bluuebunny/crossref_metadata_2025_split huggingface dataset:
Nghiên cứu chế tạo màng polyme phân hủy sinh học trên cơ sở PBAT và tinh bột sắn
Authors: An Nguyễn Quý , Đức Vũ Minh , Duyên Vũ Thị 
Published: May 2024

Tinh bột nhiệt dẻo được chế tạo từ tinh bột sắn, chất hóa dẻo glycerol và chất biến tính axit tartaric bằng máy đùn hai trục vít. Phân tích phổ hồng ngoại biến đổi Fourier (FTIR) đã chứng minh được sự hình thành của liên kết ester trong quá trình biến tính tinh bột thông qua những pic hấp thụ tại những bước sóng đặc trưng của liên kết đôi C=O và liên kết đơn C-O. Màng polyme phân hủy sinh học đã được chế tạo bằng phương pháp thổi màng từ tinh bột nhiệt dẻo (TPS) và polybutylene adipate terephthalate (PBAT). Kết quả ảnh hiển vi điện tử quét (SEM) cho thấy khi sử dụng nhiệt dẻo biến tính (MTPS) vật liệu blend cho cấu trúc đồng nhất hơn. Ngoài ra, nghiên cứu cũng đã lựa chọn được hàm lượng tối ưu của chất biến tính axit tartaric, tốc độ trục vít cũng như hàm lượng bột talc sử dụng trong blend khi xác định tính chất kéo và chỉ số chảy (MFI) của vật liệu.
ON THE ISSUE OF DECORATION WITH SCULPTURE AND PAINTING OF ST. ISAAC’S CATHEDRAL (ON THE EXAMPLE OF THE DOME PYLON OF THE GREAT DOME)
Authors: Толмачева Н.Ю. 
Published: May 2024

Исследование посвящено уникальной работе, которая велась в 1844 г. при проектировании декоративного оформления интерьера Исаакиевского собора по настоянию О. Р. Монферрана. Были выполнены модели пилона и прилегающего к нему свода бокового нефа в натуральную величину. На этапе их создания все работы переделывались для достижения лучшей формы и соразмерности частей, пока не были одобрены Николаем I. Они находились в соборе, являясь образцами при создании уникального ансамбля мраморной и каменной облицовки, скульптурной пластики, живописи и архитектуры. В статье проанализирован процесс декорирования как блестящий пример синтеза искусства. Приведены фамилии мастеров и виды работ, позволившие довести до совершенства внутреннее убранство собора.
The study is devoted to the unique work that was carried out in 1844 in the design of the interior decoration of St. Isaac’s Cathedral at the insistence of O. R. Montferrand. Life-size models of the pylon and the adjacent arches of the side nave were made. At the stage of their creation, all the works were redone to achieve a better shape and proportionality of the parts, until they were approved by Nicholas I. They were located in the cathedral, being examples in the creation of a unique ensemble of marble and stone cladding, sculptural plastics, painting and architecture. The article analyzes the decorating process as a brilliant example of the synthesis of art. The masters and types of work that made it possible to perfect the interior of the cathedral are given.
ALEXEY MUKUSHEV — UNTAMED TALENT
Authors: Александрова Я.А. 
Published: May 2024

Автор исследует эволюцию творчества А. К. Мукушева — одного из представителей Санкт- Петербургской школы станковой эмали — в период с 1991 по 2023 год, выделяя период первого знакомства с эмалью (1985–1991 гг.), ранний период творчества (1991–1996 гг.), Венгерский период (1996–2000-е гг.), поздний период (с 2010 г. по настоящее время) с целью выявления истоков формирования индивидуального стиля, технико- технологических и стилистических особенностей художественного языка.
The author explores the evolution of the work of Aleksey Mukushev, one of the representatives of St. Petersburg school of easel enamel, in the period from 1991 to 2023, highlighting: the period of first acquaintance with enamel (1985–1991), the early period of creativity (1991–1996), the Hungarian period (1996–2000s), the late period (from 2010 to the present) in order to identify the origins of the formation of an individual style, technical, technological and stylistic features of the artistic language.
«PICTURESQUE HAIKU» BY ELENA BRANOVITSKAYA
Authors: Гринина Е.Н. 
Published: May 2024

Японская поэзия и живопись всегда привлекали российских литераторов и художников. Национальная форма стихосложения хайку и в наши дни находит не просто отклик в душах, а становится для некоторых из них формой самореализации. Одним из таких примеров является творчество петербургской художницы Елены Брановицкой. Обращаясь в своей художественной и педагогической практике к технике энергетической живописи, она развивает собственное творческое направление, выражающееся в соединении живописи и слова
Japanese poetry and painting have always attracted Russian writers and artists. Even today, the national form of haiku poetry not only finds a response in souls, but for some of them it becomes a form of self-realization. One such example is the work of St. Petersburg artist Elena Branovitskaya. Turning to the technique of energy painting in her artistic and pedagogical practice, she develops her own creative direction, expressed in the combination of painting and words.
MODERN MEMORIAL SCULPTURE AT THE MUSLIM NECROPOLIS OF KENSAI: FORMAL-STYLISTIC AND ICONOGRAPHIC ANALYSIS
Authors: Афонин Г.А. 
Published: May 2024

Задачи систематизации и популяризации культурного наследия актуализируют изучение исторических некрополей — мест сосредоточения памятников мемориальной скульптуры и архитектуры. Анализ надгробий на мусульманском некрополе Кенсай в Алма- Ате подтверждает существование самобытной культуры мемориальной пластики, в которой жанр светского портретного памятника сосуществует с традиционными формами, сохранение и адаптация которых в современных условиях является актуальной проблемой. Процессы урбанизации, социокультурного упадка и стагнации в системе государственного заказа и приема памятников отражаются на исторических некрополях, что приводит к утрате целостности, гармоничности и своеобразия скульптурно- пространственной среды и эстетических свой ств наиболее ценных надгробий.
The tasks of cultural heritage systematization and popularization actualize the study of historical necropolises — places of concentration of memorial sculpture and architecture. An analysis of tombstones at the Kensai muslim necropolis in Almaty confirms the existence of a distinctive culture of memorial sculpture, in which the genre of secular portrait monument coexists with traditional forms, the preservation and adaptation of which in modern conditions is an important problem. Processes of urbanization, socio-cultural decline and stagnation in the system of state ordering and acceptance of monuments are also reflected in historical necropolises, which leads to the loss of integrity, harmony and originality of the sculptural- spatial environment and the aesthetic properties of the most valuable tombstones.
NEORELISM IN THE ART OF CHINA (BASED ON THE EXAMPLE OF THE WORK OF XIN DUNG-WANG, LUO ZHONGLI AND CHEN DANQING)
Authors: Чжао Ш. , Жалсанова Б.М. 
Published: May 2024

Неореалистическое направление в китайской масляной живописи прочно закрепилось в истории современного искусства. Творчество представителей неореалистического течения Синь Дунвана1, Луо Чжунли2 и Чен Данцина3 не сводимо к единому стилю, но отличается своеобразием индивидуального почерка, который синтезировал в себе наследие социалистического канона Советского Союза и традиционной живописи Китая. Картины живописцев раскрывают острые социальные проблемы сельских жителей Китая.
The neorealist movement in Chinese oil painting is fi rmly entrenched in the history of modern art. The work of representatives of the neorealist movement Xin Dongwang, Luo Zhongli and Chen Danqing is not reducible to a single style, but is distinguished by the originality of individual style, which synthesized the heritage of the socialist canon of the Soviet Union and traditional painting of China. The paintings of the painters reveal the acute social problems of rural residents of China.
RUSSIAN PRINTED COTTON OF THE SECOND HALF OF THE XIX — EARLY XX CENTURIES IN THE EASTERN MARKETS
Authors: Иванова М.В. , Цветкова Н.Н. 
Published: May 2024

Традиция использования восточных мотивов характерна для русского текстиля. В период эклектики и историзма наступил новый этап ее развития, который проявился в печатных ситцах XIX — начала XX в., спроектированных специально для рынков восточных окраин Российской империи, Афганистана, Китая, Пакистана и северных провинций Ирана. В статье выявлены основные типы рисунков, описана история их создания и рассмотрены особенности бытования тканей на примере предметов из Центральной Азии.
The tradition of using oriental motifs is typical for the Russian textiles. A new stage of its development has come during the period of eclecticism and historicism. The article is devoted to cloth of the XIX — early XX centuries which was produced specifically for the markets of the eastern peripheries of the Russian Empire, Afghanistan, China, Pakistan and the northern provinces of Iran. The article identifies the main types of fabric drawings, the history of their creation and describes examples of its application in objects from Central Asia.
ARTISTIC AND STYLISTIC FEATURES OF SUBJECT TEXTILE DRAWINGS IN DOMESTIC PRINTED FABRICS OF THE 1920s — 1930s
Authors: Игнатькова А.Д. , Мутья Н.Н. 
Published: May 2024

Анализ специфики сюжетных рисунков отечественных набивных тканей 1920–1930-х гг. позволяет выделить художественно- стилистические особенности и выявить тематику композиций, варианты колористических решений и приемы композиционного построения. Поиск новых художественных решений на основе творческих идей текстильных художников 1920–1930-х гг. находит свое отражение в практике современных дизайнеров и студентов текстильных вузов, являясь актуальной частью учебных программ и конкурсных заданий.
Analysis of the specifi cs of plot designs of domestic printed fabrics of the 1920s — 1930s allows you to highlight artistic and stylistic features and identify the themes of compositions, options for coloristic solutions and methods of compositional construction. Search for new artistic solutions based on the creative ideas of textile artists of the 1920s — 1930s is refl ected in the practice of modern designers and students of textile universities, being a relevant part of educational programs and competitive assignments.
ARCHITECTURE OF VYBORG AS A PANORAMA OF THE STYLISTIC EVOLUTION OF THE EARLY XX CENTURY
Authors: Коптев А.С. , Кузнецова М.М. 
Published: May 2024

В истории архитектуры города Выборга существует относительно малоисследованный в русскоязычной научной литературе период нордического классицизма 1910–1930-х гг. Этот стиль, развиваясь и трансформируясь, сочетал в себе образную систему неоклассической архитектуры с влиянием ранних проявлений модернизма и стал своего рода переходным этапом, повлиявшим на дальнейшее развитие архитектуры функционализма в странах Скандинавии, а также на скандинавский дизайн.
In the history of architecture of Vyborg, there is a relatively little studied in the Russian scientific literature period of Nordic classicism of the 1910s-1930s. This style, developing and transforming, combined the fi gurative system of neoclassical architecture with the infl uence of early manifestations of modernism and became a kind of transitional stage that infl uenced the further development of functionalist architecture in the Scandinavian countries, as well as Scandinavian design.
THE PROBLEM OF ART MORPHOGENESIS IN THE EARLY WORKS BY GUSTAV KLUTSIS — PIONEER OF SOVIET PHOTOMONTAGE
Authors: Островская М.В. , Карпов А.В. 
Published: May 2024

В результате исследования прослежена эволюция творческого метода художника Густава Клуциса (1895–1938 гг.) в контексте развития искусства русского авангарда 1910– 1920-х гг., дано обоснование техники фотомонтажа как инновационной художественной практики. Дана оценка значимости творческих новаций Г. Клуциса для развития отечественного искусства ХХ в. Творческий метод Г. Клуциса сопоставлен с художественной практикой его современников К. Малевича, Э. Лисицкого, А. Родченко.
The evolution of the creative method of the artist Gustav Klutsis (1895–1938) was traced in the context of the development of Russian avant- garde art in the 1910s-1920s. Tthe justification for the technique of photomontage as an innovative artistic practice was given. The significance of G. Klutsis’s creative innovations for the development of Russian art of the twentieth century is assessed. The creative method of G. Klutsis is compared with the artistic practice of his contemporaries K. Malevich, E. Lisitsky, A. Rodchenko.
TEXT LIKE ART-ELEMENT IN CONTEMPORARY ART WORK’S: E. RUSCHA AND E. BULATOV (COMPARATIVE ASPECT)
Authors: Пантелеев А.Ю. , Бахтияров Р.А. 
Published: May 2024

На примере творчества Эрика Булатова и Эда Рушея рассматривается проблема восприятия текста как элемента образного решения в живописных произведениях американского и советского искусства второй половины XX в. Цель статьи — определить, насколько текст и слово способны стать равноправной частью живописного произведения. Актуальность статьи обусловлена новым взглядом на текст как элемент образного решения в живописных произведениях разных художников, но в рамках одного метода.
The problem of perception of text as an element of figurative solutions in the pictorial works of American and Soviet art of the second half of the ХХ century is considered on the example of the works of Erik Bulatov and Ed Ruscha.The article studies the ability of text and words to become an equal part of a painting. The relevance of the article is due to a new look at the text as an element of figurative solutions in the paintings of diff erent artists, but within the framework of one method.
THE WORK OF YURI KHRZHANOVSKY: PAVEL FILONOV’S INFLUENCE AND THE FORMATION OF AN INDIVIDUAL STYLE
Authors: Ромашева П.Д. , Карпов А.В. 
Published: May 2024

В творчестве Юрия Хржановского (1905–1987 гг.), одного из представителей школы мастеров аналитического искусства, ярко выражено влияние Павла Филонова. В результате формально- стилистического и сравнительного анализа живописных полотен Ю. Хржановского выявлены заимствованные и оригинальные особенности индивидуального стиля художника.
The work of Yuri Khrzhanovsky (1905–1987), one of the representatives of the school of masters of analytical art, clearly shows the infl uence of Pavel Filonov. Formal- stylistic and comparative analysis of Yu. Khrzhanovsky’s paintings reveals borrowed and original features of the artist’s individual style.
Association of α-SMA and EpCAM Expressions with Recurrence Risk Based on Histopathological Subtypes of Basal Cell Carcinoma
Authors: Yona Fajriza , Hilbertina Noza , Mulyani Henny , Bachtiar Hafni 
Published: May 2024

Background
Basal cell carcinoma (BCC) is the most common skin malignancy in the world with a proportion 70%. Recurrent and aggressive variants are still challenging in diagnosis and treatment. Histopathologically, there are two group of BCC risk of recurrence, i.e low risk and high risk. Assessment the expression of alpha-smooth muscle actin (α-SMA) as a biomarker of cancer associated fibroblast cell in stroma and the expression of epithelial cell adhesion molecule (EpCAM) in tumor cells probably have role in the pathomechanism of BCC progression, suggest its can distinguish the risk of BCC recurrence. This research aims to determine the assosiation between the expression of α-SMA and EpCAM with the recurrence risk group of BCC histopathological subtypes.

Methods
This was a cross sectional study using 48 samples, with 24 low and high risk groups each. Histopathological subtypes were determined from Hematoxylin and eosin slide. The expression of α-SMA and EpCAM was examined by the immunohistochemical method which was assessed semiquantitatively. Statistical analysis was performed using the Chi-square test with p<0.05 was considered significant.

Results
Expression of α-SMA with the score 3 was found more in high risk BCC (85.7%), while a score of 1 was more in low risk BCC (100%). Loss of EpCAM expression was mainly found in high risk BCC (82.8%). Statistical analysis showed that there was a significant assosiation between the expression of α-SMA and EpCAM and the recurrence risk group of BCC histopathological subtypes with p value =0.000 for each.

Conclusions
This study concluded that increased of α-SMA expression and loss of EpCAM expression were associated with a high recurrence risk group of BCC histopathological subtypes.
ANALISIS MANAJEMEN BISNIS SYARIAH KUALITAS PELAYANAN DAN KINERJA KARYAWAN TERHADAP KEPUASAAN KONSUMEN PT. OOCL (ORIENT OVERSEAS CONTAINER LINE) INDONESIA PADA MASA PANDEMI COVID-19
Authors: Sutriansyah Mohamad , Trihantana Rully , Suryani Ermi 
Published: May 2024

Sejalan dengan perbaikan kualitas pelayanan dan kinerja karyawan sehingga perusahaan menghasilkan keuntungan, kelangsungan hidup perusahaan memerlukan penilaian terhadap kualitas pelayanan dan kinerja karyawan perusahaan tersebut agar menghasilkan kepuasan konsumen meskipun pada masa Pandemi Covid-19. Penelitian ini bertujuan untuk mengetahui dan menganalisis penilaian konsumen terhadap Kualitas Pelayanan dan Kinerja Karyawan pada PT. OOCL Indonesia, dan pengaruhnya terhadap Kepuasan Konsumen pada PT. OOCL Indonesia. Hasil penelitian ini menunjukkan bahwa terdapat pengaruh positif dan signifikan secara parsial antara kualitas pelayanan terhadap kepuasan konsumen dengan memiliki nilai signifikan sebesar 0.000<0.05 dan thitung dibandingkan ttabel sebesar 2.777 > 0.278. Selain itu terdapat pengaruh positif dan signifikan secara parsial antara kinerja karyawan terhadap kepuasan konsumen dengan memiliki nilai signifikan sebesar 0.000 <0.05 dan thitung dibandingkan ttabel sebesar 9.547>0.278. Kemudian terdapat pengaruh positif dan signifikan secara simultan antara kualitas pelayanan dan kinerja karyawan terhadap kepuasan konsumen dengan nilai probabilitas (sig) sebesar 0,000, dan nilai sig < 0,05 (0,000 < 0,05). Fhitung dibandingkan Ftabel sebesar 101,815> 0.278. Analisis manajemen bisnis syariah yang pada dasarnya memosisikan perencanaan, pengelolaan, pelaksanaan, dan pengawasan sesuai dengan syariah Islam, dapat terimplementasikan pada kualitas pelayanan dan kinerja karyawan PT OOCL Indonesia. Hal tersebut terindikasikan juga pada penilaian konsumen terhadap kualitas pelayanan dan kinerja karyawan yang menghasilkan pengaruh positif terhadap kepuasan konsumen PT OOCL Indonesia.
An Economic Analysis of Marketing Efficiency of Maize in Tamil Nadu, India
Authors: N Venkatesa Palanichamy , M Kalpana , L. M Janani. , S Aruna Prabha 
Published: May 2024

Maize plays a significant role in the agricultural economy. Since, growers of maize have numerous marketing-related issues. The present study is made with an objective to identify the major maize marketing channels and analyze its cost incurred, price spread and efficiency. A well-structured interview schedule was used to collect primary data. Price spread analysis and marketing efficiency of maize marketing channels is estimated using Acharya and Shepard approach. The lowest marketing spread were observed in Channel III which was about 13.56 percent (Rs. 200 per quintal) of the consumer price, due to less intervention of intermediaries. Therefore, Channel III is the most efficient one among the identified marketing channels. Besides, Channel III has the highest marketing efficiency and the farmers should choose their marketing channel with the less number of intermediaries where it helps them attain better income.
Rescuing the profession we love: general practice training sector recommendations for improving the attractiveness of general practice training. A qualitative analysis
Authors: Sturman Nancy , Tran Michael , Vasiliadis Sophie 
Published: May 2024

AbstractObjectivesTo investigate the views of the general practice training sector about responding to recruitment challenges, with the aim of identifying effective initiatives and other solutions.Study designQualitative study; focus group discussion of recommendations from a medical educator workshop.Setting, participantsAn initial online appreciative enquiry workshop for medical educators followed by focus group discussions by a broader selection of people involved in general practitioner training (Royal Australian College of General Practitioners fellows, supervisors, practice managers, medical educators, registrars).Main outcome measuresKey overarching themes and major recommendations for increasing recruitment derived from focus group responses to workshop recommendations, based on qualitative descriptive analysis.ResultsThe 26 medical educators at the workshop made four major recommendations: increase the number of student and junior doctor clinical placements in general practice; increase exposure of students and junior doctors to general practitioner teachers and educators; improve general practitioner trainee pay and entitlements; and improve the integration of general practice and hospital patient care and professional relationships. Thirty‐four semi‐structured focus group participants broadly supported the recommendations, provided that supervisors and training practices were adequately compensated for the effects on workloads, income, and patient care. Two overarching themes infused participant responses: “rescuing the profession we love” (reflecting participants’ passion for general practice and their sense of threat), and “no idea what general practitioners do” (perceptions of being misunderstood and misrepresented by hospital‐based practitioners).ConclusionsClinicians, educators, and policy makers should work together to increase the number of high quality, adequately supported student and junior doctor placements in general practice, improve intra‐professional relationships, and trial new models of general practitioner trainee payment and conditions.
ประสิทธิภาพของการบริหารจัดการภาครัฐด้วยเทคโนโลยีดิจิทัล: กรณีศึกษาระบบขอรับการส่งเสริมศิลปะร่วมสมัยของกองทุนส่งเสริมศิลปะร่วมสมัย
Authors:   , จารุภาวัฒน์ จิรัชยา 
Published: May 2024

งานวิจัยนี้มีวัตถุประสงค์เพื่อศึกษาถึงความคิดเห็นของผู้บริหาร ผู้ปฏิบัติงาน และผู้ขอรับการส่งเสริมผ่านระบบขอรับการส่งเสริมศิลปะร่วมสมัย เกี่ยวกับการเปิดใช้ระบบขอรับการส่งเสริมศิลปะร่วมสมัย รวมถึงศึกษาถึงปัญหาและอุปสรรคในการเปิดใช้ระบบ เพื่อนำเสนอแนวทางในการพัฒนาและปรับปรุงเพื่อเพิ่มประสิทธิภาพในการบริหารงานมากยิ่งขึ้น โดยการศึกษาในครั้งนี้ เป็นการวิจัยเชิงคุณภาพ (Qualitative Research) ด้วยวิธีการสัมภาษณ์เชิงลึก (In-depth Interview) จากผู้ให้ข้อมูลสำคัญ ซึ่งประกอบด้วย คณะกรรมการบริหารกองทุนส่งเสริมศิลปะร่วมสมัย ผู้ปฏิบัติงานในกองทุนส่งเสริมศิลปะร่วมสมัย และผู้ขอรับการส่งเสริมผ่านระบบขอรับการส่งเสริมศิลปะร่วมสมัย ในปีงบประมาณ 2566

ผลการศึกษาพบว่า ผู้บริหาร ผู้ปฏิบัติงาน และผู้ขอรับการส่งเสริม มีความคิดเห็นว่าการเปิดใช้ระบบช่วยเพิ่มประสิทธิภาพในการบริหารงานในแต่ละด้านดีมากขึ้น กล่าวคือด้านคุณภาพงาน (Quality) พบว่ามีความถูกต้องแม่นยำมากยิ่งขึ้น, ด้านปริมาณงาน (Quantity) พบว่าทำให้ปริมาณงานและจำนวนผู้ปฏิบัติงานลดลง, ด้านเวลา (Time) พบว่าช่วยลดระยะเวลาในการปฏิบัติงานลง, และด้านค่าใช้จ่าย (Costs) พบว่าถึงแม้มีต้นทุนดังกล่าวเพิ่มขึ้นจากการพัฒนาระบบ แต่ถือว่าเป็นการลงทุนที่คุ้มค่าและจำเป็น เนื่องจากเป็นการอำนวยความสะดวกให้แก่ผู้ขอรับการส่งเสริม และช่วยเพิ่มประสิทธิภาพของการปฏิบัติงานในระยะยาว อย่างไรก็ตามข้อค้นพบเกี่ยวกับประเด็นปัญหาและอุปสรรค ผู้วิจัยพบว่าผู้บริหาร ผู้ปฏิบัติงาน และผู้ขอรับการส่งเสริม มีมุมมองแตกต่างกัน กล่าวคือผู้บริหารมองว่าปัญหาและอุปสรรคเกิดจากการที่หน่วยงานอยู่ในระหว่างการจัดทำนโยบายส่วนบุคคล ซึ่งทำให้ฟังก์ชั่นของระบบบางส่วนไม่สามารถใช้งานได้ ในขณะที่ผู้ปฏิบัติงานมองว่าปัญหาและอุปสรรคส่วนใหญ่เกิดขึ้นระหว่างการเปิดใช้ระบบและหลังจากการปิดระบบไปแล้ว รวมถึงผู้ขอรับการส่งเสริมซึ่งพบว่ามีปัญหาและอุปสรรคระหว่างการเปิดใช้ระบบเช่นกัน ในการนี้งานวิจัยดังกล่าวสรุปแนวทางการพัฒนาและปรับปรุงระบบจำนวน 3 ประเด็น ได้แก่ 1) การพัฒนาและปรับปรุงระบบขอรับการส่งเสริมศิลปะร่วมสมัย 2) การพัฒนาและปรับปรุงขั้นตอนการดำเนินงาน และ 3) การพัฒนาบุคลากรของกองทุนส่งเสริมศิลปะร่วมสมัย