bluuebunny/crossref_metadata_2025_split huggingface dataset:
Gumrah Wewarah
Authors: Ratnasari Yuni 
Published: August 2021

Karya tari tugas akhir berjudul Gumrah Wewarah terinspirasi oleh salah satu punokawan putri yakni tokoh Limbuk. Gumrah Wewarah, Gumrah memiliki arti ramai, keramaian, dan bercanda yang berkonotasi positif, sedangkan Wewarah memiliki arti nasehat. Gumrah Wewarah bercerita tentang perjalanan hidup Bathari Kanestren yang berubah wujud menjadi Limbuk, ia selalu memberikan suasana yang bahagia, sumringah, ramai dan selalu jenaka, memiliki tujuan agar yang di momong betah, remaket dan bahagia namun dibalik kelucuannya ada nasehat yang tersirat didalamnya. Mulut Limbuk yang mengucap dan mengurai sebuah makna tentang kesejatian perempuan nuswantara yang terpilih, dan semua ucapan dan uraian itu selalu disampaikan lewat mulut yang tersenyum. Limbuk adalah pamomong yang tergolong masih remaja berkarakter genit namun selalu memberikan tuntunan dan memuat wewarah didalam kejenakaannya, ia selalu membawa cermin, sisir dan kacu yang menjadi identitasnya, alat-alat tersebut digunakan untuk menghias dirinya sendiri ataupun mendandani para putri yang di emong nya. Karya tari divisualisasikan dalam komposisi tari kelompok , didukung oleh tujuh penari putri, putri menggambarkan tokoh Limbuk yang berjenis kelamin wanita, selain itu memberikan pitutur tentang bagaimana seharusnya wanita bersikap, keanggunan dan peranan wanita yang begitu penting di kehidupan ini. Tujuh penari sebagai simbol pitulungan. Karya ini dipentaskan di proscenium stage. Pijakan pengembangan gerak berasal dari gerak tari putri gaya yogyakarta terutama motif gerak kiprah sekaran gecul, merak ngigel, lilingan, dan encot. The dance for the final project named Gumerah Wewarah inspired by one of the punakawan called limbuk. Gumrah Wewarah, Gumrah means cheerful and comical in positive ways, while wewarah means advice. Gumrah Wewarah tells the story of Bathari Kanestren who transformed became a limbuk. She is a woman who is very cheerful and comical. She always brings happiness to the people around her. When she takes care of princesses, she always delivers advice in comical ways. The mouth of limbuk delivers a meaning of the genuineness women of Nuswantara, moreover all speech and advice always delivered through smiling mouth. Although Limbuk is a teenager nanny who is girlish, she always delivers advice in comical ways. She always carries a mirror, combs, and handkerchief which are her identity. Those stuffs are used to help her in grooming. The dance is performed in a dance group. It supported by seven girl dancers. The girl dancers represent the limbuk who is a woman. Moreover, they give the good examples of the women’s behavior. They portray elegance and the role of women who are very important in this life. The seven dancers symbolized a help. This dance had performed in proscenium stage. The basic movements are the style from Yogyakarta, especially the movements such as kiprah sekaran gecul, merak ngigel, lilingan, and encot.
Proses Kreatif Tari Bedaya Putri Pakungwati Keraton Kasepuhan Cirebon Karya Sultan Sepuh XIV Pangeran Raja Adipati Arief Natadiningrat
Authors: Rahayu Dian 
Published: August 2021

Penelitian ini bertujuan untuk mengetahui dan mengkaji proses kreatif tari bedaya Putri Pakungwati karya Sultan Sepuh XIV Pangeran Raja Adipati Arief Natadiningrat, tarian yang terilhami oleh dokumentasi yang dimiliki oleh Keraton Kasepuhan berupa foto-foto. Teknik pengumpulan data yang digunakan adalah observasi, wawancara, studi pustaka, dan dokumentasi. Observasi dilakukan untuk mengamati objek secara langsung yang diteliti saat melakukan penelitian, wawancara dilakukan melalui proses tanya jawab secara lisan, bertatap muka dengan narasumber yang diperlukan, studi pustaka berupa sumber tertulis yang diperoleh dari beberapa buku yang sesuai dengan permasalahan untuk membantu penulisan dan kerangka berpikir. Hasil penelitian menunjukan bahwa, dalam karya tari Bedaya Putri Pakungwati, menghadirkan nafas-nafas baru untuk tari yang ada di Cirebon khususnya tari bedaya. Secara keseluruhan ada banyak unsur kreatif yang tertuang dalam karya tari Bedaya Putri Pakungwati. Terlihat dari konsep rancangan ide garapan, materi gerak tari yang berasal dari pengembangan gerak gaya Cirebonan, iringan tari yang terinspirasi dari iringan yang ada di Keraton Kasepuhan, kostum yang mengambil konsep islami hingga properti yang disajikan. This research have purpose to find and analize the process of Putri Putri Pakungwati Bedaya Dance by Sultan Sepuh XIV Pangeran Raja Adipati Arief Natadiningrat, dance that inspired by photo documentation that owned by Keraton Kasepuhan. Using data collecting technique like observation, interview, literature, review, documentation. Observation for observasing object directly when doing research. Interiew for having process question and answer orally, face to face with interviewees needed, literature review like written sources that taken from few books that suitable with problem to help writing and design thinking. The result of research shows that ini Putri Pakungwati Bedaya Dance gives new knowledge for dance in Cirebon, there are many creative element in Putri Pakungwati Bedaya Dance. Seen from the idea of arable design concept, dance mves material from Cirebon style moves development, music for dance that inspired from music in Keraton Kasepuhan, and costume andproperty using Islamic concept.
Fungsi Tari Nyambai Pada Upacara Perkawinan Adat Nayuh Pada Masyarakat Saibatin Di Pesisir Barat Lampung
Authors: Ningrum Cintia Restia 
Published: August 2021

Tari Nyambai adalah tari kelompok berpasangan yang dilakukan oleh gadis (muli) dan bujang (mekhanai) sebagai ajang pertemuan atau ajang silahturahmi untuk mencari jodoh. Sebagai tarian adat pada masyarakat saibatin (pesisir), kehadirannya menjadi bagian dari rangkaian upacara perkawinan yang disebut dengan upacara Nayuh/Penayuhan. Upacara Nayuh/Penayuhan adalah upacara perkawinan adat besar-besaran yang diadakan oleh masyarakat Lampung yang beradat Saibatin/pesisir. Metode analisisis bersifat deskriptif analisis dengan pendekatan teori fungsi dan teori sosio-budaya. Ada tiga kategori fungsi dalam kebudayaan yakni, 1). Kebudayaan harus memenuhi kebutuhan biologis, seperti kebutuhan akan pangan dan prokreasi, 2) Kebudayaan harus memenuhi kebutuhan instrumental, seperti kebutuhan akan hukum dan pendidikan, dan 3). Kebudayaan harus memenuhi kebutuhan integratif, seperti agama dan kesenian. Dalam sosiologi budaya ada tiga komponen pokok, yaitu 1). Institution atau lembaga budaya yang menanyakan: siapa yang mengontrol, dan bagaimana kontrol itu dilakukan, 2) Isi budaya menanyakan produk atau simbol apa yang dihasilkan, dan 3). Efek budaya menanyakan apa yang diusahakan. Tari Nyambai dan upacara Nayuh pada masyarakat Saibatin di Pesisir Barat Lampung mencerminkan adanya keharmoinisan komunikasi masyarakat dan bentuk peneguhan upacara pernikahan sebagai kebijakan adat yang harus dipatuhi seluruh warga pesisir Barat, Lampung sebagai basis sosialnya. Nyambai is a pair group dance composition mekhanai (unmarried) and muli (virgin) as a site of get along or hospitality and seeking true love. As traditional dance in society of saibatin ( coastal area), the presence as the part of chain of wedding ritual of coastal society that is called asNayuh/Penayuhan ceremony. Nayuh/Penayuhan ceremony is an enormous wedding ritual which is hold by Lampung society which has saibatin/coastal tradition. The analysis method is analysis descriptive with function and sosio-culture theoris as approachment. There are there levels of function on culture, they are: 1) Culture must fulfill the need of biologist, as the needs of eating and procreation, 2) Culture must fulfill the need of instrumental, as the needs of law and education, and 3) Culture must fulfill the need of integrative, such as religion and art. Within culture sosiology there are there main components, they are 1) institutution or culture institution that questioning: who is controller, and how the control is done ( culture institution), 2) Culture contain, is product or symbol that will be produced ( Nyambai dance ), and 3) Culture Effect, is what is worked for. Elaboration between fungtion and sosio-cultural that reflect or harmony of societal communication and the form of Wedding ritual as the policy of culture that must be obeyed to all coastal society of west Lampung as basic social.
Rekonstruksi Gerak Pada Tari Remo Tawi Jombang
Authors: Rukmana Sari Ayu Titis , Wahyudi Wahyudi 
Published: August 2021

Tari Remo Tawi merupakan salah satu Tari Remo di Jawa Timur yang memiliki ciri khas tersendiri dibandingkan dengan Tari Ngremo lainnya.Tari ini diciptakan oleh Tawi seorang pengreman dari Jombang. Tawi mengolah gerakan, sehingga mampu memunculkan teknik gerak yang unik dan berbeda dengan Tari Remo lainnya, yakni lebih halus (kêmayu), mencerminkan karakter dari Tawi yang merupakan sosok pria feminin dan berkarakter luruh atau halusTujuan penelitian ini adalah menghasilkan warna baru dalam sajian Tari Remo Tawi. Warna baru yang dimaksud disesuaikan dengan kebutuhan masyarakat saat ini, yang cenderung mengutamakan kebutuhan visual dan berdurasi singkat. Unsur visual yang utama dalam sebuah sajian tari adalah gerak, maka gerak dalam Tari Remo Tawi dilakukan proses rekonstruksi oleh peneliti untuk mempertahankan eksistensinya di tengah masyarakat modern. Metode yang digunakan dalam penelitian ini adalah metode deskriptif analisis kualitatif dengan pendekatan etnokoreologi.Hasil penelitian ini dapat digunakan sebagai pedoman bagi para seniman tari khususnya tentang cara-cara merekontruksi tari agar lebih memiliki kesan yang menarik masyarakat pada umumnya, namun tetap mempertahankan esensi/nilai dan mengindari distorsi yang berlebihan sehingga eksistensi dari tari tersebut tetap bertahan ditengah derasnya arus globalisasi. Tawi Dance is one of Remo Dance in East Java which has its own distinctive character compared with other Ngremo Dance. This dance was created by Tawi a pengreman from Jombang.Tawi cultivate the movement in such a way, so as to bring up a unique motion technique and different from Remo Dance which others. The gentle rustle (kêmayu), reflects the individualcharacter of Tawi which is the figure of the feminine man and the character is decayed or subtle. The purpose of this research is to produce new color in Remo Tawi Dance dish. The new colors are adapted to the needs of today's society, which tend to prioritize visual needs and short duration. The main visual element in a dish of dance is motion, then the motion in Remo Tawi Dance done reconstruction process by researchers to maintain its existence in the middle of modern society. The method used in this research is descriptive method of qualitative analysis by using ethnokoreologi approach.The results of this study can be used as a guideline for dance artists, especially on ways to reconstruct dance to have a more interesting impression of society in general, but still maintain the essence / value and avoid excessive distortion so that the existence of the dance survives amid the swift stream of globalization.
Geophysical and Geotechnical Evaluation of Tanjero Sandstone Layers at Dokan Area Using Ultrasonic Wave Method
Authors: Al-Awsi Munther Dhahir , Khorshid Salman Z. 
Published: August 2021

The aim of this paper is to determine the capability of the ultrasonic technique to predicate and evaluate some elastic and geotechnical properties within sand stone layers. For this purpose, 15 rock samples were collected from Tanjero Formation that is exposed in Dokan area, northeastern Iraq. Elastic wave velocities (Vp and Vs) and density (P) values for rock samples were determined by applying laboratory testing. From Vp, Vs, and density values, the porosity, elastic modulus, and some geotechnical parameters were calculated. The relationship between P wave velocity and elastic properties of samples was derived. Empirical equations were obtained by applying the regression analyses between Vp and the measured elastic properties. Good correlations were found, which may supply a good estimation of elastic properties from velocity information related to the geological setting of the area. This work confirmed the capability of the ultrasonic technique for predicating the elastic properties of rocks.
تحليــــل واقـــع الحركــــة السياحيـــة في قضــــاء زاخـــو
Authors: Gh. Taher Njeen , A. Hasan Al-Bayoti Ahmad 
Published: August 2021

شهد العالم منذ خمسينات القرن الماضي تزايدا كبيرا في اعداد السياح على المستويين الداخلي والخارجي، بفعل التطور الكبير في مجال وسائط النقل والتحسن في مستويات دخول الافراد. وبعد ان أصبحت السياحة صناعة، تتطلب تنميتها الوقوف على مقوماتها ومعرفة اتجاهات حركتها، وبهدف التعرف على خصائص السياح الديموغرافية، والاقتصادية والاجتماعية والثقافية والأنشطة والفعاليات التي يمارسها السياح في أوقات فراغهم، والوصول الى ايضاح حركة السياحة وتشخيص فاعلية النشاط السياحي فيها اختير قضاء زاخو موقعا للدراسة، وقد تم الاعتماد على نوعين من البيانات، أولهما البيانات والمعلومات الإحصائية الشهرية المسجلة عن أعداد الضيوف المترددين للفنادق والموتيلات في القضاء، وثانيهما البيانات التي تم التوصل اليها المستحصلة من نتائج الاستبيان الموزعة على السياح حسب المواقع السياحية في الموسم السياحي لتبيان توجهات ورغبة السياح ومعرفة انطباعاتهم عن المواقع السياحية من حيث الخدمات المقدمة وطبيعة المعوقات.
وتأسيسا على ما تقدم توصلت الدراسة الى ان نوع السياحة الواعدة في المنطقة هي سياحة بيئية، وطبيعية جبلية، ويمثل شهري تموز واب أفضل أشهر على مستوى حركة السياح، فيما يشكل سياح خارج الاقليم النسبة الاكبر من بين اعداد السيّاح القادمين للمنطقة مع سيطرت الفئة الشابة ما بين (15ـ45) سنة على اغلبية اعداد السيّاح، وتعد السيارات الوسيلة الأكثر استخداماً للتنقل.
Contralateral cortical response of a subpopulation of interneurons and the glial glutamate transporter GLT1 to an ischemic core.
Authors: Medina Adriana M. , García Cairasco Norberto , Escobar Martha Isabel 
Published: August 2021

Introduction: Cerebral ischemia is an important cause of brain lesion in humans. The target in research has been the ischemic core or the penumbra zones; little attention has been given to areas outside the core or the penumbra but connected with the primary site of injury. Objective: Evaluate the laminar response of a subpopulation of gabaergic cells, those that are parvalbumin (PV) positive and the astrocytes through the expression of the glial transporter GLT1 on the contralateral cortex to an ischemic core. Methodology: For this purpose we used the medial cerebral artery occlusion model in rats. The artery was occluded for 90 minutes and the animals were sacrificed at 24 and 72 hours post-ischemia. The brains were removed, cut in a vibratome at 50 microns and incubated with the primary antibodies against PV or GLT1. Sections were developed using the vectastain Kit. In control tissue the primary antibody was omitted. Results: When compared with control animals, treated ones show a decrease in the expression of GLT1, especially in layers III and IV of the contralateral cortex to the ischemic core. PV positive cells increases in layers II and V. Conclusion: Increases in the expression of PV cells could correspond to an adaptation associated with glutamate increases in the synaptic compartment. These increases may be due to decreases in the expression of GLT1 transporter, that could not remove the glutamate present in the synaptic cleft, generating hyperactivity in the contralateral cortex. These changes could represent an example of neuronal and glial plasticity in remote areas to an ischemic core but connected to the primary site of injury.
Organotypic human neuronal culture derived from traumatic brain injury.
Authors: Riascos David , Guzmán Francisco , Buriticá Efraín , Palacios Mauricio , Escobar Martha Isabel , Pimienta Hernán 
Published: August 2021

Introduction: Traumatic brain injury is a global medical problem whose survivors may show disability and neurological or psychiatric sequelae. In the last few years the knowledge of physiopathological mechanisms of TBI has increase but still it is not entirely known. For this reason the research has turn over in one´s mind in new strategies to study this pathology looking for neuroprotection. Objective: The aim of this work is to develop an organotypic culture of cortical human neurons derived from a contusion tissue obtain from patients that suffered TBI. Methodology: We used contused brain tissue from 4 TBI patients. Sections between 1,500-2,000 mm were kept in a continuous flow of aCSF 2 ml/min in a mixture of 95% O2 and 5% CO2 for 2, 8 and 14 hours. The initial time (0 hours) was the tissue extraction time. From blocks, sections of 50 mm were obtained and processed for immunocytochemistry to NeuN and MAP2. Results: The results show that organotypic cultures keep neuron integrity and laminar organization in the cerebral cortex slices from 0 to 2 hours. From this time ahead neuronal morphology and laminar organization is altered especially in neurons located on layers III and V. Conclusions: Organotypic culture could be maintained from 0-2 hours. Neuronal and laminar integrity could be demonstrated. The model lead to study neuronal behaviour after TBI through different survival times. Laminar selective vulnerability was demonstrated for layers III and V.
Pneumocystis jiroveci pneumonia in patients with HIV infection from Hospitals of the Baixada Fluminense, Rio de Janeiro State, Brazil.
Authors: Neres Norberg Antonio , Melo Reis Carlos Henrique , De Carvalho Queiroz Margareth Maria , Ribeiro Paulo César , Pile Edwin , De Carvalho Raimundo Wilson 
Published: August 2021

Objetives: The authors investigated the P. jiroveci prevalence and the epidemiological pattern of individuals with HIV infection and pulmonary infection concomitantly. Method: Were collected 266 samples of bronchoalveolar lavae of the HIV infection patients from three hospitals from Baixada Fluminense, Rio de Janeiro State, Brazil. Results: The overall prevalence of Pneumocystis jiroveci infection was 26.3%, been 18% in male and 8.3% in female. The sexes showed similar prevalence (26.8% in men and 25.3% in women) and considering the infection stratified by age category, except to female 10-15 years old group, all of them showed infection by the P. jiroveci. Both measurements without significant differences (among sex, X2= 0,07; among age category, H=10,7, p>0,05) respectively. From this survey eight cases of tuberculosis were diagnosed, representing 3.0% of the total examined.
How clinically important is the p-value?
Authors: Douglas-de-Oliveira Dhelfeson Willya 
Published: August 2021

Currently, it has been observed a growing number of publications in all fields of Dentistry. These publications act as scientific evidence, as well as a basis for clinical decision-making in dental care routine.
It is important to note that the results and conclusions in articles are based on the p-value that is a purely probabilistic and statistical parameter, and it assists the researcher to accept or reject the null hypothesis being tested.
The p-value was proposed by Fisher in 1925, and in Dentistry, it is usual to adopt the p-value stated in 0.05.1 In practical terms, when a statistical test results in p-value less than 0.05, the null hypothesis must be rejected (equality between groups), assuming that there is a difference between the assessed groups.2 In other words, p<0.05 indicates statistically significant difference between groups.
Under a critical look, the researcher and reader should keep in mind that a statistical difference is not always reflecting a true clinical importance. In addition, a lack of statistical significance does not necessarily relate to the absence of clinical significance.
The clinical importance is far beyond statistical calculations based on the p-value.3 A study presents clinical importance when the one being tested presents clinical effect capable to change the behavior of the dentist in daily routine. This judgment should be done by the researcher based on the results of his/her research, clinical experience and actual knowledge. In addition, estimates of effect sizes should be presented. This facilitates assessment of how large or small the observed effect could actually be in the population of interest, and hence how clinically important it could be.
Kassab et al. (2006)4 compared periodontal parameters in groups with and without chemical biomodifciation of the root prior surgical coverage in cases of gingival recession. The group, that used edetic acid, statistically improved the periodontal parameters in relation to the group without surface biomodification. However, this difference was imperceptible to both dentist and patient. That is, the clinical result of root coverage will be the same when using or not acid biomodification of the root. In other words, there was not an important clinical effect of this step, although there was a significant difference.
In the above example, it is clear that just because a statistic test is significant doesn't mean the effect it measures is significant or clinically important. Then, researchers should not draw conclusions based solely on the p-value, they should propose alternatives that really evaluate the clinical effect.

Dhelfeson Willya Douglas-de-Oliveira
Federal University of Jequitinhonha and Mucuri Valleys, Diamantina, Brazil.
dhelfeson@hotmail.com
O DIREITO DE CRIANÇAS À VISITAÇÃO A FAMILIARES EM RESTRIÇÃO DE LIBERDADE E A GESTÃO DECISÓRIA: UMA REVISÃO NORMATIVA
Authors: Costa Ferreira Carolina , Toscani Gindri Eduarda 
Published: August 2021

O artigo discute o direito das crianças à visitação de familiares em privação de liberdade, enquadrando o ato de visitar como procedimento da execução penal e como situação de violação a direitos fundamentais. A pesquisa investiga limites legais e institucionais do direito de visitação de crianças a familiares no Brasil e, mais especificamente, no Distrito Federal. Para isto, o texto discute o sentido de prioridade absoluta dado à proteção à criança e ao adolescente, pela Constituição Federal, correlacionando-o a competências administrativas, legislativas e decisórias sobre o direito de visita. Apresentam-se, na segunda seção, dados sobre a execução penal no Brasil, que indicam a invisibilidade sobre a infância que transita pelo cárcere, em uma tentativa de “sanitarização” da discussão, reduzida à informação sobre a existência ou não de estruturas de visitação no cárceres. O terceiro tópico levanta discussões empíricas, discutindo o conceito de família, a titularidade do direito à visita e a (in)compatibilidade de tal direito a medidas intensas de privação de liberdade. A quarta seção é dedicada à regulação da visita social no Distrito Federal, indicando a revisão normativa correspondente, suas práticas e limites institucionais, apontando dois casos em que se verificam a atuação do Poder Judiciário. O artigo dialoga com a análise qualitativa das normas e da produção teórica em execução penal, com especial orientação à defesa de direitos fundamentais. Por fim, o texto indica uma agenda de pesquisa em torno do tema, que deve ser objeto de trabalhos futuros.