bluuebunny/crossref_metadata_2025_split huggingface dataset:
Ka Rangona te Reo: The Development of Māori-language Television Broadcasting in Aotearoa New Zealand
Authors: Middleton Julie 
Published: March 2017

New Zealanders today can hear Māori language broadcast in a variety of contexts: on Māori Television and to a lesser extent on state-owned TV1, TV2 and privately-held TV3, on digital platforms and via broadcasters' programmes-on-demand internet sites. However, these opportunities are a relatively recent development spurred by years of agitation by Māori about the decline of te reo Māori in an English-saturated world and the recognition that the powerful medium of television broadcasting could help promote, protect and enhance reo and tikanga.
New perspetives on language policy for language revitalisation
Authors: O'Laoire Muiris 
Published: March 2017

Language revitalisation has always been, and continues to be about communal involvement, savvy and dedication. Language policy, on the other hand, is often crafted in isolation from the lived experience of the speech community. Language policy tends to be formulated in a regulatory landscape where fiscal arguments, inter-agency disputes and centralist thinking dominate. However, when policies emerge from the centre and when they are being implemented on the ground, the language community can play a significant role in modifying and localising them. This paper will shed new light on recent language policy research that highlights individual and collective agency in the processes of language use, attitudes and policies. Drawing on Pennycook’s theory (2010) of local practice, it will show that communities on the ground, charged with implementation are not the passive receivers of policies or the vague resistors once depicted in research account, but social actors who can exercise subaltern agency. This understanding of the way that the local has a bearing on the thinking and behaviour of agency on the ground is often overlooked by, or hidden from the policy maker’s centralist gaze.The aim is to show that language policies in language revitalisation and minority language contexts are not merely implemented, but are actually shaped on the ground.
The digital dreamtime: A shining light in the culture war
Authors: Fraser Jenny 
Published: March 2017

The realm of the arts is often viewed as the stronghold in the last line of defence against the enduring colonisation process of the minority Aboriginal populace. It is one of few avenues in Australian society where Aboriginal people can have a voice and fortunately this is partly driven by the influence of the outside international artworld. In more recent years the digital production areas have further enabled the space and recognition for self-determined, culturally specific and diverse sources of creativity, exchange and community building. This is all despite a culture war where mainstream institutions such as the galleries sector, the associated funding bodies, academia and the media are all being utilised and strengthened as non-military mechanisms of imperialism.
RELIGION AND BANKING SYSTEM: THE FUTURE OF SYARIAH BANKING PRACTICES Historical and Contemporary Fiqh Perspectives
Authors: Siregar Hamka 
Published: March 2017

The momentum of the development of Sharia banking has been noticed since the 1970s, which generally had two patterns: first, establishing the Islamic bank side by side with conventional one (dual-banking system) as practiced in Egypt, Malaysia, Saudi Arabia, Jordan, Kuwait, Bahrain, and Bangladesh; and second, restructuring the banking system as a whole in accordance with Islamic Sharia (full-fledged Islamic financial system) as applied in Sudan, Iran and Pakistan. The development of the Sharia-based banks which have been established across the world since the 1970s, became the motivation of the Indonesian ulemas to draft law on Sharia banking, so that Sharia banking could also be developed. As a result, these last few years, the banking world in Indonesia has witnessed the establishment of the public Sharia banks and Sharia business units, like Bank Muamalat and Bank Syariah Mandiri to mention a few. Using historical and contemporary jurisprudence perspective, this paper provides discussion on the future of Sharia banking.
The Truth behind the Text: the Study of the Qur’an with the Hikmah Approach
Authors: Kurniawan Syamsul 
Published: March 2017

Book Review: Dr. Syarif, MA., The Truth behind the Text: the Study of the Qur’an with the Hikmah Approach, Yogyakarta: Nusa Media, 2013.

O you who believe, why do you say what you do not do? (3) It is severely hate¬ful in Allah’s sight that you say what you do not do. (QS. As-Saff: 2-3)
What is true behind the text is what Dr. Syarif tried to explain in his book, Ap¬pearance behind the Text: the study of the Qur’an with the Hikmah Approach.
In this book, one will find many terms on texts that have been examined by some experts of Qur’anic interpretation on the literal aspects, but did not in¬troduce the meaning of what is really meant by the text.
RELIGION AND SOCIAL CULTURE OF THE PEOPLE OF WEST KALIMANTAN’S PENATA ISLAND
Authors: JA D. Darmadi 
Published: March 2017

The Penata Island, also called the Fishermen’s Contact Village, exemplifies the Indonesian people’s characters in general. These characters are preserved to this day in the village to reflect social behavior of the people as native culture of Indonesia, such as helping each other, a sense of community life, and work discipline. When they have problem, they are able to resolve it wisely through community leaders. When the problem is not resolved, it will be taken to the police and resolved through other legal ways. From the results of this study, the researcher saw a few things that have not been done properly, for example, the fishermen have yet to perform the five-time prayers. Some of them are involved in gambling and liquor-drinking, though it is a restricted case that does not have any influence on behavior patterns of the community members in general especially with regard to the practice of Islamic religious teachings.
Saúde do idoso, o envelhecimento e as políticas públicas de saúde
Authors: Souza Thaís Mello de , Maia Luiz Faustino dos Santos 
Published: March 2017

Desde os anos sessenta do século passado, a expressão qualidade de vida tem sido referência de inúmeros discursos acadêmicos, políticos, ideológicos. A preocupação com a saúde do idoso vem promovendo a implantação de políticas públicas de saúde, visando cada vez mais melhoria da qualidade de vida. O envelhecimento populacional é um fenômeno que diz respeito a todos, não ficando circunscrito apenas aos cidadãos maiores de 60 anos. Portanto esta pesquisa através de uma revisão literária objetivou levar ao conhecimento dos profissionais de saúde a cerca da saúde do idoso e as políticas públicas de saúde para este segmento etário. Os resultados mostrou que os profissionais de saúde têm uma grande importância para a melhoria, implementação e execução das políticas públicas de saúde.Descritores: Qualidade de Vida, Saúde do Idoso, Envelhecimento. Health of the aged one, the aging and the public politics of healthAbstractSince the sixties of last century, the term quality of life has been a benchmark for many academic discourses, political, ideological. The concern with the health of the aged one comes promoting the implantation of public politics of health, aiming at each time more improvement of the quality of life. The population aging is a phenomenon that says respect to all, not being circumscribed only to the citizens biggest of 60 years. Therefore this research through a literature review aimed to inform health professionals about the health of the elderly and public health policies for this age group. The results showed that health professionals are of great importance for the improvement, implementation and enforcement of public health policies.OuvirDescriptors:Quality of Life, Health of the Aged one, Aging. Salud Del anciano, el envejecimiento y las politicas publica de saludResumenDesde los años sesenta del siglo pasado, el término calidad de vida ha sido un referente para muchos discursos académicos, políticos, ideológicos. La preocupación por la salud de las personas de edad ha estado promoviendo el despliegue de políticas de salud pública, en busca de mayor calidad y mejores de vida mejor. El envejecimiento poblacional es un fenómeno que concierne a todos, no limitándose sólo a los ciudadanos mayores de 60 años. Por tanto, esta investigación a través de una revisión de la literatura destinada a informar a los profesionales de salud acerca de la salud de las personas mayores y las politicas publicas de salud para este grupo de edad. Los resultados mostraron que los profesionales de la salud son de gran importancia para el mejoramiento, aplicación y ejecución de políticas de salud pública.Descriptores: Calidad de Vida, Salud del Adulto Mayor, Envejecimiento.
Ikonografi Karya Sudjojono “Di Depan Kelamboe Terboeka”
Authors: Zuliati Zuliati 
Published: March 2017

Tinjauan Ikonografi dalam Karya Sudjojono “Di Depan Kelamboe Terboeka”.Penelitian ini mengupas lukisan “Di Balik Kelamboe Terboeka” karya Sudjojonosecara ikonografi. Sebagai cabang ilmu sejarah seni, Ikonografi mempelajarimakna dari sebuah karya seni melalui kajian aspek internal dan eksternal. Aspekinternal sebuah karya seni seperti subject matter, gaya, dan aliran, sedangkan aspekeksternal berkaitan dengan situasi sosiohistoris yang melingkupi ketika karyaseni tersebut dibuat. Maka dengan menggunakan pendekatan ikonografi akandiperoleh pemaknaan yang lebih luas dari sebuah karya seni. Berdasarkan penelitiandapat disimpulkan bahwa “Di Depan Kelamboe Terbuka” menggambarkan jiwanasionalisme sebagai pemberontak estetika Mooi Indie yang telah mapan dalamkultur kolonial feodal. Karya tersebut menunjukkan pergulatan pemikiran dalamsuatu situasi sosial yang didominasi konsep estetika tertentu. Sudjojono mampumerumuskan konsep seni yang berasal dari kejujuran dan kepekaan dalam melihatrealitas sosial dan dikenal dengan kredo jiwa ketok. The Iconographic Study of Sudjono’s ‘Di Depan Kelamboe Terboeka’. Thisstudy discusses the iconography of ‘Di Depan Kelamboe Terboeka’, a painting createdby an influential painter in modern visual art of Indonesia, Sindudarsono Sudjono.Iconography as a branch of Art History learns the meaning of an artwork through thestudy of its internal and external aspects. The internal aspects include the items containedin an artwork such as a subject matter, style, and genre, whereas the external ones arerelated to the socio-historical situation in which the work of art is created. Iconographyprovides a broader understanding of a work of art. Based on this study, ‘Di DepanKelamboe Terboeka’ is one of Sudjono’s achievements depicting the spirit of nationalismas a rebel of the settle Mooi Indie aesthetics in the feudal-colonial culture. This paintingreflects the creator’s inner conflict in dealing with a certain social situation dominatedby a particular aesthetical concept. Sudjono was successful in formulizing an art conceptoriginated from his honesty and sensitiveness in witnessing the social reality known witha credo ‘jiwa kethok’.
Dialektita Estetika Seni Rupa Kontemporer Bali Melalui Karya Upadana dan Valasara
Authors: Arya Sucitra I Gede 
Published: March 2017

Penelitian ini membahas estetika karya seni yang tergelar dalam pameran seni rupaSensuous Objects melalui pendekatan kritik seni rupa. Dua perupa asal Bali yangdikaji merupakan perupa yang berkembang pada era seni rupa kontemporer melaluipenciptaan karya melalui spirit lokalitas Bali dengan pendekatan postmodern.Karya yang dihasilkan transmedia dan dengan cita rasa lokal-global. Pendekatankritik seni melalui empat tahapan analisisnya serta tiga pertimbangan penilaian yangakan menempatkan materi tulisan ini untuk berbincang, berdialog dengan karyaseni serta senimannya, sehingga akan ditemukan terjadinya proses transformasiestetis meliputi tema, gaya, fungsi, makna, hingga konsep berkeseniannya. Kritikseni rupa modern pada dasarnya adalah perbincangan mengenai seni (rupa), “artcriticism talks about art”. Tujuan dari kritik seni adalah pemahaman (understanding),supaya orang memperoleh informasi dan pemahaman yang berkaitan dengan mutusuatu karya seni. Dengan demikian, melalui kritik seni ini pembacaan terhadapkarya dua perupa Bali ini akan menemukan muaranya pada pemaparan karakterkarya dan konsepsi seni yang dihasilkannya. Penulis mengklasifikasikan karya seniperupa Sensuous Objects ke dalam tiga struktur media penciptaan, yakni media duadimensional, tiga dimensional, dan seni instalasi. Berbicara tentang karya seni akantidak utuh jika tidak menyinggung ihwal yang menyangkut medium karena hanyalewat medium itulah, karya seni itu akan memperoleh wujudnya yang konkretlahiriah. Aesthetic Dialectics of Balinese Contemporary Arts through Upadana andValasara’s Artworks. This article examines the aesthetic reading of artworks in an artexhibition called “Sensuous Objects” using an art criticism approach. Two artists fromBali are examined as growing artists in the era of contemporary art through the creationof works in the spirit of locality with a postmodern approach in Bali. The resulting workis the trans-media and the local-global flavor. An approach to art criticism throughthe four stages of analysis and assessment of three considerations will put this writingmaterial in the context of conversation, dialogue with the artwork and the artist, so thereis an aesthetic transformation process including the theme, style, function, meaning, andthe concept of art. Critics of modern art basically talk about art (visual), “art criticismtalks about art”. The purpose of art criticism is to understand that people acquireinformation and understanding pertinent to the quality of artwork. Thus, throughthe reading of artworks, two Balinese artists find out the exposure to the character andconception of artworks produced. The author classifies the artwork of artists calledSensuous Objects into three structures of media creation such as the two-dimensionalmedia, three-dimensional media, and installation art. Speaking of the artwork will not be complete if it does not mention particulars related to the media because only throughthat medium, works of art will acquire its concrete-outward form.
Problematika Tugu Yogyakarta dari Aspek Fungsi dan Makna
Authors: Daniel Morin Lutse Lambert 
Published: March 2017

Penelitian ini bertujuan untuk memahami fungsi dan makna bangunan TuguYogyakarta. Tugu Yogyakarta adalah bangunan berbentuk prisma segi empatdan menggunakan unsur-unsur seni rupa berupa garis, titik, warna, dan bidangsebagai dasar pembuatannya yang memiliki makna-makna yang dapat dipahamiberdasarkan telaah filosofi masyarakat Jawa. Penelitian ini menggunakan metodepenelitian kualitatif dengan pendekatan ikonografi. Pemaknaan Tugu Yogyakartamengalami pergeseran setiap generasi seiring dengan perubahan budaya masyarakatYogyakarta. Tugu telah berubah dan mulai kehilangan nilai kesakralannya ataumengalamai disakralisasi. Filosofi manunggaling kawula lan Gusti telah hilangdan tidak tercermin pada tugu saat ini. Sehingga bagi Keraton, tugu saat ini tidakbermakna. Tugu bukan lagi menjadi salah satu simbol keraton tetapi lebih padaikon Kota Yogyakarta saja. Tugu Yogyakarta and its Problems on the Aspects of Function and Meaning. Theresearch is aimed to understand the function and meaning of Tugu Yogyakarta. TuguYogyakarta is a rectangular prism-shaped building and uses the meanings implied in thevisual art elements such as lines, dots, color, and the surfaces as they are the basis in themaking process that can be understood by scrutinizing the Javanese society philosophy. Itis a qualitative research using the iconographic approach. The shifting meaning of TuguYogyakarta has gradually been experienced by Yogyakarta people which goes along withthe cultural changes. It has unfortunately changed and started losing its sacred value.‘Manunggaling kawulo lan Gusti’ as its philosophy has gone and no longer reflected bythe monument. Therefore, Tugu Yogyakarta has no meaning today. It is no longer one ofthe Keraton Yogyakarta symbols, but merely as the icon of Yogyakarta city instead.
Transformasi Sinkretisma Indonesia dan Karya Seni Islam
Authors: Sucitra I Gede Arya 
Published: March 2017

Tulisan ini membahas aspek sosio-historis dan pencapaian kebudayaan pada masa peradaban seni (rupa) Hindu dan Islam di Indonesia, perkembangan terkini seni rupa kontemporer Islami, dan karya seni KH. M. Fuad Riyadi, seniman dan Kyai Kontemporer yang aktif sebagai pelaku kesenian dalam seni sastra, musik dan seni rupa. Karya seni selalu merupakan cerminan pengamatan serta perasaan dan pikiran pembuatnya. Karya seni terlahir dari proses pergulatan panjang yang kompleks atas berbagai unsur kebudayaan yang saling mempengaruhi. Pada tahapan ini terjadilah transformasi budaya melalui proses sinkretisasi yang membentuk tradisi seni di Indonesia sesuai dengan peranan unsur budaya terutama persentuhan dengan agama yang datang dari luar. Tulisan ini dikaji melalui studi sejarah, transformasi budaya dan estetika. Berdasarkan penelitian dapat disimpulkan bahwa karya seni yang diciptakan seniman tidak berdiri sendiri atas nafas tunggal konsep dan dogtrin agama namun sudah dielaborasi dengan kebutuhan budaya setempat serta local genius masyarakat yang ditempati. This paper is intended to discuss the socio-historical aspect and the cultural achievement of the civilization of Hinduism and Islamic fine art in Indonesia, the updated development of Islamic contemporary fine art, and the artwork of KH. M. Fuad Riyadi, artists and contemporary mufti who are active as art doers of literary art, music, and fine art. The artwork is always a reflection of the observations and feelings and thoughts of the author. The artwork was born by the long struggle of complex processes on various cultural elements which influenced to each other. At this stage there was a cultural transformation through the process of syncretization which formed a tradition of art in Indonesia in accordance with the role of cultural elements, especially the contiguity with the religion coming from the outside. This paper was analyzed through the historical study, cultural and aesthetics transformation. Based on the research it can be concluded that the artworks created by the artist do not stand alone based on the single breath of concept and religion doctrine but the ones which have been elaborated with the needs of the local culture and the local genius of that intended society.
Creative by Way of Adaption: Ramayana Relief of Prambanan Temple
Authors: Soedjono Soeprapto 
Published: March 2017

Artikel ini membahas tentang proses penciptaan karya seni berdasarkan teori adaptasi sebagaimana yang didiskusikan oleh Linda Hutcheon dalam bukunya yang berjudul: A Theory of Adaptation. Penekanan pembahasan lebih diletakkan pada aspek-aspek estetis visual yang terdapat pada karya seni relief naratif yang mengelilingi sepanjang dinding bagian dalam candi Prambanan di Kalasan, Yogyakarta. Sebagaimana tema relief yang diadaptasi dari ceritera legenda Ramayana yang ditulis oleh Walmiki pada waktu silam, maka proses penciptaan relief tersebut pada masa berikutnya diyakini mengikuti prosedur teori adaptasi tersebut. This article aims to discuss the creation of arts based upon the theory of adaptation that had been laid on by Linda Hutcheon in her book called A Theory of Adaptation. The discussion has put emphasis on the elaboration of any visual aesthetics aspects embodied within the Ramayana sculptural program in the narrative relief which is encircling along Prambanan temple inner wall in Kalasan, Yogyakarta. Since the relief’s theme is derived from the ancient epic story of Ramayana legend (by Valmiki), it is plausible that the later creative process of the relief work was created through the adaptation theory procedure.
ANALISIS KONTRASTIF DALAM STUDI BAHASA
Authors: Nur Tajudin 
Published: March 2017

Contrastive analysis is aimed to identify aspects of the differences or dissimilarities between two or more languages being contrasted. There are two kinds of approach in contrastive analysis, applied contrastive analysis and pure contrastive analysis. Both approaches contrast the first and second language, but different in the objective. Applied contrastive analysis is aimed to solve pedagogical problems, while the pure one is aimed to study language typology. Through contrastive approach there will be characteristic of every language and it is known that cultural diversity (the culture between first and second language) implicates on language forms. There are four steps to get through to contrast the components of the two languages being compared, namely (1) collecting the desired data (2) displaying a comparison in the same units of language through language transfer, (3) identifying the different elements that exist in the language, and (4) formulating the contrasts in the rule.
Left Atrial Size and Left Ventricular Mass Index in Hypertensive Patients
Authors: Thakur Kartikesh Kumar , Gajurel Ratna Mani , Shakya Sheelendra , Bhattarai Aseem , Raut Mithileshwor , Sayami Arun 
Published: March 2017

Background: This study was conducted with the objective of evaluation of the occurrence of left atrial enlargement (LAE) in hypertensive patients and its relationship with left ventricular mass index (LVMI).Methods: This single centre study was carried out at the Manmohan Cardiothoracic Vascular and Transplant Center, where total of 99 patients with hypertension who had left ventricular hypertrophy on echocardiography defined by left ventricular septal wall thickness > 9mm for female and >10 mm for male, were selected from May 2015 to August 2015.Results: In the study, the left atrium was enlarged in 31% of the selected patients. A total of 44% of patients having left atrial enlargement had increased left ventricular mass index as well, while a positive correlation (r = 0.3) was observed between the left atrial size and the left ventricular mass index (p= 0.001). The mean Left Ventricular Mass Index was 98 ± 32.7 g/m2 as compared to 115.34 ± 40.2 in patients with left atrial enlargement. The mean systolic blood pressure with left atrial enlargement was 146.70 ± 21.64 g/m2. Out of 99 patients, 80% of patients with left atrial enlargement had elevated body mass indexes, 48% had a history of smoking, 32% had diabetes mellitus, 22% had other complications of hypertension, and 12% had dyslipidemia.Conclusions: We concluded that the Left Atrial Size correlates significantly with the Left Ventricular Mass Index. In addition, the presence of left atrial enlargement should raise the suspicion of other metabolic derangements in hypertensive patients.Ann. Clin. Chem. Lab. Med. 2016:2(2);21-25