ccccEsion/IMUG-Bench huggingface dataset:
Domain: Paper_Crafting / origami_basic_geometry

turn: 1
modality: image
input: Generate a square sheet of origami paper lying flat on a table, face-up, with all four edges aligned horizontally or vertically. The front side of the paper is light blue, and the back side is dark orange.
output: evaluation_points: 1. The image center contains a standard square sheet of paper.

2. The visible side of the paper is a solid color, matching the specified light blue.

3. The paper is perfectly flat with no visible creases or folds.

4. All four edges of the paper are aligned horizontally or vertically, not at an angle.

5. The background is a simple tabletop texture that contrasts with the paper's color.

turn: 2
modality: text
input: To transform this square sheet of paper into an 'isosceles right triangle' using only a single folding step, which of the following folding methods should be used?
Options:
A. Fold along a line connecting the midpoints of two opposite sides.
B. Fold along one of the square's diagonals.
C. Fold the paper in half horizontally.
D. Fold the paper in half vertically.
E. None of the above.
output: answer: B

turn: 3
modality: image
input: Based on the previous selection, perform that single valley fold (without lifting or flipping the paper entirely) and press it flat. The paper should remain lying on the tabletop.
output: evaluation_points: 1. The paper's overall outline is now an isosceles right triangle.

2. The length of the triangle's legs is equal to (or very close to) the side length of the original square from Turn 1.

3. The dominant visible color is the back side's dark orange.

The background and tabletop texture are identical to those in the Turn 1 output image.

turn: 4
modality: image
input: Now, completely unfold the folded paper and lay it flat again, face-up. Generate what the paper looks like in this state.
output: evaluation_points: 1. The paper's outline has returned to a square.

2. The dominant visible color has returned to the front side's light blue.

3. A clear diagonal crease line must be visible on the paper's surface, running from one corner to the opposite corner.

The background and tabletop texture are identical to those in the Turn 1 output image.
Domain: Paper_Crafting / origami_basic_geometry

turn: 1
modality: image
input: Generate a square sheet of origami paper lying flat on a table, face-up, with all four edges aligned horizontally or vertically. The front of the paper is light gray, and the back is dark blue.
output: evaluation_points: 1. The image centers on a standard square sheet of paper.

2. The visible side of the paper is a solid color, specifically light gray.

3. The paper is perfectly flat with no visible creases.

4. All four edges of the paper are aligned horizontally or vertically, not at an angle.

5. The background is a simple tabletop texture that contrasts with the paper's color.

turn: 2
modality: text
input: To transform this square sheet into an 'isosceles right triangle' using only a single fold, which folding method should be used?
Options:
A. Fold it in half horizontally.
B. Fold it in half vertically.
C. Fold it along one diagonal.
D. Fold it along a line connecting the midpoints of two opposite sides.
E. None of the above.
output: answer: C

turn: 3
modality: image
input: Based on the previous selection, perform that single valley fold and press it flat, without lifting or flipping the paper entirely. The paper should remain lying on the table.
output: evaluation_points: 1. The overall outline of the paper is now an isosceles right triangle.

2. The length of the triangle's legs is equal or very close to the side length of the original square from Turn 1.

3. The primary visible color is the backside dark blue.

The background, tabletop texture, and other irrelevant elements are identical to the background in Turn 1 output image.

turn: 4
modality: image
input: Now, completely unfold the folded paper, returning it to a flat, face-up state. Generate what the paper looks like now.
output: evaluation_points: 1. The paper's outline is restored to a square.

2. The color is restored to predominantly the front-side light gray.

3. A clear diagonal crease must be present on the paper's surface, running between two opposite corners.

The background and tabletop texture are identical to the background in Turn 1 output image.
Domain: Paper_Crafting / origami_sequential_logic

turn: 1
modality: image
input: Generate a square sheet of origami paper lying flat on a table, face-up, with all four edges aligned horizontally or vertically. The front side of the paper is light beige, and the back side is dark green.
output: evaluation_points: 1. The image center shows a standard square sheet of paper.

2. The visible side of the paper is a solid color matching 'light beige'.

3. The paper is perfectly flat with no visible creases.

4. All four edges of the paper are aligned horizontally or vertically, not at an angle.

5. The background is a simple tabletop texture that contrasts with the paper color.

turn: 2
modality: text
input: Without lifting the paper from the table, perform a single 'valley fold' along the horizontal centerline. After completing this fold, what color of the paper's surface should now be visible to the camera?
Options:
A. Light beige
B. Dark green
C. A mixed color of light beige and dark green
D. Colorless
E. None of the above.
output: answer: B

turn: 3
modality: image
input: Based on the rectangular state from the previous fold, and without flipping the paper over, perform a second 'valley fold' along the current vertical centerline. Generate the final result after completing these two folds.
output: evaluation_points: 1. The overall outline of the paper is now a square (one-quarter of the original area).

2. The visible surface color is dark green (the backside color).

The background and table texture are identical to the background and table texture in the Turn 1 output image.

turn: 4
modality: image
input: Now, completely unfold the paper, returning it to the flat, face-up state from Turn 1. Generate how the paper looks now, focusing on showing the crease details.
output: evaluation_points: 1. The paper is restored to a large square outline, with side lengths essentially the same as Turn 1.

2. The color is restored to light beige.

3. The paper surface must show two clear, perpendicular creases forming a cross, with the intersection at the paper's center point.

The background and table texture are identical to the background and table texture in the Turn 1 output image.

turn: 5
modality: text
input: According to origami theory, after performing the two 'valley folds' described and then unfolding (with the front side up), four crease segments meeting at a common endpoint should remain on the paper. From the current camera perspective, what should be the attributes of these four crease segments? (Note: A 'mountain fold' means the crease ridge is convex toward the viewer; a 'valley fold' means the crease is concave into the paper).
Options:
A. 4 valley folds
B. 2 mountain folds and 2 valley folds
C. 1 mountain fold and 3 valley folds
D. 3 mountain folds and 1 valley fold
E. None of the above.
output: answer: C

turn: 6
modality: text
input: Please carefully observe the unfolded image you actually generated in Turn 4. How many 'mountain folds' (i.e., creases that appear as convex ridges) are actually depicted in that image?
Options:
A. 0
B. 1
C. 2
D. 3
E. None of the above.
output: answer: <DYNAMIC>
Domain: Paper_Crafting / origami_sequential_logic

turn: 1
modality: image
input: Generate a square piece of origami paper lying flat on a table, face-up, with all four edges aligned horizontally or vertically. The front of the paper is light purple-gray, and the back is deep red.
output: evaluation_points: 1. The image centers on a standard square sheet of paper.

2. The visible side of the paper is a solid, uniform light purple-gray color.

3. The paper is perfectly flat with no creases or folds.

4. All four edges of the paper are aligned horizontally or vertically, not at an angle.

5. The background is a simple tabletop texture that contrasts with the paper's color.

turn: 2
modality: text
input: Without lifting the paper from the table, perform a single 'valley fold' along its horizontal centerline. After completing this fold, what color of the paper's surface should now be visible to the camera?
Options:
A. Light purple-gray
B. Deep red
C. A blended color of light purple-gray and deep red
D. Colorless
E. None of the above.
output: answer: B

turn: 3
modality: image
input: Based on the rectangular state from the previous fold, and without flipping it over, perform another 'valley fold' along the current vertical centerline. Generate the final result after these two consecutive folds.
output: evaluation_points: 1. The paper's overall outline is now a square (one-quarter of the original area).

2. The visible surface color is deep red (the back color of the paper).

The background, table texture, and other irrelevant elements are identical to Turn 1 output image.

turn: 4
modality: image
input: Now, completely unfold the paper back to the flat, face-up state from Turn 1. Generate how the paper looks now, focusing on the details of the crease pattern.
output: evaluation_points: 1. The paper is restored to a large square outline, with side lengths essentially the same as in Turn 1.

2. The color is restored to light purple-gray.

3. The paper surface must show two clear, perpendicular creases forming a cross, with the intersection at the paper's center.

The background and table texture are identical to Turn 1 output image.

turn: 5
modality: text
input: According to origami theory, after performing the two 'valley folds' described and then unfolding the paper (face-up), four crease segments meeting at a common endpoint should remain on the paper. From the current camera perspective, what should be the attributes of these four crease segments? (Note: A 'mountain fold' means the crease ridge is convex toward the viewer; a 'valley fold' means the crease is concave into the paper).
Options:
A. 4 valley folds
B. 2 mountain folds and 2 valley folds
C. 1 mountain fold and 3 valley folds
D. 3 mountain folds and 1 valley fold
E. None of the above.
output: answer: C

turn: 6
modality: text
input: Carefully observe the unfolded image you actually generated in Turn 4. How many 'mountain folds' (i.e., creases that appear as raised ridges) are actually depicted in that image?
Options:
A. 0
B. 1
C. 2
D. 3
E. None of the above.
output: answer: <DYNAMIC>
Domain: Paper_Crafting / origami_sequential_logic

turn: 1
modality: image
input: Generate a square sheet of origami paper lying flat on a table, face-up, with all four edges aligned horizontally or vertically. The front side of the paper is light rose pink, and the back side is dark blue.
output: evaluation_points: 1. A standard square sheet of paper is centered in the image.

2. The visible side of the paper is a solid light rose pink color.

3. The paper is perfectly flat with no visible creases.

4. All four edges of the paper are aligned horizontally or vertically, not at an angle.

5. The background is a simple tabletop texture that contrasts with the paper color.

turn: 2
modality: text
input: Without lifting the paper from the table, perform a single 'valley fold' along a horizontal centerline. After completing this fold, what color of the paper surface should be visible to the camera?
Options:
A. Light rose pink
B. Dark blue
C. A blended color of light rose pink and dark blue
D. Colorless
E. None of the above.
output: answer: B

turn: 3
modality: image
input: Based on the rectangular state from the previous fold, without flipping it over, perform another 'valley fold' along the current vertical centerline. Generate the final result after these two consecutive folds.
output: evaluation_points: 1. The overall outline of the paper is now a square (one-quarter of the original area).

2. The visible surface color is dark blue (the back side color).

3. The background, tabletop texture, and other irrelevant elements are identical to the background and tabletop texture shown in the Turn 1 output image.

turn: 4
modality: image
input: Now, completely unfold the paper back to the flat, face-up state from Turn 1. Generate how the paper looks now, focusing on the details of the crease pattern.
output: evaluation_points: 1. The paper is restored to a large square outline, with dimensions similar to Turn 1.

2. The color is restored to light rose pink.

3. The paper surface must show two clear, perpendicular creases forming a cross, with the intersection at the paper's center point.

4. The background and tabletop texture are identical to the background and tabletop texture shown in the Turn 1 output image.

turn: 5
modality: text
input: According to origami theory, after performing the two 'valley folds' described and then unfolding the paper (face-up), four crease segments meeting at a common endpoint should remain on the paper. From the current camera perspective, what should be the attributes of these four crease segments? (Note: A 'mountain fold' means the crease ridge is convex toward the observer; a 'valley fold' means the crease is concave into the paper).
Options:
A. 4 valley folds
B. 2 mountain folds and 2 valley folds
C. 1 mountain fold and 3 valley folds
D. 3 mountain folds and 1 valley fold
E. None of the above.
output: answer: C

turn: 6
modality: text
input: Please carefully observe the unfolded image you actually generated in Turn 4. How many 'mountain folds' (i.e., creases that appear as raised ridges) are actually depicted in that image?
Options:
A. 0
B. 1
C. 2
D. 3
E. None of the above.
output: answer: <DYNAMIC>
Domain: Paper_Crafting / origami_sequential_logic

turn: 1
modality: image
input: Generate a square sheet of origami paper lying flat on a table, face-up, with all four edges aligned horizontally or vertically. The front of the paper is light pink, and the back is dark green.
output: evaluation_points: 1. A standard square sheet of paper is centered in the image.

2. The visible side of the paper is a solid light pink color.

3. The paper is perfectly flat with no visible creases.

4. All four edges of the paper are aligned horizontally or vertically, not at an angle.

5. The background is a simple tabletop texture that contrasts with the paper color.

turn: 2
modality: text
input: Without lifting the paper from the table, perform a single 'valley fold' along a horizontal centerline. After completing this fold, what color of the paper's surface should be visible to the camera?
Options:
A. Light pink
B. Dark green
C. A blended color of light pink and dark green
D. Colorless
E. None of the above.
output: answer: B

turn: 3
modality: image
input: Based on the rectangular state from the previous fold, and without flipping it over, perform another 'valley fold' along the current vertical centerline. Generate the final result after these two consecutive folds.
output: evaluation_points: 1. The overall outline of the paper is now a square (one-quarter of the original area).

2. The visible surface color is dark green (the back color of the paper).

The background and tabletop texture are identical to the Turn 1 input image.

turn: 4
modality: image
input: Now, completely unfold the paper, returning it to the flat, face-up state from Turn 1. Generate how the paper looks now, focusing on the details of the crease pattern.
output: evaluation_points: 1. The paper has returned to its large square outline, with dimensions essentially matching Turn 1.

2. The color has returned to light pink.

3. The paper surface must show two clear, perpendicular creases forming a cross, with the intersection at the paper's center point.

The background and tabletop texture are identical to the Turn 1 input image.

turn: 5
modality: text
input: According to origami theory, after performing the two 'valley folds' described and then unfolding (with the front side up), four crease segments meeting at a common endpoint should remain on the paper. From the current camera perspective, what should be the properties of these four crease segments? (Note: A 'mountain fold' means the crease ridge is convex toward the viewer; a 'valley fold' means the crease is concave into the paper).
Options:
A. 4 valley folds
B. 2 mountain folds and 2 valley folds
C. 1 mountain fold and 3 valley folds
D. 3 mountain folds and 1 valley fold
E. None of the above.
output: answer: C

turn: 6
modality: text
input: Please carefully observe the unfolded image you actually generated in Turn 4. How many 'mountain folds' (i.e., creases that appear as convex ridges) are actually depicted in that image?
Options:
A. 0
B. 1
C. 2
D. 3
E. None of the above.
output: answer: <DYNAMIC>
Domain: Paper_Crafting / origami_sequential_logic

turn: 1
modality: image
input: Generate a square sheet of origami paper lying flat on a table, face-up, with its four edges aligned horizontally or vertically. The front side of the paper is light purple, and the back side is dark brown.
output: evaluation_points: 1. The image center features a standard square sheet of paper.

2. The visible side of the paper is a solid color, matching light purple.

3. The paper is perfectly flat with no creases or folds.

4. All four edges of the paper are aligned horizontally or vertically, not at an angle.

5. The background is a simple tabletop texture, providing contrast with the paper color.

turn: 2
modality: text
input: Without lifting the paper from the table, perform a single 'valley fold' along a horizontal centerline. After completing this fold, what color of the paper surface should now be visible to the camera?
Options:
A. Light purple
B. Dark brown
C. A blended color of light and dark
D. Colorless
E. None of the above.
output: answer: B

turn: 3
modality: image
input: Based on the rectangular state from the previous fold, and without flipping it over, perform another 'valley fold' along the current vertical centerline. Generate the final result after completing these two folds.
output: evaluation_points: 1. The paper's overall outline is now a square (one-quarter of the original area).

2. The surface color is dark brown (the backside color).

The background and table texture are identical to the background and table texture in the Turn 1 output image.

turn: 4
modality: image
input: Now completely unfold the paper, returning it to the flat, face-up state from Turn 1. Generate how the paper looks now, focusing on showing the crease details.
output: evaluation_points: 1. The paper is restored to a large square outline, with side lengths approximately the same as in Turn 1.

2. The color is restored to light purple.

3. The paper surface must show two clear, perpendicular creases (forming a cross), with the intersection point at the paper's center.

The background and table texture are identical to the background and table texture in the Turn 1 output image.

turn: 5
modality: text
input: According to origami theory, after performing the two 'valley folds' described and then unfolding (with the front side up), four crease segments meeting at a common endpoint should remain on the paper. From the current camera perspective, what should be the properties of these four crease segments? (Note: A 'mountain fold' means the crease ridge is convex toward the observer; a 'valley fold' means the crease is concave into the paper).
Options:
A. 4 valley folds
B. 2 mountain folds and 2 valley folds
C. 1 mountain fold and 3 valley folds
D. 3 mountain folds and 1 valley fold
E. None of the above.
output: answer: C

turn: 6
modality: text
input: Please carefully observe the unfolded image you actually generated in Turn 4. How many 'mountain folds' (i.e., creases that appear as raised ridges) are actually depicted in that image?
Options:
A. 0
B. 1
C. 2
D. 3
E. None of the above.
output: answer: <DYNAMIC>
Domain: Paper_Crafting / origami_sequential_logic

turn: 1
modality: image
input: Generate a square sheet of origami paper lying flat on a table, face-up, with its four edges aligned horizontally or vertically. The front side of the paper is light gray, and the back side is dark blue.
output: evaluation_points: 1. The image center features a standard square sheet of paper.

2. The visible side of the paper is a solid color matching 'light gray'.

3. The paper is perfectly flat with no visible creases.

4. All four edges of the paper are aligned horizontally or vertically, not at an angle.

5. The background is a simple tabletop texture that contrasts with the paper color.

turn: 2
modality: text
input: Without lifting the paper from the table, perform a single 'valley fold' along its horizontal midline. After completing this fold, what color of the paper surface should be visible to the camera?
Options:
A. Light gray
B. Dark blue
C. A mixed color of light gray and dark blue
D. Colorless
E. None of the above.
output: answer: B

turn: 3
modality: image
input: Based on the rectangular state from the previous fold, without flipping it over, perform another 'valley fold' along the current vertical midline. Generate the final result after these two consecutive folds.
output: evaluation_points: 1. The paper's overall outline is now a square (1/4 of the original area).

2. The visible surface color is dark blue (the back side color).

The background, tabletop texture, and other irrelevant elements are identical to the background and tabletop texture in the Turn 1 output image.

turn: 4
modality: image
input: Now completely unfold the paper, returning it to the flat, face-up state from Turn 1. Generate how the paper looks now, focusing on showing the crease details.
output: evaluation_points: 1. The paper is restored to a large square outline, with side lengths essentially matching Turn 1.

The visible surface color is restored to the 'light gray' specified in Turn 1.

3. The paper surface must show two clear, perpendicular intersecting creases (forming a cross), with the cross centerpoint at the paper's center.

The background and tabletop texture are identical to the background and tabletop texture in the Turn 1 output image.

turn: 5
modality: text
input: According to origami theory, after performing the two 'valley folds' described and then unfolding (face-up), four crease segments meeting at a common endpoint should remain on the paper. From the current camera perspective, what should be the properties of these four crease segments? (Note: A 'mountain fold' means the crease ridge protrudes toward the viewer; a 'valley fold' means the crease indents into the paper).
Options:
A. 4 valley folds
B. 2 mountain folds and 2 valley folds
C. 1 mountain fold and 3 valley folds
D. 3 mountain folds and 1 valley fold
E. None of the above.
output: answer: C

turn: 6
modality: text
input: Please carefully observe the unfolded image you actually generated in Turn 4. How many 'mountain folds' (i.e., creases that appear raised like a ridge) are actually depicted in that image?
Options:
A. 0
B. 1
C. 2
D. 3
E. None of the above.
output: answer: <DYNAMIC>