bluuebunny/crossref_metadata_2025_split huggingface dataset:
PEMANFAATAN KITOSAN DARI CANGKANG BEKICOT (ACHATINA FULLICA) UNTUK MENURUNKAN SALINITAS AIR PAYAU
Authors: Artiningsih A. , Kasmuddin Kasim 
Published: December 2022

Air payau adalah air yang salinitasnya lebih rendah dari pada salinitas rata-rata air laut normal (<35 permil) dan lebih tinggi dari pada 0,5 permil yang terjadi karena pencampuran antara air laut dengan air tawar baik secara alamiah maupun buatan. Tujuan dari penelitian ini yaitu Menentukan jumlah penambahan optimum kitosan dari cangkang bekicot (Achatina Fulica) untuk mendapatkan penurunan kadar garam air payau terendah dan menentukan waktu optimum pengadukan yang dibutuhkan untuk mendapatkan penurunan kadar garam air payau terendah agar mengetahui potensi penggunakan kitosan dari cangkang bekicot (Achatina Fullica) sebagai absorpben salintas air payau. Kitosan dilarutkan dalam asam asetat 1% dan aquades dengan konsentrasi 1.000 mg / L. Dibuat sampel campuran larutan kitosan dan air payau dengan variasi konsentrasi dari 0 hingga 3.85% volume tetap yaitu 260 ml dan diaduk selama 20 menit. Kadar Salinitas dalam sampel air payau diuji menggunakan alat Salonimeter. Hasil yang diperoleh menunjukan bahwa Kitosan Cangkang Bekicot mampu berperan sebagai absorpben salinity air payau dan ini dibuktikan berdasarkan efisiensi yang dihasilkan pada penurunan salinity sebesar 5,78% untuk kitosan asam asetat 1% dan penurunan salinity sebesar 8,09% untuk kitosan aquadest. Sedangakan untuk lama waktu pengadukan selama 40 menit merupakan waktu pengadukan yang optimum.
RE-DESAIN ALAT PERONTOK BUNGA CENGKEH
Authors: Mangguluang Zulkifli , Juma Djufri , Ramadhani M. Rizki , Hayat Muh. 
Published: December 2022

Beberapa daerah di indonesia melakukan pemisahan bunga cengkeh dari tangkai dengan cara manual yaitu petani memegang cengkeh kemudian bunganya digesekkan ke tangan satu ke tangan yang lainnya. Proses ini dapat menyebabkan kulit tangan petani menjadi kasar/tebal. Adapun tujuan penelitian ini untuk mengetahui cara kerja alat perontok bunga cengkeh dan cara re-desain alat perontok bunga cengkeh. Metode penelitian ini mengunakan kualitatif dengan perancangan yang dilakukan dimulai dengan mempersiapkan bahan dan alat kemudian merakit rangka utama dan setelah itu memasang komponen pada rangka dan terakhir pengujian alat. Setelah penelitian di dapatkan hasil sebanyak 4 kali percobaan yang dilakukan pada waktu dan hari yang sama sehingga dengan melakukan pengujian tersebut dapat menghasilkan sebuah hal yang ingin diketahui seperti bagaimana hasil perontokkan yang diperoleh dengan berat yang dihasilkan cengkeh 1000 gram, tangkai 682 gram dan kerusakan 140 gram, kapasitas dan berat awal pada alat 2000 gram (2 kg) bunga dan dibutuhkan waktu 9:20 menit untuk mendapatkan hasil tersebut. Sehingga dapat disimpulkan bahwa dalam pengolahan bunga cengkeh yang pada umumnya masih menggunakan cara manual untuk memisahkan bunga cengkeh dengan tangkainya yang lebih efisien dan memudahkan para petani cengkeh.
ANALISIS KELAYAKAN FINANCIAL PROYEK PEMBANGUNAN RUMAH TOKO (RUKO) DENGAN METODE LIFE CYCLE COST (LCC) (STUDI KASUS PROYEK PEMBANGUNAN RUMAH TOKO (RUKO) DI KECAMATAN CENRANA, KABUPATEN MAROS)
Authors: Rahman Qarnila Ridhaniah , Apriadi Fajar 
Published: December 2022

Setiap konstruksi gedung yang akan dibangun mempunyai tahapan-tahapan yang harus dilaksanakan selama umur rencananya. Penelitian ini dilakukan dengan tujuan untuk mengetahui pilihan alternatif biaya sewa dengan anggaran yang dikeluarkan selama umur rencana pembangunan rumah toko di Kecamatan Cenrana, Kabupaten Maros dan Mengetahui nilai kelayakan financial rumah toko di Kecamatan Cenrana, Kabupaten Maros berdasarkan analisa Life Cycle Cost (LCC). Penelitian ini menggunakan metode penelitian kuantitatif. Penelitian kuantitatif merupakan salah satu jenis penelitian yang lebih sistematis, terstruktur, spesifik, dan juga terencana dengan baik dari awal hingga mendapatkan suatu kesimpulan. Penggunaan tabel, grafik dan juga diagram memudahkan untuk dibaca. Dari hasil analisis kelayakan investasi terhadap biaya siklus hidup yang terjadi dengan menggunakan metode Life Cycle Cost (LCC) didapatkan peningkatan tarif sewa sebesar 200% dari tarif sewa yang diinginkan dengan nilai NPV sebesar Rp 350.163.541. Kesimpulan dari hasil penelitian ini Life Cycle Cost (Biaya Siklus Hidup) yang terjadi mulai dari perencanaan hingga umur ekonomis bangunan selama 50 tahun sebesar Rp 2.224.665.224 meliputi biaya awal atau biaya pembangunan sebesar Rp 912.763.847, Biaya Operasional Sebesar Rp 606.695.132, biaya Perawatan dan Penggantian sebesar Rp. 697.373.888, biaya Penghancuran sebesar Rp 7.832.357 dan biaya sewa ekonomis untuk bangunan ruko yang dibangun sebaiknya pemilik ruko menerapkan tarif sebesar ≥ Rp. 60.000.000.
Temir yo‘l avtomatika resursini aniqlash dasturi va algoritmmini ishlab chiqish
Authors: Aliev R , Matvaliyev D 
Published: December 2022

Maqolada temir yo‘l tarmog‘i korxonasida ma’lumotlar omborini boshqarish mavzusi, ya’ni temir yo‘l avtomatlashtirish va telemexanika elementlarini qabul qiluvchi va ularga xizmat ko‘rsatadigan asbobuskunalar, jumladan, yo‘l uchastkalari holatini boshqaruvchi eng muhim qurilma (element) relesi, temir yoʻl avtomatlashtirish relelarini taʼmirlash va ularga xizmat koʻrsatish boʻyicha maʼlumotlar bazasini yaratish algoritmi ishlab chiqildi va dasturi tuzildi.
Phân tích, lựa chọn chế độ khai thác tối ưu cho đối tượng móng mỏ Bạch Hổ
Authors: Đào Nguyên Hưng , Đặng Xuân Thủy 
Published: December 2022

Đá móng nứt nẻ là đối tượng tìm kiếm thăm dò và khai thác quan trọng nhất đối với Liên doanh Việt - Nga “Vietsovpetro” nói riêng và Tập đoàn Dầu khí Quốc gia Việt Nam nói chung. Kể từ thời điểm phát hiện và đưa vào khai thác thân dầu đá móng mỏ Bạch Hổ từ năm 1988 đến nay, việc nghiên cứu đối tượng đặc biệt này đặt ra nhiều thách thức đối với đội ngũ chuyên gia địa chất, công nghệ mỏ.
Hiện nay, thân dầu móng đang ở vào giai đoạn suy giảm sản lượng, việc phân tích và lựa chọn chế độ khai thác tối ưu có ý nghĩa rất quan trọng nhằm đảm bảo khai thác hiệu quả và tận thu hồi dầu ở mức cao nhất.
Bài báo giới thiệu các giải pháp công nghệ mỏ chính đã được áp dụng, phân tích cơ sở cũng như kết quả điều chỉnh chế độ bơm ép trong giai đoạn 2018 - 2022 và đề xuất lựa chọn chế độ vận hành khai thác tối ưu cho đối tượng móng mỏ Bạch Hổ trong thời gian tới.
Nghiên cứu đánh giá nhiễm bẩn cặn sa lắng trong lòng giếng, thiết bị lòng giếng và các phương pháp giám sát, xử lý đã được áp dụng ở bể Cửu Long
Authors: Hoàng Long , Nguyễn Minh Quý , Phan Vũ Anh , Lê Thị Thu Hường , Bùi Thị Hương , Hà Thu Hương , Hoàng Linh , Nguyễn Văn Đô 
Published: December 2022

Nguyên nhân gây ra hiện tượng nhiễm bẩn trong lòng giếng, thiết bị lòng giếng ở một số mỏ dầu tại Việt Nam chủ yếu do quá trình sa lắng các muối vô cơ. Trong đó, sa lắng các muối vô cơ tại các giếng thường xảy ra trong quá trình khai thác với lưu lượng chất lưu cao, độ ngập nước lớn và áp suất vùng cận đáy giếng cũng như trong lòng giếng sụt giảm nghiêm trọng.
Viện Dầu khí Việt Nam (VPI) đã tiến hành nghiên cứu, đánh giá cơ chế các muối vô cơ có gốc carbonate, sulfate được hình thành trong vỉa chứa, vùng cận đáy giếng do sự không tương thích giữa nguồn nước và sự quá bão hòa trong quá trình các nguồn nước tương tác với đá vỉa. Quá trình thay đổi thủy động lực học từ vỉa chứa vào giếng - đặc biệt là quá trình suy giảm áp suất đột ngột, làm các ion có khả năng tạo ra các muối vô cơ gây lắng đọng và bám dính lên thành giếng và thiết bị lòng giếng khai thác - được VPI nghiên cứu và làm rõ cơ chế.
Kết quả nghiên cứu đã chứng minh quá trình thay đổi thủy động lực học trong giếng là nguyên nhân chính tạo thành các muối sa lắng vô cơ gốc carbonate. Một số hệ hóa phẩm gốc acid có tác dụng hòa tan tốt lên hệ sa lắng trong lòng giếng có thể giúp phục hồi hoặc gia tăng sản lượng khai thác của giếng. Dựa trên cơ chế sa lắng muối vô cơ thực tế tại các giếng khai thác, các giải pháp xác định mức độ ảnh hưởng và xử lý đã được nhóm tác giả nghiên cứu áp dụng tại bể Cửu Long.
Hey Ram! Oh God! Communal Riots and Religious Fundamentalism as Depicted in a Partition Film
Authors: Preckel Claudia 
Published: December 2022

In South Asia, hardly any historical subject is discussed with such emotion as the Partition of 1947. In the new millennium, after many decades of almost complete silence, writers and film directors (not only) in India have started dealing with 1947. One of the film directors who is keen to show the effects of death, loss and pain on the individual as well the entire Indian nation is the Tamil director Kamal Hāsan. His film Hey Ram! (He Rām!, 2000) is set against the backdrop of the Partition and the assassination of Gandhi in 1947 and the destruction of the Bābrī Masjid in Ayodhya in 1992, which led to a wave of violence and communal riots throughout India. The (Hindu) protagonist, Saket Rām, an archaeologist, is traumatized after his wife is killed by Muslims in Calcutta. Later, Saket Rām is deeply influenced by the proponents of hindutva and he even plans to shoot Gandhi. Only an unexpected encounter with his Muslim friend stops him…
The paper aims at analysing the role of religions as portrayed in the film. Special focus is put on the roots of religious fundamentalism and the question as to whether Hāsan blames anybody for the outbreak of communal violence. Another important issue is the role of history in the prevention of violence.
About the Vocalic System of Armenian Words of Substratic Origin
Authors: Fournet Arnaud 
Published: December 2022

The paper provides an up-to-date list and discussion of Armenian words with probable substratic or ancient adstratic origin. It is shown that at least three words can be suspected of being of Hurrian origin because of their prosodic features, instead of the more usual Urartian origin. Short and long a an i are normally reflected in Armenian by a and i. But it can be observed that the Armenian u normally reflects short ŭ while Armenian o normally reflects long ū, thus pointing at some kind of allophonic variants in Hurro-Urartian phonology between short and long u.
Demythologizing Draupadī
Authors: Mohan Ghosh Soumya , Singh Rajni 
Published: December 2022

Draupadī, the wife of the five Pāṇḍavas in the Mahābhārata, is a much discussed character who has been interpreted in various ways, for example as a tragic character, the heroine of the epic, and even as a witch who is responsible for causing mass destruction, the Kurukṣetra war. With all the associated complexities, Draupadī remains one of the most intriguing of characters, a figure who has baffled readers and critics alike over the ages. The present study seeks to analyze the explications of one of the most haunting episodes of the Mahābhārata, the disrobing of Draupadī, as portrayed in contemporary folk art and theatre, which seek to demythologize one of the most controversial characters in the canon of Indian literature and deconstruct the Phallocentric ideology that informs the epic. The study takes into consideration Saoli Mitra’s play, Nāthavatī anāthavat (“Five Lords, Yet None a Protector”), which is an attempt to view Draupadī through “a pair of woman’s eyes,” together with Teejan Bai’s dramatized rendering of Draupadī cīrharaṇ. It seeks to draw comparisons with the original epic as well as between the works of these two theatre artists and their style of narration in order to evaluate how far they have succeeded in providing radically different interpretations of the character while providing the essential message of the episode. These two artists share some striking characteristics as they take up the rural folk tradition and enter the male bastion, using dramatized theatrical techniques, such as live music and dance to act out multiple roles, all the while recontextualizing the episodes, often offering a social critique, demythologizing the myth, and presenting the essential message of the epic that is expressed in mythical terms.
I’m a Bannerman, But Bannermen Are Chinese Too
Authors: Prado-Fonts Carles 
Published: December 2022

Lao She’s Teahouse (Chaguan, 1957) is one of the most important plays in modern Chinese literature. Generally contextualised within the Hundred Flowers Movement, scholarship has viewed it as an explicit representation of the historical struggles of modern China, as well as an implicit critique of the political context of the mid-1950s. Such a predominant view on Teahouse is embedded in a discourse of the collective that unites issues of class and nation that was promoted by socialist literature. Adding complexity to this discursive construction through the significance of ethnic identity, this article argues that Teahouse also represents the problematic integration of Manchu identity within the parameters of class and nation in the late-Qing and Republican periods.
Into the Wild
Authors: Paunksnis Šarūnas 
Published: December 2022

This essay explores the main reasons behind the emergence of a new film form over the past decade – variously referred to as “New Bollywood,” or alternative Hindi cinema. Using philosophical and psychoanalytical approaches, the essay argues that the rise of these new aesthetic forms is one of the results of the neoliberal transformations that have been taking place in India over recent decades and, more importantly, that this new film form is an integral part of the construction of the new urban upper class Self vis-à-vis the Other. By examining some examples of recent films set in small-town India, or Other India in terms of target audience background, the essay argues that the new film form is a far more complex phenomenon than most scholars working in Indian cinema would imagine. The desire for the Other, expressed as cinematic journeys outside urban spaces, helps in the construction of a new Self in a rapidly transforming and highly mediated environment. The essay constructs an approach to understanding alternative Hindi cinema, its appeal to urban consumers, and its relationship to the spaces represented in the films.
Use of Neo-Confucian Universalism and Practice in Seventeenth-Century Chosŏn Korea
Authors: Lee Joseph Jeong-il 
Published: December 2022

The privileged position and countrywide leadership of the ruling sa elites in the Chosŏn dynasty (1392–1910) survived wars − the Japanese Invasions (1592–98) and the Manchu Invasions (1627, 1636) − as well as occasional domestic unrest and natural disasters from the late sixteenth century into the seventeenth century. Some elites, as in the case of Cho Sŏnggi (1638–89) and Yi Tensing (1628–69), parlayed the Neo-Confucian jargon-laden articulation of Principle i 理 into an omnipresent metalanguage able to combine the natural (ontology), the knowable (epistemology), and the ethical (morality/norms) in terms of universalism. Specifically, their expositions on the relationship between the universal principle and human mind-and-heart sim 心 helped afford a resource for theoretical flexibility in which to translate the essence of the metalanguage into the maintenance of the Chosŏn establishment under their hegemony and to objectify the changing reality surrounding Chosŏn after the fall of Ming China. Exploring this correspondence between practical need and cerebral creativity in the seventeenth century will enable us to chart a new perspective for the vital reproduction of Neo-Confucian universalism in post-Ming East Asia before the advent of new universalisms from Europe.
From Hero to Ancestor, God, and Ghost
Authors: Milburn Olivia 
Published: December 2022

Han Whizhong (1089–1151) was one of the generals who played a key role in the establishment of the Southern Song dynasty, after the conquest of the north by Jurchen forces in 1126. After he died, he was commemorated by his family as an ancestor, but he was also worshipped as a god in and around the city of Suzhou, the site of his retirement home. Eventually he even became a ghost, after his grave was disturbed in the eighteenth century. As a result, Han Whizhong is one of the rare individuals whose posthumous career encompasses all three possible fates for the dead. This paper explores the processes which determined the fate after death of an individual in the second half of the imperial era. This includes a consideration of the conflicts over how the deeply controversial events in which he took part should be represented to later generations, and discusses the reasons for the failure of the deification of Han Whizhong, in the context of the dominant representation of Suzhou as a centre for literati culture throughout the imperial era.
The Transcendental Self
Authors: Banerjee Soumyajyoti , Singh Rajni , Basu Amrita 
Published: December 2022

The study concentrates on the story of Pāñcālī, the female protagonist of the Indian epic Mahābhārata. One of the most provocative and mythical characters, Pāñcālī has been subject to numerous interpretations. Chitra Divakaruni demystifies her and renders an authentic female experience without the affliction of canonical tradition. The palaces Pāñcālī inhabits become embodiments of a nationalist culture vitiated with concerns of cognitive dominance. Her efforts to break the shackles of tradition require her to counter such discourse with an entirely new aesthetic of narration and experience, one that is intimately connected to her “self.” Her futile efforts to construct a palace as a retributive symbol and her inadequacy at understanding the strength of the female self finally lead her to a self-sufficient, self-engaged rhetoric of completion. We deviate from standardized models of feminist critiques and employ Edward Said’s theory of Orientalism for interrogating the female experience as a whole. The story of Pāñcālī is the story of the woman rising above her destiny; hers is the story of becoming Kṣṇā.
The Lhadag Leu (lha bdag le’u), Ritual Specialists of the Black Water Bon of the Phenomenal World in Southern Amdo: A Brief Introduction
Authors: Gyatso Ngondzin Ngawang 
Published: December 2022

The paper translated from original Tibetan by Charles Ramble briefly examines the origin of the term leu (le’u), the various types of leu, their functions, and the features of the leu texts. This term designates both ritual specialists and rituals which have been performed in some areas of Amdo until recently. Leu is referred to in a number of Tibetan texts. This proves a long history of this tradition, which has been left unnoticed by the western scholarship so far.
The Abject Female
Authors: Chakraborty Sovan 
Published: December 2022

Bengali bratakathās are folk ritual tales and rhymes that women listen to and/or narrate at the time of the accomplishment of their ritual vows known as bratas (Sanskrit vratas), made for the fulfillment of worldly wishes and wants. The bratas (ritual vows) and their kathās (tales), together with chāṛās (rhymes), create a space where women apparently dominate by becoming the performers, the narrators, the transmitters, the authorities of knowledge, the agencies of socio-familial wellbeing and the protectors of moral and ideological institutions. As these tales and rhymes portray, the “female force” crucially plays the central role in determining and retaining the power structures of society which otherwise would not be sustained for long. While very often an alternative female presence is found in these bratakathās, a complex patriarchal mechanism of relentless suppression, subjugation and marginalization of the same cuts through the narrative structures. At times, it is detected and explicitly voiced against – with grief, pain, anger and bantering criticism. At other times, it is only hinted at in the spirit of pleasing submission, interpolated by the ideological (and not entirely hegemonic) structures. Very often it becomes mystically inscrutable as they appear to be honest and apparently naturalizing forces in an attempt to dilute all inner complicacies and possibilities in the con/textuality of these narratives. The femaleness in these ritual stories and rhymes continuously keeps on swinging between the subject and the object positions, blurring all such dyadic constructions (male/female, centre/margin, and so on) situating itself, as Julia Kristeva terms it, in an existentially interstitial condition/space of “abjection.”
Who is Tua Pek Kong?
Authors: Meng-Tat Chia Jack 
Published: December 2022

The arrival and settlement of Chinese migrants contributed to the spread of Chinese religious beliefs and practices from China to Southeast Asia. However, the arrival of Chinese beliefs and practices was more complex than being just a single-direction dissemination process. Chinese migrants not only transferred popular deities and native-place gods from China to Southeast Asia, but also invented their own gods in the migrant society. This article builds on Robert Hymes’s concept of the “personal model of divinity” to examine the multifaceted nature of the Tua Pek Kong cult in Malaysia and Singapore. It argues that in the absence of an imperial bureaucracy in Southeast Asia, the “personal model” aptly explains the proliferation of Tua Pek Kong’s cult among the Overseas Chinese communities. Tua Pek Kong was far from being a standardized god in a bureaucratic pantheon of Chinese deities; the deity was considered as a “personal being,” offering protection to those who relied on him. This article presents the multifaceted cult of Tua Pek Kong in three forms: a symbol of sworn brotherhood, a Sino-Malay deity, and a Sinicized god.
Environmentally Assisted Cracking of High-Strength Nickel-Based Alloys Under Cathodic Polarization
Authors: Ramgopal T. , Chandra Ashwini , Li Xiaoji , Ayello Francois 
Published: December 2022

Environmentally assisted cracking of various high-strength nickel-based alloys used for subsea components was studied from the perspective of fatigue crack growth rate (FCGR) and static crack growth rate (SCGR) as a function of several critical variables in 3.5 wt% NaCl (pH = 8.2) under cathodic polarization. This paper compiles data from earlier sources as well as more recent work that has been performed in this area. The crack growth rate (CGR) measured under various loading modes, i.e., cyclic, static, and varying stress intensity (K) profiles revealed evidence of susceptibility to hydrogen embrittlement. The measured crack growth rates under cyclic loading exhibited a strong dependence on loading frequency, and no evidence of a plateau in FCGR at low frequencies. The SCGR for various alloys was a function of not only the applied value of K but also of the applied strain rate . In general, Alloy 725 exhibited the highest susceptibility to hydrogen embrittlement, while Alloy 718 exhibited the highest resistance as reflected in both the values of threshold stress intensity factor (Kth) and SCGR values. SCGR was also measured as a function of the applied potential, and first principles modeling suggested that it was related to water adsorption under the crack tip conditions. A crack tip strain rate-based model was applied to rationalize the effect of various loading modes on the measured crack growth rates.