bluuebunny/crossref_metadata_2025_split huggingface dataset:
Seroprevalence of heartworm infection, risk factors for seropositivity, and frequency of prescribing heartworm preventives for cats in the United States and Canada
Authors: Levy Julie K. , Burling Amie N. , Crandall Michael M. , Tucker Sylvia J. , Wood Erin G. , Foster Jessie D. 
Published: March 2017

Abstract
OBJECTIVE To determine the seroprevalence of heartworm infection, risk factors for seropositivity, and frequency of prescribing heartworm preventives for cats.
DESIGN Prospective cross-sectional study.
ANIMALS 34,975 cats from 1,353 veterinary clinics (n = 26,707) and 125 animal shelters (8,268) in the United States and Canada.
PROCEDURES Blood samples were collected from all cats and tested with a point-of-care ELISA for Dirofilaria immitis antigen, FeLV antigen, and FIV antibody. Results were compared among geographic regions and various cat groupings.
RESULTS Seropositivity for heartworm antigen in cats was identified in 35 states but not in Canada; overall seroprevalence in the United States was 0.4%. Seroprevalence of heartworm infection was highest in the southern United States. A 3-fold increase in the proportion of seropositive cats was identified for those with (vs without) outdoor access, and a 2.5-fold increase was identified for cats that were unhealthy (vs healthy) when tested. Seroprevalence was 0.3% in healthy cats, 0.7% in cats with oral disease, 0.9% in cats with abscesses or bite wounds, and 1.0% in cats with respiratory disease. Coinfection with a retrovirus increased the risk of heartworm infection. Heartworm preventives were prescribed for only 12.6% of cats at testing, and prescribing was more common in regions with a higher seroprevalence.
CONCLUSIONS AND CLINICAL RELEVANCE At an estimated prevalence of 0.4%, hundreds of thousands of cats in the United States are likely infected with heartworms. Given the difficulty in diagnosing infection at all clinically relevant parasite stages and lack of curative treatment options, efforts should be increased to ensure all cats receive heartworm preventives.
HIV sero-conversion during late pregnancy – when to retest
Authors: Kalk Emma , Slogrove Amy , Speert David P , Bettinger Julie A , Cotton Mark F , Esser Monika 
Published: March 2017

The South African National Prevention of Mother-to-Child Transmission of HIV programme has resulted in significant reductions in vertical transmission, but new infant HIV infections continue to occur. We present two cases of HIV seroconversion during late pregnancy, demonstrating the limitations of the current programme. These could be mitigated by expanding the programme to include maternal testing at delivery and at immunisation clinic visits as we pursue the elimination of mother-to-child transmission.
Wire Roughness Assessment of 0.016″ × 0.022″ the Technique Lingual Orthodontics
Authors: Facchini Fátima MM , Filho Mario Vedovello , Vedovello Silvia AS , Cotrim Flávio A , Cotrim-Ferreira Andréa , Tubel Carlos AM 
Published: March 2017

ABSTRACT

Objective
To evaluate the difference in surface roughness of stainless steel archwires of different commercial brands used in lingual orthodontics.

Materials and methods
Precontoured arches measuring 0.016″ × 0.022″ were selected of the following brands: Tecnident, Adenta, G&H, Highland Metals Inc., Ormco, Incognito, and Ebraces. Quantitative evaluation of the surface roughness of archwires was performed by means of an atomic force microscope in contact mode. Three surface readouts were taken of each sample, analyzing areas of 20 × 20 μm. Each scan of the samples produced a readout of 512 lines, generating threedimensional images of the wires. The analysis of variance statistical test was applied to prove significant variables (p > 0.05), with H0 being rejected and H1 accepted.

Results
The Incognito brand showed the lowest surface roughness. The archwires of brands Adenta, Tecnident, Highland, and Ormco showed similar values among them, and all close to these obtained by the Incognito brand. The archwires of the Ebraces brand showed the highest surface roughness, with values being close to those of the G&H Brand.

Conclusion
There was a statistical difference in surface roughness of orthodontic archwires among the brands studied.

Clinical significance
Companies should pay attention to the quality control of their materials, as these may directly affect the quality of orthodontic treatment.

How to cite this article
Facchini FMM, Filho MV, Vedovello SAS, Cotrim FA, Cotrim-Ferreira A, Tubel CAM. Wire Roughness Assessment of 0.016″ × 0.022″ the Technique Lingual Orthodontics. J Contemp Dent Pract 2017;18(4):295-299.
Israel and Empire
Authors: Perdue Leo G. , Carter Warren 
Published: March 2017

Israel and Empire introduces students to the history, literature, and theology of the Hebrew Bible and texts of early Judaism, enabling them to read these texts through the lens of postcolonial interpretation. This approach should allow students to recognize not only how cultural and socio-political forces shaped ancient Israel and the worldviews of the early Jews but also the impact of imperialism on modern readings of the Bible.
Perdue and Carter cover a broad sweep of history, from 1300 BCE to 72 CE, including the late Bronze age, Egyptian imperialism, Israel's entrance into Canaan, the Davidic-Solomonic Empire, the Assyrian Empire, the Babylonian Empire, the Persian Empire, the Greek Empire, the Maccabean Empire, and Roman rule. Additionally the authors show how earlier examples of imperialism in the Ancient Near East provide a window through which to see the forces and effects of imperialism in modern history.
The New Nature Writing
Authors: Smith Jos 
Published: March 2017

In the last decade there has been a proliferation of landscape writing in Britain and Ireland, often referred to as ‘The New Nature Writing’. Rooted in the work of an older generation of environment–focused authors and activists, this new form is both stylistically innovative and mindful of ecology and conservation practice. The New Nature Writing: Rethinking the Literature of Place connects these two generations to show that the contemporary energy around the cultures of landscape and place is the outcome of a long–standing relationship between environmentalism and the arts.
Drawing on original interviews with authors, archival research, and scholarly work in the fields of literary geographies, ecocriticism and archipelagic criticism, the book covers the work of such writers as Robert Macfarlane, Richard Mabey, Tim Robinson and Alice Oswald. Examining the ways in which these authors have engaged with a wide range of different environments, from the edgelands to island spaces, Jos Smith reveals how they recreate a resourceful and dynamic sense of localism in rebellion against the homogenizing growth of ‘clone town Britain’.
Metallica's Metallica
Authors: Masciotra David 
Published: March 2017

In 1991, Metallica released their fifth studio album that would become known and beloved around the world as “The Black Album.” Since its release, it has sold 30 million copies, and become a towering monument in the pantheon of rock’s greatest records. Readers will get unprecedented insight into the story behind an iconic album from one of the world’s most iconic bands through interviews with James Hetfield, Lars Ulrich, Kirk Hammett, Jason Newsted, and “Black Album” producer Bob Rock.
Masciotra takes readers into the recording studio, giving them Metallica’s account of how their most successful and famous record was born and learned to walk into every radio station and stadium stage around the world. Masciotra not only talks to the band about the making of the album, but also the stories that inspired the songs. Readers will not only learn about “The Black Album,” but they will also gain greater knowledge and familiarity with the men who created it.
With direct access to the band, Masciotra offers a fascinating and inspiring account of the creation of one of music’s best and best-selling albums.
The Jesus and Mary Chain's Psychocandy
Authors: Mejia Paula 
Published: March 2017

The Jesus and Mary Chain’s swooning debut Psychocandy seared through the underground and to the top of the pop charts, shifting the role of noise within pop music forever. Post-punk and pro-confusion, Psychocandy became the sound of a generation poised on the brink of revolution, establishing Creation Records as a taste making entity in the process. The Scottish band’s notorious live performances were both punishingly loud and riot-spurring, simultaneously acting as socio-political commentary on tensions emergent in mid-1980s Britain. Through caustic clangs and feedback channeling the rage of the working-class generation who’d had enough, Psychocandy gestures toward the perverse pleasure in having your eardrums exploded and loudness as a politics within itself--not unlike the S&M pleasure of noisecore.
Yet Psychocandy’s blackened candy heart center – calling out to phantoms Candy and Honey with an unsettling charm and feminist bent – makes it a pop record to the core, not unlike The Ronettes late ’60s croons. Drawing from the sweetness of ’60s girl groups, The Stooges’ masochistic stage antics and Lou Reed’s feedback-laced guitar swells, The Jesus and Mary Chain expertly carved out a place where depravity and sweetness entwined, emerging from the isolating underground of suburban Scotland grasping the distinct sound of a generation, apathetic and uncertain. The record’s cult popularity became embedded within the sacred canon of pop music. The irresistible Psychocandy emerged as a clairvoyant account of pop mastery that still causes us to grapple with pop’s relation to ourselves.
Sleater-Kinney's Dig Me Out
Authors: Babović Jovana 
Published: March 2017

Sleater-Kinney’s 1997 album Dig Me Out is built on Corin Tucker and Carrie Brownstein’s competing guitars, Janet Weiss’s muscular rhythms, and layered vocals that teeter between an urgent, banshee-like vibrato and a lower accompaniment. Dig Me Out was the band’s third studio album, but the first one written and recoded with Weiss. It inaugurated Sleater-Kinney into a lineup that would span its two-decade career.
This 33 1/3 follows the narrative of Dig Me Out from its inception in Olympia to its recording in Seattle and its reception across the United States. It’s anchored in a short period of time – roughly from mid-1996 to mid-1998 – but it encompasses a series of battles over meaning that continued to preoccupy Sleater-Kinney in the coming decades. The band wrestled with the media about how they would be presented to the public, it contended with technicians about how their sound would be heard in clubs, and they struggled with pervasive social hierarchies about how their work would be understood in popular culture. The only instance where the band didn’t have to put up much of a fight was when it came to their fans. The acclaim Sleater-Kinney received from their listeners in the late 1990s, and continue to receive today, speaks to a need for icons who challenged normative notions of culture and gender. This story of Dig Me Out chronicles how Sleater-Kinney won the fight to define themselves on their own terms – as women and as musicians – and, in the process, how they redefined the parameters rock.
Popular Music and the Politics of Novelty
Authors: Dale Pete 
Published: March 2017

Popular music, today, has supposedly collapsed into a ‘retromania’ which, according to leading critic Simon Reynolds, has brought a ‘slow and steady fading of the artistic imperative to be original.’ Meanwhile, in the estimation of philosopher Alain Badiou, a significant political event will always require ‘the dictatorial power of a creation ex nihilo’. Everywhere, it seems, at least amongst commentators of a certain age and type, pessimism prevails with regards to the predominant aesthetic preferences of the twenty first century: popular music, supposedly, is in a rut.
Yet when, if ever, did the political engagement kindled by popular music amount to more than it does today? The sixties? The punk explosion of the late 1970s? Despite an on-going fixation upon these periods in much rock journalism and academic writing, this book demonstrates that the utilisation of popular music to promote political causes, on the one hand, and the expression of dissent through the medium of ‘popular song’, on the other hand, remain widely in practice today.
This is not to argue, however, for complacency with regards to the need for expressions of political dissent through popular culture. Rather, the book looks carefully at actual usages of popular music in political processes, as well as expressions of political feeling through song, and argues that there is much to encourage us to think that the demand for radical change remains in circulation. The question is, though, how necessary is it for politically-motivated popular music to offer aesthetic novelty?
Can's Tago Mago
Authors: Warner Alan 
Published: March 2017

Finally, a brilliant exploration of the German rock band Can’s 1971 album Tago Mago. This hugely unique and influential album deserves close analysis from a fan, rather than a musicologist. Novelist Alan Warner details the concrete music we hear on the album, how it was composed, executed and recorded--including the history of the album in terms of its release, promotion and art work. This tale of Tago Mago is also the tale of a young man obsessed with record collecting in the dark and mysterious period of pop music before Google. Warner includes a backtracking of the history of the band up to that point and also some description of Can’s unique recording approach taking into account their home studio set up.
Interviews with the two surviving members: drummer Jaki Liebezeit, keyboardist Irmin Schmidt and bassist Holger Czukay make this a hilariously personal and illuminating picture of Can.
Hip-Hop Headphones
Authors: Peterson James Braxton 
Published: March 2017

Hip Hop Headphones is a crash course in Hip Hop culture. Featuring definitions, lectures, academic essays, and other scholarly discussions and resources, Hip Hop Headphones documents the scholarship of Dr. James B. Peterson, founder of Hip Hop Scholars-an organization devoted to developing the educational potential of Hip Hop.
Defining Hip Hop from multi-disciplinary perspectives that embrace the elemental forms of Hip Hop Culture (b-boying, dj-ing, rapping, and graffiti art), Hip Hop Headphones is the definitive guide to how Hip Hop culture can be used in the classroom to engage and inspire students.
The Late Voice
Authors: Elliott Richard 
Published: March 2017

Popular music artists, as performers in the public eye, offer a privileged site for the witnessing and analysis of ageing and its mediation. The Late Voice will undertake such an analysis by considering issues of time, memory, innocence and experience in modern Anglophone popular song and the use by singers and songwriters of a ‘late voice’. Lateness here refers to five primary issues: chronology (the stage in an artist’s career); the vocal act (the ability to convincingly portray experience); afterlife (posthumous careers made possible by recorded sound); retrospection (how voices ‘look back’ or anticipate looking back); and the writing of age, experience, lateness and loss into song texts.
There has been recent growth in research on ageing and the experience of later stages of life, focussing on physical health, lifestyle and psychology, with work in the latter field intersecting with the field of memory studies. The Late Voice seeks to connect age, experience and lateness with particular performers and performance traditions via the identification and analysis of a late voice in singers and songwriters of mid-late twentieth century popular music.
Popkiss
Authors: White Michael 
Published: March 2017

From 1987 to 1995, Bristol, England's Sarah Records was a modest underground success and, for the most part, a critical laughingstock in its native country–sneeringly dismissed as the sad, final repository for a fringe style of music (variously referred to as “indie-pop,” “C86,” “cutie” and “twee”) whose moment had passed. Yet now, more than 20 years after its founders symbolically “destroyed” it, Sarah is among the most passionately fetishized record labels of all time. Its rare releases command hundreds of dollars, devotees around the world hungrily seek out any information they can find about its poorly documented history, and young musicians–some of them not yet born when Sarah shut down–claim its bands (such as Blueboy, the Field Mice, Heavenly, and the Wake) as major influences.
Featuring dozens of exclusive interviews with the music-makers, producers, writers and assorted eyewitnesses who played a part in Sarah's eight-year odyssey, Popkiss: The Life and Afterlife of Sarah Records is the first authorised biography of an unlikely cult legend.
The Arena Concert
Authors: Edgar Robert , Fairclough-Isaacs Kirsty , Halligan Benjamin , Spelman Nicola 
Published: March 2017

The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century.
This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne. The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert.
The arena concert becomes the “real time” centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space. The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means.
Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century. This volume finds out why.
LCD Soundsystem’s Sound Of Silver
Authors: Leas Ryan 
Published: March 2017

When LCD Soundsystem broke up in 2011, they left behind a small but remarkable catalog of music. On top of the genius singles and a longform composition for Nike, there was a trilogy of full-length albums. During that initial run, LCD Soundsystem—and the project's mastermind, James Murphy—were at the center of several 21st century developments in pop culture: indie music's growing mainstream clout, Brooklyn surpassing Manhattan as an epicenter of creativity in America, the collision and eventual erosion of genre perceptions, and the rapid and profound growth and impact of digital culture. Amidst this storm, Murphy crafted Sound Of Silver, the centerpiece of LCD's work.
At the time of Sound Of Silver’s creation and release, Murphy was a man closing in on 40 while fronting a critically-adored band still on the ascent. This album was the first place where he earnestly grappled with questions of aging, of being an artist, and the decisions we make with the time we have left. Anchored by a series of colossal, intense dance-rock songs, Sound Of Silver called upon the rhythms of New York City in order to draw out, dissect, and ultimately rip open these meditations. By the time LCD Soundsystem reunited in 2016, Sound Of Silver had already proven to be a generational touchstone, living on as a document of what it's like to be alive in the 21st century.
Hits and Misses
Authors: Toft Robert 
Published: March 2017

Hits and Misses examines a selection of songs and recordings through the lens of textual criticism and delineates the creative process as it unfolds from the initial conception of a song to the final mix presented on disc. The book takes as its subject top 40 singles released between 1963 and 1971 in the USA, Britain, and Canada, and considers the songs themselves and their transformation in the studio. Robert Toft studies the methods by which recordists (songwriters, arrangers, band members, producers, and engineers) impart their ideas to audiences.
The first part of the book concentrates on songs and examines lyrics and the strategies songwriters employ to develop a story, as well as the music that enhances the telling of those stories. The second part of the book investigates the sonic surface of recordings and considers how recordists fashion musical material into effective musical discourse. Hits and Misses will be an invaluable text for all those who are studying the sound, craft, and context of pop music.
Jerry Lee Lewis
Authors: Bonomo Joe 
Published: March 2017

A superb new study of Jerry Lee Lewis that’s as intense and fast paced as the life of “The Killer” himself, from the height of fame to the bumpy road that followed.
“The category in which Jerry Lee Lewis truly belongs is ‘Jerry Lee Lewis.’ The Killer is as big as Mount Rushmore, and he’s also as American, as revered, as clichéd, as misunderstood, as corny, and as taken for granted as that monument. The curse of iconoclastic American success. Elvis felt it, so does Dylan. So will others who haven’t been born yet.”
The story of Louisiana hellcat Jerry Lee Lewis and his 1958 wedding scandal-it was discovered that at 22 he had married his 13-year old second cousin, Myra, before he was divorced from his second wife-long ago took precedence over the man himself and the music he makes. In Jerry Lee Lewis: Lost and Found, author Joe Bonomo lets others focus on the scandal and delves more deeply into the accidental intersection between fading American Rockabilly and ascending Beatlemania. By first taking a look at the critical years before his famed night in 1964 at West Germany’s Star-Club - what that meant not only for him but the entire live album-making world - then the tumultuous years that follow, culminating in his time on the American Country charts in the late 60s/ early 70s, Bonomo brings Jerry Lee Lewis to life in new and fascinating ways.
In spite of plummeting record sales and concert fees, a media savaging of his personal character, a change of record labels and management, and a considerable upturn in his drug and alcohol abuse, Jerry Lee Lewis has persevered. In between being betrayed and ignored, he would record one of the greatest rock & roll performances in history. Bonomo’s thorough research includes new interviews with Live at the Star-Club producer Sigi Loch, members of the Nashville Teens, and other musicians and fans who were at the Star-Club performance, as well as with music industry figures ranging from famed Nashville producer Jerry Kennedy and legendary Memphis stalwart Jim Dickinson to Killer-influenced contemporaries John Doe and Dave Alvin. This passionate book examines and explains the almighty impact of the Father of Rock’n’Roll.