bluuebunny/crossref_metadata_2025_split huggingface dataset:
Nyanyian Raego Dalam Pernikahan Adat Golongan Maradika Kulawi Di Sulawesi Tengah
Authors: Stanzah Reza 
Published: August 2019

Raego is traditional song in Kulawi etnis, Central Sulawesi. Reago song is used at traditional wedding maradika people. This study using kualitatif method with ethnomusicologists approach. Raego song at wedding's maradika people have distinct function, there are primer and secundary. All of those functions address to support society and society which have its culture. Raego song have their own way to show. Start from the way they perfom their song which dont have direct connection with the song and how they perform it. Keyword : music, function, raego song.
Belentung Sebagai Identitas Musik Pada Komunitas Konser Kampung Desa Jatitujuh Majalengka Jawa-Barat
Authors: Ananias Shintia 
Published: August 2019

Belentung is a string instrument made by bamboo inspired by soundscape which is the voice of big toads and also children toys made by a can and thread of mattress. Belentung can be played individually or ansemble. The words “belentung” also refers to the ansemble or music that produced from belentung itself. Belentung ansamble music have four kinds of instrument based on their size and function, such as belentung panggede, panungtun, panembal and pangrecok. Belentung made by Komunitas Konser Kampung located in the Jatitujuh village, Majalengka, West Java. Komunitas Konser Kampung has been established since June 26th, 1987 and have many art activities, such as in music activities, literature and fine arts. Members of this community are artists, humanists and youth generation of Jatitujuh. This community have so many art activities in Jatitujuh village itself and also in the level of region, Majalengka until out of region. The interaction of Komunitas Konser Kampung with other communities and also with the people made this community realized the importance of group identit, especially music identity. Belentung created as a music identity of Komunitas Konser Kampung because of the uniqness of the organology and the characteristic of their musical. The qualitative method used to get data in the field, for example observation participate, interview with the local people, documentation and literature study. Ethnomusicology and anthropology approach has been done to analyze and made conclucion.
Musik Dewa-Dewa Dalam Upacara Erau Pelas Benua di Guntung Kota Bontang Kalimantan Timur
Authors: Rizky Yusuf 
Published: August 2019

Erau Pelas Benua Guntung is the ritual ceremony that held by Kutai Guntung society Bontang, East Borneo. Erau will be held for seven days. In this ceremony, the erau ritual can’t be held if they are not doing the Pelas Benua. Pelas Benua is a ritual that sorrounds the four direction of the wind in Guntung as the form to clean up from the negative things. This ritual using Dewa-Dewa music as accompanist, the belian communicate to Dewa Semega, He is The God who control the universe. This research using qualitative method with ethnomusicology perspective. Music Dewa-Dewa is ritual music which is specially used in Pelas Benua procession. Music Dewa-Dewa is an ansamble which consist Klentangan, Gong, Gendang and Gimar instrument. There are three function of Dewa-Dewa music in this ceremony, as communication, ritual function, and physical response. The form of presentation music Dewa-Dewa always can not be separated with form the context of Pelas Benua ceremony and presenting as the ansamble.
Besoyong Dalam Pesta Adat Belian Paser Nondoi di Kabupaten Penajam Paser Utara Kalimantan Timur
Authors: Kristanti Retno 
Published: August 2019

Besoyong is derived from the word soyong which means the spell or prayers, then besoyong means speaking or singing the spell. Besoyong is usually used by Paser tribe as the media to speak to the ancients spirits and Sangiyang through their daily lives. Besoyong has started to be sung in Traditional Festival of Belian Paser Nondoi once a year at Penajam Paser Utara regency, East Kalimantan. This research explains about presentations form of besoyong continue with internal and external incentive factors of besoyong presence in Traditional Festival of Belian Paser Nondoi. This research uses the theory of Alvin Boskoff about internal and external’s factors of social change applied as internal and external incentive factors of besoyong presence in Traditional Festival Belian Paser Nondoi. Besoyong can be presented individually and also with ensemble. Internal incentive factors of besoyong presence are to elude from evil ghosts, as the mean to invoke clear weather for the festival, as the mean of healing and ast the mean of asking blessing. External incentive factors of besoyong presence are to elevate the district economics & tourism, and to be functioned as the identity of this region.
PENCIPTAAN TOKOH JERRY PADA NASKAH DRAMA THE ZOO STORY KARYA EDWARD ALBEE
Authors: Patra I gusti 
Published: August 2019

Lakon ini berbicara tentang dampak modernisasi sebuah masyarakat yang membuat orang-orang menderita keterasingan pada kehidupan yang mereka miliki. Selain itu lakon ini juga berbicara menyerang landasan optimisme Amerika1. Selain itu, dalam lakon ini beberapa paham filsafat juga bisa ditemukan dalam naskah ini. Seperti misalnya filsafat eksistensialisme berarti adanya, dan dibedakan dari esensi yang berarti hakikat2. Meskipun The Zoo Story kurang laku di Amerika, sehingga pementasan pertama dilakukan di Berlin Jerman pada tahun 1958, akhirnya The Zoo Story pun dipentaskan di Broadway pada tanggal 14 januari 1960. Kata kunci : Modernisasi, Optimisme Amerika
PEMERANAN TOKOH HELEN KELLER DALAM NASKAH HELEN KELLER KARYA WILLIAM GIBSON TERJEMAHAN MEYDA BESTARI
Authors: Oryza Nianda 
Published: August 2019

Actor is the first device in theatre. On the stage, actors will createthe performance that corespon with structure and texture. While on the stage, actor not be her/him self but she have to be character that she has been choosen. Actor have to has high intelligence and appeal to play Helen Keller in order to the people understand about the information.The system acting theory from Stanislavski is actorchoice to act asHelen Keller. Script Helen Keller by William Gibson can gave challange for actors, not only blind, deaf, and mute, but also actor have to be child 7 years old. So many challenge act that should to through for reach this character. Script of Helen Keller has a moral value about the way to behave difable human. Keyword: actor, act, character, script, Helen Keller, Stanislavski, the system
IDENTITAS GENDER DAN SENSUALITAS TUBUH TANDHAK DALAM PANGGUNG PERTUNJUKAN LUDRUK LEROK ANYAR
Authors: Naima Insroatun 
Published: August 2019

Penelitian yang berjudul “Identitas Gender Dan Sensualitas Tubuh Tandhak Dalam Panggung Pertunjukan Ludruk Lerok Anyar“ ini menganalisis tentang tubuh para tandhak ludruk pada kelompok Ludruk Lerok Anyar Kabupaten Malang. Permasalahan yang dikemukakan yaitu: (1) bagaimana tubuh digunakan menjadi alat untuk menunjukkan identitas gender; dan (2) bagaimana tubuh digunakan menjadi alat untuk merepresentasikan nilai sensualitas.Identitas gender dan sensualitas tubuh tandhak ludruk dalam pertunjukkan kelompok Ludruk Lerok Anyar dianalisis menggunakan teori identitas gender dan sensualitas yang dikemukakan oleh Judith Butler dalam buku Gender Trouble. Penelitian ini menggunakan metode kualitatif, dengan teknik pengumpulan data melalui studi pustaka, wawancara, observasi dan pengamatan video rekaman pertunjukan.Hasil penelitian menunjukkan bahwa panggung ludruk mampu memberikan ruang bagi para transgender sebagai tandhak ludruk untuk dapat menunjukkan identitas keperempuanan atau femininnya tanpa harus ditutup-tutupi. Tubuh digunakan menjadi alat untuk menunjukkan nilai sensualitas. Tubuh para tandhak dikonstruksi melalui serangkaian gerak, gesture, make up dan kostum untuk menunjukkan kesan sensual dan mampu membuat penonton laki-laki terpenuhi hasrat sensualnya. Tubuh para tandhak merupakan representasi kesempurnaan tubuh perempuan yang hanya ada dalam ruang-ruang imajinasi.Kata Kunci: tandhak ludruk, identitas gender, sensualitas tubuh, kelompok Ludruk Lerok Anyar.
Hubungan Wayang dan Gending dalam Pakeliran Wayang Kulit Purwa Gaya Surakarta
Authors: Junaidi Junaidi , Sugiarto Asal 
Published: August 2019

Dalang when displaying the puppet characters are always supported by the musical, so the concept of relationship must be known in order to avoid incorrect installation. During this time, only disclosed the names, shapes, make signs, playing with, notations balungan, and functions, but the underlying reasons association has not been described in detail, resulting in the replacement of the pair resulting in the incongruity and crisis gending pakeliran knowledge and techniques . The goal is to know about the underlying reason for the installation of a puppet with the musical in every scene. The method used is descriptive identification, based on the literature data and field observations, while the discussion used the theory of functions gending in pakeliran, namely as an illustration, framed, and unifying. The result is the installation of a puppet with the musical based on the shape and character. Dalang ketika menampilkan tokoh wayang selalu didukung oleh gending, sehingga konsep hubungannya harus diketahui agar tidak terjadi salah pemasangan. Selama ini, hanya diungkapkan tentang nama-nama, bentuk, tanda isyarat, garap, notasi balungan, dan fungsinya, tetapi alasan yang mendasari keterkaitannya belum dijelaskan secara detail, sehingga terjadi penggantian pasangan yang berakibat pada ketidaksesuaian dan krisis pengetahuan serta teknik gending pakeliran. Tujuan tulisan ini adalah ingin mengetahui tentang alasan yang mendasari pemasangan wayang dengan gending dalam setiap adegan. Metode yang digunakan adalah penelitian deskriptif identifikasi, berdasarkan data pustaka dan pengamatan lapangan, sedangkan pembahasannya digunakan teori fungsi gending dalam pakeliran, yaitu sebagai ilustrasi, pembingkai, dan penyatu. Hasilnya berupa pemasangan wayang dengan gending berdasarkan bentuk dan karakter.
Wayang Klithik Robot
Authors: Setiawan1 Gandar 
Published: August 2019

Wayang is a autentic culture from Indonesia. Wayang has many figure and character. It is main idea of this make the artwork. Inspiration of the artwork also from observation robot forms. Robot has the furious and futuristic form. Like the progression of technologi, form of robot also more experiencing form progression. Until now, form of robot still identic and can not losed from imajinative forms. This prossesing to make the artwork use created methode from Gustami, it is a three stages six steps creating craft artwork. First stage is eksploration consist of observation and finding refference steps. Second stage is desaigning consist of making the sketch and making the gambar teknik or modeling steps. Third stage is forming consist of create artwork and finished with value and evaluation steps. Result of visual form is a three dimension artwork with futuristic robot form. Visual form the artwork is a transformastion of futuristic wayang klithik with robot form. The puppet figures are Wrekudara and Gatotkaca Combination form is a method for impression and aesthete value of the artwork. Wayang merupakan budaya asli dari Indonesia. Wayang memiliki berbagai macam tokoh dan karakter. Wayang menjadi ide utama dalam penciptaan karya ini. Inspirasi karya juga muncul dari pengamatan bentuk-bentuk robot. Robot memiliki bentuk yang variatif dan futuristik. Sesuai dengan perkembangan teknologi, bentuk robot juga mengalami perkembangan yang lebih bermacam-macam. Sampai saat ini, bentuk robot masih identik dan tidak bisa lepas dari bentuk-bentuk imajinatif. Proses pembuatan karya seni ini menggunakan metode penciptaan dari Gustami, yaitu metode tiga tahap enam langkah dalam menciptakan karya seni kriya. Tahap pertama yaitu eksplorasi yang meliputi langkah pengamatan dan pencarian sumber pustaka. Tahap kedua merupakan tahap perancangan yang terdiri dari langkah pembuatan beberapa sketsa dan pembuatan gambar teknik ataupun model. Tahap yang ketiga yaitu tahap perwujudan yang terdiri langkah pengerjaan karya, dan diakhiri dengan penilaian juga evaluasi karya yang telah jadi. Bentuk visual yang dihasilkan yaitu karya seni tiga dimensi dengan bentuk futuristik menyerupai robot. Bentuk visual karya merupakan penggabungan antara bentuk wayang klithik dengan bentuk robot. Tokoh wayang yang dibuat yaitu Wrekudara dan Gatotkaca. Perpaduan bentuk dilakukan sebagai cara untuk memberikan kesan dan nilai estetik pada karya.
Wrémada: Sebuah Transformasi Tantri dalam Pertunjukan Wayang Bali
Authors: Dwitiya I Kadek Bhaswara 
Published: August 2019

“Wrémada” is reinterpretations of once episode of Tantri stories, it’s to respond of social-culture phenomena in Indonesia. As we know, the television programs expose coruption in some departmens and institutions. In the other side, the majority of Indonesia society wereunderestimating of traditional arts. Based on this phenomena,title of this art work was used “Wrémada”, it’s mean is “the monkey was stunned by position and authorities. This art work to fuse three genre, there are wayang golek, wayang peteng, dan wayang lemah, in which each of those had different of playing technical and space. But they were colaborated to be one unity art work, and so, this art work can be accepted of Baliness society. And it explained once widya component of Tantri’s story, so it be rebornd and reflected by Indonesia society, and so to build a nations character based on local norm and convention. My expectations of tenants, it can be wise and be guided by the chess pariksa or called by the name of chess nayasandhi is the same, different, funds, and danda. “Wrémada” merupakan reinterpretasi dari salah satu cerita dalam Tantri, untuk merespon kondisi sosial budaya bangsa Indonesia dewasa ini. Sebagaimana banyak diberitakan di televisi tentang pejabat tinggi negara yang terjerat kasus korupsi. Fakta demikian ditunjang oleh kondisi budaya bangsa khususnya kesenian tradisional yang menunjukkan adanya gejala mulai terpinggirkan. Atas dasar hal tersebut maka karya ini diberi judul “Wremada”, yang artinya kera yang mabuk jabatan dan kekuasaan.Karya ini merupakan gabungan tiga jenis wayang, yaitu wayang golek, wayang peteng, dan wayang lemah. Ketiganya memiliki teknik bermain dan ruang gerak yang berbeda, kemudian dikolaborasikan menjadi satu kesatuan karya yang utuh. Karya ini dimaksudkan untuk menjabarkan salah satu komponen widya dalam cerita Tantri agar dikenali kembali oleh masyarakat. Karya ini juga diharapkan dapat bermanfaat dalam pembangunan karakter bangsa, khususnya pola perilaku yang sesuai dengan nilai-nilai bangsa sesuai dengan kapasitas masing-masing. Harapan penggarap, karya ini dapat dijadikan cermin bagi masyarakat agar bersikap bijaksana dengan berpedoman pada catur pariksa atau catur nayasandhi,yang meliputi sama, beda, dana, dan danda.
Aktualisasi Diri Ki Seno Nugroho: Tinjauan Pemenuhan Kebutuhan dalam Teori Motivasi Abraham H. Maslow
Authors: Allasso Elisha Orcarus 
Published: August 2019

The purpose of this research is to reveal self-actualization Ki Seno Nugroho as a dalang by way of examining his motivation in meeting the level of needs. Maslow’s motivational theory, especially regarding the fulfillment of needs used to analyze self-actualization Ki Seno Nugroho. This research uses ethnographic method in describing field observation and interview result. From the analysis results obtained conclusion self-actualization KiSeno Nugroho is the peak of the process of fulfillment of the needs level. Achievement of self actualization needs begins with knowing the talent and potential. Awareness of the talent possessed dreams as the highest needs and to achieve them must go through a long process. Ki Seno Nugroho has succeeded in actualizing himself and fulfilling his dream through his talent. After he succeeded in realizing his dreams in his youth to become a puppeteer favored by the public, his next dream is to keep fans and prepare the next generation in order to preserve the Javanese culture especially the puppet show. The attainment of self-actualization through the level of fulfillment of needs will continue and develop as long as it lives.Tujuan dari penelitian ini adalah untuk mengungkap aktualisasi diri Ki Seno Nugroho sebagai seorang dalang dengan cara menelisik motivasinya dalam memenuhi tingkat kebutuhan. Teori motivasi Maslow khususnya mengenai pemenuhan kebutuhan digunakan untuk menganalisis aktualisasi diri Ki Seno Nugroho. Penelitian ini menggunakan metode etnografi dalam mendiskripsikan pengamatan lapangan dan hasil wawancara. Dari hasil analisis didapat kesimpulan aktualisasi diri Ki SenoNugroho adalah puncak dari proses pemenuhan tingkat kebutuhan. Pencapaian kebutuhan aktualisasi diri diawali dengan mengetahui bakat dan potensi yang dimiliki. Kesadaran mengenai bakat yang dimiliki melahirkan impian sebagai kebutuhan tertinggi dan untuk mencapainya harus melalui proses panjang. Ki Seno Nugroho telah berhasil mengaktualisasikan diri dan mewujudkan impiannya melalui bakat yang dimilikinya. Setelah ia berhasil mewujudkan impiannya di masa muda yaitu menjadi dalang yang digemari oleh masyarakat, impian selanjutnya adalah mempertahankan penggemar dan mempersiapkan generasi berikutnya agar dapat melestarikan budaya Jawa terutama pertunjukan wayang. Pencapaian aktualisasi diri melalui tingkat pemenuhan kebutuhan akan terus berlangsung dan berkembang selama ia hidup.
Arte doméstica e imagem da nação: um olhar sobre os museus-casa de Rui Barbosa e de Benjamin Constant
Authors: Malta Marize 
Published: August 2019

Muitos objetos cotidianos e domésticos que pertenceram a indivíduos do passado, ao serem musealizados, desenvolveram uma simbologia visual para futuros cidadãos brasileiros. A casa com sua decoração de interior, móveis, objetos, ou seja, com toda a sua arte doméstica, predispunha-se a ter papel significativo no projeto nacional de ordem e progresso, cumprindo um papel primordial de representante da pátria que, na sua forma institucionalizada e preservada se transformaria em museu-casa. A partir da análise das configurações dos museus-casa de Rui Barbosa e de Benjamin Constant, pretende-se lançar luz elucidar acerca da tipologia museu-casa e refletir sobre quest ões como categorias artísticas, reconstituições de ambientes, domesticidade e publicidade, relação de objetos e pessoas, imagens da nação.
El museo de los visitantes
Authors: Alderoqui Silvia 
Published: August 2019

Hoy es imprescindible pensar nuevos modos para integrar a las colecciones y exposiciones con los públicos. Hay que pasar el tema de los visitantes de los bordes y márgenes al centro. Los museos no deben renunciar a su responsabilidad como instituciones culturales pero es necesario que coexistan diversidades de voces, ya que cuando esto sucede en el marco de una exposición se produce el enriquecimiento de ambos, museos y públicos.
Teses de Artistas
Authors: Sehn Magali Melleu 
Published: August 2019

Compreender aspectos conceituais e materiais sobre as obras de arte são condições para preservação de qualquer bem patrimonial. No caso de obras contemporâneas, todas as fontes primárias e secundárias sobre o artista são fontes de documentação importantes para a sua preservação. Este artigo tem como objetivo destacar a importância das informações contidas nas dissertações, teses, memoriais realizadas por artistas que nem sempre são instrumentos de pesquisa dos profissionais que possuem a missão de conservar a arte contemporânea.
Cultura: dentro y fuera del museo (1971) de Lea Lublin
Authors: Plante Isabel 
Published: August 2019

Durante los años sesenta y setenta, se multiplicaron las propuestas artísticas que señalaban a los museos como administradores de representaciones sociales conservadoras. La historia del arte anglosajona viene estudiando estas prácticas en tanto crítica institucional, una noción acuñada en 1975 en relación con las instituciones artísticas neoyorkinas que parece haber adquirido carácter universal. A partir del análisis del proyecto Cultura: dentro y fuera del museo (1971), que Lea Lublin llevó adelante en el Museo Nacional de Bellas Artes de Santiago de Chile, este artículo propone una reflexión situada sobre la noción de crítica institucional en base al análisis del trabajo de esta artista migrante.
UN Botín de alfabetos y catástrofes
Authors: Podgorny Irina 
Published: August 2019

A propósito de los libros de Claudine Cohen, La Méthode de Zadig. La Trace, le fossile, la preuve (Paris, Seuil, 2011) y Science, libertinage et clandestinité à l'aube des Lumières. Le transformisme de Telliamed (Paris, PUF, 2011).
Food Imports in India: Prospects, Issues and Way Forward
Authors: Mukherjee Arpita , Satija Divya , Sinha Soham , Sarma Angana Parashar 
Published: August 2019

India is one of the fastest growing markets in the world. Among the various sectors contributing to the growth of the economy, food is one of the fastest growing sectors owing to factors such as a large population base, rising middle-class, increase in per-capita income, and greater consumer awareness. Demand for imported food products is increasing due to factors such as reduction in tariffs, changes in consumer preferences and growing adaptability to international cuisine. Several initiatives have been taken by the Indian government in recent years to improve the ease of doing business and reduce the compliance burden through use of technology. Despite these initiatives, India’s ranking compared to other countries in some selective indicators such as documentary and border compliance and logistics performance is quite low. To improve ease of doing business, reduce cost and time taken in importing food products, and improve India’s ranking in logistics performance indicators, there is an urgent need for backend process and information technology (IT) integration across the agencies involved in the import clearance process. Given this background, the objective of this paper is to (a) provide an overview of the food import clearance process in India, (b) identify issues in the import process and (c) make recommendations on how to streamline the process using technology and automation. The paper is based on a survey of key stakeholders engaged in the food import clearance process. Based on a primary survey of 150 stakeholders in the United Kingdom and India, this paper finds that while India is an attractive market for importing food; low penetration of technology in the food import clearance process, lack of inter-agency coordination, and lack of risk management systems impedes the ease of importing food products into India. This paper recommends that in order to enhance ease of doing business, especially for SMEs, there is need to reduce procedural barriers by implementing technology and automation-oriented solutions, and a robust risk management system. In addition, there is a need to conduct continuous regulatory impact analysis to assess the time and cost reduction in importing food into India.JEL classification: F10, F13, L66, O38