bluuebunny/crossref_metadata_2025_split huggingface dataset:
Seni, Gerbang Cakrawala Munculnya Postmodernisme
Authors: Chaya I Nyoman 
Published: May 2023

Post-modernism appears as a critique of the worldview splendor which is more modernism with an open horizon and critical thinking in order to find a new meaning of a â€œtruthâ€ thatÂ scrutinized from the phenomena of human life. The horizon boundary of post-modernism, which emerges the natural limits of modernist thoughts, makes the post-modern thinking that beyond the region denies the rationality. Regard to this, the art world long before had built a discourse aboutÂ the meaning of life entrenched struggle involving taste and feeling that goes through the edge ofÂ imaginary territory. Art, then, inspires and opens the gate so that it establishes the horizon ofÂ philosophical dictum of postmodernism. Keywords : arts, modern, postmodern
ESTETIKA TARI KUKILO GAYA SURAKARTA GUBAHAN S. MARIDI
Authors: Resi Laras Ambika 
Published: May 2023

This research aims to uncover the aesthetic meaning of the Kukila dance through anaesthetical review in order to discover and describe: (1) the form of the Surakarta style Kukiladance which includes its theme, dancers, movements, make-up, costumes, music, and dance formation;(2) an explanation of the concept which symbolizes the form of the dance and the responseof the audience; and (3) an explanation of the aesthetic meaning of the Surakarta style Kukiladance. The form of the research is qualitative descriptive. The research uses a holistic approachwhich places the form of the dance or its sensation as the objective factor, the concept or idea whichsymbolizes as the genetic factor, and the response or emotion of the audience as the affective factorin an interactive communicative study. The research places each factor in an equal position as adata source and in the activity of the analysis.The theories used for researching the Kukila dance are: (1) Theories of Aesthetics; (2) Theoriesof Performing Arts; (3) Theories of Symbolism; and (4) Theories of Communication. Themethods used by the writer for collecting the data include: a library study, direct and indirectÂ observation, and interviews with a number of informants. The conclusions drawn, based on theform, symbols, and emotions of the audience, are that aesthetically, the Kukila dance depicts afriendship between two kinds of birds which are agile, lively, and vivacious in character, while itfunctions as entertainment and can be interpreted as having content which is meaningful forcharacter building. In its implementation, the form of the Kukila dance is expressed through theperformance of presentative and representative movements which are agile, lively, and vivacious,and supported by make-up and costumes resembling the appearance of a bird, as well as dynamicmusic, creating a sense of harmony in a high quality work of art. The Kukila dance is essentiallya popular dance which is often learned by children in elementary school and junior high school.Keywords: Kukila dance, aesthetic, and character building.
DRAMA TARI ARJUNA WIWAHA KARYA S. MARIDI MAESTRO TARI TRADISI KARATON GAYA SURAKARTA SEBUAH KAJIAN ESTETIK
Authors: Sumargono Sumargono 
Published: May 2023

AbstrakPenelitian ini mengungkap dan mengidentifikasi estetika atau keindahan â€œDrama TariÂ Arjuna Wiwahaâ€ dengan titik perhatian pada analisis unsur-unsur tari dan bentuk hubunganÂ sebagai pembentuk keindahan tari.Oleh karena itu dipaparkan diskripsi drama tari ArjunaÂ Wiwaha secara rinci pada notasi balungan musik tarinya sehingga tempo, laya, pemangkuirama maupun rasa gendhing dan pola kendhangan yang berhubungan dengan rasa gerakÂ tari dapat diidentifikasi sehingga kesan harmoni /selaras muncul dalam koreografi drama tariÂ Arjuna Wiwaha tersebut. Analisi estetik ini juga didasarkan pada konsep estetik kepenariantari tradisi Jawa gaya Surakarta, baik teknik maupun rasa sebagai koridornya. Konsep tersebutÂ meliputi pacak, pancat, lalut, luwes, ulat, wiled, irama, dan gendhing yang kemudiandikenalÂ dengan konsep Hastha Sawanda. Hasil penelitian ini setidaknya dapat memberikan kontribusiÂ untuk analisis estetis tari gaya Surakarta khususnya, yang juga tidak menutup kemungkinanÂ untuk gaya tari yang lain.Kata Kunci: Arjuna Wiwaha, gendhing, dan Estetik.AbstractThis writting will disclose and identify the aesthetics of Arjuna Wiwaha dance by aplyingÂ a special attention to the analysis of danceâ€™s elements and the relations of one element to theÂ others. The notation patterns of the music of the dance were described in detail so that it wasposible to identify the tempo,laya,rhythm,musical taste and the pattern of kendangan mungkus.The result is that we know the choreography of Arjuna Wiwaha dance has a harmonious impression.This aesthetic analysis was based on the aesthetic concept of Javanese traditional dancing ofSurakarta style,both the technique and its taste. The concept covers pacak,pancat, lulut, luwes,ulat, wiled, rhythmand gendhing which are known as hastha sawanda. This writing at least canmake a contribution to the aesthetic analysis on dance of Surakarta style and possibly other styles.Keywords: Arjuna Wiwaha, gendhing, and aesthetic.
TOPENG BABAKAN CIREBON 1900-1990
Authors: Sudarto Toto 
Published: May 2023

AbstrakÂ Topeng Babakan Cirebon dalam perjalanannya telah menjadi suatu tonggak yang ikut mewarnai perjalanan sejarah tari di Jawa Barat. Penelitian ini mengungkap perubahan dan perkembangan Topeng Babakan dari tahun 1900 sampai 1990. Kajian terhadap permasalahan tesis ini menggunakan metodologi sejarah, dengan bantuan ilmu sosial dan kebudayaan. Topeng Babakan merupakan seni pertunjukan rakyat yang dalam penyajiannya masih berkaitan dengan upacara-upacara tradisi, seperti ngunjung, mapagsri, ngarot dan lain-lain. Penyebarannya di Jawa Barat bermula dari pertunjukan yang dilakukan secara berkeliling atau bebarang (ngamen) pada awal abad ke-20. Hal ini menarik perhatian kaum menak (bangsawan) untuk mempelajari ketrampilan para dalang topeng Cirebon. Perkembangan berikutnya tarian ini banyak mempengaruhi bentuk tari-tarian yang ada di wilayah Priangan dan Jawa Barat secara umum. Pasang surut kegiatan pementasan Topeng Babakan banyak dipengaruhi oleh perkembangan masyarakat yang mudah berubah seiring dengan perkembangan zaman serta teknologi informasi.Â Kata kunci: Topeng Babakan, bebarang, perubahan dan perkembangan.Â AbstractÂ Throughuot the course of its journey, topeng babakan Cirebon has became a milestone, which has coloured the course of the history of dancein West Java. This research discovers the changes and developments in topeng babakan from 1900 to 1990. The study of the subject of this tesis used a historical approach, with the aid of social and cultural studies. Topeng Babakan is a performing folk art, the performance of which is still related to traditional ceremony such as ngunjung, mapag sri, ngarot, and so on. It spread through West Java, begining as a travelingÂ show or bebarang (troupe of performing beggars) at the start of the 20th century.This drew the attention of the aristocrats or menak, to learn the of Cirebon masked theater. In it subsequent development, this dance greatly influenced other dance forms in the Priangan region and in West Java in general. The rise and fall of topeng babakan performance activities was largely influenced by developments of the age, and developments technology and communication.Â Keyword: topeng babakan, bebarang, changes, and developments.
TARI BRAMASTRA KARYA WAHYU SANTOSO PRABOWO DALAM PANDANGAN METAFORA
Authors: Rachmadani Asri , Pramutomo RM. 
Published: May 2023

AbstrakÂ Tari Bramastra merupakan tari yang tergolong dalam tari alus tunggal gaya Surakarta yang disusun oleh Wahyu Santoso Prabowo pada tahun 1984. Tari Bramastra dapat dibawakan oleh penari perempuan maupun laki-laki dengan durasi 10 menit 50 detik. Terbentuknya tari Bramastra berawal dari keadaan yang mengancam umat manusia dengan adanya penciptaan sebuah senjata nuklir dan rudal yang berkekuatan dahsyat. Senjata ini kemudian disetarakan dengan senjata yang ada dalam cerita wayang yaitusenjata Bramastra yang hanya dimiliki oleh Batara Brama (dewa api) yang diturunkan kepada Arjuna. Permasalahan dalam pembahasan penelitian diantaranya bagaimana koreografi Bramastra karya Wahyu Santoso Prabowo dan bagaimana makna tari Bramastra karya Wahyu Santoso Prabowo dipandang dari analisis metafora. Penulisan skripsi ini menggunakan metode penelitian kualitatif dengan pendekatan bentuk, yaitu pengumpulan data yang dilakukan dengan caraobservasi, wawancara, dan studi pustaka. Landasan teori yang digunakan adalah landasan teori dari Y. Sumandiyo Hadi dan Anton M. Moeliono. Hasil dari penelitian dapat disimpulkan yaitu makna yang terkandung dalam tari Bramastra adalah bahwa dalam menggunakan sebuah senjata harus ada perhitungan yang matang sehingga dapat terfikirkan bagaimana dampak dan akibat yang terjadi dari senjata tersebut, dan apabila senjata sudah memenuhi target dari fungsi yang diinginkan akan berakhir dengan sifat yang buruk yaitu munculnya sifat sombong atau congkak karena apa yang diinginkan sudah terpenuhi.Kata kunci : Tari Bramastra, Metafora, Makna.Â AbstractÂ Bramastra dance is a dance that belongs to a single style Solo solus dance composed by Wahyu Santoso Prabowo in 1984. Bramastra dance can be performed by female and male dancers with a duration of 10 minutes 50 seconds. The formation of Bramastra dance begins with a state that threatens mankind with the creation of a powerful nuclear weapon and missile. This weapon is then synonymous with weapons that exist in the puppet story that is Bramastra weapon that is only owned by Batara Brama (god of fire) is passed down to Arjuna.Problems in the discussion of research such as how the choreography Bramastra work of Wahyu Santoso Prabowo and how the meaning of dance Bramastra Wahyu Santoso Prabowo work is viewed from the analysis of meta- phor. Writing this essay using qualitative research methods with a form approach, namely data collection conducted by way of observation, interview, and literature study. The theoretical basisÂ Â used is the theoretical basis of Y. Sumandiyo Hadi and Anton M. Moeliono.The result of the research can be concluded that the meaning contained in Bramastra dance is that in using a weapon there must be a mature calculation so that it can think how the impact and effect of the weapon, and if the weapon has met the target of the desired function will end with the nature the bad is the appearance of arrogance or arrogance because what is desired has been fulfilled.Keywords: Bramastra Dance, Metaphor, Meaning.
IMPLIKATUR DAN DAYA PRAGMATIK DALAM SENI PERTUNJUKAN
Authors: Haryono Sutarno 
Published: May 2023

AbstrakÂ Pertuturan antara manusia yang satu dengan yang lain, memerlukan daya pragmatik atau paling tidak kekuatan dialog yang sama memiliki budaya yang sama. Pemahaman implikatur akan lebih mudah jika penutur dan mitra tutur telah berbagi pengalaman. Pengalaman dan pengetahuan tentang konteks tuturan yang melingkupi ujaran atau kalimat- kalimat yang disampaikan oleh penutur. Mitra tutur sulit untuk memahami dan menangkap maksud penutur yang terimplikasikan atau tersirat dari tuturan penutur, jika tidak memiliki pengetahuan dan pengalaman tentang dunia di sekitarnya. Interpretasi dalam memahami kalimat ataupembicaraanharus memiliki kesamaan makna, apa yang dibicarakan diperlukan latar belakang budaya yang tidak berbeda. Dengan demikian akan terjadi komunikasi implikatur yang sama dan tidak akan terjadi interpretasi yang berbeda serta pembicaraan akan terjalin dengan baik.Kata kunci: Pertuturan, Implikatur, Daya Pragmatik, dan Budaya.Â AbstractÂ The speech that takes place between people requires pragmatic force, or at least an equal dialogic force and a similar culture. The understanding of implicature becomes easier if the speaker and interlocutor have a shared experience â€“experienceand knowledge about the context which surrounds the speech or sentences uttered by the speaker. The interlocutor will have difficulty understanding or grasping the implicit meaning contained in the speakerâ€™s utterance if he does not have a similar knowledge or experience of the world around him. In order to interpret or understand a sentence or utterance, the interlocutor must have a similar understanding of what is being said as well as a similar cultural background. In this way, the communication will have the same implicature and there will be no difference in interpretation, thus ensuring a conversa- tion with a good interaction.Keywords: Speech, Implicature, Pragmatic Force, and Culture.
BARONG KUNTISRAYA (Sekilas Segi Estetisnya)
Authors: Adnyana I Nyoman Putra 
Published: May 2023

Barong Kuntisraya, a dancing-role play performance, is a traditional Balinese one that makes theÂ useÂ of theme related to the Rwa Bineda myth. Balinese truly put their belief upon Rwa Bineda that becomes the myth. They are sure that the two distinctive or opposite powers appear side by side in the human life in the world. In its on-stageÂ performance,Â it presents two enormous powers through the Barong showing the good and Rangda representing the bad.TheÂ peifo~manceÂ of Barong Kuntisraya is so interesting, either as the show or as the example on the ground that the reflected aesthetic expressions in the performance invites us to think and contemplate the various meanings behind the actions.Key Word:Â Aesthetic, Barong Kuntisraya.
NILAI-NILAI ESTETIS TARI GAMBYONG
Authors: Widyastutiningrum Sri Rochana 
Published: May 2023

The performance of Gambyong Dance has a relationship with aesthetic value. This dance expresses the feminineness, softness, and liveliness of a woman. The aesthetic values of Gambyong Dance especially of the harmony between the movement of the dancer and theÂ rhythmÂ of the melody of the drumming. To present the dance, the choreographer and the emotion of the dancer have a great influence in determining the aesthetic of Gambyong Dance. So, if the dancer have a good emotion and is able to express It perfectly, the aesthetic values will exist and might become the expression of the erotic and sensual Gambyong Dance. This expression will fulfill if the Gambyong Dance danced by the dancer who meet the criteria ofÂ JogÃ¨d MataramÂ andÂ Hastha SawandaÂ dances.Key word: Aesthetic value, Joged Mataram,Â andÂ Hastha Sawanda.
IDENTITAS LOKAL SIDOARJO DALAM KOREOGRAFI BANJAR KEMUNING KARYA AGUSTINUS HERI SUGIANTO
Authors: Hermawan Arum Trianingsih , Pramutomo Pramutomo 
Published: May 2023

Sidoarjo is known to have the city icon “Shrimp and Milkfish” because it has an area located on the coast and part of the livelihood of the community is fishermen. Coastal communities have distinctive cultural traits and characteristics with the habit of processing marine products. Sedekah Laut or Petik Laut is one of the cultures owned by the coastal community of Sidoarjo which is manifested in the form of the Banjar Kemuning dance. This study seeks to uncover problems related to local identity expressed in the choreography of the Banjar Kemuning dance. The research problems were analyzed based on the theory of culture and identity, the theory of choreographic concept analysis, the theory of art and identity and the theory of expression. This research is qualitative with data collected through literature study, interviews, and observations of Banjar Kemuning Dance. The results showed that the components of the Banjar Kemuning dance include: (1). Choreography, (2). Accompaniment music; poetry and narration, and (3). Clothing, (4).Properties that as a whole reflect the lives of coastal communities who are active, dynamic and do not forget to be grateful for the marine products they get from God Almighty in the form of a complete unity of the Banjar Kemuning dance.
PERANAN SANGGAR-SANGGAR TARI DALAM PERKEMBANGAN TARI GAYA SURAKARTA DI DAERAH ISTIMEWAYOGYAKARTA
Authors: Sumaryatmi Sumaryatmi 
Published: May 2023

Considering Yogyakarta society and Surakarta which is since breaking of Mataram (1755) always seen emulation, hence am awkwardness which [is) very draw if in this timeÂ (mlÂ Yogyakarta in the reality dubbed (by] many Surakarta style dance, situation (017 sebaliknyapun sometime also just happened only its grol~â€™ith [dojnot as fast as Surakarta style dance (in] Yogyakarta.Attendance dance Surakarta style fin) Special Region Yogyakarta seems (do] not get out of Natural Sri Nail;Axis attitude (of) VII which (do] not shutting the door against brought Surakarta style dance it by its wife into its palace, and Natural Sri Nail;Axis attitude (of] VIII following its father, even [at) a period of/to hereinafter develop in the form of other him (Style Nail Alaman). Beside that Yogyakarta society attitude of[is including its governance institutes which [is) reseptif and also have more supple andÂ freeÂ mind to accept new culture elements hence fairif Surakarta style dance can be accepted better by Yogyakarta society. But in its spreading (of) organizational perananan or grup-grup dance Surakarta style which start seen since independence pasca presumably also have big enough share.Â Keyword: Role, Organizational.
SISINGAAN SENI KEMASAN WISATA DI KABUPATEN SUBANG
Authors: Mulyadi Tubagus ` 
Published: May 2023

ArtistryÂ (of)Â Sisingaan represent Earing people resistance representasisymbolfirst to colonial pra ctice a period of/to power(of) Dutch. Symbol Power grinding this implied in the form of appearance (of) lion idol which (is) stretcher. While resistance form depicted in moppet figure riding lion, please implies that grind will fail by the rising generation. Artistic (of) this tidiness (of) lebeih focussed [by) (at) show estetik facet, without eliminating meaning which consist in in itKeyword:Â Sisingaan, artistic (of] tidiness
KAYA TARI â€œMANUKSMAâ€ SIKAP TANGGAP MEMBACA LINGKUNGAN
Authors: Wahyudiarto Dwi 
Published: May 2023

Chronicle Wanamarta (is] the part of Wanaparwa episode which (is) human being kisah-kasih story with universe. Meruapakan Wanamarta a veiy forest (of] serious condition and is ghostlike, and laterthen.transform to become a big empire as linuwih satriya punjering. Understanding to forest meaning in fact can come near from various dimension. Forest from symbolic meaning dimension, from dimension life (of] universe, from dwelling place side [all] genie, natural ecology dimension, as forest human being dwelling place, as place work, as theft farm, as and asset properties (of] state, andÂ Still many again. How in fact (all] pandawa in face of various the problems, (is] to become the part of gegelisahan which finally have to take choice in forest attitude. Pendawa as excellent orderer, Bima have the spirit (of] remarkable (job/activity], DesignerArjuna offis beauty (of] reliable, Nakula very skilled in farming and developing crop, Observer animal Sadewa and Puntadewa very strong in idea in my me (of] pujabrata in base on spritualÂ workÂ (a II] panda waKeyword: Puppet, Enviroment
Implementasi Manajemen Strategik dalam Pertunjukan Ramayana Prambanan
Authors: Sari Cahyani Tunggal 
Published: May 2023

This study examines the strategic management, in the form of an environmental analysis, of the Ramayana Ballet at Prambanan. Specifically, it examines the strengths and weaknesses of the internal environment, and the opportunities and threats of the external environment of the Ramayana Ballet at Prambanan in its capacity as a business. An environmental analysis is needed inÂ order to anticipate the old strategies that may undergo changes in the rapid onset and high intensity of globalization. The correction of these strategies may influence the companyâ€™s vision and mission.Â Â Â Â Â Keywords:Â Environment analysis and strategic management
Paradigma Penelitian
Authors: Haryono Sutarno 
Published: May 2023

Research is an attempt to understand facts in a rational empirical way, using a certain procedure in accordance with the method chosen by the researcher. There are two kinds of research, namely quantitative and qualitative. In the research of a particular work, program, or event, using a holistic critical approach, its quality should be viewed from the perspective of its background, its objective formal conditions, and its impact.Â Keywords: Research, quantitative, qualitative, holistic critical.
PERANCANGAN INTERIOR ISLAMIC HEALTH AND SPORTS DENGAN TEMA SEMANGGI DI KOTA SURABAYA
Authors: Riduwan Kenia Amalukha , Ariyanto Ahmad Fadjar 
Published: May 2023

ABSTRACTInterior Design of Islamic Health and Sports in Surabaya City is an Islamic health and sports service building by applying the Semanggi theme. This design aims to produce interior design that can meet all the needs of Islamic health fulfillment activities comfortably and safely. The design method uses the design of Pamudji Suptandar, namely through the process of design input, synthesis, and output. The design approach uses the function, aesthetic, ergonomics, and sharia approach. The semanggi motif is taken from the transformation from pillars of the Rahmat Mosque in Surabaya by means of a contemporary style approach. This design has facilities including: Lobby, health & sports corner, pharmacy, examination room, therapy, trainer room, fitness room, Mixed Martial Arts area, retail, cafe, and lavatory which have separate zones between men and women in high privacy spaces .Key words :Interior, Islamic, Health, Sports, Semanggi ABSTRAK Perancangan Interior Islamic Health and Sports di Kota Surabaya merupakan bangunan pelayanan kesehatan dan rekreasi islami dengan menerapkan tema Semanggi. Perancangan ini bertujuan menghasilkan desain interior yang dapat memenuhi seluruh kebutuhan aktivitas pemenuhan kesehatan islami dengan nyaman dan aman. Metode perancangan menggunakan perancangan Pamudji Suptandar yaitu melalui proses desain input, sintesa, dan output. Landasan perancangan menggunakan pendekatan fungsi, estetika, ergonomi, dan syariah. Motif semanggi diambil dari transformasi daun semanggi pilar Masjid Rahmat Surabaya melalui pendekatan gaya kontemporer. Perancangan ini memiliki fasilitas diantaranya: Lobby, health & sports corner, apotek, ruang periksa, terapi, trainer, fitness, Mixed Martial Arts, retail, kafe, dan lavastory yang memiliki zona terpisah antara laki-laki dan perempuan pada ruang dengan tingkat privasi tinggi. Kata kunci : Interior, Islamic, Health, Sports, Semanggi.