bluuebunny/crossref_metadata_2025_split huggingface dataset:
PREVALENCE OF DENTAL CARIES ON PERMANENT FIRST MOLARS AMONG CHILDREN OF AGE GROUP 6-14 YEARS
Authors: Thapaliya Bidhya , Gautam Shailesh , Chaudhari Sudeep Madhusudan , Shrestha Dristhi , Paudel Subani , Lamichhane Puja , Chaudhary Govind Kumar 
Published: April 2024

Background: Dental caries currently represents the most common chronic disease among children. Early detection of caries is very important as it helps in the prevention and control of carious diseases. This study was aimed to assess the prevalence of dental caries on permanent first molars among children of age group 6-14 years.
Methods: This descriptive cross–sectional study was conducted among 270 children coming to Department of Pedodontics of Chitwan Medical College. The children of age 6-14 years were included in the study. Caries status was noted using DMFT index and the data was presented using descriptive statistical tool. This was analysed using SPSS version 26.
Results: A total of 270 children of age group 6-14 years (Mean ± SD: 9.84 ± 2.24 years, median 10 years) participated in the study. The prevalence of dental caries of left mandibular first permanent molar was high 108 (40%) among the studied teeth. The prevalence of dental caries was high in mandibular arch.
Conclusions: Among the permanent first molars, prevalence of dental caries was higher in mandibular arch than maxillary arch.
HEMATOCRIT AS AN EARLY PREDICTOR OF SEVERE ACUTE PANCREATITIS: A PROSPECTIVE OBSERVATIONAL STUDY IN TERTIARY CARE CENTRE OF NEPAL
Authors: Acharya Bishal , Neupane Harish Chandra , Tamrakar Kishor Kumar , Ghimire Iswar Chandra , Mandal Rajesh Kumar , Mishra Rohit Kumar , Raut Birendra , Vimal Raghavendra , Bastola Nimish Raj , Kandel Akarsh , Timalsina Ekanta , Shrestha Ajit 
Published: April 2024

Background: The predictor system for acute severe pancreatitis is complex and takes up to 48 hours to complete. This study aimed to investigate the role of admission hematocrit in predicting acute pancreatitis severity.
Methods: This was an observational study, conducted at Chitwan Medical College where 112 patients who met the inclusion criteria and were diagnosed with acute pancreatitis were examined. The patients were followed for 48 hours by evaluating the admission hematocrit and were categorized to have mild to moderately severe pancreatitis or severe pancreatitis according to the modified Atlanta criteria. All analyzes were performed using SPSS statistical software, version 26. Descriptive and inferential statics, sensitivity and specificity were calculated.
Results: The mean age was 44.72 ± 14.5 years and 70.5% were male. The most common etiology was ethanol (52.2%), followed by gallstone disease (26.5%). The prevalence of severe pancreatitis in patients in the high-risk group was 88.89%, and the incidence of severe pancreatitis in patients in the low-risk group was 10.59%. The detection sensitivity of hematocrit level >/= 44% for severe acute pancreatitis was 72.73%, the specificity of 96.2%, the positive predictive value of 88.89%, the negative predictive value of 89.41%, the accuracy of 89.3%, likelihood ratio for positive test result of 19.14 and likelihood ratio for negative test result of 0.283.
Conclusions: Patients with high hematocrit on admission were associated with the occurrence of severe acute pancreatitis, so these patients should be considered as a high-risk group for development of severe acute pancreatitis and monitored meticulously.
WORK EXPERIENCE ON THE “TEXTILE SOUVENIR” TASK AT THE DEPARTMENT OF ART TEXTILES
Authors: Лихачева В.М. 
Published: April 2024

Опыт взаимодействия педагога и студентов рассматривается в рамках задания «Текстильный сувенир». Определяется место и роль задания в системе учебной программы для бакалавриата по направлению 54.03.01 профиля «Дизайн текстиля». Рассматривается методика работы над проектной частью и техники выполнения в материале текстильных сувениров. В статье подчеркивается определяющая и направляющая роль педагога и наставника в руководстве курсовыми и дипломными работами студентов-выпускников кафедры художественного текстиля.
The experience of interaction between a teacher and students is considered as a part of the “Textile souvenir” task. The place and role of the task in the system of the curriculum for bachelor degree in the 54.03.01 training direction of the Textile Design Profile is determined. The methodology of work on the design part and techniques of execution in the material of textile souvenirs are considered. The article emphasizes the defining and guiding role of the teacher and mentor in the management of course and diploma works of graduate students of the Artistic Textiles Department.
RUSSIAN AND WESTERN EUROPEAN STUFFING IN SOUVENIR PRODUCTION PROJECTS
Authors: Михайлова Л.В. , Семенова А.А. 
Published: April 2024

В статье проводится анализ роли народного искусства в учебном процессе. Начиная с первого курса в рамках дисциплин «Основы композиции» и «Проектирование», через копийную практику и работу в материале, студенты познают красоту и самобытность народного орнамента. В связи с юбилеем Санкт-Петербурга повышенное внимание уделялось петровскому времени. Был создан проектный материал для дальнейшей работы — создания сувенирной продукции. Авторы приходят к выводу, что традиции русского орнамента имеют огромный диапазон тем для изучения, творческого осмысления и воплощения в декоративных композициях.
The article analysis the role of traditional art in the studying process. Starting from the first year, students learn about the beautiful and originality of traditional art through the making copies of woodblock printing textiles and working with material at the subjects of “Composition Basics” and “Design”. In connection with the anniversary of St. Petersburg, increased attention was paid to the time of Peter the Great. Project material specific to the topic was created for further work – the creation of souvenir products. The authors come to the conclusion that the traditions of Russian ornament have a huge range for study, creative understanding and implementation in decorative compositions.
AUTHOR’S SOUVENIRS BY CERAMIST VYACHESLAV SHVETSOV
Authors: Некрасова-Каратеева О.Л. , Сталинская Е.П. 
Published: April 2024

В статье представлены материалы о творчестве художника-керамиста В. А. Швецова — о создании авторских произведений в разряде минискульптуры, характеризующихся особой темой «Воспоминания» и реализуемых в качестве оригинальных сувениров. Целью статьи является попытка расширить содержательный аспект функции сувениров за счет уникальных художественных произведений небольшого формата, создаваемых и ориентированных на личные воспоминания и сопереживания многих людей. Темы авторских скульптурных мини-композиций В. Швецова: сельская природа (лес, река, радуга); деревенская тематика детства художника; темы материнства, любви («Двое»), Петербурга («Петербургские настроения», «Белые ночи»). Исполненные искренно, душевно, они вызывают у зрителей соучастие, приятные ассоциации и личные воспоминания. Исследование обладает новизной, т. к. материалы его оригинальны и предлагаются к публикации впервые, продолжая ряд представленных на предыдущих конференциях примеров авторских сувениров (2020 — «Авторская серия деревянных скульптурных композиций “арт-сувенир”»; 2021 — «Авторские новогодние картинки К. О. Почтенной как уникальные сувениры»; 2022 — «Ялтинский пейзаж как авторский видовой сувенир»). Результаты и методы исследования этой статьи могут быть полезны в искусствоведении для применения анализа конкретных явлений в культуре и искусстве, новых жанровых образований.
The article presents materials about the work of the ceramist artist V. A. Shvetsov – about the creation of author’s works in the category of minisculpture, characterized by a special theme “Memories” and implemented as original souvenirs. The goal of the article is an attempt to expand the content aspect of the function of souvenirs due to the unique artistic works of small format, created and oriented to personal memories and empathy of many people. The themes of the author’s sculptural mini-compositions by V. Shvetsov: rural nature (forest, river, rainbow); village themes from the artist’s childhood; themes of motherhood, love (“Two”), Petersburg (“Petersburg moods”, “White Nights”). Performed sincerely, soulfully, the works evoke in the audience emotional response from the audience, as well as pleasant associations and personal memories. The study has a novelty as its materials are original and are offered for publication for the first time, continuing a number of examples of author’s souvenirs presented at previous conferences (2020 – “Author’s series of the Art Souvenir wooden sculpture compositions”; 2021 – “Author’s New Year pictures by K. O. Pochtennaya as unique souvenirs”; 2022 – “Yalta landscape as author’s souvenir with a view”). The results and methods of the study can be useful in art criticism for the analysis of specific phenomena in culture and art, as well as new genre formations.
TRADITIONAL SOUVENIR PRODUCTS IN RUSSIA: HISTORY AND MODERNITY
Authors: Петрухина О.В. 
Published: April 2024

Традиционный национальный сувенир как материальный носитель несет в себе познавательную информацию, основанную на особенностях и своеобразии художественных промыслов того или иного региона. Сувенир знакомит туристов с искусством народов, населяющих Россию, демонстрирует духовные и художественные ценности, мастерство и самобытность подхода в изготовлении сувенирной продукции. В статье анализируются как наиболее традиционные и узнаваемые российский региональные сувениры, так и актуальные тенденции в современной сувенирной продукции.
A traditional national souvenir as a material medium carries cognitive information based on the peculiarities and originality of the artistic crafts of a particular region. The souvenir introduces tourists to the art of the peoples inhabiting Russia, demonstrates spiritual and artistic values, skill and originality of approach in the manufacture of souvenirs. The article analyzes both the most traditional and recognizable Russian regional souvenirs and current trends in modern souvenir products.
ON THE ISSUE OF PRESERVING THE TRADITIONS OF TILE PRODUCTION IN MODERN SOUVENIRS
Authors: Раковский Д.О. 
Published: April 2024

Среди произведений из керамики ручной работы все большую популярность набирает сувенир, берущий за свою основу старинный изразец. В настоящее время существует множество организаций, работающих на частной основе, которые занимаются производством сувенирной продукции такого рода. В данной статье автор рассматривает художественно-реставрационную керамическую мастерскую «Гильдия мастеров», студию художественной производственную керамики компанию «Перовская «Паллада», мурава», мастерскую реставрационно художественной керамики «Асстей», а также затрагивает творчество художницы декоративно-прикладного искусства, керамиста и графика Анны Филипповой.
Among the handmade ceramic works, a souvenir that takes an old tile as its basis is gaining popularity more and more. Currently, there are many organizations operating on a private basis that are engaged in the production of souvenirs of this kind. In this article, the author examines the Guild of Masters artistic and restoration ceramic workshop, the Perovskaya Murava studio of artistic ceramics, the Pallada restoration and production company, the Asstey workshop of artistic ceramics, and also touches on the work of the artist of decorative and applied arts, ceramist and graphic artist Anna Filippova.
THE AUTHOR`S CERAMIC SOUVENIR AT FESTIVALS AND MARKETS: RETHINKING THE THEME
Authors: Жарикова И.В. , Гусарова Ю.В. 
Published: April 2024

Последние годы устойчиво растет интерес к авторской керамике. Возникают студии и мастерские. Появляются площадки для общения зрителей и художников — маркеты и фестивали авторской керамики. Становятся востребованными небольшие эксклюзивные работы, выполненные в стиле основных работ художника. В результате взаимодействия сторон происходит переосмысление художниками сувенирной тематики. Возникает сувенир как побочный продукт творчества.
In recent years, interest in the author’s ceramics has been steadily growing. Studios and workshops are emerging. There are platforms for communication between viewers and artists – markets and festivals of author’s ceramics. Small exclusive works made in the style of the artist’s main works are becoming in demand. As a result of the interaction of the parties, artists rethink souvenir themes. There is a souvenir as a by-product of creativity.
UTILITARIAN SOUVENIR WITH ST. PETERSBURG STYLE PRACTICAL DEVELOPMEN
Authors: Голубева Е.Я. 
Published: April 2024

В региональной конкурентной борьбе за привлечение туристических потоков, формирование позитивного образа региона сувенирная продукция играет не последнюю роль. Несмотря на то, что Санкт-Петербург не испытывает дефицита туристической популярности и востребованности, вопрос обеспечения его качественной сувенирной продукцией стоит крайне остро, что требует поиска новых подходов, более точной территориальной привязки, отражающей культурное, историческое своеобразие данного территориального образования. Именно в этом направлении велась разработка сувенирной продукции студентами кафедры анимации и медиадизайна СПГХПА им. А. Л. Штиглица, нашедшая отражение в данной статье.
In the regional competition for attracting tourist flows and creating a positive image of the region, souvenir products play an important role. Despite the fact that St. Petersburg does not experience a shortage of tourist popularity and demand, the issue of providing it with high-quality souvenir products is extremely pressing and requires the search for new approaches, a more precise territorial reference, reflecting the cultural and historical uniqueness of this territorial entity. It was in this direction that the design of souvenir products was carried out by the students of the Department of Animation and Media Design of the Saint Petersburg State Art and Industrial Academy named after A. L. Stieglitz, which is reflected in this article.
How can a black horse have brown fur?
Authors: Szymanowska-Ciepły Katarzyna 
Published: April 2024

Hungarian equine coat colour-related terminology is a largely unresearched subject. Its unique situation as a rapidly developing jargon results in multiple nomenclatural systems used simultaneously in the specialised literature. The analysis of the nomenclatural systems’ inner structure suggests the usage of two differing methods of categorisation, one based on the visual properties of the subject, the other based on non-visual genetic factors of the described animal.
The paper reviews the colour categories’ main traits that influence their categorisation process and compares them with the Hungarian equine coat colours’ characteristics. The comparison reveals that Hungarian equine coat colour terms are in many ways similar to the conventional colour terms, but due to their differences they create a separate colour-motivated class of specialised terms.
The analytic part focuses on the different methods of categorisation present in the various nomenclatural systems in the equine coat colour related literature. It defines their main features and the underlying cause of their existence. It explores the division of the nomenclatural systems in accordance with their categorisation process and provides a detailed description of the traits of both traditional and modern nomenclatural systems discussing them on the basis of specific examples.
The further part of the analysis explores the semantic relationship between the conventional colours and the equine coat colours in the context of equine coat colour terms sharing their forms with Basic Colour Terms.
The research material consists of a database of Hungarian equine coat colour-related terms, gathered from a variety of zootechnical, sport and hobby literature and commonly available internet sources on the topic. The nomenclatural systems presented in the sources are visualised in the form of diagrams, illustrating the meaning of individual terms and the systems’ internal hierarchies.
The presented findings showcase the complexity of the specialised colour-motivated terms and their difference from the conventional colour terms. They present how external, non-linguistic factors like the development of the natural sciences may influence the relatively hermetic colour-motivated terminology.
The Off-cardinal Alignment of Chiang Mai’s City Plan in Relation to the Orion’s Belt
Authors: Iemsonthi Chayapon , Lorwilai Seksit , Sankaokam Panuwit , Riyaprao Orapin , Saelee Cherdsak 
Published: April 2024

Chiang Mai, the largest city in northern Thailand, was once the capital of the ancient Lanna kingdom, founded by King Mangrai on 19 April 1296 (Gregorian). The historic city plan, which may have been influenced by Vaastu Shastra (an ancient Hindu knowledge of architecture), features almost a square shape with each side length ranging from 1.52 -1.57 kilometers, bordered by four walls facing the cardinal directions. However, a careful examination reveals that the east-west orientation of the city plan is tilted southeastward with an azimuth of 92.5°, prompting further investigation as to which method was used in the city’s orientation. Historically, two ways to lay out the directions were via the gnomon, such as the shortest shadow and the Indian circle methods, and via fixed stars. In this work, we carried out year-long measurements of the shortest shadow and the Indian circle methods and discovered that neither resulted in an error greater than 0.7°, allowing us to consider the orientation method as being associated with specific fixed stars. A theodolite and a GPS were used to identify the orientation axis along the northern city wall, calibrated using the positional astronomy program Stellarium. Using precession-corrected Stellarium, the ancient sky can be simulated to uncover the aligned star at the same azimuth as Mintaka (δ Ori) in the Orion’s Belt at a height of 4° and possibly Alnilam (ε Ori) at a height of 1.5° (under an apparent sky condition) during the period between 1292 and 1296, which is close to when King Mangrai founded the city.
Environmental Impact Assessment of Onshore Wind Power Plants: A Case Study of a 50 MW Wind Power Plant in Northeastern Thailand
Authors: Kongprasit Sunisa , Chiwamongkhonkarn Somphol , Ali Fida , Makhampom Pongsak , Gagnon Yves , Waewsak Jompob 
Published: April 2024

This research aims to assess the environmental feasibility of a wind power plant by investigating its noise disturbances, shadow flicker, and zones of visual influence. The model is applied as a case study for a 50 MW wind power plant, located in the Nakhon Ratchasima province of northeastern Thailand. The acoustic noise emissions were analyzed using the sound propagation and absorption models under the wind conditions on the site studied. The shadow flicker around each wind turbine generator, in terms of the number of hours per year, was also simulated along with the analysis of the zones of visual influence according to the number of wind turbines that can be seen by an observer from a certain distance. The results show a maximum sound level of 47 dBA, within the allowed limits of the 50 dBA legislation of the Department of Pollution Control of the Royal Thai Government. Similarly, the shadow flicker within 1 km of the wind turbines is 10 hours/year, well below the international standard of 30 hours/year. Results of the zones of visual influence indicate that between 15 and 20 turbines are visible from observation points surrounding the potential wind power plant. The results applied to this case study suggest that the potential wind power plant is well-suited regarding its environmental impacts and should typically not incur negative impacts for the local communities. Studies like these are vital to gaining the trust of the communities living near wind power plants to address their concerns and minimize opposition.
Pengaruh Literasi Keuangan Terhadap Perilaku Menabung Dengan Self Control Sebagai Variabel Mediasi Pada Pekerja Buruh Pabrik
Authors: Wulandari Ayu , Cholidah Lilik Nur , Sulaeman Moh Muklis 
Published: April 2024

Penelitialn ini bertujualn untuk mengetalhui pengalruh literalsi keualngaln terhalalp perilalku menalbung dengaln self control sebalgali valrialbel medialsi paldal pekerjal buruh palbrik di Lalmongaln. Penelitialn ini menggunalkaln metode kualntitaltif. Populalsi dallalm peneliialn ini aldallalh pekerjal buruh palbrik yalng aldal di Lalmongaln. Salmpel yalng digunalkaln sebalnyalk 91 pekerjal buruh palbrik, dengaln menggunalkaln teknik probalbility salmpling daln rumus slovin. Teknik pengumpulaln daltal dilalkukaln penyebalraln kuesioner, yalng kemudialn dialnallisis menggunalkaln SEM dengaln balntualn alplikalsi PLS. Halsil penelitialn menunjukkaln balhwal: 1). Literalsi keualngaln berpengalruh positif daln signifikaln terhaldalp perilalku menalbung. 2). Literalsi keualngaln berpengalruh positif daln signifikaln terhaldalp self control. 3). Self control berpengalruh positif daln signifikaln terhaldalp perilalku menalbung. 4). Self control malmpu berperaln sebalgali valrialbel medialsi. Pihak perusahaan sebaiknya menyelenggarakan program edukasi keuangan untuk pekerjanya. Program ini dapat berupa seminar, workshop, atau pelatihan tentang pengelolaan keuangan pribadi, cara menabung yang efektif, serta informasi tentang produk keuangan yang bisa dimanfaatkan oleh para pekerja. Mengembangkan program pembinaan yang bertujuan untuk meningkatkan self-control pekerja dalam mengelola keuangan dengan pelatihan keterampilan pengambilan keputusan, pengaturan tujuan finansial yang realistis, dan cara menghadapi godaan untuk pengeluaran yang tidak perlu
Protocolo sobre el rol del asesoramiento genético oncológico en el marco de oncología de precisión
Authors: Bruno Luisina , Rodríguez Romero Andrés , Winocur Melina , Risso Vázquez Alejandro , Caldano Johana , Kalfayan Pablo , Mampel Alejandra , Nuñez Lina 
Published: April 2024

El Asesoramiento Genético Oncológico (AGO) es el proceso a través del cual se estratifica el riesgo genético de desarrollar cáncer de un individuo o grupo familiar y es un estándar de cuidado con comprobado beneficio. Recientemente, se sumó el desarrollo de drogas dirigidas específicamente a algunos tipos de tumores hereditarios, lo cual convierte a estas alteraciones genéticas en biomarcadores de tratamiento e incorpora el diagnóstico de cáncer hereditario a la práctica oncológica habitual. En consecuencia, las indicaciones actuales de estudios germinales exceden la sospecha clínica de cáncer hereditario y desafían a médicos tratantes a cubrir las implicancias heredo-familiares de estos casos. La realidad descripta plantea un cambio de paradigma en el modelo actual de AGO que debe ser modificado sin descuidar la calidad de atención brindada al paciente y para el que no existen recomendaciones oficiales actualmente disponibles en nuestro medio.
Mediante un trabajo escalonado iniciado con una revisión sistemática de la evidencia actual de los últimos 10 años (trabajos aleatorizados, controlados, revisiones sistemáticas y metaanálisis), seguido de un diagnóstico de situación a través de una encuesta a profesionales involucrados en la temática en todo el país, se desarrolló un protocolo de recomendaciones sobre el rol del asesoramiento genético oncológico en el marco de la oncología de precisión. El protocolo está dirigido a médicos tratantes y aborda las distintas instancias del proceso de AGO (recomendaciones generales, específicas de instancia pre-test, de solicitud del estudio molecular germinal y específicas de instancia post-test).

El presente trabajo genera pautas basadas en la mejor evidencia disponible que ayudan a sistematizar el accionar de los profesionales involucrados y promueve iniciativas colaborativas entre entidades gubernamentales de salud, decisores, sociedades médicas y entidades académicas de formación para asegurar el desarrollo formal de estos procesos de acción y cumplir con una adecuada estrategia de cuidado de tumores hereditarios en nuestra población.