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This movie looked like the out-takes of the deleted scenes from a high school film class experiment. It made no sense! It was well acted, but I only felt sorry for the characters because they had to appear in this slop. The alien machines were created with Pentium I technology and no creativity, they were crabs! The under-lit and barely seen aliens were Frisbees with legs. WHERE WERE THE TRIPODS? The editing, done by director/writer/producer/make-up artist/gripper Latt, jumps all over the place, with some scenes repeated numerous times. Most of it seemed to have been filmed in the wake of hurricane Katrina. The next time Latt wants to make a movie, someone needs to slap him. In 2005 alone he produced 11 movies! That doesn't include the writing, editing, directing or visual effects credits on other movies. If the rest are like this snot-load, then he's just making fun of us. This was a slapped together rip-off of Spielberg's movie, nothing more. I'm looking forward to Latt's "BackBroke Ridge', "X-Man IIV", "The Hillocks have Eyes."
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I have seen this movie three times. Going back to VCR's, in the 1980's, and again on The Encor channel last night (Feb.11, 2010). Based on a true story which I remember being in the news, during the early 1980's, I've decided that I find it too disturbing to watch ever again. Yet it's hard to look away from a car accident. The creepiest character is Joshua John Miller, who plays Keeanu Reeves little brother. 

(The story this movie was based on can be found anywhere on the Internet -- just Google it. It's about Anthony Jacques Broussard who murdered Marcy Conrad in Milpitas, California, in 1981.) The characters portray Generation X pre-grunge, borderline sociopaths, with the exception of Keeanu Reeves, who grows a conscience.

Old hippies did a great job raising that generation.

For such a young kid, I thought Joshua Miller was excellent, as the serial killer in the making character. In actuality, he went to Yale, and has written screenplays as well as directed. His acting capabilities in this film were amazing. Just the way he treats his little sister by drowning her doll, and tearing up her dolls grave, gave me the shivers. It gave me nightmares. Even with whats happening in our world today, in 2010, it still is the most degenerate film I've seen to date. 

The apathy, and dysfunction, of these families, is enough to make one puke. This thrill kill almost makes the Manson murders pale in comparison. 

Crispon Glover got a little too much into character. He wound up on David Lettermen to discuss his role, and almost kicked the host in the head. Apparrently Glover had to seek psychiatric help after portraying his character. 

Also, fight the good fight to the great Dennis Hopper. You're one of the best!
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I didn't expect much when I decided to watch this movie, so I was surprised to find myself thoroughly enjoying it. A couple of scenes had me laughing almost uncontrollably. The characters were engaging (no pun intended); however, the story is predictable. The fun of it comes from watching Crawl (Shore's character), a ditzy-yet-wise California dude a country college girl brings home for Thanksgiving, trying in his awkward (yet endearing) way to fit in to their lifestyle. I was also surprised that in all this there was a message. If you have a chance, see this movie!

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In watching this off and on for a few seasons, two things come to mind: One - wondering what kind of girl wants to be a "model" and two - run to the nearest ice cream store and have a low fat sundae.

I tried to be a fan because I liked the idea of this reality show competition. No other "famous" model thought of this, and it is very admirable for Tyra Banks to do so. But as the series goes on and on I've come to the conclusion that this is a sorry lot of folks trying to make a mountain out of a molehill. Women shouldn't watch this, teens should stay clear of it unless they're doing book reports on the subject.

Many women try out for slots to compete for "Americas Next Top Model". They live together, cat fight together, cry together, get put through pointless modeling shoots with pointless modeling people and fashionatas and get eliminated and almost all of them claim, "You will see me again". Heck, I'm trying to see what happened to the ones that DID win, actually.

This is the dream of some girls, and good for them. In watching this I hope the other girls that see this and run like Hades the other way - like to college.

I just happened to watch more of this recent season because of the "ploy" of full figured models joining the group. That even made me think more of this as a sorry lot of folks. The "full figured models" were no more than average sized ladies competing with what I think is the thinnest group of models they ever chose - so of course that would make them look even fatter - a "ploy" fashionatas use all the time. Bad, bad, Tyra and crew.

But to be fair, "Americas Next Top Model" is not about "full figured" models, it's about projecting an imagined image a beauty that can be mass marketed and sold as the ultimate in beauty - and this show is just looking for the next fresh piece of meat to add to the mix. Hence the name of the show. Hence the sorry lot of judges, photographers, associations. Hence Tyra and her consistent "this was me" plugs every camera angle you can get. But then again, that IS the one thing I like about this show - the ex-model giving others who wouldn't have the chance -- a chance to enter the doors. But after that...everything else is status quo for that industry which is why there are no surprises or week to week interest in the program.
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The cast of "All That" returns for good humor in the "Good Burger" a place similar to an old fashioned fast food restaurant. The comedy is terrific, the fun is non-stop, and though cliché, is a passer for kid and family comedy.

A movie for all ages, this movie is meant to enjoy, laugh, and pretty much a lazy movie for a rainy day, as that's what I'd save this movie for, a rainy day. USA aired it today, and since I know that the cast of "All That" is in it, I thought that it might be a bit of a chuckle burner, but in good fun, as Keenan Thompson and Kel Mitchell (probably one of the best young duos of that time) were terrific together, the pieces came together, and everything worked out, and it made it into good family fun together with some lazy day work to get off the bad day.

May I take your order?
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Everything about this movie is awful.

You can tell in the first five minutes that this movie is going to be terrible. You can't however, gauge how bad it's going to be.

We start the movie with a seemingly endless intro scene aided with gay music and no dialogue. Having the camera move up and down big guys who are trying too hard to look like mentals doesn't provoke the slightest emotion.

What then starts seems to be one of two separate stories. The first half of the movie consists of the wogs going around competing in paid, midnight fights with other ethnic groups. The wogs always win of course, because they apparently lift weights and have "respect". It is in these scenes that we first get to see the degree of bad acting, editing, scripting and hatred for the people who funded this film.

Eventually the main character and his mate get sent to prison. The entire prison part of the movie is unrelated to what I assume is the plot, and consists of a bunch of fights.

Once out of prison(3 years for murder?) The main character and his mate reunite with the wogs. They then go to the "other side of town" and try to lay low, because apparently everyone wants to kill them.

soon the wogs get set up for the rape of another gang members girl , and run around town fighting off hordes of different gangs. This point of the movie can be compared to an arcade game, as the wogs simply run around and fight off enemies who seemingly get worse and worse as the movie goes on.

Anyway the movie ends with some massive climatic fight scene in which the remaining wogs (the two main characters) take on every gang they've fought so far. Apparently the other gangs don't have a problem uniting to take on the remaining wogs(the skinheads don't mind Asians). After about a million more people get beaten up by the invincible wog brothers the movie ends with the main characters heading home. They don't make it home however, because they are burned to death by the the thousands of angry film critics who storm the set and leave angry letters everywhere.

This movie may be more like a computer game then a movie, because that would explain how two guys can take about a million punches to the face from a million different people who the majority of the time are twice their size.

There are also tonnes more stupid unexplainable events in this movie, such as an Asian fighting off his own gang and taking a katana to the head just to let the wogs get away.

Like someone else mentioned, this movie isn't so bad its funny, it's just so bad.
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There must have been a sale on this storyline back in the 40's. An epidemic threatens New York (it's always New York) and nobody takes it seriously. Some might say that Richard Widmark and Jack Palance did it better in Panic in the Streets, but I disagree.

There is always something about these Poverty Row productions that really touch a nerve. The production values are never that polished and the acting is a little rough around the edges, but that is the very reason I think this movie and those like it are effective. Rough, grainy, edgy. And the cast. All 2nd stringers or A list actors past their prime. No egos here. These folks were happy to get the work. Whit Bissell, Carl Benton Reid, Jim Backus, Arthur Space, Charles Korvin, and the melodious voice of Reed Hadley flowing in the background like crude oil. By the way, I've been in the hospital a couple of times; how come my nurses never looked like Dorothy Malone? In these kind of movies they don't bother much with make-up and hair, but they really managed to turn Evelyn Keyes into a hag. Or maybe they just skipped the make-up and hair altogether. Anyway, it was pretty effective. She plays a lovesick jewel smuggler who picks up a case of Small Pox in Cuba while smuggling jewels back for ultra-villain Charles Korvin (who is boffing her sister in the meantime). You got the Customs Agents looking for her because of the jewels, and the Health Department looking for her because she's about to de-populate New York. No 4th Amendment rights here. Everybody gets hassled.

You gotta have the right attitude to enjoy a movie like this. I have a brother who scrutinizes movies to death. If they don't hold up to his Orson Wellian standards, he bombs them unmercifully. They must have the directorial excellence of a David Lean movie, the score of Wolfgang von Korngold, the Sound and Art of Douglas Shearer and Cedric Gibbons respectively. This ain't it.

But I have the right attitude, and if you do as well, you'll love this movie.

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Being a Bills fan, I originally found it annoying that they made a movie about the Bills and the losing of four superbowls. But once I began to watch, I felt really connected. It was actually nice to see the "Bills" win the superbowl, and I must say, that for a TV movie it was actually very well done. Gil Bellows as the QB, and Jon Voight as the old-school Coach did a very fine job. 8 out of 10

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Oz is a great series, one of televisions underrated shows. It has a certain relationship to soap opera in that something evil is always happening, and it is the unfolding of each instance of evil that fascinates. From my discussions with people who are actually in prison, it rings true. Every interaction has some machination working in the background. Behind every action, there lies a scheme, a plot to do someone else in. I like this series so much that it is one of the few TV shows I have bought completely, on DVD.

And, yes, I agree with the writer before me who commented that there are elements of satire in it. The character in the wheelchair who offers his jaundiced view of life does so with a certain bit of ironic humor.
"An astronaut (Michael Emmet) dies while returning from a mission and his body is recovered by the military. The base where the dead astronaut is taken to becomes the scene of a bizarre invasion plan from outer space. Alien embryos inside the dead astronaut resurrect the corpse and begin a terrifying assault on the military staff in the hopes of conquering the world," according to the DVD sleeve's synopsis.

A Roger Corman "American International" production. The man who fell to Earth impregnated, Mr. Emmet (as John Corcoran), does all right. Angela Greene is his pretty conflicted fiancée. And, Ed Nelson (as Dave Randall) is featured as prominently. With a bigger budget, better opening, and a re-write for crisper characterizations, this could have been something approaching classic 1950s science fiction.

*** Night of the Blood Beast (1958) Bernard L. Kowalski, Roger Corman ~ Michael Emmet, Angela Greene, Ed Nelson

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Wow, I was really disappointed. I wasn't really planning on seeing this movie in the theater, and I wish I stuck to that plan. It really should be a made-for-tv movie. I was kind of excited to see it, as I'm a big fan of Fairuza Balk, but this movie didn't do her justice. Infact I'm a little disappointed with the acting all around. What a horrible cover up of Fairuza Balk's tattoos, it bothered me every time I saw her shoulder. 

There was no flow to the movie, it was very hard to get into it. One scene we get angry, hyped up, we want blood, the anticipation rises, just then the director takes us to another scene to show the love between Annie and Bobby. It would have been more enjoyable to follow if it was broken up into three sectional sunday paper comic strip.

There was also little logic behind the characters chosen to play some parts. The gangster leaders were scrawny guys, not very believable. Matt Dillon head of a mobster organization? Come on, give me a break. There was just no intimidation there. 

The soundtrack.. wow. I think this is one of the worst musical scores I've ever heard. What awful guitar solos, my god. The sound of my teeth grinding was more pleasing to my friends, I'm sure. 

Anyhow, there is one positive comment I'd like to make about the movie. The settings were nicely done. I liked the colours, a good job conveying that time period.
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It's too bad these guys, the so-called judges, are such jerks, even the nominally "sensitive" ones. It's the self-congratulatory tone that really makes me sick though; these guys don't have any perspective on their behaviour. I think the real problem, though, is the quality of the contestants. Not a single smooth or truly charming one in the lot. They pick the most pathetic girls out of the crowd because they're the only ones these guys have a chance with. Let's see some real players trying for a truly unattainable girl, and maybe you have a show. Otherwise, you have a revolting half-hour of self-love. And real sexual tension takes two.
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Witticisms, colorful characters, family relationships, coping with hardships, living with fun and humor. This film has it all and more. What a great 'every man (and woman)' story, with a top notch plot and script. It offers just clean fun, lots of laughter, many smiles and pure entertainment for the whole family. Other reviewers describe the story some. I'll just offer this comparison teaser  it's part "Best of Show," "Grumpy Old Men," "Millions," and some other comedy and life flicks rolled into one.

This gem of a film most likely had limited release and is probably not very available to rent. But, it's now out on DVD and I highly recommend it for purchase. If you like good old-fashioned fun and entertaining films for the family, you can't miss with "Manna from Heaven." This film is a sure fire cure for the blues or to chase the gloom away on nasty weather days or rough times.
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To be brief, the story is paper thin and you can see the ending coming from a mile away, but Gene Kelly, Rita Hayworth, and an impossibly young Phil Silvers keep the movie afloat throughout and at times lift it right up into the air. A few of the songs are terrible clunkers ("Poor John" is a train wreck) but most of them are great fun, and the scene of Hayworth performing on the absurdly huge set for Kelly's rival has to be seen to be believed. Another treat is the perfect faux-NYC sets in the best Hollywood tradition.

Another attraction, if you consider such things attractions, is the howlingly awful male "chivalry" toward women. The oily leering and transparent obsequiousness that passed for male charm back then (in the movies, at least) is presented in its most lurid form here. Some of the men are about like a cartoon wolf.

One minor disappointment is Eve Arden trapped in a role so minor that she barely has a chance to do anything. I can imagine a lot of potential comic interplay between her and Silvers--a missed opportunity.
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I admit - I was lured to this one from the hype - and I didn't stop to consider the sources. "one of the best indie exploitation flicks of the year (1999)", shocking", and " a must have ".

Well - I wasted my money. But not all was bad in this movie. THey at least got the gore right, as well as some of the most unique methods of murder seen in a long time. There is even a storyline (kinda) and that is about it.

But for an exploitation film there is a surprising amount of content - but no exploiting. We get gay sex - sorta. We have 3 inter-racial babes - maybe. We have a psychotic Vietnamese hooker - nice back, oral sex (ok that made me wince) and some female version of Gene Simmons (I don't get that part). We have an honest to goodness Capone - rates among the best of the actors in this film - that is not a compliment. And finally we have a government conspiracy thrown in to - I don't know - try to connect the vengeance/random/theme killing by Jimmy boy to make the Vietnamese psycho seem sane??????? If nothing else this movie proves that the Italians and the Americans do not have a lock on this type of movie. The Latinos can make crap as well as the rest of them. Kudos goes to anyone involved in this accomplishment that overcame it and made a career for themselves.

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This is a 100% improvement over the dross of a third movie and it's one hell of a good time. This is a John Hughes movie meets The Devil's Rejects. I really enjoyed this movie and it really stands out as the savior of the series. I thought Jennifer Tilly played Tiffany really well and Brad Dourif in Chucky's shoes once again really makes this movie shine. Actually they're the only good parts of the movie. I got rather bored with Katherine Heigl and Nick Stable's scenes. It's as if they were thrown in there as a sidetrack and someone to save the day. But Chucky and Tiffany were great to watch and I really liked the black humor to it. I thought it made the movie stand out more. If you want one hell of a good time then be sure to check this out.

7/10.
The Patriot (nothing to do with the Mel Gibson film of the same name) came out Steven Seagal was still doing that 'saving the environment' thing in his movies. Which is fine. But it doesn't make for good action.

When the plot(?) of this film finally kicked in I saw the twist(?) coming a mile off. Seagal's anti-warfare, care-for-mother-nature stance is not very subtle. For a film that was originally going to debut in the cinemas it is shot very much like a TV movie despite some wonderful shots of the country by Dean Semler, the photographer of Dances with Wolves.

Steven Seagal does like 1 fight scene in the entire film and it's totally boring. As an action film it fails, as a drama it stinks, as an environmental message it's obvious. Avoid like Ebola crossed with plague.
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One of the most macabre, depressing, yet eye-opening docs. I've watched in awhile. There's no narration or story that's told, just a "third eye" type camera following around 2 couples of heroin addicts in NYC through the seasons. Watching them shoot up on the floors of public washrooms then "clean" their needles in the public toilets... sometimes it's a bit too much and you need to hit pause just to go for a breather.

Anyone currently in recovery of alcohol/drug addition should watch this when they're craving - it really shows you to what you could be going back to! After seeing this it's a wonder how anyone could even try this drug to begin with.

The only thing it needed was a follow up at the end to tell where these people are today. Judging from what is shown in the doc., there's no hope for any of them. They mention wanting to get better and quit, but it seems the only end to their habits is to quit by way of dying.

This definitely isn't for all audiences. I found myself kind of like watching a car accident - after I started watching it I just couldn't turn it off. I had to keep watching with a dark/morbid fascination of what it's like inside the lives of these addicts.

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Please tell me the sentiment of the following review: This movie is extremely funny and it also contains the best looking girl, this young man has ever seen. Tiffani-Amber Thiessan is a great actress and she has the looks that stop traffic. Tiffani completes this movie, which contains funny scenes put on by Shore.
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Watching "Death Bed: The Bed That Eats" is like waking up in the hospital, two days into a suicide

watch, disorienting but oddly stimulating. There are few cinematic equivalents to this disturbing yet often humorous lesson in mythology, morality and surrealist ideology.

Cocteau's "Blood of a Poet" and Maya Deren's

experimental works evoke a taste of the strange atmosphere found in DEATH BED. A close comparison are the dark adult fairy-tales by literary genius- author Angela Carter, the short disturbing stories of Unica

Zurn or E.T.A. Hoffman. 

DEATH BED has many recognizable elements of the

past, but displays a wholly unique and original storyline.

As a story, DEATH BED is an amazingly simple yet original

vision, something which only one-in-a-thousand independent releases will manage to accomplish. This unassuming film has its technical flaws but overcomes them all with a cast of beautiful non-actors

and lost creepy locations- a true 1970s independent classic. 

DEATH BED also displays a unique, subversive, 3-dimensional personality-- a deep and continuous layering of dream images and ideas that lend it a "fun-house" type of construct. The passage of time told in flashbacks and historic time travelogues, the bed with its sinister black humor, the rich yet understated symbolism used within its imagery. Most pleasing is the image of Aubrey Beardsly, the suffering artist, forever trapped inside the frame of his own painting as he comments on and fondles with the murdered victim "offerings" gifted to him as love offerings by the demented bed's spirit. -- A sick refrain and wonderful element /metaphor for the "trapped artist" -- Nothing but the weirdest in POE or MALLARME can equal that. 

Anyone who values the spirit of independent cinema and craves the multi-layered symbolist experience, or craves the Surrealist concept of "convulsive

beauty" and the Gothic-horror leanings of low budget exploitation film-making will dig this totally unique vision. A simple and fun film with deliciously deep psychic undercurrents. HIGHLY RECOMMENDED. *****
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It's Bad for Ya really showcases more of George Carlin's talents. He really is still as sharp as a tack. It is a shame that we lost him this past year, but his comedy will forever live on. This stand-up special is literally one of the funniest I have ever heard a comedian perform. Even though he is making fun of small children, it just makes you laugh the way he says some of the stuff. It is true that Carlin can literally make something that seems unfunny and turn it into one of the funniest things you have ever and will ever hear. I really enjoyed this stand-up particularly from Carlin and recommend that those that liked this check out more of George Carlin's stand-up.
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Yep. Those of my generation who grew up watching those old Sunbow cartoons were spoiled. The 80's Joe tune was one of the best cartoons in the history of television. Well written stories, well developed characters. Granted it was nothing more that a glorified toy commercial but it definitely helped carry that toy line. Fast forward almost twenty years later and enter Valor vs. Venom. The animation was average at most. The movement of the characters seemed to jerky and puppet like. The movie felt more like a Small Soldiers sequel than a story about a special military force. Then we have character development or lack there of. Dusty likes to be all Dusty? Slice and Dice like to do things together? What? Did the writers take a writing course on how to develops characters with the depth equivalent of Jar Jar Binks? As for the story. I like a bit of Sci-Fi. But that whole concept of turning soldiers into a mutant army has been done to death in the Joe universe. Mega Monsters or Toxo-zombies anyone? But I give the creators credit for trying to make the fan boys happy by having martial arts action every 10 minutes. I'm not a huge fan of SE and SS but I did like the fight scenes between the two. If you can appreciate VvV for what it is you will enjoy it. I admit to not being able to appreciate VvV as I should. Again everything Joe gets compared to what ways done in the 80's, and honestly nothing will ever compare to the glory days of GI Joe. If you can appreciate VvV for what it is you will enjoy it.
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This movie is important to those of us interested in western history because it makes use of authentic techniques in its production.

The scenes of the wagon train are particularly authentic; so far as I know, it contains the only scenes ever filmed illustrating the techniques for river crossings at a bluff. The horses and mules have to be lowered to the river level and the wagons let down by ropes and pulleys. The scene is such that I could watch it over and again just trying to get a feel for what a crossing was like...and the early travelers did it time and time again while crossing the country.

Melodrama aside, this picture is as authentic in dress and style as they come and worth watching for that alone.
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One of the worst things a film studio can do is exploit the tragedies of others, commercializing a 'shock' or 'gore' factor in order to sell tickets to be able to buy their Birch a new diamond necklace. Another worst thing is to totally misrepresent the true facts of an incredible saga by fabricating events, dialog and images to the director's own liking. Lastly, one of the worst things a film studio can do is to use bottom-of-the-barrel actors and shoot it all on a sound stage that was rented for fifty cents a day. All three of these travesties the makers of this film are guilty of. This is, hands-down, the worst movie I have ever seen, and I've seen thousands. A score of '1' is too good for this waste of celluloid. Not only should the filmmakers be ashamed for making it, they should be ashamed for negatively exploiting the heroes of this story, which are the people who experienced this tragedy firsthand, both the living and the dead.
***May Contain Spoilers*** OK, it wasn't exactly as good as expected in fact it was a lot different than I had thought it would be but it still turned out to be a pretty good movie.

I usually don't care too much for that type of music but in this movie it worked perfectly (I mean duh he's a rock star) but anyway I loved Stuart Townsend in this, and Aaliyah, although she had a small part in the movie was amazing.

And even though Tom Cruise played Lestat in the Interview with a Vampire, I have to admit that I am glad he turned down the role even though I normally hate when they use different people to play the same characters in like sequels and stuff.

Overall, the movie was great and I enjoyed watching it, even if there were parts that could have been better. Great vampire movie.
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I'll admit that the first time I managed to catch Sci-Fi's "Sci-Fi Prime" was last week, but despite the fact that I was a huge Sliders fan coming into the experience, Farscape is now easily my favorite of the four shows.

Unlike most modern Sci-Fi shows (including, regrettably, the two new Star Trek series), this show manages to be fun without coming across as fodder for MST3K.
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Red dust is both well acted and well made but what the movie is about i think will bore many viewers as it did to me. There was a film that was out earlier called "in my Country" with Sam Jackson and it was not that well received and both films were about nearly the same exact thing, I do think Red dust was better because of the more interesting performances especially by future Oscar winner Chiwton Ejofor but the plot is just to lacking, it starts off pretty strong but then the film hits the viewers with countless un-interesting court room sessions, this could have been a great film if the writing was not so lacking. But see if for the performances.
Whether or not this adaptation of the Marvel comic was made  and shelved  so its production company could retain the copyright to the characters, it doesn't change the fact that it's utter rubbish. The Dr. Doom and (especially) Thing costumes are surprisingly good, but everything else suffers from a deficit of either cash or talent. Director Oley Sassone can't even point a camera at stuff without including such howlers as a blind woman's POV, the dialogue is absolutely dismal, the team's costumes don't fit properly, and the effects are appalling: the Human Torch seems to be drawn onto the film with felt tip pens, while Mr. Fantastic's powers are brought to life using a bendy blue stick with a glove on the end. Joseph Culp compensates for having to wear a mask by wildly waving his arms about, Jay Underwood is incredibly annoying, the rest of the cast hit various levels of terrible, and while it's hard not to feel sorry for all these guys who thought this movie would get a release, it's equally difficult to imagine any of them believing it was actually any good.
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It's a shame this movie didn't get more play in theatres. It's a rich, textured love story with believable, all-too-human characters, who are too busy gaming and protecting their hearts to recognize The Real Thing when they experience it. One of the most pleasurable aspects of this movie is its setting in Chicago, among hip, artistic, literate, middle-class African-Americans who discuss poetry, music and literature. Another is his Royal Fineness, Larenz Tate -- and if you are even half a fan of his, you NEED to see this film! His boyish cockiness and vulnerability are perfect for the role of Darius. Nia Long also shines as Nina, who longs to tell Darius she loves him but is afraid the break "the Rules." A great movie to watch curled up on the couch with your sweetie!
It was easy to dismiss this film as hyperbole at the time of its release. Fonda, Douglas and Lemmon were known "lefties", but the accident at Three Mle Island provided shocking context to this fictional drama.

This film works on many levels, taking shots at both public utilities and TV news. 1979 was the zenith of the infamous "Happy Talk" format of TV news (see also "Ron Burgundy") and it's on display here in all its glory. The sonorous anchor grimly reads a story about a "grinding head-on collision" before cheerfully introducing Kimberley Wells (Fonda), doing a story about a veterinarian who makes house (or is that "aquarium?") calls. The show's producer and the station manager argue about content - or lack thereof - behind the scenes.

There are a few technical errors. The PR flack (James Hampton) shows Fonda and Douglas the requisite scale model of a pressurized water reactor plant, built by Westinghouse. Later, as Lemmon and Wilford Brimley (nicely playing Lemmon's friend/colleague, caught between duty and loyalty) fight a sudden crisis in the plant' s control room, they're obviously running a boiling-water plant (built by GE.) A small point, but curious, considering how many details the screenwriters got right.

Like any good drama, the film asks more questions than it answers. The real-world accident at TMI proves the film's basic premise. The working title for the film was originally "Power", and you'll see why. As nuclear power prepares to make a comeback in these days of $3 gas, "The China Syndrome" is as relevant today as it was over 25 years ago.
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I know that many people will/have automatically given this film a rating of 1, just because it doesn't have the huge budget and top-of-the-line special effects that they are used to. I, however, knew what I was getting myself into when I popped this into the VCR.

I don't think we get much more low-budget that this, unless we are filming a family reunion. The lighting is awful, sound quality is at times incomprehensible, and the acting is ultra-bad by almost all involved. BUT, this is still a fun movie and the plot is interesting enough. It centers around a fellow named Tom Russo (Asbestos Felt), who has been down on his luck with his job. He is very protective of his wife and does not allow her to work, putting even more pressure on himself. As he begins working more hours, we see him slowly transcend into madness and obsession and he becomes suspicious that his wife cheating on him and begins to brutally murder the various men (most repair guys) that he feels are responsible. 

I must say that the gore effects are extremely cheap, but fit with the overall tone of the film.. The brutal ways that Tom Russo comes up with to murder these men gives us an idea of just has mad he has become. The pacing of the film is also very good and there is rarely a boring moment. The ending really doesn't follow the rest of the plot of the film, as it seems to want to go from a psycho-slasher film, to a "Dawn of the Dead" wannabe, but it is entertaining nonetheless and I must give Tim Ritter credit for wanting to use an unconventional ending. 

I can honestly say that I enjoyed this film, but it is by no means a good film, if that makes sense. It's budget is its main stumbling block and the consequences are almost too much to overlook. I DO NOT recommend this to people who are totally spoiled by the big-budget movies and who can't have an open-mind to ultra-low budget films. You simply won't enjoy it. For others, and fans of gore--I say give it a shot. You will find at least SOMETHING redeeming in it! 

My Grade: D
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Two people living in the same flat complex find their partners are having an affair with each other. As they try and piece together how it happened, they also embark on an emotional journey that aches for a resolution

Building on his previous success with Happy Together and Chungking Express, Wong Kar Wai gives us this rather old fashioned and marvellous story of reawakened passions, yearning and unrequited love. 

Possibly, In the Mood for Love is not to everyone's taste. It wanders in rather lazily at 98mins: not particularly long for a film, but it appears longer because not a lot really happens. But this lazy feel conceals a quite tightly constructed film. Most of the story is cunningly woven around a series of set piece role plays, where the characters act out presumed scenarios between their respective spouses, trying to work out how the affair started. I say cunning because, of course, this makes it difficult for the audience (and the characters) to tell what is "in-role" and what is genuine. 

If all this sounds rather arty and self-conscience, that's because it is. Unashamedly so. And it is played to perfection by two of Hong Kong's finest, Maggie Cheung and Leung Chui Wai, with some excellent support from Ping Lam Siu and Rebecca Pan.

It is also a virtuoso performance by Wong Kar Wai, who treats the audience to a sensory, and sensual, overload. Bringing together Christopher Doyle (who later deployed his lush, over-ripe style on Hero) and Pin Bing Lee (whose beautifully understated style can be seen on Springtime in a Small Town) was cinematographic genius. It has all the bold beauty of Doyle, without, frankly, the Athena-poster cheesiness of his work on Hero. The music, as always with Wong, is prominent. From Nat King Cole singing in Spanish, to the haunting strings of the main theme, it perfectly matches the eclectic beauty of the images. 

All in all a top film, whether judged on plot, acting, cinematography or soundtrack. Similar to, but more accessible than, Wim Wenders' Wings of Desire, this is a beautiful, old fashioned story about love lost and regained. 

And watch out for Tony Leung's hotel room 2046, which presaged Wong's recent film of the same name.

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This movie was a heart-felt piece of cinema that helped show the darker side of childhood, and the little things that shaped who Tom Hank's was. Using a very cryptic story, they were able to give you an idea of what truly happened to Tom Hank's character as a child. And while scenes like the flying machine may have never happened, it helped to show how even denial can help tell the truth. In all good conscience, I could not rate this lower then a 9 out of 10, great performances from all the actors, and while many may not have understood the cryptic ending in which the brother is murdered by his step father, and Tom Hanks covers it up using a far-fetched story about a flying machine, pay close attention to the little details, such as the turtle that he still has, even though his brother "flew" off with it. Truly, a beautiful piece of cinema, and every actor deserves recognition for it.

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Now this is classic. A friend of mine told me about this flick, saying that it's incredibly lame, stupid, retarded, and moronic. He also said that I'd love it. 

To my surprise, I found it available from netflix and rented it at once. I'm just shocked that I had never heard of it before. If I could give it an eleven, I would.
Taran Adarsh a reputed critic praised such a dubba movie

The film has a weird story wherein a lover sells his love to a brothel cos he wants money to save his mother and then also gets forgived for it LOL

The movie is crap

the entire first half has it's focus on romance, comedy which fails to work The twist shocks but the entire second half is a mess and the climax is clichéd

Direction by Aditya Datt is bad Music is typical Himesh

Emraan does his serious role well but his wardrobe, his way of walking through songs.etc is similar to his previous films Geeta Bhasra annoys Ashmith Patel fails to convince this actor was good in MURDER only so far and then a downhill Mithun some screen time and he is okay but his breaking down into a song is forced Ranjeet is okay
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I LOVE Dr WHo SO much! I believe that David Tennant is the best Dr the show has ever had and Billie Piper the Best companion! I liked the way the Dr and Rose had such a connection and a great relationship and the Dr came close a few times to expressing his love for rose! It sadly came to an end after only 2 seasons. I will miss watching rose heaps and think that the show will not be the same without Rose! But David is still there to make me laugh and make me happy to watch him play this fantastic role! I rate this show 110% it is FANTASTIC! The graphics and monsters in this show are wonderful and every storyline is different but somewhat connected and i have actually learned somethings about love, the world and relationships from this show. Therefore it must be one of the most fantastic shows of all time!
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I own this movie. And it is terribly hard to find. It is a unique low budget little gore flick about a doctor seeking the perfect companion. It has the really humourous low budget feel to it, and the gore is suprisingly good for what appears to be a $500 budget. The director is claimed to be the master of gore. I wouldn't go that far, but maybe in his time he was. Overall 6/10 on the gore chart.
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Steamboat Willy was not the first cartoon to feature Mickey Mouse. The first film to star America's friend was "Plane Crazy". "Plane Crazy" was released May 15th 1928 in Hollywood California,in the silent movie format. "Steamboat Willy" was released November 18th 1928 as a SOUND movie (it was also released July 29th 1928 as a silent film). Thus making "Steamboat.."the first SOUND film of Mickey but NOT the first film for the little American Mouse. While many game shows have used the question: "What was the first appearance of Mickey Mouse?" The true answer is "Plane Crazy" not "Steamboat Willy". These dates can be checkout on IMDb under "release dates".
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michael jackson is the greatest singer and the greatest dancer that ever lived and this film proves it. It is brilliant to watch and the dance is fantastic. when michael turns into a werewolf is a bit of an on the-edge-of-your-seat part the first time you watch it. and vincent price's rap adds to the fear when all the zombies a rising from their graves. if you like this then i suggest you buy 'Making Michael Jackson's Thriller' which has the film then the making of it after it. the making shows an unbelievable performance of 'Billie Jean' by michael, which is when he first did on television the moonwalk. watch it.
Like NIGHT STALKER and then X-FILES, the show set up a fantastic situation and the main characters had to sort it out. Unlike these, the hero(es) weren't left holding an empty bag at the end. They had usually tangible results. It was also made clear that the 'good guys' were in a dirty profession where they occasionally had to pull some nasty things. Imagination, wit, acting which didn't always take itself too seriously ... I miss it. One reason being, I'm hard pressed to think of too many shows - BANACEK aside - which did as good a job of taking the viewer and grabbing their attention right off the bat. The writers excelled at setting up hugely improbable, if not downright impossible situations which the characters then had to find an explanation to. explanations which often took 90 degree turns into the clearly unexpected yet, for all that, still made sense. Too, I agree with another reviewer that the Anabelle character was somewhat underused, but when she was on screen, it wasn't just for eye candy. She was quite competent in her own right and stood up to the two male leads when she felt the point she was making warranted it. A rarity in those days. Sullivan? If he wasn't in the Department, he'd be working for the KGB or CIA. He's that sort of coldly efficient, ruthless type. He knows how the world works and realizes what it can take to get the job done. King? It's clearly a game to him. One he excels at and which he parleys into ideas for the detective/spy novels he writes as his ostensible 'real' job. He's probably the most fun to watch of the three, although they all have their moments and often, too. I do agree that the eventual spin-off series featuring only his character lacked the interest of the original, however.
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Film noir meets anime... brilliant! This was one of the highlights of the surprisingly creative Animatrix shorts. This was one of my favorites if not my favorite (I also loved World Record). This is basically a reference to those classic film noir detective stories and movies of the 40s, except it's animated and involves the Matrix. But by being animated, it is able to take the extreme camera angles, the detective life style, the shadows, and everything film noir to an entirely new level. The Femme Fatale? Trinity. The detective in this story seems to be living in the 40s in his mind but stuck in a modern world, and everything becomes too much for him when his case suddenly involves science fiction and agents when a mysterious woman in black walks into his office...

My grade: 9/10
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