bluuebunny/crossref_metadata_2025_split huggingface dataset:
БУДІВНИЦТВО ТА ПРОЄКТУВАННЯ ПІДПРИЄМСТВ РЕСТОРАННОГО ГОСПОДАРСТВА: ПРОЦЕСНО-ІННОВАЦІЙНИЙ ПІДХІД
Authors: ПІДЛИПНИЙ Юрій , ЧАЙКОВСЬКИЙ Валерій 
Published: April 2024

Статтю присвячено аналізу можливостей застосування процесно-інноваційного підходу до проєктування та будівництва підприємств ресторанного господарства з використанням сучасних програмних засобів. Запропоновано організовувати проєктно-будівельні роботи з використанням процесного підходу, який ґрунтується на системному баченні об’єкта будівництва та забезпечує функціональну спрямованість проєктних і будівельних процесів. Доведено, що використання інноваційних технологій інформаційного моделювання будівель, САПР та АСУБ оптимізує процеси проєктування та будівництва за рахунок максимізації ефективності використання інформаційних потоків. З’ясовано, що використання сучасного програмного забезпечення дозволяє формувати візуалізовані концептуальні рішення. Показано, що аналітичне моделювання дозволяє інженерам взаємодіяти з віртуалізованими моделями для внесення концептуальних характеристик будівельного об’єкту. Запропоновано здійснювати концептуалізацію дизайну в середовищі ArchiCAD для врахування пропозицій щодо конструктивності, оптимізації витрат та вибору будівельних матеріалів. Виявлено, що об’ємно-планувальне вирішення повною мірою відповідає функціональному призначенню підприємства ресторанного господарства, а конструктивні рішення будівлі забезпечують технологічні та економічні вимоги щодо ефективної експлуатації проєктованого об’єкту. Подальші дослідження запропоновано здійснювати у напрямку розвитку автоматизованих інформаційних систем управління проєктно-конструкторськими розробками та напрацювання вітчизняного Банку інноваційних проєктних і будівельних рішень.
АСПЕКТИ РОЗВИТКУ СИСТЕМ УПРАВЛІННЯ НАВЧАННЯМ ВОДІЇВ АВТОТРАНСПОРТНИХ ЗАСОБІВ
Authors: ЯРЕМКО Світлана 
Published: April 2024

У статті розглянуто особливості систем управління навчанням; досліджено характеристики відомих систем, які використовуються для навчання водіїв автотранспортних засобів, а також їх функціонал; проаналізовано досвід впровадження систем управління навчанням водіїв автотранспортних засобів в Україні та розвинутих країнах світу.
В результаті проведених досліджень встановлено, що сучасні системи управління навчанням є важливим інструментом для вдосконалення якості освіти, забезпечення гнучкості та сприяння взаємодії між учасниками навчального процесу, а впровадження таких систем є необхідною складовою професійної підготовки та атестації, що дозволить забезпечити коректність та безпеку дорожньо-транспортної обстановки.
PENGARUH PERPUTARAN MODAL KERJA, PERPUTARAN PERSEDIAAN DAN RETURN ON EQUITY TERHADAP PERTUMBUHAN LABA
Authors: Erawati Teguh , Hanifah Rizka Nur 
Published: April 2024

Era industri yang makin maju perusahaan manufaktur dituntut untuk semakin meningkatkan kinerja perusahaan untuk mencapai tujuan kompetitifnya. Perusahaan dalam memaksimalkan laba yang dicapai harus terus menyusun strategi dan upaya agar para investor menginvestasikan dana sebagai modal perusahaan. Studi ini berupaya mengumpulkan bukti empiris mengenai faktor yang mempengaruhi tingkat pertumbuhan laba suatu perusahaan manufaktur.Variabel terikat pada penelitian ini adalah pertumbuhan laba dengan tiga variabel bebas yaitu perputaran modal kerja , perputaran persediaan dan return on equity. Seluruh perusahaan manufaktur di BEI tahun 2018 hingga 2021 merupakan populasi dari penelitian. Purposive sampling digunakan sebagai teknik pengambilan sampel dan menggunakan data sekunder. Terdapat 284 data sampel dari 71 perusahaan yang memenuhi kriteria. Analisis regresi linier berganda digunakan untuk menganalisis data dengan menggunakan aplikasi olah data statistik. Berdasarkan temuan penelitian menunjukkan bahwasanya perputaran modal kerja memberikan pengaruh negatif terhadap pertumbuhan laba, perputaran persediaan dan return on equity tidak memberikan pengaruh terhadap pertumbuhan laba,
RPTOR Is an Alzheimer’s Disease Susceptibility Gene Associated with the Risk Factors Body Mass Index and Infectious Encephalitis
Authors: Lehrer Steven , Rheinstein Peter H. 
Published: April 2024

Background: In comparison to persons who did not have viral encephalitis, people with viral encephalitis had a later-life risk of Alzheimer’s disease (AD) that was 31 times higher. In a previous study, we were able to confirm the association of viral encephalitis with AD and suggest that West Nile Virus infection is a significant AD risk factor. A genome wide association study (GWAS) with UK Biobank data revealed that the gene RAR Related Orphan Receptor B (RORB) is significantly associated with viral encephalitis. Objective: To use data from the 8 PheWeb datasets to try to identify genes other than RORB that might be involved in both infectious encephalitis and AD. Methods: PheWeb includes data from UKBB and 5 other databanks. We used UK Biobank data to examine gene expression and phenotypic expression. Results: PheWeb identified additional genes associated with both infectious encephalitis and AD. RPTOR, a gene associated with the mTOR pathway, emerges as significant. Analyses of UK Biobank data reveal the impact of RPTOR on AD risk, with carriers of the minor allele A exhibiting decreased prevalence in subjects under age 55. Further analysis demonstrates that RPTOR genotypes influence body mass index (BMI) in subjects of all ages, with carriers of the minor allele A having lower BMI. Logistic regression analyses confirm the association between reduced BMI and increased AD risk, along with the established factor of age. Conclusions: RPTOR may represent an AD gene, though mTOR’s role in AD and BMI is complex. Nevertheless, RPTOR and mTOR could represent potential therapeutic targets for AD.
Treatment of Alzheimer’s Disease in the New Era of Monoclonal Antibodies Against Cerebral Amyloid-β: Pharmacological Prescription and Knowledge in Argentina
Authors: Cubas Guillen Jonathan , Rojas Galeno , Demey Ignacio , Sarasola Diego , Merchán del Hierro Xavier , Persi Gabriel , Aldinio Victoria , Pereira de Silva Nahuel , Fernández Boccazzi Julián , Seguí Josefina , Muniagurria Santiago , Gilbert Afra , Gatto Emilia 
Published: April 2024

Background: Alzheimer’s disease (AD) presents a significant global health challenge. Understanding the current and upcoming treatment landscape is crucial for effectively managing patients. Objective: The aim of this study was to assess the pattern of prescription and knowledge about new therapies by physicians who treat AD patients in Argentina. Methods: A cross- sectional and analytic study was conducted. A survey was elaborated about pharmacological treatment in AD. Statistical analysis of answers of specialists in cognitive disorders (SCD), non-specialists in cognitive disorders (NSCD), recommended treatment, non-recommended treatment (NRT), and off-label treatment was performed. Results: 155 physicians answered the survey. A 19.35%prescribed at least one NRT for dementia. 78.06%prescribed at least an off-label treatment or an NRT for mild cognitive impairment (MCI). 31%would prescribe monoclonal antibodies (MABs) against cerebral amyloid-β (Aβ) to AD patients, and 42.6%responded that they were not aware of any adverse effect of these. Quetiapine was the most frequent treatment for psychotic symptoms (88.4%) and escitalopram (32.3%) for apathy. A 70%of potential prescribers of MABs ( n = 100) would request biomarkers of cerebral Aβ in the initial assessment. There were significant differences between the responses of SCD and NSCD regarding the prescription of MABs (52.17%versus 23.08, respectively) and knowledge about adverse events (76.09%versus 38.46%, respectively). Conclusions: A considerable percentage of physicians indicated NRT and off-label medication in MCI and dementia. In Argentina, there are many physicians who would indicate a MABs for AD, but many are not completely aware of its safety profile.
Comparison of trunk muscle thickness and brightness in collegiate female athletes with and without a history of low back pain
Authors: Sekine Chie , Yokota Hirotake , Hirabayashi Ryo , Akuzawa Hiroshi , Ishigaki Tomonobu , Kikumoto Takanori , Edama Mutsuaki 
Published: April 2024

BACKGROUND: Trunk muscle thickness and brightness are associated with injuries. OBJECTIVE: This study compared trunk muscle thickness and brightness between female college athletes with and without history of low back pain. METHODS: 15 sprinters, 22 volleyball-, and 18 basketball players, all females, were included. The participants were grouped based on the presence of low back pain. Short-axis ultrasound images of the rectus abdominis, external oblique, internal oblique, transverse abdominis, and lumbar multifidus were obtained. The muscle brightness was calculated after selecting the region of interest for each muscle. Muscle thickness and brightness in both groups were compared. RESULTS: In sprinters, the right lumbar multifidus thickness was significantly thinner in the low back pain group (24.66 [Formula: see text] 2.98 mm) than in the healthy group (28.13 [Formula: see text] 2.84 mm). Volleyball and basketball players showed no significant differences in muscle thickness between the two groups for any muscle type. In volleyball players, the right transverse abdominis thickness is inclined toward thinness in the low back pain group than in the healthy group, but the difference was not significant. In all sports, there were no significant differences in muscle brightness between the two groups. CONCLUSIONS: Low back pain in female college athletes may not be related to trunk muscle thickness and brightness.
Simulated and measured performance of the ISIS TS-1 Project target
Authors: Wilcox Dan , Gallimore Stephen , Probert Molly , Jones Leslie , Skoro Goran , Quintieri Lina , Densham Chris , Loveridge Peter 
Published: April 2024

A new design of spallation target has been installed and operated at the first target station of the ISIS Neutron and Muon Source (ISIS TS-1), as part of the recently completed “TS-1 Project”. Detailed Finite Element Analysis (FEA) simulations were used to guide the design process and predict target performance. Since the TS-1 Project target began operation in November 2022, operating data has been collected and used to validate the target simulation approach. Measured temperatures of 9 out of 10 target plates showed good agreement with FEA simulations of both steady-state and transient behaviour. However, the front target plate temperature was elevated compared to predictions. Because the installed target was now too radioactive to permit hands-on inspection, FEA simulations became an indispensable tool to understand the possible causes and safety implications of this anomalous behaviour. The anomalous elevated temperature appears to be highly localised; a combination of simulations and experiments indicates the mostly likely cause is poor thermal contact between the thermocouple and the bulk of the target plate. In all other respects the target is operating as predicted, and is running reliably at up to 120 kW.
Oleh Tymoshenko’s Institutional Development and Management From Mono-Unit to University-Type Higher Institution
Authors: Dats Iryna 
Published: April 2024

The purpose of the article is to examine the conditions of Oleh Tymoshenko’s institutional development and management from a mono-unit to a university-type higher institution. The research methodology constitutes fundamental methods of scientific research, namely: source studies, theoretical-analytical, historical, and the method of generalisation. The article clarifies the concepts of institutional development of culture, music education, art schools, and music education on the example of scientific and educational activities and administrative work of the rector O. Tymoshenko. The obtained results made it possible to better understand the processes taking place in the cultural environment of Ukraine. Scientific novelty. The article reveals the process of institutional evolution of music education at the Kyiv Conservatory during the rectorate of O. Tymoshenko. The study chronicled the main stages of formation and development of the Conservatory as a leading institution of music education in the socio-historical, cultural and artistic processes of Ukraine, and also revealed the place and role of the Academy in the formation of the modern national system of music education. Conclusions. Using institutional principles, the method of involving leading Ukrainian theatre artist, expansion of specialties and areas of educational activity, the Kyiv Conservatory acquired the status of Academy. The integration processes that took place between universities, cultural institutions, and international institutions were implemented due to O. Tymoshenko’s organisational and managerial qualities. Despite the unpopular managerial steps, he was able to preserve and ensure the functioning of the opera studio, and due to close ties with theatre institutions, the studio repertoire policy was restored and expanded. It is difficult to overestimate the long-term contribution and hard work of Oleh Tymoshenko in the context of historical and cultural changes in the formation of Ukrainian statehood and national art.
Cultural Diffusion in Modern Cultural Discourse
Authors: Shahan Tetiana 
Published: April 2024

The purpose of the article is to reveal the peculiarities of cultural diffusion as a phenomenon of the sociocultural space based on the analysis of the cultural discourse of the first decades of the 21st century. Research methodology. An analytical method, a terminological analysis method (to clarify the concept of "cultural diffusion"), a systemic method (to consider cultural diffusion as a complex multifaceted system), a comparative analysis method (to identify differences in the mechanisms and types of cultural diffusion), and a generalisation method were applied. Scientific novelty. On the basis of the analysis of the modern cultural discourse, the peculiarities of the phenomenon of cultural diffusion in the socio-cultural space were revealed; the factors affecting cultural diffusion were considered, the process and influence of cultural diffusion were investigated; analysed four types of cultural diffusion (direct, indirect, forced and stimulus diffusion), theories and models explaining the mechanisms and results of cultural diffusion. Conclusions. Based on the analysis of the scientific works of modern foreign researchers on the theory of cultural diffusion, it was found that this phenomenon means the spread of cultural objects (ideas, styles, religions, technologies, languages, fashion) within or between cultures and gained popularity in the 20th century thanks to the theory of the famous anthropologist A. Kreber. Scientists identify three mechanisms (the theory of diffusion of innovations, hierarchical diffusion model, contagious diffusion model) through which cultural diffusion occurs and four main types (direct, indirect, forced and stimulating diffusion), which are distinguished by specific processes of spread and rooting in new environments. The study of cultural diffusion is a promising direction of cultural studies, as it contributes to the understanding and comprehension of the intricate network of influences and borrowings that form the modern socio-cultural space.
Following the Traditions of Old Masters in Ukrainian Realist Painting (on the Example of the Works of V. Kostyrko, E. Ravsky, O. Glazunov)
Authors: Bezuhla Ruslana 
Published: April 2024

The purpose of the article is to identify the influence of imitation of the painting traditions of old masters on the work of representatives of contemporary Ukrainian realist art. The methodology of the study is based on the following philosophical and general scientific approaches, which made it possible to consider the phenomenon of imitation in contemporary Ukrainian art from different perspectives: the interdisciplinary approach ensured the use of the latest theoretical achievements of the social sciences and humanities in the analysis of the phenomenon of imitation; the phenomenological method was applied at the stage of revealing the essence and concretization of such a phenomenon as imitation, its transformations in the contemporary artistic space. The scientific novelty is due to the fact that the attention is focused on certain factors, including the imitation by contemporary Ukrainian artists of the painting traditions of old masters, which directly affects the formation of the art of modern Ukraine. Conclusions. It has been stated that the appeal to the artistic tradition of old masters is not a new approach in art, but Ukrainian art history lacks a sufficient number of fundamental scientific studies on the influence of the work of old masters on the formation of contemporary Ukrainian artists. It has been found that contemporary artists show interest in scrupulous detail, smooth style of painting, baroque complex angles, convey the psychology of images in the manner of Caravaggio and Rembrandt, actualizing classical traditions in contemporary painting. It is proved that pictorial illusion, artistic, compositional and coloristic searches, and even universal meanings in the works of old masters can serve as inspirations in the works of V. Kostyrko, E. Ravsky, O. Glazunov and other Ukrainian artists. It is emphasized that the issue of imitation of the painting traditions of old masters in Ukrainian realist painting requires additional research, but in our opinion, this is a promising topic for further research within the framework of art history and cultural studies.
Realism as a Tool for the Revival of Classical Traditions in the Painting Work of Olga Karpenko
Authors: Romanenkova Yuliia 
Published: April 2024

The purpose of the work is to update the tools of realism as one of the main methods of preserving classical traditions in the art of painting by the representative of Kyiv artist Olga Karpenko. The methodology of the work is based on the use of a holistic method for a comprehensive analysis of the phenomenon of modern painting and the manner of O. Karpenko as its segment, a chronological method for the sequential consideration of the stages of the formation of the artist's personal creative style, a comparative method for comparing the characteristic features of the author's creative manner of different stages, an iconographic method for the analysis of individual works. The scientific novelty of the investigation is determined by the fact that in modern art literature there are currently few studies devoted to the realistic manner in the work of modern domestic artists, and in the context of the work of O. Karpenko, the question has not yet been asked in this way. The bibliography of the subject is very limited, so each new exploration is an important step in filling this lacuna. Conclusions. The creative work of the Kyiv artist Olga Karpenko is one of those cornerstones on which you can build a comprehensive idea of the trends in the development of modern national painting. It is multi-component, synthesises manifestations of stylistic features of various manners, directions, combines manifestations of various types of art, techniques. Among the main distinctive features of O. Karpenko's manner is that she belongs to those representatives of the younger generation who try to preserve the traditions of academic painting, which is facilitated by the appeal to a realistic manner. It is the analysis of the role of realism in the creative manner of the artist that is the main goal of this investigation, which is designed to actualise the problem of the role and place of realism as a way of seeing the world in the modern artistic space. At the same time, there is the problem of experimentation in creativity and the coexistence of a realistic manner with a tendency to experiment.
Study of Portraits of Austro-Hungarian Monarchs (18th Century) from the Collection of Chernivtsi Art Museum
Authors: Mishchenko Iryna 
Published: April 2024

The purpose of the article is to introduce into scientific circulation new information regarding the attribution of portraits of unknown persons from the collection of the Chernivtsi Art Museum and to examine the process of studying these works. The methodology of this study involves the use of various methods: historical, systematic, verification of the received data, artistic, and comparative analysis, among others. The application of these scientific methods allowed to comprehensively and objectively study and systematise the information available in various sources regarding the studied paintings and discover the names of the portrait subjects. The scientific novelty of the research results consists in the fact that for the first time the stylistic features of the works were analysed, the similarity of museum paintings with portraits made by other European artists of the 18th century was revealed; the faces of the rulers of the Austro-Hungarian Empire depicted by artists, the time of execution and the provenance of the portraits were determined. Conclusions. The study of pictorial portraits that entered the collection of the Chernivtsi Art Museum, such as "Portrait of a Woman" and "Portrait of a Man" by unknown authors, began with an analysis of stylistics, which made it possible to roughly establish the time of the creation of images as the second half of the 18th century, when in the fine arts of Europe the rococo style prevailed and in some places overlapped with older traditions of creating ceremonial portraits, which were characterised by emphasised restraint and some conventionality and flatness in the interpretation of form. Further restoration and research of the works, in particular the features of the costume, attributes and awards in the portrait of a young man, allowed to assume that the portrait depicts members of one of the royal families of Europe. Comparative analysis revealed that the paintings from the museum's collection are ceremonial portraits of Empress Maria Theresa of Austria-Hungary (1717–1780) and her son Emperor Joseph II (1741–1790). The found analogies with similar works of European masters also helped to establish that the works of the court artists of these monarchs, in particular, Joseph Hickel and Anton von Maron, as well as the works of other artists, served as models for the portraits from the museum in Chernivtsi. The study of the biographies of the portrait subjects and the time of execution of the works, which became samples, also confirmed the preliminary dating of the works ‒ 1770s.