cindermond/bento huggingface dataset:
1. Naturally honest, painfully poignant but funny, too.
2. This film thinks it has more to say than it actually does. Ignoring its pretensions, however, it's a solid, quirky piece of work.
3. Baumbach's portraits of these unique characters, particularly the angry Walt and the opinion-dropping cheapskate Bernard, are etched in acid and bitingly funny.
4. Marital discord receives an innovative treatment in this impressive feature.
5. [Demonstrates], once again, that the thinnest line in the emotional realm can be the one between love and hate.
6. All of the performances are stellar, including Oscar-caliber performances from Daniels and Linney. But just like Kramer vs. Kramer, it's the little kid who steals the show.
7. A good movie held together in a web of repulsions; a great observation of human behavior
8. Don't look now, but Jeff Daniels' days as 'the other Jeff' may be coming to an end.
9. Not much subtlety here. While the film is billed as a comedy and a drama, this story of a childish father spoiling the lives of his family is not a laughing matter.
10. Hilarious, harrowing and heartbreaking, The Squid and the Whale is one of the best movies of the year.

Write a one sentence summary of the reviews above.

This is a piercingly honest, acidly witty look at divorce and its impact on a family.
Which movie is the following review about?

If you have kids, take them and have a ball.

the little mermaid 1989
Write a one sentence review of the movie "tims vermeer 2014".

Entertaining and profound in equal measure, Tim's Vermeer uses its seemingly esoteric subject to pose fascinating questions about art and obsession.
Which movie is the following review about?

The cast is irresistibly charming, down to the bit parts by Lili Taylor and Amy Brooks as Lloyd's best friends.

say anything
Write a one sentence review of the movie "roll bounce".

Roll Bounce dazzles us with a classic late 1970's feel, but this coming of age film could have been more than just a spin around the roller rink.
1. Once again, Godzilla delivers, cheese and all, in a stylistic B-movie with teeth.
2. Despite special effects far inferior to those used in the 1998 American version, [Toho Studio] is still the master of its original 1954 creation.
3. Contains more laugh-out-loud moments than The Replacements and Nutty Professor II: The Klumps combined.
4. Godzilla 2000 ... is dubbed into English in a manner that's occasionally too jokey for its own good.
5. The absurd and often pretty violence of the film's long climax can leave you smiling, though this sort of pop regurgitation is getting old.
6. [Godzilla] deserves better than this overripe afterthought.
7. Better-suited to a Saturday matinee.
8. Despite the millennial title, you're not going to see anything new here.
9. Like Godzilla Jr., Godzilla 2000 has a long way to go before it lives up to its legacy.
10. Godzilla 2000 doesn't have the special effects, to say nothing of plotting or characterization, to compete with most Hollywood product.

What is a brief summary of the following reviews?

Godzilla 2000 is cheesy, laughable, and good entertaining fun.
Write a one sentence review of the movie "gueros".

A striking effort that synthesizes disparate influences with inventive flair, Güeros marks a bold step forward for modern Mexican cinema.
The critic consesnsus is: Nico and Dani offers a refreshingly honest look at adolescence and sexual coming-of-age.. What reviews supported this critic consensus?

1. A minor pleasure, a story of complex feelings told simply and without pretention.
2. Delivers the oft-trod subject of boys' sexuality with intelligence and freshness.
3. "Nico and Dani" is refreshing after the lowbrow sniggering found in American teen sex comedies.
4. Although films about adolescents stumbling urgently toward sexual self-identity are plentiful, most are put to shame by the delicacy, poignancy, and honesty of Nico and Dani.
5. The film seems unfocused at times, but on reflection, stands out as an unusually sensitive and honest view of teen sexuality, straight or gay.
6. I wish there were more such honestly rendered and thoughtfully told coming-of-age films.
7. The rare coming-of-age film that avoids cliches, refuses to engage in stereotypes, and wins over both your intellect and your heart.
8. One of the most sensitive and subtle explorations of sexuality to hit the big screen in the States in a long time.
9. Touching, funny, unflinching and true.
10. One of the better recent contributions to an over-crowded field.
Here are some reviews for a movie: 1. Batkid Begins has the feel of a barn-raising gone global.
2. The seams occasionally show, especially whenever the shy, overwhelmed Miles grows tired or reluctant - or whenever the easily defeated villains start to look like so many overstuffed dolls - but it's impossible to say "no" to this project.
3. Nachman's documentary does a great job of showing the many pieces that came into place for Miles' moment, but it doesn't look much at what's underneath it all.
4. The film will restore one's faith in humanity, at least during its running time.
5. It's a rare documentary that showcases the absolute best of humanity.
6. Plucky, upbeat and utterly lacking in cynicism -- much like the epic day this Make a Wish event went down.
7. Nachman has structured her film to illustrate how coming together for a cause can be at least as, if not more beneficial for the adults who helped make a small boy's dream come true than for the kid himself.
8. Batkid Begins uses its unforced sentiment and real emotional depth to (at least temporarily) slay any misanthropic feelings or cynical thoughts.
9. Get ready to have your spirits lifted by Batkid Begins, the most heartwarming film you're going to see this year.
10. There's a wealth of material to draw on, almost as if a documentary-to-be-named later was already on someone's mind. In any case, Nachman puts it all to good use, relaying the conception, planning, preparation and execution of the day.

What was the overall consensus about the movie?

Sweet and unabashedly sentimental, Batkid Begins is an uplifting look at a selfless act that brought a city together.
The critic consesnsus is: This provocative, lyrical drama mixes themes of forbidden sexuality and redemptive faith with a touch of humanism in a memorable, if disorienting, visual style.. What reviews supported this critic consensus?

1. Martel's distinctive and fascinatingly innovative style warrants her being considered as an auteur.
2. ...at once humane, encompassing every shade of gray, and bracingly cold-eyed in its assessment of human endeavor.
3. With this well executed drama, a follow-up to her La Cienega, Lucrecia Martel emerges as a major Argentinean filmmaker.
4. Some of The Holy Girl is hard to follow, but the reward is Martel's ability to create a spiritual yet subtly lecherous mood.
5. what should have been a religious experience comes off more like a botched coming-of-age tale with some pungent atmospherics.
6. Martel's style is tentative, elusive, so much so that even the most conventional episodes benefit from her fresh perspective.
7. Obviously, this one is not for all tastes, but it is an impressive showing for Argentine filmmaker Martel, who's managed to do Almodovar-type material every bit as well as her mentor.
8. Director Lucrecia Martel's storytelling is spare to the point of being stingy.
9. Provokes a wealth of unsettling thought, even as it declines to pass any final judgments of its own.
10. Alche's crooked grin is as gleeful as the nose-wriggling enchantress in Bewitched. The elliptically implicit ending reminds me of Purple Noon minus the murder.
Write an ordered list of reviews about "bridge on the river kwai".

1. An epic movie which is large in scope and personnel, The Bridge on the River Kwai speaks of the code of honour amongst men during war, the respect shared by enemies of war, and the madness which war evokes.
2. [Lean] somehow managed a very pleasing balance.
3. A towering work.
4. It is a whale of a story, and in the telling of it, British Director David Lean does a whale of a job.
5. A gripping drama, expertly put together and handled with skill in all departments.
6. Guinness, Lean and British war cinema have never been better.
7. Antiheroic war epic.
8. One of THE great action sagas, and at the top of David Lean's form.
9. Alec Guinness' outstanding performance is one of the many things that work in David Lean's intriguing epic.
10. For what it is, it ain't bad, though it serves mainly as an illustration of the ancient quandary of revisionist moviemakers: if all you do is systematically invert cliches, you simply end up creating new ones.
1. All three [flashbacks] derive from A.A. Milne's original tales, but retain only a smidgen of his droll, easy-chair wit.
2. Has all the charm of cafeteria creamed spinach.
3. Unlike many feature length cartoons this one doesn't make any attempt to jazz up a classic tale with adult-friendly dialogue and plays strictly for kids. Most moppets should love the characters and incidents.
4. It may be Piglet's Big Movie, but it's a very minor entry in the Disney canon.
5. There's no villain, very little conflict, and practically no plot; it's appropriate for sensitive preschoolers and almost nobody else (except, perhaps, insomniacs).
6. Piglet's Big Movie is a delightfully entertaining film for young children--showing them that even smallest person can be the big hero.
7. Not very interesting, imaginative, or exciting.
8. The screenplay by Brian Hohlfeld incorporates three of the original Pooh stories but captures none of the charm of A.A. Milne's droll voice.
9. A flimsy flashback-ridden tale about the importance of friendship, loyalty and the notion that size doesn't matter when it comes to tackling seemingly insurmountable issues.
10. Pooh finally returns to his roots a heartwarmingly gentle tribute to Milne that's appropriate for even the youngest viewers.
What is the consensus?

Wholesome and charming entertainment for young children.
1. If this is what a Hollywood liberal conscience looks like, it's a glib and useless thing.
2. One can't help remembering that Clooney himself drew more humor and resonance out of the Iraqi dunes a decade ago in Three Kings.
3. The narrative flips and flops ruin the comedic flow.
4. The Men Who Stare at Goats is a handful of hilarious scenes looking for a movie.
5. For a movie about people learning to focus their minds, [it] proves to be strangely and disappointingly unfocused.
6. Heslov's deadpan handling of the movie's strange-but-true vibe, coupled with Clooney's full-tilt devotion to his outlandish character, smooths over the rougher patches of Peter Straughan's quirky screenplay.
7. perhaps the funniest war movie since Stripes.
8. does a slick job of putting assumptions of all types to the test, and resists the temptation to make sport of any of them while still retaining a sense of fun
9. Neither as quirky as it thinks it is nor as witty as it wants to be, The Men Who Stare at Goats is a low grade military send-up.
10. It's brisk and witty and the cast makes it all such great entertainment that you could almost overlook the more or less absent story.

Write a one sentence summary of the reviews above.

Though The Men Who Stare at Goats is a mostly entertaining, farcical glimpse of men at war, some may find its satire and dark humor less than edgy.
Write a one sentence review of the movie "1082899-hush".

A ridiculous but wholly predictable potboiler with performances ranging from comatose to hysterical.
1. he King's Speech brings a country's amorphous fear of war and a sudden king's dread of his hesitant supremacy into perfect, uncommon focus.
2. It is an intelligent, winning drama fit for a king -- and the rest of us. And this year, there were far too few of those coming from Hollywood.
3. Lots of people will consider The King's Speech the best movie of the year; for me it's simply one of the best-made movies of the year.
4. The King's Speech is the kind of production that makes you ask: why can't every film be made this way?
5. Hooper keeps us focused on what's best about "The King's Speech": the sort of complicated, unusual relationship that is an ideal subject for a movie.
6. In a 24-hour news cycle, it's hard to believe a man with the elocution of a Pet Rock could be crowned King of the World. But at a time when the phonograph was high-tech and British figureheads weren't doing karaoke with Elton John, it could happen.
7. Firth and Rush are the best on-screen duo of the year.
8. The film everybody's talking about is, quite fittingly, a film about talking. And a great one, certainly as far as A-grade performance showcases go.
9. Straight from the school of Inspirational Tales from History, what it lacks in novelty it makes up for in executing this type of movie-making about as well as it can be done.
10. The King's Speech is anything but a stiff-upper-lip drama as constrained as a corseted queen. It is, however, perfect film fodder for discerning audiences starved for literate entertainment.
What is the consensus?

Colin Firth gives a masterful performance in The King's Speech, a predictable but stylishly produced and rousing period drama.
1. The question comes up often in life: What's your favorite movie? Since October 2001, the answer has been easy and one I shoot back reflexively almost before someone's finished the question: "Waking Life."
2. This inventive animated film, which takes Linklater back to his roots in Austin and Slacker, represents a summation of all the philosophical concerns that have defined him as spokesperson for Gen-X.
3. A true independent film that uses animation techniques to their utmost.
4. Form and content fit perfectly: even if the highbrow babbling gets a bit much, the hypnotic animation means that there is always something to watch, like characters suddenly dissolving into smoke or spectacles expanding.
5. A brilliant film that provokes thought, idea, and conversations within the audience through its surreal animation and incredibly profound conversations.
6. A far-out-man poetry slam, art exhibit and imaginative philosophical discourse all at once drifts gently down a stream of consciousness until merrily, merrily, merrily, merrily, "Waking Life" is but a dream. Who says existential fiction must be dreary?
7. Love-it-or-hate-it film best for older teens.
8. a commercial ripoff designed to confuse art-house patrons
9. Truly special, truly different -- a wondrous talky roundelay about and for people who love life.
10. The endless philosophising is a bit sophomoric and more jokes would help, but this is one of a kind that grows more absorbing the longer it runs.
What is the consensus?

The talky, animated Waking Life is a unique, cerebral experience.
1. This tale of childhood buddies turned hit men is the kind of film where flames roar, waves crash and dropped bullets thud like bowling balls.
2. Johnny To highlights the visceral mood, rather than the plot or the characters
3. The Macao settings are beautifully rendered, and the dark humor is often very funny.
4. What's undeniable is that Johnnie To has, at long last, emerged as the equal of his very best contemporaries, no longer simply one of Hong Kong's most prolific filmmakers but one of its finest.
5. For anyone bored silly by the formulaic drivel churned out by the studios, Exiled is like a blast of cinematic adrenaline.
6. Exiled is a grabber from start to finish that should win new fans for cult-favorite To.
7. It's a boozy, weekend-bender of an action flick, lovely to look at and perhaps just a little bit silly.
8. ...there's nothing predictable about the film.
9. Nothing but a series of repetitive gunfights and bad conversations.
10. An intriguing setting and several witty, inventive directorial touches raise this above the average Hong Kong gangster thriller.
Based on these individual reviews, what is the critic consensus?

Exiled has non-stop action, tension and style -- making it an excellent summer action movie. Johnnie To brings beautiful scenery and camerawork to the film, enhancing the action even more.
Here are some reviews for a movie: 1. What really sets the picture apart and makes it an achievement worth remembering is its transcendent faith in what Abraham Lincoln called "the better angels of our nature."
2. A film light in plot but generous in spirit.
3. Touching and uplifting, Goodbye Solo is a small gem.
4. The emotion here is genuine, but the outlook is tough: in Bahrani's movies we're all aliens to each other.
5. A profoundly moving, raw, tender and gently uplifting drama that celebrates the importance of unconditional human compassion.
6. While Goodbye Solo is an easy film to admire, I have to admit that it never really had me riveted.
7. Another powerful film by Bahrani using the bare minimum of sets and sound track and an inexperienced actor in the lead role. A film that is well produced and convey a strong message.
8. An emotional lullaby about lost diverse souls trying to cope with the rigors of life in a confining, cultural cage of ambivalence...another tantalizing triumph for Bahrani
9. I felt the film was incredibly stripped down -- which is fine -- but there's nothing else to sort of help build it back up again.
10. Ramin Bahrani is a promising filmmaker who needs to work much harder at crafting dialogue and complete stories, and not believe the false praise being bestowed on him by the A.O. Scotts of the world.

What was the overall consensus about the movie?

An original and thoughtful human drama, Goodbye Solo looks at relationships and loneliness while proving director Ramin Bahrani's is an important American voice.
Here are some reviews for a movie: 1. The uneven comedy had its hilarious moments.
2. This is not just a movie for potheads.
3. The Judd Apatow workshop turns its full attention to recreational drugs and the result is an enjoyable case of reefer madness.
4. Pineapple Express pulls off the amazing trick of elevating the stoner comedy into something resembling art.
5. Stoner-based or not, good comedy shouldn't need any help from the baggie in your pocket.
6. Sidesplitting, high attrition-rate, S&M slapstick where you get to savor the sight of characters getting tortured to death about five times each, if that's your bag of grass.
7. There's a lot less time available to get high than just laying low, for this chemically disoriented pair. Pineapple Express, a mixed bag of assorted fruits and nuts, with doper loons on the lam waiting to inhale.
8. The bromance genre is alive and well and it just gave me a pickle craving.
9. An odd but intermittently pleasing experiment that might lose stoners with its gore and action fans with its glazed, circular weed chat.
10. I can live without the drug murders and chases, but sitting around over breakfast with some new friends makes for a primo comedy, and another crowd-friendly hit for Judd Apatow.

What was the overall consensus about the movie?

Both funny and scatter shot, this loose-knit action/buddy/stoner comedy bridges genres and keeps a steady tempo of low ball laughs.
1. ...could have been a superb dark fantasy, but takes its own malarkey seriously.
2. almost hard to catch your breath
3. A crooked road indeed.
4. The screenplay stretches the viewer's credulity far beyond the breaking point, asking us to accept dozens of absurd contrivances and coincidences.
5. A dank, mechanical exercise that refuses to have any fun.
6. The climax is so implausible we stop caring and start scratching our heads!
7. The plot takes forever to get moving, and when it does, it can't justify its excesses.
8. This is a sloppily made film, imitative of the smoother made The Parallax View.
9. Offensively phony and unintentionally hilarious!
10. Arlington Road is a movie trying so hard for intelligence, quality and deeper meanings, you can almost sense the strain under the celluloid.

Write a one sentence summary of the reviews above.

A suspenseful thriller led by strong cast performances built around a somewhat implausible story.
Here are some reviews for a movie: 1. A funny and strangely affecting gender-bender saga that gives rock and roll movies a much-needed jolt.
2. Surrounds a weird, funny and touching story with a knockout series of songs performed by an exceptional cast.
3. Shows all the promise of becoming a cult movie, with the polish, colour and textual fluidity of a studio comedy but a distinctly underground sensibility and countless memorable moments.
4. Like its protagonist, Hedwig succeeds on its own terms, brazenly asserting itself with no regrets or apologies.
5. Deliciously innovative and refreshing.
6. Often hilarious, sometimes outrageous, intermittently nonsensical and goofy, Hedwig is nonetheless a never-less-than endearing cinematic experience.
7. The show belongs wholly to Mitchell, although good moments are also claimed by Andrea Martin, Miriam Shor, and Michael Pitt in what are otherwise sketchy roles.
8. Loud, colorful and affecting.
9. It is fairly short and fairly enjoyable.
10. It's hard to not get caught up in the sense of exuberance and or to ignore the amount of energy and creativity that went into it.

What was the overall consensus about the movie?

Hedwig and the Angry Inch may very well be the next Rocky Horror midnight movie. It not only knows how to rock, but Hedwig's story has an emotional poignancy.
1. Clocking in at three long hours, Casino is an entertaining and engrossing film, but just drags a simple story into a sprawling, epic tale that desperately needs a little trimming.
2. After coming out gangbusters in its first and finest hour, the 180-minute movie loses all its chips in the remaining two.
3. The whole package is a riveting account and a well-told story.
4. Engrossing from start to finish.
5. This bloated three-hour misfire this is a major fumble.
6. It overstays its welcome.
7. Scorsese and company do what they do very well -- they've got it down. It's a system unto itself.
8. Finely detailed analysis of the mob-controlled casinos in the 70s, but it lacks the soul of Scorsese's Goodfellas.
9. Whether you find it exhilarating, expendable or exhausting -- and you will find it exhausting -- Martin Scorsese's Casino is the spectacular last word on urban sprawl.
10. Scorsese and co. will never make a bad film, only another one.
What is the consensus?

Impressive ambition and bravura performances from an outstanding cast help Casino pay off in spite of a familiar narrative that may strike some viewers as a safe bet for director Martin Scorsese.
1. Refreshing in its honest simplicity.
2. Muniz is great, displaying more talent here than you're used to seeing in Malcolm.
3. Are guaranteed to cause alarm and even tears.
4. A charming, old fashioned kids' flick that embraces its clichés and serves them up with a contagious, indomitable spirit...
5. A pleasant, entertaining yarn.
6. They may find themselves mystified and a little bored by a movie designed to leave their adult companions misty-eyed.
7. If you've got a 5 to 10 year old, take a family trip to see this wholesome story.
8. It is moving, intelligent and wise. And for a kid's flick, that's almost a miracle.
9. No dog person can sit through this homespun, relaxed picture without shedding a tear.
10. This is such a sweet, healthy and refreshingly old-fashioned movie that there's a temptation to oversell it.

Write a one sentence summary of the reviews above.

Critics say My Dog Skip is cute, wholesome entertainment for the family. It's especially designed to appeal to your sentiment, but you might find yourself choking up just the same.
Which movie is the following review about?

Every scene has it's purpose, every shot is meticulously used.

departed
The critic consesnsus is: A sequel to a remake, Cheaper 2 wastes its solid cast in scenes of over-the-top, predictable humor.. What reviews supported this critic consensus?

1. The humor in Sam Harper's script is as malnourished as Hilary Duff appears to be.
2. Even the bloopers during the closing credits stink.
3. Running a painfully long 100 minutes, the movie is made up of a tiresome series of predicable, slapstick moments.
4. For the most part, director Adam Shankman keeps the mayhem comprehensible.
5. It aims to be pleasant and good-natured, which it is. There are enough laughs scattered throughout to keep everything moderately amusing, and the cast is likeable.
6. When cutesy family-oriented comedies start to show the strained buffoonery of its leading star (Martin), you know it's time to hang up the hat and call it the day.
7. The movie may play better on video screens in the back of minivans, but I suspect even seat-belted children will remain unimpressed.
8. While their last movie relied on boisterous physical humor, this is built on a family feud.
9. This by-the-numbers pratfall-fest is as synthetically generic as a "Happy Holidays" card from your realtor.
10. Shankman drops the ball at the finish line, jettisoning the tough-love fun for cheap sentimentality.
Write a one sentence review of the movie "the salt of the earth".

While the work it honors may pose thorny ethical questions that Salt of the Earth neglects to answer, it remains a shattering, thought-provoking testament to Sebastiăo Salgado's career.
Write an ordered list of reviews about "rubber".

1. amidst all the exploding heads and modernist trickery, Dupieux is not just inviting us to roll with his surreal detours, but setting us on a collision course with the absurdities of cinema itself.
2. Few nice ideas. Should've been a short.
3. Dupieux's idea, apparently, is that movie audiences are so stupid they'll consume anything, and the more tickets he sells for this arch little piece of junk, the more he'll be proved right. If I were you, I'd refuse to give him that satisfaction.
4. An April Fool's prank so audacious and unrepentant that even its failures become a part of the bigger joke.
5. It goes to every length to be the anti-horror film and merely just a form of performance art...
6. Part slasher-movie spoof, part self-reflexive Theater of the Absurd.
7. Surprisingly watchable for a one-joke time-waster.
8. Picture Monty Python writ ing an unusually odd "Twilight Zone" episode directed by surrealist Luis Buńuel. Or just empty your mind of all sense: This is "Rubber."
9. Nobody's safe -- least of all moviegoers -- with a killer tire on the loose.
10. Spielberg announced his arrival with a killer truck. By making us believe in a thinking tire, Dupieux has outdone him. Appropriately, in this film's parting shot, the Hollywood sign beckons.
Write an ordered list of reviews about "arbitrage".

1. Between this cast and the conviction Jarecki brings to the table, the film feels incredibly accomplished for a first feature.
2. Between Gere matching wits with a police detective played by Tim Roth and him having to explain himself to the steely Sarandon, Arbitrage is never dull.
3. Jarecki invests his film with a great sense of pacing and tension. It's a well-crafted plot, effortlessly juggling financial and family drama, with a Colombo-esque complication nipping at its heels.
4. The stakes of Arbitrage never feel quite high enough, no matter how good it all looks.
5. Two movies in one- only one of which is good. Despite it's flaws, Gere is incredible in the performance of his life.
6. Contrivance does indeed flare up, but that's part of the fun, all the more reason for a fat cat to squirm and sweat over the course of a week in his life and 100 minutes of running time.
7. Jarecki, it's clear, has the talent to make shrewdly pleasurable Hollywood movies. Here's hoping Arbitrage is the first of many.
8. Arbitrage is competing between the narrative form of the corporate thriller and the inherent corruption and irresponsibility of those embedded in the industry. Unfortunately it breaks even.
9. Tim Roth turns in a momentous performance as a detective in a movie showing that billionaires do not always have it made.
10. 'Arbitrage' switches genres mid-movie and pulls you every which way dramatically but never connects you to any emotions that matter.
Summarize the following movie reviews:

1. Demolition Man is sleek and empty as well as brutal and pointless. It feels computer engineered, untouched by human hands. A real pod movie.
2. Stallone is surprisingly good in this fast, funny and violent futuristic action film.
3. Forget your preconceptions, but not your brain cells and sense of irony.
4. Not a bad mid-90s sci fi flick - and with a young Sandra Bullock in spandex to boot!
5. Stallone and Snipes are a great double-act
6. Featuring intense action, exceptional special effects, and a healthy sense of humor, it is the film Last Action Hero wanted--and failed--to be.
7. Demolition Man is a significant artifact of our time or, at least, of this week.
8. Enjoyable pop-culture junk actioner.
9. A great villain goes a long way toward making an action movie successful and Snipes certainly does more than his share to make this an enjoyable film.
10. Chock-full of obnoxious dialogue, terrible acting, and oh-so-clever product placement.

A better-than-average sci-fi shoot-em-up with a satirical undercurrent, Demolition Man is bolstered by strong performances by Sylvester Stallone, Wesley Snipes, and Sandra Bullock.
Here are some reviews for a movie: 1. Violent, frenzied, foul-mouthed ghost comedy.
2. Story was originally conceived as an episode of "Tales From the Crypt," and that is perhaps what it should have remained, as the thinness of the conceit shows throughout, painfully so in the first half.
3. At times the relentless special effects and tangled plotting veer towards visual and narrative overkill, but the final tonal swerve is shocking and effective.
4. Despite being awful in almost every respect, The Frighteners does offer one small pleasure: R. Lee Ermey parodying his Full Metal Jacket drill sergeant character.
5. It actually works up till its last few minutes.
6. An incredibly underrated scare-comedy from Peter Jackson that deserves a much wider audience.
7. The actors can't keep the film's mood from verging on hysteria as the story roams all over the map. "The Frighteners" has flitted everywhere, even to heaven and hell, before it's over.
8. Quirky Peter Jackson film that's half comedy and half horror/gore-fest. Mostly enjoyable results, although Fox a bit miscast.
9. Woulda been five stars, but the cop-out ending smacks of the test-screening process.
10. The talented director of "Heavenly Creatures" has pulled together a film that wants to be everything to everyone simultaneously.

What was the overall consensus about the movie?

Boasting top-notch special effects and exuberant direction from Peter Jackson, The Frighteners is visually striking but tonally uneven.
Write an ordered list of reviews about "blackfish 2013".

1. You'll never look at Shamu, and the company that exploits him, the same way again.
2. Important, informative, imperfect.
3. The film may be depressing. But even with a terrible, watery musical score, it's also good.
4. A chilling exploration of the life of an orca in captivity, this documentary forces us to look at zoos and especially aquarium shows in a completely new light.
5. To analyze real-life tragedy we must understand it so we can prevent it, Cowperthwaite justly argues. Not so we can sigh and hope it doesn't happen again.
6. While Cowperthwaite's film opens with a simple question about the behavior of a single killer whale, it ends up mounting a persuasive ethical argument against keeping orcas in captivity.
7. As horribly gripping as a serial-killer thriller, though the real villain is not the ostensible culprit, but its human captors.
8. "Blackfish" is no trumped up horror story fueled by Hollywood brand names and special effects. In this riveting documentary directed by Gabriela Cowperthwaite, all of the creatures are real, and all seem entitled to the serious chip on their shoulders.
9. An acclaimed and chastening documentary about what happens to human beings - injury, mutilation, death - when they pen orcas in sea parks.
10. Behavioural experts describe the orca brain's advanced capacity for emotion, while former trainers reveal the stories spun by SeaWorld to convince its visitors that the whales enjoy their work.
1. It's a feast for World War II movie buffs and Fuller fans alike, as well as a fascinating companion piece to Steven Spielberg's more recent contribution to the genre.
2. The reconstruction is a bigger, longer and better movie than the one released in 1980, but is less than the revelation for which one might have hoped.
3. If you don't elect to watch The Big Red One through the lens of Sam Fuller's mystique ... you'll realize that it has been celebrated in ways that essentially make virtues of its flaws.
4. The director's gift for bare-knuckles lyricism rescues scene after scene.
5. To see this seamless 'reconstruction' -- consisting of some 15 entirely new sequences as well as augmentations to 23 others -- is to behold a masterpiece revealed.
6. 'The Reconstruction,' which clocks in at 2 hours, 43 minutes, with not a single extraneous frame, elevates the work from a robust genre film to a full-blown epic.
7. Even though it has gained more than 45 minutes, it doesn't feel longer. Scenes that were choppy or half-baked are now allowed to play out as Fuller intended.
8. It's sometimes so explicit, corny and odd that you can understand why a studio had second thoughts about it. But it also now has the feel of a true epic.
9. An American masterpiece by one of the last great American directors.
10. Fuller's only A-budget movie is still among the lesser works of this frequently brilliant filmmaker.

Write a one sentence summary of the reviews above.

The reconstruction of Samuel Fuller's epic account of his days in North Africa in World War II elevates the film into the pantheon of great war movies.
Here are some reviews for a movie: 1. It's smart, insightful and frightening, featuring three of the year's best and most complex performances.
2. I just hope that people realize its hidden virtues, the ones that dig a little deeper than its "true story" and Carell's makeup.
3. ...tautly acted but dramatically deficient
4. If I had to make a list of movies I'm saddest about not having liked, this would rank near the top.
5. Foxcatcher might just be the feel-bad movie of the year. But it's so well-acted that audiences won't want to miss its dark, chilling yet restrained story.
6. It's about manhood and about lost men, about people needing to find something, anything, at any cost.
7. Simultaneously understated and grippingly edgy, this is an arresting examination of naivete, mismatched worlds and old-fashioned American oddness.
8. Beautifully acted and impeccably mounted, it is light on historical details and heavy on atmosphere, character and chintz.
9. We expect expert acting from Ruffalo, and we get it, but the secret hero of "Foxcatcher" - and the performance you keep coming back to - is Channing Tatum as Mark, a lost boy in the skin of a brute.
10. Foxcatcher is an arresting look the pitfalls of the American dream. Steve Carrell mesmerizes.

What was the overall consensus about the movie?

A chilling true crime drama, Foxcatcher offers Steve Carell, Mark Ruffalo, and Channing Tatum a chance to shine -- and all three of them rise to the challenge.
1. This film features what look like living plush toys.
2. Me, I want a hula hoop.
3. Between the occasional amusing joke and catchy musical number, this Alvin update is a very soulless movie.
4. You could do worse.
5. Shockingly, the movie's easy to like -- an anti-Hannah Montana parable in which young performers discover they prefer the comfort and security of home to the high-pressure glitz of rock and roll stardom.
6. Hollywood continues its tired milking of old television properties with Alvin and the Chipmunks, a slick updating of the musical-cartoon franchise.
7. Sure, rodents are hot this year. But unlike Ratatouille's chef prodigy Remy, these mischief makers bring nothing new to the table.
8. Alvin and the Chipmunks goes in one eye and out the other, featuring a CGI Alvin, Simon and Theodore interacting with a human-ish world.
9. The film engages for about 30 minutes, or about 10 minutes longer than you might expect. This picture, after all, has only one idea: chipmunks that talk and sing. It's the same idea that fueled novelty recordings and a two cartoon series.
10. It's a free-fall into total plastic. Kids deserve better. Alvin, Simon and Theodore deserve better. But 'tis the season to take what you get.
Based on these individual reviews, what is the critic consensus?

Though cutely rendered, Alvin and the Chipmunks suffers from bland potty humor and a rehashed kids' movie formula.
1. Why didn't the producers save all the money they spent on these great sets and brilliant special effects for a script worthy of them?
2. Fans of both O'Barr's source inspiration and Brandon Lee's initial embodiment may want to nit-pick, but this Crow has something to crow about.
3. Vincent Perez is game, but he--nor anyone involved in this sloppy production--can erase the fond memories of the late Brandon Lee.
4. I highly recommend watching the original, instead of this dud.
5. Looks pretty, but bad scripting makes this an incoherent sequel to the goth classic/
6. Worst of the Crow franchise, which should have ended with Brandon Lee and the entertaining first film.
7. Memo to Edward R. Pressman: Gloomy Goth teens like the Romeo and Juliet stuff, not parental devotion from beyond the grave.
8. Even for teens hooked on the grandiloquence of death-metal masochism, the movie may seem closer to an endless Sunday in church.
9. Although the setting has moved from Detroit to LA, the stylised urban wasteland, morbid atmosphere and basic plot remain the same.
10. Stunningly awful.
Based on these individual reviews, what is the critic consensus?

The Crow: City of Angels is a sloppy pretender that captures neither the mood nor energy of the original.
1. A bloody good offbeat relationship vampire film.
2. Both sweet and unsettling.
3. "Let the Right One In" is a much scarier vampire movie than the megahit "Twilight," but that's no great shakes. Would you believe, though, that it's also a much better love story?
4. The best fantasy stories excel because they give new perspective to real-life issues through the lens of the supernatural, and the Swedish film uses vampirism to tackle adolescence in all its glorious agony.
5. The casting of the youngsters is nearly perfect.
6. Let the Right One In can safely be called a classic, even before its name is pulled from the theater marquee.
7. As Oskar and Eli grow closer, in scenes with a tender intimacy, the violence also turns more personal.
8. A Swedish import that uses its frozen environment to great advantage.
9. A tale that proves there's life in the undead yet, when they fall into the hands of imaginative storytellers.
10. John Ajvide Lindqvist's script (from his novel) nails adolescent pain perfectly and is realized by Tomas Alfredson's expert direction.

Write a one sentence summary of the reviews above.

Let the Right One In reinvigorates the seemingly tired vampire genre by effectively mixing scares with intelligent storytelling.
Here are some reviews for a movie: 1. Crystalline filmmaking.
2. A gleeful riff on a very old genre; the Coens make it sing anew with wit, intensity, and irresistible black humor.
3. The film is a crossroads, more gratifying for the future directions it provided for its creators than for the pleasures it affords its audience.
4. Not a false move, a bad angle, an awkward line or a wanting performance at any point.
5. The Coen Brothers certainly know noir. This mob tale shimmers with sparkling dialogue.
6. A screenplay of pure gold. I still think it's the best Coens film yet.
7. It is consistently good, but I suppose I have come to expect more from the Coens.
8. As for that story, it's good enough, but honestly I fail to see what everyone's all worked up about.
9. Even though the plot is propelled by lust and vengeance, there's no heat in the movie.
10. An amazingly entertaining film, loaded with zesty dialogue, gorgeously staged sequences and a bevy of wild characters.

What was the overall consensus about the movie?

Though possibly more notable for its distinctive style than an airtight story, this Coen brothers take on the classic gangster flick features sharp dialogue, impressive cinematography, and a typically quirky cast of characters.
Summarize the following movie reviews:

1. A tepid movie with a few decent dance sequences and a lot of frustrating sexual tension.
2. For my money, it's the girls' friendship that holds the film together.
3. The production disappoints both as modern-day dance film and Jungle Fever redux.
4. There's a nice little dance movie waiting to step out of Save the Last Dance. Unfortunately, the story keeps tripping it up.
5. As one might expect from a film credited as an 'MTV production,' Save the Last Dance is one-half realistic portrayal of youth, and one-half pure cinematic pablum.
6. [Has] two really good performances by their respective leads.
7. Quite a bit smarter, and more entertaining, than the majority of what some people call teenybopper flicks.
8. Stiles and Thomas supply what this movie needs most: a heartbeat.
9. Overall, Save the Last Dance profits from well-developed principals, a vigorous sound track provided by Mark Isham, and a feel for the grit and warmth alike of an otherwise impoverished neighborhood.
10. In the spirit of all MTV-spawned productions, Save the Last Dance is a trite amalgamation of themes and scenes from other, more interesting, movies.

This teen romance flick feels like a predictable rehashing of other movies.
1. McCarthy puts a mark on each film, identifying it as distinctly his own. A couple more like them, and he'll be knighted an auteur.
2. This gifted writer/director knows how to illuminate those moments in which people realize they have become essential to each other -- that each person's life has been gently changed by the other's presence.
3. The script here is very strong.
4. The film works foremost as the experience of watching Richard Jenkins inhabit his role.
5. A wonderful human story, a beautifully directed and acted film of rare grace that just might renew your faith in life- and movies.
6. [Richard Jenkins] gets the role of a lifetime in this powerful second film by writer-director Thomas McCarthy.
7. Richard Jenkins and "The Visitor" make lovely music together. It's a case of a veteran character actor slipping on a leading role like the most comfortable pair of pants in the world.
8. The Visitor is America working out the demons of Sept. 11, 2001. Director Thomas McCarthy brilliantly focuses on characters who love life despite the less savory circumstances surrounding them.
9. not really a film you enjoy, per se. It's more like a feeling you get used to before finally accepting.
10. Thoroughly, refreshingly unique, a film that weaves a tight, timely tale that is equal parts heart-warming and wrenching.

What is a brief summary of the following reviews?

The Visitor is a heartfelt, humanistic drama that deftly explores identity, immigration, and other major post-9/11 issues.
1. The film is very, very funny; and it is very, very exhausting.
2. Ultimately, the movie will be remembered (if at all) for its guerilla marketing campaign, which the city of Boston took to be a terrorist threat and cost Turner Broadcasting $2 million, more than the cost of making the film.
3. Certainly original, often funny, and occasionally even inspired.
4. Skip this feature and wait until it makes its way to DVD or television.
5. I didn't feel like I was watching somebody else's idea of a joke; I felt like I was watching somebody else's idea of a nightmare.
6. I have never taken an illegal substance; movies have always been my drug of choice, and Aqua Teen Hunger Force Colon Movie Film for Theaters was like a big old cinematic acid trip.
7. There's ultimately something exhilarating -- and, dare I say, liberating? -- about the film's chaotic avant-garde energy.
8. You know, if you're not familiar with the television series "Aqua Teen Hunger Force" then you might as well not waste your time reading about "Aqua Teen Hunger Force Colon Movie Film for Theaters."
9. Occasional amusement aside, this is a tedious 86-minutes worth of utterly random movie.
10. While not for the faint of heart, Aqua Teen Hunger Force is perfectly suited for the seriously twisted followers--and new recruits--of the Cartoon Network show.

What is a brief summary of the following reviews?

The non sequitur humor of Aqua Teen Hunger Force will surely appeal to its built-in fanbase, but for the uninitiated, the premise wears thin.
1. A non-stop buzz machine that runs on boobs and blood, offering everything you'd ever want to see in a movie whose logline is 'Thousands of prehistoric piranha attack Spring Breakers.
2. The definitive film for this latest 3-D era: It exploits sex and gore the same way studios are exploiting moviegoers with 3-D ticket prices.
3. Though it's campy and gory, but for all its hype, it's best to save your money rather than spring the dough for special effects that aren't that spectacular -- or even eye-popping.
4. Delivers exactly what you'd expect: gushers of blood, ripped flesh by the kilo, and acres of bare booty and boobs (some of them real).
5. A ridiculous gore-fest that falls completely flat in terms of character, dialogue, and logic but pops off the screen in the areas in which it really counts for a movie about prehistoric man-eating fish.
6. Too much Jersey Shore, not enough piranhas.
7. Guilty pleasures belong to August, 3D belongs in the grindhouse... and when the authorities tell you to get the hell out of the water, you really, really should.
8. As for the gore, well, if Aja couldn't deliver that, it would be like Al Gore being at a loss for words.
9. Nothing more than a fun summer popcorn movie.
10. These bros and bimbos are jerk tartare. Go, fish, go!

Write a one sentence summary of the reviews above.

Playing exactly to expectations for a movie about killer fish run amok, Piranha 3-D dishes out gore, guffaws and gratuitous nudity with equal glee.
Which movie is the following review about?

If Hitchcock had made What About Bob?, this engrossing and blackly funny French psychological thriller would be it.

with a friend like harry
The critic consesnsus is: A Cat in Paris depicts a stylish, imaginative world with a wonderful soundtrack and Hitchcockian overtones.. What reviews supported this critic consensus?

1. A Cat in Paris is animation, yes, but the story, its many threads and mature theme is aimed squarely at the adult and older teen audience that can appreciate a stirring drama in anime form.
2. A charming little French animation (not suitable for very young children,) directed by Alain Gagnol and Jean-Loup Felicioli...
3. A barely feature-length diversion that lacks the energy to grip younger viewers or the depth to impress adults, but it earns respect with its makers' dedication to old-school craft.
4. A charming, visually sparkling Parisian fantasy with a dark edge.
5. A slight story but delicately drawn with a feline, jazzy score.
6. A Cat in Paris, France's recent Oscar-nominated animated feature, suffuses its story of gangsters and thieves with a playfulness as nimble as the feline after which it's named.
7. Unoriginal and mired in bad jokes.
8. It's so wonderfully fun that I'm now hoping it wins the award come Oscar night.
9. ...will delight adults as well as the children who are its target audience,
10. Jean-Loup Felicioni and Alain Gagnol draw inspiration from Expressionist painters to give their short but not-too-sweet animation its distinctive fluid style...its light and shade perfectly matching the night-time skyline where much of the action is set.