bluuebunny/crossref_metadata_2025_split huggingface dataset:
Analysis of Stimulants in Sweat and Urine Using Disposable Pipette Extraction and Gas Chromatography Coupled to Mass Spectrometry in the Context of Doping Control
Authors: Bordin Dayanne Mozaner , Bishop David , de Campos Eduardo Geraldo , Blanes Lucas , Doble Philip , Roux Claude , De Martinis Bruno Spinosa 
Published: November 2021

AbstractUrine is initially collected from athletes to screen for the presence of illicit drugs. Sweat is an alternative sample matrix that provides advantages over urine including reduced opportunity for sample adulteration, longer detection-time window and non-invasive collection. Sweat is suitable for analysis of the parent drug and metabolites. In this study, a method was developed and validated to determine the presence of 13 amphetamine- and cocaine-related substances and their metabolites in sweat and urine using disposable pipette extraction (DPX) by gas chromatography coupled to mass spectrometry. The DPX extraction was performed using 0.1 M HCl and dichloromethane:isopropanol:ammonium hydroxide (78:20:2, v/v/v) followed by derivatization with N-methyl-N-(trimethylsilyl) trifluoroacetamide at 90°C for 20 min. DPX extraction efficiencies ranged between 65.0% and 96.0% in urine and 68.0% and 101.0% in sweat. Method accuracy was from 90.0% to 104.0% in urine and from 89.0% to 105.0% in sweat. Intra-assay precision in urine and in sweat were &lt;15.6% and &lt;17.8%, respectively, and inter-assay precision ranged from 4.70% to 15.3% in urine and from 4.05% to 15.4% in sweat. Calibration curves presented a correlation coefficient –0.99 for all analytes in both matrices. The validated method was applied to urine and sweat samples collected from 40 professional athletes who knowingly took one or more of the target illicit drugs. Thirteen of 40 athletes were positive for at least one drug. All the drugs detected in the urine were also detected in sweat samples indicating that sweat is a viable matrix for screening or confirmatory drug testing.
Respiratory Syncytial Virus Infections in Young Children Presenting to Primary Care in Catalonia During the COVID-19 Pandemic
Authors: Coma Ermengol , Vila Jorgina , Méndez-Boo Leonardo , Antón Andrés , Mora Núria , Fina Francesc , Fàbregas Mireia , Medina Manuel 
Published: November 2021

Abstract
We observed an unusual pattern of respiratory syncytial virus (RSV) in children under 5 years in Catalonia (Spain). We observed a near absence of RSV during winter months and a subsequent surge during the late spring. Primary care electronic health records combined with hospital RSV laboratory confirmation could be used to monitor trends of respiratory pathogens.
Beyond film
Authors: Sayad Cecilia 
Published: November 2021

Abstract
This chapter discusses the ways in which horror stories and creatures invade the space of spectators and players in gimmick horror screenings, experiential cinema, and video games—including those using augmented and virtual reality technologies. It considers films and games that engage the space of viewing and playing—the augmented auditorium, which augments the experience of the horror tales by inviting active participation and providing a sensorial experience beyond seeing and hearing (involving drafts, smells, motion). Case studies include William Castle’s gimmick horror films of the 1950s and ’60s, contemporary Secret Cinema screenings, and a variety of survival horror games.
Why the Heck Did That Happen?
Authors: Ashforth Blake E. 
Published: November 2021

Abstract
Theory is the lifeblood of scholarship, but the art of theory-building remains quite mysterious. Using his own experiences as a springboard, the author explores the process through which we might attempt to make sense of organizational life for the betterment of organizational practice. He discusses his own journey from proving answers (the hypothesis-testing facilitated by survey research) to asking questions (the hypothesis-generating facilitated by qualitative research) and considers how to translate an overarching research passion into research interests and specific research questions. The author offers a detailed look at how he and his coauthors build theory when their intent is to blaze a new path rather than simply pave an old one. He also briefly discusses research collaborations, the review process, and career considerations if you’re thinking about pursuing path-blazing ideas. His hope is that you’ll finish this chapter with the confidence to call yourself what you already are, at least implicitly—a theorist.
What I Have Learned . . . in My Journey as a Scholar
Authors: Barsade Sigal Goland 
Published: November 2021

Abstract
This chapter allows for a reflection on the many lessons learned as an organizational behavior scholar. On the topic of doing rigorous, reliable, and relevant research, the focus is on the importance of organizational life eliciting interesting and relevant research ideas, the upside and downside of “high risk/high reward” research, how to “go big” theoretically, how to “go big” in methods, and the importance of realism and specific lessons learned in conducting both lab and field studies. Other topics such as learnings about working most effectively with coauthors, including addressing authorship issues candidly and upfront are addressed as well. Importantly addressing how having a full and balanced life is not only helpful in its own right but is helpful to one’s career is discussed. Last, just as importantly are the things to learn not to do, such as not holding on too long to projects that are not salvageable, not being a disagreeable reviewer, not looking to saying no to new opportunities. Indeed learning to try to actually say yes (judiciously). Ultimately the chapter exhorts scholar to be kinder to ourselves, and ends with the hope that these learnings from this author’s journey will spark ideas, offer insights, and help in the journeys of other scholars.
My Journey with Justice
Authors: Colquitt Jason A. 
Published: November 2021

Abstract
This chapter describes the author’s journey as a justice scholar, beginning with his first exposure to the area as an undergraduate working on an honors thesis. The author details how he engaged with the literature during graduate school and how his major contributions to the literature came about. Those contributions included a new measure of justice, the first metaanalysis of the literature, and integrations of justice with three other areas: teams, personality, and trust. He also describes an intrinsic motivation-based model that explains much of his influence and longevity as a justice scholar. Rooted in Spreitzer’s 1995 work on psychological empowerment, the model recommends that scholars: choose topics because of intrinsic interest rather than practicality or inertia; play to conceptual and methodological strengths when shaping projects; do research that improves the workplace while collaborating with PhD students whenever possible; and strive to do bigger projects that are relevant to the entire expanse of a literature.
Careers as Stochastic Excursions
Authors: Rao Hayagreeva 
Published: November 2021

Abstract
Careers are outcomes of stochastic excursions, wherein unexpected peers and events lead to conversations that blossomed into research projects and, eventually, studies in journal articles and books. I recount my career by describing how the arrival of stochastic opportunities unfolded as excursion—that is, adventures with people.
Brought to Ruin
Authors: Schaefer Sarah C. 
Published: November 2021

Abstract
Chapter 3 examines the impact of biblical archaeology on the production and reception of the Doré Bible, arguing that the recuperations of historical fragments are consistent with broader societal anxieties. Questions surrounding the Bible’s historical credibility (propelled by Enlightenment rationalism) prompted new, ostensibly scientific investigations of biblical sources and sites. Archaeological excavations in the Middle East and North Africa revealed fragments of ancient pasts that engendered new approaches to the representation of biblical subjects. These fragments, the often problematic manner in which they were appropriated into Doré’s illustrations, and the popular reception of the images reveal a distinct anxiety about the narratives of biblical civilizations and what they presage about the present and future. The illustrations speak to the circumstances of French interests and the status of the nation in an era wrought by repeated revolutions that seemed as potentially catastrophic as the events of the Bible.
The Message Is Seen
Authors: Schaefer Sarah C. 
Published: November 2021

Abstract
Chapter 4 moves from France to England, where the growth of fervent evangelical Protestantism and a massive publishing industry resulted in an exponential increase in the reproduction and adaptation of Doré’s imagery. At the heart of this chapter are the monumental religious works produced for the Doré Gallery, established in London in 1868. By relying on consistent compositional structure and highly legible narratives, Doré’s biblical paintings cohere to evangelical principles and functioned counterdiscursively to the visual cultures of spectacle that shaped much of Victorian experience. While French audiences derided Doré’s efforts at painting, British viewers eagerly consumed these works, which were offered in the heart of the commercial art district and provided wholesome entertainment that counterbalanced the more suspect spectacles of nearby neighborhoods. This was a context in which commercialism and religious experience overlapped and which became, as one commentator put it, “where the godly take their children.”
Psychological Morbidity After Critical Illness
Authors: Bienvenu O. Joseph , Hosey Megan M 
Published: November 2021

Abstract
Patients with critical illnesses face a number of severe psychic and physical stressors. Survivors often have long-term cognitive and physical impairments, as well as family, financial, and other stressors. These potential stressors increase the risk of psychiatric disturbances substantially. This chapter describes the burden of distress-related psychiatric morbidity in patients who survive critical illnesses, as well as risk factors for this morbidity. This knowledge serves as the motivation to develop new approaches that can ameliorate, or even prevent, long-term distress in survivors. The chapter also presents information about early attempts to reduce, prevent, and manage long-term psychological morbidity.
Neurocognitive Disorders
Authors: Hopkins Ramona O. , Stucky Kirk J. 
Published: November 2021

Abstract
This chapter discusses the prevalence, characteristics, risk factors, assessment, management, and short- and long-term neurologic outcomes for survivors of critical illness and critically ill survivors of COVID-19 including neurocognitive disorders with an emphasis on the role of delirium. The psychologist’s role in caring for survivors of critical illness is discussed along with coverage of integrative concepts that require collaboration between members of the interdisciplinary team. Interventions to improve outcomes are reviewed, including environmental management, tracking mental status, pharmacologic intervention, family intervention, and support and rehabilitation interventions are also reviewed. The chapter also discusses future goals and research to improve outcomes following critical illness.
Psychological Treatment Models for Survivors of Critical Illness
Authors: Lassen-Greene Caroline L. , Jackson James C. , Sevin Carla M. 
Published: November 2021

Abstract
There is consensus that being critically ill contributes to the development of both new and worsening cognitive and psychological difficulties that impact functioning across multiple domains, including educational, social, and employment settings. Psychologists have become more aware of the scope and magnitude of these problems in recent years and are increasingly engaged in the provision of clinical services to this underserved medical cohort, both as individual providers and as key members of interdisciplinary teams. This chapter reviews key issues related to the needs of ICU survivors with postintensive care syndrome, discusses current outpatient treatment models, and offers a series of suggestions to help optimize the cognitive, mental, and functional health and quality of life of individuals after critical illness.
Research in the Critical Care Environment
Authors: Wade Dorothy , Smyth Deborah , Howell David C. J. 
Published: November 2021

Abstract
Research into the psychological impact of critical care has burgeoned over the past 20 years. This chapter outlines the major areas of psychological and rehabilitation research being conducted in critical care, as well as the gaps that remain to be filled. The authors review research areas corresponding to the early acute critical care phase, the in-hospital rehabilitation phase, and the post-hospital recovery period. The focus is on patient-centered research. The authors also review how clinicians can set themselves up to conduct psychological research, what kind of teams they need to assemble, and the challenges they could face working in critical care environments. The authors draw on their own experiences conducting linked, critical care psychology research studies, and compare this to methods used by other researchers.
Gents and Working Girls
Authors: Winkler Kevin 
Published: November 2021

Abstract
Tommy Tune’s earliest work as a director-choreographer engaged with issues of gender, sexuality, culture, and politics. The Club was an evening of songs and jokes set in an exclusive Victorian-era men’s club that featured all roles played by women. Tune led the cast in creating a stylized body language that approximated male behavior but, as performed by women, blurred gender lines in ways both challenging and exhilarating. The cross-gender performance of this material laid bare its misogyny without overstatement, and The Club was a long-running off-Broadway hit. Tune next joined the creative team of The Best Little Whorehouse in Texas, based on a true story about the closing of a bordello prompted by a crusading television personality. As choreographer and co-director, with Peter Masterson, Tune injected a burst of musical comedy brightness into the homey musical. His creativity was boundless, and numbers featuring macho, clog-dancing football players and a female drill team made up of both live dancers and life-size sex dolls were crowd pleasers that also contributed to the show’s sly skewing of culture and politics.
A Gershwin Tune
Authors: Winkler Kevin 
Published: November 2021

Abstract
Despite his success as a director-choreographer, Tommy Tune still thought of himself as a performer first. As this chapter explains, for My One and Only, a reworking of the 1927 Gershwin musical, Funny Face, he was happy to star with his friend Twiggy and co-choreograph with his frequent collaborator Thommie Walsh. But the director, twenty-five-year-old Peter Sellars, who had gained notoriety for his audacious reinterpretations of Shakespeare and opera in academic and not-for-profit theater, was not used to working in the high-pressure, fast-paced Broadway environment. The show was a slow-moving, pretentious shambles when it tried out in Boston. Sellars was dismissed and Tune and Walsh were pressed into service as co-directors. Tune called in Peter Stone to rework the libretto and his friend Mike Nichols to serve as advisor to the star-choreographer-director. Tune turned My One and Only into a fleet, fast-moving entertainment built around a parade of prime Gershwin songs––an early example of the jukebox musical––and exhibiting not a trace of its earlier turmoil. Its bold staging used movement and lighting to drive the story forward against a series of bold geometric drops and flats that evoked the 1920s with stylish minimalism. My One and Only was a Broadway hit that not only returned Tune to the stage but also demonstrated that he could turn a chaotic failure into a dazzling success.
The Broadway Melody of 1991
Authors: Winkler Kevin 
Published: November 2021

Abstract
The Will Rogers Follies was Tune’s most opulent show, far different from the sleek, stylized minimalism of his recent musicals, with a score by Cy Coleman (music) and Betty Comden and Adolph Green (lyrics), and a book by Peter Stone, by this time a frequent Tune collaborator. The story of Will Rogers, the beloved, Oklahoma-born star of radio, vaudeville, and films, and one of the most popular headliners of the Ziegfeld Follies, was told as a series of routines played out on the stage of the Follies. This look back at a bygone theatrical era played to Tune’s strengths, and his staging recalled show business antecedents from the stage and screen updated with present-day flourishes. Tune’s staging feats were even more impressive because they were performed on a grand staircase that covered the entire expanse of the stage. The Will Rogers Follies opened during a moment of resurgent patriotism in the wake of the success of Operation Desert Storm. Following a decade in which British hits like Cats, Les Misérables, and The Phantom of the Opera dominated the Broadway musical, an air of jingoism and a determination to reclaim Broadway for American musicals hovered over the success of The Will Rogers Follies in 1991.
Designing a Publishable Study
Authors: Schwartz Seth J. 
Published: November 2021

Abstract
This chapter covers planning studies; choosing a study design based on one’s hypotheses; the distinctions among association, prediction, and causation and the study designs needed to evaluate each of these levels of relationship; recruiting and retaining hard-to-reach populations; conducting rigorous experimental studies; managing research teams; drawing samples; and conducting secondary data analyses. The material covered in this chapter helps to ensure that authors generate data from rigorous and airtight studies so that the results of such research can be published in the best possible journals. Pitfalls involved in each of the principles covered in the chapter are also discussed, along with the potential consequences of each of the pitfalls.
Key Principles in Ethical Data Analysis and Handling Conflicts of Interest
Authors: Schwartz Seth J. 
Published: November 2021

Abstract
This chapter covers ethical issues in data analysis, such as p-hacking (massaging data until significant results emerge) and HARKing (hypothesizing after the results are known). The chapter also discusses conflicts of interest, including financial conflicts as well as unreasonable ambition, egotism, “publish or perish” pressures that academics face, and pressures to secure grant funding. Recommendations are provided for avoiding and managing these challenges. Having multiple people conducting analyses is suggested as one way to maximize the likelihood of ethical data analysis. The chapter also provides recommendations for journal editors, department and university administrators, and funding agencies for ensuring that they do not inadvertently incentivize unethical data analytic practices.
Writing a First Draft
Authors: Schwartz Seth J. 
Published: November 2021

Abstract
This chapter covers how to assemble a first draft. Writers are advised to allow their thoughts to be transferred to the screen without editing the thoughts as they are writing them. Instead, one should simply write and plan to edit later. The chapter provides tips for writing within one’s outline and for ensuring that writers cover all of their planned ideas. Writers are advised to consult their mentors and coauthors if they feel stuck, and to stop writing when they believe they have covered all the ideas they planned to include. The chapter reassures authors that they can add more material to the manuscript whenever they choose to, and that self-criticism should be avoided.
Thinking Like a Reviewer
Authors: Schwartz Seth J. 
Published: November 2021

Abstract
This chapter provides strategies for critically evaluating one’s own work. Readers are provided with a “reviewer job description” that summarizes what reviewers are asked to do when they agree to review a manuscript. Authors are then encouraged to do this with their own papers. The chapter covers identifying methodological, design, or analytic flaws in one’s work that may contraindicate publication in high- or moderate-prestige journals and helps authors to identify such flaws in their studies and manuscripts. The chapter includes specific reviewer comments that may be directed toward specific sections of a paper, or toward the paper as a whole. Authors are encouraged to reflect critically on their work rather than submitting it to a top journal and assuming it has no major flaws.
Working With Public-Use and Proprietary Datasets
Authors: Schwartz Seth J. 
Published: November 2021

Abstract
This chapter addresses work with regionally or nationally representative datasets, which are often used in disciplines like public health, sociology, demography, and political science. Some of these datasets are publicly available, whereas others are proprietary and can be accessed only by developing a formal proposal and paying a fee. The chapter lays out the types of claims and research questions that datasets are best equipped to support or address. Tips for using these datasets are provided, such as understanding the sampling strategy and the labeling of variables in the codebook. Challenges inherent in using public-use and proprietary datasets are also enumerated.
Remembering Rock and Roll with P. P. Arnold
Authors: Apolloni Alexandra M. 
Published: November 2021

Abstract
This chapter asks how American singer P. P. Arnold’s vocal performances in the 1960s shaped British popular music production and how she renarrates rock history today. The story of Arnold’s music career reveals how the Black feminine vocality exemplified by Arnold’s style of singing shaped 1960s rock, and how Black women singers navigate experiences of marginalization and narratives of authenticity. Arnold’s recordings for Immediate Records and her work with the Small Faces on songs like “Tin Soldier” reveal how this dynamic manifests musically, while the story of her “lost” album The Turning Tide illustrates the effect that it had on her career. The chapter closes with a section on Arnold’s recent live performances, using Black feminist thought to understand the implications of Arnold’s engagement with 1960s stereotypes of rock authenticity and sexual expressivity in her new work.
“Dem Was Hard Times, Sho’ Nuff”
Authors: Irons Peter 
Published: November 2021

Abstract
This chapter is almost entirely in the words of two very different groups of people: the first is four White men, all distinguished in state and federal offices, who defended slavery in the years leading up to the Civil War; the second is composed of thirteen former slaves, in accounts of their lives recorded and transcribed in the 1930s by a New Deal agency, the Federal Writers Project. The four slavery defenders are John Calhoun of South Carolina, a former vice president, who predicted an eventual breakup of the Union over slavery; George Fitzhugh, a lawyer who claimed that Black slaves were “happy” and well-cared-for by their masters; Jefferson Davis of Mississippi, who resigned from the Senate in 1861 to become president of the Confederacy; and Alexander Stephens of Georgia, who served as Davis’s vice president. Countering the myth of the “happy slave,” its victims recounted the brutality they endured, the breakup of slave families by selling wives from husbands and children from parents, and the “breeding” of “big black bucks” with multiple women to produce more slaves.