bluuebunny/crossref_metadata_2025_split huggingface dataset:
Sources and Outcomes of Identity Verification
Authors: Burke Peter J. , Stets Jan E. 
Published: November 2022

Abstract
This chapter focuses on the multiple sources and responses to identity nonverification. The sources include reflected appraisals (how individuals think others see them), actual appraisals (how others actually see individuals), and self-appraisals (individuals own views as to how they see themselves). The outcomes of identity nonverification include cognitive, behavioral, and emotional responses. The goal is to realign perceptions of the meaning of the self in the situation with the meanings held in the identity standard. These are not alternative responses, but all occur simultaneously. Some of these are deliberate and some are more automatic, occurring without much thought. The responses act in concert to restore a verifying state for individuals.
Why Be a Jew?
Authors: May Isaac Barnes 
Published: November 2022

Abstract
This chapter compares Rabbi Mordecai Kaplan, the founder of Reconstructionist Judaism, and Felix Adler, the founder of the earlier Ethical Culture movement. Kaplan had once been a student of Adler and drew many ideas from him. Despite a shared commitment to a religion without supernaturalism, both men reached radically different conclusions about what being Jewish meant to them personally. While Alder sought to move beyond his own Judaism, seeing Ethical Culture as surpassing Judaism, Kaplan sought ways to reinvent it so that it was not based on racial kinship or religious belief. Kaplan’s notion that Judaism was a “civilization,” a form of “peoplehood” or culture, offered a novel and important way to preserve Jewish identity for many Americans.
Making the Things of the World
Authors: Zoloth Laurie 
Published: November 2022

Abstract
In this chapter I reflect on my methodology, explaining the use of narrative, its interruption by source texts, and the place of the case story in the field of bioethics. Narrative ethics has assumed a central place in bioethics, offering a method in addition to principle based approaches to clinical consultation. I review a text about contingency and causation, and we think about a case involving a Christian Scientist family and their child after a series of medical complications that may or may not be because of medical error. I raise again the problem of “making a story” out of a tragic event in the lives of others. In what way can narrative ethics overcome this central ethical problem? I also discuss the Kantian issue of motive and intention, means and ends, as a way of thinking about medical error, and blame-worthiness in clinical ethics. Part of this chapter appeared in an earlier version in Like an Open Book: Reliability, Intersubjectivity and Textuality In Bioethics, Zoloth and Charon.
Tutankhamun and the Tomb that Changed the World
Authors: Brier Bob 
Published: November 2022

Abstract
The first section of the book chronicles Howard Carter’s early life and his search, with Lord Carnarvon, for Tutankhamun’s tomb. It shows what treasures were discovered and their significance. The second section reviews the past one hundred years of Tutankhamun research and what was learned from his mummy—was he deformed, was he a warrior? Research projects examining his armor, chariots, jewelry, and even the kind of wine he liked are presented. Also discussed is his role in the greatest revolution in ancient Egyptian history, monotheism. The third and last section discusses Tutankhamun’s legacy, including how the discovery of his tomb contributed to Egypt’s throwing off colonial rule and its quest for self-rule. Also discussed are how the tomb’s discovery contributed to changes in how tombs are excavated and changes in laws controlling the antiquities trade. Finally, the book discusses how Tutankhamun contributed to the invention of the blockbuster exhibition and changed the museum world forever.
Preferably a Non-Gentleman
Authors: Brier Bob 
Published: November 2022

Abstract
Howard Carter’s life before his discovery of Tutankhamun’s tomb is presented in some detail. The chapter traces his career in archaeology from his first work in Egypt as a teenager copying tomb paintings to his rise as a chief inspector in the Antiquities Service. It also chronicles his early training to be an excavator under Flinders Petrie and goes on to describe his work for a wealthy American named Theodore Davis in the Valley of the Kings. Finally, it discusses his partnership and eventual friendship with Lord Carnarvon and their quest to discover the missing tomb of the boy-king Tutankhamun.
Wonderful Things
Authors: Brier Bob 
Published: November 2022

Abstract
After years of searching for Tutankhamun’s tomb, Carter and Carnarvon finally found it and began to excavate. This chapter discusses the sensation the discovery created and also how Carter and Carnarvon conducted the excavation. Carter formed an all-star team of conservators, translators, draftsmen, and engineers, and he engaged the superb photographer Harry Burton to record every aspect of the expedition in detail. This chapter also reveals that Carter and Carnarvon broke into the Burial Chamber without telling the authorities. It also describes some of the treasures in the tomb, such as the Gold Throne and Gold Shrine, and what they revealed about Tutankhamun’s life. Unfortunately, just when the two excavators should have been at their happiest, tragedy struck and Carnarvon died of an infected mosquito bite. The chapter ends with Carter left alone to direct the expedition and deal with the authorities.
Tutankhamun’s Family Tree
Authors: Brier Bob 
Published: November 2022

Abstract
The sequencing of DNA has become a standard tool in paleontology, anthropology, and archaeology, but it has not always been as reliable as the public believes. Contamination of samples has always been a problem. This chapter describes the sequencing of Tutankhamun’s DNA and that of members of his family done by two Cairo laboratories in 2010. The results suggested that the mummy in KV-55 was Akhenaten, Tutankhamun’s father. Other findings suggested that Queen Tiye may have been found and also confirmed the relationships between Tutankhamun and Yuya and Tuya, his great-grandparents, and also his grandfather, Amenhotep III. As soon as the results were published, however, members of the research community suggested problems with the study. This chapter reviews this discussion and concludes that the results must be replicated by an outside laboratory experienced in ancient DNA before they can be fully accepted.
Tutankhamun’s Chariots
Authors: Brier Bob 
Published: November 2022

Abstract
The history of chariots in Egypt is reviewed, and then the chapter focuses on the six chariots found in Tutankhamun’s tomb. Their construction and use are described, and it is explained why so few chariots have been found, in spite of the fact that there must have been thousands used by the military. The depictions of Tutankhamun in his chariot on the famous “painted chest” are described, and it is shown that the circle that often appears behind the horses’ necks is really part of a “hood ornament” that was attached to the chariot. It is pointed out that not all chariots were suitable for military use, and some almost certainly were only used for state occasions.
Tutankhamun’s Sarcophagus
Authors: Brier Bob 
Published: November 2022

Abstract
Tutankhamun’s sarcophagus was one of the few objects left inside the tomb when Carter completed the clearing. Because it was in a tomb that was constantly open to tourism, it received little attention from scholars. This chapter presents Dr. Marianne Eaton-Krauss’s careful examination of the sarcophagus and what it revealed. Her conclusion is that the sarcophagus had originally been intended for someone other than Tutankhamun. Close inspection showed that the wings of the four goddesses at the corners had been added later, and in order to make room for the wings, a previous inscription had been erased. The evidence suggests that the sarcophagus dates from the Amarna period, when all gods and goddesses other than the Aten were banished. Thus, the four goddesses were originally the mortal Nefertiti, and when the Amarna period was over her figure was altered to become that of a goddess. Further, the foot end of the sarcophagus is unfinished, with the knots of Isis and djd pillars only roughed out, suggesting the haste with which the sarcophagus was adapted for Tutankhamun. Even the lid of the sarcophagus shows signs that time was running out: it is not made from the same quartzite as the bottom. This chapter also discusses for whom the sarcophagus might have been originally prepared.
Is Nefertiti in Tut’s Tomb?
Authors: Brier Bob 
Published: November 2022

Abstract
A few years ago, high-resolution scans of the walls of Tutankhamun’s tomb were conducted in preparation for the construction of a replica tomb. Dr. Nicholas Reeves, one of the most respected Tutankhamun scholars, thought he saw what could be traces of a doorway beneath the paintings on the north wall. His subsequent analysis of the paintings led him to conclude that the figures of Tutankhamun were originally those of a female (Nefertiti), and that Nefertiti is still buried behind the wall. To determine if there was indeed a tomb behind the wall, three studies were conducted with ground penetrating radar, and the general conclusion (as well as the conclusion of this chapter) is that there is no tomb. However, Reeves is correct when he points out that sometime after the tomb’s discovery but before 1936 someone (Carter?) repainted Tutankhamun’s kilt. The chapter discusses why.
People of the Screen
Authors: Dyer John 
Published: November 2022

Abstract
This book traces the history of Bible software and app development, showing the unique and powerful role evangelical entrepreneurs and coders have played in shaping its functionality and how their choices in turn shape the reading habits of millions of people around the world. Though evangelicals are sometimes seen as those who retreat from or reject societal change, this book argues that evangelicals are adept at appropriating new technology—including early computers, the internet, mobile apps, and virtual reality experiences—in service of what they see as their mission in the world. In addition to historical research, this book includes interviews with developers at three of the largest Bible software companies and fieldwork with digital and print Bible readers in several churchs. This creates a comprehensive look at the interconnected ecosystem of publishers, developers, pastors, institutions, and software companies both within and outside of evangelicalism, and demonstrates how it affects the way churchgoers read and interpret the Bible.
Geological Pioneers of the Jurassic Coast
Authors: Goudie Andrew , Brunsden Denys 
Published: November 2022

Abstract
The Dorset and East Devon Coast World Heritage Site displays within its bounds some of the most important geological and geomorphological sites in the world. Its geology, which ranges in age from the Triassic through to the Cretaceous, has been fundamental in the development of geological thought. In particular, it has a remarkable fossil record, which includes the remains of dinosaurs. Dating back to the late seventeenth century, geologists have explored such themes as uniformitarianism and catastrophism, the age of the Earth, and evolution and extinction. It has become a mecca for all those interested in the Earth Sciences. Many of the leading figures of the discipline have worked in the area, including Robert Hooke, Mary Anning, William Buckland, William Conybeare, Henry De La Beche, W. J. Arkell, Joseph Prestwich, and Michael House. In addition, the area has some remarkable landforms, including huge landslips, raised beaches, dry valleys, shingle barriers, and coastal lagoons. This book describes the basic geology of the area before examining the lives and achievements of some 41 scientists, some of whom were fossil collectors, some of whom constructed geological maps, some of whom were gifted stratigraphers and palaeontologists, and some of whom were accomplished amateurs.
The Geological Map
Authors: Goudie Andrew S. , Brunsden Denys 
Published: November 2022

Abstract
At the beginning of the nineteenth century, in France and in Britain, geological and topographical mapping became a major occupation. A leading figure in Britain was William Smith, whose map of the geology of England and Wales appeared in 1815. In 1816, Thomas Webster produced a geological map of a portion of the Jurassic Coast and started to develop the nomenclature for the various geological formations in the geological succession, including Purbeck, Portland, Kimmeridge Clay, Lower Greensand, and Upper Greensand. Later mapping work in the area was produced by Edward Forbes, Henry Bristow, Alfred Jukes-Browne, Clement Reid, Horace Woodward, William Ussher, Aubrey Strahan, and Jocelyn Arkell.
Switched On
Authors: Glinsky Albert 
Published: November 2022

Abstract
The Moog synthesizer “bent the course of music forever,” Rolling Stone declared. Bob Moog, the man who did that bending, was a lovable geek with Einstein hair and pocket protectors. He walked into history in 1964 when his homemade contraption unexpectedly became a sensation. Suddenly everyone wanted a Moog. The Beatles, the Doors, the Byrds, and Stevie Wonder discovered the synth, and it was featured in film scores like Apocalypse Now and A Clockwork Orange. The Moog’s game-changing sounds saturated 1960s counterculture and burst into the disco party in the 1970s to set off the electronic dance music movement. Bob had singlehandedly founded the synth industry and become a star. But he was also going broke. Imitators copied his technology, the musicians’ union accused him of replacing live players, and Japanese competitors were overtaking his work. He struggled to hang on to his inventions, his business, and his very name. His story upends notions of success and wealth, showing that the two don’t always go together. In Switched On, the author draws on his exclusive access to Bob Moog’s personal archives, and his probing interviews with Bob’s family and a multitude of associates, for this first complete biography of the man and his work. Switched On seats the reader on Bob’s roller coaster for a ride at turns triumphant, heartbreaking, and frequently laugh-out-loud absurd—a nuanced trip through the public and private worlds of this legendary inventor who permanently altered the course of music.
Depression’s Child
Authors: Glinsky Albert 
Published: November 2022

Abstract
The theme of Chapter 1 is Bob Moog’s inability to fit in with the world around him. He was born in 1934 during the Great Depression, though his family lived “the American dream” in Flushing, New York. With a Jewish mother and Gentile father, he was raised in a Jewish household, amid a predominantly Christian community. Because of discrimination, Bob had to join a Jewish Cub Scout troop. He didn’t fit in at P.S. 24, because he was more intellectual than the other children and didn’t share their interests. He didn’t even fit comfortably within his own home, where an upstairs/downstairs dynamic prevailed: his mother wanted him to become a concert pianist, while his father encouraged his interest in electronics projects in their basement workshop. The 1939 New York World’s Fair, just steps from the family home, introduced two musical instruments—the Storytone electric piano and the Hammond Novachord—which prefigure Bob’s future.
Transistor Man and the Crusaders
Authors: Glinsky Albert 
Published: November 2022

Abstract
Chapter 5 finds the newlyweds in Ithaca, near the Cornell campus. They break from their parents’ control, and Shirley now spells her name “Shirleigh” and insists on the “Mogue” pronunciation of the last name, a change that will reverberate through Bob’s career. The R. A. Moog Company becomes a one-man operation; Bob escapes every night to his landlord’s furnace room to build theremins. His customers are mostly Christian Evangelists. His “Vanguard” theremin still uses old, vacuum tube technology. As transistor prices fall due to the advent of Japanese consumer electronics, he offers the “Professional”—a fully transistorized theremin. In 1961, Electronics World runs Bob’s article on his “Melodia” kit, which proves an unexpected hit; Bob has more customers than he can handle, and he’s ambivalent about finishing his Ph.D. in engineering physics. Shirleigh gives birth to their first child, Laura. Chapter 5 includes discussion of Samuel Hoffman, a leading thereminist of the time.
Panicsville
Authors: Glinsky Albert 
Published: November 2022

Abstract
Chapter 16 bisects Bob’s story: it’s roughly the halfway point in his life, and also the start of a downward trajectory in his business. By 1970, Bob was a “star”—he’d received Billboard’s Trendsetter Award, was in Vogue magazine, the Moog was on the popular Muppets TV show, and Bob and Switched-On Bach won Grammy Awards that year. But everyone else made money from the Moog except for R. A. Moog—the company was a victim of its own success, with rising sales but diminishing profits. Bob hired another engineer, Jim Scott. While Bob resisted the idea of a small synth, Bill Hemsath, on a lark, built a miniature synth he named the “Min A” that would take the company into the future. Two investors, William Waytena and Vernon Siegel, made a tentative deal to rescue the company, but then withdrew their offer. The Moog’s fourth child, Matthew, was born.
The Gelatin Pit
Authors: Glinsky Albert 
Published: November 2022

Abstract
The modular continued to have fans. Bob thrilled to Keith Emerson’s exhibitionist performance at Gaelic Park; Disneyland’s Main Street Electrical Parade featured a Moog soundtrack daily; Gershon Kingsley’s tune, “Pop Corn,” was playing worldwide; producers Malcolm Cecil and Bob Margouleff got Stevie Wonder using a Moog on his recordings. Bob’s company, fighting off competition from ARP and EMS, struggled to operate in a dilapidated former gelatin factory. For an advertising mascot, the firm rolled out a little cartoon musician: Maestro Moog. Bob redesigned the Sonic V as the Sonic Six. The Moog Percussion Controller and Guitar Interface were released, along with a preset keyboard—the Moog Satellite—that Waytena licensed to the Thomas Organ Company to build into its home organs. New hires Roger and Kathy Luther found a freewheeling atmosphere among Moog workers. Ikutaro Kakehashi, the future head of Roland, appeared on the Moog factory floor to study Bob’s technology.
Genericide
Authors: Glinsky Albert 
Published: November 2022

Abstract
Rick Wakeman and Jan Hammer used the Minimoog, but Bob remained in purgatory at the company. Norlin used him for publicity, portraying him in its “Imoogination” newsletter as the company’s guiding light, but he was subjected to “Merit Reviews.” Norlin wanted new products; Jim Scott designed the Micromoog; Dave Luce made the Polymoog—conceived as a groundbreaking advance. But to survive, the firm produced other companies’ products at new quarters in Cheektowaga, New York. Bob moved to East Aurora, New York, working from home on the Lab Series amplifier. ARP was legally stopped from using the Moog filter. Shirleigh attempted suicide, and the family bought land in North Carolina. Bob produced Clara Rockmore’s first LP. Donna Summer and Giorgio Moroder used a Moog for the disco hit, “I Feel Love,” initiating electronic dance music. The Moog name was becoming a generic term, a phenomenon called “genericide,” which can severely weaken a brand.
Yankee Go Home
Authors: Glinsky Albert 
Published: November 2022

Abstract
In 1978 Bob broke free of his Norlin contract and the family moved to rural North Carolina, building a custom house in an area called “Big Briar Cove.” Bob registered the name Big Briar, Incorporated, to make future products. Shirleigh published her cookbook, Moog’s Musical Eatery. Norlin issued new products—the Multimoog, the Moog Prodigy, Moog Liberation, Moog Opus 3, Moog Source, Memorymoog, and Rogue—but they didn’t bring in enough revenue, and Moog resorted to contract work, producing oddities like the Fisher Price Alpha Probe space toy and a Muslim Prayer Times Clock. A Radio Shack contract for a small synth, the Concertmate MG-1, was a company lifesaver. Bob’s contribution continued to be acknowledged: The film Apocalypse Now was a high-profile use of the modular Moog, and Eureka! was a traveling exhibit recognizing “America’s 12 most innovative inventions of the past 200 years,” among them the Moog synthesizer.
The Show That Never Ends
Authors: Glinsky Albert 
Published: November 2022

Abstract
Physicist and musician Cyril Lance was invited to visit Moog Music; he was being vetted as a potential hire. Steve Dunnington roomed with Bob at the January 2005 Anaheim NAMM convention, and they sketched plans for a new synth: the Little Phatty. Dunnington remembered Bob suffering a night terror. Bob presented a lecture at the University of Alaska in April at the invitation of his cousin, Ron Spatz, who noticed him having physical problems. The diagnosis was glioblastoma multiforme, a rapidly fatal inoperable brain tumor. As his condition progressed, he lost basic functions and became bedridden; he couldn’t work, and Lance assumed Bob’s duties at the company. Bob couldn’t attend the Ether Music 2005 festival in Asheville, and died on August 21. He was buried in a private Jewish cemetery. Following a Memorial Service at Asheville’s Orange Peel club, attended by visitors from around the world, an earthquake shook Asheville.
Introduction
Authors: Decker Todd 
Published: November 2022

Abstract
The introduction summarizes the studio-era career of Fred Astaire, which includes thirty film musicals made between 1933 and 1957 at many different studios but chiefly RKO and MGM. The quantitative methods used in the book are outlined and situated within other digital humanities approaches. The nature of time as captured in the film medium and as managed within studio production methods (as evident in assistant director reports) is also introduced on the way toward a theory of the screen dance body. Astaire’s intersectional identity as a straight white dancing man is discussed and theorized within women, gender, and sexuality studies and masculinity studies more broadly.
Numbers
Authors: Decker Todd 
Published: November 2022

Abstract
This part parses musical from nonmusical actions in the film musical genre, outlining both how the studios understood this distinction and the method used in the book that grounds musical actions in bodily performance. Astaire’s films are broken down into musical numbers along several criteria, and the formal qualities of his musical numbers are discussed, in particular his use of the fragment. Quantitative data precisely measures the extent to which the classical Hollywood studios and the musical genre were whites-only spaces. The relative modesty of Astaire’s dancing is compared to the work of other Hollywood dancers, such as Gene Kelly and the Nicholas Brothers.
Partners
Authors: Decker Todd 
Published: November 2022

Abstract
Two-thirds of Astaire’s dances are duos done with one other dancer. This part considers Astaire’s duo dances from two quantitative perspectives: how much time the partners touch each other and how the two partners relate to each other physically. Astaire’s use of closed ballroom position often indicates a conventional heterosexual relationship between the couple. His use of vaudeville double-act position—dancers facing front and dancing in unison—establishes a parity between partners. Surprisingly, Astaire relates to female and male partners in much the same way, with the major difference being more physical contact between Astaire and the women with whom he dances. Astaire’s only dance with a Black partner, from The Band Wagon, contains substantial differences from his dances with white partners. The formative influence of Adele Astaire and Hermes Pan (Astaire’s dance assistant and a closeted gay man) on Astaire’s partner dances is discussed.