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1. The Largest Amount of Money Spent was on the package of hot dogs they put on that guy's stomach, the ones that were supposed to be intestines. 2. Ken Shamrock is in it. 3. Ken Shamrock gets destroyed. (he doesn't die which is sad.) 4. It leaves you wanting more... aspirin. 5. The makers of the film are the kind of people who don't care what their monster looks like. "Just give him a $30 mask." "Good enough for me." 6. The Scarecrow RUNS A CHICK OVER. AWESOME. 7. The film-makers don't actually make their actors sing or play the guitar. 8. The Scarecrow uses a volleyball pole as a javelin and impales the dude who doesn't actually play the guitar or sing. 9. The Scarecrow can choke a dude in like 3 seconds. 10. It makes you actually think of all these things and write them down for other people. god what am i doing.

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*** Contains spoilers ***

A lovely film this, starring Brad Renfro and the ever wonderful Joseph Mazzello. I like Joseph Mazzello, out of all his films I've seen to date I've loved every single one of them for many different reasons and The Cure is no different. Brad Renfro does very well in this movie as well. The Cure is a drama/coming of age movie from the viewpoint of an ill child and his friend.

The basic idea is: Dexter (Joseph Mazzello) has AIDS. He ends up befriending the kid next door (Brad Renfro) but Erik's mum is very narrow-minded, ill-informed and somewhat "thick" when it comes to Dexter's illness. She thinks AIDS is contagious like the Common Cold so doesn't want her son going anywhere near Dexter.

After many attempts at making their own cure with no success, the boys go on their way to New Orleans to find the cure after reading a pamphlet about it. After getting their kicks from Playboy magazine, Dexter's health goes south shortly afterwards and as his health detoriates, there's still enough life in the boy alongside Erik for two pranks of pretending to stop breathing. Unfortunately, poor Dexter does indeed die from his illness, leaving poor Erik behind to wonder why he couldn't find the cure. Throughout the movie he ends up bonding more with Dexter's mother than his own.

It is a very heartwarming movie to watch and is not absolutely perfect (movies rarely are) but you won't care less about that as you get involved in the film more. A must for Joseph Mazzello fans, one of his best performances ever. Very well recommended must-see movie - if you can find a copy :)
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In Thailand, the Americans Connor (Colin Egglesfield) and his girlfriend Amanda (Meredith Monroe) quarrel in a Muay-Thai fight, and Amanda leaves Connor alone. She asks the direction of the hotel to a stranger, indeed the mean vampire Niran (Don Hetrakul), and she is bitten and kidnapped by his gang of evil vampires in motorcycles. Connor joins to a clan of "good" vampires leaded by Sang (Stephanie Chao), trying to save Amanda from the claws of Niran.

I expected that "Vampires: The Turning" were a good movie. The locations and the cinematography are beautiful; the very heavy music score is excellent; Stephanie Chao is gorgeous and attractive; but unfortunately, the screenplay and the director are terrible and the very loose costume of Meredith Monroe does not help her fallen breasts. The story is very short, and the unknown Marty Weiss uses long scenes with motorcycle race, fights and boring flashbacks to complete a minimum running time for film. My vote is four.

Title (Brazil): "Vampiros: A Conversão" ("Vampires: The Conversion")
Pretty dreadful movie about several unbalanced young people in a car starts off reasonably well but becomes more bizarre and hard to swallow as it progresses. Rachel Leigh Cook is the sole highlight in a tender and sexy performance, but I would recommend this film only to die-hard fans of the actress.
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Let me just give you guys some advice, if your going to watch this movie just to see a bunch of unlikable characters get slaughtered in a dozen different ways then you are going to love this movie because everyone dies a horrible death, beyond the gore however there is not much else.

where should i start: -the characters do not appeal to the audience as there are no back stories for any of them, there for i didn't feel connected to any of them, in fact i didn't like any of them, and i was so sick of them that by the end of the movie i was rooting for the disfigured creep to kill them all.(which he did by the way)

-bad acting; i mean i didn't get it, take the Asian tour guide for example, first he spoke perfect English then after their little tour boat thing sunk he somehow got an accent out of the blue, then later on went to speaking normal English.

-one of the worst endings for a horror:(if you can call it that)after the monster/human mutant thing kills almost everyone, he is killed by the last two remaining idiots, or so they thought! the monster/human thing is finally killed when the beauty and the geek stick a pole through its heart/nick(it was hard to tell)and presumably it died right in front of them(within arms reach) but later on it comes back and kills them(wtf) i mean why didn't it just kill them when he was right next to them. Arghhhh! i mean it was just way too retarded,it was like the writer didn't know where he wanted the story to go.(or he was a few minutes short of 80 min so he added some more retarded twists to the movie so people can get 80min worth of crap instead of 75min.

what i didn't get was why didn't they just kill the damned thing while it was unconscious, instead they just walked away from it like idiots and left it so it could come back and kill them. the only reason i gave it a 4 was because of the gore which was actually the only thing that i watched this movie to the end for, that and to watch them all get killed.(no, i'm serious)
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this took me back to my childhood in the 1950 's so corny but just fab no one ever could play FLASH GORDON like LARRY BUSTER CRABBE, just great. i have two more series to view flash gordon's trip to mars and flash gordon conquers the universe cannot wait


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All right, there's no way to sugarcoat this. The plot was ridiculous, the premise was ridiculous, the acting was unconscionable, the effects were laughable and all of the outdoor scenes appear to have been filmed in New York's Central Park. That having been said, there was something about this movie that I couldn't walk away from. Maybe it was the atmosphere, or maybe it was the evil super-vixen or the amazon wenches.

Anyway I'm not one to sit on the margins and criticise without pointing out a few redeeming qualities, so here they are.

A violent off-shoot of the women's lib movement is portrayed in a wilderness setting (central park, of course), and all of the masochistic young men out there will be very impressed. Furthermore, some of the scenes in which certain characters lose consciousness are amusingly dramatic (you'll note that I write dramatic, rather than convincing).

All I can say is that some people like B movies and I'm one of them. If you're one of them too, then give it a go. Cheers, Mr Kincaid. This is one for the ages.
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Wow, I just LOVED watching all these hot babes! The scenery around Malibu and California was off the fizzy. I could watch it again just to see all that flesh crammed into those tiny, teeny bikinis! I recently saw Pilar Lastra, the steaming hot housekeeper in Malibu Spring Break, as a center fold in my favorite mag, PLAYBOY. She is hot, hot HOT! The opening seen was bitchin. When the two main girls run out of gas and stop at this desert gas station, they drive the gas-guy nuts with their bodies and skimpy outfits! The slow-mo lets me enjoy every inch of them! My girlfriend liked looking at this shredded hot dude too (now I'd like a bod like that) and at all the other hot dudes....and some of the girls too! Any movie that can bring that out in my girlfriend is a 10 + for me!

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Sometimes Full Moon makes entertaining movies. This isn't one of them. Full Moon is like a low-key Troma. Their movies aren't as violent or off the wall, but they're usually just as devoid of talent. The acting in this movie isn't terrible but the script is pretty bad, and overall it's pretty boring and it doesn't even contain any nudity (like many Full Moon movies) to somewhat redeem it. Skip this one, and go rent "Head of the Family".

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I caught this show a few times when I was young and it was playing tilt, My parents loved it and now in syndication I feel what they feel. This show did what the original limits and twilight zone (new and old) couldn't do. This show used some old ideas and some truly original ideas.

I still cannot believe Jonathan Glassner and brad wright did this. Those guys were producers on stargate sg-1. The show kept the audience entrenched in the story and set a truly scary atmosphere. This is what was not there in the new twilight zone. Rod serling coming in added to the scariness, forest coming in lightened the mood. 

The ending whether good or bad made for a scary time. You could never predict what was going to happen. I am still trying to find the seasons on DVD.
"De Dominee" is based on the life of a real dutch gangster,Klaas Bruinsma! In the movie he is called Klaas Donkers! I have my doubts that events presented in the movie have something to do with what really happened! But that doesn't really matter! Because it failed to grab my attention! This movie bored the crap out of me! It lacks substance and style! The substance part could have been forgiven if the acting was any good and if the director tried to do something original! Without the substance you at least have to bring some style or decent action! Don't we need to be entertained? It would have helped if the director had seen more gangster movies! It is obvious that he didn't! Otherwise he wouldn't have made this the way he did! This movie got a lot of publicity because of a little scandal surrounding Klaas Bruinsma and a member of the Dutch Royal family! This scandal has nothing to do with the movie what so ever! Without it "De Dominee" never would have been successful! I am sure of it!
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This is the final episode we deserved. At the end of the last season, things were left in a 'life goes on' mood, which was hardly the wrap-up that this realistic series deserved. While not a happy show, this series was always one that made you think (a rare thing on television), and this is no exception. 'Is death justified by reasoning?' 'Are morals reflective of society, or is society shaped by the morals that are selected by the few in power?' 'What is a just death, and can it exist?' All of these questions, and more, are posed by the writers of this show every week, and this is their final thesis. Fine acting, great writing, wonderful camera-work, brilliant editing, clean direction. If you have seen the series and you missed this when it first ran, then get a hold on a copy somehow. If you never watched the series when it ran, then this will stand up on its own, but it may be heavy going trying to keep up with who all the characters are and what they are alluding to in their varied pasts. For those of us who were avid viewers of the series in the last two seasons, this is very satisfying viewing.
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"MY WIFE AND KIDS," in my opinion, is an absolute ABC classic! I haven't seen every episode, but I still enjoyed it. There are many episodes that I enjoyed. One of them was where Junior (George O. Gore II) got his driver's license. If you want to know why, you'll have to have seen it for yourself. Before I wrap this up, I'd like to say that everyone always gave a good performance, the production design was spectacular, the costumes were well-designed, and the writing was always very strong. In conclusion, even though it can be seen in syndication now, I strongly recommend you catch it just in case it goes off the air for good.
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Someone on these Boards has predicated that the whole thing is being dreamed by the best friend of the protagonist, albeit a friend he hasn't seen for some 20 years. I'm reluctant to dismiss this out of hand but it does raise some viable questions. Why WOULD a telephone engineer - or a shoe salesman or butcher for that matter - WANT to create a mythical world and weave it around a friend populating it in the process with a set of equally mythical supporting characters. With an imagination that good the friend should be WRITING not Dreaming. Dream or not SOMEONE, and the obvious candidate is director Paolo Sorrentino, has created a very watchable world in which Tony Servillo makes stillness a Fine Art. We are asked to believe that forty-something Titta La Girolomo (Servillo) 'upset' the Mafia some years prior to our meeting him and as penance he is a virtual prisoner in a small Swiss hotel from which each week he drives to a local bank with a suitcase containing nine mill large in used notes. Other than this weekly trip he is free to do as he likes and what he likes to do is smoke, play cards with a man who cheats and a wife who reminds the husband how far they have fallen socially, and ignore the friendly overtures of Olivia Magnani, who has spent two years trying to get a smile and/or a 'good evening' out of him. For reasons best known to himself and which are inconsistent with a man who has no interest in anything or anyone, Servillo spends a certain amount of time every day applying a stethoscope to the wall of his bedroom and listening to the private conversations of his card-playing partners. Eventually he does respond to Magnani - he has to do so or they would be no film. This is plot 6f: the one about Destry, who never wears a gun, or Sean (Duke Wayne), the 'Quiet Man' who refuses to rise to provocation and fight until the obligatory scene where the gun is strapped on and the fists cocked - but instead of contenting himself with a polite come stai oggi he removes 100,000 from the suitcase and buys her a car. The final inconsistency occurs when Magnani tells him she will pick him up the following day at 4 pm in her car and they will drive into the mountains to celebrate his birthday. We've established that she lives locally so why she is then seen driving from somewhere miles away, ignoring a police roadblock to drive off the road and overturn the car is anyone's guess. This inconsistencies apart this remains a fine piece of film-making with an excellent lead performance and a very good supporting one.
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No Holds Barred is that movie that when you were nine or ten was the coolest movie this side of arnold schwarzenegger. But then when you grow up and watch it you feel embarrassed that you were so gullible to have liked it. You feel cheated, embarrassed, and stupid. If you have a little brother and you show him this and he tells you it's gay, give him a high five and take him to the strip bar for his eleventh birthday.

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As a "cusp-pre-baby-boomer"...born in 1944, IN Los Angeles; thereby having the dubious distinction of having been alive while Hitler was still actively involved in his "Last Great Offensive; but also with our President Roosevelt still actively fighting the offensive...this was one of the most important "first films" of my young life. Having the opportunity to see it in "re-release," several years after the 1946 opening (a common studio custom in those years), answered (even to my very young mind)oh-so many questions I had...being surrounded by our returning Vet heroes. Ensconced in all the many of William Wyler's equanimity of subtle "multi-plots"...intentionally NOT "surrounding," "mini" or "sub" plots...in all their "colors and shades of intensity"...did more, than anything else I can recall, to provide to me some semblance of "reason" and "rational explanation" of what had been going on all around me...in REAL life. (My personal experience perchance being a "new" and "different" angle when looking at this classic film.)

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This is by far the worst movie ever made. I have no doubt. I have seen such crap as Manos, Space Mutiny, and whatnot, and I can honestly tell you that they do not hold a candle to Science Crazed.

Science Crazed has no discirnable plot. Something about a guy making a woman pregnant via turkey baster, and the child born *hours* later is fully grown, and ready to kill. Of course, being a newborn, it takes him about an hour to kill people. The director loops footage constantly, and takes about fifteen minutes to set up an awkward death. There is about a page of dialogue for the whole movie, however the dialogue arrives about a minute after it is spoken.

Sample Scene: The monster is walking down a hall. We know this because there is about ten minutes of looped footage of his feet. In between loops, we are treated to two women working out. Repeat ad nauseum for about 20 minutes. When the monster does show up, no one moves, and everyone looks like deer in headlights as the monster takes another 10 minutes to get to them to kill them. By the level of the acting, you would guess that the people are already dead.

I know my description doesn't seem too bad, but trust me, I can not fully describe the pain that is Science Crazed.

Stay away, and boycott all video stores that carry it. :)


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POSSIBLE SPOILERS --

I love Dennis Quaid and I like Meg Ryan. I was looking forward to seeing them together, being married and all, I wanted to see their on-screen chemistry. Okay, that being said, I guess the fact that they are actors, their off-screen relationship didn't have to permeate their performances, especially with this script.

How stupid can a professor be to glue himself to anyone. I don't remember the original, but I can only assume that O'Brien probably was handcuffed to his leading lady, probably in a more inevitable way. If I were "bonded" to someone I'd be pretty angry. The crush I would have would definitely have dissipated quickly. Meg showed not even a little annoyance only slight surprise. Dennis would have to take me kicking and screaming. That whole section of the movie was so horrible -- especially Meg having to go to the bathroom (#2) between dumpsters in the dark at night. Ewww. No f****ing way! 

What's with Dennis socking every single suspect in the movie. Sock first ask questions later. Not once, not twice but too many times -- I could have kept count if I were so inclined. 

The most interesting part of the movie was Nick and his family drama. Too bad that couldn't have become more of the plot. The assumed off-screen drama leading up to this tragedy. I think it could have been written in without distracting from Dex' quest. 

My blame lies with the writer of this screenplay. Unless the director and others doctored it up so much that it's unrecognizable.

I won't even get into the real reason poor Dex was murdered. How ludicrous is that. Even when Dex confronted the real killer and the reason was explained, (a true "film noir" moment) everyone on screen seemed bored. Oh, _____ happened. Oh. (yawn) "Dex even says this is a silly reason for a triple murder. Oh the tension, you could cut it with a spoon.

If anyone but Dennis had been in this movie, I'd have to give it 1/2 star (only because I really have seen worse), but in this case 1 1/2 stars.

For Dennis and Meg stars, see ANYTHING ELSE.
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This is the worst film I have ever seen, bar none. From the flimsy-looking, poorly lit sets, to the laughable acting, to the infantile plot and shoddy, drawn-out action sequences, this film is so bad, its hilarious. For about ten minutes. After which you will be reaching for the remote or the power socket to end this film non-experience. Although it was obviously made with the entire production and acting staff's collective tongue rammed in cheek (please God), I found Jack Frost 2 so dreadful as to be unwatchable for more than a quarter of an hour. If you have not had enough of it after this time, you must be indulging in drug abuse.

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This film's premise seems to be that the passing of the World War 2 generation in America, with its apple-pie phoniness and hypocritical morality, was a terrible tragedy. Those awful hippies ruined everything apparently.

What holds the film together are the excellent performances - particularly Lemmon's which is truly remarkable. Otherwise we have a boring slice-of-life drama (just over 24 hours of Jack's life) with pretensions.

I found it a chore to sit through.
Starts off with Fulci playing a version of himself, writing down some ideas for how people could die. Followed by a fake-looking cat eating what is presumably a brain. The copy I watched was dubbed in English, which I always hate, but I was particularly disappointed not to get to hear Fulci in his own voice.

Fulci is in a sort of feverish state working on his latest horror movie. His stomach turns when he sees things that resemble effects from his movie, and he starts to hallucinate that he is witnessing acts of horror. He visits a psychiatrist, who hypnotizes him and unfortunately he does not have his improved mental health in mind. I was reminded of the psychiatrist played by David Cronenberg in Clive Barker's Nightbreed (1990). The shrink in this one is played by David L. Thompson, who is pretty bad. Probably a real life friend of Fulci's, he has a big toothy grin when he kills people, though this may be Fulci's black humor at work which I thought was pretty poor too.

The movie is composed of a lot of clips from Fulci's movies, either as if Fulci is on the set directing them, watching recordings on TVs, or witnessing the acts. I've never been too much of a fan of clip shows in TV series, and I also think things like Charles Band's Full Moon Entertainment cutting their old films down and putting three such cuts together as new anthologies are pretty lame. I guess they need to make money?

The shrink in Cat in the Brain makes reference to the theory that violence in movies begets violence in real life. One of Fulci's co-workers talks about having a documentary crew follow Fulci to see what his life is like. Lots of self-referential stuff like this.

In the end, some of the characters sail away on a boat named "Perversion."

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I've avoided seeing this film for some time but finally picked up a copy. Having been born too late to see 'Hair' in its contemporary setting, I have just been familiar with the UK and Broadway cast recordings for many years; and saw it on stage in the late 1980s where it looked a little creaky but still, great fun.

The film. It drops some of the songs (The Bed, My Conviction, Frank Mills) and cuts others (Walking in Space). However, what is left is presented very well indeed. All the singers and dancers are excellent, and the key performers (especially Treat Williams as Berger, Beverley D'Angelo as Sheila, John Savage as Claude) are memorable.

As a hippy celebration and anthem, 'Hair' manages to be remain potent even in a film made ten years too late. It was no longer the era of peace, love, and Biba, but the time of punk rock ... although watching this film now, in the time of Iraqi problems, gives a new resonance to the Vietnam issues of the 1960s.

Milos Forman, who also made 'Amadeus', did a good job on directing. In its scope and feel it reminds me of Norman Jewison's 'Jesus Christ Superstar', especially with the joy of the 'Aquarius' scene and the intimacy of 'Easy To Be Hard'.

I really enjoyed this film and consider it a good representation of a musical born out of the first truly hedonistic era.
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How do I describe the horrors?!!! First, some points: First, this review should be taken with a grain of salt -- I saw this over 20 years ago, when I was a boy, at the Museum of Modern Art in New York City.

Secondly, I am giving away some scenes and plot points. However, it does not have much of a plot.

Finally, I don't enjoy these type of art films anyway.

This film was directed by proto-auteur Luis Bunuel. He was a surrealist and dadaist. These were modernist themes or movements popular critically in the 1920's and early 1930's. Surealism was the school of art that made things hyper-real, yet often had Freudian symbolism. Dadaism is based on what is supposedly the first word made by an infant -- Dada, or father.

Made in black and white, it was also made by a band of communists (or as they preferred the term, socialists). Bunuel and his group of fellow film-makers and artistes had been working on a number of symbolic ideas and issues in Spain and France between the world wars.

Dadaism and surrealism influenced a lot of artists -- The Police (Doo doo doo da), poet Arthur Rambaud, Edvard Munch (The Scream), Rene Magritte (floating hats in space), Salvador Dali (melting clocks), and even Hitchcock (Psycho). No Norman Rockwell.

Here's what I recall most about this film: a girl meets up with a cow; her eye gets slashed by a razor; clownish men cavort in a meadow. There is not, as I said, much of a plot, but then again, that must be the point.

This was attacked as porn back then, and would be again today. One of the trade-marks of surrealism is a significant anti-feminism.
The movie had an interesting surprise. Somewhat psychologically gripping. And the makers could have ended it tastefully without making it just another of a rash of movies put out by Hollywood promoting homosexuality and/or other sexual deviances. This could have ended with a "pay-off", but there were other motives behind the pen. What torques me off is that the mud slung in your face AFTER you've seen the whole movie. Like the disappointing "The Talented Mr. Ripley". Yeah sure, I'm just another puritan. This gay content tarnished the whole film. I wouldn't positively judge a movie for artistic or entertainment value if its sole purpose was to promote an ulterior political motivation, more so for this.
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This film, an early William Wellman, has an important message, particularly today. It posits the notion that sometimes there are things more important than your own personal safty or well-being. The film, which has Walter Huston as the lead, is stolen by the performance of "Chic" Sales as Grampa. He's the most completely drawn character in the film and a joy to watch. You'll recognize some familiar faces if you watch many movies from the '20's and '30's. Wel worh your time to watch if you get the opportunity. Recommended.
I've never seen a movie get a worse release then this. And that's a shame, as this is the funniest film of the year! You would think an ad with the line "From the director of "Office Space"" would be enough to warrant a big release! But there are no ads, no posters, no website , I doubt the stars even knew it came out this weekend. What is 20th Century Fox thinking? Mike Judge's Sci-Fi comedy is set in 2505 but it could come true in about 10 years (if things continue as they are.) Luke Wilson and Maya Rudolph get frozen in a top secret army experiment and wake up in a future full of consumer zombie inbred retards. The film reminds me of Woody Allen's "Sleeper" ,"RoboCop", "Planet of the Apes", "Blade Runner" and "Network" and the late great "Futurama". Try to see it before Fox burns all the prints!
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This marvelous short will hit home with everyone who, as a child, specifically asked for something because it was hip or cool, only to be given something that would mark you for life with your peers and were told by your Mom or Dad (or both) that it didn't matter, as you earnestly began considering enlisting in a Witness Protection Program in order to avoid ridicule. For those U.S. residents who don't get the horror because you don't follow hockey, it's like a Dallas Cowboy fan getting a Washington Redskins jersey or a Yankees fan getting a Red Sox jersey. It isn't pretty. For our European friends, think of two great rival football (soccer to us) clubs and imagine a fan of one getting a jersey from the other. Ouch!!! NFB of C outdid themselves here!

Une hommage du Maurice "Rocket" Richard, merci, M. Richard.
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Could possibly be the worst film ever made. At least plan 9 From Outer Space was funny. I can't believe they talked someone into actually putting up money to make this thing. Complete waste of celluloid. Before I saw this crap I had some respect for Kristophersson. I guess somebody needed a tax write off. Please, in the name of all that which does not suck, stop whoever made this, before they suck again!This movie should be avoided by all people who are not on LSD, or my crazy cousin that insists we're part Native American.If you are in the woods, and an owl starts talking to you, see a psychiatrist. It is not necessary to make a movie about it.
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Please tell me the sentiment of the following review: I remember reading the original Balzac story in college French.

I remember Ken Nordine of WGN-TV in Chicago reading it as one of his late night shows.

Always loved the story but never believe they could or would make a movie of it. To my surprise they did and did it VERY well.

Few of any Balzac stories lend themselves to dramatization, which is unfortunate, and -cat lover that I am, I was always hoping it WOULD be filmed without a lot of Hollywood sexing up. This is as close to perfect conversion as could be done.

The theater of the mind is always better than what the eye can see, but this is as close as I think it can come to letting the imagination of reading meet the reality of seeing.
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KRAMER VS KRAMER won five Oscars, including Best Picture of 1979. This intense and deeply moving family drama follows an advertising executive whose life is turned upside down when his wife of eight years, walks out on him, leaving him to care for his son and build a relationship with him he never had. Robert Benton's incisive screenplay presents us flawed, but real human beings with hearts, souls, and brains. For instance, in the scene where Joanna announces to Ted she's leaving him, she doesn't just storm out the door...she gives him the keys, her credit cards, the dry cleaning ticket, tells him which bills have been paid, and informs him she has withdrawn from their bank account the same amount of money she had when they were married, no more. This decision to leave was not a whim...it was thought about and Joanna felt, with no other option than to leave, if she was leaving she was going to do it properly...and with no specific plan in mind, she did not think it right to take Billy. Dustin Hoffman won an Oscar for his Ted Kramer, a man so obsessed with bringing home the bacon, he had no clue that his life at home was crumbling into pieces. Meryl Streep also won an Oscar playing Joanna, the unhappy wife who we feel sympathy for in the beginning of the film but that all changes when she returns for her son. Hoffman is at the top of his form here. I always tear up during the scene where he tries to explain to Billy (Justin Henry, Oscar nominee) why his mom left and he does it all in a stage whisper or when he meets Joanna upon her return and slams her drink into a wall (a Hoffman moment not in the script that Streep was not told about in order to get a natural reaction). Justin Henry hits all the right notes as Billy, the confused little boy who doesn't know why his mom is gone and doesn't know how to communicate with his father. Jane Alexander also got an Oscar nod as Ted and Joanna's neighbor, Margaret, who has switched allegiances by the film's conclusion. This is an intense family drama but there are laughs to be had here too...Billy and the chocolate chip ice cream...Billy pouting because Ted is late picking him for a party...Billy catching his dad's one night stand (JoBeth Williams) on her way to the bathroom stark naked, but it's the moments of human drama you remember...Ted running through Manhattan with Billy in his arms to get to the emergency room after BIlly falls off the jungle gym...Ted getting fired right before beginning his custody battle and instead of making a scene, he tells the guy in a whisper..."Shame on you." And of course, the finale where Joanna tells Ted she's not taking Billy, which I found a little hard to swallow. Why would she go to all that trouble of suing for custody and then just change her mind? But this is a small quibble regarding a wonderful movie, masterfully directed by Robert Benton and flawlessly performed by a top-notch cast. A must-see.
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Please tell me the sentiment of the following review: This is one of the best TV movies I have ever seen! The title makes it so obvious and predictable but come on, all TV movies are like that!

The story is fantastic. It may seem ridiculous but it is based on an incredibly true story. Gary Cole plays a military man named Dave who feels trapped in his marriage. He abandons his wife and kids and then fakes his death! All so he could be with Alyson (Karen Sillas). How far will Dave go to keep his secret? 

The acting is top notch for TV movies. Gary Cole especially keeps the movie together as a charming, smooth-talking sociopath who has an answer to everything when his wife gets suspicious. Karen Sillas does the best she can as a wife who discovers that her husband is a LIAR and doesn't know what to do about it. Teddi Siddall, who I believe is Gary Cole's wife in real life, plays her part well especially when she cries about the "death" of her husband. Wendy Makkena adds a nice touch as Alyson's sister. Linda Goranson is great in her small role as Dave's mother.

Predictable but the acting and the story take this movie up several notches.
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Insane really. Even if you haven't seen the original George Cukor movie with Norma Shearer, Joan Crawford, Rosalind Russell, Paulette Goddard, Joan Fontaine and a cast of a thousand other stars you may dismiss this forced, politically correct, depressing comedy. Depressing for many different reasons. Meg Ryan for one. What has she done to herself? Her face can hardly move. That alone puts her miles away from Norma Shearer. Annette Bening should be suing the DP and Debra Messing, what the hell was she doing here? Actresses with no connection in the public's subconscious trying to pass for friends, totally unconvincingly. Eva Mendes in the Joan Crawford part is an outrageous piece of miscasting. What a terrible idea! Her character is like a trans-gender performer without any taste or subtlety. Bizarre to think that a woman adapted and directed this women.The only positive things I can mention are a short but very funny appearance by Bette Midler and Cloris Leachman as the housekeeper.
It's hard to believe a movie can be this bad, but you live and learn. What's more amazing is the fact that the people who put this thing together likely had college educations. Meanwhile, the fruit of their labor bares the appearance of something a group of five eighth graders may have come up with. On the bright side, (if there is one) the soundtrack has some nice moments, which is another reason to question how the rest of the film can be so hideously bad.
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A few minutes in: "NOT credible. What idiot wrote this?" 

But, "What's going on...who's the bad guy...then there's that Rebecca De Mornay." Time passes....

THE END.

"NOT CREDIBLE. What IDIOT actually watched the whole *@#! thing!"
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negative
Dexter (Kurt Russell) returns from The Computer Wore Tennis Shoes for a new adventure that can stand alone. Dexter, ever the college student prone to misadventure, has an idea for a formula to render things invisible. Dean Higgins (Joe Flynn) is less than impressed and sets his hopes for winning a lucrative science prize with the pupil studying bees. However, the bees sting the student and he turns out to be allergic. There goes THAT chance for a prize. But, wait, Dexter does it! He actually concocts a liquid that makes him invisible. Trouble is, a unscrupulous businessman (Cesar Romero) learns about it and decides he can use that formula, thank you, for something illegal. Can he manage to steal the bottle out from under Dexter's nose? This is a companion movie to the TCWT but one need not have seen the first film to enjoy this one. Russell is a genial leading screw-up who comes through when it really counts. The rest of the cast is also a dream, with Flynn, Romero, Jim Bacchus and others showing why their comic abilities are still held in high regard today. The script is just innocent fun that is charming, with the special effects somewhat simple, by today's standards, but effective nonetheless. If you want to sit down and relive a bygone era or just want to share a quality, G-rated film with your family, this is a great choice. Although it is over 30 years old, there is a great possibility that even now you will see your loved ones giggle away the blues with a showing of this fine flick.
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I suppose this movie is not your typical Spanish thriller as it is based in a real story that took place abroad. The movie is based in the real story of French man Jean-Claude Romand, and the real case is much more gory and scary than the film. In the real story of Mr. Romand the family didn't escape, after years of lies he decided to end it all by killing his wife, two children, parents and dog, and although he tried to kill himself, it seems he didn't try very hard as he survived. I watched the movie with people next to me talking about how it could never happen in real life that all these lies went undetected, I was laughing as I had read the book about Mr. Romand, and knew it did happen. I like José Coronado in this movie, he offered us a good performance, as the rest of the crew.
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SPOILERS

I love the Simpsons, and I have seen every single episode that had ever come out. I must admit, season one is by far the most underrated season, and this is the most underrated episode in season one.The episode begins with the family playing a game of Scrabble to get Bart ready for an intelligence test he needs to take at school. He says the game is stupid and he doesn't want to play it, but he needs to. He spells out a word that angers Homer and he chases Bart around the house. The next day Mrs. Krabappel reassures the class that the test isn't part of their grade, just a test that would tell them what their future would be like. Bart can't answer one question. He thinks fast. He quickly switches test with Martin Prince, the smartest one in class. Later that day Marge and Homer are called to go to the Principal's office to discuss Bart's behavior. Suddenly, out of nowhere, the school psychologist comes and tells Skinner and Homer and Marge that Bart is a genius and should go to a special school for the gifted. Bart agrees to go since he wouldn't need to do any homework. The next day Homer drives Bart to the new school. He is introduced to everyone and everything. Unluckily, his day isn't very good. The smart students take his lunch smartly, he can't read any comic books, but he does anyway, and he is criticized by his fellow students. Luckily for Bart, he and Homer start to have a great time together, but Marge bought tickets to an opera. They go to the opera, and make fun of it. The next day he goes to his old school but is made fun of by his friends. They call him a point dexter. While at his new school, Bart is told to do a Chemistry Experiment. He does it wrong and blows up the school, leaving himself green. Bart is told by the psychologist to tell him why he did it. Instead, Bart tells him he wants to go undercover and go back to his old school to observe other kids. The psychologist is intrigued and he asks Bart to explain it on a piece of paper. He finds it too hard and instead writes a confession that he really isn't a genius. He gives it to the psychologist. All he cares about is that he spelled the word confession wrong. That night Homer bathes Bart and Bart tells him that he really isn't a genius and that he cheated on the test. Homer gets angry and chases Bart around the house as Lisa and Marge look at them casually.

Overall, this is a very underrated season one episode.

8/10
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Stay Alive, Stay Alive, Stay Alive, I am called the attention it was the trailer and not the cartel.

The topic of the movie centred on a video I play that was created by a countess to kill the people and to live eternally is acceptable.

First that quite, bad movie of horror, the blood sees more or less sparked(spread gossip), these scenes is bled they are the more bad.

But actually(indeed) that bad is this movie, very, very, bad, but bad in all the aspects.

I do not recommend this movie to anybody, trailer well, movie bad.

I do not deal since(as,like) they spend(consume) money and time doing these senseless movies and too bad.
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This is an OK adaptation of the breath taking book of Dan Brown. I can't say it is novel or very good but they made a movie that you can enjoy. Given the excellent story, the result could have been better though. The movie is pretty long but at the end I was feeling like some things were missing. Sound effects and sound tracks were very good. Acting was well done but the character development phase was very weak. For people who didn't read the book, things may look happening too quickly. From my point of view, instead of trying to put as much as stuff from the book, they could have tried to do the important scenes more proper. What makes the book very good was all the puzzle like story combined with the excellent portrait of Vatican. You see neither of it in the movie. Too much rush and using the time not in a good way, these are main problems of the movie. So, it is worth watching but could have been done better.
This movie is so cool. It told me to enjoy every moment in life to its fulness. I think that Bonnie Hunt (Jerry Maguire) writes well and I am so happy that she gave aging actors opportunity to have such big roles in the movie. That is really neat, in a society that worships wealth, health and youth, it was nice to see a movie about normal people. The movie reminded me a lot of "While you were Sleeping" which I really love. If you don't like this movie you should work on your sensitivity skills.

Favorite Quotes: Megan Dayton: "I'm just saying, for safety, don't shave your legs,because then you definitely won't let it go too far." Grace Briggs: "Megan, it's a first date." Megan Dayton:" I married a first date. I'm sure you plan on being level-headed, but once you're in the moment, the male brain seems, I don't know, everything they say suddenly seems brilliant. Hairy legs are your only link to reality." Favorite Scenes: Megan (Good Will Hunting) riding her bike. All the scenes in the garden. The conversation and comradery among the grandpa and friends in the restaurant. Please do not miss this movie it will warm up your heart!
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positive
Please tell me the sentiment of the following review: I think Crewes did her evil part very well she should have won an award. Anything that Dunne is in. is salvageable because Dunne is a great actress and can pull anything off, even a weak script. Therefore I WOULD recommend it for this reason alone. This movie may have been a little ahead of it's time, the plot might be more acceptable these days.

During the golden age of Hollywood movies were meant to entertain or teach, mostly to make us feel good or cope with the times. This plot seem to deviate from that profile. Yet, again I must say what ever Irene Dunne was in, at least, was "good" because she made things so believable! The only other actress I can say made me think this way was maybe, Deborah Kerr. Watch Silver Cord if you get the chance for the "acting" if nothing else.
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positive
Please tell me the sentiment of the following review: When you read the comment on this film, that it's smart and funny political comedy based on true events - the only true word here is that it's a comedy. If you're told it's insider movie about Russian politics - it's not. There's probably only 2% in the movie from what really happened in Russia during that election-campaign. In reality of the 1996 it was thousand times more interesting to follow the situation and that was a real funky election-campaign. Well, there were PR-advisers from the US working in the Yeltsin's staff, but their role was just minimal. The whole campaign was totally different from what is shown in the movie, it would be much funnier showing all the president's people riding across the country with paper boxes full of cash, and the celebrities giving the shows to support Yeltsin all over the place - at least that would be true. I give it three only because of the respect to Jeff Goldblum, Antony LaPagglia, and Liev Schreiber. And about the machine guns on the streets of Moscow. I was living in the place that had the highest amount of hard crime in Russia in the middle of 90-s and never seen a man with the gun on the street.
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negative