bluuebunny/crossref_metadata_2025_split huggingface dataset:
ANALISIS KEBIJAKAN WALI KOTA PROBOLINGGO DALAM PELAKSANAAN PEMBINAAN KEPEGAWAIAN DI LINGKUNGAN PEMERINTAHAN KOTA PROBOLINGGO
Authors: Mubaroq Husni , Watoni Sohibul , Hasanah Zairotul 
Published: August 2021

The concept of decentralization is the authority of the government that is delegated to the regions, including the authority of personnel in accordance with the decentralized functions. The regional head has the task of being a coach of the State Civil Apparatus in the concept of decentralization. There was a case that the Mayor of Probolinggo issued a decree to remove Tutang Heri Aribowo, who served as an Expert Staff at the Regional Secretariat of the City of Probolinggo. The Regional Government as a civil servant coach tends to abuse its authority. This happens because there is the influence of the political elite in giving disciplinary punishment to employees. The author wants to describe the problem in a study that uses descriptive analytical methods, namely descriptions of the facts and characteristics of a particular population or area in a systematic, factual and thorough manner. The data in this study collected materials by means of a library study. This study also uses a normative juridical method with a statutory approach. So that in this study we know the legal basics of this problem. In order to know the proper process and institution related to the case problem. This aims at employee disputes on the right track and there is no arbitrariness by the ASN supervisor.
Keywords: Employment Disputes, Authority, Personnel Advisor
Writing a murderous mother: a case study on the critical applications of creative writing research to crime fiction
Authors: Beasley Carolyn 
Published: August 2021

Creative writing research offers a unique opportunity to draw together threads of inquiry from the realms of the creative, the practical and the critical (Kroll and Harper 2013). This article explores a writer’s interrogation of this process and how it was applied to creating representations of a murderous mother in a crime fiction narrative. Crime fiction provides a natural space for intersections of the creative, practical and critical due to the genre’s tendency towards social critique (Moore 2006) and the opportunity it offers to question the representations and cultural assumptions that surround us. This article aims to unpack these intersections and ask how common representations of the murderous mother can be deconstructed, challenged and repositioned through first separating, and then realigning, critical and creative processes.
Learning all the tricks: critiquing crime fiction in a creative writing PhD
Authors: Franks Rachel 
Published: August 2021

In the late 1920s Dorothy L. Sayers, despite her impressive contributions to the crime fiction genre, wrote of the idea that the genre would fall into a decline, that there ’certainly does seem a possibility that the detective story will some time come to an end, simply because the public will have learnt all the tricks’ (1947: 108). This article takes this idea, of learning ‘all the tricks’, and applies it to the process of producing an artefact (a crime novel) and exegesis for a creative writing doctoral program. Specifically, this article looks at the notion of how the artefact and exegesis should work together, as two halves of a single whole. In addition, this article explores the idea of how the task of writing an historical crime fiction novel, and accompanying exegesis, can draw on both crime fiction and on crime fiction criticism. This base, of the creative and critical, can inform the production of a work that offers an aesthetic quality and an academically rigorous contribution to conversations around one of the world’s best-selling genres.
Lawyer as critic: analysing the legal thriller through the works of John Grisham, Erle Stanley Gardner and Harper Lee
Authors: Bainbridge Jason 
Published: August 2021

Focusing on selected ‘classic’ novels by John Grisham, with reference to how they are informed by the earlier works of Erle Stanley Gardner and Harper Lee, this paper explores how these authors, writing in the legal thriller genre, present their lawyer protagonists as critics of both the law and the legal systems of which they are a part. Both Gardner’s and Grisham’s writings have been the focus of much criticism from legal scholars who suggest they are unduly critical of lawyers and provide outlandishly happy endings. This article challenges these criticisms by analysing how Gardner’s and Grisham’s narratives explore notions of law’s contingency on crime and materiality. In this way the article concludes that these narratives offer a way of understanding how just practitioners can operate in an unjust system and therefore constitute a powerful interrogation of how law operates.
Trial by jury and newspaper reportage: re-writing women’s stories from legal transcripts and contemporaneous journalism
Authors: Brien Donna Lee , Franks Rachel 
Published: August 2021

High-profile criminal cases often pique intense public interest at the time they are being acted out in the courts, and some cases maintain a place in the popular imagination. A few cases will result in narratives that successfully re-narrate the protagonists’ stories in what could be described as fully fleshed, satisfying biographical studies. This article examines the high profile cases of Mary Dean (poisoned by her husband in 1895) and Mary Jane Hicks (sexually assaulted by a gang of men in 1886) and how their stories, reduced to the facts distilled from copious legal documentation and newspaper reportage, have seen these women fade; their stories, though repeatedly re-told, contain both Dean and Hicks as unimagined and obscure. Image: ‘Prisoners in yard at Darlinghurst Gaol 1884-1886’, State Library of New South Wales
Creative, critical, intertextual: Agatha Christie’s The Murder of Roger Ackroyd
Authors: Rolls Alistair 
Published: August 2021

This article is something of an apologia for rereading Agatha Christie, whose work is all too often deemed lacking in creativity, or, at the very least, the richness of the literary, or non-genre-based, text. Judging by her autobiography, even the author herself, a lover of ‘the classics’, subscribed to some degree to this perception of her writing. Such perceptions, however, flow logically (or perhaps syllogistically) from ending-based responses to her work, according to which detective fiction (and especially the whodunit model within the bounds of which critics constrain her texts) has only one meaning, to wit, the solution to the crime as unveiled by the detective. Christie’s works are nonetheless literary; they are texts, in other words, and indeed texts in other words. This textuality brims over and strains against the generic parameters that she is considered to have pioneered, but which have been set in stone by critics, those all-powerful readers. This article follows one line of flight beyond the bounds of the detectival solution. The marrow thrown by Hercule Poirot in _The Murder of Roger Ackroyd_ will be shown to be a literary act par excellence, a sign of textual exuberance. Or perhaps not so much a sign (for all signs point to the solution, do they not?) as an explosion. I shall read the marrow for what it is – a marrow with a history; I shall try to go beyond the metaphorical in favour of the intertextual; and finally, rather than turning a blind eye to it in our pursuit of the murderer, I shall read it. Image source: Photograph by CPL/Popperfoto/The Guardian
Narratives of apprehension: crime fiction and the aftermath of the Northern Irish Troubles
Authors: McGuire Matthew 
Published: August 2021

With over four hundred produced between 1969 and 1998, the thriller was the most popular fictional form of representing the Northern Ireland Troubles. Critics, however, were highly dismissive of the genre, claiming it offered little more than clichés and stereotypes, and that it marked the enthronement and reiteration of a problematically reductive take on the conflict. The Belfast Agreement (1998) signalled the official end of the Troubles and the beginning of what many hoped would be a new era in Northern Irish history. The decades since the Agreement era have witnessed a remarkable resurgence of interest, both critically and creatively, in crime fiction, and in the ways in which the hermeneutic codes of the genre might be brought to bear on the various legacies of the Troubles. For a new generation of Northern Irish crime writers, academic critics and literary novelists the possibilities and limitations of genre fiction have provided an arena in which key issues might be theorised and thought through; these include the challenge of dealing with the past, questions about truth recovery and transitional justice, and the need within the region to achieve some form of closure on the traumatic events of recent years. Far from continuing a process of ideological reductionism, post-Agreement crime fiction has exemplary value. Drawing inspiration from the police procedural, the comic thriller and the noir-ish Weltanschauung of hardboiled detective fiction, it contains a series of idiosyncratic and sophisticated responses to the aftermath of political conflict. Image source: ‘Loyalist banner and graffiti on a building in the Shankill area of Belfast, 1970’. By Fribbler - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=7569750
Something old, something new, something borrowed: imitation, limitation and inspiration in French crime fiction
Authors: Anderson Jean 
Published: August 2021

Looking at a range of creative strategies, namely imitation, limitation and inspiration, employed within the flourishing sector of French crime fiction, this study highlights some obvious intertextual borrowings and influences. Beginning with parody and pastiche and the replication of series’ titles to launch new collections, it then moves on to explore the role of Jean-Bernard Pouy in founding some of these important series and encouraging new approaches to crime fiction writing. Although the Le Poulpe series he founded is widelyknown, another series (Pierre de Gondol), created in 2000 with more muted success, attempts to take its readers past the high-low culture divide and even beyond the realm of the metaphysical detective novel.
The endangered species list: the mercurial writing of Charles Willeford and the strange case of The Shark-Infested Custard
Authors: Popowich Jamie 
Published: August 2021

In the late 1960s and the early 1970s the crime writer Charles Willeford moved into various other genres. Willeford explored how the solitary, selfish, and obsessive male protagonists of his crime writing responded to the genre in which they featured. The outgrowth of these experiments were the key texts of his career: The Burnt Orange Heresy (1971) and The Shark-Infested Custard (the latter was not published until after Willeford’s death in 1993). These texts were masterworks of the crime fiction genre, pushing its boundaries beyond the realm of the creative work and producing creative-critical texts. Burnt Orange is a hybrid novel that is at once the story of a sociopathic first person narrator and, perhaps more importantly, a commentary on Surrealist and Dadaist art. The Shark-Infested Custard, on the other hand, comprises a quartet of stories less concerned with the hardboiled world of crime and more with how condominium complexes, specifically those for bachelors, were creating lifestyles built on selfishness and possessions. This article will closely examine these texts and Willeford’s genre writing of the 1960s and 1970s (from science fiction to westerns to sports narratives); it will contextualise his work in relation to crime fiction; and finally, it will place Willeford’s work in a broader context than that of the marginalised pulp writer or the writer of the Hoke Mosely novels, on which the majority of scholarly writing on his work has concentrated.
Detective fiction and the critical-creative nexus
Authors: Gulddal Jesper , Rolls Alistair 
Published: August 2021

This article aims to put a theoretical frame around the concept of the critical-creative nexus as it manifests itself in detective fiction. It argues that critical and creative practices in the context of detective fiction, and by extension in popular literature in general, are deeply interconnected: the writing of detective fiction always involves a critical positioning in relation to established genre conventions, while, conversely, detective fiction criticism, and certainly its most important exempla, involves an element of the creative, stretching from imaginative readings to a complete critical rewriting of the individual story. The article concludes by suggesting that the concept of the critical-creative nexus results in a new understanding of detective fiction as an inherently mobile genre constantly in the process of reinventing itself.
Re-inventing Shakespeare: his methods of inventio and a new ‘Shakespearean’ play called Bennelong
Authors: Dodd Kirk 
Published: August 2021

Most Renaissance grammar schoolboys would have been trained in a tripartite process of rhetorical composition – inventio, dispositio and elocutio – yet there has been an incorrect tendency to analyse only Shakespeare’s application of rhetorical figures as Shakespeare’s application of rhetoric. Rhetorical figures concern only the third and final method of composition, elocutio, and whilst methods of inventio (discovering arguments) and dispositio (arranging those arguments) seem more ideational than they do textual, we should not exclude the prospect of finding evidence for Shakespeare’s applications of inventio methods in his work. This paper will introduce the still-emerging field of Shakespeare’s inventio and the strategies I have developed to find evidence for this part of Shakespeare’s creative process – evidence that I suggest is hiding in plain view, camouflaged, as it were, before our every eyes. I will argue that Shakespeare’s use of inventio methods conforms to Cicero’s treatise on rhetorical invention, and present three analyses of Shakespeare’s application of the topics: notatio, contraries, and definitions. I will then illustrate the practical applications of inventio methods by demonstrating how I have re-applied these findings to my own blank verse drama called Bennelong, which aims to achieve a ‘Shakespearean’ aesthetic.
Borrowed robes and garbled transmissions: echoes of Shakespeare’s dwarfish thief
Authors: Johnson Laurie 
Published: August 2021

When Shakespeare’s plays are creatively reinterpreted or rewritten, ‘Shakespeare’ invariably remains locked in as the fixed point of reference: rewritings of Shakespeare; reinterpretations of Shakespeare, and so on. Since 1753, Shakespeare source studies have been mapping the source materials on which his plays were based, which should have enabled us to loosen this fixed point of reference and to begin to picture the much longer history of reinterpretations in which the plays participate. Yet traditional approaches to Shakespeare source studies merely lock in a new point of reference, encompassing both source text and play. This paper aims to show that the new source studies unravels the notion of an ‘original’ by enabling us to unlock broader fields of exchange within which Shakespeare’s texts and our interpretations circulate together. Using the example of Macbeth and the language of borrowing and robbery within it, this essay illustrates the capacity for creative or writerly engagements with a Shakespearean text to tap, perhaps even unconsciously at times, into a history of words and images that goes far beyond the 400 years that we are marking in this year of Shakespeare.
In dialogue with Banquo’s ghost: how to really find yourself through the Scottish play
Authors: Muslera Pablo 
Published: August 2021

Identity shifts frequently in Shakespeare’s Macbeth, on both an individual and nationalistic level. Macbeth transforms from loyal thane to regicide, and Scotland enlists England’s aid to end its civil war. The Macbeths switch roles during the banquet scene, his ruthlessness eclipsing hers. Eve Best’s 2013 Globe Macbeth adds another dimension to this scene, allowing a moment of reconciliation between Macbeth and Banquo’s ghost. It inspired my own allegorical response to Macbeth in my prose novel The Green Fairy, a modern meditation on identity, loss and redemption that forms the creative artefact of my PhD thesis. My creative dialogue with Macbeth is informed by Bakhtin’s heteroglossia, where contemporary questions of identity are explored through the lens of the Scottish play’s background voices. These include the historical Macbeths, and film and theatre representations of Shakespeare’s couple. In this article I combine excerpts of my novel with exegetical commentary to address contested notions of identity in the Scottish play. Benefits of adapting Macbeth into a contemporary novel include the ability to dwell at length on the internal lives of characters, and tease out a particular moment in performance of the play, to explore the modern relevance of the problems posed within it.
Better off dead?: the creative practice of reviving Ophelia
Authors: Carniel Jessica 
Published: August 2021

Various attempts have been made to reclaim Shakespeare’s heroines from tragic fates and patriarchal oppression. Hamlet’s Ophelia has been a particular source of inspiration for writers and filmmakers but, as with many heroines of the tragedies, the greatest challenge for revising Ophelia is rewriting her death, which is the pivotal point of her narrative significance in the original play. Framed within a broader consideration of the feminist project to revive and reclaim Ophelia in the 1990s and beyond, this article considers how treatment of Ophelia’s death in twenty-first century has been the significant narrative turning point for adaptations and appropriations. This focus on her death has either facilitated or compromised her subjectivity and agency. The article concludes with suggestions for the other thematic and technical possibilities afforded to both creative writers and literary scholars engaged in the process of canonical revision.
Optimasi Sistem Photovoltaik Menggunakan Cuk Konverter Berbasis Simple Perturb and Observe Method
Authors: Sulis Tatit , Fathoni Fathoni , Putri Ratna 
Published: August 2021

Mengingat indonesia merupakan negara tropis, ketersediaan energi matahari cukup melimpah di Indonesia karena musim kemarau berlangsung selama 6 bulan. Photovoltaik juga dapat digunakan sebagai sumber energi listrik di daerah terpencil yang masih belum terjangkau oleh PLN. Rancangan Cuk konverter dipilih karena mampu menurunkan dan menaikkan tegangan sumber dari photovoltaik 200WP. Kelebihan cuk konventer mampu mengurangi ripple pada keluaran PV yang dapat menyebabkan tegangan akan lama mencapai konstan. Metode MPP tracking yang terkenal adalah metode perturb and observe (P&O). PWM digunakan untuk mengontrol konverter dan mengontrol tegangan yang di inginkan. Hasil pengujian tegangan masukan power supply 12V. dengan duty cycle 10% menghasilakan tegangan 1.99V. Sementara hasil pengujian masukan power supply 12V, dengan duty cycle 60% menghasilkan tegangan 11.59V. Penerapan P&O pada cuk konverter dirasa cukup efektif pada sistem photovoltaik dengan hasil yang cukup stabil dengan rata-rata keluaran tegangan 23,848 Volt.
Kata kunci: Photovoltaik, Cuk Konverter, PWM, P&O.
Lymphogranulomatose vénérienne : A propos d'un cas observé dans le service Dermatologie,Bamako, Mali.
Authors: Sissoko M , Togola H , Diakité M , Coulibaly K , Dicko AA , Faye O 
Published: August 2021

La lymphogranulomatose vénérienne (LGV) ou maladie de Nicolas et Favre fait partie des infections sexuellement transmissibles (IST) rares due au sérovar L1, L2 et L3 de Chlamydia trachomatis. Nous rapportons un premier cas de LGV dans le service de Dermatologie du Centre National d'appui à la lutte contre la maladie (CNAM) chez un sujet hétérosexuel présentant à l'examen clinique une hypertrophie éléphantiasique du scrotum et de la verge associée à des fistules. Le diagnostic de LGV a été évoqué devant la clinique et confirmé par la sérologie chlamydiae. Une antibiothérapie a été instaurée (Doxycycline puis Azythromycine), a entrainé une régression progressive des symptômes en 4mois.
Zona planto-pédieux révélateur de l'infection à VIH
Authors: Keita L , Fofana Y , Sissoko M , Traore B , Diaby MG , Cisse L , Karabinta Y , Dicko AA , Faye O 
Published: August 2021

Le zona est une dermatose virale qui peut intéresser n'importe quelle partie du corps. La plus part des personnes atteintes d'un zona ont entre 50 à 70 ans. Toutefois son apparition chez le sujet jeune doit fait rechercher une immunodépression à VIH. Nous rapportons un cas atypique de zona révélant l'infection à VIH chez une patiente de 25 ans présentant une éruption vésiculeuse, douloureuse reposant sur un fond érythémateux localisé sur la plante du pied gauche. Le diagnostic du zona a été évoqué grâce aux éléments cliniques et réconforté par le cytodiagnostic et l'histologie. Cette localisation atypique nous a incités à demander une sérologie à VIH qui est revenue positive.
Choriorétinite toxoplasmique active de l'œil droit chez une adolescente à propos d'un cas
Authors: Diallo S 
Published: August 2021

La choriorétinite toxoplasmique active constitue une affection rare chez les adolescents. Le diagnostic est principalement basé sur l'examen ophtalmologique et une réponse favorable au traitement. Nous rapportons le cas d'une adolescente de 18 ans reçue pour une vision floue avec douleur oculaire. L'examen du segment antérieur est sans particularité. Le fond d'œil au niveau de l'œil droit retrouve un foyer de choriorétinite toxoplasmique active. L'examen ophtalmologique de l'œil gauche est sans particularité. Le bilan para clinique effectué chez la patiente montre un test de REMINGTON positif à 2 reprises distants de 3 semaines. L'évolution clinique après l'instauration du traitement était favorable avec une cicatrisation du foyer actif en un mois.
Sphingomonas paucimobilis: Un phénotype de multi-résistance inhabituel chez un probable pathogène émergent
Authors: Makanera A , Condé M , Diallo MA , Condé M , Camara D 
Published: August 2021

Introduction: La multi-résistance aux antibiotiques devient un phénomène inquiétant chez des bactéries pathogènes et pathogènes émergentes. Objectif: L'objectif de ce travail était de décrire un phénotype de multi-résistance aux antibiotiques chez une souche de Sphingomonas paucimobilis. Patiente et méthodes: Une patiente de 55 ans a été reçue le 29 Novembre 2017 à l'Hôpital de l'Amitié Sino-Guinéenne (Kipé/Conakry) pour des examens cytobactériologiques des urines. L'identification bactérienne et l'antibiogramme ont été faites à l'automate Vitek2 compact 15 (Biomérieux, Marcy l'Etoile, France). Résultats : L'identification bactérienne a révélé la présence de Sphingomonas paucimobilis. Les antibiogrammes réalisés avec les cartes AST-N 233 et AST-XN05 ont montré une résistance à tous les antibiotiques testés avec des CMI élevées, à l'exception des tétracyclines et du chloramphénicol. Conclusion : Nos résultats montrent que la souche de Sphingomonas paucimobilis étudiée pourrait être considérée comme une bactérie pathogène émergente présentant un phénotype de multi-résistance à différentes familles d'antibiotiques.