bluuebunny/crossref_metadata_2025_split huggingface dataset:
Perbandingan Kode Visual Pertunjukan Golek Sunda Tradisional dan Pertunjukan Golek Sunda dalam Media TV
Authors: - Irfansyah , Piliang Yasraf A. 
Published: October 2017

ABSTRACTÂ Wayang Golek is a Sundanese typical performing art that has grown on generations by the grip. The grip becomes a kind of rule or code in Wayang Golek show which govern all the constituent elements. Since the presence of Television, Wayang Golek is then performed through this media. However, since Wayang Golek is performed through Television, it represents significant differences with Wayang Golek traditional show. The differences are shown by the creation of stage design com- bined with digital technology and its various effects, such as zoom in/out, opening title, and even the broadcast interactive model. To understand the differences between Wayang Golek traditional show and on Television, the method which is used is the study of cause and effect or comparison (caus- al-comparative studies). The purpose of the study is to determine the changes of the visual elements in Wayang Golek show on Television. The result of the research shows that there are significant differences between Wayang Golek traditional show and on Television.Â Keywords: Visual Code, Sundanese Golek ShowÂ Â ABSTRAKÂ Kesenian Wayang Golek merupakan pertunjukan khas masyarakat Sunda yang telah terÂ­ bangun secara turun temurun berdasarkan pakem. Pakem menjadi semacam aturan main (kode) yang mengatur pertunjukan dan pembuatan Golek. Sejak munculnya media televisi, pertunjukan Wayang Golek pun kemudian dipentaskan melalui media ini. Akan tetapi, semenjak pertunjukan Wayang Golek dipentaskan dalam media televisi nyatanya mereÂ­ presentasikan perbedaan yang signifikan dengan pertunjukan Wayang Golek tradisional. Perbedaan itu ditunjukkan dengan kreasi tata panggung yang dipadu dengan teknologi digital dan berbagai efeknya, seperti efek zoom in/out, munculnya opening title, hingga model interaktif siaran. Untuk memahami perbedaan antara pertunjukan Wayang Golek tradisional dengan pertunjukan Wayang Golek dalam media televisi, maka metode yang digunakan adalah metode studi perbandingan (comparative studies). Adapun tujuan dari penelitian ini adalah untuk memperoleh pemahaman terkait adanya perubahan unsur yang muncul pada pertunjukan Wayang Golek dalam media televisi. Hasil penelitian menunÂ­ jukkan adanya perbedaan yang signifikan antara pertunjukan Wayang Golek tradisional dengan pertunjukan Wayang Golek dalam media Televisi.Â Kata Kunci: Kode Visual, Pertunjukan Golek Sunda
Ikonografi dan Ikonologi Lukisan Djoko Pekik: â€˜Tuan Tanah Kawin Mudaâ€™
Authors: Burhan M. Agus 
Published: October 2017

ABSTRACTÂ This research talked about â€˜Tuan Tanah Kawin Mudaâ€™, painted by Djoko Pekik, with art history as the basic approach and therefore using Erwin Panofskyâ€™s iconography and iconology theory. Hi- story research method followed with field data investigation, literature data, selection and critic, ana- lysis and source interpretation purposing to get the synthesis, continue with historiography framing. The result of this research contains; Preiconography descriptions explained the early textual aspect idea, reveals communication and conflict between the two figures. Iconography analysis explained about theme and concept, it tells about the oppression through economy asset, social, and cultural. The creator thought about how to defend among the conflict. Iconology interpretation, explained the art work symbolic value. Through the psychology experience and his social also cultural background, conclude that this painting is a crystallization symbol of deprivation and defense from the suï¬€ering poor peopleâ€™s right.Â Keywords: Social realism, social conflict, oppression symbolÂ Â ABSTRAKÂ Penelitian ini tentang lukisan Djoko Pekik yang berjudul â€˜Tuan Tanah Kawin Mudaâ€™ yang dianalisis dengan pendekatan sejarah seni dan memakai teori ikonografi dan ikonolo- gi Erwin Panofsky. Metode yang dipakai adalah metode sejarah dengan langkah pencarian sumber di lapangan dan pustaka (heuristik), seleksi dan kritik, analisis dan interpretasi sumber untuk menghasilkan sintesis, dan penyusunan historiografi. Hasil penelitian ini berupa: Deskripsi pra ikonografi berisi tanggapan awal aspek tekstual, mengungkap ko- munikasi dan konflik antara dua figur. Analisis ikonografis yaitu tentang tema dan konsep penindasan kaum laki-laki pada perempuan lewat kekuasaan modal ekonomi, sosial dan kultural. Konsep dasar penciptaannya tentang konflik antara kekuasaan yang menindas dan hak yang harus dipertahankan. Interpretasi ikonologis yaitu tentang nilai simbolik yang diungkap dalam lukisan. Lewat pengalaman psikologis pelukis dengan berbagai ke- kerasan dan penderitaan, serta pandangan hidup dari latar belakang sosial dan kultural- nya, maka lukisan ini merupakan kristalisasi simbol dari perampasan dan pertahanan hak rakyat bawah yang menderita..Â Kata kunci: realisme sosial, konflik sosial, simbol ketertindasan
Konsep Lawang Sewu atau White Box sebagai Fenomena Baru Proses Kreatif Kebertubuhan1
Authors: Widaryanto FX , Rustianti Sri Rustianti 
Published: October 2017

ABSTRACTÂ The concept of dance creation by Sardono W. Kusumo is inspired by air circulation of an old building in Semarang Central Java called â€˜Lawang sewuâ€™ which means a building with â€˜a thousand of doorsâ€™. In fact, the flowing of air action in and out the building has no opportunity to create an establishment of â€˜formâ€™. So, the concept of â€˜Lawang sewuâ€™ is a â€˜guidelineâ€™ to explore spatial possibility in term of corporeality. This is considered as a training of sensibility, as it happened at the swarm- ing phenomenon which expresses speed and accurate movements without any collision of each other. This kind of movement itself is also related to the global discourse, recently, in term of the perspective of arts that can be observed either as a reality fiction or a reality of mundane life. The result of this research will explore the possibility of the implementation of Lawang Sewu Concept to the embodi- ment of new creative tradition, especially on contextual approach, those are cross-cultural and cross discipline of arts in Indonesia.Â Keywords: Lawang Sewu, swarming, cross-cultural, and corporealityÂ Â Â Â ABSTRAKÂ Konsep penciptaan tari oleh Sardono W. Kusumo terinspirasi dari gerakan sirkulasi udara dari sebuah bangunan tua di kota Semarang Jawa Tengah bernama â€˜Lawang Sewuâ€™ yang berarti sebuah bangunan dengan â€˜seribu jendela/pintuâ€™. Pada kenyataannya gerak aliran udara masuk dan keluar bangunan tidak memiliki kesempatan untuk menciptakanâ€˜bentukâ€™ yang mapan. Demikianlah konsep â€˜Lawang sewuâ€™ adalah sebuah â€˜panduanâ€™ untuk penjelajahan kemungkinan ruang kaitannya dengan korporealitas. Hal ini dipikirkan seba- gai sebuah training kepekaan sebagaimana yang terjadi pada fenomena swarming denganâ€˜kecerdasan kerumunannyaâ€™ yang mengungkapkan kecepatan dan akurasi gerak tanpa ha- rus bertabrakan satu dengan yang lainnya. Akhir-akhir ini, jenis gerak semacam ini juga dikaitkan dengan wacana global, berkaitan dengan perspektif seni yang bisa diamati se- bagai realitas fiksi atau realitas hidup sehari-hari. Hasil penelitian ini untuk menjelajahi kemungkinan implementasi konsep â€˜Lawang Sewuâ€™ dalam perwujudan tradisi kreatif yang baru, khususnya pada pendekatan kontekstual, yaitu silang budaya dan silang disiplin seni di Indonesia.Â Kata kunci: Lawang Sewu, swarming, silang budaya, dan korporealitas
Tari Ritual dan Kekuatan Adikodrati
Authors: Suharti Mamik 
Published: October 2017

ABSTRACTÂ Ritual dance performing arts is closely related to its social, entertainment, aesthetic, even com- munity rites in its presentation. The ritual function is fully covered by irrational things which means believes in supernatural forces, spirits, and the goddess that aï¬€ect the life. Its belief is reflected in ritual dance performances of Tayub, Sintren, Bedaya Ketawang, Sang Hyang, and Seblang in Banyuwangi.Â Keywords: ritual dance, supernaturalÂ Â Â Â ABSTRAKÂ Seni Pertunjukan tari ritual sangat berkaitan erat dengan sosial, hiburan, estetik, bah- kan upacara-upacara masyarakat dalam pertunjukannya. Fungsi ritual sangat dipenuhi oleh hal-hal tidak rasional yang berarti kepercayaan pada kekuatan supranatural, roh-roh, dan dewa-dewa yang mempengaruhi kehidupannya. Â Kepercayaannya direfleksikan de- ngan pertunjukan tari ritual Tayub, Sintren, Bedaya Ketawang, Sang Hyang, dan Seblang di Banyuwangi.Â Kata kunci: tari ritual, supranaturalÂ
Model Penilaian Kinestetik dalam Menilai Tari I-pop (Modern Dance)
Authors: Triana Dinny Dev 
Published: October 2017

ABSTRACTÂ The Research aims to gain a kinesthetic assessment models used in assessing the i-pop dance (modern dance), because judging a dance performance is often not objective and not based on the theory of dance. Element of subjectivity and sense of art of assessors tend to provide an assessment that is not in accordance with the provisions that must be measured or assessed.The method used by the mixed method, combining quantitative and qualitative methods, in which the grains analyzed through validity and reliability, resulting in a valid and reliable instrument with two calibration is the calibration phase 1 and phase 2. So that the instrument has good quality in the construct, the kualitatuf testing done through Focus Group Discussion (FGD) of experts consisting of choreographers, professional dancers, and academics in the field of dance and fine art.Based on these results , the instruments are to be used in competitions at each race event. These results are expected to solve the problem in any event the modern dance competition dance (i-pop dance), so that the assessors and the public is more intelligent and has a good attitude of appreciation in assessing dance.Â Keywords: i-pop dance (modern dance), assessment, kinesthetic, danceÂ Â Â Â ABSTRAKÂ Penelitian ini bertujuan untuk mendapatkan model penilaian kinestetik yang diguna- kan untuk menilai Tari I-pop (modern dance). Penilaian suatu pertunjukan tari seringkali ti- dak objektif dan tidak didasari pada teori tentang tari, karena unsur subjektivitas dan sense of art dari penilai cenderung memberikan penilaian yang tidak sesuai dengan ketentuan yang harus diukur atau dinilai.Metode penelitian yang digunakan dengan mix method yaitu menggabungkan metode kuantitatif dan kualitatif, di mana butir dianalisis melalui uji validitas dan reliabilitas, se- hingga menghasilkan instrumen yang valid dan reliabel dengan dua kali kalibrasi yaitu kalibrasi tahap 1 dan tahap 2. Instrumen memiliki kualitas yang baik secara konstruk, maka pengujian kualitatif dilakukan melalui Focus Group Discussion (FGD) dari para pakar yang terdiri atas koreografer, penari professional, dan akademisi di bidang seni tari dan seni rupa.Berdasarkan hasil penelitian tersebut, maka instrumen sudah dapat digunakan dalam kegiatan lomba di setiap even perlombaan. Hasil ini diharapkan dapat memecahkan ma- salah dalam setiap even lomba tari modern dance (i-pop dance), sehingga penilai dan ma- syarakat lebih cerdas dan memiliki sikap apresiasi yang baik dalam menilai tari.Â Kata kunci: i-pop dance (modern dance), penilaian, kinestetik, tari
Makna Pragmatik Tindak Tutur Direktif Pada Tari Gathutkaca Gandrung
Authors: - Maryono - 
Published: October 2017

Penelitian ini adalah untuk mengungkap makna pragmatik tindak tutur direktifÂ pada Tari Gathutkaca Gandrung dalam resepsi perkawinan adat Jawa. Penelitian ini menggunakan metode kualitatif deskriptif dengan perspektif teori pragmatik ParkerÂ dan Charles Morris tentang relasi tanda. Adapun hasil penelitian ini menggambarkan dominasi tindak tutur direktif dalam pertunjukan Tari Gathutkaca Gandrung pada resepsiÂ perkawinan adat budaya Jawa yang dimaknai sebagai bentuk perintah bersifat tidakÂ langsung. Penanggap (orang tua) menghendaki agar sepasang pengantin berkenan menikmati nilai estetis, supayaÂ jiwanya menjadiÂ lebih halus, lebih santun, peka terhadap lingkungan sehingga sikap, perilaku, dan tindakannya menjadi lebih baik. Makna perintah berikutnya agar sepasang pengantin dapat menyerap nilai-nilai pendidikan tentang usaha yang keras, semangat, dan perjuangan yang berat seperti yang digambarkan pada Tari Gathutkaca Gandrung agar dicontoh sebagai bekal untuk membina keluarga yang harmonis dan bahagia.Kata kunci: Tarian, Gathutkaca Gandrung, resepsi perkawinan adat Jawa, tindak tutur direktif.
Visualisasi dan Transformasi Kebertubuhan Dalam Film Animasi Planes (Ke Arah Pembentukan Mitos Baru)
Authors: Saidi Acep Iwan , Budiwaspada Agung Eko 
Published: October 2017

ABSTRACTThis research is entitled “Visualization and Transformation of Embodiment in the Film of Planes Animation”. As an animation film, Planes is interesting because it is using inanimate objects, in this case the planes, as characters. This fact indicates that the character transformation is done by an animator, from the character of inanimate objects in to live character. By using the methods of structural and semiotic analysis, found that the transformation is done not only for personification (it is made as if the inanimate objects becomes alive). In the Planes, “the living things” not only exist in the mind as imagination, but it is exist out of the mind, as an autonomous reality. Based on that, Planes is the animation film which opens space for creating a new myth in the history of culture. Like the fable as a myth in the tradition of primary orality, Planes allows the formation of myth in digital oral tradition.Key Words: Transformation, visualization, embodiment, personification, metaphor, tradition, myth ABSTRAKPenelitian ini bertajuk “Visualisasi dan Transformasi Kebertubuhan dalam Film Animasi Planes”.Sebagai film animasi, Planes menarik karena menggunakan benda-benda mati, dalam hal ini pesawat, sebagai tokoh cerita. Fakta ini mengindikasikan dilakukannya transformasi karakte r ole h animator, yakni dari karakte r “yang mati” ke “yang hidup”.Dengan menggunakan metode analisis structural dan semiotik, ditemukan bahwa transformasi tersebut dilakukan melampaui sarana retorika personifikasi (membuatseolah- olah yang mati menjadi hidup).Di dalam Planes, “yang hidup” itu tidak berada di dalam pikiran dan imajinasi apresiator sebagai yang seolah-olah, melainkan hadir di luar pikiran, berdiri sendiri sebagai realita sotonom. Berdasarkan hal itu, Planes merupakan film animasi yang membuka ruang bagi terciptanya mitos baru dalam sejarah cerita. Jika fable merupakan mitos dalam tradisi kelisanan primer, Planes memungkinkan terbentuknya mitos dalam tradisi lisan digital.Kata kunci: transformasi, visualisasi, kebertubuhan, personifikasi, metafora, tradisi, mitos.
A Deep Chandra X-Ray Study of Neutron Star Coalescence GW170817
Authors: Haggard Daryl , Nynka Melania , Ruan John J. , Kalogera Vicky , Cenko S. Bradley , Evans Phil , Kennea Jamie A. 
Published: October 2017

Abstract
We report Chandra observations of GW170817, the first neutron star–neutron star merger discovered by the joint LIGO-Virgo Collaboration, and the first direct detection of gravitational radiation associated with an electromagnetic counterpart, Fermi short γ-ray burst GRB 170817A. The event occurred on 2017 August 17 and subsequent observations identified an optical counterpart, SSS17a, coincident with NGC 4993 (∼10″ separation). Early Chandra (

days) and Swift (

days) observations yielded non-detections at the optical position, but ∼9 days post-trigger Chandra monitoring revealed an X-ray point source coincident with SSS17a. We present two deep Chandra observations totaling ∼95 ks, collected on 2017 September 01–02 (

days). We detect X-ray emission from SSS17a with

erg s−1, and a power law spectrum of

. We find that the X-ray light curve from a binary NS coalescence associated with this source is consistent with the afterglow from an off-axis short γ-ray burst, with a jet angled ≳23° from the line of sight. This event marks both the first electromagnetic counterpart to a LIGO-Virgo gravitational-wave source and the first identification of an off-axis short GRB. We also confirm extended X-ray emission from NGC 4993 (

erg s−1) consistent with its E/S0 galaxy classification, and report two new Chandra point sources in this field, CXOU J130948 and CXOU J130946.
The Discovery of the Electromagnetic Counterpart of GW170817: Kilonova AT 2017gfo/DLT17ck
Authors: Valenti Stefano , Sand David, J. , Yang Sheng , Cappellaro Enrico , Tartaglia Leonardo , Corsi Alessandra , Jha Saurabh W. , Reichart Daniel E. , Haislip Joshua , Kouprianov Vladimir 
Published: October 2017

Abstract
During the second observing run of the Laser Interferometer Gravitational-wave Observatory (LIGO) and Virgo Interferometer, a gravitational-wave signal consistent with a binary neutron star coalescence was detected on 2017 August 17th (GW170817), quickly followed by a coincident short gamma-ray burst trigger detected by the Fermi satellite. The Distance Less Than 40 (DLT40) Mpc supernova search performed pointed follow-up observations of a sample of galaxies regularly monitored by the survey that fell within the combined LIGO+Virgo localization region and the larger Fermi gamma-ray burst error box. Here we report the discovery of a new optical transient (DLT17ck, also known as SSS17a; it has also been registered as AT 2017gfo) spatially and temporally coincident with GW170817. The photometric and spectroscopic evolution of DLT17ck is unique, with an absolute peak magnitude of M

r
= −15.8 ± 0.1 and an r-band decline rate of 1.1 mag day−1. This fast evolution is generically consistent with kilonova models, which have been predicted as the optical counterpart to binary neutron star coalescences. Analysis of archival DLT40 data does not show any sign of transient activity at the location of DLT17ck down to r ∼ 19 mag in the time period between 8 months and 21 days prior to GW170817. This discovery represents the beginning of a new era for multi-messenger astronomy, opening a new path by which to study and understand binary neutron star coalescences, short gamma-ray bursts, and their optical counterparts.
An Ordinary Short Gamma-Ray Burst with Extraordinary Implications: Fermi-GBM Detection of GRB 170817A
Authors: Goldstein A. , Veres P. , Burns E. , Briggs M. S. , Hamburg R. , Kocevski D. , Wilson-Hodge C. A. , Preece R. D. , Poolakkil S. , Roberts O. J. , Hui C. M. , Connaughton V. , Racusin J. , Kienlin A. von , Canton T. Dal , Christensen N. , Littenberg T. , Siellez K. , Blackburn L. , Broida J. , Bissaldi E. , Cleveland W. H. , Gibby M. H. , Giles M. M. , Kippen R. M. , McBreen S. , McEnery J. , Meegan C. A. , Paciesas W. S. , Stanbro M. 
Published: October 2017

Abstract
On 2017 August 17 at 12:41:06 UTC the Fermi Gamma-ray Burst Monitor (GBM) detected and triggered on the short gamma-ray burst (GRB) 170817A. Approximately 1.7 s prior to this GRB, the Laser Interferometer Gravitational-wave Observatory triggered on a binary compact merger candidate associated with the GRB. This is the first unambiguous coincident observation of gravitational waves and electromagnetic radiation from a single astrophysical source and marks the start of gravitational-wave multi-messenger astronomy. We report the GBM observations and analysis of this ordinary short GRB, which extraordinarily confirms that at least some short GRBs are produced by binary compact mergers.
The Electromagnetic Counterpart of the Binary Neutron Star Merger LIGO/Virgo GW170817. III. Optical and UV Spectra of a Blue Kilonova from Fast Polar Ejecta
Authors: Nicholl M. , Berger E. , Kasen D. , Metzger B. D. , Elias J. , Briceño C. , Alexander K. D. , Blanchard P. K. , Chornock R. , Cowperthwaite P. S. , Eftekhari T. , Fong W. , Margutti R. , Villar V. A. , Williams P. K. G. , Brown W. , Annis J. , Bahramian A. , Brout D. , Brown D. A. , Chen H.-Y. , Clemens J. C. , Dennihy E. , Dunlap B. , Holz D. E. , Marchesini E. , Massaro F. , Moskowitz N. , Pelisoli I. , Rest A. , Ricci F. , Sako M. , Soares-Santos M. , Strader J. 
Published: October 2017

Abstract
We present optical and ultraviolet spectra of the first electromagnetic counterpart to a gravitational-wave (GW) source, the binary neutron star merger GW170817. Spectra were obtained nightly between 1.5 and 9.5 days post-merger, using the Southern Astrophysical Research and Magellan telescopes; the UV spectrum was obtained with the Hubble Space Telescope at 5.5 days. Our data reveal a rapidly fading blue component (

T
≈
5500

K at 1.5 days) that quickly reddens; spectra later than

≳
4.5

days peak beyond the optical regime. The spectra are mostly featureless, although we identify a possible weak emission line at ∼7900 Å at

t
≲
4.5

days. The colors, rapid evolution, and featureless spectrum are consistent with a “blue” kilonova from polar ejecta comprised mainly of light r-process nuclei with atomic mass number

A
≲
140

. This indicates a sightline within

θ

obs

≲
45
°

of the orbital axis. Comparison to models suggests ∼0.03 M
⊙ of blue ejecta, with a velocity of

∼
0.3
c

. The required lanthanide fraction is

∼

10

−
4

, but this drops to

<

10

−
5

in the outermost ejecta. The large velocities point to a dynamical origin, rather than a disk wind, for this blue component, suggesting that both binary constituents are neutron stars (as opposed to a binary consisting of a neutron star and a black hole). For dynamical ejecta, the high mass favors a small neutron star radius of

≲
12

km. This mass also supports the idea that neutron star mergers are a major contributor to r-process nucleosynthesis.
The Electromagnetic Counterpart of the Binary Neutron Star Merger LIGO/Virgo GW170817. V. Rising X-Ray Emission from an Off-axis Jet
Authors: Margutti R. , Berger E. , Fong W. , Guidorzi C. , Alexander K. D. , Metzger B. D. , Blanchard P. K. , Cowperthwaite P. S. , Chornock R. , Eftekhari T. , Nicholl M. , Villar V. A. , Williams P. K. G. , Annis J. , Brown D. A. , Chen H. , Doctor Z. , Frieman J. A. , Holz D. E. , Sako M. , Soares-Santos M. 
Published: October 2017

Abstract
We report the discovery of rising X-ray emission from the binary neutron star merger event GW170817. This is the first detection of X-ray emission from a gravitational-wave (GW) source. Observations acquired with the Chandra X-ray Observatory (CXO) at

t
≈
2.3

days post-merger reveal no significant emission, with

L

x

≲
3.2
×

10

38

erg

s

−
1

(isotropic-equivalent). Continued monitoring revealed the presence of an X-ray source that brightened with time, reaching

L

x

≈
9
×

10

38

erg

s

−
1

at

≈
15.1

days post-merger. We interpret these findings in the context of isotropic and collimated relativistic outflows (both on- and off-axis). We find that the broadband X-ray to radio observations are consistent with emission from a relativistic jet with kinetic energy

E

k

∼

10

49
−
50

erg

, viewed off-axis with

θ

obs

∼
20
°
–
40
°

. Our models favor a circumbinary density

n
∼

10

−
4

–

10

−
2

cm

−
3

, depending on the value of the microphysical parameter

ϵ

B

=

10

−
4

–

10

−
2

. A central-engine origin of the X-ray emission is unlikely. Future X-ray observations at

t
≳
100

days, when the target will be observable again with the CXO, will provide additional constraints to solve the model degeneracies and test our predictions. Our inferences on

θ

obs

are testable with GW information on GW170817 from advanced LIGO/Virgo on the binary inclination.