bluuebunny/crossref_metadata_2025_split huggingface dataset:
Tapestry of a clinician: Blending Authentic Movement and the Internal Family Systems model
Authors: Cahill Susan 
Published: January 2016

Abstract
The intention in this article is to weave together the work of the Internal Family Systems model (IFS) and Authentic Movement (AM) for high functioning clients in clinical private practice. This article explores how IFS and AM with a dance/movement therapy foundation can compliment each other and offer a way for the body to participate in healing. This article also highlights how neuroscience supports the role and effectiveness of body-centred approaches on developing a sense of well being in mind and body.
To the bones – and through: The Discipline of Authentic Movement and voice work
Authors: Halstrup Irmgard 
Published: January 2016

Abstract
In this article I explore some ideas that are central to my work, which is based in the Discipline of Authentic Movement, Janet Adler’s approach to the practice of Authentic Movement. A short introduction to the Discipline of Authentic Movement is followed by some of the many dimensions of sounds and sounding. Particular consideration is given to the ever-present question of sounding in relation to the group. Examples are included of participants’ experiences as movers and witnesses, as well as considerations from the teacher’s point of view to enable helpful structures regarding group work. Special groups are described for working with voice and sounding, as one way of practising the Discipline of Authentic Movement.
Virtual Sound Localization by Blind People
Authors: Dunai Larisa , Lengua Ismael , Peris-Fajarnés Guillermo , Brusola Fernando 
Published: January 2016

AbstractThe paper demonstrates that blind people localize sounds more accurately than sighted people by using monaural and/or binaural cues.In the experiment, blind people participated in two tests; the first one took place in the laboratory and the second one in the real environment under different noise conditions. A simple click sound was employed and processed with non-individual head related transfer functions. The sounds were delivered by a system with a maximum azimuth of 32° to the left side and 32° to the right side of the participant’s head at a distance ranging from 0.3 m up to 5 m.The present paper describes the experimental methods and results of virtual sound localization by blind people through the use of a simple electronic travel aid based on an infrared laser pulse and the time of flight distance measurement principle. The lack of vision is often compensated by other perceptual abilities, such as the tactile or hearing ability.The results show that blind people easily perceive and localize binaural sounds and assimilate them with sounds from the environment.
Is a Multi-Slider Interface Layout Responsible for a Stimulus Spacing Bias in the MUSHRA Test?
Authors: Zieliński Sławomir 
Published: January 2016

Abstract
The multi-stimulus test with hidden reference and anchors (MUSHRA) is commonly used for subjective quality assessment of audio systems. Despite its wide acceptance in scientific and industrial sectors, the method is not free from bias. One possible source of bias in the MUSHRA method may be attributed to a graphical design of its user interface. This paper examines the hypothesis that replacement of the standard multi-slider layout with a single-slider version could reduce a stimulus spacing bias observed in the MUSHRA test. Contrary to the expectation, the aforementioned modification did not reduce the bias. This outcome formally supports the validity of using multiple sliders in the MUSHRA graphical interface.
Orpheus in the Underground
Authors: Puskás Dániel 
Published: January 2016

Abstract
In my study I deal with descents to the underworld and hell in literature in the 20th century and in contemporary literature. I will focus on modem literary reinterpretations of the myth of Orpheus, starting with Rilke’s Orpheus. Eurydice. Hermes. In Seamus Heaney’s The Underground. in the Hungarian Istvan Baka’s Descending to the Underground of Moscow and in Czesław Miłosz’s Orpheus and Eurydice underworld appears as underground, similarly to the contemporary Hungarian János Térey’s play entitled Jeramiah. where underground will also be a metaphorical underworld which is populated with the ghosts of the famous deceased people of Debrecen, and finally, in Péter Kárpáti’s Everywoman the grave of the final scene of the medieval Everyman will be replaced with a contemporary underground station. I analyse how an underground station could be parallel with the underworld and I deal with the role of musicality and sounds in the literary works based on the myth of Orpheus.
Homeward Journey through Poetry: Wallace Stevens’s The Poem that Took the Place of a Mountain
Authors: Prohászka-Rád Boróka 
Published: January 2016

Abstract
Analyzing Stevens’s 1952 The Poem that Took the Place of a Mountain I trace the laborious journey the persona of the poem undertakes - an external as well as an internal adventure - transforming thus the world into a possible home. I show how the poem - through its self-reflexive nature and complex system of interwoven external and internal images and circular movements - may offer the persona a sense of self and home in space and time among the fragments of the broken universe.
The Image of the East-Central European in Rose Tremain’s The Road Home
Authors: Harasztos Ágnes 
Published: January 2016

Abstract
In Rose Tremain’s The Road Home, the culture clash of the British and the East-Central European is portrayed through a complex symbolism centred on images of food, consumption and waste. This literary representation may shed light on British literary auto-images, as well as hetero-images of the Eastern European immigrant. The novel’s presentation of this culture shock is defined by the cultural historical and economic circumstances of the parties. Food and material provide the symbolic sphere where the relationship between Britain and East-Central Europe is characterized in terms of capitalist worldview as opposed to a post-communist existence. William Shakespeare’s Hamlet is the most important intertext for Tremain’s novel. Hamlet is obsessed with the vulnerability of material in light of the spiritual value attached to it in the form of human soul. Stephen Greenblatt’s ideas on food, waste and the Christian belief in divine existence residing in material objects - ideas that originate in early modern times - shed light on the motif of material and food in The Road Home. Seen through the symbolism of food and the idea of differing values being attached to matter, the narrative identity of Lev, the protagonist of Tremain’s work, experiences drastic change due to his encounter with the capitalist, British ‘other’.
The Question of Identity in Gary Shteyngart’s Little Failure
Authors: Maior Enikő 
Published: January 2016

Abstract
In my paper I want to deal with the question of identity and Gary Shteyngart’s last novel, Little Failure (2014). The novel is a memoir that deals with young Gary’s struggle as an individual of Russian Jewish origins trying to accommodate himself to the American way of life. America with its multicultural and multiethnic environment puts the immigrant Gary in a very sensitive position. He does not know how to deal with African Americans; shall he avoid them or rim away? Shall he befriend Asian colleagues or not? Are Jewish friends more valuable than others? These are the questions that Gary Shteyngart has to answer and find his own voice. The protagonist of the novel under discussion tries to find his identity which is in continuous change. He tries to figure out in a world filled with cultural, racial and urban conflicts his own identity from the perspective of a former immigrant and as a member of a minority group. The task of my paper is to show how the question of identity has changed and what solution Shteyngart’s novel can offer for the protagonist in the process of identity formation.
Understanding Jerusalem and its Cross-Cultural Dilemmas in Guy Delisle’s Jerusalem: Chronicles From the Holy City
Authors: Gavrilă Ana-Maria 
Published: January 2016

Abstract
Guy Delisle’s Jerusalem: Chronicles from the Holy City (2011) is a nonfictional graphic novel which narrates the experiences during a year that the Canadian artist and his family spent living far from home, in the occasionally dangerous and perilous city of the ancient Middle East. Part humorous memoir filled with “the logistics of everyday life,” part an inquisitive and sharp-eyed travelogue, Jerusalem is interspersed with enthralling lessons on the history of the region, together with vignettes of brief strips of Delisle’s encounters with expatriates and locals, with Jewish, Muslim, and Christian communities in and around the city, with Bedouins, Israeli and Palestinians. Since the comic strip is considered amongst the privileged genres able to disseminate stereotypes, Jerusalem tackles cultural as well as physical barriers, delimiting between domestic and foreign space, while revealing the historical context of the Israeli-Palestinian present conflict. Using this idea as a point of departure, I employ an imagological method of interpretation to address cross-cultural confusions in analysing the cartoonist’s travelogue as discourse of representation and ways of understanding cultural transmission, paying attention to the genre’s convention, where Delisle’s drawing style fits nicely the narrative techniques employed. Through an imagological perspective, I will also pay attention to the interaction between cultures and the dynamics between the images which characterise the Other (the nationalities represented or the spected) and those which characterise - not without a sense of irony - his own identity (self-portraits or auto-images). I shall take into account throughout my analysis that the source of this graphic memoir is inevitably a subjective one: even though Delisle professes an unbiased mind-set from the very beginning, the comic is at times coloured by his secular views. Delisle’s book is a dark, yet gentle comedy, and his wife’s job at the Doctors Without Borders paired with his personal experiences are paradoxically a gentle reminder that “There’ll always be borders.” In sum, the comic medium brings a sense of novelty to the imagological and hermeneutic conception of the interpretation of cultural and national stereotypes and/or otherness in artistic and literary works.
Potential Ambiguity Translation Performances within Legal Language Institutional Nomenclature
Authors: Oţăt Diana 
Published: January 2016

Abstract
Motivated by a paradoxical corollary of ambiguities in legal documents and especially in contract texts, the current paper underpins a dichotomy approach to unintended ambiguities aiming to establish a referential framework for the occurrence rate of translation ambiguities within the legal language nomenclature. The research focus is on a twofold situation since ambiguities may. on the one hand, arise dining the translation process, generated by the translator’s lack of competence, i.e. inadequate use of English regarding the special nature of legal language, or. on the other hand, they may be simply transferred from the source language into the target language without even noticing the potential ambiguous situation, i.e. culture-bound ambiguities. Hence, the paper proposes a contrastive analysis in order to localize the occurrence of lexical, structural, and socio-cultural ambiguities triggered by the use of the term performance and its Romanian equivalents in a number of sales contracts.
A Hungarian Writer’s Experience of the Mediterranean: On Ferenc Herczeg’s Szelek Szárnyán Travelogue/ Ship's Log
Authors: Bence Erika , Németh Ferenc 
Published: January 2016

Abstract
One of the works of the much disputed and until recently often avoided oeuvre of Herczeg Ferenc is the attention-grabbing work entitled Szelek szárnyán [On the Wings of the Wind] (1905). a travelogue and a ship’s Jog. Its analysis casts another view on the life of this writer, bom in South Banat. who. at the beginning of the 20th century, sailed the Adriatic and the Mediterranean with his nephew in his sailing boat called Sirály (The Seagull) - thus demonstrating and choosing a secessionist lifestyle, even abandoning Budapest -, and his inspiration by the sea reached a peak in this volume (Secessionist in every sense, advertising the beauties and values of the Adriatic). This prose work was created in the context of Rijeka, Zadar, Sibenik. Trogir, Split, Dubrovnik, and Boka Kotorska. which (apart from its Secessionist character), owing to its cross-artistic and multicultural features, blends various art forms and ways of expression. It gives a superb experience to the reader. The study interprets and analyses Ferenc Herczeg’s volume Szelek szárnyán as a complex genre created in a cross-artistic environment, with the objective to emphasize and present its special role and standing in Hungarian literature as well as in the field of fine and applied arts.
Technology-Based Projects in Medical English
Authors: Pop Anişoara , Crişan Raluca 
Published: January 2016

Abstract
The paper presents empirical results of applying asynchronous writing and speaking tools in Medical English learning (ME). Class-size Voice-Thread and Blogger-based non-mandatory projects were conducted with general and dental medicine students in two consecutive years for one semester each, with significantly improved outcomes in terms of extension of the writing and speaking time in the target language, motivation and engagement levels as well as confidence and awareness of one’s competence.
Translation in ESL Classes
Authors: Nagy Imola Katalin 
Published: January 2016

Abstract
The problem of translation in foreign language classes cannot be dealt with unless we attempt to make an overview of what translation meant for language teaching in different periods of language pedagogy. From the translation-oriented grammar-translation method through the complete ban on translation and mother tongue during the times of the audio-lingual approaches, we have come today to reconsider the role and status of translation in ESL classes. This article attempts to advocate for translation as a useful ESL class activity, which can completely fulfil the requirements of communicativeness. We also attempt to identify some activities and games, which rely on translation in some books published in the 1990s and the 2000s.
Cultural and Specialized Skills of a Subtitler
Authors: Imre Attila 
Published: January 2016

Abstract
The article offers a practical approach to the skills a present-day translator needs in order to create high-quality translations. Although a lot of theories can be found regarding the skills of a translator, it is worth checking the reality, which is the primary aim of this article. After a short introduction about the standard skills, we look into the subtitling of an episode from a TV series. Our presupposition is that a subtitler has to combine all sorts of information from different fields effectively in order to maintain quality, including general and specific knowledge of the subject matter. Furthermore, the particular environment of subtitling may contain certain pitfalls, such as the technical know-how. layout, and constraints deriving from the nature of subtitling. We can draw the conclusion that a well-prepared translator can successfully handle the technical challenges of multimedia translation of whatsoever type.
Born or Made? An Overview of the Social Status and Professional Training of Hungarian Interpreters in Romania
Authors: Fazakas Noemi , Sarosi-Mardirosz Krisztina 
Published: January 2016

Abstract
There is a recurrent debate in the scholarly literature on interpreting studies: are interpreters made or bom? While classical interpreting schools state that great interpreters are bom and that formation and development is of a secondary importance, the newest publications on this topic place a much greater stress on the formation and development of interpreting abilities, skills, and competences. The latest results also challenge several ideas and stereotypes concerning the personality and attitudes of interpreters. This article outlines the position and situation regarding Hungarian interpreters in Romania with a special regard to the legal framework, and to the present state of professional training. The study also discusses why interpreters of Hungarian are much more likely to be bom in Romania, and not made, (a factor that hinders the professionalization of Hungarian interpreters in Romania). Equally significant are the legislative loopholes which enable untrained individuals to perform interpreting activities (even economic activities), the result of which is a significantly poorer image of the profession, and a lowering of the quality of work it produces. We also give a short overview of the translation and interpreting programmes. As the majority of the Hungarian population in Romania reside in Transylvania, we confine our overview to Transylvanian universities.
Die Welt des Detmolder Hoftheaters – erschlossen mit MEI und TEI
Authors: Capelle Irmlind , Richts Kristina 
Published: January 2016

Zusammenfassung:
Die Lippische Landesbibliothek Detmold verfügt über eine bedeutende Musiksammlung, in der die Aufführungsmaterialien des Hoftheaters (1825–1875) und die dazugehörigen Theaterakten eine herausragende Stellung einnehmen. Der Beitrag beschreibt den Bestand und erläutert die seit 2014 erprobte kontextuelle Tiefenerschließung mit den neuen Datenstandards MEI und TEI. Die Herausforderung für diese neue Form der Erschließung liegt in der Verbindung inhaltlicher Quellenbeschreibungen innerhalb der Metadaten mit Incipits und aufbereiteten Digitalisaten und in der Verknüpfung der Erfassung unterschiedlicher Quellentypen (Aufführungsmaterialien und Akten).
Erschließung, Digitalisierung und Internetpräsentation im Projekt „Die Notenbestände der Dresdner Hofkirche und der Königlichen Privat-Musikaliensammlung aus der Zeit der sächsisch-polnischen Union“ der SLUB Dresden
Authors: Eichholz Nina 
Published: January 2016

Zusammenfassung:
Gegenstand des jüngsten musikbezogenen DFG-Projekts der SLUB Dresden sind die überlieferten Notenbestände der Dresdner Hofkirche und der Königlichen Privat-Musikaliensammlung aus der Zeit der sächsisch-polnischen Union (1697–1763). Die 1.500 Musikalien werden zunächst umfassend mit Angaben zu Kopisten, Wasserzeichen und Provenienzen sowie durch zahlreiche Incipits für die RISM-Online-Datenbank erschlossen. Ein mehrschrittiger Workflow führt schließlich zur Volldigitalisierung der Bestände. Auf diese Weise wird für die musikalische Praxis wie Forschung eine effektive Infrastruktur zur Beschäftigung mit den Quellen der international bedeutenden Sammlungen geschaffen.
„Laboratorium Musikbibliothek“
Authors: Buerke Heinrike , Schugardt Michael 
Published: January 2016

Zusammenfassung:
Der Auftrag zur Angebots- und Strukturveränderung hat in der Abteilung Musik & Tanz der Zentralbibliothek der Hamburger Öffentlichen Bücherhallen in den letzten drei Jahren zu Innovationen in den Bereichen Team, Organisation, Etat sowie in der musik- und medienpädagogischen Programmarbeit geführt. 1,5 bibliothekarische Stellen wurden im gleichen Umfang in musikpädagogische Stellen umgewandelt, wodurch sich neue Möglichkeiten der professionellen Programmarbeit, Musik aktiv und lebendig zu vermitteln, ergeben. Begleitet wird die interne Organisationsumstellung von einer räumlichen Neuorientierung. Neben den Medien ziehen auch eine kleine Bühne mit Licht- und Tontechnik, iPads zum Musizieren mit Apps, Musiksoftware-Plätze und ein Workshop-Room ein. Etliche Möbel werden variabel gestaltet und sind flexibel einsetzbar. Die Abteilung übernimmt die Laborfunktion für neue Formate in diversen Ausprägungen.
Concessions and Repression in Conflict
Authors: Ishihara Akifumi , Singh Prakarsh 
Published: January 2016

Abstract
We build a model for predicting civil wars where the government bargains with a rebel group using concessions and repression. The equilibrium is either a state of perpetual peace where there are concessions but no repression or a state of repressive equilibrium that can lead to civil wars. At the lowest levels of political competition, a move towards open electoral participation decreases the ability of the state to use repression to limit challengers, increasing the likelihood of war. At higher levels, an increase in competition decreases the probability of war by increasing concessions to the rebel group. Increasing concessions makes war less likely because it decreases the spoils of war and provides one explanation for the non-monotonicity found between probability of civil war and democracy. We test the prediction of this non-linearity using the technique in [Hansen (2000). “Sample Splitting and Threshold Estimation.” Econometrica 68:575–603] and find evidence consistent with the model.
Changes in the groundwater quality of the main useful aquifer as a result of the hazard of nitrates from agricultural sources
Authors: Zabłocki Sebastian 
Published: January 2016

Abstract
The article presents the results of research, conducted in central Poland, where agriculture is the dominant type of land use. This activity is considered as a common potential hazard to groundwater quality because of the use of nitrate fertilizers, especially for small groundwater intakes used for the purpose of rural water supply. For this kind of intake seven scenarios of groundwater quality hazard were elaborated based on the results of the hydrodynamic modelling research in this area including the following: calculation of volume and time of leakage through the aquitard formations to the main useful aquifer, verification of the indirect protection zone and definition of the size of the well capture zone. The scenarios considered the current groundwater quality hazard as well as changes in agricultural land use or changes in fertilizer doses needed to decrease groundwater hazard by nitrates in the intake.
The Effect of Different Recovery Duration on Repeated Anaerobic Performance in Elite Cyclists
Authors: Harbili Sultan 
Published: January 2016

Abstract
This study investigated the effect of recovery duration on repeated anaerobic performance in elite cyclists. The study followed a cross-over design protocol. Twelve elite male cyclists were randomly assigned to three groups (with recovery duration of 1, 2 and 3 min, respectively). All the subjects performed 4 repeated Wingate tests (4 × 30 s WT) at 48 h intervals for three different recovery periods. No significant interaction was observed between the effects of recovery duration and repetition (p>0.05), whereas there was a significant main effect of repetition on peak power, mean power, and a fatigue index (p<0.05). Peak power decreased significantly in repeated WTs with 1 and with 2 min recovery duration (p<0.05), but it did not change significantly in a repeated WT with 3 min recovery (p>0.05). In contrast, mean power decreased significantly in repeated WTs with 1, 2 and 3 min recovery duration (p<0.05). The fatigue index increased significantly in a repeated WT with 1 min recovery duration (p<0.05), but no significant difference was observed in the fatigue index in repeated WTs with 2 and 3 min recovery (p>0.05). In a 4 × 30 s WT, peak power decreased in cycles with 1 and 2 min recovery duration, but remained unchanged with 3 min recovery duration, whereas mean power decreased in all recovery duration procedures. The WT with 1 min recovery duration caused greater fatigue. Although recovery duration affected both peak power and mean power, the effect on peak power was greater.