bluuebunny/crossref_metadata_2025_split huggingface dataset:
The formation of writer identity through writing response groups in the classroom
Authors:   , Piters Andrea 
Published: November 2021

<p>Supporting the formation of children's identity as writers in the context of interaction within a writing response group was the focus of this study. The children in the study were in a composite Year Seven and Eight class. The children were randomly placed in groups of five or six members. Talk in the groups, students' writing journals, and the teacher/researcher's journal were analysed from a socio-cultural perspective to investigate how the group contributed to the formation of children's literate identity. The analysis revealed that responses served to acknowledge children's writing as interesting and worthy of attention. The acknowledgement created a social energy that contributed to growth in children's writing, enabling children access to the roles they desired in the classroom. The study highlighted the importance of children being able to form an identity as a writer to enable them to successfully engage in literacy activities.</p>
Sense of Home
Authors:   , Atkins Emelia 
Published: November 2021

<p>Quality atmospheric conditions and the ability to empower residents has been overlooked in recent social housing developments as they have been strongly economically focused. The demand for inner city social housing within New Zealand has been a pressing issue since the first worker’s dwellings were built in Petone. Social housing residents are known for their comparatively low incomes and high needs, but this should not mean that they have to dwell in a different standard of housing from other income earners. Social housing is a reality for a growing portion of our society in New Zealand; the location and quality of housing should not be defined by social stigma and hierarchy. Architecture as a discipline has unique potential to critique existing social housing standards and create diversity of atmosphere that evoke a sense of empowerment amongst residents. This research explores the manipulation of hybrid prefabrication systems, with the aim of empowering social housing residents through diverse atmospheric conditions.</p>
Bridging Barriers: Study of Refugee Integration in New Zealand Communities
Authors:   , Saini Gaganpreet 
Published: November 2021

<p>New Zealand is one of the 26 nations of the United Nations High Commissioner for Refugees (UNHCR) who participate in a regular refugee resettlement program (“New Zealand Refugee Quota Programme”). It is also one of the few countries to have a refugee orientation program upon arrival and dedicates a centre especially to host the incoming refugees. The current refugee quota system in New Zealand provides a 6 week orientation and assessment period followed by dispersal into 6 different cities across New Zealand for permanent resettlement. Refugees develop friendships and a sense of comfort over the 6 weeks program with all the facilities available at the Resettlement centre. The transition from the centre into the independent housing in suburban locations therefore becomes more challenging due to the lack of induction of refugees into their host communities. Refugees are alienated in their new communities with the locals equally as oblivious to the new settlers. As a result, post settlement engagement with the host society becomes difficult for refugees. The community relations between the refugees and host society is neglected with refugees generally connecting with the same ethnic group (ii, Gray); limiting cross-cultural connections. This research investigates the role of architecture as a facilitator of social interaction between the refugees and local community to create a strong sense of belonging in the host society. The aim is to explore architectural solutions which can ease the process of resettlement for refugees into the different regions around New Zealand. It seeks to develop a design which offers social engagement that can extend into the society and cross-cultural interaction can be encouraged.</p>
Negative Capability: Documentary and Political Withdrawal
Authors:   , Gennard Simon 
Published: November 2021

<p>This thesis thinks with, alongside, and against several theories of political withdrawal that have emerged during the past three decades as they have been taken up by artists working with documentary video. Political withdrawal here refers to a set of tactics that position themselves in opposition to existing models of belonging, civic engagement, and contestation. The context in which this study takes place is one in which qualifying for citizenship in the liberal western state increasingly requires one remain transparent, docile, and willing to acquiesce to whatever demands for information the state may make. In response to these conditions, the theories and artworks examined in this thesis all propose arguments in favour of anonymity, opacity, and indeterminacy. Situating itself, sometimes uncomfortably, within the archives of feminist, queer, and anarchist thought, this thesis engages with selected video works by Martha Rosler, Bernadette Corporation, Hito Steyerl, and Zach Blas in order to understand the ways in which withdrawal may constitute a generative framework for enabling meaningful social change. These video works are here described as documentary, but not in the conventional sense that they are objective or transparent attempts to capture or record actual fact. Rather the term is understood as a historically pedagogical genre — notably deployed in the service of both oppressive regimes and oppositional movements — that provides a means through which to engage with, and creatively reimagine, political languages. The artists in this study take a critical approach to troubling times. Suspending the truth claims historically associated with documentary, they offer a range of ways to think through how complaint might be articulated and commitment sustained.</p>
The End of the Sea Wall
Authors:   , McStay Shannon 
Published: November 2021

<p>With climate change becoming more widely understood, we are beginning to see how this phenomenon is impacting on our ability to live coastally. Coastal properties represent some of the most expensive real estate in the country, however these properties are being battered by increasing storm surges causing coastal erosion and decay to the land on which they sit. This is resulting in people fighting to keep their homes out of the water, along with an increasing need for a solution to keep the water out of their homes. In Raumati, sea walls began appearing in the 1950s with people blocking their individual properties from the ocean with wooden log walls. These walls have continued to get larger, higher and more solid until they have become the rock accumulation, stone path and concrete walls that stand today along almost the entire length of the Kapiti Coast. The impact of such walls is that, while they protect the land immediately behind them, they cause greater issues further down the coast, causing sections of the coastline to deteriorate at a far more accelerated rate. The aim of this project will be to put an end to the Kapiti sea wall by addressing the site at the southern end of Raumati where this erosion is becoming increasingly evident. Here, the delicate sand dunes are being eaten away by heightened storm surges and an ever-increasing sea level. Rather than looking at it as a negative effect, this thesis will explore the opportunities that are opened by this decay. The project proposes the reinstating and re-wetting of the once drained wetlands that lie behind the natural dunes. Above these wetlands, a ranger’s hut will act as a home, embassy and church within Queen Elizabeth Park. This allows for a greater sense of custodianship, with more people coming, going and staying within the park. The project outcome will be a building that combines public and private spaces. It will allow for the fluctuation in sea levels to interact with and become a part of the building, rather than being excluded through traditional approaches to dealing with climate change on coastlines. Hence, this ranger’s hut will put an end to the sea wall.</p>
Why are Psychopaths Difficult to Treat? Testing the Two-Component Model for the Treatment of PCL Psychopaths
Authors:   , Daly Tadhg E. 
Published: November 2021

<p>Psychopathic personality disorder as conceptualised by the family of scales referred to as the Psychopathy Checklist (PCL), is often cited as a specific responsivity characteristic that will interfere with an otherwise effective treatment programme. However, most research on the treatment of prisoners high on PCL psychopathy asks whether or not they are treatable as opposed to why they are difficult to treat. The Two-Component model (2-C; Wong & Olver, 2015) for the treatment of PCL psychopaths proposes that treatment difficulties observed for those high on PCL psychopathy are primarily caused by the interpersonal and affective personality features of psychopathy represented by PCL Factor 1 (F1). Thus the 2-C model suggests that therapists work around the emotional deficits and disruptive behaviours associated with PCL F1 to focus on changing risk-relevant behaviours that are associated with PCL Factor 2 (F2). In this thesis, we test the assumptions of the 2-C model with a group of high-risk violent men who attended an intensive violence treatment programme and were assessed with a PCL instrument. Specifically, we examined whether the personality features of PCL psychopathy led to more treatment difficulties than the behavioural features by exploring relationships between the factors/facets of the PCL and treatment completion, reconviction, change on dynamic risk, the therapeutic alliance and behaviour during treatment. In support of the 2-C model we found that PCL:SV Part 1 and its underlying facets were significantly associated with higher rates of removal from treatment, a poorer therapeutic alliance, and lower levels of emotional and performance based behaviours during treatment. Mediation analyses also revealed that the relationships between PCL:SV Part 1 variables and removal were partly explained by lower levels of emotional and performance based behaviours. Also in support of the 2-C model, we found that PCL:SV Part 2 and its underlying facets demonstrated stronger, significant associations with pre-treatment dynamic risk and post-treatment reconvictions when compared with PCL:SV Part 1 variables. Furthermore, poorer performance based behaviours during treatment mediated relationships between PCL:SV Part 2 variables and reconviction outcomes. Several of our findings however, also failed to support or contradicted assumptions of the 2-C model. All these findings are discussed in relation to their implications for the 2-C model, psychopathy treatment research, specific responsivity, the structure of PCL psychopathy, and the utility of the PCL in forensic and legal settings.</p>
Designing a sustainable, medium density housing solution that is an affordable alternative for developers
Authors:   , Saris Milla 
Published: November 2021

<p>It has been acknowledged that there is a housing crisis in New Zealand (NZ), particularly in the large urban centres (Hulse, 2015). As a solution, medium density housing developments are becoming more prevalent. However, these developments are controversial in a country that prides itself on its generous housing and open spaces. Sustainability is also an issue in the NZ architectural environment. NZ is a small country isolated in the South Pacific, so ‘sustainable’ materials must often be imported, this long-distance transportation increasing their cost as well as their carbon footprint. Many products also reference ‘green washing’, with companies misleading consumers into believing their product is environmentally friendly (EnviroMedia Social Marketing, 2017). Legitimately sustainable technologies and materials are often seen as unaffordable, and people (particularly property developers) are not prepared to consider eco-friendly building practices if they do not believe they will get an economic return for their investment. Because of these factors, New Zealand does not have a dynamic and sustainable medium density housing vernacular. The current research addresses these issues by seeking out materials and technologies for use in a theoretical medium density housing development. The project focuses on finding innovative and sustainable potential solutions for architects, developers, property buyers, and wider community stakeholders. It argues that architectural materials and processes should aim to fit as closely as possible within cradle-to-cradle frameworks involving closed loop production, construction and reuse systems (Braungart & McDonough, 2010).</p>
A permanent tent: A retrospective and reconsideration of the A-Frame Chalet in New Zealand
Authors:   , Svendsen Callan 
Published: November 2021

<p>The mid twentieth century A-Frame chalet holds a special place in the memories of generations of New Zealanders. Reminiscent of summer and winter getaways, it is perhaps the most poignant architectural representation of leisure and relaxation. The novelty of unconventional sleeping arrangements, intimate spatial dynamics and the somewhat ephemeral nature of the typology combined to imbue the A-Frame with a strong emotional association. This research intends to harness the nostalgic connotations and use this, along with contemporary interior architectural theory, to reinterpret the A-Frame as a relevant form of accommodation suitable for twenty-first century vacationers and permanent inhabitants alike. Early New Zealand A-Frames were supplied as kit sets to be erected by owners with rudimentary knowledge of construction techniques. This ‘low-end’ means of arrival, understandable given the purpose of the dwelling, resulted in a typology that was regarded as a lesser relative to the primary (and more conventional) home. Awkward interior spaces were regarded as novel and tolerable for the duration of the vacation. There is limited academic publication on the A-Frame Chalet and its place in New Zealand architectural history. The aim of this research is to identify the key proponents of the style and use this as a base for a modern reinterpretation encompassing spatial and material issues. The modern tendency toward compact housing and preservation of architecturally distinctive buildings favours a new appreciation of the A-Frame. A reevaluation will address limitations of the original and re-interpret the A-Frame from nostalgic novelty to spatially responsive contemporary architecture.</p>
Te Ao Hurihuri
Authors:   , Whiting Tamatamaarangi 
Published: November 2021

<p>At the heart of the thesis is the establishment of a new type of landscape practice based upon leveraging the power and potential of computational tools to serve cultural attitudes to land and land management. The research acknowledges that a new approach to landscape understanding is required, one that extends the current discipline’s mode of notation and representation/visualisation and ‘experience’ within the design process. It questions current forms of mapping and representational media and highlights limitations when communicating ‘non-traditional’ cartographic data, such as cultural and spiritual sites arguing that there are opportunities for a more holistic experiential interaction. By utilising a holistic approach influenced by key Māori kaupapa including kaitiakitanga, manaakitanga, and mauri, the research offers up a novel digital methodology that draws from a range of existing data (demographics, climate etc.) and initiates the creation or capturing of new data. This extended method of ‘bottom up’ data collection combined with virtual 3D modelling and visualisation, enables traditional understandings of landscape to extend to the experiential in the creation of an immersive, interactive and open collaborative 3D environment. This is further investigated through a process consisting of data conversion to mesh production for game engine use, incorporating diverse data sets to create new knowledge landscapes - an information-rich land model which in turn generates interactive 3D landscapes for end users. The process itself uses commonplace photogrammetry techniques as a means to capture selected areas of the cultural landscape recording both mesh and texture/image map. We then employ the software ‘Unreal Engine 4’ (Game development platform). The development of the gamification model allows location specific data to be ‘plugged in’ for landscape ecosystem monitoring also providing the potential for real time resource management. Future speculation of the cultural landscape enables climate events to be simulated and tested, giving an understanding of implications and risks with a view to local response and mitigation. From a design perspective the method/model allows designers to respond effectively with Māori end users and their real needs, potentially collapsing traditional modes of engagement and consultation between designer-client relationships providing a more bottom up collaborative approach.</p>
Intensity at the Edge
Authors:   , Kelly Hannah 
Published: November 2021

<p>There is an inherent relationship between New Zealanders and the coast and has become part of our culture and identity. The coastal threshold is a place of emersion in time, surface and weathering process of materials and the marks and traces of time, this thesis explores architectural expression on Wellingtons coastline. This project proposes the design of a series of six interventions along Wellington’s south coast. This research explores how architecture can respond to the temporality and extreme contextual conditions of the diverse landscapes. By developing an inherent architectural language of shelter that identifies and embodies the contextual and programmatic narrative, this thesis proposes for the occupation of site through a protective and experiential architecture.</p>
“Making Nonsense of the Little Categories”: Slaughterhouse-Five and The Memoirs of a Survivor as autobiographical science fiction
Authors:   , Hight Georgia 
Published: November 2021

<p>Kurt Vonnegut’s Slaughterhouse-Five (1969) and Doris Lessing’s The Memoirs of a Survivor (1974) are both novels that blend autobiography with science fiction. In a review of Vonnegut’s Mother Night, Lessing writes that he “makes nonsense of the little categories”. The same applies to Lessing. These two novels live in the porous borders between genre—between fiction and non-fiction. Vonnegut writes that he can’t remember much of his experiences in the firebombing of Dresden in the Second World War. The war novel he writes about them has a protagonist who is “unstuck in time”. I frame my discussion of Slaughterhouse around problems of temporal and narrative ordering. Through use of fractured time, repetitions, and the chronotope, Vonnegut finds a way to express his missing and traumatic memories of the war. Lessing’s memories are of her early childhood in Persia and Southern Rhodesia. These memories are warped, claustrophobic, and difficult to articulate. Like Slaughterhouse, Memoirs fractures time and space. I organise my discussion of Lessing’s novel around the latter, focusing on a literalised porous border: her dissolving living room wall. Borders and portals between spaces in Memoirs blend the dystopian, science-fiction world of the city with the world of Lessing’s memories; dreams with reality; and the static with the dynamic. I pose several answers to the question of why science fiction and autobiography. A shared occupation of the two authors was a concern for the madness and dissolution of society, and science fiction engages in a tradition of expressing these concerns. Additionally, Vonnegut and Lessing use the tools of a genre in which it is acceptable for time and space to be warped or fractured. These tools not only allow for the expression of memories that are fragmented, difficult, and half forgotten, but produce worlds that mirror the form of these personal memories.</p>
Is Romance Dead? Erich Korngold and the Romantic German Lied
Authors:   , Jamieson Emms Georgia 
Published: November 2021

<p>Far from being the operatic aria's less glamorous sister, the Romantic German Lied offers much dramatic scope for the classical performer. It has been described as the “quintessential Romantic genre”: the balanced and harmonious union of the music and text, in which the pianist and singer are equals. As accessible at private music gatherings as in concert halls, the Lied enjoyed popularity in German-speaking countries for over a hundred years, before facing its greatest adversary: Modernism. Romanticism, as an artistic movement, fought to survive in the uncertain musical and political landscape of the twentieth century. In Erich Korngold, Romantic music found a staunch advocate, and Lieder gained one of its most gifted contributors. Following in the daunting footsteps of Richard Strauss and Gustav Mahler, Korngold's unashamedly luscious, rich orchestrations and soaring melodies earned him the nickname “the Viennese Puccini.” A child prodigy, Erich Korngold's rise was swift and glorious; his fall coincided with that of the German Lied and Romanticism itself. Romance may not have “died”, but it became outdated in the twentieth-century push for modernity and innovation across all art forms. In encyclopedias little is written of Korngold and his compositional output beyond his most famous and enduring opera Die tote Stadt, and his pioneering film scoring in pre- and post-war Hollywood. In my research I will show that Korngold is deserving of a place in the music canon as not only one of the last great composers of Lieder, but one of the last great Romantics, whose life and works sit on the cusp between the old world and the new. Furthermore, I will address the question of whether Romanticism died with the arrival of Modernism and revolutionary experimentation in music, or whether it lives on today, albeit in different forms.</p>
New Halogenated Secondary Metabolites from Red Algae of the South Pacific
Authors:   , Woolner Victoria 
Published: November 2021

<p>An NMR- and MS-directed study led to the isolation and structure elucidation of several halogenated secondary metabolites from a New Zealand and a Tongan red alga. An extensive investigation was carried out on the New Zealand red alga Rhodophyllis membranacea following mass spectrometric evidence for an unusual tetrahalogenated indole with the exceptionally rare inclusion of bromine, chlorine and iodine within a fraction of a semi-purified extract. Due to the difficulty associated with the structure elucidation of proton deficient molecules, a strategic isolation and structure elucidation of several polyhalogenated indoles was employed in order to unequivocally assign the halogen positions on the indolic core. This resulted in the isolation and characterisation of 11 new tetrahalogenated indoles (123–133), four of which contain bromine, chlorine and iodine (124 and 129–131) and represent the first isolation of such compounds. Additionally, four new pentahalogenated indoles (134–137) and an uncharacterised tribromotrichloroindole were isolated. The synthetically known compound 4-chloroisatin (138) was isolated as a new marine natural product, while 4-chloro-3-hydroxyl-3-(2-oxopropyl)-2-oxindole (139) was established to be an artefact of isolation. Several compounds were found to exhibit antifungal properties against Saccharomyces cerevisiae. A detailed examination of the Tongan alga Callophycus serratus led to the isolation of six new meroditerpenoids: callophycol C (227), iodocallophycols E (228) and F (229), iodocallophycoic acid B (230), deiodocallophycoic B (231) and callophycoic acid I (232). The relative configurations in compounds 228–231 are proposed to differ from closely related compounds in the literature. Iodocallophycol E (228) exhibited moderate cytotoxicity against the HL-60 cell line with an IC50 value of 6.0 μM.</p>