cindermond/bento huggingface dataset:
Please tell me the sentiment of the following review: This was an interesting study in societal sexuality, as well as the "dark interests" of man.

While I can't say the wife was a strong character - she was the wrong choice for the part, in my opinion - she was a rich kid in search of escaping her drool life. She was a rebel in fact, and never fully matured for her husband, a lawyer (Rickman). It's obvious he married her for her money and to cover his sexual desires, which is taboo. Rickman played his part to a tee, his flirtations with the young man, and very subtle undertones of gayness. The young man was gay to the hilt! When he did Marilyn impersonation that should have told the wife everything. He was perfectly cast as well. He has hustler written all over him.

I was not crazy about the ending, as I knew what was coming. Overall though, the acting from Rickman was great, Reedus was good, Walker was okay but I had misgivings. For a gay themed movie, it was average, but not blatant at least. It's worth viewing if you don't have "Truly Madly Deeply" lying around for a spin.
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positive
It is the best movie on acting I have ever seen. All the artists are old Turkish theater actors, they are magnificent in this movie.It is sometimes said that "They do not act, they live it", you can really see this in this movie. The director is also competent, you cannot see lots of moving cameras around but the positions of the cameras are also good. But after the acting, the most outstanding part is the content of the movie. It gives happiness, enthusiasm, desire to live, importance of real friends to people. We all started to live individually nowadays, in this film you see that there are someone other then us. And most importantly, you see that the most honorable feeling in the world is love, loving your friends, loving your darling. All people should see this movie...

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...but other than that, there's almost no redeeming social value to this sequel to the original Poseidon Adventure. Where the heck are all the people from the original, including the rescue crew? Michael Caine undergoes his most humiliating performance to date (although he later trumps himself with Jaws 4 down the road). Slim Pickens is just embarrassing as a stereotyped Texas, and generally you just have to wonder, "Why did they bother?" Irwin Allen's last stab at cashing in on the disaster craze, I guess.
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Roy Andersson has managed to craft something that defies nearly all conventions of what a film should be, a piece of art that is both beautiful, funny and evocative at the same time. The end result is a moving, if somewhat fractured tale about humanity in its simplest and most honest forms.

This is unlikely to appeal to everyone, in fact the humour is so finely tuned that many are unlikely to get on its wavelength. The almost absurdly long takes, awkward silences and consistent medium shots will most definitely put off even the most willing of audiences. But it is within these disjointed tales and unconventional thinking that Andersson shapes a world where every character seems to take centre stage in their own absurd way. Each scene is absorbed by the desolate environments, with the characters seemingly left alone in their own oddity Its a difficult piece to watch at times, not least because like many of its scenes, it requires patience. But whilst some may hail it upon an artistic throne, others will simply look on in confusion. Its a film that blends understated humour with own brand of heart
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OK. So it can be done! We have here the perfect vampire movie. Gothic, beautiful. With all the ingredients. A realistic vampire. A wonderful story. Take note - I am from Transylvania and I assure you, this movie respects the vampire lore! It's exactly like the tales I heard in my childhood. For a transylvanian, it is quite... believable. You must see it, if you are interested by real vampires, as they were depicted in medieval chronicles and not how are they done in recent Hollywood movies (as far as I can guess, the Hollywood problem is they mix vampires with the incubus - which is pretty hilarious for me. Vampires are never good-looking or attractive, they can inspire only horror and repulsion. The incubus - called in my country The Night Flier, is the one beautiful demon which kills his victims by loving them.) I strongly recommend this for any Gothic person out there! See also the sequels, they are all 4 very good! And of course, don't miss DArk shadows! Something similar is Nosferatu In Venice with Klaus Kinski. I recommend that one to.
There have been some great television movies in that past. Epics such as "Roots" and "Lonesome Dove" come to mind. Category 6: Day of Destruction will not be remembered for advancing the cause of made-for-TV movies. A laughably bad story, surpassed only by the horrible screenplay, Cat6DD, as I like to call it, inspires more sympathy for the actors involved than terror in nature that the movie was supposed to bring out. That sound you hear during the movie is supposed to be the sound of wind, but instead it's actually the careers of Randy Quaid, Brian Dennehy, and Thomas Gibson (Greg, of the Dharma & Greg duo) plummeting faster than houses and trucks and cows can fly away from one of the 15 tornadoes we see in the first 5 minutes of the movie. The movie was advertised as "nature gone amok," instead we get a lame story about how 15 different weather systems conspire to produce 150 degree days in Chicago, then a blizzard the next day from a hurricane that was in the Gulf of Mexico that combined with a storm system from Canada but actually had it's origins in a jet stream changed by global warming.... ENOUGH!! It didn't matter what the story was, the acting was terrible, the words the actors said were dumb, and 13 scientists throughout the country had coronaries after hearing the dribble that came out of the movie. I didn't care what happened to any of the characters, the special effects were sub-par, even for made-for-TV standards, and the story lines were pointless. All in all, I really really dislikes this "TV event."
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This was a surprisingly very good movie, and an interesting idea.. However, it was just a little bit disappointing in that the 'Twist' was a little too predictable and just a bit too early on in the movie. Whilst watching, it started to get a little bizarre and confusing to the point that, the only reasonable outcome possible was the inevitable plot twist, but it certainly did not ruin this movies flow. There were superb performances, there was never a dull boring moment, so totally well worth watching this one. It kept me interested right up until the end, and for me there isn't many movies that can do that these days. I highly recommend people watch this terrific little movie.
I think this movie is the most misunderstood film in Jerry Lewis career. It's little slow starting, but after it gets going is very funny & Jerry's use of irony like never before in his earlier films..., ie, Who's Minding the Store, The Nutty Professor, etc., the idea, is clear, it's a mock of the Dirty Dozen, instead of getting soldiers on death row to do a suicide mission as in that film, you have 4, 4-f's & 2 tag alongs. Including the Former L.A. Dodgers all-star Centerfielder, Willie Davis as Linc! HILARIOUS! Love that Movie!

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What is wrong with CURACAO ( Also known as DEADLY CURRENTS though what the reasonn for the name change is I have no idea ) can probably be summed up where a woman says to her lover :

" Keep it down baby , I'm trying to sleep " 

It's not the dialogue that's the problem or the way it's delivered , it's the fact the actress has has a Central European accent . Nothing wrong with that until it's revealed her character is from Philidelphia in the United States ! This what struck me about this thriller while watching it - The way accents don't match their characters . Apart from the Philly woman with a German accent we see a South African with an English accent , a local police chief who sounds like he's an Irishman impersonating a Gestapo officer and worst of all George C Scott playing someone who's either Dutch or British with an accent that sounds like it might be American tinged with South African . You soon give up following what's on screen and end up concentrating on what nationality a character might be due to the strange way they speak . It's interesting to note that this site hasn't given this movie a country of origin . With so many different actors from different countries you do feel that this was produced by the United Nations 

Even if you're not curious about accents or dialects you'll probably have to give up following the action anyway because CURACAO is plot less . Things happen like a boat exploding , and a hostage situation and the hero being recruited as an agent for South African intelligence but you're left scratching your head wondering what the heck this is all leading to . I was lost
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"In the sweltering summer of 1958, the Deuces, a gang of Brooklyn toughs, find their turf threatened when the leader of a rival gang, the Vipers, is released from prison. Leon (Stephen Dorff), the Deuces' leader, tries to guide his boys through bloody brawls to keep the Vipers out. But when his brother (Brad Renfro) falls into a sultry - and dangerous - relationship with Annie (Fairuza Balk), the sister of a Viper, and his own girlfriend is brutally attacked, Leon and his gang are plunged into an all-out war to save his brother, his girl - and his neighborhood!" according to the DVD sleeve description. This is definitely no "Basketball Diaries".

Think of it as "West Side Story" getting hit over the head with baseball bats and steel pipes, stickball having left Brooklyn with the Dodgers. "Deuces Wild" has some cool Hollywood sets, 1950s cars and soundtrack songs; and, much of it is nicely photographed by John A. Alonzo. The story and direction never get beyond these strengths, which enables the film to peak during its opening minutes, and proceed downhill. The cast looks good when you read the credits, but translates into an ageing, flabby mess of phony pompadours, blood, and Brylcreem and one fright wig. A sense of sadness and regret permeates the production.

*** Deuces Wild (5/3/02) Scott Kalvert ~ Stephen Dorff, Brad Renfro, Fairuza Balk, Frankie Muniz
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Please tell me the sentiment of the following review: Aside from the fact that this movie was filmed mostly in Rockport MA, which is a beautiful town where my mother once rented a small storefront and I spent many a pleasant summer as a child, it is fun and cute little film. 

I must admit that I had no desire to actually see this movie even though I have a weakspot for romantic comedies (I don't know why). The trailers I saw were not appealing, the cast did not look that interesting and I had no idea what the plot would be about. In the end I found it to be an interesting meditation on relationships and family. I thoroughly enjoyed myself and must admit that I thought that this film was one of the most overlooked gems of last year. I am disappointed that so few people seemed to have enjoyed the very "human-ness" that this movie presented the viewer with.

I have read many bad reviews of this film, and must admit a certain level of shock at the cynicism that is prevalent in them. As a grad student I consider myself to be quite cynical, but this was a beautiful little film that deserves much better than it got.
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NOROI follows a documentary filmmaker, Masafumi Kobayashi, as he slowly uncovers something mysterious and evil that's leaving a trail of dead bodies in its wake. After interviewing a woman who claims to hear loud baby's cries coming from the house next door (where there is no baby), Kobayashi heads over to talk to the neighbor. He's greeted with hostility by the unhinged, disheveled woman (Maria Takagi) who answers the door (and promptly slams it in his face) and gets a peek at her 6-year-old son through a window. Strangely, both the woman and her son disappear just days after his visit (leaving behind a pile of dead pigeons on their back porch), and the woman who first complained about the noises, as well as her daughter, are both killed in a mysterious accident not long after that. This piques Kobayashi's interest and he sets out on a quest to find out what's going on. He soon uncovers that those with psychic abilities and extra-sensory perception seem to be tuning into something sinister, unexplainable and possibly even apocalyptic. Well-known 10-year-old clairvoyant, and TV celebrity, Kana (Rio Kanno) seems to think we may all be doomed, but she mysteriously disappears before she can be of much help. Another female psychic/actress (Marika Matsumoto) becomes involved, as does Mr. Nori, a mentally unstable kook/psychic who wears a hat and jacket made of aluminum foil and thinks people are being eaten by what he refers to "ectoplasmic worms." Clues eventually lead back to the site of a small village that's now covered by a lake, and the legend of an ancient demon known as Kagutaba...

Unlike many other hand-held horror flicks, this one depends just as much on the plot as it does reactionary first-person scares. Thankfully there's something of a storyline here, a very interesting and intricate one at that, so it doesn't rely on glimpses of horrific things through spastic camera-work every once in awhile to keep your interest. The way Masafumi travels around following leads in search of the truth - with well placed jolts along the way - reminded me somewhat of THE OMEN in its pacing. The film also doesn't entirely consist of footage shot by the documentarian, but weaves in news reports and television variety shows as if what we're watching is an already completed documentary. That helps to break up some of the monotony usually associated with films shot in this particular style. The performances are good enough not to harm any of the realism of the 'actual' footage either. Overall, it's a well-made horror film, with lots of plot shifts, some suspense and quite a few genuinely creepy moments, that's well worth checking out. My only real gripe is that it could have used a little trimming here and there and seems to go on a bit too long. Otherwise, pretty good stuff.
Though it's better than most made-for-TV movies, "Buried Alive" is nothing more than a run-of-the-mill revenge tale. There are so many plot holes in this one, it makes you wonder why the screenwriters didn't go through a series of re-writes. The ending has a nice twist to it, but it's hardly believable.

The acting by Jennifer Jason Leigh is terrific, as always, but Tim Matheson hams it up with cheesy one-liners that reminds one of Jack Nicholson in "The Shining". Don't bother with this one.
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The positive reviews on this page are planted by the filmmakers and their friends. This film is amateurish in terms of direction, acting, in fact in every aspect. If the IMDb are gonna allow filmmakers to dictate what is written about their films then that is a very sad thing. This film has a marketable premise but it is absolutely horrifically made.

Film is subjective so everyone has their own opinion. But this film is on a par with the work of Ed Wood, but without any of the charm. To think otherwise shows bad taste of the highest order.

This is not a personal thing. I don't know anyone associated with the film. I'm just a film lover who feels that the reviews on this page are completely inaccurate and therefore I felt the need to address the balance and give a more accurate view of the film. It's very poorly made and the direction is below even film-making by the numbers. The acting is the worse ever committed to film. The best thing about this film is the poster and DVD cover art. Beyond that it's not worth the time.
College students (who are actually in their late 20's) on campus in Boston (which looks strangely like the Isle Of Man) are menaced by a fierce monster (assembled during a Blue Peter episode). The new teacher must save the day (Even though he is really... Oh, who cares?)

I'll start with the positives... there is a nice shot of Eastenders new gal Samantha Janus's can in the obligatory campus shower scene with her best mate Katy Lawrence. A bit of side trivia: Katy was hired when she arrived at auditions with her sister, just as moral support to her sibling but ended up landing a part. Oh, joy. Picked from obscurity to... flash her pert buttocks in a meaningless scene added for titillation, then getting killed 30 minutes in for her troubles. Her latest (and only other credited role) is as Probationary Nurse #5 in Atonement. I wonder if she snuck a look at Keira Knightly (if extras and stars are allowed to mix) and wondered: where did it all go wrong?!

I'll give a few hints Katy: If all the other British cast members are asked to speak with American accents in a doomed attempt at mass-marketing, and the only person who can manage it is the B-movie veteran USA native Todd Jensen, you know you're in trouble. If you look at your wage slip and it'll only just about cover your lunch and your bus ride home, you ain't starring in a movie with a trillion dollar budget. If the premiere is attended by loads of family members of the fourth assistant director and provokes gales of laughter when the Stickyback tape monster rampages through the sewers, it should dawn on you that this isn't exactly Alien. Or even a Critters IV, come to think of it. So Katy, in your next life (I'm a Buddhist, you see) perhaps you'll be a bit more selective in your choice of debut feature rather than impulsively jumping at the first pile of crap that heads your way. Flashing skin in your first movie does not guarantee long lasting success. Unless you're Sylvester Stallone. And he had the script to Rocky to back him up.

To all intents and purposes this is as 0/10 a movie as I've ever seen. However, for sheer unintentional laughs and pure camp value, it gets a 1. Well done ;)

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This movie's one redeemable quality (besides Ator's barely-there loincloth) is the hilarious acting on the part of the bad guy, Zor. This wonderfully overplayed villain has a certain...oh, Shakespearean presence that made this movie bearable (hence the 2). I just giggled every time he pirouetted, lifting an incredulous eyebrow to henchman or hero. A true example of someone not getting paid enough. (And that BEARD!)

Now really, what was with the 12-minute hang-glider scene? Really, really, really bad. I can't emphasize that point enough.

So, seriously, if you even deign to see this movie, watch the Mystery Science Theater 3000 version. With those dear silhouettes has many a horrendous movie been tolerated.
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Lifeforce (1985) was a Cannon funded film directed by Tobe Hooper. It's a very interesting film that deals with a pair of space vampires who are accidentally brought back down to Earth during the latest space shuttle mission. Steve Railsback stars as the sole survivor of the tragedy. But really folks the movie is a mere showcase for the natural beauty of Mathilda May. She's one smoking hot number. The director was a huge fan of Female Vampire (a.k.a. Erotikill). Miss May recreates Lina Romay's title role The film is beautifully photographed and directed. There's plenty of gore effects to keep genres fans happy.

I have to give this film a very high rating. Tobe Hooper was the man. He made three interesting films for Cannon during this time period (Texas Chainsaw Massacre II and Invaders from Mars as well). If you like science fiction/horror films, Tobe Hooper films or Mathilda May this film's just up your alley.

Highest Recommendation!

Did I mention Mathilda May is smoking hot?
"Black Dragons" is a second feature WWII propaganda film popular at the time. It's not as bad as some would have you believe.

 A secret meeting hosted by the respected Dr. William Saunders (George Pembroke)is interrupted by a mysterious stranger names Monsieur Colomb (Bela Lugosi). Shortly thereafter the participants at the meeting begin to turn up murdered, their bodies being placed on the steps of the Japanese embassy in Washington. Colomb is suspected. Federal Agent Dick Martin (Clayton Moore) is assigned to the case and meets Saunders niece Alice Saunders (Joan Barclay) who tries to assist him. The reasons behind Colomb's actions are not explained until the final reel. Until all is explained at the end, the story is hard to comprehend. 

 Lugosi who had by this time been reduced to appearing in a string of low budget quickies, is actually quite good in this one. He is not allowed to over act as much as he ususlly did and credit for this has to go to director William Nigh. Lugosi's character slinks through the shadows and is reminiscent of his Dracula even to the point of the full close ups of his piercing eyes.

 Clayton Moore, a one dimensional actor at best, would become TV's Lone Ranger in a few years. Joan Barclay makes a good heroine.

 Although a little dated now, "Black Dragons" is not a bad way to spend an hour.
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AWiP tries to be funny, scary, tense, and romantic ... and fails in every respect. The acting is average at best, but mostly stupid. The special effects are not enough to make up for the stupid plot devices, and the chemistry between *ANY* character is juvenile.

If you don't want to be mad at yourself, don't pay money to see it.
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From Kreestos: 

The dialog is terrible, awful, drivel. Acting poor. Many plot flaws. I don't recommend this at all.

From Wikipedia:

Artistic licenses The working manuscript of the score is attributed to two copyists [1], both of whom were male, not female as depicted in the film.

The copyists neither contributed to nor altered the score. In fact, they were berated by Beethoven for any deviation that occurred from the original score.

The movie is set in 1824 during the composition of Beethoven's Ninth Symphony. Throughout the movie Beethoven is shown to be hard of hearing but quite capable of understanding people who speak loudly. In reality, Beethoven had lost much of his hearing seven years earlier (1817). Beethoven never experienced permanent deafness; his condition fluctuated between total silence and terrible tinnitus. The Ninth Symphony was composed at a time when Beethoven's hearing had deteriorated severely. At this point in his life, most of Beethoven's conversations were facilitated by the use of notebooks. It can be argued, however, that he was also able to read people's lips, evidenced by his insistence that people face him when they spoke to him.

In the film, Beethoven makes an allusion to the Moonlight Sonata. This is an anachronism as the Sonata No. 14 "quasi una fantasia" was not named "Moonlight" until several years after his death.
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So glad I have HBO right now. I didn't plan on watching a movie today, but when I got home and saw that the next movie on HBO was this one I decided (based on the description) to at least give it a shot. I'm so glad I decided to watch this movie! Maybe this movie just caught me at a vulnerable moment (I'm a little stressed out, got a huge test to be studying for), but it definitely gave me quite the perspective on friendship not to mention taught me a valuable lesson on empathy. I'm currently one year away from graduating from pharmacy school and the whole scene involving the doctor and the nurse was definitely a learning point for me!

Anyhow, I just wanted to post up letting the world know this is an amazing movie and not to be missed. There is definitely something for everyone in this movie!
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On my continuing quest to find the worst movie of all time, my friends and I stumbled upon this little gem. It is hilarious through and through, especially if you don't know (like we didn't) that it's a semi-sequel to another horror series.

I won't bother going into the plot except to mention that everyone complains about the horrible snowstorm that was coming (it was equivalent to the characters just screaming "FORESHADOWING!" at the camera and waving their arms), and, in some odd twist of fate, the snow storm ever occurs. Budget problems, I guess.

Add that to a magical front door that is opened or closed depending on what scare effect the director wants to create and the electricity being cut off until the gym teacher decides to take a shower with lots of soap. I'll admit it; I had trouble breathing at points.

The only actual decent part of this movie, as it turns out, was from the original Slumber Party Massacre movie. It's so much funnier now that I know that.

*SPOILER* The end, where it is revealed that the slasher did it because her drunk friends stumbled in on her and a female friend making out and then the friend driving into a train or something is probably the funniest psycho killer origin ever, heightened by the fabulous use of blurring and stock footage. I'm glad all of the slasher's friends forgot the incident completely until a flashback was necessary. 

Run, don't walk, to pick this up and see the hilarity. Of course, the continuity editor should be given an award for all of this, if only they weren't stuck in that horrible snow storm...

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It is way beyond me how this script was ever sold much less produced and distributed. The dialogue was so bad it was sickening. The train and helicopter scenes appeared to have been done on flash cards by high school students. Lou Diamond Phillips must have hidden under his seat when this --- this "movie"? was shown at a private screening afterwhich he most likely left by the back door. The only emotion it aroused in me was pity for the cast, they had to "bite the bullet" to get through this one. I couldn't stand to watch all of it, it was so predictable that it was funny. Who knows maybe it will be picked up by one of the networks as a situation comedy.

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After the suicide of his father, Charlie 'Kid' Davis (Ray `Boom Boom' Mancini) accepts the invitation and advice of his friend Tiny (Michael Chiklis) and travels to Las Vegas with him trying to become a boxer. On the road, they meet Gina (Jennifer Beals) hitchhiking, they give a lift to her and she becomes Charlie's girlfriend. Johnny Ticotin (Rod Steiger) is convinced by Tiny to be Charlie's couch, and the powerful agent Alex Dumas (Joe Mantegna), after watching him fighting, becomes his manager, promoting Charlie's career. This movie is so boring that it indeed does not deserve to spend much time writing about it. I do not like boxing, but sometimes I watch some worthwhile movie about this theme. But this one is horrible! Predictable, full of clichés, having an awful lead actor, a pure waste of time. My vote is three.

Title (Brazil): `Corpo e Alma' (`Body and Soul')
Alright lets break it down. Why is this one of the worst films ever? Because there are so many answers to that question I'm having a headache. Come on...Cracker World? Mr. Honkee? The part with the Arab guy? its just awful, i didn't really care about the whole white racism crap, but when they did that thing with the Arab guy, i wanted to get the names of all the writers. Its really not worth watching 3 seconds of this movie. It isn't even funny-bad which was my first interpretation. I hope the person who directed this movie doesn't commit suicide, but it seems likely, i don't see any other options.Don't EVER watch this movie, if you watch it, u cant say u died with no regrets.
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This is perhaps the television series with the greatest potential of any series around. The production values are in a class of their own. The characters are rounded and interesting. This is entertainment at its best. Some of the aliens are quite grotesque, but there is an underlying humour which makes it unmissable. I hope that this series goes on for many years and will have many spin-offs. Science Fiction has had its bad press, some justified, but this is truly a flagship science fiction series and I thank Henson for it. Top marks.
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This was an excellent show. It came on PBS back home in Chicago and I remember Cindy Herron (From EnVogue) played the teen aged daughter. The show dealt with subjects such as sex, peer pressure and puberty. IT was about a middle class black family who had a teen aged daughter and son who moved to a middle class neighborhood from Oakland or somewhere (I can't remember). I remember several episodes but the one I remember most was when their cousin got her period for the first time. I was probably 7-8 when I first watched it and I was able to keep up with the program. This was a great show. I can't remember the name of the guy who played the son on the show, but I always got him confused with Kevin Hooks.

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I am testing myself to watch 3 bad movies in a row to find out if watching 3 bad movies in a row could give me amnesia I have a dubbed to English version of this movie. Now let me go down the points Music Score: bad quality but at least it suits Story: it's about a guy who goes to a town and he meets his sheriff brother and they fight for farmers land from a major and he allies with mexicans to drive them out and Trinity and his brother try to teach them to defend it - The final climatic fight scene will confuse anyone about who the #### are the good guys Conclusion: better than I thought but I need to continue with this I am next going to watch the Dolph Lungren and Jean-Claudde Vanne Damme movie "Universal Soldier" pray for my sanity
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Please tell me the sentiment of the following review: Well it might be a kid's movie...perhaps but i'm not gonna let my kids from 9 watch it!,so the one who say it is a kid movie hmm?!,it is teenager movie i agree..,so but back to the movie it is about a boy who can lie very good..,so good that at the end nobody nows truth or lie.Anyway it is a nice movie to see nice screen play i vote a 8 for screen play and story ...i think they writers mend a litlle lesson whit it...''the truth is never overated''.
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"You can survive anything". Anything except a dumb horror flick. The director couldn't even decide whether he wanted a demon or just a plain ol' backwoods serial killer. You can't have both. It's like Michael Moore trying to have his cake and eat it too (or in his case 1500 cakes) by making his particular charlatan brand of "docu-comedies": they're supposed to be oh-so hilarious and zany, and yet you're also meant to treat them as truth-based, earth-shattering, hard-hitting documentaries. Some genres cannot be mixed.

"Anything can happen to anyone, any time, any place." (Translation: this is the horror genre, so we can do any kind of nonsense we want.) This sounds not so much like something "wise" found on a paper of a Chinese fortune cookie, but more like the credo of every bad horror film director. We get this baloney of a statement served to us early on, sort of as a preparation/justification of the absurd buffoonery to come.

"My phone isn't working!" Well, of course it isn't. There is a far greater chance that Sean Penn's brain starts working (after decades of catatonic apathy) than that a horror-film cell-phone does. The single most dreary and predictable horror cliché of the past decade. Why even say it? We KNOW help will never come via a phone-call, so ye horror-making dimwits might as well just not even mention it. The last 50 horror films I saw use this plot device. It's becoming embarrassing.

"You always have to expect the unexpected." The final twist was rather surprising, I'll give them that much... However, plenty of nonsense on the way there.

Check out the elaborate traps the heroine sets up with the speed of a drugged-up lab rat - in the cold, wet, and almost totally dark conditions. I just love horror-film realism...

When a blood-thirsty demon starts trying to be funny (by "shshshing" his victims) then you know your horror-viewing pleasure is in doubt. The less said about the old geezer "cracking wise", the better... Another stupid cliché served by a tired, lazy, uninspired director.

What are the odds of being attacked by your husband and then by an eye-hating demon - on the same day? "Expect the unexpected". They might as well have squeezed in an event in which she survives a plane crash, and then another in which she encounters aliens who tried to anal-probe her...

The fast-forward button needs a temple or a shrine built in its image.
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I think this movie lacks so much of substance, it is even not worth a discussion.

In the first, the package is really disgusting. Especially the stereotype filming and photographing. Surely, Joe Dante's cinematic stile was appropriate and interesting in "Gremlins" and "Small Soldiers", I mean the imaginative and visual pretty story telling of a Spielberg-wunderkind (I really loved these movies), but in "Homecoming" it was a completely failure. Attacks of toy soldiers and hairy creatures is simply not comparable with zombie-invasions (dead, stinky, rotten beings trying to kill the living - without any logical reason, just because they hate them). 

Zombie flicks are characteristic in plain, direct, unconventional and brutal cinematography. Nothing to be seen in Joe Dante's debut. Another point is the annoying content: really stupid dialogs between the two main characters, a gruesome exploitation of the "elder brother dies and leaves the younger traumatized" and bad acting. And, by the way "Homecoming" is neither scary, nor gory - and even less entertaining. You see, it is even not a horror movie.

Zombie movies in the decade of their birth - it the end of 60s/ start of the 70s - used to be revolutionary, provocative (espicially through its gruesome, explicit content) and of subtle social critic. THE ORIGINAL Zombie film was actually a midnight-movie named "Night of the Living Dead" (1968). This one was a low budget movie that covered so many controversial themes, it's hard to name them all: a visual style of Hitchcock/Raimi, the American lifestyle of the 70s, political aloofness, the upcoming breakthrough of the human rights of black people and the even more upcoming racism as a result on the side of the conservative Americans (remember the shooting of the black main character in the end of the movie).

If you are interested in the creativity of midnight movies and want to learn more about the most important ones, I recommend you "Midnight Movies: From the Margin to the Mainstream ".

So steer clear of "Homecoming" and even so of Romero's "Land of the Dead".
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So I give it one star for true quality, but I'd give it an eight and a half for sheer enjoyability. An incredibly strange hybrid of sex comedy and vigilante thriller, "Young Warriors" is just the sort of bad movie you usually hope to find when poking around the video fringe, yet so rarely do. It starts off with about half an hour of wacky hi-jinx, sex jokes, and juvenile shenanigans (including an olive in the martini joke that has to be seen not to be believed). Then the main character's younger sister gets gang raped by a bunch of swarthy bikers (an objectionable scene that keeps me from giving this a 10 for entertainment value - rape is not entertainment!), and the main character gets the rest of his sex crazed frat brothers to help him in a quest to clean up the city, find the responsible bikers, and kill anybody slightly criminal they run into along the way.

It's hilarious, non-stop fun, apart from the very unpleasant rape scene, and is essential viewing to any serious bad movie fan. Trust me - I've put my time in on these things, and this is one of the best. Highlights include a wonderful visit to the library, a great flickering slo-mo shootout in a sleazy bar (with a shot of a guy blowing his own foot off that's pretty impressive), a couple of decent slumming actors (Richard Roundtree, Ernest Borgnine), a couple of semi-famous recognizable faces (Lynda Day George, scream queen Linnea Quigley), and a couple of relatives of famous people (Chuck Norris' brother Mike, Van Patten clan member James). It even has one of those great "What have we become?" type morality lesson endings, although the turning point comes when the vigilante fratboys gun down a couple of kids robbing a store with a toy gun. I've always wondered why that was the catalyst that got the hero thinking; after all, whether they were kids and not hardened criminals, and whether they had a real gun or not, they were in fact still robbing a store, so as far as I can tell, it was just another job well done for our vigilante frat boys, right? Wonderful stuff. Highly recommended, just don't blame me when you enjoy it despite yourself.
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If you've seen Atlantis 1, then you'd know that what made that film truly great was brilliant animation and a good script. This movie was SO sloppily drawn and animated. The story is also dopey. I was so disappointed in this half-baked drivel that I couldn't make it past the first hour, and MAN did I try! The one thing this film had was that it expanded the "mole" character, making him both more sympathetic and three dimensional. Take it from me, judge this junk from the cover on the video box. The cover is poorly drawn Disney schlock, clearly grabbing for an easy buck from an unsuspecting parent. If this was a stand alone flick, it wouldn't be so bad, but riding on the coattails of a brilliant piece like Atlantis makes it utterly inexcuseable.
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I highly recommend this movie to everyone. My son and I read the book first and then saw the movie. While the book was better (in my opinion) the movie was still great. My son and I agree that while we like the book version the best, we liked the ending of the movie better than the book ending. The scenery is just tremendous and the soundtrack is a must have. The fact that Jimmy Buffett has a small role and provides music is an added plus. Luke Wilson does a decent job in his role of Officer Delinko and is pretty much what I had mentally imagined Delinko would look like when I read the book. I'm surprised that this didn't do better in the theaters, and I'll be waiting for the DVD to come out.
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I was once a big Olsen fan. I received this movie when I was six and watched it almost nonstop until I was nine. Then it lay on my shelf gathering dust until yesterday. I was left speechless.

Mary-Kate and Ashley play Allie and Mel, two twelve year olds who are sent to spend Spring Break in Paris with their ambassador grandfather. Along the way, they meet, as one might expect, two cute French boys who show them the more fun side to Paris. I guess the two boys were okay, fake French accents aside. 

The plot is predictable and the humour is shallow and corny. Mary-Kate and Ashley play two shallow girls with too much make up on their face. 

Don't watch this movie if you're not into the Olsen twins or family movies.
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Inspired by a true story tale is full of 1970's feeling but is disjointed in the telling. This is the tale of a black college swimmer who ends up in Phillie at a closing rec center in a bad neighborhood and somehow puts together a swim team. The film staggers around blindly for the first half hour until Terrence Howard, as our hero, gets the kids into the pool.It picks up at that point by becoming somewhat engaging, though it still staggers about. There is a good story in this and its clear why Howard and Bernie Mac took part in it, but the script is poor and most of the direction seems intent on making it feel like 197something instead of making us feel anything for the story.

Not the disaster that some reviews made it out to be, it instead suffers by all of the recent sport true stories-Coach Carter, Invincible, Glory Road, etc, which at least knew that you have to at least work with the story to make a movie as opposed to just letting the audience suffer because "its true".
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Great. Another foreign film that thinks it's Fellini. On top of that, we have to have more propaganda about murdering disabled people.

I see no reason why we have to be inundated with these thinly disguised euthanasia commercials.

I found nothing redeeming about this film. What can be redeeming about a man without the courage to carry on, in spite of some adversity. It does not take courage to commit suicide. That is the action of a coward. Sharing this "wish" with his woman simply inflicts her with the same illness he has. If this had been a film about a man's courage to go on, in spite of his problems, similar to the Jill Kinmont story, that would have made it a great film.

If you're interested in seeing true courage, check out the movies about Jill Kinmont, the former skier who was disabled after a bad ski accident.
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This film features two of my favorite guilty pleasures. Sure, the effects are laughable, the story confused, but just watching Hasselhoff in his Knight Rider days is always fun. I especially like the old hotel they used to shoot this in, it added to what little suspense was mustered. Give it a 3.
Before watching this film (at a screening attended by the director herself) we were informed this had won the short film prize at the Galway Film Fleadh. Surely this result will give filmmakers hope, anyone can do better than this!

How anyone cannot notice the flagrant rip-off of Donnie Darko in this I'll never know. The film is pure drivel, the acting cardboard, the dialogue ridiculous & the ending just flat! The only crumb of comfort we enjoyed after seeing this rubbish was to loudly comment on how dreadful it was, in front of the director! Yes that was mean, but liberating!

At least Irish film-making can't sink any lower!

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I would probably want to give this movie a zero if not for the climax, which involves not really Snakes on a Train, but rather Train IN a Snake. The premise was cooked up far more than likely over the course of a night of beers after hearing about Snakes on a Plane in production (this, in fact, was released to coincide with that film's release). The joke is probably not lost on those who will seek this out; I don't think there would be a soul out there who would consider this anything as a serious action-thriller effort (unless on an ironic level beyond the capacity for rational thought). It's about a Mayan curse placed on a woman who's damned by her family for leaving with another man, and is soon seen sickened and coughing up green slime laced with, of course, snakes. She and her beau go on a train headed for Los Angeles, and very soon after the more-than-cliché characters are privy to snakes overtaking the train- with the originator woman becoming a snake herself. 

If it would be worth listing more about the movie I would, but there isn't enough time during the day. All that can be said for the quality factor is that it's almost on-existent; there are student short films with larger budgets. Maybe that was a wise calculation on the filmmakers' end, that there would be so many copies sold, just for the joke factor alone, that they would re-coup their budget in the first weekend. Because by looking at the sets (the trains themselves change randomly in the middle of a scene!), the actors (if you can call them that, with only one other actor- the one with the very thin hair who hits on the one woman throughout the movie- who benefited from the flick being produced), the FX (also next to non-existent, making the effects in Snakes on a Plane seem like Star Wars), and the actual CGI snakes themselves, with the final huge behemoth snake something to behold in sci-fi movie channel terms.

This all means, basically, that it is a laugh riot every step of the way (especially, as cruel as it sounds, when a little girl becomes involved in a snake's "attention"), with the very disregard for good taste working well in its favor. This being said, it is also 100% disposable, like a B-movie sour-flavor lollipop.
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After searching for 6 months, I finally found this DVD. All I can say is it was damn well worth the wait! "Rush in Rio" may very well be the greatest rock DVD in existence. I'm not joking. It's incredible! All the fuss about the sound being crappy is true, however it doesn't make the concert unwatchable. I find it makes you feel like you're actually in Rio watching the concert from the audience. That's one of the reasons I love this DVD. It makes you feel like you're actually there. Also, Geddy, Alex and Neil have never been in better form! Geddy's vocals are flawless, Alex's guitar playing is still incredible, and Neil - absolutely no words to say. The camera work on this concert was very good I must say. They gave us a good look at everything that was going on on-stage, and in the audience. Kudos to the cameramen! Anyways, enough of my raving! Go watch "Rush in Rio" for yourself. You will be amazed. I guarantee it.

10/10
George Sluizer's remake of his own - superior - film is a complete waste of time. Why was it even attempted? Kiefer Sutherland plays Jeff Harriman, whose girlfriend (Sandra Bullock, who only has a small amount of screen time)is abducted at a service station by Barney Cousins (Jeff Bridges). Now, Barney is portrayed as the kind of guy that no one would trust in a month of Sundays - he lopes about like Frankenstein's Monster but without the sympathy, and Bridges' acting is totally awful. Sutherland comes across a little better when his character turns detective with the help of new love interest Rita Baker (Nancy Travis).

A major problem with this version of 'The Vanishing' is its obvious need to cater to Hollywood audiences by avoiding the bleak ending of the original film. Here the ending is happy which seems forced and unbelievable, and completely wrecks the story. However by this time the damage has been done as Jeff Bridges turns the bad guy into a huge laugh.
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I'm watching this film as I write this. It's about 45 minutes into the film and there's been so much back and forth and empty drama, I don't quite see where it's going. No facts, just enough to leave you making assumptions. The acting of main daughter is painful. How did this ever get made??? Not the best of Lifetime films.
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