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The pace of the film is ponderously slow in parts, but if you can tune into its languid speed and lengthy silences then it is a satisfying piece of courtly intrigue. The story of the first Emperor of China, his childhood sweetheart and the personal cost of power. The film is very atmospheric, the extremely mannered and polite courtly ceremony and ritual contrasted with sudden brutal violence. Filmed in a way that evokes shadows and cold spaces. Battle scenes are rare and short, the focus is on the battle within the individual on what is right to do and whether the ends justify the means. The emperor's journey from idealistic peacemaker to ruthless tyrant is aiming to be subtle, but gives little background or convincing insight into the motivation of the Emperor, indeed his actions and aims do not really change throughout, only Gong Li's attitudes to him are altered. The most interesting performances are Gong Li's and the titular Assassin as they reassess when to fight, when to retreat, when to kill. The most expensive film ever made in China at the time, the Emperor and the Assassin does not rely on hysteric emotion or big battles, but rather a brooding atmosphere of menace and inevitability. Gong Li fans will be unsurprised to hear she is as stunningly beautiful as ever, giving an understated performance.
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I just saw this on cable. I liked it. It held my interest and the dramatic choices were good. The old couple were very good and good at being subtly creepy. The cinematography is not so great, but the shabby video also adds to the sense of realism, so its a trade-off, you know? At times the girl would hit the New England accent to hard. The accent would sort of come and go. Anyway, I thought the film was well done overall, though. The storyline was strong and dramatic tension was held because you felt their was some subtle mystery going on, even though things seemed mundane. Good job on a low budget. Another good SUNY Purchase filmmaker. Way to go.
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Not being a fan of the Coen Brothers or George Clooney, anyone can see the skepticism I took into the theater. Once again, someone in Hollywood dares to create something different. This time it was those zanie (for a temporary lack of a better word) Coens doing "their thing" to one of the great works in literary history. Who would've ever thought Homer had this in mind? I don't know where this film is going to fit in the history books of Hollywood, but it will be in both mine and many others DVD or VHS library. It is one of those films that you can watch over and over. The story is brilliantly written. Clean and entertaining, with a couple of Gumpesque brushes with fame, great performances by Clooney, Turturro, Nelson, and a brief but hilarious Holly Hunter. Being born in Mississippi and raised in other parts of the south, I wish more people would poke a little fun at us like this. They even invoke a soundtrack fitting for the rural south. You are NOT doing anything better this weekend, go see this movie!
This is one of those made-for-TV B movies that is so awful it kind of endears.

Bad acting, predictable script and cheesy special effects that were pretty much some of the cheapest tat seen make you have to keep watching to see if it gets any better.

It doesn't!
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I shall begin with a disclaimer: This movie is NOT recommended for anyone who lack interest or have never played FF7 the game before watching. The movie relies on the audience's knowledge of each character in the game to convey story plot elements. And it does so very subtly. Do your homework before watching this wonderful piece of CG film and I promise it'll be that much better.

With that in mind, this film has some of the most spectacular CG sequences I have ever witnessed. The whole experience felt like an extra long FMV sequence from the game, on steroids. Yeah. The attention to detail in each scene, especially in the heavy action oriented ones, is so impeccable it left me with a sense of awe.

I believe the soundtrack is simplified so as to help the audience focus on the animation quality more than the music. Again, for those who are familiar with the FF7 story and background, the music should not surprise anyone (although the timing and placement of each soundtrack from the original accompany each scene and mood to the point where the music simply enhances the animation).

Once again, I myself having only played through FF7 once, thoroughly enjoyed this piece of art from Square Enix. And that is the feel in most scenes, choreographed and organized. Like a dance.

In short, if you enjoyed the music or the game Final Fantasy 7, this film will blow you out of the water. If you're in the unfortunate majority who has not experienced the goodness known as FF7 on Playstation or PC, doing so before watching the movie will allow for an exponentially greater experience.

Finally, I just want to make a note of the quality in animating this film. Characters move with fluidity. Each scene background comes to life and tells its own story. For those who criticize the thinness and dependency of the story plot, I urge you to reexamine the animation. Facial reactions, subtle clues that bring about another level of entertainment above the typical narration method of story plot delivery.

Square Enix and the great Tetsuya Nomura has set a new bar for quality animation and storytelling. Advent Children has ushered in a new era for CG animations, allowing the subtleties that lie in each character to speak volumes in and of themselves.

Thanks Square Enix. The wait was well worth it.

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After reading some of these reviews, it is apparent that some have missed the point. What is great about this film (here comes the point), what is incredible about this film, what is astonishing about this film is that there is no proselytizing. There is no preaching. There is no preaching. There is no preaching. Life goes on. It is a masterpiece in letting an audience think for its collective self. These are just kids doing what kids do - without consciousness. We all went to school with kids like these. We are being numbed by fiction-/movie-/tv-/news-based reality/invention.

Feck's (Dennis Hopper the great) girlfriend alone and his relationship with her is worth the price of renting this movie.

There have been few movies before or since that measure up to the intelligence of this film. AMEN.


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Please tell me the sentiment of the following review: The original story had all the ingredients to make a thoroughly gripping Film. But failed miserably in this version as even Cherie Lunghi was a pale imitation of what she was to become - so much so that I suspected that she must turn out to be an accomplice right to the end. Sherlock Holmes was turned into a warrior quite unlike anything every suggested by Sir Arthur Conn Doyle ? In fact it was Doctor Watson who showed what little common sense that was going. The boot blacked midget from the Andoman islands looked as though he could not fight his way out of a paper bag and what the villain was doing taking tea in Baker Street for a denouement was beyond anything that the old Scotland Yard could ever have dreamed up. So consign this TV Film to their Black Museum please.
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So much great chemistry between Kristen Scott-Thomas and Harrison Ford, but every time the story about their relationship began to gather momentum the script cut away and dealt with some irrelevant sub-plot that did nothing to advance the story. Indeed, the subplots had nothing to do with the story at all. They were like commercial breaks in which you watched a trailer for another movie. 

The writers (or someone who controlled the writers) obviously didn't trust themselves to write compellingly about relationships and the interior lives of their characters. They seemed to be uncomfortable unless they threw in some gun battles and bar fights. Or perhaps they didn't trust the audience to pay attention to a story about a man and a woman trying to understand their relationship under difficult circumstances. After all, we all know how boring "Casablanca" was. 

Perhaps if the relationship between Kay and Dutch had been developed more and had been allowed to play out, the writers would have know how to end the story. This film is a disappointment for not doing more with its wonderful actors, who gave good performances but could have done more with a better script.
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Roy Scheider is not Steve McQueen or Clint Eastwood but then who is? The Seven-Ups is one of the better cop movies, even today, and is second only to McQueen's Bullitt and the Dirty Harry series, which isn't bad company. There are three things that seem to make a good cop movie: Believable script with great acting, great car chase scenes, and some heavy action. This movie has all three and the car chase scene is better than that in Dirty Harry. Scheider plays the head of a group of cops out to get NY's bad guys sentenced to seven years or more; hence the name Seven-Ups. Overall, not quite up to Dirty Harry or Bullitt but far better than all of the cop movies made since the Dirty Harry series. 9/10.
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JP3 lacks the Spielberg touch. It's an all-out assault on the senses featuring "in your face" dinosaurs. Watching this film was a bit like a roller coaster ride from hell. 

The script is lame; it simultaneously asks and then leaves too many questions unanswered. Also, we don't really get to appreciate the humans in the film for all they're worth. For example, William H. Macy is too great a talent to have to compete with dino-thugs for our attention. And Laura Dern was especially sympathetic in JP1; in this film, she's barely a blip on the radar screen.

The whole JP3 experience was t o o m u c h. Too much noise, too many surprises, too many characters dying off, too much predictable, gratuitous violence. 

Word to the wise: vote yourself off this island.

(I rated it a 3 for special effects; I took off the other 7 points for having absolutely no originality.)
I have just seen this broadcast on Channel 4. Having seen some of the earlier comments here I think I would like to state firstly that I am not in favour of the death penalty. With that out of the way, I was expecting great things of this film, but it just didn't quite deliver. Dead Man Walking is very cleanly done, with good performances all round, and a good script. In fact it's hard to fault it artistically. However, I felt that although it attempted to confront the issues surrounding capital punishment, it seemed to become sidetracked by the religious/moral stance (hardly surprising given that the main character is a nun). Although I'm not a heartless individual, I didn't really empathise with any of the characters in the story. If you don't take religion seriously then you probably won't see much in this film. I think that Peter Medak's Let Him Have It was a much more powerful and moving film, and I would strongly recommend anyone considering watching this to go and see that.
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The precise text of an ad (except the word Chinese, as in Grauman's Chinese, at the end, should appear in caps but IMDb's racially sensitive formatting won't let it), as published in the Los Angeles Times of October 2nd 1930, reads as follows (with " / " denoting the break between each line in the ad):

GALA WORLD PREMIERE / Tonight / 8:30 PROMPTLY / TONIGHT all Hollywood and Los Angeles boulevards become THE BIG TRAIL to Grauman's Chinese Theatre...the rendezvous of all that is beautiful and brilliant...the gathering place of stars...celebrities...the great and the famous!

Thousands will fill every seat...many thousands will line Hollywood Boulevard to watch the gala festivities attending this world premiere!

Tonight all Southern California pays homage to the great American Epic, which faithfully depicts the thrilling, soul-stirring romance of the American Pioneers..who won the West and left us a heritage of Peace..Liberty..and Happiness.

Raoul Walsh's / The BIG / TRAIL / Story by HAL G. EVARTS / FOX MOVIETONE PRODUCTION / SHOWN ENTIRELY IN / GRANDEUR / Cast of 20,000 featuring / JOHN WAYNE MARGUERITE CHURCHILL / EL BRENDEL / Tully Marshall Tyrone Power / David Rollins / Frederick Burton, Charles Stevens, Russ Powell, Louise Carter / William V. Mong, Dodo Newton, Ward Bond, Marcia Harris / Marjorie Leet, Emelie Emerson, Fran Rainboth / Andy Shufford, Helen Parrish / Production Manager Archibald Buchanan / Settings by Harold Miles, Fred Serren / Chief Grandeur Cameraman Arthur Edeson / Sound Engineer George Leverett / Chief Film Cutter Jack Dennis / ADDED FEATURE: / Fox Movietone News Exclusive Interview with / GEORGE BERNARD SHAW / Direction Carli Elinor / GRAUMAN'S / Chinese / Direction of Fox West Coast Theatres / Twice Daily Thereafter / 2:30 --- 8:30 P.M.

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We've just watched the last of the series shown on the SBS network and will miss our weekly dose of Danish Delight. My wife and I picked up the show after the Swedish show "The Eagle" finished and it seemed by comparison to be a very poor substitute for our then favourite show on TV. Week by week, however, the show grew on me, and whilst not as glossy as the Swedish show and definitely grittier in terms of their investigations of everyday crimes, it certainly provided a very satisfying weekly viewing meal indeed.

Prior to these 2 shows I had not really been a fan of the cop genre and can't say I am now but the 2 Scandinavian shows really provided us with an insight into life in those northern Euopean countries through the eyes of their special policing units.
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The violent death of Fernando Ramos Da Silva only eight years after the completion of this film, only adds to the poignancy of dierector BAbenco's powerful message. The film is split into two halves - the first in a reformatory where a group of youngsters are abused and violated by the violent law enforcers and guardians. The second backdrop is the city where they are confined instead by their own actions and morality, which includes mugging, pimping and killing different characters who enter their lives.

The differing gender and sexual roles in the film allow for constant changes in the characters as they interact with other people. Particularly interesting is teh character of Lalica, a transvestite who is mother and lover to some of the children. Her reaction to the arrival of Sueli, a prostitute is both poignant and tragic. 

There is no happy ending to this story and i reccomend to watch it with caution as there are some very uncomfortable scenes to watch especially in teh opening twenty minutes. But whilst watching it, it is important to remember that this is not just a fictional tale. The actors are not trained professionals but instead boys selected from the streetsof Sao Paulo. They actually lived this life that is portrayed so vividly on screen and in da Silva's case, died at the hands of the police who are depicted so brutally. A documentary? A piece of fiction. It borders on both but it certainly makes for heart wrenching material and is a film that actually leaves you breathless and thinking long after having watched it.

10/10
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That's what I kept asking myself while watching this film. I mean the amount of nudity and sex was one thing but another part of the movie which gave its genre to the adult industry was its lack of storyline. Really I just wanted to get up and leave during the whole movie, but I persisted. I persisted in the hope that maybe the storyline would get better, that there might be a good twist at the end. However I couldn't have been more wrong. In the end I persisted because I figured I could write a bad review for it if anything after watching it. 

I mean don't get me wrong there is nothing wrong with beautiful, sexy and vibrant women, but when the director only shows that along with a shitty story thinking it's what the viewer wants to see, it insults us all. To think we are all so shallow to only want to see burlesque from rep ratable, big movie industry players is preposterous. My advice: hire a different movie.
I like Dylan Moran from his work in Black Books, although I found some of his stand-up to be really indulgent in terms of long confused gaps... however I was intrigued to see this film starring he and Michael Caine and curiosity got the better of me.

I was stunned.

Dylan's vocal range and characterisation of the different people he was playing in the film was absolutely perfect, something beyond the skills of a mere stand-up comedian and really truly on a par with alec guinness, john hurt and the other greats- truly he was skilled in his portrayal.

Michael Caine was a very convincing prima donna and the standard british film device of having a precocious child on hand to be overly wise and withering worked- the only aspect I didn't really like was the unbelieveable plot feature of the chemistry between Dolores and the cockney gangsta's hard man played by Dylan.

Other than that, it was great.

I also like the non-cop-out ending where it did end up happily ever after, but with MC getting a beating. OK, it's not exactly being strung up by your goolies and beijng disembowelled (which is what a real crime boss would do to you if you nicked £50k off them) but it showed at least a small measure of reality in the story.

I liked the film, and I would recommend it to anyone- but- I would also warn them not to turn it off after 15 minutes because it started a bit slow. If you stick it out, then it will all come back.

And with regards to the swearing- well, they're in Ireland. It wouldn't be real otherwise.

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I can understand how Barney can be annoying to some, but the hatred he gets is very ridiculous. Barney was made simply right from the beginning and simplicity isn't bad, especially for the young ones he entertains. I personally find this show to be very underrated period. Barney & Friends is a very educational show in my opinion and even 17 years after its debut (and nearly 21 years after the character's debut on home video), he proves time and time again that he still appeals to young children. Maybe less so than in the early 90's where Barney was the Hannah Montana of the time, but he's still a classic. As a fan of Barney myself, I feel that I should defend him in a way that doesn't seem like spam. The way the purple guy teaches things may be very simplistic and unrealistic, but would you rather have them hearing about war? Be thankful some one (a costumed dinosaur, but still) is there to comfort kids and let them be kids simply. In this day and age, I feel that we rush our kids to grow up and Barney is there to say you can still be a child at heart. In addition, many of Barney's lessons on current episodes about plagiarism, being honest, and yes... even death, could appeal to everyone, not just his target audience. Besides, our children need to learn to be kind and respect others for who they are, and he helps them do that. In short, Barney may be annoying to some people and I completely understand why, but cut him some slack. All he and his friends (along with HIT Entertainment, his production company) are trying to do is help kids not only learn necessary skills, but to have fun and to also look at the positive parts of life. If more people listened to their children's favorite character and viewed him through their eyes, maybe we wouldn't be so negative about him and possibly life itself.
I wanted to like this one - the situation was rich, and the setting unusual and interesting. But the story is swamped with childish female gothic romance elements that are hard to swallow. The director is unfairly prejudiced against the 'goy' characters -- content to let them be grotesque cardboard caricatures -- and inexplicably indulgent towards the homewrecking behavior of the heroine. The potentially interesting power struggle between the inventor and the governess is not really dealt with.

Feminist film makers will get more credibility when they stop manipulating situations to throw all the sympathy to the heroine, and start dealing honestly with issues. This movie more closely resembles 'The 7 Pieces of Gold', another earnest failure, more than 'The Piano' - a real tale of passion.

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This is one of the most stupid and worthless movies ever. It really does not qualify for movie status. It is VERY cheap (apparently shot on videotape), horribly acted, and just plain rotten. I could not believe how cheap and inept this piece of crap was. It looked like a home video! I mean I believe a guy I know a few houses down must have dug out his video camera and made this crap in 2 or 3 hours. It is that bad. I noticed the name from whence this cameAsylumand I will NEVER rent anything with that name on it again!!! When you rent a flick, check to see if it is from this "company." One thing is true though--if you like horribly acted, amateur movies, then you might like this loser. It is absolutely boring and terrible!!! You have been warned!!!

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Expectacular THE ATOR's second part!! Directed rapidly by JOE D'AMATO, specialist in all kinds of subkinds(subgenres) of exploitation, and interpreted again by MILES O'KEEFFE. the budget of the movie debio to be derisory or minimal. In spite of not being a better movie of his antecesora not mas entertained, ATOR 2 either, it has something, something that makes it enterteining. His introduction you prop it explains ATOR's origin to us with images of the first part. The script is incredible, is like any comic-book of the brilliant ROY THOMAS. has so fantastic elements inside dle world of the SWORD and such FANTASY as invisible men, black gentlemen, cannibals - monkeys ... the role of the villain this one interpreted brilliant. The final this struggle very well. lacking mas violence and blood, but this one well. Never it becomes boring. It has everything what there was lacking ATOR 1. Be charmed with to my me!! 4/5
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This movie just felt very true to life. I liked the ending which seemed to resolve naturally without any big moments but with a lot of little moments coming together. You could tell it is an honest love story. It doesn't matter what the 'sexual orientation' of the main characters are, it still a story about love and understanding.

There were a lot of scenes that involved the family. The setting is during what for some people is a very stressful time. Namely "the holidays." Christmas to be precise. 

Like most good films, this one addresses issues of love, fitting in, expectations, and can't-be-overcome biases. In the end Alexandra and Casey make a choice for each other, knowing that love is difficult, and about giving. Well done.
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This movie was very disappointing, and except for a few moments, wasn't fly at all. More than anything, it was just flippin' stupid. The music was frickin' bad and the plot played out like a BYU bowl game  very predictable (avoiding embarrassment by scoring, a late game flurry of touchdowns, a rally that falls short and leads to a loss). In essence, the half-childish / half-naive Will (the movie's fetcher) and his religiously confused brother Danny (we'll just call him a democrat), treat Kirby (the movie's "Sweet Spirit"), the 3rd member of their hapless Mormon "boy band," like crap until the man and father figure of the film (the stage manager, Jill) has a talk with Will and straightens him out. Believably, Will's personality changes 180 degrees and he's instantly the mature and self-aware leader of the band. This would be a cute, perhaps funny, 10 minute roadshow gig, but the fact that the movie is 93 minutes long really sucks the life out of you if you watch it to the end. My advise  take the money you'd normally spend to rent this show and either burn it in your fireplace or flush it down the toilet  more entertainment with much less time commitment. If you want to watch a better movie of the same genre, get Saints and Soldiers  not a comedy but an infinitely better show (actually, Kirby has more funny stuff in Saints than he does in SOP).
I must admit when I saw the preview for "Inglorious Basterds" I gave myself big expectations. THIS FILM DID NOT Disappoint.

Rarely when I watch a movie with such high-expectations do I have those expectations met or exceeded; this film did that and more. Even more rarely do I clap at the end of a movie, this I and everyone else in the theater did.

I have to say I am a little biased towards Quentin, I grew up with "Pulp Fiction." I watched it when I was 12 and it is still my favorite and most influential film.

However, since then Quentin has not really lived up to his billing. His style was getting a little predictable instead of familiar, the quality honestly wasn't there (I never watched Jackie Brown, and then there's Grindhouse). That is until "Inglorious Basterds." What Quentin did was exactly what was needed for the war genre, a spaghetti western feel that could only be done by Tarantino or Sergio Leone, but seeing how Leone is dead, Tarantino's the self appointed guy on this masterpiece.

So let's look at the movie which I won't give away. The writing was spot on, a beautiful transition between using not one but four different languages in this movie. Not to mention this movie was set up in the classic Tarantino mold, great scenes of rich meaningful dialog and sudden shocking action.

The acting was superb!! Christopher Waltz deserves an Oscar, seriously. I don't say that often, but honestly the man should get one for this movie, he spoke every language in this movie, and delivered with such amazing touch and poise. He stole the show in a movie that everybody was amazingly impressive.

I have no problem building this movie up, because this movie is the best film I've seen all year, and probably all of next year. Quite frankly the more I think about it, this movie may crack my top films of all time, and is Quentin's best movie since "Pulp Fiction." Take it from me, watch this film. I loved it doesn't do this movie enough justice.

I watched it yesterday and I'm still blown away. Thank you Quentin from the bottom of my heart for you making this movie. You're back on top again buddy. I can't say enough for "Inglorious Basterds!"

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I was pulled into this movie early on, much to my surprise, because I hadn't intended to watch it at all. Now I wish I hadn't. The suspense starts out well, with the hit-and-run resulting in death and the question of whether the guilty character will confess, or be found out, or (doable now, though a no-no in the old days of movie-making) get away with it. The plot's been done before--what plot hasn't--but the tensions inherent in it, with the additional complications and motivations arising out of the illicit love affair, make for an absorbing first half. Then the film abandons the hit-and-run to embark upon a misty exposition of two unrequited, all-suffering loves. The two tracks of plot--hit-and-run and unreasoning love--just don't have enough to do with each other, and that they involve the same characters doesn't bind them enough to justify the departure from the original story line. The screenwriter should have chosen one plot or the other. At the end of the film, in the midst of the movie's second funeral, I found myself thinking, "Now, what does any of this have to do with that hit-and-run?" The filmmakers may think the answer obvious, but I think the movie was plotted and executed flabbily.
Was this supposed to be funny? This is one of those films that just doesn't work. The first one, Bruce Almighty with Jim Carey, had some very funny moments. This one had none.

Steve Carrell, who was brilliant in Bruce Almighty, fails to deliver here. His performance is very ordinary and he can't carry it off like Carey did.

The one good thing about this is I only paid $1.95 to rent it. It's a movie for children...very young children who have only seen about 4 films or so in their short lives.

It's interesting to note that where Jim Carey stars in a film and they make a sequel without him that it's usually a huge turkey. Anyone remember Son of Mask? (IMDB Worst 100 films of all time) Avoid this one movie lovers.

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Although it strays away from the book a little, you can't help but love the atmospheric music and settings.

The scenes in Bath are just how they should be. Although if you have watched it as many times as I have you notice that the background people are the same in each scene, but that aside, I like the scene where they are in the Hot Baths, but did the men and women really bathe together like that? You could see all the men perched around the outside leering at the women. It also seemed strange that they all had their hats on, but perhaps this was the style at the time. The ballroom scenes were very nice, the dancing and the outfits looked beautiful. I especially liked Catherine's dress in the first ballroom scene.

Northanger Abbey looked suitably imposing, but I enjoyed the Bath scenes better.

Schlesinger gives a good but not exceptional performance as Catherine Morland. Googie Withers gives the best performance as Mrs Allen I feel.

Ugh Peter Firth as Mr Tilney, he just talks a load of rubbish, and is not a clergyman as he should be, it's hard to think of him being in love with Catherine, but then the book never really gave that impression either.

General Tilney is played reasonably well by Hardy, and Stuart also gives a sort of good performance as Isabella. Ingrid Lacey did not give a good performance as Elinor Tilney. As for John Thorpe, well he gives the impression of a seedy and lustful man, perhaps not the character portrayed in the book, but I quite like it.

I can handle scenes being cut from a book adaptation, but when new scenes and characters are added it usually annoys me. The marchioness! I hate her. She is not part of the Northanger story and neither is her cartwheeling page boy.

some of the script is peculiar. When Catherine is asking Elinor Tilney about her Mothers death she asks "I suppose you saw the body? How did it appear?" What a silly thing to say! Elinor's calm response is stupid too.

anyway please tell me if you agree or disagree with me
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if i could rate it a zero i would , coming from someone who likes shock/exploitation films of the time and Waters overall i must say this is useless.

It does nothing , serves nothing , an idiot with a camera and a urge to prove his cleverness by rebeling against social standards is all this comes off as.

Its entirely amateur , both in principle and execution , it doesn't have a point , its digusting for the sake of disgusting ,obscene with the wit of a neanderthal , its useless.

Someone said Waters was probably "chuckling" over all the bad press and disgust others gave with this film , but why? If i made a short film depicting a man in a bathroom taking a sh*t for ten minutes straight surely it would receive the same accomidations but why would i be proud or "chuckle" at that? 

Would it be because i am so unintelligent that i have to resort to this so i can say "HA! Take that censors and mainstream! Im so rebellious ill do whatever i want and film it!" No.

Waters shouldn't be proud of this mess , fans of waters shouldn't watch it , its useless , that is , without any use.

Its doesn't even fit under the criteria of art for arts sake.

To like or defend this movie is to defend something that was designed purposely as being anti-culture to be pushed for the mainstream audience , in modern terms this film is the Hot Topic of films.

Useless and Obsolete. A Poser film that demands it be acknowledged as rebellion .
While trying to build a major mall or complex or something like that, a wealthy landowner ignores ancient Native American artifacts buried on the land, and unleashes the Bone Eater...a creature who goes around and kills people in search of his fallen friends or something like that.

Indeed this movie had to be a Sci-Fi Channel original. If it wasn't, then the director should never direct anything again. The effects in the film is laughable at best, and the Bone Eater monster is nothing but a CGI-animated being added into the frames at a later date. The actors don't even look all that frightened when they see the thing (probably because they really don't, and they're just terrible actors). It's a great comedy, though, even if it's supposed to be pure horror.
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I recently rented this promising mini series, I didn't even know they had adapted it for television. I was really looking forward to it since the book Icon is one of the best spy thrillers I have ever read. What a disappointment it was. The plot only loosely resembles the one in the book, the characters are completely miscast and there's some appalling acting. A shame really. The story behind Icon is perfect for the silver screen, but I think television budgets just aren't big enough for a decent adaptation of this spectacular book.

Forsyth deserves much, much better than this. Avoid and stick to the book, which is a must-read.
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The movie Jennifer with Ida Lupino and Howard Duff is film noir magnificence.This is a mostly unknown movie that all film noir fans should see.Jennifer was filmed with the most unusual camera angles for that time, which made the movie have a surreal like quality at times. I love the stark black and white film noir movies.Film noir in color is not as good.The cast and script is excellent.The rather creepy music is fun to listen to.Ida Lupino is one of the best and talented actresses to ever grace the screen.I have never seen a production that she was in that I did not like.She was not only breathtakingly beautiful,she was a fine actress.The first movie that I remember seeing Ida Lupino in was Roadhouse with Richard Widmark and Cornel Wilde.I never forgot the movie,or her. I saw her last films like Food Of The Gods and Women In Chains, and even though the movies were not her usual fare, she was still delightful in them as an actress.Howard Duff is always terrific to watch.I highly recommend this masterpiece to everyone.I have this movie on VHS tape.
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I truly was disappointed by this film which I had high hopes for. It seems to have been rushed out to take advantage of the success of screwball comedies at the time (including MGM's own "Libeled Lady", which featured two of the same stars) and the success of William Powell and Myrna Loy. Three years into their pairing, they were still attractive to watch and filled with fire in their scenes together, but a weak screenplay and rushed premise destroys any chance of it being a great followup to the previous year's "Libeled Lady" and the two "Thin Man" movies they had done prior to this. "Double Wedding" tells the story of a clothing store manufacturer, Myrna Loy, who is intent on dominating the life of her sister (Florence Rice), future brother-in-law (John Beal), and her own servants (which include Sidney Toler and Mary Gordon). When the independent spirited William Powell comes into her life, having distracted Rice and Beal from Loy's constant control, Loy meets her match. Sounds good so far, right? Yeah, an interesting premise falls short, sad to say, because Loy's character is so one dimensional it is hard to even like her let alone see Powell fall in love with her, which we know will soon happen. It's another attempt to put a career minded woman in her place by changing her views on her what kind of life she has been leading, something Hollywood did often during its golden age. When Loy says she doesn't have time to both run her business and have a man in her life, its a groaner.

Fortunately, other than Powell, there is free-spirited Jessie Ralph on board. A salty wealthy older woman who helped Loy start her business, she has an acquaintance with Powell and can see immediately through Loy's cool claims that she loathes him. Rice and Beal are a boring couple, and the whole premise of Powell getting between them is senseless. Then, an ex-wife of Powell's shows up, which really isn't necessary at that late point in the story, and the final wedding scene (where a crowd of people try to get into Powell's tiny trailer) is a weak attempt to bring some farce. (It is funny though, that Powell keeps getting hit by items meant by Loy to hit Edgar Kennedy with; Those chuckles are most welcome, since there are so few others.) Powell and Loy would do better in two later screwball comedies, "I Love You Again" and "Love Crazy", which are sophisticated, witty, and fun. This film attempts to be all three, but ends up a sophisticated bore.
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Please tell me the sentiment of the following review: Out to Sea was a great movie. I expected comedy and from about 10 minutes into the film to the end, there was comedy, and laughing points. Jack and Walter are great together, and the addition of Rue McClanahan made it a wonderful movie, that should be seen over and over again.
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Jack-O (1995) was a really bad movie, we are talking snoozefest x 100, no entertainment value whatsoever, no budget, no gore, Z-grade actors etc etc, this film was an awful addition to the horror movie industry and shouldn't have been made!!! The only reason i purchased this movie was because i knew Linnea Quigley was in it, and sure enough, she does her obligatory nude shower scene, which is lovely yes.

But as for the film itself........ i fell asleep at the 40 minute stage and had NO desire at all to finish it, it's just bigtime lame OK.

I love horror movies, i'm an avid fan, a MASSIVE fan, i love low budget horrors, i love it all, but i hated this rubbish, so i think that will tell you all you need to know about "JACK-O".

I give this movie 2/10, the "2" is for the 2 minute Linnea shower scene, the movie itself is a total ZERO!!!!
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Especially after watching THE MATRIX RELOADED!! *SPOILERS*

After seeing the Matrix with all it's ridiculous fantasy make-believe-robotic characters with their super powers, it was refreshing to see an action movie with real people in situations that involved actual risk! I cared about these people, and even though some of the stunts seemed a bit much, it still left me feeling like "it's possible" verses "what a stupid video game" (like the Matrix)

This movie isn't brain surgery, it's very straight forward. Some things are predictable- like knowing that someone is going to be a back-stabber and that someone early on is going to die. Pretty obvious, but SO WHAT? The first 15 minutes sets up our reason, our motive, our main objective.

I like that Theron and Walhberg didn't have any make-out scenes. I am glad that they didn't go there. They kept it about funny dialogue ESPECIALLY SETH GREENE. That guy IS FUNNY!

This is a movie that I would buy when it comes out on DVD. It's fun, fast and entertaining. The only thing (and I guess it's a big thing) is that we are really - rooting for the bad guys. This group of protaganists are already on the wrong side of the law. Not a good message for the kiddies - parents, please explain this to them.



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The movie seemed a little slow at first. But it picked up speed and got right to the point. It showed exactly how the government and the scientist argued for humanity and the reasons of the "gadget". I enjoyed it. It is very close to reality as any movie about the Atomic Bombs that were to be dropped on Japan. I have recommended it to friends. I was particularly pleased with the acting ability of Dwight Schultz.
Please tell me the sentiment of the following review: .. is the Princess Bride meets... well Trainspotting. But wait, really, it's a good combination! This was definitely one of the better movies I've seen in a long time... it has the kind of witty dialog I associate with The Princess Bride or Cemetery man, along with the disgusting scenes of violence of a horror movie... the heroic feel of Princess Bride combined with the (this is odd) lack of any really good guys that Trainspotting had.

I'm not saying it was as GOOD as the Princess Bride, but it was in the arena, and it rocked. Some of the dialog transcends pleasing to brilliant, the plot is interesting, the characters - while SLIGHTLY anacronistic - are anacronistic not due to their intrinsic nature (there WERE flamboyantly gay people in the 18th century, contrary to a previous reviewer's remarks) but just in a bit of the language they used. The anachronisms made it fun, though, and NOT cheesy and easily dismissed.

If you've ever read any Simon R. Green, or Gleen Cook's Garrett series, you know EXACTLY what this movie is. Check it out. It's great.
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This is a really great film! It gets you thinking about your parents. How we all have fragile relationships we all have with them, unless we really make an effort to know who they are as people. And just as important, we should remember to open up and show them our real selves, not just who we think they want us to be. Definitely see this documentary! IMDb is making me write more text before they will post my comment, how odd. Usually online comments need to be short short, and here I am being asked to write more! Well I went to see the film with my parents, I thought afterward they would want to talk about their parents, but my dad kept wanting to talk about himself and things in his life he feels he screwed up, which was unusual, my dad is not a reticent man, but I was surprised that he wanted to talk about mistakes he thinks he made. Mike and Kitty came to the film to do a Q & A and there was a hilarious moment afterward when my dad was talking with Mike, while my mom spoke with Kitty! Really just disregard my last few sentences to pad this comment, and just remember '51 Birch Street,' go see it!

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You know the saying "Curiosity Killed The Cat"? Well, I have heard so much about this film, from a magazine that named this one of the most shocking movies of all time, my 1001 movies you must see before you die, my sister who saw this at a film festival, and the I love the 70's show on VH1. I just had to see this movie since it was named the grossest movie of all time, and well, after viewing this film last night, I have to say that it really did live up to it's title. My God, this movie was so weird! I thought I really did see it all with some of the sickest movies and TV shows I've seen, some things I guess will always still feel like a shock.

Well, Babs Johnson, aka Divine, has been named the filthiest person alive and a jealous couple named the Marbles are competing for that title. They want to take Divine out and be named the filthiest couple alive by kidnapping women, raping them, impregnating them, and selling their babies to lesbian couples. But it seems like Divine and her family of well... I don't know, seems to keep the title by having sex with chickens, butt lip syncing, eating dog feces, stuffing meat up their skirts, incest, and it just gets grosser and grosser.

Pink Flamingos is horribly acted, horribly made, and well, just plain horrible. The reason for the 10 rating I'm going to give it is due to the fact, well, how could you rate this film? I always rate, so I just figure what the heck? Through the grossness of this film, you have got to give John Waters some credit, who the heck would ever think of this movie over 35 years later? To the cast and crew who worked on this film, you guys are just plain nasty!

10/10
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Please tell me the sentiment of the following review: I saw this movie on a show that was showing bad B-movies and trying to get you to buy them. It basically was just a long trailer but gave you a really good idea of what the movie was about. After viewing the trailer, I thought I would rent this movie because it looked stupid and generic, but could still be entertaining in a perverse sense. IT'S NOT ENTERTAINING in any sense of the word. The film has two (or should I say four) things going for it and it's not the number of deaths, it's the women. They are hot and naked a lot and Ms. Lovell could be a legit actress, but not in a movie where the emphasis is on T&A and corny dialogs. This isn't even a horror movie or scary, unless you are talking about watching the actors try to act. The production value is pathetic, the acting is worse and the writing is the worst. What was the point in making this movie? To scare people? To rip off "Texas Chainsaw Massacre"? To try and be funny? To show off the women's breasts? To put some guy's head into a retarded outfit, with fake hands and legs? To have a character just say the word "Snow" over and over? To not have any real violence but have enough nudity in an attempt to cover up the fact there is no real plot? To be able to make a sequel to a movie no one has seen or will ever watch? I made a mistake in picking up this movie, don't make this mistake too.

STAY AWAY FROM THIS MOVIE!!!!!!!!!!!!!!!!!!
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Russell T Davies has been tasked with re-creating a slice of my childhood: hiding behind the sofa, watching scary monsters battle with Dr Who. He, and his crew, are clearly all true devotees of the original series.

In much the same way as the Star Trek movies used their budget to make the Gene Rodenberry's original concept far more believable, Russell T Davies has both money and the advantages of excellent CGI to create the best monsters ever. I am sure that this series was made with a budget that anticipated both export and DVD sales and it really feels as if no expense was spared.

The accompanying series Dr Who Confidential shows the work that goes into each episode which is a really useful behind the scenes insight. Interviews with the cast and writers help retell the story from each characters perspective and are far more useful than simply watching the whole programme over again.

How does David Tenant rank in the pantheon of his illustrious predecessors? Time will tell but tonight, seeing Billie Piper play alongside Elisabeth Sladen, who was the Doctor's companion in the 1970's confirm that she has both the acting ability, screen presence and script to be the No. 1.
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