bluuebunny/crossref_metadata_2025_split huggingface dataset:
Carlos Santana
Authors: Hudde Hermann 
Published: November 2024

Carlos Santana (b. 1947) is an international guitarist and songwriter whose music style embodies an intercultural approach often identified as Latin rock. He was born in Jalisco and raised in Tijuana, where he played violin in mariachi groups as a child with his violinist father in the mid-1950s. After becoming enamored with blues and rock ‘n’ roll, Santana embraced the guitar, which he played in the streets and dance club-strip circuit. In 1963, his family settled in San Francisco, with its diverse cultural and ethnic environment, which inspired him to create a boundary-blurring style rooted in blues, rock, and Afro-Caribbean music. In 1966, the guitarist formed the Santana Blues Band and performed at San Francisco counterculture clubs Fillmore West and Winterland, where the band caught Bill Graham’s attention. In 1969, because of this association, the band performed at Woodstock, appeared on the Ed Sullivan Show, and signed a contract with Columbia Records, resulting in the release of Santana (1969), Abraxas (1970), Santana III (1971), and Caravanserai (1972). Since the 1970s, Santana embarked on an international touring career, collaborated with several musicians including George Benson, Bob Dylan, Tito Puente, Miles Davis, Rubén Blades, José Feliciano, Buddy Guy, Herbie Hancock, B.B. King, John McLaughlin, and Los Lobos, and he embraced Sri Chimnoy’s spiritual teachings. The 1980s were a time of adopting pop music aesthetics with albums such as Zebop (1981) and Shangó (1982). A decade later, Santana won eight GRAMMY® awards for his album Supernatural (1999). Santana, who comes from humble origins and is a member of an underrepresented group in the United States, understands the barriers people must overcome to fulfill their potential. Consequently, he is a passionate activist for a wide range of humanitarian causes, including participation in Live Aid (1985), Amnesty International concert tours (1986), and “Blues for Salvador” (1988), while producing the documentaries Dolores (2017) and Fandango at the Wall: Bringing the United States and Mexico Together (2020) to promote civil rights consciousness. In 1988, Santana and his family established the Milagro Foundation to fund educational, health, and arts programs. Carlos Santana remains one of the few Latin American, Latino, and Chicano musicians to be inducted into the Rock & Roll Hall of Fame (1998). As a performing artist, Santana continues to be significant.
The Justice Principles of Problem-Solving Courts (with Logan A. Yelderman, Mia A. Holbrook, Jennifer L. Lanterman, Alicia DeVault, and Monica K. Miller)
Authors: Yelderman Logan A. , Holbrook Mia A. , Lanterman Jennifer , DeVault Alicia , Miller Monica K. 
Published: November 2024

Abstract
Problem-solving courts operate on a number of justice principles, including the adversarial process, therapeutic jurisprudence, procedural justice (i.e., fairness and legitimacy), restorative justice, and justice related topics, such as community and public sentiment and social support. Therapeutic jurisprudence, procedural justice, and restorative justice provide frameworks by which courts operate, and they also provide lenses through which court programs are delivered. The extent to which these frameworks are prioritized, implemented, and effective is often shaped by geographical, societal, legal, and cultural factors. The current chapter defines these principles, examines the cultural variations, and assesses the scientific evidence for their effectiveness in improving the success of PSCs. Additionally, the role of community sentiment and support often relates to the use of these frameworks and programs, their reception in the legal conscience of the community, and the perception of their success, which is also addressed in this chapter.
Effectiveness of Problem-Solving Courts (with Mia A. Holbrook and Mary Dhondt)
Authors: Holbrook Mia A. , Dhondt Mary 
Published: November 2024

Abstract
The effectiveness of problem-solving courts is determined through scientific evaluations focusing on various outcomes, including changes in substance abuse, mental health status, employment, housing stability, and interactions with the criminal justice system. The methodology for these evaluations can range depending on the research objectives and the resources at hand. The findings from these evaluations play a crucial role in informing evidence-based decisions about problem-solving courts. Evaluations provide a glimpse into the inner workings of a program as well as the opportunity to see what works and where improvement is needed. This chapter assesses the scientific evaluation results for all 18 types of problem-solving courts. The results of evaluations assist in making evidence-based decisions regarding the implementation and expansion of problem-solving courts, both in the United States and around the world. This chapter will highlight the similarities and differences in evaluating problem-solving courts and discuss why some courts might be more successful.
How Do I Get to Black Twitter?
Authors: Clark Meredith D. 
Published: November 2024

Abstract
It’s not a separate site. There’s no special knock or handshake that can get you in. But if you know, you know. In We Tried to Tell Y’all, social media users who identify as part of Black Twitter discuss how shared culture and regular engagement with the platform helped them develop levels of community connection with influence beyond digital boundaries. This chapter explains how journalism’s focus on “the view from nowhere” is in fact a view from the lens of culture of white domination, and presents Black Twitter as a response to the documented exclusion and misrepresentation of Black life that has dogged the news industry from its inception.
Things We Lost in the (Dumpster) Fire
Authors: Clark Meredith D. 
Published: November 2024

Abstract
“What comes after Black Twitter?” is the wrong question, but one many have asked in the years since the phenomenon first attracted mainstream media attention. The question took on renewed urgency when the platform was purchased by a South African billionaire in 2022, but the lesson remains: Black Twitter’s place in media history is like Black people’s place in the history of the world. Ever-present, ever-relevant, ever-evolving. This chapter provides a look back at how lessons from Black Twitter, particularly its response to historically whitewashed journalism, should be applied to develop more honest, just, accurate, and culturally competent news-making in the future.
The Mariachi Voice
Authors: Ulloa Juanita 
Published: November 2024

Abstract
The voice is the most important instrument in Mexican ranchera (mariachi) music because the bulk of its repertoire is vocal. However, no book on vocal care and production, voice history, diction, technique, graded song lists, with warm-ups for mariachi singers has been available until now. Dr. Juanita Ulloa has designed The Mariachi Voice to create a bridge between the voice and Mariachi fields, and to extend the reach of training and advocacy for Mariachi vocal training to academic programs, voice studios, and individual singers. Her Operachi style evolved out of her own training, touring, recording, and training of others as a specialist in Mexican and Latin American song. In The Mariachi Voice, Dr. Ulloa shares vocal technique and pedagogy, introducing the female Mariachi fach. She highlights important differences in training the female voice for healthy Ranchera singing while still honoring the style and introduces Mexican Spanish Lyric Diction with International Phonetic Alphabet (IPA). Professor John Nix of University of Texas, San Antonio, contributes an article on vocal production and care. Readers will develop cultural sensitivity toward this almost 200-year-old tradition. The Ranchera vocal history chapter explores the crossover classical vocal training of ranchera singer-actors in charro movie musicals, many tracing back to legendary Mexico City–based voice teacher José Pierson. It is a wake-up call to raising the standards and accessibility of vocal training. The Mariachi Voice is sure to enrich all those who take pride in sharing these songs and their singers as important symbols of Mexico’s identity worldwide.
History: Mariachi Singers and Their Songs
Authors: Ulloa Juanita 
Published: November 2024

Abstract
The mariachi voice has its own history as distinct from the broader field of mariachi music. In Chapter 2 we discuss vocal training, background, styles, and technique of solo singers and their connection to songs and their composers. This chapter has twelve important sections covering over a hundred years in ranchera singing. In it we identify three historical periods of ranchera song: rural, urban, and a new dimension for ranchera singers led by singer/songwriter José Alfredo Jiménez. The vocal training of master voice teacher José Pierson is featured with his integration of crossover training. The world’s oldest mariachi opera is discussed as are contributions of long-ignored important women solo singers, duos, and songwriters beginning with Lucha Reyes. Lesson plans are provided with questions and answer key for each section.
Mariachi Rhythms and Choosing Song Repertoire
Authors: Ulloa Juanita 
Published: November 2024

Abstract
In this chapter the most common Mexican ranchera rhythms are introduced, described, and notated. Each of these rhythms has its own vocal style and rhythmic groove. Trained singers learn to listen and always know where each beat is in order to sing in the groove whether with or against instrumental rhythms. As an example, the huapango in 6/8 uses falsete vocal flips and is the most demanding for singers because the songs have a wide range. While trained opera singers will enjoy the range, bel canto, and melodic ease of this style, improvising rhythmically around the groove is deeply complex. Readers will find graded repertoire lists ranging beginning to advanced levels to assist in finding ranchera solos. They will be able to choose repertoire by evaluating, matching, and assigning appropriate ranchera standards to the right voice level for singers. The graded song lists need to be measured and balanced with a director’s evaluation of the instrumental level of each song for his group. Heavy belting throughout a song or songs with a large range should be saved for advanced singers rather than hurt the voices of very young singers. Partial belting in climactic sections of songs is preferable, along with songs with a small range with few jumps.
Mariachi Music Fundamentals
Authors: Ulloa Juanita 
Published: November 2024

Abstract
While mariachi has long been an oral tradition, song charts and sheet music are now also used, especially in academia in the United States. During the Siglo de oro del cine mexicano (Golden Age of Mexican Cinema) earlier in the twentieth century, composers wrote out sheet music and Ruben Fuentes introduced song sheets in the recording studio as a memory aid for faster recording. While ranchera singing is still an oral tradition, arrangements and medleys have become more complex. That, along with the overall growth and performance demands have led to an increase in publications. Singers benefit from reading music as much as an instrumentalist, although some are unaware of this. In this chapter we provide important bilingual musical terms, solfege, and letter notation systems for all performers. Singers are coached in learning songs and choosing their own keys for each song. We invite them to work on this with a voice teacher prior to group rehearsals.
Clauses in Functions Other than as Predicates of Modal and Attitudinal Objects
Authors: Moltmann Friederike 
Published: November 2024

Abstract
This chapter extends object-based truthmaker semantics to predicates with which clauses do not have the function of predicates predicated of the attitudinal or modal object described by the embedding predicate. It distinguishes clauses that have a predicative function from nominal clauses based on a range of criteria. There are three types of predicates that take nominal clauses: predicates that apply to facts, predicates that apply to states of affairs, and predicates that apply to ‘thin assertions’. Facts and states of affairs are both construed as modal objects, thin assertions as abstractions from ordinary assertions. The chapter addresses the question whether predicates may take truthmakers of clauses as arguments, which seems plausible for verbs of occurrence such as happen and occur. But it argues that verbs of occurrence in fact take states of affairs as arguments denoted by nominal clauses. Finally, it discusses verbs like explain that take both a topic argument (a fact) and a clause providing the content of the described attitudinal object. It gives a new account why some clausal complement-taking verbs such as remark do not allow for any NP complements, not even special quantifiers like something.
Introduction
Authors: Holliday Peter J. 
Published: November 2024

Abstract
The introduction sets out and defines the primary issues explored in this book. They include Halbwachs’s concept of collective memory, what constitutes historical subjects, how historical subjects function as propaganda, the artistic genre of history painting, the notion of istoria in art academies (central to the theory of Alberti, Le Brun, and Reynolds), narrative strategies and emplotment, matters of production and reception, and visual sources for historical representations. The methodologies of Warburg, Gombrich, and Panofsky lay the foundations for analyzing how material objects shape cultural memory and affect individual and group identities; the social theories of Becker provide a model for defining makers (artists and patrons); Bourdieu for the role of cultural context; and semiotics for identifying changing meanings with changed contexts.
The Victory Stele of Naram-Sîn
Authors: Holliday Peter J. 
Published: November 2024

Abstract
Chapter 1 examines evidence for the earliest historical representations in ancient Mesopotamia. Sumerian experiments in commemoration led to the invention of the commemorative stele and the earliest sequential or continuous narratives, and the invention of writing produced inscriptions that identify people and events: the image-text dialectic. Mesopotamian rulers conflated secular and sacred meanings in works, a practice exploited by later cultures. The rise of Akkad under the expansionist policies of Sargon created the first great empire in Mesopotamia. The Victory Stele of Naram-Sîn commemorates that king’s victory over the Lullubi people in western Iraq and cast an imperialist ideology in the guise of divine favor.
The Alexander Mosaic
Authors: Holliday Peter J. 
Published: November 2024

Abstract
Chapter 3 argues that the emphasis on the group during the archaic and classical periods of Greek art history in contrast to the regard for the individual in the Hellenistic period, when competitive dynasts deployed historical subjects for propagandistic purposes, helps explain the sporadic appearance of historical commemorations in Greek art history. The Tyrannicides and the Marathon Painting stand out from earlier periods, but lack the realistic detail, specificity, and drama of later Hellenistic works. The Granikos Monument and the Alexander Mosaic instead depict decisive encounters between the Macedonian forces and Persian armies with documentary detail, the latter also as a personal confrontation between Alexander and Darius. This Roman copy in a different medium of a lost Greek painting introduces issues of the reception of historical representations by later cultures and the repurposing of their imagery.
Introduction and Motivation
Authors: Carretero-González R. , Frantzeskakis D.J. , Kevrekidis P.G. 
Published: November 2024

Abstract
Spatio-temporal systems usually come in two flavors: (i) discrete lattice systems described by a large (or infinite) collection of coupled dependent variables arranged in some lattice structure and are described by a nonlinear dynamical lattice (see Part V) and (ii) continuum spatio-temporal systems where the dependent variable depends continuously on the independent variables (usually time and space) and are described by partial differential equations (see Parts II, III, and IV). Before discussing waves and other localized structures in spatio-temporal systems, this chapter starts by reviewing some basic aspects of one and few degrees of freedom systems. In particular, we consider systems that arise in classical mechanics obtained via the celebrated Newton’s second law of motion, including the spring, the pendulum, coupled springs, and Fermi-Pasta-Ulam-Tsingou lattices.
Multi-Component Systems
Authors: Carretero-González R. , Frantzeskakis D.J. , Kevrekidis P.G. 
Published: November 2024

Abstract
This chapter consists of several vignettes that illustrate some of the main features of multi-component solitary waves. These are developed in one of their most prototypical forms, namely in two-component dark-bright solitary waves of so-called Manakov (vector generalizations of the) nonlinear Schrödinger equation and non-integrable variants thereof. The special symmetries of the specific Manakov limit are leveraged in order to obtain further intriguing dynamical waveforms, such as the recently observed (in atomic BECs) dark-dark solitary waves. We also extend our considerations to the case of more general inter-component couplings and also to that of multi-soliton waveforms including the scenario of lattices of such solitary waves. Finally, we explore the dynamics of such dark-bright solitary waves in external potentials, such as the customary parabolic trap.
General Principles
Authors: Sorabji John 
Published: November 2024

Abstract
Civil Procedure is underpinned by principle. Procedural codes, such as the CPR, have not historically made explicit the nature and content of those principles. This Part provides a clear articulation of them. It highlights the importance of general principles, such as those concerning procedure’s overall purpose as well as principles concerning economy, efficiency, and proportionality. It incorporates those that specifically secure effective access to justice, not least principles concerning judicial independence and impartiality, equality of arms between disputants, access to legal representation and funding, publicity, and open justice. It also stresses the importance of effective enforcement, the right to appeal, and finality in litigation. Given the general development of digital procedures and the potential use of artificial intelligence in the delivery of civil justice, this Part also proposes principles to govern their use. This Part also makes provision for the creation and accountability of the Procedural Code.
Dispute Management
Authors: Sorabji John 
Published: November 2024

Abstract
Dispute management is the means by which the court can give effect to procedure’s purposes, particularly the means by which it can manage the dispute resolution process once a claim has been issued. This Part sets out the general provisions through which courts can manage this process effectively. It makes provision for the allocation of proceedings to value-based procedural case tracks, consistently with those under the CPR, as well as means to manage settlement processes. It also makes provision for managing different forms of multi-party proceedings effectively. It thus contains a group litigation regime and a revised representative proceeding based on that operative in the Competition Appeal Tribunal. It also provides consolidated rules on sanctions for non-compliance with court orders and relief from sanction. Finally, it consolidates rules intended to protect the administration of justice.
Hearings
Authors: Sorabji John 
Published: November 2024

Abstract
Proceedings can be heard in several ways. They may, as is traditional, take place in a physical court room with all participants present. They may be non-physical hearings because they take place remotely via the use of video-conferencing platforms. They may also take place in hybrid form, with some participants in a physical court room and others taking part remotely. They may also take place via an entirely written procedure. This Part makes provision for these various hearing methods. It also makes provision for the use of a continuous digital hearing. That type of hearing may, however, only be used where at least one party is unrepresented or where parties to proceedings are taking part in a settlement process. This Part also makes provision for hearings to be with or without-notice (inter partes or ex parte).
Diffracting Collaborative Leadership
Authors: Simpson Barbara 
Published: November 2024

Abstract
Much has been written about leadership in organizations with the inevitable consequence that the meaning of this term has become somewhat muddied. This book attempts to unravel some of this confusion by reframing leadership as a duality comprised of ‘leaders’ and ‘leading’. Recognizing that the ‘leading’ aspect of this duality is significantly under-researched, the argument proceeds firstly by locating collaborative leadership within the process ontology of Pragmatist philosophy. Secondly, the ‘leading’ dynamics of a senior management team as they cope with many challenges, both small and large, are diffracted by Pragmatism to tease out five specific collaborative processes—associating, experimenting, making, feeling, and caring—which continuously flow together and apart as new futures emerge. The book concludes with a Coda that discusses the implications of this dynamic approach to collaborative leadership for both research and teaching. Our goal is not so much to provide answers, but rather to sow seeds for future inquiries. More an art than a science, we conclude that ‘Leadership is what we do, when we don’t know what to do’.
Second Movement
Authors: Simpson Barbara 
Published: November 2024

Abstract
This movement is comprised of an Intermezzo that examines Pragmatist thinking on inquiry as an experimental approach to transforming situations, and an Étude that explores the deliberations of the senior management team of an arts-based company as they plan an awkward restructuring process. The Intermezzo draws on the original Pragmatist thinking of Charles Sanders Peirce who sees doubt as the initiator of inquiry, and also includes contributions from John Dewey on inquiry and George Herbert Mead’s concept of ‘the act’. The Étude elaborates this Pragmatist thinkingdoing through the practical actions of the senior managers, and also shows how, as the process continues, the creative dynamics of leadership are replaced by the results-orientation of management.
Coda
Authors: Simpson Barbara 
Published: November 2024

Abstract
In this Coda, we step away from the empirical details of the senior management team in an arts-based company, to consider more broadly the implications, for both researching and teaching, of understanding collaborative leadership as a diffractive effect of dialogue. We suggest that this performative approach to research is grounded in a process ontology. This involves noticing differently, reading differently, and writing differently. Similarly for teaching, we suggest that leadership is best developed not in a classroom or conference hall, but in the day-to-day practising of collaborative inquiry, where many small steps can produce transformative change.