bluuebunny/crossref_metadata_2025_split huggingface dataset:
La recuperación del espacio público y la evolución del patrimonio común: prácticas colaborativas a través de la agencia cultural / Restoring the public space and the evolution of common patrimony: collaborative practices via cultural agency
Authors: Leetoy Salvador , Zavala Scherer Diego 
Published: September 2017

Resumen: Este artículo revisa el uso de prácticas creativas promovidas por agentes culturales que compiten discursivamente con la racionalidad instrumental imperante en las sociedades modernas contemporáneas. Particularmente, los casos que aquí se exploran son acciones colaborativas llevadas a cabo por dos asociaciones de la ciudad mexicana de Guadalajara: el despacho de urbanismo CUADRA y Fundación CEDAT. Se analizan, por un lado, iniciativas de intervención artística a través del grafiti como forma de creación de identidad; y por el otro, la exposición y comunicación realizada a través del documental como herramientas de reactivación y socialización de espacios públicos.
Palabras clave: agencia cultural, consumo cultural, capital social, espacio público.
Abstract: This article offers a critical route for studying creative practices challenging instrumental reason in contemporary modern societies. Particularly, this article explores a couple of cultural agency strategies undertaken by civic associations in Guadalajara, Mexico: the urban studies agency CUADRA and CEDAT Foundation. On the one hand, a discussion is held with regard to the revitalization of collective identities through the production of collaborative graffiti paintings. On the other hand, it presents an analysis about the strategic use of video documentaries for communicating participatory civic actions and its function to restore public spaces.
Keywords: Cultural Agency, Cultural Consumption, Social Capital, Public Space.
Orxata Sound System. Música glocal, libre, colectiva y cooperativa / Orxata Sound System. Glocal, free, collective and cooperative music
Authors: González Collantes Carla , Lacueva i Lorenz Maria 
Published: September 2017

Resumen: Orxata Sound System es un colectivo musical de la comarca de l’Horta (País Valenciano) que se fundó el año 2003 y que se disolvió indefinidamente el año 2014. Su existencia ha dejado huella en la escena musical del ámbito catalanófono, no solamente por su estilo, sino también porque fueron pioneros en el uso de las nuevas tecnologías tanto para crear, producir y difundir su música como para (auto)gestionarse y comunicarse con el público de manera eminentemente horizontal. Este artículo observará la trayectoria musical de Orxata Sound System haciendo especial hincapié, por un lado, en la explotación artística que desarrollaron a partir de la hibridación de dos elementos aparentemente contradictorios: por otro lado, nos centraremos en las estrategias cooperativas en la creación musical.
Palabras clave: cultura colectiva, activismo, música catalana, Estudios Culturales, València.
Abstract: Orxata Sound System is a musical collective from l’Horta (Valencian Country) that was founded in 2003 and was dissolved indefinitely in 2014. Its existence has marked a before and after in the Catalan musical scene, not only because of its style, but also because it was a pioneer in the use of new technologies to create, produce and distribute its music as well as (auto) manage and communicate with the public in an eminently horizontal way. This article will observe the musical trajectory of Orxata Sound System with special emphasis, on the one hand, on the artistic exploitation that developed from the hybridization of two apparently contradictory elements; on the other hand, we will focus on the cooperative strategies in musical creativity.
Keywords: collective culture, activism, catalan music, Cultural Studies, Valencia
Una revisión histórico-política de la producción literaria puertorriqueña. Entrevista con Fernando Feliú Matilla / A historical and political review of Puertorriquean Literatura. Interview to Fernando Feliú Matilla
Authors: Basáñez Barrio Endika 
Published: September 2017

Resumen: A lo largo de la siguiente entrevista, el profesor, historiador, crítico e investigador la de la Universidad de Puerto Rico, el catedrático en literatura puertorriqueña don Fernando Feliú Matilla, nos permite establecer una visión histórica de la génesis artística llevada a cabo en la Isla a través de los diferentes contextos socio-políticos que han tenido lugar en la misma desde la aparición de una literatura puertorriqueña propia y distintiva hasta la anexión de Puerto Rico a los Estados Unidos de América como Estado Libre Asociado en 1952 y su impronta en la génesis isleña. Si bien la entrevista tiene como objeto principal la literatura boricua, también se debaten en la misma el falocentrismo cultural presente en la cultura puertorriqueña, las relaciones políticas entre San Juan y Washington D.C., la influencia de los textos diaspóricos en la producción isleña o la situación del panorama artístico actual en Puerto Rico.Palabras clave: Literatura hispanoamericana; Literatura puertorriqueña; Estados Unidos; emigración; política. Abstract: Throughtout the following interview, professor Fernando Feliú Matilla, who holds a chair in Puerto Rican Studies and Literature, offers his personal point of view after years of research about Puerto Rican literature written in the 20th century. The interview is developed from a historical perspective, which means that it starts right from the moment Puerto Rico was still a Spanish colony in the Americas, until the present day, being Puerto Rico a Free Associated State of the United States of America (also known as American Commonwealth of Puerto Rico). Besides the literature, professor Feliú Matilla also gives his opinion about the absence of female writers in Puerto Rican literature, the relationships between San Juan and Washington D.C., the cultural movements that Puerto Rican literature written nowadays is influenced by, and many other different topics such as Caribbean literature written in the United States and its connection with Puerto Rican art.Keywords: Hispanic Literature; Puerto Rican Literature; USA; immigration; politics.
Creación colectiva, cooperativismo y sinautoría cultural / Collective Creativity, Cooperativism and Cultural Withoutauthorship
Authors: Peris Blanes Jaume 
Published: September 2017

Este dossier trata de reflexionar desde diversos ángulos sobre el sentido de una serie de prácticas recientes que, si bien desbordan el ámbito tradicional de lo cultural, involucran lenguajes, procedimientos y saberes asociados tradicionalmente al ámbito de la cultura y el arte, pero desplazándolos hacia formas novedosas de intervención social que cuestionan, por una parte, el estatuto cerrado y autónomo de las prácticas culturales y, por otra, sus modos de producción, distribución y gestión. En última instancia, proponen nuevas formas de entender el lugar de las prácticas culturales en la constitución de las relaciones sociales y, en ese sentido, deben ser leídas como reconfiguraciones políticas del propio estatuto de la cultura.
Se trata de prácticas de muy diversa naturaleza que permiten entrever modos de producción alternativos a las formas institucionalizadas de la creación cultural. Prácticas que, de un modo u otro, ponen el acento en la producción colectiva, en el autogobierno y en la necesidad de repensar el rol de los lenguajes culturales en relación con otras formas de lucha y construcción social. Cooperativismo, creación colectiva, sinautoría, culturas comunes… forman una constelación de estrategias que Luis Moreno-Caballud ha englobado en la lucha por una “imaginación sostenible” (2012), que necesariamente pasa por la ruptura del contrato cultural hegemónico y sus modos de producir, distribuir y experimentar la cultura. Poco avanzaríamos si no pusiéramos en relación esas prácticas con la activación contemporánea del debate social sobre los bienes comunes o el ‘procomún’, y con una reflexión profunda sobre el lugar que los procesos de producción cultural podrían tener en la construcción social de lo común.
Por ello queremos contribuir a la reflexión sobre el lugar y el sentido cultural y político que tienen las prácticas creativas que operan conscientemente por fuera del dispositivo de ‘autor’ o que colectivizan la autoría vinculándola a grupos más o menos definidos. ¿Qué nos dice sobre la relación entre cultura y política la emergencia de poéticas, acciones, prácticas y escrituras que descartan los métodos de producción ‘de autor’ para adoptar procesos de decisión colectiva o metodologías asamblearias?, ¿qué relación mantienen estas prácticas con las demandas de participación ciudadana, de empoderamiento social y con las lógicas de los nuevos movimientos y plataformas ciudadanas?, ¿de qué modo se han transformado, en las últimas décadas, las formas de la acción cultural colectiva en relación con la transformación de los imaginarios y las formas de la imaginación política?
Tango y Lunfardo: un estudio transatlántico sobre la identidad argentina / Tango and Lunfardo: a Transtlantic study about Argentinian Identity
Authors: André María Claudia 
Published: September 2017

Resumen: Nacido en el arrabal bonaerense, producto de múltiples influencias socio-culturales, el tango argentino indudablemente se encuentra entre los estilos de música que mejor logran transmitir el pensamiento y el sentir de un pueblo. Este ensayo examina la función y el efecto de la experiencia transatlántica de la inmigración europea como una fuerza que moldeó y transformó la cultura fundacional argentina, redefiniendo no sólo su perfil racial, sino también gran parte de su panorama intelectual, social y cultural. Empleando como lente crítico los estudios poscoloniales y transatlánticos, el presente ensayo analiza la evolución de la música y del baile del tango con el fin de definir la compleja red de referentes que conforman la identidad del país. Palabras clave: tango, identidad, transatlántico, poscolonial, inmigración, subalterno, lunfardo.Abstract: Born in the slums of Buenos Aires, a product of multiple socio-cultural influences, the Argentine tango is undoubtedly among the music styles that best conveys the thought and the feeling of the people. This essay examines the role and effect of the transatlantic experience of Europan immigration as a force that shaped and transformed Argentina’s foundational culture, redefining not only its racial profile, but also much of its spiritural, social, and intellectual landscape. Through the critical lens of postcolonial and transatlantic studies, the current essay analizes the evolution of tango music and dance aiming to determine the complex network of referents that conform the country’s identity.Keywords: tango, identity, transatlantic, postcolonial, immigration, subaltern, lunfardo.
El Mashreq francés en México. Patronazgo, propiedad y la lectura de los cuerpos en la Poscolonia / The French Mashreq in Mexico. Patronage, Property and Body readings in Postcolony
Authors: Pastor de Maria y Campos Camila 
Published: September 2017

Resumen: Este texto explora la ambivalencia en la producción estructural y discursiva de las posiciones de clase de migrantes que han circulado entre Líbano, Siria y México a lo largo del siglo veinte. Su argumento central es que la inscripción de su subalternidad como sujetos del mandato francés sobre el Mashreq, durante la primera mitad del siglo veinte, ha sido constitutiva de su acceso a una posición privilegiada en el contexto mexicano.Palabras clave: Mashreq, México, Francia, subalternidad, patronazgo. Abstract: This paper explores the ambivalence in the structural and discursive production of the class positions of migrants that have circulated between Lebanon, Syria and Mexico throughout the twentieth century. Its central argument is that the inscription of their subalternity as subjects of the French mandate on the Mashreq during the first half of the twentieth century has constituted their access to a privileged position in the Mexican context.Key words: Mashreq, México, France, Subalternity, Patronage.
Literaturas nacionales y literaturas nacionalizadas. Consideraciones en torno a la recepción del boom hispanoamericano en España / National Literatures and Nationalized Literatures. Reflections on the Reception of Latin American boom in Spain
Authors: Santana Mario 
Published: September 2017

Resumen: Este artículo reflexiona en torno a la noción de literatura nacional a partir de la relación recepción que los escritores latinoamericanos del boom tuvieron en el campo literario español. ¿Cómo dar cuenta, a la hora de estudiar el proceso de la vida literaria nacional, de la presencia de textos literarios “extranjeros” que circulan ampliamente y sin necesidad de que medie traducción alguna? Para dar cuenta de las dificultades y contradicciones de esa relación se propone el concepto de literatura nacionalizada, poniendo el énfasis en los procesos de ‘nacionalización’ que tienen lugar en un campo literario específico.Palabras clave: Boom, Latinoamérica, España, literatura nacional, literatura nacionalizada.Abstract: This article reflects on the notion of national literature by analyzing the reception relationship that the Boom Latin American writers had in Spain. How can we account, when studying the process of national literary life, of the presence of “foreign” literary texts that circulate widely and without the need for any translation? In order to account for the difficulties and contradictions of this relationship, the concept of nationalized literature is proposed, emphasizing the processes of ‘nationalization’ that take place in a specific literary field.Keywords: Latin American Boom, Spain, National Literature, Nationalized Literature.
Al hilo de la literatura latinoamericana: estudios literarios/estudios culturales / To the thread of Latin American literature: literary studies / cultural studies
Authors: Caballero Wangüemert María 
Published: September 2017

Resumen: El presente trabajo constituye un recorrido bibliográfico por la crítica y la teoría literaria hispanoamericana de los últimos 50 años, sin afán de exhaustividad, como tarea colectiva (congresos etc) y personal. Sus hitos más significativos son: cómo se formó y fue derivando el canon literario en Hispanoamérica. Las teorías postcoloniales y su aplicación al Nuevo Mundo. Las orientaciones de la crítica y la teoría literaria en / sobre Latinoamérica. La irrupción y pervivencia de los estudios culturales. Nuevas modas críticas: estudios transatlánticos, tecno escritura, ecocrítica, crítica genética... Palabras clave: canon, crítica literaria, teoría literaria, teorías postcoloniales, estudios culturales.Abstract: The present work constitutes a bibliographical route by the criticism and the Hispano-American literary theory of the last 50 years. Its author did not pretendan exhaustiveness, but a collective task of congresses etc. Its most significant milestones are: how the literary canon was formed and was derived in Spanish America. Postcolonial theories and their application to the New World. The orientations of the critic and the literary theory in / on Latin America. The irruption and survival of cultural studies. New critical fads: transatlantic studies, tecno writing, ecocritics, genetic criticism …Keywords: Canon, literary criticism, literary theory, postcolonial theories, cultural studies.
Fuels Analysis, Regulatory Specifications for
Authors: Horne Gregory , Lee Sunggyu 
Published: September 2017

AbstractThis article provides a general survey of the chemical and physical analyses of light and mid‐range hydrocarbon fuels needed to satisfy the environmental and safety requirements of the refining and transport industries. Since the inception of the oil and automobile industries, emissions from vehicles and fuel refineries have taken a back seat to the performance factors of the fuels themselves. In the middle of the 1900s, new environmental requirements became a commercial consideration as governments, and to a lesser extent, industrial consortia, began to impose requirements on the fuels that had little or nothing to do with performance in the engine. This article will attempt to enumerate the most prevalent of these testing specifications and provide a modest amount of information about what they involve and why they exist. At the time the original draft of this work was written in 1999, the imposition of several new regulatory criteria in the United States had just been imposed on most of the fuels production companies. Since then, a significant number of new regulations and requirements have been proposed, legislated, enacted, and/or enforced. Compared to the fuel standards before the CAA of 1990, far more stringent requirements and specifications are currently being enforced for the modern transportation liquid fuels. Consequently, we have tried to revise the original writing accordingly and updated the relevant specifications with the up‐to‐date information (as of January 2017). We have also tried to assess where future regulations will lead and what specifications and tests might deal with these changing limits and criteria.In general, we will not deal here with the engine performance specifications. These are detailed far more adequately elsewhere in the literature. This article will not provide a long treatise on the formulation of transportation fuel manufacturing processes, and neither will it delve deeply into the testing methodology. Enough of these three subjects will be presented to allow the reader to put the regulatory specifications and what they entail into perspective. The emphasis is slanted toward the specification of gasoline range fuels, primarily caused by the great predominance of these commodities, but we do try to cover the heavier transport fuels in detail as well. There is considerable overlap in several of the specifications, at least in terms of methodology, even if the specification document number perhaps differs from light to heavier fuels.The various testing specifications are presented by a fairly succinct description and are categorized by test type and by species analysis requirements. An attached glossary will enable the reader to become acquainted with the jargon of emissions compliance and refinery technology as these are both linked to intelligent discussion of fuels production and usage.
Media, Violence, Aggression, and Antisocial Behavior: Is the Link Causal?
Authors: Plante Courtney , Anderson Craig A. 
Published: September 2017

Abstract
In public discourse on violent media effects, positions often become polarized: Violent media are either blamed for violent acts or are said to have no effect whatsoever. Decades of media violence research is often absent from this discussion, despite every major relevant scientific organization agreeing with the conclusion that media violence is a causal risk factor for aggression. A nuanced interpretation of these effects is needed, one where media violence is neither necessary nor sufficient for aggression but is, instead, one of many known risk factors for it. We begin this chapter by clarifying how researchers and laypersons refer to the concepts of “aggression,” “media violence,” and “causation.” Next, we describe the general aggression model, a theoretical framework guiding much of the violent media research, which is followed by a review of the empirical evidence. Finally, we address criticisms of this research, demonstrating how many are unwarranted or grounded in fallacious reasoning.
Anti‐Stokes Photoluminescence of van der Waals Layered Semiconductor PbI2
Authors: Cong Chunxiao , Shang Jingzhi , Niu Lin , Wu Lishu , Chen Yu , Zou Chenji , Feng Shun , Qiu Zhi‐Jun , Hu Laigui , Tian Pengfei , Liu Zheng , Yu Ting , Liu Ran 
Published: September 2017

AbstractRecently, organic–inorganic lead iodide perovskite has become one of the most promising emergent materials, which exhibits great potential in photovoltaics, lasing, laser cooling, etc. The building block of such great material is PbI2, a van der Waals (vdW) layered semiconductor material, which arouses increased interest also owing to its potential applications for X‐ray and γ‐ray detection, lasing, etc. Similar and even superior to some vdW layered materials such as thin layers of transition metal dichalcogenides like MoS2, WS2, MoSe2, or WSe2, PbI2 layers possess a direct bandgap of visible frequency with a wide range of thicknesses (>3 layers). This study reports the anti‐Stokes photoluminescence (ASPL) of PbI2 layers, which is very rarely investigated at present. Universe and robust ASPL in both 4H‐ and 2H‐PbI2 layers are observed and a phonon‐assisted and multiphoton absorption up‐conversion mechanisms are proposed through in situ temperature‐dependent, incident laser‐power‐dependent measurements of both Stokes photoluminescence and ASPL. The successful observation and explanation of the universal anti‐Stokes emission of PbI2 layers, will certainly enrich fundamental understandings of vdW layered semiconductors and perovskite, then further benefit to developing applications based on such emerging materials.
Asymmetric Stereoablative Aryloxylation of 3‐Bromooxindoles with Bifunctional Catalyst
Authors: Jadhav Amol P. , Manchanda Aarti , Jaiswal Manish K. , Singh Ravi P. 
Published: September 2017

AbstractIn this communication, the development of a highly enantioselective stereoablative protocol for the chemoselective aryloxylation of 3‐bromooxindoles with aryl alcohols have been realized. Promoted by easily available cinchona alkaloid derivatives (C6′−OH) under air‐ and moisture‐tolerant conditions, aryloxylation of a wide range of 3‐bromooxindoles bearing a 3′‐alkyl substituent proceeded in high yields and excellent enantioselectivities (up to 95% ee). The newly developed strategy expediently provided the 3‐phenoxy analogue of the core of alkaloid CPC‐1.magnified image
Selective C(sp3)–H Monoarylation Catalyzed by a Covalently Cross‐Linked Reverse Micelle‐Supported Palladium Catalyst
Authors: Hoyt Caroline B. , Lee Li‐Chen , He Jian , Yu Jin‐Quan , Jones Christopher W. 
Published: September 2017

AbstractIn this work, we illustrate the performance of a solvated micelle‐supported ligand as a platform for coordination with palladium for C–H arylation. The micelle‐supported ligand is one of the first applications of a micelle‐supported ligand for C–H arylation, and provides a tunable support for future elaboration. The use of a spatially constrained system promoted selectivity trends influenced by both the sterics and electronics of the system, differing from the homogeneous catalyst, with high yields and selectivities.magnified image
Sustainable Nanoporous Benzoxazole Networks as Metal‐Free Catalysts for One‐Pot Oxidative Self‐Coupling of Amines by Air Oxygen
Authors: Subramanian Saravanan , Patel Hasmukh A. , Song Youngdong , Yavuz Cafer T. 
Published: September 2017

AbstractThe development of sustainable organocatalysts with porosity, high stability, and excellent catalytic activity offers a clean and green alternative to precious metal catalysts. Here, an efficient, nanoporous, heterogeneous benzoxazole catalyst is reported for aerobic oxidative coupling of amines. A molecular design strategy is presented to functionalize primary amines to produce valuable products under one‐pot, open‐air reaction conditions. Unprecedented and previously unknown, the stable imine intermediate catalyzes its own formation, also known as autocatalysis, enabling a direct and favorable access to amino acids, even if the catalysts are absent. The biomimetic benzoxazole catalysts developed here provide quantitative catalytic activity over 50 cycles with favorable kinetics with no degradation. This work also marks the first use of benzoxazoles for oxidative catalytic reactions.