bluuebunny/crossref_metadata_2025_split huggingface dataset:
Solar Heat Reflective Coating for Sidewalks Considering Cooling Effect, Anti-Skid Performance, and Human Comfort
Authors: Zhu Xingyi , Yu Yue , Chen Long , Zhang Dawei 
Published: August 2019

Abstract
The solar heat reflective coating for sidewalks (SHRCS) is investigated in the present article. Compared with the reflective coating for the traffic lane, the reflective coating for the sidewalk has low requirements for abrasion resistance but high requirements for human comfort. Therefore, cooling characteristics, anti-skid performance, abrasion resistance, and sports performance are chosen to assess SHRCS. SHRCS consists of three layers, the bottom layer, the elastic layer, and the surface layer. The materials of the three layers were determined. Particularly, because the surface layer is composed of resin, functional materials, and pigments, the suitable surface resin was chosen from five kinds of resin, and the Taguchi orthogonal array design method was used to determine the optimal mix ratio of the surface layer materials. The in situ test shows that the surface of the road using SHRCS can be cooled by 5.9°C versus the original road surface. The temperature difference of the skin surface between standing on the coated and uncoated road can reach 1.6°C. In the end, the sports performance characteristics of SHRCS, such as the vertical ball rebound, were tested.
Frizzled3andFrizzled6Cooperate withVangl2to Direct Cochlear Innervation by Type II Spiral Ganglion Neurons
Authors: Ghimire Satish R. , Deans Michael R. 
Published: August 2019

Type II spiral ganglion neurons provide afferent innervation to outer hair cells of the cochlea and are proposed to have nociceptive functions important for auditory function and homeostasis. These neurons are anatomically distinct from other classes of spiral ganglion neurons because they extend a peripheral axon beyond the inner hair cells that subsequently makes a distinct 90 degree turn toward the cochlear base. As a result, patterns of outer hair cell innervation are coordinated with the tonotopic organization of the cochlea. Previously, it was shown that peripheral axon turning is directed by a nonautonomous function of the core planar cell polarity (PCP) protein VANGL2. We demonstrate using mice of either sex thatFzd3andFzd6similarly regulate axon turning, are functionally redundant with each other, and thatFzd3genetically interacts withVangl2to guide this process. FZD3 and FZD6 proteins are asymmetrically distributed along the basolateral wall of cochlear-supporting cells, and are required to promote or maintain the asymmetric distribution of VANGL2 and CELSR1. These data indicate that intact PCP complexes formed between cochlear-supporting cells are required for the nonautonomous regulation of axon pathfinding. Consistent with this, in the absence of PCP signaling, peripheral axons turn randomly and often project toward the cochlear apex. Additional analyses ofPorcnmutants in which WNT secretion is reduced suggest that noncanonical WNT signaling establishes or maintains PCP signaling in this context. A deeper understanding of these mechanisms is necessary for repairing auditory circuits following acoustic trauma or promoting cochlear reinnervation during regeneration-based deafness therapies.SIGNIFICANCE STATEMENTPlanar cell polarity (PCP) signaling has emerged as a complementary mechanism to classical axon guidance in regulating axon track formation, axon outgrowth, and neuronal polarization. The core PCP proteins are also required for auditory circuit assembly, and coordinate hair cell innervation with the tonotopic organization of the cochlea. This is a non–cell-autonomous mechanism that requires the formation of PCP protein complexes between cochlear-supporting cells located along the trajectory of growth cone navigation. These findings are significant because they demonstrate how the fidelity of auditory circuit formation is ensured during development, and provide a mechanism by which PCP proteins may regulate axon outgrowth and guidance in the CNS.
Diksi Diksi dalam Kumpulan Puisi Sarinah Karya Esha Tegar
Authors: Herthalia Regina Ayu , Andalas Maharani Intan 
Published: August 2019

ABSTRACT
Literary works is one form of art in which language is used as a medium, one of them is poetry. Language in poetry is free and solid regarding the licencia poetica, yet it still contains various aspects of life as the poet’s idea. In order to convey his ideas, the poet uses diction on poetry. The usage of dictions on poetry are able to reveal many things, for example, a city. The description of a city through diction within literary works are often depicted through Indonesian poetry. One of those poetry collections which potray a city through diction usage is Sarinah Poetry Collection by Esha Tegar Putra. This research present the usage of dictions within Sarinah Poetry Collection by Esha Tegar Putra. The problems being discussed are (1) how does the diction interpret a city within the Sarinah Poetry Collection by Esha Tegar Putra (2) how is the relation between the diction and other poetry elements contain in Sarinah Poetry Collection by Esha Tegar and (3) how does the meaning contained within Sarinah Poetry Collection by Esha Tegar Putra related to the diction which intepreted city. The approach used in this research is stylictica with qualitative method. The data were obtained from fifteen poems written in Sarinah Poetry Collection by Esha Tegar Putra. The result of this study showed that within this Sarinah Poetry Collection are carried diction in form of nouns, verbs, dictions with connotative and dennotative meaning, and diction in form of basic words also words that have undergone morphological processes. The usage of the diction based on the word type and the meaning type is aiming more valid interpretation about city, such as name of the places and facilities provided in the city. Based on the form, the usage of the diction within Sarinah Poetry Collection is working as the element to strengthen the atmosphere withi the poems. the diction contained in this poem are related to other poetry elements such as tone, imagery and figure of speech, so that they could bring a whole unity meaning of the poem. The diction being used by the poet is functioning to reinforce the meaning and the atmosphere, so that the depiction about a trip, traffic jam, bustle, poverty, environmental matters and injustice that represent a city is clearly present.
Keywords: Diction, Poetry Collection, Sarinah, Stylistic
Tatanan Sosial Masyarakat Jawa dalam Puisi Bolong Karya Joko Pinurbo
Authors: Turahmat Turahmat 
Published: August 2019

Masyarakat Jawa merupakan masyarakat yang berlapis dengan penandaan golongan melalui suatu cara hidup. Masyarakat Jawa memiliki tatanan sosial yang mengatur anggotanya untuk senantiasa dijadikan pedoman dan tidak diabaikan sehingga melekat dalam pribadi sebagai identitas. Tatanan nilai sosial dapat diungkapkan melalui berbagai hal, salah satunya melalui karya sastra. Penelitian ini bertujuan mengungkap tatanan sosial masyarakat Jawa dalam puisi Bolong karya Joko Pinurbo. Penelitian ini dilakukan menggunakan metode deskriptif kualitatif. Data dalam penelitian ini adalah tatanan nilai sosial yakni Urip ora ngoyo, nrimo ing pandom, Ngajeni wong tua, dan ana catur mungkur yang bersumber dari puisi Bolong .
Javanese society is a society that is layered with the designation of groups through a way of life. Javanese society has a social order that regulates its members to always be used as a guideline and not neglected so that it is inherent in the person as identity. The order of social values can be expressed through various things, one of which is through literature. This study aims to reveal the social fabric of Javanese society in Bolong poetry by Joko Pinurbo. This research was conducted using qualitative descriptive methods. The data in this study are social value structures, namely Urip ora ngoyo, nrimo ing pandom, Ngajeni wong tua, and chess games which are derived from Bolong poetry.
Absurditas Naskah Drama “Pelajaran” karya Eugene Ionesco
Authors: Yusriansyah Eka 
Published: August 2019

Penelitian ini bertujuan untuk menelusuri wacana absurditas yang terlukis dalam naskah drama “Pelajaran” karya Eugene Ionesco. “Pelajaran” tergolong naskah absurd yang berarti berada di luar konvensi drama pada umumnya, tidak beralur, bertemakan nihilisme dan kesenduan metafisik, serta disesaki dialog yang hanya berupa celotehan tidak nyambung. Kepekaan intelektual dan penghayatan eksistensi kehidupan menjadi syarat kompetensi interpretasi. Penelitian ini adalah penelitian deskriptif kualitatif yang memanfaatkan metode hermeneutika dengan mengadopsi pembacaan heuristik dan hermenuitik. Teori semiotika Riffaterre dan teori drama absurd digunakan untuk mengungkapkan tanda-tanda sebagai pembangun absurditas di luar logika. Hasil penelitian menunjukkan bahwa “Pelajaran” menyuguhkan absurditas kehidupan metafisik, kesia-siaan, pemberontakan, dan kematian yang dikemas melalui absurditas alur, penokohan, dan dialog irrasional. This research aims to investigate absurdity in “Pelajaran” drama script written by Eugene Ionesco. “Pelajaran” belongs to the kind of absurd drama script since it breaks structure convention of common drama script. It is such unconventional kind of drama script which has no plot, unclear characterization, nihilism topics such metaphysical things, being isolate, rebellion, and death, also has irrational dialogue which only tells about unimportant things. This research belongs to descriptive qualitative research which used hermeneutic methods contained of two reading methods such heuristic and hermeneutic. The theory of semiotic Riffaterre applied in analyzing the symbols constructed in the text which combined with the theory of drama absurd suggested by Martin Esslin used to find out the absurdity in the text. The result of the research shows that “Pelajaran” presents the absurdity of life such metaphysics, disconsolate, rebellion, and death. Those all things presented through absurdity of plot, characterization, and irrational dialogue.
Konflik Batin Tokoh Utama dalam Novel Ada Surga di Rumahku Karya Oka Aurora Sebagai Alternatif Bahan Ajar Pembelajaran Sastra di SMA
Authors: Juwariyah Juwariyah , Sumartini Sumartini 
Published: August 2019

Bahan ajar sastra yang dipilih oleh guru harus menyajikan berbagai nilai yang bisa diaplikasikan siswa dalam kehidupan nyata. Tujuan penelitian ini adalah mendeskripsikan wujud konflik batin yang mengandung nilai-nilai kehidupan novel Ada Surga di Rumahmu karya Oka Aurora. Pendekatan penelitian yang digunakan yaitu deskriptif kualitatif. Sumber data dalam penelitian ini adalah novel berjudul “Ada Surga di Rumahmu” karya Oka Aurora. Metode yang digunakan dalam penelitian ini adalah analisis isi. Data dianalisis menggunakan teori psikopragmatik. Berdasarkan hasil analisis dan pembahasan disimpulkan bahwa wujud konflik batin dalam novel Ada Surga di Rumahmu karya Oka Aurora antara lain pertentangan antara pilihan yang tidak sesuai dengan keinginan, kebimbangan dalam menghadapi permasalahan, serta harapan tidak sesuai dengan kenyataan. Kesesuaian konflik batin yang mengandung nilai-nilai kehidupan dalam novel Ada Surga di Rumahmu karya Oka Aurora dapat dilihat dari aspek psikologi. Rekomendasi dari hasil penelitian diharapkan penyajian bahan ajar pembelajaran sastra di SMA senantiasa diperbaiki, diperbarui dan dimutakhirkan sesuai kebutuhan dan standar yang telah ditentukan.
Literary teaching materials chosen by the teacher must present various values that can be applied by students in real life. The purpose of this research is to describe the form of inner conflict that contains the values of life in the novel Ada Surga di Rumahmu by Oka Aurora. The research approach used is descriptive qualitative. The data source in this researchis a novel titledAda Surga di Rumahmu by Oka Aurora. The method used in this researchis content analysis. Data was analyzed using psychopragmatic theory. Based on the results of the analysis and discussion, it was concluded that the form of inner conflict in the novel titledAda Surga di Rumahmuby Oka Aurora includes contradictions between choices that are not in accordance with desires, doubts in facing problems, and expectations not inaccordance with reality. The values of life contained in the novel titled Ada Surga di Rumahmu by Oka Aurora include moral values, religious values, social values, cultural values and educational values. Compatibility of inner conflict that contain the values of life in the novel Ada Surga di Rumahmu by Oka Aurora can be seen from the aspect of psychology. Recommendations from the results of the study are expected to present literature learning materials in high school always improved, updated and updated.according to the needs and standards that have been determined.
Dogme 95 and the Reality of Fiction
Authors: Giralt Gabriel 
Published: August 2019

WHATEVER HAPPENED TO REALITY: DOGME AND THE REALITY OF FICTION "The 'supreme' task of the decadent film-makers is to fool the audience. Is that what we are so proud of? Is that what ‘100 years' have brought us? Illusions via which emotions can be communicated? ... By the individual artist's free choice of trickery? ... To Dogme 95 the movie is not an illusion!...Dogme 95 counters the film of illusion by the presentation of an indisputable set of rules known as The Vow of Chastity." (extract from Dogme 95 manifesto) AFTER few international successes, Dogmesecretariat, the official entity responsible for issuing Dogme certificates, a guarantee that a film has been made following rigorously Dogme's "Vow of Chastity" is closed. After eight years since the group wrote its manifesto and five years since the movement brought forth its first Dogme film, the contention that "to Dogme 95...
Conversation with Francesca Archibugi
Authors: Laviosa Flavia 
Published: August 2019

CINEMA AS SOCIAL MIRROR: FLAVIA LAVIOSA IN CONVERSATION WITH ITALIAN DIRECTOR FRANCESCA ARCHIBUGI THE need to sublimate the familiar and ordinary in everyday life is a sentiment that underlies Francesca Archibugi's work. She offers audiences carefully orchestrated films dealing with a spectrum of sociological issues relating to the new Italian familyscape. Acting as a psychologist, sociologist, educator and parent, Archibugi can be defined as the director of the ‘growing-up' Italian. She documents, analyzes, chronicles and celebrates the qualities that make children and adolescents cultural protagonists of our era. The following interview is an analysis of the director's film production as a reflection of the socio-cultural changes in modern Italy. Laviosa: Children and adolescents are cultural protagonists in your films in the sense that they, "people of few years of age" as you define them, are often victims of family situations and they seem to act as moral judges towards the...
Bangkok 2004
Authors: Toh Hai Leong 
Published: August 2019

BANGKOK INTERNATIONAL FILM FESTIVAL 2004 According to official figures, over 50,000 tickets were sold at the 1st Bangkok International Film Festival in 2003. This year, only some 30,000 seats were taken, a sizable drop despite the massive budget of US$5 million, an improved film programme and a change of manage­ment: Craig Prater is now Executive Director and Jennifer Stark is Programme Director. Altogether, some 150 Thai and international films and digital videos from more than 24 countries were presented. The Festival (22 Jan to 2 Feb 2004), also saw the 1st Bangkok Film Market amidst the festival's glam, glitz, pomp and star-gazing. The opening film honour went to The Siam Renaissance by former experimental filmmaker Surapong Pinijkhar (Tawipop, Thailand, 2003). This stylish and fantastical blending of The Double Life of Veronique and Frequency stars the exotically pretty Florence Vanida F. as a Paris-based archivist who moves back in time to...
Vienna 2003
Authors: Holloway Ron 
Published: August 2019

VIENNA INTERNATIONAL FILM FESTIVAL 2003 Right from the start, V'03 - The 2003 Vienna International Film Festival (17-29 October 2003) - was something special. An extra day had to be added onto the schedule to accommodate the run on tickets - 5,000 more sold than last year, for an overall attendance of 75,200. Altogether, "a nearly historic number of visitors," said festival director Hans Hurch at the close of the Viennale. To my regret, I arrived a day too late to see John Ford's Bucking Broadway (1917), a "Cheyenne Harry" Carey five-reeler found three years ago by chance in the archive of the Cinémathèque Française under the title Far West Drama. It was the sixth of 26 films made with Harry Carey and featured a rescue scene with a posse of cowboys ride down Broadway. But I did make in time to see Erich von Stroheim's silent classic The Merry...
Mannheim-Heidelberg 2003
Authors: Dönmez-Colin Gönül 
Published: August 2019

MANNHEIM-HEIDELBERG INTERNATIONAL FILM FESTIVAL 2003 One of the oldest festivals of Germany, Mannheim-Heidelberg International Film Festival has remained loyal to its motto of ‘new comers' festival' showcasing films from unknown talents or totally marginalized filmmakers who favour exploring new film language. This year's event, which took place from 20 to 29 November, 2003 presented a large selection of films from Europe such as De Arm van Jezus (The Arm of Jesus) by Andre van der Hout from Holland, Sauja lozu (Handful of Bullets) by Una Celma from Latvia, Baby by Linda Wendel from Denmark and Donau, Dunaj, Duna, Du­nav, Dunarea by Goran Rebi from Austria. From Iran, an eye-catching film was Khamoushiye Darya (The Silence of the Sea) by Vahid Mousaian, a visual reflection on exile's return tracing the tormented journey of an Iranian doctor settled in Sweden as he smuggled himself into his country of birth sans...
Italian Director Cristina Comencini
Authors: Laviosa Flavia 
Published: August 2019

FLAVIA LAVIOSA IN CONVERSATION WITH ITALIAN DIRECTOR CRISTINA COMENCINI A PROLIFIC film director and screenplay writer as well as an accomplished novelist, Cristina Comencini (1956) is well known for her novels and her numerous films. Together with Francesca Archibugi (1960) and Roberta Torre (1962), she is one of the new Italian filmmakers who, in the last sixteen years, have become famous for having put forward new assertive female characters in cinema, thanks also to a good commercial distribution of her works. Comencini's films, Zoo (1988); I divertimenti della vita privata (Amusements of the Private Life, 1990); La fine è nota (The End Is Known, 1992); Va' dove ti porta il cuore (Follow Your Heart, 1996); Matrimoni (Marriages, 1998); Liberate I pesci! (Free the Fish!, 1999); Il più bel giorno della mia vita (The Best Day of My Life, 2002); La bestia nel cuore (The Beast In the Heart, 2005);...
Figures of Style in Strangers on a Train
Authors: Dellolio Peter J. 
Published: August 2019

PARALLELISM AND PROGNOSTICATION: FIGURE OF STYLE IN STRANGERS ON A TRAIN "I certainly admire people who do things!" Bruno Anthony to Guy HainesSTRANGERS on a Train is a parable about a wish fulfilment fantasy overtaking reality by means of metaphysical freedom, opposing energies, and deadly consequences. The film suggests that dangerous moral, ethical, and material forces are unleashed when conscious behaviour and subconscious wishes are in conflict. The narrative and stylistic organization of the film (based on the notion of inner-directed elements controlling the objective world) bears a general similarity to some of the precepts of Expressionism. The essential expressionist credo is that stylistic exaggerations and manipulations are commensurate with a protagonist's extraordinary anxiety and inner conflicts. For example, shortly after Miriam's (Laura Elliot) murder, there is a medium long-shot of Guy's (Farley Granger) cab pulling up to his apartment building with the bright...
The Team Film Genre
Authors: Strong Jeremy 
Published: August 2019

CREWS, SQUADS, SEVENS, ELEVENS AND DOZENS: THE TEAM FILM GENRE THIS article argues that there exists a genre that it terms the team film. It is not claimed that the films discussed have previously resisted generic analysis, for they also have characteristics that locate them in a wide range of other genres. Rather, it is contended that by virtue of key shared properties - including textual features, the audience expectations and interpretive strategies they provoke, and marketing practices - these films additionally may claim affiliation to, and invite understanding in terms of, a common genre. Andrew Tudor maintains that: Genre notions - except the special case of arbitrary definition - are not critics' classifications made for special purposes; they are sets of cultural conventions. Genre is what we collectively believe it to be. (Tudor 139) It should be acknowledged that what follows runs the risk of appearing...
Toronto 2006
Authors: Wee Brandon 
Published: August 2019

HIGHLIGHTS FROM THE TORONTO INTERNATIONAL FILM FESTIVAL 2006 North America's largest film festival came and went with some 350 films for its 31st edition. Toronto's prominence has as much to do with it being Hollywood's choice of setting for its fall product launches as it does with its time-sensitive obligation to introduce the currency of world cinema to domestic theatrical markets. This year however, films endowed with prestigious budgets or prizes failed to garner general favour. Here are notes on ten titles deemed too unfamiliar by a mainstream media fixated on familiarity: 2:37 (Murali K. Thalluri, Australia 2006)In a stunning debut, a director just past his teenage years injects the high school coming-of-age genre with a subversive dose of adrenaline. Opening with the discovery of a suicide in a school but without revealing the deceased, 2:37 peels away in flashback and introduces several characters all in various extremities of...
Scopic Drive, Time Travel, and Film Spectatorship
Authors: Rascaroli Laura 
Published: August 2019

SCOPIC DRIVE, TIME TRAVEL AND FILM SPECTATORSHIP IN GILLIAM'S TWELVE MONKEYS AND BIGELOW'S STRANGE DAYS How can the dream, the bearer of the subject's desire, produce that which makes the trauma emerge repeatedly - if not its very face, at least the screen that shows us that it is still there behind? Jacques Lacan Sometime around 1895 Albert Einstein, a 16 year-old schoolboy from Ulm, in Germany, began to think about what it would be like to ride on the crest of a light wave -- or, as one could say, to surf it. Ten years later he published 'On the Electrodynamics of Moving Bodies', a paper that dramatically changed our way of perceiving space, time, and their relationship. Given that cinema was officially born in that same year 1895, one could wonder if the new invention, with its ray of light clearly visible against the darkness of...
1st Transylvanian International Film Festival in Cluj, Romania
Authors: Holloway Ron 
Published: August 2019

Other first film festivals should have it so good. Every guest arriving from abroad to attend the First Transylvanian International Film Festival (3-9 June 2002) in the Romanian city of Cluj (formerly Klausenburg) asked the same question: "Where's Dracula's castle, and how can I get there?" To which Tudor Giurgiu, the festival's founder-director, responded with an same amused grin: "Stay around until closing night: we're screening Murnau's Nosferatu to musical accompaniment!" Just another way of saying that no less than four castles lay claim to Dracula's hideout. "Probably Bram Stoker meant the castle in Sighisoara (formerly SchÃ¤ssburg)," said one informed source. "SchÃ¤ssburg is a 13th-century museum town, only an hour's drive away."Forget Dracula's castle on your first visit to Cluj-Napoca, inhabited by the Dacians in ancient times and founded by the Romans in the 2nd century. The city with the most moviegoers in Romania, Cluj (formerly part of Austria-Hungary) has academies...