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I'm new to gaming, but I would have started MUCH sooner if this film had been around! I caught it at Gen Con last year (a trip made only as a favor to my husband) and LOVED it! Even to a non-gamer like I was at the time, it's funny and accessible--so much so that I finally relented and started sitting in on my husband's gaming group.

I don't want to give away any plot details, but if you're a gamer, you NEED to see this film--and if you're not, you're going to have a great time despite yourself. There are certainly "in" jokes, but the vast majority of the film is accessible to anyone.

My only complaints: wish it were longer and wish it were available on DVD. Soon, perhaps?...
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SPOILER WARNING

I got this dino-documentarie on DVD at Christmas 2004. I had longed to see it and was by no means disappointed. The score is memorable ( my

favourites were the "Sauropod" theme song and the "Winters Coming" song ). The effects were dazzling, you could almost believe they were there. You actually learn something too ; Stegosaurs MAY have been able to pump their plates with blood. Female T-Rexes MIGHT have gone on a killing spree before laying their eggs. I know there's a lot of people who thought this was based too much on speculation, but there will always be questions that we can only guess at. And there is a lot of hard-core, undeniable FACT as well. We KNOW that some dinosaurs travelled in herds, we KNOW that Diplodocus swallowed stones to grind up vegetation in their stomaches. Despite this "speculation" the series did extremely well. So well in fact, that it spawned a followup, a prequel and several specials. If you're a dino-fan, then this IS for you. It makes Jurassic Park look small and weedy.

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A town in Japan is being taken over by a horribly brutal abstract shape: the spiral. It's becoming a theme in everything from animals to clouds to people and twisting them, mentally and literally. This film shows it happening to several groups of people. Some demonic possession is implied, but nothing is entirely sure except that the best bet is to get the heck out of dodge. The film progresses really well from normal life to abnormal phenomena (giant snails and crazy people) to the truly supernatural (walking dead).

As a jaded American horror movie fan, this was just what I needed. Maybe it was just the novelty of a different culture's film, but it seemed to have a very original progression, set of characters, and the premise was definitely new. The Japanese may think "horror shapes" (uzumaki means "spiral," I'm told) are old by now, but it was nice for me because I'm used to monster/alien/virus/disaster/undead films. In an American movie, you know who's going to die (the annoying/nasty/lascivious/racist characters) and who will live (the children/heroine/dogs/cats/nice guy). That's not true in Japanese horror. It was not predictable how they would fight the evil or how it would end up. Also, it had this really new (but probably typically Japanese) color leached Pacific Northwest style cloudy day thing going, which was a fresh visual effect for me. The horrific moments were seriously creepy, relying on a little gore but mainly just impossibly overdone facial expressions (think The Ring) and body manipulations. This should be one of the greats, up there with once-original ideas like the first Nightmare on Elm Street or Night of the Living Dead.
Please tell me the sentiment of the following review: Many of us find art agreeable only when the masterpiece itself touches something deep inside us. That is, the completed creation can only be accepted and appreciated if we can somehow personally relate to it. It was winter, here in Australia 1992 when I had seen Batman Returns at the cinemas and it blew me away. Both "me's". I was supposed to belong to an ideal, a standard, but at the same time I was living another life. Tim Burton was the first film maker to say its OK for a comic movie to be dark and to confess that darkness can happen to us all. After Tim Burton's Batman interpretations, many other dark comic book heroes and anti-heroes flooded the cinemas. Comic book folklore for decades had told of friendly, likable heroes with dashingly handsome smiles and magical superpowers who fly in the sky, and spun powerful webs from their wrists and wore red boots and had the strength of a locomotive. But what happens when you are only ten years old and you see your parents coldly executed in front of your very eyes? You snap. Somewhere in your psyche,your young tender psychological make up breaks apart. The only way such pain and hurt can be managed is to create an alternate persona.You make a promise. Your other self will be stronger, harness all the anger all the rage to use whatever means available to avenge the innocence of your parents onto that criminal, those criminals, any criminal. This is life seen through Bruce Wayne's eyes. Both pairs. The world he sees is dark, gloomy, and cold. Although he patrols the streets and people hear him cruise by, they don't rush out to get his autograph. He is their Saviour, not the winner of a personality contest. Batman Returns is about losers. Batman, for yet another Christmas, remains "the only lonely man beast in town". Bruce Wayne never gets to lawfully arrest the vile Max Shreck. The Penguin never gets to unleash his pain of being discarded by his parents onto the citizens of Gotham, and Selina Kyle is forever lost to being mentally fragmented and traumatized. And the hero doesn't get the girl- or cat.This movie delves into the desire in all of us to want so desperately to belong, to have a home, as expressed by Bruce Wayne and Oswald Cobblepot.The film brings out a need in all of us to be heard, respected and not ignored as desired by Selina Kyle , Oswald and of course Bruce Wayne. But sometimes we are all suppressed in one way or another, we are told to be an ideal, to behave to a certain standard. That is until we finally snap. Only hope remains at the end of the movie as we see Catwoman rise towards the night sky. But come what may we all must wish good will towards all men and women. As for me , I cant say that I will reach a point where I will believe my problem with duality will be reconciled. But thats OK. We all have a dark side. Batman Returns is not only the best of the Batman films ,it is truly a stand out exceptionally fine masterpiece of storytelling.
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Another bad spanish picture. This is very baaaad. I only save the photography and the music of José Nieto. The rest of the film is the worst I've seen in years. Paz Vega is horrible. Don't see it.

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Occasionally on talk shows a good topical debate sparks some interesting opinions from the audience, unfortunately there is always some desperately sad person seeking acceptance who will end any interesting debate instantly by getting up and saying the proverbial "Everyone should get along and love each other" as they know they are guaranteed to get applause and affirmation, as no one would dare disagree.

Well they are the same people who marked this film as good, why did they do that? INSECURITY. Anyway that's all I'll say on that matter.

The Film, it starts of reasonably interestingly so you hope it will build, and if like me you've settled in with a nice couple of glasses of wine and some cheese then you will give it even more of a chance simply because you can't be bothered to move.

But then you daydream, you wander, your mind drifts of onto other things, why? because the Director did too! he took his foot off the gas, and then he realized 'ooops' so to compensate he accelerates hard, but then he drifts again, and again so do you, the story slows, the plot thins and almost disappears, you even wonder to yourself 'so what happened again?' as you ponder your screen will show Nick Nolte running around with some supposed purpose, but you will have long since cared as to what he is doing and he will appear as nothing more than a screen saver in the background to your day dreaming.

Michael Moriarty who plays John Converse has an amazing ability to speak without moving his lips or indeed his face, somewhat like a ventriloquist, he must have gone to the Nicolas Cage school of expressionless facial acting, or he was attacked by the Phantom Botox injector.

Tuesday Weld was to play Marge Converse, but instead she played Mia Farrow to perfection.

In all there are hundreds of thousands of films to see, so leave this one to one of the last, you see I've just wasted an evening watching it when I could have watched or done something else, learn by my mistake, nights off relaxing are precious so don't waste one watching this boring tale, do anything else, dust off that old game of Cluedo, practice gurning for the evening or have an argument with a loved one, trim your nose hair, get rid of unused files on our laptop, it will be time better spent what ever you should choose.
I love the Thackeray novel on which this film is based. And while this modern version of Becky Sharp's story is a B film, the casting of Loy, in her first top-billed role, is rather fascinating.

Before Loy became MGM's reigning good girl in scores of genteel and comic roles, she was an actress. VANITY FAIR was Loy's follow-up film to EMMA, in which she played a snotty and greedy daughter who almost destroys the loyal housekeeper (Marie Dressler).

Loy's Becky is much nastier than Miriam Hopkins' version 3 years later in BECKY SHARP. Loy's Becky is very much a pre-Code film character with her plunging necklines and amoral ways. It's the type of character that Jean Harlow or Clara Bow could easily have played, but Becky here is still supposed to be of the genteel set. That's what makes her fallen character so tragic.

In counterpoint to Loy's grasping Becky is the goody goody Amelia (Barbara Kent) who is just not an interesting character. Mary Forbes is icily good as Mrs. Sedley. Most of the other actors in this version are pretty blah: Conway Tearle as Rawdon; Walter Byron as Osborne; Anthony Bushell as Dobbin. Others are nearly Dickensian is their quirkiness: Billy Bevan as Joseph; Lionel Belmore as Crawley; Montagu Love as the Marquis; Lilyan Irene as Polly the maid; Elspeth Dudgeon as the housekeeper.

Loy is front and center throughout. While the ending is rather shocking, she has several excellent scenes, such as the gambling scene in the casino where she tries to steal another woman's winning roulette bet. The more Loy's Becky descends morally, the more beautiful she gets until she is finally "caught." Bottom line here is that this is a very solid performance by Loy in a film that should be seen.

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Well, first of all, it's not a bad movie. It is good, and I like the characters introduced. I also like Lady and Tramp's voices more in this.

However, I would like to see Lady And Tramp more. I know it says 'Scamp's Adventure', and I love Scamp And Angel to bits, but it's a sequel to the original, where in my opinion, they should of just released it as 'Scamp's Adventure', not 'Lady And The Tramp II:Scamp's Adventure'.

Tramp did have quite a role, but he didn't have much time with Lady.

But anyway, the songs are quite good, and Scamp and Angel are sweet. I've seen better sequels, but hey, it's not a failure.

I give it 7/10. Very good, but still had flaws.
I enjoyed THE MUPPET MOVIE very much. It was the first of the Muppet movies and is by far the best because it's so creative and fresh. With later films, the ideas just didn't seem quite so original. But here, we get to see Kermit and Miss Piggy riding bikes (an incredibly difficult scene), an excellent ensemble cast and just a lot of fun. I loved every minute the Muppets were performing and I would have rated the film a lot higher except for one serious problem. In this and most subsequent Muppet films, some powers that be felt there was a need to include lots of non-Muppets--in particular, many, many cameos by stars. Some worked fine (such as Charles Durning's) but many just seemed irrelevant and slowed the picture to a grinding halt. Probably the worst of them was with Edgar Bergan. Yes, he was an amazing man who inspired Jim Henson and the rest of his crew, but the tiny scene he's in just wasn't needed nor were most of the cameos. Still, despite this big complaint, it's a great film for the entire family--from the kids to even the most demanding adults.
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Please tell me the sentiment of the following review: The film is somewhat entertaining, but the greatest feature is Shalom Harlow's laughable performance. It has been 4 years since this movie was released and hopefully Harlow has gone through more training. Perhaps she should stick to the more worldly, somewhat corruptive characters that she has generated in other performances.
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I really wanted to like this movie. A film with zombie children getting out of a mine to kill people at night really seemed like a great idea for a horror film. Unfortunately, the film was in the bottom 3 of films played at horror fest.

A mother and her two daughters attempt to move on after her husband/father had passed away from an illness that cost their family a lot of money. They have to adapt to their new environment. They end up struggling due to all the surroundings for different reasons.(Crazy Zombie kids go into this category) The film never gives any sentimental attachment for anyone that lives or dies, the film produces no scares or jump worthy moments, the film barely shows the children doing what they're supposed to do...Kill! With a bigger budget and a better cast this film could have hope. Until then, pass on it.

3.5/10 actually.
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Wow, don't watch this thinking it's going to be a relaxing circus evening! It will keep you on the edge of your seat all the way through. Circus has never been more colourful, more exciting and more breathtaking! The whole concept is truely amazing. You're taken into the world of Cirque Du Soleil and are left with a thousand thoughts when you leave. There's only one thing left to do: get the CD and/or DVD and live through it again and again and again. Get addicted! It's well worth it! Must be next to the most beautiful thing on earth and one of Cirque Du Soleil's best programmes.
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this could have been better,but it was alright...it helped me get away from my boredom.I didnt even wanna see it,the only reason i wanted to rent it is because Jamie Martz is in it..he is a unknown actor but he is shining and is the highlight of the movie...the ending was so horrible and the acting was good for a b movie...i give it a 4 out of 10
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For the record, I am a Curly fan through and through. But I do have to say that in reality, Shemp wasn't really that bad. Yeah, he might have lacked the same kind of slapstick that Curly had, but in his own way he was hilarious. At least he wasn't as bad as Joe Besser.

In BRIDELESS GROOM, Shemp plays a music professor (Stooge? A professor? Yeah right), who recently inherited a half million dollars from a dead uncle, and Moe & Larry have to prepare him to marry a woman by six o'clock that night, or no money.

This was one of the Stooges' first skit with Shemp, before they started recycling their material. Perhaps it isn't surprising that Shemp was part of the Stooges before Curly came into the picture, so he seemed natural at this. The slapstick gags are hilarious, especially this one scene with Moe and Shemp in a phone booth. Essential Stooge short to be honest.
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Now that's it's 2008, who really has a care in the world about a guy like DB Sweeney, even back then he wasn't a big deal.

Two Tickets to Paradise is an outlined story that's well and true where three friends hit the road under each of their personal circumstances. Again, a proved plot. The problem with this film, other than it's 'so bad it's compelling' title, is the script.

Cliché after cliché three guys do the same things you've seen in every other road movie... and blow up vanna white's house.

John C. McGinley's acting job is superb, especially compared to that of the late DB Sweeney's. (His career is dead, hence the late. though i hear he's moving to TV, good for him). Also, John C likely has the least awful character in the film.

The score is so generic it actually feels like you're watching a third rate film from 1993, or Jeff Anderson's movie Now You Know (also set me back a few years, but at least that was more entertaining.) I mean, yah, i guess i enjoyed parts of it. But, the nerdy guy is annoying, DB tries to be this cool failed guitar player (with some rough influences, like some of the worst of classic rock) who has some strange relationship with a stripper, and John C is a gambler who's wife and kid leave him after the death of his father as well as a visit from one of his bookie's henchmen.

I keep thinking up ways to make this movie better. But i think burning the script would have been a healthy start.

But, as i've hinted this whole time, it's not the worst movie ever. And any chance i have to see McGinley in a starring role, i'll take it. Hopefully he starts getting some better projects.
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Please tell me the sentiment of the following review: Hey all, I just wanted to give you all a few crazy facts about this movie. I was actually one of the Make-up FX artists that help create the "beast" for this movie and I have to tell you the original creature looked absolutely amazing. I remember when we got the first photos back from the set we were all talking about how much of a shame it was that this creature was in a movie that would probably be pretty poor.

What actually happened though was that Jason Palmer did the original make-up for the Sasquatch, but for some reason they had to go back and re-shoot much of the creature. The sad part was that Jason passed away a few weeks before that and so the re-done creature was no where near as awesome as the original one.

For me it was quite sad because this was Jasons final movie, and he sort of got cheated out of his final fame due to the bad re-shoots. Anyway, I thought you guys may find that a tad interesing, and if you would like you can head over to mmmyeah.com and check out some "behind the scenes" photos.

Later, Jeff
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This was another one of those shows that I watched to root out the positive elements, and because I've been a Nick fan for years. Some of those would be the stage sets, B-plots, guest stars, and a few of the main actors that were good. I dabbled in the show through high school as I quickly grew to despise Jamie Spears, along with the other chicks in the show that can't act. The only characters I seemed to like were Dustin, Quinn, Stacey, Michael & Logan. Quinn is a perfect outcast that eventually started to fit in; Stacey is a complete oddball; Dustin gets put through a bunch of strange, random situations; and Michael is kind of the comic relief right-hand man of Logan. There's a remarkable difference between the execution & acting quality of the B-plots that involve them, and the A-plots that showcased a bunch of screeching girls and an iconic "Miss Perfect," repeating bad lines and obsessing over guys. This show would have been great if the main plots contained the quality of the side plots, but the main plots just don't deliver anything. When it recently came back in reruns, and I tried to watch it again, I was more calloused towards the girls' abysmal acting and had to change the channel. However, I will give the previously listed characters credit because they did make the show more or less worth my time.
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While the "date doctor" concept is the one thing that saves this film from being an otherwise average romantic comedy with a standard plot for the genre, I found it enjoyable enough to elevate my opinion of it so I ended up liking it a lot more than if it'd had just a mediocre plot without many twists. Will Smith does a great job, as always, acting as Hitch, the man who devotes his life to advising men how and how not to win over women...ever since his failed attempt to keep his college girlfriend. There're plenty of laughs as he tries to help his latest patient, overweight, gawky asthmatic Albert Brennman (Kevin James) successfully court beautiful co-worker Allegra Cole (Amber Valetta). Also, when he decides to rid a woman he meets in a bar of the turkey who just doesn't seem to get she doesn't want him around, he finds himself attracted to Sara (Eva Mendes) - it appears to be a big deal for him, so I guess since college he never actually practiced his own rules on himself. Unfortunately, Sara is a gossip columnist who is interested in "the date doctor" who got a seemingly dorky guy like Albert together with Allegra - especially AFTER player/jerk Vance Munson (Jeffrey Donovan) breaks her best friend's (Julie Ann Emery) heart and hints the date doctor he saw disgusted him, when she doesn't realize that he refused to see him. Still, trouble follows and Hitch is stuck left wondering about what to do with his own relationship, while not being any great help to Albert when he tries to figure out what more to do in his. The acting is good, there's a great deal of humor and some other fine points with meaning. Hitch's character is witty and wise, sometimes managing to be both at once. True, the misunderstanding where the woman is affronted at something the man hasn't truly done (why do they always show that?) as common and irritating - guess it wouldn't have been if it was the 1st, not 5th, time I've seen IT - but the rest of them were completely new. I only wish this movie was longer - I remember being able to watch 3/5 of it while it was playing on a restaurant's TV once - but I still approve. It's definitely worth the money to pay for its brevity.
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Sally and Saint Anne is a very funny movie. The first time my Mom told me about it I was 7 and Saint Anne had just been the Saint I had for my Communion Saint. My Mom knew this, so she told me to watch this with her. I did, and have seen it many times since because it is really funny. Aunt Bea from the Andy Griffith Show was in it and Sally's grandfather was the guy who played Santa Claus in Miracle On 34th Street. So, there were lots of actors we seen on TV shows too. There is a bad guy who keeps trying to steal the house away, and Sally keeps trying things with St. Anne to help raise money so they can keep the house. That includes a boxing match with Hugh O'Brian who plays her older brother. This is a good and funny movie that I still love.

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I have to say this is my favorite movie of all time. I have seen it well over 100 times (actually had to buy a new copy as a result of overwatching) It is what the eighties was like and what a romantic story with a few morals thrown in. I highly recommend to anyone wanting to relive the high schools days again. Buy a copy now it is a classic!!!!
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Originally, the Spiders was planned as a four-part serial, and it shows. I dislike serials; they're typically ridiculous, convoluted and banal. This one is no exception. In the first part of the Spiders, 'The Golden Lake,' a rich adventurer thwarts the plans of a gang of criminals--the Spiders--to steal gold from Incas. A silly love triangle ensues, with some Cowboys and Indians action. The sensationalism and exotica of it didn't entertain me.

One can legitimately trace themes from this two-part series to Lang's later, far superior work. And, the film-making is better than in other serials I've seen from this time, including 'Les Vampires' (1915). In the Spiders, the camera isn't as static, and this film is fast paced, thankfully. The tinting and lighting are adequate, too. None of that's remarkable, though. It's nearly unseemly, however, in how closely this series resembles Louis Feuillade's serials; the criminal gang dresses and behaves like those in 'Les Vampires'--only the names, and to a lesser extent, the situations have changed.

For the further comments on The Spiders series, see the web pages for it.
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Some people may remember Ms. Russell from films such as "Black Widow", which had some appeal and critical acclaim. Boy, she must have really needed a rent check when she signed on to do this dog.

Yes, there will be those who like the gratuitous violence and nudity. But one must sit back and wonder, in retrospect, what possessed anyone to spend money and time to make this in the first place. I just saw this movie on one of the "HBO's", and I can't believe they picked it up.

In 1996 Ms. Russel didn't have the physical attractiveness she did earlier in her career. But, come on! Having her play Ma Barker??? Her "sons" all look like they could be her brothers. It's also creepy in that you think there are going to be incestuous relationships occurring (thank goodness there aren't, hope that doesn't count as a spoiler). With Eric Roberts and Alyssa Milano added into the cast, this one is B-movie 'straight to video' all the way.

The scenes between Purvis and Ma Barker, either in person or on the phone, are a primer in terrible, terrible acting. Oh, wait, I forgot terrible, terrible writing as well. Chalk this one up to experience. A bad experience.
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At first I didn't think I would like this movie, but as it progressed it became better and better. I love music and I was impressed with how well Cage could fake the movements of playing a mandolin. My son was with me and he also like the movie a lot for its music and the story and the way the story unfolded--- slowly showing how Corelli won the girls heart. The acting and the story were both well done and well directed. At first Corelli's bravado was irritating, but soon he grew on you. The twists in the plot were intriguing especially the relations with the Germans. I would like to see this again to follow all the side plots. I also want to buy the sound track to hear the music again.
Watching this film made me wonder, just why was Universal putting out films like this? They had a wonderful string of films with all the classic horror films. The dawning of the atomic age brought on an onslaught of giant creature films. Spiders, ants, praying mantis'. With The Deadly Mantis, we have a giant praying mantis flying around the arctic, scaring eskimos, and being hounded by the armed forces. The bug reaches a tunnel in New York where the soldiers eventually destroy it. Of course, this is all made much more watchable by viewing it on MST. Who thought it was a good idea to start the film out by showing a giant map?
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This is one of the worst mini-series I have ever seen on TV. I sat through the first half hoping it would improve but it only went from bad to worse. Needless to say I could not bring myself to sit through the torture of a second nights viewing. What was Jon Voight thinking when he made this?????
Joline (Heather Graham) sets out after her husband Carl (Luke Wilson) who disappeared to clear his head about himself and their marriage. Joline, who is committed to their marriage starts her journey to find Carl, yet on the way discovers a lot about herself. On her trip she encounters a bountiful of interesting characters who unknowingly help her find her way.

In my eyes this is a classical road movie, which moves just at the right pace (some viewers may find it too slow). Throughout the movie it keeps its humorous note while Joline responds to the craziness of the world around her with a warm, knowing, sometimes sad smile. All actresses and actors give wonderful performances and the musical score is immaculate. 9/10
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they should make terrorists watch this video as torture, and not just for the disturbing final scene in which tying up and beating a woman with mental problems is apparently a source of comedy. about a half hour of this would convince even the staunchest fundamentalist to spill the beans rather than sit through even one more minute of this disaster.

This movie is awful. I rented it because a friend said it was hilarious, only to find he was talking about the blowhard director doing the commentary rather than the movie itself. I guess if you find unrestrained arrogance funny, you'll like this. It apparently is true that he goes on and on about chicks he's "banged", the most tasteless example being when the lead actress comes on screen.

Actually CJ Stacy was the only good part of this movie - her charisma shines like a diamond in this horrid dung pile. This apparently is the only movie she's done according to IMDb, I hope she is involved with theatre or indie stuff as I think she has the talent and natural beauty to really be an asset to any production.
Hellraiser: Bloodline is only a so-so film. I believe it's the fourth installment in the Hellraiser series.

I missed the beginning, and all I remember from there was some topless women and a box-shape thing on a computer screen. But, using my wit and intelligence, (and the Info Button) I soon found out that the villain (Pinhead) was released from Pandora's Box, which, I believe is a gateway straight to Hell.

So, anyways, Pinhead somehow comes out of the box and terrorizes the "Toymaker's" family. And, that's about it. Oh, and not to mention the random tortures of various people that cross his path. Yawn.

What mainly happens in this film is that Pinhead captures the kid, and then unleashes the dog on his wife, and then kills a random person. Then he husband comes along, blah, blah, blah. Who cares? Why it fails is because Hellraiser: Bloodline is too corny to be scary. Look at Pinhead's minion of creatures: a cheesy dog that looks like it's been turned inside out, two men whose heads and bodies are connected together, (Siamese twins in a horror film?) and some person who is supposed to be a princess of some sort. (I haven't seen the previous films.) Now look at the main villain. His name is Pinhead. Isn't that the name you call somebody when they're stupid? He has pins in his head and hooks coming out of his fingers, and he has blue skin. I suppose he would make a decent villain if he didn't have such a corny name, and a corny speech. Somewhere in the film, two cops approach him and say "Don't make us put some pain on you!" Pinhead replies "Pain? How dare you use that word! I AM pain" blah, blah, blah, blah blah. It sounds a bit cliché if you ask me.

Don't forget the final half of the movie. The characters (and audience) get to experience more torture when Pinhead attacks some futuristic asylum. Some person who we don't recognize (Maybe he was in the previous films. I don't remember him in the beginning of the movie.) This scene is basically one thing played over and over again: 

A guard goes to inspect a mysterious noise.

Some other guard: "Oh no! He's down. I will go check on himby myself!"

After he dies the same thing happens again.

(SPOILERS) Here's the thing I didn't get. In the film Pinhead is supposedly sent to Oblivion at the end. So, how does he come back for another four films? Are they prequels? Why hasn't he died in the previous ones? Geez. The makers need to come up with an idea for a different series. (END OF SPOILERS) Hellraiser: Bloodline is gory and full of torture scenes, but has little thrill or scare value. Just forget it. Bad special effects with badeverything else make this more of a snooze-fest than a good horror.

Good: Wellsome people may enjoy the topless women in the beginning. Plus, Pinhead's voice is pretty cool. I suppose if you like ultra-violence, you might like this too.

Bad: None of the reasons above make this a very good film. The corniness and repetitiveness are pretty bad. And, who names their villain Pinhead?

Feel free to send me a Private Message regarding this comment.
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This is a very good black comedy, with a great view on how different people have a different perception of the same situations. The three main characters each met a girl named Jewel, played by Liv Tyler, who is a different male fantasy for each of the three men. Each of the three men go through the same situations, but when they tell of them to other people, their perception of the situation is very different from what the other two say. That is a very good concept, probably not entirely original but it works very well in the movie. The plot is very good, very bizarre and extreme, which makes it a good black comedy. The acting is equally good, not one of the actors seemed out of place or out of their league. The comedy is very black, pitch black in some scenes, and a lot of people will definitely be offended by it, but fans of black comedy will probably enjoy it. Overall, this movie is not for everyone's taste, but most people who like black comedy will probably love it, as it is definitely one of the better black comedies. 7/10
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positive
Please tell me the sentiment of the following review: Anyone looking to learn more about the development of skateboarding should find Dogtown and Z-Boys adequate research material. This is not to be confused with Lords of Dogtown, that sorry Hollywood attempt to cash in on the success of the original Dogtown revival. 

Directed by Stacey Peralta, a former Z-Boys himself as well as pro skater and mastermind behind the 80s Bones Brigade, and co-written with skateboarding photojournalist Craig Stecyk, this documentary traces how a group of surfing kids from Southern California's mean streets (known as Dogtown) who formed the Z-Boys skateboard team (actually there was one girl--Peggy Oki) revolutionized skateboarding. The film contains interviews from nearly all of the Z-Boys (Chris Cahill's whereabouts are unknown) with the most noteable being bad ass Tony Alva and the youngest, Jay Adams, who's talents (along with Perlata) seemed to transcend the rest of the teams. There are interviews of the team's (and the Dogtown shop) founders, surfboard designer Jeff Ho, Skip Engbloom, and Craig Stecyk. There are also interviews of folks like Tony Hawk (obviously), Ian McKaye (Fugazi), and Henry Rollins, who were young kids in the 70s when Dogtown was making it's influence on skateboarding (skateboarding was a whole other context in previous years as the documentary explains). 

It really shows you not only who the Dogtown team was and how they formed, but why their style changed not only skateboarding tricks (pool skating became immensley popular, and thus gave way to vert skating), but also facilitated the sport (though not into the extreme commercialism it is today) as more than just the fleeting fad it had been earlier as these surfing kids who's waves ran out in the early morning needed ways to spend their time and eventually got into skateboarding. The days of Russ Howell and Alan Gelfand were long over as the Dogtown, at least through the publicity of their skate team, paved the way for the new generation of skaters. Because Dogtown got all the attention, they were able to push skating to the next step.

It's a great documentary in the way that it is put together, though Stacey Peralta always knew how to do this even when producing the Bones Brigade mini movies/skate demos like "Ban This" and "Search for Animal Chin." Narrated by Sean Penn, the film is accompanied by a fantastic soundtrack, contains lots of terrific archive footage, and lots of interview to give you a genuine feel of who the Z-Boys were and how they made their mark on skateboarding.
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Though often considered Peter Sellers' worst film, it is in fact an excellent send-up of medical corporate corruption and abuses of power. Often misunderstood, the film is actually a departure from the type of film Sellers was best known for; satirical farce. This film had excellent performances by Jo Ann Pflug and Pat Morita (of Happy Days and the Karate Kid movies), but was marked by its ribaldary, irreverence, and total madcap demolition of the medical industry of the day. It was ahead of its time (1972) in taking the outrageous path that the Monty Python crew would take into the cinema some time later. As such, it was unacceptable to the traditional Peter Sellers fan, who found the more pointed barbs in this humor to be something to which they were unaccustomed. Presently, Peter Sellers movies are in demand by fans, but this effort, Where Does It Hurt?, has by its nature become almost impossible to find.
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This little film brings back a lot of memories, both fond and foul, of what can and does happen when one is a working musician. The not so pleasant accommodations for the band, the management of the venue jumping up and down telling you what to play, the sheer ecstasy of the applause.............. Far from being farcical it is, in fact, very accurate in the way it depicts musicians, professional and otherwise, who have travelled a great distance to perform a season of gigs at a venue. There are those times when everything goes perfectly, there are those other times when you immediately start to miss your partner and wonder what the hell you are doing this far from home. In the end you have to make the best of it because there is no other way out.
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Every American who thinks he or she understands World War Two should see this movie. Few Hollywood films about the war have defied the stereotype of Japanese soldiers as emotionless brutes obeying orders without thinking. We like to think that every Japanese man was ready and able to fight to the death, right up to the day we bombed Nagasaki. "Fires on the Plain" shows a different reality: troops pathetically undersupplied, demoralized and starved to the point of cannibalism. They euphemistically refer to human flesh as "monkey meat." The movie and novel on which it was based also put to death the myth that Japanese soldiers all preferred death to surrender: They had good reason to believe that their enemies were in no mood to take prisoners. To me it raises a question most Americans would rather avoid: If the Japanese military was so beaten down at this point in the war, why was it necessary to nuke Hiroshima?
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This movie has to be one of the most boring and stupid movies that Perrugorria have done. 

It looks like a commercial from beginning to end. The ¨director¨spent the whole time on a tripod, it doesn't have pace, rhythm. It's illogical. what a mess. You can tell what's gonna happen since the first 15 minutes, and the ending...Wow

------spoiler-------

Jesus Christ, how the hell Perrugorria got shot? Are you serious? Worst scene of someone getting shot ever!

------end of spoiler-----

Bad directing, bad script, bad acting...Really bad overall. I wouldn't recommend this movie at all. It's a waste of money and time.
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In addition to all the negative reviews: I was amazed to see that at the drop of a hat somewhere, somehow a CCTV-camera was summoned at a most unlikely location, to show the 'crisis'-team (''Look Maaaaa-aaam'') what was going on, notably near the Thames-barrier, where the professor is hit at full (wind)force against the head by a heavy object and subsequently lives to tell the story. Otherwise I was unable to shake off the image of some actors as portrayed in other films/programs: I said to my wife: 'Hey, that's Neil, from the Young Ones' (Nigel Planer) and 'Did they summon Hercule Poirot for help?' (David Suchet). To add to the disgrace of this film (shown in two parts on ITV UK recently), ITV showed the telephone number of the Environment Agency after each episode for worried viewers, living in areas 'at risk of flooding'. How low can you as a broadcaster go to treat your audience like that? What must the Environment Agency have thought?? (''Oh no, it's Mrs Jones from Hull again. She says she was right all along, she saw it on ITV'').
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** HERE BE SPOILERS ** 

Recap: Macleane (Miller) witnesses a robbery by Plunkett (Carlyle) that goes wrong. Plunkett's partner get shot (and killed) but not until after he has swallowed a great ruby. Plunkett and Macleane then meet at the cemetery when both try to get hold of the ruby. Unfortunately they are caught as grave robbers and sent to jail, but not until Plunkett has swallowed the ruby. The ruby is their key to freedom, and once they're free, they form a partnership in robbery. Macleane is to pose as a gentleman and find out who is worth robbing, and then simply they rob him (and rob them in style). But Macleane falls in love with the niece/daughter (?) of their first victim, lady Rebecca Gibson (Tyler). And a Mr Chance (Stott) is out to catch them, and his methods are not very nice...

Comments: A good action flavoured by comedy and adventure. Carlyle and Miller form a good team, with a lot of friction and friendship. And then there is the relationship between Macleane and Rebecca Gibson. The scene with the ball is very good, especially the (anachronistic) use of the music. In addition to these interesting characters Cumming play the best of them all, Lord Rochester. Both the character and the acting are stellar and among the best in the movie. In total, the movie works very well, a nice balance between story and special effects, action and comedy. Very entertaining.

8/10

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positive
I was hoping this would be a good weekly vehicle for Tim Curry, one of my all-time favorite performers. Alas and alack, it is NOT. There doesn't seem to be any chemistry between anyone on the show, the dialogue is decidedly uninspired, and even the laugh track appeared to be laboring. Brutal.
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I really liked this film about love between two adults in postwar Britain. The high standards of BBC TV is evident in the production, and superb lead actors (Claire Bloom and Joss Ackland) make this an uplifting experience. Bloom and Ackland have previously worked together in theatre, and their chemistry and interaction is splendid. I recommend this version of Shadowlands over the film version of 1993.
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This is an excellent B-film horror movie that borders between horror and comedy. It is about a genetically mutilated scorpion in outer space. Can it get more unreal? It is a hybrid between "Alien" and "Chain Saw Massacre." The movie was shot in Stockholm with a mixed cast of Americans and Swedes that interact beautifully. Director Martin Munthe does a great job finding the comical highlights in this script and gets a few good laughs out of the audience. The movie was shot with little or no money and it is inspiring to see what can be done with limited resources. Stinger has all qualities of a B-film horror movie. It is comical and scary at the same time and the cast and crew are dedicated to their cause. It is great to see that movies like this can still be made! I would recommend seeing it if you like this type of films.
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As a non-theist Im not going to comment on the great mans theory which changed the world 150 years ago. Safe to say, science is based on evidence, religion is based on blind faith. Nuff said there then.

The film was produced by the BBC, and to be honest, it could quite easily have been shown on television. While the acting is superb, the film itself isn't really worthy of a full blown cinema release. That said, if it reaches a wider audience this way, then so be it. But I have seen many period style dramas on BBC TV and they were well up to the finished standard of this. Just don't expect too much of a big budget thrill ride when going to see it.

In some ways, I found the movie almost going out on a limb to apologise to religious fundamentalists. While it attains a good sense of tension the whole way through, I couldn't help wanting it to get to the publication of The Origin Of Species much quicker than it actually did (you'll wait right until the end for that). And it seemed to dwell much more than I was ever aware on Darwin's struggle with himself and his wife Emma, portraying him almost as some kind of insane lunatic at times - which is hardly true. There are many other errors and facts missing in relation to the real story of the lead up to the publication of Origin too, but the whole premise of the movie focuses almost entirely on the difficulty Darwin faced domestically with the book, and a small portion on the death of his beloved daughter Annie. This gives the film its most moving scene, where Annie passes away as she asks one final time to hear Darwin tell her the story of a captive orangutan which died of pneumonia. Though, you'll probably feel a bigger connection with the primate in that scene than with Darwin's daughter.

With the early controversy apparently surrounding the movie in the USA it will work well to promote it and ensure many more people will get to see it. But to be honest, there is actually very little in it that insults any mythical Godhead. Its hardly headline news about a theory that has been around 150 years after all. But, as fundamental Christians (and many other religions which we're all well aware of) like to wave a placard or two whenever possible, I guess this movie is as good excuse as any. Personally, I cant see what all the fuss is about. But maybe they're just monkeying around...

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First half of the movie scared the hell out of me and normally I'm not easy to scare, but second half of this thriller didn't work quite a well, but still very scary! A good thriller, than use simple ways to make good horror. Lowbudget, set in Russia, unknown cast, and made in Europe. but still great fun, and yes there is a few laughs throw in for good matters as well!
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Dolemite may not have been the first black exploitation flick to come along but it certainly is one of the best. It is a pivotal film in the Black Exploitation genre as where it caused a dramatic shift between the films that came before it in contrast to the films that came after it. It wasn't necessarily a poignant or moving film about black culture and it's fight to overcome issues like racism or anything as important as that, but it was the story of one bad-assed dude fighting "whitey" with his army of hot kung-fu mama's. It was a guilty pleasure, great fun and best to watch it with friends. (10 out of 10)