bluuebunny/crossref_metadata_2025_split huggingface dataset:
Is There Something Special About Religious Disagreement?
Authors: Feldman Richard 
Published: December 2021

Abstract
Chapter 5 considers the question: Is there something distinctive about religious disagreement that makes it a suitable topic for examination? Religious disagreement may seem to differ from other disagreements, at least to the extent that devoting specific attention to religious disagreement does seem warranted. Yet, it is argued here, that there is nothing special about disagreement as compared with other cases of mixed evidence, and further, that there are no principles governing religious disagreements that differ from those governing other disagreements. Typically, one should be conciliatory toward those who disagree by reducing one’s confidence, because learning about others who disagree tends to shift the weight of one’s evidence, even if only slightly, away from what one already believes. Nevertheless, the chapter examines complications concerning how difficult it may be to discern such evidential pressure, particularly when it bears on one’s fundamental or “core” religious beliefs.
Transformative Experience and the Problem of Religious Disagreement
Authors: Blanchard Joshua , Paul L.A. 
Published: December 2021

Abstract
Chapter 6 considers how peer disagreement over religion presents an epistemological problem: How can confidence in any religious claims including their negations be epistemically justified? Here, it is shown that the transformative nature of religious experience poses a further problem: to transition between religious belief and skepticism is not just to adopt a different set of beliefs, but to transform into a different version of oneself. It is argued that this intensifies the problem of pluralism by adding a new dimension to religious disagreement, for we can lack epistemic and affective access to our potential religious, agnostic, or skeptical selves. Yet, access to these selves seems to be required for the purposes of decision-making that is to be both rational and authentic. Finally, the chapter reflects on the relationship between the transformative problem and what it shows about the epistemic status of religious conversion and deconversion, in which one disagrees with one’s own transformed self.
How to Be an Inclusivist
Authors: Kvanvig Jonathan L. 
Published: December 2021

Abstract
Chapter 9 postulates that inclusivism is a middle position between Exclusivism and Pluralism, but current formulations suffer from limitations. First, Rahner’s version is put in Christian terms, but if it is supposed to be metatheoretic, it needs a formulation that is religiously neutral in terms of truth. Second, attempts to generate such neutrality run into the difficulty of being unable to delineate exactly what distinguishes this middle position from fully relativistic Pluralism. The solution to both problems, the chapter argues, is to adopt a broader understanding of faith, one that is not centrally cognitive, one which explains why faith is a generic virtue in any context, and one which gives a way of distinguishing Inclusivism from its alternatives. The key element of the proposal is that, if faith is not centrally cognitive, there is nothing about this attitude that makes an appeal to it a partisan one with respect to the universe of faiths.
Aesthetic awareness in athletic performance
Authors: Toner John , Gail Montero Barbara , Moran Aidan 
Published: December 2021

Abstract
A considerable volume of research has explored spectators’ attraction to the aesthetic aspects of sport. However, considerably less attention has been devoted to an evaluation of the aesthetic dimension of sport from the performer’s perspective. This chapter hypothesizes that such evaluation can benefit athletic skill. It substantiates and elucidates some of the types of aesthetic experiences athletes may undergo and considers their potential use in sports. The chapter argues that athletes sometimes evaluate their actions by determining whether they have certain aesthetic quality, such as whether a movement embodies power or feels somehow just beautifully right. In bringing some of these ideas together it considers how an athlete’s aesthetic awareness of their own movements might be conducive to better practice and performance. This thesis is propaedeutic to future empirical work investigating the role of aesthetic self-evaluation in athletic performance.
Explaining continuous improvement
Authors: Toner John , Gail Montero Barbara , Moran Aidan 
Published: December 2021

Abstract
The final chapter synthesizes the arguments presented over the course of the book by suggesting that skill execution continues to be governed by conscious processes even after performers have attained a high level of expertise. It argues that skill-focused attention is necessary if experts are to eschew proceduralization and react flexibly to ‘crises’ and fine-grained changes in situational demands. In doing so, it discusses the role played by conscious control, reflection, and bodily awareness in maintaining performance proficiency. It suggests that skill maintenance and continuous improvement are underpinned by the use of both automated procedures (acknowledging that these are inherently active and flexible) and metacognitive knowledge. The chapter concludes by briefly considering how skill-focused attention needs to be applied in both training and performance contexts in order to facilitate continuous improvement.
Narcissus and Pygmalion
Authors: Rosati Gianpiero 
Published: December 2021

That nature imitates art is not a paradox distilled from Oscar Wilde’s pen, but the bold formulation of a Roman poet, Ovid (43 BCE–17 CE), which marks a radical turning point in ancient aesthetics, founded on the principle of mimesis. By enhancing phantasia, the artist’s creative imagination, Ovid opens up unexplored perspectives for future European literature and art. Through Narcissus and Pygmalion, figures of illusion and desire, who are the protagonists of two major episodes of the Metamorphoses, this book sheds light on some crucial junctions in the history of reception and aesthetics. With its combination of sophisticated by combining literary critical thinking and patient argument applied to the poetics of self-reflexivity and, in particular, to the fundamental interface between the verbal and the visual in the Metamorphoses, it has mainly contributed to the poet’s critical fortunes in this new aetas Ovidiana we have been living in the past few decades. A substantive introduction to this edition positions the book anew in the forefront of current discussions of Ovidian aesthetics and intermediality, in the wake of the postmodern culture of the simulacrum.
The Organizational Framework
Authors: Micheler Eva 
Published: December 2021

Abstract
This chapter assesses how the Companies Act establishes an organizational framework for companies by defining roles for the directors, the shareholders, the auditors, and the company secretary. The statute appoints the shareholders to decide constitutional matters and to participate in certain management decisions. It delegates the maintenance of financial records and the production of financial reports to the directors and carves out a role for the company secretary and the auditors. The Act also imposes mandatory procedures for shareholder meetings. The common law permits these to be overridden by an informal unanimous decision and in this way allows for organizational reality to override the formal legal process. The UK Corporate Governance Code contains generally accepted recommendations structuring decision-making by the directors.
Stakeholders
Authors: Micheler Eva 
Published: December 2021

Abstract
This chapter highlights how the law gives shareholders more influence than creditors, employees, or other constituencies, but also how the interests of these stakeholders are integrated into company law. Three normative conclusions flow from the theoretical perspective advanced in this book. The first is that we should give up on the idea that financial incentives can serve interests other than those of the directors. Second, programmatic statements encouraging companies to have a purpose or encouraging directors to consider stakeholder interests in the same way as shareholder interests are unlikely to have much effect. Third, if there is a desire to further integrate non-shareholder interests into company law, this is, from the perspective of this book, best achieved through an integration of their interests into the decision-making process of the company. An example of such an intervention can be found in the UK Corporate Governance Code which recommends the integration of work-force related concerns through a director appointed from the workforce, a formal workforce advisory panel, or a designated non-executive director.
Reading with David Jones
Authors: Brooks Francesca 
Published: December 2021

Abstract
Chapter 1 represents a major archival reassessment of Jones’s knowledge of and interest in early medieval culture and history produced in England, demonstrating that Jones knew many Old English texts in the original language and was engaged with the historiography of the period. The chapter sets out the findings of new archival research with The Library of David Jones, National Library of Wales, and in particular with The Anglo-Saxon Library (Appendix 1). This archival research facilitates a new methodology for reading with Jones and brings evidence from his reading, including previously uncatalogued marginalia, together with the drafts and manuscripts for The Anathemata. This chapter also places Jones’s innovation within the wider context of his reading of historical scholarship on the early Middle Ages, tracing the development of a scholarly poetics with which Jones reshaped a British historical and cultural inheritance for the imagined community of The Anathemata.
An Alfredian Reading Project
Authors: Brooks Francesca 
Published: December 2021

Abstract
Chapter 2 compares the rhetorical tropes employed in the ‘Preface’ to The Anathemata (often overlooked in the scholarship) with those of the preface to King Alfred’s Old English translation of the Pastoral Care. This comparison establishes the idea of Jones’s artful construction of his ‘Preface’ as a manifesto for the cultural project of The Anathemata. Reflecting on the Alfredian rhetorical ideal of an English nation (and more specifically an English nation of Catholics) as both a medieval and a post-medieval construct, this chapter illuminates the direct challenge of Jones’s ‘Preface’ to Alfredian assertions of English hegemony. Key to this effort to disrupt the hegemony of British Christian history, this chapter argues, is Jones’s use of Latin and how this implicates the work of two other ninth-century writers—Asser and Nennius—in Jones’s dialogue with King Alfred.
A Poetic Historiography of the Early English Settlements
Authors: Brooks Francesca 
Published: December 2021

Abstract
Zooming in to consider how the ambitions of Jones’s project are realized in the individual poetic sequences that make up The Anathemata, Chapter 3 engages in a close reading of the third sequence of The Anathemata, ‘Angle-Land’. ‘Angle-Land’ focuses on the arrival of the Angles, Saxons, and the Jutes to Britain and the extent of the subsequent cultural change in the fifth century and beyond. This chapter argues that in ‘Angle-Land’ Jones uses aspects of the physical and cultural geography of Britain, in particular evidence from toponymy, to write a poetic historiography of the early English settlements that challenges the idea that the migration of the Angles, Saxons, and Jutes rapidly transformed the landscape and culture of Britain. By exploring the language of landscape, Jones writes a poetic historiography that is in tune with contemporary, emerging historiographical narratives.
‘He’ll latin-runes tellan in his horror-coat standing’
Authors: Brooks Francesca 
Published: December 2021

Abstract
Chapter 4 focuses on the area across the east coast of Britain first thought to have been settled by post-Roman migrants, that of the East Anglian and Lincolnshire fenland, and the exploration of this contested space in ‘Angle-Land’. In the part of ‘Angle-Land’ focused on the fen Jones engages in a poetic search for the lost Britons of the early medieval fen by reading the eighth-century Anglo-Latin Vita Sancti Guthlaci Auctore Felice alongside recent archaeological finds from Caistor-by-Norwich. This chapter proposes that this search ultimately questions the extent of the foreignness of the Welsh in this supposedly ‘Anglo-Saxon’ space, allowing Jones to reimagine Guthlac as an Anglo-Welsh saint and to create a new macaronic language for twentieth-century Britain.
Too Small to Matter? On the Copyright Directive’s Bias in Favour of Big Right-Holders
Authors: Husovec Martin , Pedro Quintais João 
Published: December 2021

Abstract
This chapter shows how Art 17 of the Copyright in the Digital Single Market Directive (DSM Directive) contains an inherent bias favouring large right-holders to the prejudice of small creators. It studies the likely trajectories and incentives of the relevant actors and concludes that the licensing model of Art 17 is tailored to the needs of powerful content owners. Only smaller right-holders must monitor the market, review the use of their works by third parties, and approach each online-content sharing service provider separately. The enforcement mechanism of Art 17 has similar effects on amateur creators, who will often have to rely on exceptions to copyright when creating content in distinction to larger units that can typically resort to licensing. Collective licensing could offer a potential solution to alleviate the identified problems in unequal treatment of different types of copyright owners. The chapter discusses these effects from the perspective of the principle of equal treatment, protected under Art 20 of the EU Charter. It argues that, unless Member States resort to legal mechanisms—such as collective licensing—that can better balance competing rights and interests and not discriminate between different actors, the end-result will be unconstitutional.
Evolution of the arts
Authors: Brown Steven 
Published: December 2021

Abstract
This chapter examines both the biological and cultural evolution of the arts. Biological evolution of the arts deals with how humans evolved the species-specific capacities to create and appreciate artworks, while cultural evolution is about how artworks themselves, as cultural products, undergo changes in persistence over historical time and geographic location. The study of biological evolution includes both phylogenetic (or historical) and adaptationist (or Darwinian) approaches. The study of cultural evolution of the arts reveals the importance of a ‘creativity/aesthetics cycle’ in which the products of human creativity get appraised for their level of appeal by the aesthetic system, allowing them to either be transmitted to future generations or die out. This unification of creativity and aesthetics has far-reaching implications for both fields of study.
The Diva's Gift to the Shakespearean Stage
Authors: Brown Pamela Allen 
Published: December 2021

Abstract
The Diva’s Gift to the Shakespearean Stage traces the transnational connections between Shakespeare’s all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters. By the time Shakespeare began to write plays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Isabella Andreini, Vittoria Piissimi, and Barbara Flaminia became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy; their artistry enabled mixed companies to expand in foreign markets, especially in France and Spain. Elizabeth and her court caught wind of the Italians’ success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English playwrights grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some Englishmen pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw a vital new resource. Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to play them. Writers seized on the comici’s materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams—plot elements, star scenes, roles, stories, and speeches, such as cross-dressing, mad scenes, and spoken and sung laments. Shakespeare and his peers gave new prominence to female characters, marked their passions as un-English, and devised plots that figured them as self-aware agents, not counters traded between men. Playing up the skills and charisma of the boy player, they produced stunning roles charged with the diva’s prodigious theatricality and alien glamour. Rightly perceived, the diva’s star persona and acclaimed performances constituted challenging and timely gifts that provoked English playwrights to break with the past in enormously generative ways.
Introduction
Authors: Brown Pamela Allen 
Published: December 2021

Abstract
The revolutionary advent of actresses in the commedia dell’arte had a profound impact on the all-male stage. The transnational circulation of Italian texts, roles, topoi, and players prompted the emergence of the Italian-style innamorata in the drama of Shakespeare and his peers. As novelties who quickly became star attractions, the best actresses of Italy expanded on the bold innamorata of erudita drama, making her more poetic and versatile, qualities that enabled the actress to cross divides of genre, gender, and race. Theatricality and autonomy came to characterize these new female protagonists, roles created to display the prima donna’s glamour and skill. The diva’s fame leapt across borders as troupes ventured across the Alps to Vienna, Paris, and Madrid. In the 1570s, the “theatergram of the actress” took root in England. After the comici performed for Elizabeth and for popular audiences, Lyly, Kyd, Marlowe, and others wrote groundbreaking plays featuring ardent women in love on the Italian model. In sum, the Shakespearean stage drew on the diva’s role-playing, materials, and methods to bring crowd-pleasing foreign “women” to a theater without women.
Hostile Makeovers
Authors: Brown Pamela Allen 
Published: December 2021

Abstract
Not every playwright appreciated the diva’s gifts. When the actress-driven innamorata entered the scene, some saw her as a threat that challenged their hold over the stage. The most common countertactic was to equate actresses with whores and common courtesans, as Thomas Nashe does in Pierce Penniless. Others wrote plays that figured amorous Italian women as dangerous Circes, as Anthony Munday does in The Two Italian Gentlemen. When a play directly represents an Italian actress, the authors marginalize and silence her, as did Day, Wilkins, and Rowley with “Harlakin’s Wife” in The Travailes of the Three English Brothers. In Volpone, Ben Jonson turned his satire on Englishwomen like Fine Lady Would-Be, bent on imitating Italian courtesans and actresses. He excised all the resourcefulness from the virtuous Celia, who resembles the virgo as she falls victim to a violently venal husband and cynical lecher who strive to cast her as a flexible player-whore.
Epilogue
Authors: Brown Pamela Allen 
Published: December 2021

Abstract
Actorly pride and infinite variety make Shakespeare’s Cleopatra a diva—surprising, charismatic, endlessly protean. Her energetic “becomings” require enormous effort that is only half concealed. She works so hard to charm that she flubs her lines, calling her attempts “sweating labor,” and her wry self-awareness makes her more vivid than other literary Cleopatras. Disdaining racist norms of beauty, she celebrates her pinched and blackened skin—attribute of the lowly laborer—as sensual and attractive. Her shifting personae draw on the multiracial, gender-fluid impersonations of the star actress and the boy player. As Cleopatra faces death, she predicts that lesser players will mock her, but she scorns their presumption. Her magnificent suicide produces admiration even in Octavius. By artful and strenuous labors, she claims inimitability in the mode of the diva.
The Ritual Animal
Authors: Whitehouse Harvey 
Published: December 2021

Abstract
The ritual animal longs to belong. Rituals are a way of defining the boundaries of social groups and binding their members together. The ritual modes theory set out in this book seeks to unravel the psychology behind these processes, and to explain how ritual behaviour evolved, including how different modes of ritual performance have shaped global history over many millennia. Testing the theory has meant designing experiments run with children in psychology labs and on remote Pacific islands, gathering survey data with armed insurgents in the Middle East and Muslim fundamentalists in Indonesia, monitoring heart rate and stress among football fans in Brazil, and measuring changes in the brain as people observe traditional Chinese rituals in Singapore. The results of all this research point to new ways of addressing cooperation problems: from preventing violent extremism to motivating action on the climate crisis. Although this book is about the role of ritual in the evolution of social complexity, more broadly it models a new approach to the science of the social—an approach that is driven by real-world observation but grounded in the cognitive and evolutionary sciences. More ambitiously still, it shows how cumulative theory building can be used to deliver practical benefits for society at large, perhaps even addressing problems on a global scale by harnessing the formidable cohesive and cooperative capacities of the ritual animal.
Ritual Frequency, Emotionality, and Modes of Religiosity
Authors: Whitehouse Harvey 
Published: December 2021

Abstract
Collective rituals tend to come in two kinds: frequently performed but relatively lowkey; rarely enacted but emotionally intense. According to the theory of modes of religiosity, high-frequency but low-arousal rituals produce large-scale hierarchical groups (the doctrinal mode), while low-frequency but high-arousal rituals produce small-scale highly cohesive groups (the imagistic mode). This chapter describes how that theory was first developed while carrying out fieldwork in the New Guinea rainforest. But then the author realized it could help to explain how groups throughout the world take shape and spread, and it could also help to explain how complex societies evolved.