bluuebunny/crossref_metadata_2025_split huggingface dataset:
Impacto del cambio climático en la distribución potencial de Tithonia diversifolia (Hemsl.) A. Gray en México
Authors: Durán Puga Noé , Loya Olguín José Lenin , Ruiz Corral José Ariel , González Eguiarte Diego Raymungo , García Paredes Juan Diego , Martínez González Sergio , Crespo González Marcos Rafael 
Published: March 2020

El objetivo fue estimar el posible impacto del cambio climático en la distribución potencial de T. diversifolia en México. Nichos de distribución fueron modelados con MaxEnt para la climatología de referencia 1951-2000, y dos escenarios de cambio climático 2041-2060 y 2061-2080, considerando 20 variables bioclimáticas y dos topográficas. Para las climatologías futuras se consideró el modelo de circulación global (MCG) HadGEM2-ES, con dos vías representativas de concentración de gases efecto invernadero (rcp4.5 y rcp8.5). Esta información se obtuvo de la página web Global Climate Data de WorldClim y se trabajó con el sistema Idrisi Selva como imágenes raster con una resolución de 2.5 min de arco. Las variables que más contribuyeron a explicar la distribución geográfica de T. diversifolia fueron la precipitación acumulada mayo-octubre (pa5-10) y la temperatura máxima media del mes más cálido (txmc). El umbral del percentil 10th de la presencia logística predice una superficie (para la climatología de referencia 1951-2000), que representa el 30.71 % de la extensión de México. La modelación de nichos en los diversos escenarios climáticos registra zonas de expansión, así como zonas de retracción para la distribución potencial de la especie, pero después de hacer un balance, se obtiene que las áreas potenciales para T. diversifolia se incrementarán ligeramente con respecto a la climatología de referencia 1950-2000, con valores estimados de 31.62 %, 31.83 %, 32.45 % y 32.45 % del territorio mexicano en los escenarios 2041-2060 rcp8.5, 2041-2060 rcp4.5, 2061-2080 y 2061-2080 rcp4.5 y rcp8.5, respectivamente. Se concluye que el cambio climático traería más beneficios que restricciones para la dispersión de T. diversifolia.
The results of kidney transplantation in elderly recipients with diabetes mellitus
Authors: Khubutiya M. Sh. , Shmarina N. V. , Lazareva K. E. , Migunova E. V. , Kazantsev A. I. , Pinchuk A. V. 
Published: March 2020

Introduction. Currently, the type 2 diabetes mellitus is in the nature of an epidemic of non-infectious etiology. In this regard, the incidence of diabetes mellitus complications, including diabetic nephropathy, which lead to end-stage chronic renal disease, is also increasing. The treatment of type 2 diabetic patients with end-stage chronic renal disease presents significant difficulties, which is associated with an additional risk of developing infectious complications and, as a rule, the presence of concomitant pathology of the cardiovascular system.Objective. To analyze the results of kidney transplantation in elderly patients with diabetes mellitus in the early postoperative period.Material and methods. The study is based on a retrospective analysis of the results of 77 kidney transplants ations performed to elderly recipients at N.V. Sklifosovsky Research Institute for Emergency Medicine in the period from 2015 to 2019. The study group included 22 recipients over 60 years old with type 2 diabetes mellitus, as main or concomitant disease. The comparison group consisted of 55 recipients over 60 years without diabetes.Results. Survival of recipients with type 2 diabetes mellitus was significantly lower (p = 0.026). So, there were 20 surviving recipients (90.9%) in the group of patients with type 2 diabetes mellitus, and 55 (100%) surviving recipients in the group without diabetes. When comparing the kidney graft survival rates in the recipients between the two groups, no statistically significant difference (p = 0.29) was found. The overall graft survival was 77.3% (n = 17) in the group of recipients with type 2 diabetes mellitus, and 89.1% (n = 49) in the comparison group.Conclusions. It has been proven that kidney transplant recipients with type 2 diabetes mellitus have a significantly lower survival rate after transplantation than recipients without diabetes; and the kidney graft survivals were not significantly different early after transplantation. The recipients did not show differences in the recovery of the transplanted kidney function depending on the presence of type 2 diabetes mellitus.Authors declare no conflict of interest.
Peran Konselor dalam Mereduksi Tingkat Kenakalan Remaja di Kabupaten Pandeglang
Authors: Riswanto Dody 
Published: March 2020

Abstract: This study discusses juvenile delinquency studies in Pandeglang district and the role of counselors in resolving the juvenile delinquency phenomenon, the research method used is qualitative data collection techniques of interviews, observation, and documentation studies, researchers act as key instruments, observations carried out for 1 year, interviews were conducted with 3 respondents, and documentation studies were collected from various literature, the findings and discussion of the study illustrated that juvenile delinquency consisted of criminal theft of motorbikes, high speed motorbikes and modified exhausts, and did not care about the environmental conditions of the residence , the conclusion of the study is that the role of the counselor is very important in reducing the level of juvenile delinquency with the counselor's mental and psychological readiness, namely the ability of the counselor to lead, understand multiculturalism, provide reinforcement to students, and train themselves in order to have good personality competencies, the implications of this research are very important for school teachers and the community to measure the level of juvenile delinquency and how to prevent future levels of juvenile delinquency in the future. Abstrak: Penelitian ini membahas tentang studi kenakalan remaja di kabupaten Pandeglang dan peran konselor dalam menyelesaikan fenomena kenakalan remaja tersebut, metode penelitian yang digunakan adalah kualitatif dengan teknik pengumpulan data wawancara, observasi, dan studi dokumentasi, peneliti berperan sebagai instrumen kunci, observasi dilaksanakan selama 1 tahun, wawancara dilakukan bersama 3 orang responden, dan studi dokumentasi dikumpulkan dari berbagai literature, hasil temuan dan pembahasan penelitian menjabarkan bahwa kenakalan remaja terdiri dari tindakan kriminal pencurian sepeda motor, memacu sepeda motor dengan kecepatan tinggi dan knalpot modifikasi, serta tidak peduli terhadap kondisi lingkungan tempat tinggal, kesimpulan penelitian adalah bahwa peran konselor sangat penting dalam mereduksi tingkat kenakalan remaja dengan kesiapan mental dan psikis konselor, yaitu kemampuan konselor dalam memimpin, memahami multikulturalisme, memberikan penguatan kepada siswa, dan melatih diri agar memiliki kompetensi kepribadian yang baik, implikasi penelitian ini sangat penting bagi guru sekolah dan masyarakat untuk mengukur tingkat kenakalan remaja dan bagaimana strategi dalam mencegah tingkat kenakalan remaja di masa mendatang.
Budaya Organisasi dengan Work Engagement pada Karyawan
Authors: Prahara Sowanya Ardi 
Published: March 2020

Penelitian ini bertujuan untuk mengetahui hubungan antara budaya organisai dengan work engagement pada karyawan PT. X. Hipotesis yang diajukan adalah ada hubungan positif antara budaya organisasi dengan work engagement pada karyawan PT. X. Subjek dalam penelitian ini berjumlah 60 orang yang memiliki ciri-ciri karyawan PT. X dan memiliki masa kerja minimal satu tahun. Teknik sampel yang digunakan dalam penelitian ini adalah metode purposive sampling. Alat pengumpul data menggunakan Skala Likert yaitu Skala Work Engagement dan Skala Budaya Organisasi. Hasil analisis dengan uji korelasi product moment antara budaya organisasi dengan work engagement pada karyawan PT. X menunjukkan nilai koefisien korelasi sebesar (R) = 0,440 dengan signifikansi p=0,000 (p<0,050). Hasil tersebut menunjukkan bahwa terdapat hubungan positif yang signifikan antara budaya organisasi dengan work engagement karyawan PT. X.
On development of stock market instruments for small and medium-sized businesses
Authors: Ushanov Aleksandr Evgenievich 
Published: March 2020

The article focuses on the fact that contribution of enterprises and organizations of the segment of small and medium-sized enterprises to the creation of GDP does not exceed 21.9% in Russia. Entrepreneurial activity remains below the global average, and only 2.9% of the active population show interest in starting their own business, whose involvement in small business in our country is 1.5, 2 and 3 times lower than similar indicators in China, the EU and the United States. Conditions for business development are largely determined by the availability of funding sources. It is shown that one of the problems of small and medium-sized business market segment development is weak availability of bank credit resources. The actual absence of alternative financial sources for small and medium-sized enterprises to bank lending creates serious risks for the economy. The intensification of the use of exchange-traded instruments to finance small and medium-sized business enterprises is very important. The national project “Small and Medium-sized Entrepreneurship and Support of Individual Entrepreneurial Initiative”, the Roadmap of the Bank of Russia for the development of small and medium-sized entrepreneurship financing, the creation of the exchange segment “Growth Sector” on the Moscow exchange, guarantees and sureties of the Small and Medium-sized Entrepreneurship Corporation should implement an effective mechanism to stimulate the entry
of business enterprises into the stock market. It has been stated that there remains a set of unresolved problems hindering the achievement of this goal. In order to overcome them, there have been proposed a number of additional measures for the successful implementation of the conditions created for small and medium-sized enterprises to enter the corporate bond market
Entre la insurgencia y las enfermedades venéreas: la organización hospitalaria en Guadalajara, 1811-1823
Authors: Salas Pelayo Hugo Humberto 
Published: March 2020

Este trabajo presenta un estudio sobre la población que ingresó al Hospital Real de San Miguel a causa de enfermedades de transmisión sexual (gálicos), entre los años 1811 a 1823 en Guadalajara. Se analiza el espacio hospitalario, la organización terapéutica de las salas y el impacto que causaron los enfermos de sífilis en el recinto. Este es el primer padecimiento consignado en los ingresos del hospital, con 25% de los registros totales del periodo analizado. Interesa rescatar los diversos nombres como se le consignó y quiénes fueron víctimas de la enfermedad, niños, hombres, mujeres y militares españoles, con pocas defunciones. Este fenómeno de salud pública es visto desde un contexto social de graves problemas endémicos y epidémicos surgido en la ciudad durante el movimiento de Independencia. El estudio se basa en la captura y sistematización de los registros hospitalarios consignados en los libros de entradas y salidas de enfermos del Hospital de San Miguel. La fuente proporciona, entre otros datos, el nombre de la sala en donde se coloca al convaleciente y el nombre de la enfermedad. El estudio descubre la presencia de un grave problema de salud pública en las normas culturales y prácticas sexuales de los tapatíos de inicios del siglo XIX y representa un instrumento de análisis que, desde el interior del propio recinto, explica los criterios que determinan la organización terapéutica y el funcionamiento del espacio hospitalario de San Miguel.
Ciprian Porumbescu, creator and protagonist of the Romanian operetta
Authors: Filimon Rosina Caterina 
Published: March 2020

Abstract
Musical-theatrical pieces of the nineteenth century, propagated by Italian, French and German troops, were an inspiration for Romanian composers. They will create similar fashionable musical theatre genres, in Romanian, for entertainment purposes. Works placed on the border between vaudeville and the lyrical genre can be identified in the creation of the newly emerging genre of operetta: such pieces are the compositions of Alexandru Flechtenmacher, Eduard Wachmann, Eduard Caudella. In the cultural atmosphere of the time, patriotic musician Ciprian Porumbescu (1853-1883) would find the perfect way to put a longstanding artistic wish into practice: to compose an operetta, following the success of his humorous musical-theatre pieces Cisla and Candidatul Linte [Candidate Linte]. A multifarious personality, a lover of folklore and of his nation, Ciprian Porumbescu – one of the founders of the national school of music – contributed to the authenticity and identity of the Romanian musical language through his extensive works; one important contribution is the composition of the first Romanian cultivated operetta Crai Nou [New Moon] (1882). As a tribute to his art, on the centenary of his birth, the creator of the operetta Crai nou becomes the protagonist of the operetta Lăsați-mă să cânt [Let me sing] (1954) by Gherase Dendrino, set during the time of the staging of Porumbescuʼs musical-dramatic work. Crai Nou and Lăsați-mă să cânt are highlights of the Romanian lyrical theatre, from the artistic past and present, and hold their position as musical pieces frequently performed and received with interest and enthusiasm.
Constantin Silvestri, the problematic musician. New press documents
Authors: Vasiliu Alex 
Published: March 2020

Abstract
Constantin Silvestri was a man, an artist who reached the peaks of glory as well as the depths of despair. He was a composer whose modern visions were too complex for his peers to undestand and accept, but which nevertheless stood the test of time. He was an improvisational pianist with amazing technique and inventive skills, and was obsessed with the score in the best sense of the word. He was a musician well liked and supported by George Enescu and Mihail Jora. He was a conductor whose interpretations of any opus, particularly Romantic, captivate from the very first notes; the movements of the baton, the expression of his face, even one single look successfully brought to life the oeuvres of various composers, endowing them with expressiveness, suppleness and a modern character that few other composers have ever managed to achieve. Regarded as a very promising conductor, a favourite with the audiences, wanted by the orchestras in Bucharest in the hope of creating new repertoires, Constantin Silvestri was nevertheless quite the problematic musician for the Romanian press. Newly researched documents reveal fragments from this musician’s life as well as the features of a particular time period in the modern history of Romanian music.
Enescu’s Musical Language in Suite Impresii din copilărie [Impressions of Childhood]
Authors: Șuteu Cristina 
Published: March 2020

Abstract
The musical language of George Enescu (1881-1955) is sprinkled with symbolic valences that carry the imprint of the Romanian musical culture. For more than half of a century (57 years), Enescu wrote musical works inspired by the folkloric tradition. Between the Romanian Poem, written when he was 16 (in 1897) and the Chamber Symphony, when he was 73 (in 1954), Enescu also composed: Romanian Rhapsody No. 1 (A major), op. 11 (in 1901), Romanian Rhapsody No. 2 (D major), op. 11 (in 1902), Sonata for piano and violin No. 3, A minor (in 1926), Caprice Roumain, for violin and orchestra (in 1928), Orchestral Suite No. 3 (From the country), op. 27, D major (in 1938) and the programmatic suite Impresii din copilărie [Impressions of Childhood for violin and piano], op. 28 in D major (composed in 1940). The paper presents the temporal-spatial structure of the musical masterpiece which reveals a cyclical thinking based on a presentation of the exterior images, followed by the interior images and a return to the exterior. And by an extrapolation of meanings, I created an analogy with the stages of life: childhood, maturity and old age. This article also deals with elements of the musical language used by George Enescu in a manner that reveals a re-created Romanian folklore in a way which bears the imprint of personality and originality of the composer.
Architecture and language in the seven String Quartets by Iulia Cibişescu-Duran
Authors: Cibişescu-Duran Iulia 
Published: March 2020

Abstract
Written between 1990 and 2009, my seven works for string quartet: Poems for string Quartet and 6 numbered Quartets approach different modal languages, from prepentatonic or pentatonic structures to heptachordic or dodecaphonic configurations, sometimes overlapping musical languages, generating those polymorphous languages, with moments of overlapping or juxtaposing of syntaxes, with a motivic cycling determinant of a conceptual unit of works linked to synthetic, elaborate thinking. Pluripartite, seen as suites of miniatures (String Quartet No. 3, Poems for string quartet), tripartite (Quartets No. 2, 4, 5, 6) or monopartite (Quartet No. 1), the 7 String Quartets are written in the sphere of formal patterns caused by construction based on dramaturgy inspired by literary works (see Quartet No. 5 inspired by Winter at Lisbon by Antonio Munoz Molina, see Poems for string quartet and Quartet no. 3 inspired by my own poems from the volumes Hiding places of Masks and Egyptian Mystery), from the contemplation of the chordal sonorities of some tonal-functional relations or of some jazz sonorities (Quartet No. 4), of a Byzantine song or children’s songs (Quartet No. 3), of philosophical meditations (see Quartet No. 1), of sonorities belonging to the Romanian song and dance (Quartet No. 6) or of some concision and refinement as reflections of Webern’s music, overlaying on small temporal spaces different musical languages belonging to different tuning systems (Poems for string quartet). The first audition of String quartets was at the International Festivals of the Musical Autumn of Cluj and Cluj Modern Festival (1990, 1993, 1999, 2001, 2003, performers: Concordia Quartet: Albert Markos, Grigore Botar, Olimpiu Moldovan, Adalbert Torok), as well as at the International Meridian Festival, Bucharest (2018, Quartet No. 6 played by the Ad Hoc Quartet: Vlad Răceu, Diana Man, Ovidiu Costea, Vlad Rațiu, musical management: Matei Pop).
The Concept of ‘Authenticity’ in Musical Interpretation: An Ontological Perspective
Authors: Stoicescu Andreea 
Published: March 2020

AbstractIn this paper I attempt a brief analysis of the concept of ‘authenticity’ from musicological and philosophical perspectives. This term bears important metaphysical presuppositions. A good example is the complex meaning and the central role this term has in one of the most influential philosophy books in the 20thcentury: Martin Heidegger’sBeing and Time. This term appears in a crucial point of the treatise: when man (Dasein) must turn his existence toward his intimate self in order to truthfully understand his own being. Notably, in this philosophical context, ‘authenticity’ refers to essential, hidden traits of one individual being in accordance with their way of thinking, feeling and overall behavior. When you are not authentic you submit yourself to impersonal existence. These connotations have common cultural roots with those within musicology, in the latter referring to contemporary debates concerning theoretical difficulties about thehistorical informed performancemovement as held especially by the musicologist Richard Taruskin. In this case, ‘being in accordance’ would mean that certain characteristics considered essential to a musical work are satisfied by the interpretation of the work. The ontological problem concerns the manner in which we conceive the reference of the expression ‘musical work’ and the nature of musical experiences in general. The well-known aesthetician T.W. Adorno, following remarks by Walter Benjamin, criticized Heidegger’s treatment of the concept of ‘authenticity’ for the reason behind it is simply cultural presuppositions from that time, not metaphysical truths. I will argue that, philosophically, neither can fully sustain strong theses and instead propose ‘authenticity’ to mean ‘accordance’ between internal characteristics of a musical work and the interpreter’s personal, but at the same time informed, vision of the same work.
The Musical-Artistic Dimension of the Mehterhane
Authors: Rusu Eduard 
Published: March 2020

Abstract
Mehterhane represents the most important musical formation found in the royal courts of Moldova and the Wallachia, because it is the one that makes the connection – from an artistic and political point of view – between these countries and the Ottoman Empire. The context in which this musical formation comes into the possession of the Romanian rulers is related to the geopolitical context of the Romanian Countries related to the Ottoman Empire. Due to the increasing influence of the Ottomans on the Romanian Countries, they become an integral part of the empire from the Ottoman perspective. As a result, the Romanian rulers received the sultan’s reign, in exchange for a sum of money, and they invested them according to Ottoman practice, by conferring a badge, as a representation of the sultan’s political power, among which elements were the mehterhane. This formation was the one that accompanied the ruler not only in all the official public events, but also in the private ones, assuring him the necessary grandeur, being as well regarded as a bey in the political hierarchy of the Gate from this point of view. From an artistic point of view, in Moldova and the Wallachia, the mehterhane had to be heard daily at dusk (chindie) and to make the parade, called “nöbet”. The music of mehterhane was both instrumental and vocal-instrumental, while the main repertoire consisted of military marches and prayers (gülbank), sung during war, while he performed octaves, bestels and semais following the structure of “fasıl” concerts, specific to Ottoman music in general during peacetime. Due to the psychological effect exerted on the enemies on the battlefield and the moralizing effect on the Ottoman soldiers, the mehterhane was also adopted by some European armies, without reaching the expected effect, due to the mismatch with the foreign environment where it was active. The more, it starts to become well known by Western influence and its musical influences are taken over by famous composers such as Mozart.
Conservation, valuation and sustainable development issues of the Argan Tree Biosphere Reserve in Morocco
Authors: Sinsin Tudal E.M. , Mounir Fouad , Aboudi Ahmed El 
Published: March 2020

Abstract
The argan tree is a multi-purpose tree (fruit tree, medicinal, cosmetic, and pastoral plant) found in the semi-arid and arid regions of North Africa. It is under strong human pressure such as the impact of population growth, crop expansion, overgrazing, and wood and fruit exploitation that are also the main causes of desertification in the rest of the world. Over the years, interest in this beneficial tree and demand for its products have increased: especially with the increase in the price of argan oil, which is now one of the most expensive and much in demand oils in the world. This increase has led to many socio-political, economic and cultural changes at the national, regional and local levels, especially in farming behaviour and the habits of the local population. This bibliographic research was therefore conducted in order to analyse the various changes and their consequences on the planning, conservation, and management methods implemented in the argan tree area and their effects on the habits of the local population in order to ensure the sustainability of the Argan Tree Biosphere Reserve in Morocco. Indeed, the aims of this study were, firstly, to analyse the change dynamic of argan forest area in the ABR; and secondly, to investigate the impact of various socio-political, economic and cultural changes resulting from increased prices of argan oil on planning, conservation, and management methods of argan tree ecosystem and on the habits of the local population.