bluuebunny/crossref_metadata_2025_split huggingface dataset:
Czytankowy heroizm, niewygodny rewizjonizm czy historyczny realizm? O różnych drogach polityki pamięci we współczesnym polskim kinie historycznym — rekonesans
Authors: Kurpiewski Piotr 
Published: October 2021

This paper aims to reflect on various aspects of memory politics present in contemporary historical cinema. All films depicting the past carry certain theses or thoughts of a political nature meant to strengthen the contemporary discourse on Polish (and not only) history. The paper presents analyses of three sorts of memory politics: pedagogy of pride, pedagogy of shame and visual historiography (historiophoty). The black-and-white heroism referred to as the reading book heroism presented in Caroline (Karolina), History of Roj (Historia Roja), Broken ear of grain (Zerwany kłos) and in The Outcast (Wyklęty) are examples of pedagogy of pride, favoured by the current Polish authorities from the Law and Justice party (Prawo i Sprawiedliwość). Such works as the Oscar-winning Ida, Summer solstice (Letnie przesilenie) and Consent (Zgoda) are, in turn, emanations of the so-called pedagogy of shame and can be seen as a reference to the message of ambiguous masterpieces from the period of the ‘Polish film school’, in particular to the artistic output of Andrzej Munk. A separate place is to be dedicated to historical works by Wojciech Smarzowski, who in Rose (Róża) and Volhynia (Wołyń) consistently creates visually credible tales of history in order to reflect in a general manner on the non-existent world of the past and ordinary people living therein.
The main conclusion of the article is the statement that historical politics functioning in films depicting the past is meant to be a temporary intervention which may function in a long-term perspective only, given the high artistic quality of the artwork. Otherwise the movie quickly falls into oblivion and loses its influence on the collective social memory.
The heroic temper in “Hamlet” and “Taxi Driver”
Authors: Melo Maria Joana 
Published: October 2021

In this essay I wish to trace numerous affinities of theme, metaphor, and plot between Shakespeare’s play Hamlet, Prince of Denmark and Martin Scorsese’s film, Taxi Driver. Drawing from two claustrophobic settings, those of tragedy and film noir, the same anxiety, paranoia, and restlessness that contribute to the characterization of both heroes, Hamlet and Travis Bickle, as topoi of the Sophoclean tragic hero, conform to most features described by Bernard Knox in The Heroic Temper.
Serial „Artyści” jako przykład telewizji jakościowej
Authors: Kaczor Katarzyna , Świąder-Puchowska Barbara 
Published: October 2021

The article The series “The Artists” as an example of quality television is an attempt to analyse the original TV series The Artists [Artyści] (2016) by Paweł Demirski and Monika Strzępka from the perspective of the determinants of the quality television model defined by Jane Feuer. The researchers consider the series, whose authors are neither film nor television artists, but are representing critical theatre in Poland, to be the first such full implementation of quality television in Polish TV culture. The authors of the article begin their analysis with the first Polish productions that featured elements of quality television (starting from The Cop [Glina] series from 2003) and defining synthetically its determinants. These genre determinants are deepened in the following sections in the perspective of the analysis of the series The Artists in terms of focusing the theme of the movie on the present; constructing the script of the series about characters from different layers and environments, in opposition to accepted norms; the author(s) as a guarantee of a high-quality artistic series; stylistic means; intertextual layer.
Muzyczne adaptacje poezji Józefa Czechowicza — piosenka i pieśń na styku kultury popularnej i nowych mediów (rekonesans)
Authors: Piaskowski Łukasz 
Published: October 2021

The main purpose of this paper is to recognise how the poetry of Józef Czechowicz functions in new media contexts within broadly understood popular culture. Poets’ poems are subjected to a specific process of audio adaptation, adapting them to function in a different media environment, especially on YouTube. The author of the article attempts a structural-hermeneutic reading of the audio texts. Czechowicz, widely regarded as an extremely “musical” poet, is confronted with various models of the audial functioning of the literary text. The article discusses selected aspects and selected examples of auditory adaptations of Czechowicz’s poetry. The author of the sketch focuses primarily on the musical studies of the poet’s poems, in which he perceives the basic intermedia potential — the ability to function in different contexts. An important part of this interpretative act is to look at the conventionally established culture flows in which Czechowicz’s poetry appears.
The main purpose of this paper is to recognize the way the poetry of Józef Czechowicz functions in new media contexts within the broadly understood popular culture. Poets’ poems are subjected to a specific process of audio adaptation, adapting them to function in a different media environment, especially on YouTube. The author of the article attempts a structural-hermeneutic reading of the audio texts. Czechowicz, widely regarded as an extremely “musical” poet, is confronted with various models of the audial functioning of the literary text. The article discusses selected aspects and selected examples of auditory adaptations of Czechowicz’s poetry. The author of the sketch focuses primarily on the musical studies of the poet’s poems, in which he perceives the basic intermedia potential — the ability to function in different contexts. An important part of this interpretative act is to look at the conventionally established culture flows in which Czechowicz’s poetry appears.
Tolkien i Wielka Wojna
Authors: Lichański Jakub Z. 
Published: October 2021

Finally here comes a volume modestly entitled Tolkien and the First World War. On the threshold of Middle-earth. This is the result of many years of study by the author, John Garth, who writes in the introduction: This biographical study was born from one observation: how strange that J.R.R. T o l k i e n b e g a n t o c r e a t e h i s m o n u m e n t a l m y t h o l o g y i n t h e m i d s t o f t h e F i r s t W o r l d W a r, [emphasis added — J.Z.L] that disappointing crisis that shaped the present day. This sentence may surprise the Polish reader, whose consciousness has shaped a completely different image of the First World War, as an event that may have been a crisis, but gave Poland the independence it had been dreaming of for over a hundred years. Meanwhile, for the generation to which Tolkien belongs, it was just that — a crisis. As Hermann Broch, who was slightly older than him, wrote about this war: “Goodbye Europe, beautiful tradition is over”.
Garth shows how Tolkien contrasted his work with this perception of the experience of the Great War, a work that is a great mythical story about destruction but also about hope. At the same time, it is a tribute to the memory of the generation that died in the trenches of Flanders.
„Macchiato” do ostatniej kropki
Authors: Włodarczyk Jarosław 
Published: October 2021

Todayʼs societies, democracies, media and journalism are undergoing a transformation hitherto unheard of in history. The key element of these changes is information and access to it, as well as processing possibilities and skills. Without understanding the process, without the ability to select information, and without critical analysis, individuals and entire societies become vulnerable to stupidity, information wars, disinformation and interference with elections.
Politicians, especially populists but not exclusively so, saw a great opportunity in the existence of a “cloudy information space”, in the confusion of citizens deprived of their independent thinking and poorly educated. That is why politicians fight with free media and independent journalists, because this is the first line of defence against disinformation and ignorance. Freedom of media is also a barrier to the authoritarian aspirations of politicians, because of its unique attribute — the only freedom showing the state of other freedom and rights.
The book by professor Jacek Dąbała, Media phenomena and paradoxes, published in 2020, diagnoses these problems and challenges and shows the key to media and information thinking. It is written in a minimalistic form of 200 texts, each of about 2000 characters. The short form is balanced by the multitude of topics covered, including science, politics, history, medicine, media, technologies, customs, law, religion, faith, emotions, intellect and stupidity. Dąbała scans issues in Russia, China, the United States, Germany, Poland and many others. The topics and analyses are universal and you can even risk a thesis that many of them will be timeless. It is therefore a global and universal reading which, when translated into other languages, should be recommended as essential content for journalists, politicians, students, and even more broadly — for all of us, that is, media recipients.
The book is a subjective view of all the 200 topics through the prism of pro-democracy views and freedom — freedom understood in the broadest sense, freedom of science and speech.
Dąbała certainly poses important questions, questioning our way of seeing the world and its presentation in the media. However, he often leaves the questions unanswered, apparently because the answer is in the method — analysis, critical thinking and seeking quality.
The book Media phenomena and paradoxes is excellent material for conducting workshops for journalism students. Analysing problems in the book can also improve journalistic thinking. For journalists who have not lost their instincts, humility and willingness to keep going, such an exercise can be very valuable.
This is important knowledge for anyone who wants to better understand the world, and for media people it is a must-read.
Фантастическое и его значения
Authors: Stuzhuk Olesya 
Published: October 2021

As a rule, there are many meanings of the term “fantastic” in all languages. There are twelve of them recorded in the Ukrainian explanatory dictionary. This is not a complete list. The author of the dictionary entry mixes independent phenomena such as “magical”, key elements of phenomena such as “bizarre” and abstract concepts such as “impossible”. Literary critics from V. Derzhavin, Tz. Todorov to modern ones explore fantastic fiction through bordering notions. In this article, I focus on four meanings the fantastic fiction concept consists of, and not only has similarities with. These are “wonderful”, “miracle”, “amazing” and “bizarre”.
Due to ideological factors, primarily declarative atheism and the attribution of bourgeois nationalism to the nation, the miraculous-miracle-marvellous triple remained outside the attention of researchers, since it was necessary to talk about the influence of religion on the formation of literature. The only type of fantastic fiction recognised in the Soviet Union was science fiction, and it had to be separated from religion. Now it is important to describe the formation of fantastic fiction, exploring the path from the intersection of adjacent phenomena to its merger, relying on the works of both classical literature and modern fantastic fiction which represents the entire range of interaction of fantastic fiction meanings. The article describes the structure of fantastic fiction and its inner nature. The issues of meta-genre and mega-genre are disclosed. It is explained why fantastic fiction cannot be considered as a genre in the structure of Ukrainian literary criticism. The article also provides an extensive overview of meta-genre theories in the post-soviet space.
L’omogenitorialità tra aspirazione e diritto – note a margine della Sentenza n. 230/2020 della Corte Costituzionale
Authors: Aquironi Ilaria 
Published: October 2021

Una recente sentenza della Corte costituzionale offre lo spunto per rifletteresull’evoluzione giurisprudenziale italiana in materia di omogenitorialità, nonché per mettere in luce gli
insoddisfacenti esiti cui la giurisprudenza perviene in assenza di una disciplina normativa organica in ma-teria. Le soluzioni giurisprudenziali sin qui adottate fanno sì che il grado di tutela offerto dall’ordinamento
italiano nei confronti del minore nato attraverso il ricorso alle tecniche procreative medicalmente assistitevari a seconda di fattori del tutto secondari rispetto all’obiettivo, primario, di tutela del suo superioreinteresse. Non si discosta da tale rilievo la sentenza n. 230 del 2020, criticabile per la cautela mostratadalla Corte costituzionale; per il vulnus alla tutela del superiore interesse del minore legato alla variabilitàdella garanzia offerta a seconda del luogo di nascita e dalla tecnica procreativa impiegata; per la portatadifferenziata del limite dell’ordine pubblico che di fatto corrobora; nonché per il perdurante impiegodell’insoddisfacente istituto dell’adozione in casi particolari quale strumento teso ad instaurare un legametra genitore intenzionale e figlio minore.
DEIKSIS BAHASA BANJAR DALAM TUTURAN ANAK USIA DINI (BANJARESE LANGUANGE DEIXIS IN EARLY CHILDHOOD SPEECH)
Authors: Samiyati Samiyati 
Published: October 2021

Abstract Banjarese Languange Deixis in Early Childhood Speech. This research used a descriptive qualitative approach. Data of research were the speeches made the early childhood at TK Cipta Karya containing Banjarese language deixis. The data resources were the early age children. The researcher used the SLBC technique (see free involment) in this study. The research found five deixis of Banjar language in early childhood, namely deixis of person: aku, ulun, unda, kita, kami, ikam, pian, buhannya, buhan kam, inya, sidin, buhannya, and bagiannya; deixis of place: di sini, di sana, di situ, ka sini, ka sana, and ka situ; deixis of time: samalam, isuk, tahun kena, tadi, and kena; deixis of pointer: ini, nih, ni, itu, tu, and tuh; deixis of discourse, consisting of two types namely anaphoric deixis which refer to something mentioned before and deixis of words which refer to something that has not been mentioned at all before; and the social deixis, namely the different uses of the words ulun, unda, pian, nyawa and of answer, such as iih or heeh and inggih. Keywords: deixis, Banjar language, child Abstrak Deiksis Bahasa Banjar dalam Tuturan Anak Usia Dini. Penelitian ini bertujuan mengetahui wujud dan analisis deiksis bahasa Banjar dalam tuturan anak usia dini. Penelitian ini menggunakan pendekatan kualitatif yang bersifat deskriptif. Data penelitian ini berupa tuturan anak usia dini di TK Cipta Karya yang tuturannya mengandung deiksis bahasa Banjar. Sumber data penelitian ini adalah anak-anak usia dini di TK Cipta Karya. Peneliti menggunakan teknik SBLC (Simak Bebas Libat Cakap) dalam penelitian ini. Hasil penelitian ini ditemukannya enam deiksis bahasa Banjar pada anak usia dini, yaitu deiksis persona, yaitu aku, ulun, unda, kita, kami, ikam, pian, buhannya, buhan kam, inya, sidin, buhannya, dan bagiannya; deiksis tempat, yaitu di sini, di sana, di situ, ka sini, ka sana, dan ka situ; deiksis waktu, yaitu samalam, isuk, tahun kena, tadi, dan kena; deiksis penunjuk, yaitu ini, nih, ni, itu, tu, dan tuh; deiksis wacana, yaitu terbagi dua menjadi deiksis anafora nya yang merujuk pada sesuatu yang disebutkan sebelumnya dan deiksis katafora nya yang merujuk pada sesuatu yang belum disebutkan sama sekali sebelumnya; dan deiksis sosial, yaitu perbedaan penggunaan kata ulun, unda, pian, nyawa dan penggunaan kata jawaban, seperti iih atau heeh dan inggih. Kata-kata kunci: deiksis, bahasa Banjar, anak
KINETIC STUDIES OF Cu ADSORPTION FROM SASIRANGAN LIQUID WASTE USING RICE HUSK ACTIVATED CARBON
Authors: Syauqiah Isna , Nurandini Desi , Prihatini Nopi Stiyati , Jamiyaturrasidah Jamiyaturrasidah 
Published: October 2021

The industry of sasirangan – traditional fabric of Banjar Tribe – has been one of prime commodities of South Kalimantan. The coloring process in sasirangan production used a lot of chemical elements containing heavy metals and its waste potentially pollute the environment. One of the heavy metal waste contained is copper (Cu) which is toxic to aquatic organisms and humans. The treatment for sasirangan liquid waste can be done by adsorption process using activated carbon as adsorbent. This study aims to determine the appropriate kinetic model for adsorption of Cu metal from sasirangan liquid waste using activated carbon adsorbent made from rice husks.The process was conducted by batch system with chemical and physical activation. Chemical activation was done by soaking the activated carbon of rice husk with HCl solution for 24 hours. While physical activation was carried out by burning in a furnace at 500̊C for 2 hours. The adsorption treatment was given on sasirangan waste samples with variations on contact time (30, 60 and 120 minutes). The results of kinetics study showed that the adsorption process of Cu from sasirangan liquid waste onto rice husk activated carbon adsorbent followed first-order reaction kinetics with a correlation coefficient value (R2) of 0.96 and adsorption rate constant (k1) of 0.0044 min-1.
EFFECT OF TEMPERATURE AND BLENDING RATIO TO PRODUCT DISTRIBUTION OF CO-PYROLYSIS LIGNITE AND PALM KERNEL SHELL
Authors: Jelita Rinny , Jefriadi Jefriadi , Mahdi Muhammad Jauhar , Hafiz Muhammad 
Published: October 2021

Adanya isu krisis energi dan masalah lingkungan akibat limbah mendorong terciptanya bahan bakar baru dari bahan terbarukan seperti limbah biomassa cangkang kelapa sawit (CKS). Di sisi lain, batubara kualitas rendah (lignit) memiliki nilai ekonomi yang rendah sehingga perlu ditingkatkan agar dapat digunakan lebih luas. Pemanfaatan lignit dan CKS dapat menghasilkan produk padat (char) berupa batubara hibrida melalui proses co-pyrolysis. Penelitian ini bertujuan menentukan temperatur dan komposisi optimum co-pyrolysis lignit dan CKS berdasarkan distribusi produk yang dihasilkan. Lignit dikeringkan dan dihaluskan hingga ukuran partikel 20-50 mesh. CKS dibersihkan, dipotong-potong dan diayak hingga berukuran 0,4-2 mm. Selanjutnya CKS dikeringkan menggunakan oven pada 105oC selama 24 jam. Lignit dan CKS dicampur dengan komposisi 15%, 22,5%, dan 30% berat CKS:lignit. Campuran bahan dimasukkan ke dalam reaktor co-pyrolysis sebanyak 200 gram. Proses co-pyrolysis dijalankan pada suhu 200ºC, 300ºC, dan 400ºC selama 1 jam dengan mengalirkan gas nitrogen ke dalam reaktor dengan kecepatan alir 1,5 L/menit. Hasil penelitian menunjukkan peningkatan rasio pencampuran CKS:lignit dan temperatur co-pyrolysis akan meningkatkan yield tar sementara yield char menurun. Ditinjau dari yield tar terbesar, temperatur optimum co-pyrolysis adalah 400oC pada rasio pencampuran optimum 15%, sedangkan 200oC dan 22,5% merupakan temperatur co-pyrolysis dan rasio pencampuran optimum untuk memperoleh yield char terbesar. Baik tar dan char produk co-pyrolysis ini dapat menjadi salah satu sumber energi alternatif dengan pengolahan lebih lanjut. Kata kunci: batubara hibrida, cangkang kelapa sawit, lignit, co-pyrolysis
Pengembangan Modul Pembelajaran Matematika Berbasis Android dengan Pendekatan Contextual Teaching and Learning (CTL) pada Materi Sistem Persamaan Linear Dua Variabel
Authors: Khasanah Uswatun , Wardani Rahayu  , Siti Rohmah Rohimah  
Published: October 2021

Penelitian ini dilatarbelakangi oleh analisis kebutuhan peserta didik dan guru. Berdasarkan analisis kebutuhan didapat data paling banyak 17,14% peserta didik kesulitan pada materi Sistem Persamaan Linear Dua Variabel (SPLDV). Sebanyak 50,00% peserta didik menginginkan modul sebagai bahan ajar. Sedangkan guru memerlukan sebuah bahan ajar yang dapat mengikuti perkembangan teknologi. Penelitian ini bertujuan untuk mengembangkan modul Android dengan pendekatan CTL pada materi SPLDV. Penelitian dan pengembangan ini menggunakan Software Construc 2 dan metode RnD yang mengacu pada model 4D. Teknik pengumpulan dan analisis data dalam penelitian ini berlandaskan pada metode kombinasi model embedded concurrent. Modul Android yang dikembangkan telah melalui validasi ahli media dengan nilai persentase rata-rata sebesar 80,83% dengan kriteria “Layak”. Hasil penilaian oleh ahli materi dan bahasa diperoleh persentase rata-rata sebesar 86,67% dengan kriteria “Sangat Layak”. Hasil penilaian oleh guru matematika diperoleh persentase rata-rata sebesar 87,39% dengan kriteria “Sangat Layak”. Sedangkan hasil akhir penilaian pada uji coba kelompok kecil dan besar masing-masing diperoleh nilai persentase rata-rata sebesar 99,25% dan 95,46% dengan kriteria “Sangat Layak”. Sehingga modul berbasis aplikasi Android yang dikembangkan memperoleh kategori sangat layak untuk dimanfaatkan dalam proses pembelajaran di sekolah dengan rata-rata keseluruhan adalah 89,72%.
A Simple Algorithmic Approach Allows the Safe Use of Cephalosporin in “Penicillin-Allergic” Patients without the Need for Allergy Testing
Authors: Goh Graham S. , Shohat Noam , Austin Matthew S. 
Published: October 2021

Background:
Patients who report a penicillin allergy are often given second-line antibiotic prophylaxis during total joint arthroplasty (TJA), with only a minority of patients undergoing additional consultations and allergy testing. In an effort to increase the use of cephalosporin prophylaxis in TJA, the present study aimed to assess the effectiveness of a simple, protocol-driven penicillin allergy screening program without the need for additional work-up.

Methods:
Following implementation of a questionnaire-based screening protocol in May 2019, all patients scheduled for primary TJA were risk-stratified into low or high-risk categories. The low-risk cohort received cefazolin, and the high-risk cohort received non-cefazolin antibiotics. Patients were monitored prospectively, and data on antibiotic usage and adverse outcomes were documented. The protocol group (n = 2,078) was propensity score matched 1:1 with a control group that included patients who underwent TJA in the same institution prior to implementation of the protocol. The primary end point was the efficacy of the protocol in reducing unnecessary use of non-cephalosporin antibiotics for prophylaxis. Secondary outcomes included the rate of surgical site infections and allergic reactions to the administered antibiotic.

Results:
A total of 357 patients (17.2%) reported a penicillin allergy in the protocol group compared with 310 patients (14.9%) with a recorded allergy in the control group (p = 0.052). The number of patients who received non-cephalosporin antibiotics was significantly lower in the protocol group (5.7% compared with 15.2% in the control group; p < 0.001), whereas there was no difference in the rate of total allergic reactions (0.8% compared with 0.7%, respectively; p = 0.857). Of the 239 low-risk patients (66.9%) in the protocol group, only 3 (1.3%) experienced a mild cutaneous reaction following cefazolin administration. There were no differences in the rates of superficial wound, deep periprosthetic, or Clostridioides difficile infections between the protocol and control groups.

Conclusions:
A simple screening protocol allowed two-thirds of patients with a self-reported allergy to receive cefazolin without the need for additional consultations or testing. We believe this protocol can be safely implemented to increase the rate of cefazolin usage without a corresponding increase in the number of allergic reactions.

Level of Evidence:
Therapeutic Level II. See Instructions for Authors for a complete description of levels of evidence.