bluuebunny/crossref_metadata_2025_split huggingface dataset:
Evaluation of Beta CAPM under Financial Leverage Scenarios in Viet Nam Real Estate Industry under Financial Leverage
Authors: Anh Phan 
Published: August 2021

This paper evaluates the impacts of external financing on market risk for the listed firms in the Vietnam real estate industry. In order to propose evidence for establishing policies in risk management and governance, authors use live data of stock price and rates form bank system and Vietnam stock exchange. Research findings show that when estimating asset and equity beta of total 45 listed companies in Viet Nam real estate industry with a proper traditional model, beta values, in general, for many institutions are acceptable. Then, under 3 different scenarios of changing leverage (in 2011 financial reports, 30% up and 20% down), we recognized that the risk level, measured by equity and asset beta mean, decreases (0,348) when leverage increases to 30% and it increases (0,385) if leverage decreases down to 20%. And by changing leverage in 3 scenarios, we recognized the dispersion of risk level, measured by equity beta var, increases if the leverage increases to 30%. And the asset beta var value is quite small, showing leverage efficiency.
Identifying the components of government policy based on the role of pressure groups in Iran
Authors: Darafarin Seyed Taher 
Published: August 2021

This research aims at identifying the government political components based on the role of pressure groups in Iran using qualitative methods. The methodology of this research was grounded theory and interview tool. The statistical sample in this research was experts including 22 individuals who are the present and periodic representatives of the Islamic Consultative Assembly in Iran. This research was conducted in 3 coding processes of open coding, axial coding, and selective coding. According to the obtained results from this research, 71 codes were identified by interviewers which were classified in 6 grounded theory networks including axial issue, casual condition, contextual condition, intervening condition, policies, and consequences. Finally, the obtained results were validated.
Chemical and geochemical modeling. Thermodynamic models for binary fluoride systems from low to very high concentration (> 35 m) at 298.15 K
Authors: Donchev Stanislav , Tsenov Tsvetan V. , Christov Christomir 
Published: August 2021

Abstract
In this study we developed well validated thermodynamic models for solution behavior and solid-liquid equilibrium for all fluoride binary systems, for which activity data are available. The subject of modeling study are 5 fluoride systems of the type 1-1 (HF-H2O, NaF-H2O, KF-H2O, RbF-H2O, and CsF-H2O) and one of 1-2 type (H2SiF6-H2O) from low to very high concentration at 298.15 K. Models are developed on the basis of Pitzer ion interactions approach. The recommendations on mean activity coefficients (γ±) have been used to construct the model for HF-H2O system. To parameterize models for all other 5 binary systems we used all available raw experimental osmotic coefficients data (φ) for whole concentration range of solutions, and up to saturation point. The predictions of new developed here models are in excellent agreement with experimental osmotic coefficients data, and with recommendations on activity coefficients in binary solutions from low to very high concentration: up to 20 mol. kg−1 in HF-H2O, and up to 35.6 mol.kg−1 in CsF-H2O. The Deliquescence Relative Humidity (DRH (%)) and thermodynamic solubility products (as ln Ko
sp) of 4 solid phases [NaF(s), KF.2H2O(s), RbF(s), and CsF(s)] have been determined on the basis of evaluated model parameters and using experimental m(sat) solubility data.
Hepatotoxicity and mitochondrial dysfunction after lead (Pb) exposure and the protective effect of fennel essential oil of this toxicity in Wister rats
Authors: Lemita Loubna , Djabri Belgacem , Gasmi Salim , Amani Yousfi , Rouabhi Rachid , Ben Aicha Brahim 
Published: August 2021

Abstract
The present work focuses on evaluation of the toxic effects of an exposure to lead (Pb) on the liver mitochondria function in Wistar rats and the protective role of the fennel essential oils (FEO).
The experiments were conducted on Wistar rats, which were treated daily through orally gavages during 21 days. 24 animals were divided into four groups of 6 rats each one: the control group received water, while group II received FEO (0.5 mg/kg); group III received Pb (25 mg/kg), and group IV received Pb + FEO in the doses of (0,5 + 25 mg/kg). The mitochondrial dysfunction induced by lead is expressed by reducing mitochondrial respiration (O2 consumption) associated with an increase in mitochondrial swelling and permeability compared to the control group. A disturbance in the rates of oxidative stress biomarkers was also observed. This disturbance was expressed by an increase of the MDA rate and the Cytochromes C activity associated with depletion in the GSH rate and GPx activity compared to the control group. The rat’s co-treatment with FEO restored all these parameters to values similar to the Control.
The whole of these results shows well that the exposure to the lead causes disturbances on the level mitochondrion, which are attenuated by fennel essential oils.
Ophrys sphegodes subsp. helenae (Renz) Soó & D.M.Moore (Orchidacea): a new subspecies for the Bulgarian flora
Authors: Zahariev Dimcho 
Published: August 2021

Abstract
Ophrys sphegodes subsp. helenae (Renz) Soó & D.M.Moore is a Balkan endemic, for which so far there are data for distribution only on the territory of 2 countries: Greece and Albania. During a study of the flora of the Voyvodsko plateau, located in the northeastern part of the Republic of Bulgaria, in April 2019 a locality of this species was discovered. The development of the population in the period April 2019 - May 2021 was monitored. The population consists of 3 individuals located on an area of 0.5 m2. Of these, 2 individuals are in a generative state and 1 individual is in a vegetative state. The abiotic and biotic conditions in the habitat are described. It is characterized by a rich floristic diversity: the associated species are 60 in number. Anthropogenic impact has been reported. The prospects for the existence of the population are indicated. It is proposed to declare the territory around the locality a protected area in order to preserve the habitat from negative anthropogenic impacts.
Germination of common winter wheat (Triticum aestivum L.) treated with unconventional preparations
Authors: Dochev Veselin 
Published: August 2021

Abstract
The study was conducted in the laboratory of the Agricultural Institute of Shumen. The germination energy and germination of winter wheat variety Venka 1 are reported following the adopted methodology. The germination energy was recorded on the fourth day of the experiment, and the germination and measurement of the coleoptile – on the eighth day. 10 granules of the following homeopathic preparations are pre-dissolved in distilled water: Calcium sulfuricum 6 D, Thallium sulfuricum 6 D, Sulfur, Graphites 6 D, Selenium, Ferrum metallicum 10 D, Magneziun fluoratum 10 D, Arsenicum album 12 D, Causticum Hanenmanni 30 D, Zincum metalicum 30 D.
The tested homeopathic preparations have no proven effect on the germination energy and germination of seeds in wheat variety Venka 1. The variants treated with the homeopathic preparations Thallium sulfuricum and Sulfur have been proven to exceed the standard one in terms of coleoptile length. Тhis work will serve as a basis the study of other homeopathic preparations to determine their impact on uniform germination and their aftereffect on plant growth.
Laboratory Testing of Small-Scale Active Solar Façade Module
Authors: Narbuts Janis , Vanaga Ruta , Freimanis Ritvars , Blumberga Andra 
Published: August 2021

Abstract
Buildings are linked to a significant untapped energy saving potential, accounting for 40 % of European Union’s (EU) final energy and 36 % of CO2 emissions. Energy efficient building envelopes plays the key role to achieve decarbonization of the EU’s building stock by 2050. Active building envelopes are emerging and novel trend offering the paradigm shift in perception of building enclosures. Paper presents study of active solar façade containing phase change material for energy storage. Study seeks for optimisation of solar façade module by introducing dynamic component and variating in the composition of module itself to ensure faster energy harvesting and minimise the heat losses at discharging phase. Comparative tests were carried out in laboratory, in controlled heating and cooling conditions to evaluate impact of dynamic component. The dynamic component has reflective inner coating that focuses solar radiation on the element in heating phase and aerogel insulation filling in the blades that decreases heat loss in the cooling phase. Varying components in the design were used– thickness of aerogel insulation, Fresnel lens and width of concentrating cone diameter. Wide range of phase change material average temperature was observed 24 °C in setups with full aerogel filling to 50 °C in setup Fresnel lens. Average temperature in phase change material was reached higher in all setups with dynamic component compared to identical setups without dynamic component. Temperature differences were in the range from 1 °C in aerogel filled setups till 6 °C in setups with Fresnel lens.
MUO BAKASAI: UPACARA BALIMAU KASAI DALAM KARYA TARI
Authors: Oktaviani Rizki 
Published: August 2021

Karya Muo Bakasai terinspirasi dari sebuah upacara tradisi Balimau Kasai di Kabupaten Kampar, Provinsi Riau. Balimau kasai merupakan sebuah upacara sebagai sarana penyucian diri, dan juga sebagai bentuk ucapan rasa syukur dan ungkapan kegembiraan menyambut datangnya bulan Ramadan, yang dilakukan oleh masyarakat Kabupaten Kampar di tepian Sungai Kampar. Tradisi ini juga dijadikan sebagai sarana silaturahmi untuk memperkuat rasa kekeluargaan dan persaudaraan antar sesama muslim dengan saling mengunjungi dan meminta maaf. Tradisi ini diawali dengan menyiapkan bahan ramuan yang akan digunakan untuk mandi yaitu air rebusan limau dan kasai. Kasai adalah ramuan wangi-wangian yang digunakan sebagai pelengkap mandi Balimau ini. Karya tari ini menggunakan tipe tari dramatik dengan pola garap koreografi kelompok delapan penari, empat penari putra dan empat penari putri, sebagai simbolisasi masyarakat yang melaksanakan tradisi Balimau Kasai. Bentuk penyajian karya ini adalah simbolis representasional, dengan tipe dramatik yang terdiri empat adegan yakni, introduksi, adegan satu, adegan dua dan adegan tiga. Gerak-gerak dalam karya ini disesuaikan dengan tema tentang penyucian diri dan kebersamaan, juga menggunakan beberapa unsur-unsur gerak dalam tari poncak daerah Kampar sebagai pola gerak dasar dalam karya ini. Muo Bakasai's work was inspired by a Balimau Kasai tradition ceremony in Kampar regency, Riau Province. Balimau kasai is a ceremony as a means of self-purification, and also as a form of gratitude and expression of joy to welcome the coming of Ramadan, conducted by indigenous Kampar Regency on the banks of Sungai Kampar. This tradition is also used as a means of friendship to strengthen the sense of kinship and fraternity among fellow Muslims by visiting each other and apologize. This tradition begins by preparing the ingredients that will be used to bathe the water of lime and chilli stew. Kasai is a perfumed herb used as a complement to this Balimau bath. The form of presentation of this work is symbolically representational. This work is packed with a dramatic type of dance, with four scenes namely introduction, scene one, scene two and scene three. The movements in this work are adapted to the theme of self-purification and togetherness, and also use some elements of motion in the Kampar Poncak dance as the basic motion pattern in this work.
BAWINE: KARYA TARI YANG TERINSPIRASI PADA CITRA PEREMPUAN BUTON
Authors: Bolu Waode Muriani Ekasari Virno 
Published: August 2021

Bawine dalam bahasa Buton berarti perempuan. Karya tari ini terinspirasi dari sosok perempuan Buton yang ditulis dalam buku Perempuan dalam Khabanti yang sangat ingin melakukan segala sesuatu sesuai dengan keinginannya tetapi dibatasi oleh aturan tradisi yang tidak membolehkan wanita bekerja, bersekolah, dan menentukan jodohnya sendiri. Karya ini juga dikaitkan dengan keadaan perempuan Buton saat ini yang bebas menentukan jalan hidup dan memilih hak untuk melanjutkan pendidikan ke jenjang yang lebih tinggi. Tari Bawine ditarikan oleh tiga penari wanita yang masing-masing memiliki peran masing-masing. Penari pertama menggambarkan perempuan yang masih terkungkung, penari kedua menggambarkan wanita tradisi yang menjadi pisau bedah untuk ke luar dari aturannya, dan penari ketiga menggambarkan perempuan dari generasi sekarang yang bebas menentukan pilihannya. Bawine is a Buton language which means female. This dance work is inspired by the female figure of Buton written in the book Perempuan in Khabanti, who is keen to do everything with his desire but is limited by traditional rules that do not allow women to work, go to school, and determine their own soul mates. This work is also associated with today's women who are free to determine the way of life and choose the right to continue their education at a higherlevel. Bawine dance is danced by three female dancers who each have their roles / characters. 1) dancers who describe their constraints, 2) dancers who describe traditional women who become scalpels to get out of their rules, and 3) dancers who describe women who have been associated with the present who are free to make their choices.
TARI SEKURA SEBAGAI MEDIA PELESTARI TOPENG SEKURA DARI LIWA LAMPUNG BARAT
Authors: Susantri Ahmad 
Published: August 2021

Tulisan ini membahas usaha pelestarian kebudayaan yang dimediasi oleh sebuah karya seni tari yang muncul dari kebudayaan itu sendiri. Topeng sekura sebagai produk kebudayaan dalam rangkaian acara adat Pesta Sekura Cakak Buah menjadi lebih dikenal semenjak lahirnya tari Sekura. Proses kreatif penciptaan tari Sekura tidak hanya menghasilkan sebuah karya seni namun mendapatkan posisi yang lebih ‘mulia’ yaitu sebagai media promosi yang memperkenalkan topeng sekura ke berbagai tempat yang dulunya justru tidak mungkin untuk digapai. Tulisan ini tidak hanya memaparkan keberhasilan karya tari dalam melestarikan sebuah produk kebudayaan namun bagaimana perjalanan terbentuknya kebudayaan tersebut sehingga menjadi menarik untuk dilestarikan dan menjadi alasan mengapa harus dipromosikan. This paper discusses cultural preservation efforts mediated by a dance work which arises from the culture itself. Sekura mask as a cultural product in the series of traditional evebts pf the Sekura Cakak Buah festival has become more well known since Sekura dance was born. The creation creative process of Sekura dancedoes not only produse an art work but also obtain a more ‘precious’ position as a promotional medium which acquaints the Sekura mask into various places that previously are impossible to reach. This paper does not only elaborate the succes of dance works in preserving a cultural product but also how is the process of cultural formation it self becomes attractive to be preserved and becomes the reason why it should be promoted.
KEPRET KAMALE: KARYA TARI PENGEMBANGAN DARI TARI JAIPONGAN DAN POP DANCE
Authors: Narulita Dhea Indres 
Published: August 2021

Kepret Kamale merupakan perpaduan dari kata Kepret yang diambil dari nama gerak tari Jaipongan Jawa Barat, dan Kamale yang dalam bahasa Sunda berarti kemana-mana. Maka jika digabungkan, kedua kata ini menjadi kepret yang kemana-mana. Karya ini menjadi sebuah karya yang memadukan tari Jaipongan dan gerak Pop Dance seperti Waking dan K-pop (Koreanstyle) tetapi tetap berorientasikan pada gerak Kepret. Tipe tarian Kepret Kamale adalah studi dari gerak Kepret tari Jaipongan. Dengan pengembangan gerak dan pengolahan gerak atas kemungkinan- kemungkinan dalam mengembangkan gerak tersebut, misalnya gerak Kepret pada umumnyadigerakkan pada tangan lalu divariasikan ke bagian tubuh lainnya seperti kepala, bahu, dada, badan, lengan, pinggul, pantat, dan kaki, maka akan menghasilkan teknik dan gerak yang baru. Kepret Kamale is Kepret taken from the name of Jaipongan dance movement of West Java and Kamale taken from the Sundanese language which means everywhere. Kepret motion taken from Jaipongan dance movement of West Java which is characteristic of dance that exist in West Java. Kepret motion is varied and then developed with aspects of time, space, and energy. So finding new techniques and moves.However, this dance will still be directed and oriented to Jaipongan dance and combined with Pop Dance movements such as Waking and K-pop (Koreanstyle) but still oriented to Kepret movement according to the ability of the stylist. Dance type KepretKamale is a study of motion Kepret Jaipongan dance. Search and development of motion or possibilities in developing the motion, for example Kepret motion is generally moved on the hands and then varied to other body parts such as head, shoulders, chest, body, arms, hips, buttocks and feet, it will produce techniques and motion the new one.
DANGDORA KOVI: SIKLUS KEHIDUPAN WANITA DAYAK SOPUNTAN DALAM KARYA TARI
Authors: Hangin Sisilia 
Published: August 2021

Karya berjudul “Dangdora Kovi” adalah video tari yang bersumber dari ritual upacara adat yang dilakukan wanita suku Dayak Soputan dalam siklus kehidupan yaitu lahir, tumbuh, dan dewasa. Tradisi dalam suku Dayak Soputan merupakan suatu kebiasaan yang dilakukan dalam setiap peristiwa ataupun proses kehidupan, yang mengandung nilai, makna, serta tujuan tertentu. Gerak tari berangkat dari pola tradisi dengan pengembangan motif gerak nyerilit, seliung, ngancet, dan kepupeq yang dirangkum ke dalam tiga segmen. Pola iringan menggunakan instrumen Sapeq dan Gong, dan hutan dipilih sebagai tempat pementasan karya. Sinematografi adalah sebuah ilmu terapan yang membahas tentang penangkapan gambar dan sekaligus penggabungan gambar tersebut, sehingga menjadi rangkaian gambar yang memiliki kemampuan menyampaikan ide dan cerita, yang dilengkapi dengan konsep Ten Tools, menjadi teknik yang digunakan untuk menciptakan panggung baru dalam seni pertunjukan tari dengan penggunaan kamera untuk mengarahkan presepsi penonton terhadap visual yang dilihat. ABSTRACTTradition in the Dayak Soputan tribe is a custom carried out in every event or process of community life, that iscontains certain values, meanings, and goals. The dance work entitled "Dangdora Kovi "comes from the life process of Dayak Soputan women in their tradition, The stylists link the life processes of Dayak women in their tradition to customs dangdora, above becomes a sequence that is applied into the structure a single dance work entitled Dangdora Kovi, by applying management traditional ceremonial rituals, personal experiences, and ideas of dance stylists with forms movements which are summarized into dance videos. The presentation of the work "Dangdora Kovi" departs from the traditional pattern with development of motive motion nyerilit, seliung, ngancet and kepupeq. This work presented the ceremonial procession, personal experiences, and ideas of the stylists which is summarized into three segments, namely birth, growth and adulthood. This work carrying midi music (recording), using Sapeq and Gong as basic instruments of dance music. The forest is the selected place as the background staging works. Cinematography is an applied science that discusses capture images and at the same time combining these images, so that it becomes a series of images that have the ability to convey ideas and stories, equipped with the concept of Ten Tools, the technique used for creating a new stage in the performing arts of dance with use a camera to direct the audience's perception of the visuals they see.
Sarosacitta
Authors: Nugraha Adi Putra Cahya 
Published: August 2021

Sarosacitta adalah judul karya tari yang diciptakan. Sarosacitta merupakan bahasa Jawa Kuno yang berarti berjuang penuh semangat. Judul tersebut dipilih untuk merujuk pada konsep utama karya yaitu semangat juang rakyat pada masa perang 10 November 1945.Dalam tari Rema, gerak utama sebagai pijakan untuk dikembangkan adalah teknik sadhukan sampur dan beberapa motif lainnya seperti: dolanan sampur, tropongan, bumi langit, dan ngundang bala. Fungsi sampur dalam tari Rema adalah sebagai senjata. Teknik tersebut dikembangkan dan dikemas menjadi sebuah pertunjukan tari secara utuh dengan mengusung kronologi perang 10 November 1945, sebagai landasan cerita yang membentuk tema, alur dan unsur dramatik karya.Karya tari Sarosacitta divisualisasikan dalam bentuk tari kelompok, didukung oleh delapan penari putra, dan dipentaskan di proscenium stage. Sarosacitta is the title of a dance piece created. Sarosacitta an ancient Javanese language, which means fighting vigorously. The title was chosen to refer to the main concept of the work is the fighting spirit of the people in times of war 10 November1945.In the Rema dance, the main motion as a foothold to be developed is a technique sadhukan sampur and some other motifs such as: dolanan sampur, tropongan, bumi langit, and ngundang bala. Sampur function in Rema dance is as a weapon. The technique has been developed and packaged into a dance performance as a whole and brought the chronology of the war 10 November 1945, as the basis for stories that make up the theme, plot and dramatic elements of thework.Sarosacitta dance piece visualized in the form of dance groups, backed by eight dancers son, and staged in a proscenium stage.
Kasetyan
Authors: Setyaningsih Endang 
Published: August 2021

Karya Tari Berjudul Kasetyan adalah komposisi tari puteri yang berbentuk srimpen, yakni refleksi kesetiaan atau sikap tidak ingkar janji Dewi Drupadi yang diambil dari cerita Mahabarata. Drupadi sebagai putri dari kerajaan Pancala yang dilahirkan dari api pemujaan yang kemudian menjadi istri Raja Yudhistira. Karya ini berangkat dari rangsang idesional dan gagasan yang kemudian memilih temakesetiaan Drupadi dengan tipe tari Dramatik. Mode penyajian adalah simbolisrepresentasional dengan menggunakan empat penari puteri. Ide penciptaan karya merupakan hasil eksplorasi dan analisis dari pola-pola gerak tari tradisi puteri yaitu tari Srimpi. Pengembangan geraknya mengacu pada motif gerak tari tradisi puteri gaya Surakarta, seperti gerak lenggut, manglung, lumaksana lara maju mundur, ogek lambung, sembahan laras, sekar suwun dan berbagai motif gerak bahkan sendi. Aspek koreografi lain yang mendukung penciptaan karya ini adalah penataan setting panggung yang menggunakan trap di area up center sebagai dimensi ruang yang berbeda untuk mendukung perjalanan tiap adegan. A Dance titled Kasetyan is a composition of a female dance which have a form of srimpen, this dance is a reflection of a loyalty or Goddess Draupadi’s attitude that doesn’t break a promise which taken from the Mahabharata. Draupadi as the daughter of Panchala born from veneration fire which later became the wife of King Yudhishthira. This artwork departs from the idea that excitatory idesional and then choose the theme of Draupadi’s loyalty with the Dramatic type dance. The presentation mode is symbolic-representational using four female dancers. The idea from the creation of thisartwork is the result of exploration and analysis from the patterns of traditional female dance called Srimpi. Development of the choreography refers to the motion motive of femaletraditional dance from Surakarta style, such as lenggut motion, manglung,lumaksana laras maju mundur, ogek lambung, sembahan laras, sekar suwun and various motifs motion even the joints. Another aspect of choreography that supports the creation of this artwork is the arrangement of stage setting that uses trap in up center area as another dimension to support the plot of each scene.