bluuebunny/crossref_metadata_2025_split huggingface dataset:
Samba Jazz at Carnegie Hall
Authors: Gidal Marc 
Published: February 2025

Abstract
Chapter 4, “Samba Jazz at Carnegie Hall: Genre Fusion in Instrumental Music,” explains how professional musicians who played Brazilian jazz in New York City between 2000 and 2020 created and performed improvised, up-tempo, instrumental music that is related to bossa nova. After considering musical fusion as its own genre in addition to a combination of stylistic ingredients, the chapter describes the practices and compositions of influential New Yorkers. The instrumentation and harmony of jazz is prevalent. Drummers transferred the rhythms, timbres, and roles of samba percussion to the drum set in ways that align with conventional practices of jazz drumming. Musicians commingle swing feels (patterned uneven micro-durations of notes) of samba and jazz. The chapter also utilizes instructional method books written by several local musicians.
Exile, the Jewish Mystical Tradition, and the Sephardi Diaspora
Authors: Kraemer David 
Published: February 2025

Abstract
This chapter examines Kabbalistic teachings justifying diaspora, particularly those of the Zohar, which was written in reconquered Christian Spain. It then considers responses of Spanish Jews to their new exile, following the expulsion of 1492. The increasing persecutions of Jews in Christian Spain reinforced their feeling that they were living in exile. The most significant response to this development was that of the kabbalists, who, in the Zohar, deemed exile the fated condition of Israel and the Shekhinah together. The power of this idea was fully realized only when Spanish Jews were expelled in 1492, creating a double exile, both from the Holy Land and from Sepharad. Compelled to make sense of this new catastrophe, some found hope in the insistence that God protects Israel in all her wanderings, always providing persecuted Jews with new, often superior diaspora homes. Others, like Spinoza, eschewed Jewish explanations altogether, preferring more universalistic solutions.
The Great Theorizer of Diaspora
Authors: Kraemer David 
Published: February 2025

Abstract
This chapter examines the defense of diaspora offered by one of its most significant theorizers, Rabbi Judah Loew (ca. 1525–1609), known as the Maharal of Prague. Drawing on medieval science and philosophy, the Maharal observes that all things exist in their “natural” place, for something would be destroyed in a place unnatural to it. Since Jews have lived so long in exile without being destroyed, this must mean that exile is the Jews’ natural place. At the same time, since Jews did not survive in the Holy Land, the Land must be unnatural for Jews, at least until the arrival of the messiah. On this foundation, Maharal goes in several surprising directions, virtually turning on its head the traditional view of the relationship of Jews with the Holy Land and the diaspora.
Haskalah, Reform, and Early Zionism
Authors: Kraemer David 
Published: February 2025

Abstract
This chapter explores Jewish reflections on diaspora in the context of a quickly changing Jewish world, in the late eighteenth and nineteenth centuries. At that time, Enlightenment offered Jews unprecedented opportunities. Many moved to the great cities of Europe, rising to the cultured middle class with surprising swiftness. These developments led many Jews to deny their particularities. Reformers instituted changes in Jewish liturgy, denying the hope of messianic redemption because redemption could be realized where they were. Later in the same century, antisemitic outbursts and emerging, modern nation-states led to a new, secular ideology—Zionism—which insisted that a solution to the Jewish problem required mass relocation of Jews to Palestine. Some Zionists believed Jewish life in diaspora was untenable, but others insisted that Zion and diaspora could only grow together. And there were many who continued to defend Jewish life in diaspora, including most religious Jews, along with socialists and others.
Chapter the Second.
Authors: Garrett Don 
Published: February 2025

Abstract
The second chapter of ERCE aims to show, against Hume, that “Reason, not fancy [i.e., the imagination] and ‘custom’ leads us to the knowledge” of the central principle (now often called Shepherd’s “Causal Principle”) that “everything which begins to exist must have a Cause.” The chapter provides an argument in defense of that principle and then a further argument from it to the crucial principle (now often called Shepherd’s “Causal Likeness Principle”) that “similar causes must necessarily produce similar effects.” It goes on to describes the source of the idea of necessary connection and outlines her own positive theory of relation of cause and effect. Next, it provides Shepherd’s own positive definitions of ‘cause’, ‘necessary connexion’, and ‘power’, and raises objections to Hume’s definitions of cause’. Finally, it seeks to establish her “Uniformity Principle”: “Nature cannot be supposed to alter her Course without a contradiction in terms.”
Chapter the Third.
Authors: Garrett Don 
Published: February 2025

Abstract
The third chapter of ERCE seeks to show, against Hume, that “Custom and Habit alone are not our guides; but chiefly reason, for the regulation of our expectations in ordinary life.” This requires explaining why we expect apparently similar objects to behave similarly. The solution to this practical problem has two parts. First, Shepherd argues, we can demonstrate from the Causal Likeness Principle that if two apparently similar objects were produced entirely by the union of exactly similar contributing causes, then those objects are exactly similar and hence will have exactly similar effects. Secondly, by investigating the observable similarities of those contributing causes, and the observable similarities of their contributing causes, and so on, we can render it highly probable that the objects were in fact produced by exactly similar causes and so will have exactly similar effects.
Chapter the Fourth.
Authors: Garrett Don 
Published: February 2025

Abstract
The fourth chapter of ERCE discusses Thomas Brown’s Observations on the Nature and Tendency of the Doctrine of Mr. Hume, concerning the Relation of Cause and Effect. First, it disputes Brown’s Humean definition of ‘cause’ as requiring temporal succession. Second, it discusses and assesses each of the five Humean propositions about the epistemology of the relation of cause and effect that provide a central focus of Brown’s book. Third, it argues, against Brown, that Hume’s account of the origin of the idea of “power” in the operation of custom rather than reason cannot avoid atheistic implications. Furthermore, it concludes, Brown’s own conception of the idea of “power,” as the consequence of an unavoidable instinctive belief whose truth cannot be established by reason, is fundamentally no better than Hume’s in this respect.
Sharing Personal Memories on Social Media
Authors: Stone Charles B. , Dockery Shayla , Vasquez Angelina N. 
Published: February 2025

Abstract
Social media has become a powerful and efficient means by which individuals share their personal memories with friends, family, and the world at large. Despite this, researchers are only beginning to examine the motives and mnemonic consequences associated with sharing personal experiences via social media—for both the producer (i.e., the person posting the material) and the consumer (i.e., the individual viewing the material). The aim of the present chapter is threefold: (1) review the state-of-the-art research examining the psychological motives and mnemonic consequences associated with producing or sharing content on social media, (2) present the latest research from a lab and colleagues extending these lines of research, and (3) discuss methodological considerations associated with conducting social media research in terms of attrition rates, ecological validity and the evolving nature of social media itself, and present avenues for future research.
Varieties of Offloading Memory
Authors: Risko Evan F. , Kelly Megan O. , Lu Xinyi , Pereira April E. 
Published: February 2025

Abstract
For many, the Internet functions as a kind of limitless external memory store. Like the variety of external artifacts available to aid remembering, how we use them to distribute our memory can take a variety of forms. This chapter introduces a framework for situating these different uses and examines the cognitive consequences in the context of extant research on cognitive offloading. This framework provides a useful means of organizing the various ways external memory stores are integrated into our day-to-day remembering. In addition, it demonstrates that how an external memory store is used will alter the impact it has on cognition and performance. Last, the chapter explores the implications that these different uses of external memory stores might have for the design of tools to aid remembering and the unique features of using the Internet as an external memory store.
Fake History
Authors: Evans Jennifer V. , Rigato Brandon 
Published: February 2025

Abstract
This chapter analyzes two large Twitter data sets from the days leading up to and out of the Capitol riot for the way users draw on historical analogies to frame their outrage at the 2020 election. Analogies to historical fascism and communism represent ways in which everyday people as well as political leaders sought to make sense of the Trump presidency. Their repetition in the frenetic months of December and January, combined with the intensity of emotions they encapsulated and propelled along, coalesced into distinct media templates that buoyed the online crowd on both ends of the political spectrum. Historical analogies served a vital role in the online and offline legacy of the Capitol riot.
Exploring Online Social Interactions in the Remaking of Memory
Authors: Rajaram Suparna 
Published: February 2025

Abstract
The human cognitive system seeks efficiency, and the use of memory is no exception in this regard. But this efficiency also comes at a cost. As information becomes widely available, easily accessible, and generally unfiltered—as is increasingly the case with the use of the Internet and social media—these Internet properties, combined with certain properties of memory, can affect how we process information and form memories. Central to this thesis is also the cognitive-experimental evidence that experiences are routinely shared and remembered with others, and this social process alters our memories, sometimes making them more erroneous. With our increasing access to vast networks of social connections on the Internet and social media, properties of memory and facets of the Internet discussed here raise questions for future research about what we can predict and test about memory-making in the age of the Internet and social media.
When Memories Become Data
Authors: Smit Rik 
Published: February 2025

Abstract
This chapter sets an agenda for the study of the platformization of memory. It argues that platforms—which are defined simultaneously as business models and technological infrastructures—shape memory work and, increasingly, automatically remember for us. This occurs through the rendition of memories into data, which are then transformed and represented to users as memories. An argument is made that, in the process of platformization, platform users come to depend on not only platforms to keep their autobiographical memories (storage), but also active selection, retrieval, and representation of such memories (process). This dependence further contributes to the commercialization and industrialization of memory.
Hybrid Methodologies for Studying Social and Cultural Memory in the Postdigital Age
Authors: Merrill Samuel 
Published: February 2025

Abstract
This chapter highlights the need for “hybrid methodologies” suited to the study of social and cultural memory in a postdigital age characterized by the continuing pervasiveness of the internet and social media. Contextualized by an account of the continuing deficit of explicit discussions of memory research methods within the social sciences and humanities and contrasted against references to “hybridized methods” therein, it is suggested that it is not sufficient to merely combine methods to understand memory’s new digital extensions. Rather, the ontological hybridity of memory that these extensions create is better grasped by applying “hybrid methodologies.” To aid the elaboration of such methodologies, the chapter points out several trajectories of social and cultural memory’s hybridity (technological, spatial, temporal, and agentic). Toward the same goal, the chapter then outlines a series of hybrid methodological impulses and procedures related to embracing complexity and messiness, following mnemonic objects, and enrolling computational collaborators.
Weaponization of Memory
Authors: Pogačar Martin 
Published: February 2025

Abstract
This chapter argues that the COVID-19 pandemic acted as a catalyst for the weaponization of memory, which was driven by affective resonance, a dynamic force of structuring consumption of information and participation in mediated interaction. To illustrate its mechanics, selected media events in social media (Facebook, Twitter, YouTube) are discussed that reference some of the neuralgic topics of the twentieth century (World War II, the Holocaust, socialism, postsocialism). The chapter engages with the entanglement of politics and memory to explore how these topics resonated in the Slovenian media and political discourses during the pandemic of 2020–2021. To do so, the chapter employs the concepts of context and temporal collapse in relation to media memory and mnemonic imagination. In addition, the contours of a crisis-conditioned research methodology are laid out, characterized by specifics of consuming mediated content and observers’ affective engagement with it.
“Don’t Panic”
Authors: Klein Louis , Barnier Amanda J. 
Published: February 2025

Abstract
This chapter concludes the volume by considering whether the challenge of the Internet and social media to human memory has reached an unprecedented point. Although previous generations of scholars have asked questions about harmful effects of new technologies, in this ‘infodemic’ age we are subject to rivers of information unmatched in their scale, speed, and ubiquity. Reflecting on the arguments, concerns, and advice of colleagues, a taxonomy is proposed to characterize the locus and nature of memory’s remaking as well as to direct future research. Especially recommended is that scholars consider how different forms or processes of memory ‘in the head’ versus ‘in the wild’ might be changing; compare the influence on cognition of different online platforms; and measure the different abilities of ‘first-generation’ versus ‘natural-born’ digital citizens to adapt successfully to an online world. Finally, optimism and interdisciplinarity are counseled in mapping memory’s new, extended cognitive and collective frontiers.
Introduction
Authors: Fisher Greg 
Published: February 2025

Abstract
The entrepreneurial journey from an idea to a viable, growing entity is not a smooth upwardly sloping trajectory. Rather, it is messy, unpredictable, and chaotic due to the uncertainty, ambiguity, and resource constraints confronting entrepreneurs. To make progress amid uncertainty, ambiguity, and resource constraints, entrepreneurs must generate microbursts of progress via the day-to-day execution of immediate, progressive steps that generate small wins and manufacture bursts of momentum. Microbursts of progress come from executing on and applying fundamental entrepreneurship principles—foundational concepts and ideas that get to the core of value creation amid uncertainty, ambiguity, and resource constraints. It is those principles that are discussed in this book. The principles are categorized into four separate buckets: value principles, action principles, resource principles, and big picture principles.
The Simplicity Principle
Authors: Fisher Greg 
Published: February 2025

Abstract
Entrepreneurial progress entails solving the identified problem as simply as possible. The natural tendency of people is to try and make things better by making them more complex, but entrepreneurial breakthroughs often come through simplification and subtraction. Therefore, the simplicity principle prompts entrepreneurs to think about how they might develop and implement their ideas as simply as possible. To do this an entrepreneur can consider the SIMPLE acronym, where S prompts subtraction where possible, I stands for imitation of what others have done, M suggests minimizing features, P calls for pruning products in a portfolio, L suggests leveraging existing resources, and E calls for editing explanations and descriptions of ideas to make them as simple as possible. Doing all these things forces an entrepreneur to simplify their products and processes to be able to make progress in delivering a solution.
The Trajectory Principle
Authors: Fisher Greg 
Published: February 2025

Abstract
Entrepreneurial progress stems from identifying a desired trajectory and acting in accordance with it. Entrepreneurial ventures differ from one another such that they have different trajectories. A survivalist trajectory accounts for a venture created for economic survival. A lifestyle trajectory accounts for a venture created to allow an entrepreneur to live a particular lifestyle, with autonomy, and without managerial oversight. A growth trajectory accounts for a venture that seeks continued growth driven by the founder’s ambition. A revolutionary trajectory accounts for a venture that seeks to create, disrupt, or revolutionize a market domain. These trajectories matter because each has implications for the actions that a founder takes to make progress. Understanding their trajectory provides a founder with guardrails and perspectives that allow them to make valuable choices and tradeoffs as they move forward.
Score Study
Authors: Fullard Annie , Cotter-Lockard Dorianne 
Published: February 2025

Abstract
Score study is fundamental to the rehearsal process, promoting a deeper understanding of form, structure, melody, harmony, motivic development (rhythmic or melodic ideas repeated over different structures within a composition), and dynamics. Score study provides musicians with thorough knowledge of how their part fits with the others and the work as a whole. This chapter includes guidance on choosing editions of parts and scores, strategies for identifying key elements of the score, an invitation to play from the score, and an exercise to practice the strategies introduced in the chapter. Examples provided throughout illustrate how to identify and mark up elements of the score and parts.
Exploring the Composer’s World
Authors: Fullard Annie , Cotter-Lockard Dorianne 
Published: February 2025

Abstract
This chapter offers recommendations for researching the composer to ignite the interpretive process. Investigating the composer’s era is a point of departure to deepen understanding of trends and styles, such as art and architecture, literature, and the natural world. Guidance is provided to explore the composer’s voice through researching life events, listening to other works by the composer, and reading letters and quotes. The second half of the chapter provides a section on collaborating with living composers, highlighting advice from renowned composer Gabriela Lena Frank. The chapter concludes with an approach to developing a composer’s mindset and a rehearsal technique to inspire your inner composer through improvisation.
Techniques for Intonation
Authors: Fullard Annie , Cotter-Lockard Dorianne 
Published: February 2025

Abstract
Good intonation enhances the quality of sound and resonance in performance. When interval relationships are understood and agreed upon, a group develops its own system of coherent and consistent tuning. This chapter provides guidance, practices, and techniques for practicing ensemble intonation. The concepts of just intonation and equal temperament are introduced, and approaches to intonation include establishing a tuning routine, and melodic and vertical intonation. A section for string ensembles outlines best practices on tuning at the beginning of rehearsals. Included are guidance for creating a warmup routine and intonation techniques such as playing scales together, playing Bach chorales, four-tone tuning, tuning passages, tuning to a drone, and tuning as a meditation.
The Capstone Technique
Authors: Fullard Annie , Cotter-Lockard Dorianne 
Published: February 2025

Abstract
This chapter focuses on the capstone technique of Live, Breath, and Die (LBAD). This transformational technique represents the culmination of the interpretive and expressive process. LBAD refers to a total commitment to live in the moment together, breathe through the music, and allow one’s ego to “die” in service to other members’ musical intentions. The LBAD practice ensures that ensemble members relate to each other through nonverbal communication by initiating (cueing), reflecting, and responding. This chapter includes a foundational mirroring practice used in theater to help students experience initiation, reflection, and responsiveness. The mirroring technique distills the essence of LBAD into visual, nonverbal movement. The steps to practicing LBAD can be used to solve a variety of rhythmic and interpretive challenges. LBAD can be used in combination with other techniques in the book.
Introduction
Authors: Mitchell Mimi 
Published: February 2025

Abstract
The foreword to Early Music in the 21st Century discusses the history of the early music revival in three ages. The first was polarization, exemplified by the fight for recognition; the second, the success and acceptance of the movement; and the third, its dizzying diversity. Editor of Authenticity and Early Music (Oxford University Press, 1988) and the journal Early Music, Controller of BBC Radio Three, and director of the Barbican Center throughout the years, Kenyon is a keen observer of the early music movement and presents the perfect introduction to this volume that looks toward the future.
Early Music
Authors: Bithell Caroline 
Published: February 2025

Abstract
This chapter explores how early music may be viewed through the lenses of ethnomusicology (as academic discipline), ethnography (as methodology), and world music (as meta-genre). The author begins by outlining points of contact between ethnomusicology and early music, before reflecting on how present-day music cultures continue to provide a productive springboard for thinking about performance aesthetics and lost performance practices. The chapter then introduces revival theory and its explication of processes of restoring, revitalizing, and transforming musics from other times and places: the author contends that contemporary revival theory offers useful tools for re-examining the history, discourses, and debates of the early music movement. Critical issues at the interface between revival theory, historically informed performance, and musical sustainability are illuminated through the example of Georgian polyphony and its post-Soviet revival. The chapter concludes by asking how the future of early music might be envisioned in a world that aspires to greater diversity, inclusivity, and resilience.