bluuebunny/crossref_metadata_2025_split huggingface dataset:
Moving From Performance to Performative Ethnography and Back Again
Authors: Wong Deborah 
Published: November 2023

Abstract
I’m watching San Jose Taiko play “Gendai ni Ikiru” (“Living in the Present”) (San Jose Taiko 1998).1 I’ve seen them perform it live more than once, and I have two video versions of it. This isn’t my favorite version, but I still get a rush when I watch them make the move that’s part of its central motive. I know what it would feel like to play that jazzy phrase, and actually I’m dying to do it. The best part of the phrase is when the right hand strikes the drumhead and the left arm is simultaneously flung out over the top of the taiko, like an arrow. That’s how you play it. But actually, I’ve never played it, and probably never will: it’s one of San Jose’s signature pieces, and I’m not a member of San Jose Taiko so I simply wouldn’t play it. Yet I know the piece, having watched them play it so many times, and I can feel my left arm zinging out while I watch, and I immediately feel exuberance and joy when I do it, because that’s the vibe San Jose Taiko has—it’s their hallmark. They have this fantastic energy, and it’s different from any other taiko group. Their technique and their level of skill is very high—enviably so—but you can also see the community base in their playing. I think you can see their dedication to the Japanese American community in their playing. Or maybe I just think I see it because I know it’s there: I know several of their members and I’ve seen how they interact with other taiko players. They have a very inclusive and non-egocentric approach to taiko, and this is manifested in their spirit and ki, energy. It shows, and the more you know about it, the more it shows. They’re probably my favorite taiko group (aside from the one I’m in, of course) and I would actually give anything to be in San Jose Taiko.
Working with the Masters
Authors: kippen james 
Published: November 2023

Abstract
The guru-shishya paramparc thus provides for the inheritance of a musical tradition and often is the cultural model of the natural relationship between father and son. The disciple learns not only the craft, but also the trade secrets. He learns how to behave as a member of the artist’s community and how to become a professional performer on stage—and accordingly learns not only the art of making music but of being a musician.
Film and Film: Beckett and Early Film Theory
Authors: Engelberts Matthijs 
Published: November 2023

Abstract
Beckett and cinema: the topic means paying close attention to his Film, a work whose very title indicates reflexivity. Beckett’s well- known 1963 screenplay and the somewhat less well-known 1964 film (directed by Alan Schneider and starring the nearly seventy-year-old Buster Keaton) have been extensively commented on—for instance, by Gilles Deleuze, who in his famous Cinema 1, so admirably steeped in film his- tory, applies an analysis to Film that allows him to state: “the directions and the schemas that [Beckett] gives himself, and the moments that he distinguishes in his film, only go half-way towards disclosing his intention” (67).
The Last 50 Years of Headache History: A Personal Perspective
Authors: Lance James W 
Published: November 2023

Abstract
When we encountered a suspicious headache history in the 1950s, how did we investigate it? The first step was to obtain a plain X-ray of the skull to look at the pituitary fossa, auditory meatus, and position of the calcified pineal gland— perhaps even using Chamberlain’s line or Bull’s angle to eliminate platybasia. Next, an electroencephalogram was used as a screening test to check for focal changes. If a focal abnormality were found, or if there were lateralizing symptoms or signs on examination, a direct puncture arteriogram was next on the list, often performed by neurologists or neurosurgeons, as neuroradiologists were thin on the ground in those days. If suspicions remained, and there were no signs of raised intracranial pressure, a pneumoen-cephalogram was undertaken, a diabolical test in which air was trickled into the lumbar sac with the patient sitting and head flexed so that the passage of air through the ventricular system could be visualized radiologically—at the expense of a splitting headache in the recipient.
Pathophysiology of Headache(S)
Authors: Goadsby Peter J , Oshinsky Michael L 
Published: November 2023

Abstract
Migraine is the most common form of disabling primary headache that afflicts our patients (see Chapter 3, this volume) so its pathophysiology deserves particular attention. Moreover, the explosion of knowledge on the primary headaches (Lance and Goadsby, 2005) since the last edition of this volume makes a chapter on generic headache pathophysiology no longer practical, or indeed sensible, as it once seemed (Goadsby, 2001b). Certainly the pain-producing structures in the head are generic and their anatomy and physiology is addressed elsewhere (see Chapter 6, this volume). Here, we attempt to integrate what is known of the anatomy and physiology of the pain structures with the possible brain mechanisms that may underpin migraines by dissecting the pathophysiology from a clinical viewpoint. Patients and physicians alike value an understanding of the condition as a prelude to, indeed pivotal to, its management. This chapter attempts to provide that background.
Headaches Associated with Head Trauma
Authors: Young William B , Packard, Russell C , Katsarava Zaza 
Published: November 2023

Abstract
Post concussive headache (PCH) is a new headache that follows a blunt or open injury to the head or brain (Headache Classification Committee, 2004). Post concussion syndrome is a constellation of symptoms that may follow a mild to moderate closed head injury. Symptoms of post concussion syndrome include headache, depression, irritability, memory impairment, alcohol intolerance, dizziness or vertigo, attention and concentration difficulties, and loss of libido. Concussion, minor head injury, and minor traumatic brain injury are difficult to define, compared with moderate or severe injury, in which structural damage is evident. The American Congress of Rehabilitation Medicine defined minor traumatic brain injury as “a traumatically induced physiological disruption of brain function” with at least one of the following: (1) any period of loss of consciousness; (2) any memory loss for events just before or after the accident; (3) any alteration in mental state at the time of the accident; and (4) focal neurologic deficits that may or may not be transient (Packard, 1999).
Cervicogenic Headache
Authors: Bogduk Nikolai , Bartsch Thorsten 
Published: November 2023

Abstract
Cervicogenic headache is among the best understood of the headaches in terms of its anatomy and physiology. Essentially it is pain referred to the head from the upper cervical spine. For this reason, it has been recognized more widely by pain specialists and manual therapists, accustomed to treating spinal pain, than by mainstream headache specialists. Amongst headache specialists, the entity has been disputed, largely because of controversies concerning the validity of its diagnosis. Unlike other headaches, cervicogenic headache defies diagnosis by clinical features and conventional imaging. Therefore, headache specialists have lacked means of making the diagnosis. However, the diagnosis can be made using fluoroscopically guided diagnostic blocks.
The Eye and Headache
Authors: Corbett, James J , Brazis Paul W 
Published: November 2023

Abstract
Eye pain, periorbital and retro-orbital pain, and headache or facial pain referred to the orbital region are common presenting complaints to ophthalmologists, neurologists, neurosurgeons, family practitioners, and internists. In many cases, the symptoms are magnified by the patient’s concerns about possible blindness, the presence of an eye or brain tumor, or the presence of other dangerous conditions such as a cerebral aneurysm. Many patients with headache look to ocular disease as the cause of headache, given the ubiquitous belief that headaches are often the result of eye disease or the wrong glasses. In reality, the eyes are rarely the cause of common headaches (Tomsak, 1991; Martin and Soyka, 1993).
Carl Philipp Emanuel Bach and the Aesthetics of Patricide
Authors: Kramer Richard 
Published: November 2023

Abstract
We have been taught by history to speak of Emanuel Bach as a function of, an exponent of, the great Bach. The name itself, those four sacred letters enshrined as a topos in the nineteenth century, insists that we do so. It signifies always the great Bach, and always an idealization of only a core of Bach’s music that had come to stand for some transcendental power over the notes—a technical, intellectual, and spiritual power that everyone after Bach could only admire and seek to emulate.
Late Works
Authors: Kramer Richard 
Published: November 2023

Abstract
In a letter of 13 May 1780, having sent two sonatas and three rondos to Breitkopf on 21 March, Emanuel Bach now establishes the order of this second volume in the series “für Kenner und Liebhaber,” and adds: “since you write that these 5 pieces amount only to something over 7 sheets, I will send you another short sonata in A major in the next mail.” The new sonata was sent a week later, on 19 May, with an instructive note: “the entire sonata must be played to the end in the same tempo and without a break; accordingly . . . it is not necessary to indicate any tempo other than Allegretto at the beginning.”
“They Treated Me as if I Were Dead”: Peripheralization and Discrimination
Authors: Klitzman Robert 
Published: November 2023

Abstract
“When I came back to work, some colleagues wouldn’t even look at me,” Deborah, the psychiatrist with breast cancer, said, shaking her head in dismay. “People passed me in the corridor as if I wasn’t there—as if I hadn’t come back.” Ill physicians faced obstacles due not only to internal psychological states, and interactions with providers, but also to relationships with bosses and other staff at work. Colleagues had to decide how to act toward sick doctors, and did so in a range of manners, approaching them as either doctors or patients. Fellow physicians had to decide whether to reduce the status and standing of these ill colleagues, and could support or avoid them. In turn, these ill physicians’ senses of self were profoundly shaped by perceptions of how others viewed them.
Theravāda Philosophy of Mind and the Person: Anatta-lakkha a Sutta, Mahā-nidāna Sutta, and Milindapañha
Authors: Harvey Peter 
Published: November 2023

Abstract
Of the following three selections, the first two, the Anatta-lakkha a Sutta and a part of the Mahānidā na Sutta, are from the Theravādin Pali canonical collection of discourses attributed to the Buddha. The third is from a postcanonical Pali text, the Milindapañha. While they all contain points and arguments of philosophical relevance, they are not as such systematic philosophical texts, and to properly appreciate their nuances and implications, one needs to understand something of their context of thought and practice.
Saxophon
Authors: Ely Mark C , Van Deuren Amy E 
Published: November 2023

Abstract
Acoustical Properties: The acoustical and physical tonal characteristics of an instrument that affect its sound quality. Although the saxophone is considered a woodwind instrument, it is also commonly referred to as a “hybrid” instrument because is shares characteristics of both brass and woodwind instruments. Specifically, it is made of brass and has a conical instrument tube; however, the vibration of a single reed produces the sound and the key design is similar to other woodwind instruments. These design characteristics result in a Flexible sound that blends well with both brass and woodwind instruments. 9is inherent Flexiblity enables the saxophone to adapt to a wide range of musical styles and ensemble settings.
The Best Men: Philadelphia
Authors: Bliss Michael 
Published: November 2023

Abstract
Until the Great War of 1914–18 Osler was a doctor without borders. A man of railroads and steamers and an early automobile enthusiast, he was unusually peripatetic, a medical wanderer geographically as well as clinically and in print. His sense of membership in a catholic profession was more important to him than his national, ethnic, or regional roots. ‘By his commission the physician is sent to the sick, and knowing in his calling neither Jew nor Gentile, bond or free, perhaps he alone rises superior to those differences which separate and make us dwell apart, too often oblivious to the common frailties which should bind us together as a race,’ he said at a celebration to honor Virchow in 1891. Towards the end of the century he began to show mild traces of an Anglo-Saxon ‘race’ consciousness and British imperialist fervor, but he was never even casually antiSemitic. In an age when prejudice against Jews was common among lateVictorian Anglo-Saxons and Americans, Osler had none at all.
Osler’s Afterlife
Authors: Bliss Michael 
Published: November 2023

Abstract
Full circle. The day after his death, Osler’s body lay on a table for postmortem pathological investigation. It had been his wish, in keeping with his sense of medical tradition, that the attending physician do the autopsy. Osler would also have approved, possibly instructed, that the procedure take place in his home. It is a scene hard for us to imagine – the draining, cutting, sawing, oozing – even doctors remark on how messy and unpleasant the job must have been. Osler had said that he wished he could be present, having taken such a lifelong interest in the case.
A.G. Gibson and an assistant took only ninety minutes to examine the internal organs and remove the brain, which was to go to America. Gibson confirmed the pleurisy, empyema, and abscesses in the lung that everyone had suspected towards the end of the illness. He could not find the source of the hemorrhage that had been the immediate cause of death – possibly something had gone wrong with the surgery or the cleansing of Osler’s wound – but the mess in Osler’s lower right lung, which was turned to pus by bacterial action, made it evident that the bleeding had been a mercy. At best he might have lingered for a week or two.
The Road to Somewhere: Locating Knowledge in Erskine Caldwell and Margaret Bourke-White’s You Have Seen Their Faces (1937)
Authors: Allred Jeff 
Published: November 2023

Abstract
Preston Sturges’s film, Sullivan’s Travels (1941), begins with the title character, a successful but callow Hollywood director, yearning to leave the dream factory and discover the more authentic America that he hopes to find on the back roads between the coasts. He has amassed a small fortune making films such as Hey-Hey in the Hayloft and Ants in Your Pants of 1939, frothy comedies that, according to his studio colleagues, have succeeded because they “don’t stink with [political] messages.” Politics, however, is precisely what Sullivan now wants to impart in an attempt to match his aesthetic to the social conditions of the Depression, to offer audiences “a commentary on modern conditions . . . stark realism . . . the problems that confront the average man.” This homily links Sullivan’s proposed film, O Brother, Where Art Thou? to the documentary mode in an attempt to convince his peers of its seriousness: “I want this picture to be a document.
Introduction
Authors: Bauer Mark S 
Published: November 2023

Abstract
The argument. Every anthology makes an argument. Few anthologists, however, will come out and tell you what it is. Take, for instance, the anthologist’s selection of individual poems and poets. The argument, unstated, is, “This or that poet is worth including, is canonical,” and so forth. That this is indeed the stuff of argument becomes clear when the point-counterpoint reviews that inevitably follow the publication of noteworthy anthologies begin to appear.
William Shakespeare (1564–1616)
Authors: Bauer Mark S 
Published: November 2023

Abstract
Sonnet 129
Th’ expense of spirit in a waste of shame Is lust in action; and, till action, lust
Is perjured, murderous, bloody full of blame, Savage, extreme, rude, cruel, not to trust, Enjoyed no sooner but despisèd straight, Past reason hunted, and no sooner had
Past reason hated as a swallowed bait On purpose laid to make the taker mad. Mad in pursuit, and in possession so;
Had, having, and in quest to have, extreme; A bliss in proof, and proved, a very woe, Before a joy proposed; behind, a dream.
All this the world well knows, yet none knows well To shun the heaven that leads men to this hell.
Lady Mary Wroth (1586–c. 1652)
Authors: Bauer Mark S 
Published: November 2023

Abstract
Sonnet XIX from The Countess of Montgomery’s Urania
COME, darkest night, becoming sorrow best; Light, leave thy light, fit for a lightsome soul; Darkness doth truly suit with me oppressed, Whom absence’ power doth from mirth control:
The very trees with hanging heads condole
Sweet summer’s parting, and of leaves distressed In dying colours make a griefful roll,
So much, alas, to sorrow are they pressed.
Thus of dead leaves her farewell carpet’s made:
Their fall, their branches, all their mournings prove, With leafless, naked bodies, whose hues vade
From hopeful green, to wither in their love: If trees and leaves for absence mourners be, No marvel that I grieve, who like want see.
Sonnet VI from Pamphilia to Amphilanthus
My paine still smother’d in my grieved brest, Seekes for some ease, yet cannot passage finde, To be discharged of this unwelcome guest,
When most I strive, more fast his burthens binde. Like to a Ship on Goodwins cast by winde,
The more shee strive, more deepe in Sand is prest, Till she be lost: so am I in this kind
Sunck, and devour’d, and swallow’d by unrest.
Anonymous (published 1692)
Authors: Bauer Mark S 
Published: November 2023

Abstract
Loving Mad Tom
I’ll bark against the Dog-star, And crow away the morning;
I’ll chase the moon Till it be noon,
And I’ll make her leave her horning.
But I will find Bonny Maud, Merry Mad Maud, And seek whate’er betides her;
Yet I will love Beneath or above
That dirty Earth that hides her.
I’ll crack the poles asunder, Strange things I will devise on.
I’ll beat my brain against Charles’s Wain, And I’ll grasp the round horizon.
But I will find Bonny Maud, Merry Mad Maud, And seek whate’er betides her;
Yet I will love Beneath or above
That dirty Earth that hides her.
I’ll search the caves of slumber, And please her in a night dream;
I’ll tumble her into Lawrence’s fen, And hang myself in a sunbeam;
But I will find Bonny Maud, Merry Mad Maud, And seek whate’er betides her;
Yet I will love Beneath or above
That dirty Earth that hides her.
I’ll sail upon a millstone,
And make the sea-gods wonder;
Percy Bysshe Shelley (1792–1822)
Authors: Bauer Mark S 
Published: November 2023

Abstract
Stanzas Written in Dejection Near Naples
The sun is warm, the sky is clear, The waves are dancing fast and bright, Blue isles and snowy mountains wear The purple noon’s transparent might, The breath of the moist earth is light, Around its unexpanded buds;
Like many a voice of one delight
The winds, the birds, the ocean floods, The city’s voice itself, is soft like Solitude’s.
I see the deep’s untrampled floor
With green and purple seaweeds strown; I see the waves upon the shore,
Like light dissolved in star-showers, thrown: I sit upon the sands alone,—
The lightning of the noontide ocean Is flashing round me, and a tone Arises from its measured motion,
How sweet! did any heart now share in my emotion.
Alas! I have nor hope nor health, Nor peace within nor calm around, Nor that content surpassing wealth The sage in meditation found,
And walked with inward glory crowned— Nor fame, nor power, nor love, nor leisure, Others I see whom these surround— Smiling they live, and call life pleasure;—
To me that cup has been dealt in another measure.
Yet now despair itself is mild, Even as the winds and waters are;
John Clare (1793–1864)
Authors: Bauer Mark S 
Published: November 2023

Abstract
I Am
I am—yet what I am, none cares or knows;
My friends forsake me like a memory lost:— I am the self-consumer of my woes;—
They rise and vanish in oblivion’s host,
Like shadows in love’s frenzied stifled throes:— And yet I am, and live—like vapours tost
Into the nothingness of scorn and noise,— Into the living sea of waking dreams,
Where there is neither sense of life or joys, But the vast shipwreck of my lifes esteems;
Even the dearest, that I love the best
Are strange—nay, rather stranger than the rest.
I long for scenes, where man hath never trod A place where woman never smiled or wept
There to abide with my Creator, God;
And sleep as I in childhood, sweetly slept, Untroubling, and untroubled where I lie, The grass below—above the vaulted sky.
Popular Songs: from American Mock-Bird (published 1801)
Authors: Bauer Mark S 
Published: November 2023

Abstract
The Mad Lover
What if I am mad? What if in pain I rave and rage and reel?
What if my tears, like scalding rain, Count every pang I feel.
Hadst thou fall’n victim to the art Of some false lovely she,
Heaven in her face, hell in her heart, Thou’d ave and rage like me.
I am Etna now, my bowels burn, Demons the lava blow;
And now I’m Caucasus and turn’d A chilling mass of snow.
Fool why dost laugh? where is the wit, With torture that makes free?
If hapless love thy brain had split, Thou’d freeze and burn like me.
On death’s dread verge, I seem to stand, Yet hold my hated life:
To strike me down, no pitying hand, No poison cord or knife.
Strike to my heart, ah, treacherous friend!
That will not set me free:
Didst thou thus linger near thy end, Thou’d long to die like me.
Emily Dickinson (1830–1886)
Authors: Bauer Mark S 
Published: November 2023

Abstract
To fight aloud, is very brave— But gallanter, I know
Who charge within the bosom The Cavalry of Woe—
Who win, and nations do not see— Who fall—and none observe— Whose dying eyes, no Country Regards with patriot love—
We trust, in plumed procession For such, the Angels go—
Rank after Rank, with even feet— And Uniforms of Snow.
The first Day’s Night had come— And grateful that a thing
So terrible—had been endured— I told my Soul to sing—
She said her Strings were snapt— Her Bow—to Atoms blown—
And so to mend her—gave me work Until another Morn—
Henry Kendall (1839–1882)
Authors: Bauer Mark S 
Published: November 2023

Abstract
Outre Mer
I see, as one in dreaming,
A broad, bright, quiet sea; Beyond it lies a haven—
The only home for me.
Some men grow strong with trouble, But all my strength is past,
And tired and full of sorrow I long to sleep at last.
By force of chance and changes Man’s life is hard at best;
And, seeing rest is voiceless, The dearest thing is rest.
Beyond the sea—behold it, The home I wish to seek,
The refuge of the weary, The solace of the weak!
Sweet angel fingers beckon, Sweet angel voices ask
My soul to cross the waters; And yet I dread the task.
God help the man whose trials Are tares that he must reap;
He cannot face the future— His only hope is sleep.
Across the main a vision
Of sunset coasts, and skies, And widths of waters gleaming,
Enchant my human eyes.
I, who have sinned and suffered,
Have sought—with tears have sought—
Robert Bridges (1844–1930)
Authors: Bauer Mark S 
Published: November 2023

Abstract
Melancholia
The sickness of desire, that in dark days Looks on the imagination of despair, Forgetteth man, and stinteth God his praise; Nor but in sleep findeth a cure for care.
Incertainty that once gave scope to dream Of laughing enterprise and glory untold, Is now a blackness that no stars redeem, A wall of terror in a night of cold.
Fool! thou that hast impossibly desired And now impatiently despairest, see
How nought is changed: Joy’s wisdom is attired Splendid for others’ eyes if not for thee:
Not love or beauty or youth from earth is fled: If they delite thee not, ‘tis thou art dead.