bluuebunny/crossref_metadata_2025_split huggingface dataset:
Ideology of Sarmatism and its Implementation in Polish Piano Music of the XIX – XX Centuries
Authors: Petrovska Nataliia 
Published: December 2023

The purpose of the study is to identify the genre-stylistic specificity of the reproduction of the spiritual and ethical instructions of Sarmatism in Polish piano music of the XIX-XX centuries. The research methodology is based on the application of the following approaches: genre-stylistic, etymological, interdisciplinary, historical-cultural, which reveal the peculiarities of the reproduction of Sarmatian ideology in Polish piano music of the specified period. The scientific novelty of the article is determined by its analytical perspective, which takes into account the peculiarities of the reproduction of the Polish "Sarmatian" image of the world Polish piano (dance) music of the XIX-XX centuries. Conclusions. The Polish national "image of the world", which was historically formed on the basis of the noble ("Sarmatian") spiritual and ethical tradition, formed in the heyday of the Polish-Lithuanian Commonwealth, and appealed to such dominant qualities as pride, honour, knightly service, honouring the merits of the family, family patriarchal values and traditions in their high spiritual and religious sense, in many ways determined the specifics of Polish culture and the genre and style preferences of its musical art, focused on revealing the special significance of the song and dance tradition in its salon representation. The poetics of polonaise, mazurka, Krakowiak, thought and other genres related to it, corresponding to the spiritual and patriarchal traditions of Biedermeier in its Polish guise (“Warsaw Biedermeier”, “noble Biedermeier”), also determined the historical and evolutionary paths of development of Polish piano music of the 19th and early 20th centuries (F. Chopin, Z. Noskovskyi, V. Malyshevskyi, M. Karlovych, M. Zavadskyi, K. Szymanovskyi, L. Rogovskyi, A. Panufnik) and reproduction of the national "noble-Sarmatian" quality in it.
Keywords: Sarmatism, Polish culture and music, noble Biedermeier, polonaise, mazurka, kujaviak, krakowiak.
Neo-Riemannian Analysis in the System of Theoretical Views of Richard Cohn
Authors: Ustyuzhanina Nadiia 
Published: December 2023

The purpose of the article is to highlight the main principles of the Neo-Riemannian method of analysis in the system of Richard Cohn’s theoretical views. The methodological basis of the work is a structural analysis and a special Neo-Riemannian method of pitch structure analysis, which consists of a set of analytical procedures aimed at identifying and graphically highlighting triadic transformations and projecting harmonic objects onto the hexatonic system of co-cycles with a description of the relationships between them. The scientific novelty of the article consists in bringing into Ukrainian musicology the methods of analysis of pitch structures proposed by the North American theorist R. Cohn, the presentation of the main works and theoretical innovations of the researcher. Conclusions. The Neo-Riemannian theory of the analysis of triadic pitch structures is one of the leading contemporary concepts developed by North American musicology on the basis of a neo-positivist approach. The theory is based on the idea of transforming a sound object (triad), which was laid down in the works of the German theorist Hugo Riemann. This idea was continued in the researches of the first Neo-Riemannian theorists – D. Lewin and B. Hyer – primarily in the form of three triadic transformations, designated as Neo-Riemannian Operations. The Neo-Riemannian approach offers an understanding of the triad as a structural unit, demonstrating the expediency of its use both in works with late romantic harmony and outside the context of tonal music, where the triad exhausts its potential as an element of functional harmony. The consideration of individual provisions of the Neo-Riemannian method in the works by R. Cohn (among them voice-leading parsimony, the hexatonic system, combined transformations) made it possible to see the technological possibilities of the method, which contribute to the understanding of the interrelationship of triads without focusing on the tonal-functional connection of chords and the central element of pitches systems.
Keywords: Neo-Riemannian theory of analysis of triadic pitch structures, triadic transformations, voice-leading parsimony, hexatonic system, combined transformations, Richard Cohn’s theoretical system.
Oppression of Ukrainian Cinematography during the Years of Stalinism
Authors: Demidko Olga 
Published: December 2023

The purpose of the research is to highlight the forms of pressure on Soviet cinematographers during the years of Stalinist repressions. The research methodology is based on the principles of historicism, objectivity, and a comprehensive approach. The work uses the historical-genetic method, which indicates the cause-and-effect relationships of repressive actions in relation to the specified artists. The historical-comparative method makes it possible to analyse the peculiarities of cultural policy in 1940, 1943 and 1946, to find out how the Second World War affected art and state policy in the field of cinematography. The systematic method makes it possible to understand that cinematography was a component of ideological influence on the population. The novelty of the study. For the first time, the history and creative work of Soviet cinematographers, who were natives of Ukraine and whose criticism symbolised certain stages in the ideological policy of the Communist Party, were compared. Conclusions. It was established that the process of criticism and condemnation was clearly developed in the Soviet totalitarian society. Despite the difference in professions and the subject of the work, the artists were accused of similar sins. Thus, O. Avdieienko, O. Dovzhenko, and L. Lukov were accused of distorting Soviet reality and failing to adhere to communist ideals.
Keywords: Stalinism, USSR, communist ideology, cinematography, Committee on cinematography under the Council of People's Commissars of the USSR, the Department for Agitation and Propaganda of All-Union Communist Party (Bolsheviks).
Kinesic Component of Etiquette Formulas in the Communication System of Modern Society
Authors: Koniukova Iryna , Sydorovska Evheniia 
Published: December 2023

The purpose of the research is to reveal the peculiarities of the kinesic component of non-verbal etiquette formulas in the context of the specifics of the communication system of modern society. Research methodology. The method of semantic and pragmatic interpretation, system analysis and synthesis, the method of cultural analysis, the typological method were applied. Scientific novelty. Peculiarities of the kinesic component of non-verbal etiquette formulas in the context of the specifics of the communication system of modern society were studied; kinesic elements were analysed according to the specifics of traditional label formulas; a significant load of facial and gestural behaviour, movements, poses, and features of their use in communication processes were revealed. Conclusions. The system of etiquette forms of communication is determined by the specificity of verbal and non-verbal, primarily kinesic elements of each cultural community. Kinetic elements of etiquette - a system of standard, stereotyped gestures, movements, facial expressions, etc. formulas used in the communicative process. They can include elements of etiquette symbols that appear both independently and in combination with verbal communication. The semantic load of kinesic elements varies significantly according to the cultural and social context. Kinesic elements of etiquette formulas among representatives of a specific nationality can be determined by the requirements of traditional culture of behaviour, national etiquette.
Keywords: kinesics, etiquette, etiquette formulas, gestures, movements, postures, communication, cultural context.
"Everyday Body" Model of Physicality in Theoretical and Practical Heritage of Merce Cunningham
Authors: Babich Olha 
Published: December 2023

The purpose of the article is to reveal the peculiarities of the formation of the "ordinary body" model of physicality in the postmodern dance system based on the analysis of the theoretical and practical legacy of Merce Cunningham. Research methodology. The analytical method, the methods of analysis and synthesis, the typological, dialectical and comparativist method were applied, which contributed to the clarification of the place and role of physicality in certain philosophical and cultural positions, to the study of the problem of physicality in general and the "everyday body" model in the concept of representatives of postmodern dance, consideration of theoretical – the practical legacy of M. Cunningham, the understanding of the internal relationship between the categories "body" and "physicality" in modern dance. Scientific novelty. The conceptual construct of corporeality, formulated within the framework of postmodern dance, is analysed; the cultural-historical model of physicality "everyday body" was characterised and the features of its representation in postmodern dance practices were revealed; changes in the perception of physicality in the context of the transformation of the sociocultural space of the 50s and 60s of the 20th century are analysed. The understanding of corporeality in the theoretical and practical discourse of postmodern dance by M. Cunningham is considered. Conclusions. At the core of the postmodern system is the principle of randomness, which is positioned as an artistic expression of the involvement of many bodies in the space of action of forces independent of them. In search of ways to free oneself from bodily canons that were formed in the sociocultural space, Merce Cunningham methodologically used randomness as the principle of creating a new dance corporeality, which lacks a coherent image and becomes a flow. In the process of constant experiments, the choreographer's own idea of what dance is (how it feels in the body and how it looks on stage) evolved. M. Cunningham's activities allowed him to overcome the limitations of his own taste and give priority to "movement for the sake of movement" – the dance no longer conveyed the story, emotions or characteristics of the characters. The choreographer completely departs from established dance lexicons, discovering innovative ways of organising and representing bodies in space and time by means of random operations. Taking into account these and numerous additional innovations, in the history of postmodern dance, M. Cunningham exerted the greatest influence on the formation of the "everyday body" model of physicality.
Keywords: modern dance, postmodern dance, physicality, model of physicality "everyday body", M. Cunningham.
The Art of Illusionism in the Context of Current Trends in the Development of Creative Industries of Ukraine
Authors: Zhavoronkov Mark 
Published: December 2023

The purpose of the work is to investigate the art of illusionism in the context of modern trends in the development of creative industries of Ukraine. The research methodology consists in the application of analytical and empirical research methods to study the functioning of illusionism as a component of creative industries, which makes it possible to explain the prospects of socio-cultural and intercultural development. The scientific novelty of the study consists in the systematisation of the study of the art of illusionism as one of the relevant forms of cultural and artistic activity and practice, which is part of the stage and performative sector of creative industries. Conclusions. The art of illusionism is a rather specific type of theatrical spectacle and an element of mass culture, which usually appears in the form of an entertainment event, capable of actively influencing human emotions and feelings, retransmitting certain cultural values. Through the prism of spectacle, the art of illusionism is able to represent the context of socio-cultural space, serving as a tool of intercultural communication. At the current stage, within the framework of increasing the dynamics of the development of creative industries, the art of illusionism actively incorporates into its sphere the tools of event management, artistic techniques and means of stage-performance practices, which ultimately form the general system of the entertainment industry.
Keywords: illusionism, creative industries, art, culture, society.
Formation of Artistic and Aesthetic Competencies in Student Artists in the Process of Studying at University
Authors: Yasenev Oleh 
Published: December 2023

The purpose of the article is to examine the development of characteristics, perspectives, and tools that contribute to the formation, in the process of teaching student artists, of self-organisation, self-development, awareness, responsibility during the performance of work (creating an artistic work) and the ability to think creatively, define a problem, set a goal and find a non-trivial way of solving it and learning about oneself and one's capabilities. Solving this problem contributes to increasing the efficiency of training a young, in-demand, competitive and adaptively mobile artist, in the person of whom society will receive a specialist to solve tasks in the field of fine arts, art and culture that are relevant today. The research methodology is based on systemic and value approaches, with the use of general scientific and special methods determined by the artistic and creative paradigm, which made it possible to comprehensively consider the specified problem and obtain appropriate research results. The scientific novelty of the work lies in the understanding of the peculiarities of the formation of artistic and aesthetic competences among student artists in the process of studying in higher education institutions of Ukraine. The acute problem of the lack of scientifically substantiated content bases, methods, principles of formation of artistic and aesthetic competences among students – future artists, related to modern changes in professional art education in connection with the introduction of distance learning into practice, which leads to the modernisation of the very process of studying an artist student. Conclusions. Undoubtedly, this study should take into account modern transformational processes in professional art education in general, and, including, those related to the introduction of distance learning into practice, which will allow to more deeply reveal the essence of the professional training of specialists in the artistic profile and ensure their personally oriented general development. In our opinion, the success and effectiveness of the formation of artistic and aesthetic competences among student artists in the process of studying in institutions of higher education depends on the set of educational conditions under which training will be organized in a separate institution of higher education. It was determined that the following conditions are necessary to increase efficiency in solving the above-mentioned issue: an art-critical approach to the formation of artistic-aesthetic competence; optimal combination of forms, methods and means of educational and artistic activity in a higher education institution; development of a system of practical tasks.
Keywords: competence, artistic competence, artistic and aesthetic competence, fine art, painting, student artist, art education, institution of higher education.
Musical and Theatrical Creativity in the Logos of Music History
Authors: Afonina Olena 
Published: December 2023

The purpose of the article is to analyse the productions of the 21st century musical and theatrical works of the 19th – 20th centuries in the aspect of postmodernism and baroque. The methodology of the work includes scientific methods (source studies, historical, generalising) and methods of comparative analysis to reveal the specifics of postmodern performances. The scientific novelty of the work lies in the fact that sources in foreign languages have been introduced into scientific circulation, and an analysis of musical and theatrical works has been carried out. Conclusions. It is noted that at all times the opera remains a musical-dramatic performance with a synthesis of arts that affect human feelings and immerse in audiovisual art. Postmodern music and theatre creativity, as well as baroque art, are aimed at evoking affects (states of mind) through various influences. In postmodernism, this is already the systemic influence of singing, dancing, modern technologies with the immersion of the audience in the action and plot complications, which also contribute to the transmission of various affective states. In the Baroque era, the composer was not considered an original genius, and their creativity and works were not untouched. The performer was allowed to interpret the written text. Postmodern period plays are characterised by: changing the libretto (E. Humperdinck’s "Hansel and Gretel" ("Jeníček a Mařenka", 1890, 2015); A. Dvořák’s "The Devil and Káča" ("Čert a Káča", 1899, 2016); "A soldier and a dancer". According to the functional sphere and the city of performance, parts of the work could be omitted or replaced. Actually, what we observe today, in the art of postmodernism is a reinterpretation of the heroes and their functions (Hansel and Gretel are not just poor children, but circus students, where the father is a director). Features of domestic comedy, fairy tale – in baroque opera were complemented by masks and tragic events. In post-modern performances, masks are replaced by puppets, for example, in the operas of B. Martin "The Soldier and the Dancer", E. Humperdinck "Hansel and Gretel", A. Dvořák "The Devil and the Duck". A parallel with the French baroque opera-ballet in the works of postmodernism is the strengthening of the role of dance in opera performances ("The Devil and Kacha", ballet with singing by B. Martin "Spalicek"). Plots with real and fairy-tale-fantasy characters, which are similar to the "myth" ("Hansel and Gretel", "The Devil and the Duck"). The external spectacularity and scale in Baroque works resonate with the specific stage design: inn, hell, palace ("Devil and Kacha"); animation of the middle of the 20th century – Disney pictures ("Hansel and Gretel"); the image of the Soldier – the world of dreams – childhood with dolls – a machine with dolls ("The Soldier and the Dancer").
Keywords: postmodernism, logos of music history, baroque, baroque opera, opera, ballet, opera-ballet, music and theatre art, elements of puppet theatre, stage design, libretto.
Musical Design of the Film in the Structure of Film Composer’s Professional Competencies
Authors: Soshalskyi Oleksandr 
Published: December 2023

The purpose of the article is to define the main components of the film music scoring process and the corresponding professional competencies of a film composer. The methodology of research is based on the integrated application of systemic and competency-based approaches, methods of theoretical analysis, specification, synthesis, and generalisation. The scientific novelty. Based on the analysis of art criticism and the author's own practical experience, the author of the article has determined: the main components of the film scoring process; the essence of compositional innovations in the best soundtracks of Ukrainian and foreign films; the main professional competencies of a film composer required to create a film soundtrack. The musical and creative competence of a film composer reflects the level of their compositional skill and the ability to creatively adapt musical material. Artistic and communicative competence characterises the ability to communicate creatively with the film's directing team, understanding the artistic intent of the film and the means of its implementation in musical images. Technical and technological competence is realised in the possession of modern technologies of sound recording and sound processing and the ability to work with studio equipment. Conclusions. Film scoring is a complex creative process that includes several stages (familiarisation with the general concept and dramaturgy of the film, creation of a score with a system of music themes and leitmotifs, studio recording of music, editing and synchronisation with the video sequence, sound design, creation of the final version of the soundtrack). The success of this process depends on the professional skill of the film composer, which is manifested in the formation of musical and creative, artistic and communicative, technical and technological competencies.
Keywords: film music, soundtrack, musical design of the film, film composer, professional competencies.
The Relationship Between the Application of the Team's Professional Nursing Care Method (MAKP) with Nurse Performance in the Internal Inpatient Room of Dr. M.M Dunda Limboto Hospital, Gorontalo Regency
Authors: Firmawati Firmawati , Herawati Hidayat Euis , Mahmud Azzahra Imansari 
Published: December 2023

Performance is an action taken by a nurse in an organization by their respective authorities and responsibilities. Improve performance and improve nurse performance, one of them is by applying the Professional Nursing Care Method (MAKP) team to improve the quality of nurse performance. The purpose of the study was to analyze the application of the Nursing Care Method (MAKP) Team with nurse performance. Quantitative research design with cross-sectional approach. The population is 52 people with total sampling techniques so the number of samples is 52 people. The results showed that most TIM nursing care methods were optimal for as many as 35 people with good performance in as many as 36 people, pValue value = 0.000<0.05. Conclusion There is a relationship between the Application of the Nursing Care Method (MAKP) Team with the Performance of Nurses at RSUD dr. M.M. Dunda Limboto, Gorontalo Regency. Suggestions are expected to be input for RSUD dr. M.M. Dunda Limboto in improving service and satisfaction to patients and also for the welfare of nurses who work.
Pulmonary complications of COVID-19 in patients with diabetes
Authors: Garnytska A.V. , Orlyk O.S. 
Published: December 2023

BACKGROUND. The coronavirus disease (COVID-19), caused by the SARS-CoV-2 coronavirus, continues to pose a serious threat to global health. One of the key characteristic of this disease is its ability to attack the respiratory system, which can lead to pneumonia, especially in severe cases. Patients with diabetes, who already have certain pulmonary risks due to their disease, become particularly vulnerable to these complications.
OBJECTIVE. On the basis of data from literary sources, to investigate the most frequent variants of pulmonary complications of COVID-19 in patients with diabetes mellitus (DM).
MATERIALS AND METHODS. Object: pulmonological complications, as a result of transferred COVID-19. Research method: a review of literary sources.
RESULTS. Among the pulmonological complications of COVID-19 in DM, most often in our practice we can encounter: pneumonia, acute respiratory distress syndrome, pulmonary fibrosis and inflammation of pulmonary vessels with the possible development of thrombosis.
CONCLUSIONS. Glycemic control is a key factor to ensure optimal treatment of patients with diabetes with pulmonary complications of COVID-19, for timely correction of the regimen of hypoglycemic therapy. Medical treatment for pulmonary complications may include corticosteroids and anti-inflammatory drugs such as dexamethasone, especially in severe cases. However, it is important to take into account the ability of these drugs to increase glycemia, and accordingly choose treatment taking into account this factor, without excluding the possibility of prescribing insulin therapy. At the stage of recovery, an important role in the treatment of pulmonary complications of COVID-19 in patients with DM is played by a rational diet, physical activity and monitoring of the main indicators.