bluuebunny/crossref_metadata_2025_split huggingface dataset:
PENERAPAN EVENTGRAPH PADA GAME FIRST PERSON SHOOTER “COVID HUNTER” (3D UNREAL ENGINE)
Authors: Achmad syarifuddin  
Published: June 2022

Objektif Kesibukan manusia semakin hari semakin bertambah, baik itu dalam hal pekerjaan maupun studi. Rutinitas sehari-hari terkadang bisa membuat orang jenuh. Disaat memiliki waktu luang, banyak orang yang menghabiskan waktu tersebut untuk melakukan kegiatan yang bisa menghilangkan rasa jenuh mereka. Salah satunya adalah dengan bermain game. Bermain game belakangan justru menjadi sebuah hobi yang semakin di gemari contoh nya : game FPS (first person shooter) salah satunya yang mana di game ini para gamers bisa bermain dan mengenal badan pertahanan negara seperti Polisi di indonesia dan badan pertahan di negara lain. Hal ini ditunjukan dengan bermunculannya game-game center yang semakin ramai di kunjungi. Terlebih bila di waktu liburan.
Material and Metode. Game First Person Shooter (FPS) adalah salah satu jenis game (genre) yang digemari menggunakan pandangan orang pertama di mana pemain seolah-olah menjadi karakter utama dalam game yang berpusat pada permainan di sekitar senjata-senjata dan peluru tempur. Selanjutnya penerapan game FPS yang menceritakan tentang seorang pemburu covid hunter ini menggunakan Unreal Engine 4 baik pada saat kondisi lingkungan dan karakter.
Hasil. Dalam hal lingkungan dimana Sebuah Goa serta Karakter-karakter didalam game yang diujicobakan pada Unreal Engine 4 menandakan tingkat keberhasilan sesuai dengan keadaan dalam bentuk modeling.

Kesimpulan. Berdasarkan permasalahan dan hasil dari penelitian ini, dapat ditarik kesimpulan, bahwa pembuatan objek 3D dari game ini, asset - asset yang dibutuhkan diambil dari asset store unreal engine kemudian di import ke dalam Unreal Engine Editor. menggerakkan karakter menggunakan Keybord, dan game ini sudah memiliki NPC/musuh yang dapat mengejar karakter secara otomatis.
ANALISIS KESALAHAN BERBAHASA INDONESIA PADA KARANGAN ESAI MAHASISWA AKN PUTRA SANG FAJAR BLITAR
Authors: Hindra Kurniawan  
Published: June 2022

Objektif. Keterampilan menulis menjadi salah satu indikator penguasaan bahasa seseorang. Mahasiswa diharapkan mampu menguasai kaidah lingusitik secara baik dan benar. Kesalahan penulisan dapat menyebabkan terjadinya salah pemahaman atau kesulitan dalam memahami masud yang disampaikan penutur. Kesalahan terbagi menjadi error (kesalahan) dan mistake (kekeliruan). Penelitian ini bertujuan untuk mengidentifikasi, menganalisis, dan memberikan perbaikan pada kesalahan berbahasa dalam keterampilan menulis esai.
Material and Metode. Penelitian ini merupakan penelitian deskriptif dengan menggabungkan metode kuantitatif dan kualitatif. Lokasi penelitian ini dilaksanakan di kelas Mata Kuliah Umum Bahasa Indonesia Akademi Komunitas Negeri Putra Sang Fajar Blitar. Objek penelitian ini adalah esai yang ditulis oleh mahasiswa kelas Mata Kuliah Umum Bahasa Indonesia dengan tema “Kehidupan Bermasyarakat di Kota Blitar”. Subjek dalam penelitian ini adalah peneliti yang berperan sebagai penganalisis dalam proses pemilahan data, pembahasan, dan penarikan simpulan. Teknik uji validitas data menggunakan triangulasi teori dan triangulasi sumber data. Teknik analisis data penelitian ini menggunakan model interaktif mengacu pada Teori Miles dan Huberman (1984).
Hasil. Data yang diperoleh bersumber dari 20 teks esai. Terdapat temuan kesalahan berbahasa dengan total 308 kesalahan, yaitu (1) kesalahan pemakaian huruf sejumlah 120 data (40%); (2) kesalahan penulisan kata sejumlah 95 data (30%); (3) kesalahan tanda baca sejumlah 79 data (26%); dan (4) kesalahan penulisan unsur serapan 14 data (4%).
Kesimpulan Berdasarkan temuan tersebut diperlukan upaya dari dosen pengampu untuk memberikan pelatihan guna meningkatkan kesadaran mahasiswa terkait penulisan esai yang sesuai dengan standar Pedoman Umum Ejaan Bahasa Indonesia (PUEBI) dan diperlukan adanya umpan balik sebagai bentuk koreksi kesalahan berbahasa agar tidak terulang kembali dikemudian hari.
Icons from the collection of Tatyana Mavrina (1900–1996) in the Department of Private Collections of the Pushkin State Museum of Fine Arts
Authors: Важкая М.А. 
Published: June 2022

В 1994–1997 гг. в отдел личных коллекций Государственного музея изобразительных искусств им. А.С. Пушкина поступило 25 икон из собрания художника Татьяны Алексеевны Мавриной (1900–1996). Особенностью данной коллекции является творческий подход при ее формировании. Наибольшая часть икон носит народный характер, прекрасно сочетаясь с сохраняющими древнерусские традиции русскими прялками XIX века или акварельными работами, выполненными Т.А. Мавриной. В исследовании представлено несколько икон из собрания художника Татьяны Алексеевны Мавриной, позволяющих увидеть стремление коллекционера собрать яркие образцы древнерусской иконописи XV–XVII веков. Некоторые иконы ранее упоминались в искусствоведческих исследованиях (поясные изображения архангелов Михаила и Гавриила из деисусного чина, икона «Битва новгородцев с суздальцами»), тогда как икона «Богоматерь на престоле и Никола Можайский с избранными святыми на полях» подробно описана впервые. Данная статья затрагивает лишь часть исследования иконописи из собрания Татьяны Алексеевны Мавриной, необходимой для введения в научный оборот образцов русской иконописи XV–XVII веков.
25 icons from the collection of the artist Tatyana Alekseevna Mavrina (1900–1996) entered the Department of Private Collections of the Pushkin State Museum of Fine Arts in 1994–1997. The collection is distinguished by a creative approach in its formation. Most of the icons are of a folk character, perfectly combined with the Russian spinning wheels of the 19th century, which preserve ancient Russian traditions, or watercolor works by T.A. Mavrina. The study presents several icons from the collection of the artist Tatyana Alekseevna Mavrina. They allow you to see the collector's desire to collect bright examples of ancient Russian icon painting of the 15th–17th centuries. Some of the icons were before mentioned in art research (belt images of the archangels Michael and Gabriel from the Deesis Rank, the icon “The Battle between Novgorod and Suzdal”), while the icon “Mother of God enthroned and Nikola Mozhaisky with some saints on the fields” is described in detail for the first time. This article covers only part of the study of iconography from the of Tatyana Mavrina collection necessary for the introduction to the scientific circle of the samples of Russian icon painting of the 15th–17th centuries.
Russian enamel in the collection of Orthodox art of the State Art Museum of the Altai Krai
Authors: Клубков А.А. 
Published: June 2022

Статья посвящена меднолитой пластике XVIII – начала XX века. Предметом исследования является художественная эмаль главных центров старообрядческого искусства. Источниковой базой выступила коллекция Государственного художественного музея Алтайского края. В качестве вспомогательного материала также привлечены произведения из частных коллекций. В исследовании использованы сравнительно-исторический и сравнительно-стилистический методы. Описаны отличия старообрядческой эмали от древнерусской. Установлено влияние некоторых тенденций ювелирного искусства второй половины XIX века на эмальерное дело московских старообрядческих меднолитейных мастерских.
The article is devoted to copper-cast plastic of the 18th – early 20th centuries. The subject of the study is the artistic enamel of the main centers of Old Believer art. The source base was the collection of the State Art Museum of the Altai Krai. Works from private collections are also used as auxiliary material. Comparative-historical and comparative-stylistic methods were used. The differences between the Old Believers' enamel and the Old Russian are described. The influence of some trends in jewelry art of the second half of the 19th century on the enamel work of Moscow Old Believers copper foundries has been established.
Collection of Kosmozero icon painters Abramovs in the collection of the Kizhi Museum-Reserve
Authors: Набокова И.И. 
Published: June 2022

В 2022 году исполнилось 110 лет со дня кончины известного заонежского художника-иконописца из с. Космозеро Михея Ивановича Абрамова. Иконописная мастерская Абрамовых, славившаяся по всему Заонежью, действовала на протяжении целого столетия. Иконы, писанные Абрамовыми, можно было встретить как в домашних крестьянских иконостасах, так и во многих храмах Олонецкой губернии. В настоящее время большая часть абрамовских икон утрачена либо хранится в собраниях музеев республики без атрибуции. Наиболее полное собрание иконописных работ космозерских иконописцев хранится в фондах музея-заповедника «Кижи». В статье рассматривается история формирования музейной коллекции, характеризуются иконы, написанные в этой мастерской, в том числе и уникальные подписные иконы заонежских изографов; приводятся воспоминания односельчан и членов семьи об организации работы и жизненном пути последнего иконописца Заонежья Ивана Михеевича Абрамова; поднимается вопрос о судьбе коллекции икон и оборудования мастерской Абрамовых, вывезенных в Финляндию в период финской оккупации советской Карелии в 1943 г.; рассматриваются возможности пополнения коллекции в настоящее время. Исследование опирается на документы Национального архива Республики Карелия, Национального архива Финляндии (Хельсинки), материалы Научного архива музея-заповедника «Кижи», в том числе экспедиционные записи.
The article is dedicated to the 110th anniversary of the death of the famous icon painter from Zaonezhye, Mikhey Abramov. The Abramovs' icon-painting workshop, famous throughout Zaonezhye, operated for a century. The icons painted by the Abramovs were both in home peasant iconostases and in many churches of the Olonets province. At present, most of the Abramov icons have been lost or are kept in the collections of museums in the Republic of Karelia without attribution. The funds of the Kizhi Museum-Reserve store the most complete collection of icon-painting works of Kosmozero icon painters. The article discusses the history of the formation of the museum collection, characterizes the icons painted in this workshop, including the unique signature icons of Zaonezhsky iconographers. The author cites the memories of fellow villagers and family members about the organization of work and the life path of the last icon painter of Zaonezhie, Ivan Abramov. The article also raises the question of the fate of the collection of icons and equipment of the Abramov workshop, taken to Finland during the Finnish occupation of Soviet Karelia in 1943, and considers the possibility of replenishing the collection at the present time. The study is based on documents from the National Archives of the Republic of Karelia, the National Archives of Finland (Helsinki), materials from the Scientific Archives of the Kizhi Museum-Reserve, including expeditionary records.
Our Lady of Fire: features of iconography and painting in the culture of Vetka
Authors: Нечаева Г.Г. 
Published: June 2022

В статье приводятся описание и анализ образа «Богоматери Огневидной». Памятники этой редкой иконографии хранятся в Ветковском музее старообрядчества и белорусских традиций (Республика Беларусь). Представлены основные этапы формирования и разнообразие вариантов образа, его участие в сложных композициях целостных комплексов памятников иконописи, происходящих из локальных старообрядческих традиций региона Ветки и Стародубья; его роль в старообрядческой культуре Ветки. На примере местных памятников анализируются живописные особенности воплощения образа. В символическом и семантическом ключе представляется иконография многочастной иконы с включением образа Богоматери Огневидной; в частности, показано, что духовный смысл образа был близок монастырскому кругу и скитническому движению Ветки и Стародубья, мистическим традициям исихазма, а тема огневидных образов и глубины символики огня представляет стройную иконографическую программу ветковской школы иконописи.
The article describes and analyzes the image of the “Our Lady of Fire”. Examples of this rare iconography are kept in the Vetka Museum of the Old Believers and Belarusian Traditions (Republic of Belarus). The main stages of formation and variety of variants of the image, its participation in complex compositions of integral complexes of icon-painting monuments, originating from the local Old Believer traditions of the Vetka and Starodubye region are presented, as well as its role in the Old Believer culture of Vetka. On the example of local monuments, the picturesque features of the embodiment of the image are analyzed. The author analyzes the iconography of the multi-part icon with the inclusion of the image of the Mother of God of Fire in symbolic and semantic aspects. In particular, it is shown that the spiritual meaning of the image was close to the monastic circle and the hermitage movement of Vetka and Starodubye, the mystical traditions of hesychasm, and the theme of fire-like images and the depth of the symbolism of fire represents a harmonious iconographic program of the Vetka school of icon painting.
PENGGUNAAN GOOGLE FORMULIR UNTUK MENINGKATKAN PARTISIPASI BELAJAR SEJARAH PADA MASA PANDEMI COVID-19
Authors: Mulyawati Yati 
Published: June 2022

Tujuan penelitian ini adalah menjelaskan partisipasi belajar siswa menggunakan formulir google pada mata pelajaran sejarah di masa pandemi covid-19. Pendekatan penelitiannya adalah Penelitian Tindakan Kelas (PTK) dengan metode observasi untuk pengumpulan data, sedangkan analisis data menggunakan tahapan reduksi data, penampilan, dan penyimpulan. Objek penelitiannya adalah siswa kelas XI IPS 3 SMA Negeri 1 Ciawi Kabupaten Tasikmalaya, dengan jumlah 36 siswa, terdiri dari 12 orang perempuan, dan 24 orang laki-laki. Peningkatan partisipasi menggunakan dua siklus, yaitu siklus I membahas materi revolusi besar di dunia dan faham-faham dunia menjadi materi yang di bahas pada siklus II. Hasil yang diperoleh setelah melakukan penelitian tindakan kelas, partisipasi belajar siswa kelas XI IPS 3 SMAN 1 Ciawi Kabupaten Tasikmalaya, mengalami peningkatan dalam partisipasi belajarnya. Rata-rata partisipasi belajar yang ditunjukkan oleh siswa berdasarkan siklus 1 dan II sebesar 77%, dengan nilai rata-rata hasil belajar yang dicapai oleh siswa adalah 65,35. Simpulan dari penelitian ini adalah formulir googlebisa digunakan untuk meningkatkan partisipasi siswa dalam kegiatan belajar dengan metode daring, meskipun hasil belajar masih belum mencapai nilai ketuntasan minimal. Selanjutnya, formulir googledirekomendasikan untuk digunakan sebagai media ajar dalam metode pembelajaran daring di masa pandemi Covid 19.
Maternal and New-Born Outcomes When Using Upright and Supine Birth Positions During Labour and Delivery: A Quasi-Experimental Study
Authors: Mtatina Advera V , Mselle Lilian T , Mwakawanga Dorkasi , Sando David , Mkoka Dickson A 
Published: June 2022

Purpose: The purpose of the study is to assess the effects of upright and supine birth positions on maternal and new-born outcomes including maternal blood losses, duration of labor, perineum tear or intact, and APGAR score of the new-born in the first and fifth minutes in two District hospitals in Tanzania.
Methodology: A quasi-experimental study design using a quantitative approach was conducted to assess the maternal and new-born outcomes in the in intervention study group (upright) and non-intervention group (supine). A convenient sample of 150 parturient were included, among them 73 formed an intervention group and 77 were in the non-intervention group. Data analysis was done using SPSS version 23 whereby STATA software was used to assess the effect of the independent variables (birth positions) to the dependent variables (maternal and new-born outcomes). Results were compared using chi-square test at P-value <0. 05
Findings: Among of women who assumed upright birth position were experienced good maternal and new-born outcomes more than those in supine position. 93% and 96% of women in upright had short labour in 1st and 2nd stage respectively compered 24.68% and 44% in supine respectively (P-value <0.001). Maternal blood loss and perineum status had no significant differences in both positions while the APGAR score of the new-born in upright (p=0.018) were more advanced than those in supine group. The study revealed that, Upright birth positions provides positive effects to maternal and new-born more than supine positions. The findings of this study will help pregnant women to have choice on birthing position they feel comfortable to use during labour and delivery.
Recommendation: The Ministry of Health should build capacity of midwives to be able to conduct labour using alternative birthing positions including upright position.
CABELO, RESISTÊNCIA E RESSIGNIFICAÇÃO: COMPARAÇÃO ENTRE O CONTO “METAMORFOSE” E O FILME “FELICIDADE POR UM FIO”
Authors: Da Silva Oliveira Rubenil , Cunha Gonçalves Jaqueline 
Published: June 2022

O presente artigo tem como objetivo comparar a construção das personagens principais no conto “Metamorfose” (2016), de Cristiane Sobral e no filme “Felicidade por um fio” produzido por Tracey Bing, Jared Leboff, Marc Platt e Sanaa Lathan. A metodologia do trabalho é qualitativa de natureza bibliográfica, já que busca analisar a construção das personagens negras, a partir do cabelo, no conto e filme selecionados, em que é essencial a leitura de textos que tratem da Literatura comparada (CARVALHAL, 2016; NITRINI, 1996; CROCE, 2011) e da opressão social acerca do cabelo crespo (GOMES, 2002; FERREIRA; PINTO, 2014). A partir da análise, percebemos que a personagem Socorro presente no conto e Violet apresentada no filme, se aproximam em vários aspectos, principalmente quanto ao tratamento que têm com o cabelo, além disso, concluímos que as personagens Socorro e Violet representam muitas mulheres negras que crescem escutando que seus corpos são inferiores apenas por serem negros e que suas características biológicas devem ser escondidas para que possam se basear no ideal de beleza branca historicamente estabelecido.
Utility of the AM-PAC “6 Clicks” Basic Mobility and Daily Activity Short Forms to Determine Discharge Destination in an Acute Stroke Population
Authors: Casertano Lorenzo O. , Bassile Clare C. , Pfeffer Jacqueline S. , Morrone Theresa M. , Stein Joel , Willey Joshua Z. , Rao Ashwini K. 
Published: June 2022

Abstract
Importance: The American Heart Association and American Stroke Association recommend early identification of level of rehabilitative care as a priority after stroke.
Objective: To evaluate the utility of the Activity Measure for Post-Acute Care (AM-PAC) “6 Clicks” Daily Activity and Basic Mobility forms to determine the next level of rehabilitation after hospitalization for adults with stroke.
Design: Retrospective cohort design using medical records from 2015 to 2016.
Setting: Major urban hospital.
Participants: Patients admitted to the stroke service, with a confirmed stroke, who were seen by a physical or occupational therapist; who had a 6 Clicks Basic Mobility or Daily Activity score at initial evaluation; and who were discharged to home, an acute inpatient rehabilitation facility (IRF), or a subacute skilled nursing facility (SNF).
Outcomes and Measures: Length of stay and discharge destination.
Results: Seven hundred four participants (M age = 68.28 yr; 51.21% female) were included. Analysis of variance and receiver operating characteristic curves were performed. Daily Activity scores were highest for home discharge, lower for IRF discharge, and lowest for SNF discharge; Basic Mobility showed a similar pattern. Cutoff values distinguishing home from further inpatient rehabilitation were 44.50 for Basic Mobility and 39.40 for Daily Activity scores (area under the curve [AUC] = .82 for both forms), with scores of 34.59 (AUC = 0.64) and 31.32 (AUC = 0.67) separating IRF from SNF, respectively.
Conclusions and Relevance: Therapists should incorporate 6 Clicks scores into their discharge planning.
What This Article Adds: This research demonstrates the utility of an outcome measure in the acute care setting that assists in planning discharge destination for patients with stroke.
Theory-Based Self-Management Interventions for Community-Dwelling Stroke Survivors: A Systematic Review and Meta-Analysis
Authors: Lau Stephen C. L. , Judycki Stephanie , Mix Mikayla , DePaul Olivia , Tomazin Rachel , Hardi Angela , Wong Alex W. K. , Baum Carolyn 
Published: June 2022

AbstractImportance: Self-management is a critical component of stroke rehabilitation. A better understanding of the use of theory and behavior change techniques (BCTs) informs the development of more effective stroke self-management interventions.Objective: To examine what theories and BCTs have been applied in stroke self-management interventions; investigate the extent to which these interventions encourage implementation of behavior changes; and appraise their effectiveness to enhance self-efficacy, quality of life, and functional independence.Data Sources: Ovid MEDLINE, Embase, Scopus, CINAHL, Cochrane Library, and ClinicalTrials.gov were searched from inception to May 26, 2020.Study Selection and Data Collection: Randomized controlled trials (RCTs) in six databases were reviewed for inclusion and analysis. We included trials that involved community-dwelling adult stroke survivors, assessed the effectiveness of self-management interventions, and explicitly mentioned the use of theory in the development of the intervention. We assessed use of theory and BCTs using the Theory Coding Scheme and BCT taxonomy v1, respectively.Findings: A total of 3,049 studies were screened, and 13 RCTs were included. The predominant theory and BCT categories were Social Cognitive Theory (7 studies) and goals and planning (12 studies), respectively. Significant and small effect sizes were found for self-efficacy (0.27) and functional independence (0.19).Conclusions and Relevance: Theory-based self-management interventions have the potential to enhance stroke outcomes. Systematic reporting on the use of theory and BCTs is recommended to enhance clarity and facilitate evaluations of future interventions.What This Article Adds: This review supports and guides occupational therapy practitioners to use theory-based self-management intervention as a routine part of stroke rehabilitation to improve stroke survivors’ experience in the community.
The Godfather™ Book
Authors: Cowie Peter 
Published: June 2022

The Godfather and its sequels redefined the gangster movie, transcending the genre to become a complex study of power, violence, and ethnic solidarity. Winner of nine Academy Awards, the trilogy is revived continually on television and remains a staple of the video marketplace.
Now, for the first time, film critic Peter Cowie has brought to life the whole story behind the creation of the three Godfather movies. Cowie gained exclusive access to Francis Ford Coppola's archives to research the book, and interviewed Coppola himself, novelist Mario Puzo, and scores of other key personalities. He tells a riveting story of violent personality clashes, financial and technical crises, and a roller-coaster ride from apparent disaster to eventual triumph.
Cowie also offers a masterful account of the themes and historical inspiration that underpin the trilogy, demonstrating how Coppola drew on certain central themes to give the movies their timeless and universal appeal.