bluuebunny/crossref_metadata_2025_split huggingface dataset:
Emergency Distance Learning in the Italian University
Authors: Tamborra Valeria 
Published: December 2021

Abstract
The suspension of face-to-face teaching activities, due to the pandemic emergency, led universities to rearrange their teaching strategies using online learning environments and video-conference tools as a temporarily replacement of classrooms, without an accurate attention to training strategies. In this scenario, there is a need to reconsider current practices in order to determine the appropriate development strategies of academic policies to address the future of innovation of higher education. The purpose is to develop a training system that could adequately integrate users’ needs, capitalise good practices and provide a boost in innovation caused by the distance learning experience. A right step in this direction is to develop a higher education context marked by high level of learning environments’ hybridisation that could flexibly answer users’ needs and meet increasing demand for professionalism in the work marketplace. In this paper, a documentary research of university Emergency Distance Learning practices is presented. The aim is to draw the profile of current situation in order to reflect on future development trajectories of higher education.
Расторжение Шведско-норвежской унии в 1905 году. К столетию годовщины
Authors: Исаев М. А. 
Published: December 2021

Статья посвящена истории существования и распада Шведско-норвежского союзного государства (унии) в период с 1814 по 1905 г. Сложная форма унии, неопределенность ее общих механизмов предопределили ее судьбу. Во многом определяющим стало разноскоростное развитие норвежского и шведского обществ. Они в разной степени переживали модернизацию своих институтов. Рост норвежского национализма в равной мере оказал свое воздействие на судьбу унии.История взаимоотношений Норвегии и Швеции в рамках такого сложного государственного образования, как уния, в отечественной науке исследована фрагментарно, чего нельзя сказать о скандинавской историографии. Поэтому настоящее исследование преследует прежде всего цели анализа основных форм, в которых произошло становление, развитие и прекращение существования государственно-правовой связи между двумя родственными народами.
Perfil y percepciones de los estudiantes del Máster universitario en formación del profesorado de educación secundaria en España
Authors: Sanchez-Cabrero Roberto , Pericacho-Gómez Francisco Javier 
Published: December 2021

Los debates en torno a la mejora de la calidad educativa tienen un lugar privilegiado en las agendas político-educativas nacionales e internacionales. La Unión Europea ha expresado su compromiso con la mejora de la profesión docente, destacando la formación inicial como un pilar fundamental. El objetivo de este estudio es conocer el perfil y la percepción del alumnado del Master de Formación del Profesorado en España sobre una serie de variables relacionadas con dicha formación y el perfil profesional. Para ello, se realiza un estudio descriptivo correlacional del perfil social y formativo de 381 alumnos del Máster de Formación del Profesorado de una universidad española. Se elaboró un cuestionario informatizado ad hoc en el que se miden doce variables y se analizan las correlaciones mediante Chi-Cuadrado y d de Somers sobre tablas de contingencias. Los resultados muestran un perfil claramente vocacional y una buena imagen del docente y su formación.
Measuring the Impact of Oil Revenues on the Level of Public Expenditures for the Iraqi Economy for the Period from (2004-2019)
Authors: Kashkool Adel , Kadhim Roa'a Mohammed , Baqer Hasan Yahya 
Published: December 2021

Oil-producing countries depend on oil revenues mainly to finance their public budgets and thus influence Directly on the public spending process and according to economic logic, the financial abundance leads to an increase in public spending. And that's what A detailed event in the Iraqi economy during the years of explosive budgets for the years 2012 and 2013 due to high prices Oil has reached unprecedented levels. The process of public spending did not focus on the investment side, which would The economy and the various sectors developed, as they focused only on recreational and consumer activities, which led to the loss of an opportunity Financial abundance and the lack of impediment to the advancement of the Iraqi economy. The research focuses on the variables of oil revenues and public spending and the close relationship that exists between them. The quarterly data was taken, which is more accurate than the annual data, and the sample consisted of 66. Watching from 2004 to 2019. The series was subjected to silence tests for the two mentioned variables, and it was found that they did not They settle at the level and are stabilized when taking the first difference and after doing the graph test and proceeding to complete the rest the exams . An autoregressive ARDL method was selected, and the appropriate model was selected. For each of the oil revenues and public spending, and regarding the integration parameter, it was negative and significant, as well as the limits test that He indicated the possibility of long-term interpretation that the coefficients of the variables were significant, as the percentages of significance ranged between 1%, 5%, and . 10% of the sequence. The model was subjected to a dimensional test, which confirmed the integrity of the model from standard problems and the statistical as a test of autocorrelation of the residuals and the result was not significant. As well as the test for instability of homogeneity of variance, which is The other is immaterial.
The Role of Green Accounting Information In Improving The Quality Of Accounting Information
Authors: Ahmed Wasan Yahia , Al-Shammari Suaad Adnan Noaman , Al-Anbagi Ahmed Taher Kadhim 
Published: December 2021

The subject of green accounting is one of the modern topics in accounting science, which has received great attention by researchers and writers because of its great role in measuring and disclosing environmental activities and in line with the interests of internal and external users of accounting information. The research stems from a fundamental problem that taking into account the costs of green accounting within the financial statements of economic units would improve the quality of accounting information provided to users. To achieve the goal of the research, a questionnaire was designed and submitted to the stakeholders of users of information and employees of a number of economic units listed on the Iraq Stock Exchange, as well as the use of different statistical methods and methods to extract results related to the role of information on green accounting in improving the quality of accounting information provided by Before economic units. The research reached several results, the most important of which was the need to take into account the costs of green accounting and manifested within the financial statements of economic units, because of its role in improving the quality of accounting information and commensurate with the interests of users, so it should work to measure those costs and disclosed to contribute to Meet the wishes and interests of users of financial statements.
Three-dimensional prints from 3-dimensional cell culture aggregates of human cancer cell lines
Authors: Ravi Maddaly , Pargaonkar Aishwarya , Ramesh Anuradha , Agrawal Gatika , Sally Jennifer , Srinivasan SriVijayaGanapathy , Kalra Abhishek 
Published: December 2021

Objectives:
Three-dimensional (3D) printing has gained significance for human health-care applications in recent years. Some of these applications include obtaining models which mimic anatomical parts. One other parallel development in the biological research area is the development of 3D cell cultures. Such cultures are now becoming the material of choice for in vitro experiments, fast replacing the traditional adherent/monolayer 2D culture approaches. We present here, a method to obtain 3D prints of 3D aggregates of three human cancer cell lines. Such 3D prints can be useful models to understand solid tumor morphologies and also as effective teaching models.

Materials and Methods:
Photomicrographs of the 3D aggregates of the human cancer cell lines SiHa, MCF-7, and A549 (human cervical cancer, breast cancer, and non-small cell lung cancer cell lines, respectively) were obtained using inverted phase contrast microscopy. Conversion of normal jpeg images into 3D files was performed using the lithophane method and CAD files obtained. The CAD files thus generated were used to print the objects using the Stratasys Polyjet J750 3D Printer.

Results:
We could obtain 3D prints of SiHa, MCF-7, and A549 (human cervical cancer, breast cancer, and non-small cell lung cancer cell lines, respectively) 3D aggregates/spheroids.

Conclusion:
It is hoped that this approach will be useful for studying solid tumor morphologies in finer details. Furthermore, other benefits of such 3D prints would be in them being excellent models for teaching purposes.
The Liturgical Singing Tradition of the Old Believers Priests of the Village of Koida (Based on the Materials of the Pushkin House Expedition in 1975 and 1976)
Authors: Подрезова С.В. , Швец Т.В. 
Published: December 2021

В 1975 и 1976 годах состоялись фольклорные экспедиции Института русской литературы в с.Койда Мезенского р-на Архангельской области, в ходе которых были записаны разнообразные в стилевом и историческом отношении духовные стихи, а также богослужебные песнопения. До настоящего времени коллекция звукозаписей, хранящаяся в Фонограммархиве ИРЛИ, не становилась предметом специального изучения. В ходе исследования удалось атрибутировать гимнографические тексты, выделить особенности распевов и духовных стихов, выявить их источники, частично реконструировать условия звукозаписи. На основе материалов более поздних фольклорно-археографических экспедиций ИРЛИ были восстановлены сведения о жизни старообрядческой общины, которая принадлежала к белокриницкому согласию. Коллекция богослужебных песнопений в музыкальном отношении разнообразна: она содержит пение «по напевке», «на глас», распевы письменной традиции, памятогласие. Внебогослужебная лирика представлена популярными духовными стихами позднего происхождения, за исключением эсхатологических стихов, распевы которых опираются на богослужебную традицию гласового пения.
In 1975 and 1976, the Institute of Russian Literature (the Pushkin House) arranged expeditions to the village of Koida, Mezensky District, Arkhangelsk Region, during which spiritual verses and liturgical chants diverse in style and history were recorded. Until now, the collection of sound recordings (32 items) stored in the Phonogram Archive has not been a subject of special study. In the course of the research, it has become possible to attribute hymnographic texts, to highlight specifics of the chants and spiritual verses, to identify their sources, and partially reconstruct conditions of the sound recording. The materials of later folklore and archaeographic expeditions, provided the following information: facts about the life of the Old Believer’s community that belonged to the Belokrinitsky concord, the names of mentors, forms of mentoring and transmitting the singing tradition. The chants and spiritual verses were recorded from two significant performers — mentors Nadezhda Malygina and Nikandr Malygin. The collection of chants is diverse and contains oral and written versions of chants, mnemonic (pamyatoglasie). Non-liturgical music is represented by popular spiritual poetry of late origin, except for eschatological verses, the melody of which is similar to the chant.
Sound Recording As a Factor of Evolution of the Piano Performing Style in XX Century
Authors: Чванова Т.П. 
Published: December 2021

Роль звукозаписи как источника и катализатора изменений, произошедших в фортепианном исполнительстве в XX веке, мало исследована в отечественном музыкознании. Цель автора — восполнить данный пробел, раскрыв влияние звукозаписи на развитие фортепианного искусства. В центре внимания — репертуарные предпочтения, возможности и подходы исполнителей; анализ производится в рамках предложенной периодизации звукозаписи (ранней, классической, цифровой). В эпоху ранней звукозаписи трансформация исполнительских средств связана с временны´ м аспектом. Период классической звукозаписи характеризуется стремлением к идеальному исполнению в студии звукозаписи, что обусловлено технологическими открытиями в области обработки звука, становлением типа пианиста-интерпретатора и возникновением типа исполнителя-постмодерниста. Идеалы качества эпохи цифровой записи привели к формированию высоких стандартов концертных исполнений, а развитие компьютерных технологий — к появлению новых исполнительских техник. В статье представлены основные стилевые тенденции, возникшие под влиянием звукозаписи, обозначены основные проблемы современного исполнительства.
The role of the sound recording as a source and catalyst of changes that took place in the piano performance in the XX century is researched rather little in the native musicology. The aim of the author is to fill this gap by examining the influence of the sound recording on the piano performing style. In the spotlight there are performing techniques, repertoire preferences and interpretative approaches which are analyzed within the framework of the suggested periodization of the sound recording — early, classical, digital. In the days of early sound recording, transformation of performing techniques is connected with the temporal aspect. The period of classical sound recording is characterized by the desire of an ideal performance in the studio of sound recording, owing to technological discoveries in the area of sound processing, and emergence of such types of musicians as pianist-interpreter and postmodern performer. The ideals of quality of the era of digital recording led to formation of high standards in concert performance, and development of computer technologies created new performing techniques. The article presents the main stylistic trends which appeared under the influence of sound recording, and outlines the main problems of the contemporary performance.
Art of Contemporary Composer Jia Daqun in Context of Chinese Culture
Authors: Полосина А.И. 
Published: December 2021

На современном этапе развития китайской профессиональной музыкальной культуры композитору и музыкальному теоретику Цзя Дацюню принадлежит особая роль. В статье рассматриваются его жизненный путь, композиторское творчество и музыкально-теоретические работы. Цель исследования — определить роль композитора в развитии современной китайской академической музыки; создать панораму его творчества; выявить в произведениях специфические формы претворения китайских национальных традиций, сочетающихся с элементами композиторских техник XX–XXI веков. Многие аспекты китайской музыки до сих пор не изучены и представляют исследовательский интерес; в результате получают характеристику яркие черты стиля Цзя Дацюня, как основная идея его творчества выделяется органичный синтез китайской народной музыкальной культуры и европейских универсалий. Цзя следует современным музыкальным тенденциям: он применяет в сочинениях такие композиционные техники, как серийность, сериализм, пуантилизм, минимализм, микрополифония, алеаторика, пространственная музыка, а также активно работает в области музыкального театра. Во всех его музыкальных произведениях присутствуют национальные китайские элементы, которые представлены музыкальными инструментами, народными темами и звукорядом пентатоники, воплощая образы китайской культуры в их неповторимом своеобразии.
The article examines life path of a contemporary Chinese composer Jia Daqun and his art as a composer and music theorist. The purpose of research is to determine the role of the composer in the development of modern Chinese musical culture; to create a panorama of his art; to identify the main features of his style; to designate in his compositions specific forms of implementation of Chinese national traditions, combined with characteristic tendencies of musical compositions of the XX–XXI centuries. The scientific novelty of the article lies in fact that many aspects of Chinese music have not yet been studied and are of a research interest. At the present stage of development of the Chinese professional musical culture, special role belongs to the composer and musical theorist Jia Daqun. The research highlights bright features of the composer’s style and the main idea of his art, namely the idea of organic synthesis of Chinese folk and European musical cultures. In his compositions Jia follows modern musical trends, uses such compositional techniques as seriality, serialism, pointillism, minimalism, micropolyphony, aleatorics, spatial music. He also actively works in the field of musical theater. All his musical works contain national Chinese elements, which are represented by musical instruments, folk musical themes and pentatonic scale, and images of Chinese culture.
On Gavriil Popov’s Symphony No. 1 (To the First Publication of the Score)
Authors: Мартынов Н.А. 
Published: December 2021

В статье рассматриваются вопросы, связанные с историей создания, исполнения, запрета и дискуссий вокруг Первой симфонии выдающегося отечественного композитора, выпускника Ленинградской консерватории Гавриила Николаевича Попова (1904–1972). Судьба сочинения оказалась трагической: исполненная лишь однажды, симфония была запрещена. Так произошла одна из первых «публичных казней» музыкального произведения — еще до печально известных публикаций об опере «Леди Макбет» и балете «Светлый ручей» Д. Шостаковича, положивших начало борьбе с «антинародным формалистическим направлением» в музыке. Долгие годы замалчивания привели к тому, что яркое достижение отечественной симфонической школы «выпало» из истории советского искусства. Усилиями музыковедов И. Барсовой, И. Ромащук, Е. Власовой, И. Воробьёва, дирижеров Г. Проваторова и А. Титова Первая симфония Попова была возрождена к жизни. Сейчас готовится к печати первое издание этого незаслуженно забытого произведения.
The article discusses issues related to the history of creation, performance, prohibition and discussions which surrounded the First Symphony of the remarkable Russian composer Gavriil Popov. The fate of the composition turned out to be tragic: once performed, the symphony was banned. It was one of the first public “executions” of a musical work — even before the infamous articles of the newspaper Pravda about the opera Lady Macbeth and the ballet Light Stream by Dmitry Shostakovich, which marked the beginning of the struggle against the “anti-national, formalistic trend” in music. Long years of oblivion led to the fact that the Symphony “fell out” of the history of Soviet music. Through the efforts of such musicologists as Inna Barsova, Inna Romashchuk, Yekaterina Vlasova, Igor Vorobyov, conductors Gennady Provatorov and Alexander Titov, Popov’s First Symphony was revitalized. And now the question arises regarding the first publication of this undeservedly forgotten outstanding work of the Soviet music.
Beware, Madness!
Authors: Любимов  Дмитрий Вадимович 
Published: December 2021

Рецензируемая книга Александра Михайловича Терехина «Сумасшествия в музыкальном театре: опера, балет», изданная в 2020 году, уникальна во многих отношениях. Во-первых, интерес вызывает личность самого автора. Профессиональная и творческая деятельность Терехина связана с медициной и музыкой. Врач-психиатр с сорокалетним стажем, Терехин более четверти века работал в Мариинском театре в качестве артиста миманса. Во-вторых, тема сумасшествия (безумия) еще не становилась самостоятельным предметом изучения в российских музыковедческих исследованиях. В-третьих, оригинальность книги составляют медицинские заключения. В центре внимания врача — тексты оперных и балетных либретто, на основе которых автор раскрывает причины помешательства и ставит различные диагнозы персонажам музыкального театра. Рассматривая конкретные клинические случаи, Терехин прибегает к профессиональным медицинским терминам. Среди диагнозов отметим такие, как реактивный параноид у Лючии («Лючия ди Ламмермур» Г. Доницетти), шизофрения у Мельника («Русалка» А. С. Даргомыжского, интоксикационный (гашишный) психоз у Солора («Баядерка» Л. Минкуса). Книга А. М. Терехина, не претендуя на всеохватность освещения темы сумасшествия (безумия), открывает музыковедам новые грани междисциплинарного подхода в изучении оперного и балетного репертуара.
Alexander Mikhailovich Terekhin’s peer-reviewed book Madness in Musical Theater: Opera, Ballet, published in 2020, is unique in many ways. Firstly, the author’s personality is of interest. Terekhin’s professional and creative activity is connected with medicine and music. A psychiatrist with forty years of experience, Terekhin worked for more than a quarter of a century at the Mariinsky Theater as a mimance artist. Secondly, the theme of madness (insanity) has not yet become an independent subject of study in Russian musicological studies. Thirdly, the originality of the book is based on medical reports. The doctor focuses on the texts of opera and ballet librettos, on the basis of which the author reveals the causes of insanity and makes various diagnoses to the characters of the musical theater. Considering a specific clinical case, Terekhin resorts to professional medical terms. Among some diagnoses we can mention: reactive paranoid in Lucia (Lucia di Lammermoor by Donizetti), schizophrenia in Melnik (Rusalka by Dargomyzhsky, intoxicational (hashish) psychosis in Solor (La Bayadere by Minkus). Without claiming to cover the topic of insanity (insanity) comprehensively the book by Terekhin, opens up new facets of the interdisciplinary approach in studying opera and ballet repertoire to musicologists.
Direitos Coletivos, Meios de Produção e Povos e Comunidades Tradicionais no Brasil
Authors: Gilbert Bruce 
Published: December 2021

Categorias ocidentais de pensamento e análise social são devidamente acusados de serem insensíveis, se não abertamente antagonistas, aos povos e comunidades tradicionais, incluindo os movimentos sociais envolvidos em lutas pela terra. Apesar dessas realidades, tentarei demonstrar que a tradição da filosofia ocidental revela, em dois sentidos, um discurso de direitos que é uma ferramenta mais sutil e poderosa do que os praticantes de direitos humanos, por vezes, levam-no a ser. Primeiro, tentarei demonstrar que a tradição de direito (com base na filosofia liberal) busca reconhecer a "irredutibilidade" de indivíduos Ã vida coletiva, assim, essa tradição tem a sua própria capacidade intrínseca de reconhecer a "irredutibilidade" de povos e comunidades tradicionais Ã cultura hegemônica dentro da qual eles se acham. Mais ainda, argumentarei que o discurso dos direitos pode, então, tornar-se uma ferramenta conceitual vital para desafiar a cultura dominante. Em segundo lugar, buscarei ligar a tradição dos direitos a dois elementos fundamentais da filosofia marxista: a propriedade comum dos meios de produção e a teoria de exploração. Os povos e comunidades tradicionais, muitas vezes, controlam os seus próprios meios de produção e, na verdade, são muitas vezes profundamente engajados na luta para defendê-los. Do mesmo modo, o MST e CPT procuram alcançar os meios de produção através das ocupações de terras que não estão cumprindo sua "função social". Em ambos os casos, o controle dos meios de produção é uma condição necessária para a possibilidade da autodeterminação das comunidades. Sem o controle dos meios de produção, os membros das comunidades tem que vender seu poder de trabalho e, assim, se tornam profundamente mais vulneráveis ao poder hegemônico da sociedade dominante. Nesse ponto, emerge uma importante correlação entre noções liberais de direita, a teoria marxista da exploração e a luta dos povos e comunidades tradicionais: a tradição dos direitos humanos deve ser estendida para proteger os indivíduos e as comunidades da exploração capitalista, precisamente para reivindicar que o controle dos meios de produção é em si um direito humano coextensivo ao direito dos povos e comunidades tradicionais Ã autodeterminação.