bluuebunny/crossref_metadata_2025_split huggingface dataset:
Atualizações no diagnóstico e tratamento do transtorno de personalidade borderline
Authors: Valença Alexandre Martins , Bisol Luísa Weber , Bernardes Suzzana de Vasconcellos 
Published: September 2023

Estima-se que existem cerca de 2 milhões de padecentes de transtorno de personalidade borderline no Brasil, o que faz com que esse seja um transtorno muito comum, embora pouco falado e compreendido. O Borderline é caracterizado principalmente pela instabilidade e hipersensibilidade nos relacionamentos, instabilidade na autoimagem, alterações extremas de humor e impulsividade, além do medo de abandono. Essa verdadeira montanha russa de emoções faz com que o transtorno seja um dos mais lesivos, já que os pacientes têm dificuldade de controlar sua raiva e podem acabar descontando em violência - seja a automutilação ou agressão a terceiros. As estatísticas mostram, ainda, que cerca de 10% de padecentes de transtorno de personalidade borderline acabam cometendo suicídio. Como é feito o diagnóstico da doença? Quais são os tratamentos mais atuais? Como dar uma boa qualidade de vida ao paciente? O que os psiquiatras precisam saber sobre o transtorno?
Dia mundial de ação dos transtornos alimentares: cuidando de quem cuida
Authors: Appolinario Jose Carlos Borges , Nunes Maria Angélica Antunes , Almeida Mireille Coêlho de 
Published: September 2023

Em todo o mundo, estima-se que 70 milhões de pessoas sejam afetadas por um transtorno alimentar, incluindo anorexia, bulimia, transtorno de compulsão alimentar, dentre outras formas de transtornos. Tais transtornos trazem diversos prejuízos no dia a dia do paciente e, infelizmente, apresentam a maior taxa de mortalidade dentre as doenças psiquiátricas. No dia 02 de junho, o mundo volta sua atenção para o Dia Mundial de Ação dos Transtornos Alimentares, que neste ano, tem o tema "cuidando de quem cuida", já que o cuidador desempenha um importante papel no tratamento dos pacientes.
Effect of Adding Styrene-Butadiene Rubber (SBR) on Corrosion Resistance for Reinforced Concrete Columns
Authors: Lateef Assim  M. , Alshandah Mohanad Nateq , Al-Azzawi Hosam A. 
Published: September 2023

Corrosion in steel bars has the biggest effect on the concrete strength as well as its durability. Problems, such as increasing the crack widths, deflections, increasing stresses and decreasing concrete strength, are some subsequences of steel corrosion. Therefore, preventing these undesirable consequences, needs to address by researchers. Some additive materials which can be used in concrete might be the most effective cheap solution. In this research, Styrene Butadiene Rubber (SBR) was utilized in the concrete mixture to reduce water permeability in concrete. In order to test the effect of SBR on steel corrosion in structural members, seven reinforced concrete columns of circular cross section were casted with different contents of SBR, from one percent to six percent of water content. Using accelerated corrosion cells, major tests were done after twenty days. Results show that SBR improved the compressive strength of the concrete up to thirty – one percent with using one percent of SBR. Moreover, the compression strength of the reinforced concrete columns increased about thirty – two percent with using six percent of SBR. Not only the concrete strength improved with adding SBR, but also the steel corrosion resistance increased and steel weight losing decreased.
Microvascular decompression for hemifacial spasm: Complications after 292 procedures without neurophysiological monitoring
Authors: Rubio Alejandro Serrano , Rodríguez-Rubio Héctor A. , López-Rodríguez Rodrigo , Bonilla-Suastegui Alfredo , Piñón-Jiménez Fernando , Contreras-Vázquez Oscar Rubén , Revuelta-Gutiérrez R. 
Published: September 2023

Background:
Hemifacial spasm (HFS) is characterized by involuntary, progressive, and intermittent spasms in the upper and lower facial muscles. Due to the high success rate, microvascular decompression (MVD) is the treatment of choice, and intraoperative neuromonitoring (INM) is considered useful for achieving safe surgery. Still, most centers do not have this technology.

Methods:
We analyzed 294 patients with HFS treated with MVD without INM. We only included patients with a neurovascular etiology while excluding other causes, such as tumors. As part of the postoperative evaluation, we assessed preoperative magnetic resonance imaging and pure-tone audiometry.

Results:
The main complication was peripheral facial paralysis in 50 patients, followed by hypoacusis in 22 patients and deafness in 17 patients, associated with a failed surgical outcome (P = 0.0002). The anterior inferior cerebellar artery (AICA) was an offending vessel, and the involvement of more than one vessel was significantly associated with the development of facial nerve palsy (P = 0.01). AICA was also associated with hearing impairment (P = 0.04). Over 90% of immediate complications improve in the follow-up (6 months), and one patient did not show a cure for initial HFS.

Conclusion:
MVD is the method with the highest long-term cure rates for treating HFS; however, we must inquire into the multiple factors of the patient and the surgeon to predict surgical outcomes. INM is not a must during MVD for HFS. We recommend its use depending on the availability and mainly on the surgeon’s skills, for surgeons.
Erwin Schulhoff ’s Dadaist Ballets: From Mystery to Grotesque
Authors: Векслер Ю.С. 
Published: September 2023

Статья посвящена двум балетам чешского композитора Эрвина Шульхофа (1894–1942), написанным в 1920-е гг. Они вобрали в себя как его опыт в области джаза, так и многие идеи дадаизма — движения, к которому он примкнул в конце 1910-х. Шульхофа привлекали упругие ритмы и откровенная сексуальность танцевально-джазовой музыки, он рассматривал ее как действенное средство обновления музыкального искусства. Дадаисты пробудили его интерес к примитивным культурам, неевропейской экзотике. Важными оказались и контакты дадаистов с создателями так называемого «выразительного танца» — Рудольфом фон Лабаном и Мари Вигман. Балетная мистерия «Огелала» (Ogelala, 1922) написана на сюжет из жизни ацтеков. Одним из первых Шульхоф прибегает к эмансипации ударных инструментов и разрабатывает дифференцированную систему соответствий между их звучанием и пластикой балета. Второй балет, «Лунатичка» (Die Mondsüchtige, 1925), основан на ранее написанной Сюите для камерного оркестра (1921), которую Шульхоф снабдил эпатажным дадаистским прологом. Сюита, составленная из модных танцев и джазовых пьес, была переработана в «танцевальный гротеск» (Tanzgroteske) на либретто чешского поэта Витезлава Назвала, близкое послевоенным балетам группы «Шести».
The article is devoted to two ballets by the Czech composer Erwin Schulhoff (1894–1942), created in the 1920s. They absorbed both his experience in the field of jazz music and many of the ideas of Dadaism, a movement which he joined in the late 1910s. Schulhoff was attracted by the elastic rhythms and outright sexuality of dance and jazz music, he considered it an effective means of renovation of the musical art. Dadaists awoke his interest in primitive cultures, non-European exotics. Their contacts with the creators of the so-called “expressive dance”, Rudolph von Laban and Mary Wigman, were also important. The ballet mystery Ogelala (1922) is composed according to a plot from the life of the Aztecs. Schulhoff was one of the first to resort to emancipation of percussion instruments and develop a differentiated system of concordances between their sound and the plasticity of ballet. The second ballet, Die Mondsüchtige (1925), is based on a previously composed Suite for Chamber Orchestra (1921), which Schulhoff precessed with an outrageous dada prologue. The suite, composed of fashionable dances and jazz pieces, was reworked into a “grotesque dance” (Tanzgroteske) based on a libretto by the Czech poet Vítězslav Nezval, close to the post-war ballets of the Six group.
Ballet “The Twelve”. The Birth of a Failed Masterpiece
Authors: Макарова О.Н. 
Published: September 2023

В 1960-е балет «Двенадцать» Бориса Тищенко в хореографии Леонида Якобсона был показан в Государственном академическом театре оперы и балета имени С. М. Кирова всего три раза и остался в истории спектаклем, задавленным цензурой, искалеченным принимающими комиссиями. На послепремьерных обсуждениях в адрес постановки звучали восторженные отзывы авторитетных специалистов музыкального театра, а хореограф спустя десять лет после премьеры называл «Двенадцать» в числе очень немногих любимых своих балетов. Этапы работы над спектаклем нашли отражение в записках Якобсона, сохранившихся в его архиве и демонстрирующих, как менялся сценарий, из каких истоков складывались образы персонажей. Драматичную историю рождения не вполне реализованного замысла иллюстрируют протоколы обсуждений спектакля. Принимающие комиссии настаивали на отказе от христианских мотивов, призывали к революционной монументальности, тогда как якобсоновская трактовка поэмы Блока не предполагала помпезной оды революции. Подверглись критике намерения хореографа вывести на сцену Христа, Ленина, провести параллели между страданиями убившего Катьку Петрухи и страданиями Иисуса, представить обобщенные картины зла, которое героям предстоит преодолеть и оставить в старом мире. Якобсону пришлось отказаться и от задуманного финала, созвучного блоковской неоднозначности поэмы. Однако, несмотря на исполненный компромиссный вариант, спектакль заслужил одобрение чутких современников.
In the 1960s, Boris Tishchenko’s ballet The Twelve choreographed by Leonid Yacobson was shown only three times at the Kirov State Academic Opera and Ballet Theater and remained in history as a performance ruined by censorship, crippled by the commissions. At the post-premiere discussions, the production received enthusiastic reviews from authoritative musical theater experts, and 10 years after the premiere, the choreographer named The Twelve among his very few favorite ballets. The stages of work on the performance were reflected in Yacobson’s notes, preserved in his archive, and showing how the script changed, and how the characters developed. The dramatic story of creation of an incompletely implemented idea is illustrated by the notes of the discussions of the performance. The acceptance panel insisted on rejection of Christian motives, called for revolutionary monumentality, while Yacobson’s interpretation of Blok’s poem did not imply a pompous ode to the revolution. The intentions of the choreographer to bring Christ and Lenin onto the stage, to draw parallels between the sufferings of Petrukha, who killed Kat’ka, and the sufferings of Jesus, to present generalized pictures of the evil that the heroes have to overcome and leave in the old world, were criticized. Yacobson also had to abandon the planned final which was in tune with Blok’s ambiguity of the poem. However, despite the performed compromise version, the performance earned approval of sensitive critics.
“Appalachian Spring” by Martha Graham — Aaron Copland: An American Pastoral
Authors: Гагарина О.А. 
Published: September 2023

Статья посвящена балету «Весна в Аппалачах» Марты Грэм на музыку Аарона Копленда, ставшему воплощением истинно американского в музыкально-театральном искусстве ХХ столетия. Балетная повесть о жизни христиан-первопоселенцев на фронтире рассматривается автором в русле жанровой традиции пасторали, а точнее, одного из ее историко-стилевых направлений — позднеевропейской георгики. Последняя оказалась созвучной американской общественной мысли 1930–40-х гг., проникнутой патриотическим пафосом и жаждой жизнестроительства. Анализ пластической, музыкальной и декорационной составляющих спектакля «Весна в Аппалачах» позволил сделать вывод о разноплановом претворении пасторальной жанровости в исследуемом балете. Последняя выступает и как формальная конструктивная стратегия, и как семантическая категория, затрагивающая разные масштабные уровни балетной архитектоники — от стилистики компонентов балетного синтеза до общей драматургической идеи. Универсальность ценностных категорий пасторали выводит содержание «Весны в Аппалачах» за тесные рамки национальной темы, придавая художественной концепции Грэм — Копленда общечеловеческий смысл. Кроме того, действие жанрового архетипа размыкает линейную ретроспективность повествования: внутри пасторального мифа эмоция ностальгии модифицируется в утопический нарратив о «веке простого человека».
The article is devoted to the ballet Appalachian Spring by Martha Graham to the music of Aaron Copland, which became the embodiment of the truly American in the musical and theatrical art of the twentieth century. The ballet story about the life of Christian pioneers on the frontier is considered by the author in the framework of the pastoral genre tradition, or, more precisely, one of its historical and stylistic trends — the late European georgics. The latter proved to be in line with the American public thought of the 1930–40s, imbued with patriotic pathos and desire for life-building. The analysis of the plastic, musical and decorative components of the performance allows us to conclude that the pastoral genre is represented in this ballet in various ways. It acts both as a formal constructive strategy and as a semantic category that affects all large-scale levels of ballet architectonics — from the stylistics of the components of ballet synthesis to the general dramatic idea. The universal character of the pastoral’s value categories takes the content of Appalachian Spring beyond the narrow scope of the national theme, giving the Graham–Copland’s artistic concept universal humane meaning. Moreover, the effect of the genre archetype unlocks the linear retrospective narration: within the pastoral myth, the emotion of nostalgia is modified into a utopian narration of the “age of the simple folk”.
“I Wrote Directly the Orchestral Score” (On Creation of Opera “The May Night” by N. A. Rimsky-Korsakov)
Authors: Гусейнова З.М. 
Published: September 2023

Рукописи Н. А. Римского-Корсакова позволяют выявить особенности творческого процесса композитора на разных этапах создания сочинения — от замысла до полного воплощения. В статье рассматривается автограф партитуры оперы «Майская ночь», хранящийся в Отделе рукописей Научной музыкальной библиотеки Санкт-Петербургской консерватории и представляющий собой непереплетенные последовательно изложенные номера. В конце многих законченных номеров композитором указаны даты и место написания сочинения. Первой особенностью процесса создания является то, что опера фиксировалась, по высказыванию композитора, сразу в партитуре, причем начата она была с третьего, наиболее интересного для автора, действия. Второй — что Римский-Корсаков выступил и в качестве либреттиста, самостоятельно создав текст на основе любимой им повести Н. В. Гоголя и сформировав стихотворный вариант прозаического источника. Многочисленные текстовые корректуры нашли отражение на листах автографа. Изучение рукописи показало, что работа над сочинением проходила очень интенсивно: композитор варьировал текст либретто, изменял вокальные партии, корректировал оркестровку, вводил клавирные эпизоды, вычеркивал значительные фрагменты уже созданного текста и др. В статье предварительно выделен для рассмотрения только аспект, связанный преимущественно с текстовыми, структурными и драматургическими изменениями, вносимыми в процессе работы, приведены отдельные сведения о разночтениях между автографами и первыми изданиями оперы.
The manuscripts of N. A. Rimsky-Korsakov make it possible to identify the featu res of his work at different stages of creation from conception to full implementation. The article deals with the autograph of the opera score of The May Night, which is kept in the Department of Manuscripts of the St. Petersburg Conservatory along with other composer’s documents and represents an unbound, sequentially set out numbers of the opera. At the end of many completed numbers the composer indicates the dates and places of composing. The first peculiarity of the creation process is that the opera appeared, according to the composer, directly as the score, and it began with the third act, the most interesting for the author. The second peculiarity was that Rimsky-Korsakov also worked as a librettist, independently creating the text based on his favorite novel by Nikolai V. Gogol and forming a poetic version of the prosaic source. Numerous textual proofs are specified in the autograph. The study of the manuscript showed that the work on the composition was rather intensive: the composer varied the text of the libretto, changed the vocal parts, corrected the orchestration, introduced keyboard episodes, crossed out significant fragments of the already created text, certain information about the discrepancies between the autographs and the first editions of the opera is also given.
Can variants, reinfection, symptoms and test types affect COVID-19 diagnostic performance? A large-scale retrospective study of AG-RDTs during circulation of Delta and Omicron variants, Czechia, December 2021 to February 2022
Authors: Kliegr Tomáš , Jarkovský Jiří , Jiřincová Helena , Kuchař Jaroslav , Karel Tomáš , Chudán David , Vojíř Stanislav , Zavřel Michal , Šanca Ondřej , Tachezy Ruth 
Published: September 2023

Background
The sensitivity and specificity of selected antigen detection rapid diagnostic tests (AG-RDTs) for SARS-CoV-2 were determined in the unvaccinated population when the Delta variant was circulating. Viral loads, dynamics, symptoms and tissue tropism differ between Omicron and Delta.

Aim
We aimed to compare AG-RDT sensitivity and specificity in selected subgroups during Omicron vs Delta circulation.

Methods
We retrospectively paired AG-RDT results with PCRs registered in Czechia’s Information System for Infectious Diseases from 1 to 25 December 2021 (Delta, n = 20,121) and 20 January to 24 February 2022 (Omicron, n = 47,104).

Results
When confirmatory PCR was conducted on the same day as AG-RDT as a proxy for antigen testing close to peak viral load, the average sensitivity for Delta was 80.4% and for Omicron 81.4% (p < 0.05). Sensitivity in vaccinated individuals was lower for Omicron (OR = 0.94; 95% confidence interval (CI): 0.87–1.03), particularly in reinfections (OR = 0.83; 95% CI: 0.75–0.92). Saliva AG-RDT sensitivity was below average for both Delta (74.4%) and Omicron (78.4%). Tests on the European Union Category A list had higher sensitivity than tests in Category B. The highest sensitivity for Omicron (88.5%) was recorded for patients with loss of smell or taste, however, these symptoms were almost 10-fold less common than for Delta. The sensitivity of AG-RDTs performed on initially asymptomatic individuals done 1, 2 or 3 days before a positive PCR test was consistently lower for Omicron compared with Delta.

Conclusion
Sensitivity for Omicron was lower in subgroups that may become more common if SARS-CoV-2 becomes an endemic virus.
A Qualitative Description of the Role of a Whole Health Coach
Authors: Fowler Susan 
Published: September 2023

Objective: To explore the experience of the role of a whole health coach.
Methods: This qualitative, descriptive study used semi-structured interviews with 7 informants. Transcriptions were coded with words/phrases, and themes identified.
Results: The overarching theme was a 'balancing board' with the client as the board and whole health coach the fulcrum. The 'job' of being a whole health coach grounds the experience. The coach serves as the fulcrum capitalizing on seven skills and a core of personal beliefs. The client engages in a 'balancing act' as they move forward connecting with the whole health coach.
Conclusions: The whole health coach experience is personal and professional. Coaches utilize the foundation of the job and skills to assist clients in moving forward on a path of balance with the client as the driver/pilot.
Peningkatan Pengetahuan Dan Self Care Kepatuhan Kader Dan Masyarakat Pada Pasien Diabetes Melitus Di Era Digital
Authors: Lubada Eziah Ika , Fandinata Selly Septi , Darmawan Rizky 
Published: September 2023

Abstrak
Diabetes melitus (DM) adalah penyakit metabolik dengan karakteristik hiperglikemia yang terjadi akibat adanya kelainan sekresi insulin, kerja insulin, atau keduanya. DM saat ini benyak dialami bukan hanya di usia Lansia tetapi mulai banyak dialami di usia Dewasa. WHO memperkirakan pada tahun 2014 sekitar 422 juta orang dewasa berusia di atas 18 tahun hidup dengan DM. Keberhasilan proses kontrol penyakit DM sangatlah ditentukan oleh kepatuhan penggunaan obat agar tidak menimbulkan komplikasi. Pasien DM memerlukan terapi jangka panjang, maka kepatuhan penggunaan obat merupakan salah satu faktor keberhasilan terapi. Perkembangan teknologi dalam bidang Kesehatan mengarah pada mobile health (e-health) dengan menggunakan smartphone sebagai pengingat untuk mengkonsumsi obat. Kegiatan pengabdian masyarakat ini dilakukan pada warga RW 7 Dukuh Kupang Surabaya. Kegiatan antara lain antara lain cek kesehatan, ceramah tentang pentingnya kepatuhan minum obat DM serta cara mengunduh dan menggunakan aplikasi minum obat pada smart phone masing-masing. Untuk mengetahui keberhasilan kegiatan maka seluruh peserta akan diberikan kuisioner pre saat registrasi dan kuisioner post sebelum acara berakhir tentang materi kegiatan. kegiatan dihadiri oleh 30 peserta dengan jumlah peserta perempuan sebanyak 26 Peserta (86,67%) dan 11 peserta laki-laki (13,33%). Rentang usia terbanyak adalah 46-55 dan 56-65masing - masing sebanyak 11 pasien (36,67%). Terdapat peningkatan tingkat pengetahuan peserta dari hasil kuisioner pre 14 peserta (46,67%) berpengetahuan baik menjadi 19 peserta (63,33%) pada kuisioner post. .

Kata kunci— Diabetes Mellitus, Kepatuhan, Kuisioner
Penyuluhan Senam Lansia Untuk Meningkatkan Kesehatan Di Panti Jompo Lestari
Authors: Suminar Ervi , Widiyawati Wiwik , Nikmah Nurun , Inayah Zufra 
Published: September 2023

Lansia adalah orang yang mengalami perubahan sistem biologis yang mempengaruhi status kesehatannya karena struktur dan fungsinya. Memang, orang tua mengalami perubahan fisik, psikologis, sosial dan spiritual seiring bertambahnya usia. Penyebab perubahan ini dapat memengaruhi kesehatan dan kebugaran lansia. Penurunan tingkat kebugaran jasmani berdampak signifikan terhadap aktivitas sehari-hari lansia. Tujuan Pengabdian kepada Masyarakat Lansia adalah untuk mengajarkan pentingnya menjaga kualitas kesehatan lansia melalui latihan senam bagi lansia agar dapat beraktivitas dengan maksimal. Sasaran upaya pengabdian ini adalah para lansia di Panti Asuhan Lestari Menganti Gresik dengan jumlah sebanyak 40 orang. Kegiatan yang akan dilakukan dari tahap penyuluhan yaitu ceramah dan diskusi tentang senam lansia. Kegiatan berlangsung di lantai dua Panti Jompo Lestari. Selain itu, pemeriksaan tekanan darah juga dilakukan setelah penyuluhan, dan berlanjut senam lansia. Kegiatan ini bertujuan untuk meningkatkan pengetahuan lansia tentang pentingnya senam lansia dan melakukan senam lansia dengan baik dan benar minimal seminggu sekali untuk meningkatkan kesehatan dan kebugarannya. Keberhasilan program tersebut dapat dilihat dari terselenggaranya kegiatan senam rutin pada kelompok lansia dan peningkatan kesehatan pada lansia.