bluuebunny/crossref_metadata_2025_split huggingface dataset:
Analyser une transition agro-alimentaire par les flux d’azote : Aussois un cas d’étude du découplage progressif de la production et de la consommation
Authors: Bonaudo Thierry , Billen Gilles , Garnier Josette , Barataud Fabienne , Bognon Sabine , Dupré Denis , Marty Pauline 
Published: January 2018

Nous reconstituons l’évolution du système agro-alimentaire de la commune d’Aussois, en considérant les flux d’azote et de monnaie au cours du xx e siècle. Deux périodes sont distinguées : de 1925 à 1965, cette période est caractérisée par des systèmes agro-pastoraux vivriers et autonomes, tandis que la seconde période de 1965 à nos jours, se définit par des systèmes agro-pastoraux spécialisés et plus intensifs avec une autonomie de 67 %. L’efficacité d’utilisation de l’azote n’évolue pas : seul 10 % de l’azote des intrants est fixé dans les produits sur la première période et 11 % pour la deuxième période. La productivité, soit la quantité d’azote produit par hectare, est multipliée par 2,5 pour atteindre aujourd’hui 7,2 kg N par hectare et par an. Enfin, on montre une ouverture du cycle d’azote et le passage d’une situation de flux monétaires faibles, intimement liés aux flux d’azote, à des flux monétaires importants et indépendants des flux d’azote.
Freeness and The Partial Transposes of Wishart Random Matrices
Authors: Mingo James A. , Popa Mihai 
Published: January 2018

AbstractWe show that the partial transposes of complex Wishart random matrices are asymptotically free. We also investigate regimes where the number of blocks is fixed but the size of the blocks increases. This gives an example where the partial transpose produces freeness at the operator level. Finally, we investigate the case of real Wishart matrices.
Camera, Set, Action: Process Innovation for Film and TV Production
Authors: Ouyang Chun , Wang Kenneth , Hofstede Arthur ter , Rosa Marcello La , Rosemann Michael , Shortland Katherine , Court David 
Published: January 2018

Abstract
Film and TV productions, a key area in production screen business, comprise of processes with high demand for creativity and flexibility. However, despite the era of fast developing technology, film production processes are carried out in an old fashioned way. This is reflected, for example, by the fact that document processing accompanied by daily shooting activities is still primarily paper-based and coordinating geographically distributed cast and crew is purely manual or at best through emails. There is an opportunity to bring process innovation into this industry, which can streamline and optimise film production processes and thus reduce production costs.
Business Process Management (BPM) is the mainstream contemporary technology-enabled business improvement method. It has proven to provide significant benefits to an organisation in terms of cost savings and responsiveness to changes. In this paper, we apply BPM technology to process innovation for film production. We also share experiences in how to deal with innovation barriers in the film industry. Over the course of the investigation, a prototype called YAWL4Film was developed on top of a state-of-the-art BPM system. YAWL4Film supports collection and entering of production related data and automatic generation of reports required during film production. The system was deployed in two student productions at the Australian Film Television and Radio School (AFTRS), as well as in a feature film production by Porchlight, an independent film production company.
A Few Misconceptions about Cultural Evolution
Authors: O’Brien Michael J. 
Published: January 2018

Abstract
Despite a growing number of social scientists who view the evolution of culture as a Darwinian process, research in the field at large is still rooted in the orthogenetic, progressive models of cultural evolution that were popularized in the nineteenth century and brought back in a new form in the mid-twentieth century. This is unfortunate because it shifts the focus away from the fact that cultural evolution is driven by some exceedingly complicated and highly interesting mechanisms that await further analytical attention. A better understanding of human behaviour, which is at the heart of cultural evolution, depends on a general recognition that genes and culture are not separately evolving entities but rather co-evolving components of the human enterprise.
Tradition and innovation in the traditional arts of Shandong Province, China
Authors: Layton Robert , Biao Xu , Yi Zhao , Jia-Lu Tang , Yuan Tian 
Published: January 2018

Abstract
The paper outlines the social forces influencing continuity or innovation in the traditional arts of Shandong Province, China. These are addressed under five headings:

The relative flexibility of material media

The gender based transmission of skills

Male: Chayanov and craft production for the market during the slack agricultural season: Woodblock printing, toy-making, funeral models, ancestral and household shrine painting. Innovations take the form of new subjects, introduced to attract new buyers

Female: cotton weaving, embroidery, paper cutting. Most of the villages we’ve worked in still practice village exogamy (despite the law of 1950 banning compulsory exogamy), so that women take skills with them when they marry, whereas men’s skills remain in their village of birth.

Combined with the purpose of production:

Male arts primarily produced for market, with 100s of years of market tradition

Female arts primarily for domestic consumption (although surplus cotton cloth has long been traded to increase family income), among which the daughter’s trousseau is an important component.

Disruption caused by the mid-20th century ‘social movements’ caused an enforced break in almost all crafts.

The acceptability of the arts to the intended audience (new but traditional themes in toys and woodblocks), and the movement toward fine art.
Analysing Geo-linguistic Dynamics of the World Wide Web: The Use of Cartograms and Network Analysis to Understand Linguistic Development in Wikipedia
Authors: Liao Han-teng , Petzold Thomas 
Published: January 2018

Abstract
This article discusses the usefulness of geo-linguistic analysis for Internet studies by presenting two techniques to frame and visualize the linguistic development of the World Wide Web, in particular the geo-linguistic development amongst different language versions of Wikipedia. An emergent research agenda has been set to explore the multilingual aspects of the Internet using, for example, a global perspective on Wikipedia research. And yet, there is a lack of theoretical and methodological tools for understanding the distribution and diffusion of linguistic materials online. The idea of geo-linguistic factors is introduced in this article to address these shortcomings and to respond to the study of a wide range of issues such as linguistic pluralism on the Internet or, more generally, the diffusion of innovation. Cartograms and network analysis are presented as two techniques that showcase the potential uses of geo-linguistic analysis. These two techniques of measurement and visualization indicate certain geographic and linguistic affiliations among languages. It is argued that although certain more developed language versions such as English and German may have central positions in connecting all languages, there exists another pattern that can best be explained by geo-linguistic factors. Finally, the limitations and implications of such findings and techniques are discussed, not only for research on Wikipedia but for Internet studies in general.
Enhancing Women’s Participation in Turkey through Digital Storytelling
Authors: Şimşek Burcu 
Published: January 2018

Abstract
This paper explores the process of introducing Digital Storytelling (DST) workshop practice to Turkey through a project called “Digital Stories from Amargi Women”, which was part of my Ph.D. research in the Creative Industries Faculty, Queensland University of Technology, Australia. In the resulting dissertation, I examined the potential of Digital Storytelling workshop practice as a means to promote agency and self-expression in a feminist activist organization (such as Amargi Women), focusing in particular on whether or not Digital Storytelling can be used as a change agent – as a tool for challenging the idea of a single public sphere in ways that make it more inclusive of women’s participation. In order to explore the issue in depth, my thesis engaged with feminist scholarship’s critiques of the public/private dichotomy, as well as the concept of gender. The conducted workshops, the resulting digital stories, and in-depth interviews were analyzed to seek connections between these topics and narrative identity. The results indicated that the participating women defined new activist usages for digital stories, as well as their overall activated networking habits in the DST workshop settings. Digital Stories from Amargi Women became the first Digital Storytelling project that aimed to enable women’s participation in Turkey through facilitating a co-creative environment where the participants could share their stories and learn digital skills that they could make use of after the workshops.
The Committee on Public Information: A transmedia war propaganda campaign
Authors: Benson Krystina 
Published: January 2018

Abstract
This article summarises a PhD dissertation of the same name. It develops an understanding of how propaganda entered journalism and popular culture in the United States during World War I through an examination of materials created by the Committee on Public Information (CPI). Three CPI divisions were studied: The Division of News, the Four Minute Men, and the Division of Pictorial Publicity. The methodology of archival contextualisation was created, bringing together the methods of close reading, discourse-historical contextualisation, and Piercian semiotics. A summary of relevant literature is interspersed with thematic historical developments that impacted the relationship between propaganda, journalism and popular culture. This review outlines a gap in knowledge about the archival materials as well as the relationship between propaganda, journalism and popular culture from this period. A discussion about how the expectations of persuasion, truth and amusement relate to each other when mediated in culture, using Lotman’s concept of the semiosphere further develops an understanding of propaganda as a cultural system in relation to other cultural systems – in this case, journalism and popular culture. Findings from the study include that the CPI created a transmedia war propaganda campaign, which enabled propaganda to successfully draw entertainment value from popular culture and credibility from journalism in order to influence public opinion.
Entertainment Architecture: Constructing a framework for the creation of an emerging transmedia form
Authors: Konzal Woitek 
Published: January 2018

Abstract
The topic of this research is a novel entertainment form currently emerging from the youngest human communication technology, the Internet. This form, products based on it, and the conceptual framework describing it are all referred to as Entertainment Architecture (‘entarch,’ for short). Entarch is classified as Internet-native transmedia entertainment — it fully utilises the unique communicative characteristics of the Internet and is not based on just one medium. A number of entarch examples are explored through ‘immersive’ textual analysis — a new mode of textual analysis required for research into this kind of entertainment. As a secondary priority, entarch is related to the movie — which is chosen as an exemplary existing entertainment form finding itself in a radically uncertain formal, business, and industrial environment, and accordingly is struggling financially. Throughout, formal, business, and industrial consequences of the emergence of Entertainment Architecture are explored.
This research is an example of applied cultural science, as it treats culture as a source of innovation and a complex dynamic system with technological as well as human characteristics. It analyses the dynamics of cultural change in the context of business development, consumer experience, and economic evolution — with an intrinsically transdisciplinary methodology.
Creativity for sustainable development?
Authors: Polynczuk-Alenius Kinga 
Published: January 2018

Abstract
Environmental degradation is one of the main challenges facing the modern world. Transition to sustainable development is often cited as a strategy to contain the situation. Arguably, nation-states cannot manage this shift alone. Therefore, individuals are urged to participate in the process of transition to sustainable development by acting sustainably in their capacity as consumers and citizens. Sustainable consumption is an essential way for consumers to contribute to sustainable development. This article examines the roles that the creative input of consumers in the zero-waste brand community on Facebook might play for consumers. The focus is placed on the two theoretical possibilities: manifestation of environmental citizenship and means of self-expression. Drawing on the ideas of individualisation of responsibility and political consumerism, the article explores the creative input of consumers in the zero-waste brand community as a potentially political form of advocacy for sustainable consumption and development. The article concludes that the creative input of consumers in the zero-waste brand community might be viewed as an impact-oriented pro-environmental behaviour, whose role is a combination of manifestation of environmental citizenship and means of self-expression. As such, it fits better with the framework of depoliticised alternative hedonism than political consumerism.
Becoming Homebaked
Authors: Jones Samantha 
Published: January 2018

Abstract
This paper examines the democratic co-production between the artist Jeanne Van Heeswijk, the Liverpool Biennial, local citizens and its local and global social network of members, as together they develop alternatives to cultural and economic regeneration. In a neighbourhood that has suffered from over a decade of stalled regeneration programmes, Homebaked is located on the high street just a few steps from the famous Liverpool Football Club. It was set up as the first UK urban Community Land Trust (CLT) to design customised housing, support social enterprises, enhance the wellbeing of the community and open a co-operative community-run bakery. Homebaked’s principle is one of creating value, both social and monetary, which stays within the neighbourhood and is invested back into its communities. With the economic support through its extensive social network implemented through its Kickstarter campaign, the local and worldwide members of Homebaked have learned how to take matters into their own hands. Drawing on over four years of embedded PhD research, 24 Notebooks and personal experience as a volunteer and CLT board member, this paper aims to make visible the continuous shifts between a tentative agonistic framework between art biennial, artist and creative citizens as cultural co-producers, as they challenge and influence local economic drivers. The paper questions if artists and biennial, with their local and international communities, are capable of creating an ‘agonistic public sphere’ (Mouffe, 2007), where they can address one another in the co-production of new cultural and economic infrastructures to create social change.
Creative Citizenship – two journeys, one destination
Authors: Hargreaves Ian , Hartley John 
Published: January 2018

Abstract
This paper is a representation of a live, audio-visual keynote address given at the Creative Citizens Conference in London (September 2014), co-presented by Hargreaves (IH) and Hartley (JH). It seeks to combine (i) autobiographical narrative storytelling – two of them, in fact; with (ii) an attempt to build concepts, themes and strategies out of that narrative, and how the two stories did indeed arrive at ‘one destination’; and (iii) plentiful use of visual prompts, combined with part-scripted, part-improvised dialogic commentary. This approach was risky on the day; it is even harder to render into two dimensions, not least because a vital element, the audience, cannot be represented in that format. Nevertheless, we offer the ‘paper’ as a record of how two intersecting lives and careers were both drawn to the ‘Creative Citizens’ idea, not only as a research problem but also as a component of the speakers’ own practice – one as a high profile journalist turned academic; the other as an academic with interests in alternative models of journalism. We think that our bio-trajectories are relevant to the way that the research project led by Hargreaves has been tackled.
Het special committee naar Amerikaans model bij openbare biedingen
Authors: Hezer P.L. 
Published: January 2018

Het special committee naar Amerikaans model bij openbare biedingen
Deze bijdrage bespreekt het special committee vanuit zowel juridisch als praktisch perspectief, mede op basis van empirisch onderzoek. Hierbij wordt aandacht besteed aan de ontwikkeling van het special committee in de VS. Doel is richtsnoeren te geven voor het gebruik van special committees bij openbare biedingen op Nederlandse beursvennootschappen.
La Commission de vérité et réconciliation du Canada sur les pensionnats autochtones
Authors: Roussel Jean-François 
Published: January 2018

La Commission de vérité et réconciliation du Canada (CVR) a traité abondamment du rôle des Églises dans le système des pensionnats autochtones et de leurs responsabilités pour surmonter cet héritage. La théologie est interpellée elle aussi par le rapport final de la CVR et par les implications de la « réconciliation ». Après avoir résumé l’histoire des pensionnats et expliqué l’origine de la CVR, nous rendons compte de ses résultats. Nous exposons les demandes que la CVR adresse spécifiquement aux Églises et aux coalitions oecuméniques. Nous examinons certaines critiques et mises en garde exprimées avant et pendant la CVR concernant le projet de réconciliation, les risques liés au mandat de la CVR et les aspects communicationnels des audiences. Nous engageons ensuite une réflexion théologique sur le thème de la réconciliation. En conclusion, nous proposons quelques pistes de réflexion pour le travail de la théologie après la CVR.
Le salut comme réconciliation
Authors: Richard Jean 
Published: January 2018

L’article traite de notre réconciliation avec les Premières Nations du Canada. Nous nous situons là du côté de l’offensant face à l’offensé. Une première partie se réfère donc à Karl Jaspers dans son opuscule sur La culpabilité allemande, où il montre comment l’ouverture de la conscience à la culpabilité amorce un processus de purification et de réconciliation. D’un point de vue théologique, il en va de même chez Paul Tillich, où la conscience de l’aliénation conduit à la réconciliation avec Dieu dans le Christ. Ce qu’on trouve, chez saint Paul, appliqué à la réconciliation des deux peuples, les Juifs et les Grecs. Dans une troisième partie, l’article fait voir comment le conflit entre « Blancs » et « Amérindiens » consiste dans la polarité entre l’enracinement communautaire et l’universalisme des Lumières. La réconciliation souhaitée devra donc se faire par l’union de ces deux pôles dans toute existence humaine, communautaire aussi bien que personnelle. Une dernière partie porte sur la polarité et la réconciliation des deux types de religions : religion cosmique et religion de l’alliance avec un Dieu personnel.
La réconciliation comme mission
Authors: Brouillette André 
Published: January 2018

Dans un décret présentant une vision de sa mission lors de la 35e congrégation générale, en 2008, la Compagnie de Jésus a choisi de manière singulière la notion théologique de réconciliation comme principe intégrateur. S’inscrivant dans une généalogie de décrets sur la mission depuis les années 1960, ce décret sur la réconciliation comme mission harmonise à frais nouveaux les notions de service de la foi et de promotion de la justice, qui avaient marqué la 32e congrégation générale (1974-75) et ses suites parfois conflictuelles, tout en en renforçant l’aspect holistique par l’ajout d’un troisième terme : la création. La notion de réconciliation fournit le cadre d’une relecture originale des fondements bibliques, historiques, spirituels et existentiels de la mission de cet ordre religieux, sur fond des tensions habitant le monde moderne. Au final, une nouvelle géographie de la mission se dégage, qui assigne une valeur différenciée aux frontières et aux agents de réconciliation qui y oeuvrent. L’usage très circonstancié de la notion de réconciliation pour rendre compte de la mission d’une communauté religieuse met ainsi en lumière la plasticité et la fécondité du concept même de réconciliation.
Les alliances interethniques en Afrique de l’Ouest
Authors: Loua Zaoro Hyacinthe 
Published: January 2018

En Afrique de l’Ouest, l’alliance est un concept clé des relations sociales ou mieux des relations intercommunautaires et interethniques. L’introduction de ces « alliances interethniques » dans les processus de réconciliation sociopolitique permet de rejoindre non seulement les protagonistes des conflits, mais aussi les autres communautés qui leur sont liées par des alliances. Car la véritable réconciliation n’est possible que lorsqu’on est capable de se remettre en question, d’aller au-delà des liens biologiques, ethniques et régionaux pour dire la dure vérité aux frères et aux soeurs de même sang, voire aux géniteurs. Mais l’usage de ces alliances exige réactualisation et adaptation en vue d’en faire une « nouvelle stratégie » de réconciliation sociopolitique en Afrique de l’Ouest. Les acteurs de réconciliation ne devraient-ils pas dialoguer avec la sagesse des traditions religieuses locales ?
Rôle de la femme dans la société et dans l’Église
Authors: Tshibilondi Ngoyi Albertine 
Published: January 2018

L’auteure examine le rôle de la femme africaine dans un continent marqué par les conflits, les guerres et le pillage de ses ressources naturelles. La population, et particulièrement les femmes confrontées à cette violence multiforme, aspire à la paix durable en Afrique. Elle s’interroge sur les actions concrètes et l’engagement de la communauté internationale, des États, des Églises, des communautés chrétiennes pour relever le défi de la paix, de la justice et de la réconciliation en Afrique.
Cette étude montre l’implication et la responsabilité des femmes dans la société africaine, précoloniale et dans une Afrique mondialisée en s’inspirant souvent du cas de la République démocratique du Congo. Malgré leur marginalisation, les Africaines sont créatrices et actrices incontournables dans tous les secteurs socio-économique, politique, culturel et religieux. L’auteure remet en question les mécanismes de subordination qui, dans un système patriarcal, freinent leur pleine participation dans l’Église comme dans la société. Elle souligne le rôle que les chrétiennes africaines dotées d’une solide formation humaine et théologique jouent et pourront davantage jouer dans l’Église en tant qu’actrices de paix, de justice et de réconciliation à la lumière du 2e synode africain. Le défi majeur qui reste à relever est celui de redéfinir, de façon nouvelle, leur place et leur prise de décision dans un partenariat hommes-femmes dans l’Église, en vue de la justice et la réconciliation durables du continent.