bluuebunny/crossref_metadata_2025_split huggingface dataset:
“Households of Faith”: Gender, Power, and Proslavery Christianity
Authors: Mccurry Stephanie 
Published: November 2023

Abstract
When Daniel Baker held out to tortured sinners a vision of deliverance and sanctuary, he used an image of love and intimacy very close to home. “We are all,” he would say of those who had found Jesus, “members of the same household of faith.” The perfected image of the family of household relations consecrated by love, piety, and fellowship-was his model of Christian community. But when he referred to “God the Householder,” head of the heavenly household as husbands and fathers were of earthly ones, that pristine image turned to show its fractured, inescapably secular, face.
“To Repel the Invaders at the Threshold”
Authors: Mccurry Stephanie 
Published: November 2023

Abstract
On December 17, 1860, the South Carolina secession convention assembled in the state capitol’s First Baptist Church to write the Ordinance of Secession that rent the Union asunder. In sheltering under the eaves of evangelicalism, delegates sought divine sanction for the revolutionary act they were about to commit, and they sought no less to unite the people of the state for the struggle that lay ahead.
Language,Thought,and the Linguistics Wars
Authors: Harris Randy Allen 
Published: November 2023

Abstract
“Never eat more than you can lift,” advises Miss Piggy; or, to quote the somewhat less voracious Ms. Anonymous, “Don’t bite off more than you can chew.” Putting aside the differences of scale which give these cautions their flavor, we get a very clear warning, one whose kernel is so apparent that paraphrase only mangles it. But it’s not an especially easy warning to follow, especially for juicy topics. And we are pulling up to a spread of the juiciest topics associated with the human mouth: the· commingle of meaning, noise, and power bundled into the word language. Every morsel on the table savours of faraway regions, deep, mysterious, compelling; even the gustatory metaphor we currently find closing in on us. Perhaps another paragraph will help.
Language is the subject and the object of this book. It is the method and the material, the product and the process, the chisel and the stone—points which, language being what it is, often slip noiselessly away while more immediate matters occupy us, but which, language being what it is, also lurch crashing from the shadows when we least expect it. Sometimes we seem to look right through language, hear right past it, and apprehend directly the ideas beneath the writing on the page, behind the words in the air; sometimes we can’t get it out of the way. Sometimes another paragraph helps.
The Chomskyan Revolution
Authors: Harris Randy Allen 
Published: November 2023

Abstract
In one reading oflinguistic history, the Bloomfieldians of the 1950s were biding their time for some convincingly complete model to displace their picture of language. The “fullest flowering” ofBloomfieldian grammar-construction was Trager and Smith’s Outline of English Structure (Stark, 1972:414). It was at once a reworking and a practical application of Trager’s earlier classic (with Bloch), Outline of Linguistic Analysis. Since the application was to English, it had enormous educational advantages, and it was a self-conscious exemplar of the program, illustrating by example “a methodology of analysis and presentation that we believe to be representative of the scientific method as applied to a social science—linguistics” (Trager and Smith, 1957 [1951]:7). It was brief.
Generative Semantics 3: The Ethos
Authors: Harris Randy Allen 
Published: November 2023

Abstract
All through the war, the generative semanticists were having a lot of fun, fun that spilled into and all over their work, which had everything to do with the times. We are, don’t forget, in the late sixties and early seventies, when the cultivated alienation of the hippies had a pervasive influence on all things academic and most things non-academic, and the generative semanticists—“a bunch of people who got together at conferences to make puns and play Fictionary and smoke funny cigarettes” (R. Lakoff, 1989:972)—are as representative of that period as beads or bomb threats or bongs. Their work teems with the themes of drugs, music, casual sex, and, of course, politics.
The stylistic proclivities of generative semantics, like those of the period generally, were not just a veneer of cultural references and allusions glued onto an otherwise conventional form. They run deep. The hippies (forcing this word to carry much more freight than it did when it was, briefly and narrowly, the preferred label for the group I am gathering under it here) were as seriously at odds with the preceding generation as any group could be, with perhaps the exception of the Khmer Rouge.
Generative Semantics 4: The Collapse
Authors: Harris Randy Allen 
Published: November 2023

Abstract
Judith Levi set to work on The Syntax and Semantics of Compled Nominals in 1974, an extensive reworking of her doctoral dissertation under McCawley that does for generative semantics what Lees’ The Grammar of English Nominalizations, a reworking of his doctoral dissertation under Chomsky, dies for early transformational grammar. Levi’s book proves—within all the variations, uncertainties and controversies that characterize any scientific attempt to model reality, especially a reality as mucky as language—that generative semantics works.
William Byrd II and the Challenge of Rusticity Among the Tidewater Gentry
Authors: Brown Richard D 
Published: November 2023

Abstract
Isolation, Perry Miller asserted, “is not a matter of distance or the slowness of communication: it is a question of what a dispatch from distant quarters means to the recipient.”1 Isolation is both a relative condition and a state of mind. Dwelling in the heart of New York City, Melville’s Bartleby was far more isolated than was Henry Thoreau alone in his cabin at Walden Pond. For British colonists residing at the margin of the American continent, three thousand miles beyond Land’s End in England, the threat of isolation could be especially keen. It all depended on the location of one’s cultural and psychological center. Because New England Puritans believed the center moved with them to the American shore, they only slowly and incompletely came to recognize themselves as provincial. But for English settlers elsewhere, and especially in Tidewater Virginia, the sense of isolation was so much a part of the colonizing experience from Roanoke and Jamestown onward that it became prominently embedded in the region’s common culture.
William Bentley and the Ideal of Universal Information in the Enlightened Republic
Authors: Brown Richard D 
Published: November 2023

Abstract
When the Reverend William Bentley died at age sixty in 1819 he was a famous man, a scholarly celebrity. Recently honored with a doctor of divinity degree from his alma mater, Harvard, his eminence had long been recognized by election to leading American learned societies: the American Philosophical Society, the American Antiquarian Society, and the Massachusetts Historical Society. To John Adams, Bentley was “Doctor of Physics, Dr. of Philosophy, Dr. of Laws, and D.D.”1 Proficient in some twenty ancient and modern languages, a keen student of philology, scriptural criticism, and human and natural history, Bentley was, with Thomas Jefferson, one of the great polymaths of the early Republic. Indeed Jefferson, seeking the best scholars to guide the University of Virginia, invited Bentley to become its founding president. For breadth and depth of learning Bentley, whose personal library of 4000 volumes ranked with America’s greatest private collections, had few peers.
The Dynamics of Contagious Diffusion: The Battles of Lexington and Concord, George Washington Death, and the Assassination of President Lincoln,
1775-1865
Authors: Brown Richard D 
Published: November 2023

Abstract
In early America information usually passed along well-worn paths. Routine relationships of neighborhood and family, of occupation and social circle, both defined what information was worthy of attention and also provided its conduits. Whether the subject concerned politics, commerce, or salvation, for Samuel Sewall and William Byrd in the early 18th century as well as for people like Sarah and Calvin Fletcher, Isaac Mickle, and Lucy Breckinridge in the mid-19th century, the acquisition and further dissemination of information was predictable, tied as it was not only to one’s geographic location but to one’s social milieu and aspirations. Although direct observation permitted everyone to be informed about the weather no matter their age, gender, or social rank, most other kinds of information were less available and usually possessed only limited audiences. Even the homilies delivered from the pulpit, although aimed at people of all conditions, could touch only those who were pious enough to attend and sufficiently alert to listen. Information did not radiate uniformly across the flat surface of a still pond. Rather, it moved slowly or swiftly in streams that could be broad or narrow, straight or crooked, marked out as they were according to the prevailing cultural values and institutions of the social order, which reflected its economy, politics, and technology.
An Introduction to Native Americans
Authors: Young T Kue 
Published: November 2023

Abstract
The health of Native Americans has undergone substantial change from pre-Columbian times to the present. Contact with Europeans had brought along new communicable diseases, often with devastating effects on population size, social organization, and the cultural life of various peoples on the North American continent. Between the seventeenth and nineteenth centuries there was considerable variation between tribes with regard to onset, severity, and duration of disease effects. Since the beginning of the twentieth century there had heen a general recovery among native groups in both Canada and the United States. As in the general population, when infectious diseases became better controlled, the disease burden shifted to the chronic diseases. In addition, rapid social changes led to new epidemics of injuries and social pathologies, the control of which has proved far more intractable than for infectious diseases.
Toward a Biocultural Epidemiology
Authors: Young T Kue 
Published: November 2023

Abstract
Native Americans in North America have shown remarkable tenacity in the face of adversity inflicted upon them from the time of contact. From a continental perspective, the population reached its nadir toward the end of the nineteenth century, although substantial regional variation likely existed. From the beginning of the twentieth century, the Native American population has begun to recover, and with it the pattern of health and disease has also changed.
Ale, Beer, And Brewsters In England
Authors: Bennett Judith M 
Published: November 2023

Abstract
Women brewed and sold most of the ale consumed in medieval England, but after 1350, men slowly took over the trade. By 1600, most brewers in London were male, and men also dominated the trade in many towns and villages. This book asks how, when, and why brewing ceased to be women’s work and instead became a job for men. Employing a wide variety of sources and methods, Bennett vividly describes how brewsters (that is, female brewers) gradually left the trade. She also offers a compelling account of the endurance of patriarchy during this time of dramatic change.
When Women Brewed
Authors: Bennett Judith M 
Published: November 2023

Abstract
When Denise Marlere died in February 1401, she left behind a thriving brewing business in the town of Bridgwater. She bequeathed the bulk of her business to her servant Rose: half of a tenement, all her brewing vessels with a furnace, three sacks full of malt, a cup, a brass pot, a pan, a goblet bound with silver, a chafing dish, two silver spoons, and some other carefully specified goods. She also left brewing utensils to other heirs, giving a leaden vat each to her parish church, her parish priest, and two local monasteries, and leaving to her daughter, Isabel, two more leaden vats, a brass 3 gallon pot, a pan, a mortar and pestle, and the proceeds of one brewing. A widow, Denise Marlere enjoyed a very comfortable standard of living, thanks in large part to her commercial brewing. Although brewing utensils and supplies made up the bulk of her estate, she also bequeathed So pounds of white wool (suggesting that she might have supported herself by spinning as well as brewing), several chests and other household goods, coverlets and other clothing, and considerable amounts of cash. For Denise Marlere, brewing for profit seems to have been very profitable indeed.
New Beer, Old Ale Why was Female to Male as Ale was to Beer?
Authors: Bennett Judith M 
Published: November 2023

Abstract
In late fourteenth-century Lullington (Sussex), several dozen people brewed for profit. Although some sold ale regularly, brewing was not very professionalized, and most brewers in Lullington in the 1370s brewed for sale on only an occasional basis. Singlewomen and widows probably accounted for about one-third of all brewers, the rest being married women or men. One hundred years later, the brewing trade looked very different. Instead of dozens of brewers, only a handful worked in Lullington, and they often brewed “commonly” throughout the year. Among these common brewers were a few not-married women, but most brewers by the 1470s were married couples. By this time, common brewers also worked alongside other professional victualers, usually two butchers and a baker. Within a few decades, the face of brewing in Lullington would change yet again. In the 1480s, ale (brewed with malt, water, and yeast) began to face a new competitor in Lullington -beer (brewed with malt, water, yeast, and hops). At first, beer was merely sold in Lullington, but by the 1520s it was regularly brewed on site.
b
Authors: Feather Leonard , Gitler Ira 
Published: November 2023

Abstract
Babasin, harry (Babasian), bs, cello; b. Dallas, TX, 3/19/21; d. Los Angeles, CA, 5/21/88. Raised in Vernon, Tex. Began on bs. and cello as teenager, then stud. at No. Texas St. Coll. Fellow students were Jimmy Giuffre, Herb Ellis, Gene Roland. Pl. w. territory bands in Midwest, early 1940s. To NYC ’45, pl. w. Gene Krupa, Charlie Barnet, Boyd Raeburn. Moved to Calif., late ’45. Pl. w. Raeburn ’45–6; Benny Goodman ’46–7. Made first jazz pizzicato cello recs. w. Dodo Marmarosa ’47. Tour. w. Woody Herman ’48, then freelanced as studio mus. in Hollywood. Founded Nocturne rec. co., early ’50s. Pl. cello in own gp., The Jazzpickers, ’56; pl. briefly w. Harry James ’59. Babasin received an M.A. in comp. fr. San Fernando Valley St. Coll. ’61. He pl. in a duo w. pianist Phil Moody fr. ’63. Film: app. in A Song Is Born ’48. LPs: PJ; Em.; Disc; VSOP. CDs: Noct.; PJ; Em; Disc.; VSOP; w. B. Goodman (Cap.); Laurindo Almeida (WP); Chet Baker; Sonny Criss; Bob Gordon (FS); Barney Kessel (Cont.); D. Marmarosa (Jz. Class.); B. Raeburn (Sav.).
c
Authors: Feather Leonard , Gitler Ira 
Published: November 2023

Abstract
Cables, george andrew, pno, kybds, comp; b. Brooklyn, NY, 11/14/44. Studied w. moth., a teacher and amateur pnst.; also att. HS. of Perf. Arts 1958–62; Mannes Coll. of Mus. ’63–5. At age 18, formed Jazz Samaritans w. Steve Grossman, Clint Houston, Billy Cobham. Arr. for East Harlem Protestant church choir ’60s. Worked w. Art Blakey, Max Roach, late ’60s; Sonny Rollins ’69; Joe Henderson ’69–71; Freddie Hubbard ’71–6. Pl. pno. and el-pno. in own trio, Cable Car, in LA mid ’70s. Pl. w. Gabor Szabo, Bobby Hutcherson mid to late ’70s; also w. Woody Shaw; Billy Harper. Worked w. Dexter Gordon at Keystone Korner in SF, Dec. ’76, remain. w. Gordon until ’78. Rejoin. Blakey in ’77 and began an assoc. w. Art Pepper that lasted until the saxist’s death in ’82. Fr. ’80s w. own trio; also w. Bebop and Beyond ’84; in NYC mid ’90s, w. Pete La Roca Sims’ Swingtime; Joe Chambers; others. Cables’ comps. have been rec. by Woody Shaw, Woody Herman, Freddie Hubbard, Bobby Hutcherson. Among the best are “Morning Song” and “Helen’s Song.” Favs: Wynton Kelly, Buddy Montgomery, Hancock, Tyner. Fests: all major. CDs: Cont.; DIW; Steep.; Conc.; w. Bebop and Beyond (BM); D. Gordon (Col.; Steep.); Hubbard (CTI); S. Rollins; J. Henderson (Mile.); Hutcherson (Timel.; Land.); F. Morgan (Cont.; Ant.); Pepper (Gal.; Cont.); Joe Farrell (Cont.); W. Shaw; H. Land (Muse); S. Rogers; B. Forman (Conc.); M. Roach; J. Stubblefield (Enja); C. Rouse (Land.); P. Sims (BN).
e
Authors: Feather Leonard , Gitler Ira 
Published: November 2023

Abstract
Eade, dominique frances, voc, pno, arr; b. Ruislip, England, 6/16/58. Sister Anne is prof. voc. and pnst.; bro. Geo. pl. el-bs and gtr.; husband is saxist Allan Chase. Stud. at Vassar Coll. 1976–8; Berklee Coll. of Mus.,’78–9; New Engl. Cons. ’79–82 and ’87–9. First gigs as solo act in Stuttgart, Germ., coffeehouses while in hs. Perf. w. Joe McPhee in Poughkeepsie, N.Y. ’76–8; duo w. Ran Blake in Bost. ’79; own qt. in Bost. ’79–82. Co-led qnt. Genso ’83–5. Perf. w. Ran Blake Qnt. w. Ricky Ford ’85–6; Taylor McLean ’85–9; trio w. Donald Brown, John Lockwood ’85–8; Orange Then Blue w. Geo. Schuller, various new music gps. ’85–90; Dave Holland ’87; Butch Morris ’88; duo and qt. w. Mick Goodrick ’88–9; Stanley Cowell, John Damian–Bill Frisell ’89; Damian ’89–90. Moved to NYC ’90. Perf. w. John Medeski at Vill. Gate; trio w. Bruce Barth–Ira Coleman ’91; duo w. Ben Sher fr. ’92. Eade has taught and arr. for the a capella choir at New Engl. Cons. fr. ’84. Favs: Billie Holiday, Sarah Vaughan, Ella Fitzgerald; comps: Monk, Ellington, Strayhorn, Shorter. Fests: Norway ’80; Sweden ’83; France ’92. TV: PBS La Plaza w. Victor Mendoza ’85. CDs: RCA; Acc.
f
Authors: Feather Leonard , Gitler Ira 
Published: November 2023

Abstract
Faddis, jon, tpt, flg, pno, comp, lead; b. Oakland, CA, 7/24/53. One sister sings, other pl. pno. Began on tpt. at age 8. Stud. w. Bill Catalano, who introduced him to Dizzy Gillespie’s music 1964. Later stud. improv. w. Bill Atwood; tpt. w. Carmine Caruso; Mel Broiles; Vince Penzarella. Stud. comp. w. Edgar Grana ’85–90. Pl. w. r&b bands in Oakland fr. age 13, then w. rehearsal bands in SF incl. Rudy Salvini; Cus Cousineau; Don Piestrup. Joined Lionel Hampton immediately after grad. hs ’71. Moved to NYC ’72, pl. w. Thad Jones–Mel Lewis Orch. ’72–5; Charles Mingus ’72–3; Gil Evans, Chuck Mangione ’72; Gillespie fr. ’74. Worked as studio mus. mid ’70searly ’80s. App. w. Gillespie at White House “In Performance” ’82. Pl. w. own qnt. fr. ’82; Philip Morris Superband, late ’80s. Faddis has also perf. and rec. w. Duke Ellington Orch.; Count Basie Orch.; Art Blakey; McCoy Tyner; Dexter Gordon; Cab Calloway; Joe Williams; Ella Fitzgerald; Sarah Vaughan; James Moody; Milt Jackson; etc. He served as mus. dir. of the Gillespie bb and the United Nation Orch. fr. ’87 to ’92; the Carnegie Hall 100th Anniv. bb ’91. Faddis has travelled extens. as a lecturer and clinician; in ’92 was appointed mus. dir. of the Carnegie Hall Jazz Band and in ’99 to the faculty of Purchase Coll. St. U., N.Y. Known for his mastery of the Gillespie style, often playing an octave higher than Dizzy, Faddis has brought other elements to his work from some of the Swing Era giants and personalized his playing. Tour. US, on own and w. LCJO ’94. Favs: Gillespie, Armstrong, Eldridge, M. Davis, C. Brown, Snooky Young. Polls: DB TDWR ’74–5. Fests: all major fr. ’77. Films: soundtracks for The Gauntlet; Bird; The Wiz; The Burning Spear; A Winter in Lisbon.
g
Authors: Feather Leonard , Gitler Ira 
Published: November 2023

Abstract
Gadd, steve (Stephen K. Gadda), dms; b. Rochester, NY, 4/9/45. Uncle, who pl. bs. dm. in mil. band, showed him rudiments at age 7. Began serious stud. in 1957, having sat in w. Dizzy Gillespie at a local club a yr. earlier. Later stud. at Manh. Sch. of Mus. for two yrs. bef. sw. to the Eastman Sch. While there, pl. w. Chick Corea; Chuck Mangione; Gap Mangione; Joe Romano; Frank Pullara. After three yrs. w. an army band, he worked w. a bb in Rochester; in qt. w. Warren Bernhardt, Eddie Gomez, and George Young. To NYC ’72 in trio w. Tony Levin, Mike Holmes. Rec. w. Chet Baker ’74. Worked w. Stuff ’74–5; Corea ’75–81; Ben Sidran ’78. A founding member—w. the Brecker bros.—of Steps Ahead, he left it in ’81, then worked w. Masahiko Sato; Manhattan Jazz Qnt.; Joe Farrell; Herbie Hancock; Bob James; Steve Khan; Ron Carter; Roland Hanna; also w. Al Di Meola; Paul Simon; Stevie Wonder; Barbra Streisand; Paul McCartney; Aretha Franklin; Al Jarreau. Form. the Gadd Gang w. Ronnie Cuber, Gomez ’88. Pl. w. Corea qt. for Eur. fests. ’92; M. Petrucciani trio, in Eur., US ’97. Favs: Elvin Jones, Tony Williams, Jack DeJohnette, Buddy Rich, Louie Bellson. CDs: w. Baker (CTI); G. Benson; Weather Report (Col.); C. Bley (Watt); Brecker Bros. (Novus); Corea (Polyd.; Verve; Stretch); R. Cuber (Elec. Bird); E. Elias; E. Gomez (Den.); R.R. Kirk (Atl.); Manhattan Jazz Qnt. (PW; SB); D. Sanborn (WB); G. Washington (Elek.).
j
Authors: Feather Leonard , Gitler Ira 
Published: November 2023

Abstract
Jackson, calvin, comp, pno; b. Philadelphia, PA, 5/26/19; d. Encinitas, CA, 12/9/85. Mother was a concert singer. Extensive mus. studies; thirteen yrs. w. private teachers in Phila., at Juilliard, and at NYU. First prof. job w. Frankie Fairfax. Asst. mus. dir. to George Stoll at MGM, Hollywood 1943–7; also wrote arrs. for Harry James ’43. Moved to NYC ’48, pl. at Café Society w. Mildred Bailey. Settled in Toronto ’50, where he had own radio and TV shows. Ret. to West Coast ’57, app. as soloist in classical and jazz concerts ’61–2; own radio show ’65. Film: soundtrack for Blood and Steel; Oscar nomination for score to The Unsinkable Molly Brown; app. in Three on a Couch. TV: soundtrack for series, The Asphalt Jungle; apps. on Steve Allen, The Detectives; NBC special, Rehearsing With Calvin. Comp: Profile of an American, dedicated to J. F. Kennedy, perf. by Hollywood Symph. ’66. Recs. on Col., Rep.; w. Phil Moore (Verve). CD: w. Buddy Collette (Cont.).
k
Authors: Feather Leonard , Gitler Ira 
Published: November 2023

Abstract
Kahn, tiny (norman), dms, comp, vib; b. NYC, 5/24; d. Martha’s Vineyard, MA, 8/19/53. As child won prize pl. hca. Took up dms. at 15 and pl. timp. in hs orch. Worked w. Georgie Auld 1947; Boyd Raeburn ’48; Chubby Jackson, Charlie Barnet ’49; Stan Getz qnt. ’51; Elliot Lawrence on Jack Sterling’s daily CBS radio show, mostly on vib. Described by his boyhood friend, Terry Gibbs, as a natural timekeeper and arr., Kahn came out of the Jo Jones tradition and was known for his delicate touch. Self-taught as a writer, he was an infl. on such contemporaries as Johnny Mandel and Al Cohn. He died of a heart attack while on vacation. Rec. comps arrs: “Tiny’s Blues” (out chorus by A. Cohn); “Father Knickerbopper,” “Flyin’ the Coop” for Jackson; “Leo the Lion” for W. Herman. Arrs: “Godchild” for Jackson (on which he scats the theme); “Over the Rainbow” for Barnet. CDs: w. Getz (BN; Mos., Roul.); Red Rodney in Early Bebop (Merc.); Jackson in The Jazz Arranger, Vol. 2 (Col.); Lester Young (BN).