cindermond/bento huggingface dataset:
Please tell me the sentiment of the following review: Going into Teaching Mrs Tingle, all I wanted was a fun, enjoyable teen comedy that would entertain me for it's running time. Despite a rather good first half hour, the film quickly subsides into a dull, clichéd mess that's about as entertaining as pulling out your eyelashes with pliers. Rusty pliers, at that. 'Scream' writer Kevin Williamson wrote and directed this movie, and proved that Scream may well have been a fluke. Most of the elements of this movie have been seen a million times already in other films; and while it was OK for him to steal elements from other movies in Scream, due to the fact that it's meant as a slasher tribute; here, it just looks like he's completely ran out of ideas. The plot follows the cleverest girl in school, played by Katie Holmes. After being caught cheating along with two of her friends; the three decide to take the teacher that caught them hostage in her own home. However, this isn't just any teacher; it's Mrs Tingle, the meanest bitch in school. She isn't taking being tied to the bed lying down either, as she begins to play mind games to turn her captors against each other.

The plot is very similar to the 1997 flick 'Suicide Kings', and a whole host of earlier films. It's actually not a bad idea for a movie, and if Williamson could have populated the film with interesting characters; it could have worked really well. The character of Mrs Tingle is the most interesting in the movie, but she's massively one dimensional, and like all the other characters in the film; is merely a caricature. The acting is largely diabolical, with the exception of Helen Mirren in the title role. She's suitably evil in the role, and while she doesn't have a lot to get her teeth into; she clearly enjoys herself playing the central figure. The teenage cast isn't worth mentioning, with only Katie Holmes standing out; and that's only really because of her star profile, not her acting talents. Williamson has draped nearly every scene in dull soft rock music, which would be really annoying if the film wasn't absolutely terrible anyway. Honestly, this movie does have a few moments that are rather good; but basically, if you want to see a good example of the teen comedy - this isn't the movie that you want to see.
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This movie obviously had good intentions. At the end there is a dedication to someone named Kellie who, as a viewer, I can only assume found herself in a situation similar to the one the movie depicts. Perhaps she made the "wrong" choice. That dedication is the ONLY redeeming quality of Love & Suicide.

The movie becomes unbearable from the opening sequence. Once the viewer is already that irritated only about five minutes into the film, it's pretty much going to be downhill after that...which it was. I know the film was low budget and the camera shots were actually pretty good...unfortunately, everything else was horrid. The acting, the plot, the sound quality, the picture quality...the acting. I'm sorry but the acting is horrible. Beyond horrible. It's as if the actors are trying to act like people acting. That's the only way I can think to describe it. As I watched, I actually pictured the script with the stage direction in my mind. None of the movements were natural and none of the characters' reactions to one another fit. In short: the timing is WAY off. The timing of the entire film is way off. I'm no director so I know the limits of my knowledge but I really feel there had to be SOME way to convey the passing of time...until they explained about graduation not being too far away I was under the impression that the first portion of the movie had taken place over the span of a week...a month at most.

All that being said, it's really a shame. This movie truly could have been powerful with a little tweaking. All the moments in the film in which we are supposed to feel something are obvious but only because the set-up is obvious (which is a bad thing). The moving scenes totally fell flat. For instance, when Kaye's brother takes his hat of his head and puts it on hers, we should feel the understanding he has for her, the innocence and protectiveness of the love of her brother...somehow it just doesn't come off that way. There are so many more scenes like this (for example: ALL of the fight scenes) and all they do is take away from the movie. All these things put together, Love & Suicide comes off as one long, cheesy, low-budget commercial.
It was sad that COMMITTED lasted only two weeks in Dallas theaters. I thought this movie had a lot going for it. The script was funny, full of subtle emotional shifts, and it had a good message. The acting was great. Everyone did a superb job, especially with the script's subtleties. Heather Graham not only has beautiful eyes, she has *expressive* eyes. For that matter, all the actors were attractive! Why it didn't do well in its theatrical release, I don't know--other than the studio didn't seem to have much of a push behind it. But it deserved to do better, and I hope it does well on video. It's certainly one of my favorites for the first half of 2000.

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Think you've seen the worst movie in the world? Think again. The person who designed the cover of this box should be accused of false advertising. The cover makes it look like a good, scary horror suspense thriller. But, no. What we have instead is NIGHTSCREAM. A movie that makes a "sweeeoooowww!!" noise every time a credit flashes across the screen. The biggest name in the entire film is probably Casper Van Dien who hardly has a part.

I voted a one for this one only because I couldn't vote any lower. If I could vote something like negative five-thousand, trust me, I would have. So, for now, I'm going to give NIGHTSCREAM 1/2* out of 5 just because it ended.
I have fond memories of watching this when it came out. It's one of those films that you know is rubbish, even when you're a kid, but at that age you overlook the ludicrous acting, special effects and plot (so there's a race of big-busted nymphets living underground, huh?) and just enjoy the campy monsters for all they're worth.

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I have to tell you I've been a fan of Star Trek TNG since i was a kid.

Well, sometime ago i gave a friend of mine some DS9 episodes and i asked him

"hey man, what are you watching lately because I'm done watching all TNG episodes" He said. "Well, i got these episodes of Farscape". I said: "Ok, let me try it" I was pretty sure at that time that i wont like it because i was just finised watching TNG and found it great."

I had 3 episodes, viewed those but the show didn't impressed me very much, i found it childish initially and i thought its just another TV show, nice adventures but regular. Music was a little bit different, neat special effects though and i had the vague impression that the actors didn't fully get into the characters skin.

I watched another 3 episodes thinking that 3 eps were not enough to decide i like or not since. Then the show started to get me, i got a good grasp of the action and wanted to see what happened next to the poor Crichton....the rest is history. 

I think i mostly like the freedom of the characters in the context of the action unlike Star Trek where everybody slept when they were supposed to do and way too much high tech bullshit. 

The show got better with each episode, very interesting story line.....what can i say, this movie its like poetry. 

I highly recommend it!!!

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A scientific experiment designed to create a superhuman being has gone wrong.The creators become trapped in a remote desert outpost,pursued relentlessly and mercilessly by their own creation.James Stockton,the scientist whose research was used despite his protests to create the monster,is called the outpost to help undo the horror that now lurks somewhere within the dark halls.James,together with his son and daughter,soon find themselves trapped inside with the others,trying desperately to survive.And with the outpost sealed from within,there is no way out..."The Outpost"/"Mind Ripper" is highly unoriginal.The sets are pretty claustrophobic and there's a bit of gore.However as a horror it fails miserably on almost all levels.There's zero suspense,the script is weak and filled with big holes and the ending is extremely predictable.So-called master Wes Craven produced this one-I wonder if he is happy with this trash.Joe Gayton directs without any style.The acting is horrible,only Lance Henriksen can act at all.OK,I'm a big horror fan and was bitterly disappointed.Avoid it like the plague-it's just the same old boring crap again!
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The Truth and Reconciliation process in South Africa is a vital and probably unique human experiment. This movie does an excellent job of revealing the complexity of the task and the incredible challenges facing South Africa. I believe every one should see this movie as I think few people outside of South Africa understand its past and what is being attempted in the Truth and Reconciliation process. Almost every country has some part of its own history which is still a source of continuing hatred and bitterness. We all need to understand ways of dealing with the past. What's happening in South Africa should guide us all. I found it credible, moving and at times upsetting. There were no outstanding acting performances but this added to the strength of the narrative. Once again the BBC has been instrumental in taking a complex topic and turning out a top class movie.

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It`s funny how instinct warns you of something . For example as soon as the company credits read Nu Image I knew instinctively I`d seen a really crap film by them somewhere before but couldn`t remember where . Nevertheless I just knew JUDGE AND JURY was going to be crap and it was . Maybe I`m psychic ?

!!!! MILD SPOILERS !!!!

The opening is rather violent with several people getting blown away for no more reason than being in the wrong place at the wrong time . I don`t know about you but I`m geting slightly fed up with exploitive violence onscreen nowadays along with bad language , especially if it`s spouted by actors as bad as the ones in this movie . Anyway the plot revolves around the bad dude getting executed and coming back to reek revenge on the man who shot his wife . Oh did I mention the bad dude and his wife murdered a couple of people on their wedding night ? Yeah he`s a serious badass mofo . In fact he`s so bad ( And I don`t mean the acting - I`ll get to that in a moment ) that he`s impossible to take seriously and this is before he`s executed only to return as Elton John , Elvis , a French chef etc . I wonder if Keith David got paid for this ? because he looks lke he`s having so much fun on screen that`s the only reason he`s playing the role . What a pity this reviewer didn`t have any fun whatsoever watching JUDGE AND JURY . Hey maybe the producers could send me Keith`s fee ? Gawd only knows I deserve it.

I disliked this movie a lot as if you hadn`t guessed and my main beef isn`t with the stupid plot or the cheap production values but with its attitude to violence . If like me you`ve had a wine bottle cracked over your head or been kicked in the ribs very hard several times you`ll know violence is an obscene painful thing , but JUDGE AND JURY will have you believe that if you`re thrown through a window , crash through some bannisters and fall twenty odd feet onto a table not only will you be unhurt but you`ll be able to outrun a couple of rabid devil dogs . It could of course be argued that any film starring Sly , Arnie or Bruce also suffers from this same dishonest showing of violence but with JUDGE AND JURY it yanked my chain
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By the acting in this movie, it is sometimes hard NOT to imagine that the cast are who they portray themselves to be. Unbridled passion and acting at times make this a very enjoyable and engaging movie. Wouldn't even have known about it except for HBO late night. And the biggest reason I like UK films much better than American ones are that the actors aren't afraid to act out what is needed.
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What more can you ask for? A great screenplay based on one of the finest plays of the latter half of the 20th century, two fine emotional performances by Courtney and Finney, a realistic vision of war time london, a great supporting cast. This film takes you on an emotional rollercoaster through humour, sadness, loss and fulfillment. if you are in the theatre it is even more effective. This is a true 10 on the rating scale !
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I've only seen about a half dozen films starring Lino Ventura, but this one seems very much like the others. He plays a laconic criminal--one who is short on words and subdued yet occasionally explosive. Given his quiet persona in such films as ARMY OF SHADOWS and SECOND BREATH, I've noticed that his minimalist style of acting is extremely effective. In other words, because he is so quiet and mannered, when he does bad things you tend to notice. And, like these other films, he also has a very strong, though twisted, moral code.

Abel Davos (Ventura) and his partner, Lilane, are both living in Italy and are career criminals. Both grew up in France and eventually had to flea due to their criminal activities. Now in Italy as the film begins, they continue to live the life of thugs and the heat is on to catch them. Oddly, instead of running to yet a third country, they decide to go back to France--even though Davos has been tried and convicted in absentia--and if he's caught it could mean a life in prison or the death penalty. Much of the first third of the film concerns their covert return.

Unfortunately for Davos, the return doesn't go perfectly and now it seems as if every cop in France is looking for him. Additionally, the reaction of his old compatriots in crime is not at all what he'd expect. In fact, their tepid response to his return ends up unleashing a series of terrible events towards the end of the film.

Along the way, Davos meets and is taken in my a stranger, Eric Stark (Jean-Paul Belmondo). Despite Davos seemingly having no friends, Stark and his lady friend try their best to make his return successful. What throws another monkey wrench into this, though, is Davos' two very young sons--what is Davos to do with them--keep them with him in his hiding place? 

Overall, this is a very good crime film--sort of like French Film Noir. Unlike American Noir, the many French versions I have seen have a more realistic as well as bleak outlook to them. Fatalism reigns supreme, that's for sure! The acting is first-rate (especially from Ventura and Belmondo), the direction very sure and the writing very nice, though I am sure many won't like the ending. It just seems to be tacked on--like an afterthought. I understood why they did it this way, but can also see how it might leave many unsatisfied. As for me, it did leave me a tad flat. Otherwise, an exceptional film.
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this movie is one that belongs on the cutting room floor. For one, the opening sequence does not put forth the element of 'gang' related subject. If it wasn't supposed to then at least they got that part right. Secondly...whats with all the glancing to the left and then to the right??? they even do it in synchronous style. Nowhere have i witnessed a member from a rival crew walk up to a bar, look for someone, from the outside lookin like he is all that and a bag o chips at a barbie and walk away without even being confronted let alone get 'what for'. I wasted money on the rental price and am glad i did not purchase the DVD itself.

If this was made by college( T.A.F.E ) students then at least they gave it the old Aussie try. Better luck next time.
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Twenty years after watching this, I still find myself quoting things from this movie like "Look between the two giant melons", or I'll start to sing the "Pabst Blue Ribbon Theme". On the other hand, 20 years later, I can now make sense of the "Meat Machine", as there's still a lot of the stereotypes like this out there that they used for this movie. Those are signs of a good movie to me. I could say this movie stands the test of time, which I can't really say for a lot of 80's movies. I continue that this movie is still on a list of a lot of people's favorite movie as a kid growing up in the 80's. If you like games, and have dreams of becoming a "Game Master", or find yourself dorking out over these 80's movies to relive your childhood, you need to watch this. Also, it's sometimes sarcastic, and funny. But one thing's for certain about this movie, if someone ever invites you to a "Great All-Nighter" they don't mean an X or acid trip party, they mean, get ready for some Midnight Madness! Oh, You'll see. Everyone will be dying to play! hehehehheh.
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Sorry to repeat myself over and over, but here's another great Columbo episode. I guess that's why I'm such a fan - most episodes really are great! The best episodes always have a standout feature of some sort, and in this case the murderer and his accomplice are possibly the youngest ever Columbo villains.

After watching a lot of episodes where Columbo and his adversary act like close friends, it's good to see an episode where tempers fray and bad feelings rise to the surface. It just gives an episode a bit more drama and bite. Columbo is rapidly onto the fact that the two students who claim to be helping him are not very secretly laughing at him and feeding him false clues. He happily plays along, deliberately turning up the bumbling in front of them to make them underestimate him! But of course he knows instantly when they are talking baloney.

The murder itself is another complicated one, along the lines of The Bye Bye Sky High IQ episode, with a sophisticated chain reaction of events that manages to kill the intended target while providing the assassins with a seemingly watertight alibi. In the intervening years between 1978 and 1990, the technology has moved on from record players and firecrackers to remote control car locking systems and hidden cameras.

Stephen Caffrey puts in a great performance as Justin Rowe, the obnoxious, spoilt student. Gary Hershberger is low-key but good as his "yes-man" friend Cooper Redman. And it's nice to see Robert Culp as Mr Rowe, Justin's dad.

A very satisfying episode in all ways.

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Please tell me the sentiment of the following review: I absolutely loved this film... So much emotion in such a small amount of time. I loved the beginning and how it completely throws you off guard. I love the story and the deer being brought in. i know that when i think of deer i think of innocence, and prosperity. Also, in Psalm 42:2 in the Bible it says, "As the deer pants for the water brooks, So pants my soul for You, O God". Which could even connect the last moment when the woman says it will be okay. As if she knows she's going with God. Perhaps I am thinking way to much into it. But sometimes it is interesting to see what goes on through peoples' minds. Thank you for sharing this masterpiece with viewers everywhere. I live in Texas and I had it playing on cable... I immediately got onto the computer to find out more about this film and this amazing director! I really liked the music that was used in the background. Music can sometimes make or break a film. It definitely set the mood perfectly. Very nice choice!

Thanks again.

Laetitia
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Please tell me the sentiment of the following review: This is one of those games where you love it to bits or hate it to shreds.Even being a hardcore Mario fan can make you dislike this game.You can hate it because it is 2 short and somewhat boring and easy.Or you can love it because it is a mixture of amazing graphics(not a Nintendo fan huge excitement) music or game play.I know a lot of people that say it is amazing,and others who think its the worst Mario ever.It really depends on the type of Nintendo fan you are.I personally love this game and I think it is the best wii game,but you should determine that for yourself.So I think you should absolutely get it if you are the right Nintendo fan.But If you love The classics too much,you may not like it.So try it out yourself.
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Island of Death is not really a good movie, by any standard, but it is a curious one. Imagine if Natural Born Killers had been made 20 years too early, as a Greek Eurotrash porn film. That's what you get here - the quaint story of a young, sociopathic British couple cutting a deadly swath through the population of a lovely little Greek island.

I'll spare you a detailed breakdown of the plot; it's not really important except to set up increasingly perverse or violent sex scenes followed by disturbingly brutal murders, often lovingly photographed for posterity by our charming young couple. It could have been brilliant, in its own sick and nasty way, but instead...

Instead, I found myself impatiently checking the run time and chapter index to see how much longer the parade was going to last. Sluggish pacing and listless, bland acting turn even vilest perversities into pablum, and connecting scenes into an eternity of dull plodding. Ah, well. You can't win 'em all.
What a waste of talent -- although it appears that Crudup in real life is a lot more like the vapid, self- absorbed, character-less character he portrays in this disappointing movie.

In art, sometimes the empty spaces reveal more than the painted or created content. What this movie reveals is the unconsciousness and the contradictory/competing, unresolved impulses/consciousness of the film's director/writer. It unintentionally shows the LACK of awareness that a truly evolved, deeply aware character should have and be tormented about in order to deserve audience empathy or sympathy OR the lack of which is used to serve as a cautionary tale to the audience. But this film fails on either level in that regard.

The fact that Cal, the main character (very much an ANTagonist, not a protagonist in the true sense of the word), has no empathy for anyone, especially those most deserving of it (which does NOT include him) and that he has such overblown, entitled, self-pitying, whiney sympathy only for himself, combined with the hallmark lack of remorse and no sense of guilt or awareness of his impact on others -- all converge in this film to make him the epitome of the self-involved, developmentally arrested, narcissistic sociopath -- somehow this is now the gold standard for males on film and in the world at this point and time. 

One of his counterpoints (James LeGros) states with a laser-true flash: "I bet you haven't done one good thing in life -- and I bet you won't". It captures the absolute essence of the Cal character. Something the other characters he bulldozes over in the film seem to realize fairly quickly despite the director having stacked the deck to manipulate sympathy for Cal. That is a testament to the supporting cast's talent and skills.

Cal's eventual 'return' has nothing to do with character development, transformation or evolution of consciousness. It has only to do with the ultimate capitulation that until something better comes along, he may as well be back in his comfy cozy status quo of entitled enablement where the living is easy and no one will demand that he grow up--something of which he is willfully incapable and uninterested in doing.

The film could have been pointed and intentional about showing the traps and tragedies -- the devastating effects of this kind of lack of conscience/ consciousness, but it excuses and glorifies it instead -- in fact, it wallows in self-pity right along with the arrogant, selfish, emotionally stunted main character.

(and it sure sent chills up my spine when thinking of the recent revelations about convicted murderer Scott Peterson).

If you want to see Crudup at his most nuanced and full of an exciting potential that has never been truly realized in my opinion, see the underrated 'Inventing the Abbotts' ....

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Every role, down to the smallest, has been cast and acted with bravado.

The extraordinary Jena Malone never takes a misstep. Her two co-stars are equal to her in this film. Ryan Gosling may be the best actor of his generation. Chris Klein gives his best performance to date. This is a thought and conversation provoking film that should be seen by teens and young adults. You'll think and talk about this film for days. Highly recommended.
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The movie " Inhabited" is about a family of four moving into a new house not knowing that dangers are lurking.The daughter befriends the dangerous creatures as they gain her trust. When they do they use it against her. A man who use to live there as a child or a teen, knows about the creatures and try's to warn them. The creatures steel and take shiny objects to make new stuff out of them , mostly weapons.They has a cat and it murderously disappeared. The man that tried to warn the little sister was tricked by them and end up into a Psyciatric ward. She then help them defeat the creatures and destroy the man one. After they do they leave for good with nothing but each other and something happens to the doctor

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First of all, I should point out that I really enjoyed watching this documentary. Not only it had great music in it, but the shots and the editing were also wonderful. However, all these positive things about the film does not change the fact that it plays to the orientalist "East meets West" cliché that bothers many Turks like myself. Okay, this film tells the story of traditional and contemporary Turkish music in a very stylish manner which is a good thing, something that would show ignorant Europeans and Americans that this country is not just about murdering Armenians and Kurds. However, the problematic of the film is that it looks at what it defines as "east" from the eyes of the "west". I mean, like one jazz musician says in the film, maybe there is no east and west, maybe it is just a myth, a lie created by the ruling leaders of "western" countries in order to keep fear and hostility alive so that they could continue ruling the world and "keep the cash flowing"? 

Why don't you think about that?
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i wish i could find some good things to say about this animated sequel(but not really a sequel)to "Atlantis:The Lost Empire"but this would be a very short comment.the magic that the first one had is nowhere to be found here.the animation is pretty poor all over,the characters themselves are not very well drawn.the backgrounds and the foregrounds are also not good.there's very little attention to detail here.and instead of a compelling and engaging story,we have 3 short stories which are boring and don't make a lot of sense.i swear,even the characters sounded like they were bored,and would rather be somewhere else.which says that the voice actors were bored and wanted to be someplace else,at least that's the impression.some of the same actors return for this dismal effort,but an integral par of the success of the first one was Michael J.Fox as the main hero, Milo Thatch.i get the distinct impression this movie was just thrown together to capitalize on the success of the first one,without much thought or care.but at least Cree Summer returns as the voice of "Kida".that's probably the only good thing about this movie,and even she doesn't seem to have her heart completely in it.mind you,i guess you couldn't blame any of the cast for not giving their all,considering what they had to work with.or rather not work with.this is a straight to video movie(and i use the term loosely)which should have went straight to the nearest landfill.anyway,shame on Disney.consumers deserve much better than this.this one gets a 0/10 and a well deserved one at that.p.u
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Hoot is the best movie. go and see it if you haven't about these 3 kids that stand up to the right and the wrong. a perfect family film. the characters Mullet Fingers ( Cody Linley) Beatrice Leep (Brie Larson) and Roy Eberhardt ( Logan Lerman) are the three main characters. great movie the best!!!!!!!!!!! i love this movie and you guys should too, its a great movie i mean it a great movie. go and see it if you haven't. i like it because they stand up to the right and wrong, and it has cut owls and the hot Cody Linley.

Cody Linley is so HOT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I LOVE HIM SO MUCH!!!!!!
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If you are a Pauly Shore fan, you will laugh your butt off. If not, this is a silly mess wasting some very good talent. A cute coed(Carla Gugino)from South Dakota invites her California college dorm counselor(Shore) home to share Thanksgiving. Notable cast members: Lane Smith, Cindy Pickett, Mason Adams and the drop dead gorgeous Tiffani-Amber Thiessen. Watch where you step.
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I first rented this movie on the infamous day of September 11, 2001. Since then I've seen it a number of times. My only complaint is that it's too short. "Strangeland" would've be a complete piece of horror art at two hours. As it stands, the running time is only an hour and a half.

Ex-Twisted Sister member Dee Snider wrote, produced and stars in this 1998 shockfest set in a small Colorado town. He plays Carleton Hendricks, a crazed sadist who has psychotic ideologies on human evolution and a love for near-death experiences. Hendricks is no pushover, he's a pumped up six-foot "modern primitive". Someone who has tattooed and pierced their body to the very extreme. When he makes his first full appearance in the film, it is a truly terrifying sight.

Hendricks' main hobby in life is to share his "spiritual awakenings" with his kidnapped victims. He visits Internet chatrooms under the name "Capt. Howdy" and then invites people over to his house. They believe they're going to a party. Instead, they find themselves in a house of pain and suffering. Hendricks sows their eyes and mouths shut and tortures them by sticking blades and hooks in numerous parts of their body. If it sounds sick, it's because it is.

One of Hendrick's victims is Genevieve, the teenaged daughter of detective Michael Gage. Gage not only manages to save her, but arrests Hendricks as well. Four years later, Hendricks is released from a mental institution completely rehabilitated to the disapproval of the community. A group of rednecks led by Freddy Krueger himself, actor Robert Englund, decide to kill him. They fail and Hendricks reverts back to his old self.

The rest of the film I'll leave to you, only to say the conclusion is satisfying and will leave you in shivers. With the exception of Snider, the acting isn't too good, but it's serviceable. The direction is okay, too. There are some humorous parts in "Strangeland" and they are very funny. I also loved the soundtrack, it's awesome and worth buying if you love rock. Overall, this is a movie worth watching. If you love low-budget horror films with a sense of humor, check it out. You'll probably like it.
Having grown up on westerns and considering the present dearth of westerns on TV and at the theater, I was really looking forward to Commanche moon.

After watching two nights, and not another, it appears to be have been shot on a tight budget. Robert Duvall and Tommy Lee Jones level stars are conspicuously absent. There is Val Kilmer, but what the heck is going on with him? Four or five buildings on either side of the street plus the Scull mansion make up the entire town of Austin. The capitol is never seen, only the inside of the governor's office.

The dialog is often times hokey, meaningless rambling. The plot line disjointed. Altogether, completely forgettable.

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Sex,Drugs,Rock & Roll is without a doubt the worst product of Western Civilization. The monologues are both uninteresting and pointless In the rare monologue that captures the audience's attention it is quickly lost through overly long repetition and unnecessary additions (The Hells Angels at McDonalds comes to mind) I guess Bogosian's one man show needed some filler material to give a length that he thought justified the price of admission.

I would rather sleep with my aunt and be hung upside down and drained of my blood than see Sex,Drugs,Rock & Roll again.
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In the "goofs" section for this film there's a comment to the effect that there is a mistake in continuity where Auguste's car is seen to be parked in a different place from that seen in a previous shot in the same scene. This is incorrect. One of the views is from Auguste's flat, the other is from Valentiné's flat across the street. The whole purpose of this segment is to show how Valentiné and Auguste - who may be made for each other - almost cross paths (as happens several other times) but never quite do so, until circumstances throw them together on the ferry at the end of the film. (And here there is the implication that Joseph has manipulated things so that Auguste is on that ferry, having inspected Valentiné's ticket to see which sailing she is booked on.)
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I saw this because my cousin is an extra in one of the wedding scenes. I read somewhere that Oz and Rudnick wanted to poke fun at liberal message movies, but the climax ends up being right out of one of those movies. Also, some of the humor is a bit on the cloying side, Joan Cusack was too over-the-top for me, and someone has a strange timeline re the Oscars. Still, there were more than enough funny moments, like the kiss scene, the wedding that isn't, and the scene with the principal, to enjoy this. Kline as always is good, but for me, the real surprise was Selleck, whom I'm not a big fan of, but pokes fun at himself nicely here.
Unfortunately this original mix of action and laughs is kept from cinema fans as it sits rotting in the Columbia vaults for all eternity. A shame since this may be Jack Starrett's strongest film and features a witty script by a young Terrence Malick and fully realized performances by its two leads Stacey Keach and Frederic Forrest who turn to a life of crime so they can get the money to open a seafood restaurant. Many standout scenes include interrogation by bathtub and electric razor, and an intense shootout in an abandoned building as it's being torn down by a wrecking ball!
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After a couple years of searching for the Humphrey Bogart film, "Two Against the World", it unexpectedly showed up as a TCM offering under the title "One Fatal Hour", a First National film from 1936. Bogey's character is Sherry Scott, the man who runs WUBC, a radio station whose program lineup is losing listeners. The owner Bertram Reynolds (Robert Middlemass), is a pathetic executive who calls the shots at the station, but hides behind his decisions by pawning them off on Scott.

In an effort to boost the audience base and revenues, Reynolds has the idea of reviving a twenty year old murder case, and offering it as a fifteen chapter radio play. Scott enlists the aid of Dr. Martin Leavenworth (Harry Hayden) to write the play and present it on the air.

The Pembroke Murder case involved a woman who was acquitted of murdering her husband, the circumstances of which are not made clear. However Gloria Pembroke has married, and is now living as Martha Carstairs (Helen MacKellar), married to a successful banker (Henry O'Neill), and their daughter Edith (Linda Perry) is about to be married (on the same day no less as the radio play is to reveal the identity of Gloria Pembroke). About to be faced with the devastating effects of this revelation, Martha and Jim Carstairs embark on a crusade to have the program stopped. Simultaneously, Edith's future in-laws respond by demanding that the marriage not take place.

Without revealing the final outcome, the film takes a devastating turn to jolt the viewer. Edith Carstairs confronts the principals of the radio station, vigorously admonishing Scott and the sniveling Reynolds. While accepting his share of the blame for the outcome, Scott partially redeems himself by quitting his job, firing his secretary, and hauling her out of the office, recognizing her for the conscience he once had. With an entirely abrupt finish, the film leaves one as disoriented and unsettled as any movie that doesn't have a happy ending. 

With about a dozen films under his belt, Humphrey Bogart gets a chance to take center stage here with intriguing results. With no name supporting players, Bogey rises to the occasion by taking charge in the confines of the radio offices, and runs the show as if it was his own. In an interesting bit of characterization, he expresses his exasperation by crossing his hands over his bowed head, predating by a half dozen years a similar effect we'll see him do in "Casablanca". For Bogart fans, it's a genuine treat to catch an unexpected nuance like this.

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First off, I am critical of this movie because I really had high hopes and instead, this movie sucked.

*possible spoilers* (if you haven't seen the TV series) Where to begin??? Well, let's start at the quality. The movie was barely better than the original TV series and the two fight scenes were very nicely crafted. However the CGI was horrid.

Then there is the plot holes and questions that still remain after the whole movie is all said and done. This movie does not close off as a successful conclusion to a very broad universe known as FMA and only returns to expand the universe more before leaving us with nothing but our imaginations to decipher what would happen in the future.

And then there is the stories biggest fault. Adding WWII and Hitler... WHY ?? The series was perfect... and didn't need Hitler. It didn't even need Germany.

Overall the entire movie was sorely lacing in what a true FMA movie could have been and if I were the directors, I'd scrap CoS and make a new, more "ending", ending.

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This movie moves and inspire you, it's like you are one of the family. Just to see and witness life during the depression era, makes you feel humble and grateful. Jonathan Silverman delivered well, so convincing and very witty! A must see for Teens!
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Well every scene so perfectly presented. Never before had I seen such a movie that has meaning in almost every scene.

Well while I was watching this movie I remembered watching "Amilie". Amilie is also a similar kind of movie with more fun and fantasy touch. These movies are both based on a same plot line. But both of them are Perfectly perfect in there own way and being able to create a world of their own.

Red is able to provoke lots of thoughts in people about destiny and dejavu s. And I am still thinking about it.

The story is great and the ending is a bit funny. I was laughing in the end scene. Well funny how this three movie Red White and Blue are connected.

All in all a great work of art. A work of a masterman.

10/10
Please tell me the sentiment of the following review: This film is all right, fairly silly and to be taken lightly. But what I can't stand are the numerous heroes and that boy's ILLEGALY SENTIMENTAL comment near the end: "look, they all look the same". Isn't that by far passing the good taste standards? I thought it was revolting, as were the heroic, unselfish acts by some of the people in this film. I'm not saying it won't happen like that, but zooming in on all the bravery like that makes my stomach churn.
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Loved today's show!!! It was a variety and not solely cooking (which would have been great too). Very stimulating and captivating, always keeping the viewer peeking around the corner to see what was coming up next. She is as down to earth and as personable as you get, like one of us which made the show all the more enjoyable. Special guests, who are friends as well made for a nice surprise too. Loved the 'first' theme and that the audience was invited to play along too. I must admit I was shocked to see her come in under her time limits on a few things, but she did it and by golly I'll be writing those recipes down. Saving time in the kitchen means more time with family. Those who haven't tuned in yet, find out what channel and the time, I assure you that you won't be disappointed.

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Please tell me the sentiment of the following review: So we're supposed to find it funny that this woman travels all the way to the jungle - to the warzone - just to find out why her fiancée didn't travel to Switzerland? Or are we supposed to take it seriously? It's not even remotely funny, clever or entertaining - it's stupid - and so is the movie. The lead actress is one of the most annoying characters I have ever seen in a movie - even worse than Jar-Jar Binks. Dialog tries very hard to be funny (almost all the time) but it never is. The number of funny jokes is somewhere between zero and nothing. And as for the plot - did they even once bothered to explain to us what are the rebels fighting for (other than being anti-government)? I guess that didn't matter to anyone - neither to the rebels nor to the characters who just blindly flew to the battlefield. Don't waste your time. "Coronado" is neither funny nor entertaining.
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Zachary Scott does what he does best, i.e., plays a worm, in "Danger Signal," a 1945 B movie also starring Faye Emerson, Mona Freeman, and Rosemary DeCamp. Scott plays a writer who kills women after he gets their money. On the lam from his last murder, he rents a room in the home owned by the Fenchurch family, Hilda (Emerson) and her mother (Mary Servoss). Scott throws himself at Emerson, and she's dazzled. Mid-romance, her younger sister Anne (Freeman) comes home from a medical treatment. When she mentions that she was Uncle Wade's favorite and he left her $25,000 (big bucks by 1945 standards), Scott loses interest in poor Hilda and makes a play for Anne. Anne looks like Rebecca of Sunnybrook Farm until she starts sneaking around with Scott - overnight, she ages 10 years and becomes downright nasty to her sister. Finally getting the message that her tenant is no good, Hilda calls in a psychiatrist (Rosemary DeCamp) to psyche him out and advise her.

Psychological dramas were all the rage during and after World War II, and Scott does an excellent job as a smooth sociopath. This was his forte - as a weak-willed sheriff in "Flamingo Road," he exhibited no real presence. As for two-timing, we saw him do that in "Mildred Pierce," where he proved himself particularly good at it. Emerson is a bookish stenographer with her hair pushed off her face and her big glasses, but after hours, she's lovely, and gives a strong performance. DeCamp was always an underrated actress - here, she sports a soft German accent and is delightful.

This is a highly entertaining film though a very routine story. The acting truly elevates it.

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Long ago and far away they knew how to make a musical and "Cover Girl" is no exception to the rule.

A story of a dancer in a nightclub who becomes a cover girl and famous. The old adage applies here- that happiness and fame always don't mix.

The dance routines are marvelously choreographed. What dancing and chemistry between Rita Hayworth and Gene Kelly.

Otto Kruger is the older gentleman who discovers Hayworth, when he sees her picture that shows a strong resemblance to the woman who left him at the aisle-Hayworth's grandmother Maribel.

A jealous reaction by Kelly drives Rusty (Hayworth) into the arms of Broadway producer Lee Bowman.

The picture is basically history repeating itself at the end.

To add to the glory of this fine film, there is the always wise-cracking Eve Arden and the hilarious Phil Silvers, appropriately named Genius in the film.
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I had the privilege of seeing this powerful play on Broadway with Kathy Bates in the lead. I only saw one other play in the 1970's-1990's that had an emotional impact like this play did. I really looked forward to the play being made into a movie but was very disappointed when I learned that Kathy Bates wouldn't reprise her role in the film--she wasn't well known off Broadway at the time and the producers must have wanted star power I suppose and cast Sissy Spacek instead. Sissy did an adequate job in the lead role but did not measure up to Kathy Bates in any way. I love Anne Bancroft but she seemed too young for this role. The movie plot was true to the play. Anyone who ever contemplates suicide should have to watch this movie to realize the devastation on those who are left behind.
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