bluuebunny/crossref_metadata_2025_split huggingface dataset:
SUCCESS AND FAILURE OF CLASSICISM
Authors: Gash John 
Published: December 2013

Guido Reni by D. Stephen Pepper, Oxford: Phaidon, 1984, 336 pp., 311 b & w ills, 16 colour pls, £80The Ideal of Painting: Pietro Testa'S Düsseldorf Notebook by Elizabeth Cropper, Princeton University Press, 1984, 288 pp. plus 119 b & w ills, £86.10
OBJETS RETROUVÉS
Authors: McWilliam Neil 
Published: December 2013

La Sculpture française au XIXe siècle, Paris: Grand Palais, 10 April‐28 July 1986, 472 pp., 680 ills, 220 fr.Galerie David d'Angers by Vivienne Huchard, Angers, 1985, 135 pp., 133 ills, 70 fr.Statues de chair, sculptures de James Pradier, Paris: Musée du Luxembourg, 28 February4 May 1986, 404 pp., 272 ills, 170 fr.James Pradier: Correspondance edited by Douglas Siler, 2 vols, Geneva: Librairie Droz, 1984, 380 pp., 23 ills (vol. I), 377 pp., 22 ills (vol. 2), 40 and 48 Swiss fr.
STORIES OF SELF‐EXPRESSION: ART HISTORY AND THE POLITICS OF INDIVIDUALISM
Authors: Green Nicholas 
Published: December 2013

Manet by Kathleen Adler, London: Phaidon, 1986, 240 pp., 220 ills, £39.50Monet. Nature into Art by John House, New Haven and London: Yale University Press, 1986, 256 pp., 281 ills, £19.95Rodin. Sculpture and Drawings by Catherine Lampert, London: Arts Council, 1986, 243 pp., 400 ills, £12.95 paperbackStudies on Camille Pissarro ed. Christopher Lloyd, London and New York: Routledge & Kegan Paul, 1986, 140 pp., 67 ills, £12.50 paperback .Cézanne. A Biography by John Rewald, London: Thames & Hudson, 1986, 288 pp., 270 ills, £40
CASE STUDIES IN INTERPRETATION: A DOMINICAN CHAPEL AND A FRANCISCAN CHURCH
Authors: Norman Diana 
Published: December 2013

Filippino Lippi'S Carafa Chapel: Renaissance Art in Rome by Gail L. Geiger, Kirksville, Missouri: Sixteenth Century Journal Publishers, 1986, 208 pp., 128 ills, $50Piety and Patronage in Renaissance Venice: Bellini, Titian, and the Franciscans by Rona Goffen, New Haven and London: Yale University Press, 1986, 285 pp., 59 ills, 4 col. plates, £30
GLOSSING THE PRIMITIVE
Authors: Yarrington Alison 
Published: December 2013

The Sculpture of Epstein: with a complete catalogue by Evelyn Silber, Oxford: Phaidon Press, 1986, 240 pp., many ills, £80Jacob Epstein: Sculpture and Drawings exhibition catalogue by Evelyn Silber and Terry Friedman et al., Leeds: The Henry Moore Foundation, 1987, 290 pp., 21 colour plates, 260 b & w ills, £11.50
MATISSE WITHOUT HISTORY
Authors: Herbert James D. 
Published: December 2013

Matisse by Pierre Schneider, translated by Michael Taylor and Bridget Strevens Romer, London: Thames and Hudson, 1984, 752 pp., 230 colour plates, 650 b. & w. ills., £75Henri Matisse: The Man and his Art, 1869–1918 by Jack Flam, London: Thames and Hudson, 1986, 528 pp., 101 colour plates, 396 b. & w. ills., £60
BARRICADES INTO BLOCKADES: DOCUMENTA 8 AND THE SPIRIT OF ’68
Authors: Rogoff Irit 
Published: December 2013

Documenta 8, catalogue in 3 volumes, Weber & Weidmeyer, Kassel, 1987, 362 pp., DM 120.00Brennpunkt Düsseldorf 1962–1987, catalogue, Kunstmuseum Düsseldorf, 1987, 338 pp., fully illustrated, DM 36.00
A DANCE TO THE MUSIC OF SPACE
Authors: Bull Malcolm 
Published: December 2013

Poussin, the Early Years in Rome: The Origins of French Classicism by Konrad Oberhuber, Oxford: Phaidon–Christie'S, 1988, 367 pp., 526 illus., £45Nicolas Poussin by Jacques Thuillier, Paris: Fayard, 1988, 301 pp., 16 illus., 130fr
HANNIBAL CARRATS: THE FAIR FRAUD REVEALED
Authors: Gash John 
Published: December 2013

Visual Fact over Verbal Fiction: A Study of the Carracci and the Criticism, Theory, and Practice of Art in Renaissance and Baroque Italy by Carl Goldstein, Cambridge: Cambridge University Press, 1988, 244 pp., 143 b. & w. illus., £40 hardbackGli Amori degli Dei: Nuove indagini sulla Galleria Farnese by Giuliano Briganti, André Chastel, Roberto Zapperi and Carlo Giantomassi, Rome: Edizioni delL'Elefante, 1987, 243 pp., 62 colour and 101 b. & w. illus., L. It. 120,000 hardback
MUSEUMS AND THEIR DISCONTENTS
Authors: Sherman Daniel J. 
Published: December 2013

The Museum Time Machine edited by Robert Lumley, London and New York: Comedia/Routledge, 1988, 241 pp., 17 b. &w. illus., £25.00 (hardback), £9.99 (paper)The New Museology edited by Peter Vergo, London: Reaktion Books, 1989, 230 pp., 33 b. &w. illus., £8.95 (paper)
BUILDING THE FEMININE: FEMINIST FILM THEORY AND FEMALE SPECTATORSHIP
Authors: Swanson Gillian 
Published: December 2013

Female Spectators: Looking at Film and Television edited by Deirdre Pribram, London and New York: Verso, 1988, 199pp., 16 b. and w. illus., £27.95 hardback, £9.95 paperbackThe Desire to Desire: The Woman's Film of the 1940s by Mary Anne Doane, Macmillan Press, 1987, 211pp., £33.00 hardback, £10.99 paperback
IDENTIFYING LATIN AMERICAN ART. ARE THE LINES ACCURATELY DRAWN?
Authors: Goldman Shifra 
Published: December 2013

Art in Latin America: The Modern Era, 1820–1980 by Dawn Ades, with essays by Stanton Loomis Catlin and Guy Brett, New Haven: Yale University Press, 1989, 361 pp., 361 colour plates, 182 b. and w. illus., £40Drawing the Line: Art and Cultural Identity in Contemporary Latin America by Oriana Baddeley and Valerie Fraser, London: Verso, 1989, 164 pp., 22 colour plates, 62 b. and w. illus., £32.95 hardback, £11.95 paperback
THE SEXUALITY OF SEEING SEXUALITY
Authors: Bronfen Elisabeth 
Published: December 2013

Sexual Visions. Images of Gender in Science and Medicine between the Eighteenth and Twentieth Centuries by Ludmilla Jordanova, London: Harvester Wheatsheaf, 1989, 207pp., 17 b. & w. illus., £19.95Sexuality. An Illustrated History. Representing the Sexual in Medicine and Culture from the Middle Ages to the Age of AIDS by Sander Gilman, New York: John Wiley, 1989, 376pp., 328 b. & w. illus., $49.95
IN A GLASS DARKLY: THREE VIEWS OF RENAISSANCE PORTRAITURE
Authors: Fermor Sharon 
Published: December 2013

The Portrait in the Renaissance by John Pope‐Hennessy, Princeton: Princeton University Press, 1989, 348 pp., 330 b. & w. illus., £21.95Renaissance Portraits. European Portrait‐Painting in the 14th, 15th and 16th Centuries by Lorne Campbell, New Haven and London: Yale University Press, 1990, 290 pp., 267 b.&w. illus., 92 colour plates, £35.00Titian introductory essays by Francesco Valcanover el al., London: Prestel, distributed by Thames and Hudson, 1990, 452 pp., 311 b.&w. illus., 207 colour plates, £29.95
THE PORTRAIT'S PURVIEW
Authors: Pointon Marcia 
Published: December 2013

The Georgians. Eighteenth‐Century Portraiture & Society by Desmond Shawe‐Taylor, London: Barrie & Jenkins, 1990, 240 pp., 68 colour plates, 79 b. & w. illus., £35The Elements of Life. Biography and Portrait‐Painting in Stuart and Georgian England by Richard Wendorf Oxford: Clarendon Press, 1990, 308 pp., 76 b. & w. illus., £35
CULT AND CULTURE IN ANGLO‐SAXON ENGLAND
Authors: Heslop T.A. 
Published: December 2013

The Cult of the Virgin Mary in Anglo‐Saxon England by Mary Clayton, Cambridge: Cambridge University Press, 1990, 299 pp., 16 b. & w. illus., £35Anglo‐Saxon Crucifixion Iconography and the Art of the Monastic Revival by Barbara Raw, Cambridge: Cambridge University Press, 1990, 296 pp., 20 b. & w. illus., £35
MAKING HAY WITH MONET: MONETS OF THE ′90s
Authors: Kear Jon 
Published: December 2013

Monet in the ′90s: The Series Paintings by Paul Hayes Tucker, Museum of Fine Arts, Boston, in association with Yale University Press, 1989, 307 pp., 96 colour plates, 109 b. & w. illus., £30.00Monet's Cathedral: Rouen 1892 — 1894 by Joachim Pissarro, London: Pavilion Books Ltd., 1990, 96 pp., 38 colour plates, £20.00
Reviews
Authors: Williamson Paul , Mitchell Stanley , Ames‐Lewis Francis 
Published: December 2013

Claus Sluter: Artist at the Court of Burgundy by Kathleen Morand, London: Harvey Miller Publishers, 1991, 399 pp., 224 b. & w. illus., 8 col. plates, £65The Twilight of the Tsars: Russian Art at the Turn of the Century, exhibition catalogue, London and Moscow: South Bank Centre and the All‐Union Artistic Production Association, 1991, 318 pp., 208 col. plates, 281 b. & w. illus., £19.95Artists and Warfare in the Renaissance by J.R. Hale, New Haven and London: Yale University Press, 1990, 278 pp., 75 col. plates, 270 b. & w. illus., £40.00
CATEGORIES OF TIME AND PLACE: FOUR APPROACHES TO RENAISSANCE ART AND ITS HISTORY
Authors: Norman Diana 
Published: December 2013

Sienese Altarpieces 1215–1460. Form, Content, Function, Vol. II: 1344–1460 by Henk van Os with a contribution by Gail Aronow, Groningen: Egbert Forsten Publishing, 1990, 261 pp., 225 b. & w. illus., 4 col. plates, £24.85The Altarpiece in the Renaissance edited by Peter Humfrey and Martin Kemp, Cambridge: Cambridge University Press, 1991, 273 pp., 140 b. & w. illus., 1 col. plate, 3 figs., £35The Place of Narrative: Mural Decoration in Italian Churches, 431–1600 by Marilyn Aronberg Lavin, Chicago: The University of Chicago Press, 1991, 406 pp., 208 b. & w. illus., 24 col. plates, 47 diagrams, £51.95Giotto to Dürer: Early Renaissance Painting in the National Gallery by Jill Dunkerton, Susan Foister, Dillian Gordon and Nicholas Penny, London: The National Gallery and Yale University Press, 1991, 408 pp., 227 b. & w. illus., 283 col. plates, 9 maps, hardback £35, paperback £19.95
Reviews
Authors: Gage John , Symes Michael , Moock Christopher , Wilson Kate 
Published: December 2013

Colour: A Philosophical Introduction by Jonathan Westphal, Oxford: Basil Blackwell, 1991, 166 pp., £12.95Inquiry into the Picturesque by Sidney K. Robinson, Chicago and London: University of Chicago Press, 1991, 194 pp., £15.95Portraiture by Richard Brilliant, London: Reaktion Books, 1991, 67 b.&w. illus., 13 col. plates, hardback £25, paperback £12.95Chinese Art and Design: The T.T. Tsui Gallery of Chinese Art edited by Rose Kerr, London: Victoria and Albert Museum, 1991, 255 pp., 130 col. plates, £19.95
Reviews
Authors: Iversen Margaret , Stallabrass Julian , Campbell Stephen J. , Watson Oliver , Gilmour Pat 
Published: December 2013

Interpreting Contemporary Art, edited by Stephen Bann and William Allen, London: Reaktion Books, 1991, 256 pp., 53 illus., £23 hardback, £9.95 paperbackKazimir Malevich. The Climax of Disclosure by Rainer Crone and David Moos, London: Reaktion Books Ltd, 1991, 240 pp., 58 col. plates, 92 b. & w. illus., £29.00Le Muse e il Principe: Arte di corte nel Rinascimento padano, edited by Alessandra Mottola Molfino and Mauro Natale, Modena: Franco Cosimo Panini and Milan: Museo Poldi Pezzoli, 1991. Vol. I (Catalogo), 516 pp., 285 col. plates and 191 b. & w. illus.; Vol. II (Saggi), 390 pp., 82 col. plates and 69 b. & w. illus., 140,000 lireEnglish Pottery 1650–1800, The Henry H. Weldon Collection by Leslie B. Grigsby, London: Philip Wilson Publishers Ltd, 1990, 488 pp., 375 col. plates and 100 b. & w. illus., £195William Greatbatch — A Staffordshire Potter by David Barker, London: Jonathan Horne Publications, 1991, 288 pp., 28 col. plates and 208 b. & w. illus., 45 line drawings, £47.50Printmaking in New Mexico, 1880–1990 by Clinton Adams, Albuquerque: University of New Mexico Press, 1991, 167 pp., 107 b. & w. illus., 16 col., hardback US$45, paperback US$25
VISUAL STORYTELLING
Authors: Ford Charles 
Published: December 2013

Rembrandt's Landscapes by Cynthia P. Schneider, New Haven and London: Yale University Press, 1990, 289 pp., 14 col. plates, 156 b. & w. illus., £30.00Rembrandt, the Master and his Workshop, Paintings by Christopher Brown, Jan Kelch and Pieter van Thiel, New Haven and London: Yale University Press in association with National Gallery Publications, London, 1992, 396 pp., 250 col. plates, 190 b. & w. illus., £30.00Rembrandt, the Master and his Workshop, Drawings and Etchings by Holm Bevers, Pieter Schatborn and Barbara Welzel, New Haven and London: Yale University Press in association with National Gallery Publications, London, 1992, 288 pp., 130 col. plates, 183 b. & w. illus., £30.00Reading Rembrandt, Beyond the Word‐Image Opposition by Mieke Bal, Cambridge: Cambridge University Press, 1992, 496 pp., 115 b. & w. illus., £55.00Art in History, History in Art; Studies in Seventeenth‐Century Dutch Culture edited by David Freedberg and Jan de Vries, Santa Monica: Getty Center for the History of Art and the Humanities, 1991, 444 pp., 93 b. & w. illus., $55Jacob van Ruisdael and the Perception of Landscape by E. John Walford, New Haven and London: Yale University Press, 1991, 243 pp., 58 col. plates, 133 b. & w. illus., £35.00
THE PRIVATE, THE PUBLIC AND THE PRIMITIVE
Authors: Behr Shulamith 
Published: December 2013

The Divided Heritage: Themes and Problems in German Modernism edited by Irit Rogoff, Cambridge: Cambridge University Press, 1991, 390 pp., 143 b. & w. illus., £45.00German Expressionism. Primitivism and Modernity by Jill Lloyd, New Haven and London: Yale University Press, 1991, 272 pp., 50 col. plates, 271 b. & w. illus., £40.00
Reviews
Authors: Bindman David , Thomson Richard , Carter Rita , Watson Rowan , Thomson David 
Published: December 2013

The English Way of Death by Julian Litten, London: Robert Hale, 1991, 254 pp., 30 col. plates and 110 b. & w. illus., £25.00The Art of Death by Nigel Llewellyn, London: Reaktion Books, in association with the Victoria and Albert Museum, 1991, 160 pp., 101 b. & w. illus., £9.95Painted Love. Prostitution in French Art of the Impressionist Era by Hollis Clayson, New Haven and London: Yale University Press, 1991, 202 pp., 29 col. plates and 64 b. & w. illus., £25.00John Heartfield: Exhibition Catalogue, edited by Peter Pachnicke and Klaus Honnef, New York and London: Harry N. Abrams Inc., 1992, 342 pp., 83 col. plates and 206 b. & w. illus., £65.00Printing the Written Word. The Social History of Books, circa 1450–1520, edited by Sandra Hindman, Cornell University Press, 1991, 332 pp., 96 b. & w. illus., $49.50 hdbk, $16.45 pbkThe Italian Renaissance Interior 1400–1600 by Peter Thornton, London: Weidenfeld & Nicolson, 1991, 407 pp., 379 col. and b. & w. illus., £65.00
MUTE SIGNS AND BLIND ALLEYS
Authors: Kemp Martin 
Published: December 2013

Pieter Saenredam, The Painter and his Time by Gary Schwartz and Marten Jan Bok, London: Thames and Hudson, 1990, 356 pp., 259 plates, £38.00Perspectives: Saenredam and the Architectural Painters of the 17th Century, exhibition catalogue, Museum Boymans‐van Beuningen, Rotterdam, 1991, essays by Jeroen Giltaij, J. M. Montias, Walter Liedtke, Rob Ruurs, catalogue entires by Jeroen Giltaij and Guido Jansen, 326 pp., 64 col. plates, numerous b. and w. illus., Dfl 99.50
OF WAR, DEMONS AND NEGATION
Authors: Anfam David 
Published: December 2013

Jackson Pollock: An American Saga, by Steven Naifeh and Gregory White Smith, New York: Harper Perennial, 1989 (reprinted 1991), 934 pp., 16 col. plates, 200 b. & w. illus., $16.95Jackson Pollock, by Ellen Landau, New York: Harry N. Abrams, Inc., 1989, 283 pp., 211 col. plates, 159 b. & w. illus., £45.00Reconstructing Modernism: Art in New York, Paris and Montreal 1945–1964, edited by Serge Guilbaut, Cambridge, Mass. and London: The MIT Press, 1990, 418 pp., 74 b. & w. illus., £29.25 (hdbk), £15.25 (pbk)Abstract Expressionism, by David and Cecile Shapiro, Cambridge: Cambridge University Press, 1990, 442 pp., 19 b. & w. illus., £16.95Abstract Expressionism: Creators and Critics, by Clifford Ross, New York: Harry N. Abrams, Inc., 1990, 304 pp., 12 col. plates, 57 b. & w. illus., $49.50Benton, Pollock, and the Politics of Modernism: from Regionalism to Abstract Expressionism, by Erika Doss, Chicago: The University of Chicago Press, 1991, 445 pp., 137 b. & w. illus., £31.96Abstract Expressionism and the Modern Experience, by Stephen Polcari, Cambridge: Cambridge University Press, 1991, 408 pp., 32 col. plates, 290 b. & w. illus., £40.00
SAVING FACES
Authors: Gage John 
Published: December 2013

The British Portrait 1660–1960 with an introductory essay by Sir Roy Strong and contributions from Brian Allen, Richard Charlton‐Jones, Kenneth McConkey, Christopher Newall, Martin Postle, Frances Spalding and John Wilson, Woodbridge: The Antique Collectors' Club, 1991, 443 pp., 80 col. plates, 406 b. & w. illus., £45.00Family and Friends: a Regional Survey of British Portraiture by Andrew Moore with Charlotte Crawley, London: HMSO, 1992, 242 pp., 22 col. plates, 270 b. & w. illus., £19.95The Swagger Portrait: Grand Manner Portraiture in Britain from Van Dyck to Augustus John, 1630–1930 by Andrew Wilton, London: Tate Gallery, 1992, 238 pp., 86 col. plates, 30 b. & w. illus., £35.00 hdbk, £25.00 pbkHanging the Head: Portraiture and Social Formation in Eighteenth‐Century England by Marcia Pointon, New Haven and London: Yale University Press, 1993, 278 pp., 79 col. plates, 213 b. & w. illus., £45.00
More Than Ornament: The Significance of Riegl
Authors: Crowther Paul 
Published: December 2013

Problems of Style: Foundations for a History of Ornament by Alois Riegl (translated by Evelyn Kain), Princeton: Princeton University Press, 1992, 439 pp., 197 b. & w illus., £30.00Alois Riegl: Art History and Theory by Margaret Iversen, Cambridge, Mass., and London: The MIT Press, 1993, 232 pp., 19 b. & w. illus., £22.50
Reviews
Authors: Kennedy Andrew , Hatt Michael , Richmond Claire , Wilson Simon , Highmore Ben , Firth David , Meskimmon Marsha 
Published: December 2013

Toil and Plenty: Images of the Agricultural Landscape in England, 1780–1890 by Christiana Payne, New Haven and London: Yale University Press, 1993, 219pp., 34 col. plates, 142 b. & w. illus., £30.00Thomas Eakins and the Heart of American Life edited by John Wilmerding, London: National Portrait Gallery, 1992, 212 pp., 61 col. plates, 110 b. & w. illus., £25.00The End of the Salon: Art and the State in the Early Third Republic by Patricia Mainardi, Cambridge: Cambridge University Press, 1993, 210pp., 51 b. & w. illus., £30.00Stanley Spencer: A Complete Catalogue of the Paintings by Keith Bell, London: Phaidon Press, 1992, 544 pp., 314 col. plates, £95.00Art Criticism since 1900 edited by Malcolm Gee, Manchester: Manchester University Press, 1993, 240pp., 17 b. & w. illus., £35.00Making The Modern: Industry, Art, and Design in America by Terry Smith, Chicago and London: University of Chicago Press, 1993, 528 pp., 166 b. & w. illus., £39.95Expressionism Reassessed edited by Shulamith Behr, David Fanning and Douglas Jarman, Manchester and New York: Manchester University Press, 1993, 232 pp., 5 col. plates, 30 b. & w. illus., £40.00 hdbk, £12.99 pbk
Reviews
Authors: Clunas Craig , Reid Susan E. , Jagger Nicholas , Symes Michael , Wilcox Timothy , Standring Timothy J. , Pointon Marcia , Adler Kathleen , Steyn Juliet , Spektorov Bette , Boucher Bruce , Highmore Ben 
Published: December 2013

Modernity in Asian Art, ed. John Clark, Broadway NSW: University of Sydney East Asian Studies Number 7, Wild Peony, 1993, 236 pp., 167 b. & w. illus. Aus$37.00Tekstura: Russian Essays on Visual Culture, ed. and trans. Alla Efimova and Lev Manovich with a Foreword by Stephen Bann, Chicago and London: The University of Chicago Press, 1993, 231 pp., 18 b. & w. illus., £10.25Landscape and Power, edited by W. J. T. Mitchell, Chicago: The University of Chicago Press, 1994, 248 pp., 72 b. & w. illus., £33.95The Politics of Picturesque: Literature, Landscape and Aesthetics since 1770, ed. Stephen Copley and Peter Garside, Cambridge and New York: Cambridge University Press, 1994, 318 pp., 25 b. & w. illus., £35.00Prospects, thresholds, interiors. Watercolours from the National Collection at the Victoria and Albert Museum by Lewis Johnson, Cambridge and New York: Cambridge University Press, 1994, 250 pp., 16 col. plates, 100 b. & w. illus., £45.00 hdbk, £19.95 pbkPoussin's Paintings: A Study in Art‐Historical Methodology, by David Carrier, University Park, Penn.: The Pennsylvania State University Press, 1993, 294 pp, 60 b. & w. illus., £31.50Prints and Engraved Illustration By and After Henry Fuseli by D.H. Weinglass, Aldershot: Scholar Press, 1994, 448 pp., 355 b. & w. illus., £55.00John Singer Sargent by Trevor Fairbrother, New York: Harry N. Abrams, 1994, 157 pp., 51 col. plates, 49 b. & w. illus., £30.00Kitaj: Pictures and Conversations by Julián Ríos, London: Hamish Hamilton, 1994, 278 pp., 273 b. & w. illus., £17.50R B Kitaj: A Retrospective edited by Richard Morphet, London: Tate Gallery, 1994, 240 pp., 116 col. plates, 81 b. & w. illus., £25.00Howard Hodgkin by Andrew Graham‐Dixon, London: Thames and Hudson, 1994, 192 pp., 96 col. plates, 18 b. & w. illus., £24.95The Materials of Sculpture by Nicholas Penny, New Haven and London: Yale University Press, 1993, 318 pp., 230 b. & w. illus., £35.00The Practice of Theory: Poststructuralism, Cultural Politics, and Art History by Keith Moxey, Ithaca and London: Cornell University Press, 1994, 153 pp., 27 b. & w. illus., £26.95 hdbk, £10.95 pbk
From Art History to Cultural Studies and Back Again
Authors: Lewis Adrian 
Published: December 2013

Modernity and Modernism: French Painting in the Nineteenth Century by Francis Frascina, Nigel Blake, Briony Fer, Tamar Garb and Charles Harrison, 297 pp., 59 col. plates, 195 b. & w. illus., New Haven and London: Yale University Press, 1993, £30.00 hdbk, £14.95 pbkPrimitivism, Cubism, Abstraction: The Early Twentieth Century by Charles Harrison, Francis Frascina and Gill Perry, 270 pp., 47 col. plates, 183 b. & w. illus., New Haven and London: Yale University Press, 1993, £30.00 hdbk, £14.95 pbkRealism, Rationalism, Surrealism: Art Between the Wars by Briony Fer. David Batchelor and Paul Wood, 342 pp., 64 col. plates, 236 b. & w. illus., New Haven and London: Yale University Press, 1993, £30.00 hdbk, £14.95 pbkModernism in Dispute: Art since the Forties by Paul Wood, Francis Frascina, Jonathan Harris and Charles Harrison, 267 pp., 53 col. plates, 161 b. & w. illus., New Haven and London: Yale University Press, 1993, £30.00 hdbk, £14.95 pbkArt in Theory 1900–1990: An Anthology of Changing Ideas edited by Charles Harrison and Paul Wood, Oxford: Blackwell, 1992, 1189 pp., £65.00 hdbk, £16.00 pbkArt in Modern Culture: An Anthology of Critical Texts edited by Francis Frascina and Jonathan Harris, London: Phaidon Press, in association with the Open University, 1992, 352 pp., 56 b. & w. illus., £12.95
Reviews
Authors: Norman Diana , Fermor Sharon , Kendall Richard , Button Virginia , Robson Deirdre , Bailey Lisa K. 
Published: December 2013

The Altarpiece in Renaissance Venice by Peter Humfrey, New Haven and London: Yale University Press, 1993, 382 pp., 108 col. plates, 197 b. & w. illus., £50.00Italian Altarpieces 1250–1550: Function and Design edited by Eve Borsook and Fiorella Superbi Gioffredi, Oxford: The Clarendon Press, 1994, 296 pp., 151 b. & w. illus., £45.00Color and Meaning. Practice and Theory in Renaissance Painting by Marcia B. Hall, Cambridge and New York: Cambridge University Press, 1994, 274 pp., 48 col. plates, 83 b. & w. illus., £42.50 hdbk, £13.95 pbkMonet on the Normandy Coast: Tourism and Painting, 1867–1886 by Robert L. Herbert, New Haven and London: Yale University Press, 1994, 149 pp., 116 col. plates, 32 b. & w. illus., £29.95London's Burning: Life, Death and Art in the Second World War by Peter Stansky and William Abrahams, Stanford, California: Stanford University Press, 1994, 201 pp., 8 col. plates, 43 b. & w. illus., $19.95Willem de Kooning: Paintings with essays by David Sylvester and Richard Skiff, and catalogue by Maria Prather, Washington, DC: National Gallery of Art, and New Haven and London: Yale University Press, 1994, 231 pp., 84 col. plates, 54 b. & w. illus., £40.00 hdbk, £19.95 pbkCultural Treasures of Korea compiled by the Foundation for the Preservation of Cultural Properties, Korea, New Jersey: Hollym International Corporation, 1993 (Korean language edition published simultaneously in Seoul by Tai Hak Dong), 8 vols., $750.00