bluuebunny/crossref_metadata_2025_split huggingface dataset:
Blason de la Vénus de Breuilhamenon : un tableau de Luca Penni au musée de Bourges
Authors: Cordellier Dominique 
Published: June 2024

The emblem of the Venus of Breuilhamenon : a painting by Luca Penni in the musée de Bourges.
A painting depicting Venus and Cupid, kept in the musée du Berry in Bourges, is one of the most important works from the first school of Fontainebleau that has not yet been definitively attributed. It comes from the castle of Breuilhamenon, once owned by Guillaume Bochetel, secrétaire du Roi under Francis I. and Henry II. A humanist and translator of ancient languages, Bochetel also wrote poetry, whose amorous and erotic sentiment astutely echoes that expressed by the present painter. The latter, judging from the similarities between this work and both known and unpublished drawings as well as engravings bearing a clear invenit, could very well be Luca Penni, called "the Roman", one of the most notable Italian painters active in Fontainebleau and Paris between 1530 and 1557.
Cristoforo Spinola, un aristocrate génois à Paris de la fin du règne de Louis XV à la Terreur. Relations artistiques, diplomatie et brassage d'affaires entre Gênes et la France
Authors: Perrin Khelissa Anne 
Published: June 2024

Cristoforo Spinola, un aristocratico genovese a Parigi dalla fine del regno di Luigi XV al Terrore.
Relazioni artistiche, diplomazia e affari tra Genova e la Francia
Cristoforo Spinola era conosciuto fino a oggi come ambasciatore della Repubblica di Genova a Parigi tra il 1772 e il 1792 e come proprietario di un palazzo in strada Nuova, dove Charles De Wailly effettua una celebre decorazione. La lettura di nuovi documenti, reperiti in archivi francesi e italiani, fa emergere in modo probante le sue qualità di committente, di collezionista e di intenditore, attestate dai molteplici investimenti da lui effettuati in Francia, come l'acquisto di manifatture, e dalla sua presenza a imprese da mecenatismo collettivo. Il percorso di Cristoforo Spinola si snoda attraverso ima rete di relazioni sociali che egli intesse tra Genova e Parigi ; il suo matrimonio con un'aristocratica francese ne è il catalizzatore. La storia del cantiere di palazzo del Sole, vista nell'ottica dei molteplici scambi artistici che esso implica e favorisce, costituisce uno strumento che serve a comprendere meglio i rapporti tra Genova e la Francia, le loro modalità ed interessi.
II cavaliere Girolamo Odam : erudizione e disegni di un arcade romano
Authors: Guerrieri Borsoi Maria Barbara 
Published: June 2024

Le chevalier Girolamo Odam. Érudition et dessins d'un arcadien romain.
L'article présente l'activité de ce personnage éclectique, arcadien érudit et artiste pour son plaisir personnel, en esquissant les rapports qui lient Odam aux intellectuels et gentilshommes de son temps, rapports certainement favorisés par le travail qu'exerça Odam pour le cardinal chancelier Pietro Ottoboni. Il ne nous reste que peu de témoignages (résumés ici) concernant ses activités dans le domaine des arts 'majeurs', sa notoriété étant plutôt due aujourd'hui à ses dessins et ses gravures. La plupart des estampes analysées, essentiellement réalisées pour le milieu arcadien, ont été exécutées pour des érudits comptant parmi ses amis, mais les études modernes n'ont jamais attribué ces œuvres à Odam. Ce dernier fut également célèbre comme auteur de dessins d'une grande qualité formelle, réalisés pour des gravures reproduisant des répertoires antiques, en particulier des gemmes. Parmi les principaux interlocuteurs d'Odam, citons le Florentin Anton Francesco Gori avec lequel le chevalier a entretenu une correspondance, ici amplement citée, qui a permis d'analyser l'ornementation d'un texte très rare dédié à Piero Soderini.
Dionysisme, tempérance et épicurisme dans le camerino d'Alfonso d'Este
Authors: Morel Philippe 
Published: June 2024

Dionysisches, Maßhaltung und Epikurismus im Camerino des Alfonso von Este.
Diese Studie hat die Gemäldekammer (camerino delle pitture) des Herzogs von Ferrara, Alfonso I. von Este, zum Thema, eine der berühmtesten Gemäldezusammenführungen der italienischen Renaissance, die man mit den Namen von Bellini, Raffael, Tizian und Dosso Dossi verknüpfen kann. Für diese zwischen 1512 und 1525 entstandene, auf einer invenzione des Humanisten Mario Equicola beruhende Zusammenstellung wurden bisher hauptsächlich zwei Deutungen vorgeschlagen : die erste sieht darin allein eine Steigerung der durch Wein und Liebe gespendeten Freuden, während die zweite gerade den sehr herausgearbeiteten literarischen (ekphrastischen) Charakter von Tizians Gemälden hervorhebt. Es ging darum, eher die ethische Dimension zum Vorschein zu bringen, die Equicolas invenzione prägt, zu zeigen, daß diese Bilder alle einer Sehensweise entspringen, die die Themen der Mafivaltung, der Fruchtbarkeit und des Glücks verbindet durch den maß vollen Genuß von Wein und die der philosophischen Richtung des Stoizismus und Epikurismus entspricht, welche sich in Italien vom 15. Jahrhundert an verstärkt hat.
How to Make an Image Work? The Presentation of Giorgione or Titian’s Miraculous Christ Carrying the Cross at the Scuola di San Rocco
Authors: Kessel Elsje van 
Published: June 2024

Come far funzionare un’immagine ? La presentazione del miracoloso Cristo portacroce di Giorgione o di Tiziano alla Scuola di San Rocco ;
L’articolo vuole esaminare il rapporto tra il potere presunto delle immagini miracolose in età moderna e il modo in cui esse venivano presentate al pubblico. Mentre alcuni studi sulle immagini miracolose insistono sull’importanza della forma dell’immagine come fattore decisivo nella costruzione del loro potere, altre pongono l’accento sul ruolo svolto dal contesto sociale. Tuttavia, è proprio nella maniera in cui l’immagine viene presentata che queste due diverse prospettive si incontrano : la presentazione collega l’immagine al suo pubblico e viceversa. Questo saggio prende come esempio particolarmente significativo quello dell’immagine miracolosa del Cristo portacroce della Scuola di San Rocco a Venezia, per considerare quest’opera, oggi percepita dagli storici dell’arte e dai turisti innanzi tutto come “opera d’arte” e non come “opera che compie miracoli”, sotto un’altra luce, e analizzare i modi nonverbali della sua presentazione, che costituiscono il fondamento stesso di tali categorie.
Bernini’s Louis XIV, between Production and Display
Authors: Warwick Genevieve 
Published: June 2024

Il Luigi XIV di Bernini tra produzione ed esposizione ;
Lo studio si propone di dimostrare come la produzione e la presentazione delle opere d’arte avvenga nel contesto culturale della loro creazione. Così, il busto di Bernini raffigurante Luigi XIV, che posò per l’artista nel corso di sedute pubbliche in presenza della corte, rimase esposto per tutto il tempo della sua realizzazione. È in tale contesto che si pose il problema della presentazione del busto dopo il suo compimento. Tra le varie proposte, figurava quella per un supporto dorato riccamente decorato e recante un’iscrizione. Sebbene tale soluzione non sia mai stata realizzata, la letteratura storico-artistica ha a lungo ritenuto che essa rappresentasse l’intenzione definitiva dell’artista ai fini della valorizzazione del suo busto, e se n’è appropriata per formulare una rigida lettura iconografica dell’opera. Questo studio mette a confronto le testimonianze sul progetto per il basamento e le effettive collocazioni del busto nei vent’anni compresi tra la realizzazione, nel 1665, e la sistemazione nel Salone di Diana a Versailles, nel 1684. In realtà, la questione dei primi anni della sua esposizione rimane aperta : il ritratto passò alle collezioni reali e fu quindi oggetto, per il suo valore simbolico e come altre opere d’arte di corte in quest’epoca, di diverse disposizioni, nella scenografia sempre mutevole della vita di corte.
Imago Beatae Mariae. Sur l’origine toscane des images d’affection religieuse en Petite-Pologne au crépuscule du Moyen Âge
Authors: Migdal Anna 
Published: June 2024

Imago Beatae Mariae. Zum toskanischen Ursprung der Andachtsbilder in Kleinpolen im ausgehenden Mittelalter ;
Die Studien zur mittelalterlichen Malerei haben, was den europäischen Kontext angeht, die Frage der als Reliquienträger dienenden Marienbilder noch nie näher untersucht. Das Reliquienbild, handele es sich nun um eine Einzeltafel, ein Diptychon oder Triptychon mit der Darstellung von Maria mit dem Kind auf Holz, welche in einen breiten Rahmen mit eingelegten Reliquien eingelassen ist, erfuhr vor allem in Kleinpolen ab der zwanziger Jahre des 15. Jahrhunderts weite Verbreitung. Die Ausbreitung solcher, für den toskanischen Trecento typischer Reliquiare fand in Zentraleuropa im Kontext der Erneuerung der Frömmigkeit statt ; neben den spezifischen Bildern, die insbesondere während liturgischer und paraliturgischer Feierlichkeiten verehrt wurden, nahm die Anzahl weniger kostspieliger Reliquiare im Privatbereich immer mehr zu.
La «religion de la beauté». Regards sur l’Annonciation en Angleterre au siècle de Victoria
Authors: Lassus Saint-Geniès Gabrielle de 
Published: June 2024

La "religione della bellezza". Sguardi sull'Annunciazione in Inghilterra nel secolo di Vittoria.
L'arte inglese dell'Ottocento è caratterizzata da una riforma iconografica sinora sottovalutata, volta al ritorno dell'immagine mariana. Il mistero dell'Annunciazione, esaminato da John Henry Newman, ammirato da John Ruskin, reinterpretato dal movimento neogotico, viene rappresentato anche dai Preraffaelliti. Portatore dei valori di purezza, bellezza e santità evidenti nell'arte del Quattrocento, il tema della Salutazione angelica consente all'epoca vittoriana di mantenere il senso del sacro in un'epoca sempre più razionalista. Apparentemente, l'Inghilterra non aveva mai associato in modo così originale meditazione teologica e meditazione estetica.
Guillaume Guillon Lethière’s Homer Singing the Iliad Outside the Gates of Athens (1814): A French Neoclassical History Painting’s Journey from Rome to Nottingham
Authors: Alfrey Nicholas , Wrigley Richard 
Published: June 2024

Homer singt die llias vor den Toren Athens (1814) von Guillaume Guillon Lethière : die Reise von Rom nach Nottingham eines französischen neoklassizistischen Historiengemäldes.
In diesem Artikel wird eine Fallstudie eines au ergewöhnlichen Phänomens unternommen : die Ankunft französischer neoklassizistischer Gemälde in die britischen Sammlungen nach der französischen Revolution. Es wird der Weg des Gemäldes Homer singt die llias vor den Toren Athens (1814) von Guillaume Guillon Lethière von Rom aus, wo es gemalt wurde, bis zu seiner Ausstellung in London und seinem derzeitigen Standort, dem Castle Museum in Nottingham, nachvollzogen. Sein Thema wird im Kontext der Laufbahn von Lethière und der Darstellungen von Homer zu Beginn des 19. Jahrhunderts untersucht. Der Artikel beleuchtet ebenfalls die Umstände der Ausstellung in London und den wahrscheinlichen Weg des Gemäldes von Rom bis in eine englische Sammlung.
1. Michele Lazzaroni (1863-1934), tra contraffazione e restauro
Authors: Sambo Elisabetta 
Published: June 2024

A Fake Renaissance ?
Research on the history of the art market and collecting in the 18th and 19th century often evoke, albeit until now in passing, the singular figure of an amateur dealer : Baron Michele Angelo Lazzaroni (1863-1934). These essays explore the dealing and collecting activities of Michele Lazzaroni, a great mind and financier at the time of the Italian unification.
I. Michele Lazzaroni, between Counterfeiting and Restauration
The first essay uses hitherto unpublished documents to shed light on Baron Lazzaroni’s activities as a dealer, carried out, often shamelessly, between Rome, Paris and Nice. In order to feed continuously the high demand – coming in particular from the American art market – for Italian “masterpieces” of the High Renaissance, he regularly had damaged or inferior works extensively over painted to create works of art in a Renaissance style that was as showy as it was implausible. These could in fact be called authentic fakes.
II. Baron Michele Lazzaroni and Sculpture.
Through the review of the unpublished correspondence with Adolfo Venturi and the discovery of a series of contemporary photographs, this essay sheds light on the strategies and cautious literary manoeuvres that aimed to consolidate Michele Lazzaroni’s status on the global art market. By disseminating works of art presented as authentic, whether presumed so or counterfeit, the Baron managed to position them on the market by endowing them with the aura of potential Renaissance masterpieces. With this in mind, it is interesting to examine Lazzaroni’s keen interest in sculpture and reconstruct the history of a few examples that once formed part of his collection, such as the Bust of the Emperor Palaeologus attributed to Filarete.
Ethical Attitude of the Evangelical Christian Church in Halmahera (GMIH) Towards the 2024 Political Year in North Halmahera
Authors: F. Dalensang Ramelia 
Published: June 2024

Abstract: The purpose of this study is to find out the ethical attitude of the Church to prevent the impact of election differences in political moments and to be involved in practical politics. This study employs a qualitative methodology utilizing a descriptive-analytic approach. According to the study's findings, the process of familiarizing the congregation with politics has been ongoing for a considerable period in the Evangelical Christian Church in Halmahera (GMIH) in North Maluku. However, the issue is that this socialization effort has yet to be successfully implemented among all congregation members. Another research finding about the Church's engagement in practical politics is that GMIH abstains from engaging in practical politics. The Church aims to foster a comprehensive comprehension of politics. It encourages all congregation members to exercise their rights to vote and run for office in the upcoming 2024 regional elections.

Keywords: Church, Ethical Attitude, Politic.

Abstrak: Tujuan dalam penelitian ini adalah untuk mengetahui sikap etis Gereja untuk mencegah dampak perbedaan pemilihan dalam momen politik dan dapat terlibat dalam politik praktis. Kajian ini menggunakan metode kualitatif dengan pendekatan deskriptif analisis. Berdasakan hasil penelitian, proses sosialiasi kepada jemat untuk memberikan pemahaman yang baik kepada jemat tentang politik, telah di lakukan sejak lama kepada jemaat, namun yang menjadi permasalahan adalah bahwa kegiatan sosialisasi ini belum dapat di laksanakan ke seluruh jemaat Gereja Masehi Injili di Halmahera (GMIH) yang ada di Maluku Utara. Hasil penelitian yang lain terkait keterlibatan Gereja dengan politik praktis adalah GMIH tidak terlibat dalam politik praktis. Gereja hadir untuk memberikan untuk memberikan pemahaman politik yang baik, dan mengajak seluruh jemat untuk memberikan haknya baik untuk memilih dan dipilih pada pemilu maupun pemilukada tahun 2024.

Kata Kunci: Gereja, sikap etis, politik.
ANALISIS AKUNTABILITAS BELANJA HIBAH PADA PEMERINTAH PROVINSI SUMATERA UTARA
Authors: Barus Khairani Br , Nasution Juliana 
Published: June 2024

ABSTRACT
This study aims to analyze the accountability of grant spending to the Provincial Government of North Sumatra. This research is a qualitative research with an exploratory approach. The data used in this study were obtained by interviewing and documentation studies. It was concluded that from the six grant expenditure management processes, there is a process that every year experiences an obstacle, namely the reporting and accountability processes. These obstacles are (1) compliance, (2) the implementation of grant spending which takes a long time because it has to go through several stages, (3) the competence of human resources in the accountability and reporting process. Then communication and information must run well between the grant management and the grant recipients to achieve better accountability for grant spending. Socialization related to grant spending regulations also needs to be improved. Various efforts have been made to create accountability for grant spending in North Sumatra Province, among others, by providing the required report formats to make it easier for grantees and simplify the audit process.
Keywords: Accountability, Grant Spending, Provincial Government

ABSTRAK
Penelitian ini bertujuan untuk menganalisa akuntabilitas belanja hibah pada Pemerintah Provinsi Sumatera Utara. Penelitian ini merupakan penelitian kualitatif dengan pendekatan eksploratif. Data yang digunakan dalam penelitian ini diperoleh dengan teknik wawancara dan studi dokumentasi disimpulkan dari keenam proses pengelolaan belanja hibah, terdapat proses yang setiap tahun mengalami sebuah kendala yaitu proses pelaporan dan pertanggungjawaban. Kendala-kendala tersebut adalah (1) kepatuhan, (2) pelaksanaan belanja hibah yang memerlukan waktu yang lama karena harus melewati beberapa tahapan, (3) kompetensi sumber daya manusia dalam proses pertanggungjawaban dan pelaporan. Kemudian komunikasi dan informasi harus berjalan dengan baik antara pihak pengelola hibah dengan pihak penerima hibah untuk mewujudkan akuntabilitas belanja hibah yang lebih baik. Sosialisasi terkait peraturan-peraturan belanja hibah juga perlu untuk ditingkatkan. Berbagai upaya telah dilakukan untuk menciptakan akuntabilitas belanja hibah pada Provinsi Sumatera Utara antara lain yaitu menyediakan format-format laporan yang dibutuhkan untuk mempermudah para penerima hibah dan mempermudah proses pemeriksaan.
Kata Kunci: Akuntabilitas, Belanja Hibah, Pemerintah Provinsi
ANALISIS COMMON SIZE DALAM MENILAI KINERJA KEUANGAN PT INDOFOOD SUKSESMAKMUR TBK PERIODE (2019-2020)
Authors: Zidane Padillah Ahmad , Sulistyo Hari 
Published: June 2024

ABSTRACT
In knowing the company's financial performance, a tool called a report is needed. This study aims to assess the financial performance of PT Indofood Sukses Makmur in the 2019-2020 period by applying the general size analysis method related to the components of the balance sheet and income statement for 2019-2020. The method used in this research is descriptive research with a quantitative approach. The data of this research were collected by using the company's financial documentation method which obtained a report from the website www.idx.id. The results of the research for operations from the balance sheet, the results obtained indicate that all accounts in the asset account have decreased in 2020. The reasons include the occurrence of the covid 19 pandemic which causes companies to carry out their activities. Furthermore, the results of the study also show that in obtaining assets, the company allocates funds from capital and most of it comes from debt (liabilities) which will result in heavy burdens for the company and low creditor safety margins. Then when viewed from the income statement, it was found that in obtaining net income, the company was able to increase the component of the net profit account from the previous year, thus the company's financial performance was good enough, causing the company's profitability to increase.
Keywords : Balance Sheet, Financial Statement, Financial Performance, Common Size, Income Statement

ABSTRAK
Dalam mengetahui kinerja keuangan perusahaan diperlukan sebuah alat yang disebut laporan keuangan. Penelitian ini bertujuan untuk menilai kinerja keuangan PT Indofood Sukses Makmur pada periode 2019- 2020 dengan menerapkan metode analisis common size yang perhitungannya berkaitan dengan komponen neraca dan laporan laba rugi tahun 2019-2020. Metode yang digunakan pada penelitian ini adalah penelitian deskriptif dengan pendekatan kuantitatif. Data penelitian ini dikumpulkan dengan metode dokumentasi perusahaan yang memperoleh laporan keuangan dari situs www.idx.id . Hasil penelitian membuktikan jika ditinjau dari neraca , hasil yang diperoleh menunjukkan bahwa semua akun yang ada di pos aktiva mengalami penurunan pada tahun 2020. Penyebabnya antara lain terjadinya pandemi covid 19 yang menyebabkan perusahaan harus menutupi kegiatan operasionalnya. Selanjutnya hasil penelitian juga menunjukkan bahwa dalam memperoleh aktiva, perusahaan mengalokasikan dananya dari modal dan sebagian besar lagi berasal dari utang (liabilitas) yang akan mengakibatkan perusahaan menanggung beban berat dan margin of safety kreditur yang rendah. Kemudian jika dilihat dari laporan laba rugi, diperoleh bahwa dalam memperoleh laba bersih, perusahaan mampu meningkatkan komponen akun laba bersih dari tahun sebelumnya, dengan demikian kinerja keuangan perusahaan sudah cukup baik sehingga menyebabkan rentabilitas perusahaan yang meningkat.
Kata Kunci : Neraca, Laporan Keuangan, Kinerja Keuangan, Common Size, Laporan Laba Rugi
PENGARUH KINERJA KEUANGAN TERHADAP HARGA SAHAM PADA PERUSAHAAN SEKTOR HEALTHCARE YANG TERDAFTAR DI BURSA EFEK INDONESIA
Authors: Arrosyida Via , Khoiriawati Novi 
Published: June 2024

ABSTRACT
This study aim to examines and analyze the effect of financial performance that is projected with financial ratios in the form of quick ratio (QR), total asset turnover (TATO), net profit margin (NPM), earning per share (EPS), price to earning ratio (PER), and price to book value (PBV) on stock price. The type of research used is quantitative asosiatif research. Data collection technic used is documents review. The data source derived from secondary data of annual financial report and annual closing price of stock. The population of this study is healthcare sector companies listed on the Indonesian Stock Exchange totaling 24 companies. 50 samples in this study were selected by purposive sampling method and analyzed using panel data regression. The result showed that QR, TATO, and NPM had no positive significant effect on stock price, EPS and PER had positive land no significant effect on stock price, while PBV had positive significant effect on stock price. The study result imply that investors of healthcare sector companies listed on the Indonesian Stock Exchangenot not paying attention to QR, TATO, NPM, EPS, PER, except PBV in terms of making decision to buy stock price.
Keywords: Stock Price, Financial Performance, Financial Ratio