bluuebunny/crossref_metadata_2025_split huggingface dataset:
Topeng Cirebon Dalam Teori Fungsionalisme
Authors: Sudarto Toto 
Published: May 2023

The word â€˜functionâ€™ has been elaborated in many aspects. In every single context it also has a different meaning. Despite having a specific meaning, the meaning of the word â€˜functionâ€™ differs from one discipline to another. A.R. Redcliffe Brown and Bronislow K. Malinowski are the pioneers of the theory of function amongst anthropologists. Their assumption, which is based on their theoretical constructs related to social and cultural integration, has an independent system andÂ consists of every single part or element, since every element or part is not autonomous but rather is connected to and even dependent on each other. On the other hand, every element or part of the system can exist because it is needed, or experiences an interdependency or inherence not by accident,Â and its whole appearance belongs entirely to the orientation of a living system. The changing of each element will have an impact on other elements. The Cirebonese masked dance can be studied from several disciplines. In this article, the Cirebonese masked dance is examined using a theory of function, especially functionalism of anthropology. In addition the dance is assumed to be a system of performance which consists of various elements that are related to each other. This article on the Cirebonese masked dance will explore its dance symbols through the mask, in relation to its religious, educational, socio-political, economic, bureaucratic, and aesthetical elements.Keywords : function, theory of function, Cirebonese masked dance, functionalism.Â
TARI SORENG KELOMPOK SRI RAHAYU DI DESA LENCOH, KECAMATAN SELA, KABUPATEN BOYOLALI
Authors: Yuliastuti Puput 
Published: May 2023

AbstrakÂ Tari Soreng adalah tari keprajuritan yang berpijak pada cerita Haryo Penangsang. Salah satu kelompok tari Soreng yang berkembang di Boyolali adalah Sri Rahayu di Desa Lencoh, Kecamatan Selo. Kelompok tersebut dibentuk tahun 1996, berdasarkan inisiatif warga Desa Lencoh. Tari Soreng kelompok Sri Rahayu memiliki garap koreografi yang berbeda dengan kelompok tari Soreng di daerah Magelang, perbedaan tersebut terlihat dari kostum, musik, gerak, dan properti sehingga menjadikan tari Soreng kelompok Sri Rahayu terlihat unik. Hasil penelitian yang diperoleh menunjukkan bahwa tari Soreng kelompok Sri Rahayu berfungsi sebagai sarana mempererat solidaritas, hiburan, bagian dari penyambutan tamu serta pendukung untuk menyemarakkan hajatan. Struktur tari Soreng terdiri dari tiga Â bagian yaitu bagian pembuka, inti, dan penutup.Â Kata kunci: Tari Soreng, Struktur, dan FungsiÂ Abstract Â The Soreng Dance is a military dance which is based on the story of Haryo Penangsang. One of the Soreng Dance groups that has developed in Boyolali is Sri Rahayu which is found in the village of Lencoh in the district of Selo. This group was formed in 1996 on the initiative of the people of Lencoh village. The Sri Â Rahayu Soreng Â Dance group uses a different kind of choreography from Soreng Dance groups in the Magelang area. The differences are in the costume, music,Â movement, and properties, all of which make the Sri RahayuSoreng Dance group unique. The results of the research show that the Sri RahayuSoreng Dance group functions as a medium to enhance solidarity, as a form of entertainment, as a way of welcoming guests, and as an attraction at various kinds of celebration. The structure of the Soreng Dance consists of three sections, namely the introduction, the main section, and closing section.Â Keywords: Soreng Dance, Structure, and Function
TARI PAKARENA LAIYOLO DI DESA LAIYOLO KECAMATAN BONTOSIKUYU KABUPATEN KEPULAUAN SELAYAR
Authors: Primasari Dewi , Prihatini Nanik Sri 
Published: May 2023

AbstrakÂ Artikel ini hasil dari penelitian yang memfokuskan pada pokok permasalahan bagaimana latar belakang keberadaan tari Pakarena Laiyolo di desa Laiyolo kecamatan Bontosikuyu Kabupaten Kepulauan Selayar serta bentuk penyajian tari Pakarena Laiyolo. Tujuan penelitian ini untuk memahami dan menjelaskan latar belakang keberadaan tari Pakarena Laiyolo, memahami dan menjelaskan bentuk penyajian tari Pakarena Laiyolo. Metode penelitian yang digunakan adalah metode penelitian kualitatif, dengan pendekatan interaksi analisis. Secara struktur meliputi tahap kajian historis, bentuk penyajian, dan dilanjutkan dengan simpulan. Hasil penelitian yaitu memaparkan hasil kajian berupa asal muasal tari Pakrena pada umumnya dan menggambarkan hubungan latar belakang dan bentuk penyajian tari Pakarena Laiyolo.Kata kunci: Tari Pakarena Laiyolo, latarbelakang, bentuk penyajian.Â AbstractÂ This article is the result of a research study which focuses primarily on the background of the PakarenaLaiyolo dance in Laiyolo Village, in the BontosikuyuDistrict ofKepulauanSelayar, as well as on the form of performance of the PakarenaLaiyolo dance itself. The goal of the research is to understand and explain the background of the PakarenaLaiyolo dance and also to understand and explain the form of performance of this dance. The research method used is qualitative, with an interaction approach of analysis. Structurally, the research includes a historical study, a de- scription of the performance form, and a conclusion. The results of the study present the origins of the Pakarena dance in general and describe the relationship between the background and the per- formance form of the PakarenaLaiyolo dance.Keywords: Pakarena Laiyolo Dance, background, form of performance.
PROSES KREATIF EKO SUPRIYANTO DALAM KARYA TARI CRY JAILOLO
Authors: Riyanto Pipin 
Published: May 2023

AbstrakÂ Penulisan ini mengungkap tentang proses kreatif Eko Supriyanto dalam karya tari Cry Jailolo. Skripsi ini menggunakan metode penelitain Kualitatif dengan pendekatan koreografi dan deskriptif analitis, dengan mendiskripsikan koreografi tari Cry Jailolo mulai dari gerak, pola lantai, iringan, rias dan busana, dan waktu dan tempat pertunjukan. Untuk prosses kreatif menggunakan teori Alma M. Hawkins. Untuk membahas masalah bentuk pertunjukan menggunakan teori Soedarsono Hasil penelitian ini menunjukkan bahwa karya tari Cry Jailolo ini merupakan karya yang digarap Eko Supriyanto melalui proses kreatif dengan tahapan-tahapan yaitu riset, training, conditioning, rehearseal dan performing.Kata kunci: Proses kreatif dan koreografi tari Cry JailoloÂ AbstractÂ This paper discusses the creative process of Eko Supriyanto in the Cry Jailolo dance. The dissertation uses a qualitative research method with a choreographic and analytical descriptive approach, describing the choreography of the Cry Jailolo dance with regard to aspects of movement, floor pattern, accompaniment, make-up and costume, and time and place of performance. Alma M. Hawkinsâ€™ theory is used to discuss the creative process and Soedarsonoâ€™s theory is used to discuss the form of the performance. The results of the research show that the Cry Jailolo dance was composed by Eko Supriyantoby means of a creative process which involved the stages of research, training, conditioning, rehearsing, and performing.Keywords: Creative process and choreography of the Cry Jailolo dance.
KESENIAN RAKSASA DALAM UPACARA BERSIH DESA DI DESA SALAMREJO KECAMATAN BINANGUN KABUPATEN BLITAR
Authors: Fitriana Rifa 
Published: May 2023

AbstrakÂ Kesenian Raksasa adalah kesenian rakyat yang disajikan dalam upacara bersih desa sejak tahun 2005. Kesenian Raksasa ada karena kepercayaan masyarakat Desa Salamrejo mengenai kehadiran Eyang Genderuwo Senin sebagi danyang penunggu desa. Kesenian ini dipertunjukan dalam bentuk arak-arakan dan memakai kostum butho. Penelitian ini bersifat kualitatif menggunakan pendekatanetnokoreologi dengan metode etnografi tari yang ditulis secara deskriptif analisis. Hasil penelitian ini dapat diperoleh gambaran bahwa kesenian Raksasa dalam upacara bersih desa, memiliki arti sebagai sarana penyempurna dari upacara bersih desa. Bagi masyarakat desa Salam rejo hingga sekarang percaya bahwa upacara bersih desa dengan menyajikan kesenian Raksasa, desa mereka dapat terlindungi dari segala musibah dan mampu meningkatkan perekonomian masyarakat.Kata kunci: Raksasa, upacara, bentuk dan fungsi.Â AbstractÂ Raksasa is a folk art that has been performed in village cleansing rituals since 2005. The art of Raksasa exists because of the belief of the Salamrejo village community in the presence of Eyang Genderuwo Senin, a spirit (danyang)who guards the village. The performance takes the form of a procession and uses the costume of an ogre or butho. The research is qualitative, using an ethnochoreological approach with an ethnographical dance method, and is written in the form of a descriptive analysis. From the results of the research it can be seen that the art of Raksasa in village cleansing ceremonies is significant as a medium for perfecting the ceremony. The commu- nity in Salamrejo still believes that holding a village cleansing ceremony with a performance of Raksasa will protect them from all kinds of disaster and help improve the economic situation of the community.Keywords: Raksasa, ceremony, form, and function.
TARI PAGAR PENGANTIN PADA UPACARA PERNIKAHAN DI KOTA PALEMBANG
Authors: Aprizal Damri 
Published: May 2023

AbstrakÂ Penelitian ini mengkaji Tari Pagar Pengantin pada upacara pernikahan di Kota Palembang. Fokus utamanya dari aspek bentuk beserta unsur-unsur penyajiannya. Penelitian ini menggunakan landasan teori bentuk dari Suzzane K. Langer. Penelitian menggunakan penelitian tekstual untuk analisisnya menggunakan analisis bentuk. Tari ini ditarikan oleh lima orang penari yaitu penari utama pengantin sebagai primadona dan ke empat penarinya sebagai dayang, dengan penari utama yaitu pengantin menari di atas nampan yang terbuat dari kuningan emas yang berada di atas pelaminan pengantin sebagai tempat pertunjukan dengan fungsi untuk memberikan sajian kepada tamu undangan. Hasil pembahasan skripsi ini menunjukan bahwa wujud tari Pagar Pengantin merupakan media penghormatan tuan rumah terhadap tamu undangan yang datang.Kata kunci: Bentuk, Unsur-unsur penyajian, Tari Pagar Pengantin.Â AbstractÂ This research investigates the Pagar Pengantin dance in wedding ceremonies in the city of Palembang. The main focus is on aspects of form and elements of performance. The research uses Susanne K. Langerâ€™s theory of form. A textual method is used to analyze the form. This dance is performed by five dancers. One dancer is the prima donna and acts as the bride, while the other four dancers are her ladies-in-waiting. The main dancer (portraying the bride) dances on top of a brass tray on the ornately decorated stage where the bride and groom are seated,performing to entertain the guests at the wedding. The results of the research show that the form of the Pagar Pengantin dance is a medium through which the host honours the guests who attend the wedding ceremony.Keywords: Form, elements of performance, Pagar Pengantin dance.
ESTETIKA ISLAM DALAM KONTEKS KEHIDUPAN SOSIAL
Authors: Widyawati Setyo 
Published: May 2023

The aim of this writing is to give commentary on Islamic Aesthetics In the frame of sicial life. The con.sequency of this is that islamic Aesthetics fixes two goals, worldly and heavenly goals. Moslems believe that heavenly goal is important than the worldly one, and to achieve this goal moslems need dzikrullah in any activity including working with arts. Dzikrullah means remembering A118h in an intense Consciousness with persistent intensity (istiqomah).Man needs art to express his feeling of beauty which is inherently born with him, while an expression of art becomes one of the manifestations of dzikruliah itself. Beauty is identified asÂ artÂ Islamic Aesthetics offers a concept of how to work with art in an Islamic way, and how to express beauty which contains truth and goodness. The supreme source of beauty is Allah Himself and He, too, the destination of beauty. The essence of art gets its reality in the brilliant brain of Allah. Consequently,Â artisticÂ creativity generating from Allahâ€™s beauty gives out spiritual values in broad spectrum.Islamic spirituality as an essence of islamic art has a close relation with the dimension of Islamic inner spirit, the dimension of inferiority of/slam. Al Quran and Al Hadits supply resources which inspire artists to get forms of Islamic inner dimension, the inspiration if which has the quality of supreme individual. Two examples of these forms are the calligraphy which is the art of writing Arabic characters and ten architecture of mosques.Calligraphy and the architecture of mosque are artistic works of supreme individual quality with the beauty reflected by Allahâ€™s inspiration. Calligraphy reflects two kinds of beauties, the aesthetic and the trancendental ones. Islamic artistic objects show the values of beauty in themselves as far kinds of nd the trancendental ones. Islamic alues of beauty in themselves as faras generated from perpetual source of inspiration which will never stop flowing. Islamic spiritual message is the presence of consciousness of The One God through the beauty of artistic expressions formed by the artists.Keywords:Islamic art, dzikrullah, lslamic spirituality
BENTUK DAN MAKNA SIMBOLIK TARI SEBLANG DI DESA OLEHSARI KABUPATEN BANYUWANGI JAWA TIMUR
Authors: Subagyo Hadi 
Published: May 2023

This (is] Study Article [is] more focused (by) (at) Seblang dance in countryside ritual ceremony [in] Olehsari district (ofJ executed Amaryllis Banyuwangi sub-pmvince one year once. This dance function as symbolic communications [among/bet ween] perpetrat or with audience, perpet rator with perpetrator, and also audience with audience, so that in show activity or this Seblang ceremony happened a social interaction, and even become symbolic communications (among/between] society with its ancestor, so that give meaning which enough komplek in lifeÂ Keyword: Seblang, ritual.
Wayang Wong Lakon Lumbung Tugu Mas dalam Ritus Suran Desa Tutup Ngisor, Magelang
Authors: Wahyudiarta Dwi 
Published: May 2023

The story of Lumbung Tugu Mas in the Javanese stage show (wayang wong) in the Suran ceremony in Tutup Ngisor village, Magelang, is believed to have the power to expel evil spirits, and has an important meaning for the community, giving them the hope of prosperity. The figure of Semar in this story has an important symbolic value, which is still adhered to by the supporting community. The other function of the story is to fulfil social and aesthetical needs.Â Keywords: Lumbung Tugu Mas story, meaning, and symbol.
Karya â€œLorongâ€ Sebuah Eksperimentasi Penataan Ruang Pentas
Authors: Padminingsih Saryuni 
Published: May 2023

In its beginning, Indonesian dance was born out of a variety of spaces, ranging from communal areas to one occupied by royalty. Communal spaces as according to Ashadi Siregar (1991) forms an integral and import part of the basic conventions of communicative art. In the context of Javanese areas itself. Unmistakenly, the highly populated Kemlayan village is made accessible through narrow roads called lorong, The narrow lorong(s) of Kemlayan then forms the basis of a new dance choreography. Placed in an open area, the work begins with the belief that spatial settings should be able to stand on its own as a piece of visual art. Due to this nature, the work seeks to manifest itself as an alternative work in the global development of dance.The concept is approached through observational means as well as through direct involvement with the environment in order to have a phenomenal experience of the society.On the same page, the spatial setting is approached through various theoretical and practical studies to the point of the actualization of the project.In tandem with such a notion, bodily movements are explored through various movement experiments and exploration that are backed by a sense of aesthetics developed through theoretical approaches and temporal experiences.The workâ€™s development undergoes a process that involves imagination, interpretation, and creativity which can be further understood through : 1. The soul of the work is engendered through the choreographerâ€™s experience with the complexity, grind, guts, and gumption of life as well as the problems that affects oneâ€™s inner being, 2. The form of the work takes upon the tugs of visual aesthetics that is experienced on a daily basis by viewers such as the acts of sitting, walking, jumping, climbing, shivering and many others. Along with such a notion, the music is built unto each dancerâ€™s everyday auditory experiences such as talking and shouting as well as media derived sounds such as the radio or bamboo being struck. Staged on an open plane, the spatial setting is composed of narrow lorong(s) made of bamboo, glass, and pellucid plastic arranged in such a manner that it can be seen through from various viewpoints. The artistic lighting concept then summarizes the presence of visual aesthetics and displays a myriad of effects through 7 different performances, namely, Lorong Kemlayan, Lorong Anyaman, Lorong Kerumunan, Lorong Transparan, Lorong Lumpur, Lorong Jalan Setapak, Lorong Gelap.Keywords:Â Lorong, passage, experimental, form, Kemlayan
TUMBUHAN TERATAI SEBAGAI IDE PENCIPTAAN PERHIASAN PADUAN PERAK DAN KAYU
Authors: Ari Lilik Istria , Supriyanto Ari 
Published: May 2023

This artistic research aims to (1) carry out exploration of designs with lotus plant ideas, (2) realize jewelry works based on selected designs that have been designed. The works produced are lotus-themed jewelry. Lotus plants not only have beauty but also philosophical and great benefits for humans. Lotus is a sacred plant for Hindu-Buddhist religion. Even for some countries lotus plants are used as a symbol of the country which means purity, humility, as well as a symbol of God. The process of making jewelry works using filigree and cutting techniques with the main ingredients of silver metal and Trembesi wood. Each work of art contains its own meaning, function and aesthetics. The jewelry is functioned as a complement to womenâ€™s clothing. The jewelry that have been made are necklaces, earrings, bracelets, hairpin, and brooches. The aesthetics of jewelry are described based on Monroe Bardsleyâ€™s theory, namely unity, complexity and sincerity.Â Keywords: lotus plants, jewelry, aesthetics
PERANCANGAN BATIK DONGKREK UNTUK TEKSTIL PAKAIAN
Authors: Yulianingtyastuti Aprilia 
Published: May 2023

ABSTRAKPerancangan ini dilatarbelakangipelestarian salah satu kebudayaan Madiun yaitu kesenian Dongkrek dan pengembangan motif batik khas Madiun karena adanya keinginan konsumen akan motif batik baru selain batik Kenongo dan Pecelan. Tujuan Tugas Akhir perancangan ini adalah menghasilkan inovasi motif baru yang dapat mewakili kesenian khas Madiun sekaligus memenuhi kebutuhan konsumen. Sumber ide yang diambil yaitu property Dongkrek berupa topeng sebagai karakter utama dan batik khas Madiun sebagai motif pendukung. Hasil perancangan ini dapat disimpulkan beberapa hal: (1) Dengan mengakat sumber ide kesenian Dongkrek, perancangan ini menghasilkan 8 desain dengan motif utama property Dongkrek dan motif batik khas Madiun sebagai motif pendukung. (2) dari 8 desain divisualkan 3 produk dengan bahan dobby, katun sutera dan katun paris masing-masing ukuran 115cm x 200cm menggunakan teknik batik tulis dengan zat warna remasol.Kata Kunci : Batik, Dongkrek,Kenongo, Pecelan ABSTRACTThis design is backgrounded by the preservation of a product of culture from Madiun namely Dongkrek art and the development of typical Madiun batik motifs due to the desire of consumers for new batik motifs besides Kenongo and Pecelan batik. The aim of this final project is to produce an innovation of new motif that is able to represent the distinctive art of Madiun while meeting the needs of the consumers. The source of the taken idea was originated from Dongkrek property in the form of a mask as the main character and the typical Madiun batik as a supporting motif. From the results of this design several things can be concluded: (1) By bringing up the source of Dongkrek art ideas, this design produces 8 designs with the main motif from the Dongkrek property and the typical Madiun batik motif as supporting motifs. (2) Out of 8 designs, 3 of them were visualized using dobby materials, silk cotton and paris cotton, each in size of 115cm x 200cm using batik techniques with remazol dyes.Keywords: Batik, Dongkrek, Kenongo, Pecelan
PENGEMBANGAN DESAIN BATIK KLIWONAN DENGAN SUMBER IDE KEMBANG KANTIL
Authors: Liana Alfin Lilin , Setyawan Setyawan 
Published: May 2023

ABSTRAK Pengembangan desain motif Kembang Kantil dilatarbelakangi oleh peluang untuk mengembangkan desain baru yang berfokus pada pengolahan visual (motif). Sumber ide ini diambil dengan mempertimbangkan manfaat Kembang Kantil sebagai pengharum pekarangan rumah bagi warga desa Kliwonan pada zaman dahulu. Sumber ide Kembang Kantil yang diolah dengan teknik desain panel dengan penggayaan stilasi dekoratif. Hasil pengembangan desain ini dapat disimpulkan: (1) berawal dari sumber ide Kembang Kantil menghasilkan delapan desain, dengan motif utama Kembang Kantil dan biji kembang kantil sebagai motif pendukung. (2) Delapan desain yang dihasilkan telah diwujudkan menjadi tiga produk kain batik, dengan menggunakan bahan katun primissima ukuran 115cm x 240cm, yang dikerjakan dengan teknik batik tulis menggunakan pewarnaan Sogan dalam finishing pembuatanya. Kata kunci:Pengembangan, Desain, Batik Kliwonan, Kembang Kantil, Kliwonan. ABSTRACT The development of Kantil Flower Motif designs is backgrounded by the opportunity to develop new designs that focus on visual processing (motifs). The source of this idea was taken by considering the benefits of Kantil Flowers as fragrances of house yards for Kliwonan villagers in ancient times. Source of Kantil Flower idea that are processed with panel design techniques with decorative stylized styling. The results of the developments of this design can be concluded : (1) Originated from the source of the idea of Kantil Flower produced eight designs, with the main motif of Kantil Flower and Kantil Flower seeds as supporting motifs. (2) Eight designs produced have been transformed into three batik fabric products, by using primissima cotton size 115x240 cm, which is done by used batik technique used sogan coloring in the finished process. Keywords: Development, Design, Batik Kliwonan, Kantil Flower, Kliwonan.