bluuebunny/crossref_metadata_2025_split huggingface dataset:
O Le Si'Osi'Omaga O Le Punafanau Lea O Se Gagana E Ola: The Linguistic Landscape Of Samoa
Authors:   , Esera Faith 
Published: December 2021

<p>The official language of Sāmoa is Samoan, but the majority of the population speak English as a second language. Because of early contact with missionaries and colonial powers, the English language soon became widely acknowledged and used in Sāmoa. Even after Sāmoa became independent from New Zealand, the English language was and is still recognised, but not made official, in the Constitution of Sāmoa and education policies. This paper reports on the languages that are present in the linguistic landscape of Sāmoa. The main purpose of the study was to identify the predominant language used in Sāmoa, and to analyse ‘hybridity’ or ‘dualism’ on signs that contained the Samoan language. The data consists of 987 signs taken from two survey areas, Apia and Salelologa, using a digital camera. Scollon and Scollon’s (2003) ‘Place Semiotics’ was used to give an overview of the preferred code in the LL of Sāmoa. The ‘Motu Analysis’, a reconceptualization of Backhaus’s ‘part writing’ types, was used to analyse how two or more languages are used and positioned on signs in the LL; this analysis responds to the research question on ‘hybridity’. The final step involved a closer analysis of the subset of signs containing the Samoan language to detect signs of hybridity through loanwords and semantic extensions. The results of the analyses indicated that English is the dominant language in the linguistic landscape of Sāmoa despite lacking official status in the language policies of Sāmoa. The findings further reveal that the English influence on the Samoan language on the signs is reflected more in semantic loans than loanwords, revealing a healthier picture of the Samoan language. The study concludes with possible lines of research for further studies in Sāmoa and the Pacific.</p>
Musical hybridity through Greek diaspora: in the case of Calliope Tsoupaki and Yannis Kyriakides
Authors:   , Dalabakis Elyse 
Published: December 2021

<p>This research explores the influence of Greek history and diaspora and its impact on Greece and the progression of Greek popular musical styles – traditional, folk, and rebetika music. This research examines the question: How have Greek music and musical styles impacted Greek composers now residing outside Greece? Through the lens of two case studies, this exegesis examines the effect of Greek history, diaspora, and the ever-transforming national and popular musical styles on two living Greek composers – Calliope Tsoupaki and Yannis Kyriakides, who both now teach at the Royal Conservatory of The Hague in Den Haag, Netherlands. Though these cases are similar, this is not a comparative study nor a conclusive study to be applied to a collective Greek experience; but rather an examination of the results of Greek diaspora in the twentieth century on not only Greece‘s musical styles but also the contemporary art music that is being created today by two Greek people residing outside Greece. This exegesis examines concepts of imagined communities (Anderson 2006), nationalism (as discussed by Taruskin, Curtis 2008), nationalism and music (Bohlmann 2011, Curtis 2008), diaspora (Clifford 1994, Safran 1991, Clogg 1999), traditional vs modern (Cassia 2000), social vs national memory (Pennanen 2004), and hybridity and popular music in regards to rebetika (Holst-Warhaft 2003). Through applying these concepts towards the case studies in chapter three, this exegesis examines the results of the birth of the Modern Greek nation, Greek diaspora, progressive musical style, and the impact of musical styles on two living Greek composers who now reside outside Greece; furthermore, it explores what this means for their sense of Greek identity and hybrid identity. By applying the Greek history from 1832 and the progression of its popular musical style discussed in chapters one and two to Kyriakides‘ and Tsoupaki‘s experiences, the third chapter of this research shows two real-world experiences concerning diaspora and migration and examines the discovery of their hybrid identities through culture and their compositions, as well examining my own position as a performer who identifies as a hybrid of nationalities through the final section of this exegesis - ―In the case of a performer.‖ The importance of these case studies is to explore the impact the nineteenth and twentieth century Greek diaspora had on the musical styles of Greece which has further influenced Kyriakides and Tsoupaki on their personal and musical journey as Greek people residing outside Greece.</p>
File-to-Factory: Transferring Design Intent to Manufacture
Authors:   , Robinson Maya 
Published: December 2021

<p>Digital fabrication has become a common way of producing and constructing designs more efficiently, challenging the traditional methods of construction, and the way we design. Despite the new technologies used to enhance the design process, there is still a disconnect between design and construction. Building Information Modelling (BIM) has been a step towards creating a more fluid workflow. However, it is not currently being fully utilised within New Zealand. Along with a lack of interoperability, this has contributed to the limited productivity of the construction industry. The ability to take a BIM model direct to manufacture is critical to leverage the information of the model and reduce expensive remodelling. The use of BIM tools not only aims to maximise efficiency when delivering a project but also provides a new way of working and a solution to improve file-to-factory production. Design for Manufacture and Assembly (DfMA), although relatively new to the architecture and building industry, could have substantial benefits for the way architecture projects are designed and constructed. This process consists of a set of guidelines that take into consideration the manufacturability and assembly of the design from the very beginning. Qualitative and experimental methods have been used for initial and developed testing drawn from case studies, a review of the literature, and data from interviews with industry professionals. Five interviews were conducted with industry professionals across the design to manufacturing spectrum. The interviews identified current issues within the architecture and building industry directly related to file-to-factory. A new file-to-factory workflow has been developed utilising BIM tools and DfMA principles to explore the impact this process could have on the buildings we design and construct in New Zealand. The workflow does not consist of new processes or tools but instead couples the two together. By utilising the existing BIM technology and implementing DfMA, this means the designer can consider both the requirements of the design and how the design will be manufactured and assembled. The collaborative workflow can eliminate the need for remodelling, and reduce errors, cost, and time. This is significant to the industry because it begins to streamline the design-to-construction process and allow for the industry to grow, advance, and increase productivity.</p>
The Grand Central Markets; Heritage-led Regeneration through adaptive reuse
Authors:   , Fraser Sarah 
Published: December 2021

<p>There is growing acceptance that heritage buildings are an important element of New Zealand’s social capital and that heritage conservation provides economic, cultural and social benefits to urban communities. The role of building conservation has changed from preservation to being part of a broader strategy for urban regeneration and sustainability. Heritage-led regeneration through reuse presents an opportunity to encourage the enhancement and protection of both existing built heritage and New Zealand’s historic building stock. </p>
<p>Over the years, there has been significant loss of historic heritage in the Auckland city centre, and a number of heritage buildings continue to suffer from neglect, decay, under-use or insensitive new design. There is a need to properly integrate these heritage assets into New Zealand’s future planning strategies. This thesis investigates strategic planning schemes and visions for a mixed-use development to support urban regeneration in Auckland’s City Centre.</p>
<p>Imposing a design-led approach, this research will begin by a broad critique of building preservation, adaptive reuse and placemaking theories. In conjunction with this, internationally recognised adaptive reuse, mixed-use and urban regeneration projects will be reviewed. Utilising international literature and precedents, an adaptive research approach is applied to the former Auckland Railway Station in order to demonstrate its potential to be revitalised into a contemporary mixed-use development that reflects Auckland’s diverse cultural mix. The objective of this research investigation is to form a critical design approach to allow the former Auckland Railway Station to become the heart and soul of the community whilst establishing an ecologically sound future. The process will involve a layered response; respecting and conserving the existing fabric, harnessing the ‘sense of place’ and applying interventions that promotes occupation and community engagement.</p>
Selective Metal Coordination in Antifouling Coatings
Authors:   , Robinson Hannah 
Published: December 2021

<p>Marine biofouling is the accumulation of biological material (e.g. microorganisms, soft- and hard-fouling organisms) on the surface of an object submerged in seawater, and it remains a worldwide problem for shipping industries. The fouling of ship hulls results in a reduction of speed and manoeuvrability due to frictional drag, as well as increased fuel consumption and accelerated corrosion, and the exorbitant expenses and losses of efficiency attributed to biofouling have prompted the development of antifouling coatings. Current antifouling paints use copper as a biocidal agent, but copper-based paints are increasingly being banned due to environmental concerns about the non-target effects of leached copper. This project aims to circumvent these concerns and tightening regulations via a revolutionary concept: the development of marine antifouling paints that incorporate Cu(II)-selective ligands to draw the biocidal ingredient (i.e. Cu(II)) from seawater. A multistage strategy emerged for the development of this technology. First, criteria were established for the project’s ideal ligand, and ligands were synthesised or selected based on these criteria. Second, the ligands were incorporated in coatings through covalent modification of the paint binder or additives. Third, methodology was developed and implemented to test each coating’s ability to coordinate and retain Cu(II), as well as its subsequent ability to prevent microfouling by marine bacteria. The suitability of two ligand classes was assessed: acylhydrazones and tetraaza macrocycles, specifically cyclen. Unlike the acylhydrazones, cyclen met the established criteria and was initially evaluated as a curing agent and/or surface-modifier in a two-pack epoxy system with resin Epikote™ 235. However, the Cu(II)-loading by these coatings was relatively low, being at most ~0.05% w/w, and the modification of silica, a common paint additive, with cyclen was explored as an alternative formulation route. The method for the functionalisation of silica with cyclen was optimised, and the maximum Cu(II)-loading achieved by the product was 2.60% w/w. The cyclen-functionalised silica was incorporated on the surface of an epoxy coating, and a bacterial adherence assay was developed to assess the cellular attachment of marine bacterium Vibrio harveyi to this coating, which was found to be undeterred. Yet, the development of the strategy and testing methodology by which the project’s goals may be achieved provides a solid foundation for future work.</p>
From Back-yards to Stacked-yards: An Alternative High-Rise Housing Model
Authors:   , Lum Isabella 
Published: December 2021

<p>Current intensified housing is not perceived by New Zealanders as desirable... Critiques are extensive and the loss of quality, private, outdoor space is decidedly felt. Densification is one of the solutions to our housing shortage and the needs of our increasingly diverse population. Densification has already been set in motion by local councils, but consumer uptake is too slow. Public perception is tarnished by stigma which is reinforced by the repeated failures of the developer-driven apartment market. This calls for new typologies of high-density housing to increase diversity and compatibility. Back-yards to Stack-yards investigates how to improve the design of dense, urban housing typologies for the New Zealand context. This thesis aims to address the most common local critique of apartment living: the lack the failure to provide and support an inviting sense of the outdoors. Outdoor space of all ownership types contributes positively to the dwelling environment. The backyard is identified as a benchmark for enriching the dwelling, providing an array of beneficial affordances. Key are the notions of the quiet sanctuary and the outdoor room that can be completely personalised. This thesis primarily follows a design-led, research method where major learnings are extracted through critical reflections. A strong understanding of resident experience is required and is deduced through an ongoing, in-depth literature review and critical case study analyses. Understanding the resident experience provides key insights into what is lacking from common apartments at a human scale, as well as strategies for improvement. The focus is on the relations, effects and affordances of the amenities and spaces, rather than the typical, simplistic itemisation, allowing for a better breakdown and reconfiguration of factors. Possible solutions and strategies were tested on a central-city fringe site in Wellington. This is a zone where dense, residential development and re-development is already taking place due to population growth. The design outcome is a high-rise multi-unit development. It demonstrates the rich possibilities of a high-rise design with a range of outdoor and shared spaces as well as improved opportunities for personalisation and flexibility.</p>
Parametric modelling & digital manufacturing for better bra fit
Authors:   , Amoozegar-Montero Ariya 
Published: December 2021

<p>This research focuses on developing an overall system for a more accurate bra design and fit. The bra, consequently, becomes part of a life-long service system that is able to adapt to both physical and personal desires of different types of bra wearers. Due to the symbiotic relationship between bra fit and bra design, a parametric system has also been designed in order to digitize the measuring process. This process explores the possibility of bringing the bra into a product-service- system framework. Individuality will not only be in the form of taste, preference, attitude, and aesthetics, but also through one’s inherent breast shape, structure, contours, and asymmetry. Under this paradigm, the designed bra system should not operate independently of its intended users and must always connect back to individual needs at every stage. For instance, to understand what makes a good fit cannot merely rely on the knowledge gained from literature or industry standards. To understand what makes a good fit, bra wearers themselves must be invited to offer their input. Therefore, this research could also be considered part of a human-centered design methodology. As such, this work was conducted as a mixed-methods approach with a combination of qualitative and quantitative processes. Unlike traditional bra fitting methods, this system utilizes advanced technologies and digital manufacturing techniques. Using technologies such as 3D scanning, to consider additional factors that are not currently considered, such as breast outline, shape, and asymmetry. This research also investigated the role of 3D knitting to fill the gap of customization and individualization at a mass production level, as well as serving as an innovative approach to respond to bra fitting and design issues. The data accumulated helped influence unique bra designs in order to ensure better individual bra fit, whilst also acting as a medium to give the bra wearer a better understanding of their breast measurements, and how the bra fits on them. Finally, the thesis compares, contrasts and identifies gaps within current methods for bra fitting and bra design, a parametric modelled measuring system, and final designed bra prototypes. Overall, it resulted in an effective parametric measuring system, which is able to adapt to individual 3D scans. Additionally, it was suggested that the 3D knitted prototype bra provided improved alternatives to a traditional bra, such as a seamless knitted underwire, which provides a more comfortable and flexible fit. Furthermore, our hope is to increase consumer engagement and awareness about their own breasts and individual bra fit. After all, if the necessary information can be provided to the consumer regarding how to achieve a good bra fit, then this could help the consumer’s ability for self-selecting better bra fit and enhance the satisfaction they receive from all bras. Therefore, the research might have a broad positive impact on a large size of the population.</p>
‘A Construction in the Void’, Formal Architecture in the Novels of Edith Wharton
Authors:   , Parker Isabel 
Published: December 2021

<p>Edith Wharton has been persistently framed as an author detached from the ‘modern’ twentieth century literary world she inhabited. Intellectually compromised by critical conceptions of her as the “last Victorian”, and Henry James’s “heiress”, Wharton’s attentiveness to modernism’s fractured worldview and her original employment of literary form to redress this perspective have been largely overlooked. This thesis seeks to re-evaluate Wharton’s ‘old-fashioned’ authorial persona. Instead of reading her commitment to a past perspective as evidence of her literary obsolescence, this thesis argues that her adherence to a bygone worldview serves as a means of managing the disorientation and disorder of the modern, incomprehensible present. Following Wharton’s evolving conception of stylised aesthetic form across pre-war and post-war worlds, I suggest that Wharton’s literature evidences a tension between two opposing literary aspirations. On the one hand, her texts reveal a desire to abandon aesthetic enclosures and realise an unbounded, authentic interior reality. Yet on the other hand, Wharton’s works underscore the poignant sense of fulfillment acquired within a life bound by such aesthetic architecture. Chapter One outlines Wharton’s critical stance in relation to both realism and modernism. It discusses the way in which the outbreak of the Great War motivated Wharton’s implementation of a critical ‘interior architecture’, in which a modernist interiority is held in play alongside an encompassing realist reality. Chapter Two assesses the stunted nature of stylised aesthetic forms in the pre-war world as evinced in The House of Mirth (1905). There, Wharton demonstrates how a lack of grounding in reality renders such aesthetics devoid of an internal anchorage that clarifies their purposeful relation to the world around them. Vacant of real-world relation, such forms abstract, disintegrating into formlessness. In Chapter Three, I reveal how Wharton moves from scorning to celebrating the artificial nature of aesthetic form in the wake of the Great War. In The Age of Innocence (1920), aesthetic forms deemed arbitrary and artificial in The House of Mirth are reevaluated and revealed as possessing an invisible, intrinsic real-world purpose. From denying realism, stylised aesthetics are redeemed in their attempt to frame individuals in relation to a formless world. Though such forms are inherently fictitious, Wharton asserts that their provision of an illusion of structure aids in the preservation of interpersonal and intergenerational connection. These forms thus cultivate an interior architecture within which society can shelter against an intrinsically unstable reality.</p>
Paradoxical Desire in the Poetry of Sidney, Spenser, Donne, and Herbert
Authors:   , He Qiwei 
Published: December 2021

<p>Inspired by conventional Petrarchism, early modern English poets adopted the concept and rhetoric of paradox in their articulations of desire while revealing significant progression and innovation. Desires expressed by the poet-lovers in the poems of Philip Sidney, Edmund Spenser, John Donne, and George Herbert are the culmination of attempts to coordinate incongruent and contrasting extremes. This thesis examines how desire operates as paradox in Philip Sidney’s Astrophil and Stella, Philip and Mary Sidney’s Psalms, Spenser’s Amoretti and Epithalamion, Donne’s amorous and religious poems, and Herbert’s poems. Chapter One discusses Astrophil’s desire in Astrophil and Stella as demonstrating the Petrarchan lover enfolded in Neoplatonism. It also explores Donne’s amorous poems, which apply religious vocabularies to communicate sexual love, filling the gap between the distant extremes, establishing a paradoxical unity. In Chapter Two, the thesis compares Spenser’s speakers in Amoretti and Epithalamion and the Sidneys’ Psalmist as Neoplatonic lovers, both of whom search within the physical realms—nature and the body—to express the desire for their divine beloved. In Chapter Three, I compare Donne’s religious poems and selected lyrics from George Herbert’s The Temple. I argue that in Donne’s religious poems, spiritual love is mediated through fleshly desire in a sacramental poetics. The relationship between physical desire and spiritual love is comprehended through sacramental analogy. Comparably, in Herbert’s The Temple, the internal and external components of religious desire reflect the Sacramental theories in which Eucharistic elements communicate their divine referents. The effective way to express love for God, paradoxically, is to establish a spiritual justification for an affirmative embrace of sexuality, making fleshly desire serve as a vehicle of Divine grace. As Donne asserts in his Paradoxes and Problems, “by Discord things increase”. The poet-lovers in the works this thesis explores constantly yearn to imitate and represent their beloved by means of “Discord” and the performance of paradoxical unity. Accordingly, paradoxical desire becomes the inevitable consequence of the poet-lover as a desiring subject who approaches a supposedly insuperable obstacle when he correlates with the beloved obj</p>