bluuebunny/crossref_metadata_2025_split huggingface dataset:
Morphometric and biochemical features of different Bunias orientalis L. genotypes in the M. M. Gryshko National Botanical Garden of the NAS of Ukraine
Authors: Vergun O. M. , Rakhmetov D. B. , Shymanska O. V. , Rakhmetova S. O. , Bondarchuk O. P. , Fishchenko V. V. 
Published: April 2021

Purpose. Determine a number of morphometric and biochemical parameters of various genotypes of Bunias orientalis L. in the M. M. Gryshko National Botanical Garden of the NAS of Ukraine (NBG).
Methods. Plant samples of B. orientalis (6 genotypes created in the NBG) were examined during the flowering stage. Determination of dry matter, ash, calcium was carried out according to Hrytsaienko et al. (2003), phosphorus according to Pochinok (1976), sugars, ascorbic acid and lipids were determined according to Krishchenko (1983), b-carotene according to Pleshkov (1985). The energy value of plants was determined using an IKA C-200 calorimeter. The obtained results were analysed statistically.
Results. The height of plants varied from 140.9 (Genotype 1) to 157.5 (Genotype 5) cm, stem diameter from 11.67 (Genotype 1) to 16.1 (Genotype 6) mm, the number of internodes from 18.7 (Genotype 1) to 25.7 (Genotype 6), the number of leaves on a stem from 14.11 (Genotype 1) to 21.8 (Genotype 5), leaf lamina length from 14.2 (Genotype 1) to 23.45 (Genotype 6) cm, leaf lamina width from 6.34 (Genotype 1) to 14.5 (Genotype 4) cm, inflorescence length from 27.4 (Genotype 1) to 45.4 (Genotype 3) cm, inflorescence width from 2.32 (Genotype 1) to 4.92 (Genotype 3) cm, and the number of stems from 2.55 (Genotype 2) to 5.33 (Genotype 1). The study of the content of structural and functional compounds and nutrients at the flowering stage showed that the dry matter content was in the range of 13.58–16.00%, sugars 5.07–8.86%, titratable acidity 3.28–4.25%, lipids 3.33–6.61%, ascorbic acid 382.83–693.82 mg%, b-carotene 0.94–3.48 mg%, ash 6.79–9.2%, calcium 1.00–2.44%, phosphorus 1.61–2.67% and energy value 3337.0–3498.0 cal/g.
Conclusions. It was revealed that samples of various genotypes of B. orientalis are a valuable source of nutrients at the flowering stage. The biochemical composition of plants depended on the genotype and stage of growth. Results of the morphometric study showed variability of investigated parameters. The obtained data can be used to predict and evaluate the results of introduction and breeding studies with B. orientalis genotypes as promising crops in Ukraine.
Economic justification for growing walnut rootstocks (Juglans regia L.)
Authors: Zatokovyi V. Yu. , Kotsiubynska L. M. , Motorna O. V. , Pavliuk V. A. , Pavliuk N. V. 
Published: April 2021

Purpose. To establish economic feasibility of growing walnut rootstocks.
Methods. Walnut seedlings, promising as rootstocks in Ukraine, were studied in nurseries IE Zatokovyi V. Yu. (Sloboda Komarivtsi village, Storozhynets district, Chernivtsi region) during 2018–2020. Economic efficiency of growing rootstocks was determined according to the Method of economic and energy assessment of types of fruit and berry plantations, pomological varieties and the results of technological research in horticulture (2002).
Results. To determine the economic efficiency of seedling cultivation, the technological map of walnut seedling cultivation was analyzed. The largest share in the structure of costs was accounted for by labor remuneration – 86.7%. The reason was the use of manual labor, which accounted for 96.5% of the total technology of growing seedlings. The level of mechanization of cultivation was only 3.5%. The total fuel consumption per 1 hectare was 120.7 liters, or UAH 2,957.20 in monetary terms. Thus, fuel consumption accounted for a small share – 0.4% of the cost of one seedling. One hectare of land provided an output of 65 thousand pcs of walnut seedlings, which amounted to 1,625 thousand UAH at a cost of 25 UAH/piece. Material costs amounted to 46.16 thousand UAH/ha (total costs – 712.43 thousand UAH). Therefore, the cost was extremely low and the level of profitability was extremely high.
Conclusions. Growing walnut seedlings of the varieties ‘Slava Ukrainy’, ‘Pamiati Zatokovoho’, ‘Lysychanskyi’ is economically feasible. This is due to the relatively low cost of one seedling (UAH 10.82) and high profitability of production of the original breeding material for grafting and planting industrial crops.
Prognostic Value of Troponin I in COVID-19 Patients
Authors: Ghaleb Alaa A. , Sadky Ahmed , Meghaizel Mohammed A. , El Etriby Shehab 
Published: April 2021

Introduction:
Corona Virus Disease (COVID -19) patients present mainly with respiratory manifestations and viral pneumonia. The cardiovascular system presentation includes early signs of acute myocardial injury. Cardiac troponin I (cTnI) is a gold-standard biomarker for necrosis and myocardial risk assessment.

Aim of the work:
This study aimed to assess the prognostic value of cTnI in COVID-19 patients.

Methodology:
We report a prospective study that included 92 COVID-19 patients admitted to the El Helal Hospital, Sohag, Egypt. Upon admission, routine investigations including cTnI, chest Computed Tomography (CT), and Electrocardiogram (ECG) were carried out. The patients admitted to the intensive care unit (ICU) also had echocardiography.

Results:
More than half of the patients (55.4%) were admitted to ICU; cTnI level was elevated in 30 patients (58.8%), of whom 17 died (56.7%). There were statistically significant differences regarding the relation between cTnI level, D-dimer and the need for ICU admission and death (p=0.001).

Conclusion:
We conclude that cardiac troponin I levels are a prognostic factor for ICU admission and mortality in COVID-19 patients.
Diseases Coexisting with Sarcoidosis and Cost of their Treatment in Silesian Voivodeship (Poland)
Authors: Niewiadomska Ewa , Kowalska Małgorzata , Skrzypek Michał 
Published: April 2021

Objectives:
Sarcoidosis is a complex systemic disease with many symptoms of unknown etiology. The chronic course of sarcoidosis often allows it to co-occur with other diseases. A coexisting different form of sarcoidosis in some studies and no data regarding the costs of treatment justify the aim of the study. This study aims to assess a different form of sarcoidosis because no current data exist regarding the cost of this treatment.

Methods:
The epidemiological and economic analysis focused on diseases coexisting with sarcoidosis in the adult population of the Silesian Voivodeship (Poland), from 2011 to 2015, was conducted based on the secondary epidemiological data. The study involved 2,922 cases of the primary diagnosis of sarcoidosis (code D86 according to ICD-10) and 505 cases of sarcoidosis coexisting with another.

Results:
One out of ten patients with sarcoidosis has been found to be diagnosed with at least one comorbid disease. The comorbid disease includes diseases of the circulatory and respiratory system as well as endocrine, neoplasms, nutritional and metabolic diseases. The average unit cost of sarcoidosis therapy increases with the number of comorbidities and depends on the nature of the primary diagnosis and type of medical service.

Conclusion:
The epidemiological situation of diseases coexisting with sarcoidosis has been found to be similar to those reported in other European countries. However, neoplasms are one of the most common frequent comorbidities in Poland. The results obtained confirmed the strong impact of comorbidities on the cost of treatment of sarcoidosis.
Возможности коррекции легочной гипертензии у больных с тяжелым острым респираторным дистресс-синдромом, вызванным COVID-19
Authors: Korsunov V.A. , Skoryk V.S. 
Published: April 2021

Актуальность. Болезнь, вызванная SARS-CoV-2, распространилась в мире с декабря 2019 года и приобрела характер пандемии. У большинства пациентов наблюдаются легкие симптомы COVID-19. Однако около 5 % больных нуждаются в лечении в отделениях интенсивной терапии из-за развития острого респираторного дистресс-синдрома (ОРДС), который может сопровождаться легочной гипертензией. Сегодня вопрос интенсивной терапии этих состояний является нерешенным и требует дальнейших исследований. Цель исследования: изучение состояния правых отделов сердца, центральной гемодинамики и влияния на них инфузии 4,2% раствора L-аргинина с 2% левокарнитином при коррекции легочной гипертензии у больных с тяжелой дыхательной недостаточностью, вызванной COVID-19. Материалы и методы. Проведено одноцентровое проспективное несравнительное исследование, в которое в течение мая — августа 2020 г. включены 39 пациентов с тяжелым течением болезни SARS-CoV-2 (COVID-19), развитием двусторонней пневмонии, ОРДС и легочной гипертензией. Проанализировано влияние инфузии 4,2% раствора L-аргинина с добавлением 2% левокарнитина на результаты интенсивной терапии. Результаты. Использование в/в инфузии 100 мл 4,2% раствора L-аргинина с 2% левокарнитином в сочетании со стандартным лечением в соответствии с приказами и протоколами МЗ Украины позволило снизить легочную гипертензию у больных с тяжелым течением COVID-19 с развитием ОРДС. Выводы. Использование раствора 4,2% L-аргинина и 2% левокарнитина у больных с тяжелым течением COVID-19 можно рассматривать как перспективный метод терапии правожелудочковой недостаточности и легочной гипертензии.
Когнитивный дефицит как следствие общего обезболивания в офтальмохирургии у послеоперационных пациентов
Authors: Dorofeeva G.S. 
Published: April 2021

В этом исследовании рассматривалось влияние выбранного метода анестезии на когнитивные функции в послеоперационном периоде. Анализ когнитивного статуса проведен при помощи нейропсихологического тестирования: шкала лобных дисфункций (Frontal Assessment Battery, FAB), краткая шкала оценки психического статуса (Mini-Mental State Examination, MMSE). Оценивание проводилось в три этапа: накануне оперативного вмешательства, через 6 часов после него и на 21-й день послеоперационного периода. Пациенты были распределены на две группы: больные группы d получали общую анестезию с применением дексмедетомидина за 40 минут до операции, поддержание анестезии — севофлурано-кислородная смесь на малом потоке газа; в группе b общая анестезия была дополнена блокадой крылонебной ямки за 20 минут до вмешательства. Группы были статистически сопоставимы по возрасту и полу. Оценка глубины анальгезии контролировалась при помощи показателя индекса анальгезии при ноцицептивном воздействии (Аnalgesia Nociception Index, ANI), оценка глубины анестезии — по биспектральному индексу (Bispectral index, BIS). Результаты проведенного исследования показали, что согласно данным нейропсихологического тестирования по шкалам MMSE и FAB показатели были более низкими в послеоперационном периоде в группе с использованием общего обезболивания в комбинации с блокадой крылонебной ямки, чем в группе с использованием дексмедетомидина как компонента мультимодального обезболивания (p < 0,001). При оценке результата через 6 часов после оперативного вмешательства в группе b по шкале MMSE показатели снизились на 20,8 %, по шкале FAB — на 28,6 % от начального уровня. При проведении анализа результатов в группе d через 6 часов после оперативного вмешательства показатели когнитивного состояния по шкале MMSE были ниже исходного уровня на 8,3 %, по шкале FAB — на 13,3 %. Нейропсихологическое тестирование на 21-е сутки по шкалам MMSE и FAB зафиксировало восстановление состояния когнитивных функций в обеих группах. Вывод. Когнитивное состояние у офтальмохирургических пациентов после сквозной кератопластики согласно шкалам MMSE и FAB при обоих видах обезболивания существенно отличалось на втором этапе исследования (через 6 часов), а со временем (через 21 день) различия между группами с использованием блокады крылонебной ямки и применением дексмедетомидина стали незначительными (p > 0,05).
Invitación al viaje
Authors: López Monroy Manuel 
Published: April 2021

Reseña editorial
Impresionismo en cine y pintura: orígenes, vanguardias, contemporaneidad, Orlando Merino y Jaime García Estrada, Centro Universitario de Estudios Cinematográficos : UNAM, México, 2018; 464 páginas. ISBN 978-607-30-1020-7
Preoperative Natriuretic Peptides in Noncardiac Surgery
Authors: Duceppe Emmanuelle , Durand Madeleine 
Published: April 2021

Cardiac risk evaluation is a central component of most preoperative evaluation of adults undergoing noncardiac surgery. Many tools are available for preoperative cardiac assessment including cardiac risk scores, electrocardiogram, cardiac imaging, and cardiac stress tests. Biomarkers, and more specifically natriuretic peptides, have also been found to provide additional value for preoperative cardiac risk stratification and their routine use in at-risk patients have been recommended in recent perioperative guidelines.

RÉSUMÉL'évaluation des risques cardiaques est un élément central de la plupart des évaluations préopératoires des adultes subissant une chirurgie non cardiaque. De nombreux outils sont disponibles pour l'évaluation cardiaque préopératoire, notamment les scores de risque cardiaque, l'électrocardiogramme, l'imagerie cardiaque et les tests d'effort cardiaque. On a également constaté que les biomarqueurs, et plus particulièrement les peptides natriurétiques, apportent une valeur supplémentaire pour la stratification du risque cardiaque préopératoire et leur utilisation systématique chez les patients à risque a été recommandée dans de récentes lignes directrices périopératoires
Repeated measurements with unintended feedback
Authors: Gill Richard D. 
Published: April 2021

Abstract. An econometric analysis of consumer research data
which hit newspaper headlines in the Netherlands illustrates almost
everything that can go wrong when standard statistical models are fit to
the superficial characteristics of a data-set with no attention paid to
the data generation mechanism.
Author: Richard D. Gill, Mathematical Institute, Leiden
University, The Netherlands; email address: gill@math.leidenuniv.nl.
ANALISIS FORMAL LUKISAN ANDI IAN SURYA
Authors: Muklisin Muklisin , Triyanto R. 
Published: April 2021

AbstrakPenelitian ini bertujuan untuk mendeskripsikan hasil Analisis formal lukisan karya Andi Ian Surya. Analisis formal yakni melanjutkan inventarisasi deskriptif dengan mengumpulkan bukti-bukti untuk mengarahkan penafsiran karya dengan pertimbangan kebaikannya. Lukisan merupakan karya seni yang proses pembuatannya dilakukan dengan memulaskan cat dengan alat lukis.Populasi dalam penelitian ini adalah seluruh lukisan karya Andi Ian Surya yang diciptakan dari tahun 20013 sampai tahun 2018 sebanyak 500 karya. Sampel dalam penelitian sebanyak 6 karya. Adapun metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif Hasil penelitian menunjukkan karakteristik Warna dalam karya lukis dari Andi Ian Surya yaitu menggunakan rentangan warna-warna murni agar kecerahan lukisan tetap terjaga, dengan pemanfaatan warna panas untuk bagian terang dan skema warna dingin untuk bagian gelap. Adapun menggunakan hitam dan putih hanya digunakan saat finishing untuk membuat bagian paling gelap dan terang.Goresan karya lukis karya dari Andi Ian Surya yaitu ekspresif- impresionis dengan goresan yang kasar dan tidak beraturan namun membentuk objek yang digambar. Tekstur dalam karya lukis Andi Ian Surya terdapat pada bagian tekstur nyata karena lukisan tersebut jika diraba maka akan sangat kasar permukaannya. Gelap terang pada lukisan karya Andi Ian Surya dihasilkan dari warna, tekstur dan kontras pada lukisan sehingga menimbulkan gelap-terang.Komposisi pada karya lukisan Andi Ian Surya menggunakan komposisi radial dan asimetris.Kata Kunci: analisis, formal, lukisan.AbstractThis study aims to describe the results of the formal analysis of paintings by Andi Ian Surya. Formal analysis, namely continuing descriptive inventory by gathering evidence to direct the interpretation of the work with consideration of its goodness. Painting is a work of art whose manufacturing process is done by daubing paint with a painting tool. The population in this study are all paintings by Andi Ian Surya, created from 20013 until 2018, totaling 500 works. The sample in this study were 6 works. The method used in this study is a descriptive qualitative method. The results of the study show the characteristics of the colors in the paintings of Andi Ian Surya, namely using a range of pure colors so that the brightness of the painting is maintained, by utilizing hot colors for the bright parts and cold color schemes for the dark parts. . The use of black and white is only used when finishing to make the darkest and brightest parts. Scratches by Andi Ian Surya are expressive-impressionists with rough and irregular strokes but forming drawn objects. The texture in Andi Ian Surya's painting is in the real texture section because if the painting is touched it will be very rough on the surface. The dark light in Andi Ian Surya's paintings is produced from the colors, textures and contrasts in the paintings, giving rise to darkness. The composition in Andi Ian Surya's painting uses formal radial and asymmetric compositions.Keywords: analysis, formal, painting.
KARAKTERISTIK DESAIN HIBRIDA PADA KOMIK 7 WONDERS KARYA METALU
Authors: Lubis Fenny Rahmawati , Budiwiwaramulja Dwi 
Published: April 2021

AbstrakKomik Jepang menjadi salah satu kiblat untuk referensi dalam membuat komik khususnya komik manga. Tidak sedikit komik Indonesia yang sangat kental dengan unsur manga hingga sulit membedakan komikus Jepang dengan komikus Indonesia bila hanya di lihat dari bentuk visualnya. Selain menggarap style gambar manga jepang, tak sedikit komikus-komikus Indonesia yang menghibridakan karakteristik pada desain karakter visual Indonesia. Sepeti pada salah satu komik Indonesia yaitu komik 7 Wonders. Penelitian ini bertujuan untuk mengetahui identitas dari desain karakter visual yang di hibrida pada salah satu komik Indonesia yaitu komik 7 Wonders. Penelitian ini menggunakan pendekatan metode deskriptif kualitatif yaitu dengan menguraikan masing-masing objek yang akan diteliti. Hasil temuan penelitian ini menunjukkan bahwa karakter yang memiliki unsur hibrida paling menonjol adalah pada karakter bidadari 7 Wonders. Desain karakter visual pada karakter tujuh bidadari 7 Wonders telah mengalami deformasi dan pengabungan dua atau lebih identitas visual, baik pada busana maupun pada karakter figurnya. Identitas hibrida pada desain karakter visual yang digunakan di busana tujuh bidadari 7 Wonders yaitu berasal dari Indonesia, Jepang, Arab, Turki, India, Inggris era Victoria dan Romawi Kuno.Kata Kunci: desain karakter, hibrida, komik, busana.AbstractJapanese comics become one of the mecca for reference in making comics, especially manga comics. Not a few Indonesian comics are so thick with manga elements that it is difficult to distinguish Japanese comics from Indonesian comics if only viewed from their visual form. In addition to working on the style of Japanese manga drawings, not a few Indonesian comic artists have displayed characteristics on Indonesian visual character designs. A case in one of the Indonesian comics that is 7 Wonders comics. This study aims to determine the identity of a hybrid visual character design in one of the Indonesian comics, namely the 7 Wonders comics. This study uses a qualitative descriptive method approach that is by describing each object to be studied. The findings of this study indicate that the characters that have the most prominent hybrid elements are the 7 Wonders angel characters. The visual character design of the seven Wonders 7 nymphs has been deformed and the combination of two or more visual identities, both in fashion and in the character figure. The hybrid identity in the visual character design used in the fashion of the seven Wonders 7 nymphs is originating from Indonesia, Japan, Arabia, Turkey, India, the Victorian era and Ancient Rome. Keywords: character design, hybrids, comics, clothing
PRINSIP SENI RUPA DALAM MENGGAMBAR ORNAMEN MELAYU
Authors: Hasanah Uswatun , Erdansyah Fuad 
Published: April 2021

AbstrakPenelitian ini bertujuan untuk mengetahui kemampuan siswa dalam menerapkan prinsip-prinsip seni rupa, yang meliputi prinsip kesatuan, keseimbangan, irama, proporsi, dan kontras, dalam menggambar ornamen Melayu dengan teknik patron atau mal oleh Siswa Kelas XI SMA Negeri 1 Talawi. Hasil penelitian ini menunjukan penerapan prinsip-prinsip seni rupa masih kurang benar dalam pembuatan ornamen melayu, keseimbangan yang terdapat dalam pembuatan ornamen belum menunjukan hasil yang maksimal, juga dalam prinsip proporsi belum menunjukan struktur bagian yang akurat antara bagian- bagian ornamen dan hasil teknik patron dalam pembuatan ornamen Melayu dengan menggunakan prinsip-prinsip seni rupa cenderung masih kurang rapi dan masih terlihat kasar dalam pewarnaan dan kerapian pada ornamen Melayu terlihat dari sisi garis tepi ornamen masih berantakan. Objek dari penelitian ini adalah hasil ornamen Melayu dengan menggunakan prinsip-prinsip seni rupa yang dihasilkan oleh siswa kelas XI SMA Negeri 1 Talawi. Hasil penelitian menjelaskan bahwa ornamen Melayu dengan teknik patron, yaitu dengan metode menggunakan cetakan, dengan memakai prinsip-prinsip seni rupa, dengan hasil tidak begitu baik. Kata Kunci: prinsip, seni rupa, menggambar, ornamen.AbstractThis research aims to know the ability of students to apply the principles of fine arts, which include the principles of unity, balance, rhythm, proportion, and contrast, in drawing Malay ornaments with patron or mall techniques by Grade XI Students of Sma Negeri 1 Talawi. The results of this study show the application of the principles of fine art is still not correct in the manufacture of Malay ornaments, the balance contained in the making of ornaments has not shown maximum results, also in the principle of proportion has not shown the accurate structure of the parts between the ornaments and the results of patron techniques in the making of Malay ornaments using the principles of fine art tend to still be less neat and still look rough in coloring and neatness on malay ornaments seen from the side of the outline ornaments are still messy. The object of this research is the result of Malay ornaments using the principles of fine art produced by grade XI students of Sma Negeri 1 Talawi. The results explained that Malay ornaments with patron techniques, namely by using molds, using the principles of fine art, with not so good results.Keywords: principles, fine art, drawing ornaments.