bluuebunny/crossref_metadata_2025_split huggingface dataset:
L'Affaire Džem et Moi, Anne Comnène de Vera Mutafčieva : de l'Histoire-héros à l'Histoire-prétexte
Authors: Vrinat-Nikolov Marie 
Published: July 2011

Two Novels by Mutafčieva The Džem Affair and I, Anna Comnena : from History as a Hero to History as a Pretext

A renown writer and historian in Bulgaria, Vera Mutafčieva became the first in 1966 to save not just the historic novel but the novel in general from the rut narrowly traced by the socialist realism and the purely descriptive narration which altogether was characteristic of the Bulgarian novel since its origins. In 1991, she was also the first to publish a valuable novel just after the change of regime in Bulgaria. In a way one could say that, from History as a hero to History as a pretext,The Džem Affair and I, Anna Comnena mark out the history of the Bulgarian novel during almost half a century, that is from 1944 to 1991.
Many common points connect the two works: an omnipresent game with History, whose borders are abolished due to a continuous dialogue between past and present, the dead and the living; a polyphonic narration, a non-linear temporality and the fact that these two works obtain a particularly sharp meaning in relation to the context in which they appear.
At the same time they are very different novels : with the first one, it is mainly a meditation upon History, the relationship between the individual and History, that the historian Vera Mutafčieva delivers. History is very present, in the speech of ail narrators (History even becoming a judge in its own court as staged through the work) even to the point of establishing a heroic status. In the second book, the most feminine that has yet been written in Bulgaria (a novel written by a woman, narrated by women, and whose main characters are women), it is rather a reflection on political power and the temptation that it exerts on the intellectuals, on the creation and the role of the intellectuals in a society, than a accreditation on motherhood, education, conjugal love, etc.
Stretching throughout an emblematic journey, in particular that of a Bulgarian writer, these two works mark out in a certain way the trials and tribulations if not the avatars of socialist realism in Bulgaria.
К проблеме «et» Феномен советского писателя как специфического аггломерата биографии и творчества
Authors: Chudakova Marietta O. 
Published: July 2011

La question du « et » :
l'écrivain soviétique comme combinaison spécifique entre vie et œuvre

Laissée en suspens par de nombreux théoriciens de la littérature dont les formalistes russes qui ont tracé cependant quelques pistes, la question des rapports entre biographie et création reste aujourd'hui un problème majeur de la critique, y compris pour l'étude de la littérature russe de la période soviétique. Un examen dépassionné des formes spécifiques prises par ce « et » chez plusieurs écrivains (Šoloxov, Bulgakov, Zoščenko) permet peut-être de mettre en évidence certaines spécificités de l'écrivain soviétique et jette en tout cas sur chacun des auteurs considérés un éclairage insoupçonné.
Quels textes lisons-nous ? Les classiques soviétiques au fil des révisions
Authors: Niqueux Michel 
Published: July 2011

What texts do we read? Soviet classics revision after revision

'Soviet classics' (of Socialist Realism) became classics at the price of successive rewritings, including stylistic and ideological corrections made by the author or the editors. The examination of the various editions of Čapaev (D. Furmanov), Cement (F. Gladkov), Razgrom (A. Fadeev), Как zakaljalas' stal' (N. Ostrovskij) shows the need to put together critical editions of Soviet classics.
'Soviet classics' (of Socialist Realism) became classics at the price of successive rewritings, including stylistic and ideological corrections made by the author or the editors. The examination of the various editions of Čapaev (D. Furmanov), Cernent (F. Gladkov), Razgrom (A. Fadeev), Как zakaljalas' stal' (N. Ostrovskij) shows the need to put together critical editions of Soviet classics.
Субъектные черты и проблема подлежащего в русском языке
Authors: Guiraud-Weber Marguerite 
Published: July 2011

Les traits subjectaux et le problème du sujet en russe

Depuis toujours, les grammairiens russes utilisent dans l'analyse syntaxique deux termes : podležašcee qui correspond au sujet grammatical et sub"ekt (du latin subjectum), concept traduit le plus souvent par « sujet logique » ou « sujet sémantique ». La nécessité de distinguer les deux concepts est directement liée à la morphosyntaxe du russe qui admet plusieurs formes casuelles dans l'expression du prime actant. En effet, le russe abonde en phrases dites « impersonnelles » d'où le sujet, défini en termes discrets (comme un syntagme nominal au nominatif avec lequel s'accorde le prédicat), est par définition exclu. L'analyse de ces phrases montre que les cas obliques exprimant le prime actant partagent avec le nominatif un certain nombre de traits tels que : le caractère obligatoire, le contrôle du réfléchi, le contrôle du gérondif, l'antéposition par rapport au prédicat, etc. Si on admet que le nominatif représente le mieux le sujet prototypique, on pourra accorder à chacun de ces cas obliques le statut de « plus ou moins sujet », suivant le nombre de traits subjectaux qu'il possède. Une telle présentation suppose une vision scalaire du sujet, possible uniquement dans le cadre d'une approche cognitive.
En l'adoptant, nous pourrons justifier l'intuition linguistique qui sous-tend la dichotomie podležaščee / sub"ekt présente dans de nombreuses descriptions du russe. On pourra également mettre en lumière les mécanismes cognitifs sur lesquels se fonde la syntaxe russe et, de cette manière, tenter de rendre compte de ses prétendues contradictions.
Sur le syntagme nominal quantifié en polonais. Morphosyntaxe et sémantique grammaticale
Authors: Menantaud Henri 
Published: July 2011

O kwantyfikowanych grupach imiennych w języku polskim
Morfosyntaktyka i semantyka gramatyczna

Uważa się słusznie, że morfosyntaktyka polskich grup składniowych składających się z liczebnika określającego i rzeczownika określanego (dalej «kwanty f ikowanych grup imiennych», czyli «SNq») odznacza się wysokim stopniem złożoności. W dotychczasowych opisach złożoność tę odzwierciedla 1. atomizacja opisu składniowego, czyli mnożenie reguł częściowych, z których każda dotyczy tylko części omawianych leksemów (liczebniki «główne» vs. liczebniki «zbiorowe», liczebniki typu DWA vs. liczebniki typu PIĘĆ), czy też nawet tylko części form fleksyjnych tychże leksemów (mianownik-biernik vs. pozostałe przypadki zależne), 2. przyjmowanie niektórych formalizacji dyskusyjnych (składniowa zależność rzeczownika od liczebnika, przypisywanie semantycznej opozycji w parach typu trzej studenci przyszli vs. troje studentów przyszło podłoża leksykalnego), 3. brak formalizacji dla pewnych faktów uważanych za drugorzędne (osobliwe cechy morfosyntaktyczne takich leksemów jak DZIEŃ, PAŃSTWO czy RODZEŃSTWO).
Spójniejszy i pod niektórymi innymi względami też bardziej zadowalający opis składniowy polskich SNq można sporządzić, uzupełniając zasób polskich kategorii gramatycznych o trzy dodatkowe, które tutaj nazwiemy «przyliczebnikowość» (forma przyliczeb- nikowa vs. forma nieprzyliczebnikowa), «ilość» (forma «słaba» vs. forma «mocna») i «mieszaność» (forma mieszana vs. forma niemieszana). W takich ramach pojęciowych wszystkie polskie SNq podlegają wpólnym regułom składniowym, a mianowicie : 1. członem głównym grupy jest rzeczownik, 2. liczebnik uzgadnia swe wartości z rzeczownikiem w ramach kategorii przypadka i mieszaności, 3. rzeczownik rządzi wartością liczebnika w ramach kategorii rodzaju, 4. liczebnik rządzi wartościami rzeczownika w ramach kategorii przyliczebnikowości, liczby i ilości, 5. podmiot rzeczownikowy rządzi wartościami orzeczenia czasownikowego w ramach kategorii rodzaju i osoby, 6. orzeczenie czasownikowe uzgadnia swe wartości z wartościami podmiotu rzeczownikowego w ramach kategorii liczby, przyliczebnikowości, ilości i mieszaności.
L'aspect perfectif comme hypercatégorie. Approche cognitive
Authors: Włodarczyk Hélène 
Published: July 2011

The Slavonic Languages’ Perfective Aspect as a Hypercategory : A Cognitive Approach

In our approach, the following parameters are used to describe the aspectual value of a verb in a given context:
— Semantic types of situations (state, event, ordinary process and refined process),
— Selection of the whole situation or one of its parts: moment or stage,
— Selection of a control operator: iteration, intensity modification, flow modification, sequential or parallel composition of situations.
These concepts were used to describe a sample of Polish verbs (in context) as well as they allowed us (Wlodarczyk A. et H. 2003) to compare different aspectual meanings in various languages (not only Slavonic). The cognitive approach makes it possible to bring together the two categories of aspect and Aktionsart into one Hypercategory of Perfective Aspect in which verbal prefixes inherit several aspectual features. Following this hypothesis, no verbal prefix саn be viewed as semantically void but different configurations of features are possible. As a matter of fact, since the Perfective Aspect may be expressed by more than one verb derived from a single verbal root, none of them саn be considered as a 'pure' synonym of the root verb. Prefixed verbs that are traditionally described as Aktionsart verbs should be described as different realizations (specializations) of one perfective hyper-category.
Les éléments du folklore slave dans la littérature contemporaine serbe : Milorad Pavić, le Dictionnaire khazar
Authors: Bošković Sanja 
Published: July 2011

Elements of Slavic Folklore in Serbian Contemporary Literature : Milorad Pavic’s Novel The Khazar Dictionary

Pavić's poetic form comprises elements of mythical perception, especially with regard to spatial logic and the use of subconscious energy. The mystification of the poetic image is, moreover, obtained by introducing elements from Slavic mythology and folklore.
In his novel The Khazar Dictionary, we note the interaction between the author' s poetic imagination and elements of Slavic mythology. His taste for ambivalence and the incertitude of the subconscious and of dreams is consistent with the nature of pagan divinities. This link is evident, notably with regard to the incorporation of figures from popular Slavic traditions into the realm of dreams. For the fantastic element of Pavić's novel derives from human fears when faced with the unexplained phenomena which the mind translates into demons and which lie buried in the subconscious as a natural heritage of human experience (archetypes). This heritage, full of the ambiguity and incertitude present in dreams, is evoked by the author who creates his own vision of a world of magical realism. Thanks to the demons, ghouls, witches, chthonian animals, ail of which constitute, according to Slavic mythology, the true reality he gives a new interpretation of this subconscious energy. The mystification of the poetic image in Pavić's novel may be interpreted as a return to the primary and essential sources of the perception of the world, which survives in folklore and popular tradition.
Littératures étrangères / littérature nationale : la Renaissance bulgare et les débats autour de la traduction littéraire
Authors: Vrinat-Nikolov Marie 
Published: July 2011

Чужди литератури / родна литература : българското възраждане и споровете около превода

През XVII век във Франция се раждат т.н. «красиви неверници» в името на красотата и бистротата на френския език. Поради съвсем други причини, предимно исторически, през първата половина на XIX век в България също се въвеждат големи промени в оригиналния текст, като се отнемат цели откъси или пък се добавят собствени коментари, което в повечето случаи води до пълно побългаряване на текста, за да бъде той по-разбираем и достъпен за съвременния читател. Преводът през Възраждането трябва да изпълни една просветителна и образователна мисия, затова известни книжовници и преводачи, като Христо Ботев, Нешо Бончев или Любен Каравелов — чиито възгледи иначе често се разминават — споделят мнението, че не всеки текст е подходящ за превод, а трябва да се преведат само тези творби, които ще бъдат от полза за народа, т.е. тези творби, които поучават и повишават духовното равнище. В такьв случай важното не е самият текст, а неговото послание, независимо дали се превежда непосредствено от езика-източник или чрез няколко други езика.
Години по-късно, в зората на XX век, преводът в България ще има съвсем друга мисия — да открива най-интересните чужди модели чрез по-верен към оригинала превод, оттам и да допринася за раждането на една по-богата и по-разнообразна оригинална литература.
Настоящия труд си поставя за цел да изясни тогавашните спорове за ролята на превода във формирането на една прераждаща се литература, както и да изтъкне в какво те са сродни или се различават от подобни дискусии в други езици и култури.
Nier le totalitarisme avant qu'il vous nie... Images contemporaines des littératures tchèque et polonaise
Authors: Gautier Brigitte 
Published: July 2011

“Acquainted with the Night” : The Struggle of Czech and Polish Writers with Totalitarianism

Though the literary representation of totalitarianism has become a current theme of analysis, critics have somehow neglected to study the forms of opposition to it. Still, Mikhail Bakhtin's concepts, because of his original thinking and his political disgrace, allow us to understand the essential mechanisms at work behind an intellectual refusal of totalitarian rule. The polyphony concept, that is the existence of many voices, representing diverse points of view in a narrative, might have the power to challenge the monologues of dictatorship. The laughter principle tends to introduce relativity into ail forms of hierarchy. Third, the 'chronotope' theme, namely the linking of one specific time and one specific place in a narrative, helps to escape the seemingly helpless confinement, deriving from the 'here and now' perspective.
We chose to apply the Bakhtinian concepts to the writings of some contemporary Czech and Polish authors, who demonstrated their particular resistance to the regime, such as Jan Patočka, Václav Havel, Josef Škvorecký, Zbigniew Herbert, Tadeusz Konwicki, Paweł Jasienica. Their primarily moral revolt became a literary project. It then appeared that the Bakhtinian concepts are useful in describing literary mechanisms, and asserting the existence of a reflexive conscience, the most resilient obstacle to totalitarianism, in real life as well as in literature.
Криминальное арго в Украине: парадоксы и закономерности языковой действительности
Authors: Berezovenko Antonina 
Published: July 2011

Underworld slang in Ukraine: paradoxes and regularity in linguistic reality.

This article examines the development of underworld slang as an integral subsystém within the languages of contemporary Ukraine. Since linguistic phenomena are considered within a broad political, social and cultural context, data of a différent nature were used: especially the colloquialisms particular to the urban milieu and the mass-media on the one hand and the language used by criminals to communicate in prison on the other.
The field research focused on the following questions: What changes hâve transpired in slang since independence? What if anything will these changes tell us about contemporary Ukraine? The prisoners' attitude towards the usage of slang was also examined.
Les traducteurs face au style indirect libre (français-russe, russe-français)
Authors: Kurt Sibylle 
Published: July 2011

Free indirect style in translation.

This article deals with the translation of free indirect style from French into Russian and from Russian into French. More than direct and indirect speech, free indirect speech may be corrupted in translation. Translation may cause changes in perspective, displace a given text-unit in the continuum between free indirect style and narrative and sometimes transform free indirect style into narratorial passages. These changes are caused by syntactical or lexical factors.
It is especially through the choice of verb past tenses that French translators détermine whether a given text-unit belongs to free indirect style or to narrative, and also the character of the free indirect style (more classical, or closer to direct speech) and his temporal relation (whether, for instance, anterior or simultaneous to the temporal reference point). By comparing différent versions of one work one сап observe évolution in the translation of free indirect style. For many years, Russian translators seem to hâve misunderstood French temporal conditionnel-futur du passé as a modal device. This situation improved in more récent translations, the translators seeming to have better knowledge of French grammar.
Рецепция кассирера в россии в свете некоторых особенностей русской философии
Authors: Mnich Roman 
Published: July 2011

La réception d'Ernst Cassirer en Russie.

Dans cet article l'auteur analyse les problèmes de la réception des œuvres de E. Cassirer en Russie à la lumière des particularités de la philosophie russe. Il souligne les points de vue de Cassirer qui diffèrent de ceux de Heidegger. En même temps, il met l'accent sur la différence de réception de cette distinction par les philosophes russes. Le critique s'arrête sur trois étapes de la perception de Cassirer en Russie :
1) Au début du XXe siècle (L. Franck, A. Losev, O. Frejdenberg) ;
2) Au temps de l'Union soviétique ;
3) À la fin du XXe siècle.
Il est bien compréhensible que seules la première et la troisième étapes furent les plus adéquates. En même temps l'auteur fait remarquer la critique négative des traditions russes dans les œuvres de Cassirer, parues récemment en Russie.
Il prête une attention particulière à la différence de perception de Cassirer par les philosophes russes comme A. Losev et M. Baxtin.
« Блаженство не в лучах Порфира » : histoire et fonction de la tranquillité (spokojstvie) dans la pensée et la poésie russes du XVIIIe siècle, de Kantemir au sentimentalisme
Authors: Kahn Andrew 
Published: July 2011

“Блаженство не в лучах порфира” : историиа и функтсииа пониатииа
« спокойствия » в русской мысли и поэзии XVIII века от Kaнтемира до сентиментализм

В данной статье затрагивается понятие «спокойствия» в истории русского Просвещения. Анализ основывается на обзоре поэтических и малоизвестных философских текстов за период от Кантемира до сентиментализма. Предполагается, что в контексте русского подхода к определению чувствительности, «спокойствие» является основной частью. В статье анализируется история возникновения этого значения, доказывая, что оно восходит к восприятию древних и развивается по мере роста философских и научных теорий, связанных с понятием чувствительности и чувственности. Предполагается, что изменения в истории восприятия «спокойствия» одновременно отражаются в поэзии и оказывают влияние на формирование лирического сюжета.
Chateaubriand et Karamzin, témoins de leur temps
Authors: Serman Il´ja Z. 
Published: July 2011

Chateaubriand and Karamzin as Witnesses of Their Time

The paper compares N. M. Karamzin' s Russian Traveller's Letters (1801) with An Essay on Revolutions (London, 1797) [Essai historique, politique et moral sur les révolutions anciennes et modernes, considérées dans leurs rapports avec la révolution française de nos jours] by F. R. de Chateaubriand (London, 1797). Both works were written by the same period and are now examined from different points of view: politics, history, literature. Rather surprisingly, they have much in common: both refer to ancient Greek and Roman history in order to assess present-day events; they share the idea that the French Revolution was inescapable and remains irreversible; they reckon the French Revolution and contemporary England played a leading role; strangely enough revolutionary leaders (Cromwell, Robespierre, Marat) are highly regarded; utopian views in political matters are strictly rejected; any existing gap between the age of Enlightenment and previous periods is denied; both writers show a similar awareness of the importance of time-lag and that it had taken several century-old efforts and sufferings to build Europe as it was. While traveling around Europe (1789-1790) Karamzin discovered that freedom needed to be fought - and sacrificed for, by nations and such a painstakingly acquired freedom determines each people's achievement in civilization and its economic prosperity. As for Chateaubriand he searched a key for European history through going back to the time when the Christian religion was being spread.
The paper points out at how much both pieces of literature express a common typology. It also underlines dissimilarities between both writers (in their appraisal of contemporary England and of the role played by Christianity in European history, etc.). Later on, each author's major work (Karamzin's A History of the Russian State and Chateaubriand' s The Genius of Christianity) which young writers and poets from the two countries will abundantly feed from, emphasized divergence in ideology and arts. Whereas Chateaubriand epitomized religion as the only bastion against the reign of money-based profit, Karamzin kept confident in moderate deism and definitively rejected aesthetic apologia of Christianity.
L'Amazone russe : les traits subversifs d'une héroïne sentimentale
Authors: Tosi Alessandra 
Published: July 2011

The Russian Amazon : Subversive Features of an Early Nineteenth-Century Sentimental Heroine

This paper introduces and analyses a counter-example to the received notion of a uniformity in the portrayal of sentimental heroines in the early nineteenth century. With reference to the work of Vinogradov, Levin and Uspenskij on the phenomenon of feminization and of Kelly and Hammarberg on the formation of a 'feminine canon', I suggest that the literary image of the idealized woman is still very much in the making during the first decade of the nineteenth century.
The anonymous novel The Russian Amazon, or The Heroic Love of a Russian Woman (1809) provides an interesting example of an unconventional portrayal of a positive female character and effectively contradicts many of the staple features of the sentimental heroine. Oľga, the 'Russian amazon' of the title, is a gentlewoman whose sentimental attachments and patriotic feelings lead her away from the idyllic setting of her father's home. In order to follow her fiancé, Oľga cross-dresses as a man and joins the Russian army in the 1806-7 campaigns against Napoleon. The adventures of this unlikely sentimental heroine span from her heroic deeds in the battlefield and the hazardous libération of her fiancé from the French, to the explicit description of a string of sexual attacks that Oľga endures. In the idyllic ending the 'Russian amazon', who has eventually abandoned her combative persona, returns to the paternal home and marries her fiancé, thus fully reconciling herself with the socially acceptable role of dutiful daughter and wife.
The duality of this heroine — sentimental and adventurous — is also reflected at a stylistic level where modes typical of 'high' sentimental prose coexist with patterns borrowed from popular eighteenth-century genres, including the picaresque narrative and the novel of adventure. As this paper demonstrates, by encompassing Oľga' s warfare and erotic adventures within the framework of the idyll-type story the author attempts to graft features of this transgressive heroine onto 'the' early nineteenth-century model for cultivated prose fiction: Sentimentalism.