cindermond/bento huggingface dataset:
Don't pick this one. ****Spoiler Alert***** The plot of this aggravatingly bad movie is four friends are talked into taking the shuttle from the airport by a very zealous driver. On the shuttle with them is a rather milquetoast looking business type. 

Shortly into their trip the driver of the shuttle takes an off-ramp and some lunatic driver tries to run them off the road. The end result is they get a flat tire. The driver gets one of the people on the shuttle to help change the tire and the jack slips and the guys fingers are crushed between the tire and the shuttle. It's at this point that the driver reveals himself to be a kidnapper and he has taken all the people hostage. 

Now the movie gets extremely slow and tedious, as the characters do one lame thing after another. One of the men is killed trying to escape -- even that lacks any suspense. Finally it is revealed that the milquetoast business guy is in cahoots with the driver when milquetoast guy kills the other male friend by slitting his throat. 

There are a couple of attempts to escape by the women. Milquetoast is beaten over the head with a tire iron -- yet he survives. 

The driver is also beaten and somehow survived a head on collision with a fence at high speed while kneeling next to the steering wheel. Somehow he didn't go through the window or even get seriously injured with a collision with windshield. Yet the woman driving the shuttle is knocked unconscious -- yet she had a steering wheel to protect her and he had nothing between him and the windshield.

He is eventually able to subdue the women and get them to an underground garage that is a front for human trafficking. One of the women is killed. The other one stabs the driver in the leg with a good sized piece of broken mirror and shoots/grazes him in the head, yet he is able (in what should be a severely weakened state -- severe blood loss, two head injuries and a large leg gash) to drag her out of the shuttle, drag her to a large crate, throw her in and get it locked, all the while with her fiercely fighting him.

Now some people admire the message of the movie about human trafficking and how it is going on today. This is a serious problem. But, making an extremely boring movie about the topic does not entitle it to a higher rating.
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I have been feeling a little disappointed by Tarantino ever since death proof. But i insist it was only a little, because i can appreciate the amount of work in producing such an homage to stunts people. Inglorious Basterds has definitely propelled Tarantino to the top ranks in my universe. This movie can be summed up (albeit inadequately) in one word : "RAW". 

There is an intense emotion in every scene. Revenge and justice seem to be the main themes, From the start of the movie one feels compassion towards the victims of the Nazis, and is placed in Tarantino's fictional dimension of the WW2 historical context. 

Characters are unpredictiable, fun, scary, brutal, sexy, and other adjectives i am sure are escaping my mind that are just as fitting and positive. I won't go in to an appreciation of each character, but the other comments by fellow users sum up the appreciation of the various performances. 

Dialogue has evolved from the classic Tarantino "bad ass" provocative style as seen in Pulp Fiction and Death Proof. One can feel in the dialogues that Tarantino is making more open references to other movies. Indeed, many dialogues were near lessons in cinema to the audience, the setting partly takes place at a movie premiere ; a reference to a movie is close around every corner. 

It is nice to see that each language presented (German, French, and English) is employed rather equally and naturally. I speak both French and English very fluently, and am frequently disappointed in how English speaking characters in french movies act poorly, and how french speaking characters in English/American movies act poorly. Amazingly enough, Tarantino managed to make his actors pull off a natural and graceful performance from his actors. It helps put the audience in context of the historical context. Indeed ; soldiers, spies and civilans rarely understood soldiers/spies/civilians from other countries.

The visuals/photography are beautiful, with sceneries convincingly conveying a 1940s WWII Europe. The outfits are perfect, and the violence orgasmically/realistically conveyed. No punches are held back, and the Nazis are often shown being tortured. This makes the movie not open to all audiences ; the graphic violence can shock the more sensitive demographic. 

volumes can be written about this movie. But the movie is so good, that during the North American Inglorious Basterds premiere at the Fantasia Festival in Montreal, i had to pee, but refused to go so as to not miss one single scene. I hope that image conveys how strongly i feel about this movie, and i'm a hard audience to please.

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The focus of the key relationship in a young man's life, that of his relationship with his father, was excellently portrayed in this movie, "The Greatest Game Ever Played." The movie captured the essence of how important it is for a father to validate his son and let him know that he has what it takes to follow his dream.

It didn't matter that economic and social class mores presented obstacles to be overcome by both father and son. It also didn't matter that others were acclaiming the son in exuberant celebration. What mattered the most was that he saw his father's hand and then his face of approval. The real life challenge for both father and son had been met.

Considering that in real life the hero of the story kept his amateur status and became a businessman pretty much verifies that all that went before the match was the training ground for a valid father and son relationship.
I watched this movie recently and fell in love with it. I loved the storyline and the actors. It has a little of everything. I was completely taken by the unfolding of the story. It has so many surprises along the way. I highly recommend it. In fact, I loved it so much that I ran out and bought the book. I felt I had to read it in order to appreciate the art in the writing behind the movie. I also wanted to make sure I didn't miss anything that was in the book but kept out of the movie. I recommend people who love the movie to read the book because there is enough difference in the book, especially in the second episode, to want to read it. It has become my favorite movie. I am now a Sarah Waters and Elaine Cassidy fan!!

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Face it, folks-- "DK3" is more challenging, innovative, and clever than its predecessor. Challenging-- its levels are ridiculously difficult for a considerable amount of time. One especially difficult level is called "Lightning Lookout," in which you may be struck by lightning at any given time. Innovative-- it opened a lot of doors. Too bad the SNES died out not long after this title. And clever-- the level names range from trademark plays-on-words ("Lake Orangatanga") to witty references that the game's targeted audience won't get for many years to come ("Bleak's House").

What irks me about most people's criticism of this game mainly comes down to two words: Kiddy Kong. He is a worthy "little-buddy" successor to Diddy Kong, and certainly does not deserve to be referred to as "that retarded monkey." "DK3" will remain a classic until the end of time.

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Please tell me the sentiment of the following review: Racing enthusiast Fabian (as Tommy Callahan) smokes, drinks, and suffers blackouts while juggling feelings for alluring brunette Annette Funicello (as Francie Madsen) and blonde mainstay Diane McBain (as Annie Blaine). Complicating matters are Ms. Funicello's boozy race car boyfriend Warren Berlinger (as Eddie Sands), and her father Jan Murray (as Pete Madsen), who encourages the reckless drivers. Funicello's cow-eyed performance is sometimes enjoyable; however, her drunken driving scene is unnerving. "Thunder Alley" provides marginally more NASCAR excitement than its predecessor, "Fireball 500" (1966) *; be warned, it isn't much. A wild party scene, featuring some mild strip tease, is the film's low highlight.
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what a shame our first movie is so bad .............................. hi sham , what did you do in this movie:( . . it is awful! and the director :( .. there is no story in this film . i had sleep when i was watching this film .. It is a disappointment, and the majority of the crew is not from Saudi Arabia. Supposed to be a comedy movie, but it lacks the essential elements in Comedy ,

I know it first experience of cinema in Saudi Arabia, but I expect better from Kaif Al Hal !! The only positive in the movie is the presence of some talented actors who did not help much text to explode their talents Finally.., iwant to know your comment about this movie guys... is it bad or what?
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Please tell me the sentiment of the following review: This movie can't decide what it is -- a soft porno or a sf movie. Not enough plot for a real movie, but way too much for a porno.

In a galaxy far far away, a good princess (we know she's good because she has long blonde hair, wears a white toga, is polite, and is mooning wistfully about her dying mother when we first see her) inherits the kingdom over her elder sister, who is evil (and we know this because she has dark hair and wears too much makeup, abuses her male sexual slaves, sneers and curls her lip all the time, and talks imperiously about the horrors she'll perpetrate when she's queen). The evil princess gets upset and tries to stage a coup, but the good sister gets away to Earth. Of course, she materializes buck naked in a bar during a wet T-shirt contest. It really goes downhill from there. The acting is ludicrous, the dialog sounds like it was written for a porno, and the general storyline is ridiculous. There's not even enough skin to make happy the sort of person who'd watch this for skin. I love "good" bad movies, and this one's not even enjoyable on a "bad movie" level.
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Slow, odd film that drags and plods (I mean really PLODS) along to its disappointing climax. You may expect some sort of punchline at the end, but there is none. Both Milland and Snodgress give awkward performances; in fact, the film's weirdness may actually be the only thing it has going for it. The generally atmospheric score has some absurd parts (like the music that plays during the first appearance of a monkey), and there is a truly awful fantasy scene involving....a gorilla. (**)

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Being advertised as the most expensive movie ever made in the Czech Republic, it automatically makes the you think it will be over glorified and clichéd (out of fear of the budget). However with a budget of 8 Million and half the movie in English it was not exactly a big budget, high risk movie.

What we have a grand epic tale centered around the friendship of two people, the younger Karel and the older Frantisek . As pilots in the Czech air force when the Germans invade before the beginning of world war II they escape the country to England to joined the RAF.

Their friendship becomes strained through the love of the same woman. However there is a bond of friendship that goes beyond merely being friendly. Their friendship is an elegant metaphor for the attitude of the Czech people and their country. Remember they were not the winners, the defeated the Germans only to be invaded by the Russians.

Funny, exciting, intriguing, beautiful, sad and illuminating this movie is one of my favourite war movies. Most of all I like the way they make fun of the British in a way that is amazingly affectionate and gives an amazing insight into the way the British military fought WWII.

Forget the recent American efforts (Peal Harbour, Saving Private Ryan), this is the best WWII movie for a long time.

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This is one of the best romantic movies I have ever seen. Especially girls who can identify with Nicole will love it(not only because of the handsome Dalton James) I also liked the music very much. A highlight was land of the sea and sun from baha-man. So watch the movie and enjoy it
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John Waters owes me 2 hours of my life back. I saw a sneak-preview screening of this way back in 1990, and I'm still in pain. Not before or since have I seen such a terrible piece of filmic waste spewed upon the screen. There is nothing positive I can say about this film. Acting--awful; plot--ridiculous; music--atrocious. Following the movie, my friends and I demanded our money back from the manager of the theater. He explained that, since it was a free screening, he couldn't give us anything in return, no matter how much agony we were suffering through. How Johnny Depp's career survived this trainwreck of a movie is anyone's guess.

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The gang is back for more! Ron Howard and Cindy Williams are now married! Her brother is demonstrating against the draft and Charles Martin Smith is doing everything he can in Vietnam to get sent home.

The issues of the 60's are brought to light here, but it's all over the place, beginning with New Year's Eve 1963, then three minutes later, it's New Year's Eve 1964, then three minutes later, it's New Year's Eve 1965, then three minutes later, it's back to 1963 again. Martin Smith is talking about his friend dying in a drag race a year ago, and a couple of scenes later, this friend is winning his next heat in a drag race and to top it all off, the drug scene and the flower children enter the picture (or pictures, in some cases, as many as three different camera shots are shown on the screen at the same time).

If you want to watch this film, you have to WATCH this film, but I'd advise you to stick to the original and leave it there. Wolfman Jack is heard in the beginning of the film before almost every song played in the background, but where'd he go? Maybe HE couldn't keep up with this film, either, and quit! 2 out of 10 stars!
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Please tell me the sentiment of the following review: I loved it. I had just sat through half of "The Glass House" (turned it off...god what a morass of predictable plot and bad acting) and then I saw this movie. I thought it was terrific. Loved both Cameron Diaz and Jordana Brewster in it. I liked the escapism of the whole setting, the traveling around Europe in the 60's thing - yet they made it more realistic by showing the dark side and all of the bad things that could happen. It held my attention completely, even if I did think that parts were unbelievable.
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OK,so this film is NOT very well known,and wasn't very well publicised.I discovered this fairly brutal gangster gone good movie by complete accident on one of Skys millions of movie channels late on some boring evening,but I'm glad i did!The opening sequence to this film is fantastically comical in a very dark way.This in fact sets what i think is the general tone for the movie.I think a lot of critics and movie fans that have actually seen this film have been a bit unfair to just write it off as a lower budget gangster movie in the Reservoir Dogs vein.OK,so there are undeniable similarities between Thursday and some other crime genre films that it has been compared to,but in all fairness,i think this film takes a much more darkly comic look at this type of film,and the end result is a engrossing,well made,funny,if not totally original film.Tom Jane is good in this,and deserves the recognition he will now hopefully get thanks to the The Punisher.His performance as the bad guy gone good is realistic,funny and just cold enough to make you believe Casey really was a bad ass before he reformed.Thats another thing that makes this film stand out for me,the characters.In Nicks gang you get the strangest trio of criminals ever assembled,a smooth,charismatic but very cold leader(Nick),a trigger happy blood loving sexually predatory bitch of a woman(Dallas)and a psychotic hill billy with brains with a penchant for torture(Billy Hill).Throw in the most bizarre police detective ever seen on screen,beautifully over played by Mickey Rourke,and you've got a recipe for...well for Thursday really.Its at times darkly comic,sometimes brutal,sometimes unoriginal,but always engrossing and worth watching.8/10
'Steamboat Willie (1928)' is often erroneously touted as the first Mickey Mouse film, though that title actually goes to 'Plane Crazy (1928).' The source fuelling this common misconception is probably an episode of "The Simpsons," which places the origin of Itchy the Mouse in a 1928 short called 'Steamboat Itchy,' obviously a parody of this cartoon. Interestingly, 'Steamboat Willie' was itself a parody, spoofing the latest Buster Keaton release, 'Steamboat Bill, Jr. (1928),' though the connection stretches little beyond the title and the general story setting. In this Walt Disney short, Mickey Mouse takes charge of a river steamboat, much to the annoyance of Captain Pete the cat, who spitefully casts him aside. But Mickey is not to be outdone in nastiness. Far removed from the pleasant, wholesome Mickey that more recent generations enjoyed, this little mouse cares only for numero uno, inflicting pain and displeasure on a series of farm animals in order to provide music for his own amusement.

First there's the laughing parrot, which cops a bucket and a large potato to the head. Then a goat is cranked by the tail to provide music ("Turkey in the Straw") from a guitar it has swallowed. A cat is swung around by its tail, a goose throttled about the throat, and a piglet viciously booted. For a children's cartoon, 'Steamboat Willie,' directed by Walt Disney and Ub Iwerks, certainly has some mean-spirited humour, though I also noticed similar elements (though not quite to this extent) in some later Disney shorts, like 'Gulliver Mickey (1934).' Let's not forget Minnie Mouse, of course, who suffers treatment for which she could today sue for sexual harassment! The jokes may be crude, and the animation perhaps even more so, but this cartoon delivers a bucket-full of laughs, and it's easy to see why this little rodent became one of the most beloved characters in cinema history. If you're a fan of Mickey Mouse, or Disney in general, this is one steamboat you can't afford to miss.
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Carson Daly has to be the only late night talk show host that isn't a comedian. What was NBC thinking! He's not funny! The writing is horrible to! All of the sketches are painful to watch. The current new karaoke isn't funny at all, especially since he tells you what they are going to sing before they sing it! The escalator interviews is just stupid and needless to say not funny at all. All he jokes, especially during the monologue, are the least clever, dumbest, not funny jokes ever put on television! I mean, anytime he makes a Jessica Simpson joke he ends it with "because she's stupid," which cancels out any funniness that was in the joke, which was already very low. Any 3 year old could have come up with any of the jokes and sketches they put on this lame excuse for a show. Seriously, don't watch this show, unless you're on the edge of suicide and want something to push you over the edge.
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this movie was incredibly stupid with meaning what so ever. i fell bad for all the actors and actresses that ruined there career to be in this stupid movie. the entire movie was based on how unrealistic they could make it, to make little like it which made it even stupider. even some of the names were unrealistic. the film is fun to watch which is why it had 2 out of 10 stars. this is probably the 3rd stupidest movie ever made. i got really made after i realized that it had mostly adult actors in it yet in was a kid movie. the most upsetting one was Danny Trejo a horror movie actor who is always dirty. the other actors were pretty much clean as far as i'm concerned.
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"Robin Hood: Men in Tights" has received no respect whatsoever. It was hilarious! Cary Elwes was excellent as the "Prince of Thieves," and David Chappelle, Amy Yasbeck, Patrick Stewart, Richard Lewis and Mark Blankfield as Blinkin all did fine jobs. I will never understand the hostility toward "Robin Hood: Men in Tights," but I do know a great comedy when I see one.

"Robin Hood: Men in Tights" receives *** out of ****.
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This movie shocked me. It was so realistic and the story was incredible touching. They talk German and Russian, which makes it more believable and real. This is a must-see movie. The actors are great too. Really a good piece of work. The plot takes place within a German troop in WWII. They have to go to Stalingrad, Sovjet, to fight against the Sovjetian armies. You get more connected with every soldier in this group and follow them through all the perils as they get captured within Stalingrad. They get face-to-face meetings with death, blood, grief and the coldness of Russia. This is a must-see-movie and you cant afford not to see it.
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Well I just discovered IMDb from my twin sister, Carol. Carol and I played the "Fat Identical Twin" in Midnight Madness. We didn't have to prepare much for the fat part, that came with us, and well and the rest was natural. ;) It was our first major film role and we had a blast making it. We were 21 at the time and lived about an hour and half from The Disney Studio in Burbank and the Hollywood, California area. We grew up in front of the TV and probably some of the first generation of latch-key-kids. Twenty years later, we still have lots of fun and are still 'heavy' or what ever is politically correct these days. We don't pursue acting any more but have been know to 'come back' when the right opportunity arrives. Carol is a Chiropractor in our home town of Southern California and I am in the Information Technology field in Georgia.

I maybe bias, but I thought the film was cute, clean and fun. We knew it wasn't a master piece or an Oscar nominee, however, it was and still is a movie the whole family can watch and have fun together. It's nice not to have to worry if your young children can watch a video without having to fast forward certain parts. And no one was more exited when it was released on video as Carol and I were. Carol found it at Kmart for $6.99! Now that's an inexpensive way to capture one's memories and share it with others.

Sincerely, Betsy Lynn and Carol Gwynn; The Thompson Twins

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King Vladislav (Angus Scrimm) of Romania is a vampire, but a vampire of light who wants nothing more than to live in peace and harmony with mankind. But his son, Radu (Anders Hove), is a cruel creature to his very heart (which is pretty obvious as soon as you see him). Three female students have come to study local folklore, but find themselves drawn into the vampires legends at just the wrong time: Vladislav has been killed.

Who can say anything bad about a film featuring a cameo from Angus Scrimm? I can't. I mean, I had some low expectations after seeing other Full Moon pictures ("Puppet Master" in particular, and "Demonic Toys"). But despite the really bad animated effects of the demons, this film was actually really well done and very fun to watch. Plenty of blood, a good plot and backstory (the Bloodstone story was surprisingly refreshing) and even some new angles on the vampire mythos, which you'd think would be dead by now. (Maybe I'm wrong, but this is probably the first film to feature rosary beads being fired from a gun.) Aside from vampires and blood, you get a share of nudity (gratuitous, but welcome) and I had to notice the excellent score from the composers (not sure who deserves credit, but those involved include Stuart Brotman, Richard Kosinski, William Levine, Michael Portis and John Zeretzka). This is Horror 101 all the way. Heck, you even get two sequels, which is the sign of a true horror film. (Of course, some bad films get sequels, too -- did I mention "Puppet Master"?) The Romanian theme was well-done, and the film even seems to have been made by Romanians if I am guessing their name origins correctly. And the score -- the music -- really stood out for me as a nice change of pace, very mood-setting. I like Richard Band, but I'm glad another composer was given a shot because he nailed the atmosphere on the head. If you like vampire films and want a slight variation (one of the Eastern European variety), this is worth seeing.
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While sleeping, Mr. Eko is assigned by his brother Yemi (Adetokumboh McCormack) in a dream to go with John Locke to disclose the meaning of the "?" symbol. With the pretext of chasing Henry, Mr. Eko brings John with him and they find a second hatch called "Pearl" underground the question mark symbol marked on the field, where a video explains that the other hatch is a psychological experiment and people behavior pressing the buttons of the computer every 108 minutes are actually subjects. Meanwhile, Jack unsuccessfully tries to save Libby.

In this episode, John Locke loses his faith in the island when he finds that they have been monitored in the hatch. The disgusting Michael sees the anguishing Libby wishing that she was dead, while Hurley, Jack, Kate and Sawyer are suffering her pain, in a deep emotional contrast. My vote is eight.

Title (Brazil): Not Available
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Finding the premise intriguing, and reading the reviews, and being an Angel fan, I watched this movie. It's sexy and original, and quite entertaining. David Boreanaz is Keith. He's a hunky married man, stay at home Dad, and he feels a little inadequate in his marriage. He makes the mistake of penetrating a close circle of teenage girls who are fascinated with the idea of doing it with an older man. They'll do anything to get into his bed, including beg, lie, and blackmail, but they mostly try to push his buttons. The nuttiness that ensues sends Keith reeling, and pushes friendships to the edge. David Boreanaz shows a little skin in this one-- and he's looking hot. Yes-he plays a sleazy cheat - but he shows enough vulnerability and tenderness toward the goofy teens that you end up cheering for him in the end. One more thing, when someone moans "oh yeah, oh..oh..YEAH!!", it's hard to see them as a victim of rape.
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Bean, Kevin & Perry, UK TV creations that have made successful transitions onto the BIG screen. Now its Ali G's turn and I m afraid to say this is not one of them!

Ali has always been obscene but funny with it. This film was extremley sick and not funny at all. Scenes involving bestiality, gay sex and paedophilia should not be portrayed for entertainment's sake.

Ali G In Da House is rubbish and deserves making very little money.

1 out 10
Perhaps it's about time we declare 2007 to be "The International Year of the Cinematic Crocodile"! The ridiculous "Primeval" came first, about a croc named Gustave (!) ruling the swamps in Burundi. Then there was "Lake Placid 2", a low-profiled and made-for-TV sequel to a forgettable original. Thirdly, there's this incredibly derivative and soporific piece of Aussie horror and, finally, I have yet to see the promising "Rogue". The last one is likely to be the best, considering the involvement of the upcoming Aussie horror talent Greg McLean ("Wolf Creek"). "Black Water" certainly isn't a complete waste of time and film, but it's another pretty pointless survival flick that confuses real-life agony with horror. Pardon my bluntness, especially since I honestly feel sorry for the people who went through this ordeal, but depicting three characters sitting in a tree and whining for more than a full hour is not my idea of sheer suspense! Three young people travel through Northern Australia and decide to spend a day of fishing in the remote swamp areas. It doesn't take too long before a gigantic and ferocious crocodile capsizes their little boat and devours the guide. Grace, Lee and Adam barely manage to escape the reptile's hungry teeth by climbing up a tree. Even though he remains unseen most of the time, the croc patiently lies in waiting and makes it impossible for them to leave the swamp alive. Yes, it does sound an awful lot like the plot of "Open Water" indeed. Replace the numerous unseen sharks with one giant unseen crocodile and the open sea with an equally inescapable Aussie swamp, and there you have it. Oh well, "Black Water" at least features some rare moments of excitement and one impressively designed water monster. It has to be said, the croc looks fabulously groovy and you anxiously count down towards every next time he wildly emerges from the water. The three-headed cast does whatever they can to keep their characters interesting, but how do you achieve this by sitting in a tree the whole time? The based-on-true-events concept obviously causes a number of restrictions, like limited images of the fantastic filming locations, dialogs and amiable character drawings.
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Man stop making sequels to great movies. The original was a great movie that was over the top with fights,sex,and one of the coolest characters that graced the screen in the 90's. The story is believable as if your been to bars in the outs of the south you would know. But here comes this piece of junk Roadhouse 2 Last Call. Lets just hope they are serious with the title and never make another Roadhouse ever again.It doesn't have the charm of the characters of the original nor is the story really believable. The Story is more of a Steven Segal type action that even though Roadhouse 2 is a B movie it still doesn't click as some B movie action still sales the movie no matter how cheesy it is. The only reason to rent not buy this movie is that we finally find out the one question is left from the original Roadhouse. Patrick Swayze's character Dalton, is Dalton his first name or last name? Well I'll save you the $4.00 rental fee. Dalton is his first name as in Dalton Tanner. NEVER MAKE ANOTHER ROADHOUSE!!!!!!!!!!!

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Please tell me the sentiment of the following review: "I hate you, you hate me, Barney stole your SUV with a great big bunch and a kick from me to you wont you say you hate me too?" "jingle bells batman smells grandma had a gun shot Barney and made him pee and now there is no more barney the moron" Now why the heck would come up with a idiotic show like barney ???????? So what I'm saying is Barney is a retard from the underground world? And the kids on this show are like 12 years old. If i were them i wouldn't believe this stupid idiot called barney.Now producers why do you believe this crap that barney says? They are always happy. That is stupid.they should be sad sometimes. am i right? bottom line barney is so stupid who watches that ugly creature.
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This is a must for All but especially African Americans. It is about time there is a movie that expresses and shows the concerns going on in African American relationships. It also allows other cultures to see in a fictional humorous manner how positive African American relationships are and the outcomes of them instead of the undesirable stereotype that plagues the African American community. I love this film a must see!!
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For a good take on the Roman Empire watch the excellent BBC produced miniseries "I, Claudius". This just sucked. The acting was pathetic and you could almost see the actors looking at the camera. Hans Matheson was irritating. Cheese factor was so high that it promotes constipation with repeated viewings. Even Caligula was tame. I think this film was silently supported by "religious" groups who shall remain nameless ;). The overt tones of Christian favoritism and persecution were blatant if that gives any hint. Stay away what ever you do - the running time is so long that I was able to read Harry Potter's first book faster than the time it took to view this tripe.

Italy has done better - don't let Hans cute face fool you. He is not a great actor...he is a great bore.
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This film is a perfect example of great escapism! I loved this film and was sucked in from the very beginning. Sure it's just an action flick, but isn't having fun what watching movies is all about? 

The cast of this film are very strong with likable characters. The friendship between the boys is so realistic and appealing, it's heart warming and hilarious to see a group of teenage boys interact - especially this group of boys!! Sean Astin makes a great rebel, successfully avoiding being a precocious teenager.

If you want fun, watch this film! I thoroughly enjoyed it even though I was watching it on a very dirty and old VHS that was terrible quality (Go DVD's!)
My Age: 13

James Cole, played by Steven Seagal, is sent to help Detective Jim Campbell, played by Keenen Ivory Wayans, solve a series of killings in which the victims are crucified. Since Cole has arrived on the spot, he notices that the killings have changed a little, and thinks there is a different killer. It becomes personal when his ex-wife is murdered, and Campbell finds his fingerprints on the body. Campbell investigates the mysterious Cole, and finds out about a very shady past.

I am not a fan of Steven Seagal. I enjoy action movies, but he is the worst actor I have ever seen. This film is not much fun to watch at all, incredibly dumb, and, obviously, Steven Seagal's acting performance is absolutely horrid. Keenen Ivory Wayans isn't too bad, though. The only redeeming thing in this film is the occasional good action scene, although most come round because of insanely stupid reasons. The plot in this film is absolute gibberish. I didn't care for it at all. The whole "glimmer man" past of Seagal's character was stupid, all the Mafia fights and fights in the restaurant were there for almost no reason. Give this film a miss.

Australian Classification: MA 15+: High Level Violence

Rating: 35 out of 100 (quite generous)
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A very enjoyable french film. This film has many twists and turns in the plot and is superb. I have found that when I lend this DVD out to a friend it seems to do the rounds before getting back to me!! It is really all about a man making sure he finds the right girl to settle down with.
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I'll dispense with the obvious review of factual inaccuracies. They are too numerous to name. A much shorter list would be what they got right. 1. Dude named Noah. 2. Ark with animals on it. 

If you want a much more accurate portrayal of Noah's Ark and the destruction of Sodom, go rent "The Bible" (1966). It depicts the story of creation through Abraham attempting to sacrifice his son Isaac. It's a much better movie, and it may be that the abomination called "Noah's Ark" (1999) drove you to seek just such a film. http://www.imdb.com/title/tt0060164/

I really couldn't stomach watching the whole movie. From reading other comments, I can see that even the atheists found it grossly inaccurate. As a Christian, it was intolerable to me. Possibly the worst movie ever made. No real point to this movie either, except maybe to showcase their sub-par computer animation.

Was it a complete waste? Maybe not. God can use evil to work good. 

Romans 8:28 says, [28] And we know that all things work together for good to them that love God, to them who are the called according to his purpose.

Genesis 50 says, [20] But as for you, ye thought evil against me; but God meant it unto good, to bring to pass, as it is this day, to save much people alive.

In the second example, Joseph's brothers meant to kill him, but God turned their evil into a very great good. He may have done the same thing with this movie.

People were so astonished by its lack of Biblical foundation, that they probably broke out the dusty old Bible and read the story for themselves. To find out about Lot and Sodom, they would have to go the whole way up to Genesis 19 before God destroys Sodom and Gomorrah. By then, they have read almost half of Genesis, so they might want to finish. The next book is Exodus, which the movie "The Ten Commandments" was based on (and much more accurately). If they have seen that movie, then Exodus becomes an easy read. So now they have read at least two whole books of the Bible, just because they watched a pathetic movie about Noah's Ark. I'm sure this actually happened to someone out there.

God works in mysterious ways.

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Please tell me the sentiment of the following review: I watched this movie because of Costas Mandylor and Lauren Holly. I adored them together on Picket Fences, so it was a treat to see them together again. This was not the best movie ever made, but it was cute. Very predictable, but sometimes mindlessly fun movies are just what I need.

The desserts were gorgeous, and I wanted to eat all of them. I did love it when that one fell apart though. I bet it still tasted good.

Costas and Lauren still had the great chemistry that they had back on Picket Fences, and I swooned as they kissed in this movie.

I wouldn't watch this again, but it was a great filler for one night.
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I saw this film at the 2005 Edinburgh International Film Festival. 

This film had been compared in the EIFF program to Sideways - which I liked - so I was quite looking forward to this movie. I also liked Garden State, Napoleon Dynamite etc... so I have had good recent experiences with slightly weird American indy films.

Unfortunately, I found that Puffy Chair does not compare favourably with any of these movies.

I was sitting for 35 minutes waiting for something amusing, witty, insightful or even mildly interesting to happen. It didn't - and the shaky video cam was making me sick - so I left.

This is only the second film I have ever walked out from (the first was "Showgirls") which is slightly disappointing. I probably could have lasted the duration had it not been for the nauseating effects of the wobbly picture - but nothing within the first 35 minutes gave me the impression that I would be missing anything.

Disappointing.
Please tell me the sentiment of the following review: This movie has some good performances, as others have pointed out, but suffers (as others have pointed out, except for the people who apparently are either friends of the filmmaker or the cast to otherwise explain why they would deem this a "10") from some self-conscious and self-absorbed film school padding and excess plots. This is the type of plot that Sex In The City could handle in a half hour episode, so there was no reason for it to be even an 88 minute movie. A perfect example of wasted footage is the fast forwarding montage in the first third of the movie. Some of the back story is merited, but too much time, for example, was spent on Daria character with the anal sex boyfriend and on the back story for Paulie, who was not a realistic character, although the actor did a decent job with the lines he was given. 

The worst aspect of the movie was the level of amateurish parts: from typos in the typed material, to bad jumps and edits, poor camera positions, angles, lighting problems throughout and, most glaringly, a poorly written script with a badly developed concept. If the writer (also the director and lead) had collaborated with someone, he might not have ended up with a 100% rotten score on Rotten Tomatoes, which further belays the ability of anyone to truly believe the people who gave it a 10 on the rating system here.
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A genuinely creepy ghost story, full of chills and sensuality, this movie just falls short of what it promises. It is apparently based on an old ghost story, and perhaps relies a little too much on a simple premise. For most of the way, its imaginative and genuinely gripping, but at the end its almost like Oshima just lost interest in it, and brought it to a rapid ending.

The story is simple - a woman and her younger lover kill her husband so that they can be together. But their failure of nerve and his returning ghost condemn them to madness. Its beautifully handled, with imaginative set scenes, and the lovers passion is portrayed beautifully. But too often the movie fails to really deliver on its promise, almost as if Oshima loses his nerve in the same way the lovers do.

Its a worthwhile movie to watch just to see how Oshima combines his great skill as a film maker with some exploitation movie tricks to pull the audience along, but sadly its not a true classic in the mold of movies like Onibaba or Woman of the Dunes.
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The biggest tragedy surrounding this thoroughly delightful movie is its lack of U.S. distribution. I was fortunate enough to see this film at the Boston International Festival of Women's Cinema, and highly recommend it to anyone who gets a chance to see it. Terrific performances, and thoughtful script and great direction from the talented and funny Rose Troche all combine to make this film a winner!
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Cybrog 2:Glass Shadow stars Elias Koteas as Colton Hicks (Rhymes with kicks!) a karate instructor who helps a Cash (Jolie) escape from Pinwheel, her creators who look to detonate her and destroy a rival company. Along the way Billy Drago and Karen Shepherd show up to displace the duo, while Jack Palance is there to deliver guidance to the duo on the run. One of the things that is quite shocking about the Cyborg franchise, is how the series has managed to have quite prolific and off beat actors in the cast. The original had Jean-Claude Van Damme and Dayle Haddon (Don't know her? Well she was in a bunch of 70's pornos) this one has Jack Palance, Elias Koteas,Billy Drago and Angelina Jolie. The third one has William Katt, Zach Galligan and Malcom McDowell. (Okay so, Cyborg 3's cast isn't that impressive.) I've never seen Cyborg 3, but I did see this on Sci-Fi channel and must admit I wasn't impressed. Actually strike that, Cyborg 2 is an often lovely looking movie, it's shot with excellent style and the visual detail make this easy on the eye. However Cyborg 1 was the same way, indeed the movie was directed with a certain amount of style, slow motion and music that made it all easy on the eye. Unfortunately like the first, this one doesn't have any new ideas or anything resembling a plot or texture. Most of the ideas are taken from Blade Runner and Max Headroom, so for various reasons the movie doesn't have much to offer beyond it's look. Another aspect is the terrible acting. Karen Shepherd and Billy Drago are absolutely terrible and Angelina Jolie isn't much better. Elias Koteas and Jack Palance come off fine but seriously Palance is playing a cyborg warrior and Koteas is a karate instructor. I guess on the positive side you can't accuse Michael Schroeder of not being ambitious with casting. Still the movie is dull and I for one lost interest in the story fifteen minutes in. Also why did they tie it in with Cyborg anyway? It has nothing to do with it's predecessor, which this manages to be worse than.

* out of 4-(Bad)

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Leslie Nielson is a very talented actor, who made a huge mistake by doing this film. It doesn't even come close to being funny. The best word to describe it is STUPID!
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A good story about Rusty Parker (Rita Hayworth) who dreams of being on broadway which means she would have to leave the small dinner theater where she works with Danny (Gene Kelly) and Genius (Phil Silvers). Rusty is in love with Danny. All three are good friends and every Friday night they go to a local bar where they get oysters so they can look for a pearl (they never eat them). The story line provides numerous opportunities for songs and dancing. The movie has two questions that Rusty must answer: Is fame all that it is cracked up to be? and Is less really more if you are happy? Answering those questions makes the movie. The movie also does a good job of showcasing the talents that all three principals had. Never a dull moment!
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While babysitting at an isolated Colorado house, a teen girl is terrorized by an elusive murderer on the telephone.

Remake of the 1979 semi-classic horror film basically takes the opening 20 minutes of the original film and stretches it out to fit an 87 minute time span! So it's pretty needless to say that the plot of this remake is pretty thin. There's little in the way of originality or interest in this movie. There's a lot of Camilla Belle wondering around a dark house wondering who's calling her and encountering all kinds of false scares. It all gets repetitious and routine after the first 30 minutes and never manages to muster up much in the way of suspense or chills. It certainly never reaches the intensity of the original film, especially since it wimps-out and changes one important plot point from the original. I guess we have the PG-13 rating to thank for that.

On the plus side there's an impressive set design and some dark atmosphere, unfortunately there's not much going on around it to save this remake from being sub-par. Belle's performance is pretty mediocre too.

It's just another unimpressive remake.

* 1/2 out of ****

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I was pleasantly pleased with the ending. I just saw this movie yesterday, and was going to turn it off, but changed my mind. It was not at all the direction I thought the story would end on. Thats about all positive I can say about this film. All of the actors are nobodys, especially the lead. While she is an attractive young woman, she'll never make it big. The writing, direction, and acting are wooded, sort of like what you would see on daytime soaps. The filming locations were very clever in making you think it could be anywhere, instead of blatantly tipping off it was in Canada. As this was shot entirely in Canada, I'm assuming the entire lot was Canadien, which is not entirely bad as some recent Canadien TV productions: "Cold Squad", "Stone; Underover" are quite well done.
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