bluuebunny/crossref_metadata_2025_split huggingface dataset:
L’immobilier à l’épreuve du numérique : du bureau attribué au bureau de demain
Authors: Ianeva Maria , Adam Cécile 
Published: May 2017

Résumé Ce recueil de témoignages cherche à apporter un éclairage sur les évolutions conjointes du numérique et de l'aménagement de bureaux. De plus en plus d'entreprises investissent aujourd'hui l'organisation de leurs espaces de travail comme source de valeur et levier de transformation. Nous présentons les témoignages de trois acteurs de l'immobilier tertiaire : deux consultants workplace, dont l'un spécialisé dans le digital et le directeur commercial d'un fabricant, éditeur et distributeur de mobilier de bureau. Les interviewés reviennent sur les évolutions récentes des environnements de travail et portent leur regard sur le bureau de demain.
On Hierarchical Syndrome Analysis and the Zürich-Montpellier Table Method
Authors: Coetzee B. J. , Werger M. J.A. 
Published: May 2017

Hierarchical Syndrome Analysis was applied to two sets of data drawn from Werger, et al. (1972). The resulting classification was compared to that obtained by Werger et al., who used the Zürich- Montpellier Table Method. It is concluded that Hierarchical Syndrome Analysis results in an advanced stage of the process that leads to a meaningful classification of vegetation as expressed in a phyto- sociological table obtained by Zürich-Montpellier techniques. However, the Hierarchical Syndrome Analysis was found to be too rigid in some respects to finalize such a classification. The time and effort involved in preparing the data for computation is another serious consideration. The main conclusion is that the consistency of the results of the Hierarchical Sydrome Analysis with those obtained by the Zürich-Montpellier Table Method, proves the objectivity of the latter.
Notes on the genus <i>Cussonia</i> in South Africa
Authors: Strey R. G. 
Published: May 2017

Information gathered during studies of the genus Cussonia under field conditions is presented. The development of the inflorescences, and branch and leaf initiation, is given special attention. The subdivision of the genus Cussonia is discussed and the following new subgeneric taxa are created: Subgenus Cussonia (type species: C. spicata Thunb.) with two sections: Sect. Cussonia and Sect. Capitata Strey; Subgenus Paniculata Strey (type species: C. paniculata Eckl. Zeyh.); Subgenus Protocussonia (type species: C. natalensis Sond.). It is pointed out that the names C. kraussii Hochst. and C. chartacea Schinz have been misapplied to two undescribed species, and are synonyms of C. spicata Thunb. and Schefflera umbellifera (Sond.) Baill., respectively. Four new species are described viz. C. arenicola Strey, C. zuluensis Strey, C. nicholsonii Strey and C. sphaerocephala Strey.
Historical greenhouse gas concentrations for climate modelling (CMIP6)
Authors: Meinshausen Malte , Vogel Elisabeth , Nauels Alexander , Lorbacher Katja , Meinshausen Nicolai , Etheridge David M. , Fraser Paul J. , Montzka Stephen A. , Rayner Peter J. , Trudinger Cathy M. , Krummel Paul B. , Beyerle Urs , Canadell Josep G. , Daniel John S. , Enting Ian G. , Law Rachel M. , Lunder Chris R. , O'Doherty Simon , Prinn Ron G. , Reimann Stefan , Rubino Mauro , Velders Guus J. M. , Vollmer Martin K. , Wang Ray H. J. , Weiss Ray 
Published: May 2017

Abstract. Atmospheric greenhouse gas (GHG) concentrations are at unprecedented, record-high levels compared to the last 800 000 years. Those elevated GHG concentrations warm the planet and – partially offset by net cooling effects by aerosols – are largely responsible for the observed warming over the past 150 years. An accurate representation of GHG concentrations is hence important to understand and model recent climate change. So far, community efforts to create composite datasets of GHG concentrations with seasonal and latitudinal information have focused on marine boundary layer conditions and recent trends since the 1980s. Here, we provide consolidated datasets of historical atmospheric concentrations (mole fractions) of 43 GHGs to be used in the Climate Model Intercomparison Project – Phase 6 (CMIP6) experiments. The presented datasets are based on AGAGE and NOAA networks, firn and ice core data, and archived air data, and a large set of published studies. In contrast to previous intercomparisons, the new datasets are latitudinally resolved and include seasonality. We focus on the period 1850–2014 for historical CMIP6 runs, but data are also provided for the last 2000 years. We provide consolidated datasets in various spatiotemporal resolutions for carbon dioxide (CO2), methane (CH4) and nitrous oxide (N2O), as well as 40 other GHGs, namely 17 ozone-depleting substances, 11 hydrofluorocarbons (HFCs), 9 perfluorocarbons (PFCs), sulfur hexafluoride (SF6), nitrogen trifluoride (NF3) and sulfuryl fluoride (SO2F2). In addition, we provide three equivalence species that aggregate concentrations of GHGs other than CO2, CH4 and N2O, weighted by their radiative forcing efficiencies. For the year 1850, which is used for pre-industrial control runs, we estimate annual global-mean surface concentrations of CO2 at 284.3 ppm, CH4 at 808.2 ppb and N2O at 273.0 ppb. The data are available at https://esgf-node.llnl.gov/search/input4mips/ and http://www.climatecollege.unimelb.edu.au/cmip6. While the minimum CMIP6 recommendation is to use the global- and annual-mean time series, modelling groups can also choose our monthly and latitudinally resolved concentrations, which imply a stronger radiative forcing in the Northern Hemisphere winter (due to the latitudinal gradient and seasonality).
George Henry Lewes's Reading of Hamlet
Authors: Baker William 
Published: May 2017

Abstract
George Henry Lewes's heavily annotated copy of the text of Hamlet in Charles Knight's edition of The Comedies, Histories, Tragedies and Poems of Shakspere constitutes an early Victorian reaction by a highly literate literary critic to Shakespeare's tragedy. An analysis of Lewes's annotations throws considerable light upon his interests and preoccupations at a period in which he was writing prolifically. This article provides examples from various kinds of Lewes's marginalia, his marginal linings, his underlining and his marginal annotations, some of which are very detailed. These demonstrate which lines of Hamlet specifically attracted him and why; Lewes's engagement with critics such as S. T. Coleridge, and predecessors such as Warburton and Wharton; and German responses to Hamlet, especially Goethe's, and others. Lewes's marginalia also reveals his knowledge of the classical tradition and throws light on his response to Hamlet and on his own preoccupations at the time he made them.
Significado e interpretação na História das Ideias
Authors: Skinner Quentin 
Published: May 2017

Tradução do Capítulo 4 da obra:SKINNER, Quentin. Meaning and Understanding in the History of Ideas. In: SKINNER, Quentin. Visions of Politics. Londres: Cambridge University Press, 2001, vol. I, cap. 4, p. 57-89. Tradutor:Marcus Vinícius BarbosaMestre em História pela Universidade do Vale do Rio dos Sinos. Atualmente é estudante de doutorado em Espanhol na University of Nebraska-Lincoln.markinhuspc@gmail.com
ISRAEL: FINDING THE LEVANT WITHIN THE MEDITERRANEAN
Authors: Harris Rachel S. 
Published: May 2017

Reviews of:Alexandra Nocke. The Place of the Mediterranean in Modern Israeli Identity. Brill 2010, Cloth $70. ISBN 9789004173248 Amy Horowitz. Mediterranean Israeli Music and the Politics of the Aesthetic. Detroit: Wayne State University Press, 2010. Paper $29.95. ISBN 9780814334652. Karen Grumberg. Place and Ideology in Contemporary Hebrew Literature. Syracuse: Syracuse University Press, 2011. Cloth $39.95. ISBN 9780815632597.
L’architecture d’Auschwitz, le droit et l’art
Authors: Bélanger André , Bordeleau Anne 
Published: May 2017

Dans l’optique de lier un discours théorique entre le droit, l’architecture et l’art, les auteurs centrent leur analyse sur la notion d’artéfact social, c’est-à-dire la création de l’être humain déterminée par son environnement sociétal. L’accent est mis sur trois éléments principaux de nature à la fois juridique, architecturale et artistique : premièrement, la question du dicible et de l’indicible par rapport à ce qui peut être « admis » sur le plan tant juridique qu’historique ; deuxièmement, l’opposition entre ce qui témoigne (au présent) et ce qui laisse une forme de trace (du passé) ; troisièmement, l’opposition entre présence et absence par rapport au tangible, immédiatement vérifiable, ou par rapport à ce qui est absent, mais dont nous devons admettre l’existence passée. Pour exemplifier ces trois éléments, une installation artistique élaborée à la suite d’une affaire juridique d’importance et intitulée The Evidence Room est présentée. Cette oeuvre réunit des moulages en plâtre de documents qui ont fait l’objet d’une expertise légale dans le contexte de l’affaire Irving v. Penguin Books Limited, Deborah E. Lipstadt et qui fournissent la preuve tangible que le camp de concentration Auschwitz a été conçu par des architectes comme système efficace d’extermination massive. L’analyse de cette oeuvre met en avant la proposition selon laquelle l’art permet de rendre visible la souffrance invisible ou de dire l’indicible, qui, autrement, peuvent demeurer dans l’ombre tant du droit que de l’architecture.
Les juristes des années 30 et la question des droits du réalisateur d’oeuvres cinématographiques : une approche juridico-historique, à travers l’exemple de l’« affaire » de La croisière jaune (1931-1934)
Authors: Moine-Dupuis Isabelle , Marinone Isabelle 
Published: May 2017

La question de la paternité des oeuvres cinématographiques a été souvent débattue au cours des années 30. Elle fournit aujourd’hui encore au juriste et à l’historien de l’art une illustration particulièrement intéressante de la difficulté pour le droit d’appréhender ce qui fait l’essence d’une expression artistique spécifique, comme le cinéma, et en conséquence d’en déterminer les auteurs. Avant la loi de 1957, qui a reconnu la paternité du metteur en scène, la tendance jurisprudentielle était nettement en faveur de la thèse du producteur comme auteur ou coauteur du film. Les raisons à cet état des choses sont diverses, la principale étant la place centrale du producteur dans l’« entreprise » cinématographique (plus visible que ce qui en constitue, à notre avis, le coeur, à savoir le style ou le langage), ainsi que dans les litiges engendrés par l’exploitation des films. Néanmoins, un nombre conséquent d’ouvrages écrits durant la période 1927-1935 montre une réelle curiosité pour ce qu’est l’art cinématographique, et un début d’intérêt pour cet encore méconnu, le metteur en scène. Souvent lié par un contrat d’entreprise au producteur, qui le désigne comme simple exécutant, le metteur en scène doit faire preuve d’une opiniâtreté particulière pour parvenir à se faire reconnaître comme artiste. Cet état de fait, rendant très fragile la situation d’une personne qui n’était même pas toujours mentionnée au générique d’un film lors des débuts du cinéma, a pu avoir de très graves conséquences sur la carrière de certains metteurs en scène. C’est ce que vivra André Sauvage, premier grand documentariste français, ami des surréalistes Man Ray et Robert Desnos, à qui Jean Renoir et les frères Prévert voueront une grande admiration. Datant de 1931, La croisière jaune reste l’une des plus grandes aventures scientifiques, techniques, artistiques et filmiques de cette époque. Le documentaire tiré de cette mission, entièrement conçu par André Sauvage, aurait dû être son chef-d’oeuvre. Toutefois, le sort en a décidé autrement. Le film, à peine terminé, lui a été dérobé et détourné par la société Citroën, à l’origine de l’entreprise. Le constructeur automobile rachète alors le film à la société de production Pathé-Natan qui avait employé Sauvage, et le remet entre les mains d’un autre cinéaste, Léon Poirier. La tragédie de l’artiste commence : le documentariste perd tout son travail ! En effet, sa mise en scène, ses images, son montage se voient mutilés par Poirier dont le remontage, les coupes franches des plans et la bande-son falsificatrice assassinent l’esprit du film. L’oeuvre ethnographique et humaniste de Sauvage devient une simple publicité pour les véhicules Citroën. Écoeuré par la procédure qui n’aboutit pas concernant le plus grand industriel de France, Sauvage se retire définitivement de la profession pour devenir agriculteur.
Street art et le droit français : entre réprobation et bienveillance
Authors: Copain Carine 
Published: May 2017

Marqué par ses origines délictuelles, le street art pose aujourd’hui de nombreuses interrogations en droit, et ce, d’autant plus que le marché de l’art tend à le considérer comme un véritable mouvement artistique, au même titre que l’art contemporain par exemple. De par cette évolution, le droit pénal, le droit de la propriété intellectuelle et le droit de propriété au sens de l’article 544 du Code civil français sont nécessairement interrogés. Entre liberté de création et protection de l’ordre public et des droits d’autrui, le street art peut-il être rattaché aux catégories juridiques existantes ? Un statut juridique sui generis ne serait-il pas préférable ?
La dogmatique comme activité artistique : contribution à l’étude de l’autonomie du système juridique
Authors: Colonna D’Istria François 
Published: May 2017

Dénoncer les limites et les insuffisances de la dogmatique est devenu une figure traditionnelle de la rhétorique doctrinale. Se bornant à jouer avec des abstractions vides, la dogmatique serait incapable de penser concrètement le droit et les enjeux socioéconomiques dans lesquels il s’insère. L’on peut pourtant rompre avec cette présentation critique, en pensant la dogmatique comme une activité artistique. Le dogmaticien pose un regard d’artiste sur la règle de droit, précisément en ce qu’il ne l’envisage pas comme un moyen, mais comme sa propre fin, la décollant par fiction du contexte de son apparition et de son application, créant ainsi un système autonome. L’art permet de comprendre en quoi cette déconnexion, tant critiquée par ailleurs, est néanmoins une vertu : source de créativité, condition de l’impartialité, vecteur de pacification.
Assessing the utility of an institutional publications officer: a pilot assessment
Authors: Cobey Kelly D. , Galipeau James , Shamseer Larissa , Moher David 
Published: May 2017

Background
The scholarly publication landscape is changing rapidly. We investigated whether the introduction of an institutional publications officer might help facilitate better knowledge of publication topics and related resources, and effectively support researchers to publish.

Methods
In September 2015, a purpose-built survey about researchers’ knowledge and perceptions of publication practices was administered at five Ottawa area research institutions. Subsequently, we publicly announced a newly hired publications officer (KDC) who then began conducting outreach at two of the institutions. Specifically, the publications officer gave presentations, held one-to-one consultations, developed electronic newsletter content, and generated and maintained a webpage of resources. In March 2016, we re-surveyed our participants regarding their knowledge and perceptions of publishing. Mean scores to the perception questions, and the percent of correct responses to the knowledge questions, pre and post survey, were computed for each item. The difference between these means or calculated percentages was then examined across the survey measures.

Results
82 participants completed both surveys. Of this group, 29 indicated that they had exposure to the publications officer, while the remaining 53 indicated they did not. Interaction with the publications officer led to improvements in half of the knowledge items (7/14 variables). While improvements in knowledge of publishing were also found among those who reported not to have interacted with the publications officer (9/14), these effects were often smaller in magnitude. Scores for some publication knowledge variables actually decreased between the pre and post survey (3/14). Effects for researchers’ perceptions of publishing increased for 5/6 variables in the group that interacted with the publications officer.

Discussion
This pilot provides initial indication that, in a short timeframe, introducing an institutional publications officer may improve knowledge and perceptions surrounding publishing. This study is limited by its modest sample size and temporal relationship between the introduction of the publications officer and changes in knowledge and perceptions. A randomized trial examining the publications officer as an effective intervention is needed.
Pond dyes are Culex mosquito oviposition attractants
Authors: Ortiz Perea Natali , Callaghan Amanda 
Published: May 2017

Background
British mosquito population distribution, abundance, species composition and potential for mosquito disease transmission are intimately linked to the physical environment. The presence of ponds and water storage can significantly increase the density of particular mosquito species in the garden. Culex pipiens is the mosquito most commonly found in UK gardens and a potential vector of West Nile Virus WNV, although the current risk of transmission is low. However any factors that significantly change the distribution and population of C. pipiens are likely to impact subsequent risk of disease transmission. Pond dyes are used to control algal growth and improve aesthetics of still water reflecting surrounding planting. However, it is well documented that females of some species of mosquito prefer to lay eggs in dark water and/or containers of different colours and we predict that dyed ponds will be attractive to Culex mosquitoes.

Methods
Black pond dye was used in oviposition choice tests using wild-caught gravid C. pipiens. Larvae from wild-caught C. pipiens were also reared in the pond dye to determine whether it had any impact on survival. An emergence trap caught any adults that emerged from the water. Water butts (80 L) were positioned around university glasshouses and woodland and treated with black pond dye or left undyed. Weekly sampling over a six month period through summer and autumn was performed to quantified numbers of larvae and pupae in each treatment and habitat.

Results
Gravid female Culex mosquitoes preferred to lay eggs in dyed water. This was highly significant in tests conducted under laboratory conditions and in a semi-field choice test. Despite this, survivorship in black dyed water was significantly reduced compared to undyed water. Seasonal analysis of wild larval and pupal numbers in two habitats with and without dye showed no impact of dye but a significant impact of season and habitat. Mosquitoes were more successful, with significantly higher numbers of pupae, in the habitat where they had vegetation cover and shade.

Discussion
Our study has raised some interesting possibilities; one is that where used, pond dyes may be encouraging mosquitoes to breed in gardens in close proximity to people. Considering the concerns over potential future spread of disease in urban environments, this as well as shading of ponds and water butts, should inform future advice over reducing mosquito breeding and spread.
Quercetin reduces hydroxyurea induced cytotoxicity in immortalized mouse aortic endothelial cells
Authors: Kiser Zachary M. , McGee Monica D.M. , Wright Racquel J. , Quarshie Alexander , Newman Gale W. , Randall Karen R. , Stiles Jonathan K. , Driss Adel , Hibbert Jacqueline M. 
Published: May 2017

BackgroundChronic inflammation is a characteristic of sickle cell disease (SCD), and is invariably associated with vascular endothelial injury. Hydroxyurea (HU), a naturally cytotoxic chemotherapeutic agent, is the only FDA drug approved for SCD, and is therefore naturally cytotoxic. Quercetin (QCT) is a dietary flavonoid found ubiquitously in plants and foods that have anti-oxidative and anti-inflammatory characteristics. Our hypothesis is that dietary QCT will decrease cytotoxic effects of lipopolysaccharide (LPS) and HU induced vascular cell damage.MethodsLipopolysaccharide (LPS) was used to induce inflammation in immortalized mouse aortic endothelial cells (iMAECs), providing an in vitro model of inflamed endothelial cells. The cells were exposed to LPS throughout the entire experiment. Interventions included treating the LPS exposed cells with QCT, HU, or QCT + HU over 50 hours. The 50-hour period included 24 hours of varying treatments, followed by two hours of hypoxic exposure and then 24 hours under normal aerobic exposure.ResultsLDH level was significantly higher for LPS treated versus untreated cells (P = 0.0004). LPS plus 30 micromole QCT reduced the LDH (p = 0.1, trend), whereas LPS plus 100 micromoles HU, significantly increased LDH (p = 0.0004). However, LPS plus treatment with 30 micromoles QCT/100 micromoles HU, significantly reduced LDH, compared with HU alone (p = 0.0002).DiscussionThese results suggest that quercetin may be effective against vascular endothelial cell damage for iMAECsin vitro. In particular, it shows promise in preventing HU-induced cytotoxicity, surprisingly found from these results. This latter finding is important, and should be given more consideration, since HU is the only FDA-approved drug for treating sickle cell patients, and its use is rapidly increasing.
Seed morphometric characteristics of European species of Elatine (Elatinaceae)
Authors: Popiela Agnieszka , Łysko Andrzej , Białecka Bożenna , Bihun Magdalena Marta , Sramkó Gábor , Staroń Waldemar , Wieczorek Anetta , Molnár V. Attila 
Published: May 2017

Elatine L. contains ca. 25 small, herbaceous, annual species distributed in ephemeral waters in both hemispheres. All species are amphibious and characterized by a high degree of morphological variability. The importance of seed morphology in Elatine taxonomy has been emphasized by many authors. The degree of seed curvature and seed coat reticulation have been traditionally considered very important in recognizing individual species of this genus. Seed morphometric characteristics of 10 Elatine species, including all European native taxa, are provided on the basis of material from two or three populations of each species. A total of 24–50 seeds were studied from each population, altogether 1,260 images were used for the morphometric study. In total, six parameters were measured from SEM pictures: object surface area, profile specific perimeter (object circuit), rectangle of the object (a) length, rectangle of the object (b) width, angle of the seed curvature, and number of pits in the seed coat counted in the middle row. Our study shows that the range of morphological variation of seeds in European species of Elatine is great, both between the species and the populations. Discrimination analysis showed that all six traits significantly differentiate the populations studied (λ = 0.001, p < 0.001), and the greatest contributions were “number of pits”, “rectangle_a”, and “the angle curvature”. Multidimensional scaling based on a correlation matrix of Mahalanobis distance of the six features studied revealed the greatest similarity between the three populations of E. alsinastrum, E. macropoda, and E. hexandra. Regarding interspecific differences, a Kruskal–Wallis tests showed that, in many cases, lack of statistically significant differences between species relative to the studied seed traits. If distinction of species is only based on seeds, especially if only a few seeds are evaluated, the following species pairs can be easily confused: E. alsinastrum and E. orthosperma, E. hexandra and E. macropoda, E. campylosperma and E. hydropiper, as well and E. gussonei and E. hungarica. We found no diversity in seed coat micromorphology within pits that could have potential taxonomic importance. An identification key and descriptions of species are provided on the basis of seeds traits.