bluuebunny/crossref_metadata_2025_split huggingface dataset:
Émergence d’un nouveau paradigme La systémique appliquée à la traduction des concepts évolutifs
Authors: Hadj-Aissa Zohra , Ahmed-Ali Sabrina 
Published: September 2023

Emergence of a new paradigm Systems applied to translation scalable concepts
This paper discusses the notional and conceptual translation and the issues it raises. For this purpose, examples will be provided concerning two types of translation: sustainable development, which illustrates an inter-linguistic translation and virtue, which is intra-linguistic. The new paradigm that is proposed in this article is that of the sciences of complexity and, in particular, an application of the need for a synergy of forms of knowledge. A reflection on both the syntagmatic and paradigmatic use of a word and its evolution will refine research and will clarify the usage of a term in a language for specific purposes.Some concluding remarks have been drawn from this research. While the classical analytical rationalist approach obviously tended towards reductionism based on causality and linear reasoning which gives rise to exhaustiveness, the systemic approach sets out on the path of relevance, interaction, and globalism, particularly in relation to the environment of the system.
The systemic approach is teleological “in search of the behavior of the conceptual system”. The latter is an approach that responds to aggregation or “modeling for simplifying representation”. It consequently adheres to the concept of interaction between the components and the concepts, of which the feedback "the feedback" which is a form of it.The complexity - far from being a complication - can be inherent in the very composition of the system essentially based on reticular relations also depending on the uncertainty of the environment of the system in question.The concept is a complex entity, even hypercomplex, whether it is intrinsically superordinate, subordinate or coordinated, the latter cannot be approached in a reductionist way. He must resort to systemics, the approach of which consequently lends itself to a conceptual exercise in the reconstruction of knowledge and consequently of the concept: A reconstruction which aims to be faithful, adequate and almost absolute, eliminating the risk of falling into the anarchy of designations and incomprehension due to the fact that complex thought is “animated by a permanent tension between the aspiration for a non-parcel, non-partitioned knowledge and the incompleteness of all knowledge”. The elasticity of the concept inevitably appearing insofar as it is transversal and moves from one discipline to another and from one theory to another.
Les TIC catalyseurs de littératies
Authors: Belazreg Nassima 
Published: September 2023

ICT as catalysts for literacies
Just open the book and put the head of the pen on each word you don’t know how to pronounce it. So, it helps a lot for any who want to learn a new language.Now, technology is the best mean of people to be just as the evolution in the world. It helps people to have the capacity of reading and understand and to use information in everyday life. Information is transmitted through phone mobile, Internet, TV, where the user is free to choose the language which he masters.ICTs have invaded the lives of all Algerians in all areas. This phenomenon has become so important that it has become impossible not to take it into account in the study of human activity. Communication situations have continued to diversify and evolve. But the new element in this communication is translation, which has become an integral part of the global information society. It is a translation that has made it possible to iron out difficulties between speakers belonging to distant cultures and to facilitate access to information and knowledge in different languages. Also, the translation of WEB sites has contributed to a better understanding of world cultures. Also, internet has given people to develop literacy. But, in our research, we interrogate the way literacy affects the web and the way translation serves professional ends.Finding its fundamental purpose in commercial strategies, translation at the level of websites perfected it may be at the level of its development. It has become a means of contributing to the achievement of objectives superior to those which it was pursuing itself. At the communication level, it fulfills a specific function at the economic level and it has also a preponderant function at the level of the reconstruction of the social architecture.
لمحة عن البدايات الأولى للدبلجة
Authors: قرقابو سعاد 
Published: September 2023

A Glimpse of the Early Beginnings of Dubbing
The seventh art has made it possible to put life into a picture and to make it look vibrant. The silent movies started, and soon sound was introduced to generate films with synchronized dialogues. On the other hand, the challenge was the language barrier because it was no longer possible to comprehend the movie with all its various dimensions fully. As people demanded films in their language, translation was mandatory. This article gives a glimpse of the appearance of the dubbing and its first beginnings in the world, and its historical path, as is the pattern of every mechanism or technique, be it social, artistic, cultural, scientific, economic... It has a historical trajectory that captures its first steps and constrains the motives behind its emergence. Finally, we concluded that dubbing appeared to solve the language problem. In other words, it was the most effective way to overcome the language barriers that emerged with the non-silent movies. We considered then that the dubbing mechanism emerged as a solution to the language problem, and it constituted the effective means to overcome the linguistic obstacles that appeared by inserting the sound into the image. With the emergence of the talking film, it was possible to enable societies with different tongues to understand films and enjoy watching them. As soon as the viewer faced difficulty to fully understanding the film, with the coupling of the sound and the image things changed.It became difficult for viewers to understand the presented material because images were not understood by everyone in accordance to differences in terms of languages and cultures. A century after the emergence of the dubbing mechanism, it was le to spread all over the world, and it achieved great success.
La traduction n'existe pas, l'intraduisible non plus : Le cas des noms propres en Arabe
Authors: Benaissa Tarek 
Published: September 2023

Translation does not exist; neither does the untranslatability: The case of proper names in Arabic
During this article, I shall make concern my reflection the problem of the translation of the proper noun which settles relentlessly. Often, the discount of a translation is lying about because of some proper nouns which remain to be translated. The problem arises every time differently, drawing our attention at first on the variety of the categories which we can classify under this appointment, then on the variety of the requirements which requires their translation, we shall expose the diverse aspects of this problem from the study of four dimensions: semantic, sociolinguistic, graphic and phonetic.
Frauenbilder in der Liebeslyrik Bertolt Brechts und Nizar Qabbanis
Authors: Mokadem Fatima 
Published: September 2023

Images of women in the love poetry of Bertolt Brecht and Nizar Qabbani
The aim of this article is to scientifically and precisely examine the image of women in the language of B. Brecht and N. Qabbani's love poetry, which would allow to identify their similarities and differences. Ultimately, an attempt is made here to identify the cultural parallels between B. Brecht's and N. Qabbani's love poetry, which depicts women. In order to ensure this accuracy in the context of the present contribution and at the same time to present the diversity of the imagination of the female, it is necessary to examine individual images and motives to begin. This contribution aims to analyze the pictorial vocabulary used by Qabbani and Brecht to represent the feminine. At the same time, it is clarified how both poets proceed in the design of feminine patterns using the example of mother, lover and wife, i.e. how they "condense" the found female reality.
L’équivalence fonctionnelle dans la traduction Le poète du Malhoun dans l’oeuvre de ‘Marguerite’
Authors: Bencherif Ahmed 
Published: September 2023

Functional equivalence in translation The poet of Malhoun in the work of 'Marguerite'
This work studies a literary work that objectively and meticulously depicts historical data from the last quarter of the 19th century and that relates to the significant events of the French colonization of Algeria. The choice of the literature is due to a lack of testimony. The Algerian writers, who carved the literary productions, evolved, in their works, around their misery and torments. They had not completely restored the historical context of the period studied. Neither did the colonial writers devote their pen to the stories of the country in which they lived. They were colonial thinkers, almost ethnic cleansers, insofar as they advocated theories to oppress the natives. This work aims to situate and investigate the colonial phenomenon by demonstrating how it progressed through discrimination in the fiscal, agricultural and social policy against Algerians.
ترجمة الحجاج في القرآن الكريم دراسة تداولية لترجمة "محمد حميد الله" لمعاني سورة الأنعام إلى اللغة الفرنسية
Authors: مريبعي سهيلة 
Published: September 2023

The Translation of argumentation in the Holy Quran: A pragmatic study of the translation of Muhammad Hamidullah to the meanings of the Surah Al-An'am into French
The Holy Qur’an is one of the heavenly books that have occupied thinkers and theorists since the dawn of human civilization, especially since the Qur’an is a rich material for studying inimitability, grammar, meanings, Al-Badi’ and rhetoric. Since translation is concerned with the study of texts and their transfer into different languages, and after the development and ramifications of the science of translation in its specializations, the topic of translating the meanings of the Noble Qur’an was one of the studies that drew ink from many translators and researchers.This scientific paper examines the translation of argumentation and persuasion in the Surah Al-An'am because of its unique eloquence. The aim of this study is to address the extent to which the translator was able to convey these arguments to the reader in the French culture. That is why we will see how the translator was able to influence the views and behavior of the French interlocutors, and did he succeed in winning the hearts and directing the minds of the readers; We also address the extent to which translation approaches the meanings contained in the arguments of the Qur’an, and whether the translator was able to convey them faithfully in order to achieve persuasion.Hamidullah’s translation of the Qur’an is considered to be one of the most important French translations and the closest to the meanings of “The Quran” and fulfilled its purposes and goals. Hamidullah sometimes relied on the interpretive translation to be able to reach the required argumentation, and at other times he adheres to a close literal translation.Hamidallah's translation was faithful, but it lacked the original French refinements, especially as we know that he relied in his translation on the old original copies in Qur’anic studies, going back to their manuscripts and deciphering them.However, despite its accuracy, this translation lacks further explanations and commentary that a text as rugged as the Qur'an would require. It is not possible for the French reader to enter into the symbolic worlds of the Quran, and its stylistic variability as well as its cultural codes, only through the grace of elucidation and expansion. Hamidullah confined himself to the apparent meanings, and he may have neglected some of the signs and allusions involved in the verses, even though “the Qur’an is a carrier of faces.”
Écriture de l’amalgame générique dans le Roman de Malika Mokeddem
Authors: Belkacem Dalila 
Published: September 2023

The generic amalgam Writing in the Novel of Malika Mokeddem
The present article adresses and discusses the metissage of writing in selected novels by the Algerian writer Malika Mokeddem. The analysis demonstrates that Mokeddem’s novels break genre rules; in fact, the borders between genres are permeable and entirely shattered. They oscillate between the true, the plausible and the implausible, thus creating a hybrid form. Mokeddem’s writing imitates the movement of her heroines in their quest(s) for identity and reflect her literary project which cosists of writing the story of her life in several novels.Malika Mokeddem has chosen to display the novel genre on texts, especially for those chosen for this article have imposed themselves by their rapprochement in the narrative frame. Any reader, whether informed or not, feels this impression of 'continuity' and 'sequence' when he enters the literary universe of the writer. And what, at first, is an impression is confirmed over the course of reading. The writer is responsible for highlighting the common thread by sprinkling her stories with clues. Her texts are, therefore, crossed by this crossbreeding of writing which stems from that of his flesh. "Mixing», and "diversity" are the criteria that run through her entire work and permeate it, they are also the elements that "translate" it best. Thus, the texts, the languages, the cultures as multiple as they are, rub shoulders so closely that they end up interpenetrating and forming only a multiple “one” or a united “whole”. In their plurality, Mokeddem texts call for uniqueness. A reconstruction of the “meta-text” of Malika Mokeddem has imposed itself since her text is offered to be read in fragments. Thus, and beyond the multitude of characters, it is a single "I", that of the author, who is told.This crossbreeding of writing, these mixings of the flesh and these genrological mixings announce, therefore, the presence of the 'bursting' at different levels in Malika Mokeddem's novel. Her writing follows the movement of her characters in their quest(s) for identity, elsewhere. All the ambiguity and particularity are reflected in her texts and in the character of her writing. Indeed, the author/her work is both united and fragmented. Her writings agree to form a text: the one that partly relates his life and on the other hand, they "Disagree". They unite in bursting and burst in uniqueness which “totally” reflects the literary project of Malika Mokeddem who writes the story of her life in several novels.
Le recours à la stratégie d’interlocution comme prétexte à la subversion du romanesque traditionnel dans Jacques le Fataliste et son maître : Approche narratologique
Authors: Malki Benaid 
Published: September 2023

The strategy of interlocution as a pretext for the subversion of traditional romance in Jacques le Fataliste et son maître: Narratological approach
Jacques le Fataliste et son maître, a modern novel intended for posthumous publication (1797) continues to attract exegetes because it fascinates with the labyrinthine design of its structure and the audacity of the themes evoked therein, in particular that of the novel conceived in a substantially meta-romantic subversive perspective: exhibition of the arbitrariness of the narrative, primacy given to the latter to the detriment of the story, amalgamation of temporal levels, integration of reception in creation, interferences between reality and fiction... Suddenly the writing is deceptive in what it tells. But in the aftermath the enunciation becomes enjoyable in the way of telling, thereby displacing the interest of a reading governed by a pact of belief, towards that governed by a contract of connivance where the role of the receiving body is undeniably structuring.The deployment of the interlocution and the discontinuity in the textual space shakes the foundations of the traditional novel which collapses as a result under the effect of formal games contributing to the outrageous complication of the story and its very clear inflection of a realism. of complacency towards a distanced realism of connivance.Thus by means of the discontinuity, immediate consequence of the interlocution, the text buds, with incises, expansions, digressions, interpolations..., in the sense that the exaggerated intrusions seriously damage the credibility of the story, less supported by a causal logic that the unbridled intervention of the author correlates with the unexpected intrusions of the reader. Also the story exhibits its arbitrariness, overhanging history, reduced to a simple pretext for meta-romantic discourse. Standing out from already established tastes, Jacques le Fataliste is a novel that deliberately contributes to shifting the criteria of appreciation of a readership put on the alert. As a result, the writing is deceptive in what it tells. The disconcerting opening, as we have seen, which nips in the bud the expectations of iconicity in a credulous reader, conditioned by soothing horizons of expectation, is proof of this. But in the aftermath the enunciation becomes enjoyable in the way of telling, thus shifting the interest of a reading governed by a pact of belief, towards a reading governed by complicity. It follows that the systematic inclusion of the Diderotian narrative-discourse in a perspective of interlocution has the function of opening a large breach in the traditional novel by staging the adventure of a writing that calls itself into question. as she searches for herself.
Le paratexte comme élément révélateur
Authors: Hammouche-Bey Omar Rachida 
Published: September 2023

The paratext as a revealing element
The paratext and paratextual elements are still under study although some authors such as Genette, Mitterand have rigorously demonstrated their importance in the text of stories, novels, short stories, etc. It is only in recent years that the surroundings of the text have been analyzed and that we discover with these elements the richness and the pleasure of the text, as Roland Barthes likes to say. The title and subtitle, the cover, the epigraph, the dedication, the preface and finally the titles of the chapters play the role of clutch and triggering of a possible reading.The paratext has been almost unrecognized if not ignored, whereas today it occupies a dominating place. It is a call that every author makes to his reader. In recent years, this expanded textual space has been the subject of numerous investigations that have resulted in fruitful debates. Title, subtitles, preface, notes, epigraph, dedications, and many other more or less visible surrounds are echoes of the text that any author explicitly or implicitly makes available to the reader who must know how to decode before any reading and who will make it easier for him to choose the book. These paratextual elements are the signature of the author that any informed or uninformed reader must know how to decipher for the understanding and analysis of a text.
Der Satzbegriff im Deutschen und Arabischen
Authors: Lachachi Djamel Eddine 
Published: September 2023

The concept of sentence in Deutsch and Arabic
This article examines the various aspects of sentence definition in German and then in Arabic. This is to be an examination of the status of the sentence in either language, namely Arabic and the German Language. These differences are structural in nature by having pragmatic implications. Indeed, there exists no general theory of the sentence. Scholars distinguished nominal sentences and verbal sentences, but they did not explain each notion by the other, but rather by using the two terms: subject and predicate. The proper notion of the subject is unknown to scholars in languages different from Arabic, namely Greek and Indo-European languages. It has no name in the nomenclature and it is still the same today in Arabic grammar.
Configuration spatiale et violence Dans Des rêves et des assassins de Malika Mokeddem
Authors: Moussedek Leila 
Published: September 2023

Spatial configuration and violence in Dreams and Assassins of Malika Mokeddem
This work is a reflection on the poetics of space in the novel Des rêves et des assassins by Malika Mokeddem. It is a question of questioning the spatial configuration; its semantics, its symbolism and its functionality in order to underline the specificities and particularities of his writing linked to the theme of violence in Algeria in the 90s.Several notions are approached in this analysis: the imaginary of space, the paradoxical city, spaces and affects and the inside and the outside. Through this study, we arrived to many concluding remarks. It was realized that the spatial issue takes on a political and ideological dimension in this novel, denouncing both the violence of the 1990s with its many forms and the Algerian feminine condition because women remained the target of Islamists during the dark decade.Through the city of Oran, the author represents the Algerian space of the 90s, defined by its cruelty, its terror and by its multiple internal and external faces that are often negative and derogatory for the characters; thus spatiality is no longer a simple decor that adopts a mimetic role but it contributes to the writing and dramatization of the story and “becomes an agent of fiction”.The configuration of space in Des rêves et des assassins is intended to be subjective since it is linked above all to the suffering, the pain, and the affliction of the characters who never arrive, despite all the trials and attempts, to resist daily external and internal violence.
الحوار في شعر عمر بن ربيعة
Authors: سكران عبد القادر 
Published: September 2023

Dialogue in the Poetry of Omar Bin Rabia
Whatever the poet is imitating others, he has a peculiarity that makes him unique during his imaginary imitations that he wears by his experiences selected from his reality, and as a culmination of this individual peculiarity of ancient Arabic poetry in its cognitive parts, we look at the element of “dialogue” in the poetry that Omar bin Abi Rabia employed and used as a means In most of his poems, he intended to reach his goal in the closest way, and by resorting to double linguistics in poetry, achieving at least two functions: the first is to draw close to the common people, and secondly, the poet took the admiration of the linguists who admitted to him the correctness of his language, so they protested his verses against some grammatical rules, and if this is the case with The ancient historians of Arabic literature in the modern era made him one of the great poets.With such a dialogue, the poet makes us in a position to follow the events, and wait for the director’s result after the critical dangers represented in the fear of the girl’s family, if his case is exposed, and victory over everyone when he emerges safely from the predicament, and it is not excluded that what he wanted will be achieved in the end, as it is natural To follow in his performance of juveniles the path of both physical and psychological integrity, but in many cases he departs from this easy path, to the weight of the strange word, especially when he resorts to natural or bodily descriptions,By resorting to double linguistics in poetry, the poet has achieved at least two functions: the first of which is to draw close to the common people, so they praise him, and draw close to him by narrating his poetry. Rather, singers sang about it, such as Ibn Aisha, Ibn Sirij, and others. They protested with a few verses against some grammatical rules, and if this was the case with the ancients, then historians of Arabic literature in the modern era made him one of the heads of the great poets. Complete parts, and Abbas Mahmoud Al-Aqar, Omar bin Abi Rabia, the poet of spinning, and the author of the book (And Is the Moon Hidden)? and others.