cindermond/bento huggingface dataset:
Generate a movie review with negative sentiment.

Every time I watch Larry King Live, he rolls out the most softball questions for his guests. He rarely gets any useful information because he doesn't ask the hard questions. This comes from his start on radio.

King established himself on the radio and basically has not changed one bit of the format for television except for his talking head being visible. He becomes like a puppy for his guests & the only time he really gets useful information from them is whee they volunteer it or a caller to the show actually asks a hard question.

Larry is a nice, fatherly type of interviewer. This means he should not have a prime time show on a major news network if you consider CNN one. I don't because of the history of CNN.

Copying (ie. Cable) New Network was started by Ted Turner as an alternative to network news in that it could broadcast news 24/7. When it first started, the only TV competition was from NBC,ABC, & CBS. Because of this, CNN Copied the format of their competition & achieved respectable ratings. 

This worked fine for CNN until they got competing networks which were innovative & provided better/ fresher news coverage. In response to the heating up of competition, CNN went into denial & panned its competitors who were eating their lunch & ratings because CNN wanted to resist change. This didn't work very long & their ratings began to plummet.

Now the Copying News Network is trying to re mold itself by re-inventing itself by copying the leading news network format. Unfortunately, this show represents a big piece of the problem. It is 21 years old & showing it's age very badly. 

Sorry to say, King needs to be moved out of Prime Time or scrapped altogether.
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Pink Flamingos: A Representation of Society's Past

Pink Flamingos, a film directed by John Waters in 1972, is a very disturbing portrayal of the negative impact a traumatized childhood can have on future life. Babs Johnson grew up in a very non-typical home. Blatantly, you can see the impact this had on society through her actions up to the ending where she engulfs dog feces. Was this film just some sick and twisted perversion of endless gut-wrenching occurrences, or was it symbolic of something much deeper? To side with the first would be the easy way out and to the side with the latter might seem demented, but possibly true. The film does have some credible resemblance to actual events of our societal past. Every leader that we as people view as `horrible' displays similar characteristics to those of Babs Johnson. Ivan the Terrible, Genghis Khan, Adolph Hitler, and Joseph Staling all had `troubling' childhoods. Babs Johnson had a troubling childhood and therefore is associated in the same class as all of the previous mentioned rulers. That is why a great deal of her actions throughout the film can be seen as disturbing. However, were her actions her own fault or society's for letting her grow up the way she did. Furthermore, each character in this film represents either a past leader or event. Another coincidence is Edith's obsession with eggs. With an open mind this can be tied into the genocide and Hitler's attempt to annihilate the Jews. Some view Hitler as a genius, others a mad man. John Waters must have seen him as a mad man because his representation Edith was indeed mentally ill. Edith's son Crackers and traveling companion Cotton are symbolic of what was wrong in our own backyard, slavery. Both names, are slang terms that represent a time period that most of us would rather forget. Theses characters are crucial in terms that it points out that in some times, our society in America was no better than what we often view as horrendous acts of social onslaught in other cultures. The chicken f**king scene is the epitome of what was wrong in our society in this time period and is still wrong. Chicken, is a 1970's slang term for woman. Therefore it might be possible that John Waters were trying to bring out the subject of rape through Cotton and Crackers actions. The antagonist family, if a single antagonist can be determined in this film, was the Marble's. Marble is often mentioned in association with wealth. Therefore this may be symbolic of the struggle between the poor and the wealthy a fight that still continues on today and will probably continue on forever. Pink Flamingos is a monumental film for its disturbing scenes but should also be noted for its camouflaged political agenda that Waters displayed so affluently throughout its entirety.
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This Film was one that I have waited to see for some time. I was glad to find it has been everything anticipated. The writing of this film has been so finely crafted and researched far beyond what is seen by the audience. I found it amusing that so many people watching will not read between some very important lines but indeed if not the movie will make sense in a different way and is very brilliant. The film has many stories and characters woven together around this one Character Kilo , a Man whom has rose from the streets amidst many woes and become a very powerful criminal. After spending some time in Prison Kilo finds a loophole in the justice system and through a disturbing turn of events is released only to find everything is not at all what it seems. Kilo Finds himself going up against the higher realm of society and Political royalty in order to make clear how important a Man's Word is and stands for. A war begins as the street is in arms against Lords of wealth and corrupt Power.

A build up to explosive and powerful non stop twists and turns. This film will leave you riveted. I found the cast of this movie to be outstanding and is not a Movie to be ignored. Excellent. Go Rent It Today!!
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If you watched Pulp Fiction don't see this movie. This movie is NOT funny. This is the worst parody movie ever. This is a poor attempt of parody films.

The cast is bad. The film is bad. This is one of the worst pictures ever made.

I do not recommend Plump Fiction. I prefer the original Pulp Fiction by the great Quentin Tarantino. This is one of the worst parody films ever made.

Plump Fiction is not a good movie. It is not funny. It is so dumb and vulgar.
NORTHFORK is above all a masterpiece of widescreen cinematography. For this alone the film is well worth one's time. The stark, wide open plains and badlands of eastern Montana are captured in the spare, muted earth tones of autumn or early spring. The gigantic grey cement Fort Peck Dam is the film's protagonist. The film comments both subtly and not so subtly on about a dozen issues of Western Landscape. The dialogue can be trying at times, yet the images and concepts are powerful enough to lift the film. The 1950's period works so well here and is executed so well. I think that the passing years will be kind to this film.

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Please tell me the sentiment of the following review: Hard up, No proper jobs going down at the pit, why not rent your kids! DIY pimp story without the gratuitous sex scenes, either hard core or soft core, therefore reads like a public information film from the fifties, give this a wide miss, use a barge pole if you can.
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The movie is a happy lullaby, was made to make us sleep. And that´s what we do, as we dream about the top beautiful Natasha Henstridge. No screenplay, no deep characters, nothing special. So, let´s sleep.
Please tell me the sentiment of the following review: "The Danish Bladerunner" is boldly stated on the box. Are you kidding me?! This film is a complete drag. When I'm thirsty and go for a soda in the kitchen, I usually pause the vcr, so I won't miss anything. Not this time. I actually found myself looking long and hard in the fridge, just so I wouldn't have to go back. Why the hell is there not ONE sciencefiction-scriptwriter out there who has the vaguest clue about how computers work? It's mindboggling. One of the premises of film, is that our hero (who's a hacker), has a little computerassistant to help him (the Microsoft Office paperclip finally caught on in the future). When he loses the assistant in the movie, he's helpless and can't get into any computers. HE'S A HACKER! It's like saying, that you can't drive your car, if you don't have your lucky "driving-cap" on. I won't even go into the lightning-effect when he recieves electroshock...
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I am a huge fan of the original Assault On Precinct 13. The ice cream scene haunts me to this day. I'm 33 now and I still remember being horrified by it as a child. When I heard they were remaking it, I thought it might be good but when I saw the film, it's 100% not the same film. It's not a remake. It's a bad stolen idea. It was completely ruined. The cast, Maria Bello, Laurence Fishburne, Ethan Hawke, Gabriel Burne, John Leguizamo and Drea De Matteo are all great actors but even they couldn't save this film. It was just wrong. Even the setting was completely opposite. And how in the hell did no one in that city notice that there was a war going on next door? Why didn't help show up sooner? Stupid. No sense.

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i thought id check this film out as I'm currently making a film about a mysterious box, therefore it would be great to see how this film took and developed the idea of a mysterious and unexpected box.

before going to the cinema i had a high expectation of this film. with actresses, like Cameron diaz you would expect the acting especially hers to be great. the acting was a sort of let down for the film, the characters accents changed throughout the film it made it unbelievable.

the whole idea of a weird box that can make your dreams come true but destroy others is such a brilliant story but i feel the director let it down, this film had potential it could of been a lot lot better than it was.

this film had no middle to it. it was too confusing and needed a steady storyline. nobody wants to go into the cinema and come out thinking what have i just watched 'i didn't get it at all,' sometimes it can be exciting and make people want to watch it again, but this film made people want to never ever want to hear of the film again. throughout watching i noticed that half the audience had left before the ending. i feel every single person had been let down watching this film because of the high expectations and how slow parts of the film was.

lets put the bad points to one side... i did like however the scene where the son is in the bathroom at the end. it was unexpected, it reminded me of a horror movie and the way it was put together made me imagine it and how devastating and scary it would of been to be in that position. the lighting and the effects made it look excellent, this scene looked slightly more 1990's than the 1970's that this film is supposed to be.

this film was confusing because it had so many different bits to it. parts that you would expect to be sumned up at the end where everything comes clear but it didn't, it totally went against an audiences expectations, even though leaving the film on a cliff hanger, not giving the audience a reason why things happen could work and do really well, but this one didn't, it was a creative, different unusual film i thought, it had potential could of been better, disappointed didn't enjoy it, wouldn't buy it on DVD to be honest.
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I couldn't believe how bad this film was, and trust me, I was not expecting a masterpiece from a made-for-cable film. I taped it just because I liked Jane Seymour. I've seen her enough to know that she is certainly an accomplished actress, so I just don't know what happened here. The characters were shallow, the dialog stilted, the acting bad, and yes that includes Seymour. It was nice seeing her play against type, but not in something this bad. I noticed that she carried a credit for executive producer, so she cannot escape blame for the sheer badness of this film. And oh, yeah, they had Barry Bostwick playing the male lead. 'Nuff said.

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For all of us American Deneuve fans, this little gem is a little tough to get ahold of. Fortunately, I found myself so wrapped up in the short bits that I saw previewed on youtube.com that I was willing to go to any lengths. I found it on ebay.com, ordered it directly from France, and changed my laptop so it would play Region 2 DVDs. Let me tell you that it was well worth it. Be warned - there are NO subtitles (unforunately, Pathe shouldn't have released this on DVD, Koch Lorber should've - they're good about the subtitles). I don't speak a word of French. I can utter a syllable here and there, order a drink and whatnot. That having been said, this film was a treat anyway. I couldn't fully appreciate the supposed "bawdy" humor or the witty dialogue. Watching Deneuve and her cohorts was enough for me. I understood what was going on without need of the dialogue. It really says something about a film when those who can't speak the language enjoy it. 

The cinematography is wonderful. London is adorable as the smitten son-on-law. Loved the lesbian Mom. And, of course, what can I possibly say about our dear Mademoiselle Deneuve. She is one of a kind. Those eyes, that smile. I could watch her films all day. She really goes beyond beauty. People always say she's gorgeous. Well, yes, she is. But she is also VERY talented. I believed her every second of the way. Her conversation about chocolate and vanilla with London is too sweet. Her character even gets arrested for smoking dope with some 15 year old in the street. NOT TO BE MISSED! Fly to France and buy this if you have to. Great. 10
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John Wayne is one of the few players in film history to have failed at his first big break and then succeed on the second time around. Of course everyone knows the second time was the classic Stagecoach with John Ford directing.

But we're here to talk about The Big Trail. John Ford's fellow director Raoul Walsh spotted this tall kid on the set of one of Ford's films and thought he had potential. He wanted to make him the lead in a big budget western that Fox was planning to do. The film as planned would be an homage to the famous classic silent western The Covered Wagon.

In watching The Big Trail I was struck by how similar Wayne's character of Breck Coleman here is to the Ringo Kid in Stagecoach. Both characters were likable young cowpokes, but both were also on a mission of vengeance. And of course both films were done on location and show the expense in making them. No studio product here with a backlot western set. 

I also don't think that it was an accident that Wayne got this break at the beginning of the sound era. Raoul Walsh, I'm guessing looked around Hollywood and probably didn't think a whole lot of movie cowboys would have staying power in sound. That's something else Walsh spotted in Wayne.

According to what I've read The Big Trail flopped because after spending all that money to make the film in an early wide screen process, some genius at Fox realized that their theaters weren't equipped with the wide screen to show it. And when the Great Depression hit there would be no money to widen those screens at Fox movie houses. So The Big Trail got a limited release, even in what we would call a formatted version, and lost money big for Fox films.

Marguerite Churchill is fine as the crinoline heroine who Duke wins, loses and wins again from Ian Keith. Keith, Charles Stevens and F. Tyrone Power are the trio of villains Wayne has to deal with.

F. Tyrone Power is the father of the famous movie legend Tyrone Power. He was a big burly man with a grand background in classic roles on screen and on stage. I wouldn't be surprised if his son who would have been 15 at the time might not have been hanging around the set.

Also look for Ward Bond though you might have trouble spotting him under a big bushy beard.

Watching The Big Trail now it is interesting to speculate where John Wayne's career might have gone if The Big Trail had been a big hit.

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If I rate the film maybe a bit high, you can blame it on sentiment. This is one of the first movies that I remember seeing and totally loving. I saw it at the drive-ins here in California in the late 70s. I was already a big fan of "The Muppet Show" on TV so I was primed for the movie, and the movie did not disappoint. Basically it takes the whole absurdist ethos of the Muppet show and transports it from vaudeville into a road movie. Kermit the Frog is on a quest to become famous; not because he wants to take champagne baths and ride in a private jet, but because he wants to "make millions of people happy." Of course.

Along the way he picks up all his beloved muppet friends, most endearingly Fonzie Bear who he meets at a seedy bar doing stand-up. They sing "Movin' Right Along", a song that has always charmed me with its upbeat melody and its theme of friendship and shared discovery. He also encounters enough Hollywood movie stars to fill a Stanley Kramer movie, including comedy luminaries like Richard Pryor, Steve Martin, Edgar Bergen, Milton Berle, and Mel Brooks. Brooks in particular has a rather dull bit, and you are left feeling that Henson could have cut a few of these cameos out if he wasn't afraid of offending the stars. Anyway, as befits a road trip movie like this the very first person he meets is Dom DeLuise.

The ending is one of the more odd examples of literally breaking down the 4th wall that you will find in any "children's" movie. The Hollywood dream seems to be crumbling all about them, when a real rainbow pierces the Hollywood set with its authentic joy and mystery. I'm sure this was meant to relate to some of Jim Henson's own personal or spiritual experiences.

This is the best movie with Muppets by a long shot. If you or anyone else was wondering why the Muppets were so popular back in the 70s, considering how poor the movies have been for the last few decades, I think this film has at least aged well enough to provide a clue.
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Ocean's Twelve: just plain stupid, bad and nothing compared to the other two.

An art robbery. 10 known actors, at least. A weak script and very slow developing idea. That's why I characterize a movie I only saw at least 20 minutes of it. Don't get me wrong, you may like it. But I only like the Ocean's films because of the Heist theme. If Ocean's 12 it's not about Heist then what's the point to see it? Glad Soderberg saw his main error and redeemed himself by making a film far superior to the first one. Kudos for that.

Steven Soderberg isn't really a good director. Apart from his hit "Sex lies and videotapes"... nothing else happened so much great to the career of this director. Shame on him. But his fault only.
This movie is something horrible. I was laughing all the time. I was forced to stop in some scenes because my mom thought it's not polite to laugh when people are dying, but in this movie, even death looks ridiculous. Especially when Tornado Tommy is sucked into one tornado.

Explosions of cars thrown onto buildings by the forces of wind look like ones from the old school side scroller game called R-Type. Dialogues are very bad and I am interested how they managed to persuade some of the actors to play in this movie. It is simply amazing how such bad movie can make it into the TV.

Only real reason to watch this movie is to have some fun of nonsense and absurdity.
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BONJOUR, MONSIEUR SHLOMI is simply a wonderful film! Writer/Director Shemi Zarhin has created a story unlike any other and cast it with such consistently fine actors that it remains a puzzle to me that this film has not become an audience favorite throughout the world. It is intelligent, emotional, edifying, and warm, entertaining, and in all categories it is a winner.Shlomi (Oshri Cohen, in a brilliantly understated performance) is a 16-year-old lad who takes care of his highly dysfunctional family: his mother (Esti Zakheim) is about as distasteful a shrew as ever concocted and in a constant state of ill temper because of her husband cheated on her, and because she is stuck working double shifts to support her ailing father-in-law (Ariek Elias, who as Shlomi's grandfather is a bright, funny, wise, loving old man who deeply cares for Shlomi); a married sister Ziva (Rotem Abuhab)who periodically moves back in to the house because of constant spats with her husband who doesn't help her care for their infant twin sons; his brother Sasi (Assi Cohen) whose life is loud electric guitars, braggadocio about female conquests, and the favorite son of his mother. Stir this mixture and the result is the penultimate dysfunctional family unit. Shlomi cooks gourmet meals for them, shops, cleans house, runs errands, bathes and cares for this grandfather and in general leads a life of submission to a family that views him as a 'retard'.Shlomi longs for a girlfriend and practically fails his school because of his lack of time devoted to caring for his family and a lack of concentration. Serendipitously his math teacher Begin (Nisso Keavia) notes his natural mathematic genius on a discarded test, and with the aid of the headmaster (Yigal Nair) the two encourage him to be tested and discover that he is a genius (?with dyslexia?) and arrange for him to try for a special school in Haifa. Shlomi's mother will hear none of it but between fights with Shlomi's absentee father (Albert Iluz) and confrontations with the teacher and headmaster they finally consent to his testing for the school.Meanwhile Shlomi discovers a girl his age Rona (Aya Koren) who has moved in next door and gradually the two become intertwined in a physical and intellectual relationship. Always in the background is the support of Shlomi's grandfather, and when the grandfather dies, Shlomi sets off on the journey to live his life for himself, to realize his gifts, to find his happiness. The manner in which the family comes to grips with this is the peak of the movie and need not be revealed for the sake of loosing the power of the message.The film is beautifully photographed, the musical score is creatively lovely, and the final result is one of exaltation of the human spirit. Highly recommended on every level. In Hebrew with English subtitles.
Please tell me the sentiment of the following review: This movie was very disappointing in that several elements of the book were wrongly done. The main story is the same but there are several flaws that hurt the movie.

1) Boobie Miles gets injured in the beginning of the story in a preseason game at Texas Tech. This means he won't get anything done during the season at all and Chris Comer comes up sooner on the team.

2) The game against Marshall was lost at Marshall. The team depicted as Marshall was actually Midland High one of Permian's main rivals and here is the proof- Marshall High is the Mavericks colored Scarlet and Silver, Midland High is the Bulldogs colored Purple and Gold. Look at the jerseys and you will see who it is. Also the real Marshall High's football roster is overwhelmingly Black, the team shown was racially mixed like Midland High. 

3) Permian only loses to Midland Lee by one point in district play. Midland Lee loses to Midland High and Midland High loses to Permian. These are the teams that set up the coin toss as such.

4) Boobie comes back on the team as a reserve to Chris Comer and after not getting any playing time in the Midland Lee game, he quits the team completely at half time and never stands on the sideline or goes to any games again. 

5) Brian Chavez was a Tight End and Defensive End who wore #85 not a Tight End and Strong Safety. In addition, Boobie wore #35 and Ivory Christian wore #62. 

6) The coaches end up liking Chris Comer as a player more than Boobie because he has a better lifting ethic and runs more straight up plays the way the staff prefers him too, this is in part why Boobie quits the team. 

7) Dallas Carter is played in Austin at Darrell K. Royal Memorial stadium where UT plays in the state semi-finals not the state finals. Carter wins the state title but is forced to forfeit due to an ineligible player.

The acting is done pretty well but if you read the book, you will see these flaws are pretty true. I am also tired of hearing all the PC hypocrites out there complain about the depiction of Dallas Carter's football team. The team according to the book is as large, monstrous, talented, and black as the movie shows. People say it is a racist depiction but reading the book, you see a true depiction of the team. The story is very altered giving this movie a score of 3.5/10.
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This film is absolute gold. If you haven't seen it, do. Mani Ratnam outdoes himself once again. This film introduced me to Nandita Das as well, though everyone shines in this movie. My only regret is I've never found a copy with subtitles to the lyrics of the songs. We are led from the jungle of northern Sri Lanka to the serene beaches of Southern India, as well as from the terror of war to the ultimate conquest by love of the human heart. Beautiful, subtle, witty, with a few hidden surprises waiting for the viewer, this movie stands up to being seen again and again, and the story within the story, The Umbrella, is done so well, as we watch the scene unfold from drawings in a book. Lovely. Watch it.
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The story takes place in rural Germany on the eve of the second world war, a unique setting, with a couple of British agents being held by the Germans in a farm house. Since they aren't technically at war yet, it seems as if both sides must have realized what was coming. Both agents (Bruce Lester and Ray Milland) escape into the countryside and split up. Milland happens upon gypsy woman Marlene Dietrich one evening as she's alone at her camp preparing dinner. Their encounter is an amazing and captivating scene, not so much for Milland but for Dietrich, who takes sexy sultriness to a whole new plane. Milland disguises himself as a gypsy in order to hide from the Germans, but he remains committed to his mission, to do with locating the scientist who knows the formula for a new poison gas but who also isn't a committed Nazi. The Hollywood take on gypsy life and customs is predictably portrayed, but the underlying knowledge that they would be one of the targets for extermination by the Nazis adds a certain tension. The film straddles the line between being a serious story about the poison gas and the urgent search to get the formula, and a colorful though not too convincing love story between Milland and Dietrich. However, they're both very good; it's the fault of the film that didn't give them or their relationship enough dramatic realism, relying on and exploiting obvious cultural differences for questionable comedic purposes. Nonetheless, there are some tense and interesting points here and there, the surprise meetings with German soldiers and Gestapo agents, where Dietrich does a great palm reading and Milland nearly as good faking one, and a dinner party of Germans of various stripes at which the announcement comes over the radio that Germany had been attacked by Poland and everyone stands and does a stiff arm salute. Mitchell Leison may have missed some opportunities here and there, but he fully took advantage of others.
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There was a video out in America called 'Cartoon Scandals' that featured about an hours worth of banned cartoons.

Most of them were WWII era. That's where I first saw (and heard of) this one.

The rooster during the opening news broadcast turns into a vulture with an Asian face saying 'cock-a-doodle-doo please.' After that it's eight minutes of propaganda played out like a newsreel.

Viscously racist, but when you look at it as the piece of history it is, it can (and should) be forgiven.

Slicing ration cards to make sandwiches.

Showing the ruins of Rome while calling Moussolini 'Ruin #1.'

A minesweeper using a broom.

A manned bomb with the pilot saying 'RET ME OUT OF HERE.' 

And of course the stereotyping. Every Japanese was drawn with big teeth, constantly bowing, and saying 'please' at the end of every broken sentence.

The funniest bit? The air raid siren that was two bowing men stabbing each other in the tush with pins. "oooo-OOOOOO" 

Hey AOL. Let this one out. It deserves notice. My wife laughed at this. And she's 100% Japanese.
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This two-character drama is extremely well-acted and has a valid message and some TRULY shocking moments (shocking not because they are graphic, but because you're not prepared for them when they come). But eventually it does become oppressive, just like the somewhat similar "A Pure Formality" did. Still, Alan Rickman should have gotten an Oscar nomination for his multi-dimensional performance, no doubt about it. (**1/2)
Please tell me the sentiment of the following review: The first half of this film held some promise as it seemed like the film was going to be a low-key character psychodrama like THE MINUS MAN but then the whole thing collapses into cliche and the viewer slowly loses all interest. There's a decent cast here but the film is lifeless and the talent completely wasted.
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I'm rating 'The Decline of the American Empire' just about below average since it wasn't terrible, but also not great. I liked the very open conversations from people so incredibly selfish and ugly inside and out. That was probably the most original aspect  a dialogue-laced sexual small film with people who are extremely far from models. That aside, it seems ironic that these French-speaking Canadians have a movie about a neighboring society that, well, is in 'Decline' when their own actions are their own demise. A group of women friends and male friends spend half the movie laughing it up on their infidelities and acceptance of such behavior and the other half "intellectually" speaking of how powerful they are for their speech and actions. These are the normal targets in typical sitcoms the main characters make fun of at parties occupied mainly by college professors. Sadly, it's not their "intelligence" or mastery of "history" that disturbs me. It's their pedestal made of ego and mightier-than-thou attitude that pushes me away and not one character could I relate to, nor like. When one cries, I couldn't care less  it's your bed. When one complains, I barely flinched. What made me skirmish was one character, uh, peeing red. (Another example of playing with fire.) Sure, I understand it happens to some people, but it was hard to watch. And I sincerely hoped the he washed his hands as he had no problem going right back to cooking for everyone. On the complete opposite end of the noses-up educators, they introduce a stereotypical nomad. This made me cringe as no one seemed real; everyone was as shallow as their laughter on society. Unfortunately, with no one left to root for, you're left as empty as these character's souls.
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This film is on my top 20 comedies list. This is a truly unique film. To the reviewer who said "I must be really missing something."--you are correct. You are missing something. If you don't have the kind of sense of humor this film requires, that's one thing. But don't give it a bad review because you think it's "looney" but isn't intended to be. Loony is an apt description of both what it intends to be and what it succeeds in being. I laughed much more often and much more intensely at this film than I do at most other funny films.

Michael Almereyda brought out the best in his cast in this, his first big film, for which he was nominated for an Independent Spirit award for Best First Feature. Crispin Glover, as usual, is absolutely brilliant in some perfectly inexplicable way, and some of his very funniest lines ever were said in this film. Glover is clearly the best comic actor working right now. Harry Dean Stanton puts in an excellent comic performance. William Burroughs is incredible in a small role. Dylan McDermott was ideally cast, and Lois Chiles is completely excellent.

All of the above are perfectly funny in their own perfect way, but this is one of Crispin's finest performances--up there with his performances in River's Edge and Willard. If you are a Crispin Glover fan, but have somehow overlooked this film, you need to stop whatever it is you're doing and see this immediately.

But just remember to relax first, and maybe have a beer or something. This is a great film, but it is very unusual, and I recommend being in or inducing an appropriately silly state of mind before viewing.
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When you first sit down to watch this movie, keep in mind that you are about to see something you've probably never seen before. Keep in mind that this is a movie where they obviously spent INSANE amounts of cash on explosions and not enough on acting or anything else for that matter. The crazy thing I noticed is that every character is completely over-portrayed, and it seems (most of the time anyhow) that the film had been 'sped-up' to make the characters move faster! (I wonder if the Hong Kong version was dubbed too?) I understand the cartoon had this, but it doesn't work for live-action. It just looks odd... as if the camera crew decided to act because they couldn't afford real actors.

The English version is horribly dubbed, and the character's words do not match the mouths at all. I would have preffered subtitles, but since this is a kids movie, and since some kids cannot read well, I'll let it go. But there is something extremely odd about this movie. It's supposedly a kids movie, but there's a lot of material about SEX, RAPE, and STRIPPING which isn't exactly for young Western audiences. (In the Orient, they have different laws and sexuality in children's movies is much more accepted). But parents be warned! There is a scene where two characters talk about rape, multiple scenes where people say 'sex maniac' and a scene where this insanely young japanese girl does a sexy dance for one of the 'sex maniacs' and shows him her breasts! Who was this movie made for anyway?

Oh, and the special effects are laughable. You can tell the spaceship-like things that bomb the village are cardboard cutouts (or animation, I wasn't sure) that look unconvincing, even to a kid. The makers of this movie left out a lot of cool things from the cartoon, simply because they couldn't budget the kind of money they'd need. I didn't like how the names of all the characters were changed... it made me wonder if this movie was made by the same people as Dragon Ball Z.

I don't really recommed this movie to anyone. Kids, adults, or Dragon Ball Z fans. It's just a poor representation of the cartoon, and obviously, one will be able to tell that this movie was rushed and no care whatsoever was put into it. I won't even get into the camerawork... just wait until the end credits at the still picture that sits there for 2 minutes... most of the shots are not framed correctly AT ALL and the movie just seems made by amateurs. Grainy film quality too.

Just all around horrible!!!!


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Wow... this is the kind of movie that makes you wonder who's idea this was and what soup kitchen are they eating at now. To say this was bad is an insult to the bad movies we all know and love.

When I saw Guttenberg's name in the TV guide I figured it would be a spoof... maybe it should have been. Could have made for a better movie.

Look for the scene where they are in an airplane in mid flight with the door open and there is no wind what so ever. They could have sprung for a fan at least.

Look for several Canadian & c-list actors in the movie. This is the kind of movie that litters the b-rate cable stations you never watch except on a rainy Sunday.
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After I first saw this, I thought, "Wow, this is the most spectacular movie, visually-speaking, I've ever seen." Since that time, I've seen some that topped it but it still ranks as one of the best in that department. I'm just disgusted the long-awaited DVD was so poorly done, the quality of this transfer hardly better than the VHS tape.

The jungle scenes are filmed in Cameroon, and "lush" is the best adjective to describe what you see. Except for jungle sounds, "seeing" is certainly almost everything in the beginning as there is almost no "hearing," no dialog until Tarzan (Christopher Lambert) befriends Ian Holm and vice-versa....so be ready for that, if you haven't watched this film. 

Story-wise, all I'll say is this is not the Tarzan many of us came to know in Johnny Weismuller films.....but that's not a complaint. For those craving action, and don't care about cinematography as I do, you just have to get past that silent introduction period 

In this Tarzan version, our hero goes back to Scotland (his roots), adapts to that environment (for the most part....and a little too quickly for credibility, frankly) and then returns to the jungle without Jane. This is supposedly more true to the Tarzan books, written by Edgar Rice Burroughs.

The special effects in here were done by Rick Baker, one of the best in the business. Sharp DVD or not, this is still a stunning film to view and very interesting throughout its 2 hours and 15 minutes.
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I had always wanted to see this film and the first three-fourths proved I hadn't waited in vain. But what the hell happened in the end? I mean, don't get me wrong, I liked the film. It definitely made me nostalgic of the realistic, unique NYC of the 80s that we have lost thanks to Giuliani. But it's missing another half hour!
'A comedy of biblical proportions!' Those masters of hyperbole, the movie-tag-line-writers, at it again; the sequel to 2003's Bruce Almighty, raises barely a chuckle. The only thing which raises my interest in this movie above total indifference is its dogmatic Christian undertones. Sorry, make that overtones.

Steve Carrel, ignoring Jim Carrey's good sense to decline a role reprisal, plays Evan Baxter, the smug news anchor from Bruce Almighty, who has just been elected to congress. With a new life in Virginia and the stress of moving into a house the size of the Acropolis, the pressure of all the change takes its toll on his family. His wife (Lauren Graham), evidently airlifted in from Stepford, and three sons (Jimmy Bennett, Graham Phillips and Johnny Simmons), who do a stilted job of looking sad to a piano accompaniment, pray for the family to become closer, and almost out of guilt, so does Evan.

In what must be the greatest shock of all time, God (Morgan Freeman) actually shows up, but does the whole pesky 'working in mysterious ways' thing all over the place by telling Evan to build a Noah-esquire ark in preparation for a great flood instead of just giving him a pool table or and X-box or something. And in true mischievous deity style, he also forces Evan to grow a beard, long hair and wear worn and tatty robes. Now, back in the day I'm sure razors were hard to come by so the beard was somewhat of an inevitability for Noah, but I'm almost certain it had nothing to do with spirituality. Same with the robes; a massive construction job is surely made all the more difficult by such impractical clothing. Couldn't God have conjured up a pair of steel toed boots and a hard hat for the poor guy? Apparently not.

To paraphrase Bill Hicks, I find the idea that God is messing with us somewhat unsettling, and so does Evan who fights him every step of the way. And who wouldn't? God essentially gets him fired, drives away his loved ones, makes him a laughing stock and at one point actually threatens him. Of course God turns out to be right, and the rational, hard working family man who was getting on fine by himself is forced to eat a large slice of bittersweet humble pie. It's almost as if to be left alone by God, Evan had to tolerate and humour him. What kind of message is that? 

Evan Almighty does have a highly commendable environmental slant, with the underlying theme being that the Federal Government is blind to the damage being done to the world around us. It is also the first film ever to offset its carbon emissions and this should surely be considered a landmark achievement by a Hollywood studio. Were it not for the trite, condescending banner of American Christianity flying high above it, Evan Almighty could have been an inoffensive family movie, with a praiseworthy environmental record. But with its confused religious dogma and relentless 'blind faith' message, it ranks as one of the most repugnant movies of all time.

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This film is about a bunch of misfits who are supposed to be assigned to a task that is expected to fail miserably. The misfits pull together to successfully complete their mission.

Hilarity ensues.

Like the "Police Academy" films, the humor comes from the kooky characters on the boat. I thought it was an engaging film and I will stop to watch it anytime it is on TV. No, it won't cause you to ponder your relative role in the cosmos or inspire you to do great things for the service of mankind, but it is fun enough entertainment for 90-some-odd minutes. Plus, Lauren Holly looks hot in a naval uniform.
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It may be hard to explain how, but this film is a masterpiece. Perhaps, because i never imagined that a plot like this or a film with so few words would convey all this poetry. The true poetry and aristocracy of human passions and obsession. Bogard is amazing and needless to say that Venice is utilised as a perfect scenery: dark, sinking and dreary just like Bogard's soul. And classical music is more that a simple background escort to human feelings. In my opinion, a classic masterpiece of european film-making.

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Please tell me the sentiment of the following review: Sir Arthur Conan Doyle wrote a fair number of Sherlock Holmes accounts but the popularity of the famous detective insured that sequels in both print and on film would extend far beyond the author's works.

In "Sherlock Holmes and the Secret Weapon," Holmes, Basil Rathbone, patriotically serves British intelligence in order to secure a Swiss scientist's desperately needed bombsight. The film is from 1942 and I wonder if the producers and writers realized how vital bombsight secrets were (the American Norden bombsight was guarded almost as zealously as the new radar sets that would change the course of World War II).

Holmes and his faithful but expectedly bumbling companion, Dr. Watson, Nigel Bruce, battle Dr. Moriarty, Lionel Atwill. As evil as Moriarty has always been it's a bit of a shock to see he's signed up with Hitler. Has the man no vestige of decency? I guess not. But Atwill is deliciously evil.

The story is reasonably fast-paced as Holmes and Watson seek to recover stolen bombsight components before they can be delivered to a U-boat. Rathbone is his usual suave self and several Holmsian disguises are well carried out.

This and other 1940s Holmes stories are now available on DVD and oldies.com has put out a very nice four-disc set in a wooden box: this film is included along with a bonus CD of an interview with the aged Doyle. The set retails for about $26 in major DVD and CD stores but I found this and other sets from oldies.com at a warehouse club for $14.98. The transfers are very good.

Very nice and relaxing late night viewing.

7/10.
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I have to say that some of the other reviews of this film I have read show very little understanding of it or the original TV series it stemmed from. Dad's Army was a sitcom and therefore had humour and so is bound to have put a smile on the face of the dire situation. However the series carried very many serious messages such as the episode 'Branded' about the bigotry and ignorance that was attached to conscientious objectors. The film was faithful to the series and was simply like an extended episode. So I'm afraid the reviewer who claimed that Columbia improved the humour was quite wrong and let's face it - the BBC sitcoms of this period beat anything that came out of America hands down. Also comments referring to propaganda were also way off the mark. The Homeguard were people considered unfit for frontline service who still wished to serve. They were very brave men who knew they were sentenced to death as soon as they signed up as Hitler announced that anyone who did so would be executed if and when Britain was invaded. Thank you for allowing me the opportunity to set the record straight as it is always good to actually speak and comment on what has been seen rather making it up as you go along I find.
I just started watching The Show around July. I found it by mistake, I was channel surfing during a Vacation. It is a great show, I just wish it wasn't on so late at night. It's on at 12:30 AM. As a working person it makes it hard to watch all the time.

I read some comments. I did not agree with the late one about not growing up in the 60's and not believing that this stuff can happen.

I grew up in the 60's. I'm Hispanic and I had a "White" boyfriend plus we had black friends in High School. I believe people get along because of their interests and personalities and it has nothing to do with being a certain race or color.

I can't wait till the show goes on DVD so I can buy it. This way I can see it from the beginning.
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This movie is well done. It really attempts to show what the dinosaurs had to contend with in their daily lives. The animation is very well done and the film makers have done a great job of giving scientific fact in such a way that it is entertaining. This is a great movie.

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Normally for movie reviews, I try to be constructive and objective, but there is only one word for this, uh, "film" : SUCKS!!!!!!! The dialogue, acting, special effects, plot, set, and characters all seem as if they were made up by, well, my potted plants. Don't see this, for the sake of all that is good and right in this world! :)
I really appreciate what Jung-won had done before his death. Everything. I want to say that his choice for love is unselfish. If he chose Da-rim , that will be good for him. But Da-rim will need more time to recover from his death. Obviously he does not want to let it happen. As he did in the film, he chose giving up. So it was just temporary agony for Da-rim.

As comparison, My Life Without Me is very different. Their behavior shows big difference between eastern culture and western culture. I cannot say which is better. Every one can has right to choose. That is totally up to you. Life is equal for everybody. We can live only once. Any choice is acceptable if only you think it is fit for you.

In truth the slow pace of the film cannot be the excuse for rejecting the movie. Just calm down. You will get more from the movie.

One of the best Korean movies I ever watched. 9/10

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positive