Title: Variations V /
Authors: Cunningham, Merce; Cage, John; Tudor, David, 1926-1996; Mumma, Gordon, 1935-; Cage, John.; Vaughan, David, 1924-2017,; Brown, Carolyn, 1927-,; Neels, Sandra,; Solomons, Gus,; Vanderbeek, Stan,; Paik, Nam June, 1932-2006; Arnbom, Arne,; Brandt, Brian,; Merce Cunningham Dance Company,; Mode (Sound recording label)
Year: 2013
Subjects: Brown, Carolyn, Interviews.; Neels, Sandra Interviews.; Solomons, Gus Interviews.; Modern dance; Artistic collaboration.; Performances.
Abstract: Variations V reflects the experimentation and spirit of the 1960s — a collaborative, interactive multi-media event with choreographed dance, elaborate mobile decor, variable lighting, multiple film projection, and live-electronic music often activated by the dancers’ movements.Filmed in 1966 at the NDR television studio in Hamburg, Germany, it is historically important as one of the few available films of a Cunningham Dance Company performance from the 1960s and the first commercial release of Variations V. As the dancers performed on stage, their movements interacted with twelve antennas built by Robert Moog and a set of photocells designed by Bell Labs research scientist Billy Klüver in such a way as to trigger the transmission of sounds to a 50-channel mixer whose output was heard from six speakers around the hall. The actual sound sources—a battery of tape recorders and radios—were supervised by Cage, David Tudor and Gordon Mumma. The mise-en-scène was supplemented by a film collage by Stan VanDerBeek that included processed television images by Nam June Paik and footage of the dancers shot by VanDerBeek during rehearsals.
Contents: Variations V (Hamburg TV) (47 min., 13 sec.) -- Variations V (Paris, audio only) (39:37) -- Brown interview : David Vaughan in conversation with Carolyn Brown / produced by Brian Brandt ; cameras, Alice Hom ; editing, Anton Cabaleiro (40:33) -- Neels, Solomons interview : David Vaughan in conversation with Sandra Neels and Gus Solomons Jr. / produced by Brian Brandt ; cameras and editing, Anton Cabaleiro (29:59).