bluuebunny/crossref_metadata_2025_split huggingface dataset:
<b>A new species of dewflower <I>Murdannia sanjappae</I> (Commelinaceae) from Andaman Islands, India</b>
Authors: Naik Mudavath Chennakesavulu , Rao Boyina Ravi Prasad 
Published: November 2017

Murdannia sanjappae, a new species of dewflower plant of the dayflower family from Rutland Island, South Andaman Islands, India, is described and illustrated. This novel species is similar to M. tenuissima in not having any staminodes, but differs from it by having oblong-lanceolate leaves with cordate base, distinct peduncle, pedicel with 2–3 articulations, ovate petals, and 24–30-seeded capsules.
<b>An extended distribution of Natesh’s Cape-pondweed <I>Aponogeton nateshii</I> (Aponogetonaceae), a new record to the state of Goa</b>
Authors: Kolte Rutuja Rajendra , Deshpande Anup Satish , Pillai Prabha Muraleedharan , Yadav Shrirang Ramchandra 
Published: November 2017

Aponogeton nateshii, a recently described species from Ratnagiri District of Maharashtra and also recorded from Belagavi District of Karnataka is now reported from the state of Goa for the first time. This species is highly variable in habitat preference, leaf morphology and embryo appendages.
<b>Taxonomic revision of the genus <I>Atmetonychus</I> (Coleoptera: Curculionidae: Entiminae) from the Indian subcontinent</b>
Authors: Mahendiran G. , Ramamurthy V. V. 
Published: November 2017

Genus Atmetonychus Schoenherr (1840) known from India and Bangladesh is revised. The generic and species description has been updated through addition of measurements, description of elytral vestiture and genitalic characters. These are supported by 28 illustrations including 21 line diagrams.
<b>First record of Bourret’s Horseshoe Bat <I>Rhinolophus paradoxolophus</I> (Mammalia: Chiroptera: Rhinolophidae) from Myanmar with a review of the taxonomy, distribution and ecology of the species</b>
Authors: Lin Oo Sai Sein , No Du Sar , Nang Seng Lucia , Lwin Ngwe , Pearch Malcolm , Bates Paul J.J. 
Published: November 2017

Two specimens of Bourret’s Horseshoe Bat, Rhinolophus paradoxolophus, were recently collected from near Kalaw, western Shan State, Myanmar. They represent the first country record of the species as well as a considerable western range extension. A brief discussion of the taxonomic history of R. paradoxolophus is included along with a summary of its known ecology. The distribution is mapped and shows a correlation with areas of limestone karst.
The Simultaneity of Compliance and Resistance (既顺从又抗爭：佛教、虛雲與五十年代的中共政权)
Authors: Ip Hung-yok 
Published: December 2017

To examine the history of Chinese Buddhism in the early Communist regime, I propose to study Xuyun (虛雲, 1840–1958), one of the pre-eminent monks in modern China. I will delineate the ways in which Xuyun brought his religion in line with Marxist politics. To help Buddhism secure a place in the early People’s Republic of China, he took part in the construction of a new Buddhism compatible with socialist ideology. However, I would venture to conceptualize as resistance some of Xuyun’s efforts to preserve Buddhism. This article examines his resistance at two levels. First, while working hard to prove the value of Buddhism to the state, Xuyun mounted what can be regarded as rightful resistance. When possible, he confronted policies and authorities that hurt the sangha, but did so without challenging the legitimacy of theccp. Second, in the 1950s, Xuyun strove to instruct Chinese Buddhists in self-cultivation. As he shared his experience and knowledge about spiritual practice with fellow Buddhists, he showed them, especially monastics, how to uphold Buddhist ideals in a political context marked by hostility towards religions.為了探究五十年代中共政權下的佛教歷史，本文探討現代中國最傑出的法師之一，虛雲法師 (1840–1958) 如何調整自己的宗教来適應馬克思主義政權。為了使佛教能夠在新中國成立之初生存，虛雲法師參與了構建與社會主義意識形態相適應的新佛教。但是，本文進一步嘗試把虛雲法師保存佛教的一些努力定義為抗爭，細究他在如下兩個方面的反抗：首先，在向國家證明佛教價值的同時，虛雲始終在正當性的名義下進行抗爭。在不挑戰中共政權合法性的前提下，他試圖抵抗對僧團不利的政策和政治權威。其次，虛雲法師在50年代堅持延續佛教、特别是禪宗的修行傳統。他希望佛門弟子，尤其是僧人，能在反宗教的政治氣候下繼續延續佛教的理念—这，對虛雲而言，是更重要的抗爭。
CT Study of the Arytenoid Cartilage in Patients with Laryngeal Contact Granuloma
Authors: Li Jinrang , Tian Shiyu , Zou Shizhen , Wang Qingjun , Tai Xuhui , Chen Xuesong 
Published: December 2017

ObjectiveTo explore high‐resolution computed tomography (HRCT) characteristics of arytenoid cartilage in patients with laryngeal contact granuloma (LCG).SettingTertiary hospitals.Study DesignIndividual case‐control study.MethodsHRCT scans were obtained before treatment from 42 patients with LCG. Similar scans were obtained from 50 patients with glottic laryngeal cancer or vocal cord leukoplakia without vocal process involvement.ResultsForty‐two male patients with LCG were enrolled in the study. There were 41 patients with unilateral vocal cord lesions, and 1 patient had bilateral lesions. All 50 eligible patients in the laryngeal lesion group were men. There were 39 patients with unilateral lesions, and 11 had bilateral lesions. The rate of arytenoid cartilage sclerosis in the LCG group was 79.07% (34/43) on the lesion side and 7.32% (3/41) on the healthy side. In the laryngeal lesion group, the rate of arytenoid cartilage sclerosis was 13.11% (8/61) on the lesion side and 2.56% (1/39) on the healthy side. The rate of arytenoid cartilage sclerosis on the lesion side of patients with LCG was significantly higher than on the healthy side of patients with LCG and significantly higher than both the healthy and lesion sides of patients with laryngeal lesions (P <. 001).ConclusionsArytenoid cartilage sclerosis was observed on the lesion side in most patients with LCG, and the presence of sclerosis may support the diagnosis of LCG.
Chemographic exploration of the hyalotekite structure-type
Authors: Hawthorne Frank C. , Sokolova Elena , Agakhanov Atali A. , Pautov Leonid A. , Karpenko Vladimir Yu. , Grew Edward S. 
Published: November 2017

ABSTRACTThe hyalotekite group has been approved by the Commission on New Minerals, Nomenclature and Classification of the International Mineralogical Association (memorandum 57–SM/16). The general formula of the minerals of the hyalotekite group may be written as: A2B2M2[Si8T4O28]W where A = Ba2+, Pb2+ or K+; B = Ba2+, Pb2+ or K+; M = Ca2+, Y3+ or REE3+; T = Si4+, B3+ or Be2+; and W = F– or □ (where REE = rare-earth elements and □ = vacancy).Four minerals are currently known in this group: hyalotekite, Ba4Ca2[Si8B2(SiB)O28]F, triclinic, I$\bar 1$; khvorovite, Pb2+4Ca2[Si8B2(SiB)O28]F, triclinic I$\bar 1$; kapitsaite-(Y), Ba4(YCa)[Si8B2B2O28]F, triclinic, I$\bar 1$; and itsiite Ba4Ca2[Si8B4O28]□, tetragonal, I$\bar 4$2m.We explore the possible end-member compositions within this group by conflating the properties of an end-member with the stoichiometry imposed by the bond topology of the hyalotekite structure-type and the crystal-chemical properties of its known constituents. There are two high-coordination sites in the hyalotekite structure, A and B, and occupancy of each of these sites can be determined only by crystal-structure refinement. If these two sites are considered together, there are 19 end-member compositions of the triclinic structure and six end-member compositions of the tetragonal structure involving A and B = Ba2+, Pb2+, K+; M = Ca2+, Y3+, REE3+; and T = Si4+, B3+, Be2+. There is the possibility for many other hyalotekite-group minerals, and two potential new minerals have been identified from data in the literature.
The fingerprint of imperial topaz from Ouro Preto region (Minas Gerais state, Brazil) based on cathodoluminescence properties and composition
Authors: Gauzzi Teodoro , Graça Leonardo Martins , Lagoeiro Leonardo , de Castro Mendes Isolda , Queiroga Gláucia Nascimento 
Published: November 2017

ABSTRACTA study of the cathodoluminescence (CL) properties of imperial topaz from Ouro Preto region (Minas Gerais state, Brazil) and its relation with trace-element composition was conducted, using scanning electron microscope cathodoluminescence (SEM-CL), optical microscope cathodoluminescence (OM-CL), cathodoluminescence-spectrometry (CL-spectrometry), electron microprobe analysis (EMPA), laser ablation inductively-coupled plasma mass spectrometry (LA-ICP-MS) and Raman spectrometry. Each analytical technique allowed characterization of the imperial topaz fingerprint. SEM-CL panchromatic images show different crystal growth and resorption events in imperial topaz crystals. Colour CL images indicate only blue to violet emissions. The CL-spectra indicate a broad emission band with low intensity peak at ~417 nm and a broad emission band with high intensity and major peaks at 685, 698, 711 and 733 nm. The EMPA indicates high OH content, in which the OH/(OH + F) ratio ranges between 0.35–0.43 (0.72 ≤ OH ≤ 0.86 apfu). High Cu and Zn concentrations (LA-ICP-MS) were measured in the high luminescence areas of SEM-CL images, suggesting both elements as CL-activators in imperial topaz. Raman and CL-spectra indicate high Cr concentrations, corroborated by EMPA and LA-ICP-MS results. The high Cr caused strong luminescence intensities that enabled their superimposition over the OH stretching mode (~3650 cm–1) of topaz in all Raman spectra. Among trace elements, the concentrations of Ti, V, Cr, Mn, Fe, Cu, Zn, Ga and Ge provide the fingerprint of imperial topaz.
Redefinition of satimolite
Authors: Pekov Igor V. , Zubkova Natalia V. , Ksenofontov Dmitry A. , Chukanov Nikita V. , Yapaskurt Vasiliy O. , Korotchenkova Oksana V. , Chaikovskiy Ilya I. , Bocharov Vladimir M. , Britvin Sergey N. , Pushcharovsky Dmitry Yu. 
Published: November 2017

ABSTRACTThe borate mineral satimolite, which was first described in 1969 and remained poorly-studied until now, has been re-investigated (electron microprobe analysis, single-crystal and powder X-ray diffraction studies, crystal-structure determination, infrared spectroscopy) and redefined based on the novel data obtained for the holotype material from the Satimola salt dome and a recently found sample from the Chelkar salt dome, both in North Caspian Region, Western Kazakhstan. The revised idealized formula of satimolite is KNa2(Al5Mg2)[B12O18(OH)12](OH)6Cl4·4H2O (Z = 3). The mineral is trigonal, space group R$\bar{3}$m, unit-cell parameters are: a = 15.1431(8), c = 14.4558(14) Å and V = 2870.8(4) Å3 (Satimola) and a = 15.1406(4), c = 14.3794(9) Å and V = 2854.7(2) Å3 (Chelkar). The crystal system and unit-cell parameters are quite different from those reported previously. The crystal structure of the sample from Chelkar was solved based on single-crystal data (direct methods, R = 0.0814) and the structure of the holotype from Satimola was refined on a powder sample by the Rietveld method (Rp = 0.0563, Rwp = 0.0761 and Rall = 0.0667). The structure of satimolite is unique for minerals. It contains 12-membered borate rings [B12O18(OH)12] in which BO3 triangles alternate with BO2(OH)2 tetrahedra sharing common vertices, and octahedral clusters [M7O6(OH)18] with M = Al5Mg2 in the ideal case, with sharing of corners between rings and clusters to form a three-dimensional heteropolyhedral framework. Each borate ring is connected with six octahedral clusters: three under the ring and three over the ring. Large ellipsoidal cages in the framework host Na and K cations, Cl anions and H2O molecules.
Kenoplumbomicrolite, (Pb,□)2Ta2O6[□,(OH),O], a new mineral from Ploskaya, Kola Peninsula, Russia
Authors: Atencio Daniel , Andrade Marcelo B. , Bindi Luca , Bonazzi Paola , Zoppi Matteo , Stanley Chris J. , Kristiansen Roy 
Published: November 2017

ABSTRACTThis study presents a complete characterization of kenoplumbomicrolite, (Pb,□)2Ta2O6[□,(OH),O], occurring in an amazonite pegmatite from Ploskaya Mountain, Western Keivy Massif, Kola Peninsula, Murmanskaja Oblast, Northern Region, Russia.Kenoplumbomicrolite occurs in yellowish brown octahedral, cuboctahedral and massive crystals, up to 20 cm, has a white streak, a greasy lustre and is translucent. The Mohs hardness is ~6. Attempts to measure density (7.310–7.832 g/cm3) were affected by the ubiquitous presence of uraninite inclusions. Reflectance values were measured in air and immersed in oil. Kenoplumbocrolite is optically isotropic. The empirical formula is (Pb1.30□0.30Ca0.29Na0.08U0.03)Σ2.00(Ta0.82Nb0.62Si0.23Sn4+0.15Ti0.07Fe3+0.10Al0.01)Σ2.00O6[□0.52(OH)0.25O0.23]Σ1.00 (from the crystal used for the structural study) and (Pb1.33□0.66Mn0.01)Σ2.00(Ta0.87Nb0.72Sn4+0.18Fe3+0.11W0.08Ti0.04)Σ2.00O6[□0.80(OH)0.10O0.10]Σ1.00 (average including additional fragments). The mineral is cubic, space group Fd$\overline 3 $m. The unit-cell parameters refined from powder X-ray diffraction data are a = 10.575(2) Å and V = 1182.6(8) Å3, which are in accord with those obtained previously from a single crystal of a = 10.571(1) Å, V = 1181.3(2) Å3 and Z = 8. The mineral description and its name have been approved by the Commission on New Minerals, Nomenclature and Classification of the International Mineralogical Association (IMA2015-007a).
Selling food in clear packages: The development of cellophane and the expansion of self-service merchandising in the United States, 1920s–1950s
Authors: Hisano Ai 
Published: November 2017

Abstract
This article examines how the increasing use of transparent packaging, specifically cellophane, and a new self-service merchandising system altered consumers’ sensory experiences in food purchasing. It focuses on the American food industry roughly from the 1920s to the 1950s, a time when self-service became the dominant way of selling perishable items in the country. Clear packages provided consumers with a new way of understanding product quality. At supermarkets, where meat was already cut and bread packaged, and where consumers rarely had a chance to actually taste, smell or touch foods, they needed to rely mostly on visual information in selecting products. Businesses’ effort to capture consumer desire facilitated the creation of a new kind of visual regime, which rested on commercial intent, gendered narratives and technological manipulation, in the rise of consumer capitalism from the early twentieth century. By emphasizing the significance of colour in food consumption, retailers created food products and store interiors intended to stimulate female consumers’ chromatic sensation and their appetite for food purchasing.
Permitted and pure: Packaged halal snack food from Southwest China
Authors: Brose Michael C. 
Published: November 2017

Abstract
China is home to ten groups of Muslims comprising at least twenty million people. The largest of these groups, the Chinese Muslim Hui people, have benefitted from China’s rapid economic growth in the past three decades just like their non-Muslim fellow citizens. Along with the highly visible new mosques being built in Hui communities across China, Hui economic vitality is noticeable in the burgeoning halal food industry, from five-star restaurants to street kiosks, special sections in supermarkets devoted to halal products and most recently in the e-commerce market. This article examines the packaging of halal beef jerky produced and marketed specifically for that e-commerce market, as an example of the religious, social and economic vitality of Hui in Yunnan Province in southwestern China in the post-Mao era. The packages adhere to successful strategies employed by marketing designers, and they purposefully combine faith-based and traditional Chinese cultural themes and motifs with the kind of detailed product information and quality certification demanded by consumers in China and around the world who want quality food products that might also bring a sense of nostalgia, and have the disposable income to buy those products in online shopping venues.
Telling stories: The role of graphic design and branding in the creation of ‘authenticity’ within food packaging
Authors: Barnes Alison 
Published: November 2017

Abstract
Food is increasingly sold with a story, and the majority of those writing about the branding process within industry agree that this story should be ‘authentic’; a ‘true’ representation of a brand’s value or personality. Across the broader field of branding, ‘authenticity’ has become key to a product’s marketing. However, much of the language used to describe and market food is very difficult to define or standardize – terms such as ‘local’, ‘quality’, ‘authentic’ and ‘premium’ remain confusing for the customer. Furthermore, in the context of branding and marketing, multiple genres of authenticity have been defined. Therefore, the food and design industries can use this lack of clarity to their advantage, emphasizing and embellishing some aspects of a product, and perhaps even deliberately omitting others. In doing so, they develop the narrative that will best connect with their audience. In this sense, the ‘authenticity’ of the brand or product is interpreted through this interaction and can be framed as a social construction. These issues are discussed in the context of a short UK-based case study focusing on the supermarket Tesco’s ‘fake farm’ brands that utilize the design and branding of the packaging to evoke specific aspects of ‘authenticity’. The visual material is analysed using a social semiotic approach enabling a discussion of issues relating to the communication of ‘authenticity’ in the practice of graphic design and branding, and the marketing of food with a story.
Nudging food into a healthy direction: The effects of front-of-pack implicit visual cues on food choice
Authors: Coulthard Stephanie , Hooge Ignace , Smeets Monique , Zandstra Elizabeth 
Published: November 2017

Abstract
This study investigated the effects of implicit visual cues on food package design on visual attention and subsequent decision-making. Forty-two participants chose between two target or two filler products while their eye movements were measured with eye tracking. Target stimuli were identical soups with labels varying in shape, angularity and orientation inserted at the top right of the packages. Results showed that packages with upward-rounded labels were chosen most often, followed by downward-rounded, upward-angular and downward-angular labels. Participants looked at both packages for 85 per cent of the time, whereas the labels were only fixated on for 14.8 per cent of the time. Hence, people did not necessarily look at the labels in order to make a decision about which product to choose. This research showed that differently shaped labels affected subsequent decision-making when implemented in the peripheral parts of product packs. Interestingly, there was a general preference bias for upward-rounded labels on front of pack. Therefore, presenting upward-rounded labels peripheral on pack may serve as a useful nudge to actively guide people’s behaviour towards a healthier direction.
Creation as a method of enquiry: Reflections on practice-based research in children’s picturebook illustration
Authors: Little Laura 
Published: November 2017

Abstract
While practice-based research is a relatively new area of research in the United Kingdom, it is growing rapidly. The theoretical frameworks that underpin practice-based research are broad, which can result in anxiety or confusion in students who undertake it. This article explores frameworks for practice-based research and considers some applications of these frameworks to a research project in children’s picturebook illustration. One challenge of practice-based research is a perceived gap between creation and interpretation. Chris Rust’s findings for the AHRC report on practice-based research, for example, highlight tensions between the discourses of the practitioner and the theorist. While there is a significant body of literature on children’s picturebooks, academic work by illustrators and artists that focuses on the processes rather than on the finished picturebook is currently underrepresented. The research described here aims to build on existing literature to offer insights from a picturebook maker’s perspective into the often-undisclosed thought processes underlying his or her work. It demonstrates the possibility for the practitioner to take an interdisciplinary approach to practice-based research in picturebooks and offers an accessible framework to explore and discuss practical work.
The art of being Indian
Authors: Balachandran Anitha 
Published: November 2017

Abstract
The arena of children’s publishing in India sees the convergence of at least two ‘traditions’ or streams of illustration art. The first is the product of artists and illustrators who emerge from urban art colleges with an appreciation of naturalistic drawing and realism. Historically, this tradition grew under colonial institutions with the advent of printing technologies and matured alongside the growth of literature for children. Translating itinerant conventions into the Indian subcontinent, illustration for children continues to be significantly inspired by European and American influences. More recently, children’s illustration in India has seen the migration of a number of folk art styles from often rural and ritual settings to the pages of picturebooks. Distinct from the urban illustrator, the creators of these artworks are schooled in a formal aestheticism that remains largely independent of realist conventions. These indigenous styles of representation now occupy a distinct space in the postcolonial field of children’s publishing as more folk artists turn illustrators. As a practitioner with formal art college training, I begin with a brief description of my background as an illustrator and an introduction to children’s publishing in India from this perspective. I then turn to vernacular idioms and trace historical currents that contextualize a transformation of these practices from collective ritual arts to vehicles of individual self-expression. Finally, I explore the emergence of a few practitioners in children’s publishing, and examine books and works of folk art illustration. My article sets out to explore the following questions: how are these image-making practices seen and read by audiences? As bearers of indigenous ways of depicting and seeing their worlds, do folk artists somehow represent a more authentically ‘Indian’ voice? And what of the interaction between these two currents of illustration in India? What dialogues and hybrid practices lie ahead?
Miffy: A pedagogical avant-garde rabbit; the influence of Karel Appel’s imagery on Dick Bruna’s picturebooks
Authors: Nauwelaerts Christiaan 
Published: November 2017

Abstract
This article considers how Dick Bruna (1927–2017) successfully combined the artistic influences of Matisse (1869–1954), Léger (1881–1955) and the avant-garde Cobra movement with the pedagogic demands for picturebooks, in his illustrations for the Miffy picturebooks. In general, avant-garde art movements only influence picturebooks with great delay and in a significantly weakened form. However, the Miffy picturebooks, constitute a remarkable exception to this rule. The artists that were part of the Cobra movement, Constant (1920–2005) and Karel Appel (1921–2006) in particular, valued the imagery of the child’s drawing. Appel took this further, by explicitly integrating infantile imagery into his work and seeing childhood as an artistic way of life worth striving for. Bruna, for his part, valued the direct simplicity of childish imagery and applied it to his designs for book covers and posters. When Dick Bruna designed the second and definitive version of Miffy, in early 1960, he was referencing Appel’s work and at the same time taking into account the pedagogic demands of picturebooks. The result is a ground-breaking imagery with a significant influence on the evolution of picturebooks, providing Bruna with international renown.