c2p-cmd/Good-Quotes-Authors huggingface dataset:
Her little fists pummeled at him, and he accepted the abuse. Until he realized she’d made an improper fist and was actually hurting herself. He wound an arm around her waist, spun her and slammed her into the hard line of his body to still her.“Let me go!”“In a minute.” As she struggled, he pulled her thumb out from beneath her fingers and rearranged her fist. “Hit like this.” Done, he released her.
— Gena Showalter, The Darkest Seduction
Paris is a hard place to leave, even when it rains incessantly and one coughs continually from the dampness.
— Willa Cather
Paris is a heaven for all woman's obssesions: hot men, great chocolates, scrumptuous pastries, sexy lingerie, cool clothes but, as any shoe-o-phile knows, this city is a hotbed of fabulous shoes.
— Kirsten Lobe, Paris Hangover
You're going to have to settle on one eventually. Why not save us both the hassle, close your eyes and point. Whoever you're pointing at will be our winner." "I've played that game once before. Ended up--" Paris shuddered. "Never mind. It's not good to wander down that particular memory trail. So no. Just no.
— Gena Showalter, The Darkest Passion
The wrought-iron gate squeaked as Lucas opened it. He lowered the rented bike down the stone steps and onto the sidewalk. To his right was the most famous Globe Hotel in Paris, disguised under another name. In front of the entrance five Curukians sat on mopeds. Lu-cas and his eighteen-month-old friend then shot out across the street and through the invisible beam of an-other security camera.He rode diagonally across the place de la Concorde and headed toward the river. It seemed only natural. The motorcycles trailed him. He pedaled fast across the Alex-andre III bridge and zipped past Les Invalides hospital. He tried to turn left at the Rodin Museum, but Goper rode next to him, blocking his escape.
— Paul Aertker, Brainwashed
The sign above the door was written in French. It read: ARRÊTE ! C’EST ICI L’EMPIRE DE LA MORT.“That means,” he explained to Gini, “‘Stop! It is here the Empire of Death.
— Paul Aertker, Brainwashed
The old Paris is no more (the form of a city changes faster, alas! than a mortal's heart).
— Charles Baudelaire, Flowers of Evil and Other Works/Les Fleurs du Mal et Oeuvres Choisies : A Dual-Language Book (Dover Foreign Language Study Guides)
Well,’ I said, ‘Paris is old, is many centuries. You feel, in Paris, all the time gone by. That isn’t what you feel in New York — ’He was smiling. I stopped.‘What do you feel in New York?’ he asked.‘Perhaps you feel,’ I told him, ‘all the time to come. There’s such power there, everything is in such movement. You can’t help wondering—I can’t help wondering—what it will all be like—many years from now.
— James     Baldwin, Giovanni's Room
Admirable, however, as the Paris of the present day appears to you, build up and put together again in imagination the Paris of the fifteenth century; look at the light through that surprising host of steeples, towers, and belfries; pour forth amid the immense city, break against the points of its islands, compress within the arches of the bridges, the current of the Seine, with its large patches of green and yellow, more changeable than a serpent's skin; define clearly the Gothic profile of this old Paris upon an horizon of azure, make its contour float in a wintry fog which clings to its innumerable chimneys; drown it in deep night, and observe the extraordinary play of darkness and light in this sombre labyrinth of buildings; throw into it a ray of moonlight, which shall show its faint outline and cause the huge heads of the towers to stand forth from amid the mist; or revert to that dark picture, touch up with shade the thousand acute angles of the spires and gables, and make them stand out, more jagged than a shark's jaw, upon the copper-coloured sky of evening. Now compare the two.
— Victor Hugo, The Hunchback of Notre-Dame
As an artist, a man has no home in Europe save in Paris.
— Friedrich Nietzsche
I love Paris in the summer, when it sizzles.
— Cole Porter
For a painter, the Mecca of the world, for study, for inspiration and for living is here on this star called Paris. Just look at it, no wonder so many artists have come here and called it home. Brother, if you can't paint in Paris, you'd better give up and marry the boss's daughter.
— Alan Jay Lerner
I am savage enough to prefer the woods, the wilds, and the independence of Monticello, to all the brilliant pleasures of this gay capital [Paris].
— Thomas Jefferson
And trade is art, and art's philosophy,In Paris.
— Elizabeth Barrett Browning
I never rebel so much against France as not to regard Paris with a friendly eye; she has had my heart since my childhood.... I love her tenderly, even to her warts and her spots. I am French only by this great city: the glory of France, and one of the noblest ornaments of the world.
— Michel de Montaigne
The Empire was on the point of turning Paris into the bawdy house of Europe. The gang of fortune-seekers who had succeeded in stealing a throne required a reign of adventures, shady transactions, sold consciences, bought women, and rampant drunkenness.
— Émile Zola, La Curée
I used to ask myself, ‘Sergei, would you rather spend your money on drink or women?’ and thanks to the club, I spend it on both and am called a patron of the arts.
— Melika Dannese Lux, City of Lights: The Trials and Triumphs of Ilyse Charpentier
O bid me mount and sail up thereAmid the cloudy wrack,For Peg and Meg and Paris' loveThat had so straight a back,Are gone away, and some that stayHave changed their silk for sack.
— W.B. Yeats
I did exhibitions with the Surrealists (in Paris, in 1929) because their attitude revolted against 'art' and their attitude toward life itself was wise, as was Dada’s.’ Hans Arp
— Lepota L. Cosmo, Love in Paris - Poetic Guide to the Romance of the City
I was thrown together with Florence, or 'Florawns' as she was called, a pert girl of nineteen who worked in our kitchen and was sent out to help me. First, I followed her to a butcher where fat sausages hung from the ceiling like aldermen's chains, and I could choose the best of plump ducks, sides of beef, and chops standing guard like sentries on parade. Once the deal was done Florence paid him, gave me a wink and cast a trickle of coins into her apron pocket. So it seemed that serving girls will pay themselves the whole world over.The size of the Paris market made Covent Garden look like a tinker's tray. And I never before saw such neatness; the cakes arranged in pinks and yellows and greens like an embroidery, and the cheeses even prettier, some as tiny as thimbles and others great solid cartwheels. As for the King Cakes the French made for Twelfth Night, the scents of almond and caramelled sugar were to me far sweeter than any perfumed waters.
— Martine Bailey, An Appetite for Violets
Adele and Vladimir danced along the banks of the River Seine, the loveliness of spring a backdrop all around them.
— Kristy Cambron, The Butterfly and the Violin
Nell walks what feels like the length of Paris. She walks through the numbered arrondissements, meandering through a food market, gazing at the glossy produce, both familiar and not at the same time, accepting a plum at a stallholder's urging and then buying a small bag in lieu of breakfast and lunch. She sits on a bench by the Seine, watching the tourist boats go by, and eats three of the plums, thinking of how it felt to hold the tiller, to gaze onto the moonlit waters. She tucks the bag under her arm as if she does this all the time and takes the Metro to a brocante recommended in one of her guidebooks, allowing herself an hour to float among the stalls, picking up little objects that someone once loved, mentally calculating the English prices, and putting them down again. And as she walks, in a city of strangers, her nostrils filled with the scent of street food, her ears filled with an unfamiliar language, she feels something unexpected wash through her. She feels connected, alive.
— Jojo Moyes, Paris for One
Paris, viewed from the towers of Notre Dame in the cool dawn of a summer morning, is a delectable and a magnificent sight; and the Paris of that period must have been eminently so.
— Victor Hugo, The Hunchback of Notre-Dame
Life, oblivious to his grief, continued
— Julie Orringer, The Invisible Bridge
Do all in Troy despise me?''That is a strong word, my sweet.'The young Queen of Sparta pulled away from her lover's arms. 'It is true then. I have exchanged one prison for another.'Paris gently brushed her cheek with his hand. 'If that is true, we are the most fortunate of prisoners. For we have each other and our love.
— Janell Rhiannon, Rise of Princes
Helen looked up at Paris, her face wet with tears and blotchy with grief, and nodded her consent. 'Together we are chained on rocks before the beast of Poseidon. Naked and bare and helpless.''But we are more fortunate.''How so?' Helen asked.'We have each other as comfort in our misery.
— Janell Rhiannon, Rise of Princes
I have always had a weakness for footnotes. For me a clever or a wicked footnote has redeemed many a text. And I see that I am now using a long footnote to open a serious subject - shifting in a quick move to Paris, to a penthouse in the Hotel Crillon. Early June. Breakfast time. The host is my good friend Professor Ravelstein, Abe Ravelstein. My wife and I, also staying at the Crillon, have a room below, on the sixth floor. She is still asleep. The entire floor below ours (this is not absolutely relevant but somehow I can't avoid mentioning it) is occupied just now by Michael Jackson and his entourage. He performs nightly in some vast Parisian auditorium. Very soon his French fans will arrive and a crowd of faces will be turned upward, shouting in unison, 'Miekell Jack-sown'. A police barrier holds the fans back. Inside, from the sixth floor, when you look down the marble stairwell you see Michael's bodyguards. One of them is doing the crossword puzzle in the 'Paris Herald'.
— Saul Bellow, Ravelstein
Nell looks at the label and comes to."Oh, I'd never wear it. I like to buy things on a cost-per-wear basis. This dress would probably work out at like...thirty pounds a wear. No. I couldn't.""You don't ever do something just because it makes you feel good?" The assistant shrugs. "Mademoiselle, you need to spend more time in Paris.
— Jojo Moyes, Paris for One
Quinn had never stayed at a hotel that used real keys. Most had plastic keycards--like credit cards that you slide through a sensor--though her aunt Deirdre had told her about a tiny hotel in Paris she'd once stayed at that still had brass keys attached to enormous key chains shaped like the Eiffel Tower.
— Marina Cohen, The Inn Between
At night I would climb the steps to the Sacre-Coeur, and I would watch Paris, that futile oasis, scintillating in the wilderness of space. I would weep, because it was so beautiful, and because it was so useless.
— Simone de Beauvoir, Memoirs of a Dutiful Daughter
I love to watch cities wake up, and Paris wakes up more abruptly, more startlingly, than any place I know.
— Bill Bryson
Paris has always seemed ... the only city where you can live and express yourself as you please.
— Natalie Clifford Barney
To breath the air of Paris preserves the soul.
— Victor Hugo, Les Misérables
Wie Gott in Frankreich'' was the expression used by the Jews of Eastern Europe to describe perfect happiness. I puzzled over this simile for many years, and I think I can interpret it now. God would be perfectly happy in France because he would not be troubled by prayers, observances, blessings and demands for the interpretation of difficult dietary questions. Surrounded by unbelievers He too could relax toward evening, just as thousands of Parisians do at their favorite cafes. There are few things more pleasant, more civilized than a tranquil terrasse at dusk.
— Saul Bellow
I have heard queens' swans, moved a man to cry,heard Bach played in the Metro on guitars.I have made love in Paris. Let me die.
— Jennifer Reeser, Fleur de Lis
The breath of Paris pushes at my shutters.From the Balcony
— Jennifer Reeser, Fleur de Lis
Paris at night is a street show of a hundred moments you might have lived.
— Courtney Maum, I Am Having So Much Fun Here Without You
Paris that eternal monstrous marvel … the city of a hundred-thousand novels … a living creature, the great courtesan whose face and heart and mind-boggling morals they know: “They” are the lovers of Paris.
— Honoré de Balzac
I had forgotten how gently time passes in Paris. As lively as the city is, there's a stillness to it, a peace that lures you in. In Paris, with a glass of wine in your hand, you can just be.All along the Seine, street lamps come on, apartment windows turn golden."It's seven," Julien says, and I realize that he has been keeping time all along, waiting. He is so American. No sitting idle, forgetting oneself, not for this young man of mine.
— Kristin Hannah, The Nightingale
Many people in Paris are quite content to look on at others, and there are plenty who regard a wall behind which something is happening as a very curious thing.
— Victor Hugo, The Hunchback of Notre-Dame
We are outside again, walking, when he takes a bite and stops dead. "Wow," he says after a minute. Then, "Wow," again.I smile. Everyone remembers their first taste of Paris. This will be his.
— Kristin Hannah, The Nightingale
Depending on which flavor of academic scholarship you prefer, that age had its roots in the Renaissance or Mannerist periods in Germany, England, and Italy. It first bloomed in France in the garden of Jean-Jacques Rousseau in the 1780s. Others point to François-René de Chateaubriand’s château circa 1800 or Victor Hugo’s Paris apartments in the 1820s and ’30s. The time frame depends on who you ask. All agree Romanticism reached its apogee in Paris in the 1820s to 1840s before fading, according to some circa 1850 to make way for the anti-Romantic Napoléon III and the Second Empire, according to others in the 1880s when the late Romantic Decadents took over. Yet others say the period stretched until 1914—conveniently enduring through the debauched Belle Époque before expiring in time for World War I and the arrival of that other perennial of the pigeonhole specialists, modernism. There are those, however, who look beyond dates and tags and believe the Romantic spirit never died, that it overflowed, spread, fractured, came back together again like the Seine around its islands, morphed into other isms, changed its name and address dozens of times as Nadar and Balzac did and, like a phantom or vampire or other supernatural invention of the Romantic Age, it thrives today in billions of brains and hearts. The mother ship, the source, the living shrine of Romanticism remains the city of Paris.
— David Downie, A Passion for Paris: Romanticism and Romance in the City of Light
A trip to Paris had sounded so adventurous when I was first talking about it a year earlier. People spoke about the city with dreamy longing, as though Paris possessed a magic that could not be found elsewhere. I'd never heard anyone talk about Paris without sighing. The city was a Promised Land that held appeal for most everyone: artists, lovers, even people who just liked cheese.
— Jennifer Coburn, We'll Always Have Paris: A Mother/Daughter Memoir
But one gets tired of everything, even of abusing a person. Paris abandons its puppets which it raises to the throne as quickly as it does its martyrs whom it hoists on the gibbet; in its perpetual hunger for new playthings, it never gets itself excited overly much before the statues of its heroes or at the sight of the blood of its victims.
— Octave Mirbeau, Le Calvaire
Okay, so we know that someone at your place of work hacked into this laptop. That's what we know, that's all we know; let's not jump to conclusions...yet." "Unless...it's backward...
— Dayna S. Rubin, A Vetted Asset
I am tired and drunk and still hungry. He is full of steak and Coca-Cola and, presumably, energy: enough energy to cross the road and walk up the steps inside the tower of the cathedral, which I have never entered.
— Joanna Walsh, Vertigo
To know Paris, Bruno began, pulling on his cigarette, you need to relax, have a glass of wine, and enjoy life.
— Jennifer Coburn, We'll Always Have Paris: A Mother/Daughter Memoir
... Paris was no more Babylon than it was New Jerusalem. All cities worthy of that name were both: they were one because they were the other...
— Jean-Christophe Valtat, Luminous Chaos
Paris. City of love. City of dreams. City of splendour. City of saints and scholars. City of gaiety.Sink of iniquity.In two thousand years, Paris had seen it all.
— Edward Rutherfurd, Paris
All the buildings lining rue de Conservatoire are constructed of cream marble or limestone. When I went outside today, the sky was pale and fierce, on the very cusp of rain. From the top of the church and the conservatory, the contrast was almost imperceptible, as if marble and air danced cheek to cheek.
— Eloisa James, Paris in Love
At five o'clock Paris always has a current of eroticism in the air.
— Anaïs Nin
It’s a great city, Paris, a beautiful city––and––it was very good for me.
— James     Baldwin, Another Country
Snapped abruptly to a realization of how rudely I had been staring, I blushed and said without thinking, "I was just wondering if you've ever been kissed by a beautiful young girl?" I went still redder as he shouted with laughter. With a broad grin, he said "Many times, madonna. But alas, it does not help. As you see. Ribbit.
— Diana Gabaldon, Dragonfly in Amber
Below Les Avants there was a chalet where the pension was wonderful and where we would be together and have our books and at night be warm in bed together with the windows open and the stars bright. That was where we could go. Traveling third class on the train was not expensive. The pension cost very little more than we spent in Paris.
— Ernest Hemingway
And there, until 1884, it was possible to gaze on the remains of a generally neglected monument, so-called Dagobert’s Tower, which included a ninth-century staircase set into the masonry, of which the thirty-foot handrail was fashioned out of the trunk of a gigantic oak tree. Here, according to tradition, lived a barber and a pastry-cook, who in the year 1335 plied their trade next door to each other. The reputation of the pastry-cook, whose products were among the most delicious that could be found, grew day by day. Members of the high-ranking clergy in particular were very fond of the extraordinary meat pies that, on the grounds of keeping to himself the secret of how the meats were seasoned, our man made all on his own, with the sole assistance of an apprentice who was responsible for the pastry.His neighbor the barber had won favor with the public through his honesty, his skilled hairdressing and shaving, and the steam baths he offered. Now, thanks to a dog that insistently scratched at the ground in a certain place, the ghastly origins of the meat used by the pastry-cook became known, for the animal unearthed some human bones! It was established that every Saturday before shutting up shop the barber would offer to shave a foreign student for free. He would put the unsuspecting young man in a tip-back seat and then cut his throat. The victim was immediately rushed down to the cellar, where the pastry-cook took delivery of him, cut him up, and added the requisite seasoning. For which the pies were famed, ‘especially as human flesh is more delicate because of the diet,’ old Dubreuil comments facetiously.The two wretched fellows were burned with their pies, the house was ordered to be demolished, and in its place was built a kind of expiatory pyramid, with the figure of the dog on one of its faces. The pyramid was there until 1861.But this is where the story takes another turn and joins the very best of black comedy. For the considerable number of ecclesiastics who had unwittingly consumed human flesh were not only guilty before God of the very venial sin of greed; they were automatically excommunicated! A grand council was held under the aegis of several bishops and it was decided to send to Avignon, where Pope Clement VI resided, a delegation of prelates with a view to securing the rescindment if not of the Christian interdiction against cannibalism then at least of the torments of hell that faced the inadvertent cannibals. The delegation set off, with a tidy sum of money, bare-footed, bearing candles and singing psalms. But the roads of that time were not very safe and doubtless strewn with temptation. Anyway, the fact is that Clement VI never saw any sign of the penitents, and with good reason.
— Jacques Yonnet, Paris Noir: The Secret History of a City
#Outlander QOTD Claire and Master Raymond.Snapped abruptly to a realization of how rudely I had been staring, I blushed and said without thinking, "I was just wondering if you've ever been kissed by a beautiful young girl?" I went still redder as he shouted with laughter. With a broad grin, he said "Many times, madonna. But alas, it does not help. As you see. Ribbit.
— Diana Gabaldon, Dragonfly in Amber
Paris rubbed his forehead against his, running his hands through Roan‘s hair, and said, 'How about we come back here and exchange notes once we‘re done with the interviews? Take a long lunch.''Only exchange notes?''No one said we can‘t exchange notes in bed.
— Andrea Speed, Infected: Bloodlines
Fortunately the City is vigilant. It too has its secret weapons. Since the summer it has released safety valves that form part of a wonderful mechanism, known only to itself. For the past three months we’ve noticed the most heartening appearance all over the place of eccentrics, more or less raving lunatics, cranks, and reinvigorating crackpots.
— Jacques Yonnet, Paris Noir: The Secret History of a City
Paris came down the stairs looking incredible. He‘d gone with the simple classic look of the tight white T-shirt, the low-slung jeans that showed off a glimpse of his flat belly, and a black leather jacket. His hair was perfectly mussed, a calculated look that seemed natural and sexy. At the bottom of the staircase, he turned around slowly, holding his arms out to his sides. "Well, how do I look?"Damn. "Like I want to rip your clothes off right this second. You‘re gonna kill that kid. He‘s going to explode, and they‘re going to have to scrape his remains off the wall.""Yeesh, I was with you until you got descriptive.""Can‘t help it. You make me poetic.""I thought I made you horny.""Same damn thing.
— Andrea Speed, Infected: Bloodlines
In Rome the statues, in Paris the paintings, and in Prague the buildings suggest that pleasure can be an education.
— Caleb Crain, Necessary Errors
Indulgence comes in all varieties: a mouthful of gourmet chocolate, a hot stone massage, a week in Paris or 20 uninterrupted minutes to getlost in a book.
— Gina Greenlee, Postcards and Pearls: Life Lessons from Solo Moments on the Road
Oh no. I split my time between Paris and New York. They're the only places to really live.
— Naomi Wood, Mrs. Hemingway
There is some kind of elegant gentleness to Paris that I don't quite understand yet.
— Robert  Black
Paris shook his head."Do you think I would teach just anyone to fight me to the death? I want you to be my wife. My one and only wife.
— Anne Fortier, The Lost Sisterhood
But are you not fond of me?" Paris looked up, his eyes full of reproach."Fond of you? Myrina you are my queen. I want you more than I want life itself.
— Anne Fortier, The Lost Sisterhood
Why must a woman always surrender? I am not prey!""No I am. Your arrow struck me long ago." Paris took her hand and placed it on his chest."Right here. And every time I try to pull it out." He used her hand to demonstrate. "You force it back in.
— Anne Fortier, The Lost Sisterhood
Fear not! I would rather tear the heart from your bosom than take your bow, for I believe you would miss it less.
— Anne Fortier, The Lost Sisterhood
Old Hubert must have had a premonition of his squalid demise. In October he said to me, ‘Forty-two years I’ve had this place. I’d really like to go back home, but I ain’t got the energy since my old girl died. And I can’t sell it the way it is now. But anyway before I hang my hat up I’d be curious to know what’s in that third cellar of mine.’The third cellar has been walled up by order of the civil defence authorities after the floods of 1910. A double barrier of cemented bricks prevents the rising waters from invading the upper floors when flooding occurs. In the event of storms or blocked drains, the cellar acts as a regulatory overflow.The weather was fine: no risk of drowning or any sudden emergency. There were five of us: Hubert, Gerard the painter, two regulars and myself. Old Marteau, the local builder, was upstairs with his gear, ready to repair the damage. We made a hole.Our exploration took us sixty metres down a laboriously-faced vaulted corridor (it must have been an old thoroughfare). We were wading through a disgusting sludge. At the farend, an impassable barrier of iron bars. The corridor continued beyond it, plunging downwards. In short, it was a kind of drain-trap.That’s all. Nothing else. Disappointed, we retraced our steps. Old Hubert scanned the walls with his electric torch. Look! An opening. No, an alcove, with some wooden object that looks like a black statuette. I pick the thing up: it’s easily removable. I stick it under my arm. I told Hubert, ‘It’s of no interest. . .’ and kept this treasure for myself.I gazed at it for hours on end, in private. So my deductions, my hunches were not mistaken: the Bièvre-Seine confluence was once the site where sorcerers and satanists must surely have gathered. And this kind of primitive magic, which the blacks of Central Africa practise today, was known here several centuries ago. The statuette had miraculously survived the onslaught of time: the well-known virtues of the waters of the Bièvre, so rich in tannin, had protected the wood from rotting, actually hardened, almost fossilized it. The object answered a purpose that was anything but aesthetic. Crudely carved, probably from heart of oak. The legs were slightly set apart, the arms detached from the body. No indication of gender. Four nails set in a triangle were planted in its chest. Two of them, corroded with rust, broke off at the wood’s surface all on their own. There was a spike sunk in each eye. The skull, like a salt cellar, had twenty-four holes in which little tufts of brown hair had been planted, fixed in place with wax, of which there were still some vestiges. I’ve kept quiet about my find. I’m biding my time.
— Jacques Yonnet, Paris Noir: The Secret History of a City
She thought constantly about Paris and avidly read all the society pages in the papers. Their accounts of receptions, celebrations, the clothes worn, and all the accompanying delights enjoyed, whetted her appetite still further. Above all, however, she was fascinated by what these reports merely hinted at. The cleverly phrased allusions half-lifted a veil beyond which could be glimpsed devastatingly attractive horizons promising a whole new world of wicked pleasure. From where she lived, she looked on Paris as representing the height of all magnificent luxury as well as licentiousness...she conjured up the images of all the famous men who made the headlines and shone like brilliant comets in the darkness of her sombre sky. She pictured the madly exciting lives they must lead, moving from one den of vice to the next, indulging in never-ending and extraordinarily voluptuous orgies, and practising such complex and sophisticated sex as to defy the imagination. It seemed to her that hidden behind the façades of the houses lining the canyon-like boulevards of the city, some amazing erotic secret must lie."The uneventful life she lived had preserved her like a winter apple in an attic. Yet she was consumed from within by unspoken and obsessive desires. She wondered if she would die without ever having tasted the wicked delights which life had to offer, without ever, not even once, having plunged into the ocean of voluptuous pleasure which, to her, was Paris.
— Guy de Maupassant, A Parisian Affair and Other Stories
Here, in a few words, you’ve said all you need to say. People stand by each other, but they don’t talk. It’s remarkable. I’ve investigated the extraordinary history of these walls. I think I’m the only person who knows that it’s the stones, the stones alone that set the tone here.
— Jacques Yonnet, Paris Noir: The Secret History of a City
In response to a tactless question he once said to me, ‘What do you expect? This lousy neighbourhood gave me the come-on. I couldn’t resist.
— Jacques Yonnet, Paris Noir: The Secret History of a City
When Victor Hugo was buried, you couldn’t find a whore in all of Paris. They were too busy paying their respects. That was a man – and he still has a show on in the West End.
— Hanif Kureishi, The Last Word
Sunset’s the best time to take a stroll down Mouffetard, the ancient Via Mons Cetardus. The buildings along it are only two or three stories high. Many are crowned with conical dovecotes. Nowhere in Paris is the connection, the obscure kinship, between houses very close to each other more perceptible to the pedestrian than in this street.Close in age, not location. If one of them should show signs of decrepitude, if its face should sag, or it should lose a tooth, as it were, a bit of cornicing, within hours its sibling a hundred metres away, but designed according to the same plans and built by the same men, will also feel it’s on its last legs.The houses vibrate in sympathy like the chords of a viola d’amore. Like cheddite charges giving each other the signal to explode simultaneously.
— Jacques Yonnet, Paris Noir: The Secret History of a City
To accuse the American male of not bathing in Paris is merely to flatter him.
— Elaine Dundy, The Dud Avocado
It’s splendid how much at home we feel at Pignol’s. A tacit complicity at every moment prevails among the regulars here. A process of self-selection operates: starving crooks, thirsty whores, witless grasses working for low-grade cops, middle- class types a bit too willing to conform (leaving aside the pound of black-market meat and the camembert without ration tickets) - all feel too ill at ease here. They’ve only got to stay away. Along with anyone else who doesn’t meet the requirements of this establishment: first and foremost, to keep your trap shut. The war? Past history. The Krauts? Don’t know any. Russia? Change at Reaumur. The police? There was a time when they were needed for directing the traffic. At Pignol’s, silence constitutes the most important, most difficult and lengthiest induction ordeal.After that, it’s a matter of imponderables. It works according to the rule of three: the people who don’t get along with the people that I get along with are people I can’t get along with. Syllogisms, of course. Now clear out!
— Jacques Yonnet, Paris Noir: The Secret History of a City
It was only in a place like Paris where knowing the books someone loved, whether they followed Lévi-Strauss or Sartre, was the yardstick by which to measure them.
— Imraan Coovadia, Tales of the Metric System
Yes you may come." Paris held up a hand to delay Myrina's raptures. "But this time you will not be wearing my crown. You will be my slave, and believe me I shall enjoy ordering you around.
— Anne Fortier, The Lost Sisterhood
He was high up now, gazing across to where Montmartre itself gazed out over the city. He was swept along in the wind, admiring the twin steeples of Notre-Dame as he passed, along with the dogged, devilish gargoyles of St. Jacques.
— Toby Barlow, Babayaga
At Rome thing can or cannot be done when you are told anything cannot be done, there is an end of it.""It is much more convenient at Paris; when anything cannot be done you pay double and it is done directly
— Alexandre Dumas
Parisians take their work quite seriously, but they take their enjoyment of the little moments just as seriously. Sometimes sitting in a café with close friends or family and enjoying a shared plate of macarons is just as important as sitting in an office working. You know, some Parisians start their morning with a mug of hot chocolate.Really? Emilia asked, taking a fourth and fifth sip.The chocolate is like medicine to take away your troubles and help you see that life is sweet.
— Giada De Laurentiis, Paris!
Crack, crack—crack, crack—crack, crack—so this is Paris! quoth I (continuing in the same mood)—and this is Paris!—humph!—Paris! cried I, repeating the name the third time— The first, the finest, the most brilliant— —The streets however are nasty; But it looks, I suppose, better than it smells—crack, crack—crack, crack—
— Laurence Sterne, The Life and Opinions of Tristram Shandy, Gentleman
The Frenchman showed her a great deal of Paris that day, saying over lunch at a café that it was impossible to see everything of interest in so short a time. "And of course the sights are only one aspect; there's also the theatre, the markets, clubs, festivals, gardens and much more."Delta smiled dreamily; it sounded wonderful.Enjoying her smile, Valois gave her cheek a playful caress. "If I try hard enough, you may never want to leave.
— Brooke Templar, The Frenchman
Hitler was the archetype of the abstemious man. When the other krauts saw him drink water in the Beer Hall they should have known he was not to be trusted.
— A.J. Liebling
I had walked over to the window and was looking down at the rails of the Montmartre funicular, the gardens of the Sacré Cœur and, further off, the whole of Paris, with its lights, its roofs, its shadows. Denise Coudreuse and I had met one day in this maze of roads and boulevards. Paths that cross, among those of thousands and thousands of people all over Paris, like countless little balls on a gigantic, electric billiard table, which occasionally bump into each other. And nothing remained of this, not even the luminous trail a firefly leaves behind it.
— Patrick Modiano
It's pronounced wee but spelled O-U-I. It's all you'll want to say when you're sitting at one of the thousands of little cafes that line the streets and you're looking at a menu full of foods you just want to eat for days. And then you wake up early, and the sun is rising in shades of pink over the white buildings as you make your way through the sleepy streets until you're upon the fresh markets!
— Giada De Laurentiis, Paris!
He was a Parisian,’ he said. ‘You can never be sure what Parisians believe in – beyond Paris of course.
— Ben Aaronovitch, The Home Crowd Advantage
All around us are complex people trying to live simple lives,” she said. “Wanting simple things with tangled hearts.
— Cole McCade, A Second Chance at Paris
I’ve always had a thing for men with large hadron colliders.
— Cole McCade, A Second Chance at Paris
To sit indoors was silly. I postponed the search for Savchenko and Ludmila till the next day and went wandering about Paris. The men wore bowlers, the women huge hats with feathers. On the café terraces lovers kissed unconcernedly - I stopped looking away. Students walked along the boulevard St. Michel. They walked in the middle of the street, holding up traffic, but no one dispersed them. At first I thought it was a demonstration - but no, they were simply enjoying themselves. Roasted chestnuts were being sold. Rain began to fall. The grass in the Luxembourg gardens was a tender green. In December! I was very hot in my lined coat. (I had left my boots and fur cap at the hotel.) There were bright posters everywhere. All the time I felt as though I were at the theatre. I have lived in Paris off and on for many years. Various events, snatches of conversation have become confused in my memory. But I remember well my first day there: the city electrified my. The most astonishing thing is that is has remained unchanged; Moscow is unrecognizable, but Paris is still as it was. When I come to Paris now, I feel inexpressibly sad - the city is the same, it is I who have changed. It is painful for me to walk along the familiar streets - they are the streets of my youth. Of course, the fiacres, the omnibuses, the steam-car disappeared long ago; you rarely see a café with red velvet or leather settees; only a few pissoirs are left - the rest have gone into hiding underground. But these, after all, are minor details. People still live out in the streets, lovers kiss wherever they please, no one takes any notice of anyone. The old houses haven't changed - what's another half a century to them; at their age it makes no difference. Say what you will, the world has changed, and so the Parisians, too, must be thinking of many things of which they had no inkling in the old days: the atom bomb, mass-production methods, Communism. But with their new thoughts they still remain Parisians, and I am sure that if an eighteen-year-old Soviet lad comes to Paris today he will raise his hands in astonishment, as I did in 1908: "A theatre!
— Ilya Ehrenburg, People, Years and Life
The reality is that many of us in these parts are not enamored of Paris." The Commandant gulped down his coffee. "I worked there as a young officer in the CRS, the riot squad. I speak from personal experience. Paris is bizarre. Paris is a museum surrounded by a jungle.
— Sebastian Rotella
To sit indoors was silly. I postponed the search for Savchenko and Ludmila till the next day and went wandering about Paris. The men wore bowlers, the women huge hats with feathers. On the café terraces lovers kissed unconcernedly - I stopped looking away. Students walked along the boulevard St. Michel. They walked in the middle of the street, holding up traffic, but no one dispersed them. At first I thought it was a demonstration - but no, they were simply enjoying themselves. Roasted chestnuts were being sold. Rain began to fall. The grass in the Luxembourg gardens was a tender green. In December! I was very hot in my lined coat. (I had left my boots and fur cap at the hotel.) There were bright posters everywhere. All the time I felt as though I were at the theatre.
— Ilya Ehrenburg, People, Years and Life
Reticence was clearly a national characteristic, even if the other person spoke French.
— Sara Sheridan, British Bulldog
To breathe Paris is to preserve one's soul.
— Victor Hugo, Les Misérables
If you were in paris your food might as well glitter.
— Michelle Gable, A Paris Apartment
In Paris, everything's for sale: wise virgins, foolish virgins, truth and lies, tears and smiles.
— Émile Zola, The Attack on the Mill and Other Stories
To err his human, to stroll is Parisian.
— Victor Hugo, Les Misérables
It is a good thing to go to Paris for a few days if you have had a lot of trouble, and that is my advice to everyone except Parisians.
— Muriel Spark
Almost immediately after jazz musicians arrived in Paris, they began to gather in two of the city’s most important creative neighborhoods: Montmartre and Montparnasse, respectively the Right and Left Bank haunts of artists, intellectuals, poets, and musicians since the late nineteenth century. Performing in these high-profile and popular entertainment districts could give an advantage to jazz musicians because Parisians and tourists already knew to go there when they wanted to spend a night out on the town. As hubs of artistic imagination and experimentation, Montmartre and Montparnasse therefore attracted the kinds of audiences that might appreciate the new and thrilling sounds of jazz. For many listeners, these locations leant the music something of their own exciting aura, and the early success of jazz in Paris probably had at least as much to do with musicians playing there as did other factors.In spite of their similarities, however, by the 1920s these neighborhoods were on two very different paths, each representing competing visions of what France could become after the war. And the reactions to jazz in each place became important markers of the difference between the two areas and visions. Montmartre was legendary as the late-nineteenth-century capital of “bohemian Paris,” where French artists had gathered and cabaret songs had filled the air. In its heyday, Montmartre was one of the centers of popular entertainment, and its artists prided themselves on flying in the face of respectable middle-class values. But by the 1920s, Montmartre represented an established artistic tradition, not the challenge to bourgeois life that it had been at the fin de siècle. Entertainment culture was rapidly changing both in substance and style in the postwar era, and a desire for new sounds, including foreign music and exotic art, was quickly replacing the love for the cabarets’ French chansons. Jazz was not entirely to blame for such changes, of course. Commercial pressures, especially the rapidly growing tourist trade, eroded the popularity of old Montmartre cabarets, which were not always able to compete with the newer music halls and dance halls. Yet jazz bore much of the criticism from those who saw the changes in Montmartre as the death of French popular entertainment. Montparnasse, on the other hand, was the face of a modern Paris. It was the international crossroads where an ever changing mixture of people celebrated, rather than lamented, cosmopolitanism and exoticism in all its forms, especially in jazz bands. These different attitudes within the entertainment districts and their institutions reflected the impact of the broader trends at work in Paris—the influx of foreign populations, for example, or the advent of cars and electricity on city streets as indicators of modern technology—and the possible consequences for French culture. Jazz was at the confluence of these trends, and it became a convenient symbol for the struggle they represented.
— Jeffrey H. Jackson, Making Jazz French: Music and Modern Life in Interwar Paris
She throws her jeans at me and dives into the pellucid lake, slicing through the water almost without a splash. A church bell rings out in the distance, echoing in the quiet aftermath of Everly’s quick jump into the unexpected.
— Rebecca Paula, Everly After
Whenever my mum gets depressed about her age, she goes to Paris.
— Jane Tara, The Happy Endings Book Club
One never sees Paris for the first time
—  one always sees it again...
How long since you had sex?” Aeron asked his friend.  Another moan. “Two—three days.” Paris wiped his mouth with the back of his wrist.  Which meant Paris hadn‟t had a female since before their return. But Aeron knew Lucien had flashed the warrior into town every night they‟d spent in the desert for just that reason. Had the warrior had trouble finding a willing partner?  “Let me take you into town. You can—”  “No. Only want Sienna. My female. Mine.
— Gena Showalter, The Darkest Whisper
This is what you British do not understand about the French. You think you must work, work, work, work and open on Sundays and make mothers and fathers with families slave in supermarkets at three o'clock in the morning and make people leave their homes and their churches and their children and go shopping on Sundays.''Their shops are open on Sundays?' said Benoît in surprise.'Yes! They make people work on Sundays! And through lunchtimes! But for what? For rubbish from China? For cheap clothes sewed by poor women in Malaysia? For why? So you can go more often to KFC and get full of fried chicken? You would rather have six bars of bad chocolate than one bar of good chocolate. Why? Why are six bad things better than one good thing? I don't understand.
— Jenny Colgan, The Loveliest Chocolate Shop in Paris
I know so much is going to happen here, but I just don't know how. It feels like Paris is full of so many adventures just waiting to be had.
— Rachel Kapelke-Dale, Graduates in Wonderland: The International Misadventures of Two (Almost) Adults
There's a simplicity and a sense of adventure to being alone, and I sometimes envy you for having it, as you explore Paris. Even when you're getting your heart broken, you can still wake up and not know what's going to happen next.
— Jessica Pan, Graduates in Wonderland: The International Misadventures of Two (Almost) Adults
The only thing that could spoil a day was people and if you could keep from making engagements, each day had no limits. People were always the limiters of happiness except for the very few that were as good as spring itself.
— Ernest Hemingway
There was no experience, I thought, quite as wonderful as being an American in Paris.
— Ann Mah, Mastering the Art of French Eating: Lessons in Food and Love from a Year in Paris
I act as a sponge. I soak it up and squeeze it out in ink every two weeks.
— Janet Flanner, Paris Was Yesterday, 1925-1939
They love me like a pack of wolves.Ernest
— Paula McLain, The Paris Wife
God manifests himself to us in the first degree through the life of the universe, and in the second degree through the thought of man. The second manifestation is not less holy than the first. The first is named Nature, the second is named Art.
— Victor Hugo, Hugo's Works: William Shakespeare
He wanted to tell the baby that Paris was like a poem in stone.
— Simon Van Booy, The Illusion of Separateness
She had to lift both hands to illustrate what she meant, but he just let her carry his hand with her, not about to let go. She pushed the free hand toward the one he held, apparently trying to gesture closeness. "Warm," she said again. And then she did something that undid him to the last faint whisper of his soul: she gave his hand a squeeze with fingertips that could just barely reach around his, apparently using him to indicate what she wanted to say. He meant warmth. He meant this word she couldn't find.
— Laura Florand, The Chocolate Touch
My wife and I had called on Miss Stein, and she and the friend who lived with her had been very cordial and friendly and we had loved the big studio with the great paintings. I t was like one of the best rooms in the finest museum except there was a big fireplace and it was warm and comfortable and they gave you good things to eat and tea and natural distilled liqueurs made from purple plums, yellow plums or wild raspberries.Miss Stein was very big but not tall and was heavily built like a peasant woman. She had beautiful eyes and a strong German-Jewish face that also could have been Friulano and she reminded me of a northern I talian peasant woman with her clothes, her mobile face and her lovely, thick, alive immigrant hair which she wore put up in the same way she had probably worn it in college. She talked all the time and at first it was about people and places.Her companion had a very pleasant voice, was small, very dark, with her hair cut like Joan of Arc in the Boutet de Monvel illustrations and had a very hooked nose. She was working on a piece of needlepoint when we first met them and she worked on this and saw to the food and drink and talked to my wife. She made one conversation and listened to two and often interrupted the one she was not making. Afterwards she explained to me that she always talked to the wives. The wives, my wife and I felt, were tolerated. But we liked Miss Stein and her friend, although the friend was frightening. The paintings and the cakes and the eau-de-vie were truly wonderful. They seemed to like us too and treated us as though we were very good, well-mannered and promising children and I felt that they forgave us for being in love and being married - time would fix that - and when my wife invited them to tea, they accepted.
— Ernest Hemingway, A Moveable Feast: The Restored Edition
Their wedding night was at a little hotel in Paris. There were walk up steps and a lovely view. And all was well for these two.
— David Paul Kirkpatrick, The Address Of Happiness
If the king had given me for my ownParis, his citadel,And I for that must leave aloneHer whom I love so well,I'd say then to the CrownTake back your glittering townMy darling is more fair, I swear.My darling is more fair.
— Richard Wilbur, The Misanthrope
The blue-backed notebooks, the two pencils and the pencil sharpener (a pocket knife was too wasteful) the marble-topped tables, the smell of early morning, sweeping out and mopping, and luck were all you needed. For luck you carried a horse chestnut and a rabbit's foot in your right pocket. The fur had been worn off the rabbit's foot long ago and the bones and the sinews were polished by wear. The claws scratched in the lining of your pocket and you knew your luck was still there.
— Ernest Hemingway, A Moveable Feast: The Restored Edition