bluuebunny/crossref_metadata_2025_split huggingface dataset:
„Паче радуяся отхожю свѣта сего!”: смерть святого и смерть злодея в древнерусских текстах XI–XII веков
Authors: Shaikin Aleksandr 
Published: March 2020

“Now I rejoice o depart from this world!”: The saint’s death and the villain’s deathin the Old Russian texts of the 11th to 12th centuriesIn this article the questions of real and false values, life and death for an ancient Russian person soon after the adoption of Christianity are explored — on the basis of texts about Boris and Gleb and saint Theodosius of the Caves. The building of a person’s individuality in ancient Russia went in the frame of religious sphere, and in this way the moral ideals and anti-ideals were creat­ed. In the hagiographic texts “earthly” as a synonym of “worldly” is often opposed to “heavenly”. In the Life of Theodosius Nestor shows how the divine plan is grounded in the ordinary: even if the intention is high, one of its ends is here, in the usual human life. If the hagiographic texts about Boris and Gleb carried the idea of denial of the worldly for the sake of heavenly and eternal, then the Life of Theodosius carried the idea of their harmonization. The death of Theodosius opens the earthly way to the heaven. „Teraz raduję się, że odchodzę z tego świata!” — śmierć świętego a śmierć złoczyńcy w tekstach staroruskich XI–XII wiekuNiniejszy artykuł jest próbą interpretacji tekstów o świętych Borysie i Glebie oraz Teodo­zjuszu Pieczerskim w aspekcie prawdziwych i fałszywych wartości związanych z opozycją życia i śmierci w oczach mieszkańca Rusi Kijowskiej w okresie po przyjęciu chrześcijaństwa. Według autora kształtowanie się jednostki odbywało się w Rusi Kijowskiej w ramach chrześcijaństwa i na tej płaszczyźnie budowane były moralne ideały oraz antyideały. W żywotach świętych pojęcie „ziemskiego” jako synonimu „świeckiego” nierzadko traktowane było z pogardą i przeciwstawio­ne „niebiańskiemu”. W Żywocie Teodozjusza Nestor pokazuje, w jaki sposób boski plan ugrunto­wany jest w powszedniości — nawet najwznioślejszy zamysł jednym końcem tkwi w powszednim życiu człowieka. Jeśli teksty hagiograficzne o Borysie i Glebie niosły ideę negacji świeckości wobec niebiańskości i wieczności, to Żywot Teodozjusza przynosi ideę ich harmonizacji — śmierć Teodozjusza otwiera ziemskiemu drogę do boskości.
Концепт „смерть” в романтической лирике Михаила Лермонтова
Authors: Megrelishvili Tatiana 
Published: March 2020

The romantic concept of deathin the poetry of Mikhail LermontovThe analysis of the European romantic discourse has demonstrated the importance of the motive of death for the understanding of the artistic worldview of a romantic poet. Lermontov’s legacy is no exception to this general rule. The existence of recurring themes in his poetry requires special attention to the motive of death that makes it stand out from the context of Russian Roman­ticism. The article analyzes the peculiarities of Lermontov’s artistic worldview and his approaches to overcome psychological loneliness, which is reflected in the motive of death, among others.Романтична концепция за смърттав лириката на Михаил Лермонтов Анализът на общоевропейския романтичен дискурс демонстрира важността на мотива за смъртта, за разбирането на художествената картина на света на поета романтик. В този аспект творческото наследство на Лермонтов не прави изключение. Като се има предвид характерния за Лермонтов похват да се връща към постоянните теми в творчеството си, особено внимание трябва да се обърне върху трансформирането на мотива за смъртта, поради което лириката му изпъква на фона на общия контекст на руския романтизъм. Статията разглежда особеностите на художествената картина на света на поета Лермонтов и начините за художествено преодоляване на психологическата самота, което намира своя израз и в мотива за смъртта.
Мортальна тематика в сучасній українській романістиці: гендерний аспект
Authors: Bashkirova Olga 
Published: March 2020

The theme of mortality in contemporary Ukrainian novels: The gender perspective The article deals with the peculiarities of artistic representation of the theme of death in contemporary Ukrainian novels and the character of their correlation with the gender specificity of the writers’ artistic depiction of the world. The author identifies the central tendencies of the phenomenon of the comprehension of death in literature and traces the link between the traditional female mother, wife and male warrior, thinker, artist social roles and the understanding of death as an existential category. Moreover, the author focuses on the alternative artistic models of trying to overcome gender stereotypes in modern Ukrainian novels and shows the tendency to represent death as a universal problem, while also dealing with individual transcendental experience and the dehumanization of modern society. Мортальная тематикав современной украинской романистике: гендерный аспектВ статье исследуются особенности художественной репрезентации темы смерти в украинской романистике начала XXI века, а также характер их корреляции с гендерной спецификой моделирования индивидуально-авторских художественных картин мира. Определены основные тенденции осмысления феномена смерти в современной национальной литературе. Прослежена связь между традиционными социальными ролями женщины мать, хранительница рода и мужчины воин, мыслитель, ремесленник и пониманием смерти как экзистенциальной категории. Особое внимание уделено альтернативным художественным моделям, представляющим попытки преодоления гендерных стереотипов в современной украинской романистике. Отмечена тенденция репрезентации феномена смерти как общечеловеческой проблемы, в частности, таких ее важных аспектов, как индивидуальный трансцендентный опыт и дегуманизация современного общества.
Śmierć porwana. O terezińskiej sztuce Hledáme strašidlo Hanuša Hachenburga z 1943 roku
Authors: Firlej Agata 
Published: March 2020

The stolen death: About the play Hledáme strašidlo by Hanuš Hachenburg from 1943The puppet theatre play Hledame strašidlo by Hanuš Hachenburg was written in the Terezín/Theresienstadt ghetto in 1943 and over 50 years was hidden in the archive until it was presented to readers and viewers in the 1990s — but it turned out to be still surprisingly valid and cogent. The author, a 14-year-old prisoner of the ghetto, used the conventions of the puppet theatre, the carnival and the fairy tales. The mythical or fairy-tale-like “timelessness” allowed him to show the absurdity of Nazism and — yet unnamed — the Holocaust. The main character of the play, the King, captures Death itself, which soon becomes so ordinary and kitschy that no one is afraid of her. The confinement of Death — a motif known, among others, from the myth of Sisyphus — is an important theme of the theatre in Terezín; it appears also in the German-speaking opera by Peter Kien and Viktor Ullmann, Der Keiser von Atlantis Emperor of Atlantis. In this article, I show how the old themes of enslaved Death and the dance macabre between extasy and destruction become the symbols of the war, and indeed of the 20th century, which culminates in the devastating forces of the great ideologies and in which there can be found the origins of retrotopia, which is now, according to Zygmunt Bauman, the dominating point of view in East- and West-European and in American discourse. Únos smrti. O terezίnske divadelnί hře Hledáme strašidlo Hanuše Hachenburga z roku 1943Divadelní hra Hledáme strašidlo od Hanuše Hachenburga byla napsána v ghettu Terezín / Theresienstadt v roce 1943 a více než padesát let byla ukryta v archivu, aby v 90. letech si našla cestu pro své čtenáře a diváky — a ukázalo se, že je překvapivě platná a přitažlivá. Autor, čtrnáctiletý vězeň ghetta, využil konvencí loutkového divadla, karnevalu a pohádek. Mýtická nebo pohádková „nadčasovost“ mu umožnila ukázat absurditu nacismu a — tehdy ještĕ nemenovaného — holocaustu. Hlavní postava hry, Král, zachytí samotnou Smrt, která se brzy stane tak obyčejnou a kyčovitou, že se ji nikdo nebude bát. Únos smrti — motiv známý mimo jiné i z mýtu Sisyfa — je důležitým tématem divadla v Terezíně; objevuje se také v německojazyčné operě Petera Kiena a Viktora Ullmanna Der Keizer von Atlantis Císař Atlantidy. V tomto textu ukazuji, jak se staré motivy zotročené Smrti a danse macabre mezi extázi a zničení stávají symbolem války a celého dvacátého století, v který vyvrcholily ničivými sily velké ideologie a kde lze nalézt počátky retrotopie, která je podle Zygmunta Baumana dominantním hlediskem ve východním, západoevropským a americkým diskurzu.
Śmierć, nieobecność i samotność — motyw traumatyzującej utraty matki w zbiorze opowiadań Lejli Kalamujić Zovite me Esteban
Authors: Modelska-Kwaśniowska Anna 
Published: March 2020

Death, absence and loneliness: The motive of a traumatizing loss of a mother in the collection of stories Call me Esteban by Lejla KalamujićLejla Kalamujić born 1980 is a Bosnian writer from Sarajevo and the author of two collections of stories: Anatomy of a Smile 2009 and Call me Esteban 2015. The paper presents the autobiographical stories collected in the second book, in which the most important theme is death, especially the premature death of a mother. The aim of the article is to show the motive of the loss of a mother. The writer uses first-person narration and the protagonist is a woman named Lejla, a type of alter ego for her. The stories are written from different points of view and from different time perspectives.The intertextual themes in the book are the most interesting ones and have real artistic value there are references to be Almodóvar, Márquez, Kafka, Bishop, Miljkovic and others. The writer has a way of writing about the pain connected with death that is useful for experiencing belated mourning. Smrt, odsutnost i samoća – motiv traumatizarijućeg gubitka majke u zbirci priča Lejle Kalamujić Zovite me EstebanLejla Kalamujić rođ. 1980 je sarajevska spisateljica koja je dosad objavila dve knjige pripovedaka: Anatomija osmijeha 2009 i Zovite me Esteban 2015. U centru pažnje ovog članka nalazi se njena druga knjiga i glavni motiv gubitka majke, dakle i majčinog odsustva u kćerkinom životu. Kalamujićeve kratke priče pre svega karakteriše autobiografizam, a jedna od njenih glavnih tema je smrt. Spisateljica koristi naraciju u prvom licu, narratorka se zove isto kao i ona, Lejla, zatim može se reći da je autoričin alter ego. Kalamujić opisuje svoja životna iskustva bez majke iz različitih vremenskih perspektiva, zbog čega u jednoj priči ponekad vidimo zajedno perspektivu devojčice i odrasle žene. Najinteresantnije teme u knjizi su intertekstualne ima reference na Markesa, Kafku, Bišopa, Miljkovića i dr. koje su pomoćna metoda pisanja o boli zbog smrti i korisne su doživljavanje zakasnele žalosti.
Smrt kao politička roba u stripu Ljubazni leševi Zorana Panevskog i Ivice Stevanovića
Authors: Pilch Pavel 
Published: March 2020

Death as a political commodity in the comic book Ljubazni leševi by Zoran Panevski and Ivica StefanoviThe paper deals with the motif of death shown in the comic book Ljubazni leševi by Ivica Stevanović and Zoran Penevski. The author focuses on death “stolen” by the government of the fictional country, which is then used as a commodity in the process of controlling citizens. Death is not feared any more by anyone, which may have catastrophic consequences. Enslaving death may lead to the furious destruction of ethics in society, which is one of the main messages of this comic book allegory. Smrt jako politické zboži v komiksu Ljubazni leševi Zorana Panevského a Ivici StefanovićeČlánek se zabývá motivem Smrti, jak je představena v komiksové knize Ljubazni leševi Ivici Stevanoviće a Zorana Penevského. Soustředíme se na Smrt, která byla „ukradena“ vládou fiktivní země a následně zneužita jako obchodní artikl v procesu kontroly obyvatelstva. Smrti se již nikdo nebojí, což má za může přinášet katastrofické následky. Zotročení smrti může vést ke zběsilému ničení morálky lidské společnosti, což je jedno ze zásadních poselství této komiksové alegorie.
Bibliograficzna baza danych światowego językoznawstwa slawistycznego iSybislaw jako źródło badań nad ekwiwalencją polskich i ukraińskich terminów gramatycznych
Authors: Łuczków Iwona 
Published: March 2020

Bibliographic Database of World Slavic Linguistics Publications iSybislaw as a source of research on the equivalence of Polish and Ukrainian grammatical termsBibliographic Database of World Slavic Linguistics Publications iSybislaw is a modern informative retrieval system registering bibliographic data of Slavonic linguistics. The object of analysis in this paper is a set of keywords equiform with the terms understood traditionally. The subject of the article is to provide general comments on the problem of determining the equivalence of keywords using the example of Polish and Ukrainian grammatical terms. Библиографическая база данных по мировому славянскому языкознанию iSybislaw как источник исследования эквивалентности польских и украинских грамматических терминовБиблиографическая база данных iSybislaw представляет собой современную информационно-поисковую систему, в которой содержится информация о работах по мировому славянскому языкознанию. Предметом анализа в настоящей статье является один из компонентов системы — ключевые слова, совпадающие с традиционно понимаемыми грамматическими терминами. В статье представлены проблемы, связанные с определением межъязыковых эквивалентов ключевых слов на примере польских и украинских грамматических терминов.
Przymiotniki odrzeczownikowe w powieści Živko Čingo "Големата вода" i jej przekładzie na język polski
Authors: Stryszewska Maria 
Published: March 2020

Desubstantive adjectives in the novel Големата вода Golemata voda by Zivko Chingo and its translation into PolishThe article is devoted to the issue of the derivation of denominative adjectives in Macedonian and Polish on the basis of the novel Големата вода Golemata voda by Zivko Chingo and its translation. The aim of the article is to indicate the similarities and differences in this scope with regard to both languages. The studied derivatives have been described in accordance with the model adopted by the authors of Gramatyka współczesnego języka polskiego. Morfologia Contemporary Polish Grammar. Morphology, in which the starting point is their contextual significance, and therefore the semantic relationship of the derivative with the noun determined by it.174 derivatives in Macedonian and 167 in Polish have been analysed and described. In accordance with the assumptions in both languages, derivatives together with basic formatives: -ski, -owy, -ny for the Polish language and -ски, -oв, -ен -ski, -ov-, -en for the Macedonian language form the majority of semantic relations, and hence can be considered as multifunctional. In both texts the derivatives with these formatives are the most frequent. Adjectives with other suffixes appear less frequently in the text, and the formatives themselves tend to be of semantic specialization. Прилагательные мотивированные существительными в романе Големата вода Ж. Чинго и его переводе на польский языкДанная статья посвящена вопросам, связанным со словообразованием имен прилагательных от имён существительных в македонском и польском языках на материале романа Големата вода Ж. Чинго и её перевода на польский язык. Целью исследования является выявление сходств и различий в анализированной области в обоих языках. Все дериваты были описаны по модели принятой авторами академической грамматики современного польского языка Gramatyka współczesnego języka polskiego. Morfologia Грамматика современного польского языка. Морфология, в которой отправной точкой является значение данных примеров в зависимости от контекста, т. е. cемантическая связь деривата с описываемым существительным.Анализу были подвержены и описаны 174 примера нa македонском языке и 167 примеров нa польском языке. Согласно предположениям в обоих языках дериваты с основными суффиксами, т. е. -ски, -ов, -ен в македонском и -ski, -owy, -ny в польском создают большинство из анализированных семантических связей и, следовательно, их можно назвать многофункциональными. Они также выступают в обоих текстах чаще других примеров. Имена прилагательные, образованные с помощью других суффиксов, появляются реже и показывают тенденцию к семантической специaлизации.
Strong laws of large numbers for the sequence of the maximum of partial sums of i.i.d. random variables
Authors: Chang Shuhua , Li Deli , Rosalsky Andrew 
Published: March 2020

Let 0 < p ≤ 2, let {Xn; n ≥ 1} be a sequence of independent copies of a real-valued random variable X, and set Sn = X1 + . . . + Xn, n ≥ ­ 1. Motivated by a theorem of Mikosch 1984, this note is devoted to establishing a strong law of large numbers for the sequence {max1≤k≤n |Sk| ; n ≥ ­ 1}. More specifically, necessary and sufficient conditions are given forlimn→∞ max1≤k≤n |Sk|log n−1 = e1/p a.s.,where log x = loge max{e, x}, x ≥­ 0.
Die langsame Entstehung eines wissenschaftlichen Diskurses über Kunst und Literatur um 1800 im Licht des Briefwechsels zwischen Goethe und Schiller 1798–1805
Authors: Abraham Bénédicte 
Published: March 2020

Aus der Begegnung zwischen Goethe und Schiller im Juli 1794 in Jena wird eine tiefe Freundschaft, die sich durch einen intensiven Briefwechsel bis zum frühzeitigen Tod Schillers im Jahre 1805 nähren wird. Dieser formal klassische Briefwechsel, der dem Brief öfters einen kritischen Freiraum verleiht oder ihm die Funktion eines Labors des künstlerischen oder literarischen Schaffens gibt, zeichnet sich durch Originalität am Übergang vom 18. zum 19. Jahrhundert aus, übt Kritik am Dualismus und öffnet die Perspektiven hinsichtlich einer Versöhnung zwischen bis dahin getrennten Denkgebieten. Die Originalität in den Briefen zeigt sich am Vorschlag, die Wissenschaften und die Literatur nicht mehr einander entgegenzustellen, sondern sie zu artikulieren und somit die Möglichkeit eines wissenschaftlichen Diskurses über das literarische Werk in Betracht zu ziehen. Progressive emerging scientific discourse on artsand literature around 1800 in light of the correspondence between Goethe and Schiller 1798–1805Following their meeting in Iena in July 1794, Goethe and Schiller developed a strong friendship and kept up intense correspondence until Schiller’s premature death in 1805. This exchange of letters opens up the space for a critical debate and confers upon the letter the status of a laboratory for artistic and literary creation. The correspondence also encodes one of the more original aspects of the late 18th- to early 19th-century thought: a critique of dualism which leads to the perspective of a reconciliation between science and literature, fields of thought hitherto kept separate. Articulating rather than opposing these fields, Goethe and Schiller conceive of the possibility of holding a scientific discourse on literature.
Die informationsstrukturell motivierte Entwicklung der Bekanntheit mit einer Entität, realisiert durch den Einsatz des Demonstrativpronomens derjenige und der deiktischen Determinative derjenige, diejenige, dasjenige, Pl. diejenigen
Authors: Nitka Gabriela 
Published: March 2020

Der Beitrag expliziert und exemplifiziert die Entwicklung der Bekanntheit mit einem Diskursreferenten, die auf der Ebene der deutschen normativen Rechtstexte aus dem Bereich des Handelsrechts vollzogen wird. Als grammatische Ausdruckmittel, die diese Art der Spezifizierung zum Ausdruck bringen, fungieren hier das Demonstrativpronomen derjenige und die deiktischen Determinative derjenige, diejenige, dasjenige, Pl. diejenigen. Erwähnt werden sollte, dass die Kennzeichnung eines Diskursreferenten als bekannt/alt hier auf zwei Ebenen zugleich entwickelt wird, was in informationsstruktureller Hinsicht ein interessantes Phänomen darstellt.Formation of the “givenness” with a discourse representativereasoned by information structures with an entity realized bythe demonstrative pronoun derjenige and the deictic determinatives derjenige, diejenige, dasjenige, pl. diejenigenThis article describes and illustrates the formation of the “givenness” with a discourse representative, which is accomplished at the level of normative texts of the German Commercial Code. The grammatical means which illustrate such type of identification are the demonstrative pronoun derjenige and deictic determinatives derjenige, diejenige, dasjenige, pl. diejenige. It should be emphasized that the identification of a discourse representative as a given/new runs here on two levels, which – from a perspective of information structures – is a captivating phenomenon.
Emergenz, Spezifizitӓt und Entropie im Lichte der anthropozentrischen Linguistik
Authors: Bajerowska Anna 
Published: March 2020

Der vorliegende Artikel thematisiert das Problem der Fach-Wissensgenerierung vor dem Hintergrund der anthropozentrisch aufgefassten Denotationsproblematik. Der erste Teil widmet sich dem auf neurobiologischen Erkenntnissen basierenden und anthropozentrisch begründeten Modellvorschlag sprachgebundener Fach-Wissensgenerierung. Im Mittelpunkt der Erwӓgungen steht die konzeptuelle Verbindung von Emergenz und anthropozentrischen Annahmen im Kontext linguistischer Fragen. Im Fokus des zweiten und dritten Teils steht die Übertragung des Spezifizitӓt- und Entropie-Begriffs auf das Gebiet der anthropozentrischen Linguistik. Es ist hervorzuheben, dass die hier prӓsentierten Überlegungen einen vorlӓufigen Charakter haben. Emergence, specificity and entropy in the light of anthropocentric linguisticsThe aim of this paper is twofold. First, a concept comprising a preliminary, emergence-based model of generating specialized knowledge will be outlined, which was built across anthropocentric linguistics, selected concepts of emergence and research in the field of neurobiology and which is aimed at offering a possible solution to the problem of the interactions between language and knowledge generating. Second, a conceptual reformulation of the terms specificity and entropy in the light of the anthropocentric theory of human languages will be proposed. It has to be highlighted that the present considerations are preliminary and require a more solid neurobiological foundation.
Instytucja udzielania ulg w spłacie zobowiązań z tytułu należności wynikających ze zwrotu środków europejskich
Authors: Solner Anna 
Published: March 2020

The institution of granting tax relief in the repayment of obligation resulting from the European funds refundThe purpose of this article is to indicate principles of granting tax relief in the repayment of obli­gations resulting from the European funds refund based on the administrative resolution given by the administrative body in cases when European funds disbursed as part of operational programmes were used contrary to its intended purpose, with violating procedures, charged undue or in the ex­cess height. The article distinguishes three types of tax relief: redemption in one piece or in part, postponing the repayment and spreading in instalments. It determines detailed principles of granting tax break for beneficiaries of not drivers of the business activity as well as for entrepreneurs, granted at the request of the beneficiary, as well as ex officio. The article is defining premises of granting these concessions i.e. the important interest of the taxpayer or the public interest. It is clarifying the principles of basing the administrative resolution on the administrative recognition and in case of entrepreneurs with reference to tax relieves constituting the state aid. The institution of granting concessions in the repayment is the exception from the principle of the universality and the equality of regulating these obligations. Irrespective of the entity initiating proceedings, relief can be granted only where justified, within the limits closely defined by the law. Granting it constitutes privilege of the beneficiary more than a rule.