bluuebunny/crossref_metadata_2025_split huggingface dataset:
Analisis Perbandingan Morfologi Mimosa pudica L. dan Mimosa pigra L. di Desa Susukan, Kabupaten Serang, Banten
Authors: SEPTIANI SEPTIANI , HALIMAH LILI , RUSPITA ROZA , PUSPITASARI LAKSMI 
Published: May 2023

Putri malu merupakan tumbuhan liar yang banyak ditemukan di daerah lembap dan tropis. Di Desa Susukan, Kecamatan Tirtayasa, Kabupaten Serang, Banten terdapat dua jenis tanaman putri malu, yaitu Mimosa pigra L. dan Mimosa pudica L. Mimosa pigra belum dikenal secara umum. Penelitian ini bertujuan untuk membandingkan karakter morfologi M. pigra dan M. pudica. Metode penelitian yang digunakan adalah purposive sampling. Data yang diperoleh dianalisis secara deskriptif kualitatif. Hasil penelitian menunjukkan bahwa pada M. pigra tidak ditemukan buah. Batang dari kedua spesies memiliki penampang melintang yang berbentuk bulat, trikoma, dan duri sejati, tetapi warna, arah tumbuh, dan tinggi dari keduanya berbeda. Pada M. pigra, daun berwarna hijau, sedangkan pada M. pudica sedikit berwarna merah di bagian pinggir daun. Kecepatan mengatup daun M. pigra sekitar 03:62 detik, sedangkan pada M. pudica 02:13 detik. Pada M. pigra, bunga tumbuh di ketiak batang, sedangkan pada M. pudica tumbuh di ketiak daun. Kedua spesies memiliki bunga dengan warna merah muda. Namun pada M. pudica, bunga berwarna putih dan layu saat matahari terbenam.
Populasi dan Intensitas Serangan Larva Spodoptera litura F. pada Tanaman Sawi Hijau (Brassica juncea L.)
Authors: Rafu Herminda , Atini Blasius , Santiari Made 
Published: May 2023

Green mustard farmers in the Beba area experienced a decrease in crop yields due to attacks by armyworm larvae. A study needs to be conducted to determine the average population and intensity of the attack by larvae of S. litura F. on mustard greens aged 6 DAP, 8 DAP, 10 DAP, and 12 DAP in the determined plots. The study was conducted in the Beba area, Oelami Village, South Bikomi District, from December 2021 to January 2022. The total observation sub-plots were 16 and the size of each sub-plot is 60 x 60 cm. The collection of S. litura F. and attack intensity observation were carried out starting from 6 DAP – 12 DAP at 06.00-08.00 am. The mean population of S. litura F. larvae obtained from mustard greens aged 6 DAP; 8 DAP, 10 DAP, and 12 DAP was respectively 0.029 DAP/clump; 0.154 head/clump, 0.632 head/clump, and 0.688 head/clump. The percentage of attack intensity on plants aged 6 DAP, 8 DAP, 10 DAP, and 12 DAP were respectively 0.041%; 0.097%; 0.23%, and 0.246%. The attack intensity category is still in the mild category. The highest average population of S. litura F. larvae and the highest percentage of attack intensity was at the age of 12 DAP.
Spiling in unstable tunnel sections – a benchmark and case study review
Authors: Edelbro Catrin , Perman Fredrik , Johansson Fredrik 
Published: May 2023

In unstable ground, the tunnel can be pre-supported by driving spiles and forepoles into the crown and walls ahead of the excavation face with a small inclination angle upward. In Sweden, the nomenclature for this type of pre-support is "spiling". Spiling, which is a temporary support, is frequently used in Swedish tunnels. However, there is a lack of guidelines and international standardization for the design of spiling. This paper explores the design of spiling in unstable ground with focus on tunnels excavated in the Nordic countries with generally hard rock masses. Based on a benchmark, case and literature study review, example of guidelines and starting points in the design of spiling have been compiled. Cases, with different types of designed and installed spiling, are presented in the paper, followed by a discussion of when, and for what rock conditions, to use rebar spiles, pipe spiles, or self-drilling spiles to achieve a safe excavation progress. Analytical design methodologies used in Swedish cases are presented, including beam models for spiling sections between supporting arches or the face. Cases where numerical modelling have been used in the design of spiling are also described. The findings presented in this paper shows a lack of guidelines on how to design spiling. Future research work linked to model uncertainty, local arching effect and quality assessment is suggested, which will be beneficial for tunnel engineers in designing spiling in the future.
Strategic management of water filled tunnels
Authors: Rimsa Andrius , Malak Dave , Simola Mikko 
Published: May 2023

In Scandinavia and worldwide, rock tunnels are largely used to transport water in many industries and municipal activities, e.g. hydro and nuclear power, water transport for drinking and wastewater, raw water supply to industrial facilities, etc. These tunnels are usually constantly filled with water but need monitoring and maintenance inspections at regular intervals. According to the Swedish Energiforsk report (2021:730) "Inner waterways in a hydropower plant commonly have very limited access for inspections and some have never been inspected since the commissioning. Many plant owners lack systematic management of the inner waterways”. We do believe that this problem exists not only in Sweden and not only in hydropower plants. Degradation of tunnel structure has many similarities in dry and water-filled tunnels; in the water-filled state, however, the hydrostatic pressure and its variation as well as physical erosion by flowing water are also added as possible negative factors. Tunnel inspections must affect operations as little as possible. This can be achieved by performing inspection and maintenance with a ROV (Remotely operated vehicle) equipped with sonar, cameras and measuring instruments without emptying the tunnel of water and under safe working conditions. The combination of the correct size of the ROV and the length of the cable allows the inspection of tunnels of up to 20 km from a single-entry point. We present the technical capacity of ROVs equipped with 3D sonar and examples of geological interpretation of inspection results from water-filled tunnels and maintenance solutions. We argue that a ROV equipped with 3D multibeam sonar is currently the most advanced instrument for performing inspections of water-filled tunnels in a safe work environment manner and should be considered as one of the tools for strategic management of inner waterways.
Wayang Wong Sebagai Pusaka Keraton Yogyakarta
Authors: Supriyanto Supriyanto 
Published: May 2023

Soedarsono has written widely on the subject of Yogyakarta style wayang wong (a traditional Javanese stage show) as a dramaturgical state ritual in the Yogyakarta Palace. In general,Â wayang wong is a dramaturgy that can be described as a wayang performance presented by human actors. The term wayang wong may refer to all dramaturgies but its stories are usually taken from the Mahabharata and Ramayana epics. Wayang wong includes dialogue which is performed by the dancers and is based on the art of wayang kulit or shadow puppet theatre. Based on the evidence found in a number of sources, it can be said that the creator of wayangÂ wong in the Yogyakarta Palace was Sri Sultan Hamengku Buwono I who reigned from 1755 â€“ 1794. From the time of Hamengku Buwono V, wayang wong was nurtured and developed until it reached its peak of existence during the reign of Sultan Hamengku Buwono VIII (1921 â€“ 1939). During this period, wayang wong enjoyed its golden era, as could be seen from the number of wayang wong performances that were held, sometimes lasting for several days. However, after the death of Sultan Hamengku Buwono VIII, Yogyakarta style wayang wong experienced a decline in popularity. There were a number of different factors which led to the decline of this noble art form, including social and cultural factors, aesthetical factors, and the factor of patronage. Since its first appearance, traditional wayang wong was an important part of life, government, and state rituals in the Yogyakarta Palace. All of the Sultans from the Hamengku Buwono dynasty continued the tradition of wayang wong performances throughout their reign. In this sense, wayang wong as one of the noble cultures of the Yogyakarta court can also be understood to be a cultural heirloom. This has also been explained by Soedarsono in reference to the collection of serat kandha, or wayang wong story scripts that are kept in the Yogyakarta Palace. In addition, the position of wayang wong as a ritual performance was a blessing for the kawula dalem, or palace servants, who watched the performances. Performances of wayang wong in the Yogyakarta Palace were a form of state ritual which functioned as a ceremony to promote fertility and prosperity. The prayers surrounding this ritual were offered at the beginning and end of a performance and read by the pemaos kandha (narrator) of the wayang wong performance.Keywords : wayang wong, heirloom, court.
DARI KARYA SASTRA â€œMENAK CINAâ€ MENJADI SEBUAH KARYA TARI
Authors: Yulianingsih Rambat 
Published: May 2023

AbstrakSeni sastra jawa yang kaya sangat sayang bila hanya tetap menjadi sebuah manuskrip atau catatan tertulis yang tersimpan dalam musium. Keadaan yang demikian tentu tidak semua orang bisa membacanya ataupun mendapatkan akses untuk bisa memanfaatkannya. Dari keadaan tersebut muncul keinginan untuk mencoba membawa kembali khazanah sastra jawa kedalam suatu bentuk karya seni lain dengan harapan agar sastra jawa lebih dikenal dan bisa diapresiasi. Seperti juga Serat Menak yang berasal dari kitab Qissay Emr Hamza, sebuah kesusastraan persia pada pemerintahan Harun Al Rasyid (766-809). Di melayu kisah ini dikenal dengan nama Hikayat Amir Hamza. Salah satu bagian dari Serat Menak adalah Menak Cina. Kisah ini cukup dikenal dalam budaya Jawa Tengah, khususnya Surakarta. Roman tersebut menjadi dikenal oleh jasa R. Ng. Yasadipura I dalam mengubah karya tersebut kedalam bahasa jawa dipadu dengan cerita panji, yang disusun dalam bentuk sekar macapat.Kata kunci: serat menak, literature seni, dan khasanah sastra Jawa.Â AbstractThe Art literature rich java very fondly if only the remains an manuscripts or a written record stored in museums. The state of being will certainly not everyone can read it or access can use it unit of this condition.Appearing desire to re reading literary into its java a form of artwork another byÂ hope that literatureÂ java moreÂ famous and canÂ be appreciated as also a letter menak derived from the Qissay Emr Hamza, an outgrowth literature versi in the government Harun Al Rasyid (786 â€“ 809) In malays this story was known as the Hikayat Amir Hanza, one part of fibers menakÂ isÂ menakÂ china.Â ThisÂ storyÂ isÂ knownÂ inÂ centralÂ javaÂ culture,Â especiallyÂ Surakarta.Â The romance becameÂ famous byÂ service R.Â Ng. YasadipuraÂ in turnÂ to theÂ language ofÂ java .InÂ inte- grated centera ensign arranged in the form of is now re macapat.Keywords: fiber menak, art literature, and khazanah literature java.
SIMBOLISME TARI MAHESA JENAR RARA WILIS DALAM UPACARA PERKAWINAN ADAT JAWA SURAKARTA
Authors: Yasmono Dwi 
Published: May 2023

AbstrakPada umumnya orang-orang atau penduduk di daerah Surakarta yang mempunyaiÂ hajat dalam penyelenggaraan perkawinan biasanya menggunakan seni pertunjukkan sebagaiÂ pelengkap upacara. Tari berbentuk pasihan (sepasang lelaki dan perempuan yangÂ menggambarkan percintaan) merupakan salah satu seni pertunjukkan yang ada pada acaraÂ tersebut. tari pasihan banyak macamnya, di antaranya Tari Enggar-Enggar, Tari Driasmara,Tari Karonsih, Tari Lambangsih, Tari Langen Asmara, Tari Yudasmara, serta Tari MahesaÂ Jenar Rara Wilis. Tari pasihan Mahesa Jenar Rara Wilis yang sarat akan petuah/nasihatÂ tergambar dalam sebuah koreografi yang sangat apik dengan penataan sedemikian rupaÂ oleh seorang empu tari Keraton Kasunanan Surakarta. S. Maridi berharap dalam menyusuntarian tersebut kesan yang dimunculkan dapat terserap sebagai nasihat dan sekaligus sebagaiÂ tuntunan di samping sebagai hiburan. Pesan yang diungkapkan dalam tari pasihan MahesaÂ Jenar Rara Wilis dapat ditangkap oleh semua orang dengan kadar kedalaman arti yangberbeda-beda tergantung tebal wawasan dan kecerdasan estetika penikmat seni.Â Kata Kunci: Upacara Perkawinan, Tari Mahesa Jenar Rara Wilis, SimbolÂ AbstractIn general, the people in the Surakarta region who have intent in organizing marriagesÂ typically use performing arts as a complement to the ceremony. Pasihan shaped dance (a pair ofÂ man and woman who portray romance) is one of the performing arts performed at the event. ThereÂ are many kinds of pasihan dance, including Enggar-Enggar Dance, Driasmara Dance, KaronsihÂ Dance, Lambangsih Dance, Asmara Langen Dance, Yudasmara Dance, and Mahesa Jenar RaraÂ Wilis Dance. Mahesa Jenar Rara Wilis pasihan dance that is full of advices and counselsis depictedÂ in a very slick choreography with the arrangement as such by a dance master from KeratonÂ Kasunanan Surakarta. S. Maridi hopes in compiling that dance, the impression given can beÂ absorbed as an advice as well as a guidance,beside as an entertainment. Messages expressed inMahesa Jenar Rara Wilis pasihan dance can be captured by all people at different depth level ofÂ meaning, depending on the thicknessof intellegence and aesthetic insight of connoisseurs of art.Keywords: Marriage Ceremony, Mahesa Jenar Rara Wilis Dance, Symbol.
FUNGSI WAYANG ORANG KRIDO WANDOWO DALAM KEHIDUPAN MASYARAKAT DESA JIWAN, KARANGNONGKO, KLATEN
Authors: Sari Kristian Wulan 
Published: May 2023

Penelitian pertunjukan wayang orang â€œKrido Wandowoâ€ di Desa Jiwan, KecamatanÂ Karang Nongko, Kabupaten Klaten adalah untuk mengetahui fungsi dalam Â kehidupan masyarakatnya. Untuk mengetahui secara analitis fungsi wayang orang â€œKrido Wandowoâ€ bagi masyarakat di Desa Jiwan, peneliti menggunakan konsep dari Hâ€™Doubler, terjemahan Agus Tasman. Keberadaan wayang orang â€œKrido Wandowoâ€ ini berfungsi sebagai: hiburan, aksi sosial, sarana pelestarian kesenian, sarana menyampaikan nilai-nilai kehidupan melalui cerita juga merupakan kebanggaan masyarakat desa Jiwan, menjadi ciri khas iconik dan menjadi sumber kekayaan keragaman seni budaya bagi masyarakat Klaten.Â Kata Kunci: wayang orang Krido Wandowo, fungsi, dan masyarakat Jiwan.Â AbstractÂ The research study on the performance of wayang orang â€œKridoWandowoâ€ in the village of Jiwan in the KarangNongko sub-district of Klaten investigates its function in the life of the community. In order to analyze the function of wayang orang â€œKridoWandowoâ€ in the Jiwan village community, the writer uses the concept of Hâ€™Doubler,translated byAgus Tasman.The existence of wayang orang Â â€œKridoWandowoâ€ functions as: entertainment, a form of social action, a medium for art conservation, and a medium for conveying life values through its stories. It is alsoÂ a source of pride for the people of Jiwan village, as well as an iconic trade-mark of the community which provides a source of wealth and diversity in the art and culture of the Klaten community.Â Keywords: wayang orang KridoWandowo, function, and Jiwan community.
SENDHANG SINANGKA SEBAGAI SUMBER INSPIRASI TERCIPTANYA IDE KARYA SENI
Authors: Pamenang Nandhang Wisnu , Pamardi Silvester 
Published: May 2023

AbstrakÂ Sumber mata air bagi kehidupan makluk hidup menjadi kebutuhan yang sangat penting bagi keberlangsungan kehidupan. Tanpa adanya kepedulian dari masyarakatnya untuk merawat sumber mata air maka akan berpengaruh terhadap perkembangan ekosistem disekitar area tersebut. Fenomena ini menjadi ketertarikanbagi pengkarya tentang keberadaan sumber mata air yang sangat penting bagi keberlagsungan kehidupan masyarakatnya dan di transformasikan dalam bentuk karya seni pertunjukan. Keberadaan Sendhang Sinangka bagi masyarakat Desa Keloran menciptakan titik temu diantara keduanya. Dalam perspektif ini, masyarakat tidak dapat terlepas dari lingkungan sebagai sumber kehidupan. Begitu pula sebalikya, Sendhang Sinangka juga membutuhkan kesadaran dari masyarakatnya untuk bersinergi dalam membangunsebuah keseimbangan kosmos. Proses penciptaan seni sebagai representasi dari fenomena manfaat sumber air, membawa pengkarya pada pengembangan eksplorasi ruang, membuat alur cerita yang berkaitan dengan Sedhang Sinangka, serta mengakomodir beberapa elemen masyarakat setempat yang juga turut berpartisipasi melakukan proses. Untuk memperkuat esensi dari pertujukan seni, pengkarya melakukan observasi lokasi, wawancara, pendekatan secara emosional kepada penduduk setempat, pengumpulan data, studi pustaka, dokumentasi, analisis data hingga melakukan kroscek data.Kata kunci: Sendhang Sinangka, Inspirasi, Seni Pertunjukan.Â AbstractÂ The source of springs for the life of living beings becomes a very important necessity for the sustainability of life. Without public awareness to treat springs, it will affect the development of ecosystems around the area. This phenomenon becomes the attraction for the pengkarya about spring which is very important for the sustainability of community life and transformed in the form of performance art. The existence of Sendhang Sinangka for Keloran Village community creates similarities between them. In this perspective, society can not be separated from the envi- ronment as a source of life. Similarly, on the contrary, Sendhang Sinangka also requires aware- ness from the community to work together in building the balance of the cosmos. The process of art creation as a representation of the phenomenon of the benefits of water resources, bringing pengkarya on the development of space exploration, create a story line associated with Sedhang Sinangka, and accommodate some elements of local communities who also participate in theÂ Â process. To strengthen the essence of art performances, pengkarya make location observations, interviews, emotional approaches to the local population, data collection, literature studies, docu- mentation, data analysis to cross check data.Keywords: Sendhang Sinangka, Inspiration, Performing Arts.
ANALISIS ESTETIS TARI BROMASTRO KARYA WAHYU SANTOSO PRABOWO
Authors: Sumargono S 
Published: May 2023

AbstrakÂ Penelitianini mengungkapdan mengidentifikasi estetika ataukeindahantari Bromastro karya Wahyu Santoso Prabowo dengan titik perahatian pada analisis unsur- unsur tari dan bentuk hubungan sebagai pembentukan keindahan tari.Oleh karena itudipaparkan diskripsi Tari Bromastroyang berhubungan dengan musik tari dan rasa gerak tarinya untuk diidentifikasi, sehingga kesan harmoni muncul dalam koreografi tari tersebut. Analisis estetik ini juga didasarkan pada konsep kepenarian tari tradisi Jawa gaya Surakarta baik teknik maupun rasa sebagai koridornya. Konsep tersebut meliputi pacak, pancat, lulut, luwes, ulat, wiled, irama, dan gendhing yang juga dikenal dengan konsep Hastha Sawanda.Â Kata kunci: Tari Bromastro, gendhing, dan estetikÂ AbstractÂ This writting will disclose and identyfy the aesthetics of Bromastro dance by aplying a special attentionto the analysis of danceâ€™s elementsand the relations of one element to the others. The notation patterns of the music of the dance were describet in detail so that it was posible to identify the tempo, laya, rhythm, musical taste and the pattern of kendangan mungkus. The result is that we know the choreography of Bromastro dance has harmonious impresion. This aestetic analysis was based on the aesthetic concept of javanese traditional dancing of Surakarta style,both the technique and its taste. The concept covers pacak, pancat, lulut, luwe, ulat, wiled, rhythm and gendhing which are known as hastha sawanda.Keywords: Bromastro, gendhing, and aesthetic.
KONSEP BIWANWISALUS DALAM TARI KURSUS
Authors: Sudarto Toto 
Published: May 2023

West Java, dance in recognized by Sudanese dance, one kind of Sudanese in Tan Kursus (Course Dance). Tan Kursus developsÂ fromÂ Tayub dance which co//aborted Topeng Cirebon. With in developing of Tan Kursus seems performing art for mans. There are five matters of criteria must be attended for rich of perfectly level for the dancers in Sudanese dance.I would like to study as specially the criteria of danser in kind of Tan Kursus. The criteria are acronym of Biwanwisalus (bisa, wanda, wirahma, sari~ alus). A/us/body coordination: in general skillÂ usesÂ all the body parts, othe,wise to run up the movement of the dance. Wanda/suitable of realizer: the dance structure of reaching of types suitable by the dance with runing up. The type are including costume, make up and dancer body. Wirahma/rasa irama: in on time to cuny of movements rhythm 0/though on time how to understand to ward dance music. Sari/penghayatan: deep understanding of thema and impression for etting energy will accure for the dance to the trough out to became impression wich effected by outsiderhnterpretation ability. Alus/aliran gerak: is throwing down of movement from level to following level withuot accunng difficulty.Key word: Biwanwisalus, Kursus Dance, changes, andÂ developments.
Eksistensi Pencak Silat dalam Penciptaan Tari Tradisi Gaya Surakarta
Authors: Maryono Maryono 
Published: May 2023

The wide range of pencak silat movements used in traditional Surakarta style dance represents their importance in the formation and enrichment of the variety of dance movements in this dance style, especially in the Keprajuritan or Military dance genre. The basic pencak silat movements used for defence, dodging, and stabbing, as well as patterns of combat, have been absorbed and developed in the field of traditional dance to become movements with an expressive quality.Keywords:Â Pencak silat, basic, enrichment, traditional dance, and military dance.
Analisis Struktur dan Bentuk Tari Pasihan Bondhan Sayuk: Sebuah Kajian Makna Teks
Authors: Slamet Slamet 
Published: May 2023

This study on the meaning of the text in the pasihan dance Bondhan Sayuk aims to discover and understand the text of the Bondhan Sayuk dance as a whole by studying the meaning ofÂ the song used in the musical accompaniment which is the text for the dance music. The research uses a descriptive qualitative method with a multi-disciplinary approach. The techniques used for collecting data include a bibliographical study, observation, and interviews. The creation of the Bondhan Sayuk dance was inspired by the existing Enggar-enggar dance. Sunarno, the choreographer of the Bondhan Sayuk dance, was aware that this dance was originally accompanied by a gamelan composition written by Marto Pangrawit, which was motivated by his desire to have a son. By studying Bondhan Sayuk, it can be seen whether there are any different variations of movement among the dancers. This may occur if there is a different interpretation of the musical text, in particular in the tembang tengahan section. This research focuses more on how the dancers and the audience understand the song text used in the musical accompaniment in relation to the expression of the dance movements. The text used in a performance of Bondhan Sayuk, which exists within a musical context that is filled with meaning, is subsequently manifested in the form of a dance performance and provides a framework of thought for the dancers which theyÂ express in the form of dance, while the audience gains an understanding of the meaning of a performance of Bondhan Sayuk, through its song text and through the dance which create a complete performance, at the time the performance takes place. Keywords : Pasihan, Bondhan Sayuk, and Meaning of the text