bluuebunny/crossref_metadata_2025_split huggingface dataset:
Self-somatic authority: Exploring the cultivation of somatic intelligence through a dialogic approach to self-reflection in dance technique learning
Authors: Rimmer-Piekarczyk Rachel 
Published: July 2018

Abstract
This article contemplates the notion of a ‘self-somatic authority’ by exploring the relationship between dialogue, self-reflection and the cultivation of somatic intelligence. Drawing on Mikhail Bakhtin’s notion of dialogism, and specifically his concepts of ‘authoritative discourse’ and ‘internally persuasive discourse’, the author explores whether a dialogic approach to teaching release-based contemporary dance technique in higher education can enable learners to meaningfully reflect on their practice, subsequently leading to a stronger sense of somatic intelligence. To examine the efficacy of this pedagogical approach, responses from a focus group discussion conducted with a group of first year students who participated in a cycle of action research are examined; the teacher’s reflective journal notes are also analysed. Drawing on the data, the author proposes that a dialogic approach to nurturing self-reflection in the dance technique class constructs a particular kind of somatic-informed pedagogy that not only appears to facilitate ‘self-somatic authority’, but also presents unexpected challenges and contradictions.
A conversation with Gill Clarke
Authors: Reed Sara 
Published: July 2018

Abstract
In this interview, Gill Clarke discusses her role as a dance artist, her dance training and background and the influence that somatic practice had on her dancing, teaching and advocacy. The interview highlights the significant contribution that Gill made in exposing and sharing the potential and value of somatic informed dance education. I hope that it also adequately highlights the tremendous contribution that Gill’s work had on the development of independent dance in the United Kingdom and the organization which grew to support independent dance and dancers. Gill Clarke’s discovery of somatic practice changed her whole understanding of the dancing body and dance pedagogy and subsequently her influence on somatic informed dance education in the United Kingdom.
Hairdressing in space: Depiction of gender in science books for children
Authors: Caldwell Elizabeth F. , Wilbraham Susan Jane 
Published: July 2018

Abstract
Stereotypes in the media both reflect and perpetuate the notion that science is a masculine pursuit. The aim of the current study is to explore whether such stereotypes extend to imagery within children’s science books. To determine the extent of stereotypes in gender representation, both quantitative and qualitative analyses were conducted. Results demonstrated that females were under-represented in images across the books surveyed. Analyses of images of adults demonstrated under-representation of women in both physics and mathematics books, but images of children showed no significant difference between genders. Analyses of the target age of the children’s books revealed that books targeted at older children contained fewer images of adult females. Qualitative visual analyses revealed that books about space exploration trivialized women’s expertise, diminished their perceived technical competence, failed to acknowledge their contribution or presence and represented them in a manner that suggested that they were passive, lower status and superficial. Books about science that are currently available to children in libraries are not balanced in terms of their representation of gender. More balanced imagery in children’s science books of women actively participating in scientific occupations would help to demonstrate that careers in these areas are meaningful, fulfilling and achievable for women.
Staging science on TV: Richard Hammond’s Invisible Worlds, Richard Hammond’s Miracles of Nature and Wild Weather with Richard Hammond
Authors: Morris Nigel 
Published: July 2018

Abstract
This article comprises two distinct parts. The first surveys the problems and aspirations associated with television representations of science. This historical overview contextualizes the second part, which extrapolates from textual analysis of three closely related, high-profile, peak-time BBC series. It seeks to demonstrate that, despite massive efforts and a shift in attitudes within the academy towards dissemination of knowledge over the last third of a century, many associated with initiatives in Public Understanding (or Awareness) of Science and Public Engagement in Science and Technology, there has been little progress in how scientific matters are represented. Examination of extracts from each series are used to argue that televised science draws upon the twin histories and discourses of the illustrated lecture and Victorian stage illusionism, each of which presented spectacle and sensationalism. Attention to the programmes’ construction and implicit informing ideologies reveals their divergence from the expository mode that they ostensibly claim to belong to. While many Public Understanding efforts appear to involve a long-standing hermetic debate between scientists and journalists predicated on outmoded communications theories, textual analysis demonstrates that relatively unsophisticated television studies approaches may yet offer worthwhile contributions.
Examining how scientists ‘do’ gender: An analysis of the representations of hegemonic masculinity and emphasized femininity on The Big Bang Theory
Authors: Blosser Emily 
Published: July 2018

Abstract
The television sitcom The Big Bang Theory (2007–present) portrays the lives of a group of highly intelligent but socially awkward scientists. The show consistently attracts an audience of approximately fifteen million viewers each week and thus offers a powerful opportunity to examine how scientists are represented in popular fiction. Drawing on sociological gender theories, this article examines episodes from the first seven seasons of the show to explore how it depicts scientists as individuals who fail to live up to standards of hegemonic masculinity and emphasized femininity. Implications of such imagery for public understandings of scientists and for issues of gender inequality are discussed.
‘As if eavesdropping on actual filming’: The origins of the wildlife making-of documentary genre
Authors: Gouyon Jean-Baptiste 
Published: July 2018

Abstract
The wildlife making-of documentary (MOD) genre has become a routine appendage to most prestige natural history series. However, the genre is a fairly recent one. The first attempt at producing a wildlife MOD was the half-hour long Unarmed Hunter in 1963. The first wildlife MOD accompanying a natural history programme was 1984’s The Making of the Living Planet. In between these two films, the televising of natural history became a profession revolving around the technical mastery of the filmmaking apparatus. Looking at the genesis of the wildlife MOD genre from the early 1960s to the early 1980s, this article examines how natural history broadcasters enroled science and scientists in their effort to carve a cultural space for the televising of natural history out of the one occupied by amateur natural history. In so doing, they promoted a definition of filmmaking as a means to produce original knowledge of the natural world.
Process over product: The 1990s United States hardcore and emo subcultures and DIY consumerism
Authors: Sklar Monica , Donahue Mary Kate 
Published: July 2018

Abstract
This research focuses on the hardcore punk scene in the mid-1990s’ United States and its clothing consumption experiences. Within the fashion cycle, various subcultures often consume and produce products in unique manners and timeframes and with assorted motives. Although many subcultures use a centralized retail space for scene development, hardcore did not; rather it produced and consumed the style utilizing the concepts of do-it-yourself (DIY) and bricolage. Qualitative mixed methods of data collection included literature research, social media discussions, open-ended survey participation, interviews and location visits. The results obtained indicate that for this subcultural community, the process to produce and consume was an integral part of meaning being imbued in the products.
‘Put on your boots and Harrington!’: The ordinariness of 1970s UK punk dress
Authors: Weiner Nathaniel 
Published: July 2018

Abstract
In 2013, the Metropolitan Museum hosted an exhibition of punk-inspired fashion entitled Punk: Chaos to Couture. The exhibition emphasized the ‘spectacular’ elements of the subculture, reflecting a narrative that dominates accounts of punk dress, whereby it is presented as a site of art school creativity and disjuncture with the past. This is an important aspect of punk dress, but photos of bands and audiences reveal that there was much more to British punk style in the 1970s than what was being sold on London’s King’s Road. Heeding calls to trouble the boundary between the spectacular and the ordinary in subculture studies, this article looks at the ordinariness of 1970s British punk dress, arguing that we should understand punk dress in terms of mass-market commodities, not just customization and designer fashion. Many of these commodities were worn by the skinheads who preceded punk, and this article explores this subcultural continuity by focusing on the role of the Dr. Marten boot and the Harrington jacket in first- and second-wave British punk dress. It does so through discussion of the Cockney Rejects, the 1979 BBC television dramatization of the Sham 69 album That’s Life and the Undertones.
From music to revolution: The semiotics of punk and cinematic symbolism in Sôgo Ishii’s Burst City
Authors: Toohey David 
Published: July 2018

Abstract
This article analyses how punk music and film influence each other as separate media when juxtaposed together in the Japanese director Sogo Ishii’s film Bakuretsu Toshi (Burst City) (1982). In particular, instead of conforming to the expected use of music in films to specify the appropriate mood or audience response, punk music goes against the expected meaning of Burst City as a youth rebellion film. This dissonance is placed within the context of surrealist collage symbolism in the punk subculture and similar cinematic ‘time-images’ which transform their original parts into instances where social and political systems cannot make sense. It is argued that this dissonance pushes both punk music and cinema outside of their expected roles as artistic media to influence people not to accept violent hierarchies and harmful industries such as nuclear power. At the same time, this cinematic evocation of the punk subculture is ambivalent because it remains mired in some of the clichés of 1980s cinematic genres and the prevailing homosocial gender relations in Asia. These limitations exist in Burst City’s critique of violence against women that only offers an implied possibility of positive roles for women in the Japanese punk scene.
An epistolary scene: ‘Post-industrial’ music in France in the 1980s
Authors: Broqua Christophe , Douris Vincent 
Published: July 2018

Abstract
A kinship links the industrial/post-industrial movement to the punk/post-punk movement, which is not so much linked to the musical content as to the social logics underlying the two genres. We show this here through the case of the French industrial/post-industrial music scene of the 1980s, which, although very rich, has never been studied, unlike the international scene. This article aims to understand what unites the artists who compose this movement, a movement despite the great diversity of musical styles that it covers. Questioning the conditions of possibility of this particular music scene, it shows that French industrial/post-industrial music formed a decentralized and internationalized ‘epistolary scene’.
‘It feels like summer in October’: A study of Gainesville’s Fest
Authors: Bernhard Ellen M. 
Published: July 2018

Abstract
The purpose of this article is to analyse the data collected from ten in-depth interviews with participants who attend Fest. Fest is a punk-centric music festival that has taken place in Gainesville, Florida since 2002 and draws fans from around the globe who attend to see over 300 punk bands perform in a dozen venues throughout the city. The literature applied to this study focused on the significance of music scenes and experience economies as they relate to Fest and the festival-attending experience. Interviews were conducted with participants who attend Fest regularly, or perform in bands that have played Fest in recent years. Data collected from these interviews confirmed participants’ motivations for attending the festival, while examining the specific characteristics of Fest that influence participants to return year after year. Participants also commented on the community-building aspect of Fest, which was often viewed as a significant incentive for participants who attend.
Book Reviews
Authors: Dines Mike , Abraham Ibrahim , Loydell Rupert , Loydell Rupert , Loydell Rupert 
Published: July 2018

Abstract
Punk Rock is My Religion: Straight Edge Punk and Religious Identity, Francis Stewart (2017) London: Routledge, 175 pp., ISBN: 9781472489661, h/bk, £105.00
Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies, Michael E. Veal and E. Tammy Kim (eds) (2016) Middletown, CT: Wesleyan University Press, 429 pp., ISBN: 9780819576538, p/bk, $27.95
Why should the Devil have all the Good Music? Larry Norman and the Perils of Christian Rock, Gregory Alan Thornbury (2018) New York: Convergent, 279 pp., ISBN: 9781101907078, h/bk, $26
Punk is Dead: Modernity Killed Every Night, Richard Cabut and Andrew Gallix (eds) (2017) Winchester: Zero Books, 318 pp., ISBN: 9781785353468, p/bk, £17.99
Mad Dogs & Englishness: Popular Music and English Identities, Lee Brooks, Mark Donnelly and Richard Mills (eds) (2017) London: Bloomsbury Academic, 220 pp., ISBN: 9781501311253, h/bk, £86.99
Hydrokinetic Energy Opportunity for Rural Electrification in Nigeria
Authors: Olatunji Ogunjuyigbe Ayodeji Samson , Raphael Ayodele Temitope , Yomi Ibitoye Tahir 
Published: July 2018

This paper is part of the ongoing research by the Power, Energy, Machine and Drive (PEMD) research group of the Electrical Engineering Department of the University of Ibadan. The paper presents various sites with possible hydrokinetic energy potential in Nigeria with the aim of quantifying their energy potential for rural electrification application. Overview of hydrokinetic technology is also presented with the view of highlighting the opportunities and the challenges of the technology for rural electrification. A case study of using hydrokinetic turbine technology in meeting the energy demand of a proposed civic center in a remote community is demonstrated. Some of the key findings revealed that Nigeria has many untapped hydrokinetic potential site and if adequately harnessed can improve the energy poverty and boost economic activities especially in the isolated and remote rural communities, where adequate river water resource is available. The total estimated untapped hydrokinetic energy potential in Nigeria is 111.15MW with the Northern part of the country having 68.18MW while the Southern part has 42.97MW. The case study shows that harnessing hydrokinetic energy of potential site is promising for rural electrification. This paper is important as it will serve as an initial requirement for optimal investment in hydrokinetic power development in Nigeria.Article History: Received November 16th 2017; Received in revised form April 7th 2018; Accepted April 15th 2018; Available onlineHow to Cite This Article: Olatunji, O.A.S., Raphael, A.T. and Yomi, I.T. (2018) Hydrokinetic Energy Opportunity for Rural Electrification in Nigeria. Int. Journal of Renewable Energy Development, 7(2), 183-190.https://doi.org/10.14710/ijred.7.2.183-190
Monitoring Ground Improvement Using the Seismic Dilatometer in Christchurch, New Zealand
Authors: Amoroso Sara , Rollins Kyle M. , Monaco Paola , Holtrigter Marco , Thorp Alan 
Published: July 2018

Abstract
This article illustrates the use of the seismic dilatometer test (SDMT) in combination with the piezocone test (CPTu) to monitor the effects of ground improvement by different techniques at seven test sites in Christchurch, New Zealand. The results of SDMTs carried out in treated soils and in adjacent natural soils are compared in order to assess the effectiveness of different ground improvement techniques (Rammed Aggregate Piers, Low Mobility Grout, Stone Columns, Deep Soil Mixing) aimed at reducing the liquefaction susceptibility. Moreover, the article presents the variation of significant parameters obtained from parallel SDMT and CPTu soundings in treated versus natural soils. SDMT and CPTu results are also used in combination to estimate the overconsolidation ratio and the at-rest lateral earth pressure coefficient (K0) before and after the treatment. The effectiveness of the different ground improvement techniques is also evaluated in terms of the variation of the before and after integral liquefaction vulnerability indicators, such as the liquefaction potential index and the liquefaction severity number, which are calculated using different methods based on CPTu, the DMT horizontal stress index (KD), and the shear wave velocity (VS) for a design earthquake. The results confirm that the DMT, as well as the CPTu, is sensitive to changes in stress/density in sands and silty sands and is, therefore, well suited to detecting improvements in these soils, while VS provides less evident results.
Electrical Conductivity, Dielectric Permittivity, and Degree of Saturation of Cement Mortar at Low Radio Frequencies
Authors: Dey Gopinandan , Ganguli Abhijit , Bhattacharjee Bishwajit 
Published: July 2018

Abstract
The relationship between the electrical properties and the degree of moisture saturation (DoS) in cement-based materials is a topic of interest with regard to material durability. In this article, an impedance-based approach is presented to characterize the electrical properties as a function of DoS using simplified instrumentation and a new measurement technique. The variation of the real and imaginary parts of the impedance is investigated for saturated and partially saturated conditions at electromagnetic radio frequencies (RF) between 100–500 kHz. Mortar prism samples with water to cement ratios (w/c) of 0.60 and 0.70 are used. A circuit model is proposed to explain the behavior and to calculate the bulk conductivity and permittivity for various saturation degrees. The bulk conductivity of the material is found to follow a systematic pattern for various DoS and at different excitation frequencies, which facilitates the establishment of an empirical quantitative relationship between conductivity and the DoS. Moreover, the enhancement of bulk permittivity at low RF is noticed, and its variation for various DoS is investigated.
AROMATİK BİTKİ VE YAĞLARININ MİNERAL ELEMENT MİKTARLARININ KARŞILAŞTIRILMASI
Authors: Kılıç Serpil 
Published: July 2018

Ülkemiz zengin bitki çeşidiyle çok sayıda tıbbi aromatik
bitkiyi bünyesinde barındırmaktadır. Bu bitkilerin de tedavide kullanımları
insanlık tarihiyle birlikte başlamıştır. Son zamanlarda ise bu bitkilerin
kullanımlarının yanı sıra soğuk sıkma yöntemiyle elde edilen yağları da tercih
edilmektedir. Buna bağlı olarak yapılan bu çalışmada; Burdur ilinde
yetiştirilen tıbbi aromatik bitkilerin (adaçayı, çörek otu, kekik, keten tohumu
ve susam) ve bunlardan elde edilen yağlarının insan sağlığı açısından mineral
element (Cu, Cr, Fe, Mn, Se ve Zn) miktarları İndüktif Eşleşmiş Plazma-Kütle
Spektrometresi (ICP-MS) cihazı ile tayin edilmiştir. Bulunan sonuçlara göre tıbbi bitkilerin
mineral element miktarı, elde edilen
yağlarına göre daha zengin olduğu tespit edilmiştir.
Классификация южнославянских списков Синаксаря по структурным и языковым особенностям
Authors: Чистякова Марина Владимировна Владимировна 
Published: July 2018

[full article, abstract in Russian; abstract in Lithuanian and English]
The present article is focused on the classification of the South Slavic manuscripts of the oldest translation of the Synaxarion. The study is based on 15 copies dating back to the 13–16th centuries and containing texts from September to February. As a result of consistent analysis of the structural and linguistic features, four editions were distinguished.The Bulgarian edition consists of copies of Bulgarian and Serbian origin (Grig. 23, BAN 72, Rum. 319, SANU 53, Pog. 58, Hlud. 189, Рс 705, Hlud. 191, Srem. 323), whose texts, with certain exceptions, reflect the traditional translation of the Church Slavonic Synaxarion, known from the copy Sof. 1324. The Serbian edition includes four Serbian codices (Pog. 463А, Uvar. 70, HAZU III.с.6 and Wuk. 38), whose hagiographic articles have obvious linguistic and compositional differences. The editing of the oldest translation of the Synaxarion, which led to the appearance of the Serbian edition, might have been carried out in the Serbian written tradition. However, we should not exclude the possibility that these linguistic and compositional features were characteristic of the East Slavic copy of the Synaxarion, transferred to Serbia in the late 12th–early 13th century. In the Serbian medieval tradition, the Synaxarion was not only rewritten, but also edited, because the copy Wuk. 37 represents the shortened version of the Serbian edition. South Slavic copies of the Bulgarian and Serbian editions are based on different Eastern Slavic archetypes, suggesting that the copies of the oldest translation of the Synaxarion were transferred to the Balkans not less than two times.The versed edition of the Synaxarion is known from the fragment present in the beginning of the Serbian copy Nik. 34 (from 1 September to 18 October), where the traditional Church Slavonic Synaxarion was edited on the basis of the Greek copy of the Versed Synaxarion and supplemented with newly translated verse.
Да пытання пра царкоўнаславянізмы ў беларускіх дыялектах
Authors: Шакун Надзея 
Published: July 2018

[full article, abstract in Belorussian; abstract in Lithuanian and English]
The article focuses on a review of the theoretical principles of search, further analysis and interpretation of the ways and time of Church Slavonic vocabulary loan to the Belarusian dialects, according to the data of the Belarusian dialect dictionaries of the 19th and 20th centuries, as well as some ethnographic works. The article presents a brief overview of how deeply this issue is studied in modern Slavic studies in general and in Belarus in particular. There are proposed ways of highlighting the peculiar markers of the “oldness” of loanwords. As a practical material, the most specific examples of Church Slavonic words, used in Belarusian dialects, are shown, accompanied by comments on possible ways of loaning them into the dialects. The author of the article disputes the stereotype that the Belarusian national language, in particular in its dialect form, performs the poorest influence of the Church Slavonic literary tradition against the background of the rest of Slavonic languages, therefore it contains the insignificant part of Church Slavonic vocabulary.
Автоматизация распознавания старославянских рукописей с помощью дескрипционных логик
Authors: Кучуганов Александр Валерьевич Валерьевич , Касимов Денис Рашидович Рашидович , Кучуганов Валерий Никонорович Никонорович , Осколков Павел Петрович Петрович 
Published: July 2018

[full article, abstract in Russian; abstract in Lithuanian and English]
In the paper an approach to recognition of old Slavonic symbols is proposed, which includes the stages of ternary segmentation, detecting edges of areas, synthesis of two skeleton variants, forming a fuzzy graph, creating a logical description in a fuzzy description logic, and recognition with help of a subsystem of formal automatic reasoning. Results of preliminary experiments are provided, which confirm the perspective of the proposed approach.