bluuebunny/crossref_metadata_2025_split huggingface dataset:
Metamorphosis of Chamber-Vocal Cycle in the Work of M. Shukh (on the Example of the Meditative Performance "Songs of spring")
Authors: Gorelik Larisa 
Published: November 2023

The purpose of the research is to identify the poetic and intonation uniqueness of M. Shuh's "Songs of Spring" in the context of the evolutionary paths of the development of the chamber-vocal cycle in the 20th century. The methodological basis of the work is the intonation approach in musicology, as well as the historical-cultural and interdisciplinary approach, which allow to investigate the peculiarities of the evolution of the chamber-vocal cycle in postmodern culture, in particular, in "Songs of Spring" by M. Shukh. The scientific novelty of the work is due to its analytical perspective, which takes into account not only the specifics of the existence of the vocal cycle in the culture of late 20th century, but also the peculiarities of their reproduction in the "Songs of Spring", defined by the author as a "meditative action" formed at the intersection of the cultural and historical traditions of the East and the West. Conclusions. The vocal-instrumental cycle "Songs of Spring" by M. Shukh, the genre of which the composer himself defined as "meditative action", combined the spiritual teachings of Eastern and Western cultures. The first is evident in the poetic basis of the work, which appeals to ancient Chinese poetry and its oriental images-symbols ("jasper flute"), while the Western tradition is revealed in the post-modern metamorphoses of the poetics of the chamber-vocal cycle, which in this case converges with a mysterious and meditative spectacle. The marked genre synthesis of M. Shukh's cycle also determines the author's innovative approach to his performance composition, which combines a solo soprano, flute, and a number of percussion instruments into a polyphonic whole, the timbre of which reproduces the oriental (Chinese) flavour of this opus (tam-tam, bells, triangle, bongo, vibraphone, and others). This timbre-polyphonic ensemble is also complemented by the part of the chant, which clearly speaks a significant part of the poetic text. The leading idea of the work, which has a single pentatonic intonation basis, turns out to be ultimately focused also on the idea of the inner spiritual transformation of a person through the contemplation of spring and its signs, filled with deep symbolic meaning.
Keywords: "Spring Songs" by M. Shukha, "meditative action", chamber-vocal cycle, culture of the East and the West, postmodernism.
Angel Singing as the Basis of Choral Singing of the East Slavic Tradition and Choral Heritage of K. Pigrov
Authors: Shpak Galina 
Published: November 2023

The purpose of the research is to identify the cult (angelic) genesis of the art of choral singing in the East Slavic cultural and historical space, including in the activities of K. Pigrov. The methodology of the work has a complex nature and is based on a combination of the principles of hermeneutic, art history, historical-typological, etymological, aesthetic, and musical-intonation research. The scientific novelty of the article is determined by its research perspective, which takes into account not only the uniqueness and originality of the choral technique of K. Pigrov, which is the background of the Odesa Choir School, but also its rootedness in the concept of angeloglass as the basis of choral singing in the East Slavic cultural and historical tradition. Conclusions. The concept of angelic singing, described in Dionysius the Areopagite's treatise "On the Heavenly Hierarchy", laid the foundations for the formation of religious and ethical guidelines for liturgical and singing art, the principles of the spiritual being of a person, as well as the further development of academic choral art. The conducting and choral activity of K. Pigrov, his innovative methodology, which became the basis of the Odesa Choir School, is not only an essential page of his creative biography, but also summarises the most important spiritual and meaningful aspects of the national choral culture, formed on the basis of centuries-old church singing practice and spiritual-ethical guidelines for angelic singing. The latter affected the principles of K. Pigrov's work on purity of intonation, musical structure, ensemble and principled avoidance of forced dynamics, which collectively contributed to the formation of a special "sound culture". Involvement in them, their research allows to deeply understand those processes in the culture of the past and the present, which reveal through artistic creativity the profound transformations of the human essence and its spiritual being.
Keywords: angeloglassya, angel singing, church-singing routine, choir, choral technique of K. Pigrov, Odesa Choir School.
Song Duets by B. Yanivskyi in the Limits of Development of Madrigal and Kanto Culture of Ukraine
Authors: Burkatska Tatiana 
Published: November 2023

The purpose of the study is to understand an essential component of the lyrical-song world of B. Yanivskyi's works as an archetypal national musical index of the Ukrainian spiritual poetics of expression. The research methodology is based on an intonation approach in understanding the nature of music in its genetic relationship with the word, as found in the hermeneutic musicological analysis of B. Asafiev's followers in Ukraine - in the works of D. Androsova, N. Kadantseva, O. Kozarenko, O. Markova, O. Muravska, and others. The methods of historical-biographical, hermeneutical, stylistic and comparative analysis are widely used in the work. The scientific novelty is that for the first time in the practice of Ukrainian musicology, the songs of B. Yanivskyi were examined in the accepted concept of madrigal-canto expressiveness of singing, and thus a clarification regarding the positions of the Ukrainian Biedermeier of the 20th century, adopted in the works of O. Kozarenko, was introduced into the scientific circulation in the national indexing of this kind of creativity. Conclusions. The songs "Don't Forget", "Red Viburnum, Why Are You Bending over in the Meadow?", "Cherry Vikhola", "Be Happy, Sister", showing the quintessence of B. Yanivskyi's song folklorism, show affinity with the themes and style of the bardic song in the terms of the ethically and acutely expressed idea of memory of the heart, loyalty, and generosity of soul. At the same time, the composer combined the principle of bardic confession with the national song-lyrical tradition of canto-madrigal singing, in which, as in spiritual compositions, the text from the first person is presented in an ensemble hypostasis, thus testifying to the tangentiality of the small form to the heights of spiritual lyrics - in the spirit of Biedermeier of the 20th century.
Keywords: song quality, canto-madrigal culture, lyricism, spiritual lyrics, style in music, musical genre.
Works by A. Scarlatti as a Triumph of Beauty and Virtue (on the Example of the Analysis of Opera "Griselda")
Authors: Krasilina Iryna 
Published: November 2023

The purpose of this study is to identify the Christian-church foundations of moral and ethical factors of the plot and compositional collisions of the opera-seria, as well as to recognise in the figurative and dramaturgical positions the continuity from the hagiographic approach of the plot of mysteries and liturgical dramas – on the example of "Griselda" by A. Scarlatti. The research methodology is based on the intonation approach of the school of B. Asafiev in Ukraine, based on the unity of music and speech, based on historical-comparative, hermetic and interdisciplinary research methods, as it is shown in the works of D. Androsova, O. Markova, O. Muravska, and others. The scientific novelty of the work is based on the novelty of reviewing the religious basis of A. Scarlatti's opera-seria as an achievement of the artist and the corresponding assessment of the super-individual bel canto lyrics in "Griselda" as a majestic possession of the religiously minded Master. Conclusions. The affirmation of the dramatic basis of the productions of A. Scarlatti's operas testifies to the mysterious core of his operatic thinking, which causes the super-individual features of the lyrics, which dominates his compositions and gives a super-personal meaning to the virtues of the heroine of the opera "Griselda", which in the demonstration of super-humility of behaviour and actions demonstrates the vital highness of her stage outline.
Keywords: A. Scarlatti, opera "Griselda", opera-seria, religious basis, opera thinking, stage outline.
Interaction of Cultures in Musical Creativity: Chinese Images in Western Music
Authors: Li Huaxin 
Published: November 2023

The purpose of the article is to highlight the traditions of Chinese culture in Western musical art. The research methodology is based on a comprehensive approach, namely the system of historical comparative-typological, musicological, and interdisciplinary research methods. The novelty of the research lies in the first attempt to systematise works by Western composers with Chinese themes, which led to the inclusion of musical art in the dialogue “East – West”; the main vectors of addressing various components of Chinese culture are considered in accordance with the historical dynamics of semantic changes. The conclusions of the study emphasise that the embodiment of Chinese imagery in Western European musical art originates in the works of the 18th to mid-19th centuries, subordinated to the conditionally decorative aesthetics of the “chinoiserie” style, creating a utopian picture of an exotically refined China. The traditions of musical orientalism are developed by classical composers of the 19th century. A turning point is the turn of the 19th and 20th centuries when the emergence of innovative trends, the process of “de-Europeanisation” of Western music leads to the formation of new approaches in embodying the Chinese image. The incorporation of Chinese motifs into Western music illustrates multifaceted cultural exchange and interpenetration of styles. The inclusion of elements of traditional Chinese music, musical instruments, myths, and legends into Western musical practice fosters the interaction of two cultures, resulting in the emancipation of the creative process. This practice adds an aura of exoticism and inspiration to musical interpretation, offering composers the opportunity to express themselves through a non-standard, often amplified sound repertoire.
Keywords: cultural dialogue “East-West”; Chinese music; Western music; cultural exchange.
Piano Concert by Y.N. Hummel No. 2 in a Minor Op. 85 in the Context of Biedermeier's Art of "Light" Pianism of the First Half of the 19th Century
Authors: Xuang Juntao 
Published: November 2023

The purpose of this study is the analysis of Y.H. Hummel's Second Piano Concerto from the perspective of Biedermeier's positions of "light" ("diamond") pianism of the Restoration era, which deployed saving the spiritual foundations of Rococo in the conditions of secularised art of the post-Vienna school. The methodological basis of the research is the intonation approach of the school of B. Asafyev in Ukraine, which is embodied in the works of D. Androsova, O. Markova, O. Muravska, L. Shevchenko and has direct implications for the institutions of Chinese musicology (see the works of Ma Wei, Wu Golin, others). The specifics of the methods of historical-descriptive, musicological analytical, cultural, stylistic comparative, interdisciplinary approach make up the specifics of the research apparatus of the author of the essay. The scientific novelty of the work is revealed in the fact that, for the first time in Ukrainian and Chinese musicology, the so-called Concerto of Y.H. Hummel is analysed in the light of the positions of Biedermeier's "diamond" pianism of "light play" in the continuation of Mozartianism in piano works (based on the works of D. Androsova and L. Shevchenko) and in the development of the concept of neo-symbolism of post-avant-garde modernity according to O. Markova in relation to the performing revival of Hummel's heritage. Conclusions. Piano concert by Y.N. Hummel's A-moll op. 85 is marked by the advantages of pianistic lyrical flourishes over the manifestations of theatrical drama. The predominance of the lyricism of piano flourishes feeds the positions of romanticism against the background of Biedermeier's ideal expressive instructions, inspired by religious sobriety and, like Rococo art, addressed to the ideal aspirations of the soul and a harmonious worldview. In the Concerto, we rely on Mozartian tectonics (the theme of the soloist in the second exposition, mainly a compensatory function of the orchestra), the structure is dominated by exposition, which "washes away" the sonata relations. The predominant position of "piano lyricism" of ultra-fast finger "small technique", the presence of genres (signs of march, nocturne, anthem) in the expressiveness of themes, "obliteration" of tempo-textural contrasts between the extreme and middle parts of the cycle are evident. The features of crescendoing drama with increasing movement intensity from the beginning to the end of the concert cycle in a two-phase (Parts I-II-III) presentation of energy accumulation are revealed, which corresponds to the two-phase nature of the early Christian liturgy honoured by the Biedermeier culture.
Keywords: piano Mozartianism, pianism, "easy", "diamond" playing style, musical genre, style in music, concert.
F. Chopin's Concerts Embodying Biedermeier's Ideas
Authors: Zhu Ziyi 
Published: November 2023

The purpose of the work is to identify the stylistic features of Biedermeier in the large forms of F. Chopin at the level of a piano concerto as bringing connections with spiritualised "light" playing in aristocratic salon gatherings, giving signs of a baroque obligatory concerto in a symphonic form. The constructed heroic-melancholic sub-base of Chopin's presentation of concert typology inspired the latter with a thought-oriented approach, according to the observation of researchers of this author's work. The methodological basis of the study is the intonation approach in the vision of the genetic unity of musical and speech beginnings in the development of the concepts of B. Asafiev and B. Yavorskyi in the works of D. Androsova, O. Markova, I. Podobas, L. Stepanova, L. Shevchenko, with an emphasis on the hermeneutical perspective of such an approach. Also highlighted are biographical-descriptive methods, with an emphasis on its intellectual-biographical aspect for the sake of the accuracy of the interpretive indicators of the analysis of compositions, analytical-structural as focused on the musicological specificity of the thematic and constructive presentation of the features of compositions, interspecies stylistic comparative for the awareness of artistic-artistic and scientific-religious interactions tendencies in F. Chopin's thinking. The scientific novelty of the work is determined by relying on Biedermeier's concept of "big in small" when analysing the large-scale form of the concert, especially as it relates to the initial Warsaw period, when the author created Concertos without returning to this genre in the subsequent stages of his creative life. Conclusions. Biedermeier notes the underappreciated textural and expressive essence of Chopin's presentation of the concert form, which at high tempos of the game "dematerialised" the theatrical dialogue of the classical concert in favour of approaching the thoughtfulness of the lyrical-epic monologue of the baroque forms, inseparable from the spiritual genesis of the named genre. The monologisation of the concert form in Chopin is related to the alleluia complex of Chopin's ultra-fast playing as a representative of spiritualised salon light pianism, no stranger to touches of romantic dramatic antitheticism in the epochal borderline Biedermeier pro-religious chamberisation of expression.
Keywords: concert, genre in music, Biedermeier, "light" style of piano playing, romanticism, musical style.
Long-Term Growth and Development Monitoring Of Children With Rhesus Hemolytic Disease of The Newborn
Authors: Aziza Nia Nurul , Setiati Dita , Amani Patwa 
Published: November 2023

Rhesus hemolytic disease of the newborn (RHDN) occurs due to alloimmunization of maternal red blood cells. Complications of RHDN in infants can lead to hyperbilirubinemia, kernicterus, and anemia. In Indonesia, RHDN prevention has not been a common activity so it is very important for pediatricians to recognize early signs of an infant with severe anemia and severe hyperbilirubinemia, to prevent long-term mortality and morbidity. A case with longitudinal observation of long-term growth and development of a child with a history of RHDN has been reported. Throughout the monitoring carried out, the child did not experience serious problems in the medical field but showed disorders or developmental delays that did not improve over time with various therapeutic efforts. Based on a serial monitoring and treatment data that has been carried out on the child, we assumed there has been permanent brain damage caused by hyperbilirubinemia conditions accompanied by co-morbid sepsis. Brain damage is characterized by low DQ values from the beginning, progressive head circumference leads to microcephaly conditions and the presence of brain defects in the form of arachnoid cysts. The management of child development disorders with RHDN to date has not shown encouraging results. Therefore, experts have shifted their focus towards preventive measures, such as intra-uterine fetal transfusion, which has been shown to significantly decrease the occurrence of RHDN-related child development disorders over the past decade.
Clinical Symptoms of Carpal Tunnel Syndrome and Its Correlation With Vitamin D Level
Authors: Larasari Andira , Anindita Rima , Aswar Andini , Imran Yudhisman 
Published: November 2023

Carpal tunnel syndrome (CTS) is a common entrapment neuropathy of the peripheral nerves in the upper extremities that is often found in workers. Nerve conduction disorders occur due to compression of the carpal tunnel, resulting in motor and sensory symptoms in the hands and wrists. This causes clinical symptoms and characteristic neurophysiological examinations. Vitamin D is an intrinsic factor that causes CTS which is now widely studied and is expected to play a role in the choice of CTS management. Vitamin D is important for maintaining health and has been found to have neuroprotective function. Several studies have proven the association between vitamin D deficiency and the incidence of CTS. Supplementation can improve clinical symptoms and neurophysiological features of mild to moderate CTS patients.
PENERAPAN METODE SUCTION TERTUTUP PADA PASIEN YANG TERPASANG ENDOTRACHEAL TUBE DAN VENTILATOR TERHADAP SATURASI OKSIGEN, TEKANAN DARAH, DENYUT JANTUNG: STUDI KASUS
Authors: Calisanie Nyayu Nina Putri , Fauzi Deni Hamdan 
Published: November 2023

Pendahuluan : Masalah yang sering timbul pada pasien yang terpasang ventilator invasif adalah bersihan jalan napas, diperlukan upaya untuk mengatasinya, salah satunya adalah tindakan suction, namun tindakan tersebut memberikan resiko dampak negatif seperti desaturasi oksigen, perubahan sistol dan diastol, serta peningkatan pada frekuensi denyut jantung. Suction metode tertutup dapat meminimalkan dampak yang mungkin terjadi. Tujuan: Mengidentifikasi penerapan suction metode tertutup pada pasien dengan endotracheal tube dan ventilator terhadap saturasi oksigen, tekanan darah, denyut jantung. Metode: Desain penelitian adalah studi kasus dengan mendeskripsikan kondisi pasien yang terpasang endotracheal tube dan ventilator yang mendapatkan tindakan suction metode tertutup yang diberikan pada 3 pasien yang dilibatkan dalam penelitian. Hasil : Prosedur suction metode tertutup memberikan dampak berupa peningkatan, denyut jantung dan peningkatan tekanan darah yang berangsur turun pada kondisi nilai sebelumnya setelah menit ke 5, sedangkan pada saturasi O2 tidak mengalami penurunan baik pada saat pelaksanaan prosedur maupun setelah pelaksanan prosedur. Faktor pendukung pelaksanaan prosedur ini lebih banyak dibandingkan faktor penghambat seperti sarana yang mudah dan murah, dampak terhadap pasien yang minimal, serta kepraktisan dan kemudahan petugas dalam pelaksanaan. Kesimpulan: metode suction tertutup memberikan dampak minimal terhadap penurunan saturasu O2, perubahan denyut jantung dan tekanan darah serta dapat diaplikasikan dengan mudah di lapangan
PRAKTIK STUDENT CENTER LEARNING (SCL) DI KALANGAN SISWA SEKOLAH DASAR DI DAERAH PEDESAAN DI INDONESIA
Authors: Ilbert Rizal , Fitri Alivfia , Hawa Nadia Ismita 
Published: November 2023

hasil belajar di kalangan siswa. Di masa pandemi Covid-19, pembelajaran transformatif dengan konsep baru Freedom learning mengubah metode sebelumnya. Pembelajaran mata pelajaran Bahasa Inggris membutuhkan variasi strategi misalnya dengan SCL. Sebuah studi terbatas dieksplorasi topik ini. Tujuan: Penelitian ini mendeskripsikan praktik SCL dengan metode Fun English di kalangan siswa sekolah dasar di daerah pedesaan di Indonesia. Metode: merupakan penelitian kuantitatif dengan menggunakan metode convenience sampling. Penelitian ini bertempat di salah satu sekolah dasar di pedesaan di Indonesia yang ditempatkan di perguruan tinggi keperawatan di Indonesia pada Juli 2022. Untuk mengukur praktik perilaku SCL (Student Center Learning), peneliti menggunakan dua instrumen yang terdiri dari karakteristik demografi dan Kimia Menyenangkan SCL. Hasil: Sebanyak 0f 36 responden setuju untuk berpartisipasi dalam penelitian ini. Rerata rata-rata adalah 11,48 (SD±0,64) dan mayoritas responden adalah laki-laki (n: 19, 53,7%). Skor SCL total rata-rata adalah 25,31 (SD±2,59). Analisis bivariat menunjukkan bahwa usia dan jenis kelamin tidak memiliki hubungan yang signifikan dengan praktik SCL. Kesimpulan: Student Center Learning (SCL) merupakan pendekatan pembelajaran yang membutuhkan kerjasama antara guru dan siswa. Guru perlu mendapatkan pelatihan terkait SCL untuk mengetahui tentang course design dan strategi pembelajaran. Sebab dampak SCL diketahui meningkatkan kompetensi dalam Bahasa Inggris.
PENATALAKSANAAN AKUPRESUR DALAM MENGATASI MASALAH MUAL DAN MUNTAH AKIBAT KEMOTERAPI PADA ANAK DENGAN KANKER DI RUANG PERAWATAN HEMATOLOGI ONKOLOGI THALASEMIA RUMAH SAKIT HERMINA PASTEUR
Authors: Srinatania Dewi , Revy Citra Carlina  
Published: November 2023

Pendahuluan : Prevalensi kanker anak sekitar 4% dari seluruh kasus kanker, dan kematian anak di dunia akibat kanker di perkirakan 90.000 anak setiap tahunnya. kemoterapi sebagai pengobatan kanker anak memiliki efek samping mual, muntah, rasa nyeri dan ketidaknyamanan. Salah satu tindakan yang dapat di lakukan untuk mengurangi mual dan muntah dengan terapi komplementer yaitu akupresur. Tujuan: Studi kasus ini bertujuan untuk mengetahui penatalaksanaan akupresure terhadap mual muntah akut akibat kemoterapi pada anak dengan Kanker di Rumah Sakit Hermina Pasteur. Metode: studi kasus deskriptif yang mendeskripsikan mengenai gejala yang muncul pasca kemoterapi pada anak dengan kanker dan kemudian diberikan tindakan akupresur. Hasil : hasil studi kasus penatalaksanaan akupresur pada titik P6 dan titik ST36 mampu menurunkan mual dan muntah pasca kemoterapi pada anak penderita kanker. Kesimpulan: Sebagian besar responden pasien kanker anak dengan pemberian kemoterapi di ruangan sebelum dan sesudah diberikan intervensi akupresur mengalami penurunan intensitas skala mual. Diharapkan Rumah Sakit dapat memberikan serta menyediakan fasilitas atau sarana prasarana yang memadai untuk penyembuhan pasien, khususnya melakukan terapi akupresur untuk mengatasi mengurangi intensitas mual muntah pada pasien kanker anak yang menjalani kemoetrapi.