cindermond/bento huggingface dataset:
I finally got hold of Lifeforce on DVD with the widescreen format intact and rousing Henry Mancini score to the max. After having viewed Lifeforce for fifteen years on tape, I have to say that the 'uncut' DVD version was both great and disappointing. The U.S. version is so *much* better than the DVD (European?) version. The U.S. version of lifeforce moves much faster (the editing on the DVD version is terrible. Feels like an unfinished cut). And the many scenes not seen in the American version add little or nothing to the final problem. In fact one "new" moment almost destroys the entire movie, when Caine (peter firth) meets the male alien at the cathedral. I love this scene, in the U.S. version though. On the DVD, the male alien speaks to Caine and what he says is soooooo hilarious. It's the pinnacle of hilarity:

"It'll be much less terrifying if you just come to me!" the male alien says, in a deep 1950s style voice. I was floored when I saw this. It just doesn't belong in the movie. That scene is pure camp in an otherwise super serious flick. I'm glad Hooper (or whoever) cut that scene when the movie was released in North America. There are several changes that were made for the U.S. version that make Lifeforce that much better and I wished the DVD had the U.S. version. The editing is sharp and frenzied without being annoying and some spots that were already boring in the U.S. version are even more boring on the DVD version because of added scenes. And the opening credits on the DVD is terrible. Much better in the U.S. version. More subtle.

I love this film. It's basically aliens making a pit-stop over earth and sucking up as much Lifeforce as possible. The film has too many flat, uninspiring sequences (talk, talk, talk) but when the action goes to London, it's fun. The film really shines in these scenes. One can see Hooper finally doing what he's great at: chaos, savagery, horror! Lifeforce should have had more of these chaos scenes. They're the best Apocalyptic scenes ever put on film. It's also the best zombie movie ever. The zombies are hungry (for lifeforce, not flesh) and they're crazed and agile and terrifying. Not the slow moving bores of other zombie movies. Also, a lot of people have criticized the ending but I love it. It leaves you high and dry, like one of the lifeforce-drained victims.

And to think this movie came out during the cute and cuddly 80s, when people flocked to E.T. or Cocoon or other sweet and boring, feel good sci-fi movies. No wonder it bombed because it was way ahead of its time with its super nihilistic point of view!

As for the DVD, well, it ain't great. The image is muddy and grainy and there are no extras whatsoever. But it's great to see the movie in its widescreen format. I just hope that they'll release a clean, crisp U.S. version on a DVD, and with commentary by Hooper and Dykstra.

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I saw this movie yesterday. I must admit - I love it! It's like early Tarantino, but better. Really a must, but... don't show this movie to anyone younger than 18. It's full of blood and sex (rape scene is great :) ). Now I'm just waiting for other movies of this director and a DVD release.
Please tell me the sentiment of the following review: I have never really been interested in cannibal movies before and up until a couple of months ago i had avoided this genre of movie.

I recently had to undergo knee surgery and found i had a lot of time on my hands as i was unable to work, so i decided after seeing almost every horror movie our local video shop had to offer i would take a chance on this.

Christ was it a mistake! I have never seen a movie this bad in all my years of being a movie addict. This is just a pile of s**t pasted to a D.V.D disc and sold as a horror movie.

I have a lot of respect to other horror fans who can switch their brains off long enough to enjoy this crap, They are more brain dead than i ever will be and that is some achievement! 0/10 and thats generous.
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When I reviewed the video for a local magazine, I called it "the greatest achievement in the history of the American cinema." That was not wholly tongue in cheek. TW&TL remains Milius' best work, and it's sad that he has so little opportunity to work anymore. However, TW&TL remains a striking exposition of what once was known as The American Character, largely on the strength of Brian Keith's superb portrayal of Teddy R. (Obviously Milius--and Keith--admired TR tremendously to make two films about him, including "The Rough Riders.") It's hard to fault this film at any level: a splendid balance of action, levity, relationships, and the serious topic of America coming of age in the world. Furthermore, TW&TL has exceptional appeal across the board: note the stats showing it rates best with under-18 males, females 18-29, and over 45! Clearly Candy Bergen struck a responsive chord with women as well as men.
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Ever once in a while I run into a movie that is so embarrassingly bad I wonder why movies exist. This is one of them. This is a terrible attempt to parody The Godfather with annoying cartoon sounds, and bad dialogue. Eddie Deezen is just plain annoying as Tony, an annoying twit who upon his father, Don (William Hickey)'s request, takes over the family business. Tony, as I said, is an annoying little twit. This makes the whole movie a complete mess. The movie is terribly daffy. It's too cartoonish. The main point I'm trying to make is that you can't make a parody of an acclaimed drama like The Godfather with so much cartoonishness. It doesn't work that way. Believe it or not, you have to take a parody of a dramatic movie seriously. If you don't take it seriously, it will feel too much like a parody. The thing about doing a parody is that you can't seem too much like you're doing a parody. You have to make it seem like you're taking the movie at least a little bit seriously. It also feels like they're just mocking Woody Allen, and that's what makes this movie absolutely terrible.
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While escaping from a heist of a bank, the outlaw Vance Shaw (Randolph Scott) helps Edward Creighton (Dean Jagger), the chief-engineer of the Western Union that is surveying the Wild West and had had an accident with a horse. In 1861, Vance regenerates and is hired to work for the Western Union with the team that is installing the poles and cable from Omaha to Salt Lake City. Vance and the engineer from Harvard Richard Blake (Robert Young) flirt with the gorgeous Edward's sister Sue Creighton (Virginia Gilmore) and she chooses Vance. However, his past haunts him when the outlaw Jack Slade (Barton MacLane) steals the Western Union cattle disguised of Indians.

"Western Union" is a good but predictable western directed by Fritz Lang. The story shows the difficulties of the brave and idealistic men responsible for installing the telegraph through the West, facing thieves and Indians. The entertaining story has action, drama, romance and funny situations, but with the exception of the identity of Jack Slade, there is no surprise in the story. Randolph Scott gives another magnificent performance with a great cast. My vote is seven.

Title (Brazil): "Os Conquistadores" ("The Conquerors")
Having read all of Sarah Waters books i was eagerly looking forward to a BBC adaptation of Fingersmith. Especially since Tipping the Velvet had been done so well by old familiar Andrew Davies.

I was not disappointed with the results, in fact i think this might be on a par with TTV; both romantic and entertaining. And not as so many ignorant people would have you believe, a pointless lesbian romp. Having been a fan of Elaine Cassidy's since seeing her guileless turn in Felicia's Journey i thought she embodied both hard deception and a growing fragility as Maud. Her transformation was believable and impressive to watch. I recognised Sally Hawkins as Zena Blake from Tipping the Velvet, a small role primarily so i didn't have as many expectations but she was astounding in the role of Sue Trinder. Her eyes were mesmerising conveying everything from rage to absolute despair. The two of them acting together, combining these talents made this drama unmissable. Of course Imelda Staunton was amazing as usual, she is unmistakably a national treasure and the supporting cast were all of a high standard. Even the direction from the fairly unknown Aisling Walsh used contrasting yet beautiful shades of blue for Briar and brown for London.

However as much praise must be given to Ransley the script writer. To turn a 600 page book where every line is of the highest quality into a three hour extravaganza is a huge feat. He illuminated the main revelations at a steady pace whilst giving us plenty of back-story and character development at the same time. He has my full admiration.

In conclusion, a brilliant adaptation where all involved gave 100% and making this one of the best BBC dramas i've seen.

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The word "boring" gets thrown around way too often when referring to exactly how bad a low-budget Horror movie might, or might not be. I've seen many a B-movie. Many horrible, terribly inept B-movies. Some with a production value of a few hundred bucks. Does ineptness, lousy acting, worse continuity, and embarrassing budgets really make a movie unwatchable? Some would no doubt way yes. Most of which are probably huge fans of The Matrix. Well, I hate big-budget movies, so I say no. Bad can sometimes be funny (Blood Freak), sometimes even mind-blowing (Troll 2), but Boring will always be unwatchable... Hey, kinda like Bloodthirsty Butchers, which reminds me, I'm writing a review for this pile of garbage... Uh, yeah, anyway. This is one of late British director Andy Milligan's many alternatives to sleeping pills. This one is based on Sweeney Todd... Great. Milligan takes a boring story, and still manages to "butcher" it. Hey, that's pretty funny, I said bu... sorry, I keep getting distracted. This isn't exactly easy. On second thought, I'll make it easy. No gore, no scares, no entertainment, just unlikeable, annoying people having incoherent conversations. that's Bloodthirsty Butchers. Oh yeah, and something about a barber killing people, and something or other about meat pies. I don't know, it's not important.

For something a little more rewarding from Andy Milligan, there's always the only other one I've seen, The Rats Are Coming, The Werewolves Are Here. Yeah, you heard me. But hows about we forget about this Milligan guy all together, and pick up something sweet like Sick Girl or Teenape Goes To Camp. Whatever you decide, just know, Bloodthirsty Butchers sucks, possibly even more than any other version of this already lackluster tale. And that, B-movie fans, is really saying something. 2/10
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In 1984, The Karate Kid had some charm to it, even if it was little more than a poor man's Rocky. Alas, producer Jerry Weintraub failed to realize it was best to leave the story at the point where it had ended, and convinced Ralph Macchio and Pat Morita to make an extra effort to turn the film into a trilogy. Part III was the definitive low in the franchise, yet someone must have thought the series still had some potential. What other explanation could there possibly be for the existence of The Next Karate Kid?

Wait a minute. Next? Yep, Macchio's gone (at least he was smart enough to stop eventually), and his replacement is Hilary Swank (!), playing a troubled teenager (what else?) named Julie Pierce. Now, the girl has family issues. She also gets in trouble at school. Said school has a sadistic gym teacher (Michael Ironside). As it turns out, though, one of his students is actually a nice guy, and Julie falls for him. This gets her in bigger trouble than before, of course. Lucky for her, she is currently living with Mr. Miyagi (Morita), an old friend of her grandfather who happens to know how to get back at the bad guys.

All those factors ad up to seven clichés, and that's just a generic plot summary - imagine what the detailed scenes must be like! From beginning to end, The Next Karate Kid is a tired, flat and dull marathon of idiotic lines and set-ups. Swank does, thankfully, have the likes of Boys Don't Cry and Million Dollar Baby to redeem this disaster, but why did Morita accept to come back? He may have received an Oscar nomination for the first movie, and was quite enjoyable in the sequels, but has nothing to speak for him here - even the revival of the "wax on, wax off" gag is stillborn. As for Ironside, he is slightly better than Martin Kove and Thomas Ian Griffith in Part III, but that's hardly a stretch.

So, is this picture really that awful? Not exactly. There is one sequence that manages to achieve a weird beauty, but when the best bit in the whole film involves a group of Asian monks dancing as they hear pop music for the first time in their lives, it doesn't qualify as a recommendation to see the rest.
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At first glance a film like Northfork, a town set to be flooded in 1955 and a group of 6 characters who are sent out to evacuate the remaining townspeople, could be just an ordinary film. As we soon meet a remaining priest taking care of a sick child, a greedy land owner, we could be set up for a simple story we could all easily digest. However, when one is first introduced to this film, you notice the amazing wide open cinematography and a scene involving a church hall missing a wall that opens up to the pastures and scenic view of the mountains with cattle grazing. It soon becomes clear that after this scene and a few of the towns peoples introduction, that this is no ordinary film and no ordinary story, it is something very special and unique.

At first glance things are not as clear, but the cinematography and landscape that the viewer is witness to is stunning, and the characters that inhabit this small soon to be extinct area are just in word amazing. It's what can either draw you in closer to this qwerky film, or either have you bored sitting there waiting for something to happen.

The films deep spiritual and dream like qualities, give it a slow and methodical approach which I am sure will bore some viewers, but if you are patient with it and see the bigger picture, the film is great to witness.

Rating 8 out of 10
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So tell me - what serious boozer drinks Budweiser? How many suicidally-obsessed drinkers house a fully stocked and barely touched range of drinks in their lonely motel room that a millionaire playboy's bachelor-pad bar would be proud to boast? And what kind of an alcoholic tends to drink with the bottle held about 8 inches from his hungry mouth so that the contents generally spill all over his face? Not to mention wasting good whisky by dousing your girlfriend's tits with it, just so the cinema audience can get a good eyeful of Elisabeth Shue's assets.

Cage seems to be portraying the most attention-seeking look-at-me alcoholic ever to have graced the screen while Shue looks more like a Berkely preppy slumming it for a summer than some seasoned street-walker. She is humiliated and subjugated as often as possible in this revolting movie with beatings, skin lacerations, anal rape and graphic verbal abuse - all of it completely implausible and included apparently only to convey a sense of her horribly demeaned state and offer the male viewers an astonishingly clichéd sentimental sexual fantasy of the 'tart-with-a-heart'.

Still - I did watch it to the end, by which time I was actually laughing out loud as Shue's tough street hooker chopped carrots in the kitchen wanly, pathetically smiling while Cage - all eyes popping and shaking like like a man operating a road drill in an earthquake - grimaced and mugged his way through the final half-hour...
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I think this movie has got it all. It has really cool music that I can never get out of my head. It has cool looking characters. IS REALLY funny(you know, the kind that you'll crack up on the ground and you'll keep saying the funny parts over every day for three weeks).Despite the bad acting, bad cgi, and bad story(about cops going after a robot), its really cool. Its one of those movies you and all of your family can watch, get together, eat pizza, laugh like crazy, and watch it two more times.

There are so many funny parts, like when Kurt was trying to get Edison's attention and gave him the finger, and then threw a paint ball gun at him so they could play paint ball. On that part, I kept saying "Remember, Remember?"to my cousins who saw it and showed them what happened. There was also a really funny part when Edision ran into the room and Kurt was there(just before they fought) and Kurt was talking about his "Strange dream" and how he was "Superman". I LOVED that part, although it has been a while since I saw it, so I don't remember that part. Everything the actors said were funny, like how Kurt says, "I worship you, like a GOD!" to the robot.

Although there was some bad things, in all it was a GREAT movie. Man, I can't stop laughing. I wish I had that movie. );
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You know sometimes you just gotta have it? That's how this movie is with me. I am almost embarrassed to admit that I like it, it is so goofy in some parts, but I find myself reaching for it when I'm down and just need a good laugh...and trust me, I am just not a "goofy movie" kinda guy.

You can read the synopsis so I don't have to bore you with that, just rest assured, if you like Kelsey Grammer you will probably like this movie.

One more thing, be SURE to watch the end credits. You don't need to read them, just watch them and catch the performance of "In the Navy" by the Village People...and friends.

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Katharine Hepburn as a mountain woman who mixes prayer with positive thinking--and is thought by the local folk to be a witch. Kate works overly-hard trying to convince us she's a backwoods hick (named Trigger Hicks!), but you can see she doesn't even believe in this unintentionally comical scenario. Constantly-smiling Robert Young plays a foreman working on the construction of a mountain dam who becomes Trigger's first crush...but alas, he's married! No amount of white magic can resuscitate this formula, based on a play and brought to the screen by R.K.O. with too broad a hillbilly flourish. It is ungodly, and just about unwatchable. *1/2 from ****
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Perhaps I'm just a simple person, but I prefer movies that somehow make me care about the people in them. I couldn't care less about anyone in this movie. This was supposed to be a comedy? Maybe the humor was too subtle for me (all the way down to the nano-level). The thing about it is, it missed on so many things. There were characters that could have been funny, but they weren't. There were characters that you could have liked, but you didn't. For instance, the guy who thought the Beatles ripped off his songs. There was so much potential there, but all he did was talk like a Beatle and complain about how they ripped him off. Haha. And the previous poster talked about the 'I am the Walrus' scene like it was special. What? He played 'I am the Walrus' on an old piano and sang out of tune. Is there an inside joke there? It sure stank at face value. This movie has the feel to me of a movie people say they like because it sounds 'intellectual' or 'hip' to say you like it, that you get the whole metaphysical art/garbage message the artist is expressing. If you want to be entertained, stay away.
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This film is completely underrated.

It's a film similar to Will Keenan and Patrick Hasson's Waiting, as well as Adrien Brody's Restaurant and the classic film Breaking Away, which are all about young adults who are stuck and know they're stuck, with little or no chance of breaking free.

Death By Pizza (Delivered) is about an intelligent, free-thinking, artistic young adult (Will, played by David Strictland) who is stuck and waiting, bitter at the world's hypocrisy and bitter at his own lack of direction and desire. Will meets his nemesis, Reed (Ron Eldard), another intelligent young adult who's so bitter, he's chosen the path of crime. Both end up helping each other to free themselves of their bitterness, which enables them to get unstuck.

For these young adults, getting unstuck, or, breaking free, can mean both forging ahead into life, and plunging downward into death.

Will's life is filled with the trademarks of a young "stuck" adult: a soul-sucking, sweaty, under-paying job, crude customers, an ex-girlfriend who left him because he was unmotivated, a partial college education with no degree, a house filled with self-made art, and of course the new friend whose ungodly choices help him to save himself.
This movie has got to be about one of the worst i have ever seen. The humor was crude, hardly funny and been heard a million times before. The start was noting special and it got worse and worse as it went on. I got about halfway through and couldn't stand to watch any more of it. Luckily I was only watching it on TV so it didn't cost anything, but I seriously recommend you do not waste you time or your money.

Nothing in the movie was new. The characters were not at all developed. I actually think it would have been better as a little kids movie in that it was full of stupid unrealistic "funny" events occurring ... thats like what happens in home alone or something. Not to imply home alone was in any way as terrible as this.
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One thing that came across to me in watching this film is that it was fun/exciting for the cast and crew; I could sense that they were going up against the budget constraint with enthusiasm & dedication because they apparently liked the people involved. 

I tend to like B movies that are original and have heart, and I think this is one such work. The actors seem to me to be putting there hearts in it more than usual, maybe because of some good direction from the lead actress/director, and they evidently were clear enough in their parts of the story to make a coherent, watchable piece of art. 

The critiques of this film that more or less say, "why not just rent a hardcore porn movie," make the point as to why they didn't like the film. Going to this film hoping for a lot of T&A without patience for the material of the plot is why it is so unenjoyable for them. One could say the movie is more of a romantic work than a softcore porn movie, even though I take it the star has done her share of soft porn. I think she graduated. 

In terms of the writing, the dialog is not a huge part of the movie, like in a Tarentino film, but the plot is decent and the twists are original and sometimes fun. Particularly the ending is not a disappointment but a pleasure, with the villianess/heroine and the "leading man" learning from their complex web of feelings. 

I understand that the producer got a 3 film deal out of this. Hats off for proving a few tens of thousands of dollars can go pretty far if you have some artistic sensibility and pride. 

Gabriella and the other girls with scenes of nudity were likable along with being hot, not just airhead bimbos, so as an erotic science fantasy piece with some gorgeous nude art, even with the limits of B-movie land, not disappointing.
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Just a few words: it's a good thing George A Romero is still among us cause if he were dead, he would be forced to rise from grave to vote against the people who made this 'political satire' And the saddest thing of all is that I actually agree with these people's sentiments. Yeah there's zombies in it and they do have a good reason to come back from beyond the grave: to vote. Oh, and one of them finishes off The Doctor from Startrek Voyager. That's about as scary as it will get, people. If you are looking for a horror-movie I suggest you keep on looking. And if you are looking for a witty political satire you're also in the wrong place and not just because this series is called Masters of Horror. But don't let me hold you back: maybe you see something I've missed. Though chances are you'll be wasting your time with it just as I have. Let's just say I prefer my Zombie-movies with the zombies standing in frónt of the camera.
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This movie was great. It had everything a true action fan could want. Plenty of people getting shot and/or maimed, minimal romance involving sex, a hero that can be identified with, violence at many intervals instead of pointless plot storing up just one scene at the end, and villains that are just asking for it. Bronson appears to be at his lowest level of tolerancy in this film and it shows. Ed Lauter makes a great cop and was seamlessly worked into Bronson's plot without stealing his spotlight. The movie doesn't involve a plot so boring or over-consuming that you watch this film once and never again. Rather, you want to see Kersey in action and the storyline just juices it up. This is great stuff.
Please tell me the sentiment of the following review: I am a fan of slasher movies, especially of Scream 1-3, but this one is just one killing after another. To my astonishment: Part II is far better and you get the whole story of part one summarized! So don't waste time on this one and move right on to part II, you won't regret it cause Part 2 actually has a PLOT and is quite self-ironical. First Part: 1 out of 10 Second Part: 4 out of 10
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Okay, so when a friend of mine told me he was supposed to direct MM2 and MM3, I thought, heck, I got to check out Monster Man and see what its like, maybe I can get a part in it, but when I popped it into my DVD player and and tried to choke down the first 45 minutes of nothing but bad, bad I mean horribly annoying bad comedy from that fat ass thinking he's funny, not to mention how looooong the director spent on the pointless desert road trip, I cam to the conclusion that these guys didn't have a clue of what they were doing and missed the boat by a long shot. The story had potential to be somewhat different than the usual BS you see on the Blockbuster/Hollywood Video shelf put out by Lions gate these days, but they surely messed this one up. Why put so much time and effort in shooting annoying bad acting and bad jokes, why not shorten the road trip and put more of the plot in the movie. Myabe the writing was so bad that they had to cut out a lot of the movie or maybe the director didn't shoot enough of the horror and gore, that they had to find filler to make the usual 84 minutes???? All in all, and I'm being easy here, maybe because a friend of mine is the bald redneck in the bar scene that gets his skull crushed when chasing the three leads out into the street, I will give it at least 1 star for trying, and the gore/kill scenes weren't that bad, again, they tried. Too bad, Lions Gate could have created a cool franchise from this idea, but failed. I don't recommend paying to rent it, maybe you can find a cut down version where the movie starts from the hitch hiker scene. CRAP!
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This is probably the greatest war film and certainly one of the greatest films. There's no sentimentality, no patriotic agenda, not even a hopeful message of universal brotherhood in this bleak glimpse of what we can only call hell. It's this quiet rigor and lack of manipulation that give the film its astounding power. There aren't any attempts to make a hero out of Ichikawa's protagonist Tamura either. He's just a poor doomed sap trying to stay alive in a world of horror who hopes, but isn't sure, he can hang on to his humanity in the process. Ichikawa's fierce lack of cant and illusion make Fires on the Plain stand alone. Ichikawa died February 2008.
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So Udo Kier earned like nine bucks and free food for this so that is a victory in and of itself. 

More importantly this movie tells a very interesting tale about a group of salvage guys coming across the broken down Demeter. I should warn you, i'm gunna bounce around through this review real quick so buckle up. First thing's first. Coolio plays a guy named 187. 187 likes drugs. 187 finds a bunch of caskets on board and... now i don't know anything about the future but maybe they smuggle drugs in caskets. Not gunna say that was the craziest thing in this movie. Later on the vampire gets out of his mist filled coffin and then the real hilarity begins. First, although this movie has the word Dracula in it he is actually not in this movie. I have a theory though. Out of the blue you see the salvage crew's ship leave without them. My theory is that Dracula was on board with his retarded brother Orlock. Dracula told Orlock he'll be right back. Dracula got the hell out of this movie before he could be seen leaving Orlock to play the vampire for the six or so minutes he is in the movie. The best part of this film, and for those of you that have seen this you know what i'm gunna say, is after 187 gets sired, embraced whatever. He has this huge monologue about ejaculating on various parts of erika Elaniak's body and... other super cool stuff. Coolio, seriously you are the best thing EVER. 

Some other stuff happens in this movie too. Like Casper Van Dean gets some work. Orlock screams a lot and loses his arm and then we kinda lose track of him FOR THE REST OF THE MOVIE. And thank god really. We find out Erika's character is a police bot. As the movie comes to a close we find out that the ship is on a course to ram into the sun. The police bot and one other surviving character are doomed. Rather then avoid certain death Erika's police bot reveals she's also a whore bot and they decide to screw each other and die. Before they die in the sun they die for no reason, yep that's right... their ship blows up for no real reason. 

This movie got the amazing rating for one reason, Coolio. My god, if they gave academy awards to black rappers then he'd be the first to get one. The only reason this didn't get a perfect ten is because there was not a drop of nudity. Now i know what your thinking, how can you judge a film by whether ladies show their goods or not. Well easy. A movie like this pretty much requires it. Its part of the process. Gore, gore, monsters, nudity, gore, end of movie final shock at the end. Its the formula. This had some gore, the monster was awesome because he sucked so hard he actually did us the favor of staying off camera. That was considerate of him and i respect that. Nudity, not a drop even though there was a length conversation about... well see the above statement and as for the shock/twist... i certainly didn't see the end coming. That counts. 

I hope Hollywood doesn't think Coolio gave this film his all and has nothing left. He deserves more work. Well, until Dracula 4000, i'm out.
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Some movies you watch and you say, "Well, that made no sense." And you don't really mean it. You're just saying things were overly complicated or slightly nonsensical.

"Bread And Circus" makes no sense at all. And I mean it. And that's not because it's surreal. From the start, it's pretty clear it's a feeble excuse to do splatter special effects. There's no script. There's no plot. There's no story of any kind. One event does not lead to the next -- that's how fundamental the bad writing is here.

So what? I mean, there are TONS of movies out there that fall into that category. They want to show you gore, they give you gore. Why even talk about it?

Because, in this case, "Bread and Circus" gave me hope. Okay, there are some surreal elements. Vaginas, in the ground -- people crawling out of them. The earth, in space, two legs on either side. These sorts of images are wonderful, fun, odd, crazy. But the movie doesn't do anything with them.

Stuff happens, the movie ends, and it's all very unsatisfying. I suspect the script was made up on the fly. Too bad. If there had been a story of ANY kind at all, it would have made for a much more entertaining film.

The film is very much like the beautiful car you would love to own. Then you lift up the hood and there's no engine. Just a small man peddling a bicycle.

GRR!
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A labor of love. Each frame is picture perfect and grabs you. Then the sheer emotion and story-telling take you through a dream that stays with you long after the movie. The director gets your heart and leads it through 100 minutes of visual poetry. You are a part of the emotional ride of the characters. I have seen this movie at 2 festivals and it got with standing ovations at every showing. The remarkable story-telling transcends nationality and language and I felt I was a part of the drama unfolding before me. The casting is as perfect as one can get. Vijay Raaz, Camille and Benoit each hold their own. 

I strongly recommend this film to everyone who appreciates good cinema. I can't wait for the commercial release of this movie.
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Please tell me the sentiment of the following review: The movie Night Crossing captures the feelings experienced by the vast majority of East Germans during the period 1961-89. I lived in West Berlin during most of 1967 and travelled through The Wall into East Berlin on a weekly basis. Why? Excitement, crossing a border into a Soviet governed country, experiencing the smells and the feel of East Germany, which is why Night Crossing is excellent, it captures that very feeling, and it is exciting. I was arrested by the Vopos in Checkpoint Charlie and accosted by a man in his leather coat and dark glasses I am led to believe was Stasi. When I watch the movie I can smell cheap diesel and cooking oil, I can see the outdated vehicles, the drab clothing the public wore and the lacklustre produce in shop windows. It brings back memories of realising just how lucky I was to live in a free country. In 1988, I toured the DDR from East to West, North to South. East Germany had changed little since 1967. The Trabants, constantly breaking down, were still the main mode of private motorised transport, the shops still featured nothing much to tempt me, uniforms were still commonplace, but the people, the ordinary people were open and nice once you had gained their trust. Watch Night Crossing, it's as close to the truth as any movie you will see on divided Germany, even closer than two other favourites The Spy Who Came In From The Cold and Funeral In Berlin.
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positive
The worst film ever made, bar none. Give yourself a pat on the back if you can possibly sit through every excruciatingly painful minute of it. Except for the bit where the hard-luck loser turned deranged psychopath from forced medical experimentation pours his pea soup on the doctor's head and laughs like any good raving lunatic should...that's all.
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This is one gripping movie, reminiscent of the MGM crime movies of the late 70's. Excellent cast, crisp editing and good acting keeps the pace of the movie developing rapidly,. One of the better crime movies of the decade. Kudos to the director & cast.
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If you are home on a weekend, very bored and lack the will to move, with absolutely nothing better to do with your life for the next couple of hours you could enjoy making fun of this movie. The acting and script and general movie making of this film isn't actually all that bad, which is why it makes it possible to actually sit through this. This is defitnly a movie they would show in high school health class to teach the dangers of pre-marital sex. Or they could also show it to teach the dangers of very lame music - that 'rock' band Brian Austin Green is in is really terrible, I think thats a much greater threat to society than unwed parents.
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Please tell me the sentiment of the following review: This is just my all time favorite movie. Nothing special. It's just so incredibly detailed. Makes me cry just thinking about it. Geronimo Bill is the nicest guy I can imagine. Money is not important. Bamboo spears are important. You don't need money to get what you need. If you need something it will just come to you. If people would realize that the world would be a much better place. Whatever you do, don't do it for the money.
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This series is vastly underrated. Like many others, I came upon Farscape after the series had been cancelled. Bought Season 1 and was surprised to find a smartly written drama infused with a balanced mix of suspense, romance, wit and, of course, sci-fi. Right off the bat it got a 10 for being the first series or movie to satisfy us how our hero - and every alien with whom he comes in contact - speaks English! Okay, a few others have skirted the issue, but Farscape did it the best. The point is, the writers pay close attention to detail to make the show as believable as possible.

With so much bad programming out there, it's a shame that balanced, entertaining series such as Farscape don't get enough exposure and recognition to stay in production. While we enjoy the four seasons and, thankfully, the four-hour miniseries, maybe we can make enough noise to convince the producers to continue the show.

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There are 3 of these movies, all similarly crafted and each extremely amusing. Red plays radio sleuth Wally Benton, aka The Fox who gets wrangled into solving real life crimes along with his fiance played by your typical wartime girl next door looker, Ann Rutherford. Many of the one-liners and gags are dumb and probably were in the 1940s which I anticipated. But, just as many actually made me laugh out loud, which was unexpected to say the least. Red Skelton has a surprisingly strong screen presence, surprising I say because I grew up with a much older version of the man who's charm really didnt play well in my formidable years. I have to give these movies the go ahead though -if your in the mood for this type of nostalgic fare. I almost threw in light hearted, but in truth people get wasted and beaten up and dare i say it, the suspense at times is well above average. As with most movies from this era, it gets a PI (politically incorrect) rating for reasons you can well imagine. Wartime is funny that way I guess, and so then again are these movies. Watch one, watch them all.
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This is one of the most ridiculous westerns that Hollywood ever made. Gary Cooper plays 'Reb Hollister', a former confederate officer wanted by the law. He meets up with a moron named Weatherby, played by Leif Erickson, who is a U.S. Marshal with no knowledge of firearms. Weatherby is on his way to Dallas to see his fiancee, Tonia Robles, played by Ruth Roman. Senor Robles, Tonia's father, has plenty of men, but they can't seem to be able to keep an eye on his cattle, which are regularly rustled by the Marlow brothers. Will Marlow, played by Raymond Massey, has financed the loan on the Robles estate, making things completely absurd. He even has the power to call for mortgage payments before they're due, simply because he feels like it.

Since Weatherby is a Boston boy who can't fight, since he only became a Marshal so he could visit his fiancee, Tonia, (Just another instance of more plot nonsense. Are we to assume that you only have to pass a written test to get this job? Wait a minute, this guy couldn't pass the written test either.) he switches identities with Reb Hollister, who of course is an expert gunman. Reb takes the liberty of greeting Weatherby's girl with a passionate kiss, while Weatherby looks on like an idiot. Gary Cooper, Hollywood's number one stud, is in fine form here as Reb. Before the movie's done, not only does he take Weatherby's job, he steals his fiancee also, and Ruth Roman as Tonia, falls for him so hard and so fast that she gives chump Leif Erickson the brush-off before the films little more than half over.

There isn't a shred of plot credibility in the whole film, so despite the good cast and lush photography, the film is a dud. And Cooper's character is a complete heel to boot. The film also stars Barbara Payton as Brant Marlow's girl, a beautiful and talented actress who squandered away her chances, unfortunately, by making too many headlines for the wrong reasons. I strongly suggest you pass this one up.
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The funniest performance was by Shalom Harlow, as Matt Dillon's supermodel girlfriend. She was more interesting to me than all the lead actors. This movie got it all wrong; even the most dependable actress of the century, Joan Cusask, was not able to rise about the ridiculousness of the plot. I did enjoy hearing "Macho Man" by the Village People over the closing credits. The rest of the movie might have been tolerable if it were to rise to that level of energy.
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It's taken years for cult icon Bruce Campbell to get this project off the ground - but he finally has, it's here - and what a great piece of schlock entertainment it is! Looking at the plot; it sounds like two things. A great base for a very silly B-movie, and a shameless excuse for Bruce Campbell to what he does best - Evil Dead II style slapstick humour, and this film delivers on both counts. The Man With the Screaming Brain is comic book nonsense all the way through - but there's some really great scenes, and it's almost impossible to be bored with this movie. Bruce Campbell wrote, directs, produces and stars in this film - and while it's not quite Citizen Kane, it has to be said that this is an achievement for the man most famous for battling off his own hand in a woodland cabin. The plot follows American businessman William Cole on a business trip to Bulgaria with his girlfriend. The trip goes awry, however, when he, his girlfriend and his taxi driver end up dead; thanks to the same woman. Mad scientist Stacy Keach is on hand to merge Cole and the taxi driver's brains into one; and we've got a cult flick on our hands.

The first half hour or so is entertaining and features a few laughs; but once the main plot point has been executed; the movie really picks up. Bruce makes best use of the scenario in all kinds of silly situations, from changing his clothes in a waste bin, to deciding (with the taxi driver in his brain) what to eat in a restaurant. The humour is mostly of the slapstick variety, and anyone who enjoyed Evil Dead II (which should be anyone who's seen it), will no doubt enjoy this too. It does feel like Campbell is playing to his strengths a little bit too much with this whole project, but if you tuned in and DIDN'T see Bruce doing what he does best, disappointment would ensue. Besides that, no disrespect to the man; but he's never been the actor with the greatest range. Despite being lots of fun; the movie isn't great, as it gets a little bit too silly at times; and there's a whole sub-plot with a robot that I didn't like; but overall, The Man With the Screaming Brain is a film that we, sadly, don't see too much of nowadays. The film is an all-out, no holds barred, B-movie; and it deserves respect for that if nothing else.
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Please tell me the sentiment of the following review: Did people expect "Jurassic Park 3" to be full of surprises? Not one moment of it is worth it. Many elements could easily scare people out of the movies...and it's not the dinos! Tea Leoni...I think she's a great actress, but I'm sorry to say that this time she reached the bottom line. I wonder if she happened to strain a vocal chord while shooting the movie....Laura Dern...she's ok, but why not be more noticeable in the movie, maybe exchange smart dialogs with Sam Neil. Alessandro Nivola - "have you ever heard of something called facial expression? Fellings, emotions..."..he's got to work harder on that! Sam Neil, no big deal. The soundtrack...got to change that record, or you get tired of it. My applause goes to William H. Macy, a talented actor who I've never seen playing a bad role....unfortunately he can't save the movie, nor can the well computer-created dinosaurs.
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This ingenious and innovate comedy packs many moments priceless and great sense of pace, though overlong. Chaplin's satire with several classics scenes , he has dual role as a Jewish barber and dictator Hynkel, an offensive portrayal of Hitler . Then the barber is mistaken for the Hitlerian tyrant and happen bemusing events. Funny and extraordinaries acting of all casting, as the co-stars Jack Oakie as Napolini(Mussolini-alike), Henry Daniel as Gasbstich(Himmler-alike) and Billy Gilbert as Herring( Goering). Chaplin's first spoken film is brilliantly photographed by Karl Struss.This splendid film contains numerous amusing scenes, the funniest are the following : 1) The one when during the WWI the barber-soldier along with a co-pilot are flying in a turned plane without aware 2)Dictator Adenoid Hynkel doing overacting speeches including a twisted microphone 3)Hynkel playing with an enormous balloon of the world 4)The Jew-barber shaving a man fitting to Hungarian Dance number 5 of Brahms 5) when Hynkel and Napolini each try to keep his body higher than other in a barber's chair; among them.

Hitler banned movie exhibition to the Germans due to its satire of him, and put him in his death list after his proposed conquest of America.The movie is co-starred by Paulette Goddard, third of his four wives , they were married in 1936, although no announcement of the marriage was made later, one time finished The Great Dictator.The picture was released in 1940, when Chaplin had survived a moral scandal by a paternity suit but a brush with the House of Un-American Activities was the signal for the USA to refuse him re-entry from Britain and he fled to Switzerland.