bluuebunny/crossref_metadata_2025_split huggingface dataset:
Antiulcer Potential of Extracts of Urena lobata Plant Leaves
Authors: Singare Sajan , Jain Neetesh Kumar , Upadhyay Prachi , Tomar Vivek Singh 
Published: November 2022

The plant belonging to the family Malvaceae, the scanty availability of information on this plant facilitates the study on it. Entire plants of Urena lobata were collected from India. The Leaves of plant were shade dried, reduced to coarse powder with the help of grinder and stored in airtight container till further use. The phytoconstituents were extracted by using different solvent of increasing polarity like chloroform, ethyl acetate, n-hexane, ethanol and water. The acute toxicity test aims an establishing the therapeutic index, i.e. the ratio between the pharmacologically effective dose and the lethal dose on the same strain and species (LD50/ED50). In any screening program, acute toxicity on mice/rat is usually performed first. Acute oral toxicity was performed used the Up and down method, OECD Guideline 425 (Revised: 17 December 2001) The single dose of aqueous extract of leaves of Urena lobata was used for the acute oral toxicological study for appreciating the usefulness of the chosen plant ant in understanding the effects of the same in relation to the gastric ulcer. LD50 / tolerable dose are estimated in rats. We were found that the animals were safe and no mortality was observed up to 2000mg/kg body weight. It records that LD50 determination of the aqueous extract of leaves of Urena lobata are > 2000mg/kg body weight. Extract of leaves of Urena lobata on alcohol- induced gastric ulceration in rats on different dose were tested (10, 15 and 20mg/kg body weight) the % protection range was observed from 26.33 to 71.14 (standard drugs omeprazole),. 54.18 observed on 20mg/kg dose.
Keywords: Urena lobata, Acute oral toxicity, alcohol- induced gastric ulceration, anti-ulcer
La Enfermería Escolar y la necesidad de su inserción en la comunidad educativa de la Cuenca Carbonífera
Authors: Oyarzún Marcos , Chaura Nilda , Arach Omar , Quispe Estela , Elguero Karina , Villegas Vanina , Vilte Elsa , Ávila Miguelina , Ramírez Celia , Luna Valeria 
Published: November 2022

La Enfermería Escolar como especialización con una trayectoria más sólida en los países europeos y mucho menor en el resto del mundo. En Argentina no existe como una figura que es componente de los equipos interdisciplinarios que asisten a los docentes en las escuelas primarias. Si bien hay varios pedidos legislativos para su formalización, aún no se han concretado. Nuestra pretensión se enfocó en conocer el estado de conocimiento y posible inserción de la Enfermera Escolar en las escuelas de la Cuenca Carbonífera, como un factor de prevención y promoción de la salud en los escolares.
Para ello se realizó una investigación de campo principalmente complementada con una recopilación bibliográfica. El tipo de diseño fue de tipo cualitativo. Se abordó la población compuesta por docentes en actividad a través de una muestra de conveniencia para un análisis integral y comparativo con una encuesta definida y que se difundió por internet. Se utilizó también una prueba piloto previa para el mejor abordaje con el instrumento citado.
Los resultados principales brindaron información sobre la importancia con que los docentes particularizan el trabajo de la Enfermería Escolar, el discernimiento de las diversas patologías que tienen los escolares actuales y que debe atenderse en forma adecuada por equipos interdisciplinarios con la actuación de la Enfermera a tiempo completo, la validez y prosecución de los programas de salud vigentes y la posible disminución de la actual tasa de ausentismo.
Es necesaria la implementación de esta figura entre nuestras escuelas, fundado en las expresiones de los docentes, las necesidades de los alumnos y las diversas consecuencias de su trabajo preventivo e innovador. Se abren muchas líneas de investigación especialmente en la parte normativa, protocolar y de trabajo interdisciplinar.
Registrable and Non-Registrable Trademarks under the Nigerian Law
Authors: Nwogu Mary Imelda Obianuju 
Published: November 2022

A trademark is a mark used in relation to goods for trade in Nigeria. It could be a device, brand, heading, label, name, signature, word, letter, or a combination thereof (Trade Marks Act, Cap. T13 s. 67(1), Laws of the Federation of Nigeria (LFN), 2004). For a mark to be beneficial to the owner under the Law and have proprietary interest, it must be registered. It could be registered in part A or Part B of the trademarks register (Trade Marks Act, Ss. 9(1) and 10(1)). Not all marks can be registered under the Law, hence there are registrable and non-registrable marks under the Trade Marks Act. The owner of a Registered trademark has the exclusive right to the use of that trademark in respect of the goods in which it is registered (Procter and Gamble Co. v. Global Soap and Co. Ltd.& Anor, (2013)). It is my recommendation that all marks used in trade should be registered so that the owner will reap from the fruit of his labor by having a monopoly right and action in infringement.
張暉：《中國的“詩史”傳統》
Authors: 沙 先一 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese only.
“詩史”、“以詩證史”、“詩史互證”，這些大家都耳熟能詳，但要明晰地説出其内涵、歷史發展脉絡，却又相當困難。關於這些術語概念、理論問題，學界雖有廣泛地關注，但却不够系統深入，張暉先生新近出版的《中國的“詩史”傳統》一書，通過扎實的文獻考辨與理論闡釋，探討了“詩史”内涵的形成及增衍，梳理了“詩史”説的歷史圖景，并對“詩史”傳統與抒情傳統、“以詩證史”與“詩史互證”等加以辨析反思，極具開拓性，推進了這一領域的研究。(撮要取自內文首段)
明代爲中國近代史上限説———以郭廷以（1904—1975）及黄仁宇（1918—2000）爲例
Authors: 李 金强 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
20世紀以來，在中外學者的倡導下，中國近代史的研究受到重視。而中國近代史研究中一項重要課題，即爲如何斷限。其中上限最爲史家所關注，先後産生鴉片戰爭説、自强運動説、明末清初説、明代説、宋代説等。其中以鴉片戰爭説最爲史學界所接受，宋代説、自强運動説附議者不多，本文則以明末清初及明代説作爲探討對象。其中明末清初説尤多學者支持，以郭廷以最具影響，而明代説則獨見之於黄仁宇。故本文遂以郭、黄二人之主張爲個案，藉以説明明代與近代中國歷史發展的密切關係。
The research of modern Chinese history was given special attention in the twentieth century by scholars within and outside China, and gradually became a prominent field in the study of Chinese history. One important topic for the research of modern Chinese history concerns periodization. Historians are especially interested in determining the starting point of this period. They have respectively suggested several demarcative points: the Opium War, the Self-Strengthening Movement, the transition period between the Ming-Qing dynasties, the Ming dynasty, and the Song dynasty. The Opium War is the most widely accepted, while the Self-Strengthening Movement and the Song dynasty have the lowest number of proponents. The present study focuses on advocacy for the transition period between the Ming-Qing dynasties and support for the Ming dynasty theory. The former enjoys considerable support, with Kuo Ting-yee as its most influential proponent; while the latter is only advocated by Ray Huang. These two theories form the content of the present case study on the close relationship between the Ming dynasty and modern Chinese history.
陽醜•鬼王與神堂———論《慶豐年五鬼鬧鍾馗》的造神過程
Authors: 劉 燕萍 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
《慶豐年五鬼鬧鍾馗》是有記載最早的“五鬼鬧判”戲，然而“五鬼鬧鍾馗”式的故事，至少在明萬曆三十年（1602）前，已在民間廣泛流傳。約寫於明隆慶二年（1568）至萬曆三十年（1602）間的《金瓶梅詞話》六十五回，李瓶兒死後，演出百戲便包括“五鬼鬧判”。
《慶豐年五鬼鬧鍾馗》一劇，與此前鍾馗文本不同處，在於鍾馗在劇中需要對付衆多鬼魅，並具備完整的由人到鬼至成神的造神過程。鍾馗在劇中，並非具備神通或有神助，卻能成神，强調的是其人格美。本文的重點，在探討鍾馗作爲醜神的“陽醜”：外貌醜與人格美的不協調（incongruity）。鍾馗成爲鬼王，必須降伏有如寓言人物（allegorical figure）的鬼魅。查劇中出現的大小耗鬼和五鬼，乃首次出現於鍾馗故事中。本文追查所提及鬼類的由來，以見鍾馗降伏大小耗鬼和五鬼，與登上鬼王位置的重要性。此外，神堂的獲得乃鍾馗成神的關鍵。《慶豐年五鬼鬧鍾馗》對鍾馗前文本作出“創造性背叛”（creative treason），一反鍾馗爲唐明皇“服務”———驅鬼的“傳統”，改爲替殿頭官驅鬼，以强化士人懷才不遇及官員奸貪的主題。本文通過對鬼（大小耗鬼、五鬼）、神（鍾馗和五道將軍）元素的探討，展示明代首次出現完整的成神過程的鍾馗文本，如何達至成熟的階段，並對後世鍾馗作品産生重要影響。
“Celebrating and Abundant Harvest the Five Ghosts Tease Zhong Kui” is the first drama on the tale of “Five Ghosts Tease Zhong Kui” which appears in the Ming Dynasty. In “Celebrating an Abundant Harvest the Five Ghosts Tease Zhong Kui”, Zhong Kui has to subdue a lot of ghosts. In addition, there is a complete deity- making process. The essence of deity-making is not due to the great magic power of Zhong Kui. It is the power of the character, integrity and righteousness that help Zhong Kui to conquer evil forces. This paper would discuss the incongruity of the ugly appearance and inner beauty of Zhong Kui. In addition, ghosts such as the five ghosts would be traced from its origin to bring out the importance of subduing these ghosts for Zhong Kui to become the ghost king. Different from the pre-texts of the Zhong Kui tales, in “Celebrating an Abundant Harvest the Five Ghosts Tease Zhong Kui”, Zhong Kui conquers the ghosts not for the king but for the court officer which is a kind of creative treason. This “action” brings Zhong Kui the temple which is an essential part of the deity- making. This article focuses on the role of ghosts and deity to show the process of making the Ghost King. “Celebrating an Abundant Harvest the Five Ghosts Tease Zhong Kui” is a mature Zhong Kui tale which inflicts influence on the related Zhong Kui tales of the following decades.
“自省”與“呈現”———論臺靜農先生1920年代的鄉土小説創作
Authors: 賴 柏霖 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
1920年代，臺先生以鄉土小説斐聲文壇。他的14篇鄉土題材小説，呈現了兩種相異的筆調：一是“自省型”，大多採用第一人稱的叙事觀點，並以“我”的感懷來收束全篇，表現一種知識分子對於世界的醒覺和關懷；二是“呈現型”，選擇一種非“我”述體的叙事手法，强調故事人物特質或狀態的“描寫”，展現以悲心閲世，包容一切的書寫姿態。本文指出，臺先生於鄉土題材採用“自省型”寫法的作品數量雖少，卻更能代表他此時主要的文學表現，内涵魯迅所言的“鄉愁”特徵，這意味著，臺先生終究無法在一片“感時憂國”的呼聲中自外其身。通過這樣的對照，顯示臺先生《地之子》中“呈現型”小説的意義，就在於能够捨棄過多“寫實主義”所肩負的啓蒙使命，採取不同的叙事策略，轉而呈現一個具體的人如何“活”的生命實相，從而找到擺落“鄉愁”感傷的叙述方式，展現鄉土寫實小説的不同可能。
In 1920’s, Mr. Tai’s native novels are marvelous in literary circle. Among his fourteen native novels, two different characters were shown as Self-contemplation type and Objective Presentment type. The former type of writing uses the first person’s point of views and concludes the emotion made by the first person, which represents the awareness of intelligentsia toward the society. On the other hand, the latter type of writing uses rather than the first person to describe the stories and emphasizes the main characteristics, which shows the sympathy toward the world. This article points out that Mr. Tai’s native novels with Self-contemplation describing mode are not so plenty, but that can present his major performance in literary; his articles have the nostalgia emotion which Lu Xun mentions and that also shows Mr. Tai could not escape from “Obsession with China”. With the comparison, this article considers that Mr. Tai’s Son of Land talks about the meaning of novels by using Objective Presentment describing mode; it could abandon too much realism’s enlightened missions and it uses a different describing mode to show how a specific person lives in his real life; then it could find describing way without Self-contemplation.
爲現代都市勾繪新畫像———林燿德的都市詩學
Authors: 陳 俊榮 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
林燿德在1980年代大力提倡所謂的“都市詩學”，成爲論者所稱“都市文學的主倡者與實踐者”。他的都市詩學確有助於都市詩風潮之形成，爲都市詩作爲1980年代崛起的新詩型樹立了風向標。他援引後結構主義理論，特别是巴特、德希達、福柯等人的説法，以逐步建構他的都市詩學，並從這個角度將後現代主義嫁接其中。本文“都市的時代性”、“都市的文本性”以及“都市的異地性”從三個角度著手，探討其都市詩學理論。
People called Lin Yaode “the primary advocator and practitioner of urban literature” since he fervently advocated so-called “urban poetics” in the 1980s. His urban poetics indeed contributed to the formation of the urban poetry trend and set a benchmark for urban poetry as an emerging genre. He cited the poststructuralist theorists, especially Barth, Derrida, and Foucault, in order to gradually construct his urban poetics, and grafted postmodernism into urban poetics from this perspective. Reviewing Lin Yaode’s related discourses, this essay investigates three aspects of his urban poetics: the urban epoch, urban textuality, and urban heterotopias.
周佳榮：《百年傳承：香港學者論中華書局》
Authors: 侯 杰 , 徐 世博 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese only.
多年前，筆者曾讀海外中國學專家芮哲菲的著作《古騰堡在上海———中國的印刷資本主義（1876—1937）》，卷首有這樣的描述：
1949年3月，當毛澤東從西柏坡起身前往北京的時候，曾攜帶四部書，包括《史記》、《資治通鑑》、《辭源》（由商務印書館於1915年開始印行）和《辭海》（由中華書局於1936—1937年開始印行）。如果説前兩部書是古往今來帝王將相和征服者必讀之經典，那麽後兩部書則彰顯了中國近代工業化的出版企業之於知識和政治的重要性。商務與中華，和其他以上海爲基地的新式印刷和出版企業一道，塑造並標準化了近代中國的語言和思維方式。(撮要取自內文首段)
金紅：《融通與變異：意識流在中國新時期小説中的流變》
Authors: 李 金坤 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese only.
蘇州科技學院金紅教授以十年磨一劍之功力，出版了她在博士論文基礎上數易其稿的專著《融通與變異：意識流在中國新時期小説中的流變》（下文簡稱《流變》），該書對意識流的西風東漸之歷史背景、傳播路徑、創作影響、發展現狀、利弊得失等問題作了全面而系統的論述。“這是學術界迄今爲止最爲完善、完整地論述意識流與中國新時期文學關係的論文。論文不僅評介了意識流小説在新時期文壇的譯介過程，而且著力分析它對中國新時期小説的影響過程，顯得相當地全面。”此乃蘇州大學文學院教授、現當代文學博士研究生導師湯哲聲對金紅博士論文《流變》之評語（見《流變》封底所録）點出了此書的意義所在。可以説，此書開啓了中國新時期意識流小説研究的新篇章，具有填補學術空白的重要意義。概而論之，《流變》的研究特色與學術成就主要表現在三個方面，兹簡略論之。(撮要取自內文首段)
論經學的消解與必然回歸
Authors: 錢 宗武 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
經學是千百年來全社會共同認同的價值觀，是修身淑世的大道之學。華夏文化歷經衝擊又綿延不絶，得益於經學作爲民族文化基因代代相傳。近現代經學的消解具有各種各樣複雜的原因，本文深入探究經學消解的學術、歷史和政治思想因素，揭示經學回歸“重建”、“重構”、“重組”的“三重”必要性，梳理經學回歸的重要保障和具體條件，對於民族精神的偉大復興具有重要的理論價值和實踐價值。
The study of Confucian classics represents a set of values commonly recognized by the Chinese community for thousands of years. It also forms the content for teaching the great Way that guides self-cultivation for a sense of social responsibility. Although Chinese civilization endured numerous impacts, it was still unceasingly inherited. This is ascribed to the study of Confucian classics, which have long become a gene of Chinese national culture and have been passed on to later generations. There are various, complex reasons for the disintegration of the study of Confucian classics in early modern and modern eras. The present essay examines this disintegration from academic, historical, and ideological perspectives. It unveils the necessity of three tasks for the restoration of the study of Confucian classics, namely “reconstruction,” “reconfiguration,” and “recombination.” It elucidates the important guarantee and substantial conditions for the restoration of the study of Confucian classics, thereby creating significant theoretical and practical values for the great renaissance of national spirit.
從出土文物看《儀禮》内容的時代
Authors: 葉 國良 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
經籍著作的時代，和其内容反映的時代並不一定等同，需要分别看待。《儀禮》一書，筆者基本上同意沈文倬的觀點，即書本陸續撰成於春秋末期及戰國時代，而所載内容大多屬於西周曾經實行的禮典。但包括沈氏在内的學者對這些禮典的存在時代，論證較爲簡略，所以《儀禮》内容反映的時代，有待從多方面來論定。本文認爲能够確定時代的出土文物也可以運用在《儀禮》某些儀節的研究上，但不能徑用二重證據法來討論。方法是：如果殷周時代出土的文物反映了某些禮儀，到戰國時代業已不用，而《儀禮》仍然記載，這便説明了《儀禮》某些儀節源自殷周，亦即保留了殷周的禮儀。如果戰國時代出土的文物反映了某些禮儀，爲春秋時代以前所無，而《儀禮》亦未採用，這便説明了《儀禮》某些儀節保留了春秋時代以前的禮儀。以上二者均屬默證，但可局部證明：《儀禮》儘管陸續寫定於戰國時代，其内容卻反映了較早期的禮儀。
It is necessary to separate the times in the classics from the years of their completion. The author agrees with Shen Wenzhuo’s point of view that the Rites and Ceremonies (Yili) was completed during the late Spring and Autumn and Warring States periods of Eastern Zhou, but the recorded ceremonial rites were practiced throughout Western Zhou. Scholars, including Shen, have paid less attention to dating these rites. To make a complete investigation of the time issue, this article proposes an alternative of dating back the rites in the Rites and Ceremonies by means of comparing with dated excavations, though not fully relying on “Method of Dual Evidence. “The rationale of my suggested method is that the Rites and Ceremonies retains rites that derive from the period of the Yin and Zhou, if they are indicated in excavations of this period but not continuously used until the Warring States period. In addition, if excavations, which date back to the Warring States period, show nothing about the rites used by the Spring and Autumn period and these rites are also not included in the Rites and Ceremonies, it refers that the book is a legacy of rites by this period. The above method is an argument from silence, but it partially proves that this ritual classic presents earlier rites than those during the time when it was completed, namely the Warring States period.
論唐代“大手筆”作家之聲名消解與歷史遮蔽
Authors: 曲 景毅 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
本文以宋代《唐文粹》、明代《唐文鑒》、清代《唐駢體文鈔》（包括清代補遺的《唐文粹》）的編選作爲參照，考察後世對唐代“大手筆”作家應用文寫作的接受情況：衆“大手筆”作家中張説、李德裕受到更多的認可，李嶠、蘇頲次之；宋、清兩朝“大手筆”作家受到一定的關注，明代似不受歡迎，他們受到後世青睞的多爲其頌銘碑誌論等文體，愈往後被選録作品的文學性越强，而佔其文章數量頗多的制誥表章，則逐漸消失在編選者的視野之中。文章進一步論證：由於文學觀念的轉移、政事掩蓋文學、人品影響文品、創作本身的缺憾及作品的散佚，使得“大手筆”作家之文學聲名逐漸消解，於现代文學史的叙述中被遮蔽。
In Tang dynasty there are 16 writers to share “dashoubi” (大手筆, Great hand with the pen) title and they have great impact on Tang literary world. The article discusses the reception of Tang “dashoubi” writers in the Song, Ming & Qing from three anthologies of the Tang prose according to Tangwen Cui (唐文粹, Elite of Tang Prose), Tangwen Jian (唐文鑒, Mirror of Tang Prose) & Tang Pianti wenchao (唐駢體文鈔, Selections of Tang Parallel Prose) and try to establish the reasons why their literary reputation decline in the later generations and how the reputation was historically concealed.
倫理叙事學的方法論思考———以劉恒《連環套》爲例
Authors: 龔 剛 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
文藝作品只要關涉人的生存，就必然會或隱或顯地呈現某種倫理秩序，哪怕是刻意追求“零度叙事”的小説也難以逃脱這一宿命。而由倫理秩序所賦予每一個叙事者的倫理意識也會或隱或顯地影響著他的叙事。倫理秩序、倫理意識和文學叙事的這種内在聯繫無疑爲文藝倫理研究的“合法性”提供了切實依據，並提示著文藝倫理研究的新路徑，也即“倫理—叙事研究”，或稱“倫理叙事學”。“倫理叙事學”不同於西方倫理學領域的“叙事倫理學”，其研究重心在叙事學而不是倫理學，它也不是倫理之維和叙事之維的簡單叠加，而是聚焦於倫理與叙事的互動關係。本文在綱要性地探討倫理—叙事研究框架的前提下，有意選擇以“零度叙事”爲特徵的“新寫實”小説《連環套》（劉恒）爲分析對象，藉以驗證倫理—叙事研究模式的有效性。
Any literary work about human life would inevitably outline certain ethical principles in an explicit or implicit manner, and even a novel pursuing “zero-narration” is no exception. Likewise, any narrator with ethical consciousness imparted by these ethical principles would evince explicit or implicit influence in his/her narrative. The intrinsic relationship between ethical principles, ethical awareness, and literary narrative make a practical “legitimate” framework and basis for the study of literary theory, which thereby hints to a new path of scholarship called “ethical-narrative study” or “ethical narratology.” The main difference between “ethical narratology” and “narrative ethics” (a subject in Western scholarship on ethics) is that the former focuses on narratology rather than ethics. In addition, it is not a simple superposition of ethics and narratology, but focuses on the interaction between ethics and narrative. The present essay gives a general introduction to “ethical-narrative study” and takes Liu Heng’s Swindles of the Coal Mine, a new-realistic novel, as an example of an effective application of this theory.
時間的“圍困”與歷史的“滅絶”———穆旦詩歌中的時間、歷史意識
Authors: 李 章斌 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
穆旦詩歌中所體現的歷史觀在現代詩人中頗爲獨特，他對同時代人中流行的目的論式的價值觀和決定論式的歷史觀持批判態度，在其詩歌中自覺地批判了這種歷史意識背後所依賴的“時間原型”，即一種朝向未來不斷進步、不可逆轉的時間。關於“時間”，他既有對人的此在被時間所“圍困”的形而上探索，也有關於歷史對人的壓迫和滅絶的具體呈現。“時間”／歷史在他筆下不再是直綫進步的，而是被“現在”這股狂流牽引著下沉，不僅個人無法把握時間和歷史，歷史本身也被看作一場空前的灾難，一種摧毁人性的存在。穆旦對時間與歷史的表現體現出他對現代歷史的一些基本假設的批判性反思，具有深遠的思想史意義。
The historical sense revealed in the poetry of Mudan (1918-1977) is quite unique amongst modern Chinese poets. He criticized two prevalent trends, namely (1) the values in the mode of teleology and (2) the historical sense in the mode of determinism. Their historical sense relies on a certain “time archetype,” a “time” that is ever-progressing towards the future and is irreversible. This theory fell prey to Mudan’s conscious criticism revealed in his poetry. His discourse on time includes not only metaphysical discussion of how people are “besieged” by time, but also substantial representation of how history oppresses and eradicates people. In his writing, “time”/history no longer follows a straight, progressive line. Rather, it is dragged to sink by a formidable current called “now.” No individual can manipulate time and history, history perse is seen as an unprecedented disaster, and also as a form of existence that would destroy human nature. Mudan’s view of the representation of time and history reveals his critical reflection on some basic presumptions in modern history. It has a profound significance in Chinese intellectual history.
對消費文化的“模擬”、呈現與反思———論董啓章《The Catalog》的城市書寫
Authors: 鄒 文律 
Published: November 2022

LANGUAGE NOTE | Document text in Chinese; abstract also in English.
本文旨在探討董啓章如何以城市書寫的方式來模擬、呈現與反思1990年代香港文化的重要面向：消費文化。藉著考察董啓章小説譜系中被忽略，卻又異常獨特的一部作品———《The Catalog》（重新出版後名爲：《夢華録》Menghua lu），本文將會討論它的書籍設計怎樣既遵循消費文化的運作邏輯，又在某些地方刻意反其道而行，從而達到模擬的效果。然後，本文會借用各種消費文化理論，探析《The Catalog》如何從“液態之愛”、“符號消費”和“物化人生”三方面來呈現城市人在消費社會的生存狀況，以及董啓章引出的反思。最後，本文總論《The Catalog》於董啓章創作歷程及香港文學中的特殊位置。
This article aims to explore how Dong Qizhang, through city writing, imitates, reveals and reflects “Consumer Culture”—an important aspect of Hong Kong’s culture in the 1990s. Through exploring an often neglected, yet unusually unique fiction of Dong Qizhang —The Catalog (which was renamed as Menghua lu after republishing), this article will discuss how the book design follows the operational logic of consumption culture, and how it sometimes intentionally runs against the logic to achieve imitation. Then, a variety of consumption culture theories will be used to explore and analyse how The Catalog reveals the survival of urbanites in consumer society and the reflections raised by Dong Qizhang in three ways, namely “liquid love”, “signs of consumption” and “commodification of life”. Last, this article will conclude the special position of The Catalog in Dong Qizhang’s novel and Hong Kong’s literature.
Modification of design of small experimental tank for complex tests of outboard motors
Authors: Pokusaev Mikhail Nikolaevich , Khmelnitsky Konstantin Evgenievich , Khmelnitskaya Anastasia Aleksandrovna , Rudenko Mikhail Fedorovich , Kadin Alexei Alekseevich , Klochkova Galina Gennadievna 
Published: November 2022

When studying the characteristics of the outboard motors with capacity of more than 10 kW weighing over 100 kg at full equipment, the Department of Water Transport Operation of Astrakhan State Technical University needed to change the design of a small experimental tank. Previously, the small experimental tank was adapted for testing outboard motors with capacity not exceeding 8 l/s - 6 kW and weight up to 25 kg having such technical indicators as the screw stop, the developed power of the outboard motor, tank water temperature, exhaust gas temperature, fuel consumption, rate of heating the aquatic environment during the engine operation, the number of revolutions
of the engine crankshaft, the number of revolutions of the screw, with possibility of environmental studies of noise levels, vibration levels, as well as harmful discharges and exhaust emissions of outboard motors by sampling water and gases. In addition to sensors and devices designed to measure technical and environmental indicators, the small experimental tank was previously equipped with an auxiliary equipment: supply and exhaust ventilation, a water level gauge in a basin tank, a steam compressor refrigeration unit, a water supply and drainage system with sampling fittings, a gas sampling probe, a rotary rod for installing a noise meter, a platform with steps, general and local lighting fixtures. There has been illustrated a layout of an experimental tank covered with heat-insulating paint from the outside. In the course of changing the structure there was installed a lifting boom and an external transom. The tank bowl was upgraded by installing a bypass pipe. The described technical solutions have expanded the possibilities of the small experimental tank in conducting the research on outboard motors.