bluuebunny/crossref_metadata_2025_split huggingface dataset:
La educación en Paraguay en tiempos de COVID-19
Authors: Noguera Derlis Alfredo 
Published: July 2021

El coronavirus es una realidad que trajo consigo un replanteamiento para cada uno de los habitantes de la tierra. Los proyectos, el trabajo, la economía, nuestra agenda han quedado suspendidos o desaparecieron, esta crisis nos obliga a adoptar otro estilo de vida acorde con los cambios que enfrentamos. Con gran parte de la población mundial forzada a realizar teletrabajo y muchos que se han quedado sin empleo, racionalizamos más los recursos moderando nuestro consumo, obligados a trabajar y a vivir pensando en la salud y en el bienestar de todos los que nos rodean.
El sistema educativo nacional debe responder a un cambio de paradigma en la enseñanza y el desarrollo de las clases, así como en la evaluación de conocimientos y competencias. Los órganos estatales encargados de establecer las políticas educativas deben desarrollar a corto plazo las medidas de contingencia necesarias para garantizar el bienestar de la comunidad educativa en general y a su vez asegurar el acceso a la educación, para lo cual las tecnologías de la información y comunicación se constituyen en un factor clave.
Se necesita la colaboración de todos los sectores educativos, tal como lo indica nuestra carta magna: «La educación es responsabilidad de la sociedad y recae en particular en la familia, en el municipio y en el Estado». Nos encontramos con el desafío de desarrollar la resiliencia necesaria para entender los nuevos retos y adaptarnos a ellos.
Frank Cazorla (coord.): El gobernador Luis de Unzaga (1717-1793). Precursor en el nacimiento de los EE. UU. y en el liberalismo
Authors: Pérez Frías Pedro Luis 
Published: July 2021

El diccionario de la RAE define al historiador con una sencilla fórmula: «Especialista en historia». Mucho más extensa y explícita es la definición de historia a la que nos remite, con múltiples y variadas acepciones; si atendemos a las tres primeras, historia es la «narración y exposición de los acontecimientos pasados y dignos de memoria, sean públicos o privados», pero también lo es la «obra histórica compuesta por un escritor», así como la «disciplina que estudia y narra cronológicamente los acontecimientos pasados».
Just Kidding: Stand-Up, Speech Acts and Slurs
Authors: Alward Peter 
Published: July 2021

Abstract
People respond to moral criticism of their speech by claiming that they were joking. In this paper, I develop a speech act analysis of the humor excuse consisting of a negative stage, in which the speaker denies he or she was making an assertion, and a positive stage, in which the speaker claims she or he was engaged in non-serious/humorous speech instead. This analysis, however, runs afoul of the group identity objection, according to which there is a moral distinction between jokes targeting members of vulnerable groups made by members of those groups and similar jokes made by non-members. In order to avoid this objection, I offer a revision to the speech act analysis that draws upon Perry’s distinction between beliefs and belief-states.
Twenty-First Century Male Elegance Amongst Elegantly-Dressing Polish Males and Self-Declared “Dandies”
Authors: Maciejewski Grzegorz , Lesznik Dawid 
Published: July 2021

Abstract
Dandyism was a thriving philosophical and social movement amongst elegant men of the nineteenth century. The prevailing conviction in the literature on the subject is that the dandy trend began to gradually disappear in the twentieth century, whereas in the new millennium it essentially no longer exists, or at best exists only as a mere shadow of itself. Herein we report a questionnaire study of elegantly-dressing Polish males regarding their behaviour on the fashion market, seeking to gain an better image of this particular market segment and at the same time to identify the features of contemporary dandies and possible connections with the “metro” style. The results indicate that dandyism (at least in the respondents’ opinion) is still a lively and thriving e-consumer community, which clearly differs in terms of certain features from metrosexualism. However, the modern-day “dandies” cannot easily be considered heirs to the ideals of their nineteenth-century counterparts. Our findings, in particular the characterization of twenty-first-century elegant-dressing men in Poland, may be of use to fashion brands in the broader men’s elegance segment.
Marketing, Start-Ups and Innovation: A Framework for Understanding the Possibilities for Harnessing Technological Innovations in Tourism (Based on the Example of the Georgian Tourism Sector and Russian Start-Ups)
Authors: Trzmielak Dariusz Michał , Shonia Devi , Skoneczna Magdalena 
Published: July 2021

Abstract
The travel and tourism industry is one of the largest and fastest-growing sectors in the world. In the case of countries like Georgia, where tourism is a priority sector of the economy, innovation is crucial for a tourism-based development strategy — and this has become particularly important in the post-pandemic realities. This paper proposes a certain framework for understanding the possibilities for harnessing technological innovations in the travel industry (particularly apps and websites). It then considers the specific example of the country of Georgia, outlining the state’s measures meant to foster IT innovation in tourism and also certain moderate successes to date in this respect. Next, the paper looks to Russian tourist-sector start-ups as models for operation that be successfully harnessed in the Georgian tourism industry, examining several such Russian start-ups in closer detail.
“New Kids on the Block” — The Game Changers. The Role of Immune Check Point Blockade in Personalised Treatment of Prostate, Urinary Bladder and Kidney Cancer
Authors: Folkmanis Kristofs , Junk Elizabete , Merdane Evelīna , Folkmanis Valdis , Folkmane Inese , Isajevs Sergejs 
Published: July 2021

Abstract
Early detection and diagnosis of cancer followed by a personalised approach to treatment is a key and can save lives. It has been an important issue in both the medical and social fields. The search for instruments and/or diagnostics tools able to detect cancers at an early stage has led to consideration of the usage of various approaches, such as exhaled air, biomarkers in blood, urine testing as well as imaging techniques. This actual time and everything that is happening around us could be characterised as a strange and very unpredictable time. This comparison could be made not only due to the actual coronavirus situation, but also the same can be noticed in the personalised medicine of the second decade of 21st century — by means of check point inhibitors. The old dogmas, for instance, chemotherapy and metastasis-surgery are being appended with new diagnostic and therapy use of checkpoint inhibitors. What exactly is the checkpoint blockade and how it is working in three tumour modalities: bladder cancer, prostate cancer and renal cancer. Our study group will provide a brief and detailed, guideline-compliant outline. The aim of this review was to provide a summary of the current state of the art of immune therapy as potential treatment of prostate, urinary bladder, and kidney cancer.
Immunopathogenic Treatment Options for Psoriasis Patients Under a Restrictive Reimbursement Environment
Authors: Hartmane Ilona , Ivdra Iveta , Mikažāns Ingmārs , Bondare-Ansberga Vanda 
Published: July 2021

Abstract
This article is aimed to provide an overview of psoriasis clinical aspects, available treatment options for moderate-to-severe psoriasis in Baltics and summarises recommendations of authors for use of different biologicals in psoriasis patients under a limited reimbursement environment.
Relation between nailfold capillaroscopic pattern (assessed using a dermoscope) and organ involvement in systemic sclerosis
Authors: Theunuo Ruovinuo , Sasidharanpillai Sarita , Manikath Neeraj , Devi Keerankulangara , Samad Koyakutty Abdul , Derapi Jangmi , George Biju 
Published: July 2021

Objectives:
The objectives of the study were: (1) To document the nailfold capillary changes (using a dermoscope) in patients with systemic sclerosis attending a tertiary care center, (2) to study the relation between nailfold capillaroscopic pattern and skin sclerosis assessed by modified Rodnan skin score (mRSS), and (3) to study the relation between nailfold capillaroscopic pattern and organ involvement in systemic sclerosis.

Materials and Methods:
A cross-sectional study was conducted among 40 patients with systemic sclerosis who attended the dermatology outpatient department of a tertiary care center from January 1, 2018, to December 31, 2018. Nailfold capillaries were examined with the help of dinolite dermoscope AM4113ZT at 50× and 200× magnification, under polarized light.

Results:
Study participants included 34 (85%) females and 6 males (15%). The nailfold capillaroscopy showed “early scleroderma pattern” in 3 (7.5%) “active pattern” in 28 (70%) and “late pattern” in 9 (22.5%) patients. “Late scleroderma pattern” showed a significant association with disease duration, mRSS, and mean number of organs affected.

Limitations:
The study participants may be over-representing advanced cases since the study was conducted among patients attending a tertiary referral center.

Conclusion:
We found dermoscope to be a useful tool to study the nailfold capillary changes in patients with systemic sclerosis as reported by others. Late scleroderma pattern may serve as an indicator of high mRSS and involvement of more number of organs in systemic sclerosis.
Underwater Park Visitor Center: Its Tasks, Functions, Structure
Authors: Nikolaev Ivan R. 
Published: July 2021

Underwater cultural heritage and issues related to its study, preservation and museumification are increasingly emerging in the Russian museological and cultural discourse. Major engineering projects that affect the seabed require underwater archaeological surveys, followed by preservation of underwater artifacts.The process of underwater cultural heritage preservation and actualization in the coastal zone is increasingly taking the popular approach — creation of underwater parks and routes. The theory of formation of underwater parks as museum-type institutions and the development of opportunities for preserving cultural heritage in the underwater environment attract the attention of subject matter specialists. At the same time, the approaches to organizing the ground structure of these institutions do not receive enough attention from researchers.This paper aims at forming a structural concept of an underwater park’s visitor center. The article identifies the main studies concerning the theoretical basis of designing underwater parks and forming visitor centers, highlights the possible tasks, and defines the key functions and structural content of an underwater park’s visitor center.The research is based on Russian and foreign theoretical studies, primarily by authors from the Mediterranean countries. The article considers the design of visitor centers through the prism of mainly Russian works devoted to the creation of visitor centers and museums on the basis of land-based specially protected natural areas.In conclusion, the article highlights promising areas for further research in relation to underwater parks and the methodology for preserving and updating underwater cultural heritage with their help.
Features of the Formation of Visual Series of Music Videos
Authors: Mukhortikova Elena A. 
Published: July 2021

This article explores the typology of visual means of modern music videos on the television screen and their impact on the audience. For the first time, there are studied the distinctive features of building visual series of music videos basing on three types of musical compositions. The structure of the visual series is based on their connection with the plot features of the work and their impact on the viewer based on the sense of belonging of the audience to what is happening on the screen, attracting their attention to the aesthetic opportunities of music video products.The article examines the features of building visual series in combination with visual means of music videos. There are considered the origin, periods of development and features of the visual series of music videos. The basis for drawing the foundations of cinema to the visual and expressive means of music videos is its aesthetics, which contributes to constructive transformations in the development of new, modern means of computer technologies. The use of cinematic aesthetics contributes to the development of the narrative thought of music videos. In this study, the following typology of visual video series is highlighted: plot, illustrative, parallel; some examples of music videos are given. There is established that each of the considered visual series of videos is based on the features of the musical content of the work and its plot construction. This is based on a specific perception by the viewer, which causes penetration into the image, a sense of belonging to what is happening on the screen, and feelings for the characters. The article concludes that the viewer’s perception is influenced, to a certain, extent by the features of the visual series of videos, which have their own contrapuntal aesthetics, coupled with the general idea of the music video and the differences in the performer’s vision of the composition.
Musical Intonations in N.S. Leskov’s Tale “The Left-Hander” and their Embodiment in the Opera of the Same Name by R.K. Shchedrin
Authors: Siverskaya Tatiana M. 
Published: July 2021

The article is devoted to the manifestations of musicality in N.S. Leskov’s works and its influence on other artworks created on the writer’s plots (specifically, in the genre of opera). The author focuses on the tale “The Left-Hander”, using as examples phrases of one of the characters, Ataman Platov.The approach proposed by the author is based on a structural, genre and intonation-rhythmic analysis of the primary source text, with documentation of its features. The potential intonation and rhythmic variants of reading individual literary phrases, recorded using conventional musical notation, allow not only to visually compare the shades of their semantic content, but also to correlate them with the musical versions presented in R.K. Shchedrin’s opera “The Left-Hander” (2013). The correlation of the graphic schemes of intonation structures of textual and melodic phrases allows to substantively determine the correspondences and discrepancies in them. In addition, the article notes such musical expressive means that make it possible to convey the intonation of characters’ speech and to outline the characteristic features of their image, such as timbre, tempo, dynamics, etc.Basing on the conducted research, the author makes a conclusion about the influence of text intonations on the formation of perception of characters’ image and the melody of their “musical” speech.The method of intonation-rhythmic analysis of a prosaic literary text, proposed by the author, is a new development in the field of studying the problems of the mutual influence of literature and music; it can find wide application in research in this direction.
Anton Grigoryevich Rubinstein and his Russian Publishers
Authors: Shabshaevich Elena M. 
Published: July 2021

The article presents a focused look at the professional relations of the composer and pianist Anton Grigoryevich Rubinstein (1829—1894) with his main Russian publishers — V.V. Bessel and P.I. Jurgenson. The article is based on musical and historical research concerning the history of the Bessel and Jurgenson publishing houses, works on copyright, A.G. Rubinstein’s epistolary, and archival documents from the Russian National Museum of Music. For the first time in music science, there are revealed some pages of the history of personal and business contacts of the three named persons, primarily the conflicts related to the rights to publish the composer’s works in Russia. The first documented contract for the publications of A.G. Rubinstein was received by P.I. Jurgenson (for op. 82, 1868). However, the contract of A.G. Rubinstein with the trading house “Bessel and Co.”, concluded in 1871 (though Rubinstein’s first work had been published by Bessel two years earlier), was much more extensive and significant. Under this contract, it was supposed to publish more than fifty A.G. Rubinstein’s works of various genres, so in the 1870s, V.V. Bessel became the main Russian publisher of the composer. However, in 1879, A.G. Rubinstein unexpectedly changed his main publisher in Russia. This position was taken by P.I. Jurgenson, whose trading house also published an extensive list of Rubinstein’s compositions, as well as his literary works. This is evidenced by several notarized contracts, stored in the Russian National Museum of Music, between Rubinstein and “P.I. Jurgenson” company. Thus, the two leading Russian publishers of A.G. Rubinstein legally formalized their relations with the composer, which allows us to follow, in a reasoned and substantive way, the process of maturation of the institution of copyright for music publications in Russia in the last third of the 19th century.Using the example of A.G. Rubinstein, in comparison with the position of M.A. Balakirev, the article also raises the issue of granting copyright to a publisher not only in Russia, but also “forever and for all countries”. The comparative analysis of publications of the same composer by different publishing companies is also new to Russian musicology, this helps identify certain accents that publishers put in popularizing A.G. Rubinstein’s works. The publication of the composer’s works by various publishers also highlights new aspects in his creative process, in the history of the creation, receipt of the opus number, and the titles of some of his works.
ANCIENT CIMMERIA IN THE CREATIVE WORK OF K. F. BOGAEVSKY
Authors: Филиппова Ольга Николаевна 
Published: July 2021

Известный русский художник, заслуженный деятель искусств РСФСР К.Ф. Богаевский (1872-1943гг.) вошел в историю нашего искусства как выдающийся мастер пейзажной живописи. Неповторимая оригинальность произведений К.Ф. Богаевского отличала его от других пейзажистов, работавших в конце XIX– начале XX века. Он стал создателем героико-романтических картин, посвященных преимущественно восточному побережью Крыма – легендарной стране Киммерии. Источником вдохновения художника служили виды окрестностей древних крымских городов – Феодосии, Керчи, Судака, Бахчисарая.
Famous Russian painter, honored artist of the RSFSR K.F. Bogaevsky (1872-1943), was entered in the history of our art, as an outstanding master of landscape painting. Unique originality of the works of K.F. Bogaevsky distinguishes it from other landscape painters who worked in the late of the XIX – early of the XX century. He became the Creator of the heroic-romantic paintings, mainly devoted to the Eastern coast of the Crimea – the legendary country of Cimmeria. The source of inspiration of the artist served the neighborhoods of the ancient Crimean cities – Feodosia, Kerch, Sudak, Bakhchisarai.
THE IMAGE OF THE HOLY SAINT BLESSED XENIA OF ST. PETERSBURG. ARTIST-COLLECTOR-MUSEUM
Authors: Кутейникова Нина Сергеевна , Николаева Елена Николаевна 
Published: July 2021

В статье рассмотрены материалы частной коллекции и Государственного музея истории религии, посвященные изображениям святой блаженной Ксении Петербургской, выполненные в разных материалах и техниках. Определены возможные формы взаимодействия между художником, коллекционером и музеем.
The article considers materials from the private collection and the State Museum of Religion History devoted to the images of the Holy Saint Blessed Xenia of St. Petersburg made in various materials and techniques. The possible forms of interaction between artists, the collector and the museum are defined.
Art installation as an object of creativity in design
Authors: Аронов Владимир Рувимович 
Published: July 2021

Искусство инсталляции занимает важное место в творчестве дизайнеров XX – начала XXI вв. Не отрываясь от реальных предметных форм, они создавали многочисленные композиции, заставлявшие по-новому воспринимать их проектные идеи, которые опережали свое время и помогали бороться со стилевыми упрощениями и штампами в массовой культуре. В статье рассмотрены различные типы инсталляций и особенности уникального, авторского мировосприятия дизайнерами окружающей среды.
The art of installation occupies an important place in the creative work of designers of the 20th and early 21st centuries. Without detaching themselves from real subject forms, they created numerous compositions that made them perceive their project ideas in a new way, which were ahead of their time and helped to overcome style simplifications and stamps in mass culture. In the article various types of installations and features of the unique, author's worldview by environmental designers are considered.
Installation core in art jewelry the second half of XX – beginning of XXI centuries
Authors: Перфильева Ирина Юрьевна 
Published: July 2021

Статья посвящена анализу художественных украшений, как принято определять это стилистическое направление на Западе, или произведений авторского ювелирного искусства – в отечественной искусствоведческой терминологии, в контексте современных художественных практик. В центре исследования находится влияние, которое инсталляция как форма современного искусства оказала на развитие искусства ювелирного. Под опосредованным воздействием инсталляционного начала произошло принципиальное переосмысление традиционных функций и предметных форм украшений. В пластическом и жанровом отношении ювелирное дело вышло за пределы своих видовых границ и представляет одну из ветвей современного актуального искусства.
The article is devoted to analysis of artwork, as they determine this stylistic direction in the West, or works of jewelry art, domestic art terminology, in the context of contemporary art practices. The focus of the study is the impact that the installation as a form of contemporary art has had on the development of jewelry art. Due to the indirect, mediated installation influence, there was a fundamental rethinking of traditional functions and subject forms of jewelry. In plastic and genre terms, jewelry has gone beyond its specific boundaries and represents one of the branches of contemporary art.
Robert Raushenberg: from «combine painting» to installation
Authors: Ярцева Ольга Александровна 
Published: July 2021

На протяжении своей карьеры Раушенберг занимался живописью, скульптурой, сценографией, представлял собой тип художника не ХХ, но XXI века. Его интересовали новые технологии, стремительно менявшийся мир вокруг: политически, социально, ментально. В период становления своего стиля Раушенберг находился в поисках ответа на вопрос о природе искусства, ему был близок экспериментальный подход, вдохновленный опытами европейского искусства начала прошлого столетия. Раушенберг использовал его при создании большого проекта, который получил название «комбинированная живопись» или «комбайны» (1953–1964). Именно он открыл дорогу американскому художнику к мировой известности и признанию.
Throughout his career, Rauschenberg was engaged in painting, sculpture, scenography, he was a type of artist, not XX, but the XXI century. He was interested in new technologies, the rapidly changing world around: politically, socially, mentally. In the period when his style was formed Rauschenberg searched of an answer to the question about the nature of art, he was close to the experimental approach inspired by the experiences of European art of the beginning of the last century. Rauschenberg used it to create a large project, which was called "combined painting" or "combines" (1953 – 1964). It opened the way for an American artist to world fame and recognition.