cindermond/bento huggingface dataset:
1. Both an admirable reconstruction of terrible events, and a fitting memorial to the dead of that day, and of the thousands thereafter.
2. Easily stands alongside such throat-clutching classics of cinematic political action as Z and The Battle of Algiers.
3. The moral shrapnel and mental shellshock will linger long after this film has ended.
4. Bloody Sunday has been rightly compared to movies like Costa-Gavras' Z ... Like them, it doesn't dramatize or reenact history so much as throw us back into it and make us feel it in our bones.
5. Greengrass gives the film a brawling, bruising intimacy that makes the graphic finale hard to watch.
6. Rarely do gunshots elicit such shock. Rarely does violence feel so horrific.
7. It's an extraordinary adrenaline-pumping immersion into historical events, and goes along way to explain the bitterness that has resounded from that day.
8. The film ranks right up there with The Battle of Algiers and Culloden in the convincing pseudodocumentary department.
9. Would that Greengrass had gone a tad less for grit and a lot more for intelligibility.
10. A compelling, gut-clutching piece of advocacy cinema that carries you along in a torrent of emotion as it explores the awful complications of one terrifying day.
Based on these individual reviews, what is the critic consensus?

Bloody Sunday powerfully recreates the events of that day with startling immediacy.
1. With the hundreds of gags hurled at you, you'll laugh at more or less of them depending on which side of the bed you woke up on. Rat Race tumbled out of the wrong side for me.
2. I have stared into the abyss of late-summer comedy, and it is called Rat Race.
3. If you like your comedy dumb and exhausting, this flick's for you.
4. Remember the montage in Naked Gun when Leslie Nielsen and Priscilla Presley leave Platoon clutching their guts laughing? That was us, except it was Rat Race!
5. Feels all too much like a tiring run.
6. An overheated, underdone farce.
7. If 'shrill & obnoxious' equalled 'funny', then we'd have something.
8. Very watered down light fluff.
9. One of the most obnoxious and unfunny comedies I have ever seen. Dig out the rat poison.
10. It's not 'It's a Mad Mad Mad Mad World,' but it's mad enough.

Write a one sentence summary of the reviews above.

Rat Race moves from one sight gag to another, but only a handful of them are genuinely funny.
The critic consesnsus is: A gratuitous remake of the 1974 slasher, Black Christmas pumps out the gore and blood with zero creativity, humor, or visual flair.. What reviews supported this critic consensus?

1. Glen Morgan's update of Bob Clark's 1974 slasher flick Black Christmas is an exemplar of how to screw up a modern horror film remake.
2. full review in Greek
3. Shockingly awful in every way imaginable...
4. this reimagining showcases with encyclopaedic relish just about every slasher convention and variation that has evolved over the last thirty or so years since the original Black Christmas screened.
5. It's hard to get worked up over the fate of characters whose identities remain largely a matter of conjecture.
6. The fans will dig the brief-yet-nasty FX work, but they'll have to slog through a pretty tiresome movie just to get their hands on those nuggets.
7. All setup and no payoff makes this a dull film.
8. A colossal mess, which is not at all as dispiriting as those remakes of classic horror which are just empty, shallow exercises in genre mechanics.
9. Black Christmas works best as a campy deconstruction of the genre than it does as a horror film.
10. Neither horror, nor comedy. It's barely even a movie...
Write a one sentence review of the movie "constantine".

Despite solid production values and an intriguing premise, Constantine lacks the focus of another spiritual shoot-em-up, The Matrix.
1. After empowering its heroine, it demeans her, which kills all the fun
2. By the end, even the beautiful Elisha Cuthbert starts to look repulsive.
3. The best thing about The Girl Next Door is its attitude. The film opts for a straightforward approach to sex - one that teenagers will not only relish, but also appreciate.
4. If The Girl Next Door had been released last year, it could have billed itself as the 20th anniversary edition of Risky Business.
5. Greenfield... is downright brazen in pinching the plot of Risky Business and dumbing down a sophisticated adolescent fantasy into a crude adolescent fantasy.
6. Risky Business doesn't need a remake, and even if it did, The Girl Next Door is an unoriginal attempt, despite its modern-day spin.
7. A much smarter and more engaging film than its smutty premise would suggest.
8. One of the tawdriest silly jokers of the year, or one of the few mainstream comedies to have a pinch of audacity. In fact it is both, mixed implausibly but somewhat entertainingly.
9. It's got enough cute love to keep the attention of teenage girls everywhere... but "The Girl Next Door" is too farfetched and contrived to be memorable.
10. This is a dishonest, quease-inducing 'comedy' that had me feeling uneasy and then unclean.

What is a brief summary of the following reviews?

The movie borrows heavily from Risky Business, though Hirsch and Cuthbert are appealing leads.
1. In a year when the franchise watchword is 'dark', this delivers the full noir with a side order of dementia.
2. Should we comment on the horrendous Batmobile? You probably saw the trailer, so there is no need.
3. There's a great actor around every corner in this film.
4. The muscular grit of the action sequences is leavened with nicely judged sarky banter.
5. A fully formed Batman, fleshed out in a glossy veneer.
6. Dismissing this as merely escapist entertainment would ignore the myriad adult themes that bulk up the picture, issues ranging from the duality of man to the politics of fear.
7. The Dark Knight is redeemed in Batman Begins. This is the best Batman movie of all.
8. Calling [it] the best comic-book movie ever isn't enough. It's more ... a dark and resonant drama of one man's tortured path from guilt-ridden victim to conquering avenger.
9. Nolan takes the Comic Book Film and Crafts a Zinger of an Art-House Film.
10. A confidently original, engrossing interpretation, with a seriously thought-through (but never self-serious) aesthetic point of view that announces, from the get-go, someone who knows what he's doing is running the show.
What is the consensus?

Brooding and dark, but also exciting and smart, Batman Begins is a film that understands the essence of one of the definitive superheroes.
1. A winning combination of humor and crafty filmmaking that cleverly masks the social commentary going on beneath.
2. With complex lead characters, an endless supporting cast and focus on an inanimate object that draws out the weakness in men, the movie has more in common with the Lord of the Rings trilogies than anything from the camera of Ken Burns.
3. If Wranovics is somewhat too noncommittal in his presentation, he still shows a great eye for detail.
4. A twisty little documentary about the aftermath of Bonds' fat swing.
5. Even if you vaguely remember the outcome of this absurd episode, there are enough surprises and revelations to keep you on the edge of your seat.
6. Michael Wranovics' highly enertaining documentary Up for Grabs is a wry, Rashomon-like tale.
7. The longer the case drags on, the more you may begin to wish that, somehow, both sides lose.
8. Up for Grabs isn't just about a ball. It's about America.
9. Up For Grabs, a buoyant documentary by Michael Wranovics, touches three bases of contemporary life: greed, litigiousness and a fixation with fame, however fleeting, that rises to the level of dementia.
10. Michael Wranovics' well-meant documentary about the absurd legal battle over the ownership of the baseball Barry Bonds hit for his season-record 73rd home run, back in 2001, is instantly overshadowed by subsequent events.
Based on these individual reviews, what is the critic consensus?

You don't have to be a baseball fan to be entertained by the absurdities, obsessions, and greed on display in this documentary.
The critic consesnsus is: A tight blend of surprises and suspense keeps audiences spellbound.. What reviews supported this critic consensus?

1. Why, in the second half of Frequency, does the script allow its guts to overwhelm its spirit?
2. A rather choppy ride, fraught with sweet pleasures and trite perils, and vice versa.
3. Aggressively stupid.
4. Frequency is, quite easily, the most illogical film I've seen in ages.
5. Proves that having an inspired idea is only half the battle in making a good movie.
6. What do you get when you cross a serial-killer movie with a sappy father/son drama and give it a time-travel twist? An overblown Twilight Zone episode whose flood of treacly sentiment is partially concealed under the sci-fi trappings.
7. There are story concepts so far-fetched that no movie can recover, no matter how finely acted or sincerely made, and Frequency is a prime example.
8. Touches upon the profound human longing to escape the constraints of time, to see the wrongs and mistakes of the past somehow set right, redeemed.
9. A fairly wonderful movie about fathers and sons and the mystery of time.
10. a combination fantasy/tearjerker/thriller with several dizzying twists. It's the first screenplay of former film industry executive Noah Emmerich, and it all but overflows with imagination, suspense and big ideas.
The critic consesnsus is: This poetic and tender portrait of a Welsh village is a slow moving yet elegantly accomplished British documentary.. What reviews supported this critic consensus?

1. A poetic, profound and contemplative journey into a world of endings and beginnings.
2. Sleep furiously is a film whose lower-case title is in perfect keeping with the understated but tremulous mood it manages, with rare skill, to create and to maintain.
3. The film has richness and an unshowy compassion, its grammar and pace adjusting to the tempo of the countryside.
4. Images of wistful sadness - lone figures with plodding dogs on rain-lashed hillsides - are interlaced with humour and moments of skin-prickling beauty that leave the audience undone.
5. This is as fully formed and unique a debut movie as you could ever hope to see.
6. Even though it's sometimes picturesque and involving, it's also so achingly slow and indulgent that it will test even the most patient viewers.
7. Sleep Furiously may be the most beautifully elemental documentary film to have emerged in Britain in over a decade and I can't applaud it loudly enough.
8. Great claims have been made for it, which I cannot endorse, Koppel's stated intentions being infinitely more arresting than the completed film.
9. This film is best taken as a visual ode to an all-but-forgotten way of life.
10. A paean to the dignity of ritualized traditions that aims for poetic calmness, but more often smoothes its subjects into deliberately emblematic somnambulism.
1. Imaginative and twisted in equal measure, but ultimately only scratches the surface of a stupendous idea.
2. Rare Exports is a revelation...guaranteed to turn your candy coated X-mas dreams into equally delicious nightmares.
3. Like Bad Santa and Silent Night, Bloody Night, it's a Christmas movie that isn't for children. Quite whom it is for, I'm not totally sure.
4. For a while, it's a genuinely funny and unnerving experience, promising a lively payoff, but the ending is anti-climactic and the meaning of the title is only revealed in the laborious, jokey ending.
5. It's hard not to like a movie in which a little kid who's so skittish that he totes around a protective stuffed animal suddenly stares down the grown-ups, cocks a gun, and snarls, "It's either me or Santa. I suggest Santa."
6. "Santa's buried here" are not the words one expects to hear in a holiday-themed release, but, then, the dismembered reindeer and sacks full of kidnapped children were something of a surprise as well
7. Sometimes it's nice to break with tradition.
8. The maverick influences of Tim Burton and the Coen brothers can be detected easily throughout Rare Exports, but there is something utterly unique at work here that adventurous viewers are sure to appreciate.
9. Rare Exports promises to be delirious fun, and largely delivers.
10. Don't watch this film if you want a warm and sentimental movie to get you in the Christmas mood, but you might fancy it as an antidote to yuletide cheesiness.

Write a one sentence summary of the reviews above.

Rare Exports is an unexpectedly delightful crossbreed of deadpan comedy and Christmas horror.
Summarize the following movie reviews:

1. Joel and Ethan are bounteously gifted filmmakers, but sometimes you just want them to lay off the irony and climb down here with the groundlings.
2. Clooney and Zeta-Jones make for a glamorous couple, and there is enough chemistry between them that you might find yourself wondering if Michael Douglas has a Miles Massey prenup.
3. Nothing more than a decent quickie -- if you're into that kind of thing.
4. It is fun, but in such a clinical way that you could quantify the experience of watching it: eight big laughs, 20 chuckles and six draggy parts.
5. Further proof that the Coens can take any genre -- in this case, a star-driven screwball comedy -- and make it work without sacrificing their unique sensibility in the process.
6. Better in its setup than in its resolution, Intolerable Cruelty nonetheless provides laughs and a fine comic performance from George Clooney.
7. A hilarious comedy that offers a clever look at the follies and grief that come to all those who try to milk the institution of marriage for all they can get out of it.
8. The Coens bring out the goofy best in Clooney; he's a matinee idol with a silly red nose and clown shoes whenever working with the brothers.
9. Even a lesser Coen brothers film is still better than most "good" movies, and Cruelty is well worth the price of admission.
10. Clooney and Zeta Jones have impeccable comic timing, frst-rate acting talent and movie star magic, which keeps their characters both real and sizzlingly sexy.

Though more mainstream than other Coen films, there are still funny oddball touches, and Clooney and Zeta-Jones sizzle like old-time movie stars.
Write a one sentence review of the movie "theres something about mary".

There's Something About Mary proves that unrelentingly, unabashedly peurile humor doesn't necessarily come at the expense of a film's heart.
Summarize the following movie reviews:

1. The emotions are raw and will strike a nerve with anyone who's ever had family trauma.
2. A gripping drama.
3. Daughter From Danang sticks with its subjects a little longer and tells a deeper story
4. "What really happened?" is a question for philosophers, not filmmakers; all the filmmakers need to do is engage an audience.
5. A sobering and powerful documentary about the most severe kind of personal loss: rejection by one's mother.
6. Certainly a boon for Jay-Z fans.
7. The film doesn't manage to achieve for hip-hop what the great rock concert films of the past have done for their musical genre.
8. Whether a legend was born (or retired) that night at the Garden remains to be seen, but even on film, it was one killer show.
9. Smartly directed by Pat Paulson and Michael John Warren and nicely lensed, the material sufficiently establishes the rarefied air Jay-Z occupies.
10. You thought there was Red State America and Blue State America? Welcome to Jay-Z America. It's not your father's crossover rap show.

An emotionally wrenching portrayal of a family reunion that doesn't turn out as expected.
Summarize the following movie reviews:

1. While this film will indeed insult almost everyone, it's also genuinely hilarious.
2. There are a lot of blue state folks who are offended by Cohen's portrayal of Kazakhstan as a backwards country of idiots. Hopefully, Cohen will find a way to make fun of these fun-hating cretins in his next picture
3. You will certainly laugh a whole lot, but will you still respect yourself in the morning? Maybe. Maybe not. For me, it proved to be a risk well worth taking.
4. Don't count out Borat to be above more straightforward practicality or participating in the most intestinal-dropping, gut-smashing bit of cough-inducing hilarity of male bonding ever committed to celluloid.
5. What makes Borat a riot isn't its socio-analytical acuteness, but rather Cohen's gift for establishing circumstances at once squirm-inducing uncomfortable, slapstick-stupid, and insanely inappropriate.
6. Nothing's safe from Cohen's sophisticated satire, disguised as backwater idiocy.
7. The jokes hit hard and almost too often making your own laughter serve as earplugs for half of the film.
8. [Baron] Cohen melds the pranking of "Jackass," the punking of "Punk'd," the satire of Matt Stone and Trey Parker, and the inventiveness of Mel Brooks to create an original brand of comedy that stands alone as a defiant manifesto for compulsive laughs.
9. Evil comedy, a new genre, has arrived. The bar has been raised and is flying over everyone's head. A fearless comedy.
10. Sacha Baron Cohen is a genius, and his new film is a comedic masterpiece.

Jagshemash! Borat gets high-fives almost all-around for being offensive in the funniest possible way. Part satire, part shockumentary, Borat stars Sacha Baron Cohen as the gleefully sexist, homophobic, and anti-Semitic title character on a cross-country trek to learn more about our strange nation; along the way he dredges up the seamy underbelly of American prejudice and ignorance. Now the cat is out of the bag, what will Cohen do for an encore?
The critic consesnsus is: With the requisite combination of humor, sorrow and outstanding visuals, The Darjeeling Limited will satisfy Wes Anderson fans.. What reviews supported this critic consensus?

1. [Anderson's] movies, even if you think the stories are slight, are full of the joy of seeing. I could watch them with the sound off and still be completely happy.
2. Like a once in a lifetime trip that only grows grander with the passage of time, The Darjeeling Limited is idiosyncratic filmmaking at its finest.
3. May not deliver on the emotional context of Tenenbaums but is more than funny enough to forgive it's heavy-handed dramatic metaphors.
4. In the Anderson oeuvre, it feels minor: although it hits its goals, it doesn't necessarily aim big this time.
5. Although The Darjeeling Limited pales in comparison to Anderson's best film, Rushmore, it's still a vast improvement over the director's last and worst film, The Life Aquatic with Steve Zissou.
6. The usual pleasures of Anderson's work are all present in The Darjeeling Limited, which creates a gorgeous palette out of local color.
7. Amid all this self-conscious cleverness, the one sequence built around primal emotions feels hideously out of place, its gravity diminished by the self-consciously kooky antics that surround it.
8. Unstintingly fussy, vain and self-regarding. But it is also a treasure: an odd, flawed, but nonetheless beautifully handmade object as apt to win affection as to provoke annoyance. You might say that it has sentimental value.
9. If Anderson's films really are an acquired taste, then Darjeeling is cooked to perfection.
10. The jewel in Wes Anderson's crown!
Write an ordered list of reviews about "a team".

1. Nothing more than a bunch of money thrown onto the screen, sometimes enlivened by inspired performances but more often content to just sit there, loud and self-satisfied
2. The shootouts, explosions, fights and corrupt government and military officials all ultimately blend together into a forgettable heap of excess. (Parental Review also Available)
3. Where The A-Team falters so resoundingly is in its belief that spectacle equals suspense.
4. The diabolical sadist of the team was director Joe Carnahan.
5. Much like Michael Bay, Joe Carnahan directs with a full erection, which is put to good use guiding The A-Team to a series of manly highs and lows.
6. The A-Team is a gigantic pile of ear-deafening nonsense, but it is brisk and goofy and well shot by Carnahan (Smokin' Aces) and a lot livelier than Robin Hood or Iron Man 2.
7. Like the Sex and the City sequel, it is an example of the cinema of excess, except that this time we're talking boys' toys, and instead of offering the joys of conspicuous consumption, the spectacle is one of wholesale destruction.
8. A bombastically mindless and rather fun rebooting of the 1980s TV show of the same name.
9. It's too bad that after all these years of revisions and revamps they never really got it. This plan might come together to please the execs at Fox, but Hannibal would be ashamed.
10. No doubt it takes as much know-how to pull off this kind of action movie as it does to craft an intimate drama about an extramarital affair. But it's an achievement that has little to do with art.
Here are some reviews for a movie: 1. The few original ideas tend to get bogged down in a plot that's slow, convoluted and even more schizophrenic than Mr. Brooks himself.
2. Overdesigned characters and situations stretch plausibility at every turn.
3. [Mr. Brooks] piles subplot upon subplot, making what should have been a taut, disturbing thriller feel bloated and aimless.
4. The alter-ego gimmick works nicely thanks to terrific Costner-Hurt teamwork in this gripping, complex thriller.
5. Bloody disappointing.
6. If our movies are any guide, we're a nation of latent serial killers.
7. Though it's not as smooth as it might have been and by the close has gotten too clever by half, this trashy thriller delivers the goods more often than not.
8. Exquisitely constructed, Mr. Brooks is a gorgeous and compelling thriller about a very sympathetic serial killer. ... The story unfolds with the delicious pacing of a carefully prepared feast.
9. Costner's best performance ever! An intelligent, terrific thriller with twists and kinky characters. Costner and Hurt are a sensational team.
10. Certainly more genuinely creepy than many recent thrillers, and the supporting cast is effective.

What was the overall consensus about the movie?

The setup is intriguing, but Mr. Brooks overstuffs itself with twists and subplots, becoming more preposterous as it goes along.
Write a one sentence review of the movie "the lord of the rings the return of the king".

Visually breathtaking and emotionally powerful, The Lord of the Rings - The Return of the King is a moving and satisfying conclusion to a great trilogy.
Here are some reviews for a movie: 1. Another symphony of exquisitely choreographed carnage.
2. Is it radical or offensive? I really don't know. It certainly got my attention.
3. The finale is an extended tour de force equal parts Bruce Lee, Tony Jaa, and Donkey Kong.
4. Chocolate gives us the first autistic action hero.
5. Enjoyable thriller.
6. The heart of the film may be its action sequences but, even outside the battle arena, 'Chocolate' is a nicely characterised and consistently likeable piece of work.
7. It boils down to this: Thai girl fighting. Is that enough of a movie for you?
8. Chocolate is risibly sentimental even for a genre not known for its emotional sophistication.
9. ... the fights are terrific, tightly choreographed with a good sense of ensemble movement and shot in long takes that preserve the fluidity of the action...
10. The world may not have needed a Thai-language martial-arts hybrid of Kill Bill and Rain Man, but by God, it's got one now.

What was the overall consensus about the movie?

Chocolate is a bizarre martial arts flick, with a slushy plot, an unusual protagonist, and breathtaking stunts.
Which movie is the following review about?

Assisted by passionless central performances and dull dialogue, Mungiu succeeds only in exhausting our patience, not in conveying a message.

beyond the hills 2012
Write an ordered list of reviews about "the pool".

1. It's a subtle, truthful, moving story of class, ambition, friendship and romantic yearning, extremely well acted by a largely non-professional cast.
2. Though plot-wise nothing much happens, Smith elicits strong sense of place and teases out the film's themes ...
3. Shot with a level of realism we rarely seen in Indian cinema, this film combines sharply engaging characters with an involving story that really gets under the skin. A
4. [A] wholly unobjectionable, likeably performed but faintly soporific drama ...
5. It tells you a lot about South India, its essentially rural culture and the stifling poverty of its underclass.
6. Told with real warmth and charm, this is a confidently handled tale boosted by natural, engaging performances from Venkatesh and Jahangir Badshah as his young friend.
7. Hopefully Smith will make more movies in this laid-back, poetic style.
8. Smith's film is natural and unforced, with a winning fluency and calm observational style.
9. A fascinating narrative set in modern-day Indian and full of insights into a class-riven country.
10. Here are filigree detailing, pure-and-simple performances (especially from Venkatesh Chavan as the boy) and a subtly lambent moral tale ...
Here are some reviews for a movie: 1. Makes you long for the days when all Twohy wanted to do was make a decent scary movie.
2. One can only wish Dame Judi had been allowed to declaim at some point 'Alas, poor Riddick'...let's just hope there are no further chapters to these chronicles.
3. Twohy wants Riddick to become a great mythological figure of conflicting goodness and badness, but the character just doesn't have enough weight to sustain all that baggage.
4. Diesel gives a one-note performance that may be somewhat fitting of his dark and dreary character, but nonetheless grows tiresome rather quickly...
5. ...as a proletarian concept artist, David Twohy proves that he has both the imagination and the skill to build exciting worlds for his characters to interact in.
6. Some may call David Twohy's film pretentious; the target market for this boys' own adventure may not actually care. . . But for me, give me a good story any day.
7. In throwing out wit and intelligence for mindless action, Twohy ends up with a noisy, chaotic, over-serious mess.
8. A escala grandiosa dos cenários e das batalhas serve apenas para esconder a fragilidade do argumento.
9. Should have been called "The Chronicles of Arthritic." The movie is so lame, it needs a cane by the time it lumbers into its final act.
10. I really can't call any of the acting good or bad. It was what it was. Vin Deisel threw around some funny one-liners. Everyone else just kinda hung out.

What was the overall consensus about the movie?

As an action movie, Riddick offers some thrills, but as a sequel to Pitch Black, it's a disappointment.
Write a one sentence review of the movie "iraq in fragments".

A stylistically bold, humanist take on the difficulties of post-invasion Iraq.
Write an ordered list of reviews about "beautiful girls".

1. It doesn't always take you where you'd like it to go, but that's all right.
2. I watched this film three times in two days and dug it more each time.
3. Hutton, understated but not bland for a change, gives his best performance in years.
4. The movie is wry, touching and fun to sit through...
5. What's nicest about the film is the way it treasures the good feelings people can have for one another.
6. Portman, a budding knockout, is scene-stealingly good even in an overly showy role.
7. Watching these guys struggle with an idea is like watching a dog trying to get to that unattainable itchy spot. Funny, but pathetic too.
8. The truth is it's just not fun to watch people make excuses for themselves.
9. Rosie O'Donnell's best 10 minutes of her career.
10. The movie lacks the stature or consistency to be truly beautiful -- but you know, it is kind of cute.
Which movie is the following review about?

You could watch it with the sound off and the plot wouldn't make any less sense than it does with it on.

redline
Summarize the following movie reviews:

1. You know what garbage is, but until you see Funny Games, a bucket of swill by Austrian wacko Michael Haneke, you have no idea how bad it can smell.
2. Rests so heavily on tenterhooks of guilt that an apology is in order for admiring it.
3. A disturbing headscratcher likely to leave an audience feeling more abused than entertained.
4. This is cinematic gamesmanship that is simultaneously brutal, bizarre and elegant in its audacity. Director Haneke has artistically exploited cinematic structure to play with and engage the mind. It's a very funny game indeed.
5. It is by far the most disturbing movie I've ever seen. I don't smoke, but if I did I would have easily gone through a pack of cigarettes afterward.
6. Though fundamentally a nihilistic exercise, it's one with intellect and purpose behind it, and though chilly and remote, it's certainly unnerving.
7. Although Funny Games inspires a lot of conflicting emotions in viewers, isn't it always better to leave the theatre feeling something than nothing at all?
8. The fact that it features fine performances, talented direction and some moments of genuine suspense only makes the end product that much more grotesque and appalling.
9. Haneke's assault on our fantasy lives is shallow, unimaginative, and glacially unengaged -- a sucker punch without the redeeming passion of punk.
10. Performances are stellar.

Though made with great skill, Funny Games is nevertheless a sadistic exercise in chastising the audience.
Summarize the following movie reviews:

1. It's deja vu all over again.
2. The film meets the basic requirement of any good thriller: a memorably tense sequence or two.
3. An entertaining, comic slasher movie that offers solid answers to the questions that have been nagging fans since the original installment.
4. Genuinely scary and also highly amusing.
5. The funniest of the trilogy.
6. Scary, frightening, tense, episodic, comedic and amusing all along the way in all of the right places.
7. A clever, entertaining movie.
8. Craven hasn't lost his horror film touch.
9. Scream 3 has arrived, and to say it was well worth the wait would be an understatement.
10. [Wraps] up the trilogy in satisfying fashion.

According to critics, Scream 3 has become what it originally spoofed. Despite some surprising twists, the movie seems to have lost its freshness and originality by falling back on the old horror formulas and cliches.
Write a one sentence review of the movie "v for vendetta".

Visually stunning and thought-provoking, V For Vendetta's political pronouncements may rile some, but its story and impressive set pieces will nevertheless entertain.
Write a one sentence review of the movie "police academy 4 citizens on patrol".

Utterly, completely, thoroughly and astonishingly unfunny, Police Academy 4: Citizens on Patrol sends a once-innocuous franchise plummeting to agonizing new depths.
Here are some reviews for a movie: 1. Daniel Day-Lewis's magnificent, sanguine performance as oilman Daniel Plainview is just one of many reasons to catch P.T. Anderson's latest feature.
2. The moments that linger long after you've left the theater and forgotten how damned tedious the whole thing was are with Paul Dano's smug, moon-faced preacher
3. A masterful tale of the parallels and disconnections between primal bloodlust and a life of luxury. Both the movie and the man that sit at the center of that idea are a marvel to watch. Sumptuous and snarling all at once, it's a classic.
4. Is this an indictment of American progress, our pursuit of oil, of riches, or is it an indictment of the pursuit of spirituality led by spiritless men? Or D, all of the above?
5. It's as if you can feel the oil flowing under the ground, bubbling, seeking a weak patch of earth from which to spew. But, the climactic emotional equivalent never occurs.
6. brutal yet fascinating to watch
7. I hate the way the film forces us into its epic structure and purposefully fractured narrative as if the audience is a puppy having its little nose shoved in a puddle of its own making.
8. I'd rather see something this daring--even when it doesn't quite work--over a generic Hollywood blockbuster any day.
9. ... a strong movie, with extraordinary visual power and the unsettling ambiguity of genuine art.
10. Beautifully crafted and acted though There Will Be Blood is, Daniel Plainview remains an enigma. This and weak, reaching developments in the third act make the film a lesser epic.

What was the overall consensus about the movie?

Widely touted as a masterpiece, this sparse and sprawling epic about the underhanded "heroes" of capitalism boasts incredible performances by leads Daniel Day-Lewis and Paul Dano, and is director Paul Thomas Anderson's best work to date.
1. An insipid Christmas comedy.
2. Re-teaming with Wedding Crashers director David Dobkin, Vince Vaughn plays the eponymous character, Santa's crankier and considerably less charitable older brother, while doing all the riffing his PG straitjacket will allow.
3. If you must haul the kids to yet another annual (per)version of A Christmas Carol, you could do a lot worse than this cheeky, modestly edgy caper from Wedding Crashers director David Dobkin and screenwriter Dan Fogelman.
4. This movie takes a good thing and runs it deep into the ground, leaving behind a frothy trail of sentimentality.
5. Bah. Humbug.
6. Fred Claus wants to be both naughty and nice -- and still get some sort of present.
7. Fred Claus doesn't know if it wants to be naughty or nice.
8. Even though Vaughn knows how to build a pretty good performance out of little more than exasperated eye-rolling, he's just coasting here, and his scenes with Giamatti have no weight and no energy.
9. a fragile premise stuffed with hollow Christmas jokes
10. One wonders what made producer Joel Silver think this bizarre mix of incompatible genres would be a potential hit. Santa may have to skip his house for every winter holiday to come.
Based on these individual reviews, what is the critic consensus?

A slew of talent is wasted in this contrived and overly sentimental Christmas film, which can't quite get the balance between slapstick humor and sentimental family moments.
Write an ordered list of reviews about "i am divine".

1. There have been other docs about John Waters and his coterie, and a lot of this may be familiar ground to some, but Schwartz's comprehensive focus pays off and fresh information is imparted.
2. It made me fall in love with Divine all over again.
3. Although the story ends sadly (no one should die at age 42), the film itself is not sad, but is instead a celebration of a performer who made the most out of the talents he had.
4. Hard to beat for sheer enjoyment, as when Divine's mother remembers: 'I used to always say, Glenn, don't do anything to embarrass us' -- a sound bite accompanied by footage of Divine being raped by a giant lobster in 'Multiple Maniacs.'
5. A heartfelt, loving homage to its subject, a larger-than-life personality who proved that the traditional roads to fame weren't the only options for a shy, gay Baltimore boy who wanted to be famous.
6. Though it may boil down to your average procession-of-talking-heads template, it's still enlivened by the raucous words from the band of outsiders who supported and launched Divine into the limelight.
7. This documentary reminds us of Divine's audacious and unique impact on both film and American culture. It's also a great way to celebrate the talented actor who gave us Divine.
8. A striking tribute to the pioneering spirit, radical queerness and sheer divinity of Divine.
9. It's gratifying to see Divine praised for being outrageous ...
10. In Milstead's brief 42 years there were separations and reunions, stumbles, success and, finally, a real American family, in movies oddly ahead of their time.
Summarize the following movie reviews:

1. ... fans of Burton and/or his (last) Nightmare will find plenty to love...
2. I've seen it all before already, in Nightmare [Before Christmas]... It's enough to make you wonder how limited Burton's imagination might actually be...
3. Would be a **** short.
4. It is a potent reminder of how dazzling stop-motion animation can be.
5. From a technical standpoint, this is a masterpiece. From a story standpoint, it is a beautiful tale with true heart and meaning. Musically, it is flawed.
6. If you have a pulse, you'll love it.
7. Even though Burton has fun with the never-ending Halloween of his imagination, he takes the emotions and desires of his characters seriously.
8. The animation is pretty, but the film is D.O.A.
9. Tim Burton so believably brings his worlds to life, with such a dark, dreamy and dazzling imagination, that we all but take for granted that he has taken us on some of the most delightfully absurd adventures of modern cinema.
10. It's too late to call a script doctor. Give away Corpse Bride to the morgue.

As can be expected from a Tim Burton movie, Corpse Bride is whimsically macabre, visually imaginative, and emotionally bittersweet.
1. Daniels, in a scruffy beard and wearing the apologetic look of a divorced dad who hasn't visited his kid enough, hasn't been this good in a long time.
2. From bumbling infants to majestic adults, a flock hasn't been this charismatic onscreen since Hitchcock went bird-watching.
3. Cuteness galore, terrific aerial shots, and a healthy dose of environmental awareness.
4. It's a movie about dreamers that, for once, doesn't make you feel like a sap for buying into their dreams.
5. It's a genuine delight and a definite thumbs aloft for kids of about six upwards.
6. The predictability of all this might be more palatable if the characters were better developed or more appealing.
7. Beautifully directed by Carroll Ballard, the film is a celebration of the creative ways human beings and animals can serve, assist, and love one another.
8. The tender beauty of Carroll Ballard's ''Fly Away Home'' goes well beyond what might be expected from a movie about things that hatch.
9. Its aerial scenes are wondrous, beautiful as symphonies, and worth the price of admission alone. Count as a bonus the skilled, heartfelt performance from the teen-aged star and from Mr. Daniels as her resourceful dad.
10. A great adventure made all the more enjoyable because it is based on a true story.

Write a one sentence summary of the reviews above.

Well-acted and beautifully filmed, Fly Away Home offers heartwarming entertainment for moviegoers of all ages.
Summarize the following movie reviews:

1. You leave feeling like you've endured a long workout without your pulse ever racing.
2. Doesn't fully recapture the magic of the Connery films, but avoids the torpor which has afflicted most of the later ones...there's a pulse in the old boy yet.
3. Like most Bond outings in recent years, some of the stunts are so outlandish that they border on being cartoonlike. A heavy reliance on CGI technology is beginning to creep into the series.
4. I expect more from Bond, so thumbs down.
5. All in all, screenwriters: Neal Purvis and Robert Wade have managed to keep us from suspending disbelief and the film from self-destructing.
6. Half frivolous fun, half tedious.
7. A meandering, over-inflated, everything -but-the -kitchen-sink attempt to one-up and wear down.
8. The niftiest Bond movie in years -- fresh, funny, and jammed to the rafters with demented stunts, Boys'-Own gadgetry and brazen promiscuity.
9. After "Die Another Day" I'm not opposed to hearing the line "Bond, James Bond," again. After all of these years, even though he hasn't changed much, we can still rely on 007 to give us an adrenaline rush.
10. Die Another Day gives us the coolness, the action, and the sex appeal in satisfying doses, which is enough to make it a solid Bond entry, if not a spectacular one.

Its action may be bit too over-the-top for some, but Die Another Day is lavishly crafted and succeeds in evoking classic Bond themes from the franchise's earlier installments.
1. ...restores your faith in low budgets and dumb ideas. It reminds you both can be fun.
2. Nothing happens in this film that you don't expect to happen, and it's that lack of originality that causes the film to drag in spots. But it's still a perfectly fine, little film whose earnestness and cast chemistry ultimately won me over.
3. There's really no reason this film should have been made. None whatsoever. It's not original, nothing above and beyond anything else that's come out on the same subject over and over again at least three times a year for a generation. It's not better than
4. Here's the final mystery about Accepted: Why title a movie that so readily invites the headline Rejected as a critical riposte?
5. Think about it too much and the whole thing falls apart; sit back, relax, and don't analyze it and the movie is pretty darn entertaining.
6. Amiably banal and instantly forgettable, it gets a barely passing grade largely for just showing up.
7. Even though it outright plagiarizes many plot points and gags of that generational classic, Accepted can't make the leap from contrived to genuine comedy.
8. A shameless Animal House (1978) knockoff by way of Ferris Bueller's Day Off(1986), this college comedy aims low and misses often.
9. Go right ahead and skip this one at the Cineplex. You've got my word: It won't be on the final.
10. Dumb comedy about college students partying.
What is the consensus?

Like its characters who aren't able to meet their potential, Accepted's inconsistent and ridiculous plot gets annoying, despite a few laughs.
1. The relevance of the film's title only becomes clear at the film's ill-conceived end, in a dragged out sequence that totally overshadows the film's already flakey premise. The best thing that can be said of the film is that it is well intentioned
2. If it is to be remembered, it'll be for all the wrong reasons.
3. The modestly scaled film delivers some moving and affecting moments amid a preponderance of scenes of frequently annoying people behaving badly.
4. A strong romantic drama in which Robert Pattinson and Emilie de Ravin really shine.
5. There is much to be impressed with here.
6. Tween and teen girls will weep in the cheap seats, while adults will be narked by the ending, a shameful piggyback on a national tragedy, which will further the career of the heart-throb.
7. Remember Me provides some mild domestic spats and lots of picturesque male brooding, but it's a pallid and oddly exploitative affair.
8. It is the cinematic equivalent of a mournful track from a cool indie band until we get to that awkward finale.
9. Pattinson's young female fans are likely to find this film less unbearable than anyone else. But even they may find the big emotional climax, which exploits a major terrorist disaster, cheap and pretentious.
10. R-Patz shows he can act, standing toe to toe with the fine Chris Cooper and looking like James Dean in comparison to the annoying Tate Ellington, who plays Tyler's "comedy" flatmate.
Based on these individual reviews, what is the critic consensus?

Its leads are likeable, but Remember Me suffers from an overly maudlin script and a borderline offensive final twist.
1. Without bombast or pathos -- as gracefully as a tightrope walker -- Man on Wire brings back a time when the towers were still symbols of aspiration and possibility.
2. Cleverly assembled like a heist thriller, this film documents the 1974 wire-walking stunt between the twin towers of the World Trade Center. Not only does it have a remarkable resonance seven years after 9/11, but it's a cracking good story.
3. Marsh presents Petit as a kind of acrobatic Werner Herzog, talented, eccentric and perhaps slightly crazy.
4. James Marsh's film is brilliantly achieved and assembled.
5. Robert Zemeckis is developing a feature film based on Petit's life and high crimes. Good luck to all concerned, but I can't see how a fictionalized treatment could exceed the achievement of director James Marsh's documentary, which unfolds like a dream.
6. Outrageously entertaining and perfectly profound.
7. A fascinating time capsule: a combination of talking-head interviews, actual footage, and re-creations that evokes a kinder, gentler world and provides insight into one of the most audacious stunts of the 20th century.
8. ...a must see movie, period.
9. The astonishing tale, told like a well-paced heist movie, is illustrated by film footage and breathtaking photographs taken by the group.
10. Gripping stuff, for sure, but you may fall asleep waiting for that big walk, while the juicy stuff - a fall-out between Petit and his co-conspirators - is glossed over at the end.
Based on these individual reviews, what is the critic consensus?

James Marsh's doc about artist Phililppe Petit's artful caper brings you every ounce of suspense that can be wrung from a man on a (suspended) wire.
Here are some reviews for a movie: 1. If you've always wanted to hear inanimate objects argue with each other in the personas of Cranky Jewish Guy and Sassy Black Woman, this is a dream come true.
2. Never explains its stupid idea of a talking baseball and a talking bat...The filmmakers presume too much in assuming we'll accept the "magic" "realism"...
3. Means well, but it's as bland as a stale slice of dry white bread.
4. The indomitable spirit of Christopher Reeve shines through this little story.
5. I can't say Everyone's Hero strikes out -- it might distract little kids for a while -- but the directors needn't bother practicing their home run trots.
6. This Fox effort isn't in the same ballpark as Pixar. It's not even in the same league.
7. Everyone's Hero has good values, a decent story and a happy ending. It will probably play a lot better on video, but for the moment it's on the big screen.
8. Everyone's Hero re-creates Depression-era America with surprisingly agreeable anachronistic panache.
9. It's a charming story aimed at the youngsters in the audience, but it ends up being just as appealing to the adults. ... The animation is superb and imaginative.
10. Everyone's Hero is a labor of love. And that clearly comes through in this feel-good animated feature about a 10-year-old boy, Yankee Irving, who becomes an unlikely World Series hero for the 1932 New York Yankees.

What was the overall consensus about the movie?

Everyone's Hero is such a predictable and bland tale that it'll appeal mostly to little kids; others seeking something in Pixar's league are looking in the wrong ballpark.
Write an ordered list of reviews about "1016213-peter pan".

1. Peter Pan may be a boy who refuses to grow up, but his movie is really one of Disney's most adult "kids'" films.
2. If you can ignore some of the film's minor flaws, you should have a ripe old time at the movies.
3. Heartwarming story about boys, girls and growing up. Oh yeah, and there's cool pirates too.
4. I would argue that Peter Pan is a movie with great characters, but it is not itself a great movie.
5. Ornamented with some bright and lilting tunes, it is a lively feature-length Technicolor excursion into a world that glows with an exhilarating charm and a gentle joyousness.
6. Disney's depersonalizing habit of putting different teams in charge of different sections of the story really shows up here.
7. Definitely a Disney classic but misses out much of the darker side of J.M.Barrie's fantasy tale.
8. Classic Disney, if not authentic Barrie.
9. Not an especially mature film, probably the most "kiddie movie" of all the 1950s Disney features.
10. Stereotypes mar otherwise jaunty Disney adventure.
Summarize the following movie reviews:

1. Inspired, brilliant filmmaking and one of the most scathing satires to come along in some time.
2. Rude, but inspired.
3. Like listening to a profane rant by kids stricken with Tourette's syndrome.
4. It fails miserably.
5. It's savagely funny, it's true to the core essence of the show, and it expands on the show in ways that television, due to content restrictions and time limitations, simply couldn't allow. And the tunes rock.
6. Tous les fans se régaleront de ce film tout ŕ fait réussi.
7. South Park finds jokes where you cannot possibly expect them and leavens the grossness not with a brain-dead love story but a spirited, smart enough look at its own inspired prurience.
8. I found this film hysterically funny and quite thought-provoking.
9. It will offend a lot of people who need to be offended once in a while.
10. Vulgar and tasteless as usual, but most definitely longer and, quite obviously, to its detriment, uncut.

Its jokes are profoundly bold and rude but incredibly funny at the same time.