bluuebunny/crossref_metadata_2025_split huggingface dataset:
Enhancing Acromioclavicular Rehabilitation and Functional Capacity With Blood Flow Restriction Training: A Case Report
Authors: Montemayor John Connor , Jeanfavre Michael , Leff Gretchen 
Published: October 2024

BACKGROUND: Type V Acromioclavicular joint (ACJ) separations often require surgical stabilization to restore functional capacity of the shoulder. However, the purpose of this case study is to demonstrate nonsurgical management of this condition. CASE PRESENTATION: A 32-year-old female with a radiographic type V ACJ separation underwent nonsurgical management. This case used a novel criteria-based protocol, which utilized 6 weeks of upper extremity blood flow restriction to restore the functional capacity of a radiographic type V ACJ separation. OUTCOME AND FOLLOW-UP: Following nonsurgical management, there was a 2.47-fold increase in external rotation strength, 97% limb symmetry on upper quarter Y-Balance, a score of 91 on American Shoulder and Elbow Surgeons assessment, and a 9-mm radiographic reduction of the coracoclavicular interval. DISCUSSION: The case illustrates how clinical findings did match the radiographical findings, but the nonsurgical treatment using upper extremity blood flow restriction provided a desired functional outcome. JOSPT Cases 2024;4(4):185-199. Epub 29 October 2024. doi:10.2519/josptcases.2024.0031
Роман Ильич Грубер и семья Гессенов: к истории потерянных связей
Authors: Н.А. Яковлева 
Published: October 2024

Статья посвящена неисследованному сюжету в биографии известного музыковеда Р. И. Грубера, состоявшего в близком родстве с петербургской семьей общественного деятеля, издателя, публициста И. В. Гессена. Круг творческой интеллигенции, частью которого были Гессены, сыграл до революции значительную роль в жизни будущего ученого. В статье представлены новые материалы, свидетельствую щие о тесных контактах Романа Грубера с родственниками, эмигрировавшими в пер вые годы советской власти. Именно в петербургском салоне Гессенов, оставившем свой след в истории, состоялось неформальное знакомство Грубера с деятелями му зыкальной культуры и, в частности, с авторитетным музыкальным критиком и ком позитором В. Г. Каратыгиным, вскоре ставшим его педагогом и, как известно, впоследствии оказавшим влияние на его профессиональное становление. К этому периоду относится и дебют ученого, выступившего с критическими заметками о текущих музыкальных событиях в газете «Речь», издававшейся И. В. Гессеном. Неопубликованные материалы, представленные в работе, проливают свет на некоторые обстоятельства его детства, переезда в Петербург, а также дают возможность «увидеть» его в близком семейном окружении в атмосфере первых лет революции. Помимо свидетельств личного происхождения, в работе привлекаются другие архивные источники, позволяющие восстановить и подтвердить утраченные и забытые факты.
The article is devoted to an unknown circumstance in the biography of the fa mous musicologist Roman I. Gruber, who was closely related to the St. Petersburg family of the public figure, publisher, and publicist Iosif V. Hessen. This family was a part of the cur tain circle of intellectuals, played a significant role in the life of the future scientist before the revolution and in many respects influenced his choice of profession. The article presents new evidence of Roman Gruber’s close contacts with relatives who emigrated in the early years of Soviet power. It was the Hessens’ salon, where Gruber’s has met the leading figures of mu sical culture, and, for instance, the prominent music critic and composer Vyacheslav G. Kara tygin, who became his teacher and deeply influenced his professional development. During this period Gruber also started to publish the articles upon current musical event in Hessen’s newspaper Rech (“Speech”). Unpublished materials presented in the work shed light on some of the circumstances of Gruber’s childhood, his arrival to St. Petersburg, and give an op portunity to observe him in his close family environment of the early years of the revolution. In addition, archival sources are also used to fill in the gaps in his mother’s biography and in the genealogy of the Hessen family.
«Икона света» как образец «иконы в звуках» Джона Тавенера
Authors: Д.А. Еремина 
Published: October 2024

Статья посвящена феномену “Icon in Sound” («икона в звуках» / «музыкальная икона» / «звуковая икона»), занимающему центральное место в миропонимании и практике зрелого периода творчества английского композитора Джона Тавенера (1944–2013). Оригинальный тип композиции, напрямую соотносимый с понятием иконы и характеризующийся религиозным типом содержания, стал результатом многолетних духовных поисков музыканта. К «иконе в звуках» Тавенер обращался с 1983 по 2000 г.: в девяти сочинениях слово «икона» фигурирует в названии, в четырех — в уточняющих авторских примечаниях. Каждая «икона» получает индивидуальное жанровое воплощение и исполнительский состав. Феномен «звуковой иконы» рассмотрен в статье на примере первого подобного опуса — «Иконы света» (1983), написанного для двойного хора и струнного трио. Произведение до сих пор не становилось предметом анализа в отечественной науке. В нем нашли отражение характерные черты данного типа композиции: опора на византийскую гимнографию, использование текстов на греческом языке, символизм мышления (тембровый, пространственный, числовой), симметрия, обращение к средневеково-ренессансным полифоническим принципам организации материала, экстатичность.
The article is devoted to the phenomenon of “Icon in Sound” («musical icon» / «sound icon»), which occupies a central place in the worldview and mature creative practice of the English composer John Tavener (1944–2013). The original type of composition, directly correlated with the concept of an icon and characterized by a religious type of content, was the result of many years of spiritual searches by the musician. Tavener addressed the “ikon in sound” from 1983 to 2000: in nine works the word “ikon” appears in the title, and in four — in clarifying author's notes. Each “ikon” receives an individual genre embodiment and a performing cast. T he phenomenon of the “ikon in sound” is considered in the article on the example of the first sample — “Ikon of Light” (1983), written for a double choir and a string trio. When translating a visual-spatial art form into an auditory-temporal one, Tavener managed to preserve the essential features of the ikon and not lose his characteristic style of writing. T he composition reflects the characteristic features of this type of composition: reliance on Byzantine hymnography, texts in Greek, symbolism of thought (timbre, spatial, numerical), symmetry, appeal to medieval-Renaissance polyphonic principles of material organization, ecstasy. In Russian musicology, the “Ikon of Light” has not been presented before.
Музыка в романе Трумена Капоте «Другие голоса, другие комнаты»
Authors: Н.Б. Красикова 
Published: October 2024

Статья посвящена феномену “Icon in Sound” («икона в звуках» / «музыкальная икона» / «звуковая икона»), занимающему центральное место в миропонимании и практике зрелого периода творчества английского композитора Джона Тавенера (1944–2013). Оригинальный тип композиции, напрямую соотносимый с понятием иконы и характеризующийся религиозным типом содержания, стал результатом многолетних духовных поисков музыканта. К «иконе в звуках» Тавенер обращался с 1983 по 2000 г.: в девяти сочинениях слово «икона» фигурирует в названии, в четырех — в уточняющих авторских примечаниях. Каждая «икона» получает индивидуальное жанровое воплощение и исполнительский состав. Феномен «звуковой иконы» рассмотрен в статье на примере первого подобного опуса — «Иконы света» (1983), написанного для двойного хора и струнного трио. Произведение до сих пор не становилось предметом анализа в отечественной науке. В нем нашли отражение характерные черты данного типа композиции: опора на византийскую гимнографию, использование текстов на греческом языке, символизм мышления (тембровый, пространственный, числовой), симметрия, обращение к средневеково-ренессансным полифоническим принципам организации материала, экстатичность.
The article is devoted to the phenomenon of “Icon in Sound” («musical icon» / «sound icon»), which occupies a central place in the worldview and mature creative practice of the English composer John Tavener (1944–2013). The original type of composition, directly correlated with the concept of an icon and characterized by a religious type of content, was the result of many years of spiritual searches by the musician. Tavener addressed the “ikon in sound” from 1983 to 2000: in nine works the word “ikon” appears in the title, and in four — in clarifying author's notes. Each “ikon” receives an individual genre embodiment and a performing cast. T he phenomenon of the “ikon in sound” is considered in the article on the example of the first sample — “Ikon of Light” (1983), written for a double choir and a string trio. When translating a visual-spatial art form into an auditory-temporal one, Tavener managed to preserve the essential features of the ikon and not lose his characteristic style of writing. T he composition reflects the characteristic features of this type of composition: reliance on Byzantine hymnography, texts in Greek, symbolism of thought (timbre, spatial, numerical), symmetry, appeal to medieval-Renaissance polyphonic principles of material organization, ecstasy. In Russian musicology, the “Ikon of Light” has not been presented before.
А. С. Ляпунова — публикатор и комментатор писем А. Н. Серова
Authors: А.С. Войцешко 
Published: October 2024

Известным отечественным источниковедом и текстологом Анастасией Сергеевной Ляпуновой — заведующей Отделом рукописей Ленинградской консерватории — в 1940 г. были подготовлены к публикации письма А. Н. Серова, адресованные председателю Русского музыкального общества А. А. Кирееву. В настоящей статье освещаются этапы работы исследователя с документами, дается текстологическое описание источников, кратко характеризуется содержание писем А. Н. Серова и предпосланного им развернутого научного комментария А. С. Ляпуновой.
The phenomenon of Serov’s letters demonstrates his individuality and creative thinking, thereby exposing a sensitive, vulnerable nature. A dedication to the educational cause is particularly evident in moments of acute controversy, in the selfless struggle for jus tice. The texts of the letters to Alexander A. Kireev provide insight into the state of the concert repertoire during that period, as well as the context surrounding the confrontation between two organizations — the Russian Musical Society and the Free Music School. The correspon dence commenced with the search for the truth about himself on the part of Society and acknowledgment of Serov’s contributions to Russian music. The decade-long dispute culmi nated in the critic’s detachment from the standards of public education and the popu larity of the domestic modern repertoire. As a result of the critic’s counsel, concert programmes featured previously unperformed works on the Russian stage, which subsequently delighted the audience and stimulated their interest in relevant compositions.
Письма А. Н. Серова к А. А. Кирееву
Authors: А.С. Ляпунова , А.С. Войцешко 
Published: October 2024

Письма А. Н. Серова к председателю Русского музыкального общества А. А. Кирееву, подготовленные к публикации заведующей Отделом рукописей Ленинградской консерватории А. С. Ляпуновой, раскрывают обстоятельства взаимоотношений композитора с Обществом и различными музыкантами: Даргомыжским, Балакиревым, Рубинштейном, Стасовым и др. В текстах писем содержится информация о составленных Серовым программах сезона 1870–1871 гг. (а также, частично, и 1869–1870). Предисловие («Заметка») Ляпуновой воссоздает контекст и устанавливает причины обращений композитора к адресату: не будучи привлечен к участию в Русском музыкальном обществе, Серов заявляет о своем отрицательном отношении к нему. Критике подвергались также концертные программы и их исполнение — в репертуаре концертов русской музыке отводилось слишком мало места. Привлечение Серова к составлению новых программ грядущих сезонов означала конец «десятилетней вражде», «полное примирение и сотрудничество враждующих сторон».
The famous domestic source scientist and textologist Anastasia Sergeevna Lyapu nova, Head of the Manuscript Department of the Leningrad Conservatory, prepared for publication letters by Alexander N. Serov to the chairman of the Russian Musical Society Alexander A. Kireev. The publication of the letters was accompanied by a detailed scientific commentary by Lyapunova. The letters present intriguing insights into the composer's inter actions with society and various members of the musical community, including musicians Dargomyzhsky, Balakirev, Rubinstein, Stasov and others. The texts of the letters contain information regarding the programmes compiled by Serov for the 1870–71 season (in part, also for the 1869–1870 season). In the preface (“Note”), Anastasia S. Lyapunova elucidates the context and rationale behind the composer's appeals to the addressee. Despite his lack of involvement in the Russian Musical Society, Serov makes his disapproval of the addressee known. Furthermore, the concert programmes and their performance were also subjected to criticism. It was argued that insufficient space was allocated in the repertoire of concerts to Russian music. However, Serov's involvement in the compilation of new programmes for the forthcoming seasons signified the conclusion of a decade-long feud, resulting in com plete reconciliation and collaboration between the previously estranged parties.
Implementation of Financial Aid for Local Political Parties in Banda Aceh City
Authors: Al Fathir Muhammad Alif , Hasba Irham Bashori 
Published: October 2024

<p><em>This study examined the </em><em>allocation</em><em> of financial aid funds from the Banda Aceh Regional Government Budget (APBK) to Local Political Parties X and Y in Banda Aceh. This study conducted empirical juridical research and presented the findings of field research using two analytical frameworks: Legal Effectiveness theory and Siyasah Maliyah Fiqh theory.</em><em> It focused on local political parties since they represent a unique kind of democracy in the Aceh region</em><em>.</em><em> From the standpoint of legal effectiveness theory, the findings of this study suggest that the supporting facilities in the form of financial aid and legal factors are adequate and suitable. Nevertheless, barriers remain present within law enforcement, society, and culture. From the accumulated results of the components of the theory of legal effectiveness, a fiqh siyasah maliyah perspective is obtained. Thus, it can be concluded that the principles of ownership and management are still hampered by transparency, accountability, and openness of information to the community. The principle of abuse and corruption is already working well, but the accuracy of targeting financial funds must be improved The people's benefit has not been completely realized as a result of the aid use not being targeted.. The principle of amar ma'ruf nahyi mungkar has also not been fully implemented because it is hampered by a crisis of public trust, the party's understanding of regulations, and the infrastructure supporting transparency and accountability.</em></p>
Darbandy tribe in south of Kurdistan
Authors: Qadr Ahmed Abubakr , Nadir Shekh Bzeny Qaraman 
Published: October 2024

This research refers to the details and the origin of Darbandians life, and their first coming in Kirmashan region. This ethnic group perform themselves differently as they compared to their surrounding area in the fields of style and culture.
They speak in Kalhurr dialect, They migrated from Nawdarwand of Kirmashan towards the west of Iran border until they arrived their in habited area which includes thirty four villages in different areas, Now, Segrdkan sub-district and its surrounding is considered as the center of Darbandians living. Meanwhile, this research highlights the factors behind the immigration and disperse of Darbandians in the second half of the century and the beginning of the century from their hometown.The main factor can be seen in the conflict between the major authorities on Iran land, the war and the chaos in border districts is another factor and the policy of persecution is another factor.
The research also refers to the ways of their coming and arrival to the first settlement place where includes the villages of (Omargwmbat, Gorqaraj, kanilala, and segrdkan), then their spread to the other villages, after that referring to the major clans and the families of darbandians.
Karakteristik Sosial Ekonomi Petani HKm Sekaroh Jaya di Kabupaten Lombok Timur
Authors: Juliana Saputri Ardita , Markum Markum , Tri Lestari Andi 
Published: October 2024

Abstrak: Mengetahui sosial ekonomi masyarakat merupakan salah satu langkah awal untuk mengembangkan kemampuan masyarakat dalam mengelola hutan dan meningkatkan potensi dalam kawasan Hutan Kemasyarakatan (HKm). Penelitian ini bertujuan untuk mengetahui karakteristik sosial, ekonomi, dan budaya petani HKm Sekaroh Jaya di Kabupaten Lombok Timur. Metode pada penelitian ini menggunakan metode deskriptif. Sampel responden dalam penelitian ini berjumlah 36 orang yang ditentukan menggunakan rumus slovin yang diambil secara acak atau system random sampling. Metode pengumpulan data dilakukan dengan beberapa cara yaitu observasi, wawancara, kuisioner, dan studi pustaka kemudian dianalisis dengan cara analisis deskriptif kualitatif dan kuantitatif. Hasil penelitian menunjukkan bahw karakteristik sosial ekonomi dan budaya petani HKm yaitu rata-rata bermata pencaharian pokok sebagai petani dengan tingkat pendidikan rendah dan memiliki kebiasaan menanam jagung. Mayoritas kesejahteraan petani HKm Sekaroh Jaya yaitu dalam kategori miskin ekstrem dengan pendapatan bergantung pada tanaman jagung.

Kata Kunci: Hutan Kemasyarakatan, Hutan Lindung, Sosial Ekonomi
Pengembangan Modul Ajar Kurikulum Merdeka Berbasis Etnomatematika pada Materi Bangun Datar Kelas II di SDN 42 Mataram
Authors: Aulya Hafiana , Turmuzi Muhammad , Nurmawanti Iva 
Published: October 2024

Permasalahan kesulitan siswa di sekolah dasar dalam memahami pembelajaran matematika ditimbulkan oleh ketidaksesuaian modul pembelajaran yang digunakan di sekolah. Penelitian ini bertujuan untuk mengembangkan produk modul ajar Kurikulum Merdeka berbasis etnomatematika pada materi bangun datar kelas II di SDN 42 Mataram, yang valid dan praktis. Penelitian ini merupakan jenis penelitian Research and Development (R&D) dengan menggunakan model pengembangan ADDIE, yang meliputi 5 tahap penelitian yaitu Analyze (Analisis) Design (Desain), Development (Pengembangan) Implementation (Implementasi) dan Evaluation (Evaluasi). Tempat penelitian dilakukan di SDN 42 Mataram dengan subjek penelitian adalah peserta didik kelas II SDN 42 Mataram sebanyak 34 orang. Instrumen penelitian yang digunakan adalah lembar angket validasi ahli materi dan media, angket respon guru dan peserta didik. Hasil dari penelitian ini adalah produk modul memenuhi standar validitas dengan persentase penilaian pada tahap validasi media 92,8% dan tahap validasi materi 92% sehingga masuk dalam kategori sangat valid. Pada tahap uji kepraktisan produk modul telah memenuhi kriteria kepraktisan dengan persentase penilaian uji coba lapangan sebesar 91,9% dari siswa dengan kriteria sangat praktis dan 95% dari guru dengan kriteria sangat praktis. Oleh sebab itu, dapat disimpulkan bahwa modul ajar Kurikulum Merdeka yang dikembangkan valid dan praktis
Analisis Pemasangan Filter Pasif Untuk Mereduksi Harmonisa Pada Variable Speed Drive Di PT. Indah Kiat Pulp and Paper Tbk. Perawang
Authors: Zondra Elvira , Nofriandi  , Halilintar Masnur Putra 
Published: October 2024

Beban non linier sering digunakan dalam industri sehingga menimbulkan harmonisa dan rendahnya kualitas daya. Salah satunya adalah Variable Speed Drive (VSD) yang mengontrol motor induksi tiga phasa berkapasitas 160 kW yang menggerakkan Green Liqour Pump-2 pada boiler. Hasil pengukuran menunjukkan kandungan harmonisa yang tinggi pada sisi sumber VSD tipe ACS800-07 saat kecepatan motor 1437 rpm. Kandungan harmonisa ditunjukkan oleh IHDI pada orde ke-5, 7 dan 11 dengan rata-rata adalah 38,7%, 15,3% dan 7,2%, dan THDI adalah 42,281%, sedangkan standarisasi IEEE 519-2014 adalah 4%. Salah satu solusinya adalah filter pasif single tuned untuk mereduksi IHDI pada orde ke-5, 7 dan 11, dengan kapasitor (C) 1,406 , dengan induktor (L) masing-masing 0,283 H, 0,144 H dan 0,058 H dan dengan resistor (R) masing-masing 5,6 Ω, 3,998 Ω dan 2,549 Ω, sedangkan koreksi faktor daya 65,745 kVAR. Hasil simulasi filter pasif single tuned menggunakan software MATLAB/Simulink dengan metode sumber arus mampu mereduksi IHDI orde ke-5, 7 dan 11 menjadi 0,24%, 0,07% dan 0,03% dan THDI menjadi 0,61%, dan sudah memenuhi standarisasi IEEE 519-2014. Kinerja filter pasif single tuned dalam mereduksi harmonisa mencapai 98,56%. Filter pasif single tuned dipilih karena lebih efektif dan mudah dalam perawatannya.
Pemanfaatan Atap Bangunan Sebagai Sumber Energi Listrik On Grid Sistem Untuk Kebutuhan Mall Living World
Authors: Hasnul Harri Putra , Situmeang Usaha , Monice  
Published: October 2024

Indonesia merupakan daerah tropis yang mempunyai sinar matahari yang sangat besar menjadi potensi energi terbarukan dengan radiasi harian rata-rata 4,5 – 4,8 kWh/m2. Sebagai energi terbarukan, sinar matahari tidak bersifat polutif, tidak akan habis. Maka dari itu sumber energi ini dapat dimanfaatkan untuk kelistrikan melalui sistem Pembangkit Listrik Tenaga Surya (PLTS). Pada penelitian ini akan dibahas perancangan sistem Pembangkit Listrik Tenaga Surya (PLTS) On Grid pada Gedung living world. Dengan penggunaan inverter SOLIS-255K-EHV-5G-PLUS dengan daya DC maksimal 255 kW dan penggunaan modul PV SUNPOWER SPR-P5-525-U berkapasitas 525 Wp dengan Efficinecy 7,6% besar daya yang dibangkitkan sebesar 485,1 Wp berdasarkan Power Rating Inverter diketahui jumlah modul PV yang bisa dihubungkan dengan inverter sebanyak 525.664 jika dibulatkan menjadi 525 modul sel surya. PLTS ini dirancang untuk mengurangi pemakaian listrik dari PLN digedung Living World Pekanbaru. Lokasi ini dinilai memiliki potensi radiasi matahari yang cukup baik dan ketersediaan lahan yang luas. Hasil dari perancangan sistem pembangkit tenaga surya menghasilkan energi listrik terbesar 254.001,329 kWh. Berdasarkan produksi energi listrik yang dihasilkan, Gedung living world dapat menghemat penggunaan sumber energi listrik PLN dengan jumlah Rp 3.336.151.915/tahun atau Rp278.012.659/bulan. Diharapkan hasil dari perancangan ini menjadi acuan bagi pihak Living Wolrd agar diperoleh kesesuaian antara kebutuhan energi, harga, dan kualitas yang baik.
Perlindungan Hukum Masyarakat Terhadap Kelalaian Pengelolaan Sampah di TPA Parit Enam Kota Pangkalpinang
Authors: Kurniawan Fuji , Marwan  , Vira Dila Sondang , Nugroho Sigit 
Published: October 2024

Tempat Pemrosesan Akhir (TPA) Parit Enam merupakan tempat akhir pengelolaan sampah di Kota Pangkalpinang yang mengalami penumpukan sampah karena tidak dikelola dengan baik. Salah satu faktor penyebab sampah tidak dikelola yakni kurangnya sarana dan prasarana pengelolaan sampah. Tujuan penelitian ini adalah agar pengelolaan sampah di TPA Parit Enam dapat dilaksanakan sesuai dengan prosedur yang baik dan benar serta tersedianya fasilitas yang memadai untuk mengelola sampah. Metode penelitian ini yaitu yuridis empiris yang mengumpulkan data primer dan sekunder dengan melalui teknik wawancara dan observasi lapangan secara langsung. Hasil penelitian menjelaskan bahwa pengelolaan sampah sampah di TPA Parit Enam belum dikelola dengan maksimal khususnya terhadap sampah yang disebabkan karena fasilitas pengelolaan sampah yang tidak lengkap. Pengelolaan sampah yang baik merupakan upaya menghindari dampak negatif dari penumpukan sampah dan upaya perlindungan hukum terhadap masyarakat yang merasakan dampak negatif dari pengelolaan sampah yang belum maksimal.