bluuebunny/crossref_metadata_2025_split huggingface dataset:
Neo-baroque in modern ukrainian art: features, representatives, significance
Authors: Pishchanska Viktoriia 
Published: September 2022

The aim of the work is to analyze neo-baroque features in modern Ukrainian art. The research methodology is based on the principles of logic, abstractness and scientificity. The general theoretical research methods are used in the work: synthesis, induction, analysis, deduction. Particular attention is paid to the use of special art methods, including formal-stylistic, structural analysis and semantic approach. With the help of the historical method it was possible to trace the longevity of neo-baroque traditions. As a result of using the comparative method, neo-baroque samples of Ukrainian art were analyzed and compared. Scientific novelty. The article comprehensively analyzes the development of neo-baroque as a separate style in modern Ukrainian art studios, but the main vector is made for the analysis of modern Ukrainian painting. Conclusions. Neo-Baroque from the XIX century, proposed several new principles, that contradicted the principles of the „official” classicism. In particular, neo-baroque culture led to the rejection of a single, systematic, simple model and formed a view of the world as a fragmentary plurality. Ukrainian neo-baroque became a natural stage in the national tradition, which turned to its origins and formed complex relationships with other art forms. Therefore, the significance of this style is significant given the further development of contemporary art. Among contemporary artists who turn to the Baroque traditions, such figures as V. Ryabchenko, K. Reunov, A. Savadov, O. Tistol, S. Panych. and others are important. Some neo-baroque features are contained in the works of M. Storozhenko, Y. Lutskevich, D. Yablonsky, etc. The development of the neo-baroque has become so popular in contemporary art that even Ukrainian designers are actively incorporating Baroque principles into their works.
Key words: neo-baroque, art, Ukraine, representatives, culture
Features of kinesthetic empathy in modern dance
Authors: Lukyanenko Kateryna 
Published: September 2022

The purpose of the article is to identify the features of kinesthetic empathy in the context of the specifics of dance partnership in modern dance. Research methodology. The method of cognitive and systems analysis was used (to highlight the basic essential characteristics of kinesthetic empathy and its manifestation in modern dance); comparative method (to identify the features of dance partnership in modern dance); method of theoretical generalization (to formulate research conclusions). Scientific novelty. Kinesthetic empathy in modern dance has been studied through the prism of dance partnership; the concepts of "kinesthetics", "empathy" and "kinesthetic empathy" in the context of the specifics of dance art are specified; the development of the kinesthetic-empathic approach in modern dance in retrospect is considered; the peculiarities of the manifestation of kinesthetic empathy in the process of partnership interaction are analyzed. Conclusions. The act of modern dance is a unique pattern of conscious movements in space-time, and a dancer endowed with the ability to go beyond it can cause a local experience in himself and his partner in kinesthetic communication. Contemplating the body of a partner in motion, he sees a possible move that can be made by his own body. The study found that the nature of relationships represents kinesthetic empathy in the dance partnership of modern dance, the specifics of physical performance parameters, external form of the existence and is based on three main aspects: contact (direct physical, emotional, visual, etc.); coherence of actions; mutual understanding (manifested both in functional technical characteristics, from the coincidence of rhythm, consistency of steps to visual consistency, and in the ethics of contact). Considering the partnership between dancers as a rhetorical act based on a particular type of nonverbal confidence between two (or more) people who move together physically and/or energetically (according to F. Adrin) and includes time, balance, strength, body shape, and personality, united in movement (according to K. Lowe), we can state that the concept of kinesthetic empathy in the context of the specifics of partnership in modern dance is manifested as an empirical interaction between performers, embodying aspects of their movements. This unique interaction is positioned as a sensory experience facilitated by the emotional component, memory, and imagination of the dancers - aspects of emotions and memory become ways to kinesthetically enhance their interaction. Dancers create motor images that combine positions of movement, so their partners can kinesthetically experience the dynamics of movement sequences, and thanks to the kinesthetic imagination, they "connect" to the energy and rhythms of the partner's movements.
Key words: kinesthetic empathy, kinesthetic imagination, dancers, partners, improvisation, movements.
Traditional pop song: conceptualization of the concept
Authors: Zosim Olga 
Published: September 2022

The purpose of the research. The study attempts to conceptualize the definition of «traditional pop song» from the standpoint of contemporary musical variety studies. The research methodology is based on the use of historical, cultural, systemic, contextual, and analytical methods, the combination of which made it possible to determine the specific features of the traditional Ukrainian pop song. The scientific novelty of the work lies in the fact that for the first time in Ukrainian science the concept of «traditional pop song» is conceptualized. Conclusions. The traditional pop song occupies a significant place in the Ukrainian cultural space, while it has not yet been comprehended as a cultural and artistic phenomenon in Ukrainian science. Based on the selection of three parameters (socio-cultural, age and style), the specifics of the Ukrainian traditional pop song were revealed. It is revealed that its stylistic features were formed during the 1950–1970s. («classic pop song»), in the 1980s. there has been a process of stabilization, since the 1990s. the identification of the traditional pop song as a specific, conservative stylistic direction begins, which focused on the achievements of the classical Ukrainian pop song and opposed the influences of the Western trends of popular music, trying to preserve the originality of the Ukrainian musical variety art. The fundamental non-commercial nature of the traditional pop song is rooted in the art of the Soviet era and is the opposite of show business with its desire to quickly update musical styles. During the period of active development of the commercial direction of pop music in the 1990s. the traditional pop song was considered archaic and opposed to the «fashionable» directions of «youth music». Today, this opposition is not relevant: the traditional pop song as a stylistic direction based on the aesthetics of the second half of the 20th century is popular among performers and listeners of all ages. The stylistic diversity of the traditional pop song is associated with a long time of formation of the Ukrainian classical pop and its artistic achievements. Therefore, despite a certain conservatism, the Ukrainian traditional pop song is a significant layer of Ukrainian musical culture.
Key words: variety musical art, vocal variety art, Ukrainian musical tradition, traditional Ukrainian pop song.
Instrumental Art of Ukraine in the 1960s – the beginning of the 21st century: studying from the standpoint of the philosophy of musical analysis
Authors: Kravchenko Anastasia 
Published: September 2022

Purpose of Research. The purposes of the research are to identify the specifics of the philosophy of musical analysis in basic philosophical, aesthetic and musicological categories and to outline its significance in the cultural studies of the phenomena of Ukrainian musical art, in particular, chamber-instrumental (based on the work of representatives of the Ukrainian school composers of the 60s of the XX-th century - the beginning of the XXI-st century). Methodology of Research. The research methodology is based on the combination of the application of a number of scientific approaches and the following methods: analytical, semiotic, hermeneutic, cultural and art studies ones, which allow us to consider the issue of the methodology of the analysis of musical works from in the context of the philosophy of music. Scientific Novelty. The scientific novelty of the research is the generalization of existing concepts in order to further develop the principles of the philosophy of musical analysis in a combinatorial combination of classical musicological and «discursive» analysis. This approach allows us understanding the formal-structural, content-semantic and semantic aspects of the organization of musical material in their integrity within the process of compositional and performing creativity. Conclusions. It has been proven that the creation, reproduction and perception of compositions is a process of worldview self-awareness through their works. The variability of interpretive versions of cultural-hermeneutic understanding of musical meaning is formed in medial channels at the communicative junction of mutual exchange of artistic and aesthetic information between its generator, translator and perceiver. So, the importance of the philosophy of musical analysis in the study of the works of chamber-instrumental art of representatives of the Ukrainian school composers and their compositions is highlighted.
Key words: chamber and instrumental art of Ukraine, philosophy of music, philosophy of musical analysis, discursive analysis of a musical work, musical meaning, composition, performance, medial channels of perception.
Creative activity of Isaak Berkovych in the context of the development of ukrainian piano music (to the 120th anniversary of the compositor's birth)
Authors: Zubay Yuriy 
Published: September 2022

The aim of the article is a generalized description of the creative activity of Isaac Yakovlevich Berkovich, a Ukrainian composer and lecturer as well as its impact on the development of piano pedagogy for children. The research methodology is based on an interdisciplinary approach, which expresses the integration of culturological, art history, special-historical, etc., principles and methods; the main principles that determine the author's approach are: 1. the principle of objectivity (from his standpoint, facts from the life and work of the musician (artist) indicate his contribution to the development of culture, music, and pedagogy); 2. the principle of historicity allowed to recreate a real picture of the life and work of I. Berkovich; 3. the principle of comprehensiveness and complexity has taken into account various factors and reasons that allow to comprehensively characterize the contribution of this musician (artist) to the historical and cultural music and pedagogical heritage of Ukrainian culture, considered in the diachronic historical and cultural aspect. The leading role in the presentation of the material is played by the activity-structural method, which allows investigating in detail the creative personality of the pianist-composer-teacher; the method of cultural-historical analysis made it possible to retrospectively highlight the importance of Isaac Berkovych's work in the development of Ukrainian musical and pedagogical culture; methods of biography, source studies, chronological, etc., the method of interviews, implemented as a retrospective analysis of the life and work of a prominent figure of national culture. The scientific novelty of the study is based on the initial use of various sources (archival, interviewing, etc.), which are purely authorial in the context of increasing attention to the importance of the creative work of Isaac Berkovich, Ukrainian composer and teacher, primarily in connection with celebrating the 120th anniversary of the birth of the artist and teacher. The conclusions reflect the contribution of I. Berkovych's personality to the development of Ukrainian music-pedagogical culture, considered both in retrospect and in the light of projective opportunities for the development of national music culture (especially in the music-pedagogical segment) in modern conditions; emphasize the latest nature of the various types of sources used, which allow to fully highlight the creative work of the artist and the author's experience of communicating with his colleagues and students.
Key words: creative activity of Isaac Yakovlevich Berkovich, music, music culture, age pedagogy, history of the music culture of Ukraine
The tour-enlightening activities of the Ukrainian musical and drama groups in the development of ethnocultural relations
Authors: Yan Iryna 
Published: September 2022

The purpose of the article is devoted to the study of the tour-enlightening activities of the Ukrainian musical and drama groups in the development the ethnocultural relations in the multicultural conditions of the Russian empires in the late XIX – beginning of the XX centuries. The research methodology of the study consists in the application of historical-cultural, analytical, systematic, and art-scientific methods, which allows you to analyze the artistic-enlightening, creative aspects of national theatre groups. The scientific novelty of the work is the analysis of the specific features of the tour-enlightening activities of the Ukrainian musical and drama groups in the context development of ethnocultural relations. Conclusions. During the imperial colonization of culture, the activities of prominent Ukrainian theater artists were aimed at promoting the national culture, and traditions of the Ukrainian nation among a wide range of polyethnic audiences. Dedicated to outstanding masters of the Ukrainian scene, numerous reviews in the columns of periodicals show that viewers and reviewers perceived their work as deeply national and culture-forming. The tour-enlightening activity of Ukrainian musical and drama groups was directed the development of ethnocultural relations, contributed to that Ukrainian music and drama theatre became an aesthetic source of national spirit and an important factor in ethnocultural identification.
Ключові слова: Ukrainian music and drama theatre, nation-building, traditions, tour-enlightening activities, ethnocultural relations, repertoire
Regulatory activities of the state as a factor in circus industry development
Authors: Kashuba Vladyslav 
Published: September 2022

The purpose of the article is to study the state policy performed by Ukraine over the state-owned circus system’s subjects during the last 30 years. The purpose is also to analyze the steps taken by the Ministry of Culture in order to reform the organizational and creative structure of the national circus, its attempts to change existing models of hierarchical structure and management, principles of state subsidizing, and taxation of circus enterprises, etc. Methodology. The historic-factual method is used in order to document the course of the government’s reform efforts, to reflect the dynamic of the transformations process. Comparative analysis of the legislative acts and their consequences is applied in order to analyse effectiveness of the the measures applied by the government. So, empiric methods are given priority because of the need to process archival data. Scientific novelty. For the first time in Ukraine the impact of the state policy performed during the last 30 years on the performance of the state-owned circus system is studied. The effectiveness and consequences of the state government's regulative invasion into the system are analyzed. Realizing of the state politics defects may contribute to optimisation of the circus system governing, which is the topic for the further studies. Conclusions. Low efficiency of the regulatory influence was detected and it is explained by the deficit of consistent and systemic approach, lagging behind modern requirements, misunderstanding of the circus system mechanisms, and declarative decisions. The lack of a special law on circus industry as well as a competent circus managers’ absence in the Ministry of Culture are significant facts. Probably, the ideas of centralised management and a single artistic conveyor reflect the only viable decision for the state circus system’s survival, but their implementation assumes some strong motivational mechanisms. And they have not yet been designed. At the same time, the government managed to save a property complex of the circus system almost fully, due to the ban on the circuses privatization (until recently) and due to the minimum but guaranteed funding. That does not ensure the stable development but provides the circus with a chance for the a better future.
Key words: circus industry reforms, Ukrderzhtsirk, circus system, circus arts
Perjuangan Wanita dari Masa ke Masa
Authors: Abdullah Ru'fah 
Published: September 2022

Pada masa jahiliyah wanita dianggap sebagai pelengkap dalam kehidupan, namun setelah Allah SWT mengutus Muhammad sebagai Rasul dan ditugaskan untuk menda’wahkan Islam di seantero dunia ini, wanita diberi kedudukan yang sangat besar, serta kedudukan yang terhormat, perbuatan dan amal shalehnya sama dengan laki-laki, baik dari segi ibadah ataupun dalam sosial kemasyarakatan. Perbedaan hanya dalam kudratnya masing-masing, wanita, yaitu mengandung, melahirkan dan menyusui.Sedangkan laki-laki kewajiban memberikan nafkah dan membina keluarga.
Perjuangan wanita diabadikan dalam al-Qur’an, seperti Hajar, Asiah, Maryam dan lain-lain, bahkan ada yang dijadikan sebagai ritual dalam ibadah haji.Demikian juga para pejuang wanita di Indonesia, tidaklah kalah semangatnya dengan laki-laki dalam mempertahankan dan membela negaranya dari cengkraman penjajah, memajukan dunia pendidikan khusus wanita, mengajarkan kepada para wanita keterampilan-keterampilan, agar terbebas dari belenggu kehidupan yang feodalisme jawa, memaksa wanita tidak mendapatkan kehidupan yang segar sesuai dengan hak-haknya wanita, sebagaimana bebasnya laki-laki dalam menjalankan kehidupan, Namun demikian bukan berarti menghilangkan kudratnya yang asli.
Membangun Sistem Rekomendasi Hotel dengan Content Based Filtering Menggunakan K-Nearest Neighbor dan Haversine Formula
Authors: Muliawan Agung , Badriyah Tessy , Syarif Iwan 
Published: September 2022

Peningkatakan pertumbuhan industri hotel pada tiap tahunnya dan preferensi konsumen yang bervariasi dalam kebutuhan layanan hotel mengakibatkan konsumen lebih konsumtif dalam memilih hotel. Kurangnya pilihan kriteria bobot pada penyedia layanan hotel mengakibatkan konsumen mengalami kesulitan dalam memilih hotel yang sesuai dengan preferensinya, sehingga diperlukan sebuah sistem rekomendasi hotel sebagai pilihan alternatif dalam memilih hotel. Dalam penelitian ini digunakan permodelan Case Based Reasoning (CBR) untuk memberikan pembelajaran kepada sistem. Pilihan dari user pada pilihan hotel secara otomatis akan disimpan ke dalam database dan dijadikan sebagai data training sehingga sistem akan mendapatkan informasi secara berkelanjutan. Pada penelitian ini diberikan tiga jenis kebutuhan antara lain Kebutuhan Prioritas (KP), Kebutuhan Umum (KU) dan Kebutuhan Tambahan (KT) dan atribut yang digunakan terdapat enam yaitu: fasilitas, lokasi, harga, tipe kamar, bintang dan skor yang sangat mempegaruhi hasil rekomendasi. Untuk setiap nilai bobot yang ada, dilakukan uji validitas bobot kepentingan menggunakan pairwise comparison matrix (PCM) sehingga nilai bobot menjadi valid dengan rentang nilai 0-1. Selain itu penerapan content based filtering menggunakan metode haversine formula dan K-Nearest Neighbor (KNN) dalam menentukan nilai terdekat dengan data training. Dari eksperimen, didapatkan hasil pengukuran performansi yang memuaskan berupa rata-rata kemiripan (similarity) sebesar 84.50%
Kata kunci : Case Based Reasoning, Content Based Filtering, Haversine Formula, K-Nearest
البناء الفني للإعلانات في إذاعة جمهورية العراق
Authors: رشيد العزاوي حسين 
Published: September 2022

أظهرت الدراسات والأبحاث العلمية التي أجريت في مجال الاتصال أن الإذاعة لها تأثير واضح على أفكار الجماهير واتجاهاتهم وسلوكهم إذا أُحسن استخدامها في صناعة الرسالة الإعلامية المدروسة ، ولا يقتصر دور هذه الوسيلة على مجرد عرض الآراء والأفكار بل تعداه إلى التأثير في الاتجاهات بتدعيمها أو تبديلها وهذا بطبيعة الحال أمر يخص طبيعة المضمون من ناحية صياغته وأسلوب إعداده وتقديمه ، فقوة الرسالة الإذاعية وجاذبيتها لا تكتمل بمجرد الإبداع في مضمونها دون إيجاد تصميمٍ مميزٍ لها ، والى أي حدٍ يعتمد هذا المضمون على منطق وسيكولوجية الاستدراج بالإقناع . فالاقتناع بالمضمون وروعة تصميمه أساس ، وعليه يتوقف تغيير الاتجاهات ، ومن هذين الاتجاهين يتكون الواقع الأساسي لتغيير السلوك .
ونظراً إلى ما تتمتع به الإذاعة من خصائص لا تتوافر في غيرها من الوسائل فان ذلك يزيد من فاعليتها في جذب الانتباه إليها ، وإمكانية تأثيره على سلوك الجماهير ، إذ تدل البحوث على أنَّ اقتناع الجمهور بالرسالة الإذاعية التي تبث عبر الأثير عالٍ جداً ، وان درجة مقاومته لهذه الرسالة تكون أقل إذا ما قورنت بالصحف ، كما إن الرسالة الإذاعية المبسطة يكون للفرد فيها القدرة على الاحتفاظ بها لمدة أطول إذا ما قورنت بالرسالة الإعلانية المبثوثة عبر الوسائل الأخرى .
ولأهمية الإذاعة في تقديم الإعلان المسموع فقد تنبه المعلنون منذ ظهور هذه الوسيلة على أهميتها في تقديم الرسالة الإعلانية التي تروج للسلع والخدمات والأفكار ، وبخاصة مع تزايد المنافسة التي أفرزتها النظم الاقتصادية والصناعية والتجارية والتكنولوجية في مختلف المجالات في العصر الحديث .
لقد أصبح الإعلان صناعة مهمة في مختلف المجتمعات وان اختلفت درجاتها من مجتمع لآخر بحسب تقدم مستويات التقدم العلمي والتكنولوجي في كل مجتمع . إذ استفادت صناعة الإعلان من التطور الذي حدث في صناعة الاتصال مستخدمة التكنولوجيا الجديدة في صناعته، سواء أكان عبر الانترنت أم من خلال الفضائيات ، أو المحطات الإذاعية التي يستطيع عبرها الإنسان متابعة أحداث العالم بمدة قليلة من الزمن.
لقد فرض دور وسائل الإعلام وزيادة تأثيرها في ظل هذا التقدم ، وظيفة جديدة للإعلام نابعة من نظرية المسؤولية الاجتماعية ، فالدول التي تحاول التغلب على التخلف الطويل الذي عانته خلال عصور الاستعمار اتجهت إلى توظيف كل إمكانياتها - ومن بينها الإعلام - في التنمية الاجتماعية الشاملة .
وتؤثر الوسيلة الإعلامية تأثيراً ديناميكياً لا استاتيكياً على الجمهور ، إذ إنَّ وجهة النظر الاستاتيكية تنظر إلى الوسيلة الإعلامية على أنها السبب الوحيد لإحداث التغيير على اتجاه المتلقي وعقيدته وسلوكه ، في حين أن هناك عوامل ديناميكية عديدة تؤثر على فاعلية الاتصال كالسمات الشخصية للمتلقي والظروف الاقتصادية والاجتماعية المحيطة بالمستقبل(1) . ولكي تتحقق هذه فإنها ينبغي أن تستعين بوسائل الإعلام لخلق الحاجة إلى سلعها وأفكارها بمعنى واحد لدى أعضاء المجتمع . فيجد الفرد نفسه محاصراً بالفكر والسلعة عن طريق الإغراء بها ثم الدعوة إليها ، ثم التعويد عليها وفي سبيل ذلك تجند كل وسائل الإعلام لبث هذه الدعوة وتنفيذها للتسوية بين قيم الأفراد في قالب واحد ، بحيث تسعى جميعها لتنشئة الإنسان المستهلك للسلع والأفكار