bluuebunny/crossref_metadata_2025_split huggingface dataset:
Interpersonal Psychotherapy With Sexual and Gender Minority Individuals
Authors: Kidd Jeremy D. , Kaczmarkiewicz Roma , Langer S. J. , Koljack Claire , Hughes Tonda L. 
Published: June 2024

Abstract
This chapter explains sexual minority (SM) (which includes lesbian, gay, bisexual, queer, or any otherwise nonheterosexual) people and gender minority (GM) (which refers to transgender, nonbinary, and gender-diverse) people whose gender identity differs from the sex they were assigned at birth. It provides a brief overview of the epidemiology of mental illness among SGM (sexual and gender minority) populations. It also discusses minority stress, a major contributor to SGM health disparities that is often interpersonally mediated. The chapter proposes strategies for delivering interpersonal psychotherapy (IPT) to SGM clients. It reviews studies that provide insight into how IPT might be applied more broadly with SM individuals.
Interpersonal Psychotherapy in Prisons and Jails for Major Depression
Authors: Johnson Jennifer E. 
Published: June 2024

Abstract
This chapter looks at major depressive disorder (MDD), which increases the risk of victimization, prison recidivism, and substance use relapse. It describes individuals with MDD who are incarcerated and often have severe, treatment-resistant depression and multiple comorbidities. It also emphasizes that resources for health and behavioral health services in correctional settings tend to be sparse as correctional systems have a primary goal of public safety rather than public health. The chapter reviews the goals in adapting, testing, and implementing interpersonal psychotherapy (IPT) in prisons, which was to find an inexpensive way to provide a community standard dose of psychosocial MDD treatment. It explains that IPT problem areas are a good fit for individuals who are incarcerated because life stressors, relationship challenges, and social isolation are common and salient in this population.
Introduction
Authors: Benadon Fernando 
Published: June 2024

Abstract
The Introduction confronts the long-standing binary that separates rhythms into the categories of either metered or unmetered—or in-between deformations. A paradigm is introduced that contemplates all rhythms as equally intentional and well-founded regardless of whether or not they are metrically proportioned. The book’s application of the term “swing” is clarified as relating to quantifiable durational relationships rather than cultural or visceral factors. Also clarified is the meaning behind the “lines” in the book title: they are the melodies—pitched and unpitched—in the analyzed examples, the orienting coordinates in the timing graphs and geometric spaces, and the spectrographic peaks and valleys of the audio wherein rhythmic information resides.
My Neighbor the Triplet
Authors: Benadon Fernando 
Published: June 2024

Abstract
Extending the earlier chapters’ discussions on durational similarity between swing values and traditional tuplets, this chapter considers how triplets and other familiar note values can act as a go-between linking metered time and notationally intractable phrasing. The chapter begins with a look at various tuplets from Clara Schumann’s Romanze, comparing them to “neighbor” duple and triple speeds. The subsequent examples, drawn from improvised solos featuring polymetric groupings, demonstrate a range of phrasing speeds that may be located on a tuplet graph. The triplet’s durational similarity to values introduced in Chapter 1—especially those in three-onset SLS and two-onset dot LS—is the basis of the chapter’s closing etude.
Illustrating the World
Authors: Nadler Steven 
Published: June 2024

Abstract
In 1664, Claude Clerselier, Descartes’s friend and literary executor, brought out the first original-language edition of Descartes’s Traité de l’homme, part of the larger study Le Monde. He engaged La Forge and the Dutchman Gerard van Gutschoven to compose illustrations for the work. This chapter examines the role such illustrations were intended to play in the treatise on physiology, and offers a comparative study of the illustrations provided by La Forge and Van Gutschoven (along with those by Florent Schuyl, who produced a Latin edition of the work in 1662).
Mind and Motion
Authors: Nadler Steven 
Published: June 2024

Abstract
This chapter turns to the question of La Forge’s occasionalism when it comes to relations between the human mind and the human body, both body&gt;mind and mind&gt;body. The conclusion defended is that La Forge is not an occasionalist in the body&gt;mind case, since the mind has a true causal power to generate its own sensory ideas on the occasion of bodily motions; but that he is—or at least must be—an occasionalist when it comes to the mind&gt;body case, since his arguments for body–body occasionalism make it impossible for the human mind to move or even affect the motions of the body.
Gaining Ground
Authors: Blackwill Robert D. , Fontaine Richard 
Published: June 2024

Abstract
This chapter provides an overview of the Pivot during the Biden administration. During his campaign and initial months in office, Biden stressed his reversal from Trump’s inward-facing, America-first approach to foreign policy. His administration worked closely with allies and partners to manage the challenges posed by China. Despite some departures from its predecessor, however, Biden’s team continued the Trump administration’s focus on competition and labeled China as America’s top strategic priority, even amid large-scale war in Europe and renewed conflict in the Middle East. Despite not explicitly embracing the “pivot” rhetoric, the administration turned the Pivot’s previous fits and starts into a concrete, sustained effort—though one beset by significant omissions.
Negotiating Operatic Culture in Rome 1677–82
Authors: Stein Louise K. 
Published: June 2024

Abstract
Carpio traveled to Rome as Spanish ambassador to the Holy See. During carnival 1677 he experienced his first Italian opera in Venice. In Rome he associated closely with the circle of opera’s aristocratic producers during years in which opera production was highly contingent. This chapter explains the content, politics, and music of Carpio’s Rome productions; how they navigated contrasting Roman and Spanish performance conventions; and how music designed for female actress-singers in Madrid might have been brought to Roman audiences on the temporary theater set up in Carpio’s all-male Spanish embassy. His lavish outdoor serenata in Piazza di Spagna and three Spanish plays with music in the Spanish embassy (which he opened to the public) enhanced his personal reputation. The comedias projected positive views of feminine agency and intelligence. Arguing in support of feminine ingenuity, they projected a kind of early modern feminism. Though a Spaniard familiar with an entirely different musical context, Carpio became a patron of rising stars Arcangelo Corelli and Alessandro Scarlatti as well as excellent castrato singers. This chapter identifies the music that these Italian musicians provided to serve Carpio’s pro-Spanish agenda, and it explains how his activity as patron and producer enhanced his prestige, self-projection, and positive reputation for gallantry.
Naples, Opera, and Spanish Viceroys to 1683
Authors: Stein Louise K. 
Published: June 2024

Abstract
This chapter explains how opera arrived and grew to importance in Naples under the Spanish viceroys prior to Carpio’s 1683 arrival. It offers a reevaluation of opera’s 1649 introduction and interrogates what can be known about opera under the viceroys to 1683, considering repertory and production history for the first thirty years of the genre’s cultivation in Naples. Only some of the Spanish viceroys involved themselves with opera. Financial investment in opera was shaky before 1683, and most of the Naples productions were Venetian operas performed by itinerant troupes. Moreover, scholars have relied on an operatic chronology for Naples based solely on printed libretti. Taking avvisi and other sources into account, this chapter offers a revised chronology with new documentation about strategies and locations of production, details of rehearsals, and the length of public runs.
An Operatic Legacy in the Americas
Authors: Stein Louise K. 
Published: June 2024

Abstract
Carpio’s dual legacy (Spanish opera and Italian opera) can be traced into the Americas. This final chapter considers the first opera productions in Lima and Mexico City, and opera’s supportive aristocratic networks during the viceregal era. Much of the chapter is dedicated to the first opera of the Americas (La púrpura de la rosa, 1701), its extant score, the pre-existent music it contains, documents about the production and the compiler of the score in Lima, the politics of its performance, and the opera’s significance for the rising criollo culture in Lima in 1701. Extant sources for the first operas produced in colonial New Spain (around 1710 and in 1728) are considered in light of musical and dramatic traditions, the circulation of libretti, colonial politics, and influential genres in the larger Hispanic world. The performance conventions, hybridity, and contemporaneity of operas produced in Lima and Mexico City during the early decades of the eighteenth century are brought into focus.
Monolingual Policies in Multilingual Schools
Authors: Jaspers Jürgen 
Published: June 2024

Abstract
This book shows that teachers at monolingual schools respond ambivalently to their linguistically diverse groups of pupils. It does so to reveal practices that often fall off the scientific radar: language-in-education research is mainly interested in describing teachers with a critical or conservative view of monolingual school policies. These teacher types are useful for advocating multilingual education policies, but they leave much ordinary, inconsistent behavior unaccounted for. The interest in critical and conservative teachers also encourages us to praise or blame teachers, while it invites incompatible explanations: critical teachers have somehow escaped a monolingual ideology that completely deceives their conservative colleagues. Based on linguistic-ethnographic research in five Dutch-medium schools in Brussels, Belgium, this book seeks to explain how teachers who severely impose monolingual policies also adhere to an egalitarian pedagogy, why teachers who criticize monolingual policies also maintain and justify them, and why teachers who recognize pupils’ primary varieties in class also prohibit these varieties on various occasions. The book suggests, moreover, that ideology can account for teachers’ habitual as well as critical activity by viewing ideologies as contradictory, so when people internalize ideologies, they adopt contrary opinions that allow them to think. The book argues that this capacity is crucial for attending to the multiple, competing, goals that classroom interaction presents, that it typically invites inconsistent, albeit rational, behavior, and that if this inconsistency is common and chronic, researchers of language-in-education need to improve their radar and develop a different kind of dialogue with teachers.
Critical dialogue, autonomy, and alternatives
Authors: Jaspers Jürgen 
Published: June 2024

Abstract
The goal of this chapter is to reflect on how researchers of language-in-education can enter into productive dialogue with teachers as well as with the wider public. It is argued that teachers’ thinking and inconsistency can, and often must, be criticized but that this criticism easily slips into an authoritarian imposition of scholarly views if the dialogue is exclusively knowledge based. A concern with teachers’ professional autonomy and their cultivation of independent, scientifically informed thinking will be presented as a necessary counterweight. In addition to this, the chapter suggests that scholars in public debate over language education policy may have to resist the incentive to sketch this debate as a strictly scientific one. It will be suggested that to maintain credibility and impact, scholars may have to expand rather than reduce the scope of options for policymakers, accept decisions they do not approve, and refrain from an overly interventionist stance.
Introduction
Authors: Batto Nathan F. , Beaulieu Emily 
Published: June 2024

Abstract
This chapter introduces legislative brawling, a paradoxical and decidedly unserious aspect of legislative politics, and suggests that it is a strategic behavior worthy of systematic study. After defining what is meant by a brawl and how it differs from other disruptive legislative events, the chapter introduces the central research question that this book addresses: Why would an individual legislator decide to brawl? The authors’ political explanation for why individuals brawl challenges existing explanations that tend to be either psychological or cultural. This explanation draws heavily on signaling theory to argue that brawlers are committing violence strategically to send signals of their type to influential audiences that will help with their careers. The chapter concludes by describing the research strategy the authors will pursue throughout the book and their primary empirical cases and offers a brief description of the chapters to follow.
The Fundamentals
Authors: Aldrich John H. , Bae Suhyen , Sanders Bailey K. 
Published: June 2024

Abstract
This chapter turns to how competing interests and concerns shape the strength of a democratic system. It begins with Madison’s consideration of what we call crosscutting versus reinforcing cleavages. The increased likelihood of many crosscutting cleavages was at the root of his argument for the new Constitution for America. Those who study democracies both here and in comparative democratic contexts have argued that the absence of crosscutting cleavages threatens the stability of democratic institutions, in ways Madison would fully understand. Might the increasing alignment of the originally diverse set of fundamentals mean that such a concern is nearing for the United States? This chapter measures and tests how close America is to having a singular, deep, and strongly reinforced cleavage from the partisan-sorted fundamentals. The change over the post-1984 era, especially the last few elections, is dramatic. Crosscutting cleavages have given way to a stronger and stronger reinforcing cleavage.
Schelling's Mystical Platonism
Authors: 9780197752890  , Fisher Naomi 
Published: June 2024

Abstract
In this book, Naomi Fisher provides a cohesive interpretation of Friedrich Wilhelm Joseph Schelling’s philosophical work from 1792 to 1802 as a mystical Platonism. According to this interpretation, Schelling is guided by two overarching commitments during this time. First, Schelling is committed to mysticism regarding the absolute. That is, the absolute is ineffable; it cannot be described in conceptual terms. For this reason, it remains inferentially external to any given philosophical system. Second, Schelling is committed to a priority monism: All things are grounded in the absolute, but finite things possess an integral unity of their own, and so have a distinct and relatively independent existence. This book shows how these two commitments cohere in a project that fulfills the distinctive aims of post-Kantian philosophy, and it traces their inspiration to Schelling’s early engagement with Plato’s dialogues and to his education, which was Neoplatonic in orientation. In presenting Schelling’s philosophy of this decade as guided by these two fundamental commitments, this book poses a challenge to those readings of Schelling’s philosophy according to which it shifts frequently in its basic commitments during this time. According to the interpretation presented in this book, Schelling’s appropriations of various strands of Platonism distinguish him from his contemporaries and give rise to his idiosyncratic approach to the projects of post-Kantian philosophy.
Schelling’s Timaeus-commentary
Authors: Fisher Naomi 
Published: June 2024

Abstract
This chapter presents Schelling’s 1794 Timaeus-commentary as melding aspects of Kant’s theoretical philosophy with the metaphysics of Plato’s Philebus. Schelling divides types of ideas according to a Kantian taxonomy, but he maintains that the divine mind is the source of these ideas. Schelling incorporates into his reading of Plato certain Kantian concerns about Platonism levied by Reinhold: Schelling reads Plato as giving empirical abstraction an important role in knowledge and as maintaining a logical or ideal kind of existence that applies both to ideas and to any supersensible object. This commentary foreshadows Schelling’s later work in two important ways. First, Schelling draws on the four principles of being from the Philebus—limit, the unlimited, mixture, and cause—to develop a system in which all things are generated through iterative limitations of an indeterminate unlimited. Second, Schelling presents the highest principle or cause as something which cannot be articulated conceptually.
Talking Remittances
Authors: Arnold Lynnette 
Published: June 2024

Abstract
Chapter 4 examines the regular communicative practices that families develop for managing remittances, tracing the gendered and generational distribution of this linguistic labor. The analysis focuses on remittance requests and responses, moments in which relatives must directly confront the sustained economic asymmetry of transnational family life. The chapter demonstrates that conversational temporalities—interactional turn-taking routines and interdiscursive genre norms—structure remittance negotiations. The communicative management of time becomes a key resource through which families navigate shifting intergenerational care needs while also grappling with the effects of gendered hierarchies and global inequities. Conversational temporalities are thus central to how transnational families sustain life together through cross-border care in the face of both political-economic and discursive forces that work to sever their ties.
Barbra
Authors: Rosenblum Joshua 
Published: June 2024

Abstract
This chapter gives an account of Maltby and Shire’s early encounters with the then-unknown Barbra Streisand, who became a champion of theirs and went on to record six of their songs in her series of hit recordings. Shire’s position as pianist in the orchestra pit for the original production of Funny Girl, in which Streisand starred, gave him the opportunity to show her his songs. The chapter includes analyses of several Maltby/Shire numbers that Streisand recorded, including “Autumn,” “Starting Here, Starting Now,” and “What About Today?” Streisand also recorded “The Morning After” (not to be confused with the hit song of the same title from the film The Poseidon Adventure), a highly worthy protest song that was recently covered by Broadway performer Liz Callaway. A discussion of Shire’s Sonata for Cocktail Piano, his only published concert piece not associated with a film or theater score, is included.
The First Thing They Give You Is Writing the Obits
Authors: Rosenblum Joshua 
Published: June 2024

Abstract
Shire works his way up at Universal Studios as a Hollywood TV and film composer, drawing the analogy that his early scoring of weekly TV series (The Virginian and McCloud) was akin to a young journalist writing file obituaries. He scores big successes with the movies The Taking of Pelham One Two Three—a groundbreaking fusion of twelve-tone music and contemporary jazz—and The Conversation, directed by his then-brother-in-law, Francis Ford Coppola (brother of Shire’s wife at the time, Talia Shire). Shire’s score for Norma Rae yields the Oscar-winning song “It Goes Like It Goes,” with lyrics by Norman Gimbel.
Remember That Fats Waller Idea?
Authors: Rosenblum Joshua 
Published: June 2024

Abstract
This chapter describes how Maltby conceived, created, and directed the runaway hit Ain’t Misbehavin’, a compilation of Fats Waller songs and the first revue ever to win the Tony Award for Best Musical. Maltby discusses Nell Carter’s particular genius as a performer and reveals how the lessons of Starting Here, Starting Now demonstrated that a collection of songs could be turned into a satisfying and complete show. The song “Lounging at the Waldorf,” with music by Waller and lyrics by Maltby, turns out to be one of the musical theater canon’s great quodlibets. At around the same time, Shire was hired by Francis Ford Coppola to write a score for Apocalypse Now, which Coppola discarded when he heard Shire was working on another film project, Norma Rae. The Norma Rae score yielded the song “It Goes Like It Goes,” which won the 1979 Academy Award for Best Original Song.
Baby
Authors: Rosenblum Joshua 
Published: June 2024

Abstract
This chapter gives brief analyses of several of the standout songs from Baby, including “The Ladies Singin’ Their Song,” whose series of vivid character portraits shows the influence of the Stephen Sondheim song “Please Hello” from Pacific Overtures. “And What If We Had Loved Like That?” shocks an audience that is expecting a testimony to a middle-aged couple’s abiding love and gets a more candid appraisal instead. “Easier to Love” is one of the few instances of a song for which Maltby actually composed the melody. The title song has a catchy oscillating musical motif that provides the melodic material for nearly the entire number. “Patterns,” one of the most popular Maltby/Shire songs, is, in fact, based on a repeated melodic pattern, as the title implies.
“The Story Goes On”
Authors: Rosenblum Joshua 
Published: June 2024

Abstract
This chapter offers a close analysis of the hit song from Baby, “The Story Goes On,” a frequent cabaret and audition favorite, plus an interview with the writers about the song. Maltby and Shire consider it one of their best collaborations. It’s the song that earned a Tony nomination for Liz Callaway in 1984. It is also a great example of Shire’s observation that “we write songs about things that most people don’t write about.” It also contains a phrase that is Maltby’s proudest achievement as a lyricist, partly because of the concision with which the thought is expressed. Liz Callaway as well as the authors make some observations about the song.
One of the Finest Scores of the Year
Authors: Rosenblum Joshua 
Published: June 2024

Abstract
In 1987, Lynne Meadow once again serves as the catalyst for a major entry in the Maltby/Shire canon: Closer Than Ever (1989), a much-beloved off-Broadway musical revue that successfully weaves together songs from the “Urban File,” numbers cut from previous musicals, and new entries written specifically for the show. The cast included Brent Barrett, Sally Mayes, Richard Muenz, and Lynne Wintersteller, with musical director Patrick Brady. If Starting Here, Starting Now was about the fresh experiences of young people in love, Closer Than Ever focuses on the perspectives of older, more seasoned folk. An analysis of “Miss Byrd,” a standout number, is included. Droves of young musical theater lovers who wore out the album when they were in college came to see Closer Than Ever when it was revived twenty years later. By then, early fans had a different perspective on life’s challenges and on the songs in the show.
“The Bear, the Tiger, the Hamster and the Mole”
Authors: Rosenblum Joshua 
Published: June 2024

Abstract
This chapter features a close analysis of “The Bear, the Tiger, the Hamster and the Mole,” a quintessential Maltby/Shire number, plus an interview with the writers about the song. It was written for but cut from the musical Baby, then resurrected for the revue Closer Than Ever. Sung by an animal scientist with a frustrating love life, this number explores in highly enjoyable detail the enduring conflict between the head and the heart that numerous Maltby/Shire protagonists grapple with. Maltby discusses the challenge involved in building a comic number so that each punchline tops the previous one. He also notes that as a lyric gets closer to a specific truth, available vocabulary expands, and potential new rhymes reveal themselves.