bluuebunny/crossref_metadata_2025_split huggingface dataset:
A moda dos museus
Authors: Fiori Arantes Otília Beatriz 
Published: August 2022

Os 5 títulos que compõem este volume são, no geral, conferências em eventos sobre Museus. Embora muitas passagens dessas exposições orais tenham sido incluídas em outras publicações ou entrevistas, pesou mais a suposição de que a reunião dos textos originais num pequeno volume temático facilitaria o acesso de uma futura geração de pesquisadores àquele capítulo decisivo do capitalismo em tempos de reestruturação produtiva. O primeiro deles, uma fala por ocasião da mostra “Novas construções de museus na República federal da Alemanha”, de 1991, aborda a relação espectador-obra de arte nesses Museus, em contraste com o que ocorria nos Museus Modernos. Partindo da meditação de Adorno, motivada pelo confronto entre as posições de Valéry e Proust sobre a neutralização da obra de arte naqueles espaços, conclui que, seja como for, eles, ainda assim, justamente devido à sua neutralidade, permitiam ao visitante solitário o prazer de poder concentrar-se diante de algumas obras escolhidas. Passados 50 anos, os Novos Museus estariam longe de propiciar qualquer tipo de recolhimento, solicitando do público, no máximo, uma atenção distraída. Das múltiplas atividades oferecidas às extravagâncias arquitetônicas, esses museus mobilizam inúmeros recursos para satisfazer um novo contingente de visitantes-consumidores, ao mesmo tempo em que abrigam uma produção artística cada vez mais concebida na escala das massas, isto é, na exata medida do consumo de uma sociedade afluente. O texto intitulado não por acaso “Contaminações” resume o roteiro dessas transformações, quando diferentes ramos de atividades parecem funcionar interligados numa imensa rede de conexões igualmente “empreendedoras”, e na qual um dos ingredientes estratégicos é a circulação permanente das pessoas: museu/centro-cultural/shopping/parque-temático, do Beaubourg aos últimos exemplares do Guggenheim, quando as musas foram progressivamente cedendo lugar às massas e os museus a outros espaços, como as grandes lojas de grife – tema do texto “Alta cultura, alta costura”. Todos esses temas são retomados na conferência final, de 2005, que analisa os efeitos desse cultural turn no “sistema das artes” e seus circuitos, da produção em série às grandes instalações.

Palavras-chave: Adorno, Animação Cultural, Autonomia da arte, Arte e Política, Beaubourg, Benjamin, Brecht, Boltanski e Chiapello, Christa Bürger, Contaminações, Curador, Era da Cultura, Era dos Museu, Experiência estética, Gehry, Guggenheim, Guy Débord, Herzog & de Meuron, Hollein, Interdisciplinaridade, J. Rifkin, J.I.Pei, J. P. Jeudy, Jameson, Lévi-Strauss, Lipovetsky, M. Botta, Moda, Museu Lasar Segall, Novos Museus, OMA – Koolhaas, P. Valéry, Paulo Mendes da Rocha, Proust, R. Meyer, Rosalind Krauss, Sistema das artes, Stirling, Thomas Krens, Transculturalismo, G. Vattimo.
O que pensam os estudantes universitários sobre a aprendizagem? Um estudo das estratégias de ensino inovadoras
Authors: Reis Telma de Jesus , Campolina Luciana de Oliveira 
Published: August 2022

Esse artigo resultou de uma investigação sobre estratégias de ensino inovadoras de professores de uma universidade privada. As estratégias de ensino inovadoras são compreendidas como recursos produzidos e/ou implementados pelos professores para um determinado contexto educacional, visando a aprendizagem dos discentes. Esse conhecimento foi produzido e inspirado na Teoria da Subjetividade na perspectiva Cultural-histórica de González Rey e no Método Construtivo-interpretativo, do mesmo autor, que se inspira na Epistemologia Qualitativa. Os instrumentos utilizados foram: dinâmica conversacional, instrumentos escritos (complementos de frases) e observação sistemática. Os participantes da pesquisa foram oito estudantes universitários e dois professores de ensino superior que utilizam estratégias de ensino inovadoras, reconhecidas por seus pares e alunos. Para efeitos conclusivos, foi possível considerar que as estratégias pedagógicas inovadoras contribuem para aprendizagem dos estudantes, principalmente pela variabilidade na apresentação do mesmo conteúdo. O objetivo do artigo é descrever sobre o impacto e os desdobramentos de práticas educativas inovadoras de professores universitários sobre a aprendizagem de estudantes do ensino superior.
Continuously Quantifying Oral Chemicals Based on Flexible Hybrid Electronics for Clinical Diagnosis and Pathogenetic Study
Authors: Ling Wei , Wang Yinghui , Lu Bingyu , Shang Xue , Wu Ziyue , Chen Zhaorun , Li Xueting , Zou Chenchen , Yan Jinjie , Zhou Yunjie , Liu Jie , Li Hongjie , Que Kehua , Huang Xian 
Published: August 2022

Simultaneous monitoring of diverse salivary parameters can reveal underlying mechanisms of intraoral biological processes and offer profound insights into the evolution of oral diseases. However, conventional analytical devices with bulky volumes, rigid formats, and discrete sensing mechanisms deviate from the requirements of continuous biophysiological quantification, resulting in huge difficulty in precise clinical diagnosis and pathogenetic study. Here, we present a flexible hybrid electronic system integrated with functional nanomaterials to continuously sense Ca
2+
, pH, and temperature for wireless real-time oral health monitoring. The miniaturized system with an island-bridge structure that is designed specifically to fit the teeth is only 0.4 g in weight and

31.5
×
8.5
×
1.35

m

m

3

in dimension, allowing effective integration with customized dental braces and comfort attachment on teeth. Characterization results indicate high sensitivities of 30.3 and 60.6 mV/decade for Ca
2+
and pH with low potential drifts. The system has been applied in clinical studies to conduct Ca
2+
and pH mappings on carious teeth, biophysiological monitoring for up to 12 h, and outcome evaluation of dental restoration, providing quantitative data to assist in the diagnosis and understanding of oral diseases. Notably, caries risk assessment of 10 human subjects using the flexible system validates the important role of saliva buffering capacity in caries pathogenesis. The proposed flexible system may offer an open platform to carry diverse components to support both clinical diagnosis and treatment as well as fundamental research for oral diseases and induced systemic diseases.
Pengaruh Media Visual Terhadap Hasil Belajar Guling Depan Senam Lantai
Authors: Hadyansah Diky , Supriadi Dedi 
Published: August 2022

Penelitian ini bertujuan untuk mengetahui pengaruh media visual terhadap hasil belajar guling depan. Metode yang digunakan dalam penelitian ini adalah metode penelitian eksperimen melalui pendekatan korelasi. Intstrumen penelitian yang penulis gunakan untuk mengetahui pengaruh media Visual terhadap hasil belajar guling depan senam lantai adalah menggunakan perlakuan (treatment). Populasi dan sampel yang digunakan dalam penelitian ini adalah seluruh jumlah siswa kelas X di MA A-Hidayah yang berjumlah 30 siswa. Berdasarkan data tersebut, dimana t hitung ada di luar batas interval t table. t hitung > t 0.995 (29) = 58,484 > 2,462, maka terdapat perbedaan yang signifikan antara hasil pretest dan hasil postest. Hal ini menunjukkan bahwa peningkatan yang dicapai oleh sampel setelah mendapat perlakuan berupa pengaruh media visual terhadap hasil senam lantai menunjukkan hasil yang signifikan terhadap kemampuan senam lantai guling depan.
Material database for the mechanical design of components made of powder metallurgy material
Authors: Miao Jiacheng 
Published: August 2022

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<p>The powder metallurgy database is a data system for effective management of powder metallurgy information. With the development of information technology, its construction scale and quality will directly affect the convenient inquiry of powder metallurgy information, the selection of gear materials, the research and development and engineering application of micro-drive systems, and have engineering significance and market value. However, the groundwork in this field still lags behind other materials fields and needs to be developed systematically.</p>
<p>Consider the small modulus powder metallurgy gear's elastic modulus, Poisson's ratio, fatigue life, metallographic structure and processing parameters as research objectives, the functional requirements of the database, system functions and data relationships are analyzed. The function module, database model, user authority and system architecture are designed in detail. Based on the Flask framework and MySQL, the database system on the basic properties of powder metallurgy materials is designed and developed, which realizes the systematic and standardization of mechanical property data of powder metallurgy. Users are provided with upload, query and retrieval services of chemical composition, heat treatment and molding properties, fracture mechanics, material suppliers and other information.</p>
<p>In this paper, the necessity and urgency of building a powder metallurgy database to increase the efficiency of transmission system development and its application are demonstrated. The deficiencies of the existing powder metallurgy database are analyzed, and suggestions are provided for the selection, design, data coverage, and construction of big data applications for smart materials. The technical challenges of small modulus powder metallurgy gear selection and plan formulation are then ameliorated.</p>
Virtually unseen
Authors: Matthews Linda 
Published: August 2022

With the advent of distributed digital networks, spatial representation has transformed from what was once a singular and idealised view of inhabited space to multiple uncurated spatial fragments, now captured by a vast range of portable devices such as webcams and mobile phones. The designer of the future ‘envisioned’ urban and interior space will need to respond to complex, multi-scaled environments through the application of both quantitative and qualitative modes of visualisation and engagement.
This visual essay describes the interiors of three separate reclaimed public heritage precincts of varying structural scale, materiality and program. Despite their geographical and historical specificity, sites such as Zaha Hadid’s MAXXI Museum in Rome, The Museum of Contemporary Art of Rome, and Carriageworks, exist as part of an increasingly growing global network of reclaimed post-industrial cultural developments that have been reconceived at new programmatic scales to respond to the emerging and ever-changing demands of social occupation. Produced with the aid of ImageJ technology, a software typically used in biological and medical imaging procedures, both form and spatial depth in captured interior footage from these three projects are completely transformed into new spatial representations recomposed as variations in colour and brightness.
In a radical departure from the precise formal delineation of linear perspective, the new ‘atmospheric’ perspective seen in this image series not only unveils unseen traces of former modes and histories of the occupation of these interior spaces, but the reassembly of digital image content proposes a profoundly different type of engagement with new experiential and spatial conditions released by the fluidity of the digital array.
re:bodying the virtual
Authors: Roes Remco , Garlick Alis 
Published: August 2022

This visual essay is composed of an associative thread of images that are sourced from several collaborative projects we (A + R) have conducted over the past six years. The context in which these collaborations took place include a symposium, exhibitions, various video works, and the teaching of a semi-virtual interior design studio in Melbourne. A crucial aspect within these situations was a shared spatial and didactical praxis that was located on opposite sides of the planet?—?Belgium and Australia.
The collaboration was thus largely determined by the gaps between A + R: the geographical separation, the physicality or virtuality of site, and the millisecond delay of the video feed. The virtual screen that speared through each interaction meant that the technologies and processes employed were often undulating attempts to minimise these gaps.
To compose this visual essay, the image archive of each collaborative project was examined through a peripheral lens, in order to create relations that interrogate the spatial and conceptual implications of bridging this physical distance. The anachronistic approach to the images allowed new forms of configurations to arise, emphasising the specific spatial situations over any previous context or anecdotal chronology.
As a consequence, elaborating on the precise details of each project seems to be somewhat beside the point. In fact, prosaic descriptions detract from what is actually important about these interactions. The textual interspersions throughout the essay are attempts to develop
a syntax for pointing out what is conceptually relevant. They try to unpack?—?or make more accessible?—?the visual argumentation that the essay is constructed from, without ever claiming or providing unisonal clarity. The words do not function as explanations, but instead as musings that attempt to mark?—?and disclose?—?the various typologies, as well as to narrate the transition between them. They are attempts to describe both the experience of the digital landscape and the terrain itself.
In these thematic paragraphs, we have attempted to find language that resonates with the configurations of site that come together through the juxtapositions within the visual sequence. The collected imagery has been curated to lay bare the constituting components of this shared experience within digital space. In this way, the essay as a whole can be read as a subjective taxonomy of our digital communication of place as well as a truly digital simultaneous compression of it into one singular entity.
Ultimately, the resulting transmedial constellation of images, text, places, objects, and projects aims to interrogate the kind of interiorities that are generated when two bodies interact from distant locations through predominantly digital platforms. It describes an exchange between the virtual spaces that we occupy and the physicality of the bodies and objects that remain essential for this virtual occupation.
As an Interior: Reimagining Gerhard Richter’s Atlas
Authors: Deluchi Christina 
Published: August 2022

Gerhard Richter’s Atlas is a compilation of images arranged across 783 multi-image panels. Since its initial exhibition in 1972, it has been continuously expanded, amended and reorganised based on the volume of panels shown in each stage of its iteration. The serialisation of Atlas’s photographic register, its orthogonal schedule of panels (or sheets) grouped into blocks, is a by-product of its social, cultural and material conditions. It is built from ‘walls of images’ shaped by the architecture of a given room.[i]
Yet, Atlas is inherently an interior. Whilst Benjamin H. D. Buchloh’s reading of Atlas as a didactic model of display and/or mnemonic device, and Giuliana Bruno’s account of its emotive and/or filmic quality, are ways to navigate the work itself, this paper instead reconstructs its space of representation to critically reflect on the narrative sequences built in space. This paper reimagines Richter’s Atlas as an interior–a room of images where Atlas makes the architecture.
Rather than extending observations on Atlas as a retrospective of Richter’s artistic practice, the paper acts as a retrospective of its room(s). Moving beyond collecting, ordering and exhibiting images, this examination of Atlas detects the bond between surfaces, openings, sheets and subjects. Using ordinary orthographic methods, Atlas is inverted and drawn to trace the production and organisation of its framework for encounter and meaning. This depiction of space offers a way to see how Atlas constructs it. Lastly, the paper argues that this discursive practice, and the systematic form of Atlas itself, can bring about alternative ways of perceiving the work’s chronological, conceptual, and spatial, pathways.
[i] Ed. Friedel, H. 2016. Gerhard Richter: Atlas. Distributed Art Publisher, New York.
Pengaruh Ukuran Perusahaan, Ratio Kecukupan Modal, Dana Syirkah Temporer, dan BOPO Terhadap Profitabilitas Bank Syariah Di Indonesia
Authors: Hananto Bernad , Amijaya Sutrisna 
Published: August 2022

Profitability is an important factor in a business entity, the management of an Islamic bank has an interest in maximizing the use of its resources, in this case how Islamic banks manage their assets in order to obtain adequate profits which in turn increase the value of shareholders.
The research was carried out in order to prove that the size, company size, capital adequacy ratio, temporary syirkah funds and BOPO could affect the profitability of Islamic banks in Indonesia in this study proxied by the ROA ratio as a measure of financial performance, both jointly and partially by using the panel data regression method with the Eviews9 application.
The results of this study indicate that simultaneously, or partially Total Assets and Capital Adequacy Ratio (CAR) have a positive effect on profitability and Temporary Syirkah Funds simultaneously have no effect on profitability, but partially the Temporary Syirkah Funds have an effect on profitability, while BOPO simultaneously has an effect on profitability negatively on profitability, while partially BOPO has no effect on profitability.
A 2D Model for Coronal Bright Points: Association with Spicules, UV Bursts, Surges, and EUV Coronal Jets
Authors: Nóbrega-Siverio D. , Moreno-Insertis F. 
Published: August 2022

Abstract
Coronal bright points (CBPs) are ubiquitous structures in the solar atmosphere composed of hot small-scale loops observed in extreme-ultraviolet (EUV) or X-rays in the quiet Sun and coronal holes. They are key elements to understanding the heating of the corona; nonetheless, basic questions regarding their heating mechanisms, the chromosphere underneath, or the effects of flux emergence in these structures remain open. We have used the Bifrost code to carry out a 2D experiment in which a coronal-hole magnetic null-point configuration evolves perturbed by realistic granulation. To compare with observations, synthetic SDO/AIA, Solar Orbiter EUI-HRI, and IRIS images have been computed. The experiment shows the self-consistent creation of a CBP through the action of stochastic granular motions alone, mediated by magnetic reconnection in the corona. The reconnection is intermittent and oscillatory, and it leads to coronal and transition-region temperature loops that are identifiable in our EUV/UV observables. During the CBP lifetime, convergence and cancellation at the surface of its underlying opposite polarities takes place. The chromosphere below the CBP shows a number of peculiar features concerning its density and the spicules in it. The final stage of the CBP is eruptive: Magnetic flux emergence at the granular scale disrupts the CBP topology, leading to different ejections, such as UV bursts, surges, and EUV coronal jets. Apart from explaining observed CBP features, our results pave the way for further studies combining simulations and coordinated observations in different atmospheric layers.
Relance de l’industrie en Bourgogne-Franche-Comté : constats et perspectives
Authors: Vieille Natacha 
Published: August 2022

Le déploiement du plan de relance post-crise Covid entre fin 2020 et 2022 a été un moment de retour de l’État dans la politique économique, y compris au niveau territorial : dialogue permanent avec les représentants du monde économique, mise en œuvre de mesures de soutien à l’investissement, accompagnement de la mise en œuvre des projets. Quatre principaux besoins sont ressortis de l’échange avec les entreprises en Bourgogne-Franche-Comté : modernisation du parc machine, performance environnementale, relocalisation et extension des capacités de production, positionnement sur des technologies de pointe. Ce mouvement de consolidation industrielle doit nécessairement s’accompagner d’un effort d’attractivité des métiers et de formation. Après la relance, la « résilience » : dans un contexte d’incertitudes et de fortes attentes des entreprises, l’État va devoir trouver des modes de régulation et d’intervention dans l’économie renouvelée.
Akonta: Examining the epistemology and ontology of Made in Africa Evaluation
Authors: Frehiwot Mjiba 
Published: August 2022

Background: This article interrogates the epistemology and ontology of Made in Africa evaluation (MAE). Since the initial conversations about MAE as a method and theory in 2007, its importance has continued to gain traction and occupy space as a viable alternative to strictly using evaluative tools developed outside of Africa.Objectives: The epistemology and ontology of MAE are rarely a part of discussions, debates and research, these are regarded as auxiliary to internationally recognised methods and theories. The ability of MAE to be imagined by evaluators, academics and the community strengthens its ability to operate in multiple communities across Global Africa.Method: The project examined existing literature and primary source documents that tackle the issue of the epistemology and ontology of MAE. The researcher conducted a thorough review of literature as the primary methodology. The research focused on articles published between 2006 and 2021.Results: The findings provide critical thoughts about the research questions that guided this project. The questions interrogated how the epistemology and ontology of MAE impact the execution of the method in contemporary evaluations and its viability in the mainstream evaluation field in Africa.Conclusion: Made in Africa evaluation as a method and theory is waging an uphill battle against epistemic injustice in knowledge production, Eurocentric epistemology in evaluation, unequal power relations and projects funded by external donors. These barriers make it difficult for MAE to be fully recognised in the Western evaluation canon and suggest that an alternative framework is needed to radically shift power.
Prevalence of Anterior Loop and other Patterns of Mental Nerve in a Sample Population of an Indian City: A Retrospective Study
Authors: Giroh Versha Rani , Hebbale Manjula , Mhapuskar Amit , Modak Rakhee , Agarwal Priya 
Published: August 2022

Introduction
The final portion of the inferior alveolar nerve (IAN), the mental nerve (MN), is a general somatic afferent nerve that provides sensation to the lip, chin, and gingival tissue. Three patterns of MN have been observed – straight, perpendicular or vertical, and anterior loop (AL) of MN. The interforaminal region of the mandible possesses a MN with a path that creates an AL before entering the mental foramina. The aim of the study is to evaluate the presence of AL of MN using cone-beam computed tomography (CBCT) and to measure the length of the AL of MN, if present, also to evaluate the prevalence of other anatomical patterns of MN – straight and vertical patterns.

Materials and Methods
Mandible CBCT of 400 patients with the age of 20 years onward was included in the study. The images obtained were assessed for the different patterns of MN – straight, vertical, and ALs. The statistical analysis was done using the Chi-square test, paired t-test, and sample t-test.

Results
Out of 400 CBCT scans comprising 800 hemimandibles, straight pattern was observed in 67.1%, vertical pattern in 26%, and Anterior Loop in 6.9%. The prevalence of AL pattern was 6.9%. AL length was found to be in a range of 2.4–6.6 mm.

Discussion
Surgical trauma or injury to the AL of MN is possible during implant surgery in the interforaminal area of the mandible if AL is not assessed preoperatively.