bluuebunny/crossref_metadata_2025_split huggingface dataset:
On the transformation of the Kalmyk costume in the second half of the 20th century – the beginning of the 21st century
Authors: Сангаджиева Д.В. 
Published: December 2021

Исследование посвящено изучению специфики бытования калмыцкого костюма во второй половине ХХ века – начале XXI века в Калмыкии, сравнению элементов кроя и способов декорирования в традиционных образцах народного костюма и в сценических национальных костюмах, а также в художественной стилизации авторских моделей одежды в этническом стиле. Материалом для исследования послужили костюмы из собраний и архивов российских музеев и частных коллекций. Объектом исследования является калмыцкий костюм, его эстетическая и смысловая доминанта как маркер национальной идентичности и ретранслятор традиционных ценностей. Целью исследования является выявление трансформационных процессов в бытовании калмыцкого народного костюма во второй половине ХХ века – начале XXI века. Впервые зафиксированы изменения технологических особенностей в создании декора и примеры внедрения инокультурных элементов в структуру повседневного и сценического народного костюма, которые несут с собой видоизменение смыслов и функциональности элементов национального костюма. Статья вводит в научный оборот новые данные о народных мастерах, художниках, дизайнерах, работающих в сфере народного костюма, зафиксированы созданные ими образцы национальной одежды и ее вариации.
The research is devoted to the study of the specifics of the existence of the Kalmyk costume in the second half of the 20th century – the beginning of the 21st century in Kalmykia, comparing the elements of cut and methods of decoration in traditional samples of folk costume with the design and decor in scenic national costumes and in the artistic stylization of author's clothing models in ethnic style. The material for the study was the costumes from the collections and archives of Russian museums and private collections. The object of the study is the Kalmyk costume, its aesthetic and semantic dominant, as a marker of national identity and a repeater of traditional values. The aim of the study is to identify transformational processes in the existence of the Kalmyk folk costume in the second half of the 20th century – the beginning of the 21st century, as well as for the first time recorded changes in technological features in the creation of decor and examples of the introduction of foreign cultural elements into the structure of everyday and scenic folk costume, which carry with them a modification of the meanings and functionality of elements of the national costume. The author fixes the process of substitution of traditional crafts in the manufacture of elements of folk costume, in the context of the development of scientific and technological progress, using modern technologies for creating clothing decor, in the author's collections of ethnic fashion in Kalmykia. The article introduces into scientific circulation data on folk masters, artists, designers working in the field of folk costume, recorded samples of national clothing created by them and its variations.
The role of museums in the modern artistic process of Buryatia
Authors: Бороноева Т.А. 
Published: December 2021

Автор рассматривает роль государственных музеев и центров современного искусства в развитии изобразительного искусства Бурятии. В частности, показано, как решаются проблемы, порожденные географической удаленностью республики от культурных столиц России и сложившимся в русле академизма стереотипом «национального своеобразия». В настоящее время в Республике Бурятия достаточно заметны признаки активного развития современного искусства, поддерживаются молодые таланты. При этом автор отмечает, что ведущую роль в сохранении, продвижении произведений изобразительного искусства и художников играют именно государственные музеи. Именно там работы художников становятся музейными предметами — культурными ценностями, имеющими значение для истории и культуры государства и обладающими особыми признаками, которые делают необходимыми для общества их сохранение, изучение и публичное представление.
The author examines the role of state museums and centers of contemporary art in the development of the fine arts of Buryatia. In this development process, it is important to solve the problems generated by the geographic remoteness of the republic from the cultural capitals of Russia and the stereotype of “national identity” that has developed in line with academism. At present, signs of active development of contemporary art are quite noticeable in the republic, young talents are supported. At the same time, the author notes that it is the state museums that play the leading role in the preservation and promotion of works of fine art and artists. It is in museums that the works of artists become museum objects — cultural values ​​that are significant for the history and culture of the state and possess special characteristics that make it necessary for society to preserve, study and publicize them.
Vitaly Ilyich Kandyba is the first art critic of Primorye: materials for biography
Authors: Даценко А.А. 
Published: December 2021

Виталий Ильич Кандыба (1943–2016) — первый и на протяжении десятилетий единственный искусствовед в Приморском крае, преподаватель истории искусств в Дальневосточном институте искусств, арт-критик, разносторонне и глубоко погруженный в художественный процесс современного ему регионального искусства. Он не только представлял художников Дальнего Востока на всероссийском и всесоюзном уровне в советскую эпоху, но и в какой-то мере указывал направление развития дальневосточного искусства. Виталий Кандыба — автор книг об истории возникновения и путях развития изобразительного искусства Приморья, Хабаровского края, Амурской области с 1860-х до 1930-х годов, об образовании и деятельности Приморской организации Союза художников России, до сих пор являющихся обязательным источником для искусствоведов, посвятивших себя изучению творчества художников региона. Тем не менее его жизнь и творчество до настоящего времени недостаточно изучены. В статье делается попытка представить очерк творческой биографии В.И. Кандыбы, дать оценку роли и значения его деятельности.
Vitaly I. Kandyba (1943–2016) is the first and for decades the only art critic in Primorye, a teacher of art history at the Far Eastern Institute of Arts, versatile and deeply immersed in the artistic process of contemporary regional art. He not only represented artists of the Far East at the All-Russian and All-Union level during the Soviet period, but also to some extent indicated the direction of development of Far Eastern art. Vitaly Kandyba is the author of books about the history of the emergence and development of fine art of Primorye, Khabarovsk Krai, Amur Region from the 1860s to the 1930s, about the formation and activities of the Primorye Organization of the Union of Artists of Russia, which are still a mandatory source for art historians who have devoted themselves to studying the creativity of artists of the region. Nevertheless, his life and work have not been sufficiently studied to date. The article attempts to present an outline of the creative biography of V.I. Kandyba, to assess the role and significance of his activities.
Archaeological lacquer objects from the Orgoyton burial ground
Authors: Калинина К.Б. , Николаев Н.Н. , Мичри М.В. , Ревельский А.И. 
Published: December 2021

Исследованные лаковые артефакты были обнаружены при раскопках княжеского кургана хунну на могильнике Оргойтон в Забайкалье, который датируется I веком до н. э. – I веком нашей эры. Хотя захоронение было разграблено в древности, в нем были обнаружены детали колес китайской колесницы, покрытые черным лаком, а также мелкие фрагменты, возможно, осколки лаковой посуды. Технологические особенности этих разнообразных объектов были изучены путем исследования стратиграфии шлифов с помощью методов поляризационной микроскопии (ПМ) и сканирующей (растровой) электронной микроскопии в сочетании с энергодисперсионным рентгеновским микроанализом (РЭМ/ЭРМ). Состав органических материалов был изучен с помощью метода пиролитической хромато-масс-спектрометрии. В результате исследования было показано, что при создании всех предметов был использован китайский лак уруси. Поскольку лаковые деревья, сок которых служит для изготовления такого рода изделий, не произрастают в этом регионе, полученный результат дополняет имеющуюся информацию о существовании этнических контактов между Китаем и народами, проживающими в Забайкалье. После исследования археологических объектов была проведена их консервация.
The studied lacquer artifacts were discovered during the excavations of the princely Hunnu burial mound at the Orgoyton burial ground in Transbaikalia, which dates back to the I century BC – I century AD and which is associated with the Asian Huns (Hunnu), in the Orgoyton burial ground on the territory of Transbaikalia. Although the burial was looted in ancient times, parts of the wheels of a Chinese chariot were found in it, covered with black lacquer, as well as small fragments, possibly fragments of lacquer ware. The technological features of these various objects were studied by studying the stratigraphy of the sections using the methods of polarization microscopy (PM) and scanning (scanning) electron microscopy in combination with energy dispersive X-ray microanalysis (SEM/ERM). The composition of organic materials was studied using pyrolytic chromatomass spectrometry. As a result of the study, it was shown that when creating all the items, Chinese urushi varnish was used. Since the lacquer trees whose sap serves for the manufacture of such products do not grow in this region, the result obtained complements the available information about the existence of ethnic contacts between China and the peoples living in Transbaikalia. After the study of archaeological sites, their conservation was carried out.
Conceptualization and digitalization of the heritage of soviet architects: A.V. Makhrovskaya, V.I. Kochedamov and A.I. Naumov within the Preserved Culture project
Authors: Наумов В.Б. , Асмолова А.Н. 
Published: December 2021

Проект «Сохраненная культура» уже более десяти лет занимается изучением и продвижением в сети Интернет достижений отечественной науки и культуры ХХ века. Статья описывает и систематизирует уникальный опыт проекта по исследованию и актуализации творческого наследия выдающихся советских архитекторов: подготовку и публикацию воспоминаний об ученом-градостроителе, члене-корреспонденте РААСН А.В. Махровской, оцифровку личного архива историка градостроительства, декана архитектурного факультета Академии художеств В.И. Кочедамова и выпуск 4-томного издания его трудов с комментариями современных ученых, а также создание документального фильма «Архитектура блокады», посвященного памяти А.И. Наумова, доктора архитектуры, члена-корреспондента Академии строительства и архитектуры СССР, автора трех генеральных планов развития Ленинграда, организатора маскировки города в годы Великой Отечественной войны. Особое внимание в статье уделено проблеме цифрового разрыва и прикладным подходам и методам его преодоления, позволяющим сохранять и популяризировать памятники «бумажной» культуры прошлого века в условиях информационного общества через создание активного исследовательского сообщества.
The Preserved Culture project has been researching and promoting the achievements of Russian science and culture of the 20th century on the Internet for more than ten years. This article describes and systematizes a unique experience on the study and update of the creative heritage of the distinguished Soviet architects. This includes the preparation and publication of the memories about scientist-urban planner, corresponding member of the Russian Academy of Architecture and Building Sciences A.V. Makhrovskaya; the digitization of the personal archive of the urban development historian, dean of the faculty of architecture of the Academy of Arts V.I. Kochedamov, as well as the release of the four-volume edition of his works with commentaries of modern scientists. The article also presents the documentary film “Architecture of the Blockade” which is dedicated to the memory of A.I. Naumov, the Doctor of Architecture, corresponding member of the Academy of Construction and Architecture of the USSR, author of three Leningrad master plans, organizer of the city masking during the Great Patriotic War. Particular attention in the article is paid to the problem of the digital divide and applied approaches and methods of overcoming it, which make it possible to preserve and popularize non-digital cultural monuments of the last century in the context of the information society through the creation of an active research community.
Modas, figurines y remiendos. Adquisición de vestuario y trabajo artesanal femenino en tiendas de modista. Ciudad de Buenos Aires, 1851-1869
Authors: Mitidieri Gabriela 
Published: December 2021

El presente artículo aborda las prácticas de consumo de indumentaria femenina que llevaron adelante diferentes mujeres en la ciudad de Buenos Aires a mediados de siglo XIX. Se ocupa de distinguir el modo en el que la vestimenta cargó consigo marcas de desigualdad social y subalternización en donde relaciones de clase, raza y género aparecieron entrelazadas. A su vez, argumenta que la difusión de un ideal de elegancia a la última moda francesa, hizo posibles experiencias de trabajo y de administración de establecimientos de modista por parte de artesanas europeas. Detrás de aquellas fachadas, este escrito busca reconstruir los servicios ofrecidos, el cotidiano laboral, arreglos de empleo y la pervivencia de procesos de aprendizaje del oficio abiertos a niñas. Al prestar atención a ciertas trayectorias de modistas a través del tiempo, muestro la continuidad de algunos de estos establecimientos a lo largo de más de dos décadas.

Palabras clave: Modistas, Trabajo Femenino, Ropas, Buenos Aires, Siglo XIX
KARAKTERISASI SYNGAS GASIFIKASI DOWNDRAFT BATUBARA DENGAN VARIASI UKURAN BUTIR BATUBARA DAN PEMURNIAN SYNGAS MENGGUNAKAN ABSORBER DENGAN VARIASI LAJU ALIR ABSORBEN
Authors: Syarif Aida , Rusnadi Irawan , Pratama Febran Agum , Angraini Elza Febrianty 
Published: December 2021

Indonesia memiliki 106.845 milyar ton batubara dan total cadangan sebanyak 30.19% dari total batubara yang ada di Indonesia. Salah satu diversifikasi energi batubara yaitu melalui peningkatan pemanfaatan batubara kualitas rendah menjadi gas melalui proses gasifikasi batubara. Proses gasifikasi batubara akan menghasilkan gas produser berupa gas sintetis (syngas) dengan komponen utama terdiri dari karbon monoksida (CO), hidrogen (H2), dan metana (CH4). Selain komponen utama tersebut syngas juga masih memiliki kandungan senyawa pengotor yaitu CO2 dan H2S sehingga perlu dilakukan proses pemurnian menggunakan absorben air (H2O). Berdasarkan uji variasi ukuran partikel batubara yang digunakan, batubara dengan variasi -4+2 cm mengalami kenaikan suhu yang lambat dan mampu menghasilkan nyala api total (nyala-redup) selama 5 menit. dengan komposisi syngas CO2 dan CH4 sebesar 0,38% dan 2,11% sedangkan variasi ukuran batubara -8+6 cm menghasilkan CO2 tertinggi sebesar 0,82%. Proses pemurnian syngas pada absorber dengan variasi laju alir absorben air menunjukkan bahwa hasil pemurnian terbaik diperoleh dengan menggunakan laju alir 2 L/menit dengan efektivitas penyerapan CO2 sebesar 39,87%, kadar CO2 setelah pemurnian 2,82%, kadar H2S setelah pemurnian. 12 ppm dan metana setelah pemurnian 3,87%.
IDENTIFIKASI FAKTOR SOSIAL YANG MEMPENGARUHI EFISIENSI PRODUKSI PADI PASANG SURUT DI KECAMATAN TANJUNG LAGO
Authors: Fusilawati Rori , Adriani Dessy , Wildayana Elisa 
Published: December 2021

Penelitian bertujuan untuk mengidentifikasi faktor sosial yang mempengaruhi efisiensi produksi padi pasang surut di Kecamatan Tanjung Lago. Penelitian ini menggunakan analisis deskriptif kuantitatif. Metode penarikan contoh yang digunakan dalam penelitian adalah teknik Sample Random Sampling. Total responden petani padi pasang surut yaitu 84 sampel. Data dianalisis menggunakan uji chi square. Penelitian ini membuktikan bahwa faktor sosial berpengaruh terhadap efisiensi usahatani dilahan pasang surut. Jika dilihat lebih jauh faktor sosial yang berpengaruh terhadap efisiensi usahatani dilahan pasang surut adalah pengalaman berusahtani. Penelitian ini kembali membuktikan bahwa untuk mencapai efisiensi tidak hanya ditentukan oleh fakor teknis produksi sperti penggunaan input dan kondisi ekologi. Pengaruh faktor sosial yaitu pengalaman usahatani menunjukan semakin banyak pengalaman maka akan semakin baik teknis budidaya yang dilakukakan petani dan akhirnya akan mendorong tercapainya efisiensi usahatani padi. Impilikasi kebijakan yang dapat dibagun dalam penelitian ini adalah (1.) meningkatkan pengalaman petani melalui pemeberian penyuluhan teknologi produksi terbaru untuk usahtani padi (2.) pendampingan dalam aplikasi teknologi produksi padi.
Metode Pembinaan Akhlak Menurut Ibnu Qayyim Al-Jauzi
Authors: Hsy Nurhayati , S Suherman. 
Published: December 2021

Metode pembinaan akhlak menurut Ibnu Qayyim Al- Jauzi adalah merupakan suatu hal yang sangat dibutuhkan di dalam kehidupan sehari-hari, yang mana di dalam sistem informasi kehidupan yang serba globalisasi ini banyaknya terjadi berbagai dekadensi moral di dalam masyarakat. Untuk konsep pembinaan akhlak Ibnu Qayyim Al- Jauzi dengan menelaah serta menganalisa dalam membentuk manusia yang seimbang (Tawazun ) dalam pengertian adanya keseimbangan fikriyah, ruhiyah dan jasadiyah yang beliau Ibnu qayyyim Al-Jauzi di dasarkan dari Al-qur’an dan Hadist. Ibnu Qayyim Al-Jauzi mengemukakan bahwa dalam rangka menuju kesempurnaan akhlak diperlukan metode pembinaan melalui pengosongan dan menghiasi diri, mengaktifkan anak dalam berbuat baik, pelatihan dan pembiasaan, memberi gambaran yang buruk tentang akhlak yang tercela dan menunjukkan sikap keteladanan. Tujuan penelitian adalah untuk mengetahui secara mendalam bagaimana metode pembinaan akhlak menurut Ibnu Qayyim Al-Jauzi dan Menggali pemikiran akhlak Ibnu Qayyim Al-Jauzi
PENGARUH KEPEMILIKAN INSTITUSI, LIKUIDITAS, LEVERAGE TERHADAP FINANCIAL DISTRESS DENGAN PROFITABILITAS SEBAGAI VARIABEL PEMODERASI. PADA PERUSAHAAN PERTAMBANGAN YANG TERDAFTAR DI BEI TAHUN 2016-2020.
Authors: Dwiyani Titik , Purnomo  
Published: December 2021

Penelitian ini bertujuan menguji apakah variabel kepemilikan institusi (Kep-I), ikuiditas dan leverage dengan profitabilitas sebagai variabel pemoderasi berpengaruh terhadap financial distress. Penelitian ini menggunakan sampel perusahaan pertambangan yang terdaftaf di BEI periode 2016 hingga 2020. Metode penelitian yang digunakan adalah dengan menggunakan analisis regresi linier berganda dan menggunakan moderated regretion analisys dengan menggunakan SPSS. Sampel perusahaan pertambangan yang digunakan sebanyak 30 perusahaan dari jumlah perusahaan pertambangan seluruhnya 45.
Hasil penelitian menyatakan bahwa uji determinasi menunjukkan hasil 52,3% yang artinya 47,7% dipengaruhi variabel yang tidak masuk dalam model penelitian. Uji simultan (F) terbukti semua variabel berpengaruh terhadap financial distress. Uji parsial (t) menunjukkan variabel kep-I berpengaruh negatif, namun variabel likuiditas dan leverage berpengaruh positif serta ROA tidak berpengaruh terhadap financial distress.
Hasil uji MRA menunjukkan hasil bahwa variabel profitabilitas yang diukur dengan ROA hanya mampu memoderasi variabel leverage,namun tidak mampu memoderasi variabel Kep-I dan Likuiditas terhadap financial distress.
Weed control of maize (Zea mays L.) in university farming
Authors: Vojnich V. J. , Ferencz Á. 
Published: December 2021

Purpose. Regarding the area of maize in Hungary, we can state that it is one of the largest crops grown in the area. Maize was grown on 1,048,070 hectares in Hungary in 2019. The purchase price depends, among other things, on the size of the sown area and the yields, but many other things can also have an impact in either a positive or negative direction. In recent years, the purchase price of maize has been around HUF 50,000/tonne. Maize is one of the heat-demanding plants that needs 500 mm of rainfall during its growing season to develop smoothly. The expected yield is significantly influenced by the type of soil grown. Meadow chernozem and brown forest soil are the most favorable for maize.
Methods. The maize was sown on April 17, 2020. In the experimental area were selected 5 squares. A square has a floor area of 4 m2. In the research area were conducted three weed surveys. The dates were: May 18, June 22, and July 29, 2020. The following herbicides were released on 15th May: Sulcotrek (sulcotrione and terbuthylazine); Tegoplant (trisiloxane); Trend (adjuvant).
Results. The area was harvested on 21 September by a combine harvester equipped with a corn tube breaker adapter. From an area of one hectare, 9.4 tons of crops were harvested with a moisture content of 14%.
Conclusions. In the case of chemical weed control, it is recommended to use an agent or combination which is specifically aimed at reducing unwanted, in this case pine sorghum.
Quality of bread from flour of different spelt wheat varieties
Authors: Liubych V. V. 
Published: December 2021

Purpose. To study the quality formation in bread from different flour of spelt wheat (premium, whole-wheat) depending on the variety and line.
Methods. Laboratory, mathematical and statistical, physical and chemical.
Results. The bread volume made from high-grade flour varied from 303 to 523 cm3, which corresponds to 1.0–7.6 points depending on the variety and line of spelt wheat. The bread volume made from whole-wheat flour was 10–20% less than the bread volume made from premium flour. The average bread volume obtained from whole-wheat flour of ‘Zoria Ukrainy’ variety was 470 cm3, while low bread volume was obtained from flour of ‘Shvedska 1’ variety and LPP 3132, LPP 3117, TV 1100 lines which corresponded to 2.8–3.2 points. In other varieties and lines, these indicators were very low and ranged between 270 and 328 cm3 or less by 142–200 cm3 compared to the standard variety. The convexity of pan bread made from high-grade flour was the highest in ‘Zoria Ukrainy’ spelt wheat variety and NAK 34/12‑2 line: 0.49 and 0.54, respectively, which corresponded to 5.0 points. Significantly higher indicators were found in P 3, NAK34/12–2, and LPP 3122/2 lines: 0.38–0.51 (1.0–5.0 points). In ‘Shvedska 1’ variety and five lines, the indicator of bread convexity varied from 0.27 to 0.37 (from 3.0 to 4.0 points). In other varieties and lines it was significantly lower (0.07–0.21) than in the standard. The indicator of bread convexity from whole-wheat flour in ‘Zoria Ukrainy’ spelt wheat variety was 0.37 which corresponded to 4.0 points. Significantly higher indicators were found in P 3, NAK34/12–2 and LPP 3122/2 lines: 0.38–0.51 (1.0–5.0 points). In ‘Shvedska 1’ variety and five lines, the bread convexity indicator varied from 0.27 to 0.37, that corresponds to 3.0–4.0 points). In other varieties and lines it was significantly lower (0.07–0.21) than in the standard. Culinary quality of bread was high in all samples: 7.2–8.4 points (80–93% of the maximum value). However, the highest quality had the bread made from ‘Zoria Ukrainy’ variety, LPP 3132, NAK34/12–2, and TV 1100 lines. The overall culinary quality of whole-wheat bread was very high as it varied from 8.3 to 9.0 points. However, the bread made from ‘Shvedska 1’ variety and LPP 3117, LPP 3122/2, P 3, LPP 3132, NAK34/12–2 lines had the highest quality (9.0 points).
Conclusions. Gloss index of bread surface and its overall estimate is affected by the protein content in grain. Gluten content has a slightly smaller effect on bread quality. In addition, crust surface, bread texture, the overall estimate of bread quality is also affected by the gluten deformation index. Bread obtained from ‘Zoria Ukrainy’ flour, LPP 3132, NAK34/12–2, and TV 1100 lines had the highest overall culinary evaluation.