bluuebunny/crossref_metadata_2025_split huggingface dataset:
The Intervention Effect in Late Archaic Chinese and Modern Mandarin
Authors: Wang Aiqing 
Published: July 2021

Abstract
I investigate the Intervention Effect in Late Archaic Chinese (LAC) and modern Mandarin. In LAC, negation displays the Intervention Effect on wh-phrases. There are two types of wh-items that are subject to the Intervention Effect triggered by negation, namely, wh-arguments and wh-adverbials that are supposed to move to a lower focus position below the negation; and those that have the option to stay in situ. Due to the intervening negative barrier, these c-commanded wh-phrases have to rise to a higher focus position above the negation so as to circumvent the Intervention Effect. I propose that the Intervention Effect in LAC is a consequence of Q-binding as a feature movement of [wh], interacting with movement into the hierarchy of clause-internal positions driven by [Topic] or [Focus] features. By contrast, focus or quantificational phrases do not display the Intervention Effect in LAC. In modern Mandarin, focus phrases, but not negation or quantified structures, impose the Intervention Effect on wh-items; negation, but not focus phrases or quantified structures, imposes the Intervention Effect on temporal wh-adverbials. I also propound three obligatory requirements for the Intervention Effect to take place in LAC, namely, interrogativity of wh-items, the possibility of feature wh-movement, and a hierarchy of clausal positions. Although the Intervention Effect in LAC and modern Mandarin are triggered by different barriers, it always needs to meet the three requirements. Data from both LAC and Mandarin justify previous analyses regarding feature movement.
“If you want to be classy, have Yugoclass.” Postmodern Cultural Images of Josip Broz Tito
Authors: Harasimowicz Marta 
Published: July 2021

Abstract
The article deals with internet memes related to the person of the socialist leader of Yugoslavia, Josip Broz Tito. For purposes of our research, we define internet meme as conventionalized text-iconic composition, built on a basis of a specific scheme. In intentions of contemporary narratology we also consider it as a text of its kind and its creating, reproduction, transformation and reading process – as a special discursive activity.
Based on analysing the primary material occurring and spreading on internet, we provide a typology of the representations of Tito from a narratological and semiotic point of view, and regarding its function in current discourse on socialist Yugoslavia. We focus mainly on cultural meanings generated by this meme culture, its relation to the narratives formed in the context of official and unofficial representations of the leader during the socialist era and to a wider context of contemporary popular culture. Pursuant to the analysis, we try to follow the features of postmodern cultural images of the socialist Yugoslavia and its leader, and relation of these narratives to nostalgic and social-critical attitudes in the contemporary world.
ORANG KHMER DI JAWA PADA MASA HINDU-BUDDHA (ABAD KE-9--15 MASEHI): EKSISTENSINYA DIPANDANG DARI TEORI DIASPORA
Authors: Alnoza Muhamad 
Published: July 2021

Orang asing di Jawa telah diketahui keberadaannya melalui penyebutan wargga kilalan di prasasti. Prasasti pada masa Airlangga hingga Majapahit dengan gamblang menyebutkan keberadaan orang-orang asing yang dalam hal ini pada konteks penarikan pajak terhadap orang-orang asing tersebut. Salah satu bangsa asing yang mendiami Jawa pada masa Jawa Kuno adalah orang Khmer. Keunikan kasus bermukimnya orang Khmer di Jawa disebutkan pula dalam sumber epigrafi Khmer. Dalam prasasti-prasasti Khmer disebutkan fenomena pemukiman orang Khmer di Jawa, dan diberitakan pula bahwa salah satu raja Khmer pernah menetap di Jawa selama beberapa tahun. Kajian ini berusaha untuk menjawab permasalahan dinamika pendudukan orang Khmer di Jawa. Tujuan penelitian ini adalah untuk mengetahui kedudukan kasus menetapnya orang Khmer di Jawa sebagai suatu fenomena diaspora atau bukan. Tahapan penelitian dilakukan dengan pengumpulan data, analisis, dan interpretasi, dengan data utama berupa prasasti. Kajian ini menghasilkan pemahaman mengenai dinamika motivasi perpindahan tempat bermukim orang Khmer ke Jawa, letak daerah bermukim orang Khmer di Jawa, dan bentuk interaksi orang Khmer dengan orang Jawa. Meskipun demikian, belum ada bukti-bukti yang menguatkan fenomena tersebut sebagai suatu diaspora.
Evaluasi Kepatuhan Upaya Penanggulangan Pra Bencana Gempa Bumi Dan Tsunami Oleh Tenaga Kesehatan Puskesmas Di Zona Merah Kota Padang Tahun 2020
Authors: Aprisna Jennie , Sari Putri Nilam , Rahman Aulia 
Published: July 2021

Puskesmas merupakan pusat pelayanan lini terdepan yang berperan sebagai unit pelayanan kesehatan penanggulangan bencana. Upaya penanggulangan pra bencana oleh tenaga kesehatan sangat penting terutama bagi puskesmas di zona merah gempa bumi dan tsunami untuk mengurangi jumlah korban jiwa dan kerugian lainnya akibat adanya bencana. Tujuan penelitian untuk mengetahui kepatuhan upaya penanggulangan pra bencana oleh tenaga kesehatan puskesmas di zona merah Kota Padang Tahun 2020 berdasarkan Keputusan Menteri Kesehatan Nomor 145 Tahun 2007. Metode penelitian adalah kualitatif kepada tujuh orang informan wawancara mendalam dan dua orang informan crosscheck. Penelitian dilakukan di Puskesmas A, Puskesmas B, dan Puskesmas C pada Bulan Januari hingga Maret 2020. Pengumpulan data dengan wawancara mendalam, telaah dokumen, dan observasi. Analisis data melalui triangulasi sumber dan triangulasi metode. Hasil penelitian menunjukkan bahwa dalam upaya penanggulangan pra bencana, tidak semua puskesmas memiliki peta geomedik daerah rawan bencana. Semua puskesmas mempunyai jalur evakuasi di lingkup puskesmas. Tidak semua tenaga puskesmas mendapatkan pendidikan dan pelatihan penanggulangan bencana. Puskesmas telah memiliki inventarisasi peralatan kesehatan, alat komunikasi berupa handy talkie serta obat-obatan. Puskesmas menerima dan menindaklanjuti informasi peringatan dini dari Dinas Kesehatan namun dalam keadaan darurat puskesmas dapat mengambil komando sendiri. Setiap puskesmas sudah memiliki tim kesehatan lapangan, serta puskesmas telah melakukan koordinasi lintas sektor dalam upaya penanggulangan bencana. Simpulan penelitian, tidak semua puskesmas menjalankan Keputusan Menteri Kesehatan Republik Indonesia Nomor 145 Tahun 2007 karena belum menjadi prioritas program puskesmas. Diharapkan kepada puskesmas di zona merah Kota Padang melaksanakan upaya penanggulangan bencana berpedoman pada Keputusan Menteri Kesehatan Republik Indonesia Nomor 145 Tahun 2007
YURIDIKSI PENGADILAN DAN ARBITRASE DALAM MEMERIKSA SUATU SENGKETA DIKAITKAN DENGAN PRINSIP COMPETENCE -COMPETENCE DAN KLAUSUL ARBITRASE
Authors: Hutabarat Samuel 
Published: July 2021

The doctrine of the principle of competence explains that arbitration which has jurisdiction in the statement itself is based on the authority to hear and decide an arbitration dispute. The authority possessed by Arbitration even though there is an arbitration clause in a belief as a way of resolving disputes arising in the agreement. The determination of the arbitration authority is related to the validity of an arbitration clause or their agreement arbitration agreement which makes the agreement in question regarding this matter
The legal problems in this research relate to the norm vacancies regarding the competence-competence principle in Law No. 30 of 1999 concerning Arbitration and Alternative Dispute Resolution (hereinafter abbreviated as AAPS Law).Solving research problems using normative legal methods with a legal approach, cases, and analysis of legal concepts.
Marginalia in Parisian Historical Publications of the Second Half of the 16th Century in Russian and Franch Libraries
Authors: Borisov Maksim Yu. 
Published: July 2021

The article is devoted to the study of reader’s practices related to the several centuries of existence of French historical books of the second half of the 16th century, the books’ place in people’s lives and attitude to them. The study’s source base is represented by a body of identified book marginalia from the copies of Parisian publications stored in the National Library of France and the Rare Books Department (Book Museum) of the Russian State Library. The handwritten notes (396 marginalia have been identified and are being introduced into scientific circulation) that are dated belong to the second half of the 16th—20th centuries inclusive. In the second half of the 16th century, printed books in France became the determinant source of intellectual thought, and their role in the lives of educated people increased significantly. The spread of printed books, their influence on the minds of ordinary people and their authority in society contributed to the appearance of a large number of handwritten notes made by readers at different times and on different occasions.The author offers his own content-based classification of the body of marginalia identified by him and gives a detailed description of the studied material. There are three main groups of the marginalia: the records related to the content of the book, the records related to the book itself, and the records not related to the book. The first group consists of 2 types of records: textual records and comments. The second group is divided into 3 types: library records, owner’s records, and other informational records related to the content of the book. A separate group consists of the informational records that are not related to the book.The analysis made it possible to assess the information value and potential of marginalia as historical and psychological sources that allow (in combination with other sources) to study, in a historical context, the cultural and mental characteristics of people of different eras, the existence of books in society, and the book and library traditions of different regions of Europe.
«He rendered to earthly glory an almost prayer rite». Easel graphics by Nikolay Zolotukhin
Authors: Хлебникова Людмила Юрьевна 
Published: July 2021

Статья посвящена творчеству уральского художника Николая Игнатьевича Золотухина. Рассматриваются вопросы становления и развития творческого стиля мастера, проводится анализ станковой графики. Статья проиллюстрирована работами Н.И. Золотухина из собрания Ирбитского музея изобразительных искусств.
The article is devoted to the artworks of the Ural artist Nikolay Ignatievich Zolotukhin. The questions of formation and development of creative style of the master are considered, the analysis of easel graphics is carried out. The article is illustrated by the works of N.I. Zolotukhin from the collection of the Irbit State Museum of Fine Arts.
PAINTER OF HARMONY PERCEPTIONOF THE WORLD: ANNA BARANOVICHI (1906-2002)
Authors: Тома Людмила Анатольевна 
Published: July 2021

В статье выявляются закономерности творческой эволюции Анны Баранович (1906-2002), которая принадлежит к поколению бессарабской интеллигенции, стоявшему у истоков формирования искусства республики, чья судьба неотделима от нелегких исторических периодов. Желание выразить красками суть того, что ее интересовало в жизни, вело к усложнению задач. Но сохранялось главное – потребность в гармоническом единении с окружающим миром. Художница выражала энергию жизни в мотивах природы, в облике человека. Целостностью форм и колорита она могла придать эпическое звучание даже небольшим полотнам с простыми предметами, плодами, цветами. Они передают заряд жизнелюбия, сохраненного автором вопреки испытаниям судьбы. Живопись последних лет ее жизни выделяется наиболее активным светоизлучением.
This article is making known some characteristic features of evolution in creative activity of Anna Baranovichi (1906-2002). Famous painter, she was a part and parcel of the generation of those Basarabian intellectuals who have put the basis in fine arts’ development in the republic, her fate reflecting in many respects the difficult historical periods. In order to make the colours to express the essence of things and phenomenon of human being, she has always put in her painting the more sophisticated tasks. In her landscapes and portraits she has been expressing the energy of life, keeping the necessity of harmonious unity with the world around. The integrity of forms and colours in her works were giving the epic response just in the case of small canvas with simple objects, flowers or fruit. Her last works are notable for the most active emanation of light, reproducing the supply of love for life that the painter has kept in spite of the or deals of the fate.
YUSUPOV’S FOTOCOLLECTION IN THE ARCHANGELSKOYE MEMORIAL ESTATE
Authors: Тюнина Ольга Павловна 
Published: July 2021

В статье рассказывается об уникальной коллекции старых фотографий музея усадьбы «Архангельское». Представляется увлеченность семьи Юсуповых художественной фотографией, приглашение в «Архангельское» известных российских и зарубежных фотографов, выделяются жанры, сюжеты и анализируются приемы фотографирования. Коллекция имеет большое значение и по своим художественным характеристикам, и как уникальный материал для научной атрибуции.
The article tells about the unique collection of old photographs of the Arkhangelskoye State Museum Estate. The enthusiasm of the Yusupov family with artistic photography is presented here, an invitation to famous Russian and foreign photographers to the Arkhangelskoye, the genres, plots, and photography techniques are analyzed. The collection is of great importance both in its artistic characteristics and as a unique material for scientific attribution.
Symbolic interactionism of the Malta’s anthropomorphic paleolithic figurines
Authors: Лбова Людмила Валентиновна 
Published: July 2021

«Классическая коллекция» сибирского палеолитического искусства, полученная в результате раскопок М. М. Герасимова в 1928 – 1958гг. ключевого археологического памятника Южной Сибири – Мальты – представлена более чем 800 изделиями из бивня, рога, поделочного камня, датируется в пределах 19000 – 23000 лет назад [6]. Технологический анализ образцов палеолитического искусства демонстрирует устойчивые приемы обработки бивня и рога, формообразование, детализацию и декорирование [18]. В представляемой статье рассмотрена антропоморфная пластика Мальтинской коллекции в рамках концепции символического интеракционизма [20]. Обозначенная концепция прочтения архаической культуры и культурных символов позволяет выделить устойчивые константы, принимающие участие в коммуникации и определившие специфику сибирской коллекции доисторического искусства. Такой подход позволяет объяснить реалистичность художественного стиля, внимание древних мастеров к деталям (элементы тела, одежды, аксессуары), выбору техники гравировок и характера декорирования.
Malta's "classical collection" of Siberian Upper Paleolithic art, obtained as a result of excavations by M. M. Gerasimov in the years 1928-1958, is represented by more than 800 pieces of ivory, antler, and soft stone. It is dating up 19,000 to 23,000 years ago [6]. The technological analysis of samples of Paleolithic art demonstrates stable methods of processing ivory and antler, shaping, detailing and decorating [18]. In the paper, we present the anthropomorphic figurines of the Malta's collection that are considered within the framework of the concept of symbolic interactionism [20]. The concept of reading archaic culture and cultural symbols allows us to identify stable constants that take part in communication and that determined the specificity of the Siberian collection of Prehistoric Art. This approach allows us to explain the realism of the artistic style, the attention of Paleolithic masters to the details (body elements, clothing, and accessories), the choice of engraving techniques and the nature of the ornamentation.
Young British Artists and installation experience
Authors: Игумнова Елена Владимировна 
Published: July 2021

Статья посвящена работам британских художников 1990-х – 2000-х годов, которых впоследствии назвали поколением «Молодых британских художников» (Young British Artists). Основное внимание сосредоточено на опыте обращения британских художников к инсталляции, выявления специфики работы с показываемым материалом и объектами. В числе анализируемых работ провокативные инсталляции с тушами животных Дэмиена Хёрста, реди-мейды Сары Лукас и обращенные к личному опыту произведения Трейси Эмин, социальные высказывания Майкла Лэнди и работы с манекенами братьев Чепмен. В своих инсталляциях представители брит-арта сознательно ставили зрителей в неудобные или вызывающие неприятные ощущения ситуации. Художники использовали мотивы и методы массовой культуры и медиа, вынуждая зрителя сомневаться в испытанных чувствах и выходить за границы привычного и комфортного.
The article deals with the works of British artists of the 1990s and 2000s, who were later named the generation of "Young British Artists" (Young British Artists). The main attention is focused on the experience of British artists in the installation, identifying the specifics of the work with the materials and objects. Among the analyzed works are provocative installations with carcasses of animals by Damien Hirst, readymades by Sarah Lucas and personalized works by Tracey Emin, social statements by Michael Landy and works with the mannequins by Chapman brothers. In their installations the representatives of Brit art deliberately put spectators in uncomfortable or unpleasant situations. The artists used the motives and methods of mass culture and media, forcing the viewer to doubt the feelings and go beyond the boundaries of the familiar and comfortable life.
The main images of petroglyphs of Khar magnay
Authors: Умирбек Бикумар 
Published: July 2021

Петроглифы расположены в сомоне Ногооннуур аймака Баян-Ульгий, в месте, которое получило название Хар магнай и располагается в 50 км к западу от центра сомона и в 18 км от деревни Цагааннуур.

Здесь найдены изображения диких баранов, коз, лошадей, быков, волков, лис, тигров и барсов, оленей. Также зафиксированы тамгообразные знаки, всадники, охотники, воины в грибовидных шапках, сражающиеся охотники, памятники тибетского и рунического письма и несколько интересных и необычных сцен.

Для нанесения петроглифов были использованы два основных метода, таких как штриховка острым инструментом и контурная выбивка. Петроглифы относятся к широкому периоду времени: от бронзового века до раннего железа, а также к гуннской, тюркской эпохе и тибетской культуре.
The sightseeing of petroglyph is located in Nogoonnuursoum, Bayan-Ulgii province. The summer camp, where the families of Nogoonnuursoum pass the summer is called as a Khar magnai – it is existed on the point which about in western 50km far away from soum center and 18 km away from Tsagaannuur village.
So this place is named as a petroglyph of Khar magnai. There are so many kinds of animals such as wild sheep, wild goat, horse, cow, wolf, fox, tiger, pampas cat, deer and other detailed graphically descriptions such as stamp, people, horse cart, hunters who are hunting, troops with mushroom shaped hats, hunters with arrow and bow who are fighting each other, narrow graphics, deer and wild goat carved with narrow lines , monuments Tibetan and Runi scripts and other ritual, confusing and not understanding, interesting and unusual descriptions in Khar magnai petroglyph.
The two main methods such as carving the general point with sharp pointed equipment and hollowing the whole area were used to describe the petroglyphs. For the time period, the petroglyphs may include from Bronze period to the early stage of the Iron, despite of hunnu and Tibetan scripts, it involves until ancient Turkish period time.
«Rationalism» in the landscape painting of the sixties as one of the principles of the formation of the artistic image
Authors: Капина Татьяна Николаевна 
Published: July 2021

Целью статьи является исследование творчества уфимских пейзажистов-«шестидесятников» в определенном ракурсе, который нацелен на выявление в пейзажном искусстве Башкирии различных принципов построения пейзажного образа – «эмоционального» и «рационального». Михаил Герман в упрощенной схеме показал, что эти категории ведут свое начало от Пуссена – Сезанна (рацио) и Делакруа – Ван Гога (эмоцио). На материале башкирского пейзажа эти два принципа ясно выделяются и, как нам кажется, раскрывают все разнообразие творческих подходов уфимских мастеров.
The aim of the article is to study the creativity of the Ufa landscape painters- «sixties» in a certain perspective, which is aimed at revealing in the landscape art of Bashkiria various principles of building a landscape image – «emotional» and «rational». Mikhail German in the simplified scheme showed that these categories are derived from Poussin, Cezanne (rational) and Delacroix, van Gogh (emotions). These two principles are clearly defined by the material of Bashkir landscape painting and, it seems to us, reveal the diversity of creative approaches of Ufa masters.
Gates of Hell: Rodin, Dante, Ghiberti and the literary nature of the plan
Authors: Козлова Светлана Израилевна 
Published: July 2021

В статье рассматривается художественная концепция «Врат Ада», над которыми Роден работал в период с 1880 по 1917 год. «Божественная комедия» Данте явилась отправной точкой в трактовке темы, вобравшей в себя сложный интертекст из изобразительных и вербальных источников, прежде всего относящихся к XIX веку. Главное внимание в своем анализе автор статьи обращает на пластическую выразительность языка мастера и литературную сторону его замысла и приходит к выводу, что этой последней принадлежит важное место в решении целого. Подобное соотношение Образа и Слова в портале Родена свидетельствует о зарождении новых черт в европейской скульптуре, которые сближают памятник с открытиями в области психологического романа второй половины XIX века и ведут к появлению новых форм искусства.
The article deals with artistic conception of Rodin’s Gates of Hell (1880 – 1917). The «Divine Comedy» by Dante is served the basis of interpretation of the theme, absorbed also complicated intertext – first of all there are figurative and verbal sources of the nineteenth century. Author of the article pays a principal attention to the plastical expressiveness of master’s language and to the literary aspect of his intention and concludes that this latter has played an important part to realize a general conception. Such correlation of Image and Word is evidence of beginnings of new European sculpture traits which bring the Gates of Hell together with discoveries in a sphere of psychological novel of the second half of the nineteenth century and lead to emergence of new forms of art.
The creative heir Rodin or Erzya natural nugget?
Authors: Орлова Евгения Валерьевна 
Published: July 2021

В статье рассматривается проблема творческих истоков скульптуры Степана Эрьзи, в частности, развенчивается миф о его следовании художественной манере Огюста Родена. Сравнительная характеристика произведений обоих художников, посвященных образам Евы, Иоанна Крестителя и другим так называемым «вечным» темам и сюжетам, показала самостоятельность художественных приемов и оригинальность творческой эволюции искусства эрзянского мастера.
In the article the problem of the creative sources of the sculpture of Stepan Erzya is considered, in particular, the myth about his adherence to the artistic manner of Auguste Rodin is debunked. Comparative characteristics of the works of both artists, dedicated to the images of Eve, John the Baptist and other so-called "eternal" themes and plots, showed the independence of artistic techniques and the originality of the creative evolution of the art of the Erzya master.