bluuebunny/crossref_metadata_2025_split huggingface dataset:
Singing on Stage
Authors: Streeton Jane , Raymond Philip 
Published: November 2017

Singing on stage can be a daunting prospect for actors, particularly for those who have not sung before. Yet singing should be an essential part of every actor's toolkit.
Singing on Stage: An Actor's Guide gives an insight for the first time into the vocal techniques and practical approaches that have been developed over generations as an integral part of the training at the Royal Academy of Dramatic Art. Jane Streeton and Philip Raymond are highly experienced performers and teachers; their book encourages each actor to explore their own authentic voice as opposed to offering a 'one-size-fits-all' or 'quick-fix' approach.
Written in an accessible, friendly and enabling style, Singing on Stage: An Actor's Guide is packed with exercises to develop the actor's skills and gives an overview of:
• elements of technique
• how to work on a song
• the process of singing theatrically
• how to choose the best songs for you
Featuring inspirational listening suggestions and the observations of successful performers and practitioners, Singing on Stage: An Actor's Guide is the must-have companion for complete beginners as well as for experienced actors who wish to develop their understanding of singing on stage.
The Arden Shakespeare Miscellany
Authors: Armstrong Jane 
Published: November 2017

An ideal reference companion for students and enthusiasts of Shakespeare, this informative and entertaining Miscellany gives a wealth of contextual and biographical information to enhance your understanding and enjoyment of his work. There is an entry for every play, summarising its plot and outlining its major characters and themes. Whether you need to know the plot of Cymbeline, the names of characters in As You Like It, or something about the actors Shakespeare wrote for, this book provides the perfect quick reference. If you need to know more about Shakespeare's life and times, details are given of the debates surrounding his identity and appearance, the known and fanciful facts of his life, the theatres in which he worked and the acting companies of which he was a member.
The book is arranged thematically rather than alphabetically, with a full index making it easy to navigate if you want an answer to a particular question, or intriguing just to dip in and out of. The core topics covered are: Theatres and Players; Controversies; Shakespeare the Writer; Facts and Figures; Shakespeare and Language; Afterlife; Chronology of Shakespeare's Plays; A Biographical Chronology.
Screen Adaptations Shakespeare’s King Lear
Authors: Griggs Yvonne 
Published: November 2017

This close study of film adaptations of King Lear looks at several different versions (mainstream, art-house and cinematic ‘offshoots’) and discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text.
There are many references to the literary text and screenplays and the book also features quotations from directors and critics. There is plenty of discursive material here to support student work on both film and literature courses.
The Body Speaks
Authors: Marshall Lorna 
Published: November 2017

‘Stimulating and intelligent’ Yoshi Oida
Seventy percent of everyday conversation is conveyed through body language, twenty percent is the voice and only ten percent is the meaning of the words. In The Body Speaks, expert RADA trainer Lorna Marshall, shows how to recognise and lose unwanted physical inhibitions that our background, education or family have taught us and presents a fundamental re-thinking of our relationship to the body and its role in performance.
Good performers - be they trapeze artists, Shakespearean actors, Butoh dancers or film stars - are able to fully reach their audience and engage with them because they have learnt to use their bodies to its best effect. Through a series of practical exercises, Lorna Marshall encourages us to unleash our potential, discover new possibility for the body and express ourselves more clearly. This new edition has been fully revised to include the latest thinking on the subject and more exercises particularly for performers in TV and film.
Screen Adaptations Shakespeare’s the Tempest
Authors: Hopkins Lisa 
Published: November 2017

Literature and film studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text.
Focussing on numerous film versions, from Percy Stow’s 1908 adaptation to Peter Greenaway’s Prospero’s Books, the book discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are numerous excerpts from the literary text, screenplays and shooting scripts, with suggestions for comparison. The book also features quotations from authors, screenwriters, directors, critics and others linked with the chosen film and text.
Alan Ayckbourn
Authors: Allen Paul 
Published: November 2017

Now in paperback, the hugely acclaimed, authorised biography of Britain’s most popular playwright
Alan Ayckbourn is Britain’s most popular playwright and its most private. He has won numerous awards for his plays and has worked with some of theatre’s most celebrated names, yet he spends most of his time away from the limelight in a Yorkshire seaside town not writing at all but running a small repertory theatre.
This is a portrait of a man who – from Relatively Speaking in 1965 to his double play House and Garden at the National Theatre in 2000 – has chronicled human behaviour, our aspirations and insecurities, while shaping the theatrical experience of millions.
“Mr Allen’s book makes me want to start reading the entire Ayckbourn canon over again...splendid stuff” Hugh Leonard, Sunday Independent
“Paul Allen has come up with a wise, well-informed book that not only persuades us of Ayckbourn’s genius but also helps to explain this complex, driven man” Michael Billington, Country Life
“Lucid, meticulously researched ... this impressively detailed account benefits from Paul Allen’s rich inside knowledge of theatre” Terry Eagleton, Times Literary Supplement
“Thorough and enjoyable” Christopher Hirst, Independent
Meyerhold
Authors: Braun Edward 
Published: November 2017

Edward Braun’s acclaimed work on Meyerhold available for the first time in paperback
Vsevolod Meyerhold began his career in theatre as an actor with the Moscow Art Theatre, and after a spell in the remote provinces, he returned to Moscow at Stanislavski’s invitation and founded a new, experimental studio for the Art Theatre. This book takes us through Meyerhold’s extraordinary life of experiment and discovery, describing his rehearsal techniques and exercises and provides an acute assessment of his continuing influence on contemporary theatre.
Acting With Passion
Authors: Flacks Niki 
Published: November 2017

Based on the latest research from the fields of neuroscience and mind-body psychology, Acting With Passion offers a revolutionary new approach to the age-old problems of the actor: dealing with nerves, engaging the body, quieting the inner critic, auditioning, creating a character, and even playing comedy.
With this step-by-step guide, actors who have struggled with ‘visualization’ and ‘emotional recall’ can learn an alternative method of accessing feelings through the release of chronic, subtle muscular tensions that connect into the brain at lightning fast speed and can actually produce emotions on cue.
Written with verve and accessibility, and using practical exercises to guide the actor through each stage, Acting With Passion is the must-have text for actors seeking that magical ‘state of aliveness’.
Dramatic Dance
Authors: Royston Darren 
Published: November 2017

Dance is part of the art of theatre, a part which connects to movement, to communication, to improvisation, and to performance. It cannot exist on its own in the context of dramatic performance, but works in conjunction with other elements to enable meanings to be created in performance.
Dramatic Dance sets a programme for actors to perform dance as part of the drama, offering several approaches which can contribute to developing this understanding, to training this skill, and always ensuring that the whole active and thinking body and mind are fully engaged with the task of making dance an integral and vital part of theatre. To study dance in this way allows students to develop further their understanding of logic and structure in a dramatic text.
Many books deal with one aspect of dance or another: some on dance training, some on dance history, some on Rudolf Laban's ideas, some as dance manuals, and some as academic papers. Dramatic Dance is the first book to act as a comprehensive guide for theatre practice, bringing together these different, complementary disciplines.
Vocal Arts Workbook and Video
Authors: Carey David , Carey Rebecca Clark 
Published: November 2017

“Refreshing and imaginative, this book teaches through enhanced awareness, and instructs through clear and specific exercises” Cicely Berry
This practical workbook and DVD helps actors to fully develop expressive voice skills to communicate thoughts and feelings with precision and power. At the heart of the book are practical projects, with examples supplied on the accompanying DVD, which enables you to:
- connect your breath with your voice
- meet the demands of your performance
- use your voice expressively with pitch and range
Each chapter consists of an introductory Framework; Explorations; Exercises; Follow Up work; Suggested Texts; and Further Reading: a unique, student-centred approach not found in other voice books.
The Vocal Arts Workbook + DVD is a complete learning programme drawing on the work of a wide range of practitioners to be used at home, as a course text, or as a way to integrate 20-30 mins of voice work into an acting class.
The DVD contains: 85 mins of video and 38 physical exercises. Download them to your ipod and copy the movements as you go along.
Applied Theatre: Development
Authors: Prentki Tim 
Published: November 2017

At once both guide book and provocation, this is an indispensable companion for students and practitioners of applied theatre. It addresses all key aspects: principles, origins, politics and aesthetics in a concise and accessible style designed to appeal both to those who have recently discovered this sub-discipline and to experienced practitioners and academics.
Part 1 is divided into two chapters. The first introduces the sub-discipline of Theatre for Development, covering its origins, principles and history, and providing an overview of theatre for development in Western contexts as well as in Africa, Asia, the Indian Subcontinent and Latin America. The second focuses upon theoretical and philosophical issues confronting the discipline and its relationship to contemporary politics, as well as considering its future role.
Part 2 consists of seven chapters contributed by leading figures and current practitioners from around the world and covering a diverse range of themes, methodologies and aesthetic approaches. One chapter offers a series of case studies concerned with sexual health education and HIV prevention, drawn from practitioners working in Vietnam, Papua New Guinea, Southern Africa, and China. Other chapters include studies of intercultural theatre in the Peruvian Amazon; a programme of applied theatre conducted in schools in Canterbury, New Zealand, following the 2010 earthquake; an attempt to reinvigorate a community theatre group in South Brazil; and an exchange between a Guatemalan arts collective and a Dutch youth theatre company, besides others.
Applied Theatre: Aesthetics
Authors: White Gareth 
Published: November 2017

Applied Theatre: Aesthetics re-examines how the idea of 'the aesthetic' is relevant to performance in social settings. The disinterestedness that traditional aesthetics claims as a key characteristic of art makes little sense when making performances with ordinary people, rooted in their lives and communities, and with personal and social change as its aim. Yet practitioners of applied arts know that their work is not reducible to social work, therapy or education. Reconciling the simultaneous autonomy and heteronomy of art is the problem of aesthetics in applied arts.
Gareth White’s introductory essay reviews the field, and proposes an interdisciplinary approach that builds on new developments in evolutionary, cognitive and neuro-aesthetics alongside the politics of art. It addresses the complexities of art and the aesthetic as everyday behaviours and responses.
The second part of the book is made up of essays from leading experts and new voices in the practice and theory of applied performance, reflecting on the key problematics of applying performance with non-performers. New and innovative practice is described and interrogated, and fresh thinking is introduced in response to perennial problems.
Voice Into Acting
Authors: Gutekunst Christina , Gillett John 
Published: November 2017

How can actors bridge the gap between themselves and the text and action of a script, integrating fully their learned vocal skills? How do we make an imaginary world real, create the life of a role, and fully embody it vocally and physically so that voice and acting become one?
Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors - the acting approach widely taught to actors in drama schools throughout the world. The authors create a step-by-step guide to explore how voice can:
respond to our thoughts, senses, feelings, imagination and will
fully express language in content and form
communicate imaginary circumstances and human experience
transform to adapt to different roles
connect to a variety of audiences and spaces
Featuring over fifty illustrations by German artist Dany Heck, Voice into Acting is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques, or an alternative approach, to harmonize with the actor's process.
Off the Mic
Authors: Frances-White Deborah , Shandur Marsha 
Published: November 2017

What is it to be a stand-up comedian? To be funny, solo? You have no character-role, no double-act partner, and nowhere to look but out into the darkness, with just a microphone, an audience and your imagination.
This is a job without an annual appraisal; a job where you are publicly appraised every ten seconds. The results are harsh and obvious: if the audience isn’t laughing, you ‘died’; if they can’t stop, you ‘killed’.
Deborah Frances-White and Marsha Shandur unpack the inner-workings of the minds of comics, sharing their secrets, insecurities and successes; their bêtes noires and their biggest fears. Featuring interviews with a host of comedians including Eddie Izzard, Moshe Kasher, Sarah Millican, Jim Jeffries, Stewart Lee, Lewis Black, Jenny Eclair, Todd Barry, Richard Herring, Marc Maron, Stephen K Amos, Rich Hall, Zoe Lyons, Marcus Brigstocke, Phill Jupitus, Gary Delaney, Mark Watson, Greg Davies and many more, this excellent book lets you in to the hearts and minds of celebrated comedians, away from the stage and off the mic.
Justice Performed
Authors: Kozinn Sarah 
Published: November 2017

Justice Performed: Courtroom TV Shows and the Theaters of Popular Law is the first study of the reality TV genre to trace its theatrical legacy, connecting the phenomenon of the daytime TV shows to a long history of theatrical trials staged to educate audiences in pedagogies of citizenship. It examines how judge TV fulfills part of law's performative function: that of providing a participatory spectacle the public can recognize as justice. Since it debuted in 1981 with The People's Court, which made famous its star jurist, Judge Joseph A. Wapner, dozens of judges have made the move to television. Unlike the demographics in actual courts, most TV judges are non-white men and women hailing from diverse cultural and racial backgrounds. These judges charge their decisions with personal preferences and cultural innuendos, painting a very different picture of what justice looks like.
Drawing on interviews with TV judges, producers and production staff, as well as the author's experience as a studio audience member, the book scrutinizes the performativity of the genre, the needs it meets and the inherent ideological biases about race, gender and civic instruction.
The Art of Songwriting
Authors: West Andrew 
Published: November 2017

How do you turn songwriting talent into a professional career? This essential guide tackles that question, alongside many others, taking songwriters through all the developmental phases and commercial experiences along the way in order to inspire and encourage the reader to find their own voice and write successfully within their chosen genre.
Collating the best-available expertise with fresh ideas about the industry, Andrew West equips the reader with what every productive songwriter needs to know: how to write communicative songs that express meaning and convey individuality; how to develop songs into records; how the writer can function as a marketer and seller of original work; how domestic and international markets operate; and how to act and interact meaningfully within the culture of those market.
Armed with this knowledge, the songwriter is able to engage creatively and financially to make the most of their potential.
Brecht, Music and Culture
Authors: Berendse Sabine , Clements Paul , Bunge Hans , Eisler Hanns 
Published: November 2017

The Austrian composer Hanns Eisler was Bertolt Brecht’s closest friend and most politically committed collaborator. In these conversations with Hans Bunge which took place over a period of four years, from 1958 until his death in 1962, Eisler offers a compelling and absorbing account of his and Brecht’s period of exile in Europe and the USA between 1933 and 1947, and of the quality of artistic, social and intellectual life in post-war East Germany.
Brecht, Music and Culture includes a discussion of a number of Brecht’s principal plays, including Life of Galileo and The Caucasian Chalk Circle, considers the place of music in Brecht’s work and discusses the time that Brecht was brought before The House of Un-American Activities Committee. It includes lively accounts of Brecht’s meetings with key cultural figures, including Arnold Schönberg, Charlie Chaplin and Thomas Mann, and offers throughout a sustained response to the question of the purpose of art in a time of political turmoil.
Throughout the conversations, Eisler provides illuminating and original insights into Brecht’s work and ideas and gives a highly entertaining first-hand account of his friend’s personality and attitudes. First published in Germany in 1975, and now published in English for the first time, the conversations provide a fascinating account of the lives and work of two of the twentieth century’s greatest artists.
Genre
Authors: Tidmarsh Andrew 
Published: November 2017

What makes tragedy tragic? What makes comedy comic? What does Much Ado About Nothing have in common with When Harry Met Sally? Seneca with Desperate Housewives? Goldoni with Frasier?
In Genre: A Guide to Writing for Stage and Screen Andrew Tidmarsh explores these questions and more. Investigating how the relationship between form and content brings endless discoveries and illuminations about how narrative works, this entertaining and accessible book looks at how storytelling in film and theatre has evolved and how an appreciation of form can bring the writer, director or actor a solid foundation and a sense of security, which ultimately assists the creative process.
Including genre-specific exercises in every chapter helping the reader to write and devise, Genre: A Guide to Writing for Stage and Screen is for all those with an interest in story and can be used by writers, actors and directors alike – whether students or experienced professionals – to make the blank page appear less terrifying.
The Theatre of Grotowski
Authors: Kumiega Jennifer 
Published: November 2017

First published in 1985, this is a reissue of the seminal text on the work of Jerzy Grotowski and Laboratory Theatre recognised as being one of the most influential and important studies of the Polish theatre practitioner.
In 1984 Grotowski’s Laboratory Theatre closed down after twenty-five years of ceaseless experimentation pushing at the boundaries of the nature of theatre. From tiny beginnings in provincial Poland, Grotowski’s influence spread to Eurpoe and the United States, fuelled first by the international tours of his remarkable company and then by ‘paratheatrical’ participatory projects which attracted adherents all over the world.
This magnificent study of his work remains one of the most important and thorough examinations of the history, theory and post-theatre work of this most influential of theatre practitioners.
This second edition:
* Adds three new chapters positioning Grotowski restrospectively within theatrical and performance developments of the past 30 years.
* Sets the original research and book in the context of its time, politically, socially and culturally.
* Analyses the major developments that have taken place in the research process itself, specifically from the objective/analytical to subjective, experiential and phenomenological exploring the inter-disciplinary threads of influence of Grotowski's work, taking a wider cultural perspective than purely theatrical or performance-based.
* Includes contributions from a number of individuals who worked with Grotowski
* Offers a revaluation of the paratheatrical period of Grotowski's work with the aim of de-mystifying and reclaiming it as a valid part of both performance and theatrical explorations and the wider cultural perspective.
* Includes interviews with Laboratory Theatre actors and personnel, some never published, with original recording placed online.
The Actor’s Business Plan
Authors: Brody Jane Drake 
Published: November 2017

The Actor’s Business Plan is a self-directed practical guide for actors graduating from formal training programs, as well as for those already in the business whose careers need to move ahead more successfully. Using the familiar language of acting training, the book offers a method for the achievement of dreams through a five-year life and career plan giving positive steps to develop a happy life as an actor and as a person. It assists performers to flourish using the same kind of business/career planning that is a necessary part of life for entrepreneurs and business people.
This introduction to the acting industry provides essential knowledge not only for how the business actually works, but also describes what casting directors, agents, and managers do, demystifies the role of unions, discusses how much things cost, and offers advice on branding and marketing strategies. It differs from other such handbooks in that it addresses the everyday issues of life, money, and jobs that so frequently destroy an actor’s career before it is even begun.
While addressing NYC and LA, the guide also gives a regional breakdown for those actors who may wish to begin careers or to settle in other cities. It is loaded with personal stories, and interviews with actors, casting directors, and agents from throughout the US.
The Actor’s Business Plan is the answer to the common complaint by students that they were not taught how to negotiate the show business world while at school. It is the perfect antidote for this problem and can easily fit into a ten or a thirteen-week class syllabus.
Offering support as a personal career coach, empowering the actor to take concrete steps towards their life and career dreams, The Actor’s Business Plan: A Career Guide for the Acting Life is a must-have book for actors who are determined to be a part of the professional world.