bluuebunny/crossref_metadata_2025_split huggingface dataset:
Le roi, les lettres, les étrangers : remarques sur quelques représentations textuelles (1600-1630)
Authors: Petey-Girard Bruno 
Published: July 2016

Les figures étrangères, principalement italiennes, jouent un rôle important dans l’élaboration de la représentation du roi de France en protecteur des lettres. Avec l’avènement des Bourbons et l’arrivée dans le royaume d’une reine étrangère, Marie de Médicis, cette représentation connaît un nouveau départ. Dans un premier temps et face à un Henri IV qui ne paraît pas porter aux lettres la même attention que les Valois, l’apport médicéen est célébré. Si la reine n’est finalement pas celle en qui se cristallise la protection royale, sa généalogie incite poètes et lettrés à lui offrir des traductions ou adaptations où le parallèle entre lettres françaises et italiennes peut se déployer. Avec l’arrivée sur le trône de Louis XIII, quelques lettrés français et italiens tracent un portrait du prince, mécène des hommes des lettres français autant qu’étrangers. Cet intérêt royal en vient à être présenté comme une tradition monarchique – et non dynastique – française. Dans un tel contexte, la valeur des œuvres est distinguée de la langue de leurs auteurs ; la perception du monde des lettres par elles-mêmes ne tient pas compte de la nationalité mais privilégie la qualité des œuvres, seul critère de distinction possible d’un monde qui ne connaîtrait pas de frontières sous les yeux d’un roi protecteur européen sinon universel des lettres.
Étrangetés éducatives : figures de l’altérité dans l’institution des princes Bourbons au Grand Siècle
Authors: Teyssandier Bernard 
Published: July 2016

D’Héroard à Fénelon, du futur Louis XIII au duc de Bourgogne, l’article se propose d’interroger la présence réelle ou fantasmée de l’étranger et de l’étrangeté dans l’institution des princes Bourbons en France au xviie siècle. Si, en période d’absolutisme, la figure paternelle et royale se constitue plus que jamais en modèle de savoir et de pouvoir en matière d’éducation, cette figure emblématique et tutélaire s’articule parfois difficilement avec la dimension d’altérité propre à la relation pédagogique reliant le maître au disciple.
Subversive suburbia : L’effondrement du mythe de la banlieue résidentielle dans les séries américaines
Authors: Billard Gérald , Brennetot Arnaud , Pleven Bertrand , Prié Amandine , Spalding Andréolle Donna 
Published: July 2016

Ce texte s’appuie sur les propos échangés lors de la table ronde animée par les cinq auteurs dans le cadre de la soirée Grand Public du colloque » Les séries télévisées dans le monde » (Le Havre, 15 juin 2011). Les nouvelles séries télévisées américaines offrent une vision de plus en plus dévalorisante des banlieues résidentielles, traduisant une inversion du regard collectif porté sur ce lieu emblématique de l’American Way of Life. Ce renversement est visible à travers les multiples conflits, tensions et dérives auxquels les personnages de séries qui habitent les banlieues sembleraient aujourd’hui confrontés. À l’image de Wisteria Lane, où les rangées de maisons pimpantes, les allées coquettes et les pelouses impeccables dissimulent mal l’accumulation de trahisons et de meurtres en tous genres, la banlieue résidentielle se transforme désormais en théâtre des illusions, habitée par des êtres au destin tourmenté ou à la personnalité pervertie : de l’enseignant de chimie contraint de fabriquer des amphétamines pour payer sa chimiothérapie (Breaking Bad, AMC, 2008-) à la mère de famille trafiquante de marijuana (Weeds, Showtime, 2005-2012) ou encore aux Hells Angels ballotés entre le trafic d’armes et la vie de famille (Sons of Anarchy, FX, 2008-), du lotissement polygame (Big Love, HBO, 2006-2011) à la prison dorée pour mère au foyer délaissée (Mad Men, AMC, 2007-), l’image paisible et idyllique de la suburb semble plus que jamais s’effriter, laissant transparaître la faillite morale d’une société égarée dans la glorification d’une normalité pavillonnaire aussi factice qu’illusoire.
Dystopian Villages: Surveillance and Re-mediation in The Prisoner
Authors: Lefait Sébastien 
Published: July 2016

The 2009 Prisoner is an adaptation rather than a remake, as many changes from the original may be noticed. One of the most important adjustments is related to the use of surveillance in the creation of a dystopic society. The original series’ space, which was entirely submitted to Number 2’s gaze, could be defined as panoptic, an aspect of the show designed to expose the upcoming or possible evils of what would later be called the surveillance society. The 1967 Prisoner, however, mainly showed surveillance to be an instrument of power, even if the watchers’ gaze was sometimes equated with the spectators’, thereby proving TV to bring a different form of power, based on showing as much as on watching. An iconic change in the new version is that the 2009 Prisoner resigned from a New York-based surveillance company called Summakor, whereas his 1967 counterpart was a British government agent. This seemingly incidental relocation gives new meaning to the TV series as a whole, as surveillance, which was one of the prominent themes of the original programme, becomes a keystone of the whole plot in the 2009 Prisoner. The new series goes much further in investigating the media-related aspects of the surveillance society as well as the social and ideological changes prompted by the creation of new forms of surveillance technology (which have made panopticism a concept to be reassessed or even renewed). The aim of this paper is to show that the 2009 Prisoner manages to adapt the dimension of social criticism of the 1967 Village – the gilded cage the prisoner is sent to – by turning it into another form of dystopia, which takes into account the heightened importance of surveillance in contemporary society, as well as the major changes in the meaning and purposes of surveillance brought about by new technology.
Association of Resident Duty Hour Restrictions on Mortality of Nervous System Disease and Disorder
Authors: Churnin Ian , Michalek Joel , Seifi Ali 
Published: July 2016

ABSTRACT

Background
The impact of the 2003 residency duty hour reform on patient care remains a debated issue.

Objective
Determine the association between duty hour limits and mortality in patients with nervous system pathology.

Methods
Via a retrospective cohort study using the Nationwide Inpatient Sample from 2000–2010, the authors evaluated in-hospital mortality status in those with a primary discharge level diagnosis of disease or disorder of the nervous system. Odds ratios were calculated, and Bonferroni corrected P values and confidence intervals were determined to account for multiple comparisons relating in-hospital mortality with teaching status of the hospital by year.

Results
The pre-reform (2000–2002) and peri-reform (2003) periods revealed no significant difference between teaching and nonteaching hospital mortality (P &gt; .99). The post-reform period (2004–2010) was dominated by years of significantly higher mortality rates in teaching hospitals compared to nonteaching hospitals: 2004 (P &lt; .001); 2006 (P = .043); 2007 (P = .042); and 2010 (P = .003). However, data for 2005 (P ≥ .99), 2008 (P = .80), and 2009 (P = .09) did not show a significant difference in mortality.

Conclusions
Teaching and nonteaching hospital mortality was similar in patients with nervous system pathology prior to the duty hour reform. While nonteaching institutions demonstrated steadily declining mortality over the decade, teaching hospital mortality spiked in 2004 and declined at a more restricted rate. The timing of these changes could suggest a negative correlation of duty hour restrictions on outcomes of patients with nervous system pathology.
El modelado físico del espacio de diseño concurrente como recurso didáctico para el análisis, exploración y mediación entre lo abstracto y concreto.
Authors: Briede Juan Carlos , Leal Isabel Margarita , Pérez Cristhian 
Published: July 2016

Las metodologías de diseño de productos orientadas a potenciar la creatividad hacia la innovación presentan un punto de inflexión al momento de pasar de la etapa divergente de análisis a una convergente de síntesis que se presenta al momento de abordar el diseño conceptual. El modelo simplificado para abordar el diseño conceptual planteado Hernandis&amp;Briede (2009) permite modelar el espacio del diseño del producto desde una perspectiva teórica para mapear e integrar los requerimientos y condicionantes para convertirse en una guía de referencia o diagrama que se representa visualmente para considerarlo al momento de configurar y caracterizar la propuesta de diseño conceptual. Es un ejercicio cognitivo que implica una alto grado de abstracción que muchas veces se deshecha por la complejidad y alto nivel teórico que es lejano a la aplicación real. En el diseño y desarrollo de productos abordado por el Taller de Diseño Centrado en el Usuario [DCU] de tercer año de la carrera de diseño industrial de la Universidad del Bío-Bío se ha aplicado la metodología sistémica como medio para guiar el proceso y la toma de decisiones en el modelado conceptual. En dicha ocasión se aplicó la secuencia metodológica de Hernandis&amp;Briede (2009). A la hora de modelar el espacio de diseño, los alumnos no solo tuvieron que esquematizarlo en una lámina, sino que también maquetearlo tridimensionalmente. Este ejercicio permitió reforzar el proceso de análisis y evidenciar la tensión entre la representación teórica y la representación física gracias al tiempo de constructivo y a la representación de las cualidades geométricamente. Esto permitió a los alumnos entender tácitamente por un lado las implicancias de la desagregación geométrica de volumen, superficie y límite de contorno así como la referenciación física puede gatillar la exploración de alternativas como recurso mediador de los atributos teóricos y su resolución tangible en el plano del producto. Se constata que incluir esta etapa facilita el “modelado del espacio del diseño” así como la gestión e integración de variables y atributos del producto antes de generar la propuesta de diseño.DOI: http://dx.doi.org/10.4995/IFDP.2016.2566
Design para saúde e qualidade de vida: desenvolvimento e avaliação de requisitos de projeto para fone de ouvido inclusivo
Authors: Cunha Julia Marina , Merino Giselle S. A. D. , Merino Eugenio A. D. 
Published: July 2016

Os casos de Perda Auditiva Induzida por Ruído (PAIR) entre crianças e adolescents aumentaram 30% nos últimos 30 anos, segundo Shargorodsky (2010). Algumas pesquisas indicam que esse aumento pode estar relacionado ao uso de dispositivos pessoais de áudio (Music Induced Hearing Loss (MIHL), como fones de ouvido, que associado a outros fatores, como o tempo de exposição e a intensidade sonora, elevam o risco de perda auditiva. Associado a este problema identifica-se a exclusão vivenciada por usuários de aparelho auditivo que tem dificuldades de utilizar fones de ouvido, devido à inadaptabilidade dos produtos à utilização simultânea.Objetiva-se com esta pesquisa definir os requisitos de projeto que possibilitem a criação de um produto (fone de ouvido) que atenda também os usuários de aparelho auditivo. Para esta finalidade foram consideradas as áreas de ergonomia, usabilidade, design inclusivo para um projeto centrado no usuário que vise proteção da saúde e melhoria da qualidade de vida dos mesmos. Como forma de verificar a viabilidade dos requisitos foi desenvolvido um protótipo funcional, submetido a testes de ruído para aferir sua performance.A pesquisa foi dividida em duas etapas, uma de cunho teórico que buscou levantar e analisar na literatura os temas relacionados e uma segunda etapa, de cunho prático, onde foram definidos os requisitos e realizado o teste com o protótipo funcional. Em relação a etapa prática, foi utilizado como referência o GODP (Guia de Orientação para o Desenvolvimento de Projetos).A partir da definição dos requisitos foi desenvolvido um fone de ouvido que, potencialmente, limita a intensidade sonora do som reproduzido e possibilita também a utilização por usuários de aparelho auditivo. Por meio de um protótipo funcional realizou-se uma avaliação de nível de pressão sonora do fone de ouvido projetado, onde obteve-se o máximo de 73dB nas frequências entre 1300 e 1400Hz, na reprodução de ruído branco. Estes resultados demostram que os requisitos, bem como o produto desenvolvido apresentam um desempenho adequado atendendo as exigências dos usuários.A pesquisa possibilitou demonstrar o potencial do design quando aplicado para melhoria da saúde, bem-estar e qualidade de vida das pessoas. Salientando a importância de projetos centrados no usuário, que consideram as pessoas com suas diversas habilidades e capacidades para a geração de produtos que satisfaçam as reais necessidades dos usuários.DOI: http://dx.doi.org/10.4995/IFDP.2016.3153
Design of information systems as an aid to migrants
Authors: Hernández Navarro Patricia 
Published: July 2016

Starting from the official announcement called by the International Committee of the Red Cross and the Universidad Iberoamericana’s Program on Migration for the 1st Contest “Let us help those who aid migrants”, students of the degree course on Graphic Design and an interdisciplinary group of teachers developed a “visual communication system to promote hygiene and health in hostels lodging migrants in transit.”[1] Through the use of a dialectical – reflexive methodology[2] it was possible to implement the reasonable development of a common language for the different disciplines intervening in the design process, taking into account the relationship between sign and images’ comprehension by users. This paper intends to show, by way of the study of a case, the importance of the design processes and of the use of new social tools, such as Ethnography, opening new perspectives in the analysis, perception, interaction and conception of better designs. [1] http://www.crmsv.org/documentos/CICR%20-%20Actividades%20de%20asistencia%202014.pdf [Consulta: 10 de junio de 2013] [sin autoría reconocida] [2] Dietz, G. (2011). “Hacia una Etnografía doblemente reflexiva: una propuesta desde la Antropología de la interculturalidad”. Revista de Antropología Iberoamericana. Vol. 8 No. 1 Enero-abril, Pág.3-26. DOI: http://dx.doi.org/10.4995/IFDP.2016.3218
Estudio sobre los factores de diseño en un producto mediante el análisis de componentes principales.
Authors: Agudo Vicente Begoña , Hernandis Ortuño Bernabé , Agustín Fonfría Miguel Ángel , Esnal Angulo Iñaki 
Published: July 2016

En este artículo se pretende determinar el grado de importancia de los factores a considerar en el diseño de un producto, a partir de las diferentes consideraciones contempladas, desde la perspectiva del consumidor y del diseñador. Mediante la aplicación del método de Análisis de Componentes Principales, analizamos a partir de esta investigación y mediante el estudio de un caso, los atributos deseables para un producto, según la opinión de expertos y consumidores. Se comprueba tras la aplicación del método, la existencia de subsistemas que explican la necesidad de considerar determinados atributos (variables del sistema), teniendo en cuenta su grado de participación y afinidad, al observar su agrupación en “n” factores o subsistemas ,que tiene que ver con los componentes fundamentales utilizados comúnmente en el diseño de productos. El método persigue establecer la trazabilidad del diseño, determinando los constructos principales relativos a la función, ergonomía y forma de los productos, y todo ello orientado a la mejora en la definición conceptual de éstos, buscando en todo momento su implicación en lo que se refiere a gestión del conocimiento, la mejora en la aplicación de métodos, técnicas y procedimientos, con objeto de optimizar el diseño y/o rediseño de los productos industriales.DOI: http://dx.doi.org/10.4995/IFDP.2016.3232
Design e desenvolvimento de novos produtos através da transferência de conhecimento entre Brasil, Espanha e Portugal
Authors: Maciel Pacheco Karla Mazarelo , Paixão-Barradas Susana , Sousa e Silva Mirella , De Souza Pacheco Almir , Catanhede do Nascimento Claudete 
Published: July 2016

Este documento relata a experiencia adquirida através de um projeto de cooperação internacional realizado entre quatro instituições de ensino e pesquisa, tendo em vista a aplicação técnica do conhecimento do design para a criação e desenvolvimento de novos produtos a partir do uso de três matérias-primas naturais distintas: pedra, madeira e fibra. Das metas almejadas buscou-se principalmente a capacitação dos discentes de Design do Departamento de Design e Expressão Gráfica da Universidade Federal do Amazonas (DEG/UFAM) para atuação e o desenvolvimento de novos produtos; a valorização de matérias-primas naturais da Amazônia, assim como o saber tradicional, cultural e do design; a capacitação de mão-de-obra de produtos artesanais com pedra, madeira e fibra; e a troca de conhecimento, tecnologia, experiência profissional e científica entre os seus participantes. O projeto foi desenvolvido com base em pesquisas qualitativas e quantitativas, com caráter descritivo, explicativo, exploratório e experimental. Foram realizados: levantamento de dados bibliográficos e de publicações científicas sobre as matérias-primas de estudos, além da pesquisa in loco e estudo de casos. Também realizou reuniões em equipes e aplicou como método de investigação a técnica focus group e a prática de forumulários de observação. Como resultados o projeto gerou 13 (treze) protótipos de produtos, desenvolvidos com base no conhecimento e técnicas partilhadas entre as instiuições parceiras, 1000 (mil) exemplares de catálogos apresentando as informações técnicas e científicas referentes aos produtos da pesquisa, e, por fim, fortaleceu as parcerias internacionais e institucionais envolvidas no projeto, com possibilidades de novas ações, em conjunto, para o futuro.
Systemic Design for a sustainable local economic development: Lea-Artibai case study
Authors: Battistoni Chiara , Pallaro Agnese , Arrizabalaga Arambarri Leire 
Published: July 2016

The Systemic Design approach provides a methodology to define complex territorial network of companies with reduced environmental impact. This method defines a way of analysis to understand and map the complexity of current issues addressing them at different levels, in order to design appropriate and long lasting solutions mainly based on the increase of relations between the involved actors. The creation of a network of connections permits to obtain several positive outcomes that involve both the territory and the society that lives in it and it also makes the system more resilient. An holistic diagnosis is the starting point for the identification of different areas to develop a systemic project. This methodology was applied to Lea-Artibai, a department of the Basque Country. Its economy is historically based on forestry and fishing that are currently facing a long-lasting crisis and it is difficult to intervene in these sectors for the complexity of the regulatory system. The holistic diagnosis highlighted other territorial potentialities of the area, mainly the agri-food sector (with traditional products and dishes) and the deeply rooted culture of cooperation. As a kick-off for the creation of the net between the different actors of the department was chosen the creation of a 'Systemic Buying Group (SBG)'. It enables to start the cooperation between the partners for the success of the pilot project: a large cooperative with its employees as potential clients, a cooperative of local producers and transformers, a little shop working as the bridge of communication between them. At their side operate AZARO fundazioa (a private non –profit centre for entrepreneurship and innovation that promotes the creation of new businesses and the competitive improvement of the business network) as the coordinator of the project and the Systemic Design Group of Politecnico di Torino in the role of project leader. The project underlines the role of design as a deeply interdisciplinary field of work that is able to talk and cooperate with different disciplines to reach a collective goal: the environmental, social and economic sustainability. The SBG becomes the driver of change for the enhancement of the territory and the implementation of systemic design in the area, for an economy based on the quality instead of the quantity. A concrete action that acts on a small scale permits to manage the transition from the design of intangible to tangible.DOI: http://dx.doi.org/10.4995/IFDP.2016.3309
Design of products to honor people post mortem
Authors: Martins João 
Published: July 2016

The cemeterial units, are places of social practices of everyday life and worship and the tomb where nostalgia can be externalized and the memory of the deceased revered. In Western societies we can find a category of artifacts meant to evoke the memory or honor the dead. In this paper we we mention three examples of products that enabled a reflection on the concepts that gave rise to their ways, and that risks to fit them into a new "material culture", in that it may have created a break with the traditional system codes and standards shared by companies, and its manifestations in relation to the physical creation of this category of products. This work offers a reflection on the Design Products.What probably makes it special is the field where it is located: the design of products in one post mortem memory. Usually made of granite rock or marble, have the form of plate or tablet, open book or rolled sheet. On one side have a photograph of the person who intend to honor and inscriptions. The thought of inherent design of this work put on one side the intricate set of emotions that this type of product can generate, and other components more affordable, and concerning the form, function and object interactions with users and with use environments. In the definition of the problem it was regarded as mandatory requirements: differentiation, added value and durability as key objectives.The first two should be manifested in the various components / product attributes. The aesthetic and material/structural durability of product necessarily imply the introduction of qualifying terms and quantitative weights, which positively influence the generation and evaluation of concepts based on the set of 10 principles for the project that originated a matrix as a tool to aid designing products. The concrete definition of a target audience was equally important. At this stage, the collaboration of other experts in the fields of psychology and sociology as disciplines with particular ability to understand individuals and social phenomena respectively was crucial. It was concluded that a product design to honor someone post mortem, should abandon the more traditional habits and customs to focus on identifying new audiences. Although at present it can be considered a niche market, it is believed that in the future may grow as well as their interest in this type of products.DOI: http://dx.doi.org/10.4995/IFDP.2016.3323