bluuebunny/crossref_metadata_2025_split huggingface dataset:
A collection of Chinese ceramics at the Benaki Museum
Authors: Manginis George 
Published: October 2015

Η συλλογή κινεζικής κεραµικής του Μουσείου Μπενάκη δωρήθηκε ανάµεσα στα έτη 1927 και 1936 από τον χιακής καταγωγής Βρετανό επιχειρηµατία Γεώργιο Ευµορφόπουλο (1863-1939) (εικ. 1). Αποτελεί ένα από τα πρωιµότερα σύνολα απωανατολικής κεραµικής που αποθησαυρίστηκαν µε σκοπό την έκθεσή τους σε µουσείο και αντιπροσωπεύει ό,τι για τους µελετητές της µεσοπολεµικής Δύσης χαρακτήριζε την τέχνη της Κίνας. Περιλαµβάνει αποκλειστικά έργα κεραµικής, της δηµοφιλέστερης έκφρασης της κινεζικής καλλιτεχνικής παραγωγής. Η γενιά του Ευµορφόπουλου εστίασε στις πρώιµες περιόδους της κινεζικής τέχνης, αναγνωρίζοντας στα τεχνουργήµατά τους τις αισθητικές αρχές που ενέπνευσαν τις αναζητήσεις πρωτοπόρων καλλιτεχνών του πρώιµου 20ού αιώνα: αδρότητα γραµµών, απλότητα διακόσµησης, αισθαντικές εφυαλώσεις, ηθεληµένα “ηµιτελές” αποτέλεσµα (εικ. 7-10, 13). Μολονότι τα χαρακτηριστικά αυτά απαντούν στη συλλογή του Μουσείου Μπενάκη, η πλειονότητα των αντικειµένων φαίνεται πως συνάδει µε στερεότυπα του 19ου αιώνα, εµµένοντας σε ιστορηµένες πορσελάνες µε “εξωτική” θεµατολογία (εικ. 3-6). Η επιλογή αυτή πιθανότατα υπαγορεύθηκε από τον παιδευτικό ρόλο της συλλογής. Παρά ταύτα, ο Ευµορφόπουλος ήταν πρωτοπόρος στις συλλεκτικές του προτιµήσεις και είχε ευρύτερες αντιλήψεις από συγχρόνους του ακαδηµαϊκούς συλλέκτες, όπως ο Sir Percival David. Η εγκυκλοπαιδική και αισθητική προσέγγισή του συνδύαζε έργα σύγχρονης τέχνης, ευρωπαϊκές αντίκες και απωανατολικά και ισλαµικά τεχνουργήµατα (εικ. 11, 12). Ο φιλελληνισµός του προσέγγιζε εκείνον των Ελλήνων συλλεκτών της όψιµης βικτοριανής Βρετανίας, όπως η οικογένεια Ιωνίδη· εκείνοι όµως επέλεξαν να προσφέρουν εκπαιδευτικά ιδρύµατα και νοσοκοµεία, παρά έργα τέχνης στο νέο κράτος. Ο Ευµορφόπουλος, ενστερνιζόµενος τις αντιλήψεις µιας νέας εποχής, προσέφερε όλη την εντυπωσιακή συλλογή του στο ελληνικό κράτος κατά τα έτη 1922-1923, µια δωρεά που αγνοήθηκε από την κυβέρνηση Νικόλαου Πλαστήρα. Ύστερα από πέντε χρόνια, µια ευτυχέστερη συγκυρία έφερε κοντά τον Βρετανό συλλέκτη µε τον Αντώνη Μπενάκη ως µεσάζοντα και τον Ελευθέριο Βενιζέλο ως πολιτικό αποδέκτη µιας νέας, µικρότερης δωρεάς. Το ενθουσιώδες καλωσόρισµά της οφείλεται στην επιρροή της “γενιάς του ’30” που ευαγγελιζόταν την οικουµενικότητα, την πνευµατικότητα και την προοδευτικότητα της νέας Ελλάδας µετά το τραύµα της µικρασιατικής καταστροφής. Συµπερασµατικά, η συλλογή Ευµορφόπουλου αποτύπωσε µε ενάργεια όχι µόνο την ιστορία της κινεζικής κεραµικής, αλλά και τις ιστορικές πραγµατικότητες της Βρετανίας και της Ελλάδας την εποχή κατά την οποία συγκεντρώθηκε και δωρήθηκε.
Discourse critical analysis of the Dictatorship educational policy (1967-1974) about the Greek-speaking education of the Greeks abroad
Authors: Kalerante Evaggelia 
Published: October 2015

<h1> </h1><h1>The present paper is concerned with the Dictatorship legislative texts (1967-1974) related to issues about the Greek-speaking education of the Greeks abroad.</h1><p> </p><h1>The legislative texts about education are presented as discourse in which the cultural and political practice is articulated; and is also composed by other cultural and political practices conducive to its dialectic association with other dimensions of society. The critical analysis of the Dictatorship legislative texts focuses on the discourse verbal practices and the ideological scenario. Thus, an attempt is made to depict: a) discourse practices and b) broader social and political structures and standpoints in the legislation which are related to the broader theoretical frameworks of the democratic regime and, particularly, special issues about the nation-state definition.</h1><p> </p><h1>The fact that should definitely be made obvious is how the discourse practices in legislation are conducive to the reproduction of political-educational standpoints of the Greek nation-state in association with the Greek population abroad on the basis of a broader political framework of dictatorship. Norman Fairclough’s discourse critical analysis was chosen because there is interest in: the linguistic characteristics of the text and how they are attuned to the regime’s political practice. Therefore, throughout the discourse educational levels, in which legislation is introduced, the regime’s structure of ideology is elevated.</h1><p> </p>
Quelques remarques sur l'archive du couvent Dionysiou du Mont Athos
Authors: Papazoglou Georges K. 
Published: October 2015

<div class="page" title="Page 51"><div class="layoutArea"><div class="column"><p><span>Στήν παρούσα έργασία: </span></p><p><span>α. Παρουσιάζονται καί περιγράφονται τρία άγνωστα έγγραφα τοβ Αρχείου τής μονής Διονυσίου (1. 'Ορισμός τοβ δεσπότη Δημητρίου Παλαιολόγου—1463, 2. «Δωρεά» τοβ Μακαρίου Μηλάτου—1573, </span><span>3. </span><span>«Συ- νορλαμάς» τοβ κτήματος τής Κατακαλής—16ος ai.). </span></p><p><span>β. </span><span>Δίδεται πίνακας των έγγράφων τοβ </span><span>’</span><span>Αρχείου </span><span>—</span><span>βυζαντινών καί πρώιμων μεταβυζαντινών</span><span>— </span><span>δίδεται αρίθμηση τής κατάταξης Π. Νικολο- πούλου-Ν. Οίκονομίδη καί σημερινή θέση τών έγγράφων (μετά τό «λύ­σιμο» τών φακέλων όπου κατ</span><span>’ </span><span>αρχήν τοποθετήθηκαν). </span></p></div></div></div>
Αρχιμ. Γεωργίου Καψάνη, καθηγουμένου Ιεράς Μονής Οσίου Γρηγορίου- Ορθόδοξος μοναχισμός και Άγιον Όρος
Authors: Αγγελόπουλος Αθαν. 
Published: October 2015

<p>No abstract </p>
Η εποπτεία της Μητροπόλεως Θεσσαλονίκης επί της Ελληνικής ορθοδόξου κοινότητος Βελεσσών (1876-1914)
Authors: Αγγελόπουλος Αθαν. 
Published: October 2015

<p>No abstract </p>
Η ΠΟΡΕΙΑ TOY ΘΟΥΚΥΔΙΔΗ ΣΤΗ ΝΕΟΕΛΛΗΝΙΚΗ ΣΚΕΨΗ. Η ΕΚΔΟΣΗ ΤΟΥ ΝΕΟΦΥΤΟΥ ΔΟΥΚΑ 1805-1806
Authors: ΧΑΡΙΛΑΟΥ ΝΕΟΦΥΤΟΣ 
Published: October 2015

<p>Neophytos Charilaou, Thukudides im Neugriechischen denken die auflägevon N. Dukas in den jähren 1805-1806</p><p>Neophytos Doukas war einer der wichtigsten griechischen Herausgeberin der Zeit der Griechischen Aufklärung. Er hat ziemlich viele historische Werke der Antike heraugegeben, zu denen auch die Geschichte von Thukydidesgehört. Diese Auflage, die aus zehn Bänden besteht, war im 19.Jahrhundert die einzige vollständige Herausgabe der Werke von Thukydides,da sie sowohl den ganzen Originaltext mit Übersetzung als auchKommentare in Fußnoten enthält.Diese Auflage, die in den Jahren 1805-1806 zustandegekommen ist,war die erste einer Reihe Veröffentlichungen von Werken Schriftstellerder Antike und beruhte auf dem Text der Herausgabe von G. A. Dukerus(Amsterdam 1731). Die acht Bände enthalten die Geschichte von Thukydidesund einen Teil der Geschichte von Xenophon, während der neunteund zehnte Band zwei Lexika sind (Λεξικον των ενδόξων dv&lt;5cc5v=Lexikonder ehrenvollen Männer, Λεξικον των φράσεων=1-&gt;βχί\ί.0Ώ. der Redensarten).Mit diesem Werk ist Dukas in den Kreisen der griechischen undausländischen Gelehrten bekannt geworden. Die Beurteilung der damaligenRezensenten und Gelehrten war teils sehr positiv teils vorwufsvoll.Die Verbreitung dieses Werkes jedoch, die auch an seinem kommerziellenErfolg zu erkennen ist, beweist, dab diese Auflage trotz mancher Defektevon grober Bedeutung war, weil sie einen wichtigen Bedarf der griechischenSchulen zu dieser Zeit deckte.</p>
ΠΟΛΙΤΙΚΕΣ ΤΕΛΕΤΟΥΡΓΙΕΣ ΣΤΗ ΝΕΩΤΕΡΗ ΕΛΛΑΔΑ. Η ΜΕΤΑΚΟΜΙΔΗ ΤΩΝ ΟΣΤΩΝ TOΥ ΓΡΗΓΟΡΙΟΥ Ε' ΚΑΙ Η ΠΕΝΤΗΚΟΝΤΑΕΤΗΡΙΔΑ ΤΗΣ ΕΛΛΗΝΙΚΗΣ ΕΠΑΝΑΣΤΑΣΗΣ
Authors: ΕΞΕΡΤΖΟΓΛΟΥ ΧΑΡΗΣ 
Published: October 2015

<p>Haris Exertzoglou, Political rituals in Modem Greece: the reburial ofPatriarch Gregory V and the 50th anniversary of the Greek Revolution</p><p>This paper explores political rituals in Modern Greece by focusing onthe 50th anniversary of the start of Greek War of Independence andthe particular place of a reburial procession in the celebrations. In 1871 the Greek state decided to proceed with the rehurial of Patriarch GregoryV, whose body, allegedly found a few days after his execution bythe Ottomans in 1821, was buried in Odessa. The decision was not simplya gesture of respect; it was meant to support the 50th anniversary ofthe Greek Revolution, and the reburial procession was planned as themain event of the celebration. As such, the reburial of Gregory V wasused as a means of making the heroic meaning of the Revolution visible,to attract mass attention and mobilize the participation of thepublic. Admittedly, the anniversary proved a major success. However,the reburial procession, the key event of the celebration, exposed atension in the celebration: not only the mourning dimension of theprocession was not compatible with the gay aspects of the nationalfeast, it also generated varied meanings, some of them directly opposingthe heroic memory of the Revolution and the irredentist prospects ofthe Greek state. This aspect suggests that, however successful, politicalrituals are inherently contradictory events always susceptible to various,even contingent, uses.</p>
ΟΘΩΜΑΝΙΚΕΣ ΑΝΤΙΛΗΨΕΙΣ ΠΕΡΙ ΕΓΚΛΗΜΑΤΟΣ ΚΑΙ ΤΙΜΩΡΙΑΣ
Authors: ΑΝΑΣΤΑΣΟΠΟΥΛΟΣ ΑΝΤΩΝΗΣ , ΓΚΑΡΑ ΕΛΕΝΗ 
Published: October 2015

<p>Antonis Anastasopoulos - Eleni Gara, Ottoman perceptions of crime andpunishment</p><p>The present essay deals with aspects of Ottoman justice and consists offour parts. Part I (Law transgression and court) discusses the prerequisitesfor a case to come up for hearing at the Ottoman sheriat court. Aseventeenth-century litigation from the town of Veria (Karaferye) servesas a model in order to define criminal behaviour and to demonstratehow private differences acquire both a public and legal meaning whenbrought to court. Part II (Proving an accusation) is focused on the issuesof evidence and testimony as a vital part of the legal procedure, usingas example an eighteenth-century litigation from Istanbul. Part III(Sentence and settlement) deals with the issues of the sentences that the kadi passed, and of out-of-court settlements as an alternative legalinstitution, which was recognized and respected by the Ottoman judges.Part IV (Authority abuse as a crime) treats justice as protection of thereaya from the abuses of the askeri in the context of the official stateideology. Stress is put on the use of formulas in documents. Those formeda code that allowed both the subjects of the empire and its authoritiesto enter a variety of illegal acts under the easily recognizable headlineof «oppression» and to treat them accordingly.The basic idea that permeates the article is that Ottoman justicewas dispensed on the basis of fixed principles and procedures, and thatit is incorrect to treat the kadi as an arbitrary judge who adjudicatedat whim. These principles and procedures, though originating to a greatextent in the Islamic holy law, can be considered as Ottoman in thesense that they were redefined and given a new meaning within theEmpire's legal framework. Lastly, throughout the article special emphasisis put on the use of records of litigations, especially kadi sicilleriand ahkâm defterleri, as a means of reconstructing the Ottoman systemof dispensation of justice and of establishing the degree of its conformityto and deviation from the Islamic sheriat.</p>
ΠΕΙΘΑΡΧΙΚΑ ΣΥΣΤΗΜΑΤΑ ΚΑΙ ΕΡΓΑΣΙΑ ΣΤΑ ΟΡΦΑΝΟΤΡΟΦΕΙΑ ΤΟ Β' ΜΙΣΟ TOΥ 19ου ΑΙΩΝΑ
Authors: ΘΕΟΔΩΡΟΥ ΒΑΣΩ 
Published: October 2015

<p>Vasso Théodorou, Systèmes disciplinaires et travail dans les orphelinatsgrecs pendant la deuxième moitié du XIXème siècle</p><p>Dans le cadre de cet article nous essayons de présenter et d'analyserles modèles pédagogiques qui avaient été adoptés dans les sept orphelinatscréés par des sociétés philanthropiques, pendant la deuxième moitié duXIXème siècle, à Athènes, au Pirée, à Hermoupolis et à Smyrne. Cesorphelinats étaient issus de l'initiative privée, en l'occurrence celle desautorités religieuses et des conseils municipaux. Ils datent de l'ère préscientifiqueoù les enfants marginaux ne recevaient pas encore de traitementspécifique. Ainsi, ces institutions regroupaient-elles les enfantsorphelins dans le but de les assister matériellement, de les empêcherd'errer dans les rues, et de leur procurer en même temps des aptitudesmorales qui pouvaient les «transformer» et faire d'eux, plus tard, descitoyens dociles. Ces tentatives s'inscrivent dans le mouvement philanthropiqueet moralisateur de «salut des enfants», initié au début duXIXème siècle dans les pays d'Europe occidentale; on y reconnaît facilementles craintes collectives des couches supérieures de la société par rapport à l'avenir des villes. Notre article examine également les modèlessur lesquels ces initiatives privées se sont basées.Les règlements des maisons, les comptes rendus des conseils administratifsainsi que les fonds d'archives de ces établissements nous ontpermis d'abord de mettre au clair les ressorts des attitudes morales etdes comportements, et ensuite de mesurer le fossé qui sépare les règlementsécrits de la vie réelle et quotidienne des orphelins. De l'analysecentrée sur trois axes, à savoir le travail, l'éducation et la discipline,résultent les remarques suivantes:a) dans l'éducation au sein de ces institutions, l'accent était mis surl'éducation professionnelle, laquelle était assurée par le fonctionnementdes ateliers dans l'établissement;b) l'éventail des professions auxquelles les établissements destinaientces enfants était très restreint: l'artisanat pour les garçons, les travauxdomestiques et ménagers pour les filles;c) le contrôle disciplinaire était assuré par le biais d'une combinaisonde stratégies, dont surtout celles-ci: la surveillance continue, le suivi del'emploi du temps, le système de gratifications et de punitions.</p>
ΣΥΓΓΡΑΜΜΑΤΑΚΙ ΠΑΙΓΝΗΔΙΑΡΙΚΟΝ. ΙΣΤΟΡΙΑ ΕΝΟΣ ΦΥΛΛΑΔΙΟΥ ΤΟΥ ΠΑΝΑΓΙΩΤΑΚΗ ΚΟΔΡΙΚΑ
Authors: ΚΟΚΚΩΝΑΣ ΓΙΑΝΝΗΣ 
Published: October 2015

<p>Yannis Kokkonas, "A Playful Opuscule". The History of a Pamphlet written by Panagiotakis Kodrikas (1817)</p><p>In the second half of the 1810's, with the Greek national movement heading towards its peak, two members of the Greek intelligentsia, both living and working in Paris, namely Adamantios Korais and Panagiotakis Kodrikas, engaged in keen controversy. It started as a dispute on the correct written form of the Modern Greek language and on the valuation of persons and matters of the present and the past. This dispute, however, evolved in a mutual effort of moral annihilation, in which the two opponents' friends also participated. Due to the fact that the two sides circulated their ideas mainly through pamphlets, the conflict is known as the «battle of the pamphlets». This article attempts at first to define the actual dimensions of the dispute at its emergence, and to illustrate the circumstances and the manner in which it was publicly conducted and perceived; the article mainly examines, though, all matters touching the publication of one of Kodrika's pamphlets, written and published in 1817. This pamphlet's unique feature lies in that: it was being printed in Vienna in expense of the writer's friends, while the author himself —unaware of it— had a reviewed form of the pamphlet printed in Paris. The edition of Vienna was released in October 1817 and that of Paris the following month of the same year. The text was originally untitled; the Viennese editor misunderstood some data and took the initiative in adding a title attributing the text to the Greek students of Pisa. That allowed Korais' friends to accuse Kodrikas of immorally using a pseudonym and to claim that the reviewed Parisian edition was released after the passed-round denial of the students of Pisa, which means after January 1818. The manner in which the author's opponents took advantage of the misunderstanding was expected. What draws the attention though, lies in the fact that until today historians and bibliographers adopt Korais' friends' view concerning the particular matter, and consider Kodrikas as the responsible person for both editions, who was supposedly forced to release a reviewed and false-dated second edition in 1818 in order to ease the strong feeling with which his conscious attempt to attribute his text to the students of Pisa was met. The study is accompanied with an appendix featuring extracts of unpublished letters sent by Alexandras Patrinos from Livorno to his son in law Demetrios Postolakas in Vienna (they both were Kodrikas' friends and sponsors), as well as two —also unpublished— letters sent by Kodrikas to Postolakas, concerning the controversial pamphlet and his preparatory work on his main project titled Μελέτη της Κοινής Ελληνικής Διαλέκτου, the first volume of whic hwas published in Paris in the year 1818.</p>
The Architecture of Construction
Authors: Diamond Rosamund 
Published: October 2015

The place of technical discourse in studio projects has been much debated. The studio is the primary location to engage requisite construction knowledge creatively, in which assumptions about materials could be transformed into tangible investigations with the skill and freedom to reinvent and invent. The paper will investigate the relationship of the craftsmanship of familiar construction methods to a broader context of fabrication and new material possibilities, in order to discuss how construction technique could be drawn into the conceptual centre of design studio projects. How the action of challenging construction conventions with the wide range of available technical advances could converse with the specificity of construction to its local conditions of building and place. Using some case studies, it will propose the value of construction to explore the broader conditions of architecture including its physical and critical topographies.Construction teaching in the studio will be considered in terms of its interrogation and description, as the basis for a discourse, using previous studio experiments.How can construction be developed in the studio so that it is embedded in the conceptual development of student projects?How can studio construction investigations develop connections to place?In what ways can construction knowledge enable innovation without resisting the value of traditional material culture?
The drawing in the design process: a study in the work of Andrea Palladio
Authors: Stumpp Monika Maria , Pereira Claudio Calovi 
Published: October 2015

The development of design activity uses technical suports that allow the architect to record the evolution of your idea or communication with it. Historically, the support that has been used is the graphical representation, which, as a intelligence technology, joins with the creative and cognitive processes of the individual, allowing communication with their imagination and also to all individuals involved in projecting. The representations graphically materialized, calls drawing, are important in the practice of architecture because they represent the evolution of the design process. The drawing means the way in which design is conducted, tested, controlled and ultimately appears performed. In this context the drawings of the Renaissance architect Andrea Palladio play a special role in the history of architecture, because it makes clear how he understood and thought the architecture. At that time, the graphical representation of the space acquired an importance that had not previously, incorporating a greater number of alternative representation, highlighting the aesthetic concerns and the current building techniques. A lot of drawings produced by Palladio, shows how he was deeply convinced of eloquence and priority of images to understand the architecture, more than any other form of discursive explanation. In this sense, this work investigates the drawings of Palladio as a tool at the process of design solutions translation. The reading of the project through the design has been used to study designs and architectural objects or certain styles or specific authorship of an architect. Here the method is used for reading the project of Villa Pisani in Bagnolo (1542). Using two and three dimensional drawings, represented by plan, section and volumetry, it is intended to make explicit certain aspects underlying the architectural work, as questions of proportion and symmetry. It is expected that, at the work of Palladio, this method allows to compare and understand drawings, in order to analyze mutations and replications and search of new meanings, readings and interpretations.
A reflexividade da ‘realidade’: itinerários para uma aprendizagem pelo projeto.
Authors: Seabra N. Miguel 
Published: October 2015

O reconhecimento, nacional e internacional, de uma práxis de arquitectura contemporânea em Portugal – dita de ‘periférica’ e de ‘resistente’ – revela a oportunidade de clarificar um pensamento projectual singular. Trata-se de um pensamento alicerçado numa relação íntima com a ‘realidade’– ‘cultural’ e ‘física’ – que estabelece um diálogo reflexivo com as suas especificidades.Com o intuito de avaliar a permanência, e a subsequente transmissibilidade, deste pensamento projectual na particularidade do ensino da arquitectura, há que reconhecer de que modo aquela práxis se manifesta. Confrontando-a, intentar-se-á, por um lado, circunscrever a competência operativa da ‘realidade’ no tempo do processo de projecto, e, por outro lado, deslindar o domínio instrumental subjacente ao processo projectual potenciado por essa práxis de arquitectura.No âmbito do tema ‘Investigação em Projecto’, interessa, assim, discernir, como hipótese de trabalho, sobre o impacto, e suas consequências, deste modo de fazer projecto na aprendizagem da arquitectura na contemporaneidade portuguesa.Pretende-se, deste modo, contribuir para o fixar de uma possível ‘identidade projectual’ reconhecível, capaz de perspectivar e de apontar caminhos possíveis para o ensino pelo projecto. The reflexiveness of ‘reality’: itineraries for learning through the design process.The national and international recognition of a Portuguese contemporary architectural praxis – described as ‘peripheral’ and ‘resistant’ –, unlocks the chance to clarify a singular architectural design process. This process is grounded in an intimate relationship with the specificities of reality – both ‘cultural’ and ‘physical’ –, established through a reflexive dialog.Aiming the evaluation of this design framework permanence and subsequent transferability in architectural teaching, it has to be recognized how this architectural praxis manifests itself.Confronting it, one will try to circumscribe reality’s operative proficiency in the design process, and also to define the design process’ instrumental apparatus excelled by this architectural praxis.As a work hypothesis, it is important to discern about this design thought’s impact and consequences in the architectural learning process, regarding the Portuguese contemporary practice.One aspires to circumscribe a possible architectural design identity, able to envision possible paths for the architectural design teaching.
Requirements and concept for Plug-and-Work
Authors: Schleipen Miriam , Lüder Arndt , Sauer Olaf , Flatt Holger , Jasperneite Jürgen 
Published: October 2015

Abstract
Objects to change within a manufacturing enterprise can be products, technological or logistical processes, parts of the manufacturing
facilities or a company's organization. For this paper we assume, that IT systems are also objects to change – they have to be adapted
to changes to products and facilities on the shop floor. Today the adaption of IT systems is managed and done manually – therefore the
authors propose an automated way of changing the production's IT-systems. For this purpose two main ideas are described: reading and
interpreting a self-description of production equipment and enrichment of these descriptions with data from the “digital factory”
bridging the gap between planning and operating IT-systems and thus enabling higher adaptivity of manufacturing systems.