bluuebunny/crossref_metadata_2025_split huggingface dataset:
PENGGUNAAN MIKROOGANISME LOKAL UNTUK PENINGKATAN KUALITAS TANAH
Authors: Supartono Toto , Adhya Ilham , Hendrayana Yayan , Pasha Listi Surenra , Julianti Gina , Alimah Elma 
Published: April 2023

Masyarakat Desa Cimara sebagaimana masyarakat desa pada umumnya memiliki ketergantungan yang cukup tinggi terhadap pupuk sintetis. Akan tetapi, masyarakat desa ini di sisi lain memiliki keterbatasan kemampuan dalam membeli pupuk tersebut meskipun terdapat subsidi untuk pembelian pupuk. Oleh karena itu, perlu ada upaya pemanfaatan sumber daya lokal yang dapat dijadikan sebagai pengganti peran pupuk sintetis, salah satunya adalah budidaya mikroorganisme lokal karena mikroorganisme di dalam tanah dapat berperan dalam membantu kesuburan tanah. Peningkatakan kapasitas melalui pelatihan sudah dilaksanakan kepada kelompok tani Daun Tilu yang berada di Desa Cimara. Kegiatan pelatihan telah meningkatkan pemahaman para anggota kelompok tani terkait peranan mikroorganisme tanah dan meningkatkan kemampuan dalam melakukan pembiakannya.
RINTISAN PENGEMBANGAN KAWASAN EDUAGROTOURISM KAWASAN KAMPUS UNPAD PANGANDARAN
Authors: Hermanto Bambang , Fauzan Farisadri , Nirmalasari Healthy , Masrina Dwi , Dewanti Lantun Paradhita 
Published: April 2023

Kabupaten Pangandaran, selain potensi wisata berbasis perikanan dan kelautan, Pangandaran juga memiliki potensi pertanian, perkebunan, dan kehutanan yang cukup besar. Data kontribusi sektor tersebut terhadap pendapatan domestik regional bruto mencapai 26,73%. Penggabungan potensi wisata, perikanan, pertanian, perkebunan, dan kehutanan dengan dunia pendidikan melalui konsep eduagrotourism di kawasan Kampus Unpad Pangandaran dipandang sangat berpotensi untuk dapat dikembangkan. Kegiatan pengabdian ini bertujuan untuk mengetahui bagaimana respon masyarakat terkait rencana rintisan pengembangan Kawasan Eduagrotourism yang rencananya akan berpusat di lokasi Kampus Unpad Pangandaran. Metode yang dilakukan pada pengabdian ini adalah dengan melaksanakan sosialisasi kepada para tokoh dan masyarakat di Desa Cintaratu. Hasil dari kegiatan tersebut adalah masyarakat memberikan respon positif terhadap ide merintis Kawasan Eduagrotourism di Desa Cintaratu. Namun demikian, konsep yang dijelaskan masih dianggap kurang matang oleh masyarakat, terutama terkait tahapan yang akan dilakukan dan hal-hal yang mendukung keberhasilan program seperti finansial dan mitra.
PENGARUH BUDAYA ORGANISASI DAN KOMPENSASI TERHADAP PRESTASI KERJA KARYAWAN PT. SAI INDONESIA CABANG JAKARTA
Authors: Manalu Jatenangan 
Published: April 2023

Penelitian ini dilakukan di PT. SAI Indonesia cabang Jakarta dan tujuan dari penelitian ini adalah untuk mengetahui pengaruh budaya organisasi dan reward terhadap kinerja pegawai pada cabang tersebut. Dalam penelitian ini yang menjadi populasi adalah karyawan PT. SAI Indonesia cabang Jakarta sebanyak 62 orang. Penelitian ini menggunakan metode kualitatif denagn menggunakan purposive sampeling dari 62 karyawan PT. SAI Jakarta yang ada di cabang Jakarta. Berdasarkan hasil analisis korelasi berganda sebesar 0,735 menunjukkan bahwa besarnya hubungan antara variabel bebas (budaya organisasi dan kompensasi) secara bersamaan atau simultan dengan variabel terikat (kinerja karyawan) adalah kuat yakni nilai korelasi gandanya adalah antara 0,60 dan 0,80. Berdasarkan hasil koefisien determinasi yaitu. 0,54 atau 54%, maka dapat disimpulkan bahwa budaya organisasi dan penghargaan menyumbang 54% variabel kinerja karyawan, sedangkan sisanya 46% dipengaruhi oleh variabel lain yang tidak diteliti. Berdasarkan dari hasil perhitungan uji F terlihat bahwa nilai F hitung > F tabel (49,916 > 1,670), maka Ho ditolak dan Ha diterima, yang artinya bahwa terdapat pengaruh yang signifikan budaya organisasi. dan kompensasi secara bersama-sama (secara simultan). terhadap prestasi kerja karyawan pada PT.SAI Indonesia cabang Jakarta dengan nilai signifikansi. adalah 0,000, lebih kecil dari 0,05.
Deep learning-based security situational awareness and detection technology for power networks in the context of big data
Authors: Gong Xiaogang , Wu Xinyu , Zhou Xuxiang 
Published: April 2023

Abstract
With the comprehensive promotion of “big data + energy”, new power network security threats are also more prominent, and the traditional security system mainly based on “protection” will face great challenges. Firstly, this paper proposes four kinds of network security situational awareness detection techniques based on distributed data analysis by combining the characteristics of big data in power networks. Secondly, the CRIT-LSTM power network security situational awareness model is constructed by improving its loss evaluation process using the cross entropy (CE) function and improving the LSTM unit structure using linear unit (ReLU). Finally, the performance of the three models is compared and analyzed under two aspects of neural network training and testing and various metrics to verify the models’ effectiveness. The results show that the improved CRIT-LSTM model based on deep learning, combining LSTM and ReLU algorithms, has an RMSE of 0.717 for the training set and 0.806 for the test set. 7.32% accuracy and 10.51% improvement in recall compared to the LSTM-only model. The power network security situational awareness model based on the CRIT-LSTM model proposed in this paper integrates various security system functions to maximize the defense against attacks and reduce unnecessary security risk losses.
Digital Film Music Creation Model Based on Inhomogeneous First Order Constant Coefficient Linear Differential Equation
Authors: Wu Xuan 
Published: April 2023

Abstract
Computer music production is an essential branch of computer technology in artistic creation. This is an interdisciplinary subject with information science and art. This paper proposes a creation model for digital music with first-order inhomogeneous first-order constant coefficient linear differential equations. This mode includes acoustic modes for waveform envelopes and bands. It has a straight-line mapping of phonetic patterns and rhythmic patterns. Then this paper uses the signal reconstruction principle and iterative extrapolation method to restore the signal in the frequency domain to obtain the simulated music. The experimental results show that this digital music creation model of inhomogeneous first-order constant coefficient linear differentiation can save a lot of labor costs. And this way can improve the audio quality and output effect. Compared with the undetermined factor method and the Laplace transform method in conventional advanced mathematics, the inhomogeneous first-order constant coefficient linear differentiation is more convenient in music composition.
Kedzydshor Formation and conodonts of the Lower Frasnian on the Izyayu River (South of the Tchernyshev Uplift)
Authors: Soboleva M. A. , Zhuravlev A. V. 
Published: April 2023

Research subject. Conodonts of the Lower Frasnian Kedzydshor Formation of the southern part of the Tchernyshev Uplift. Materials and methods. Materials obtained during a study of the section of the Kedzydshor Formation located on the Izyayu River were used. The biostratigraphic subdivision of the section was based on taxonomic definitions of conodonts and correlations with the Standard and Frasnian conodont zones. Results. In comparison with the stratotype of the Kedzydshor Formation, carbonate-argillaceous deposits cropping out on the Izyayu River are represented by fragments of the middle and upper parts of the Kedzydshor Formation in the stratigraphic range of the Lower falsiovalis Zone of the standard conodont zonation of the Lower Frasnian. The predominantly carbonate interval of the section is conventionally correlated with the FZ1 conodont zone, while the overlying terrigenous interval – with FZ2. The polygnatid and polygnatid-ancyrodellid conodont biofacies dominate in the section under study. Conclusions. New data on the distribution of cono donts across the Kedzydshor Formation in the Izyayu River section were obtained. The obtained data were compared with the local stratigraphic units of the Timan-North Urals Region. The Kedzydshor Formation is one of the most complete sequences of the Middle-Upper Devonian transition, thus representing the basis for searching and substantiating the position of the debatable lower boundary of the Frasnian Stage of the Upper Devonian.
Almandine jewelry garnet from the Kitelya deposit (Karelia): composition and spectroscopic properties
Authors: Lyutoev V. P. , Makeyev A. B. , Terekhov E. N. 
Published: April 2023

Research subject. The chemical composition and spectroscopic properties of almandine jewelry garnets from the Kite-lya deposit in the Northern Ladoga region (Karelia). Materials and methods. The chemical composition, impurity elements, mineral inclusions and spectroscopic properties of almandine jewelry crystals were studied using IR and Mössbauer spectroscopy. Results. Garnet crystals were found to exhibit a weakly pronounced zonal composition, varying from Alm75Pir15Sps7Grs3 in the center to Alm80Pir14Sps4Grs2 at their edges. Therefore, the Ca and Mn contents decrease towards the grain edges. This zonality of garnets is characteristic of the processes of progressive metamorphism of their host rocks. The garnet crystals feature small inclusions of quartz, chlorite, mica FACI (biotite), ilmenite, rutile, monazite, zircon and pyrrhotite. The composition of chlorite, biotite and zircon was established. The parameter of the cube unit cell ao = 11.522 ± 0.003 Å was calculated. The IR absorption spectra of 995, 966, 901, 878, 638, 568, 528, 476 and 455 cm–1 are characteristic of the pyrope-almandine difference. Mössbauer spectroscopy revealed an insignificant admixture of trivalent iron (Fe3+) in the structure of Kitelya garnets (≈1 % of the amount of isomorphic iron). The obtained optical absorption spectra of garnet plates in the visible light spectrum indicate that Fe2+ ions in dodecahedral positions, to a lesser extent dodecahedral Mn2+ ions, as well as possibly octahedral Fe3+ ions are responsible for the bright red-crimson color of pyrop-almandine from the Kitelya deposit. Conclusions. A “portrait” of typomorphic features (composition and properties) of the pyrope-almandine jewelry garnet from the Kitelya deposit was obtained. This portrait can be used when analyzing the historical finds of faceted or cabochonized differences of almandine in jewelry, church utensils in both Russia and Europe (where this jewelry material was exported during the 17th century). The preservation of garnet jewelry differences in the host rock is due to the presence of thin amorphous kelefite shells or soft minerals (sericite, chlorite, kaolinite etc.).
Composition and formation conditions of nephrite, Nyrdvomenshor deposit, Polar Urals
Authors: Kislov E. V. , Popov M. P. , Nurmukhametov F. M. , Posokhov V. F. , Vanteev V. V. 
Published: April 2023

Research subject. Nephrite and related rocks from the Nyrdvomenshor deposit in the Polar Urals were studied. The Nyrdvomenshor deposit is located in the exocontact of the Rai-Iz ultramafic massif, confined to the Main Ural Fault. The deposit was developed in the process of geological exploration; a license has been issued for a part of the deposit. Aim. To study the nephrite and related rocks from alluvial of the deposit, to formulate a model of its origin. Methods. Qualitative characteristics were assessed visually using a binocular microscope and a special flashlight. The chemical composition was determined by the X-ray fluorescence method. The contents of trace elements were determined by ICP-MS analysis. The mineral composition was studied on a scanning electron microscope with an energy dispersive microanalysis system. Measurements of the isotopic composition of oxygen were carried out. Results. In addition to vesuvianite rodingite, hydrogarnet rodingite was found to be common at the deposit. The studied nephrite is substandard. Tremolite predominates in nephrite, diopside forms relic grains. Uvarovite is widespread, forming both idiomorphic grains, sometimes sheath, less often elongated xenomorphic, and replacing chromite. Omphacite overgrows grains of chromite and uvarovite. Grains of the Fe-dominant mineral of the shuiskite group are noted. Conclusions. Nephrite was formed through both metamorphic and metasomatic processes. Serpentinite was replaced by diopside, which was then replaced by nephrite. Metamorphism enhanced the metasomatism of the serpentinite melange and provided the cryptocrystalline tangled fibrous structure of the nephrite. Then metamorphism and metasomatism led to the formation of omphacite and cracking of the nephrite, which reduced its quality. As these processes progressed, the contribution of the crustal fluid increased, which is confirmed by the results of studying the oxygen isotopic composition of nephrite and other rocks of the deposit.
Towards a Plural Aesthetic in the Maghreb
Authors: ben Mustapha Hachana Mounira 
Published: April 2023

The study and interpretation of the art of the modern and contemporary Maghreb is a developing field, in terms of artistic production, exhibition, marketing, and theoretical discourse. In recent years, artists of North Africa and the Middle East have achieved great visibility on the international scene, even as they suffer from many lacks, including the structures of art production, and critical discourses, and theoretical approaches. The principal aim of this paper is to avoid the radar screen of the western world and to think about the specificity of this region, such as a possible world of contemporary art. We can consider these artists and artworks beyond the cliché image repertoires of terrorism and tourism, Orientalism and clandestine migration that dominate most representations of the Maghreb. We want to explore visual art, and its dynamic, not by describing movements or putting together a chronology, but by guiding many reflections about the relation between theory and practice in this specific geographic area. This paper will address key points of the problems of terminology: the problematic use of such terms as Modern Islamic Art and the frequent application of the terms Modern and Contemporary without sufficient acknowledgment of their contextual connotation. It will examine the recent developments in art practice in the Maghreb and its diaspora and their wider context, analyzing the impact of globalization and other transnational cultural and social links.

Article received: December 23, 2019; Article accepted: January 31, 2020; Published online: April 15, 2020; Review article
Language as a Liberation Aesthetic: Ngũgĩ’s Use of Gĩkũyũ in Mũrogi wa Kagogo [Wizard of the Crow] and Other Works
Authors: Mũtonya Maina wa 
Published: April 2023

This paper examined the aesthetics and politics of writing African literature in local vernaculars as opposed to writing in what proponents of this discourse have termed as colonial languages, like English and French, amongst others. The focus of this article is on the writings of Ngũgĩ wa Thiong’o, the most vocal critic of ‘imperial languages’, and also an ardent advocate for African languages as well as a practitioner of his vernacular language, where most of his published fictional works are in his native Gĩkũyũ language of Kenya. This paper then critically examines Ngũgĩ wa Thiong’o’s application of the Gĩkũyũ language in his novel Mũrogi wa Kagogo (2006), translated as Wizard of the Crow, and his other works in the language. This paper inevitably engages with the writer’s stance on the use of vernaculars in increasingly globalizing cultures.

Article received: December 18, 2019; Article accepted: January 31, 2020; Published online: April 15, 2020; Original scholarly article
Words, Images, Gestures: A Dialogue between João Silvério Trevisan’s Documentary Contestação (1969) and Walter Benjamin’s Theses On the Concept of History
Authors: Tanus Gustavo , De Alencar Pires Antonia Cristina , Schettin Filipe 
Published: April 2023

Cinema builds a diversity of important narratives to discuss culture and language. Many of them deal with authoritarian states and their antithesis, rebellion, resistance. This study analyzes the film narrative Contestação (1969), by João Silvério Trevisan, an experimental documentary on the protagonism of students against the authoritarianism and violence of dictatorships, from which we will analyze the narrative itself, as well as its composition made from the reuse of media material, film archives and journalism, and music as an element of the filmic montage; it analyzes this intermedia process between word and image. This analysis will be based on Walter Benjamin’s Theses on the Concept of History, in order to observe how the film formulates temporalities, the perception of events, and the construction of history. For the analysis of the composition of the film, concepts from theorists such as Eisenstein, Bakhtin, Kristeva, and Intermediality theorists, among others, were used.

Article received: December 13, 2019; Article accepted: January 31, 2020; Published online: April 15, 2020; Original scholarly paper
What Makes 21st Century Central and East European Photobooks so Different, so Appealing?
Authors: Mazur Adam 
Published: April 2023

If we reflect on the “photobook phenomenon” that has been developing for a quarter of a century, it will lead us to the verification of the research on the subject in Central and Eastern Europe. The following text was directly triggered by the exhibition and catalog: Photobloc: Central Europe in Photobooks opened at the International Cultural Center in Krakow in 2019. The subject of the project was the 20th-century history of Central Europe told in photobooks. However, it seems that in the 21st century, Central and Eastern European photobooks attract the attention of researchers and collectors from all over the world, and subsequent nominations and awards confirm their high-quality artistic production. The shift of attention to the present day forces the verification of cognitive categories that are useful for cataloging and evaluating 20th-century books. The text is an insight into possible chapters, motifs and narratives concerning photobooks, and so the essay is divided into the following parts: the first deals with a new definition of photobook, the second with a cliche of the otherness of the region, the third is a reassumption of topographic photography, the fourth focuses on issues of history in Central and Eastern Europe, while the fifth and final part is about an intense political atmosphere influencing the production of photobooks. All proposed new chapters are supported by examples of the most important books published in the 21st century. It is an attempt to create an initial catalog of canonical books, as well as an attempt to answer the title question: what makes contemporary Central European photobooks so different and so attractive?

Article received: April 20, 2022; Article accepted: June 21, 2022; Published online: September 15, 2022; Original scholarly paper
A Photo Book as a Box: On Mladen Teofilović’s work The Core
Authors: Matić Jelena 
Published: April 2023

The history of the photo book is practically old as the history of photography. A photo book is more than just an object with leaves and pages, photographs, with or without text. Throughout The Core, the work of the young artist Mladen Teofilović, the text analyses the photography book as the relationships between text, images, and spectator. According to the artist's idea, the photo book looks like a metal box that imitates a hospital file. Conceiving the work in this way, the artist reveals and interprets the fragments from his life: his struggle with a severe migraine, his attempt to find a solution, to accept his condition and live with it. Teofilović directs his photo book to the spectator, inviting him to take a part in disassembly, analysis and reading where every picture, text or sentence does not have to but can take on a different meaning.

Article received: April 12, 2022; Article accepted: June 21, 2022; Published online: September 15, 2022; Original scholarly paper
Stillness and Movement: Photographic Essays and the Moving Images in Contemporary Digital Culture
Authors: Mišeljić Jelena 
Published: April 2023

In the age of digital re-materialization and the circulation of visual content, the discussion on the nature of the photographic image has its implications on the medium itself. In the context of new and interconnected media, it is somewhat relevant to reconsider the definitions of traditional visual forms. This article will examine the relations between photographic images in different media contexts. If it is considered that the photographic books and essays are the assemblages of still photographs structured in a particular order, the first question that arises is how to, in the first place, define the structural norms in the context of contemporary circulationism. Thematically and formally, the relations between photography and cinema, duration and time, movement and stillness have been questioned historically. In the contemporary context, we can find similar examples present in the form of cinema also as an expression in everyday communication on different platforms, which Lev Manovich describes as a specific language. This article will examine the nature of that language, the correlation between still and moving mediums of photography. Finally, the aim is to recontextualize the definition of cinematic photo-essay in its articulation in social media platforms, as the main generators in circulationsim of images in contemporary digital culture.

Article received: April 6, 2022; Article accepted: June 21, 2022; Published online: September 15, 2022; Original scholarly paper
The Conceptual Act of (Non)Instrumentality
Authors: Ristić Marko , Vesnić Snežana 
Published: April 2023

This paper aims at hypothesizing that the issue of technology could never be considered separate from the creative act. We develop the hypothesis starting from Heidegger’s opposition of technology and the poietic, which we interpret through the dialectic between the performative and constative function of the hand. To overcome the Heideggerian problem of Enframing, we introduce the question of singularity inherent in every poietic activity which, however, does not result in conceiving technology as an instrument. When defining the nature of such poietic singularization we employ Spinoza’s concept of an inadequate idea – an idea that involves its cause but does not explain it. The inherent negativity of the inadequate idea generates the sphere in which the new appears as radical otherness. But in order to produce the new, that is, to perform it, technology has to be conceptualized and thus made an instrument – a singular instrument of the creative act.
Article received: May 23, 2022; Article accepted: July 15, 2022; Published online: October 31, 2022; Original scholarly paper