bluuebunny/crossref_metadata_2025_split huggingface dataset:
Analisis Tindak Tutur dalam Suasana Duka di Kecamatan Bolano Kabupaten Parigi Moutung
Authors: Gazali Lembah  , Moh Tahhir  , Hendrik Hendrik , Juniati Juniati 
Published: September 2024

Tindak tutur merupakan suatu ucapkan/tuturan yang mempunyai arti atau dengan kata lain kalimat yang dituturkan bisa mempengaruhi seseorang dalam melakukan sesuatu .Tujuan dari penelitian ini adalah untuk mengetahui tindak tutur apa saja yang terjadi dalam suasana duka. Metode yang digunakan dalam penelitian ini dalah metode deskriptif kualitatif. Teknik pengumpulan data yang digunakan dalam penelitian ini adalah teknik observasi dan teknik rekam. Hasil penelitian ditemukan tindak tutur yang di tuturkan pada saat suasana duka agama islam adalah, tindak tutur lokusi, tindak tutur ilokusi, perlokusi yang diutarakan dalam beberapa tempat berbeda yaitu, penyampaian informai duka, tuturan yang terjadi pada saat dirumah duka, tuturan yang terjadi diluar rumah duka, tuturan yang terjadi pada saat pengantaran jenazah ke pemakaman dan tuturan yang terjadi pada saat takziah. Sedangkan tuturan lokusi ilokusi dan perlokusi yag terjadi pada Agama Kristen terjadipada saat, penyampaian informasi duka, tuturan yang terjadi dirumah duka, tuturan yang terjadi di rumah duka, tuturan yang terjadi di luar rumah duka dan tuturan yang terjadi pada saat malam penghiburan dan pemakaman.
MENGAPA DJP KALAH DALAM SENGKETA PAJAK? STUDI KASUS PADA PERUSAHAAN AIR MINUM DALAM KEMASAN
Authors: Saragi Daniel Edgar Hirasma 
Published: September 2024

Penelitian ini dilatarbelakangi oleh tren peningkatan sengketa pajak dalam beberapa tahun terakhir, tingginya tingkat kekalahan Direktorat Jenderal Pajak (DJP), serta transaksi jasa intragrup yang sering dijadikan media penghindaran pajak. Studi dilakukan dengan menganalisis putusan pengadilan atas sengketa antara DJP dengan PT. Tirta Investama atas transaksi afiliasi berupa jasa manajemen. Penelitian ini bertujuan untuk mengetahui proses penyelesaian sengketa dan penyebab kekalahan DJP. Metode yang digunakan adalah kualitatif, dengan menerapkan strategi penelitian studi kasus. Hasil dari penelitian menjelaskan bahwa proses sengketa telah berjalan sesuai dengan ketentuan administratif yang berlaku dalam Undang-Undang Pengadilan Pajak. Selain itu, penelitian ini menjelaskan lima faktor penyebab kekalahan DJP dalam sengketa pajak antara lain justifikasi tanpa analisis mendalam, uji kewajaran yang tidak solid, uji manfaat yang tidak solid, uji eksistensi yang tidak solid, dan inkonsistensi sikap selama proses pengadilan.
PERENCANAAN SUZUKI JIMNY CAR CENTER DI KOTA SAMARINDA DENGAN PENDEKATAN ARSITEKTUR ANALOGI
Authors: Zulkifly Zulkifly , Prasetyo Prasetyo , Risnawaty Mahdalena 
Published: September 2024

Salah satu jenis mobil off-road yang ada yaitu Suzuki Jimny. Brand Suzuki Jimny sudah dikenal luas oleh pecinta otomotif di Indonesia sejak tahun 1980-an. Suzuki Jimny memiliki generasi dari generasi pertama yang diproduksi pada tahun 1978. Varian pertama yang dijual secara resmi adalah Suzuki Jimny LJ80. Sekarang Suzuki Jimny sudah sampai pada generasi ke-empat (4) yang diproduksi tahun 2018 dengan varian baru yaitu Jimny JB74 dan Jimny JB64. Karena belum ada pusat penjualan Suzuki Jimny yang lengkap dan memberikan wadah untuk Komunitas Suzuki Jimny maka dibuatlah perencanaan Suzuki Jimny Car Center di Samarinda. Suzuki Jimny Car Center adalah sebuah tempat atau wadah untuk penjualan, servis dan komunitas mobil khusus untuk Suzuki Jimny. Bertujuan untuk memberikan fasilitas kepada pengguna mobil dan komunitas Suzuki Jimny. Direncanakan Suzuki Jimny Car Center dengan pendekatan arsitektur analogi yang menganalogikan bentuk mobil Suzuki Jimny.
Implementasi Perbaikan Ejaan Pada Web Semantik Ruang Baca Fakultas Teknik Dengan Menggunakan Algoritma Jaro-Winkler Distance
Authors: Rachman Fahrim Irhamna , Alam Nur , Wahyuni Titin , Anas Lukman 
Published: September 2024

Penelitian ini bertujuan untuk menerapkan algoritma jaro-winkler distance pada sistem pencarian judul skripsi Ruang Baca Fakultas Teknik agar dapat mempermudah pengguna saat memasukkan kata yang tidak lengkap. Algoritma jaro-winkler distance merupakan algoritma yang digunakan untuk mengukur tingkat kesamaan dua string atau kata sehingga algoritma ini adalah pilihan yang tepat untuk pencarian kata pada judul skripsi yang tidak lengkap. Hasil penelitian menunjukkan kecepatan pencarian dengan memasukkan kata judul skripsi yang tidak lengkap membutuhkan waktu proses rata-rata 9926.75 ms per kata ini termasuk dengan proses jaro-winler distance yaitu perbaikan ejaan dan proses mencari sinonim dari kata tidak lengkap yang dimasukkan. Sehingga penerapan algoritma jaro-winkler distance dapat menyelesaikan masalah kesalahan ejaan kata pada pencarian judul skripsi.Kata Kunci : perbaikan ejaan; web semantik; algoritma jaro-winkler distance; jaro-distance; jaro-winkler
Kibernetski napadi preko stranskih kanalov
Authors: Štok Tjaž , Pesek Matevž 
Published: September 2024

When implementing cryptographic primitives in software, we often resort to optimizing the software code in order to reduce unnecessary computation time. Such decisions can have negative consequences on data leakage outside the implementation. Attackers can exploit the additional information generated by the execution of the software solution in a way that gives them additional insights into the operation of the software, the values calculated and access to the data itself. Insights can be gained in the form of execution time, memory access patterns, power consumption, and other seemingly unrelated system parameters. Such attacks are referred to as “side-channel attacks”.
This paper presents several examples of such attacks and the magnitude of information leakage, as well as how to protect against such attacks. Time-based cryptanalysis, power-based cryptanalysis, including a special variant – video-based cryptanalysis – and memory-based cryptanalysis are described. A simple timing cryptanalysis attack is used as an example to present the analysis process and the results before and after the implementation of the proposed mitigation.
Članek predstavlja več primerov takšnih napadov in razsežnosti uhajanja informacij ter načinov zaščite pred napadi. Opisane so časovna kriptoanaliza, kriptoanaliza na podlagi porabe energije in njena posebna različica -- kriptoanaliza na podlagi videoposnetka -- ter pomnilniška kriptoanaliza. Na primeru preprostega napada s časovno kriptoanalizo je predstavljen postopek analize in rezultati pred in po implementaciji predlagane zaščite.
Туристский маршрут«Достопримечательности Северо-Казахстанской области»
Authors: Атикеева С.Н. , Каражанова М.Х. , Байзакова А.С. , Бакербекова А.Т. , Дартаев А. 
Published: September 2024

В статье отмечено, что наибольшее значение для развития туризма в Северо-Казахстанской области— самой маленькой по территории в Республике Казахстан— имеет автомобильный транспорт, так как он относится к основным реализующим факторам формирования территориальной рекреационнойсистемы области. Сеть автомобильных дорог— достаточная для обеспечения потребностей региона вперевозках пассажиров. Авторами рассмотрено значение транспортных услуг в туризме на примереразработанного туристского маршрута «Достопримечательности Северо-Казахстанской области». Живописный природный ландшафт— лесные массивы, горные цепи, реликтовые сосновые боры иботанические заказники, множество озер, известных своими лечебными грязевыми ваннами, минеральными солями и лечебными водами, — делает область особо привлекательной для туризма, отдыха, оздоровления. Дана характеристика разработанному туристскому маршруту «Достопримечательности Северо-Казахстанской области» c интересными, разностороннеразвивающими объектами естественно-природного и антропогенного происхождения, имеющими большое значение для образовательной, научно-познавательной, рекреационной и краеведческой сферы деятельности человека.
A deep learning-based neural style transfer optimization approach
Authors: Sethi Priyanshi , Bhardwaj Rhythm , Sharma Nonita , Sharma Deepak Kumar , Srivastava Gautam 
Published: September 2024

Neural style transfer is used as an optimization technique that combines two different images – a content image and a style reference image – to produce an output image that retains the appearance of the content image but has been modified to match the actual style of the style reference image. This is achieved by fine-tuning the output image to match the style reference images and the statistics for both content and style in the content image. These statistics are extracted from the images using a convolutional network. Primitive models such as WCT were improved upon by models such as PhotoWCT, whose spatial and temporal limitations were improved upon by Deep Photo Style Transfer. Eventually, wavelet transforms were introduced to perform photorealistic style transfer. A wavelet-corrected transfer based on whitening and colouring transforms, i.e., WCT2, was proposed that allowed the preservation of core content and eliminated the need for any post-processing steps and constraints. A model called Domain-Aware Universal Style Transfer also came into the picture. It supported both artistic and photorealistic style transfer. This study provides an overview of the neural style transfer technique. The recent advancements and improvements in the field, including the development of multi-scale and adaptive methods and the integration of semantic segmentation, are discussed and elaborated upon. Experiments have been conducted to determine the roles of encoder-decoder architecture and Haar wavelet functions. The optimum levels at which these can be leveraged for effective style transfer are ascertained. The study also highlights the contrast between VGG-16 and VGG-19 structures and analyzes various performance parameters to establish which works more efficiently for particular use cases. On comparing quantitative metrics across Gatys, AdaIN, and WCT, a gradual upgrade was seen across the models, as AdaIN was performing 99.92 percent better than the primitive Gatys model in terms of processing time. Over 1000 iterations, we found that VGG-16 and VGG-19 have comparable style loss metrics, but there is a difference of 73.1 percent in content loss. VGG-19, however, is displaying a better overall performance since it can keep both content and style losses at bay.
Cultural value of Ukrainian song heritage of Kvitka Cisyk
Authors: Holovkova Marianna 
Published: September 2024

The purpose of the article is to investigate the cultural value of the Ukrainian song heritage of K. Cisyk. The research methodology consists in the use of leading scientific methods in an interdisciplinary combination, which gives a cultural orientation to the study of the Ukrainian song heritage of K. Cisyk. The purpose and objectives of the research led to the use of an axiological approach, which made it possible to outline the value of the Ukrainian song heritage of K. Cisyk in the musical culture of the Ukrainian diaspora and the modern culture of Ukraine. The method of analysis and systematisation made it possible to comprehensively analyse the song output of the singer and determine its place in the cultural processes of today. Scientific novelty. The article examines for the first time the cultural value of the unique song heritage of K. Cisyk – musical albums of Ukrainian songs “Kvitka – Songs of Ukraine” and “Two Colours”. Conclusions. Academic interest in the Ukrainian song heritage K. Cisyk emphasised the importance of its contribution to the development of musical culture, including the development of cultural policy. The Ukrainian music albums “Kvitka – Songs of Ukraine” and “Two Colours” have significant cultural value, having been recognised as artistic achievements in the context of cultural diplomacy. Today, these albums not only preserve Ukrainian folk music, but also actively contribute to its revival and popularisation among Ukrainians around the world. Ukrainian songs performed by K. Cisyk became a symbol of cultural memory and national pride, prompting many Ukrainians to support and restore their cultural roots, especially during the period of the russian federation's full-scale military invasion of Ukraine.
Kyiv Modern Ballet in the Optics of Scientific Opinion: Historiographical Studies
Authors: Kondratiuk Dmytro 
Published: September 2024

Purpose of Research is to analyse the scientific historiography of the Kyiv Modern Ballet’s creations. Methodology. The methods of analysis, systematisation, comparison, and theoretical generalisation were used to conduct an objective study. Scientific novelty. For the first time, the scientific historiography of the Kyiv Modern Ballet is systematised. Conclusions. Among the studies devoted to various aspects of the work of the Kyiv Modern Ballet, scientific articles prevail; the authors of monographs and dissertations also refer to the company's activities (V. Zinchenko, M. Pohrebniak, O. Hres, and others). Rather conventionally, the scientific historiography of the Kyiv Modern Ballet can be divided into groups: works that position the company as a large-scale cultural and artistic phenomenon (H. Veselovska, O. Manshylin, A. Nebesnyk, M. Pohrebniak, I. Soloviova, Yu. Stanishevskyi, and others); works devoted to the periodisation of the Kyiv Modern Ballet's creations (A. Nebesnyk); art studies of individual ballet performances from the company's repertoire, in particular, ballets of classical heritage (O. Bihus, M. Korostelova, A. Pidlypska) and other performances (O. Afonina, Yu. Bentia, O. Hres, L. Khotsianovska ta H. Perova, and others). Among the issues that are insufficiently developed in the scientific discourse are the cultural-creating role of "Kyiv Modern Ballet" in the domestic and world cultural field;e periodisation of the Kyiv Modern Ballet's work from 2016 to the present; artistic features of the choreographic work of artists within and outside the theatre; the restoration of ballets that have been absent from the repertoire for a long time; preservation and transmission of performance traditions in the theatre, etc.
Compositional analogies in the Kyiv-Pechersk Lavra’s churches painting at the beginning of the 21st century
Authors: Bardik Maryna 
Published: September 2024

The purpose of the article is to enucleate and analyse the compositional analogies in the Kyiv-Pechersk Lavra’s churches new painting, the early 2000s. The research methodology is based on historical and cultural analysis, art study analysis, and empirical observation. The scientific novelty of the study. The author performed the art study analysis of compositional analogies in the Kyiv-Pechersk Lava’s church decorations created according to new programmes in the early 2000s. In the paintings and icons of the Church in Honour of the Icon of the Mother of God ‘The Life-Giving Spring’, she observed analogies with the revered Orthodox icons, as well as with the icons and paintings of the Lavra churches of the 1890s – 1910s (based on archival visual sources). As for the altar mural paintings in the Church of All Venerable Fathers of Pechersk, she revealed and analysed analogies with compositions on archival photos introduced into scientific circulation. She studied the plot, iconographic, academic connection of the painting of the early 2000s with the Lavra’s painting of the late 19th and early 20th centuries. The author observed the transformations of primary compositions in the mural paintings of the early 2000s. Conclusions. In the painting decoration of the Church in Honour of the Icon of the Mother of God ‘The Life-Giving Spring’ (the early 2000s), O. Borovyk and the artists used analogies of the Lavra’s icon painting, mural painting of the 1890s – 1910s, as well as highly revered Orthodox icons as an artistic key. Among them were icons (H. Popov) and murals (I. Yizhakevich) of the Church of Venerable Anthony and Theodosius of Pechersk with the Refectory Chamber (beginning of the 20th century), the mural composition of the Great Church (V. P. Vereshchagin, 1897–1901). In the decoration of the Church of All Venerable Fathers of Pechersk (2002), artists under the supervision of O. Borovyk chose compositions from archival photos from the collection of the National Preserve ‘Kyiv-Pechersk Lavra’. Compositional analogies are performed on the basis of the common visual language of samples and modern painting, the language of academic painting. The artists continued the academic tradition in the church painting of the Kyiv-Pechersk Lavra. The compositional analogies were implemented as citation of icons, mural compositions in full or in fragments with local changes. Sometimes the new murals took on a new symbolic and emotional sound.
Fundamentals of the Theory of Choral Conducting as a Relationship of the Creativity of Regent and Choir Master in one Person
Authors: Shpak Halyna 
Published: September 2024

The purpose of the work is to determine the foundations of meaning-making by the conducting gesture of the regent and choirmaster according to the specifics of choir management in the church-applied and concert-art spheres of identifying the specified specialisation, based on knowledge about the possibilities in this regard of the luminaries of the Odesa choral school in the persons of K. Pihrov, D. Zahretskyi, L. Butenko and other well-known representatives. The methodological basis is the intonation approach of the school of B. Asafyev in Ukraine, comparative-hermeneutic and cultural prolongations of intonation in the works of D. Androsova, T. Verkina, O. Kozarenko, I. Kotliarevsky, I. Liashenko, Liu Binjan, O. Markova, O. Muravska, O. Sokolova, H. Shpak, V. Shulhina, with the use of scientific and research methods: art history-analytical, descriptive-historical, cultural-regionalist, religious studies, intellectual-biographical definition. The scientific novelty of the work is determined by the fact that, for the first time in Ukraine and abroad, the executive discoveries of the named great representatives of the Odesa choral school became the subject of analysis in the specifics of the understanding of individual techniques, stylistic findings, the separation of the regent component of the choir master's heritage according to the function of the semantic core of the executive expressiveness of choir management. Conclusions. For the first time in Ukrainian musicology, a distinguishing feature has been clearly drawn between the regent and choirmaster general principles of choral conducting, taking into account the applied nature of the former, but that which marks the genesis and attribution of choral vocals as a special meaning of expressing the ideal guidelines of the human worldview, while the artistic significance nourishes the choirmaster's work both in the temple and in concert-theatrical spheres. The "instrumental" levers of the choir master's activity as the adjustment of the "instrument" of the choral multi-level rhythmic sound are also highlighted – and the vocal-"speech" layer in particular. The first of them relies on the conductor's minimal gesticulations, while the second requires a certain plastic expressiveness of hand movements, but bypassing the self-importance of that "hand ballet", which under certain conditions interferes with the intonation accuracy of sound expression. For the first time, the question was raised about the intonation performance of the conductor's sound presentation at the level of training and performance of the choir master.
Vocals of Mezzo-Soprano Parts in the Works of G. Verdi and G. Bizet
Authors: Wang Yuji 
Published: September 2024

The purpose of this study is to trace the signs of timbre-role in mezzo-soprano voice carriers, based on the material of the operas of the famous masters G. Verdi and G. Bizet, despite the fact that this timbre-register flavour of singing covers characters extremely different in age and social status, and by national and ethnic indicators. The methodological basis is the intonation approach of the B. Asafyev school in the works of Ukrainian musicologists, including T. Verkina, O. Kozarenko, I. Lyashenko, O. Markova, O. Roshchenko, O. Sokolova and others, using scientific comparative-stylistic, hermeneutic, biographical-descriptive, analytical-typological, research methods. The scientific novelty is determined by the fact that for the first time in Ukraine and China the interpretation of the mezzo-soprano timbre as a timbre-role was put forward, namely, indicators, finding common ground in characters fundamentally different from social-psychological, ethnic-national, epoch-historical signs. For the first time, the famous parts from the operas of G. Verdi and G. Bizet are analysed in this perspective. Conclusions. The timbre-role of the mezzo-soprano in the operas of G. Verdi and the works of G. Bizet is revealed in the fact that the images of a woman-mother, a woman-seductress differ in socio-psychological, national, geographical and historical aspects, but they are characterszed by a pronounced masculine and forceful initiative composition, they all gravitate to song numbers, but distant from the simplicity of everyday manifestations of song, to the plasticity of revealing authority, a power attitude in relations with others, which causes accentuation of strong notes in low and middle registers. And this constitutes the historical separation of this type of singing from the "Rossinian" sopranos, who combined different timbres and various textures of the upper and lower registers, of which, from the middle of the 19th century, the upper gave "lightness" to the lyric sopranos, and the lower to the mezzo-sopranos of the post-romantic formation.
Pre-opera Tenor Singing as Reflected in Lyric Tenor Parts in Works By G. Rossini and Ch. Gounod
Authors: Gao Lei 
Published: September 2024

The purpose of the work is to reveal in the parts of Almaviva ("The Barber of Seville" by G. Rossini) and Faust (opera of the same name by Ch. Gounod) the features of the tenor pre-opera parts of church singing, extremely honoured by sincerely believing composers. The methodological basis is the intonation approach of the B. Asafyev school in the works of Ukrainian musicologists, including T. Verkina, O. Kozarenko, I. Liashenko, O. Markova, O. Roshchenko, O. Sokolova and others, using scientific comparative-stylistic, hermeneutic, biographical-descriptive, analytical-typological research methods. The scientific novelty is determined by the independence of the approach to the named parts from the standpoint of church singing usage, which in musicological studies was corrected by the plot of the plot, and not by certain religious attitudes of the authors of the opera. The analysis of well-known parts from the standpoint of their reflection of the church use of tenor parts in the traditions of Byzantine old church singing appears to be innovative. Conclusions. Selected for analysis are the parts of well-known operatic characters by G. Rossini and Ch. Gounod, written for compositions that appeared in the declaration of the ideas of the Restoration (Rossini's work) and an anti-romantic statement in favour of popular religiosity (in Ch. Gounod), in which an analogy to church values is assumed tenor sounds in the expression of canonical indicators of church merits of Love. Lyrical tenors embody in these operas the most important author's ideas – the Good Expectation of the Restoration in the role of Almaviva in G. Rossini's "The Barber of Seville" and the generosity of love that inspires the Atonement of the sinful defiance of the Law.