bluuebunny/crossref_metadata_2025_split huggingface dataset:
"Entertainment" in the fine arts of Ukraine of the XX–XXI centuries is as a form of accumulation of socio-cultural experience
Authors: Chumachenko Olena 
Published: September 2022

The purpose of the article consists of to consider "entertainment" in the fine arts of Ukraine of the XX–XXI centuries as a form of accumulation of socio-cultural experience. The research methodology consists in the application of the analytical method –to determine the theoretical and methodological foundations of the study of "entertainment" in the fine arts of Ukraine of the XX–XXI centuries, based on the works of V. Abramov, V. Burachek, V. Grechenko, G. Akishina and others. Formalization method is used to clarify the types of "entertainment" in art history discourse. The hermeneutical method is used in the aspect of interpreting the role of "entertainment" in the works of prominent Ukrainian artists of the XX–XXI centuries. The scientific novelty of the work is that for the first time the essence of the transformation of the phenomenon of "entertainment" in the works of Ukrainian artists of the XX–XXI centuries as the personification of social changes in this historical period. Conclusions. The article examines the works of Ukrainian artists of the XX–XXI centuries, in which much attention is paid to the visualization of the phenomenon of "entertainment" in its ritual, agonal, artistic and farce forms. The ceremonial and ritual formula of the phenomenon of "entertainment" in the works of Ukrainian artists of this period includes a reflection of the features of the transition from an atheistic worldview to a religious one, taking into account the specifics of the political and social life of 1990 in Ukraine, if before 1990 Ukrainian artists mainly painted historical plots depicting traditions ancient Slavs, after 1990 they began to reproduce religious subjects. The agonal formula of the phenomenon of "entertainment" in the works of G. Akishina, Yu. Gavrilchenko, S. Nechay, tests to the reflection of the specific phenomena of the twentieth century, such as socialist competitions, as a means of increasing labor productivity and a social phenomenon, and a gradual transition to the agonal form as a means of leisure activities – hosting the Olympic Games. The artistic and farcical formula of "entertainment", which is visualized in the works of Ukrainian artists of the XX–XXI centuries, is aimed at reproducing national traditions and preserving the Ukrainian national culture, thanks to which the spiritual worldview of our nation is formed.
Key words: fine arts, Ukrainian artists of the XX–XXI centuries, "entertainment", worldview, ritual, art, carnival, fair.
The embodiment of postmodernism categories in the artist’s biography
Authors: Mykulanynets Lesya 
Published: September 2022

The thesis objective is to reveal the specifics of implementing postmodernism categories in the artist’s biography via involving the conceptions of culture theorists. The research methodology: a complex of approaches has been applied for the integral comprehension of the given issues, i.e. biographical, analytical, historical, hermeneutic, systemic, the one of theoretic generalisation and some others. The scientific novelty. For the first time ever, national humanitarian studies are represented by the thesis identifying the issue of a creative personality’s biography from the position of implementing postmodernism basics. Conclusions. Postmodernism is the artistic and aesthetic trend of the late XX – early XXI centuries being characterized as a unique outlook focused on sociocultural renewal, seeking the progressive ways of spiritual evolution and denying the traditional ideas of art. The aforementioned trend absolutizes anthropological issues, thus, its predominant task is the grasp of the creative personality essence as the driving force of ontological processes. The artist’s biography becomes the central personality-focused genre able to meet the philanthropic needs of the century. Its content, purpose and existence conditions are presupposed by the impact of the basic philosophical categories of the era: pluralism, play, irony, intertextuality and some others. Pluralism is revealed via admitting the truthfulness of multifaceted views, different interpretations of the master’s biography and the multitude of presentation variations depending upon the intellectual and moral level of the audience. The play illustrates the artistic practice sense: freedom, the ability of meanings, contexts, symbols and codes amusement. It deprives the biography of ratiocentrism, excessive seriousness and contributes to the character’s profound representation. Irony is a humanistic definition focused on restoring the master’s genuine essence, though in a non-typical, occasionally frivolous form. This viewpoint renews the image and the personality’s achievements in a multifaceted, emotional, and outrageous way, as well as addresses them to the future generation of the recipients. Intertextuality is the master’s demonstration embracing the writings and semantics of the biographies accomplished by scholars of the preceding eras. A contemporary author multiplies different experiences and provides modern awareness being interpreted from the position of postmodernism paradigm.
Keywords: the artist’s biography, postmodernism, pluralism, play, irony, intertextuality.
Genre and style metamorphoses of the cycle «The Magic Horn of a Boy» in the German-Austrian musical-historical tradition of the XIX – early XX centuries
Authors: Knyshova Tetiana 
Published: September 2022

The purpose of the research is to identify the figurative and semantic specifics of the cycle «The Magic Horn of a Boy» and the peculiarities of genre and style interpretation of his texts in the German-Austrian musical culture of the XIX – early XX centuries. Methodology of work. The following approaches proved to be essential for this work: interdisciplinary, which makes it possible to attract concepts from other fields of knowledge – philosophy, art history, cultural studies, history of literature, philology; historical and cultural, genre and style. The scientific novelty of the work is determined by its analytical perspective, which takes into account both the figurative and semantic specifics of the cycle «The Magic Horn of a Boy» and the peculiarities of its interpretation in the German-Austrian musical culture of the XIX – early XX centuries. Conclusions. «The Boy’s Magic Horn» is an outstanding monument of the German song and poetry folklore tradition, reflecting the most striking features of the German «image of the world», national consciousness, and the position of the Heidelberg Romantics on folklore in general. The authors of the anthology often transform texts, change the composition, use the later version, ignoring the folklore source, supplementing it with their own work. The texts of this anthology were in great demand in German-Austrian chamber and vocal (F. Schubert, R. Schumann, J. Brahms, etc.) and opera music of the XIX century (R. Schumann, E. Humperdink) in line with genre and style guidelines of culture Biedermeier. In the works of composers of the twentieth century (G. Mahler, A. Schoenberg, A. Webern, R. Strauss and P. Hindemith, etc.) appeal to the spiritual and semantic specifics of the «Magic Horn of the Boy» reveals, on the one hand, involvement in the origins of German-speaking cultural area. On the other hand, the expansion of genre-style and poetic-intonational sphere of interpretation of the texts of this anthology is obvious, which reveals their spiritual and deep context both in the late romantic vocal-symphonic tradition (G. Mahler) and in chamber vocal-instrumental searches of representatives of the Novoviden school (A. Webern).
Keywords: «The Magic Horn of a Boy», romanticism, Biedermeier, vocal works of R. Schumann, musical theater of E. Humperdinck, vocal cycles of G. Mahler and A. Webern.
Spiritual-aesthetic and style instructions of K. Shymanovsky’s Creative Activity
Authors: Xiaoyu Wang 
Published: September 2022

The purpose of the study is to identify the spiritual and aesthetic foundations of K. Szymanowski’s creative activity in the stream of genre and style specifics of the Polish cultural world of the early twentieth century. The methodology of work is based on the intonation concept of music in the perspective of intonation-stylistic, etymological analysis. Analytical-musicological, genre-style and interdisciplinary approaches that allow to identify and explore the spiritual and aesthetic guidelines of K. Szymanowski's work proved to be essential for this work. The scientific novelty of the work is determined by its analytical perspective, which takes into account both the genre and style evolution of K. Szymanowski's work and its correlation with the historical realities of Polish culture and music of the first half of the twentieth century («Young Poland»). Conclusions. Spiritual-aesthetic and genre-style guidelines of K. Szymanowski's work were formed in direct connection with the ways of development of Polish culture and music of the XIX-XX centuries, marked by creative and artistic pursuits of representatives of «Young Poland», genre-style advantages of which the intersection of the ideas of symbolism, neo-romanticism, impressionism and modern aesthetics. At the same time, in the creative activity of «Young Poland» the desire to create a national Polish style in the fine arts, literature, generalized in the concept of «Zakopane style» as a «model» of neo-folklore. K. Szymanowski’s work as the founder of «Young Poland in Music» and Polish musical modernism determines the genre and style evolution of the composer’s creative heritage, concentrated in a consistent movement from romantic preferences and interest in the aesthetics of impressionism-symbolism to neo-folklore pursuits of later period.
Keywords: works by Karol Szymanowski, «Young Poland», romanticism, symbolism, modernism.
The role of V. Vshelyachynsky and his students in the formation of piano performance in Ternopol
Authors: Spolska Olena 
Published: September 2022

The purpose of the work. The publication is devoted to the presentation of famous personalities who played an important role in the initial stage of the formation of professional piano performance in Ternopil in the late XIX – early XX centuries, on the example of Vladislav Vshelyachinsky and his pupils. The research methodology. The research methodology is to use historical-comparative and personalistic approaches. This allows us to highlight the figure of musician-teacher Vladislav Vshelyachynsky and his pupils associated with Ternopil, in particular Denis Sichinsky, in the context of the cultural and educational life of Ternopil during this period. Scientific novelty. The line of piano pedagogical and performing tradition of K. Mikuly as a student of F. Chopin in the next generations of musicians connected with Ternopil is traced. Among them: Vladislav Vshelyachynsky, Denis Sichynsky, Maria Soltysova (Bibulych), Denis Leontovych. Attention is focused on various aspects of V. Vshelyachynsky's activity, in particular as a teacher, and D. Sichynsky. He entered the history of Ukrainian music as a composer and choral conductor, the first professional Ukrainian musician in Galicia. The example of the analysis of two-piano miniatures by D. Sichynsky (as pupils of K. Mikuly and V. Vshelyachynsky) illustrates the characteristic features of writing associated with the piano style of F. Chopin and, at the same time, with folk song intonation, features of Ukrainian solo singing, song-romance. Conclusions. The role of musician-teacher Vladyslav Vshelyachynsky in laying the foundations of piano performance in Ternopil, on the formation of the creative personality of Denis Sichynsky as the first professional composer-pianist is traced.
Keywords: musical culture of Western Ukraine, end of XIX – beginning of XX century, piano performance, Vladyslav Vshelyachynsky, Denis Sichynsky.
Bibliographic publications on ukrainian statehood 1917–1921: through the prism of rethinking the historical past
Authors: Dudnik Oleksandr 
Published: September 2022

The purpose of the study is to reveal the features of the reflection of national history in bibliographic publications on state-building processes during the national liberation struggle in the Ukrainian lands of 1917–1921 years through the prism of rethinking these events by modern historians. Research methodology: during the writing of the work the principles of historicism, objectivity, systematics and comprehensiveness were applied, as well as – general methods of scientific research – analysis, synthesis, and comparison. Scientific novelty: for the first time an attempt was made to show the problems of compiling bibliographic manuals on the history of Ukrainian statehood through the prism of the main historical directions research of this problem. Conclusions. Traditional bibliographic publications with this topic are not full-fledged sources of objective information. Incomplete process of rethinking the past, uncertainty of current Ukrainian legislation on these events, lack of unity of views among Ukrainian historians on the statehood of the revolutionary era, as well as – of clearly a defined and consistent state policy of memory on this issue, negatively affected on the bibliographic work on this topic. Such bibliographic publications are often characterized by a discrepancy between their title, the titles of the sections, and the subject matter of the materials presented. The works of the authors of national-democratic directions on this issue in such manuals are in fact hidden behind the names of sections and subsections that do not correspond to them. Misrepresentation of historical events, processes, and phenomena in the names of structural units of bibliographic manuals, the existence of shortcomings of terminological and conceptual apparatus does not contribute to receiving by the readers' objective, scientifically sound information about the state-building and liberation struggles of 1917–1921, hinders the formation in the present and future generations Ukrainians of national consciousness and historical memory of the Ukrainian people.
Keywords: bibliographic manuals, Ukrainian People's Republic (UPR), Directory of the UPR, Ukrainian state, Russian-Ukrainian wars of 1917–1920, Western Ukrainian People's Republic (WUPR), national liberation war.
HAEMATOLOGICAL AND BIOCHEMICAL CHARACTERISTICS OF FINISHER BROILER CHICKENS FED ROASTED BAMBARA NUT (Vigna subterranea L.)-BASED DIETS
Authors: Rano Nuhu Bello , BASHIR R. M 
Published: September 2022

The study was conducted to investigate the haematological and biochemical parameters of finisher broiler chickens fed roasted Bambara nut-based diets. A total of 96-day-old Marshal Strain broiler birds were assigned to four treatments (0, 10, 20 and 30%) replicated four times in a completely randomized design (CRD) comprising of 6 birds in each. Bambara nut seeds were roasted, dried and milled into fine powdery roasted Bambara nut meal. The meal was then incorporated in the diets at 0, 10, 20 and 30% inclusion levels. Samples were then analyzed for proximate composition. At the end of the 8 weeks feeding trial, three birds were selected on the basis of average pen weight from each group and used for the determination of blood indices. Data collected were subjected to analysis of variance (ANOVA) using statistical analysis system (SAS) package. Results revealed no significant (p>0.05) differences in most of the parameters measured. However, there were significant (p<0.05) differences in red cell distribution width (RDW), and monocytes (MON) levels across the treatments. The result also indicated that RDW% levels decreased with increasing levels of roasted Bambara nut meal (RBM). The result of serum calcium revealed significant (p<0.05) differences across the treatments where T4 (30%) presented the highest value (2.43mmol/L). It was concluded that inclusion of Bambara nut meal in the diets of finisher broiler chickens at 30% enhanced the levels of RDW and serum calcium.
EFFECT OF FERMENTED CINNAMON (Cinnomomum zeylanicumon) JUICE EXTRACT ON RED SOKOTO BUCKS THERMOREGULATORY INDICES, HAEMATOLOGY AND SERUM BIOCHEMISTRY
Authors: GARBA M. G , GADDAFI S , SAIDU A. H 
Published: September 2022

This study assessed the effect of fermented cinnamon (Cinnomomum zeylanicunom) juice extract on Red Sokoto bucks thermoregulatory indices, haematology and serum biochemistry. A total number of twelve (12) apparently healthy pubertal Red Sokoto Buck of approximately the same age (7 months) categories and with average body weight of 15±05 Kg was selected for this study. The bucks were allotted into four dosage levels of 0ml, 15ml, 30ml and 45ml of fermented cinnamon juice extract per treatment in a completely randomized design (CRD). The thermoregulatory result revealed that there are significant (P<0.05) differences in rectal temperature (ºC) and pulse rate while respiratory rate (brpm) indicate non-significant (P<0.05) difference in bucks supplemented fermented cinnamon juice extract. The meteorological data determined in this study indicate that experimental animals were raised in high Temperature-humidity index which signifies thermal discomfort. The haematological profile measured in this study revealed a significantly different (P<0.05) of packed cell volume, red blood cell, and white blood cell among the treatments. Significant (P<0.05) differences were also observed in aspartate aminotransferase, total protein, albumin, serum phosphorus, calcium, cholesterol, triglyceride and high density lipoprotein with increases dosages of fermented cinnamon juice extract. It is therefore concluded that supplementing Red Sokoto bucks with fermented cinnamon juice extract up 45ml has a profound effect in modulating thermoregulatory indices during period of thermal discomfort thereby ameliorating thermal stress, and played a crucial role in stabilizing hematological and serum biochemical profiles of Red Sokoto bucks.
PREVALENCE OF GASTROINTESTINAL HELMINTHS OF AFRICAN CATFISH (Clarias gariepinus BURCHELL 1822) IN ZOBE RESERVOIR, KATSINA STATE, NIGERIA
Authors: SADAUKI MUSTAPHA AHMADU , DAUDA AKEEM BABATUNDE , YUSUF MOHAMMAD AWWAL 
Published: September 2022

A six months study was carried out to examine the gastrointestinal helminth of wild Clarias gariepinus from Zobe reservoir, Dutsin-Ma, Katsina State, Nigeria. A total of 162 pieces of Clarias gariepinus were purchased from fishermen at three (Raddawa, Tabobi and Makera) of the landing sites on Zobe reservoir between March and August 2021. Fish samples were identified at each of the three landing sites. The fish were transported alive to the fish biology laboratory, Federal University Dutsin-Ma, for the helminths examination. Experimental fish samples were measured for length and weighed. Stomach and intestinal parasites were, identified and counted. The helminths recovered include, one Cestode, Monibothrium sp, four nematodes, Procamallanus sp, Contracaecum sp, Capilaria sp and Camallanus sp and one Metacercariae of Trematode, with the Nematodes as the dominant helminths. The result showed higher number of the fish parasites in the intestine of C. gariepinus. The prevalence in female specimens of C. gariepinus 77 (88.50%) was higher than that of the males (84.00%). The Chi-square result was not significant showing there is no association between the sex and prevalence of helminths. It is not significant also for length and weight, but the sampling station had a P-value of 0.001, showing that there is a relationship between the sampling station and the prevalence of helminths in the sampled C. gariepinus from Zobe reservoir. The highest prevalence was from the Makera sampling station. African catfish from the Zobe reservoir were highly infested with gastrointernal parasites, and this cut across the sexes, ages and landing sites. Hence, Clarias gariepinus from the reservoir should be cooked properly to avoid the transfer of the parasites to the consumers. It is strongly advised that more studies should be carried out to examine parasites from other fish species from the reservoir, to ascertain the safety of consumers that relied on the reservoir for fish. It may also be important to put up regulations such as restrictions on waste disposal and grazing, that will limit potential activities that may encourage an increase in parasites around the water body.
SURVEY OF CHARACTERISTICS AND CHALLENGES OF LOCAL MILK PRODUCERS IN DAURA LOCAL GOVERNMENT AREA OF KATSINA STATE
Authors: ARUWAYO A , ADEOLA S. S. , MAMMAN M. 
Published: September 2022

Milk is essential for human consumption in view of its nutritive value. The study was therefore carried out to characterize milk production based on some socio-economic point of view of the producers and challenges in Daura Local Government area (LGA) of Katsina state. Using a two-stage sampling procedure, ten (10) communities were purposively selected in the first stage based on the high number of milk producers in the LGA while in the second stage, 6 participants were randomly selected from each of the ten (10) villages which totalled 60. The data gathered was analysed using descriptive statistics. The study showed that the respondents’ age group of 31-45 was highest with 60% while the distribution of age and formal education revealed that even the young members of the milk producers and other stakeholders were not well educated with 31-45 age range having the highest percentage of 11% in the primary education level. The female involvement in the milk business was more than that of men (80%). Red Bororo cattle breed were predominantly used (73%) and all the respondents utilized the traditional milking method and fermenting for milk processing and preservation. Poor storage facilities was reported to be the greatest challenge of the respondents while foot and mouth disease was more prevalent (58.3%). A quarter of the respondents received interventions to support the business. It was concluded that milk production, processing and marketing is still well undeveloped despite the inherent potentials. It was then recommended that government and non-governmental organisations should intervene in the area of training and capacity building to develop the milk production industry in the study area.
Rancang Bangun Sistem Informasi Penjualan Makanan Beku Berbasis Web Menggunakan Framework Laravel
Authors: Alfeno Sandro , Midhat Muh. Panji , Arkandari Muhammad 
Published: September 2022

To market a product is usually done by offering it to many people you meet or giving brochures. However, if a product that is sold and offered to potential buyers is not everyone's consumptive product, then the marketing must be different. The use of digital media in the current technological era, it is highly recommended to market products as a means of selling such as a sales website. With the waterfall method, which is assisted by a framework such as Laravel, which makes it easier to make websites more neat and structured. With the hope of increasing the percentage of sales and achieving sales targets.