bluuebunny/crossref_metadata_2025_split huggingface dataset:
Coriolanus
Authors: Gooch Bryan N S , Thatcher David 
Published: November 2023

Abstract
2268 Aramian, F. A, [Koriolan]. MS [circa 1980]. Incidental music. Performed to coincide with the Deutsche Shakespeare-Gesellschaft conference, Weimar, 26 April 1980 (Dramaticheskii teatr im. Sundukiana [of Erevan, USSR]: Ch. Abramian, Coriolanus; L. Oganesian, Volumnia; R. Kaplanian, director).
King Henry V
Authors: Gooch Bryan N S , Thatcher David 
Published: November 2023

Abstract
4690 Amram, David. Henry V. MS [1960 (composer)]; New York: C. F. Peters (formerly on hire). Incidental music: [male solo voice]; ch orch (fl [doubling pie], ob [doubling Eng hn], hn, tpt, trbn, perc [2 players], hp [or pl], vcl). First performed New York Shakespeare Festival, Belvedere Lake Theatre, Central Park, 29 June 1960 Games Ray, Henry V; Leonardo Cimino, Chorus; Bill Monell, singer; Joseph Papp, director). [This music was probably also employed for a touring production mounted by the Festival’s Delacorte Mobile Theater, which opened at Mt. Morris Park, Manhattan, 26 June 1965 (Papp, director).]
King Henry VIII
Authors: Gooch Bryan N S , Thatcher David 
Published: November 2023

Abstract
4966 Applebaum, Louis. —. MS 1961 (Tyu [Louis Applebaum Papers/Accession I/Box 17/File 284 (T-12)]). Incidental music: [high] voice; orch (fl, ob, bsn, hn, 2 tpt, 2 trbn, tuba, perc [2 players for timp, bells, vibes], gtr). First performed Stratford Shakespearean Festival, Festival Theatre, Stratford, ON, 20 June 1961 (Douglas Campbell, Henry VIII; Kate Reid, Queen Katherine; Douglas Rain, Wolsey; Alan and Blanche Lund, choreographers; Alfred Strombergs, conductor; George McCowan, director). 4967 Attwood, Thomas. [—]. MS [1799). Song for singing actress. [First] performed Covent Garden, London, 1 S May 1 799 Ooseph George Holman, Henry VIII; Elizabeth Pope, Queen Katherine; Alexander Pope, Wolsey; Eliza Atkins, Patience and singer).
Julius Caesar
Authors: Gooch Bryan N S , Thatcher David 
Published: November 2023

Abstract
5245 Aaltoila, Heikki. Musiikkia nciytelmdiiri Julius Caesar [Music to the Play Julius Caesar]. MS I’J59 [Suomen Kansallisteatteri]. Incidental music: [ms solo; orch (fl, ob, bsn, 3 hn, 2 tpt, 3 trbn, tuba, timp, perc [2 players], hp)]. First performed Suomen Kansallisteatteri, Helsinki, 18 March I 9S9 (Jalmari Rinne, Julius Caesar; Jussi Jurkka, Antony; Leo Riuttu, Brutus; Matti Ranin, Cassius; Eila Peitsalo, Lucius; Edvin Laine, director), in Arvi Kivimaa’s adaptation of Paavo Cajander’s translation.
Troilus and Cressida
Authors: Gooch Bryan N S , Thatcher David 
Published: November 2023

Abstract
16432 Amie!, Jon. [—]. MS [1973]. Incidental music. First performed [Arts Theatre, Cambridge], 1973 (Marlowe Society, Cambridge University: Mike Thomas, Troilus; Sandra Billington, Cressida; Andrew Wickes, Pandarus; Richard Cottrell, director). 16433 Amram, David. [—]. MS [1965 (composer)]. Incidental music: [ch orch]. First performed New York Shakespeare Festival, Delacorte Theater, Central Park, 4 August 1965 (Richard Jordan, Troilus; Flora Elkins, Cressida; Frank Schofield, Pandarus; Joseph Papp, director).
The Two Gentlemen of Verona
Authors: Gooch Bryan N S , Thatcher David 
Published: November 2023

Abstract
18348 Amram, David. [—]. MS [1957 (composer)]. Incidental music: [singing actor(s)]; fl, ob, bsn, hn, perc, hpchd. First performed New York Shakespeare Festival, Belvedere Lake Theatre, Central Park, 22 July 19 57 (Robert Blackburn, Valentine; [Paul Stevens], Proteus; Anne Meara, Julia; Herta Payson, choreographer; Stuart Vaughan, director).
18349 Applebaum, Louis. Two Gentlemen of Verona. MS 1958 (Tyu [Louis Applebaum Papers/Accession I/Box 19/File 308 (T-4)]). Incidental music: [male] solo voice; instr ensemble (ob, cl, hp, vln, vcl). First performed Grand Theatre, London, ON, 14 February 1958; this touring production opened in New York at Phoenix Theatre, 18 March 1958 (Stratford Shakespearean Festival Company [of Stratford, ON]: Eric House, Valentine; Lloyd Bochner, Proteus; Ann Morrish, Julia; William Cole, singer; Tom Brown, choreographer; Michael Langham, director).
James Ussher
Authors: Parry Graham 
Published: November 2023

Abstract
Selden ‘s funeral sermon was preached by his lifelong friend James Ussher, the Irish theologian and antiquarian, who declared that ‘he looked upon the deceased as so great a scholar, that himself was scarce worthy to carry his books after him. ‘ In truth, however, they were of a similar stature, towering figures of scholarship, ‘the great Goliaths of Literature ‘ as Anthony Wood called them.1 What Selden was to legal antiquarianism, so Ussher was to ecclesiastical antiquarianism, each a master of prodigious learning, and as familiar with the most ancient sources of his subject as of its subsequent development through the ages until his own time. But the current of Selden ‘s researches flowed towards a more secularized world, whereas Ussher primarily directed his energies to consolidating the position of the reformed Church in a world where religious issues remained paramount. Ussher ‘s work was in fact the last great flowering of Reformation scholarship in Britain, in the tradition of John Foxe, John Jewel, and Matthew Parker, and like them, he was concerned to demonstrate the truth and antiquity of the Protestant religion against the arguments of Roman Catholic antagonists. He was a major participant in the intellectual war between the Roman and Protestant Churches that persisted for a century after the Reformation, and for that reason, much of his writing was in Latin, for he addressed an international audience. Yet it was his distinction to remain an admired and respected scholar even amongst his Catholic opponents, for the integrity of his beliefs and the quality of his scholarship alike impressed themselves on his contemporaries of all parties.
Britannia Revised
Authors: Parry Graham 
Published: November 2023

Abstract
So diverse and industrious had the enquiry been into the antiquities of the nation in the course of the seventeenth century, that in the last decade a project was floated to bring out a new edition of Camden ‘s Britannia that would reflect the remarkable advances in antiquarian understanding in the hundred years since its first publication. The prime mover of this project was Edmund Gibson, a young Fellow of Queen ‘s College, Oxford. He himself was a precocious antiquary, whose enthusiasm and discipline qualified him to be an admirable editor of the Britannia. Born in 1669 in Westmorland, Gibson had become fascinated by antiquarian studies as a student, and in particular he was drawn into Anglo Saxon scholarship by the influence of George Hickes who had brought that subject to a new eminence in Oxford in the 168os.1 His talents were rapidly revealed by the edition of the Anglo-Saxon Chronicle that he published in 1692, with a Latin translation and notes. Abraham Wheelock had already printed a version of the Chronicle, based on a manuscript in Cotton ‘s library and on the manuscript at Corpus Christi College, Cambridge, but Gibson was able to draw on further versions to produce a much more substantial edition of this collection of documents, which forms such an important continuous record of events in England from the late sixth century until the Conquest.
Theocritus Thirteen
Authors: Campbell Malcolm 
Published: November 2023

Abstract
Hylas is seized by nymphs-not the nymphs of epic, but the kind that haunt the ordinary countryside, the forebears perhaps of ledonnedifuora (known also as donne di note, cf. 45 fin.) of Theocritus‘ homeland: fond of dancing, sleep less, attracted by handsome humans, dangerous and often lethal but given also to displays of maternal affection, as the nymphs here attempt to console the weeping κoυ ρoc (53, heralded by 46) perched on their knees (a wry echo, as Gow notes, of Il. 21.506, where Artemis goes child-like to Zeus for comfort). The tears, and another distinctive element in the sequel to Hylas‘ abduction, the answering cries (58f., also epic in texture), smack of local tradition: a κoυ ρoc (of illustrious parentage) snatched away by nymphs but living on to participate in a ritual lament in the form of an echo from the depths of a spring. (One might have inferred this much even if the Nie. /Ant. Lib. account cited by Gow on 58 and allied versions had not been preserved.) Antiquarianism takes a back seat in Theocritus, whose Hylas is a true object of pity. Fully alerted as we have been to his immaturity and dependence on Heracles the father- and indeed (12f., seen. 13) mother-figure, we must feel for this weeping recipient of divine favours who attempts as π α ic (59) to communicate with his lost ϵ ρ αcτ ηc, rather as we feel for the ‘tearful‘ shade of the hero Sthenelus, who parted company for good with Heracles on a previous expedition and who yearned to re-establish contact, however fleetingly, with the land of the living (A.R, 2. 911f.).
The Political Background of Democritus
Authors: Lewis David 
Published: November 2023

Abstract
A Recent courageous attempt to investigate Democritus‘ political theory tells us ‘We know nothing whatever … about his involvement, if any, in the politics of Abdera, about whose constitution at this period we also know nothing.‘ No one knows better than Kenneth that such statements, crossing the borders of the conventional disciplines, are liable to go out of date, sometimes long before they are made. There is in fact a certain amount to be said. The student of political thought may need to be reminded of some basic facts. Abdera was founded by refugees from the Ionian city of Teos after the Persian conquest of Ionia, say, in the late 540s. Herodotus (r. 168), who tells us this, speaks as if the entire population moved, but Strabo (14. r. 30, p. 644) says that some later returned to Teos. Indeed, quite apart from local epigraphic evidence to be considered later, the Athenian tribute-lists attest the existence of Teos from 450, paying 6 talents, two-fifths of the amount paid by Abdera. That the Teian identity of Abdera was strong might have been inferred from Herodotus‘ reference to Tηiω ν τ ω ν ϵ ν Aβ δ η ρoici; there were further indications in the varying origins ascribed to Protagoras and Hekataios of Abdera, both also described as Teians, Protagoras by his contemporary Eupolis.
Sexual Violence Archaic Athens and the Recent Past
Authors: Kilmer Martin 
Published: November 2023

Abstract
Mark Golden has recently argued that. there is an undercurrent of sadism in Greek art of the late archaic and classical periods-to be found in both literary and visual arts. As prime examples of this, he cites literary accounts of the (ritual) murders of Iphigeneia at Aulis (described by Aiskhylos at Ag. 231-47) and of Polyxena (described by Euripides in the Hecuba). His prime example from the visual arts is the Wounded Niobid in the Terme Museum (a some what controversial piece; but in this case it matters little whether the statue is really Attic and of mid-fifth-century date, or is a later copy of a statue of the same period).
Thucydides 6. 100
Authors: Yaginuma Shigetake 
Published: November 2023

Abstract
Thucydides 6. 100 contains five sentences: the first sentence (100. 1) comprises 137 words, while the second (100. 2) has 7, the third (100. 2) has 13, the fourth (100. 2) has 25, and the fifth (100. 3) has 22. That is to say, this passage consists of one extremely long sentence and four much shorter ones. My question is why the first is so long and the others so short.
‘Only the Other Day‘
Authors: Russell Donald 
Published: November 2023

Abstract
"Greek Homosexuality is the book we must all consult when our exploration of antiquity comes up against that phenomenon. One thing perfectly clear from Kenneth Dover‘s evidence (e.g. p. 197) is that the practice was accepted in many cities by about 600 BC, well before the classical period of Attic culture. That its original centres were Dorian-specifically, Crete and Sparta-is the common view, both in ancient and in modern times. Then why, in a dialogue set in the second half of the first century AD, and written only a generation later than its setting, should a character be made to call the introduction of homosexual practices recent? Yet Daphnaeus, one of the champions of heterosexual love in Plutarch‘s Amatorius, says just this (715 F):
Trochee to Iamb, Iamb to Trochee
Authors: Parker Laetitia 
Published: November 2023

Abstract
The rhythmic sequence ... × _ ⏝ × _... is almost ubiquitous in Greek metre. In the sapphic and alcaic stanzas of Lesbos it provides a setting for the aeolic signature-phrase_ ⏝ ⏝ _ ⏝ ×. In Sicily, Stesichorus seems to have combined it with dactylic to create dactylo-epitrite. In its most common and extensive use, above all in Attic poetry, it is constructed Κ α τ μ ϵ τ ρo ν either as ‘iambic‘ or ‘trochaic‘, depending on whether the anceps position begins or ends the metron. The close kinship of the two rhythms is well illustrated by Porson‘s observation (supplement to preface to Hecuba) that subtracting _ ⏝ × from the beginning of a catalectic trochaic tetrameter leaves an iambic trimeter, caesurae, ‘bridges‘, and all. One colon, the lecythion, is equally at home in either metre, and can serve to make the transition between them.
The Genesis of Jacoby’s Atthis
Authors: Chambers Mortimer 
Published: November 2023

Abstract
"‘Have you read Jacoby‘s Atthis?‘ asked K.J. Dover of an American pupil forty years ago. I then did my best to work my way into this formidable study. Eberhard Ruschenbusch was later to tell me this was the first book he ever read in English: at first hearing, a breath-taking achievement, but then understandable in view of the flowing Germanic structure of Jacoby‘s prose. Complex as the book is, its genesis was no less so, and I hope that Sir Kenneth, who knew Jacoby, may enjoy its story. FelixJacoby (1876-1959) had to give up his chair of Latin in the University of Kiel in 1934. He moved to Finkenkrug, a suburb of Berlin (now in the GDR), where he and his wife lived with their son Hans and his family.
Introduction
Authors: Swain Simon 
Published: November 2023

Abstract
This book is concerned with Greek culture and society between AD 50 and 250, the period known to us from the biographer and sophist Philostratus as the ‘second sophistic’.’ My aim is twofold. First, I want to explore the identity of the Greeks of this time with respect to their ancestors, the ‘ancient Greeks’, who were the source of their moral and political authority. The focus will be on the male Greek elite, that is, the restricted group in control of economy, culture, and government whose activities and beliefs are reasonably well known to us, and on the world of Old Greece and Asia Minor, where the culture in which I am interested was best represented and where populations most clearly expressed their relationship with the Greece of the classical or mythological age. In the second part of the book I want to consider from the standpoint of Greek culture how the leading Greek intellectuals of the second sophistic viewed Rome and Roman power in Greece and the Greek world. Periodization is naturally problematic. It too often reflects examination syllabuses rather than real cultural or political boundaries. However, the world of the Greek elite in the second sophistic age is distinctive. In political terms it benefited particularly from the prosperity and stability of the High Roman Empire and from its largely philhellene emperors.
Past and Present
Authors: Swain Simon 
Published: November 2023

Abstract
The phenomenon of atticism leads naturally to a discussion of the wider relationship between the Greek past and the present in the second sophistic. This is a more complicated matter. Atticism is of course a part of the general reinvention and recreation of the classical age that is so striking in our period. But, as has been noted, the atticists never sought to control the language of the non-elite as the promoters of katharevousa did in modern times, cynically or otherwise. With atticism we are dealing with something of concern to the elite only (even though elite-mass relations are an essential element in it). History and tradition are different creatures. Actual reinvention and recreation of foundation legends and myths was no doubt in the hands of the elite (I shall be looking at some examples of this control below). But the statements of literary texts, the historical themes of the sophists and rhetors, historical references and assumptions in political oratory, the presence of semi-historical and historical tales in the ever popular entertainment of the pantomime, evidence from the competitions, festivals, and visual arts of this era, together with the ‘sub’-literary pseudo-histories of Alexander the Great and other historical figures all suggest that ‘ordinary’ people had some knowledge of history and a sense of the tradition of the Greek world and its culture which was independent of the elite. This permeation of the past through the various social layers naturally made it into an object of political interest over the whole arena of civil society, among the tribes, ephebes, cults, schools, assemblies, processions, and all the other institutions of the ancient Greek world that allowed government to rest on a wide base of consent.
Dio of Prusa
Authors: Swain Simon 
Published: November 2023

Abstract
Dio of Prusa, a city in the Roman province of Bithynia, is known to historians principally for his speeches of advice to the Greek cities and for his four major Orations on Kingship. He also wrote many occasional pieces with an ethical or philosophical message. In this respect he follows on naturally from Plutarch. He was in fact born at about the same time and the two had many things in common—a rich background (though Dio was probably the richer), an interest in letters and philosophy (though Plutarch’s work was at a higher intellectual level overall and his output was far greater), an involvement in politics and a belief in statesmanship (here Dio was more active in the rough and tumble of real civic life), and a considered relationship with Rome.
Galen
Authors: Swain Simon 
Published: November 2023

Abstract
The next major figure, the physician, medical writer, and philosopher Galen, is one of the most accomplished intellectuals of the second century, a man of standing in his own time and hugely influential afterwards. Galen was born in Pergamum in 129 into the heart of second sophistic society. His father practised geometry and architecture among other learned subjects, and from an early age Galen was immersed through his care in a philosophical, literary, and scientific education of the highest quality! Galen’s numerous surviving writings’which are by no means restricted to medicine— show a man obsessed with two things: education and the furtherance of knowledge on the one hand, on the other his own attainments and talent. Since Galen lived at Rome for well over thirty years in the latter part of the second century and developed many contacts with the elite of the capital, including successive emperors from Marcus to Severus, he offers a particularly good opportunity for further discovering Greek attitudes to the Roman Empire.
Talking Recipes in the Gynaecological Texts of the Hippocratic Corpus
Authors: Hanson Ann Ellis 
Published: November 2023

Abstract
The Hippocratic writers of the fifth and early fourth centuries BCE were quick to pounce upon what they considered unsophisticated aetiologies for disease and upon remedies they claimed bore no logical relationship to the sickness being treated. The scorn these authors heaped upon those who professed irrational causes and cures is well known. The writer of Sacred Disease criticized witch-doctors, faith-healers, quacks, and charlatans, whose aetiology for epilepsy and sudden seizures invoked attacks from the gods and whose therapies consisted of purifications, incantations, prohibition of baths and specific foods, lying on goatskins and eating the flesh of goats. The writer of Diseases of Young Girls censured women who followed commands from Artemis’ priests to dedicate costly garments to the goddess in the effort to cure madness in the premenarchic young girl.
Zufar Gareyev (b. 1955)
Authors: Laird Sally 
Published: November 2023

Abstract
Zufar Gareyev was brought up in an orphanage in Bashkiriya (now Bashkortostan), a republic in the Urals that is part of the Russian Federation. Subsequently he served in the army and worked as an unskilled labourer in a variety of jobs. In his late twenties he moved to Moscow, where he continued to earn his living as a porter, loader, and odd-jobs man while getting acquainted with the literary ‘underground ‘ and with established writers such as Andrei Bitov and Bulat Okudzhava. Eventually he enrolled at the Moscow Literary Institute, from which he graduated in 1990. Married with three children, he now supplements his income with regular free-lance journalism.
Family Romances: Buñuel’s Mexican Melodramas
Authors: Evans Peter William 
Published: November 2023

Abstract
Buñnuel’s Mexican films fall into two categories: those like Gran Casino, El gran calavera (1949), Susana, La hija del engaño (1951), Subida al cielo (1951), El bruto, Abismos de pasión, and La ilusión viaja en tranvía (1953) belonging to a cine de consumo largely obeying the generic laws of the popular ranchera, musical, or melodramatic films of the commercial Mexican cinema; others, like Los olvidados, El, Ensayo de un crimen, Nazarín, breaking free of commercial constraints, reflecting the more personal interests and obsessions of the Surrealist auteur. Yet the two Buiiuels, commercial and auteurist, cannot be so simplistically polarized, their schizophrenia not so much, like Borges’s relationship with his other self, a genuine paradox of artistic or personal identity, as a categorization forced upon his work by viewers and critics (Borges 1979). Admittedly, Buiiuel has himself often encouraged this schizophrenia, sometimes even dismissing whole films as unworthy of anyone’s serious attention.
Prelude
Authors: Reed T J 
Published: November 2023

Abstract
What is literary culture, Thomas Mann asked in I g10, if not a process oflearning, taking over, and imitating? One meaning he saw in tradition is the training of the writer’s eye by what he reads. He was sceptical about the popular superstition of the unaided original genius. Was it so necessary, was it even possible to write without first having read? This is the most obvious way in which literary tradition operates and it does so most markedly in the early stages of a writer’s career. His learning process may not be easy to reconstruct, since documentary evidence tends to be scarcer and the lack is not made good by later retrospects, not always reliable. Nevertheless, the reconstruction is worth attempting.
The Making of a Novelist: Buddenbrooks
Authors: Reed T J 
Published: November 2023

Abstract
Buddenbrooks, Thomas Mann’s only conventional novel, belongs very obviously to the traditions of nineteenth-century realism and draws on its predecessors for inspiration and in details of technique. It is also governed, beneath the realistic surface, by ideas derived from a nineteenth-century speculative tradition; the nature and degree of realism the novel achieves can only be understood when the role these ideas play is clear. In addition, this first novel is related to Mann’s heritage of tradition because it is an amazingly complete and sudden solution of the problems which were created for him by his literary and intellectual background, as sketched in the last chapter.
Education: Der Zauberberg
Authors: Reed T J 
Published: November 2023

Abstract
Der Zauberberg is Thomas Mann’s most complex creation. It is the summa of his life, thought, and technical achievement to the age of fifty. It is spiritual autobiography, confession and apologia, an intricate allegory, a kind of historical novel, an analysis of Man and a declaration of principle for practical humanism. In appearance it is a parody of the German Bildungsroman,2 the novel of education in which everything —characters, action, and material environment—acts primarily to form the hero’s character. In reality it is a Bildungsroman in good earnest.