bluuebunny/crossref_metadata_2025_split huggingface dataset:
use of methods of the biocrystallomics in personification of the treatment with high diluted drugs
Authors: Martusevich Andrew Kimovich 
Published: July 2021

Background: One of most important trends in modern medicine is its transformation to personalized diagnostics and treatment. This tendency fully applies to homeopathy, especially considering that this discipline is based on the principles of individual approach to the patient. At the same time, the methods of individualization of treatment in homeopathy are relatively few.
Aims: Develop of methodology and methods of application biocrystalloscopic tests to personalize the homeopathic treatment. The proposed technology became previously proposed for ozone therapy practice as biocrystallomics pre-test. It includes study of the result of co-crystallization of a biological liquid of a patient with the intended dose of the drug. At the same time, the character of co-crystallization of biological liquid with several doses of tested drug or different parameters of the action of the studied factor is comparatively estimated for the purpose of individualization. Most appropriate for a particular patient believe the dose that causes optimal structuring in the dried microscopic slides obtained from a mixture of biological fluid and a solution containing a given dose of the drug. The comparison is made with a control sample of biological fluid, which has not been exposed to any effects. The optimal result is a sample that matches the control sample as much as possible. It is most preferably for biocrystallomics pre-test to use blood serum or plasma as an analyzed biological fluid.
Methodology: To study the characteristics of the structuring of the semicroscopic slides we use the previously created system of semi-quantitative parameters. They are calculated on a straight four-point scale and include: crystallizability (semi-quantitative indicator of crystallization activity), structure index (complexity criterion for constructing crystal elements of facias), facia destruction degree (indicator of “correctness” of crystal formation) and clearity of facia marginal zone (parameter indicating the amount of native protein in the sample of biological fluid). These indicators comprehensively characterize all the main features of the process of dehydration structurization of biological substrate.
Conclusion: It should be noted that the technique described above is universal and can be applied to any liquid or soluble compounds with potential therapeutic activity, including their ultra-high dilutions. The data obtained by us indicate the possibility of using this technology in homeopathy.
M1 and M8 homeopathic complex have been use as adjuvant therapy for cancer patients.
Authors: Di Bernardi Raffaello Popa , De Oliveira Carolina Camargo , Buchi Dorly de Freitas 
Published: July 2021

Background: Cancers are complex diseases rated among the top 10 causes of death worldwide. The Laboratory of Inflammatory and Neoplastic Cells at Federal University of Parana have been studied the effects of several highly diluted solutions in cell-based models over de the past decade. Among those solutions, M1 and M8 are highly diluted tinctures complex which act as biological response modifiers. Both complexes turned to be promising compounds to use as adjuvant therapy for selected cancer patient. As a private physician, over the last ten years, many cancer patients have been reached our clinic looking forward homeopathic medicines that could be used as complimentary therapy to their standard cancer treatment. The types of cancer, as well the stages of the disease, among those patients were quite heterogeneous. We have followed not only those who have detected the cancer in an early stage, but also people who have been discouraged, once they’ve been told as a patient without therapeutic possibility.
Aims: To exchange observations and outcomes in the disease’s natural history of cancer patients who have been treated with M1 and M8 as adjuvant therapy to the standards treatments.
Methodology: The prescription of the treatment was based on primary situ of the disease as well the standard treatment which was been followed by the patient at the time of the attendance. It varied from one complex alone, three times a day, to the use of both complexes, six times a day.
Results and discussion: Many cancer patients who were undergoing chemotherapy reported the side effects of that treatment had become mild in comparison to the time they were not using the complexes. Other interesting outcome was the fact that, for some patients who were skipping chemotherapy sessions due to neutropenia, the standard treatment could be followed as planed after start to use M8. Patients who did surgical procedures reported a better healing process, with less scars, when they compared their own evolution to other patients who attend same oncologic facility.
Conclusion: Although M1 and M8 act as biological response modifiers and their use as adjuvant therapy for cancer patients is a promising approach, the fact that cancer is complex disease, which requires a multiple approach, brings an ethical consideration on use or not use complimentary therapies as adjuvant treatments. Our private practice showed up in the last decade that cancer patients can benefit from the use of those highly diluted complexes, adjuvant to standard treatments as chemotherapy and surgery.
What titles tell us: The prose poem in the little magazines of early modernism
Authors: Murphy Margueritte S 
Published: July 2021

This essay takes up the question of the prose poem as a marginal genre in British and American modernism and examines its presence in the little magazines during the second decade of the twentieth century through 1920. Employing Gérard Genette’s notion of the ‘paratext’, I look at the function of titles in establishing or suggesting genre. While direct references to the ‘prose poem’ or ‘poem in prose’ are rare, titling practices perform a number of functions that shape possibilities for the genre. Translations of poetry in prose form appear, and their titles, in identifying the source, draw on past literary traditions, thus legitimising poetry in prose. Titles that employ analogies with other art forms assert a status for the texts as art, and suggest ways of reading them. Finally many titles evoke an ontology of the partial, the fleeting, and the fragmented, while the prose poems play out these modernist themes and demonstrate the form’s experimental edge.
Unsounding the darkness
Authors: Hecq Dominique 
Published: July 2021

This paper addresses the question of genre in an attempt to circumscribe the prose poem as a coding of adjacencies of prose and poetry. Its starting point is that both poetry and prose are loose groupings, internally divided by heterogeneous and sometimes obscure criteria inherited from Aristotelian poetics and Latin approaches to prosody. It singles out Charles Baudelaire as the first practitioner of the form because he was selfconscious enough about his creative practice to have committed his thoughts on paper in what reads like a proto-manifesto for the prose poem. ‘Unsounding the darkness’ does not purport to propose a taxonomy of the prose poem, but rather argues for the kinship between prose poetry and the prose poem, conceiving as it does of prose poetry as a form that evolves from an encounter with place and time. The prose poem is a product of that form, inheriting the lyric quality of poetry and the prosaic quality of prose fiction in the conviction of rhythm. The paper seeks to open up questions as to the validity of the distinction between prose poetry and the prose poem in the twentyfirst century. It argues for a continuum of erasures rather than for new taxonomies.
‘words about words make sure self’: Ania Walwicz and a politics of prose poetry
Authors: Miller Alyson 
Published: July 2021

This paper examines how Ania Walwicz uses the protean nature of the prose poem as a medium through which to subvert traditional notions of identity, especially in terms of anxieties about gender and sexuality. According to Dominique Hecq (2009), the prose poem is able to negotiate ’between notions of a public language of prose and a marginal language of poetry, thereby … enacting particularly complex modes of engagement between subjectivity and the world’. This paper argues that it is the slippery and transformative nature of the prose poem that lends itself so neatly to a politics of subversion. As a ‘borderline genre’ (Hecq 2009), the prose poem occupies an ambiguous space – it is self-conscious and critical yet immersive and seductive; a medium that offers a deceptive simplicity, or a shocking confrontation with otherness. Oftentimes, the prose poem is capable of both in the same instance. By exploring the prose poetry of Walwicz, this paper contends that rather than being understood as a ‘disturbing and elusive’ literary oddity (Delville 1998), the prose poem can be seen to contest formal traditions of both narrative and identity.
Witches’ butter, golden spindles, bell-shaped mottlegill: the multiple identities of the prose poem
Authors: Webster Mags 
Published: July 2021

This paper explores the challenge of ineffability, with a focus on prose poetry. It considers the strengths of the prose poem in offering a semantic or communicative means (Spackman 2012) of drawing closer to the unsayable, and situates this exploration in the wider context of apophasis, a centuries-old rhetorical device developed to deal, in language, with what lies beyond language. Investigating the nature and identity of prose poetry, the paper examines a prose poem by Yusef Komunyakaa, discussing its efficacy in relation to an apophatic approach to technique and form. Adopting a creative voice, and weaving prose poetry throughout the discussion, this paper also endeavours to show the overlap of creative process and practice within a research context, executed through the combination of form, idea, reflection and enquiry. In offering an amalgam of prose and poetry, the critical and the creative, this paper is not only reflecting on the situated experience of apophasis with regard to prose poetry, but also actively employing it.
Poetic sequencing and multi-aspect prose-poetry
Authors: Matthews Lisa 
Published: July 2021

Multi-aspect prose-poems – that is prose-poems in diptych, triptych and polyptych forms – have begun to emerge in my more recent creative output. To examine the nature of these new prose-poems, it has been useful to consider the nature of poetry sequences, together with the role of poetic sequencing in a wider writing practice: both in the development of draft poems and in the editorial decisions and activities we undertake to order a body of poems for publication in a printed collection. Within the material context of the book how is a body of poems collected and presented, and what is the relationship between front matter and content? With exegesis of practice examples from UK poet Selima Hill and via reflections on the creative process of generative and drafting activities, I consider the significance of the surfacing of multi-aspect prosepoems at this point in my development as a creative writer. The paper examines some of the strengths and limitations of multi-aspect prose-poems and considers where they intersect with longer sequential works. The prose-poems included as an appendix illuminate the multi-aspect in triptych and diptych, and this paper is the basis for further study into what practitioners can bring to the practice-research ellipsis.
Flash fiction, prose poetry and ambiguity: The distinction between flash fiction and prose poetry on ambiguous terms
Authors: Perazzo Cathryn , Dal Sif 
Published: July 2021

Flash fiction invites the reader to co-create the story themselves. We propose that a level of ambiguity in the flash fiction text is germane. In flash fiction, ambiguity is created through the brevity of the piece with the purposeful exclusion of exposition, for instance, in a similar manner to prose poetry. We wonder, therefore, about the overlap, if any, between notions of ambiguity in flash fiction and prose poetry? Are the mechanisms of ambiguity employed in prose poetry any different from that of flash fiction? What elements are left ambiguous, and what is purposely left out? What are the differences between the two forms, if not on ambiguous terms? We propose imagination as the counterpoint to ambiguity.
Playing with time: Prose poetry and the elastic moment
Authors: Munden Paul 
Published: July 2021

The prose poem typically presents itself in the guise of a paragraph, suggesting that readers treat it as such: a narrative fragment. As a narrative ‘unit’ it might be expected to focus on a relatively brief moment in time, a tightly framed episode. Its isolation (from any other fragments of the imaginary ‘whole’), however, would seem to drive its attentions according to principles different to most lengthier narrative prose. The passage of time that might, for a longer narrative, stretch across its entirety, becomes, in many cases, a feature of the prose poem’s concision – and particular power. The elastic treatment of the ‘moment’ – sometimes connecting with both distant past and future – can therefore be identified as one of the form’s defining, poetic characteristics; intriguingly, it is a characteristic owing its effect, in part at least, to the fluidity of prose. This paper surveys a particular body of prose poetry, produced under the auspices of the International Poetry Studies Institute (IPSI), noting the prevalence of the elastic moment and considering the variety of techniques involved.
‘Defiant formlessness’: Prose poem as process
Authors: Carroll Monica , Webb Jen 
Published: July 2021

In this paper we explore the prose poem with reference to two fields of discourse. The first is a collection of scholarly literature that addresses the prose poem as a form. The second is taken from research interviews we conducted with poets from around the English-speaking world, where the tendency of the discourse is not so much form, but concerns of activity. From our archival and interview research, we conclude that writers in general, and poets in particular, have a practical need to remain mobile, active and flexible in the activity of writing. Those who reject the signpost ‘prose poem’ may be understood as committed to a focus on writing, not specifically on form; and to making what they can with what they have at hand.
Linguagens e materialidades na arte contemporânea: o lugar da educação infantil e das crianças nesse debate
Authors: Cristina Loiola Souza Lidiane , De campos Tebet Gabriela Guarnieri 
Published: July 2021

O objetivo deste texto é discutir os diferentes tipos de relações entre a arte contemporânea, as linguagens e materialidades com as crianças. Para isso mobilizamos conceitos e experiências a partir dos quais discutimos as múltiplas linguagens e materialidades que estão intrínsecas nas experiências das crianças e que dialogam com o modo de ser da arte contemporânea. Para esse debate discutiremos o modo como os termos “diferentes linguagens” e ‘Múltiplas linguagens” se fazem presentes em documentos oficiais da cidade de São Paulo e do Brasil. Também discutiremos a especificidade e possibilidades que a Arte contemporânea oferece para a educação infantil.
Palavras-chave: Educação infantil; arte contemporânea; materialidades.
FORMULASI DAN EVALUASI HANDBODY LOTION EKSTRAK DAUN BAYAM MERAH (Amaranthus tricolor L.) DENGAN VARIASI KONSENTRASI TRIETANOLAMIN DAN ASAM STEARAT SEBAGAI EMULGATOR
Authors: Febrianto Yahya , Santari Novia Putri , Setiyaningsih Wahyu 
Published: July 2021

Daun bayam merah mengandung senyawa flavonoid, saponin dan tannin yang memiliki potensial antioksidan yang dapat diformulasikan menjadi sediaan Handbody lotion. Handbody lotion merupakan sediaan kosmetika yang digunakan pada tangan dan tubuh, terbentuk dari emulsi cair terdiri dari fase minyak dan fase air yang distabilkan oleh emulgator. Tujuan penelitian ini untuk mengetahui pengaruh konsentrasi trietanolamin dan asam stearat sebagai emulgator serta untuk mengetahui perbandingan variasi konsentrasi trietanolamin dan asam stearat yang memenuhi syarat evaluasi fisik sediaan handbody lotion. Metode penelitian yang digunakan adalah penelitian eksperimental dengan analisa data menggunakan one way anova. Hasil menunjukkan bahwa sediaan handbody lotion ekstrak daun bayam merah homogen serta memiliki warna merah muda, bentuk semi solid dan bau khas strawberry. Memiliki nilai rentang pH 7,30-7,42, rentang nilai daya sebar 5,20-6,17 cm, rentang nilai daya lekat 4,42-6,27 detik. Konsentrasi trietanolamin dan asam stearat sebagai emulgator bepengaruh secara signifikan terhadap evaluasi fisik sediaan handbody lotion ekstrak daun bayam merah meliputi uji pH, daya sebar dan daya lekat dengan signifikasi p > 0,05. Perbandingan formula variasi emulgator trietanolamin : asam stearate yang memenuhi persyaratan uji adalah formula 1 (2% : 7%), formula 2 (2,5% : 6,5 %), formula 3 (3% : 6%), formula 4 (3,5% : 5,5%), formula 5 (4% : 5%).
Nghiên cứu tình trạng tăng cường Methyl hóa gen CDH1 ở bệnh nhân ung thư dạ dày lan tỏa
Authors: Hoa Ngô Diệu , Dung Đặng Thị Ngọc , Thủy Hán Minh , Văn Tạ Thành 
Published: July 2021

Ung thư dạ dày, đặc biệt là ung thư dạ dày lan tỏa, là một bệnh lý ác tính đường tiêu hóa thường gặp có tiên lượng còn xấu, khởi phát bệnh sớm, thường phát hiện muộn khi ung thư đã di căn. Gen CDH1 mã hóa protein E-cadherin, đóng vai trò quan trọng trong sự kết dính giữa các tế bào biểu mô, mất biểu hiện protein E-cadherin dẫn đến tăng sự tiến triển và di căn khối u. Đột biến gen CDH1 thường là đột biến điểm và dạng dị hợp tử, vì vậy, muốn biểu hiện bệnh cần có một cơ chế thứ hai, gọi là “second hit”. Tăng cường methyl hóa ở vùng promoter gen CDH1 được coi là cơ chế ‘’second hit” hay gặp nhất cùng với đột biến mầm gây nên ung thư dạ dày lan tỏa. Nghiên cứu xác định tình trạng tăng cường methyl hóa ADN vùng promoter gen CDH1 bằng sử dụng PCR đặc hiệu methyl (MSP) sau khi chuyển bisulfit trên 44 bệnh nhân được chẩn đoán UTDD lan tỏa. Tỷ lệ methyl hóa trong vùng mô ung thư (86,4%) cao hơn so với tỷ lệ methyl hóa trong vùng mô lành (59,1%), sự khác biệt có ý nghĩa thống kê (p=0,034). Những nghiên cứu về methyl hóa giữa vùng mô u và mô lân cận, giữa người bị bệnh ung thư và người bình thường với sự chuẩn hóa về độ nhạy và độ đặc hiệu để tạo ra một chất chỉ thị giúp sàng lọc nguy cơ UTDD lan tỏa, mở ra nhiều hy vọng trong điều trị đích bệnh UTDD lan tỏa.
Peningkatan Kemampuan Menganalisis Siklus Air Melalui Media Puzzle Berbantuan Kartu Siklus Air Pada Siswa Kelas V SDN Besowo 2 Kecamatan Kepung Kabupaten Kediri
Authors: Afandi Alia Nur Husna 
Published: July 2021

Berdasarkan hasil refleksi peneliti, sebagai guru kelas V SDN Besowo 2, peneliti menemukan beberapa permasalahan pembelajaran, terutama pada proses pembelajaran sains materi menganalisis siklus air. Pada materi ini siswa cenderung kesulitan dalam memahami alur siklus air dengan baik, hal tersebut terungkap saat peneliti melakukan pre-test tanya jawab terkait konsep ini. Pada masa pandemi Covid-19, pembelajaran diarahkan pada konsep pembelajaran jarak jauh (PJJ), PJJ dapat dilakukan secara daring maupun luring. Mengingat latar belakang siswa di SDN Besowo 2 masih cukup kesulitan dalam proses pembelajaran daring, maka untuk meningkatkan kemampuan siswa dalam materi menganalisis siklus air, dirumuskan sebuah solusi yaitu menggunakan media pembelajaran puzzle berbantuan kartu siklus air. Pendekatan yang digunakan adalah penelitian kualitatif dengan desain Penelitian Tindakan Kelas (PTK), dengan tahapan yaitu 1) perencanaan, 2) pelaksanaan, 3) pengamatan, 4) refleksi. Penelitian ini direncanakan berlangsung selama 2 siklus, tiap siklus 2 pertemuan dengan materi menganalisis siklus air. Berdasarkan hasil penelitian, dapat disimpulkan bahwa, media puzzle berbantuan kartu siklus air dapat meningkatkan hasil belajar siswa pada materi siklus air. Melalui media puzzle ini, siswa dapat lebih terstimulus untuk mengeksplorasi pada kepingan-kepingan gambar yang didalamnya termuat materi pembelajaran. Melalui media puzzle, peserta didik dapat lebih aktif dalam mengikuti pembelajaran, media puzzle memiliki warna dan potongan gambar yang bervariasi sehingga lebih menarik serta akan memudahkan pengajar dalam menyampaikan isi materi.
A avaliação formativa no ensino remoto: algumas reflexões acerca da ação docente
Authors: França-Carvalho Antonia Dalva , Araújo Zilda Tizziana Santos , Serafim Gisele de Sousa , Sousa Jucyelle da Silva 
Published: July 2021

Considerando o cenário atual da Educação Brasileira que se encontra submersa na modalidade do Ensino Remoto/Híbrido, em razão da pandemia provocada pelo vírus COVID-19 (SARS-CoV-2), muitas reflexões surgem no âmago dos debates educacionais e têm permeado o fazer docente. Uma delas incide sobre a avaliação da aprendizagem que tem provocado novos desafios a alunos e professores. Daí a relevância de se compreender como o processo de avaliação está sendo desenvolvido no ensino remoto. Esta fenomenologia nos levou a questionar: como os professores têm avaliado as aprendizagens dos discentes ao longo desse período de aulas não presenciais? Estariam as evidências dessas aprendizagens sendo utilizadas para mediarem, de maneira contínua e reflexiva, o processo de ensino e aprendizagem, ou seja, de modo formativo? Estas questões delimitam uma investigação no campo da Avaliação Formativa no Ensino Remeto e decorrem de nossas experiências de práticas de ensino em diferentes contextos da Educação Básica.
Identitas Dakwah Perempuan dengan Techno-Religion
Authors: Pambayun Ellys Lestari 
Published: July 2021

Persoalan yang menjadi fokus dalam tulisan ini adalah, fenomena pembentukan identitas yang dibangun melalui dakwah yang disampaikan perempuan di media sosial, seperti Komunitas Ngaji Kajian Gender (Ustazah Nur Rodiah), Niqab Squad (Indardari dan Dina Nurlina), dan Mumpuni Handayekti. Para ustazah yang paham agama Islam seakan menjadi acuan masyarakat karena pemahamannya dan penguasaan mereka pada ayat-ayat, hadits-hadits, kajian agama, dan tafsir-tafsir yang setiap waktu menjadi konten platfom mereka. Di satu sisi, kemudahan media sosial sebagai salah satu sumber konten dakwah, memicu munculnya “identitas ustazah milenial” sebagai semangat kaum perempuan membumikan gerakan dakwah. Di sisi lain, menjadi “agen agama” yang memosisikan perempuan sebagai pendakwah masih mendapat stereotip dari lingkungan dominan. Aktivitas dakwah KGI, Niqab Squad, dan Mumpuni Handayekti ini berupaya untuk dikaji melalui pendekatan konsep Technoreligion, Identitas Komunikasi Gender, dan Kritik Feminis Writing Helena Cixous. Penelitian ini menggunakan metode netnografi pada tiga konten dakwah di youtube, instagram, an facebook. Hasil kajian memberikan temuan bahwa secara konsep teknoreligion, media sosial berpotensi memperluas dan menstrukturkan perilaku keagamaan para pendakwah KGI, Niqab Squad dan Mumpuni Handayekti sebagai bagian masyarakat milenial. Khususnya dalam memperoleh pesan dan identitas keagamaan para pendakwah ini secara konsep Identitas Komunikasi Gender, menjelaskan bahwa pembentukan identitas mereka di medsos: KGI (youtube dan instagram), Niqab Squad (youtube, instagram, facebook), dan Mumpuni Handayekti (youtube) dapat ditelusuri melalui karakter I dan Me yang terbangun melalui perilaku mereka atau aktivitas simbolik dengan dengan para mad’u (pemirsanya). Dan, dalam perspektif Hélène Cixous menjelaskan bahwa pembentukan identitas “ustazah milenial” mengindikasikan sebuah bangunan seksis dan ideologis: KGI (identitas: kajian kritis dan ilmiah), Niqab Squad (identitas: stylist dan milenial), dan Mumpuni Handayekti (identitas: feminin lokal) diasumsikan memiliki independensi, otentisitas, tranformitas, dan kekuatan sendiri. Meski mereka memiliki keunikan sendiri dan kekuatan yang tak dimiliki maskulin : ketajaman rasa dan bahasa yang berbeda dengan laki-laki (bahasa yang muncul dari media).