cindermond/bento huggingface dataset:
Generate a movie review with negative sentiment.

I can't emphasize it enough, do *NOT* get this movie for the kids.

For that matter, you'd best spare the adults from it as well.

All right, perhaps I'm overexaggerating a little. This isn't the worst kids' movie... no, let me rephrase that. This isn't the worst movie made by dissilusioned adults FOR dissilusioned adults and somehow marketed towards kids (that would be "Jack", which I've been meaning to review / gut like a fish).

Adults won't learn anything surprising (well, if you must, fast-forward to just before the end credits for a Educational Bit about an Interesting Cosmic Phenominon). We don't usually end up doing as adults what we wanted to do as kids as reality tends to get in the way. Well, duh, I could have told you that (so can four years of college at an art school, but I degress).

I have no idea what the heck kids could possibly get out of this movie. Most likely it will only upset them (we get to watch the moment when Russ was traumatized at eight years old). There's a better movie, "Kiki's Delivery Service", that has essentially the same message but handles it litely instead of drilling it into your head. And the adults will like it too!

By the way, there is a moment in the movie made with amature MST3K-ers in mind, if they think of that OTHER Bruce Willis movie with a sad little kid in it.
Please tell me the sentiment of the following review: While I hold its predecessor, "Fast Times At Ridgemont High," as a standard to which other teen comedies should be compared, "The Wild Life" is one of the better lesser known films from that time-and a worthy sequel, if you can call it that. I believe its tagline reads, "From the makers of FTARH, something even faster." This definitely holds true. Though it may lack the depth of the former which tackles issues like first dates, teen sex, and abortions, "The Wild Life" is, nonetheless, a great flick. It's pure chaotic fun, especially due to Chris Penn's over-the-top character, Thomas Drake. If Spicolli was high on coke instead of weed, he would be Drake. Eric Stoltz, in his first major role, is great as the straight-laced Bill Conrad. The two characters work well off one another. Think a younger, hipper Odd Couple, complete with 80's gloss. Outside of them there are so many other great things about this film worth mentioning. Lea Thompsom has never looked cuter, especially during the scenes of her working at the donut shop. Jenny Wright is just delectable and fun to watch. Rick Moranis plays a great nerd/perv who is dying to get in her pants. Thomas Drake's wrestler buddies are hysterical, especially Benny, the little Puerto Rican guy, who says some pretty memorable lines. One in particular that he yells out during a night out at a strip club had me on the floor the first time I saw it. That's saying something! Finally, the movie ends with one of the best 80's party scenes on film, ever. Look out for special appearances by Ron Wood of the Rolling Stones, Leo Penn (Sean and Chris Penn's dad), and a random Michael Jackson look-alike at the party. Throw in a score by none other than the man himself, Eddie Van Halen, and you can't go wrong. For Van Hagar fans, keep your ears open for riffs that would be found on such albums as 5150, OU812, and For Unlawful Carnal Knowledge.

If anything disrupts the flow of the movie it is a small subplot involving Randy Quaid as a burned out Vietnam vet. It just seems out of place and unnecessary. Other than that, it's near perfect. If your a fan of mindless but fun 80's movies and have not yet seen this one, you're in for something special. RENT IT NOW!!! 

p.s.-The credits say Cameron Crowe has a cameo as one of the cops in the film. Does he have his back turned during his scene because I have yet to find him. Someone please help me.
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positive
This much anticipated DVD memento of Rush's visit to South America in 2002 is possibly the finest rock video ever set down on disc.The picture and sound production values are amazing,even more so as they constantly battled the elements to bring this production off. All the tracks you would expect from the RUSH catalogue are here from Tom Sawyer to The Pass gloriously reproduced for the frankly,orgiastic Brazilian crowd.They actually singalong to YYZ-which is an instrumental, and gives you an indication of their fervour!The first disc is the concert and the second disc contains 3 multi angle set-pieces -la Villa Strangiato,YYZ and the awesome drum solo, plus a 30 minute documentary about the bands visit to Brazil. All in all this is a triumph and all serious classic rock fans should own a copy.
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positive
(The beginning might be a spoiler...)

"The Eye 2" is the sequel to "The Eye". It's about a pregnant woman who is able to see ghosts and spirits after an incident happened to her.

The sound effects scared the hell out of me though momentarily but that's the only scary thing. Some of the scenes from the prequel are comparatively similar and repeated so the chilling effects certainly have chilled. 

"The Eye" has quite a frightening and indelible impression whereas "The Eye 2" is a forgettable horror-cum-drama film. Omit watching this. Watching "The Eye" is good enough.

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negative
Please tell me the sentiment of the following review: "Pixote: A Lei do Mais Fraco" deals with what is perhaps the greatest of all Brazilian themes: poverty. And along with poverty the other unnatural feelings and actions it brings; prostitution, violence, crime, rape and murder.

Brazil is the country of paradoxes, and its social problems are present everywhere. The difference between the rich and the poor; the beautiful and the ugly; happiness and the most profound human decay.

"Pixote" is one of the films that dare to touch and open these so painful wounds, and does it without the slightest glimmer of hope, in an honest portrayal of a country that, like Pixote himself, is already lost.
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positive
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this movie made me watch Paul W.S. Anderson's AvP1 and enjoy it! I am not even going to dream of comparing Requiem to any of the Alien or Predator series' movies,this is a HORRIBLE TEENAGE B-HORROR FOOTAGE SET IN AN American SMALL TOWN NO ONE CARES ABOUT.

AvP1 at least had heaps of handcrafted art carved into the movie sets,it had bags of eye-candy not previously seen in any of the original movies - but was ruined by unconvincing characters/acting.

Requiem takes bad acting to the lowest imaginable level,and it also lacks in every other department just as much...it's a sacrilege to include alien and predator suits in this kind of rubbish.
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negative
This movie is juxtaposition of various super bad tough guy biker characters, loosely connected but with no real storyline. Some of the scenes are nicely filmed. If they took the same cast and crew, and made a movie called the Gent who was the coolest character in the film and came up with an interesting and continuous story maybe it could be decent. As it is, prepare for a lame series of tough guy character intros, all of whom do nothing but ride bikes around the desert all day and cause trouble while all staying never getting sunburned and keeping their hair and clothes perfect and never needing to look for a home or money, etc. There was a sort of background story about the characters pasts various people that were killed and a treasure that was probably supposed to be the plot.
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negative
This seventh (yes you read right - the seventh) Puppet Master movie shows how the demented group of dolls came to be; by a french puppeteer who uses them to get revenge on a group of ancient mummies who are after him once they learn that he holds the secret to life. It was taught to him by a sorcerer, also on the run, before he died. He used this power to bring normal puppets to life. This sequel is basically nonsense, sprinkled upon even more nonsense like most of the Puppet Master sequels. Due to the PG13 rating, we don't even get any entertaining puppet murders. Come to think of it, there are NO damn puppet murders. If there was one franchise that needed to be cut off it would be this one. No more....god, please no more...
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Why it's none other than Ator played hilariously bad by Miles O'Keefe. Surprisingly I had the misfortune of sitting through this turkey before Mystery Science Theater 3000 tore it to pieces. I highly recommend checking out the MST3K version since it's hilarious and one of their best episodes ever.

The movie on it's own is basically the kind of typical B-movie crud that Italian film-makers were churning out in the early to mid 80's. This film was apparently made to cash in on the Conan craze, but it fails miserably on all counts.

Keep an eye out for the scenes where Ator fights a giant rubber snake and also manages to make a complete hang-glider during a cutaway.

"Thong, fish is ready!"

rating: the movie itself-1 The MST3K version: 10
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Write a positive movie review.

General Trelayne is a super-being who wants to play a little game with the crew of the Enterprise. A lot of extremely unlikely and nonsensical stuff seems to be happening, and Trelayne seems obsessed with the human practices of warfare and murder. He seems to need to experience what he imagines to be a thrill and has created a human environment (though a few hundred years out of date) in which to play out his fantasies. The environment is subtly inauthentic, and the crew immediately begins to spot the inconsistencies. Pretty soon it becomes clear that Trelayne is not just an immature god, but a very fallible one. Regardless of how you feel about this one, stick around for the Twilight Zone-like ending. It is well worth it.

As many have pointed out, Trelayne's character inspired the more developed and amusing on-going character Q - and you can see in John DeLancie's construction of that personality more than just shades of Campbell's Trelayne. It is fun to compare how the four captains we have seen coping with Q all deal with him so radically differently.
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Soon after this movie was released,Salman Khan was handed over a 6 Year Imprisonment.(Read further to know why am i mentioning this.)

And i heaved a sigh of relief.Not that i was happy that he got jail for something which because he was a celeb but i was happy cus this meant No more Salman Khan movies,no more his histrionics and no more over hyped Acting(read Overacting).

This movie made no sense whatsoever. 

The scene where the kid belonging to one of the family makes a rocket which was voice activated .According to the movie script it would chase anyone.But ultimately it finds only Salman Khan Bare Chested. Well this is what happened.

The Rocked gets activated in another foolish way and you have to have an IQ of .001 to believe that. Then it chases Salman Khan ,who was on his water scooter and the chase continues unless he is done with all the possible stunts he could show to foolish audience. (In my regard all those people who have given this movie 5 and above ,unless they are paid to do that.)

Another of breath taking ,unbelievable scene was at the end when all the arrangements about the marriage is made and Salman Khan with Govinda in Disguise comes and stall the marriage by another of those highly unwanted songs .Later on even though everything is done and ready a mere confession of govinda and Katrina Kaif to katrina's Father and Bingo . Everything is fine and Govinda marries Kartina....

This made me wonder if convincing was so easy why did not they do that and tortured us for so many hours and wasted my Money.

This movie is must avoid and don't even think it had any scene worth watching . The plot is way too disconnected with characters popping from no where and ultimately vanishing..for ex Choota don...What a waste of characters.

After this movie i took a pledge that i would not watch Salman khan Movies for the rest of my life unless it wins an Oskar...(hahahah...which means i would never watch)
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negative
I lived next door to the author in 1980 when he first moved out to Portland from Downer's Grove, Ill. with two of his high school buds. He seemed like a normal-enough guy, though he had a lot of artistic pretensions. Within a few years, he jumped into Portland's post-punk music scene with buddy Phil and a few others, and a band that definitely wasn't headed anywhere, although it got him a lot of action, including a fling with Courtney Love in her Portland groupie days. He seemed to think his musical prospects were good enough to move to San Francisco, then N.Y.C.

I was surprised to hear that he got a publishing deal in '95 after the band crashed and burned. Courtney Love's name seemed to be the clincher. I have no idea how the movie came about, especially with this cast, but I doubt that Gus Van Sant was involved. Anyway, the reviewers here seem to be unsure whether the lack of narrative focus is intentional or not, so I would just say that this is the work of a fairly intelligent guy who wants to be a writer, or artist or something, but doesn't have anything to say. Like Kerouac without the Benzedrine.

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Please tell me the sentiment of the following review: This film is a fun little private eye detective story like they aren't made any more. It's all there: Tom Conway is the suave detective called The Falcon, Goldie Locke (what's in a name) is his wisecracking bumbling sidekick, Louisa Braganza is the damsel in distress, and of course there are the damsels maid, the professor with the secret formula, the bad guy that wants the formula, and the police inspector who's after The Falcon. There is a murder, and The Falcon gets implicated. The scenery is night clubs, expensive hotel rooms, a luxury train, the suburbs, and beautiful cars. Go watch this little gem when you see it pass by on afternoon TV!
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positive
In The Book of Life, Martin Donovan plays Jesus, who shows up at JFK airport on December 31 to usher in the new millennium by battling with Thomas Jay Ryan (Satan) and deciding the fate of the world. There is also David Simonds (Kurt the accountant from Amateur) as a compulsive, homeless gambler.

As usual, Hartley creates a surreal world in which the beauty of the ordinary made strange and otherworldly flows through artfully-framed scenes and urban/industrial landscapes filled with dazzling light and shadow. As usual, he introduces seemingly incidental details early, then brings them back later in hilarious and unexpected contexts--the humor is simple, but giddy and irrepressible. Hartley has an amazing ability to build toward small and rapturous moments of the simultaneously mundane and outrageous. As usual, he creates a tone that is jaded and world-weary but at the same time, vulnerable, open, and honest. He moves within minutes from uproarious humor into language that is metaphysical and poetic-the kind of writing that is so dead-on and perfect that it's difficult to hold back tears despite the lack of obvious emotion. Another awesome and highly entertaining film. The Book of Life is shot (a digital camera?) with a blurry effect: a sense of the celestial hand-in-hand with impending doom and a hyper-awareness of the present as fragile and fleeting in it's last moments. All of Hartley's films have a way of prioritizing the present, but this unique effect compounds it as the images wash across the screen in a way that is at first jarring, but becomes increasingly beautiful as you settle into it. The final shot is spectacular. All this may sound precious, but the film is a comedy and it makes fun of itself even as it makes fun of the concept of Armageddon, Judgment Day, and `urbanity.' Although it is actually quite profound, moving, and life-affirming, it is for the most part lighthearted and playful. The acting is flawless in terms of the kind of the subdued tone that Hartley has developed in his films (a tone that some people don't get and that prompts them to judge such acting as hollow--the same people who have a negative response to Peter Greenaway). As always, there are bound to be people who respond to this film with cynicism and scorn-people put off by Hartley's abrupt shifts and what they see to be pretentious or mannerist techniques, but who has time to consider the opinions of such dull and callous fools? Anyone who is a Hartley fan will love this film-if they can get a chance to see it, that is. It's hard to say what it would be like on video.
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positive
I really wanted to see this film - I thought the plot was really unique and intriguing. A cop (Andy Garcia) has a son who is dying and needs bone marrow replacement in order to live. The only match is a convicted serial killer, who escapes from jail. To save his son he has to track down the killer.

Michael Keaton plays the convict in one of many disappointing aspects of the film. Keaton is a great actor at times but here he is pretty much boring. It's over-the-top to the point where you just stop caring.

Garcia is better but tries too hard for a film that isn't up to par. Barbet Schroeder (at one time such a promising director with films like "Barfly" that amounted to pretty much nothing in the American market) directs well enough - I honestly thought the script was the culprit here...it's just a big mess.

The film ultimately wastes a lot of good material, good actors and a good director - all because of a faulty script. What should have been a tense and thought-provoking film is just a Hollywood action dud.
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Write a negative movie review.

The filmmakers neglected to connect the dots--that is, the sequence of events and choices that led from Charlie Wilson and the anti-Soviet mujaheddin to Al Qaeda and Osama Bin Laden and eventually to 9/11. The filmmakers of course neglect to tell us the back-story--why were the Soviets in Afghanistan?--but that omission pales in comparison to their failure to reveal that support for Islamicist extremists in Afghanistan in the name of rabid anti-communism ultimately strengthened the hand of anti-western forces and was a big contributing factor to the mess that we find ourselves in today (9/11, terrorist networks, a prolonged ground war in Afghanistan, etc.). Because these consequences are not spelled out, the movie leaves the viewer feeling sympathetic to Mr. Wilson (hey, check out his latest projects on the Internet) instead of seeing him as an individual whose actions were contrary to the best interests of his country and the West as a whole.
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Wave after wave of directionless nausea - this film wants and at first promises to be quirky and original but is in fact obvious, solipsistic and mired in cliché-driven dialogue which builds to a crecendo of awfulness and cheese by the end. Throughout the film we meet supposedly off the wall characters, who are actually very dull, and just don't quite work and who clunk through the horrific screenplay like men in armour suits, driving jeeps through mansion houses and spouting preppy existential obviousness accompanied by the whinings of Coldplay. The film has occasional funny episodes, often no funnier than a dog playing with its genitals, which happened twice (an index of the slapstick, rudimentary humour of the film in general) but by the end, the film falls into an 'infinite abyss' of complete detritus and the director's egocentric ramblings which made me want to gouge my eyes out. Watch this film at your peril.
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negative
Write a positive movie review.

Nurse Charlotte Beale(the lovely Rosie Holotik)has arrived to Dr. Stephens' clinic for the insane prepared for a new job. What she doesn't expect is to find another supposed doctor in his position after Stephens is attacked by axe-wielding maniacal "judge" Oliver W Cameron(..in a running gag, anytime he confronts a situation out of his control, he retreats to repeating his name). That doctor is Geraldine Masters(Annabelle Weenick)who isn't sure about whether Beale is a proper fit for their establishment. After a long discussion about the position(which is quite an awkward scene as the two debate about Beale's being sent a letter by Stephens getting a job at the clinic with Masters often reminding her that he is no longer in charge)Masters agrees to let her work in the nursing position, but the good Doctor may not be who she seems..

The assortment of loonies includes Sam(Bill McGee)a simple-minded child-man who was Stephens' last victim of lobotomy, Jennifer(Harryette Warren)a woman who needs an adult to comfort her as she wallows at Masters' heel like a puppy, Danny(Jessie Kirby)a trouble-making annoyance often trying to steal the fake baby of disturbed Harriet(Camilla Carr), Allyson(Betty Chandler)a sexy nympho who just wants to be loved and hops at any man she sees, & "Sergeant" Jaffee(Hugh Feagin)your typical case of soldier who hasn't escaped the madness of war.

The film shows Masters' unorthodox methods of running the clinic with allowing the patients to roam free with the doors to all rooms without locks calling into question..and, not to mention, the fact that Oliver is still allowed to walk around despite just chopping Dr. Stephens with an axe. And, what exactly happened to Dr. Stephens? Ah ha..

Tacky 70's drive-in trash is a lot of fun if you are into a warped brand of cinema. I'm attracted to bizarre flicks about mental rejects because of their unpredictable nature..you just never know what the hell might happen, especially in this case where they are allowed to roam often unattended. Some consider the low budget a liability, but in the case of this film, I think it enhances the experience. With the cheap photography and weak production values(being shot for peanuts in a run down house in some awful location)it seems creepier and I felt like a voyeur peering into insanity through a camera lens on the outside looking in.
It's not surprising that the majority of higher-rated votes were submitted by females aged 45+. This is the timeframe in women's lives when they become the caretakers of aged and ill parents. I lost my mother, from complications of cancer, in June, and went through most of the same emotions portrayed by Zellweger in this film. Yes, it made me cry, but the tears were real, the characters were real, and the plot development extremely accurate. Kudos to the entire cast and crew for a wonderful portrayal of life and death, and the promises of tomorrow.
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positive
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As a Christian, I found this movie to be completely embarrassing. The actors sucked, the writing sucked, the cinematography sucked, and the story was so typical. I couldn't say this is a great witnessing tool, because I'd be too embarrassed to show any of my unsaved friends. Hollywood has much better stuff, and that's because they invest the best into it. Christians put out sh*tty work and think it's OK because "it's for the lord". In the old testament, people spent huge amounts of money to bring offerings to God. David (or Saul.. I don't remember) spent what would be equal to about $50 Billion in todays money on building a temple for God. But these days, spending what would appear to be about $30,000 tops on making a movie to "witness" to people with is just pathetic. It's the person, not the product that affects someone. Don't waste your time trying to convert your friends with this waste of an hour and a half. If you want to make a positive impact with people, show them movies like The Matrix, American Beauty, Braveheart etc.. movies that have something to say and actually get it into you.
Generate a movie review with positive sentiment.

A Great show.

First, to the people who don't like it..Don't like it, then DON'T WATCH IT...

This is(was) an awesome show. Better than According to Jim (A favorite of mine). It shows a REAL family household (As opposed to 8 simple rules,etc, where everything goes peachy).

They're loud, they're messy....I can sympathize with their dragging all the garbage into the kitchen. It happens in real life..Sorta like the "Portal to hell", and everyone growling like dogs over the fast-food boxes.

It's a "Been there" show....You know what's coming, but fun to watch, because YOU have been there before.

A good cast, they work great together, a admirable enough show to warrant a DVD release. Mel Gibsons "Safety videos" were a highlight of the series as well.

Opinion? Good show, REALLY deserving of a DVD release (Deserving to not be canceled as well).
I was impressed with this film because of the quality of the acting and the powerful message in the script. Susan Sarandon plays the part of a flighty, irrational and possessive mother, who constantly gives her daughter the message that they must stick together. She removes her daughter from a dysfunctional but loving family in Indiana to pursue an exciting acting career in Hollywood. The daughter is dubious, but at first she has no choice--- the bond with mother is pathologically strong.

In time the girl sees that the mother is off into flights of fantasy and does not have her feet on the ground. She sees her mother go head over heels for a handsome, seductive guy who loves 'em and leaves 'em. She sees that the mother doesn't get it. So how can she look to her mother for guidance?

The mother directs the girl to a drama try-out and sees the daughter act out the part of the mother in such a way that a shockingly painful mirror is held up to the fly-by-night mother. This causes a period of depression and the girl is horrified at the impact on the mother and is apologetic, but the lesson takes hold.

There is character-growth as the mother realizes her selfish claim on the daughter and eventually is persuaded to let the girl go. It is a touching scene and a valuable lesson, that parents, however emotionally dependent, have to let the child go and become her own separate person.

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positive
Generate a movie review with negative sentiment.

This is the most boring, pretentious, and stupid film I have seen in a long time. I saw it at the Academy in Beverly Hills, and there were quite a few people in the lobby who had left the screening and were seeking refuge there. All were solemnly shaking their heads and looking as though they had been to a funeral. What a waste of time and money. Even worse are the critics who gave this pretentious blimp good reviews. What's with them? Are they just afraid they won't be considered "hip"? Were they bribed? This film is staggeringly bad. Don't take a date to it expecting to have an in-depth chat at the Cheesecake factory afterwards. If going to see this film was your idea, she'll browbeat you and hold it over you the rest of your life.
Story about a widowed father (Claude Rains) bringing up his four daughters. Emma (Gale Page) is loved by big hunky Ernest (Dick Foran). Thea (Lola Lane) is romanced by an old but wealthy man. Kay (Rosemary Lane) wants to become a singer. Ann (Priscilla Lane) is a romantic. Drop dead handsome Felix Deitz (Jeffrey Lynn), a business associate of their father, comes to stay with them. All the sisters fall in love with him. Then tough cynical Mickey (John Garfield) enters the picture...

Very entertaining movie was a big hit and nominated for five Academy Awards. It's beautifully directed by Michael Curitz, has a pretty good (if predictable) script and a VERY attractive cast (especially Lynn). Also this was John Garfield's first film and made him a star. This was so popular there were three or four sequels (which I never saw). This is an engrossing, entertaining, big budget soap opera--well worth seeing.
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positive
Please tell me the sentiment of the following review: ... because this is yet another dead one. Lifeless voice acting, second-rate animation, contrived and un-funny songs (although the bit sung by the Devil would have been worthy of Tim Curry), and a weaker plot than Land Before Time 99: Fossils On Parade.

I have to admit, I haven't seen the first film. I'm not a big fan of movies involving Heaven or dogs, especially not in combination. Still, I hope to see the first one soon, as there HAD to be a reason someone would create such a God-awful sequel.

If I didn't get this movie for free, I wouldn't have it at all. For a 'heaven' flick, the only good thing in this was the Devil. 2/10.
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How in the name of decency did this film ever get made? 

One presumes the subtitles merely say 'awful' on every single frame of this truly dismal effort.

Horrendous acting, woeful dialogue and the lack of talent from everyone involved in this nightmare make for an excruciating 90 minutes.

Overall impression? 

A bunch of excitable drama students got lucky with a lottery grant and proceeded to make one of the most painful films ever made.

This makes Hammer Horror TV shows look like Oscar material.

And don't for a second think this falls into the 'so bad it's good' category. It's not even that bad.

But the fart lighting scene is probably worth another look.
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Write a positive movie review.

This is the first James Cagney film I have ever really watched. I was never interested in his movies before because I figured I wouldn't like anything in that style of cinema and because I've heard most Cagney films are the same. I have to say I really liked it. By today's standards for movies, it was not special, but I found it surprisingly entertaining. Cagney did not have the look of a tough guy but he played the part very well.
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Jack Frost 2. THE worst "horror film" I have ever seen. Why? 1)The premise is WELL beyond ridiculous 2) The damn thing doesn't even have legs to move on! 3) It escapes AFTER being completely submerged in Anti-Freeze (first film) 4) Get this...It travels all the way across an ocean of SALT WATER to a TROPICAL island to get revenge on the sheriff that did him in the first film. 5) "Killer Snowballs". I have yet to be drunk enough to see "Ginger Dead Man" so as of the writing of this, Jack Frost 2 hold the distinction of being THE stupidest "horror" film ever. Even Surpassing the inaneness of it's predecessor (if you can believe that!).
TDY is probably the single worst piece of trash to ever hit the straight to video selection. They take a scene from The Order starring Jean Claude Van Damme and this angers me because Van Damme is a personally favourite for B movie comedy. Segal has done some fine work in the past but he has dropped very low in my books and he will probably never pull out another undersiege or marked for death unless he sits down and has a very good brain storming session with himself. 

It also annoys me how he didn't do many of his own stunts like he has done in previous films. In conclusion of all this if you are prepared to see a movie fit for a trash can or woodchipper, then rent today you die.
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"Inuyasha " was awful . This show was incredibly over -hyped but this is nothing but a tedious bunch of anime clichés. The characters are annoying and lifeless ,the story line is boring and endless .I think that it could have be something interesting if it have a better writing, but it seems that the writers of the show have more intentions in show Inuyasha and his stupid friends fighting with some monsters and then crying for his tragic love triangle with Kikyou and Kagome and a lot of circles around the same thing again and again . The script is cheesy and dumb and the animation is poor .The character design it 's very ugly ,I don't know why everyone love it ,all have the same face ! : Big eyes , tiny noses , a line as the mouth and the typical anime haircuts . I find "Inuyasha " incredibly boring and dumb . This have to be one of the most over -rated animated shows ever made .
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(Warning: May Contain Spoilers) Let Rosalina help Mario lead the way and smile because this game will brighten your day. 

120 stars will require luck and skill, but 60 will bring you as much of a thrill!

Blasting through stars show Mario and Luigi and what travelers they now are! 

Walking upside down has never been more fun, especially a final battle with Koopa near the Sun! 

This is truly a super awesome game and it absolutely deserves a place in Nintendo's Hall of Fame!
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positive
Please tell me the sentiment of the following review: Purported documentary that tries to examine sci-fi films of the 1950s and how they affected (and REflected) America. Steven Spielberg, George Lucas, Ridley Scott and James Cameron are interviewed and Mark Hamill narrates.

Pretty terrible. The "insights" that are given are nothing new--for instance--the Cold War and the threat of nuclear war affected a whole generation of children. Well-duh! They try to cover all of the different sub genres of sci-fi films of the 1950s--the big bug movies, invaders from space movies etc etc. That's good but they choose the most obvious films and they've been over analyzed to death already. It was cool seeing clips from "Rocketship X-M", "Destination Moon", "Forbidden Planet", "The Thing" and "The Day the Earth Stood Still" but everything the directors said was so incredibly obvious to any viewer that it's insulting. Even though it's under an hour I was thoroughly bored 30 minutes in. This gets a 2 for some of the clips but nothing else.
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I am always impressed when a director (and this case director/screenwriter) takes a piece of classical text - and makes it come alive. Sure, Shakespeare's text can give you goosebumps even when hammered out with self-importance, but to see a production where true inventiveness makes wonderful words even more so - by the provision of context or nuance not found in the stage directions is simply awe-inspiring. There are many troubling things about the play. It is a racist play about racism - and that still sticks. I have never accepted Jessica's desertion of her father without any acceptable reason. I have never accepted the Christians' position of sanctimonious self-righteousness. But, brilliantly, there is a text prologue which helps us understand the times and politics in which the story is set, and mercifully, much of Jessica's part is cut.

The text is quite stripped down with many passages cut. But, I only noticed one line which was cut at the moment when I expected to hear it - and it was replaced by a look that said it all. This economy and judicious editing has given us a gripping movie - not just a film of the play.

And at last, there is a rationale as to why Antonio is so loyal and generous to the undeserving/unrelated Bassanio - you can almost feel Antonio's pulse start to race when he catches glimpse of Bassanio passing by in a gondola, or arriving for a visit. But it is as subtle as that - no more. I was spellbound.

There were many other highlights. I felt the arguments during the trial to be heartbreaking. And, the suitors' trials are hilarious.

Add all that to glorious cinematography and costumes that resonated with the times, and you'll understand why I can't wait to see it again. And again.
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not too much top's the classic "top gun" or "independence day" when it comes to fighter jet excitement. Yes, the movie top to bottom is based on a truly fictional example of how anyone can pull off a rescue but it is cool because it breaks all traditional rules. The kid doing what he wants to do in a jet the way he wants to do it.

I can't really put my finger on just what I love about this movie but others I know that saw the movie feel the same way about it I do. I think its just basically a lot of fun but maybe a little too unrealistic for some to buy into.

Again, regardless, I loved it, people who I know saw it, loved it so its definitely worth seeing to make your own decisions about it. Put it this way, I thought that Top Gun was one of the best fighter pilot movies ever and I like this movie just as much if not more than Top Gun. Don't miss out, do see it, a truly inspirational movie.
no way out 2007 was a really bad and if it is the road to wrestlemania they choose the wrong road.

Chris Benoit & the hardy boys def MVP & Minn: in my view this was the best match of the night some good wrestling here but not much. 7/10

cruisweight championship open(which chavo Guerrero won): awful, no high flying at all, really quick and boring. 3/10

little bastard & Finlay def little bogeyman & the bogeyman: this was more comedy than wrestling, some laughs. 5/10

Kane def king booker: a decent effort by these two but they could do better. 6/10

wwe tag team championship Paul London & Brian Kendrick def deuce & domino:another boring match,no high flying by the champs. 4/10

ecw world title Mr Kennedy def bobby lashley (disquilification): in my mind the worst match of the night. truly awful.i thought ecw was no rules,i was wrong 2/10

john cena & Shawn Michaels def Batista & the undertaker: an okay match but could have been a hell of a lot better. 6/10

overall this was bulls*it id give it a 3/10

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Drive was an enjoyable episode with a dark ending. Basically a man and his wife are infected in their inner ear by a high pitched sound wave being emitted by some military equipment. Some favorite parts of mine from this episode are Mulder's dialogue in the car, and the scene where Scully goes in with the Hazmat team and find the little old deaf lady completely unaffected by what they thought was a virus. The ending of course is tragic in its realism because it leads the viewer to believe that they are going to actually be able to pull off this elaborate plan to save the victim but when Mulder arrives the man is already dead. 8/10
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positive
I was a Marine at Camp Pendleton when the D.I. came out (1st Marine Division, 11th Marine Regiment, 3rd Battalion, I-Battery). I still remember standing in line with a bunch of other Marines to see the movie at the "Star" theater in Oceanside, California.

We did not remotely expect the movie to portray everything we experienced in boot camp but we were all pleasantly surprised at how well done the movie was. The idea of using real Marines in the movie was a great idea (I believe they were all real Drill Instructors too). As good an actor as Jack Webb was, he just couldn't "call cadence" like a real Marine Drill Instructor.

All of us got a laugh when the "problem" recruit's mother came to boot camp to talk to the Captain. Never in a million years would this have happened, but that's Hollywood, and we didn't let that episode keep us from enjoying the movie.

I went through boot camp at MCRD in San Diego during the summer of 1956, and at that time there was virtually no limits as to what the D.I.'s could do to you. The "Ribbon Creek" event at Parris Island had not yet affected boot camp, at least not at MCRD - San Diego.

I agree with what a lot of the other reviewers have commented on concerning Sgt. Moore's "stiffness" around his girl friend. I believe this was just Webb's acting style, and although they could have deleted this part of the movie, it didn't really hurt the production that much.

One minor note, the character (uncredited) of "Pvt. Rodriguez" was played by one of my Drill Instructors, Sgt. Peter J. O'Neill. Sgt. O'Neill used to tell us that some day he wanted to be an actor. We secretly laughed at this, but he surprised us all. He was a great Drill Instructor, and I thought he did well in his bit part. Also, he really did enjoy throwing knives. He often demonstrated his skill to us that summer in boot camp. I have often wondered if he is still alive.

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positive
This movie has got to be one of the all-time lows of Michael J. Fox's generally respectable career. I should have known how awful this movie was when I rented it and found the movie only half viewed and not rewound by the previous renter. Never a good sign! Fox plays a grown up child star who's now an agent for other show business kids. His character is delusional in that he still believes that everyone should love him for being Mikey. His big break comes when he meets Angie Vega, a talented child. Vega is abrasive and not at all likeable. In fact, the only likeable character in the whole movie is Cyndi Lauper as a Brooklyn accented receptionist for the agency. One of those movies that makes me want to stick a post-it note to the box warning others not to waste their time!

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I just witnessed a movie that by all rights should have been fodder for a second rate MOW on Lifetime...but trust the Irish to keep it from being anything but saccharine. The set-up all but SCREAMS "Here's a message concerning what's TRULY important in life" but the execution was way into the "Let's see just what we can get away with, here."

It helps to have two fantastic actors in the leads -- James McAvoy (as Rory) and Stephen Robertson (as Michael). While Rory is offered up as the near saintly one -- never mind the language and attitude, he's the "life force" in this piece and could easily have been insufferable in his ultimately "caring" attitude -- McAvoy keeps him sharp enough to keep him from being too sweet. But the revelation is Stephen Robertson as Michael. Not since Leonardo Di Caprio in "...Gilbert Grape" has anyone so perfectly captured a person with an affliction that I began to believe he really was an actor with cerebral palsy. And his eyes...my God, he can rip you apart with them.

This movie is, to paraphrase Rory, f****n' amazing. Go see it. Take a box of Kleenex and enjoy every well-earned tear...and laugh.
This tough-to-see little picture played at the Mods & Rockers 2007 festival. It is a wonderful and loving look at Harry Nilsson, using many famous faces who sit for interviews, rarely seen TV performances and behind-the-scenes footage of Nilsson at work. There's even a few shots from "Son Of Dracula". This movie is the final and fitting tribute to one of the finest voices, the most clever songwriter and the funniest man in popular music. It's a crime that this man's name is not as well known as some of the songs he wrote and/or performed. His friends tell incredibly funny stories about this talented hulk with a subconscious wish for self-destruction. As a bonus, you even get Eric Idle performing the song with wrote for Nilsson's final album during the closing credits. It's funny, it's sad. It's not in general release. If this picture plays anywhere near where you live, see it!

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positive
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This is a movie about the music that is currently being played in Istanbul. Istanbul was the center of the two Old World superpowers, the Byzantine Empire and the Ottoman Empire. Today, it is a megalopolis of almost 10 million. So it is to no ones surprise that a lot of music is being played in Istanbul, with a great variety of voices, styles, and influences from everywhere on the globe. It is Turkish music, of course, and I was fascinated by Turkish music ever since I bought my first record long time ago. The movie features different singers, instrumentalists and bands. Spoken comments from the musicians nicely illustrate the music being played, and the social context in modern Turkey. For my perspective, the most interesting comments were from Orhan Gencebay. Furthermore, the movies shows urban scenery mainly from Istanbul which is very pleasant to watch.

"Crossing the Bridge" is listed as a documentary and it includes music from minorities, e.g. Kurds and Roma. Other important topics are omitted such as Turkish jazz music, or music of the Armenians and Greeks.

This movie is strongly recommended for lovers of the music and culture of Turkey, the Balkans, the Eastern Mediterranean, and the Middle East. It may also be worthwhile for those with a keen interest in the global effects of musical styles such as Rock and Roll or Hip Hop.
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Chupacabra: Dark Waters has to rank as one of the most insipidly moronic movies ever made. I had expected at least some passable entertainment because John Rhys Davies was involved, and after seeing this movie, I can honestly say I lowered my opinion of Mr. Davies substantially.

Why? The acting is incredibly poor. An excellent actor like Davies should have demanded more from the cast and the director. It was painfully obvious that Mr. Davies was just clock-watching and hoping the check would not bounce. To say that he just showed up would be an understatement. But at least he did show up. The rest of the cast looks like they mailed it in from their respective jobs at the various Los Angeles restaurants where they work as waiters. Talk about a cast of unknowns! This is the kind of cast that never appears in movies again. They act as if they were auditioned while waiting at the unemployment office.

What about the special effects? Store bought firecrackers, Styrofoam, a cheap rubber suit and CGI effects that look like they came from my 1980 Atari Game. I have seen some horrible special effects used on Sci-Fi Channel movies, but this stuff looked like cut-and-paste done at the kindergarten by someones' child. I expected Mr. Crabs and Sponge-Bob would show up at the end to battle the Chupacabra. Not to mention that all the accounts of the creature describe it as a small gremlin-like critter. It would have been a good film for a Leprechaun-like character. Instead, we get a gigantic hulking creature that is shown walking with stop-action speeded-up effects that are laughable. The chupacabra is in one place and then it shuffles at super-speed down the hall and it is worth a few laughs just to see this.
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Writers and directors, by the nature of their craft, stand back a frame from the action in their work to show insights about characters and situations. Here, Huston and Joyce have stepped back a bigger frame yet to show us the ultimate view of what it means to be human. Until it's very end the movie appears to be about nothing much, the kind of typical circumstances that fill every day life. It is not until the end of the very final scene that we realize that it is in fact about everything.

It is not possible to watch this final scene without simultaneously feeling pity, and also deep affection, for oneself and the rest of fellow beings.
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positive