bluuebunny/crossref_metadata_2025_split huggingface dataset:
Blanc, coupe, énigme : « auto(bio)graphies ». W ou le souvenir d'enfance de Georges Perec
Authors: Sirvent Michel 
Published: January 2012

Blank, break, enigma : « auto(bio)graphies ». Georges Perec's "W, or, the Memory of childhood".
What do the formal constraints of the serial novel represent in Perec's overt autobiographical work ? Critical observation shows a binary structure, hiding a tripartite one, which in turn calls for a fourth, whose presence-absence is read back as the paradigmatic omission-and key-to Perec's work. But the form's import is also the experiential mystery its blanks and breaks achieve.
Îles flottantes : où ils et elle parlent. Un récit de Joyce Mansour.
Authors: Dumas Marie-Claire 
Published: January 2012

Iles flottantes : where men and she speak. A tale by Joyce Mansour.
Mansour's only first person narration, whose title also calls a childhood sweet and the masculine plural subject pronoun « ils », develops a relationship between the female author/reader and male texts (Pierre-Jean Jouve), while inscribing the failure of feminine mastery.
Hermès et la Gorgone
Authors: Lantéri Jean-Marc 
Published: January 2012

Hermes and the Gorgon. On Maupassant's Madame Hermet.
Madame Hermet becomes psychotic at the death of her son George from smallpox. She had refused to see him and sees holes in her face. The story also plays out that of « seeing the Gorgon », using a mythical understanding of madness parallel to the modern (undermined) one.
Lettres et syllabes mobiles
Authors: Starobinski Jean 
Published: January 2012

Mobile letters and syllabes. A complement to reading Ferdinand de Saussure's anagrams.
Saussure detected, through phonic analysis, the dissemination of the sound substance of words throughout a considerable number of Latin, Greek, and neo- Latin texts, to the point of seeing in this phenomena a «professional secret ». If generalisation is unjustifiable, yet this observation is corroborated not only in neo Latin poetry but also in vernacular, and more recent, works.
Ecrire l'image, redit-on
Authors: Costantini Michel 
Published: January 2012

Writing the figure, revisited.
The issue — recently of renewed interest — seems one only within the Western tradition : since when, and why ? Philological study shows our
modern différenciation between — and amalgation of — four kinds of relation between the text and the image in Antiquity, not all of which are ekphrasis. As heirs and inventors of this typology, we can trace from the Modern period both the complexities of its descendance and the permanence of its ideal.
Littérature, autofiction, histoire : l'Affaire Dreyfus dans La recherche du temps perdu
Authors: Rosen Elisheva 
Published: January 2012

Literature, autofiction, history : the Dreyfus affair in remembrance of times past.
Genette suggested calling Remembrance an autofiction — shown here to be the result of a négociation between telling the self and telling social history, where the
individual story is erased of the socially significant markers (judaity, homosexuality) which reappear in the fiction. A négociation the Dreyfus affair, set as it is in the anti circles the future writer aspires to, is a key to.
La manière est le poème même
Authors: Dessons Gérard 
Published: January 2012

Manner is the poem itself.
Manner, as a critical concept sitll valued by Diderot is eliminated during the 19 th century by a Hegelian metaphysics of aesthetics seeking an objectified subjectivity — and not signs of an individual subject, repeating itself. Yet, reconceptualised as the mark of the unknown, understood as what of poetic utterance has not yet become language but might, manner is dialectically what literature passes on of itself into collective reality.
Mutations et équilibres dans la critique française récente
Authors: Pavel Thomas 
Published: January 2012

Mutation and stability in recent french criticism.
Historical criticism emerges in the University in early 20th century France, parallel to idiosyncratic aesthetic approaches in a wider public. Post-second world war anxiety enlarged both the demand for and the techniques of general historical or synchronie criticism, the latter culminating and self-destructing in S/Z. Today, the particularistic historical approach, stable to the University but grown in cultural and societal preoccupation, is reaffirming itself, while genetic criticism articulates this convergence.
Territoires des langues : entretien avec Lise Gauvin
Authors: Djebar Assia 
Published: January 2012

The territories of Languages : an interview with Lise Gauvin.
Assia Djebar's last novel, Vaste est la prison, occasioned by the murder of a bilingual Algerian playwright working in arable, pursues a long analysis about personal and national languages, and renews it through the introduction of Berber next to Arabic as another linguistic inheritance through the women, confronted with French, language of space, accessible through the father.
Dernières nouvelles d'Écho
Authors: Berger Anne-Emmanuelle 
Published: January 2012

Latest News of Echo
Where did Ovid get Echo from, and why make her a talker, associated with Narcissus, when she is usually a singer, chased by Pan ? The gamut of readings since Blanchot tends to concentrate on Narcissus ; and yet, is it not, as Derrida suggests, Echo who, loving, escapes the narcissism of the subject into subjectivity, while showing the suffering of he who cannot love, or hear, another than himself as other ?
Cornucopia
Authors: Cave Terence 
Published: January 2012

Cornucopia
Cave's study of the texts of the French Renaissance shows an uneasy balance between the aspiration to copia and the textual methods to attain it, and the inherited cornucopian texts of Antiquity which both inform and limit this aspiration. Thus, central to the book's sense of an underlying crisis is the introduction of the figuration of abundance in Renaissance texts, the fragment presented here.
La prunelle et l'écriture, étude sur les chats, de La Condition humaine aux Antimémoires
Authors: Kaddour Hedi 
Published: January 2012

Pupil in the Cat's Eye : Malraux' Writing Practice

If cats first appear in cliches, the network they weave in Man's Estate indicates a deeper literary function : filter and philtre for an ironic vision
beyound the writing of adventure, history, or art. Is Clappique not the only
character to survive into Anti-Memoirs — a cat on his lap ?
Les récits de la critique d'art, entre naturalisme et modernisme
Authors: Daunais Isabelle 
Published: January 2012

The Narratives of Art Criticism: Between Naturalism and Modernism.
Art criticism developed the idea of bridges between arts through the allied paths of the concept of a language of paintings, and of their transposition in narratives. This practice, dovetailing with modern art, reconfigures art criticism into another form of metaphorisation.
Les deux récits du tableau : Histoire et configuration narrative en peinture
Authors: Rougé Bertrand 
Published: January 2012

<i>The Two Stories in the Picture : Story and Narrative Configuration in Painting
</i>
A sequence of events is a story if it has a plot ; emplotment organises parts in relation to a whole, an activity fundamental to painting ; and it is this narrative configuration which effects the transaction from linear temporality to that of its representation. (323)
« II faut la voir danser ! » Idée et argument de la danse dans la littérature depuis le Werther de Goethe
Authors: Neumann Gerhard 
Published: January 2012

"You should see her dance!" Idea and Function of Dance in literature Since Goethe's "Werther".
Dance as the figure for corporal reality in its symbolic representations and its evolution can be traced to Lotte and Werther's waltz-a sensual vertigo opposed to its own symbolisation, the program of (doomed) romanticism.
Lexicographies et littératures : de la construction d'un « iroquois »
Authors: Farina Annick 
Published: January 2012

Lexicographies and literatures: Constructing an « Iroquoian ».
French Canadian literature's use of another country's language has long been seen as its doom. The fear has motivated a lexicography from which writers seem to want the creation of a unique « québécois ». Meanwhile the language of Quebec literature awaits a worthy dictionary.
Refus global ou l'Art contre l'Histoire ?
Authors: Allard Jacques 
Published: January 2012

"Refus global": Art against History ?
Borduas and his companions' 1948 manifesto claims the rights of art and
emotion over history, in a dechristianised and highly literary form ; it belongs to rather than dominates the story of Quebec's anticlericalism, and is
an accomplished artifact — not the origin — of its (understudied) modernism.
L'écrivain dans le roman québécois (1960-1995) : esquisse d'un sociogramme
Authors: Tremblay Roseline 
Published: January 2012

The Writer in the Quebec Novel, 1960-1995.
The writer in this corpus faces two contradictory callings, that of social engagement and that of play. The dilemma does not move towards resolution, if the link between it and the vexed question of Quebec identity appear more clearly-but not more forcefully.
Réjean Ducharme et l'héritage français : détours et détournements
Authors: Nardout-Lafarge Élisabeth 
Published: January 2012

ELISABETH NARDOUT-LAFARGE
Réjean Ducharme and the French Heritage : Tracks and Side- Tracking
Ducharme's treatment of the French literary heritage seems an attack on its authority ; in fact, it is not treated differently from television, movies, songs, music. However, the choice of Poland to figure the past may be a way to avoid confronting France while signaling the immigrant.
L'autobiographie comme conversion esthétique : les derniers écrits de Gabrielle Roy
Authors: Michaud Ginette 
Published: January 2012

Gabrielle Roy's Last Writings. Autobiography as Aesthetic Conversion.
In 1975, Gabrielle Roy turned to an autobiographical project, worthy of being read as a major literary work rather than as an exemplar of Quebec literature-albeit its fate has been seen as subject for commentary rather than works.
Acérer la plume, «lacérer le vide». Une lecture d'Idéogrammes en Chine
Authors: Qiang Dong 
Published: January 2012

Sharpen the Quill, «lacerate nothingness»: "Idéogrammes en Chine".
Hieroglyphs were displaced by Chinese ideograms for Michaux: he intuited the greater part abstraction plays in the way they allude, while they combine painting and writing in gestures reminiscent of throwing and spitting, central to his creative processes.
Ponge, lecteur de Michaux : un différend sans merci
Authors: Roger Jérôme 
Published: January 2012

Ponge as Reader of Michaux : Deep Grounds for Controversy.
Ponge, classicist, purifier of the baroque, rather despised Michaux, «orientalist» — the baroque as excess. But are Pong's manifestos ("La Table") not excessive in view of the anthropological nature of Michaux' explorations ("Grandes Épreuves de l'esprit")!
La belle Hélène comme vous ne l'aurez jamais vue (Lessing contre Caylus)
Authors: Vouilloux Bernard 
Published: January 2012

Beautiful Helen — Such That You Will Never See Her (Lessing v. Caylus).
Caylus suggested Helen be painted veiled, only her effect on others shown; Lessing ("Laocoon") insisted the painting be beautiful, opening the way to formalism-its desire te produce its own effect and refusal to tell a story.
Image et temps, ou le temps de l'arrêt
Authors: Ropars-Wuilleumier Marie-Claire 
Published: January 2012

Image and Time : Arrested Time.
To think an image as the reflection of a fixed point in time is to forget the process-a passage of time-leading to it. To explore this paradox in different texts is to analyse the relationship between the presence of the image and modes of perception of the past.
Le poème rentré de L. F. Céline
Authors: Lafont Suzanne 
Published: January 2012

L. F. Celine's Swallowed Poem.
In "Bagatelles pour un massacre", Céline is refused access to the ballet at the Opera; he sees this as the result of a Jewish plot and exclaims "You have made me swallow back my jouissance... [...] Just let me show you what can result of swallowed poetry! [...] Just wait and see anti- semitism!" Desire, writing and ideology joined: what of this swallowed poem of Celine's? Is it not also Rimbaud's?
Identification et distanciation en littérature. Réflexions sur l'art de Borges
Authors: Kibédi Varga Áron 
Published: January 2012

Identification and Distance in Literature: Reflections on the Art of Borges.
Story-telling is based on generating images. Identification gets the reader to co-operate in telling the story. To distance reader and story, various techniques can be used — none stronger than Borges's, who attacks the making of images through his tales, and vice-versa.
Le cœur transpercé des statues de cire
Authors: Finas Lucette 
Published: January 2012

Piercing the Wax Figures' Hearts.
Alain's call to Germaine Lemaire in "The Planetarium" prefigures Sarraute' s long-in-waiting theatricality: impersonal characters defined through their speech and aversions to others' speech — tropisms.
La lettre écarlate ou le récit de la force
Authors: Garnier Xavier 
Published: January 2012

"The Scarlet Letter" or Force's Narrative.
As Hawthorne's prologue shows, the novel concerns the relationship between signs and vitality, writings and Writing, a sign and a mark. Esther defeats her husband's devitalization of her lover by getting the latter to take up the sign she bears in the flesh — the driving force of the narrative.
Le commencement de la fin. Étude de l'introduction à la quatrième partie des Mémoires d'outre-tombe
Authors: Raucy Paul , Carmignani-Dupont Françoise 
Published: January 2012

The Beginning of the End: The Introduction to the Fourth Part of "Mémoires d'outre-tombe".
The post- 1830 opening to the fourth part of the Memoirs is the expression of the limbo in which the author is now located: writing still goes on, yet how can the personal Story continue if it has ceased to be part of History?
Proust ou le corps expressif malgré lui
Authors: Simon Anne 
Published: January 2012

Proust or The Body Expressive Despite Itself.
Monadism in Proust is only apparent, for the body's various surfaces, clothes included, betray the self at every turn. The body is thus an allegory, a point of contact between the senses and the intellect, rather than simply a producer of signs to be interpreted.
Les temps retrouvés (Flaubert, Woolf)
Authors: Daunais Isabelle 
Published: January 2012

Things Past Remembered (Flaubert, Woolf).
In novels, the irony and knowledge that undo fiction do so through the work of fiction itself. Flaubert's A Simple Heart and the last chapter of Woolf s The Waves emanate from the exhaustion of fiction, but re-establish balance between illusion and knowledge — remember things past.
Pour une raison sensible
Authors: Castin Nicolas 
Published: January 2012

Towards Sensory Rationality
Contemporary poetry, since Rimbaud and Mallarmé, invests issues which used to be the preserve of rational philosophy, while philosophy since Nietzsche makes greater use of poetic expressivity. The convergence is towards the sensory focus of perception, rational thought, and expression, the body; but, except at the limits, philosophy establishes concepts, poetry speaks from within.
Approche de la pensée lyrique de Roger Caillois
Authors: Margantin Laurent 
Published: January 2012

Roger Caillois's Concept of Lyrical Thinking
Manuscripts show Caillois's early preoccupation with experiences traditional rationality finds difficult to even see, and with developing a rigorous system to understand such experiences. Lyrical thinking is both a reality and such a system in Caillois, and is dependent both on Leibnitz for its articulation, and on German romantic philosophy for its inspiration.
« L'œil clairement ouvert sur la nature », Heidegger et Goethe
Authors: Lacoste Jean 
Published: January 2012

"Eyes Clearly Open onto Nature": Heidegger and Goethe
Goethe is both absent and present in Heidegger. Absent as poet, except inasmuch as a master of German; present as prose writer, inasmuch as his nature writings resist overly rational approaches; in all, his metaphysical poetry is never commented for its meaning precisely because it considers man part of nature, the metaphysical error par excellence
for Heidegger.
Le natal et l'étranger : la dialectique du propre chez J.-J. Rabearivelo, F. Ranaivo et J. Rabemananjara
Authors: Meitinger Serge 
Published: January 2012

The Native and the Foreign: Dialectics of Singularity in J.-J. Rabearivelo, F. Ranaivo and J. Rabemananjara
The three greatest Malagasy poets in French felt and expressed their identity as Malagasy. But they have variously negotiated their relation- ship both to their origins and to their language or languages, either accepting or refusing the test of the foreign and the apprenticeship of self.
La mania ingegnosa : signification philosophique du maniérisme
Authors: Grassi Ernesto 
Published: January 2012

Ernesto Grassi (Françoise Graziani, translation)
La mania ingegnosa: the Philosophical Meaning of Mannerism
Rational thought has a-rational roots; the Latin term for these archaic principles is ingenium — the basis of invention, of, according to Aristotle, induction, and of rhetoric discourse. The tradition of a rationality inseparable from a rhetoric was continued by the Renaissance mannerists, and needs to be taken up and understood today.
La colère d'Aristote. Défense et illustration d'un emportement plus doux que le miel...
Authors: Mathieu-Castellani Gisèle 
Published: January 2012

Gisèle Mathieu-Castellani
Aristotle's Anger. A Defense and Illustration of a Fit of Anger as Mellow as Honey...
Anger for Aristotle is the exemplary passion; it is also one for which he
shows considerable indulgence, if not approval, while analysing it in terms of its logic. These considerations make its study and the study of its posterity valuable.
L'acte de mîmêsis
Authors: Brunet Philippe 
Published: January 2012

Variations on Mîmêsis
Meditating on mîmêsis implies astonishment at scholarly avoidance of Nietzsche's "Birth of Tragedy" and at Aristotle's "Poetics" avoidance of theatrical reality; avoidances which are perhaps the avoidance of mîmêsis as an actualisation, a mode of reintroducing, revisiting, reliving, representing, myth.
Des petits récits et du grand récit. Raconter l'histoire de la littérature québécoise
Authors: Cambron Micheline 
Published: January 2012

Of Small Tales and the Big Picture. Telling the Story of Québécois Literature
The notion of story is a major issue underpinning the present interest in literary history; eliminated in the 1960s, stories now proliferate, as in the study of Québécois literature. But its historiography - all historiography - without solving the problem, may escape it as literature.
« L'éternellement provisoire » - une poétique du fragment chez Paul Valéry
Authors: Tsukamoto Masanori 
Published: January 2012

«The eternally provisional» - Paul Valéry's Poetics of the Fragment
Valéry' s writing is obstinately fragmentary, in a way that refuses any underlying unity - if every fragment builds its own poetic tension by affirming its provisionality.
L'année 1872 et ses trois notions d'illimité
Authors: Suzuki Keiji 
Published: January 2012

1872 and Three Concepts of Limitlessness
In 1872, two trips round the world took place, the fictional one, and Tom- omi Iwakura's delegation's voyage West. Both depended on a notion of cognitive limitlessness - as did Blanqui's work after the Commune.
Le mage et l'histoire. Poésie et rédemption dans William Shakespeare de Victor Hugo
Authors: Vignest Romain 
Published: January 2012

The Wise Man and History: Poetry and Redemption in Hugo's "William Shakespeare"
For Hugo, the relationship of art to history is essential, and both explains and is included within his concern for describing his literary predecessors and establishing their hierarchy. In "William Shakespeare", Hugo, through the figure of his double and brother-in-arms, Juvenal, both defines the great poet - by nature opposed to the tyrant — and situates himself within the history that includes Juvenal.
Henri Bosco et l'Ère du soupçon
Authors: Wessler Éric 
Published: January 2012

Henri Bosco and The Age of Suspicion 1
According to literary criticism, in his case heavily indebted to romanticism, Bosco is a writer out of his time. Yet a closer study of his works shows that he is fully modern, in particular because of the centrality of the narrator within his fiction; and if he is doubtlessly a believer, in contradistinction to most of his contemporaries, the point of his work is precisely to give the religious feeling a modern novelistic form.
De l'Ombilic aux limbes : la figure de Mélusine dans l'œuvre de Claude Louis-Combet
Authors: Boulard Stéphanie 
Published: January 2012

From Umbilicus to Limbo2: the Shadow of the Fairy
The mirrors in Claude Louis-Combet's works figure the double reflections in which communication is lost, but also the way in which the voyeuristic eye seeks the mirror-representation of female sexuality — the masculine eye as speculum. But the speculum engenders monsters or imagines what it sees as engendering monsters — re-encountering the mirror as figure for the maternal waters out of which spring the horrors of the imagination.
Le survivant ou l'Ulysse juif
Authors: Rastier François 
Published: January 2012

"The Survivor" or the Jewish Ulysses
As their titles show, Primo Levi's prose work actually seems to have evolved out of his poetry, written mainly in 1946, just before If This Is a Man "(Survival in Auschwitz") (1947), and in 1984, before "The Drowned and the Saved" (1987). Furthermore, the intertexts with Coleridge and with Dante in the poem "The Survivor" which contains the title of Levi's collection of poems, "At an Uncertain Hour", considerably deepen and clarify the problematic of survival central to his work.
Jaccottet, voix de Purcell
Authors: Vasseur Fabien 
Published: January 2012

Jaccottet, Voice of Purcell
Jaccottet's poems to Henry Purcell originate in a performance by James Bowman in 1981, more specifically in Deller's voice in "The Fairy Queen", and at first seem a dialogue between music and poetry; however these pieces, which in this join Jaccottet's constant preoccupation with death and the dead, show that music, an essentially non-dialogical form, calls for the poet's language.
L'Espoir de Malraux : épopée ou opéra?
Authors: Loehr Joël 
Published: January 2012

Malraux' "Man's Hope": Epic or Opera?
Malraux himself used the metaphor of the opera (music and libretto) to describe his novels, while it appears that as the characters in his novels multiply and as their narratives complexify, the analogy becomes more and more exact. A close reading of "Man 's Hope" reveals it to be constructed along musical principles defining three movements and linking epic scope to operatic breath.
« La lyre d'Orphée » ou Le Tombeau des Chimères
Authors: Illouz Jean-Nicolas 
Published: January 2012

"Orpheus's Lyra" or "At The Chimeras" Grave
"The Chimeras" (in particular "El Desdichado") locate the lyrical subject just between subjective identity and identification and impersonality beyond individual subjectivity, its two conceptual poles. But in the poem this historical configuration also figures both personal loss and the incapacity to formulate it symbolically - except inasmuch as it is voiced out loud.
Le conteur dans Un cœur simple
Authors: Rabaté Dominique 
Published: January 2012

The Story-Teller in "A Simple Heart"
The story-teller, according to Walter Benjamin, has advice to transmit to the generations after him, and is present in his tale; the novelist deals with individual life stories for individuals. Flaubert's text is poised between its subject-matter, that of a tale, and its technique, which is novelistic; a tension best described by following its narrative voices.