cindermond/bento huggingface dataset:
This film follows the life of a great guitar player, who wants to make it big but acts irresponsibly almost to the point of self destruction.

I was expecting the usual Woody Allen witty dialogs, sarcasm and humour, but "Sweet and Lowdown" failed to provide any. The main character, Emmet Ray, is an egocentric, rude, irresponsible and hurtful man. He is so unlikeable, that I do not want to now about him, or care about him. I wonder why a film about him has to be made. The pacing of the story is slow, making the film a terrible bore. Even Sean Penn's great acting fails to revive the film to a watchable level.

I like Woody Allen's films a lot, but "Sweet and Lowdown" is a major disappointment.

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THE worst movie I've ever seen, and I've seen allot. Acting is horrible, plot is awful, idea is terrible, and no research was done what's so ever! Ok, I admit, `Air Bud' was a pretty good movie, but not `Soccer Dog'. This "dog" is smaller than my cat! How can he possibly play soccer? Even for 10 years old kids it won't be a problem to kick the ball hard enough to brake the stupid dog in half! It's horrible, don't watch this movie.
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Please tell me the sentiment of the following review: Very simply, they are all the syndicated episodes and NOT the original uncut/unedited NBC episodes. It is NOT the complete first season, all eps are edited to conform to 21:00 for syndication meaning jokes are cut, an extra commercial fade is included, all of the Harvey Korman intros are not here...very poorly done! Shame on a series I've been waiting for....booooooooooooooooo! If you're a true die hard Mama fan, don't buy this and go to http://www2.warnerbros.com/web/main/help/whv/customer_service.jsp and send them comments on why we're unhappy on this butcher job to a classic sitcom!
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The film that gave us John Waters is one of the funniest films ever. Yes it may be gross but it's filled with hysterical moments that nobody has done since. The infamous dog-scene has to be one of the highlights of cinema. not a film for the easily offended it's one of those movies where you always see something new. Divine's performance is worth the reputation. Mink Stole is hysterical. This is the film responsible for the Farrely brothers and the entire Gross-out comedy genre. I know that sounds a bit extreme but think about it. Before this comedies were very run of the mill and almost identical. After this movie comedies became strange and weird, but in a good way. I'd give it 15 out of 10 if I could.
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Having been interested in Akhenaton for many years I was surprised to learn about this film via E-bay and bought a copy on DVD for 99p. I enjoyed the film, the twists and turns in the plot and that the file was mainly about the main character Sinuhe makes it more of a "family saga" rather than an action film. The costumes and attention to detail was remarkable for its time (1955). The back projection during the chariot ride now looks clumsy. My main interest was in the character of Akhenaton and his monotheistic religion. In this film he was portrayed as being "Jesus" like in his refusal to go to war with the Hittites even through they were invading Egypt and in his closing speech about the futility of materiality and political power. Initially one makes a connection between Sinuhe, who was cast adrift in the river Nile in a reed basket, and the Old Testament Moses. But this connection is not carried no doubt this will be fully explored in a new film wherein a Moses like character carries Akhenaton's monotheistic religion out to the wider world, if such a film will ever be politically possible to make. It is universally accepted that were women are concerned we man are stupid creatures but the relationship or lack of one between Sinuhe and Merit, the character played by Jean Simmons is hard to accept. And that Sinuhe, an educated physician, would be so smitten by Nefer the Babylonian "femme fatal" to the extent of giving her his adopted parents house and Tomb is not really believable, neither that his parents would even have a tomb. In real life Nefer (Nefertitti) was the wife of Akhenaton. And although Horemheb did become Pharaoh it was after a few others including Tutankhamen , who was the son of Akhenaton.

But of course this is just nit picking and the film is enjoyable to watch and that it is about Akhenaton and his monotheistic religion is a big bonus. Maybe following "The De Vinci Code" book and film this film be re-made with the central secret being the foundation of our current monotheism! I wait in great anticipation of such a film, there are already numerous books on the subject.

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Let's not beat about the bush here, Taylor Hackford's undoubtedly slick movie has little to make it stand out from the biopic genre other than Jamie Foxx's exceptional, career-making performance. Remember the year they handed the special effects Oscar to the Terminator 2 boffins, uncontested? They should do the same with this year's Best Actor gong.

That Ray Charles' story is worthy of filming is not in dispute. Indeed, the many flashbacks to his traumatic childhood are well-handled and judiciously used. But for a life so unique, the film seems incredibly formulaic and familiar. It follows the 'history of a flawed genius' template almost to the letter: hardship and exploitation, women and drugs, recording wrangles, band squabbles, rehab, yeah yeah yeah. And surely there was more humour in his life than we're treated to here?

I appreciate Charles' music yet where neatly-cut medleys would have kept the story rolling, Hackford indulges himself with near-full-length renditions of too many songs - in gin joints, in the recording studio, in concert halls, infinitum. Narratively, and for non-devotees, they begin to act like a cinematic brake. This may seem like harsh judgement on a music biopic but with a catalogue as extensive as Ray's, we need a taste not the whole dish. Otherwise, we'd buy the albums.

Intrigued as I was, I glanced at my watch more than once. So for all Foxx's brilliance, maybe Ray would have been better served as an HBO two-parter?
This movie is a fine example of what happens when a studio wants to get a sequel to a fine movie out of the gates at all cost. Only with this movie, it truly is a near miss. Everything seems in place for Robocop 2 to be a worthy followup to the groundbreaking first movie. The complete original cast (apart from the casualties, naturally) returns and gives it their best. Too bad a hackneyed script and an incompetent director as good as neutralize their efforts.

Irvin Kershner might have been the ideal go to guy for George Lucas to direct the Empire Strikes Back. For a pedestrian filmmaker like Kershner there isn't much to ruin in Lucas' charmless film series. A worthy successor to a classic like Robocop would have needed either Paul Verhoeven to return, or a director with enough brass to give his own spin on it. Kershner doesn't know how to give his own spin on anything (Lucas hired him for that) and he's surely no Verhoeven.

So what we get here is a movie that goes through all the motions to replicate the first movie, but with none of the freshness, humor or daring the original had. Kershner probably thought he could top Verhoeven by adding more gore and gratuitous violence, but instead he reveals how much he was at work as a director for hire instead of a passionate filmmaker. And that's a shame, since everything was in place to make this another classic. As mentioned the actors give it their best, but Phill Tippet delivers some groundbreaking stop motion effects and there are some great ideas in the story by Frank Miller, who was born to write a Robocop movie. If only the studio had hired a director who was competent enough to make all the potential come through.
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I gave this a 3 out of a possible 10 stars.

Unless you like wasting your time watching an anorexic actress, in this film it's Carly Pope, behaving like a ditz, don't bother.

Carly Pope plays Sara Novak, a young college student, who becomes intrigued with a game of riddles, that leads her down into subway tunnels underneath the city - a dangerous thing for even a well-armed man to go in alone.

There are various intrigues in the film -- a weirdo classmate who is apparently stalking Sara, a cynical shopkeeper who runs some kind of offbeat hole-in-the-wall establishment that appears to be located in the back alley of a ghetto, a nerdish dim-wit that hangs around the cynic's shop, and a woman named Emily Gray, who is back in prison.

Sara's father is a lawyer who is handling Emily Gray's case. 

A few years back, Emily Gray attempted to drown a 12 year old boy. Emily was put in a mental hospital for 5 years, and for some cockeyed reason they let her out again, even though it is obvious she is still dangerously deranged.

The only explanation Emily has ever given for her crime is: I never sinned.

It's all part of the design.

Well, my friend, don't expect to ever get any better explanation than that, because you won't.
As someone who has read all of Baroness Orczy's books and seen most of the movies based on them, I must say that the 1980's version, with Anthony Andrews and Jane Seymour, was better than this. It was better written and stuck more to the spirit of the story than this one, which seemed to go out of its way to involve people getting shot. This new adaptation is less light-hearted, yet does not have as much depth, either. Although there is some good acting, the actors did not have much to work with. Nice costumes, though.
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Please tell me the sentiment of the following review: This film was produced by Producers Releasing Corp. (PRC), among the so-called "Poverty Row" film studios of the 1930s and 40s. So you can imagine how little money was spent making it.

The music is forgettable. Cast member Gerra Young does exhibit an operatic-quality voice, but is sort of a discount Deanna Durbin. The IMDb database doesn't show any other film appearances for her, so let's hope she was able to move on to some kind of position in Grand Opera.

The opening credits for the print recently broadcast by Turner Classic Movies indicates this film has been preserved by the National Film Museum. This immediately begs the questionWHY? 

Are their resources so plentiful that they can afford to preserve junk? Some low-budget or B musicals of that era have redeeming features which make them worthwhile. This film has none.

In my opinion, skip this movie. It REALLY wastes an hour of your time.
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I disagree 100% with the reviewer who disagreed 100% with the reviewer who gave this short movie an "F" grade. Cashing in heavily on political propaganda only obscures Joe Dante's lack of ability to pull another Howling out of his bag of tricks. The Masters of Horror series was a phenomenal collection of truly horrifying tales, save for this episode.

Despite gaining acclaim from those who wish to promote it's political slant, "Homecoming" is the least effective episode of MOH season one. Unlike the rest of the series, Dante's entry is a parody of the genre, falling short of both horror and humor in it's ham-fisted delivery of a hackneyed political point.

Dante can really only be blamed for pulling this stinker off the shelf, as it wasn't his creation. The zombie sub-genre is very popular this decade, and among the crop of predictable George Romero tributes and vacuous fantasies are a number of works designed to push political or (ir)religeous messages. Such works are not written by or intended for true horror fans. Maybe Dante really isn't a a Master of Horror, either. What has he been up to since The Howling, after all?

If you want a lame anti-war zombie flick with a few pop culture references passed off as humor, Homecoming may be just your thing. If you are a horror fan looking for something Masterful, pick up... most any other episode of the series. My personal favorite was Dario Argento's "Jenifer," based loosely on a classic comic short by the team of Bruce Jones and Berni Wrightson -- truly creepy.
When I first watched Zoey101 with my sister we thought it was a piece of garbage. No one is that rich and lives at a dorm off the pacific coast. In the show, Zoey is a mega popular rich girl that everyone always go to her for advice. Zoey is always the one with the good idea and everyone agrees with her no matter how stupid her idea is. She is always perfect at everything including her perfect figure. And she is such a dietetic freak she talks about carbs like she knows what they are. When she sees that her friends are eating chocolate she confiscates it. And another thing that ticks me off is that she is always chewing a piece of spearmint every time you look at her. And everyone wants something do with her, for example in one episode that Logan guy bid $4,000 to have her and her friends cheer for everything he does in his pathetic life. And her friend Nicole is an overly perky freak that screams a lot.And Lola dresses like a hoochie Houdini lady. 80s called they want there bushy hair back.Might as well shave off the hair chase. This show sends a bad message to kids everywhere to make them think that if they don't have the latest I-Pods and designer clothes they will hate themselves. 

This show is a big thumbs down. 

We hate you Jamie Lynn, 

Best wishes Ryan, and Kara L
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This is a terrible movie, and I'm not even sure why it's so terrible. It's ugly, for one, with that trendy 1970s visual style that maybe seemed like a good idea at the time but which now enables one to instantly recognize a film from that time period as being a 70s product. The film retains the story and songs that made the stage version of the musical such a hit, but the songs sound lifeless on screen. But mostly, the movie sucks because of the wan performance of Lucille Ball, who you'd think would be able to make something of this larger-than-life character if anyone could. She sleepwalks through the movie like a terrified actress choking on her opening night, and the film sinks with her. Even Bea Arthur, who I bet was hilarious in the best friend role onstage, can't breathe any life into this stinker.

Avoid at all costs.

Grade: D
Please tell me the sentiment of the following review: "More", maybe, is mostly remembered for the excellent soundtrack composed by Pink Floyd -in 1969 they weren't superstars yet. Actually they made an album with the film music, no fan can miss it!

But this is also the first film of German-French director Barbet Schroeder: it's a cult movie. When it was released, censorship everywhere cut several scenes of sex and drugs. It is also one of the first films to treat explicitly the theme of drug slavery.

A German boy travels to Paris and meets an American girl: they fall in love. Together they search for sun and exoticism. But it's a too high price love: she initiates him into drugs.

In the Sixties anti-drug campaigns were not like today, there wasn't much information. On the contrary, in many milieus taking drugs was a sort of spiritual experience... So it's quite surprising to see a film of that period which describes a nightmarish heroin experience.

The film is simple, not vulgar at all and shot in a "cinema-verité" style. Actors Mimsy Farmer and Klaus Grünberg are very convincing. "More" is a document of the end of the Sixties -and a document of the end of the hippies illusions as well.
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This movie is by far the worst movie ever, The story line is weak and never shows what happens to the people after the 20 was left they hands. This really bugs me. It drags on and on with out any meaning, very boring. The only good thing was the cast, WOW, lots of big time actors and actress in it. But besides that it was horrible, terrible and repulsive, do yourself a favor, do not watch it.

I gave it a 1 out of 10
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Blademaster is definitely a memorable entry in the Swords and Sorcery category of movies. I found Blademaster along with Quest for the Mighty Sword at a thrift shop attended by mentally handicapped people and was very happy to pay 2.00 each for them. Believable sets and costumes, good sword fighting and a beautiful female warrior, Mila make this an enjoyable watch. A few problems though, there were a lot of details in the plot that didn't quite fit, like the cave men for one. I didn't understand their purpose. Also, this movie could have really benefited from some more monsters. The snake was cool, but I guess it does borrow a little from Conan. However, any primitive sort of movie where someone winds up with a hanglider is OK by me (see Yor and Battle for Endor). I think Ator is cool! Oh, and was anyone else reminded of Gallager by the villain or is it just me? I give blademaster a 7/10
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After a meteorite lands in "Boston" (really somewhere in the Isle of Man), a hideous, fanged alien monster is released and is on the loose in a local girl's school, causing mayhem and turning the students into zombie-like creatures. This film is apparently a loose (and I stress loose) remake of the 1986 film with the same name, as it features the same monster but a different plot. Both films are terrible, but to the credit of the 1986 version, it was watchable. This isn't. Let's start with all the problemsthe acting, especially from the lead professor, was very, very bad. This film is supposed to take place in Boston (we know this because the film makers had the ingenious idea of putting "Boston police" or "Boston gas company" on everything), yet everyone seems to have rather muddled British accents (At least they didn't try using Boston accents, thank God). The script is a big flawed mess. The best example of how dumb the writing is when it's established that you can turn the zombie-students back into humans by removing a necklace containing a piece of the meteorite. Is that what our brave heroes do? No, they run around SHOOTING the zombie-students instead. Nice. Director Paul Matthews, who also wrote/directed the weak 1995 monster movie "Grim", clearly doesn't know how to pace his films. The movie is terribly boring in places. The lighting is awful. The film looks cheap and bland. One of the most disappointing aspects is the lack of notable gore. 99% of the death scenes involve the creature popping out of a dark corner and dragging someone away, while we hear they're "horrified" screams off in the distance. This convention never worked well in the past, and certainly doesn't work here. The visual effects were AWFUL. The CG opening sequence in space looked like it could have been created on Microsoft Slideshow for God's sake! The "explosion" of the Gas tanks at the end was just as awful. Okay, I like to consider myself a fair critic, so I'll give credit where credit's due--the creature effects were actually pretty cool. Gotta love those close-ups of slimy, drooling teeth!

To sum the film up, "Breeders" is a terrible, cheaply made horror movie that should be avoided like the Ebola virus. Not recommended.

1.5/10.
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This movie is the best one forever upon the warm feelings of this real love story during the Korean war by the story of Hy sun the Eurasian doctor and Mark Elliot an American corespondent at the shadow of different habits between east and west upon his quotation in the love scene between two lovers when he invited her to dance (The relationship between east and west must be close) in spite of Chinese habits and customs that destiny made their great role by appointing between them to replace the pains for both (Elliot suffered from failure marriage ) and (Hy sun suffered from the harmful shoot of her husband by Chinese communists at the time of Mao Ze dung in 1949).

She could not stop the decision of destiny in spite of her practical profile because love has a magnetic spirit for everyone seek for happiness , soul and brilliant memory as the final quotation by the voice of Elliot after his death and the sadness receive for Hy Sun for this hard situations when she went to the hill the source of this love under the tree to say goodbye for his body and live with his soul among their souvenirs.
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I saw this version of Hamlet on television many years ago, and have seen every other version since, whether television or movie. However, this is the one that remains the truest depiction of the story for me. Most excellent Derek Jacobi made Hamlet *real* for me. Before I saw this version, Shakespeare was simply gibberish to me and I never tried to understand the Elizabethan English. Having seen Jacobi's Hamlet several times not only increased my knowledge of literature, but also that of my family. I promptly checked the play out of Library and read it, and poured over the accompanying recording. Jacobi's rendition attracted me to a deeper knowledge. And yet, I have been searing for a video of it for years and years to no avail. It gets a very high rating from viewers. Why, then, has it not been released on video? It's the only Hamlet that I'd invest in...
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i love this show! it is amazing...i can never miss an episode even if i've already seen it. the actors are perfect for the parts......i love Gilmore girls! i've gotten all my friends to watch it. even their parents watch it now. i watch it daily and i usually watch it more than once a day. i wish my mom was like Lorelei. my friends say that i talk and act like Lorelei. Lorelei and Rory have a wonderful mother-daughter relationship. it is a great teen show because they actually kind of learn from watching it. my vocabulary has widened from watching Gilmore Girls. Lauren graham and Alexis bled el are perfect for the parts of Lorelei and Rory. i think Luke and Lorelai should get married because Chris has left Lorelei and Rory way too many times. and has broken Lorelei's heart too many times too.
This movie was an excellent acted, excellent directed and overall had an excellent story. Ive had real life experiance with a boy like 'Radio'. At the football program in my town, weve had a mentally challenged boy every year practice, travel, and have fun with the football team. This movie is really true and i can identify with it 100%. A boy like 'Radio' just needs to feel like they belong to something; they need to feel like their life is worth living. Thats how 'Radio' feels and thats why that type of program is set up at my high school. This is a very touching movie that im glad has been brought to the big screen. My dad and I loved it and i will always remember this for being a movie that tells a riveting story of the goodness and kindness of man!
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I have been waiting to see this film for ages and I finally have! As soon as I heard the title I knew that this film would be my favourite film ever and when I saw it believe me I wasn't disappointed!

This film had everything dance, love and Patrick Swayze! There was so much in it and it dealt with important issues, (that were at the time, 1960's) , such as abortion.

The dancing in this film was fantastic, just like the acting was! Swayze was brilliant just like Grey was too!

Although this film was absolutely fantastic you cannot say that you have seen it if you haven't seen the last scene. It really does take your breath away as the whole choreography of the last dance was done brilliantly, it had you dancing at the end of the film and it really wouldn't surprise me if it influenced people to take up dancing!

Overall Dirty Dancing is a film NOT to be missed and even if half the actors are in the: "Where are they now?" period the actors will always have this superb film in their career!
This movie is very scary with scenes where the Devil uses Gabriels horn to open Heaven and pull the good angel-dogs out and imprision them on Alkatraz. The devil sings and dances to a few songs about the joys of being bad, and at one point, eats a live rat.

We got this movie free with a pizza. You get what you pay for.
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Aaah...The Thing.

To see a horror film in which not only is every character over the age of thirty, but distinctly UNattractive, makes a refreshing change, and reminds me of those distant times when actors were chosen because of their talent and their ability to play realistic characters, rather than because of their teen appeal on a magazine cover. And Carpenter chooses a production designer and a cinematographer who can actually create realistic environments rather than over-styled parodies. And there's no gimmicky 'twist' ending, or cameo celebrity appearance, or lame pseudo-romantic subplot.

And I REALLY miss on-set physical effects; with all those 20 year old kids trying out crazy new ideas with vats of blood and latex and early animatronics. In the 5 years between 1979 and 1984 we saw Alien, The Elephant Man, Poltergeist, The Howling, An American Werewolf in London, The Thing, The Company of Wolves, A Nightmare on Elm Street...what an era for horror effects! And don't get me started on the death of matte painting. The matte work in this movie is beautiful and seamless.

What do we have now? Third rate CGI, former music video directors and professional stylists, that makes even 'gritty' horror movies look like glossy MTV videos.

Now I'm going to go Netflix 'The Howling'.
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A funny and scathing critique of Russian society and culture during the transition from communism, OKNO V PARIZH also shows the west in an unfavorable light. A group of Russians living in St. Petersburg (a.k.a. Peter the Great's "window on the west") find a magic portal that instantly transports them to Paris. Mamin's film is truly hilarious, and just "weird" enough constantly keep even the jaded film viewer on his toes. The songs, the dream sequences, and the deliciously disgusting fringes of society from both cultures mingle to create a memorable and meaningful film. Anyone trying to understand the shift in Russian cultural sentiments since the fall of the USSR should begin here.

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Firstly I loved the book, more so than the more popular Da Vinci Code and although the DVC film was not well received, I liked it and bought the DVD. However, there is no chance that I will ever want to watch Angles and Demons ever again.

The film barely resembles the book, in fact only the general premise of the story is there.

From the very start of the film I was disappointed, in the book Robert Langdon receives a call and fax from Maximilian Kohler, Director of CERN. Who finds the body of Father (can't remember the name) and then requests Langdon to come, using the super fast plane... In the book the only people who knew about this technology that the Father and Daughter team had created were themselves and the camerlingo... In the film however, there was a massive team involved... so the tension was never there... how did they find out etc.

Leaving out or rather changing this whole part of the story was a massive mistake and was in my mind what made it a poor movie... it changed everything that happened from then on, when the Camerlingo was confronted in the pope's locked room, it should have been Maximilian Kohler who shot the video from his wheel chair, the commander rushed in to get the camerlingo but was shot by Olivetti, in the film it was the commander in the room and Olivetti was shot... (err I think I got this right, but I was bored and can't really remember the events in the film)...

There was no love interest between Vittoria and Robert and in the book she wasn't at CERN when he arrived and was indeed was flown in from her research work. In the book all four of the preferratti were killed, but in the film the last one of the four survived the fountain. In the book Vittoria was kidnapped and Robert had to rescue her and it was they that killed the Assassin at the Church of the Illuminati, not blown up like he was in the film by the Camerlingo. The bit where Robert was confined under a stone coffin was not there, saved by his Mickey mouse watch alarm. OK in the book we are led to believe that Langdon bailed out of the helicopter, fair enough to say that this was a bit far stretched, but it was important in the film, because he had to race back with the film... There was no mention of how Vittoria and her adopted father became involved, this was also important in getting to know the character of Vittoria.

In all one of the worse films I have seen, I would have left early, but my brain went numb and I lost the use of my legs temporarily. A really really reeeeeeaaaaaaalllly poor attempt and not one of Ron Howards finest, in fact, how he will get work again is beyond me!!! I want my money back!!!
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Please tell me the sentiment of the following review: In this crackerjack noir thriller from Columbia which is a combination of Panic In The Streets and The Naked City, Evelyn Keyes is unknowingly The Killer That Stalked New York. Evelyn who smuggled some stolen jewels into the country from Cuba also smuggled in smallpox. It gets misdiagnosed by doctor William Bishop and when they do find out what it is the hunt is on for her.

For most of the film the Treasury Department is also hunting Keyes, but for the smuggled jewels. It's not until nearly the end of the film that the health department and law enforcement realize they're looking for the same woman.

Evelyn's on a mission also. Her husband Charles Korvin has left her flat, the unkindest cut of all being that he was fooling around with her sister while she was in Cuba collecting the gems and contracting smallpox. When Lola Albright as her sister commits suicide over the whole affair, Evelyn's on a mission, get Korvin or die trying. And that's not an idle threat given the situation.

The film was mostly shot in New York like The Naked City and its cast is sprinkled liberally with a lot of familiar names and faces. Keep an eye out for good performances by Connie Gilchrist as Evelyn's unsympathetic landlady, Jim Backus as a shifty club owner, and Art Smith as Korvin's fence.

A real sleeper in the noir category, don't miss it if broadcast.
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"Chairman of the Board" is a ridiculously stupid film from the popular comic Carrot Top (also seen on the 1-800-COLLECT commercials). He plays a surfing inventor who comes upon a man who has a flat tire. Top helps him out and a few days later discovers the guy's died and has given his company to the comedian. Even if someone else was in Carrot Top's role, it still would have been bad. The jokes (which are constantly rigged throughout) are terrible and the idea of a romantic "plot twist" should have been discarded. DO NOT WATCH!!!
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Starting with a tearjerking poem and images of american missiles, starving children and mutilated palestinians I quickly realised that this was not going to be a objective documentary. 5 youths convicted after the gothenburg riots are interviewed and give a very confused explaination why they had to trash the citycenter and then (oh my god) actually have pay for what they have done. I kept watching and many questions are raised, were the trial properly done and did the cops have the right to do what they did? Lots of questions asked... and then dropped. No interviews with judges or going through documents about the trial.. nothing.

In short: Nothing new from what every Swede has seen on tv a hundred times - just poor propaganda.
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This IS the worst movie I have ever seen, as well as, the worst that I will probably EVER see. I see no need to rehash what all the others have said previously, just be forewarned...

This IS NOT one of those bad movies you think you want to watch because you want to be able to make fun of it, its just plain BAD BAD BAD BAD BAD.

This movie is the equivalent to having a "pet rock" as your friend. You wait and wait and wait and wait and wait and wait and wait and wait for something to happen. Unfortunately, it never does. At least with a pet rock you knew what you were getting into. Lion's Gate completely deceives on this bombshell... No...this is a disaster. After watching this film, you would swear George W. Bush had his hands all over the making of this film... yes its that idiotic.

Stay away, unless of course you just want to watch the worst movie of all time. Its probably how Lion's Gate figured it would make some money off this piece of tripe.
Other than cop rock and that show where the kid dies from eating a spoiled hamburger he found under the bed, this has consistently been the worst and dumbest show to survive prime time. If not for Jason Lee's unjustifiable success in film, this show would have never made it out of conception if pitched with a relatively unknown as the lead. 

The concept is TERRIBLE. Moron redneck hick spends his lottery winnings to redeem himself with the white trash of his past. Is it funny? periodically but not consistently. Is it stupid? Each and every single episode. 

I've seen a lot of great shows come then go before their time yet this blunder has survived longer than I ever could have imagined. The dialog is incredibly unfunny as are the episode themes. Every episode for someone with an IQ over 100 is an absolute struggle. And the icing on the cake? Jason Lee's annoying voice narrating each episode. If it weren't for the state's Southern culture and rednecks of the south, this show wouldn't have an audience.

If you're a moron and need a show completely lacking humor yet overflowing with bad taste, bad dialog and dimwit characters failing at life...well then you're probably an actor on this show.

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Hardware Wars rips off EVERYTHING in Star Wars. But if you are planning on doing any parody, you need to do it just a bit better than this. Not that there is anything wrong, per se, with Hardware Wars, but if you spoof, do it well, or not at all.
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This is speculation. This movie could of inspired Paramount Pictures to film the movie The Core. Both movies have something in common nature.The only improvement for Inferno is a better cast. Inferno's cast is still good though. Excellent movie 8 out of 10. This is worth watching. This movie does have truth to it heat waves are real. Another piece of truth is heat related power outages. Where I live i have actually heard transformers blow. Unrest from heat is possible because people seeking to cool off may get rowdy. There is a considerable amount of team work in this movie. Again this a movie worth watching. The movie has a good cast. The movie has no slow spots.
Please tell me the sentiment of the following review: I have been hooked on "GG" since midway through 2001-2002 (2nd season), when I tuned in to see "Smallville" 10 minutes early. Thanks to "Beginnings", I now have all but 2 episodes on tape, right up through last night (Ep. 4.9). I am a middle-aged straight male, and this is the ONLY weekly TV show I watch.

 I love this series because: a) Lauren Graham is a damn fine-looking woman, and funny and smart to boot; b) the dialogue is extremely well-written; c) it is flat-out hilarious, putting overrated garbage like "Everybody Loves Raymond" to shame. Many current TV comedies have been heavily influenced by the highly successful and much-despised slime-pit known as "Married with Children", where the viewer is encouraged to deride and feel superior to the characters. In "GG", the characters have faults, but we can see our own foibles in them, and laugh with them, not at them. This is stimulating TV, where the writers challenge us to keep up with rapid-fire exchanges and out-of-left-field pop-culture/literature/current events references. I get immense pleasure out of watching these episodes over and over again, catching all the one-liners and references to previous episodes. Stars Hollow is its own little world, one that I will happily continue to visit as long as the series runs.
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I rented this pile of sewer waste hoping for a few good laughs. With a title like `Zombie Bikers from Detroit' and with Dead Alive productions stamped on the front cover, you would think that this could be a funny/gruesome film, but no. This is the worst movie I have ever seen (and yes, I have seen all of the Police Academy movies). The story (this is a joke within itself) and the dialogue are atrocious. The make up of the so-called zombies looks like they used one of those two dollar `Make yourself look like a Zombie' kits that you buy at K-Mart.

I would rather watch Beverly Hills 90210 while listening to the Backstreet Boys and be whipped by a 400lb novelty birthday card model than to sit through another single minute of this pathetic excuse for a DVD. Honestly, I could make a better movie with $3, some popsicle sticks and a slinky. I feel as if 90 minutes of my life were stripped away from me and taken to the land of Suckdom. I know that tagging on the Dead Alive production doesn't guarantee a great flick, but you do expect to get your moneys worth.

The only thing that made me happy (save, returning the horrid mass of elephant feces) was that it wasn't titled `Biker Zombies from Pittsburgh'. I feel for Detroit folks that wasted their hard-earned money on this one. Unless you have been lobotomized . Do not buy, rent if you must  But . You will regret it.
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That's a weird, weird movie and doesn't deserve a better mark than David Lynch's one! The special effects are badly made, the actors are majorly bad actors and in this movie it's not about a race which is the minority of a planet and tries to fight against the dominators, but it seems to be a crazy movie, which pays homage to sect kind of organisations. That's surely not the will of Frank Herbert, the author of the six part epic! Check out David Lynch's one, that's the perfect tribute to the novels!

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i originally seen the flash Gordon serial on PBS,and thought it was fun and awesome,i overlooked the special effects of the rocket ships with sparklers,and the big dragon monster with lobster claws,who cares this is 1936 and it was a serial,so each week they would show a new chapter, buster Crabbe played flash Gordon 3 times,in all 3 serials.then in 1939 he played buck rogers,in 1933 he played Tarzan the fearless.he was a very busy actor.beautiful jean rogers played sexy dale Arden.frank Shannon as professor zarkov,and Charles Middleton played the evil ming the merciless.he makes Darth Vader look like a boyscout.the serials were very close to the Alex Raymond comic strip.space travel was just a pipe dream at the time.not to mention ray guns and television.this one stands out as the best serial ever.the sequel flash Gordon's trip to mars is 2 chapters longer,the next flash Gordon conquers the universe is only 12 chapters.and then there's the natives of mongo..,hawk-men, lion-men,shark-men.the feature version leaves out the shark-men scenes. for the full effect you must see the complete serial.i heard George Lucas was inspired by flash Gordon when he did star wars.flash Gordon was from universal studios.and the music on the soundtrack is from many universal movies like bride of Frankenstein,werewolf of London,Dracula's daughter,etc;even today flash Gordon continues to delight people young and old.10 out of 10.
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After two terrorist attacks in Europe, one in London and the other in Amsterdam, the prime suspect is the leader Al-Saleem (Alon Aboutboul). The CIA agent Roger Ferris (Leonardo DiCaprio) that operates in the Middle East is assigned by his superior at Langley Ed Hoffman (Russell Crowe) to keep a "safe house" in Amman under surveillance, and he associates to the Chief of Security in Jordan, Hani Salaam (Mark Strong). Roger does not disclose the whole operation to Hani, and it fails due to the intervention of Ed. Meanwhile Roger has feelings for the local nurse Aisha (Golshifteh Farahani) and he gets close to her family. When Roger plots another scheme to catch Al-Saleem using the innocent architect Omar Sadiki (Ali Suliman) as decoy to lure Al-Saleem, he jeopardizes not only the safety of Sadiki, but also Aisha that is kidnapped. After the execution of Sadiki, Roger tries to negotiate the release of Aisha with the terrorists and proposes to deliver himself to save the nurse.

"Body of Lies" is a disappointing pyrotechnical tour through Europe and Middle East despite the names of Ridley Scott, Leonardo DiCaprio and Russell Crowe. The IMDb User Rating indicates that there are many viewers that like this type of fast paced movie of espionage using high technology, satellites and all sort of lack of respect to the sovereignty of other nations in the name of oil that gives no time for thinking, but that is not my case. It is boring and ridiculous to see the fat Russell Crowe with a cell phone like a family man while his partner is risking his life in a dangerous operation. The rich character performed by Leonardo DiCaprio is poorly developed and in my opinion this great actor is miscast as an operative agent in Middle East due to his biotype. But the movie never explains his connections with the Middle East. The rescue of Roger Ferris alive is also very stupid and corny. My vote is four.

Title (Brazil): "Rede de Mentiras" ("Network of Lies")
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I am not a footie fan by any means but watched this with a friend as there wasn't anything else on the box at the time.(thank goodness). Not only did we laugh from start to finish but about a week later in the pub, when we started discussing it, we made a right spectacle of ourselves with uncontrollable laughter. Does that sloping pitch actually exist??? I have released my e-mail here so if anyone hears about it's future availability or a repeat on the telly please let me know. Definitely the funniest thing I've seen on television!!! King Leek was good too!! another Tim Healy classic
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A great gangster flick, with brilliant performances by well-known actors with great action scenes? Well, not this one.

It's rather amazing to see such a wide cast of well-known actors, that have many good movies in their filmographies in such a movie, without doubt this may be one of the worst they could possibly appear in.

First of all, the plot is as you'd expect it from your average gangster biography, nothing new, nothing fancy in it. The way it is told makes the movie look a LOT longer than it is (when i thought the two hours should be almost over, i was quite surprised that only 45 minutes had passed).

The action scenes look a lot like those from 80ies TV series - the A-Team, for example. It's just that in the 80ies (esp. with the A-Team) those scenes were far more sophisticated than those in "El Padrino". It's especially fun to see the guys point their guns in the air and still hit something (not to talk about people that take cover behind car doors which later look like they've been shot through).

The acting fits quite nicely to the action. Either you get the same reaction to everything that happens (Dolph Lundgren style), or it's so overacted that you may think it's a parody (but unfortunately it's not).

My advise is to stay away from this movie, any other gangster movie is better than this one.
Man, I really enjoyed this, if only for Fred Willard's commentary at the dog show. There are some dead spots and some gags that don't work, but overall the film works very well. When I was younger, my parents bred dogs and the people that I met at those shows were not significantly less bizarre that the freaks at this show, I can assure you.

I enjoyed this film for its artistry and for its commentary about how we tend to take frivolous things far too seriously... I enjoyed the acting for its accuracy (most of the accents were flawless) and its subtlety (I loved the way each person walked their dogs)...

Rent this film if you have any appreciation for the strangeness of human existence.
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Please tell me the sentiment of the following review: Fans of horror comedy will like this one. Others might get quickly annoyed and shut it off. It's sort of a buddy film, with over-the-top violence and gore, deliberately stereotyped characters, and a lot of craziness.

It looks to have been made on a budget of about $100, by a bunch of fraternity guys after a big beer keg party. There's a lead who's a frustrated nerd, and his loudmouth prank-pulling friend who mocks him about 30 times per second. There's a cool monster truck chasing them for hundreds of miles, which is the highlight of the film. Whenever this thing and its gnarly-mask wearing driver appear, it's a great scene. There's a mysterious girl who randomly appears in their back seat, and plenty of giant guys in overalls hanging out in red neck bars. The nerd's friend never shuts his yap, and gets them in one mess after another. Their arguing got on my nerves, but other aspects of the film make up for it.

Sight gags poking fun at several "psycho tormenting and trying to croak somebody" films are everywhere. Take your pick which one is riffed the most: Hills Have Eyes, Saw, and Jeepers Creepers were some that I recognized.

It's enjoyable insanity, if you're in the right frame of mind. Sensory-dulling brewskies with your friends can make viewing this more fun; it's a good bet that's the condition of the movie makers when they put this thing together.
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New York family is the last in their neighborhood to get a television set, which nearly ruins David Niven's marriage to Mitzi Gaynor. Bedroom comedy that rarely ventures into the bedroom(and nothing sexy happens there anyway). Gaynor as an actress has about as much range as an oven--she turns on, she turns off. Film's sole compensation is a supporting performance by perky Patty Duke, pre-"Miracle Worker", as Niven's daughter. She's delightful; "Happy Anniversary" is not. * from ****
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