cindermond/bento huggingface dataset:
Robert McNair Price (born July 7, 1954) is an American theologian and writer, known for arguing against the existence of a historical Jesus (the Christ myth theory). He taught philosophy and religion at the Johnnie Colemon Theological Seminary. He is a professor of biblical criticism at the Center for Inquiry Institute, and the author of a number of books on theology and the historicity of Jesus. A former Baptist minister, he was the editor of the Journal of Higher Criticism from 1994 until it ceased publication in 2003.

He views Jesus of Nazareth as an invented figure conforming to the Rank-Raglan mythotype.  In the documentary The God Who Wasn't There, Price supports a version of the Christ myth theory, suggesting that the early Christians adopted the model for the figure of Jesus from the popular Mediterranean dying-rising saviour myths of the time, such as that of Dionysus. He argues that the comparisons were known at the time, as early church father Justin Martyr had admitted the similarities. Price suggests that Christianity simply adopted themes from the dying-rising god stories of the day and supplemented them with themes (escaping crosses, empty tombs, children being persecuted by tyrants, etc.) from the popular stories of the day in order to come up with the narratives about Christ. [Per the Kyrios Christos Cult] The ancient Mediterranean world was hip-deep in religions centering on the death and resurrection of a savior god. [...] It is very hard not to see extensive and basic similarities between these religions and the Christian religion. But somehow Christian scholars have managed not to see it, and this, one must suspect, for dogmatic reasons. [...] But it seems to me that the definitive proof that the resurrection of the Mystery Religion saviors preceded Christianity is the fact that ancient Christian apologists did not deny it! [...] A Christ religion modeled after a Mystery cult is a Mystery cult, [and against Mack's Christ cult] a Christ cult worthy of the name. This is what we expect Burton Mack to be talking about when he talks about Christ cults. Price notes that historians of classical antiquity approached mythical figures such as Heracles by rejecting supernatural tales while doggedly assuming that "a genuine historical figure" could be identified at the root of the legend. He describes this general approach as Euhemerism, and argues that most historical Jesus research today is also Euhemerist. Price argues that Jesus is like other ancient mythic figures, in that no mundane, secular information seems to have survived. Accordingly, Jesus also should be regarded as a mythic figure. But, Price admits to some uncertainty in this regard. He writes at the conclusion of his 2000 book Deconstructing Jesus: "There may have been a real figure there, but there is simply no longer any way of being sure." CANNOTANSWER

Using a quote from the above article, answer the following question: was he married?

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Bob Dylan (born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter, author, and painter who has been an influential figure in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s, when he became a reluctant "voice of a generation" with songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" that became anthems for the Civil Rights Movement and anti-war movement. In 1965, he controversially abandoned his early fan-base in the American folk music revival, recording a six-minute single, "Like a Rolling Stone", which enlarged the scope of popular music.

The Never Ending Tour commenced on June 7, 1988, and Dylan has played roughly 100 dates a year for the entirety of the 1990s and 2000s--a heavier schedule than most performers who started out in the 1960s. By May 2013, Dylan and his band had played more than 2,500 shows, anchored by long-time bassist Tony Garnier, drummer George Recile, multi-instrumentalist Donnie Herron, and guitarist Charlie Sexton. To the dismay of some of his audience, Dylan's performances remain unpredictable as he alters his arrangements and changes his vocal approach night after night. Critical opinion about Dylan's shows remains divided. Critics such as Richard Williams and Andy Gill have argued that Dylan has found a successful way to present his rich legacy of material. Others have criticized his live performances for mangling and spitting out "the greatest lyrics ever written so that they are effectively unrecognisable", and giving so little to the audience that "it is difficult to understand what he is doing on stage at all." Dylan's performances in China in April 2011 generated controversy. Some criticised him for not making any explicit comment on the political situation in China, and for, allegedly, allowing the Chinese authorities to censor his set list. Others defended Dylan's performances, arguing that such criticism represented a misunderstanding of Dylan's art, and that no evidence for the censorship of Dylan's set list existed. In response to these allegations, Dylan posted a statement on his website: "As far as censorship goes, the Chinese government had asked for the names of the songs that I would be playing. There's no logical answer to that, so we sent them the set lists from the previous 3 months. If there were any songs, verses or lines censored, nobody ever told me about it and we played all the songs that we intended to play." In 2018, Bob Dylan's website announced Dylan would tour in Europe, commencing in Lisbon in March and ending in Verona, Italy, on 27 April. CANNOTANSWER

How long did they join him for?

By May 2013, Dylan and his band had played more than 2,500 shows,
Background: Massive Attack are an English trip hop group formed in 1988 in Bristol, consisting of Robert "3D" Del Naja, Grant "Daddy G" Marshall and formerly Andy "Mushroom" Vowles ("Mush"). Their debut album Blue Lines was released in 1991, with the single "Unfinished Sympathy" reaching the charts and later being voted the 63rd greatest song of all time in a poll by NME. 1998's Mezzanine, containing "Teardrop", and 2003's 100th Window charted in the UK at number one. Both Blue Lines and Mezzanine feature in Rolling Stone's list of the 500 Greatest Albums of All Time.
Context: DJs Daddy G and Andrew Vowles and graffiti artist-turned-rapper Robert Del Naja met as members of partying collective The Wild Bunch. One of the first homegrown soundsystems in the UK, The Wild Bunch became dominant on the Bristol club scene in the mid-1980s. Massive Attack started as a spin-off production trio in 1988, with the independently released song, "Any Love", sung by falsetto-voiced singer-songwriter Carlton McCarthy, and then, with considerable backing from Neneh Cherry, they signed to Circa Records in 1990 - committing to deliver six studio albums and a "best of" compilation. Circa became a subsidiary of, and was later subsumed into, Virgin Records, which in turn was acquired by EMI. Blue Lines (1991), was co-produced by Jonny Dollar and Cameron McVey, who also became their first manager. Geoff Barrow, who went on to form Portishead, was an intern and trainee tape operator at Bristol's Coach House studio when the album was recorded. McVey (credited at the time as 'Booga Bear') and his wife, Neneh Cherry, provided crucial financial support and in-kind assistance to the early careers of Massive Attack, Portishead and Tricky during this period, even paying regular wages to them through their Cherry Bear Organisation. Massive Attack used guest vocalists, interspersed with Del Naja and Marshall's (initially Tricky's) own sprechgesang stylings, on top of what became regarded as an essentially British creative sampling production; a trademark sound that fused down-tempo hip hop, soul, reggae and other eclectic references, musical and lyrical. In the nineties, the trio became known for often not being able to easily get along with one another and working increasingly separately. Andy Vowles (Mushroom), who had once thought of himself as the trio's musical director, acrimoniously left Massive Attack in late 1999, after an ultimatum from the other two members to end the group immediately if he did not. Despite having taken Del Naja's side in the effective firing of Vowles and then participating in a show-of-unity webcast as a duo the following year, Grant Marshall (G) had also effectively left by 2001 in that he abandoned the studio altogether. Marshall returned to a studio role in 2005, having joined the touring line-up in 2003 and 2004. CANNOTANSWER
Question: Can you tell me about history?. Whats the answer?

DJs Daddy G and Andrew Vowles and graffiti artist-turned-rapper Robert Del Naja met as members of partying collective The Wild Bunch.
Background: Kenneth Robert Rosewall  (born 2 November 1934) is a former world top-ranking amateur and professional tennis player from Australia. He won a record 23 tennis Majors including 8 Grand Slam singles titles and, before the Open Era, a record 15 Pro Slam titles; overall, he reached a record 35 Major finals. He won the Pro Grand Slam in 1963. Rosewall won 9 slams in doubles with a career double grand slam.
Context: From August 1972 players could enter almost all the tournaments they wanted and the real open era began (at Forest Hills they created the ATP) Rosewall won seven tournaments in 1972, including the depleted Australian Open and became the oldest Grand Slam male singles champion (37 years and 2 months old) in the open era, and was ranked, by Judith Elian or Tingay or McCauley, No. 3 behind Smith and Ilie Nastase (Bud Collins permuting Nastase and Rosewall). He lost in the second round of the 1972 U.S. Open against Mark Cox. For Rosewall the beginning of 1973 was identical to the second half of 1972: a desert. He recorded possibly his worst defeat in his whole career at the 1973 Australian Open (again with a weak field because as in 1972 among the Top 20 only Rosewall and Newcombe participated) when seeded first he was defeated by German Karl Meiler in his first match (second round) in straight sets: 2-6, 3-6, 2-6. Between May 1972 (victory at Dallas) and April 1973 (victory at Houston, River Oaks) Rosewall captured only two minor titles, Tokyo WCT (not giving points for the WCT Finals) and Brisbane (in December 1972) where he was the only Top 20 player. If 1967 has been the first year of a relative decline with however many highlights, 1973 (and more accurately his "after-Dallas 1972") has been the real start of Rosewall's true decline : admittedly he was still one of the best players but not one fighting for the first place. Rosewall did not play Wimbledon that year as the edition was boycotted by the ATP players. After an absence of 17 years Rosewall returned to Davis Cup play in November when he played a doubles match with Rod Laver in the interzonal final against Czechoslovakia. His best performances in 1973 were firstly his semifinal at the US Open (as in 1972 the greatest event of the year) and secondly his third place at the WCT Finals (he was beaten by Ashe in the semifinals and defeated Laver for 3rd place). He also won at Houston WCT, Cleveland WCT, Charlotte WCT, Osaka and Tokyo. He was still ranked in the top 10. Tommasi ranked Rosewall 4, Tingay 6, ATP 6, Collins 5, and McCauley 7. CANNOTANSWER
Question: did he ever have a drop out?. Whats the answer?

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Milton Ernest "Robert" Rauschenberg (October 22, 1925 - May 12, 2008) was an American painter and graphic artist whose early works anticipated the pop art movement. Rauschenberg is well known for his "Combines" of the 1950s, in which non-traditional materials and objects were employed in innovative combinations. Rauschenberg was both a painter and a sculptor and the Combines are a combination of both, but he also worked with photography, printmaking, papermaking, and performance.

In 1951 Rauschenberg had his first one-man show at the Betty Parsons Gallery and in 1954 had a second one-man show at the Charles Egan Gallery. In 1955, at the Charles Egan Gallery, Rauschenberg showed Bed (1955), one of his first and certainly most famous Combines. Rauschenberg had his first career retrospective, organized by the Jewish Museum, New York, in 1963, and in 1964 he was the first American artist to win the Grand Prize at the Venice Biennale (Mark Tobey and James Whistler had previously won the Painting Prize). After that time, he enjoyed a rare degree of institutional support. A retrospective organized by the National Collection of Fine Arts (now the Smithsonian American Art Museum), Washington, D.C., traveled throughout the United States in 1976 and 1978. A retrospective at the Solomon R. Guggenheim Museum, New York (1997), traveled to Houston, Cologne, and Bilbao (through 1999). Recent exhibitions were presented at the Metropolitan Museum of Art, New York (2005; traveled to Museum of Contemporary Art, Los Angeles, Centre Georges Pompidou, Paris, and Moderna Museet, Stockholm, through 2007); at the Peggy Guggenheim Collection, Venice (2009; traveled to the Tinguely Museum, Basel, Guggenheim Museum Bilbao, and Villa e Collezione Panza, Varese, through 2010); and Botanical Vaudeville at Inverleith House, Royal Botanic Garden Edinburgh (2011). A memorial exhibition of Rauschenberg's photographs opened October 22, 2008, (on the occasion of what would have been his 83rd birthday) at the Guggenheim Museum. Further exhibitions include: 5 Decades of Printmaking, Leslie Sacks Contemporary (2012); Robert Rauschenberg: Jammers, Gagosian Gallery, London (2013); Robert Rauschenberg: Hoarfrost Editions, Gemini G.E.L. at Joni Moisant Weyl (2014); Robert Rauschenberg: The Fulton Street Studio, 1953-54, Craig F. Starr Associates (2014); Collecting and Connecting, Nasher Museum of Art at Duke University (2014); A Visual Lexicon, Leo Castelli Gallery (2014); Robert Rauschenberg: Works on Metal, Gagosian Gallery, Beverly Hills (2014).; Robert Rauschenberg, de Sarthe Gallery, Hong Kong (2016), and Museum of Modern Art retrospective (2017). On June 4, 2004 the Gallery of Fine Art at Florida SouthWestern State College was renamed the Bob Rauschenberg Gallery, celebrating a long-time friendship with the artist. The gallery has been host to many of Rauschenberg's exhibitions since 1980. CANNOTANSWER

Has any of his art gone up for sale?

CANNOTANSWER
Background: Mary Lillian Ellison was born in 1923 in Kershaw County, South Carolina, and grew up in Tookiedoo, 12 miles from Columbia. The youngest of five children, Ellison was the only daughter of a part Cherokee father and an Irish mother. Her parents owned a farm, a grocery store, and a service station. When her mother died of cancer, eight-year-old Ellison went to live with her paternal grandmother and worked on her cousin's cotton farm to make money.
Context: Ellison's first husband was Walter Carroll, who became the father of her daughter Mary. Mary wrestled briefly but decided against pursuing the profession. Ellison had six grandchildren. Ellison and Carroll divorced shortly after their daughter's birth. Later, Ellison married wrestler Johnny Long. Marital conflicts developed when Long wanted Ellison to be a housewife instead of a career woman. In addition, Ellison accused Long of being a "womanizer". Ellison and Long divorced. Ellison also says that she dated country singer Hank Williams for four months in 1952. According to Ellison, Williams proposed to her, but Williams's drinking and heroin abuse forced the couple to go separate ways. She further claimed that he wanted Ellison to quit her wrestling career, which she did not want to do. Two months after the breakup, Williams died due to an overdose. Later, Ellison met a wrestler named Buddy Lee, whom she regarded as the "love of her life." They were eventually married, and after divorcing in 1970 after nine years of marriage, they remained friends until Lee's death in 1999. The divorce was attributed to Lee's affair with Rita Cortez, one of the wrestlers the duo was training. In the early 1980s, Ellison opened Moolah's Hideaway, a bar and grill which was operated by her daughter Mary and frequented by Andre the Giant. Beginning in 1991, Ellison lived with Mae Young in a house in Columbia, South Carolina. Her estate was located on a road named Moolah Drive. A midget professional wrestler named Katie Glass also lived with Moolah for over 40 years. Another wrestler, Donna Christanello, also lived with Ellison on-and-off for 40 years, ending in May 1999. During her return to the ring in 1999, Ellison began experiencing occasional dizziness, and as a result, her doctor requested that she begin to wear a heart monitor. A few days later, Ellison was admitted to the hospital for what turned out to be two clogged arteries and viral pneumonia. She stayed at the intensive-care unit of the hospital for 24 days, during which she was unconscious for fifteen days. After leaving the hospital, she again slipped into unconsciousness in the bathroom at her home, crushing several vertebrae. She underwent successful back surgery in mid-December. CANNOTANSWER
Question: When was she born?. Whats the answer?

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Styx  is an American rock band from Chicago that formed in 1972 and became famous for its albums released in the late 1970s and early 1980s. They are best known for melding hard rock guitar balanced with acoustic guitar, synthesizers mixed with acoustic piano, upbeat tracks with power ballads, and incorporating elements of international musical theatre. The band established itself with a progressive rock sound in the 1970s, and began to incorporate pop rock and soft rock elements in the 1980s. Styx is best known for the hit songs "Lady",

On the success of "Babe", DeYoung began pushing for a more theatrical direction, while Shaw and Young favored a harder-edged approach. This arguing over musical direction led to a bit of tension in early 1980 after Young and Shaw objected to the ballad "First Time" released as the second single from Cornerstone (1979) album. However, things were quickly smoothed over. Moreover, this song did not chart in the U.S. but became a huge hit single in the Philippines in 1981. In January 1981, Styx released Paradise Theatre, a concept album that became their biggest hit, reaching No. 1 on the Billboard pop albums chart and yielding five singles, including the top ten hits "The Best of Times" by DeYoung (#3) and "Too Much Time on My Hands" by Shaw (#9). Paradise Theatre became the band's fourth consecutive multi-platinum album. The band was accused by a California religious group and later the Parents Music Resource Center of backmasking Satanic messages in their anti-cocaine anthem, "Snowblind". James Young has denied this charge during his introduction for "Snowblind" when played live. Dennis DeYoung has denied the accusation as well, joking on the In the Studio with Redbeard program "we had enough trouble to make the music sound right forward." Also, James Young quotes, "If we were going to put something Satanic in our songs, we would have put it so it was in the song forward. Not so you would have to buy some $400 tape recorder to hear it." Throughout the 1980s, the band would use the Paradise Theatre (1981) album's opening track, "Rockin' the Paradise" (charted at No. 8 on Top Rock Tracks Chart) to open their shows. CANNOTANSWER

Answer the following question by taking a quote from the article: What is the backmasking accusation?

The band was accused by a California religious group and later the Parents Music Resource Center of backmasking Satanic messages
Background: Gyorgy Lukacs (; Hungarian: ['jorj 'luka:tS]; also Georg Lukacs; born Gyorgy Bernat Lowinger; 13 April 1885 - 4 June 1971) was a Hungarian Marxist philosopher, aesthetician, literary historian, and critic. He was one of the founders of Western Marxism, an interpretive tradition that departed from the Marxist ideological orthodoxy of the Soviet Union. He developed the theory of reification, and contributed to Marxist theory with developments of Karl Marx's theory of class consciousness.
Context: Whilst at university in Budapest, Lukacs was part of socialist intellectual circles through which he met Ervin Szabo, an anarcho-syndicalist who introduced him to the works of Georges Sorel (1847-1922), the French proponent of revolutionary syndicalism. In that period, Lukacs's intellectual perspectives were modernist and anti-positivist. From 1904 to 1908, he was part of a theatre troupe that produced modernist, psychologically realistic plays by Henrik Ibsen, August Strindberg, and Gerhart Hauptmann. Lukacs spent much time in Germany, and studied in Berlin from 1906 to 1910, during which time he made the acquaintance of the philosopher Georg Simmel. Later, in 1913, whilst in Heidelberg he befriended Max Weber, Ernst Bloch, and Stefan George. The idealist system to which Lukacs subscribed was intellectually indebted to Neo-Kantianism (then the dominant philosophy in German universities) and to Plato, Georg Wilhelm Friedrich Hegel, Soren Kierkegaard, Wilhelm Dilthey, and Fyodor Dostoyevsky. In that period, he published Soul and Form (1911; tr. 1974) and The Theory of the Novel (1916/1920; tr. 1971). In 1915, Lukacs returned to Budapest, where he was the leader of the Sunday Circle, an intellectual salon. Its concerns were the cultural themes that arose from the existential works of Dostoyevsky, which thematically aligned with Lukacs's interests in his last years at Heidelberg. As a salon, the Sunday Circle sponsored cultural events whose participants included literary and musical avant-garde figures, such as Karl Mannheim, the composer Bela Bartok, Bela Balazs, and Karl Polanyi; some of them also attended the weekly salons. In 1918, the last year of the First World War (1914-18), the Sunday Circle became divided. They dissolved the salon because of their divergent politics; several of the leading members accompanied Lukacs into the Communist Party of Hungary. CANNOTANSWER
Question: Why did he spend alot of time in germany

Answer:

studied in Berlin from 1906 to 1910,
Brando was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr. (1895-1965), a pesticide and chemical feed manufacturer, and Dorothy Julia (nee Pennebaker; 1897-1954). Brando had two older sisters, Jocelyn Brando (1919-2005) and Frances (1922-1994).

Brando earned a reputation as a 'bad boy' for his public outbursts and antics. According to Los Angeles magazine, "Brando was rock and roll before anybody knew what rock and roll was." His behavior during the filming of Mutiny on the Bounty (1962) seemed to bolster his reputation as a difficult star. He was blamed for a change in director and a runaway budget, though he disclaimed responsibility for either. On June 12, 1973, Brando broke paparazzo Ron Galella's jaw. Galella had followed Brando, who was accompanied by talk show host Dick Cavett, after a taping of The Dick Cavett Show in New York City. He reportedly paid a $40,000 out-of-court settlement and suffered an infected hand as a result. Galella wore a football helmet the next time he photographed Brando at a gala benefiting the American Indians Development Association. The filming of Mutiny on the Bounty affected Brando's life in a profound way, as he fell in love with Tahiti and its people. He bought a 12-island atoll, Tetiaroa, and in 1970 hired an award-winning young Los Angeles architect, Bernard Judge, to build his home and natural village there without despoiling the environment. An environmental laboratory protecting sea birds and turtles was established and student groups were welcomed there for many years. Tragically, the 1983 hurricane destroyed many of the structures including his resort. A hotel using Brando's name, The Brando Resort was officially opened to the public in 2014. Brando was an active ham radio operator, with the call signs KE6PZH and FO5GJ (the latter from his island). He was listed in the Federal Communications Commission (FCC) records as Martin Brandeaux to preserve his privacy. In the A&E Biography episode on Brando, biographer Peter Manso comments, "On the one hand, being a celebrity allowed Marlon to take his revenge on the world that had so deeply hurt him, so deeply scarred him. On the other hand he hated it because he knew it was false and ephemeral." In the same program another biographer, David Thomson, relates, "Many, many people who worked with him, and came to work with him with the best intentions, went away in despair saying he's a spoiled kid. It has to be done his way or he goes away with some vast story about how he was wronged, he was offended, and I think that fits with the psychological pattern that he was a wronged kid." CANNOTANSWER

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What did others think about his lifestyle?
The Kinks were an English rock band formed in Muswell Hill, North London, in 1964 by brothers Ray and Dave Davies. They are regarded as one of the most important and influential rock bands of the 1960s. The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965. Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.

The first live performance of the Ray Davies Quartet, the band that would become the Kinks, was at a dance for their school, William Grimshaw, in 1962. The band performed under several names between 1962 and 1963--the Pete Quaife Band, the Bo-Weevils, the Ramrods, and the Ravens--before settling on the Kinks in early 1964. The Kinks made their first tour of Australia and New Zealand in January 1965 as part of a "package" bill that included Manfred Mann and the Honeycombs. They performed and toured relentlessly, headlining package tours throughout 1965 with performers such as the Yardbirds and Mickey Finn. Tensions began to emerge within the band, expressed in incidents such as the on-stage fight between drummer Mick Avory and Dave Davies at The Capitol Theatre, Cardiff, Wales on 19 May. After finishing the first song, "You Really Got Me", Davies insulted Avory and kicked over his drum set. Avory responded by hitting Davies with his hi-hat stand, rendering him unconscious, before fleeing from the scene, fearing that he had killed his bandmate. Davies was taken to Cardiff Royal Infirmary, where he received 16 stitches to his head. To placate police, Avory later claimed that it was part of a new act in which the band members would hurl their instruments at each other. Following their summer 1965 American tour, the American Federation of Musicians refused permits for the group to appear in concerts in the United States for the next four years, possibly due to their rowdy on-stage behaviour. In April 1969 Davies helped negotiate an end to the American Federation of Musician ban on the group, which allowed plans for a North American tour. Davies went into a state of depression, culminating in his onstage announcement that he was "sick of it all" at a gig in White City Stadium. A review of the concert published in Melody Maker stated: "Davies swore on stage. He stood at The White City and swore that he was 'F...... [sic] sick of the whole thing' ... He was 'Sick up to here with it' ... and those that heard shook their heads. Mick just ventured a disbelieving smile, and drummer [sic] on through 'Waterloo Sunset.'" Davies proceeded to try to announce that the Kinks were breaking up, but this attempt was foiled by the group's publicity management, who pulled the plug on the microphone system. CANNOTANSWER

Using a quote from the above article, answer the following question: What did people think of their first performance?

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Dalglish, the son of an engineer, was born in Dalmarnock in the East End of Glasgow, and was brought up in Milton in the north of Glasgow. He moved to the docklands of Govan, near Ibrox, home of Rangers, when he was 15, and he grew up supporting Rangers. Dalglish attended Milton Bank Primary School in Milton and started out as a goalkeeper. He then attended High Possil Senior Secondary School, where he won the inter-schools five-a-side and the inter-year five-a-side competitions.

After the Heysel Stadium disaster in 1985 and Joe Fagan's subsequent resignation as manager, Dalglish became player-manager of Liverpool. In his first season in charge in 1985-86, he guided the club to its first "double". Liverpool achieved this by winning the League Championship by two points over Everton (Dalglish himself scored the winner in a 1-0 victory over Chelsea at Stamford Bridge to secure the title on the final day of the season), and the FA Cup by beating Everton in the final. The 1986-87 season was trophyless for Liverpool. They lost 2-1 to Arsenal in the League Cup final at Wembley. Before the 1987-88 season, Dalglish signed two new players: striker Peter Beardsley from Newcastle and winger John Barnes from Watford. He had already purchased goalscorer John Aldridge from Oxford United (a replacement for Ian Rush, who was moving to Italy) in the spring of 1987 and early into the new campaign, bought Oxford United midfielder Ray Houghton. The new-look Liverpool side shaped by Dalglish topped the league for almost the entire season, and had a run of 37 matches unbeaten in all competitions (including 29 in the league; 22 wins and 7 draws) from the beginning of the season to 21 February 1988, when they lost to Everton in the league. Liverpool were crowned champions with four games left to play, having suffered just two defeats from 40 games. However, Dalglish's side lost the 1988 FA Cup Final to underdogs Wimbledon. In the summer of 1988, Dalglish re-signed Ian Rush. Liverpool beat Everton 3-2 after extra time in the second all-Merseyside FA Cup final in 1989, but was deprived of a second Double in the final game of the season, when Arsenal secured a last-minute goal to take the title from Liverpool. In the 1989-90 season Liverpool won their third league title under Dalglish. They missed out on the Double and a third successive FA Cup final appearance when they lost 4-3 in extra-time to Crystal Palace in an FA Cup semi-final at Villa Park. At the end of the season Dalglish received his third Manager of the Year award. Dalglish resigned as manager of Liverpool on 22 February 1991, two days after a 4-4 draw with rivals Everton in an FA Cup fifth round tie at Goodison Park, in which Liverpool surrendered the lead four times. At the time of his resignation, the club were three points ahead in the league and still in contention for the FA Cup. CANNOTANSWER

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Were there any other highlights?
On June 17, 1983, he teamed with Bruiser Brody to defeat the Fabulous Freebirds for the NWA American Tag Team Championship. On July 4, Kerry and his elder brothers Kevin and David defeated the Fabulous Freebirds in a two out of three falls match to win the NWA Texas Six-Man Tag Team Championship. They lost the titles back to the Freebirds on August 12. On September 5, the brothers took on the Fabulous Freebirds in a rematch for the titles; the Freebirds retained their titles by pinning Kerry. On November 24, Kerry defeated Michael Hayes in a loser leaves Texas steel cage match. On December 2, the Von Erichs defeated the Freebirds for their second NWA Six-Man Tag Team Championship. On December 25, Kerry defeated Kamala by disqualification. On January 30, 1984, he teamed up with his brothers Mike and David against the Fabulous Freebirds in a six-man tag team match, which the Von Erichs lost by disqualification. Kerry's biggest career highlight was on May 6, 1984, when he beat "Nature Boy" Ric Flair in a historic match, in front of over 45,000 fans at Texas Stadium to win the NWA World Heavyweight Championship. Kerry's victory was a tribute to his brother David, who had died three months earlier and for whom the event, the David Von Erich Memorial Parade of Champions, was named. He lost the belt 18 days later in Yokosuka, Japan, back to Flair in a bout that was marred by controversy: Von Erich's feet were on the bottom rope following a reversed rollup, but the referee ignored this and made the count. Kerry has the 12th shortest NWA World title reign in history. In reality, the NWA only allowed Kerry a short reign, and was told to drop the belt to Flair before the Night of Champions encounter on May 29 between Flair and Ricky Steamboat. On July 4, the Von Erichs lost the six man tag title to the Fabulous Freebirds. The title was held up due to the Freebirds winning after interference by Killer Khan. On September 3, they defeated the Freebirds in a handicap steel cage Loser Leaves Texas match for his fourth six man tag title reign. CANNOTANSWER

Answer this question "What happened with the Fabulous Freebirds?" by extracting the answer from the text above.

On September 3, they defeated the Freebirds in a handicap steel cage Loser Leaves Texas match for his fourth six man tag title reign.
Answer by taking a quote from the following article:

Clarence Eugene "Hank" Snow (May 9, 1914 - December 20, 1999) was a celebrated Canadian-American country music artist. In a career that spanned more than 50 years, he recorded 140 albums and charted more than 85 singles on the Billboard country charts from 1950 until 1980. His number-one hits include the self-penned songs "I'm Moving On", "The Golden Rocket" and The Rhumba Boogie and famous versions of "I Don't Hurt Anymore", "Let Me Go, Lover!", "I've Been Everywhere", "Hello Love", as well as other top 10 hits.

Snow moved to Nashville, Tennessee, in 1945, and "Hank Snow, the Singing Ranger" (modified from his earlier nickname, the Yodeling Ranger), began recording for RCA Victor in the United States in 1949. His first release in the United States, "Marriage Vow" climbed to number ten on the country charts in the fall of 1949; However, it wasn't until he was invited to play at the Grand Ole Opry in 1950 that he gained serious significance in the United States. His second release in early 1950, "I'm Moving On" was the first of seven number 1 hits on the country charts. "I'm Moving On" stayed at the top for 21 weeks, setting the all-time record for most weeks at number 1. That same year "The Golden Rocket" and "The Rhumba Boogie" both hit number one with the latter remaining No. 1 for eight weeks. Along with these hits, his other "signature song" was "I've Been Everywhere", in which he portrayed himself as a hitchhiker bragging about all the towns he'd been through. This song was originally written and performed in Australia by Geoff Mack, and its re-write incorporated North American place names. Rattling off a well-rhymed series of city names at an auctioneer's pace has long made the song a challenge for any singer. While performing in Renfro Valley, Snow worked with a young Hank Williams. In the February 7th 1953 edition, Billboard Magazine reported that Snow's then seventeen-year-old son, Jimmy Rodgers Snow, had signed with RCA Victor and that the younger Snow would "record duets with his father", as well as cover his own (presumably ghost-written) material. CANNOTANSWER

Did he win any awards

CANNOTANSWER
Background: Koufax was born in Brooklyn, New York, to a Jewish family, and raised in Borough Park. His parents, Evelyn (nee Lichtenstein) and Jack Braun, divorced when he was three years old. His mother was remarried when he was nine, to Irving Koufax. Shortly after his mother's remarriage, the family moved to the Long Island suburb of Rockville Centre.
Context: In 1963, Major League Baseball expanded the strike zone. Compared to the previous season, National League walks fell 13 percent, strikeouts increased six percent, the league batting average fell from .261 to .245, and runs fell 15 percent. Koufax, who had reduced his walks allowed per nine innings to 3.4 in 1961 and 2.8 in 1962, reduced his walk rate further to 1.7 in 1963, which ranked fifth in the league. The top pitchers of the era - Don Drysdale, Juan Marichal, Jim Bunning, Bob Gibson, Warren Spahn, and above all Koufax - significantly reduced the walks-given-up-to-batters-faced ratio for 1963, and subsequent years. On May 11, Koufax no-hit the San Francisco Giants 8-0, besting future Hall of Fame pitcher Juan Marichal--himself a no-hit pitcher a month later, on June 15. Koufax carried a perfect game into the eighth inning against the powerful Giants lineup, including future Hall of Famers Willie Mays, Willie McCovey, and Orlando Cepeda. He walked Ed Bailey on a 3-and-2 pitch in the 8th, and pinch-hitter McCovey on four pitches in the 9th, before closing out the game. As the Dodgers won the pennant, Koufax won the pitchers' Triple Crown, leading the league in wins (25), strikeouts (306) and ERA (1.88). Koufax threw 11 shutouts, setting a new post-1900 record for shutouts by a left-handed pitcher that stands to this day (the previous record of 10 shutouts had been held by Carl Hubbell for 30 years). Only Bob Gibson, a right-hander, has thrown more shutouts (13) since, and that was in 1968, "the year of the pitcher." Koufax won the NL MVP Award and the Hickok Belt, and was the first-ever unanimous selection for the Cy Young Award. Facing the Yankees in the 1963 World Series, Koufax beat Whitey Ford 5-2 in Game 1 and struck out 15 batters -- including the first 5, breaking Carl Erskine's decade-old record of 14 (Gibson would break Koufax's record by striking out 17 Detroit Tigers in the 1968 World Series opener). After seeing Koufax's Game 1 performance, Yogi Berra said, "I can see how he won 25 games. What I don't understand is how he lost five," to which Maury Wills responded, "He didn't. We lost them for him." In Game 4, Koufax completed the Dodgers' series sweep with a 2-1 victory over Ford, clinching the Series MVP Award for his performance. CANNOTANSWER
Question: How did the team do in 1963?. Whats the answer?

On May 11, Koufax no-hit the San Francisco Giants 8-0, besting future Hall of Fame pitcher Juan Marichal
Magi (; singular magus ; from Latin magus) denotes followers of Zoroastrianism or Zoroaster. The earliest known use of the word Magi is in the trilingual inscription written by Darius the Great, known as the Behistun Inscription. Old Persian texts, pre-dating the Hellenistic period, refer to a Magus as a Zurvanic, and presumably Zoroastrian, priest. Pervasive throughout the Eastern Mediterranean and Western Asia until late antiquity and beyond, magos, "magician", was influenced by (and eventually displaced) Greek goes (goes), the older word for a practitioner of magic, to include astrology, alchemy and other forms of esoteric knowledge.

The Avestan word magauno, i.e. the religious caste of the Medes, (see Yasna 33.7: ya sruye pare magauno "so I can be heard beyond Magi"), seems to be the origin of the term. The term only appears twice in Iranian texts from before the 5th century BCE, and only one of these can be dated with precision. This one instance occurs in the trilingual Behistun inscription of Darius the Great, and which can be dated to about 520 BCE. In this trilingual text, certain rebels have 'magian' as an attribute; in the Old Persian portion as magu- (generally assumed to be a loan word from Median). The meaning of the term in this context is uncertain. The other instance appears in the texts of the Avesta, i.e. in the sacred literature of Zoroastrianism. In this instance, which is in the Younger Avestan portion, the term appears in the hapax moghu.tbis, meaning "hostile to the moghu", where moghu does not (as was previously thought) mean "magus", but rather "a member of the tribe" or referred to a particular social class in the proto-Iranian language and then continued to do so in Avestan. An unrelated term, but previously assumed to be related, appears in the older Gathic Avestan language texts. This word, adjectival magavan meaning "possessing maga-", was once the premise that Avestan maga- and Median (i.e. Old Persian) magu- were co-eval (and also that both these were cognates of Vedic Sanskrit magha-). While "in the Gathas the word seems to mean both the teaching of Zoroaster and the community that accepted that teaching", and it seems that Avestan maga- is related to Sanskrit magha-, "there is no reason to suppose that the western Iranian form magu (Magus) has exactly the same meaning" as well. But it "may be, however", that Avestan moghu (which is not the same as Avestan maga-) "and Medean magu were the same word in origin, a common Iranian term for 'member of the tribe' having developed among the Medes the special sense of 'member of the (priestly) tribe', hence a priest."cf CANNOTANSWER

Using a quote from the above article, answer the following question: How do the Median Sources refer to Magi?

The Avestan word magauno, i.e. the religious caste of the Medes, (see Yasna 33.7: ya sruye pare magauno "so I can be heard beyond Magi"), seems
John Dee (13 July 1527 - 1608 or 1609) was an English mathematician, astronomer, astrologer, occult philosopher, and advisor to Queen Elizabeth I. He devoted much of his life to the study of alchemy, divination, and Hermetic philosophy. He was also an advocate of England's imperial expansion into a "British Empire", a term he is generally credited with coining. Dee straddled the worlds of modern science and magic just as the former was emerging.

Dee was married three times and had eight children. He first married Katherine Constable in 1565; she died in 1574 and their union resulted in no children. His second (also childless) marriage to an unknown woman lasted only a year until her death in 1576. From 1577 to 1601, Dee kept a sporadic diary (also referred to as his "almanac") from which most of what we know about his life during that time has been gleaned. In 1578 he married the 23-year-old Jane Fromond: Dee was fifty-one at the time. Jane had her own connections to the Elizabethan court: she was a lady in waiting to Elizabeth Clinton, Countess of Lincoln, a position she gave up when she married Dee. When in 1587, Kelley informed Dee of the angel's wish that they share wives, Jane Dee (nee Fromond) was the wife Dee shared with him. Although Dee complied with the angel's supposed request for a while, he was apparently distressed by the arrangement and it was one reason why the two men parted company not long thereafter. Some believe that Dee's son Theodore, born nine months later, could have been Kelley's son, not Dee's. Jane died in Manchester of the bubonic plague and was buried in the Manchester Cathedral burial grounds in March 1604. Michael, born in Prague, died on his father's birthday in 1594. Theodore, born in Trebon, died in Manchester in 1601. His sons Arthur Dee and Rowland survived him, as did his daughter Katherine "who was his companion to the end". No records exist for his youngest daughters Madinia, Frances and Margaret after 1604, so it is widely assumed they died in the same epidemic that took their mother. (Dee had by this time ceased keeping his diary). While Arthur was a student at the Westminster School, Dee wrote a letter to his headmaster that echoes the worries of boarding school parents in every century. Arthur was an apprentice in much of his father's alchemical and scientific work, and was in fact often his scryer until Kelley came along. Arthur went on to become an alchemist and hermetic author, whose works were published by Elias Ashmole. As regards Dee's physical appearance, the antiquary John Aubrey gives the following description: "He was tall and slender. He wore a gown like an artist's gown, with hanging sleeves, and a slit.... A very fair, clear sanguine complexion... a long beard as white as milk. A very handsome man." CANNOTANSWER

did he have children?

Dee was married three times and had eight children.
After leaving Voyager, Moore briefly worked as a consulting producer on Good vs Evil before joining Roswell as a co-executive producer and staff writer at the start of its second season in 2000. Moore and series creator Jason Katims jointly ran Roswell until the show ended in 2002. Moore wrote some of the show's most popular episodes, including "Ask Not" and the series finale "Graduation," which he co-wrote with Katims. He also wrote the episode "Cry Your Name." During this time, Moore also developed a pilot based on Anne McCaffrey's Dragonriders of Pern for The WB, but production on the project was halted due to 'creative differences' between Moore and the network. The network tried changing the story (without Moore's approval) until it didn't resemble the original book series. Moore was an original fan of the books, and refused to continue working on the pilot with the changes being made. In 2002, David Eick (whom Moore worked with on Good vs Evil) approached Moore about a new four-hour Battlestar Galactica mini-series for Universal. Moore developed the mini-series with Eick, writing the scripts and updating the old series, also developing a back-story that could work for a regular weekly series should the mini-series be successful. At the same time, Moore was approached by HBO about running a new television series called Carnivale; however they decided to offer the position to Henry Bromell instead and offered Moore a consultant position on the writing staff. He accepted, but then Bromell left soon after production started and Moore became show runner. While Moore worked on the first year of Carnivale, Eick ran the day-to-day production of the Galactica mini-series in Canada. Galactica aired in 2003 and became the highest-rated miniseries on cable that year and the best ratings that year for any show on Sci-Fi. After Carnivale reached the end of its first season and the Sci-Fi Channel ordered a thirteen-episode weekly series of Galactica, Moore left Carnivale to assume a full-time executive producer role on Galactica. CANNOTANSWER

Answer this question "What happened to Moore in 2003?" by extracting the answer from the text above.

Galactica aired in 2003 and became the highest-rated miniseries on cable that year
Feller was elected the inaugural president of the Major League Baseball Players' Association in 1956. As president, he appeared before Congress to speak about baseball's reserve clause. Feller was the first player to get a franchise to agree to a share of game receipts when he was the starting pitcher for Indians' games. He was also the earliest player to incorporate himself (as Ro-Fel, Inc.). He was also one of the first players to work for the right of a player to enter free agency. Feller and his wife, Virginia Winther, had three sons, Steve, Martin, and Bruce. The couple divorced in 1971; from the divorce settlement, Virginia received the house she and Feller had built. Virginia died on May 6, 1981 in her home in Shaker Heights, Ohio. In retirement, Feller lived with his second wife, Anne Feller, in Gates Mills, a suburb of Cleveland. Feller is credited with being the first baseball star to sign autographs at baseball memorabilia conventions, and was such a frequent guest at such events that one ESPN writer speculated that he may have signed more autographs than any other person. In June 2009, at the age of 90, Feller was one of the starting pitchers at the inaugural Baseball Hall of Fame Classic, which replaced the Hall of Fame Game at Cooperstown, New York. Feller was treated for leukemia in August 2010. By October, Feller was fitted with a pacemaker and was diagnosed with pneumonia and thrush, an infection of the mucous membrane lining the mouth and throat. He was transferred on December 8 from the Cleveland Clinic to hospice care. On December 15, Feller died of complications from leukemia at 92. CANNOTANSWER

Answer this question "Did he re-marry?" by extracting the answer from the text above.

In retirement, Feller lived with his second wife, Anne Feller, in Gates Mills, a suburb of Cleveland.