bluuebunny/crossref_metadata_2025_split huggingface dataset:
L'érotisme spirituel dans La Chartreuse de Parme : Fabrice et saint Jérôme
Authors: Jullien Dominique 
Published: January 2012

Spiritual eroticism in the charterhouse of Parma : Fabrice and Saint Jérome.
When Fabrice sends Clelia's uncle a fine edition of Saint Jerome's Works (his anotations have ned the chaplain 's copy) she asks to compare the copies, and reads Fabrice's love in his pious glosses. However, Saint Jerome is in himself important to the novel.
Textes mobiles, images motrices
Authors: Nichols Stephen G. 
Published: January 2012

Mobile tests, motor images. Textual instability in the medieval text.
Medieval textual mobility is not only a matter of material production of manuscripts : it is also, in particular through the development of a multiple textuality through enluminures occasioned by Plotinu's
influence,intentional-thus justifying an understanding of the medieval manuscript through Wittgenstein's aesthetics.
Le renversement du texte
Authors: Böschenstein Bernard 
Published: January 2012

Text counter-text. Hölderlin interprets Pindar.
Hölderlin's translations of nine fragments of Pindar's poetry are usually very faithful - but followed by comments whose relation to the fragment is difficult to interpret, and often related to Hôlderlin's psychological illness (although dates are still being debated). Indeed, the commentary to the text entitled Das Bele- bende is a reversal : but the issue is why ?
Métamorphoses du verbe
Authors: Jackson John E. 
Published: January 2012

Verbal metamorphoses, poetic differenciations In the second half of the 19th century .
Poetry's self-consciousness is nowhere so manifest as in 19th century France- but it takes on a dialogical form with the most important authors, as Nerval's Vers dorés, Baudelaire's Correspondances, Rimbaud's Voyelles and Mallarmé 's sonnet in -yx, where the fixed form of the sonnet is dynamised by a reflection on the very limits of verbal power, demonstrate.
Effets hétérolingues dans le roman québécois du XIXe siècle
Authors: Gruthan Rainier 
Published: January 2012

Heterolinguistic effects in the 19th Century Quebec Novel.
The debate about textual plurilinguism-heterolinguism-can mire itself in the issue of verisimilitude ; in fact, 19th century Quebec novelistic practice shows the absence of expected languages (amerindian, québécois except indeed for realistic purposes) while both French and English serve as literary references
and it is church Latin which connotes French Québécois identity.
« Maghreb » en texte : la parole giratoire de Nabile Farès
Authors: Boualit Farida 
Published: January 2012

Textual « Maghreb » : The Girating Language of Nabile Fares
The willed unreadability of Farès's work is linked to the impossible Maghreb
—which means West — he writes from, as three writers' (from Algeria, Morocco, and Tunisia) independent but echoing descriptions of circumci-
sion's failure to give access to the Symbolic, show. « Maghreb » texts are
written deconstructively, reflecting reading practices at their source : a proce-
dure concomittent to their existence.
Langue et littérature en Suisse romande : paradoxes et fécondités
Authors: Pasquali Adrien 
Published: January 2012

ADRIEN PASQUALI
Language and literature in Francophone Switzerland : Paradoxes and Riches
A massive fact, this literature seems invisible : sign of a false problem ? Writers, whether marginal or central, are solitary, and their identity has to do with reading ; Ramuz' trajectory has been to speak from a place out of which his writing then came, which it can be said to have constructed. No different is the state of the — vital — contemporary Swiss scene.
Silences et échos chez Marguerite Duras
Authors: Ricatte Robert 
Published: January 2012

Marguerite Duras : Silences and Echoes in Le Ravissement de Loi V. Stein and Le Vice-Consul.
The two novels, which date from 1964 and 1965, are linked by characters in common, but also by a parallel esthetic of silences and echoes, or suspension and repetition, within each novel, and from novel to novel. The texts thus woven hang between madness and death, alluded to but never reached, webs of suspended ennui.
Quand la lèpre fleurit...
Authors: Gérard Michèle 
Published: January 2012

When Leprosy Blooms... Body and Writing in Jean Bodel's and Baude Fastoul's Congés.
Both these poets left the world for leper-houses, writing farewells similar to those of poets — Hélinand de Froidmont, Adam de la Halle — leaving for a spiritual retreat or for study, but with the added dimension of a careful linguistic exploration of the link between bodily dégénérescence and renewal of the heart and soul — in last words.
L'équivoque dans l'arène
Authors: Watroba Maria 
Published: January 2012

The Equivocal Arena : about Michel Leiris.
The sacrificial vision of the corrida implies its gendering : the virile torero, confronted with a feminine bull ? Leiris in Miroir de la tauromachie develops the analogy, in particular with the use of the Maussian concepts of « right » and « left » sacred, beyond a phallic specularity of the bull-fight into the reversibility and undecidability of its sexual agon.
Mise en discours d'une analyse de texte
Authors: Dion Robert 
Published: January 2012

Discursive Strategies of Textual Analysis : About an Article of Jakobson
Textual analysis, contrary to exegesis, aims at interpretation, and as such cannot really be repeated ; thus the interest of analysing its rhetorical practice, which pretends to science but ultimately develops a rhetoric of (hidden) persuasion, through argumentation and narrativisation of the text under study — here, Baudelaire's Spleen.
La vision prise de vitesse par l'écriture.
Authors: Calle-Gruber Mireille 
Published: January 2012

Vision Outstripped by Writing : On Cixous' la Fiancée juive
The title suggests a stranger to French, poised on the brink of the realisation of a promise, and refers to Rembrandt while exploiting in particular the Song of Songs ; indeed Cixous writes the in-between of past and future, here and there, where life takes place, and creates the mobility proper to a painting.
Cynthie ou la réécriture de l'élégie dans les Mémoires d'outre-tombe
Authors: Jullien Dominique 
Published: January 2012

Cynthie : Rewriting Elegy in "Memoirs from Beyond the Grave".
Chateaubriand, displacing this invocation from the time of its composition (his tenure as embassador in Rome), to his return to Paris from a failed mission in Prague in 1833, points to a reading beyond the pastiche of elegy to its deep affinity with death — an epitome of the "Memoirs".
« Au pays des Kobolds » : Walter Benjamin traducteur de Marcel Proust
Authors: Kahn Robert 
Published: January 2012

"In the country of the Kobolds": Walter Benjamin as Proust's Translator
How does Benjamin's unfinished translation of "Remembrance" (partly with Franz Hessel) clarify "The Task of the Translator" ? Comparison with the only other-complete-German version does justice to both Benjamin's work and theoretical coherence.
Roman Jakobson et la relance de l'Opojaz (1928-1930)
Authors: Depretto Catherine 
Published: January 2012

Jakobson and the Revival of Opojaz
The Russian formalist Tynjanov and Jakobson co-signed in 1928 "Problems in literary and linguistic studies" in now well-known circumstances. A reappraisal shows that Russian formalism was then much closer to the Prague school and nascent structuralism than has been thought: the failure of Opojaz must be attributed to politics.
Récits, visuel et verbal, en quête d'atemporalité
Authors: Young-Hae Kim 
Published: January 2012

Narratives, Visual and Verbal, In Search of Atemporality (about a Painting by An Kyun)
The complex history of the 1447 multi-media Dream of a Visit to the Country of the Peach-Trees, itself hinges on interplay between temporality and atemporality as enacted by the relations between orality, calligraphy, and painting. (332)
Le saut de Nijinski. La danse en littérature, représentation de l'irreprésentable
Authors: Brandstetter Gabriele 
Published: January 2012

Nijinsky's Leap. Dance in Literature, Representation of the Unrepresentable.
Nijinsky's leaps, and quintessential leap off stage in "The Spectre of the Rose", challenge verbal description, revealing the essence of dance itself as physical miracle.
Robert Walser, le danseur du quotidien, ou : l'affinité du feuilletoniste avec la danse
Authors: Utz Peter 
Published: January 2012

Robert Walser, Choreographer of Daily Life, or The Serial Writer's Affinity With Dance.
Walser 's daily columns of commentary and anecdote, whose freedom of
style depends on these constraints, frequently metaphorised writing as
dance, and wrote about modern dance, inseparable from the rise of the
genre.
L'ascension de l'écriture. Pas de danse, danse de l'écriture : A-libi, a-topie et ressemblance dans l'œuvre de Jan Fabre
Authors: Siegmund Gerald 
Published: January 2012

The Raising of Writing. Dance Step and Writerly Dance: Alibi and A-topia in Jan Fabre's Work.
Derrida's écriture is the key to Jan Fabre's choreography, which takes his work as a plastician fascinated with mannerism to their logical conclusion in positing a subject constructed by representation.
La narration du mouvement en vidéodanse. Modes narratifs d'une forme artistique intermédiatique
Authors: Rosiny Claudia 
Published: January 2012

Motion Told in Videodance. Narrative Modes in a Multimedia Artform.
Videodance has origins in numerous multimedia works. Its narratives draw on cinema, but the absence of words and its basis in body language leave great freedom of interpretation to the viewer, and openness to the stories.
« Où vont les chiens ? »
Authors: Gleize Jean-Marie 
Published: January 2012

Where Are the Dogs Going ?

Thus wondered Baudelaire at the end of a prose poem for urban settings. And there we are still. In fact, the present generation, whose dynamism is considerable, is the product of the communications developed between the main poles of the 60s an 70s.
Poets on Poets
John E Jackson recounts an original poetic itinerary in "Philippe Denis : An Insect in the Darkness of Wood". Gérard Farasse goes to the origins of Gil Jouanard's poetry in "Boulangerie Jouanard, Father and Son" ; the latter has chosen to describe the work of "Ludovic Janvier : La mer à boire (1987) and Entre jour et sommeil (1992)". Marc-Ange Graf traces "Gabrielle Althen's 'Surcroît'", a word indicating the necessity of ecstasy. Antoine Raybaud captures the mallarmean project behind signs of Islam in " Abdelwahab Meddeb : Palimpsest Illumination" ; Hedi Kaddour traces plays on clichés day-to-day or poetic-in "On Claude Mouchard, 'canard lune'", while Daniel Guillaume describes Kaddour : "The Wasp and the Shadow : Hedi Kaddour". Pierre Vilar 's "Jean-Louis Giovan- noni, Between the Tree and the Bark" echoes the poet, and Christian Doumet s considers the pneuma in "Little Stands Up to the Wind : Jean-Baptiste de Seynes"
Les Lettres d'avant la Lettre : double naissance et fondation
Authors: Andrès Bernard 
Published: January 2012

Literature before Literature : A Double Birth and Foundation.
A French Canadian cultural field emerged during the Union, from 1840. It was a double birth — of history and of literature; this double birth is itself a re-birth, if one retells the story and sociology of writing between the 1760 British Conquest and the 1837-38 Rebellion.
Poétique du « paralloïdre » ou les défis linguistiques d'André Martel
Authors: Jeandillou Jean-François 
Published: January 2012

The Poetics of the "Paralloïdre" Challenges of André Martel.
Martel' s language, which he baptised "paralloïdre" to honour its parallelism to and distortion of French, is, in this study of his translation, "Le Moscacoche", of La Fontaine's "Le Coche et la Mouche", intelligible, pleasurable, and unpredictable — a challenge only a non-normative textual linguistics can take up.
Passage des Panoramas (poétique et fonctions des vues panoramiques dans Les Rougon-Macquart)
Authors: Lumbroso Olivier 
Published: January 2012

"Passage des Panoramas" (Panorama Way) : Poetics and Functions of Panoramic Views in "The Rougon-Macquart".
During the 19th century, three types of panoramas as well as dioramas were widely developed as entertainment. Zola's descriptive work transfers into writing the technical characteristics of either system, which must be understood on a par with other aspects of the naturalistic method.
La « langue Françoise » dans À la recherche du temps perdu de Marcel Proust
Authors: Pierron Sylvie 
Published: January 2012

Françoise's French Tongue in Proust's "Remenbrance of Things Past".
Proust recreates in Françoise' s speech the myth of the genius of the French language, a high point of 19th century apprehensions of language: clarity, purity, a combination of Medieval sources and Classical achievement, rural origins, and final corruption. Thus can one speak of "la langue Françoise" as both Françoise's and "la langue françoise" of myth.
La répétition dans L'Espoir, lieu de passage du sens
Authors: Loehr Joël 
Published: January 2012

Repetition in Man 's Hope: A Signifying Process.
Repetition would seem to undermine the linear progress of a narration. In point of fact and somewhat paradoxically, in Malraux' s work it rums out to be the device par excellence for both the progression of the story, its passage from one stage to another, and the passage of its meaning or direction to the reader. Thus it appears as both a means and an outcome.
« Dans la lumière même de l'Apocalypse » : Science et poésie dans Les Chants de Maldoror
Authors: Perez Claude-Pierre 
Published: January 2012

"In the Very Light of the Apocalypse": Science and Poetry in "The Songs of Maldoror".
Lautréamont uses scientific language in three ways: substituting scientific words for others, using qualifiers, and comparisons. All treat science on an ironic par with other modes of discourse; but also, are an analysis — scientific — of human nature as cause of science.
Baudelaire et ses sœurs
Authors: Gasarian Gérard 
Published: January 2012

Baudelaire and His Sisters.
Baudelaire's treatment of Sand resembles his treatment of Mme Sabatier: mutual dissatisfaction and desire expressed through one ambivalent figure. Sand's writing inspires pity, an object of horror, so this pity she inspires is also his horror. His sharpness, aimed ultimately at himself, can reach him only through Sand, a sister.
Équipée de Victor Segalen, postulat et corollaires
Authors: Labatut Sophie 
Published: January 2012

Victor Segalen's "Équipée", Postulate and Corollaries.
Segalen's travel writing puts in parallel the expedition and the literary venture, which questions the relationship between art and life. The book constructs itself and its meta-discourse, an "art poétique'" which reshapes enunciation in a refusal of the omniscient narrator, consistent with all Segalen's practice.
Sémiotiques d'avant, sémiotiques d'après : à propos de La parole littéraire de Jacques Geninasca
Authors: Quéré Henri 
Published: January 2012

Jacques Geninasca's "La parole littéraire".
The work of a third generation semiotician, Geninasca's approach "makes the text make sense", a project mid-way between Greimas' subjectifying of objectivity and Coquet' s objectifying of subjectivity; his articles concentrate on the manner in which "literary speech" constructs the terms of belief in its existence.
Les huîtres gay de Monsieur Marcel
Authors: Schuerewegen Franc 
Published: January 2012

Monsieur Marcel's Gay Oysters.
Oysters, jellyfish, asparagus, cross three narrative progressive series — food, visual arts, sex. Homosexuality appears an improvement in the narrator's development — if, unlike his learning to eat oysters and admire jellyfish, his acting out is never staged. Rather like his becoming a writer. . .
Serviteur de deux maîtres
Authors: Clément Bruno 
Published: January 2012

Servant to Two Masters (Samuel Beckett's Bilingual Poetics)
Beckett's work-not so much its author-is bilingual: whatever its language, it feels written in it. The choice of such a strategy, grown more conscious over time, was set by reflections upon the misuse of language and languages which go beyond the normal literary sensitivity to the relationship between languages and literature: a choice of the best tactic for divergence.
Le tragique dans le cycle Nedjma de Kated Yacine
Authors: Boukhelouf Sabiha 
Published: January 2012

The Tragic in Kateb Yacine's Nedjma Cycle.
Tragic heroes in Kateb Yacine's work live a double passion: desire for Nedjma, woman and figure of the nation, desire for revenge from the colonists. If the characters exist socially and historically, nonetheless they have no control over their destinies: fatality defines these, while death and life become interchangeable for them within the revolutionary logic.
Les fragments stagirites
Authors: Costantini Michel 
Published: January 2012

The Stagirite Fragments
This fictive and abundantly annotated "translation" is a reconstruction from notes from a close reading of — mainly — the first four chapters of Aristotle's "Poetics" in the 1980 edition by Roselyne Dupont-Roc and Jean Lallot (Seuil, Paris). It purposes to demonstrate Aristotle's "modernity" — in particular his semiotic modernity.
Aristote contre Descartes : Ernesto Grassi et la tradition humaniste
Authors: Graziani Françoise 
Published: January 2012

Aristotle vs Descartes: Ernesto Grassi and the Humanist Tradition
The mannerist treaties which furnish the German language philosopher Ernesto Grassi with his matter in "La mania ingegnosa" owe a great deal to Aristotle as defender of poetry and ingenious artistry. This reveals aspects of the mannerists, of Renaissance readings of Aristotle, and of Aristotle himself, usually forgotten within a French critical tradition dominated by Cartesianism.
Aristote, Cicéron et la Genèse: une lecture emblématique de la quinta natura au XVIe siècle
Authors: Rolet Anne 
Published: January 2012

Aristotle, Cicero and Genesis: an Emblematic Reading of the "Quinta Natura" in the XVIth Century
Achille Bocchi is the author of the 1555 "Symbolicae Quaestiones" in the emblematic manner; his Symbolon 140, whose iconography and Cicero-derived text are characteristically complex, is an excellent document concerning Renaissance readings of Aristotle and their role in a philological dispute pertaining to the origins of the world.
Écriture, signes et sens dans La Chartreuse de Parme, ou le désenchantement du monde en 1839
Authors: Laforgue Pierre 
Published: January 2012

Writing, Signs and Meaning in "The Charterhouse of Parma", or, The Disenchantment of the World in 1839
The socio-critique of this novel is justified by its scope — but especially by the fact that it is concerned with history, politics, and society in the very depths of its poetics, as an analysis of the relationships it establishes between writing, signs and meanings shows.
La fiction, ou l'image de personne
Authors: Perret Catherine 
Published: January 2012

Fiction, or Nobody's Image
Fictions can be analysed using three propositions: their efficacy in the political, legal and psychic spheres, their relationship to images as approached by Wittgenstein (the little boy's blond hair), Kafka (the snake), and Kleist (the puppet), and a philological reading of Aristotle's description of mimesis.
Une reconstruction du champ littéraire. Faire œuvre « du désordre du siècle »
Authors: Cohen Margaret 
Published: January 2012

Reconstruction of a Literary Field. Forging Works Out of "the World's Disorder"
Did Balzac and Stendhal invent realism as isolated responses to their century's disorder, or were they, in so doing, responding to other novels and novelists within the literary field of their time, a field obscured by the subsequent triumph of realism?
Sartre, « miroir critique » de Maupassant dans La Nausée : des « imaginations naturalistes » au fantastique en « trompe-l'œil »
Authors: Thumerel Fabrice 
Published: January 2012

Sartre, "Critical Mirror" of Maupassant in Nausea
The literary histories writers implicitly build in their fictions are particularly interesting in what they tell us about the way in which literary fields can or do shift. Sartre's relationship to Maupassant is such an example: that of an author coming of age in the late 1930s, through the 19th century.
L'édition des textes du passé : enjeu théorique et marché editorial en l'an 2000
Authors: Vaillant Alain 
Published: January 2012

Editing Historical Texts: Theoretical Issues and Editorial Market
Editing historical texts is now relaying school in transmitting a form of literary history ; but the lack of the contexts of these works, and the lack of a scientific knowledge of literary history, leads overall 1) more subtly than school, to the production of value without justification, and 2) to no new literary history.
Coup d'État et opérette-bouffe
Authors: Hasumi Shiguéhiko 
Published: January 2012

Coups and Opera-Bouffe
In 1 85 1 , the self-named comte de Morny, illegitimate half-brother of Napoleon Buonaparte, signed the decree which led to Empire; in 1861, he co- signed an opera-bouffe which mirrors issues crucial to his former act.
Recherches sur la « posture » : Rousseau
Authors: Meizoz Jérôme 
Published: January 2012

Studies on "Posture": Rousseau
Alain Viala's concept of "posture" (1993), which designates the subjective way in which a writer occupies a specific position in the literary field, is useful in studying Rousseau's autobiographical urge, as it portrays, in an inaugural move, a writer of modest origins who insists on preserving these origins, by vindicating them with pride, maintaining his financial independence, and high-lighting a nationality at odds with that of his majority public.
Entre bruit et silence : Yves Bonnefoy, Maître de Chapelle ? (esquisses acroamatiques)
Authors: Quillier Patrick 
Published: January 2012

Between Noise and Silence: Yves Bonnefoy Kappelmeister? ' (Acroamatic Sketches)
Bonnefoy's work presents many "acousmates", or sounds for which no objective cause can be found, of different order: philosophical echoes, but also inchoate sounds from the body. Attention to the latter allows a reader's ear to detect a poet in the various tasks of the Kappelmeister, working to disengage words from excess networks of meaning.
De l'empêchement lyrique de la nouvelle : nouvelle et livret d'opéra
Authors: Ozwald Thierry 
Published: January 2012

Of the Lyrical Hitch to the Novella: Short Stories and Opera Librettos
A number of opera librettos are adapted from short stories, or from failed novels, that is novels which do not attain polyphony and stay at the level of the novella, whose essence is the confrontation of mimetic doubles. For opera -but not librettos - transcends the material of the novella, much as does a good novel (but differently).
Vie imaginaire et poétique du roman au XIXe siècle : la Notice biographique de Louis Lambert
Authors: Gefen Alexandre 
Published: January 2012

"Louis Lambert's Biographical Note": Genesis of the Genre of the Imaginary Life and Poetics of the Novel in the 19th Century
In the 19th century, biography lost much of its rhetorical uses to the historical approach; and in France, it subsumed the individual under the collective. "Louis Lambert", as its initial title shows, respects the new norm of biography, while tending towards myth; yet it defends the individual and is as such literary.
Une année amoureuse de Virginia Woolf, ou la Fiction biographique multipliée
Authors: Dion Robert 
Published: January 2012

"Une année amoureuse" de Virginia Woolf, or Biographical Fiction Multiplied
Christine Duhon's novel, which is a work of fiction based on the verifiable and reliably used biography of an author of fiction, serves to test a hypothesis concerning the high degree to which biographical fiction in general, as opposed to fictional biography, constitutes a critical discourse interested in the nature of creative fiction.