bluuebunny/crossref_metadata_2025_split huggingface dataset:
The Value of the Pediatric Skeletal Examination in the Autopsy of Children
Authors: Love Jennifer C. , Wiersema Jason M. , Derrick Sharon M. , Haden-Pinneri Kathryn 
Published: April 2017

The pediatric skeletal examination (PSE) is an autopsy technique recommended for pediatric cases suspicious for nonaccidental injury. The technique requires the reflection of the musculature and periosteum of the ribs, clavicles, long bones, and scapulae, and inspection of the bone surfaces and chondro-osseous interfaces. The technique is time consuming, labor intensive and possibly disfiguring. Therefore, the value of the technique must be measured against the cost. The present study was designed to evaluate the impact of the PSE on the sensitivity of the autopsy. A non-randomized retrospective review of 94 autopsy reports was done. The cause and manner of death for each case was classified as blunt force trauma and homicide. Half of the sample received a PSE during the autopsy and half did not. The number of rib and long bone fractures noted in the reports was significantly greater in the group that received the PSE. The number of cranial, scapular and clavicular fractures was not significantly different between the two groups. The PSE does not increase the visibility of the neurocranium; therefore, a difference in the number of cranial fractures was not expected. Scapular and clavicular fractures were rare in the study population. The insignificant difference between the two groups may be a reflection of the rarity of the fracture as opposed to the sensitivity of the PSE. The results of the study indicate that the PSE increases the sensitivity of the pediatric autopsy with respect to long bone and rib fractures.
Sastra Jawa Kuna: Sebuah Cermin
Authors: Suarka I Nyoman 
Published: April 2017

Artikel ini bertujuan menjelaskan keberadaan sastra Jawa Kuna, kontribusinya, dan juga keterkaitannya dengan kehidupan Indonesia. Para pendiri Indonesia telah menemukan nilai-nilai di dalamnya dan menggunakannya sebagai nama ideologi, semboyan, dan simbol negara. Sastra Jawa Kuna bisa digunakan sebagai sumber untuk memahami kehidupan masyarakat di masa lalu. Selain itu, nilai-nilai tersebut bisa digunakan sebagai panduan hidup.

Abstract:
This writing is aimed to explain the existence of old Java literature, its contribution and also its relevance for Indonesian’s live. The Indonesian founders have discovered the values in it and used it as a name of state ideology, country motto, and state symbol. Old Java literature can be used as a source to understand society life in the past. In addition, the values can be used as life guidance.

Keywords: old Java literature, relevance, value
Proses Menjadi dalam Novel Tarian Setan Karya Saddam Hussein dan Siddhartha Karya Hermann Hesse
Authors: Sariban Sariban 
Published: April 2017

Artikel ini bertujuan menjelaskan pemikiran filsafat dalam novel Tarian Setan dan Siddharta (2007). Kumpulan pemikiran filsafat yang dibangun adalah hasrat karakter sebagai representasi manusia sehingga semua argumen yang dibangun berakar pada latar belakang kemunculan hasrat, proses hasrat, dan hasil hasrat. Berdasarkan pemikiran filsafat, bisa disimpulkan bahwa Hasqil dan Siddharta memiliki hasrat menjadi karena pengaruh imitasi, mimetik. Dalam proses menjadi yang disebabkan oleh mimetik, bisa diidentifikasi bahwa Hasqil lebih memiliki hasrat fisik, agresif, sementara Siddharta memiliki hasrat psikologis, reseptif. Sebagai subjek yang memiliki hasrat menjadi, Hasqil dan Siddharta bisa dianggap sebagai korban karena keduanya tidak pernah bebas dalam menentukan hasratnya sendiri. Individu adalah korban lingkungannya. Ironi tentang keterjebakan manusia pada hasrat libidinal telah didemonstrasikan oleh kedua karakter tersebut. Hasqil telah terjebak dalam hasrat libidinal sehingga menjadi orang gagal, sementara Siddharta secara sengaja menjebak dirinya sendiri untuk proses kesadaran menjadi karena prinsip bahwa hidup adalah tindakan. Hasrat kematian selalu menjadi bagian dari proses menjadi untuk tiap individu. Kematian adalah sebuah pelarian dari ketidakbahagiaan dan harapan untuk sekaligus meraih kebahagiaan.

Abstract:
This paper is aimed to explain the philosophical way of thinking in the novels Tarian Setan and Siddharta (2007). The collection of a way of thinking built is the character’s desire as a human representation so that all arguments built are rooted in the background of desire emergence, desire process, and desire result. Based on the philosophical way of thinking, it can be concluded that Hasqil and Siddharta have a desire of being for the influence of imitation, mimetic. In the process of being caused by the mimetic, it can be identified that Hasqil has a more physical desire, aggressive, whereas Siddharta has a psychological desire, receptive. As a subject having a desire of being, Hasqil and Siddharta can be regarded as victims since both have never been free in deciding their own desire. Individuals are their environment’s victims. The irony of human entrapment towards libidinal desire has been demonstrated by the two characters. Hasqil has been trapped in the libidinal desire that he becomes a failed person, whereas Siddharta has intentionally trapped himself for the process of consciousness of being because of a principle that life is action. The desire of death has always become a part of the process of being for every individual. Death is an escape from unhappiness and a hope to get a hold of happiness all together.

Keywords: process of being, desire, Tarian Setan, Siddharta
Telaah Estetika dalam Novel Nayla Karya Djenar Maesa Ayu
Authors: Sugiarti Sugiarti 
Published: April 2017

Sebuah karya sastra adalah produk kreativitas seorang pengarang dalam memandang kehidupan dan lingkungan sosial ketika karya tersebut diperkenalkan. Dalam proses kreatifnya, seorang pengarang melakukan kerja keras dan serius dalam berbagai dimensi kehidupan dengan realisasi estetiknya dan berujung pada proses imajinatif, kontemplatif, reaktif, reflektif, dan refraktif. Ini dilakukan untuk merepresentasikan karya-karya sastra pengarang. Oleh karena itu, estetika diinternalisasikan ke dalam karya-karya sastra beserta genrenya. Masalah estetika sastra adalah aspek menarik untuk diteliti karena mewarisi gagasan kontemporer mengenai simbol dan pengalaman estetik dengan sifat uniknya. Dalam perjalanan kontemplasinya, seorang pengarang terkadang dihadapkan pada sebuah kontradiksi antara konvensi dan kreasi yang membuat pembacanya terkejut. Fenomena yang hampir sama terjadi dalam novel berjudul Nayla karya Djenar Maesa Ayu. Dalam novel ini, pengarang memiliki semacam kesensitifan untuk menghadapi sebuah objek dan kemampuan untuk menyerap makna keindahan. Keindahan tersebut ditata dengan menghubungkan sifat subjek dan objek melalui keterampilan dalam menata dan mengombinasikan bahasa. Itulah cara bagaimana seorang pengarang bekerja dalam koridor estetika untuk mengekspos konflik, perjuangan, dan dominasi dalam teks sastra.

Abstract:
A literary work is an author creativity product in seeing life and social environment in the time when the work is introduced. In his creative process, an author performs a hard and serious work on various life dimensions with their esthetic realization that ends in the imaginative, contemplative, reactive, reflective, and refractive process. This is done to represent the author’s literary works. Therefore, esthetics is internalized in the literary works along with their genres. The issues on esthetics in literature are interesting aspects to investigate since they inherit contemporary ideas pertaining to symbols and esthetic experience with its unique features. In his journey of contemplation, an author is sometimes confronted with a contradiction between convention and creation that makes the readers get surprised. Almost similar phenomenon takes place in the novel entitling Nayla written by Djenar Maesa Ayu. In this novel, the author has a kind of sensitivity to face an object and ability to absorb the sense of beauty. The beauty is arranged by relating the nature of subject and object through the skills in arranging and combining languages. That is the way how an author works in esthetic corridor to expose conflicts, struggles, and domination in literary texts.

Keywords: creative process, esthetics, reality of subject and object
Pola Pencapaian Kesadaran Tokoh Utama Perempuan Tertindas Dalam Novel Far From The Madding Crowd Karya Thomas hardy dan The Tenant Of Wildfell Hall Karya Anne Bronte
Authors: Leiliyanti Eva 
Published: April 2017

Tulisan ini bertujuan mendeskripsikan pola pencapaian kesadaran tokoh utama perempuan tertindas dalam novel Far from the Madding Crowd karya Thomas Hardy dan The Tenant of Wildfell Hall karya Anne Bronte dengan pendekatan feminis. Tokoh utama bemama Bathsheba dalam Far From the Madding Crowd, sadar bahwa hidupnya berada dalam lingkungan patriarkal dan tertindas oleh dominasi laki-laki ketika ditinggal pcrgi suaminya Meskipun akhimya mcnikah dengan laki-laki yang dianggap lebih mencintainya, Bathsheba tetap berada pada posisi tersubordinasi oleh laki-laki. Kesadaran tokoh utama perempuan bemama Helen pada posisinya yang tertindas oleh laki-laki dan lingkungan patriarki dalam The Tenant of Wildfell Hall muncul saat mengetahui perselingkuhan suaminya. Agar dapat hidup bebas dan mandiri, Helen melarikan diri dari suaminya. Pilihan Anne Bronte pada solusi menuju zona liar untuk membebaskan perempuan dari ketertindasan menunjukkan konsistcnsinya sebagai perempuan pengarang, sedangkan laki-laki pengarang (Thomas Hardy) memilih menempatkan tokoh perempuannya tetap bertahan dalam komunitasnya

Abstract:
This article aims to describe the awareness achievement pattern of the female main character being oppressed in Thomas Hardy's novel, Far From the Madding Crowd and Anne Bronte's novel. The Tenant of Wildfell Hall, by means of feminism approach. The main character in Far From the Madding Crowd, Bathsheba, realized that her life is in patriarchal surroundings and being oppressed by male domination when she was left by her husband. Although, she eventually got married to a man loving her more. Bathsheba is still in the position of subordinated by a male. The awareness of female character named Helen, in her position of being oppressed by male and patriarchal surroundings in The Tenant of Wildfell Hall, emerged when she found her husband adultery. To live free and liberated, Helen ran away from her husband. Anne Bronte's choice to a solution heading for the wild zone in Liberating women from oppression indicates her consistency as an author female; whereas. author male (Thomas Hanly) chose to set his female character to persist with her community.

Keywords: awareness, oppressed woman, patriarchal, feminism
Representasi Feminisme dalam Novel Nayla Karya D.Jenar Maesa Ayu
Authors: Pramujiono Agung 
Published: April 2017

Penelitian ini bertujuan mendeskripsikan secara objektif representasi feminisme dalam novel Nayla karya Djenar Maesa Ayu. Data penelitian adalah perataan, perbuatan, dan peristiwa yang dialami oleh tokoh utama, Sumber data penelitian adalah novel Nayla karya Djenar Maesa Ayu edisi kedua yang diterbitkan oleh Gramedia pada tahun 2005. Data dikumpulkan mclalui teknik dokumentasi dan dianalisis secara deskriptif. Berdasarkan analisis data, dapat disimpulkan bahwa Nayla adalah sebuah novel dengan pengarang yang secara sadar ingin memperjuangkan hak-hak perempuan, terutama yang berkaitan dengan seksualitas. Tokoh pcrempuan dalam Naylai adalab seorang perempuan superior, bukan inferior, seorang perempuan yang 'mendominasi' laki-laki, bukan yang 'didominasi' oleh laki-laki. Pengarang juga berusaha untuk mengangkat posisi perempuan dengan menghadirkan seorang karakter perempuan yang menemukan kesadaran akan eksistensi diri, menyadari makna kebidupan dan hidup. Para tokohnya adalah perempuan- perempuan profesional yang bahkan dapat disejajarkan dengan para laki-laki. Mereka adalah tokoh perempuan yang jarang mengurusi urusan rumah tangga Terkait dengan seksualitas, sang tokoh (si pengarang) berpendapat bahwa perempuan tidak selayaknya diperlakukan sebagai objek semata, retapi seharusnya juga memiliki kesempatan untuk bersenang-senang dan disenangkan.

Abstract:
This research aims to describe objectively the representation of feminism in the novel Nayla by Djenar Maesa Ayu. The research data are speeches, actions, and happenings experienced by the main character. The source of the data was the novel Nayla by Djenar Maesa Ayu second edition published by Gramedia in 2005. The data were collected through documentation technique and analyzed descriptively. Based on the analysis of the data, it could be concluded that Nayla was a novel whose author consciously wished to struggle for women rights, especially those related to sexualities. The female character in Nayla is a superior woman, not an inferior one; a female who 'dominates' males, not the one who 'is dominated' by males. 'The author also strives to raise women's positions by presenting a female character who has found a consciousness of self-existence, realized the meanings of life and living. The characters are professional women who can even be equalized with men. 'They are female characters who seldom take care of domestic households. Related to sexualities, the character (the author) has the opinion that women should not have been treated as objects only, but should also have been given opportunities to enjoy themselves and to be spoiled.

Key Words: representation of feminism, radical feminism
Tio Ie Soei Dan Nona Tjoe Joe (Pertjinta'an Jang Membawa Tjilaka): Tegangan Antara Konservatif dan Modern
Authors: Susanto Dwi 
Published: April 2017

Nona Tjoe (Pertjinta'an Jang membawa Tjilaka) adalah sebuah cerita yang berbeda dari pcngarang ccrita peranakan China pada era 1920. Cerita ini juga memberikan karakteristik yang berbeda dari cerita-cerita Tio le Soci. Tulisan ini bertujuan untuk mengeksplorasi dan mcnjclaskan keadaan kehidupan sosial masyarakat/komunitas China yang ter-refleksi dalam Nona Tjoe Joe. Dengan memfokuskan pada representasi kehidupan komunitas China, tulisan ini berusaha mcnjawab beberapa pertanyaan "dimanakah kita sekarang dan apa yang terjadi dengan kehidupan kita sekarang dan akan datang" (2) bagaimana masyarakat China merespon pengaruh Barat (3) dengan analogi posisi wanita, seperti apa pilihan identitas peranakan China. Untuk menjawab pertanyaan itu, artikel ini memfokusukan pada teks sebagai refleksi fakta sosial. Kemudian, refleksi itu dianggap sebagai fakta kemanusian seperti perasaan, identitas, strategi untuk. bertahan hidup masyarakat China

Abstract:
Nona Tjoe Joe (Pertjinta 'an Jang membawa Tjilaka) is a different story compared to other peranakan Chinese stories in 1920 era. This story also gives the characteristic different from the other Tio le Soe.i stories, The study aims to explore and explain the condition of social life of Chinese community as reflected in Nona Tjoe Joe story. Giving the focus on the representation of the Chinese life, this article attempts to give answers of t.hc following questions: (1) how did Chinese community give answer "where is now and what happen with our present time and future", (2) how did Chinese community responds to the West influence, (3) with analogy of women position, what was the choices of identity peranakan Chinese. To answer those questions, this article gives the focus on the text as a reflection of social facts. The reflection is considered as human fact of feeling. identity, strategy to defending life of Chinese community.

Keywords: reflection Chinese community, conservatism, modem
The Negotiation Between Queer Spectatorship and Queer Text on Riri Riza’s Soe Hok Gie
Authors: Maimunah Maimunah 
Published: April 2017

The emergence of young generation filmmakers who are more confident in depicting gender and sexual issues after the Soeharto era (1998), significantly changes the construction of sexual diversity in 2003-2006 Indonesian films. One of the considerable phenomena is the personal experience and social commitment to support sexual minorities such as gay and lesbian issues. At the same time Indonesian queer communities strive to read the discourse of homosexuality in different way. Physical contact and even intimacy between persons of the same-sex, in both public and private spaces, was common practice in Indonesian cultures, and did not carry any suggestion of homoerotic desire. In this Riri Riza’s film, Soe Hok Gie, however, cinematic technique, narrative and dialogue all contribute to an eroticising of same-sex relationships that is particularly perceptible in cultures that previously regarded physical and emotional interactions between persons of the same-sex as unremarkable. This article based on Benshoff and Griffin’s (2006) theory on queer film.

Abstrak:
Perkembangan film Indonesia setelah tumbangnya rezim Soeharto menunjukkan adanya fenomena di kalangan sutradara muda untuk mengeksplorasi tema tentang gender dan seksualitas. Isu tentang seksual minoritas seperti seksualitas gay dan lesbian adalah salah satu ciri yang cukup menonjol dalam film-film yang diproduksi setelah tahun 2003. Pada saat yang sama, penonton queer (seksualitas nonnormatif) terutama yang berasal dari komunitas queer membaca scene sebuah film terutama yang menampilkan kontak fisik dan keintiman antara orang-orang sesama jenis dengan cara yang baru. Dalam tradisi budaya Indonesia, kontak fisik dan keintiman itu tidak diterjemahkan dalam sebuah hubungan homoerotika . Pembacaan yang berbeda ditunjukkan pembaca dalam film Soe Hok Gie karya Riri Riza. Artikel ini menggunakan teori Queer Film yang dikemukakan oleh Benshoff dan Griffin (2006).

Kata-Kata Kunci: queer spectatorship, homoerotisisme, Soe Hok Gie
Potret Ketimpangan Sosial dalam Teks-Teks Sastra Indonesia Mutakhir
Authors: Karyanto Puji 
Published: April 2017

Tulisan ini membicarakan bagaimanakah fenomena ketimpangan sosial digambarkan dalam teks-teks sastra Indonesia mutakhir dan relasi antara potret ketimpangan sosial tersebut dengan realitas. Untuk menjawab dua persoalan tersebut digunakan pendekatan sosiologi sastra dan semiotika. Hasil penelitian menunjukkan bahwa di antara ketiga teks sastra yang diteliti, yakni “Sajak Burung-Burung Kondor”, teks drama Konglomerat Burisrawa, dan novel Larung sebagai representasi teks-teks sastra Indonesia mutakhir terdapat benang merah tematik, yakni fenomena ketimpangan sosial. Fenomena ketimpangan sosial dalam “Sajak Burung-Burung Kondor” disampaikan secara langsung dengan mengoposisikan perbedaan nasib yang dialami oleh dua kelas sosial. Fenomena ketimpangan sosial dalam Konglomerat Burisrawa disampaikan dalam bentuk komedi satir yang tidak bersifat langsung. Fenomena ketimpangan sosial dalam Larung disampaikan untuk memperkuat ilustrasi cerita utama yang berfokus pada kisah-kisah romantik dan epik tokoh-tokohnya dalam memperjuangkan prinsip-prinsip hidup. Makna atas penggambaran fenomena ketimpangan sosial dalam ketiga teks sastra tersebut adalah sebagai refleksi literer atas fakta sosial yang ada.

Abstract:
This paper will discuss two main issues of how the phenomenon of social inequality depicted in the Indonesian literary texts to date and the relationship between the portrait of social inequality with current realities. To answer there two questions, the sociology of literature and semiotics are used. Results show that among the three literary texts studied, namely the “Burung-Burung Kondor Rhyme”, dramatic text of Konglomerat Burisrawa, and novel Larung as a representation of Indonesian literary texts there are advanced thematic thread about the phenomenon of social inequality. The phenomenon of social inequality in the “Rhyme of Burung-Burung Kondor” is communicated directly by contrasting it with the fate differences experienced by these two social classes. The phenomenon of social inequality in the Konglomerat Burisawa is delivered in the form of indirect satirical comedy. The phenomenon of social inequality in Larung is made to strengthen the illustrations of feature stories that focus on romantic stories and the characters in the epic fight for the principles of life. The meaning of the depiction of social inequality in all three phenomena of literary text above is a literal reflection of existing social facts.

Key Words: testimony, social inequality, sociology of literature
Makna Mantra Melaut Suku Bajo
Authors: Uniawati Uniawati 
Published: April 2017

Mantra adalah salah satu genre puisi lama yang pembacaannya dimaksudkan untuk menimbulkan efek magis atau kekuatan tertentu. Mantra, dalam pandangan masyarakat Bajo, diyakini dapat memberikan kekuatan demi pencapaian tertentu terhadap suatu tujuan. Tulisan ini bertujuan untuk mengungkap makna yang terkandung dalam mantra melaut suku bajo. Data yang dianalisis terdiri atas dua mantra, yaitu mantra untuk memasang pukat dan mantra untuk mengatasi badai. Analisis yang dilakukan menggunakan teori semiotik menurut pandangan Michael Riffatere. Hasil analisis menunjukkan bahwa secara umum teks mantra melaut suku Bajo memiliki hubungan yang dekat dengan teks Alquran. Artinya, penciptaan mantra melaut mendapat inspirasi dari kandungan teks Alquran.

Abstract:
Spell is one of the old poetry genres that is used to raise particular power or magical effect. Spell, in the view of Bajo society, is believed giving a power to reach particular desire. This research is aimed to explore the meaning that is contained in Bajo society’s spell when going to sea. In this study, there are two spells analyzed, spell when going to put on seine and spell when going to handle the sea storm, by using Michael Riffatere’s semiotic theory. The result of this study shows that generally texts in the spell have a close relationship with Quran. It means that the making of spell when going to sea takes inspiration from Quran.

Key Words: Bajo of Etnic; spell when go to sea; Riffatere’s semiotic
Fecal Calprotectin Level as Diagnostic Marker for Intestinal Inflammation in Inflammatory Bowel Disease Patients
Authors: - Darmadi , Makmun Dadang , Sanityoso Andri , Shatri Hamzah 
Published: April 2017

Background: Inflammatory bowel disease diagnosis was still based on invasive examination, such as endoscopy and histopathology. Fecal calprotectin was a non-invasive intestinal inflammation marker, but several study give a different result in its diagnostic value and correlation to inflammatory bowel disease. This research was aimed to prove that fecal calprotectin examination has a high diagnostic value in diagnosing inflammatory bowel disease, and also correlate to its clinical stages.Method: This is a cross sectional study to do a diagnostic test in several hospital in Jakarta, from September 2014 to February 2015. Receiver operating characteristic (ROC) curve was made to get fecal calprotectin diagnostic level and Krusskal Wallis test was performed to identify fecal calprotectin difference among each inflammatory bowel disease clinical stages.Results: A total of 71 patients with inflammatory bowel disease was invoved in this research, based on colonoscopic examination result. Among them, 57 patients was confirmed to have intestinal inflammation based on histopathology result. Fecal calprotectin level was found to be higher in patients with inflammatory bowel disease than patients without intestinal inflammation (553,8 µg/g vs. 76,95 µg/g, p 0,001). A cut off point of 179,3 µg/g was gathered, with 96% sensitivity (95% CI: 0,88-0,99), 93% specificity (95% CI: 0,69-0,99), and 99,5% area under curve (AUC) 99,5% (95% CI: 0,98-1,00). A significant difference was found between fecal calprotectin in each inflammatory bowel disease clinical stages (p 0,001).Conclusion: Fecal calprotectin has a high diagnostic value for inflammatory bowel disease (IBD) and strongly correlate to its disease clinical stages.