bluuebunny/crossref_metadata_2025_split huggingface dataset:
Vallejo aporético: la individualización en La piedra cansada
Authors: Mulligan Joseph 
Published: May 2019

A finales de 1937, César Vallejo regresa de Madrid a París donde escribe España, aparta de mí este cáliz, y rigurosamente corrige su más lograda obra teatral La piedra cansada, una tragedia sofocleana situada en el Imperio incaico del siglo XV. Si es en este momento de crisis social en que el peruano se muestra más comprometido que nunca con la causa republicana, ¿por qué retoma «la piedra cansada», un tropo precolombino de quinientos años atrás? ¿Por qué recurrir al topos andino frente a la inminente caída de la República española? Para contestar estas preguntas, hago hincapié en la contradicción principal del drama —en tanto que uno se individualiza plenamente se vuelve intercambiable en absoluto— con el objetivo de indagar en las múltiples modalidades de la ceguera que vienen a caracterizar al albañil y héroe de la tragedia, el obrero llamado Tolpor.
ABSTRACTAt the end of 1937, Cesar Vallejo returns from Madrid to Paris where he writes España, aparta de mí este cáliz (‘Spain, Let This Cup Pass From Me’), and severely corrects his most successful play La piedra cansada (‘The Tired Stone’), a Sophoclean tragedy located in the Inca empire of the 15th century. If it is at this time of social crisis when a Peruvian seems to be more committed than ever to the republican cause, so why does he take up La piedra cansada, a pre-Columbian trope for five hundred years ago? Why did he resort to the Andean topo in place of the imminent fall of the Spanish Republic? To answer these questions, this paper emphasizes the main contradiction of the drama —so as you fully identify yourself and become interchangeable at all— with the aim of investigating the multiple modalities of blindness which come to characterize the bricklayer and hero of the tragedy, the worker called Tolpor.
Keywords: Vallejo, theatre, aporia, La piedra cansada (‘The Tired Stone’).
«Abrazó al primer hombre»: el teatro político de César Vallejo
Authors: Vélez Sainz José Julio 
Published: May 2019

El presente trabajo procura una revalorización del teatro de César Vallejo y de su estética teatral (tal y como aparece en El arte y la revolución) a partir de situar correctamente su obra dentro de los parámetros del teatro político y soviético del momento. Vallejo, como Piscator, Meyerhold, Maiakovski, Mishon y otros autores de teatro revolucionario, presentan un proyecto ideológico y estético paralelo en el que la nueva estética proletaria supere a la burguesa. En esta estética es fundamental el uso de la nueva cinematografía, el documento, la «biomecánica», la coreografía armónica y una concepción escenográfico-espacial constructivista. A la par, este artículo adelanta que, desde el Instituto del Teatro de Madrid, nos encontramos en un proceso de realizar una edición de los textos teatrales en francés que incluya los tachones, enmiendas y correcciones. Esta edición podría beneficiarse de ser planteada a partir de los presupuestos de la crítica genética de modo que se deje a las claras el proceso de composición del autor y que permita una mejor fijación del arquetipo de unos textos de tan complicada transmisión.
ABSTRACTThis paper attempts to reappraise the theatre and theatrical aesthetics of Cesar Vallejo, as it appears in El arte y la revolución (‛Art and Revolution’) by properly placing his work in the political theatre and Soviet parameters of those times. As Piscator, Meyerhold, Maiakowski, Mishon and other authors of revolutionary theater, Vallejo presented an ideological and aesthetic project in which the new proletarian aesthetic overcome the bourgeois. In this aesthetic, it is essential to use the new cinema, the document, «biomechanics», the harmonic choreography and a constructivist scenographic-spatial conception. At the same time, this paper anticipates that, from the Instituto del Teatro de Madrid (Institute of the Theatre of Madrid), an edition of the theatrical texts in French, including cross-outs, amendments and corrections, is in process. This edition could benefit from being raised from the presuppositions of the genetic criticism so the author’s composition process are clear and allow a better setting for the complicated transmission of archetypal texts.
Keywords: Cesar Vallejo, Soviet theatre, proletariat, revolution, philology, ecdotics.
Las estaciones de lo Real. César Vallejo y la (no) poética del 27
Authors: Merino Antonio 
Published: May 2019

El papel que juegan las vanguardias en César Vallejo supone un paso más en la gestación y reafirmación de una obra que asume, con todas sus contradicciones, la contextualización de un tiempo que, poco a poco, dará paso a una brutal dialéctica. Vallejo lo vivirá de primera mano junto a los intelectuales europeos y del llamado grupo del 27, los cuales condensaban una sensación de vacío y de pérdida de identidad que en Vallejo poco o nada tendrá que ver con ese universo tan personal que hace visible lo real para ofrecernos una nueva forma de entender la poesía del siglo XX. ¿O estamos hablando del XXI?
ABSTRACTThe role played by the avant-garde in Cesar Vallejo is one more step up to the gestation and reaffirmation of a work that assumes, with all its contradictions, the contextualization of a time which, little by little, resulting in brutal dialectics. Later, Vallejo lived it first-hand with European intellectuals and the so-called Group 27, which condensed a sense of void and identity loss having little or nothing to do with this so personal universe that makes the real thing visible. In that way, it offers a new understanding of the poetry of the 20th century. Are we talking about the 21st century?
Keywords: Avant-garde, dialectic, individualism, aesthetics, reality.
Un poeta de las «causas perdidas»
Authors: Vich Víctor 
Published: May 2019

El sujeto de la última poesía de Vallejo termina siendo, sobre todo, un sujeto de la voluntad. Si bien sus versos siempre se propusieron representar la condición frágil de la subjetividad humana y si bien nunca tuvieron reparos en reconocer cómo la subjetividad suele evadir la urgencia de tomar decisiones, vale decir, cómo el sujeto se acobarda ante el Acontecimiento (¡cómo quedamos de tan quedarnos!, dice un famoso verso), lo cierto es que esta es una poesía que también constata que en la humanidad hay un conjunto inédito de posibilidades políticas, una fuerza que invita a superar los límites de nuestras determinaciones vitales y sociales. En sus últimos poemas, Vallejo se propuso celebrar a un conjunto de sujetos que defendieron la «idea comunista» hasta las últimas consecuencias. La idea es la siguiente: un sujeto solo se vuelve un sujeto (un hombre humano, en sus palabras) cuando ha optado por ser fiel a una verdad y cuando esa decisión lo transforma por completo en un militante. Será objetivo de esta ponencia observar, en determinados poemas, la emergencia de ese sujeto que interrumpe la repetición hegemónica, que afirma una verdad que excede a la ley conocida y que nunca se rinde a pesar de la derrota y de las «causas perdidas».
ABSTRACTThe subject of the last poem of Vallejo ends up being, above all, a subject of will. Although his verses were always proposed to represent the fragile condition of the human subjectivity - and even though they never had qualms about recognizing how subjectivity often evades the urgency of making decisions - that is, how the subject quails to the event («¡cómo quedamos de tan quedarnos!» - ‘How we remain, from so we remaining ourselves!’ says a famous verse). The truth is that this poem noted that humanity is a set of political possibilities, a force that invites you to go beyond the limits of vital and social determination. In his last poems, Vallejo agrees with a group of subjects who defended the «Communist idea» until ultimate consequences. The idea is the following: a single subject becomes a subject (a «human», in his words) when choosing to be loyal to the truth and when that decision transforms him fully into a militant. This paper states that in certain poems the emergence of that subject interrupts hegemonic repetition, declares the truth which exceeds the known law and never surrenders, despite defeat and «lost causes».
Keywords: Vallejo, event, Communism, truth.
El cadáver exquisito de César Vallejo
Authors: Hart Stephen M. 
Published: May 2019

En este ensayo me propongo arrojar nueva luz sobre la poética vallejiana mediante una interpretación del poema «¡Oh botella sin vino! ¡Oh vino que enviudó de esta botella!...». En la primera parte me enfoco en la relación conflictiva que Vallejo tuvo con el surrealismo, y sobre todo la célebre noción del «cadáver exquisito». Analizo una faceta de la técnica composicional de Vallejo, la cual se puede vislumbrar en cuatro de los primeros borradores «autógrafos» de los Poemas humanos (1938), publicados en la edición Fló-Hart de 2003. Propongo que, en «¡Oh botella sin vino! ¡Oh vino que enviudó de esta botella!...», Vallejo reconoce que la vanguardia —incluyendo el surrealismo— formó parte de su formación artística, pero finalmente el poeta peruano rechaza el «vino muerto» del surrealismo. En la segunda parte de la ponencia evalúo la proyección que, específicamente en Poemas humanos, Vallejo hace de su propio «cadáver exquisito».
ABSTRACTThis paper intends to provide a fresh understanding of Vallejo’s poems through an interpretation of the poem «¡Oh botella sin vino! ¡Oh vino que enviudó de esta botella!...» (‘Oh bottle without wine! Oh wine the widower of this bottle!...’). The first part is focused on the troubled relationship between Vallejo and the surrealism, and particularly in his famous line «cadáver exquisito» (‘exquisite corpse’). The facet of the compositional technique of Vallejo found in four of his ‘autograph’ early drafts of Poemas humanos (‘Human Poems’, 1938) and published in the 2003 by Edition Flo-Hart is also analyzed. It is proposed that, in «¡Oh botella sin vino! ¡Oh vino que enviudó de esta botella!...» Vallejo recognizes that the avant-garde - including surrealism - was part of his artistic training, but finally he rejects the «vino muerto» (‘the dead wine’) of surrealism. The second part of the paper evaluates Vallejo’s projection, specifically in ‘Human Poems’, of his own ‘exquisite corpse’.
Keywords: Cesar Vallejo, surrealism, exquisite corpse, poetic manifesto, Poemas humanos (‘Human Poems’).
Vallejo y Agamben: la potencia de la palabra nueva
Authors: Quenaya Carlos 
Published: May 2019

A grandes rasgos nos proponemos seguir la indicación del filósofo italiano Giorgio Agamben y explorar, a partir del marco de su «poética de la inoperosidad», la epistemología de Trilce. Intentaremos, pues, hacer visible la recepción de Vallejo en el pensamiento político y estético del autor italiano y, paralelamente, sugerir otras posibilidades epistémicas y políticas presentes en el poemario de 1922, con el fin de ampliar el marco de la reflexión agambeniana. En tanto crítica de la concepción metafísica del lenguaje, Trilce sería un preclaro ejemplo de liberación de las potencias de la lengua. En tanto apelación a un nuevo lector, su fuerza performática supondría la instauración de un comienzo, un acontecimiento puesto en marcha por su palabra nueva.
Kritik Terhadap Metode Muhammad Al-Ghazali Dalam Memahami Hadits Nabi Muhammad SAW
Authors: Basid Abdul 
Published: May 2019

Abstrak:
Metode Muhammad al-Ghazali dalam memahami Hadits Nabi Muhammad Saw yaitu, Muhammad al-Ghazali tidak mau mempergunakan hadits âhâd dalam menetapkan akidah, masalah akidah harus berdasarkan keyakinan, dan bukan pada dugaan. sesuatu yang dhanni tidak layak untuk diamalkan dan dijadikan hukum, serta penelitian hadis pada kritik matan. kajian Muhammad al-Ghazali terhadap Hadits Nabi menitik beratkan pada kritik matan, dalam arti mengkaji otentisitas sebuah matan hadis dan mengungkap makna (memahami hadis Nabi).
Kata Kunci: Metode, Hadits
Abstract:
The method of Muhammad al-Ghazali in understanding the Hadith of Prophet Muhammad SAW, Muhammad al-Ghazali did not want to use the hadith of âhâd in determining aqidah, aqidah problem should be based on belief, and not on suspicion. something dhanni not worthy to be practiced and made law, and research hadith on criticism matan. Muhammad al-Ghazali's study of the Prophet's hadith emphasizes the criticism of matan, in the sense of examining the authenticity of a hadith matan and revealing the meaning (to understand the hadith of the Prophet)
Keywords: Method, Hadith
Manajemen Head Master Dalam Meningkatkan Kompetensi Profesionalisme Guru di SMAN II Kabupaten Bangkalan
Authors: Tamam Badrut 
Published: May 2019

Abstrak:
Salah satu faktor penunjang dan keberhasilan kunci sekolah yang memiliki prestasi atau kesuksesan adalah faktor kepemimpinan atau manajemen kepala sekolah. Oleh karena itu, peneliti berusaha untuk mengungkap keberadaan tokoh sentral kepala sekolah, dalam melakukan perubahan, perubahan manajemen dan perubahan baru bagi para guru, karena kepala sekolah merupakan tokoh yang paling dominan dalam meningkatkan profesionalisme guru dan institusi pendidikan menjadi lebih maju Hasil penelitian menunjukkan bahwa: (1) perencanaan kepala sekolah dalam meningkatkan profesionalisme guru, pertama, kepala sekolah mengacu pada visi, misi dan tujuan sekolah dalam meningkatkan profesionalisme guru, kedua, kepala sekolah mengembangkan dan memotivasi para guru dan bawahannya dalam meningkatkan profesionalisme guru, (2) Penerapan tugas kepala sekolah dalam meningkatkan profesionalisme guru: pertama, kepala sekolah meningkatkan pengawasan dalam meningkatkan profesionalisme guru, kedua, kepala sekolah menjadikan guru sebagai mitra, dalam mengambil keputusan. , pengaturan job description, pembuatan promissory, prota, dan perencanaan persiapan belajar. (3) Evaluasi kepala sekolah dalam meningkatkan profesionalisme guru, pertama, kepala sekolah memberi penghargaan kepada guru yang berprestasi, kedua, kepala sekolah memberi posisi kepada guru yang mampu menempati posisi strategis, seperti wakil kepala sekolah, ketua dari panitia, dan kelas wali.

Kata Kunci: Manajemen, Kepala Sekolah, Guru Profesional

Abstract:
One of supporting factors and success key for school which has an achievement or success is a factor of leadership or head master’s management. Therefore, researchers are trying to uncover the existence of the central figure of the headmaster, in making changes, management changes and a new changing for the teachers, because the head master is the most dominant figure in improving the professionalism of teachers and educational institutions to be more advanced. The results shows that: (1) the head master’s planning in improving teacher professionalism, first, the head master refers to the vision, mission and goals of the school in improving the professionalism of teachers, second, the head master develop and motivate the teachers and his subordinates in improving the professionalism of teachers, (2) Implementation of head master’s job in improving teacher Professionalism: first, head master improve the supervision in improving the professionalism of teachers, second, head master make the teachers as partners, in making decision, arrangement of job description, making the promissory, prota, and the planning of learning preparation. (3) Head master’s evaluation in improving teacher Professionalism, first, head master gives reward to the teachers who has achievement, second, head master gives position to teachers who are able to occupy in the strategic positions, such as vice of head master, chairman of the committee, and guardian class.

Keywords: Management, Head Master, Teacher Professionalism.
Reshaping Ignatius’ hymnographic corpus
Authors: Benvenuto Carmelo Nicolò 
Published: May 2019

Ignatius’ hymnographic corpus is still composed by the scattered group of compositions listed a century ago. But it is to be noted that on many of the compositions attributed to Ignatius, however, there is often the doubt of Theophanes’ authorship. This contribution starts from an analysis of the elements offered by the manuscript tradition in order to proceed to a complete redefinition of production and style of the hymnographer, according particular attention to the great number of Ignatius’ unedited compositions. On one hand, in fact, it is possible to attribute to Ignatius, on the basis of the testimony of the liturgical Typikon of Evergetis, some canons already known by other means. On the other hand, in the manuscripts there is other hymnographic material, still completely unedited, which could be attributed to Ignatius and be useful to a comprehensive picture of the matter.
A Study of Mucoadhesive Bond Strength of Buccoadhesive Compacts for Systemic Drug Delivery: In-vitro/ In-vivo correlation
Authors: Kumar D. , Balasubramaniam J. , Pandit J. 
Published: May 2019

Compacts prepared from binary combinations of Carbopol® 934 P (CP), Polycarbophil (Noveon® AA1, PC) and Hydroxy propyl cellulose (Klucel®, HPC) and coated on all but one flat surface with Poly Methyl Methacrylate - PMMA (chloroformic solution) were evaluated for mucoadhesive bond strength on a modified mucoadhesive bond strength apparatus using rabbit stomach mucosa (SM) and small intestine mucosa (SIM). In -vitro mucoadhesion tests indicated that the detachment force increased linearly with concentration of CP/PC in the compacts. Mucoadhesion of the compacts with SIM were higher when compared to SM. The compacts with higher proportions of CPIPC showed longer buccoadhesion time (time the compact remained in contact with the buccal mucosa) than HPC alone in humans. In-vivo buccoadhesevity of the coated compacts was studied in healthy human volunteers. An index was used to study the redness and ulceration of the contact buccal mucosa.
Compacts with higher proportions of CP/PC showed longer buccoadhesion time than HPC alone. Significant correlation coefficient (r) values (P<0.01) were obtained between in-vitro fracture strength of the compacts and in-vivo buccoadhesion time. Hence, the in-vitro mucoadhesive model developed by us provides useful information on the residence time of the compact for systemic drug delivery in the oral cavity, and compacts containing less than 50% of CP/PC were safer to use in humans.
Line Ratios Reveal N2H+ Emission Originates above the Midplane in TW Hydrae
Authors: Schwarz Kamber R. , Teague Richard , Bergin Edwin A. 
Published: May 2019

Abstract
Line ratios for different transitions of the same molecule have long been used as a probe of gas temperature. Here we use ALMA observations of the N2H+
J = 1–0 and J = 4–3 lines in the protoplanetary disk around TW Hya to derive the temperature at which these lines emit. We find an averaged temperature of 39 K with a 1σ uncertainty of 2 K for the radial range 0.″8–2″, which is significantly warmer than the expected midplane temperature beyond 0.″5 in this disk. We conclude that the N2H+ emission in TW Hya is not emitting from near the midplane, but rather from higher in the disk, in a region likely bounded by processes such as photodissociation or chemical reprocessing of CO and N2 rather than freeze-out.
Long-term changes of the trophic status in transitional ecosystems of the northern Adriatic Sea, key parameters and future expectations: The lagoon of Venice as a study case
Authors: Sfriso Adriano , Buosi Alessandro , Mistri Michele , Munari Cristina , Franzoi Piero , Sfriso Andrea Augusto 
Published: May 2019

The determination of the trophic status of transitional ecosystems from the physico-chemical and biological point of view is one of the requirements of the European Water Framework Directive (WFD 2000/60/EC). In Italy, its determination is implemented by the Regional Agencies for Environmental Protection (ARPAs) that have activated multi-annual monitoring programs. However, as the availability of funds is increasingly scarce, the number of environmental parameters to detect environmental changes should be conveniently managed.
The high number of environmental parameters, nutrient and macrophyte datasets available for the LTER-Italia site “Venice lagoon” can be an useful tool to analyze the trophic changes over recent years and to foresee environmental evolutions. Nutrient data on a spatial basis have been available since 1948, whereas macroalgal maps date back to 1980. The aim of this paper is to highlight the changes of the trophic status of the lagoon since the middle of the 20th century by considering the concentrations of nutrients in the surface sediments and in the water column, the variation of some physico-chemical parameters and the biomass of macroalgae and also to foresee the way it will possibly evolve. In fact, after many anthropogenic impacts that in the second half of the 20th century affected the lagoon, starting from the year 2010, the ecological status is progressively improving. Nutrients show a significant reduction both in the water column and in surface sediments, and the macrophytes are represented by species of higher ecological value while the opportunistic species such as the Ulvaceae are in strong regression.
Understanding the Toxicity of Cancer Immunotherapies: Use of Patient-Reported Outcomes
Authors: Mendoza Tito R 
Published: May 2019

AbstractImmunotherapy has transformed the treatment of various cancers by strengthening suppressed immune systems for antitumor effects. However, altering the immune balance also produces unconventional adverse events (AEs) that are collectively referred to as immune-related AEs. These AEs, which can be thought of as symptomatic toxicities, are typically reported via tabulation of AEs from the National Cancer Institute’s Common Terminology Criteria for AEs. These AEs are reported by clinicians. However, it is well known that clinicians’ reports of their patients’ symptoms are underestimates and in some cases may not be consistent with patients’ reports. The symptomatic adverse effects of immunotherapy are best reported by the patients themselves, known as patient-reported outcomes (PROs). This review describes the use of PROs specifically pertaining to symptom burden in cancer patients. The review also discusses challenges in the use of PROs in patients undergoing immunotherapy and provides recommendations for future research.