bluuebunny/crossref_metadata_2025_split huggingface dataset:
Exploring Stakeholder Requirements to Enable Research and Development of Artificial Intelligence Algorithms in a Hospital-Based Generic Infrastructure: Results of a Multistep Mixed Methods Study
Authors: Weinert Lina , Klass Maximilian , Schneider Gerd , Heinze Oliver 
Published: February 2023

Background
Legal, controlled, and regulated access to high-quality data from academic hospitals currently poses a barrier to the development and testing of new artificial intelligence (AI) algorithms. To overcome this barrier, the German Federal Ministry of Health supports the “pAItient” (Protected Artificial Intelligence Innovation Environment for Patient Oriented Digital Health Solutions for developing, testing and evidence-based evaluation of clinical value) project, with the goal to establish an AI Innovation Environment at the Heidelberg University Hospital, Germany. It is designed as a proof-of-concept extension to the preexisting Medical Data Integration Center.

Objective
The first part of the pAItient project aims to explore stakeholders’ requirements for developing AI in partnership with an academic hospital and granting AI experts access to anonymized personal health data.

Methods
We designed a multistep mixed methods approach. First, researchers and employees from stakeholder organizations were invited to participate in semistructured interviews. In the following step, questionnaires were developed based on the participants’ answers and distributed among the stakeholders’ organizations. In addition, patients and physicians were interviewed.

Results
The identified requirements covered a wide range and were conflicting sometimes. Relevant patient requirements included adequate provision of necessary information for data use, clear medical objective of the research and development activities, trustworthiness of the organization collecting the patient data, and data should not be reidentifiable. Requirements of AI researchers and developers encompassed contact with clinical users, an acceptable user interface (UI) for shared data platforms, stable connection to the planned infrastructure, relevant use cases, and assistance in dealing with data privacy regulations. In a next step, a requirements model was developed, which depicts the identified requirements in different layers. This developed model will be used to communicate stakeholder requirements within the pAItient project consortium.

Conclusions
The study led to the identification of necessary requirements for the development, testing, and validation of AI applications within a hospital-based generic infrastructure. A requirements model was developed, which will inform the next steps in the development of an AI innovation environment at our institution. Results from our study replicate previous findings from other contexts and will add to the emerging discussion on the use of routine medical data for the development of AI applications.

International Registered Report Identifier (IRRID)
RR2-10.2196/42208
Persepsi ahli gizi di Indonesia terhadap penerapan nutritional care process (NCP) di rumah sakit
Authors: Pranoto Yosephin Anandati , Susetyowati Susetyowati 
Published: February 2023

Dietitians’ perception of the implementation of the nutrition care process (NCP) in IndonesiaBackground: The nutrition care process (NCP) developed by The Academy of Nutrition and Dietetics was adopted and implemented in Indonesia. Some hospitals in Indonesia do not have a proper facility to support dietitians to implement NCP optimally.Objective: To evaluate dietitians’ perception of the NCP implementation in hospital settings in Indonesia.Methods: This study was a cross-sectional design with dietitians who have been working in a hospital as the study subject. Data were collected by questionnaire. Each subject answered questions on general data, nutrition screening practice, and 20 questions about the NCP implementation. The perception score is ranged from one(1) for ‘strongly disagree’ to five(5) for ‘strongly agree.’ The score was summarized and categorized into two groups ‘good’ and ‘less’ positive perception. Univariate and bivariate analysis was used to evaluate the data statistically. Results: More than half of the participants have a good/positive perception of NCP implementation (62.5%). There was a significant association between the level of education and nutrition screening training to other health workers' perceptions statistically. Conclusion: NCP has been implemented very well in a hospital setting in Indonesia. There are improvements needed in some key aspects to improve the quality of the nutrition care process in the hospital, especially for each dietitian to have a better and more standardized perception nationally on implementing NCP.
Tokyo's booms and busts: Placing Japan in the global financial network
Authors: Keenan Liam , Wójcik Dariusz 
Published: February 2023

AbstractTokyo is conspicuous for its now decades-long absence in the headlines of global financial news. In this article, we revisit the evolution of Tokyo as an international financial centre through the lens of Global Financial Networks (GFN). Drawing on insights from high-level interviews, we present a chronology of Japan's financial history between 1980 and 2020. This reveals a pattern wherein financial sector reforms and financial centre initiatives are repeatedly interrupted by crises. The GFN framework helps to demonstrate how structure and agency intertwine at the global, national, and local scales to shape this reform-boosterismcrisis cycle. Nationally and locally, we find that despite repeated attempts by coalitions of actors to elevate the status of Tokyo, engrained cultural and political economic conditions have hindered its development into a truly global financial centre. Globally, these conditions have been structured and amplified by Japan's historical position as a rule-taker in the governance of international finance. These factors have conspired to situate Japan on the periphery of the GFN, a position aggravated by the rising financial power of China.
The financialization of remittances in Nepal: Governing through the pedagogy of fear and hope
Authors: Paudel Lekh Nath , Kunz Rahel 
Published: February 2023

AbstractIn the last decade, remittances have become connected to financialization, expanding financial markets and deepening financial logics in what has been termed the financialization of remittances (FOR). In Nepal, where remittances are of key importance, this manifests itself in the country's development strategy through attempts to formalize remittances and promote financial inclusion, entrepreneurship, and financial infrastructure. This article focuses on the most salient manifestation of the FOR in Nepal: a large-scale financial literacy education (FLE) campaign for transnational families. To examine how this FOR-FLE complex works, we bring together insights on emotional governance with those on the creation of (gendered) financial subjectivities. Based on an analysis of FLE pedagogical material and interviews with FLE experts, we suggest that the FOR-FLE complex in Nepal mobilizes a pedagogy of fear and hope to discipline the financial behavior of transnational families, transforming them into self-governing miniature financial corporations. We also highlight the gender dimensions of this emotional regime, which creates terror and works to patronize, shame, and stigmatize nonmigrant women of transnational families, rendering them responsible for development, decreasing out-migration, and reducing the economy's import dependency.
A retrospective Ulysses’ syndrome: French émigré recollections of the British host
Authors: Reboul Juliette 
Published: February 2023

Between 1789 and 1815, thousands of French counter-revolutionaries chose exile rather than abide by the new political systems brought on by the Revolution, and later by Napoléon. A large number came to the British Isles. Contemporary documents demonstrate the French exiled community cohabited peacefully alongside a rather welcoming British society. Yet, self-narratives written after the Bourbon Restoration of 1815 described a different situation, in which French and British communities often clashed over behavioural and political distinctions. These discourses appeared to have further diverged from the event as time went by. This article does not mean to assess how traumatised the French émigré populations had been when driven to exile, but how the initial trauma, i.e the forced and lengthy separation from their motherland, was modified in later narratives and scholarship first to be utilised in the creation of national memories, and later in the formation of transnational ones. Focusing on the French memorial side of this transnational phenomenon, it aims to understand the political, social, and editorial agendas driving such modifications.
Mothers’ and Daughters’ Memories: The Palimpsest and Women’s Writing during the Algerian Civil War
Authors: Brennan Christina 
Published: February 2023

Max Silverman’s Palimpsestic Memory describes a “transgenerational voice of memory” which may emerge from diverse histories of victimisation. This article will seek to expand upon how this “transgenerational voice” is significant within manifold cultural contexts through examining how the mother-daughter relationship is becoming increasingly prominent within recent Francophone women’s literature from Algeria. Within the fiction which reflects upon the destruction wrought by the Algeria’s civil crisis (c. 1992-1998), the mother-daughter bond connects women’s suffering during this “black decade” with the preceding War of Independence (1956-1962). Female protagonists in literary works by authors including Malika Mokeddem and Leila Marouane are inspired to challenge and resist civil upheaval and violence through recollecting and celebrating their mothers’ earlier resistance during the War of Independence. Presenting Mokeddem’s Of Dreams and Assassins and Marouane’s The Abductor as key texts, this article considers how the mother-daughter bond emerges as a literary theme which, through exemplifying the transnational emphasis on the associations between distinct atrocities, draws attention to female suffering within both Algerian wars, developing a productive and intercultural consciousness of female-specific suffering within multiple historical traumas.
"Endless Forms" of Evolution? Heuristics in Darwin and Taine.
Authors: Court Andrew 
Published: February 2023

Morse Peckham wrote in 1959 that rejection and misinterpretation had characterised the first one hundred years of Darwinism. After reviewing René Wellek's 1956 survey of evolutionary ideas in literary history and Joseph Carroll's 1995 discussion of Darwinism in Hippolyte Taine, I argue that Wellek and Carroll have failed to provide accurate accounts of Darwin's influence. I suggest that methodological parallels must be found to make a claim for a theoretical approach being "Darwinian." I consider why The Origin of Species might have appealed methodologically to Taine by examining Darwin's argument, and then suggest that there is a better evaluative criterion of influence—that of "heuristic support"—than those provided by Wellek or Carroll. I test the hypothesis that the "shape" of Taine's theory in History of English Literature is the same as that of Darwin's theory in the Origin. I summarise Taine's theory in brief outline, counter Carroll's claim that Taine was a "biological determinist," and show that Taine's theory was congruent at the explanatory, methodological level with Darwin's, finding that Taine used the same kind of heuristic support to overcome procedural problems similar to Darwin's. I conclude that literary scholars must make better use of specialist scholarship in history and philosophy of science to answer Peckham's charge.
Jonathan Lethem's Genre Evolutions
Authors: Peacock James 
Published: February 2023

The ideas I expound here proceed from an initial, rather broad observation that all of Jonathan Lethem's novels subvert established fictional genres in some way. For example, The Fortress of Solitudedisrupts a semi-autobiographical coming-of-age narrative with elements of fantasy and comic book super-heroics. As She Climbed Across the Table is billed as a "campus comedy," yet allows science fiction to infiltrate its witty satire on academic life. Girl in Landscape is a western set in space. Now, it can of course be argued that any genre is necessarily an unstable category, a somewhat volatile mixture of repeated, conventional elements and the variations that provide an individual text with a sense of identity. Scholars such as Margaret Cohen, in "Traveling Genre," have argued just this, and I take it as axiomatic throughout.
"A million years...just for us": Subversive fixity in Peter Weir's Picnic at Hanging Rock
Authors: Tate Alex 
Published: February 2023

Donna Haraway's "Cyborg Manifesto" identifies the potential for marginalised sub-groups to resist oppression by "seizing the tools to mark the world that marked them as other". In the field of visual representation, this agenda can be applied to the aesthetic syntax by which this 'Othering' is deployed, namely to the formal parameters and construction of marginalised identities. Peter Weir's Picnic at Hanging Rock (1975) through its romanticised imagery, and narrative of Victorian sexual repression, ostensibly sets up a classical heterosexist ideology of woman as enigmatic Other; her presence a narratively unthreatening interval of erotic contemplation. I argue a re-reading of the film where this phallocentric project becomes self-defeating as its tools turn against itself.
Editing Lives/Rewriting Public Identity: Celebrity and Authorship in Martin Amis’s Experience
Authors: Mitchell Sally 
Published: February 2023

Addressing the negotiation of fame by the celebrity-author, and treating authorial persona as a collectively inscribed discursive identity-text, this article examines Martin Amis’s Experience (2000) for the textual strategies used to position Amis as implied editor and to emphasise the postmodern textuality of the life being narrated.
Myths of Origin and Myths of the Future in Larissa Lai's Salt Fish Girl
Authors: Harmer Elizabeth C. 
Published: February 2023

"The present exists as a tension between the way things have always been and the way things ought to be. Myth . . . is all about this dialectic of past and future; it is a narrative whose beginning and ending always inform the middle". (Laurence Coupe on Paul Ricoeur, Myth 97)
Lord Byron and George Eliot: Embracing National Identity in Daniel Deronda
Authors: Millstein Denise Tischler 
Published: February 2023

Byron's Hebrew Melodies, published in 1815, were written as part of his musical collaboration with the Jewish composer Isaac Nathan. Even though anti-Semitism ran rampant through England during the Romantic period, Byron's Hebrew Melodies remain his most widely respected collection. Despite anti-Semitic prejudice in England during the nineteenth-century, Byron was not the only English writer to take up the Jewish plight as his subject matter. Almost sixty years later, George Eliot would take up a similar set of themes in her novel Daniel Deronda. Significantly, Eliot's novel not only discusses the Jewish desire for a homeland in detail, it does so with numerous, specific references to Byron and his works. Eliot uses both the Jewish plot of Daniel Deronda and Byron as agents to discuss how Victorian England could revive its own national character.
Female Effigies and Performances of Desire: A Consideration of Identity Performance in Lars and the Real Girl.
Authors: O’Neill Kate E. 
Published: February 2023

The female sex doll allows for the projection of uninhibited sexual fantasy and is animated through that fantasy in the mind of her partner. In this way, she can be seen to function as a performative effigy of desire, maintaining heteronormative male sexuality by reflecting a patriarchal ideal of female physicality and objectification while simultaneously demanding a responsive performance of heterosexual masculinity. In the film Lars and the Real Girl, the relationship between the female sex doll and her male partner is shifted into the public sphere, and Lars projects a social, rather than sexual, identity onto Bianca, the sex doll object of his desire. The social identity constructed by Lars reflects his desire for a non-sexual, community-oriented, and ultimately subservient female partner, and the widespread acceptance of this model of femininity by the community is evidenced through the performative interactions that occur between Bianca and those around her. Because the sex doll exists in a potentially deviant category of sexual interaction, the community’s refusal to treat her as an object, but rather as a living subject, reflects the power of performance in the construction and maintenance of social identity. The very fact of Bianca’s object status allows her to take on complex sexual and social fantasy-roles, all of which prove to be problematic, but which ultimately allow for the maintenance of male sexual and social authority.
Palimpsest, Pasolini, Poe and Poetics, or the phantoms haunting Dario Argento’s Opera (1987)
Authors: Brown Keith Hennessey 
Published: February 2023

Argento’s gialli – i.e. Italian-style thrillers – from The Bird with the Crystal Plumage (1970) onwards present a succession of protagonists who find themselves haunted by some vital fragment of sound or image that they cannot quite recall, going up against antagonists whose inability to overcome the haunting legacy of some incident in their past compels them to kill again and again. Unsurprisingly this has encouraged many commentators to take a psychoanalytic approach to Argento’s gialli and those of his imitators. However, there is the haunting trace of something else here in that the Argento giallo is distinguished by its excessiveness, as Maitland McDonagh argues. In this paper, I wish to undertake such a reading of one specific but in certain respects exemplary Argento giallo, Opera (1987). Beginning with an outline of the film’s narrative for those unfamiliar with it, I will proceed by interrogating some of its most striking images, seeking to bring out an alternative ‘hauntology’ of their possible meanings based on the notion of the palimpsest and the aesthetic ideas of Pier Paolo Pasolini (1965) and Edgar Allan Poe (1845).
The War Artists’ Advisory Committee, Aviation and the Nation during the Second World War
Authors: Searle Rebecca 
Published: February 2023

This article draws upon broader research that examines the representation of aviation in the collection of the War Artists’ Advisory Committee (WAAC). On the 23rd November 1939, the WAAC met for the first time. They were charged with creating an artistic record of the war both at home and abroad on behalf of the state. By the time the committee was dissolved in December 1945, it had amassed nearly 6,000 works by over 400 artists, depicting all major aspects of the war. Although library shelves are filled with histories of various aspects of the Second World War, this collection has hardly been touched by academic historians.
The Old Woman in the Cave of Lust: Edmund Spenser's Silenced Feminine Voices in The Faerie Queene
Authors: Kennedy Colleen E. 
Published: February 2023

Edmund Spenser’s epic Arthurian-centric poem The Faerie Queene (1590, 1596) is permeated by fairy tales and old wives’ tales, but the very presence of the tales and their tellers is problematic, as these feminine voices are often included only to be silenced (Miller 6). Spenser’s anxiety of female voices, narratives, sources, and genres, becomes manifested in one very complicated and often overlooked character: the Old Woman in the Cave of Lust. This Old Woman is only found in one canto of Spenser’s epic poem (IV.vii) and is denied a voice; she isn’t given one line of dialogue. The very fact that this Old Woman emerges into the text, is ambiguously portrayed, temporarily vilified, and then retreats from the text unscathed demonstrates the power of the female voice in Spenser’s text.
Orienting Design, Discourse and Perception in C’était un Rendez-Vous
Authors: Krumholz Paul 
Published: February 2023

"Couldn't an exciting film be made from the map of Paris? ... From the compression of a century-long movement of streets, boulevards, arcades, and squares into the space of half an hour?" - Walter Benjamin (83)In 1976, Claude Lelouch mounted a steadicam to the front bumper of his Mercedes and drove through early morning Paris at breakneck speed, from Porte Dauphine to the Sacre Coeur Basilica. He titled the unedited eight-minute take C'était un Rendez-Vous ("It was a date") in reference to its final moments, in which a young woman emerges grinning—and relieved—atop the Montmartre steps to meet the driver. The title's simplicity is a red herring, and the film disavows it quickly. An introductory intertitle opens, stating plainly that the film we are about to see has not been manipulated, before dissolving into a forward-moving shot inside a pitch-black tunnel on Paris' périphérique highway. A rectangle of light grows from the centre of the frame, recognizable as the tunnel's exit, and, as the camera penetrates it, the soundtrack of engine noises and tire squeals kicks in. The proportions of the light box and the darkness around it give it the immediate appearance of a cinema screen, a connection cued doubly by the sound's synchronized introduction when we enter the space (see figs. 1-4). The analogy advertises a lineage of ideas that will emerge during the film, evoking Benjamin's quote and the city symphony film among an abundance of other theorists and works that have thematized the links between the fabrics of the moving image and the city.
Introduction: Special Issue of FORUM on Identity
Authors: DeCaires Narain Denise 
Published: February 2023

'Identity' is a word that we have learned - with good reason - to be wary of. Its suggestion of solidity and fixity makes it a dangerous and divisive concept that elides the flux and instability that characterizes selfhood. In academic discourses, identity has been theorized exhaustively and the idea of the subject as de-centred and constantly shifting is taken-for-granted. But still 'identity' won't go away. Indeed, in some arenas of public culture, 'identity' remains a necessary concept around which to consolidate ideas of selfhood that may not be so readily accommodated in prevailing definitions of the self.