Title: The Lucidarium of Marchetto of Padua /
Authors: Marchetto, active 1305-1326; Herlinger, Jan W.
Publisher: University of Chicago Press,
Year: 1985
Subjects: Marchetto da Padova,; Marchetto,; Music theory History; Gregorian chants Instruction and study
Contents: Machine derived contents note: Preface -- Part One: Introduction -- 1. The Treatise -- 2. The Manuscripts -- 3. The Edition -- Part Two: Text -- Epistola Marcheti de Padua -- Letter of Marchetto of Padua -- Treatise 1 1. De Inventione Musice -- On the Discovery of Music -- 2. De Pulcritudione Musice -- On the Beauty of Music 3. De Utilitate Musice -- On the Utility of Music -- 4. De Iudicio Musice -- On the Judgment of Music 5. Quid Sit Musica -- The Definition of Music 6. Unde Dicatur Musica -- Etymology of the Word "Music" -- 7. De Divisione Musice -- On the Division of Music -- 8. De Musica Armonica -- On Harmonic Music -- 9. De Sono Qui Est Vox On Sound That Is Voice -- 10. Unde Dicatur Vox -- Etymology of the Word "Voice" -- 11. De Distinctione Vocum -- On Distinguishing Types of Voice -- 12. De Musica Organica -- On Organic Music -- 13. De Sono Qui Non Est Vox -- On Sound That Is Not Voice -- 14. De Musica Rithimica -- On Rhythmic Music -- 15. De Divisione Musice -- On the Division of Music -- 16. De Genere Generalissimo et Specie Specialissima in Musica -- On the Broadest Genus and the Irreducible Species in Music -- Treatise 2 1. De Tono Quid Sit -- On the Definition of the Whole Tone -- 2. Unde Dicatur Tonus -- Etymology of the Word "Tone" -- 3. De Nominibus Toni -- On Names for the Whole Tone -- 4. In Quibus Numeris Constituatur Tonus -- The Numbers in Which the Whole Tone Is To Be Constituted -- 5. Demonstratio Partium Toni -- Demonstration of the Parts of the Whole Tone -- 6. De Dyesi -- On the Diesis -- 7. De Semitoniis Dyatonico et Enarmonico Simul, Eo Quod Unum per Aliud Melius Cognoscatur -- On the Diatonic and Enharmonic Semitones Together, Because One Is Better Understood Through the Other -- 8. De Semitonio Cromatico -- On the Chromatic Semitone -- 9. De Proportionibus in Quibus -- Consistit Tonus, ac Etiam -- Semitonium Enarmonicum et Dyatonicum -- On the Proportions in Which the Whole Tone, the Enharmonic Semitone, and the Diatonic Semitone Consist -- 10. De Proportionibus Consonantiarum et Dissonantiarum On the Proportions of Consonances and Dissonances -- Treatise 3 -- 1. De Numeris Musicalibus et De Consonantiis in Speciali -- On Musical Numbers and on the Consonances, One by One -- 2. De Dyapente Consonantia -- On the Consonance of the Diapente -- 3. De Dyapason Consonantia -- On the Consonance of the Diapason -- 4. De Dyapason Dyatessaron Consonantia -- On the Consonance of the Diapason Diatessaron -- 5. De Dyapason Dyapente Consonantia -- On the Consonance of the Diapason Diapente -- 6. De Bisdyapason Consonantia -- On the Consonance of the Bisdiapason -- Treatise 4 -- 1. De Proportionibus -- On Proportions -- 2. De Proportionibus Quot Sint -- How Many Proportions There Are -- 3. De Sesquitercia Proportione -- On the Sesquitertial Proportion -- 4. De Sesqualtera Proportione -- On the Sesquialter Proportion -- 5. De Dupla Proportione On the Duple Proportion -- 6. De Dupla Superbipartiente Proportione -- On the Duple Superbipartient Proportion -- 7. De Tripla Proportione -- On the Triple Proportion -- 8. De Quadrupla Proportione -- On the Quadruple Proportion -- 9. De Sesquioctava Proportione -- On the Sesquioctave Proportion -- 10. De Sesquisexta Decima Proportione -- On the Sesquisextadecimal Proportion -- 11. De Sesquidecima Septima Proportione -- On the Sesquiseptimadecimal Proportion -- Treatise 5 -- De Consonatiis in Generali -- On Consonances in General -- 1. Quid Sit Consonantia -- The Definition of Consonance -- 2. De Dissonantia -- On Dissonance -- 3. De Euphonia -- On Euphony -- 4. De Armonia -- On Harmony -- 5. De Simphonia -- On Symphony -- 6. Questio de Dissonantiis -- An Investigation Concerning Dissonance -- Treatise 6 -- 1. De Consonantiis, Quomodo Et Quare -- Una Melius Consonet Quam Altera -- On Consonances: How and Why One Is -- More Consonant Than Another -- 2. De Consonantiis in Speciali, Sive -- De Speciebus Consonantiarum, et Primo de Prima, Que Dicitur -- Dyatessaron -- On Consonances, Or Species of Consonance, -- One by One; and First, On the First Consonance, -- Called the Diatessaron -- 3. De Consonantia Dyapente -- On the Consonance of the Diapente -- 4. De Consonantia Dyapason -- On the Consonance of the Diapason -- 5. Demonstratio Secundum Pytagoricos -- Dyapason Dyatessaron Non Esse Consonantiam -- The Proof According to the Pythagoreans That the -- Diapason Diatessaron Is Not a Consonance -- Treatise 7 -- 1. De Generibus Inequalitatis: Quot Sint et Que in Music Sint Necessaria -- On the Genera of Inequality: How Many There Are and Which Ones Are -- Necessary in Music -- Treatise 8 -- De Necessariis ad Cognoscendum -- Naturam Tonorum et Semitoniorum -- On the Requisites for the Study of Whole Tones and Semitones -- 1. De Permutatione: Quid Sit et Ubi Fiat -- On Permutation: How It Is Defined and Where It Is Used -- 2. De Mutatione: Quid Sit et Ubi Fiat -- On Mutation: How It Is Defined and Where It Is Used -- 3. De Natura et Proprietate b Quadri, b Rotundi, et Nature -- On the Nature and Property of the Square b, the Round b, and the Natural -- Treatise 9 -- 1. De Coniunctionibus Vocum: Quid Sint et Quot -- On Intervals: How They Are Defined and How Many There Are -- Treatise 10 -- 1. Quid Sit Mensura in Musica Plana Sive Mensurata -- The Definition of Measure in Plainchant and "Measured" Music -- Treatise 11 -- 1. De Tonis, Qui Proprie Modi Dicuntur: Quid Sint -- On the Definition of Tones, Which Are Properly Called Modes -- 2. De Tonis: Quot Sint et Qui -- On Modes: How Many They Are and What They Are -- 3. De Tonis: Quomodo Non Solum -- Propter Ascensum et Descensum -- Iudicandi Sint -- That Modes Are Not To Be Judged Exclusively on the Basis of Ascent and Descent -- 4. De Formatione Tonorum per Species -- On the Formation of the Modes from Species -- Treatise 12 -- 1. Quid Sit Quantitas in Plana Musica -- The Definition of Quantity in Plainchant -- Treatise 13 -- 1. De Pausis: Quomodo Debeant Figurari in Cantu Plano On Rests: How They Should Be Written in Plainchant -- Treatise 14 -- 1. De Clavi: Quid Sit et Quot On the Clef: How It Is Defined and How Many Clefs There Are -- Treatise 15 1. De Nominibus Gravium et Acutarum -- Cordarum Prout a Phylosophis -- Fuerunt Primitus Adinventa -- On the Names of the Low and High Strings As Originally Devised by Philosophers -- Treatise 16 1. De Musico et Cantore -- On the Musician and the Singer -- Index of Technical Terms -- Index of Chants -- Index of Theorists and Sources Quoted or Parahrased.