bluuebunny/crossref_metadata_2025_split huggingface dataset:
Usability Prediction & Ranking of SDLC Models Using Fuzzy Hierarchical Usability Model
Authors: Gupta Deepak , Ahlawat Anil K. , Sagar Kalpna 
Published: July 2017

AbstractEvaluation of software quality is an important aspect for controlling and managing the software. By such evaluation, improvements in software process can be made. The software quality is significantly dependent on software usability. Many researchers have proposed numbers of usability models. Each model considers a set of usability factors but do not cover all the usability aspects. Practical implementation of these models is still missing, as there is a lack of precise definition of usability. Also, it is very difficult to integrate these models into current software engineering practices.In order to overcome these challenges, this paper aims to define the term ‘usability’ using the proposed hierarchical usability model with its detailed taxonomy. The taxonomy considers generic evaluation criteria for identifying the quality components, which brings together factors, attributes and characteristics defined in various HCI and software models. For the first time, the usability model is also implemented to predict more accurate usability values. The proposed system is named as fuzzy hierarchical usability model that can be easily integrated into the current software engineering practices. In order to validate the work, a dataset of six software development life cycle models is created and employed. These models are ranked according to their predicted usability values. This research also focuses on the detailed comparison of proposed model with the existing usability models.
The Intangible Lightness of Heritage
Authors: Foster Michael Dylan 
Published: July 2017

Abstract:Although my own fieldwork site in Japan is far from Tohoku, where the Great East Japan Earthquake occurred in 2011, my research in a small rural community helped me to place the narratives of survivors into a context I could better understand. Against this backdrop, I consider the role of certain forms of “heritage,” such as local festivals and rituals, in the aftermath of disaster, suggesting that the infrastructure created for the practice of traditional activities during normal times can, in times of trauma, become a template for more urgent forms of organization – such as setting up shelters. Moreover, the fact that many communities persist in performing festivals and rituals soon after disaster suggests that the very practice of such traditions, even when the context has changed, has symbolic and practical value. Ultimately, however, for heritage to work under these circumstances communities must maintain flexibility and a “light” approach.
Is Porcine Kobuvirus 1 a Typical Diarrhoeic Pathogen of Piglets?
Authors: McFall H. , Vilček Š. 
Published: July 2017

Abstract
The objective of this study was to show if porcine kobuvirus 1 (PKV-1) participates in the development of diarrhoea in piglets. The experiments were focused on comparing the occurrence of PKV-1 with the occurrence of rotavirus A (RVA) infection in suckling pigs on Slovak pig farms. A total of 91 rectal swabs of piglets (age < 28 days) were collected from 8 pig farms. RT-PCR was employed to detect PKV-1 through amplification of the 495 bp fragment of the 3D gene using primers KoVF/ KoVR, and RVA was detected through amplification of the 309 bp fragment of the VP6 gene using primers rot3 and rot5. As expected, the detection of RVA in diarrhoeic piglets was 56.8 % (P < 0.01), while only 14.8 % in healthy animals. These results confirm that RVA is one of the main causes of diarrhoea in young piglets. Comparatively, PKV-1 was detected in approximately equal numbers in the same group of both healthy and diarrhoeic pigs, with 74.1 % in healthy animals and 81.1 % in diarrhoeic animals, which was not statistically significant (P < 0.05). The level of co-infection of both viruses was 11.1 % in healthy animals. A portion of 48.6 % (P < 0.01) of diarrhoeic animals were found with RVA and PKV-1 coinfections. The results of this study indicate that while RVA is an enteric virus, PKV-1 cannot confidently be confirmed as an enteric pathogen.
Crystal structure of poly[aqua-(μ3-3,5-di(4H-1,2,4-triazolyl-4-κ3
N,N′:N′′)benzenecarboxylato)silver(I)], C11H9AgN6O3
Authors: Miao Shao-Bin 
Published: July 2017

Abstract
C11H9AgN6O3, monoclinic, P21/c (no. 14), a = 3.8210(13) Å, b = 15.427(5) Å, c = 21.969(7) Å, β = 90.275(4)°, V =1295.0(8) Å3, Z = 4, R
gt(F) = 0.0457, wR
ref(F
2) = 0.1096, T = 296(2) K.
Crystal structure of tetraaqua-bis((E)-N′-(2-bromobenzylidene)isonicotinohydrazide-κN)zinc(II) dinitrate, C26H28N8O12Br2Zn
Authors: Hou-Qun Yuan , Hui-Ming Xie , Wei Xiao , Chun-Yan Hu , Guang-Ming Bao 
Published: July 2017

Abstract
C26H28N8Br2O12Zn, monoclinic, P21/n (no. 14), a =7.8948(10) Å, b = 17.404(2) Å, c = 11.9437(15) Å, β = 98.719(2)°, V = 1622.1(4) Å3, Z = 2, R
gt(F) = 0.0269, wR
ref(F
2) = 0.0680, T = 296(2) K.
Prospective directions for development of metallurgy and materials science of steel
Authors: Zaitsev Alexander I. 
Published: July 2017

Abstract
The features of current state of metallurgical technology and materials science of mass high-grade steels are viewed. A promising direction for principle improvement of the complex of properties and qualitative characteristics of steel including those, which are difficult to combine, is shown. It is the development of adequate physico-chemical methods of prediction and efficient technology methods of management of non-metallic inclusions, forms of presence of impurities, phases precipitations, structural state, including uniformity over the volume of metal. Additionally this approach allows reducing costs and expanding the raw material base. Its effectiveness is illustrated by the results of research carried out for a number of groups of mass high-quality steels.
Niklas Luhmann on Contingency and Law. The Theory Behind Systems Theory
Authors: Ziegert Klaus A. 
Published: July 2017

AbstractThe text which is at the centre of the discussion in this paper was one of the many manuscripts on which Niklas Luhmann worked concurrently until 1972, and which he left incomplete. This fragment has now (2013) been published posthumously in Germany (in German) as a book in an edited version. While the reasons as to why Luhmann never completed the text remain unclear, studying it now with hindsight reveals Luhmann’s work on contingency theory as a direct conduit from legal theory to systems theory while circumnavigating sociological theory. With an international audience in mind, this author has tried to introduce this eye-opening historical document in a particularly careful way which pays tribute to Niklas Luhmann’s original, perhaps peculiar, language and terminology. At the same time, this paper attempts to preserve the meaning of the original text by suggestions as to how that text could be understood in an English translation. There is some urgency for making the message of this particular piece of Luhmann’s work widely known because it appears to have an important, perhaps even crucial, place in the genetic history of Luhmann’s ideas and in his generative grammar of systems theory.
Representação feminina nos vasos cerâmicos áticos: O discurso iconográfico como método para novas reflexões
Authors: Dockhorn Seger Dayanne , Kesser Barcellos Dias Carolina 
Published: July 2017

RESUMO:
Neste artigo, abordamos os vasos cerâmicos áticos como meio de reavaliar discursos normativos estabelecidos em torno do gênero feminino na Grécia antiga. Para isso, traçamos um breve histórico sobre o material cerâmico como fonte arqueológica e sobre os estudos da iconografia grega e das representações femininas, promovendo novas interpretações acerca da representatividade do espaço e do trabalho feminino na pólis ateniense.
ABSTRACT:
In the present study, we examine attic pottery as a means to reevaluate normative discourses established around feminine social roles in ancient Greece. In order to do so, we outline a brief historic concerning pottery as an archaeological source and the studies of iconographic discourse and feminine representations, providing new understandings about the relevance of citizen women’s work and space in the Athenian polis.
Modificaciones naturales y antrópicas en el conjunto zooarqueológico del sitio Ch2d01, excavación ia (sudeste uruguayo): Aportes a la discusión de los procesos de formación
Authors: Moreno Federica 
Published: July 2017

RESUMO:
A tafonomia dos cerritos do sudeste uruguaio ainda não é conhecida em profundidade. Este trabalho é uma primeira aproximação tafonômica ao sítio Ch2D01 a través das mudanças naturais e antropogênicas do registro zooarqueológico da escavação IA. É um conjunto composto principalmente de restos de veados, roedores e peixes, resíduos de atividades de processamento e alimentação. As modificações animais e vegetais e pelo intemperismo são muito escassas. A precipitação de carbonato afeta 24% dos restos o que dificulta a observação das superfícies. Os resultados não são inteiramente consistentes com o modelo de formação inicial ou com a expectativa para o crescimento continuado de um espaço domestico, e sugerem que a formação deste montículo foi mais complexa e multidirecional do que inicialmente foi proposto.
RESUMEN:
La tafonomía de los cerritos del sudeste uruguayo aún no se conoce en profundidad. Este trabajo es una primera aproximación tafonómica al sitio Ch2D01 a través de las modificaciones naturales y antrópicas del registro zooarqueológico de la excavación IA. Es un conjunto formado principalmente por restos de cérvidos, roedores y peces, residuos de actividades de procesamiento y alimentación. Las modificaciones animales y vegetales y la meteorización son muy escasas. La precipitación carbonática afecta al 24% de los restos, dificultando la observación de las superficies. Los resultados no contradicen el modelo de formación planteado, que proponía que los residuos de actividad fueron acarreados desde los espacios domésticos mezclados con los sedimentos para la construccion del cerrito.
ABSTRACT:
The taphonomy of the cerritos of the southeastern Uruguayan is still not known in depth. This work is a first taphonomic approach to the Ch2D01 site through the natural and anthropogenic changes of the zooarcheological record of the IA excavation. It is composed mainly of remains of deer, rodents and fish, waste processing and feeding activities. Animal and plant modifications and weathering are very scarce. The carbonate precipitation affects 24% of the remains, and makes it difficult to observe the surfaces. The results do not contradict the proposed formation model, which proposed that the residues of the activity were caused by domestic spaces mixed with sediments for the construction of the hill.
Prilog Trogirskoj klesarskoj radionici
Authors: Josipović Ivan 
Published: July 2017

Trogirskoj klesarskoj radionici autor pripisuje zabat pronađen u pločniku nekadašnjeg atrija predromaničke šesterolisne crkve Sv. Marije u Trogiru. Osim toga, njezinoj produkciji atribuira i dva reljefna ulomka koja su sekundarno ugrađena u začelni zid parohijske crkve Sv. Georgija (Đurđa) u Pađenima kod Knina. Nakon detaljne usporedbe novoatribuiranih fragmenata s reljefima koji su već ranije pripisani toj radionici, pađenski su ulomci prepoznati kao dijelovi pilastra oltarne ograde, a navedeni zabat, kao i ostali stilski mu srodni trogirski reljefi, dovedeni su u čvršću vezu s crkvom Sv. Marije, točnije s izvornim opremanjem njezina interijera. Budući da je Trogirska klesarska radionica izradila liturgijske instalacije heksakonhalnih crkava u Trogiru i Brnazama, autor navedene građevine datira u vrijeme djelovanja te radionice (prva četvrtina 9. stoljeća), a gradnju gotovo svih dalmatinskih šesterolista smješta u relativno kratak vremenski period od kraja 8. do sredine 9. stoljeća.
Novi podaci o slici Teodora Matteinija u trogirskoj katedrali
Authors: Tomić Radoslav 
Published: July 2017

U tekstu se donose novi podaci o oltarnoj pali “Bl. Augustin Kažotić, Sv. Ivan Evanđelist i Sv. Jakov” u trogirskoj katedrali. Tijekom restauracije pronađen je natpis na slici koji do sada nije bio poznat. U donjem desnom uglu zapisano je: Teodoro Matteini F. in Venezia 1805. Uz ime autora, uglednog talijanskog slikara Teodora Matteinija (Pistoia, 1754. - Venecija, 1831.) navodi se da je pala naslikana 1805. godine u Veneciji. Time se nepobitno potvrđuju dosadašnja pisanja hrvatskih i talijanskih povjesničara umjetnosti. Na temelju dokumenata iz Italije i Hrvatske može se zaključiti da su presudnu ulogu u narudžbi slike imala braća Ivan Dominik (1761.-1848.) i Ivan Luka Garagnin (1764.-1841.), trogirski plemići i ugledni predstavnici dalmatinskoga društva početkom 19. stoljeća. Oni su umjetnika od ranije dobro poznavali, jer je upravo Matteini 1798. godine u Veneciji portretirao Ivana Dominika Garagnina, koji se u jednome pismu spominje kao operarij trogirske katedrale. U narudžbi slike i osmišljavanju njezine kompozicije i pojedinosti, kao prijatelj i povjerenik učene braće Garagnin sudjelovao je i Giovanni de Lazara (Padova, 1744.-1833.), padovanski plemić, malteški vitez, bibliofil, kolekcionar te inspektor-konzervator za slike u Padovi i okolici od 1793. godine. Posebno je zanimljiv prikaz Trogiranina, Bl. Augustina Kažotića (oko 1260.-1323.), biskupa u Zagrebu i Luceri. O njegovu liku Trogirani su, prema zapisima u dokumentima, Matteiniju dostavili određene podatke te stariju sliku, prema kojoj je izrađen njegov portret na pali. Osim toga, utvrđeno je da se u Ca’ Pesaro u Veneciji (Galleria Internazionale d’Arte Moderna) čuva Matteinijev potpisani crtež iz 1805. godine (olovka na papiru, 431 x 283 mm) koji prikazuje Sv. Jakova. Riječ je o pripremnoj skici za svečev portret na trogirskoj pali. Ona je postavljena na novi mramorni oltar koji su 1802. godine podigli Nikola i Ivan Degan (Nicolò i Zuane Degani).
Kuzma Kovačić - priroda, kultura i vjera kao korektivi modernističke skulpture
Authors: Srhoj Vinko 
Published: July 2017

Kiparsko djelo Kuzme Kovačića razmatra se u retropektivnom slijedu od početaka u sedamdesetim godinama prošloga stoljeća do recentnih ostvarenja. Konstatira se da je djelo jednog od najosebujnijih kipara srednje generacije u nas trendovski neuklopljivo kako u prethodno “eksperimentalno“ modernističko razdoblje, tako ni u “citatnu“ postmodernu. Snažna baštinska ukorijenjenost u prirodi i djelima kulture i intimistička crta koja ističe osobnu uživljenost u male teme u kojima se zrcali vječnost makrokozma, opredijelili su ovoga kipara da u svim svojim rješenjima traži tragove pojedinca u velikom povijesnom kontekstu kulture, vjere, običaja, politike. Razmatraju se i prvi put uspoređuju rješenja koja je u oblikovanju crkvenih vratnica dao Kovačić na katedrali Sv. Stjepana u Hvaru, s onima G. Manzua na Sv. Petru u Rimu i Sv. Laurentskerku u Rotterdamu, te Emilija Greca na katedrali u Orvietu. Razmatraju se i rješenja u sakralnom tematu koja čine značajan dio kiparova opusa, kao ponajbolja rješenja u novoj crkvenoj umjetnosti u Hrvatskoj i Bosni i Hercegovini. Ističu se i rješenja u okviru tzv. državotvornih projekata poput Oltara hrvatske domovine na Medvedgradu, kipova Franje Tuđmana i Dražena Petrovića, kao primjeri koje nisu mogli zaobići političke kontroverze, često i na štetu trijezne rasprave o njihovoj oblikovnoj vrijednosti. Konstatira se da je i u radovima s intimističkom i onima s političkom poputbinom, u galerijskim komornim formatima i u monumentalnim javnim rješenjima, Kovačić sačuvao izvorno intimističku, zbitu, nereprezentativnu formu koja je silnice usmjerila jezgri, umjesto da je ekspandirala u vanjsku retoriku.
Hvarski Arsenal u kontekstu ostalih mletačkih arsenala
Authors: Žmegač Andrej 
Published: July 2017

Historically speaking, the Arsenal at Hvar formed a part of the infrastructure set up by the Venetian Republic in order to secure the navigation between Venice and the eastern Mediterranean. Controlling the cities which had favourable ports along this route and which could provide protection and supplies to vessels was of key importance. The port of Hvar was the most important port among the Adriatic islands because its location was almost unavoidable when navigating this sea. It was spacious and had the necessary depth, and it was also protected from wind; until the mid-eighteenth century it served as the main port of the Venetian Adriatic fleet. The decision to build an arsenal was made in the late thirteenth century and the actual building must have been completed several decades later. More numerous pieces of information can be gathered only from the sixteenth century when a new building seems to have been constructed but remained without a roof for a long time. The Arsenal burnt down during the Turkish attack in 1571 and was renovated in 1611.The central arsenal of the Venetian Republic was built on an enormous site in Venice and consisted of tens of halls. Large numbers of vessels were constructed there during individual campaigns on the eves of wars. Apart from the Arsenal at Venice, other significantly large armouries included those located on Crete (Candia/Heraklion, Chania) which were technologically advanced and also consisted of several halls. These armouries also built galleys - the most important and the fastest of Venetian vessels. Galleys had the advantage of being easily transformed from merchant vessels to war ships and vice versa, and Venetian maritime success was based on the good organization of their routes. Other armouries carried out only modest ship-building activities and their main role was to provide supplies and service the vessels. The Arsenal at Hvar belonged to this group of minor supply armouries. A particular feature of the Arsenal at Hvar is its prominent position: it is situated well into the port area, as was customary, but, at the same time, it is also located on the main town square. For this reason, it has a certain ‘communal’ value which seems to have been confirmed by the fact that its façade was provided with a more monumental articulation than was usually necessary for Venetian arsenal buildings. It features string courses, and the decorated arch cornice as well as the lions of St Mark. Another unusual feature is the addition of the first floor which, during the final remodelling in the early seventeenth century, housed the local theatre. This created an idiosyncratic symbiosis between the military and the civic, public function which confirmed the communal significance of this building.
Memorije križnoga tlocrta na tlu Istre i Dalmacije
Authors: Vežić Pavuša 
Published: July 2017

Autor raspravlja o kršćanskim memorijama križnoga tlocrta nastalima u vremenu od kasne antike do romanike na tlu Istre i Dalmacije. Bavi se pitanjem trajanja forme i funkcije koju dobro ocrtava primjer tzv. mauzoleja Galle Placidije u Ravenni. Kompaktnu skupinu sličnih građevina čine bizantske memorije na jugu Istre, u Puli: krstionica, dvije kapele uz baziliku sv. Marije Formoze, te crkva sv. Mateja pred zidinama i Sv. Katarine na otočiću ispred Pule. Donekle su problematični oblik i vrijeme nastanka kapele sv. Andrije na otičiću ispred Rovinja. Srodne crkvice Sv. Klementa na Vrhu pred Pulom i sv. Tome nedaleko Rovinja upućuju na kontinuitet tog arhitektonskog tipa i tokom ranoga srednjeg vijeka u pulskoj regiji. Skupina sličnih građevina u Dalmaciji nema takvu kompaktnost. Krstionica u Baškoj na otoku Krku znatno je manja od crkve sv. Martina na Cresu, a jedna i druga različite su od trikonhalne nutrine u kapeli sv. Ciprijana u Gatima, te njene, vjerojatno nišama, raščlanjene vanjštine. S druge strane upravo su jednake dvije ranosrednjovjekovne kapele: sv. Vid u Zadru i sv. Križ u Ninu. One obnavljaju predloške ranokršćanskih križnih memorija. Indikativna je srodnost njihovih kupola s nekim primjerima iz bizantske arhitekture 10. i 11. stoljeća. Romanička kapela Sv. Dunata pored Kornića na otoku Krku ima neobično rješenje s oblim apsidama u poprečnoj osi prostora. Bogomolja nepoznatog titulara na Crkvini pored Kašića, nedaleko Zadra, srodna je drevnome tipu memorije s tri apside grupirane na začelnoj strani. Unatoć pojedinim razlikama ipak sve memorije i obje njihove skupine povezuje slična križna forma i funerarna funkcija te kontinuitet samog oblika i njegove namjene na tlu Istre i Dalmacije u vremenu od kasne antike do romanike. Zamjetan je također utjecaj bizantskih sredina na oblikovanje takvih memorija u kulturnom krajoliku Jadrana.
Graditelji Trogira od 1420. do 1450. godine
Authors: Plosnić Škarić Ana 
Published: July 2017

U radu se prezentiranju prikupljeni arhivski podaci o marangonima i lapicidama koji se spominju u Trogiru između 1420. i 1450. godine. Analizom istih te analizom njihova međuodnosa s podacima o tada poduzimanim podizanjima novih i preoblikovanjima postojećih zdanja nastoje se ocrtati njihove uloge u građevinskim pothvatima u onodobnom Trogiru. Prvotno smo za ovaj broj časopisa Ars Adriatica, posvećen profesoru Ivi Petricioliju koji nam je za vrijeme studija pobudio zanimanje prema proučavanju srednjovjekovne umjetnosti, a graditeljstva osobito, htjeli ponuditi prilog o zadarskim graditeljima u Trogiru. Njihovu ulogu i značaj moguće je, međutim, razmotriti tek u sklopu šire rasprave o svim marangonima i lapicidama koji su istovremeno djelovali u tom gradu.
Spiralno putovanje spiralnim plesom
Authors: Župan Ivica 
Published: July 2017

Novim realizacijama Spiralno putovanje uvjerljivo je i jasno očitovalo postojanost i vitalnost Demurove specifično-plastičke koncepcije, pretvorene u prostorno-poetsko viđenje, polje djelovanja i preplitanja autorovih različitih psiholoških raspoloženja. Riječ je o shvaćanju slike kao mape događanja u zadanom prostoru, uz znatan udjel slučaja, trenutnih odluka, improvizacija tijekom sama radnog procesa. Spiralno putovanje nije bilo site specific projekt – kod autora i kod kustosa nedostajalo je ambicije da se u korist projekta percipiraju i aktiviraju potencijali povijesnog interijera. Spiralno putovanje nije bitno ovisilo o zatečenim prostornim i drugim osobinama UP-a, a za autentičan site specific projekt bilo bi potrebno da slikar vrlo istančano i stručno osjeti narav, poticajne i ograničavajuće osobine povijesnog prostora, da se uvjeri da je upravo u tom prostoru pronašao idealnu lokaciju za oblikovnu zamisao koju želi ostvariti. Sikar je, međutim, odlučio da će mu UP poslužiti tek kao prostor u kojem će izložiti šest spirala, ali unatoč tomu djela su u dosluhu s prostorom, u određenoj mjeri uvažavaju njegovu narav i prostorne zakonitosti, dajući spiralama kvalitetu sakralnih sceničnih zidnih instalacija, a UP pretvarajući u svečan, pomalo i mističan prostor, ali je već na prvi pogled bilo jasno da su goleme spirale prvenstveno samouvjereno nastojale afirmirati same sebe i da se pritom nisu fascinirale slavnom prošlosti povijesnog zdanja.