bluuebunny/crossref_metadata_2025_split huggingface dataset:
„Szaleństwo ciał” — pornografia współczesna a medykalizacja ciała. Implikacje historycznomedyczne
Authors: Wiktorowski Grzegorz 
Published: March 2020

“Frenzy of bodies” — contemporary pornography and body medicalization. Historical-medical implicationsThe author believes that pornography of last few decades has gone changes which have not occurred since ancient times. These changes were initiated especially by the processes of medical­ization and, therefore, rationalization of the human body. Stripped from the odium of the sacrum sacred things, the mystery or the cosmological battle between Good and Evil, the body has been subjected to instrumentalisation in different dimensions. The last stage of changes that can be ob­served in contemporary pornography is its “somatization”. It is defined by the author as a functional and qualitative “reorientation” which means that pornographic narration is deprived of presenting emotional, relational or moral elements and aspects. The narration does not focus just on the “tech­nology” of the sexual act, but merely concentrates on the body, even going deep inside.
From “pizzini” to social media channel: The mediatic storytelling of mafia language
Authors: Pira Francesco 
Published: March 2020

From “pizzini” to social media channel: The mediatic storytelling of mafia language We intend to provide an analysis of how the media representation of the mafia language has turned into storytelling and how this has influenced public opinion and the perception of organ­ized crime in Italian society. The communicative style of the mafia has always been characterized as the result of communication “by subtraction”. From the nineteenth-century oral tradition, through the “pizzini”, to the use of information technologies to manage financial flows and illicit trafficking, they always made us of an essential communication, a conspiratorial language. In the most critical phase of the conflict between the Italian state institutions and criminal organizations, the strategy of the mafia included actions supposed to maintain its media representation, with the aim of instilling fear and uncertainty in citizens and to demonstrate its strength and its control over the territory. This distorted representation of reality facilitates the exercise of the “sweet power” of organized crime, which operates in a more unseen way, increasing its influence. This evolution is immersed in the social context, where culture and knowledge are threatened by the increasing in­ability of individuals to interpret reality.
Fear of missing out a korzystanie z urządzeń umożliwiających dostęp do mediów społecznościowych na podstawie badań polskich internautów
Authors: Jupowicz-Ginalska Anna , Jasiewicz Justyna , Kisilowska Małgorzata , Baran Tomasz , Wysocki Aleksander 
Published: March 2020

Fear of missing out and the use of devices enabling access to social media based on the research of Polish Internet users The authors analyze preferences of devices enabling access to social media among the Polish internauts aged 15+, in regard to the “fear of missing out” FOMO phenomenon. The results of the representative, quantitative survey CAWI concerning the selection of devices and tools being used were analyzed according to demographic variables: age, sex, and place of living. The study conclud variable most differentiating the selection of devices is the users’ age. Respondents from the so-called high FOMO group use mobile devices more often, as well as the devices less popular in gen­eral population, like smartwatches or consoles.
Niezrównoważona konsumpcja i sposoby jej równoważenia
Authors: Kurzak-Mabrouk Anna 
Published: March 2020

Unsustainable consumption and the ways to balance it As is clear from the title of the article, its subject is the concept of unsustainable consumption and ways to balance it. This phenomenon is negative and is counterbalanced by sustainable consumption, which means a use of goods, as well as services in a way that will enable the assumed goals of a new development paradigm — “sustainable development”, which has the features of balancing, sustainability durability and self-sustainability. The study was based on literature research in the field of Polish and foreign literature, which describes the phenomenon of balanced and unsustain­able consumption. The immediate goal of the article, resulting from the above study, is to show the contradiction between the phenomenon of sustainable consumption and consumerism, and to identify the factors through which the emerging negative phenomenon can be balanced, which ultimately contributes to the quality of society in a clean environment.
Konsumpcja mody a tożsamość. O społecznych funkcjach mody i zakupów modowych
Authors: Perchla-Włosik Aleksandra 
Published: March 2020

Fashion consumption and identity. Social functions of fashion purchases Social consumption and related phenomena can be seen in a variety of ways. The purchase of a particular good, such as clothing, can be read as a result of a fashion undertaking, a manifestation of social status, or activities to build a human identity. The article has a theoretical and empirical nature and refers to the issue of constructing one’s own identity by consuming fashion. It is an introductory element of the problem of consumer be­havior in the sphere of clothing. The publication highlights the fact that individuals are definitely more involved now in creating their identity than they used to be. The first part of the article has the nature of sociological considerations and serves to find the paradigms most strongly associat­ed with the construction of identity through consumption, in particular, fashion consumption. It also provides an overview of the most important sociological theories, both those created in the past and quite contemporary. In the second part, it refers to the results of qualitative research related to identity creation through fashion consumption.
Wokół „Patologii transformacji” Witolda Kieżuna — uwagi krytyczne
Authors: Zieliński Marcin 
Published: March 2020

On Witold Kieżun’s Pathology of Transformation — Critical RemarksIn the first half of the 1970s Witold Kieżun, basing on the contributions of the Polish school of praxiology, presented his theory of pathology of organization. Recently in the book on pathology of transformation he attempted — in my view, unsuccessfully — to apply this theory to the analysis and evaluation of the process of systemic and especially economic transformation in Poland. In this paper I try to present apartial critique of his position. First, the theory of pathology organization, that is reconstructed in the first chapter of his last book, is largely incompatible with market conditions and as such it impedes the understanding of the working of organizations within the framework of market calculative environment — because of it I point to some defects of the said theory. Second, this theory has little in common with later description of pathology of transformation, that is based not on the theory of praxeology, but on the ideology of neocolonialism — therefore I present also acritique of basic propositions of this ideology. Third, Iindicate, basing on some case studies, that Kieżun’s selection of data in the description of privatization processes is largely biased — consid­ering the wider context allows us to understand that the scale of “pathologies” during privatization had to be much smaller than is suggested in the book. Fourth, Ipoint out that vague alternative pre­sented by Kieżun does not take into account the realities of transformation, although — as is implied in many passages of the book — he was well aware of them.
Mit elitarności w turystyce kwalifikowanej. Przykład Tatrzańskiego Parku Narodowego
Authors: Mokras-Grabowska Justyna , Tanaś Sławoj 
Published: March 2020

THE MYTH OF ELITISM IN QUALIFIED TOURISM.THE EXAMPLE OF THE TATRA NATIONAL PARK Qualified tourism, understood as the highest form of tourism, the most perfect kind of conscious tourism, was introduced and popularised in Poland in the 1950s by the PTTK Polish Tourism and Sightseeing Society. Combined with a knowledge of the so-called tourism culture, pursued with passion and expertise, today it concerns a relatively small, ambitious group of active tourists having very precise interests and seeking the highest form of tourist specialisation. The considerable demands for the participants means that the term “qualified tourism” is increasingly replaced with the term “active tourism” available to a broader section of society. The phenomenon is associated with socio-economic and cultural transformations, including the postmodern commercialisation of leisure time. Forms of outdoor recreation are becoming more and more accessible, while transformations of lifestyle, amount of free time and ways of spending it influence tourists’ preferences and tourist activities. What is also significant is the fashion for active leisure created in recent years by the media. Such a “simplified”, pop-cultural approach to active tourism contributes to reckless and irresponsible behaviours of tourists, as is perfectly illustrated by what happens in the Tatra National Park. Despite the fact that it is a fairly small part for European standards, it is one of the “busiest” in terms of tourist traffic. In its highest season July and August its visitors include both conscious tourists appropriately prepared for mountain hiking including qualified tourists and “casual” tourists, motivated mainly by their unreflecting need to “do” the most popular sites in Poland’s highest mountains.The authors of the article discuss the specificity of qualified tourism and refer to examples of hikers visiting the Tatra National Park in the highest summer season. They demonstrate the elitist nature of the principles of qualified tourism and thus refer to the practice, i.e. behaviour of tourists. In this they point to the lack of boundaries in the exploration of Poland’s highest mountains as well as their demystification.
Przekroczenie granicy. Romantyczna podróż i próba pruskości w okresie przedmarcowym — Wácslawa Wladiwoja Tomka wędrówki po pograniczu śląsko-czeskim
Authors: Řezník Miloš 
Published: March 2020

Crossing the border. A Romantic journey and test of Prussianness in the pre-March period: Václav Vladivoj Tomek’s wanderings in the Silesian-Czech borderlandIn the article I analyse, using a specific example from 1830, the identity-shaping perception of the mountains as a border at a time of Czech national agitation. Drawing on the memoirs of a young Prague law student, Václav Vladivoj Tomek, later an eminent Czech historian, I present perception categories he used to reflect on the differences between societies and cultures along the Czech-Silesian Austrian-Prussian border and to discuss their links with the landscape. This is placed, on the one hand, in the context of the agitation phase of the Czech national movement in its early period, and on the other in the context of individual and collective processes of identification of a young man at a key stage of his personal development. Tomek expressed his observations in the language of cultural, social and confessional diversity. In this he focused on the quality of life, architecture, faith with a tendency to exoticise Protestantism and partly also historical culture in Prussia. Significantly, there are no comments concerning the problem of the mismatch, so important in later years, between the state and the language border: the transition between predominantly Czech-speaking and predominantly German-speaking regions near the state border in this case the Broumov region is not even mentioned. The crossing of the border as a practice is not referred to either; the border is seen as a point, what is mentioned in its crossing are only state symbols. Although strong emotions are visible, the now nationally aware Tomek does not allude to national emotions state border, but to a Romantic view of the landscape accompanied by a fascination, typical of the period, with what is picturesque and extraordinary in the mountains, rocks, sights and traces of the past found in the mountains.
“We are the People”: The Holodomor and North American-Ukrainian Diasporic Memory in Marsha Forchuk Skrypuch’s “Enough”
Authors: Ulanowicz Anastasia 
Published: March 2020

“We are the People”: The Holodomor and North American-Ukrainian Diasporic Memory in Marsha Forchuk Skrypuch’s Enough. Although the Holodomor — the Ukrainian famine of 1932–1933 — has played a major role in the cultural memory of Ukrainian diasporic communities in the United States and Canada, relatively few North American children’s books directly represent this traumatic historical event. One exception, however, is Marsha Forchuk Skrypuch’s and Michael Martchenko’s picture book, Enough 2000, which adapts a traditional Ukrainian folktale in order to introduce young readers to the historical and polit­ical circumstances in which this artificial famine occurred. By drawing on what scholar Jack Zipes has identified as the “subversive potential” of fairy tales, Skrypuch and Martchenko critique the ironies and injustices that undergirded Soviet forced collectivization and Stalinist famine policy. Additionally, they explicitly set a portion of their fairy tale adaptation in Canada in order to gesture to the role played by the Holodomor in structuring diasporic memory and identity, especially in relation to post-Independ­ence era Ukraine.«Мы — народ»: Голодомор и североамериканско-украинская диаспорная память в книге Enough Марши Форчук Скрыпух. Несмотря на то, что Голодомор — голод в Украине 1932–1933 гoдов — сыграл важную роль в культурной памяти украинских диаспорных общин в Соеди­ненных Штатах и Канаде, относительно мало североамериканских детских книг описывает это травматическое событие. Важное место в этом контексте является книга Марши Форчук Скры­пух и Майкла Мартченко «Достаточно» 2000, которая адаптирует традиционную украинскую сказку для того, чтобы познакомить молодых читателей с историческими и политическими обстоятельствами этого искусственного голода. Опираясь на то, что ученый Джек Зайпс назвал «подрывным потенциалом» сказок, Скрыпух и Мартченко критикуют иронию и несправедли­вость советской принудительной коллективизации и политики сталинского голода. Кроме того, они установили часть своей сказочной адаптации в Канаде, чтобы показать роль Голодомора в структурировании диаспорной памяти и самобытности, и связи последних с независимой Украиной.
Scena a przedstawienie traumy historycznej: dramaty/spektakle, twórcy/odbiorcy we współczesnym teatrze ukraińskim
Authors: Harbuziuk Maja 
Published: March 2020

Historic trauma on the stage: dramas and plays, recipients and directors in contemporary Ukrainian theatreThe aim of this article is to analyse theatrical performances based on plays of contemporary Ukrainian authors. The analysis is made from the position of their work with traumatic historical and modern experience of community. A short evaluation of modern state of Ukrainian theatre is made. Ukrainian theatre as “positivist” worldview art excludes pictures and themes of traumatic experiences irrational by nature. The attention is paid to the importance of empathy mechanism in the process of elaboration of collec­tive structural and historic traumas. It is presented how transgressive trauma comes out in the creativity of modern directors, blocking empathy mechanisms and leading to autoaggression. The paper empha­sises the importance of personal experience and worldview maturity of the authors of the texts and performances, as well as their readiness and skill to cross boundaries of various stereotypes imposed by complex collective and historical traumas. Сцена как представление исторической травмы: пьесы/спектакли, создатели/зрители в современном украинском театреВ статье сделано попытку анализа спектаклей профессиональных театров по пьесам со­временных украинских авторов, с позиций их работы с травматическим историческим и со­временным опытом общества. Коротко дана оценка современному состоянию украинского театра как искусства в целом мировоззренчески «позитивистического», исключающего ирраци­ональные по своей природе картины и темы травматических переживаний. Обращено внима­ние на важность механизмов эмпатии в процессе прорабатывания коллективных структурных и исторических травм. Продемонстрировано, как трансгрессивная травма проявляет себя в творчестве современных режиссеров, блокируя механизмы эмпатии, приводя к автоагрессии. Подчеркнуто важность личностного опыта и зрелость мировоззрения авторов текстов и спек­таклей, их готовность и умение выходить за пределы разного характера стереотипов в работе со сложными коллективными историческими травмами.
Dorastanie naznaczone traumą historii. Kilka refleksji nad powieściami Jiříego Kratochvila „Uprostřed nocí zpěv” i Magdaleny Tulli „Włoskie szpilki”
Authors: Żygadło-Czopnik Dorota 
Published: March 2020

Growing up marked by trauma in Jiří Kratochvil’s, Uprostřed nocí zpěv and Magdalena Tulla’s, Włoskie szpilkiThe process of political change began in Czechoslovakia at the end of 1989, a few months after the so-called Polish Round Table Talks, and after the events in Hungary, East Germany or Bulgaria, foretelling the political transformations in those countries. Poles and Czechs are nations steeped in history, whose rhythm is defined by traumas, many of which still await their artistic disarmament. Czech history is completely different than that of Poles. As a result of the tangled history, Czech and Polish national identities are not fully defined. The key objective of the proposed paper is to examine how the contemporary Polish and Czech writers confront their totalitarian heritage. We would like to focus on the works of a Mora­vian author Jiří Kratochvil b. 1940 in Brno, who is undervalued and barely known in Poland, and of a Polish writer Magdalena Tulla b. 1955. As a matter of fact, Jiří Kratochvil was truly discovered in the Czech Republic only after November 1989.Взросление в тени исторической травмы в повести Иржи Кратохвила Uprostřed nocí zpěv и Магдалены Тулли Włoskie szpilkiПроцесс политических преобразований начался в Чехословакии в конце 1989 года, спустя несколько месяцев после польских переговоров т. наз. круглого стола и после событий в Венгрии, ГДР или Болгарии, которые предвещали политико-режимные трансформации в этих странах. Поляки и чехи — это народы, погруженные в историю, а ее ритм в польском и чешском мышлении диктуют травмы. Многие из них еще предстоит обезвредить при помощи инструментов искусства. Чешская история во многом отличается от нашей. По причине непростой истории чешская и польская национальные идентичности не получили своего четкого определения. Основной целью предлагаемого доклада является исследование того, как современные польские и чешские писатели сводят счеты с тоталитарным наследием. Главное внимание будет уделено творчеству моравского писателя Иржи Кратохвила 1940 г.р., Брно, автора малоизвестного в Польше, а также польской писательницы Магдалены Тулли 1955 г.р.. Иржи Кратохвил и в самой Чехии приобрел признание только после ноября 1989 года.
The financial instrument of the Innovation Union — Horizon 2020
Authors: Puślecki Zdzisław W. 
Published: March 2020

In this research work, the author focuses on the analysis of the financial instrument of the Innovation Union — Horizon 2020. Horizon 2020 is the flagship initiative aimed at securing Europe’s global competitiveness. It will combine all research and innovation funding currently provided through the Framework Programmes for Research and Technical Development, the innovation related activities of the Competitiveness and Innovation Framework Programme CIP and the European Institute of Innovation and Technology EIT. Horizon 2020 will tackle societal challenges by helping to bridge the gap between research and the market, by helping innovative enterprise to develop their technological breakthroughs into viable products with real commercial potential. This market-driven approach will include creating partnerships with the private sector and Member States to bring together the needed resources. The main objective of the paper is to give a comprehensive analysis of the Horizon 2020 programme as the flagship initiative for the growth of the European Union global competitiveness, the challenges for Horizon 2020 to accelerate technology development, the objectives of the new EU programme for research and innovation, the comparison of options and assessment of cost — effectiveness of Horizon 2020. Instrument finansowy Unii Innowacyjnej — Horyzont 2020W podjętej pracy badawczej autor przedstawia analizę instrumentu finansowego Unii Innowacyjnej — Horyzont 2020. Horyzont 2020 jest sztandarową inicjatywą mającą na celu zabezpieczenie wzrostu konkurencyjności Unii Europejskiej. Obejmuje on ogół działań badawczych i innowacyjnych prowadzonych na bieżąco przez Ramowy Program Badań i Rozwoju Technicznego, działania innowacyjne wynikające z Ramowego Programu Konkurencyjności i Innowacji oraz Instytutu Europejskiego Innowacji i Technologii. Horyzont 2020, uwzględnia wyzwania społeczne w celu pomocy w usuwaniu luki między badaniami naukowymi i rynkiem poprzez pomoc innowacyjną dla przedsiębiorstw aby pomóc w rozwoju technologicznym ich produkt, biorąc pod uwagę rzeczywisty potencjał handlowy. Te pobudzające działania rynkowe obejmują także kreatywność stosunków partnerskich sektora prywatnego z Państwami Członkowskimi, aby wspólnie uzyskać wzajemne korzyści. Celem głównym artykułu jest kompleksowa analiza programu finansowego Horyzont 2020 jako sztandarowej inicjatywy dla wzrostu konkurencyjności globalnej Unii Europejskiej, wyzwań dla instrumentu finansowego Horyzont 2020 mających na celu przyspieszenie rozwoju technologicznego, głównych celów nowego programu UE dla badań naukowych i innowacji, porównanie przewidywanych kosztów i efektywności instrumentu finansowego Horyzont 2020.
Europa Środkowa — od idei literacko-kawiarnianej do koncepcji politycznych
Authors: Zenderowski Radosław , Rudowski Andrzej 
Published: March 2020

Europa Środkowa stanowi zarówno ideę wspólnoty kulturowej, przestrzeń geopo­lityczną i geokulturową, jak i pewną koncepcję polityczną. W ostatnich kilku dekadach jesteśmy świadkami przejścia czy raczej interferencji od idei literacko-kawiarnianej ku politycznym formom instytucjonalizacji Europy Środkowej. Celem niniejszego artykułu jest ukazanie owej drogi oraz klu­czowych dylematów stojących przed architektami politycznej Europy Środkowej. W artykule omó­wiono zatem dyskurs środkowoeuropejski w latach 70. i 80. XX w., a następnie poszczególne uwa­runkowania i etapy politycznej instytucjonalizacji Europy Środkowej z naciskiem na okres po 2004 r.Central Europe — from the café literary idea to political concepts Central Europe is both an idea of a cultural community, a geopolitical and geo­cultural space, as well as a concrete political concept. In the last decades, we are the witnesses of tran­sition or rather an interference from the literary-cafeteria idea towards the political forms of institutionalization of Central Europe. The aim of this article is to show this way and key dilemmas facing the political architects of Central Europe. The article discusses the Central European discourse in the 70s and 80s of the 20th century, and then the various conditions and stages of the political institu­tionalization of Central Europe with an emphasis on the period after 2004.