bluuebunny/crossref_metadata_2025_split huggingface dataset:
SEBASTIÁN VILLALOBOS, UN KINOK DEL SIGLO XXI
Authors: Monje Abril Daniel Enrique , Serrano Pilar Torres 
Published: May 2023

Resumen: En su declaración de 1926, publicada bajo el título: “Nosotros, variante de un manifiesto,” Dziga Vertov presenta sus ideas sobre el “deber ser” del cine. En medio de coloridas metáforas, Vertov expresa la necesidad de romper con la tradición de usar las artes burguesas como sustratos del nuevo medio. Para él, no es posible hacer buen cine replicando las estructuras del teatro, la música de cámara o la literatura ligera. Para esto, propone la existencia de un nuevo tipo de arte que sólo es posible gracias al moderno concepto de montaje. A este nuevo lenguaje lo llama kino-pravda (cine-verdad). Un lenguaje que existe gracias al arduo trabajo de los kinoks (cineastas revolucionarios) y que se manifiesta en piezas audiovisuales que pretenden develar la realidad. El centro del universo vertoviano es el montaje o kinokismo, la única articulación posible de todas las relaciones humanas. El proyecto kino-pravda fue completado inadvertidamente a principios del siglo XXI por cientos de miles de youtubers. Como parte, en esta investigación hemos modificado el manifiesto original de Vertov para adecuarlo a los tiempos actuales. Palabras clave: Vertov; YouTube; Sebastián Villalobos; kinok; montaje. SEBASTIÁN VILLALOBOS, A KINOK FROM THE TWENTY-FIRST CENTURY Abstract: In his 1926 statement, published under the title: "We, variant [version] of a manifesto," Dziga Vertov presents his ideas on the "must be" of cinema. In the midst of colorful metaphors, Vertov expresses the need to break with the tradition of using the bourgeois arts as substrates of the new medium. For him, it is not possible to make good cinema by replicating the structures of theater, chamber music or light literature. For this, he proposes the existence of a new type of art that is only possible due to the modern concept of assembly. This new language is called kino-pravda (film-truth). A language that exists due to the hard work of the kinoks (revolutionary filmmakers) and that is manifested in audiovisual pieces that pretend to unveil reality. The center of the vertovian universe is the assembly or kinokism, the only possible articulation of all the human relations. The kino-pravda project was inadvertently completed at the beginning of the Twenty-First Century by hundreds of thousands of youtubers. As part of this research, we have modified Vertov's original manifesto to suit current times. Keywords: Vertov; YouTube; Sebastián Villalobos; kinok; film montage.
ESCENARIOS DEL MIEDO EN EL CINE LATINOAMÉRICANO CONTEMPORÁNEO
Authors: Franco Andrea 
Published: May 2023

Resumen: Una tendencia importante del cine latinoamericano contemporáneo está reflejando las consecuencias que tienen para los habitantes de las grandes ciudades, determinadas viviendas de alta seguridad – desde los barrios privados, hasta las torres de apartamentos que crecen hacia arriba para eludir la violencia a pie de calle-. En este contexto, que urbanistas como Mike Davis o Nan Ellin definen como ecología del miedo, cultura del miedo o arquitectura del miedo, surgen films como los brasileños O som ao redor (2012) y Aquarius (2016), ambos de Kleber Mendonça Filho, o los argentinos Una semana solos, de Celina Murga (2007), e Historia del miedo, de Benjamin Naishtat (2014). Estos cineastas ponen de relieve los sentimientos de paranoia, discriminación social, automarginalidad y delincuencia que surgen en el propio seno de comunidades encerradas en sí mismas; formas de vida que amenazan la vida urbana y que en las últimas décadas han llevado a los sociólogos a hablar de “ciudades cautivas”, “arquitectura de burbujas” o “lock living”.Palabras clave: Ecología del miedo; cultura del miedo; arquitectura del miedo; countries; cine latinoamericano. SCENARIOS OF FEAR IN CONTEMPORAY LATIN AMERICAN CINEMA Abstract: An important trend in contemporary Latin American cinema is reflecting on the consequences it has for inhabitants in large cities, certain high security livings spaces and places - from private neighborhoods to apartment towers that grow higher and higher in order to avoid violence at street level. In this context, some urbanists such as Mike Davis or Nan Ellin define this as an ecology of fear, the culture of fear or architecture of fear, thus emerge the Brazilian films O som ao redor (Neighbouring sounds) (2012) and Aquarius (2016), both by Kleber Mendonça Filho, and the Argentine films Una semana solos (A week alone), by Celina Murga (2007), and Historia del miedo (History of fear), by Benjamin Naishtat (2014). These filmmakers highlight the feelings of paranoia, social discrimination, self-marginalization and delinquency that arise in the context of gated communities closing themselves in; and ways of life that favor urban life and which have led sociologists in the past few decades to talk about “captive cities”, “bubble architecture” or “lock living”. Keywords: Ecology of fear; the culture of fear; architecture of fear; countries; Latin American cinema.
ESTRATEGIAS MUSEOGRÁFICAS DE SEDUCCIÓN: UNA MIRADA AL DISEÑO MUSEOGRÁFICO DE LA EXPOSICIÓN PARA CAZAR AL BISONTE DE LA ARTISTA OFELIA SOTO
Authors: Pérez-González Edward 
Published: May 2023

Resumen: Este artículo plantea una mirada a la museografía de la exposición Para cazar al bisonte de Ofelia Soto desde una perspectiva relacional y espacial. Apoyadosen las teorías de E. Hall (2003) se describen las relaciones entre el cuerpo-público-visitante-espectador y los objetos exhibidos, y a partir de una clasificación propuesta por F. Suazo (2004) se establece que la exposición responde al modelo del museo inacabado o experimental. Finalmente, se revisan las estrategias para el despliegue de las obras en el espacio.Palabras clave: Museo inacabado, museo experimental, cuerpo-público-visitante-espectador.SEDUCTION STRATEGIES FOR MUSEUM EXHIBITION DISPLAY: A LOOK AT THE DESIGN OF THE EXHIBITION PARA CAZAR AL BISONTE BY ARTIST OFELIA SOTOAbstract: This article looks at the museography of the exhibition Para cazar al bisonte by the artist Ofelia Soto from a relational and spatial perspective. Based on the theories of E. Hall (2003), the relationships between the body-public-visitor-spectator and the exhibited objects are described, and by using a means of classification proposed by F. Suazo (2004), we establish that the exhibition corresponds with the unfinished or experimental museum model. Finally, the strategies for the display of works in space are reviewed.Keywords: Unfinished museum, experimental museum, body-public-visitor-spectator.
Dossiê VII SPMAV – o exercício da pesquisa enquanto prática de ensino e de aprendizagem.
Authors: Chaves Spieker Larrisa Patron , Motta Gabriela Kremer 
Published: May 2023

Artigo sobre a história do evento: VII edição do SPMAV – Seminário de Pesquisa do Mestrado em Artes Visuais da Universidade Federal realizado anualmente no Centro de Artes da Universidade de Pelotas, Pelotas, RS, Brasil. Abstract: Article about the history of the event: VII edition of SPMAV - Seminar of Research of the Masters in Visual Arts of the Federal University held annually at the Center of Arts of the University of Pelotas, Pelotas, RS, Brazil.
Um cego guiando outros cegos
Authors: Veras Eduardo 
Published: May 2023

O artigo registra uma experiência de sala de aula. Relata episódio em que foi preciso adaptar uma disciplina acadêmica de História da Arte, tradicionalmente conduzida a partir da projeção de imagens, para incluir, em um grupo de quase 60 estudantes de Comunicação Social, dois alunos com restrições visuais severas (um deles nascido cego). A estratégia proposta tomou como referência o pensamento e o processo criativo do fotógrafo cego Evgen Bavcar, esloveno radicado na França, que se vale das descrições feitas por outras pessoas para a construção de suas imagens. Un aveugle conduisant d'autres aveuglesRésumé: L’article enregistre une expérience de classe. Il relate un épisode dans lequel il a été nécessaire d’adapter une discipline académique de l’histoire de l’art, traditionnellement menée à partir de la projection d’images, pour inclure, dans un groupe de près de 60 étudiants en communication sociale, deux éléves présentant des restrictions visuelles sévères (un des deux, né aveugle). La stratégie proposée a pris comme référence le processus de réflexion et de création du photographe aveugle Evgen Bavcar, de nationalité slovène basée en France, qui se utilise des descriptions faites par d’autres personnes pour la construction de ses images.
Criação poética e utopia no campo do Ensino de Artes Visuais
Authors: Hofstaetter Andrea 
Published: May 2023

Este artigo apresenta uma trajetória de pesquisa, articulada ao ensino e à extensão, tendo como tema a concepção e produção de objetos propositores de aprendizagem para o Ensino de Artes Visuais na Educação Básica. São abordados alguns conceitos presentes no trabalho, como material didático, objeto propositor e objetos de aprendizagem poéticos e apresentados alguns referenciais artísticos. É intenção dessa investigação aproximar a produção de materiais didáticos de proposições artísticas, entendendo-se a atuação docente como ato poético. É abordado também o conceito de utopia, como marco de referência para a atuação poética docente. Poetic creation and utopia in the field of Visual Arts teaching Abstract: This article presents the path of research developed for teaching and extension, its subject being the conception and production of propositional learning objects for teaching the Visual Arts in primary education. Some of the concepts in this work are discussed, such as didactic materials, proposer objects and poetic objects for learning, and we also present some referential artists. The intention of this investigation is to draw courseware production closer to the creation of art propositions, understanding the teacher’s educational action as a poetic act. The paper also addresses the subject of utopia, as a benchmark for the teacher’s educational action.
A performance como arte de resistência: leituras a partir de Esther Ferrer
Authors: Tosta Cíntia 
Published: May 2023

Definir a performance como arte de resistência nos convida a analisar o trabalho da artista Esther Ferrer realizado durante o período durante o franquismo na Espanha e junto ao grupo de artistas ZAJ, assim como depois da queda do general Franco nos anos 70. A partir desta análise começaremos explorando as definições do termo performance sobretudo enquanto arte contendo uma estética de resistência. Com relação às performances de Esther Ferrer, também analisamos a questão da performance como arte que ultrapassa fronteiras e que seria influenciada pela pedagogia proposta pelos Freinet, ou seja, a da escola interativa tendo como motor a idéia de “expressão livre" para as crianças. Performance as an art of resistance: readings from Esther Ferrer Abstract: To define performance art as an art of resistance invites us to analyze Esther Ferrer's performance during the period of Francoism in Spain and together with the ZAJ artists’ group, as well as after the fall of general Franco in the seventies. Starting with this analysis, we will begin exploring the definitions of the terms performance and resistance. Esther Ferrer’s performances invite us to analyze performance as an art that crosses borders and which was influenced by Freinet’s pedagogy about interactive schooling and its driving idea of “free expression" for children.
Aberturas à conversação: dois exercícios de aula na licenciatura, a formação docente em artes visuais e a arte na escola
Authors: Capra Carmen Lúcia 
Published: May 2023

O texto parte do relato sobre um exercício com alunos de alistar as imagens marcantes de suas vidas e formação, realizado na aula de arte contemporânea, no momento pulsante da eleição presidencial iminente, e elaborado com o intuito de envolver os alunos, prestes a formarem no curso de Licenciatura em Artes Visuais da Universidade Estadual do Rio Grande do Sul-UERGS, em conversas abertas. Ao encontrar as próprias referências e história com as imagens dos alunos, o texto toca na potência e transformação que um curso de licenciatura deveria fazer, considerando os efeitos das políticas da arte na licenciatura em artes visuais e uma dimensão política da formação docente. Opening up the conversation: two class exercises in the licentiate course, teacher training in visual arts and art in the schoolAbstract:The text begins with an account of an exercise carried out in contemporary art class, in which each student made a list of the images that most affected their lives and education, an activity created with the intention to open up conversations with students who were about to graduate in the Licentiate Teaching Course in Visual Art at the State University of Rio Grande do Sul(UERGS), at a very pulsating and controversial moment, just before the 2018 presidential election in Brazil. In finding their own references and history through talking about the students' images, the text touches on the potential and transformation that a licentiate teaching course should achieve and considers the effects of art policies on a licentiate course in visual art and the political dimension of teacher training.
O Rio com Nossos Peixes, Devolvam
Authors: Machado Leandro 
Published: May 2023

Leandro Machado apresenta um ensaio visual que é, ao mesmo tempo, prosa poética: dois movimentos, um visual e o outro verbal, mas nenhum meramente acompanha o outro, como música de fundo. O artista fala dos rios, dos sons e cheiros, das flores, dos terrores, dos tambores. É um canto lírico das sensações brasis sem fronteira entre os países ou entre as palavras que inventa. Pontos de vista da cidade no encontro com a praia, a paisagem, o vento e o peso; por trás do véu da beleza, esconde o racismo.Palavras-chave: Ensaio visual; prosa; fotografia; paisagem; racismo. The River with Our Fish, Give them backLeandro Machado presents a visual essay that is also poetic prose: two movements, one visual and the other verbal, but neither merely accompanies the other, as would background music. The artist speaks of rivers, sounds and smells, flowers, terrors, drums. It is a lyrical song of Brazilian sensations without a border between countries nor between the words he invents. Views of the city encounter the beach, the landscape, the wind and the weight; for behind the veil of beauty, hides racism.Keywords: Visual essay; prose; photography; landscape; racism.
O contador de Ovelhas
Authors: Barbachan André 
Published: May 2023

O ensaio visual do artista André Barbachan atravessa do campo visual para o sonoro. Em O contador de ovelhas, o artista relata uma história sobre som e texto em tons claros e escuros que recorda a fisicalidade de um objeto escultórico por meio de sua função interativa.Palavras-chave: Ensaio visual; objeto sonoro; interação. Sheep Counter Abstract: The visual essay by artist André Barbachan crosses the field of the visual into the space of sounds. In Sheep Counter, the artista tells a tale about sound and texts em light and dark shades that recalls the physicality of a sculptural object through its interactive function.Keywords: Visual essay; sonorous object; interação.
1º Festival Internacional de Videoarte SPMAV
Authors: Tavares Sousa Ana Carolina 
Published: May 2023

[RESENHA FESTIVAL] O 1º Festival Internacional de Videoarte SPMAV trata-se de uma mostra itinerante vinculada ao VIII Seminário de Pesquisa do Mestrado em Artes Visuais - SPMAV - Arte Contemporânea: Entre Linguagens de Afeto e Sensibilidades no Cotidiano, ambos os eventos promovidos pelo Programa de Pós-graduação Mestrado em Artes Visuais da Universidade Federal de Pelotas/ UFPel, Pelotas, RS, Brasil.Palavras-chave: Festival; videoarte; audiovisual; SPMAV. 1st SPMAV International Video Art FestivalAbstract: [FESTIVAL REVIEW] The 1st SPMAV International Video Art Festival is na itinerant exhibition linked to the VIII Research Seminar of the Master in Visual Arts - SPMAV - Contemporary Art - Between Affect Languages and Daily Sensitivities, both events promoted by the Post-Graduate Program. Undergraduate Master in Visual Arts at the Federal University of Pelotas/UFPel, Pelotas, RS, Brazil.Keywords: Festival; video art; audiovisual; SPMAV.
Patient Identification in the Hemodialysis Unit Using the Plan-Do-Study-Act Approach
Authors: Saskito Dinda Iryawati Bedy , Siregar Kemal N. , Fachri Muhammad , Handayani STR Tri , Hartono Budi 
Published: May 2023

This study determines the cause and solutions of the patient identification achievement that is not yet 100%, as the base to improve the patient identification system in the HD unit of GPI Hospital. Qualitative research using the Plan-Do-Study-Act (PDSA) approach involving triangulation of data collection, namely observation, documentation, and interviews with the PDSA NHS Improvement instrument. Informants were selected by snowball sampling. The PDSA results indicated that the problem cause was the HD team's lack of understanding of patient identification. This problem can be overcome by socialization and simulation of patient identification: a standard operating procedure for patient identification, implementation of patient identification, patient identification incident reporting flow, and money for patient identification. The problem of identifying patients in the HD unit can be resolved using the PDSA cycle that has been performed. Modifications are required for the next PDSA cycle, consisting of 1) regular socialization and simulation of patient identification; 2) SOP of patient identification in HD unit; 3) implementation of the identification process by involving the patient; 4) reporting and building awareness of realizing a patient safety culture if an incident occurs, and 5) reporting on the achievement of monev data and recommendations for improvement efforts.
Analisis Bibliometrik: Upaya Pemberdayaan Masyarakat di Indonesia
Authors: Rahman Hardiyanto 
Published: May 2023

Abstrak: Program dan Kegiatan Pemberdayaan Masyarakat merupakan bentuk keberpihakan pemerintah terhadap rakyatnya. Berbagai program maupun kebijakan strategis dari Pemerintah Indonesia telah banyak dilakukan sebagai upaya peningkatan kesejahteraan masyaakat melalui pemberdayaan masyarakat. Namun faktanya bahwa pemberdayaan masyarakat di Indonesia masih mendapatkan banyak hambatan-hambatan dalam upaya mencapai target yang akan dicapai. Metode Penelitian yang digunakan dalam kajian ini dengan literature review melalui analisis bibliometrik dengan sumber data pada database scopus yang di ekspor dalam bentuk csv dan dibantu dengan aplikasi vosviewer untuk memvisualisasikan gambaran yang akan ditampilkan. Adapun tujuan dari penelitian adalah untuk melihat trend publikasi dan sitasi co authorship penulis dan negara asal penulis dan juga perkembangan publikasi penelitian pemberdayaan masyarakat di Indonesia. Dari hasil kajian yang dilakukan didapatkan bahwa tahun 2021 merupakan tahun yang paling banyak dilakukan publikasi yaitu 21 artikel dengan sitasi terbanyak pada tahun 2016. Untuk Co-authorship penulis, terdapat 328 Penulis dan tersebar dalam 79 kluster dengan jumlah penulisa terbanyak yaitu 17 orang. Serta perkembangan publikasi yang masih jarang dilakukan yaitu community engagement, good governance, management, development, local community, immunization sehingga diharapkan kedepannya dapat dilakukan penelitian berkaitan kata kunci tersebut. Abstract: Community Empowerment Programs and Activities are a government alignment with its people. Indonesia's government has implemented many strategic programs and policies to improve people's welfare through community empowerment. However, community empowerment in Indonesia still faces obstacles to achieving targets, especially during the COVID-19 pandemic. Therefore, the researcher is interested in conducting a study using bibliometric analysis by capturing articles in the Scopus database, exported in CSV form and assisted by the Vosviewer application to visualize the picture displayed. The research examines the author's publication trend, co-authorship citation, country of origin, and the development of community empowerment research publications in Indonesia. From the results, 2021 was the year with the most publications, 21 articles and the most citations in 2016. For co-authorship authors, there were 328 authors spread across 79 clusters, with the highest number of authors, which was 17, as well as the development of publications that were still rarely carried out, including community engagement, good governance, management, development, local community, and immunization.
O IMPACTO DA PANDEMIA NO RASTREIO E NO DIAGNÓSTICO DE CÂNCER DE MAMA NO BRASIL
Authors: Santana Mendes João Vítor , Ferreira Gomide Gabriela , Ceolin de Jesus Laura , Scheeren Xavier Maria Eduarda , Hilário Pinter Paulo Otávio , Perdoná da Silveira Maria Heloísa , Zanette Naspolini Maria Laura , Brasil de Freitas Taynara 
Published: May 2023

RESUMO:
A pandemia levou à necessidade de isolamento social e adaptação dos serviços de saúde, o que acarretou no atraso na realização de exames de rastreios importantes na saúde da população. Para pacientes com lesões pré-malignas ou malignas em estágios iniciais, este atraso compromete significativamente o prognóstico. O objetivo é quantificar o impacto da pandemia sobre o número de mamografias durante 2020. É um estudo observacional descritivo com coleta de dados secundária proveniente do DATASUS referentes ao número de mamografias realizadas em pacientes alvo de rastreio em 2019 e 2020, e referente ao número de diagnóstico de Câncer de Mama no mesmo período. Em 2019, 1.966.565 mamografias foram realizadas no Brasil em mulheres, com queda de 39,37% no número de mamografias realizadas em 2020 (1.192.274 no total). O número de diagnósticos de neoplasias mamárias também diminuiu de forma preocupante de 25.510 para 23.144 em 2020. Em virtude do isolamento social instaurado como forma de diminuir as chances de contágio pelo vírus, a pandemia impactou de forma negativa o rastreamento e o diagnóstico de câncer de mama no país.
PALAVRAS CHAVES: mamografia, neoplasia, prevenção, mama, COVID-19.