bluuebunny/crossref_metadata_2025_split huggingface dataset:
Analysis and generalization of the experience of preparing and conducting on-line group exercises under quarantine
Authors: Zmiіvskіy G. , Petruk O. , Pugach V. 
Published: May 2021

In connection with the transfer of the educational process of higher educational institutions of Ukraine for the period of the national quarantine to the distance learning mode, scientific and pedagogical workers have encountered certain difficulties in the effective implementation of group exercises. In order to overcome these difficulties and avoid mistakes in the future, it became necessary to study the experience of preparing and conducting teachers of this type of training using distance learning technologies and formulating relevant technological and methodological recommendations.
The possibilities of existing platforms that implement distance learning technologies are considered. The results of the analysis and generalization of the experience of preparing and conducting on-line group exercises by teachers of the Military-Law Institute of the Yaroslav Mudryi National Law University in a national quarantine are presented. Ways to increase their effectiveness are proposed. Technological and methodological recommendations on the preparation and conduct of this type of distance learning are formulated.
The content of the distance course developed on the basis of the Moodle platform is justified for the preparation of cadets (students) for a group exercise, the requirements for the placement of educational literature in the environment of the Moodle system. A rational methodology for preparing for the lesson is determined.
The possibilities of Zoom online conference platform on the implementation of distance learning technologies in the educational process are shown.
The technical requirements for the organization of the lesson are outlined.
The content of the teacher’s presentation and the procedure for its demonstration are analyzed. The possibilities of attracting a second teacher to the lesson and using interactive teaching methods (key issues and working in small groups) to enhance the creative and cognitive activities of cadets (students) and also to increase the level of organization of the lesson are considered.
The criteria for evaluating cadets (students) based on the results of a group exercise are determined.
Some areas of modernization of technical education: on the material of scientific and methodological research conducted at the Kharkiv National University of Civil Engineering and Architecture
Authors: Cherednik D. , Dansheva S. 
Published: May 2021

The article deals with the renovation of the educational process in high technical school.
The analysis of normative and legal acts regulating the future specialists training quality in higher school is made.
The main professionally significant qualities and abilities required by a future technical specialist in a competitive environment are described.
A system of measures is presented that will allow preparing specialists who:

strive to increase the level of their professional qualities;
able to quickly and clearly navigate in difficult situations;
able to think creatively;
able to solve many problems of a professional nature.

To introduce author's point of view on the need to create innovative conditions for the training of future technical specialists at the university is presented.
Features of teaching physics in the process of education program realization are considered, taking into account competency approach in education.
The article presents the meaning:

modernization of the educational and material base;
development of new educational standards and curricula;
updating the content of education;
fundamentalization and professionalization of the educational process;
development of innovative learning technologies.

The article meets the modern requirements for the reform of higher technical education in general. It is of interest to the administrative board of universities, teachers, researchers, graduate students, future bachelors and masters.
Features of teaching physics in the process of education program realization are considered, taking into account competency approach in education and peculiarities of competency formation in the process of studying physics in overall structure of competencies, according to Federal State Educational Standards in Agricultural Engineering
The research presented in the article can be used to conduct scientific-pedagogical and scientific-methodical seminars, round tables and scientific conferences in higher education institutions.
ASSESSMENT OF A LARGE-FRUITED STRAWBERRY VARIETIES ECOLOGICAL PLASTICITY AND STABILITY IN TERMS OF PRODUCTIVITY AND FRUIT QUALITY
Authors: Dakhno T. G. , Dakhno O. А. 
Published: May 2021

The article presents a comparative analysis of the ecological plasticity and stability of large-fruited strawberry varieties in the conditions of the Kamchatka region. As a result of statistical and regression analyses, varieties with high ecological plasticity of productivity (bi > 1) and a positive response to improved growing conditions were identified, classified as intensive type: Pervoclassniza, Atlas, Japonka, Grenada, Festivalnay romashka, Galina, Fructovay; with low plasticity (bi < 1)-extensive type: Solnechnay polaynka, Corrado, Wengerca. Of particular value are the most stable in terms of productivity varieties of intensive type Galina and Fruit. A positive correlation of significant strength between the productivity of strawberry varieties and the coefficients of stability (r = 0,7) and plasticity (r = 0,6) was established, which shows the effectiveness of their use in assessing the adaptability of varieties. High-vitamin varieties with an average berry weight of at least 7,0 g, the most environmentally plastic and stable in vitamin C content, were identified: Atlas, Firework, Pervoclassniza, Fructovay. A comprehensive assessment of the parameters of adaptability in terms of fruit productivity and quality (vitamin C content, soluble solids, sugar-acid coefficient)established that the highest ecological plasticity and stability are possessed by high-vitamin varieties of intensive type Pervoclassniza and Fructovay.
Speciation Of Candida Isolated From Cases Of Vaginal Candidiasis
Authors: Guragain Ankita , Bichchha Ramesh 
Published: May 2021

Background: Vulvovaginal Candidiasis (VVC) is an exceedingly common mucosal infection of the lower female reproductive tract. Mostly, it is caused by Candida albicans. Yet, non-albicans Candida species are also on the rise. Also, increasing resistance to commonly prescribed antifungal agents is of serious concern.
Methodology: High vaginal swabs were collected from clinically suspected cases of VVC from patients attending outpatient department of Obstetrics and Gynecology of NMCTH. The swabs were subjected to microscopic analysis and culture. Germ tube test, CHROMagar, chlyamydospore formation test and sugar assimilation test were applied for identification of the isolated Candida spp. Antifungal susceptibility testing of the isolates to fluconazole was done by disk-diffusion method.
Results: The rate of culture positive cases of VVC was 46.3%. Most number of cases belonged to the age group of 18-27 years (43.6%). Adhibasi-janajati and married women were most commonly affected (55.9% and 62.3% respectively). Abnormal vaginal discharge with burning and itching were the most common symptoms. C. albicans accounted for the majority of the isolated Candida spp. (57.8%), followed by C. glabrata (26.5%) and C. tropicalis (9.8%), C. krusei (3.0%), C. parapsilosis (2.0%) and C. keyfr (0.9%). A total of 34.3% of isolated Candida spp. were resistant to fluconazole.
Conclusion: Both C. albicans and non-albicans Candida species were responsible for acute cases of VVC and RVVC. A majority of nonalbicans Candida species were found to be resistant suggesting rise in their prevalence and resistance to fluconazole.
Penolakan Masyarakat Adat Limau Manis Kota Padang Terhadap Pendaftaran Tanah
Authors: Nugraha Septriyadi , Guntur I Gusti Nyoman , Kistiyah Sri 
Published: May 2021

Abstract: In 2018, PTSL implementations at Padang have an obstacles specifically in Limau Manis Village. This obstacle caused by the people rejection. Therefore, Padang city land office must have a strategy to reduce the obstacles. The purpose of this study is to find: 1) the causes of people rejection of PTSL, and 2) the strategy from Padang city land office in order to do the communal land registration with PTSL. The research is a qualitative research with a symbolic interaction approach. Informants were chosen by purposive sampling, they were structural officials at Padang city land office and the head of inheritance (MKW). The results of this study is: 1) the traditional leader of KAN Limau Manis is currently trying to maintain the continuity of the communal land, but PTSL program is considered to actually support the privatization so that caused rejection of the PTSL implementation, and 2) the main strategy to solve the problem in the registration of communal land is to make common perceptions about the registration of communal land along with the ganggam bauntuak above it, between the traditional leader, indigenous peoples, and Padang city land office.Keywords: communal land, kaum, PTSL, west sumatra. Intisari: Pada tahun 2018, PTSL di Kota Padang menemui hambatan di Kelurahan Limau Manis. Hambatan ini diakibatkan adanya penolakan dari masyarakat. Maka dari itu, perlu adanya strategi yang diterapkan oleh Kantor Pertanahan Kota Padang dalam pelaksanaan program PTSL. Penelitian ini dilakukan untuk mengetahui: 1) penyebab penolakan masyarakat terhadap kegiatan PTSL, dan 2) strategi Kantor Pertanahan Kota Padang dalam melaksanakan pendaftaran tanah ulayat kaum melalui PTSL. Penelitian ini merupakan Penelitian Kualitatif dengan menggunakan Pendekatan Interaksi Simbolik. Informan dipilih secara purposive sampling, yaitu pejabat struktural Kantah Kota Padang dan Mamak Kepala Waris (MKW). Hasil dari penelitian ini antara lain: 1) pimpinan adat di KAN Limau Manis saat ini sedang berusaha mempertahankan keberlangsungan tanah ulayat kaum, namun hadirnya program PTSL dianggap justru mendukung privatisasi yang sedang terjadi sehingga menimbulkan penolakan terhadap pelaksanaan PTSL, dan 2) strategi utama untuk menyelesaiakan permasalahan dalam pendaftaran tanah ulayat kaum ialah dengan melakukan penyamaan persepsi antara pimpinan adat, masyarakat adat, dan Kantah Kota Padang terkait pendaftaran tanah ulayat kaum beserta ganggam bauntuak yang ada di atasnya.Kata Kunci: tanah ulayat, kaum, PTSL, sumatera barat.
Title Museality as a Trend in the World Literature of the Last Fifty Years
Authors: Mitina L. S. 
Published: May 2021

The aim of this study is to define the concept of the title museality, the selection and analysis of relevant works of the world literature both separately and as a unified group of narratives, and determining the existence of a separate literary trend.
Research methodology. The author uses analysis, synthesis, abstraction, concretization and generalization of scientific sources and literary texts with features of title museality.
Results. The main characteristic evidence of the concept of “title museality” is determined and a group of literary narratives is identified. These features correspond to: “The Heritage” by Siegfried Lenz (Germany), “Outside the Dog Museum” by Jonathan Carroll (USA), “The Night at the Museum” by Milan Trenc (Croatia), “Behind the Scenes at the Museum” by Kate Atkinson (Great Britain), “The Museum of Innocence” by Orhan Pamuk (Turkey), “The Museum of Abandoned Secrets” by Oksana Zabuzhko (Ukraine) and “Museum of Thieves” by Lian Tanner (Australia).
We considered and analyzed the museological features of each of these texts of the novel form, belonging to the seven national literatures of the world. The general and distinctive features of the considered works are revealed and their museological properties are established as a unified group of narratives. It is argued that the title museality is a trend in world literature of the last fifty years and this trend is steadily growing.
Novelty. An attempt is made to formulate a new museal­literary concept, to highlight and analyze the relevant literary works as a unified group of narratives and identify a certain trend in world literature.
The practical significance. The key results of this study can be used for further research of other literary works with signs of the title museum that is reviewed, and also other national literatures of the world. They also can be used in studying of museological aspects of the literary studies or literary aspects of the museology.
Professional Training of Military Musicians in Ukrainian Lands at the Turn of the XIX–XX Centuries
Authors: Gorbal Y. M. 
Published: May 2021

Abstract. The Armed Forces of Ukraine have strong traditions of musical bands that date back to princely and Cossack times. The task of their orchestras is to boost the morale of servicemen, to strengthen the power of the Ukrainian army by means of musical arts, as well as to perform at festive events (both at the local and the state level). However, despite the importance and diversity of creative and educational activities of the Military Orchestra Service of the Armed Forces of Ukraine, no comprehensive study of historical aspects of the functioning of music and military bands in national musicology has been conducted.
The purpose of the article is to analyze the historical process of the formation of traditions of professional training of members of military musical bands at the turn of the XIX–XX centuries in the Ukrainian lands, as well as ceremonial and social functions of their concert activity.
Research methodology. The overview is based on historical, structural and systemic methods.
Results. Traditions of military orchestral training in Ukraine have deep historical roots and are based on multicultural principles. Traditions of performance and training in military musical bands of the Armed Forces of the independent Ukraine were formed on the basis of the three lines of continuation: princely and Cossack music­artistic formations and bands of the time of liberation movements (LUSR — Legion of Ukrainian Sich Riflemen, UIA — Ukrainian Insurgent Army), which represent their direct national line; Russian military orchestras with the participation of Ukrainian specialists; and multinational Austrian and Polish military music bands in Ukrainian territories. All of them together formed the basis on which the Ukrainian military and musical tradition was based, absorbing all the most relevant and productive aspects of the experience gained.
Novelty. The activity of centers in which members were trained for existing military orchestral groups in the Ukrainian lands, as well as ways in which such training was performed, and the development of professional training of musicians were considered.
Practical significance lies in the consideration of prospects for further detailed study of the functioning of separate bands, their repertoire, instruments, ceremonial and social functions, achievements of particular individuals in the field of performance, pedagogy and conducting.
Conclusions. In the activity of military orchestras in the Ukrainian lands at the turn of the XIX–XX centuries we can see a combination of military­ceremonial and social palace­concert functions, wide involvement of all segments of the society in concert touring, which completely dictates the rich repertoire. From LUSR schools and guilds, professional training of musicians was gradually transformed into the activities of specialized training units at the military formations, cadet schools and trumpet schools, institutions at music societies and professional music training in conservatories.
Strategies of Representing Christian Imagery And Motives in the Art of Kharkiv in the Late Soviet Period
Authors: Osadcha O. A. 
Published: May 2021

The aim of the study is to define the multiplicity and specificity of the approaches of the Kharkiv artists of the 1960s — 1980s to the visualization of Christian imagery and motives.
Research methodology is based on the combination of general scientific methods of systematization, classification, synthesis, and specialized ones, related to the field of art history, namely formal and comparative, iconological and compositional analysis.
Results. The paper is focused on the specificity of functioning of the religious theme in the fine art of Kharkiv of the 1960s — 1980s. It’s emphasized that, due to the trajectory of political discourse of that time, Christian imagery in the Ukrainian late Soviet art was largely marginalized and existed mainly in the veiled, latent form. A significant number of easel paintings, graphic and photographic works by Kharkiv artists, who belong to the circles of unofficial and “allowed” art, was analyzed. The historical context of the creation of those works is outlined. Its development was defined by a vast presence of the state control. It is shown that the authors’ perception of the given problematics was characterized by the inclination towards reflecting social reality through irony and deconstruction of the familiar sacred images and iconographic schemes (Crucifixion, Madonna, Pieta, eschatological motives). It is emphasized that such approach was often realized through the methods of collage and citation, which amplify the split between the mundanity and the Sublime.
Novelty. The study attempts to give a comprehensive overview of the development of the religious motives and characters in the Ukrainian late Soviet art.
The practical significance. The key points of the paper can be used both for further study of the representation of the category of sacred and transformation of its role in the Ukrainian culture in the second half of the XX — beginning of the XXI century, and its practical application in the educational and exhibition projects.
A politicized ecology of resilience
Authors: DeVore Jonathan 
Published: May 2021

Abstract
Brazil has endured multiple political, economic, and environmental crises—and now the COVID-19 pandemic—which have drawn social inequalities into razor sharp relief. This contribution analyzes the resilience of rural families facing these crises in southern Bahia. These families have benefited from various redistributive policies over the years, including redistributive land reforms (RLRs), conditional cash transfers (CCTs), and recent emergency aid (EA) payments related to the pandemic. Each (re)distributive approach involves different notions of distributive justice informed by competing background theories of “the good,” which hold implications for concepts of resilience. Drawing on long-term research with RLR communities in Bahia, this article considers the gains achieved by different redistributive programs. Families who acquired land through RLR projects appear more resilient, especially in the face of crisis.
МОЦАРТ ТА НАРОДЖЕННЯ ЖАНРУ ФОРТЕПІАННОЇ ЧОТИРИРУЧНОЇ СОНАТИ
Authors: Polska Iryna Illivna 
Published: May 2021

Розглядаються питання ґенези та початкового становлення жанру чотириручної фортепіанної (клавірної) сонати в європейській музиці. Аналізується роль В.А. Моцарта в цьому процесі та надається загальна характеристика фортепіанної дуетної спадщини композитора. Мета роботи – визначення історичної ролі В. А. Моцарта у становленні жан- ру чотириручної фортепіанної (клавірної) сонати в європейській музиці. Методологія дослідження базується на історико-генетичному, істори- ко-контекстному, феноменологічному та жанровому методах аналізу. Наукова новизна полягає у розкритті дискусійних питань щодо ґенези та формування жанру чотириручної фортепіанної (клавірної) сонати, визначенні історичної ролі В.А. Моцарта в цьому процесі та загальній характеристиці його фортепіанної дуетної творчості. В українсько- му музикознавстві це проблемне коло вперше досліджене саме в науко- вих розвідках авторки статті. Висновки. У другій половині XVIII ст. найважливішими жанрами європейського музичного мистецтва ста- ють симфонія та соната. Одним із різновидів останньої є фортепіанна (клавірна) чотириручна соната, першовідкривачем якої довгий час вва- жався саме юний В.А. Моцарт, котрий у 9-річному віці створив яскра- вий зразок цього жанру. Вирішення питання щодо композиторського пріоритету у створенні жанру клавірної (фортепіанної) чотириручної сонати дотепер є неостаточним і відкритим до подальших наукових розвідок. І, безумовно, саме В.А. Моцарт є одним із фундаторів цього жанру, котрий закладав його основи і фактично першим познайомив із ним музичну громадськість доби. Фортепіанні дуети Моцарта (насам- перед його зрілі чотириручні сонати, в яких геній композитора дося- гає найвищої художньої досконалості) є вершиною-джерелом розвитку жанру, його найяскравішою кульмінацією у XVIII ст. та одним із най- вищих піків усієї історичної екзистенції, неперевершеними шедеврами світової музики.
ВОКАЛЬНО-ІНСТРУМЕНТАЛЬНИЙ ЦИКЛ «БЕСТІАРІЙ АБО КОРТЕЖ ОРФЕЯ» ЛУЇ ДЮРЕЯ: ВІД ПОЕТИЧНОЇ МЕТАФОРИ ДО МУЗИЧНОГО СМИСЛООБРАЗУ
Authors: Aleksandrova Oksana Oleksandrivna , Krasnoshchok Yuriivna Kateryna 
Published: May 2021

Мета роботи – виявити й дати характеристику наскрізним лейтин- тонемам і ритмоформулам вокально-інструментального циклу Л. Дюрея, що поглиблюють смисловий зміст поетики Г. Аполлінера і становлять основу системи музично-поетичних метафор. Методологія досліджен- ня ґрунтується на історико-контекстуальному, компаративному й системно-аналітичному методах. Наукова новизна дослідження полягає в тому, що вперше у вітчизняному музикознавстві аналізується вокаль- но-інструментальний цикл «Бестіарій або Кортеж Орфея», досліджу- ється естетика французького модернізму з погляду втілення поетичних метафор у семантиці музичного твору. Висновки. Аналіз музичної драма- тургії циклу показав, що на початку 20-х років XX століття Л. Дюрей відмовився від властивої його раннім творам тонально-гармонічної сис- теми письма, звернувшись до атональної музики. У рамках нової техніки виявлено звернення до «світлих» і «темних» тональних сфер, дієзних або бемольних, що дало змогу композитору поглибити музичні смислообрази поетичних метафор. «Білі» тональні сфери також присутні в циклі, їх подано в зіставленні з контрастними образами (№ 22 «Голуб» – образ чистоти, «№ 23 «Павич» – дурниці й порожнечі). У ході аналізу інтонаційної драматургії вокально-інструменталь- ного циклу «Бестіарій або Кортеж Орфея» Л. Дюрея виявлена систе- ма лейтинтонем і ритмоформул, що становить семантичну палітру твору. Смислові одиниці, складники драматургії циклу, відображають принцип «кодування», властивий модернізму як художньому напряму початку XX століття, є втіленням поетичних метафор у музичних смислообразах. Зіставлення концепцій поеми «Бестіарій або Кортеж Орфея» Г. Аполлінера й вокально-інструментального циклу Л. Дюрея довело, що в композиторській інтерпретації зберігається первісна творча ідея духовного очищення шляхом осягнення людських недоліків, подолання власного его, милування красою світу, осмислення високої сили любові. Композиція вокально-інструментального циклу ідентична літературному першоджерелу; виняток становлять номери «Орфей», які є рефреном композиції Г. Аполлінера та відсутні в композиторській інтерпретації Л. Дюрея.