Context: Document [1](Title: Sorry, Wrong Number) Sorry, Wrong Number conforms to many of the conventions of film noir. The movie plays in real time, with many flashbacks to flesh out the story. Stanwyck's bedroom window overlooks the night skyline of Manhattan. The film is shot very dark, with looming shadows and a circling camera used to maintain a high level of suspense.

Context: Document [2](Title: Sorry, Wrong Number) Again" and the 2014 action-thriller "". The latter two films were directed by Kenneth Branagh. Sorry, Wrong Number Sorry, Wrong Number is a 1948 American thriller film noir directed by Anatole Litvak and starring Barbara Stanwyck and Burt Lancaster. It tells the story of a woman who overhears a murder plot. The film was adapted by Lucille Fletcher from her 1943 radio play. It is one of the few pre-1950 Paramount Pictures films that remained in the studio's library (the rest are currently owned by NBCUniversal). Leona Stevenson is the spoiled, bedridden daughter of wealthy businessman James Cotterell. One day,

Context: Document [3](Title: Sorry, Wrong Number) Sorry, Wrong Number Sorry, Wrong Number is a 1948 American thriller film noir directed by Anatole Litvak and starring Barbara Stanwyck and Burt Lancaster. It tells the story of a woman who overhears a murder plot. The film was adapted by Lucille Fletcher from her 1943 radio play. It is one of the few pre-1950 Paramount Pictures films that remained in the studio's library (the rest are currently owned by NBCUniversal). Leona Stevenson is the spoiled, bedridden daughter of wealthy businessman James Cotterell. One day, while listening to what seems to be a crossed telephone connection, she hears two men

Context: Document [4](Title: Sorry, Right Number) Sorry, Right Number "Sorry, Right Number" is a teleplay written by author Stephen King for an episode of the horror anthology series "Tales from the Darkside". It was later included in King's short story collection "Nightmares & Dreamscapes", and is the only such work that King has included in any of his anthologies. It appears in script format, and begins with an authors' guide for screenplays and abbreviations. The "Tales from the Darkside" episode originally aired in 1987, and starred Deborah Harmon and Arthur Taxier as Katie and Bill Weiderman, with Rhonda Dotson as Katie's sister Dawn and Katherine Britton,

Context: Document [5](Title: Wrong Number (2004 film)) Wrong Number (2004 film) Wrong Number also () is a Bangladeshi Bengali-language film. The film released on 25 March 2004 in all over Bangladesh. The film directed by Motin Rahman. And produced-distributed by Impress Telefilm Limited. Stars Riaz, Shrabanti, Abdul Qader, Nasir Rahman, Dolly Johur, Tushar Khan, Amol Bosh, Tahsina, Taskina and many more. The story revolves around different comical events regarding telephonic conversation. Athoi (Shrabanti). a young girl loves to dial wrong numbers and through such an incident, gets involved with a boy Abir ( Riaz ).The story advances through a series of humorous events. Wrong Number films music

Context: Document [6](Title: Sorry, Right Number) Brandon Stewart and Nicole Huntington as the Weiderman children. It was later produced as a short film in 2005, directed and adapted by Brian Berkowitz. The cast included Darrin Stevens, Karla Droege, Michael Brady, Kimberly D'Armond, Karoline Striplin, and Barbara Weetman. The title is a pun on the title of the radio play and film "Sorry, Wrong Number". Katie Weiderman is talking to her sister on the phone one night. Her husband, Bill, is in his study trying to find inspiration for a new novel. Her children are arguing about whether or not to watch "Ghost Kiss", a gory TV

Context: Document [7](Title: Wrong No.) . Wednesday was the first working day for the film, but it yet registered 90% occupancies, collecting on Wednesday. The film collected on Thursday. The film was again 95% on the second weekend as it collected , taking the total to . In the UK until the second weekend. At the end of its 50 Days run in Pakistan, the film collected 15 crores from local markets emerging as a blockbuster. The film did a business of over 30 crores worldwide Wrong No. Wrong No. (also written as Wrong Number) is a 2015 Pakistani romantic comedy film directed by Yasir

Context: Document [8](Title: Misdialed call) order to attempt to sell or lease the numbers to the named organisation or its local chapters. Misdialled calls serve as a plot device in 1948 film "Sorry, Wrong Number", in television series episodes such as the Dad's Army episode "Sorry, Wrong Number" and on the Touch-Tone Terrorists prank call CD series. Misdialed call A misdialed call or wrong number is a telephone call to an incorrect telephone number. This may occur because the number has been physically misdialled, the number is simply incorrect, or because the area code or ownership of the number has changed. In North America, toll-free

Context: Document [9](Title: The Right Number) as readers aren't taken out of the experience as they may when using a hyperlink to move to the next page. "The Right Number" has an advantage over infinitely-scrollable webcomics in that it preserves the rhythm of reading the comic, while scrollers may start to "drag on and on." The time the webcomic spends zooming in on panels forces the reader to pace themselves. "The Right Number" follows a man who accidentally meets up with a stranger rather than his own girlfriend after misdialing a phone call. The woman he meets looks, sounds, and acts significantly like his wife, however,

Context: Document [10](Title: Sorry, Wrong Number) play originally aired on the "Suspense" radio program on May 25, 1943, essentially a one-woman show with Agnes Moorehead as Mrs. Stevenson. The play was reprised seven times, each starring Moorehead. The final broadcast was on February 14, 1960. Orson Welles called "Sorry, Wrong Number" "the greatest single radio script ever written". In 2015, the May 25, 1943 broadcast was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for inclusion in the National Recording Registry. Clips from "Sorry, Wrong Number" were used for the 1982 comedy-mystery "Dead Men Don't Wear Plaid", the 1991 thriller "Dead

Context: Document [11](Title: Wrong Number (George Jones song)) a wrong number and hangs up. Although not a major hit, "Wrong Number" is another in a long list of obscure George Jones songs that he sings, as Nick Tosches put it in the "Texas Monthly" in 1994, "as if his soul were on fire." Wrong Number (George Jones song) "Wrong Number" is a song by American country singer George Jones. Jones composed the song with Dickie Overby. It was released as a promotional single in 1965 and rose to #14 on the "Billboard" country chart. The song tells the story of a man who, filled with despair, calls his

Context: Document [12](Title: The Right Number) The Right Number The Right Number is an infinite canvas webcomic by Scott McCloud. The webcomic makes use of an experimental zooming user interface, where each subsequent panel is nested inside of the panel that comes before it. "The Right Number" follows a man who discovers that one can figure out someone's character traits based on their phone number, and starts to abuse the patterns he finds to search the perfect girlfriend. The story is focused on obsession and how it is impossible to find the perfect mate. Two of its three parts were published in 2003 through the BitPass

Context: Document [13](Title: Wrong Number (George Jones song)) Wrong Number (George Jones song) "Wrong Number" is a song by American country singer George Jones. Jones composed the song with Dickie Overby. It was released as a promotional single in 1965 and rose to #14 on the "Billboard" country chart. The song tells the story of a man who, filled with despair, calls his former lover on the telephone because he wants to hear her voice again. However, he dares not speak: "I bite my lip till the blood runs free and keep the words 'I love you' hidden deep, deep inside of me..." The woman assumes it is

Context: Document [14](Title: Wrong No.) India at a later date. The film was scheduled to be released in the US on December 11, 2015. Rafay Mahmood of "The Express Tribune" rated the film 2.5 out of 5 stars and wrote, "It is the small moments and performances by the side actors that make an otherwise ordinary film a joyride. Beyond that, it is a test of your bladder and brain, whatever lets go first." Momin Ali Munshi of "Galaxy Lollywood" rated 3.8/5 overall and summed up his review as, "Wrong Number is a complete commercial pot-boiler which has all the elements that are required to

Context: Document [15](Title: Lucille Fletcher) Douglass Wallop, a writer, on January 6, 1949. They remained married until his death in 1985. Lucille Fletcher died on August 31, 2000, after suffering a stroke. "Sorry, Wrong Number" received the Edgar Allan Poe Award from the Mystery Writers of America. Lucille Fletcher Violet Lucille Fletcher (March 28, 1912August 31, 2000) was an American screenwriter of film, radio and television. Her credits include "The Hitch-Hiker," an original radio play written for Orson Welles and adapted for a notable episode of "The Twilight Zone" television series. Lucille Fletcher also wrote "Sorry, Wrong Number", one of the most celebrated plays in

Context: Document [16](Title: Misdialed call) Misdialed call A misdialed call or wrong number is a telephone call to an incorrect telephone number. This may occur because the number has been physically misdialled, the number is simply incorrect, or because the area code or ownership of the number has changed. In North America, toll-free numbers are a frequent source of wrong numbers because they often have a history of prior ownership. In the United Kingdom, many misdialled calls have been due to public confusion over the dialling codes for some areas. The recipient of a wrong number is usually unknown to the caller. This aspect has

Context: Document [17](Title: The Right Number) and the protagonist finds that this girl is a "better version" of his girlfriend. He starts to experiment with his phone, and discovers a pattern where women with similar phone numbers have similar character traits. He then abuses this system to find the perfect girlfriend, as he starts to obsess over the smallest details. McCloud describes "The Right Number" as "a story about obsession" and calls this a theme he returns to often. In an interview with Joe Zabel, McCloud said that he is "pessimistic about the wisdom of trying to find the perfect mate," which is what the protagonist

Context: Document [18](Title: Sorry, Right Number) adaptation of Bill's earlier novel. Katie receives a second phone call. The incoming call is a sobbing and traumatized caller who sputters, "Take... please... take" before the line goes dead. Katie immediately assumes the call came from her daughter Polly, who is away at boarding school, but a call to Polly proves otherwise. Katie also rules out her mother, but she cannot reach her sister Dawn. Katie and Bill rush over to Dawn's house; despite the appearance of a forced entry, Dawn is all right and did not call. Assuming that someone must have dialed the wrong number, Katie forgets

Context: Document [19](Title: Wrong No.) make a blockbuster. This masala entertainer will make you fall in love with the characters and will also make sure that you fall off your seat every few minutes courtesy the heavy doses of laughter that will come your way. But be warned that if you are easily offended and rate humour as being clean or dirty then this is surely not your cup of tea." Asad Haroon of "Dispatch News Desk" said, "Wrong Number is a slapstick comedy filled with humor. One can't stop laughing throughout the movie and the dialogues are pretty well written and up to the

Context: Document [20](Title: Wrong No.) Wrong No. Wrong No. (also written as Wrong Number) is a 2015 Pakistani romantic comedy film directed by Yasir Nawaz and co-produced by Yasir Nawaz, Nida Yasir and Hassan Zia under the production banner YNH Films. The film features Javed Sheikh, Danish Taimoor, Nadeem Jaffri, Danish Nawaz, Shafqat Cheema, Sohai Ali Abro and Janita Asma in lead roles. "Wrong No." is the directorial debut of Yasir Nawaz. The film was released by ARY Films in cinemas nationwide on July 18, 2015 (Eid al-Fitr). In its opening weekend, it took in at the local box office. The story revolves around Sallu

Question: what is the setting of the story sorry wrong number?

Answer: Manhattan


Context: Document [1](Title: Sorry, Wrong Number) Again" and the 2014 action-thriller "". The latter two films were directed by Kenneth Branagh. Sorry, Wrong Number Sorry, Wrong Number is a 1948 American thriller film noir directed by Anatole Litvak and starring Barbara Stanwyck and Burt Lancaster. It tells the story of a woman who overhears a murder plot. The film was adapted by Lucille Fletcher from her 1943 radio play. It is one of the few pre-1950 Paramount Pictures films that remained in the studio's library (the rest are currently owned by NBCUniversal). Leona Stevenson is the spoiled, bedridden daughter of wealthy businessman James Cotterell. One day,

Context: Document [2](Title: Sorry, Wrong Number) Sorry, Wrong Number Sorry, Wrong Number is a 1948 American thriller film noir directed by Anatole Litvak and starring Barbara Stanwyck and Burt Lancaster. It tells the story of a woman who overhears a murder plot. The film was adapted by Lucille Fletcher from her 1943 radio play. It is one of the few pre-1950 Paramount Pictures films that remained in the studio's library (the rest are currently owned by NBCUniversal). Leona Stevenson is the spoiled, bedridden daughter of wealthy businessman James Cotterell. One day, while listening to what seems to be a crossed telephone connection, she hears two men

Context: Document [3](Title: Sorry, Right Number) Sorry, Right Number "Sorry, Right Number" is a teleplay written by author Stephen King for an episode of the horror anthology series "Tales from the Darkside". It was later included in King's short story collection "Nightmares & Dreamscapes", and is the only such work that King has included in any of his anthologies. It appears in script format, and begins with an authors' guide for screenplays and abbreviations. The "Tales from the Darkside" episode originally aired in 1987, and starred Deborah Harmon and Arthur Taxier as Katie and Bill Weiderman, with Rhonda Dotson as Katie's sister Dawn and Katherine Britton,

Context: Document [4](Title: Wrong Number (2004 film)) Wrong Number (2004 film) Wrong Number also () is a Bangladeshi Bengali-language film. The film released on 25 March 2004 in all over Bangladesh. The film directed by Motin Rahman. And produced-distributed by Impress Telefilm Limited. Stars Riaz, Shrabanti, Abdul Qader, Nasir Rahman, Dolly Johur, Tushar Khan, Amol Bosh, Tahsina, Taskina and many more. The story revolves around different comical events regarding telephonic conversation. Athoi (Shrabanti). a young girl loves to dial wrong numbers and through such an incident, gets involved with a boy Abir ( Riaz ).The story advances through a series of humorous events. Wrong Number films music

Context: Document [5](Title: Sorry, Wrong Number) Sorry, Wrong Number conforms to many of the conventions of film noir. The movie plays in real time, with many flashbacks to flesh out the story. Stanwyck's bedroom window overlooks the night skyline of Manhattan. The film is shot very dark, with looming shadows and a circling camera used to maintain a high level of suspense.

Context: Document [6](Title: Sorry, Right Number) Brandon Stewart and Nicole Huntington as the Weiderman children. It was later produced as a short film in 2005, directed and adapted by Brian Berkowitz. The cast included Darrin Stevens, Karla Droege, Michael Brady, Kimberly D'Armond, Karoline Striplin, and Barbara Weetman. The title is a pun on the title of the radio play and film "Sorry, Wrong Number". Katie Weiderman is talking to her sister on the phone one night. Her husband, Bill, is in his study trying to find inspiration for a new novel. Her children are arguing about whether or not to watch "Ghost Kiss", a gory TV

Context: Document [7](Title: Wrong No.) . Wednesday was the first working day for the film, but it yet registered 90% occupancies, collecting on Wednesday. The film collected on Thursday. The film was again 95% on the second weekend as it collected , taking the total to . In the UK until the second weekend. At the end of its 50 Days run in Pakistan, the film collected 15 crores from local markets emerging as a blockbuster. The film did a business of over 30 crores worldwide Wrong No. Wrong No. (also written as Wrong Number) is a 2015 Pakistani romantic comedy film directed by Yasir

Context: Document [8](Title: Misdialed call) order to attempt to sell or lease the numbers to the named organisation or its local chapters. Misdialled calls serve as a plot device in 1948 film "Sorry, Wrong Number", in television series episodes such as the Dad's Army episode "Sorry, Wrong Number" and on the Touch-Tone Terrorists prank call CD series. Misdialed call A misdialed call or wrong number is a telephone call to an incorrect telephone number. This may occur because the number has been physically misdialled, the number is simply incorrect, or because the area code or ownership of the number has changed. In North America, toll-free

Context: Document [9](Title: The Right Number) as readers aren't taken out of the experience as they may when using a hyperlink to move to the next page. "The Right Number" has an advantage over infinitely-scrollable webcomics in that it preserves the rhythm of reading the comic, while scrollers may start to "drag on and on." The time the webcomic spends zooming in on panels forces the reader to pace themselves. "The Right Number" follows a man who accidentally meets up with a stranger rather than his own girlfriend after misdialing a phone call. The woman he meets looks, sounds, and acts significantly like his wife, however,

Context: Document [10](Title: Sorry, Wrong Number) play originally aired on the "Suspense" radio program on May 25, 1943, essentially a one-woman show with Agnes Moorehead as Mrs. Stevenson. The play was reprised seven times, each starring Moorehead. The final broadcast was on February 14, 1960. Orson Welles called "Sorry, Wrong Number" "the greatest single radio script ever written". In 2015, the May 25, 1943 broadcast was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for inclusion in the National Recording Registry. Clips from "Sorry, Wrong Number" were used for the 1982 comedy-mystery "Dead Men Don't Wear Plaid", the 1991 thriller "Dead

Context: Document [11](Title: Wrong Number (George Jones song)) a wrong number and hangs up. Although not a major hit, "Wrong Number" is another in a long list of obscure George Jones songs that he sings, as Nick Tosches put it in the "Texas Monthly" in 1994, "as if his soul were on fire." Wrong Number (George Jones song) "Wrong Number" is a song by American country singer George Jones. Jones composed the song with Dickie Overby. It was released as a promotional single in 1965 and rose to #14 on the "Billboard" country chart. The song tells the story of a man who, filled with despair, calls his

Context: Document [12](Title: The Right Number) The Right Number The Right Number is an infinite canvas webcomic by Scott McCloud. The webcomic makes use of an experimental zooming user interface, where each subsequent panel is nested inside of the panel that comes before it. "The Right Number" follows a man who discovers that one can figure out someone's character traits based on their phone number, and starts to abuse the patterns he finds to search the perfect girlfriend. The story is focused on obsession and how it is impossible to find the perfect mate. Two of its three parts were published in 2003 through the BitPass

Context: Document [13](Title: Wrong Number (George Jones song)) Wrong Number (George Jones song) "Wrong Number" is a song by American country singer George Jones. Jones composed the song with Dickie Overby. It was released as a promotional single in 1965 and rose to #14 on the "Billboard" country chart. The song tells the story of a man who, filled with despair, calls his former lover on the telephone because he wants to hear her voice again. However, he dares not speak: "I bite my lip till the blood runs free and keep the words 'I love you' hidden deep, deep inside of me..." The woman assumes it is

Context: Document [14](Title: Wrong No.) India at a later date. The film was scheduled to be released in the US on December 11, 2015. Rafay Mahmood of "The Express Tribune" rated the film 2.5 out of 5 stars and wrote, "It is the small moments and performances by the side actors that make an otherwise ordinary film a joyride. Beyond that, it is a test of your bladder and brain, whatever lets go first." Momin Ali Munshi of "Galaxy Lollywood" rated 3.8/5 overall and summed up his review as, "Wrong Number is a complete commercial pot-boiler which has all the elements that are required to

Context: Document [15](Title: Lucille Fletcher) Douglass Wallop, a writer, on January 6, 1949. They remained married until his death in 1985. Lucille Fletcher died on August 31, 2000, after suffering a stroke. "Sorry, Wrong Number" received the Edgar Allan Poe Award from the Mystery Writers of America. Lucille Fletcher Violet Lucille Fletcher (March 28, 1912August 31, 2000) was an American screenwriter of film, radio and television. Her credits include "The Hitch-Hiker," an original radio play written for Orson Welles and adapted for a notable episode of "The Twilight Zone" television series. Lucille Fletcher also wrote "Sorry, Wrong Number", one of the most celebrated plays in

Context: Document [16](Title: Misdialed call) Misdialed call A misdialed call or wrong number is a telephone call to an incorrect telephone number. This may occur because the number has been physically misdialled, the number is simply incorrect, or because the area code or ownership of the number has changed. In North America, toll-free numbers are a frequent source of wrong numbers because they often have a history of prior ownership. In the United Kingdom, many misdialled calls have been due to public confusion over the dialling codes for some areas. The recipient of a wrong number is usually unknown to the caller. This aspect has

Context: Document [17](Title: The Right Number) and the protagonist finds that this girl is a "better version" of his girlfriend. He starts to experiment with his phone, and discovers a pattern where women with similar phone numbers have similar character traits. He then abuses this system to find the perfect girlfriend, as he starts to obsess over the smallest details. McCloud describes "The Right Number" as "a story about obsession" and calls this a theme he returns to often. In an interview with Joe Zabel, McCloud said that he is "pessimistic about the wisdom of trying to find the perfect mate," which is what the protagonist

Context: Document [18](Title: Sorry, Right Number) adaptation of Bill's earlier novel. Katie receives a second phone call. The incoming call is a sobbing and traumatized caller who sputters, "Take... please... take" before the line goes dead. Katie immediately assumes the call came from her daughter Polly, who is away at boarding school, but a call to Polly proves otherwise. Katie also rules out her mother, but she cannot reach her sister Dawn. Katie and Bill rush over to Dawn's house; despite the appearance of a forced entry, Dawn is all right and did not call. Assuming that someone must have dialed the wrong number, Katie forgets

Context: Document [19](Title: Wrong No.) make a blockbuster. This masala entertainer will make you fall in love with the characters and will also make sure that you fall off your seat every few minutes courtesy the heavy doses of laughter that will come your way. But be warned that if you are easily offended and rate humour as being clean or dirty then this is surely not your cup of tea." Asad Haroon of "Dispatch News Desk" said, "Wrong Number is a slapstick comedy filled with humor. One can't stop laughing throughout the movie and the dialogues are pretty well written and up to the

Context: Document [20](Title: Wrong No.) Wrong No. Wrong No. (also written as Wrong Number) is a 2015 Pakistani romantic comedy film directed by Yasir Nawaz and co-produced by Yasir Nawaz, Nida Yasir and Hassan Zia under the production banner YNH Films. The film features Javed Sheikh, Danish Taimoor, Nadeem Jaffri, Danish Nawaz, Shafqat Cheema, Sohai Ali Abro and Janita Asma in lead roles. "Wrong No." is the directorial debut of Yasir Nawaz. The film was released by ARY Films in cinemas nationwide on July 18, 2015 (Eid al-Fitr). In its opening weekend, it took in at the local box office. The story revolves around Sallu

Question: what is the setting of the story sorry wrong number?

Answer: Manhattan


Context: Document [1](Title: Sorry, Wrong Number) Again" and the 2014 action-thriller "". The latter two films were directed by Kenneth Branagh. Sorry, Wrong Number Sorry, Wrong Number is a 1948 American thriller film noir directed by Anatole Litvak and starring Barbara Stanwyck and Burt Lancaster. It tells the story of a woman who overhears a murder plot. The film was adapted by Lucille Fletcher from her 1943 radio play. It is one of the few pre-1950 Paramount Pictures films that remained in the studio's library (the rest are currently owned by NBCUniversal). Leona Stevenson is the spoiled, bedridden daughter of wealthy businessman James Cotterell. One day,

Context: Document [2](Title: Sorry, Wrong Number) Sorry, Wrong Number Sorry, Wrong Number is a 1948 American thriller film noir directed by Anatole Litvak and starring Barbara Stanwyck and Burt Lancaster. It tells the story of a woman who overhears a murder plot. The film was adapted by Lucille Fletcher from her 1943 radio play. It is one of the few pre-1950 Paramount Pictures films that remained in the studio's library (the rest are currently owned by NBCUniversal). Leona Stevenson is the spoiled, bedridden daughter of wealthy businessman James Cotterell. One day, while listening to what seems to be a crossed telephone connection, she hears two men

Context: Document [3](Title: Sorry, Right Number) Sorry, Right Number "Sorry, Right Number" is a teleplay written by author Stephen King for an episode of the horror anthology series "Tales from the Darkside". It was later included in King's short story collection "Nightmares & Dreamscapes", and is the only such work that King has included in any of his anthologies. It appears in script format, and begins with an authors' guide for screenplays and abbreviations. The "Tales from the Darkside" episode originally aired in 1987, and starred Deborah Harmon and Arthur Taxier as Katie and Bill Weiderman, with Rhonda Dotson as Katie's sister Dawn and Katherine Britton,

Context: Document [4](Title: Wrong Number (2004 film)) Wrong Number (2004 film) Wrong Number also () is a Bangladeshi Bengali-language film. The film released on 25 March 2004 in all over Bangladesh. The film directed by Motin Rahman. And produced-distributed by Impress Telefilm Limited. Stars Riaz, Shrabanti, Abdul Qader, Nasir Rahman, Dolly Johur, Tushar Khan, Amol Bosh, Tahsina, Taskina and many more. The story revolves around different comical events regarding telephonic conversation. Athoi (Shrabanti). a young girl loves to dial wrong numbers and through such an incident, gets involved with a boy Abir ( Riaz ).The story advances through a series of humorous events. Wrong Number films music

Context: Document [5](Title: Sorry, Right Number) Brandon Stewart and Nicole Huntington as the Weiderman children. It was later produced as a short film in 2005, directed and adapted by Brian Berkowitz. The cast included Darrin Stevens, Karla Droege, Michael Brady, Kimberly D'Armond, Karoline Striplin, and Barbara Weetman. The title is a pun on the title of the radio play and film "Sorry, Wrong Number". Katie Weiderman is talking to her sister on the phone one night. Her husband, Bill, is in his study trying to find inspiration for a new novel. Her children are arguing about whether or not to watch "Ghost Kiss", a gory TV

Context: Document [6](Title: Wrong No.) . Wednesday was the first working day for the film, but it yet registered 90% occupancies, collecting on Wednesday. The film collected on Thursday. The film was again 95% on the second weekend as it collected , taking the total to . In the UK until the second weekend. At the end of its 50 Days run in Pakistan, the film collected 15 crores from local markets emerging as a blockbuster. The film did a business of over 30 crores worldwide Wrong No. Wrong No. (also written as Wrong Number) is a 2015 Pakistani romantic comedy film directed by Yasir

Context: Document [7](Title: Misdialed call) order to attempt to sell or lease the numbers to the named organisation or its local chapters. Misdialled calls serve as a plot device in 1948 film "Sorry, Wrong Number", in television series episodes such as the Dad's Army episode "Sorry, Wrong Number" and on the Touch-Tone Terrorists prank call CD series. Misdialed call A misdialed call or wrong number is a telephone call to an incorrect telephone number. This may occur because the number has been physically misdialled, the number is simply incorrect, or because the area code or ownership of the number has changed. In North America, toll-free

Context: Document [8](Title: The Right Number) as readers aren't taken out of the experience as they may when using a hyperlink to move to the next page. "The Right Number" has an advantage over infinitely-scrollable webcomics in that it preserves the rhythm of reading the comic, while scrollers may start to "drag on and on." The time the webcomic spends zooming in on panels forces the reader to pace themselves. "The Right Number" follows a man who accidentally meets up with a stranger rather than his own girlfriend after misdialing a phone call. The woman he meets looks, sounds, and acts significantly like his wife, however,

Context: Document [9](Title: Sorry, Wrong Number) play originally aired on the "Suspense" radio program on May 25, 1943, essentially a one-woman show with Agnes Moorehead as Mrs. Stevenson. The play was reprised seven times, each starring Moorehead. The final broadcast was on February 14, 1960. Orson Welles called "Sorry, Wrong Number" "the greatest single radio script ever written". In 2015, the May 25, 1943 broadcast was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for inclusion in the National Recording Registry. Clips from "Sorry, Wrong Number" were used for the 1982 comedy-mystery "Dead Men Don't Wear Plaid", the 1991 thriller "Dead

Context: Document [10](Title: Sorry, Wrong Number) Sorry, Wrong Number conforms to many of the conventions of film noir. The movie plays in real time, with many flashbacks to flesh out the story. Stanwyck's bedroom window overlooks the night skyline of Manhattan. The film is shot very dark, with looming shadows and a circling camera used to maintain a high level of suspense.

Context: Document [11](Title: Wrong Number (George Jones song)) a wrong number and hangs up. Although not a major hit, "Wrong Number" is another in a long list of obscure George Jones songs that he sings, as Nick Tosches put it in the "Texas Monthly" in 1994, "as if his soul were on fire." Wrong Number (George Jones song) "Wrong Number" is a song by American country singer George Jones. Jones composed the song with Dickie Overby. It was released as a promotional single in 1965 and rose to #14 on the "Billboard" country chart. The song tells the story of a man who, filled with despair, calls his

Context: Document [12](Title: The Right Number) The Right Number The Right Number is an infinite canvas webcomic by Scott McCloud. The webcomic makes use of an experimental zooming user interface, where each subsequent panel is nested inside of the panel that comes before it. "The Right Number" follows a man who discovers that one can figure out someone's character traits based on their phone number, and starts to abuse the patterns he finds to search the perfect girlfriend. The story is focused on obsession and how it is impossible to find the perfect mate. Two of its three parts were published in 2003 through the BitPass

Context: Document [13](Title: Wrong Number (George Jones song)) Wrong Number (George Jones song) "Wrong Number" is a song by American country singer George Jones. Jones composed the song with Dickie Overby. It was released as a promotional single in 1965 and rose to #14 on the "Billboard" country chart. The song tells the story of a man who, filled with despair, calls his former lover on the telephone because he wants to hear her voice again. However, he dares not speak: "I bite my lip till the blood runs free and keep the words 'I love you' hidden deep, deep inside of me..." The woman assumes it is

Context: Document [14](Title: Wrong No.) India at a later date. The film was scheduled to be released in the US on December 11, 2015. Rafay Mahmood of "The Express Tribune" rated the film 2.5 out of 5 stars and wrote, "It is the small moments and performances by the side actors that make an otherwise ordinary film a joyride. Beyond that, it is a test of your bladder and brain, whatever lets go first." Momin Ali Munshi of "Galaxy Lollywood" rated 3.8/5 overall and summed up his review as, "Wrong Number is a complete commercial pot-boiler which has all the elements that are required to

Context: Document [15](Title: Lucille Fletcher) Douglass Wallop, a writer, on January 6, 1949. They remained married until his death in 1985. Lucille Fletcher died on August 31, 2000, after suffering a stroke. "Sorry, Wrong Number" received the Edgar Allan Poe Award from the Mystery Writers of America. Lucille Fletcher Violet Lucille Fletcher (March 28, 1912August 31, 2000) was an American screenwriter of film, radio and television. Her credits include "The Hitch-Hiker," an original radio play written for Orson Welles and adapted for a notable episode of "The Twilight Zone" television series. Lucille Fletcher also wrote "Sorry, Wrong Number", one of the most celebrated plays in

Context: Document [16](Title: Misdialed call) Misdialed call A misdialed call or wrong number is a telephone call to an incorrect telephone number. This may occur because the number has been physically misdialled, the number is simply incorrect, or because the area code or ownership of the number has changed. In North America, toll-free numbers are a frequent source of wrong numbers because they often have a history of prior ownership. In the United Kingdom, many misdialled calls have been due to public confusion over the dialling codes for some areas. The recipient of a wrong number is usually unknown to the caller. This aspect has

Context: Document [17](Title: The Right Number) and the protagonist finds that this girl is a "better version" of his girlfriend. He starts to experiment with his phone, and discovers a pattern where women with similar phone numbers have similar character traits. He then abuses this system to find the perfect girlfriend, as he starts to obsess over the smallest details. McCloud describes "The Right Number" as "a story about obsession" and calls this a theme he returns to often. In an interview with Joe Zabel, McCloud said that he is "pessimistic about the wisdom of trying to find the perfect mate," which is what the protagonist

Context: Document [18](Title: Sorry, Right Number) adaptation of Bill's earlier novel. Katie receives a second phone call. The incoming call is a sobbing and traumatized caller who sputters, "Take... please... take" before the line goes dead. Katie immediately assumes the call came from her daughter Polly, who is away at boarding school, but a call to Polly proves otherwise. Katie also rules out her mother, but she cannot reach her sister Dawn. Katie and Bill rush over to Dawn's house; despite the appearance of a forced entry, Dawn is all right and did not call. Assuming that someone must have dialed the wrong number, Katie forgets

Context: Document [19](Title: Wrong No.) make a blockbuster. This masala entertainer will make you fall in love with the characters and will also make sure that you fall off your seat every few minutes courtesy the heavy doses of laughter that will come your way. But be warned that if you are easily offended and rate humour as being clean or dirty then this is surely not your cup of tea." Asad Haroon of "Dispatch News Desk" said, "Wrong Number is a slapstick comedy filled with humor. One can't stop laughing throughout the movie and the dialogues are pretty well written and up to the

Context: Document [20](Title: Wrong No.) Wrong No. Wrong No. (also written as Wrong Number) is a 2015 Pakistani romantic comedy film directed by Yasir Nawaz and co-produced by Yasir Nawaz, Nida Yasir and Hassan Zia under the production banner YNH Films. The film features Javed Sheikh, Danish Taimoor, Nadeem Jaffri, Danish Nawaz, Shafqat Cheema, Sohai Ali Abro and Janita Asma in lead roles. "Wrong No." is the directorial debut of Yasir Nawaz. The film was released by ARY Films in cinemas nationwide on July 18, 2015 (Eid al-Fitr). In its opening weekend, it took in at the local box office. The story revolves around Sallu

Question: what is the setting of the story sorry wrong number?

Answer: Manhattan


Context: Document [1](Title: Sorry, Wrong Number) Again" and the 2014 action-thriller "". The latter two films were directed by Kenneth Branagh. Sorry, Wrong Number Sorry, Wrong Number is a 1948 American thriller film noir directed by Anatole Litvak and starring Barbara Stanwyck and Burt Lancaster. It tells the story of a woman who overhears a murder plot. The film was adapted by Lucille Fletcher from her 1943 radio play. It is one of the few pre-1950 Paramount Pictures films that remained in the studio's library (the rest are currently owned by NBCUniversal). Leona Stevenson is the spoiled, bedridden daughter of wealthy businessman James Cotterell. One day,

Context: Document [2](Title: Sorry, Wrong Number) Sorry, Wrong Number Sorry, Wrong Number is a 1948 American thriller film noir directed by Anatole Litvak and starring Barbara Stanwyck and Burt Lancaster. It tells the story of a woman who overhears a murder plot. The film was adapted by Lucille Fletcher from her 1943 radio play. It is one of the few pre-1950 Paramount Pictures films that remained in the studio's library (the rest are currently owned by NBCUniversal). Leona Stevenson is the spoiled, bedridden daughter of wealthy businessman James Cotterell. One day, while listening to what seems to be a crossed telephone connection, she hears two men

Context: Document [3](Title: Sorry, Right Number) Sorry, Right Number "Sorry, Right Number" is a teleplay written by author Stephen King for an episode of the horror anthology series "Tales from the Darkside". It was later included in King's short story collection "Nightmares & Dreamscapes", and is the only such work that King has included in any of his anthologies. It appears in script format, and begins with an authors' guide for screenplays and abbreviations. The "Tales from the Darkside" episode originally aired in 1987, and starred Deborah Harmon and Arthur Taxier as Katie and Bill Weiderman, with Rhonda Dotson as Katie's sister Dawn and Katherine Britton,

Context: Document [4](Title: Wrong Number (2004 film)) Wrong Number (2004 film) Wrong Number also () is a Bangladeshi Bengali-language film. The film released on 25 March 2004 in all over Bangladesh. The film directed by Motin Rahman. And produced-distributed by Impress Telefilm Limited. Stars Riaz, Shrabanti, Abdul Qader, Nasir Rahman, Dolly Johur, Tushar Khan, Amol Bosh, Tahsina, Taskina and many more. The story revolves around different comical events regarding telephonic conversation. Athoi (Shrabanti). a young girl loves to dial wrong numbers and through such an incident, gets involved with a boy Abir ( Riaz ).The story advances through a series of humorous events. Wrong Number films music

Context: Document [5](Title: Sorry, Right Number) Brandon Stewart and Nicole Huntington as the Weiderman children. It was later produced as a short film in 2005, directed and adapted by Brian Berkowitz. The cast included Darrin Stevens, Karla Droege, Michael Brady, Kimberly D'Armond, Karoline Striplin, and Barbara Weetman. The title is a pun on the title of the radio play and film "Sorry, Wrong Number". Katie Weiderman is talking to her sister on the phone one night. Her husband, Bill, is in his study trying to find inspiration for a new novel. Her children are arguing about whether or not to watch "Ghost Kiss", a gory TV

Context: Document [6](Title: Wrong No.) . Wednesday was the first working day for the film, but it yet registered 90% occupancies, collecting on Wednesday. The film collected on Thursday. The film was again 95% on the second weekend as it collected , taking the total to . In the UK until the second weekend. At the end of its 50 Days run in Pakistan, the film collected 15 crores from local markets emerging as a blockbuster. The film did a business of over 30 crores worldwide Wrong No. Wrong No. (also written as Wrong Number) is a 2015 Pakistani romantic comedy film directed by Yasir

Context: Document [7](Title: Misdialed call) order to attempt to sell or lease the numbers to the named organisation or its local chapters. Misdialled calls serve as a plot device in 1948 film "Sorry, Wrong Number", in television series episodes such as the Dad's Army episode "Sorry, Wrong Number" and on the Touch-Tone Terrorists prank call CD series. Misdialed call A misdialed call or wrong number is a telephone call to an incorrect telephone number. This may occur because the number has been physically misdialled, the number is simply incorrect, or because the area code or ownership of the number has changed. In North America, toll-free

Context: Document [8](Title: The Right Number) as readers aren't taken out of the experience as they may when using a hyperlink to move to the next page. "The Right Number" has an advantage over infinitely-scrollable webcomics in that it preserves the rhythm of reading the comic, while scrollers may start to "drag on and on." The time the webcomic spends zooming in on panels forces the reader to pace themselves. "The Right Number" follows a man who accidentally meets up with a stranger rather than his own girlfriend after misdialing a phone call. The woman he meets looks, sounds, and acts significantly like his wife, however,

Context: Document [9](Title: Sorry, Wrong Number) play originally aired on the "Suspense" radio program on May 25, 1943, essentially a one-woman show with Agnes Moorehead as Mrs. Stevenson. The play was reprised seven times, each starring Moorehead. The final broadcast was on February 14, 1960. Orson Welles called "Sorry, Wrong Number" "the greatest single radio script ever written". In 2015, the May 25, 1943 broadcast was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for inclusion in the National Recording Registry. Clips from "Sorry, Wrong Number" were used for the 1982 comedy-mystery "Dead Men Don't Wear Plaid", the 1991 thriller "Dead

Context: Document [10](Title: Wrong Number (George Jones song)) a wrong number and hangs up. Although not a major hit, "Wrong Number" is another in a long list of obscure George Jones songs that he sings, as Nick Tosches put it in the "Texas Monthly" in 1994, "as if his soul were on fire." Wrong Number (George Jones song) "Wrong Number" is a song by American country singer George Jones. Jones composed the song with Dickie Overby. It was released as a promotional single in 1965 and rose to #14 on the "Billboard" country chart. The song tells the story of a man who, filled with despair, calls his

Context: Document [11](Title: The Right Number) The Right Number The Right Number is an infinite canvas webcomic by Scott McCloud. The webcomic makes use of an experimental zooming user interface, where each subsequent panel is nested inside of the panel that comes before it. "The Right Number" follows a man who discovers that one can figure out someone's character traits based on their phone number, and starts to abuse the patterns he finds to search the perfect girlfriend. The story is focused on obsession and how it is impossible to find the perfect mate. Two of its three parts were published in 2003 through the BitPass

Context: Document [12](Title: Wrong Number (George Jones song)) Wrong Number (George Jones song) "Wrong Number" is a song by American country singer George Jones. Jones composed the song with Dickie Overby. It was released as a promotional single in 1965 and rose to #14 on the "Billboard" country chart. The song tells the story of a man who, filled with despair, calls his former lover on the telephone because he wants to hear her voice again. However, he dares not speak: "I bite my lip till the blood runs free and keep the words 'I love you' hidden deep, deep inside of me..." The woman assumes it is

Context: Document [13](Title: Wrong No.) India at a later date. The film was scheduled to be released in the US on December 11, 2015. Rafay Mahmood of "The Express Tribune" rated the film 2.5 out of 5 stars and wrote, "It is the small moments and performances by the side actors that make an otherwise ordinary film a joyride. Beyond that, it is a test of your bladder and brain, whatever lets go first." Momin Ali Munshi of "Galaxy Lollywood" rated 3.8/5 overall and summed up his review as, "Wrong Number is a complete commercial pot-boiler which has all the elements that are required to

Context: Document [14](Title: Lucille Fletcher) Douglass Wallop, a writer, on January 6, 1949. They remained married until his death in 1985. Lucille Fletcher died on August 31, 2000, after suffering a stroke. "Sorry, Wrong Number" received the Edgar Allan Poe Award from the Mystery Writers of America. Lucille Fletcher Violet Lucille Fletcher (March 28, 1912August 31, 2000) was an American screenwriter of film, radio and television. Her credits include "The Hitch-Hiker," an original radio play written for Orson Welles and adapted for a notable episode of "The Twilight Zone" television series. Lucille Fletcher also wrote "Sorry, Wrong Number", one of the most celebrated plays in

Context: Document [15](Title: Sorry, Wrong Number) Sorry, Wrong Number conforms to many of the conventions of film noir. The movie plays in real time, with many flashbacks to flesh out the story. Stanwyck's bedroom window overlooks the night skyline of Manhattan. The film is shot very dark, with looming shadows and a circling camera used to maintain a high level of suspense.

Context: Document [16](Title: Misdialed call) Misdialed call A misdialed call or wrong number is a telephone call to an incorrect telephone number. This may occur because the number has been physically misdialled, the number is simply incorrect, or because the area code or ownership of the number has changed. In North America, toll-free numbers are a frequent source of wrong numbers because they often have a history of prior ownership. In the United Kingdom, many misdialled calls have been due to public confusion over the dialling codes for some areas. The recipient of a wrong number is usually unknown to the caller. This aspect has

Context: Document [17](Title: The Right Number) and the protagonist finds that this girl is a "better version" of his girlfriend. He starts to experiment with his phone, and discovers a pattern where women with similar phone numbers have similar character traits. He then abuses this system to find the perfect girlfriend, as he starts to obsess over the smallest details. McCloud describes "The Right Number" as "a story about obsession" and calls this a theme he returns to often. In an interview with Joe Zabel, McCloud said that he is "pessimistic about the wisdom of trying to find the perfect mate," which is what the protagonist

Context: Document [18](Title: Sorry, Right Number) adaptation of Bill's earlier novel. Katie receives a second phone call. The incoming call is a sobbing and traumatized caller who sputters, "Take... please... take" before the line goes dead. Katie immediately assumes the call came from her daughter Polly, who is away at boarding school, but a call to Polly proves otherwise. Katie also rules out her mother, but she cannot reach her sister Dawn. Katie and Bill rush over to Dawn's house; despite the appearance of a forced entry, Dawn is all right and did not call. Assuming that someone must have dialed the wrong number, Katie forgets

Context: Document [19](Title: Wrong No.) make a blockbuster. This masala entertainer will make you fall in love with the characters and will also make sure that you fall off your seat every few minutes courtesy the heavy doses of laughter that will come your way. But be warned that if you are easily offended and rate humour as being clean or dirty then this is surely not your cup of tea." Asad Haroon of "Dispatch News Desk" said, "Wrong Number is a slapstick comedy filled with humor. One can't stop laughing throughout the movie and the dialogues are pretty well written and up to the

Context: Document [20](Title: Wrong No.) Wrong No. Wrong No. (also written as Wrong Number) is a 2015 Pakistani romantic comedy film directed by Yasir Nawaz and co-produced by Yasir Nawaz, Nida Yasir and Hassan Zia under the production banner YNH Films. The film features Javed Sheikh, Danish Taimoor, Nadeem Jaffri, Danish Nawaz, Shafqat Cheema, Sohai Ali Abro and Janita Asma in lead roles. "Wrong No." is the directorial debut of Yasir Nawaz. The film was released by ARY Films in cinemas nationwide on July 18, 2015 (Eid al-Fitr). In its opening weekend, it took in at the local box office. The story revolves around Sallu

Question: what is the setting of the story sorry wrong number?

Answer: Manhattan


Context: Document [1](Title: Sorry, Wrong Number) Again" and the 2014 action-thriller "". The latter two films were directed by Kenneth Branagh. Sorry, Wrong Number Sorry, Wrong Number is a 1948 American thriller film noir directed by Anatole Litvak and starring Barbara Stanwyck and Burt Lancaster. It tells the story of a woman who overhears a murder plot. The film was adapted by Lucille Fletcher from her 1943 radio play. It is one of the few pre-1950 Paramount Pictures films that remained in the studio's library (the rest are currently owned by NBCUniversal). Leona Stevenson is the spoiled, bedridden daughter of wealthy businessman James Cotterell. One day,

Context: Document [2](Title: Sorry, Wrong Number) Sorry, Wrong Number Sorry, Wrong Number is a 1948 American thriller film noir directed by Anatole Litvak and starring Barbara Stanwyck and Burt Lancaster. It tells the story of a woman who overhears a murder plot. The film was adapted by Lucille Fletcher from her 1943 radio play. It is one of the few pre-1950 Paramount Pictures films that remained in the studio's library (the rest are currently owned by NBCUniversal). Leona Stevenson is the spoiled, bedridden daughter of wealthy businessman James Cotterell. One day, while listening to what seems to be a crossed telephone connection, she hears two men

Context: Document [3](Title: Sorry, Right Number) Sorry, Right Number "Sorry, Right Number" is a teleplay written by author Stephen King for an episode of the horror anthology series "Tales from the Darkside". It was later included in King's short story collection "Nightmares & Dreamscapes", and is the only such work that King has included in any of his anthologies. It appears in script format, and begins with an authors' guide for screenplays and abbreviations. The "Tales from the Darkside" episode originally aired in 1987, and starred Deborah Harmon and Arthur Taxier as Katie and Bill Weiderman, with Rhonda Dotson as Katie's sister Dawn and Katherine Britton,

Context: Document [4](Title: Wrong Number (2004 film)) Wrong Number (2004 film) Wrong Number also () is a Bangladeshi Bengali-language film. The film released on 25 March 2004 in all over Bangladesh. The film directed by Motin Rahman. And produced-distributed by Impress Telefilm Limited. Stars Riaz, Shrabanti, Abdul Qader, Nasir Rahman, Dolly Johur, Tushar Khan, Amol Bosh, Tahsina, Taskina and many more. The story revolves around different comical events regarding telephonic conversation. Athoi (Shrabanti). a young girl loves to dial wrong numbers and through such an incident, gets involved with a boy Abir ( Riaz ).The story advances through a series of humorous events. Wrong Number films music

Context: Document [5](Title: Sorry, Right Number) Brandon Stewart and Nicole Huntington as the Weiderman children. It was later produced as a short film in 2005, directed and adapted by Brian Berkowitz. The cast included Darrin Stevens, Karla Droege, Michael Brady, Kimberly D'Armond, Karoline Striplin, and Barbara Weetman. The title is a pun on the title of the radio play and film "Sorry, Wrong Number". Katie Weiderman is talking to her sister on the phone one night. Her husband, Bill, is in his study trying to find inspiration for a new novel. Her children are arguing about whether or not to watch "Ghost Kiss", a gory TV

Context: Document [6](Title: Wrong No.) . Wednesday was the first working day for the film, but it yet registered 90% occupancies, collecting on Wednesday. The film collected on Thursday. The film was again 95% on the second weekend as it collected , taking the total to . In the UK until the second weekend. At the end of its 50 Days run in Pakistan, the film collected 15 crores from local markets emerging as a blockbuster. The film did a business of over 30 crores worldwide Wrong No. Wrong No. (also written as Wrong Number) is a 2015 Pakistani romantic comedy film directed by Yasir

Context: Document [7](Title: Misdialed call) order to attempt to sell or lease the numbers to the named organisation or its local chapters. Misdialled calls serve as a plot device in 1948 film "Sorry, Wrong Number", in television series episodes such as the Dad's Army episode "Sorry, Wrong Number" and on the Touch-Tone Terrorists prank call CD series. Misdialed call A misdialed call or wrong number is a telephone call to an incorrect telephone number. This may occur because the number has been physically misdialled, the number is simply incorrect, or because the area code or ownership of the number has changed. In North America, toll-free

Context: Document [8](Title: The Right Number) as readers aren't taken out of the experience as they may when using a hyperlink to move to the next page. "The Right Number" has an advantage over infinitely-scrollable webcomics in that it preserves the rhythm of reading the comic, while scrollers may start to "drag on and on." The time the webcomic spends zooming in on panels forces the reader to pace themselves. "The Right Number" follows a man who accidentally meets up with a stranger rather than his own girlfriend after misdialing a phone call. The woman he meets looks, sounds, and acts significantly like his wife, however,

Context: Document [9](Title: Sorry, Wrong Number) play originally aired on the "Suspense" radio program on May 25, 1943, essentially a one-woman show with Agnes Moorehead as Mrs. Stevenson. The play was reprised seven times, each starring Moorehead. The final broadcast was on February 14, 1960. Orson Welles called "Sorry, Wrong Number" "the greatest single radio script ever written". In 2015, the May 25, 1943 broadcast was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and selected for inclusion in the National Recording Registry. Clips from "Sorry, Wrong Number" were used for the 1982 comedy-mystery "Dead Men Don't Wear Plaid", the 1991 thriller "Dead

Context: Document [10](Title: Wrong Number (George Jones song)) a wrong number and hangs up. Although not a major hit, "Wrong Number" is another in a long list of obscure George Jones songs that he sings, as Nick Tosches put it in the "Texas Monthly" in 1994, "as if his soul were on fire." Wrong Number (George Jones song) "Wrong Number" is a song by American country singer George Jones. Jones composed the song with Dickie Overby. It was released as a promotional single in 1965 and rose to #14 on the "Billboard" country chart. The song tells the story of a man who, filled with despair, calls his

Context: Document [11](Title: The Right Number) The Right Number The Right Number is an infinite canvas webcomic by Scott McCloud. The webcomic makes use of an experimental zooming user interface, where each subsequent panel is nested inside of the panel that comes before it. "The Right Number" follows a man who discovers that one can figure out someone's character traits based on their phone number, and starts to abuse the patterns he finds to search the perfect girlfriend. The story is focused on obsession and how it is impossible to find the perfect mate. Two of its three parts were published in 2003 through the BitPass

Context: Document [12](Title: Wrong Number (George Jones song)) Wrong Number (George Jones song) "Wrong Number" is a song by American country singer George Jones. Jones composed the song with Dickie Overby. It was released as a promotional single in 1965 and rose to #14 on the "Billboard" country chart. The song tells the story of a man who, filled with despair, calls his former lover on the telephone because he wants to hear her voice again. However, he dares not speak: "I bite my lip till the blood runs free and keep the words 'I love you' hidden deep, deep inside of me..." The woman assumes it is

Context: Document [13](Title: Wrong No.) India at a later date. The film was scheduled to be released in the US on December 11, 2015. Rafay Mahmood of "The Express Tribune" rated the film 2.5 out of 5 stars and wrote, "It is the small moments and performances by the side actors that make an otherwise ordinary film a joyride. Beyond that, it is a test of your bladder and brain, whatever lets go first." Momin Ali Munshi of "Galaxy Lollywood" rated 3.8/5 overall and summed up his review as, "Wrong Number is a complete commercial pot-boiler which has all the elements that are required to

Context: Document [14](Title: Lucille Fletcher) Douglass Wallop, a writer, on January 6, 1949. They remained married until his death in 1985. Lucille Fletcher died on August 31, 2000, after suffering a stroke. "Sorry, Wrong Number" received the Edgar Allan Poe Award from the Mystery Writers of America. Lucille Fletcher Violet Lucille Fletcher (March 28, 1912August 31, 2000) was an American screenwriter of film, radio and television. Her credits include "The Hitch-Hiker," an original radio play written for Orson Welles and adapted for a notable episode of "The Twilight Zone" television series. Lucille Fletcher also wrote "Sorry, Wrong Number", one of the most celebrated plays in

Context: Document [15](Title: Misdialed call) Misdialed call A misdialed call or wrong number is a telephone call to an incorrect telephone number. This may occur because the number has been physically misdialled, the number is simply incorrect, or because the area code or ownership of the number has changed. In North America, toll-free numbers are a frequent source of wrong numbers because they often have a history of prior ownership. In the United Kingdom, many misdialled calls have been due to public confusion over the dialling codes for some areas. The recipient of a wrong number is usually unknown to the caller. This aspect has

Context: Document [16](Title: The Right Number) and the protagonist finds that this girl is a "better version" of his girlfriend. He starts to experiment with his phone, and discovers a pattern where women with similar phone numbers have similar character traits. He then abuses this system to find the perfect girlfriend, as he starts to obsess over the smallest details. McCloud describes "The Right Number" as "a story about obsession" and calls this a theme he returns to often. In an interview with Joe Zabel, McCloud said that he is "pessimistic about the wisdom of trying to find the perfect mate," which is what the protagonist

Context: Document [17](Title: Sorry, Right Number) adaptation of Bill's earlier novel. Katie receives a second phone call. The incoming call is a sobbing and traumatized caller who sputters, "Take... please... take" before the line goes dead. Katie immediately assumes the call came from her daughter Polly, who is away at boarding school, but a call to Polly proves otherwise. Katie also rules out her mother, but she cannot reach her sister Dawn. Katie and Bill rush over to Dawn's house; despite the appearance of a forced entry, Dawn is all right and did not call. Assuming that someone must have dialed the wrong number, Katie forgets

Context: Document [18](Title: Wrong No.) make a blockbuster. This masala entertainer will make you fall in love with the characters and will also make sure that you fall off your seat every few minutes courtesy the heavy doses of laughter that will come your way. But be warned that if you are easily offended and rate humour as being clean or dirty then this is surely not your cup of tea." Asad Haroon of "Dispatch News Desk" said, "Wrong Number is a slapstick comedy filled with humor. One can't stop laughing throughout the movie and the dialogues are pretty well written and up to the

Context: Document [19](Title: Wrong No.) Wrong No. Wrong No. (also written as Wrong Number) is a 2015 Pakistani romantic comedy film directed by Yasir Nawaz and co-produced by Yasir Nawaz, Nida Yasir and Hassan Zia under the production banner YNH Films. The film features Javed Sheikh, Danish Taimoor, Nadeem Jaffri, Danish Nawaz, Shafqat Cheema, Sohai Ali Abro and Janita Asma in lead roles. "Wrong No." is the directorial debut of Yasir Nawaz. The film was released by ARY Films in cinemas nationwide on July 18, 2015 (Eid al-Fitr). In its opening weekend, it took in at the local box office. The story revolves around Sallu

Context: Document [20](Title: Sorry, Wrong Number) Sorry, Wrong Number conforms to many of the conventions of film noir. The movie plays in real time, with many flashbacks to flesh out the story. Stanwyck's bedroom window overlooks the night skyline of Manhattan. The film is shot very dark, with looming shadows and a circling camera used to maintain a high level of suspense.

Question: what is the setting of the story sorry wrong number?

Answer: Manhattan


Context: Document [1](Title: The Rose (film)) In late 1969, Mary Rose Foster (Bette Midler) is a famous rock and roll diva known as The Rose. Although a success, she is burnt out and lonely but is kept working by her gruff, greedy manager and promoter Rudge Campbell (Alan Bates). Though loud and brassy, Rose is an insecure alcoholic and former drug user who seems to crave approval in her life. As such, she is determined to return to her hometown, now as a superstar. After being humiliated by a country singing star named Billy Ray (Harry Dean Stanton) whose songs she performs in her show, Rose

Context: Document [2](Title: Bette (TV series)) short run. Guest stars included Danny DeVito, George Segal, Brenda Song, Sharon Lawrence, Tim Curry, David James Elliott, Oprah Winfrey, Ashley Tisdale, Tony Danza, Dolly Parton, Olivia Newton-John, Jon Lovitz, and the ladies from rival network ABC's "The View" all as themselves. When "Bette" went into production, Lindsay Lohan was the original choice to play Rose. After the completion of the pilot episode, Midler decided that the series would shoot in Los Angeles, instead of New York City, where the pilot was filmed. Lohan did not want to continually commute from her family's current residence in New York City, as

Context: Document [3](Title: Bette Midler) critics. Midler fared somewhat better with her other 1991 project "For the Boys", on which she reteamed with "The Rose" director Mark Rydell. A historical musical drama, it tells the story of 1940s actress and singer Dixie Leonard, played by Midler, who teams up with Eddie Sparks, a famous performer to entertain American troops. While the film received a mixed reception from critics, Midler earned rave review for her portrayal. The following year she was awarded her second Golden Globe and received her second Academy Award nomination for Best Actress. Midler turned down the lead role in the musical comedy

Context: Document [4](Title: Bette Midler) commercial and critical failure and went on to be her all-time lowest charting album, peaking at No. 65 on the "Billboard" album chart. Soon afterward, she began a world concert tour, with one of her shows in Pasadena being filmed and released as the concert film "Divine Madness" (1980). Her performance in "The Rose" earned her a nomination for Academy Award for Best Actress, a role for which she won the Golden Globe for Best Actress (Comedy or Musical). The film's acclaimed soundtrack album sold over two million copies in the United States alone, earning a Double Platinum certification. The

Context: Document [5](Title: Bette Midler) charts, including her renditions of "The Rose", "Wind Beneath My Wings", "Do You Want to Dance", "Boogie Woogie Bugle Boy", and "From a Distance". In 2008, she signed a contract with Caesars Palace in Las Vegas to perform a show titled "Bette Midler: The Showgirl Must Go On", which ended in 2010. Midler made her motion picture debut in 1979 with "The Rose", which earned her a Golden Globe for Best Actress, as well as a nomination for the Academy Award for Best Actress. She has since starred in a number of hit films, which include: "Down and Out in

Context: Document [6](Title: Bette of Roses) Bette of Roses Bette of Roses is the eighth studio album by the American singer Bette Midler, released on Atlantic Records in 1995. It became Midler's final album for the label, twenty-three years after the release of her debut album "The Divine Miss M" (Midler was transferred to Atlantic's sister label Warner Bros. Records for her next two albums, then left the Warner group completely in 2002 when she signed with the Sony-owned Columbia Records). The title "Bette of Roses" is a play on one of the tracks, "Bed of Roses". "Bette of Roses" was Midler's first full-length studio album

Context: Document [7](Title: Bette Midler) was released. It reached number 66 on the U.S. "Billboard" 200 chart, and number six in the United Kingdom, where it was certified platinum for sales of over 300,000 copies. As her only film appearance that year, Midler had a small role in Diane English's comedy film "The Women", starring Meg Ryan, Annette Bening and Eva Mendes among others. An updated version of the George Cukor-directed 1939 film of the same name based on a 1936 play by Clare Boothe Luce, the film was widely panned by critics, who found it "...a toothless remake of the 1939 classic, lacking the

Context: Document [8](Title: Bette (TV series)) and "Family Law" (a cross promotion by CBS), and starred in a TV Halloween special with Dolly Parton (who appeared as herself and was said to be longtime friend of the Bette character; Parton and Midler are friends in real life). Other stories were out of the spotlight and closer to home; in one, Bette volunteered at Rose's school with surprising results, and in another, flashbacks were shown depicting the first time Bette met Connie, Roy, and Oscar (in that order), along with one featuring the birth of Rose. Many of Midler's celebrity friends appeared as themselves during the show's

Context: Document [9](Title: Bette Midler) remake of the 1975 film of the same name also based on the Ira Levin novel. Also starring Nicole Kidman, Matthew Broderick, Christopher Walken and Glenn Close, Midler played Bobbie Markowitz, a writer and recovering alcoholic. The project underwent numerous production problems that occurred throughout its shooting schedule, with reports of problems on-set between director Oz and the actors being rampant in the press. Oz later blamed Midler — who was amid recording her next album and rehearsing for her tour — for being under a lot of stress by other projects and making "the mistake of bringing her stress

Context: Document [10](Title: The Rose (soundtrack)) The Rose (soundtrack) The Rose is the soundtrack to the feature film of the same name starring Bette Midler which was released in 1979. Midler performs all the songs on the album, with the exception of the instrumental "Camellia". Apart from the title track, the soundtrack was entirely recorded live and also features concert monologues, with Midler portraying the character The Rose, loosely based on blues singer Janis Joplin. The soundtrack was produced by Paul A. Rothchild, who in fact also had worked with Joplin on what was to become her final album before her death in 1970, entitled "Pearl"

Context: Document [11](Title: The Rose (film)) The Rose (film) The Rose is a 1979 American drama film which tells the story of a self-destructive 1960s rock star who struggles to cope with the constant pressures of her career and the demands of her ruthless business manager. The film stars Bette Midler, Alan Bates, Frederic Forrest, Harry Dean Stanton, Barry Primus, and David Keith. The story is loosely based on the life of singer Janis Joplin. Originally titled "Pearl", after Joplin's nickname, and the title of her last album, it was fictionalized after her family declined to allow the producers the rights to her story. It was

Context: Document [12](Title: Bette Midler) by critics, who felt the film was "sweet but milquetoast", box office totals for the movie were higher than initially expected. In 2013, Midler performed on Broadway for the first time in more than 30 years in a play about the Hollywood superagent Sue Mengers. The play, titled "" and dramatized by John Logan, opened on April 24, 2013 at the Booth Theatre. After the show's success in New York, recouping its initial $2.4 million investment, it was decided to perform the play in Los Angeles at the Geffen Playhouse. In December, it was announced that Midler would portray actress

Context: Document [13](Title: Bette Midler) "Sister Act" in 1992, which instead went to Whoopi Goldberg. Midler won an Emmy Award in 1992 for her performance on the penultimate episode of "The Tonight Show Starring Johnny Carson" in May 1992, during which she sang an emotion-laden "One for My Baby (and One More for the Road)" to Johnny Carson. That night, Midler began singing "Here's That Rainy Day", Carson's favorite song; Carson joined in a few lyrics later. In 1993, she starred with Sarah Jessica Parker and Kathy Najimy in the Walt Disney comedy fantasy film, "Hocus Pocus", as Winifred Sanderson, the head witch of the

Context: Document [14](Title: Bette Midler) in Watertown, New York, who, determined to give her daughter all the opportunities she never had, ultimately makes a selfless sacrifice to ensure her happiness. The movie scored mediocre reviews, while Midler received her first Razzie Award nomination for Worst Actress. She co-starred with Woody Allen in the 1991 film "Scenes from a Mall", again for Paul Mazursky. In the film, Allen's character reveals to his author wife Deborah, played by Midler, after years of a happy marriage, that he has had an affair, resulting in her request for divorce. The movie performed poorly, and received a mixed reception by

Context: Document [15](Title: Gypsy (1993 film)) deserves both an Emmy and a Grammy." "Midler was sensational as Mama Rose in the recent TV version of "Gypsy"," wrote "The Buffalo News". "The Chicago Sun-Times" said, "Midler has the perfect blend of energy and maturity to portray vaudeville's ultimate stage mother. But the guiding force behind the new, sparkling "Gypsy" comes from the perceptive and reverent direction of Oscar winner Emile Ardolino, who artfully preserves the spirit of a stage play within the confines of television." In another article, the publication wrote, "Bette Midler's star turn in CBS' "Gypsy" not only brought the TV musical back from the

Context: Document [16](Title: Bette Midler) the PBS educational series "Vegetable Soup." In 1977, Midler's first television special, whose title, "Ol' Red Hair is Back", was a takeoff on Frank Sinatra's "Ol' Blue Eyes Is Back", premiered, featuring guest stars Dustin Hoffman and Emmett Kelly. It went on to win the "Emmy Award" for Outstanding Special — Comedy-Variety or Music. Midler made her first motion picture in 1979, starring in the 1960s-era rock and roll tragedy "The Rose", as a drug-addicted rock star modeled after Janis Joplin. That year, she also released her fifth studio album, "Thighs and Whispers." Midler's first foray into disco was a

Context: Document [17](Title: Bette Midler) on the set." While the original book and film had tremendous cultural impact, the remake was marked by poor reviews by many critics, and a financial loss of approximately $40 million at the box office. Midler joined forces again with Manilow for another tribute album, "Bette Midler Sings the Peggy Lee Songbook". Released in October 2005, the album sold 55,000 copies the first week of release, returned Midler to the top ten of US "Billboard" 200, and was nominated for a Grammy Award. Midler released a new Christmas album titled "Cool Yule" in 2006, which featured a duet of Christmastime

Context: Document [18](Title: The Thorn) Joseph; John Greenburg as John the Baptist; Fred LaBour as the Angel Fred; Richard Pollard as Rabbi Gabriel; Diana David as Salome; and Jack Castor and Chi Chi as queens. All of these actors were unknown and had no other film credits, with the exception of Bette Midler who was just beginning to build her singing career, had acted in a Broadway musical, and had briefly played a lead role in the off-Broadway musical "Salvation" in 1969. Midler had a brief appearance as a boat passenger in the 1966 film "Hawaii". Originally conceived as "The Greatest Story Overtold", an irreverent

Context: Document [19](Title: Bette Midler) Gallagher Levi, continuing through January 2018, in the Broadway revival of "Hello, Dolly!" for which she won her second Tony Award. In 2017 she also appeared in the role of Muv in the 2017 film "Freak Show". On April 20, 2018 it was announced that Midler will be returning to "Hello, Dolly!" on July 17 to close out the run of the successful revival. In 1991, Midler was an early sponsor of the Adopt-a-Highway, paying $2,000 a month for a crew to clean up a 2-mile section of the Ventura Freeway in Burbank, California. Signs at both ends of the

Context: Document [20](Title: The Rose (soundtrack)) The "Rose" soundtrack also included one song that since its original release has become a mainstay in Midler's live repertoire, Jerry Ragovoy's despairing blues ballad "Stay With Me". "The Rose" peaked at #12 on Billboard's album chart in the Spring of 1980, making it Midler's bestselling album since 1973's "Bette Midler". The album was digitally remastered and reissued on CD by Atlantic Records/Warner Music in 1995 but with no bonus tracks. "All tracks recorded live unless otherwise noted" Side A Side B The Rose Concert Band "Love Me With a Feeling" Band "The Rose" Ensemble The Rose (soundtrack) The Rose

Question: who did bette midler portray in the rose?

Answer: Mary Rose Foster


Context: Document [1](Title: Bette (TV series)) short run. Guest stars included Danny DeVito, George Segal, Brenda Song, Sharon Lawrence, Tim Curry, David James Elliott, Oprah Winfrey, Ashley Tisdale, Tony Danza, Dolly Parton, Olivia Newton-John, Jon Lovitz, and the ladies from rival network ABC's "The View" all as themselves. When "Bette" went into production, Lindsay Lohan was the original choice to play Rose. After the completion of the pilot episode, Midler decided that the series would shoot in Los Angeles, instead of New York City, where the pilot was filmed. Lohan did not want to continually commute from her family's current residence in New York City, as

Context: Document [2](Title: Bette Midler) critics. Midler fared somewhat better with her other 1991 project "For the Boys", on which she reteamed with "The Rose" director Mark Rydell. A historical musical drama, it tells the story of 1940s actress and singer Dixie Leonard, played by Midler, who teams up with Eddie Sparks, a famous performer to entertain American troops. While the film received a mixed reception from critics, Midler earned rave review for her portrayal. The following year she was awarded her second Golden Globe and received her second Academy Award nomination for Best Actress. Midler turned down the lead role in the musical comedy

Context: Document [3](Title: Bette Midler) commercial and critical failure and went on to be her all-time lowest charting album, peaking at No. 65 on the "Billboard" album chart. Soon afterward, she began a world concert tour, with one of her shows in Pasadena being filmed and released as the concert film "Divine Madness" (1980). Her performance in "The Rose" earned her a nomination for Academy Award for Best Actress, a role for which she won the Golden Globe for Best Actress (Comedy or Musical). The film's acclaimed soundtrack album sold over two million copies in the United States alone, earning a Double Platinum certification. The

Context: Document [4](Title: Bette Midler) charts, including her renditions of "The Rose", "Wind Beneath My Wings", "Do You Want to Dance", "Boogie Woogie Bugle Boy", and "From a Distance". In 2008, she signed a contract with Caesars Palace in Las Vegas to perform a show titled "Bette Midler: The Showgirl Must Go On", which ended in 2010. Midler made her motion picture debut in 1979 with "The Rose", which earned her a Golden Globe for Best Actress, as well as a nomination for the Academy Award for Best Actress. She has since starred in a number of hit films, which include: "Down and Out in

Context: Document [5](Title: The Rose (film)) In late 1969, Mary Rose Foster (Bette Midler) is a famous rock and roll diva known as The Rose. Although a success, she is burnt out and lonely but is kept working by her gruff, greedy manager and promoter Rudge Campbell (Alan Bates). Though loud and brassy, Rose is an insecure alcoholic and former drug user who seems to crave approval in her life. As such, she is determined to return to her hometown, now as a superstar. After being humiliated by a country singing star named Billy Ray (Harry Dean Stanton) whose songs she performs in her show, Rose

Context: Document [6](Title: Bette of Roses) Bette of Roses Bette of Roses is the eighth studio album by the American singer Bette Midler, released on Atlantic Records in 1995. It became Midler's final album for the label, twenty-three years after the release of her debut album "The Divine Miss M" (Midler was transferred to Atlantic's sister label Warner Bros. Records for her next two albums, then left the Warner group completely in 2002 when she signed with the Sony-owned Columbia Records). The title "Bette of Roses" is a play on one of the tracks, "Bed of Roses". "Bette of Roses" was Midler's first full-length studio album

Context: Document [7](Title: Bette Midler) was released. It reached number 66 on the U.S. "Billboard" 200 chart, and number six in the United Kingdom, where it was certified platinum for sales of over 300,000 copies. As her only film appearance that year, Midler had a small role in Diane English's comedy film "The Women", starring Meg Ryan, Annette Bening and Eva Mendes among others. An updated version of the George Cukor-directed 1939 film of the same name based on a 1936 play by Clare Boothe Luce, the film was widely panned by critics, who found it "...a toothless remake of the 1939 classic, lacking the

Context: Document [8](Title: Bette (TV series)) and "Family Law" (a cross promotion by CBS), and starred in a TV Halloween special with Dolly Parton (who appeared as herself and was said to be longtime friend of the Bette character; Parton and Midler are friends in real life). Other stories were out of the spotlight and closer to home; in one, Bette volunteered at Rose's school with surprising results, and in another, flashbacks were shown depicting the first time Bette met Connie, Roy, and Oscar (in that order), along with one featuring the birth of Rose. Many of Midler's celebrity friends appeared as themselves during the show's

Context: Document [9](Title: Bette Midler) remake of the 1975 film of the same name also based on the Ira Levin novel. Also starring Nicole Kidman, Matthew Broderick, Christopher Walken and Glenn Close, Midler played Bobbie Markowitz, a writer and recovering alcoholic. The project underwent numerous production problems that occurred throughout its shooting schedule, with reports of problems on-set between director Oz and the actors being rampant in the press. Oz later blamed Midler — who was amid recording her next album and rehearsing for her tour — for being under a lot of stress by other projects and making "the mistake of bringing her stress

Context: Document [10](Title: The Rose (soundtrack)) The Rose (soundtrack) The Rose is the soundtrack to the feature film of the same name starring Bette Midler which was released in 1979. Midler performs all the songs on the album, with the exception of the instrumental "Camellia". Apart from the title track, the soundtrack was entirely recorded live and also features concert monologues, with Midler portraying the character The Rose, loosely based on blues singer Janis Joplin. The soundtrack was produced by Paul A. Rothchild, who in fact also had worked with Joplin on what was to become her final album before her death in 1970, entitled "Pearl"

Context: Document [11](Title: The Rose (film)) The Rose (film) The Rose is a 1979 American drama film which tells the story of a self-destructive 1960s rock star who struggles to cope with the constant pressures of her career and the demands of her ruthless business manager. The film stars Bette Midler, Alan Bates, Frederic Forrest, Harry Dean Stanton, Barry Primus, and David Keith. The story is loosely based on the life of singer Janis Joplin. Originally titled "Pearl", after Joplin's nickname, and the title of her last album, it was fictionalized after her family declined to allow the producers the rights to her story. It was

Context: Document [12](Title: Bette Midler) by critics, who felt the film was "sweet but milquetoast", box office totals for the movie were higher than initially expected. In 2013, Midler performed on Broadway for the first time in more than 30 years in a play about the Hollywood superagent Sue Mengers. The play, titled "" and dramatized by John Logan, opened on April 24, 2013 at the Booth Theatre. After the show's success in New York, recouping its initial $2.4 million investment, it was decided to perform the play in Los Angeles at the Geffen Playhouse. In December, it was announced that Midler would portray actress

Context: Document [13](Title: Bette Midler) "Sister Act" in 1992, which instead went to Whoopi Goldberg. Midler won an Emmy Award in 1992 for her performance on the penultimate episode of "The Tonight Show Starring Johnny Carson" in May 1992, during which she sang an emotion-laden "One for My Baby (and One More for the Road)" to Johnny Carson. That night, Midler began singing "Here's That Rainy Day", Carson's favorite song; Carson joined in a few lyrics later. In 1993, she starred with Sarah Jessica Parker and Kathy Najimy in the Walt Disney comedy fantasy film, "Hocus Pocus", as Winifred Sanderson, the head witch of the

Context: Document [14](Title: Bette Midler) in Watertown, New York, who, determined to give her daughter all the opportunities she never had, ultimately makes a selfless sacrifice to ensure her happiness. The movie scored mediocre reviews, while Midler received her first Razzie Award nomination for Worst Actress. She co-starred with Woody Allen in the 1991 film "Scenes from a Mall", again for Paul Mazursky. In the film, Allen's character reveals to his author wife Deborah, played by Midler, after years of a happy marriage, that he has had an affair, resulting in her request for divorce. The movie performed poorly, and received a mixed reception by

Context: Document [15](Title: Gypsy (1993 film)) deserves both an Emmy and a Grammy." "Midler was sensational as Mama Rose in the recent TV version of "Gypsy"," wrote "The Buffalo News". "The Chicago Sun-Times" said, "Midler has the perfect blend of energy and maturity to portray vaudeville's ultimate stage mother. But the guiding force behind the new, sparkling "Gypsy" comes from the perceptive and reverent direction of Oscar winner Emile Ardolino, who artfully preserves the spirit of a stage play within the confines of television." In another article, the publication wrote, "Bette Midler's star turn in CBS' "Gypsy" not only brought the TV musical back from the

Context: Document [16](Title: Bette Midler) the PBS educational series "Vegetable Soup." In 1977, Midler's first television special, whose title, "Ol' Red Hair is Back", was a takeoff on Frank Sinatra's "Ol' Blue Eyes Is Back", premiered, featuring guest stars Dustin Hoffman and Emmett Kelly. It went on to win the "Emmy Award" for Outstanding Special — Comedy-Variety or Music. Midler made her first motion picture in 1979, starring in the 1960s-era rock and roll tragedy "The Rose", as a drug-addicted rock star modeled after Janis Joplin. That year, she also released her fifth studio album, "Thighs and Whispers." Midler's first foray into disco was a

Context: Document [17](Title: Bette Midler) on the set." While the original book and film had tremendous cultural impact, the remake was marked by poor reviews by many critics, and a financial loss of approximately $40 million at the box office. Midler joined forces again with Manilow for another tribute album, "Bette Midler Sings the Peggy Lee Songbook". Released in October 2005, the album sold 55,000 copies the first week of release, returned Midler to the top ten of US "Billboard" 200, and was nominated for a Grammy Award. Midler released a new Christmas album titled "Cool Yule" in 2006, which featured a duet of Christmastime

Context: Document [18](Title: The Thorn) Joseph; John Greenburg as John the Baptist; Fred LaBour as the Angel Fred; Richard Pollard as Rabbi Gabriel; Diana David as Salome; and Jack Castor and Chi Chi as queens. All of these actors were unknown and had no other film credits, with the exception of Bette Midler who was just beginning to build her singing career, had acted in a Broadway musical, and had briefly played a lead role in the off-Broadway musical "Salvation" in 1969. Midler had a brief appearance as a boat passenger in the 1966 film "Hawaii". Originally conceived as "The Greatest Story Overtold", an irreverent

Context: Document [19](Title: Bette Midler) Gallagher Levi, continuing through January 2018, in the Broadway revival of "Hello, Dolly!" for which she won her second Tony Award. In 2017 she also appeared in the role of Muv in the 2017 film "Freak Show". On April 20, 2018 it was announced that Midler will be returning to "Hello, Dolly!" on July 17 to close out the run of the successful revival. In 1991, Midler was an early sponsor of the Adopt-a-Highway, paying $2,000 a month for a crew to clean up a 2-mile section of the Ventura Freeway in Burbank, California. Signs at both ends of the

Context: Document [20](Title: The Rose (soundtrack)) The "Rose" soundtrack also included one song that since its original release has become a mainstay in Midler's live repertoire, Jerry Ragovoy's despairing blues ballad "Stay With Me". "The Rose" peaked at #12 on Billboard's album chart in the Spring of 1980, making it Midler's bestselling album since 1973's "Bette Midler". The album was digitally remastered and reissued on CD by Atlantic Records/Warner Music in 1995 but with no bonus tracks. "All tracks recorded live unless otherwise noted" Side A Side B The Rose Concert Band "Love Me With a Feeling" Band "The Rose" Ensemble The Rose (soundtrack) The Rose

Question: who did bette midler portray in the rose?

Answer: Mary Rose Foster