cindermond/bento huggingface dataset:
A lot of good things could have been done with this movie using essentially the same sets, plot devices and storyline. For example, why not plant a seed of Erica's capability before the murder of her lover? Why not develop Erica and the cop's relationship slowly and convincingly? Maybe contrast Eric's metamorphis by including some other post-event facet, relationship, etc., in her life that she now rejects? Why not have her injure an innocent bystander to underscore the wrongness in Erica's actions.

Instead TBO exploits the revenge fantasy to its maximum level, giving insincere lip service to the "don't do this at home" messages thrown in only to allow the film to qualify as legitimate.

I'm not a Jodie Foster fan. After displaying some range in films like SILENCE OF THE LAMBS, NELL and one where she plays the ordinary mother of a child prodigy, Foster has slipped into a succession of roles where she plays the same hard-bitten, badgered heroine single-handedly overcoming evil. Such is fine once or twice, but I'm getting too used to her "fight versus flight" close-up. TBO could have used a younger actress or one that more convincingly embraced being a woman in her forties (instead of 40-something Foster playing a younger woman).

TBO is a movie with substantial actors, financing and resources that manages to descend to junk.
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One of the worst movies I have ever seen. Excruciatingly slow-moving, boring and stupid. Lots of juvenile bathroom-humor, drawn out into painful tedium. I like Jeff Daniels, but he should stick to acting and forget writing. I am amazed this is rated as high as it is. I call it a turkey.
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The movie blood and chocolate is NOTHING like the book. The plot has totally changed and whoever chose the cast needed to read the book. First the girl is not an introvert Aden is. Vivian was the one that chased Aden. Her mother was to have survived and be the one after Gabriel. Astrid was the one that did all the murders along with Ralf an ex of Vivian's. Gabriel is not old. He is old looking. And Aden DID NOT get Vivian in the end, Gabriel did. The title came from Vivian comparing kisses from Aden (sweet like chocolate) and Gabriel(delicious like blood). She picked blood because it promised more and he understood her more. That reminds me, Gabriel is not against humans like in the movie. He just avoids intimacy with them because they hurt him in the past. Really the book is sooooooo much better than the movie. But if you want o see running, a dating montage, and a lot of jumping. Then this is the movie to see.
This movie was made on a relatively small budget (10-20 million dollars?) with almost no promotion at all from its distributors. I only knew about it because I am a long time Jean-Claude Van Damme fan and I always check out his latest films in hope that they will be at least watchable and aside from some real turkeys (Derailed, Second In Command), they are. This movie has an easy enough plot to follow and Van Damme gives a good, humorous performance through out but the movie owes all of its credit to the fight scenes involving Van Damme, Scott Adkins and the final one of them together. The editing and camera work for most of the film is pretty terrible but Isaac Florentine can definitely film a good fight scene. I too am happy that Van Damme has been acting better lately (In Hell, Wake of Death, Until Death) but with the good acting came less martial arts. In The Shepherd, Van Damme proves that he still has it.
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Yikes.

I've seen quite a few bad movies in my days, a lot of them in the company of Mike, Tom, Crow and the others from MST3k. So was the case with this one as well and even though I found the movie in itself quite funny, it wouldn't have been nearly as fun without the MST3k commentary.

The movie is a prime example of really bad movies coming out of Europe during the eighties. Horrible music, horrible acting, horrible plot (what little there is), horrible dialogue and really, really, REALLY, horrible editing. Cripes.

This might be called a turkey if it weren't for the fact that it's not unique in any way whatsoever. It's pretty much the same kind of film that almost every italian hack of a director cranked out.

So, try and get the MST3k version. It's a pretty fun episode with Mike and gang in quite good form.
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It occurred to me while the final scene of the movie froze to reveal the scant detail of Buddy Holly's death that there are still people alive today who were at that venue in Clearlake, Iowa who remember it vividly. That has to be a haunting memory, lent even more poignancy by the lyrics of "American Pie", as it pays tribute to the day the music died. The world lost some tremendous talent that day, lives cut short way before their prime, and one can only wonder what might have been if the trio of musicians who perished that day had survived to create an even greater musical legacy.

I watched the film today some thirty years after it's original theatrical release. Thirty years, I have some trouble wrapping my mind around that. I had forgotten a lot of it, while remembering some of the little things, like the cricket in the wall who became immortalized with the band's name. But most of all, I remember the music. It's hard just to sit there and not begin tapping to the beat of "Oh Boy" or "That'll Be The Day", and one has to wonder just where the threat to our morals might have actually come from with those tunes. I'm with Buddy on that score at least, how could they be jungle rhythms if he came up with them? Funny how each successive decade brought it's own threat to the fabric of society - The Beatles, Motown, Disco and a whole host of other musical forms. We're still listening and dancing to the beat, so I guess they couldn't have been all that bad.

There was another takeaway from the film I had forgotten about. This is where I learned to bang a phone on the table when the person on the other end wasn't seeing things my way. I've done that a number of times over the years, but by now had forgotten the source. Well, I should be good for another thirty years or so now.

You certainly have to give Gary Busey credit for his portrayal of Buddy Holly. Seeing him today, one could never imagine him as the slimmed down rocker with the horn rimmed glasses, but it was a tour de force characterization and performance that earned Busey an Oscar nod. Don Stroud and Charles Martin Smith are competent as Buddy's band members, though their characters take a back seat to much of the story. I enjoyed the subtle ways that other musical legends were segued into the picture, names like Sam Cooke and King Curtis, without ever dwelling on their presence. 

I'll always be a fan and follower of music from the Fifties and Sixties - 'oldies' they call them now. I guess that makes me a bit of an oldie too, but you can't replace the experience of growing up with the music history that now makes it to the big screen. Which only goes to reinforce the idea that I'll keep on enjoying the music until, well, the day I die.
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Well, let me put it this way - I have always been one of the "hardcore brothers"; I've always loved rock music, and especially heavy metal!! That's why this movie is like a gift from God! I believe this movie is one of the best movies ever (well, except from Neverending Story and Star Wars, of course ...). It's great to hear all the classics, like "Long live rock and roll" (DIO), "Stranglehold (Ted Nugent), songs by Jon Bon Jovie, Deep Purple, AC/DC, Zakk Wylde and several other legendary rock bands. Heavenly! Absolutely gorgeous! WONDERFUL!!! I hope they will make more movies like this (otherwise it's just crap movies, like that "AC in da USA" or what they call it, and "8 miles". Bulls***!). Well, I strongly recommend this anyway! Everything I'm missing is a couple of Stratovarius-songs! But except from that, it's one of the best movies ever! Ten out of ten!
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This is a disappointing adaptation of the James Lee Burke novel "In the Electric Mist of the Confederate Dead". It is rather poorly acted mainly due to the miscasting of the principal players. Tommy Lee Jones, a normally fine actor, just doesn't capture Burke's "Dave Robicheaux". As Robicheaux's main nemesis, John Goodman does a sloppy job as the "heavy". The guy who plays Robicheaux's actor-buddy doesn't look like a former "A" lister leading man. The rest of the movie is mainly cast with no-name locals who just don't do justice to a big-time novel.

The movie and Jones' performance is way too hurried for one thing. Robicheaux in Burke's series of novels, gives one the feeling that he fits well into his environment most of the time, being laid back and slow-moving. This is just like the deep south and southern Louisiana. Then at times Robicheaux is nearly manic in his exertions. Jones just moves at a fast pace through the whole movie. He doesn't vary. Ned Beatty is wasted. Mary Steenburgen is out of place. About the only good thing about this is the setting. On the whole the movie gives one the impression of a TV movie.
My wife and I endorse all the positive comments below, made by other IMDB members. While this is no box office smash hit it has a special charm all of its own. Genuine and heart-warming.

We saw this on video, at the end of a long day. We were very tired, and in bed. Normally in a situation like this my wife drops off to sleep within minutes, that is, unless it is an exceptional movie and this one kept us both entertained right to the very end.

Perhaps younger viewers in their teens and twenties would not like this, but for the rest of us it is a true gem! See it!
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Please tell me the sentiment of the following review: Seriously, I can't imagine how anyone could find a single flattering thing to say about this movie, much less find it in themselves to write the glowing compliments contained in this comment section. How many methamphetamines was Bogdonovitch on during the filming of this movie? Was he giving a bonus to the actor that spat his lines out with the most speed and least inflection or thought? The dialogue is bad, the plot atrocious, even for a "screwball" comedy, and claims that the movie is an homage to classic film comedy is about the most inane thing I've ever heard. The cinematography is below the quality and innovation of that exhibited by the worst made-for-TV movies, the acting is awful (although I get the feeling that the fault for that lies squarely in the lap of the director), and speaking of which, did I mention the direction is so haphazard and inscrutable that it defies the definition of the word? The whole thing is a terribly unfunny (even in the much-beleaguered world of so-bad-it's-funny clunkers), soul-sucking, waste of two hours of your life that you'll never get back. Be afraid, be very afraid...
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My parents used to rent a lot of horror movies when I was a child. We loved watching them even when they were bad they made for some enjoyment. This was one such movie, kind of hard to review as I have only seen it the one time as a child, but it is not anything I want to track down again so I can do a more in-depth review. The story has some old horror actor legend dying. I seem to remember he acted a bit like an over the top Vincent Price, without being likable and classy. He commits murders and dies, but what is this? Is the movie over already? No, as some kids for some reason snag the body and are prepared for a fun night of being killed by the ham from beyond the grave. I remember the murders were nothing all that special after the first couple and I remember this movie was rather disappointing. Seemed to have a good premise, but it just failed to deliver the goods as more cool kills were needed and that super horror actor needed to add a bit to his repertoire.

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Postwar England, the dawn of the "atomic age". Yet, the worries of a young schoolboy yearning to experience his first "kiss" cannot be derailed by something as inconsequential as THE BOMB. This was a delightful if not educational look at young love from the vantage point of an adolescent male and his world of the

1940's. Free of political correctness and preachy messages, this film exposes the viewer to the world that only the mind (and

hormones) of a young teenager can create. Wonderful subplots

maintain character interest ala "Gregory's Girl", and plenty

of well blocked shots help keep up the imagery of this era. This is a very good story for anyone, young or old, who has

ever been in love, or ever wanted to be. Does he ever get his wish? Watch it and see.
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I had neither read any of the books nor seen the first movie so after receiving passes to a preview show, I had no expectations.

'Angels and Demons' was a muddled, convoluted film lacking direction or any believability. There was very little character development and I never found myself caring about the plight of the protagonists; the reverse was true, I was more interested in seeing how the antagonists would succeed as the first half of the film was almost exclusively focused on why the Illuminati are who they are.

The film jumps from location to location with little explanation or reason and expects the viewer to believe that everybody in the movie is an ally when they first meet. Any analytical mind will realize this is highly improbable.

The climax is extremely cliché and leaves you asking what happened and wondering why nobody considered some of these points, it feels very tacked on and unnecessary.

The actors are not particularly believable in their roles, mostly because I found it difficult to believe that scientists, professors, and men of the church would act in the manner that they do without regard to the consequences of their actions. Events that happen are not plausible in the slightest and the pace of the movie is questionable with the characters jumping around while on a tight schedule and I had to question how the protagonists manage to get from location to location on time, every time.

The most pleasing part of the film is the cinematography, I found it a beautiful film to watch but it was such a mess, that I found it would not be worth paying to view in theatres.
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Gray can make the English language jump through hoops like none other. He recounts a number of events, tied together by his writing of a manuscript (the "Monster" of the title), some sad, some uproariously funny, all in his characteristic, sarcastic manner. If you liked "Swimming to Cambodia" you will love this one. I actually thought this was a bit more interesting and better told than "Swimming to Cambodia". A real masterpiece.
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This series, while idealized and fictionalized, has the quirkiness, sultriness, and good-heartedness that does come from living on an island.

I lived in an out of the way part of Hawaii for a few years and found some hilarious, quirky, and fun people in some remote (non-tourist) areas.

Every time I see the reruns of this series, I fondly compare my memories of experiences in out-of-the-way parts of Hawaii with the memories portrayed and fictionalized in Key West.

This series is not reality television. I hate reality television.

It is from the era when people still wrote creative TV shows. Give me a "young writer" who takes their inspiration from the "angels in the spray, wizards in the palm trees and elves in the seashells" any day.
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But George and Gracie's are not among them. The movie is fun and the pool table scene with WC Fields has to be among the funniest I have ever seen but Gracie and George are more irritating than comical in their roles, partly from script deficiency and partly from their interpretation. I gave it a 7 out of 10 for the rest of the cast, WC is a treasure of comedic timing and energy in this one.
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First of all, i must say i really enjoy watching this movie. The way we follow the different people at the same time works perfectly, and its one of those movies that really makes you think.

Spoiler!!!!

The fact that the the girls who kills herself, is the one you don't notice, That fact made me wonder abit, since thats why she commits Suicide in the movie.. The Director impressed me with that, making a movie that shows the plot to the audience and also deliver the message that not a lot of people would have seen it coming. Some people might start talking about why no one did anything to stop it before she did it, but no one noticed her, just like no one who watched the movie did either... Don't know about you, but i did not guess that it would be her who committed Suicide.. Did you ??

Regards Jan
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I think i would rather have my piles clipped with a pair of rusty clippers than bear another 5 minutes of this movie. In fact i cannot even be bothered to go in to detail! Not sure how they managed to get the needles into the wooden actors to cure them! Better off for all concerned if they had just nuked the island after finding out about the virus, that way it would have lasted as long as the commercial break, and we could have moved on with our lives. Plus one more thing was this rubbish commissioned by the god channel? As all they seemed to do was praise the bleeding lord most of the time. Avoid like the plague! In fact i would prefer it!
This is a thoughtful film that lays bare the inequities of the so-called upper class and those who work for them, the haves and have-nots. Robert Shaw does a creditable job in his role as the obliging, correct chauffeur, Steven Ledbetter, who helps Lady Franklin (Sarah Miles) overcome her mental depression at the outset. However, Steven has many mixed feelings regarding this lady of the upper class. He inevitably falls in love with her, which of course is overstepping the societal boundaries that separate them.

I have not read anything prior to this and only judge the movie as I have seen it. I consider it a very honest story about the realities of daily living and the conflict of what we might wish or expect from life and what we get. It's a fine drama worth seeing again.
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Ahh, nuthin' like cheesy, explopitative, semi-porn, masquerading as horror...This one stars Jaqueline Lovell(sometimes Sara St. James), the nubile starlet also seen in "Femalien", "The Erotic House of Wax", and that family favorite "Nude Bowling Party". She is now a fixture in Surrender Cinema's line-up of talentless cuties starring in pointless, soft-porn exploitation flicks. "Head of the Family" actually tries to be a real moovie. A con-man and a tramp try to get said-tramp's husband off-ed. They turn to a large-brained evil genius in a wheelchair, and his family of moronic misfits, who uses mind control to send out zombies to do his nefarious bidding. Said-genius has a giant head, hence the clever title of the film: that's about the extent of the film's humor. But basically, it's an excuse to show off the ample talents of Lovell and Dianne Colazzo (Ernestina). Laced with some of the wierdest dialogue can be herd (what the heck is "plowing oats", anycow??), and just plain stupid, this titular thriller will moost likey appeal to the breast-cownters of Drive-In Theater, but no one else. The MooCow says avoid the devoid, unless yer looking for a rent on cheesy T&A/horror night. :=8P
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As far as I know this was my first experience with Icelandic movies. It's such a relief to see something else than your regular Hollywood motion picture. Too bad that movies like this one have a small chance of succeeding in the big world. I can only hope that people watch this by accident, by recommendation or other...

Because it's really worth while. I left the cinema feeling really sad. I couldn't get the tragic destiny's of the characters out of my head. And it impressed me even more when I thought of the complexity of the film. Not only was it a tragic story, it had excellent comic reliefs and a very good soundtrack.

If you have the opportunity, watch it! It's really thought provoking and made me ponder a lot.


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LORD PROTECTOR is kiddie fare, but for whose kids? Obviously shot for television or STV, this amateurish rehash KRULL has several stock characters -- a magician, an assassin, a warrior, a scientist -- on the trail of something or other in order to defeat the Dark Forces about to be unleashed on their planet. Badly written, acted and staged in available California locations like municipal parks and a ranch, LORD PROTECTOR has nothing to recommend it, not even as a time waster. Jay Underwood is the only "name" actor, and most people, especially the intended audience of five year olds, are not likely to remember him from such ancient Disney fare as NOT QUITE HUMAN. A no-name actor playing a magician in an ill-fitting silver wig at least plays it with tongue planted firmly in cheek, while those around him act as if they are in a dinner theater production of KING LEAR. I was hoping at least for a decent action or special effects sequence. Alas, the action sequences are pathetically staged and the few special effects are those old fashioned painted-over cartoon gags we used to see in 1950s and 1960s fantasy flicks, like Bert Gordon's THE MAGIC SWORD. The filmmakers planned a sequel that mercifully never came to be. Often, such cheap Hollywood back-lot productions use a combination of legit and porn actors. I kept myself occupied during the film's seemingly interminable running time, trying to figure which was which in this one. I didn't have much luck.
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I always loved this film. The music,story and the action. I especially love the opening and closing of the film. The music stayed with me throughout the years. The WWI plane battles were great and the comedy is typical Blake Edwards. Slaptick is his forte' after all. Julie's singing is amazing and keeps me glued to the screen. The sets and the scenes are wonderful. The characters are appealing. I loved the scene with the wounded soldiers and Julie's singing to them. I wish she sang to me in Vietnam. I also enjoyed the old cars from the period and the WWI music.I was glad when the DVD arrived. Now I can whistle in the dark watching it again and again.

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I have to preface this by saying that I LOVE watching bad movies that are entertaining. This movie delivers 100%. It is hands down the worst movie I have ever seen. It is full of crappy stock footage of random stuff in a city (people walking, traffic, the skyline, etc.) that doesn't tie into anything. Then there are the overly long 'sex scenes.' These involve lots of petting and frequent rubbing of socks on each other's bodies. These are in no way erotic and are the closest thing to horror you will find in this movie. This is especially true for the shower scene where two of the so called 'barely legal' girls who couldn't be a day over 40 are spraying each other with blood but there is also a crew member squirting blood in the from the outside while one of the girls keeps smiling at him. No one had to memorize any lines for this movie, if they aren't clearly reading cards then they have a magazine in front of them they keep glancing at while they struggle through awkward dialogue. Then there's Mr Creepo. He throws Ed Wood's name around like he can somehow compare, but he is far far from anything of that quality. He walks around a cemetery babbling about random things that went wrong in the movie which really helps the complete lack of flow the movie already had going on. We couldn't stop laughing during this movie (except during the sex scenes where we were grossed out and occasionally horrified)

I give this movie a 1/10 for going so far above and beyond all my expectations for a horrible movie.
Chuck Norris stars as Danny, a cop who took down a hulking serial killer however when said killer escapes, Danny knows he is the only one able to stop the terror. However Danny harbors a secret, he knows that it was sheer luck that got the terror arrested and even more luck that Danny survived, now a final battle is waged but is Danny ready? Right there in my description tells what the problem of this movie is. Norris is playing a wimpy hero who still suffers from psychological trauma. In the hands of a better actor, this concept would be interesting and could make for a great thriller. In the hands of a Norris thriller it just makes it ridiculous and hopelessly unheroic. Also on board is American Ninja's Steve James and Superfly's Ron O'Neal but any attempt at character development is defeated by the atrocious script. Also there is hardly any action and I always preferred a Norris movie with more fighting and less talking. Given the rating on this website, I must not be alone.

* out of 4-(Bad)
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This movie is about 3 stories put together revolving around 3 separate individuals. One of the worst movie that is available and even better if it is not available.

The Good : 2 pretty lesbians actress 1 true and touching story about Theresa Chan

The Bad :The main story that revolves around the blind and dear woman Theresa Chan does not need to be told in a movie format and more appropriate in a documentary format. No linkage between the 3 story lines. Minimum DIALOGUE in the film, substituted by SMSs and CHAT programs on PC. No cultural insight by the movie and it makes you forget even before you step out of the cinema.

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If only he hadn't bowed to cliché, Mr Shiban could have actually made a good film from this story. It was just different enough to keep you interested, so for the same amount of time, energy and money as was spent on this stinker, we might have had something good instead of eye-rolling.

Production-wise, it is as good as one could really expect from a hand-held camcorder, so he gets good marks there. It's really the script that's at fault, as the acting wasn't all that bad, either, considering what the actors had to work with.

I thought the days were long gone when we would see someone, finding a radio transceiver they desperately wish to operate, first turn every knob on the thing from end to end, bash it on top 6 or 7 times, and then expect it to work. This story is ruined by a continuous string of stupid moves by all the characters except the bad guy. It's as though we are thought to be too shallow to grasp all the plot devices, so they are all spoon-fed to us to make sure we get them.

I don't know about you, but that doesn't work on me. My attention ends up being occupied by the plot holes and over-dramatizations, not the story.

So, since I found this to be not so bad in the technical sense, I think Mr. Shiban should try again, only with a proper script next time; then he might give us something worth watching.
The movie has a good story line, the action is good in some parts, but not all of them. Some of the parts, I just felt like the bad guys wouldn't have dosed off yet, from my experience from taking Martial arts. Some are the actions are long, like always mostly for the boss, but for the least important ones, they were killed or dosed off with a few hits, but some where quite unrealistic or could have done a better job at.

The least important actors or stunt people were the right picks for the movie, my girlfriend started to have a crush on them that she started to watch the movie more than she spends her time with me.

The movie is good, that is all I can say.
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Please tell me the sentiment of the following review: This is a very noir kind of episode. It begins with Jim returning from a weekend trip with a new girlfriend, the recently divorced Karen Mills (Pat Delaney--daughter in law of John Huston, who knew a few things about noir film) and her daughter. When they arrive, Karen goes in the house while Jim picks up her daughter from the back seat and carries her up to her room. He then discovers Karen has disappeared without a trace. Of course he calls Dennis and when the police arrive, they see no sign of Karen, but find her next door neighbor murdered in the bushes. So of course that makes Jim an immediate suspect.

This is a great little mystery and the first half of the story is shown by Rocky asking Jim to go over the story once again. Rocky suggests that by Jim telling him the story he might remember a little detail that he didn't think was important at the time, but now might lead to a clue as to what happened. It's a really well written scene and completes the transition of the Rocky character from a grifter to a concerned parent. It also goes a long way to show that Rocky isn't just some clueless old man either. As he says "You come to me because I'm your father. And I'm smarter than you!" This is one of those times where we see where Jim got his smarts.

This episode also features an appearance by hottie Lara Parker, who played Angelique in the "Dark Shadows" series and went on to play Laura Banner, Bruce's wife in the "Incredible Hulk" series a few years later. She looks terrific here.

This episode also marks the first mention of the Minette crime family, a name that would keep popping up on the Rockford Files almost whenever they needed a mob family. This time, its Vincent Minette who Rockford helps apprehend.

Lt. Diehl (Tom Atkins) makes his first appearance on the series and Dennis is quietly demoted from a police lieutenant that he was on the earlier season one episodes to a police Sargent. I guess they figured it would be better to have Dennis less powerful and add some conflict between Jim and the police. Frankly, they were right, though I prefer the later Lt. Chapman to Lt. Diehl. 

Not a lot of the typical "Rockford" humor in this episode, but a good mystery with a lot of heart.
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Why would I say that? Because when the movie ended, I was in a good mood. So many people exclaim at the end, wow! Bruce Willis can be funny. For those of you who believe he learned how to act after the sixth sense, you must be very new to his career. He won an emmy for best actor in a comedy series before he did Die Hard. It's like saying, wow, the sky learned to deposit snow on the ground just because it's your first winter in life. The movie was hilarious. What boggles my mind is how some other comments made about this movie claims that there are no memorable lines or scenes. Spoiler...

The waaaambulance? I am not a loser? Have you ever seen a grown up scream I am not a loser before?

I thought this movie was great. It was funny, it was never boring and in a cheesy Disney sort of way, it had a point to make. Something to do with life and of course any kid movie trying to do that is in over it's head but for once, I didn't care.

If you haven't watched it. Do so. You'll like it.

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Another French film with absurdity. Baise-Moi(F*ck Me) tells the story of two young women who come together to kill and f*ck. One of them is a porn star who escapes from her community after being raped and killing her boyfriend. Second one is a hooker who kills her flatmate and sees her boyfriend being shot dead. After those incidents they meet at a tube station(both misses the last train)then the whole thing starts. They find a bound and come very close. They abuse men sexually, take drugs, drive around the country and have lots of sex. Thats all about Baise-Moi really. We can see that they have no mercy for their victims. They even kill a woman for her money. Both actresses are real porn stars in France that affects the movie in two different ways. They look so comfortable in sex scenes, nonetheless, they can't make the whole film worth watching as ,to me, the film does not require no further ability of acting than that. It is a version of Thelma and Louise on a different level. I could recommend you loads of things to do instead of watching Baise-Moi. So, bother to watch if you wanna see a pointless, kinky film. * out of *****
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I'm still laughing- Not! I'm still asking my myself what the point was. I barely got a chuckle, this movie sucks. It tries to be charming and touching, but it turns out stupid. I do not recommend it.

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Regardless of whether the predominant social message of this film - that vigilante justice is acceptable - is justifiable, I was more insulted by McConaughey's closing statement. In a courtroom drama, the closing statement of the defence attorney is pretty much the crux of the film, and when the issue is as difficult to resolve as this one, the statement is really being delivered to the audience as well as the jury. This basically implies that the audience consider the rape of a white girl to be a more horrific crime than the rape of a black girl. I for one find this very insulting. As for the rest, I found the acting reasonable, with the exception of Sandra Bullock, who seems to be playing her usual bubbly self (doesn't really work in a courtroom drama), but what's the point when the film's message is as poor as this one. It tells you that vigilante justice is fine, and accuses you of racism if you disagree.
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Four or five episodes of Johnnie Socko and his Flying Robot edited together. Amusing giant robot battling giant monsters tale aimed squarely at kids. Parents of course will go crazy since the action is violent with the robot/monster battles resembling professional wrestling and the human on human violence the sort of stuff you'd find in the Al Capone St. Valentine's Day School and Gangster Training Academy. I liked it, but then again I grew up on the series. If there is any problems, other than the "men in suits" effects variety is that the movie plays like a series of episodes stitched together, with a climax coming every 20 minutes. Recommended for those who've run out of Ultraman or Godzilla
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Low budget horror about an evil force. Hard to believe in this day and age, but way back when this stuff actually used to get theatrical release! These days this sort of thing would either go direct-to-video or straight to cable. Shouldn't be too hard to avoid this one; who's ever heard of it?

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Arthur Miller certainly knows. His stories give a clearer picture of what it means to live in the United States in the 20th century than any other writer I can think of.

Focus, based on one of his novels, is no exception.

William H. Macy and Laura Dern give fantastic performances here. Emotionally bruising but ultimately rewarding, this movie is excellent.
What can I say?? This movie has it all...Romance, break-ups, rich kids, punks and preps. This is my all time favorite movie that I can recite line for line....I remember when it first came out, I was 14 and couldn't get in....so finally got to see it on cable... I was hooked! Wanted to move to California and be a Valley Girl.. (Hey, I even remember the song by Moon Zappa, do you?) Tried in vain for years to get the never produced soundtrack...now you can find it on rhino records....

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I didn't understand the people who rated it over 5. I think it's a horrible film from any point of view. Plots, acting, art, dialog, music, whatsoever! I don't mind a low budget..However you have to get some point. Wandering, wondering..pointless..then two boys started kissing in bed. awful,,just awful. I love indie films, don't mind it is slow. However this movie disappointed me from any perspectives. Even the Graffito, not artistic.

I was wondering what kind of people would like it. I am a female in my 30's. Is it for teens who have some kind of the loneliness about life, or I just don't get it? What I gained then? Wasting time! Please go for some others.

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Sensitive, extremely quiet paced love story between a married journalist and his young and atractive neighbor, she too also married. They lived their love for a time but the obstacles and the fear of hurting their families and children invites to a separation. A reflexive look on delicate question like love, friendship, honor and loneliness, always present in human lives, whether you are an American or a Chinese. I give this a 7 (seven)
This movie and its subsequent TV series followup has become the iconic stand-in for what is great about America. 

Fame is famous for its music and performances. There are several standouts including Irene Cara, Paul McCrae, Anne Meara*, and the superb Gene Anthony Ray. The latter who plays a walk-on dancer with no academic or other than "street" credentials is an amazing personality and is worth watching for what is essentially a portrayal of himself. A wonderment to behold, as one king was apt to say.

The plot follows an interesting format - chronological at times, genre at other times, personalities in some cases ... but, it all really ends in a kind of mush.

Where Parker succeeds is in pushing this movie into periodic overdrive - with the extremely poignant and sometimes beautiful and outright campy music score that matches the performers step for step.

The climax of the film is a climax for all times. And this climatic complete cast of many many talented musicians and dancers and music is thankfully repeated throughout the credits. These are one set of credits that are well worth sitting through ... an achievement for the ages. The music by Christopher Gore is a gift to behold.

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positive
Eaten Alive plays out like a bad rehearsal for the following year's Cannibal Ferox. The characters are universally bland, the locations are criminally under-utilized, there's no attempt to create tension or suspense, the physical effects are either laughably bad or shamelessly stolen from other movies, and the ubiquitous tribal rape scenes are barely worthy of a PG-13. Even the scenes of animal 'cruelty' are more tedious than usual. The only mildly shocking scene involves crazy Jonas, going a bit Goldfinger, wielding a blood soaked dildo; a scene that is just plain bizarre rather than graphic. My beloved wife, she of the 'Romeo and Juliet Collector's Edition', watched this movie without so much as a wince of disgust! And it calls itself a Cannibal movie! All-in-all, a pretty lame effort that thoroughly betrays the Cannibal tradition. Cannibal Ferox, Luci's follow-up, is a far superior example of the genre.
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This film was produced and released as a successor to a ghastly - although fairly popular - slapstick Californian beach comedy called Hardbodies, but it has little or no connection with the earlier film and is better assessed completely in its own right. It is certainly better than Hardbodies I, and is more closely related to films such as Venus and Summer Lovers which were also filmed during summer in the Greek Islands. The combination of blissful beaches on blue bays with beautiful bare bosoms makes for seductive viewing, but (except for travelogues just designed to help plan your next holiday) even such films require an adequate story line if they are to hold a viewers attention for more than a very few minutes. Venus was underpinned by the legend of the re-incarnation of the goddess, and Summer Lovers had the viability of a "menage a trois" as its theme. In my view both these films were much more successful than Hardbodies II which has a very tenuous story line and depends too much on simplistic semi-slapstick comedy. The use of slapstick quickly becomes tedious, it usually leads to a series of very short self contained cameo sequences that are hard to integrate into an ongoing story line. Mel Brooks achieved this brilliantly with Silent Movie, but few other films have succeeded in the same way, and Hardbodies II unfortunately does not. There is also the problem that the slapstick sequences do not co-habit happily with the idyllic and peaceful scenario in which the film is set. The final airport sequences were no doubt intended to provide a hilarious ending for this film but in my opinion they are an example of the worst type of overplayed slapstick pseudo-comedy. They are also grossly overlong, so I left the cinema with a bad taste left in my mouth. This is a film which could have been much more successful with a stronger story line and with most of its slapstick sequences very heavily pruned. As it was released it certainly does not warrant a viewers rating higher than 3.

	There is little memorable in the acting, but the cast does its best within the limitations imposed by a meagre story line and poor direction - it is in these latter areas that the failure arises.


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Please tell me the sentiment of the following review: This show is the worst show ever! Norris and his family write it, produce it, direct it, etc etc. The only reason I ever see it is because my goofy wife likes it. How many times can Norris fly though the air from plain sight to land a kick on an obviously blind villain? No trees, no building, just whoosh.....thin air. He ALWAYS solves the case or is the best at whatever skill there is. No co star ever gets the glory. Its all Norris. Its truly apparent that Norris is awful stuck on himself and will not allow anyone to one up him in any scene no matter what the content. Terrible acting, terrible script, terrible series.
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eXistenZ combines director David Cronenberg's traditional love of blood and gore and exploding heads with the more confusing aspects of a reality twisting David Lynch film. And it actually works effectively. I won't bother trying to give even the bare bones of a plot synopsis here because it'll only cause more confusion. All you need to know is that the film is about a virtual reality computer game that is so incredibly lifelike that it becomes difficult to tell the difference between reality and virtual reality. The film almost seems to abandon its technology fearing point at the end, but then it throws in the final twist in the very last line of dialogue.

There's also some very gross sexual imagery based around the 'bio-ports' in the protagonists backs, as well as some very gross acting from Jude Law. He manages to come off as naive and stupid and boring and any other annoying habit you can care to think of. Jason Jennifer Leigh comes off much better, and everyone else can be called a supporting character, including Willem Dafoe in a functional, if unspectacular, role as a money-crazed mechanic. Overall, eXistenZ is a very effective sci-fi film about the possibilities technology can present and the possible consequences it will receive.
I caught this on television one day when I was young and loved it. In the 1970's, there were a bunch of lame comedies that tried too hard to be be funny so it this was a nice surprise. It's one of the best comedies of the 1970's and the definitive summer camp comedy thanks to Murrary's excellent comedic performance, which still stands as one of his greatest. This is the film that really got Ivan Reitman noticed as a director. Reitman proves with this movie that he is one of the most talented comedy directors of all time. While this film is hilarious and MEATBALLS 2 is so bad that it's fun, MEATBALLS 3 and MEATBALLS 4 are absolutely dreadful. Recommended for those who enjoyed STRIPES and GHOSTBUSTERS.

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Yes, it might be not historically accurate(actually only 6 soldiers of 9th rota were killed there), and yes, it has some mistakes and exaggeration(bended machine gun? come on! or the that "history lesson" about how Afghanistan was never conquered by anyone - educated Russian officer would know history much better than that - take for example British campaign in Afghanistan). And yes, it does not have multi-million dollars Hollywood-style special effects, but it's strongest point in showing soldier's life there, their relationships and their feelings when the best friends are being killed in front of their eyes. In my opinion 9ya rota really does a good job showing all those things.

Again, movie has it weaknesses, but, in my opinion, it appears to be one of the strongest Russian movie for the past few years.

8/10
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This is another of those rare movies one feels grateful to be introduced to instead of the usual Hollywood tripe. It really is a roller coaster ride, as we follow the effects of a a forged 500 Euro note on a multitude of people. One asks 'what if' all the time but it certainly is a butterfly effect captured on film. It'll have you laughing, crying and biting your lip. I loved every minute of it! And thank you SBS Australia for showing films that are truly entertaining, even worth the effort to read the subtitles. The only downside to my mind is that I wont be booking a holiday to the Frozen Land - they all seem to be far too depressed - must be all that cold weather. Either way, watch it - it's worth every second.