bluuebunny/crossref_metadata_2025_split huggingface dataset:
Synchronous electrolyte design for static aqueous zinc-halogen batteries
Authors: Xiao Tao , Yang Jin-Lin , Chao Dongliang , Fan Hong Jin 
Published: January 2025

Abstract
Rechargeable static aqueous zinc-halogen batteries (AZHBs) thrive in energy storage applications due to their suitable redox potential, abundant reserves, and relatively high energy density. This non-flow battery relies on the collaboration of the reversible stripping/plating process of Zn metal and the halogen-participating zincation reactions. However, the corrosion of Zn metal and the shuttling of the halogen species result in serious capacity decay, posing challenges to their reversibility and lifespan. Moreover, the instability of high-valent halides hinders the implementation of multi-electron reactions in AZHBs. This Review elaborates the fundamentals, challenges, and recent progress in AZHBs, highlighting the significance of the electrolyte design aiming at synchronous optimization for both the halogen cathode and Zn anode in AZHBs. We discuss the design principles and protocols, along with concerns in effective test and evaluation of synchronous electrolytes. Possible approaches towards synchronous electrolytes are proposed, namely, biphasic electrolytes, gradient hydrogel electrolytes, and ionic liquid electrolytes. This Review may help guide the research in achieving AZHBs with high energy density and longevity for practical applications.
Choice of Drug for Malaria Prevention During Pregnancy Does Not Affect Infant Serologic Responses to Plasmodium falciparum Erythrocyte Membrane Proteins 1
Authors: Ouattara Amed , Andronescu Liana R , Adams Matthew , Sharma Ankur , Nakajima Rie , Jain Aarti , Taghavian Omid , Jasinskas Algis , Felgner Philip L , Mathanga Don P , Chinkhumba Jobiba , Laufer Miriam K , Travassos Mark A 
Published: January 2025

Abstract
While sulfadoxine-pyrimethamine has been the primary drug in intermittent preventive treatment in pregnancy, dihydroartemisinin-piperaquine (DP) is being considered as an alternative. DP may lead to lower antimalarial antibodies in the mother, resulting in higher risk of malaria in infancy. We probed cord blood sera collected from women enrolled in a clinical trial of sulfadoxine-pyrimethamine vs DP on a protein microarray containing diverse Plasmodium falciparum erythrocyte membrane proteins 1 to measure the impact of intermittent preventive treatment in pregnancy on proteins associated with malaria disease susceptibility. These results suggest that effective maternal malaria prevention may not alter the susceptibility of infants to malaria.
Processional Diatonicism I
Authors: Riley Matthew 
Published: January 2025

Abstract
English processional diatonicism is an instantly recognizable musical idiom that emerged in British composition in the 1880s and had enormous influence on English diatonic music until World War II and beyond. It is heard clearly first in the work of Hubert Parry (1848–1918), especially in his choral-orchestral ode Blest Pair of Sirens (1887), setting Milton’s ‘Ode: At a Solemn Musick’. The elevated mood and metaphysical sensibility of that piece encapsulate Parry’s high-minded musical ethics as laid out in his writings and displayed in his personality and his leadership as Director of the Royal College of Music from 1895. Parry’s new diatonic style was a form of English Wagnerism, indebted to Die Meistersinger von Nürnberg and Parsifal. After his Milton ‘Ode’, however, Parry himself pursued the idiom only intermittently, reserving it mainly for occasional pieces such as the coronation anthem ‘I Was Glad’ (1902) and the patriotic hymn ‘Jerusalem’.
Beyond Strike Songs
Authors: Korczynski Marek 
Published: January 2025

Abstract
This chapter concerns musicking in relation to work, not just in terms of protest but also in terms of the wider concept of resistance. Strike and union songs may be the main mode of protest in relation to work that occurs through song, but they are not the main form of musicking as resistance. Further, such strike and union songs have been largely at odds with the everyday lived culture of workers in Western industrial and post-industrial societies. More hidden, but more important, forms of resistance through song have been the historical singing at work cultures that were silenced, and the contemporary musicking at work that happens further to the pop radio in the factory and other manual workplaces. Such musicking has been part of the everyday lived culture of workers and can, and research suggests, may often, contain key elements of resistance.
Why 1976? Explaining the Rise and Fall of Protest Music
Authors: Street John , Worley Matthew , Wilkinson David 
Published: January 2025

Abstract
The popular media myth is that the protest song and the protest singer are in decline. It is unclear how anyone would know; there is no standard measure for the presence or absence of protest songs. Nonetheless, the myth raises an interesting question about how we might explain the rise and fall of protest music. Is it a matter of context, of exogenous changes in the state of the world? Or is it determined by internal processes, endogenous shifts in genres, or the music business more broadly? Taking our lead (and our title) from Richard Peterson’s article, “Why 1955?,” this chapter examines the case of punk in the UK from 1976 to 1978. It reveals that internal political and musical factors are just as important as the broader social and political trends (rising unemployment, industrial decline, new right policies) to understanding punk’s moment of protest.
How Does a Boycott Sound?
Authors: Bohlman Andrea F. 
Published: January 2025

Abstract
This chapter engages theoretically with the boycott as a protest strategy and with how it has intersected with musical culture broadly. It presents an overview of music and boycotts before turning to a 1982 boycott of state media by the Polish theater community and intelligentsia as a primary case study. This boycott affected musical life, even though few musicians officially participated, and it shifted how people listened to art and listened to one another. The chapter argues more generally that this form of protest action, through its acts of recusal, reconfigures everyday social life and, by extension, listening techniques and aural culture. Ultimately, the boycott offers a new way of thinking about protest beyond its primary work as interruption and iconic meaning as an event.
Sociopolitical Song in India: Negotiating Universal Values and Local Causes
Authors: Manuel Peter , McGuinness Chris 
Published: January 2025

Abstract
Since the early twentieth century, sociopolitical song has thrived in India, in various forms, in diverse locales and languages, and in conjunction with different specific causes and movements. Until 1947, the most widespread and characteristic forms of protest music were linked to the anticolonial movement. In the first decades after independence was achieved, leftist songs—whether sung at rallies or inserted into social-realist commercial films—constituted a lively niche in the nation’s soundscape. Since that period, the Indian left has declined somewhat, although it remains particularly vigorous in the southern state of Telangana. Meanwhile, in Maharashtra and the Punjab, music—including commercial pop music videos—has played an important part in movements by “untouchable” castes to challenge discrimination and achieve a new sense of self-respect.
Adorno and “Classical Music”
Authors: Bowie Andrew 
Published: January 2025

Abstract
Adorno’s work on “classical music” is closely linked to his understanding of modern philosophy. This is the source of both many insights and instructive problems. He connects the modern demand for innovation and change in art music, as opposed to music that belongs to the “culture industry,” to the ways other intellectual and social forms develop, and he exemplifies this by the relationship between Beethoven and Hegel. The decisive change in modern music, for Adorno, is the disintegration of tonality in the work of the Second Viennese School. Tonality echoes the harmony of the particular and universal in the classical-liberal model of society associated with Hegel because the individual notes in a piece of music make sense via their relationship to a unifying center. With the breakdown of the liberal model, of which the Holocaust is the most extreme manifestation, such harmony becomes ideological. Adorno relies on “content analysis” of the music itself, which is supposed to reveal the truth about the music, rather than a consideration of its effects on listeners and performers. He assumes that there is an advanced “state of the musical material,” epitomized by serial and atonal music, but this idea can obstruct understanding of music in different social and historical contexts. His use of a philosophical model in his approach to music can lead to neglect of seeing music as a participatory social practice. The tensions in Adorno’s work on music are echoed in subsequent debates in musicology, and the sociology and philosophy of music.
The Semantics and Logic of Counterfactuals
Authors: Santorio Paolo 
Published: January 2025

Abstract
Counterfactuals have received substantial attention in philosophy over the past fifty years. This chapter is an opinionated guide to standard theories of counterfactuals, to some of their open problems, and to connections between counterfactuals and other topics in philosophy, such as chance and causation. It starts by distinguishing two problems. The logical sub-problem of counterfactuals is the problem of specifying a formal template for the meaning of counterfactuals. The similarity sub-problem is the problem of linking the formal notions that are used to solve the first problem—such as the notion of comparative similarity—to notions that have intuitive content. After reviewing classical accounts, it covers several open issues, including Sobel sequences, counterfactuals about the future (future-less-vivid conditionals), the role of tense and aspect morphology, and causal dependencies. The chapter closes by discussing the relationship between counterfactuals and chance and between the semantics for counterfactuals and the causal models framework.
States of Conversation
Authors: Yalcin Seth 
Published: January 2025

Abstract
The question how to model conversation has attracted significant interest in philosophy. This chapter explains why, drawing out the relevance of the issue to a diverse array of debates. It then compares and contrasts two of the most influential models of conversation in philosophy, viz., the context set model of Stalnaker and the scorekeeping model of Lewis, with attention to theory, empirical applications, and to foundations. On the empirical side, we touch on basic issues about assertion, presupposition, definite descriptions, conditionals, and intersentential anaphora. Lewis’s notion of accommodation and Stalnaker’s notion of acceptance both come in for special critical discussion.
Writing the Stuart Restoration
Authors: Augustine Matthew C. , Zwicker Steven N. 
Published: January 2025

Abstract
In this substantial and wide-ranging introduction to the field of Restoration literature, the editors reflect on the historical pressures of remembering and forgetting, pressures bound up with the construction of Restoration itself, discernible in parliamentary acts and literary panegyrics that sought to adjudicate the viability of the past in order to stamp a politically and providentially ordered future. ‘Oh Happy Age! Oh times like those alone / By Fate reserv’d for Great Augustus Throne!’, the future poet laureate John Dryden enthused of the monarch and the monarchy re-established in 1660, in heroic couplets that braided together the restoration of arms and arts. As the ‘redux’ of Dryden’s title (Astraea Redux) hints, however, the Restoration was at once a project of self-conscious newness and of historical returns, a paradox and a conundrum that conditioned much of what we call ‘Restoration literature’, a field of endeavour that included theatre and wit but also arts of devotion, of criticism, of philosophy, and of world-making imagination at the threshold of modernity.
True Comedy?
Authors: Roberts David 
Published: January 2025

Abstract
Rochester asserted that ‘hasty Shadwell and slow Wycherley’ were the only Restoration dramatists to have ‘touched upon true comedy’, and that ‘refined Etherege’ was the age’s ‘sheer original’. Through examination of three plays that premiered in 1676—Etherege’s The Man of Mode, Shadwell’s The Virtuoso, and Wycherley’s The Plain Dealer—this chapter considers how each dramatist addressed the idea of the present, their debt to sources, and the transformation of performance into printed text. Etherege’s celebration of the present is contrasted with the many-sided disenchantment offered by Wycherley and Shadwell, whose engagement with Molière poses new questions about the reception of French drama. The chapter concludes by comparing how the first editions of the three plays represent authorial voices as well as actors, characters, and dialogue, in the latter case with particular attention to the use of hesitation, deviation, and interruption as means of characterization.
Grace Abounding
Authors: Parry David 
Published: January 2025

Abstract
This chapter focuses on two prolific nonconformist preachers and writers, Richard Baxter and John Bunyan, who ministered outside of the established Church following the Restoration. In facing the contingencies and uncertainties of the Restoration, Baxter and Bunyan both found comfort in a spiritual vision of divine realities beyond the immediate appearance of things and events in this world. While Bunyan and Baxter have their differences in ecclesiastical position, personal temperament, and writing style, they both deploy literary modes of writing including memoir and autobiography, poetry, and narrative fiction to make these invisible spiritual realities in which they believe visible to their readers. In doing so, they reshape these literary genres in ways that profoundly shape the subsequent history of English literature as well as illuminating the spiritual path of their readers.
The Experimental Theatre of Lee and Otway
Authors: Hoxby Blair 
Published: January 2025

Abstract
When Nathaniel Lee and Thomas Otway commenced writing for the stage in 1674, they had to choose among the four rival models outlined in John Dryden’s Essay of Dramatick Poesie (1667): Dryden’s new heroic drama, the neoclassical dramaturgy of Corneille and Racine, the irregular but vigorous and natural drama of Elizabethan and Jacobean poets such as Shakespeare and Fletcher, or the Attic simplicity of Sophocles’s tragedies. Lee and Otway experimented with each of these modes in turn during their period of ‘Experimental Theatre’. This chapter analyses their trials in Otway’s heroic drama Don Carlos; Otway’s Racinian tragedy Titus and Berenice; Otway’s Caius Marius (a blend of Plutarch’s life and Shakespeare’s Romeo and Juliet), Lee’s Mithridates, a self-conscious attempt to refashion Shakespeare and Fletcher for a new age; and Dryden and Lee’s Oedipus, a play conscious of previous engagements with the subject by Sophocles, Seneca, Fletcher, and Corneille. In their mature plays, Lee and Otway strove for an elegant neoclassical design that blended the masculine vigour of Shakespearean language with the melting scenes of courtship found in Fletcher, that presented audiences with baroque contrasts of mood and setting, that relied on more violent stage action than could be admitted to the French stage, and that sought to create a revolution of the passions. This chapter examines Otway’s The Orphan and Lee’s Lucius Junius Brutus as examples of their mature dramatic craft.
Scandalous Bodies in the Restoration
Authors: Rosenthal Laura J. 
Published: January 2025

Abstract
This chapter explores the salience of scandalous writing in Restoration culture, print, and theatre. Writers throughout the period pushed the envelope of acceptable literary expression out of daring, commercial opportunity, and as a strategy for political attack. The popularity of scandal points to the destabilization of social relations and social hierarchies, as scandal promises to undermine the status of its subject. Plays produced in this period still have the power to shock; they explored the instability of social hierarchy, gender relations, and sexual propriety through the scandalous figures of the rake and the fop. The inclusion of actresses created new possibilities for depicting women on stage. Other scandalous bodies explored here include King Charles II, the barren Queen Catherine, the formidable women who shared the king’s bed, and the enslaved Africans from whom the royal couple profited.
From the Body Politic to Biopolitics
Authors: King Thomas A. 
Published: January 2025

Abstract
Restoration rhetoric of the body politic, as in Hobbes’s Leviathan, uses a confusion of metaphors, biological and mechanistic. Rather than asking whether such inconsistencies point to the death of the organic analogy of the body politic, this chapter explores the rearticulation of the body politic, not as a substance that may or may not be integral, unified, and consistent across time and space, but as a disassembled and reassembled set of forces and relationships (gendered, racialized, erotic) that construct the population that will thrive and be invested with right and that which will be disqualified, an asymmetrical distribution of life chances designated biopolitics. The necropolitics of the colony provides the constitutive outside or other of the White state’s biopolitical investment in its population. Division, separating out, and reassembly, then, is the key form of the body politic, not what threatens its ideal unity.
Negotiating Nonconformity
Authors: Sauer Elizabeth 
Published: January 2025

Abstract
The contests over what Henry Maurice would call ‘the Incessant working of a Turbulant [sic] Spirit’—in a tract denigrating dissenters for rendering faction and pleas for conscience interchangeable—were waged in heated animadversions, ‘the workhorse genre’ of the Restoration era. Largely representing pro-establishment court culture and conformity in theology and poetics, the traditional canon of Restoration literature warrants expansion through the inclusion of controversialist works by conformists and nonconformists. Among those who debated the terms of comprehension, indifferentism, and the dynamics of aesthetics, religion, and politics were Hales, Milton, Parker, Marvell, Stillingfleet, Palmer, Penn, and Stubbe. Also considered here is the production history of Dryden’s The Hind and the Panther, which exposes a nation divided along the lines of nonconformity, comprehension, and Catholicism. Animadversive writings, notably those on nonconformity, transprose the Restoration era and present the schismatic period in its full ecclesiastical, rhetorical, and stylistic complexity.
The Royal Society and Literate Culture
Authors: Feingold Mordechai 
Published: January 2025

Abstract
This chapter is devoted to the first round of what came to be known as the ‘two-cultures’ debate: the Restoration controversy that enveloped the Royal Society. Traditionally, scholars have tended to view the controversy as a conservative reaction of the devotees of philosophical and literary antiquity to the new science. I argue, instead, that the polemic against ‘modernity’ had little to do with the new science. The critics of the Royal Society were neither reactionaries nor ignorant of the science they criticized; they were at least moderately versed in its content. Rather, perceiving that the Society’s propagandists advocated the disintegration of the unity of learned culture, scholars and literati united in a campaign aimed at preserving the Weltanschauung of the era: a broad, unified, and Christian culture which they believed was threatened by the new science.
‘Affections of Matter’
Authors: Preston Claire 
Published: January 2025

Abstract
Without existing conventions for expressing scientific ideas and describing experimental processes, natural philosophers before and after the Restoration developed literary modes for replicating sensory data and observation, and (following Bacon’s recommendations in Instauratio Magna) endeavoured to make narrative accounts of empirical experience in the lab and in the field through an inventive use of rhetorical tools. This chapter explores how William Harvey, Robert Boyle, and Jane Barker adapted literary forms to articulate scientific explorations, particularly of the anatomical body and haptic sensations. Harvey’s work, including his seminal work on circulatory physiology, laid the foundation for utilizing sensory evidence in scientific discourse. Boyle extended this approach, employing tactile experiences to theorize about corpuscularian physics, while Barker’s engagement with medicine through literary expression illustrates the period’s blend of science with poetic tropes. The chapter argues that the lack of a reserved scientific genre led to an integrated approach to scientific writing, where natural philosophy benefited from narrative richness and rhetorical flexibility. This integration not only communicated complex ideas but also shaped the very development of scientific method and education by emphasizing a hands-on, perceptually engaged way of understanding the natural world.
Imitation and Admiration, Fear and Loathing
Authors: Cottegnies Line 
Published: January 2025

Abstract
The Restoration was a time of cultural effervescence and intense transnational traffic of wares, people, and ideas. The court was characterized by its Francophilia, manifest in the emulation of French fashions in everything. But the fascination with French cultural models did not go without the fear of political and religious hegemony, in the context of growing anti-Catholicism. French models were also satirized and vilified. Molière’s comedies, while immensely popular, were travestied as farces, and the reception of tragedy was even more ambivalent. The presence of French literary culture went beyond the court, as shown by the translations and adaptations of French texts. Fiction was translated at speed, but the French taste for decorum met with some incomprehension. Among translators, Aphra Behn played an important part as a cultural mediator, adapting French elite texts for a more mixed readership. This chapter studies the double-edged appropriation of French works and models.
Authorship and the Book Trade
Authors: Ezell Margaret J. M. 
Published: January 2025

Abstract
During the Restoration period, an expanding capacity to produce inexpensive print publications led to innovative ways to present literary texts to entice paying readers and expand the literary marketplace. Despite restrictive printing laws, such as the 1662 Print Act, which limited the number of licensed printers and booksellers, book trade flourished as Restoration publishers employed multiple print modes, including newspapers and periodicals with advertisement sections. Traditional marketing practices such as book lists printed in the back of a bookseller’s texts were augmented by the catalogues for the new popular book auctions. Location played a crucial role in the successful marketing of literary materials, with London serving as the central hub for the book trades. Booksellers themselves established reputations for selling certain types of literature. Furthermore, the Restoration period is noteworthy for the evolving role of the ‘celebrity’ author, whose name and image could promote book sales. Paratextual apparatus that exploited the personal and private sides of authors helped to sell books, whether they were written by a celebrated author, the printer, or penned anonymously.