bluuebunny/crossref_metadata_2025_split huggingface dataset:
Book Reviews
Authors: Keshani Hussein , de Miranda Adriana , Matteson Matthew Benjamin , Sara Wolper Ethel , Tabbaa Yasser 
Published: July 2014

Abstract
The Art and Architecture of Twelver Shi’ism: Iraq, Iran and the Indian Sub-Continent, James W. Allan (2012) London: Azimuth Editions, 174 pp., 26 illus., 96 colour plates ISBN 9781848851689, $60.00 (hardback)
The Art and Material Culture of Iranian Shi’ism: Iconography and Religious Devotion in Shi’i Islam, Pedram Khosronejad (Ed.) (2012) London: I.B. Taurus, 284 pp., 105 b/w illus., 17 colour plates ISBN 9781848851689, $100.00 (hardback)
Damascene ‘Ajami Rooms: Forgotten Jewels of Interior Design, Anke Scharrahs (2013) London: Archetype Publications Ltd, xvi + 311 pp., 525 b/w illus., ISBN 9781904982661, $45.00 (paperback)
Postmodernizm Jest Prawie W Porządku: Polska Architektura Po Socjalistycznej Globalizacji / Postmodernism is Almost all Right: Polish Architecture After Socialist Globalization, Łukasz Stanek (2012) Warsaw: Fundacja Nowej Kultury Bęc Zmiana (in association with the Museum of Modern Art in Warsaw), 95 pp., 127 illus., 55 plates, ISBN 9788362418145, $45.00 (paperback)
Architecture and Hagiography in the Ottoman Empire: The Politics of Bektashi Shrines in the Classical Age, Zeynep Yürekli (2012) Farnham, Surrey: Ashgate, 199 pp., 56 b/w illus., ISBN 9781409411062, $119.95 (hardback)
Les Lions En Pierre Sculptée Chez Les Bakhtiari: Description Et Significations De Sculptures Zoomorphes Dans Une Société Tribale Du Sud-Ouest De L’iran, Pedram Khosronejad (2013) Canon Pyon, UK: Sean Kingston Publishing, 260 pp., numerous tables, line drawings, halftones and colour illustrations, ISBN 9781907774225, $250.00 (hardback)
Exhibition and Conference Pre´cis
Authors: Rogers Sarah , Firouzeh Peyvand 
Published: July 2014

Abstract
‘Regional Vis-À-Vis Global Discourses: Contemporary art From the Middle East’, School of Oriental and African Studies, University of London, United Kingdom, July 5–6, 2013
‘Orientality: Cultural Orientalism and Mentality’, Pembroke College, Cambridge, United Kingdom, May 17–18, 2013
The headless woman in contemporary Chinese art
Authors: Pittwood Linda 
Published: July 2014

Abstract
In this article, selected works by four Chinese artists who emerged towards the end of the twentieth century are examined. The works have in common the motif of the headless woman. This motif is explored within the historical timeframe in which they have lived, trained, emerged as professional artists and produced these works; investigated in relation to the artists’ contact with the work of European and American artists using the same motif; considered in the context of the lives of women in the PRC following the end of the Cultural Revolution, and in relation to ideas about individualism and collectivism (and particularly the move from one to the other) in China.
Rethinking and practices within the art system: The self-organization of contemporary art in China, 2001–2012
Authors: Dong Bao 
Published: July 2014

Abstract
This article discusses the characteristics and background of the phenomenon of self-organized collectives formed by the younger generation of Chinese artists after the year 2000. First, this article traces the origin of the term ‘self-organization’ in the context of contemporary Chinese art. Second, four categories – art communities, art groups, independent projects and autonomous institutions – are employed to analyse these self-organizational practices. The article then offers specific examples of these self-organizational practices under various different conditions, demonstrating that the strategic responses and aims of self-organizations vary with their contexts. Lastly, the article demonstrates that these self-organizations differ fundamentally from the collective practices of the previous generation of artists, and that the cause of this change was the establishment and consolidation of an institutionalized contemporary Chinese art scene. From this angle, the self-organizational practices of young artists today constitute a rethinking of, and critique against, this new institutionalized system.
The voice, body and ventriloquism of Marisol in Tómbola (Lucía, 1962)
Authors: Hogan Erin K. 
Published: July 2014

Abstract
Child star Marisol’s (Pepa Flores) third film, Tómbola (Lucía, 1962), is a retelling of Aesop’s ‘The Boy Who Cried Wolf’ with a sinister subtext that reveals Francoism’s political use of children and the biography of the niña prodigio. Interpreting the character of the ventriloquist kidnapper in Lucía’s film, this article explores ventriloquism as a metaphor of power and the appropriation of the child’s voice, body and subjectivity. Tómbola and Marisol epitomize the greater biopolitics of Franco’s regime as they champion and suffer, respectively, the child’s curbed and directed vocality. This counter-hegemonic reading of the Spanish popular film focuses on how the feature exposes its own biopolitical machinations and, in doing so, dramatizes and reveals the nefarious indoctrination of children by a regime that prescribed child abduction for re-education.
Book Reviews
Authors: Delgado Humberto , Falicov Tamara L. , Page Joanna 
Published: July 2014

Abstract
Cine, Género y Jóvenes: El Cine Mexicano Contemporáneo y Su Audiencia Tapatía, Patricia Torres San Martín (2011) University of Guadalajara, Guadalajara, Mexico. Collection of the Center for Gender Studies, 230 pp., ISBN: 9978-60-450-404-0, Paperback, $34.95
Themes in Latin American cinema, Keith John Richards (2011) Jefferson, NC: McFarland, 232 pp., ISBN: 978-0-7864-3538-8, Paperback, $40.00
New trends in Argentine and Brazilian cinema, Cacilda Rêgo and Carolina Rocha (eds) (2011) Chicago: Intellect, The University of Chicago Press (274 pp.), ISBN 978-1-84150-375-2, Paperback, $35
A late example of the españolada: Carlos Serrano de Osma’s La rosa roja (The Red Rose, 1960)
Authors: Aranzubia Asier 
Published: July 2014

Abstract
Carlos Serrano de Osma is one of the more unclassifiable Spanish film-makers from the Francoist era. His troubles with censorship, critics and post-Civil War Spanish audiences forced him into retirement in 1960 when he had only directed eight films. In the following decades, his work hardly stirred the interest of film historians. In recent years, however, academic interest has grown. This article analyses the last of his films from a historic and textual perspective. Even if La rosa roja/The Red Rose (1960) is apparently a fairly conventional film, its numerous interesting features render it one of the more attractive and singular films in its genre: the españolada.
Narrativas del deseo y locas del desván: Una aproximación a Lola Salvador como autora televisiva durante la Transición
Authors: Pérez Natalia Martínez 
Published: July 2014

Abstract
This article examines the career of the Spanish writer Lola Salvador, also known as ‘Salvador Maldonado’, popular for her work in films like El crimen de Cuenca/The Cuenca Crime (Miró, 1979) and Las bicicletas son para el verano/Bicycles Are for the Summer (Chávarri, 1984). The aim is to analyse her scripts for Televisión Española during the 1970s. The recovery of these works, which have been forgotten, allows us not only to analyse the beginnings of literary adaptations on television, but also to consider the history of television in Spain and its pedagogical role during the Transition. In this regard, it is relevant to reflect on the incorporation of women as creators, who rose to prominence in Spanish television at this time. By focusing on the analysis of the dramas, this article argues that Lola Salvador is a television auteur whose plots and representations of gender reflect the political and social transformations that took place during the Spanish Transition.
Hispanic cinema and the aesthetics of deceleration: Festival report
Authors: Spitta Silvia 
Published: July 2014

Abstract
As in past years, the 63rd Berlin International Film Festival continued highlighting Spanish and Latin American cinema. Many of these films were characterized by their slowness or the ‘cinema of deceleration’ (Gemünden). Prominent proponents of this new aesthetic are Sebastián Lelio’s film Gloria (for which Paulina García won the Silver Bear), Neus Ballús’ first feature length semi-documentary La plaga, Ana Guevara Pose’s and Leticia Jorge Romero’s Tanta agua and Isabel Coixet’s slow-moving, science fiction Ayer no termina nunca, among many others. Of particular note was the workshop given by Argentine Lucrecia Martel.
Book Reviews
Authors: Dapena Gerard , Cerdán Josetxo , Noble Fiona , Thornton Niamh 
Published: July 2014

Abstract
New mythological figures in Spanish cinema: Dissident bodies under Franco, Pietsie Feenstra (2011) Amsterdam, The Netherlands: Amsterdam University Press, 325 pp., ISBN: 978-9089643049, Paperback, $45.00
Visual synergies in fiction and documentary film from Latin America, Miriam Haddu and Joanna Page (eds) (2009) Palgrave Macmillan: New York, 272 pp., ISBN: 978-0-230-60638-8, Hardback, $105.00
The war that won’t die: The Spanish Civil War in cinema, David Archibald (2012) Manchester: Manchester University Press, 210 pp., ISBN: 978 0 7190 7808 8, Hardback, £60
Emilio Fernández: Pictures in the margins, Dolores Tierney (2012) Manchester and New York: Manchester University Press, 198 pp., ISBN: 978-0-7190-8844-5, Paperback, £14.99
Sound and space in La hora de los hornos/The Hour of the Furnaces
Authors: Epplin Craig 
Published: July 2014

Abstract
This article offers a detailed reading of the connections between sound and space in the 1968 film La hora de los hornos/The Hour of the Furnaces. Extant explorations of sound in this film tend to highlight the strategies of juxtaposition and commentary on the image track. Building on this scholarship, I propose that three uses of sound in particular – the narrative voice-over, dissonance with the image, and semi-diegetic music – correspond to the spatial imperatives of the film: its desire to forge alliances among disparate groups scattered throughout national and international space. This strategy is coherent with the express desire for the filmic experience to become a militant act, an intervention in the class war of 1960s Argentina. I conclude by positing that sonic elements together present an alternative to the vision-centric bias of critiques of late capitalism’s dawn, something The Hour of the Furnaces shares with other representative films of same period in Latin America. Finally, I suggest that the analysis of sound in this film they highlights the sensorially embedded character of all filmic experience.
Imagined continuities: The story of El Cid as a post-9/11 War on Terror narrative in Filmax/José Pozo’s animated feature film El Cid. La Leyenda
Authors: López Daniel Ares 
Published: July 2014

Abstract
This article analyzes the Spanish-produced and internationally distributed animation film El Cid: The Legend (Pozo 2003) in its pedagogical and ideological dimensions as a medievalist Disney-type genre animation film within the post-9/11 global sociopolitical and media context. Pozo re-signifies the story of El Cid by merging two narratives and temporalities. On one level, the film constructs a narrative about medieval Iberia that incorporates progressive ideas about multicultural convivencia along with more traditionalist views of the Kingdom of Castile as the heroic re-civilizing agent of the Reconquista. The film also includes a Manichean narrative based on the post-Cold War media discourse-narrative of the War on Terror. In this manner, El Cid participates in a process of construction and pedagogical dissemination of a Spanish/western ideological ‘common sense’ that generates particular ways of conceiving and narrating the West’s relation with the Islamic world. This common sense combines liberal-humanist notions of multi-ethnic coexistence with neo-Orientalist imaginaries.
A poetic cine urgente: Experimentalism and revolution in Santiago Álvarez’s documentary films
Authors: D’Argenio Maria Chiara 
Published: July 2014

Abstract
This article proposes that the ‘poetic’ be conceived as an interpretative category for Santiago Álvarez’s film experimentalism. The poetic nature of Álvarez’s cinema includes the use of poems, metaphors, songs, still photography and found footage and a ‘poetic’ approach to documentary, characterized by non-discursive forms such as music, the absence of conventional narration and narrative forms, a dynamic editing of visual and aural associations and juxtapositions, and an emphasis on the film’s rhythm. By analysing these patterns in films made between 1965 and 1970 and by discussing the concepts of urgency, empathy and performativity, I argue that Álvarez’s experimentalism aims to create a new type of critical and revolutionary public. In this sense, he supports and follows the official cultural policy of the Revolution and the politics of other cultural practices, such as revolutionary poetry and Cuban posters. The poetic nature of his films is, however, ambivalent since it coexists with what can be seen as the anti-poetic par excellence: the narrative.
Nadaísmo on film: Violence, originality and the archive in Paraíso (2006)
Authors: Wood David M. J. 
Published: July 2014

Abstract
The experimental film Paraíso (Felipe Guerrero, Colombia, 2006) adapts and translates through time and media the work of the 1950s–1960s countercultural and vanguard literary movement of nadaísmo, specifically the verse of nadaísta poet Jaime Jaramillo Escobar. Merging contemporary images filmed in a now-obsolete super-8mm format with archive footage evoking Colombia’s past, Paraíso takes up nadaísmo’s critical poetics forged in the long wake of the Bogotazo of 1948, and places them in dialogue with the variously violent and utopian actions and discourses of twenty-first century Colombia. As well as suggesting temporal and topographical compression, the film’s juxtaposition of visual and audiovisual modes, gauges, formats and colour-schemes renders in film form Jaramillo’s call for poetic language to be ‘supple, slippery, undulating’. Visual and written poetics thus combine to undermine the fixity of thought that engenders violence at distinct historical junctures. At the same time, they hint, with profound ambiguity, at the possibility of imagining Colombia as the ‘paradise’ of the film’s title.
Contra la museificación del mundo: La orilla que se abisma (2008) y La casa (2012) de Gustavo Fontán
Authors: Martins Laura M. 
Published: July 2014

Abstract
Argentine director Gustavo Fontán has been able to make subtle, intelligent bridges between film and poetry. This essay explores the ways this dialogue has been achieved in two of his recent films: La orilla que se abisma (2008) and La casa (2012). The first one focuses on Juan L. Ortiz’s poems. Fontán seems to know how to ‘translate’ Ortiz’s poetic world into images based on the notion that poetry is vision, a febrile state of our sensitivity during which we can see things that are impossible to see while we pass through other states of mind. The second film shows a house that tells its own story in a very poetic way. The house itself seems to register – from its own point of view – how it is being dismantled and destroyed. Fontán has created an atmosphere close to the oneiric state, an atmosphere where past images copulate with the present, where what it is gone still lives within the current ruins.
A Single Parent’s Labor Supply: Evaluating Different Child Care Fees within an Intertemporal Framework
Authors: Minagawa Junichi , Upmann Thorsten 
Published: July 2014

AbstractIn this paper, we present a model of a one-parent, one-child household where parental decisions on labor supply, leisure, and the demand for parental and public child care are simultaneously endogenized and intertemporally determined. We characterize the path of the optimal decisions and investigate the effects of various public child care fees and of the quality of public child care services on the parent’s time allocation and the child’s performance level. Our results show that different public child care policies may induce substantially diverging effects and reveal that each policy frequently faces a trade off between an encouragement of labor supply and an enhancement of the child’s performance. In addition, we find that, from an efficiency perspective, an income-based fee levied on public child care services is dominated by both a flat fee and a use-based fee system.
Thrombotic, thrombocytopenic purpura (ADAMTS-13 deficiency): a rare neonatal presentation
Authors: Sutton Rachael , Will Andrew , Kuruvilla Minju , Victor Suresh 
Published: July 2014

Abstract
Congenital ADAMTS-13 deficiency is rare, with only between 150 and 200 living cases described internationally. It can present in the neonatal period with thrombocytopenia that may be associated with thrombosis rather than haemorrhage, microangiopathic haemolytic anaemia (MAHA) and jaundice requiring exchange transfusion. We report a case of a large cerebral infarction resulting from severe ADAMTS-13 deficiency in the immediate neonatal period. The diagnosis of ADAMTS-13 deficiency should be considered in babies with haemolytic anaemia, jaundice, thrombocytopenia and a negative direct antiglobulin (Coombs) test (DAT). It is important to diagnose and treat early in order to prevent further brain and kidney damage.
How nominal compounds are modified by two adjectives
Authors: Berg Thomas 
Published: July 2014

Abstract Basing itself on a corpus of one thousand complex NPs, this study investigates the relationships that two attributive adjectives contract with the constituents of nominal compounds of varying size in English (e.g. new basic safety standards). Essentially, there are four logically possible relationships: (i) both adjectives modify the nominal head, (ii) both adjectives modify the nominal modifier, (iii) the first adjective modifies the head and the second adjective the modifier and (iv) the first adjective modifies the modifier and the second adjective the head (crossed modification). While options (i) and (iii) are strongly represented in the data, crossed modification is not at all present. Across all compound sizes, at least three factors shape the empirical patterns: a functional factor whereby major heads are more easily singled out than minor heads, which in turn are more available than modifiers; a structural factor whereby more deeply embedded constituents are less available than more independent constituents; and a proximity effect which encourages the modification of the first noun by the second adjective. There may be an additional saturation effect which discourages the modification of one noun by two adjectives. On the face of it, the non-occurrence of crossed modification may be connected to the well-known ban on crossing association lines. However, despite its descriptive adequacy, this principle is unconvincing. Instead, a functional explanation is proposed which centres on the possibility of working out modification relationships. Initial steps are taken towards developing a model of when (and why) the no-crossing constraint is inviolable, violable or non-existent
Unaccusatives and unergatives: Evidence from Croatian
Authors: Knežević Božana , Brdar Irena 
Published: July 2014

Abstract We argue that the unaccusativity phenomenon occurs in Croatian, as in many other languages. We demonstrate that unaccusative predicates not only have to meet specific (morpho)syntactic diagnostic criteria, but also that semantic criteria are involved. We show that it is possible to characterize Croatian intransitive verbs as unaccusatives using the following diagnostics: 1. past participle derivation by suffixation of -l; 2. participial adjective formation; 3. -ač (-er) nominals; 4. prefixation by the preverbs po-, do- and u-; 5. the perfective aspect; 6. resultative constructions; and 7. the possessive dative. In order to demonstrate a number of relevant semantic diagnostics, three classes of verbs are isolated, defined in terms of their lexical semantic representation and their morphosyntactic configuration: verbs of change of state, verbs of appearance and verbs of inherently directed motion
An Anglo-Americanism in Slavic morphosyntax: Productive [N[N]] constructions in Bulgarian
Authors: Vakareliyska Cynthia M. , Kapatsinski Vsevolod 
Published: July 2014

Abstract Since 1990, most of the South and East Slavic languages have independently adopted, to varying extents, English loanblend [N[N]] constructions, in which an English modifier noun is followed by a head noun that previously existed in the language, for example, Bulgarian ekšŭn geroi ‘action heroes’. This phenomenon is of particular interest from a morphosyntactic processing perspective, because the use of the English noun as a modifier without the addition of a Slavic adjectival suffix and agreement desinence is a violation of fundamental traditional principles of Slavic morphology and morphosyntax, and thus should pose considerable parsing challenges. Bulgarian has incorporated English loanblend [N[N]]’s particularly well into the standard language. In this article we argue that the high frequency, broad semantic range, and productivity of loanblend [N[N]]’s in Bulgarian are the direct result not of Bulgarian’s analytic case-marking system per se, but of preexisting construction types in the language
Evaluation of Gas Insulated Disconnector Switch for Bus Charging and Bus Transfer Currents
Authors: Mohana Rao Mandava 
Published: July 2014

Abstract
Gas insulated disconnector switches (DSs) are employed in a gas insulated substation (GIS) to interrupt and to make capacitive currents, in principle. During switching of capacitive currents very fast transient over-voltages (VFTOs) are common to DS. Intense VFTOs may result in peak voltage close to basic insulation level (BIL) of the connected equipment, leading to progressive deterioration and secondary breakdowns in very high voltage gas-insulated systems. At the same time, arcing during switching of bus transfer currents, by the DS, is considered as a source of substantial amount of decomposed products. This contamination may result in significant reduction in insulation strength of the medium. In order to ensure reliability of the design, it is essential to establish the DS for bus charging and bus transfer current duties under most onerous service conditions through suitable tests. The optimal design of DS to meet these test duties is established with suitable analytical techniques. The tests, which have been discussed and analyzed as part of this study, were performed on an indigenously developed 145 kV gas insulated DS as per IEC 62271-102. A detailed arrangement of the DS (main and auxiliary) and guidelines for conducting the above tests are also explained. Different performance parameters like arcing time, pre-arcing time, secondary discharges, trapped voltages, and level of contamination are analyzed. The behavior of DS during these evaluations is also reported in the present paper. Finally, the effect of different design parameters on performance of the DS has been analyzed.
Inverse problems for linear degenerate parabolic equations
by “time-like” Carleman estimate
Authors: Kawamoto Atsushi 
Published: July 2014

Abstract
In this paper,
we study inverse problems
for multi-dimensional
linear degenerate parabolic equations and strongly coupled systems.
In particular
we discuss the Lipschitz type stability results
for the inverse source problems which
determine a source term
by boundary data on an appropriate sub-boundary
and the data on any fixed time.
Our arguments are based on the Carleman estimate.
Here we prove and use the Carleman estimate
with the x-independent weight function
for linear degenerate parabolic equations and systems.