cindermond/bento huggingface dataset:
Background: Warren Edward Spahn (April 23, 1921 - November 24, 2003) was a Major League Baseball left-handed pitcher who played his entire 21-year baseball career in the National League. He won 20 games or more in 13 seasons, including a 23-7 record when he was age 42. Spahn was the 1957 Cy Young Award winner, and was the runner-up three times, all during the period when one award was given, covering both leagues. He was elected to the Baseball Hall of Fame in 1973, with 83% of the total vote.(His eligibility was delayed, under the rules of the time, by two years of token minor league play.)
Context: In 1957, Spahn was the ace of the champion Milwaukee Braves. Spahn pitched on two other Braves pennant winners, in 1948 and 1958. He had 2,583 strikeouts, which at the time of his retirement was the highest total for a left-handed pitcher in baseball history. Spahn led the NL in strikeouts for four consecutive seasons, from 1949 to 1952 (tied with Don Newcombe in 1951), which includes a single game high of 18 strike outs (then the NL record) in a 15-inning appearance on June 14, 1952. For several decades, Spahn's Hall of Fame plaque contained a typographical error, crediting him with 2,853 strikeouts. Spahn maintained that "A pitcher needs two pitches -- one they're looking for, and one to cross 'em up." He was thus able to maintain his position as one of the game's top pitchers until his 19th season in the sport. This was exemplified by his start on July 2, 1963. Facing the San Francisco Giants, the 42-year-old Spahn became locked into a storied pitchers' duel with 25-year-old Juan Marichal. The score was still 0-0 after more than four hours when Willie Mays hit a game-winning solo home run off Spahn with one out in the bottom of the 16th inning. Marichal's manager, Alvin Dark, visited the mound in the 9th, 10th, 11th, 13th, and 14th innings, and was talked out of removing Marichal each time. During the 14th-inning visit, Marichal told Dark, "Do you see that man pitching for the other side? Do you know that man is 42 years old? I'm only 25. If that man is on the mound, nobody is going to take me out of here." Marichal ended up throwing 227 pitches in the complete game 1-0 win, while Spahn threw 201 in the loss, allowing nine hits and one walk. Hall of Famer Carl Hubbell, who was in attendance that night, said of Spahn, "He ought to will his body to medical science." Spahn threw his first no-hitter against the Phillies 16 September 1960, when he was 39. He pitched his second no-hitter the following year, 28 April 1961, against the Giants. By the last two seasons of his career, Spahn was the oldest active player in baseball. He lost this distinction for a single day: September 25, 1965, when 58-year-old Satchel Paige pitched three innings. Spahn's seemingly ageless ability caused Stan Musial famously to quip, "[Spahn] will never get into the Hall of Fame. He won't stop pitching." CANNOTANSWER
Question: did he play for any other team?

Answer:

CANNOTANSWER
Background: Franz Ferdinand are a Scottish indie rock band, formed in 2002 and based in Glasgow. The band's original lineup was composed of Alex Kapranos (lead vocals and guitar, keyboard), Nick McCarthy (rhythm guitar, keyboards and backing vocals), Bob Hardy (bass guitar), and Paul Thomson (drums, percussion and backing vocals). Julian Corrie (keyboards, synthesiser, guitar and backing vocals) and Dino Bardot (guitar and backing vocals) joined the band in 2017 after McCarthy left during the previous year. The band has been notable for being one of the more popular post-punk revival bands, garnering multiple UK top 20 hits.
Context: The name of the band was originally inspired by a racehorse called Archduke Ferdinand. After seeing the horse win the Northumberland Plate in 2001, the band began to discuss Archduke Franz Ferdinand and thought it would be a good band name because of the alliteration of the name and the implications of the Archduke's death (his assassination was a significant factor in the lead-up to World War I). "Mainly we just liked the way it sounded," says Bob. "We liked the alliteration." "He was an incredible figure as well," continues Alex. "His life, or at least the ending of it, was the catalyst for the complete transformation of the world and that is what we want our music to be. But I don't want to over-intellectualize the name thing. Basically a name should just sound good ... like music." Paul offered, "I like the idea that, if we become popular, maybe the words Franz Ferdinand will make people think of the band instead of the historical figure" - talking to is this music?. The song "Take Me Out", on the band's first album, was the second single to be released by the band. The single release of "Take Me Out" came with the B-side, "All for You, Sophia", based on the assassination of Archduke Ferdinand and his wife, whose name was Sophie, not Sophia. The band chose the name Sophia rather than Sophie to give the song a better ring. The song mentions the assassin Gavrilo Princip, the Black Hand, the location of the Appel Quay and "Urban" (Franz Urban), the name often mistakenly given to Leopold Lojka, the driver of the car. In addition to this, in 2004 the band played a number of "secret" gigs under the pseudonym "The Black Hands", alluding to the secret society that was held responsible for the assassination of Franz Ferdinand. CANNOTANSWER
Question: When was that released?

Answer:

CANNOTANSWER
Sam & Dave were an American soul and R&B duo who performed together from 1961 until 1981. The tenor (higher) voice was Sam Moore (born 1935) and the baritone/tenor (lower) voice was Dave Prater (1937-1988). Sam & Dave are members of the Rock and Roll Hall of Fame, the Grammy Hall of Fame, the Vocal Group Hall of Fame, the Memphis Music Hall of Fame, and are Grammy Award and multiple gold record award-winning artists.

Jerry Wexler with co-producer Tom Dowd tried producing Sam & Dave in New York, with Atlantic songwriters and musicians. It took eight months to issue "Ooh, Ooh, Ooh", the first Atlantic single in August 1969. It was not a very good record, by Sam's own admission, and it represented the first time in four years that a Sam & Dave single failed to chart. Two more singles followed in 1970, "Baby, Baby, Don't Stop Now," and "One Part Love, Two Parts Pain." The first was a leftover Hayes-Porter recording from Stax; the second was produced by Wexler and Dowd in New York, and was written by Stax executive Al Bell and Allen Jones. Both failed to chart. According to Wexler, "We just made some shit-ass records with them. I never really got into their sensibilities as a producer." Wexler then sent the duo south to Muscle Shoals and Miami to work with producers Brad Shapiro and Dave Crawford for their next single "Knock It Out The Park," which also failed to chart. Sam & Dave split in June 1970, according to Moore as a result of Moore's dissatisfaction with the duo and his desire to pursue a career solo. According to Prater, they broke up because "[Moore] decided to do what he wanted to do on his own." Moore recorded three solo singles (none of which charted) for Atlantic over the next year and was preparing an album produced by King Curtis, which was shelved after Curtis was stabbed to death in 1971. Prater recorded a single for Alston. Neither was commercially successful as a solo act, and they reunited in August 1971. In October 1971, their last Atlantic single, "Don't Pull Your Love," was a cover of a hit by Hamilton, Joe Frank & Reynolds. This Shapiro/Crawford production was a minor hit (R&B #36/Pop #102), but not a substantial enough commercial success to keep the duo signed to the label. Sam & Dave recorded four final songs for Atlantic in August, 1972, none of which was released by the label. Their contract with Atlantic expired shortly thereafter. CANNOTANSWER

Using a quote from the above article, answer the following question: What did Sam Moore do after splitting up?

" Moore recorded three solo singles (none of which charted) for Atlantic over the next year and was preparing an album produced by King Curtis,
Background: One Ok Rock, stylized as ONE OK ROCK, is a Japanese rock band, formed in Tokyo, Japan in 2005. The band currently consists of Takahiro Moriuchi (vocalist), Toru Yamashita (guitarist, bandleader), Ryota Kohama (bassist), and Tomoya Kanki (drummer). They have been playing many different styles of music, with songs ranging from alternative rock to emo to post-hardcore to pop rock. The band's name comes from "one o'clock", the time that the band used to practice their music on weekends.
Context: Their debut single, "Naihishinsho", reached number 48 on the Oricon Charts and sold 15,000 copies. Their second single, Yume Yume, followed that success and charted at number 43. After those singles, they released their debut album Zeitakubyo in 2007 and had their first tour, the Tokyo-Osaka-Nagoya Quattro Tour. They released their second album Beam of Light in May 2008. In an interview with Rockin'On Japan magazine in June 2012, ONE OK ROCK said they didn't count this album as an album, but rather as a part of growing up as a band. When they made the album, they hadn't been in the right mood, but felt that they had to make it to grow as a band. The band came up with many sound sources and ended up making a punk album. The album's confused origins were the reason why they wouldn't play any songs from Beam of Light in live performances until now. Shortly after releasing Beam of Light, they performed a gig at Shibuya AX. They had planned to release two albums in that one year, so they released Kanjo Effect in November 2008. At this point, the band had gained more experience and were able to do some more serious recording. They settled into the western sound they loved and followed by replacing all their engineers and introducing their music to new producers. This led to some division within the band - Taka and Alex in particular disagreed about how to make this album. On April 5, 2009, Alex was arrested for groping the leg of a twenty-one-year-old female student on a train. He admitted to the charges and the case was settled out of court. The band reached their weakest point at this time. Ryota intended to leave bass and take up guitar. They felt it was impossible for them to add a new member. The band's next single "Around the World Shounen", which was planned for a May 6 release and to be used as the theme song for the TV drama God Hand Teru, and their nationwide tour were both cancelled. In May 2009, it was announced that One Ok Rock would continue on without Alex, who went back to the United States. Toru took his place as lead guitar, and the band re-arranged their songs to be played for one guitar. CANNOTANSWER
Question: what's another release from 2007-2009?

Answer:

They released their second album Beam of Light in May 2008.
Throbbing Gristle were an English music and visual arts group, officially formed on 3 September 1975 in Kingston upon Hull. With its members Genesis P-Orridge (born Neil Megson), Cosey Fanni Tutti (born Christine Newby), Peter "Sleazy" Christopherson and Chris Carter, they became widely regarded as the pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made its public debut in October 1976 on COUM Transmissions exhibition Prostitution, and, the following year, released their debut single, "United / Zyklon B Zombie", followed by an album, The Second Annual Report. Further throughout its first stint, the band released several studio and live albums--including D.o.

In 2011, Industrial Records had an official "re-activation", as TG's contract with Mute Records had expired. Since TG has permanently disbanded following the death of Christopherson, the label's plan is to re-release the original TG albums (The Second Annual Report, D.o.A: The Third and Final Report, 20 Jazz Funk Greats, Heathen Earth and Greatest Hits) on the label. Originally intended to be released en masse on 26 September 2011, they had to delay due to a Sony DADC warehouse fire in London. The plan changed to issue each album chronologically once per week starting on Halloween 2011 with The Second Annual Report and ending 28 November with Greatest Hits. Industrial Records announced that a double album, called Desertshore/The Final Report, would be released on 26 November 2012. Chris and Cosey produced the album, with the participation of guest vocalists Anohni (from Antony and the Johnsons), Blixa Bargeld (from Einsturzende Neubauten), Marc Almond (from Soft Cell), film director Gaspar Noe and former pornstar Sasha Grey. A group decision had been made prior to Christopherson's death that the album would be recorded afresh, as they were not satisfied with the ICA recordings. Christopherson had been the driving force behind the project and had been working on the record in Bangkok with Danny Hyde, even getting custom instruments made to use for the album. "It was Sleazy's project, then Cosey and Sleazy's, then I came in on it", Carter explained in an interview with The Quietus. After Christopherson died, the Desertshore instruments were given to Carter and Cosey and they began combining the recordings he had been making with the work they had done themselves. They announced plans to debut the album live at AV Festival on 17 March 2012 accompanied by a screening of Philippe Garrel's film The Inner Scar "for which Desertshore was soundtrack and inspiration". CANNOTANSWER

Using a quote from the above article, answer the following question: Are there any other interesting aspects about this article?

A group decision had been made prior to Christopherson's death that the album would be recorded afresh, as they were not satisfied with the ICA recordings.
Background: Marvin Lee Aday was born in Dallas, Texas, the only child of Wilma Artie (nee Hukel), a school teacher and a member of the Vo-di-o-do Girls gospel quartet, and Orvis Wesley Aday, a police officer. His father was an alcoholic who would go on drinking binges for days at a time. Aday and his mother would drive around to all the bars in Dallas, looking for Orvis to take him home.
Context: During the winter of 1973, after returning from a short production of Rainbow in New York in Washington, D.C., Meat Loaf was cast in The Rocky Horror Show, playing the parts of Eddie and Dr. Everett Scott. The success of the musical led to the filming of The Rocky Horror Picture Show in which Meat Loaf played only Eddie, a decision he said made the movie not as good as the musical. About the same time, Meat Loaf and Steinman started work on Bat Out of Hell. Meat Loaf convinced Epic Records to shoot videos for four songs, "Bat Out of Hell", "Paradise by the Dashboard Light", "You Took the Words Right Out of My Mouth", and "Two Out of Three Ain't Bad". He then convinced Lou Adler, the producer of Rocky Horror, to run the "Paradise" video as a trailer to the movie. Meat Loaf's final show in New York was Gower Champion's Rockabye Hamlet, a Hamlet musical. It closed two weeks into its initial run. Meat Loaf later returned occasionally to perform "Hot Patootie - Bless My Soul" for a special Rocky Horror reunion or convention, and rarely at his own live shows (one performance of which was released in the 1996 Live Around the World CD set). During his recording of the soundtrack for Rocky Horror, Meat Loaf recorded two more songs: "Stand by Me" (a Ben E. King cover), and "Clap Your Hands". They remained unreleased until 1984, when they appeared as B-sides to the "Nowhere Fast" single. In 1976, Meat Loaf recorded lead vocals for Ted Nugent's album Free-for-All when regular Nugent lead vocalist Derek St. Holmes temporarily quit the band. Meat Loaf sang lead on five of the album's nine tracks. As on the "Stoney & Meatloaf" album, he was credited as Meatloaf (one word) on the "Free-for-All" liner notes. CANNOTANSWER
Question: Why did he play two parts

Answer:

CANNOTANSWER
Walter Winchell (April 7, 1897 - February 20, 1972) was an American newspaper and radio gossip commentator. Winchell showed a particular talent for finding embarrassing stories about famous people by exploiting his exceptionally wide circle of contacts, and trading gossip, sometimes in return for his silence. His uniquely outspoken style made him both feared and admired, and his column was syndicated worldwide. In the 1930s, he attacked the appeasers of Nazism, and later aligned with Joseph McCarthy in his campaign against communists.

Winchell was born in New York City, the son of Jennie (Bakst) and Jacob Winchell, a salesman; they were Russian Jewish immigrants. He left school in the sixth grade and started performing in Gus Edwards's vaudeville troupe known as the "Newsboys Sextet", which also included George Jessel. He began his career in journalism by posting notes about his acting troupe on backstage bulletin boards. He joined the Vaudeville News in 1920, then left the paper for the Evening Graphic in 1924, where his column was named Mainly About Mainstreeters. He was hired on June 10, 1929, by the New York Daily Mirror, where he finally became the author of the first syndicated gossip column, entitled On-Broadway. The column was syndicated by King Features Syndicate. He used connections in the entertainment, social, and governmental realms to expose exciting or embarrassing information about celebrities in those industries. This caused him to become very feared as a journalist because he routinely would affect the lives of famous or powerful people, exposing alleged information and rumors about them, using this as ammunition to attack his enemies and to blackmail influential people. He used this power, trading positive mention in his column (and later, his radio show) for more rumors and secrets. He made his radio debut over WABC in New York, a CBS affiliate, on May 12, 1930. The show, entitled Saks on Broadway, was a 15-minute feature that provided business news about Broadway. He switched to WJZ (later renamed WABC) and the NBC Blue (later ABC Radio) in 1932 for the Jergens Journal. CANNOTANSWERAnswer this question using a quote from the following article:

What media outlet he joined to do this?

He joined the Vaudeville News in 1920, then left the paper for the Evening Graphic in 1924, where his column was named Mainly About Mainstreeters.
Armstrong often stated that he was born on July 4, 1900. Although he died in 1971, it was not until the mid-1980s that his true birth date, August 4, 1901, was discovered by the researcher Tad Jones through the examination of baptismal records. At least three other biographies treat the July 4th birth date as a myth. Armstrong was born in New Orleans on August 4, 1901 to Mary Albert and William Armstrong.

Throughout his riverboat experience, Armstrong's musicianship began to mature and expand. At twenty, he could read music and started to be featured in extended trumpet solos, one of the first jazz men to do this, injecting his own personality and style into his solo turns. He had learned how to create a unique sound and also started using singing and patter in his performances. In 1922, Armstrong joined the exodus to Chicago, where he had been invited by his mentor, Joe "King" Oliver, to join his Creole Jazz Band and where he could make a sufficient income so that he no longer needed to supplement his music with day labor jobs. It was a boom time in Chicago and though race relations were poor, the city was teeming with jobs available for black people, who were making good wages in factories and had plenty to spend on entertainment. Oliver's band was among the most influential jazz bands in Chicago in the early 1920s, at a time when Chicago was the center of the jazz universe. Armstrong lived luxuriously in Chicago, in his own apartment with his own private bath (his first). Excited as he was to be in Chicago, he began his career-long pastime of writing nostalgic letters to friends in New Orleans. Unusually, Armstrong could blow two hundred high Cs in a row. As his reputation grew, he was challenged to instrumental "cutting contests" by hornmen trying to displace him. Armstrong made his first recordings on the Gennett and Okeh labels (jazz records were starting to boom across the country), including taking some solos and breaks, while playing second cornet in Oliver's band in 1923. At this time, he met Hoagy Carmichael (with whom he would collaborate later) who was introduced by friend Bix Beiderbecke, who now had his own Chicago band. Armstrong enjoyed working with Oliver, but Louis' second wife, pianist Lil Hardin Armstrong, urged him to seek more prominent billing and develop his newer style away from the influence of Oliver. Lil had her husband play classical music in church concerts to broaden his skill and improve his solo play and she prodded him into wearing more stylish attire to make him look sharp and to better offset his growing girth. Lil's influence eventually undermined Armstrong's relationship with his mentor, especially concerning his salary and additional moneys that Oliver held back from Armstrong and other band members. CANNOTANSWER

Answer the following question by taking a quote from the article: What was his first gig in Chicago?

Oliver's band was among the most influential jazz bands in Chicago in the early 1920s, at a time when Chicago was the center of the jazz universe.
Erode Venkata Ramasamy (17 September 1879 - 24 December 1973), was commonly known as Periyar also referred to as Thanthai Periyar, was an Indian social activist, and politician who started the Self-Respect Movement and Dravidar Kazhagam. E.V. Ramasamy was born in Erode, Madras Presidency to Venkata Naicker and Chinnathayee. From childhood, Ramasamy was known for his controversial comments on religious beliefs and on brahmins. Being the son of a wealthy person, everyone was fond of him.

Erode Venkata Ramasamy was born on 17 September 1879, in Erode, then a part of the Coimbatore district of the Madras Presidency. E.V. Ramasamy's father, a rich Balija businessman, was Venkatappa Naicker (or Venkata), and his mother was Chinnathyee, Muthammal. He had one elder brother named Krishnaswamy and two sisters named Kannamma and Ponnuthoy. He later came to be known as "Periyar" meaning 'respected one' or 'elder' in Tamil. E.V. Ramasamy married when he was 19, and had a daughter who lived for only 5 months. His first wife, Nagammai, died in 1933. E.V. Ramasamy married for a second time in July 1948. His second wife, Maniammai, continued E.V. Ramasamy's social work after his death in 1973, but his thoughts and ideas then were advocated by Dravidar Kazhagam. In 1929, E.V. Ramasamy announced the deletion of his caste title Naicker from his name at the First Provincial Self-Respect Conference of Chengalpattu. He could speak three Dravidian languages: Kannada, Telugu and Tamil.  Periyar attended school for five years after which he joined his father's trade at the age of 12. He used to listen to Tamil Vaishnavite gurus who gave discourses in his house enjoying his father's hospitality. At a young age, he began questioning the apparent contradictions in the Hindu mythological stories. As Periyar grew, he felt that people used religion only as a mask to deceive innocent people and therefore took it as one of his duties in life to warn people against superstitions and priests. E.V. Ramasamy's father arranged for his wedding when he was nineteen. The bride, Nagammai, was only thirteen. Despite having an arranged marriage, Periyar and Nagammai were already in love with each other. Nagammai actively supported her husband in his later public activities and agitations. Two years after their marriage, a daughter was born to them. However, their daughter died when she was five months old. The couple had no more children. CANNOTANSWERAnswer this question using a quote from the following article:

what was Periyar's father like

a rich Balija businessman,
Which entity is this text about?

John Hartson was born on 5 April 1975 in Swansea, as the third of four children to Cyril and Diana Hartson. Cyril had also played football for local team Afan Lido. Hartson grew up in Talycoppa, Swansea, alongside his elder brother James, elder sister Hayley and younger sister Victoria. As a youngster Hartson represented Lonlas Boys' Club in Skewen, playing his first match aged six.

Hartson turned professional in 1992 and made his Luton Town first team debut as a substitute in a 1-0 League Cup defeat to Cambridge United on 24 August 1993. In January 1995, at 19, he joined Arsenal for PS2.5 million, a British record fee for a teenage player at the time. Along with Chris Kiwomya, Hartson was one of George Graham's last signings before the manager's sacking in February 1995. He made his Arsenal debut on 14 January 1995, a 1-1 home draw with Everton, and scored his first goal for the club the following week, the only goal in a 1-0 away win at Coventry City. He was a regular for the remainder of his first season, a highlight of which was scoring Arsenal's 75th-minute equaliser in the 1995 UEFA Cup Winners' Cup Final against Real Zaragoza; however a last-minute goal from 40 yards by Nayim over David Seaman meant Arsenal lost the game 2-1. He was strike-partner to Ian Wright, being favoured ahead of Kevin Campbell to fill the gap left by the injured Alan Smith, who would retire at the end of the season. Following the signing of Dennis Bergkamp, who was preferred up front to partner Wright, Hartson went on to feature under Graham's successors Bruce Rioch and Arsene Wenger. With Wenger wanting him to stay at the club, Hartson though in February 1997 linked up with West Ham United in a PS3.2 million deal. At the time, he was the most expensive player to be signed by West Ham.The deal was initially reported to be worth PS5 million. In total, Hartson played 53 times for Arsenal, scoring 14 goals. CANNOTANSWER

John Hartson
Answer by taking a quote from the following article:

Megadeth is an American heavy metal band from Los Angeles, California. Guitarist Dave Mustaine and bassist David Ellefson formed the band in 1983 shortly after Mustaine's dismissal from Metallica. A pioneer of the American thrash metal scene, Megadeth is credited as one of the genre's "big four," along with Metallica, Anthrax, and Slayer, responsible for thrash metal's development and popularization. Megadeth plays in a technical style, featuring complex arrangements and fast rhythm sections.

In 1985, Combat Records gave the band $8,000 to record and produce its debut album. After spending $4,000 of the budget on drugs, alcohol, and food, the band fired the original producer and finished the recording themselves. Despite its low fidelity sound, Killing Is My Business... and Business Is Good! was relatively successful in underground metal circles on its release that summer and attracted major-label interest. Music writer Joel McIver praised its "blistering technicality" and stated that the album "raised the bar for the whole thrash metal scene, with guitarists forced to perform even more accurately and powerfully". The front cover marked the debut of band mascot Vic Rattlehead, who regularly appeared on subsequent album artwork. Killing Is My Business... and Business Is Good! features "Mechanix," a song Mustaine wrote during his time with Metallica. Though Mustaine told the band after his dismissal not to use the music he had written, Metallica recorded a different version of the song entitled "The Four Horsemen", with a slower tempo and a melodic middle section. The album also included a cover of Nancy Sinatra's "These Boots Are Made for Walkin'," at a faster tempo and with altered lyrics. Megadeth's version generated controversy during the 1990s, when its writer, Lee Hazlewood, called Mustaine's changes "vile and offensive". Under threat of legal action, the song was removed from pressings released from 1995 to 2001. In mid-1985, on a bill with Canadian speed metal band Exciter, Megadeth played its first North American tour: the Killing for a Living Tour. Poland was in the band as the tour began, but abruptly left and was replaced by touring guitarist Mike Albert. Poland rejoined Megadeth in October 1985, shortly before the group began recording its second album for Combat. CANNOTANSWER

When was the album released?

In 1985, Combat Records gave the band $8,000 to record and produce its debut album.
In April 2004, Lanegan released an EP with former Belle & Sebastian vocalist Isobel Campbell, titled Time Is Just the Same. They would later release a single entitled "Ramblin' Man" for their collaboration album Ballad of the Broken Seas. Campbell wrote and recorded the majority of the album's tracks in Glasgow, with Lanegan adding vocals in Los Angeles. The record was well received by critics who likened the duo to Nick Cave and Kylie Minogue. In addition to providing vocals, Lanegan also wrote the track "Revolver" with Campbell. The album was nominated for the 2006 Mercury Prize. Lanegan and Campbell played four UK concerts in January 2007, with the London date being moved to a larger venue as a result of high demand for tickets. When making the decision to make a follow-up to Ballad of the Broken Seas, Campbell reflected: It was because he kinda disappeared for a year but in my heart I wanted to do another one because as soon as we'd finished Ballad of the Broken Seas I was writing new songs and I was like; "Oh God, I've got to get Mark to sing these." After a concert with Lanegan in January 2007, Campbell asked Lanegan if he would consider making a new album, Lanegan replied: "in a heartbeat". This time Lanegan flew to Glasgow to record the new album at the end of March for nine days to record the songs Campbell had written. After working with Lanegan, Campbell remarked: "It is his classic, effortless American voice that I love". She added "I think I was playing about with that a lot so there's a few of what Mark would call raunchy songs and a few ballads too". The album, Sunday at Devil Dirt, was released on May 5, 2008 with the track "Who Built the Road" being the only single released from it. A third collaborative album with Campbell was released on August 16, 2010 entitled Hawk. The pair toured to promote the album, including a set at All Tomorrow's Parties, December 10-12, 2010 (Bowlie 2) curated by Belle & Sebastian and shows in Australia in 2011. By the end of the tour the duo had ceased to function and each went their separate ways. CANNOTANSWER

Answer this question "How did they know each other?" by extracting the answer from the text above.

CANNOTANSWER
Background: Tan Dun (simplified Chinese: Tan Dun ; traditional Chinese: Tan Dun ; pinyin: Tan Dun, Mandarin pronunciation: [than tu@n]; born 18 August 1957) is a Chinese contemporary classical composer and conductor, most widely known for his scores for the movies Crouching Tiger, Hidden Dragon and Hero, as well as composing music for the medal ceremonies at the 2008 Beijing Olympics. His works often incorporate audiovisual elements; use instruments constructed from organic materials, such as paper, water, and stone; and are often inspired by traditional Chinese theatrical and ritual performance. In 2013, he was named a UNESCO Goodwill Ambassador. He has won numerous awards for his works, including an Academy Award, a Grammy Award and a BAFTA award.
Context: In the mid-1990s, Tan Dun began working on another series of orchestral works known as the Yi series, named for the I Ching (Yi Jing in pinyin). Each numbered work in the series builds upon the original, Yideg: Concerto for Orchestra (published 2002), by adding a solo instrument. The first concerto in the series, Yi1: Intercourse of Fire and Water (1994), was written for and premiered by cellist Anssi Karttunen. The second work, Yi2: Concerto for Guitar and Orchestra (1996), combines flamenco and pipa techniques and was premiered by Sharon Isbin. Originally titled Secret Land, Tan Dun wrote a concerto for twelve solo cellos and orchestra called Four Secret Road of Marco Polo (2004). Commissioned and premiered by the Berlin Philharmonic, the work is a musical exploration of the Silk Road. To achieve these sounds, the cello soloists employ sitar and pipa techniques. Tan Dun wrote a concerto for Lang Lang titled Piano Concerto: "The Fire" (2008), a commission by the New York Philharmonic. The concerto is reportedly inspired by the composer's love for martial arts, and the soloist is instructed to play certain passages of the music with fists and forearms. Other more tranquil sections evoke ancient Chinese instruments such as the guqin. In 2008, Tan Dun was commissioned by Google and YouTube to write an inaugural symphony for the YouTube Symphony Orchestra (YTSO) project. The resultant work, Internet Symphony No. 1 "Eroica", was recorded by the London Symphony Orchestra and uploaded to YouTube in November 2008, thus beginning the open call for video audition submissions. Voted on by members of the YouTube community as well as professional musicians, the YTSO was assembled of 96 musicians from over 30 countries. In April 2009, a mashup video of the submissions was premiered at Carnegie Hall, followed by a live performance of the work. CANNOTANSWER
Question: When did he write that?. Whats the answer?

2004
Bauhaus were an English post-punk band, formed in Northampton, England in 1978. The group consisted of Peter Murphy (vocals, occasional instruments), Daniel Ash (guitar), Kevin Haskins (drums) and David J (bass). The band was originally named Bauhaus 1919 in reference to the first operating year of the German art school Bauhaus, although they shortened the name within a year of formation. One of the first gothic rock groups, Bauhaus were known for their dark image and gloomy sound, although they mixed many genres, including dub, glam rock, psychedelia and funk.

Although the band were short-lived, their music was influential upon many bands and artists that followed. They had a significant impact on gothic and deathrock artists including Christian Death, Type O Negative and Glenn Danzig. The Mission's Wayne Hussey sang with Murphy on stage in 2013. According to Courtney Love: The Real Story, Kurt Cobain was a "closet deathrocker" and his Bauhaus records were "scratched up". Bauhaus inspired many industrial rock groups, like Marilyn Manson, Nine Inch Nails, Nitzer Ebb and Skinny Puppy. The band has been cited as an influence by electronic act Carl Craig, the crust punk band Amebix and the extreme metal band Celtic Frost. Bauhaus were also hailed by several alternative/indie rock groups including Jane's Addiction, Soundgarden, A Neon Rome, AFI, Hole, Interpol, My Chemical Romance, She Wants Revenge, Elliott Smith, the Dresden Dolls, the Flaming Lips and the Horrors. Bauhaus influenced Dead Kennedys frontman Jello Biafra in the writing of that band's 1982 album Plastic Surgery Disasters. Duff McKagan of Guns N' Roses listed the Bauhaus compilation Bauhaus 1979-1983 in his 100 favorite albums list. The group have been namechecked by several other prominent musicians Steve Albini (of Big Black), Al Jourgensen (of Ministry), Fred Durst (of Limp Bizkit), Jonathan Davis (of Korn), Stuart Braithwaite (of Mogwai), and Stephen Malkmus (of Pavement). Blink-182 namedropped Bauhaus on their song "She's Out of Her Mind" on their California album. The Bauhaus song "All We Ever Wanted Was Everything" (from the album The Sky's Gone Out) was covered by several artists and bands, including John Frusciante (former guitarist of Red Hot Chili Peppers), MGMT  and Xiu Xiu (who recorded it in 2006 for their Tu Mi Piaci EP). Billy Corgan of Smashing Pumpkins sang T. Rex's "Telegram Sam" and "All We Ever Wanted Was Everything" live on stage with Bauhaus in 1998. Bauhaus' signature song, "Bela Lugosi's Dead", was covered by several acts, including Massive Attack, Trent Reznor and Chris Cornell (former singer of Soundgarden). CANNOTANSWER

Answer the following question by taking a quote from the article: Did anyone say exactly what influence they gained from Bauhaus music?

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Background: Sheryl Suzanne Crow (born February 11, 1962) is an American musician, singer, songwriter and actress. Her music incorporates elements of pop, rock, country and blues. She has released ten studio albums, four compilations, a live album, and has contributed to a number of film soundtracks. Her songs include "All I Wanna Do" and "If It Makes You Happy."
Context: After graduating from the University of Missouri, Crow worked as a music teacher at the Kellison elementary school in Fenton, Missouri. Teaching during the day gave her the opportunity to sing in bands on the weekends. She was later introduced to local musician and record producer Jay Oliver. He had a studio in the basement of his parents' home in St. Louis and helped her by using her in advertising jingles. Her first jingle was a 'back to school' spot for the St Louis department store Famous-Barr. Soon after she sang in commercial jingles for McDonald's (stated on the Today Show 4/19/17 she did not create) and Toyota. She was quoted in a 60 Minutes segment as saying she made $40,000 on her McDonald's ad alone. Crow toured with Michael Jackson as a backing vocalist during his Bad World Tour 1987-89 and often performed with Jackson on "I Just Can't Stop Loving You". She also recorded background vocals for performances for a number of established artists such as Stevie Wonder, Belinda Carlisle and Don Henley. In 1989, Crow contributed backing vocals to the Neal Schon track "Smoke of the Revolution" from his album Late Nite. Crow also sang in the short-lived Steven Bochco drama Cop Rock in 1990. That same year, her song "Heal Somebody" appeared in the film Bright Angel. The following year, she performed "Hundreds of Tears", which was included in the Point Break soundtrack, and sang a duet with Kenny Loggins on the track "I Would Do Anything", from his album Leap of Faith. CANNOTANSWER
Question: Did she have any producers in her younger years or was she alone?

Answer:

She was later introduced to local musician and record producer Jay Oliver.
The Hyksos ( or ; Egyptian heqa khasut, "ruler(s) of the foreign countries"; Ancient Greek: Uksos, Uxos) were a people of mixed origins, possibly from Western Asia, who settled in the eastern Nile Delta some time before 1650 BC. The arrival of the Hyksos led to the end of the Thirteenth Dynasty of Egypt and initiated the Second Intermediate Period of Egypt. In the context of Ancient Egypt, the term "Asiatic" - which is often used for the Hyksos - may refer to any people native to areas east of Egypt.

Ahmose I, who is regarded as the first pharaoh of the Eighteenth Dynasty of Egypt may have been on the Theban throne for some time before he resumed the war against the Hyksos. The details of his military campaigns are taken from the account on the walls of the tomb of Ahmose, son of Ebana, a soldier from El-Kab, a town in southern Upper Egypt, whose father had served under Seqenenra Tao, and whose family had long been nomarchs of the districts. It seems that several campaigns against the stronghold at Avaris were needed before the Hyksos were finally dislodged and driven from Lower Egypt. When this occurred is not known with certainty. Some authorities place the expulsion as early as Ahmose's fourth year, while Donald B. Redford, whose chronological structure has been adopted here, places it as late as the king's fifteenth year. The Ahmose who left the inscription states that he followed on foot as his King Ahmose rode to war in his chariot (the first mention of the use of the horse and chariot by the Egyptians); in the fighting around Avaris he captured prisoners and carried off several hands (as proof of slain enemies), which when reported to the royal herald resulted in his being awarded the "Gold of Valor" on three separate occasions. The actual fall of Avaris is only briefly mentioned: "Then Avaris was despoiled. Then I carried off spoil from there: one man, three women, a total of four persons. Then his majesty gave them to me to be slaves." After the fall of Avaris, the fleeing Hyksos were pursued by the Egyptian army across northern Sinai Peninsula and into the southern Levant. Here, in the Negev desert between Rafah and Gaza, the fortified town of Sharuhen was reduced after, according to the soldier from El-Kab, a long three-year siege operation. How soon after the sack of Avaris this Asiatic campaign took place is uncertain. One can reasonably conclude that the thrust into southern Canaan probably followed the Hyksos' eviction from Avaris fairly closely, but, given a period of protracted struggle before Avaris fell and possibly more than one season of campaigning before the Hyksos were shut up in Sharuhen, the chronological sequence must remain uncertain. CANNOTANSWERAnswer this question using a quote from the following article:

What other groups were they around?

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William Theodore Walton III (born November 5, 1952) is an American retired basketball player and television sportscaster. Walton became known playing for John Wooden's powerhouse UCLA Bruins in the early 1970s, winning three successive College Player of the Year Awards, while leading the Bruins to two Division I national titles. He then went on to have a prominent career in the National Basketball Association (NBA) where he was a league Most Valuable Player (MVP) and won two NBA championships.

On leaving college, Walton was drafted by the San Diego Conquistadors of the American Basketball Association and also taken as the number one overall by the Portland Trail Blazers in the 1974 NBA draft and was hailed as the savior of the Portland franchise. He signed with the Trail Blazers but his first two seasons were marred by injury (at different times he broke his nose, foot, wrist and leg) and the Blazers missed the playoffs both years. It was not until the 1976-77 season that he was healthy enough to play 65 games and, spurred by new head coach Jack Ramsay, the Trail Blazers became the Cinderella team of the NBA. Walton led the NBA in both rebounds per game and blocked shots per game that season, and he was selected to the NBA All-Star Game, but did not participate due to an injury. Walton was named to the NBA's First All-Defensive Team and the All-NBA Second Team for his regular season accomplishments. In the postseason, Walton led Portland to a sweep of the Los Angeles Lakers in the conference finals (arguably holding his own against Kareem Abdul-Jabbar during the series) and went on to help the Trail Blazers to the NBA title over the favored Philadelphia 76ers despite losing the first two games of the series. Walton was named the Finals MVP. The following year, the Blazers won 50 of their first 60 games before Walton suffered a broken foot in what turned out to be the first in a string of foot and ankle injuries that cut short his career. He nonetheless won the league MVP that season (1978) and the Sporting News NBA MVP, as well. He played in his only All-Star Game in 1978 and was named to both the NBA's First All-Defensive Team and the All-NBA First Team. Walton returned to action for the playoffs, but was reinjured in the second game of a series against the Seattle SuperSonics. Without Walton to lead them, Portland lost the series to Seattle in six games. As it turned out, Walton would never play for the Trail Blazers again. During the offseason, Walton demanded to be traded, citing unethical and incompetent treatment of his and other players' injuries by the Blazers' front office. He did not get his wish and sat out the 1978-79 season in protest, signing with the San Diego Clippers when he became a free agent in 1979. CANNOTANSWER

Answer the following question by taking a quote from the article: Did he have any notable wins ?

He nonetheless won the league MVP that season (1978) and the Sporting News NBA MVP, as well.
Jeanine Ferris Pirro (born June 2, 1951) is an American TV personality, former judge, prosecutor, and Republican politician in New York. Pirro is currently the host of Fox News Channel's Justice with Judge Jeanine. She was the first female judge elected to the Westchester County Court prior to her election as the first female District Attorney of Westchester County. As District Attorney, Pirro gained considerable visibility in cases of domestic abuse and crimes against the elderly.

On August 10, 2005, Pirro announced that she would seek the Republican nomination to challenge first-term incumbent senator Hillary Clinton, a Democrat, in the 2006 election for U.S. Senator from New York. Other Republicans who announced campaigns for the nomination were John Spencer, a former mayor of Yonkers, William Brenner, an attorney in Sullivan County, and attorney Edward Cox, the son-in-law of former president Richard Nixon. In a widely publicized moment when she was declaring her candidacy, Pirro misplaced page 10 of her speech and went silent for 32 seconds, something that is widely considered to have damaged her campaign before it even started. During an appearance at the Crime Victims Resource Center, Pirro described herself this way: "I am red on fiscal policy. I am conservative and I support the Bush tax cut." She added, however: "I have broad blue stripes when it comes to social issues... I am a woman who is a moderate in New York." Republican governor George Pataki's endorsement of Pirro caused Cox to withdraw from the race, leaving Pirro as the likely nominee. Donors to Pirro's political campaign included designer Tommy Hilfiger (also a native of Elmira) and Donald Trump, as well as contractors and real estate executives who had done business with her husband. On December 21, 2005, Pirro dropped out of the Senate race after continuing pressure from party chiefs. This decision was reached after a lagging fundraising effort and polls that showed she would be easily defeated by Clinton (a Quinnipiac University poll found Pirro would lose to Clinton 62 percent to 30 percent). In a statement, she said "I have decided that my law enforcement background better qualifies me for a race for New York State attorney general than a race for the United States Senate." Spencer was eventually chosen as the Republican Party's nominee for the U.S. Senate. CANNOTANSWER

Answer the following question by taking a quote from the article: Was she embarrassed?

something that is widely considered to have damaged her campaign before it even started.