bluuebunny/crossref_metadata_2025_split huggingface dataset:
Labour and art during the Cultural Revolution: An analysis of the sculptural installation Wrath of the Serfs (1975)
Authors: Kyo Yi Yi Mon 
Published: October 2017

Abstract
The following article examines the process of creating the Wrath of the Serfs (1975), a large collective sculptural display completed by art workers from the Central Academy of Fine Arts, the Shenyang Lu Xun Arts Academy and workers from the Tibet Revolution Exhibition Hall. Placing art production in conversation with the idea of dianxing (typical), as developed in model operas during the Cultural Revolution, this article explores the sculptural tableaux and its interaction with developing roles of state art workers. I analyse the creation process of Wrath in order to understand the multivalent ways in which artists were both subjects and objects of gradually forming and shifting visual models of ideal workers in the PRC. By considering common revolutionary prescriptions, such as ‘plunging into the thick of life’ and ‘shifting one’s world-view’ in artists’ experience of this period, the article presents how individual art workers came to identify with the collective. To illuminate the complex ways in which art workers viewed themselves as both part of the collective creative group and as individuals making art, the article considers the complicated ways in which these two trajectories were interwoven. Further, the analysis delves into the nuanced formulation of agency, on the one hand, and ownership, on the other, while placing these two terms within the contemporary rhetorical context of individual sublimation to collective identity.
Making a new world and a new people: Cold War, Maoist austere architecture and the ‘Rammed-earth Campaign’, 1966–76
Authors: Liu Zixian 
Published: October 2017

Abstract
After the Sino-Soviet split in the 1960s, Mao’s China replaced the Soviet way of urban planning with a new campaign of adopting Chinese vernacular architecture and decentralized Maoist urban planning. This article examines the neglected political intention of the Maoist architectural and urban planning project, the ‘Rammed-earth Campaign’. My study argues that socialist China aimed at shaping itself as a ‘Maoist austere aesthetics regime’ to manufacture a new socialist space and to cultivate a new socialist people who were able to both physically and mentally combat against ‘American imperialism’ and ‘Soviet revisionism’. This article reminds historians that without considering the cultural context of the socialist era, it is impossible to understand China’s urban planning and architecture in the late Mao era.
‘A world where nothing is solved’: Investigating the Anthropocene in True Detective
Authors: Coley Rob 
Published: October 2017

Abstract
In the HBO series True Detective (2014–present), the material world is no mere backdrop. It is not a neutral geography against which the theatre of human drama takes place, nor does it simply take the form of a psychological landscape, understood as an expression of the interior terrain of the show’s protagonists. This particular crime drama does not rely on the stabilizing dualism of exterior/interior, nor does it concern itself with an interaction between these apparently separate realms. Instead, True Detective deals with the consequences of living as part of a world in which such dualisms – and the humanist assumptions upon which they are based – are subject to mass extinction, a world in which a long-held belief in the separability of culture and nature, of free will and determinism, of the organic and the technological, is no longer tenable. Here, far from peripheral to practices of detection and investigation, the material world is an active agent inseparably entangled in such practices. In this article I contend that True Detective maps present trauma concerning a geohistorical period scientists have designated the Anthropocene, and, in doing so, radically exploits a crisis in the anthropocentric conventions of the genre.
Nostalgia for the giant robot: The appropriation of Japanese pop culture in Philippine media
Authors: Fondevilla Herb L. 
Published: October 2017

Abstract
This article describes the influences of Japanese popular culture on Philippine media through television shows and local advertising. As the generation raised on Japanese animation has grown up, their connection to Japanese culture is presently being manifested through their creative work. As a result, Japanese popular culture has become a part of Philippine nostalgia and is also being used as a powerful marketing tool towards young people. It continues to be prevalent in the Philippines despite having little to no support from the ‘Cool Japan’ project from MOFA. This article analyses a selection of media aired between 2006 and 2014 on Philippine television and YouTube, including television shows, advertisements and music videos, in relation to their visual content, sound and language. Following trends in media allows for a deeper consideration of how globalizing influences can affect local cultures and how these are assimilated, manipulated and eventually used for advertising and marketing.
Genre, cycles and sunshine noir television
Authors: Jenner Mareike 
Published: October 2017

Abstract
This article explores the concept of television cycles, using the American sunshine noir cycle as an example. To conceptualize television cycles, this article draws heavily on Amanda Ann Klein’s work on American film cycles and puts the television cycle in relation to notions of genre, sub-genre and individual texts. In a second step, this article will analyse a specific example, the sunshine noir, a cycle present in American television in the 1980s and 1990s and most commonly associated with Miami Vice (1984–89). The sunshine noir is part of the crime genre and describes detective narratives that draw on film noir of the 1930s and 1940s and neo-noir films from the 1980s and 1990s and reconfigure elements of style and narrative to fit the narrative and industrial needs of television.
Castaway on the hyperobject: Getting Lost with Timothy Morton
Authors: Laist Randy 
Published: October 2017

Abstract
Ecocritic and philosopher Timothy Morton introduced the term ‘hyperobjects’ in a blog post in March 2010. Morton elaborates on the concept of the hyperobject in the final chapter of The Ecological Thought (2010), and the term supplies the title of his 2014 book Hyperobjects: Philosophy and Ecology after the End of the World. As Morton was articulating the idea of the hyperobject in the spring of 2010, the final season of the television show Lost (2004–10) was dramatizing the climactic instalments of its six-year narrative about a band of castaways stranded on a time-travelling, globe-trotting island, an uncanny object that exemplifies many of the characteristics Morton associates with hyperobjects. In its representation of the island as an inscrutable object punctuated by absence and mystery, in its examination of the dense interconnectedness of its sprawling human cast, and in its thematic emphasis on the epistemological limits that characterize our understanding of the natural world and even of ourselves, Lost not only presents its own version of Morton’s hyperobject but also suggests many of the same conclusions about the way our encounter with hyperobjects reconfigures our self-understanding and our relationship with the non-human world.
Feeling the past: Television archive material as an affective element in the series Uutishuone
Authors: Pajala Mari 
Published: October 2017

Abstract
Many contemporary television programmes use television archive material in remembering the recent past. While research on memory cultures on television has developed over the past decade, there is very little research on the use of archive material in fiction. This article analyses how archive material functions as an affective element in the Finnish drama series Uutishuone (Newsroom) (2009). The article argues that television archive material in fiction is not just documentary evidence of the past, but can also work as an affective element. Uutishuone uses archive material as an affective element in three ways. First, scenes where characters witness legendary television moments appeal with a sense of experiencing history as it happens. Second, archive material functions as a melodramatic element that expresses the feelings of fictional characters. Third, in some scenes the affective charge of archive material derives from the sense that viewers know more about future developments than the fictional characters. The affective use of archive material enables Uutishuone to articulate ambivalent experiences of gender and socialism in the recent Finnish past.
The interaction of broadcasters, critics and audiences in shaping the cultural meaning and status of television programmes: The public discourse around the second series of Broadchurch
Authors: Rixon Paul 
Published: October 2017

Abstract
The meaning and cultural standing of a television programme is not predetermined or set. Indeed, it changes over time from before the broadcast of the programme, to when it is shown, and after. Over this period, and beyond, different parties will struggle, negotiate and seek consensus over a programme’s status and reception. In this article I will develop a concept of media engagement in relation to such a process. To help delineate this concept I will focus on how broadcasters, critics and the public in the United Kingdom interacted over ITV’s second series of Broadchurch (2013–17). I will explore how the producers created a publicity image of the programme to position it in popular and critical debates. As I do this I will identify some of the main strategies being followed by media organizations and the related textual and discursive devices utilized in their publicity output to achieve these aims. I will then seek to identify and explore how critics and audiences responded to the broadcaster’s publicity image. However, as I argue, while, with the use of social media, the importance of the public might have increased in such debates, the broadcaster and critic still have a role in framing such discussions and, at least for the critic, in providing a final summation of the public mediated discussion once a programme has finished its run.
Reality TV gets real about marriage equality: Project Runway’s ‘Tie the Knot’ episode
Authors: Weiss David 
Published: October 2017

Abstract
While reality television is not typically associated with acts of political advocacy or the endorsement of pro-social causes, on occasion the genre is capable of making such contributions, including participation in the cultural debate over LGBTQ (lesbian, gay, bisexual, transgender, queer) equality. The present article analyses ‘Tie the Knot’, an episode of the acclaimed fashion-design competition reality series Project Runway (2004-present) produced shortly before the United States Supreme Court’s 2013 rulings opening the door for marriage-equality legislation in the United States. I discuss the various ways the ‘Tie the Knot’ episode was noteworthy as a reality television text, a participant in the debate over same-sex marriage and an advocate for marriage equality. While ‘Tie the Knot’ broke new ground for the Runway series and the reality genre, at the same time the episode revealed limitations regarding how far its producers were willing to go in expressing their support for a controversial political cause and raised questions about the varying universalizing tendencies of mainstream media framings of same-sex marriage.
Reviews
Authors: Samuel Michael , Spicer Andrew , Smith Matt Boyd , Hallam Lindsay 
Published: October 2017

Abstract
Lifestyle TV, Laurie Ouellette (2016) New York and London: Routledge, 194 pp., ISBN: 9781138784857, p/bk, £18.99
The Format Age: Television’s Entertainment Revolution, Jean K. Chalaby (2016) Cambridge: Polity Press, 232 pp., ISBN: 9781509502592, p/bk, £16.99 (pb); h/bk, £55.00
American TV Detective Dramas, Mareike Jenner (2015) London: Palgrave Macmillan, 198 pp., ISBN: 9781137425669, h/bk, £58.00; e-book, £45.99
Return to Twin Peaks: New Approaches to Materiality, Theory, and Genre on Television, Jeffrey Andrew Weinstock and Catherine Spooner (eds) (2016) Basingstoke: Palgrave Macmillan, 262 pp., ISBN: 78113755695, h/bk, £60.00; e-book £47.99
TV Peaks: Twin Peaks and the Modern Television Drama, Andreas Halsko v (2015) Odense: University Press of Southern Denmark, 300 pp., ISBN: 9788776749064, p/bk, £24.38
Godots arrivent: More morality plays for our times
Authors: Coilféir Máirtín 
Published: October 2017

Abstract
This article looks at two sequels to Samuel Beckett’s play Waiting for Godot: Alan Titley’s Tagann Godot (Godot Arrives) (1991), originally written in Irish, and Daniel Curzon’s Godot Arrives (2002), written in English. Although Curzon knew nothing about the earlier work of Titley, the article traces numerous stylistic and thematic similarities between the sequels and attempts to explain those similarities by drawing on the concept of carnivalized literature as elucidated by Mikhail Bakhtin. Both works are read as morality plays attacking a contemporary consumerist culture and the article concludes with an argument for Bakhtinian carnival as a particularly apt framework for analysing many other fictional critiques of modern consumerism.
Delegated performance: Interdisciplinary tensions, provocations and questions
Authors: Prendergast Monica 
Published: October 2017

Abstract
Art historian and critic Claire Bishop and theatre/performance scholar Jen Harvie have each written about a relatively new form of socially engaged participatory performance art that Bishop calls ‘delegated performance’. Delegated performance differs from earlier forms of performance art in that the performance is delegated to other people (hired or volunteer), including (at times) spectators, who enact the piece, rather than the piece being carried out by the artist herself. This set of poetically informed microlectures examines delegated performance in the attempt to glean interdisciplinary understandings about how the delegation of performance happens in drama education and applied theatre. What might those who work and research in these fields consider as issues surrounding the delegating performance? Of what value is this notion in assisting in thinking about practice? Examples of delegated performance are drawn from Bishop and Harvie and additional sources and considered for the ethical questions and provocations they raise. In light of this investigation, drama educators and applied theatre facilitators are recommended to consider how much and in what ways they are delegating performance with students/participants, and to what effect.
Reviews
Authors: Badham Cath , Beswick Katie , Chiasson Basil , Corbett Poppy , Katafiasz Kate , Pattie David , Price Jason , Walsh Aylwyn 
Published: October 2017

Abstract
Ethical Speculations in Contemporary British Theatre, Mireia Aragay and Enric Monforte (eds) (2014) Basingstoke: Palgrave Macmillan, 216 pp., ISBN: 9781137297563, hbk, £66.99
Theatricality, Dark Tourism and Ethical Spectatorship: Absent Others, Emma Willis (2014) Basingstoke: Palgrave Macmillan, 248 pp., ISBN: 9781137322647, hbk, £53.00
Performance in the Blockades of Neoliberalism: Thinking the Political Anew, Studies in International Performance Series, Maurya Wickstrom (2012) Basingstoke: Palgrave Macmillan, 224 pp., ISBN: 9780230247215, hbk, £56
Postdramatic Theatre and the Political, Karen Jürs-Munby, Jerome Carroll and Steve Giles (eds) (2013) London: Bloomsbury, 324 pp., ISBN: 9781408184868, pbk, £19.99
Theatres of Immanence: Deleuze and the Ethics of Performance, Laura Cull (2012) Basingstoke: Palgrave Macmillan, 302 pp., ISBN: 9780230319523, hbk, £55.00
Theatre & Violence, Lucy Nevitt (2013) Basingstoke: Palgrave Macmillan, 96pp., ISBN: 9781137302274, pbk, £6:00
Theatre of Good Intentions: Challenges and Hopes for Theatre and Social Change, Dani Snyder-Young (2013) Basingstoke: Palgrave Macmillan, 156 pp., ISBN: 9781137293022, hbk, £50.00
South African Performance and Archives of Memory, Yvette Hutchinson (2013) Manchester: Manchester University Press, 238 pp., ISBN: 9780719083730, hbk, £65.00
A customized resistivity system for monitoring saturation and seepage in earthen levees: installation and validation
Authors: Arosio Diego , Munda Stefano , Tresoldi Greta , Papini Monica , Longoni Laura , Zanzi Luigi 
Published: October 2017

AbstractThis work is based on the assumption that a resistivity meter can effectively monitor water saturation in earth levees and can be used as a warning system when saturation exceeds the expected seasonal maxima. We performed time-lapse ERT measurements to assess the capability of this method to detect areas where seepage is critical. These measurements were also very useful to design a prototype monitoring system with remarkable savings by customizing the specifications according to field observations. The prototype consists of a remotely controlled low-power resistivity meter with a spread of 48 stainless steel 20 × 20 cm plate electrodes buried at half-meter depth. We deployed the newly-designed permanent monitoring system on a critical levee segment. A weather station and an ultrasonic water level sensor were also installed in order to analyse the correlation of resistivity with temperature, rainfalls and water level seasonal variations.The preliminary analysis of the monitoring data shows that the resistivity maps follow a very reasonable trend related with the saturation/drying cycle of the levee caused by the seasonal variations of the water level in the irrigation channel. Sharp water level changes cause delayed and smooth resistivity variations. Rainfalls and, to a lesser extent, temperature seem to have an influence on the collected data but effects are apparently negligible beyond 1 m depth. The system is currently operating and results are continuously monitored.
Reassessing the significance of the PAH c.158G>A (p.Arg53His) variant in patients with hyperphenylalaninemia
Authors: Choi Rihwa , Lee Jeongho , Park Hyung-Doo , Park Jong Eun , Kim Yong Hyuk , Ki Chang-Seok , Lee Soo-Youn , Song Junghan , Kim Jong-Won , Lee Dong Hwan 
Published: October 2017

AbstractBackground:The accurate interpretation of sequence variation is critical for successful molecular diagnoses. It is also fundamental to the accurate diagnosis and treatment of phenylketonuria (PKU). This study aims to evaluate the significance of the c.158G>A (p.Arg53His) variant in theMethods:Seven unrelated Korean patients with HPA genotyped with the c.158G>A variant were included in this study. The variant c.158G>A was classified by the standards and guidelines for the interpretation of sequence variants by the American College of Medical Genetics and Genomics and the Association for Molecular Pathology.Results:By both directly collecting genetic data and comprehensively reviewing the existing literature, we found that this variant is more appropriately classified as “Likely benign” rather than pathogenic. The allele’s frequency is 2.57% in the general Korean population, which was greater than expected for phenylketonuria. This variant was observed to be homozygous in healthy subjects and was also observed inConclusions:This study expands our understanding of the consequences of variation in
Synthesis and crystal structure of bis{1-(((4-(1-(hydroxyimino)ethyl)phenyl)imino)methyl)naphthalen-2-olato-κ2
O,N}copper(II), C38H30CuN4O4
Authors: Li Peng-Peng , Zhao Li , Zhao Ji-Xing , Zhu Zhao-Bin , Wang Fei , An Qin-Qin 
Published: October 2017

Abstract
C38H30CuN4O4, triclinic, P1̅ (no. 2), a = 8.3882(7) Å, b = 8.5024(9) Å, c = 11.3649(15) Å, α = 89.960(10)°, β = 69.689(10)°, γ = 80.269(8)°, Z = 1, V = 747.73(15) Å3, R
gt(F) = 0.0701, wR
ref(F
2) = 0.1308, T = 294.68(10) K.
The crystal structure of oxonium chlorido-ethylenediaminetetraactetotin(IV) hydrate, C10H17ClN2O10Sn
Authors: Fu Zhihai , Chen Bo , He Aidang , Lv Xia , Wei Xin , Feng Xiaojie , Huang Chao , Xia ChuanQin , Jin Yongdong 
Published: October 2017

Abstract
C10H17ClN2O10Sn, triclinic, P1 (no. 1), a = 6.6666(3) Å, b = 6.6892(4) Å, c = 8.8779(6) Å, α = 101.340(5)°, β = 99.624(5)°, γ = 91.279(4)°, V = 382.08(4) Å3, Z = 1, R
gt(F) = 0.0318, wR
ref(F
2) = 0.0726, T = 294 K.
Crystal structure of triethylammonium bis{3-(((3-oxidonaphthalen-1-yl)methylene)amino)-2-oxo-2H-chromen-4-olato-κ3
O,N,O′}manganese(III), C46H38MnN3O8
Authors: Li Jing , Jia Hao-Ran , Sun Yin-Xia 
Published: October 2017

Abstract
C46H38MnN3O8, triclinic P1̅ (no. 2), a = 8.9705(6) Å, b = 12.0309(8) Å, c = 18.4209(13) Å, α = 96.303(2)°, β = 103.884(2)°, γ = 101.636(2)°, Z = 2, V = 1864.0(2) Å3, R
gt(F) = 0.0496, wR
ref(F
2) = 0.1274, T = 296 K.
Crystal structure of bis(4,4,5,5-tetramethyl-1,3,2-dioxaborolane)-9,9-dioctylfluorene, C41H64B2O4
Authors: Liu Yingfan , Mao Kaiming , Li Xiaochuan , Son Young-A 
Published: October 2017

Abstract
C41H64B2O4, triclinic P1̅ (no. 2), a = 12.8189(8) Å, b = 13.4808(9) Å, c = 14.1592(12) Å, α = 110.394(3)°, β = 90.170(1)°; γ = 115.623(3)°; V = 2033.5(3) Å3, Z = 2, R
gt(F) = 0.0562, wR
ref(F
2) = 0.1629 , T = 296 K.
Crystal structure of 1-{4-[(5-Chloro-2-hydroxy-benzylidene)amino]phenyl} ethanone O-ethyl-oxime, C17H17ClN2O2
Authors: Zhao Ji-Xing , Zhao Li , Liu Guo-Hua , Li Peng-Peng , Zhu Zhao-Bin 
Published: October 2017

Abstract
C17H17ClN2O2, monoclinic, Pc (no. 7), a = 17.789(2) Å, b = 7.1127(7) Å, c = 6.2885(6) Å, β = 97.513(10)°, Z = 2, V = 788.83(15) Å3, R
gt(F) = 0.0600, wR
ref(F
2) = 0.1651, T = 290.83(10) K.
Synthesis and crystal structure of 1-{4-[(2-hydroxy-benzylidene)amino]phenyl}ethanone oxime, C15H14N2O2
Authors: Li Peng-Peng , Zhao Li , Liu Guo-Hua , Zhao Ji-Xing , Zhu Zhao-Bin 
Published: October 2017

Abstract
C15H14N2O2, monoclinic, P21/c (no. 14), a = 13.5809(12) Å, b = 9.7794(14) Å, c = 9.8883(9) Å, β = 97.972(9)°, Z = 4, V = 1300.6(3) Å3, R
gt(F) = 0.0635, wR
ref(F
2) = 0.1758, T = 291(2) K.
Crystal structure of 5,5-difluoro-10-(4-fluorophenyl)-1,3,7,9-tetramethyl-5H-4l4,5l4-dipyrrolo[1,2-c:2′,1′-f][1,3,2]diazaborinine - a Z′ = 3 structure, C19H18B2F3N2
Authors: Liu Yingfan , Yan Ming , Li Xiaochuan , Li Yajuan , Son Young-A 
Published: October 2017

Abstract
C19H18B2F3N2, triclinic, P1̅ (no. 2), a = 10.8885(6) Å, b = 13.9767(8) Å, c = 18.1330(10) Å, α = 79.3484(19)°, β = 86.2213(9)°; γ = 73.461(2)°; V = 2599.6(3) Å3, Z = 6, R
gt(F) = 0.0450, wR
ref(F
2) = 0.1105, T = 296 K.
The crystal structure of tris(μ2-1,3-bis(4,4,4-trifluoro-3-oxido-1-(oxo)but-2-en-1-yl)phenyl-κ4
O,O′:O′′,O′′′)-bis(1,2-dimethoxyethane-κ2
O,O′)dilutetium(III), C50H38F18Lu2O16
Authors: Zhao WeiCan , Shi Jing , Hou YanJun 
Published: October 2017

Abstract
C50H38F18Lu2O16, monoclinic, C2/c (no. 15), a = 15.7024(12) Å, b = 12.6169(10) Å, c = 29.715(2) Å, β = 91.919(10)°, V = 5883.7(8) Å3, Z = 4, R
gt(F) = 0.0273, wR
ref(F
2) = 0.066, T = 273 K.
Synthesis and crystal structure of trans-tetraqua-bis(2-(((7-hydroxy-3-(4-hydroxy-3-sulfonatophenyl)-4-oxo-4H-chromen-8-yl)methyl)ammonio)acetato-κO)cobalt(II) hexahydrate, C36H48CoN2O28S2
Authors: Chen Hai-Lin , Lai Hong-Fang , Wei Lian-Qiang , Jiang Li-Rong , Su Yan-Xiang 
Published: October 2017

Abstract
C36H48CoN2O28S2, monoclinic, P21/c (no. 14), a = 18.2239(13) Å, b = 7.1282(6) Å, c = 17.8550(13) Å, β = 97.883(2)°, V = 2297.5(3) Å3, Z = 2, R
gt(F) = 0.0906, wR
ref(F
2) = 0.1998, T = 293(2) K.
Crystal structure of 2,8-diphenyl-3,7,9-trioxa-1-azaspiro[4.5]dec-1-ene, C18H17N1O3
Authors: Zhang Min , Li Zhong-Yan , Yuan Xian-You , Yuan Lin 
Published: October 2017

Abstract
C18H17N1O3, monoclinic, P21/c (no. 14), a = 14.9752(8) Å, b = 9.0793(5) Å, c = 11.1030(6) Å, β = 106.431(1)°, V = 1447.96(14) Å3, Z = 4, R
gt(F) = 0.0342, wR
ref(F
2) = 0.0903, T = 296(2) K.
The crystal structure of trans-dibromido-bis(pyridine-κN)platinum(II), C10H10Br2N2Pt
Authors: Ha Kwang 
Published: October 2017

Abstract
C10H10Br2N2Pt, triclinic, P1̄ (no. 2), a = 5.6590(9) Å, b = 7.0204(12) Å, c = 7.7623(11) Å, α = 79.262(5)°, β = 84.603(4)°, γ = 88.928(5)°, V = 301.64(8) Å3, Z = 1, R
gt(F) = 0.0440, wR
ref(F2
) = 0.0946, T = 223 K.