bluuebunny/crossref_metadata_2025_split huggingface dataset:
En corte extraña: Las epístolas de Diego Hurtado de Mendoza a Luis de Ávila y ZúñigaIn Foreign Court: Diego Hurtado de Mendoza's Epistles to Luis de Ávila y Zúñiga
Authors: Varo Zafra Juan 
Published: August 2018

AbstractThe two verse epistles addressed by Diego Hurtado to Luis de ávila define a discourse in which the satire about public life and the exaltation of the emperor and his victories give way to the Anacreontic celebration of the voluntarilt isolated way of life, wine, friendship, and modest pleasures. Nevertheless, in spite of these common features, both poems present important differences. In contrast to the sober and grievous tone of the first one, the second turns out rough and unbalanced, sprinkled with harsh remarks that show a disenchantment with diplomatic life, the humiliations and disappointments suffered by the ambassadors, who were victims especially vulnerable to the political labyrinth and court intrigue of the 16th century. This work examines the epistles, appreciating the early effort to create a poetic language free of Petrachan influences in order to express disconformity with court life, in a genre that joins satire, mockery and a certain existential annoyance.
En busca de la Edad de Oro: La “Carta a Ramírez Pagán” de Jorge de MontemayorSearching for the Golden Age: The “Carta a Ramírez Pagán” by Jorge de Montemayor
Authors: Torres Corominas Eduardo 
Published: August 2018

Abstract
This article offers, from the perspective of court studies, a new reading of “Carta a Ramírez Pagán”, written by Jorge de Montemayor between 1558 and 1560. It proposes to use this paradigmatic text to explain the sociological and psychological origins of renaissance pastoral literature, which cannot be understood without the establishment of the courtly political systems in the western world. Therefore, supported by the works of Norbert Elias, Amedeo Quondam and José Martínez Millán, this article shows how the bucolic literature of this period essentially represented an attempt at liberation, arising within the court, from the existential oppression suffered by the courtier as a consequence of the civilization process.
“El mejor de los poetas” para “el mejor de los príncipes”: La Ulixea de Homero, traducida de griego en lengua castellana por el secretario Gonzalo Pérez, un tratado cortesano de educación principesca“El mejor de los poetas” for “el mejor de los príncipes”: La Ulixea de Homero, traducida de griego en lengua castellana por el secretario Gonzalo Pérez, A Treatise On the Court for the Education of a Prince
Authors: Ramón Juan , Sánchez Muñoz 
Published: August 2018

Abstract
In the following study we review some of the highlights of the translation in two stages (1550 and 1556), of Homer's Odyssey by Gonzalo Pérez, Secretary of State for Philip II of Spain and father of the famous Antonio Perez. We analyze the historical context that gave birth to the project, the Greek editions of the epic used in this translation, technical issues like the choice of meter, as well as the various editorial stages the text passed through before attaining it's final version in 1562. Special attention is given to the design of the Odyssey as a mirror for princes or specula principum.
Sor Juana, doctora en Teología: La sabiduría y el conocimiento en los villancicos de 1676Sor Juana, Doctor in Theology: Wisdom and Knowledge in thevillancicosof 1676
Authors: Deanda-Camacho Elena 
Published: August 2018

AbstractSor Juana Inés de la Cruz fought not only for women's right to education but also for public recognition of their intelligence. This essay locates the inception of her fight in her first suite of villancicos from 1676 written in honor of the Assumption of Mary. In this suite Sor Juana inaugurates her own Marian sapiential theology. In her theology Sor Juana most often juxtaposes herself to the female figures of Wisdom and the Virgin Mary. She makes the Virgin Mary embody Wisdom and also makes her a doctor of theology. In doing the latter, she imprints her own situation upon the work since she too was a theologian—at least in practice. Nonetheless, to dissolve any hints of heresy, she defines wisdom as a divine attribute and knowledge as an acquired understanding. Overall, Sor Juana uses herself and the two most important female figures of Christianity to project the image of an intelligent woman in Mexico's cathedral and thus validates the case for women's rights to education.
Statsløs i diaspora: kulturarvdokumentasjon og virtuelt museum
Authors: Akman Haci 
Published: August 2018

The museum as a social arena accentuates cultural encounters between individuals in unequal situations that are played out in public. Meetings between cultures are in themselves not a new phenomenon, but increased globalisation and immigration impel us as researchers of culture to repeatedly question our notions of ethnicity, cultural heritage and diaspora. This article is based on the Norwegian-Kurdish Heritage Documentation project, which has been supported by the Norsk Kulturråd (Arts Council Norway) for two periods. The project consists of two phases. Phase I was designed to document and collect tangible and intangible cultural elements among the Kurds in the diaspora. In Phase II, which is based on the first phase, the collected materials are sorted, categorised and analysed with the intent to publish a Kurdish virtual (online) museum. The virtual communication form adapts to the conditions that life in the diaspora requires for communication and preservation of culture. In this article, the terms ”stateless” and ”diaspora” are used. The question is whether a virtual museum can be a useful tool for cultural heritage dissemination for a stateless people in a diaspora context who are otherwise unable to communicate their culture through physical institutions.
Den fraværende utstillingshistorie
Authors: Larsen Ane Hejlskov , Maure Marc 
Published: August 2018

Dette nummer fortsætter med at have fokus på udstillingsmediets virkemidler og dets samspil med publikum. Der har været stor interesse for temaet, og de optagne artikler kommer ind på mange forskellige aspekter og rummer spændende og provokende synspunkter. Men temaet er dermed langt fra udtømt, og vi håber – som også Marc Maure, inviteret medredaktør og ophavsmanden til temaet, skriver i nedenstående forord – at Nordisk Museologi hermed har skabt grobund for mere systematisk forskning i de nordiske landes brug af udstillingsmediet, historisk og på tværs af landegrænser og fag. “Jag har många starka utställningsminne” skriver Eva Persson. ”Ibland önskar jag att jag kunde få dem historiskt belysta, insatta i svenskt och internationellt sammanhang. Men den boken över Sveriges utställningshistoria finns intet. Om man anstänger sig kan man få ett hum om utställningsutvecklingen i Sverige i enskilda museers jubileumsskrifter och årsböcker.” Hva med de andre nordiske land? Har de skrevet sin egen utstillingshistorie? Jeg vil tro at Sverige tross alt har gjort mest med hensyn til publikasjoner om utstillingsspørsmål. Allerede i 1970-årene utmerket landet seg internasjonalt med et aktivt utstillingsmiljø og mange interessante utgivelser, blant annet med Riksutstâllningar som drivkraft.
Kunstkammeret og Albert Eckhouts malerier
Authors: Gundestrup Bente 
Published: August 2018

The Eckhout-paintings and the Royal Danish Cabinet of Curiosities In the year 1654 the Dutch prince, John Maurice of Nassau-Siegen (1604–79), presented a gift consisting of 26 paintings to the Danish king, Frederik III (born 1609, reigned 1648–70). John Maurice of Nassau-Siegen had been governor of the then Dutch colony of Brazil from 1636–44. The Dutch artist Albert Eckhout (o.1610–1666), one of the many artists and scholars in John Maurice’s entourage, painted the canvases in Brazil in the 1640s.The paintings were probably placed in the Danish Royal Kunstkammer, which was founded by the King around 1650, in 1656. The Kunstkammer was initially established in the old Castle of Copenhagen. In one of the nine rooms, walls and ceiling were decorated with the Brazilian paintings. Eight large and three smaller paintings depicting different types of people from Brazil and Africa and twelve smaller ones of exotic fruits and plants were hung on the walls. A large painting of dancing Indians hung from the ceiling. Later a special building for the royal collections was erected next to the King’s residence. The Eckhout paintings with the rest of the kunstkammer collection were transferred to the new premises and were exhibited in The Indian Chamber and in The Gallery. Two of the paintings were lost before 1794.The Royal Kunstkammer existed officially until 1825, when the bulk of the objects were dispersed to newly established specialist museums. The surviving paintings were also dispersed, the greater part first exhibited in the Portrait Gallery at Frederiksborg Castle, were transferred in 1848 to the Royal Ethnographical Museum, now the National Museum of Denmark. Three of the paintings went to the Royal Picture Gallery, now the Museum of Fine Arts.
Sources of the National Museum of Lithuania
Authors: Bucys Zygintas 
Published: August 2018

”Not all yet understand the true meaning of the Museum, thinking that it is something like Valhala, where morality and genius must be exalted. Not all yet understand that Archæology, trying to avoid empty inducements, today’s passions, is not obliged to flatter a nation’s pride. By collecting monuments of all that was alive and interesting in the past, history is given the right to evaluate, praise or condemn. In the faces of ancestors it is not looking for beauty, but likeness”. The first museum in Lithuania – the Vilnius Museum of Antiquities – was established almost a hundred and fifty years ago (1855) according to this statement of belief by of one of the most famous researchers of Lithuanian culture in mid-19th century, Adam Kirkor.
Sverre Fehns museumsteori
Authors: Egede-Nissen Hans 
Published: August 2018

Sverre Fehn and his theory of exhibitions In the 17th century a large barn was erected on the ruins of a medieval bishop's residence at Hamar in Norway. Today it has been transformed into a historical museum, Storhamarlåven. The exhibition of historical objects has been designed by the famous architect Sverre Fehn. In this paper, which is a chapter in a more extensive study of Fehn, the author analyses the exhibition against the background of Fehn's own writings and statements made in press interviews. The author finds that Fehn in his adherence to modernism, is akin to Elias Cannetti who has characterized 'history' as an old vampire sucking the blood out of young people's brains and who argues that people who do not make their way out of history are irretrievably lost. How can Fehn combine the modernistic rejection of everything with a taste for history and nationalism with the museological responsibility to further identity and factual historical information? Both aims to be achieved through the medium of material objects.
"Det er helt vildt!" - Om læsestrategier og reception af en udstilling
Authors: Ingemann Bruno 
Published: August 2018

Close to individual reading strategies and reception of an exhibition If you want to know how the museum visitor experiences the exhibition there is a long tradition of using registration of the visitors' moves in the exhibition to find out where the hot-spots are; or using questionnaires to collect information. That can easily be quantified; or using qualitative interviews of the visitor after the museum experience.The problem with these methods is that the visitor needs to formulate a meaning for his or her experience and in this reconstruction of the visit often adds elements that were not present in the experience itself.
Museet – en backspegel mot gryningen
Authors: Ågren Per-Uno 
Published: August 2018

Den engelske museifilosofen Kenneth Hudson avled den 28 december 1999, 83 ar gammal. Åtskilligt har redan skrivits om hans europeiska och internationella betydelse både som kultur- och industrihistoriker och - under de senaste decennierna - som oförtröttlig, kritisk och uppmuntrande granskare av museernas verksamhet. Han hade en orubblig tro på deras samhälleliga betydelse som kulturhistorisk glädjekälla och kunskapsresurs, men släppte dock aldrig deras publika tillkortakommanden ur sikte. Hans kriterier var handfasta och hans misstänksamhet mot teoretiserande aldrig långt borta. Kenneth Hudson gjorde flera minnesvärda framtradanden i de nordiska länderna.
Lene Floris och Annette Vasström: På museum - mellem oplevelse og oplysning
Authors: Palmqvist Lennart 
Published: August 2018

På museum av Lene Floris och Annette Vasström är ett mycket välkommet rillskott till de ännu ganska fåtaliga bidragen till den museologiskt inriktade litteraturen i Norden. Boken ingår i en serie undersökningar om historieförmedling som bedrivs av universitetet i Roskilde.
1. Museologisk bibliografi; 2. Museerne ved årtusindskiftet; 3. Samtid och museer
Authors: Ågren Per-Uno 
Published: August 2018

1. Odd Heide Hald: Museologisk bibliografi. 2. Michael Lauenborg & Peter Pentz (red.): Museerne ved årtusindskiftet. 3. Samtid och museer. Kvartalstidskrift som utges av SAMDOK
Utstillingen"Med egin hand" – "folkekunst" sett med nye øyne og i nytt lys
Authors: Christie Inger Lise 
Published: August 2018

The exhibition «With my own hand» - «Folk Art» in a renewed view and new lightingThe comprehensive collections of folk art in Norsk Folkemuseum (Norwegian Folk Museum) in Oslo were presented in a new «basic» exhibition in 1993. The concept of «folk art» in Norway is mostly understood as «rural hand craft» or «rural art», produced in the country districts for the rural milieu, mostly for the more well-to-do social classes, before industrialism started around 1850.
Lenin is dead, his museum is Finnish – The Lenin Museum in Tampere
Authors: Minkkinen Aimo 
Published: August 2018

In 1995 there was a disastrous earthquake in Sahalin which destroyed the town of Neftekamsk totally. Only Lenin's statue was saved and it now stands on even ground. Symbolic? When Finland became independent in December 1917, its civil war was won by the Whites aided by German troops. Lenin's Finnish connections were no longer officially remembered. The situation changed completely after the Second World War: The Lenin Museum in Tampere was founded on January 20th, 1946 by the Friendship Society of Finland and the Soviet Union (now called The Finland-Russia Society).
Ronald Rainger, An Agenda for Antiquity: Henry Fairfield Osborn & Vertebrate Paleontology at the American Museum of Natural History 1890-1935
Authors: Hedqvist Eric 
Published: August 2018

Ar 1915 påböjades arbetet på The Hall of the Age of Man i American Museum of Natural History i New York. Det leddes av museets inflytelserike direktör Henry Fairfield Osborn. Utställningen fylldes av arcefakter och fossil från forhistoriska människor.
Museologiens plass i vitenskapenes system
Authors: Waidacher Friedrich 
Published: August 2018

«Hvis noen for tretti, ja bare tjue ar siden hadde snakket eller skrevet om 'museologi' som en egen vitenskap, ville han av mange bli møtt av en medlidende eller nedsettende latter. Nå er det ganske visst annerledes.» Slik skrev direktøren for Grüne Gewölbe i Dresden, Johann Georg Theodor Græsse, i 1883 - altså for 112 år siden - i 'Zeitschrift für Museologie und Antiquitätenkunde sowie verwandte Wissenschaften: som han grunnla i 1877.
An increase in the number of visitors to Swedish museums and historical sites
Authors: Nylöf Göran 
Published: August 2018

A new report, Kulturbarometern i detalj: Tema Konst, museer och utstallningar ('The Barometer of Culture in Detail: Theme Art, Museums and Exhibitions') has recently (Spring 1995) been published by the National Council for Cultural Affairs. Its introductory part presents the Swedish population as visitors to museums, historic and prehistoric sites. Its second part describes the general interest among the population for arts and crafts and the ways in which they are expressed. It is based on interviews conducted in 1993 by the Audience and Program Research Department (now closed) at the Swedish Broadcasting Corporation. The results represent attitudes in all Swedish-speaking people in Sweden between 15 and 79 years of age.
Man and idea. A short history of the Baron Emil Cedercreutz' Museum
Authors: Kava Ritva 
Published: August 2018

The museum of Emil Cedercreutz in Harjavalta, Satakunta, represents the life's work of Baron Emil Cedercreutz (1879-1949). Emil Cedercreutz was a sculptor by profession, but he is also known as a silhouette artist, antiquarian, and writer. Cedercreutz 's reputation as an antiquarian in his own time is based on the museum called the Temple of the Rural Spirit, which he founded. It forms one part of the present Emil Cedercreutz Museum, which also comprises Cedercreutz 's home, Harjula, and an art museum.
Boknotiser
Authors: Næss Jenny-Rita , Strandgaard Ole , Hedqvist Eric , Gjestrum John Aage , Nordbladh Jarl , Meldgaard Inge , Olsen Bjørnar 
Published: August 2018

Feministisk museumskritikk. Nytt om kvinneforskning fra Norges forskningsråd Sekretariat for kvinneforskning Eva Persson: Utställningsform Eileen Hooper-Greenhill, Museums and their visitorsGeir Vestheim: Museum i eit tidsskifte Camera archaeologica. Rapport fra et feltarbeid Tonte Hegard: Hans Aall - mannen, visjonen og verketMichael Ames: Cannibal tours and glass boxes Inga Lundstrom & Jenny-Rita Næss: Bevarandearkeologi. Ett ämnes syn pa sitt kallmaterial.
Creating prehistory: Archeology museums and the discource of modernism
Authors: Olsen Bjørnar , Svestad Asgeir 
Published: August 2018

In the 19th century a number of new scientific disciplines made their appearance in Europe. Among these was archaeology, a discipline concerned with mans very distant past. Archaeology unfolded in a space created by the collapse of the pre-modern, biblical conception of history. This breakdown had left a void which archaeology, along with several other evolutionary disciplines, were able successfully to fill. By the end of the 19th century a vast number of archaeological collections, exhibitions and museums had grown up throughout Europe and stood as material signifiers of the newly established time-depth of man.
Reviewing the museum or: The complexity of things
Authors: Grasskamp Walter 
Published: August 2018

The young historian, Anthony Maloney, Assistant Professor at the McGill University, Montreal is a specialist on the Victorian era. He spends a few days in California, where, in his motel room on the last weekend before his flight home, he has a dream. Outside his window, on a huge car-park, a complete exhibition on Victorian culture has appeared overnight. The exhibition is a hybrid of world exhibition, museum and annual fair, in which are combined every Victorian object Maloney has ever seen in a museum, with those he has only read about or seen illustrated. Others are virtually unknown to him, but their existence would indeed have been possible.
Antiquarian attitudes. Changing responses to the past in the museum environment
Authors: MacGregor Arthur 
Published: August 2018

Of the many attributes that may deem an object worthy of inclusion in a museum, that of antiquity is one of the most potent - in a sense the most powerful of all, for other considerations such as beauty of form, originality of design, quality of workmanship or historical association may all be glossed over in the presence of extreme age. While antiquities have formed common components of museums throughout the history of collecting, striking changes have taken place in the significance attributed to them, not merely in the light of better understanding but more fundamentally in the way in which perceptions of antiquity itself have been repeatedly revised and reinterpreted within the museum context. These twin considerations of expanding understanding and changing perceptions of the past within the museum programme will form the basis of my paper.
Hjalmar Stolpe – en folkbildares utställningssyn
Authors: Hallgren Claes 
Published: August 2018

Hjalmar Stolpe (1841-1905) ethnographer and curator The paper portrays Hjalmar Stolpe (1841-1905), a Swedish archeologist and ethnographer, best known for his excavations of Birka, the famous Viking Age site west of Stockholm. He is less known as an ethnographer although his research on the development of ornamentation has gained some international recognition. His ambition to popularize ethnography in exhibitions is the focus of the paper.
Kulturpolitik och värdekultur
Authors: Råberg Per 
Published: August 2018

Cultural Policy and a Value-oriented CultureThe author comments upon the UN report Our Creative Diversity initiated by the World Committee on Culture and Development (1995) and the study In from the Margins published by the European Council of Culture in 1997. An attempt is made to analyse the various concepts of culture used and to disentangle the seemingly contradictory applications offered as instruments for global development.
C. R. Ehrström och Brahestad – ett stycke finsk museihistoria
Authors: Vilkuna Janne 
Published: August 2018

Finlands generalguvernör Peter Brahe (1602-1680) främjade Finland på många sätt. Han grundade Åbo Akademi 1640, ett eget postverk och nio nya städer. En av städerna var hamnstaden Salo i Österbotten 6 mil sydväst om Uleåborg (grundad 1610) som grundades 1649. Staden fick sedan namn Brahestad (Fi. Raahe).
Hvorfor drar unge katolikker til World Youth Day?
Authors: Skjoldli Jane 
Published: August 2018

Denne artikkelen utforsker bredden av motivasjonsfaktorer hos et utvalg respondenter som deltok i World Youth Day (WYD) i Kraków, Polen. Tidligere forskning har etablert opplevelsen av religiøst fellesskap som det aspektet ved WYD-opplevelsen som gjør sterkest inntrykk for unge katolikker, men det har fått mindre oppmerksomhet som en potensiell motivasjonsfaktor. Denne artikkelen nyanserer bildet ved å fokusere på selvrapporterte motivasjoner for deltakelse, og hvordan fellesskapsaspektet konstrueres i intervjuer. Blant motivasjonsfaktorene finner vi transnasjonale møter, reisefellesskap, paver, helgener, hellige steder, en opplevelse av WYD-deltakelse som Guds vilje, men også arbeidsoppgaver og uvilje mot å delta. Artikkelen relaterer fellesskapsopplevelser til selvfortrylling og selvspiritualitet – konsepter som oftere appliseres i studiet av nyreligiøsitet.Nøkkelord: World Youth Day, WYD, pave Frans, pave Johannes Paul II, helgener, hellige steder, pilegrimsferd, pilegrimsreise, religiøse fellesskap, religiøs motivasjon, religiøs deltakelse, stevne, festival, ungdom, ungdomskultur, katolisisme, Den katolske kirke, selvspiritualitet, selvfortrylling, selvrapportering, intervjuer, feltarbeid. This article explores a breadth of motivations among a sample of respondents participating in World Youth Day (WYD) 2016 in Kraków, Poland. Previous research has established the experience of religious community as the most impactful aspect of WYD experiences among young Catholics, but it has received less attention as a potential motivational factor. This article adds nuance to this picture by paying attention to self-reported motivations for participating, and how the communal aspect is constructed during interviews. Among these factors, we find transnational encounters, the community among travelers, popes, saints, sacred sites, and a perception of God’s will for the individual to participate, but also work and initial unwillingness to participate. The article relates the experience of community to self-enchantment and self-spirituality – concepts that are more often applied in the study of new religious movements.Keywords: World Youth Day, WYD, Pope Francis, Pope John Paul II, saints, sacred sites, pilgrimage, religious community, religious motivation, religious participation, festival, youth, youth culture, Catholicism, the Catholic Church, self-spirituality, self-enchantment, self-reports, interviews, fieldwork.