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This is one of L&H's shorts most frequently cited as the first "real" L&H teaming and perhaps one of their best silent features. J. Piedmont Mumblethunder (Ollie) is a millionaire who has come to the docks to greet his nephew Philip, whom he's never seen. At first Ollie is laughing it up with everyone when this strange little man unboards and draws a great deal of attention to himself by the way he's behaving during his medical exam, but is quite humiliated when it turns out that this is the fellow he's supposed to be greeting. He has been told that Philip is a good boy, but he has one weakness--women. Mumblethunder and Philip set off to go home, but their journey there is continually interrupted by Philip breaking into a little dance every time he sees a woman, then chasing after the woman. Huge crowds gather each time this happens, not so much because he's chasing skirts, but because Philip himself is also wearing a skirt (a kilt). Finally Mumblethunder manages to drag Philip into a tailor's shop to be measured for a proper pair of pants, but Philip escapes from there as well to chase more skirts. There are lots of laughs all around. It's also nice to see a short like this because the boys aren't exactly the characters we know and love. Ollie is pretty much his usual character, but it's such a joy to see Stan acting so differently from his usual man-child character. It shows he wasn't a one-trick pony and excelled in other types of roles when he got the chance. With a run time of 19 minutes its short and sweet, providing classic one liners which still have me in stitches.
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The spoof genre, which has lacked creativity and humor for some time already, gets spat upon yet again by hacks with no talent. No point, no fun, no originality; just a few cheap bucks for the film makers. 

It takes more than just referencing some recent movies and giving characters double-meaning names to be satire; to make people laugh. Any clod can pick up a cam-corder, and have some bad-acting buddies in cheap costumes imitate somebody. Since the genre being targeted this time is inspirational sports movies, there are a few lame references thrown out to movies of that type: the jokes are so weak the characters actually have to emphasize the references in various ways, to get you to laugh hysterically. It doesn't work.

That's not comedy. However, the same old worn out sophomoric "jokes" ripped off from a middle school washroom (done even more blandly than usual) are all here. If that's not enough, there's a running "gag" of a bus running somebody over. So funny, right? Also, one pathetically poor scene does more product placement than Michael Bay; again with the same unfunny results. A musical bit flops miserably. Pity Carl Weathers, once Apollo Creed in the Rocky series, now stuck with roles in swill like this.

Lousy beyond words. Watching a snail run the marathon would be less tedious than watching this film is. Probably a lot funnier, too.

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Bud Abbott and Lou Costello always had a good following among children, but in their careers I think you could say that they only made one film that could be designated for kids. Jack and the Beanstalk was that one film.

It was part of a two picture independent deal from Warner Brothers, the second film being Abbott and Costello Meet Captain Kidd. These were the only two films the boys made in color. 

The two of them, out of work as usual, take a job for a very precocious and obnoxious young David Stollery as a babysitter. Although it starts out with Costello wanting to read the kid, Jack and the Beanstalk as a bedtime story, the young lad winds up reading it to Costello. Lou falls asleep and in his dreams he fantasizes he's indeed Jack the Giant Killer.

Buddy Baer who menaced the boys in Africa Screams plays the giant and he's got a giant size Dorothy Ford as his housekeeper. Dorothy was a big girl, 6'2", and you can imagine she had some difficulty being cast except when her height was used as a joke. One of the only players who ever looked down at her was John Wayne in Three Godfathers at 6'4". Henry Fonda and James Stewart in On Our Merry Way also stood barely above her, but again her height was part of a gag.

Shaye Cogan and James Alexander were the princess and prince of the fantasy and they sang beautifully, but couldn't act worth anything. This was the last film of William Farnum who's career dated from the early silent screen days and even to the turn of the last century on stage. He played princess Shaye's father the king.

Some not terribly memorable musical numbers came from Jack and the Beanstalk, save the title song. I well remember as a kid having the 78 record of Bud and Lou singing the song and reciting the story. I was in my early single digit years, but became a lifelong fan of their's through that and their television series.

Jack and the Beanstalk is still a good children's picture for the very young, though I would warn parents to warn their little urchins not to imitate young master Stollery.
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Some nameless aliens off on a distant ship from a distant planet have sent the giant robot Kronos to rob the world of its energy. They've got a prototype clanking around Mexico for openers and if he proves successful more will be sent. It would certainly take a lot of time for just this one Kronos to perform that task.

For reasons I can't explain the aliens first capture the mind of leading scientist John Emery who telepathically directs Kronos to his first targets. Since Emery is killed off later and the monster seems to function well enough without Emery as a controller, why the aliens needed him in the first place is a bit bizarre.

In any event scientists Jeff Morrow, Barbara Lawrence, and George O'Hanlon who work under Emery aren't fooled a bit about his nature. And of course they come up with a plan to deal with the raging metal giant.

Kronos is a perfect film for the Fifties, the bad guys are never seen they're just out there looking to undermine mankind. It's a perfect film for the Cold War. And Jeff Morrow assures us we'll be ready for them in the future.

The players look like they're having a grand old time mouthing as many clichéd lines the writers could put in the script. I get the impression that Kronos is the kind of film Ed Wood might have done on a bigger budget with a bit more care.
Well, on the day that Rob Schneider plunges himself further into the black hole of notoriously bad movies by starring in the absolutely not-at-all-wanted "Deuce Bigalow: European Gigolo" (hmmmm....wasn't there a film called Roadtrip which was followed by a sequel called Eurotrip? And now there's Deuce Bigalow: Male Gigolo followed by sequel Deuce Bigalow: European Gigolo.......I smell a pattern. Perhaps soon there will be Spiderman: European webs are Hotter.....or not) I am writing about this much maligned (at time of release) film. I was one of those maligners, I must admit. I turned my nose up at it even while Chris Farley shoved cocaine up his nose and the SNL cast struggled through one of the worst seasons in their history in '94-'95, the Norm McDonald anchorship notwithstanding. Films like Happy Gilmore, Tommy Boy, and Black Sheep came out in the couple years after this period and we realized there was a dark future for the caliber of Spade-Farley-Schneider-Sandler films. However I watched this film the other day, ten years after and 8 years after Chris died and could not stop laughing. Yes it's not particularly sophisticated. Farley does what Farley does (not unlike Manny being Manny) but his "Van Down By the River" motivational speaker shtick in which he laments that while he may not "wash enough" or "wear well-fitting clothes" or "use deodorant more than twice a week" translates well here as the ever self-effacing character who realizes he's not the brightest, not the best-looking, and could stand to lose a few pounds. All the same, he's trying his best to do what he's supposed to. And David Spade just tosses off his snide one-liners as he did for "Spade's Hollywood Minute" and basically stings Farley's self-esteem. There's really not a whole lot more to say than that. I love the one scene when Farley catches Spade spanking his monkey and then makes a couple quips about it. Can't remember what the first one is but the second one, they're lying in their hotel beds and Farley says to Spade, "Do you like baseball?". Spade mutters something inaudible in response and Farleys says, "the New York YANK-ees?" Anyway Farley does his awkward, painfully sensitive, frat-boy shtick. If you like, you like it. I couldn't stop laughing.
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With a cheap pound shop having just opened,i thought that it was worth looking to see if their were any cheap DVDs that looked good.and while the back of the cover made this sound like a Jeepers Creepers type of film,it is actually an anthology film! and thought one or two of the stories feel very familiar.Its still a fun light horror/comedy. The plots:

Story one:The classic.

A young couple feel the it is time that they should try to in prove their financial life by picking up a $1500 car.But,when the guy goes to pick a car,a car starts to talk to him.The car (called Banns) says that to get everything that he has ever wanted in life,that he must buy Baans for $5000.So while the guys relationship crumbles,Baans does everything he can to show who really is in charge.

Story two:Kitchen culture.

A guy that might get thrown out by his land lord,due to how messy his flat is,discovers that due to keeping a tuna pasta in his fridge for six months,the it has now moulded and evolved into a green mouldy version of himself!.And while they start off as friends,they end up having a big falling out,the leads to a final battle to see if the real guy or his fridge clone will survive.

Story three:Too good to be true.

A girl signs up with a dating agency and she gets matched with a guy the is perfect for her.But she is unsure that the guy is too perfect,and when she thinks that she sees him 'shut down' she starts to get spooked. View on the film:

The first thing that i have to mention is the rating for the film in england,where it has been given an eighteen rating,even thought it has no nudity,swearing or blood at all.And the other odd thing about all the stories is that they all have happy endings,where the goodies win!.And while the first story is too close to the Stephen King classic Christine,the second story is easily the highlight of the film,with director Tom Parkinson making the nuttiness of the story feel like a low-budget Muppets episode!.

Final view on the film

While it does have a bit of a 'remake; feel,their is enough wackiness to make this a good horror 'comedy'.
I am a Sociologist/Anthropologist specializing in the field of Symbolic Interactionism, and I must say that this film exhibits high quality in the symbolic context throughout the entire film. To anyone who has not yet seen this, I recommend that you also read "Man's Search For Ultimate Meaning" by Victor E. Frankl. I think you will be able to draw some amazing correlations.

That being said, I would like to say that despite the fact that the main characters are gay, this is not a story about being gay. This is a story about seeking out and finding meaning in life, despite the difficulties and challenges, the pain and terror that stand in your way. This is a story of seeking and finding balance and wholeness and happiness.
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Everybody seems to compare this to The Matrix and The 13th Floor, and when I first saw it I would have agreed -- I was expecting The Matrix and was a little disappointed. But upon repeated viewings my respect for this movie has grown immensely.

The thing to keep in mind is that The Matrix is a great action movie with some philosophical mumbo-jumbo thrown in. The 13th Floor is a passable action movie with some slightly more interesting philosophical mumbo-jumbo thrown in. Existenz is not an action movie at all, and is not (as many seem to believe) about "reality" or any such "deep" concept. It's about the human tendency to intentionally replace reality with an artificial (both in its origin and in its behavior) world of make-believe.

The most chilling moment in the movie is when Allegra Geller repeats her "scripted" line. It's at that point you realize that the people in the game have voluntarily surrendered their free will in order to participate in a story. This is made even more frightening at the end when D'Arcy Nader (or rather his player) comments on the possibility of spending one's life in the game. I sympathize completely with the "realist" philosophy, that providing interesting worlds in which people simply locate the correct predefined path to the end goal is ultimately a recipe for a soulless existence. Living "in the game" is not living at all, but is a tempting way to spend one's time on earth. As Allegra comments about the real world, "there's nothing going on here." Might as well jack into someone else's imagination, and pretend to be doing something interesting. (Although I have to ask whether Cronenberg considers this a self-indictment, considering that he himself offers up worlds to be experienced in 90 minute snippets.)

Upon leaving the theater after first watching this movie, I thought it was one of those movies that was watchable only to see how it ended. But having seen it a couple more times (thank you SciFi Channel) I've realized how much deeper it goes. Seriously, if you've only seen it once, it deserves another viewing.
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Michelle, Anicée Alvina, was so nice, and I really fall in love with her. She died a few months ago! Friends? Really the best movie of my youth. The "seasons reprise" of Elton and his arranger Paul Buckmaster sings in my head forever... Please, if you know where i could find a VHS of the film, mail me!! My husband of 26 years & I saw this as Juniors in HS. Yes, he was my boyfriend then and still continues to be. I think we both cried our eyes out. I think possibly we were drawn to the movie by the Elton John music in it, but were then swept away by the teenage angst of it all. Paul and Michelle were just about our ages when we saw the movie- so very easy to identify with!! It is wonderful to hear that Sean is doing well, I am also in the "helping professions" (an RN). I thought his performance was good and very believable. "Michelle" came across as very sweet, fragile and vulnerable. I think the main theme is that if they didn't have to deal with the "real world" then they could be happy and continue to be in love. How many times have all of us wanted to just have a "Calgon moment". If we all had no outside worries and could just deal with our "basic needs" it could be somewhat easier. I have a 15 yr old daughter and wouldn't have a problem with her seeing this movie.. Kids see so much worse these days that this is very tame. For those of you who are trying to locate the CD my husband (a huge Elton John fan) was able to get a 2-CD set which came out in 1992. It is called, "Elton John-rare masters" Polygram studios. This has all the friends songs as well as many others. As far as we know this is the only CD with the "Friends" music. We also had the LP years ago and were thrilled to find the CD. Good luck. I recommend this movie for anyone who loves the "young love" theme. I only wish it was on DVD now!!
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Everyone knows that late night movies aren't Oscar contenders. Fine. I mean I'll admit that I was a bit tipsy and bored and figured I'd get to some skin-a-max. It's pretty bad when the info on the TV guide channel makes fun of the movie in the description. It even gave it half a star. To be fair, I did sit throw the whole thing cause man it was soooooooooo bad. I couldn't stop laughing. I mean the words coming out of these people mouth and how they were trying to be serious. Most of the time I think the people on the screen were trying their hardest to not to laugh. In fact I think in one scene they did laugh. Anyways the movie didn't make sense. It was like that one Sopranos episode with the fat gay guy. Only the Sopranos is great show. But it was terrible, I mean, no nudity, just sex scenes out of the 90's. You know the kind that use shadows and silhouettes instead of flesh. I gave it a two cause this flick makes for a good drinking game movie. I mean with all the cheese, it helps to get the wine out. If its late at night, and all that is on TV is this and that Tony Little guy and his exercise bike, then I suggest Tony Little.
Please tell me the sentiment of the following review: Topless touch football!! A wet t-shirt contest!! A jockstrap raid!! This "SheAnimal House" has it all. Except a plot and good actors. The film consists of several pranks and catfights between the H.O.T.S. girls and the bitchy PI house. The dialouge is a scream and the soundtrack is sublimely brilliant. Over the past couple of months it's been popping up all over cable, so do yourself a favor and watch out for it. H.O.T.S. is so bad it's good!
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Exceptional movie that handles a theme of great proportions with a very well-balanced direction. Dmytrik was a very good director, at least from what I can tell from this movie and Murder my Sweet but he was seriously affected by the HUAC as other movie directors and actors. It is in a way ironic that Crossfire received no Oscars, because it is exquisite example of how to make a great film on low budget. Everything about this movie is exceptional: a well-written script that makes use of extensive flashbacks, a great cast, superb lighting that seems to tell the story more than the actions proper. What more can you expect from a top-notch movie? Might I add that noir is here used for its stylishness, and I might add financial advantages. But this proves once more that what was originally deemed a B-movie can have more impact today that most of the heavy-handed A-movies that lost their audience with the passage of time.

This film is not a noir movie per se and this rises serious questions about what noir actually is. The style is definitely noir, in terms of sets and especially lights but the theme surpasses the recipe of the "noir genre". You can see things from the opposite perspective and claim that Anti-Semitism is only a pretext for the criminal investigation, the puzzle around the murder being the actual focus. This would have been the case had it not been for Robert Ryan in an outstanding performance. Either way, the movie has a lot to offer and it is truly a pity that the director had to suffer so much iniquity for his former beliefs in a really "noir" period of America
The story overall, though quite graphic, is actually decent and reasonably interesting to readers. However, the movie was absolutely dreadful. The story was good, but the acting was terrible. I was crying the whole time because i knew i could never get my spent time back. Don't see this movie. If you do, bring a pistol with a bullet in it, and a few bullets if you're going with friends. I feel sorry for everybody who had anything to do with this film. I also feel sorry for everybody who had to watch the film. Avoid this film at all costs, and if your mother forces you to watch, kill her. Hahahahaha! See! I'm a psycho now!!!! IKWTCBS turned me into a psycho!!!!
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Vicente Aranda has made a terrible historical movie. It shows the poor resources of the spanish cinema. In the movie, an irreal script shows Juana just as a ninphomaniac, faced to Felipe, worried only for sex...but sex with others not with her. The technical mistakes begin with the wedding ring that shows Isabel of Castilla -Nobody noticed that?-. Then, the voice in off seems as a documentary, actors and actress in the movie sometimes laughs -take a look to the sequence when Juana arrives to the council which want to keep her isolated-; the castles are almost broken when in the age of the movie they have been recently built, crowds are just "four" people, lights are bad placed...Compared with Amelie Poulain, the french movie for the oscars...it has no sense to speak about a bad movie like Juana la loca.

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Please tell me the sentiment of the following review: This film is a great comedy drama. Christopher Walken is tremendous in his supporting role as manager, and his commentary will keep you laughing. Robin Williams plays a great role as a quick wit "Jon Stewart" and will amuse you if you are fans of Comedy Central. The show is good, because if the viewer has half-a-brain, they will see it as a very needed sub-cultural attack on the policies of the current Republican Government and a criticism on the American Democratic Process..., not to mention the means by which most politicians get elected.

I was amused at the sub-plots and found the film to be very fast paced and entertaining, without any of the usual "oh-brother's" I would agree the film is less comedy than marketed, however, without question better than 90% of the garbage in theatres at present. Just my thoughts...Don
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positive
I saw this movie in the Rotterdam Film Festival and I was pleasantly surprised. The photography is just so stylish and beautiful, and the story it's just not your average mafia movie, actually that storyline is pretty much in the background. It's more the personal journey of a middle age man that is trapped in an existence he was forced to live. The actor, Toni Servillo, is superb, he excels this "quiet man". The girl, Olivia Magnani, is the grand-daughter of Italian actress Anna Magnani and lives up to the family surname.

If you're expecting your typical Italian movie where everybody is screaming to each other in big families, this is NOT your movie. There are not you're average clichés and it's definitively worth seeing this one.
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In 1967 I saw an outstanding Musical at the Wintergarden in New York City where Angela Lansbury lite the stage as Mame. But did Hollywood give her the lead ???? No Lucille Ball great as Lucy was given the role. She killed the film. What a mistake There was no chemistry as there was on the stage Bea Arthur and Angela what a twosome when they sang.. It is too bad a producer does not put these two together even today
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negative
Except for the appearance of talented Austin Powers impersonator Richard Halpern, this pic was your run of the mill movie spoof. Dated movie references will not help audiences that may come across this endeavor in future. Watch for "Groovy" Austin Powers in the hot tub. It's a hoot and a half.

Poor special effects are overcome by the appearance of numerous starlets in skimpy outfits, so at least that should keep one entertained (if that's what thrills you).

For my money, I would rent the DVD of classic spoofs such as "Airplane" or "Lobster Man from Mars".
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The movie is powerful as a political statement about extraordinary rendition, torture and the politics of the war on terror. Others have already commented on these and other aspects of the movie. My review may contain spoilers, so if you haven't seen the movie, you may not want to read beyond this point.

Several questions are raised by this movie. First of all, was the protagonist guilty or not? There is no satisfying explanation for why the NSA decided to have him picked up and rendered in the first place. Is there an innocent explanation for why he got phone calls from what the NSA thinks is a terrorist? If there is, the movie does not seem to give one and that made the whole movie quite unsatisfying to me. It is all well and good to make statements about whether torture is right or wrong, but first prove to me that they tortured the wrong person, then we will take it to the next step.

If the protagonist was guilty, then what was achieved by releasing him? Perhaps, we was well-trained to resist up to a certain point and then pretend to break down and give answers that can be proved wrong with a little research, thus tending to lead the torturers to believe that they had tortured an innocent man into confessing without actually being guilty. However, there is nothing in the movie that proves he is guilty either.

The various other loose ends out there are: 1. So, a rogue CIA agent has him released and flown back home. What prevents the NSA from picking him up again? A little publicity in the Washington Post? Please give me a break here... If a senator is not willing to put his neck on the line to intervene on his behalf, what does Corinne Whitman have to fear? 2. If the NSA has been tracking what phone numbers are being called by whom, why couldn't they listen in on some of the calls to figure out whether anything underhanded is being discussed? 3. The plot is even more stupid anyways. Any criminal with more than a dozen brain cells would transact his criminal business on an anonymous prepaid cell phone line, not on one that can be traced back to him and his house.

The whole movie revolves around tugging at the viewers' heart strings by showing graphic and gratuitous scenes of torture. But when you think about it with any more depth, there is nothing of substance in this movie, only plenty of unanswered questions and the feeling of "what, that is it?!!!" at the end of the movie.

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I had never heard of this film till it popped up on cable TV and I can't understand why. Geena outdoes Arnold as an action hero in this film! Geena is an ex-CIA assassin who is brainwashed and given an identity as a schoolteacher with a quiet family life in a rural town. She continues that life for 8 years with a husband and daughter. Clues start coming to her that she may have been someone else, especially when someone tries to kill her. It seems that her former employers have discovered that she never died and want to make sure that she does. She hires Samuel L. Jackson, who is a former police officer. Together they form a pair that is as entertaining as Mel Gibson & Danny Glover. When Geena finally regains her memory she undergoes a transformation into the killing machine she once was with the song "She's Not There" playing in the background. What follows is Geena and Samuel have to go after the bad guys and hopefully stay alive. All through the rest of the film Geena has to decide who she really is. The killing unfeeling machine? The mother/schoolteacher with the quiet family life? Or a combination of both? Especially, since the bad guys grab Geena's daughter. Great action scenes that rank up with any of the Die Hard movies!
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positive
I know what you're saying, "Oh man, Pinochio is not scary!" but this movie goes beyond alot more than a maniacal pinochio. Behind it tells the story of a mother and her daughter who is oddly attached to her doll Pinnochio who seems to talk to her. The only weird thing is that noone else can hear the doll except her. In the end is shocking revelation that, as did I, will shock you. Watch it. Give it a try.

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positive
Please tell me the sentiment of the following review: Danny is beyond sorry.

He keeps making the same mistakes, and is no longer interesting to watch. At first I could feel for him, as an addict myself. My heart went out to him at the beginning, and somewhere along the line he went over the line. It is almost as if he is continuing this behavior to keep the show going, and at the same time is seriously risking his life, and the welfare of his family, especially his children. It is difficult even to have pity for the poor boy. I think he needs to watch this show, maybe then he might have a chance a saving this marriage. I can't understand how Gretchen stays with him, and I keep wondering how much is just for show, and how much is love. Danny, get a life - a new one that is! ...and don't get me started on Dr. Gary. What is with him and his face? His skin looks like it's stretched to the max. Besides that, looks don't mean a thing, yet he seems not to be particularly impartial. I think, he too, is keeping this going for his own monetary gain and often not in the best interests of either Gretchen or Danny. These people are few confused and each remind me of a dog chasing its tail. sad, very sad. C'mon pull yourselves together.
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I can't say that I embrace this as a Romantic Comedy, as I found little funny about it. I did find it endearing, entertaining, heartwarming, and terminally sweet, and while there were some witty moments, I found them more bittersweet than outright comedic.

I liked this one. Barrymore has grown so much as an actress, and it's always wonderful to catch her on the big screen, but this translates well to the small screen, too. In fact, on subsequent viewings, I like this one more and more.

If you're a fan of the Romantic Comedy, then you may be a bit put off by lack of comedic effect with this one, but if you're in it for the romance, it's definitely here to be found.

It rates a 7.8/10 from...

the Fiend :.
Some time ago I saw this when HBO was showing it and from what I saw of it, it seemed like a good movie. so I'm in Blockbuster today and I see it there with the DVD'S and I decide what the hell. So I rent it. After I finished watching it I was in shock of how good it was.

This movie just touched my heart. Everything in it was so amazing. The stories, the actors, the dark humor, the MUSIC!!! Oh don't get me started on the music in this film. PT Andderson is one of the greats. Definitely the best thing to come out since Quentin Tarantino(a god.)

After I finished the first viewing I watched it again with Anderson's commentary (I was suprised on how such a cool guy he is.)

Anybody who is interested in movies at all should watch this movie, if they haven't already. Anderson is obviously a film lover. In the movie he rips off so many other directors tecniques. Such as the pool scene with the camera following the girl through the water. Obviously ripped off from "I Am Cuba." But I have no beef what so ever with that. The film is very respectable with it's ripoff's.

I recomend this film to anybody who can deal with some of the content of the film(porn.)

10/10
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positive
I can't count the times I have watched this, and although it differs from the book in story line the mood is still the same. The bond that two such diverse people give each other that surpasses trials and years is immortal. And that the element of the women prisoners was an actual event, that did happen to real people. The story is about the strength of character of ordinary people, people who just tried to survive a horrible time in their lives. And this also presented Australia in a real mode. The country is like all countries, areas that everyone loves, quaint country areas and desolate areas. But it gives Shute a stage for Jean's transformation from a lowly outback town to a family community.
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positive
Clearly patterned after the first gangster movies that Warner produced the same year,Little Caesar (1931) and The Public Enemy (1931),this gangster movie is one of the better efforts I've seen. Although not quite in the same league as the previous mentioned classics, it has a powerful performance by young Sylvia Sidney.She's magnificent and delivers her lines more natural than perhaps anyone did at the time.Gary Cooper is better than usual at this stage in his career and shows signs of what would follow the next few years when he rose to the top. The movie has some fascinating villains in Paul Lukas (never seen him this detestable) and Guy Kibbee (what a shock to see him act the hoodlum).The direction of Rouben Mamoulian is very inventive,probably the first voice-over to show a persons thoughts appear in this movie. If you get the chance to see this little gangster flick, don't let the chance go by.
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Flatland is one of my favorite books, thus I was looking forward to this film. Unfortunately, the film is absolutely horrible. The dialog is so bad it sounds like improv half the time. The new storyline makes me think they took the book and a couple of newspapers, threw them in a blender and used what came out for the screenplay. It's a disgrace to the book and independent film making. The only reason I even managed to get all the way through the film was my hopes that it'd get better. Unfortunately, it only got worse, climaxing in a really retarded ending.

That's not to say EVERYTHING about the movie is bad. The CG is acceptable, in a 1990's "Reboot" sort of way which I assume is what they were going for. And I suppose you can't go wrong with "people" getting chopped in half and gushing blood all over the place.
lovely. i just love the movie. i want to see this movie because Rupert Grint is a fantastic actor. his expressions are great, spectacular. the movie was excellent. Julie Walters it was perfect too. I think that Rupert is the only boy with red hair that i love. Rupert have a beautiful smile, a beautiful voice. and a wonderful accent. i think that the movie was great and was great see Rupert in another thing but harry potter. and its a very good actor, so it deserves that and more. he just have a golden globe but probably it deserves an Oscar academy award. there are some actors that do not act very well but have a Oscar anyway. it does not matter. but he is perfect, brilliant and beautiful

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This movie was horrid and at the end made me wonder why someone went to the trouble to make it. Now it was not all bad, I have studied film and this film was put together very nicely and had very good cinematic everything with interesting angles to very nice lighting and excellent camera work. I wish I could have seen it back in school because it would have made a good film to write a paper on. BUT........ Since I have graduated and lost most of my film pretentiousness I have realized that a film should be entertaining above all, this movie was long and boring and I'm not sure when it finally got to the point that it was worth my time.


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Hollywood has churned out yet another garbage that's wildly overhyped and underwhelming on a first-time viewing basis. Hannibal is bad, terrible, inept, lame, droll, idiotic, contrived, laughable and utterly atrocious (no pun intended). Minor spoilers follow...

This movie has huge logic holes - more than any Bruckheimer/Bay movie - or for that matter - any movie that exemplify the indulgence of Hollywood exaggeration. It's a slick Hollywood production designed to cash in on Hannibal Lector mania, directed by "so-somber-he-takes-this-way-too-seriously" hack director Ridley Scott and produced by a hack Italian producer with an inflated ego whose credo is "doesn't matter whether film is s**t, money is good".

I can't get over the fact that acclaimed screenwriters David Mamet and Steven Zaillian wrote this tripe adapted from a lame and pretentious book by a good-novelist-turned-hack-author Thomas Harris. David and Steven - well-known and immensely talented screenwriters - wasted their effort on a poor screenplay in exchange for fat paychecks. Another factor in the disappointment of this film.

There are too many ludicrous scenes to list that are laughable in clunky execution and poor logic e.g. Starling/Pazzi cell-phone in the midst of Lecter pursuit that turns up Inspector Pazzi as the victim. Not to mention laughably bad dialogues delivered by Tony Hopkins with a smirk and Julianne Moore, Ray Liotta and others who cannot act with the straight face. Hopkins gives the true meaning of "scenery-chewing" along with hammy acting by Gary Oldman as a deformed psychopath bent on exacting revenge against Lecter.

The gore effect is good, but only serves to repulse rather than provide suspense which is notably absent from Hannibal. The predecessor - Silence of the Lambs - is more believable with tension and suspense. Suspense is what made Silence of the Lamb work as a spectacular mix of psychological horror and thriller, not to mention superbly written and tensely directed. The "brain dinner" sequence is so laughably fake it borders on self-parody.

The ending is kinda blatant and idiotic - are we supposed to believe that Lecter is still a menace to society with the last shot establishing his glittering eye glaring at you? Ooh, scary...
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About the discussion on the South, the rednecks and the hillbillies... Well, I am from the South: Argentina, near the South Pole to be exact. Is this southern enough? Seriously, some stories are universal. We have never been to Greece, nor lived the classic period of Homer, but he speaks to us today. So does Shakespeare and Dante. And stories from far unknown places also reach us, when told with sensibility, intelligence, humor, just like "O Brother". Besides, we all (the rest of the world) have our own hillbillies too! And our own depression era (ever heard of Argentina during year 2001?), our politicians and racism, our gentle souls just like Delmar and Tommy... I simply loved this movie, folks. Despite the subtitles, despite being on the other side of the world. (And please forgive my errors in English, I tried my best)

PS: I believe nobody quoted this favorite phrase: when Delmar asks George Nelson what does he do for a living, while handling him the machine gun...
Please tell me the sentiment of the following review: This is the kind of movie that BEGS to be shown on TV at 3 or 4 in the morning, if at all.

No doubt the film-makers responsible for "Attack of the 50 Foot Woman" thought they were making a pertinent statement about women and philandering and the dangers of the demon rum, all wrapped up in a sci-fi allegory. 

Or maybe it was a tax write-off.

Either way, "Attack" proves best for the viewer under the following circumstances: a) extreme intoxication, b) seen on a double-bill with any of those Jacqueline Suzanne movies (maybe "Once is Not Enough"?) or c) just a night when you feel insecure and the world around you is a little too perfect. Pop in "Attack" and you'll feel great, guaranteed!

It's good for a laugh at the expense of the hokey script, the rubbery special FX and that four-eyed sheriff. And I think the last line should be engraved in a monument somewhere in Washington D.C. - it's just that memorable.

Four stars for "Attack of the 50 Foot Woman"; buy a copy, mail it to Gloria Steinem - she'll love you for it.
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Poor Bela Lugosi. Just another day at work. A group of saboteurs attempting to disrupt the American war effort from the inside. It's pretty hard to figure out at first because, while we know these guys are up to something, their method of operation just isn't very clear. I won't spoil it, but the ending in pretty amazing. There are a series of murders perpetrated by our hero. A police force that doesn't know what is going on. What a coincidence that all the victims seem to come and go from the same house. There are comments like, "A true patriot would do this or that." It's obvious while suspicion abounds most of the world wouldn't know a spy or a subversive if it jumped up and bit them. I also was surprised to see Clayton Moore (the Lone Ranger) in a romantic role. I never realized that he ever did anything other than sit on a horse. There is, of course, the smugness of the criminals as they think that they are immune from the killer's guest list. Anyway, Bela is sort of a good guy and a bad guy rolled into one. The best scene in the movie is at the end, but I won't spoil it. As a curiosity, and a period piece, it may be fun to watch for some people.
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This movie reminded me a lot of a song by the Dead Kennedys called "Straight A's." However, unlike this film, the hero of the DK's song turns to suicide. You'll wish this bozo had resorted to killing himself instead of doing the crime he did. The whole thing was convoluted and in the beginning, you sympathize with the hero of the film, then he quickly betrays your sympathies. The long sequences of just showing the hero's face while he delivers a monologue drag the film down quite a bit. Avoid this if possible.
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The fact that after 50 years, it is still a highly watchable movie, says a lot about it. It is more intelligent and interesting than almost all recent movies of the same genre you can find, and has a certain endearing feeling of innocence to it. I am not a big fan of this type of movies, but I could watch the whole thing without being bored, which makes it a good movie to watch with someone who does not necessarily share your taste in films. I liked the black and white palette, the excellent casting, the clever heist scene that keeps you guessing about what trick they will pull next, and the ending like everyone else. Watching the heist sequence makes one realize the power of silence, which is unfortunately so underused in today's cinema.

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I own this movie and I love Canadian Movies but hire an actress like Rose I don't understand.She is completly useless in this movie just a name that's all.The rest of the cast is good,good enough to make this little thriller work.I was surprise by the plot which is not the first time it was used.But those unknown actors did very well even Jergen,I'm not a big fan of his but I liked him in this movie.If you got the chance to see it go for it.

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What can I say? Curse of Monkey Island is fantastic. The story is good and solid, but appropriately silly, the jokes are hillarious, the puzzles are puzzling... you couldn't ask for more in an adventure game. The "You don't need to see my identification" bit is in itself well worth buying the game for, not to mention Murray, who has become the hot topic among many of my friends (only some of whom have played the game). You will love this game. And if you don't, too bad!
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Over acted, heavy handed, full of speeches, preachy, on the nose, and over stylized in a way only MTV could be guilty of, Stop-Loss is agit-prop garbage. I expected a lot more with talented young actors such as Joseph Gordon-Levitt and Ryan Philippe, but Screenwriter/Director Kimberly Peirce does a hatchet job of portraying the ill effects of war on American youth. I'm sure she did some work researching the Iraq war and the young men fighting in it, but you'd never guess it from watching Stop-Loss. In many ways this mess reminded me of Catherine Hardwicke's Lords of Dogtown, an equally inept, overly stylized, TV movie-like waste of solid subject matter.

http://eattheblinds.blogspot.com/
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What is the deal with all these ethnic crime groups copying Italian mafia related movies ? We all know the Godfather as in Don Vito Corleone, now we have this Mexican one which is just a strait out Copy. I cant see why other ethnic groups have to Mimic and imitate Italian mobsters, but it sure makes them look silly. They sure seem to be wanabee Italians. I would much prefer to see Mexicans perform there own ideas and like to see there own culture, and the way they do it, instead of copying ideas from The Godfather trilogy. Apart from that the movie was disappointing, seeing mexicans acting and trying to be Italians is not my thing. After watching this, I'm now going to Watch the "Real" Godfather so this movie can be erased from my memory.
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This is one of my three all-time favorite movies. My only quibble is that the director, Peter Yates, had too many cuts showing the actors individually instead of together as a scene, but the performances were so great I forgive him.

Albert Finney and Tom Courtenay are absolutely marvelous; brilliant. The script is great, giving a very good picture of life in the theatre during World War II (and, therefore, what it was like in the 30s as well). Lots of great, subtle touches, lots of broad, overplayed strokes, all of it perfectly done. Scene after scene just blows me away, and then there's the heartbreaking climax.

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-SPOILERS------------ I am a fan of 60's-70's french cinema but not necessarily of the more modern,so to be honest i watched this because of Bellucci.She is very young here,extremely beautiful and on top of this supposedly this movie is where they met with Cassel,so it gives it some extra importance.

The movie begins with a very nice style reminiscent of DePalma.Then suddenly we are thrown to flashback,and the back and forth goes on which gets tiring.I don't mind one flash back,but do it and get it over with man!!!Anyway,the movie is still interesting to me until a point when the first and definite hole in the plot,that allows for the rest of the story,never lets me enjoy the rest.I can allow for little holes here and there,but not to base an entire plot on hot air.This is the story of a man who is literally searching for an old flame.This is the main plot.I will go along,when the story at some point will convince me that there are really mysterious things going on,but in this story there's nothing really mysterious.Bellucci-Cassel are a couple ,then Bellucci urgently has to leave for some job in Italy(not the farthest place on earth from Paris)and she leaves him a message,which for reasons later explained he doesn't get.OK,so what?Don't these people have phones?Supposedly she was away for 2months(not a century exactly) and wouldn't she call her boyfriend in Paris to see how he's doing? Of course not.Instead,even after she gets back she forgets all about him.And thats fine,but later in the movie she tells her friend that it was her greatest love and was ready to commit for the first time in her life.Yet she failed to give him a call for 2months and then never tried to get back with him.And what about Cassel's character?He was supposedly unable to locate her in Italy,really hard to find someone in Italy,its probably like Siberia,especially an actress who is probably listed even in the arts papers.And after 2months when she would be back,really hard to find her and ask for an explanation. One thinks she wanted to avoid him,but no,we find out they simply couldn't meet.So hard to meet in Paris. OK,i don't need to go further,because this is the incident where the entire movie is based. What is even worse,Bellucci is not really the star of this movie but this other girl Bohringer is.

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