bluuebunny/crossref_metadata_2025_split huggingface dataset:
Open Building Principles: An Academic Exploration in Soshanguve, South Africa
Authors: Osman Amira , Lemmer Catherine 
Published: January 2021

The Department of Architecture at the University of Pretoria is working in the South African housing context while gaining knowledge of such issues worldwide. Various innovations are being carried out in terms of housing design and delivery methods in South Africa. Through a methodical approach to design, it is believed that future architects will be able to answer to contextual needs without compromising the high standard of design expected by the Department.
This paper evaluates an exercise in open building principles, carried out in 2003, with post−graduate architecture and interior architecture students at the University. The focus was the application of open building principles from the urban design level to that of the building and the residential units. It involved the design of social housing and the upgrading of existing workers’ hostels into family units as well as the provision of social amenities. Students were to design various types of housing, showing alternative ways of ‘living’ and study housing in the area. The project involved close interaction with community representatives.
The area of study was located in Soshanguve, a township with predominantly black inhabitants, situated to the northwest of Pretoria. The previous political dispensation designated specific areas on the outskirts of the city as locations for black migrant workers, known as townships. Subsequently these townships have become cities in themselves, housing a large portion of the total population of Pretoria. It is here that there is a need for urban development and social housing.
Soshanguve offered an excellent opportunity for learning and the dissemination of good design principles in housing design. A debate on the relevance of open building to South Africa has been initiated. It is concluded that open building systems are an effective tool to achieve diversity and can accommodate for wider sectors of the population.
Cries in the Dark: Reconstruction after Hurricane Mitch in Honduras
Authors: Rhyner Kurt 
Published: January 2021

Disasters are always caused by a combination of factors, and the natural phenomenon that brings them on is usually just a catalyst. The underlying cause of most disasters is poverty as mostly the poor segments of the population usually live in high risk areas where their shelter all too often cannot withstand even light winds, small inundations or medium earthquakes.
When Hurricane Mitch hit Central America in October 1998, all countries were ill prepared. A few weeks earlier, the authorities of the Honduran capital, Tegucigalpa, had attempted to simulate an evacuation, but it had met with a great degree of resistance from the public. When Mitch hit, unprecedented masses of water raced down the mountainous river beds. People were taken by surprise, as no efficient organisation existed. Everybody ran for their lives. Houses slid down hillsides, rivers swept bridges, houses and people with them.
Six years later, Tegucigalpa looks very similar to the days before Mitch. The steep hillsides are covered with a potpourri of dwellings, from miserable huts to solid upmarket houses. Regulations were passed in the year 2002 to prohibit construction in high risk areas; however, enforcement is difficult, especially when existing buildings are renovated and even enlarged. Theoretically it is possible to evacuate high risk areas. Nonetheless, such drastic measures are virtually impossible to implement, as no mayor or police chief would survive such an action in office.
The paper presents a case study which shows that the underlying problems of poverty and the non-availability of suitable land for people to relocate from high risk areas can usually not be overcome by post-disaster reconstruction programmes. A mitigation strategy is thus to empower inhabitants of high risk areas to improve their own situation by affordable access to information, advice and suitable low cost construction materials through “Building Advisory Services” and Ecomaterials producers within the neighbourhoods.
Post-Disaster Housing Reconstruction for Sustainable Risk Reduction in Peru
Authors: Ferradas Pedro 
Published: January 2021

Intermediate Technology Development Group (ITDG) recently completed the systematisation of their reconstruction projects which were implemented between the early 1990s and the year 2003 in the poor areas of Peru affected by disasters or internal war. Within these projects, technological housing reconstruction schemes were designed and validated as part of an effort to reduce the vulnerability of the affected population. 1,300 houses were built during 5 years; 600 houses between April 1992 and April 1994 and 700 houses between July 2001 and July 2003. The key factors for successful risk reduction identified during post-disaster reconstruction were: the location of reconstructed housing, the construction procedures and materials employed, the improvement of people's self-construction techniques, and the improvement of local risk-management skills.
ITDG's first experience in Alto Mayo during the early 1990s involved participatory management at a local level and the use of the so-called improved “wattle and daub technology” (i.e. structural reinforcement of mud, wood and cane buildings). This technique is more earthquake-proof than the construction technology predominating in Peru (i.e. cement and iron-based structures). The experience in Ayacucho, which concluded in 2001, provided the opportunity to apply the so-called “improved adobe technique” (i.e. structural reinforcement of mud buildings), as well as to install community water supply systems. The reconstruction work in Moquegua and Tacna, completed in 2003, was based on the organisation of workshops geared towards encouraging the participation of women in the use of various housing construction technologies and providing the facilities for them to adapt such technologies to traditional architecture.
This article highlights the ITDG approach and experiences to post-disaster reconstruction: the main activities carried out in preparation for and during the implementation of the projects, the lessons obtained during these experiences, and the monitoring and evaluation procedures recommended for future reconstruction projects.
Building Disaster Risk Reduction in Asia: A Way Forward
Authors: Kessler Earl 
Published: January 2021

Asian Disaster Preparedness Center (ADPC) was established in 1986. It was restructured in July 2003 to focus on specific technical areas: climate variability and change management, urban disaster risk management, public health in emergencies, building national and provincial disaster management systems, and community based disaster risk management (CBDRM), promoting regional cooperation, identifying disaster risk management (DRM) needs in the region and developing strategic solutions. The consolidation enables ADPC's teams to work more effectively with stakeholders and build cross-team inputs into their work. Multiple hazards under this new thematic approach are a key concept along with new areas of importance to DRM that include chemical, biological and radio-nuclear risks, heritage and disaster mitigation, and the role of domestic capital markets in financing improvements in the built environment to create a safer, more disaster-resilient world.
The terms “risk management”, “risk reduction”, “vulnerability reduction”, “capacity building” and “mitigation” began replacing the reactive term “disaster management”, thus making pro-active DRM in Asia part of the development agenda that must deal with the growing variety and intensity of hazards. It was a shift from short-term, reactive, charity-driven responses to long-term, proactive, development initiatives.
Making the right development choices requires coordinated efforts by committed leaders who have the political will and determination to include risk reduction measures in their policies and plans; a corporate sector that will prioritise risk issues and include them into their business plans; scientists who will provide the knowledge and understanding of current and new areas of risk reduction; committed non-government agencies that advocate for risk reduction; educators who are responsible for shaping the awareness of future generations; a mass media that has the power to influence and change behaviour; and informed citizens who make choices about the risks in their lives.
The Destruction of American Historic Housing Projects
Authors: Somma Paola 
Published: January 2021

In 1993, US Congress launched the Urban Revitalization Demonstration program, later to become known as HOPE VI, a national plan whose declared aim was to transform public housing stock into "bridges of opportunities".
In the following decade, Hope VI has awarded grants to demolish public housing projects and replace them with "attractive developments that not only blend with but enhance the surrounding community while providing housing for families of all incomes" (HUD, 1999). In 1995, Congress repealed the one-for-one replacement requirement and de facto Hope VI was turned primarily into a demolition program.
In 2003, the American Dream Downpayment Act re-authorised the Hope VI program throughout the fiscal year 2006. It now seems that the federal government has no intention to continue its financing.
Despite the extensive debate on the program, a comprehensive analysis of the social, economic and political process underlying the transformation of all the specific sites and a systematic overview of the stories behind these projects, from the first decision to build to the decision to raze are not available.
An atlas with a description of the sites, based on qualitative secondary sources (planning and architecture magazines, urban history and geographic history journals, local authorities reports), and three maps for each of them - before and after the public housing project and after Hope VI, could prove to be very useful. Such a tool would indeed provide the context for an interdisciplinary reflection of how the city affects and is affected by a multitude of variables with particular emphasis on the political controversies on location, and the role of different players - city council, public housing authorities, developers, community residents, unions, the media. At the end, city is "history condensed".
Being impossible for a single researcher to complete such a body of work, this paper intends to make a contribution to the existing literature and focus on the projects built between 1933 and 1949, now demolished or in the way to be demolished in 58 cities, "thanks" to Hope VI (1).
Remodelling of the Vernacular in Bukchon Hanoks
Authors: Yun Jieheerah 
Published: January 2021

Regenerated hanoks, Korean-style vernacular houses in Bukchon (North Village) of Seoul, have been celebrated as the successful examples of a hybrid dwelling integrating modern facilities in a traditional house form. While the modernization project during the postwar era encouraged South Koreans to live in high rise apartments, hanoks became one of the alternative residential options as urban forest of concrete high rises were perceived to be aesthetically unappealing as well as ecologically unsustainable. Hopes are high that remodeled hanoks can ameliorate not only dreary urban landscape but over-competitive and harsh everyday life conditions.
While preservation guidelines for regenerated hanoks provide residents with a possible stylistic model, it becomes questionable whether they are viable solutions given the proliferation of structures which seemingly adhere to the guidelines without considering local urban context. By pointing out the difference between the preservation guideline and its real life manifestations, this paper illustrates how imagined aspect of the vernacular architecture takes precedence over the experiential aspect. In this process of selective appropriation, various vernacular housing types are flattened into a standardized representation of upper class dwellings. This article concludes that it is possible to bring diversity by encouraging flexible interpretations of vernacular architecture and incorporation of residents' memories in the design process.
Flexible Architecture: The Cultural Impact of Responsive Building
Authors: Kronenburg Robert 
Published: January 2021

This paper explores the genre of flexible architecture - buildings that are intended to respond to changing situations in their use, operation, or location. This is architecture that adapts rather than stagnates; responds to change rather than rejects it; is motive rather than static. It is a design form that is by its essence cross-disciplinary and multi-functional and consequently, is frequently innovative and expressive of contemporary design issues. By revealing its basis and the factors that are determining its development, the value and relevancy of flexible architecture to contemporary problems associated with technological, social and economic change can be revealed.
The characteristics of flexible architecture are explored by examining the design decisions that lead to culturally responsive buildings. It examines the underlying factors that generate a sense of place and why traditional and historic building patterns have been successful in creating genuinely adaptable architecture. It relates the characteristics of flexible architecture to Open Building principles and examines the effect that such design can have within the different levels in the built environment. The paper focuses special attention on contemporary architecture by examining the recent work of the Japanese architect Toyo Ito, in particular his recently completed Matsumoto Performing Arts Centre, Nagano Prefecture, Japan. Based on conversation with the designer and first-hand study of the building, the specific factors that make this new design a valuable resource in the search for flexible architecture strategies are explored.
This paper expands on the author's previous research into the foundation areas of this topic, in particular the genre of portable architecture, the impact of technology on the development of architectural form, and the development of experimental and innovative house design in the twentieth century. Its subject is expanded in his forthcoming book Flexible: Architecture That Responds to Change to be published by Laurence King, London, in 2006.
Reality and Diversity: Reform in the Architectural Design Studio
Authors: Beisi Jia 
Published: January 2021

Habraken points out that the architectural studio failed to bring students to basic questions in the architecture of everyday environments. Till criticizes that in a studio, it is only the professional value represented by the teachers that prevails. To investigate the reasons of the allegation, this paper introduces a learning model defined by David A. Kolb, in which a learning process consists of two dimensional movements: i.e., prehension (concrete experiences vs. abstract conceptualization) and transformation (reflection and experiment). The paper then inquires into Schön's observation in the studio learning mode characterized as reflection-in-action. It is found that this studio is mainly dealing with the transformation dimension, and prehension dimension is either suppressed or represented by the teacher's experiences and conceptions. The paper discovers that the cause of problems raised by Habraken and Till is the inherent lack of substance in the prehension dimension.
The paper assesses a studio programme in which the basic questions of built environment were systematically introduced. It analyzes the students' reactions and performance in line with students' learning styles found using Kolb's Learning Style Inventory (LSI). It suggests that the students' learning activities are more diversified than what Schön could perceive. There is a possibility to adapt students' personal experience and abstract conceptualization which may play into the studio. By enhancing diversity of learning styles rather than letting one's learning style (reflection-in-action) prevail, the studio may become a platform in which students may learn from each other.
Visualization for Citizen Initiated Public Participation: A Case Study
Authors: Lindquist Mark 
Published: January 2021

This paper examines the impact of a citizen initiated public participation process on preparers and presenters of digital visualizations for spatial design decision making. Visualization for public participation enables communication between professionals and laypeople to occur with far greater success than through conventional methods. Further, visualization utilizing real-time immersive technology allows for far more effective communication of the spatial impact of design proposals than conventional media offer, facilitating negotiation and interaction with space by providing the means to virtually walk around a digital model. In addition, the effectiveness of real-time immersive visualization in bridging the public-professional communication gap can empower the public, offering the opportunity to confront professionals and to force engagement in a process of public participation on the public's terms.
Through discussion of a case study from the University of Toronto's Centre for Landscape Research (CLR), this paper examines the impact on the visualization process when the public are able to invert the conventional model of public participation by initiating the dialogue with professionals. This paper argues that a citizen initiated public participation process increases the necessity for a sound methodology and code of ethics of visualization for public participation. When the public are able to utilize technology to invert the conventional public-professional role, issues of validity, reliability and ethics are placed at the forefront of the discussion greatly increasing the scrutiny placed on both the technology and those preparing and presenting the visualization.
A Proposal for the Future of Vernacular Architecture Studies
Authors: Davidson James 
Published: January 2021

Given the broad scale and fundamental transformations occurring to both the natural environment and human condition in the present era, what does the future hold for vernacular architecture studies? In a world where Capital A (sometimes referred to as ‘polite’) architectural icons dominate our skylines and set the agenda for our educational institutions, is the study of vernacular architecture still relevant? What role could it possibly have in understanding and subsequently impacting on architectural education, theory and practice, and in turn, professional built environment design? Imagine for a minute, a world where there is no divide between the vernacular and the ‘polite’, where all built environments, past and present are open to formal research agendas whereby the inherent knowledge in their built histories inform the professional design paradigm of the day – in all built settings, be they formal or informal, Western or non-Western. In this paper, the author is concerned with keeping the flames of intellectual discontent burning in proposing a transformation and reversal of the fortunes of VAS within mainstream architectural history and theory.
In a world where a social networking website can ignite a revolution, one can already see the depth of global transformations on the doorstep. No longer is there any excuse to continue intellectualizing global futures solely within a Western (Euro-American) framework. In looking at the history of VAS, the purpose of this paper is to illustrate that the answers for its future pathways lie in an understanding of the intellectual history underpinning its origins. As such, the paper contends that the epistemological divide established in the 1920s by art historians, whereby the exclusion of so-called non-architect architectures from the mainstream canon of architectural history has resulted in an entire architectural corpus being ignored in formal educational institutions and architectural societies today. Due to this exclusion, the majority of mainstream architectural thinkers have resisted theorizing on the vernacular. In the post-colonial era of globalization the world has changed, and along with it, so have many of the original paradigms underpinning the epistemologies setting vernacular environments apart. In exploring this subject, the paper firstly positions this dichotomy within the spectrum of Euro-American architectural history and theory discourse; secondly, draws together the work of scholars who have at some point in the past called for the obsolescence of the term ‘vernacular’ and the erasure of categorical distinctions that impact on the formal study of what are perceived as non-architectural environments; and finally, sets out the form by which curricula for studies of world architecture could take.
Redefining Vernacular: The Lebanese Diaspora Eclecticism
Authors: Dadour Stephanie 
Published: January 2021

Unlike postwar reconstruction of urban districts, the architectural projects developed during the Lebanese war are a relatively unexplored subject, moreover if one is dealing within housing in the rural realm. Little attention has been paid to its contemporary propositions, especially to the ones directed by the Lebanese Diaspora during the war. By living abroad and by maintaining a link to their origins, members of the Diaspora put together all their strength and wealth to keep in touch with their land. For a large part, the idea of dwelling refers to their identity: by investing and building houses in their native village, they aim at preserving a place in their community.
In this article, the Lebanese Diaspora will be regarded as an ethnoscape, figure of the globalization introduced by Arjun Appadurai, namely a social and political matrix structured by and for the production of a cultural model and identity. Our hypothesis postulates that each village constitutes a micro ethnoscape (with, of course, exceptions and alternatives) and uses a particular architectural language. However, it is not a question of homogenizing all constructions but rather to find a common vocabulary referring to identity and appropriation in the various villages of origin of the Diaspora.
The houses built on the native soil by emigrants' take part in the debates that oppose the local production to the global one. Thus, contrary to many researches that denounce globalization for the cultural standardization that it produces, this article intends to show the imaginative character of the members of the Diaspora, their resistance to the traditional models and the contemporary interbreeding which results from it. In this sense, the local and the global are intrinsically related one to the other.