bluuebunny/crossref_metadata_2025_split huggingface dataset:
KEMATIAN DAN PERASAAN KEHILANGAN: KONSTRUKSI IDENTITAS QUEER DALAM EMPAT KARYA YOSHIMOTO (Death And Sense of Loss: Queer Identity Construction in Four Yoshimoto’s Works)
Authors: Syukur Andi Abd khaliq , Priyatna Aquarini , Rahayu Lina Meilinawati 
Published: August 2017

Empat novelet Yoshimoto, yaitu Kitchen (1988), Moonlight Shadow (1988), Hardboiled (2001), dan Hardluck (2001) menghadirkan kematian dan perasaan kehilangan di awal narasi. Kematian dan perasaan kehilangan membuka probabilitas baru sebagai bagian konstruksi identitas queer, seperti kematian sebagai pemutusan matrix heteroseksual, perasaan kehilangan sebagai perubahan identitas gender, penerimaan orang asing sebagai anggota keluarga, hubungan bersifat inses, homoseksualitas perempuan, transgenderisme, dan perubahan peran dalam anggota keluarga. Penelitian ini dilakukan untuk menganalisis cara kematian dan perasaan kehilangan membuka probabilitas identitas queer dalam narasi Yoshimoto. Sedangkan untuk melihat bentuk identitas queer, penelitian ini menggunakan teori performativitas dari Butler untuk menunjukkan ketaksaan identitas gender dan seks.Hasil penelitian menunjukkan kematian dapat membuka probabilitias yang mengarah pada penghadiran identitas queer dan performativitas identitas queer menyajikan performativitas tokoh yang terus-menerus berubah, bergerak, dan tidak memiliki pusat.Abstract: Four novelettes of Yoshimoto’s, which are Kitchen (1988), Moonlight Shadow (1988), Hardboiled (2001), and Hard Luck (2001) bring death and sense of loss in the beginning of the narrative. The death and sense of loss give new probabilities as parts of the queer identity constructions, for instance the death as the partition of the heterosexual matrix, the loss feelings as a gender identity alteration, agree to accept foreigners as members of the family, the relationship tend to be incest, female homosexuality, transgenderism, and change the family members role. This study conducted to analyze the way of death and loss feelings give probabilities of queer identity in the Yoshimoto’s narration.As for seeing theshape ofqueeridentity, The research applies Butler’s thinking on gender performativity to analyze how ambiguous sexual and gender identities are presented. The research finds that the probabilityof deathcanopen upleads toqueeridentity and the analysis of queer identity’s performativity on character’s performativity in the novelettes renders it possible for sexual and gender construction to be constantly changing and everlastingly displaced performances.
“I AM A WOMAN”: PORTRAYING WOMANHOOD IN THE AUTO/BIOGRAPHY OF AN INDONESIAN TRANSSEXUAL CELEBRITY
Authors: Priyatna, M.A., M.Hum., Ph.D. Aquarini 
Published: August 2017

Paper ini mendiskusikan femininitas di dalam auto/biografi selebritas transeksual “Aku Perempuan: Jalan Berliku Seorang Dorce Gamalama” (2005). Auto/biografi ini diterbitkan tahun 2005. Auto/biografi bukan sekadar merayakan karirnya tetapi yang lebih penting lagi adalah untuk menegaskan identitas dirinya sebagai perempuan. Saya berargumentasi bahwa peran feminine yang dituntut dari selebritas perempuan dapat juga di[per]tunjukkan oleh seorang transeksual seperti Dorce Gamalama tetapi dengan tuntutan ditampilkannya bentuk femininitas yang lebih meyakinkan dibandingkan yang dituntut dari selebritas yang secara biologis dilahirkan perempuan. Penelitian ini dilakukan dengan membaca secara dekat, mencermati struktur auto/biografi serta wacana yang ditampilkan. Analisis saya atas auto/biografi Dorce Gamalama ini menunjukkan bahwa persoalan makna perempuan sejati muncul berulang sejalan dengan perjuangan subjek auto/biografis dalam mengklaim identitas feminine yang otentik melalui tubuh, seksualitas dan peran femininnya sebagai ibu dan istri. Penegasan mengenai identitas sebagai perempuan sejati sangat erat dikaitkan dengan Islam sebagai kerangka beragama lokal di Indonesia.Abstract: This paper examines femininity in the auto/biography of a transsexual celebrity, “Aku Perempuan: Jalan Berliku Seorang Dorce Gamalama” (2005). Her auto/biography was published in 2005. The auto/biography is not so much about celebrating her career as it is about endorsing her womanhood. I argue that these feminine roles expected of female celebrities can be performed by a transsexual (M2F) person as Dorce Gamalama but with the need to create a more convincing form of femininity than is required of a “natural” female celebrity. This research is conducted by reading the text closely, paying attention to the structure and the discourse presented. My examination of Dorce’s auto/biography shows that this question about being a real woman recurs as the auto/biographical subject struggles to claim an authentic feminine identity through her body and sexuality as well as through the feminine roles of motherhood and wifehood. This assertion of being a real woman is tightly connected to Islam as Indonesian local religious frame.
“LALAN BELEK” CERITA BIDADARI DARI REJANG, BENGKULU :KAJIAN MOTIF
Authors: Atisah Atisah 
Published: August 2017

Tulisan ini bertujuan mengungkap motif cerita bidadari “Lalan Belek” dari Rejang, Bengkulu dengan menggunakan teori motif index Stith Thomson. Cerita bidadari khususnya di Indonesia sangat menarik dan banyak versinya. Umumnya setiap etnis di Indonesia memiliki cerita bidadari.Keberagaman cerita bidadari dari setiap etnis itu, merupakan mozaik yang indah dalam kehidupan berbangsa. Berapa jumlah Motif index dan motif indeks apa saja, kearifan lokal apa yang terdapat dalam cerita bidadari “Lalan Belek” merupakan masalah yang dibahas dalam penelitian ini. Penelitian ini menggunakan metode analisis deskriftif. Hasil yang didapat,antara lain, motif manusia menikah dengan bidadari kemudian urusan rumah tangga merupakan urusan perempuan. Padahal dalam perkawinan yang ideal, laki-laki dan perempuan harus bekerja sama dan saling mengisi. Perkawinan laki-laki bumi dengan bidadari (putri dari Kahyangan) merupakan perkawinan dua dunia yang berbeda dan perkawinan dua makhluk dari dunia yang berbeda itu (khususnya cerita “Lalan Belek”) berakhir tidak bahagia. Mereka berpisah karena ingkar janji.Abstract: This article aims to reveal the story of an angel motif "Lalan Belek" of Rejang, Bengkulu using index motive theory by Stith Thomson. Angel story is very interesting, especially in Indonesia it has many version.Commonly each ethnic in Indonesia has an angel story. The plurality of story in each ethnic is a beautiful mosaic in the life of the nation. What number of motive index and what kind of it, and the local knowledge is the issue that is expressed in this study from in the story of an angel "Lalan Belek" . This study uses descriptive analysis method. The results, among other things, are human motives married to an angel then the household by the women. Although the ideal marriage is when men and women must work together and complement each other. Male earth mating with an angel (daughter of heaven) is a marriage of two different worlds and the marriage of this type (especially the story "Lalan Belek") end up unhappy. They split up because of broken promises.
REINTERPRETASI DAN REKONSTRUKSI CERITA SI KABAYAN DAN SANGKURIANG DALAM KESUSASTRAAN INDONESIA MODERN (Si Kabayan and Sangkuriang: Reinterpretation and Reconstruction in Modern Indonesian Literature)
Authors: Rahayu Lina Meilinawati 
Published: August 2017

Penelitian yang berjudul “Reinterpretasi dan Rekonstruksi Cerita Si Kabayan dan Sangkuriang dalam Kesusastraan Indonesia Modern” dimaksudkan untuk mengkaji transformasi kisah Sangkuriang dan Si Kabayan dengan tujuan mengetahui perubahan interpretasi dan rekonstruksi kedua cerita lisan tersebut ke dalam sastra Indonesia kontemporer. Cerita Sangkuriang dan Si Kabayan yang pada mulanya merupakan cerita lisan, tidak hanya ditransformasikan ke dalam bentuk tulis oleh banyak sastrawan, tetapi juga bertransformasi ke dalam bentuk drama hingga film. Dalam penelitian ini digunakan enam teks transformasi, yaitu: (1) Sang Kuriang karya Utuy Tatang Sontani,(2) Lelaki yang Terus mencintai Sumbi karya Hermawan Aksan, (3) Kesadaran Sangkuriang karya Dian Hartati, (4) Si Kabayan karya Utuy T. Sontani,(5) Si Kabayan Nongol di Zaman Jepang karya Achdiat K. Mihadrja, (6) Si Kabayan Jadi Wartawan karya Muchtar ibn Thalab. Dengan menggunakan prinsip sastra bandingan dan teori transformasi ditemukan bahwa Sangkuriang dalam ketiga teks transformasinya digunakan untuk penyampaian ideologi. Sementara itu, Si Kabayan dalam ketiga teks transformasinya digunakan sebagai alat penyampai kritik terhadap berbagai ketimpangan yang terjadi di masyarakat.Abstract: The research aims to study “The transformation of Si Kabayan and Sangkuriang stories and how they are reinterpreted and reconstructed in contemporary Indonesian literature”. These originally oral stories have been transformed not only into written texts, but also into drama and film by different authors. The research focuses on six texts, namely (1) Sang Kuriang by Utuy Tatang Sontani,(2) Lelaki yang Terus mencintai Sumbi by Hermawan Aksan, (3) Kesadaran Sangkuriangby Dian Hartati, (4) Si Kabayanby Utuy T. Sontani,(5) Si Kabayan Nongol di Zaman Jepangby Achdiat K. Mihadrja and (6)Si Kabayan Jadi Wartawanby Muchtar ibn Thalab, all of which are written transformations of the stories. Using principles of comparative literature and transformation theory to approach the texts, the study finds that in the first three texts, the transformation of Sangkuriang story is intended to convey an ideology, whereas in the latter, the transformation of Kabayan story is intended as a means to critize injustice and inequality that occurs in the society.
HASRAT NANO RIANTIARNO DALAM CERMIN BENING: KAJIAN PSIKOANALISIS LACANIAN
Authors: Manik Ricky Aptifive 
Published: August 2017

Karya sastra merupakan manifestasi hasrat pengarang. Dalam sejarahnya, hasrat terbentuk dari rasa kekurangan subjek. Menulis karya sastra merupakan upaya untuk menutupi kekurangan tersebut. Upaya itu dapat dilihat dalam pandangan pengarang akan ego-ego ideal di dalam karya-karyanya. Novel Cermin Bening adalah sample untuk melihat apa dan bagaimana hasrat Nano Riantiarno. Tujuannya adalah menemukan apa yang menjadi pembayangan ego-ego ideal bagi Nano. Telisik hasrat ini akan menggunakan kajian Psikoanalisis Lacanian (PL). Melalui PL ini akan digunakan metode metafora dan metonimia dalam melihat penanda-penanda hasrat Nano dalam Cermin Bening. Kajian ini menemukan bahwa hasrat menjadi penulis dan seniman seolah membuat Nano menemukan kebebasan dari berbagai jerat dan belenggu Yang Simbolik. ‘Kebebasan’ menjadi objek a Nano untuk mendapatkan jouissance bagi dirinya. Menjadi seniman dan penulis merupakan anchoring point Nano dalam menyudahi keambiguitasan dan ketidakmenentuan dirinya.
DINAMIKA MASKULINITAS DAN FEMININITAS DALAM NOVEL SEPERTI DENDAM, RINDU HARUS DIBAYAR TUNTAS KARYA EKA KURNIAWAN
Authors: Permata Denti , Priyatna Aquarini , Rahayu Lina Meilinawati 
Published: August 2017

Artikel ini mengkaji dinamika maskulinitas dan femininitas perempuan dalam novel Seperti Dendam, Rindu Harus Dibayar Tuntas karya Eka Kurniawan. Teks novel ini menampilkan tokoh perempuan bernama Iteung mengalami kekerasan seksual oleh gurunya ketika duduk di bangku SD. Efek dari kekerasan seksual tersebut membuat dirinya tumbuh menjadi perempuan tomboy. Semenjak itu, perilakunya selalu berubah-ubah kadang feminin kadang pula maskulin. Kajian ini dilandasi dengan teori maskulinitas perempuan dan tomboyisme Halberstam (1998). Hasil analisis menunjukkan bahwa sikap tomboy Iteung merepresentasikan bentuk negosiasinya terhadap budaya patriarki yang telah melecehkannya.
NEGOSIASI BUDAYA DAN DIALEKTIKA KEKUASAAN DALAM DISKURSUS (POS)KOLONIAL: DISKUSI TENTANG A BACKWARD PLACE KARYA R. P. JHABVALA (Cultural Negotiation and Power Dialectics in (Post)Colonial Discourse: A Discussion on R. P. Jhabvala’s A Backward Place)
Authors: Mayasari Fitria 
Published: August 2017

Penyajian sejumlah teks sastra poskolonial berusaha mengubah citra dunia ketiga dalam dikotomi kaku dunia pertama/dunia ketiga, namun malah menunjukkan apa yang disebut Bhabha colonial mimicry di mana permasalahan ‘nativism’ justru mengasingkan isu identitas (origin) dan membentuk situs kekuasaan baru (Gandhi, 1998). Karya-karya Ruth Prawer Jhabvala, khususnya novel A Backward Place, mengindikasikan gejala tersebut. Esai ini membahas negosiasi budaya dan dialektika kekuasaan yang mengaburkan batasan-batasan biner kerangka pemikiran kolonial. Pendekatan yang digunakan dalam analisis adalah pendekatan poskolonial. Analisis dalam esai ini berfokus pada persilangan kedua ideologi yang bertentangan pada ranah publik dan pada ranah domestik. Esai terlebih dahulu memetakan relasi kuasa di antara pribumi dan ekspatriat dalam narasi. Selanjutnya, negosiasi budaya dan dialektika kekuasaan dibahas berdasarkan pemetaan tersebut. Persilangan dua ideologi yang bertentangan dalam pemetaan kekuasaan yang sudah dianalisis menghasilkan narasi yang ambivalen.Abstract: Many of postcolonial texts attempts to change the third world image within the rigid dichotomy first world/third world. However, their presentation ended up being what Bhabha called colonial mimicry in which the problem of ‘nativism’ alienates orginal identity and creates a new power site (Gandhi, 1998). Ruth Prawer Jhabvala’s works, specifically the novel A Backward Place, indicate the exact symptoms. This essay discusses cultural negotiation that blur boundaries between colonial dichotomy using postcolonial approach. Analysis focuses on the crossings of two contradicting ideologies both in public and domestic spheres. First, power relation between the natives and expatriats in the narrative is mapped. Second, cultural negotiation and power dialectics is discussed based on that power relation mapping. The crossings of two conflicting ideologies is making the narrative ambivalent.
TRANSFORMASI SANGKURIANG DALAM GODI SUWARNA (Transformation of Sangkuriang in Godi Suwarna’s)
Authors: Hidayat, S.Pd., M.Hum. Sarip 
Published: August 2017

Sangkuriang dikenal sebagai tokoh dalam legenda orang Sunda. Tokoh ini kemudian banyak ditransformasikan ke dalam berbagai karya sastra. Salah satu karya sastra yang mentransformasikan tokoh ini adalah fiksi mini karya Godi Suwarna. Enam karyanya dalam buku Lalakon Awon, Godi Suwarna mentransformasikan tokoh ini menjadi seorang tukang perahu. Penelitian ini bertujuan mendeskripsikan struktur teks, transformasi, dan pemaknaannya. Berdasarkan penelitian, diketahui bahwa struktur cerita Sangkuriang bentuknya sederhana, baik dari segi alur, tokoh, maupun latarnya. Selain itu, transformasi ditengarai terjadi berupa ekspansi dan konversi. Adapun makna yang didapatkan umumnya tentang kearifan memaknai hidup.Abstract: Sangkuriang is known as a main figure in the legend of the Sundanese people. The figure has been transformed into various literary works. One of the literary works transforming it is a short fiction by Godi Suwarna. In the six works in the book of “Lalakon”, he transformed the figure into a boatman. This study aims to describe the structure of the text, the transformation, and the meaning. The result of the research finds that the structure of the Sangkuriang story is simple in terms of plot, character, and its background. In addition, the transformations occur in the form of expansion and conversion. Moreover, the meaning of the stories is mostly about life wisdom.
Study of risk taking behaviors and practices long route drivers in Dharan Municipality of Eastern Nepal
Authors: Uprety Samyog , Ghimire A , Poudel M , Baral DD 
Published: August 2017

Background: Due to its perception as a disease of development, road traffic accident and related injuries tend to be under recognized as a major health problem in developing countries. However, majority of the world's fatalities on the roads occur in low income and middle income countries. Since the main cause of road traffic accident is attributed to human risky behaviors, it is important to identify significant factors for risky behaviors of drivers.Objective: To know the risk taking behavior among drivers and practices of driving.Methods: This population based cross-sectional study. The study was conducted in Dharan, a township in Eastern Nepal. The study population includes of all long route drivers who are registered in membership of vehicle organization. Modified semi structured questionnaire was used for data collection. SPSS version 11.5 computer software was used for data entry and analysis.Results: Majority of study population belong to 25-29 years group. Majority of the drivers had valid license (98%) and about 68.9% drivers didn’t had any formal driving training school prior starting driving vehicle Most of them drive in high speed at highways but majority ignored that they take alcohol while driving. with growing age, years of driving had correlation of accidents among drivers populationConclusion: Study population comprises of youth drivers and most they had valid lenience. With the growing age drivers are neglecting traffic rules and sings and young driver are driving vehicles with overconfidently Health Renaissance 2015;13 (3): 1-6
Clinical profile of retinoblastoma presenting in a tertiary care hospital, eastern Nepal
Authors: Lavaju Poonam , Badhu BP , Shah S , Chaudhary SK , Upadhyaya P 
Published: August 2017

Background: Retinoblastoma is the commonest primary intraocular malignancy of childhood. Under-standing the different modes of presentation with timely intervention are associated with prognosis.Objective: To determine the clinical profile of retinoblastoma and its association with optic nerve infiltration by tumor. Methods: A retrospective analysis of the clinical records and histopathological reports of patients admitted with retinoblastoma in a tertiary heath care center, eastern Nepal (June 2009 to July 2012) was carried out.Results: A total of 27 patients (28 eyes) with retinoblastoma were studied. The mean age at presentation was 2.89 ± 0.93 years. The mean duration of symptoms to presentation was 3.35 month, ranged from 7 days to 2 years. Male to female ratio was 3:2. Thirty-three percent patients were Muslims. Twentyseven patients (96.3%) had unilateral eye involvement. The commonest mode of presentation was leukocoria in 23 eyes (85.2%) followed by redness 9 eyes (33.3%), proptosis in 5 eyes (18.5%) and phthisis bulbi in one eye (3.7%). Histopathological reports of 26 eyes confirmed the diagnosis of retinoblastoma. One patient with distant metastases was referred to oncology center. Infiltration of the optic nerve by tumor cells was seen in five eyes (18.5%); of which two cases had proptosis (p-0.166). At two years follow up, recurrence was seen in one patient with proptosis and optic nerve infiltration (p-0.136). Age at presentation was positively associated with recurrence of tumor (p-0.005).Conclusion: Leucokoria was the most common mode of presentation of retinoblastoma. Larger sample size with longer follow up is required to come to a definite association with optic nerve infiltration by tumor. Health Renaissance 2015;13 (3): 129-136
Randomized controlled trial comparing outcome of use of staples and nylon sutures for closure in elective orthopedic surgery
Authors: Chaudhary Pashupati , Shrestha B P , Khanal G K , Rijal R , Maharjan R 
Published: August 2017

Background: Wound complications are one of the major sources of morbidity after orthopaedic procedures and can prolong the inpatient stay or lead to re-admission. The most commonly used methods for skin closure after orthopaedic surgery are metal staples or nylon sutures Both methods act to hold the skin edges together while healing occurs. Metal staples are said to be superior as they are regarded as quicker as and easier than sutures.Objective: To compare outcome of use of staples and nylon sutures for wound closure in elective orthopedic surgery in term of infection rate,cosmetic appearance(Scar), time taken for skin closure.Methods: It is randomised controlled trial done on patients undergoing elective orthopaedic surgery at department of Orthopaedics at BPKIHS were included in the study. During procedure patients were evaluated for time taken for suture application or any complications.Results: A total of 60 patients (38 male and 22 female) were included in the study. Twenty two patients were between 41-55 years age group followed by fifteen patients between 25-40 yrs, twelve patients less than 25 age group and eleven patients more than 55 years. The average blood loss is 5 ml in K-wire group and 145 ml in plate group. The procedure time is 33 mins as comprared to 53 mins in plate group.Conclusion: Metal staples are superior as they are regarded as quicker and easier than nylon sutures. But use of metal staples or clips has a greater risk of wound infection and less acceptable cosmetically than sutures. Metal staples are more expensive. Health Renaissance 2015;13 (3): 137-143
Evaluation Of The Overload Of Care In Families Of Psychiatric Patients In Psychosocial Care Center
Authors: Almeida Mayron Morais , Silva de Azevêdo Carlos Augusto , Milanez Oliveira Francisco Braz , Santos Márcia Sousa , Costa Pessoa Rosalba Maria , Penha Aryzaltina Silva , Dos Santos Thiago Sampaio , Alves Lobo Laynara Marla das Graças , Pereira Santos Girlane Caroline , Rodrigues de Araujo Sandra Helena , Coelho Rodrigues Nadja Nayara , Sousa Dayane Silva , Dos Anjos Lima Ava Fabian , Maia Alves Sara Regina Viana , Albuquerque Mariana Quitéria Silva , Alves de Sousa Costa Zilma Maria , Santos Cunha Juliane Danielly , Silva Leticia De Almeida da , Freitas Ananda Santos , Rodrigues Helayne Cristina , Conceição Hayla Nunes da , Lima Diellison Layson Dos Santos , Santos Francielle Borba dos , Sousa Thaismária Alves de , Costa João Victor De Sousa 
Published: July 2017

Introduction: The burden of care in family refers to the weight caused by the primary caregiver role to psychiatric patients and the difficulties encountered in performing this function in daily life.
Objectives: Assessing the objective and subjective overload of family members who live with the reality of psychiatric disorder in a child day-care psychosocial care center. Methods: Cross-sectional study, descriptive-exploratory, of quantitative approach, with non-probabilistic samples of accidental type with 80 families of psychiatric patients held in a Psychosocial Care Center. For overload evaluation, the subscales "B" and "D" of the Family Overload Rating Scale (FBIS-BR) were used.
Results: The study was conducted with 80 families of psychiatric patients. The average age of female caregivers was 39,6 years old, and 40,7 years old for male caregivers, with female predominance (87,5%) compared to men (12,5%), with low education for both genres. Family caregivers presented high objective burden due to excessive demand attention (p<0,001), heteroaggressiveness (p<0,001) and perplexing behavior of psychiatric patients regarding the supervision of problematic behaviors (p<0,001). The items on the impact on the family's daily routine have not helped to generate objective overload for the family members. On subjective overload, it was clear to observe familiar members with high degree of disturbance in all the dimensions assessed (p < 0,001).
Conclusion: The high degree of care overload observed in family members indicates the need to develop contacts with the family of the psychiatric patient to answer questions, offer support and assistance to the family caregiver.
Keywords: Caregivers. Patients. Mental Health Services.