bluuebunny/crossref_metadata_2025_split huggingface dataset:
Composer's creative activity of universal creative personalities Z. Jachimecky and Ł. Kamieńsky in the early twentieth century.
Authors: Hysa Oksana 
Published: September 2022

The purpose of the article is to analyze the compositional creative activity of universal creative personalities Z. Jachimecky and Ł. Kamieńsky in the time and space of European musical culture of the twentieth century. The research methodology is to apply the cultural-historical and individual-creative phenomenon of modern musicological personalism. The method of phenomenal analysis - to clarify the essence of the creative phenomenon of universal creative personalities on the example of the compositional heritage of Z. Jachimecky and Ł. Kamieńsky. The method of biography is used in the work - in the study of the motivational sphere of creative personalities Z. Jachimecky and Ł. Kamieńsky. The scientific novelty of the work lies in defining the phenomenon of activity of universal creative personalities Z. Jachimecky and Ł. Kamieńsky in the European musical culture of the twentieth century. Conclusions. Therefore, the diversity of rare talent of universal creative personalities Z. Jachimecky and Ł. Kamieńsky in world music culture, the depth of their work is of great artistic value, plays a significant role in enriching and increasing universal cultural values, enlightenment, and steadfast service. Of course, the compositional work of Z. Jachimecky and Ł. Kamieńsky cannot be compared with their achievements in the field of musicology, but it should be restored in the musical culture of Poland and Ukraine as a reflection of the stage of Polish music. expressiveness, adaptation of the achievements of contemporary composers of Western Europe and their own new searches.
Key words: universal creative personality, universal musicologist, universal composer, Adam Mickiewicz University in Poznań, European academic education.
Stage word in the Ivan Franko theater in the context of the historical and cultural process
Authors: Bilenka Anastasiia 
Published: September 2022

The purpose of the article of the work is to highlight the stages of evolution of the Ukrainian scenic word in the Ivan Franko Theater in the context of the historical and cultural process from the 1920s to the present and to analyze the features of the artistic direction "socialist realism" and his influence on the scenic word. The research methodology consists in using the method of historical retrospection to analyze the scenic word in the acting works of the Ivan Franko’s Theater from the 1920s till the presenttimes; the culturological method is used to study the influence of state ideology on the socio-cultural environment through the scenic word; the using of the art-historical method makes it possible to analyze the creative work of directors in certain cultural and political realities. The scientific novelty lies in a comprehensive study of the main stages of the evolution of the scenic word in the Ivan Franko Theater during its existence on the example of acting works in dramatic and musical performances, as well as in studying the influence of the domestic historical and cultural process on the scenic word. Conclusions. The artistic policy of G. Yura at the Ivan Franko Theater in the first decades of its existence. is examined. The influence of the ideology of the communist party on the domestic theatrical process is revealed. The peculiarities of artistic direction "socialistic realism" and its influence on the scenic word at Ivan Franko Theatre on the example of actor's work were analyzed. The article considers the scenic word in the musical performances at the Ivan Franko theater in the context of historical and cultural processes.
Keywords: scenic word, culture, ideology, socialist realism, Ivan Franko theatre, G. Yura, musical, rock opera
Symbolic tendencies in the artwork of Andriy Bludov
Authors: Valieieva Anastasiia 
Published: September 2022

The purpose of the article is to investigate the multidimensional artwork of Andriy Bludov – a representative of Ukrainian visual art in the context of his appeal to traditional Western European symbolic trends and appeals to the Ukrainian cultural code, which is manifested in archetypal symbols. The research methodology consists of the complex application of analytical and comparative methods. Through the prism of aesthetic and philosophical analysis, to explore the manifestations of symbolic trends in the artwork of Andriy Bludov. Using the comparative method of research to trace the influence of Western European cultural tradition on the artwork of Ukrainian artist. Scientific novelty: for the first time a culturological analysis of the manifestation of symbolic tendencies in the work of Andriy Bludov was carried out on the example of his works in the art projects «Voices» and «Emblemata». Also, the specifics of the author's use of symbols and symbolic images in the context of contemporary Ukrainian visual art are studied. Conclusion. The article presents a detailed culturological analysis of the multidimensional creative activity of the famous Ukrainian symbolist artist Andriy Bludov – a representative of modern Ukrainian visual art, which organically combines painting with the techniques of silk-screen printing, lacing and collage. The artist works in various genres, giving his own works a range of traditional symbols and symbolic images that evoke in the viewer's own associative images to interpret the meanings in the depicted symbols. It was also analyzed that in the works of the series «Voices» Andriy Bludov, through the use of Ukrainian archetypal ethno-national images and symbols, highlights important themes of today – identity and national consciousness of the Ukrainian people. In addition, it is determined that the master, researching Baroque encyclopedias «Emblems», refers to the language of sacred ancient symbols of Western European art. He creates his own project «Emblemata» and interprets traditional symbols in the context of modern worldview in his own way, thus urging the viewer to attempt to decode symbolic mysterious images. Thus, it should be concluded that this study confirms the existence and dynamic development of symbolism in the context of contemporary Ukrainian visual art on the example of the world-famous Ukrainian symbolist artist Andriy Bludov.
Key words: visual art, Ukrainian symbolism, symbol, symbolic image, archetype, association, painting, silk-screen printing, the technique of scumbling and collage.
Development and popularization of cultural and artistic activity in the National academy of culture and arts management (results of a sample survey of experts, managers, specialists, and artists of the NACAM)
Authors: Komar Volodymyr 
Published: September 2022

The purpose of the article is to characterize the main bottlenecks in the field of culture and arts, and trends in the development of artistic and cultural activities in higher education institution National Academy of Culture and Arts Management. The methodology consists of the application of the survey method, descriptive method, methods of functional and definitive analysis, formalization in the survey process, and registration of its results. The scientific novelty is the set of plans, opinions, and recommendations for solving problematic aspects, development, and promotion of activities in the fields of culture and arts, in particular, the National Academy of Culture and Arts Management, expressed by well-known managers, specialists, artists in the fields of culture and arts. Conclusions: National Academy of Culture and Arts Management is one of the leading art institutions of higher education, which has a strong scientific, managerial, artistic, artistic, and technological potential, has available material and technical resources, at a professional level conducts comprehensive artistic and cultural activities, accompanied by gradual transformation operating system of the institution in the direction of creating innovative, commercial tools, departments and other tools for the development of artistic and cultural activities of the institution. In particular, it is planned to organize a concert-touring group of National Academy of Culture and Arts Management; hold the All-Ukrainian Festival of Ukrainian Contemporary Song based on the Institution of Higher Education; to carry out active informational, communication, partnership, popularization activity of art goods of the Institution of Higher Education. All respondents emphasize the importance of strengthening institutional communication in the fields of culture and the arts at all levels, especially at the level of cooperation between the senior government in the sector.
Key words: activity in the fields of culture and arts, institutions of higher education, National Academy of Management of Culture and Arts
Conceptual constructions of the term “creativity” in the cultural aspect
Authors: Lifintseva Olena 
Published: September 2022

The purpose of the article is to carry out a categorical and conceptual analysis of the concept of “creativity”, to reveal its essence of interpretation and to analyze scientific views on this phenomenon in cultural discourse. The research methodology is based on the application of dialectical and logical approaches and theoretical general scientific methods, which allowed to carry out a detailed categorical and conceptual analysis of the concept of “creativity” in the cultural direction. The scientific novelty is related to the definition of scientific and theoretical approaches of scientists to understand the essence of the concept of “creativity” in the cultural aspect, as well as proposed the proper interpretation of the phenomenon under study in the modern cultural space. Conclusions. As a result of the categorical and conceptual analysis of the term “creativity” and a thorough understanding of the scientific and theoretical approaches of scientists on the phenomenon under study allowed to reveal its essence and propose its own definition in the cultural direction. Therefore, in our opinion, creativity appears as a complex process of realizing the subject, which realizes practically sensual experiences acquired by the individual intuitively, which is a consequence of the synthesizing capacity of the individual in the universal sense. Prospects for further research require the solution of issues that correlate with projections of creative self-realization of the artist in the modern socio-cultural space.
Key words: creativity, creative potential of personality, artist, creatively gifted personality, giftedness, socio-cultural space.
Traditional art technologies as the basis of experiments in contemporary art (on the example of levkas technology)
Authors: Kokhan Natalia , Stakhevych Halyna 
Published: September 2022

The purpose of the work is to comprehend the experiments conducted by artists with traditional technology «levkas» and describe their results in modern art practice. Methodology. The study used a comparative method and comparative analysis of technical and technological features of the traditional icon-painting levkas and modern painting (using this soil). For this purpose, in the practice of modern levkas, works were identified that correspond to the concept of «artistic experiment». The scientific novelty lies in the analysis and refinement of technical and technological innovations in the modern artistic practice of levkas, which were invented and applied by some Ukrainian artists. Conclusions. In the modern artistic practice of levkas there are works: created on the plane (one and two-sided) and art objects. On surface treatment, they can be smooth and textured; with low (bulk) and high (overhead) sculptural relief. When creating textures, different fillers are added to the soil. Components of traditional recipes are sometimes replaced by modern materials. Usually the basis for the levkasny ground is a board, but also it can be pieces of wooden furniture or a canvas. Levkasny ground covers the surface of the work completely or partially. Collage techniques in levkas are becoming a common practice. The mixing of techniques and technologies of fine arts led to the creation of a new technique – «gesography». The inclusion of finished objects in the work is a new technique (it is associated with ready-mades). The graphite pencil in levkas showed a new function of the material (drawing on levkas). This way of using a graphite pencil opens up space for new experiments with graphics and levkas.
Key words: levkas, soil for icon painting, icon painting, gesography, art object, artistic experiment.
The visual component of the phenomenon of "entertainment": art criticism parameters of comprehension.
Authors: Chumachenko Olena 
Published: September 2022

The purpose of the article consists of considering the visual component of the phenomenon of "entertainment" in the context of the discourse of art history. The research methodology consists in the application of the analytical method – to determine the theoretical and methodological foundations of the study of the visual component of the phenomenon of "entertainment" in the context of the discourse of art history based on the works of Z. Alfiorova, O. Vaskiv, V. Lichkovakha, V. Kisina, Zh. Morozova, K. Stanislavskaya, Paul Guiraud, Lidia Winniczuk, Banfi Antonio. The research uses the method of formalization to clarify the concept of "entertainment" in the linguistic and art history aspects. The hermeneutic method is used in the aspect of interpreting the semantic load of the concept of "entertainment" in the discourse of art history. And to summarize, a theoretical method was used. The scientific novelty of the work is that for the first time the essence of the visual component of the phenomenon of "entertainment" in the context of the discourse of art history. Conclusions. The article examines the visual component of the phenomenon of "entertainment" in the context of art critical discourse. The phenomenon of "entertainment" is synthetic and has a visual, musical, and choreographic component, each of which appropriately accumulates socio-cultural experience. The phenomenon of "entertainment" is characterized as a human activity of a spectacular nature, which is one of the factors in the historical dynamics of the socio-cultural development of mankind, relying on the fact that each historical epoch had its own vivid spectacles, which acted as markers of the sociocultural life of that time, and starting with mythological perception. spectacular and entertainment activities were the driving force in the formation of the socio-cultural life of primitive society. The "entertainment" is considered as a special form of activity in culture, as a holiday in the aspect of the primary form of human culture, a universal phenomenon of human culture, one of the elements of sacred life, magic and religious ritual, the result of hunting games and funeral rites. The specificity of the "entertainment", "pictorial corporeality" in modifications of artistic and spectacular forms, the synthetic nature of the spectacle – where one of the elements is the visual arts is considered.
Key words: visual art, "entertainment", socio-cultural development, art discourse.
Band-in-a-Box – a program to create compositions in genres of popular music (Part 1).
Authors: Kozlin Valery , Grishenko Valentina 
Published: September 2022

The goal of the work. The purpose of the article is to disclose new tools and methods of using computer technologies in modern musical practice on the example of a description of work and ample opportunities for an arrangement of the Band-in-A-Box Senecrent. The research methodology is to identify and present practical methods of working in the Band-in-A-Box Seckwowner at the main stages of functioning. The scientific novelty of the work is to reveal the palette of the contemporary Band-in-A-Box sequencer when arranging musical works with the help of one of the most powerful modern music editors. The use of Band-in-A-Box Seneseor increases the interest of modern youth in quality musical training, as well as expanding the palette of opportunities for composers, arrangers, sound directors and beginners musicians. Conclusions. Music computer technologies are a new field of knowledge that is constantly developing. It synthesizes technology and art, and these are two poles that are constantly moving and improving tools for creativity, learning and research. The dynamic nature of these processes is associated with the continuous restoration of scientific and technological progress. Band-in-a- Box music sequoter is another modern advanced computer program that offers advanced technologies for creative experiments in creating and arranging musical compositions. The program has many other useful features, a developed menu system, dialogs that allow you to adjust literally every parameter of arrangement and sound synthesis. The number of finished styles is constantly increasing. The program is also interesting because it seems to generate all those knowledge about the ability to perform on the synthesizer when applying the function of automatic companion.
Key words: musical sevener, computer arrangement, Midi instruments, composer, sound engineer.
The artwork as a part of the artist’s biography
Authors: Mykulanynets Lesya 
Published: September 2022

The thesis objective is to confirm the mutual relation of biographic events and the master’s artistic achievements, as well as to justify the viewpoint of opuses being a considerable part of biography. The research methodology is based on implementing a range of the following approaches: analytical – by grasp of the sources referring to the thesis issue; interdisciplinary – by obtaining innovation data on the chronicle discourse issues; systemic – by comprehensive reviewing the problematic field under consideration; biographic – by studying various aspects of the author’s existence; culture studies – by considering the links between social, mental phenomena in the personality’s individual history; hermeneutic – by explaining the chronicle’s content; theoretic generalization – by summarizing the key research positions, and some others. The scientific novelty lies in the fact that for the first time ever in national humanitarian studies the artistic pattern is identified as a structural component of the artist’s chronicle. Conclusions. The master’s biography is a specific form of representing and interpreting his life and creativity conception brought through the prism of civilization processes, personal concern, civil heritage. The genre fixes the most essential domains of an individual’s existence and represents the creative, existential and axiological paradigm. The master’s achievements reflect the predominant ontological concepts and stand out as a significant chronicle constituent. An opus is a mental artifact, a multi-component text expressed with specific (verbal, sound, color, symbol, image-bearing) language reproducing various time dimensions of homo sapiens existence (the past, the present and the future), thus creating cultural, national, sense polyphony. The master’s activity reflects the key results of reconsidered private complications and reveals significant social, political, civil and other events. Due to this, they stand out as a constructive unity of not only the artist’s biography but also of a certain environment, country, era, etc.
Key words: the master’s biography; an artwork; the author; the recipient.
«Italian in Аlgeria» J. Rossini in the context of the evolutionary ways of the development of the Italian music theater of the early XIX century
Authors: Kuliieva Antonina 
Published: September 2022

The purpose of the study is to identify the poetic and intonational features of the opera «Italian in Algeria» by G. Rossini in the context of general evolutionary paths of development of the genre of Italian comic opera. The methodology is based on a combination of culturological, historical and musicological, hermeneutic and art studies, which together significantly deepens the study of genre and style specifics of opera by G. Rossini, in particular, «Italians in Algeria» as a new stage in the development of opera-buffa. The scientific novelty of the work is determined by its analytical perspective, which takes into account both the manifestations of aesthetic and stylistic guidelines of Rossini's opera «Italian in Algeria» and its genre specificity, adjusted to the Italian cultural and historical tradition of the early nineteenth century. Conclusions. The plot-semantic indicators of G. Rossini's «Italians in Algeria», on the one hand, show contact with the typology of the «classic» opera-buffa, as evidenced by the traditional comedy plot; the correlation of most of the heroes of the play with the types of Italian comedy masks; appeal to oriental (Turkish) themes, interpreted in the spirit of the ideas of the Enlightenment, as well as analogies with the Mozart Musical Theater and the comedies of JB Moliere. On the other hand, the opera demonstrates the innovative approach of its author, as evidenced by the final rondo of Isabella with the choir, which both in text and in intonation language appeals to the ideas of Italian culture on the eve of Risorgimento. Generalization of the intonation specificity of «Italian in Algeria» by G. Rossini demonstrates the originality of the relationship between traditions and innovations. The poetics of opera-buffa is manifested here in G. Rossini's masterful mastery of the art of opera ensemble; in the wide use of timbre-performance capabilities of buffoon bass, patter techniques, etc. The novelty of the work is manifested in the complexity of the images of the main characters, the richness of their intonation characteristics, which were based on the traditions of belcanto. This is primarily related to the image of Isabella, who ultimately gravitates to the ideas of national patriotism and thus greatly expands the expressive possibilities of the typology of opera-buffa in line with the socio-political and cultural realities of Italy in the early XIX century.
Key words: opera-buffa, G. Rossini Musical Theater, «Italian in Algeria», Risorgimento, Italian Musical Theater.
Periodization of China's piano culture in the discourse of approaches
Authors: Yue Zhao 
Published: September 2022

The purpose of the article is to analyze the main aspects of approaches to the periodization of the formation and development of Chinese piano culture. The research methodology is based on a combination of general scientific methods of philosophy, culturology, history, and musicology. The methodological basis of the study was a set of methods: historical and dialectical – to analyze the dynamics of cultural and historical processes of development of Chinese musical art; culturological - to understand the dynamics of general cultural processes in the piano art of China; chronological, which makes it possible to understand the relationship of events in their sequence; theoretical generalization – to summarize the study; systemy – to systematize the typological features of approaches to the periodization of piano culture. The scientific novelty lies in the analysis of the peculiarities of approaches to the periodization of piano culture, and the definition of the main factors influencing the distinction from the standpoint of socio-historical, stylistic, and educational factors. Conclusions. Approaches to the periodization of China's piano culture tend to be systematized according to several factors. It is about organizing the results of contamination of foreign and domestic political aspects that affect the formation of cultural components of the era, namely social conditions, development of tools, education, and upbringing, as well as the nature of performance and concert activities.
Key words: piano culture, periodization, Chinese musical culture