bluuebunny/crossref_metadata_2025_split huggingface dataset:
The So-Called Sainte-Chapelle Windows of Soissons Cathedral: Another Look
Authors: Lillich Meredith Parsons 
Published: January 2020

Abstract
The stained glass in the axial chapel of Soissons Cathedral was moved there from the nave in the late eighteenth century. It was made circa 1250 by the “principal atelier” of the Sainte-Chapelle in Paris, and consists of fragments that survived the Huguenot attacks of 1567. This study establishes that these figural fragments glazed the nave aisles, while coeval grisailles – which survive only minimally – glazed the nave clerestories. The grisailles, known chiefly from nineteenth-century drawings, thus provide evidence for the nave glazing in the Lower Chapel of the Sainte-Chapelle, which was lost in 1690.
Haptik und Optik Jean-Siméon Chardins Malerei als ›Schule des Sehens‹
Authors: Hosseini Anita 
Published: January 2020

Abstract
In the seventeenth and eighteenth centuries, philosophers explored the idea of sight through mind games and practical experiments. Investigating initial vision and tackling the problem of (actual and hypothetical) blindness, they eventually realized that sight itself only transmits the idea of forms and colors. In conclusion, the visual understanding of plasticity and distance postulates an exchange between optical and tactile experiences. Beholding paintings requires the same correlation, as the painted canvas also evokes the illusion of space and body. In his still lifes, Jean-Siméon Chardin uses colors in an activating manner and creates paintings that oscillate between real and represented matter. But they also show the presence of light and air and visually dematerialize the painted objects. Hence, these seem to disperse in light and color and to float in a sphere between painting and beholder. The outcome of this is an experience of a mere vision.
Die Zukunft der Vergangenheit Richard Oelze (1900 – 1980) and Post-war Reflection
Authors: Moseman Eleanor F. 
Published: January 2020

Abstract
The Surrealist artist Richard Oelze’s postwar enterprise was one of inner reflection and personal questioning linked to the broader project of coming to terms with the past. The essay takes a critical view of his artworks and his automatist Wortskizzen to assess the manner and extent to which Oelze utilizes his artistic practice as a mode of working through his, and Germany’s, complicity with the Nazi regime. Analysis of the Wortskizzen exposes how verbal probing informs Oelze’s visual expression of inner turmoil, while implied gaps and voids in paintings and drawings puncture space as well as time, illuminating memory and blending the past with the present. Oelze’s serious play with word and image in turn invites his viewers to release repressed memories through reflective contemplation.
›Reframing‹ – Umarbeitung, Ergänzung und Neurahmung von Kunstwerken in Mittelalter und Früher Neuzeit. Einleitung
Authors: Seeberg Stefanie , Wittekind Susanne 
Published: January 2020

Abstract
A book cover encloses the manuscript inside. If it is elaborate, it distinguishes the manuscript as a precious and valuable object (as a frame does for a painting), all the more so when an old manuscript is clothed in a new and costly cover. In conjunction with added texts and other traces of use, one can grasp from this ‘reframing’ a shift of a text’s meaning. This is especially true of Gospel Books, which were handled as symbols of God in liturgical contexts. From the High Middle Ages on, treasure inventories and oath formulae were added to Gospel Books. They indicate the importance of an old Gospel Book for the religious community as a material proof of the age and rank of their church. Gospel Book covers from the High and Late Middle Ages demonstrate this by using spolia, old-fashioned forms and material, or invoking venerated founders. Often shaped as pendants, they seem to be arranged for display.
La vitalité du décor : Fiske Kimball, du rococo au Colonial Revival
Authors: Bédard Jean-François 
Published: January 2020

Abstract
In 1943, the American historian of architecture Fiske Kimball (1888 – 1955) published The Creation of the Rococo, a milestone in the study of this movement. Thanks to a close examination of archival documents and drawings, Kimball sought to trace ‘objectively’ the evolution of the rocaille. Despite his claims to scholarly neutrality, however, Kimball multiplied value judgments in his writings. For Kimball, the rococo exhibited “vitality”, a quality he also found in the classical-inspired buildings of colonial America. Like other members of the conservative establishment, Kimball promoted these – and, more generally, the work of American Renaissance architects – as the only legitimate forms of contemporary architecture. The ‘vitality’ of Kimball’s rococo thus matched the one Anglo-Protestant elites celebrated in the Colonial Revival, a style they espoused to combat the ‘impurity’ of cosmopolitan Modernism.
Rococo et fugacité du regard :émergence et modifications de la notion de ‹ papillotage ›
Authors: Poulain Bérangère 
Published: January 2020

Abstract
The word ‘papillotage’ was introduced into art discourse by Roger de Piles in the late seventeenth century. Then, and throughout the eighteenth century, the term referred to an unpleasant physiological effect on the eye (a flickering effect) created by a disordered pictorial composition or insufficient contrast between colors. From the mid-eighteenth century, however, the term acquired a second and vaguer meaning in the context of moralistic and critical discourses. Essentially, the term became synonymous with superficiality, instability, and frivolity. Used in diatribes against voluptuous paintings, ‘papillotage’ reflected an ideological posture. A similar use of the term is evident in historiographical discourses characterizing Rococo art.
Ein Herz für die Heimat – der Doge Francesco Erizzo († 1646) und das zentrale Organ der Republik Venedig in San Marco
Authors: Ostermann Judith 
Published: January 2020

Abstract
In agreement with the last will of Doge Francesco Erizzo (†  1646), his heart was buried in San Marco, the political and religious center of the Serenissima, next to the high altar and thus ad sanctos to the relics of Venice’s patron saint. This unprecedented privilege not only disrupted the city’s restrictive policies concerning public monuments, but her republican ideals in general. Due to the significance of the heart in Christian eschatological thinking and corporal state doctrines his burial elevated Erizzo to the status of an absolute ruler threatening the Republic’s sacred constitution. In Venice, however, individual and public interests were closely intertwined. This study therefore analyzes the heart burial in the context of Erizzo’s self-fashioning, Venetian state ideology, devotional practices, and collective memory.
Marienbild und Militanz in Friedrich Schillers Die Jungfrau von Orleans. Longue durée, Nachleben und Aktualisierung barockkatholischer Schlagbilder im Zeitalter der Revolutionskriege
Authors: Port Ulrich 
Published: January 2020

Abstract
This essay demonstrates how Baroque Catholic motifs of an aggressive and militant Virgin Mary are envisioned in Friedrich Schiller’s tragedy Die Jungfrau von Orleans – motifs which seem to be anachronistic with regard to the late medieval setting of the Joan of Arc story as well as with regard to the date of origin of Schiller’s play (1800 –1801). But precisely this anachronism can be read as a symptom of the times around 1800: namely as a return of repressed stocks of images from the age of confessionalization which gained explosive force for different reasons in the first decade after the French Revolution. In the eighteenth century these visual and verbal images of the Virgin Mary had only been cultivated by late Baroque church art and within a popular religious longue durée, which had been criticized and neutralized by enlightened Catholicism and which had been attacked by revolutionary iconoclasm. At the turn of the century, they started a peculiar Nachleben and were – in the sense of Aby Warburg’s Revenants – remembered again, being reactivated and refreshed as Schlagbilder.
Verdrängte Orte und einverleibte Bilder Die Antropofagia-Bewegung im Spiegel transregionaler Bilderwanderungen
Authors: Bader Lena 
Published: January 2020

Abstract
This article proposes to consider the Brazilian art movement Antropofagia in the context of transcultural global modernism. Strongly connected to Paris during the 1920s and 1930s, the modernist movement that came to define Brazilian art was situated among clichéd colonial exhibitions and international artistic movements. With its striking background, the movement proves to be a very interesting contrast to Warburg’s Mnemosyne-Atlas. While both projects – from an emancipatory perspective – were formed as a ‘community of memory’, their different contexts of genesis did not make them equally susceptible to transregional experiences.
How to Succeed in Marketing Something Repulsive: A Recently Discovered Drawing of a Yogi by Willem Schellinks (1623– 1678)
Authors: Forberg Corinna , Scheurleer Pauline Lunsingh 
Published: January 2020

Abstract
In seventeenth-century Dutch paintings, ascetics are a rare and remarkable subject, even more so when they are Hindu ascetics. The drawing of a yogi created by Rembrandt’s contemporary Willem Schellinks (1623– 1678) is unique for this reason. This article investigates the various possible sources of Schellinks’ drawing – an eyewitness report, the many travel accounts on South Asia, Indian miniatures, or the like – and discusses its place between the European tradition of exoticism and the iconography of saints, as well as its position in Schellinks’ own oeuvre. Far from resorting to exotic stereotypes, Schellinks enlarged the canon of Dutch painting by combining observed foreign objects with established exotic motifs.
La datation du choeur de l’église de Vaucelles reproduit en plan par Villard de Honnecourt
Authors: Aliferis Laurence Terrier 
Published: January 2020

Abstract
The ruined Cistercian church of Vaucelles is known only by a few preserved fragments and a plan of the choir reproduced by Villard of Honnecourt. Historical sources provide three key dates: 1190 (start of construction), 1215 (entry into the new church), 1235 (date of the dedication). From the nineteenth century until now, it was considered that the foundations were laid in 1190 and that the construction started on the west side of the church. In 1216, the nave would have been completed, and the choir would have been built between 1216 and 1235. Consultation of the historical sources and examination of the historiographic record changes this established chronology of the site. In fact, the construction proceeded from east to west. The choir reproduced in 1216 or shortly before by Villard de Honnecourt presents the building as it then appeared, with the eastern part of the building totally completed.
Courbet at documenta 14 – Charity and Other Alternative Economies
Authors: Vratskidou Eleonora 
Published: January 2020

Abstract
This essay departs from documenta 14’s reading of Gustave Courbet’s drawing Alms from a Beggar at Ornans (1868) in the opening room of the Neue Galerie in Kassel and seeks to unravel the complex aesthetic and semantic web drawn across the exhibits in the room in relation to the drawing. Based on this close reading, the article critically engages with some of the core concepts of documenta 14’s curatorial project including solidarity, hospitality, alternative economies, and non-reciprocal forms of exchange, in order to reflect on the discrepancies embedded in the radical public rhetoric of the show.
Ökonomien der sozialen Medien – Bildpolitik und Gemeinschaftsbildung in den digitalen Netzwerken der Gegenwartskunst
Authors: Krause-Wahl Antje 
Published: January 2020

Abstract
Following debates on participation and the relationship between art and politics as a central question of contemporary art, this essay discusses networked communities in the visual cultures of ‘Post-Internet Art’. For DIS and Juliana Huxtable digital communities are both the topic of their installations and pictures and part of their artistic activities within the internet: the blog DIS Magazine and the tumblr blog Blue Lip Black Witch-Cunt. In comparing their artistic practice with network-like communication in magazines of the 1970s, the essay argues that it is not a central concern of post-internet art how network images may subvert the economy of images in the net. Rather this kind of art demonstrates the effects of networks, in which participation causes singularity instead of community.
»Entartete Genialität« Guernica im geteilten Deutschland
Authors: Schieder Martin 
Published: January 2020

Abstract
When in 1955/1956, for the first time in divided postwar Germany, a major Picasso exhibition took place in Munich, Cologne, and Hamburg, it came to be a cultural event that reached and emotionalized the German audience, media, and sciences to an unprecedented extent. The exhibition Picasso 1900 – 1955 contributed significantly to the popularization of Picasso at all levels of society and gave the German people access to modern art on a much wider scale than the first documenta held concurrently in Kassel. The undisputed eye-catcher of that spectacular exhibit was Guernica, on display in Germany for the first and only time. Its controversial reception reveals that at that time there was no intention to see the work in Germany in a memorial relationship with Germany’s own historical responsibility. Thus it virtually functioned as a symbol for a collective amnesia of the West German postwar society, whereas the socialist East of the Republic stylized the painting into an anti-fascist icon.
The Brussels guild of painters, goldbeaters, and stained-glass makers, 1599 – 1706: A multi-faceted analysis
Authors: Brosens Koenraad , Beerens Rudy Jos , Cardoso Bruno , Truyen Fred 
Published: January 2020

Abstract
The essay presents a qualitative, quantitative, and online interactive analysis of the register of the Brussels guild of painters, goldbeaters, and stained-glass makers (1599 – 1706), in relation to the online database Cornelia. We develop a sketch of the legal framework; a discussion of the register’s methodological challenges; a bird’s-eye view of the source; a presentation of the method we used to transform the register into a dataset; and an analysis of the aggregate data. In doing so, we obtain a picture of the professional mobility of Brussels painters and their strategies. As one concrete result, the essay disproves the assertion that the Brussels guild pursued an overly rigid and exclusive membership policy; instead, it dealt pragmatically with the rules to ensure the continuity of the guild.
Beurteilen oder Verurteilen? Vom Richten über Kunst und Künstler im sowjetischen Kunstbetrieb
Authors: Frimmel Sandra 
Published: January 2020

Abstract
Using examples from the 1930s and the 1960s (the decades of show trials and the Khrushchev ‘thaw’), this article examines what ‘alternative jurisdictions’ – that is, courtroom-like debates outside the courtroom – existed in the Soviet Union, not only to debate, but also to make lasting determinations about what art is and who is empowered to judge it. Cultural and social restrictions – in the form of codes of conduct or an artistic “general line” (term after Sergei Eisenstein) – manifest themselves in these acts of judgement and condemnation. This raises the following questions, among others: What happens to the artist subject as a result of the various forms of ‘alternative jurisdictions’, and what is the task of the (artistic) collective? The investigation of typical Soviet quasi-judicial practices enables a deeper understanding of the mechanisms of contemporary Russian art trials, which attempt to silence artists who are critical of religion or society.
Cation-anion pairs of niobium clusters of the type [Nb6Cl12(RCN)6][Nb6Cl18] (R=Et,nPr,iPr) with nitrile ligandsRCN forming stabilizing inter-ionic contacts
Authors: Sperlich Eric , Köckerling Martin 
Published: January 2020

AbstractThree new niobium cluster compounds with edge bridged, octahedral hexanuclear metal cores have been synthesised. They consist of cluster pairs with [Nb6Cl12(RCN)6]2+cations, [Nb6Cl18]2−anions, and co-crystallised nitrile molecules, withR = C2H5(propionitrile),nC3H7(butyronitrile),iC3H7(isobutyronitrile). The synthesis is based on the dehydration of [Nb6Cl14(H2O)4] · 4(H2O) with carboxylic acid anhydrides in the presences of an excess of the respective nitrile. An interesting aspect of these compounds is that the metal atoms of the cluster cation have an average oxidation state different from that of the cluster anion, the former being oxidized losing two electrons. In crystals of all three compounds layers of cluster cations are separated by layers of cluster anions. Perpendicular to these layers of the same cluster types, every cation is surrounded by four anions and vice versa. Between the cations and anions short distances are found between the halogenido ligands and the positively charged C atoms of the nitrile ligands (N–C · · · Cl angles of ~90°). These contacts indicate relatively strong dipole-dipole interactions, which presumably contribute to the arrangement of the cluster ions in the crystals.
Folate-conjugated Helix lucorum hemocyanin – preparation, stability, and cytotoxicity
Authors: Guncheva Maya , Idakieva Krassimira , Todinova Svetla , Stoyanova Elena , Yancheva Denitsa 
Published: January 2020

Abstract
This is the first report on the modification of a hemocyanin from Helix lucorum (HlH), a large molluscan respiratory protein, with folic acid (FA). In a two-step synthetic reaction, we prepared samples of HlH conjugated with 20 and 50 FA residues denoted as FA-HlH-1 and FA-HlH-2, respectively. Comparison of the attenuated total reflectance–Fourier transform infrared spectra in the amide I band region showed a structural rearrangement in the HlH that is due to FA conjugation. The changes in the secondary structure were more noticeable for FA-HlH-2. The thermal stability of HlH was not significantly affected by the FA modification, which is consistent with the observed structural similarities with the native protein. Preliminary cytotoxicity assays showed that FA-HlH-1 and FA-HlH-2 stimulate fibroblast proliferation when applied in concentrations of 50 and 100 μg/well. A negligible reduction of fibroblast growth was observed only for FA-HlH-1 and FA-HlH-2, exposed to 200 μg/well for 48 h. We found that FA-HlH-2 exhibits a low to moderate cytotoxic effect on two breast cancer cell lines, which express folate receptors, a hormone-dependent (MCF-7) and a hormone-independent (MDA-MB-231). FA-HlH-2 protects nontransformed cells and affects only neoplastic cells, which could be an advantage, and the protein could have potential in combination with other chemotherapeutics.
Luchas alrededor de la libertad: conexiones asiático-latinoamericanas en la trata culí a Cuba (1850-1860)
Authors: Cepeda Sánchez Hernando 
Published: January 2020

A mediados del siglo xix, el neogranadino Nicolás Tanco Armero se convirtió en el principal agente exportador de culíes chinos a Cuba, pese a que antes de sus travesías al Oriente (1855), en la Nueva Granada, expresara una apasionada defensa por el derecho de los ciudadanos a gozar de la libertad. Tanco Armero —defiende esta investigación— construyó un discurso netamente capitalista, abolicionista y civilizatorio, basado en las condiciones sociales y raciales de los pueblos sínicos, que le permitió justificar la contratación de servidumbre asiática para el desarrollo de trabajos forzados en las islas del Caribe. A través de la noción de representación, este artículo analiza elementos psicológicos y sociológicos que, combinados, construyeron un utillaje mental y brindaron sentido a sus impresiones visuales del mundo oriental. La libertad, queda así documentado, atravesó complejos procesos de representación racial y cultural, los cuales adquirieron mayor complejidad por la presencia de colonos asiáticos en sociedades acostumbradas a ver y convivir entre el blanco y el negro.
Jairo Gutiérrez. Locura y sociedad. Alienismo tardío, psicopatología e higiene mental en la modernidad colombiana, 1870-1968.
Authors: Márquez Valderrama Jorge 
Published: January 2020

Esta es una extraordinaria historia de la locura y de la psicopatología en la modernidad colombiana, elaborada con amplitud y profundidad. Como sedebate en estudios recientes, la “modernidad” colombiana, en muchos aspectos, es una periodización discutible. Sin embargo, esta obra designa con ello la entrada en Colombia, en la década de 1870, de discursos propiamente psiquiátricos, aunque precedan a la psiquiatría como especialidad universitaria. Se trató de discursos modernos porque concebían la locura como problema de la patología, la sometían a observación para analizarla y presuponían para ella una clínica, una nosología y una terapéutica. A finales de siglo XIX, además de asumirla como entidad nosológica, la locura comenzó a concebirse como constructo sociocultural enfrentado a la trasgresión de un orden “natural” y moral. Se volvió objeto de normalización, en tanto desbordaba el campo médico y comprometía la vida cotidiana. Por eso, el problema de estudio se aborda en el libro desde los ejes locura intramuros y locura extramuros.
Chorological and nomenclatural notes on Peruvian <i>Carex</i> (Cyperaceae)
Authors: Jiménez-Mejías Pedro , Alegría-Olivera J. José , Beltrán Hamilton W. , Cano Asunción , Granda-Paucar Arturo , Maldonado Fonkén Mónica S. , Riva-Regalado Sebastian , Ruthsatz Barbara , Escudero Marcial 
Published: January 2020

Here we present relevant records of nine species of the genus Carex (Cyperaceae) new for Peru: C. amicta, C. brehmeri, C. camptoglochin, C. enneastachya, C. livida, C. maritima, C. ownbeyi, C. ruthsatzae, and C. vallis-pulchrae. We perform the lectotypification of the names Carex camptoglochin, C. amicta and C. confertospicata.
Material suplementario Nota corta 73468. <i>Heterocercus aurantiivertex</i> (Aves: Passeriformes: Pipridae), una nueva especie para Colombia del Parque Nacional Natural La Paya, Leguízamo, Putumayo
Authors: Peña Alzate Flor Ángela , Manjarrez Carlos , Acevedo-Charry Orlando 
Published: January 2020

Anexo 1. Lista de registros recuperados en GBIF, Xeno-Canto, Map Of Live, VertNet, iNaturalist, Macaulay Library, eBird y fuentes bibliográficas.Anexo 2. Fotografías de apoyo para confirmar la identidad de Heterocercus aurantiivertex. DOI: https://doi.org/10.15446/caldasia.v42n1.73468
Construcción del lugar por la niñez en la localidad de San Cristóbal, Bogotá, Colombia.
Authors: Silva Patiño Miguel Cristóbal 
Published: January 2020

La presente investigación analizó la construcción del lugar que hacen los niños y las niñas de la Localidad de San Cristóbal de la ciudad de Bogotá, el problema se evidenció cuando al analizar los instrumentos de planeación de las políticas públicas de la localidad, éstos carecen de un enfoque inclusivo y humanista en relación al derecho a la ciudad. Para tal fin, el principal elemento de análisis fue el lugar como categoría de la geográfica humanística, en donde los niños y las niñas viven, perciben y conciben su localidad. Se desarrolló una metodología cualitativa cuya técnica investigativa incluyó la revisión documental, y como fuentes primarias, la cartografía social, la fotografía y el trabajo de campo. Se exponen los resultados obtenidos en la localidad, que permitieron conocer los lugares en donde se desarrollan las relaciones cotidianas de los niños y niñas, con el objeto de analizar si estos y sus percepciones, han sido punto de referencia al momento de formular políticas públicas, particularmente las de ordenamiento territorial, concluyendo en la necesidad de vincular categorías de la geografía en la construcción participativa de políticas públicas.