bluuebunny/crossref_metadata_2025_split huggingface dataset:
Wooden skyscrapers. Traditional materials in innovative technologies of modern high-rise construction
Authors: Маевская М.Е. 
Published: January 2022

Статья посвящена анализу актуальных материалов по внедрению инновационных технологий в проектировании небоскребов и высотном строительстве, созданных на основе древесины. Отдельные инженерно-технические разработки последних лет привели к невероятным достижениям в сфере деревянного строительства. Деревянные конструкции стали намного прочней, безопасней и экономичней, чем прочие материалы, используемые при строительстве высотных сооружений. Древесина как перспективный материал для возведения многофункциональных башен оказалась очень востребована в футуристических проектах 2000-х и 2010-х годов. Также с 2010 по 2018 год в Австрии, Канаде, Норвегии, Индии, Сингапуре и Франции было анонсировано и частично реализовано строительство нескольких высотных деревянных проектов. Причем с каждым годом наблюдается увеличение этажности и сложности предлагаемых архитектурных и конструктивных решений.
The article overviews the actual publications devoted to implementation of innovative technologies based on usage of wood in skyscrapers projecting and high building construction. Some of engineering and technological inventions of the recent years led to incredible achievements in wooden construction: the wooden constructions became significantly stronger, secure and less expensive than other materials used in high building construction. In result, the orientation to implementation of various wooden constructions in the newest high building architecture has taken character of visible trend. The wood as a perspective material for creation of multifunctional towers turned out to be very essential in futuristic projects of the years of 2000 and 2010. From 2010 to 2018 too in Austria, Canada, Norway, India, Singapore and France, several “wooden” high-rise projects were announced and partly realized. And, with each new year the number of floors and complexity of the planned projects is growing.
Esplanade signs: version of public space
Authors: Хомяков А.И. 
Published: January 2022

В статье рассматривается уникальный опыт превращения участков бывшей разделительной зоны пограничной стены, образовавшихся в центре Берлина после ее демонтажа, в памятное публичное пространство, наделенное общегородскими и туристическими функциями: прогулочными, познавательными, рекреационными, а также содержательными мемориальными значениями.
The article examines the unique experience of transforming the sections of the former border zone of the border wall formed in the center of Berlin after its dismantling into a memorable public space endowed with citywide and tourist functions: walking, cognitive, recreational, and meaningful memorial values.
The efficiency of two-level electrovectorcardiographic diagnostics of left ventricular hypertrophy in the medical examination of urban and rural population
Authors: Riabykina Galina V. , Vishniakova Nelli A. , Fedorova Valentina S. 
Published: January 2022

Background. The incidence of arterial hypertension continues to grow. By 2025 the number of patients will increase to 1.5 billion that makes it necessary to develop and implement effective approaches in the diagnosis and treatment of hypertension in practical health care.
Aim. Evaluate the effectiveness of two-level diagnostics of left ventricular hypertrophy (LVH).
Materials and methods. The distance of the first level of LVH diagnostics in outpatient departments with a territorial is more than 20 km. It was performed by remote electrocardiography, including medical examination of the population. Automatic conclusion of the devices was sent to the personal office of the functional diagnostics doctor. At the second level, the electrocardiograph software was used to convert ECG-12 into a vectorcardiogram (VKG) to clarify LVH. The ECG reports were returned to the device of the doctor/paramedic for further work with the patient. When using scalar ECG criteria for LVH, the most sensitive index was the SokolovLyon index 24.2% of cases, then the Cornell product 19.8% of cases. In the second level of ECG diagnostics, the sensitivity of the method in detecting LVH increased more than 3 times: in terms of the maximum loop vector modulus (M QRS 1.8 mV), 72%, the sensitivity of the total index Rx+Sz (2.7 mV) was 58% of cases, the deviation of the spatial angle QRS-T90 was 42.5%, the spatial area of the loop QRS (S QRSxyz 2.7 mV2), the area of the loop QRS in the horizontal plane (S QRSxz2.2 mV2) 41.5%, the orientation angle of the maximum loop vector t in the horizontal plane (angle Txz70) was detected in 38% of patients. These indicators were found with the same frequency in both groups of examined individuals.
Conclusion. The use of remote two-level ECG and ECG diagnostics allowed to increase the detection of LVH in rural and urban populations by 3 times.
lived experiences of teenage girls with scoliosis and the effect of a peer support group, Curvy Girls
Authors: Amja Kristina , Vigouroux Marie , Newman Gillian , Hovey Richard B. 
Published: January 2022

CONTEXT: Scoliosis is an abnormal lateral curvature of the spinal column and affects approximately 1% to 3% of adolescents. The relationship between pain and idiopathic scoliosis has not been well documented and remains unclear in the literature. Curvy Girls is an international peer-run support group that aims to reduce scoliosis's emotional impact through education, mutual support, and self-empowerment.
OBJECTIVES: This study endeavors (1) to gain insight into the lived experience of teenage girls living with scoliosis and (2) to understand how the peer support group, Curvy Girls, has impacted their lives.
APPROACH: We interviewed sixteen members of Curvy Girls living with scoliosis. The interviews were transcribed verbatim, and then interpreted using applied philosophical hermeneutics.
FINDINGS:I. Personal Lens: The narratives of living with undiagnosed pain revealed confusion, solitude, and loneliness. The impact of labeling the pain (i.e., an official diagnosis) led to relief in some cases or irritation in some other cases.
II. Healthcare Lens: The stories of negative healthcare experiences and their impact on teenage girls are uncovered. The teenage girls wanted to be included in treatment decisions that may endorse autonomy and independence during adolescence.
III. Peer support Lens: Curvy Girls provides a safe environment for these adolescent girls to engage. The power of sharing and communicating helps Curvy Girls members cope and feel a sense of belonging.
SIGNIFICANCE: An insight into these teenage girls’ lived experiences allows for a better understanding of living with scoliosis and how a peer support group can help with this journey.
“JIKA DINDING BISA BERBICARA?” STREET ART DAN REPRESENTASI PEREMPUAN DALAM KARYA-KARYA STENSIL DIGIE SIGIT
Authors: Sapentri Evan 
Published: January 2022

This research examines Digie Sigit’s stencil works in Yogyakarta. This paper focuses on explaining and understanding the material and immaterial aspects of Digie Sigit’s stencil works along with analyzing women’s representation form which is portrayed in his works. In collecting the research data, the researcher did observation by examining Digie Sigit’s stencil works directly and doing deep interviews. Throughout his works, Digie Sigit wants to show appreciation and resistance of mothers as a heroine. He tries to create a possibility space where the public can see and directly meet his works. Women figures are chosen as power representation in earning money for living. They do not care when they are often ostracized and even do not get working assurance from the government. The public space is made as nowadays’ city representation along with as critics about life, especially for the young generation of this country ABSTRAKPenelitian ini mengkaji karya-karya stensil Digie Sigit di Yogyakarta. Tulisan ini berikhtiar menjelaskan dan memahami aspek-aspek material dan imaterial karya-karya stensil Digie Sigit sekaligus menganalisis bentuk representasi perempuan yang digambarkan dalam karya stensil Digie Sigit. Dalam pengumpulan data penelitian, penulis melakukan observasi dengan mengamati karya-karya stensil Digie Sigit secara langsung dan melakukan wawancara mendalam. Melalui karyanya, Digie Sigit ingin menunjukkan apresiasi dan resistensi ibu-ibu sebagai pahlawan. Ia mencoba menciptakan ruang kemungkinan di mana publik bisa melihat dan bertemu langsung dengan karyanya. Figur perempuan dipilih sebagai representasi kekuatan dalam mencari nafkah tak peduli ia kerap dikucilkan bahkan tak diberikan jaminan kerja oleh pemerintah. Ruang publik dijadikannya sebagai representasi kota saat ini sekaligus sebagai kritik tentang kehidupan, terutama untuk anak-anak muda di negeri ini.Kata kunci: Digie Sigit, Grafiti, Ruang Publik, Stensil, Street Art
PERANCANGAN TYPEFACE ITIAK PULANG PATANG
Authors: Irman Ifdal 
Published: January 2022

The motif of itiak returns to patang is a sublime cultural heritage of Minangkabau. In Minangkabau society, there are three kinds of carvings that are inspired by nature. seen in the life of the Minangkabau people which still exist and are maintained until now. This idea was then developed into a concept for designing a visual typeface based on the back-to-back carving that has anatomical characters and the construction process is based on the rules in the typeface, so that this adaptation appears in Italic font. From engraved form to phonetic (single letter) its application as a font on a computer. After research and design, these ready-to-use fonts are socialized in the local area, prioritized at the education and government levels, which are used for the benefit of regional heads. The purpose of this design is to discuss and interpret the philosophical meaning contained in the carving, which reflects the life patterns of the Minangkabau people. This phenomenon is poured into the basic idea in creating an invincible typeface with the basic principles of typeface. This research method uses descriptive qualitative to reveal facts and circumstances by presenting what actually happened in the Minangkabau community. The approach used is a semiotic approach. Keywords: font, itiak pulang patang, italics.
PARABOLIC DRAMA: PENYANGKALAN TEORETIK TERHADAP TEATER ABSURD
Authors: Susandro Susandro , H Afrizal , Saaduddin Saaduddin , Suisno Edy 
Published: January 2022

ABSTRACTSamuel Beckett's Waiting for Godot is one of the dramas that Martin Esslin calls the Absurd Theater. Furthermore, For Esslin, Theater of the Absurd is not only a term but a theater theory to know conventions and understand the meaning of a drama. In this way, Esslin puts the Absurd Theater into the trajectory of the development of the world's theater arts style, as well as leading the reader or audience to a perception that the life or routine that humans live in is meaningless, pointless and futile. However, the Theater of the Absurd, in the view of Michael Y. Bennett, a term that is supported by unstructured and abstract concepts. Therefore, it is necessary to develop an alternative, a term which he calls Parabolic Drama. A more structured term in understanding Waiting for Godot and other dramas that contain parallel philosophical values. This article tries to explain the dialectic of the two theater theories above, the extent to which they can bind one drama and encompass another drama. ABSTRAKWaiting for Godot karya Samuel Beckett merupakan salah satu drama yang disebut dengan istilah Teater Absurd oleh Martin Esslin. Lebih jauh, Bagi Esslin, Teater Absurd tidak hanya suatu istilah melainkan teori teater untuk mengetahui konvensi serta memahami makna suatu drama. Dengan begitu, Esslin menempatkan Teater Absurd ke dalam lintasan perkembangan gaya seni teater dunia, sekaligus menggiring pembaca atau penonton pada suatu persepsi bahwa kehidupan atau rutinitas yang dijalani manusia tidaklah bermakna, tidak ada tujuan dan sia-sia. Namun, Teater Absurd, menurut pandangan Michael Y. Bennett, istilah yang didukung oleh konsep-konsep yang tidak terstruktur serta abstrak. Oleh karena itu, perlu dibangun suatu alternatif,istilah yang disebutnya dengan Parabolic Drama.Istilah yang lebih terstruktur dalam memahami Waiting for Godotserta drama lain yang mengandung nilai filosofis yang sejajar.Artikel ini mencoba memaparkandialektika kedua teoriteater di atas,sejauh mana keduanya dapat mengikat suatu drama dan melingkupi drama lainnya.
PEMBELAJARAN MENGGAMBAR MOTIF BATIK PADA SISWA KELAS VIII DI SMP NEGERI 3 TANJUNG RAJA
Authors: Yuliana Mita , Djunaidi Djunaidi , Yelli Nofroza 
Published: January 2022

ABSTRACTThe purpose of this study was to determine the learning process of drawing batik motifs in grade VIII students at SMP Negeri 3 Tanjung Raja. The method used in this research is descriptive qualitative, which is a research method that seeks to describe a symptom, event, event, which is happening at the present time. The research objects in this study were teachers and students, namely teachers of the arts and culture subjects at SMP Negeri 3 Tanjung Raja and grade VIII students at SMP Negeri 3 Tanjung Raja. Data collection techniques in this study were observation, interviews, and documentation. Based on the evaluation activities that have been carried out, it can be concluded that the learning activities take place very well, it can be seen from the student learning outcomes achieved. The appropriate learning method is very learning activities to make students more ready to take part in learning to draw batik motifs. ABSTRAKTujuan dalam penelitian ini adalah untuk mengetahui proses pembelajaran menggambar motif batik pada siswa kelas VIII di SMP Negeri 3 Tanjung Raja. Metode yang digunakan dalam penelitian ini ialah deskriftif kualitatif, yaitu suatu metode penelitian yang berusaha mendeskriftifkan suatu gejala, peristiwa, kejadian, yang terjadi pada saat sekarang. Objek penelitian dalam penelitian ini adalah guru dan siswa yaitu guru mata pelajaran seni budaya di SMP Negeri 3 Tanjung Raja dan siswa kelas VIII di SMP Negeri 3 Tanjung Raja. Teknik pengumpulan data dalam penelitian ini adalah dengan observasi, wawancara, dan dokumentasi. Berdasarkan kegiatan evaluasi yang telah dilakukan, dapat disimpulkan bahwa kegiatan pembelajaran berlangsung dengan sangat baik dapat dilihat dari hasil belajar siswa yang dicapai. Metode pembelajaran yang tepat sangat kegiatan pembelajaran membuat siswa lebih siap dalam mengikuti pembelajaran menggambar motif batik.
TARI TABUT SEBAGAI MANIFESTASI BUDAYA MASYARAKAT KOTA BENGKULU
Authors: Febrianty Syielvi Dwi 
Published: January 2022

Penelitian ini bertujuan untuk membahas tari Tabut sebagai manifestasi budayamasyarakat Kota Bengkulu. Tari Tabut merupakan tari kreasi yang bersumber dariritual Tabut, yaitu suatu ritual yang berasal dari Islam Syiah, tetapi telah tumbuhdan berkembang menjadi budaya khas masyarakat Kota Bengkulu. Berbagai ritusyang ada di dalam Tabut ditata secara simbolik menjadi tarian baru, yaitu tari Tabut. TariTabut ini ditampilkan setiap tahunnya dalam perayaan Tabut dan beberapa eventbesar lainnya baik di dalam maupun di luar Kota Bengkulu. Penelitian ini adalahpenelitian kualitatif yang bersifat deskriptif dan analisis. Hasil yang dicapai dalam penelitian ini adalahbahwa tari Tabut merupakan menifestasi budaya masyarakat Kota Bengkulu yangberakar dari ritus-ritus yang ada pada ritual Tabut yang diwujudkan dalam bentuktarian kreasi. Kata Kunci: Tari Tabut, ritual Tabut, manifestasi budaya, masyarakat KotaBengkulu.
FILM DOKUMENTER “BENA NA NA PIA NA NA NA’A” PADA TRADISI MEMBANGUN RUMAH SUKU BENA
Authors: Sucipto Fentisari Desti , Kadafi Muchammad Rizky 
Published: January 2022

Bena tribe which originally from Nusa Tenggara Timur is one of the tribe that survive with its own tradition until today. One of their belief is a symbol of their house as a human. Thus, their houses have given name. Every house represents female or male. Since they start to design the house up to finalize the building process, it has 17 steps. Every step has its particular ritual, if they do mistake on the development process, Bena Belief they will experience the disaster. Their custom is never well- documented, therefore Bena Na Na Pia Na Na Na’a as a documentary film is designed as a visual archive in the form of video. The artistic research methods using qualitative approach. The data collection used ethic and emic observation, semi structured interview, and visual recording data. The result was analyzed and interpreted as a script, then collaborated using visual data to be a documenter film which inform the ritual, belief and development process of Bena Traditional House
FUNGSI GANDANG TASA DALAM PERAYAAN MAULUIK GADANG DI NAGARI SICINCIN KABUPATEN PADANGPARIAMAN
Authors: Yenti Rita 
Published: January 2022

AbstrakPenelitian ini bertujuan membahas fungsi pertunjukan gandang tasa yang terkait dengan perayaan mauluik gadang (maulid besar) di Nagari Sicincin,Kabupaten Padang Pariaman. Deskripsi difokuskan bentuk pertunjukan dan fungsi gandang tasa dalam kontkes mauluik gadang. Mauluikgadang dimulai dari mufakat antara niniak mamak (pimpinan kaum/suku), alim ulama dan pemuka masyarakat di Kenagarian Sicincin. Pelaksanaanmauluik gadang diawali dengan kegiatan malamang, maanta paminum kopi, bajamba dan badikie. Puncak ritual mauluik gadang adalah mengarak bungo lado, yaitu berupa benda-benda arakan yang ditempeli sejumlah uang yang sering pula disebut tabuik. Bungo lado/tabuik diarak dari berbagai arah yang berasal dari korong (kampung) yang ada di Nagari Sicincin ke Masjid Raya Nagari Sicincin/ masjid utama nagari yang selalu diiringi oleh gandang tasauntuk membangun suasana menjadi meriah.Kata kunci :mauluik gadang, gandang tasa, fungsi,bungo lado, tabuik. AbstractThis research is aimed to discuss the function of gandang tasa performance which is performed in Mauluik Gadang event (Maulid Besar) in Sicincin District, Padang Pariaman Regency. The description is focused on how Gandang Tasa performs in Mauluik Gadang context. Mauluik Gadang event starts from decision-making consensus led by all the chief of Adat society (Ninik Mamak) as tribe leaders, scholar of Islam, elite figure of society in Sicincin District. In the beginning of this event, there are Malamang activity, serving meals, variety of local authentic foods and prays held together as celebration. The main ritual of Mauluik Gadang is showing Bungo Lado, hand-made trees which are decorated some stick money. These tresses are also called Tabuik. Bungo Lado/tabuik appears in street parade from any part of villages in Sicincin District to the main mosque/ Masjid Raya Nagari Sicincin. Gandang Tasa has function to accompany the street parade gloriously and entertained.
PENERAPAN TEMATIK NYANYIAN MANTAU KE DALAM BENTUK LAGU DUA BAGIAN “MANTAU”
Authors: Putri Ana Dilla 
Published: January 2022

AbstrakKesenian Mantau merupakan salah satu kesenian tradisi yang tumbuh dan berkembang di daerah Kecamatan Bangko Kabupaten Merangin Provinsi Jambi yang berbentuk nyanyian atau vokal tradisional yang dibawakan oleh satu orang penyanyi. Selain mempunyai vokal yang mempuni, penyanyi Mantau mesti memiliki kemampuan dalam menyampaikan syair-syair lagu yang tersusun dalam bentuk pantun secara spontan sesuai dengan keadaan atau kejadian setempat. Selain itu, terdapat keunikan dalam kesenian Mantau yang mana karakteristik dari melodi Mantau yang cenderung memakai material mixolidya modes dinyanyikan dengan teknik rubato dan ad libitum. Tujuan dari penciptaan musik yang diolah dan dikembangkan dengan format orchestra. Metode yang digunakan dalam proses penciptaan komposisi musik ini yaitu eksplorasi, improvisasi atau eksperimen dan pembentukan.Kata Kunci: Mantau, Mixolidyan modes, Komposisi, Orkestra. AbstractThe art of Mantau is one of the traditional music that grows and delops in the area of Bangko Subdistrict, Merangin Regency, Jambi Province in the form of traditional singing or vocal performed by one singer. In addition to possessing vocal abilities, the singer Mantau must have to ability to deliver poems arranged in the form of poetry spontaneously according to local circumstances or events. In addition, there is a unique in Mantau art which is a characteristic of Mantau melodies that tend to uses mixolidyan modes material sung with rubato and ad libitum technique. The puspose of creating this composition is to demonstrate the composition of musical composition that are processed and developed in the orchestra format. The method used in the process of creating this musical composition is exploration, impovisation, experimentation, and formation.Keyword : Mantau; Mixolidyan modes; Composition; Orchetra.
PERFORMATIVITAS PERTUNJUKAN TARI RABBANI WAHID MEUGROUP DI SAMALANGA-ACEH
Authors: VIRAWATI VIRAWATI , RUSTIM RUSTIM , MULIATI ROZA 
Published: January 2022

Rabbani Wahid dance is one of the arts of the Sufi community originally from Sangso Village, Samalanga sub-district, Bireuen Aceh Province. This dance based on poem (dzikr) as a dance accompaniment. The research to discuss applocationof interteks conection poem that affect motion in performative, the conection to able building the flow of dancers in the show on performance. The method using the performance centered approach that is approach centered on performance. Result of research that showing The most important part in Rabbani Wahid dance is Meugrop which means jumping and stomping in a position standing accompanied by remembrance. Rabbani Wahid dance performance with the power influence dzikr as a subconscious show.Keywords: Rabbani Wahid Dance, Performativity, Flow performance.AbstrakTari Rabbani Wahid merupakan salah satu kesenian masyarakat sufi yang berasal dari Desa Sangso, kecamatan Samalanga, Kabupaten Bireuen Aceh, tarian ini berangkat dari syair (zikir) sebagai pengiring tari. Penelitian ini membahas penerapan hubungan interteksi syair yang mempengaruhi gerak secara performatif, hubungan ini mampu membangun kehanyutan (flow) penari dalam pertunjukannya. Metode penelitian menggunakan pendekatan performance centered approach, yaitu pendekatan yang terpusat pada pergelaran. Hasil penelitian menunjukkan bahwa bagian terpenting dalam tari Rabbani Wahid adalah Meugrop yaitu melompat dan menghentakkan kaki dengan posisi berdiri disertai zikir. Tari Rabbani Wahid dipertunjukkan dengan kekuatan pengaruh zikir sebagai bagian pertunjukan alam bawah sadar.Kata kunci : Tari Rabbani Wahid; Performativitas;Sufi; flow; Aceh