cindermond/bento huggingface dataset:
A daughter of Charles and Anais Lenglen, Suzanne Lenglen was born in Paris. During her youth, she suffered from numerous health problems including chronic asthma, which also plagued her at a later age. Because his daughter was so frail and sickly, Charles Lenglen, the owner of a carriage company, decided that it would be good for her to compete in tennis and gain strength. Her first try at the game was in 1910, when she played on the tennis court at the family property in Marest-sur-Matz.

During this period, Lenglen's only defeat in singles (not counting pre-match withdrawals) occurred in an unscheduled appearance at the 1921 US Championships. To raise reconstruction funds for the regions of France that had been devastated by the battles of World War I, she went to the United States to play several exhibition matches against the Norwegian-born US champion, Molla Bjurstedt Mallory. Lenglen arrived in New York City the day before the tournament after a stormy and delayed sea voyage, during which she was ill the whole time. Upon arrival, Lenglen learned that, without her permission, tournament officials had announced her participation in the US Championships. Because of immense public pressure, she agreed to play in the tournament despite suffering from what was diagnosed later as whooping cough. As a concession, she was given a day to recover. To her surprise, there was no seeding for the event and her name had been drawn to play Eleanor Goss, a leading American player. Goss immediately defaulted, leaving Lenglen to face Mallory in the second round as her first opponent. In their match, Lenglen lost the first set 6-2 and just as the second set got underway, she began coughing and burst into tears, unable to continue. The crowd jeered her as she walked off the court, and the American press severely criticised her. This worsened when, under doctor's orders after it was confirmed that she was afflicted with whooping cough, she cancelled her exhibition match. Unaccustomed to such treatment, a devastated Lenglen went home. Once healthy, she set about preparing herself for redemption. In the singles final at Wimbledon the following year, she defeated Mallory in only 26 minutes, winning 6-2, 6-0, reputedly the fastest Ladies' major tournament match on record. The two met again later that year at a tournament in Nice where, with Lenglen showing her complete mastery of the sport, Mallory failed to win even one game. Mary K. Browne relates that she asked Lenglen how she greeted Mallory at the net after the game when they met to shake hands. She said that Lenglen told her that after shaking hands she emitted a couple of gentle 'coughs'. CANNOTANSWER

Answer the following question by taking a quote from the article: Did she win?

To her surprise, there was no seeding for the event and her name had been drawn to play Eleanor Goss, a leading American player.
Micheal Ray Stevenson was born in Compton, California, on November 19, 1989, and raised there until he "was about 11, 12," before moving to Gardena, California. He is of Vietnamese and Jamaican descent. He grew up listening to Fabolous, Lil Wayne, Cam'ron and Eminem among others. On December 3, 2012, debate arose concerning Tyga's upbringing.

Careless World: Rise of the Last King was his second studio album. The album was released on February 21, 2012 on Young Money Entertainment, Cash Money Records, and Universal Republic Records. Careless World: Rise of the Last King is a move to the rapping style he featured in the collaboration album We Are Young Money rather me than the poppy dance element shown on No Introduction. Tyga stated that the album shows he has grown up but still relates to the kids. Tyga released a new mixtape #BitchImTheShit in preparation for the album. The first official single, "Far Away", was released on May 17, 2011 and peaked at 86 on the Billboard Hot 100. The second official single, "Still Got It", was released on October 4, 2011 and peaked at 89 on the Billboard Hot 100. The third official single, "Rack City", was released on December 6, 2011. It was originally listed on Tyga's Well Done 2 mixtape, and was added to the album after it gained commercial success. It debuted at number 94 on the Billboard Hot 100, and has peaked at number 8 since then. The fourth official single, "Faded", was released on January 13, 2012. It peaked on the Hot 100 at #33. Tyga's sixth single, "Do My Dance" which features 2 Chainz was released on October 2, 2012 and peaked at #79 on the Billboard Hot 100. He has released various mixtapes such as well-acclaimed #BitchImTheShit and Well Done 3. That year Tyga also produced and co-directed (with Justice Young) a multi-AVN award-nominated crossover adult film, Rack City: The XXX Movie, which starred Skin Diamond, Jada Fire, Ice La Fox, Sophie Dee, Lexington Steele, Kristina Rose, London Keyes and Daisy Marie. He also signed the soundtrack, which includes the hits "Rack City" and "Faded" together with several original songs, and he appeared in the film in a non-sex role. CANNOTANSWERAnswer this question using a quote from the following article:

What was Careless world: Rise of the Last King?

Careless World: Rise of the Last King was his second studio album.
The elder child of Dale Burdell Ride and Carol Joyce (nee Anderson), Ride was born in Los Angeles. She had one sibling, Karen "Bear" Ride, who is a Presbyterian minister. Both parents were elders in the Presbyterian Church. Ride's mother had worked as a volunteer counselor at a women's correctional facility.

Ride was one of 8,000 people who answered an advertisement in the Stanford student newspaper seeking applicants for the space program. She was chosen to join NASA in 1978. During her career, Ride served as the ground-based capsule communicator (CapCom) for the second and third space shuttle flights (STS-2 and STS-3) and helped develop the space shuttle's "Canadarm" robot arm. Prior to her first space flight, she was subject to media attention due to her gender. During a press conference, she was asked questions such as, "Will the flight affect your reproductive organs?" and "Do you weep when things go wrong on the job?" Despite this and the historical significance of the mission, Ride insisted that she saw herself in only one way--as an astronaut. On June 18, 1983, she became the first American woman in space as a crew member on space shuttle Challenger for STS-7. She was preceded by two Soviet women, Valentina Tereshkova in 1963 and Svetlana Savitskaya in 1982. The five-person crew of the STS-7 mission deployed two communications satellites and conducted pharmaceutical experiments. Ride was the first woman to use the robot arm in space and the first to use the arm to retrieve a satellite. Her second space flight was in 1984, also on board the Challenger. She spent a total of more than 343 hours in space. Ride had completed eight months of training for her third flight (STS-61-M, a TDRS deployment mission) when the space shuttle Challenger disaster occurred. She was named to the Rogers Commission (the presidential commission investigating the accident) and headed its subcommittee on operations. Following the investigation, Ride was assigned to NASA headquarters in Washington, D.C., where she led NASA's first strategic planning effort, authored a report titled "NASA Leadership and America's Future in Space" and founded NASA's Office of Exploration. After Sally Ride's death in 2012, General Donald Kutyna revealed that she had discreetly provided him with key information about O-rings (namely, that they become stiff at low temperatures) that eventually led to identification of the cause of the explosion. CANNOTANSWER

Answer the following question by taking a quote from the article: What did she do at NASA?

During her career, Ride served as the ground-based capsule communicator (CapCom)
The oldest surviving Greek reference to the magi - from Greek magos (magos, plural: magoi) - might be from 6th century BCE Heraclitus (apud Clemens Protrepticus 12), who curses the magi for their "impious" rites and rituals. A description of the rituals that Heraclitus refers to has not survived, and there is nothing to suggest that Heraclitus was referring to foreigners. Better preserved are the descriptions of the mid-5th century BCE Herodotus, who in his portrayal of the Iranian expatriates living in Asia minor uses the term "magi" in two different senses. In the first sense (Histories 1.101), Herodotus speaks of the magi as one of the tribes/peoples (ethnous) of the Medes. In another sense (1.132), Herodotus uses the term "magi" to generically refer to a "sacerdotal caste", but "whose ethnic origin is never again so much as mentioned." According to Robert Charles Zaehner, in other accounts, "we hear of Magi not only in Persia, Parthia, Bactria, Chorasmia, Aria, Media, and among the Sakas, but also in non-Iranian lands like Samaria, Ethiopia, and Egypt. Their influence was also widespread throughout Asia Minor. It is, therefore, quite likely that the sacerdotal caste of the Magi was distinct from the Median tribe of the same name." Other Greek sources from before the Hellenistic period include the gentleman-soldier Xenophon, who had first-hand experience at the Persian Achaemenid court. In his early 4th century BCE Cyropaedia, Xenophon depicts the magians as authorities for all religious matters (8.3.11), and imagines the magians to be responsible for the education of the emperor-to-be. CANNOTANSWER

Answer this question "What was more sources" by extracting the answer from the text above.

According to Robert Charles Zaehner, in other accounts, "we hear of Magi not only in Persia, Parthia, Bactria, Chorasmia, Aria, Media, and among the Sakas, but also in non-Iranian lands
Nadia Elena Comaneci was born on November 12, 1961, in Onesti, which is a small town in the Carpathian Mountains, in Bacau County, Romania, in the historical region of Western Moldavia. Comaneci was born to Gheorghe and Stefania Comaneci, and has a younger brother. Her parents separated in the 1970s, and her father (1936-2012) later moved to Bucharest. She and her younger brother Adrian were raised in the faith of the Romanian Orthodox Church.

Comaneci began gymnastics in kindergarten with a local team called Flacara ("The Flame"), with coaches Duncan and Munteanu. At age 6, she was chosen to attend Bela Karolyi's experimental gymnastics school after Karolyi spotted a friend and her turning cartwheels in a schoolyard. Karolyi was looking for gymnasts he could train from a young age and saw the two girls during recess. When recess ended, the girls ran inside. Karolyi went around the classrooms trying to find them, and eventually spotted Comaneci. (The other girl, Viorica Dumitru, went on to be one of Romania's top ballerinas.) Comaneci was training with Karolyi by the time she was seven years old, in 1968. She was one of the first students at the gymnastics school established in Onesti by Bela and his wife, Marta. Unlike many of the other students at the Karolyi school, Comaneci was able to commute from home for many years because she lived in the town. In 1970, she began competing as a member of her hometown team, and became the youngest gymnast ever to win the Romanian Nationals. In 1971, she participated in her first international competition, a dual junior meet between Romania and Yugoslavia, winning her first all-around title and contributing to the team gold. For the next few years, she competed as a junior in numerous national contests in Romania and dual meets with countries such as Hungary, Italy, and Poland. At the age of 11, in 1973, she won the all-around gold, as well as the vault and uneven bars titles, at the Junior Friendship Tournament (Druzhba), an important international meet for junior gymnasts. Comaneci's first major international success came at the age of 13, when she nearly swept the 1975 European Women's Artistic Gymnastics Championships in Skien, Norway, winning the all-around and gold medals on every event but the floor exercise, in which she placed second. She continued to enjoy success that year, winning the all-around at the "Champions All" competition and placing first in the all-around, vault, beam, and bars at the Romanian National Championships. In the pre-Olympic test event in Montreal, Comaneci won the all-around and the balance beam golds, as well as silvers in the vault, floor, and bars behind accomplished Soviet gymnast Nellie Kim, who was one of her greatest rivals over the next five years. CANNOTANSWER

Ask a question about this article.

How many perfect 10.0's did Nadia Comaneci receive?
Pierino Ronald "Perry" Como (May 18, 1912 - May 12, 2001) was an American singer and television personality. During a career spanning more than half a century he recorded exclusively for the RCA Victor label after signing with it in 1943. "Mr. C.", as he was nicknamed, sold millions of records for Radio Corporation of America (RCA) and pioneered a weekly musical variety television show, which set the standards for the genre and proved to be one of the most successful in television history.

Perry Como credited Bing Crosby for influencing his voice and style. Perry Como's voice is widely known for its good-natured vocal acrobatics as portrayed in his highly popular novelty songs such as "Hot Diggity (Dog Ziggity Boom)", but there was another side to Perry Como. Music critic Gene Lees describes it in his sleeve note to Como's 1968 album Look To Your Heart: Despite his immense popularity, Como is rarely given credit for what, once you stop and think of it, he so clearly is: one of the great singers and one of the great artists of our time. Perhaps the reason people rarely talk about his formidable attributes as a singer is that he makes so little fuss about them. That celebrated ease of his has been too little understood. Ease in any art is the result of mastery over the details of the craft. You get them together to the point where you can forget about how you do things and concentrate on what you are doing. Como got them together so completely that the muscles don't even show. It seems effortless, but a good deal of effort has gone into making it seem so. Como is known to be meticulous about rehearsal of the material for an album. He tries things out in different keys, gives the song thought, makes suggestions, tries it again, and again, until he is satisfied. The hidden work makes him look like Mr. Casual, and too many people are taken in by it -- but happily so. -Gene Lees-sleeve note, Look To Your Heart From 1989 until his death in 2001, Como co-hosted a weekly syndicated radio show with John Knox, called Weekend With Perry. CANNOTANSWER

Using a quote from the above article, answer the following question: he died?

his death in 2001,
Background: Franz Ferdinand are a Scottish indie rock band, formed in 2002 and based in Glasgow. The band's original lineup was composed of Alex Kapranos (lead vocals and guitar, keyboard), Nick McCarthy (rhythm guitar, keyboards and backing vocals), Bob Hardy (bass guitar), and Paul Thomson (drums, percussion and backing vocals). Julian Corrie (keyboards, synthesiser, guitar and backing vocals) and Dino Bardot (guitar and backing vocals) joined the band in 2017 after McCarthy left during the previous year. The band has been notable for being one of the more popular post-punk revival bands, garnering multiple UK top 20 hits.
Context: The name of the band was originally inspired by a racehorse called Archduke Ferdinand. After seeing the horse win the Northumberland Plate in 2001, the band began to discuss Archduke Franz Ferdinand and thought it would be a good band name because of the alliteration of the name and the implications of the Archduke's death (his assassination was a significant factor in the lead-up to World War I). "Mainly we just liked the way it sounded," says Bob. "We liked the alliteration." "He was an incredible figure as well," continues Alex. "His life, or at least the ending of it, was the catalyst for the complete transformation of the world and that is what we want our music to be. But I don't want to over-intellectualize the name thing. Basically a name should just sound good ... like music." Paul offered, "I like the idea that, if we become popular, maybe the words Franz Ferdinand will make people think of the band instead of the historical figure" - talking to is this music?. The song "Take Me Out", on the band's first album, was the second single to be released by the band. The single release of "Take Me Out" came with the B-side, "All for You, Sophia", based on the assassination of Archduke Ferdinand and his wife, whose name was Sophie, not Sophia. The band chose the name Sophia rather than Sophie to give the song a better ring. The song mentions the assassin Gavrilo Princip, the Black Hand, the location of the Appel Quay and "Urban" (Franz Urban), the name often mistakenly given to Leopold Lojka, the driver of the car. In addition to this, in 2004 the band played a number of "secret" gigs under the pseudonym "The Black Hands", alluding to the secret society that was held responsible for the assassination of Franz Ferdinand. CANNOTANSWER
Question: Whose idea was it?

Answer:

After seeing the horse win the Northumberland Plate in 2001, the band began to discuss Archduke Franz Ferdinand and thought it would be a good band name
Answer by taking a quote from the following article:

Raven-Symone Christina Pearman (; born December 10, 1985), (sometimes credited as Raven, also known mononymously as Raven-Symone) is an American actress, singer, songwriter, model, television personality, dancer, rapper and producer. She first appeared on television in 1989 on The Cosby Show as Olivia Kendall. She released her debut album, Here's to New Dreams in 1993; the single, "That's What Little Girls Are Made Of" charted number 68 on the US Billboard Hot 100.

In 1993, one year after The Cosby Show ended, she landed the role of Nicole Lee on the show Hangin' with Mr. Cooper. She made her debut in the first episode of the show's second season, and remained until the series finale in 1997. In 1994, during her time on the show Hangin' with Mr. Cooper, she had her first big screen role in the movie The Little Rascals, playing Stymie's girlfriend. The Little Rascals earned $67.3 million worldwide during its theatrical run. In 1996, Raven-Symone and her father founded RayBlaze Records, in which she signed a distribution deal with Crash Records for her second album Undeniable, which was released in May 1999. The album sold over 2,000 in US. The album yielded one single: a cover of Stevie Wonder's "With a Child's Heart". To support the album Undeniable, she went on tour as the opening act for fellow Jive artist 'N Sync's The 'N Sync Tour in 1998/1999. In 1998, she won her first major role in theatrical movie, she was cast in the Eddie Murphy comedy Dr. Dolittle, as Charisse Dolittle, the oldest daughter of Murphy's character. Dr. Dolittle earned $294.5 million worldwide during its theatrical run. In the same year, she also appeared in Zenon: Girl of the 21st Century as Nebula, her first production under Disney. In 2001, she reprised the role of Charisse Dolittle in the sequel Eddie Murphy comedy Dr. Dolittle 2. Dr. Dolittle 2 earned $176.1 million worldwide during its theatrical run. In the same year, she participated in two episodes of the comedy series, My Wife and Kids as Charmaine, Claire's pregnant friend, her first production under ABC. CANNOTANSWER

Did it make the charts?

CANNOTANSWER
Which entity is this text about?

Mr. Bungle was an American experimental rock band from Northern California. Known for a highly eclectic style, the band often cycled through several musical genres within the course of a single song, including heavy metal, avant-garde jazz, ska and disco. Many Mr. Bungle songs had an unconventional structure and utilized a wide array of instruments and samples. Live shows often featured members dressing up (even hiding their identities with masks earlier in the band's career) and an array of cover songs.

During 1990, the band members left Eureka for San Francisco, in search of greater musical opportunities. Trey Spruance said the change in location influenced the band's style, remarking "[we were interested in] Slayer and Mercyful Fate. Later it was The Specials and Fishbone. Then we moved to San Francisco and got all sophisticated. Now we are improv snobs who rule the avant-garde universe by night, and poor, fucked-up hipsters by day." Having established a following in Northern California, Mr. Bungle was signed to Warner Bros. Records in 1990, with the label releasing all three of their studio albums during the 1990s. It has been speculated that Patton's success as frontman of Faith No More was the primary reason Warner Bros. signed the band. The Los Angeles Times stated in a 1991 article that "Under normal circumstances, you'd have to describe Mr. Bungle's chances of landing a major label deal as... a long shot." Their debut album, Mr. Bungle, was produced by jazz experimentalist John Zorn and was released on August 13, 1991. The cover featured artwork by Dan Sweetman, originally published in the story, "A Cotton Candy Autopsy" in the DC Comics/Piranha Press imprint title, Beautiful Stories for Ugly Children. The record mixed metal, funk, ska, carnival music and free jazz, but was normally described as funk metal by music critics. It received mostly positive reviews, with journalist Bill Pahnelas calling it "an incredible musical tour de force". On the style of the album, critic Steve Huey wrote in AllMusic: "Mr. Bungle is a dizzying, disconcerting, schizophrenic tour through just about any rock style the group can think of, hopping from genre to genre without any apparent rhyme or reason, and sometimes doing so several times in the same song." The first track was originally titled "Travolta". At Warner Brothers' encouragement, it was renamed Quote Unquote in later pressings, due to fears regarding a potential lawsuit. The band created a music video for the song, directed by Kevin Kerslake. However, MTV refused to air the video because of images of bodies dangling on meat hooks. The album sold well despite MTV refusing to air their video and a lack of radio airplay. Almost all the members went by obscure aliases in the album credits. To promote the album in some stores, a Mr. Bungle bubble bath was given away with copies of the record sold. Following the release of the album the band toured North America. CANNOTANSWER

Mr. Bungle
Background: Douglas Mark Rushkoff (born 18 February 1961) is an American media theorist, writer, columnist, lecturer, graphic novelist, and documentarian. He is best known for his association with the early cyberpunk culture, and his advocacy of open source solutions to social problems. Rushkoff is most frequently regarded as a media theorist and is known for coining terms and concepts including viral media (or media virus), digital native, and social currency. He has written ten books on media, technology and culture.
Context: Up to the late-1990s, Douglas Rushkoff's philosophy towards technology could be characterized as media-deterministic. Cyberculture and new media were supposed to promote democracy and allow people to transcend the ordinary. In Cyberia, Rushkoff states the essence of mid-1990s culture as being the fusion of rave psychedelia, chaos theory and early computer networks. The promise of the resulting "counter culture" was that media would change from being passive to active, that we would embrace the social over content, and that empowers the masses to create and react. This idea also comes up in the concept of the media virus, which Rushkoff details in the 1994 publication of Media Virus: Hidden Agendas in Popular Culture. This significant work adopts organic metaphors to show that media, like viruses, are mobile, easily duplicated and presented as non-threatening. Technologies can make our interaction with media an empowering experience if we learn to decode the capabilities offered to us by our media. Unfortunately, people often stay one step behind our media capabilities. Ideally, emerging media and technologies have the potential to enlighten, to aid grassroots movements, to offer an alternative to the traditional "top-down" media, to connect diverse groups and to promote the sharing of information. Rushkoff does not limit his writings to the effect of technology on adults, and in Playing the Future turns his attention to the generation of people growing up who understand the language of media like natives, guarded against coercion. These "screenagers", a term originated by Rushkoff, have the chance to mediate the changing landscape more effectively than digital immigrants. With Coercion (1999), Rushkoff realistically examines the potential benefits and dangers inherent in cyberculture and analyzes market strategies that work to make people act on instinct (and buy!) rather than reflect rationally. The book wants readers to learn to "read" the media they consume and interpret what is really being communicated. CANNOTANSWER
Question: Are there any other interesting aspects about this article?. Whats the answer?

Technologies can make our interaction with media an empowering experience if we learn to decode the capabilities offered to us by our media.
Enrique Martin Morales (born December 24, 1971), commonly known as Ricky Martin, is a Puerto Rican singer, actor and author. Martin began his career at age 12 with the all-boy pop group Menudo. After five years with the group, he released several Spanish-language solo albums throughout the 1990s. He also acted on stage and on TV in Mexico, where he achieved modest stardom.

Martin was in an on-off relationship with Mexican TV host Rebecca de Alba for more than 14 years. The pair had spoken of starting a family together, and Martin had at one point considered proposing to her. In August 2008, Martin became the father of twin boys, Matteo and Valentino, born by a surrogate mother. After the success of "Livin' la Vida Loca," Martin's personal life became a subject of interest due to his large gay following, and he was questioned about his sexual orientation. In a December 2000 interview with The Mirror, Martin was asked to comment on the rumors surrounding his sexuality. He replied: "I don't think I should have to tell anyone if I am gay or not, or who I've slept with or not." On March 29, 2010, Martin publicly acknowledged his homosexuality in a post on his official website, stating: "I am proud to say that I am a fortunate homosexual man. I am very blessed to be who I am." Martin said that "these years in silence and reflection made me stronger and reminded me that acceptance has to come from within, and that this kind of truth gives me the power to conquer emotions I didn't even know existed." In 2010, prior to Martin coming out, Barbara Walters expressed some regret for pushing Martin in a 2000 interview to admit if he was gay. The Toronto Star quoted her as saying, "When I think back on it now, I feel it was an inappropriate question." Martin announced on The Oprah Winfrey Show that he was in a relationship. In 2011, during his acceptance speech of the Vito Russo Award at the 22nd GLAAD Media Awards, Martin publicly thanked his boyfriend, Carlos Gonzalez Abella, an economist. His relationship with Gonzalez Abella ended in January 2014. Martin has also expressed support for same-sex marriage in an interview on Larry King Live. Ricky Martin delivered a speech at the United Nations Homophobia Conference on November 12, 2012. Beginning April 2016, he started dating Syrian Swedish painter Jwan Yosef. The two announced their engagement on 16 November 2016, while on the Ellen DeGeneres Show. In January 2018, Martin announced that he and Yosef are married. CANNOTANSWER

Who did he date before Jwan Yosef?

His relationship with Gonzalez Abella ended in January 2014.
Background: The Mamas & the Papas were an American folk rock vocal group who recorded and performed from 1965 to 1968, and were a defining force in the music scene of the Counterculture of the 1960s. The band reunited briefly in 1971 to record the album People Like Us but did not perform outside their recording studio at that time. The group was composed of John Phillips, Denny Doherty, Cass Elliot, and Michelle Phillips nee Gilliam. Their sound was based on vocal harmonies arranged by John Phillips, the songwriter, musician, and leader of the group who adapted folk to the new beat style of the early sixties.
Context: After completing their brief East coast tour, the group started work immediately on its third album, The Mamas & The Papas Deliver, which was recorded in the autumn of 1966. The first single from the album, "Look Through My Window", was released in September 1966 (before the last single from The Mamas and the Papas). It reached number twenty-four in the US, but did not chart in the UK. The second single, "Dedicated to the One I Love" (February 1967), did much better, peaking at number two in both the US and the UK. That success helped the album, also released in February 1967, reach number two in the US and number four in the UK. The third single, "Creeque Alley" (April 1967), chronicled the band's early history. It peaked at number five in the US and number nine in the UK. The strain on the group was apparent when they performed indifferently at the first Monterey International Pop Festival in June 1967, as can be heard on Historic Performances Recorded at the Monterey International Pop Festival (1970). The band was badly under-rehearsed - partly because John and Michelle Phillips and Lou Adler were preoccupied with organizing the festival, partly because Doherty arrived at the last minute from another sojourn in the Virgin Islands, and partly, it is said, because he was drinking heavily in the aftermath of his affair with Michelle Phillips. They rallied for their performance before 18,000 people at the Hollywood Bowl in August (with Jimi Hendrix as the opener), which both John and Michelle Phillips would remember as the apex of the band's career: "There would never be anything quite like it again." Deliver was followed in October 1967 by the non-album single "Glad to Be Unhappy", which reached number twenty-six in the US. "Dancing Bear" from the group's second album was released as a single in November. It peaked at number fifty-one in the US. Neither of these singles charted in the UK. CANNOTANSWER
Question: Did the album do well?. Whats the answer?

). It reached number twenty-four in the US,
Background: Corbin Bleu Reivers (; born February 21, 1989), known professionally as Corbin Bleu, is an American actor, model, dancer, film producer and singer-songwriter. He performed in the High School Musical film series (2006-2008). Songs from the films also charted worldwide, with the song "I Don't Dance" peaking inside the Top 10 of the Billboard Hot 100.
Context: Bleu's first professionally recorded song was titled "Circles" or "Circles in My Mind" for his then TV show, Flight 29 Down. Bleu signed a contract with Hollywood Records, a Disney-owned label. His debut album Another Side, was released in May 2007. The album debuted at No. 36 on the Billboard 200 album charts, selling 18,000 in its first week. The album fuses rhythm and blues with hip-hop and other pop genres in an upbeat, wholesome commercial blend. Bleu, who admires Prince, Michael Jackson, and Justin Timberlake, cowrote five songs on the album. In 2007 he toured in support of Another Side with the teen sister duo Aly & AJ. Blue worked with Ne-Yo on "I Get Lonely," and with other performers such as Matthew Gerrard and Eric Hudson. A music video for his first single, "Push It to the Limit", premiered on the Disney Channel, and was used to promote the movie Jump In! "Push It to the Limit" reached the Top 20 on the Billboard Hot 100, and his second single, "Deal With It", was originally written and sung by Jay Sean. He later gave it to Corbin Bleu, whose version of the song features background vocals by Jay Sean. The song earned Jay Sean a BMI Songwriter Award. peaking at No. 15. He sings the duet "Still There For Me" with Vanessa Hudgens for him debut album. Bleu toured with fellow High School Musical cast members from late November 2006 to late January 2007 in High School Musical: The Concert, and with Drake Bell and Aly & AJ performing in about 40 different cities. To promote his debut album, Bleu performed at the Nextfest tour with the teen sister duo Aly & AJ and Drake Bell with Special Guest Bianca Ryan. On Another Side, he wrote or co-wrote five of the album's twelve songs. He wrote two songs that appear as bonus tracks on the European version. One of those tracks was titled "Shake It Off", an ode to the musician Prince. His debut single "Run It Back Again", The song has been featured in movie Minutemen, on January 22, 2008. The song is also featured on Radio Disney Jams, Vol. 10. CANNOTANSWER
Question: Is the song featured on anything else?

Answer:

", The song has been featured in movie Minutemen,
In Greek mythology, the Minotaur (, ; Ancient Greek: Minotauros [mi:no:tauros], Latin: Minotaurus, Etruscan: Thevrumines) is a mythical creature portrayed in Classical times with the head of a bull and the body of a man or, as described by Roman poet Ovid, a being "part man and part bull". The Minotaur dwelt at the center of the Labyrinth, which was an elaborate maze-like construction designed by the architect Daedalus and his son Icarus, on the command of King Minos of Crete. The Minotaur was eventually killed by the Athenian hero Theseus.

After he ascended the throne of the island of Crete, Minos competed with his brothers to rule. Minos prayed to Poseidon, the sea god, to send him a snow-white bull, as a sign of support (the Cretan Bull). He was to kill the bull to show honor to the deity, but decided to keep it instead because of its beauty. He thought Poseidon would not care if he kept the white bull and sacrificed one of his own. To punish Minos, Poseidon made Pasiphae, Minos's wife, fall deeply in love with the bull. Pasiphae had craftsman Daedalus make a hollow wooden cow, and climbed inside it in order to mate with the white bull. The offspring was the monstrous Minotaur. Pasiphae nursed him, but he grew and became ferocious, being the unnatural offspring of a woman and a beast; he had no natural source of nourishment and thus devoured humans for sustenance. Minos, after getting advice from the oracle at Delphi, had Daedalus construct a gigantic labyrinth to hold the Minotaur. Its location was near Minos' palace in Knossos. The Minotaur is commonly represented in Classical art with the body of a man and the head and tail of a bull. One of the figurations assumed by the river spirit Achelous in seducing Deianira is as a man with the head of a bull, according to Sophocles' Trachiniai. From Classical times through the Renaissance, the Minotaur appears at the center of many depictions of the Labyrinth. Ovid's Latin account of the Minotaur, which did not elaborate on which half was bull and which half man, was the most widely available during the Middle Ages, and several later versions show the reverse of the Classical configuration, a man's head and torso on a bull's body, reminiscent of a centaur. This alternative tradition survived into the Renaissance, and still figures in some modern depictions, such as Steele Savage's illustrations for Edith Hamilton's Mythology (1942). CANNOTANSWERAnswer this question using a quote from the following article:

did he beat them and become ruler?

Minos prayed to Poseidon, the sea god, to send him a snow-white bull, as a sign of support (the Cretan Bull).
Background: Dominick Argento (born October 27, 1927) is an American composer known for his lyric operatic and choral music. Among his best known pieces are the operas Postcard from Morocco, Miss Havisham's Fire, The Masque of Angels, and The Aspern Papers. He also is known for the song cycles Six Elizabethan Songs and From the Diary of Virginia Woolf; the latter earned him the Pulitzer Prize for Music in 1975. In a predominantly tonal context, his music freely combines tonality, atonality and a lyrical use of twelve-tone writing, though none of Argento's music approaches the experimental avant garde fashions of the post-World War II era.
Context: Argento moved to Minneapolis in 1958 with his new wife, soprano Carolyn Bailey, to begin teaching theory and composition at the University of Minnesota. Within a few years he received commissions from virtually every major performing group there. He has remarked that this constant feeling of strong community interest in his work made him feel particularly at home in Minnesota, although he had at first resisted moving there. For several years, he hoped that a position on his native East Coast would develop. Argento became involved in writing music for productions at the then-new Guthrie Theater. In 1963, he and Scrymgeour founded the Center Opera Company, which later became the Minnesota Opera, to be in residence at the Guthrie. Argento composed the short opera The Masque of Angels for the occasion as the first Performing Arts commission of the Walker Art Center. This work--with its complex harmonic language and an emphasis on expansive choral writing that prefigures his later role as a prominent choral composer--firmly established his local prominence, as well as providing a role for his wife. By 1971, when his daring, surreal opera, Postcard from Morocco, opened at Center Opera, Argento's national reputation was secure, in part thanks to a glowing review by the principal music critic of The New York Times. He eventually received commissions from New York City Opera, the newly formed Minnesota Opera, Washington Opera, and the Baltimore and St. Louis symphonies, among others. Argento also developed close professional relationships with several prominent singers, notably Frederica von Stade, Janet Baker, and Hakan Hagegard, tailoring some of his best-known song cycles to their talents. CANNOTANSWER
Question: did they have kids

Answer:

CANNOTANSWER
After being dumped by Sandman and Scorpio in ECW, she once again resurfaced in WCW, first appearing on the January 22, 1996 episode of WCW Monday Nitro as one of many women who stood in the aisle and waved as Hulk Hogan and Randy Savage came to the ring. On the February 5 episode of Nitro she turned on Savage during his match with Chris Benoit and rejoined Flair, Arn Anderson, Brian Pillman, and Benoit in the then-current incarnation of the Four Horsemen. Miss Elizabeth also managed the stable. In 1996, Pillman had left the Horsemen, but they added Steve McMichael and his wife Debra in June, which didn't sit well with Woman. In her next angle, the two bickered, not getting along in general. The Four Horsemen were often given interview time on Nitro and when it came time for Debra to speak on the mic, she'd often go into a soliloquy regarding Woman's looks and fashion sense -- usually when the two weren't within the vicinity of each other. Despite the heavy tension, the two managers never had a physical altercation. At the same time, she started an on-screen relationship with Benoit, who at the time was involved in a feud with her real-life husband, Kevin Sullivan. On December 7, on WCW Saturday Night, during a post-match interview with Sullivan, a home movie of the couple canoodling in a kitchen was played in front of him. Woman taunted Sullivan by saying, "You can't find me" and "I'm my own woman," while Benoit added: "You consider yourself the master of human chess. Well, my bishop just took your queen". After the video, Sullivan stood there speechless, and his manager Jimmy Hart led him off stage. This feud between Benoit and Sullivan saw Woman clashing with Sullivan's then-valet Jacquelyn at ringside. In one match, the two ladies were strapped together, took shots at each other, and used the strap connecting them as a weapon against the men. Eventually, the Benoit-Nancy on-screen relationship developed into a real-life affair off-screen. Because of this, it is often joked that 'Kevin Sullivan booked his own divorce.' The two were indeed divorced in 1997. What's more, Sullivan lost a retirement match to Benoit. His intent had been to retire from in-ring action and focus on booking. Nancy's final WCW appearance (and professional wrestling appearance as Woman) took place on May 26, 1997 on Monday Nitro as she accompanied Benoit to the ring for a confrontation with Jimmy Hart regarding the whereabouts of Sullivan, who wasn't in the arena. On the following week's show, Benoit came alone to ringside without her by his side. After managing him for a little over half a year, no reason was given for Woman's sudden disappearance, and she was never mentioned on WCW programming again. CANNOTANSWER

Answer this question "What happened in 1996?" by extracting the answer from the text above.

After being dumped by Sandman and Scorpio in ECW, she once again resurfaced in WCW, first appearing on the January 22, 1996 episode
Background: Sir Jonathan Wolfe Miller, CBE (born 21 July 1934) is an English theatre and opera director, actor, author, television presenter, humourist, and medical doctor. While training in medicine, and specialising in neurology, in the late 1950s, he first came to prominence in the early 1960s with his role in the comedy revue Beyond the Fringe with fellow writers and performers Peter Cook, Dudley Moore and Alan Bennett. Miller began directing operas in the 1970s and has since become one of the world's leading opera directors with several classic productions to his credit. His best-known production is probably his 1982 "Mafia"-styled Rigoletto set in 1950s Little Italy, Manhattan.
Context: Miller helped to write and produce the musical revue Beyond the Fringe, which premiered at the Edinburgh Festival in August 1960. This launched, in addition to his own, the careers of Alan Bennett, Peter Cook and Dudley Moore. Miller quit the show shortly after its move from London to Broadway in 1962, and took over as editor and presenter of the BBC's flagship arts programme Monitor in 1965. All these appointments were unsolicited invitations, the Monitor appointment arose because Miller had approached Huw Wheldon about taking up a place on the BBC's director training course. Wheldon assured him that he would "pick it up as he went along". Miller's first experience of directing a stage-play was for John Osborne, whose Under Plain Cover he directed in 1962. In 1964, he directed the play The Old Glory by the American poet Robert Lowell in New York City. It was the first play produced at the American Place Theatre and starred Frank Langella, Roscoe Lee Brown, and Lester Rawlins. The play won five Obie Awards in 1965 including an award for "Best American Play" as well as awards for Langella, Brown and Rawlins. He wrote, produced, and directed an adaptation for television of Alice in Wonderland (1966) for the BBC. He followed this with Whistle and I'll Come to You (1968) starring Michael Hordern, a television adaptation of M. R. James's 1904 ghost story "Oh, Whistle, and I'll Come to You, My Lad". By 1970, his reputation in British theatre was such that he mounted a National Theatre Company production of The Merchant of Venice starring Sir Laurence Olivier. He later resigned as associate director. CANNOTANSWER
Question: Did he wing any awards in this period of time?. Whats the answer?

The play won five Obie Awards
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Leroy Robert "Satchel" Paige (July 7, 1906 - June 8, 1982) was an American Negro league baseball and Major League Baseball (MLB) pitcher who became a legend in his own lifetime by being known as perhaps the best pitcher in baseball history, by his longevity in the game, and by attracting record crowds wherever he pitched. Paige was a right-handed pitcher, and at age 42 in 1948, he was the oldest major league rookie while playing for the Cleveland Indians. He played with the St. Louis Browns until age 47, and represented them in the All-Star Game in 1952 and 1953.

A former friend from the Mobile slums, Alex Herman, was the player/manager for the Chattanooga White Sox of the minor Negro Southern League. In 1926 he discovered Paige and offered to pay him $250 per month, of which Paige would collect $50 with the rest going to his mother. He also agreed to pay Lula Paige a $200 advance, and she agreed to the contract. The local newspapers--the Chattanooga News and Chattanooga Times--recognized from the beginning that Paige was special. In April 1926, shortly after his arrival, he recorded nine strikeouts over six innings against the Atlanta Black Crackers. Part way through the 1927 season, Paige's contract was sold to the Birmingham Black Barons of the major Negro National League (NNL). According to Paige's first memoir, his contract was for $450 per month, but in his second he said it was for $275. Pitching for the Black Barons, Paige threw hard but was wild and awkward. In his first big game in late June 1927, against the St. Louis Stars, Paige incited a brawl when his fastball hit the hand of St. Louis catcher Mitchell Murray. Murray then charged the mound and Paige raced for the dugout, but Murray flung his bat and struck Paige above the hip. The police were summoned, and the headline of the Birmingham Reporter proclaimed a "Near Riot." Paige improved and matured as a pitcher with help from his teammates, Sam Streeter and Harry Salmon, and his manager, Bill Gatewood. He finished the 1927 season 7-1 with 69 strikeouts and 26 walks in 89 1/3 innings. Over the next two seasons, Paige went 12-5 and 10-9 while recording 176 strikeouts in 1929. (Several sources credit his 1929 strikeout total as the all-time single-season record for the Negro leagues, though there is variation among the sources about the exact number of strikeouts.) On April 29 of that season he recorded 17 strikeouts in a game against the Cuban Stars, which exceeded what was then the major league record of 16 held by Noodles Hahn and Rube Waddell. Six days later he struck out 18 Nashville Elite Giants, a number that was tied in the white majors by Bob Feller in 1938. Due to his increased earning potential, Barons owner R. T. Jackson would "rent" Paige out to other ball clubs for a game or two to draw a decent crowd, with both Jackson and Paige taking a cut. CANNOTANSWER

Satchel Paige
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Saint Peter (Syriac/Aramaic: shem`won kE`'p'A', Shemayon Keppa, Hebrew: shm`vn br yvnh Shim'on bar Yona, Greek: Petros Petros, Coptic: , translit.

Peter's original name, as indicated in the New Testament, was "Simon" (Simon Simon in Greek) or (only in Acts 15:14 and 2 Peter 1:1) "Simeon" (Sumeon in Greek). The Simon/Simeon variation has been explained as reflecting "the well-known custom among Jews at the time of giving the name of a famous patriarch or personage of the Old Testament to a male child along with a similar sounding Greek/Roman name". He was later given the name ke'ypa (Kepha) in Aramaic, which was rendered in Greek (by transliteration and the addition of a final sigma to make it a masculine word) as Kephas, whence Latin and English Cephas (9 occurrences in the New Testament); or (by translation with masculine termination) as Petros, whence Latin Petrus and English Peter (156 occurrences in the New Testament). The precise meaning of the Aramaic word is disputed, some saying that its usual meaning is "rock" or "crag", others saying that it means rather "stone" and, particularly in its application by Jesus to Simon, "precious stone" or "jewel", but most scholars agree that as a proper name it denotes a rough or tough character. Both meanings, "stone" (jewel or hewn stone) and "rock", are indicated in dictionaries of Aramaic and Syriac. Catholic theologian Rudolf Pesch argues that the Aramaic cepha means "stone, ball, clump, clew" and that "rock" is only a connotation; that in the Attic Greek petra denotes "grown rock, rocky range, cliff, grotto"; and that petros means "small stone, firestone, sling stone, moving boulder". The combined name Simon Petros (Simon Peter) appears 19 times in the New Testament. In some Syriac documents he is called, in English translation, Simon Cephas. CANNOTANSWER

what names did he use more

He was later given the name ke'ypa (Kepha) in Aramaic, which was rendered in Greek (by transliteration and the addition of a final sigma