cindermond/bento huggingface dataset:
Boris Nikolayevich Yeltsin (Russian: Boris Nikolaevich El'tsin, IPA: [ba'rjis njIka'laIvjItc 'jeljtsin] ( listen); 1 February 1931 - 23 April 2007) was a Soviet and Russian politician and the first President of the Russian Federation, serving from 1991 to 1999. Originally a supporter of Mikhail Gorbachev, Yeltsin emerged under the perestroika reforms as one of Gorbachev's most powerful political opponents. During the late 1980s, Yeltsin had been a candidate member of the Politburo, and in late 1987 tendered a letter of resignation in protest. No one had resigned from the Politburo before.

Yeltsin underwent emergency quintuple heart bypass surgery in November 1996, and remained in the hospital for months. During his presidency, Russia received US$40 billion in funds from the International Monetary Fund and other international lending organizations. However, his opponents allege that most of these funds were stolen by people from Yeltsin's circle and placed in foreign banks. In 1998, a political and economic crisis emerged when Yeltsin's government defaulted on its debts, causing financial markets to panic and the ruble to collapse in the 1998 Russian financial crisis. During the 1999 Kosovo war, Yeltsin strongly opposed the NATO military campaign against Yugoslavia, and warned of possible Russian intervention if NATO deployed ground troops to Kosovo. In televised comments he stated: "I told NATO, the Americans, the Germans: Don't push us toward military action. Otherwise there will be a European war for sure and possibly world war." On 9 August 1999 Yeltsin fired his prime minister, Sergei Stepashin, and for the fourth time, fired his entire cabinet. In Stepashin's place he appointed Vladimir Putin, relatively unknown at that time, and announced his wish to see Putin as his successor. In late 1999 Yeltsin and President Clinton openly disagreed on the war in Chechnya. At the November meeting of the Organization for Security and Cooperation in Europe, Clinton pointed his finger at Yeltsin and demanded he halt bombing attacks that had resulted in many civilian casualties. Yeltsin immediately left the conference. In December while visiting China to seek support on Chechnya, Yeltsin replied to Clinton's criticism of a Russian ultimatum to citizens of Grozny. He bluntly pronounced: "Yesterday, Clinton permitted himself to put pressure on Russia. It seems he has for a minute, for a second, for half a minute, forgotten that Russia has a full arsenal of nuclear weapons. He has forgotten about that." Clinton dismissed Yeltsin's comments stating: "I didn't think he'd forgotten that America was a great power when he disagreed with what I did in Kosovo." It fell to Putin to downplay Yeltsin's comments and present reassurances about U.S. and Russian relations. CANNOTANSWER

Answer the following question by taking a quote from the article: what was he known fur during this term?

he appointed Vladimir Putin, relatively unknown at that time, and announced his wish to see Putin as his successor.
Answer by taking a quote from the following article:

Humphrey Richard Adeane Lyttelton (23 May 1921 - 25 April 2008), also known as Humph, was an English jazz musician and broadcaster from the aristocratic Lyttelton family. Having taught himself the trumpet at school, Lyttelton became a popular figure of the trad jazz revival, leading his own eight-piece band, which recorded a hit single, "Bad Penny Blues", in 1956. As a broadcaster, he presented BBC Radio 2's The Best of Jazz for forty years, and hosted the comedy panel game I'm

From 1967 until April 2007, Lyttelton presented The Best of Jazz on BBC Radio 2, a programme that featured his idiosyncratic mix of recordings from all periods of the music's history, including current material. In 2007 he chose to cut his commitment to two quarterly seasons per year, in order to spend more time on other projects. In 1972 Lyttelton was chosen to host the comedy panel game I'm Sorry I Haven't a Clue (ISIHAC) on BBC Radio 4. The show was originally devised as a comedic antidote to traditional BBC panel games (both radio and television), which had come to be seen as dull and formulaic, and in keeping with the staid middle-class "Auntie Beeb" image. Lyttelton continued in this role until shortly before his death, and was famed both for his deadpan, disgruntled, and occasionally bewildered style of chairmanship, and for his near-the-knuckle doubles entendres and innuendo which, despite always being open to an innocent interpretation, was, according to fellow cartoonist William Rushton, "the filthiest thing on radio" (BBC Radio, unlike BBC Television, has no watershed and thus can feature adult or risque material during any time of day). The programme's success had considerable influence on the manner in which comedy was presented on radio, and Lyttelton's persona was a significant part of that success: he was a straight man surrounded by mayhem. At the time of his death, Lyttelton was the oldest active panel game host in the UK, being two and a half years older than his closest rival, Nicholas Parsons. As well as his other activities, Lyttelton was a keen calligrapher and President of The Society for Italic Handwriting. He named his own record label "Calligraph" after this extracurricular interest. This label, founded in the early 1980s, not only issues his own albums and those of associates, but also re-issues (on CD) his analogue recordings for the Parlophone label in the 1950s. He is reported to have turned down a knighthood in 1995. CANNOTANSWER

Did he work for any other stations besides bbc

CANNOTANSWER
Hiawatha (also known as Ayenwatha, Aiionwatha, or Haien'wa'tha [ha.je?.wa?.tha] in Onondaga) was a pre-colonial Native American leader and co-founder of the Iroquois Confederacy. Depending on the version of the narrative, he was a leader of the Onondaga and the Mohawk, or both. According to some versions, he was born an Onondaga, but adopted into the Mohawk. Hiawatha was a follower of the Great Peacemaker (Deganawida), a Huron prophet and spiritual leader who proposed the unification of the Iroquois peoples, who shared common ancestry and similar languages.

The Hiawatha Belt is made of 6,574 wampum beads - 38 rows by 173 columns and has 892 white and 5,682 purple beads. The purple represents the sky or universe that surrounds us, while the white represents purity and Good Mind (good thoughts, forgiveness and understanding). The belt symbolizes these Five Nations from west to east in their respective territories across New York state: Seneca (keepers of the western door), Cayuga (People of the Swamp), Onondaga (Keepers of the Fire), Oneida (People of the Standing Stone) and Mohawk (keeper of the eastern door)--by open squares of white beads with the central figure signifying a tree or heart. The white open squares are connected by a white band that has no beginning or end, representing all time now and forever. The band, however, does not cross through the center of each nation, meaning that each nation is supported and unified by a common bond and that each is separate in its own identity and domain. The open center also signifies the idea of a fort protected on all sides, but open in the center, symbolizing an open heart and mind within. The tree figure signifies the Onondaga Nation, capital of the League and home to the central council fire. It was on the shores of Onondaga Lake where the message of peace was "planted" and the hatchets were buried. From this tree, four white roots sprouted, carrying the message of unity and peace to the four directions. The Hiawatha Belt has been dated to the mid-18th century. Near its center, it contains a bead made of colonial lead glass. It is believed the design is as old as the league itself, but the present belt is not the original. The Hiawatha Belt forms the basis of the flag of the Haudenosaunee Confederacy, created in the 1980s. It is the central device in the design on the reverse of the U.S. 2010 Native American dollar (also known as the Sacagawea dollar). It is also included in the logo of the Hamilton Nationals, a former Major League Lacrosse team. CANNOTANSWER

Ask a question about this article.

How are these made?
In the 113th Congress (2013-15), Kaine was on the Committee on Armed Services, the Committee on the Budget, and the Committee on Foreign Relations. In the current (114th) Congress, Kaine is on the same three committees, plus the Special Committee on Aging. In July 2013, Kaine was named chairman of the United States Senate Foreign Relations Subcommittee on Near East, South Asia, Central Asia and Counterterrorism. Within the Senate Armed Services Committee, Kaine is a member of the Subcommittee on Emerging Threats and Capabilities, the Subcommittee on Readiness and Management Support (for which he is the ranking member), and the Subcommittee on Seapower. Within the Senate Foreign Affairs Committee, Kaine is a member of the Subcommittee on State Department and USAID Management, International Operations, and Bilateral International Development (for which he is the ranking member), the Subcommittee on Europe and Regional Security Cooperation, the Subcommittee on Near East, South Asia, Central Asia, and Counterterrorism, and the Subcommittee on Western Hemisphere, Transnational Crime, Civilian Security, Democracy, Human Rights and Global Women's Issues. In January 2014, Kaine, with Republican Senator Rob Portman of Ohio, established the bipartisan Senate Career and Technical Education Caucus (CTE Caucus), which focuses on vocational education and technical education. Kaine and Portman co-chair the caucus. In 2014, Kaine and Portman introduced the CTE Excellence and Equity Act to the Senate; the legislation would provide $500 million in federal funding, distributed by competitive grants, to high schools to further CTE programs. The legislation, introduced as an amendment to the omnibus Carl D. Perkins Career and Technical Education Act of 2006, would promote apprenticeships and similar initiatives. Kaine and Portman introduced similar legislation, the Educating Tomorrow's Workforce Act, in 2017. CANNOTANSWER

Answer this question "What did he do on the committee of Armed Services?" by extracting the answer from the text above.

Subcommittee on Emerging Threats and Capabilities, the Subcommittee on Readiness and Management Support (for which he is the ranking member), and the Subcommittee on Seapower.
A number of homes are associated with O'Reilly, including his current official main residence, Lissadell, with a beach within private gated community Lyford Cay near Nassau in the Bahamas. For many years his principal residence and later a major base, was Castlemartin, a "big house" dating in current form from the 18th century, at Kilcullen, County Kildare (which has associated stud farm and cattle breeding premises on the large estate lands). O'Reilly purchased Castlemartin in 1972 from the Earl of Gowrie, and spent millions on improvements to the house and on restoration of the 15th century Church of St Mary in the grounds. On 15 February 2008 permission was granted for developments of two ancillary houses on a remote part of the estate, adjoining Kilcullen (Bridge) village's main street, incorporating residential, restaurant and retail space. In October 2007, O'Reilly paid a record EUR125,000 per acre for 60-acre (240,000 m2) Hollyhill Stud in Carnalway near Brannockstown, under 3 kilometres from Kilcullen. The stud farm on the banks of the Liffey, with a 10-room house and a cottage, was thought to have been intended for one of his daughters. In late 1995, he and his wife purchased a former solicitor's office, a four-storey Georgian house on Fitzwilliam Square, Dublin, with a courtyard and coachhouse with separate entrance. The 1 million Irish pound house, formerly owned by railway pioneer William Dargan, was a base when travel to Castlemartin was not feasible, and a place for meetings and his private office. O'Reilly also has a holiday compound, Shorecliffe, comprising several houses, garden areas and two swimming pools, by the sea in Glandore, County Cork. The O'Reillys also owned a chateau "built on the ruins of the castle where William the Conqueror plotted his 1066 invasion of England" at Deauville in France. For many years a key O'Reilly residence was a 34-room mock Tudor house of 8,000 square feet (740 m2) at Fox Chapel, Pittsburgh, with 7 acres (28,000 m2) of grounds. This property, his second home in that area, with eight bedrooms and bathrooms, an "Irish bar" in the basement, tennis courts, Japanese and English themed gardens and swimming and tennis facilities, was sold for around $US2.4 million in 2000 The residential complex in Glandore, the house on Fitzwilliam Square and the Castlemartin Estate have all been placed on the market in recent years. CANNOTANSWER

Answer this question "did he have children?" by extracting the answer from the text above.

The stud farm on the banks of the Liffey, with a 10-room house and a cottage, was thought to have been intended for one of his daughters.
Leroy Robert "Satchel" Paige (July 7, 1906 - June 8, 1982) was an American Negro league baseball and Major League Baseball (MLB) pitcher who became a legend in his own lifetime by being known as perhaps the best pitcher in baseball history, by his longevity in the game, and by attracting record crowds wherever he pitched. Paige was a right-handed pitcher, and at age 42 in 1948, he was the oldest major league rookie while playing for the Cleveland Indians. He played with the St. Louis Browns until age 47, and represented them in the All-Star Game in 1952 and 1953.

A former friend from the Mobile slums, Alex Herman, was the player/manager for the Chattanooga White Sox of the minor Negro Southern League. In 1926 he discovered Paige and offered to pay him $250 per month, of which Paige would collect $50 with the rest going to his mother. He also agreed to pay Lula Paige a $200 advance, and she agreed to the contract. The local newspapers--the Chattanooga News and Chattanooga Times--recognized from the beginning that Paige was special. In April 1926, shortly after his arrival, he recorded nine strikeouts over six innings against the Atlanta Black Crackers. Part way through the 1927 season, Paige's contract was sold to the Birmingham Black Barons of the major Negro National League (NNL). According to Paige's first memoir, his contract was for $450 per month, but in his second he said it was for $275. Pitching for the Black Barons, Paige threw hard but was wild and awkward. In his first big game in late June 1927, against the St. Louis Stars, Paige incited a brawl when his fastball hit the hand of St. Louis catcher Mitchell Murray. Murray then charged the mound and Paige raced for the dugout, but Murray flung his bat and struck Paige above the hip. The police were summoned, and the headline of the Birmingham Reporter proclaimed a "Near Riot." Paige improved and matured as a pitcher with help from his teammates, Sam Streeter and Harry Salmon, and his manager, Bill Gatewood. He finished the 1927 season 7-1 with 69 strikeouts and 26 walks in 89 1/3 innings. Over the next two seasons, Paige went 12-5 and 10-9 while recording 176 strikeouts in 1929. (Several sources credit his 1929 strikeout total as the all-time single-season record for the Negro leagues, though there is variation among the sources about the exact number of strikeouts.) On April 29 of that season he recorded 17 strikeouts in a game against the Cuban Stars, which exceeded what was then the major league record of 16 held by Noodles Hahn and Rube Waddell. Six days later he struck out 18 Nashville Elite Giants, a number that was tied in the white majors by Bob Feller in 1938. Due to his increased earning potential, Barons owner R. T. Jackson would "rent" Paige out to other ball clubs for a game or two to draw a decent crowd, with both Jackson and Paige taking a cut. CANNOTANSWER

Using a quote from the above article, answer the following question: how did he feel about this

CANNOTANSWER
Donald Francis Shula (born January 4, 1930) is a former professional American football coach and player who is best known as the head coach of the Miami Dolphins, the team he led to two Super Bowl victories, and to the only perfect season in the history of the National Football League (NFL). He was previously the head coach of the Baltimore Colts, with whom he won the 1968 NFL Championship. Shula was drafted out of John Carroll University in the 1951 NFL Draft, and he played professionally as a defensive back for the Cleveland Browns, Baltimore Colts, and Washington Redskins. Shula was named 1993 Sportsman of the Year by Sports Illustrated.

Shula set numerous records in his 33 seasons as a head coach. He is the all-time leader in victories with 347. He is first in most games coached (526), most consecutive seasons coached (33), and Super Bowl losses (four, tied with Bud Grant, Dan Reeves, and Marv Levy). His teams won seven NFL conference titles: 1964, 1968, 1971-73, 1982, and 1984. Shula's teams were consistently among the least penalized in the NFL, and Shula served on the Rules Committee, to help change the game to a more pass-oriented league. He had a winning record against almost every coach he faced, with several exceptions: Levy, against whom he was 5-14 during the regular season and 0-3 in the playoffs; John Madden, against whom he was 2-2 in the regular season and 1-2 in the playoffs for a total of 3-4; and Bill Cowher, against whom Shula was 1-2 late in his career. Don Shula also had losing records against Tom Flores(1-6) Raymond Berry (3-8), Walt Michaels (5-7-1), and Vince Lombardi (5-8). Shula also holds the distinction of having coached five different quarterbacks to Super Bowl appearances (Johnny Unitas and Earl Morrall in 1968, Bob Griese in 1971, 1972, and 1973, David Woodley in 1982, and Dan Marino in 1984), three of them (Unitas, Griese, and Marino) future Hall of Famers. He also coached Johnny Unitas to another World Championship appearance (in the pre-Super Bowl era) in 1964. The only other NFL coach to approach this distinction is Joe Gibbs, who coached four Super Bowls with three different quarterbacks (Joe Theismann, Doug Williams, and Mark Rypien), winning three times. Shula is honored at the Don Shula Stadium at John Carroll University, and the Don Shula Expressway in Miami. An annual college football game between South Florida schools Florida Atlantic University and Florida International University is named the Shula Bowl in his honor. The game's winner receives a traveling trophy named the Don Shula Award. On January 31, 2010, a statue of him was unveiled at Hard Rock Stadium. CANNOTANSWER

Ask a question about this article.

What legacy did Shula leave as a coach?
Answer by taking a quote from the following article:

Henryk Mikolaj Gorecki (Polish: ['xenrik mji'kowaj gu'retski]; English pronunciation Go-RET-ski; December 6, 1933 - November 12, 2010) was a Polish composer of contemporary classical music. According to critic Alex Ross, no recent classical composer has had as much commercial success as Gorecki. Gorecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw.

Henryk Gorecki was born on December 6, 1933, in the village of Czernica, in present-day Silesian Voivodeship, southwest Poland. The Gorecki family lived modestly, though both parents had a love of music. His father Roman (1904-1991) worked at the goods office of a local railway station, but was an amateur musician, while his mother Otylia (1909-1935), played piano. Otylia died when her son was just two years old, and many of his early works were dedicated to her memory. Henryk developed an interest in music from an early age, though he was discouraged by both his father and new stepmother to the extent that he was not allowed to play his mother's old piano. However, he persisted, and in 1943 was allowed to take violin lessons with Pawel Hajduga; a local amateur musician, instrument maker, sculptor, painter, poet and chlopski filozof (peasant philosopher). In 1937, Gorecki fell while playing in a neighbor's yard and dislocated his hip. The resulting suppurative inflammation was misdiagnosed by a local doctor, and delay in proper treatment led to tubercular complications in the bone. The illness went largely untreated for two years, by which time permanent damage had been sustained. He spent the following twenty months in a hospital in Germany, where he underwent four operations. Gorecki continued to suffer ill health throughout his life and, as a result, said he had "talked with death often". In early 1950s he studied in the Szafrankowie Brothers State School of Music in Rybnik. Later studied at the State Higher School of Music in Katowice between 1955 and 1960. He joined the faculty of his alma mater in Katowice in 1965, where he was made a lecturer in 1968, and then rose to provost before resigning in 1979. CANNOTANSWER

Did he get formal education?

he studied in the Szafrankowie Brothers State School of Music
Background: Mr. Bungle was an American experimental rock band from Northern California. Known for a highly eclectic style, the band often cycled through several musical genres within the course of a single song, including heavy metal, avant-garde jazz, ska and disco. Many Mr. Bungle songs had an unconventional structure and utilized a wide array of instruments and samples. Live shows often featured members dressing up (even hiding their identities with masks earlier in the band's career) and an array of cover songs.
Context: During 1990, the band members left Eureka for San Francisco, in search of greater musical opportunities. Trey Spruance said the change in location influenced the band's style, remarking "[we were interested in] Slayer and Mercyful Fate. Later it was The Specials and Fishbone. Then we moved to San Francisco and got all sophisticated. Now we are improv snobs who rule the avant-garde universe by night, and poor, fucked-up hipsters by day." Having established a following in Northern California, Mr. Bungle was signed to Warner Bros. Records in 1990, with the label releasing all three of their studio albums during the 1990s. It has been speculated that Patton's success as frontman of Faith No More was the primary reason Warner Bros. signed the band. The Los Angeles Times stated in a 1991 article that "Under normal circumstances, you'd have to describe Mr. Bungle's chances of landing a major label deal as... a long shot." Their debut album, Mr. Bungle, was produced by jazz experimentalist John Zorn and was released on August 13, 1991. The cover featured artwork by Dan Sweetman, originally published in the story, "A Cotton Candy Autopsy" in the DC Comics/Piranha Press imprint title, Beautiful Stories for Ugly Children. The record mixed metal, funk, ska, carnival music and free jazz, but was normally described as funk metal by music critics. It received mostly positive reviews, with journalist Bill Pahnelas calling it "an incredible musical tour de force". On the style of the album, critic Steve Huey wrote in AllMusic: "Mr. Bungle is a dizzying, disconcerting, schizophrenic tour through just about any rock style the group can think of, hopping from genre to genre without any apparent rhyme or reason, and sometimes doing so several times in the same song." The first track was originally titled "Travolta". At Warner Brothers' encouragement, it was renamed Quote Unquote in later pressings, due to fears regarding a potential lawsuit. The band created a music video for the song, directed by Kevin Kerslake. However, MTV refused to air the video because of images of bodies dangling on meat hooks. The album sold well despite MTV refusing to air their video and a lack of radio airplay. Almost all the members went by obscure aliases in the album credits. To promote the album in some stores, a Mr. Bungle bubble bath was given away with copies of the record sold. Following the release of the album the band toured North America. CANNOTANSWER
Question: Who worked on the debut album cover?. Whats the answer?

Dan Sweetman,
Sun Yat-sen (; 12 November 1866 - 12 March 1925) was a Chinese physician, writer, philosopher, calligrapher and revolutionary, the first president and founding father of the Republic of China. As the foremost pioneer and first leader of a Republican China, Sun is referred to as the "Father of the Nation" in the Republic of China (ROC) and the "forerunner of democratic revolution" in the People's Republic of China (PRC). Sun played an instrumental role in the overthrow of the Qing dynasty (the last imperial dynasty of China) during the years leading up to the Xinhai Revolution.

In the early 1880s, Sun Mei sent his brother to `Iolani School, which was under the supervision of British Anglicans and directed by an Anglican prelate named Alfred Willis. The language of instruction was English. Although Bishop Willis emphasized that no one was forced to accept Christianity, the students were required to attend chapel on Sunday. At Iolani School, young Sun Wen first came in contact with Christianity, and it made a deep impression on him. Schriffin writes that Christianity was to have a great influence on Sun's whole future political life. Sun was later baptized in Hong Kong (on May 4, 1884) by Rev. C. R. Hager an American missionary of the Congregational Church of the United States (ABCFM) to his brother's disdain. The minister would also develop a friendship with Sun. Sun attended To Tsai Church (Dao Ji Hui Tang ), founded by the London Missionary Society in 1888, while he studied Western Medicine in Hong Kong College of Medicine for Chinese. Sun pictured a revolution as similar to the salvation mission of the Christian church. His conversion to Christianity was related to his revolutionary ideals and push for advancement. In 1924 Liao Chongzhen, a prominent and influential government official of the day, arranged a meeting between Sun and Martha Root, a well-known journalist and traveling teacher of the Baha'i Faith in the late 19th and early 20th century. In this meeting Sun came into contact with the Teachings of the Baha'i Faith, expressing his appreciation for the Cause and declaring it "highly relevant to the needs of China." CANNOTANSWER

Using a quote from the above article, answer the following question: Is there any other data on his religious views?

Schriffin writes that Christianity was to have a great influence on Sun's whole future political life.
Background: Joey Yung (Chinese: Rong Zu Er ; Jyutping: Jung4 Zo2 Ji4; born 16 June 1980) is a Hong Kong singer and actress signed to Emperor Entertainment Group.
Context: At the end of 2006, Yung released the Cantonese album Close Up to commercial success, selling out at stores over Hong Kong as well as online CD stores. A second version of the album was released on 26 January 2007, containing a bonus DVD with music videos for the songs "Splendid Encounter (Hua Li Xie Hou )" and "Elated Heart (Xin Hua Nu Fang )". Around the same time, Yung held a concert organised by Neway with appearances from other artists such as Anthony Wong, at17, Hins Cheung, Yumiko Cheng, Vincent Wong, and Sun Boy'z. In 2007, she became Hong Kong's ambassador of the World Vision 30 Hour Famine campaign and visited Kenya in March. On 5 July, she released her fifth Mandarin album, Insignificant Me, with the title track produced by Jay Chou. Unfortunately, it was one of her worst selling Mandarin album. On 7 July, she performed at the Live Earth concert in Shanghai. On 7 November, she released another album, Glow. In early 2008, Yung released her fourth compilation album Love Joey 4, and held her fifth concert titled StarLight Live over ten days at the Hong Kong Coliseum. During the concert she performed "The Power Medley", a 20-minute intense dance medley of her fast-tempo tracks. The concert's success led to a four-night extension. In February, Yung travelled to New York City with the hope of improving her dancing skills. That year she sang a number of official songs for the 2008 Beijing Olympics and began a world tour shortly afterwards with shows in Malaysia, Canada, the United States, Mainland China, Singapore, and Macau. The year 2009 marked the tenth anniversary of Yung's career with EEG. To celebrate the occasion, two albums (A Time For Us and Very Busy) and a documentary were released and a mini-concert (Perfect Ten Live at the Hong Kong Cultural Centre's Grand Theatre, where Yung won her first major singing contest in 1995) was held on 4 October, with tickets for the two shows selling out within seven minutes. The "Perfect Ten Live Boxset" was released in two versions in December: the normal version included two concert DVDs, the Perfect 10 documentary, and a photo album; while deluxe version contained two more CDs from Perfect Ten Live and more photos. Towards the end of the year, Yung performed at the concert Music Is Live with Mobile Chan, and won the Media Award for the third time (having previously won the award in 2003 and 2004). CANNOTANSWER
Question: Was UP, Insignificant went to top chart hits?. Whats the answer?

CANNOTANSWER
Garland was born Frances Ethel Gumm on June 10, 1922, in Grand Rapids, Minnesota. She was the youngest child of Ethel Marion (nee Milne) and Francis Avent "Frank" Gumm. Her parents were vaudevillians who settled in Grand Rapids to run a movie theater that featured vaudeville acts. She was of Irish, English, and Scottish ancestry, named after both of her parents and baptized at a local Episcopal church. "

Garland appeared in a number of television specials beginning in 1955. The first was the 1955 debut episode of Ford Star Jubilee; this was the first full-scale color broadcast ever on CBS and was a ratings triumph, scoring a 34.8 Nielsen rating. She signed a three-year, $300,000 contract with the network. Only one additional special was broadcast in 1956, a live concert-edition of General Electric Theater, before the relationship between the Lufts and CBS broke down in a dispute over the planned format of upcoming specials. In 1956, Garland performed for four weeks at the New Frontier Hotel on the Las Vegas Strip for a salary of $55,000 per week, making her the highest-paid entertainer to work in Las Vegas. Despite a brief bout of laryngitis, her performances there were so successful that her run was extended an extra week. Later that year, she returned to the Palace Theatre, site of her two-a-day triumph. She opened in September, once again to rave reviews and popular acclaim. In November 1959, Garland was hospitalized after she was diagnosed with acute hepatitis. Over the next few weeks, several quarts of fluid were drained from her body until she was released from the hospital in January 1960, still in a weak condition. She was told by doctors that she likely had five years or less to live and that, even if she did survive, she would be a semi-invalid and would never sing again. She initially felt "greatly relieved" at the diagnosis. "The pressure was off me for the first time in my life." However, she recovered over the next several months, and in August of that year, returned to the stage of the Palladium. She felt so warmly embraced by the British that she announced her intention to move permanently to England. Her concert appearance at Carnegie Hall on April 23, 1961, was a considerable highlight, called by many "the greatest night in show business history". The two-record album Judy at Carnegie Hall was certified gold, charting for 95 weeks on Billboard, including 13 weeks at number one. It won four Grammy Awards, including Album of the Year and Best Female Vocal of the Year, and has never been out of print. CANNOTANSWER

Ask a question about this article.

What was her first television special?
Background: Luis Walter Alvarez was born in San Francisco on June 13, 1911, the second child and oldest son of Walter C. Alvarez, a physician, and his wife Harriet nee Smyth, and a grandson of Luis F. Alvarez, a physician who lived for a time in Spain, then Cuba, and finally the United States, who found a better method for diagnosing macular leprosy. He had an older sister, Gladys, a younger brother, Bob, and a younger sister, Bernice. His aunt, Mabel Alvarez, was a California artist specializing in oil painting. He attended Madison School in San Francisco from 1918 to 1924, and then San Francisco Polytechnic High School.
Context: In 1980 Alvarez and his son, geologist Walter Alvarez, along with nuclear chemists Frank Asaro and Helen Michel, "uncovered a calamity that literally shook the Earth and is one of the great discoveries about Earth's history". During the 1970s, Walter Alvarez was doing geologic research in central Italy. There he had located an outcrop on the walls of a gorge whose limestone layers included strata both above and below the Cretaceous-Paleogene boundary. Exactly at the boundary is a thin layer of clay. Walter told his father that the layer marked where the dinosaurs and much else became extinct and that nobody knew why, or what the clay was about -- it was a big mystery and he intended to solve it. Alvarez had access to the nuclear chemists at the Lawrence Berkeley Laboratory and was able to work with Frank Asaro and Helen Michel, who used the technique of neutron activation analysis. In 1980, Alvarez, Alvarez, Asaro, and Michel published a seminal paper proposing an extraterrestrial cause for the Cretaceous-Paleogene extinction (then called the Cretaceous-Tertiary extinction). In the years following the publication of their article, the clay was also found to contain soot, glassy spherules, shocked quartz crystals, microscopic diamonds, and rare minerals formed only under conditions of great temperature and pressure. Publication of the 1980 paper brought criticism from the geologic community, and an often acrimonious scientific debate ensued. Ten years later, and after Alvarez's death, evidence of a large impact crater called Chicxulub was found off the coast of Mexico, providing support for the theory. Other researchers later found that the end-Cretaceous extinction of the dinosaurs may have occurred rapidly in geologic terms, over thousands of years, rather than millions of years as had previously been supposed. Others continue to study alternative extinction causes such as increased volcanism, particularly the massive Deccan Traps eruptions that occurred around the same time, and climate change, checking against the fossil record. However, on March 4, 2010, a panel of 41 scientists agreed that the Chicxulub asteroid impact triggered the mass extinction. CANNOTANSWER
Question: Did he make any other significant finds in Italy?

Answer:

CANNOTANSWER
As Matchbox 20 prepared to record their sophomore album, band members had heated discussions over song selection. After flirting with the idea of allowing other band members to provide songs, they chose to record only songs that Thomas had written or co-written. They renamed themselves Matchbox Twenty and, in March 2000, released Mad Season. Its first single, Bent, reached number 1 on the Billboard Hot 100 chart. Their tour took them to 87 cities, and they sold out Madison Square Garden in 15 minutes. Thomas was inducted into the South Carolina Music and Entertainment Hall of Fame in 2001. When Santana prepared to record his follow-up to Supernatural, he sought to collaborate with Thomas again. Instead of providing vocals, Thomas wrote two songs for the album, which were recorded by Seal and Musiq Thomas provided songs to other artists as well. Willie Nelson recorded three of Thomas's songs on his 2002 album The Great Divide. One of those, "Recollection Phoenix", had been in contention for the next Matchbox Twenty album before the other band members had decided it wasn't a good fit. The third Matchbox Twenty album, More Than You Think You Are, wasn't complete until four weeks before its release date, November 19, 2002. For the first time, the band recorded a song not written by Thomas. Two other songs were jointly attributed to Thomas, Cook, and Doucette. As part of the promotion for the album, Thomas and his bandmates were featured on VH1's Behind the Music. When the tour for More Than You Think You Are ended, Thomas, Cook, Doucette, Yale, and Gaynor decided to take a break to focus on their families. In June 2004, the Songwriters Hall of Fame gave Thomas the inaugural Hal David Starlight Award, which recognizes a young songwriter who has made an outsized impression on the industry. CANNOTANSWER

Answer this question "Why did they name themselves?" by extracting the answer from the text above.

CANNOTANSWER
Augustus Welby Northmore Pugin ( PEW-jin; 1 March 1812 - 14 September 1852) was an English architect, designer, artist, and critic who is principally remembered for his pioneering role in the Gothic Revival style of architecture. His work culminated in designing the interior of the Palace of Westminster in Westminster, London, England and its iconic clock tower, later renamed the Elizabeth Tower, which houses the bell known as Big Ben. Pugin designed many churches in England and some in Ireland and Australia. He was the son of Auguste Pugin, and the father of Edward Welby and Peter Paul Pugin, who continued his architectural firm as Pugin & Pugin.

Eastlake, writing in 1872, noted that the quality of construction in Pugin's buildings was often poor, and believed he was lacking in technical knowledge, his strength lying more in his facility as a designer of architectural detail. Pugin's legacy began to fade immediately after his death. This was partly due to the hostility of John Ruskin. In his appendix to The Stones of Venice (1851), Ruskin wrote of Pugin, "he is not a great architect but one of the smallest possible or conceivable architects". Contemporaries and admirers of Pugin, including Sir Henry Cole, protested at the viciousness of the attack and pointed out that Ruskin's idea on style had much in common with Pugin's. After Pugin's death, Ruskin "outlived and out-talked him by half a century". Sir Kenneth Clark wrote, "If Ruskin had never lived, Pugin would never have been forgotten." Nonetheless, Pugin's architectural ideas were carried forward by two young architects who admired him and had attended his funeral, W. E. Nesfield and Norman Shaw. George Gilbert Scott, William Butterfield and George Edmund Street were influenced by Pugin's designs, and continued to work out the implication of ideas he had sketched in his writings. In Street's office, Philip Webb met William Morris and they went on to become leading members of the English Arts and Crafts Movement. When the German critic Hermann Muthesius published his admiring and influential study of English domestic architecture, Das Englische Haus (1904), Pugin was all but invisible, yet "it was he ... who invented the English House that Muthesius so admired". An armoire that he designed (crafted by frequent collaborator John Gregory Crace) is held at the Victoria and Albert Museum. It was shown at the Great Exhibition of 1851, but was not eligible for a medal, as it was shown under Crace's name and he was a judge for the Furniture Class at the exhibition. On 23 February 2012 the Royal Mail released a first class stamp featuring Pugin as part of its "Britons of Distinction" series. The stamp image depicts an interior view of the Palace of Westminster. CANNOTANSWERAnswer this question using a quote from the following article:

when did he die?

CANNOTANSWER
Jose Arcadio Limon (January 12, 1908 - December 2, 1972) was a dancer and choreographer who developed what is now known as 'Limon technique'. In the 1940s he founded the Jose Limon Dance Company (now the Limon Dance Company), and in 1968 he created the Jose Limon Foundation to carry on his work. In his choreography, Limon spoke to the complexities of human life as experienced through the body. His dances feature large, visceral gestures -- reaching, bending, pulling, grasping -- to communicate emotion.

In 1930, Limon first performed on Broadway, and later that same year he choreographed his first dance, "Etude in D Minor", a duet with Letitia Ide. Limon recruited Ide and schoolmates Eleanor King and Ernestine Stodelle to form "The Little Group". From 1932 to 1933, Limon made two more Broadway appearances, in the musical revue Americana and in Irving Berlin's As Thousands Cheer, choreographed by Charles Weidman. Limon also tried his hand at choreography at Broadway's New Amsterdam Theatre. Limon made several more appearances throughout the next few years in shows such as Humphrey's New Dance, Theatre Piece, With my Red Fires, and Weidman's Quest. In 1937, Limon was selected as one of the first Bennington Fellows. At the Bennington Festival at Mills College in 1939, Limon created his first major choreographic work, titled Danzas Mexicanas. After five years, however, Limon would return to Broadway to star as a featured dancer in Keep Off the Grass under the choreographer George Balanchine. In 1941, Limon left the Humphrey-Weidman company to work with May O'Donnell. They co-choreographed several pieces together, such as War Lyrics and Curtain Riser. On October 3, 1942 Limon married Pauline Lawrence, a founding member and the manager of the Humphrey-Weidman company. The partnership with O'Donnell dissolved the following year, and Limon created work for a program at Humphrey-Weidman. In 1943, Limon's made his final appearance on Broadway in Balanchine's Rosalinda, a piece he performed with Mary Ellen Moylan. He spent the rest of that year creating dances on American and folk themes at the Studio Theatre before being drafted into the Army in April 1943. During this time, he collaborated with composers Frank Loesser and Alex North, choreographing several works for the U.S. Army Special Services. The most well-known among these is Concerto Grosso. CANNOTANSWER

Answer the following question by taking a quote from the article: Did he achieve some notice in those roles?

CANNOTANSWER
Throwdown is an American straight edge heavy metal band from Orange County, California, formed in 1997. They have toured as part of Ozzfest, Sounds of the Underground, Hellfest, and Warped Tour, and with bands such as In Flames, Lamb of God, As I Lay Dying, Killswitch Engage, Korn and Cavalera Conspiracy. The songs "Forever" and "Burn" have been staples on MTV2's Headbanger's Ball and Revolver Magazine called them part of "The Future of Metal" after hearing the album Vendetta. Initially branded a hardcore band, their most recent albums Venom and Tears and Deathless have taken a sharp direction towards metal, with critics likening the band's sound to that of Pantera, Sepultura, and Crowbar.

Throwdown was formed in 1997 by vocalist Keith Barney, who would also be an active member of both Adamantium and Eighteen Visions, guitarists Tommy Love and Javier Van Huss, bassist Dom Macaluso, and drummer Marc Jackson. The group took on the title Throwdown as a "wry irony on their collective stature," at the time no band member being more than 5 feet 8 inches (1.73 m). The band released their debut, self-titled 7-inch single that same year through Prime Directive Records. Van Huss left the band, and was replaced by Brandan Schieppati. After sign a recording contract with Indecision Records, the band released their first studio album Beyond Repair the following year. In 1999, Barney also relinquished his role in Death by Stereo to prioritise Throwdown. Schieppati left the band to concentrate full-time on his other band Bleeding Through, being replaced by Dave Peters. The following year, the new line-up released the Drive Me Dead EP. In 2001, Throwdown released their second studio album, You Don't Have to Be Blood to Be Family. They also recorded a tongue-in-cheek metalcore version of Sir Mix-a-Lot's hit single "Baby Got Back" for Radical Records' Too Legit for the Pit: Hardcore Takes the Rap compilation, which also featured Candiria, Stretch Arm Strong, and The Movielife. Allmusic reviewer Rick Anderson gave the album four and a half out of five stars, stating that Throwdown's version for the song was "absolutely hilarious". The idea of cover a hip hop song, was a collaboration between Macaluso and Love. Originally they wanted to cover House of Pain's "Jump Around". Then the band decided there was too much in the song, as they felt that hip hop songs are hard to cover. Peters said, "Sir Mix-a-Lot was easy and funny, and that's what we're all about, playing easy stuff and trying to be funny." The following year, Barney expressed a desire to switch to guitar (which he played in Eighteen Visions already) because he would often lose his voice on tour. Peters took over on vocals. Fill-in guitarist Matt Mentley would fill in whenever Barney had shows with Eighteen Visions. Lacking a permanent drummer after the departure of Jackson, 18V drummer Ken Floyd regularly filled in around this time as well. After that in 2002 Throwdown made their next cd Face the Mirror EP with no changes except for Ken Floyd on drums. CANNOTANSWER

Ask a question about this article.

How many of those albums did they sell?
Background: Styx  is an American rock band from Chicago that formed in 1972 and became famous for its albums released in the late 1970s and early 1980s. They are best known for melding hard rock guitar balanced with acoustic guitar, synthesizers mixed with acoustic piano, upbeat tracks with power ballads, and incorporating elements of international musical theatre. The band established itself with a progressive rock sound in the 1970s, and began to incorporate pop rock and soft rock elements in the 1980s. Styx is best known for the hit songs "Lady",
Context: On the success of "Babe", DeYoung began pushing for a more theatrical direction, while Shaw and Young favored a harder-edged approach. This arguing over musical direction led to a bit of tension in early 1980 after Young and Shaw objected to the ballad "First Time" released as the second single from Cornerstone (1979) album. However, things were quickly smoothed over. Moreover, this song did not chart in the U.S. but became a huge hit single in the Philippines in 1981. In January 1981, Styx released Paradise Theatre, a concept album that became their biggest hit, reaching No. 1 on the Billboard pop albums chart and yielding five singles, including the top ten hits "The Best of Times" by DeYoung (#3) and "Too Much Time on My Hands" by Shaw (#9). Paradise Theatre became the band's fourth consecutive multi-platinum album. The band was accused by a California religious group and later the Parents Music Resource Center of backmasking Satanic messages in their anti-cocaine anthem, "Snowblind". James Young has denied this charge during his introduction for "Snowblind" when played live. Dennis DeYoung has denied the accusation as well, joking on the In the Studio with Redbeard program "we had enough trouble to make the music sound right forward." Also, James Young quotes, "If we were going to put something Satanic in our songs, we would have put it so it was in the song forward. Not so you would have to buy some $400 tape recorder to hear it." Throughout the 1980s, the band would use the Paradise Theatre (1981) album's opening track, "Rockin' the Paradise" (charted at No. 8 on Top Rock Tracks Chart) to open their shows. CANNOTANSWER
Question: What did the band say about the accusations?

Answer:

James Young has denied this charge during his introduction for "Snowblind" when played live.