bluuebunny/crossref_metadata_2025_split huggingface dataset:
The Value of Dynamic Contrast-Enhanced MRI in Predicting the Response of Idiopathic Granulomatous Mastitis to Steroid Therapy and Comparison of Clinical and Radiological Outcomes
Authors: Rona Günay , Arifoğlu Meral , Çetin Kenan , Kündeş Muhammet Fikri 
Published: May 2023

Background: The aim of this study was to investigate the value of pre-treatment dynamic contrast-enhanced MRI (DCE-MRI) findings in predicting clinical and radiological response to treatment in patients with idiopathic granulomatous mastitis (IGM) receiving steroid therapy and to compare clinical and DCE-MRI results after treatment.
Methods: Pre- and post-treatment MRI examinations of 86 patients (with a mean age of 33.8 years; range, 20–57 years) diagnosed with IGM between January 2014 and September 2022 were retrospectively evaluated. Lesion characteristics and longest diameter, number of involved quadrants, retroareolar involvement, and presence of fistula or lymphadenopathy were noted. Patients were categorized into clinical complete response (CCR), clinical non-response (CNR) groups based on clinical response and into radiological complete response (RCR) and radiological non-response (RNR) groups based on radiological response.
Results: The analyses revealed no relationship between the lesion type (abscess, NME, abscess, and NME), presence of lymphadenopathy or fistula, number of involved quadrants, retroareolar involvement, and treatment response on pre-treatment MRI (p>0.05). The longest lesion diameter was smaller in the CCR group than in the CNR group (p = 0.02). After treatment, 40.7% (35/86) of the patients achieved RCR + CCR, while 16.3% (14/86) achieved RNR + CNR. On the other hand, 43% (37/86) of the patients achieved CCR + RNR.
Conclusion: CCR is more common in patients with smaller lesions. Other pre-treatment MRI findings were not correlated with radiological or clinical response. A significant proportion of patients with CCR had residual lesions radiologically.
Identifikasi Jamur Makroskopis di Hutan Lindung Haunobenak Kecamatan Kolbano Kabupaten Timor Tengah Selatan
Authors: Hendrik Arnold Christian , Koebanu Wenti , Sampe Refli 
Published: May 2023

Penelitian ini bertujuan untuk mengetahui jenis-jenis jamur makroskopis di Hutan Lindung Haunobenak dan mengetahui karakter morfologi jenis-jenis jamur makroskopis di Hutan Lindung Haunobenak. Penelitian ini dilaksanakan pada bulan Juli-Agustus 2019 di Hutan Lindung Haunobenak. Metode yang digunakan dalam penelitian ini adalah metode survei dengan teknik purpossive sampling, yang berdasarkan banyaknya ditemukan jenis-jenis jamur makroskopis di lokasi penelitian. Pengambilan sampel dilakukan dengan cara menjelajah, dokumentasi dan pengamatan langsung di lokasi penelitian. Analisis data dilakukan secara deskriptif kualitatif. Berdasarkan hasil penelitian yang dilakukan di Kawasan Hutan Lindung Haunobenak, diperoleh jamur sebanyak 14 jenis, yang termasuk ke dalam 2 divisi yaitu 13 jenis divisi Basidiomycota dan 1 jenis divisi Myxomycota. 14 jenis jamur tersebut antara lain: Microphorus xanthopus, Pseudotrametes sp, Trametes sp 1, Trametes sp 2, Trametes versicolour, Trametes gibbosa, Pleurotus pulmonarius, Ganoderma sp, Phellinus pomaceus, Spongipelis sp, Hexagonia papyraceae, Datronia mollis, Hymenochaete rubiginossa dan Fuligo septica. Jamur yang ditemukan umumnya hidup pada substrat berupa ranting atau batang pohon.
Analisa Kandungan Mikroplastik pada Organ Ikan Konsumsi dari Rawa Pening
Authors: Puspita Dhanang , Nugroho Pulung , Sena Elisabeth Nadia Kurnia 
Published: May 2023

Mikroplastik adalah cemaran dari proses degradasi plastik yang berukuran partikel kurang dari 5mm. Rawa pening adalah salah satu rawa terbesar di Indonesia dan biota air memiliki potensi tercemar mikroplastik. Penelitian ini bertujuan untuk menganalisis kandungan mikroplastik pada organ ikan konsumsi yang diperoleh dari rawa pening. Penelitian ini bersifat deskriptif kuantitatif, dengan tahapan penelitian; isolasi mikroplastik dan analisis mikroplastik dengan FITR. Hasil analisis sampel organ ikan ditemukan adanya kandungan mikroplastik dalam bentuk fragment, fiber, film dan foam. Jenis mikroplastik yang ditemukan sebagian besar adalah Polytetrafluoroethylene (PTPE), Polycarbonate, Polymethyl methacrylate (PMMA) dan Polyamaides (Nilon).
Pengaruh Pelatihan Deteksi Dini Kesehatan Kognitif Lansia Terhadap Pengetahuan dan Keterampilan Kader di Desa Suro Kecamatan Kalibagor Kabupaten Banyumas
Authors: Yusanti Defika , Riyaningrum Wahyu 
Published: May 2023

Jumlah lansia meningkat menyebabkan masalah di bidang kesehatan. Deteksi dini kesehatan dapat dilakukan pada kegiatan posyandu lansia melalui kader kesehatan desa. Sehingga diperlukan pelatihan untuk memperoleh wawasan dan keterampilan dalam melakukan deteksi dini kesehatan lansia. Mengetahui pengaruh pelatihan deteksi dini kesehatan kognitif lansia terhadap pengetahuan dan keterampilan kader kesehatan di Desa Suro Kecamatan Kalibagor Kabupaten Banyumas. Penelitian ini merupakan penelitian kuantitatif, menggunakan desain pre experimental one group pretest posttest. Populasi dan sampel berjumlah 40 kader kesehatan di desa Suro yang diambil melalui teknik total sampling. Instrument yang digunakan untuk mengukur pengetahuan dan keterampilan kader yaitu kuesioner dan lembar observasi. Analisis data menggunakan uji Paired t test. Nilai rerata pengetahuan pretest dan posttest yaitu 65.5 menjadi 75.5, nilai rerata keterampilan SPMSQ 44.85 menjadi 76.55, keterampilan MMSE 39.55 menjadi 77.9 dengan nilai signifikasi pengetahuan dan keterampilan kader 0.000 < 0.005 artinya terdapat pengaruh pelatihan deteksi dini kesehatan kognitif lansia terhadap pengetahuan dan keterampilan kader. Pelatihan merupakan metode yang efektif diberikan untuk kader, dengan adanya pelatihan dapat memberikan pengalaman secara langsung bagi kader kesehatan sehingga pemahaman lebih kuat dan mudah untuk diingat. Kata Kunci : SPMSQ MMSE, Kader kesehatan, Pelatihan
Hubungan Gadget Addiction dengan Mental Emosional Anak Usia Prasekolah Selama Masa Pandemi Covid-19 di Wilayah Kerja Puskesmas Perumnas II Pontianak
Authors: Rachmaniah Rizqy Ananda , Adiningsih Berthy Sri Utami , Putri Triyana Harlia 
Published: May 2023

ABSTRACT The use of gadgets in preschool children is not a new phenomenon, but due to the Covid-19 pandemic which is still endemic to this day, children often play at home. So that the duration of using gadgets increases from before and can cause children to become addicted to playing gadgets. Gadget addiction is a concern for parents if its use is excessive, which can have an impact on children's development, one of which is emotional development. To analyze the relationship between gadget addiction and mental emotional of preschool-age children during the Covid-19 pandemic at Puskesmas Perumnas II Pontianak. Quantitative research uses analytical observational design with a cross sectional approach. The sampling technique used was proportional sampling with a total sample of 100 respondents. Data analysis using pearson chi square test. Gadget addiction behavior in children as many as 31% experienced severe dependence, 37% moderate, 32% mild, and 4% non-dependent. Emotional mental development of children is 45% likely to have emotional mental problems and 55% have a normal emotional mentality. The Pearson chi square test showed that the P-value = 0.000 (<0.005).There is a relationship between gadget addiction and mental emotional in preschool children during the covid-19 pandemic at Puskesmas Perumnas II Pontianak. Keywords: Gadget Addiction, Mental Emotional Problems, Preschool ABSTRAK Penggunaan gadget pada anak usia prasekolah bukanlah fenomena yang baru, tetapi akibat pandemi Covid-19 yang masih mewabah hingga saat ini membuat anak lebih sering bermain di rumah. Sehingga durasi penggunaan gadget meningkat dari sebelumnya dan bisa menyebabkan anak menjadi kecanduan dalam bermain gadget. Kecanduan gadget menjadi kekhawatiran tersendiri bagi orang tua jika penggunaannya sangat berlebihan, yaitu dapat berdampak pada perkembangan anak, salah satunya adalah perkembangan emosional. Menganalisis hubungan gadget addiction dengan mental emosional anak usia prasekolah selama masa pandemi Covid-19 di wilayah kerja Puskesmas Perumnas II Pontianak. Penelitian kuantitatif menggunakan desain observasional analitik dengan pendekatan cross sectional. Teknik sampling yang digunakan adalah proportional sampling dengan jumlah sampel 100 responden. Analisa data menggunakan uji pearson chi square. Perilaku gadget addiction pada anak sebanyak 31% mengalami ketergantungan berat, 37% sedang, 32% ringan, dan 4% tidak ketergantungan. Perkembangan mental emosional anak sebanyak 45% kemungkinan mengalami masalah mental emosional dan 55% memiliki mental emosional normal. Uji pearson chi square menunjukkan bahwa P-value = 0,000 (<0,005). Ada hubungan antara gadget addiction dengan mental emosional anak usia prasekolah selama masa pandemi Covid-19 di wilayah kerja Puskesmas Perumnas II Pontianak. Kata Kunci: Kecanduan Gadget, Masalah Mental Emosional, Anak Prasekolah
Bentuk Pertunjukan Jaipongan Dalam Budaya Populer
Authors: Mulyadi Tubagus 
Published: May 2023

Jaipongan has become a part of the popular culture due to its dynamic movements, and its wide popularity has turned it into a consumptive culture which has the ability to make money. TheÂ presence of Jaipongan outside its own community is marked by its spread to a number of different areas, and also its merging or acculturation with other local art forms. Outside its own community, Jaipongan not only exists as a form of traditional dance or background dance but has also influenced other art forms, including music which now uses Jaipongan drum patterns.Keywords : Jaipongan, Popular Culture, and Consumptive.Â
MAKNA SIMBOLIK TARI PENGUTON DI KECAMATAN KAYUAGUNG KABUPATEN OGAN KOMERING ILIR SUMATRA SELATAN
Authors: Susanti Retna 
Published: May 2023

The research entitled â€œThe Symbolic Meaning of the Penguton Dance in the KayuagungSub-District of the Ogan Komering Ilir District in South Sumateraâ€is intended as a form ofpreservation and a source of information about traditional dance, specifically in South Sumatera.A number of semiotic approaches are used to analyze the problems addressed in the research, inorder to investigate the facts and phenomena related to the Penguton dance in the Kayuagungsub-district of the Ogan Komering Ilir district. Based on the existing phenomena, the researchaims to discover the background to the existence of the Penguton dance, the process of developmentof the Penguton dance up to the present day, and the symbolic meaning contained in thePenguton dance. In order to find the answers to these questions, a qualitative method was usedtogether with semiotic theories, while the techniques for collecting data included observation,interviews, and a study of written data and documents. This was followed by an analysis of thedata, verification, documentation, and conclusions.Â The results of the research show that the symbolization contained in the Penguton dance isan expression of the hearts and minds of the local community as a structure for their society.Tradition refers to the habits of a community which become rules in its supporting environment.The supporting community for the Penguton dance is of a sacred nature and as such, not allmembers of the general public are able to enjoy a performance of the Penguton dance and themeaning it contains. This rule contains an understanding which becomes a strength of symbolizationand thus forms a social strata.Keywords: Penguton Dance, Meaning, Symbolic.
TARI â€œDRUBIKSA DARUBEKSIâ€ KARYA NURYANTO SEBUAH RESPON ANTROPOCOSMIC TERHADAP FENOMENA GLOBAL WARMING
Authors: Nuryanto Nuryanto 
Published: May 2023

â€œDrubiksa Darubeksiâ€ adalah sebuah karya tari yang diciptakan oleh Nuryanto, dipersembahkan sebagai tanggapan yang positif terhadap fenomena pemanasan global yangsedang kita alami. â€œDrubiksaâ€ artinya jahat sedangkan â€œdarubeksiâ€ artinya racun. Karya ini menampilkan kekejaman manusia yang telah mengakibatkan berbagai kerusakan alam yang menyebabkan pemanasan global. Secara kontekstual karya ini telah menjadi kenyataan yang kita alami saat ini. Itu sebabnya pemikiran antropokosmik (manusia sebagai bagian dari alam) sangat penting untuk memelihara alam, untuk menghindari antroposentrisme, yang artinya manusia . Karya seni merupakan bagian dari pemikiran antropokosmik. Seni bercerita dengan cara verbal dan non-verbal. Oleh karena kepekaan dan caranya membentukpengetahuan, seni mampu membangun percakapan dengan alam. Itulah jiwa dari â€œDrubiksa Darubeksiâ€.Â Katakunci: pemanasan global, antropokosmik, dan seni.Â AbstractÂ â€œDrubiksa Darubeksiâ€ is a dance work by Nuryanto which is performed as a positive response to the phenomenon of global warming that we are currently experiencing. â€œDrubiksaâ€ means evil and â€œdarubeksiâ€ means poison. This work portrays the cruelty of humankind which has produced numerous natural disasters that have caused global warming. This work shows contextually the reality we are now facing. For this reason, ananthropocosmic mind (man as a part of nature) is the key for taking care of nature, to avoid the kind of anthropocentrism through whichman will conquer nature. A work of art is part of an anthropocosmic mind. Art tell us a story in botha verbal and nonverbal way. Because of its sensitivity and its way of shaping of knowledge, art has the ability to build a conversation with nature. This is the spirit of â€œDrubiksa Darubeksiâ€Â Keywords: global warming, anthropocosmic, and art
TARI SABDO PALON NOYO GENGGONG KARYA TRUBUS DI SANGGAR AMONG ROSO
Authors: Astuti Dewi 
Published: May 2023

AbstrakÂ Penelitian ini untuk mengungkap Tari Sabdo Palon Noyo Genggong karya Trubus di Sanggar among Roso. Karya tari ini merupakan karya baru yang tumbuh dan berkembang di wilayah Ngargoyoso, tepatnya berada di Dusun Puton Desa Girimulyo. Penggarapan karya tari ini mengikuti alur cerita dari buku Ramalan Jayabaya Versi Sabdo Palon sebagai acuannya. Cerita dalam buku tersebut diambil intinya untuk dijadikan sajian pertunjukan yang dibagi menjadi tiga bagian yaitu: bagian awal gundah, bagian tengah beradu kekuatan, dan bagian akhir sebagai perjalanan moksa. Karya tari Sabdo Palon Noyo Genggong merupakan salah satu karya yang hingga sekarang sangat diminati masyarakat.Â Kata kunci: tari Sabdo Palon Noyo Genggong, Trubus, dan sanggar Among RosoÂ AbstractÂ The goal of this research is to investigate the Sabdo Palon Noyo Genggong Dance created by Trubus in the dance studioAmong Roso. This dance is a new work which has grown and developed in the Putonhamlet of Girimulyo village. The dance usesas a reference the story from the Sabdo Palon version of Jayabayaâ€™s Predications. The main storyline is presented in the form of a dance performance which consists of three sections: the first section which has a mournful character; the middle section which is a contest of power; and the final section which is a moksha journey. To this day, the Sabdo Palon Noyo Genggong Dance remains a popular dance in the community.Â Keywords: Sabdo Palon Noyo Genggong Dance, Trubus, and Among Roso Dance Studio.
KAYA TARI MANUKSMA SIKAP TANGGAP MEMBACA LINGKUNGAN
Authors: Wahyudiarto Dwi 
Published: May 2023

Chronicle Wanamarta (is] the part of Wanaparwa episode which (is) human being kisah-kasih story with universe. Meruapakan Wanamarta a veiy forest (of] serious condition and is ghostlike, and laterthen.transform to become a big empire as linuwih satriya punjering. Understanding to forest meaning in fact can come near from various dimension. Forest from symbolic meaning dimension, from dimension life (of] universe, from dwelling place side [all] genie, natural ecology dimension, as forest human being dwelling place, as place work, as theft farm, as and asset properties (of] state, andÂ StÂ ill many again. How in fact (all] pandawa in face of various the problems, (is] to become the part of gegelisahan which finally have to take choice in forest attitude. Pendawa as excellent orderer, Bima have the spirit (of] remarkable (job/activity], DesignerArjuna offis beauty (of] reliable, Nakula very skilled in farming and developing crop, Observer animal Sadewa and Puntadewa very strong in idea in my me (of] pujabrata in base on spritualÂ workÂ (a II] pandawaÂ Keyword: Puppet, Enviroment.
Penyutradaraan Wayang Orang oleh: Sardana Mlaya Wibaksa
Authors: Sriyadi Sriyadi 
Published: May 2023

A director is a person who gives directions, instructions, and guidance to the performers or actors in aspects of their acting, dialogue, movements, and the way the dancers walk in a performance of traditional Javanese dance-drama, or wayang orang. The director is responsible for the entire process of a workâ€™s creation, up to the time of its performance. According to Sardana, a director must have the ability to cast actors or actresses in particular roles, according to their abilities as wayang orang performers.Keywords: Â Director and wayang orang.
Tari Bedhaya Ketawang: Refleksi Mitos Kanjeng Ratu Kidul dalam Dimensi Kekuasaan Raja Kasunanan Surakarta
Authors: Haryanti Sulistyo 
Published: May 2023

This article is an interpretation of Tari Srimpi through the analysis of symbols, according to Hinduism. The interpretation focuses on a discussion of how aesthetic power is established through the symbol of four dancers in Tari Srimpi. Usually discussions about the four Tari Srimpi dancers (referred to as: batak, gulu, dhadha, buncit) are about keblat papat lima pancer (four points and a centre), and four human characteristics (amarah, aluamah, supiyah, and mutmainah). This article attempts to discuss the symbol of the four dancers from another angle, formulated through Hinduism, which describes four human potentials through the figure of Panca Pandawa. Although Pandawa consists of five brothers, it is actually a symbol of four human potentials: (1) Puntadewa as a symbol of spirituality, (2) Werkudara as a symbol of attitude, (3) Arjuna as a symbol ofÂ science, and (4) the twins Nakula-Sadewa as a symbol of skill.Keywords: Srimpi dance, Panca Pandawa, and human potential.
Pemadatan Tari Lagu Dhempel di STSI Surakarta
Authors: Rokhim Nur 
Published: May 2023

The Srimpi Lagu Dhempel dance is a traditional dance which grew and developed inside the palace walls. Originally this dance was not allowed to be performed outside the palace wallsÂ because of its exclusive nature and the strong sense of ownership within the palace. However, after the establishment of a number of art colleges in the 1970s, this dance began to be performed outside the palace, including at STSI Surakarta, which uses the dance as lecture material. STSI SurakartaÂ is an institution of higher education for the arts in Indonesia whose mission is to develop the life of Indonesian art and culture which is oriented to the future. As such, the tendency towards change must take place within a framework of creativity and possess a dynamic quality. In this case, one example of change is the endeavour to create an abridged version of the Srimpi Lagu Dhempel dance. The creation of shorter versions of existing dances at STSI Surakarta was pioneered by theÂ late Gendhon Humardani, and subsequently continued by many of his students. The abridgment of the Srimpi Lagu Dhempel dance was based on the concept of â€œcontainerâ€ and â€œcontentsâ€. The orientation of the abridgment is not time and the fact that the time becomes shorter is a result rather than the goal of the abridged version.Keywords : Abridgement, Srimpi Lagu Dhempel dance.
ANGSA SEBAGAI IDE DASAR PENCIPTAAN MOTIF BATIK YANG DIAPLIKASIKAN PADA BUSANA LUARAN WANITA
Authors: Alfidianti Cindy Novita Alfidianti 
Published: May 2023

ABSTRAK1 Tugas akhir kekaryaan bertujuan untuk: (1) melakukan eksplorasi desain motif batik dengan sumber ide angsa, (2) mewujudkan karya busana luaran wanita dengan motif batik angsa berdasarkan desain terpilih yang telah dirancang. Karya yang dihasilkan adalah busana luaran wanita dengan menggunakan tema angsa. Angsa tidak hanya merupakan hewan yang indah namun juga memiliki filosofi disetiap tingkah lakunya. Bagi agama Hindu, angsa adalah hewan yang dianggap suci. Bahkan angsa merupakan tunggangan dari Dewi Saraswati. Angsa merupakan simbol kesetiakawanan, simbol kesetiaan dan simbol cinta sejati. Proses pembuatan karya menggunakan teknik batik tulis, teknik pewarnaan colet dengan warna sintetis jenis remasol, dan teknik jahit. Bahan utama yang digunakan adalah kain primisima. Karya busana wanita yang dibuat berfungsi sebagai busana luaran yang dapat digunakan baik formal maupun non-formal. Estetika atau keindahan karya busana luaran wanita dapat diuraikan berdasarkan teori Monroe Bardsley yaitu kesatuan, kerumitan dan kesungguhan. (1) Unsur kesatuan dapat dilihat dari bahan yang digunakan, bentuk motif dan warna yang tersusun secara harmonis, (2) kerumitan karya busana wanita dapat dilihat dari proses pembuatan yanng begitu rumit, (3) kesungguhan dapat dilihat berdasarkan makna yang terkandung di dalam setiap karya.Kata Kunci: angsa, busana wanita, estetika ABSTRACTThe final task aims to : (1) do explore batik motif design with swan source idea, (2) Create women’s outwear fashion with swan batik motif based on selected design that have been designed. The produced creation is women’s outwear using swan themes. Swan are not only beautiful animals but also have a philosophy in each of their behavior. For Hinduism, swan are animals that are considered sacred. Even the swan is the ride of Saraswati Goddess. The swan is a loyal symbol of friends, symbol sorrow and true love. The making process of creation using batik tulis technique , coloring technique with synthetic colors of remazol and sewing technique. The main materials use is primisima cloth. Women’s fashions creation made to funcyion as outwear that can be used both formal and non formal. The aesthetics of beauty of women’s outwear can be described based on Monroe Bardsley theory of unity, compexity and intensity. (1) the element if unity can be seen from the materials used, the design of motif and colur arranged in harmoni, (2) the complexity of women’s fashion creation can be seen from the making process is cp complicated, (3) the intensity can be seen based on the meaning contained in each creation.Keywords : Swan, Women’s Fashion, Aesthetics