bluuebunny/crossref_metadata_2025_split huggingface dataset:
Sin in the New Testament
Authors: Siker Jeffrey 
Published: August 2020

Abstract
This book examines what the different New Testament writings have to say about sin within the broader historical and theological contexts of first-century Christianity. These contexts include both the immediate world of Judaism out of which early Christianity emerged, as well as the larger Greco-Roman world into which Christianity quickly spread as an increasingly Gentile religious movement. The Jewish sacrificial system associated with the Jerusalem Temple was important for dealing with human sin, and early Christians appropriated the language and imagery of sacrifice in describing the salvific importance of the death and resurrection of Jesus. Greco-Roman understandings of sin as error or ignorance played an important role in the spreading of the Christian message to the Gentile world. The book details the distinctive portraits of sin in each of the canonical Gospels in relation to the life and ministry of Jesus. Beyond the Gospels the book develops how the letters of Paul and other early Christian writers address the reality of sin, again primarily in relation to the revelatory ministry of Jesus.
Introduction
Authors: Kessler Kelly 
Published: August 2020

Abstract
Although a twenty-first-century bump in high-profile musical television programming like Glee and The Sound of Music Live! brought television’s relationship to the musical back into the popular cultural consciousness, the Hollywood and Broadway musical had always been part of the American television landscape. This chapter sets up this relationship and creates a road map for the seven-chapter exploration of the small screen’s romance with a foundational American art form. It further contextualizes the work within a broader view of popular music, early forms of musical platform convergence (e.g. Broadway with sheet music sales, radio, and motion pictures), existing scholarship, and the challenges of conducting such a historical study when copies of the primary focus of the research—the programming itself—no longer exist or never existed in re-viewable form.
Small-Screen Singalongs
Authors: Kessler Kelly 
Published: August 2020

Abstract
As the television industry struggled to establish its identity in the late 1940s, it looked across town to Broadway and Tin Pan Alley and embraced the deep-rooted, highly lucrative, popular musical and its music as sources of inspiration. It turned to the familiar sounds of Cole Porter, Irving Berlin, Rodgers and Hammerstein, and Leonard Bernstein—music which fueled Broadway ticket sales and the recording industry. Focusing specifically on commercial television’s first decade, 1944–1955, this chapter explores how network programming sought to absorb both the sweeping popularity and cultural legitimacy of the musical genre and Broadway stage in pursuit of much-needed viewers and a more established cultural image or cachet. Further, it explores how visuals were transported from Broadway houses to small screens and how the first glimpses of Broadway on television would emerge as the medium set the stage for decades of small-screen singalongs.
Sequins and Songs on the Small Screen
Authors: Kessler Kelly 
Published: August 2020

Abstract
By the late sixties, television was America’s medium and, just as it had with stage and film musicals in the decades prior, it embraced the increasingly legitimized musical style of Vegas. Whether through Mitzi Gaynor’s string of television specials; the repackaging of Sonny and Cher’s Vegas shtick, glitz, and musical tributes; or The Carol Burnett Show’s Bob Mackie–clad musical extravaganzas, Vegas/Broadway hybrids filled the small screen. This fusion of old-school and, to a lesser degree, contemporary musicals with the popularized pizzazz and glamour of Vegas brought the television musical comfortably in line with the cheeky sexiness of 1970s network programming. Highlighting the ongoing symbiosis among various musical platforms, this chapter explores the rise of a hybridized Broadway-Vegas style on television, or what the author terms “BroadVegas,” in the context of changing generic norms across stages and screens, heightened inter-network competition and branding, and emergent visual, generic, and promotional styles.
GLEEks of the Week, Stage Tube, and #racheldoesstuff
Authors: Kessler Kelly 
Published: August 2020

Abstract
This chapter focuses on the rise and digital marketing of a spate of musical series between 2009 and 2019. It explores the specific methods used to address audiences of Fox’s Glee, NBC’s Smash, ABC’s Galavant, and The CW’s Crazy Ex-Girlfriend and how the shows’ industry-driven online footprints project both the television industry’s embrace of Web 2.0 techniques and varying methods of hailing fans of the Broadway musical. In various ways, these series blend techniques of Broadway and television fandoms and parlay theatrical language and stars into marketing tools, while acknowledging the contemporary power of online stardom in the cultivation of contemporary media texts. Whether through network websites, YouTube, Facebook, Twitter, or Instagram, or via interactive gif-creators and contests, these four musical series hung their hopes on the promise of fan interactivity.
The Hills Are Alive with Live-ness (or Not)
Authors: Kessler Kelly 
Published: August 2020

Abstract
Struggling broadcast networks sought to gain big ratings from a now fragmented, ever-fickle, and platform-ambivalent viewing audience by attempting to use a bit of nostalgia and celebration of liveness to temporally woo back audiences hungry for multi-platform viewing and time-shifting. NBC and Fox sought to resuscitate the live television musical with new productions of iconic shows like The Sound of Music, Peter Pan, The Wiz, Grease, and Hairspray. The years 2013 through 2018 looked like a crash course in designing these millennial musical live events, as the two networks repeatedly shifted their live musical presentation. Clear negotiations of liveness, viewership, and shooting/staging style emerged through the specials’ contested relationships with theatre itself. Through an exploration of the networks’ perception of the millennial cachet of Broadway and shifting choices in performance style and digital promotion, this chapter explores the rise and plateau of the early twenty-first century’s revival of televised live musicals.
Conclusion
Authors: Kessler Kelly 
Published: August 2020

Abstract
This final entry draws together some larger conclusions from the previous seven chapters, specifically addressing the complexity of the relationship between the various performance platforms and locales discussed in the book. As well, it poses some suggestions for future historical work regarding the relationship between television and the musical and looks ahead at the ever-rising level of convergence and audience participation possible in an increasingly networked world. It nods to an emergent trend in showing recordings of Broadway shows in movie theatres, the launch of Broadway HD, and the role the Internet plays in distributing licensed, bootlegged, and fan-created musical texts. It notes that the book is in no way comprehensive but seeks to illuminate the string of moving parts involved in the musical’s forays into television and ultimately looks forward at what might still be coming down the pike.
Visual and Multimodal Communication
Authors: Forceville Charles 
Published: August 2020

Abstract
Successful communication requires optimal relevance to a target audience. Relevance theory (RT) provides an excellent model based on this insight, but the impact of the theory has until now been restricted due to an almost exclusive focus on spoken face-to-face communication. Visual and Multimodal Communication: Applying the Relevance Principle is the first book to systematically demonstrate how RT can fulfill its promise to develop into an inclusive theory of communication. In this book, Charles Forceville refines and adapts RT’s original claims to show its applicability to static visuals and multimodal discourses in popular culture genres. Using colorful examples, he explains how RT can be expanded and adapted to accommodate mass-communicative visual and visual-plus-verbal messages. Forceville addresses issues such as the difference between drawing prospective addressees’ attention to a message and persuading them to accept it; the thorny continuum from implicit to explicit information; and the role of genre. Case studies of pictograms, advertisements, cartoons, and comics provide contemporary and accessible examples of the importance of genre and of how the RT model can be connected to other approaches. By expanding the application of relevance theory to include mass-communicative messages, Visual and Multimodal Communication reintroduces a central framework of cognitive linguistics and pragmatics to a new audience and paves the way for an inclusive theory of communication.
The Liberal State and Criminal Sanction
Authors: Jacobs Jonathan A. 
Published: August 2020

Abstract
Current forms of incarceration in the U.S. and U.K. are morally problematic in ways that are antithetical to the values and principles of liberal democracy. While indicating those morally problematic features the book defends the basic political and legal culture of the U.S. and U.K. A significant remaking of the political order is not needed for the required reforms of incarceration to be made. Greater faithfulness to the values and principles of liberal democracy could be adequate for such reforms. It is crucial to make those reforms because of the ways prisoners are currently being harmed, rendering many of them incapable of reintegrating successfully into civil society. The liberal order makes a dynamic, pluralistic civil society possible, and participating in civil society gives people a reason to value the liberal order. That relation is weakened by penal practices that diminish the agential capacities of offenders and fail to respect them as members of society. The book explores the relation between criminal justice and justice more comprehensively understood, highlighting the distinctive elements of criminal justice. It explains the role of desert in criminal justice and why criminal justice needs to be distinguished from distributive justice. Criminal justice includes a retributivist conception of punishment, one in which desert, proportionality, and parsimony are centrally important. A retributivist conception of punishment most effectively respects the voluntariness and accountability of agents in ways well suited to a liberal political order. The account examines misinterpretations of retributivism and highlights weaknesses of consequentialist approaches to sanction.
Collision of Worlds
Authors: Carballo David M. 
Published: August 2020

Abstract
Mexico of five centuries ago was witness to one of the most momentous encounters between human societies, when a group of Spaniards led by Hernando Cortés joined forces with tens of thousands of Mesoamerican allies to topple the mighty Aztec Empire. It served as a template for the forging of much of Latin America and began the globalized world we inhabit today. This violent encounter and the new colonial order it created, a New Spain, was millennia in the making, with independent cultural developments on both sides of the Atlantic and their fateful entanglement during the pivotal Aztec-Spanish war of 1519–1521. Collision of Worlds examines the deep history of this encounter with an archaeological lens—one that considers depth in the richly layered cultures of Mexico and Spain, like the depths that archaeologists reveal through excavation to chart early layers of human history. It offers a unique perspective on the encounter through its temporal depth and focus on the physical world of places and things, their similarities and differences in trans-Atlantic perspective, and their interweaving in an encounter characterized by conquest and colonialism, but also active agency and resilience on the part of Native peoples.
Iberia
Authors: Carballo David M. 
Published: August 2020

Abstract
A deep history of Iberia examines the waves of conquest and cultural developments on the Iberian peninsula. Agriculture was imported to Iberia from the Fertile Crescent region of Southwest Asia and included animal husbandry and the use of pack animals. Autonomous cultural developments of native Iberians were stimulated by maritime powers that sailed west along the Mediterranean: the Phoenicians, Greeks, Carthaginians, and Romans, each growing in their imperial reach and providing a base for later political and economic developments. Iberians also took advantage of their geographical setting on a peninsular hinge between the Mediterranean and Atlantic worlds, which connected two major maritime spheres of interaction and saw the development of hybrid ships increasingly suited to open ocean crossing. Following the collapse of imperial Rome, Iberia fluctuated between Christian and Islamic rule, with the former emerging victorious after a centuries-long program of national unification known as the Reconquista, or “reconquest.” Crops introduced by Muslims and administrative strategies implemented by Christian kingdoms in frontier regions were direct predecessors of the plantation-like economies eventually imposed on the Americas.
The Spanish-Mexica War
Authors: Carballo David M. 
Published: August 2020

Abstract
The decisive Spanish-Mexica war is covered in this chapter. The war lasted for close to two years but alternated between periods of uneasy diplomacy with the Great Speaker Moctezuma and other Mexica leaders and violent battles. Most important were the expulsion of the Spaniards and their allies from Tenochtitlan and their retreat to Tlaxcala, where they regrouped and were resupplied from boats landing in Veracruz, during which time a disease epidemic devastated Native communities. More Mesoamerican allies joined the Spaniards as the war progressed, including, most importantly, the second most powerful Aztec city-state of Texcoco. It was from here that Cortés launched small ships onto the lake surrounding the imperial capital and brought naval and siege battle tactics, born of millennia of bloodshed in the Old World, to the New World.
Shifting Dynamics of Contention in the Digital Age
Authors: Liu Jun 
Published: August 2020

Abstract
Over the past decades, waves of political contention involving the use of information and communication technologies have swept across the globe. The phenomenon stimulates the scholarship on digital communication technologies and contentious collective action to thrive as an exciting, relevant, but highly fragmentary and contested field with disciplinary boundaries. To advance the interdisciplinary understanding, Shifting Dynamics of Contention in the Digital Age outlines a communication-centered framework that articulates the intricate relationship between technology, communication, and contention. It further prods us to engage more critically with existing theories from communication, sociology, and political science on digital technologies and political movements. Given the theoretical endeavor, Shifting Dynamics of Contention in the Digital Age systematically explores, for the first time, the influence of mobile technology on political contention in China, the country with the world’s largest number of mobile and Internet users. Using first-hand in-depth interview and fieldwork data, it tracks the strategic choice of mobile phones as repertoires of contention, illustrates the effective mobilization of mobile communication on the basis of its strong and reciprocal social ties, and identifies the communicative practice of forwarding officially alleged “rumors” as a form of everyday resistance. Through this ground-breaking study, Shifting Dynamics of Contention in the Digital Age presents a nuanced portrayal of an emerging dynamics of contention—both its strengths and limitations—through the embedding of mobile communication into Chinese society and politics.
From Affordances to Repertoires of Contention
Authors: Liu Jun 
Published: August 2020

Abstract
This chapter analyzes the political circumstances and opportunities under which mobile phones emerge as a repertoire of contention. It argues that we should not just look at the use of communication technologies in contention. Instead, an investigation necessitates the perception of communication technologies as a repertoire of contention on the basis of affordances that structure the possibilities of the use of technology. Through fieldwork and in-depth interviews, this chapter indicates that taking (certain functions of) mobile phones as protest repertoire derives from a confluence of given social group’s habitus of media use that manifests particular affordances and the learned experience of the contested means of the past in official mass communication. More interestingly, communication and metacommunication of official media coverage of information and communication technology-mediated political activism modularizes and legitimizes the use of mobile phones in protests, and hence shapes specific ways people have harnessed their mobile phones as a key contentious repertoire.
The Phantom Ship in Der fliegende Holländer and L’Africaine
Authors: Cruz Gabriela 
Published: August 2020

Abstract
This chapter describes two instances of the re-mediation of grand opera by phantasmagoria, discussing side by side two deployments of the figure of the phantom ship—a seafaring image produced by phantasmagoria at the Adelphi Theatre in of Edward Fitzball’s nautical drama The Flying Dutchman (1826)—in Richard Wagner’s Der fliegende Holländer (1843) and Giacomo Meyerbeer’s L’Africaine (1865). Wagner’s music for the apparitional scenes, discussed in detail in the chapter, suggests a manner of composition adapted from the technical procedure of phantasmagoria and the nautical theatrics cultivated by Fitzball in London. L’Africaine’s nautical scene was also partially inspired by the English figure of the Flying Dutchman, exploring the same idea of magnification that was central to phantasmagorical procedure and to Wagner’s approach to the nautical.
Aida, Egyptomania, and the After-life of Grand Opera
Authors: Cruz Gabriela 
Published: August 2020

Abstract
This chapter explores three related themes present in Giuseppe Verdi’s Aida: the nexus between the imaginative display of the flute and the wider nineteenth-century fascination with ancient Egypt; Verdi’s turn to the affective poetics of phantasmagoria—its focus on loss, mourning and consolation—as he mobilized grand opera for the project of empire in the 1870s; and finally, his timely consideration of the lyrical voice of Aida, which calls attention to the role of memory in listening to opera and comments on the spectral nature of grand opera, suggesting that it survives in operatic modernity as a musical after-image, that is, a trace of a past musicality that potentiates the critical awareness of opera today.
Constitutional Innovation in Governing the Metropolis
Authors: Hirschl Ran 
Published: August 2020

Abstract
This chapter contrasts the status of metropolises in “old world” constitutional orders with their status in “new world” constitutional orders. It focuses largely on the Global South—where new ideas about the constitutional governance of the metropolis are more likely to emerge. From Asia to Latin America and parts of Africa, innovative, sometimes radical, constitutional measures have been introduced, some with more success than others, to address the metropolis issue. The chapter explores several examples of countries in Asia (Japan, South Korea, and China) in which central governments’ constitutional support of megacities reflects astute, long-term planning for regional or national economic growth. It further shows how South Africa’s constitutionalization of city power as part of its 1996 constitutional transformation is arguably the most effective of these attempts to date. In other Global South settings—notably India and Brazil—constitutional experimentation with city emancipation has succumbed to deeply engrained intergovernmental hierarchies. And in yet other settings strategic behavior and colliding incentive structures have driven attempts to either strengthen (e.g., Mexico City, Buenos Aires) or weaken (e.g., Nairobi) megacities.
Compromising Positions
Authors: Smith Leslie Dorrough 
Published: August 2020

Abstract
Compromising Positions argues that sex scandals aren’t really about sex. Rather, they are a form of cultural theater—a moment of highly visible, public storytelling—the purpose of which is to use specific racial and gendered symbols to create a collective sense of national worth and strength. To arrive at this conclusion, the book charts the ways in which attitudes about gender, race, and religion are woven together to create a certain sort of rhetoric about what America is, who is eligible to formally represent it, and what types of religiosity such leaders must display in order to legitimize their power. The book shows that Americans simultaneously condemn and excuse the sexual indiscretions of their politicians depending on the degree to which those politicians reinforce longstanding, evangelical symbols—many of which are heavily raced and gendered—that are associated with “American values” and a “Christian nation.” Such values include not just moral fortitude but also strength, courage, and conquest. The upshot is that sex scandals are less likely to occur at cultural moments when the public is open to reading a politician’s moral lapse as a symbolic form of national dominance. Put simply, when he is perceived as strong, domineering, and necessary for national health, many people will find ways to either forget his illicit sex or somehow read it as an American act.
Nation
Authors: Smith Leslie Dorrough 
Published: August 2020

Abstract
Chapter 4 shows how American sex scandals have a specifically national element inspired by evangelical thinking. How a politician is accountable for illicit sex depends on whether he typifies white masculine norms, and whether he symbolizes a protector who will keep white Americans safe from their enemies, both foreign (e.g., Muslim terrorists) and domestic (e.g., poor blacks). Politicians thus function like national fathers whose indecencies Americans tolerate so long as they can assure the white public of the nation’s strength. To chart this idea, the author explores the proliferation of family rhetoric in political speech across the 1970s and1980s (including that of Ronald Reagan), discusses the racialized gender norms that politicians follow to increase their public appeal, and shows how Americans see themselves as childlike citizens who need a father’s protection. These ideals are borne out in a comparison of the sex scandals of Rudy Giuliani, Newt Gingrich, and John Edwards.