bluuebunny/crossref_metadata_2025_split huggingface dataset:
Inferior temporal quadrantanopia associated with pituitary adenomas and a potential mechanism of excessive optic nerve bending
Authors: Demura Munehiro , Sasagawa Yasuo , Hayashi Yasuhiko , Tachibana Osamu , Nakada Mitsutoshi 
Published: March 2024

Background:
Pituitary adenomas show typical visual field defects that begin superiorly and progress inferiorly. The cause of atypical visual field defects that start inferiorly remains unclear. This study aimed to understand this phenomenon using magnetic resonance imaging (MRI).

Methods:
A total of 220 patients with pituitary adenomas underwent a visual field assessment of both eyes. Preoperative visual fields were assessed and classified into two types: superior quadrantanopia (typical) and inferior quadrantanopia (atypical). Several parameters related to tumor characteristics and optic nerve compression were evaluated using MRI.

Results:
Of the 440 eyes examined, 174 (39.5%) had visual field defects. Of these, 28 (16.1%) had typical and 11 (6.3%) had atypical visual field defects. Patient age, tumor size, degree of cavernous sinus invasion, tumor pathology, and intratumor bleeding were similar between the two groups. The angle formed by the optic nerve in the optic canal and in the intracranial subarachnoid space at the exit of the optic canal (degree of optic nerve bending) was significantly larger in the atypical group than in the typical group (42.6° vs. 23.9°, P = 0.046).

Conclusion:
In some pituitary adenomas, visual field defects begin inferiorly. This may be caused by optic nerve compression on the superior surface by the bony margin of the optic canal exit. Therefore, pituitary adenomas should be considered in patients with atypical visual field defects.
Analisis Nilai-Nilai Kearifan Lokal Masyarakat Baduy dalam Novel Baiat Cinta di Tanah Baduy Karya Uten Sutendy dengan Kajian Ekologi Budaya sebagai Bahan Ajar di SMA
Authors: Trisnawati Trisnawati , Saraswati Saraswati , Adrianti Fera 
Published: March 2024

The purpose this research is to describe the local wisdom values ​​contained in the novel Baiat Cinta di Tanah Baduy by Uten Sutendy. The research method used in this research is descriptive qualitative. The data sources used in this research are novels by Uten Sutendy as well as relevant theoretical books related to literature and local wisdom values. The research data is in the form of excerpts from sentences contained in the novel Baiat Cinta di Tanah Baduy by Uten Sutendy. The data collection techniques in this research are reading the entire contents of the novel, identifying the local wisdom values ​​contained in the novel, looking for data related to character values, searching for the benefits of the analysis to be used as teaching material and the researcher collects these points to arrive at the stage conclusion. From this analysis, it can be concluded that in the novel Baiat Cinta di Tanah Baduy by Uten Sutendy there is a cultural ecology that focuses on the environment, niche or habitat, resources and energy. In these four approaches there are types of character values, customs or customs, respect. nature, nature conservation, technological limitations, utilization of natural resources, tolerance values, national values, preserving animals and nature, praying to Allah, humans are weak creatures, believing in Allah's destiny, sacrifice, victory, compassion, mutual cooperation, caring.
Keywords: Local Wisdom, Baduy Tribe, Cultural Ecology
Verschönerung der Landschaft unter den Schönburgern in den Herrschaften Waldenburg, Hartenstein und Wechselburg im Zwickauer Muldenland
Authors: Vogel Gerd-Helge 
Published: March 2024

Der Autor zeichnet in seinem Beitrag zunächst ideengeschichtliche Hintergründe nach und benennt Protagonisten, die den Weg zur Landschaftsverschönerung geebnet haben. Anschließend richtet er seinen Blick nach Sachsen auf die landschaftsgestaltenden Wirkkräfte von Angehörigen des Hauses Schönburg in ihren Herrschaften Waldenburg, Hartenstein und Wechselburg. Dort kamen Konzepte zum Tragen, die in ihrer Entstehungszeit, ihren ideellen Ausgangspunkten, der Intensität des Eingriffs in die Natur sowie in dem Grad des Ausgreifens in die Landschaft sehr unterschiedlich geartet sind.

The author first traces the underlying intellectual history and names some of the protagonists who paved the way for landscape embellishment. He then turns his attention to Saxony and the landscape-shaping influence of members of the House of Schönburg in their estates of Waldenburg, Hartenstein and Wechselburg. There, concepts were realised that differed substantially in their time of origin, their fundamental ideas, the intensity of intervention in nature and the degree to which they extended into the landscape.
Accounting as an information basis for reflecting the social component of the company: modern problems and past experience of building accounting in the system of Western Ukrainian cooperation during the times of Austria-Hungary and interwar Poland
Authors: Lemishovska O.S. 
Published: March 2024

The importance and existing problems of recording information about the social component in the enterprise’s activities by the accounting system are discussed. The views of scientists on the disposition of «social accounting» as a self-contained type or an accentuated component of the accounting system are analyzed.
The author has formulated the position that the introduction into practice of the basic provisions of socially responsible business and new requirements from civil society to the activities of companies require a reliable formalized information base, which can be formed in the general accounting system by highlighting financial and economic operations related to social and public criteria.
The existing practice of reporting (public presentation of information) by domestic enterprises about the financial and economic operations of a social nature carried out by them is presented and critically evaluated. It has been proven that the publicly presented non-financial and integrated reporting of Ukrainian enterprises with its information array only reveals facts about social expenses and income, but does not contain information about the formation of social capital (acquiring a higher image position by corporate entities).
The expediency of turning to the experience of the past has been argued and certain aspects of taking into account the social component in the construction of accounting practice within the framework of the association of Ukrainian cooperatives, which can provide solutions to some aspects of modern problems, have been revealed. Based on the application of a new historical-institutional methodological approach for profile research and the method of historical-retrospective analysis, an analysis of approaches to the reflection of the social component in the accounting system for the needs of managing the integral institutional complex of Ukrainian cooperation in Galicia in the period of the second half of the 19th and up to the middle of the 20th century was carried out.
The formulated proposals mostly relate to the expected organization in the post-war period of economic entities within the framework of professional associations, industry associations or unions, which will require coordination and interaction among themselves in the implementation of processes of a social nature.
BLOCKCHAIN, A STRATEGIC TECHNOLOGY TO BE ADOPTED BY PUBLIC AND PRIVATE COMPANIES FOR THE BENEFIT OF BRAZILIAN SOCIETY
Authors: Lemos Lelles de Paula 
Published: March 2024

Purpose: Highlight the strategies used by organizations when using blockchain, the problems and difficulties they face, and how the use of blockchain technologies can help public and private Brazilian companies, understanding their concepts and importance.

Theoretical Framework: Blockchain technology emerges to allow transactions to be more secure and transparent and is very important for organizations to make their processes more agile. However, to implement it, it is important to use strategies.

Design/Methodology/Approach: Important aspects for the implementation and use of blockchain by organizations, challenges, benefits, essentiality, and the need to obtain this knowledge were analyzed, therefore, four public and private Brazilian companies were analyzed, where a bibliographic review was used and, therefore, exploratory research.

Findings: Strategies were identified, such as storing and managing data with blockchain and using cryptocurrencies as a form of payment. The challenges to be overcome are usability, scalability, environmental impact, security, and crime. Public and private companies benefit from lower costs, agility, efficiency, shorter transaction times, customer attraction and greater engagement.

Research, Practical & Social Implications: The research was relevant, and the objectives were met, the implications identified proved to be beneficial for companies and society.

Originality/Value: The use of blockchain by organizations to address problems and increase business scalability is essential, as it brings greater capacity to control operations in an integrated manner with better communication and greater transparency towards society.
Intertextualidade nas crônicas jornalísticas da pandemia da covid-19 no Brasil
Authors: Brandão Glynner , Cruz Adriano 
Published: March 2024

Este trabajo tiene por objetivo identificar la producción científica sobre las crónicas periodísticas en Brasil, específicamente en lo que se refiere a la intertextualidad, teniendo como agenda la pandemia de la covid-19. El método consiste en un estudio cuantitativo, integrativo, descriptivo e informativo de artículos y libros de crónicas disponibles en su totalidad, de forma gratuita, en Lengua Portuguesa, en la Biblioteca Digital Brasileña de Tesis y Disertaciones (BDTD), en Google Académico y en las plataformas SciELO y Capes. Con esta investigación integrativa, lo que se pudo constatar es que las crónicas de la pandemia (periodísticas y literarias) fueron estudiadas en solo seis artículos científicos, de un universo muestral de 882 trabajos analizados (2020-2023). Dos libros de crónicas también discutieron el asunto. La intertextualidad fue abordada, y solo de manera tangencial, en tres investigaciones, ninguna de ellas de investigadores brasileños, lo que indica brechas científicas. Asimismo, las crónicas periodísticas hacen eco de los sentidos de la pandemia y son instrumentos textuales de representación de la realidad. Los descriptores usados en la búsqueda fueron “Crónicas de la pandemia”, “Crónica periodística y pandemia y intertextualidad”, “Crónicas de la covid-19” y “Periodismo literario y covid-19”.
Palabras clave: Crónica periodística. Pandemia de covid-19. Intertextualidad. Investigación integrativa.
SEMIOTIC ANALYSIS OF BUTET KARTAREDJASA’S VISUAL ARTWORK “GORO-GORO BHINEKA KERAMIK”
Authors: AKBAR TAUFIK 
Published: March 2024

AbstrakArtikel ini merupakan sebuah analisis makna terhadap karya-karya seni visual Butet Kartaredjasa “Goro-Goro Bhineka Keramik”. Penelitian dilakukan menggunakan metode kualitatif dengan focus pada pendekatan semiotika dyadic Ferdinand De Saussure. Hasil penelitian menunjukkan bahwa karya-karya “Goro-Goro Bhineka Keramik” memiliki makna tentang pentingnya sikap kritis bagi si seniman, sindiran politik yang memecah belah masyarakat serta pentingnya menjaga persatuan di tengah keberagaman sebagai identitas bangsa Indonesia.AbstractThe paper is a meaning analysis on artworks “Goro-Goro Bhineka Ceramic” by Butet Kartaredjasa. This research using a qualitative method with focuses on dyadic semiotics from Ferdinand De Saussure. The result of this research contains: the meaning of the ceramics is about the importance of critical attitude for him as an artist, divisive political innuendo in Indonesian people, and the importance of maintaining unity amidst diversity as the identity of the Indonesian nation.
RE-READING THE HISTORY OF BODY IN MENITI JEJAK TUBUH BY SHERLI NOVALINDA
Authors: Muliati Roza , Wahyuni Wahida , Saaduddin Saaduddin 
Published: March 2024

This paper explains how the body narrates its own history in a dance work Meniti Jejak Tubuh by Sherli Novalinda. The reading of the history of the body aims to explain how does the choreographer rereads the body in creating a new and different bodily practices. This paper is a result of an artistic research by using an embodiment approach and aesthetics of experience perspective. Data was collected through interviews and textual analysis methods. The results of the analysis reveal that Sherli Novalinda in her dance work Meniti Jejak Tubuh presents a rereading of her body history through an experimental creation process. The choreographer narrated the history of her body as a women inheritated Kerinci culture by borrowing another body in an experimentative process, cross-culture and gender, in order to create a new body narrative, the body in between.Keywords: Body History; Dance; Sherli Novalinda MEMBACA ULANG SEJARAH TUBUH DALAM PENCIPTAAN TARI MENITI JEJAK TUBUH KARYA SHERLI NOVALINDAAbstrakTulisan ini menjelaskan bagaimana tubuh menarasikan sejarahnya sendiri dalam tari Meniti Jejak Tubuh karya Sherli Novalinda. Pembacaan terhadap sejarah tubuh dalam karya tari ini bertujuan untuk menjelaskan bagaimana koreografer membaca kembali tubuhnya dalam menciptakan praktik ketubuhan yang baru dan berbeda. Tulisan ini merupakan hasil dari sebuah riset artistik dengan menggunakan pendekatan ketubuhan (embodiment) dan perspektif estetika pengalaman (aesthetics of experience). Pengumpulan data dilakukan melalui metode wawancara dan analisis tekstual. Hasil analisis menunjukkan bahwa Sherli Novalinda dalam karya Meniti Jejak Tubuh menghadirkan pembacaan terhadap sejarah tubuhnya melalui proses penciptaan yang eksperimentatif. Koreografer menarasikan sejarah tubuhnya sebagai perempuan yang mewarisi budaya Kerinci dengan meminjam tubuh orang lain dalam proses eksperimentasi yang lintas budaya dan gender hingga menciptakan sebuah narasi tubuh yang baru, tubuh in-between. Kata kunci: Sejarah Tubuh; Dance; Sherli Novalinda
CREATIVE PROCESS OF CONTEMPORARY DANCE GEOMETRY: A CHOREOGRAPHIC WORK WITH A SOCIAL PSYCHOLOGICAL APPROACH
Authors: Rosalina Venny , Yuda Fabio 
Published: March 2024

This paper discusses the process of creating Geometry, a dance works by using a psychological approach to express the idea of the Minangkabau body in contemporary dance practice. Geometry dance works as a real picture of the behavior, thoughts, appreciation of human characters through the description of body dialogue and unique experiences as character expressions in dance works. This study resulted in a description of the creative process of contemporary dance creation based on the application of a psychological approach by describing creative values, appreciation values and behavioral values in a geometric creation. The audience's reflection becomes the impetus to feel the sensations of contemporary dancers' bodies. Basik Minang Kabau uses geometry as a critical reflection on the development of contemporary dance in West Sumatra as a form of the body of the Minangkabau tradition towards a contemporary body. Keywords: Geometry; psychology; Audience Reflection; choreography; creative processPROSES KREATIF TARI KONTEMPORER GEOMETRI: SEBUAH KARYA KOREOGRAFI DENGAN PENDEKATAN PSIKOLOGI SOSIAL AbstrakTulisan ini membahas tentang sebuah proses kreatif dalam penciptaan tari kontemporer berjudul Geometri dengan menggunakan pendekatan psikologi sosial. Koreografi tersebut disusun untuk mengungkapkan gagasan tentang ketubuhan Minangkabau dalam praktik tari kontemporer. Karya tari Geometri erupakan gambaran nyata dari perilaku, pemikiran, penghayatan karakter manusia melalui penjabaran dialog tubuh dan pengalaman unik sebagai ekspresi karakter dalam karya tari. Penelitian ini mengahasilkan sebuah uraian proses kreatif penciptaan tari kontemporer yang berbasis pada penerapan pendekatan psikologi dengan menjabarkan nilai-nilai kreatif, nilai penghayatan dan nilai bersikap dalam sebuah penciptaan geometri. Refleksi penonton menjadi dorongan untuk merasakan sensasi ketubuhan penari kontemporer. Basik minang kabau menjadikan karya geometri sebagai refleksi kritis terhadap perkembangan tari kontemporer di Sumatera Barat sebagai wujud tubuh tradisi minangkabau menuju tubuh kontemporer. Kata Kunci: Geometri; psikologi sosial, refleksi penonton; koreografi; proses kreatif
AESTHETIC SPACE IN SYNTHETIC CUBISM, INTERPRETATION ANALYSIS OF ARMEN NAZARUDDIN'S PAINTINGS
Authors: Patriansah Mukhsin , Sapitri Ria , Mubarat Husni 
Published: March 2024

This study aims to see the aesthetic spaces in synthetic cubism by Armen Nazaruddin. When mastering the techniques, tools and materials that are mastered, the next problem that arises is the application of aesthetic values in the form of works of art. Therefore, describing an experience of having a sense and being intellectual in giving birth to his work of art. This is what the author did to conduct an object study of Armen Nazaruddin's painting, which later could be used as a reference and reference in the development of painting in Indonesia, especially in West Sumatra. This painting really considers the principles of making principles in detail and meticulously as well as the stars of the message and meaning in it. Artists experiment with how to make use of objects around them that have no value to become more appropriate in accordance with the Minang Kabau philosophy, namely, "Nature Takambang Becomes a Teacher". Keywords: Aesthetics, Painting, Synthetic Cubism, ExperimentRuang Estetika Dalam Kubisme Sintetik, Analisis Interpretasi Terhadap Lukisan Armen NazaruddinAbstrakPenelitian ini bertujuan untuk melihat ruang-ruang estetis dalam kubisme sintetik karya Armen Nazaruddin. Ketika penguasaan teknik, alat dan bahan sudah dikuasai, persoalan selanjutnya yang muncul adalah terapan nilai estetika dalam wujud karya seni. Oleh karena itu, seniman dituntut memiliki suatu kepekaan rasa dan intelektual dalam melahirkan karya seninya. Hal inilah yang mendasari penulis melakukan objek kajian terhadap karya seni lukis Armen Nazaruddin, yang nantinya bisa dijadikan acuan serta referensi dalam perkembangan seni lukis di Indonesia, khususnya di Sumatera Barat. Lukisan ini sangat mempertimbangkan prinsip-prinsip penyusunan secara detail dan teliti dan juga tersirat pesan dan makna di dalamnya. Seniman senantiasa bereksperimentasi dengan cara memanfaatkan benda-benda yang ada di sekitarnya yang tidak memiliki nilai menjadi lebih bernilai sesuai dengan falsafah minang kabau yakni “alam takambang jadi guru”. Kata kunci : Estetika, Seni Lukis, Kubisme Sintetik, Eksperimentasi
SYMBOLIC MEANING OF COSTUMES AND PROPERTY GONG DANCE OF THE DAWAN TRIBE NANSEAN VILLAGE
Authors: Hariswari Kadek Paramitha , Ceunfin Flora , Amasanan Yohanis Devriezen 
Published: March 2024

Gong Dance is a profane dance of the Dawan Tribe community in Insana District, North Central Timor (TTU) Regency, East Nusa Tenggara Province which is usually danced in various events, both traditional events and as a reception dance.a symbol of authority, toughness, courage and masculinity of a Dawan tribe man. In particular, the symbolic meaning of Gong Dance is analyzed in terms of the costumes and properties used which are divided into three parts, namely the head which consists of pilu and pet no’o, body part consists of foke, molo, kain beti, pasu, sbeta and aluk. The leg consists of poentuf, bukhaef and giring-giring. While the properties of the gong dance are sumi and selendang. To analyze the symbolic meaning of the costumes and properties of the gong dance using qualitative descriptive analytical methods. Data obtained through observation and interviews as well as documentation.Keywords: Gong Dance; Symbolic Meaning; Costume and PropertyMAKNA SIMBOLIK PADA KOSTUM DAN PROPERTITARI GONG SUKU DAWAN DESA NANSEAN AbstrakTari Gong merupakan sebuah tari profan masyarakat Suku Dawan yang ada di Kecamatan Insana Kabupaten Timor Tengah Utara (TTU) Provinsi Nusa Tenggara Timur yang biasanya ditarikan dalam berbagai acara baik acara adat maupun sebagai tarian penerimaan tamu. Tari Gong secara umum dimaknai oleh masyarakat Suku Dawan sebagai simbol kewibawaan, ketangguhan, keberanian dan kejantanan seorang laki-laki Suku Dawan. Secara khusus, makna simbolik Tari Gong dianalisis dari segi kostum dan properti yang digunakan yang terbagi menjadi tiga bagian yakni bagian kepala yang terdiri dari pilu dan pet no’o, bagian badan terdiri dari foke, molo, kain beti, pasu, sbeta dan aluk. Bagian kaki terdiri dari poentuf, bukhaef dan giring-giring. Sedangkan properti tari gong adalah sumi dan selendang. Untuk menganalisis makna simbolik kostum dan properti tari gong menggunakan metode kualitatif deskriptif analitikal. Data diperoleh melalui observasi dan wawancara serta dokumentasi.Kata Kunci: Tari Gong, Makna Simbolik, Kostum dan Properti
HUMANISTIC THOUGHT IN MUSIC ARTS EDUCATION
Authors: Darma Putra Irdhan Epria 
Published: March 2024

Research is the foundation of music education that has a humanistic mind. This research was conducted to determine the initial study of learning that could have been more optimal. Music education has not been able to express freedom and maturity. This research is due to a need to foster students' sense of awareness and responsibility. This awareness can expand students' experiences in music in the surrounding environment. The research used literature studies from ten articles published in national journals and then abstracted to compare the findings. The results showed that music education focuses on art elements, including expressing, appreciating, creating, and creating harmony in the environment. Music arts education can motivate students to discover the character and personality of students in knowledge, potential, and positive behavior in the surrounding environment.Keywords: Musical Art; Humanistic PerspectivePEMIKIRAN HUMANISTIK DALAM PENDIDIKAN SENI MUSIKAbstrak Riset merupakan landasan pendidikan musik yang berwawasan humanistik. Penelitian ini dilakukan untuk menentukan pembelajaran pembelajaran awal yang bisa lebih optimal. Pendidikan musik belum mampu mengekspresikan kebebasan dan kedewasaan. Penelitian ini dilakukan karena adanya kebutuhan untuk menumbuhkan rasa kesadaran dan tanggung jawab siswa. Kesadaran tersebut dapat memperluas pengalaman siswa dalam bermusik di lingkungan sekitarnya. Penelitian ini menggunakan studi literatur dari sepuluh artikel yang diterbitkan di jurnal nasional dan kemudian disarikan untuk membandingkan temuan tersebut. Hasil penelitian menunjukkan bahwa pendidikan musik menitikberatkan pada unsur seni yang meliputi mengungkapkan, mengapresiasi, berkreasi, dan menciptakan keselarasan dalam lingkungan. Pendidikan seni musik dapat memotivasi siswa untuk menemukan karakter dan kepribadian siswa dalam pengetahuan, potensi, dan perilaku positif di lingkungan sekitarnyaKata Kunci: Seni Musik; Perspektif Humanistik