bluuebunny/crossref_metadata_2025_split huggingface dataset:
I Really Want Help for My Anxiety; It’s Taking Over My Life, but My Drinking Is Not the Problem
Authors: Celentano Lauren , Sabbag Samir 
Published: October 2024

Abstract
In this chapter, the case of Ms. F, a 56-year-old woman with persistent anxiety and alcohol use disorder (AUD), is examined. Ms. F’s presentation highlights the complex relationship between anxiety and AUD, which is a common challenge for clinicians. Anxiety disorders and AUD affect a significant portion of the population. The chapter emphasizes the need for clinicians to understand the features of both conditions, including the diagnostic criteria for AUD and various forms of anxiety disorders that may be comorbid. Distinguishing between primary anxiety disorders and substance-induced anxiety is crucial. Treatment for co-occurring anxiety and AUD should address both conditions concurrently. Pharmacological treatments for anxiety should be carefully chosen, and individuals with comorbid anxiety and AUD may benefit from different psychotherapeutic interventions. This chapter provides valuable insights into the complexities of this comorbidity and offers guidance for clinicians in assessing, diagnosing, and treating individuals who struggle with both conditions.
I Can’t Understand Why She Won’t Speak at School When She’s Perfectly Fine Talking to Her Siblings
Authors: Valerstain Dennis , Castro Anthony 
Published: October 2024

Abstract
This chapter discusses the case of E, a 5-year-old girl who recently started kindergarten and is facing communication challenges, both with her peers and in the classroom. She exhibits selective mutism, a condition where a child can’t speak in certain situations despite being capable of speech. Selective mutism typically begins in early childhood, with girls being more prone. Immigrant families and children with speech or language difficulties are at higher risk. It is often triggered by anxiety-provoking situations, and symptoms vary in severity. Early diagnosis is essential to prevent academic and social consequences, as children may struggle to acquire essential skills. Treatment focuses on psychotherapy. Play and family therapy are also employed to provide a supportive environment. Collaboration with schools and teachers is vital, and speech and language therapy help children develop language skills. Early intervention and a multidisciplinary approach can significantly improve the prognosis for children with selective mutism.
My Doctor Prescribed Medication, but I Am Afraid to Take It
Authors: Hincapie Diana , Ortega Alexandra , Kitaigorodsky Marcela 
Published: October 2024

Abstract
This chapter discusses the case of Ms. V, a 68-year-old woman suffering from panic disorder and agoraphobia following a motor vehicle accident. She has been experiencing intense fears and avoidance behaviors, leading to social isolation and significant impairment in her daily life. This chapter discusses treating these anxiety disorders using cognitive-behavioral therapy (CBT). CBT empowers individuals to challenge and reframe their maladaptive thoughts and beliefs. Cognitive interventions involve identifying and addressing cognitive distortions. Behavioral interventions, particularly exposure therapy, play a pivotal role in CBT. Patients gradually confront their fears and avoidance behaviors, learning that their anxieties are unfounded or manageable. This chapter also discusses the importance of systematic exposure and the role of relaxation techniques in reducing anxiety during exposures. The chapter underscores the holistic approach of CBT, which addresses both cognitive distortions and behavioral avoidance, ultimately empowering individuals to overcome their fears and regain control over their lives.
Selecting a Journal
Authors: Zylke Jody W. 
Published: October 2024

Abstract
Selecting a journal for submission of a scientific manuscript for possible publication requires a dispassionate assessment of the work described in the manuscript and the characteristics and requirements of relevant journals, and then matching the attributes of the manuscript and characteristics of the journal to maximize the possibility of acceptance. This chapter provides suggestions for how to select a journal for manuscript submission, including identifying potential journals based on audience and types of articles published and understanding the journal’s profile, reach, evaluation processes, acceptance rates, and publication times. Other considerations when evaluating journals are discussed, such as whether a journal is part of a network or group of journals, has publication costs (for example, with open access options), and is regarded as “author friendly.”
Strategies for Efficient, Effective Scientific Writing
Authors: Fontanarosa Phil B. 
Published: October 2024

Abstract
Enhancing efficiency with scientific writing is an important skill for every person with a career in academia who has substantial and competing time demands related to their professional duties and responsibilities. This chapter presents strategies and approaches that can help improve the efficiency and effectiveness of scientific writing. The suggestions described include considerations before writing, such as having a thorough understanding of the topic and the ability to crystallize the main message of the report; approaches for overcoming procrastination; how authors can find their “writing zone”; strategies to help overcome writer’s block; practical approaches to efficient writing, such as avoiding duplication of effort; and suggestions for developing a method for managing and tracking source materials.
Responding to Journal Decision Letters and Reviewers’ Comments
Authors: Rivara Frederick P. 
Published: October 2024

Abstract
Authors generally receive 1 of 4 types of decisions from journal editors about a submitted manuscript: reject; revise and resubmit; accept if revised; and accept as is. However, few authors receive training in how to respond to decision letters about their manuscripts. This chapter provides suggestions for how authors should respond to the decisions and comments they receive from journal editors about a submitted manuscript. As the chapter emphasizes, when the journal invites authors to resubmit a revised manuscript, all comments from peer reviewers and editors should be addressed in detail, with either the requested changes made or a thoughtful explanation of why the requested changes were not made in response to a particular comment or suggestion. The chapter also provides a detailed recommended approach for responding to comments from reviewers and editors and includes examples of language authors may consider in responses to help ensure effective and professional communication.
Legal Issues in Biomedical Publication
Authors: Thornton Joseph P. 
Published: October 2024

Abstract
Publishing in a biomedical journal is akin to entering into a contract and has important legal and ethical implications, and authors should understand and fully perform the commitments made as part of this agreement and as indicated in manuscript submission systems and authorship forms. This chapter addresses aspects of authorship from a legal perspective. As this chapter explains, authors should be aware that journals offer them various options regarding copyright assignment or retention and publication licenses and models for public access or open access. Authors are also expected to cooperate with journals to address postpublication concerns, questions, or errors, and provide consent forms to protect patients’ rights to privacy in publication along with proper permission to reuse copyrighted material. Definitions and discussions about other legal issues in scientific publishing also are included in the chapter, including defamation, libel, privacy, and liability.
Preprints, Preprint Servers, and Biomedical Publication
Authors: Curfman Gregory D. 
Published: October 2024

Abstract
A preprint is a manuscript that is posted on a preprint server before it undergoes peer review and publication by a journal. This chapter reviews the development of preprints and preprint servers. Preprints enable researchers to share, comment, and receive feedback on their work prior to journal publication and allow documentation of the provenance of ideas and research. A potential concern in clinical research is the posting of unvetted material that could be misleading and possibly harmful to patients, and caution in their use is advised. Authors who post preprints of their research are advised to commit to submitting their manuscripts to peer-reviewed journals, revising these manuscripts to address concerns about content and quality, and attempting to achieve timely publication in peer-reviewed journals. In addition, researchers should review journal policies about preprints and notify the journal if their manuscript has been posted as a preprint.
Living with Giants
Authors: deSilva David A. 
Published: October 2024

Abstract
This chapter details the transition of Judea and its environs from Persian to Greek rule during the reign of Alexander and his immediate successors. It then follows, after the fracturing of Alexander’s empire, the conditions of the region under Ptolemaic rule and the increasing Hellenization of Judea’s elite; the eventually successful attempts by the Seleucid king Antiochus III to gain control of Palestine; the measures Antiochus took to help the region recover; and the role of the high priest Simon II in governing on Antiochus’s behalf. The chapter concludes with a discussion of Hellenism, its inroads into Judea during this period, and the ways in which Hellenization would be compatible or incompatible with ongoing Jewish practice.
Heirs of Phinehas
Authors: deSilva David A. 
Published: October 2024

Abstract
This chapter documents the consolidation of power and establishment of political and economic independence for Judea under John Hyrcanus I and the energetic expansionist policies pursued under his sons, Judah Aristobulus I and Alexander Jannaeus. It examines the rise of sectarian/partisan groups within Judaism, particularly the Pharisees, Sadducees, and Essenes, as well as the roles these groups played in both the stabilization of, and resistance to, continued rule by members of the Hasmonean dynasty. The chapter concludes with an account of the reign of Queen Salome Alexandra and the civil strife that erupted between her two sons, Hyrcanus II and Aristobulus II, inviting Roman intervention and sowing the seeds for incorporation into the Roman empire. The Psalms of Solomon are considered as an ancient informant’s perspective on these developments.
Under the Eagle’s Wings
Authors: deSilva David A. 
Published: October 2024

Abstract
This chapter examines the complex dynamics of Judea, Samaria, and Galilee under direct Roman rule, beginning with governance under the early prefects through the temporary restoration of a client monarchy under Agrippa I to the period of the later procurators under whom conditions rapidly deteriorated, hostilities erupted, and the regions were propelled on a collision course with the unstoppable force of Vespasian, Titus, and their legions. Several revolutionary movements, including the peaceful but no less political movement led by Jesus of Nazareth, are explored against this background. A spectrum of factors contributing to the outbreak of hostilities against Rome are examined and the course of the revolt itself, from the massacre of several cohorts under Cestius Gallus to the relentless reprisals of Vespasian and Titus, reconstructed.
Sixties British Pop, Outside In
Authors: Thompson Gordon Ross 
Published: October 2024

Abstract
Downtown, 1956–1965—the first volume of Sixties British Pop, Outside In—describes the rise of London’s music and recording industries through the stories of those who gave Britain a significant voice in transatlantic pop culture. After the domestic success of artists such as Lonnie Donegan, Cliff Richard, and Helen Shapiro, the Beatles led an international wave that included groups such as the Rolling Stones, the Kinks, and the Animals and singers such as Petula Clark, Tom Jones, and Cilla Black. Supporting them, a community of musicians, producers, music directors, engineers, songwriters, publishers, promoters, and journalists created songs and recordings, organized concerts, and wrote about music that reflected the optimism of an audience eager for new material. This book relates this world to the Bulge Generation in the UK (and Baby Boomers in America) and to the technologies and English behaviors that shaped this music culture.
Behind the Stars
Authors: Thompson Gordon Ross 
Published: October 2024

Abstract
Behind many a singer was a band. Cliff Richard had the Shadows, the Wildcats backed Marty Wilde, and Joe Brown had the Bruvvers. Some, such as Nero and the Gladiators, resorted to costumes. Johnny Kidd and the Pirates hung a picture of a galleon behind them, while Screaming Lord Sutch wore buffalo horns attached to a motorcycle helmet and a leopard-skin coat when he performed with his band, the Savages. As the fifties ended, Lord Rockingham’s XI, Jack Good’s house band, had its own instrumental hit, and as the sixties began, the Shadows scored a string of instrumental successes. Billy Fury’s band, the Tornados, however, would score one of the biggest hits of 1962 when independent producer Joe Meek recorded them celebrating the launch of the first telecommunications satellite, Telstar.
Northwest Passage
Authors: Thompson Gordon Ross 
Published: October 2024

Abstract
With the success of the Beatles, London’s music, recording, and press industries turned their attention to England’s northwest. In the linked cities of Manchester and Liverpool, fans had been crowding venues like the Cavern Club, the Iron Door, the Twisted Wheel, and the Oasis Club to hear bands and to dance. In Liverpool, Gerry and the Pacemakers, Billy J. Kramer with the Dakotas, and the Searchers were among those entertaining most nights of the week. In Manchester, Freddie and the Dreamers mocked the Shadows while the Hollies brought their vocal harmonies to the mix. As they created northern pop-music culture, they infused their shows and music with humor, joy, and sex.
Consuming the Beatles
Authors: Thompson Gordon Ross 
Published: October 2024

Abstract
Britain’s cultural environment in the 1960s shaped the Bulge Generation’s thirst for independence, with music forming an important part of individual identity. In the wake of the Cuban missile crisis (October 1962) and the assassination of President John F. Kennedy (November 1963), American Baby Boomers were also emotionally and hormonally ready to redefine their world. Contemporaneous opinion saw the Beatles’ “aura of unacceptability to the adult world” as empowering them to exploit adolescent anxiety. The Beatles’ appearance on the Ed Sullivan Show (February 1964) capped a stunning month that saw the British band dominating American record charts followed by the creation of the film A Hard Day’s Night and its soundtrack (July 1964) and their embarkation on a world tour. In the process, they collaborated with the media to reduce themselves to marketable icons.
Northern Waves
Authors: Thompson Gordon Ross 
Published: October 2024

Abstract
The Beatles’ success whetted the American appetite for other British and particularly northern musicians. New US magazines (e.g., Datebook) and television programs (e.g., Shindig!) joined existing publications (e.g., Hit Parader) and broadcasts (e.g., The Ed Sullivan Show) in catering to adolescents. Liverpool groups like Gerry and the Pacemakers, Billy J. Kramer with the Dakotas, the Searchers, and others embarked on national and international tours. The demand, however, also resurrected the career of Freddie and the Dreamers even as the Hollies and Dave Berry found their success limited to the UK. In contrast, the Animals would proved the most successful northern performers of the era with their electric versions of American blues, rhythm-and-blues, and folk.
An Independents Movement
Authors: Thompson Gordon Ross 
Published: October 2024

Abstract
Magnetic tape recording allowed small, independent studios and producers to play a role in pop culture. In the United States, Sam Phillips had discovered and initially recorded Elvis Presley in his studio. In London’s Holland Park neighborhood, Dave Clark worked with engineer Adrian Kerridge in Lansdowne Studios to create his double-tracked soundscapes. Joe Meek (who had built Lansdowne) set up his own RGM Sound across town, where he recorded the Tornados and Johnny Leyton and in 1964 the Honeycombs. Mickie Most preferred De Lane Lea Studios in Soho, which was where he had produced hits for the Animals and the Nashville Teens. Not every independent producer working in London, however, was English. Shel Talmy had arrived from Los Angeles at precisely the moment when British pop was about to explode. At IBC Studios, his clients would include the Kinks.
Women
Authors: Thompson Gordon Ross 
Published: October 2024

Abstract
As access to oral contraceptives (1961) gave women greater control over their bodies and lives, designer Mary Quant produced clothes (the “Look”) and Vidal Sassoon created a hair style (the “Shape”) reflecting this new-found involvement in the world outside the home. Women musicians were also part of this redefinition of feminity. Beryl Marsden, Cilla Black, Lulu, and Sandie Shaw each mapped out roles in a male-dominated industry; however, they met with resistance from an unexpected source. Women managers, such as Marion Massey (Lulu) and Eve Taylor (Shaw) both advocated for their clients and perpetuated many of the cultural stereotypes that had shaped them. Similarly, male managers often failed to maximize the potentials of their female clients, as seen in the cases of Millie Small and Marianne Faithfull.
Modifications
Authors: Thompson Gordon Ross 
Published: October 2024

Abstract
Mod culture identified with Black America, embraced its music, and imitated its style. Leaving school and having income, Mods signified their membership in this community with Italian and French clothing, amphetamines, scooters, and music, including rhythm-and-blues and Jamaican ska. Art student Peter Townshend was a keen observer of Mod culture and brought what he learned at Ealing Art College to his performances with Roger Daltrey and John Entwistle, first as the Detours and then as the Who. Among the ideas he brought from art school, he applied Gustav Metzger’s idea of autodestructive art to smashing guitars. Pete Meaden marketed them as a Mod band, renaming them the High Numbers and producing a failed single. When that failed, Kit Lambert convinced Chris Stamp to join him in managing the band that again called itself the Who. To capture their sound, Lambert engaged American independent producer Shel Talmy to record them.
Uncommon Folk
Authors: Thompson Gordon Ross 
Published: October 2024

Abstract
The heterogeneity of urban audiences included some who rejected the glitz of pop culture for the perceived authenticity of folk music. Singers with Irish associations such as the Bachelors and the Clancy Brothers had transatlantic fans. Davey Graham and Bert Jansch, guitarists with Scottish associations, brought a sophistication to the music that critics described as folk baroque. Others, such as the Springfields, offered polished versions of American and other folk styles. Meanwhile, with Bob Dylan dominating the American folk market, the Rolling Stones, the Beatles, and others experimented with folk-like material. When songwriters Geoff Stephens and Peter Eden heard Donovan Leitch, for example, they procured a publishing contract for him and a series of spots on Ready Steady Go! Soon, however, the Beatles and the Byrds were bringing rock ’n’ roll aesthetics to music that critics would call folk rock.
Televising the Feminine
Authors: Thompson Gordon Ross 
Published: October 2024

Abstract
Petula Clark had pioneered television hosting, which helped bring her to national prominence. Dusty Springfield too had television experience but met resistance from men as she attempted to assert control over her programs. The most successful woman on television, Cilla Black maintained a comfortable rapport with the camera while negotiating control over her image. One of the most important programming innovations of the decade, the Eurovision Song Contest, aimed to underscore the postwar cultural integration of Europe. Britain chose artists and music on the bases of what viewers preferred and what the BBC thought would appeal to competition judges. Sandie Shaw won in 1967 (despite almost being pulled because of her involvement in a divorce case), Cliff Richard placed second the next year in a controversial decision, and Lulu tied in 1969. The process, however, denied artists involvement in the selection process.
Electric Faeries
Authors: Thompson Gordon Ross 
Published: October 2024

Abstract
Although the sixties embraced all things modern, nostalgia for a world before the sparkle of modern technology persisted. Some musicians drew on both the near and the distant past for inspiration, adapting old ideas to the present, often with humor as a component. The Scaffold resurrected a bawdy ballad for modern consumption; and a television presenter brought one-man band street musician Don Partridge—the Inter Galactic Lord of the Wide Open Spaces—into the studio. When Bob Dylan explored the roots of Americana from his Hudson Valley retreat, British artists such as Manfred Mann reinterpreted his material for pop audiences with his approval. In Britain, Donovan Leitch looked to worlds populated by fairies and informed by Celtic myth as he painted stories about London neighborhoods and acquaintances, even as the Establishment oppressed the counterculture he represented.
Transatlantic Routes
Authors: Thompson Gordon Ross 
Published: October 2024

Abstract
By the late sixties, improvements in concert amplification meant that musicians could play to larger audiences, while eight-track decks expanded options for studio recording. Amplification allowed Jethro Tull to shift their sound from blues to progressive pop and changed the sound of Jon Lord’s organ and his interactions with guitarist Ritchie Blackmore in the band Deep Purple. The best-known proponents of this scene, Led Zeppelin used electronics to build on blues forms. In the same era, Steve Winwood left the Spencer Davis Group to form Traffic as a tight R&B group with Jim Capaldi, Dave Mason, and Chris Wood. When Cream disbanded, however, Eric Clapton and Winwood began exploring musical ideas to form Blind Faith. Labelled a supergroup, huge concerts with amplification problems and hyped expectations, however, doomed their venture.
New Territory
Authors: Thompson Gordon Ross 
Published: October 2024

Abstract
In June 1965, London’s counterculture discovered themselves at “Poets of the World/Poets of Our Time.” This gathering of poets, authors, celebrities, and dignitaries filled the Royal Albert Hall and learned that they were not alone. For that audience, progressive pop was adding layers of complexity to both music and lyrics as production crews created sophisticated recordings. With Pink Floyd, Syd Barrett channeled his psychedelic experiences into extended astronomic musical tableaux until drug use incapacitated him and bandmates Richard Wright, Nick Mason, and Roger Waters replaced him with David Gilmore. In Canterbury, in London, and on the beaches of the French Riviera, Soft Machine performed jazz-inspired improvisations for dancers and behind a Pablo Picasso play. And King Crimson created imaginary spaces as Robert Fripp, Greg Lake, Ian McDonald, and Michael Giles blended electronic sounds and jazz.