cindermond/bento huggingface dataset:
This movie was extremely boring. I only laughed a few times. I decided to rent it when I noticed William Shatner's name on the cover. It's all about this little kid who gets picked on all the time by his classmates. When wandering the streets looking for old ladies to assist, he meets a prostitute. She takes him to a club called the Playground, where he befriends several pimps. When mayor Tony Gold (Shatner) decides to take over the pimp business, Lil' Pimp must lay down for his homies.

The animation isn't very good in this. It looks like it was made with Macromedia, which I'm sure it was. It doesn't suck, it's just the sort of choppy flash animation that people have gotten used to over recent years. The humor in this is not very good, I didn't think any of it was funny.
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Wow, this film was terrible. It is as simple as that. It is actually the first time that I walked out early, as far as I can remember. This turned out okay, though: I had a very nice chat with two most charming girls while we all waited for the rest to finally give up on that crap they called a "movie".

Where to start. Bad acting, bad jokes. Faecal humour, which I simply cannot stand. Sorry, but snot, pee and scat are *not* funny. You have seen the title picture? That scene actually drags on for about 5 minutes, with the two "heroes" hitting and mutilating each other, which is supposed to be humorous all by itself. It is not.

Apart from body fluids, violence and cross-dressing, I do not remember much about this. At least not much good. I was really, really disappointed by this piece of garbage. Or let us be honest here: given that I am actually a big fan of "british" (i.e., black) humour, I was angry.

So, want my advice? Three words: do not watch.
After slightly over 50 years of avid film watching, I've come up with some simple rules for making good movies.

1.	Introduce your main characters early, certainly within the first half hour 2.	Keep your characters to a minimum. If adapting a novel, combine characteristics and actions of minor characters

 into one person 3.	Make sure your characters actions have credibility; if necessary, create additional scenes to establish motivation 4.	Keep the action clear. Violence does not have to be explicit, but it must not be confusing, either 5.	Get the best music money can buy. Frequently it matters more than acting, photography, etc. 6.	Usually if a movie isn't very good within the first 10 minutes, it's not going to get any better

`Cannon for Cordoba' is a textbook example of what happens when these simple rules are not followed. Elmer Bernstein's score is rinkydink, one of the worst I've ever heard in a modestly budgeted movie. This is altogether surprising considering Bernstein's credentials (`Man With the Golden Arm,' `The Magnificent Seven,' `The Great Escape,' `Sons of Katie Elder'). Paul Wendkos' direction is lackluster and confusing. Performances vary from very good (Don Gordon, Peter Duel) to terrible (Raf Vallone, Giovanna Ralli, Gabriele Tinti) with the usually reliable George Peppard falling somewhere in the middle. This should not be surprising, considering the mediocre direction and amateurish script, which breaks rules 1, 2 and 3.

Don't waste your time. I give `Cannon for Cordoba' a `3'.
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Please tell me the sentiment of the following review: Why is it that Canada can turn out decent to good movies in every genre, other then action? I caught Dragon Hunt on TV the other day and it was like a train wreck. I just could not change the channel, it's sheer stupidity sapped my willpower. Its pretty telling that the cast IMDb "credits" with this monstrosity apparently never worked again.

Bad acting, bad writing, bad narration, bad music, bad hair, bad cinematography. It just goes on and on. The movie really has nothing to recommend it. If you're looking for bad action films to enjoy by laughing out, there are a tonne of other films that won't require you to scorch out your retinas afterwards.

I hope this film didn't get money from the government for financing, otherwise I'm never paying taxes again.
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If you would have asked me 1 month ago how this movie was I probably would have left most of this out, but I am a fan and as any fan I visit the movies sites often well when Super Troopers came out I visited that site after the release on DVD and was hooked yea it's a difficult site to stay on, but the good ones normally are like good families they stick together. What a story this company/comedy troop has.BEGGING people to come and see there movies on street corners,universities, anywhere they can and all for free and after all that to develop a great fan base after a few years THEY CRAP ON IT And decide to close down there website that helped them and was created for the fans, but the worst thing about it....THEY DIDN'T TELL ANY OF THEM. They just decided that they are better than us they want new fans not the fans that helped them get where they are....you know the same fans they begged years ago. Still the smart crew they are they released the best movie with Super Troopers and got everyones attention and thank God for that because after that they have sucked with everything else. Good for you guys way to go mainstream, just remember when you realize your material isn't that good and you have no new fans left you are the ones who crapped the original ones away. FANS MAKE YOU WHO YOU ARE NOT THE OTHER WAY AROUND. Never burn your bridges
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I really enjoyed The Patriot. This movie had less violence and was based on a real life threat that could inevitably destroy our civilization. One line in the movie from wesley mclaren (seagal) stuck out in my mind to be very true of our society, "western medicine is in the practice of prolonging illness and I am in the business of curing it."
"Dope Sick Love" is a really remarkable documentary made for HBO about two pairs of heroin addicted lovers roaming the streets of NYC. I managed to catch it one night by accident and found it absolutely mesmerizing. There is no narration and we never see any interviews with the subjects, the camera just follows them around, like a third eye, completely detached. The people being followed don't even seem aware that they're being filmed! (or, at least, they don't seem to care). The footage is amazingly candid. Some of the most candid I've ever seen. This is as real as it gets. The nuts and bolts of what its like to be on the street and addicted to heroin. We watch them score dope, shoot it, make up, hustle, and even impersonate cops to rob people, and about a million other tiny details that less observant documentary filmmakers would leave out.

Some of the footage is truly horrifying. Like watching one guy frantically searching for fix he lost. I found myself praying that he would find it, just so that his misery would temporarily end. And when he does find it, the guy literally dances in the street.

The cyclical nature of drug addiction becomes very apparent while watching this. EVERYTHING is about getting the next score to these folks, yet the next score seems to be well worth the immense trouble they go through. 

I would love to get a copy of this, if anyone knows where it is available. Highly recommended, if you can catch it on HBO.

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It seems there are two kinds of people in the world: those who think that "Five Characters" is one of the best episodes in the series and those who are so cool that they know it sucked because they were so clever and already predicted the "lame" twist at the end (which apparently, in their small minds, is the only reason the Twilight Zone exists: to come up with twists).

There are plenty of lame episodes in the series and I'm not one to rate all TZ episodes ten. But this one is certainly one of those that merit such a rating. It is claustrophobic and colorful. The suspense is built up and we cannot wait for the reveal of the secret at the end. But whatever that secret is, what these people are, it doesn't really matter. Most of the beauty of the episode is to lead up to that. It would be just as powerful if we never find out what these strangers in a strange place really are.
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Please tell me the sentiment of the following review: Over the years, I've come to be a fan of director/writer Barry Levinson and he didn't let me down with this very funny look at politics. Popular TV comedian Tom Dobbs(Robin Williams)has enlightened the nation with his scathing jokes about the state of the country and elected politicians responsible. Night after night, he has his fans rolling in the isles; then the question is proposed that Dobbs run for president himself. His manager Jack Menken(Christopher Walken)says go for it. Dobb's flippant truisms flames a grass-root movement that puts him on the ballot. Comedian to President-Elect. Meanwhile, a young woman(Laura Linney)finds a flaw in the computer system that will count the ballots coast to coast. My favorite sequence is Linney's meltdown in the coffee shop.Williams is absolutely hysterical with his rapid quips. Others of note in the cast: Jeff Goldblum, Lewis Black and Rick Roberts.
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Please tell me the sentiment of the following review: 1st watched 7/19/2003 - 1 out of 10(Dir-Brad Sykes): Ridiculously lame 3D movie which pretty much follows the plots of many 80's teen slasher flicks. Stupid kids go to a known murderous camp site, become hunted by an unknown masked man, and then we try to figure out who, if anyone, is going to live. We really don't care who's behind the mask but even that's not hard to figure out if you've seen any of these kinds of movies. What a waste of a 3D viewer despite somewhat decent 3D effects.
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In case you dear readers never heard, this movie was the main inspiration for last year's Samuel L. Jackson-Eugene Levy clunker The Man. This 80s-drenched buddy action-comedy pairs short 'n stubbly Billy Crystal and the late Ethiopian Shim-Shammer Gregory Hines together as some witty Chi-town cops who don't play by the rules. That's pretty much the extent of the movie. Interest is somewhat peaked by Hines' line delivery that is spookily similar to Will Smith's and by cameos of now-more-famous actors like Memento's Joe Pantoliano and "NYPD Blue's" Jimmy Smits. My favorite scene is, I dunno, the car chase on the tracks, I guess. Basically, I just view this movie as a major helping hand in the demolition of action buddy flicks. Well, this and Lethal Weapon 4... and Rush Hour 2... and The Man...
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I thought this movie was great, not only because of it's storyline but because it was portrayed greatly by the excellent cast. I read that Drew Barrymore wasn't exceptional as Josie Geller because she is beautiful. Yes she maybe but in the movie she played outside herself, which brought on a plain girl searching for who she is in the world. The story is sweet and definitely for the hopeless romantics out there, I for sure am. David Arquette is mad as her brother Rob, and Michael Vartan is gorgeous as Sam Coulson. Leelee Sobieski did an excellent job as her mate Aldys, someone who wasn't afraid to be herself. I think this movie should get more credit rather than being branded as a "teeny boppy" flick
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Vincenzo Buonavolunta, a man that has spent years working at a steel mill, as a maintenance man, that the Italian owners are selling to the Chinese, comes at the end of the meeting where the purchase is being arranged because he wants to tell the new buyers of a flaw he has discovered and he thinks he has the solution. He doesn't exactly endear himself to the Italian old management, or to the new Chinese owners. He even fights with the translator about the exact term he wants to use in expressing his concern.

The next thing we see is Vincenzo arriving in China trying to contact the new owners. To his amazement, there is someone new in charge, as Mr. Chong, the man he tried to warn in Italy, has been fired. His next quest is getting to the woman that was the translator, Liu Hua. He finds her working in a library, but she tells him, in no uncertain terms, she blames him for being fired from her position. Liu, who sees the desperation of Vincenzo, agrees to accompany him to find his steel mill plant. 

Thus Vincenzo and Liu begin a voyage through some of the bleak countryside that involves traveling by train, steamship, bus and truck, to remote parts of the giant country. Finding the correct factory proves to be elusive, at best, but Vincenzo discovers a life that is completely alien to him, as well as finding a kind soul who doesn't hesitate to help the Italian man, in spite of her initial distaste for him.

Gianni Amelio's film is a sort of travelogue. He takes the viewer into unknown territory. Some comments compare Vincenzo to Marco Polo, the great Italian traveler, although the similarities are not quite tangible. The film keeps our attention in the early stages of the trip, but it starts getting somewhat less enjoyable as Vincenzo gets stranded after separating from Liu. Mr. Amelio is an interesting director, as he clearly demonstrates with this film for which he worked on the adaptation of Ermano Rea's novel, which we haven't read.

Sergio Castellitto is the sole reason for watching the film. This versatile actor brings a lot to the movie, which, in a way, is a tour de force for him, as he is seen in almost every frame of the picture. The combination of Amelio and Castellitto proves to be a winning combination. Ling Tai, who is making her debut as Liu Hua, has some lovely moments and shows good chemistry with her co-star.

Luca Bigazzi photographed the Chinese landscape in all its bleakness. We see a China that is not picture post card pretty. Mr. Bigazzi captures all the greyness, so typical of the areas where the film is set. Franco Piersanti's musical score serves the film well.
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The Last Dinosaur was one of those "out of nowhere" movie-of-the-week films in the 1970's that was pretty exciting for the time especially to fans of Japanese Tokusatsu films. Originally slated for a theatrical release (around when the Dino King Kong was out in the previous December) it was suddenly pulled and made into a Friday Night ABC Movie of The Week. Rankin Bass-who were no strangers to Japanese co-productions were the guns behind this production, co-produced with Tsuburaya Productions of Japan-the people who brought us Ultraman in various forms. Starring mostly an American cast including the late Richard Boone, Joan Van Ark and the late Steven Keats, it told the tale of a prehistoric pocket of time in what was a superheated volcanic caldera somewhere at the frozen arctic circle, containing dinosaurs. It plays a lot like the films The Land Unknown(1956) and The Land That Time Forgot(1975) in feel and pace. Sure the dinosaurs were guys in suits(A Triceratops with front knees!) but they were filmed in such a way, the music and score was so well done, and the cast did a fine job that this didn't matter much to many of us brought up on Godzilla. The film has a lot of class to it, from the opening score by Nancy Wilson "The Last Dinosaur" to the overall "big" feeling of the film-the locations at hot springs in Northern Japan were excellent and lush- and the undeniable feeling of Kaiju Eiga to it. There are some amazing set pieces-the T-Rex's "bone yard" and a tracking shot that takes us deep into the jungle to see the T-Rex eat a giant fish from a stream. Tsuburaya's FX people did their job in style here and aside from a few dodgy matte shots, they do their job well. This film is considered the best 1970's "kaiju" film from Japan, even over the five Godzilla films made during that decade. Rankin Bass did several other co-productions with Tsuburaya providing the creatures or miniatures- The Bermuda Depths(1978) and The Ivory Ape(1980)-but neither measured up to the epic look of this film.
the fact that there was so much fuss is ironic, as the whole point of the programme was to highlight the way the media treat such 'taboo' subjects, such as paedophilia. the newsdesk set, the suits, the smug presenters, the men-at-the-scene shouting about things you can see behind them, the pointless cgi graphs and stats, the whole thing was a satire, a very very funny satire. the way c-list celebrity's will say absolutely anything if their agent tells them it'll be good for their career ("there is no evidence for it, but it is scientific fact"). It may be hard to watch (with milly dowler and the cambridgeshire girls, as well as 9/11), but satire is supposed to be challenging, and we shouldn't be afraid to stand up against the blatant scaremongering and headline grabbing media, just because it's a delicate matter. How this show failed to win any TV awards for it's intelligence, observation, courage, acting and thought provocation is shameful, but, as watching it will show you, not in the least bit surprising.
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If it's an art and essay film, there is not enough art, not to mention essay.

If it is a thriller, there is not enough thriller.

If it is a teenage drama, there is not enough drama, and as far as teenagers are concerned, there is not enough NOFX and too much Nino Rota.

I thought it could be a trailer for Tony Hawk's forthcoming movie, but there is no Tony Hawk, so I guess I'be been cheated: it's not Tony Hawk biopic.

If it's an action movie, it lacks explosions, which would have added some interest to it, or at least would have make jump the sleeping ones into their chairs.

Most of the characters seem to be dead inside, but it's not a zombie movie. In fact, if it is a movie, there is not enough plot. If it is not a movie, it lasts too long to be a music video.

If it's a music video, well... it's an album I will not purchase
The End of Suburbia, as it should appeal to general citizens & mass consumers alike, is likely to become of cultural reform status. The film uses super-cynical analysis by authors, policy makers, and social philosophers on the paradox created by Suburban-Style living--mainly in the Post-War era.

What we have created in America is a place with "none of the amenities of country life, and none of the amenities of urban city life." This is the prescription that is laid out for suburbia, and the film focus's on the singular idea of "Oil". Basically, in the most general sense, that the world is nearing or at it's peak oil production, and when we realize this in full, major lifestyle changes will be in effect, whether by our best interest or forced violently upon us by a quality of living even the slum-dwellers of Calcutta couldn't describe to us.

If nothing more, the end of Suburbia will siphon the viewer flush in their gut, creating a sickening feeling. This is bound to happen. It's a bleak outlook on our inherent way of life. The ambivalence lies particularly in each respective viewers critical analysis of the film. I foresee many unprepared viewers slandering the film as smug liberal propaganda--like a Michale Moore film. What they fail to consider is that a reaction like this is all too normal when such a message hits so unbelievably hard to the lifestyle of the vast majority of the masses.

This is the truth, and as a student studying City Planning, I can tell you that we better get prepared now, because what slim chance we have of maintaining quality of life in this dwindling cesspool of tampered resources is fading faster than a race of people stricken by the black plague.
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Darling Lili is fantastic! Its by far one my favorite films! It certainly didn't deserve the poor reviews it received. Julie Andrews, playing the title role of Lili Smith (Schmidt) is the best part of the whole movie. She is entrancing and spectacular! As Julie Andrews is my most favorite actress and singer by far, I was most definatly not surprised by how stunning she is. This movie is just...great (I'm running out of adjectives!), it's magnificent, marvellous, amazing, funny, terribly romantic, sad, and just an all-out thrill and its all thanks to Dame Julie Andrews!And to her husband, director Blake Edwards. Oh, yeah Rock Hudson was ok, too :)

Julie Andrews is the beautiful and well-loved singer, Lili Smith. Rock Hudson portrays Major Larabee, who quickly falls for Lili, and she with him. But their affair was not coincedental. There meeting was planned by the German Government (I'm not sure if that's exactly what you'd call them, but you get the point), because the warm, happy, singing entertainer Lili is actually a German Spy. Lili is told to seduce Major LArabee in order to get information of the new Top Secret Opertaion (later know as "Crepe Suzette"). Though Lili is on a solemn mission, she falls in love with Bill (Major Larabee), for real, making her original quest challenging. But Lili pulls through and completes er task, after she finds out something that is not really true about Bill. The ending will remain unsaid by me as it is wonderfully layed out. If anything, you'll thoroughly enjoy this movie, I most certainly did!!!!!!!!
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Forget the fact that most people expect an action movie form Seagal. This movie simply had no substance. Very long, drawn out, and boring. Scenes were much longer than they had to be - the camera would often focus on something for long periods of time when absolutely nothing was happening. Cure for insomnia. Worst Seagal movie by far (I do like some of his other movies). 1/10
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"The Secret Life" starts with the worst possible narrative intro: "The crimes committed by Jeffrey Dahmer are too horrible to make a film about...". Okay, so what are you suggesting? That we shouldn't bother to continue watching as the film won't be accurate or bloody, anyway? And they were right, too! The film isn't the least bit shocking and contains almost no blood or gore at all. Although I think that's mainly due to the low budget production values and not because of Dahmer's crimes being too horrific. Basically, "The Secret Life: Jeffrey Dahmer" is just one sequence repeated over and over again. Young, pitiful and mentally confused Jeffrey picks up victims (always males, as he was a homosexual), kills them and then talks about how it wasn't his intention to hurt them and about how lonely he is. This gets boring really quick and even the admirable performance by unknown actor Carl Crew can't save this movie from being a total dud. Still, this version is much better than the pretentious and hopelessly muddled "Dahmer" that got released in 2002.
I watched this movie on TV last night, hoping for a realistic account of what could happen if there were an outbreak of some highly transmittable disease. I was disappointed, and I think the movie was garbage. It did not seem real to me. Some of the acting was awful, in particular that of the doctor. She was about the worst I've seen. The whole thing played like a CNN 'worst case scenario'. Even the obligatory disaster movie human relations bits didn't seem sincere. I have seen some disaster movies, in particular those weather ones, which are actually so bad they are amusing. This one is almost as bad, but it is not even amusing, it is tedious and boring.Don't bother with this one.

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On a second viewing, this is still a wonderful romance that is, in my opinion, much better than the film it came paired with on my 2-DVD set, the Leo McCarey weepie classic "An Affair To Remember". Yet it seems to have fallen out of favour slightly (Only a 6.6 rating here on IMDb, and dismissed by many critics as "gooey slush"). How sad, because this is an intelligent romantic drama with very good work by the two leads, Jennifer Jones and William Holden. If anything the film should be well-remembered for the gorgeous colour cinematography and the unforgettable musical score. I don't much like Valentine's Day but it gave me an excuse to watch this movie again, and I'm glad of it. While I still think Holden's character death is too heavily foreshadowed, taking suspense out of the final scenes, this film is very moving and I really enjoy it.
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I don't understand all these bad reviews. I believe this movie was one of the best in the Puppet Master series. Being made on a low budget, one can comprehend why the special effects and acting were not spectacular, but they were not completely horrible.

Greg Sestero brought a lot of charisma to the role of Andre Toulon. He has a lot of potential, and I hope to see more of him soon. And though the cinematography was not excellent, and there was minimal violence and gore, this film was a lot of fun. I am a big Puppet Master fan and have grown to expect blood and gore from the films of this series, but I can say that I was never bored through the entire course of watching Retro Puppet Master. So, if you ever get an opportunity to see this movie, don't automatically regard it as unworthy of your time. Give it a chance. You might like it.
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This movie must have looked when it was being pitched at development stage and getting a Redgrave and a Jacobi on board must have excited the money men. All I can say is that they clearly did not have anything on that week. Jacobi camps it up in the way that only Jacobi can do and I thought that he seemed to more of the actor that he parodied in his cameo role in Frasier a few years back. Vinnie Jones is not exactly bad, he is just clearly out of his depth as a leading man. He is really quite amiable throughout and if this was a pilot for a TV series, it may have just got picked up. However, the scipt and the camera work were appalling. Quite why this "jounalist" and a press officer from the Met would ever work together is never explained. It certainly cannot have been because of the sexual chemistry, of which there is none. There is nothing wrong with a ridiculous and far fetched plot that you can pass off as original, but the whole thing is just so contrived that the two stories just do not make sense at all. It was like two stories confusingly edited in to one just to make up two hours. Go watch some paint dry for a couple of hours. You life will be more fulfilled than watching this rubbish
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A study in BAD. Bad direction, bad acting, bad writing and f/x that´ll teach you that you´d better upgrade your computer before filming. It´s the kind of flick you used to do totally drunk in your cellar with Dad´s camera when you were young at heart. But YOU certainly would not show it in public when you´re sober again, would you? YOU wouldn´t even view it. Avoid at all costs.

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Please tell me the sentiment of the following review: **Maybe spoilers** **hard to spoil this thing more then it is, but just in case** Gee's I don't see how anybody could have liked this re-make!! It was like a "made for T.V" show and still pretty lame for that. Lots of fake snow, bad acting by top stars, bad action and that crazy pine forest in Detroit. What the heck??!! I didn't really think this would be a great movie but I was hoping to be entertained. Nope, we fell asleep half way and had to finish it up the next day. I could have skipped the rest easy(but then I would have missed those great piney woods!) I'm so glad I missed this at the theater! Bad enough to have wasted $3.50 at the video store. And I am a lover of cop, action and drama films. This was a very stinky 1 out of 10 stars. Give me the original any day!!
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A £3.50 DVD can be a gamble and this was one that sort of paid off.

A decent Saturday Night type movie that entertains if you gloss over the obvious plot flaws. Special effects are a bit few and far between with some repetition (and why does London always look as if it's in the 60's ?)

If it had the budget of, say, Armageddon then I'm sure it would have performed better at the Box Office as the story is quite a good one.

Overall, Tycus is consigned to B movie history but if you see it for £3.50 then it's worth buying.

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To paraphrase the previous reviewer's comments, if you're a Stooges fan, avoid this one at all costs! My basic question is, being the experienced troopers of comedy that Moe and Larry were, why did they insist on attempting to continue the act when it was so obvious that their home studio, Columbia, was so clearly not interested in giving them serious writers and veteran comedy directors? This movie plays like someone who's giving a pale imitation of the trio and you can see how very hard Moe and Larry are working to make every little bit of slapstick relevant. Joe De Rita, despite his background in vaudeville is just not up to the job as a replacement for Curly, Shemp, or even Joe Besser. If that's who Moe and Larry had left to pick from, they should have just closed up shop and enjoy their retirement years. Leaving us fans with better memories of far better films they had done earlier. Always leave them laughing is the motto for comedy and always quit while you're on top. Hence Seinfeld's leaving the sitcom while right up there, instead of sticking around for the inevitable decline.

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As Joe Bob Briggs would say, this movie relies a lot on the actresses' talents rather than their talent. This early 1990's show-the-babes-in-bikinis-fest has very little to redeem it, other than showing beautiful women nearly naked. Joe Estevez, Martin Sheen's little brother, proves once again that his movie career will be nowhere near what his brother's career is.

Avoid this one unless you like watching beautiful women in skimpy clothing. It's about the only thing that redeems it.
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These kinda movies just don't get the credit they deserve. This is my 2nd all time favorite movie, (Stand By Me being 1st.) The reason I watched this movie was because Wil Wheaton was in it and he is my most favorite person in the whole world and I think he done an amazing job in this movie and so did Sean Astin. I just watched it last night actually and it just amazed me. Everything in the movie is very exceptional. The script, the acting, the screenplay. I was on the edge of my seat 80% of the time, and if my mom wasn't in the room I would have absolutely balled whenever Joey Trotta (Wil Wheaton) died. I did not see that coming!! At all!! I was real surprised when I heard that it wasn't real popular back in the 90's. I was born a few years after it came out so, of course, I didn't go see it in the theaters, but im sure I would have if I would have been alive. If any of my friends watched this, they would be like, "uhh okay?" but thats just cause their not cool enough to appreciate work like this. If you haven't seen this movie, or are wanting to watch something that is the bomb, this is the movie for you to watch.
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SLOOOOOOOW, tepid, poorly produced 70's schlocker made moore cowvincing because of today's headlines; nonetheless, this film is worthy stink-fodder because of uncowvincing acting, absent direction, and silly 70's clothing(sadly, the MooCow remembers when Adidas clothing was all the rage...). This has the same sort of feel to it that some better 70's sci-fi moovies accowmplished, namely "WestWorld" and "Logan's Run". While the premise interesting(rich people clone themselves to keep a ready supply of body parts to keep them alive theoretically forever), the film makes the mistake of saddling us with Richard(Tim Donnelly), a clone who is at once both boring and irritating. Hollow acting by Donnelly doesn't help, but fits right in with the rest of the cast. Even such B-illuminaries as Dick Sargent("Bewitched" tv series, "Ghost with 1,000,000 Eyes), Keenan Wynn("Dr. Strangelove", "The Dark", "Laserblast"), and Peter Graves("Beginning of the End", "Killers from Space", "It Conquered the World")provide only the moost tepid performances. Produced, directed, and edited by a bunch of nobodies, it's no surprise that "Clonus" fails to horrify anyone in the least, much less keep anyone's attention! Truth be told, there's nothing in the feeble flick that even schlock-fans would love - wanna see some realllly bad, funny 70's films, put on anything by Greydon Clark. "Clonus" is no bonus; the MooCow says even the MST3K-version is a yawner, so proceed at yer own risk! :=8P
Generate a movie review with positive sentiment.

This is a great concert which featured the best songs of the band's 30 year career. Lee, Lifeson, and Peart were animated and fun on stage and delivered a great show. That being said, I think the audio recording was botched at the mixing console and/or through the miking process. This is not the fault of the boys however. They even mentioned that the show was setup last-minute, so the band and their crew obviously did their best. They just shouldn't have put the show out for public consumption. Neil's snare sounds distant and Geddy's bass has good harmonic content, but no bottom end at all!! They should have held out on this concert and waited for a better occasion. Only buy this DVD if you are a hardcore Rushian. The quality is lacking in the audio department.
Please tell me the sentiment of the following review: My girlfriend wanted to see this (lol this is the case a lot)...so I rented it. Then I saw how acclaimed this was nominated for 10 Oscars. GREAT! this should be good ol' drama. This movie had a lot of potential...the direction and the way everything was paced was very well. But once the movie ended, I couldn't help but ask myself if this story was really worth making a film for. Virginia Hill (Annette Bening) was EXTREMELY annoying, I just couldn't tolerate her character at all. Warren Beatty was excellent in the film acting-wise, but again I just found it hard to have sympathy for his character....he just came off essentially as a idiotic, hotheaded loser of a gangster..who had no place in 'the life' in the first place. How'd he get in with the likes of Meyer Lansky and Lucky Luciano anyway??? This film just left me with a bland but uneasy feeling...what was the big deal with this movie? I just didn't feel a completeness with Bugsy. Beatty's antics, although acted quite well, just seemed too random and illogical. I'm guessing that's how Siegel really was....but it was just too much of that. There just didn't seem to be much of a real story here. My basic assessment of it would be 

"a hot-headed, playboy, underachieving gangster falls in love with a loser of a woman, comes up with the idea of 'Las Vegas'....but his failed attempt at the casino he builds, along with having no regard for his mob bosses' money gets him killed."

What else is there besides that? I just didn't see the big deal with this, and it was a big disappointment. There must've not been many movies to come out in 1991, how this was nominated for 10 Oscars is beyond me (although the two it won is justifiable). 1.5/4 stars.
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negative
This only gets bashed because it stars David Hasselhoff. Well, then let me bash it to. Compared to the garbage they call horror coming out nowadays, this film isn't too bad. It has the beautiful Leslie Cumming. She is super hot, but can't talk very well. There is a great scene with her when she is supernaturally raped. She shows off her nice body. Linda Blair does nothing here as well as Hasselhoff. 3/10
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negative
As usual, another masterpiece in the Vice Academy series(HaHaHa). I don't know why they even bothered to make this trash. Just another series of cops acting slutty. A defining part was when Ginger Lynn Allen's character(Holly Wells) and Elizabeth Kaitan's character(Candy) tried to seduce the scientist by wearing nothing but their bra and underwear under their labcoats. Just a wonderful scene(Ha). A character that I didn't like was the Commissioner. He was very annoying and ignorant. They should have arrested him. Mrs. Devonshire was pretty annoying, as well. They should have stopped this series after this movie.
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negative
Write a negative movie review.

I don't even understand what they tried to accomplish with this movie, i mean really. You got this guy running from a bunch of cats, because he's dead, but in order to be really dead this girl has to shoot them? And they leave a corpse even though normal people can't see them because their dead? The script already has a hole in it the size of Nebraska, then you have the main character played by Susan Paterno who just drones up her lines in a monotone, boring voice and with so little emotion on her face she might as well have starred as a female terminator robot. It's absolutely horrendous and I don't even understand how I managed to see it all the way to the end of the movie. The end being just as stupid as the entire movie mind you, and with absolutely no reward in it for the viewer what so ever. They might as well have called this movie "the little movie that could choo-choo ka-choo."
First of all, let me start by saying that I have been a devoted follower of C Thomas Howell's career ever since "The Outsiders" and "The Hitcher". He was an up and coming star in the 1980s - with hits such as "Soul Man" also. The future was bright for this young actor and he had the potential to go on from there and really assert himself in Hollywood. Put it this way - Tom Cruise had a bit part in "The Outsiders" while Howell had the lead. Look at Cruise today !!! But picking material like this drivel will only denigrate Howell's career even more - if that was possible. Why does he pick stuff like this? A small part in a major movie would be of more benefit to him than this rubbish.

Essentially the story here takes place in a post-apocalyptic world where everybody lives underground where chaos reigns. Howell is a Shepherd - protecting the flock of various religious leaders by killing off any undesirables. He's a hit-man in other words.

The sets are so bad, they wouldn't look out of place on a Thunderbirds episode. The use of slow-motion needlessly repeats itself throughout the movie but is well backed up by bad acting (and bad is a kind word here), no continuity, scenes that are thrown in for no reason whatsoever, vehicles that looked like they were made from a Corn Flakes box and a directorial style that bordered on stupidity. Oh yeah, and the storyline was pathetic too.

I hate writing bad reviews about films - especially those in which I really like the star - but this film is so bad I don't believe for one second that anyone could have been proud of it. I am not a filmmaker nor am I a director but I would hide my head in the sand if I'd spent whatever amount of money and time on this movie.

In short - this was a monumental waste of time and energy and I would not recommend anyone to EVER see this film. It came free with a DVD player I bought but I still turned the thing off halfway through because I was embarrassed for Howell. Come on C - give yourself some credit and wrestle yourself away from these non-hit wonders and try to knuckle down and get a good part - however small.

1/10 - and only because there is no setting for 0/10.
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negative
Overall, this is a pretty bad film. But for $5 at PathMark, it wasn't a total waste.

The whole scenario has to do with a guy who is with this lady infected with snakes, supposedly from a magic curse. The actors/actresses aren't names that are big (even though some look like from TV shows), so I won't do my usual Troy McClure thing.

For awhile, the film holds your interest as the couple hop a train and travel to L.A. to see a shaman to undo the curse. There's a bit of other plots going on too; like two ladies smuggling drugs.

But the last 20 minutes turn out to be a total let down. As violent and gory as the whole film is, the grand finale is just totally computer animated.

I saw the unrated version which had tons of language, gore, blood, violence, everything! The bonus features were OK.

Overall Grade: D-
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negative
Having a close experience with one such patient is probably the best reason why I had my heart rushing throughout the entire film. Intense, sensible, moral and revealing, and don't forget to check out the marvellous sound track. Really good.

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positive
Generate a movie review with positive sentiment.

One of the best film I ever saw.

The performance of Louis Jouvet is fantastic. He really 'fill' his part, and this is wonderful. He's such a good actor that you can't think of anyone else to take his part. 

And both Suzy Delair and Bernard Blier are good as standard french people, trying to defend themselves in the struggle born with a murder...

The story is breathtaking and well built. You can feel the ambiance of Paris for that period (which is about 1930-40), between two wars... The clubs, the old little buildings, the neighbors.

All those things contribute to make a great movie.
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So it isn't an epic, but for people experiencing anything similar

(sibling suicide) it might be an interesting way of therapy. An

imaginative narrative and some fine acting makes it time well

spent. For some reason, it hasn't really caught on in the audience,

something I do believe is a result of the main theme. Why did she

commit suicide? Clearly, this is hardly something that US

moviegoers will flock to, had it been an European production it

probably would have reached its audience in a much greater

extent. It is however, a movie that although the realism tainted by a

shimmering romanticized glow, gives the viewer a whole hearted

impression.
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positive
I had borrowed the three Sarah movies from a friend, and had watched them while sick in bed during one weekend. I thoroughly enjoyed every one of them. I enjoyed how the last movie gave a glimpse of what Caleb and his sister were like when they grew up. In addition, I liked the carry-through of the "Billy-boy" song that first was heard during the credits of the first movie, the title "Sarah, Plain and Tall." However, the one thing in Winter's End that I didn't like was the youngest daughter. She was a very cute little girl, but she just had too much spirit and looked like a brat compared to the other kids, even compared to talkative but still good-natured Caleb when he was younger.
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positive
Mikhail Kalatozov's The Cranes are flying is a superb film. Winner of the golden palm at Cannes Film Festival, it has an excellent cinematography and performance by Tatyana Samojlova, the only Russian actor ever to win an award in Cannes for a performance. She plays Veronika, a teenager in love with her boyfriend, happy and without preoccupations, with plans of getting married. Her life will get upside down when World War II strikes and her boyfriend volunteers to the army. The film depicts the effect of war on a teenager love and on the people that stayed and saw their loved ones go and fight, waiting for a letter or other information. It is a portrayal of lost innocence. Samojlova does a magnificent job, and her character transformation will break your heart. The camera movement is fast with a lot of close-ups, it is a dancing camera. The first scene in the stairs is fantastic, but it isn't the only one, there is later a scene when Veronika attempts committing suicide, and another, in my opinion one of the most powerful scenes in movie history, the bombing of Veronika's house when she runs the stairs in the middle of fire, to find her apartment completely destroyed. Simply great! 10 out of 10.

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positive
If you are an insomniac and you cant get anything to get you to sleep i definitely recommend this movie. If you are renting it for whatever other reason....DONT!....this movie is by far one of the most slow moving turtle motivated movies i have ever seen. The only reason i rented it was because my brother wanted to for some odd and strange reason. I cant even write about this movie anymore...GET IT AWAY FROM ME!!!!!!!!
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This movie was so dumb and slow was it ever slow. The only good part of the film was the girl in the tight shinny gold pants. There was no gore whatsover and what is a 80's horror movie without a little gore. Plus the killer wasn't at all scary nor were the murders. But if you like to watch the world's worst horror movie then this is for you. Don't waste your time like I did watching this.

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negative