bluuebunny/crossref_metadata_2025_split huggingface dataset:
Using Sandblasting and Sol Gel Techniques for the Preparation of a Metal Surface and Their Effects on the Durability of Epoxy-Bonded Joints
Authors: Sałaciński Michał , Zabłocka Magdalena , Synaszko Piotr 
Published: May 2013

Abstract
The epoxy-bonded joints are widely employed in aerospace in the Composite Patch Bonded Repair (CPBR) method used for repair metallic and composite structures. The properties of epoxy usually meet the mechanical and environmental requirements, but the durability of bonded joints depends also on the surface preparation.
The most common techniques used for the surface preparation are Forest Product Laboratory’s (FPL) technique and Phosphoric Acid Anodizing (PAA). Both methods ensure very good adhesion but they have some disadvantages. They require the application of toxic and aggressive acids, dangerous for the operator. Also, the use of acids for cleaning the surfaces can cause corrosion.
The sandblasting treatment of metal surfaces ensures quite good adhesion. This technique requires neither specialist equipment nor the use of toxic substances. Recommended by the Royal Australian Air Force (RAAF) the technique is also used by the Air Force Institute of Technology.
Sol Gel is a new product developed for the treatment of metal surfaces before bonding. It is not hazardous for the operator and it does not cause corrosion due to its specific chemical composition.
The article describes the behavior of bonded joints between two metal surfaces prepared using sandblasting and Sol Gel. The investigations were carried out in various environment conditions according to the ASTM Standards.
Prevalence and Associated Risk Factors of Hypertension Among People Aged 50 years and more in Banepa Municipality, Nepal
Authors: Manandhar Kedar , Koju R , Sinha NP , Humagain S 
Published: May 2013

Background Hypertension is a cardiovascular disorder rapidly emerging as a major public health problem in developing countries and is the most widely recognized modifiable risk factor for cardiovascular diseases. Objective The objective of this study was to find out the prevalence and associated risk factors with hypertension among people aged 50 years and more in Banepa Municipality, Kavre, Nepal. Methods It is a cross- sectional, population based study which was carried out in Banepa Municipality from May 15 to June 15, 2009. Among total 11 wards of Banepa municipally, wards number 1, 3, 5, 6, 7, and 10 were selected by using Simple Random Sampling Technique and 405 subjects of people aged 50 years and more were selected for study from the selected wards by using Cluster Sampling. The structured interview method was used for collection of data. Mercury sphygmomanometers with standard cuff were used to measure the indirect auscultatory arterial blood pressure. Two consecutive blood pressure readings were taken and average of them was calculated to determine single value of blood pressure. Results The prevalence of hypertension was 44.9 percent (47.75% in male and 42.73% in females). Among them, only 32.9 percent (60/182) were previously diagnosed as hypertension. The higher proportion of hypertensive cases were in age > 65 years (55.49%) than in the age group < 65 years (36.32%). The prevalence of hypertension was seen positively associated with non vegetarian eating habits, alcohol consumption, and > 25 Body max index. Taking green leafy vegetable at least once a week was negatively associated with the prevalence of the hypertension. Conclusion These findings provide important information on the prevalence, associated factors of hypertension in Banepa Municipality. Effective public health measures and strategies are needed to improve prevention, diagnosis and access to treatment of these 50 years and above population. Kathmandu University Medical Journal | VOL.10 | NO. 3 | ISSUE 39 | JUL- SEP 2012 | Page 35-38 DOI: http://dx.doi.org/10.3126/kumj.v10i3.8015
Occupational Radiation Exposure in Health Care Facilities
Authors: Bhatt Chhavi Raj , Widmark A , Shrestha SL , Khanal T , Ween B 
Published: May 2013

Background Radiation, which is used extensively to diagnose and treat human diseases, poses an occupational health risk for the concerned health workers. Personal dosimetry is an important tool to monitor occupational radiation exposures. Objective This study was conducted to reveal and to describe the situation of occupational radiation exposure monitoring among staffs in different health care facilities in Nepal. Methods A cross-sectional study was performed among the 35 Health Care Facilities. Information about types and number of X-ray procedures performed, types and number of personnel involved, workload and the availability of personal dosimetry service were collected. Results Six Health Care Facilities had personal dosimetry service available for a total of 149 personnel. Of a total of nearly one million X-ray procedures performed in the 35 Health Care Facilities in 2007, 76 % was performed by non-monitored personnel. The majority of the facilities performing high dose procedures, like catheterisation, angiography and intestinal barium procedures did not offer personal dosimetry for the involved personnel. Conclusion There are a limited number of personnel being monitored with personal dosimetry. There are no regulatory dose limits for occupationally exposed staff. Thus, there is an urgent need to establish a national radiation protection authority to regulate the use of radiation in Nepal. Kathmandu University Medical Journal | VOL.10 | NO. 3 | ISSUE 39 | JUL- SEP 2012 | Page 48-51 DOI: http://dx.doi.org/10.3126/kumj.v10i3.8019
Terre d'accueil. Offrir aux jeunes des lieux porteurs d'espoir
Authors: Cornillat Martine 
Published: May 2013

"Terre d' Accueil" : den jungen Leuten Orte voller hoffnung anbieten.
Das ländliche Milieu führt auch zu Ausschliessungen, die weniger sichtbar sind als im städtischen Milieu, aber genau so dramatisch. Die Frauen und die jungen leute sind besonders betroffen. Eine vielseitige Aktivität bietet für einige diehoffnung, auf dem Land bleiben zu können. Das Projekt « Terre dAccueil» stützt sich auf diesen Willen zur Neuorientierung der bäuerlichen Aktivität und schlägt vor, ihn in alternative Entwicklungsprojekte ein- zubeziehen, die für die Gesamtheit der betroffenen Gebiete vorgesehen sind.
Sie fordern eine neue Vision der Produktion, des wirtschaftlichen Austausches und des Konsums. Obwohl sie nicht speziell die jungen Leute betreffen, erlauben sie auf lokaler Ebene denen, die bleiden wollen, von neuem lebensprojekte zu entwerfen.
Parcours d'une réforme : les I.U.T. A propos d'une circulaire : quel débat?
Authors: Bernard Michel 
Published: May 2013

Grèves et manifestations ont à nouveau marqué les IUT lors du premier trimestre 1995. La cristallisation des revendications a porïé plus précisément sur une circulaire limitant la poursuite des études.
Dans cet article, l'auteur propose d'aller bien au-delà de la circulaire. Il rappelle les principales caractéristiques de la création et de l'évolution des IUT. S'interrogeant sur : quel débat privilégier ? il opte pour une analyse socio-économico-historique des cinquante dernières années, condition pour un projet d'ensemble. Dans cette perspective se situe la réforme des IUT engagée il y a 30 ans. Mais ce débat sur l'ensemble de l'enseignement supérieur n'a sens que s'il intègre le rapport formation initiale - formation continue ainsi que la nouvelle transition vers l'âge adulte, transition de plus en plus longue, incertaine et douloureuse, que connaît un nombre croissant de jeunes.
Pavements «Alexandrins » ou les pièges de l'homonymie
Authors: Bruneau Philippe 
Published: May 2013

Étude de deux textes qui ne peuvent, en dépit de l'homonymie, intervenir à propos des mosaïques d'Alexandrie d'Egypte :
1. Dans l'inventaire d'un hérôon d'Apateira, on lit : ]α Άλεξανδρεινα
ψηφωτα δεκαννέα, Άλεξα[νδρειν - - : Keil et Premerstein, qui l'ont publié [Berichl ùber eine 3. Reise in Lydien, n° 117) proposent sous réserve de restituer en tète [έμβλήματ]α et rapportent Άλεξανδρεινά à Alexandrie d'Egypte.
On montre ici qu'il vaut mieux écrire ]α 'Αλεξανδρεινά, ψηφωτα δεκαεννέα
Άλεξα[νδρεινά en comprenant des mosaïques unies plutôt que des panneaux polychromes, et qu'on a toutes les raisons de penser à une Alexandrie proche d'Apateira plutôt qu'à la lointaine capitale égyptienne.
2. L'alexandrinum opus mentionné par Lampride, Sev. Alex., 25, n'a rien à voir non plus, quoi qu'on en ait dit, avec Alexandrie d'Egypte. L'usage de nommer des produits fabriqués par le nom des empereurs est si répandu à l'époque qu'on n'a aucune raison de douter du témoignage de Lampride et qu'il convient bien d'expliquer le nom de l'opus alexandrinum par celui de Sévère Alexandre.
Postmodern transfiguration of the dramatic landscapes of Bosnia and Herzegovina, Croatia, Serbia and Montenegro
Authors: Panovski Naum 
Published: May 2013

Postmodernistička transfiguracija dramskih pejzaža Bosne i Hercegovine, Hrvatske i Srbije i Crne Gore

Ističu se obeležja postmodrnizma, kao načina mišljenja i delanja, koje autor prepoznaje u nedavnoj savremenoj balkanskoj stvarnosti (linearnost, sporost kretanja, kretanje u natrag, dekreativnost...). U novom Vebstrovom rečniku američkog jezika uvedena je leksička jedinica balkanizirati sa značenjem poděliti na male delove; balkanizacija u političkoj terminologiji znači dekonstrukcija, dezintegracija, fragmentacija, konfrontacija, orijentacija prema sebi, samo-izolacija... Postmodernizam i balkanizacija izražavaju isti defetistički horizont dehumanizacije. Jugoslavija je bila podvrgnuta dehumanizaciji i postmodernističkoj fragmentaciji nasilnom i brutalnom transformacijom njenih prostora.
Izvesni dramski pisci i ljudi od teatra sa ovih prostora, prateći signale etničkih impulsa i pripadnosti 'svojoj krvi' izabrali su da pripadaju 'svojima' - odbijajući tako druge. Mešajući svoju komunističku prošlost sa nacionalistčkom sadašnjošću, postali su palanački dobošari, vikači i branitelji 'krvi i tla'. U svojim radovima oni stvaraju jedan zatvoren, i samo njihov, svet.
Pisci mlađe genracije su ostali zarobljenici kancerogenog prostora beznađa. I uprkos individualnim iskazima i čvrstim suprostavljanjima, oni nisu mogli da dosegnu kritičku distancu. Postali su, nažalost, sluge novog boga zabave, profita i brzog uspeha. Tako se, možemo reći, rodila balkanska estetika 'krvi i spreme' i njihovi svetovi obeleženi ratovima mržnje, ispunjeni brutalnošću i nasiljem, vulgarnošću, očajem, cinizmom, nedostakom ljubavi i nade. Almir Imširević, Filip Šovagović i Biljana Srbljanović stvaraju slike sveta koje su tematski lokalne, parohijalne, samodovoljne, estetski zasnovane na realističkoj tradiciji pozo- rišta dvadesetog veka.
Za razliku od njih, Dževad Karahasan, Slobodan Šnajder i Filip David pokušavaju da kritički sagledaju pogubnu realnost i tako izraze svoje nezadovoljstvo. Ipak, postmodernistički pejzaž transfigurisanog balkanskog prostora, koji se pojavio na ruševinama Berlinskog zida, a koji je podigao nove visoke zidove oko svojih izolovanih fragmenata narcisoidnosti, čeka svoju novu dramu.
La scène emprisonnée – les échos de la guerre, le cas des Tableaux de Marija de Lydija Scheuerman Hodak
Authors: Nikcevic Sanja 
Published: May 2013

Zarobljena scena - odjeci rata slučaj Marijinih slika Lydije Scheuerman Hodak

Monodrama Marijine slike Lydije Scheuerman Hodak imaju oznaku «istinite priče» о silovanju u ratu, о dvije žene, Mariji, majci, i Luciji, njezinoj kćeri, koje iz okupiranog slavonskog sela kroz minsko polje dolaze u osječku bolnicu; majka je putem pobacila, a kćerka rodi kćer i umre na porodu. Prebacujući fokus s jednog mogućeg tragičkog junaka (kćer) na drugog (baku), ovo je i priča о životu, urađena na kontrapunktu harmonije i mira, odnosno «sretnog sjećanja» i ratnih sjećanja, «slika strave». Iako priču priča jedan glas, Marijin, drama se ne ograničava samo na njezinu priču, nego govori i priču Marijine doktorice, psihijatrice Ksenije.
Pored međunarodnog odjeka (tiskana u Nemačkoj i Americi, izvedena na poljskom i perzijskom jeziku, viđena na više inostranih kazališnih festivala), drama nije imala adekvatan hrvatski kazališni odgovor. Mada objavljene u Hrvatskoj, Marijine slike su se pojavile samo u jednoj privatnoj izvedbi. Drama se ne može uklopiti u vladajući trend tzv. "nove evropske drame". Ni hrvatsko, ni evropsko kazalište ne voli emotivne komade, već radije poseže za intelektualnim ili metaforičkim odgovorima na stvarnost.
Pored činjenice da rat kao tema nije bio često prisutan na hrvatskoj sceni, koji su još razlozi odbijanja? Najpre, suviše snažna realnost koju smo živjeli ili pratili na TV ekranima bila teško prevodiva u kazališni jezik, zatim želja za zaboravom i normalnim životom, kada se kazalište doživljava kao trenutak zaborava ratne stvarnosti i privida normalnog života. Tu su još psihološki osjećaj krivice ili sindrom preživjelog i strah od cenzure, kao i činjenica da ovaj tekst nije ni za vrijeme, a ni nakon rata odgovarao niti jednoj od vladajućih političkih opcija u zemlji: onima koji smatraju da «što prije treba zaboraviti» i drugima da «ne smijemo nikada zaboraviti».
Si c'était un spectacle... d'Almir Imširević : l'impossibilité d'une dramaturgie de la guerre dans le théâtre d'aujourd'hui
Authors: Thomas Paul-Louis 
Published: May 2013

Almir Imširević, Kad bi ovo bila predstava...: Nemogućnost ratne dramaturgije danas

Najpre je pažnja na elementima koji prethode primarnom tekstu, zatim se razmatraju podela dijaloškog teksta na celine i situacije dramskog iskazivanja, narativna i diskursivna struktura, tematska i dramaturška intertekstualnost, leksička izotopija i teme, prostor i vreme, kao i teza i «atmosfera» pozorišnog komada.
Dramski tekst je hipotetički doznačen naslovom komada koji je nezavršena, nedorečena kondicionalna rečenica, što dovodi u pitanje mogućnost da se on obrazuje kao pozorišna predstava. Postoje igra interteksta i interferencije semantičkih serija u žanrovskoj indikaciji, uputstvu pisca i napomenama. Lista likova mesa fikcionalni i referencijalni svet, obuhvatajući sve učesnike pozorišne predstave, od pisca do gledalaca. U tekstu podeljenom na tri dela, centralni deo komada čini priču stvorenu znalačkom igrom smenjivanja scena, i bez formalne deobe ona se razvija u intrigu. Jedan niz ulazaka je u službi glavnog lika, Ishaka, dok druga serija scena potpomaže njegovo ispitivanje, različitim verzijama istog događaja. «Reteatra- lizacija» se obavlja uvek novim nenadanim preokretima i kulminira dolaskom lika Almira Imširevića koji rastura stvorenu konstrukciju, tako znalački sagrađenu, otkrivajući da nije bilo nikakvog Ishaka.
Dramske sudbine likova Hamleta, Sirana, kao i književnika Miroslava Krleže i prestolo- naslednika Ferdinanda održavajuju vezu pozorišta i rata i javljaju se kao tematska intertekstualnost, dok dramaturška intertekstualnost stilskih vežbi na način Rejmona Kenoa učestvuje u narativnoj strukturi komada. Leksička polja pozorišta i rata su prisutna u čitavom komadu, dok leksika kolebanja i negacija sa ključnom replikom autora kao lika «Ja ne mogu napisati dramu о ratu» dovode do pitanja o (ne)mogućnosti «klasične» ratne dramaturgije. Inače, ovaj komad Imširevića odbacuje klasične dramske kategorije lik, akciju i smisao.
Le théâtre actuel serbe et croate à travers ses projections sur la scène française
Authors: Sadowska-Guillon Irène 
Published: May 2013

Srpsko, hrvatsko i bosansko pozorište – projekcije na francuskoj sceni

Francuska pozorišna scena u principu ima nepoverenje u dramaturgije koje nisu anglosaksonske i nemačke. Otkriće balkanskih pozorišta u Francuskoj je novijeg datuma. Tragičan raspad i ratovi u eks-Jugoslaviji su mobilisali intelektualni i umetnički milje u vidu brojnih akcija protiv rata. Politički, etički i umetnički angažman imao je udela u otkrivanju zapadno- balkanskih dramskih pisaca. Miloš Lazin se potrudio da predstavi autore sa Balkana, režirajući njihove tekstove, pre «oficijelnih otkrića» tih tekstova.
U cilju obogaćenja repertoara dramskim delima trajnu inicijativu pokazuje delatnost Kuće Antoan Vitez (Međunarodni centar za prevod pozorišnih dela) i «L'Espace d'un instant», koji kao kriterijum za izbor tekstova, pored estetičkih kriterija, uglavnom ima problematiku rata i njegovih posledica, identitet, političku i društvenu posleratnu transformaciju. Dominik Dolmije i Selin Bark iz izdavačke kuće «L'Espace d'un instant» su objavili više autora, među kojima dela Almira Imširevića i Abdulaha Sidrana iz Bosne i Hercegovine, Slobodana Šnajdera iz Hrvatske i Igora Bojovića iz Srbije i Crne Gore.
Autor rada ukazuje na referencijalne režije u Francuskoj Vidosava Stevanovića Hotel Evropa i Slobodana Šnajdera lnes i Deniz (obe u režiji Miloša Lazina). U odnosu na Nemačku, u kojoj su drame Biljane Srbljanović doživele više scenskih postavki, njeno je prisustvo u francuskom pozorištu skromnije, zbog osobenosti francuske scene koja zahteva ekskluzivnost. Piše о recepciji njenih Porodičnih priča u režiji Andrea Vilmsa, Pada Žan- Kloda Berutija i Supermarketu Kristijana Benedetija, najavljujući parišku premijeru Profesionalca Duška Kovačevića.
Une femme de deux espaces : Pauline de Schwarzenberg
Authors: Lenderova Milena 
Published: May 2013

Between Family Life and the Milieu of the Salons: Pauline of Schwarzenberg

Pauline of Schwarzenberg (1774-1810) – wife of Joseph I, Earl of Schwarzenberg, the founder of the Schwarzenberg primogeniture and sister-in-law of a famous marshal – stays in the public mind as the tragic victim of the fire in the Austrian Embassy in Paris on 1 July 1810. This tragic event made it possible that the Countess of Schwarzenberg lived a 'life after life': her image was created and finalized during the 19th century.
However, it seems to be rather unfair to the Countess since it was not her death, but first of all her life that made her a really exceptional personality, standing out due to her distinct talent for fine arts, the gift of excellent written communication (her correspondence is a real reading experience), but also due to the fact that she adopted Rousseau' s model of 'nouvelle mère', that is of a mother who takes care of her child from the very beginning breast-feeding it, looking after its health, education and socialization.
However, her motherhood did not lead the Countess away from her usual duties relating to the position of wife of the governing Count of Schwarzenberg: she was able to comply with the requirements for representation, social life, économie matters and philanthropy. The Countess maintained extensive correspondence with her parents, her husband who was often tied up by his duties outside home, and with her friends. She had a nice friendship with Mrs de Staël in Vienna, playing in theatre performances under the writer's direction.
Countess of Swarzenberg was an experienced reader and used to think about what she had read. She contributed to the establishment of the park in Třeboň. Pauline of Schwarzenberg also was a good painter – the album of her drawings containing gently feminine views of places she was familiar with was published in Paris.
Countess Pauline was a talented, skillful, and active aristocrat who was, perhaps unwittingly, aware of the fact that the life style based on the ancestry privileges would soon be over.
L'influence de la famille Illésházy sur la vie politique et culturelle dans la première moitié du XVIIe siècle
Authors: Frimmova Eva 
Published: May 2013

Der Einfluss der Ilešházis auf das politische und kulturelle Leben in der ersten Hälfe des XVII. Jahrhunderts

Das ungarische Adelgeschlecht Ilešházi spielte seit Ende des 16. Jahrhunderts eine bedeutende Rolle im Gebiet der heutigen Slowakei; während 240 Jahren ubten Mitglieder dieser Familie höchste politische Funktionen aus und waren Erbgespane der Komitate Trenčín, Liptov und sporadisch auch des Komitats Orava. Im Beitrag stellt die Verfasserin den Palatin Stephan Ilešházi (1541-1609) und seinen Neffe Gašpar (1593-1648) im historischen Hintergrund dar. Nach der Turkenvertreibung kam ihnen als Vertreten in der Phase der Konsolidierung des Landes unter den Habsburgischen Kaisern eine bedeutende Rolle zu. Diese Epoche kann man ebenfalls durch die gegenhabsburgische Aufstände charakterisieren sowie im geistigen Gebiet durch die Renaissance- und späthumanistische Einflusse und durch die Reformation- und Gegenreformationauswirkungen.
Hierbei spielte immer die Bildung, die sich heute noch an den Druckerzeugnissen und Bibliotheken ablesen lässt, eine wichtige Rolle. Ausdruckvoller Einfluss der Ilešházi auf das kulturelle Geschehen und ihr gesamtes Bildungsniveau kann in mehreren Ebenen beobachten werden, wobei gerade das Buch dessen bestes Zeugnis ist. Die schrittweise gebaute Familien- bibliothek, in gegenwart erhalten in der Ungarischen Nationalbibliothek in Budapest, spiegeit Interessenprofil einzelner Familienmitglieder wider. Die Besitzervermerke in Bíichern weisen auf Art und Weise des Erwerbs und auf verschiedene Familien-, Arbeits- und Freundschafts- beziehungen hin. Sie kamen in Beruhrung mit verschiedenen beriihmten Persônlichkeiten des kulturellen und Kirchenlebens und gerade Widmungen in Buchern die Aktivitäten der Ilešházis in Unterstutzung der Kirche, des Schulwesens oder des Buchdrucks dokumentieren.
La noblesse de la monarchie des Habsbourg au cœur de la République des lettres européenne : le cas de la relation entre Windischgrätz et Condorcet
Authors: Ondo-Grecenkova Martina 
Published: May 2013

The Nobility of the Habsburg Monarchy at Heart of the European Republic of Letters: The Case of the Relation Between Windischgrätz und Condorcet

Josef Mikuláš count Windischgrätz (1744 to 1802), a man of science and philosopher of the Enlightenment, was the descendent of a venerable noble family residing in Bohemia since the 16th century. At the turn of years 1784/1785 he announced a prize for solving the problem how to improve the legal acts by means of political arithmetic, which was a topical method in those days. Such a project stimulated a broad intellectual correspondence among the scientists and statesmen from different countries.
Over the years 1785 to 1789 some fifty persons from all Europe (and even from all over the 'world') joined this project, for instance Richard Price and the knight Banks from the London Royal Society, Adam Smith from the Royal Society of Edinburgh, the permanent secretary of the Berlin Academy Jean Henri Samuel Formay and the mathematician La Grange from the same scientific society, then Carmer, chancellor of the king of Prussia, professor of law at the University of Basel d'Annone, then Jean Marie Lampredi, professor at the University in Pisa, members of the French Academy of Sciences Condorcet, Duséjour, Borda, Lapiace, the abbé de Rochon, the German philosopher Frédéric-Henri Jacobi, Joseph Mader, the future professor of statistics at the Prague University, the Belgian mathematician count Nieuport or the ministers of Joseph II, Cobenzel and Karel Zinzendorf. Even Benjamin Franklin took part and mediated the propagation of the project in America. Thus the idea of Windischgrätz stimulated a wide correspondence network, which interconnected Paris, Brussels, Prague, Vienna, London, Edinburgh, Basel, Berlin, Dusseldorf, Magdeburg, Strasburg, Pisa, St. Petersburg and smaller localities like Tachov or St. Nicholas of Liptov. Participating in this network were not only individual persons but also the well known scientific institutions of that time: the Academy of Sciences in Paris, the Royal Society of London, the Royal Society in Edinburgh, the University of Basel, the Academy of Berlin.
Windischgrätz made the most ample correspondence with the mathematician Condorcet. Besides the political arithmetic they used to discuss the issues of political economy, universal language, enlightened constitutional reforms, exchanged information on political and cultural events in France and in the Habsburg monarchy and exchanged the literature of Enlightenment. This correspondence is significant for the history of science and administration, the cultural and intellectual history and as a document of mutual perception. It is also important for the study of the elite and nobility of the Habsburg monarchy and its integration into the European intellectual community.