bluuebunny/crossref_metadata_2025_split huggingface dataset:
Brandt, Marianne (1893–1983)
Authors: Otto Elizabeth 
Published: September 2018

Best remembered for her metal designs, Marianne Brandt created the small tea extract pot that set a record in 2007 for the highest sum ever paid for a Bauhaus object. While her work in metal has become iconic, other aspects of Brandt’s diverse œuvre and her influence on the Bauhaus still remain little studied.
Born Marianne Liebe to an upper-middle-class family in the industrial city of Chemnitz, she received her diploma as a painter in 1918 from Weimar’s Grand Ducal Saxon College of Fine Art [Grossherzogliche-Sächsische Hochschule für Bildende Kunst]. She married the Norwegian artist Erik Brandt, and they spent the next two years in Norway and France. Brandt had begun a new course of study in sculpture at the College of Fine Arts in Weimar in 1923 when she saw the State Bauhaus Exhibition [Staatliches Bauhaus Ausstellung] and was inspired to begin her studies anew at the Bauhaus. Brandt completed the Preliminary Course [Vorkurs] under the direction of Josef Albers and László Moholy-Nagy. At the latter’s suggestion she apprenticed at the Metal Workshop, one of the most male-dominated divisions of the school. Brandt experienced some hazing but also had immediate success with the sleek designs and pure forms of her metal tea services and other household items.
Heron, Patrick (1920–1999)
Authors: Furness Tom 
Published: September 2018

Patrick Heron is recognized by many as a key figure in the history of post-war British art, both as a practicing artist and as a prolific writer and critic. Influenced in his own work by artists such as Matisse, Bonnard, and Braque, he acted as key conduit between British art and the continent—particularly French painting, typified by the École de Paris. Like his fellow British painters Roger Hilton and William Gear, he was predisposed toward the bold use of color and a free play with oscillating perspectival cues in the more figurative of his works. An example of Heron’s earlier linear lyrical abstract work, Christmas Eve, was included in the 1951 Festival of Britain exhibition, 60 Paintings for ’51.
Heron also organized several key exhibitions during the 1950s, which marked key touchstones in the development of abstract British art, including Space in Colour at the Hanover Gallery, London, in 1953 and Metavisual, Taschiste, Abstract at the Redfern Gallery, London, in April 1956. Influenced by the Russian-French artist Nicholas de Staël, and perhaps somewhat by American Abstract Expressionism, after 1955 his works were primarily non-representational, but preserved subtle and equivocal references to the landscape surrounding his home.
Lemos, Fernando (1926--)
Authors: Vasconcelos Cristina 
Published: September 2018

Known for his early photographic artwork, Fernando Lemos was associated with the Portuguese surrealists of the late 1940s and early 1950s prior to relocating to Brazil in 1952. During his early career Lemos explored a range of black and white photography techniques including film, overlapping, and partial under/overexposures, exemplified by his 1949 self-portrait Eu/Auto-Retrato. While perhaps best known for these early works, Lemos’s artistic production is ongoing, encompassing a wide range of media including drawing, painting, tapestry, ceramics, mural painting, glass windows, graphic/industrial design, and film photography. His productions are interwoven with experimental techniques and shifts in media.
While residing in Lisbon, Lemos primarily worked with photography and drawing, developing and exploring a variety of media after relocating to São Paulo, Brazil in 1953. In Brazil he turned to painting and drawing, often using Indian ink to develop rhythmic geometric forms, with works such as Desenho (1956) garnering several prizes at various São Paulo Biennials. In later works Lemos returned to the photographic image, utilizing color in his re-working of scratched and painted anonymous photographs, and printing the results on large-format photographic paper.
Mattis-Teutsch, Hans (1884–1960)
Authors: Kessler Erwin 
Published: September 2018

Hans Mattis-Teutsch was a Romanian artist, born to a German-Hungarian family in Braşov, where he also died. Exemplary of the diverse modernity of Central Europe, he moved between Realism and other styles, including Jugendstil, Post-Impressionism, Expressionism, constructive Abstraction, and Art Deco. His stay in Paris from 1905 to 1908 contributed to the development of his painting style, which was influenced by the fauves, cubo-futurists, and the polychrome sculptures of Paul Gauguin, in addition to the works of Constantin Brancusi, František Kupka, and the Expressionism of Der Blaue Reiter. His stay in Berlin in 1918 was crucial for his affiliation with Der Sturm; the 99th Sturm exhibition in 1921 featured him alongside Paul Klee.
Like his contemporaries, Mattis-Teutsch extracted stylish, spiritual, and cosmic-theosophical visions from fantasized landscapes and depicted the inner workings of the human mind on his canvases. He later erected functional-decorative, rational, and humanistic edifices based on Socialist utopias. Mattis-Teutsch was a keystone of the Romanian, Hungarian, and German avant-garde. Though cosmopolitan, he lived mostly in his Transylvanian hometown of Braşov, exhibiting locally and working as a professor at the art college, nourishing a modern, progressive, provincial art-life. In 1946, he founded the first syndicate of "democratic" artists in Romania.
Bruce Onobrakpeya (1932--)
Authors: Cantone Helena 
Published: September 2018

Printmaker, sculptor, painter and inventor of new techniques, Bruce Onobrakpeya was one of the major figures to emerge from the Zaria Arts Society in Nigeria in the 1950s.
An innovator and experimentalist in printmaking, Onobrakpeya developed many techniques including "bronze lino relief," "hydrochloric acid accident," and in 1967, a deep etching technique called "plastograph" that uses plates cast in plaster. In a continuous process of innovation, Bruce started making prints from these "plastercasts," then coated the original plates with bronze in order to make the casts into pieces of art work themselves. In later years, Onobrakpeya recast these original plates into columns of resin to create sculptural installation-shrines, thereby not only reinventing the idea of printing itself, but reinterpreting African shrine traditions to give these ritual places new meanings. Together with his generation of modern artists rooted in the historical moment of African independence, Onobrakpeya helped to critically question Eurocentric assumptions by re-writing their own history.
Cocteau, Jean (1889–1963)
Authors: Leskosky Richard J. 
Published: September 2018

Jean Cocteau (Jean Maurice Eugène Clément Cocteau) was an influential, prolific, multi-talented French artist, writer, critic and filmmaker. He wrote poetry, plays, libretti for ballets, journals, and screenplays; he adapted his own and others’ writing for the stage and screen. He illustrated books, painted, created mosaics, tapestries, and stained glass windows, and designed sets and costumes. He also occasionally appeared on stage and in films and starred (essentially playing himself) in his last film Le Testament d’Orphée [The Testament of Orpheus] (1960). Outside France, Cocteau remains best known for his films and for his plays, which regularly continue to be staged around the world.
Cocteau was born in Maisons-Lafitte, France, on July 5, 1889, to a wealthy, art-conscious family and began to attract attention with his poetry in his late teens. He was friends with and collaborated creatively with the most prominent artists of his time. Pablo Picasso, Amedeo Modigliani, and photographer Man Ray, for example, all did portraits of him. It was to a young Cocteau in 1912 that ballet impresario Sergei Diaghilev issued his famous challenge, ‘Etonne-moi!’ [‘Astonish me!’].
Hamsun, Knut (1859–1952)
Authors: Krouk Dean 
Published: September 2018

Norwegian writer Knut Hamsun’s novels anticipated modernist psychological fiction and influenced a generation of major European figures. Winner of the 1920 Nobel Prize in literature, Hamsun wrote over thirty works in various genres, including both experimental modernist and neorealist novels. In the final decades of his life, Hamsun became a Nazi sympathizer during the German occupation of Norway, which has complicated his literary legacy.
Hamsun was born as Knut Pedersen in central Norway in 1859, but moved to the coastal north of the country while very young. He grew up with little formal education, writing his first works of imaginative fiction in the late 1870s. Hamsun made two extended stays in the USA in the 1880s, when he worked on farms and gave lectures about contemporary European and Scandinavian literature.
Eliot, Thomas Stearns (1888–1965)
Authors: Templeton Erin 
Published: September 2018

Thomas Stearns Eliot (1888–1965) was an essayist, editor, playwright, poet, and publisher. He was awarded the Nobel Prize in Literature in 1948. He is perhaps best known for his long poem The Waste Land.
Eliot was born in St. Louis, Missouri and attended Harvard University, where he earned his bachelor’s degree in philosophy. Eliot’s postgraduate studies in philosophy took him to the Sorbonne in 1910/11 and to Oxford in 1914. Once he arrived in England, however, he spent much of his time in London. There he met two of the most influential people of his literary life: the American poet Ezra Pound and a young Englishwoman named Vivienne Haigh-Wood, whom Eliot would marry in 1915 after a four-month courtship. Pound encouraged Eliot, who had been planning an academic career, to keep writing poetry and to submit "The Love Song of J. Alfred Prufrock" to Poetry magazine for publication. In addition to writing poetry, Eliot also took a position with Lloyd’s Bank in 1917, managing foreign accounts. Pound and Eliot frequently collaborated and critiqued each other’s work throughout the 1920s and 1930s and remained friends until Eliot’s death, despite divergent political and religious paths. The most famous of these collaborations, The Waste Land, has been documented in a published facsimile edition of the poem (1972) that reveals Pound’s numerous comments on Eliot’s manuscript. The Waste Land is revolutionary both in its form, free verse, and its subject matter, which links urbanization, technology, sexuality, and post-war alienation to dozens of classical allusions in seven languages. The poem is a pastiche of voices and fragments linked both thematically and tonally.
Wassily Kandinsky (1866-1944)
Authors: Washton Long Rose Carol 
Published: September 2018

Kandinsky’s commitment to abstraction in painting and theory has attracted the attention of artists and critics throughout the twentieth century. His major manifesto Über des Geistige in der Kunst [On the Spiritual in Art], which described abstraction as a stimulus to a new world order, went through three editions by March of 1912. This publication as well as the establishment with the painter Franz Marc of the exhibition group and yearbook Der Blaue Reiter in 1911, insured the fame of his large-sized and vividly colored oils, some bearing titles such as Composition and Improvisation to emphasize the relation of painting with music, then thought to be the least representational and thus the most ideal of all the arts.
Like other artists and writers of his generation who had absorbed symbolist, theosophical, and anarchist beliefs, Kandinsky felt that he had to engage his audience in a struggle to understand his painting in order to lead them to a greater awareness of the cosmic orders. Naturalism was too descriptive of the physical world, but in 1912 he did not believe that his audience, and even others artists, were ready for abstraction.
The North Sea surge of 31 October–1 November 2006 during Storm Britta
Authors: Kettle Anthony James 
Published: September 2018

Abstract. Offshore energy infrastructure, including the petroleum and wind energy
sectors, are susceptible to damage and interruption by extreme meteorological
events. In northwest Europe and especially the North Sea, these extreme
meteorological events are mostly associated with severe storms in the autumn
and winter seasons. In the North Sea, storm surges have an impact on the
offshore energy sector mainly from the flooding of port facilities and from
strong ocean currents causing extra structural loading and bottom scouring.
Storm Britta on 31 October–1 November 2006 was an important North Sea storm
with a high surge along the coast of the Netherlands and Germany and a
significant number of high wave reports. The paper presents an analysis of
the national tide gauge records of the United Kingdom, the Netherlands,
Germany, and Denmark to spectrally isolate and reconstruct time series
components corresponding to the storm surge, semi-diurnal tide, and short
period contribution. The semi-diurnal tides and storm surge during Storm
Britta are tracked counter-clockwise around the North Sea from Scotland to
northern Denmark. The storm surge was remarkable for its pronounced peak in
the coastal area between the Netherlands and Germany with no precedent in the
∼100 year measurement record. The short period component of the tide
gauge records show large oscillations during the height of the storm that may
correspond with reports of unusually high waves at nearby coastal locations.
Channel flow, tectonic overpressure, and exhumation of high-pressure rocks in the Greater Himalayas
Authors: Marques Fernando O. , Mandal Nibir , Ghosh Subhajit , Ranalli Giorgio , Bose Santanu 
Published: September 2018

Abstract. The Himalayas are the archetype of continental collision, where a number of long-standing fundamental problems persist in the Greater Himalayan Sequence (GHS): (1) contemporaneous reverse and normal faulting, (2) inversion of metamorphic grade, (3) origin of high- (HP) and ultrahigh-pressure (UHP) rocks, (4) mode of ductile extrusion and exhumation of HP and UHP rocks close to the GHS hanging wall, (5) flow kinematics in the subduction channel, and (6) tectonic overpressure, here defined as TOP  = P∕PL where P is total (dynamic) pressure and PL is lithostatic pressure. In this study we couple Himalayan geodynamics to numerical simulations to show how one single model, upward-tapering channel (UTC) flow, can be used to find a unified explanation for the evidence. The UTC simulates a flat-ramp geometry of the main underthrust faults, as proposed for many sections across the Himalayan continental subduction. Based on the current knowledge of the Himalayan subduction channel geometry and geological/geophysical data, the simulations predict that a UTC can be responsible for high TOP ( > 2). TOP increases exponentially with a decrease in UTC mouth width, and with an increase in underthrusting velocity and channel viscosity. The highest overpressure occurs at depths  < −60 km, which, combined with the flow configuration in the UTC, forces HP and UHP rocks to exhume along the channel's hanging wall, as in the Himalayas. By matching the computed velocities and pressures with geological data, we constrain the GHS viscosity to be  ≤ 1021 Pa s, and the effective convergence (transpression) to a value  ≤ 10 %. Variations in channel dip over time may promote or inhibit exhumation (> or < 15°, respectively). Viscous deformable walls do not affect overpressure significantly enough for a viscosity contrast (viscosity walls to viscosity channel) of the order of 1000 or 100. TOP in a UTC, however, is only possible if the condition at the bottom boundary is no-outlet pressure; otherwise it behaves as a leaking boundary that cannot retain dynamic pressure. However, the cold, thick, and strong lithospheres forming the Indian and Eurasian plates are a good argument against a leaking bottom boundary in a flat-ramp geometry, and therefore it is possible for overpressure to reach high values in the GHS.
Demografía de las cooperativas en tiempos de crisis
Authors: Sala Ríos Mercè , Torres Solé Teresa , Farré Perdiguer Mariona 
Published: September 2018

El objetivo de este trabajo es estudiar cómo la crisis de 2008 afectó a la demografía empresarial de las cooperativas y comparar su situación con la de los años anteriores y posteriores a la misma. Para ello se acota el período de crisis y se define un período pre-crisis y uno post-crisis. El estudio avanza a través de tres campos de análisis como son la dinámica empresarial, el componente estructural y el ámbito territorial. La dinámica empresarial se estudia a través de la evolución de las tasas de entrada, salida y supervivencia. El componente estructural presenta los efectos de la crisis distinguiendo por tamaño y por clase de cooperativa. Por último, en el ámbito territorial se aplica la técnica de análisis regional Shift-Share para identificar y descomponer el crecimiento del empleo cooperativo entre el efecto regional y el efecto sectorial. Entre los resultados obtenidos destacamos los siguientes. Primero, la crisis incrementó el comportamiento pro-cíclico de las cooperativas. Segundo, fueron las medianas y grandes cooperativas las que mostraron mayor resistencia al tiempo que la antigüedad fue un garante de supervivencia pero no de preservación de empleo. Tercero, se produjo un proceso de creación de cooperativas y/o de incremento de su empleo ligado a la cobertura de necesidades y servicios de forma conjunta. Cuarto, en términos sectoriales las cifras señalan al sector industrial y al de la construcción como los más afectados por la crisis. Por último y en comparación con los años anteriores a la crisis, se detectan cambios importantes en las CCAA que presentaban ventajas de localización para las cooperativas.
Valor social de las cooperativas sociales: aplicación del modelo poliédrico en la cooperativa para la acogida de menores Zabalduz S.Coop
Authors: Etxezarreta Etxarri Enekoitz , Pérez de Mendiguren Castresana Juan Carlos , Diaz Molina Liseth , Errasti Amozarrain Anjel 
Published: September 2018

El objetivo de este trabajo es tratar de aportar en la confección de herramientas de medición que mejor se adecúen a las particularidades propias de la Economía Social. Para ello, se aplica una metodología de medición (el modelo poliédrico) en una cooperativa de iniciativa social guipuzcoana (Zabalduz S.Coop) y se analizan los resultados obtenidos en base a su capacidad de aprehender el valor generado por dicha cooperativa en su integridad. Tras contextualizar la metodología aplicada en el marco de los enfoques de medición del valor social, el artículo pasa a relatar el proceso y los resultados de esta investigación. Se detallan y categorizan las variables identificadas por los stakeholders para Zabalduz S.Coop, y se avanza en una propuesta de medición de dichas variables. Por último se resume en una tabla el valor social consolidado en los tres niveles monetizables (valor económico con impacto social, retorno socioeconómico y valor social específico) y se recogen las variables no monetizables relacionadas con el valor emocional. Finalmente se realiza una breve discusión teórico-metodológica sobre los límites que presenta el modelo aplicado y sobre las posibles alternativas que pudieran plantearse para superarlos.
In silico identification and biochemical characterization of the human dicarboxylate clamp TPR protein interaction network
Authors: Bernadotte Alexandra , Kumar Rajnish , Winblad Bengt , Pavlov Pavel F. 
Published: September 2018

Dicarboxylate clamp tetratricopeptide repeat (dcTPR) motif‐containing proteins are well‐known partners of the heat shock protein (Hsp) 70 and Hsp90 molecular chaperones. Together, they facilitate a variety of intracellular processes, including protein folding and maturation, protein targeting, and protein degradation. An extreme C‐terminal sequence, the EEVD motif, is identical in Hsp70 and Hsp90, and is indispensable for their interaction with dcTPR proteins. However, almost no information is available on the existence of other potential dcTPR‐interacting proteins. We searched the human protein database for proteins with C‐terminal sequences similar to that of Hsp70/Hsp90 to identify potential partners of dcTPR proteins. The search identified 112 proteins containing a Hsp70/Hsp90‐like signature at their C termini. Gene Ontology enrichment analysis of identified proteins revealed enrichment of distinct protein classes, such as molecular chaperones and proteins of the ubiquitin–proteasome system, highlighting the possibility of functional specialization of proteins containing a Hsp70/Hsp90‐like signature. We confirmed interactions of selected proteins containing Hsp70/Hsp90‐like C termini with dcTPR proteins both in vitro and in situ. Analysis of interactions of 10‐amino‐acid peptides corresponding to the C termini of identified proteins with dcTPR proteins revealed significant differences in binding strength between various peptides. We propose a hierarchical mode of interaction within the dcTPR protein network. These findings describe a novel dcTPR protein interaction networks and provide a rationale for selective regulation of protein–protein interactions within this network.
The Horizon of the Emulsion Particulate Strategy: Engineering Hollow Particles for Biomedical Applications
Authors: Xia Yufei , Na Xiangming , Wu Jie , Ma Guanghui 
Published: September 2018

AbstractWith their hierarchical structures and the substantial surface areas, hollow particles have gained immense research interest in biomedical applications. For scalable fabrications, emulsion‐based approaches have emerged as facile and versatile strategies. Here, the recent achievements in this field are unfolded via an “emulsion particulate strategy,” which addresses the inherent relationship between the process control and the bioactive structures. As such, the interior architectures are manipulated by harnessing the intermediate state during the emulsion revolution (intrinsic strategy), whereas the external structures are dictated by tailoring the building blocks and solidification procedures of the Pickering emulsion (extrinsic strategy). Through integration of the intrinsic and extrinsic emulsion particulate strategy, multifunctional hollow particles demonstrate marked momentum for label‐free multiplex detections, stimuli‐responsive therapies, and stem cell therapies.
A Wide‐Range Photosensitive Weyl Semimetal Single Crystal—TaAs
Authors: Chi Shumeng , Li Zhilin , Xie Ying , Zhao Yongguang , Wang Zeyan , Li Lei , Yu Haohai , Wang Gang , Weng Hongming , Zhang Huaijin , Wang Jiyang 
Published: September 2018

AbstractMid‐ and even long‐infrared photodetection is highly desired for various modern optoelectronic devices, and photodetectors that operate at room temperature (RT) remain challenging and are being extensively sought. Recently, the Weyl semimetal has attracted much interest, and its Lorentz invariance can be broken to have tilted chiral Weyl cones around the Fermi level, which indicates that the photocurrent can be generated by the incident photons at arbitrarily long wavelengths. Furthermore, the atypical linear dispersion bands in Weyl cones result in high carrier mobility and quadratic energy dependence of the density of states, which can enhance the efficiency of the photocurrent and suppress thermal carriers, in addition to its favorable large absorption coefficient. In this study, a Weyl semimetal TaAs photodetecting prototype is reported, which operates at RT with an outstanding response that ranges from the visible to the long‐infrared range. This study indicates that the Weyl semimetal TaAs should boost the development of modern optoelectronics and photonics.