bluuebunny/crossref_metadata_2025_split huggingface dataset:
Impact of WACC on Firm Profitability: Evidence from the Food and Allied Industry of Bangladesh
Authors: Rahman Farhana 
Published: November 2022

The research paper aims to analyze the underlying relationship in between the profitability and cost of funds of a firm. A total of twelve companies were selected as a sample for this study which is listed in Dhaka Stock Exchange under Food and Allied Industry. A panel data set of 15 years from 2005 to 2019 was used to conduct the necessary analysis. In this paper, Return on Asset (ROA) is used as the accounting criteria of profitability. WACC is the independent variable while Firm Size, Firm Age and Firm Leverage are used as control variable for the study. Fixed Effects Panel Regression Model is used to analyze the dataset. The result of the analysis shows that WACC is negatively related with the profitability measure and this relationship is significant. The study has potential to be replicated by other industries like textile, cement, pharmaceutical & chemical, fuel & power, tannery etc.
Influence of Some Preparation Parameters on The Efficiency of Activated Carbons Prepared from Teak Wood Shavings (Tectona Grandis) and Coconut Shells (Cocos Nucifera) for The Treatment of Industrial Wastewater
Authors: Karim Alassane Youssao Abdou , Balogoun Clément , Avocefohoun Alphonse S. , Prodjinonto Vincent , Gbaguidi Magloire A. N. , Dovonon Léonce Firmin , Saizonou Mickael , Agossou Gildas , Djihouessi Berneed , Sogbochi Elie , Aïna Martin , Alitonou Guy A. , Sohounhloue Dominique C. K. 
Published: November 2022

In this work, we valorized two wastes of plant origin in activated carbon (AC) by chemical activation, with a view to their use for the elimination of industrial dyes and artisanal dyeing simulated by methylene blue and iodine in the water. These are coconut shells (Coco nucifera) and teak wood chips (Tectona grandis). For the preparation of activated carbon based on coconut residues, the chemical activation was carried out by citric acid extracts of lemon juice (Citrus aurantiifolia) and then compared to that carried out with phosphoric acid and hydroxide of potassium. For the preparation of activated carbon from the teak residue, the activating agent used is potassium hydroxide. The results obtained show that activated carbon based on the coconut are microporous and mesoporous with an iodine number between 338.9 and 487.9 mg/g, a methylene blue number between 369.2 and 447.2 mg/g and a more pronounced post-treatment residual acidity for phosphoric acid than with lemon juice. The test conditions (the impregnation ratio, the duration, and the carbonization temperature) made it possible to prepare six activated carbons from the teak residue. The carbonization time does not have a significant effect on the adsorption efficiency although it does have a considerable effect on the carbonization efficiency. The adsorption kinetics of methylene blue on these materials is second order and the adsorption isotherm is more of the Langmuir type than that of the Freundlich model; this isotherm is characteristic of a wide distribution of microporosity and a well-developed mesoporosity. These activated carbons can therefore be used in the treatment of wastewater, in particular for the removal of industrial dyes and artisanal dyeing.
Case Report: Adult Retroperitoneal Rhabdomyosarcoma
Authors: Benjelloun E. Ghali , Hatim Ghita , Meryem Zaouit , Razzouki Ibtissam , Guérisse Nisrine Bennani , Jouhadi Hassan , Chekrine Tarik , Bouchbika Zineb , Benchekroun Nadia , Tawfiq Nezha , Benider Abdelatif , Sahraoui Souha 
Published: November 2022

Rhabdomyosarcoma (RMS) is the most common malignant mesenchymal tumor in children and adolescents. In this article we report a rare case of RMS considering the age of 37 years and its retroperitoneal location. The symptomatology was characterized by abdominal pain and alteration of the general condition. The diagnosis was confirmed after a scan-guided biopsy followed by an immunohistochemical study. Its management must be discussed in order to propose the appropriate therapy which was a chemotherapy in our patient with an unfavorable evolution.
論文例求義法
Authors: 楊 琳 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
文例指同樣或同類的詞句在不同語境中有規律地重複出現的語言現系。孤立地考索一個句子中的詞語，不容易把握其含義，不容易發現問題，但如果聯繫詞句使用的慣例來考索詞義，將詞語納入慣例的範圍之內，就容易看清其確切含義，容易發現流傳過程中出現的差錯。這種根據文例考求詞義的方法就是文例求義法。文例可從不同的角度分類。根據文例出現的語言單位的不同，可分為詞語文例、句式文例、段落文例三類；根據文例適用範圓的大小，可分為個體文例和通行文例兩類。文中利用文例考釋了許多疑難詞語，訂正了不少前人的誤訓。
The term wenli refers to the linguistic phenomenon of the same word, phrase, or expression repeatedly occuring in different contexts but with certain consistent features. It is hard to venture on the meaning of a given phrase and to identify a problem if it is examined without context. It would be much easier to determine its exact meaning and to discover its variations and errors during its transmission if one considers its customary usages summed up in statistics. This method is termed “searching for meaning via wenli.” There are different methods of wenli categorization. Divided by the unit of language, there are: phrasal wenli, sentence pattern wenli, and paragraph wenli. Divided by the coverage of practical use, there are individual wenli and general wenli. In this essay, the author makes use of wenli to examine a number of difficult phrases and is successful in correcting many mistakes of past exegistic work.
悲涼的觀照一一嚴歌苓小說的老年男性書寫
Authors: 李 仕芬 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
本文以嚴歌苓小説的老年男性書寫爲研究内容。作者如何通過叙述來演繹日暮黄昏的生命，爲論文重點所在。首先探討的是老年男性角色在愛情、婚姻追求上遇到的挫敗，接著論述其對親情的渴望，最後以自我的失落作結。在愛情、婚姻關係上，老年男主角往往波折重重，其中帶出的亦是老人常見的負面刻板形象„相對來説，在親情關係上，這些老年男性角色反而較能取得精神上的滿足，而和孫輩的親密關係，更往往成了箇中契機。自我價值的未能肯定，更是這些老年角色面對的困境。無論昔日人生是否璀璨，他們要爲今日的尊嚴取得認證，仍然困難重重。悲涼觀照下的老年生活，是否作家難能逃避的寫作情結？嚴歌苓筆下的老年男性形象，反映的又是否這種現象？
This essay explores the male in advanced age, as depicted in Yan Ge-Ling’s fiction. The emphasis is focused on the fiction’s narration of the lives and feelings of old male characters. This exploration of the inner male starts with their failing in love and marriage, continues with their yearning of family love and affection, and concludes with their loss of self-esteem. In love and marriage, the older males often face considerable difficulties, rooted mostly from the common old age stereotype. Comparatively speaking, they tend to be more successful in finding solace from their family, particularly through the channel of their grand descendents. Self insecurity is the greatest predicament of the old male psyche. Regardless of past glory, the old male desperately seeks respect and approval, but they face extreme challenges. With so much literary depiction of old age as being synonymous to misery, despair and discontent, can writers ever escape the old age stereotype? By examining the old male characters in Yan Ge-Ling’s fiction, this work seeks a reflection of this common literary phenomenon.
香港非粵語母語者語言轉移的初步探討
Authors: 梁 慧敏 , 李 貴生 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
本文嘗試從社會語言學角度出發，調查在香港工作的非粤語母語人士日常會話中的語言使用情况，探討的範圍包括工作場所和非工作場所中粵語、普通話和英語所占的比重。文章會通過均值分析和變項比較，闡述香港非粤語母語者的語言兼用與轉移的實際情况，并探討語言轉移的背後因素。
This paper aims to investigate the everyday language use of non-Cantonese native speakers who work in Hong Kong from the perspective of sociolinguistics. The three languages, namely Cantonese, Putonghua and English, will be examined closely in terms of their frequency of use in both workplaces and non-workplaces. By comparing the mean scores and related variables, this study further discusses and explains the phenomena of language shift of non-Cantonese native speakers.
解志熙：《考文叙事録——中國現代文學文獻校讀論叢》
Authors: 張 松建 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese only.
在當代中國的學科體系中，現代文學研究早已有“顯學”之稱。幾十年來，無論理論方法的革新抑或研究領域的拓展，均展示了許多值得稱頌的實績，一些標志性的著述我們亦耳熟能詳。可以想見，在此形勢下，如何突破“影響的焦慮”而另闢學術新路，不能不説是擺在學人面前的一大挑戰。新近出版的解志熙的《考文叙事録——中國現代文學文獻校讀論叢》可算這方面的大膽嘗試。(撮要取自內文首段)
有蟲還是無蟲？———中國上古醫療史中的“蠱”
Authors: 陳 嘉禮 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
中國醫療史的研究在過去百年得到長足的發展，然而，“蠱”作爲一個與疾病有關的名詞，雖然在古代醫學或非醫學的文獻中屢見不鮮，但前人多把視野聚焦在畜蠱害人之上，忽略了“蠱”在醫學疾病中的意義。本文以甲骨文、清華簡及其他先秦文獻入手，探索“蠱”在先秦時期的含意，並討論古人防“蠱”與治“蠱”之法，亦會窺探上古醫療疾病觀。
Scholarship on Chinese medical history has made considerable progress since last century. However, despite its frequent occurrences in ancient medical and non-medical documents, the word gu, a term associated with diseases, has only been studied in light of the practice of “collecting gu to harm others” in previous scholarship, no attention has been paid to its meaning in the medical study of diseases. Making use of inscriptions on oracle bones, bamboo slips preserved at Tsinghua University, and other pre-Qin documents, this essay aims to (1) explore the meaning of gu in pre-Qin contexts, (2) discuss how ancient people prevented and treated gu, and (3) observe the concepts of illnesses and medical treatments in ancient times.
彭淑敏：《民國福建協和大學之研究：以師資和財務爲例（1916—1949）》
Authors: 區 志堅 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese only.
今天學界多從輸入（input）及輸出（output）兩方面衡量研究高等院校的辦學成效。輸入方面分爲硬件及軟件。硬件如：財政資助、教職員學歷等人才資源、課程設計、校舍設施及圖書館藏書等；軟件如：學生校園生活、學生組織、課外活動、學生歸屬感、校友會組織等。至於輸出方面，如畢業生成就、師生的學術研究成果及爲社會創造知識等。豐裕經濟支援，較能爲師生提供豐盛的校園生活，以及資助教職員進行更多研究，不能否定的是校方適當地運用經濟資源，較容易培訓人才，錢“財”與人“才”配合得宜，更容易締造一代學風。(撮要取自內文首段)
琉球的出版文化與琉球漢詩集
Authors: 高津 孝 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
琉球王國久米村人，系明朝由福建移居琉球的華人後裔。歷史上，久米村人一直承擔著琉球與中國的貿易和外交往來；琉球漢詩的創作與出版也主要出自久米村人之手。琉球人創作的詩集，在中國的北京和福州，以及日本的京都、江户和大阪均有出版。1本文在琉球的出版文化這一場域中，對久米村人的出版活動，尤其是漢詩集的出版情況進行考察，並確認和評估其在東亞海域文化交流中的歷史意義。
The residents of Kume Village of Ryukyu Kingdom are descendants of Chinese emigrants who moved from Fujian province in the Ming dynasty. Historically, Kume villagers have played an important role in trade and diplomatic relations between China and Ryukyu, and they were responsible for the creation and publication of much Ryukyu Chinese poetry. Anthologies by Ryukyu poets were published in Beijing and Fuzhou in China, and Kyoto, Edo, and Osaka in Japan. The present essay is a study of the publication culture of Ryukyu. It examines the publication activities of Kume villagers, especially the publication situations of Chinese poetry anthologies, recognizing and evaluating their historical significance in cultural exchange in the marine areas of East Asia.
艾朗諾：《美的焦慮：北宋士大夫的審美思想與追求》
Authors: 張 萬民 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese only.
此書作者艾朗諾，曾任教於美國哈佛大學及加州大學聖芭芭拉分校，現任教於斯坦福大學，是美國漢學界宋代文學研究的代表人物，《劍橋中國文學史》北宋部分的撰寫者。艾朗諾教授長期研究歐陽修、蘇軾、黄庭堅等宋代文人的作品和思想，曾出版過研究歐陽修、蘇軾的專著，近年又出版了關於李清照及其身後形象重塑的著作。(撮要取自內文首段)
傳統與現代的激蕩———論劉毓盤的詞學與教育
Authors: 吳 志廉 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
從晚清過渡到民國的傳統詞人劉毓盤，其《詞史》作爲中國第一本通代詞史，乃嘗試對千年詞壇作出系統梳理與規律把握；此外，他尚撰有《中國文學史》，輯有《唐五代宋遼金元名家詞輯》，蓽路藍縷之功，值得關注。然劉毓盤逝世八十多年後，才陸續出現幾篇論文開始關注他，其“身後名”長期備受冷落，與其生前作爲構成强烈反差。本文嘗試進入20世紀30年代的詞學氛圍，並以學術史與教育史的眼光探討爲何劉毓盤長期被學界輕視；繼而重新挖掘劉毓盤被學界輕視的詞學貢獻，分别是：《詞輯》與《詞史》的文獻積累爲後世詞籍整理提供便利，《詞史》多面向而客觀的理論框架爲後世詞史撰寫提供借鑑，《詞史》有效推動傳統詞學向現代詞學轉型。本文同時關注劉毓盤當年盡責而靈動的課堂傳授，旨在反思側重學術研究而輕視課堂傳授的大學趨勢，是否有調整的需要；並藉著《詞史》反思愈趨“理論化”的學界，如何在理論闡發與詞史描述的張力之間取得平衡。
Liu Yupan, a traditional “Ci” writer across the late Qing Dynasty and the Republic of China who made his name with “Cishi”, which was the first book in China summarizing the history of Ci and the principles behind systematically. In addition, he was also known for his “Zhongguo Wenxue Shi” and “Tang Wudai Songliao Jinyuan Mingjia Ciji”. His contributions to the studies of Ci deserve great attention. Yet, just a few articles mentioned about him after 83 years since his death. His poor popularity has formed a sharp contrast with his excellent contributions. By getting into the atmosphere of Ci study in 1930s, this paper attempts to investigate why Liu has been overlooked by scholars for such a long time from the perspectives of academic history and educational history. This paper also aims to re-discover the neglected contributions made by Liu to the following generations, including how his works of “Ciji” and “Cishi” bring convenience to the collection and classification of Ci; how the multidimensional and objective theoretical framework of “Cishi” serves as a reference for the drafting of Ci history; how “Cishi” promotes the transformation of traditional Ci study to modern Ci study. Besides, the present study discusses the teaching activities conducted by Liu in an attempt to examine the need of adjustment of the current tendency of university education, in which academic research was seen as more important than knowledge impartation. Finally, by studying “Cishi”, this paper explores how the current academic circle could strike a balance between theoretical development and Ci history description.
《海光文藝》與香港六十年代的流行小説
Authors: 魏 艷 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
本文主要分析香港20世紀六十年代的一本重要左派文藝刊物《海光文藝》中的流行小説。之前對《海光文藝》的研究主要在於它作爲左派的灰色刊物在冷戰時期的意義，本文則對其中的流行小説部分進行細讀，大致分爲兩個部分，第一部分討論《海光文藝》中對流行文學的研究，包括梁羽生、金庸對於武俠小説的討論，盈若思對瓊瑤及郭良蕙的言情小説的分析等。第二部分以文本細讀的方法，分析《海光文藝》刊登的流行短篇小説，特别是選取鄭慧、依達、亦舒這三個分别在五十年代、六十年代及七十年代最爲流行的言情作家作品來討論他們所寫作的言情小説中所反映的不同世代的創作特色。文章認爲《海光文藝》在評論及創作兩個方面均對當時的流行文學研究做出貢獻。它以一種嚴肅的、論文探討式的方式來分析時下的流行文學類型，同時，在創作上，刊物中發表的流行文學在世代、性别、背景上也有多樣化的特點，因此在香港六十年代流行文學的研究及創作上具有重要價值。
This paper discussed the popular fiction in Haiguang wenyi, one of the most important literary journals by the leftist in the 1960s Hong Kong. Previously the studies of this journal mainly focused on its significance as a grey journal of the leftists during the cold war, this paper, however, conducted a detailed analysis in its texts of popular fiction. It consisted two parts. Part one discussed the essays on the theory of popular literature published in this journal, including discussions on martial art fiction by Liang Yusheng and Jing Yong, the analysis by Ying Ruosi on the topic of romances of Qiong Yao and Guo Lianghui. Part two did a detailed readings of the popular fiction in this journal, especially the stories written by Zheng Hui, Yi Da and Yi Shu. These three writers were the most popular romance writers of the 50s, 60s and 70s each. In general, this paper argued that Haiguang wenyi contributed greatly to the popular literature writings in the 1960s Hong Kong literature. Not only did it take a serious attitude to treat popular literature at that time, but also the popular stories published in this journal exhibited the diversity of genres and generations at that time.
王世貞《高拱傳》史實探析
Authors: 岳 金西 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
明王世貞《首輔傳》卷六《高拱傳》，是高拱逝世後最早出現的一篇政治性傳記。該傳除傳主從政歷程、裕邸講讀大抵近實及其俺答封貢之功略有論及之外，其基本傾向是持否定態度。在徐階逐拱出閣、高拱復政原因、嘉靖遺詔紛爭、隆慶閣臣去政之真相以及所謂傳主報復徐階、貪污受賄等問題上，表現出甚爲明顯的歷史偏見。形成這種偏見的原因，既有王氏與傳主之間的是非恩怨，也有政治史觀上的對立，還有高傳主要取材于高拱之政敵徐階的訪談資料等因素。故此，明清史家將《首輔傳》判定爲不確、不真、不實，並非虛語。
The sixth volume of the Biography of the Prime Ministers by Wang Shizhen is Biography of Gao Gong, the earliest political biography ever since Gao’s death. Apart from Gao’s initiation into the political realm, his teaching in the Yu Palace and his pacification of the Anda, the general attitude towards Gao is negative. Wang’s biography is steeped in prejudice as far as the following issues is concerned, such as the exclusion of Xu Jie, the restoration of Gao Gong, the disputes on Jiajing Emperor’s posthumous ordinance, his vengeance against Xu Jie, the problem of bribery and so on. Such prejudice is brewed in both the ingrained mutual hatred between Wang and Gao and their opposing political standpoints. In addition to it, Wang’s materials are mainly based on the interviews with Xu Jie, which is why so many historians consider it to be unauthentic, imprecise and unbelievable.
金聖歎批評《第六才子書西廂記》———傳承、創新與接受
Authors: 凌 筱嶠 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
本文擬將金聖歎評《第六才子書西廂記》放置於古典文論以及朱熹《讀書法》脈絡中，考察金批《西廂》有關創作與閱讀體驗自成一體的理論建樹。金批《西廂》一反傳統的“發憤著書論”以及作者寄身翰墨以期不朽的文化心理，強調古人／作者之不可知，將文本生産與天才作者的英雄人格相剥離，轉而將創作、閱讀主體共同放置於茫茫天地間洶湧萬世的時間潮流中。妙文成爲“普天下萬世錦繡才子”構成的精英讀者群體與聖歎間通過儀式性的情感交流以及“平心斂氣”的身體體驗得以從天下萬世人人心中“偷取”出的公共之寶。如此立論，看似與二十世紀後結構主義的“作者已死”觀念相貫通，實際却植根於十七世紀文人藉木刻本爲公共平臺，對古典文論如陸機《文賦》中靈感生成論的有力補充。其中折射的明清之際文人審美趣味，既承接朱熹以《讀書法》強調身體力行的閱讀功夫以對抗商業印刷業影響下的閱讀功利性以及量化趨向，又展現出晚明醫藥話語和禪、儒合一的專業性知識體系。有趣的是，金批《西廂》中針對閱讀體驗完整的理論體系，在清代的接受史中不敵刻書家、戲曲家對“才子”概念的慣性理解。追溯《第六才子書西廂記》對前人的選擇性繼承以及對後人的影響，呈現出閱讀接受史中種種吊詭與概念挪用。傳承、創新與接受因此而成爲富含張力與生命力的動態過程。
This paper situates Jin Shengtan’s (1608-1661) The Sixth Genius Book: The Western Wing in the context of traditional Chinese literary criticism and discourse on reading, in an attempt to examine Jin’s contribution to the history of reading. In his tremendously popular commentary on the romantic play The Story of the Western Wing, Jin defines the text as an artifact that captures the aesthetics of a single moment, which is utterly unique and unreproducible. Any writer does not possess his text once it materializes into “marvelous writings between heaven and earth” (tiandi miaowen), as these are treasures of talented men whose brilliance of learning renders the patterns of nature as the text’s simulacrum. The present essay examines how Jin uses this definition of the literary text to promote his understanding of reading as a bodily experience that fuses subjective identities of the author, the reader, and the commentator in a virtual community of reader- writers sharing “brocade-like minds” (jinxiu caizi). Jin’s theory of reading shares concerns in Lu Ji’s (261-303) “Poetic Exposition on Literature” and Zhu Xi’s (1130-1200) teachings on the act of reading: Lu Ji’s trenchant awareness of literary precedents and preoccupation with originality on the one hand and Zhu Xi’s wariness of commercialization of knowledge and its fragmentation in the age of printing on the other. Yet The Sixth Genius Book sets itself apart from these precedents with Jin’s evocation of medical and religious discourses that, by the seventeenth century, had become part of a broadly-shared repertoire of professional knowledge. Ultimately, Jin’s The Sixth Genius Book showcases the contested nature of the non-linear dynamics of continuation, innovation, and reception epitomized in his promotion of The Western Wing as a well-recognized cultural icon.
“新傷痕時代”及其文化應對
Authors: 楊 慶祥 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
這究竟是一個什麽樣的時代？應該從何種層面來對這個時代命名？這是知識者的責任和義務。在全球化和中國本土的雙重視野中，楊慶祥從精神性的角度將這個時代命名爲“新傷痕時代”，它在普遍的意義上指的是一切非人性的秩序對個體和共同體的傷害，它在其最具體性上指的是中國的“改革”之陣痛及其傷害。楊慶祥進而提出只有通過有效的“新傷痕文學”的書寫，才能表達、呈現並拯救這種傷痕。
What age are we living in? From what perspective can we name this age? These are two very real responsibilities and obligations of intellectuals. From the perspectives of both globalization and domestic China, the author of the present study has developed the concept of “The Age of New Scars” from an intellectual standpoint. Generally speaking, “The Age of New Scars” refers to all sorts of harm and trauma that the inhuman order brings to the individual and community. In a more specific sense, it refers to the throes and damage during the “reform” of China. The author further proposes that only through effective writing of “New Scar Literature” can we express, represent and finally heal this kind of scar.
卿憐及相關作品考論
Authors: 趙 杏根 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
清乾隆間，吳地常熟女子王伏，爲浙江巡撫王亶望所娶爲侍妾，以卿憐名。王亶望因貪腐被殺，其後某年，卿憐被侍郎蔣賜棨送給和珅爲侍妾。和珅垮臺，卿憐所作或托名卿憐所作並且以她的經歷和情感爲題材的詩歌，開始流傳。以其故事爲題材的詩文、詩話、筆記等廣爲流傳，其中不乏出自名家之手的優秀作品。這些作品，反映了當時的官場生態和文化生態，抨擊貪官、警示世人，諷刺那些當初攀附貪官、謀取貪官恩惠的人。
Qinglian was a nickname given to Wang Fu, a native of Changshu in the Wu region who lived in the Qianlong reign-period (1736-1795), when she became concubine of Wang Danwang, governor of Zhejiang province. A few years after the latter was executed for corruption, Qinglian was given to Heshen as a concubine by Jiang Ciqi. After the downfall of Heshen, the poems authored by or attributed to Qinglian began to be circulated. These poems are mainly about her life and feelings. In the meantime, her story became a significant theme in some poetry, essays, poetry critique, and narratives, which were in wide circulation. Among these works were some of high quality and some by famous writers. These works may be seen as a warning as they criticized the corrupt officials and satirized those who were once adherents to corrupt officials in order to curry favor.
近現代報刊傳媒與戰前新馬漢詩
Authors: 王 兵 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
在1881年《叻報》創辦之前，新加坡和馬來西亞的漢詩創作無法進入公衆的視野。而在《叻報》創立至1941年底新馬淪陷前的60年間，新馬中文報紙的發展異常迅猛，陸續誕生的報紙計有《檳城新報》、《星報》、《天南新報》、《日新報》、《總匯新報》、《中興日報》、《南洋商報》、《星洲日報》等二十餘種。這些華文報紙，幾乎每一種都定期或不定期地登載舊體詩。因此，華文報刊的定位、副刊主編的喜好等也會影響到新馬漢詩的發展。同時，新馬地區這一時期出現的“新派詩”亦可視爲這一傳播載體影響下的産物。另外，就華文報刊對於傳統漢詩發展的意義而言，近現代華文報刊登載漢詩的意義不僅僅局限於提供傳播渠道和保存原始史料，更爲深層的價值在於詩人的創作成果從“私人領域”進入了“公共空間”，從而實現向廣大讀者傳達審美欣賞、文化再現和社會政治參與等層面的價值。
Han poetry (classical Chinese poetry) did not enter the sphere of the general public until the publication of Malaya’s first newspaper, Lat Pau, in 1881. In the 60 years of its publication history, from 1881 to late 1941 before the downfall of Singapore and Malaya, the Lat Pau witnessed a rapid, robust development of Chinese newspapers. Following this were the respective debuts of more than 20 newspapers, such as Penang Sin Poe, Sing Po, Thien Nan Shin Pao, Jit Shin Pao, Union Times, Chong Shing Yit Pao, Nanyang Siang Pau, and Sin Chew Jit Poh. These newspapers became important for the circulation of classical poetry, as some of them published poems on a periodic basis and some daily. Therefore, the status of Chinese journals and newspapers and preferences of the editors were decisive factors in the development of Malayan Han poetry. Meanwhile, the “new-style poetry” that emerged at this time may be seen as products of Chinese newspapers published at this time. Furthermore, the significance of publishing classical Chinese poetry in modern newspapers lies not only in the provision of communication channels and the preservation of original materials, but, more importantly, they brought the poets’ creative works from a “private sphere ” to the “public space,” and thereby conveyed to the reader the values of aesthetic appreciation, cultural reproduction, and social and political participation.
嚴志雄：《牧齋初論集———詩文、生命、身後名》
Authors: 許 建業 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese only.
嚴志雄先生新著《牧齋初論集一一詩文、生命、身後名》，是繼The Poet-historian Qian Qianyi（Routledge，2009）（此乃嚴先生1998年博士論文修訂而成，中譯本《錢謙益的“詩史”理論與實踐》將於今年由中華書局出版）、《錢謙益〈病榻消寒雜咏〉論釋》（臺灣“中硏院” ，2012）、《秋柳的世界一一王士祺與清初詩壇側議》（香港大學出版社，2013）等之後的重要論著。若初步翻看諸作目録，我們會很容易判斷新著僅爲與錢謙益詩文相關的論文集，與之前幾部精心擘劃論述方法與規模的作品很不一樣。已故學者張暉（1977—2013）評論《錢謙益〈病榻消寒雜咏〉論釋》時已指出，嚴先生首兩部著作在結構上“存在著一些相似之處”，即從架構上先將理論框架和問題意識辨析清楚，開展具體的課題探討，然後聚焦到詩歌文本的細讀（close reading），從而進入和理解詩人生命所面對不同境遇、關情與證悟。（《〈錢謙益《病榻消寒雜詠》論釋〉的啟示意義》，《朝歌集》，2013年）若仔細辨察，二書又有分別：前者先釐清錢氏的“詩史”槪念，繼而以詩歌文本對照參證；後者先分專題議論，確立組詩意義，再透過仔細的箋釋工夫辨析和深化各詩語詞背後的本事、意象和符碼，不單結構創新，也是一種論述方式的超越。這種相似與超越，反映嚴先生對論述理路和方法的深思熟慮，並非偶然。以此延伸照看，若我們將嚴先生四部作品視作更爲宏大的論述結構安排，《牧齋初論集》雖似乎沒有自成緊密的體系，但結合前三者，則體現了嚴先生這些年來治學思路的層累，以及理論關懷的輻輳反映。(撮要取自內文首段)
楊聯陞：《漢學書評》
Authors: 梁 右典 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese only.
前輩學者有人願意花50年時間在書評這塊園地持續耕耘，並在漢學界闖出天地，不可不以楊聯陞（1914一1990）先生爲代表之一。楊聯陞的書評在兩岸陸續都有出版，見於他的《漢學散策》、《國史探微》、《漢學論評集》等書；而2016年8月由大陸蔣力編輯《漢學書評》（商務印書館）値得關注，是楊聯陞的書評論文第一次以中文方式大規模與讀者見面。(撮要取自內文首段)