bluuebunny/crossref_metadata_2025_split huggingface dataset:
FIJACIÓN BIOLÓGICA DE NITRÓGENO EN ARVEJA (PISUM SPP) MEDIANTE TÉCNICAS ISOTÓPICAS DEL N15, EN UN SUELO ANDISOL, LLANO GRANDE CARTAGO
Authors: Brenes Rojas Paola , Peña Cordero Wagner 
Published: January 2022

El nitrógeno es el nutriente de mayor demanda y clave en los cultivos, por lo que escasez de este elemento limita la producción. La arveja (Pisum sativum L.) tiene la capacidad de fijar nitrógeno y es considerada una de las menos eficientes (70-300 kg/ha/año) es por ello por lo que se plantea la necesidad de mejorar el rendimiento del cultivo y de determinar la potencialidad de fijación de nitrógeno de la especie. El estudio se llevó a cabo en La Angelina, de Cartago. Se trabajó con la arveja (Pisum sativum) como cultivo principal del estudio. Primeramente, se ejecutó un ensayo en el 2016 para determinar la fijación bilógica de nitrógeno (FBN) y en el 2017 se repitió la valoración de la FBN, incluyendo un tratamiento con la inoculación en el sustrato de Azotobacter vinelandii y otro sin inocular la bacteria. Entre los resultados obtenidos los mejores resultados se presentaron cuando la arveja (Pisum spp), fue inoculada con azotobacter (Fabaceae + Azotobacter) con una cantidad de nitrógeno fijado en el caso del maíz de 26,38%, gracias a que la mayor contribución de nitrógeno fijado en los ecosistemas terrestres proviene de la asociación con diferentes géneros de bacterias, en cultivos como Maíz, y Amaranthus fue de (24,78 y 28,93%), de nitrógeno fijado respectivamente. Se concluye que alternativas sostenibles lograrían minimizar el impacto, como es el uso de plantas con capacidad de fijación biológica del nitrógeno (FBN), mayormente representado por leguminosas que fijan entre 90 y 450 kg N/ha
Evaluación de la hoja de enfermería de una Unidad de Cuidados Intensivos
Authors: Diaz-Oviedo Aracely , Castro Mata José Martin 
Published: January 2022

Objetivo: Evaluar el nivel del cumplimiento de la hoja de registros clínicos de enfermería de una Unidad de Cuidados Intensivos en México. Materiales y Métodos: Se realizó un estudio cuantitativo, descriptivo transversal, en una Unidad de Cuidados Intensivos de un hospital en San Luis Potosí, México, en diciembre 2020-enero 2021, con una muestra de 150 hojas de registro clínicos de enfermería, se les evaluó los 40 estándares básicos del registro, con el instrumento “Cedula para evaluar la eficacia de la práctica de enfermería” de la Comisión Nacional de Arbitraje Médico en México, los datos se analizaron con estadística descriptiva en el programa SPSS. Versión 18, y se siguieron las recomendaciones de la Declaración de Helsinki y principios éticos de confidencialidad que establece la institución. Resultados: Se identifica un nivel de cumplimiento deficiente de estándares, donde 2 estándares cumplen parcialmente, 23 totalmente, 11 no cumplen con lo que, establecido, por la Comisión Nacional de Arbitraje Médico, y 4 que el formato no contiene, se anexan al mismo, por el personal de enfermería, a través de estadística descriptiva, se realizó un análisis estadístico, donde se obtuvo como moda y mediana del cumplimiento general el 100%, y una media de cumplimiento de 67.26%. Conclusiones: Al encontrar un nivel deficiente de cumplimiento de estándares se construye una propuesta de nuevo formato, para la institución de salud, que logre dar cumplimiento total con los elementos establecidos en la Norma Oficial Mexicana 004-SSA3-2012, DEL EXPEDIENTE CLÍNICO y la Comisión Nacional de Arbitraje Médico.
Markers of the Development of the Reconstruction Area Restenosis After Endovascular Interventions in Lower Limbs Arteries
Authors: Kalinin R. E. , Suchkov I. A. , Klimentova E. A. , Shchulkin A. V. 
Published: January 2022

Restenosis of the reconstruction zone is one of the main postoperative complications of vascular reconstructions, which develops in 18–40% of cases and leads to an increase in the risk of limb loss to 20–25%. The search for new markers for predicting the development of this complication is an urgent problem today.Aim of study. To assess the dynamics of markers of apoptosis and cell proliferation at different times after endovascular intervention and their role in the development of restenosis of the reconstruction zone in patients with peripheral arterial disease (PAD).Material and methods. The clinical study included 30 patients with PAD stage III disease. After further examination, the patients underwent endovascular intervention on the arteries of the femoral-popliteal segment. If restenosis developed, the patients were re-operated. In patients before surgery, within the first hour, and then on days 1, 7, 14, 21, 30 after the operation, venous blood was taken to determine the markers Bax, sFas, PDGF BB using enzyme immunoassay.Results. After endovascular intervention, the first wave of apoptosis was triggered with an increase in the amount of proapoptotic protein Bax (p=0,00003) from 1 to 24 hours, followed by a decrease by day 7 (p=0.0008) compared to the amount on day 1. The PDGF BB level increased from day 1 after surgery (p=0.03) with maximum values on day 7 (p=0.0002) compared to the level on day 1. Then the second wave was triggered with a peak decrease in the level of the apoptosis inhibitor sFas on day 21 (p=0.002). After 9-12 months, restenosis of the intervention zone with a return of limb ischemia developed in 10 patients. During the first hour (p=0.004) in patients with restenosis, the level of Bax protein was significantly increased, with an increase in the level of PDGF BB by day 7 (p=0.011), and sFas by day 21 (p=0.0001), PDGF BB by the end of 1 month (p=0.004) compared to values in patients without this complication.Conclusion. 1. Endovascular intervention causes two waves of apoptosis in the postoperative period. The first wave is associated with an increase in Bax protein in the first hours, followed by an increase in PDGF BB on day 7. The second wave of apoptosis is due to a decrease in the inhibitor of apoptosis — sFas for 21 days against the background of the shift of the PDGF BB to the initial level. 2. An increase in Bax protein within the first hours after surgery in the course of PDGF BB growth on day 7 with an increased amount of sFas on day 21 leads and PDGF BB by the end of 1 month leads to the development of restenosis of the intervention area.
Role of Selective Estrogen Receptor Modulators in Menopause : A Monocentric Hospital Based Qualitative Appraisal
Authors: Mishra Dr. Rishu Y. , K. Jha Dr. Rajesh , B. Aglawe Dr. Priyanka , M. Sakore Kamini , S. Shrivastava Dr. Deepti , Mishra Dr. Vedprakash 
Published: January 2022

Menopause transition is experienced by 1.5 million women each year and often involves troublesome symptoms including vasomotor symptoms, vaginal dryness, fatigue, and joint pain. Menopausal hormone therapy has been available for over half a century to provide relief from vasomotor symptoms, osteoporosis and symptoms of urogenital atrophy. Recently there has been an interest in a class of compounds known as the selective estrogen receptor modulators (SERMs) that have been found to be effective in treating postmenopausal symptoms. Hence, the present study was aimed to find out the role of SERMs in menopause. This hospital based analytical study was carried out between 1st January 2016 to 31st March 2018 in OBGY Department of A.V.B. Rural Hospital on 332 women of menopausal age group belonging to rural vidarbha region. The data were collected from in-depth interview of unit heads,professors,associate professors,assistant professors, Junior residents as well as patients in A.V.B. Rural Hospital, Wardha. Menopausal women were categorised in Group I (6th Decade :50 - 59 Years), Group II (7th Decade :60 - 69 Years) and Group III (8th Decade: 70 - 79 Years).The presenting complaints were bone and joint pain(56.01%,26.08%, 19.07% in grade I,II, III), burning micturition( 24.17%,23.60%,16.66% in grade I,II, III, hot flashes( 67.06%,31.00%,26.37 in grade I,II, III), vaginal dryness (21.02%,38.16%,39.11% in grade I,II, III) and uterine prolapse(11.54%,14.16%,16.66% in grade I,II, III). Drug therapy in the form of symptomatic treatment (OCPs) and surgical treatment was given to the patients. SERMs were not given to any patient due to difficulty in keeping follow up and SERMs associated severe adverse effects. Also these patients belong to rural area and for them it is not possible to bear high cost of this drugs. Further investigations and studies are required to help clarify the relative benefits/risks of novel SERMs in development within specific indications and in patient‐specific management in the field of postmenopausal health.
Suling Dewa dalam upacara Ngaponin Suku Sasak
Authors: Arsyad Muhammad 
Published: January 2022

Suling Dewa is a very distinctive art and became the identity of Sasak Lombok Ethnic. This art stores a variety of uniqueness and that is you can’t found in other areas, one of which is the interval of the tone and the lyrics are so contrasting. This art consists only of two players a vocalist and one flute players. In each of the elements in theSuling Dewa Sasak have the meaning of soul from the mirroring of Sasaknese ethnic identity. This distinctive art in its existence in society is widely used in various sacred rituals and ceremonies. One of Suling Dewa functions is used in Ngaponin ceremony or clean up the old metal ceremony every four years. In Ngaponin ceremony series there is one mandatory procession called as Mendewa. The fungtions of Mendewa procession is called the metaphysical object for making the energy wall of guard. Islam Metu Telu is a belief system in Lombok society. This belief system the majority people life in north of Lombok island and the minority you can find that in all areas of Lombok Island. A beautiful combination pattern is contained in the teachings of Islam Metu Telu or also known as Wetu Telu and WaktuTelu. The combination in question is a pattern of syncretism between religions and cultures that are so harmony that so maintained by society. The presentation of Suling Dewa in Ngaponin ceremony consists of two aspects, the textual and contextual. The textual aspect consists of musical events such as gending, music instrument, lyrics of vocal mantra, instrumental organology and contextual aspects including non-musical events consisting of time, place and other ceremonial processions. Suling Dewa to this day is a primary item in a ceremony or a specific ritual that uses Suling Dewa. Any ceremonies and rituals that use Suling Dewa can’t be done without the presence of the Suling Dewa artist. This proves give the concluses the Suling Dewa have a important position in the life of Sasak Kuto - kute community. Keywords: Suling Dewa, Ngaponin, Islam Metu Telu
REPRODUKSI LAGU KR. KEMAYORAN: KONSTRUKSI SUBJEKTIVITAS NYAK INA RASEUKI (UBIET)
Authors: Gustina Susi 
Published: January 2022

This article shows the knowledge and cultural perception of an Indonesian woman singer, Nyak Ina Raseuki (Ubiet), that was achieved through her musical experiences in social life and constructed her singing style as her aesthetic mastery (connoisseur). Her singing style is used to reproduce songs from the variety of musical genres so that constructed her subjectivity in Indonesian popular music. One of the songs is analyzed in this article is Kr. Kemayoran, a song in the genre of keroncong. The research questions focus on 1) the construction of knowledge and cultural perception of Ubiet to construct her subjectivity, and 2) Ubiet’s way to explore Kr. Kemayoran so that showed the difference from others. This research used the life history method to understand Ubiet’s knowledge and cultural perception and the critical musicology to analyze the song. The research findings are the connoisseur is not depend only on formal education, but on the variety of musical practices in Ubiet’s life. Besides it, Ubiet’s subjectivity more focused on her musical competencies, i.e. her wide vocal range, the ability to explore many songs with microtones, local ornaments, as well as her ability to follow the development of meter and tonalilty (modulation) that are preceded by the music accompaniment. Keyword: subjectivity, connoisseur, knowledge, cultural perception
MEMBANGUN SUBJEKTIVITAS PENONTON MELALUI PENDEKATAN INTERAKTIF PADA PENYUTRADARAAN FILM MOCKUMENTARY “BOOKING OUT”
Authors: Hirnanda Fuad Hilmi , Mulyaningsih Endang , Dhipayana Gregorius Arya 
Published: January 2022

ABSTRAK Film mockumentary merupakan suatu bentuk film yang menyimulasikan gaya film dokumenter untuk menceritakan suatu bentuk naratif tertentu, maksud dari menyimulasikan yaitu bentuk film fiksi yang menggunakan teknik film dokumenter untuk mewujudkannya. Film jenis ini mampu menghadirkan suatu realita, fakta, argumentasi serta bentuk refleksi dari filmmaker melalui narasi dramatis yang dibangun. Subjektivitas penonton dibangun melalui persepsi mereka akan bentuk film ini. Film “Booking Out” mengangkat isu seksualitas di masyarakat Indonesia, khususnya prostitusi online yang semakin marak seiring dengan perkembangan teknologi. Melalui karakter Udin, diceritakan bagaimana seorang pelaku penipu berkedok prostitusi online menjalakan aksinya. Penciptaan karya film ini diwujudkan menggunakan pendekatan interaktif, ditunjung melalui akting impersonator, casting by type, penggunaan tata kamera dynamic shot dan subjective shot. Konsep ini akan membentuk konstruksi dokumenter yang dapat memberikan kedekatannya dengan penonton. Penonton akan dibawa melalui dokumentasi kehidupan Udin dan keluarganya agar ikut merasakan interaksi terhadap tokoh-tokoh pada film hingga momen-momen kejadian yang terekam pada kamera. Kata kunci: Penyutradaraan, Film Mockumentary, Pendekatan Interaktif, Subjektivitas
KEHIDUPAN MULTIKULTURALISME SWITHA SEBAGAI ANAK SUKU TAMIL DI KOTA MEDAN DALAM PENYUTRADARAAN FILM DOKUMENTER POTRER “NIRAM”
Authors: Putri Yunalistya Sakanti , Widyasmoro Agnes , Kustanto Lilik 
Published: January 2022

ABSTRAKSuku Tamil sendiri berasal dari Asia Selatan atau biasa disebut dengan India. Suku Tamil memiliki persebaran yang cukup besar dan berpusat di Sumatera Utara sejak zaman penjajahan belanda pada abad 7 masehi. Multikulturalisme adalah sebutan untuk seseorang memiliki pandangan tentang ragam kehidupan di dunia, ataupun kebijakan kebudayaan yang menekankan tentang penerimaan terhadap adanya keragaman.Film dokumenter “Niram” merupakan film dokumenter bergenre potret yang akan memberikan informasi langsung secara visual bagaimana multikulturalisme menjadi bagian dari kehidupan sosial seorang anak Suku Tamil sebagai salah satu golongan suku minoritas yang berada di lingkungan multikultur di Kota Medan dengan metode pemaparan cinéma vérité sebagaimana perwujudan dalam karya ini juga dibangun saat pengambilan gambar ataupun dalam proses riset guna memberikan fakta yang terjadi di lapangan dan melalui statement Switha sebagai subjek utama serta narasumber pendukung lainnya.Penerapan genre potret dan metode pemaparan cinéma vérité dalam film dokumenter “Niram” ini menghasilkan karya yang menunjukkan bagaimana perspekstif anak Suku Tamil yang bernama Switha dalam kehidupan multikulturalisme secara sosial di Kota Medan. Pada dokumenter ini juga bertujuan untuk memberikan informasi kepada penonton bahwasannya saling menghormati tanpa melihat perbedaan adalah hal yang baik untuk dilakukan tiap individu tanpa melihat budaya, suku, agama, ras, dan strata sosial. Kata Kunci: Multikulturalisme, Suku Tamil, Dokumenter Potret, Cinéma Vérité.
MENINGKATKAN INFORMASI VISUAL DENGAN MENGGUNAKAN TEKNIK EDITING SPLIT SCREEN PADA PENYUTRADARAAN PROGRAM TELEVISI MAGAZINE SHOW “WOMENPRENEUR” EPISODE “SHITA SOEBROTO : AQYARA CRAFT DAN LAIZA APRILIA : MAYONG STORE”
Authors: Nursanti Anna Dwi , Suprihono Arif Eko , Patrio Andri Nur 
Published: January 2022

ABSTRAK Program televisi magazine show “Womenpreneur” adalah sebuah program yang bertema besarkan entrepreneurship atau wirausaha dengan pembahasan yang beragam per episode serta mengangkat usaha karya anak bangsa. Episode yang akan diproduksi kali ini adalah Shita Soebroto pemilik Aqyara Craft dan Laiza Aprilia pemilik Mayong Store. Adapun alasan dipilihnya kedua orang tersebut karena perempuan – perempuan diatas telah menjadi entrepreneur di umur yang masih muda dan memberi pengetahuan tentang dunia usaha yang masing-masing sedang digeluti kepada masyarakat. Informasi mengenai perjalanan memulai dan bertahan dalam dunia usaha serta memberikan rekomendasi kepada masyarakat tentang ide usaha yang sedang ramai peminat saat ini diwujudkan melalui 3 macam rubrik yaitu ‘Womenpreneur Inspiratif’, ‘Ragam Usaha Terkini’ dan ‘Peluang Usaha’ dalam format magazine show dengan penggunaan teknik Split Screen. Karya seni audiovisual dengan judul Meningkatkan Informasi Visual dengan Menggunakan Teknik Editing Split Screen pada Penyutradaraan Pogram Televisi Magazine Show “Womenpreneur” Episode “Shita Soebroto : Aqyara Craft dan Laiza Aprilia : Mayong Store” ini bertujuan untuk memberikan informasi seluk beluk dunia wirausaha dan mengangkat usaha karya anak bangsa agar dapat memberi inspirasi kepada masyarakat untuk memulai kegiatan dibidang usaha. Kata Kunci : Program Televisi Magazine Show, Entrepreneur, Split Screen, Wirausaha
REPRESENTASI FANATISME SUPORTER SEPAK BOLA PADA TOKOH UTAMA MELALUI MISE-EN-SCENE DALAM PENYUTRADARAAN FILM FIKSI “SETIA BERSAMAMU”
Authors: Jauhari Rizal , Retnowati Dyah Arum , Kustanto Lilik 
Published: January 2022

AbstrakPenyutradaraan film “Setia Bersamamu” ini menyuarakan sudut pandang baru terhadap stigma masyarakat, yang selalu memihak pada sudut pandang negatif terhadap fanatisme suporter sepakbola. Menjadi suporter sepak bola memiliki sisi manusia seutuhnya yang saling mencintai dan memiliki prioritas kewajiban sebelum menjalankan haknya walaupun banyak kekurangan menjadi manusia seutuhnya.Fanatisme diibaratkan seperti cinta yang dapat mengubah hal keras menjadi lembut, yang kemudian memiliki pertimbangan logis bahwasannya diri sendiri adalah prioritas kehidupan, semua yang akan dijalankan harus dipertimbangkan matang-matang agar tidak berakhir penyesalan, bahwasannya prioritas kewajiban menjadi utama sebelum haknya terpenuhi. Bentuk fanatisme tersebut yang menjadi pondasi dalam penyutradaraan film Setia Bersamamu.Pertimbangan teknis sangat berpengaruh dalam film ini yang diimplementasikan secara hiperbola untuk mendukung konsep fanatisme melalui konsep mise-en-scene yang menjadi pondasi untuk membangun karakter utama yang secara fanatis mendukung tim favoritnya, seperti warna biru muda yang mendominasi pada setiap setting menjadi bentuk fanatisme tokoh utama dalam kehidupannya mendukung tim favoritnya sebagai warna identitas tim. Kata Kunci : Penyutradaraan, Fanatisme, Mise-en-scene, Film Fiksi Abstract“Be Faithful to you” movie has been directed for sounding a new point of view of society stigma which always taking sides for negative stigma to soccer fanatic supporter. Being soccer club supporter is completely have a humanity point which loving each other and have priority to do their obligations before their rights even though being human always have minus point.Fanaticism is more like love who can change solid things to be soft, and then, have logically considered that our self is a priority, Everything that has to do must be carefully considered, so that not become regrets in the end. That is obligation need to be a main priority before the rights has been fulfilled. This Fanaticism being the foundation for directing this “Be Faithful to you” movie.Technical consider is most effected to this movie to be implemented for being hyperbolic, so that will support fanaticism via mise-en-scene which being founded to build main character fanatically support his favorite soccer club, Like blue color is his favorite soccer club colors, that color is dominating for every setting for creating fanaticism image in his life to support that soccer club. Keyword : directing, fanaticism, mise-en-scene, fiction movie.
Patriarch Sergius (Stragorodsky) on the Difficulties of Restoring Communion with the Georgian Church in the Light of Overcoming the Renovationist Schism (1944)
Authors: Mazyrin A. V. 
Published: January 2022

Written in early 1944, a letter of confidence from Patriarch Sergius (Stragorodsky) to bishop Dimitri (Gradusov) reveals the nature of the friction between the head of the Moscow Patriarchate and the Georgian Catholicos-Patriarch Kallistratus (Tsintsadze). The solemn announcement at the end of 1943 of the overcoming of the division between the Russian and Georgian Orthodox Churches, which had lasted since 1917, did not put an end to the mutual perplexities. The difficulty arose due to the fact that in 1927–1943 the Georgian Catholicosate was officially in ecclesiastical communion with the Russian schismatics, also known as Renovationists. But in the changed circumstances, the head of the Georgian Church preferred to keep in secret this historical fact, so as not to raise doubts about the Orthodoxy of the Georgians. The embarrassment of Catholicos Kallistratus led to the fact that the documents on the restoration of canonical communion between the Russian and Georgian Churches, which had already been prepared for publication in the Journal of the Moscow Patriarchate in December 1943, were removed from the almost finished issue and replaced with other materials. However, for Patriarch Sergius, the canonical aspect of the problem was crucial. The break of the Georgian Catholicosate with the Russian schismatic Renovationists was required to be documented and made public. Otherwise, according to Patriarch Sergius, the Russian Church itself could be schismatic. As a result, the head of the Moscow Patriarchate was able to convincingly argue his position and achieve the official publication of the necessary documents in the Journal of the Moscow Patriarchate in March 1944. Such persistence of Patriarch Sergius did not harm the further positive development of relations between the Russian and Georgian Churches.
PICTORIAL ELEMENTS OF INDIAN MINIATURE PAINTING
Authors: Rao K. Mrutyunjaya 
Published: January 2022

This paper discusses the magnificent contribution of Indian miniature painting as the torch bearer of Indian visual culture for the future generations with transitions and various idioms. It’s Visual imagery raised to paramount importance from the auxiliary position to the religious text. Artist has not imitated from nature but imbibed the spirit of divinity and greater love and passion on Indian culture. Its function is religious as well as decorative. “Horrorvacuue” the desire of filling space is the common characteristics of an Indian is often appears in Indian painting. The articulations of line, colour , space are discussed in this article The Climatic conditions might been allowed the Indian painter to experience unusual color patterns. The deep rooted veneration for religion and nature and to fulfill the taste of his patron. Which made him as a distinct artist in the world forever.