bluuebunny/crossref_metadata_2025_split huggingface dataset:
Gıdalarda Deniz Kaynaklı Makroalg Özütü Kullanımı ve Lipit Oksidasyonunu Önlemede Antioksidan Etkisi
Authors: GÜMÜŞ Bahar , GÜMÜŞ Erkan 
Published: November 2019

Katkı maddesi içermeyen doğal ürünlere yönelik artan
tüketici talepleri ve yeni üretim teknikleri doğal katkı maddelerine olan
ilgiyi arttırmıştır. Antioksidanlar, az miktarlarda kullanımıyla bile yağ
oksidasyonunu engelleyen ya da geciktiren gıda katkı maddelerinin önemli bir
grubudur. Gıdalarda, butil hidroksianisol, butil hidroksitoluen ve tersiyer bütil hidroksikinon gibi sentetik
antioksidanlar ya da tokoferoller, askorbik asit, karotenoidler, flavonoidler,
aminoasitler, fosfolipidler ve steroller gibi doğal antioksidanlar
kullanılmaktadır. Son zamanlarda, gıda endüstrisi doğal antioksidan maddelerin
ekstraksiyonu ve saflaştırılması üzerine odaklanmıştır. Bu nedenle, antioksidan
bileşenlerin iyi bir kaynağı olarak makroalg özütlerine olan ilginin arttığı
görülmektedir. Literatürde, deniz kökenli makroalg özütlerinin (özellikle
kahverengi makroalglerin) güçlü antioksidan özelliklere sahip olduğu rapor
edilmektedir. Pek çok araştırmada, farklı makroalg türlerinden, klorofil, β-karoten, α-tokoferol, askorbik
asit, niasin, tiamin, polifenol, polisakkaritler, flavonoidler, fosfolipidler,
terponoidler ve peptidler gibi antioksidan bileşenler ekstrakte edilmiştir.
Araştırmacılar tarafından, makroalg özütlerinin antioksidan özellikleri üzerine
farklı coğrafik bölge, makroalg türleri, çözücüler, ekstraksiyon metodu,
ekstraksiyon sıcaklığı ve zamanı gibi bazı parametrelerin etkileri
araştırılmıştır. Bu derlemenin amacı, makroalg özütlerinin antioksidan
aktivitesi üzerine yapılan bilimsel makalelerin sonuçlarını sunmak ve gıdalarda
antioksidan maddelerin doğal bir kaynağı olarak potansiyeli hakkında bilgi
vermektir.
Incorporation of EGFR mutation status into M descriptor of new TNM classification influences survival curves in non-small cell lung cancer patients
Authors: Stanic Karmen , Turnsek Nina , Vrankar Martina 
Published: November 2019

Abstract

Background
The 8th edition of tumor node metastasis (TNM) staging system for lung cancer introduced a revision of M descriptor. The limitation of new classification to predict prognosis is its focus on anatomical extent of the disease only. Information on molecular status of the tumor significantly influences treatment response and survival; however, data addressing this issue is scarce. This report points to the impact of epidermal growth factor receptor (EGFR) mutation in non-small cell lung cancer (NSCLC) patients on survival in view of new M descriptors of TNM classification system.

Patients and methods
Medical records of 479 consecutive metastatic NSCLC patients treated between 2009 and 2011, all tested for EGFR mutations, were retrospectively reviewed. For 355 patients medical records included sufficient information to be appropriately categorized into one of the new subgroups according to the M descriptor in 8th TNM classification, of those 89 (25.1%) patients harboured EGFR mutations (EGFR-m).

Results
Median overall survival (mOS) of EGFR-m patients was significantly longer than mOS of patients without EGFR mutations (20.6 months vs. 8.3 months, p < 0.001). Patients with limited disease burden (M1b sub-group) had the longest mOS among EGFR wild type patients (EGFR-wt) and also among EGFR-m patients, 14.4 months and 39.2 month, respectively. In spite of widespread metastatic disease of M1c EGFR-m patients, their mOS (18.8 months) was longer than mOS of oligometastatic EGFR-wt patients (M1b), who had the lowest disease burden (14.4 months). Median follow up was 53.9 months.

Conclusions
Incorporation of EGFR mutation status in advanced NSCLC further differentiates survival curves of M categories in 8th TNM classification and more precisely predicts survival compared to number of metastasis or number of metastatic sites alone.
INNOVATION OF THE TRADITIONAL SANDSTONE CRAFT PRODUCTS IN THE GLOBALIZATION ERA AT NORTH SINGAPADU VILLAGE GIANYAR
Authors: Pendet I Ketut Muka , Ardhana I Ketut , Suarka I Nyoman , Sugiartha I Gede Arya 
Published: November 2019

Nowadays the process through which the sandstone craft products are produced at North Singapadu Village has changed. The appearance of different types of popular sandstone craft products reflecting the local identity produced by the young craftsmen at North Singapadu Village shows this. Such products are different from the traditional sandstone craft ones in terms of form and aesthetic style. Globalization, ideology and technology have basically led to the change. The sandstone industry has become highly innovative. This present study uses the qualitative and interpretative method and the theories used are the theory of acculturation, the theory of deconstruction, and the theory of postmodern aesthetics.
The conclusion of the present study is that the form and process of innovation initially resulted from new ideas and concepts and the craftsmen’s paradigm. The main things which have been responsible for changing the traditional way of life into the modern way of life are formal education, tourism and modern technologies. Those who are positively and negatively affected by globalization are not only the capital owners and craftsmen but the villagers and consumers as well. The sandstone craft products at North Singapadu Village contain the meaning of creativity, the economic meaning, the commodificative meaning and the meaning of cultural change. The finding of the study shows that the craftsmen at North Singapadu Village have ignored the traditional concepts, the technique of producing the products, and the materials used. However, the sandstone craft products at North Singapadu Village do not get extinct but remain to exist and both domestic and foreign consumers are interested in them.
DECONSTRUCTING EMPOWERMENT OF PEOPLE WITH DISABILITIES AT GIANYAR SENANG HATI FOUNDATION, BALI
Authors: Wahyuni Anak Agung Nyoman Sri , Wirawan AA Bagus , Kumbara Anak Agung Ngurah Anom 
Published: November 2019

Globalization extraordinarily affects the Senang Hati Foundation. The roles played by the agents of empowerment such as the Non-government OrganizationS and government are enormous. The government should pay attention to every citizen, including those with disabilities as they also need justness, as stated in the Five Principles ‘Pancasila’ and the 1945 Constitution and the Act Number 4 of 1997 concerning people with disabilities, which was then changed into the Act of the Republic of Indonesia Number 8 of 2016 concerning people with disabilities. This present study is intended to identify the empowerment of the people with disabilities at the Gianyar Senang Hati Foundation, Bali. The qualitative method is used. The data were taken from the primary data source and secondary data source. The data were obtained through observation, in-depth interview, and library research. The theory of hegemony, the theory of deconstruction, and the theory of social practice are used in the present study.
The result of the study shows as follows. First, the Foundation has four programs which are implemented to empower people with disabilities. They are social program, educational program, health program, and economic program. Second, the obstacles the Foundation faces can be divided into two. They are the internal obstacle and external obstacle. Third, the obstacle affects the existence of the Foundation, its management, its members, the government, donators and society. The finding of the study is that the Foundation has not been able to empower all of its members yet. In addition, the agents of the empowerment of people with disabilities have different interests.
ENTREPRENEURAL FIGURE OF MOUNT AGUNG TREKKING GUIDES
Authors: Mudana I Gede , Sutama I Ketut , Widhari Cokorda Istri Sri 
Published: November 2019

Mount Agung with an altitude of 3,142 meters from sea level stood at the coordinates of 8020'27 "S 115030'12" E, circled along 105 kilometers (65 miles), and classified as a volcanic type monoconic strato. The highest mountain in Bali Province was located in Selat District, Karangasem Regency. It got a last major eruption in 1963 and since then began to be climbed by climbers/tourists. Because in 1970s and 1980s some climbers/tourists very often got lost and accidents to death, since the 1990s a number of the local community members took initiative to serve the climbers/tourists who want to explore the mountain known as holy and sacred one. This study was conducted in order to understand and describe the pioneering aspects of entrepreneurial figure of the related trekking guides. It was a qualitative study with a qualitative data analysis.
The results of this study showed that because Mount Agung was not an ordinary mountain but full of myths and stories that were supernatural, so the entrepreneurial practices of the Selat Village community appeared not only to serve the climbers/trekkers as usual but also to preserve the environment and ensure their safety as there were so many taboos in the climbing/trekking. All these facts can be seen from the depiction of the stories and experiences of the local climbing/trekking guides who had been doing their work for years. As entrepreneurs, they looked for income but, above all, environmental sustainability and the spirituality of the mountain werw not neglected.
KARANG MEMADU: AN ANTIPOLYGAMY VILLAGE CALLED PENGLIPURAN
Authors: Soethama Putu Lirishati 
Published: November 2019

Modernization illustrates that traditional life does not provide enough roles and opportunities for women. Tradition is often interpreted as a restraint and persecution of women. It is no exaggeration to say that in traditional and modern life, polygamy is a legit and approved act. Polygamy is detrimental to women, making them suffer and helpless. However, in traditional village of Penglipuran, Bangli regency, Bali, polygamy is prohibited. Men who violate customary rules as outlined in the awig-awig of the village should be sentenced. This study aims to provide a basic and simple description of Karang Memadu, a unique tradition of Penglipuran. The purpose of this research is assisted by using library study method, interview with informants and the community of Penglipuran Village, as well as observation and capturing the life of the community by photographic equipment.
The local wisdom of Karang Memadu in traditional village Penglipuan is an effort to protect women from polygamy. Customary sanctions must be acknowledged: prohibited from entering the temple area, prohibited from passing the village road up to disgrace of being isolated are effectively make the couple of polygamy can not be encountered in the village Penglipuran. Although this awig-awig is in contrast to Law No. 1 of article 3 verse 2 of 1974 on the legitimacy of polygamy, the terms are in accordance with article 5 stated polygamy may be ratified if there is a consent from the previous wife. This is the essence of Karang Memadu, no women are men’s second wive. Thus, it would have a greater value if Karang Memadu should not only be taken part as oral customary rules but also considered as as written one.
THE MATTER PERTAINING TO THE POSTMODERN TOURIST PRODUCTS REPRESENTING THE AREA OF THE OLD CITY OF JAKARTA
Authors: Entas Derinta , Mudana I Gede 
Published: November 2019

Cultural representation from the perspective of cultural studies is the concept of production, mediation, and reception. The common people know it as production, distribution, and consumption. The main topic of the present study is the appearance of the past in its current form. The appearance of the past using the cultural capital of the area is raised and packaged with new forms and meanings. The study focuses on the forms of the postmodern tourist products which represent the area of the Old City of Jakarta. The study uses the qualitative method in which the forms of the postmodern tourist products representing the area of the Old City of Jakarta are simply analyzed. The data were collected through observation, interview, documentation, and questionnaire. The data were analyzed interpretatively using the theory of cultural representation.
The result of the study shows that the postmodern tourist products represent the area of the Old City of Jakarta in the forms of the production process, distribution process, and consumption process. They all strengthen the forms of the postmodern tourism products representing the area of the Old City of Jakarta. The products include City Tour, Heritage Trails; Junior Heritage Trails: Fun Learning in History; Sunda Kelapa Cycling Tour; Kampung Arab Cycling Tour; Marine Tourism (Wisata Bahari): Sunda Kelapa Harbour and Onrust Island; Jakarta Heritage Trails: Free Old City Tour; Chinatown Journey Experience Through The Eyes of History; Old City Adventure (Kelana Kota Tua); Going Along the Fortress of Batavia City; Jakarta Urban Legend Tour; Past Time Trip (Plesiran Tempoe Doeloe). The different tourist products have been created by the tourism agents, and are packaged in such a way starting from historical facts to mythological stories that they all have enriched the tourist attractions in the Old City of Jakarta.
CONTROVERSY OVER MANGASE UDAN RITUAL AT SIANJUR MULAMULA DISTRICT, SAMOSIR REGENCY, NORTH SUMATRA
Authors: Siregar Mangihut , Kumbara A.A. Ngurah Anom , Wirawan A.A. Bagus 
Published: November 2019

The mangase udan ritual is a Batak tradition when they still embrace the Parbaringin school. This ritual is done when they face a prolonged dry season. The entry of the Dutch colonial to the Tapanuli region, as well as the broadcast of religion make this ritual becomes a forbidden tradition. On October 10, 2016, the mangase udan ritual was performed again at Dolok Simanggurguri, Sianjur District, Mulamula District, Samosir Regency, North Sumatera. The implementation of the ritual mangase udan experience pros and cons in society. To explore this pro and contra attitude, it is necessary to conduct research which is aimed to know how the implementation of mangase udan ritual does; why there is controversy about the ritual; and what are the implications of the mangase udan ritual controversy. The method used in this research is qualitative method. Theories used to analyze the problems are power/knowledge (discourse) theory, postcolonial theory, and social practice theory.
The results showed that the mangase udan ritual was carried out in Sianjur Mulamula District due to a prolonged drought. Through the implementation of the mangase udan ritual, the stoning kings wanted to show their existence. The Catholic Church supports the implementation of the mangase udan ritual in order to broadcast the religion while the Christian church rejects it for the reasons that it is in contrary with Christianity. The implications of the mangase udan ritual controversy are the increasingly high polarization between the Christianity and the Catholicism. There is another implication that is the Catholic religion has good relation with the government and the relationship between Christianity and the government is not good.
INHERITANCE SYSTEM OF TINUTUAN GASTRONOMY IN MANADO CITY
Authors: Langi Grace Kerly Lony 
Published: November 2019

Tinutuan is known as a local culinary which is close to all socio-economic status, religion and belief, gender, and age. There is no limit to consuming it, therefore tinutuan can be accepted as one of the culinary choices for people outside the region and abroad. The problem now, things related to history, preparation, processing, and presentation tinutuan not all people Manado City find out tinutuan fans. This study aims to interpret the tinutuan gastronomic inheritance system so that tinutuan as gastronomy in Manado City is not marginalized even extinct. Research data in the form of observation, interview, literature study, and documentation by using qualitative approach. Informants were determined purposively.
The results show formal and informal inheritance systems in gin tinutuan gastronomic practices. Tinutuan gastronomy became the culinary heritage of the city of Manado, therefore recommended inheritance system in the family and culinary business is not broken. In addition, the active role of society and educational organizations to socialize tinutuan culinary in the pattern of daily eating habits.
PRACTICE OF POWER OF MEDICAL AUTHORITY OF THE MENTAL HOSPITAL ON THE PSYCHIATRIC PATIENT WITH STIGMA
Authors: Putro Bambang Dharwiyanto , Kumbara AA Ngurah Anom , Wirawan A.A. Bagus 
Published: November 2019

The matters pertaining to mental disorders are complex as they are not only related to the medical professionalism, patients, their families and society but they are also related to the stigma they have and the protection of their dignity and status. Stigma is like a prison in the social relation constructed by the apparatuses that contribute to development, the regime of knowledge, and modernism on behalf of normalization. By applying the point of view of cultural studies, namely siding with those who are suppressed, this present study is intended to identify the form of the stigma which the psychiatric patients have resulting from the practice of power of the medical authority implemented by the Mental Hospital. Observation and in-depth interview methods were employed in the present study. The data were collected through life story and library research. The collected data were analyzed descriptively, qualitatively and interpretatively using the relevant critical theories such as the theory of discourse, the theory of deconstruction, and the theory of hegemony.
The result of the study shows that there are two forms of the stigma which the psychiatric patients suffer from; they are the public stigma (the stigma brought about by society) and the self-stigma (the stigma brought about the patients and their families). The factors which contribute to the stigma of mental disorders can be classified into two; they are the external and internal factors as the translation of the hegemony of power and the domination of the authority of social and medical apparatus over the psychiatric patients leading to the social and identity gap. This shows the form of the struggle involving power in order to strengthen the domination of the apparatus in different aspects of life. The psychiatric patients cannot speak and are so marginalized that they have almost never been heard. The society’s social control through the saving mission of the Mental Hospital is implemented through the nursing practice and the controlling mechanism it performs in which the authority of the medical doctors is dominant enough to show that they have power in the Mental Hospital.
TRANSFORMATION OF DOL MUSIC IN THE MUSICALITY OF TABOT RITUAL, BENGKULU CITY
Authors: Parmadi Bambang , Kumbara A.A. Ngurah Anom , Wirawan A.A. Bagus , Sugiartha I Gede Arya 
Published: November 2019

Originally, Dol music was used as means of religious musicality to spread Moslem religion in Bengkulu. As time goes by, through the process of acculturation and assimilation, Dol music becomes a sacred musicality to accompany the ritual procession of Tabot, Sipai tribe (Tabot family) in Bengkulu city. Globalization and the interference of power bring the change complexity of Dol musicality as Tabot ritual music in the socio-culture of Bengkulu society. The aim of this research is to understand and explain the occurrence of Dol music transformation and its implication to the socio-cultural system in Bengkulu society. The approach implemented is cultural studies with qualitative analysis technique. It is applied critical and popular culture theories to uncover the focus of the problem in this study.
The result shows that Dol music undergoes musical transformation as Tabot ritual music into a secular and profane music, resulting in the expansion of function and form. Therefore, Dol music is legitimized into traditional music icon of Bengkulu, in a wider and freer scale, shifting the Tabot’s popularity and sacred rituals as the “Heritage of the World in The Trust” of Bengkulu’s folk art culture. This has implications for all socio-cultural joints of the people in Bengkulu city, triggering a qualitative change in socio-cultural evolution to the form of divergence. It means that Dol music was originally a sacred/ religious music tradition, developed following the increasingly complex transformation as a mass culture in Bengkulu.
PATRIARCHAL IDEOLOGY IN WORKS OF VISUAL ART OF BALINESE CONTEMPORARY WOMEN ARTISTS
Authors: Hardiman Hardiman , Putra I Nyoman Darma , Atmadja Nengah Bawa , Mudana I Gede 
Published: November 2019

Human problems are faced faced by Indonesian contemporary visual artists. However, the most typical are the problems faced by contemporary women visual artists, including those faced by Balinese contemporary women visual artists. Other than social problems, their personal problems also arise as women visual artists amidst patriarchal cultural construction. Balinese contemporary women visual artists, like Indonesian contemporary visual artists, are facing social problems and their personal problems as women. But, Balinese contemporary women visual artists also face very strong patriarchal (purusa) cultural ideology. This study aimed at revealing and describing the form of the subject matter of woman’s body as an expression of opposition in the works of visual art of the Balinese contemporary women visual artists; revealing and describing ideologies that operate behind the sexual representation of the Balinese contemporary women visual artists and revealing and describing the contestation of meaning in the ideological sexual representation of Balinese contemporary women visual artists. This study using interpretive qualitative method produced, first, works of Balinese contemporary women artists which have traditional visual elements comprising contour, repetition, rythm, dialect.
The works of Balinese contemporary women visual artists also have modern visual elements comprising spatial awareness,distortion, stylization, material character, unity, and personal identity. In addition, the works of Balinese contemporary women artists also have post-modern visual elements of trans-aesthetics, dialogism, and disorder. Secondly, the ideologies that operate behind the works of Balinese contemporary visual artists can be classified into three ideologies based on the forms and contents of the works of art. The ideologies are patriarchal ideology that is related to the theme of superiority,phallus symbol, and weak group; feminism ideology that is related to the theme of subordination, equality, and subjectivity construction, and aesthetical ideology concerning with style, which is related to the classification of styles based on time, place, form, technique, and subjject matter. Third, meanings which can be developed from Balinese contemporary women visual artists are the meaning of domestic body and the meaning of open body in the sexual representation of Balinese contemporary women artists. The meaning of domestic body is found in the works of Cok Mas Asiti, Ni Nyoman Sani, and Sutrisni. Sani while the meaning of open body in the works of IGK Murniasih and Nia Kurniati Andika.