bluuebunny/crossref_metadata_2025_split huggingface dataset:
Desain Produk Kerajinan dan Ornamen Bangunan Bergaya Etnik Dayak dari Hasil Pengolahan Injeksi Limbah Plastik
Authors: - Suwarto , - Rusda 
Published: October 2017

ABSTRACTÂ The increase Â of plastic Â use in Indonesia in general Â and in Kalimantan in particular will also increase the amount Â of plastic Â wasteÂ that will be produced. Â By using Â plastic Â waste heater device which driven by 3 tones Â hydraulic,Â Â Â be able to produce fineÂ quality Â ofÂ Â handcraft Â and building ornament Â product, this can be seen Â in the test Â result Â of device so that the recycling process can take place. By heating at the temperature Â of 270Âº - 280ÂºC on bengkirai Â wood mold combined with iron plate, plastic bag ( HDPE), household wastes Â can be molded into Â Dayakâ€™s motif which then can be used for ornament Â building. Processed injection Â plastic modul which then can be arranged Â into ornament Â building. Â To be used as the building ornament the modules of plastic injection Â are glued on the wooden frame which itended to facilitate Â when combined as ornament of building.Â Key Words: Â Plastic, Heater, Mold, Modules, Dayak.Â Â ABSTRAKÂ Dengan meningkatnya penggunaan plastik di Indonesia umumnya dan Kalimantan pada khususnya maka akan meningkatkan juga jumlah limbah plastik yang akan dihasilkan. Dengan menggunakan alat pemanas limbah plastik yang digerakkan dengan hydraulic berkapasitas 3 (tiga) ton mampu menghasilkan produk kerajinan dan orna- ment bangunan yang berkualitas baik, ini terlihat pada hasil uji alat sehingga proses re- cycle dapat berlangsung. Dengan pemanasan pada mesin pencetak menggunakan suhu2700-2800 Â pada cetakan kayu bengkirai kombinasi plat besi, plastik kresek (HDPE) limbah rumah tangga dapat dicetak menjadi modul bermotif Dayak yang selanjutnya dapat digunakan untuk ornamen bangunan. Dihasilkan modul plastik injeksi yang kemudian dapat dirangkai menjadi ornamen bangunan. Untuk dapat digunakan sebagai ornamen bangunan modul-modul hasil injeksi plastik tadi di rekatkan pada bingkai kayu dimaksudkan agar memudahkan pada saat di gabungkan sebagai ornamen bangunan.Â Kata kunci : Plastik, Pemanas, Cetakan, modul, Dayak
Desain Rancang Bangun Dapur Umum Portable dalam Penanggulangan Bencana Alam
Authors: Hidayanto Andi Farid , Rulia Anna - 
Published: October 2017

ABSTRACTÂ Indonesia is a disaster-prone areas. To meet the logistical Â needs of the victim Â and the officer needed a common kitchen. Common kitchen that is generally in the form of tents, buildings used as shelters, or modified car. Common kitchen there is an emergency nature, Â improvise, and how far from the disaster site. These problems need to design a common kitchen for natural disaster management, Â which can meet the needs, the officer and the victim. In designing Â methods Pahl and Beitz with steps Planning and explanation Â of the task, Â design concept, Â design forms, and design details. Collecting Â data using methods Individual Â Questionnaire Â and Focus Group Dis- cussion the results obtained attributes Â required in the design. Results of the research is a com- mon kitchen design for a natural disaster Â are portable, easily assembled and disassembled, can be setÂ up in various Â locations Â condition, Â easy to operate, able to accommodate facilities Â and needs. Common Â kitchen Â design Â produced in the form Â of large-scale Â three-dimensionalÂ Â model, a blueprint Â for the technical Â specifications, Â and the protoype.Â Keywords: natural disasters; Â design; soup kitchen;Â portable.Â Â Â ABSTRAKÂ Indonesia merupakan daerah rawan bencana. Memenuhi kebutuhan logistik korban dan petugas diperlukan dapur umum. Dapur umum yang ada umumnya berupa tenda peleton, bangunan yang dijadikan posko, atau mobil yang dimodifikasi. Dapur umum yang ada sifatnya darurat, seadanya dan lokasinya jauh dari lokasi bencana. Dari masalah tersebut perlu desain dapur umum untuk penanggulangan bencana alam, yang bisa memenuhi kebutuhan, baik petugas maupun korban. Dalam mendesain menggunakan metode Pahl dan Beitz dengan langkah-langkah Perencanaan dan penjelasan tugas, Perancangan konsep, Perancangan bentuk, dan Perancangan detail. Pengumpulan data menggunakan metode Individual Questionnaire dan Focus Group Discussion yang hasilnya didapatkan atribut yang diperlukan dalam desain. Hasil dari penelitian berupa desain dapur umum untuk penanggulangan bencana alam yang portable, mudah dirakit dan dibongkar, dan dapat didirikan di lokasi yang beraneka kondisi, mudah dioperasikan, mampu menampung fasilitas dan kebutuhan. Desain dapur umum yang dihasilkan dalam bentuk model tiga dimensi berskala, blue print spesifikasi teknis, dan protoype.Â Kata kunci: bencana alam, desain, dapur umum, portable.
Wajah Indo dalam Iklan Tahun 1950an
Authors: Suwardikun Didit Widiatmoko 
Published: October 2017

ABSTRACTÂ 1950s society in Indonesia Â was marked by the changing Â social Â class, at the Â time Â of the Dutch East Indies, indigenous groups or â€œinlanderâ€ Â as the lowest grade. After the independence war a large Â number Â of indigenous Â people shifted Â into Â top class. That changes Â was used Â to advertise Â the consumer Â goods of internationalÂ Â campanies. Â How was the Â figure Â of ideal Â model advertised at that time? Through visual analysis Â on consumer Â goods advertisement Â in newspa- pers published in the 1950s as well as an interview to the resource person, it was found that the visualization Â of women as a model, were wearing Â Indonesian Â dress, but the structure Â of the face and physical proportions were western Â type. Admiration Â for the beauty Â of western Â valuesÂ Â is used as a tool to persuade the target audience, indigenous on new high social class, the women of Indonesia, Â especially Â in West Java which is famous for the light-skinned girl and a beautiful face.Â Keywords : eurasian Â face, visual persuasion, advertisement.Â Â Â Â Â ABSTRAKÂ Dekade 1950an tatanan masyarakat di Indonesia ditandai dengan berubahnya kelas sosial, pada zaman Hindia Belanda, kelompok pribumi atau â€œinlander â€ sebagai kelas yang paling rendah, setelah perang kemerdekaan sejumlah besar orang pribumi bergeser menjadi kelas paling atas. Perubahan itu dimanfaatkan produsen untuk mengiklankan barang-barang konsumen produksi perusahaan internasional. Bagaimana figur ideal model iklan pada jaman itu? Melalui analisis visual pada iklan barang-barang konsumen di koran dan majalah yang diterbitkan pada tahun 1950an serta wawancara kepada narasumber, ditemukan bahwa visualisasi perempuan sebagai model iklan dengan cara berpakaian Indonesia, tapi struktur wajah dan proporsi tubuh bertipe Barat. Kekaguman terhadap nilai-nilai keindahan Barat digunakan sebagai alat untuk membujuk audiens target iklan, kelas sosial atas yang baru, para wanita Indonesia, khususnya di Jawa Barat yang terkenal dengan para gadis yang berkulit terang dan berwajah cantik.Â Kata kunci: wajah indo, persuasi visual, iklan koran.
Wayang dalam Tari Sunda Gaya Priangan
Authors: Rusliana Iyus 
Published: October 2017

ABSTRACTÂ This paper is a study on the potential Â of puppet (wayang) Â in the scope of Sundanese Â culture of Â Priangan subculture, Â especially Â dance. Â Formerly Â the term Â of wayang Â means Â to call dolls made of wood which Â are Â played Â by a puppeteer (dalang) Â in a performance Â of puppetry Â art or to tell Â the story Â of its performance, Â andÂ it is also directly Â to call the art of WayangÂ Â Golek puppetry. Later, the potential Â of wayang affects strongly Â to the various Â aspects of life which are related Â to belief and art, including Â to Sundanese Â dance of Priangan style. Since Â wayang con- sists of religious sense which is implied in the story, thus wayang in Sundanese Â dance of Priangan style is not Â separated from the mission Â or moralÂ value to the guidance Â of life. The emerge of Wayang Wong Priangan Â revealed as a dance drama with dialogue carrying Â the story of wayang in complete or partly, Â and there are always, Â conflicts Â between the evil wayang Â characters Â and the ones who extinguish Â the evils.Â Keywords: Priangan subculture, Wayang Dance, Priangan styleÂ Â Â ABSTRAKÂ Tulisan ini merupakan kajian terhadap potensi wayang dalam lingkup budaya Sunda subkultur Priangan, khususnya seni tari. Awalnya kata wayang diartikan untuk menyebut boneka dari kayu yang dimainkan dalang dalam pertunjukan seni pedalangan atau untuk menunjukkan ceritanya dalam pertunjukan seni padalangan, dan juga bisa secara langsung untuk menyebut seni padalangan Wayang Golek. Selanjutnya potensi wayang ini berpengaruh kuat ke dalam beberapa aspek kehidupan yang berbau kepercayaan dan juga kesenian, termasuk ke tari Sunda gaya Priangan. Karena wayang mengandung makna religius yang tersirat dalam isi ceritanya, maka wayang dalam tari Sunda gaya Priangan tidaklah lepas dari misi atau pesan moral ke arah tuntunan hidup. Lahirnya Wayang Wong Priangan, terungkap sebagai bentuk dramatari berdialog dengan membawakan cerita wayang secara utuh atau sebagian, dan senantiasa adanya pertentangan antara tokoh wayang yang jahat dengan yang menumpas kejahatan.Â Kata kunci: subkultur Priangan, Tari Wayang, gaya Priangan
Perwujudan Keyakinan akan Keberadaan Mahluk Halus dalam Komik Kawin ka Kunti
Authors: Kasmana Kankan , Sabana Setiawan , Gunawan Iwan , Ahmad Hafiz Aziz 
Published: October 2017

AbstrakMahluk halus dalam masyarakat Sunda merupakan fenomena antara mitos dan realitas. Kepercayaan terhadap mahluk yang dianggap immateri-spiritual ini mempengaruhi kehidupan masyarakat, dan banyak diangkat dalam media populer. Tahun 1986 hadir komik Sunda berjudul Kawin ka Kunti, bercerita tentang pernikahan manusia dan mahluk halus, Kuntianak. Penelitian ini bersifat kualitatif, secara deskriptif menguraikan tentang pengemasan mitos dan tradisi dalam komik sebagai wujud interteks. Analisis intertekstualitas digunakan dalam penelitian berupaya mencari representasi teks berupa keyakinan akan keberadaan mahluk halus di masyarakat Sunda yang muncul dalam komik. Diperoleh kesimpulan bahwa interteks hadir dalam komik berupa keyakinan akan keberadaan mahluk halus, meliputi wujud hantu, kehadiran mantra berupa jampe pamakena, serta adat istiadat yang berkaitan dengan mahluk halus. Imaji hantu dalam komik ini adalah representasi dari konsep, pandangan, kepercayaan akan kehadiran mahluk halus. Gambarannya bisa jadi merupakan sebuah imaji perseptual, yang hadir dalam diri komikus didasarkan pada referensi eksternal di lingkungan komikus berada. Kata Kunci: Mahluk Halus, Komik, Intertekstual, Sunda, Tradisi AbstractSpiritual beings within Sundanese is both myth and reality phenomenon. This spiritual-immaterial belief influences Sundanese people’s life, where it frequently appears in popular media. In 1986, there was a comic titled Kawin ka Kunti, told a story about spiritual being (Kuntianak)-human marriage.It is a qualitative research which descriptively explains how myth and tradition are wrapped as an intertext form. Uses intertextual analysis, this research attempts to find text representation in form of belief on spiritual beings existence in the comic. It is then concluded that intertext exists in the comic in form of belief on spiritual beings existence comprises of incarnation of several ghosts, spells presence in form of jampe pamakena, as well as custom related to ghosts. Ghost imaging in this comic is a representation of concept, point of view, and belief of jurig (ghost). It may come in form of perceptual imaging, presents in anything that is based on external reference of the comic artist her/himself.Keywords: Jurig (ghost), Comic, Intertextual, Sunda, Tradition
Narasi Cahaya Kearifan Lokal Dalam Film Sang Pencerah Karya Hanung Bramantyo
Authors: Puspitasari Dyah Gayatri , Sabana Setiawan , Ahmad Hafiz Azis 
Published: October 2017

ABSTRACTÂ Narrative is an important element in film. Its sequence has certain logic related to the meaning of film story. A film is the work of a director, its events sequence has accommodated certain message or in- tention of the director. The study of Sang Pencerah by Hanung Bramantyo applies the text visual nara- tive analysis using narrative theory of Genette and semiotics of Peirce as supporting theory. The result of the analyses finds out that Sang Pencerah is a film structure in three chapters with linier pattern. The light aspect correlated Â with the meaning of enlightment seems to be used as the binding factor of the main story. By analysing various visual signs it is found that the enlightment idea (pencerahan) in the film is the western rationality of modernism versus Ahmad Dahlan. It is a rationality which manifests hospitality and local wisdom as a strong identity which balances the modernity.Â Keywords: narrative, film, light, message, modernismÂ Â Â Â ABSTRAKÂ Narasi merupakan unsur penting dalam film. Urutannya mengandung logika tertentu yang berkaitan dengan makna cerita film. Film dapat dikatakan sebagai narasi yang merep- resentasikan realitas. Namun karena film merupakan gubahan sutradara, maka urutan peris- tiwa itu tentunya sudah dibubuhi pesan atau niatan tertentu sutradara. Dengan mengambil film Sang Pencerah karya Hanung Bramantyo sebagai studi kasus, dilakukan identifikasi pesan dan makna yang termuat di dalam film tersebut. Kajian ini menggunakan metode analisis teks visual naratif dengan teori narasi Genette dan semiotika Peirce sebagai pembantu. Dari hasil analisis struktur narasiditemukan bahwa Sang Pencerah merupakan film alur tiga babak dengan pola linier. Aspek cahaya yang dikorelasikan dengan makna pencerahan, tampak dimanfaat- kan sebagai pengikat rangkaian inti cerita. Melalui analisis berbagai penanda visual selanjutnya ditemukan bahwa gagasan pembaharuan (pencerahan) yang diketengahkan sutradara dalam film ini merupakanrasionalitas modernisme Barat versus Ahmad Dahlan. Sebuah rasionalitas yang mengejawantahkan kesantunan dan kearifan lokal sebagai keutuhan jati diri pengimbang kebaharuan.Â Kata kunci: narasi, film, cahaya, pesan, modernismeÂ
Seni Rupa Pasemah: Arah Hadap dan Orientasi Karya Seni Rupa Pasemah
Authors: Suryanegara A. Erwan , Sachari Agus 
Published: October 2017

ABSTRACTÂ In Bukit Barisan of southern Sumatra, exactly in Lahat and Pagaralam, South Sumatra, was found remains of megalithic artifacts. The artifacts in the form ofvisual arts are in larger quantities, particu- larly sculptures other than paintings,reliefs, etc. Surveys and literature studies show that visual arts as those contemporary Pasemah visual arts are not yet discovered in other regions. One ofspecial charac- teristics is Point of the Orientation and the Orientation of sculptures which is not referring to point of the compass, rather to the object of nature surroundings. The Pasemah visual arts are never apart from the underlyingEcocentric concept and in harmony with the worship of ancestral souls in a cosmocentric mystical culture. The uniqueness of Pasemah visual arts is, actually, potential that must be excavated and prolif- erated as learning for citizens and, thus, inspire community surroundings in particular and Nusantara societies in general.Â Keywords: Pasemah, sculpture, megalithic, point, orientationÂ Â Â Â Â ABSTRAKÂ Bukit Barisan bagian selatan Sumatra, tepatnya di Lahat dan Pagaralam, Sumatra Selatan, ditemukan peninggalan artefak-artefak megalitik. Secara kuantitatif memperlihatkan bahwa jumlah artefak berwujud karya seni rupa (visual) lebih banyak, terutama yang berbentuk pa- tung selain lukisan, relief, dan sebagainya. Kajian atas hasil survei dan studi literatur membuk- tikan bahwa seperti karya visual Pasemah itu memang tidak ditemukan di kawasan lain yang sezaman. Satu kekhasannya adalah Arah Hadap dan Orientasi patung yang tidak mengacu ke- pada arah mata angin, tetapi kepada objek alam di sekitarnya. Karya-karya visual Pasemah itu tidak pernah lepas dari konsep ekosentris yang menjadi konsep mendasar dan selaras dengan pemujaan arwah leluhur dalam peradaban mistis yang kosmosentris. Keunikan karya visual Pasemah sesungguhnya merupakan potensi yang harus digali dan ditumbuhkembangkan se- bagai pembelajaran bagi anak bangsa, sehingga dapat menginspirasi masyarakat sekitar khu- susnya maupun masyarakat Nusantara umumnya.Â Kata kunci: Pasemah, patung, megalitik, arah, orientasi
Rekontruksi pikukuh Tilu dalam Manajemen Babarit pada Upacara Serentaun Cigugur Kuningan
Authors: Suhaenah Euis , Rohaeni Ai Juju , Listiani Wanda 
Published: October 2017

ABSTRAKPenelitian ini menemukan teori manajemen komunitas khususnya konsep pikukuh tilu dalam manajemen babarit dan model manajemen babarit dalam upacara adat. Luaran penelitian Fundamental ini berupa jurnal terakreditasi atau bereputasi internasional, laporan penelitian. Penelitian ini menggunakan metode deskriptif analisis kualitatif, sebagai langkah awal pengumpulan data dilakukan dengan mengadakan obervasi lapangan. Hal ini menitikberatkan pada pengamatan yang didukung dengan wawancara dan perekaman kejadian. Wawancara dilakukan dengan pelaku, tokoh yang terlibat langsung, dan tokoh seniman yang terlibat didalamnya. Teknik wawancara yang mendalam dengan cara memilih informan kunci guna mendapatkan validitas data yang menghasilkan deskripsi yang lebih utuh dan menyeluruh. Hasil penelitian merujuk pada pola pikir masyarakat Sunda Wiwitan dengan konsep Pikukuh Tilu yakni ngaji badan, tuhu/mikukuh kana tanah, madep ka ratu-raja, dalam upacara adat ada 3 (tiga) tahapan dalam proses pengelolaan manajemen babarit yakni, ngajayak, babarit, nutu.Kata kunci :pikukuh tilu, manajemen komunitas, upacara adat, babarit, Cigugur Kuningan ABSTRACTThe research found the community management theory especially the babarit management with pikukuh tilu concept and the babarit management model in traditional ceremonies. Output this research are Accredited Scientific journal or international reputation.This research used the qualitative descriptive analysis. Field observation applied as the first step. The observation focuses on interview add event recording. The interview conducted with the informansuch as artists that involved in seren taun. Depth interview technique through the main informan get the valid data for the solid result and comprehensive desription. The research resultedrefer to the Sundanese mindset with the Pikukuh Tilu concept in traditional ceremonies through the tree steps of the Babarit management proses; ngajayak, babarit, nutu.Keywords:Pikukuh Tilu, Community Mangement, Tradisional ceremonies, Babarit, Cigugur Kuningan
Long-term outcomes of tissue-based ACTH-antibody assay–guided transsphenoidal resection of pituitary adenomas in Cushing disease
Authors: Erfe J. Mark , Perry Avital , McClaskey John , Inzucchi Silvio E. , James Whitney Sheen , Eid Tore , Bronen Richard A. , Mahajan Amit , Huttner Anita , Santos Florecita , Spencer Dennis 
Published: October 2017

OBJECTIVECushing disease is caused by a pituitary micro- or macroadenoma that hypersecretes adrenocorticotropic hormone (ACTH), resulting in hypercortisolemia. For decades, transsphenoidal resection (TSR) has been an efficacious treatment but with certain limitations, namely precise tumor localization and complete excision. The authors evaluated the novel use of a double-antibody sandwich assay for the real-time quantitation of ACTH in resected pituitary specimens with the goals of augmenting pathological diagnosis and ultimately improving long-term patient outcome.METHODSThis study involved a retrospective review of records and an analysis of assay values, pathology slides, and MRI studies of patients with Cushing disease who had undergone TSR in the period from 2009 to 2014 and had at least 1 year of follow-up in coordination with an endocrinologist. In the operating room, biopsy specimens from the patients had been analyzed for tissue ACTH concentration. Additional samples were simultaneously sent for frozen-section pathological analysis. The ACTH assay performance was compared against pathology assessments of surgical tumor samples using receiver operating characteristic (ROC) analysis and against pre- and postoperative MRI studies.RESULTSFourteen patients underwent TSR with guidance by ACTH-antibody assay and pathological assessment of 127 biopsy samples and were followed up for an average of 3 years. The ACTH threshold for discriminating adenomatous from normal tissue was 290,000 pg/mg of tissue, based on jointly maximized sensitivity (95.0%) and specificity (71.3%). Lateralization discordance between preoperative MRI studies and surgical visualization was noted in 3 patients, confirming the impression that MRI alone may not achieve optimal localization. A majority of the patients (85.7%) attained long-term disease remission based on urinary free cortisol levels, plasma cortisol levels, and long-term corticosteroid therapy. Comparisons of patient-months of remission and treatment failure showed that the remission rate in the study sample statistically exceeds the rate in historical controls (71.9%; p = 0.0007, Fisher’s exact test). Long-term unexpected hormonal deficiencies were statistically similar between study patients (29%) and those in a meta-analysis (25%; p = 0.7596, Fisher’s exact test).CONCLUSIONSThese preliminary findings reflect the promising potential of tissue-based ACTH-antibody–guided assay for improving the cure rates of Cushing disease patients undergoing TSR. Further studies with larger sample sizes, further refinements of assay interpretation, and longer-term follow-ups are needed.
Role of the temporal pole in temporal lobe epilepsy seizure networks: an intracranial electrode investigation
Authors: Abel Taylor J. , Woodroffe Royce W. , Nourski Kirill V. , Moritani Toshio , Capizzano Aristides A. , Kirby Patricia , Kawasaki Hiroto , Howard Matthew , Werz Mary Ann 
Published: October 2017

OBJECTIVEA convergence of clinical research suggests that the temporal pole (TP) plays an important and potentially underappreciated role in the genesis and propagation of seizures in temporal lobe epilepsy (TLE). Understanding its role is becoming increasingly important because selective resections for medically intractable TLE spare temporopolar cortex (TPC). The purpose of this study was to characterize the role of the TPC in TLE after using dense electrocorticography (ECoG) recordings in patients undergoing invasive monitoring for medically intractable TLE.METHODSChronic ECoG recordings were obtained in 10 consecutive patients by using an array customized to provide dense coverage of the TP as part of invasive monitoring to localize the epileptogenic zone. All patients would eventually undergo cortico-amygdalohippocampectomy. A retrospective review of the patient clinical records including ECoG recordings, neuroimaging studies, neuropathology reports, and clinical outcomes was performed.RESULTSIn 7 patients (70%), the TP was involved at seizure onset; in 7 patients (70%), there were interictal discharges from the TP; and in 1 case, there was early spread to the TP. Seizure onset in the TP did not necessarily correlate with preoperative neuroimaging abnormalities of the TP.CONCLUSIONSThese data demonstrate that TPC commonly plays a crucial role in temporal lobe seizure networks. Seizure onset from the TP would not have been predicted based on available neuroimaging data or interictal discharges. These findings illustrate the importance of thoroughly considering the role of the TP prior to resective surgery for TLE, particularly when selective mesial resection is being considered.