bluuebunny/crossref_metadata_2025_split huggingface dataset:
Nowa ewangelizacja w doświadczeniu Wspólnoty Dobrego Pasterza w Olsztynie
Authors: Ropiak Sławomir 
Published: August 2018

Kościół zawsze ewangelizuje od początków swego istnienia, a więc każdego dnia sprawuje misterium eucharystyczne, udziela sakramentów, głosi słowo życia, czyli słowo Boże, podejmuje dzieła sprawiedliwości i miłosierdzia. Ta permanentna działalność, która nigdy nie została przerwana, zwana jest jako ewangelizacja „klasyczna”. Należy ona do istoty kościelnej aktywności i jest źródłem zbawczej łaski Bożej, sztuką życia, oraz drogą prowadzącą do pełni człowieczeństwa i wiecznego szczęścia. Ewangelizacja, rozumiana jako ustne głoszenie Ewangelii, w wielu wymiarach dzisiejszej praktyki duszpasterskiej, okazuje się mało owocna i pilnie domaga się dopełnienia oraz wsparcia apostolską aktywnością. Współczesny świat potrzebuje nowej ewangelizacji co do zapału, mocy, języka, metod i form, tak aby ludzkość ulegająca dechrystianizacji odnalazła przekonywujące odpowiedzi na nurtujące ją egzystencjalne pytania. Budzący niepokój zanik istotnych wartości ogólnoludzkich woła o światło i ciepło Dobrej Nowiny, gdyż wszyscy ludzie potrzebują Ewangelii. Po Soborze Watykańskim II duszpasterze i laikat stopniowo uświadamiają sobie konieczność poszukiwania nowych dróg, by dotrzeć ze Słowem Bożym do wszystkich ludzi, nie ograniczając się do duszpasterzowania tylko dla zamkniętego kręgu osób aktywnie uczestniczących w życiu Kościoła. W 1991 r. w Olsztynie powstała grupa modlitewno-formacyjna o nazwie Wspólnota Dobrego Pasterza, działająca w ramach Ruchu Światło-Życie. Wpisuje się ona w posoborowy nurt odnowy Kościoła w duchu nowej ewangelizacji. Uczestnicy tej grupy modlitewno-formacyjnej nie prowadzą wspólnoty życia, gdyż mieszkają osobno, żyją niezależnie finansowo, pracują w różnych zawodach, podejmują codzienne obowiązki zgodnie ze swoim stanem i powołaniem. Wspólnota Dobrego Pasterza ma charakter duchowy, realizowany poprzez wspólne rekolekcje, dni skupienia, celebrowanie liturgii, modlitwę, dzielenie się rozważanym Słowem Bożym i pogłębianie wiedzy religijnej. Niniejsza refleksja jest próbą odpowiedzi na szereg pytań, w tym: jakie są główne źródła ewangelicznej formacji prowadzonej w tej Wspólnocie; które elementy nowej ewangelizacji charakteryzują tę grupę modlitewną; oraz jakie perspektywy ewangelizacji otwierają się przed członkami Ruchu Światło-Życie modlących się we Wspólnocie Dobrego Pasterza?
Udział biskupów w procesie niszczenia świątyń pogańskich na wschodzie Imperium w późnym Cesarstwie Rzymskim (IV-V w.)
Authors: Piechocka-Kłos Maria 
Published: August 2018

W publikacji cała uwaga została skupiona na przedstawieniu kwestii udziału biskupów w procesie niszczenia świątyń pogańskich na terenie Imperium Romanum w IV i V wieku. W tej materii badania objęły teren tylko wschodniej części cesarstwa. Pod tym kątem przeanalizowano materiały z obszaru źródeł historycznych, prawnych i literackich. Bez wątpienia biskupi (Jerzy, Marek, Eleuzjos, Tytus, Marcel, Teofil, Porfiriusz, Jan Chryzostom) odegrali znaczącą role w procesie niszczenia pogańskich świątyń na Wschodzie, niekiedy nawet przejmując inicjatywę w działaniach, jednakże nie znaleziono dowodów na to, iż w tym czasie przejęli oni funkcję władzy świeckiej nawet na poziomie lokalnym. Można przyjąć, iż wówczas obowiązywała zasada, iż władze cywilne „przymykają oko” na działania biskupów, ale pod warunkiem, iż z ich powodu nie dochodzi do naruszenia prawa i porządku. Nie chciano prowokować żądnej grupy wyznaniowej do buntu. Dopiero stopniowe osłabianie pogaństwa na terenie cesarstwa pozwoliło cesarzom i biskupom na coraz śmielsze działania w tym kierunku.
Richard Crashaw's ‘The Weeper’: A Spanish Baroque Composition in English
Authors: Cossío Borja Gama de 
Published: August 2018

Abstract
Richard Crashaw is known for having experienced heavy European influence due to his study of different European languages and his exile to Italy. In this paper, I bring Crashaw closer to the Spanish Baroque drawing parallels with Lope de Vega in their depictions of Mary Magdalene in the poems “Las lágrimas de la Magdalena” and “The Weeper.” His southern European literary influences and passions might lead us to consider him as a Spanish-Italian poet who happened to write in the English language.
ElCancionerode Dulcinea en elQuijoteo la creación coral de un metapersonaje en evoluciónDulcinea'sCancioneroinQuijoteor the Choral Creation of An Evolving Metacharacter
Authors: Alcalá-Galán Mercedes 
Published: August 2018

AbstractDulcinea as a lady imagined by Don Quixote is the starting point of the extremely complex itinerary of this protean, contradictory and plural metacharacter in whose creation a series of characters participate as they invent, imagine, evoke and re-create her. In addition, the character is fashioned on another metafictional level, that of intercalated or cited poetry and of paratextual poetic compositions referring to Dulcinea. This heterogeneous corpus of poems, varied in tone and genre, dispersed in both parts of the novel, constitutes what I have called “El cancionero de Dulcinea.” This poetic collection is indeed a literary technique instrumental in the character's design.
Bicentenarios, pueblo y representatividad
Authors: Grenni Héctor 
Published: August 2018

El autor describe las revueltas hispanoamericanas desde la perspectiva del movimiento del 5 de noviembre de 1811 en San Salvador. Partiendo de fuentes primarias, se analizan la participación de los criollos en esas revueltas, la representatividad de quienes las lideraron y la participación popular.Teoría y Praxis Año 9, No. 19, Julio de 2011, pp.33-70
Malene Vest Hansen m.fl.: Kuratering af samtidskunst; Tone Hansen (red.): Staging the Art Museum; Olga Dysthe m.fl.: Dialogbaseret undervisning; Kirsten Drotner m.fl.: Det interaktive museum
Authors: Larsen Anne Folke 
Published: August 2018

Kunsthistorikere, kunstnere og kunstkritikere i Norden og i det øvrige Europa har op igennem det 20. århundrede opfattet udstillingen som en æstetisk praksis. En vigtig ingrediens i denne praksis har været kuratorens evne til at metareflektere over udstillingen som institution og dens form. Denne æstetiske interesse voksede med antallet af kunstmuseer, kunst- gallerier og kunststrømninger i løbet af 1900-tallet (Altshuler 2008). Kultur- og naturhistorikere har i samme periode kun i begrænset omfang haft en tilsvarende interesse for udstillingens æstetik og form og dens institutionelle implikationer. Dette forhold hænger sammen med, at kultur- og naturhistorikerne har historiske genstande eller udstoppede dyr som deres udstillingsobjekter, mens kunstneren ofte er hovedpersonen i kunst- og kunsthistoriske udstillinger.
Tidsskriftet UP–unge pædagoger. Tema: Museumsdidaktik
Authors: Christensen Line Hjorth 
Published: August 2018

Det er ikke en tilfældighed, at anslagene i Unge Pædagogers særnummer med temaet museumsdidaktik kommer fra politisk hold – fra en nu forhenværende kulturminister samt en artikel fra Kulturstyrelsen om en undersøgelse fra 2008 af museernes undervisningsaktiviteter. Teksterne cementerer for det første en forbindelse mellem museerne og en politisk magt, som rækker tilbage til 1958, hvor landet fik sin første museumslov; for det andet, at museerne fra første færd havde et pædagogisk sigte, der gennem tiden har været præget af skiftende politiske strømninger. Allerede i 1963 og fremsynet for sin tid, udgav Unge Pædagoger et specialnummer på 56 sider med temaet Skole og Museum, og også dengang skrev kulturministeren forordet: ”Unge Pædagoger er et fortrinligt tidsskrift. Jeg læser det med glæde. Der er næsten altid et eller andet inspirerende afsnit, der har bud også til kulturministeriet,” hed det i Julius Bomholts intro (s. 110).
Ambivalent praktisering av statlig eierskap i arkeologiske gjenstander
Authors: Omland Atle 
Published: August 2018

Ever since Norway adopted its first Cultural Heritage Act in 1905, all newly discovered archaeological artefacts that predate AD 1537 are owned by the Norwegian state. Five designated university museums currently take care of such archaeological finds. However, private individuals often keep such finds in their possession, and in many cases archaeologists make no active effort to collect these. In order to attain knowledge about attitudes to state ownership in Norway, and the situation whereby private individuals keep archaeological finds, three surveys have been carried out: one among archaeologists and two among the public. These surveys document ambivalence about how state ownership is practiced. Although both archaeologists and members of the public support – in principle – the idea that all artefacts ought to be handed in to the museums, in practice they take a more pragmatic approach. About 6 per cent of the respondents in the surveys conducted among the general public report that they keep archaeological finds. A personal relationship between the keeper, artefact and place/land seems to be the most important reason why such respondents keep them in their possession. Nevertheless, a majority of even these respondents still supports the public ownership of such finds – in principle. The surveys indicate that more efforts ought to be made to stimulate the collecting of archaeological finds, as well as providing better access to such artefacts in local communities. For instance, it is suggested that a greater degree of local or private storage of artefacts might be formalised. In this regard, it is important that heritage management develop priorities, and provide archaeologists with ap- propriate advice in order to stimulate well-considered decisions about whether they collect artefacts to the museums or deposit them locally.
Man ser inte utställningen för bara föremål
Authors: Agrell Tandi 
Published: August 2018

Most visitors to a museum exhibition expect the presence of authentic artefacts. With their materiality and history, these artefacts are considered to be specific to the exhibition medium. The author goes beyond this to assert that the use of authentic artefacts makes it more difficult to bring about the communication that the exhibition is trying to achieve. Despite the attempt to use it as a means of communication, the authentic artifacts in the exhibition are actually a hindrance in the communicative process. By relating artefact-focused museum exhibitions to contemporary neo-realistic art installations, the author illustrates the role of the artefacts in the museum exhibition. The article points out how problematic the authentic artefacts are from a practical design perspective, and how the demand for authentic artefacts in the exhibition is actually a convention that limits what the exhibition can achieve as a means of communication.
Cultural Heritage and Ownership
Authors: Ren Carina , Guldberg Mette 
Published: August 2018

Ph.d.-seminar arrangeret i et samarbejde mellem forskerskolerne MAST og Kulturarvens forskerskole. Syddansk Universitet, Campus Esbjerg, 20.-22. november 2006. On 20-22 November 2006, a PhD seminar on cultural heritage and ownership was arranged by the Research School for Studies in Maritime and Coastal Environment, Heritage and Sustainable Tourism (MAST) and the Danish Research School of Cultural Heritage. The seminar was hosted by the University of Southern Denmark, Campus Esbjerg and aimed at presenting different perspectives on cultural heritage in current international research. Lecturers and PhDs from Denmark, Sweden, Norway, England, Poland, Portugal and Israel fully demonstrated the broad range of approaches. In spite of a great variety in contributions from history, anthropology, archaeology, ethnology, tourism studies, conservation studies and engineering, many shared themes could be identified, such as how cultural heritage can be (mis)used in both the experience economy and tourism, in the construction of identities and within nation states. Themes such as inclusion and exclusion through selection and classification, the idea of felt and formal ownership, and the notion of authenticity where also discussed. These last 10-20 years have seen an enormous spread of the notion of cultural heritage and its very broad use, to the point where an adequate definition no longer seems possible. Even though emphasis on our historic inheritance can be positive, it is also cruci- al to undertake scholarly debate and discus why and how the notion is used and applied. The contributors to the seminar, both lecturers and PhDs, managed to demonstrate that scholarly diversity is no obstacle to mutual inspiration and fruitful contributions to a shared, critical stance in the field of cultural heritage.
Frizon och lagrum – världsarv och riksintresse som kulturmiljö och tillväxtpotential
Authors: Bäckström Mattias 
Published: August 2018

Free space and legal space This article takes as its point of departure in the distinction made by André Groz between legal space and free space, the former being of a material nature defined by authorities and legal regulations, the latter im- material, upheld by common practice among citizens representing cultural values in the environment that transcend institutionally applied borders. Historical and aesthetic values are often an important part of the free space, accordingly authorities and agencies defending cultural values related to specific sites – even when they are legally founded – often find themselves in conflict with other agencies in charge of the economic devel- opment of the community. This conflict, which causes dilemmas in political decision making, is demonstrated using two examples, both very important motorway construction projects, one in the southwest of Sweden, the other in the north of the country, both touching on areas with great historical significance. According to environmental legislation a developer must ask permission to realize his project and must state the consequences of his landuse. When there are conflicting interests in the area the developer is obliged to present an analysis of the consequences and suggest how the damage caused to these conflicting interests may be reduced. This is generally done by presenting alternative sitings for the road. Although in these exmples the road projects touched upon areas that are declared World Heritage Sites it is shown that the values asserted by antiquarian authorities are given a very low rating compared to alternatives representing economic gains. The economic gains are measurable and have a limited time horizon but they count for more than cultural values which are immeasurable.
Tankar kring det "museologiska företaget"
Authors: Smeds Kerstin 
Published: August 2018

Some reflections on «the museologicalproject» Firstly, this article provides a very brief survey of the discussion about museology as a «field of research and study», a debate which has been going on among ICOFOM-members for the last twenty to thirty years. ICOFOM was founded in 1976 in answer to demands from the field of museum practice, which changed radically in the 1970s. Since that time the crucial question has been: Is museology a discipline or is it not? What is the object of knowledge and the subject of research in museology?
The restoration of a Bell P-39Q Airacobra aircraft
Authors: Valtonen Rauni , Valtonen Hannu 
Published: August 2018

On June17,1944 a formation of four - according to some sources five - Bell P-39Q fighter aircraft lost their bearings. The great Soviet offensive on the Karelian Isthmus was in progress and the weather was cloudy and rainy. The formation in which the Airacobra «26», the subject of this restoration report, flew got lost and split up. The Russian regiment to which the fighters were attached is not known but the higher command is thought to be the 2nd Leningrad Guards Fighter Corps (II Gv.IAK). One of the aircraft landed some six kilometres north-west of Jantama village at Syväri, another at Pätsinsuo in Ylä-Uuksu in Salmi parish, north-east of Lake Ladoga (P-39Q-15-BE, USAAF 44-2664, No. «26») and two at Pikkusuo in Marinkylä in lnkeroinen (P-39Q-20-BE, USAAF 44-3255 No. «25» and P-39Q-15.BE, USAAF 44-2092 No. «20»). The fighters were a part of the U.S. war material aid to the Soviet Union. An enormous number of Airacobras was delivered, in total 5 707 aircraft.
Viborgs museum – museet hemsökt av krig
Authors: Malmisalo Anne-Maija 
Published: August 2018

The Vyborg Museum - How the War Affected the Museum and its ObjectsThe Vyborg Museum was founded in 1893 and opened to the public in 1895. Over 50 years later the museum found itself facing a new situation. On November 31, 1939 the Soviet Union started a war against Finland. The Vyborg Museum only managed to evacuate one fifth of the museum objects to Rauralampi and Hameenlinna before the war broke our. The museum board made a list of the most valuable objects to be sent away most urgently.
Time, dreams and museology: We are akk museologists now
Authors: Anderson David 
Published: August 2018

Sometimes I have this nightmare. I am in a world where certain people (museologistst have taken to themselves the right and power to identify and attribute meaning to objects on behalf of society. Also, the people with this power believe that their task is to tell people what they should know rather than to encourage them to think and learn for themselves about their past, present and future. Also, that museology is defined by museologists as what they do within the buildings they control - rather as if psychology were to be only what psychologists do in mental hospitals. Unfortunately, this particular nightmare happens to be some kind of reality as well.
Kring Riksutställningars seminarier och Ekomuseibegreppet
Authors: Olofsson Ulla-Lena Keding 
Published: August 2018

The international development of the ecomuseum concept as reflected by Riksutställningar. Ulla Keding Olofsson who had served Riksutställningar for 23 years from the very start of the institute, was granted the opportunity to organise a seminar according to her own wishes when she retired in 1965. Before then she had been responsible for the series of international seminars which had taken place at Riksutställningar in Stockholm from 1973 and onwards. A complete list of the seminars and topics is added to the text which she herself offered as an introduction to the seminar in her honour. It took place on May 30 and 31 1996.
The classic: The museum in the fourth dimension
Authors: De Varine Hugues 
Published: August 2018

The necessity of renewal: It is not long since the modern museum was born, the offspring of international museological research in combination with isolated museographic experiments. To a large extent the journal Museum published by Unesco has been the scene of its birth and the means ofits dissemination. Other publications, countless conferences, and the work ofinstitutions in process of renewal have been determining factors for studies, confrontations and improvements. But more still remains to be said, and we may wonder whether this modern museum, or at least the museology which backs it up, is anything more than a formal - not to say formalistic - groping after reform, when what is wanted is a totally and radically new institution.
Museum Aktuell
Authors: Gjestrum John Aage 
Published: August 2018

Høsten 1995 utkom første nummer av Museum Aktuell, et nytt museumsmagasin for den tyskspråklige museumsverden. Det utkommer månedlig med en blanding av aktuelle nyheter og fagartikler. Utgiveren, Dr. Christian Müller-Straten, forteller at den nærmest totale mangel på kontakt og kunnskap om hva som skjedde i museumsmiljøene i de tysk-talende naboland Østerrike, Sveits og Tyskland, var bakgrunnen for å starte museumsmagasinet.
Museerna och tidsandans förändring
Authors: Rosander Göran 
Published: August 2018

Museums and the spirit of the time Some of the changes in museum activities in Sweden from the 1940s and onwards are examined and related to the changes in the general spirit of the time. The present structure of the Swedish museum system was established around 1940, with the setting up of a state-supported regional museum in each administrative region (län).
Museology and Research – the present situation in a Norwegian perspective
Authors: Gjestrum John Aage 
Published: August 2018

In 1993 the Norwegian Museums Association celebrated its 75th anniversary with a conference attended by numerous museum professionals from allparts of Norway. The role of museology was one of the issues covered by the conference. As an introduction I want to quote two statements given by speakers at this conference: «If the proposal to introduce a Norwegian museum training programme should continue to require time and resources - seminars, reports, projects etc. - it certainly represents a deadlock and it leads us astray. The personnel with responsible scientific positions in Norwegian museums have an adequate training both when it comes to disciplinary diversity and depth.» (Niemi 1994:27) «I want to state, here and now, that museology offers training for a practical job. It is a misunderstanding to believe that it should be possible to be a 'museologist: one who studies museums in the abstract without having a basis and anchorage in the real disciplines which are the genuine roots of the museums, the reason for their existence. It is unrealistic, thoughtless and naive.» (Hohler 1994:42)
The Ostenfeld farm at the open-air museum; Aspects of the role of folk museums in conflicts of national heritage
Authors: Skougaard Mette 
Published: August 2018

The founder of the Danish Folk Museum and the Open-Air Museum, Bernhard Olsen, took a special interest in former Danish provinces; Scandinavian areas lost to Sweden in the 17th century, and Schleswig lost to Prussia in 1864. This paper examines the efforts made by Bernhard Olsen to obtain a farm house from the village of Ostenfeld in Schleswigfor the Open Air Museum, and the struggle between the Danish and the German elements in the attempt to define the national and cultural heritage of the region. These nationalistic intentions are seen in relation to the choice of exhibits and exhibition language in the new folk museums of the period.
Klassikern: Våra museer och folkbildningsarbetet
Authors: Nordenskiöld Erland 
Published: August 2018

Etnografen Erland Nordenskiöld (1877-1932) är mest känd som amerikanist. Han började som paleontolog fältforska i Patagonien 1899, men ägnade sig alltmer åt arkeologi och etnografi under jlera expeditioner till Peru, Bolivia och Brasilien 1904-1914, vars resultat han redovisat inte bara i vetenskapliga avhandlingar utan också i populära reseskildringar. Han blev 1913 chef för Göteborgs museums etnografiska avdelning och 1923 innehavare av en personlig professur i etnografi vid Göteborgs hogskola.
Boknotiser
Authors: Ågren Per-Uno , Melgaard Inge , Gjestrum John Aage 
Published: August 2018

Jonas Anshelm (red), Modernisering och KulturarvAndre Desvallees (utg), Vagues, une anthologie de la nouvelle museologi Else Espeland, Eva Mrehre Lauritzen, Kare Sveen (red), Museer i Norge Ivan Karp, Christine Mullen Kreamer, Steven D. Lavine (red), Museums and Communities: The Politics of Public Culture Ivan Karp og Steven D. Lavine. (red). Exhibiting Cultures. The Poetics and Politics of Museum DisplayGottfried Korff, Martin Roth (Hg), Das historische Museum Susan M. Pearce, Museums, Objects and Collections: A cultural Study John M. A. Thompson (ed) Manual of curatorship. A guide to museum practice Kevin Walsh, The Representation of the Past. Museum and heritage in the post-modern world. Wolfgang Zacharias (Hg), Zeitphanomen Musealisierung