cindermond/bento huggingface dataset:
Generate a movie review with negative sentiment.

The back of the DVD for this movie raves, "Chey is the Quentin Tarantino of Christian Films." This isn't so much an insult to Quentin as it is to Christian films. This film is poorly written, stiffly acted and edited with a purposeless intensity. The scenes play out in a confusing and unrealistic way and are interspersed with some nice time-lapse photography. Flashbacks, fades to grey, freeze frames to tell the time (unimportant in the story) are all done with out any apparent reason other than to give the movie more cinematic credibility. The camera is haphazard, some nice crane shots are cut with ridiculous montages that have no significance. Poor blocking and lighting leave the viewer wondering who is talking to who in many scenes. Oh and the audio is terrible. The special effects were decent and thankfully limited. But this is all just technical. The movie fails to engage on an emotional level. The dialogue is so fake sounding and the actors seem to have only read it a moment before the camera was rolling. The story... the things that happen in sequence have no motivation behind them. The characters are struggling to take hold of one dimensionality. And the characters have to make a stance on Christianity and faith in every single scene. Take a queue from M. Night, engaging Christian films don't have to have the characters saying the name of Jesus Christ in every scene for the movie to be Christian. Goodness! Please don't try to show this to your unsaved friends with any expectations other than laughter.
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This was one of the few shows that my wife and I agreed on watching. I was upset to hear that it was canceled, especially because I didn't realize the ratings were so poor. As far as I knew it was doing very well with a lot of viewers. Almost all my friends and most of the people I spoke to watched the show. Now we are stuck watching either crappy shows or DVD's. How bad was the show doing? does anyone know the real results of the shows viewings? I know that when it went to Thursdays, it was more difficult for me to catch. Thank G*d for DVR's! 

Anyways, this was a real surprise to know that there will be no more "The War At Home". If any other networks see this, PLEASE PICK UP THE SHOW!!!! PLEASE!
I thought that this was actually the best vampire movie that I've ever seen. I've seen a lot too. The effects were great, and the casting was brilliant. It was an all around good movie. The makeup and costumes were great too. I would recommend it, but not for kids. It's not a children's movie.
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positive
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The '70s were a great time for horror movies. The Brotherhood of Satan is yet another overlooked gem. It's full to the brim with great surreal, unsettling scenes. It's also great to see Stother Martin and L.Q. Jones (who also produced) in decent roles.

Some of it is a little dated and cheesy, but The Brotherhood of Satan kicks butt over Race the Devil and many other '70s Satanism flicks.
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The movie Haggard is one of the funniest movies of all time. It features the cast from CKY (the movies) and also has a GREAT soundtrack. If you have seen any CKY or Viva La Bam you will notice that everybody (from those two) are in it. Including Bam's parents and many other people.

The story is about Ryan Dunn's girlfriend Glauren (Jennifer Rivall) cheating on him, and him trying to get back at her. He does this by having Valo (Bam) and Falcone (Dicamillo) vandalize her house. There are many different characters with many different stories.

There is great music on the soundtrack. Bands such as Him & Her, CKY, Gnar Kill, Daniel Lioneye. Iggy and the Stooges Pop, and New Order. 

If you do not like Viva La Bam or CKY (the movies) I doubt you will like this. If you DO like that stuff...this movie is great.
The movie, which was directed by Alfred Hitchcock, was brilliantly made. It starts with a family of three, a doctor (James Stewart), his wife (Doris Day)- who is a former stage singer, and their young son- my guess is about 10 years old, who are traveling through Morroco for leisure. On the bus, the bump into a French government agent, and they are a little too nice to him. He is killed at the marketplace after finding out the information he sought. He wants to carry this information out to someone, so he goes to the only person he, even slightly, knows: James Stewart. The antagonists kidnap their young boy and say if he tells anything about what the agent told him, his son would be killed. Stewart has to travel to London, because that is where his son is, and where the assasination that the agent told him about would be. The movie is very suspenseful. There are many twists and turns (typical Hitchcock movie). Also, it has just the right amount of comic relief. In addition to all of that, it won an Oscar for Doris Day's performance of "Que sara, sara." This movie is very good. It is hard to find a problem about it. I would certainly reccomend it to all Hitchcock fans and all suspense fans. I give this movie an "A-" only because it is a little bit predictable.
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The 1970s opened the door to the largest, most diverse era of film in the history. Some films were great ("The Godfather", "The Conversation", "Mean Streets", Chinatown", "The French Connection", "Five Easy Pieces", "Jaws", "McCabe And Mrs. Miller") Others were not so great ("The Getaway", "The Outfit", "Badge 373", "Joe", "The Taking Of Pelham One Two Three", "Brewster McCloud", "Castle Keep") And others were barely worth the price of admission.

Yet every one was a fresh breath of air compared to today's Corporate Hollywood. Where every film is given a Big Weekend to recoup its cost. Or go straight to HBO and rental.

What "Decade" does so well is to relate the sudden and rarely experienced sensation of freedom to be given money to make and direct a film. Perhaps personal. Perhaps not. Sometime with a clutch of extras. Sometimes, in the middle of a busy street before the cops show up. Long before the Corporate Overseers, Suits, Committees and Lawyers ever became part of "The System".

The commentaries are superb. Especially Julie Christie and Dennis Hopper. Though as you listen, you'll slowly discover just how many Big Directors today (Coppola, Scorsese, Ron Howard, Dennis Hopper, Peter Bogdonovitch) got stated as "Roger Corman Commandos". Working long hours with short pay. Shooting a film in under a month. Learning all the steps and tricks of the trade by doing it themselves. Turning in product that was on-time and under-budget.

See "Decade" for its message. And for a long and varied list of films to watch made through those wondrously turbulent years.

Though, I would not complain if IFC decided to devote another documentary solely to that most under-rated Grand Pioneer of film, Roger Corman.
Generate a movie review with positive sentiment.

Shawn Michaels vs. Edge-8- Kind of hard to believe Shawn Michaels is in the opening match but still a great match by both men, Edge, whether you like or not is a great performer in the ring, and Shawn Michaels is just ageless when it comes to his performance The Undertaker vs. Heidenreich. Casket Match-2- OK, after a good opening match, now this, what a crappy match. Undertaker has given some great matches at the Royal Rumble, and 1998's Royal Rumble against Shawn Michaels was the same type of match, but this is way worse then that match.

Kurt Angle vs. Big Show vs. Bradshaw. Triple Threat WWE Championship-6- It's alright, i feel all three men could of given a better performance, this just really didn't show them at their best.

Randy Orton vs. Triple H. World Heavyweight Championship-9- Triple H gets a clean win, can you believe it, sure he takes out the Sledgehammer but doesn't use it. Randy Orton did great when acting like he got a concussion, but how he got the concussion is really ridiculous. I really liked this match, this was the best performance i've seen from HHH in forever.

The Royal Rumble Match-7- This was highly entertaining and i usually don't score the royal rumble match this high. The winner is again, very predictable, but just this had a lot of moments that were very entertaining to watch The segments with Flair and Guerrero are hilarious the best segments i've seen in a while.

Overall, this is a great PPV and a must own for wrestling fans.
Please tell me the sentiment of the following review: 4 out of 10.

This film was neither funny as a whole nor was it even worthing investing any kind of emotion into the characters. Eugene Levy is probably the most funny.... The rest of the cast do their jobs, but the story never really gets very deep and there are a lot of holes in the plot that never get filled. This just wasn't very much fun, despite being funny at times.


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A touching documentary that puts a human face on the tragedy of 9/11 by showing how one small community coalesced to honor two high school friends lost on that day. The film interweaves the lives of Chris and Tom through interviews with family and friends and snippets of old photos. Through their reminiscences we glimpse two lives tragically cut short. The film also documents how, through a series of coincidences, an inspirational memorial garden was brought forth through the efforts of many people, both known and unknown to the two victims. Through the laughter and the tears(and the sweat) we see the power of hope and honor and love. This films evokes many different emotions, but the final feeling is one of admiration of the human spirit undaunted by tragedy.

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Generate a movie review with negative sentiment.

Just saw this film at the Fantasy Filmfest BERLIN. i am not impressed.

As far as the story goes. Too girlfriends return from their Mexico vacation. While waiting for their luggage they get to know a couple of boys, who then take the last and of course wrong shuttle bus to the city. On board is also one other older man, so weirdly portrayed that you instantly guess that he is one of the bad guys. The other one is the driver.

The shuttle takes them into industrial wasteland and then one after the other goes done, a little blood, some cut of extremities, some violence, mostly playing with the fear of the girls In the end after some ups and downs, heres and there's, some not too new scary moments, everyone is dead but the driver and the girls. the girls end up in some garage, where one of them is killed, after confessing that she had slept with the other girlfriends boyfriend. The other girl, which is the conclusion, is sold by the left-over kidnapper (yep, weirdo got killed) in some cargo box to asia (a freight harbor being the final picture.) First. Story. Tons of loopholes, questions you ask yourself, loose ends, and a conclusion that is not a good revelation, but a total disappointment. I can't see how such a unprofessional looser is supposed to have abducted dozens of women (as is indicated by a drawer full of drivers licences...aha) Second. Acting. Mediocre at its best.

Third. Scare Factor. OK. but I AM BoRED by torture as a means to nothing but itself. Trade with humans could be a good reason for a horror flick, but it's not used as one, just as a background.

Fourth, Music and Sound. Some nice tries, but the sound possibilities of the industrial landscape, warehouse garage, and truck sounds have not been really explored. Music? Would have been worse without it, but apart from that. Some pseudo moving synth string theme for emotionality when the girls reach their final destination. OK, I guess.

Verdict: AVOID IT!
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For those who loved "Wayne's World"..."The Blues Brothers"...and hell, even "Raiders of the Lost Ark," you will find much to like (but probably not love) in "Tenacious D: The Pick of Destiny," a fictional epic about the formation of the JB (Jack Black)/KG (Kyle Gass) band. Two out-of-work losers with a love for rock n'roll are met with a dilemma when KG's long-supportive mother stops sending him rent checks; JB and KG make tracks for the Rock and Roll Hall of Fame after a sage music-store clerk (an inspired Ben Stiller) tells them about the titular pick (a funny animated-tapestry sequence gives the backstory). Along the way, our zeroes encounter a snaggle-toothed stranger (a game Tim Robbins), Sasquatch, stoner security guards, sorority chicks, and Satan himself (an ironically-cast Dave Grohl), in a climactic sequence that has to be seen to be believed (and preferably played at high volume). Rarely do I see comedies in the theater, but "Pick" is an extremely nice change of pace...it may not go up to 11, but it hums a tune both crude and clever for a good 90 minutes. And the songs are inspired low-brow hilarity. Recommended.

6.5 out of 10
"Valley Girl" launched Nicolas Cage's career and was an 80's version of "Romeo and Juliet." It is a definite example of an 80's teen classic. Nicolas Cage, Deborah Foreman and Elizabeth Daily all have brilliant portrayals in this movie, but it will never top "Fast Times at Ridgemont High" as the ultimate 80's teen flick because if it weren't for "Fast Times," then the 80's generation of teen flicks would just be a big blow to the head. That's for sure.
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After high school Track & Field athelete, Laura Remstead, dies of natural causes during a race (an event that is shown multiple times, in slow-motion none-the-less), an unknown killer is murdering all the people who were on that same aforementioned team close to Graduation Day (hence the name)in this laughably inept slasher flick.It brings absolutely nothing new (or even good) to the slasher table, instead opting to merely unleash the most god-awful song I've heard in quite some time with ' Gangster Rock' being played in a roller-disco party that went on far too long.

Eye Candy: Denise Cheshire & Linnea Quigley get topless 

My Grade: D-

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Some movies are just  unlucky. These are the films that obviously thrived on a lot of goodwill and a handful of potentially great ideas, but simply didn't have the budgetary means and/or professional cast and crew members at their disposal to make it happen. "The Strangeness" definitely belongs in this category. You really want to like it, but even the most tolerant and undemanding 80's horror fanatics will have to admit the film barely reaches the level of mediocrity due to its atmosphere of cheapness, clumsy stop-motion effects and impenetrably dark cinematography. "The Strangeness" has a fairly original plot and setting (okay, it's similar to "The Boogens" but I sincerely doubt that director David Michael Hillman intentionally ripped off a fellow insignificant 80's B-movie) and the players deliver enthusiast performances even though they're all miscast. An assembly of amateur speleologists go on an expedition to explore the infamous Gold Spike mine. Many years ago, several miners mysteriously died there and the place has abandoned ever since, but there's supposed to be too much gold hidden there to remain closed forever. Shortly after they descended into the mine, the group members one by one encounter the slimy ruler of the Gold Spike mine; a Lovecraftian monster with tentacles and an incredibly cheesy way of moving forward. Throughout most of its running time, "The Strangeness" is a boring and incompetent mess that is difficult to follow due to the complete lack of lighting. The characters are uninteresting and the mine remains a mystery because the only lighting effects come from the helmets of the speleologists. There's very little action or horror to experience in the first hour, but director Hillman cleverly grasps the viewers' attention by showing bits and pieces of the monster at regular intervals. As soon as you catch the first glimpse of the monster's tentacle, you're doomed to keep watching till the very end. The creature is realized with stop-motion effects, which I usually adore and worship, but here in this case they look extremely weak and pitiable. The person responsible for the special effects should have paid more attention to the work of Ray Harryhousen. The death sequences largely occur off-screen and there's very little suspense throughout the whole movie. A horror flick with a setting like this should benefice from claustrophobic atmosphere and unidentifiable sound effects, but "The Strangeness" lacks all this. The biggest trump of the film is unquestionably the beautiful appearance of blond actress Terri Berland. She resembles a speleologist as much as I resemble Mother Theresa, but she surely looks good in her tight white top and beige pants.

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Okay, maybe this movie not a revolution. But it a very good piece of entertainment, and it's Liv Tyler's variation of Alicia Silverstone's "Clueless" or Cameron Diaz' "There's something about Mary".

Liv plays a femme fatale, which just wants to have an own house and all kinds of material comfort in it. And well she does everything to get just that... even crimes. Many crimes. And she drops every boyfriend which doesn't cooperate to get these things. Additionally, she actually doesn't mind to have some additional lovers beside her current boyfriend.

This movie is even funnier to watch if one knows that Liv is actually of zodiac sign cancer - and cancer are reported to be very domestic. So the character Liv played here is actually a parody of a cancer !

I was alone in cinema when I watched this one. That was quite comfortable because I could laugh as loud as I wished all the time - but it also felt strange, as if nobody was actually interested in this movie ?

I myself liked it very much. The acting was between very good to excellent, especially the main actors where brilliant. There where enough jokes, many of the black kind, and good dialogues.

This is a trash movie, and it is full of black humor. If you like this kind of movies, try this one !

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Please tell me the sentiment of the following review: Very disappointing 7th chapter of this slowly dying series. Very evident that the budget was extremely low. This movie was made for one reason and one reason alone. To sell Puppet Master Toys! Fans, such as myself of the series have decided, from what I have read and heard that the only one in the series worse than this is Curse of the Puppetmaster. In turn, turning us away from the series. 

Opting to make this a PG-13 film, for whatever reason, did not work in the films favor. The plot seemed almost to be there, but was easily lost in the steady stream of nonsense. 

The only film in the series worth watching, also directed by Decoteau is part 3 - Toulon's Revenge.

Granted, I do favor the scenery in the film. 

Yuck!
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A vehicle for Michael Caine. Its fairly well written and there's some OK acting in it but, really, it's a mess - not funny enough, not frightening enough. It's a flaccid modern cockney thriller.

I like the premise - that even in the refracted moral hinterland of East London people do do things for the right reasons. A surprise result to the first proper fight Caine's old-school Billy Shiner has promoted inflames his paranoia. The second half of the film has him chasing shadows to deal with the disappointment of the outcome of the first.

MY greatest disappointment was in director John Irvin's failure to make more of the relationship between Shiner and his lieutenant/filial substitute Frank Harper. Harper's, a British Tom Sizemore, understands his role well whilst those around him seem to have ignored it. Pity. 4/10
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If you are having trouble sleeping or just want to take that nap in the afternoon but just can't seem to drift off, pop in this movie. The only neat thing about this movie are the electric planes. Aside from that prepare for some sweet zzzzz's. It boggles the mind how big name stars such as those in this movie can be part of the one of the dullest movies I've ever seen. Now, if you will excuse me, I will finish my nap.

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I thought this was a really great movie especially since it was jut filler for me. I was bored, I got it from the library and I really enjoyed myself! I've watched it twice in the two days and the more I watch it the more I like it.I thought that the plot was going to be really corny but in the end it really could be said that it would be true. I liked the main characters and I thought that they were well cast and you could see true friendship. I thought they all did an excellent job. The ending was good.And you really hate the bad guys and you really like the good guys. Which is what a movie is supposed to be like.
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This movie starts out the way every movie should start out, with a bunch of hot babes in a dorm walking around in their undies and/or topless. A couple of them take showers. I'm liking it so far! Unfortunately, we then meet or main characters. They're just not particularly likable. Usually in these movies, the actresses aren't really acting, they give very "natural" performances, and they're quite sympathetic, fun, and likable. Not here. They don't have much of any personality and I didn't care for them much.

Some of the girls go on a camping trip for school. On the way they stop at a backwoods gas station and meet a biker gang. The biker gang should really have been left out of the movie - it was cheesy before, but now it's just plain stupid. The head biker looks like a middle aged guy dressed up as John Bon Jovi for Halloween. The girls go out to the woods and later the biker gang follows them.

I don't really know what the heck happens after that. There's a bunch of stuff about the world ending because it's the end of the millennium, then some of the bikers get killed by a mysterious Indian dude who keeps disappearing. Somebody gets eaten by a cheesy Lock Ness Monster thing as he's swimming across a lake. Some guy in silly makeup is apparently a Druid, and he needs to sacrifice some of the girls in order to forestall the end of the world. Or maybe cause the end of the world, I'm afraid I wasn't paying much attention. First he dresses the girls up in animal skin lingerie.

It could have been a really fun cheesy movie, but the biker gang kind of ruined the atmosphere and the plot was so scatterbrained that it didn't even live up to my grade Z schlock expectations. They really should have eliminated half the plot elements and just focused on one or two things. Instead it's all over the place. Overall, if you're looking for late '80 schlock, I imagine you could do worse. If you tried really hard. There's plenty of nudity at the beginning, but the characters are kind of crummy and the plot is too nonsensical to be even the least bit satisfying.
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negative
This is a total piece of crap. It is an insult to the awesome book by Frank Herbert. They have mangled the story and characters. The acting is average to bad. The only character done right and played well is Duke Leto, played by William Hurt. Unfortunately, he dies pretty early in the story and then its all downhill from there (not that its a very tall hill to begin with).

The 1984 movie was directed by the legendary David Lynch. I was not overly impressed with the movie, but considering the technological limitations of the time, they tried their best. Amazingly, the crappy mini series makes it look so much better by comparison. It was at least somewhat true to the book, which I really love. 

They had the chance to do it right this time, sadly it was not taken.
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This film probably would have been good,if they didn't use CGI (computer generated imagery)for the werewolf scenes.It made the creatures look fake and the werewolves looked cartoonish.CGI is great for certain effects like the dinasours in Jurassic Park or Twister.But when we see a film where the creature must look completely real,CGI is not the way to go.Look at An American Werewolf in London.No CGI.Just makeup and a mechanical creature and what you come up with was more realistic than what was shown in the sequel.This film did offer a few gags that was fun to watch and the humor in this movie seemed to have drawn me in but it's nothing more than a film that I thought was O.K.And that's not good enough.In my opinion,An American Werewolf in Paris doesn't hold up to the original.
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Oz is set in Oswald State Correctional Facility. It tells the story of confrontation, cruelty, violence, hate and survival at any cost. in a place like Oz, you have to have eyes in the back of your head.

This completely original, intelligent and compelling drama tells of how warped life becomes as soon as you step through the gates of Emerald City.

What is supposed to be a state of art correctional facility is in fact far from being such. The show brings to light some of the many flaws in the prison system, the underestimating of the humanity that cold hard killers are capable of still retaining, and the one true fact: The prisoners are the one's who control the prison.

This magnificent and somewhat surreal show teaches about the importance of every life and helps give an understanding to the reasons that most of the prisoners are there. This show may seem shocking at first but to truly tell it like it is, such a thing is necessary.

Oz is a great depiction of hell on earth and how such a place teaches you some of the most important lessons you will ever learn.
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positive
Legendary pop star Steve Alaimo ("Don't Let the Sun Catch You Crying") stars as an unlikable stock car racer whose career has hit the skids (ha ha) because he constantly crashes his car (or as he laments, "I'm tired of being run down by every grease monkey that gets behind the wheel"). He falls into a bad crowd of humorously inept Nazi bikers, improbably named Jeeter, Banjo, Fats, and, er, Linda. Fats is the most likable of the bunch; he took a surfboard to the back of the skull and now only communicates through grunts, sort of a Harley Davidson Leatherface.

Anyway, Steve is fooled by the cops into catching the dastardly crooks in the middle of one of their bank robberies. The gang only robs banks for "kicks, man". I guess they give the money to charity. Steve fails constantly, the bikers get greasier, and the whole thing never comes off as daring because it's so dull. This movie looks like it was filmed through a grease-soaked paper towel. Not since "Necromantic" has a movie so trampled my soul.

The guy who played Fats went on to direct "Deranged", the Ed Gein biopic starring Robert Blossom.

Anyway, in summary: Wild Rebels: Hilarious on MST3K, dreadful everywhere else.
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This final installment of the "Airport" franchise was so incredibly awful that it took me awhile to realize it actually wasn't a slapstick comedy, like "Airplane". George Kennedy shooting a flare gun out an open window to divert heat-seeking missiles was comical. What would happen to your hand if you held it out a window at mach two speed? You'd lose your grip on the gun and get a broken arm. The passengers were unintentionally hilarious, as was the interior of the plane. The sophisticated French woman coming on to slobby George Kennedy was like Jackie Kennedy coming on to Ernest Borgnine. Ain't gonna happen. Susan Blakely, a talented and unappreciated actress, did not get any points on her resume for this one. Neither did Robert Wagner. This movie was so lousy it seemed surreal.
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Write a negative movie review.

I watched this film with a group of friends at the 1999 Melbourne International Film Festival and no-one had a good word for it.

I happen to love Bluegrass and Country Music so it's not as if I'm unsympathetic to the subject matter. But the problem is that at heart it's a very conservative movie- little more than a filmed Mills and Boon story. A bodice-ripper of the most simple-minded and soppy kind.

It's not just that the love story at its heart, that between Reece and Dr. Lily Penleric is more than a tad unbelievable. (Why any male would be attracted to the nostril-flaring man-devouring Lily is beyond me, and frankly, Mike Harding as Reece seems to be just going through the motions).

It's simply that the whole movie is too tame and well-mannered for its own good. There is precious little danger, dirt or drama. Sure there's a moment of "excitement" involving a school run by Lily's younger sister, but this whole episode is funnier than it is dramatic (it's just so poorly written and acted). And the movie betrays its conservative agenda in the manner in which this subplot is resolved.

As for good old Reece Kinkaid (now, what's wrong with a name like Eberneezer Bumpass?) I ask you! Is the ending of this film believable? Fitting in with the character this film had earlier constructed? I think not...
This movie came highly recommended, but I am not sure why. I am not really and Adam Sandler fan though, apart from in 50 First Dates where he departs from his usual angry man routine. Damon Wayans is an undercover cop and Adam Sandler is the guy he pretended to be friends with for a year in order to bust him. Naturally Sandler is rather angry about this betrayal. Cue angry shouting and silly facials from the king of variety. They end up on the run and of course they become friends again after a big misunderstanding (involving Sandler shooting Wayans in the head - he survives thus he is Bulletproof). Need I go on? You will work out what is going to happen if you do watch it anyway. When our DVD player kept pausing (hey it was $80 from the supermarket OK?) it was commented that the player knew the film was boring and was refusing to play it.

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Most of these reviews are dead on, so I'll cut to a different chase and answer a couple of questions I've seen on here.

While the characters seem and look young (hence the controversy), the actor/actress themselves were 17 and 18 at the time and so obviously over the 16 barrier. Here in the USA, that's still somewhat controversial but the simplicity and innocence of the film does much to offset it.

I'm sorry not to have seen more by Sean; in this movie at least his expressions are demonstrative and obvious; you know exactly what the character is feeling whether he's angry, afraid, or confused. Anicee had a healthy career, who's life was cut unfortunately short by cancer in late 2006. She was a beautiful and talented actress.

VHS tapes of FRIENDS can be found at Amazon.com occasionally, but usually for a significant price; I've seen it as low as $60 or so and as high as $152 (as of this comment, there were two for that price). The sequel video PAUL & MICHELLE is not quite as pricey and can be obtained (when available) on Amazon for between $16 and $70 on average.
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Write a positive movie review.

Tiny Toons is the first cartoon I remember watching as a child and I loved every minute of it. When I was four or five my parents purchased the video How I Spent My Vacation. I watched it over and over again until I new every word. Well a few days ago my three year old cousin came over and I had to entertain him. I decided to show him this old relic of my childhood. 

I new he would laugh but I was surprised how much I laughed. Like every Tiny Toons film and episode the humor is based more on wackiness and slapstick humor and succeeds tremendously. Bugs, Babs, Plucky Duck, Maton Pig, and Fifi all endure amazing adventures from Bugs and Babs white-water rafting with a little help from Superman, Plucky Duck and Maton pig travel to the greatest amusement park only to ride the monorail, and Elmyra goes on an odd quest to find cute kittens in a safari land.

Some of the classic humor stands in this Tiny Toon Adventure and is some of the best wacky comedy I've ever seen. My favorite gag had to be the monorail thing when Hamton and Plucky arrive, ride the monorail, and leave )much to Plucky's dismay). No matter what your age you'll laugh yourself to tears while not having to deal with language and nudity.

Tiny Toons Adventures: How I Spent My Vacation. Starring the voices of: Charles Adler, Tress MacNeille, Joe Alaskey, and Don Messick.

5 out of 5 Stars.
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This was one of the worst films I can remember seeing. I am sure I have seen worse, though, if that mitigates me slamming it.

The humor isn't funny, there are stupid stereotype jokes that, again, aren't funny. I was a captive audience on a plane and viewed this film. It was a complete waste of time. I enjoyed Martin in earlier films, but not this one. Same for Queen Latifah, she was excellent in Chicago and in Set it Off she was good too, but this role was horrid.

I mostly credit the failure to the bad writing of the script. I feel strongly you can't save a formulaic, unfunny script with decent actors, this movie as a case in point. Still, all involved should have been wise enough to not participate in this film. I am just amazed that something so bad can get greenlighted, made, released theatrically, and promoted.
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negative
I have seen films come and go in my years,and when i see a disaster film i keep hoping i wont be disappointed.And with this one i was not in the least.The story of a whole country sinking into the ocean was a great concept written by sakyo komatsu,a novelist with intense theories on where this earth is going.The characters were top notch,and even though i am not Japanese,i didn't need a translator to give the idea of how people in their most desperate needs can come together for the common good.The special effects blew me away,i was literally on the edge of my seat watching the tidal waves lava flows and land explosions that must have taken months of work to perfect.As for the acting i thought yes,this is acting at its best,emotions run rampant throughout the film and i cried at the most severe scenes.For movie goers alike,you don't need to speak or understand Japanese to watch this film,you can get the idea and feeling from each person and character to understand it well and to follow it along like you are there.My hats off to Shinji Higuchi for directing it,i hope he can outdo his work with another mind blowing experience.As i said,....Fantastic Film.
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positive
Please tell me the sentiment of the following review: Wow! An amazing, lost piece of Australiana AND a lost 70s glam-rock film rolled into one. This film warrants viewing simply to see what can be done with next to no budget but a lot of enthusiasm. As a retelling of the Oz story, the film borders on becoming too obvious but it is saved by it's eccentricities. The chance for a glimpse at how glam rock manifested in Australia will delight fans of the genre. This film used to be double featured with the Rocky Horror Picture Show, an indicator of the type of film that Oz is. While not as frivolous or well constructed as RHPS it's hard not to have fun with Oz.

Surprisingly, Oz has aged well- perhaps a by-product of how determinedly set in the real Australia of 1976 it is. The passage of history shows that many of the ideas being explored would eventually enter the mainstream. The willingness of the film to give prominence to gay characters is notable, especially as it dates to the 'revolution' period for the Australian gay rights push.

The performances range from flinchingly amateur to finely nuanced brilliance. The direction is lacking in subtlety and much of the dialogue may have benefited from an extra draft or two. Somehow, these flaws add to the appeal of the film which is mercifully unpretentious. Much like Australia in the 1970s this film has a certain naive charm.

There are several connections to the original Australian stagings of the Rocky Horror Show which will keep obsessives on their toes.

Oz is most certainly a minor classic and a potential cult favourite worthy of review. Laugh at the atrocious 70s fashion, swing along with the AusRock soundtrack, leave ANY expectations at the door and Oz is likely to delight.
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positive
At the end of my review of Cache, I wrote that I was intrigued with Haneke as a film maker. This is what led me to get the DVD for La Pianiste, which I just finished watching about a half hour ago.

It's all been expressed, here at IMDb and in many of the external reviews - the gruesomely twisted pathology that would 'create' an individual like Huppert's Erika, who is still trying, after years and years, to please her mother, at the expense of everyone and everything else in her life, beginning with her self. She's repressed everything that would free her from her self-imposed bondage, including, of course, her sexuality, which has literally imploded, to the point of madness, to where she can no longer even begin to comprehend what a genuine loving impulse would feel like.

This is a graphic portrait of a severe emotional cripple, one who never found the strength to get out of her childhood situation and become a functioning adult. I think this subject relates to all of us - we're all striving for autonomy, but there are needs, so many conflicting needs, most of which are not even on the conscious level. It also deals brilliantly with the contrast between what one fantasizes about, sexually, and the reality of those fantasies, as well as the consequences of choosing to share one's sexual fantasies with another human being. Huppert's character gets what she asks for in the course of the film, and it is hardly the emancipating experience she had imagined it to be. 

Regarding the much-discussed scene in the bathroom: I really appreciated how this sequence had all the possible erotic charge (for the viewer, I mean) sucked out of it because of the prior scene, where she put the glass in the girl's pocket. By the time she's acting out her let's-see-if-this-guy-is-worthy scenario in the bathroom, we've already found out that she's dangerously disturbed and so it's not a turn on, her little domination session with our poor unsuspecting dupe.

I think another incredible achievement of this movie is how, about halfway through it, I completely forgot that it was not in English and that I was reading sub-titles. That has never happened before, in any foreign movie, and I've seen quite a few. 

In this film, like Cache, the ending is not all wrapped up in a nice little tidy bow, but unlike Cache, we do at least get some sense of finality, despite the fact that we do not even know for sure whether Huppert's character is alive or dead. After experiencing La Pianiste, when it comes to Michael Haneke, I am, needless to say, more than a trifle intrigued.
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This noisy, dizzying football film from director Oliver Stone seems to have everyone in the cast - well, everyone except William H. Macy, who could have tackled the role played by Mr. Stone, the team doctors, or the "fruitcake" selling cereal. If you're a fan of the foul-mouthed, there are some great, profanity-laden knock-down, drag-out, put-down phrases you can try-out on two-faced friends and way-ward lovers. The film is sometimes good as lively background party atmosphere, especially during the first two hours; it even features some MTV-styled music video scenes.

** Any Given Sunday (12/16/99) Oliver Stone ~ Al Pacino, Cameron Diaz, Jamie Foxx, Dennis Quaid
I'm torn about this show. While MOST parts of it I found to be HILARIOUS, other parts of it I found to be stupid and simply shock for shock sake. The off the wall parody of some of the cartoons are brilliant as indeed are a lot of the scenes with the children. However, I don't think it's clever getting little children to say rude things. It's not that I think "oh poor children, they're being exploited" - it's just that it's really not clever!! It's something that ANYONE could do, therefore making it as simple and pointless as making a paper airplane. In order to make this show better they would have to stick to the natural responses from children, which I think can be funnier than the scripted at time. 

By far the funniest part of Wonder Showzen is Clarence, the blue puppet who wonders around the streets talking to and annoying strangers. It's really funny and it's mostly improvised. Seeing him in a long scene about the importance of patience test the patience of an EXTREMELY patient man, was by far the funniest scene in my opinion. 

You should watch this show though because all in all it's very funny, even if it is stupid at times.
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positive
A group of 7 gold prospectors head into a mine that was recently opened back up after an earthquake. Of course, they don't pay attention to local legend that something is down there and killing people. This low budget ($25,000) horror flick has a slight cult following and I'm not exactly sure why (unless it is because it is so obscure). I'll admit the last half hour is pretty entertaining, but the hour getting there is pure torture. Lots of walking and talking and our titular strangeness doesn't appear until 45 minutes in. Even in the extras co-writer Chris Huntley admits it commits the unforgivable sin of being boring. I would forgive them if they were strict amateurs, but this group graduated from USC so I would hope they know an exploitation film should be exploitive. Anyway, like I said, the last half hour is cool as three survivors battle the stop motion monster and there is a cool John Carpenter-like score. I wanted to see more of the monster, but it is literally on screen for 45 seconds.

Even if the movie isn't the best, Code Red DVD has given this great attention. You have interviews and an audio commentary by director Melanie Anne Phillips, producer/actor Mark Sawicki and co-writer Huntley. The tales about how the film was made are pretty fascinating and inspiring (like a cave set being built in a backyard). Even more interesting are Sawicki and Huntley's USC student shorts, which are actually all better than the feature production. Huntley was a pretty talented artist and it is a shame he didn't go on to anything else. Sawicki has worked steadily in Hollywood as a visual effects and camera guy. The film's VHS is kind of legendary for how dark it was and I'm sure this is much better. However, you still get scenes where the only image are five helmet lights bouncing around in the blackness. Safe to say, the original MY BLOODY VALENTINE is still "horror film set in a mine" champ.
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Simply delightful claymation feature from Nick Park and company spoofing such film-greats as "King Kong" and "The Wolf Man" has Wallace and Gromit as rabbit security finding it difficult to solve a major problem in their village..a giant were-rabbit is feasting lavishly on the vegetable crops of the citizens! What makes this even worse is that the great vegetable festival is about to commence and the citizens have all prepared dutifully to win the top of prize. What makes the situation even worse is Wallace is the reason behind the whole vegetable-eating rampage..he was testing out a new invention regarding taking his brain waves in an attempt to brain wash captured rabbits into disliking vegetable crops. What occurs is catastrophic as some sort of hybrid were-rabbit is created in the process..and it has more to do with Wallace than he could ever imagine. It'll be up to his loyal(..and startlingly intelligent)and fast-thinking dog Gromit to save the day.

This is a clever and imaginative effort from the crew behind other Oscar winning claymation features starring Wallace and Gromit. Seeing good ole-fashioned claymation is refreshing considering the CGI boom that has featured rather lackluster fare here recently as the industry spits out more and more mediocre product. Here, we get a full feature with witty humor and some wild stunts featuring marvelous animation, not to mention gut-busting sight gags.
The Hindi version of the film is 121 minutes. Set in Bengal in the early 1900's, the film (based on Tagore's novel) draws an analogy between the British colonization of India and the subjugation of women. An educated and beautiful woman, Binodini becomes a widow within a year of her marriage, but she does not accept the constraints imposed on her as a widow by her society. The film has a beautiful look to it but perhaps Aishwarya Rai is out of her depth in portraying Binodini's strong character with its subtle combination of idealism and deviousness. Binodini's idealism does not come across, and as a result, the analogy between women and colonization remains somewhat buried.
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Please tell me the sentiment of the following review: This is the greatest show ever made next to south park. I love this show! it is so funny, and Peter's laugh is hilarious. You need to watch this show right away for the few people who have never seen this show before. One of my favorite shows of all time.

If you can, try to see some of the later episodes such as I dream of Jesus, or Tales of a third grade nothing. But there's never been an episode I didn't like. All of the episodes are absolutely hilarious. It's got a great satire to it as well. You can find a lot of clips on you tube. If you're somewhere near a computer or a TV see it right away however you can.
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brilliant screenplay..

the screenplay is very tight ..that u will be gelled in seat..

this movie is an example for movie can survive only with screenplay and no-story needed..

story is very simple that u can write in one line. but screenplay was amazing..

brilliant performance by Vijay and Prakashraj..

though plot is similar to okkadu.. director adapted only the plot. Tamil version is much fast paced than Telugu.

Movie travels straight without any chance of deviation, though u can understand each and every characters back-drop.

keep going
Ineffectual, molly-coddled, self-pitying, lousy provider Jimmy Stewart is having a bad marriage to Carole Lombard. After falling on hard times, he endures a demeaning job, a fault-finding, passive-aggressive, over-bearing live-in mother who is in dire need of an epic smackdown, and an endlessly-crying baby. The movie trowels on failure and squalor to no discernible end. Do you want to watch a couple bicker with his mom for ninety minutes? Many scenes feature a shrieking baby. The movie fails to elucidate why we would want to endure the mother from hell, or why Jimmy Stewart can't grow a pair. Who wanted to see this? Who wanted to see Stewart and Lombard without laughs or charm?

It's absolutely depressing and unendurable.
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negative