bluuebunny/crossref_metadata_2025_split huggingface dataset:
Nurturing English regionalism: A new role for local newspapers in a federal UK?
Authors: Roberts Simon Gwyn 
Published: March 2017

Abstract
Any constitutional move towards a federal system in the United Kingdom would inevitably be unbalanced by England’s obvious economic, cultural and numerical dominance. Some form of English regional devolution is therefore essential if we are to progress as a multinational state post Scottish and Welsh devolution. This article adopts a deliberately polemical approach to a consideration of the potential role of regional English newspapers in that context, suggesting that their established links with a coherent audience, rooted in place, might allow them to act as a vehicle for debate and nurture a sense of regional identity often absent from contemporary English politics. Regional newspapers are ‘culturally specific’ and have a key role to play in articulating the popular experience of post-devolution political change: this might also present this struggling sector with valuable commercial opportunities as they take advantage of the new political paradigm to further embed themselves within their communities.
Animated ‘jams’: The secret joy of collective films
Authors: Hernández María Lorenzo 
Published: March 2017

Abstract
This article presents an overview on a rare genre from independent animation, the animated ‘jams’ or collective films, where all invited authors are free to contribute creatively to the ensemble. Animated ‘jams’ have, therefore, a great power to free the imagination, so that the results are virtually unrepeatable by another group of animators, much less through a planned work system. Therefore, animated ‘jams’ stimulate innovation, leading to experimental films that achieve notoriety at cinema and animation festivals because of their originality. Musicality, absurd humour, improvisation and abstraction are common features of these art films, where any narrative will remain in the background. Several examples of this unusual genre are discussed, from Marv Newland’s bold proposal to produce the film Anijam (Newland, 1984) – which shows a strong influence of the surrealistic ‘exquisite corpse’ – to learning experiences using the animated ‘jam’ as a strategy to introduce students to animation, often coordinated by renowned animators who share their techniques and procedures in the workshops. The article will also pay attention to a singular figure, Dr Miquel Guillem, who significantly supported the realization of animated ‘jams’ at Universitat Politècnica de València, as a teaching methodology that promotes collective work. Furthermore, this article will gather first-hand the production process of one of these ‘jams’: The Cat Dances with its Shadow (Lorenzo, 2012).
The changing face of students in New Zealand: Are visual arts teachers keeping pace?
Authors: Smith Jill 
Published: March 2017

Abstract
The changing face of students in secondary schools in New Zealand is evident from the population statistics in the 2013 national census. The greatest numbers of young people under 20 years now come from ethnically diverse groups. In contrast, visual arts teachers remain predominantly European New Zealand. This article reports on research conducted in 2015 that investigated how secondary school visual arts teachers are responding to the increasing ethnic and cultural diversity of their students. It focuses on one key finding – that 16–18-year-old students who study visual arts at years 12 and 13 are being empowered by their predominantly European New Zealand teachers to express their individual identities using three pedagogical approaches. The stories of the students, articulated through the voices of their visual arts teachers, are visualized in examples of their artworks. The data illustrates how these teachers are keeping pace, albeit in differing ways.
The Museum of Innocence: Five concepts for challenging the status quo in art education
Authors: Soganci Ismail Ozgur 
Published: March 2017

Abstract
In 2012, novelist Orhan Pamuk, recipient of the 2006 Nobel Prize in literature, created a museum in Istanbul, Turkey. Awarded ‘European Museum of the Year’ by the Council of Europe in 2014, Pamuk’s Museum of Innocence represents a personal, local and small-scale model for museums. Crafted first as a novel of fiction and later as a real-life museum, the interplay of the novel–museum duo unfolds a love story through a collection of objects. The article, investigating Pamuk’s curatorial lenses in arranging the museum collection, elaborates on five concepts extracted from this unconventional museum: Proximity to everyday objects, suggestiveness, polyphony, enquiry through the arts, and emphasis on the individual. By examining these key concepts in relation to and within the museum context, the article encourages discussion to challenge the status quo in approaching artworks and provides insight towards relevant practice for art educators who have close proximity to current art practices in art museums and similar institutions.
Dancing in the gallery: Opening children’s eyes and mobilizing their responses to art, reflections on a DART project
Authors: Snook Barb , Brown Carol 
Published: March 2017

Abstract
Well into the twenty-first-century performing and visual arts education and practice are at a critical juncture. While the demands on arts practitioners (including teachers, performers and artists) have become increasingly interdisciplinary and collaborative, training and education in arts within mainstream education in Aotearoa, New Zealand, remain tied to discrete disciplinary categories. Students study music, dance, visual arts and drama and specialize in one or more of these as they progress, but where do we see them learning about these arts forms in combination and dialogue? The Dance and Art (DART) project aims to create an interdisciplinary and intergenerational model of peer-to-peer learning that is collaborative, situated and culturally relevant.
‘Getting milk from the chicken’: Hospitality and hospitableness in Bulgaria’s mass tourism resorts
Authors: Bethmann Carla 
Published: March 2017

Abstract
This chapter explores notions and practices of hospitality among tourism workers in the Bulgarian coastal resort of Golden Sands. At its centre is the question whether it is justified to speak of hospitality in the context of service production in a mass tourism resort. Based on ethnographic data and building on Elizabeth Telfer’s notions of the good host and hospitableness, it investigates the provision of commercial hospitality in Golden Sands in the late socialist period and under the conditions of post-socialist mass tourism development. Practices of hospitality were markedly influenced by the transformation of the organization of tourism in the resort. Changes in the organization of labour and the post-socialist tourism boom had a profound effect on workers’ ability to be good hosts and to create moments of hospitableness in their daily interactions with tourists.
The Hospitable Meal Model
Authors: Justesen Lise , Overgaard Svend Skafte 
Published: March 2017

Abstract
This article presents an analytical model that aims to conceptualize how meal experiences are framed when taking into account a dynamic understanding of hospitality: the meal model is named The Hospitable Meal Model. The idea behind The Hospitable Meal Model is to present a conceptual model that can serve as a frame for developing hospitable meal competencies among professionals working within the area of institutional foodservices as well as a conceptual model for analysing meal experiences. The Hospitable Meal Model transcends and transforms existing meal models by presenting a more open-ended approach towards meal experiences. The underlying purpose of The Hospitable Meal Model is to provide the basis for creating value for the individuals involved in institutional meal services. The Hospitable Meal Model was developed on the basis of an empirical study on hospital meal experiences explored through different epistemological positions and inspired by a sociomaterial assemblage approach. It frames an ontological position that considers meal experiences as dynamic, relational and socially constructed and supports the idea that meal experiences create different values and can be unpredictable.
Reviews
Authors: Wall Geoffrey , Chawla Gaurav , Ringham Kate , Kaya Burcu , Tjolle Valere 
Published: March 2017

Abstract
Poverty Alleviation through Tourism Development: A Comprehensive and Integrated Approach, Robertico Croes and Manuel Rivera (2016) Waretown, NJ: Apple Academic Press, xxi + 246 pp., ISBN: 9781771881418, h/bk, £89.00
Sustainability in Hospitality: How Innovative Hotels are Transforming the Industry, Miguel Angel Gardetti and Anna Laura Torres (eds) (2016) Sheffield: Greenleaf Publishing Limited, vi + 263 pp., ISBN: 9781783532643, h/bk, £80.00
CSR and Sustainability: From the Margins to the Mainstream: A Textbook, Michael Hopkins (ed.) (2016) Sheffield: Greenleaf Publishing Limited, xxvii + 465 pp., ISBN: 9781783534463, h/bk, £80.00
The Seductions of Pilgrimage: Sacred Journeys Afar and Astray in the Western Religious Tradition, Michael A. Di Giovine and David Picard (eds) (2015) Farnham, Ashgate, ix + 266 pp., ISBN: 9781472440075, h/bk, £70.00
Tourism and National Identity: Heritage and Nationhood in Scotland, Kalyan Bhandari (2014) Bristol: Channel View, xiii + 154 pp., ISBN: 9781845414474, p/bk, £24.95
The Norwegian municipal music and art schools in the light of community music
Authors: Rønningen Anders 
Published: March 2017

Abstract
The Norwegian Municipal Music and Art Schools (MMAS) hold an important function in the Norwegian society, providing education and cultural activities on a weekly basis for some 103,000 kids. This article discusses the MMAS in the light of Community Music values. Orienting the discussion around three focal themes – Access and participation, Social aspects and Frames and flexibility – the article identifies both resemblances and contrasts between community music and MMAS practice and philosophy. A recently published curriculum plan for the MMAS is addressed and discussed in the article, and it is claimed that this new curriculum plan pulls the field in a direction towards more community like practice. This may imply a new perspective on what should be the MMAS’ core activities, and from that also follows that there might be a need for new and more relevant competences among the teachers.
Haile Gerima’s Sankofa experience: Man, mission, movie, movement
Authors: Hamilton-Wray Tama Lynne 
Published: March 2017

Abstract
The collective memory of the slave experience is imprinted on the minds and hearts of many African descendants in the Americas. However, many do not recognize or acknowledge this memory until it is pricked by an image, story or an experience. Sankofa, the 1993 slave narrative film by Ethiopian director Haile Gerima, did just that. Drawing on press accounts, oral history and critical analysis of Sankofa, this study adopts a Third Cinema framework to explore the distribution and reception of Sankofa with its primarily African American audience. This study asserts that Sankofa’s institutional dynamics contributed to an activist movement around the film. Further, the film’s narrative and form, specifically Gerima’s adoption of five key cinematic strategies, privileged the black spectator in a dialectical exploration of slave history.
Experimental cartographies in Tariq Teguia’s Inland
Authors: Victor Anna 
Published: March 2017

Abstract
This article argues that Tariq Teguia’s 2008 film Inland establishes a new frontier for North African cinema with the creation of a unique visual style that moves away from the thematic considerations of national cinema. Teguia’s work can be located within that of an emergent ‘cinema d’auteur’, which privileges an aesthetic exploration of the political and philosophical. Teguia’s film provides a visual and spatial form for a mapping of postcolonial Algerian space inspired by the journey of a clandestine migrant who, originally heading to Europe, reverses her path midway through the film in order to travel back to sub-Saharan Africa, thus marking a shift from an economy of extraction-oriented north to an analysis of spatial production turned towards the global south. This reversal of a dominant narrative of migration enables Teguia to generate an experimental cartography that theorizes an interior as a site of infinite space.
Book Reviews
Authors: Mistry Jyoti , Shoroye Lillian Omolara 
Published: March 2017

Abstract
AFRICA’S LOST CLASSICS: NEW HISTORIES OF AFRICAN CINEMA, LIZELLE BISSCHOFF AND DAVID MURPHY (EDS) (2014) London: Legenda – Modern Humanities Research Association and Maney Publishing ISBN: 9781907975516, 271 pp., hardback, £75, $99
AUTEURING NOLLYWOOD: CRITICAL PERSPECTIVES ON THE FIGURINE, ADESHINA AFOLAYAN (ED.) (2014) Ibadan: University Press PLC ISBN: 978780698287, xxii + 457 pp., paperback, $42.95
The roads to Gissing’s Grub Street: An interview with Christopher Douglas
Authors: Ue Tom 
Published: March 2017

Abstract
Gissing’s 1891 novel New Grub Street follows the careers and personal lives of a number of writers, including Edwin Reardon and Jasper Milvain, as they negotiate with the increasingly globalized publishing industry of Victorian England. BBC Radio 4’s latest adaptation is in two 58-minute episodes that aired on 3 and 10 September 2016. Earlier dramatizations include three one-hour episodes, on 13, 20 and 27 August 1972, produced by Jane Morgan and adapted by Gabriel Woolf (Coustillas 1972: 19); and on 8, 15 and 22 September 2002, produced by Janet Whitaker and dramatized by Tony Ramsay (Coustillas 2002: 21). The latter adaptation was uniformly praised by Paul Bailey in the TLS (11 October 2002): ‘Tony Ramsay’s three-part serialization of Gissing’s dank masterpiece was exemplary in every particular, and Janet Whittaker’s production could not be faulted’. Harold Pinter performed the role of the narrator in this adaptation. Bailey calls attention to the resonance that the novel has for those in the literary world, both in the nineteenth century and beyond: ‘Tony Ramsay’s brilliant adaptation told Radio 4’s substantial audience many salutary truths about the lives of those writers who weren’t Dickens or Thackeray or George Eliot. I hope, too, that it caused them to realize that nothing much has changed in what is known as the “literary world”’.
Directed and produced by Gary Brown, BBC Radio 4’s new adaptation of New Grub Street was recorded at BBC Drama North’s studios in Salford Quays in Manchester from 5–8 July 2016. It stars adaptor Christopher Douglas as Gissing; Henry Lloyd-Hughes, Milvain; Sam Alexander, Reardon; Emily Pithon, Amy and Edith; and Olivia Hallinan, Marian. Since 2005, Douglas has co-written and starred in Ed Reardon’s Week, which won the Radio Programme of the Year in 2005 and again in 2010 at the Broadcasting Press Guild Awards. A novelization of the first series appeared in 2005. A prolific writer, Douglas has worked on theatre, radio, television, books and journalism, and his credits include How to be Eighteenth Century (2006) for BBC4 and BBC2 and How to be Edwardian (2007) for the former. As I have suggested in my article on Gissing’s revival in the TLS (6 October 2016), Douglas imaginatively brings together Gissing the man and his oeuvre, a link established, for instance, by the doubling of Pithon as Reardon’s wife Amy and Gissing’s second wife Edith Underwood. Douglas makes a number of fresh in-roads into the novel: it is never clear with which writer character Gissing identifies. Here, Gissing is visibly juggling between three (i.e., Milvain, Reardon and Alfred Yule). In the following interview, I discuss with Douglas his research into Gissing, the synergies between fact and fiction that are brought to bear in this adaptation and the storylines that he retains and omits from New Grub Street.
University musicians’ experiences in an iPad ensemble: A phenomenological case study
Authors: Verrico Kristina , Reese Jill 
Published: March 2017

Abstract
This phenomenological case study describes the lived experiences of eleven university music majors participating in an iPad ensemble. The research was guided by the following question: What are their perceptions of their experiences using technology to create and perform music in an iPad ensemble? Participants were six music education majors and five music therapy majors. They met for seven weeks and concluded with a performance that included original compositions, improvisations and cover songs. Data included weekly written reflections and interviews with each participant. The essence of their experience was a sense of freedom from restrictions imposed by previous formal training and a feeling of empowerment developed through collective exploration and creativity in an autonomous environment free from judgement. Four themes support the essence: (1) informal and judgement-free context; (2) exploration, socially constructed knowledge and collaboration; (3) democracy, shared leadership and autonomy and (4) process and enjoyment.
Pursuing paradise: Jewish travel comics as feminist spiritual quests
Authors: Kahn Ariel 
Published: March 2017

Abstract
Although much has been written about the impact of Jewish culture and identity on comics and graphic novels, to date, no culturally specific hermeneutic has been used to expand our understanding of the relationship between Jewish comics and the cultural matrix in which they are formed. The relationship between Kabbballah and Literary criticism has been explored by Bloom, Handelman, Wolffson and others. However, once again, it has never been applied to comics, despite the deeply visual nature of Kabbalistic imagery and symbolism. I will utilize the celebrated Kabbalistic ‘travel’ narrative of the Four Sages who enter the Pardes, the Orchard, or Paradise, which will serve as a paradigm for analysing the work of four female autobiographical comics artists. In the Rabbinic tradition, PaRDeS became an acronym for four layers or levels of interpretation – Peshat, the literal meaning of a text, Remez, its symbolic structure, Drash, its relationship to other texts, and Sod, its mystical meaning. Each of the four sages represents a model of a particular approach, and the fate they meet acts as a critique of the potential reductiveness of that approach, if used exclusive of the others. I explore the work of four female artists who mediate between personal and collective quests for meaning in their work, focalized through their own experiences. All of these artists were featured in the touring exhibition Graphic Details, curated by Sarah Lightman and Michael Kaminer. Sarah Glidden and Miriam Libicki visit Israel as outsiders, and write from Diasporic perspectives; Glidden struggles with received ideology on a Zionist Birthright tour, while Libicki seeks to embed herself in the army, and pass as ‘fully Israeli’. Sztokman argues that ‘the “Israel” that Diaspora Jews prefer to usher into their identities remains a powerfully and singularly male construct’. In addition to deconstructing this masculine construct from a Diasporic perspective, the inclusion of work by Israeli artists Racheli Rottner, and Illana Zeffren, reflecting on their relationship to the Diasporic vision of faith and identity, provides more nuanced and alternative models of cultural critique and religious dialogue from Israeli perspectives. I seek to initiate a mutually enriching dialogue between Kabbalah and comics, interweaving a feminist interpretation of the Kabbalistic story with a Kabbalistic reading of these feminist comics, which celebrate the power of Jewish narrative, symbolism and hermeneutics in subtle and surprising ways.
Snowball Effect of Interest Rate as a Control Instrument On Inflation Framework Targetingin Indonesia
Authors: Sriyono Sriyono 
Published: March 2017

Afterthe monetary crisisthe government changes its monetary policy strategyby using a new paradigm that Inflation Targeting framework. This new paradigm has been confirmed in Law No.23 of 1999and UUNo3 of 2004as the basis forthe application of Inflation Targeting Framework inIndonesia The purpose ofthis studywas to determine whether interest rates only impact on inflation or even cause greater impact on other monetary variables. It is very important to knowthe impact,by knowing the impact it can avoid unwanted conditions Data of research is collected since 1970 to 2013, hypothesis testing is used econometric models. The main advantages of econometric models for being able to handle the mutual dependence (interdependence). Beside that econometric model is an invaluable tool for understanding the workings of the economic system and so to test and evaluate policy alternatives andhypothesis testing using multiple regression. The result of this study showed that this study indicate the interest rate turns out not only as an instrument of control of Inflation Targeting Framework but cause a snowball effecton other monetary variables that further strengthen themechanismonInflationTargetingFramework
Structure Analysis and Diversity of Bacterial Community and their Resistance Determinants in a Nickel-Contaminated Soil in Southwest Slovakia
Authors: Remenár Matej , Karelová Edita , Harichová Jana , Kamlárová Anna , Krčová Kristína , Zámocký Marcel , Ferianc Peter 
Published: March 2017

Abstract
In this study we aimed to analyse the structure and diversity of overall bacterial community and its resistance determinants from nickel-contaminated soil in Slovakia by both, cultivation-dependent and independent approaches. The phylogeny was reconstructed using partial sequences of 16S rRNA (16S rDNA) and heavy-metal resistance genes from separated isolates and bacterial clones. A total of 518 bacterial sequences obtained from both, isolates and clones, represented 266 species belonging to 8 bacterial phyla: Acidobacteria, Actinobacteria, Bacteroidetes, Cyanobacteria, Firmicutes, Gemmatimonadetes, Proteobacteria (α-, β- and γ-classes), Verrucomicrobia, and one yet unclassified group. In addition, among isolates and clones, 49 different nccA-like genes were found in the final output. Majority of them were assigned to a system of transmembrane metal pumps. Our results demonstrate the fact that the nickel-contaminated soil is able to present very specific heavy-metal resistant bacterial community which can be used in different bioremediation processes.
Response of Tomato Plants (Solanum lycopersicum) to Stress Induced by Sb(III)
Authors: Peško Matúš , Molnárová Marianna , Fargašová Agáta 
Published: March 2017

Abstract
Presented study evaluates effects of various Sb(III) concentrations on tomato plants (Solanum lycopersicum) cultivated hydroponically. Visual symptoms of antimony toxicity were observed only at two highest applied concentrations (50 and 100 mg/L). Dry weight of aboveground parts decreased significantly in variants treated with 25, 50 and 100 mg/L Sb(III), by ~12, 35 and 65 %, respectively, in comparison to the control. Statistically significant decrease of chlorophyll a and b was observed only after application of two highest studied concentrations 50 and 100 mg/L Sb(III). On the other hand concentration of total carotenoids in leaves rose with increasing external Sb(III) concentration. High concentrations (50 and 100 mg/L) of Sb(III) in nutrient solution caused that protein content in leaves dropped by ~20 and 39% relative to control. Accumulation of antimony in roots was about 5- (10 mg/L) to 27-times (25 mg/L) greater than that in shoots. The highest BAF factor value determined for shoots was ~55 at 10 mg/L Sb(III) and for roots it was ~821 at 50 mg/L Sb(III). Translocation factor values were in whole studied concentration range 5 – 100 mg/L Sb(III) < 1. The most effective translocation of antimony from roots to shoots was observes for variants treated with 10 mg/L of Sb(III).