bluuebunny/crossref_metadata_2025_split huggingface dataset:
Kepastian Hukum Dalam Pembuatan Surat Kuasa Membebankan Hak Tanggungan
Authors: Gita Ketut Nurcahya , Udiana I Made 
Published: July 2021

Abstract

The purpose of this writing is to find out about legal certainty and comparison of power of attorney to impose mortgage rights stipulated in the Notary Position Law No.2 of 2014 with the form stipulated by the Head of Land Agency Regulation No.8 of 2012. This research uses normative legal research methods. The results of this study show that the comparison of authentic deeds according to the Law of Notary Position No.2 of 2014 and the Regulation of the Head of the Land Agency No.8 of 2012 regarding the creation of a power of attorney to impose mortgage rights made before a notary there are differences in the head and end of the deed. The form of power of attorney imposes a security right issued by the State Land Agency of the Republic of Indonesia which is different and not in accordance with the provisions stipulated in the Law of Notary Position No.2 of 2014. Second, the legal certainty of the power of attorney imposes a security right made by a Notary by following format of the Head of the Land Agency Regulation No.8 of 2012, the deed cannot provide legal certainty. The deed will be degraded into a letter under the hand, so that it cannot be used as a basis in making the deed of mortgage imposition, however, the Notary is given the right to add deficiencies to the blank so that it remains an authentic deed.

Abstrak

Tujuan penulisan ini untuk mengetahui mengenai kepastian hukum serta perbandingan surat kuasa membebankan hak tanggungan yang diatur dalam Undang-Undang Jabatan Notaris No.2 Tahun 2014 dengan Blanko yang ditentukan Peraturan Kepala Badan Pertanahan No.8 Tahun 2012. Penelitian ini menggunakan metode penelitian hukum normatif. Hasil penelitian ini menunjukan perbandingan akta autentik menurut Undang-Undang Jabatan Notaris No.2 Tahun 2014 dan Peraturan Kepala Badan Pertanahan No.8 Tahun 2012 dalam mengenai pembuatan surat kuasa membebankan hak tanggungan yang dibuat dihadapan Notaris terdapat perbedaan pada kepala dan akhir akta. Blanko surat kuasa membebankan hak tanggungan yang diterbitkan Badan Pertanahan Negara-Republik Indonesia berbeda dan tidak sesuai dengan ketentuan yang telah ditetapkan dalam Undang-Undang Jabatan Notaris No.2 Tahun 2014. Kedua, kepastian hukum surat kuasa membebankan hak tanggungan yang dibuat oleh Notaris dengan mengikuti format Peraturan Kepala Badan Pertanahan No.8 Tahun 2012 maka akta tersebut tidak dapat memberikan kepastian hukum. Akta tersebut akan terdegradasi menjadi surat dibawahtangan, sehingga tidak bisa dijadikan dasar dalam pembuatan akta pembebanan hak tanggungan, akan tetapi Notaris diberikan hak untuk menambahkan kekurangan pada blangko tersebut agar tetap menjadi akta autentik.
Pengaruh Penambahan Bubuk Jahe Emprit (Zingiber officinale var. Amarum) Terhadap Karakteristik Teh Herbal Celup Kulit Jeruk Manis (Citrus sinensis L.)
Authors: Vida Indriani P. Ni Putu , Timur Ina Putu , Wisaniyasa Ni Wayan 
Published: July 2021

This study aimed to determine the effect of emprit ginger powder (Zingiber officinale var. Amarum) on the characteristic of sweet orange peel herbal tea (Citrus sinensis L.) as well as the appropriateness of emprit ginger powder for the best characteristic. This study was designed using an experimental method which is Completely Randomized Design with the treatment of adding emprit ginger powder (0%, 5%, 10%, 15%, 20%) that was repeated 3 times to obtain 15 experimental units. Observed variabels were water content, extract water content, vitamin C, total phenolic, total flavonoid, antioxidant activity, scoring test, and hedonic test. The obtained data were analyzed by using the analysis of variance. If it had a significant effect, it was continued to be tested by using the Duncan Multiple Range Test. The results showed that the addition of emprit ginger powder had a very significant effect on the water content, vitamin C, total phenolic, total flavonoid, antioxidant activity, aroma (scoring and hedonic test), taste (scoring and hedonic test), and overall acceptance, while extract levels in the water had a significant effect and color (hedonic test) had a non significant effect. Furthermore, it showed that the addition of 20% emprit ginger powder extract was the best treatment with the characteristic as follows: 8.13% w / w water content, 26.93% w / d extract water content, vitamin C 25.56 mg / g tea powder, total phenol 17.86 mg GAE / g tea powder, total flavonoids 1.17 mg QE / g tea powder, and antioxidant activity 56.89%. The characteristics of the tea brewing water involves the distinctive aroma of ginger emprit which is very liked, the color is liked, the taste is not bitter and liked, and overall acceptance is liked.
Pengaruh Penambahan Puree Daun Kelor ( Moringa oleifera ) Terhadap Karakteristik Siomay Ayam
Authors: Yumiko Murdiasa Putu , Suparthana I Putu , Timur Ina Putu 
Published: July 2021

Dumpling is one type of dimsum, wich is a food that originates from China.The purpose of adding moringa leaf puree to chicken dumplings is to add antioxidant, vitamin C and crude fiber content to dumplings. The purpose of this research is to obtain the concentration of the addition of the appropriate Moringa leaf puree to produce chicken dumplings with the best characteristics. This research design used was a Completely Randomized Design with adding Moringa leaf puree wich consist by 5 levels: 0%, 10%, 20%, 30% and 40%. Each treatment was repaeat 3 times so that obtained 15 experimental units. The data obtained were analyzed by variance and if the treatment had significant effect followed by Duncan multiple range test. The results showed that the effect of adding moringa leaf puree had a significant effect (P<0,01) on moisture content, crude fiber, vitamin C, antioxidant activity, significant effect on ash content, color hedonic test, texture scoring test. The best treatment in this research was the addition of 40% moringa leaf puree with the following characteristics: 58.95% moisture content, 1.97% ash content, 2.18% crude fiber content, vitamin C 0.22 mg / g and antioxidant activity 38.30% with IC50 value 12342.28 ppm, the texture are very chewy and rather liked, the, the aroma, the taste and overall reception are rather liked.
Pengaruh Konsentrasi Garam Dan Lama Fermentasi Terhadap Karakteristik Pikel Cabai Pimiento (Capsicum chinense)
Authors: Mardhatillah Amelia , Ekawati I Gusti Ayu , Indri Hapsari Arihantana Ni Made 
Published: July 2021

The research was conducted for the purpose of know the effect concentration of salt and fermentation time against the characteristic of pimiento pickle. The design used in this research was completely randomized design (RAL) factorials pattern, consisting of two factors .The first was the concentration of salt with concentration of 3 % , 6 % , and 9 % .The second factor was time consisting of two and three weeks .The whole treatment repeated three times to obtain 18 unit experiment .The data was analyzed with duncan test. The results of the study showed that the treatment of salt with 6 % concentration with 3 weeks fermentation was capable of producing pimento pickle with the best characteristic total criteria of lactic acid bacteria 4.8x10-6 CFU/ ml, pH 4.89, total acid 0.576 % and total dissolved solids 9.670 Brix.
Atualização sobre as características da surdez súbita: uma revisão integrativa
Authors: Ligeiro Laura Pires , Coelho Jemima Ferreira , Bastos Ana Silvia Menezes , Alves Danielle Raphaela , Rocha Larissa Silvestre Teixeira 
Published: July 2021

Objetivo: Revisar e sintetizar a problemática da surdez súbita tendo em vista as etiologias, a fisiopatologia, o quadro clínico e o tratamento, levando em consideração as atualizações realizadas sobre o tema. Métodos: Esta revisão de literatura integrativa especializada teve como base um levantamento bibliográfico acerca da surdez neurossensorial. As etapas de construção dessa revisão foram: selecionar a temática e a questão de pesquisa, buscar artigos nas bases de dados digitais, estabelecer critérios de inclusão e exclusão dos artigos, além da discussão dos resultados. Resultados: A patologia apresenta quatro teorias etiológicas: infecção viral, imunológica, ruptura de membranas e distúrbio circulatório. O diagnóstico, por sua vez, é mais fidedigno graças à ressonância magnética, principalmente no Schwannoma vestibular. O tratamento tem como base o uso de corticoides e o Implante Coclear (IC). Considerações finais: Considerando a problemática levantada da perda auditiva súbita, ainda que existam inúmeros posicionamentos divergentes dos autores, há um consenso sobre o uso de corticosteroides que mostrou diminuir o tempo de doença e uso da ressonância magnética para estabelecer o diagnóstico e prognóstico da doença além de elucidar outros possíveis diagnósticos diferenciais.
The Birth of Bibliologos. To the 100th Anniversary of the Institute of Book Studies
Authors: Sokolov Arkadiy V. 
Published: July 2021

M.N. Kolesnikova’s monograph “Ahead of Time. To the 100th Anniversary of the Institute of Book Studies (Petrograd-Leningrad, 1920—1933)”, published in 2020, is a valuable contribution to the history of book science, library science, bibliography science, the general history of Russian culture and a fascinating textbook for students of library, information and media cultural school. The history of the Institute of Book Studies is a vivid illustration of the relationship between the totalitarian power and the creative intelligentsia. The monograph, which contains detailed biographical information about the employees of the Institute of Book Studies, can be called a reference book of library science and book science elite of Leningrad in the 1920s. All the classic problems of bibliography science, library science and book science were in the field of view of the staff of the Institute of Book Studies. Considering the constructive program of activities and the strong team of enthusiasts, the Institute could have grown into a truly research institution if the overall development of the country had gone differently.Based on the analysis of the scientific-research and educational activities of the Institute, it is concluded that it can be considered the birthplace of the Russian Bibliologos. Bibliologos is interpreted in two ways: first, as a social group of intellectuals-book lovers who ensure the functioning of the national bibliosphere; second, as a universe of bibliological knowledge embodied in book form as a result of scientific, pedagogical and practical activities of intellectuals-book lovers. The author highlights that it is necessary to preserve the memory of the Leningrad Institute of Book Studies, which served as the “cradle of the Russian Bibliologos” in the history of book culture.
The Journal “Librarian” as a Source on the History of Librarianship in Siberia and the Far East of the Pre-Revolutionary Period
Authors: Timofeeva Yulija V. 
Published: July 2021

The study of the history of librarianship is an urgent task of modern historical and library research. Its solution is possible if a large number of historical sources are identified and analysed. One of them is the pre-revolutionary journal “Librarian”, which differs from other periodicals of that time by its high informative content on the topic. Due to the lack of comprehensive studies of the “Librarian” journal as a historical source, this article for the first time considers this pre-revolutionary professional periodical as a source for studying the history of librarianship in Siberia and the Far East of the pre-revolutionary period. The purpose of this study is to identify and analyse the informative potential of the “Librarian” journal, which is useful for the reconstruction of the history of librarianship in Siberia and the Far East.The methodological basis of the research is based on the principles of historicism, objectivity and consistency. The article uses the methods of source studies, comparative and content analysis.The obtained results show that the journal “Librarian” is an important source for studying the history of librarianship in the Siberian-Far Eastern region. It contains numerous interesting facts about the libraries of the region, their structure and functioning, allows us to identify the sources of their financing and quantitative indicators of work, trace their dynamics, replenish the regional bibliography of special literature and restore the names of benefactors, Siberians and Far Easterners — members of the Society of Library Science.This study fully reveals the informative potential of this periodical, expands the idea of periodicals as important historical sources for the study of the history of librarianship of the country as a whole and its various regions. It can be useful in conducting specific historical studies of librarianship of the country of the pre-revolutionary period.
Art for art
Authors: Церетели З.К. 
Published: July 2021

Сегодня, когда мне часто задают вопросы о природе искусства, о предназначении искусства, о том, что есть искусство для меня лично, я могу сказать, что искусство и жизнь для меня равноценны. Для меня нет жизни без искусства и искусства без жизни.
Today, when I am often asked about the nature of art, about the purpose of art, about what is art for me personally, I can say that art and life are equal for me. For me there is no life without art and art without life.
Landscape of Altai by Yuri Kapustin
Authors: Пешков Е.Ю. 
Published: July 2021

Персональная выставка Ю.Н. Капустина, посвященная 80летию мастера, уже четвертая в стенах музея, предыдущие состоялись в 1992, 2000 и 2010 годах. 77 произведений художника сейчас хранятся в фондах Государственного художественного музея Алтайского края, 20 из них поступили от автора в качестве дара.
Personal exhibition of Yuri Kapustin at the State art Museum of Altai Krai, dedicated to the 80th anniversary of the masters, held in 1992, 2000 and 2010 years. Yuri Kapustin is a painter, ceramist, enameller, graphic artist, member of the Union of artists of Russia, Creative Union of professional artists, International art Fund, laureate of the Association Art of Nations , participant of many solo and group exhibitions in Altai, Moscow and abroad etc. The Altai is the main theme of creativity of the painter. But the nature of the Altai is inseparable from his history. Therefore, the viewer can see here drawings, ceramics and enamel, where the landscape in addition to its realistic and ornamental varieties has symbolic and historical shapes, in which there are Russian or Altaic ethnic motives, the Scythian images or petroglyphs.
Graphic self-portraits of Andrei Pozdeev
Authors: Белоусова-Лебедева Вероника Анатольевна 
Published: July 2021

Графические автопортреты всемирно известного красноярского художника Андрея Геннадьевича Поздеева (1926 – 1998) ярко представляют основные этапы его творческого пути. Особенно выразительна серия автопортретов в технике линогравюры 1983 года, она не только стала значимым этапом в графике, но и оказала серьезное влияние на живопись мастера.
Graphic selfportraits of Andrei Gennadievich Pozdeyev (1926–1998), the world famous Krasnoyarsk artist, brightly represent the main stages of his art. The series of linocut selfportraits created in 1983 is the most expressive: it became the very important phase in his graphic arts and brought a great influence on masters painting.
«Starting the Temple of this life...». Spiritual aspects of cooperation between N.K. Roerich and M.K. Tenisheva
Authors: Тютюгина Н.В. 
Published: July 2021

Исследование посвящено сотрудничеству всемирно известного художника Н.К. Рериха с меценатом и художником-эмальером княгиней М.К. Тенишевой: их связывала искренняя дружба и творчество в период с 1903 по 1928 год. В архивах России сохранилась переписка М.К. Тенишевой и Н.К. Рериха. Творчество М.К. Тенишевой было близко художнику Н.К. Рериху глубоким пониманием синтеза искусств. М.К. Тенишева в своих эмалях передавала связь православного искусства с традициями Востока и славянским язычеством. С 1908 по 1914 год Н.К. Рерих работал над росписями храма Святого Духа в имении М.К. Тенишевой Талашкино под Смоленском, представлявшем собой центр российской художественной жизни. В алтаре храма Н.К. Рерих создал образ Царицы Небесной – Матери Мира, также храм был украшен мозаикой «Спас Нерукотворный», фресками «Трон невидимого Бога», «Святой Никола Можайский». До наших дней сохранились мозаика над входом, фотографии и эскизы внутренних росписей храма. Автор предлагает провести научную реконструкцию росписи храма Святого Духа в Талашкине по эскизам Н.К. Рериха.
The study focuses on cooperation between the world famous painter Nicholas K. Roerich and Duchess M.K. Tenisheva – philanthropist and the artist-enameller. From 1903 till 1928 they were connected by sincere friendship and creativity. Russian archives preserved correspondence between M.K. Tenisheva and Nicholas K. Roerich. Tenisheva’s creative art was close to Roerich by its deep understanding of arts synthesis. Through her enamel works Tenisheva conveyed the bond between an orthodox art, traditions of East and Slavonic paganism. From 1908 till 1914 Nicholas Roerich worked on the murals of the Church of the Holy Spirit at Tenisheva’s estate Talashkino near Smolensk that in those times represented the centre of Russian artistic life. In the altar of the church N. Roerich created the image of the Queen of Heaven – Mother of the World. The church was also decorated with mosaics «Vernicle», frescos «The throne of the invisible God» and «Saint Nicholas of Mozhaisk». Mosaic above the church entrance, photographs and interior painting sketches were preserved till present days. The author suggests conducting scientific reconstruction of the murals at the Church of the Holy Spirit at Talashkino according to sketches of Nicholas K. Roerich.
The cult of Nature in the iconography of Buddhism: Oirat-Kalmyk Parallels
Authors: Батырева С.Г. 
Published: July 2021

Статья посвящена сравнительному анализу буддийской живописи Западной Монголии и Калмыкии. Объектом исследования является традиционное изобразительное искусство, целью – выявление и характеристика локальных особенностей иконографии буддизма. Рассматривая образцы живописи, связанные с культом Природы, в интерпретации канона автор выявляет общее и особенное композиции и колорита, пропорций и атрибутики образов искусства регионов.

В живописном воплощении иконографического канона фиксируются его локальные вариации, обусловленные конкретными условиями бытия. Последние значительно различаются, например, в воспроизведении этнического типа и условного пейзажа в элементах образного решения канонического сюжета. Искусство, общее в истоках происхождения, иллюстрирует вариативное многообразие воплощения изобразительного канона буддизма, нередко сопровождаемое отходом от его условностей. Это дает реальную возможность на полевом материале охарактеризовать в междисциплинарном сравнительном аспекте изучения локальную школу иконописания.
The article is devoted to the comparative analysis of the Buddhist Kalmykia painting and Western Mongolia. The object of research is the traditional art, purpose – Identification and characterization of the local features of the iconography of Buddhism. Considering the examples of painting associated with the cult of Nature, in the canon of interpretation the author considers the general and the particular composition, proportion, color and attributes of the works of Buddhist art these regions. In the picturesque embodiment iconographic canon recorded its local variations due to the specific conditions of existence. Recent vary considerably, for example, in the treatment of conditional scenery, expressed in imaginative solutions canonical plot elements. In addition, coloring works, the originality of ethnic type, attribute of the image is an art, in general the sources of origin. The phenomenon of the variation of the fine Buddhist canon is often accompanied his departure from the conventions, allowing to characterize a whole school of icon painting. This is possible in the comprehensive study combining in the field of museology techniques of Art, History and ethnoculturology.
Subtraction of accidentals: Evolution of images in sketches of Pyotr Dik
Authors: Никифорова И.А. 
Published: July 2021

Статья посвящена творчеству выдающегося российского мастера искусства П. Г. Дика. Он внес значительный вклад, создав большое число замечательных пастелей-новелл. В статье реконструируется творческий метод художника. Показано, как в ходе творческого осмысления эскизы и подготовительные рисунки преображаются в законченные глубокообразные произведения. На основании дневников, воспоминаний, анализа подготовительных набросков показаны путь, мысли художника к композиции, несущей философское умозаключение, рождение образа, активное использование метафорического языка в искусстве при переходе от конкретного к абстрактному.
The article is devoted to the work of the outstanding Russian master of art P. G. Dik. He made a significant contribution, creating a large number of wonderful pastel-novels. The creative method of the artist is reconstructed in the article. It is shown how in the course of creative comprehension sketches and preparatory drawings are transformed into finished, profound works. On the basis of diaries, memoirs, analysis of preparatory sketches shows the way, the artist's thoughts to the composition that carries philosophical reasoning, the birth of the image, the active use of metaphorical language in art in the transition from concrete to abstract.
The sculptural images of Peter Malkov
Authors: Филиппова О.Н. 
Published: July 2021

Для каждого художника его биографией является творчество. Многогранное творчество художника Петра Лукича Малкова (1924-2014 гг.) развивалось как в русле монументального, так и станкового искусства. Скульптор создал десятки памятников, ставших неотъемлемой чертой облика Волгограда и Волжского. Образы, созданные Петром Лукичом, ассоциируются с личностью их творца, мастера с большой буквы, создавшего самого себя вопреки всем обстоятельствам.
For each artist his biography is creativity. Many-sided creativity of the artist of Peter Lukich Malkov (1924-2014), was developed as in the line of monumental and easel painting. The sculptor has created dozens of monuments has become an integral feature of the appearance of Volgograd and Volzhskiy. The images created by Peter Lukich, are associated with the personality of their Creator, the master with a capital letter, created yourself despite all circumstances.
The art of Mongolian artist B. Sharav: the experience of interpretation of major artworks
Authors: Иккерт Т.В. 
Published: July 2021

Балдугийн Шарав (1869-1939) – основоположник самобытного направления в живописи – монгол зураг – один из первых начал изображать жизнь простого народа. Масштабные произведения этого художника «Один день Монголии» и «Праздник кумыса» относятся к числу наиболее значимых произведений искусства Монголии. В картинах применен ковровый принцип композиции с большим количеством сюжетов, выполненных в миниатюрной технике, изображающих повседневную жизнь народа. В статье предложены некоторые методологические подходы к анализу этих живописных произведений.
Balduugiin Sharav (1869-1939), was the founder of original direction in painting «mongol zurag», that was he who began to depict the life of ordinary folks. «One Day of Mongolia», «Holiday koumiss» are a huge masterpiece of the artist and considered as one of the most significant pictures in Mongolian fine-art. In this compositions the artist applied so called «principal of a carpet»” with large amount of stories pictured in style of miniature which tell about everyday life of people. We proposed methodological approaches to the analysis of these paintings.