bluuebunny/crossref_metadata_2025_split huggingface dataset:
Прямоефірна інформаційна війна та російсько-українська війна 2022-го на медійному плацдармі
Authors: Синчак Богдан 
Published: December 2022

Актуальність дослідження забезпечується нагальним суспільним резонансом довкола російсько-української війни 2022, що розгорнулася на медійному плацдармі до початку повномасштабного російського вторгнення в Україну. Про цю проблематику тоді регулярно публікували матеріали всі українські популярні видання, та безліч закордонних. Такий ажіотаж довкола російсько-українського військового загострення привертає увагу дослідників інформаційних війн. Відштовхуючись від потенціалу та розвитку сучасних масмедіа в дослідженні це протистояння ідентифіковано як перша війна «в прямому ефірі». Особливість саме цієї інформаційної війни полягає в тому, що в ній одразу беруть участь представники низки країн. З одного боку Україна, США, Велика Британія, ЄС, НАТО та інші небайдужі союзники, з іншого росія та опосередковано Білорусь. Основною науковою проблематикою в контексті дослідження цієї інформаційної війни є прямоефірний режим її функціонування та його особливості. У процесі дослідження визначено конфронтаційні елементи інформаційної війни на фоні російсько-української військової кризи 2022, ідентифіковано фактичні ознаки реалізації росією «4D»-стратегії та «4F»-формули в інформаційній війні проти України. Дослідження особливостей перебігу першої війни «в прямому ефірі» є інструментом для оцінки специфіки деструктивного впливу на суспільну свідомість.
Мета дослідження полягає у визначенні специфіки довоєнної (до повномасштабного вторгнення) російсько-української військової кризи на медійному плацдармі. У процесі роботи використано методи порівняння та синтезу. Перший застосовується в розрізі паралелей між «Холодною війною» та сучасним інформаційним протистоянням, а також під час характеристики конфронтаційних елементів її функціонування. Методом синтезу виділено фактичні ознаки реалізації росією потужних медійних інструментів гібридної війни.
Результати дослідження кремлівської пропагадистської інформаційної стратегії реалізованої до повномаштабного вторгнення в Україну, в порівнянні із даними інших суміжних досліджень наступних періодів російсько-української інформаційної війни, можуть слугувати орієнтирами для дослідників щодо кращого розуміння особливостей поширення російського деструктивного інформаційного впливу.
Analisis Elemen Dramatis Game Petualangan Sebagai Media Penyadartahuan Terhadap Satwa
Authors: Ginting Silviana , Irfansyah Irfansyah 
Published: December 2022

Game petualangan adalah salah satu genre game populer yang memungkinkan pemain bersimulasi menjadi karakter tertentu yang dipandu melalui cerita diikuti dengan eksplorasi dan pemecahan teka-teki sebagai gameplay utamanya. Selain menyenangkan, menghibur dan menarik, game juga mampu menyampaikan konten serius seperti memberikan pembelajaran tertentu atau meningkatkan kesadaran pada fenomena sosial, termasuk edukasi dan kesadaran tentang keberadaan satwa. Penelitian ini bertujuan untuk mengidentifikasi potensi game petualangan sebagai media penyadartahuan terhadap isu perlindungan dan pelestarian satwa melalui penggunaan elemen dramatis dalam fitur game petualangan. Terdapat dua game bertema satwa yang dipelajari dalam penelitian ini: Rhino Raid dan A Street Cat's Tale. Dalam penelitian ini dilakukan analisis kedua game secara komparatif dalam bentuk kualitatif deskriptif yang dibedah dengan teori elemen dramatis pada metode Playcentric Approach. Hasil penelitian dan temuan diharapkan dapat digunakan sebagai dasar untuk mengembangkan game sejenis yang dimanfaatkan sebagai media edukasi dan kesadaran terhadap satwa khususnya satwa langka Indonesia.
Kata Kunci: game petualangan; penyadartahuan; satwa; elemen dramatis; playcentric.
Characters Visual Concept For A Fine Dining Projection Mapping Titled “Si Dulang”
Authors: Lukmanto Christine Mersiana 
Published: December 2022

The internet and social media have established the world of fine dining and animation. There is an increase of competition in the business since people care more than just how the food taste or how the food is being displayed but also how they are presented to the table. One aspirating aspect on the presentation is by utilizing projection mapping in presenting an animated film that provide knowledge, information and entertainment to the customers that were measured to the themes, ideas and concepts of typical Indonesian food. This cutting-edge digital art in the form of a hybrid animation is believed to help both fine dining and animation industry to broaden the areas. This research purpose is to create characters’ visual concept for ‘“Si Dulang”’. There are two characters that will be discussed in this journal which are Dulang the adventurer kid and Barong the mythology creature. In order to visualize the characters, the researchers have to understand the mythology figures in Bali and thus literature studies and observations of various projection mappings will be used as research methods. The outputs of this research are prototype of animated film, intellectual property right of character figures and art book.
Keywords: projection; mapping; character; visual concept; hybrid animation.
Choreographic Culture of Ukraine in Scientific Research in 2017–2021: Analysis of Main Directions
Authors: Karpenko Diana 
Published: December 2022

The purpose of the article is to analyse a number of dissertation studies that have actualised the cultural problems of the Ukrainian choreographic culture development. The research methodology is based on the use of scientific research methods, such as analysis, synthesis, and generalisation. The possibilities of a personalised approach to the study of choreographic culture are emphasised, thanks to which the theoretical aspects and practical experience of Ukrainian scientists are outlined. The scientific novelty of the work consists in the systematisation of scientific research conducted in recent years in the field of choreographic culture of Ukraine. Conclusions. The topics of dissertation research in recent years have revealed noticeable trends in the study of theoretical issues and practices, namely the formation and development of Ukrainian choreographic culture of the 20th-21st centuries, folk choreographic art as a carrier of ethno-cultural identity (I. Klymchuk), transformational processes of Ukrainian folk choreography (V. Lytvynenko), and the phenomenon of virtuosity in Ukrainian folk-stage dance (A. Morozov). Significant are the studies that focus on the regional and stylistic features of the folk choreographic culture of Ukraine (V. Hordeev, O. Kvetsko, I. Mostova, A. Pidlypskyi, A. Tymchula, L. Shchur). A noticeable segment in modern scientific research belongs to the problems of ballet art, which organically combines folk and classical dance, having a practical reflection in performances of national themes, the use of national artistic images, as well as consideration of the creative activity of ballet masters and ballet dancers of Ukraine.
Key words: culture, Ukrainian choreographic culture, folk choreographic art, ballet art, folk stage dance, classical dance.
Performance as Means of Creating Art Object in Creativity of Contemporary Ukrainian Artists
Authors: Chumachenko Olena 
Published: December 2022

The purpose of the article is to consider performance as a means of creating an art object in the creativity of contemporary Ukrainian artists. The research methodology. An analytical method is used to collect and study theoretical material about the "Birth of Birth" artistic action, which opens the unique "Cosmogony" project, the exhibitions "Artarmor", "Shards of the Sun", art objects – "River-Love ", "The World through Rose-Coloured Glasses", "Friend", "Equilibrium", "Ladder", "Movement of Suprematism", "Wind Rose", "Confrontation opposite Bessarabka", and others. A hermeneutic method is applied to interpret the principle of performance as a means of creating art objects in the work of modern Ukrainian artists, while a theoretical method is used to summarise the results. The scientific novelty of the paper is that for the first time the principle of performance is studied as a means of creating art object in the creativity of contemporary Ukrainian artists. Conclusions. The article examines performance as a means of creating art objects in the context of the work of modern Ukrainian artists, using the example of the works of A. Logov ("Sun Fragments" project), P. Antyp ("Cosmogony" project), P. Bevz, Yu. Vakulenko, N. Bilyk ("Artarmor" project), D. Iva ("Bronze Ant"), V. Padun and L. Padun ("The World Through Pink-Coloured Glasses"), O. Lidahovskyi ("River Love", "Equilibrium", "Ladder "), O. Zolotariova ("The Movement of Suprematism", "Wind Rose", "Confrontation opposite Bessarabka"), O. Hodunov ("Friend"), mural "The Call of the Family", created by Ya. Vlasenko-Bernatska and Yu. Abramova. The art object, having its own artistic and functional features, in the work of modern Ukrainian artists acts not only as a new art form, but a means of communication that combines a mixture of different materials, methods, painting can be combined with graphics, sculpture with installation, performance may be accompanied by a video sequence. In the context of modern socio-cultural reality, an art object is a response to the surrounding events, it is a challenge and a reflection at the same time. Invoking the principle of performance, which has elements of visualisation, spectacle, play, mass, Ukrainian artists emphasise the creation of art objects that, in the modern cultural situation, reflect their vision of modern reality. The main feature of the art object is the absence of a canon or any rules in the process of its creation, a sculpture of an unusual shape can be combined with paper and wood. The main thing is the idea that the artist conveys to the recipient
Preservation of Folk Choreographic Culture of Western Podillia (Case Study of «Vesnianka» Dance Ensemble of Ternopil Volodymyr Hnatiuk National Pedagogical University)
Authors: Shchur Liudmyla 
Published: December 2022

The purpose of the article. The article proposes and highlights the method of scientific and performing reconstruction as a condition for the preservation of traditional dances of the Western Podillia region and their secondary reproduction in the productions of the «Vesnyanka» dance ensemble of the Ternopil V. Hnatyuk National Pedagogical University. Research methodology. In the process of research, we used a number of theoretical and empirical methods: review-analytical, historical-sociological, expeditionary-field, ethno-pedagogical, modeling and graphic recording methods, which are based on the principles of dialectical development, objectivity, and historicism, aimed at comprehensive coverage of events and phenomena that occurred during the development of the folk choreographic culture of Western Podillia. Scientific novelty. The method of scientific and performing reconstruction of traditional dances and their secondary reproduction is proposed and substantiated. A new form of scientific and creative activity is presented to solve the problem of preserving the regional dance tradition (the ensemble-laboratory of ethnochoreography of Western Podillia). Conclusions. The scheme of scientific and performing reconstruction of the folk choreographic culture of Western Podillia, developed by us, includes a number of key tasks and our own scientific developments, which serve as a kind of step-by-step instruction and auxiliary methodical material in the work on reconstruction and preservation of traditional dances of the specified region. Creation and activity of the ensemble-laboratory of ethnochoreography of Western Podillia on the basis of the «Vesnianka» dance ensemble is an effective means of attracting young people to research work, which contributes to the transmission of dance traditions to new generations.
Key words: folk choreographic culture, traditional dance, dance ensemble, scientific and performance reconstruction, Western Podillia
Syncretism of Song-Aria-Hymn in Solo Numbers of K. Orff's Primitivist Thinking
Authors: Song Rui Shan 
Published: December 2022

The purpose of this article is to determine the genre components of solo fragments of K. Orff's singing based on the material of the arch-popular numbers from "Carmina Burana" cantata and «Die Kluge» («Intelligent woman») opera, intended for soprano, which, based on the timbral-register and texture-range indicators of singing, we specify in the features of the lyric. The methodological basis of the research is the intonation approach in the traditions of the school of B. Asafiev in Ukraine, as presented in O. Markova’s and O. Muravska’s works, Liu Bingqiang, Wang Minjie in China, in which a comparative stylistic and hermeneutic-content analysis of the expressiveness of vocal acquisition constitute the dominant factor of research methods. The scientific novelty of the work is determined by the original perspective of the study of the genre section of K. Orff's works, as well as by the identification of the timbre and role of the lyric soprano in the analysed vocal formations. Conclusions. The vocal fragments from K. Orff's cantata and opera highlighted in the analysis demonstrate the hymnic and aria basis of the song presented, as the name suggests, in "Carmina Burana" ("Beuron songs"), while the number from the part of the Intelligent Woman from the opera of the same name is based on an aria, but contains signs of both a song (lullaby) and an incantation with hymnal endings. The presence of hidden polyphony in the melody emphasises the ariad background of the expression, in which the tenderness and sobriety correspond to the timbre-function capabilities of the lyric soprano.
Key words: genre syncretism of song-aria-hymn, genre in music, musical style, primitivism in art and music, musical thinking
Hubs as Innovative Element of Sociocultural Space
Authors: Senko Tetiana 
Published: December 2022

The purpose of the article is to studyhubs, their main functions, features, as well as to determine their place and role in the hierarchy of modern socio-cultural space. The research methodology is based on the application of an interdisciplinary approach to the problem and a set of the following methods: analytical, comparative, cultural, and structural-logical. Scientific novelty. The functioning of hubs was comprehensively analysed in the context of the latest trends in the socio-cultural sphere; types of cultural spaces are designed; the concepts of «creative», «youth», «social», «bibliohub» have been analysed. Legal documentation regulating the activities of individual cultural hubs has been reviewed; an analysis of the current state of implementation of hubs in domestic cultural practice has been carried out. Conclusions. As a result of the conducted research, it was established that with the wide use of the term «hub», there is no clear and unambiguous definition of this concept. Based on the opinion of researchers, modern experience can be characterised as a centre where communication and cooperation are concentrated, where various resources are concentrated, education and training occurs, experience is gained, new ideas are accumulated, the implementation of which requires the unification of like-minded people and intellectual development. The activity of innovation centres can be manifested both in real and virtual space. By location, the hub can be created: on the basis of free space; virtual, located online on special servers; combined, with a combination of features of real and virtual hubs. In the socio-cultural sphere, this term means «centre of activity», «event centre», or «meeting ground». Hubs are defined by their structure, set of services, direction of activity, and location. According to the criteria, the following types of hubs are distinguished in the field of culture: creative, youth, library, educational, and social hubs. In global practice, hubs are in demand and popular. As for Ukraine, their spread is only gaining momentum. In general, it can be argued that cultural spaces, hubs, and co-working spaces play an important social function and are centres of development and leisure that become part of people's everyday life. These centres are actively spreading and developing in domestic socio-cultural practice.
Key words: hubs, creative hubs, library hubs, youth hubs, socio-cultural space, co-working spaces.
Panteleimon Kulish’s Scientific and Creative Heritage in Digital Funds of Ukrainian Libraries and Archives
Authors: Grinberg Larysa 
Published: December 2022

The purpose of the study is to examine the activity of libraries and archives as social memory institutions in digitising process of the scientific, creative, and epistolary heritage of the Ukrainian culture outstanding figures, in particular Panteleimon Kulish, who was the most prominent representative of the "new Ukrainian intelligentsia" of the 19th century, which stood at the origins of the Ukrainian cultural regeneration. The research methodology has been based on the information-analytical method, objectivity principle, informational and complex approaches. Scientific novelty. The dissemination of biographical knowledge about P. Kulish in modern biographistical and biobibliographical studies through creating online exhibitions based on digitised information sources about the life and work of P. Kulish is available in scientific practice and posted on the websites of archives and libraries of Ukraine. These include the books published within the writer’s lifetime, publications that have long been considered as bibliographic rarities, copies of the “Osnova” (“The Foundation” journal)) recognised as national cultural property, as well as P. Kulish's correspondence with contemporaries have been impartially explored from the scientific objectivity and Panteleimon Kulish digital personal funds popularisation points of view. Conclusions. Modern perspective directions of Ukrainian libraries and archives practice related to the reproduction of information sources about P. Kulish in digital formats with the help of informational and communicational technologies in online exhibitions enable the implementation of the created integrated information resource into the global humanitarian practice space; as well as the captivation of users wide range and their involvement into the social memory institutions.
Key words: Panteleimon Kulish, P. Kulish’s scientific and creative heritage, P. Kulish’s epistolary heritage, National Archival Fund, Ukraine. digitalisation, Internet.
Mathematical Model of the On-Board Antenna of Reentry Spacecraft Taking into Account Surface Waves
Authors: Mikhailov V. F. , Mazhnik I. V. 
Published: December 2022

Introduction. The onboard antennas of the returned hypersonic aircraft are weakly directional, which is achieved by radiation from the open end of the waveguide. When passing through dense layers of the atmosphere, they are exposed to aerodynamic heating, for protection from which a heat-resistant radio-transparent thermal protection is used. The case of uniform thermal protection of the antenna can be interpreted as the absence of heating or heating uniform in the thickness of the thermal protection.Aim. The problem of obtaining an analytical description of the radiation characteristics of a circular waveguide closed by a flat homogeneous dielectric plate is solved. Since in such a formulation it is necessary to consider the resonant domain, a strict solution of Maxwell's equations is required.Materials and methods. Of the known analytical methods of solution, it is possible to use the method of integral transformations and the method of eigen functions. Both of these methods are used in the work. In this case, the assumption is used that the electrical parameters of the dielectric plate (thermal protection) and the geometric dimensions do not depend on time.Results. The relations describing the directional pattern of a circular waveguide with dielectric thermal protection and taking into account the electrical parameters of thermal protection and its thickness are obtained. Expressions are also obtained for the fields of lateral, surface and outflow waves, from which it is possible to calculate the power output by these fields. Relations for the separation of singular points of integrand expressions into poles corresponding to surface, outflow and lateral waves are obtained. Surface, outflow and lateral waves can have a certain effect on the radiation pattern. To determine this conclusion, analytical relations are obtained for determining the poles of integrand expressions that fully describe surface, outflow and side waves. All the analytical results obtained correspond to Numerical calculations were carried out on some of the obtained ratios.Conclusion. The results showed that the power of the side waves is zero. It also follows from the calculations carried out that there is no radiation field of surface and outgoing waves, i.e. there is no contribution of them to the radiation pattern.
Selecting a Programming Scheme for Memristor Elements
Authors: Bukvarev E. A. , Fomina K. S. , Shchanikov S. A. 
Published: December 2022

Introduction. An array of memristive elements can be used in prospective neural computing systems as a programmable resistance (analog multiplication factor) when performing operations of analog vector multiplication, discrete in time. To form the required resistance, the memristor should be subjected to a programming procedure. This article discusses conventional programming schemes and proposes a new versatile programming scheme for memristor elements.Aim. To identify or develop an optimal programming scheme for memristors by analyzing the advantages and disadvantages of existing methods.Materials and methods. The programming procedure can be carried out using either SET or RESET, depending on a different direction of movement according to the volt-ampere characteristic of the memory and its transfer to a particular state. The programming process is controlled in the LTspice circuit modeling program.Results. Typical programming schemes of memristors were analyzed; advantages and disadvantages of existing methods were revealed. A new versatile circuit based on a variable resistor was proposed. The circuit was simulated both under a fixed resistance of the variable resistor and when varying the memristor resistance values within their permissible range.Conclusion. In comparison with the RESET mode, the SET programming mode provides for a greater linearity of variations in the memristor resistance. The use of a circuit based on a variable resistor and a bipolar voltage source allows programming of any type and eliminates the need for recommutation of the memristor. The simulation results confirm the feasibility of the proposed method. The proposed circuit can be complemented not only with a comparator, but also with an ADC. This will provide the possibility of selecting various means for measuring the memristor resistance both during programming and for the purpose of monitoring the memristor resistance at the end of the procedure.