bluuebunny/crossref_metadata_2025_split huggingface dataset:
Design and implementation of computer network security protection system based on artificial intelligence technology
Authors: Liu Cheng 
Published: April 2023

Abstract
With the rapid development of the Internet, security issues are becoming more and more prominent, and since most information is transmitted through the Internet today, Internet security is particularly important. When the Internet was designed, only mutual compatibility and interoperability between networks were considered, and security issues were not fully considered. As a result, as the Internet continues to grow, security issues are becoming more and more serious. One of the more difficult attacks is the Distributed Denial of Service (DDoS) attack, which has many forms of attacks, is harmful, and is difficult to identify and defend. Therefore, building a global Internet security protection system to achieve effective protection against DDoS attacks is the main work of this research paper. In this paper, we propose an artificial intelligence DDoS attack protection system, which implements a controller and switch auto-detection model by extending the protocol and establishing an optimization model to realize a low-load and low-latency traffic monitoring scheme; for DDoS attacks. We propose the attack inspection algorithm SCVAE based on Variational Encoder (VAE) and Spectral Clustering. in order to mitigate DDoS attack traffic, the protection system uses the QoS traffic control method, builds the application flow hierarchy model, and filters the attack traffic endured by the system by setting the application flow bandwidth limit as well as the traffic priority dual policy. Finally, a Mininet-based simulation test environment is built to evaluate the model, and different test indexes are set for different system modules to evaluate their actual performance. The results of this paper show that in the network traffic monitoring test, the artificial intelligence DDoS attack protection algorithm can respond to the attack more quickly by reducing the average 73ms per sampling compared with other algorithms; in the attack traffic identification test, the comparison accuracy (P) is improved by 15.14%, the accuracy (AC) is improved by 13.26%, the recall (R) is reduced by 9.23%, and the F1 measurement criteria improved by 23%. The test verifies that the artificial intelligence DDoS attack protection system can achieve real-time monitoring of each performance parameter and also illustrates the feasibility and practicality of the research content of this paper, which strengthens the construction of the technical means of Internet security protection and further enhances the Internet security defense capability.
The stability of resource and environmental economics model based on hyperbolic sine function
Authors: Zhao Guofu 
Published: April 2023

Abstract
In order to explore the stability of resource and environmental economics model, the author proposes a research on the stability of resource and environmental economics model based on hyperbolic sine function. The method recommends key technical problems and solutions based on information represented by hyperbolic sine functions, and explores the research on the stability of resource and environmental economics models. Research has shown that, the research on the stability of the resource and environmental economics model based on the hyperbolic sine function is about 21% more efficient than the traditional method. By ensuring the smooth acceptance of spillover technologies in traditional industries, it will stimulate a wave of innovation in the whole society. This can not only promote economic development, but also have important significance for human survival and protection of natural resources.
Selected Health Behaviors among Medical Students of the Medical University of Lodz
Authors: Tchórzewska Karolina , Tchórzewski Jakub , Szpak Andrzej , Rzeźnicki Adam , Krakowiak Jan 
Published: April 2023

Abstract

Background
Health is a state of complete physical and mental well-being, and the right of every individual. Its presence is influenced by various factors. It is well known that early prevention, aimed at avoiding disease, has a greater impact on quality of life and longevity than disease treatment. Through their behavior, young people determine the development of diseases in the future. Medical students are a special group in that respect. They should be more aware of the need to lead a healthy lifestyle, but they are at risk of chronic stress and other disorders due to strenuous studies.

Objectives
Learning about selected health behaviors of medical students of the Medical University of Lodz.

Material and methods
Medical students of the Medical University of Lodz; form of the study: original online questionnaire.

Results
76.6% of the respondents were physically active. The favorite form of physical activity of medical students in Lodz were exercise in the gym (57.1%), walking (36.7%), and running (28.6%). 67.3% of the interviewees had normal body weight. 33.6% of the respondents admitted to smoking. 0.9% of the respondents drank alcohol daily, 28% at least once a week, 57.9% at least once a month, and 13.1% did not drink alcohol at all. Only about every third student did not drink energy drinks (34.6%). 35.5% of the respondents reported sleeping problems.

Conclusions
Medical students of the Medical University of Lodz were physically active: most often they exercised in the gym and walked. Men were overweight and obese more often than women. Greater physical activity and a lower percentage of smokers in the students of higher years of study may indicate an increase in the healthy lifestyle awareness. In universities, there is a need for activities aimed at students to raise their knowledge about prevention and healthy lifestyle.
Speculative Pragmatism and Minor Practices in Palestine: The Art of Living and the Cultivation of Futures
Authors: Van Emmerik Corine 
Published: April 2023

This paper considers the aesthetic-political dimension in Palestine and in particular looks at how possible Palestinian futures that emerge from it are evident in what I call ‘minor practices’. Drawing on Deleuze and Guattari’s conception of minor literature, minor practices work within the interstices of the occupation and draw upon what is around them in a radically creative way. Aesthetics then is not only a subjective realm linked to an art object or beauty but can be understood as a way of grasping and feeling the world. Whereas the dominant literature on aesthetics and politics reads the art object backward to the intentions of the artist and focuses on the visual, this paper aims to attend to the generative and forward-moving forces that come together in the process of making. By taking the example of a women’s embroidery co-operative in the West Bank, it demonstrates that speculative pragmatism enables us to attend to the moreness in minor practices, aesthetics, and life itself, and how it can vector alternative futures. A speculative pragmatist approach makes perceptible how minor practices can offer space for people to release new energies and forms of creativity, that themselves can produce new potentialities and the soul of a new society. Aesthetics is thus capable of making the potentialities of life felt not only through fine art, but perhaps most keenly, through minor practices that, stitch by stitch, instaurate new arts of living.

Article received: April 25, 2020; Article accepted: June 6, 2020; Published online: October 15, 2020; Original scholarly paper
Toward a Speculative-Pragmatic Sublime: A Narratological Analysis of the Toxic Sublime and the Unnarrated in Contemporary U.S. Literature
Authors: Lombard David 
Published: April 2023

This paper provides a close narratological and comparative analysis of Rachel Carson’s short story “A Fable for Tomorrow” (1962) and Susanne Antonetta’s memoir Body Toxic: An Environmental Memoir (2001), which both highlight the pragmatic and ecocritical potential of literature as a source of cultural responses to the Anthropocene challenge. Engaging in a critical dialogue with Brian Massumi’s concept of speculative pragmatism as presented in his Semblance and Event: Activist Philosophy and the Occurrent Arts (2011) and, more precisely, its aesthetic-political approach, the literary readings in this article build on other notions such as the unnarrated and the toxic sublime which complicate and enrich the literary discourse on environmental disruption. The literary works of environmental (non)fiction studied offer examples of how literature negotiates the (in)visibility, (un)representability, and (non)narratability of forms of environmental pollution through the use of the trope of the sublime as well as of olfactory and gustatory perception while they both portray the authors’ evident rhetorical intention to foster ecological awareness and responsibility. Article received: April 23, 2020; Article accepted: May 30, 2020; Published online: October 15, 2020; Original scholarly paper
Like Electronic Techno Music: The Accelerating Rhythms of Collapsing Cryospheric Auralities
Authors: Hill Rachel 
Published: April 2023

With its mutating cracks, bleeps, and booms, the contemporary cryosphere speaks in accelerating volumes. A number of contemporary artists transform these sounds of collapsing, disappearing ice into broadcastable frequencies. Rather than a remote distance beyond the reach of relevance, these artworks translate the effects of Antarctica’s melting ice into galvanizing sonic affects. These strange sonics make the pre-existing, myriad connections between ice shelves and human selves apparent. This essay surveys the work of artists Andrea Polli, Adrian Wood (in collaboration with glaciologist Grant MacDonald), Luftwerk, and Himali Singh Soin, in order to think through a phenomenon which I call ‘collapsing cryospheric auralities’. More than purely doom-laden dictatics, these sonic artworks strive to propagate hope in equal measure: gestating new trajectories and other futures beyond the seemingly intractable impasses of the present.

Article received: April 20, 2021; Article accepted: June 21, 2021; Published online: September 15, 2021; Original scholarly paper
“I believe a cage is a cage and no one deserves to be put in one”: Animal Liberation in Contemporary Film
Authors: Petković Danijela 
Published: April 2023

The paper analyses diametrically opposite portrayals of animal liberation in four contemporary films (Denis Henry Hennelly’s Bold Native (2010); Kornél Mundruczó’s White God (2014); Chris Renaud’s The Secret Life of Pets (2016), and Joon-ho Bong’s 2017 Okja). The discussion of the films’ “politics of visibility” and its role in animal liberation is informed by the theoretical work being done in the field of critical animal studies (CAS). In CAS, animal liberation, also known as abolitionism, refers to the ethical and political position which rejects all kinds of human use of nonhuman animals; as such, it is at the basis of the animal rights movement and various forms of related activism, primarily the “direct action” of physically rescuing animals from factory farms and research laboratories. Dedicated to animals’ liberty, abolitionism is nonetheless human-centered and is obviously treated as such in Bold Native and Okja, which both romanticize and explore the pitfalls of militant animal rights activism, while deploying the images of nonhuman animals mainly, though not exclusively, as victims. Yet the phrase “animal liberation” in this paper also refers to to the state in which former pets find themselves once they are liberated from generally abusive human ownership. Former pets no longer under human supervision are either ridiculed, as exemplified by Renaud’s Flushed Pets, or, as in White God, depicted as monstrous and bloodthirsty. These portrayals, it is argued, convey the danger and threat a liberated animal poses to the anthropocentric order.

Article received: April 22, 2021: Article accepted: June 21, 2021; Published online: September 15, 2021; Original scholarly paper
Between Impure and Pure: The Sketch for a History of Blotch
Authors: Novaković Milovan 
Published: April 2023

Throughout the history of Western painting the blotch often exposed its capacity to operate in seemingly opposite directions, to be simultaneously engaged in engendering material impurity and optical purity. While in earlier instances it mostly obtruded on the picture's integrity, with the rise of non-mimetic painting blotch became the main vehicle of purity and cohesion. However, its unstable and versatile nature is revealed in a vetero-testamentary passage, where the purity or impurity of blotch is measured according to whether it invades the whole or just a part of the infected surface. In this brief sketch, the bipolarity of painterly macchia is described by pointing to its predominantly blemishing function from the Renaissance to 18th century; to growing acceptance of its material and formless impurity, and its consequent purification during the formation of pictorial formalism; and finally, to its revived uncleanness in the artistic interventions of Marcel Duchamp and Andy Warhol. The survey ends with the conclusion that the being of blotch resides in its itinerant, ever-shifting character, and that our experience of it as pure or impure depends on its quantity and pervasiveness. Article received: April 25, 2021; Article accepted: June 21, 2021; Published online: September 15, 2021; Original scholarly paper
Nuclear Soundscapes: Exploring Sound in Radioactive Environments
Authors: Pantsidou Maria , J. Li Jade 
Published: April 2023

Just after World War II, mounting evidence marked the dawn of the geological epoch dubbed the Anthropocene. Nuclear explosions deposited radioactive debris in the geological strata, combined with an acceleration in resource extraction, population growth and energy consumption. In this light, this paper aims to explore the affective dimensions of the multiplicities of sounds that are interconnected to nuclear materialities. We argue that mediations of nuclear sounds in these forms of audio instances render nuclear sounds comprehensible and challenge existing representations of nuclear power. This paper will bring into conversation an archive of soundscapes of the nuclear epoch – for example the sound of beeping in a nuclear power plant that produces electricity, the Geiger-Müller counters that civilians used following the Fukushima-Daichii plant explosion, and the music composition by JLiat of the sonic representation of atomic testing on Bikini Atoll in 1946.
Engaging with these sounds serves to make sense of the nuclear sublime and offer a possibility of connecting with the “otherness” of nuclear materials. These sonic instances also bind people in collective ecological experiences, whilst making us more attuned to voicing the modalities of a damaged planet. Sound can serve as an articulation of affects that emerge between human and non-human materialities in a damaged planet. These conceptualizations of sound are used to articulate the ways individuals or groups embody their relationships to ecological environments. Through an interdisciplinary lens, the paper aims to explore the mechanics of sound in nuclear infrastructures and devices to challenge common metaphors about nuclear energy. Through the analysis of these soundscapes, we demonstrate that exposing these entanglements between human and nuclear materialities can help us make sense of the sociocultural dimensions of living in a radioactive planet.

Article received: April 15, 2021; Article accepted: June 21, 2021; Published online: September 15, 2021; Original scholarly paper
Of Adversity We Live: Hélio Oiticica, Decolonized Avant-Garde and Global Art
Authors: De Ávila Duarte Miguel 
Published: April 2023

This article discusses the works and writings of Brazilian visual artist Hélio Oiticica (1937–1980) as a way to rethink the notions of global art, especially through the lens of the artist’s unique vision of a decolonial avant-garde, against the background of Arthur Danto’s and Hans Belting’s theories concerning the end of art history. Oiticica's entire work is set against the double trap that haunts artists in the geopolitical silent zones of the art world: submission to the international art trends, at risk of becoming mere epigones following the footsteps of what is current in the art world’s centers, or the equally melancholic condemnation to a nativist art that doesn’t transcend it’s local status and can only come in to the international spotlight as the object of some form of “white savior” primitivism.

Article received: April 23, 2021; Article accepted: June 23, 2021; Published online: October 15, 2021; Original scholarly paper
How to cite this article: de Ávila Duarte, Miguel. "Of Adversity We Live: Hélio Oiticica, Decolonized Avant-Garde and Global Art." AM Journal of Art and Media Studies 26 (October 2021): 41-52. doi: 10.25038/am.v0i26.468
The Tropicália-Movement and the Challenges to Brazilian Art in the Age of Culture Industry
Authors: Duarte Pedro 
Published: April 2023

This article analyzes the original way in which the Brazilian cultural and musical movement Tropicália, led by Caetano Veloso and Gilberto Gil in the late 1960s, dealt with the constant imminence of seizure by the culture industry. Instead of seeking isolation from this modern reality of the market, Tropicália strove to critically amalgamate it, in addition to its technological innovations. In doing so, it established a language that brought together erudition and popular elements, as well as foreign influences and the Brazilian subject matter. Tropicália was not about using aesthetical autonomy as an alibi for shunning the world, but about accepting the challenges of artistic communication in a mass society, especially by means of popular music. It thereby introduced to Brazil the possibility of having vanguard art done while harnessing new media forms.

Article received: April 20, 2021; Article accepted: June 23, 2021; Published online: October 15, 2021; Original scholarly article
How to cite this article: Duarte, Pedro. "The Tropicália-Movement and the Challenges to Brazilian Art in the Age of Culture Industry." AM Journal of Art and Media Studies 26 (October 2021): 63-70. doi: 10.25038/am.v0i26.470
Critical Potential and Subversiveness of Young Emerging Artists Working Alongside Art Institutions: Milena Ivić What are we supposed to do with all this freedom [Šta da radimo sa svom ovom slobodom]
Authors: Samardžić Milan 
Published: April 2023

This study concerns the concept of freedom, radically questioning the autonomy of contemporary art and institutions. The issue of freedom of expression, freedom of speech and artistic freedom will be considered through a particular artistic event that serves as a case study. This event happened in October of 2020 in Banja Luka, BiH (Bosnia and Herzegovina). It was a solo exhibition by contemporary artist Milena Ivić from Banja Luka, organized and curated by the Museum of Contemporary Art of the Republic of Srpska (MSURS) entitled What are we supposed to do with all this freedom [Šta da radimo sa svom ovom slobodom]. It successfully opened one evening, and by the following day it had to be withdrawn and closed to the public. The text in the first part presents an insight into the context of the mentioned exhibition and the structure of the MSURS as the main art institution in this part of BiH. The second part of the text offers a look at certain patterns within the paradigm of contemporary art, with a look at the feminist framework of the artist. The third and final part points out the paradoxical principles of the autonomy of art and shows how the institution transforms subversiveness and obstructs progressiveness by perpetuating the status quo.

Article received: December 24, 2021; Article accepted: February 1, 2022; Published online: April 15, 2022; Review article
On the Evolution of Art and Nature Relationship: Bio-Informed Art
Authors: Avinç Güneş Mutlu , Selçuk Semra Arslan 
Published: April 2023

Scientific and technological developments triggered creative thinking and the emergence of innovative products in many fields such as art, architecture, engineering, nanotechnology, and medicine. The main reason behind this might be the formation of new dynamics by blurring the sharp distinctions between disciplines. Different meanings and concepts with the changing dynamics also lead to the reshaping of interdisciplinary relations. The effects of bio-inspired/bio-informed paradigms in many disciplines including art have been analyzed. The first part of this study presents the traces of the environment with examples from the prominent movements in the art of painting developed in the period from the first works of humanity to the middle of the 20th century. Second, paintings, sculptures, and installations shaped by the understanding of bio-art that has become widespread in recent years are included. It was understood that art has experienced paradigmatic shifts as a result of interdisciplinary relations with fields such as technology, biology, synthetic biology, and biotechnology, and this interaction with established connections led to the development of innovative approaches in art.

Article received: December 12, 2021; Article accepted: February 1, 2022; Published online: April 15, 2022; Original scholarly article
Revisiting the Anthropo(S)Cene: Theatrical Practices Beyond the Human Stage?
Authors: Wehren Michael 
Published: April 2023

This article outlines the specifically modern understanding of an anthroposcenic theatre by (among others) referring to August Wilhelm Iffland’s concept of the “Menschendarsteller” and takes a closer look at Max Herrmann’s article “Das theatralische Raumerlebnis”. As I will show in my reading of Herrmann’s now canonical text, the early discourse of theatre studies not only reproduces the anthroposcenic dispositive of theatre but also already hints at its limits and the breaking up of the closed and privileged scene of the Anthropos. The article tries to show how, by asking and focusing the question of space and theatrical transformation, while still focusing on the human actor, his actions and the mimetic relationship between actor and audience, Herrmann decenters and denaturalizes the anthropocentric, universalized, and naturalized framings of theatre.

Article received: December 12, 2021; Article accepted: February 1, 2022; Published online: April 15, 2022; Original scholarly article
Issues of Assessing the Possibilities of Full Import Substitution in the Engineering Industry
Authors: Sokolov A. V. , Bazhanov V. A. 
Published: April 2023

The article attempts to determine the required investment in the implementation of a possible full import substitution in shipbuilding, space and aviation engineering. Data on the activities of state corporations representing the aircraft industry, the rocket and space industry, shipbuilding, as well as the closely related engine building, are analyzed. The main directions of activities for import substitution and the results as of 2020 are shown, as well as the problems of implementing the import substitution policy in the sectors under consideration under the new sanctions. The methodological basis for calculating the required investments was a simplified modified model of the input-output balance built on the input-output tables for 2019. The authors made an attempt to assess the impact of a potential increase in the volume of mechanical engineering as a result of import substitution and localization in Russia on the output and use of products related to activities and identification of necessary investment resources.The results of the calculations are mainly illustrative, showing the possibility of using input-output tables to analyze and evaluate the consequences of major government decisions.