bluuebunny/crossref_metadata_2025_split huggingface dataset:
Les tableaux vivants dans l’œuvre de Pierre Klossowski : quels lieux pour l’érotisme ?
Authors: Halimi Carole 
Published: June 2021

Eroticism and the role of the tableau vivant in the work of Pierre Klossowski : Which Spaces for Eroticism ?
This paper examines the role of the tableau vivant in the emergence of the erotic dimension in the works of Pierre Klossowski. I show how the tableau already structures the author’s mental vision, before ever finding expression in his fiction and drawings. My first section is dedicated to the theatrical dimension of the work of Klossowski, as well as to the presentation of the principle of the ‘Laws of hospitality’ operating in the different works of fiction which surround the Roberte character. I then turn to the question of the place granted to body movement in the anatomy of the tableaux. Gulliverian viewpoint, solecistic gesture, as well as the suspension of gesture and attitude are each studied as so many different spaces of the libidinal and fantasmatic economy of Klossowski ’s tableaux. The tableaux are thus examined as being a structuring and compositional element, but also as a deliberate commitment to inactuality. This is especially visible, I argue, in the close proximity between Klossowski’s pictorial output and that of the 19th century painter which he represents in his narratives.
Denis Honegger et la chapelle Saint-Éloi à Hautmont
Authors: Radouan Sébastien 
Published: June 2021

Denis Honegger’s Chapel of Saint-Eloi at Hautmont.
Denis Honegger’s work is an interesting and original example of the transition to Modernism in architecture. A faithful disciple of Auguste Perret, he also became acquainted with the ideas of Modernism during the time of his apprenticeship. His work first came to notice in Switzerland when he won the competition to build the University of the Miséricorde and the Church of Christ the King in Freiburg. In France he is mainly known for his social housing projects. The catholic chapel of Saint Eloi, which he worked on from 1959 to 1962, belongs to his first project of the kind, situated in the town of Hautmont in the North of France. The chapel is the only one of Honegger’s buildings to be inscribed today on the French register of national monuments. The church, commissioned by the archdiocese of Cambrai, was completed after several changes in the plan thanks to the patronage of the Forges de la Providence, one of the region’s main iron and steel works. Continuing in the spirit of the buildings he designed in Switzerland a few years earlier in collaboration with Fernand Dumas, Honegger at the same time adapted his ideas and proposals to the wishes of his client and to the specific context of the project. Adopting a functional and rational approach, the architect also produced a design that reflects his singular creative process and the diversity of his sources of inspiration. In this sense, the project of the chapel of Saint Eloi is a perfect starting point to examine the traditional ideal, which fed Honegger’s art.
L’art du Moyen Âge entre sciences et technique
Authors: Reveyron Nicolas 
Published: June 2021

The Art of the Middle Ages Between Science and Technology
The relationship between the arts, science and technology are complex. The three fields have remained a long term impervious one to each other. However, the identification of artists throughout the marks of their expertise or interest shown by the first archaeologists medievalists for the technology as chronological marker, have established the first relationship - promising in the long term -, before that the involvement of the “hard sciences” in the restoration and preservation of work art opens widely the history of art to science and technology. It is now appropriate to examine what are the contribution of science to art history and the role of technology in this field of research. The issue is more complex than it seems. The sciences analyze the works Art and reveal elements often crucial to reconsider the identification or dating. The analysis of technical aspects opens a wide field to the history of art. But, in parallel, each one and the other has a deeply influence on our view of art and force to reconsider, sometimes radically, some questions. The relationship between Cluny and Gothic art can illustrate this point.
La sculpture en bronze entre art et technique : la réhabilitation de la cire perdue en Belgique au XIXe siècle
Authors: Wautelet Marie 
Published: June 2021

En 1879, la Compagnie des bronzes de Bruxelles réhabilite la technique de la cire perdue, que seuls les fondeurs italiens employaient encore couramment. Alors que la fonte au sable est décrite comme un procédé économique et industriel, la cire perdue est appréciée pour son côté plus artisanal, permettant au sculpteur de se réinvestir dans l’exécution matérielle de ses bronzes, et s’impose en tant que technique plus prestigieuse, réservée surtout aux artistes et aux amateurs avertis.
Son emploi dès 1879 peut également être mis en relation avec l’évolution stylistique de la sculpture au même moment. Grâce à une faible ciselure et la retouche de la cire, elle permet en général un rendu plus fidèle du modelé de l’artiste et une spontanéité qui s’apparente à celle de la terre cuite. L’intérêt pour les possibilités expressives offertes par la cire perdue font ainsi échos au réalisme puis à l’impressionnisme qui gagnent alors la sculpture et amènent les sculpteurs à accorder une attention particulière au rendu nerveux et plus brut de la surface de leurs œuvres.
L’Italie des architectes soviétiques
Authors: Bellat Fabien 
Published: June 2021

The Italy of the Soviet Architects
Several Soviet architects were distinguished by their attachment to Italy. Among them we can find academics as Ivan Joltovski, Alekseï Chtchoussev, or artistes who had defined the 1920s Soviet modernity such Andrei Burov, Karo Alabyan. All participated in the implementation of the neo-academic, and each used his knowledge of Italy in its projects serving the glory of the new red empire.
Thus Joltovski cited a pattern of the Palazzo dei Diamanti in Ferrara. Burov took an architectural element of the fresco of the True Cross by Piero della Francesca in Arezzo. Chtchoussev cited in an ambiguous way the Chancellery in Rome for his KGB building ... To each one, the Italian style borrowing was a matter of thought on architectural design. These sources were used in the USSR with the aim to reshape history by a sovietized point of view.
"The Fur-Lined Museum" : Surrealism and the Museum of Modern Art in New York
Authors: Zalman Sandra 
Published: June 2021

“The Fur-Lined Museum” : le Surréalisme et le Musée d ’Art Moderne de New York.
Cet article explore l’histoire complexe des débuts de la réception du surréalisme aux États-Unis, en prenant comme point de départ l’exposition blockbuster du surréalisme organisée en 1936 au Musée d’Art Moderne de New York (MoMA), et à l’origine d’une active consommation du surréalisme par le public américain. Alors que ce dernier se familiarisait avec cette expression artistique, en grande partie grâce à la publicité et à l’activité commerciale de Dali à New York, le MoMA a continué à promouvoir l’esthétique surréaliste dans la peinture américaine. Néanmoins, comme le goût se transformait au début des années 1940, les critiques d’art américains ont commencé à définir les normes d’une pratique esthétique à l’opposée de la culture visuelle du surréalisme. Cet article soutient que non seulement le surréalisme a constitué un important carrefour de l’art européen et américain, mais il continue de mettre en évidence les tensions productives entre le modernisme et le commerce, l’Avant-Garde et le kitsch.
Restauration et invention : les célébrations du centenaire de la mort de Dante à Ravenne (1921)
Authors: Renard Thomas 
Published: June 2021

Restoration and invention : celebrations of Dante’s death centenary in Ravenna (1921)
On the occasion of the sixth centenary of Dante’s death in 1921, it was decided that the poet would best be commemorated by restoring a selection of medieval buildings situated in strategic sites of the Italian peninsula. Along with Florence, Ravenna, the city where Dante died, was one of the main centres for these celebrations. A civic and a catholic organizing committee were set up under the supervision of Corrado Ricci, acting on behalf of the national government. Several conservation projects carried out around the church of San Francesco and the poet’s tomb led to the creation of a central area dedicated to Dante. In this zona dantesca, as indeed for other sites scattered across the city (in particular those of San Giovanni Evangelista) the main goal was to free buildings from all architectural transformations that were inconsistent with their supposed original medieval state.
This article examines these operations in light of contemporary practices of architectural conservation in Italy as well as the theories developed by Camillo Boito and Gustavo Giovannoni. They are also conditioned by two broader cultural trends : on the one hand operations aimed at emphasizing the medieval features of Italian cities, and on the other hand a focus on the patriotic cult of Dante Alighieri. By analyzing the works undertaken in Ravenna, the article suggests the role of architectural conservation in the cultural aspects of the Italian nation-building process.
Les débats des commissions consultatives de restauration des peintures (1882-1937) : vers une déontologie de la restauration
Authors: Chaizemartin Julie 
Published: June 2021

The debates of the Advisory Committee on Painting (1882-1937) : towards a deontology of conservation
Beginning in 1882, an advisory committee for the conservation of paintings was created at the Louvre Museum, which revolutionized the history of the conservation-restoration. For the first time experts, painters, connoisseurs and politicians came together to supervise conservation projects. This advisory committee fixed standards for the field, and its opinion had to be obtained before undertaking any operation of conservation. Members of the committee gave much thought to different possible techniques and discussed the status of the conservator. This allowed for a gradual increase in awareness : 19th-century conservation methods were banned and emphasized was placed on the authenticity of a work of art. Resolutions drawn up by the committee from 1882 to 1937 provide a precious glimpse into the way in which ideas on conservation-restoration evolved over the course of this still relatively unstudied period. A close reading of these resolutions reveals that the Committee, even without the benefits of modern science, anticipated the fundamental principles of modern conservation-restoration and laid the foundations for a deontology for the discipline. From this period on, the restoration of paintings becomes an important issue in the conservation of cultural heritage. A perfect restoration indeed has to reveal both the aesthetic and historical unity of a work of art to the public.
L’inspiration musicale du peintre : motifs, fictions et stratégies dans les Vies de Gérard de Lairesse
Authors: Martin Marie-Pauline 
Published: June 2021

The Painter’s Inspiration and Virtuosity : Patterns, Fictions and Strategies in the Lives of Gérard de Lairesse.
In 1721, Arnold Houbraken published the third and last volume of the Groote Schouburgh der Nederlantsche Konstschilders en schilderessen, inspired by the historiographical model of Vasari’s Vitae, in order to defend the merits of the Dutch school. Gérard de Lairesse is described in this work as a hero, embodying the genius of Dutch painting. With few sources available, very little is in fact known of the life of the painter. Thus, his youth and training is passed over in favor of a more colorful anecdote on Lairesse’s decisive meeting with the famous Amsterdam art dealer Gerrit van Uylenburg. Fictitious but nonetheless enlightening, this anecdote sketches an idealistic portrait of Lairesse, forged from two intelligible motifs of the theologies of revelation (virtuosity and musical inspiration), in accordance with a clearly deliberated strategy : to remove any suggestion of labor from the painter’s work, to lend a poetic energy to the painterly gesture, and to establish the artist’s genius by using the same means by which saints are glorified.
De la traduction en gravure et en sculpture d’édition, ou l’art (délicat) de la reproduction
Authors: Voillot Élodie 
Published: June 2021

On a Subtle Process -Translating Fine art into Fine Replicas.
Though a wide distance seems to separate engraving and bronze editions, at least as far as their materials, they both reproduce an original work of art through a mechanical process. Through this process, engravers and editors become the “translators” of an artist or a work of art. During the first half of the nineteenth century, the discourse on translation - long associated with the history of engraving - began to engage the new phenomenon of sculptural editions. Because it departed from the original in its size, materials, and colors, a bronze reproduction could appear to be a falsification. Perhaps it would have been more sensible, and more apt, to tailor the reproduction process to the specifics of each medium and adapt them to the copy in order to reproduce the effects of the original, if not an exact translation. Accordingly, the sculptural edition would not simply copy, but instead interpret the original work of art. Through an analysis of the nineteenth-century understandings of mechanical reproduction in the field of engraving and bronze sculptural editions, this article examines the question of originality in reproduction.
À la recherche de l’Amérique profonde : l’art patriotique contemporain et l’idée de communauté nationale
Authors: William Neil Mc 
Published: June 2021

In Search for Small-Town America : Patriotic Contemporary Art and the Idea of National Community.
Contemporary imagery produced in the United States by popular artists such as John Mc-Naughton, Terry Redlin, and the late Thomas Kinkade, frequently appeals to conservative understandings of what defines the peculiar qualities of America - its history, landscape, way of life, and allegedly favored status in the eyes of divine providence. This article explores the ingredients that make up the image of national belonging in patriotic imagery disseminated by these artists, notably in the wake of the at¬ tack on the Twin Towers in 2001. It suggests that these works are haunted by an incapacity to project a convincing image of a cohesive contemporary national community, and relates this incapacity to the radical individualism promoted by radical right currents within the Republican party and Tea Party movement.
Massacre rococo. Les bois bizarres peints par Jean-Baptiste Oudry pour Louis XV entre 1741 et 1752
Authors: Girard Catherine 
Published: June 2021

Rococo Massacre : The Deformed Stag Antlers Painted by Jean-Baptiste Oudry for Eouis XV Between 1741 and 1752.
The visual shock generated by the deformed stag antlers painted by Jean-Baptiste Oudry for King Louis XV, now kept in Fontainebleau, exposes the limitations of iconographie and monographic concerns for these works. The intricate and lost rituals of ancien régime venery, as well as the sexual and macabre content of these images complicate their interpretation. Integrating sensorial contact with carcasses, the king’s passion for hunting, the ideas of naturalists, and the aesthetic theories of Roger de Piles, ensures a better understanding of the state of sudden shock elicited by these images, as well as their violence, both on representational and structural levels.
La conception de l’image chez Caspar David Friedrich
Authors: Busch Werner 
Published: June 2021

The Concept of the Image in the Work of Caspar David Friedrich .
This article presents a new interpretation of the oeuvre of Caspar David Friedrich founded on the fact that his work cannot be surveyed through a traditional iconographie approach that attempts to identify links between images and texts. Friedrich did not base his compositions on specific written sources, but evoked a spiritual, political, and historical universe that was materialized through natural and cultural fragments recorded with precision. These fragments were assembled independently from their original contexts in order to create new formal ensembles. The meanings of Friedrich works are reevaluated through the detailed analysis of plastic elements and the ways in which many of his paintings function as pendants, without producing a definitive interpretation. Friedrich privileged aesthetic experiences as a form of mediation, which allows for reflection on the relation between what is shown and the experience of salvation.
Sur l’exposition Trésors des églises de France, 5 février-24 mai 1965 : quelle avancée ?
Authors: Jacqueline Isabelle 
Published: June 2021

The Exhibition Trésors des églises de France, February 5th - May 24th, 1 965 : Which Projection ?

The Museum of Decorative Arts hosted the exhibition Trésors des églises de France from February 5th to May 24th 1965. A show that was conceived of in 1958, it was carried forward by a significant preliminary work : a census of the objects, new discoveries, novel presentations, but also difficult diplomatic concerns.
The exhibition was mounted in the context of a national drive to develop ecclesiastical treasures, whose first steps were crystallized around the refitting of the treasury of Conques by Jean Taralon in 1955, an “environment treasure” that would be featured again in the 1965 presentation.
It is in the impulse behind this exhibition that one can perceive the rediscovery of church treasuries and the appearance of a “treasure effect”. Consequently, this development became a real challenge in comparison with the safeguarding of this heritage.
Symboles, reliques ou ex-voto d’une nature sacralisée : la nature et ses fossiles dans les illustrations de la Physique sacrée de Johann Jacob Scheuchzer (1732)
Authors: Roche Lucile 
Published: June 2021

Symbols, relies or ex-voto of a sacralised nature : Nature and its Fossils in the Illustrations of the Physique sacrée of Johann Jacob Scheuchzer (1732)
Initially collected and exhibited for their aesthetic properties, fossils, shells and other natural objects gained in popularity at the end of the 17th century, eventually arousing the interest of euhemerists thinkers like Swiss naturalist Johann Jacob Scheuchzer, especially evident in his famous Physique Sacrée. As empirical echoes of a mythical time, the fantasic roots for a millenary and biblical history, fossils assume a sacred value when depicted in the etching of the Physique Sacrée. Skillfully organized, the numerous etchings of the Physique Sacrée succeed in giving credit to the dual nature of fossils : empirical and biblical. Yet, the book also affirms their wider sacred character, for natural objects are both understood as relics of Creation and masterpieces of the Divine Artist.
Gebelerin Fiziksel Aktivite Düzeyleri ve Yaşam Kalitelerinin İncelenmesi
Authors: GÖKER Aslı , YANIKKEREM Emre , TOPSAKAL Özge 
Published: June 2021

Giriş ve Amaç: Bu çalışmada gebe kadınların fiziksel aktivite düzeyleri ve yaşam kalitelerinin incelenmesi amaçlanmıştır.
Gereç ve Yöntemler: Kesitsel olarak planlanan bu çalışma, Manisa Celal Bayar Üniversitesi Hafsa Sultan Hastanesi Kadın Hastalıkları ve Doğum Kliniği Gebe Polikliniği’ne başvuran ve son trimesterinde olan 190 gebe ile 1 Ocak- 31 Aralık 2018 tarihleri arasında gerçekleştirilmiştir. Araştırma verilerinin toplanmasında gebelerin tanıtıcı özellikleri soru formu, ‘‘Gebelik Fiziksel Aktivite Anketi (GFAA)” ve “SF-36 Yaşam Kalitesi Ölçeği (SF-36)” kullanılmıştır.
Bulgular: Gebelerin fiziksel aktivite toplam puan ortancası 110,7 metabolik eşdeğer (MET)-saat/hafta (min=23,7 maks=372,4) bulunmuştur. Kadınlar en çok ev işi/bakım (ortanca: 50,8 MET-saat/hafta) işleri olmak üzere hafif şiddette aktiviteler yaptıklarını (ortanca: 53,13 MET-saat/hafta) ifade etmişlerdir. GFAA toplam puanı ile SF-36 yaşam kalitesi ölçeği fiziksel fonksiyon (p=0,03), emosyonel rol güçlüğü (p=0,005) ve mental sağlık puanı (p=0,046) arasında pozitif yönde istatistiksel olarak anlamlı bir ilişki saptanmıştır.
Sonuç: Bu çalışmanın sonuçlarına göre, fiziksel aktivitenin yaşam kalitesini olumlu etkilediği bulunmuş olup sağlıklı kadınların gebelikleri sırasında fiziksel olarak aktif olmalarına yardımcı olacak girişimlerin planlanmasına gereksinim olduğu belirlenmiştir.
The Effect Of Epigallocatechin-3-Gallate On Transcriptional Regulation Of Migration And Inflammation Related Genes In Benign Prostate Hyperplasia Cells
Authors: ERBAYKENT TEPEDELEN Burcu 
Published: June 2021

Objective: This study was aimed to evaluate the role of epigallocatechin-3-gallate (EGCG) in the transcriptional regulation of genes associated with migration and inflammation in benign prostate hyperplasia (BPH-1) cells.
Material and Methods: Effect of EGCG treatment on expressions of FAK, PXN, RhoA, Rac1, Cdc42, PAK1, ROCK1, WASL genes related to migration and IL-8, IL-6, NFκB p50, NFκB p65, IκBα genes related to inflammation were determined by quantitative real time-polymerase chain reaction (qRT-PCR).
Results: It was determined that EGCG treatment did not significantly change the expressions of investigated genes over 2 fold in terms of mRNA levels. EGCG, which effectively suppresses protein phosphorylations and levels, does not play a role in transcriptional regulation of migration and inflammation-related genes. These results show that EGCG probably reduces the activity of FAK and NFκB signaling pathways by altering the protein function without affecting mRNA levels.
Conclusion: It is thought that EGCG may be useful in the treatment of premalignant lesions such as LUTS (lower urinary tract symptoms) and BPH, and its mechanism of action can be predominantly realized at post-translational level.
Koroner Arter Cerrahisinin Solunum Fonksiyonlarına Etkilerinin Solunum Fonksiyon Testi İle Değerlendirilmesi
Authors: BADAK Tolga Onur , İŞKESEN Ahmet İhsan 
Published: June 2021

Giriş ve Amaç: Kronik Obstrüktif Akciğer Hastalığı (KOAH), koroner arter bypass greft operasyonu (CABG) yapılan hastalarda sık bir komorbid hastalıktır ve insidansı %4 ile %20,5 aralığındadır. KOAH geleneksel olarak CABG için cerrahi kontraendikasyon olarak bilinir. Cerrahi teknik, anestezi ve postoperatif hasta yönetimindeki son gelişmelerden dolayı CABG artık KOAH’lı hastalarda çok yaygın bir şekilde yapılmaktadır. Ancak son çalışmalar, CABG sonrası postoperatif mortalite ve morbidite üzerine KOAH’ın çeşitli etkilerini göstermiştir. Çalışmamızda CABG ameliyatının solunum fonksiyonlarına etkisini preoperatif ve postoperatif dönemde yapılan solunum fonksiyon testi ile araştırmayı amaçladık.
Gereç ve Yöntemler: Kliniğimizde izole CABG cerrahisi uygulanan 50 hasta çalışmaya dahil edildi. Preoperatif solunum fonksiyon testinde FEV1 değeri