bluuebunny/crossref_metadata_2025_split huggingface dataset:
Majesty of Limbu Love Songs: The Case of Sambahamphe's Char Maya Palam
Authors: Limbu Ramesh Kumar 
Published: May 2022

Folklore studies, also known as folkloristics, studies customs, traditions, artifacts and beliefs being transmitted from past generations to the present. Transmission of these artifacts is a vital part of the folklore process. This article examines how Limbu love song, known as palam, splendidly characterizes the multiple aspects of love functioning as a sense of propriety and decorum. Palam is a popular folksong in Yakthung Limbu community of Nepal. It is also sung in many other countries of the world where Limbu community populate including India, Bhutan and Myanmar. Focusing on the text Char Maya Palam by Ambika Kumar Sambahamphe, the study attempts to analyse how the palam or Limbu love song, which is sung while dancing ya?lang, undeniably holds substantial popularity and esteemed value in Limbu traditional folksongs.
Profile of Cancer Patients Attending Manipal Teaching Hospital, Pokhara, During the COVID-19 Pandemic
Authors: Sherchan Rishi Kumar , Koirala Krishna Prasad , Batajoo Ashim 
Published: May 2022

Introduction: Due to the SARS COVID-19 pandemic, cancer services were suspended worldwide. The cancer patients were at high risk of getting SARS-COV-Infection due to their immunocompromised condition.
Methods: This was a single-institution retrospective quantitative study carried out from 1st May 2020 to 30th October 2020 at the Oncology Department of Manipal Teaching Hospital during the early COVID 19 pandemic for 6 months.
Results: In total 339 patients were seen in a period of 6 months. Male patients were 212 (62.5 %) and female were 127 (37.4%). The most common cancer in our study was lung 47 (13.9%), breast 32 (9.4%), colorectal 30 (8.8%), and stomach carcinoma 21 (6.2%) respectively.
Conclusion: Though in this hard time of Pandemic, there was a substantial increase in cancer patients, and all of them were managed thoroughly.
Evaluation of variation of portal vein branching pattern on Multidetector Computed Tomography in adult population
Authors: Adhikari Kapil , Devkota Karun , Koirala Sapana 
Published: May 2022

Introduction: The main aim of this study was to determine the prevalence of main and right portal vein variation in study population and evaluate their branching patterns on abdominal CT.
Methods: A hospital based cross sectional study was carried out in Department of Radiology, BPKIHS over a period of 6 months after taking ethical approval from institutional review committee. 375 cases referred for abdominal CT for various indications were included in the study.
Results: Classic main portal vein branching pattern (Type 1) was identified in 305 (81.3%) cases. Main portal vein branching variations were identified in 70 (18.7 %) cases of which most common variation was trifurcation pattern (Type 2) seen in 48 (12.8%) cases followed by right posterior portal vein as first branch of main portal vein (Type 3) seen in 21 (5.6%) cases. Out of 305 cases with Type 1 branching pattern, classic branching pattern of right portal vein was noted in 285 (93.4%) cases. Right portal vein variations were identified in 20 (6.5%) cases. Common variations of right portal vein noted in our study were early origin of segment VlI branch from right portal vein seen in 5 cases (1.6%), early origin of segment VI branch from right portal vein seen in 4 (1.3%) cases and quadrifurcation pattern seen in 3 cases (0.98%).
Conclusion: Prevalence of portal vein variations is high on routine abdominal CT scans. Knowledge about branching patterns of these variations can be useful to reduce liver injury and complications during hepatic surgeries and interventions.
High Resolution Computed Tomography findings and Computed Tomography severity index in COVID-19 Infection Correlated with Age and Gender
Authors: Sharma Prakash , KC Subash , Gyawali Merina , Karki Dipesh , Shrestha Ashish , Pun Benju Tilija , Pokhrel Amrit 
Published: May 2022

Introduction: The new coronavirus disease -19 (COVID-19) is caused by SARS-CoV2 strain of coronavirus. The Computed tomography (CT) severity index is a scoring system used to assess the lung changes and involvement by COVID-19 based on approximate estimation of pulmonary involved areas. This study was done to identify the spectrum of CT chest findings and CT severity index in COVID-19 infection and its correlation with age and gender.
Methods: Patients with COVID-19 infection with positive PCR results and positive pulmonary CT findings were included in the study. All these patients underwent high-resolution computed tomography (HRCT) of the chest. The CT scan severity score in all of these patients was calculated and the results were analyzed by SPSS version 21.
Results: A total of 104 patients with confirmed COVID-19 infection were included in this study. There were 59 males (56.73%) and 45 females (43.3%) in this study. There was a higher chest severity score in males compared to females. However, there was no significant correlation between the age and CT chest severity score.
Conclusion: HRCT chest can help in the early identification of the patients who need intensive care. Early admission and intensive care of the patients with high CT severity scores may help to reduce the mortality of COVID-19 patients.
Intermediate Space of Andriy Lyubka’s Novel “Your Look, Chio-Chio-san”
Authors: Kohut Tetiana 
Published: May 2022

Relevance of the study. In the modern Ukrainian scientific space, intermediality is widely developed in literary studies in various directions. The study of this phenomenon seems to be one of the most relevant and promising areas for musicology, which has a specific analytical toolkit that can reveal the deep meaning of the musical component of the text.
Scientific novelty of research. The novel by the сontemporary Ukrainian author Andrei Lyubka “Your Look, Chio-Chio-san” for the first time becomes the object of musicological research and is considered in the context of intermediality.
Main objective of the study – to consider the intermedial space of Andriy Lyubka’s novel “Your Look, Chio-Chio-san”, revealing in it different levels of connections of the verbal text with the opera by G. Puccini.
Methodology. In the process of identifying literary and musical ties, an intermedia approach that is relevant in modern literary criticism and musicology was used; comparison of various parameters of the opera and the novel led to the use of the comparative method; to consider the musical component and its meaning in the verbal text, the method of intonation analysis was used.
Results and conclusions. In A. Lyubka’s novel “Your Look, Chio-Chio-san” there are various channels of intersection of musical and verbal texts, presented through: figurative plot associationsparallels; musical markers: Chio-Chio-san’s aria “Un bel dì, vedremo” – like a sound trace of the main character; the voice of Maria Callas, woven into the canvas of the text as another means of intermediacy; a detailed description of the performance of the opera, covering the key moments of its drama (characterized by a deep reading of the musical series, in particular – its genre and intonation genesis). Opera by G. Puccini is presented as an extremely important semantic and compositional core of the novel.
Genre as a Musical Sign of the Era in the Novel “Tango of Death” by Yurii Vynnychuk
Authors: Oliinyk Ivanna 
Published: May 2022

Relevance of the study. The Ukrainian urban space and the stages of its formation is a promising and one of the most relevant vectors for the study of Ukrainian history. Nevertheless, Ukrainian cities, as centers of the formation of professional art and major cultural trends, still rarely become the subject of scientific research necessary for a holistic understanding of our history. The article deals with the novel by Yurii Vynnychuk, which is dedicated to the history, culture and musical life of the city of Lviv. Insufficient knowledge in the scientific literature of the place and significance of the musical sphere in the heritage of Ukrainian writers, in particular, Yurii Vynnychuk, forms the relevance of this article.
Main objective of the study is to determine the role of musical art in the creativity of Yurii Vynnychuk using the example of the novel “Tango of Death”, to explore the semantics of the tango genre for the author of the novel, and to study and characterize the musical source, which became the central artistic object of the novel “Tango of Death”.
Research methodology. The research methodology includes the use of historical, contextual, sociological, etymological, comparative typological methods, as well as the method of intertextual research.
The results of directorial artifacts. The musical experience of Yurii Vynnychuk and knowledge of the history of Lviv contributed to the diversity of the musical and artistic layers involved in the novel “Tango of Death”. The main place in the novel belongs to the musical composition of the same name “Tango of Death”. Its music becomes an instrument that has the functions of a conductor of the soul with the possibility of its rebirth in the next life. Also, the music of “Tango of Death” appeals to the era itself, for which tango is the leading genre that keeps the memory of the lost generation. The musical prototype of tango in Yurii Vynnychuk's novel is the pre-war Polish hit “To ostatnia niedziela”, created in 1935 by Jerzy Petersburski and Zenon Friedwald. The analysis of the metrical structure of the syllables of the stanzas reveals the coincidence of the structure of the first part of the stanza of Jerzy Petersburgsky's tango with the stanza composed by the author of the novel. This fact may indicate the desire of Yurii Vynnychuk to generalize the image of tango through the references for the genre itself, thanks to the preservation of dance rhythms with its metric repetition. The study of the polyfunctionality of intermedial connections between the artistic text of Yurii Vynnychuk and the musical-intonation sphere of culture opens up new facets of understanding the novel and the entire literary heritage of the author.
Ballet “Chasing Two Hares” by Yuri Shevchenko: Intertextual and Intermedial Contexts
Authors: Zinchenko Veronika 
Published: May 2022

The relevance of research. The ballet “Chasing Two Hares” was first investigated from the point of view of intertextual and intermedia connections. Also, for the first time, the analysis of the musical component of the film "Chasing Two Hares" directed by V. Ivanov and composer B. Gomolyaka has been carried out. The parameters of interaction between the ballet “Chasing Two Hares” and the film of the same name at different levels are derived: plot, genre, intonation and drama.
Main objective of the study is to determine the intertextual and intermedia contexts of Y. Shevchenko’s ballet “Chasing Two Hares”.
Research methodology. In the article, the following methods of historical and theoretical musicology were used: historical — to clarify the circumstances of the creation of musical works, comparative — to compare the musical series of the film “Chasing Two Hares” and Y. Shevchenko’s ballet, the method of intertextual analysis — to identify the qualitative indicators of connections between different musical texts, the method of genre-intonation analysis — for the detection of immanent intonational specific features of the named opuses.
The results and conclusions of the study. The concepts of “intertextuality” and “intermediality” in the context of the genre of ballet are defined. The ballet “Chasing Two Hares” by Y. Shevchenko is analyzed from the point of view of its genre and intonation specifics, intertextual and intermedia connections with the film “Chasing Two Hares” directed by V. Ivanov. The musical component of the film, the author of which was V. Gomolyaka, is considered. The main methods of V. Gomolyaka’s work are determined when he creates intonation characteristics of the main characters of the film (Golokhvostov, Pronya) by means of musical expressiveness. Golokhvostov has two contrasting leit-themes, Pronya — one leit-theme, which undergoes intonation changes at the end of the film. The genre and intonation coordinates of the sound landscape of the city of Kyiv have been determined, which V. Gomolyaka reproduces the motley picture of the city of the late 19th and early 20th centuries (church bells, urban folklore, klezmer music, etc.). The intonation and literary genesis of the ballet “Chasing Two Hares” by Y. Shevchenko has been clarified. The parameters of interaction of the film “Chasing Two Hares” with Y. Shevchenko’s ballet are derived: plot (introduction of the heroine Madame), genre (involving the semantics of genres: waltz, march, song, couplets, etc.), intonation (rethinking of sound models by Y. Shevchenko and ideas of V. Gomolyaka). The intertextual and intermedia connections of Y. Shevchenko’s ballet with other literary texts are traced: M Starytsky’s play “Gentleman lip without teeth, or Chasing Two Hares”, I. Nechuy-Levitsky’s play “On Kozhemyaki” and the film “Chasing Two Hares” directed by V. Ivanov and composer V. Gomolyaka. The individual author’s style of the composer is comprehended from the point of view of work in the genre of ballet.
“34 Preludes and Fugs” by Valentin Bibik: nnovative Features in Realization of the Compositional-Dramaturgical Concept of the Great Polyphonic Cycle
Authors: Postovoitova Svetlana 
Published: May 2022

Relevance of the article. In 1978, Valentin Savich Bibik completed his work on the monumental polyphonic cycle “34 Preludes and Fugues” opus 16, he began working on it in 1973. This composition is a continuation of the composer’s work in the polyphonic genre: in 1968, the cycle “24 Preludes and Fugues” opus 2 was written, and in 1970 two preludes and fugues opus 7 were written.
A significant motivating factor for a detailed study of the “34 Preludes and Fugues” is the original musical language, the tonal, metro-rhythmic and thematic organization of the cycle. They radically distinguish it from the works of other composers in this genre. The insufficiently studied polyphonic works of Valentin Bibik determine the relevance of this study.
Purpose of the article. To identify innovative features of the implementation of the compositional and dramatic concept in the cycle “34 Preludes and Fugues” by V. Bibik.
Scientific novelty. In studies devoted to "34 Preludes and Fugues" by V. Bibik, the features of the innovations of this cycle (avant-garde techniques, the complexity of the musical language) are only ascertained; the fact of connection with Bach’s traditions is mentioned. The deep processes involved in the formation of the integrity of a large polyphonic means as well as the levels of embodiment of the composer’s concept of the cycle remained hidden behind the descriptive presentation of the fact. The article traces and formulates for the first time the main features of composer innovation in the framework of the compositional and dramatic concept of a large polyphonic cycle.
The research methodology includes the use of systemic and functional methods.
Main results and conclusions. V. Bibik’s “34 Preludes and Fugues” demonstrate an innovative version of the interpretation of the polyphonic cycle, due to the original combination of modern techniques with polyphonic principles and methods of development. The most significant innovations in the cycle are the rejection of the functionally centralized ladotonal system, the original interpretation of metrorhythmic organization and the specifics of the theme, which, in turn, led to significant transformations at all stages of fugue formation. In addition to these features of innovation, the cycle has deep internal connections between the elements, from the moment of creating the theme to the formation of the integrity of the cycle.
Penerapan asas timbal balik (Reciprocal) terhadap hubungan persahabatan antara Indonesia dan Vanuatu
Authors: Persada Bangun Bela , Sulistyaningsih Puji , Kuniaty Yulia , Basri Basri 
Published: May 2022

Tuduhan pelanggaran Hak Asasi Manusia (HAM) dan dukungan terhadap kelompok separatis Papua yang dilakukan Vanuatu dinilai telah melanggar prinsip timbal balik (resiprositas) dalam hubungan persahabatan dengan Indonesia. Sehingga untuk mengidentifikasi tindakan yang dilakukan oleh Vanuatu yang melanggar hubungan persahabatan antara Indonesia dan Vanuatu dan mengidentifikasi upaya yang dilakukan untuk menjaga agar hubungan persahabatan antara Indonesia dan Vanuatu tetap baik diperlukan kajian akademik. Penelitian ini merupakan penelitian normatif dengan pendekatan Undang-Undang (statute Approach). Teknik pengumpulan data dilakukan dengan mengkaji dan menelaah berbagai literature dan bahan pustaka lainnya yang relevan dengan permasalahan. Data dianalisis secara kualitatif dan dikaji dengan metode berfikir secara deduktif dihubungkan dengan teori yang ada dan studi kepustakaan. Hasil penelitian menunjukan bahwa penerapan asas timbal balik dalam hubungan persahabatan antara Indonesia dengan Vanuatu tidak dilakukan Vanuatu sebagaimana mestinya. Tindakan tuduhan pelanggaran HAM di Papua dan dukungan Vanuatu terhadap kelompok separatis Papua dinilai telah melanggar prinsip-prinsip dalam Piagam PBB dan Statuta Mahkamah Internasional, Resolusi PBB 2625 Deklarasi mengenai Prinsip- Prinsip Hukum Internasional dalam Hubungan Persahabatan dan Kerjasama Internasional, dan Konvensi Montevideo 1933 yaitu prinsip menahan diri dari tindakan yang mengancam integritas teritorial dan prinsip intervensi. Upaya yang dilakukan pemerintah Indonesia terhadap tuduhan pelanggaran HAM di Papua adalah dengan menggunakan hak jawab ketika mengikuti Sidang Majelis Umum PBB, manajemen berita, komunikasi strategis, serta membangun relasi. Hal ini sekaligus untuk memperkuat hubungan persahabatan diantara Indonesia dengan Vanuatu. Cara penyelesaian sengketa dapat dilakukan dengan perundingan, pencarian fakta (inquiry), atau melalui badan-badan PBB.
ECHR Preamble vs. the European Arrest Warrant: balancing Human Rights protection and the principle of mutual trust in EU Criminal Law?
Authors: Daminova Nasiya Ildarovna 
Published: May 2022

As stated in the European Convention on Hu- man Rights Preamble, the aim of the Council of Europe is the achievement of greater unity between its members through the maintenance and realisation of Human Rights and Fundamental Freedoms . Nowadays, the European Union includes the majority of the ECHR signatories (27 of 47) and incorporates the key legal instrument of judicial cooperation in criminal matters, namely the European Arrest Warrant Framework Decision . Nevertheless, the possible effects of the EAWFD on the practice of the European Court of Human Rights remain understudied – despite the crucial need to properly balance the enforcement of the principle of mutual recognition and Human Rights protection in the European Union. Since the first attempts to approach the EAWFD, the Strasbourg Court preferred to find the applications inadmissible (Pianese, Monedero Angora, Stapleton) or to establish a very high threshold for establishing a Convention violation within this context (Pirozzi). It will be argued that the newly developing Strasbourg Court’s case-law on the EAWFD (Castano, Bivolaru/Moldovan, Alosa) could potentially mark a new step in the judicial dialogue be- tween two European Courts. In the Castano and Bivolaru/ Moldovan rulings, the ECtHR – for the first time – found that the EU Member States had breached their obligations under Arts . 2 ( ́right to life ́) and 3 ( ́prohibition of torture ́) ECHR within the European Arrest Warrant context (murder/traffick- ing in human beings charges). At the same time, this interpre- tation opens the floor for discussion on potential applicability of other Convention provisions (Arts . 4, 5, 8, 13) to other offences listed in Art . 2(2) of the EAWFD (such as, for instance, corruption, fraud, computer-related crime etc .). Even though the Strasbourg Court has transposed the CJEU’s benchmarks of the EAW refusals legality assessment – i .e . a risk of inhuman or degrading treatment in the requesting State (Aranyosi/Căldăra­ ru), the EU Member States ́ courts are now forced – de facto – to consider an additional (ECHR-based) criterion for assessing the legality of refusals to execute the European Arrest Warrants. This can arguably pose further questions upon the entry into force of Protocol No. 15 ECHR which aims at the most effective realisation of the ́subsidiarity ́ principle in the European Convention system.
Virtual Tours in Ukrainian Art Projects: Between Pandemic and War
Authors: Vezhbovska Liliana , Klivak Vladyslav 
Published: May 2022

The article is devoted to a review of virtual tours accompanying exhibition art projects in Ukraine. The role of design and software in their creation is analyzed. The aim of the study is to identify effective design approaches in designing virtual tours, to establish the degree of interdependence of the virtual object and the object represented in real time. The research methodology is determined by the methods of general scientific comparative studies and art analysis. The basis of the research is a review of virtual tours of exhibition projects of the Mystetskyi Arsenal (Kyiv, Ukraine). The scientific novelty of the study is stipulated by the identification of design aspects in the creation of virtual reality as well as – the criteria which allow us to assert the existence of stylistic differences that distinguish different virtual tours. Conclusions. As a result of reviewing and comparing virtual tours to exhibition projects in the Ukrainian art space we conclude that they are of high quality, in particular, the degree of reproduction of real time with appropriate detail and information content. In this way, this product allows not only to become familiar with show exhibits, but also to get an idea of its holistic concept. This is achieved, on the one hand, thanks to high-quality and optimal software, and on the other hand, by means of creative design which allows you to identify both the actual slice of the project and its artistic component. In the best examples the latter is filled with the developed means of combining virtual reality and video installations. However, it should be noted that the virtual tour still plays a role of accompaniment and does not replace the event itself which should take place in real time and real space, because, as in any way of transmitting artistic content via electronic media a significant part of the energy potential of the art object is lost. However, the advantages of virtual tours are their informational and suggestive component and the possibility of widespread dissemination of projects.
The particular relevance of virtual projects can be predicted in the near future as there is a need to visualize and update the reflections of artists associated with the unprecedented for the XXI century. phenomenon in Europe – Russia’s war against Ukraine with large-scale war crimes, acts of genocide and the deliberate destruction of the cultural heritage of an independent state. The formation and development of such initiatives in Ukraine are considered in several examples in the article.