bluuebunny/crossref_metadata_2025_split huggingface dataset:
تقييم الصورة الاستعارية في العمارة
Authors: Al-jamel Ali Haidar , Minouna Naam Behnam 
Published: February 2020

الصورة الاستعارية المتجسدة في النتاجات المعمارية للتقييم من المتلقين الممثلين لشرائح
اجتماعية مختلفة. وعلى الرغم من تعدد الدراسات ذات العلاقة بموضوع التقييم للصور الاستعارية ، الا انها
اتسمت بكونها ذات طبيعة وصفية شاملة لبعض من الجوانب المرتبطة بالموضوع وغير الشاملة لجوانب
اخرى، اضافة الى كون ما تم طرحه من معايير خاصة بالصور الاستعارية اعتمدت الصيغ الانتقائية كونها
ارتبطت بقيم السياق الثقافي الذي ينتمي اليه الناقد المعني بتلك الطروحات بما لم تمكن تلك الدراسات من
بلورة اطار نظري يضم الجوانب الاساسية الداخلة في عملية التقييم . ومن هنا تبرز الفجوة في المعرفة العملية عن ما هي العوامل المؤثرة في تقييم الصورة الاستعارية في سياق ثقافي معين وما هي المقومات الخاصة بالصور الاستعارية الجيدة التي تكتسب تقييمات ايجابية من متلقيها ووفقا لسياقاتهم الثقافية الخاصة .
ان البحث يهدف الى تحديد ووصف العوامل المؤثرة في تقييم الصورة الاستعارية في العمارة وطبقا لسياقات ثقافية معينة، وتركزت منهجيته ببناء اطار نظري وعزل المتغيرات الخاصة بجوانبه الاساسية
وتوضيح قياسها واجراء الدراسة الميدانية على نماذج معمارية منتخة لاجراء التقييم ومن قبل عينة بحثية من
المتلقين في البيئة العراقية
خصوصية مفهوم الإبداع في العمارة
Authors: Yaser Maysoon Safi 
Published: February 2020

تمثل العمارة إحدى أهم وسائل التغير في المجتمع لكونها ظاهرة حضارية تعكس تغير الأفكار والمعتقدات في
المجتمع الذي تمثله من خلال نتاجاتها. ولكن تلك النتاجات لابد من أن يكون لها القدرة على تقديم الجديد والمختلف عما سبق للناس أن خبروه أو عرفوه، والوصول إلى ذلك الجديد والمختلف هو ما يسمى إيداعا.
تكمن أهمية الموضوع لكونه الهدف الذي تسعى إليه العمارة لتحقيق نتاجات تتميز بمكنوناتها الفكرية وأساليبها
التعبيرية. ولذلك سيهدف البحث إلى توضيح مفهوم الإبداع بصورة عامة، وفي العمارة بصورة خاصة.
تناول البحث مناقشة مفهوم الإبداع في الفلسفات والنظريات اللغوية لما كان لها من تأثير على العمارة، وعلى
خصوصية مفهوم الإبداع فيها. كما تأثر مفهوم الإبداع في العمارة بسبب تباين التوجهات الفكرية والستراتيجيات
المعتمدة على مستوى التيارات المختلفة وعلى المستوى الفردي في كل تيار. البحث ان مفهوم الإبداع يمكن أن يعرف بأنه فعل كشف وتوليد في آن واحد، يتحقق الكشف وقد استنتج خلال تجاوز الموجود أو المعروف، ويتشكل التوليد عبر الانزياح عما هو موجود أو مألوف. ويتحقق من خلال التأكيد على إنشاء بنى مختلفة وكليات مغايرة لإزاحة ما هو مألوف وصولا إلى خلق عمارة جديدة.
ANALISIS PENAWARAN TENAGA KERJA WANITA MIGRAN KABUPATEN SUMBAWA
Authors: Permata Cita Fitriah , Mujiburrahmat  
Published: February 2020

This study is entitled: "Analysis of the Migrant Women Migrant Workers' Offer". An increase in population from year to year has several logical consequences including an increase in the number of young people and an increase in the workforce. Data from the Central Statistics Agency of Sumbawa Regency shows that from 2014 to 2017 there were an increase in the population of 427,119 people, 431,924 people, 436,599 people and 441,102 people spread in 24 sub-districts. The livelihoods of most of the population (around 52.72%) make a living from the agricultural sector (BPS Sumbawa Regency 2017). The geographical condition of the Sumbawa Regency, where fertility is uneven and rainfall is also insufficient to develop normal agriculture, difficult employment opportunities, inadequate education, minimal skills, lack of venture capital, forces residents (especially women) to choose to try looking for work to become Indonesian workers to various countries including the United Arab Emirates. The purpose of this study are: 1) What is the pattern of supply of female workers from Sumbawa Regency? 2) What factors influence the decision to leave women from Sumbawa Regency to become migrant workers abroad?This research was conducted in 4 districts out of 24 districts. Each subdistrict is taken from 2-3 villages which are the basis for migrant women workers (depending on the number of migrant workers available at the time of the survey). The four subdistricts determined as sampling locations are Sumbawa District, Plampang District, Labuan Badas District and Utan District by using descriptive methods and data collection is done by observation and interview techniques. Determination of respondents is done by purposive sampling technique.
The output of this research is knowing the pattern of supply of women workers from Sumbawa Regency and the factors that influence the decision to leave women from Sumbawa Regency to migrant workers abroad, so that it can be seen how the impact of working abroad for women workers and their families and their contribution to Sumbawa Regency in general. Besides that, the output of this research is published in ISSN journals and is used as reference material for Macroeconomics courses.The TKT in this study was started by identifying how the pattern of supply of women workers from Sumbawa Regency and the factors influencing the decision to leave women from Sumbawa Regency to become migrant workers outside the interview method and distributing questionnaires. Knowing the pattern of female labor supply and the factors influencing the decision of women workers to work abroad can be input for the government what will be done to women workers who work abroad and contribute to the Regency of Sumbawa.
Percepción docente del juego preescolar en escuelas urbanas y suburbanas de Montemorelos, México
Authors: Krumm de Nikolaus Sonia 
Published: February 2020

Aunque no se duda de la importancia del juego para el desarrollo saludable y completo de los niños preescolares, distintas fuerzas sociales, políticas y educativas parecen confabular a favor de un olvido del juego en el nivel Inicial y en su reemplazo, hay un mayor academicismo.
En este marco se buscó entender la relación existente entre la percepción de los maestros acerca del juego en el preescolar, lo que registran sus planificaciones y sus prácticas reales. Para ello se entrevistó a 46 maestros de tercer año de preescolar de la zona urbana de Montemorelos, Nuevo León, se observaron sus planificaciones y se aplicó un cuestionario de percepción del juego.
Los docentes perciben el juego como un elemento necesario y de gran valor educativo, pero esta percepción no se refleja en sus planificaciones ni en sus prácticas educativas, ya que el tipo de actividad que domina es la dirigida y el tipo de juego más utilizado, es el juego didáctico. Estas valoraciones muestran una incidencia directa sobre la ambientación de los salones de clase y las prácticas educativas, como se muestra en este estudio.
Nivel de desempeño administrativo y satisfacción de los alumnos de colegios secundarios confesionales salvadoreños
Authors: Romero Mijango René Antonio , Meza Escobar Manuel Ramón 
Published: February 2020

Esta investigación buscó comprobar si existe relación entre la percepción del nivel de desempeño administrativo de los directores y el grado de satisfacción de los alumnos de algunos colegios secundarios confesionales salvadoreños.
A una muestra de 219 alumnos se administraron dos instrumentos, el primero de 23 declaraciones para medir el nivel de desempeño administrativo del director y el segundo de 20 declaraciones para medir el grado de satisfacción de los alumnos, cuyos valores de confiabilidad medidos por el alfa de Cronbach fueron de .937 y de .923 respectivamente.
Se encontró que el grado de satisfacción y el desempeño administrativo tuvieron un grado de relación positiva y moderada (r = .599, p = .000). El género, la religión y el grado que cursan los alumnos no produjeron una diferencia en la percepción que tienen del nivel de desempeño administrativo del director. Sin embargo se observó diferencia significativa en la percepción del nivel de desempeño administrativo del director según el colegio donde estudian.
Desempeño docente y motivación del alumno en una escuela confesional salvadoreña
Authors: Aguirre Salinas Fidel Ángel , Meza Escobar Manuel Ramón 
Published: February 2020

Se buscó establecer si existe relación significativa entre la percepción estudiantil del nivel de desempeño del maestro guía y el grado de motivación del alumno de enseñanza secundaria en una escuela confesional salvadoreña. La muestra estuvo formada por 172 estudiantes.
Los instrumentos fueron elaborados por el investigador para medir el nivel de desempeño del maestro guía (29 ítems) y el de grado de motivación del alumno (20 ítems).
La percepción de los alumnos sobre el nivel de desempeño del maestro guía obtuvo un grado de bueno. La autopercepción del grado de motivación de los alumnos obtuvo un grado de casi bueno. Existió una relación significativa moderada entre la percepción del nivel de desempeño del maestro guía y el grado de motivación de los alumnos.
EARLY TRYPILLIAN SANCTUARY AT SABATYNIVKA II. PROBLEM OF INTERPRETATION OF TRYPILLIAN BUILDING REMAINS
Authors: Burdo N. B. 
Published: February 2020

The remains of three burnt mud houses and one depression were investigated at Trypillia A site Sabatynivka II. Particular interest in this explorations was attracted by findings related to the sacred practice, namely by famous M. L. Makarevych’s reconstruction of the dwelling 3 as a sanctuary. During the last 50 years, the graphic reconstruction of this object was used many times by different authors without a slightest attempt of its verification.
The article analyzes the data for the reconstruction of the sanctuary at the early settlement of Sabitatynivka II in the Kirovohrad region.
The analysis of field documentation and the description of the excavation of dwelling 3 in Sabatynivka II from all available sources reveals some inconsistencies in the real object and details reconstructed by various researchers. The fact that the object is partially destroyed by the late trench makes it difficult to reconstruct and interpret it. Turning to the possible reconstruction of this building, the obvious traces of the ritual fire in which the building died should be noted. The obtained data suggest that the dwelling 3 was a rectangular adobe two-storey building. Most of the items found during excavations, including numerous figurines, are connected to the second floor. The ritual character of the fire is indicated by the inventory placed in the house before burning. However, there are no grounds for the reconstruction of the furnace, the elevation-altar and clay chair, as well as the «ritual of baking bread» in this house.
SACRAL GRAFFITI FROM EXCAVATIONS AT BORYSTHENES BY V. V. LAPIN
Authors: Rusiaieva A. S. , Stanytsina H. O. 
Published: February 2020

Regular archaeological research at the eastern coast of the modern Berezan Island (excavation area «O» — «Osnovnyi» («the main»)) in the 1960s — 1980s were headed by V. V. Lapin. They resulted in accumulation of numerous and various materials for the further study of history and culture of Borysthenes at all the stages of its life. For instance, 619 graffiti were recorded during the period of excavations. It should be emphasized that none of excavation areas at Berezan have not presented such a large number of graffiti. 203 graffiti were published already after V. V. Lapin died, and half of them are sacral ones. Only dedicative and marking graffiti are briefly discussed in this paper. In addition, disputable opinions of V. V. Lapin about certain inscriptions and graphic symbols on ostraca are also elucidated, which he interpreted as relics of the surviving writing language leading its roots in the Crete-Mycenaean epoch.
The scholars never even mentioned graffiti from his excavations in the context of corresponding cultic structures. Considering this fact, attention is paid primarily to the early dedications to Apollo Ietros and Delphinios evidencing this god’s sanctuary in the 6th century BC. As it is known, the most significant structure discovered by V. V. Lapin is undoubtedly an original 5th century BC temple with apses. Nevertheless, various interpretations of this structure occurred in recent literature out of the context of corresponding sources. However, different variants of sacral graffiti with Achilles’ name dated by this period obtain an exclusive significance in this aspect. They are synchronous dedications to Achilles, as well as numerous cultic findings, which can confirm first of all its cultic significance and possible relation to this divinized hero. Other gods with close soteric functions related to the sea, namely, Aphrodite and Dioscuri, were apparently worshipped together with him or near him. In general, the authors show the perspectiveness of not only the further scientifically grounded and objective study of the whole collection of inscriptions in the context of building remains of sanctuaries and a temple with apses, but also the monographic publication of all the materials excavated by V. V. Lapin at the eastern coast of the Berezan Island.
TRYPILLIA CULTURE SITE YANCHA 1
Authors: Videiko M. Yu. 
Published: February 2020

Six settlements of Trypillia culture are known near Hrebeni village in Kaharlyk Region of Kyiv Oblast by now. Investigations of this sites started in the early 1960s plans are made using magnetic prospecting for five of them. Publishing of a small collection of finds from one of them, originating from Yancha 1 location, is an important step towards creating a coherent picture of the 500-year history of a small group of Trypillia population which belonged to Kolomyishchyna local group at the micro-regional level. Some finds of painted pottery demonstrate connections with Tomashivka local group located in more than 100 kilometers to south. Later, this place was settled in the Late Bronze Age and the 4th century AD (Cherniakhiv culture).
THE PECULIARITIES OF VOLYN CERAMIC ASSEMBLAGES OF THE SECOND HALF OF THE 13th — FIRST HALF OF THE 14th CENTURIES IN HNIDAVSKA HIRKA NEAR LUTSK
Authors: Bardetskyi A. B. , Pryshchepa B. A. 
Published: February 2020

In the territory of the Halych-Volyn principality, the relevance of the study of monuments dating from time after the Mongol-Tatar pogroms in the middle of the 13th century is determined by their insignificant number, regional features and insufficiently developed chronology of various categories of things. The study of pottery remains an important task, since it is the most numerous group of findings during the research of the medieval settlements.
Interesting ceramic complexes of the second half of the 13th — the first half of the 14th centuries were found during the excavation of two dwellings in a settlement in Hnidavskaa Hirka near the village of Rovantsi in Lutsk district. The majority of the findings form by the fragments of pots; besides, there are also frying pans, bowls, pitchers, and large earthenware pots. Pots are divided into two groups. The first group belongs to the type that appeared at the end of the 11th century and spread throughout Southern Rus in the 12th — first half of the 13th century. New trends that developed after the Mongol-Tatar pogroms are revealed in the features of the rim profiling and new techniques of ornamentation of pots of the second group. The outer edge of the rim is divided by a horizontal groove, and there is an ornament under the rim — a horizontal line of pressings. By analogy with Lutsk, Volodymyr-Volynskyi, and Peresopnytsia, they can be dated to the second half of the 13th—14th centuries. According to the ratio of the number of pots of both groups in each of the dwellings and dating of other findings, their chronology is defined as the middle — second half of the 13th century (dwelling 9) and the end of the 13th — first half of the 14th centuries (dwelling 1).
THE RESULTS AND PERSPECTIVES OF STUDYING CERAMIC WARE PRODUCTION TECHNOLOGY IN THE MIDDLE DNIEPER REGION IN THE 16th — 18th CENTURIES
Authors: Chmil L. V. 
Published: February 2020

The paper focuses on studying ceramic ware production technology in the 16th—18th centuries. The main perspective methods for each production stage, such as chemical, petrographic and trajectory have been considered, as well as archaeological, sphragistic and ethnographic sources have been analysed.
The ware was made of kaolin clay with the addition of sand. Glaze consisted of lead, sand and metallic oxide for color. Clay with the addition of metallic oxide, such as iron, copper etc. was colorant for painting. The ware was formed with foot potter fast wheel by drawing from a piece of clay. Decor represented relief or painting without or with glaze. The glaze was colored or colorless. The ware was roasted in bicameral kilns with vertical movement of hot gases in oxidizing or reductive medium.
Perspective directions of the further study of pottery production technology can be physical and chemical methods, petrography and experiment to verify results of the research.
DYBYNTSI’S CERAMIC CENTER ACTIVITY IN UKRAINIAN ART CULTURE OF THE 19th—20th CENTURY
Authors: Rudenko A. A. 
Published: February 2020

The article is devoted to the study of the activity of one of the largest ceramic craft center of the Central Naddnipryanschyna from the 19th and early 20th centuries which is Dybyntsi village located in Boguslav district of Kyiv region in the context of the development of folk arts crafts. The local features of the art culture of Boguslav region were illuminated; the artistic means of ceramic products decoration were analyzed; the typology of the products assortment was determined according to its functional purpose; the five stages in the existence of the Dybyntsi’s ceramic industry were distinguished and characterized; the art criticism analysis of the most revealing works was conducted; the new names of local ceramic masters were entered into scientific circulation and the place of the Dybyntsi’s Branicki’s County faience factory was outlined in the Ukrainian arts culture of the 19th century.
DYBINTSY FAIENCE FACTORY OF COUNTS BRANITSKY IN THE KIEV PROVINCE IN THE LIGHT OF THE GIVEN PRIMARY SOURCES
Authors: Shkolna O. V. 
Published: February 2020

Article is devoted ordering of existing data about competitive Kyivo-Mezhigorskoj to faience factory to Dibinetsky faience factory of counts Branitsky in an area of the Kyiv province. The majority of materials is introduced in scientific use for the first time, that allows to reconsider separate sections from a history of development of the Ukrainian faience of its time of «the gold period», namely 19th centuries. The list of products amazes. Services from white faience of the first grade on 4 roubles, soup vases of «the English style» with printing drawing on 7 roubles 10 copeck and 20 copeck painted on 9 roubles, flowerpots of a new style «Lily» 30 copeck painted on 4 rouble the Sculpture «the Young lion, the Lamb and the Dog» were the most expensive things from this register «Goat» cost on 30 copeck for a piece in the sealed up kind, 40 in painted, no less than. «Partridge» in last type of a decor — is almost twice more expensive, 75 copeck for a piece. Banks pharmaceutical — from 5 copeck for a piece, pots on 10 copeck for a piece, smoking tubes-«stambulki» («Turkish woman») and a bowl for salad on 15 copeck for a piece were the cheapest among products of the first grade.
POTTERY WORKSHOP OF MYKILSKA SLOBIDKA VILLAGE IN THE FIRST HALF OF THE 19th CENTURY (based on the latest archaeological excavations)
Authors: Olenich A. M. , Olenich A. M. 
Published: February 2020

The paper introduces materials from the archaeological excavations on the territory of the village of the 16th—19th centuries Mykilska Slobidka. The village has not been subject to systemic archaeological excavations before. In 2016—2018 we carried out the investigating in different parts of the village. It was fixed that despite the modern urban development, the cultural layer was preserved in some parts of the village. Obtaining materials indicate the existence of pottery production there. The most interesting is the ceramic collection associated with the pottery complex of the beginning of the 19th century. The collection allows us to characterize the assortment of the pottery manufacturing in the Mykilska Slobidka village in the first half of the 19th century. Among the typical products of the workshops were pots decorated with white and red engobe painting, jugs, bowls, lids, mugs, flowerpots, bricks and probably tiles etc. It is interesting that there are no pottery clay deposits in the vicinity of the village. So it is possibly the clay was brought from other villages, may be on the other (right) bank of the Dnieper River.
Çeviride Kayıplar Sorunu: Necîb Mahfûz’un Yevme Kutile’z-Za‘îm Adlı Eserinin Arapça ve İngilizceden Türkçeye Çevirisi ile Arapça Kaynak Metninin Karşılaştırmalı Bir İncelemesi
Authors: YILDIZ Musa , KURT Gülfem 
Published: February 2020

Genel anlamıyla, bir dilden başka bir dile aktarım işlemi olarak nitelendirilebilecek çeviri, içerdiği
birçok anlam ve yüklendiği fonksiyonellikle çok yönlü bir süreçtir. Edebi çeviri, genel tanımdan
farklı olarak yaratıcı ve sanatsal tüm kullanımları da içerdiği için tanımlaması daha zor olsa da kaynak
metnin anlamını ve mesajını çeviri metinde aksettirmesi gereken bir konumu olan ve kaynak dildeki
yazını, metnin anlamsal, sözdizimsel ve biçemsel özelliklerini belirli bir düzlemde korunarak erek
yazına aktarma işlemi olan bir süreç şeklinde tanımlanabilir. Edebi çeviri sürecinde, dillerin farklı
dilsel özellikleri, yanlış anlamalar, anlam karşılığı bulamama veya çevirmen tercihleri gibi durumlardan kaynaklı bazı kayıplar oluşabilmektedir. Bu kayıpların çokluğu halinde bilgi kaybı ve kaynak
metnin mesajını erek metinde verememe gibi problemler oluşabilmektedir. Son yıllarda çeviri ile ilgili
yapılan incelemelerin neredeyse hepsinde var olan eşdeğerlik kavramı bu çalışmada da karşımıza
çıkmaktadır. Kaynak metnin kendi okuru üzerindeki etkiyi, çeviri okuru üzerinde de gerçekleştirmeyi
hedefleyen eşdeğerlik ilkesi çeviri sürecinde her zaman uygulanamaz. Bunun nedeni de erek dilin
kaynak dildeki dil yapılarından farklı olması olabilir. Diller arasında var olan birtakım farklılıklar başlı başına çeviri kaybına yol açan etmenlerden olmakla birlikte, ara dilden yapılan çeviriler etmeni de
söz konusudur. Eğer bir metin, kaynak bir dilden bir ara dile çevrilip daha sonra bu ara dil kaynak dil
varsayılıp başka bir dile çevriliyorsa bu süreçte çeviri kaybı olması kaçınılmazdır. Bu gibi durumlarda
çevirmene, çevirinin az kayıpla başarılması hususunda büyük bir görev düşmektedir. Çünkü günümüz
dünyasında çeviri kaçınılamaz bir olgudur ve uluslararası kültür ve bilgi aktarımında çok önemli bir
yere sahiptir. Bu çalışmada da Nobel ödüllü Mısırlı yazar Necîb Mahfûz’un Yevme Kutile’z-Za‘îm adlı
eserinin kaynak dil Arapçadan ve ara dil İngilizceden erek dil Türkçeye çevirileri incelenerek, çeviri
sürecindeki sözdizimsel, anlamsal, kültürel birtakım çeviri kayıpları ortaya konulmuştur. Bu incel-
eme yapılırken Mona Baker’ın eşdeğerlik tasnifinden kelime ve kelime üstü düzeyde eşdeğerlik temel
alınarak karşılaştırmalı analiz yöntemiyle çeviriler değerlendirilmiştir.