bluuebunny/crossref_metadata_2025_split huggingface dataset:
RUSKIN REDIVIVUS
Authors: Conner Patrick 
Published: December 2013

Ruskin and Venice by Jeanne Clegg, London: Junction Books, 1981, 233 pp., 11 ills, £12.50John Ruskin's Modern Painters I and II: A Phenomenological Analysis by Geoffrey F. DeSylva, Ann Arbor, Michigan: UMI Research Press, 1981, 286 pp., £27.50Art and Society: Ruskin in Sheffield 1876 by Robert Hewison, Guild of St George, 1981, 23 pp., £1.50New Approaches to Ruskin: Thirteen Essays ed. Robert Hewison, London: Routledge & Kegan Paul, 1981, 229 pp., 6 ills, £10.95The Ruskin Polygon: Essays on the Imagination of John Ruskin ed. John Dixon Hunt and Faith Holland, Manchester University Press, 1982, 284 pp., 66 ills, £30Studies in Ruskin: Essays in Honor of Van Akin Burd ed. Robert Rhodes and Del Ivan Janik, Athens, Ohio: Ohio University Press, 1982, 224 pp., 7 ills, £17.85The Wider Sea: A Life of John Ruskin by John Dixon Hunt, London: Dent, 1982, 512 pp., £15.95John Ruskin: Letters from the Continent 1858 ed. John Hayman, University of Toronto Press, 1982, 207 pp., 12 ills, £19.50John Ruskin and Alfred Hunt: New Letters and a Record of their Friendship ed. Robert Secor, Victoria, Canada: English Literary Studies, University of Victoria, 1982, 136 pp., 10 ills, £5The Poison Sky: Myth and Apocalypse in Ruskin by Raymond E. Fitch, Athens, Ohio: Ohio University Press, 1982, 722 pp., 26 ills, £21Ruskin and the Art of the Beholder by Elizabeth K. Heisinger, Cambridge, Mass.: Harvard University Press, 1982, 342 pp., 26 ills, £20Ruskin, The Critical Heritage, ed. J.L. Bradley, London: Routledge & Kegan Paul, 1984, 436 pp., £18.95Ruskin and St Mark's, by John Unrau, London: Thames & Hudson, 1984, 240 pp., 166 ills, £12.50
RAPHAEL REDIVIVUS?
Authors: Puttfarken Thomas 
Published: December 2013

Raphael. The Life and the Legacy by David Thompson, London: BBC Publications, 1983, 256 pp., 222 ills, £16Raphael by Roger Jones and Nicholas Penny, New Haven and London: Yale University Press, 1983, 256 pp., 273 ills, £15.95The Drawings of Raphael, With a Complete Catalogue by Paul Joannides, Oxford: Phaidon, 1983, 272 pp., 690 ills, 8 colour pls, £65
PROMOTING FANTIN, MODERATING MANET
Authors: Thomson Richard 
Published: December 2013

Fantin‐Latour (Paris, Grand Palais; Ottawa, National Gallery of Canada; San Francisco, California Palace of the Legion of Honour), by Douglas Druick and Michel Hoog, 1982–3, 372 pp., c. 250 ills, 24 in colour, £29.95 (paperback)Manet, 1832–1883 (Paris, Grand Palais; New York, Metropolitan Museum), by Françoise Cachin, Charles Moffett and Juliet Wilson Bareau, 1983, 548 pp., c. 410 ills, many in colour, £25 (paperback)Manet and Modern Paris (Washington, National Gallery of Art), by Theodore Reff, 1982–3, 280 pp., c. 240 ills, many in colour, £31.95 (hardback, University of Chicago Press)
AREAS OF TENSION 900–1200
Authors: Wood Ian 
Published: December 2013

The Golden Age of Anglo‐Saxon Art ed. by J. Backhouse, D.H. Turner and Leslie Webster, London: British Museum, 1984, 216 pp., c. 300 ills, 32 in colour, £10English Romanesque Art 1066–1200 ed. by George Zarnecki, Janet Holt and Tristram Holland, London: Arts Council and Weidenfeld & Nicolson, 1984, 416 pp., c. 500 ills, 50 in colour, £19.95 cased, £10.95 paper
GRIST TO THE MILL
Authors: Ford Charles 
Published: December 2013

The Age of Vermeer and De Hooch: Masterpieces of Seventeenth‐Century Dutch Genre Painting, University of Pennsylvania Press and the Symposium: Images of the World: Dutch Genre Painting in its Historical Context, Royal Academy of Arts, 9–10 November 1984.The Golden Age. Dutch Painters of the Seventeenth‐Century by Bob Haak, London: Thames & Hudson, 1984, 536 pp., 1117 ills (74 in colour), £40The Dutch Arcadia. Pastoral Art and its Audience in the Golden Age by Alison McNeil Kettering, New Jersey: Montclair, 1983, 339 pp., 200 b & w ills, £45
FROM PLATO TO WARBURG
Authors: Podro Michael 
Published: December 2013

The Eloquence of Symbols. Studies in Humanist Art by Edgar Wind, ed. by Jaynie Anderson with a biographical memoir by Hugh Lloyd‐Jones, Oxford: Clarendon Press, 1983, 192 pp., 59 ills, £25The History of Art as the History of Ideas by Max Dvořák, trans, by John Hardy, London: Routledge & Kegan Paul, 1984, 114 pp., 41 ills, £14.95
ISLAMIC ART: ‘INFINITE RICHES IN A LITTLE ROOM‘?
Authors: Hillenbrand Robert 
Published: December 2013

Persian Paintings in the John Rylands Library by Basil W. Robinson, London: Sotheby Parke Bernet, 1980, 365 pp., 315 ills, 16 colour pls, £40Miniatures from Turkish Manuscripts. A Catalogue and Subject Index of Paintings in the British Library and British Museum by Norah M. Titley, London: The British Library, 1981, 144 pp., 54 ills, £45Islamic Metalwork from the Iranian World. 8–18th centuries by Assadullah Souren Melikian‐Chirvani, London: HMSO, 1982, 443 pp., 425 ills, 1 colour pl., £60Arts of the Islamic Book. The Collection of Prince Sadruddin Aga Khan (New York, The Asia Society) by Anthony Welch and Stuart Cary Welch, Ithaca and London: Cornell University Press, for The Asia Society, 1982, 240 pp., 80 ills, 24 colour pls, £42 cloth, £17.50 paper1400 Years of Islamic Art. A Descriptive Catalogue (London, Khalili Gallery) by Géza Fehérvári and Yasin H. Safadi, London, 1981, 247 pp., 165 colour pls, £20Exhibition of Islamic Art. Iranian Lustreware of the Thirteenth Century (London, Mansour Gallery) by Géza Fehérvári, London, 1979, 61 pp., 17 colour plsThe Arts of the Book in Central Asia, general editor Basil Gray, London and Paris: Serindia Publications and UNESCO, 1979, 314 pp., 171 ills, 78 colour pls, £40Mamluk Painting by Duncan Haldane, Warminster: Aris & Phillips, 1978, 107 pp., 72 ills, 1 colour pl., £18Paradise as a Garden in Persia and Mughal India by Elizabeth B. Moynihan, London: Scolar Press, 1980, 168 pp., 110 ills, £12.50Spanisch‐Islamiche Systeme sich kreuzender Bögen. III. Die Aljafería in Zaragoza (3 vols) by Christian Ewert, Berlin: Walter de Gruyter, 1978–80, 303 pp., 4 tables, 59 figures, 92 plates, 42 fold‐out diagrams, 450 DMLashkari Bazar. Une résidence royale ghaznévide et ghoride (3 vols) 1A: l'architecture by Daniel Schlumberger; 1B: Le décor non figuratif et les inscriptions by Janine Sourdel‐Thomine, Paris: de Boccard, 1978, 110 and 77 pp., 152 plsIslamische Baukunst in Afghanisch‐S£st£n. Mit einem geschichtlichem Überblick von Alexander dem Grossen bis zur Zeit der Safawiden‐Dynastie by Manfred Klinkott, Berlin: Dietrich Reimer, 1982, 295 pp., 172 line drawings and 7 fold‐out diagrams, 90 DMDie Seldschuken. Baukunst des Islam in Persien und Turkmenien by Dietrich Brandenburg and Kurt Brüsehoff, Graz: Akademische Druck‐ und Verlagsanstalt, 1980, 93 pp., 34 figures, 72 ills, 11 colour plsView of Medieval Bhutan. The Diary and Drawings of Samuel Davis 1783 by Michael Aris, London: Serindia Publications and Washington, DC: Smithsonian Institute Press, 1982, 124 pp., 66 ills, 13 colour pls, £18
REAPPRAISING RENOIR
Authors: Adler Kathleen 
Published: December 2013

Renoir, catalogue by John House and Anne Distel, with essays by John House, Anne Distel and Lawrence Gowing, London: Arts Council of Great Britain, 1985, 324 pp., ills in colour and b & w, £14.95Renoir, His Life, Art, and Letters by Barbara Ehrlich White, New York: Harry N. Abrams, 1984, 316 pp., 266 b & w ills, 125 colour plates, £60.50Renoir by Walter Pach, London: Thames & Hudson, 1984, 128 pp., 68 ills in colour and b & w, £12.95
THE DISAPPROPRIATION OF ABSTRACT EXPRESSIONISM
Authors: Craven David 
Published: December 2013

Abstract Expressionist Painting in America by William Seitz, published for the National Gallery of Art, Washington DC by Harvard University Press: Cambridge, Mass., and London, England, 1983, 490 pp., 295 ills, 63 colour pls, £48Art‐as‐Politics: The Abstract Expressionist Avant‐Garde and Society by Annette Cox, University Microfilms International, Ann Arbor, Michigan, distributed by Bowker Publishing Company, 1982, 206 pp., 39 ills, £33.25How New York Stole the Idea of Modern Art by Serge Guilbaut, University of Chicago Press, 1983, 276 pp., 23 ills, £19.10
ANTHOLOGIES, MODERNISM, ENTERTAINMENT
Authors: Taylor Roger 
Published: December 2013

Pollock and After: the Critical Debate edited by Francis Frascina, London: Harper & Row, 1985, 266 pp., 6 ills, £6.50Modernism, Criticism, Realism edited by Charles Harrison and Fred Orton, London: Harper & Row, 1984, 280 pp., 7 ills, £6.95
IMPRESSIONISM AND HISTORY: THE REWALD LEGACY
Authors: House John 
Published: December 2013

Studies in Impressionism by John Rewald, London: Thames & Hudson, 1985, 232 pp., 119 ills, £25Cézanne and the End of Impressionism: A Study of the Theory, Technique and Critical Evaluation of Modern Art by Richard Shiff, The University of Chicago Press, 1984, 318 pp., 58 ills, £24.85
THE PHANTOM OF THE SHOW
Authors: Adler Kathleen 
Published: December 2013

The New Painting: Impressionism 1874–1886 directed and co‐ordinated by Charles S. Moffett with the assistance of Ruth Berson and Barbara Lee Williams, Fronia E. Wissman, National Gallery of Art, Washington and San Francisco Museum of Art; Oxford: Phaidon Press, 1986, 506 pp., 204 col. plates, 142 b&w ills, £38A Day in the Country, Impressionism and the French Landscape by Richard Brettelt, Scott Schaefer, Sylvie Gache‐Patin and Françoise Heilbrun, New York: Abrams, 1984, 376 pp., 154 col. plates, 74 b&w ills, £33
THE ART OF EMBELLISHMENT
Authors: Yarrington Alison 
Published: December 2013

Alfred Gilbert by Richard Dorment, New Haven and London: Yale University Press, 1985, 350 pp, 201 ills, 9 col. plates, £19.95Alfred Gilbert: Sculptor of Eros (Royal Academy of Arts, London), exhibition catalogue: Richard Dorment (editor) Alfred Gilbert: Sculptor and Goldsmith, London: Royal Academy of Arts/Weidenfeld & Nicolson, 1986, 224 pp., many ills, 58 col. plates, £16.95 cased, £8.95 paper
THE CONDITIONS OF PHOTOGRAPHIC CULTURE
Authors: Edwards Steve 
Published: December 2013

Photography against the Grain, Essays and Photo Works 1973–1983 by Allan Sekula, Halifax: Press of Nova Scotia College of Art and Design, 1984, 276 pp., 90 ills, £16‘Photography between Labour and CapitaL’ by Allan Sekula in Mining Photographs and Other Pictures: A Selection From the Negative Archive of Shedden Studio, Glace Bay, Cape Breton. 1948–1968, photographs by Leslie Shedden, essays by Don Macgilivray and Allan Sekula, with an introduction by Robert Wilkie, edited by B. Buchloh, Halifax: Press of Nova Scotia College of Art and Design and the University College of Cape Breton, 1983, 278 pp., 208 ills, $25
TERRA FIRMA FOR CONSTABLE AND TURNER
Authors: Powell Cecilia 
Published: December 2013

The Discovery of Constable by Ian Fleming‐Williams and Leslie Parris, London: Hamish Hamilton, 1984, 276 pp., col. frontis, and 155 b & w ills, £25In Turner's Footsteps: Through the Hills and Dales of Northern England by David Hill, London: John Murray, 1984, 128 pp., c. 150 col. and b & w ills, many maps, £12.95The Later Paintings and Drawings of John Constable by Graham Reynolds, 2 vols, New Haven and London: Yale University Press, 1984. Text vol. 324 pp.; plates vol. 1087 ills (250 in colour), £140The Paintings of J.M.W. Turner, revised edition, by Martin Butlin and Evelyn Joll, 2 vols, New Haven and London: Yale University Press, 1984. Text vol. 354 pp.; plates vol. 572 ills (over half in colour), £125
GOTHIC HEIGHTS AND RADIANT LIGHTS
Authors: Gibbs Robert 
Published: December 2013

French Gothic Architecture of the 12th and 13th Centuries by Jean Bony, Berkeley, Los Angeles and London: University of California Press (California Studies in the History of Art 20), 1983, 625 pp., 450 ills, £33.95 paperThe 13th‐century Church at St‐Denis by Caroline Astrid Bruzelius, New Haven and London: Yale University Press, 1985, 223 pp., 76 pls and 34 figs, £30Gothic Stained Glass 1200—1300 by Louis Grodecki and Catherine Brisac, translated from the French Le Vitrail gothique au XIIIe siècle by Barbara Drake Boehm, London: Thames & Hudson, 1985, 278 pp., 167 ills, 60 in colour, £45
BURGIN BETWEEN POLITICS AND ART
Authors: Iversen Margaret 
Published: December 2013

Between by Victor Bürgin Oxford and New York: Basil Blackwell in association with The Institute for Contemporary Art, London, 1986, 190 pp., £10.95The End of Art Theory by Victor Burgin, London: Macmillan, 1986, 221 pp., £6.95 paperback
POWER AND VISIBILITY IN THE CITY
Authors: Pollock Griselda 
Published: December 2013

George Scharf'S London Sketches and Watercolours of a Changing City 1820–1850 by Peter Jackson, London: John Murray, 1987, 154 pp., 148 ills, £14.95Londoners by Celina Fox, London: Thames and Hudson, 1987, 272 pp., 20 colour plates, 237 b. & w. ills., £20
MONOGRAPHIC GOTHIC
Authors: Fernie Eric 
Published: December 2013

Laon Cathedral: Architecture, by W. W. Clark and R. King, Courtauld Institute Archive, London: Harvey Miller, Part 1 1983, 74 pp., 30 b. & w. ills., £15; Part 2 1987, 80 pp., 19 b. & w. ills., £20The Royal Abbey of St‐Denis: from its beginnings to the death of Suger, 475–1151, by Sumner McKnight Crosby, edited and completed by Pamela Z. Blum, New Haven: Yale University Press, 1987, 525 pp., 3 colour plates and 124 b. & w. ills., £45
GWENDOLEN MARY JOHN (1876–1939)
Authors: Cherry Deborah , Beckett Jane 
Published: December 2013

Gwen John by Cecily Langdale, New Haven and London: Yale University Press, 1987, 251 pp., 180 colour plates, 199 b. and w. ills., £29.95Gwen John by Mary Taubman, London: Scolar Press, 1985, 136 pp., 28 colour plates, 44 b. and w. ills., £20
VENETIAN ART REINTERPRETED
Authors: Anderson Jaynie 
Published: December 2013

Venedig. Die Kunst der Renaissance. Architektur, Skulptur, Malerei 1460–1590 by Norbert Huse and Wolfgang Wolters, Munich: C. H. Beck'Sche Verlagsbuchhandlung, 1986, 424 pp., 33 colour plates, 336 b. & w. illus., DM198La Pittura in Italia. Il Quattrocento edited by Federico Zeri and Mauro Natale, Milan: Electa Spa, 740 pp., 280 colour plates, 850 b. & w. illus., L.200,000Venetian Narrative Painting in the Age of Carpaccio by Patricia Fortini Brown, New Haven and London: Yale University Press, 1988, 310 pp., 43 colour plates, 145 b. & w. illus., £35Storia del restauro e della conservazione delle opere d'arte by Alessandro Conti, Milan: Electa Spa, 1988, 383 pp., 193 b. & w. illus., L48,000Piety and Patronage in Renaissance Venice. Bellini, Titian and the Franciscans by Rona Goffen, New Haven and London: Yale University Press, 1986, 285 pp., 4 colour plates, 59 b. & w. illus., £30The Venetian Patriciate. Reality versus Myth by Donald E. Queller, Urbana and Chicago: University of Illinois Press, 1986, 386 pp., $29.95Domenico Tiepolo. The Punchinello Drawings. Introduction and Legends by Adelheid Gealt, preface by James Byam Shaw, London: British Museum Publications, 1987, 197 pp., 77 colour plates, 27 b. & w. illus., £50
PATRONAGE AND ARTISTIC INITIATIVE IN ENGLAND 1700–1760
Authors: Murdoch Tessa 
Published: December 2013

Francis Hayman by Brian Allen, New Haven and London: Yale University Press, 1987, 196 pp., 6 colour plates, 142 b. & w. illus., £20 hardback, £7.95 paperManners and Morals: Hogarth and British Painting 1700–1760 by Elizabeth Einberg and Rica Jones, London, Tate Gallery, 1987, 253 pp., 239 colour plates, £25 hardback, £15.95 paper
THE APOTHEOSIS OF DEGAS
Authors: Adler Kathleen 
Published: December 2013

Degas by Jean Sutherland Boggs with contributions from Douglas W. Druick, Henri Loyrette, Michael Pantazzi, Gary Tinterow, New York and Ottawa: Metropolitan Museum of Art and National Gallery of Art, 1988, 640 pp., 281 colour plates, 447 b. and w. illus., £35.00Degas The Nudes by Richard Thomson, London: Thames and Hudson, 1988, 240 pp., 50 colour plates, 176 b. and w. illus., £28.00Degas by Robert Gordon and Andrew Forge, London: Thames and Hudson, 1988, 288 pp., 121 colour plates, 203 b. and w. illus., £40.00Degas Images of Women by Richard Kendall, with contributions from Anthea Callen and Dillian Gordon, London: Tate Gallery Publications, 1989, 72 pp., 31 colour plates, 64 b. and w. illus., £6.95
SEMPER FIDELIS
Authors: Whyte Iain Boyd 
Published: December 2013

Modern Architecture: A Guidebook for his Students in this Field of Art by Otto Wagner, translated and with an introduction by Harry Francis Mallgrave, Santa Monica: Getty Center Publication Programs, 1988, 185 pp., 46 b. and w. ills., hardback $29.95, paperback $16.95The Four Elements of Architecture and Other Writings by Gottfried Semper, translated by Harry Francis Mallgrave and Wolfgang Herrmann, introduction by Harry Francis Mallgrave, Cambridge and New York: Cambridge University Press, 1989, 314 pp., 45 b. and w. ills., £35
ALBERT PINKHAM RYDER: A KINDER, GENTLER PAINTER?
Authors: Rosenberg Eric M. 
Published: December 2013

Albert Pinkham Ryder by Elizabeth Broun, with catalogue by Eleanor L. Jones, Matthew J. W. Drutt, Sheri L. Bernstein and Elizabeth Broun, Washington, DC: Smithsonian Institution Press, 1989, 344 pp., 50 colour plates, 277 b. & w. illus., $55 hardback, $29.95 paperbackAlbert Pinkham Ryder Painter of Dreams by William Innes Homer and Lloyd Goodrich, New York: Harry N. Abrams, Inc., 1989, 256 pp., 65 colour plates, 106 b. & w. illus, £32.00
HANDY ANDY
Authors: Anfam David 
Published: December 2013

Andy Warhol. A Retrospective, ed. by Kynaston McShine, New York: Museum of Modern Art, 1989, 480 pp., 325 colour plates, 657 b. & w. illus., £35.00Warhol. Conversations about the Artist, by Patrick S. Smith, 1988, Ann Arbor: UMI Research Press, 384 pp., £38.50Warhol, by David Bourdon, 1989, New York: Harry N. Abrams, 85 colour plates, 325 b. & w. illus., £35.00The Work of Andy Warhol, ed. by Gary Garrels, 1989, Seattle: Bay Press, 196 pp., £7.95
ARTFUL REWRITINGS AND INTERPRETIVE REPRESSIONS IN NEW FEMINIST ART HISTORIES
Authors: Jones Amelia 
Published: December 2013

Women, Art and Society by Whitney Chadwick, New York and London: Thames and Hudson, 1990, 384 pp., 193 b. & w. illus., 40 col. plates, £8.95Feminine Sentences: Essays on Women and Culture by Janet Wolff, Berkeley and Los Angeles: University of California Press, 1990, 146 pp., 9 b. & w. illus., hardback $35, paperback $12.95
POUSSIN'S PROSPECTS
Authors: Wine Humphrey 
Published: December 2013

Nicolas Poussin by Alain Mérot, translated by Fabia Claris, London: Thames and Hudson 1990, 336 pp., 98 col. plates, 346 b.&w. illus., £65Nicolas Poussin: Dialectics of Painting by Oskar Bätschmann, translated by Marko Daniel, London: Reaktion Books, 1990, 163 pp., 28 col. plates, 88 b.&w. illus., £27Ideal Landscape: Annibale Carracci, Nicolas Poussin and Claude Lorrain by Margaretha Rossolm Lagerlöf, New Haven and London: Yale University Press, 1990, 247 pp., 40 col. plates, 65 b.&w. illus., £35
UNMASKING ‘OTHERS’, OURSELVES (AND OTHERS)
Authors: Rhodes Colin 
Published: December 2013

Primitive Art in Civilized Places by Sally Price, Chicago and London: University of Chicago Press, 1991, 149 pp., 13 b. & w. illus., £8.75The Myth of Primitivism: Perspectives on Art, edited by Susan Hiller, London and New York: Routledge, 1991, 355 pp., 67 b. & w. illus., £14.99
BODY IMAGES
Authors: Jordanova Ludmilla 
Published: December 2013

The Fabric of the Body. European Traditions of Anatomical Illustration by K.B. Roberts and J.D.W. Tomlinson, Oxford: Oxford University Press, 1992, 638 pp., 8 col. plates, approx. 267 b. & w. illus., £95.00Body Criticism. Imaging the Unseen in Enlightenment Art and Medicine by Barbara Maria Stafford, Cambridge, Mass.: MIT Press, 1991, 587 pp., 247 b. & w. illus., £49.50
EXORCIZING THE DEVIL: A RECONTEXTUALIZATION OF GRÜNEWALD'S ISENHEIM ALTAR
Authors: Stieglitz Ann 
Published: December 2013

The Isenheim Altarpiece: God's Medicine and the Painter's Vision by Andrée Hayum, Princeton, New Jersey and Oxford: Princeton University Press, 1989, 195 pp., 8 col. plates, 84 b. & w. illus., £22.50The Devil at Isenheim: Reflections of Popular Belief in Grünewald's Altarpiece by Ruth Melinkoff, California Studies in the History of Art, Discovery Series 1, Berkeley, Los Angeles, London: University of California Press, xv + 109 pp., 36 col. plates, 16 b. & w. textual illus., £30.00
DISTURBING SITES: THE CHANGING ROLE OF PUBLIC ART
Authors: Holman Valerie 
Published: December 2013

Art and the Public Sphere edited by W. J. T. Mitchell, Chicago and London: The University of Chicago Press, (1990) 1992, 268 pp., 2 col. plates, 63 b. & w. illus., £33.50 hdbk, £15.95 pbkArt et Espace Publics edited by Alain Charre, Givors: OMAC — Maison du Rhône, 1992, 127 pp., 88 b. & w. illus., 137FF.L'Art et la Ville: Un Dessein sur l'Espace/Art and the City: Designs on Space edited by Monique Faux, Gilbert Smadja, Jean‐Luc Daval, Geneva: Skira, 1990, 259 pp., 136 col. plates, 150 b. & w. illus., 480FF.Contemporary Public Sculpture: Tradition, Transformation and Controversy by Harriet Senie, Oxford: Oxford University Press, 1992, 276 pp., 111 b. & w. illus., £30.00Critical Issues in Public Art: Content, Context and Controversy edited by Harriet Senie and Sally Webster, New York: Harper Collins, 1992, 316 pp., 43 b. & w. illus., $30.00
LANDSCAPES OF ASSOCIATION
Authors: Barringer Tim 
Published: December 2013

Landscape Imagery and Urban Culture in Early Nineteenth‐Century Britain by Andrew Hemingway, Cambridge and New York: Cambridge University Press, 1992, 363 pp., 125 b. & w. illus., £60.00Fields of Vision: Landscape Imagery and National Identity in England and the United States by Stephen Daniels, Oxford: Polity Press, 1993, 255 pp., 75 b. & w. illus., £39.50
Reviews
Authors: Gray Jeremy , Binski Paul , Marks Richard , Auld Sylvia , Beaulieu Jill , Soth Lauren , Tribe Tania 
Published: December 2013

Medieval Illuminators and their Methods of Work by Jonathan J.G. Alexander, New Haven and London: Yale University Press, 1992, 214 pp., 29 col. plates, 218 b. & w. illus., £35.00Romanesque Architectural Criticism, a Prehistory by Tina Waldeier Bizzarro, Cambridge and New York: Cambridge University Press, 1992, 253 pp., 17 b. and w. illus., £40.00Rainbow like an Emerald. Stained Glass in Lorraine in the Thirteenth and Early Fourteenth Centuries by Meredith Parsons Lillich (Monographs on the Fine Arts sponsored by College Art Association vol. XLVII). Pennsylvania and London: Pennsylvania State University Press, 1991, 161 pp., col. frontispiece, 218 b. & w. illus., £49.50The Mediation of Ornament, The A.W. Mellon Lectures in the Fine Arts 1989 (Bollingen Series XXXV — 38) by Oleg Grabar, Princeton, NJ and London: Princeton University Press, 1992, 309 pp., 23 col. plates, 196 b. & w. illus., £35.00.Corot in Italy. Open‐Air Painting and the Classical‐Landscape Tradition by Peter Galassi, London and New Haven: Yale University Press, 1991, 258 pp., 99 col. plates, 202 b. & w. illus., £35.00True to Temperament: Van Gogh and French Naturalist Literature by Judy Sund, Cambridge and New York: Cambridge University Press, 1992, 336 pp., 16 col. plates, 59 b. & w. illus., £55.00Latin American Art of the 20th Century by Edward Lucie‐Smith, London: Thames and Hudson (World of Art Series), 1993, 216 pp., 38 col. plates, 133 b. & w. illus., £6.95
Unrevisionist Visions
Authors: House John 
Published: December 2013

The Colour of Time: Claude Monet by Virginia Spate, London: Thames and Hudson, 1992, 348 pp., 135 col. plates, 179 b. & w. illus., £38.00Beyond Impressionism: The Naturalist Impulse in European Art 1870–1905 by Gabriel P. Weisberg, London: Thames and Hudson, 1992, 303 pp., 85 col. plates, 190 b. & w. illus., £38.00
Matisse: Myth and History
Authors: Cottington David 
Published: December 2013

Henri Matisse: A Retrospective by John Elderfield, New York: Museum of Modern Art/London: Thames and Hudson, 1992, 479 pp., 320 col. plates, 272 b. & w. illus., £65.00Fauve Painting: The Making of Cultural Politics by James D. Herbert, New Haven and London: Yale University Press, 1992, 27 col. plates, 65 b. & w. illus., £29.95