bluuebunny/crossref_metadata_2025_split huggingface dataset:
Pemuliaan Angklung melalui Model Desa Binaan Berbasis Wisata Seni dan Budaya
Authors: Masunah Juju 
Published: October 2017

Angklung has been awarded by UNESCO as one of the intangible world heritages from Indone- sia. One of the angklung preservation methods is through community based education. This article describes the result of research and community service activities to explore a model of community empowerment based on art and culture that uses Sundanese angklung instruments and local tradi- tional performing arts to attract tourism in Ciater Village, Subang. This research used a participato- ry action research method where researchers participate actively along with the community to create a touristic event involving art and culture. The findings of this research present that to empower a community using art and culture as an event for a tourist destination occurs by a collaborative work between local community, intelectuals, and bussiness. The community of Ciater village presented their innovation and creativity with Sundanese angklung music and local traditional performing arts in order to serve seventy tourists (artists) from Southeast Asia and Europe on October 7, 2011 for the first time.Â Keywords: Sundanese angklung, tourism of culture, Ciater Village.
Angklung Sunda Sebagai Wahana Industri Kreatif dan Pembentukan Karakter Bangsa
Authors: Hermawan Deni 
Published: October 2017

ABSTRACTÂ The terminology of Angklung has two different meanings: as an instrument and as a form of per- forming arts. As an instrument, Angklung is an instrument made of bamboo and played by shaking it. As a form of performing art, Angklung is a form of performing art which uses instruments called Angklung. Either as an instrument or as a form of performing arts, Angklung is rich of values, such as the values of economic, social, cultural, education, ethics, morality, etc., which are closely related to cretive industries and nation character building. The purpose of this article is to examine the pos- sibility for Angklung to be used as medium for creative industries and nation character education.Â Key words: Angklung, creative industry, nation character buildingÂ Â ABSTRAKÂ Istilah Angklung memiliki dua pengertian yang berbeda: sebagai alat musik dan sebagai bentuk seni pertunjukan. Sebagai alat musik, Angklung ialah sebuah alat musik yang ter- buat dari bambu dan dimainkan dengan cara digoyangkan. Sebagai bentuk seni pertunjuk- an, Angklung ialah sebuah bentuk seni pertunjukan yang menggunakan alat musik yang disebut Angklung. Baik sebagai alat musik maupun sebagai bentuk seni pertunjukan, Ang- klung kaya akan nilai, seperti nilai ekonomi, sosial, budaya, pendidikan, etika, moral, dan lain-lain, yang sangat berkaitan dengan industri kreatif dan pembentukan karakter bangsa. Tujuan dari tulisan ini adalah untuk mengetahui kemungkinan pemanfaatan Angklung sebagai media untuk industri kreatif dan pembentukan karakter bangsa.Â Â Kata kunci: Angklung, industri kreatif, pembentukan karakter bangsaÂ Â
Kajian Sosiologis Terhadap Tema Lakon ‘Domba-domba Revolusi’ Karya Bambang Soelarto
Authors: Sahid Nur 
Published: October 2017

ABSTRACTRevolutionary struggle in order to compete for the independence of Indonesia has been a source of inspiration Indonesian artists, including Bambang Soelarto who wrote drama Domba-domba Re- volusi (DDR). DDR studied drama is quite interesting because it tries to criticize the freedom fight- ers. This study aims to: first to know the theme and the problem plays DDR; second to determine the relationship of the socio - historical struggle in 1948 with the sociological elements of drama DDR themes and issues. This study uses sociological theory of art. The basic principles of the sociology of art is the fact that the creation of works of art influenced by the historical social conditions where the work was created. Research using content analysis of Krippendorf, the methods used to examine the symbolic phenomena with the aim to explore and express the observed phenomenon which is the content, meaning, and an essential element of the literary work. Based results of this research is that Bambang Soelarto as the author tries to capture di?erence between fighters during the struggle for the political aspirations for 1948 are expressed in a work of drama. Historical events inspired the creation of drama DDR. Soelarto want to respond to the political aspirations of the di?erence between historical figures and wanted to provide an assessment and outlook through DDR.Keywords: themes, drama, sociology of art, social historical ABSTRAKRevolusi perjuangan dalam rangka memperebutkan kemerdekaan Indonesia telah men- jadi sumber inspirasi para seniman Indonesia, termasuk Bambang Soelarto yang menulis drama Domba-domba Revolusi (DDR). Drama DDR cukup menarik diteliti karena mencoba mengkritisi para pejuang kemerdekaan. Penelitian ini bertujuan untuk: pertama, mengeta- hui tema dan permasalah drama DDR; kedua, mengetahui hubungan kondisi sosio-histo- ris perjuangan pada tahun 1948 dengan unsur-unsur sosiologis terimplisir pada unsur tema dan masalah drama DDR. Penelitian ini menggunakan teori sosiologi seni. Prinsip dasar dari sosiologi seni adalah adanya fakta bahwa penciptaan karya seni dipengaruhi oleh kon- disi sosial historis tempat karya itu diciptakan. Penelitian ini menggunakan metode con- tent analysis dari Krippendorf, yakni metode yang dipergunakan untuk meneliti fenome- na-fenomena simbolik dengan tujuan untuk menggali dan mengungkapkan fenomena yang teramati yang merupakan isi, makna, dan unsur esensial karya sastra. Berdasarkan hasil penelitian dapat diketahui bahwa Bambang Soelarto sebagai penulis mencoba un- tuk menangkap perbedaan antara pejuang aspirasi politik selama perjuangan tahun 1948 untuk diekspresikan dalam sebuah karya drama. Peristiwa sejarah mengilhami penciptaan drama DDR. Soelarto ingin menanggapi aspirasi politik perbedaan antara tokoh-tokoh se- jarah dan ingin memberikan penilaian dan pandangan pandangannnya melalui DDR.Kata kunci: tema, drama, sosiologi seni, sosial historis
Dari Novel ke Film: Kajian Teori Adaptasi sebagai Pendekatan dalam Penciptaan Film
Authors: Ardianto Deny Tri 
Published: October 2017

ABSTRACTThis paper is motivated by the success of the films adaptated from literary works (novels) in cap- tiving audiences and dominating world cinema. For this reason, it is necessary to understand how The Theory of Adaptation is used to transform literary works into visual structure of the film. Based on some adaptation model proposed by the experts, adaptation of literary work (novel) into film can carried out in two ways; first,by focusing on fidelity to the source, and second, by taking into account the contextuality-intertextuality of the source.Keywords: adaptation, transformation, contextuality-intertextuality ABSTRAKTulisan ini dilatarbelakangi oleh keberhasilan film-film hasil adaptasi dari karya sastra (novel) dalam memikat hati penonton dan menguasai pasar perfilman dunia. Oleh karena itu perlu kiranya diketahui bagaimana teori adaptasi itu digunakan dan bekerja dalam mentransformasi struktur teks naskah menjadi struktur visual film. Dari beberapa model adaptasi yang dikemukakan oleh para pakar, dapat diketahui bahwa adaptasi terhadap karya sastra (novel) menjadi film dapat dilakukan melalaui dua cara yaitu: pertama, me- nitikberatkan pada kesetiaan (fidelity) pada sumber adaptasi; dan kedua, kontekstualitas- intertekstualitas sumber adaptasi.Kata kunci: adaptasi, transformasi, kontekstualitas-intertektualitas
Dinamika Perkembangan Lagu GedÃ©
Authors: Irawan Endah , Soedarsono R. M. , L. Simatupang G. R. Lono 
Published: October 2017

ABSTRACTÂ The frequency of presentation of Â lagu gedÃ© on Sundanese kiliningan and Â wayang golek Â has not been â€˜brightâ€™ as in the 1950s-1980s. But this lagu gedÃ© still exist as one of Sundanese Â music reper- toire diversity.Â Â In Â a further development, the lagu gedÃ© absorbed and adapted to the diï¬€erent music genres, such as cianjuran, Â degung, and bajidoran-jaipongan. The instrumentation adapted into their character ensembles. The absorption and adaptation process is not the same.There are parts of lagu gedÃ© are still kept or maintained, there are parts that reduced, and there are also new parts are Â increased or added. This situation can not be avoid, because the tradition of lagu gedÃ© itself is dynamic. The changing of artists generation with theÂ Â internalization processes and its enculturation, as well as changes in space and time can lead to a way of viewing times, how to address, and how you feel about the song is so diï¬€erent.Â Keywords: lagu gedÃ©, dynamics, transmissionÂ Â ABSTRAKÂ Frekuensi penyajian lagu gedÃ© memang sudah tidak sesemarak di era 1950-1980 an. Na- mun, lagu ini tetap masih mengisi khasanah keanekaragaman musik Sunda. Lagu ini diserap dan diadaptasi ke dalam genre musik yang berbeda, seperti tembang cianjuran, degung, dan bajidoran-jaipongan. Adapun instrumentasinya disesuaikan dengan karakter masing-masing ensambel tersebut. Â Proses penyerapan dan adaptasi ini tentu saja tidak sama. Ada bagian- bagian lagu gedÃ© yang bertahan atau dipertahankan. Ada bagian yang berkurang atau di- kurangi. Ada juga, bagian-bagian baru yang bertambah atau ditambahkan. Situasi demikian tidak dapat dielakkan mengingat tradisi lagu gedÃ© itu sendiri dinamis. Pergantian generasi seniman dengan segala proses internalisasi dan enkulturasinya, serta perubahan ruang dan waktu yang dialami mengakibatkan cara memandang, cara menyikapi, dan cara merasakan lagu ini jadi berbeda.Â Kata kunci: lagu gedÃ©, dinamika, transmisi
Revitalisasi Ragam Hias Batik Keraton Cirebon dalam Desain Baru Kreatif
Authors: Kudiya Komarudin , Sabana Setiawan , Sachari Agus 
Published: October 2017

ABSTRACTÂ Respecting traditions of the nation, which is preserving a batik tradition. Cirebon is the region that has a rich cultural treasures batik varied. Given its development, with a variety of Cirebon Kraton, Kraton Batik Cirebon products nowadays have more characteristics, e.g.: (1) Kasepuhan Kraton on Singa Barongâ€™s ornament; (2) Kanoman Kraton on Paksi Naga Limanâ€™s ornament; (3) Kacirebonan Kraton on Bintuluâ€™s ornament and (4) Kaprabonan on Dalungâ€™s ornament and motif without pictures of animals.This research needs to exploring, discovering, and formulating design elements (ornament, mate- rial, and color). This study used ethnographic method and experimental visuals method for ornaments on Kraton Batik Kasepuhan, Kanoman, Kaprabonan, and Kacirebonan based on historical cultural influences from Hinduism, Islam, China, and Europe.As long batik owned by all Cirebon Kraton which is available during this condition can not be iden- tified and their physical condition is damage. Thus in order to preserving the old batiks, it is necessary to reproduce a creative new batik designs with any dimensional aspects.Â Keywords: Revitalization, Kraton Batik Cirebon, Creative,Â Â Â Â ABSTRAKÂ Dalam kerangka menghargai tradisi suatu bangsa, yaitu melestarikan sebuah tradisi di an- taranya berkarya batik, yang merupakan warisan budaya Indonesia. Cirebon adalah wilayah yang memiliki kekayaan khasanah budaya batik yang variatif, baik yang masih tetap ada hing- ga kini, maupun yang sudah punah. Mengingat di dalam perkembangannya, Keraton Cirebon dengan aneka produk Batik Keraton Cirebon kini terbagi dalam tiga keraton dan satu peguron yang mempunyai ciri khas, antara lain: (1) Keraton Kasepuhan pada ragam hias Singa Barong; (2) Keraton Kanoman pada ragam hias Paksi Naga Liman; (3) Keraton Kacirebonan pada ra- gam hias Bintulu; (4) Peguron Kaprabonan pada ragam hias Dalung dan motif tanpa gambar hewan.Perlu dilakukan penelitian untuk menggali, menemukan, dan memformulasikan khusus- nya unsur teraga (ragam hias termasuk di dalamnya corak, bahan, dan warna). Penelitian ini menggunakan metode etnografi dan eksperimen visual terhadap ragam hias Batik Keraton Kasepuhan, Kanoman, Keprabonan, dan Kacirebonan yang berlandaskan pada kesejarahan mulai dari pengaruh budaya Hindu, Islam, Cina, dan Eropa.Adapun batik-batik lama yang dimiliki oleh seluruh Keraton Cirebon yang ada selama ini kondisinya tidak bisa dikenali secara umum dan kondisi fisiknya sudah rapuh menuju kondisi rusak. Dengan demikian guna menjaga kelestarian batik-batik lama tersebut maka diperlukan penelitian agar bisa dibuat reproduksinya menjadi desain batik baru kreatif.Â Kata kunci: Revitalisasi, Batik Keraton Cirebon, Kreatif,
Arena Seni Pita Maha: Ruang Sosial dan Estetika Seni Lukis Bali 1930â€˜an
Authors: Adnyana I Wayan â€˜Kunâ€™ 
Published: October 2017

Sejak akhir 1920-an di Ubud dan sekitarnya berlangsung praktik seni lukis dalam ruang interaksi dan dialog yang sangat intensif antara pelukis remaja, pelukis senior, patronase puri Ubud dan pelukis Barat. Praktik seni ini kemudian berkembang pesat menjadi arena seni bernama Pita Maha. Pita Maha diumumkan berdiri resmi 29 Januari 1936, mengakomodasi berbagai komponen art world di Bali, di antaranya galeri, kritikus dan kurator. Adapun tujuan dari kajian ini adalah untuk mengidentifikasi arena seni dan estetika Pita. Kajian dilakukan dengan pendekatan sosiologi Bourdieu tentang field (arena), dan hermeneutika mendalam (depth-hermeneutics) Thompson. Kajian ini menemukan berbagai capaian arena seni Pita Maha. Estetika Pita Maha adalahÂ â€˜Spiritualismeâ€™ yang kemudian dilanggengkan sebagai ideologi estetika. Estetika yang secara tegas mengeksplorasi tema dan pandangan subjektif tentang hubungan Tuhan dan manusia dalam artistik dan stilistik seni lukis Bali yang baru.Kata kunci: Arena Seni , Estetika Pita Maha.
Penataan Artistik Pada Festival â€œGunung Kromong Palimananâ€
Authors: Hadiyat K Yayat 
Published: October 2017

Festival â€œGunung Kromong Palimananâ€ merupakan festival seni budaya sebagai wujud aksi sosial budaya danÂ pelestarian seni rakyat yang bermuara pada kepedulian lingkungan. Metode yang digunakan adalah metode riset pengabdian masyarakat dengan mengadakan aksi revitalisasi aset budaya, mengkoordinasi generasi muda, mengadakan festival seni budaya. Melalui metode tersebut, Festival seni budaya dapat terwujud dalam mengatasi perubahan sosial budaya masyarakat dengan berpegang pada nilai-nilai budaya yang berlaku dalam lingkungan masyarakat setempat. Konsep artistik Festival Gunung Kromong menggunakan konsep pertunjukan yang disajikan dengan menggunakan tata panggung realis dan tata pentas prosenium. Kegiatan seni pertunjukan adalah konsep pertunjukan seni tradisional kegiatan yang multi disiplin ilmu, mulai dari penata gerak (koregrafer), tata make up, tata suara (seni musik), seni dekorasi tata panggung (lighting, back droop atau backround). Hasil dari riset pengabdian kepada masyarakat ini berupa festival seni budaya yang terdiri dari arak-arakan (pawai budaya) dan sajian seni pertunjukan yang dikemas dalam â€˜Gunung Kromong Performing Artsâ€™.Kata kunci: Festival, lighting, back droop, backround, Gunung Kromong Performing art.
Pancake Kidney: A Rare Case Report Developmental Anomaly in Child
Authors: Bastola Ramjee , Bhatta Pashupati , Jha Akhilesh Kumar , Meheta Shekhar , Raya Akash , Ansari Mohammad Ashfaque 
Published: October 2017

The aim of the study is to present a rare case of incidentally detected pelvic pancake kidney with radiological imaging findings in a 11 year old male child. There are many developmental anomalies of kidney Various types of congenital renal abnormalities such as renal agenesis, ectopic or horseshoe kidney can be encountered where one of the most rarest presentation with a single ureter on pancake kidney is encountered in number that count in fingers worldwide.Med Phoenix Vol.2(1) July 2017, 71-73
The Dilemma of Accountability and Good Governance for Improved Public Service Delivery in Nigeria
Authors: Adejuwon Kehinde David 
Published: October 2017

The public sector in Nigeria is irrefutably beset with gross incompetence and ineffective management. Perplexing difficulties endure in the Nigerian public sector in spite of a number of reform programmes that have been designed to enhance efficient and effective service delivery for almost two decades. The fact that public service has failed dismally to achieve its laudable objectives is the reason for the vote of no confidence passed on its administrators by majority of the Nigerian populace. The article examines the dilemma of accountability and good governance in Nigeria and demonstrates that the critical point in achieving meaningful developments in the country intrinsically lay with improved service delivery in the public sector. The basic reason why the public service has become the scorn of the people is because for too long, both the government and public servants have paid lip service to the crucial issue of effective and efficient service delivery. The article argues that improved service delivery will improve both the performance and the image of public service and re-awaken the citizens’ interest and trust in them to do business with public servants. It suggests that in order to bring sanity back to the Nigerian Public Service, all unprofessional tendencies such as ethnicity bias and nepotism in appointments and promotions, lack of security of tenure of office, and appointment of non-career public servants into key positions in the public service must stop. Also, effective service delivery must be tailored to the circumstances of Nigeria. The study made use of secondary data obtained from various sources. It therefore concludes that without a reawakening of the culture of accountability and transparency lost over the years, the trusting relationship needed to forge between the government and the governed for the actualization of good governance will not materialize.
Potential Benefits of Monitoring and Evaluation as a Tool in the South African Local Government Spheres
Authors: Mle T. R. 
Published: October 2017

Public institutions exist for the public good and employ public officials to perform duties aimed at providing a better life for all. The Constitution of the Republic of South Africa, 1996 requires that the public service maintains a high standard of professional ethics, use resources efficiently and effectively, and provide services equitably. When the new political dispensation came into being in 1994 in South Africa, the newly-elected government committed itself to ensuring a better life for all through the provision of services, for example water and electricity supply, sanitation, and houses, etc. To this end, policies and programmes were put in place. However, the challenge that faces the government is the implementation of these policies and programmes which largely remains unsatisfactory. Systems of reporting and performance are, in the main, weak. To address this short-coming, therefore, government came up with the concept of monitoring and evaluation of the implementation of policies and programmes to the extent of creating a new department of Performance Monitoring and Evaluation in the Presidency. Key to the effective implementation of government policies and programmes is the introduction of a tool to ensure that such policies and programmes do not gather dust. This paper therefore, posits how such a tool can have potential benefits in the local government sphere and be a panacea to the ills of this sphere which is characterized by violent service delivery protests through which communities express their dissatisfaction at the non-delivery of essential services. <br /><br />
Nighthawk: Making Night Float Education and Patient Safety Soar
Authors: Sadowski Brett W. , Medina Hector A. , Hartzell Joshua D. , Shimeall William T. 
Published: October 2017

ABSTRACT

Background
Some residency programs responded to duty hour restrictions by implementing night rotations. Night supervision models can vary, resulting in potential patient safety issues and educational voids for residents.

Objective
We evaluated the impact of multiple evidence-based interventions on resident satisfaction with supervision, perception of the education value of night rotations, and residents' use of online educational materials.

Methods
The night team was augmented with an intern to assist with admissions and a senior resident (the “nighthawk”) to supervise inpatient care and deliver a night medicine curriculum. We instituted a “must-call” list, with specific clinical events requiring mandatory attending notification, and reduced conflict in the role of the night float team. We studied patient contact, online curriculum use, residents' perceptions of nighthawk involvement, exposure to educational materials, and satisfaction with supervision.

Results
During the first half of academic year 2016–2017, 51% (64 of 126) of trainees were on the night medicine rotation. The nighthawk reviewed 1007 intern plans (15 per night; range, 6–36) and supervised 215 hands-on evaluations, including codes and rapid responses (3 per night; range, 0–12). The number of users of the online education materials increased by 85% (13 to 24), and instances of use increased 35% (85 to 115). The majority of residents (79%, 27 of 34) favored the new system.

Conclusions
A nighthawk rotation, a must-call list, and reducing conflict in night team members' roles improved resident satisfaction with supervision and the night medicine rotation, resulting in increased communication.
Novel Technique for Replication of Natural Palatal Anatomy onto the Maxillary Permanent Denture Base within an Even Thickness
Authors: Sekar C Guna , Sabarigrinathan Chitraputhrapillai , Vinayagavel Krishnamoorthy , Karthikeyan Ramkumar , Dhanraj Muthuveeraganapathy 
Published: October 2017

ABSTRACT

Aim
A technique to reproduce the exact natural anatomy of the palatal surface, known as “anatomical contour” in even thickness onto the maxillary permanent denture base.

Background
In constructing oral prostheses, dentists are pri- marily concerned with replacing structural losses. However, we are necessarily adding to regions having no structural loss, e.g., the hard palate region. When these structures are covered by a denture, the proprioceptive feedback mechanism is changed and, naturally, dentures affect phonetics, which causes a tem- porary change in the articulation of speech sounds.

Technique
A metal ring plate in standardized different thick- nesses (1.5, 2, and 2.5 mm), which adapt to dental flask lower base, is made and used in the routine fabrication method of denture base processing.

Conclusion
The quick and easy methods of replicated entire individualized natural anatomical palatal contour, in various even thicknesses in the permanent maxillary denture base, including the incisive papilla, palatine suture, and palatal rugae, can be employed to newly fabricate maxillary complete dentures.

Clinical significance
This is a comprehensive approach to utilize the collective factors of suggested methods, techniques, and conclusion by various authors for speech improvement with maxillary denture.

How to cite this article
Sekar CG, Sabarigrinathan C, Vinayagavel K, Ramkumar K, Dhanraj M. Novel Technique for Replication of Natural Palatal Anatomy onto the Maxillary Permanent Denture Base within an Even Thickness. Int J Prosthodont Restor Dent 2017;7(3):92-96.