bluuebunny/crossref_metadata_2025_split huggingface dataset:
The Stories Journalists Tell: A Study of Narrative Modes in the US Press Relating to the 2016 Rio Games
Authors: Peynaud Caroline 
Published: December 2018

Les journalistes produisent des textes non fictionnels qui traitent des événements du monde. Ces textes doivent informer les lecteurs, rester aussi factuels que possible et leur fournir des clés pour comprendre les événements. Cette orientation ne signifie pas que la narration est absente des articles. Au contraire, les journalistes utilisent le terme stories pour les articles qu’ils rédigent quotidiennement. Cette étude de la façon dont le récit s’exprime dans un échantillon de la presse des États-Unis illustre la manière dont les journalistes trouvent un équilibre entre l’exposé des faits et la construction de récits attractifs.Cette analyse se fonde sur un corpus de presse de 35 000 mots portant sur les Jeux Olympiques de Rio de 2016. Dans un premier temps, la structure des articles est analysée et comparée à des récits plus traditionnels, ce qui conduit à la conclusion que les articles de presse ne sont pas clairement construits comme des récits. Une étude plus fine des séquences narratives est ensuite réalisée. Elle met en évidence que la narration est présente dans les articles de presse, mais uniquement en arrière-plan informationnel.
Narration in TV Courtroom Dramas: Analysis of Narrative Forms and Their Popularizing Function
Authors: Laudisio Adriano 
Published: December 2018

Au cours des dernières années, la recherche en anglais de spécialité a évolué de l’étude de la langue de spécialité utilisée dans l’exercice d’une profession vers la prise en compte des contextes ayant d’autres objectifs dont l’art et le divertissement. Plus particulièrement, les études dans le domaine de la fiction à substrat professionnel ou la FASP — des romans, des films et des séries mettant en fiction des professionnels et des environnements professionnels — représentent une nouvelle perspective d’analyse de la façon dont l’anglais de spécialité s’entremêle avec le récit fictionnel.Parmi les genres les plus répandus, la FASP juridique télévisuelle représente un exemple éclairant de la façon dont ce genre fictionnel multimodal exploite l’anglais de spécialité en intégrant les principes, procédures, professionnels et terminologie des tribunaux et cabinets d’avocats américains au cœur de l’intrigue.Cette étude se propose de décrire la fonction du récit narratif dans les séries juridiques. En s’inspirant du modèle d’« évaluation » de Labov (1977), nous analysons un corpus de récits situés à l’intérieur et l’extérieur du prétoire tirés de trois séries juridiques américaines (Boston Legal, Suits et The Good Wife) à travers la notion du récit comme un élément constitutif des sous-genres enchâssés dans le récit fictionnel (comme, p. ex., l’audition des témoins) et comme un moyen de vulgarisation des contenus spécialisés. Dans ce contexte, nous identifions un certain nombre de stratégies qui dépendent du « mode narratif », une manière d’exprimer des concepts par la contextualisation et ses sous-modes (actionnel, intersubjectif, normatif…) qui sont constitutifs du discours juridique expert-profane. En particulier, le glissement du mode « narratif » vers le mode « paradigmatique » démontre la façon dont le récit peut contribuer à la popularisation des contenus juridiques.
La FASP jurídica en España: emergencia de un género global
Authors: Nallet Thierry 
Published: December 2018

Cet article s’intéresse à l’émergence de la FASP juridique en Espagne au xxie siècle. Ce phénomène a gagné en visibilité avec la création du « Premio Abogados de Novela » (Prix Avocats du roman) qui marque ainsi la reconnaissance du genre à partir de 2010. Ce sera l’occasion de présenter les critères de la fiction à substrat professionnel telle qu’elle a été définie par Michel Petit et Shaeda Isani, les chercheurs pionniers dans ce domaine. Par ailleurs, nous tenterons de mettre au jour les particularités de la FASP juridique espagnole, dans ses deux versants de langue et culture de spécialité, ainsi que ses caractéristiques en tant que genre hybride. Enfin, la représentation de l’avocat et de sa déontologie dans certaines œuvres primées sera étudiée et montrera combien la question éthique est importante à la croisée du droit et de la littérature.
Entrepreneurial Storytelling in Organizational Discourse
Authors: Borghoff Birgitta 
Published: December 2018

Dans le cadre de la communication relative aux organisations, la narration entrepreneuriale est abordée comme un processus réciproque d’« entrepreneuriarisation ». L’analyse de deux études de cas relevant du secteur de l’industrie culturelle et créative suisse permet de mettre en lumière la praxis, les pratiques ainsi que les praticiens de la narration entrepreneuriale dans le contexte du développement de projets et d’organisations. La mise en récit et la narration d’un processus de conception à la fois conservateur, innovant, entrepreneurial, stratégique, collaboratif et fondé sur la connaissance génèrent des narrations entrepreneuriales, des conceptions, des réseaux et des discours spécifiques à l’organisation. Cette interaction est proposée comme le socle de l’histoire entrepreneuriale et de la création de valeurs qui façonnent l’identité narrative des projets, des organisations et des entreprises. Dans les deux études de cas présentées ici, ceci se traduit par un récit relatif aux « curatorial ‘tooligans’ and busy brokers » et aux héros-entrepreneurs en tant qu’« aventuriers victorieux et gardiens de la conservation ». Pour terminer, nous présentons quelques futures pistes de recherche dans le domaine émergeant de la narration entrepreneuriale. Compte tenu du développement et du transfert de nouveaux outils et formats d’enseignement, du coaching et du conseil, les premières applications pour les professionnels sont présentées.
Fallas de Valencia: un producto cultural multidisciplinar
Authors: Collado Belda Enrique 
Published: December 2018

<p>La<em> Falla</em>, Patrimonio de la Humanidad, es una obra artística que forma parte del arte efímero. Posiblemente esta sea la percepción más habitual, pero pueden existir otras visiones poco estudiadas que aporten aspectos novedosos o desconocidos sobre la misma. Partiendo de la base de la tesis doctoral del autor, que analiza el aspecto comunicativo, y, recurriendo a la observación simple, la entrevista y la revisión bibliográfica como herramientas metodológicas fundamentales, se analiza la falla como un producto cultural derivado de la fusión de las diversas disciplinas que intervienen en su producción, como, por ejemplo, la sociología, el arte o la comunicación. El análisis realizado permite mostrar esta riqueza conceptual que integra la palabra <em>Falla</em> y el amplio campo de posibilidades de estudio que ofrece.</p>
Sharing the Road with Burton Holmes and Dr. Jones: Mapping Fitzgerald's “The Cruise of the Rolling Junk” and the American Road Narrative
Authors: Martin Michael J. 
Published: December 2018

Abstract
F. Scott Fitzgerald's “The Cruise of the Rolling Junk” remains a critically neglected text. This article proposes that one reason for this neglect is that the work has yet to be placed into any greater critical context. It remedies this problem by analyzing the essay in the context of the American road narrative. Specifically, the reading places Fitzgerald's work within its own historical moment by recognizing how it both distances itself from and yet is complicit in the romantic idea of travel as expressed by the twentieth-century travel orator Burton Holmes. Through a close reading of the text, the article argues that while Fitzgerald attempts to break from the overly picturesque view of travel and adventure that colored much early travel and road literature in an effort to highlight the sense of identity loss (in terms of self and world), he is, in the end, unsuccessful in fully accomplishing his own narrative goal. However, in his attempt, Fitzgerald does place himself within the greater conversation of the American road narrative and helps to complicate traditional theories of American road literature.
Infusive “Spots of Time”: Young F. Scott Fitzgerald's Traumatic Summer of 1910
Authors: Workman Michael 
Published: December 2018

Abstract
This article addresses the overlapping backstories to the first three of four auto fatalities that affected F. Scott Fitzgerald's life and art. It explores biographical information about Fitzgerald's relationship with his rich St. Paul neighbor Stuart Beebe Shotwell Jr., and two Princeton classmates, Robert E. Sniffin and Charles O. Wiegand. All three individuals died in automobile accidents that deeply cut into Fitzgerald's psyche. At age thirteen young Fitzgerald saw Mr. Shotwell get run over by a pretty woman driving a fancy car. Seven years later, on the eve of World War I, two of his former Princeton dorm-mates were killed in DUI accidents one night apart. These terrible events may have caused deep-seated trauma for Fitzgerald. This article argues that the author infused an array of “focal points” and Wordsworthian “spots of time” emanating from those traumatic events into This Side of Paradise and prepared Fitzgerald to dramatize a fourth automobile fatality in The Great Gatsby.
Dai Wangshu’s translations of contemporary Spanish poetry and its application to the teaching of Spanish as a foreign language
Authors: Song Jiajing 
Published: December 2018

This paper is intended to be a study of the translation of the contemporary Spanish poetry by the former Chinese poet Dai Wangshu, and how his translations are used in the teaching of Spanish as a foreign language in China. Dai dedicated his most attention to the poems of the Generation of 27 and the romances of the Spanish Civil War. His love of Spanish poetry wasn't a coincidence but had much to do with his own aesthetic standards, attitude and experience. His translations, which are popular in China, can easily arouse young Chinese students' interest in Spanish poetry and literature, and lead them to the exploration of the original works, enhancing their comprehension of Spanish poems and improving their Spanish as a foreign language.
Touching Art: The Art Museum as a Picture Book, and the Picture Book as Art
Authors: Nodelman Perry 
Published: December 2018

Based on a keynote address delivered at the 2017 Child and the Book conference in Valencia on interdisciplinary links between children’s literature and the arts, this essay draws on its author’s experience first as a children’s literature scholar focused on picture books and then as a volunteer guide and docent for school tours in art museums. It explores how visits to art museums might be enriched by thinking about the art in them in the ways in which we think about the art in children’s picture books- as images illuminated by a context of nearby images and the verbal language they appear in connection with. After an exploration of common assumptions about how to look at art in museums and a consideration of the ways in which our knowledge of picture books might influence our interactions with that art, the essay also briefly considers how museum art might influence our understanding and appreciation of picture books.Key words: art, picture books, museums, galleries, context
ResumenBasado en la conferencia plenaria pronunciada en 2017 en el congreso en Valencia The Child and the Book sobre vínculos interdisciplinares entre la literatura infantil y las artes, este artículo utiliza la experiencia del autor como guía voluntario y docente para visitas escolares a museos artísticos. Explora cómo las visitas a museos de arte pueden ser enriquecidas pensando acerca del arte que contienen de la manera en la que pensamos sobre el arte en los álbumes para niños y niñas – como imágenes iluminadas por un contexto de imágenes cercanas y por el lenguaje verbal que aparece en conexión con ellas. Tras una exploración de las asunciones habituales sobre cómo mirar el arte en los museos y una consideración sobre las maneras en las que nuestro conocimiento de los álbumes puede influir nuestras interacciones sobre este arte, el ensayo considera también brevemente cómo el arte de los museos puede influir nuestra comprensión y apreciación de los álbumes.Palabras clave: arte, álbumes, museos, galerías, contexto.

ResumBasat en la conferencia plenària pronunciada el 2017 al congrés a València The Child and the Book sobre vincles interdisciplinaris entre la literatura infantil i les arts, aquest article utilitza l’experiència de l’autor com a guia voluntari i com a docent per a visites escolars a museus artístics. Explora com les visites a museus d’art poden ser enriquides tot pensant sobre l’art que hi contenen de la manera en la que pensem sobre l’art en els àlbums per a infants – com a imatges il·luminades per un context d’imatges properes i pel llenguatge verbal que apareix en connexió amb elles. Després d’una exploració de les assumpcions habituals sobre com mirar l’art als museus i una consideració sobre les maneres en les quals el nostre coneixement dels àlbums pot influir les nostres interaccions sobre aquest art, l’assaig considera també breument com l’art dels museus pot influir la nostra comprensió i apreciació dels àlbums.Paraules clau: art, àlbums, museus, galeries, context.
Yüksek-Eğitimli Uzman Hemşire İstihdamı ile Acil Servis Kalitesinin Yükseltilmesi için Simülasyon Uygulaması: Türkiye Sağlık Sistemi
Authors: ATALAN Abdulkadir , DÖNMEZ Cem Çağrı , AYAZ ATALAN Yasemin 
Published: December 2018

Acil servisler sağlık sistemlerin
temel taşını oluşturmaktadırlar. Bu çalışmada, Türkiye’deki acil servislerin
çalışma sistemleri incelenmiştir. Mevcut durumdaki acil servislere ait
yoğunluklar ölçülemez hale gelmektedir. Bunun başlıca nedeni acil durumda
olmayan hastaların acil servisleri meşgul etmesidir. Bu çalışma ile acil servislerde acil olmayan
ya da ayakta tedavi edilebilecek olan hastaların yüksek-eğitimli uzman hemşireler
(YUH) tarafından tedavi edilmesi önerilmiştir. Bu durumda daha fazla hasta
tedavi edilmesi, hastaların bekleme sürelerinin ve dolayısıyla hastaların acil
servislerde kalma sürelerinin azaltılması amaçlanmıştır. Ayrıca acil
servislerde istihdam edilen kaynakların verimliliğinin arttırılması
hedeflenmiştir. 1/24 ve 7/24 esasına göre uygulanan simülasyon örneği ile YUH
istihdamı sağlanarak tedavi edilen hasta sayısında 1/24 esasına göre %26,71 ve
7/24 esasına göre %15,13 oranında artış sağlandığı görülmüştür. Hastaların acil
servise kayıt yaptıkları andan itibaren tedavi olmak için bekledikleri süre
1/24 esasına göre %38,67 ve 7/24 esasına göre %53,66 oranlarında iyileşme
sağlanarak bekleme zamanı düşürülmüştür. Aynı şekilde bir hastanın tedavi olmak
için acil servislerde geçirmesi gereken süre ortalama 82,46 dakikadan 53,97
dakikaya düşürülmüştür. Bulgular arasında, acil servislerde istihdam edilen
kaynaklardan yeteri kadar verim alınamamasıyla YUH istihdamı sayesinde
kaynaklara ait verimlilik oranlarında bir denge sağlandığı görülmüştür. Ek
olarak, YUH istihdamı ile doktorların çalışma yoğunluklarının azaldığı tespit
edilmiştir.
The Sound of Innovation
Authors: Nelson Andrew J. 
Published: December 2018

How a team of musicians, engineers, computer scientists, and psychologists developed computer music as an academic field and ushered in the era of digital music.
In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced “karma”) helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford's Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide.
Nelson emphasizes CCRMA's interdisciplinarity, which stimulates creativity at the intersections of fields; its commitment to open sharing and users; and its pioneering commercial engagement. He shows that Stanford's outsized influence on the emergence of digital music came from the intertwining of these three modes, which brought together diverse supporters with different aims around a field of shared interest. Nelson thus challenges long-standing assumptions about the divisions between art and science, between the humanities and technology, and between academic research and commercial applications, showing how the story of a small group of musicians reveals substantial insights about innovation.
Nelson draws on extensive archival research and dozens of interviews with digital music pioneers; the book's website provides access to original historic documents and other material.
The Future
Authors: Montfort Nick 
Published: December 2018

How the future has been imagined and made, through the work of writers, artists, inventors, and designers.
The future is like an unwritten book. It is not something we see in a crystal ball, or can only hope to predict, like the weather. In this volume of the MIT Press's Essential Knowledge series, Nick Montfort argues that the future is something to be made, not predicted. Montfort offers what he considers essential knowledge about the future, as seen in the work of writers, artists, inventors, and designers (mainly in Western culture) who developed and described the core components of the futures they envisioned. Montfort's approach is not that of futurology or scenario planning; instead, he reports on the work of making the future—the thinkers who devoted themselves to writing pages in the unwritten book. Douglas Engelbart, Alan Kay, and Ted Nelson didn't predict the future of computing, for instance. They were three of the people who made it.
Montfort focuses on how the development of technologies—with an emphasis on digital technologies—has been bound up with ideas about the future. Readers learn about kitchens of the future and the vision behind them; literary utopias, from Plato's Republic to Edward Bellamy's Looking Backward and Charlotte Perkins Gilman's Herland; the Futurama exhibit at the 1939 New York World's Fair; and what led up to Tim Berners-Lee's invention of the World Wide Web. Montfort describes the notebook computer as a human-centered alterative to the idea of the computer as a room-sized “giant brain”; speculative practice in design and science fiction; and, throughout, the best ways to imagine and build the future.
Models of Innovation
Authors: Godin Benoît 
Published: December 2018

Benoît Godin is a Professor at the Institut national de la recherche scientifique, Montreal.
Models abound in science, technology, and society (STS) studies and in science, technology, and innovation (STI) studies. They are continually being invented, with one author developing many versions of the same model over time. At the same time, models are regularly criticized. Such is the case with the most influential model in STS-STI: the linear model of innovation.
In this book, Benoît Godin examines the emergence and diffusion of the three most important conceptual models of innovation from the early twentieth century to the late 1980s: stage models, linear models, and holistic models. Godin first traces the history of the models of innovation constructed during this period, considering why these particular models came into being and what use was made of them. He then rethinks and debunks the historical narratives of models developed by theorists of innovation. Godin documents a greater diversity of thinkers and schools than in the conventional account, tracing a genealogy of models beginning with anthropologists, industrialists, and practitioners in the first half of the twentieth century to their later formalization in STS-STI.

Godin suggests that a model is a conceptualization, which could be narrative, or a set of conceptualizations, or a paradigmatic perspective, often in pictorial form and reduced discursively to a simplified representation of reality. Why are so many things called models? Godin claims that model has a rhetorical function. First, a model is a symbol of “scientificity.” Second, a model travels easily among scholars and policy makers. Calling a conceptualization or narrative or perspective a model facilitates its propagation.
Weaving the Dark Web
Authors: Gehl Robert W. 
Published: December 2018

An exploration of the Dark Web—websites accessible only with special routing software—that examines the history of three anonymizing networks, Freenet, Tor, and I2P.
The term “Dark Web” conjures up drug markets, unregulated gun sales, stolen credit cards. But, as Robert Gehl points out in Weaving the Dark Web, for each of these illegitimate uses, there are other, legitimate ones: the New York Times's anonymous whistleblowing system, for example, and the use of encryption by political dissidents. Defining the Dark Web straightforwardly as websites that can be accessed only with special routing software, and noting the frequent use of “legitimate” and its variations by users, journalists, and law enforcement to describe Dark Web practices (judging them “legit” or “sh!t”), Gehl uses the concept of legitimacy as a window into the Dark Web. He does so by examining the history of three Dark Web systems: Freenet, Tor, and I2P.

Gehl presents three distinct meanings of legitimate: legitimate force, or the state's claim to a monopoly on violence; organizational propriety; and authenticity. He explores how Freenet, Tor, and I2P grappled with these different meanings, and then discusses each form of legitimacy in detail by examining Dark Web markets, search engines, and social networking sites. Finally, taking a broader view of the Dark Web, Gehl argues for the value of anonymous political speech in a time of ubiquitous surveillance. If we shut down the Dark Web, he argues, we lose a valuable channel for dissent.
Big Is Beautiful
Authors: Atkinson Robert D. , Lind Michael 
Published: December 2018

Why small business is not the basis of American prosperity, not the foundation of American democracy, and not the champion of job creation.
In this provocative book, Robert Atkinson and Michael Lind argue that small business is not, as is widely claimed, the basis of American prosperity. Small business is not responsible for most of the country's job creation and innovation. American democracy does not depend on the existence of brave bands of self-employed citizens. Small businesses are not systematically discriminated against by government policy makers. Rather, Atkinson and Lind argue, small businesses are not the font of jobs, because most small businesses fail. The only kind of small firm that contributes to technological innovation is the technological start-up, and its success depends on scaling up. The idea that self-employed citizens are the foundation of democracy is a relic of Jeffersonian dreams of an agrarian society. And governments, motivated by a confused mix of populist and free market ideology, in fact go out of their way to promote small business. Every modern president has sung the praises of small business, and every modern president, according to Atkinson and Lind, has been wrong.
Pointing to the advantages of scale for job creation, productivity, innovation, and virtually all other economic benefits, Atkinson and Lind argue for a “size neutral” policy approach both in the United States and around the world that would encourage growth rather than enshrine an anachronism. If we overthrow the “small is beautiful” ideology, we will be able to recognize large firms as the engines of progress and prosperity that they are.