bluuebunny/crossref_metadata_2025_split huggingface dataset:
Kesatuan Alkitab (Unity): Dimensi Penguatan Iman Bagi Jemaat
Authors: Simanungkalit Lasmaria , Bulan Susanti Embong 
Published: December 2022

Skeptics who have different views on the Bible as well as those who have not lived a new life or acknowledge Jesus as God will always say the Bible is a book of errors and contradictions. Because of the different understandings, a unity of the Bible is needed that recognizes that the Bible is the Word of God. This article aims to display the unity of the Bible as a dimension of faith strengthening for the church of God. The result is that the Bible remains one, from beginning to end, without any contradictions. The research method used is the method of biblical theological analysis and literature that wants to prove that the Unity of the Bible has different characteristics from other books and is a proof of the divine origin of the words of the Bible when God moves people in such a way that they record what they say- Nya.

Kaum skeptik yang mempunyai pandangan yang berbeda mengenai Alkitab serta orang-orang yang belum hidup baru atau mengakui Yesus sebagai Tuhan akan selalu mengatakan Alkitab adalah sebuah buku yang terdapat kesalahan dan pertentangan. Oleh karena berbagai pemahaman yang berbeda maka diperlukan suatu kesatuan Alkitab yang mengakui bahwa Alkitab adalah Firman Tuhan. Artikel ini bertujuan memaparkan kesatuan Alkitab dimana sebagai dimensi penguatan iman bagi jemaat Tuhan. Hasilnya adalah Alkitab tetap merupakan satu kesatuan, dari depan sampai akhir, tanpa ada kontradiksi. Metode penelitian yang digunakan ialah Metode analisa teologi biblika serta literatur yang ingin membuktikan bahwa Kesatuan Alkitab memiliki ciri yang berbeda dari buku-buku lainnya dan merupakan bukti asal usul illahi dari kata-kata Alkitab saat Allah menggerakkan manusia sedemikian rupa sehingga mereka mencatat apa yang dikatakan-Nya.
Artist Nikolai Mamontov in Ukhtpechlag (1936–1940): unknown page of creativity
Authors: И.Г. Девятьярова, 
Published: December 2022

В статье освещается неизвестный ранее период биографии художника Н.А. Мамонтова (1898–1964), связанный с его пребыванием в Ухтинско-Печорском исправительно-трудовом лагере (Ухтпечлаге). Из мемуаров художника М.С. Житницкого стало известно, что Мамонтов после ареста в 1936 году отбывал срок в поселке Чибью (сейчас город Ухта), работал художником в театре и выполнял в художественной мастерской копии портретов вождей и лозунги. При этом в его наследии сохранились живописные произведения и рисунки, не связанные с реалиями лагерного быта. Особое внимание уделено в статье портретным рисункам солагерников из альбома 1937 года. На основании представленных материалов автор приходит к выводу, что художники, которые жили и работали в советской стране, не всегда подчинялись в своем творчестве требованиям существующей идеологии. Даже те, кто, подобно Н.А. Мамонтову, был репрессирован и провел часть жизни в заключении. До конца дней творчество Мамонтова питали образы искусства ушедших эпох и поэзия символистов.
The article highlights a previously unknown period in the biography of the artist N.A. Mamontov (1898–1964), associated with his stay in the Ukhta-Pechora Correctional Labour Camp (Ukhtpechlag). As it became known from the memoirs of the artist M.S. Zhitnitsky, Mamontov, after his arrest in 1936, served time in the village of Chibyu (now the city of Ukhta), worked as an artist in the theatre and made copies of portraits of leaders and slogans in an art workshop. At the same time, paintings and drawings that are not related to the realities of camp life have been preserved in his legacy. Particular attention is paid in the article to portrait drawings of camp inmates from the 1937 album. Based on the materials presented, the author comes to the conclusion that the artists who lived and worked in the Soviet country did not always obey the requirements of the existing ideology in their work. Even those who like N.A. Mamontov were repressed and spent part of his life in prison. Until the end of days, Mamontov's work was nourished by the images of the art of bygone eras and the poetry of the Symbolists.
Graphics by G.S. Pashtov in the collection of the State Art Museum of Altai Krai
Authors: В.И. Крылова, 
Published: December 2022

Статья посвящена анализу графических произведений советского и российского графика, живописца, народного художника РФ, академика Российской академии художеств, профессора Германа Суфадиновича Паштова (род. 1941), хранящихся в собрании Государственного художественного музея Алтайского края. В статье рассмотрены как станковые произведения мастера, так и графические листы из альбома «Дом творчества “Челюскинская”», созданные совместно с художником В.Э. Ковалём. Исследование проведено с целью определить значимость этих произведений в контексте творчества мастера и для коллекции музея.
The article is devoted to the analysis of graphic works by German S. Pashtov, Soviet and Russian graphic artist, painter, People's Artist of the Russian Federation, academician of the Russian Academy of Arts, professor. The research material was graphic works from the collection of the State Art Museum of Altai Krai. The author examines both the easel works by German Pashtov and the graphic sheets from the album “The House of Creativity Chelyuskinskaya”, created together with the artist V.E. Koval. The study aimed to determine the significance of these works in the context of the master's work and the museum's collection.
Main stages of life and creativity Altai artist N.P. Ivanov (1923–1985)
Authors: Е.А. Мушникова, 
Published: December 2022

Статья посвящена художнику Николаю Петровичу Иванову (1923–1985), одному из ведущих в алтайском искусстве 1960–1980-х годов. Живописец получил профессиональное образование, учился в Алма-Атинском театрально-художественном училище им. Н.В. Гоголя на живописно-педагогическом факультете; в Московском государственном художественном институте им. В.И. Сурикова. Его учителями были такие художники-педагоги, как В.Р. Волкова, Д.И. Кузнецова, А.М. Черкасский, Л.П. Леонтьев, К.М. Максимов, В.К. Нечитайло и другие. В статье представлено исследование, где на основе фондовых материалов Государственного художественного музея Алтайского края и документов, хранящихся в Государственном архиве Алтайского края, а также статей о художнике и каталогов восстанавливаются основные этапы жизни и творчества живописца. Впервые вводятся в научный оборот ранее не опубликованные материалы, репродуцируются и рассматриваются ранее не изученные работы Н.П. Иванова.
The article is dedicated to the Altai artist Nikolai Petrovich Ivanov (1923–1985). N.P. Ivanov was one of the leading artists of the Altai art in the 1960s — 1980s. The painter received a professional education, he studied at the Alma-Ata Theatre and Art School named after N.V. Gogolat the Faculty of Painting and Education; at the Moscow State Academic Art Institute named after V.I. Surikov. His teachers were such artists as V.R. Volkova, D.I. Kuznetsova, A.M. Cherkassky, L.P. Leontiev, K.M. Maksimov, V.K. Nechitailo and others. The article presents a study based on materials from the State Art Museum of the Altai Krai and documents stored in the State Archives of the Altai Krai, as well as articles about the artist and catalogues. Thus, it was possible to restore the main stages of the life and work of the painter. For the first time, previously unpublished materials are introduced into scientific circulation as well as unstudied works by N.P. Ivanov.
Architectural and artistic features of the reconstruction projects of the Regional Committee of the All-Union Communist Party of Bolsheviks building in Novosibirsk
Authors: В.В. Паршуков, 
Published: December 2022

В статье представлена история проектирования реконструкции здания обкома ВКП(б) в Новосибирске. Анализируются архитектурно-художественные решения проектов надстройки здания и пристройки к нему. Первоначальное здание для отделов Сибревкома построено по проекту сибирского архитектора А.Д. Крячкова в 1926 г. и выполнено в стилистике рационалистического модерна. Его же проект надстройки здания 1936 г. предложен в стилистике ар-деко с элементами неоклассицизма и с богатым скульптурным оформлением фасадов. В 1945–1949 гг. институтом «Промстройпроект» выполняется проект пристройки здания на ул. Свердлова, авторы которого, архитекторы С.П. Скобликов и В.И. Нуждин, выполняют архитектурное оформление здания в стилистике советского неоклассицизма — государственного архитектурного стиля того времени. В проекте фасад с главным входом со стороны ул. Свердлова оформлен ризалитами с дорическими колоннами, в нишах между которыми размещены скульптуры советских людей, и гербом СССР с флагами на венчающем аттике. Некоторые использованные источники введены в научный оборот впервые.
The article presents the history of designing the reconstruction of the building of the Regional Committee of the All-Union Communist Party of Bolsheviks in Novosibirsk. The object of analysis is the architectural and artistic solutions of the projects of the superstructure of the building and extension to it. The original building for the departments of Sibrevkom was built in 1926 according to the project of the Siberian architect A.D. Kryachkov and made in the style of rationalist modern. He also proposed a project for the superstructure of the building in 1936 in the Art Deco style with neoclassical elements and richly sculpted facades. In 1945–1949 Promstroyproekt Institute completed the project for the extension of a house along Sverdlov Street. Its authors — architects S.P. Skoblikov and V.I. Nuzhdin decided on the architectural design of the building in the style of Soviet neoclassicism — the state architectural style of that time. In the project, the facade with the main entrance from Sverdlov Street is decorated with ledges with Doric columns, in niches between which sculptures of Soviet people are placed, and on the crowning attic the coat of arms of the USSR with flags. Some of the sources used are introduced into scientific circulation for the first time.
Reconciliation, Heritage and Social Inclusion in the Middle East and North Africa, edited by Iyad Muhsen AlDajani, and Martin Leiner. Springer, Cham. 2022. XXV, 481 pp. https://doi.org/10.1007/978-3-031-08713-4.
Authors: Petrosyan Vahram 
Published: December 2022

The idea of ​​reconciliation, heritage and social inclusion in the Middle East and North Africa has been in the spotlight for many decades, as both regions constantly present such dramatic changes that reverberate around the world. In both regions, the geopolitical interests of world and regional powers are closely intertwined, and energy reserves allow you to influence the level of prices for them. In fact, all this becomes the reason for the acute manifestation of religious conflicts, the politicization of religion and tradition, thereby creating a turbulent environment for many actors. It is also worth mentioning the unresolved issues of nation-building and nation-states, the diversity of the ethnic and religious composition of the population in many places, the uneven distribution of income in societies, the level of militarization, and much more, to present the complexity and anxiety of the overall picture.
The results of the chain of revolutions that took place in these regions did not solve almost any of the urgent problems in any of the countries and at the same time caused a systemic earthquake, a series of coups, civil wars, interventions, as well as unrelenting confrontation in society, leading to rampant terror and repression. Based on a comprehensive theoretical study of the phenomenon of reconciliation, heritage and social integration, this collection of articles presents a deep analysis of events in the Middle East and North Africa, summarizes the results of the previous development of this region, and reveals the causes of social and political failures. The main conclusions of the articles lead the reader to the conclusion that turbulence in both regions is the beginning of a new process that has embraced the reconfiguration of the modern world-system.
This book contains many interesting facts, generalizations and points of view. Therefore, it will be interesting and useful not only for social scientists, but also for everyone interested in the problems of systemic transformations in the Middle East and North Africa.
Theoretical and practical basics of UAV application in the sugar beet seed production
Authors: Prysiazhniuk O. I. , Cherniak M. O. , Kostyna T. P. , Balahura O. V. 
Published: December 2022

Purpose. To establish the theoretical and practical ground for the application of UAVs in the production of sugar beet seeds in the Right Bank Forest Steppe of Ukraine.
Methods. A field experiment was conducted on the Shevchenkivske Experimental Farm of the Institute of Bioenergy Crops and Sugar Beet NAAS (Denykhivka, Bila Tserkva district, Kyiv region) in 2021–2022.
Results. The high efficiency of additional pollination of the seed plants of the sugar beet hybrid ‘Shevchenkivskyi’ with the use of DJI Agras T20 drone was proved. During the movement of the drone along a given trajectory over the seed plants of sugar beets, the vertical air currents created by the propellers shake off the pollen of flower-bearing shoots, capture it and transfer it from one plant to another. Thus, along with open (natural) pollination, additional pollination of the seed plants is occured. Additional pollination was performed in the period of mass flowering of seeds in the morning hours (from 9 to 11) − a time when a large amount of pollen is released. The high performance of the DJI Agras T20 drone allows for performing additional pollination many times, which significantly increases its efficiency. On average, over two years, double additional pollination (performed at the beginning of flowering and in the stage of mass flowering of the seed plants) ensured a 0.40 t/ha seed yield increase and a 9% seed germination increase compared to the conventional seed production practice.
Conclusions. The effectiveness of setting sugar beet seeds and, consequently, seed yield largely depends on the pollen-forming ability of the seed plants and the fullness of the pollination. Therefore, in the cultivation of hybrid seeds, it is necessary to carry out additional pollination, which increases the number of pollen grains in the pollen cloud above the field as follows: 2.12 times in the 1st row (distance 1.4 m), 1.97 times in the 4th row (3.5 m), and 1.64 times in the 8th row, compared to the control. It was found that from a biological perspective, the most favourable period for single additional pollination is the period when 40–50% of the seed plants are open, compared to 20–30% and 60–70%. At the same time, the highest increase in seed yield and quality was ensured with three additional pollinations: the first when 20–30% of flowers are opened, the second when 40–50% and the third when 60–70%. Therefore, the use of the DJI Agras T20 drone for additional pollination of the seed plants of sugar beet hybrid 'Shevchenkivskyi' appeared an effective agrotechnical practice for increasing seed yield and quality.
Konstruksi Prinsip Kebebasan Beragama dan Diskursusnya di Indonesia dalam Perspektif Sejarah Walter Benjamin
Authors: Camnahas Antonio , Nahak Servinus Haryanto , Sihombing Adison Adrianus 
Published: December 2022

Kebebasan beragama merupakan satu isu sentral dewasa ini. Terminologi ini secara konseptual jelas, namun secara faktual, masih jauh dari harapan. Penulis memakai konsep sejarah Walter Benjamin sebagai pisau analisis. Refleksi filosofis Benjamin menandaskan pentingnya kemampuan belajar dari sejarah kelam masa lalu sebagai cahaya yang menuntun para pelaku sejarah masa kini. Tulisan ini bertujuan untuk menunjukkan momentum-momentum historis perkembangan prinsip kebebasan beragama. Pengalaman historis umat Kristen berkaitan dengan kebebasan beragama akan menjadi sumbangan unik tulisan ini. Tujuan lain adalah untuk meneliti proses penerimaan konsep ini menjadi salah satu Hak Asasi Manusia dan diskursus tentangnya di Indonesia. Studi ini merupakan penelitian kepustakaan dengan desain metode kualitatif. Hasil penelitian ini menunjukkan bahwa baik dokumen Deklarasi Universal Hak Asasi Manusia maupun Undang-undang Dasar 1945 yang menjamin kebebasan beragama dan berkeyakinan merupakan buah dari refleksi kritis terhadap konteks sejarah kelam masa silam. Sayangnya, beberapa aturan hukum di Indonesia masih terkesan melanggengkan intoleransi. Hal ini terjadi sebagai dampak dari praktik indoktrinasi yang kurang sehat. Semestinya kerukunan-toleransi bukan sesuatu yang dipaksakan oleh negara melainkan diupayakan bersama di antara para penganut berbagai agama, dalam satu kerja sama yang positif dengan negara.
Kata-kata Kunci: Eropa, Indonesia, kebebasan beragama, Kristen, Pancasila

Religious freedom is a central issue today. The idea is much clearer conceptually, but its implementation is still far from expectations. The author adopts the historical concept of Walter Benjamin as an analytical tool. Benjamin's philosophical reflection emphasizes the importance of learning from the history of the past as a light that guides the perpetrators of today's history. This paper aims at describing the historical momentum of the principle of religious freedom, and examining the process of acceptation of this concept as one of Human Rights and its discourse in Indonesia. The historical experience of Christians in relation to religious freedom will be a unique contribution to this paper. This study is a library research with a qualitative method design. The results of this study indicate that both the Universal Declaration of Human Rights and the 1945 Constitution which guarantee religious freedom are the fruit of critical reflection on the historical context of the past. Unfortunately, several laws in Indonesia still seem to perpetuate intolerance. This happens as a result of unhealthy indoctrination practices. Harmony-tolerance should not be imposed by the state, but should be pursued jointly among adherents of various religions, in a positive partnership with the state.
Keywords: Christians, Europe, Indonesia, Pancasila, religious freedom
Sustainability of Interreligious Dialogue in Indonesia under the Phenomenon of Intolerance by Islamic Populists
Authors: Netanyahu Kurniawan , Susanto Deri 
Published: December 2022

From 2016 to 2019, mass protests were organized by the "Islamic Defense Action 212" in Jakarta. Protests carried out by Islamic populists and the widespread use of identity politics have sparked an escalating wave of intolerance that has led to fractures in inter-religious relations in Indonesia. The phenomenon of intolerance described above is one of the main cases that researchers will analyze by tracing its impact on the continuity of inter-religious dialogue in Indonesia. This research was conducted using a descriptive qualitative analysis approach. This research found that there is a threat to inter-religious dialogue, namely the impact of increased intolerance, which has contributed to increasing the attitude of exclusivity from several Muslim groups in Indonesia toward non-Muslim religious communities. If the Islamic populist actions that occurred in 2019 were repeated in the next few years, especially before the political year, it would undermine the order of peace among religious communities in Indonesia, and dialogue between religions would be difficult to implement.
Keywords: Islamic populists, identity politics, religious intolerance, harmony, interreligious dialogue
Fragmentasi ke Konvergensi: Asatiz Selebriti dalam Bingkai Gerakan Dakwah Barisan Bangun Negeri
Authors: Richtig Iqomah , Maulana Ilham 
Published: December 2022

Lebih dari satu dekade terakhir, Islam Indonesia telah menyaksikan menjamurnya gerakan dakwah melalui media sosial. Sebagian besar gerakan dakwah tersebut didirikan oleh 'Ustaz Selebriti', sebuah istilah yang merujuk pada ustaz yang populer di media baru. Belakangan ini, beberapa di antara mereka menunjukkan kecenderungannya pada Aksi Bela Islam (ABI) yang identik dengan identitas politik. Hal itu mencoreng citra Islam di mata publik sekaligus membuat otoritas keagamaan menjadi terfragmentasi. Peristiwa ini mendorong para ustaz selebritis, yang memiliki jumlah jemaah yang besar, mendirikan gerakan dakwah dengan nama "Barisan Bangun Negeri" yang berfokus pada isu-isu sosial, lingkungan dan kemanusiaan serta dirancang untuk memulihkan citra Islam. BBN menjadi bentuk konvergensi atau pemusatan umat sebagai respon atas terpecahnya umat Islam sebelumnya. Urgensi yang dibawa dalam gerakan dakwah ini tentu saja identitas, tepatnya identitas keislaman. Ada kebutuhan bagi para ustaz selebriti untuk membela identitas Islam mereka. Tulisan ini berusaha mengkaji sejauh apa gerakan dakwah BBN berhasil menyatukan umat muslim. Melalui metode netnografi dan wawancara, kami berpendapat bahwa BBN berusaha menampilkan citra Islam sebagai ‘Islam Rahmatan lil Alamin’ melalui implementasi ide-ide syariah. Selain itu, BBN juga mengajak para pengikut ustaz selebritas dalam gerakan dakwah mereka untuk menyukseskan program-program tersebut.
Kata Kunci: fragmentasi, konvergensi, Barisan Bangun Negeri, dakwah bil hal, ustaz selebriti

Over the last decade, Indonesia Islam has witnessed the mushrooming of da’wah movement through social media. Mostly, those da’wah movement are founded by ‘Celebrity Ustaz’, a term refers to ustaz who are popular within new media. Recently, a few of them have shown their tendencies to Aksi Bela Islam or ABI (Defending Islam Movement) which identically to politic identity. It was defaced image of Islam towards the public as well as fragmented the religious authority. This event was encouraged those celebrity ustaz to established a da'wah movement namely "Barisan Bangun Negeri" which focusing on social, environmental and humanitarian issues as well as designed to recover the image of Islam. BBN founded as a convergence media as result of ABI fragmentation. The main purpose of BBN is the celebrity preachers trying to defend their islamic identity in order to show the real Islam rahmah. This paper seeks to examine at which extent BBN succeed to convergence ummahs. By mean of netnography and interview methods, we argue BBN attempts to perform the image of Islam as ‘Islam Rahmatan lil Alamin’ through implementing syariah ideas. In addition, BBN invited followers of celebrity ustaz of their da'wah movement to successful their programmes.
Keywords: fragmentation, convergence, Barisan Bangun Negeri, dakwah bil hal, ustaz celebrity