c2p-cmd/Good-Quotes-Authors huggingface dataset:
He had liked to listen to the exotic (to a Belsey) chatter of business and money and practical politics; to hear that Equality was a myth, and Multiculturalism was a fatuous dream; he thrilled at the suggestion that Art was a gift from God, blessing only a handful of masters, and most Literature merely a veil for poorly reasoned left-wing ideologies.
— Zadie Smith
She could have happily lived inside any nineteenth century novel.
— Kate Atkinson, Case Histories
A good novel is an indivisible sum: every scene, sequence and passage of a good novel has to involve, contribute to and advance all three of its major attributes: theme, plot, characterization.
— Ayn Rand
Literature is an invitation to people to discover the world of others and the world of others is the best source to understand and to improve our own world!
— Mehmet Murat ildan
What surfaced was the surprising power of our cultural heritage.
— Patrick Hennessey, The Junior Officers' Reading Club: Killing Time And Fighting Wars
I hate reading poems—school made me hate them. I’d spend hours interpreting one, just to read the memorandum and realize I’d be fucked during exams. I remember making a little asterisk next to every question I struggled with, and at the end of the paper, I’d realize I was looking at the fucking Milky Way.
— Danielle Esplin, Give It Back
Such fascinating things, libraries. She closes her eyes. She couldwalk inside and step into a murder, a love story, a complete accountof somebody else’s life, or mutiny on the high seas. Such potential;such adventure—there’s a shimmer of malfeasance in trying otherways of being.
— Ashley Hay, The Railwayman's Wife
Plato laments the decline of the oral tradition and the atrophy of memory which writing induces, I at the other end of the Age of the Written Word am impressed by the sturdiness and reliability of words on paper... The will to record indelibly, to set down stories in permanent words, seems to me akin to the conviction that we are larger than our biologies.
— Jonathan Franzen, How to Be Alone
And did the distress I was feeling derive from some internal sickness of the soul, or was it imposed on me by the sickness of society? That someone besides me had suffered from these ambiguities and had seen light on their far side... that I could find company and consolation and hope in an object pulled almost at random from a bookshelf—felt akin to an instance of religious grace.
— Jonathan Franzen, How to Be Alone
Mice: But reading all the good writers might discourage you.Y.C.: Then you ought to be discouraged.
— Ernest Hemingway, Ernest Hemingway on Writing
Journalism is unreadable, and literature is unread.
— Oscar Wilde
You read enough books in which people like you are disposable, or are dirt, or are silent, absent, or worthless, and it makes an impact on you. Because art makes the world, because it matters, because it makes us. Or breaks us.
— Rebecca Solnit
Technically, you cannot really own a book you bought; you can only own the sheets of paper your copy is printed on; unless, of course, you are the book’s publisher.
— Mokokoma Mokhonoana, The Selfish Genie: A Satirical Essay on Altruism
STARLIGHT and THUNDERThe Limits of Art is an anthological collection for the ages...for a lifetime. A veritable ark containing excerpts from the sound and fury representative of the finest literary scriveners the world has yet produced.Unequivocally, intellectual nourishment breeds a fire in the mind...a conflagration of ideas and incendiary thoughts that furnish the spirit with conviction and courage to confront the ballet and ballistics of life with passion, wit, tenderness, reason, resolve, humor, imagination and unconditional curiosity.Amidst the clamor brought forth by the alarums and excursions of modern day pontifications, nevertheless, conform and commit your mind to the abolition of ignorance! Accede your sensibilities to the rapture of beauty and her ineffable grace. For beauty is enchantment, a romantic allegiance to the rhapsodic seduction celebratory of the ephemeral, the eternal and the esoteric nature and narratives of fictive splendor, which valorously emanate from this voluptuous volume. This magisterial tome is a figurative brocade of both starlight and thunder transcribed into an insatiable verbal delirium groping toward an unbridled exposition on life’s wonders and mysteries. Drink mightily from its gilded chalice.
— Albert Thomas Bifarelli
Books have that strange quality, that being of the frailest and tenderest matter, they outlast brass, iron and marble.
— William Drummond
Whenever I encounter writer’s block, I stop writing … with my hands; and I then start writing with my legs.
— Mokokoma Mokhonoana
Words are the only things that last for ever.
— William Hazlitt, Table-Talk, Essays on Men and Manners
It’s easy to write a sentence, paragraph, or book. What’s difficult is writing the best sentence, paragraph, or book, you can write.
— Mokokoma Mokhonoana
God produced great writing, a matter of first importance to a man like Lincoln, ever impressed with the nature of cause and forces.
— Richard Brookhiser, Founders' Son: A Life of Abraham Lincoln
The cultivation of literary pursuits forms the basis of all sciences, and in their perfection consist the reputation and prosperity of kingdoms.
— Sebastião José de Carvalho e Melo
A constant discomfort derives from this--writing these sentences, or any other for that matter--I am writing an ad for the war. With that, every utterance about freedom finishes.
— Semezdin Mehmedinović
There is the outside of a story, and the inside of a story... One is the fruit and may be delicious, but the other is the seed.
— Alice Hoffman, The Marriage of Opposites
Shakespeare's work had a liberating influence.
— Paul C. Nagel, John Quincy Adams: A Public Life, a Private Life
John Quincy Adams strove to escape commonplace thoughts.
— Paul C. Nagel, John Quincy Adams: A Public Life, a Private Life
Life is a book. We are writing the stories of our lives.
— Lailah Gifty Akita, Think Great: Be Great!
Rather than pound or a national mind that he believed had been closed by his critics, John Quincy Adams decided to seek a place in the is the esteem of future generations.
— Paul C. Nagel, John Quincy Adams: A Public Life, a Private Life
Good literature is a lifeboat! Every time you feel you are sinking, jump on it!
— Mehmet Murat ildan
A dessert to a deserter in the desert burst, "You trust your thirst. And you are too hot! You scream for ice cream. And believe it or not, I may not be your first. But I might be your lust! Give it a shot...
— Ana Claudia Antunes, ONE HUNDRED ONE WORLD ACCOUNTS in ONE HUNDRED ONE WORD COUNT
Literature is life.
— Lailah Gifty Akita, Think Great: Be Great!
A shadow archive and an archive of shadows, the literary architectonic demands a resistance to excessive illumination.
— Akira Mizuta Lippit, Atomic Light
... she had painted her lips and was holding in her hollowed hands a beautiful, banal, Eden-red apple.
— Vladimir Nabokov, Lolita
You want to go to a place where you never lose anything and you keep gaining many things? Go to the Land Of Literature where you gain new paths, new ideas, new lives, new goals, and new souls!
— Mehmet Murat ildan
I do have a religion
—  it’s just not an ordinary one. In fact it is an extraordinary one. My religion is Literature.
You aren’t in the ivy halls of your miserable literature pursuit now. Without wasting more time, will thou cometh to the pointeth? Dost thou wanteth us to stayeth or leaveth?
— Pawan Mishra, Coinman: An Untold Conspiracy
If you want to take pictures of Chinese food, you have to taste real Chinese food. The flavors soak into your tongue, go into your stomach. The stomach is where your true feelings are. And if you take photos, these true feelings from your stomach can come out, so that everyone can taste the food just by looking at your pictures.
— Amy Tan, The Hundred Secret Senses
Much, maybe too much, has been written about literature.
— Michel Houellebecq, Soumission
My thoughts about pornography tend to revolve around the fact that while very few of us are zombies, detectives, cowboys, or spacemen, there are an infinite number of books that are recounting the stories of those lifestyles. However, all of us have some sort of feelings or opinions about sex. And yet the only art form which in any way is able to discuss sex, or depict sex, is this grubby despised under the counter art form, which has absolutely no standards. This was what Lost Girls was intended as a remedy for, that there is no reason why a horny piece of literature, that is purely about sex, could not be as beautiful, as meaningful, and have as absorbing characters as any other piece of fiction.
— Alan Moore
Who knows, maybe one day there will no longer be Literature. Instead there will be literary web sites. Like those stars, still shining but long dead, the web sites will testify to the existence of past writers. There will be quotes, fragments of texts, which prove that there used to be complete texts once. Instead of readers there will be cyber space travelers who will stumble upon the websites by chance and stop for a moment to gaze at them. How they will read them? Like hieroglyphs? As we read the instructions for a dishwasher today? Or like remnants of a strange communication that meant something in the past, and was called Literature?
— Dubravka Ugrešić
Things are not as easily understood nor as expressible as people usually would like us to believe. Most happenings are beyond expression
—  they exist where a word has never intruded.
The literary experience extends impression into discourse. It flowers to thought with nouns, verbs, objects. It thinks. Film implodes discourse, it deliterates thought, it shrinks it to the compacted meaning of the preverbal impression or intuition or understanding. You receive what you see, you don't have to think it out. . . . Fiction goes everywhere, inside, outside, it stops, it goes, its action can be mental. Nor is it time-driven. Film is time-driven, it never ruminates, it shows the outside of life, it shows behavior. It tends to the simplest moral reasoning. Films out of Hollywood are linear. The narrative simplification of complex morally consequential reality is always the drift of a film inspired by a book. Novels can do anything in the dark horrors of consciousness. Films do close-ups, car drive-ups, places, chases and explosions.
— E.L. Doctorow
I'm not asking you to come reverently or unquestioningly; I'm not asking you to be politically correct or cast aside your sense of humor (please God you have one). This isn't a popularity contest, it's not the moral Olympics, and it's not church. But it's Writing, damn it, not washing the car or putting on eyeliner. If you can take it seriously, we can do business. If you can't or won't, it's time for you to close the book and do something else. Wash the car, maybe.
— Stephen King
Young would-be novelists and poets believe that art is eternal. Au contraire: we are in the business of ephemera, the era of floating islands of trash, and most of the things we feel deeply and inscribe on the page will disappear.
— Julie Schumacher, Dear Committee Members
Little is to be expected of that day, if it can be called a day, to which we are not awakened by our Genius, but by the mechanical nudgings of some servitor, are not awakened by our own newly acquired force and aspirations from within, accompanied by the undulations of celestial music, instead of factory bells, and a fragrance filling the air--to a higher life than we fell asleep from; and thus the darkness bear its fruit, and prove itself to be good, no less than the light.
— Henry David Thoreau, Walden
And I, a twister, love, what I abhor.
— John Wain
Those who judge must take all aspects of an individual's personality into account. It is only through literature that one can put oneself in someone else's shoes and understand the other's different and contradictory sides and refrain from becoming too ruthless. Outside the sphere of literature only one aspect of individuals is revealed. But if you understand their different dimensions you cannot easily murder them…
— Azar Nafisi, Reading Lolita in Tehran
– I’m going to be a writer, he reminded Milo.– And you won’t need literature?– I’ll write my own.
— Caleb Crain, Necessary Errors
Much, maybe too much, has been written about literature. (I know better than anyone; I’m an expert in the field). Yet the special thing about literature, the major art form of a Western civilization now ending before our very eyes, is not hard to define. Like literature, music can overwhelm you with sudden emotion, can move you to absolute sorrow or ecstasy; like literature, painting has the power to astonish, and to make you see the world through fresh eyes. But only literature can put you in touch with another human spirit, as a whole, with all its weaknesses and grandeurs, it limitations, its pettinesses, its obsessions, its beliefs; with whatever it finds moving, interesting, exciting, or repugnant. Only literature can grant you access to a spirit from beyond the grave–a more direct, more complete, deeper access than you’d have in conversation with a friend. Even in our deepest, most lasting friendships, we never speak so openly as when we face a blank page and address an unknown reader.
— Michel Houellebecq
Publishers are businesses and I don’t blame them for that. If they didn’t make money by publishing books, there wouldn’t be any books.
— Johnny Rich
A good book is not the same as a successful one.
— Johnny Rich
A novel must be judged on its merits, not on how hard the journey was to write it.
— Johnny Rich
Those who lead a literary life seem old when they're young and young when they're old, but they're never actually either. Like a good book, they are bound by neither category nor time.
— J.C. Hallman, B  Me: A True Story of Literary Arousal
Moon is the light from a lantern in heaven
— Munia Khan
Two girls walk past in gargantuan heels and dresses so tight that their skin is spilling out, and one of them says to the other, "Wait, who the fuck is Lewis Carroll?" and in my imagination I pull a gun out of my pocket, shoot them both and then shoot myself.
— Alice Oseman, Solitaire
Your words... I hold them deeplike ancient skinshold wrinkles.
— Sanober  Khan
Novelists would do well to remember that when the works of the scholar-historians create doubt in the researcher’s mind, the researcher then turns to literature as a primary source for confirmation or correction. If the truth of a time, a people, a state is not available anywhere else, let it be in the novel. - from Twayne’s US Authors Series: JOHN A WILLIAMS by Gilbert Muller
— John A. Williams
Except for two or three older writers, all modern literature seems to me not literature but some sort of handicraft, which exists only so as to be encouraged, though one is reluctant to use its products.
— Anton Chekhov, Selected Stories
It was pretty silly quoting poetry around free and easy like that. It was the act of a silly damn snob. Give man a few lines of verse and he thinks he's the Lord of all Creation. You think you can walk on water with all your books. Well, the world can get by just fine without them.
— Ray Bradbury, Fahrenheit 451
Of all the art forms, poetry is the most economical. It is the one which is the most secret, which requires the least physical labor, the least material, and the one which can be done between shifts, in the hospital pantry, on the subway, and on scraps of surplus paper. Over the last few years, writing a novel on tight finances, I came to appreciate the enormous differences in the material demands between poetry and prose. As we reclaim our literature, poetry has been the major voice of poor, working class, and Colored women. A room of one's own may be a necessity for writing prose, but so are reams of paper, a typewriter, and plenty of time.
— Audre Lorde, Sister Outsider: Essays and Speeches
People are talking high of Thiruvalluvar. But in practice they do not respect his teachings. They act against him and disregard him.
— Periyar E.V. Ramasamy
Nabokov calls every great novel a fairy tale, I said. Well, I would agree. First, let me remind you that fairy tales abound with frightening witches who eat children and wicked stepmothers who poison their beautiful stepdaughters and weak fathers who leave their children behind in forests. But the magic comes from the power of good, that force which tells us we need not give in to the limitations and restrictions imposed on us by McFate, as Nabokov called it.Every fairy tale offers the potential to surpass present limits, so in a sense the fairy tale offers you freedoms that reality denies. In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance.
— Azar Nafisi, Reading Lolita in Tehran
No matter how revolutionary people were, he said, they could not live without books. Without books, we would not understand the world; without books, we could not develop; without books, nature could not serve humanity.
— Xinran, The Good Women of China: Hidden Voices
Our thoughts of literary renaissance should always center themselves on the removal of superstition, meanness, indignity and ignorance.
— Periyar E.V. Ramasamy
The main vehicle for nineteenth-century socialization was the leading textbook used in elementary school. They were so widely used that sections in them became part of the national language. Theodore Roosevelt, scion of an elite New York family, schooled by private tutors, had been raised on the same textbooks as the children of Ohio farmers, Chicago tradesman, and New England fishermen. If you want to know what constituted being a good American from the mid-nineteenth century to World War I, spend a few hours browsing through the sections in the McGuffey Readers.
— Charles Murray, Coming Apart: The State of White America, 1960-2010
Everyone who tells a story tells it differently, just to remind us that everybody sees it differently
— Jeanette Winterson, Oranges Are Not the Only Fruit
Litchat, however, is singleminded. Seemingly, it can only conceive of a writer’s persona as one thing at a time: a prick, a detached brainiac, a suffering saint. Litchat is adamant, yes, and impervious to factual challenges, but that tends to be true of all strong opinions formed on a basis of incomplete and selective evidence. The weaker our footing, the more fiercely we defend it. We believe it not because it fits what we know—we know next to nothing, after all—but because we need to believe this particular thing at this particular time, regardless of what the truth may be. It suits our purposes to do so, and one of those purposes may be as flimsy as the desire to be excused from reading the books in question before telling the world what we think of them.
— Laura Miller
The vitality of literary character has less to do with dramatic action, novelistic coherence, and even plain plausibility—let alone likeability—than with a larger philosophical or metaphysical sense, our awareness that a character’s actions are deeply important, that something profound is at stake, with the author brooding over the face of that character like God over the face of the waters.
— James Wood
The most difficult achievement is the capacity to see oneself, to name oneself, to imagine oneself. If in daily life we use ideologies, common sense, religion, even literature itself to disguise our experiences and make them presentable, in fiction it’s possible to sweep away all the veils—in fact, perhaps, it’s a duty.
— Elena Ferrante
Literature is a vast ocean, in which one has to drown themselves to be able to conquer it. Those on shore can see a side of it or have tasted a part of it. And I choose to drown myself in it than just to see it.
— Nikita Dudani
And once the novelist has brought us to this state, in which, as in all purely mental states, every emotion is multiplied ten-fold, into which his book comes to disturb us as might a dream, but a dream more lucid and more abiding than those which come to us in sleep, why then, for the space of an hour he sets free within us all the joys and sorrows in the world, a few of which only we should have to spend years of our actual life in getting to know, and the most intense of which would never be revealed to us because the slow course of their development prevents us from perceiving them. It is the same in life; the heart changes, and it is our worst sorrow; but we know it only through reading, through our imagination: in reality its alteration, like that of certain natural phenomena, is so gradual that, even if we are able to distinguish, successively, each of its different states, we are still spared the actual sensation of change.
— Marcel Proust
In order to justify their claim on our attention, the organs of mass culture and information are compelled to offer something "new" on a daily, indeed hourly, basis. Although good novelists don't deliberately seek out trends, many of them feel a responsibility to pay attention to contemporary issues, and they now confront a culture in which almost all of the issues are burned out almost all the time. The writer who wants to tell a story about society that's true not just in 1996 but in 1997 as well can find herself at a loss for solid cultural referents. What's topically relevant while she's planning the novel will almost certainly be passé by the time it's written, rewritten, published, distributed, and read.
— Jonathan Franzen
I didn't notice I was crying until a stewardess came by and gave me a tissue to blow my nose in. Her arm and wrist were slender and they formed a pretty arch, like the limb of a fruit tree, as she poked the tissue into my clenched fist. She didn't look at my eyes. It was a perfect gesture, an expression of indifference and concern, which is the most a drunk can ask for.
— John Straley, The Woman Who Married a Bear
Every language has a grammar, a set of rules that govern usage and meaning, and literary language is no different. It’s all more or less arbitrary of course, just like language itself.
— Thomas C. Foster, How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines
I believe one of the important differences between creating literature and just telling a story around the campfire is that in literature you’re recreating the experience of life, not just relaying a ‘this happened, then that happened’ kind of narrative. The specific details and layers of depth that make the world of the story — and what the character is experiencing in that world — as real as possible are elements I love as a reader and, consequently, elements I strive to use effectively as a writer.
— Lara Campbell McGehee
Anybody gets to ask questions about any fiction-related issues she wants. No question about literature is stupid. You are forbidden to keep yourself from asking a question or making a comment because you fear it will sound obvious or unsophisticated or lame or stupid. Because critical reading and prose fiction are such hard, weird things to try to study, a stupid-seeming comment or question can end up being valuable or even profound. I am deadly-serious about creating a classroom environment where everyone feels free to ask or speak about anything she wishes. So any student who groans, smirks, mimes machines-gunning or onanism, chortles, eye-rolls, or in any way ridicules some other student's in-class question/comment will be warned once in private and on the second offense will be kicked out of class and flunked, no matter what week it is. If the offender is male, I am also apt to find him off-campus and beat him up.. . . This does not mean we all have to sit around smiling sweetly at one another for three hours a week. No truths about the form, content, structure, symbolism, theme, or overall artistic quality of any piece of fiction are etched in stone or beyond dispute.
— David Foster Wallace
Things are just things, they can't bring back the dead.It just makes me feel better. - Hiiragi
— Yoshimoto Banana
Without reserve, I can say that my entire identity is in the books I write.
— Elena Ferrante
A book did not qualify as literature unless it had polysyllabic words and incomprehensible passages.
— Chimamanda Ngozi Adichie, Americanah
Words are just words
—  a book never harmed anyone by itself.
Later that night though, as I stayed awake into the early hours of morning devouring the second novel in a series, I understood what it meant to befriend a book. The books knew me, far better than I knew them; they knew my fears, my doubts, my dreams. They gave words to feelings I did not even realize I experienced. They listened. They consoled. They kept me company. The books gave me a life outside of my own.
— Kelseyleigh Reber, If I Resist
To leap over the wall of self, to look through another’s eyes--this is valuable experience, which literature offers.
— X. J. Kennedy
Anybody gets to ask questions about any fiction-related issues she wants. No question about literature is stupid. You are forbidden to keep yourself from asking a question or making a comment because you fear it will sound obvious or unsophisticated or lame or stupid. Because critical reading and prose fiction are such hard, weird things to try to study, a stupid-seeming comment or question can end up being valuable or even profound. I am deadly-serious about creating a classroom environment where everyone feels free to ask or speak about anything she wishes. So any student who groans, smirks, mimes machines-gunning or onanism, chortles, eye-rolls, or in any way ridicules some other student's in-class question/comment will be warned once in private and on the second offense will be kicked out of class and flunked, no matter what week it is. If the offender is male, I am also apt to find him off-campus and beat him up.
— David Foster Wallace
The back of the church was raised up from the ground. Tossed in among its supports were what looked like moldering bones.My heart ached so much for these poor souls, neglected even after death, I turned away to head back, but managed only a few burdened steps.I drew up abruptly and froze.An old, worn marker, standing off by itself, grabbed at my heart.It was Edgar Alan Poe.He fit in so perfectly there. Maybe I did, too. His sorrow and pain ate through me as I stood, head lowered. Can’t even death let us step away from our darkness? It was like he was scratching a warning into the dirt with his finger, and meant it specifically for me. Don’t wait around for sermons to wash you clean, he seemed to say, for death or drugs to close your eyes. God won’t come roaring in with fresh troops to drive away the darkness we’ve walled our own souls up in. He didn’t put us there; we’ll have to dig ourselves out.I looked at my own life as I stood there, feeling buried alive, like some of his characters.But unlike his characters I had caught a flash of hope.
— Edward Fahey, Entertaining Naked People
So what does it mean for a person to devote himself or herself to, as you put it, “literary reading and thinking”? I would argue this is a person who’s trying to see things for what they are. Who’s interested in distinguishing the truth from the lies, the real from the fake, the solid from the cheap. Those are the people who want to think for themselves, and I really question whether we can make good lives for ourselves if we aren’t doing our own thinking.
— Ben Fountain
Homicide is not a sin. It is sometimes a necessary violence on resistant and ossified forms of existence which have ceased to be amusing. In the interests of an important and fascinating experiment, it can even become meritorious. Here is the starting point of a new apologia for sadism.
— Bruno Schulz
Mother made sure her little kids were subjected to a strict routine. We were given a timetable which covered our every waking moment, copies of which were posted by our bedside, in the sitting room and in the kitchen. Story hour meant that mother would read us novels and short stories by Guy de Maupassant, Oscar Wilde and Edmondo de Amicis. Soon we graduated to Tolstoy, Gogol and Turgenev. She read them to us in Chinese and I never realised until much later that the writers wrote them in different European languages. Comics were absolutely forbidden and so were Enid Blyton adventures and pop music. . .Lee Cyn and I soon went to a primary school nearby. . .After mother’s rigorous timetable, school became fun and easy-going.
— Ang Swee Chai, From Beirut to Jerusalem
Decades after little Colleen’s death, my sister Kathy still loves her daughter dearly. Colleen was born with cerebral palsy. She died in Kath’s arms in a rocking chair at the age of six. They were listening to a music box that looked very much like a smiling pink bunny.The opening quote in this book, “I will love you forever, but I’ll only miss you for the rest of my life,” is from Kath’s nightly prayers to her child.Colleen couldn’t really talk or walk very well, but loved untying my mother’s tennis shoes and then laughing. When Mom died decades later we sent her off in tennis shoes so Colleen would have something to untie in Heaven.In the meantime, Dad had probably been taking really good care of her up there. He must have been aching to hug her for all of her six years on earth.Mom’s spirit comes back to play with great grandchildren she’d never met or had a chance to love while she was still – I almost said “among the living.” In my family, though, the dead don’t always stay that way. You can be among the living without technically being alive. Mom comes back to play, but Dad shows up only in emergencies. They are both watching over their loved ones.“The Mourning After” is dedicated to all those we have had the joy of loving before they’ve slipped away to the other side.It then celebrates the joy of re-unions.
— Edward Fahey, The Mourning After
If we didn't read people who were bastards, we'd never read anything. Even the best of us are at least part-time bastards.
— Mary Karr
I have not tried to write the history of that language, but rather the archaeology of that silence.
— Michel Foucault
The day is short, the labor vast, the toilers idle, the reward great, and the Master urgent.
— Tarphon
For the majority of people, though they do not know what to do with this life, long for another that shall have no end.
— Anatole France, The Revolt of the Angels
Don't bother looking for the meaning of it all. There isn't one.Maybe not, but life compulsively dangled the possibility. Life, the dramatist on speed. Life, that couldn't stop with its foreshadows and ironies and symbols and clues, its wretched jokes and false endings and twists. Life with its hopeless addiction to plot.
— Glen Duncan, Talulla Rising
I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader's mind. No matter how many times we reopen 'King Lear,' never shall we find the good king banging his tankard in high revelry, all woes forgotten, at a jolly reunion with all three daughters and their lapdogs. Never will Emma rally, revived by the sympathetic salts in Flaubert's father's timely tear. Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them.
— Vladimir Nabokov, Lolita
[T]he imagination, like certain wild animals, will not breed in captivity.
— George Orwell
What may be myth in one world may always be fact in some other.
— C.S. Lewis
(...) Sir Boris had fought and killed the Paynim; Sir Gawain, the Turk; Sir Miles, the Pole; Sir Andrew, the Frank; Sir Richard, the Austrian; Sir Jordan, the Frenchman; and Sir Herbert, the Spaniard. But of all that killing and campaigning, that drinking and love-making, that spending and hunting and riding and eating, what remained? A skull; a finger. Whereas, he said, turning to the page of Sir Thomas Browne, which lay open upon the table – and again he paused. Like an incantation rising from all parts of the room, from the night wind and the moonlight, rolled the divine melody of those words which, lest they should outstare this page, we will leave where they lie entombed, not dead, embalmed rather, so fresh is their colour, so sound their breathing – and Orlando, comparing that achievement with those of his ancestors, cried out that they and their deeds were dust and ashes, but this man and his words were immortal.
— Virginia Woolf
The night I sat down to read Dostoievski for the first time was a most important event in my life, even more important than my first love. It was the first deliberate, conscious act which had significance for me; it changed the whole face of the world. Whether it is true that the clock stopped that moment when I looked up after the first deep gulp I don't know any more. But the world stopped dead for a moment, that I know. It was my first glimpse into the soul of a man, or shall I say simply that Dostoievski was the first man to reveal his soul to me?"Henry Miller
— Henry Miller Shreve
If you can put your five fingers throught it, it is a gate, if not a door.
— James Joyce
All I can tell you with certainty is that I, for one, have no self, and that I am unwilling or unable to perpetrate upon myself the joke of a self.... What I have instead is a variety of impersonations I can do, and not only of myself — a troupe of players that I have internalised, a permanent company of actors that I can call upon when a self is required.... I am a theater and nothing more than a theater.
— Philip Roth
A dark horse riderless, bolts like a phantom past the winning post, his mane moonflowing, his eyeballs stars.
— James Joyce
Literary works are not democracies. We hold this truth to be self-evident, that all men and women are created equal. We may, but the country of Novels, Etc., doesn't. In that faraway place, no character is created equal. One or two of them get all the breaks; the rest exist to get them to the finish line.
— Thomas C. Foster, How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines
There comes a hush between darkness and day.Like expectation of a caress.A murmur of silence. Tree crests peeked down at Paulette through slowly lifting fog. Bark felt around for its texture again. Morning gathered and drifted through mere hints; through vague hopeful nuances of ‘Just maybe’.- From "The Gardens of Ailana" handbook for healers & mystics
— Edward Fahey, The Gardens of Ailana
The growth of the imagination demands windows-windows through which we can look out at the world and windows through which we can look into ourselves. The old stories were windows in just this way.
— Katherine Paterson
This heart is a hurricane, turbulent with ache screaming winds of grief waiting to make the skyfall, to pluck the cloudsfrom their beds with itswhipping winds
— Jack  Southfield
I carry my liberty with me. It is in my thoughts, in my head. Shakespeare is one of my countries, Goethe another. You can change that badge that I wear, but you can’t change the way I think. It is through my intellect that I can escape the roles, intrusions, and obligations with which every civilisation, every community would burden me. I make myself my own homeland through my affinities, my choices, my ideas, and no one can take it away from me – I may even be able to enlarge it. I don’t spend my life in the company of crowds but individuals. If I could pick fifty individuals from each nation, then perhaps I could put together a society I’d be happy with. My first possession is myself; better to sent it into exile than to lose it, to change a few habits rather than terminate my role as a human being. We only have one homeland: the world.
— Gabriel Chevallier, Fear: A Novel of World War I
The world of books, the greatest possessions.
— Lailah Gifty Akita, Pearls of  Wisdom: Great  mind
Literature is impossible, in exactly this sense: every new generation has so much 'catching up' to do that the real choice that presents itself soon is the following one: one either spends ones entire life just reading all the classics, or one pretends to be 'contemporary and hip' and never reads any of the classics because in order to pretend to be contemporary one has to at least superficially read the works of contemporaries. Hence the dilemma: one either does not care about being fashionable, or one is fashionable and just learns to mimic some knowledge about the classics. As time develops this rift just becomes bigger, because the amount of books written grows and grows to insane proportions. Conclusion: one can only be hip in the future if one does not read at all, which is a phenomenon I am already witnessing in the media.
— Martijn Benders
If literature matters today, it is chiefly because it seems to many conventional critics one of the few remaining places where, in a divided, fragmented world, a sense of universal value may still be incarnate; and where, in a sordidly material world, a rare glimpse of transcendence can still be attained.
— Terry Eagleton
The topic was eloquence, something Christians had been conflicted about since the first-century church when Paul wrote that in bringing the gospel, he did not come with “eloquence.” A few centuries later, Saint Augustine wrestled with the value of eloquence, associating it with his pagan background and training in Greek rhetoric while simultaneously employing it winsomely in his Christian writings. Such suspicion of beauty and form, whether in art, literature, speech, or human flesh, has shadowed Christian thought throughout the history of the church; sadly so, considering God is the author of all beauty.
— Karen Swallow Prior, Fierce Convictions: The Extraordinary Life of Hannah More—Poet, Reformer, Abolitionist
In your opinion, where do private and political life, personal history and History meet? You know the answer, Maya. You say it unhesitatingly - in art and literature.
— Abdourahman A. Waberi
The curious fact is that biology tells us nothing about desire. And, when you think about it, culture -- novels, movies, opera, and quite a lot of painting -- is about desire, how we manage desire, how we suffer from it, and how it brings us joy when we get things right. A story without desire -- and that means without the insistence of desire -- will be empty, dry, and more or less aimless. That is one reason we read novels, to see how people fall into awkward moral situations and then try to extricate themselves. This is why there is so much anguish in the world: frustrated desire is every bit as miserable as poverty, because desire is no respecter of one’s position in life: everyone goes through it.
— Peter Watson
The African continent has so many stories to tell, it's about time they are told, by them - not us.
— Akilnathan Logeswaran
Maybe its because i rejoice over what i have and don't grieve over what i don't have".
— Leo Tolstoy, Anna Karenina
Children’s and YA books are about being brave and kind, about learning wisdom and love, about that journey into and through maturity that we all keep starting, and starting again, no matter how old we get. I think that’s why so many adults read YA: we’re never done coming of age.
— Betsy Cornwell
Dear Natasha,It's the middle of the night. I can't sleep. Thoughts are creeping through my head like darkness slips around the bodies of sky scrapers in every city we've ever been to. From the bottom up, suffocating the life on the street first and then raising to the head and the brain, circling into smog and clouds until the black stretches up so high that nobody can even remember what the stars used to look like.This is how I feel when I lie awake and think of you. I miss you.
— Melodie Ramone, Burning Down Rome
This is part of the beauty of all literature. You discover that your longings are universal longings, that you're not lonely and isolated from anyone. You belong.
— F.Scott Fitzgerlad
Vladimir Nabokov“... one cannot read a book: one can only reread it. A good reader, a major reader, an active and creative reader is a rereader. And I shall tell you why. When we read a book for the first time the very process of laboriously moving our eyes from left to right, line after line, page after page, this complicated physical work upon the book, the very process of learning in terms of space and time what the book is about, this stands between us and artistic appreciation. When we look at a painting we do no have to move our eyes in a special way even if, as in a book, the picture contains elements of depth and development. The element of time does not really enter in a first contact with a painting. In reading a book, we must have time to acquaint ourselves with it. We have no physical organ (as we have the eye in regard to a painting) that takes in the whole picture and can enjoy its details. But at a second, or third, or fourth reading we do, in a sense, behave towards a book as we do towards a painting. However, let us not confuse the physical eye, that monstrous achievement of evolution, with the mind, an even more monstrous achievement. A book, no matter what it is - a work of fiction or a work of science (the boundary line between the two is not as clear as is generally believed) - a book of fiction appeals first of all to the mind. The mind, the brain, the top of the tingling spine, is, or should be, the only instrument used upon a book.” ― Vladimir Nabokov, Lectures on Literature
— Vladimir Nabokov, Lectures on Literature
Give at least fifteen minutes everyday to reading. Sometimes, we spend a lot of time watching television - surfing through channels; not really watching anything in particular. Fifteen minutes out of that time is not a big deal. Soon you will find yourself reading for more than fifteen minutes. Soon you will find yourself turning to a book when you need to relax. Soon you will realize that reading a book heals you in a way you never imagined possible.
— Arti Honrao
A totalitarian society which succeeded in perpetuating itself would probably set up a schizophrenic system of thought, in which the laws of common sense held good in everyday life and in certain exact sciences, but could be disregarded by the politician, the historian, and the sociologist. Already there are countless people who would think it scandalous to falsify a scientific textbook, but would see nothing wrong in falsifying an historical fact. It is at the point where literature and politics cross that totalitarianism exerts its greatest pressure on the intellectual. The exact sciences are not, at this date, menaced to anything like the same extent. This partly accounts for the fact that in all countries it is easier for the scientists than for the writers to line up behind their respective governments.
— George Orwell, Books v. Cigarettes
You will die but the words you speak or spoke, will live forever.
— Auliq Ice
The authentic answer is always the question’s vitality. It can close in around the question, but it does so in order to preserve the question by keeping it open.
— Maurice Blanchot
... endowing the imperfect and the preterite with all the sweetness which there is in generosity, all the melancholy which there is in love; guided the sentence that was drawing to an end towards that which was waiting to begin, now hastening, now slackening the pace of the syllables so as to bring them, despite their difference in quantity, into a uniform rhythm, and breathed into this quite ordinary prose a kind of life, continuous and full of feeling.
— Marcel Proust, Swann's Way
The first one to bed always lit the candle, and the last one turned out the lamp....The tradition had seen them through quite a bit by now, and Rebecca had come to love the candlelight, not only because it meant that Mike loved to see her just the way she was, which was incredibly liberating once you began to actually believe it, but also because the light just felt holy to her. It made the end of the day into a kind of prayer, whether they made love or just lay in each other's arms and chewed over the day's portion of craziness; and there was that beautiful little puff of "Amen" when they blew the candle out and settled into sleep.
— Tim Farrington, The Monk Upstairs: A Novel
Half of all the great art and literature in existence went unrecognised during the lifetimes of its creators.
— Alastair Reynolds, Poseidon's Wake
I think of literature - she wrote - as a vast country to the far borders of which I am journeying but cannot possibly reach. And I have started too late. I will never catch up.
— Alan Bennett, The Uncommon Reader
What is so special about a title? The mode and significance of titles have changed with the change in the lyrical traditions. So these transitions in style and the art of signification are all collective. What has never changed is the author's intentionality in entitling his works. The art of giving a title to a piece of work is entirely conscious. The author chooses, exercises his will in giving a title to his work.
— Anuradha Bhattacharyya
In general, when a novel manipulates its material to conform to the pieties of the day, or alternatively to attack those pieties for no other reason than the visibility such an attack will generate, when its literary tropes are all too familiar, its clever prose reminiscent of other clever prose, then the compass needle is slipping away from true north . . . When, on the other hand, the author renounces some easy twist, some expected payoff, to take us into territory we didn’t expect but that nevertheless fits with the drift of the story, then the novel gains force and conviction. And when he or she does it again, telling quite a different story that is nevertheless driven by the same urgent tensions, then we are likely moving into the zone of authenticity.
— Tim Parks
An unhappy ending makes it literature rather than romantic fiction.
— Victoria Clayton
In classrooms and living rooms across the globe, an agnostic or an atheist may be heard to strenuously argue, 'But the Bible is just a book.' Similar arguments may be raised against other holy books. But they all are too ironic, by half. A book is the Bible.
— Gerald Weaver, Gospel Prism
Apart from such chaotic classics as these, my own taste in novel reading is one which I am prepared in a rather especial manner, not only to declare, but to defend. My taste is for the sensational novel, the detective story, the story about death, robbery and secret societies; a taste which I share in common with the bulk at least of the male population of this world. There was a time in my own melodramatic boyhood when I became quite fastidious in this respect. I would look at the first chapter of any new novel as a final test of its merits. If there was a murdered man under the sofa in the first chapter, I read the story. If there was no murdered man under the sofa in the first chapter, I dismissed the story as tea-table twaddle, which it often really was. But we all lose a little of that fine edge of austerity and idealism which sharpened our spiritual standard in our youth. I have come to compromise with the tea-table and to be less insistent about the sofa. As long as a corpse or two turns up in the second, the third, nay even the fourth or fifth chapter, I make allowance for human weakness, and I ask no more. But a novel without any death in it is still to me a novel without any life in it. I admit that the very best of the tea-table novels are great art - for instance, Emma or Northanger Abbey. Sheer elemental genius can make a work of art out of anything. Michelangelo might make a statue out of mud, and Jane Austen could make a novel out of tea - that much more contemptible substance. But on the whole I think that a tale about one man killing another man is more likely to have something in it than a tale in which, all the characters are talking trivialities without any of that instant and silent presence of death which is one of the strong spiritual bonds of all mankind. I still prefer the novel in which one person does another person to death to the novel in which all the persons are feebly (and vainly) trying to get the others to come to life.
— G.K. Chesterton, The Spice of Life