gibson, a right-hander, has thrown more shutouts (13) since, and that was in 1968, "the year of the pitcher." Koufax won the NL MVP Award and the Hickok Belt, and was the first-ever unanimous selection for the Cy Young Award. Facing the Yankees in the 1963 World Series, Koufax beat Whitey Ford 5-2 in Game 1 and struck out 15 batters -- including the first 5, breaking Carl Erskine's decade-old record of 14 (Gibson would break Koufax's record by striking out 17 Detroit Tigers in the 1968 World Series opener). After seeing Koufax's Game 1 performance, Yogi Berra said, "I can see how he won 25 games. What I don't understand is how he lost five," to which Maury Wills responded, "He didn't. We lost them for him." In Game 4, Koufax completed the Dodgers' series sweep with a 2-1 victory over Ford, clinching the Series MVP Award for his performance. CANNOTANSWER

How did Koufax perform in the post-season?

Facing the Yankees in the 1963 World Series, Koufax beat Whitey Ford 5-2 in Game 1 and struck out 15 batters
Jennifer Mulhern Granholm (born February 5, 1959) is a Canadian-born American politician, lawyer, educator, author, political commentator and member of the Democratic Party who served as the Attorney General of Michigan from 1999 to 2003 and as the Governor of Michigan from 2003 to 2011. In January 2017, she became a CNN political contributor. Born in Vancouver, British Columbia, Granholm moved from Canada to California at age four. She graduated from San Carlos High School and briefly attempted an acting career, then held a variety of jobs before attending the University of California, Berkeley.

Thirty-seven year Democratic Attorney General Frank J. Kelley chose not to run for a 10th term in 1998 and Granholm entered the race to succeed him. Unopposed for the Democratic nomination, she faced Republican John Smietanka, the 1994 nominee and former U.S. Attorney for the Western District of Michigan, in the general election. The campaign began as a relatively friendly one, with both agreeing that they wanted to expand the Internet Crimes Unit, start neighbourhood-based crime-fighting programmes and continue working as a consumer advocate, as Kelley had done. However, the race turned bitter in mid-September, when Smietanka ran television ads that called Granholm an "inexperienced" and "dangerous" liberal. He also tried to link Granholm to Democratic gubernatorial nominee Geoffrey Fieger's crime plan, which called for greater emphasis on rehabilitation for non-violent criminals and shortening their prison terms. Granholm, who had disavowed Fieger's crime plan the day it was released, said that the claim was "a lie, just a lie" and that as Attorney General, "you are the person who is to protect the consumer from deceitful ads." Asked what separated her from Smietanka, Granholm replied, "besides honesty?" Kelley also came to Granholm's defence, starring in an advertisement where he called Smietanka's ads "garbage" and a "con" and accused him of running a "dishonest campaign". For his part, Smietanka was angered by Democratic advertisements that referred to late child support payments he had made and claimed that he had lied about how much of his own money he donated to his campaign. After a close race, with polls showing the two candidates with virtually identical votes, Granholm defeated Smietanka by 1,557,310 votes (52.09%) to 1,432,604 (47.91%). After Granholm was elected Governor in 2002, arguments broke about between Smietanka and then-Republican Governor John Engler about who was most responsible for Granholm's meteoric rise in Michigan politics. Smietanka blamed Engler for trying to force him out of the 1998 race in favour of G. Scott Romney, for dredging up the issue of his missed child support payments and for not supporting him more fully after he defeated Romney at the Republican convention. Engler contested that Smietanka was a weak candidate who should have stepped aside for Romney, who would have beaten the inexperienced Granholm; she would then not have had a launch pad for her gubernatorial campaign in 2002. CANNOTANSWER

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Sir John Major  (born 29 March 1943) is a British politician who served as Prime Minister of the United Kingdom and Leader of the Conservative Party from 1990 to 1997. He served as Foreign Secretary and then Chancellor of the Exchequer in the Thatcher Government from 1989 to 1990, and was the Member of Parliament (MP) for Huntingdon from 1979 until his retirement in 2001. Since the death of Margaret Thatcher in 2013, Major has been the oldest living former Prime Minister. Born in St Helier, Surrey, Major grew up in Brixton.

Major's second honeymoon as Prime Minister following his election victory did not last long. On 16 September 1992, the UK was forced to exit the Exchange Rate Mechanism (ERM) in difficult circumstances, in a day which would come to be known as "Black Wednesday", with billions of pounds wasted in a futile attempt to defend the value of sterling. The upheaval caused by the day's events was such that Major came close to resigning as Prime Minister, preparing an unsent letter of resignation addressed to the Queen. Although Major continued to defend Britain's membership of the ERM, stating that "the ERM was the medicine to cure the ailment, but it was not the ailment", the disaster of Black Wednesday left the Government's economic credibility irreparably damaged. Major kept his economic team unchanged for seven months after Black Wednesday before eventually sacking Norman Lamont as Chancellor of the Exchequer, replacing him with Kenneth Clarke. This came after months of press criticism of Lamont and a heavy defeat at a by-election in Newbury. His delay in sacking Lamont was exploited by Major's critics both inside and outside of his party, who used it to claim Major was too indecisive. Immediately after Black Wednesday, the Conservatives fell far behind Labour in the opinion polls and Major would never be able to regain the lead for the rest of his time as Prime Minister, being trounced in local council elections and the European parliament elections on the way, as well as suffering a string of by-election defeats which gradually wiped out the Conservative majority. Within a year of his triumphant election victory, public opinion on Major plummeted, with Black Wednesday, mine closures, the Maastricht dispute and high unemployment being cited as four key areas of dissatisfaction with the Prime Minister. Newspapers which traditionally supported the Conservatives and had championed Major at the election were now being severely critical of him almost daily. The UK's forced withdrawal from the ERM was succeeded by a partial economic recovery with a new policy of flexible exchange rates, allowing lower interest rates and devaluation, thereby increasing demand for UK goods in export markets. The recession that had started shortly before Major became Prime Minister was declared over in April 1993, when the economy grew by 0.2%. Unemployment also started to fall; it had stood at nearly 3 million by the end of 1992, but the spring of 1997 it had fallen to 1.7 million. CANNOTANSWER

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Wilhelm Richard Wagner (; German: ['RicaRt 'va:gna]

Not all reaction to Wagner was positive. For a time, German musical life divided into two factions, supporters of Wagner and supporters of Johannes Brahms; the latter, with the support of the powerful critic Eduard Hanslick (of whom Beckmesser in Meistersinger is in part a caricature) championed traditional forms and led the conservative front against Wagnerian innovations. They were supported by the conservative leanings of some German music schools, including the conservatories at Leipzig under Ignaz Moscheles and at Cologne under the direction of Ferdinand Hiller. Another Wagner detractor was the French composer Charles-Valentin Alkan, who wrote to Hiller after attending Wagner's Paris concert on 25 January 1860 at which Wagner conducted the overtures to Der fliegende Hollander and Tannhauser, the preludes to Lohengrin and Tristan und Isolde, and six other extracts from Tannhauser and Lohengrin: "I had imagined that I was going to meet music of an innovative kind but was astonished to find a pale imitation of Berlioz ... I do not like all the music of Berlioz while appreciating his marvellous understanding of certain instrumental effects ... but here he was imitated and caricatured ... Wagner is not a musician, he is a disease." Even those who, like Debussy, opposed Wagner ("this old poisoner") could not deny his influence. Indeed, Debussy was one of many composers, including Tchaikovsky, who felt the need to break with Wagner precisely because his influence was so unmistakable and overwhelming. "Golliwogg's Cakewalk" from Debussy's Children's Corner piano suite contains a deliberately tongue-in-cheek quotation from the opening bars of Tristan. Others who proved resistant to Wagner's operas included Gioachino Rossini, who said "Wagner has wonderful moments, and dreadful quarters of an hour." In the 20th century Wagner's music was parodied by Paul Hindemith and Hanns Eisler, among others. Wagner's followers (known as Wagnerians or Wagnerites) have formed many societies dedicated to Wagner's life and work. CANNOTANSWER

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Miyavi was born in the Nishikujo district in Konohana-ku ward, Osaka, Osaka Prefecture, to a Korean Japanese father and a Japanese mother. After the first grade, he moved to Kawanishi. His father's family, surnamed Lee, came from Jeju Island. Miyavi says that as a child he was a good student and enjoyed playing football.

On February 17, Miyavi, having been invited by the break dancer Mr. Freeze, performed with the local DJ and percussionist at his first solo concert in the United States, at the Tabu Ultra Lounge in the MGM Grand, Las Vegas. On May 25, at the JRock Revolution concert organized by Yoshiki Hayashi at the Wiltern Theatre in Los Angeles, it was officially announced that Miyavi would be a member of a band named S.K.I.N.. On June 29, the band held their debut and their only concert yet at the anime expo in Long Beach, California. In June, Miyavi's seventh major single (and 14th overall), "Sakihokoru Hana no you ni -Neo Visualizm-/Kabuki Danshi", was released in Japan, which charted as twelfth. In July, a remixed extended play, 7 Samurai Sessions -We're Kavki Boiz-, was released, which includes re-arrangements of his past songs. It charted as forty-fourth. It was followed by Miyavi's nationwide tour, which started on July 16. He also performed at Animagic in Bonn, Germany, and in Seoul, South Korea. In November his tenth major single was released, "Subarashikikana, Kono Sekai - What A Wonderful World", which charted as thirteenth. On January 16, 2008, his ninth major single was released, "Hi no Hikari Sae Todokanai Kono Basho De", on which he collaborated with fellow Skin guitarist Sugizo. It is his third single to enter the top ten. On March 19, his fourth major studio album was released, titled, This Iz the Japanese Kabuki Rock, which charted as twenty-fifth. In May, it was followed by his very first worldwide tour, This Iz The Japanese Kabuki Rock Tour 2008, with 33 concerts in the United States, Chile, Brazil, Germany, England, the Netherlands, Spain, Sweden, Finland, France, Taiwan, South Korea, China and Japan. The tour covered a distance of approximately 48,385 miles, equivalent to almost two trips around the world, and the majority of the concerts were sold out and covered extensively by media organizations. It was the most successful international tour undertaken by a Japanese artist in history. On June 27, a compilation album, Azn Pride -This Iz the Japanese Kabuki Rock-, was released in Korea and Taiwan, later also in Japan, which charted as forty-fourth. In September he performed in Beijing, China. On December 24, a remix album was released, Room No. 382, which failed to enter the top hundred. CANNOTANSWER

Miyavi
Background: Ricardo Alonso Gonzalez (May 9, 1928 - July 3, 1995), usually known as Pancho Gonzales, and sometimes as Richard Gonzales, was an American tennis player who has been rated one of the greatest in the history of the sport. He won 14 major singles titles (12 Pro Slam, 2 Grand Slam) and was the dominant professional of the 1950s; he still holds the men's all-time record of being ranked world No. 1 for eight years. Gonzales was a ruthless competitor with a fierce temper. Many of his peers on the professional circuit were intimidated by him, and he was often at odds with officials and promoters.
Context: In 1969, it was Gonzales's turn to prevail in the longest match ever played till that time, one so long and arduous that it resulted in the advent of tie break scoring. As a 41-year-old at Wimbledon, Gonzales met Charlie Pasarell, a Puerto Rican younger than Gonzales by 16 years who revered his opponent. Pasarell won a titanic first set, 24-22, then with daylight fading, the 41-year-old Gonzales argued that the match should be suspended. The referee didn't relent, and thus the petulant Gonzales virtually threw the second set, losing it 6-1. At the break, the referee agreed the players should stop. Gonzales was booed as he walked off Centre Court. The next day, the serves, the volleys and all the prowess that made Gonzales a fiery competitor surfaced with trademark vengeance. Pasarell, seeking to exploit Gonzales's advanced years, tried to aim soft service returns at Gonzales's feet and tire him with frequent lobs. At one changeover Gonzales said, "Charlie, I know what you're doing - and it's not working!" Gonzales rebounded to win three straight sets, 16-14, 6-3, 11-9. In the fifth set, Gonzales saved all seven match points that Pasarell had against him, twice coming back from 0-40 deficits, to walk off the court the eventual winner in a 5-hour, 12-minute epic. The final score was an improbable 22-24, 1-6, 16-14, 6-3, 11-9. Gonzales went on to the fourth round of the championship, where he was beaten in four sets by Arthur Ashe. The match with Pasarell, however, is still remembered as one of the highlights in the history of tennis and has been called one of "The Ten Greatest Matches of the Open Era" in the November/December 2003 issue of TENNIS magazine. But it was not this match alone which gave Gonzales the reputation, among the top players, of being the greatest long-match player in the history of the game. The match would (largely due to the introduction of the tie break) remain the longest in terms of games played until the historic, 11 hours and 183 games long Isner-Mahut match at the 2010 Wimbledon Championships. CANNOTANSWER
Question: What was the greatest match ever?. Whats the answer?

In 1969, it was Gonzales's turn to prevail in the longest match ever played till that time,
Answer by taking a quote from the following article:

Sir Thomas Malory (c. 1415 - 14 March 1471) was an English writer, the author or compiler of Le Morte d'Arthur (originally titled, The Whole Book of King Arthur and His Noble Knights of the Round table). Since the late nineteenth century, he has generally been identified as Sir Thomas Malory of Newbold Revel in Warwickshire, a knight, land-owner, and Member of Parliament. Previously, it was suggested by antiquary John Leland and John Bale that he was Welsh (identifying "Malory" with "Maelor"). The name could also be rooted in Irish & Scottish Gaelic and mean "follower of the king," as in "maol" ("follower") and "ry" or "ree" ("king"). "

Most of what is known about Malory stems from the accounts describing him in the prayers found in the Winchester Manuscript. He is described as a "knyght presoner", distinguishing him from the other six individuals also bearing the name Thomas Malory in the 15th century when Le Morte d'Arthur was written. At the end of the "Tale of King Arthur" (Books I-IV in the printing by William Caxton) is written: "For this was written by a knight prisoner Thomas Malleorre, that God send him good recovery." At the end of "The Tale of Sir Gareth" (Caxton's Book VII): "And I pray you all that readeth this tale to pray for him that this wrote, that God send him good deliverance soon and hastily." At the conclusion of the "Tale of Sir Tristram" (Caxton's VIII-XII): "Here endeth the second book of Sir Tristram de Lyones, which was drawn out of the French by Sir Thomas Malleorre, knight, as Jesu be his help." Finally, at the conclusion of the whole book: "The Most Piteous Tale of the Morte Arthure Sanz Gwerdon par le shyvalere Sir Thomas Malleorre, knight, Jesu aide ly pur votre bon mercy." However, all these are replaced by Caxton with a final colophon reading: "I pray you all gentlemen and gentlewomen that readeth this book of Arthur and his knights, from the beginning to the ending, pray for me while I am alive, that God send me good deliverance and when I am dead, I pray you all pray for my soul. For this book was ended the ninth year of the reign of King Edward the Fourth by Sir Thomas Maleore, knight, as Jesu help him for his great might, as he is the servant of Jesu both day and night." It should be noted that, with the exception of the first sentence of the final colophon, all the above references to Thomas Malory as a knight are, grammatically speaking, in the third person singular, which leaves open the possibility that they were added by a copyist, either in Caxton's workshop or elsewhere. However, scholarly consensus, as has been previously mentioned in this article, is that these references to knighthood refer to a real person and that that person is the author of Le Morte D'Arthur. The author was educated, as some of his material "was drawn out of the French," which suggests that he might have been from a wealthy family. A claimant's age must also fit the time of writing. CANNOTANSWER

who made him a knight

CANNOTANSWER
The elder child of Dale Burdell Ride and Carol Joyce (nee Anderson), Ride was born in Los Angeles. She had one sibling, Karen "Bear" Ride, who is a Presbyterian minister. Both parents were elders in the Presbyterian Church. Ride's mother had worked as a volunteer counselor at a women's correctional facility.

In 1987, Ride left her position in Washington, D.C., to work at the Stanford University Center for International Security and Arms Control. In 1989, she became a professor of physics at the University of California, San Diego, and director of the California Space Institute. From the mid-1990s until her death, Ride led two public-outreach programs for NASA--the ISS EarthKAM and GRAIL MoonKAM projects, in cooperation with NASA's Jet Propulsion Laboratory and UCSD. The programs allowed middle school students to request images of the Earth and moon. In 1999, she acted in the season 5 finale of Touched by an Angel, titled "Godspeed". In 2003, she was asked to serve on the Columbia Accident Investigation Board. She was the president and CEO of Sally Ride Science, a company she co-founded in 2001 that creates entertaining science programs and publications for upper elementary and middle school students, with a particular focus on girls. According to Roger Boisjoly, the engineer who warned of the technical problems that led to the Challenger disaster, after the entire workforce of Morton-Thiokol shunned him Ride was the only public figure to show support for him when he went public with his pre-disaster warnings. Sally Ride hugged him publicly to show her support for his efforts. Ride wrote or co-wrote seven books on space aimed at children, with the goal of encouraging children to study science. Ride endorsed Barack Obama for U.S. President in 2008. She was a member of the Review of United States Human Space Flight Plans Committee, an independent review requested by the Office of Science and Technology Policy (OSTP) on May 7, 2009. CANNOTANSWER

Using a quote from the above article, answer the following question: How long was she there?

In 1989, she became a professor of physics at the University of California, San Diego, and director of the California Space Institute.
In 2005, Grammer returned to television. He produced and appeared in an American adaptation of the British show The Sketch Show, which aired on Fox. The main cast consisted of Malcolm Barrett, Kaitlin Olson, Mary Lynn Rajskub and Paul F. Tompkins, as well as Lee Mack from the British version of the show. Grammer appeared in only short opening and closing segments in each episode. Many of the sketches from the British version were re-created, such as the "California Dreamin'", "English Course", and "Sign Language" sketches. Only six episodes of the show were made, and it was canceled after only four of them had aired. In 2007, Grammer starred with Patricia Heaton in the American sitcom Back to You. It was canceled by Fox after its first season. His next attempt, ABC's Hank, fared even worse. It was canceled after only five episodes had aired. Grammer later commented, "Honestly, it just wasn't very funny." In 2011 and 2012, Grammer starred in the Starz drama series Boss as a fictional mayor of Chicago in the mold of Richard J. Daley which premiered in October 2011. It was his first dramatic TV series. At the 2012 Golden Globe Awards Kelsey Grammer won the award for Best Actor in a Television Series Drama for his role on Boss. The show ran for 18 episodes over two seasons. Grammer played a villain in the Paramount's Transformers movies' fourth installment, Transformers: Age of Extinction, starring Mark Wahlberg. Grammer paired up with comedian/actor Martin Lawrence to star in the comedy Partners for Lionsgate TV. The Lionsgate-produced show would be written and executive produced by Robert L. Boyett and Robert Horn, known for writing hit shows like Family Matters, Living Single, Full House, Designing Women, and Perfect Strangers. CANNOTANSWER

Answer this question "did he win any awards?" by extracting the answer from the text above.

the award for Best Actor in a Television Series Drama for his role on Boss.
Background: Faye Wong (born 8 August 1969) is a Hong Kong singer-songwriter and actress, often referred to as the "diva" (Chinese: Tian Hou ; literally: "Heavenly Queen") among Chinese speakers. Early in her career she briefly used the stage name Shirley Wong. Born in Beijing, she moved to British Hong Kong in 1987 and came to public attention in the early 1990s by singing in Cantonese, often combining alternative music with mainstream Chinese pop. Since 1997 she has recorded mostly in her native Mandarin.
Context: Besides two Cantonese albums in 1994, Wong released two other albums in Mandarin in Taiwan, Mystery (Mi ) and Sky (Tian Kong ). The runaway hit "I'm Willing" (Wo Yuan Yi ) in Mystery became her trademark hit in the Mandarin-speaking communities for years, and has been covered by other singers such as Gigi Leung, Sammi Cheng and Jay Chou. Sky was seen by fans as a successful amalgam of artistic experimentation and commercialism. While her hits in Hong Kong were noticeably alternative, her two Mandarin albums were more lyrical and traditional. Critics generally credit Taiwanese producer Yang Ming-huang for their success. Four best-selling albums in Cantonese and Mandarin, a record-breaking 18 consecutive concerts in Hong Kong, and a widely acclaimed film (Chungking Express) made Faye Wong the most eminent female Hong Kong singer in the mid-1990s. Meanwhile, her distaste for the profit-oriented HK entertainment industry became more and more apparent. She was frequently in touch with the rock circle in Beijing. Given her somewhat reticent and nonchalant personality, she would sometimes give terse, direct, and somewhat unexpected answers when asked personal questions by the HK media. In 1995, she released Decadent Sounds of Faye (Fei Mi Mi Zhi Yin ), a cover album of songs originally recorded by her idol Teresa Teng, one of the most revered Chinese singers of the 20th century. A duet with Teng was planned for the album, but unfortunately she died before this could be recorded. Decadent Sounds sold well despite initial negative criticism, and has come to be recognised as an example of imaginative covering by recent critics. In December, she released her Cantonese album Di-Dar which mixes an alternative yodelling style with a touch of Indian and Middle Eastern flavour. This album was a success, partly because it was so different from the mainstream Cantopop music, but--ironically--a couple of very traditional romantic songs topped the charts. CANNOTANSWER
Question: What was the Mandarin Market?. Whats the answer?

Besides two Cantonese albums in 1994, Wong released two other albums in Mandarin in Taiwan,