cindermond/bento huggingface dataset:
Write a negative movie review.

What can you expect from a direct to DVD film? You know what you are getting yourself into when you rent this. The quality of the cinematography reminds me of reality TV shows. 

Why are they shots always up so close to the actors!? And why are they always centered? There isn't anything to look at. (And the actors are that great looking, so that blows.)

The writing and dialogue is just plain awful. That intro scene, with the British Guy is hilarious. Just try and listen this words, they hardly make any sense, just goes around in circles. The lines in the rest of the movie sounds like they were pull out of romance and sci-fi novels, as if the writers had no idea what they were doing. The characters definitely sound like they have no idea what they're saying. 

This is a terrible movie. I feel bad for the actors tied to this project. Embarrassing!
Please tell me the sentiment of the following review: 80's comedies (especially ones with John Cusak) are awesome. Almost all are hillarious and instant classics and this film is no exception. Plenty of nods to other films (i.e. Godzilla and Jaws) through out the movie that are so hillarious you'll be laughing for hours. Some may complain that the movie is a little corny at times but hey it was the 80's and things were always a little cheesy. Throw in a young Demi Moore and an even louder Bob Cat and you have a laughfest on your fans. If you haven't seen this, you better soon!!!!!!
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You expect it to be juvenile but you at least expect a complete and coherent movie. What a waste. I am extremely disappointed, not at just having watched a bad movie, but at having such a great concept be tainted by a common movie that we've all seen before. If this crud makes $1 over its budget, The studio would be wise to declare victory, round up all available copies, store them deep within the nuclear waste repository under Yucca Mountain, and then never make another movie like it again. Most of this movie will keep you thinking, "This is not what I wanted to see." This film appeals to the unintelligent and maybe to teenagers. It's a true shame because most movies are made for that demographic. I had much higher hopes for this film.
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Write a positive movie review.

This film revolves around an Arabian leader (Amir) who dies and wants to live on. So a Dr. Lloyd Trenton is being paid to transplant Amirs brain into a "willing" participant. But in the Doctors basement his dwarf assistant Dorro (Angelo Rossitto) drains young girls blood for the doctors purposes. So meanwhile Doctor Llyod pays a man to kill the people who assisted Amir into the country (Which is Reed Hadley, Grant Williams, and various unknown bodyguards.). Grant is the only survivor when his car crashes off the road. While this has happened the doctors other assistant Gor is sent out to get a body for amir and hurts him so badly Dr.Llyod cant operate. Meanwhile, Grant finds Amirs "girlfriend" Regina Carrol and tells her his story. Grant sees the man who drove him off the road and Dorro kills him. Then since Gor failed to get a body D.r Llyod puts Amirs brain into Gors disfigured body. Then Grant and Regina go to the Doctors lab an

------------------------SPOILERS------------------------- find out his secret. Soon Amir (Gor) are prancing around killing people and in the muddle of what I think is plot Dr.Llyod has a brain-ray gun which hurts Amir on command. It turns out Dr.Lloyd wants a country in which all scientists can work without law. So then Regina dies. and at the end Amirs new body (I think) say that it shall be a new country blah blah.

I still don't get the ending but overall this was a very enjoyable piece of smelly cheese.This film features Grant Williams in his second to last film roll. I recommend it for any fan of Al Adamson or if you like Brains.
Captain Corelli's Mandolin is no Oscar contender but it was pretty good. I have to admit Ms Cruz can really act. She puts on a very good performance. In fact she our does her boyfriend Tom in drama. John Hurt was great as usual. Nicholas Cage seemed to be enjoying himself. I bet he felt he was going back to his roots as an Italian. However, I did learn something. One more chapter in Horrors of Nazi Germany the many Italian soliders killed during the period of there surrender to the allies and Germany's eventual surrender.
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I watched this movie, or part of it, in hope that it would be fun to laugh at how bad it was, but it soon became clear that this was just plain silly. For one you have the worst acting EVER! The lead "actress" Birgitte Nielsen is terrible, uninspired and hardly even attractive. And she certainly do not look like the female warrior who could easily kick some veteran warrior kings butt, but she does. And whats with the feminist attitude, it's plain hypocrisy. For one her family was killed by a women, then she joins some warrior school or something so she can learn how to fight men. She then joins up with a fat servant and his child king, whose city was destroyed by Gedren. Those two characters are just plain stupid and destroys the little of atmosphere that the movie managed to create. After this i could not take any more of Nielsen painful acting, and the stupid clichés and lack of some real action.

Schwarzenegger as Kalidor was the only part of this movie which actually made it remotely watchable. 

I liked the Conan movie, but this is pure crap!
this film is wonderful film for students of film. in mainstream American film it is common to see stylistic techniques used to draw the audience into the movie. in this film, the director uses stylistic techniques to push the story forward.

this is a love story that offers no sex. to be honest, i can't even recall the characters kissing. rather, the plot focuses on the emotional ties between the two characters.

i would not recommend this film for everybody. it is not very accessible. it is very slow moving and the subtle. it is a difficult film and mostly not entertaining.

i would reccoment this film to people who want to see something different. it is a piece of art. the soundtrack is most beautiful and visually, every frame is a photograph. and most beautiful of all, it's not visually stimulating for the sake of being visually stimulating. every frame illustrates a little bit more of the story...
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Write a positive movie review.

I was fortunate enough to catch this film at the Phoenix Film Festival and I must say that I very much enjoyed it. When I asked the Director if he had attended Film School I was very much impressed that he had not. Films like these don't come from people without talent. To get a start in commercials and then produce a heart felt family comedy like this shows real range. I'll certainly be keeping an eye on what he does next. As a good indie movie should, the film is very character driven. As apposed to your average Hollywood movie, which are mostly plot driven. The Film centers on a Jewish family in New York, the Applebaum's, who have all been invited back for their fathers "suicide" party. The film is stock full of witty, quick, jabbing, dialogue. The fact the small Jewish family is obsessed with being Jewish and anyone who is Jewish grounds the unrealistic situation of a "suicide" party in reality. Director Jeff Hare does a wonderful job at pulling the characters out of the actors and bringing them to life on screen. The production design brings the sets to life with lots of attention paid to small details making the setting feel like a home that's been lived in for 40 years. The editing keeps up with the dialogue in such a way that it makes you sit on your seat wondering who's going to stab who with the next witty phrase or punch line. And when appropriate the film slows down to let the audience dive a little deeper into the meanings and motivations hidden inside these lovable characters. If you're a fan of Woody Allen or films like "As Good as it Gets" go see this film.
This movie seems as if someone had a cute idea for a movie, thought of two or three funny possibilities, hired a good cast, then turned the whole thing over to a really bad screenwriter and even worse director. The director filmed a screwball romantic comedy as if it were a dark, artsy film---weird camera angles, blue filtered shots, lingering, close up looks at raindrops. Steve Zahn was good, as always. Ben Affleck was charming, sweet, almost shy; he was perfect for a romantic comedy. Sandra Bullock struggled along valiantly with a character who was supposed to be zany, but whose wackiness consisted of things like madly kissing a husband she hated, abandoning her child, going on carnival rides, offering to strip for money, and bumming a ride with a fellow airline passenger. The script had very few funny lines; there was no physical comedy; it was boring. It introduced potentially funny situations, then cut them off before they could develop. To top it all off, the "twist" at the end was a slap in the face to anyone expecting a fun romantic comedy. If you saw the trailer for the movie and liked it, as I did, my advice is: don't go to the movie. It will only spoil a nice trailer.
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This movie includes 2 well known actors I have previously enjoyed watching. There actions are great and each action is heart felt. But it makes me think these 2 were thrown into a speech/drama class at college for the first time and told for one to act dominating and constricting to the other in a room without allowing her to leave and the woman to be truly innocent and treat her with enough mind-humping to drive the audience into tears for her release.

The only good part IS the acting abilities, the plot has the same ruse as Hitlers influence and I started to hate the protagonist for that. But all of this could have been done within 15 minutes in my opinion, so to drag it out for over an hour was just pure punishment for all who watched it.
Despite its ultra low budget, "Sorte Nula" is the most successful Portuguese film of 2004. And I must say, a well deserved success. What I love about "Sorte Nula" the most is the intricate detail that Fernando Fragata went to keep you interested as to what is going on and just what will happen next. It's very detailed and superbly advanced for a seemingly simple love-story-gone-bad thriller. What's even more enjoyable and ironic about this is the fact that the characters are in the same situation, not one of them knows the entire story and are left to their own assumptions making "Sorte Nula" a cut above the rest. This is definitely not a film you want to walk out on for a bathroom break as you will undoubtedly miss something important. I feel one of the film's major attributes would have to be the environment that it establishes. It's creepy but hilarious at the same time. I read somewhere someone quoting this film by saying, "...it's was like watching Hitchcock..." and I couldn't agree more!! I love movies like that, where you have to pay attention to EVERYTHING in order to fully understand what is going on. 9/10

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Many people have the irritating habit of dying before completing a vital message, thus confusing the hero, not to mention the audience...

Dr. Ben McKenna (James Stewart) and his wife Jo, a former musical star (Doris Day) are vacationing in Morocco with their son, Hank (Christopher Olsen), when they meet Mr. and Mrs. Drayton, a British couple (Brenda de Banzie and Bernard Miles). They are also befriended by a charming Frenchman, Louis Bernard (Daniel Gelin), who invites them to dinner but then cancels at the last minute...

The MacKennas go to a restaurant and end up having their meal with the Draytons, when they spot Louis Bernard... 

The next day in the market place, they are caught in an assassination intrigue... While they are wandering in the local market, the crowds suddenly scatter to reveal an Arab fleeing from his pursuers... Dr. McKenna stands amazed as the Arab falls into his arms, a knife sticking out of his back... 

Gulping his last breath, the dying man mutters some words and collapses... Dr. McKenna is completely taken aback when the Arab's hood falls from his head and he is revealed as Bernard in disguise... McKenna is left knowing too little, but as far as the assassins are concerned, too much...

To prevent Dr. McKenna from revealing what he knows, the conspirators kidnap his son as a hostage... The film is primarily concerned with the dilemma of kidnappinghow to get the little boy back safely... The subplot about the assassination is just the setup...

The film is a breathless escapade... The death of Bernard comes suddenly and points out that death comes when we least expect it... 

Stewart is charged with emotion as the Midwestern doctor, accidentally involved in political intrigue... His perceptive facial expressions and indignant delivery made him convincingly humana person we could easily identify with... It is his temperament that actually sets the pace for the entire film... 

By 1956, the lovely Doris Day had won increasing esteem as an actress as well as a singer... She had been particularly strong opposite James Cagney in the Ruth Etting's biopic, 'Love Me or Leave Me,' but she was still unsure of her basic Thespian talents...

The casting of character actor Reggie Malder as the assassin, is brilliant... The man looks like a menace and his effusive portrayal radiates evil...

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This is not a movie. This is a collection of random shots taken in a fascinating part of the world, dubbed over with some random text. The footage is not that great and the text is not that great either. The end product is excruciatingly dull.

On the DVD, turning the commentary on can provide some entertainment value, as the director makes a rather deranged argument that this is a sci-fi movie. It's also fascinating to read about the extraordinary risks and hardship that the crew endured to collect this footage. Too bad it's rubbish. But I think "The Making of Fata Morgana" would be a fascinating film, sort-of like 'Ed Wood" was.
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Please tell me the sentiment of the following review: I guess if you like watching dudes get "pumped up" to outrageous sizes,this is right up your alley.Otherwise,it's an exercise in ego. I don't need to do either.Anyhoo,it's of historic interest,I guess,to see how these muscle positive and brain negative chumps got that way(before/after/and in between steroids)-but otherwise,this isn't going to influence many guys and,as for women,well,I'm not one so I can't say....
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As a long-time fan of Studio Ghibli and especially Hayao Miyazaki films, I went to the film right on the opening day. When I went out of the theater I had this strange feeling that something was missing, this "magical" feeling I was experiencing in all Miyazaki films before, but I couldn't say why it failed this time. After I thought about the other Ghibli movies, I may know the reason: this film had most of the elements of a great Miyazaki anime: cute characters, wonderful key animation, a great soundtrack composed by Joe Hisaishi and the warm story telling giving you the feeling of watching a high quality Japanese animation film. However, two elements were lacking: a deep story and dramaturgy. The purpose of this film was obviously to entertain small children with a simple story line as in case of "Totoro", so a complicated story as been told in "Spirited Away" or "Princess Mononoke" is not really necessary, but on the other hand, this story was simply too superficial. I could not connect to the main characters, because there was no character development, dramatic scenes were only limited and did not last very long. I really hate to give only 7 stars for a Miyazaki film, because I would give 10 stars to all previous movies right away, but this time it was simply not this wonderful "ghibli experience".
Write a positive movie review.

As the superb `Prime Suspect' series reaches part four there is no loss of momentum at all, this in itself a considerable achievement.' Prime Suspect IV: The Lost Child' has the solid supporting cast that we take for granted in these British dramas but of course the beautiful Helen Mirren easily dominates; our eyes never leave her while she's on-screen.

The search for the lost child of the title leads Superintendent Jane Tennison's CID team to a prime suspect who turns out to be a convicted pedophile now living with a single mother and her two young daughters. The insight we are given into the workings of his mind is one of the emotional highlights of this mini-series but it may be too strong for many stomachs.

The action sequences are brilliantly handled with the hand-held camera thrusting us right into the middle of the excitement and there's gripping tension during the climactic siege.

Altogether this is another magnificent police procedural drama.
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I am still trying to figure out what the target of this movie was: 1) Whether to show how stupid, disorganized, unprofessional and arrogant the police is (I surely could add various adjectives here, but I think my point on this is clear). 2) Whether to show how a twisted-minded crook that does not know what he wants from himself can create chaos. 3) Whether to show if a persistent detective will solve a case just by asking the criminal the same stupid question over and over again till the criminal answers? 4) Or was it just to show that any 90 minutes of filmed material can still be called a MOVIE

This was one of those movies, that in a way - did not disappoint me. From the first 10 minutes I kind of figured out that this movie will not be nominated for the best movie award, and surprisingly enough  this was consistent throughout the whole time. It was stupid enough to be worth the wait to see how stupidly it will continue and end  and I was not disappointed there either. 

Was it a complete waist of time? YES. Which raises your question  WHY DID I WATCH IT THROUGHOUT? Well, I was trying to fall asleep, and I thought this was a great candidate for that, but unfortunately I had too much coffee before that
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This is an entertaining surreal road movie. It was written by Joseph Minion, who also wrote After Hours, Martin Scorsese's excellent surreal film. The film follows the adventures of a ten-year-old kid named Gus, who drives a red Ford Mustang across some fictional states with names like Tristana (A tribute to Luis Buñuel's film, perhaps?), Essex & South Lyndon, in search of eight elusive Motorama game cards from various Chimera Company gas stations. The film has a surreal feel to it because a lot of the things are unusual, like the money for instance, which is like blank paper with numbers on.

Most of the characters are nasty to Gus on his trip. They tattoo him, punch him, but this doesn't stop the kid on his relentless quest. Some oddball actors like David Lynch incumbent Jack Nance, Meat Loaf & Flea also make appearances. Jack Nance plays a motel owner, who when he first meets Gus tells him, "If you see any squirrels, give them to me". This is a movie where a man and his wife abandon their young children because the man owes Gus $100; and a mother encourages her son to raise his voice louder while speaking rudely. If you're a fan of Twin Peaks and surreal movies, you'll like this. An odd little gem of a movie.
Write a negative movie review.

OK... so... I really like Kris Kristofferson and his usual easy going delivery of lines in his movies. Age has helped him with his soft spoken low energy style and he will steal a scene effortlessly. But, Disappearance is his misstep. Holy Moly, this was a bad movie! 

I must give kudos to the cinematography and and the actors, including Kris, for trying their darndest to make sense from this goofy, confusing story! None of it made sense and Kris probably didn't understand it either and he was just going through the motions hoping someone would come up to him and tell him what it was all about! 

I don't care that everyone on this movie was doing out of love for the project, or some such nonsense... I've seen low budget movies that had a plot for goodness sake! This had none, zilcho, nada, zippo, empty of reason... a complete waste of good talent, scenery and celluloid! 

I rented this piece of garbage for a buck, and I want my money back! I want my 2 hours back I invested on this Grade F waste of my time! Don't watch this movie, or waste 1 minute of your valuable time while passing through a room where it's playing or even open up the case that is holding the DVD! Believe me, you'll thank me for the advice!
A complete zero out of four. One worst sums up Ajooba: awful. Actually, more words come to mind: ridiculous, third-rate, and terrible. This is one of Amitabh's worst movies ever, he prances around in a cheap leather jacket and equally cheap tinsel foil Zorro-style mask with what appears to be wings on the sides.

The movie is set in ancient Persia or Arabia and is characteristically un-historical for an Indian movie. As stated above, a leather jacket from K-Mart with velcro straps did not exist 400 years ago, unless all my history teachers were wrong.

Rishi also does his patented cross-dressing in this movie. Far from being funny, it is very embarassing to watch. What could possess the son of the legendary Raj Kapoor to flay the memory of his house like this on screen?

On the plus side, if you want a real laugh, go ahead and watch this film. The glaring inconsistencies in the plot and costumes are no match for the awful dialogues and shoddy acting.

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Write a positive movie review.

I just love this movie and I have my TV programed to record it when it comes on again on Nov. 2nd. It is a really nice love story with a twist. The song that is played at the end of the movie is one you would not think would be a big hit but it is a song that stays in your head and I am now trying to find that song so I can hear it and play it. I really have no style of the shows I see or the songs I like to hear and there for makes me pretty open to seeing things new with an open mind. I would like to say there is some parts in this movie that is not meant for the whole family to watch. This movie does show skin. It is kinda like a lifetime movie for women, about women. I say watch the movie and you may just like it as much as I did.
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Paul Bettany did a great role as the tortured father whose favorite little girl dies tragically of disease. For that, he deserves all the credit. However, the movie was mostly about exactly that, keeping the adventures of Darwin as he gathered data for his theories as incomplete stories told to children and skipping completely the disputes regarding his ideas.

Two things bothered me terribly: the soundtrack, with its whiny sound, practically shoving sadness down the throat of the viewer, and the movie trailer, showing some beautiful sceneries, the theological musings of him and his wife and the enthusiasm of his best friends as they prepare for a battle against blind faith, thus misrepresenting the movie completely.

To put it bluntly, if one were to remove the scenes of the movie trailer from the movie, the result would be a non descript family drama about a little child dying and the hardships of her parents as a result. Clearly, not what I expected from a movie about Darwin, albeit the movie was beautifully interpreted.
Big disappointment. CLASH BY NIGHT is much to talky and stagy and the dialog doesn't resonate as true coming from these characters. This is melodrama at its peak. The acting is truly over the top and very unreal. Only MARILYN MONROE and KEITH ANDES as supporting players give this film any zip. Wish they had more to do. I'm somebody who looks at details in films. Two big questions...1 Who is watching the baby the entire day when Stanwyck and Ryan are together and Douglas is working, then breaking up a fight in a bar with is father? 2. When Stanwyck is packing to leave town, why is she seen packing at her brothers place where she hasn't lived for at least two years? Also, when everyone goes to the projection room at the Theatre, who's taking care of the baby again? Such details really irritate me and cause me to give films much lower ratings. What were the writers, directors and everyone else connected with the film thinking? Nuf' said.

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Now, I've seen many many B-grade films in my 15 years of living, and I must say that this was one of the better ones. I personally enjoyed the real estate and the storyline, but it did suffer from amateur acting (although Adrienne Barbeau did give a decent performance as Lisa Grant). Joseph Bottoms couldn't hold his part well enough to be considered good. The other performance which really fit the film was that of Barry Hope (Barney Resnick). It begins with an eager real estate agent taking an Asian couple through a house, only to find there's a dead girl in the shower of the showhome. It progresses with detective speculating, and introduces the key characters with reasonable grace. I think that for any person who's in for a giggle at the over-the-top drama the victim realtors provide during the over-the-top gory scenes, this truly is a gem... XD Who am I kidding? It's not that great, but worth a watch if you're insanely bored.
A milestone in cinematic history, 'Bronenosets Potyomkin' is one of the handful of great films out there that richly deserves to be called a classic. It was the picture that made Sergei M. Eisenstein a figurehead of film-making at the time. And today, it is still remembered as the wonderful piece of cinema it always has been.

'Potyomkin' is a film that NEEDS to be seen as one entity, not to be picked at. Don't just watch those clip shows where they only present the 'Odessa steps' sequence and then move on to 'Citizen Kane' or 'The Godfather', see it all in it's glorious 75-minute running time to really understand and enjoy it. Don't expect every infinitesimal detail to be perfect though, I mean the acting of the '20s silent era makes 'Scooby Doo' look like a master of understated realism, certain plot points may seem illogical and some of the battle sequences look dated, but it is still an immensely enjoyable movie.

The most memorable moments in the film are the mutiny on the battleship, Vakulinchuk's body falling off the ship, the sailor under the tent at the end of the pier, the mother holding her dead child, the baby carriage on the Odessa steps and the lion rising up to roar as further carnage ensues. For each new pair of eyes that look upon it, 'The Battleship Potemkin' comes alive once again.

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The filming is cheesy. Some of the actors overact. Some of the actions are unexplained and unexplainable. But...

This movie is in the mode of the psychological dramas of the 50s.

It is a morality play. Similar to the movie in which a "method" actor becomes the evil character he portrays on stage, Ed is forced to watch slasher movies because he is the film editor. It gives him a nervous breakdown which leads to a complete psychotic break.
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In Sweet Water, the ambitious entrepreneur Dick Krantz (Jim Storm) is constructing a resort in the middle of the desert under the protest of the Katonahs. When three workers find some Indian relics and bones in a ditch in the site, they accidentally release the giant skeleton like creature known as Bone Eater and their bones are devoured by the monster. The half-breed Sheriff Steve Evans (Bruce Boxleitner) a.k.a. Running Wolf is in charge of the investigation of the disappearance of the workers, being pressed by Krantz to arrest the protesters. But the Bone Eater attacks and kills other locals, while Chief Storm Cloud (Michael Horse) seeks an ancient Tomahawk capable of destroying the evil creature.

"Bone Eater" is a lame and silly movie, with one of the most ridiculous screenplay I have ever seen. The characters and situation are not well-developed and things happen without any further consequences. The conclusion is probably the worse part in this flick, with the typical white North American Bruce Boxleitner dressed like an Indian (in the story, his grandfather was an Indian), cutting his own wrist (why? And where is the blood later?) and clumsily throwing the axe in the chest of the Bone Eater, destroying the monster and my last hope of any improvement in the story. My last question: if the Bone Eater eats bones, what happens to the flesh and clothes of his victims? My vote is three.

Title (Brazil): "O Devorador de Ossos" ("The Bone Eater")
This movie starts out with kids telling each other urban legends such as the poodle in the microwave and getting something extra at a chicken place. Unfortunately, it then turns to your basic anthology movie. The first being about a janitor with a bit of a secret. This one is okay at best. Then it gets worse as the next story about this kid obsessed with dead flies is on and it goes on and on and on. It is way to long and not all that interesting to begin with. After that you get the typical shock scene and it ends. You need more than this in an anthology movie. You need at least three stories and one shouldn't be so long it becomes dreadfully uninteresting especially considering you can see how it is going to end a mile away.

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"The Man Who Knew Too Much" (1955) is Alfred Hitchcock's own remake of his 1934 thriller about a married couple (James Stewart and Doris Day) on vacation in Morocco where they got caught up in a nightmare that include murder, espionage, assassinations and the worst of all, kidnapping of their 10-years-old son. The movie which Hitchcock himself considered superior to the original is a great fun. Stewart and Day have a good chemistry together. The film is filled with the wonderful comical scenes and dialogues as well as the scenes of chilling suspense. 

The inclusion of "Que Sera, Sera" proved to be a stroke of genius because rarely the song fits the content and plays such an important role in the movie like "Que Sera, Sera" did in "The Man Who Knew Too Much". 

Hitchcock also treats us to the live music playing from Arthur Benjamin "Storm Cloud Cantata" for almost ten minutes while scene in London's Royal Albert Hall where the assassination of a very important politician was attempted takes place and both, the scene and the cantata are simply marvelous.

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Contains Major Spoilers, on the off chance you would actually care about the story line.

OK, we have storms that destroy a city and a computer hacker who clobbers the power grid.

Predictable schlock from the start, and if that weren't enough, the 5 second action bumps between the movie and the commercials kill what little suspense there might have been. For example: will they make it to the airport in time? Things look dim as we go to a commercialand the action shot before the ad shows them bouncing around inside the plane! Well, I guess they're gonna make it after allbut then again, they had to because they're good guys.

The acting wasn't any too impressive (exception and welcome relief: Randy Quaid as Tornado Tommy) , the effects were kinda lame, the bad guys got it, and the good guys came through. The real disaster of this movie was the script, especially the ending. Not only did they wrap things up happily as quickly as a soap opera given 24 hours notice of a cancellation, but they glorified the hacker as well-intentioned. So he caused a bazillion deathshe meant well. And, of course, an uplifting final TV report about people coming together. Barf. It was everything I expected from the commercials, and I'm glad I wasted my time watching it. It will make great conversation at the lunch table tomorrow.

Is CBS insulting us by making this? Surebut we watched it, didn't we? Did you count many ads there were for home backup generators during this pig?

Here's hoping for the next Plan 9 from Outer Space (which gets better with each viewing). This isn't it.

1 star.
Please tell me the sentiment of the following review: I got this thing off the sci-fi shelf because I remembered seeing the first of the series when I was a kid. I'd rented the second one and it was a decent "B" sci-fi. This one was out right obnoxious. The "special" effects on the cars looked like something my 4 year old cousin could have done. The two assistant female cyborgs were so terrible that I literally cringed every time they came on the screen. The plot left so much to be desired that it made me sick. I don't know what anyone was thinking when they agreed to be a part of this movie but I'm sure that they'd have done better to have left it at 2 movies. The movies in this series are going from good to decent to terrible. I only hope that no terrorist groups have access to this movie as it makes an excellent torturing device.
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This film is my favorite comedy of all time and I have seen a lot of comedies.First of all,I should not this film had no script.Just a storyboard.The dialogue is almost completely written by the actors.Which makes this film absolutely hsyterical.The cast is one of the best comedic ensemble's you will ever see.The story is about the Mayflower Dog Show in Philadelphia and some of the contestants in them.Parker Posey shines and is absolutely great!This is one of those films that most of the laughing comes from the absolute pathetic-ness of the characters.*****/*****
The sounds in the movie were so mundane and ridiculous, seriously banging on the door hinges for about 30 minutes really crunches your teeth and makes your head hurt.

i love bad puns more than the next guy, but come on "no blood on our hands" being said about a million times by Matt Dillon' character, and when Matt Dillon's character shoots the bum the lead character which i fail to remember his name because i don't really think anyone cares gets blood on his hands literally.

the background music with the heavy metal guitar ringing an A-chord for about 5 minutes isn't my idea of music, come on i was having the worst headache by the end of this garbage.

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Maybe here in Sydney we are all poop side down and as a result we get to lap up floaters like this s-eek!-uel in classy theaters. Released here in 1980 this hilarious all-tar drama was greeted with howls of delight at the session I attended. In fact the audience were so into the ludicrous antics on screen it played like a Rocky Horror session. Within 5 minutes we all knew it was a real disaster: the tug boat scene where you can see the buckets of water tossed in from off-set. after that it was every patron for himself and the cinema rang with advice, cheering for bad acting and oo-waah reactions. The gunfight in the hold among the crates is especially idiotic and allows drunken viewers with friends in altered states also watching to contribute appropriately. I call these films with Michael Caine his holiday house films as I always reckon he agrees to do them because he has seen a house he likes and doesn't want to spend his savings. Like Jaws 3 or 4 or whatever it was called.
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Centres on Czech WW2 pilots  the older Frantisek, the boyish impulsive Karel and in the background the quiet piano-playing Honza. As the film opens, it is 1950, the war is over and Frantisek and Honza are imprisoned in a former monastery. In their now Soviet-controlled native country they are 'enemy of the people'. Honza is severely maltreated by his Communist countrymen and dies.

In 1939 many pilots manage to escape German-occupied Europe and make their way to England where they join the RAF. Notwithstanding their high motivation and experience they face RAF reluctance and British stiff upper lip. Finally they fight gallantly in the Battle of Britain. However, Frantisek and Karel find their friendship severely tested when they both fall for the same woman.

In terms of romantic sub-plot, this is very similar to the Hollywood production Pearl Harbour. However, given the context of the film and Frantisek's eventual fate, it is also possible to read the English woman's treatment of the two men as symbolic of British treatment of the Czech and Polish RAF pilots: conveniently forgetting them once the war is over.

In addition, the film is a lot less cliché than Pearl Harbour and the characters are more fully realised. Dark Blue World also scores in terms of its stunning aerial dogfights, which were seamlessly created using a mixture of models, actual live-action aerial filming and out-takes from the 1969 epic The Battle of Britain.

In short, Dark Blue World is a well-made, moving, thought-provoking and exciting drama that puts the likes of Pearl Harbour to shame. Highly recommended.
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Please tell me the sentiment of the following review: The man who gave us Splash, Cocoon and Parenthood gave us this incoherent muddle of cliched characters, poor plotting, you've-got-to-be-kidding dialogue and melodramatic acting? I guess everybody has a bad day at the office now and then. He's allowed.
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If you are in to bad movies for the entertainment of witnessing bad movies, bad acting, bad production etc..aka Mystery Science Theater 3000 quality....you will love Pacific Inferno. Jim Brown will be forever remembered as one of the greatest football players to ever play the game...as an actor he will forever be remembered as one of the greatest football players to ever play the game... I am not sure who Rolf Bayer was...but I am hoping he was 15 or 16 years old when he directed this, perhaps he may have been the next Spielberg in the making...because if he was a grown man directing this...a 15 or 16 year old could have done better.... The basis or plot for the movie probably had some historical merit and maybe even truthfully accurate...but the actual film may be one of worst movies made in American film history...I kept waiting for Lee Marvin, William Holden or Charles Bronson to pop in to somehow save whatever "face" was left of this film. I would have loved to have been at the red carpet, black tie gala for the Hollywood opening when this movie previewed...as this movie had to have many a viewer laughing and cringing under their breath... it is on the dime DVD racks now....look for it for entertainment value...this movie is so bad it is too good to pass up...
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Please tell me the sentiment of the following review: A wonderfully thoughtful and involving movie that leaves an imprint well beyond it's initial liftoff. Based on a true story , one of the many "small" stories prior to WW II , that lend an understanding to the mindsets of the majority of common man cultures, impacted by others perceived as former enemies and perhaps future foes, with the darkening of war clouds on the horizon. Viewed at the Stony Brook Film festival, the film was enthusiastically received . Well written and expertly cast. The characters were most believable and drew one in to experience their trials and tribulations.
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Please tell me the sentiment of the following review: 1979's Tourist Trap is a clever, unique B thriller that stands out as one of the best of it's kind.

Travellers stop at a lonely wax museum where the owner's mannequins are a little too life-like for comfort.

While the film has hints of The Texas Chainsaw Massacre, Tourist Trap is mainly a creepy psychological thriller worthy of The Twilight Zone. Director David Schmoeller gives this movie an atmosphere of darkness and mystery, that reaches nightmarish proportions. Also, Schmoelloer adds the occasional touch of comic relief to the bizarre happenings.

Venteran actor Chuck Connors is the best of the film's decent cast. Pino Donaggio's music score is excellent, having both lyrical and solemn themes that are perfect to the movie. A number of the film's sequences are quite memorable.

For horror and thriller fans alike, Tourist Trap is an unforgettable must-see film.

*** 1/2 out of ****
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This is an old-dark-house movie. A young couple creep around a weird mansion said to be run by Satan, where they run from and into one after another of an ill-assorted crew: a lady in distress, an ape, an ape-man, a midget, various odd-looking people, and (for some reason) two Chinese. They end up in a throne room where the hero is required to play a "Price Is Right" sort of contest involving a climb up seven steps with seven illuminated footprints; hence the title. For my taste it's too much of the same thing. The creeping around fun-house corridors is amusing for a while, then becomes repetitive. By comparison with Harold Lloyd or Buster Keaton or Laurel and Hardy doing the same bit in two reels, it isn't truly funny. It's not frightening either, and apparently wasn't intended to be: the household is too absurd. Most films in this genre balance the comedy with a genuine threat, and usually two--one that the characters are led to believe is real, and another for which it's a cover. Here the cover isn't to be taken seriously, and neither is what covered. A few moments of fun emerge from the mix, but it's rather heavy fun. The novel on which the film was based was a straight thriller and I think could have been played straight to better effect--and still could be.
The stories were pretty weird, not really funny and not really cunning. I'm not sure what the point of the stories was .. The first story was actually mostly sick, the second was just really really pathetic and the third was only weird (the fake baby was actually quite badly made).
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First off, I would like to make it clear that I voluntarily subject myself to the viewing of terrible movies. I have seen what I thought were the worst of the worst. In my mind, movies could not get any worse than the likes of D.E.B.S., Leprechaun 6: Back 2 Tha Hood, and Terror Storm. Until I saw this movie.

The Pirate Movie, without any exaggeration, is the WORST MOVIE IN THE WORLD. I was informed prior to watching that the movie was, indeed, awful, but I did not believe the allegations. Believe me when I tell you that this movie is simply an abomination to film.

It starts out with a 3 minute clip of a boat of pirates apparently in the middle of a battle with themselves. "The End" splashes across the screen. Unfortunately, it is not the actual end of the movie. The movie is about an unpopular, awkwardly nerdy girl named Mabel, who carries around a ghetto blaster and is attracted to ambiguously homosexual pirate boys. She drowns and has a overly drawn out hallucination in which she stars as a scantily dressed skank who falls in love with Frederic, who happens to have just crawled out of the ocean. He might actually be homosexual. The Pirate King has a ruby and diamond studded codpiece. It honks and squeaks when he squeezes it.

There is singing in this movie. You might have the impression that this is a hilarious musical. It isn't. Trust me. They are the worst songs that you've ever heard, and by the end of the first original tune you will be searching for objects to pierce your eardrums with.

There are "references" to other movies in here. By references, of course, I mean "obvious rip-offs." The inclusion of Indiana Jones, Inspector Clouseau, and the lightsaber were, in fact, anti-hilarious.

The dialogue is, in its better moments, painful to hear. The direction is flat out awful, and at one point you can see the stunt pad in the scene, which isn't very well hidden at all.

In conclusion, if there is even the shadow of curiosity in your mind about this movie, get rid of it. There are times when people want to see how bad something really is, but this movie is not worth it. Put it completely out of your mind and never think about it again. If you cherish your mental capacity then I beg of you, NEVER EVER WATCH THIS MOVIE.
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I hate a movie that doesn't have an ending. I don't care how good or bad the rest might be, I don't like to be left without a conclusion. Such shows should insist upon a disclaimer ... something like: The movie you are about to watch has either no ending or is so ambiguous as to not be conclusive.

In the movie the last scene we are left with is Dee and Dominic having a bit of a row and he says, almost regretfully I thought, that it couldn't be him because the fingers were either that of a girl or a child. THEN IT ENDS! Well sure, the smoking gun, so to say, is in the hands of the Dee's son, but what about Dominic's daughter? I actually thought we might discover it was her! Anyway, unless you like inconclusive movies, then I'd avoid this one. Otherwise, I thought the movie generally good.
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I really enjoyed this movie, and I'm not a classical music fan. The story of the tough street kid discovering classical music and changing his ways was great to watch, without being sentimental or too unbelievable, although some details had me scratching my head (Frankie and his dog can live in the basement of the school without any of the students or teachers discovering him? Where did he eat? Bathe? Did he ever get a change of clothes? What did he feed his dog? The owner of the school didn't think it was important to notify the police about finding a missing boy, but let him live in the basement indefinitely? :-) ). But we can let such unrealistic details slide and just enjoy the touching, fun, and slightly suspenseful (for me, anyway) story and wonderfully talented children.

I loved the scene with the mothers standing shoulder to shoulder on the steps barring the policemen from entering the school: I doubt they would get away with that nowadays. And I liked the nice touch about the boy Frankie stole from turning the tables on him (although that never really went anywhere), and Frankie's friends helping him out in the end.

All in all, a great movie for everyone!