bluuebunny/crossref_metadata_2025_split huggingface dataset:
Epilogue
Authors: Minks Amanda 
Published: November 2023

Abstract
The epilogue returns to the Southwest United States as a key site for examining the representation of Indigenous culture at the intersection of North and South. A discussion of the historical work of Francis Joseph Attocknie (Comanche) challenges rigid divisions between orality and inscription. Indigenous communities and institutional archives should not be approached as dichotomous spheres. The idea of the colonial archive is often overgeneralized, obscuring the lively interaction and multiple affiliations of people who have created heritage institutions. Discourses of repatriation should consider not only Indigenous claims to archival heritage, but also Latin American claims to US archives. The recognition of mobile, embodied memory must also accompany the study of archival memory.
Automating Empathy
Authors: McStay Andrew 
Published: November 2023

Abstract
Automating Empathy assesses technologies used to gauge how people are feeling. The book begins by historically situating the belief that by reading the body and its expressions one might ‘feel-into’ another. Finding this premise to be epistemologically problematic, the book then progresses to highlight the role of ethics. Automating Empathy advances a ‘hybrid’ approach to questions of technology and ethics, which starts from the position that people are entangled in new technologies. The book is pluralistic, attending to philosophies well-equipped to deal with questions of what is collectively good for society in relation to technologies that interact with intimate dimensions of human life. With early chapters introducing recurrent arguments and positions, the second part of the book addresses technologies and organisational uses. These include education and uses of automated empathy in classrooms and online settings; cars and transport, where cameras and other sensors gauge states such as fatigue, anger, and other emotions, and where cars themselves are design to feel; usage in the workplace, including assessment of bodies and voices in physical sites of work and online settings, and gauging of emotion through proxies in gig work settings; development of brain–computer interfaces that have scope to impact on multiple aspects of everyday life; and finally, renewed interest in enabling people to sell data about themselves. The book concludes automated empathy and its deployment needs to be inverted if systems are to function ethically.
Introduction
Authors: Jobani Yuval 
Published: November 2023

Abstract
In recent years, more and more young Israelis convene to mark Gordon’s Yahrzeit (anniversary of death) with public readings and communal study of his writings. In the last two decades Gordon has also emerged as the subject of a wave of enthusiastic research, reflected in a growing number of books, papers, and doctoral dissertations on his life, thought, and legacy. Why, despite the hundred years that have passed since his death, does Gordon still capture the imagination and inspire young people? Why are contemporary scholars intrigued by his philosophy and views on issues such as ecology, gender, religious renewal, education, and social justice? Addressing these questions, the chapter surveys the vast, and rapidly growing, body of literature on Gordon’s life, thought, and legacy; distills his main ideas and sets them in their historical context; and shows why they are essential to understanding the environmental crisis—and to overcoming it.
The “Return to Nature” Speech
Authors: Jobani Yuval 
Published: November 2023

Abstract
The chapter provides a close reading of Gordon’s well-known “Return to Nature” speech, which ends the first chapter of MN. In this speech, Gordon weaves fragments, idiomatic phrases, paraphrases, and metaphors from the classical Jewish corpus of the Bible, Talmud, Midrashic literature, and Kabbala. This richness of language lends a distinctly prophetic character to Gordon’s speech as well as the validity of religious admonition. In addition, the chapter broadens the canvas against which the depth and scope of the impact of Gordon’s green philosophy on Jewish culture can be better understood. The chapter explores the various ways in which rural collective communities in the Land of Israel were inspired by Gordon to renew and invent Jewish ecological rituals and practices.
Facial Choreographies
Authors: Dodds Sherril 
Published: November 2023

Abstract
The face contributes a vital yet often overlooked component of dance performance. This book examines what the face does in dance and what might it mean. It focuses on popular presentational dance, which permits the face to be one of excess and spectacle, as well as disclosure or deception. The concept of facial choreography resists the idea that the expressive countenance in dance is simply by chance, and instead conceives its movement as purposeful, creative, and communicative. The book centers on three facial case studies: global celebrity Michael Jackson, whose face has occupied a site of fervent controversy; Maddie Ziegler, child star of the reality television series Dance Moms and de facto face of pop star Sia; and a community of hip hop dancers who engage in fiercely contested dance battles. The chapters are organized according to action-expressions, conceived as verbs rather than nouns, actively working even in times of stillness: SMILE, LOOK, FROWN, CRY, SCREAM, and LAUGH. Across each case study, the book explores pedagogies of facial composition, the purpose of codified expressions, and how dancers re-choreograph their faces as a critical unworking of what a dancing visage might represent. Facial choreographies engender opportunity for startling creativity, the articulation of identity, a cathartic expression of emotions and attitudes, and the capacity to dismantle previously held assumptions. As the dancing face tauntingly slips between visual, sensory, and kinetic registers, it ensures that nothing can be taken at face value.
About Face
Authors: Dodds Sherril 
Published: November 2023

Abstract
The introductory chapter considers what various disciplines reveal about the face and takes the idiomatic expression “about-face” to position some of its ideas in opposition to prior assumptions. In the first section, it examines how performance scholarship has conceived the performing face and then speculates as to why the face has failed to receive serious scholarly attention within dance studies. In the second section, it explores the prominence of the face in everyday life, and the breadth of scholarship that addresses its expressions, representations, functions, sensations, and interactions. It identifies five critical strands across this literature that offer frameworks through which to analyze the face. In the final section, it turns to the subject of popular dance performance to suggest that the dancing face can stage a mode of critical work that the face in everyday life has less opportunity to exploit.
SMILE
Authors: Dodds Sherril 
Published: November 2023

Abstract
The SMILE chapter excavates a genealogy of the smile from late nineteenth-century minstrelsy and the early twentieth-century chorus line to show how pedagogies of a racialized and gendered smile persist through the screen performances of Michael Jackson and Maddie Ziegler. It analyzes Jackson’s smile within his early career performances through the racial and racist structures of the popular music industry, which schooled Jackson in the art of polished facial expressions. It then explores how the studio featured on Dance Moms trains Ziegler to smile as a form of service culture, as an ideology of positivity, and as an orientation toward objects of happiness, all of which are tied to the values of competition dance and its ethos of winning. It concludes that popular dance demands a glossy and tenacious smile that labors to fix identities in place, but its capacity to mask feelings and experiences ensures that it can never be trusted.
FROWN
Authors: Dodds Sherril 
Published: November 2023

Abstract
The first part of the FROWN chapter analyzes three Michael Jackson music videos in which he plays screen characters framed as streetwise and dangerous. It employs Gates’s concept of Signifyin(g) to argue that Jackson’s frown works as a choreographic play that calls attention to African American popular music traditions and questions racist social frameworks that seek to fix a primitivist Black masculinity. The second part examines the use of the frown in breaking battles. It looks to ideas of mean mugging, the inaccurate links between breaking and gang violence, and the intertextual deployment of a cartoon character in the frowning b-boy persona. It uses the idea of a provocative frown to assert that the frown might work choreographically to signal discontent and stimulate aggression, but this sits in tension with its capacity to question and reformulate the histories and values of popular dance practice.
LAUGH
Authors: Dodds Sherril 
Published: November 2023

Abstract
The LAUGH chapter first looks at two parodies of Maddie Ziegler in Sia’s “Chandelier” video: the first features talk-show host Jimmy Kimmel and the second is a YouTube mash-up of Star Wars and “Chandelier.” Both draw attention to Ziegler’s viral dancing face to generate laughter. While the first takes an uncritical stance on the original to pursue commercial interests, the second offers a radical interpretation of the original which pushes back against the hold of the mainstream media. The second part of the chapter turns to hip hop battles in which dancers deride or laugh with their opponents to tickle the crowd. Although breaking is often perceived as an aggressive dance practice, the author shows how breakers laugh in the face of their opponents through a corporeal clowning that creates communities of laughter. The chapter develops the idea of a cathartic laugh as each example offers some degree of emotional release.
Language and Cinema
Authors: Markham Peter 
Published: November 2023

Abstract
This chapter asks whether the screen has a language, what is meant by language, and how this might apply to cinematic representation and address. Merriam-Webster definitions of language are quoted, touching on aspects of: systematic aspects; communicating ideas or feelings; use of conventionalized signs, sounds, gestures, or marks; and understood meanings (how this applies to cinematic discourse).The “form or manner of verbal expression” is offered as indicative of style. Style is seen not as a veneer of elegance, as decorous, but as integral to language and its communicative function. The author posits the concept of practical aesthetics—a visual not pictorial resource. The language and aesthetics of film can be understood in one sense as esoteric: “belonging to an art or a department of knowledge.” The transgressive language of cinema is considered a further aspect of its discourse. Cinematic language is shown also as stealing from other visual and narrative forms, as well as itself. The influence of new visual media is brought to the reader’s attention.
Camera
Authors: Markham Peter 
Published: November 2023

Abstract
In this chapter camera is understood first as concept, then practice. Concept covers the categories of invisible/visible, capturing/participating, ubiquitous/restricted, witness/voyeur, transgressive, critical, passive-minimal/dynamic-participatory-complicit, and shapeshifting. Factors determining placement, whether flexible or restricted, are seen as related to film lensing, to angle, to context within a scene or “sequence shot,” and to a filmmaker’s intuition and individual vision. Choice of angle as applied to a single or 2-shot is offered as key to a general understanding, given that staging, looks between characters, the dimensions and configuration of a set/location, space—deep, mid, flat, background—narrative POV, actor, and performance will inform the filmmaker’s options. The following aspects of angles and their effects on the audience are illustrated: frontal angles, profiles, half-profiles, angles articulating narrative POV, back shots, top shots, raking (low, high), dutched angles, angles on axis of the drama, camera height, and character eye level. The reader’s understanding of camera movement is informed through aspects of x-, y-, or z- axes (lateral, vertical, or deep), push in/pull out, speed, axis, countermoves, editing in camera, narrative/descriptive moves, pivots, and steady/unsteady camerawork. Lensing is analyzed through facets of depth of field; wide-angle, neutral, and long lenses; effects of these, and qualities of the image afforded by spherical and anamorphic lenses.
Reading the Screenplay
Authors: Markham Peter 
Published: November 2023

Abstract
The value of reading a film’s screenplay (not a transcription of the completed movie) and the questions this may raise are explained in this chapter. Such a reading—through any omissions, additions, or revisions—can reveal the substrata and development of the narrative and its representation on the screen. Scenes may have been reordered or omitted to render narrative and emotional flow more coherent. Information and repetition in a screenplay may not have proved necessary in the film, while the filmmaker may have needed to clarify on the screen what worked well enough on the page. What might the film reveal about the nature of images on the screen as opposed to words on the page? Has certain dialogue been found unnecessary? Has the screen multitasked in ways the page could not? How much has the screenwriter’s rhythm and tone in their sentences, punctuation, and choice of idiom informed the discourse of the film? In conclusion, the art of the filmmaker is understood as a process of evolutionary decision-making, rendering a film, in a sense, a palimpsest.
Hereditary
Authors: Markham Peter 
Published: November 2023

Abstract
In this chapter the family séance is analyzed in the order of its sections: the scene prelude, Annie exhorts Steve and Peter, the invocation of Charlie, the possession of Annie, and the resolution. Each section is structured as follows: summary, questions (for audience, for reader), commentary, and conclusion (incorporating information conveyed, emotion, visceral sensation, and vision). Screenshots and forensic commentary provide step-by-step critical insights into the art of the filmmaker in regard to storytelling, flow of emotion, staging, shooting and editing, and address to the audience. The chapter considers both cinematic art in general and the filmmaker’s chosen discourse for his film, providing specific instances of his art related to universal principles. The chapter follows Annie’s coercion of the unsuspecting Steve and Peter into a séance, through which she attempts to invoke, and apparently succeeds, the spirit of Charlie—although the spirit’s identity remains ambiguous—resulting in Annie’s possession and a traumatic response from Peter. The change of the order of scenes from screenplay to film is considered. There follows an examination of the transition to the following scene.
Nomadland
Authors: Markham Peter 
Published: November 2023

Abstract
This chapter analyzes the scene in which Dave invites Fern to stay at his son’s home and the scenes of her subsequent departure. Screenshots illustrate the first obligatory scene’s five setups, its shooting and cutting stylistically of a piece with the film’s visual discourse even if its characters are fictional and played by accomplished actors, while the elements of composition and mise en scène are integral to the episode’s drama. A comparison of the screenplay with the film is shown to reveal how the filmmaker replaces the page’s suggested business with more effective static staging. Through screenshots and accompanying commentary, the author demonstrates how Zhao utilizes the resources of practical aesthetics, together with sound, to tell visually the story of Fern’s later departure. Finally, the chapter describes how Fern’s subsequent journey is conveyed by precise imagery that reflects the path of the character’s consciousness, an example of how a filmmaker can reveal the inner mind of a character.
Reproductive Strategies of the Golden Lancehead, Bothrops insularis, from Queimada Grande Island
Authors: Kasperoviczus Karina N , Braz Henrique B. , Amorim Ligia G. S , Almeida-Santos Selma M 
Published: November 2023

Abstract
Reproductive phenology and output of the insular endemic Golden Lancehead (Bothrops insularis) differ from its mainland congeneric relative largely due to its highly seasonal prey (migratory passerine birds). Male Golden Lanceheads “schedule” spermatogenesis to begin in autumn, after the summer migratory season of its main avian prey. While some females acquire enough energy reserves in summer to fuel reproduction, the high cost of vitellogenesis may prevent most of them from doing so. Accordingly, females take advantage of the winter migration of other bird species to acquire extra energy reserves. To track irregular and asynchronous vitellogenesis in females, males have evolved a longer mating season than their mainland relatives. The low reproductive frequency in females, likely a result of scarce and seasonal feeding activity, implies that few females are accessible during the mating season. Behaviors such as mating vigilance by males may have evolved to ensure paternity.
Two Islands, Two Origins
Authors: Murphy John C , Weber John C , Jowers Michael J , Jadin Robert C 
Published: November 2023

Abstract
The Trinidad-Tobago archipelago contains two major islands and about 25 satellite islands ranging in size from 3.6 km2 to less than 1 ha. Despite different origins, both islands with satellites share a continental biota and have a rich snake fauna originating from vicariance and dispersal events. The authors used published molecular and morphological data to compare the two faunas and here discuss their origins and biogeography. Relatively high snake diversity and local endemics are present on both islands, which share some species with each other or with the mainland. Spatiotemporal distribution patterns illuminated by genetic clocks enhance understanding of evolution in the region and provide a more general example for the study of other biogeographic patterns. The authors also examined the literature for historical records. Trinidad shares many species with the Paria Peninsula in Eastern Venezuela, while Tobago species are more closely related to those from Venezuela’s more distant Central Caribbean Coastal Range.
Prospects and Overview for Conservation of Snakes on Islands
Authors: . Lillywhite Harvey B , Martins Marcio 
Published: November 2023

Abstract
Snakes have a successful and pervasive presence on islands, and in many cases populations of snakes on islands are robust. Like many other insular biota, snakes can be sensitive to disturbance and extinction. Insular snakes also exhibit, in general, endemic, interesting, and unusual species and are exemplars of evolutionary adaptation and plasticity of responses to new or changing environments, especially prey. Because of the isolation and size of islands, insular snakes can be models for studies of diversification and extinction. In this chapter, the authors assess the success of snake populations on islands and summarize the threats to extant insular species. The authors believe it is imperative that increasing attention be given to conservation of insular snakes and the islands on which they live. They propose that conservation of these species is important for aesthetic, cultural, and scientific values in addition to other reasons discussed in this chapter and volume.
Facing Authority
Authors: Fossen Thomas 
Published: November 2023

Abstract
When your friends call on you to take to the streets and demand the fall of the regime, this presses a practical predicament that we all address, often implicitly, in our everyday lives: Is this regime legitimate? Facing Authority investigates the ways in which this question of legitimacy can be addressed in theory and practice, in the face of disagreement and uncertainty. Instead of asking, “What makes authorities legitimate?” in the abstract, it examines how the question of legitimacy manifests itself in practice. How can we distinguish whether a regime is legitimate, or merely purports to be so? And what does it mean to do this well? Facing Authority proposes that judging legitimacy is not a matter of applying moral knowledge, provided by political philosophy, but of engaging in various forms of political contestation—contestation over the representation of power (what is the nature of the regime?), collective selfhood (who am I, and who are we?), and the meaning of events (what happened here—a coup, or a revolution?). These questions constitute the heart of the question of legitimacy, but thus far they have been neglected by theorists of legitimacy. This book offers a new way of thinking about political legitimacy and practical judgment, interweaving philosophical analyses of key concepts (including representation, identity, and temporality) with concrete examples of struggles for legitimacy, from the German Autumn to the Arab Spring. The result is a pragmatist alternative to predominant moralist and realist approaches to legitimacy in political philosophy.
Sensing the Dangers
Authors: Wicks Robert J. , Werdel Mary Beth 
Published: November 2023

Abstract
This chapter emphasizes the importance of being aware of the ongoing challenges of acute and chronic secondary stress, especially in dealing with clients who face multiple and varied crises. The chapter explores the definition and causes of burnout and the symptoms of burnout (cynicism, workaholism, isolation, boredom, and depletion) and identifies levels of burnout. It includes an important discussion of the real and present danger of vicarious posttraumatic stress disorder. The chapter also includes one questionnaire for clinicians to use in self-reflection and to deepen their awareness of their personal vulnerabilities to stress, and a second questionnaire to help clinicians uncover potential vicarious posttraumatic stress disorder.
Sexual Violence in Criminal Law
Authors: Andersson Ulrika 
Published: November 2023

Abstract
This chapter analyzes the recent criminalization of negligent rape in Sweden, introduced in 2018. The aim is to contribute to the discussion of criminalization as it relates to violence against women, while taking a broad view of criminalization that includes not only criminalization per se but also the application of law. The analysis of the application of the crime of negligent rape, from the perspective of legal presumptions, criminal and procedural principles, and implicit premises clearly illustrates the complexity of legal certainty and legal protection when it comes to sexual violence. The practice of criminal law could be described as a function of these three intertwined factors, so the criminalization of sexual violence, and perhaps of other types of offenses as well, should therefore be analyzed and evaluated from the standpoint of all three factors rather than just in relation to one of them.
Before Integration
Authors: Salem Joseph 
Published: November 2023

Abstract
In Chapter 4, Boulez’s early correspondence with John Cage reflects the spirit of collaboration between the two composers, including their united commitments to musical structure and traditional genres such as the string quartet. At the same time, the ensuing sources of tension between the composers foreshadow recurring themes among Boulez’s many personal relationships. The second part of this chapter introduces Boulez’s turn to integral serialism through Polyphonie X. The work was a musical failure, but Boulez’s response to its reception created a learning opportunity. Its features relate to problematic trends found throughout Boulez’s formative period, some of which were quickly corrected, while others continued to haunt his creative process for years to come.