cindermond/bento huggingface dataset:
The Oprah Winfrey Show, often referred to simply as Oprah, is an American syndicated talk show that aired nationally for 25 seasons from September 8, 1986 to May 25, 2011 in Chicago, Illinois. Produced and hosted by its namesake, Oprah Winfrey, it remains the highest-rated daytime talk show in American television history.

Winfrey claims her worst interviewing experience was with Elizabeth Taylor in the show's second season. Just before the interview, Taylor asked Winfrey not to ask any questions about her relationships. Winfrey found this to be a challenge considering Taylor had been married seven times. Taylor returned to the show in 1992, apologized to Winfrey and told her that she was in excruciating back and hip pain at the time. On February 10, 1993, Winfrey sat down with Michael Jackson for what would become the most-watched interview in television history. Jackson, an intensely private entertainer, had not given an interview in 14 years. The event was broadcast live from Jackson's Neverland Ranch and was watched by 90 million people worldwide result his recently studio album Dangerous on the top-ten charts. Jackson discussed missing out on a normal childhood and his strained relationship with his father, Joe Jackson. During the interview, Jackson attempted to dispel many of the rumors surrounding him and told Winfrey he suffered from the skin-pigment disorder known as vitiligo when asked about the change in the color of his skin. While admitting to getting a nose job, he denied all other plastic surgery rumors. Later in the interview, Jackson was joined by his close friend Elizabeth Taylor, her third appearance on the show. Winfrey's interview with Tom Cruise, which was broadcast on May 23, 2005, also gained notoriety. Cruise "jumped around the set, hopped onto a couch, fell rapturously to one knee and repeatedly professed his love for his then-girlfriend, Katie Holmes." This scene quickly became part of American pop-cultural discourse and was heavily parodied in media. Celine Dion appeared on the show 28 times, the most of any celebrity, besides Gayle King, Winfrey's best friend, who appeared 141 times. Winfrey also interviewed Chicago's "Guardian Angels" and Raymond Lear in 1988. CANNOTANSWER

Using a quote from the above article, answer the following question: Did Tom do anything special while on the show

Cruise "jumped around the set, hopped onto a couch, fell rapturously to one knee and repeatedly professed his love for his then-girlfriend, Katie Holmes."
Answer by taking a quote from the following article:

Laurel and Hardy were a comedy double act during the early Classical Hollywood era of American cinema. The team was composed of English thin man Stan Laurel (1890-1965) and American fat man Oliver Hardy (1892-1957). They became well known during the late 1920s through the mid-1940s for their slapstick comedy, with Laurel playing the clumsy and childlike friend of the pompous bully Hardy. The duo's signature tune is known variously as "The Cuckoo Song", "Ku-Ku", or "The Dance of the Cuckoos".

The catchphrase most used by Laurel and Hardy on film is: "Well, here's another nice mess you've gotten me into!" The phrase was earlier used by W. S. Gilbert in both The Mikado from 1885 and The Grand Duke from 1896. It was first used by Hardy in The Laurel-Hardy Murder Case in 1930. In popular culture the catchphrase is often misquoted as "Well, here's another fine mess you've gotten me into." The misquoted version of the phrase was never used by Hardy and the misunderstanding stems from the title of their film Another Fine Mess. Numerous variations of the quote appeared on film. For example, in Chickens Come Home Ollie says impatiently to Stan "Well...." with Stan replying, "Here's another nice mess I've gotten you into." The films Thicker than Water and The Fixer-Uppers use the phrase "Well, here's another nice kettle of fish you pickled me in!" In Saps at Sea the phrase becomes "Well, here's another nice bucket of suds you've gotten me into!" Another regular catchphrase, cried out by Ollie in moments of distress or frustration, as Stan stands helplessly by, is "Why don't you do something to help me?" And another, not-as-often used catchphrase of Ollie, particularly after Stan has accidentally given a verbal idea to an adversary of theirs to torment them even more: "Why don't you keep your (big) mouth shut?!" "D'oh!" was a catchphrase used by the mustachioed Scottish actor James Finlayson who appeared in 33 Laurel and Hardy films. The phrase, expressing surprise, impatience, or incredulity, was the inspiration for "D'oh!" as spoken by the actor Dan Castelleneta portraying the character Homer Simpson in the long-running animated comedy The Simpsons. Homer's first intentional use of "d'oh!" occurred in the Ullman short "Punching Bag" (1988). CANNOTANSWER

any more

"Well, here's another nice bucket of suds you've gotten me into!"
The BBC Radiophonic Workshop was one of the sound effects units of the BBC, created in 1958 to produce incidental sounds and new music for radio and, later, television. The unit is known for its experimental and pioneering work in electronic music and music technology, as well as its popular scores for programs such as Doctor Who and Quatermass and the Pit during the 1950s and '60s. The original Radiophonic Workshop was based in the BBC's Maida Vale Studios in Delaware Road, Maida Vale, London. The Workshop was closed in March 1998, although much of its traditional work had already been outsourced by 1995.

As the sixties drew to a close many of the techniques used by the Workshop changed as more electronic music began to be produced by synthesisers. Many of the old members of the Workshop were reluctant to use the new instruments, often because of the limitations and unreliable nature of many of the early synthesisers but also, for some, because of a dislike of the sounds they created. This led to many leaving the workshop making way for a new generation of musicians in the early 1970s including Malcolm Clarke, Paddy Kingsland, Roger Limb and Peter Howell. From the early days of a studio full of tape reels and electronic oscillators, the Workshop now found itself in possession of various synthesisers including the EMS VCS 3 and the EMS Synthi 100 nicknamed the "Delaware" by the members of the Workshop. In 1977, Workshop co-founder Desmond Briscoe retired from organisational duties with Brian Hodgson, returning after a five-year gap away from the Workshop, taking over. By this point the output of the Workshop was vast with high demand for complete scores for programmes as well as the themes and sound effects for which it had made its name. By the end of the decade the workshop was contributing to over 300 programmes a year from all departments of the BBC and had long since expanded from its early two room setup. Its contributions included material for programmes such as The Body in Question, Blue Peter and Tomorrow's World as well as sound effects for popular science fiction programmes Blake's 7 and The Hitchhiker's Guide to the Galaxy (in both its radio and television forms) by Richard Yeoman-Clark and Paddy Kingsland respectively. CANNOTANSWER

Was the workshop in demand most of the time?

By this point the output of the Workshop was vast with high demand for complete scores
Robert McNair Price (born July 7, 1954) is an American theologian and writer, known for arguing against the existence of a historical Jesus (the Christ myth theory). He taught philosophy and religion at the Johnnie Colemon Theological Seminary. He is a professor of biblical criticism at the Center for Inquiry Institute, and the author of a number of books on theology and the historicity of Jesus. A former Baptist minister, he was the editor of the Journal of Higher Criticism from 1994 until it ceased publication in 2003.

He views Jesus of Nazareth as an invented figure conforming to the Rank-Raglan mythotype.  In the documentary The God Who Wasn't There, Price supports a version of the Christ myth theory, suggesting that the early Christians adopted the model for the figure of Jesus from the popular Mediterranean dying-rising saviour myths of the time, such as that of Dionysus. He argues that the comparisons were known at the time, as early church father Justin Martyr had admitted the similarities. Price suggests that Christianity simply adopted themes from the dying-rising god stories of the day and supplemented them with themes (escaping crosses, empty tombs, children being persecuted by tyrants, etc.) from the popular stories of the day in order to come up with the narratives about Christ. [Per the Kyrios Christos Cult] The ancient Mediterranean world was hip-deep in religions centering on the death and resurrection of a savior god. [...] It is very hard not to see extensive and basic similarities between these religions and the Christian religion. But somehow Christian scholars have managed not to see it, and this, one must suspect, for dogmatic reasons. [...] But it seems to me that the definitive proof that the resurrection of the Mystery Religion saviors preceded Christianity is the fact that ancient Christian apologists did not deny it! [...] A Christ religion modeled after a Mystery cult is a Mystery cult, [and against Mack's Christ cult] a Christ cult worthy of the name. This is what we expect Burton Mack to be talking about when he talks about Christ cults. Price notes that historians of classical antiquity approached mythical figures such as Heracles by rejecting supernatural tales while doggedly assuming that "a genuine historical figure" could be identified at the root of the legend. He describes this general approach as Euhemerism, and argues that most historical Jesus research today is also Euhemerist. Price argues that Jesus is like other ancient mythic figures, in that no mundane, secular information seems to have survived. Accordingly, Jesus also should be regarded as a mythic figure. But, Price admits to some uncertainty in this regard. He writes at the conclusion of his 2000 book Deconstructing Jesus: "There may have been a real figure there, but there is simply no longer any way of being sure." CANNOTANSWER

Answer the following question by taking a quote from the article: why were these his views?

suggesting that the early Christians adopted the model for the figure of Jesus from the popular Mediterranean dying-rising saviour myths of the time,
Abu 'Abd ar-Rahman al-Khalil ibn Ahmad ibn 'Amr ibn Tammam al-Farahidi al-Azdi al-Yahmadi (Arabic: 'bw `bdlrHmn lkhlyl bn 'Hmd lfrhydy; 718 - 786 CE), known as Al-Farahidi, or simply Al-Khalil, famously compiled the first known dictionary of the Arabic language, and one of the first in any language, Kitab al-'Ayn (Arabic: ktb l`yn).. He was one of the earliest Arab lexicographer philologists, and is accredited for introducing the Harakat (vowel marks in Arabic script) system now in standard use, and the study of al-'arud (Arabic prosody), musicology and metre. His linguistic theories formed the basis for the development of prosody studies in the Persian, Turkish and Urdu languages.

Born in 718 to Azdi parents of modest means, al-Farahidi was from southern Arabia (modern day Oman). He later moved to Basra, Iraq in his youth. Originally of the Ibadi sect of Islam, the claim he became Sunni is unsubstantiated. He was one of the companions of Jabir ibn Zayd, the founder of ibadism. He is said to have lived a simple and pious life in Iraq; It was said his parents were converts to Islam, and that his father was the first to be named "Ahmad" after the time of Prophet Muhammad. His nickname, "Farahidi", differed from his tribal name and derived from an ancestor named Furhud (Young Lion); plural farahid. The descendants of his tribe are the modern-day Zahran tribe residing primarily in the Al Bahah Province of Saudi Arabia. While in Basra, he was a student of Abu 'Amr ibn al-'Ala'. Al-Farahidi notoriously refused lavish gifts from rulers, or to sink to malicious slander or rumor-mongering against intellectual rivals, unlike many of his contemporary Arab and Persian men of letters,. While in Basra, he made a living as a language teacher. He was said to have lived a pious and simple life, performing the pilgrimage to Mecca almost every year. Al-Farahidi lived in a small house made of reeds and once remarked that once he shut his door, his mind did not go beyond it. Although some of his students amassed wealth through their own teaching, most of al-Farahidi's income was from falconry and a garden he inherited from his father. Al-Farahidi's date of death has been listed as both 786 and 791 CE. His preoccupation with deep thoughts led to his death. It is said that one day, al-Farahidi was attempting to work out an accounting system in his head which would save his maidservant from being cheated out of money by a green grocer; he then absent-mindedly bumped into a pillar of a mosque he had wandered into and sustained a fatal fall. CANNOTANSWER

Were his parents the same religion as him?

It was said his parents were converts to Islam, and that his father was the first to be named "Ahmad" after the time of Prophet Muhammad.
Answer by taking a quote from the following article:

Nikolaos Georgalis (Greek: Nikolaos Georgales; born July 23, 1957), commonly known as either Nikos Galis (Greek: Nikos Gkales), or Nick Galis, is a retired Greek American professional basketball player. He was named one of FIBA's 50 Greatest Players in 1991, is an inaugural member of the FIBA Hall of Fame and was chosen as one of the 50 Greatest EuroLeague Contributors in 2008. Galis is widely regarded as one of Europe's greatest scorers to ever play the game, as well as one of the all-time greatest players in FIBA international basketball history. In 2017, he was inducted into the Naismith Memorial Basketball Hall of Fame.

Galis made the move across the Atlantic, and signed to play with Aris of Thessaloniki, Greece, in 1979. Panathinaikos and Olympiacos had also shown some interest in signing the newcomer, but it was Aris' interest that was the most persuasive. His move to the country helped Greek basketball reach heights never before imagined. In 1983, while playing in a game with the Greek national team against the North Carolina Tar Heels at Chapel Hill, Greece's shooting guard Galis, while being guarded by North Carolina's shooting guard Michael Jordan, scored 50 points during the game. He played in the 1986 FIBA World Championship, where he led all players in scoring average, with 33.5 points per game. In that tournament, he had a 53-point outburst against the Panamanian national basketball team. Galis next led the Greek national basketball team to the EuroBasket 1987 gold medal. Averaging 37.0 points per game during the tournament, he was named the MVP of the tournament, after scoring 40 points in the final against the Soviet Union national basketball team and its legendary player, Sarunas Marciulionis, for a 103-101 victory. Galis also led Greece to the second place at the EuroBasket 1989, averaging 35.6 points per game. Galis is most remembered from that tournament, for a stunning effort against the Soviet team led by Marciulionis, and its other star player, Arvydas Sabonis, in the semifinal game. He scored 45 out of his team's 81 total points in a dramatic, last-gasp 81-80 victory. The Greek team then settled for a second-place finish, after losing against the ever-dominant Yugoslavian national basketball team in the tournament's final. CANNOTANSWER

Did they win that world championship?

CANNOTANSWER
Which entity is this text about?

Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru, born December 6, 1950), known professionally as Joe Hisaishi (Jiu Shi  Rang , Hisaishi Jo), is a Japanese composer and musical director known for over 100 film scores and solo albums dating back to 1981. Hisaishi is also known for his piano scores. While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical.

Hisaishi was born in Nakano, Nagano, Japan as Mamoru Fujisawa (Teng Ze  Shou , Fujisawa Mamoru). When he started learning violin in the Violin School Suzuki Shinichi at the age of four, he found his passion in music. Also, when he was young, he was taken to a movie theatre and watched 300 movies for 4 years. This had strongly influenced his current job. Realizing his love, he attended the Kunitachi College of Music in 1969 to major in music composition. Hisaishi collaborated with minimalist artists as a typesetter, furthering his experience in the musical world. He enjoyed his first success of the business in 1974 when he composed music for the anime series called Gyatoruzu. This and other early works were created under his given name. During this period, he composed for Sasuga no Sarutobi (Academy of Ninja) and Futari Daka (A Full Throttle). In the 1970s, Japanese popular music, electronic music, and new-age music flourished; those genres, as well as the Yellow Magic Orchestra (a Japanese electronic band in 1978-1983), influenced Hisaishi's compositions. He developed his music from minimalist ideas and expanded toward orchestral work. Around 1975, Hisaishi presented his first public performance, spreading his name around his community. Also, from 1978, he had worked for Brass Compositions for a long time. His first album, MKWAJU, was released in 1981, with Information being released a year later. His first major anime scores were Hajime Ningen Gyatoruz (1974) and Robokko Beeton (1976). As his works were becoming well known, Hisaishi formulated an alias inspired by Quincy Jones, an African-American musician and producer. Retranscribed in Japanese, "Quincy Jones" became "Joe Hisaishi". ("Quincy", pronounced "Kuishi" in Japanese, can be written using the same kanji in "Hisaishi"; "Joe" comes from "Jones".) CANNOTANSWER

Joe Hisaishi
Sexual Politics originated as Millett's PhD dissertation and was published in 1970, the same year that she was awarded her doctorate from Columbia University. The bestselling book, a critique of patriarchy in Western society and literature, addressed the sexism and heterosexism of the modern novelists D. H. Lawrence, Henry Miller, and Norman Mailer and contrasted their perspectives with the dissenting viewpoint of the homosexual author Jean Genet. Millett questioned the origins of patriarchy, argued that sex-based oppression was both political and cultural, and posited that undoing the traditional family was the key to true sexual revolution. In its first year on the market, the book sold 80,000 copies and went through seven printings and is considered to be the movement's manifesto. As a symbol of the women's liberation movement, Millett was featured in a Time magazine cover story, "The Politics of Sex", which called Sexual Politics a "remarkable book" that provided a coherent theory about the feminist movement. Alice Neel created the depiction of Millett for the August 31, 1970 cover. According to biographer Peter Manso, The Prisoner of Sex was written by Norman Mailer in response to Millett's Sexual Politics. "The Prisoner of Sex is structured as a contest. His rhetoric against her prose, his charm against her earnestness, his polemic rage against her vitriolic charges. The aim is to convert the larger audience, the stronger presence as the sustaining truth. The Prisoner of Sex combines self parody and satire...", said Andrew Wilson, author of Norman Mailer: An American Aesthetic. CANNOTANSWER

Answer this question "Did she have any other accomplishments?" by extracting the answer from the text above.

Millett was featured in a Time magazine cover story, "The Politics of Sex", which called Sexual Politics a "remarkable book"
Gaynor was born Laura Augusta Gainor (some sources stated Gainer) in Germantown, Philadelphia. Nicknamed "Lolly" as a child, she was the youngest of two daughters born to Laura (Buhl) and Frank De Witt Gainor. Frank Gainor worked as a theatrical painter and paperhanger. When Gaynor was a toddler, her father began teaching her how to sing, dance, and perform acrobatics.

Gaynor was romantically involved with her friend and frequent co-star, Charles Farrell, during the time of their work together in silent film, until she married her first husband. Choosing to keep their relationship out of the public eye, Gaynor and Farrell were often assisted by mutual friend Douglas Fairbanks Jr. in maintaining the ruse. Looking back, Fairbanks would later recall, "We three were so chummy that I became their 'beard,' the cover-up for their secret romance. I would drive them out to a little rundown, wooden house well south of Los Angeles, near the sea. I'd leave them there and go sailing or swimming until [it was] time to collect them and then we'd all have a bit of dinner." According to Gaynor's biographer Sarah Baker, Farrell proposed marriage during the filming of Lucky Star (1929 film), but the two never followed through with it. In her later years, Gaynor would hold their different personalities accountable for their eventual separation. Gaynor was married three times and had one child. Her first marriage was to lawyer Jesse Lydell Peck, whom she married on September 11, 1929. Gaynor's attorney announced the couple's separation in late December 1932. She was granted a divorce on April 7, 1933. On August 14, 1939, she married MGM costume designer Gilbert Adrian in Yuma, Arizona. This relationship has been called a lavender marriage, since Adrian was openly gay within the film community while Gaynor was rumored to be gay or bisexual. The couple had one son, Robin Gaynor Adrian, born in 1940. Those rumors were never hinted at in newspapers or magazines. Gaynor and Adrian remained married until Adrian's death from a stroke on September 13, 1959. On December 24, 1964, Gaynor married her longtime friend, stage producer Paul Gregory, to whom she remained married until her death. The two maintained a home in Desert Hot Springs, California and also owned 3,000 acres of land near Brasilia. CANNOTANSWER

Using a quote from the above article, answer the following question: Who was Janet Gaynor romantically involved?

Gaynor was romantically involved with her friend and frequent co-star, Charles Farrell, during the time of their work together in silent film, until she married her first husband.
Jalen Anthony Rose (born January 30, 1973) is a former American professional basketball player, current sports analyst for ESPN, and cofounder of the Jalen Rose Leadership Academy. In college, he was a member of the University of Michigan Wolverines' "Fab Five" (along with Chris Webber, Juwan Howard, Jimmy King, and Ray Jackson) that reached the 1992 and 1993 NCAA Men's Division I Basketball Championship games as both freshmen and sophomores. Rose played in the National Basketball Association (NBA) for six teams, most notably alongside Reggie Miller on the Indiana Pacers teams that made three consecutive Eastern Conference finals, including the 2000 NBA Finals. Rose was primarily a small forward; however, he sometimes played the role of a shooting guard.

Academically, Rose graduated from University of Michigan in Mass Communications. Rose got his first broadcasting experience as a courtside reporter for TNT during the 2006 playoffs after the Knicks were eliminated. Upon the Suns' elimination from the 2007 NBA Playoffs, he became a consistent commentator for ESPN giving regular insider perspective on the remaining playoff games from both a player's and analyst's perspective. Since 2007, Rose has worked at ABC/ESPN, first as an analyst on SportsCenter and in 2012 he became one of the hosts for NBA Countdown. Rose has also worked on ESPN's Grantland. He currently co-hosts Jalen and Jacoby, a national, US, sports radio show on ESPN Radio, with David Jacoby that started in September 2015. Rose is the owner of Three Tier Entertainment, an independent, Los Angeles based management and production company. Created in 2007, Three Tier Entertainment develops television and film projects and also manages talent including directors, actors and screenplay writers. The March 13, 2011 airing of the documentary The Fab Five, which Rose produced, sparked controversy that led to a series of media exchanges between members of the press, Michigan Wolverines men's basketball players and Duke Blue Devils men's basketball players in forums such as The New York Times, The Wall Street Journal and The Washington Post. The Fab Five earned a 2.1 rating to become ESPN's highest rated documentary, according to the Nielsen Company. Rose released his first book Got to Give the People What They Want about his personal life story in October 2015. It is a New York Times Bestseller and made the list of Michigan Notable Books from 2016. CANNOTANSWER

How many years did he spend as a broadcaster?

CANNOTANSWER
During his teenage years, Baldwin followed his stepfather's shadow into the religious life. However, he became dissatisfied with ministry, considering it hypocritical and racist, and ultimately left the church because his father's expectation was that he be a preacher. The difficulties of his life, including his stepfather's abuse, led Baldwin to seek solace in religion. At the age of 14 he attended meetings of the Pentecostal Church and, during a euphoric prayer meeting, he converted and became a junior minister. Before long, at the Fireside Pentecostal Assembly, he was drawing larger crowds than his stepfather had done in his day. At 17, however, Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises. Baldwin once visited Elijah Muhammad, leader of the Nation of Islam, who inquired about Baldwin's religious beliefs. He answered, "I left the church 20 years ago and haven't joined anything since." Elijah asked, "And what are you now?" Baldwin explained, "Now? Nothing. I'm a writer. I like doing things alone." Still, his church experience significantly shaped his worldview and writing. Baldwin reflected that "being in the pulpit was like working in the theatre; I was behind the scenes and knew how the illusion was worked." Baldwin accused Christianity of reinforcing the system of American slavery by palliating the pangs of oppression and delaying salvation until a promised afterlife. Baldwin praised religion, however, for inspiring some American blacks to defy oppression. He once wrote, "If the concept of God has any use, it is to make us larger, freer, and more loving. If God can't do that, it's time we got rid of him." Baldwin publicly described himself as not religious. A recording of him singing "Precious Lord, Take My Hand" a cappella was played at his funeral. CANNOTANSWER

Answer this question "Was he happy with Christianity now?" by extracting the answer from the text above.

At 17, however, Baldwin came to view Christianity as based on false premises and later regarded his time in the pulpit as a way of overcoming his personal crises.
Leonardo di ser Piero da Vinci (Italian: [leo'nardo di ,ser 'pje:ro da (v)'vintSi] ( listen); 15 April 1452 - 2 May 1519), more commonly Leonardo da Vinci or simply Leonardo, was an Italian Renaissance polymath whose areas of interest included invention, painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography. He has been variously called the father of palaeontology, ichnology, and architecture, and is widely considered one of the greatest painters of all time. Sometimes credited with the inventions of the parachute, helicopter and tank, he epitomised the Renaissance humanist ideal.

Within Leonardo's lifetime, his extraordinary powers of invention, his "outstanding physical beauty", "infinite grace", "great strength and generosity", "regal spirit and tremendous breadth of mind", as described by Vasari, as well as all other aspects of his life, attracted the curiosity of others. One such aspect was his respect for life, evidenced by his vegetarianism and his habit, according to Vasari, of purchasing caged birds and releasing them. Leonardo had many friends who are now renowned either in their fields or for their historical significance. They included the mathematician Luca Pacioli, with whom he collaborated on the book De divina proportione in the 1490s. Leonardo appears to have had no close relationships with women except for his friendship with Cecilia Gallerani and the two Este sisters, Beatrice and Isabella. While on a journey that took him through Mantua, he drew a portrait of Isabella that appears to have been used to create a painted portrait, now lost. Beyond friendship, Leonardo kept his private life secret. His sexuality has been the subject of satire, analysis, and speculation. This trend began in the mid-16th century and was revived in the 19th and 20th centuries, most notably by Sigmund Freud. Leonardo's most intimate relationships were perhaps with his pupils Salai and Melzi. Melzi, writing to inform Leonardo's brothers of his death, described Leonardo's feelings for his pupils as both loving and passionate. It has been claimed since the 16th century that these relationships were of a sexual or erotic nature. Court records of 1476, when he was aged twenty-four, show that Leonardo and three other young men were charged with sodomy in an incident involving a well-known male prostitute. The charges were dismissed for lack of evidence, and there is speculation that since one of the accused, Lionardo de Tornabuoni, was related to Lorenzo de' Medici, the family exerted its influence to secure the dismissal. Since that date much has been written about his presumed homosexuality and its role in his art, particularly in the androgyny and eroticism manifested in John the Baptist and Bacchus and more explicitly in a number of erotic drawings. CANNOTANSWERAnswer this question using a quote from the following article:

What kind of birds?

CANNOTANSWER
Background: El Gran Combo de Puerto Rico, commonly known as El Gran Combo, is a Puerto Rican salsa orchestra based in San Juan, Puerto Rico. Celebrating its 50th anniversary in 2012, it is Puerto Rico's most successful musical group, and is considered "the most popular Salsa group that has ever existed". The group received the moniker La Universidad de la Salsa (The University of Salsa) in Colombia, due to the sheer number of famous salsa musicians and singers who developed their careers with it, who started with the group (particularly Andy Montanez), or who were occasionally backed up by the band (including Celia Cruz, Hector Lavoe and La India). The salsa orchestra was founded in May 1962, by Rafael Ithier.
Context: In 1970, El Gran Combo's contract with Gema Records was not renewed. Despite offers from other record companies including the Motown label, the group decided to self-release recordings under their own newly created independent label, Combo Records (alternatively known as EGC Records). The first album released on the label was the 1970 album entitled Estamos Primeros. On February 15, 1970, the members of El Gran Combo shared a near death experience. They were at Venezuela, and scheduled to fly the following day to Las Americas International Airport in Santo Domingo. After landing they were told about the Dominicana Airlines DC-9 that crashed off the Caribbean coast which occurred the night before. Therefore, the tale about a group member having a bad feeling regarding that flight while stranded at the Santo Domingo airport is not entirely true, since they did not arrive there until the day after the crash. In 1971, El Gran Combo introduced the trombone to their instrument mix. The trombone was played by Fanny Ceballos. Soon after, their production named De Punta a Punta was released. In 1972, they released the album "Por el Libro", which marks the 10th anniversary of the orchestra. Pellin Rodriguez left the group to embark on a solo career. Rodriguez was replaced by Charlie Aponte at the recommendation of Jerry Concepcion and the well known sportscaster Rafael Bracero, both friends of Ithier. In 1973, El Gran Combo sang in front of 50,000 fans at the famous Yankee Stadium in New York City as the opening act for the Fania All-Stars' sold out concert. Montanez left the band in early 1977 and went to live in Venezuela where he replaced Oscar D'Leon in another orchestra, Dimension Latina. Jerry Rivas was then chosen to join the orchestra. Both Rivas and Aponte are still members of the orchestra to this day. The success of this new duo was proved with their 1977 album International and 1978's En Las Vegas which reached gold record status. In 1966, En Navidad, a Christmas album, was released, with Martin Quinones appearing as Santa Claus in the album's cover. After an automobile accident in early 1977, Quinones was replaced in the band by his son, Martin Quinones Jr. He stayed until 1979, being replaced by Luis Diaz. CANNOTANSWER
Question: Did this affect their outlook on life?

Answer:

CANNOTANSWER
James William Johnson (born July 16, 1943) is an American football broadcaster and former player, coach, and executive. He served as the head football coach at Oklahoma State University-Stillwater from 1979 to 1983 and the University of Miami from 1984 to 1988. Johnson then moved to the National Football League (NFL), serving as head coach of the Dallas Cowboys from 1989 to 1993, winning two Super Bowls with the team (both against the Buffalo Bills), and finally serving as head coach of the Miami Dolphins from 1996 to 1999. As of 2016, he is an analyst for Fox NFL Sunday, the Fox network's NFL pregame show for the NFL games.

Johnson began as an assistant coach at Louisiana Tech University in 1965. During this time, Phil Robertson of Duck Dynasty fame was the starting quarterback, and Jimmy helped recruit high school quarterback Terry Bradshaw from nearby Shreveport, Louisiana. He then became an assistant coach at Picayune Memorial High School in Picayune, Mississippi, in 1966. In 1967, he was an assistant at Wichita State University, then in 1968 and 1969, he served under Johnny Majors at Iowa State University in Ames. In 1970, he moved on to another Big Eight Conference school to become a defensive line coach at the University of Oklahoma, working under head coach Chuck Fairbanks and alongside future rivals Barry Switzer and Jim Dickey. In 1973, he returned to Arkansas, where he served as defensive coordinator through the 1976 season. There, he coached such players as Brison Manor and Dirt Winston. Johnson had hopes of being named head coach when Broyles retired, but was passed over for Lou Holtz. Holtz offered to retain Johnson on his staff, but he decided to move on and amicably parted company with his alma mater. Johnson became assistant head coach and defensive coordinator at the University of Pittsburgh under Jackie Sherrill in 1977 and 1978. There, he coached Randy Holloway, David Logan, Al Chesley, J. C. Wilson, and Hugh Green, and was introduced to a Pitt alumnus and assistant coach Dave Wannstedt, who later teamed up with Johnson again at the University of Miami, the Cowboys, and the Dolphins. In 1979, Johnson became head coach at Oklahoma State. Johnson coached for five seasons at Oklahoma State, from 1979 to 1983, before taking the head coaching job at the University of Miami. Johnson interviewed for the head coaching job at Arkansas when Lou Holtz left following the 1983 season, then later found out Ken Hatfield had already been hired. Upset that Frank Broyles (who was still the Arkansas athletic director) made no mention of this during the interview, Jimmy distanced himself from his alma mater. As payback for the snub, a home-and-home series was scheduled with Arkansas. In 1987, Miami gave Arkansas its worst home loss ever at the time, 51-7. CANNOTANSWER

Using a quote from the above article, answer the following question: Did he coach anywhere other than Miami and Pittsburgh ?

In 1979, Johnson became head coach at Oklahoma State.
Dalglish, the son of an engineer, was born in Dalmarnock in the East End of Glasgow, and was brought up in Milton in the north of Glasgow. He moved to the docklands of Govan, near Ibrox, home of Rangers, when he was 15, and he grew up supporting Rangers. Dalglish attended Milton Bank Primary School in Milton and started out as a goalkeeper. He then attended High Possil Senior Secondary School, where he won the inter-schools five-a-side and the inter-year five-a-side competitions.

After the Heysel Stadium disaster in 1985 and Joe Fagan's subsequent resignation as manager, Dalglish became player-manager of Liverpool. In his first season in charge in 1985-86, he guided the club to its first "double". Liverpool achieved this by winning the League Championship by two points over Everton (Dalglish himself scored the winner in a 1-0 victory over Chelsea at Stamford Bridge to secure the title on the final day of the season), and the FA Cup by beating Everton in the final. The 1986-87 season was trophyless for Liverpool. They lost 2-1 to Arsenal in the League Cup final at Wembley. Before the 1987-88 season, Dalglish signed two new players: striker Peter Beardsley from Newcastle and winger John Barnes from Watford. He had already purchased goalscorer John Aldridge from Oxford United (a replacement for Ian Rush, who was moving to Italy) in the spring of 1987 and early into the new campaign, bought Oxford United midfielder Ray Houghton. The new-look Liverpool side shaped by Dalglish topped the league for almost the entire season, and had a run of 37 matches unbeaten in all competitions (including 29 in the league; 22 wins and 7 draws) from the beginning of the season to 21 February 1988, when they lost to Everton in the league. Liverpool were crowned champions with four games left to play, having suffered just two defeats from 40 games. However, Dalglish's side lost the 1988 FA Cup Final to underdogs Wimbledon. In the summer of 1988, Dalglish re-signed Ian Rush. Liverpool beat Everton 3-2 after extra time in the second all-Merseyside FA Cup final in 1989, but was deprived of a second Double in the final game of the season, when Arsenal secured a last-minute goal to take the title from Liverpool. In the 1989-90 season Liverpool won their third league title under Dalglish. They missed out on the Double and a third successive FA Cup final appearance when they lost 4-3 in extra-time to Crystal Palace in an FA Cup semi-final at Villa Park. At the end of the season Dalglish received his third Manager of the Year award. Dalglish resigned as manager of Liverpool on 22 February 1991, two days after a 4-4 draw with rivals Everton in an FA Cup fifth round tie at Goodison Park, in which Liverpool surrendered the lead four times. At the time of his resignation, the club were three points ahead in the league and still in contention for the FA Cup. CANNOTANSWERAnswer this question using a quote from the following article:

Did they sign new players before the season?

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Background: William Jennings Bryan (March 19, 1860 - July 26, 1925) was an American orator and politician from Nebraska. Beginning in 1896, he emerged as a dominant force in the Democratic Party, standing three times as the party's nominee for President of the United States. He also served in the United States House of Representatives and as the United States Secretary of State under Woodrow Wilson. Because of his faith in the wisdom of the common people, he was often called "The Great Commoner".
Context: L. Frank Baum satirized Bryan as the Cowardly Lion in The Wonderful Wizard of Oz, published in 1900. Baum had been a Republican activist in 1896 and wrote on McKinley's behalf. Inherit the Wind, a 1955 play by Jerome Lawrence and Robert Edwin Lee, is a highly fictionalized account of the Scopes Trial written in response to McCarthyism. A populist thrice-defeated Presidential candidate from Nebraska named Matthew Harrison Brady comes to a small town named Hillsboro in Tennessee to help prosecute a young teacher for teaching evolution to his schoolchildren. He is opposed by a famous trial lawyer, Henry Drummond (based on Darrow), and mocked by a cynical newspaperman (based on H.L. Mencken) as the trial assumes a national profile. A 1960 Hollywood film adaptation, written by the playwrights, was directed by Stanley Kramer and stars Spencer Tracy as lawyer Henry Drummond and Fredric March as his friend and rival Matthew Harrison Brady. Bryan also appears as a character in Douglas Moore's 1956 opera The Ballad of Baby Doe and is briefly mentioned in John Steinbeck's East of Eden. In addition, he is a (very) minor character in Thomas Wolfe's Look Homeward, Angel. His death is referred to in Ernest Hemingway's The Sun Also Rises. In Robert A. Heinlein's Job: A Comedy of Justice, Bryan's unsuccessful or successful runs for the presidency are seen as the "splitting off" events of the alternate histories through which the protagonists travel. He also has a biographical part in "The 42nd Parallel" in John Dos Passos' USA Trilogy. Vachel Lindsay's "singing poem" "Bryan, Bryan, Bryan, Bryan" is a lengthy tribute to the idol of the poet's youth. CANNOTANSWER
Question: Did he ever become president?

Answer:

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Which entity is this text about?

Terence Steven McQueen was born on March 24, 1930, at St. Francis Hospital in Beech Grove, Indiana, a suburb of Indianapolis. His father, William Terence McQueen, was a stunt pilot for a barnstorming flying circus who left McQueen's mother, Julia Ann (a.k.a. Julian; nee Crawford), six months after meeting her. Several biographers have stated that Julia Ann was an alcoholic.

In 1971 McQueen starred in the poorly received auto-racing drama Le Mans. Then came Junior Bonner in 1972, a story of an aging rodeo rider. He worked for director Sam Peckinpah again with the leading role in The Getaway, where he met future wife Ali MacGraw. He followed this with a physically demanding role as a Devil's Island prisoner in 1973's Papillon, featuring Dustin Hoffman as his character's tragic sidekick. In 1973 The Rolling Stones referred to McQueen in the song "Star Star" from the album Goats Head Soup for which an amused McQueen reportedly gave personal permission. The lines were "Star ######, star ######, star ######, star ###### star/ Yes you are, yes you are, yes you are/Yeah, Ali MacGraw got mad with you/For givin' head to Steve McQueen". By the time of The Getaway, McQueen was the world's highest-paid actor, but after 1974's The Towering Inferno, co-starring with his long-time professional rival Paul Newman and reuniting him with Dunaway, became a tremendous box-office success, McQueen all but disappeared from the public eye, to focus on motorcycle racing and traveling around the country in a motor home and on his vintage Indian motorcycles. He did not return to acting until 1978 with An Enemy of the People, playing against type as a bearded, bespectacled 19th-century doctor in this adaptation of a Henrik Ibsen play. The film was never properly released theatrically. His last two films were loosely based on true stories: Tom Horn, a Western adventure about a former Army scout-turned professional gunman who worked for the big cattle ranchers hunting down rustlers, and later hanged for murder in the shooting death of a sheepherder, and The Hunter, an urban action movie about a modern-day bounty hunter, both released in 1980. CANNOTANSWER

Steve McQueen
Background: Jon Miller was born on Hamilton Air Force Base and grew up in Hayward, California, listening to Giants announcers Russ Hodges and Lon Simmons on the radio. He attended his first baseball game in 1962, a 19-8 Giants' victory over the Los Angeles Dodgers at Candlestick Park. As a teenager, Miller played Strat-O-Matic and recorded his own play-by-play into a tape recorder, adding his own crowd noise, vendors, and commercials. After graduating from Hayward High School in 1969, Miller commuted across the bay to take broadcasting classes at the College of San Mateo.
Context: Miller's delivery is notable for his easygoing, sometimes humorous manner and measured use of hyperbole, particularly in banter with his partner sportscasters. He livens up many broadcasts with a few Hawaiian and Japanese phrases spoken with impeccable pronunciation, and has been known to announce a half inning totally in Spanish. It is notable that Miller generally pronounces foreign language names with the source language pronunciation, in contrast with broadcasters who "Americanize" foreign-named players. Miller is also known for his meticulous scorekeeping, having scored over 5,500 games since he started broadcasting. Miller will occasionally quote lines from Shakespeare plays during radio broadcasts. He is well known for his foul ball call, "That ball is fooooul", and his emphatic cries of "Safe!" on close plays and "Two!" for a successful double play. He is also known for his unique pronunciation of the word safe, which sounds more like an umpire's call "tafe!", on plays where a baserunner attempts to slide into a base prior to being tagged out. Early in his career, Miller would punctuate home runs with the signature call, "Tell it goodbye!" (in emulation of longtime Giants announcer Lon Simmons), although he has eschewed this in recent years (although he continues to refer to a home run as a "big fly"). His home run call for Hispanic batters is now punctuated, "Adios, pelota!" Miller is noted in baseball circles for his impersonation of Los Angeles Dodgers announcer Vin Scully. Miller also imitates Harry Caray, Chuck Thompson, Jack Buck, Al Michaels, Babe Ruth, Bob Sheppard, and Harry Kalas, among others. Asked how he got into broadcasting play by play of baseball games, he recalled being in stands at Candlestick Park as a child and looking into the broadcast booth. In the middle of the at-bat, he watched as the broadcaster consumed a handful of fries and a drink between pitches, thinking, "That is the life for me." While calling games on the radio for the Giants, Miller occasionally introduces himself and his fellow broadcaster(s), followed by the phrase, "your Giants broadcasters". The same is repeated when Miller is on TV, except he replaces the word "broadcasters" with "telecasters." (Miller is referred to by fellow Giants broadcaster Mike Krukow as "The Big Kahuna".) He would use similar terminology for his Sunday Night Baseball telecasts on ESPN ("your Sunday night telecasters") and his World Series broadcasts for ESPN Radio ("your World Series broadcasters"). CANNOTANSWER
Question: Who has jon commented with?

Answer:

Mike Krukow