bluuebunny/crossref_metadata_2025_split huggingface dataset:
Indirect sinus lift without graft placement and with immediate implant placement - a systematic review
Authors: Akash Raj Sharma Dr Akash Raj Sharma 
Published: June 2024

Background: Due to persistent ridge resorption and maxillary sinus pneumatization, the maxillary posterior region has historically been difficult to implant in. To overcome these challenges various techniques have been developed. Among which sinus lift procedures; either direct or indirect are most commonly used. This systematic review investigates the success of immediate implant placement combined with indirect sinus lift without grafting in the maxillary posterior region. Specifically, it evaluates the rates of implant survival and endosinus bone formation.
Aim: To review the literature on indirect sinus lift without graft placement and with immediate implant placement following the PRISMA Guidelines.
Methodology: A systematic search was conducted on two electronic databases, PubMed and Cochrane Central, for studies published between 2010–2020. The search terms included "sinus augmentation," "sinus lift," "sinus elevation," and "indirect technique." The Preferred Reporting Items for Systematic Reviews and Meta-Analyses (PRISMA) guidelines were followed for data collection.
Results: In the initial search, 1361 articles in total were located. A total of 20 papers were chosen for full text review after duplicates were removed and titles and abstracts were screened. In this systematic review, 8 articles were chosen; 12 publications were rejected for a variety of reasons.
Conclusion: The studies included in this review evaluated the efficacy of indirect sinus elevation without grafting material, combined with immediate implant placement, for augmenting bone volume in the maxillary posterior region. All studies reported evidence of endosseous bone formation, with implant survival rates ranging from 90% to 100%.
Comparison of Dentoskeletal Changes In Skeletal Class II Malocclusion Using two Different Fixed Functional Appliances: A 2 Case Report
Authors: Dadhwal Sahira , Isha Aggarwal  , Sanjay Mittal  , Merry  , Abida Parveen  
Published: June 2024

Introduction: Class II malocclusion refers to an anteroposterior discrepancy that could be characterized by a dentoalveolar and/or skeletal involvement. When skeletal involvement is present, mandibular retrusion is the primary etiological factor. Several methods have been proposed for treatment of this malocclusion and their choice would depend on the degree of dentoalveolar or skeletal involvement, patient growth pattern, age, cooperation and main complaint. Fixed functional appliances are an excellent option in patients with growth potential. These appliances have the advantage of not depending on patient compliance, which may be related to more predictability. Aim: This article presents 2 case reports that compare the dentoskeletal changes of patients diagnosed with skeletal class II treated with Forsus fatigue resistant device (FFRD) and Powerscope class II corrector (PS). Conclusion: Power Scope Class II corrector and Forsus fatigue resistant device (FFRD) are promising appliances that is relatively simple to install and easy to maintain by patients this directly helps the orthodontist in maintaining patient compliance to achieve the predicted treatment outcome.
Métodos de estimativa de evapotranspiração para o feijoeiro irrigado
Authors: Salgado Victor Ebenézer Dias , Lopes Adriano da Silva , Fanaya Júnior Éder Duarte , Franco Jhonatan da Silva , Souto Filho Sebastião Nilce 
Published: June 2024

O cultivo do feijão obteve uma intensificação em sua produtividade com a adesão da terceira safra, variedades mais precoces e irrigação, principalmente via pivô central. A estimativa da evapotranspiração de referência (ETo) é fundamental para o manejo da irrigação e o delineamento do balanço hídrico da cultura. O objetivo deste trabalho foi avaliar o desempenho de cinco métodos empíricos de ETo (Hargreaves-Samani, Priestley &Taylor, Benevides-Lopes, Hamon e Jensen- Haise), comparados ao padrão Penman-Monteith FAO- 56, na região de Aquidauana, Mato Grosso do Sul, Brasil. O estudo foi realizado na Universidade Estadual de Mato Grosso do Sul, cuja as variáveis climáticas utilizadas foram obtidas na estação Meteorológica da Unidade Universitária no ano de 2020. A comparação dos valores de ETo foi realizada com base nos parâmetros coeficiente de determinação, índice de concordância de Willmott, índice de desempenho, estimativa do erro padrão, erro médio absoluto e raiz quadrada do quadrado médio do erro. O método Priestley & Taylor pode ser indicado para o manejo de irrigação na cultura do feijoeiro de inverno em Aquidauana-MS. Os métodos de estimativa de ETO que utilizam saldo de radiação solar como um de seus componentes apresentam melhor desempenho em comparação aos demais.
Inducing An Axillary Bud of Dendrobium Red Emperor ‘Prince’ With An Addition of Bap in Vitro
Authors: Septasari Mistri , Mercuriani Ixora Sartika 
Published: June 2024

The purpose of this study is to determine the effect of the addition of BAP and the position of nodus on the formation of axillary shoots and to know the optimum concentration of BAP for the induction of Dendrobium Red Emperor 'Prince' axial shoots. The research design used is a Complete Factorial Randomized Design consisting of one treatment, namely: concentration of growing regulatory substances (ZPT) BAP (0ppm, 1 ppm, 2 ppm, and 3 pmm), each treatment repeated 5 times. The explant of the nodus were taken from plants produced by previous in vitro culture having 5 nodi. The basic medium used is New Phalaenopsis (NP) + Coconut Water + 1 ppm 2.4-D). The growth of axillary bud growth is measured based on the time of the bud emergence, growth of crown, and that of root. Data obtained were then analyzed using ANOVA. If there was a significant difference, the analysis was continued with a test of DMRT with a significant level of 5%. The results showed the addition of concentrations of 1 ppm and 2 ppm BAP influenced the time of the bud emergence, growth of crown, and that of root. The optimum concentration of BAP to induce the orchid axillary shoots is 2 ppm.
Penggunaan pola iringan musik dalam Ibadah Minggu di Gereja Kristen Sumba (GKS), Klasis Waingapu
Authors: Fanggidae Rudi , Saefatu Meyrlin , Taneo Dersy Rejoice , Dewata Maha Dewi Rambu , Uma Aprianus Meta Djangga 
Published: June 2024

Dalam Ibadah Minggu, Gereja Kristen Sumba selalu menggunakan pola iringan musik untuk mengiringi nyanyian jemaat. Untuk itu yang menjadi tujuan penelitian adalah: (1) Mengetahui penggunaan pola iringan musik ibadah yang digunakan dalam Ibadah Minggu, (2) Menerapkan dan memodifikasi penggunaan pola iringan musik yang benar dalam Ibadah Minggu, (3) Menemukan respons jemaat terhadap penggunaan pola iringan musik dalam Ibadah Minggu. Metode penelitian yang digunakan adalah metode penelitian kualitatif. Adapun hasil penelitian adalah penggunaan pola iringan musik yang benar perlu untuk diterapkan di dalam ibadah sehingga dapat membantu jemaat untuk mengekspresikan suasana hati atau ekspresi imannya dalam ibadah. Untuk itulah, penggunaan pola iringan yang tepat dalam mengiringi nyanyian dari buku hymnal adalah pola iringan melodis. Hal ini karena pola iringan melodis dapat memengaruhi jiwa manusia karena lebih bersentuhan dengan aspek spiritual manusia. Dengan demikian, ketika ibadah, jiwa manusia makin didekatkan dengan Tuhan melalui nyanyian. Dalam konteks pendidikan, hasil penelitian tersebut dapat digunakan untuk meningkatkan pemahaman tentang bagaimana musik dapat mempengaruhi kesejahteraan mental dan spiritual seseorang. Kata kunci: Pola iringan musik, melodis, Ibadah Minggu, nyanyian jemaat, hymne The use of musical accompaniment patterns in Sunday Worship at the Christian Church of Sumba (GKS), Waingapu Classis AbstractIn Sunday Worship, the Christian Church of Sumba always uses music accompaniment patterns to accompany the congregation's singing. Therefore, the research objectives are: (1) To understand the use of worship music accompaniment patterns in Sunday Worship, (2) To apply and modify the correct use of music accompaniment patterns in Sunday Worship, (3) To explore the congregation's response to the use of music accompaniment patterns in Sunday Worship. The research method employed is qualitative research. The findings suggest that the correct use of music accompaniment patterns is essential to be implemented in worship, as it can assist the congregation in expressing their mood or faith expression in worship. Hence, the appropriate use of accompaniment patterns in accompanying hymns from the hymnal book is the melodic accompaniment pattern. This is because melodic accompaniment patterns can affect the human soul as they are more connected with the spiritual aspect of humans. Thus, during worship, the human soul is brought closer to God through singing. In the educational context, these research findings can be used to enhance understanding of how music can influence an individual's mental and spiritual well-being. Keywords: Music accompaniment patterns, melodic, Sunday Worship, congregation singing, hymn
Program belajar bersama maestro dalam pengembangan pendidikan seni di SMA
Authors: Sugiarto Mellany Octa Salsabila , Handayaningrum Warih , Suryandoko Welly 
Published: June 2024

Belajar Bersama Maestro (BBM) merupakan wahana belajar di mana peserta didik terlibat dalam proses kreatif yang dilakukan para maestro. Tujuan penelitian ini untuk mendeskripsikan bagaimana program Belajar Bersama Maestro menjadi wadah pengembangan seni untuk siswa siswi tingkat SMA. Metode penelitian ini secara deskriptif dengan sumber data melalui observasi, wawancara dan dokumentasi. Hasil penelitian menunjukkan bahwa dalam program Belajar Bersama Maestro pada sanggar Padnecwara pimpinan ibu Retno Maruti terdapat beberapa program untuk mengembangkan potensi pendidikan seni secara non formal pada siswa siswi tingkat SMA yaitu: pelatihan tari Rantaya dan Kumolo Bumi, pelatihan tata rias, pelatihan tata busana, serta pelatihan tata panggung dan artistik. Melalui program-program ini, siswa-siswi dapat mengembangkan keterampilan dan pengetahuan mereka di berbagai bidang seni, serta mengasah kemampuan mereka dalam hal tata rias, tata busana, dan tata panggung. Program Belajar Bersama Maestro ini memberikan kesempatan bagi siswa-siswi untuk belajar dari para ahli di bidang seni dan memperluas wawasan mereka dalam dunia seni secara keseluruhan. Kata kunci: Belajar bersama maestro, program, pendidikan seni, SMA Learning with the Maestro (BBM) program in the development of art education in high schools AbstractLearning with the Maestro (BBM) is a learning platform where students engage in the creative processes conducted by maestros. The aim of this study is to describe how the Learning with the Maestro program serves as a medium for the development of art for high school students. This descriptive study uses data from observations, interviews, and documentation. The results show that within the Learning with the Maestro program at the Padnecwara studio, led by Mrs. Retno Maruti, several programs exist to develop the potential of non-formal art education for high school students. These programs include training in Rantaya and Kumolo Bumi dance, makeup training, costume design training, and stage and artistic training. Through these programs, students can develop their skills and knowledge in various arts fields, as well as hone their abilities in makeup, costume design, and stage management. The Learning with the Maestro program provides students the opportunity to learn from experts in the arts and to broaden their horizons in the art world overall. Keywords: Learning with the Maestro, program, art education, high school
Estetika kesenian musik Gendang Beleq Gending Arje Panji Sukerare
Authors: Wicaksono Bayu Aji , Mariasa I Nengah 
Published: June 2024

Penelitian ini menganalisis estetika musik gendang beleq dari masyarakat Sasak, Lombok, Indonesia, dengan fokus pada sajian gending Arje kelompok Panji Sukerare yang disajikan pada pada kanal Youtube Peresean Official. Melalui metode analisis video tersebut dan mensintesiskan berbagai literatur melalui studi pustaka, penelitian ini menyoroti ritme, melodi, harmoni, dan penggunaan alat musik gendang beleq berdasarkan teori dari Djelantik. Estetika musik gendang beleq dipengaruhi oleh budaya dan tradisi masyarakat Sasak yang kaya akan warisan seni dan musik. Ritme kuat, melodi enerjik, dan harmoni khas menciptakan pengalaman musik yang unik dan menggugah perasaan pendengarnya. Penampilan pemain yang mengenakan kostum dengan motif Sasak yang khas serta pelaksanaan acara yang memperhatikan tata letak dan suasana juga merupakan bagian integral dari estetika musik gendang beleq yang disajikan oleh panji sukerare. Penelitian ini menunjukkan bahwa estetika musik gending arje pada gendang beleq panji sukerare melibatkan elemen musikal dan visual yang saling melengkapi, memberikan pengalaman seni yang menyeluruh bagi penonton. Hasil penelitian ini memberikan pemahaman yang lebih mendalam tentang kekayaan budaya dan nilai-nilai estetika yang terkandung dalam musik tradisional gendang beleq, khususnya dalam konteks gending Arje yang disajikan oleh kelompok Panji Sukerare. Kata Kunci: Estetika, Gending Arje, musik Gendang beleq The aesthetics of the Gendang Beleq music art of Gending Arje Panji Sukerare Abstract This research analyzes the aesthetics of gendang beleq music from the Sasak community in Lombok, Indonesia, with a focus on the performance of Gending Arje by the Panji Sukerare group, presented on the official Peresean Youtube channel. Through the method of video analysis and synthesis of various literature through literature review, this research highlights the rhythm, melody, harmony, and use of gendang beleq musical instruments based on Djelantik’s theory. The aesthetics of Beleq drum music are influenced by the rich cultural heritage and traditions of the Sasak community in the arts and music. Strong rhythms, energetic melodies, and distinctive harmonies create a unique and emotionally evocative musical experience for the listeners. The performers wearing traditional Sasak costumes and the arrangement and atmosphere of the event are also integral parts of the aesthetics of gendang beleq music presented by the Panji Sukerare group. This research shows that the aesthetics of Gending Arje in gendang beleq music by the Panji Sukerare group involve complementary musical and visual elements, providing a comprehensive artistic experience for the audience. The findings of this research provide a deeper understanding of the cultural richness and aesthetic values inherent in traditional gendang beleq music, particularly in the context of the Gending Arje performed by the Panji Sukerare group. Keywords: Aesthetics, Gending Arje, Gendang Beleq music
Makna simbolis komposisi Tari Inla “Bersandar dipelukan bumi pertiwi alami sejahtera selalu”
Authors: Widyanarto Widyanarto , Ariani Amelia 
Published: June 2024

International Loving Association (INLA) merupakan sebuah asosiasi cinta kasih alam semesta. Kegiatan INLA dalam bidang pendidikan seni dan budaya salah satunya ialah Tarian. Setiap tarian INLA memiliki ciri visualisasi yang unik dan terdapat makna tersendiri di setiap penyajiannya. Salah satunya adalah tari Bersandar di Pelukan Bumi Pertiwi Alami Sejahtera Selalu yang dibawakan oleh Tim Kolaborasi Sekolah Maitreyawira Batam, sekaligus sebagai obyek penulisan artikel ini. Hasil analisis aspek-aspek koreografi pada tari tersebut, mampu mendeskripsikan makna dan simbol yang ingin dihadirkan koreografer kepada penonton. Metode kualitatif serta pengumpulan data dalam penelitian ini dilakukan secara wawancara, observasi dan pengamatan dokumentasi serta studi pustaka, melalui pendekatan kajian teks dan konteks serta mencipta lewat tari. Adapun hasil pembahasan antara lain mendeskripsikan penyajian, serta menjabarkan makna simbolik dalam komposisi gerak tari. Melihat secara tekstual dan kreativitas koreografer, mencari dan mengulik koreografi di dalam tarian ini, secara tidak langsung akan menemukan tujuan utama pencipta ingin menyampaikan kepada penonton. Kata kunci: Simbolik, komposisi, Tari INLA, bersandar di pelukan bumi pertiwi alami sejahtera selalu The symbolic meaning of the INLA Dance composition “Bersandar di pelukan bumi pertiwi alami sejahtera selalu” AbstractInternational Loving Association (INLA) is an association of universal love. One of INLA’s activities in the field of arts and culture education is dance. Each INLA dance has unique visual characteristics and each presentation has its own meaning. One of them is the dance Bersandar di Pelukan Bumi Pertiwi Alami Sejahtera Selalu, performed by the Batam Maitreyawira School’s Collaboration Team, as well as the object of writing this article. The results of the analysis of the choreographic aspects of the dance are able to describe the meaning and symbols that the choreographer wants to present to the audience. Qualitative methods and data collection in this study were conducted through interviews, observation, documentation, and literature study, through text and context study approaches and creation through dance. The results of the discussion include describing the presentation, as well as describing the symbolic meaning in the composition of dance movements. By examining the text and the choreographer’s creativity, and exploring the choreography of this dance, the main message intended by the creator for the audience can be indirectly discovered. Keywords: Symbolic, choreography, INLA dance, bersandar di pelukan bumi pertiwi alami sejahtera selalu
Menuju pemahaman komprehensif fenomena selfie: Mengeksplorasi kontradiksinya dalam kerangka aksiologis seni
Authors: Kasiyan Kasiyan 
Published: June 2024

Fenomena selfie adalah salah satu bagan dari penyakit kejiwaan, yang bukan hanya berkaitan dengan domain psikologi, melainkan juga terhubung dengan pelbagai disiplin yang kompleks, termasuk juga seni. Dalam perspektif seni, fenomena selfie, menimbulkan kontradiksi yang memunculkan kompleksitas tegangan antara ekspresi dan nilai-nilai, ketika dianalisis dari perspektif aksiologi. Artikel ini menegaskan keprihatinan, betapa keberadaan selfie sering kali mengabaikan aspek etis, yang disebabkan terlalu mengedepankan motif estetis. Pentingnya memperhatikan nilai-nilai etis dalam konstruksi dan reproduksi seni, termasuk selfie, menuntut refleksi tentang tanggung jawab moral dan sosial. Kesadaran akan dampak destrukstifnya terhadap individu dan masyarakat, karenanya perlu mengglorifikasikan pentingnya kesadaran ekspresi seni, termasuk selfie, yang lebih bertanggung jawab. Dengan demikian, artikel ini menegaskan pentingnya nilai-nilai etis dan kreativitas sebagai landasan utama dalam ekspresi dan apresiasi seni, yang semakin terhubung secara digital di era kontemporer ini. Kata kunci: Selfie dan aksiologi seni, nilai-nilai etis dalam seni, tanggung jawab sosial dan moral seni Towards a comprehensive understanding of the selfie phenomenon: Exploring its contradictions within the axiological framework of art AbstractThe selfie phenomenon is a form of mental illness that not only relates to the domain of psychology, but is also connected to various complex disciplines, including art. From an artistic perspective, the selfie phenomenon creates a contradiction that creates a complex tension between expression and values, when analysed from an axiological perspective. This article highlights the concern that selfies often neglect ethical aspects due to the overemphasis on aesthetic motives. The importance of ethical values in the construction and reproduction of art, including selfies, demands reflection on moral and social responsibility. Awareness of its destructive impact on individuals and society, therefore, needs to glamorise the importance of a more responsible consciousness of artistic expression, including selfies. As such, this article emphasises the importance of ethical values and creativity as key cornerstones in the expression and appreciation of art, which is increasingly digitally connected in this contemporary era. Keywords: Selfie and axiology of art, ethical values in art, social and moral responsibility of art
Clinical Acceptability of a Quality Improvement Program for Reducing Cardiovascular Disease Risk in People With Chronic Kidney Disease in Australian General Practice: Qualitative Study
Authors: McBride Caroline , Hunter Barbara , Lumsden Natalie , Somasundaram Kaleswari , McMorrow Rita , Boyle Douglas , Emery Jon , Nelson Craig , Manski-Nankervis Jo-Anne 
Published: June 2024

Abstract

Background
Future Health Today (FHT) is a technology program that integrates with general practice clinical software to provide point of care (PoC) clinical decision support and a quality improvement dashboard. This qualitative study looks at the use of FHT in the context of cardiovascular disease risk in chronic kidney disease (CKD).

Objective
This study aims to explore factors influencing clinical implementation of the FHT module focusing on cardiovascular risk in CKD, from the perspectives of participating general practitioner staff.

Methods
Practices in Victoria were recruited to participate in a pragmatic cluster randomized controlled trial using FHT, of which 19 practices were randomly assigned to use FHT’s cardiovascular risk in CKD program. A total of 13 semistructured interviews were undertaken with a nominated general practitioner (n=7) or practice nurse (n=6) from 10 participating practices. Interview questions focused on the clinical usefulness of the tool and its place in clinical workflows. Qualitative data were coded by 2 researchers and analyzed using framework analysis and Clinical Performance Feedback Intervention Theory.

Results
All 13 interviewees had used the FHT PoC tool, and feedback was largely positive. Overall, clinicians described engaging with the tool as a “prompt” or “reminder” system. Themes reflected that the tool’s goals and clinical content were aligned with clinician’s existing priorities and knowledge, and the tool’s design facilitated easy integration into existing workflows. The main barrier to implementation identified by 2 clinicians was notification fatigue. A total of 7 interviewees had used the FHT dashboard tool. The main barriers to use were its limited integration into clinical workflows, such that some participants did not know of its existence; clinicians’ competing clinical priorities; and limited time to learn and use the tool.

Conclusions
This study identified many facilitators for the successful use of the FHT PoC program, in the context of cardiovascular risk in CKD, and barriers to the use of the dashboard program. This work will be used to inform the wider implementation of FHT, as well as the development of future modules of FHT for other risk or disease states.