bluuebunny/crossref_metadata_2025_split huggingface dataset:
Ecosistema para el monitoreo, tratamiento y prevención de violencia de género
Authors: Gómez Gómez Jorge , Hernández Riaño Helman , Hernández Riaño Velssy 
Published: July 2024

La violencia contra las mujeres no es un fenómeno nuevo, ni sus consecuencias para la salud física, mental, sexual y reproductiva de las mujeres. Lo nuevo es el reconocimiento creciente de que los actos de violencia contra las mujeres no son eventos aislados, sino que forman un patrón de comportamiento que viola sus derechos, limita su participación en la sociedad y daña su salud y bienestar. En este trabajo de investigación se abordó la violencia de género, vista desde un panorama holístico, que permitió observar el tratamiento que le ha dado la ciencia en la resolución de este problema. Nuestra contribución a este trabajo de investigación fue la creación de un micro ecosistema que contempla la creación de seis (6) módulos para la atención de las víctimas, en la cual se integró al individuo afectado, autoridades, proveedores de salud, personal médico, autoridades policiales y vecinos. Se empleó un modelo de aprendizaje no supervisado Clúster Jerárquico, para la agrupación de los datos. Esta agrupación derivada del modelo, permite a las autoridades tener una radiografía de como segmentar a los grupos y emplear estrategias preventivas para el problema de la violencia de género.
PENGARUH PEMBELAJARAN DARING BERBASIS GOOGLE CLASSROOM TERHADAP HASIL BELAJAR DESAIN BUSANA KELAS XI JURUSAN TATA BUSANA SMK NEGERI 3 PEMATANGSIANTAR T.A 2020/2021
Authors: Sitohang Deny Jefriyanti , Tampubolon Hotmaria 
Published: July 2024

ABSTRACTThis study has the following objectives: 1) To find out the results of learning to make evening party dress designs using direct learning methods. 2) To find out the results of learning to make evening party dress designs with online learning based on Google Classroom. 3) To find out whether there is an effect of online learning based on Google Classroom on the learning outcomes of making evening party dress designs. The sample was taken as many as 2 classes with the determination of the control class and the experimental class, namely class XI Clothing 2 and XI Clothing 4. The research method used was quasi-experimental or quasi-experimental methods. Keywords: Online Learning, Google Classroom, Fashion DesignABSTRAKPenelitian ini mempunyai tujuan yaitu : 1) Untuk mengetahui hasil belajar membuat desain busana pesta malam dengan menggunakan metode pembelajaran langsung. 2) Untuk mengetahui hasil belajar membuat desain busana pesta malam dengan pembelajaran daring berbasis Google Classroom. 3) Untuk mengetahui apakah ada pengaruh pembelajaran daring berbasis Google Classroom terhadap hasil belajar pembuatan desain busana pesta malam. Sampel diambil sebanyak 2 kelas dengan penentuan kelas kontrol dan kelas eksperimen yaitu kelas XI Tata Busana 2 dan XI Tata Busana 4. Metode penelitian yang dipakai ialah metode eksperimen semu atau Quasi Eksperimen. Kata Kunci : Pembelajaran Daring, Google Classroom, Desain Busana
FAKTOR YANG BERHUBUNGAN DENGAN KEJADIAN BAYI KUNING PADA BAYI BARU LAHIR DI WILAYAH KERJA PUSKESMAS KOTA DATAR KECAMATAN HAMPARAN PERAK KABUPATEN DELI SERDANG TAHUN 2021
Authors: Safitri Yulia , Haflah Nurul 
Published: July 2024

ABSTRACTThe cause of mortality in newborns is jaundice, which is a yellow color that appears on the skin and mucosa due to an increase in bilirubin. The initial survey that was carried out at the Kota Datar Health Center was found in 25 cases, in 2019, there were 28 cases and in 2020 there were 30 cases of babies with jaundice. The time of the study was March - June 2021. The sample in the study was 30 respondents, namely all babies who had jaundice. Data analysis to answer research problems was carried out using a test chi square. Keywords: Gestational Age, Delivery Process ABSTRAKPenyebab mortalitas pada bayi baru lahir adalah Ikterus yaitu warna kuning yang tampak pada kulit dan mukosa karena peningkatan bilirubin Hiperbillirubin merupakan suatu keadaan dimana kadar billirubin. Penelitian menggunakan desain penelitian cross sectional. Penelitian dilakukan di Wilayah Kerja Puskesmas Kota Datar Kecamatan Hamparan Perak Kabupaten Deli Serdang Tahun 2021. Waktu penelitian bulan Maret – Juni tahun 2020. Sampel pada penelitian sebanyak 30 responden yaitu seluruh bayi yang mengalami ikterus. Analisis data untuk menjawab permasalahan penelitian dilakukan dengan menggunakan uji chi square. Kesimpulannya terdapat hubungan umur kehamilan, proses persalinan, berat badan lahir, dan pelayanan kesehatan bidan dengan kejadian bayi kuning. Kata Kunci: Umur Kehamilan, Proses Persalinan
The life and writings of Orhan Pamuk
Authors: Avetisyan Ani 
Published: July 2024

Orhan Pamuk, being a son of a family with republican ideas, has always felt and seen his strong dependence on Western intelligence, the expression of which is also visible in his works. Thus, Orhan Pamuk is the author of 11 novels and articles-conversations, biographical and small-scale works written on various topics, which are still known to the world's reading-society. And this set of the most controversial, most read and bestselling books of modern Turkish literature has brought Orhan Pamuk the fame and wide recognition in the local and foreign literary worlds, being translated into 60 languages and distributed in approximately 11 million copies. The secret of Orhan Pamuk's worldwide success is determined especially by his dual "Cultural Politics", the plot and ideological direction of his works, which reflect the questions existing in Islamic and Christian cultures, as well as the interpenetrations of the two worlds: the West and East, the search for ways to bring each other closer together, with a competition of tradition and innovation, in which the traditions of Eastern storytelling are combined with elements of Western modernism, ultimately creating works of "exquisite beauty" in an "intellectual, witty and elegant" style. While completing our article, we should note that the biography and bibliography of Orhan Pamuk's works will be enriched with new information, because the writer lives and creates in our days, for whom writing is a way of life, a constant desire to be in other worlds, and a refuge from reality.
ТHE EXCERPT WITH THE BEGINNING “I KNOW THAT…” OF “SONG OF SONGS” AND THE COMMENTARY OF VARDAN AREVELTSI
Authors: Hovsepyan Lilit 
Published: July 2024

A few of the manuscripts “Commentary of Song of Songs” by Vardan Areveltsi, along with their commentaries present the excerpt with the beginning “I know that…” of “Song of Songs”. This excerpt of “Song of Songs” retains only the canon of the Bible in Armenian.
The commentary of this excerpt in Armenology has been considered as an individual homily which has no relation to the “Commentary of Song of Songs” by Vardan Areveltsi (P. Antabian, H. Kyoseyan) intended to be placed in the “Tonapatchar” collection (Mashtots Matenadaran, Ms. № 5862). However, through the comparison of manuscripts it becomes clear that besides the Mss. №№ 5862, 1121 and 3695 already put into scientific circulation, the composition under consideration is also present in the Mss. №№ 4834, 5259, 1161, 5747, 3342 and the Mss. №№ 1361, 1212, 1368 of the Mekhitarist Library of Venice.
The article subjects to a comparative examination not only individual manuscripts of the Commentary by Vardan Areveltsi, but also allusions, descriptions on the excerpt “I know that…”. As a result of the comparison, it is confirmed that the interpretation of the passage “I know that…” was originally part of the “Commentary of Song of Songs” by Vardan Areveltsi, consequently it was separated from the proper Commentary and was included in the “Tonapatchar” collection as a homily. This condition of the original text is reflected in the 1278 copied manuscript № 1361 of the Mekhitarist Library of Venice which proves that the commentary with the beginning “I know that…” of “Song of Songs” authored by Vardan Areveltsi is not an individual homily, but part of the “Commentary of Song of Songs” and should be considered as one unit with the Commentary when compiling the original critical text.
MONOGRAM OF VLADIMIR KIRAKOSYAN"RUBEN SEVAK (LIFE AND WORK)"
Authors: KHACHATRYAN NAIRA 
Published: July 2024

V. Kirakosyan's scientific interests mostly include Armenian literature of the late 19th and early 20th centuries. When in 1967 he defended his Ph.D. thesis at the Institute of Literature after Manuk Abangyan on the life and work of the Western Armenian poet Ruben Sevak, who became a victim of the Genocide, only 8 years had passed since he graduated from the Department of Armenian Language and Literature of the Leninakan /Gyumri/ Pedagogical Institute. V. Kirakosyan set a task to open and comment in the artistic context of Western Armenian lyrics assessment of the literary heritage of Ruben Sevak at the turn of two centuries, noticing that the lyrical works of Ruben Sevak are contradictory, and at the same time one of the most interesting and capacious phenomena of Western Armenian literature at the beginning of the century. Trying not to break the ideological and artistic unity of the works of Sevak, Kirakosyan represents the characteristics of the general manifestations of the human, individual, social environment in the development of complex and contradictory manifestations of time, helps to perceive the seemingly complicated problems more clearly and descriptively.
Vladimir Kirakosyan is endowed with a subtle sense of the poet, who presented the multi-thematic, multi-genre and multi-faceted work of Ruben Sevak so deeply and comprehensively that it became a kind of emotional bridge of poetry between the poet and the still unfamiliar reader. For Kirakosyan, the sacrament of love is evidence of the content and meaning of life. Namely this understanding of the issue gives the true shade and light to the love songs that form the core of Sevak's poetry. This approach is the reason of why the ideological and artistic unity of Sevak's works is so warmly reflected in Kirakosyan's imaginations. Trying not to violate it, the literary critic presents in the complex and contradictory manifestations of time a characteristic of the general manifestations of a person, an individual, a social environment, helps to perceive the seemingly complex problems more clearly and more obviously, without which Sevak's works would remain inaccessible and difficult phenomena.
Love lyrics of Ruben Sevak by V. Kirakosyan reminds of the fairy tale of beautiful days gone. In gentle, romantic tones, the dawn of the poet's life and the legend of family happiness are depicted, which fades with the gloomy disaster that has overtaken the nation; and the beautiful narration of the bright soul is interrupted, by hands of murderers are interrupted both life, and love, and dreams...
Sevak’s song on the homeland was also studied and gained significance, of the history and heroic battles of which the poet was proud, as thanks to them the nation has earned its right to live with dignity in this ancient and evil world.
The literary critic Vladimir Kirakaosyan and the poet Ruben Sevak are similar in their perceptions and assessments, otherwise this successful union of song and interpretation would not have been created.
INFORMATION HYGIENE AS AN IMPERATIVE OF NEW ACADEMIC DISCIPLINE
Authors: MARKOSYAN DIANA 
Published: July 2024

Observation of information hygiene practices is highly important today; a healthy society should have a stable mental state, but as we know social media shapes and manages public moods and opinions. This is where the presence of a psychologically healthy media industry becomes an imperative. A healthy society needs a psychologically healthy media.
To have progress, scientific and technical achievements and success, a stable and confidence-inspiring environment is a must, where one can work and create. Whereas any stressful incident or event, emergency situation, and, above all, martial law and military operation is a development-preventing, destructive soil, where frustration, apathy and hopelessness develop well, leading to incapacity.
Experts in various fields believe that ever since Armenia gained independence the country has been unable to straighten up and ensure the necessary pace for development of science, culture and technology, as it has been struggling with the consequences of various natural and man-made, military and political disasters, which affect and disintegrate all creative forces and crush the aspirations of individuals. In these conditions, it is impossible to expect any positive result.
The author has tried to find ways to fight "information garbage" and suggests some steps to keep the information landscape clean.
Semantic shifts of the vocabulary of Ghazar Parpetsi's "Paper" in armenian (Diachronic investigation)
Authors: Karapetyan Sirarpi 
Published: July 2024

The article is devoted to the "Paper" written by Ghazar Parpetsi - a historian of the 5th century. We conducted a diachronic study as the words that we considered in the article underwent a morphological-semantic change or gained polysemy during different periods of language development. There can be lexical combinations of different parts of speech in a language, for nominal/ adjective lexical combinations, etc.
Various Armenian and foreign linguists have referred to part-of-speech combinations of words. Even commentators on the grammar of Dionysios Thrax noticed combinations of part-of-speech meanings of more than one word. Considering morphological polysemy in the "Paper to Vahan Mamikonyan" by Parpetsi at the diachronic level, we extracted the explanations of the words which we selected from Grabar Օld Armenian lexical monuments, giving evidence proving for these words with their grammatical meanings.
Corresponding evidence was provided for each word. In our selection, we singled out words that underwent both two-and three-meaning shifts. Semantic transitions were made mainly from parts of nouns, adjectives, or adverbs. The morphological meanings and semantic meanings of these words are clearly distinguished by their individual uses at the syntactic level. In the article, we also considered the semantic changes of the words in our choice in the course of time.
Ashugh Nahapet Kouchak and his Songs
Authors: Yeghiazaryan Vano 
Published: July 2024

Nahapet Kouchak created songs in ashugh style in Armenian and Armenian-Persian, Turkish as ‘’dapull, ama, varsagh, tejnis, divani, dyubeit, as well as some other ashugh songs, metrics of which is quite different and have nothing to do with iambic-anapestic metrics of gousan-folk hayrens(the Natives). It should be mentioned that Ashugh Kouchak left his name at the end of his songs, whereas in no manuscript Kouchak was mentioned as an author of individual hayren. The language of hayrens is Middle Armenian, whereas the language of Kouchak’s songs known to us is mixed-Arabic Armenian, Persian and Turkish. It is known that Kouchak cured the Sultan’s wife owing to his song. No doubt that Nahapet’s song was in Turkish, the same is for his ashugh songs. Thus, Nahapet Kouchak was one of the first ashugh-singers, a unique ashugh, who didn’t have anything to do with the hayren vocal art.
Thus, 29 songs by Ashugh Kouchak are written in ashugh style. 11 of them are Armenian songs, 1 written in Armenian- Persian and 17-in Turkish. The latter was the main language of ashughs at that time. As to Kouchak’s grandson’s literary heritage, it should be stated that we haven’t known anything about it so far.
Thus, Kouchak of Van, the Patriarch of Armenian ashughs, is the first trilingual ashugh, owing to whom later Sayat-Nova also created in three languages.
Paruyr Sevak to the children
Authors: Gilavyan Meline 
Published: July 2024

As a result of studying the theme “Paruyr Sevak to the children”, we have come to a number of conclusions:

Naturally, Paruyr Sevak cannot be considered a children's writer in the dictionary meaning of the word, but we can't help but record that he gave a new path of progress to pediatrics with his collection of children's poems "Your Acquaintances" . The collection taught children's writers of his generation and those who appeared in subsequent decades masterful lessons in presenting the themes and motifs of folklore to child readers in a new way.
With his children's poems Paruyr Sevak shows that one should be guided by taking into consideration the features of the readers' age and psychological development and not to burden children's poems with inappropriately used comparisons, metaphors, and adverbs.

In this sense, it can be concluded that the poet offered the children's poets not only a content, but also a form-structural, and a linguistic guide to the children's poem, which was very useful for the children's poets.

With the poems of his collection of "Your Acquaintances" P. Sevak teaches child readers important lessons they will need for whole their life. He does not give advice to the readers, but criticizes the flawed traits and characteristics of human character in simple and accessible artistic ways, leaving the conclusions to the readers.

The "heroes" of his children's poems are representatives of the animal world, whom the poet humanizes in a unique way, endows them with flawed and appreciable qualities and traits that are characteristic of a human character.

P. Sevak's children's poems stand out for their high performance skills, uncomplicated narrative style, appropriate use of comparisons, metaphors, adverbs, and musicality.

The poet does not give advice and admonitions to child readers, but talks with them about representatives of the animal world giving appropariate answers to their interesting "why"-s and "how"-s.
The genre frame of Hrachya Hovhannisyan's poetry
Authors: Poghosyan Tatevik 
Published: July 2024

As a result of the study of the theme , our conclusions are as follows:

Continuing and combining the traditions of medieval Armenian, modern Armenian and world literatures Hrachya Hovhannisyan widened the boundaries of genre inclusion, enriched it with new approaches in new structural ways. The equability of details in the structure, the associations of the rhythmic units stand out with unexpected resolutions in his works written in different genres.
Apart from the traditional forms of poetry there are also some genres in his collections that are absolutely new. E.g. the nonet, which is one of the less spread genres in music and has not been widely spread in the literature, either. As a result of the study we have found out that it was performed by nine musicians and during the performance the musicians leave the stage one by one. The poetic structure of nonet also consists of nine lines, the first line has nine legs, the second one has eight legs, and the third line has seven lines and so on till the last line. As the genre is one of the types of music, one must naturally conclude, that it must have an appropriate musical sonority and appropriate rhythms.
Hrachya Hovhannisyan's nonets approximately have such structures and sonorities, the musicality of which are obviously provided in an artificial way. All nine nonets written by Hrachya Hovhannisyan have the same rhyming, that are quite poor. It can be said that they are artificial rhymes. Our conclusion on Hr. Hovhannisyan’s nonets is that they were written in the manner of nonets printed in Parisian newspapers, as experiments, and that is the reason why the poet did not refer to that genre later. Sonnets occupy a significant place in Hrachya Hovhannisyan’s works.
Hr. Hovhannisyan uses different forms of structure not only in nonets but also in his sonnets. Sonnets generally have fixed forms of structure. Hr. Hovhannisyan prefers the 4+3+3+3 structure of the sonnet. However, while in this version of the structure the main point or "key of the sonnet" is revealed in the last two lines, in Hr. Hovhannisyan's sonnets, the last lines do not differ from the previous ones and do not act as "sonnet keys".
Our general conclusion is as follows: at all the stages of his creative journey being on the way of research Hr. Hovhannisyan truly tried different structures of poems, but he never got caught up in the urge to look fashionable: He always remained faithful to the classical traditions of our poetry and created his unique poetic structure on their solid pedestal.
The original of the "Interpretation of the calendar" by YovhannẼs Kozern (the problem of "What is the year?")
Authors: Galstyan Gor 
Published: July 2024

To conclude, we would like to note that, following our goal, in this article we presented the handwritten legacy of the famous calendar expert of the 10th-11th centuries Yovhannẽs Kozern Taronetśi, whose legacy has been preserved in the manuscripts of the Mashtots Matenadaran. We have stated that the author's "Interpretation of the Calendar" is included in eleven manuscripts of the Matenadaran. Yovhannẽs Kozern is also the author of other works: the work "Tesil", "The history of the House of Bagratuni", speeches, sermons and other interpretations.
In the article we touched on the question "What is the year?" according to the work of Yovhannẽs Kozern "Interpretation of the calendar". To study the issue, we used both the already published originals and two new manuscripts that were not used in the preparation of examination and comparative originals. Once again, these manuscripts of the Matenadaran No. 5809 and No. 8716, which the researchers did not refer to, contributed to the clarification of all the figures given in the calendarial entity of "What is the year".
The article also discusses the idea of the beginning of the Armenian first year. Yovhannẽs Kozern showed the correspondence of this year to 552/553 of the Julian calendar, comparing 1 Navasard with various periods of the reign of the kings and Catholicoses of Armenians.
We also hope that the idea of the "immobility" of the Armenian calendar put forward by us will allow to look at various issues of the Armenian calendar from a new angle.
During the research of the topic, we adopted a new calendar method, and also used historical-analytic, historical-comparative and analytic methods.