cindermond/bento huggingface dataset:
Born in Drouin to Alfred and Colleen Ablett, Gary Ablett grew up in the Latrobe Valley in Victoria's Gippsland region alongside his four elder brothers and three sisters. Ablett displayed a love for sport at an early age, winning the state school high jump at 10 years of age. He was also awarded both club and competition best and fairest awards for Drouin at the under-11s, under-12s and under-14s levels. After citing waning interest in school, Ablett dropped out of high school at the age of 15 years to become a bricklayer's labourer.

Ablett combined strength, speed, and skill to produce many spectacular highlights and goal-kicking feats. A noted big game player, Ablett kicked 43 goals in 11 State appearances. More significantly, he booted 64 goals over the course of his 16 finals - an average of four goals a game. His haul of 27 goals in the 1989 finals series is a record that still stands. He was awarded the Norm Smith Medal for his performance in the 1989 Grand Final, where he was adjudged best player afield. In doing so, he became one of only four players (the others being Maurice Rioli -1982, Nathan Buckley -2002, and Chris Judd -2005) to win the medal playing for the losing side. In 1996, Ablett joined Gordon Coventry, Doug Wade, Jason Dunstall and Tony Lockett as the only players in league history to kick 1000 VFL/AFL goals.  Martin Flanagan's representation of Australian football pioneer Tom Wills in his 1996 novel The Call is modeled on Ablett. According to Flanagan, Wills and Ablett polarised opinion in similar ways, and displayed a lack of insight into their actions--they simply did what came naturally to them, "like a lot of artists". Ablett is the subject of the song "Kicking the Footy with God", released by The Bedroom Philosopher on his 2005 debut album In Bed with My Doona.  In 1996, Ablett was named in the AFL Team of the Century on the interchange bench, alongside Jack Dyer and Greg Williams. In 2001, Ablett was named in the Geelong Team of the Century, on a half forward flank. In 2005, after many years of controversy and debate (see below), he was inducted into the Australian Football Hall of Fame. The following year, he was honoured yet again when he was voted as the Greatest Geelong player of all-time ahead of Graham Farmer.  In 2006, Ablett was honoured with the naming of a terrace in his name within the newly renovated Skilled Stadium. Ablett once had a set of gates named in his honour, but he was upgraded to a terrace at the beginning of the 2006 AFL season. CANNOTANSWER

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In 1996, Ablett was named in the AFL Team of the Century on the interchange bench,
David "Davy" Crockett (August 17, 1786 - March 6, 1836) was a 19th-century American folk hero, frontiersman, soldier, and politician. He is commonly referred to in popular culture by the epithet "King of the Wild Frontier". He represented Tennessee in the U.S. House of Representatives and served in the Texas Revolution. Crockett grew up in East Tennessee, where he gained a reputation for hunting and storytelling.

Crockett fell in love with John Canady's niece Amy Summer, who was engaged to Canady's son Robert. While serving as part of the wedding party, Crockett met Margaret Elder. He persuaded her to marry him, and a marriage contract was drawn up on October 21, 1805. Margaret had also become engaged to another young man at the same time and married him instead.  He met Polly Finley and her mother Jean at a harvest festival. Although friendly towards him in the beginning, Jean Finley eventually felt Crockett was not the man for her daughter. Crockett declared his intentions to marry Polly, regardless of whether the ceremony was allowed to take place in her parents' home or had to be performed elsewhere. He arranged for a justice of the peace and took out a marriage license on August 12, 1806. On August 16, he rode to Polly's house with family and friends, determined to ride off with Polly to be married elsewhere. Polly's father pleaded with Crockett to have the wedding in the Finley home. Crockett agreed only after Jean apologized for her past treatment of him.  The newlyweds settled on land near Polly's parents, and their first child, John Wesley Crockett, who became a United States Congressman, was born July 10, 1807. Their second child, William Finley Crockett, was born November 25, 1808. In October 1811, the family relocated to Lincoln County. Their third child Margaret Finley (Polly) Crockett was born on November 25, 1812. The Crocketts then moved to Franklin County in 1813. He named the new home on Beans Creek "Kentuck".  His wife died in March 1815, and Crockett asked his brother John and his sister-in-law to move in with him to help care for the children. That same year, he married the widow Elizabeth Patton, who had a daughter, Margaret Ann, and a son, George. David and Elizabeth's son, Robert Patton, was born September 16, 1816. Daughter Rebecca Elvira was born December 25, 1818. Daughter Matilda was born August 2, 1821. CANNOTANSWER

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Sir Julian Sorell Huxley FRS (22 June 1887 - 14 February 1975) was a British evolutionary biologist, eugenicist, and internationalist. He was a proponent of natural selection, and a leading figure in the mid-twentieth century modern synthesis. He was secretary of the Zoological Society of London (1935-1942), the first Director of UNESCO, a founding member of the World Wildlife Fund and the first President of the British Humanist Association. Huxley was well known for his presentation of science in books and articles, and on radio and television.

In the early 20th century he was one of the minority of biologists who believed that natural selection was the main driving force of evolution, and that evolution occurred by small steps and not by saltation (jumps). These opinions are now standard.  Though his time as an academic was quite brief, he taught and encouraged a number of evolutionary biologists at the University of Oxford in the 1920s. Charles Elton (ecology), Alister Hardy (marine biology) and John Baker (cytology) all became highly successful, and Baker eventually wrote Huxley's Royal Society obituary memoir.  Perhaps the most significant was Edmund Brisco Ford, who founded a field of research called ecological genetics, which played a role in the evolutionary synthesis. Another important disciple was Gavin de Beer, who wrote on evolution and development, and became Director of the Natural History Museum. Both these fine scholars had attended Huxley's lectures on genetics, experimental zoology (including embryology) and ethology. Later, they became his collaborators, and then leaders in their own right.  In an era when scientists did not travel so frequently as today, Huxley was an exception, for he travelled widely in Europe, Africa and the United States. He was therefore able to learn from and influence other scientists, naturalists and administrators. In the US he was able to meet other evolutionists at a critical time in the reassessment of natural selection. In Africa he was able to influence colonial administrators about education and wild-life conservation. In Europe, through UNESCO, he was at the centre of the post-World War II revival of education. In Russia, however, his experiences were mixed. His initially favourable view was changed by his growing awareness of Stalin's murderous repression, and the Lysenko affair. There seems little evidence that he had any effect on the Soviet Union, and the same could be said for some other Western scientists.  "Marxist-Leninism had become a dogmatic religion... and like all dogmatic religions, it had turned from reform to persecution." CANNOTANSWERAnswer this question using a quote from the following article:

Did Huxley teach his beliefs?

In Africa he was able to influence colonial administrators about education and wild-life conservation.
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At the Drive-In is an American post-hardcore band from El Paso, Texas, formed in 1994. The band currently consists of Cedric Bixler (vocals), Omar Rodriguez (guitar, vocals), Paul Hinojos (bass), Tony Hajjar (drums) and Keeley Davis (guitar, vocals). After several early line-up changes, the band solidified into a five-piece, consisting of Bixler, Rodriguez, Jim Ward, Hinojos and Hajjar. At the Drive-In released three studio albums and five EPs before breaking up in 2001.

At the Drive-In's style is usually described as post-hardcore. Their sound has also been called punk rock, emo and art punk. Some of the group's influences are Indian Summer, Swing Kids, Fugazi, Sunny Day Real Estate (referred to by Ward as "Fugazi beyond Fugazi"), Bad Brains, and the Gravity Records-led post-hardcore sound of the 1990s that featured acts such as Antioch Arrow and Heroin. In their last period before their initial breakup, the biggest influences of At the Drive-In included bands such as Drive Like Jehu and The Nation of Ulysses, with frontman Bixler-Zavala going on to say that "there would be no Relationship of Command without Drive Like Jehu." The band also performed cover versions of songs such as "This Night Has Opened My Eyes" by The Smiths and "Take Up Thy Stethoscope and Walk" by Pink Floyd, both included in the 2004 compilation This Station Is Non-Operational. Their name was taken from the fact that Bad Brains took their name from the Ramones' song "Bad Brain" (from Road to Ruin), and Bixler liked the Bad Brains' song title "At the Movies" (track featured in Rock for Light); while Ward liked "at the drive-in", and his suggestion would eventually win out.  Though In/Casino/Out was recorded live, "Relationship of Command may very well be the first record to harness the chaotic balance of adrenaline and intellect of ATDI's live performance." "Ross was instrumental in bringing out a lot of feeling from us," Bixler recalls. "We channeled a lot of emotion into this record. He pushed us farther than we thought we could go. I learned to cut loose the way we do live and not to be afraid to break something or whatever." While capturing the essence of ATDI's live shows in a way never before seen, the record also featured some of the band's most experimental songs, including "Rolodex Propaganda," "Non-Zero Possibility," and "Invalid Litter Dept."  The band's guitar-playing, in the majority of their songs, is characterized by unusual chords, a fast tempo, and a quiet-loud-quiet song structure. While Jim and Paul provided the rhythmic structure of the song, Omar often played more experimental riffs and melodies over the top. Effects were heavily used by Omar, especially on Relationship of Command, while Jim used the keyboard to create melody, often switching between the guitar and keyboard such as in "Invalid Litter Department." CANNOTANSWER

At the Drive-In
Prior to the November 2012 election, 238 of 242 House Republicans and 41 out of 47 Senate Republicans had signed ATR's "Taxpayer Protection Pledge", in which the pledger promises to "oppose any and all efforts to increase the marginal income tax rate for individuals and business; and to oppose any net reduction or elimination of deductions and credits, unless matched dollar for dollar by further reducing tax rates."  The November 6, 2012 elections resulted in a decline in the number of Taxpayer Protection Pledge signatories in both the upper and lower houses of the 113th Congress: from 41 to 39 in the Senate, and from 238 to "fewer than ... 218" in the House of Representatives. According to journalist Alex Seitz-Wald, losses in the election by Norquist supporters and the "fiscal cliff" have emboldened and made more vocal critics of Norquist.  In November 2011, Senate Majority leader Harry Reid (D-NV) blamed Norquist's influence for the Joint Select Committee on Deficit Reduction's lack of progress, claiming that Congressional Republicans "are being led like puppets by Grover Norquist. They're giving speeches that we should compromise on our deficit, but never do they compromise on Grover Norquist. He is their leader." Since Norquist's pledge binds signatories to opposing deficit reduction agreements that include any element of increased tax revenue, some Republican deficit hawks now retired from office have stated that Norquist has become an obstacle to deficit reduction. Former Republican Senator Alan Simpson (R-WY), co-chairman of the National Commission on Fiscal Responsibility and Reform, has been particularly critical, describing Norquist's position as "[n]o taxes, under any situation, even if your country goes to hell." CANNOTANSWER

Answer this question "What did Norquist have to do with the Taxpayer Protection Pledge?" by extracting the answer from the text above.

losses in the election by Norquist supporters and the "fiscal cliff" have emboldened and made more vocal critics of Norquist.
Expose is an American Latin freestyle vocal group. Primarily consisting of lead vocalists Jeanette Jurado, Ann Curless, and Gioia Bruno, the group achieved much of their success between 1984 and 1993, becoming the first group to have four top ten hits on the Billboard Hot 100 chart from its debut album, including the 1988 #1 hit "Seasons Change". In March 2015, Billboard magazine named the group the eighth most-successful girl group of all-time. The group was popular in dance clubs, mainstream Top 40 and adult contemporary charts in the United States.

In March 1987, the new lineup of Expose released its debut album Exposure on Arista Records, led by the pop/dance hit "Come Go with Me" which reached #5 on the US Billboard Hot 100 chart. During the summer of 1987, a re-recorded version of "Point of No Return" was released, with Jurado now performing lead vocals, and it too topped out at #5 on the US Hot 100. While the initial distribution of Exposure to suppliers contained the original 1984 version of that song, subsequent pressings contained the new version. "Let Me Be the One", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7 on the US Hot 100 and also garnering significant R&B radio airplay. The group's highest charting hit occurred in February 1988 with the #1 US hit ballad "Seasons Change". Along with that came a Soul Train Award nomination for Best New Artist; television appearances on American Bandstand, Solid Gold, Showtime at the Apollo, and The Late Show Starring Joan Rivers; and the group was tapped to be the opening act for Lisa Lisa and Cult Jam during its national tour.  Expose also performed backing vocals on Kashif's 1987 Arista/BMG Records album Love Changes, on the song "Who's Getting Serious?".  During Expose's peak, the group endured legal issues behind the scenes. The members had a restrictive contract and there were reports in the media of backstage battles. According to Bruno, they were only paid $200 per show. Reportedly, the record label had to intervene to try to keep the peace between the members and their producers. Despite this intervention, the members filed a lawsuit and ultimately settled their legal case for a renegotiated contract. CANNOTANSWER

Answer the following question by taking a quote from the article: How did it do on the charts?

led by the pop/dance hit "Come Go with Me" which reached #5 on the US Billboard Hot 100 chart.
Nelson was born March 20, 1906 in Jersey City, New Jersey. He was the second son of Ethel Irene (nee Orr) and George Waldemar Nelson. His paternal grandparents were Swedish and his mother was of English descent. Nelson was raised in Ridgefield Park where he was active in Scouting, earning the rank of Eagle Scout at age 13.

Nelson started his entertainment career as a band leader. He formed and led the Ozzie Nelson Band, and had some initial limited success. He made his own "big break" in 1930. The New York Daily Mirror ran a poll of its readers to determine their favorite band. He knew that news vendors got credit from the newspaper for unsold copies by returning the front page and discarding the rest of the issue. Gathering hundreds of discarded newspapers, the band filled out ballots in their favor. They edged out Paul Whiteman and were pronounced the winners.  From 1930 through the 1940s, Nelson's band recorded prolifically--first on Brunswick (1930-1933), then Vocalion (1933-1934), then back to Brunswick (1934-1936), Bluebird (1937-1941), Victor (1941) and finally back to Bluebird (1941-through the 1940s). Nelson's records were consistently popular and in 1934 Nelson enjoyed success with his hit song, "Over Somebody Else's Shoulder" which he introduced. Nelson was their primary vocalist and (from August 1932) featured in duets with his other star vocalist, Harriet Hilliard. Nelson's calm, easy vocal style was popular on records and radio and quite similar to son Rick's voice, and Harriet's perky vocals added to the band's popularity.  In 1935, Ozzie Nelson and His Orchestra had a number one hit with "And Then Some", which was number one for one week on the U.S. pop singles chart. Ozzie Nelson composed several songs, including "Wave the Stick Blues", "Subway", "Jersey Jive", "Swingin' on the Golden Gate", and "Central Avenue Shuffle".  In October 1935 he married the band's vocalist Hilliard. The couple had two children. David (1936-2011), became an actor and director. Eric ("Ricky") (1940-1985), became an actor and singer. CANNOTANSWER

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Migration Period art denotes the artwork of the Germanic peoples during the Migration period (ca. 300-900). It includes the Migration art of the Germanic tribes on the continent, as well the start of the Insular art or Hiberno-Saxon art of the Anglo-Saxon and Celtic fusion in the British Isles. It covers many different styles of art including the polychrome style and the animal style.

The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period.  Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.  Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.  After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art. CANNOTANSWER

Migration Period art
Background: Born in Dallas, Texas, into a family of Mexican ancestry, Trevino was raised by his mother, Juanita Trevino, and his grandfather, Joe Trevino, a gravedigger. Trevino never knew his father, Joseph Trevino, who left when his son was small. Trevino's childhood consisted of attending school occasionally and working to earn money for the family. At age 5, he started working in the cotton fields.
Context: Throughout his career, Trevino was seen as approachable and humorous, and was frequently quoted by the press. Late in his career, he remarked, "I played the tour in 1967 and told jokes and nobody laughed. Then I won the Open the next year, told the same jokes, and everybody laughed like hell."  At the beginning of Trevino's 1971 U.S. Open playoff against Jack Nicklaus, he threw a rubber snake that his daughter had put in his bag as a joke, at Nicklaus, who later admitted that he asked Trevino to throw it to him so he could see it. Trevino grabbed the rubbery object and playfully tossed it at Nicklaus, getting a scream from a nearby woman and a hearty laugh from Nicklaus. Trevino shot a 68 to defeat Nicklaus by three strokes.  During one tournament, Tony Jacklin, paired with Trevino, said: "Lee, I don't want to talk today." Trevino retorted: "I don't want you to talk. I just want you to listen."  After he was struck by lightning at the 1975 Western Open, Trevino was asked by a reporter what he would do if he were out on the course and it began to storm again. Trevino answered he would take out his 1 iron and point it to the sky, "because not even God can hit the 1-iron." Trevino said later in an interview with David Feherty that he must have tempted God the week before by staying outside during a lightning delay to entertain the crowds, saying "I deserved to get hit...God can hit a 1-iron."  Trevino said: "I've been hit by lightning and been in the Marine Corps for four years. I've traveled the world and been about everywhere you can imagine. There's not anything I'm scared of except my wife." CANNOTANSWER
Question: Did people find this funny?. Whats the answer?

Trevino grabbed the rubbery object and playfully tossed it at Nicklaus, getting a scream from a nearby woman and a hearty laugh from Nicklaus.
Ayaan was born in 1969 in Mogadishu, Somalia. Her father, Hirsi Magan Isse, was a prominent member of the Somali Salvation Democratic Front and a leading figure in the Somalian Revolution. Shortly after she was born, her father was imprisoned due to his opposition to the Siad Barre government. Hirsi Ali's father had studied abroad and was opposed to female genital mutilation, but while he was imprisoned, Hirsi Ali's grandmother had a man perform the procedure on her, when Hirsi Ali was five years old. According to Hirsi Ali, she was fortunate that her grandmother could not find a woman to do the procedure, as the mutilation was "much milder" when performed by men.  After her father escaped from prison, he and the family left Somalia in 1977, going to Saudi Arabia and then to Ethiopia, before settling in Nairobi, Kenya by 1980. There he established a comfortable upper-class life for them. Hirsi Ali attended the English-language Muslim Girls' Secondary School. By the time she reached her teens, Saudi Arabia was funding religious education in numerous countries and its religious views were becoming influential among many Muslims. A charismatic religious teacher, trained under this aegis, joined Hirsi Ali's school. She inspired the teenaged Ayaan, as well as some fellow students, to adopt the more rigorous Saudi Arabian interpretations of Islam, as opposed to the more relaxed versions then current in Somalia and Kenya. Hirsi Ali said later that she had long been impressed by the Qur'an and had lived "by the Book, for the Book" throughout her childhood.  She sympathised with the views of the Islamist Muslim Brotherhood, and wore a hijab with her school uniform. This was unusual at the time but has become more common among some young Muslim women. At the time, she agreed with the fatwa proclaimed against British Indian writer Salman Rushdie in reaction to the portrayal of the Islamic prophet Muhammad in his novel The Satanic Verses. After completing secondary school, Hirsi Ali attended a secretarial course at Valley Secretarial College in Nairobi for one year. As she was growing up, she also read English-language adventure stories, such as the Nancy Drew series, with modern heroine archetypes who pushed the limits of society. Also, remembering her grandmother refusing soldiers entry into her house, Hirsi Ali associated with Somalia "the picture of strong women: the one who smuggles in the food, and the one who stands there with a knife against the army and says, 'You cannot come into the house.' And I became like that. And my parents and my grandmother don't appreciate that now - because of what I've said about the Qur'an. I have become them, just in a different way." CANNOTANSWER

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a prominent member of the Somali Salvation Democratic Front and a leading figure in the Somalian Revolution.
Background: Isaac Hayes, Jr. was born in Covington, Tennessee, in Tipton County. He was the second child of Eula (nee Wade) and Isaac Hayes, Sr. After his mother died young and his father abandoned his family, Isaac, Jr., was raised by his maternal grandparents, Mr. and Mrs. Willie Wade, Sr. The child of a sharecropper family, he grew up working on farms in Shelby County, Tennessee, and in Tipton County.
Context: In 1995, Hayes appeared as a Las Vegas minister impersonating himself in the comedy series The Fresh Prince of Bel-Air. He launched a comeback on the Virgin label in May 1995 with Branded, an album of new material that earned impressive sales figures as well as positive reviews from critics who proclaimed it a return to form. A companion album released around the same time, Raw and Refined, featured a collection of previously unreleased instrumentals, both old and new. Hayes worked on the theme for the 1996 theatrical release 'Beavis and Butt-Head Do America', producing a piece which was essentially a hybrid of 'The Theme From Shaft' and the theme from the original 'Beavis and Butt-Head' TV show.  Soon after, Hayes joined the founding cast of Comedy Central's animated TV series, South Park. Hayes provided the voice for the character of "Chef", the amorous elementary-school lunchroom cook, from the show's debut on August 13, 1997 (one week shy of his 55th birthday), through the end of its ninth season in 2006. The role of Chef drew on Hayes's talents both as an actor and as a singer, thanks to the character's penchant for making conversational points in the form of crudely suggestive soul songs. An album of songs from the series appeared in 1998 with the title Chef Aid: The South Park Album reflecting Chef's popularity with the show's fans, and the Chef song "Chocolate Salty Balls" became a number-one U.K. hit. However, when the South Park movie South Park: Bigger, Longer & Uncut was released the following year, Chef was the only major character who did not perform a showcase song in the film; his lone musical contribution was "Good Love," a track on the soundtrack album which originally appeared on Black Moses in 1971 and is not heard in the movie  In 2000, he appeared on the soundtrack of the French movie The Magnet on the song "Is It Really Home" written and composed by rapper Akhenaton (IAM) and composer Bruno Coulais. In 2002, Hayes was inducted into the Rock and Roll Hall of Fame. After he played a set at the Glastonbury Festival, the same year a documentary highlighting Isaac's career and his impact on many of the Memphis artists in the 1960s onwards was produced, "Only The Strong Survive". In 2004, Hayes appeared in a recurring minor role as the Jaffa Tolok on the television series Stargate SG-1. The following year, he appeared in the critically acclaimed independent film Hustle & Flow. He also had a brief recurring role in UPN/The CW's Girlfriends as Eugene Childs (father of Toni). CANNOTANSWER
Question: Was he on any other shows?

Answer:

Soon after, Hayes joined the founding cast of Comedy Central's animated TV series, South Park.
Fred McFeely Rogers (March 20, 1928 - February 27, 2003) was an American television personality, musician, puppeteer, writer, producer, and Presbyterian minister. Rogers was famous for creating, hosting and composing the theme music for the educational preschool television series Mister Rogers' Neighborhood (1968-2001), which featured his kind-hearted grandfatherly personality, and direct connection to his audiences. Originally trained and ordained as a minister, Rogers was displeased with the way television addressed children at the time, and made an effort to change this when he began to write for and perform on local Pittsburgh-area shows dedicated to youth. Rogers developed his own show on WQED in 1968, and it was distributed nationwide by Eastern Educational Television Network.

Rogers was born in Latrobe, Pennsylvania, 40 miles (65 km) southeast of Pittsburgh, to James and Nancy Rogers; he had one sister, Elaine. Early in life, he spent much of his free time with his maternal grandfather, Fred McFeely, who had an interest in music. He would often sing along as his mother would play the piano, and he himself began playing at five. He obtained a pilot's license while still in high school.  Rogers graduated from Latrobe High School (1946). He studied at Dartmouth College (1946-48), then transferred to Rollins College in Winter Park, Florida, where he earned a B.A. in Music Composition in 1951. Rogers was also a trained general aviation pilot.  At Rollins, he met Sara Joanne Byrd (born c. 1928), an Oakland, Florida, native; they married on June 9, 1952. They had two sons, James (b. 1959) and John (b. 1961). In 1963, Rogers graduated from Pittsburgh Theological Seminary and was ordained a minister in the United Presbyterian Church in the U.S.A.  Rogers had an apartment in New York City and a summer home on Nantucket island in Massachusetts. Rogers was red-green color blind, swam every morning, and neither smoked nor drank. He was a vegetarian on ethical grounds, stating "I don't want to eat anything that has a mother." Despite recurring rumors, he never served in the military.  His office at WQED Pittsburgh famously did not have a desk, only a sofa and armchairs, because Rogers thought a desk was "too much of a barrier". CANNOTANSWERAnswer this question using a quote from the following article:

Where did he go to high school?

Rogers graduated from Latrobe High School (1946).
Pete Maravich was born to Petar "Press" Maravich (1915-1987) and Helen Gravor Maravich (1925-1974) in Aliquippa, a steel town in Beaver County in western Pennsylvania, near Pittsburgh. Maravich amazed his family and friends with his basketball abilities from an early age. He enjoyed a close but demanding father-son relationship that motivated him toward achievement and fame in the sport. Maravich's father was the son of Serbian immigrants and a former professional player-turned-coach.

Maravich was survived by his wife Jackie and his two sons Jaeson, who was 8 years old, and Josh, aged 5. Only the previous year, Maravich had taken Jaeson to the 1987 NBA All-Star Game in Seattle, Washington, and introduced him to Michael Jordan.  Since Maravich's children were very young when he died, Jackie Maravich initially shielded them from unwanted media attention, not even allowing Jaeson and Josh to attend their father's funeral. However, a proclivity to basketball seemed to be an inherited trait. During a 2003 interview, Jaeson told USA Today that, when he was still only a toddler, "My dad passed me a (Nerf) basketball, and I've been hooked ever since... . My dad said I shot and missed, and I got mad and I kept shooting. He said his dad told him he did the same thing."  Despite some setbacks coping with their father's death and without the benefit that his tutelage might have provided, both sons eventually were inspired to play high school and collegiate basketball--Josh at his father's alma mater, LSU.  On June 27, 2014, Governor Bobby Jindal proposed that LSU erect a statue of Maravich outside the Assembly Center which already bears the basketball star's name. Former coach Dale Brown opposes such a monument, but Maravich's widow, Jackie McLachlan, said that she had been promised a statue after the passing of her husband. McLachlan said that she has noticed how fans struggle to get the Maravich name on the Assembly Center into a camera frame.  In February 2016, the LSU Athletic Hall of Fame Committee unanimously approved a proposal that a statue honoring Maravich be installed on the campus. CANNOTANSWERAnswer this question using a quote from the following article:

who is pete maravich

CANNOTANSWER
Sanders was born on September 8, 1941, in Brooklyn, New York City. His father, Elias Ben Yehuda Sanders, was born on September 14, 1904, in Slopnice, Poland (then the Austro-Hungarian province of Galicia), to a Jewish family; in 1921, the 17-year-old Elias immigrated to the United States, where he became a paint salesman. His mother, Dorothy "Dora" Sanders (nee Glassberg), was born in New York City on October 2, 1912, to Jewish immigrant parents from Poland and Russia. Sanders became interested in politics at an early age: "A guy named Adolf Hitler won an election in 1932.

Sanders was a consistent critic of the Patriot Act. As a member of Congress, he voted against the original Patriot Act legislation. After its 357-to-66 passage in the House, Sanders sponsored and voted for several subsequent amendments and acts attempting to curtail its effects, and voted against each re-authorization. In June 2005, Sanders proposed an amendment to limit Patriot Act provisions that allow the government to obtain individuals' library and book-buying records. The amendment passed the House by a bipartisan majority, but was removed on November 4 of that year in House-Senate negotiations and never became law.  In March 2006, after a series of resolutions passed in various Vermont towns calling for him to bring articles of impeachment against George W. Bush, Sanders stated that it would be "impractical to talk about impeachment" with Republicans in control of the House and Senate. Still, Sanders made no secret of his opposition to the Bush Administration, which he regularly criticized for its cuts to social programs.  Sanders was a vocal critic of Federal Reserve Chair Alan Greenspan; in June 2003, during a question-and-answer discussion with the then-Chairman, Sanders told Greenspan that he was concerned that Greenspan was "way out of touch" and "that you see your major function in your position as the need to represent the wealthy and large corporations". In October 2008, after Sanders had been elected to the Senate, Greenspan admitted to Congress that his economic ideology regarding risky mortgage loans was flawed. In 1998, Sanders voted and advocated against rolling back the Glass-Steagall Legislation provisions that kept investment banks and commercial banks separate entities. CANNOTANSWER

Using a quote from the above article, answer the following question: what did he accomplish?

he voted against the original Patriot Act legislation.