bluuebunny/crossref_metadata_2025_split huggingface dataset:
Peculiarities of the formation and subsequent removal of the circulating immune complexes from the bloodstream during the process of digestion
Authors: Landa Sergej B. , Korabliov Pavel V. , Semenova Elena V. , Filatov Michael V. 
Published: May 2018

Background: Large protein aggregates, known as circulating immune complexes (CICs), are formed in biological fluids as a result of the development of the body's immune response to various provoking factors. The kinetic characteristics of the formation and removal of immune complexes (ICs), their physical parameters, the isotypic composition of immunoglobulins (Igs) and the antigenic component of the CICs may reflect certain aspects of certain pathological and metabolic processes taking place in humans and animals. The aim of this study is to assess the kinetic characteristics of the formation and removal of the CICs that form in blood after eating. We also analyze the changes in the isotypic composition of Igs of ICs that accompany this biological process in rodents and humans. Methods: We identified the CICs, which differed in size and class of Igs, using dynamic light scattering. To remove ICs from the plasma, we used immune-affinity sedimentation. Monoclonal antibodies for the Igs of different isotypes were added to the plasma samples to determine the isotypic composition of the ICs. Results: A large number of ICs were formed in the blood of rats and humans after eating (food CICs). In rats, food ICs are almost immediately filtered in the liver, without circulating in the bloodstream through the body. In humans, the level of food ICs in the blood increases for 3.5 h after ingestion, then within 7–8 h their gradual removal takes place. It was found that in the process of digestion in humans, the isotypic composition of Igs in the CICs changes and becomes more diverse. Conclusions: The molecular–cellular mechanisms of the formation and utilization of food CICs in humans and rodents do not match completely.
Mulheres e filhos encarcerados: uma realidade institucional
Authors: Ferrari Ilka Franco , Fam Bárbara Morais 
Published: May 2018

Este artigo traz informações provenientes da primeira pesquisa realizada no "Centro de Referência à Gestante Privada de Liberdade", instituição prisional para mães e bebês, inaugurada em 2009, na cidade de Vespasiano, Minas Gerais. Trata-se de instituição criada com o propósito de humanizar a situação de grávidas e lactantes encarceradas com seus filhos, e é considerada modelo para a América Latina. Nesta pesquisa, realizada nos moldes de pesquisa participante, o Centro de Referência foi considerado o objeto a ser estudado, e aqui são apresentados dados da etapa de conversações realizadas com prisioneiras e funcionárias, tal como a psicanálise as propõe. Inicialmente são pontuadas algumas interfaces entre a psicanálise e o campo jurídico, e a partir disso delineia-se a construção do texto de regras da instituição pesquisada para, em seguida, trazer recortes das conversações. As falas evidenciam o texto de regras da unidade sendo desconstruído pelos sujeitos nela inseridos, e revelam um fato no mínimo curioso: a maioria das mulheres preferia estar em uma instituição prisional comum.
O paradigma indiciário e as ciências humanas: psicanálise e análise do discurso
Authors: Tfouni Leda Verdiani , Santos Katia Alexsandra dos , Bartijotto Juliana , Silva Juliana Cristina 
Published: May 2018

O objetivo deste artigo é propor uma abordagem teórico-metodológica em Psicologia que parte da articulação entre duas áreas do conhecimento: a Análise do Discurso pêcheutiana (AD) e a Psicanálise lacaniana. Em contraste com o paradigma galileano, essas áreas são tomadas com base no paradigma indiciário (Ginsburg,1986), pelo fato de partirem de pistas para chegar aos efeitos do discurso e do inconsciente. A análise se dá a partir da mobilização de um dispositivo teórico que se organiza em função do corpus e constitui o dispositivo analítico. São mobilizados conceitos da AD, e a Psicanálise comparece como parte do dispositivo teórico, considerando a dimensão inconsciente na análise. Para ilustrar, apresentamos um fragmento de análise que articula as duas áreas.
Stafne's bone cavity – unusual presentation in the anterior mandible
Authors: Davies Ioan , Boyes Holly , Wykes James , Smith Graham 
Published: May 2018

Abstract: Stafne's Bone Cavity (SBC) is a well described but uncommon asymptomatic pseudocyst of the mandible. Most commonly occurring in the posterior mandible, presentations anterior to the mental foramen are extremely rare and warrant thorough investigation. This case describes the presentation of a 55-year-old male with an anteriorly-positioned SBC that resembled asymptomatic dental pathology. Clinicians should be aware of SBCs as a differential diagnosis for radiolucent lesions of the mandible. CPD/Clinical Relevance: To raise awareness of radiolucent lesions to dental professionals in both general and specialist settings.
Multiple myeloma as a mandibular radiolucency – a difficult diagnostic challenge
Authors: Laraway David C , Williams Robert G M , Donnelly Anne P 
Published: May 2018

Abstract: Radiolucent lesions of the jaw are a relatively frequent occurrence. They have a wide differential diagnosis, and a rare case of a relatively common condition is presented here. CPD/Clinical Relevance: This article highlights the need for good history-taking and having a broad differential diagnosis to inform good treatment planning. In particular, it helps to improve awareness of multiple myeloma and how it can present to the dental practitioner.
A guide to the orthodontic extrusion of traumatized permanent incisors in the mixed dentition
Authors: Carty Orla , Hennessy Joe , Al-Awadhi Ebrahim A 
Published: May 2018

Abstract: Extrusion of intruded maxillary incisors present the clinician with a great challenge, particularly in the mixed dentition. Several methods have been suggested to treat an intruded maxillary incisor, but currently there is no definitive guideline on which method is most successful. The treatment mode selected should be based on the individual clinical situation and the best evidence available. The aim of this paper is to provide a guide for the orthodontic extrusion of maxillary incisors following intrusive luxation in the mixed dentition. Consideration will be given to the immediate and long term treatment options for these patients. Success rates and possible complications will also be outlined. CPD/Clinical Relevance: The purpose of this article is to provide general dental practitioners with information in relation to the management of intrusive luxations of permanent incisors.
Mandibular radiolucencies – how to refer and manage appropriately
Authors: Jagatiya Manish , Nasser Nasir 
Published: May 2018

Abstract: Radiolucencies occurring in the mandible are often incidental findings by general dental practitioners (GDPs), detected via routine radiological examination. For further investigation, most unknown radiolucencies will be referred to a secondary care oral surgery or oral and maxillofacial (OMFS) department. In this report, three patients who were referred to Whipps Cross Hospital for investigation of rare mandibular radiolucencies were examined. These cases are often looked at in dental school, but rarely encountered in practice. Radiographic as well as clinical examinations are discussed, leading to the appropriate management. CPD/Clinical Relevance: The aim of this report is to highlight to junior trainees, working in OMFS and Oral Surgery units, the correct and justified investigations and management techniques when faced with such rare cases. It is also hoped that these cases will help to educate referring practitioners in how to refer appropriately and how to ensure such radiolucencies are not overlooked.
Success with motivational interviewing techniques in the dental clinic: a case for the use of iMI-GPS
Authors: Asimakopoulou Koula , Newton Tim 
Published: May 2018

Abstract: In this paper the origins and philosophy of Motivational Interviewing are described. Also, what the method seeks to do and the basic processes involved in delivering a consultation based on Motivational Interviewing principles are explained. Then research that has reviewed the evidence for the efficacy of the technique in dentistry is outlined, followed by a discussion of how the dental team can apply some of the tools used in Motivational Interviewing to deliver a structured, goal-directed behaviour change programme inspired by Motivational Interviewing and grounded in the principles of goal-setting, planning and self-monitoring. CPD/Clinical Relevance: This paper discusses Motivational Interviewing techniques and how they might be adapted for the dental team.
Reflections on twelve years of breakages – lessons to be learnt
Authors: Smith Nicholas R 
Published: May 2018

Abstract: This paper describes the nature and extent of emergencies and breakages recorded in one clinician's orthodontic practice over a 12-year period. As this long-term audit progressed the author's bonding regimen changed to reduce an initially high failure rate and then to cope with even greater bond failure rates as self-ligating brackets and self-etch primer were introduced. Overall, the bracket failure rate was reduced 61% over the 12-year period and 73% from its peak value. This was achieved by rigorous cleaning of the enamel, higher quality etchant, uncontaminated dry air, compomer to protect brackets from occlusal forces, as well as the occasional use of a Nola dry system. CPD/Clinical Relevance: All orthodontic practices need to reduce emergency appointments and breakages at routine visits. This paper, by highlighting the use of a breakage book, gives the clinician a strategy to improve both.
From rural naïveté to urban discontent: Framing post-apartheid South African film identities
Authors: Jansen van Vuuren Anna-Marie , Verster Wanda 
Published: May 2018

Abstract
This article re-examines the dynamic space–place relationships (the urban–rural, insider–outsider, conflict–love plot) in post-apartheid South African cinema with a special emphasis on the representation of white Afrikaner identity. Theories related to this argument were first systematically devised by Keyan Tomaselli in his studies of Afrikaans-language films made between 1965 and 1980. Similarly, the authors analyse the ‘structural basis of the images and recurring motifs reflected in local South African cinema’ in a sample of films made between 1994 and 2014. Johannesburg and Cape Town have gained various guises through vernacular urban narratives set within the gangster and crime genre, such as Jerusalema, Cold Harbour and Four Corners, whilst the rural landscape is explored extensively in Afrikaans romance films such as Platteland, Vrou Soek Boer and Leading Lady. The authors argue that the filmic representations of the rural and urban landscapes reflect the various kinds of South African identities as imagined by the director. The authors conclude that as illustrated by the case studies, whilst most of the Afrikaans films of the last twenty years represent a yearning for the ‘innocent pastoral years’ of their ancestors, there are exceptions to the rule, such as Katinka Heyns’ film, Paljas.
A particularly Pretorian political economy: Phoenix Films’ Pretorian cinematic imaginary
Authors: Broodryk Chris 
Published: May 2018

Abstract
This article explores the spatial homogeneity of Darrell Roodt’s films Trouvoete (Roodt, 2015) and Mignon ‘Mossie’ Van Wyk (Roodt, 2016). These films conflate representations of safe, suburban city spaces in Johannesburg and Pretoria to create the impression that these city spaces – free from explicit political signification – are visually and ideologically interchangeable. To arrive at this explanation, the article discusses the Centurion-based production company Phoenix Films, and how the branding (or product placement) contributes towards the superficial smoothness of the films’ city spaces.
Introducing the ‘drasofi’: A genre of convenience and context in Zimbabwean film production
Authors: Ureke Oswelled 
Published: May 2018

Abstract
The article introduces a contemporary type of video film production in Zimbabwe combining aesthetic norms of drama, soap opera and film production. The article makes the claim that the emergent genre, dubbed ‘drasofi’ (drama–soapie–film) is one of convenience, influenced by the socio-economic and political context obtaining in contemporary Zimbabwe. Situated within an eclectic film services (Goldsmith and O’Regan 2005) and political economy framework, the article presents exploratory arguments that a film is as good (and as bad) as the context in which it is produced, vis-à-vis, the organizational arrangements, networks and technological infrastructure supporting its production. These film services affect the production value chain and, ultimately, emergent themes. The study derives data from field interviews with Zimbabwe-based filmmakers as well as a critical analysis of two post-2000 films Tanyaradzwa (Gunda Mupengo, 2005) and Sinners? (Tawengwa, 2013). The cinematograhic techniques as well as filmic fact aspects of the video films clearly combine cross-genre services and themes to make distinctly local ‘drasofi’ video films – a hitherto unheard-of classification in Zimbabwean film historiography.
Book Reviews
Authors: Fraser Hugh , Ogunsanya Yomi 
Published: May 2018

Abstract
Urban Film and Everyday Practice: Bridging Divisions in Johannesburg, Alexandra Parker (2016) New York, NY: Palgrave Macmillan US, 242 pp., ISBN: 978 137 55479 6, h/bk, $99.99
Nollywood Central: The Nigerian Video Film Industry, International Screen Industries, Jade L. Miller (2016) London: British Film Institute, 175 pp., ISBN: 978-1-84457-691-3, p/bk, £22.99
Hard to Get, film friendliness and local production
Authors: Tomaselli Keyan G. , Ngcobo Ndu 
Published: May 2018

Abstract
This article offers a comparative analysis of film services in Johannesburg and Durban using the example of a feature gangster comedy, Hard to Get (Ntuli, 2014). The study of cities as media hubs is a recent development. Audio-visual media, being highly capitalized and labour-intensive products, are centralized in large cities, urbanity having been the central hub of first, industrialization and second digitization. Initial work on South African media cities focuses on the perspective of economic sustainability through skills development, job creation and distribution and exhibition as prerequisites for assistance incentives. This film services approach is less concerned with media as texts, but examines the intermediate inputs, organizational arrangements and expertise associated with processes involved in the development of media projects. Media services are examined with respect to their respective foci on sustainability, creativity and the skills development potential of each value chain’s input in the production of product. Crucially, however, the South African studies have linked the production-consumption value chain to exhibition and audience development in currently unserved black urban areas that continue to lack entertainment services.
The ghetto in the cities and films of Johannesburg and Cape Town
Authors: Parker Alexandra 
Published: May 2018

Abstract
The ghetto as a metaphor is strongly present in the hood film and offers both utopian and dystopian representations of the city for African Americans. The ghetto or hood film has influenced the gangster genre in South Africa, where racial and socioeconomic segregation is a legacy of colonial and apartheid planning in cities. This article focuses on the geography of locations and aspects of mobility in the construction and depiction of the ghetto in two films of Johannesburg and Cape Town: Jerusalema by Ziman (2008) and Four Corners by Gabriel (2013). Although the ghetto is not easily applied to South African cities, defining elements are present in a variety of urban spaces including townships, the inner city and informal settlements. The ghetto, as Lefebvre’s ‘representational’ space, offers insights into the cultural, social and physical spaces of South African cities.
The flexible city: Cinematic (re)constructions of Cape Town
Authors: Rijsdijk Ian-Malcolm 
Published: May 2018

Abstract
Safe House (Espinosa, 2012) is, in almost all respects, a conventional Hollywood espionage thriller. What is unconventional about Safe House is the setting: the narrative’s ‘remote outpost’ is Cape Town, South Africa. And, in a refreshing change (at least for South African viewers), Cape Town appears as itself, not as a mock-up of another city in the world. Drawing on Edward Soja and Gilles Deleuze, I critique the ‘apparently innocent spatiality’ of urban settings by examining the identity of Cape Town within the globalized image economy of transnational cinema. The article shows the complicated ways in which media cities are marketed, and the tension between how they are perceived and how they are promoted as filmmaking destinations. The versatility of the ‘flexible city’ as a location masks the process through which places become globally interchangeable and exploitable spaces.
Revisiting film cities and film services: Methodology, theory and applications
Authors: O’Regan Tom 
Published: May 2018

Abstract
Film cities and film services perspectives have become an important part of policy thinking about film and television production. It is now routine for a variety of governmental and industry agencies to assist in supporting, marketing and developing local capabilities, infrastructures and resources. The aim is usually to extend the local footprint of the film and television industries by attracting foot loose globally dispersed productions. This article revisits and expands earlier perspectives on film cities and film services developed by the author and his collaborators. It does this in order to compare Australian and South African cities’ participation in national and global film production and to consider how such approaches may be usefully redisposed for policy thinking and opportunities for South Africa’s large informal market settings.
Subversion and reiteration of gender norms in television comedy through costume and performance: A study on The League of Gentlemen
Authors: Toylan Gamze 
Published: May 2018

Abstract
Focusing on the British TV sketch comedy The League of Gentlemen (1999–2002), this article brings together production studies with textual analysis to examine the representation of femininity and transsexuality where three cis-gendered male actors perform all the characters. The article explores the show’s female and transsexual impersonations and the stylization of their bodies through costume in accordance with Judith Butler’s theories on gender performativity, cross-dressing and parody. The analysis is advanced via insights from the creation of the show – including the original interviews with Yves Barre (the costume designer), Steve Pemberton (one of the creators and performers) and Jon Plowman (the executive producer). As the article maps out the relationship of costume design and performance with gender subversion and stereotyping, it highlights the complex anatomy of subversion and reiteration within the show.
Costume in early Finnish film (1921–31)
Authors: Trencheva Elena 
Published: May 2018

Abstract
In the 1920s, at a time of strong national upheaval for the Finnish nation, which was recovering from a severe civil war and ages of foreign domination, Finnish silent cinema (1921–31) had a great commercial success domestically. Finnish films were working for the reconstruction of the Finnish national identity by looking backward to an idealized past of pre-war times and featuring traditional Finnish values associated with human’s close relationship with the country land. A preferred film genre was the rural melodrama, in which the bucolic culture and way of life were opposed to the urban life. The represented character traits and practices observed in rural Finland became valued characteristics of national identity reflecting the national culture. Those characteristics were conveyed through a specific way of costuming on-screen. This article is a first endeavour to examine the diversity of costume in the early years of the Finnish national cinema development. It presents costume in Early Finnish film (1921–31) as a narrative tool for representing national identity and outlines the inherent features and recurrent practices of costuming. The study argues that investigating cinematic costume in early periods of a national film history (given that Finland declared its independence in 1917) cannot be separated from the era’s aesthetics, assumptions and theoretical discourse, or from its social, political and cultural specifics.
Exhibition Reviews
Authors: Jump Sophie , Downer-Mellini Stephanie , Collett Emily , Brayshaw Emily , Carriger Michelle Liu , Hamilton Caroline , Ferrero-Regis Tiziana 
Published: May 2018

Abstract

Caspar Neher: An Exhibition of Set and Costume Designs, Abbott and Holder, London, 23 March–22 April 2017

Costumi da Star, Villa Pignatelli Museum, Naples, Italy, 6 June–10 July 2017

World Stage Design 2017: Professional and Emerging Costume Design Exhibition Entries, Kuandu Museum of Fine Arts, Taipei, 1–9 July 2017

Million Dollar Mermaid: Annette Kellerman, Museum of Arts and Applied Sciences, Sydney, Australia, 10 August 2016–21 January 2018

11th Annual Emmy Costume Exhibition, FIDM, Los Angeles, CA, 22 August–7 October 2017

Chagall: Fantasies for the Stage, LACMA, Resnick Pavilion, Los Angeles, CA, 31 July 2017–7 January 2018

The Costume Designer: Edith Head and Hollywood, Bendigo Art Gallery, Bendigo, 29 September 2017–29 January 2018
Codex historicus i codzienność misji w Chesterfield Inlet (Igluligaarjuk) w arktycznej Kanadzie, 1912-1917
Authors: ZAJĄC PAWEŁ 
Published: May 2018

Different publications on missions very often use the letters of the missionaries as the source of their elaboration. This article presents vision of everyday life of the missionaries in the Canadian Arctic, precisely in the mission of Chesterfield Inlet (Igluligaarjuk) based on the perspective of theCodex Historicus of given mission. Letters are written not so often as inputs in the Codex, therefore it seems that it is worth initiative to look on missionary life in the Arctic from such a perspective.
Pole pracy Misjonarzy Oblatów Maryi Niepokalanej na Cejlonie w XIX w.
Authors: KLUJ WOJCIECH 
Published: May 2018

The above presentation aimed at more specific analysis of the territory of the missionary work of oblates on Ceylon in the 19th century. On this base there will be possible to discuss more clearly forms, the scope and methods of the evangelizing work. Even though at the end of 19th century there existed in Ceylon five dioceses, from the perspective of the Oblate missions most convenient was to divide this presentation in two parts following the division of the island into the territory of the two apostolic vicariates existing in the time of the arrival of the Oblates to the island (Colombo and Jaffna). In both cases we analyzed districts and missions, where missionary posts were founded.
Motywacje i powody wyjazdu na misje wśród misjonarzy przygotowujących się do wyjazdu
Authors: ATŁAS TOMASZ 
Published: May 2018

This article presents the results of the question and answer questionnaire form filled by the students of Center of Missionary Formation (Centrum Formacji Misyjnej) in Warsaw of the year 2009/10. They were asked among others to answer when they decided to go for missions, who suggested this or why they did so (what were their motives) as well as on whom they count for support (in prayer and on material help). This article is an general conclusion of their answers.