bluuebunny/crossref_metadata_2025_split huggingface dataset:
Solid and Hematologic Neoplasms After Testicular Cancer: A US Population-Based Study of 24 900 Survivors
Authors: Milano Michael T , Dinh Paul C , Yang Hongmei , Zaid Mohammad Abu , Fossa Sophie D , Feldman Darren R , Monahan Patrick O , Travis Lois B , Fung Chunkit 
Published: February 2020

Abstract

Background
No large US population-based study focusing on recent decades, to our knowledge, has comprehensively examined risks of second malignant solid and hematological neoplasms (solid-SMN and heme-SMN) after testicular cancer (TC), taking into account initial therapy and histological type.

Methods
Standardized incidence ratios (SIR) vs the general population and 95% confidence intervals (CI) for solid-SMN and heme-SMN were calculated for 24 900 TC survivors (TCS) reported to the National Cancer Institute’s Surveillance, Epidemiology, and End Results registries (1973–2014). All statistical tests were two-sided.

Results
The median age at TC diagnosis was 33 years. Initial management comprised chemotherapy (n = 6340), radiotherapy (n = 9058), or surgery alone (n = 8995). During 372 709 person-years of follow-up (mean = 15 years), 1625 TCS developed solid-SMN and 228 (107 lymphomas, 92 leukemias, 29 plasma cell dyscrasias) developed heme-SMN. Solid-SMN risk was increased 1.06-fold (95% CI = 1.01 to 1.12), with elevated risks following radiotherapy (SIR = 1.13, 95% CI = 1.06 to 1.21) and chemotherapy (SIR = 1.36, 95% CI = 1.12 to 1.41) but not surgery alone (SIR = 0.83, 95% CI = 0.75 to 0.92). Corresponding risks for seminoma were 1.13 (95% CI = 1.06 to 1.21), 1.28 (95% CI = 1.02 to 1.58), and 0.87 (95% CI = 0.74 to 1.01) and for nonseminoma were 1.05 (95% CI = 0.67 to 1.56), 1.25 (95% CI = 1.08 to 1.43), and 0.80 (95% CI = 0.70 to 0.92), respectively. Thirty-year cumulative incidences of solid-SMN after radiotherapy, chemotherapy, and surgery alone were 16.9% (95% CI = 15.7% to 18.1%), 10.1% (95% CI = 8.8% to 11.5%), and 8.8% (95% CI = 7.8% to 9.9%), respectively (P &lt; .0001). Increased leukemia risks after chemotherapy (SIR = 2.68, 95% CI = 1.70 to 4.01) were driven by statistically significant sevenfold excesses of acute myeloid leukemia 1 to 10 years after TC diagnosis. Risks for lymphoma and plasma cell dyscrasias were not elevated.

Conclusions
We report statistically significant excesses of solid-SMN affecting 1 in 6 TCS 30 years after radiotherapy, and 2.7-fold risks of leukemias after chemotherapy, mostly acute myeloid leukemia. Efforts to minimize chemotherapy and radiotherapy exposures for TC should continue. TCS should be counseled about cancer prevention and screening.
Peripheral leg ischemia detected via intraoperative neurophysiological monitoring during a multilevel complex anterior and posterior operation
Authors: Rasouli Bobak , Pederson Kristine , Wilkinson Marshall F , Zarrabian Mohammad 
Published: February 2020

Abstract
Intraoperative neurophysiologic monitoring is a technique utilized during spinal operations to minimize sensory and motor function morbidity. We herein report a case of a 73-year-old female with renal cell carcinoma and metastatic involvement of the cervical and thoracic spine, who underwent a multilevel complex anterior and posterior operation. Neurophysiological monitoring was able to localize the lower limb ischemia utilizing somatosensory evoked potentials. This prompted intraoperative investigation of the peripheral ischemia, and the patient was found to have an Angio-Seal device embolus in the right popliteal artery that dislodged from the right femoral artery.
Ischemic appendicitis due to pelvic adhesions: a case report
Authors: Smith Lauren E , Levy and Paul 
Published: February 2020

AbstractAcute appendicitis is one of the most common etiologies of a surgical abdomen. The lifetime risk is estimated to be 7%. Over 300 000 appendectomies occur annually in the USA. The pathophysiology of appendicitis in most patients is believed to be caused by outflow obstruction of the appendiceal lumen leading to increased intraluminal pressure, venous congestion and mucosal ischemia. This can occur due to a variety of internal obstructive causes such as a fecalith, lymphoid hyperplasia, parasites or a tumor. To date, no case reports describing appendicitis secondary to external compression of the appendix leading to outflow obstruction been documented in the literature. This case report describes a 61-year-old female who had a thick, adhesive band compressing the base of her appendix, which created external outflow obstruction leading to the development of appendicitis.
C. F. A. Voysey
Authors: Livingstone Karen 
Published: February 2020

Charles Frances Annesley Voysey (b. 1857–d. 1941) was an architect, designer, and leading figure of the Arts and Crafts Movement in Britain. The houses and interiors he designed, notably his own home, The Orchard, Chorleywood (1899), were much acclaimed. From 1890 to 1910 he was regarded as one of the most innovative and influential architects of his generation. His international reputation was enhanced through the widespread publication of his work, and his own writing and lectures. He had strong guiding principles, believing in a simple and honest life, lived close to nature. Voysey was trained by J. P. Seddon (b. 1827–d. 1906) from 1874 and then worked for Henry Saxon Snell (b. 1830–d. 1904), followed by George Devey (b. 1820–d. 1886). He set up his own practice in 1882, specializing in small-scale houses. He designed only a few commercial or public buildings, including a factory for Sanderson and Co., London (1902) and Winsford Cottage Hospital, Devon (1901). Voysey designed homes to suit the needs of his clients’ lifestyles and budgets, in which he merged traditional styles with modern construction techniques, materials, and amenities such as plumbing and electricity. He used a consistent architectural language, and while the same details appear over and over, the result is never repetitive and always suited to the setting. Voysey was also a successful designer of patterns for textiles and wallpapers, beginning around 1884 and producing a prolific range over the next fifty years. He designed extensively for other media, including furniture, clocks, ceramics, metalwork, stained glass, jewelry, sculpture, and graphic design. Voysey was a pioneer, and scholars, notably Pevsner 1968 (cited under General Overviews), at first positioned him as a pioneer of modern design. Voysey firmly rejected this notion, believing that he was an individual, a man of his age, and a follower of the Gothic revival. His most important influences were the architect and designer A. W. N. Pugin (b. 1812–d. 1852), the writer and critic John Ruskin (b. 1819–d. 1900), and the designer, poet and socialist William Morris (b. 1834–d. 1896). He also greatly admired the architect Ninian Comper (b. 1864–d. 1960). Voysey did not receive formal recognition until later in life. He became a Fellow of the Royal Institute of British Architects in 1927 and was awarded the RIBA Gold Medal in 1940. In 1936 he was elected Designer for Industry by the Royal Society of Arts. He lived in poor financial straits exasperated by the decline of his practice after 1912, ill health, and separated from his wife since 1917. He died in Winchester in 1941.
Building Materials of Chinese Architecture
Authors: Guo Qinghua 
Published: February 2020

This bibliography is a summation of our present knowledge of building materials used in China from prehistoric (c. 3000 bce) to premodern times (18th century). Earth, timber, stone, bricks, and tiles are the major materials developed with construction purposes. Earth and wood rendered as tu-mu are a synonym for construction work used throughout the history. In the case of earth, for example, it was used to build not only architecture but also infrastructure (such as city walls) with different techniques (e.g., direct molding and cob, rammed earth with framework and adobe [mud bricks]). China is well known for its long tradition of historical documentation; however building materials in early imperial times were only occasionally mentioned in literature, and their manufacture details were recorded in a few documents. The oldest written source in existence is the Yingzao Fashi (1103). A large number of historic buildings survived from the Ming-Qing times are timber-framed. Therefore, timber architecture has been studied more intensely than the others. And, scholarly attention has put more on the later period of Chinese architecture. Critical study of Chinese architecture did not begin until the 20th century. In the field of building materials, the academic work was scarce. Obviously, the study overlaps with a number of fields: construction, technology, architecture, and archaeology. Within the topic, this bibliography is organized in five categories: timber, stone and earth, bricks and tiles, mortars, coating and painting. Timber includes various prefabricated elements and units, such as columns, beams and block-bracket sets (dou-gong). Over time, Chinese timber architecture developed into a modular design and building standard as a system. Wooden buildings require coatings for weather proofing, which led to application of decorative coatings and paints. Drainage and waterproofing had been major issues for buildings and structures, which resulted in the development from adobe to bricks and tiles. Each section reviews main issues and lists recent scholarly contributions, as well as important database sources.
György Ligeti
Authors: Bauer Amy 
Published: February 2020

György Sándor Ligeti (b. 1923–d. 2006) is arguably the most influential composer of the late 20th century. Over the course of six decades, he produced solo Chamber Works, choral compositions, Fluxus experiments, analog Electronic pieces, orchestral compositions, and works of music theatre. Ligeti was born in Transylvania of Hungarian-Jewish parents, where he first studied music at the Kolozsvár Conservatory. Although he lost his father and brother to the wartime concentration camps, Ligeti escaped a Nazi work camp and entered the Liszt Academy in 1945. He joined the Academy faculty on graduation, just as Communist dictates began to affect Budapest’s cultural and political life. Under the constraints of socialist realism, Ligeti embarked on a compositional career divided between acceptable works and more dissonant compositions “for the desk drawer.” During the 1956 Hungarian revolution Ligeti escaped to Vienna, and in 1957 worked at the electronic studio of West German radio in Cologne. His early Orchestral WorksApparitions (1958–1959) and Atmosphères (1961) cemented Ligeti’s reputation with the European avant-garde. Rejecting the dogmatism of the Darmstadt school, Ligeti embraced influences from early music, art, literature, science, and folk music, producing complex but often remarkably accessible works known for their eccentric humor and dark wit. In the 1970s Ligeti continued to refine and expand his style, producing everything from intimate solo works for harpsichord to the suitably grand opera Le Grand Macabre (1974–1977, revised in 1996). His music from the 1980s onward incorporated influences from African and other non-Western music, the canonic music of Conlon Nancarrow, and fractal geometry, but remained rooted in his native language and conservatory training. The championing of his music by leading performers, and numerous awards that followed his 70th birthday in 1993 contributed to the growing influence of Ligeti’s music in the last decades of the 20th century, by which time his students had established careers on several continents. Ligeti’s music is widely lauded for uniting intellectual sophistication with a respect for the sensual attributes of his materials, a perception supported by Interviews and theoretical writings that span his career. The publication of György Ligeti: Eine Monographie (Mainz, Germany: Schott, 1971) and Das musikalische Material und seine Behandlung in den Werken “Apparitions,” “Atmosphères” und “Requiem” von György Ligeti (Regensburg, Germany: G. Bosse, 1969) presaged an intense scholarly interest in Ligeti’s works which only intensified as his oeuvre expanded and he embraced new compositional challenges. Much of the scholarship on Ligeti thus revolves around the categories of musical technique and influences, not surprisingly given the composer’s focus in his own theoretical writings and lectures.
Lucrecia Martel
Authors: Martin Deborah 
Published: February 2020

Lucrecia Martel (b. 1966) is one of the best-known contemporary Latin American filmmakers. She is an innovative stylist who has gained worldwide recognition for her strange, oneiric, and sensorial feature films, which have won prizes at film festivals around the world. Martel has been seen as part of the wave of aesthetic experimentalism and the shift away from previous forms of filmmaking in Argentina that came to be known in the early 2000s as the “New Argentine Cinema,” and early criticism of her work is often preoccupied with locating it within that trend, which was seen as intrinsically linked with the context of economic crisis in Argentina. Feminist perspectives on Martel’s work were also among the first writings on her, later followed by a number of queer readings of her work. In addition, because of its formal innovations, critics of Martel’s work have also paid sustained attention to aesthetic and cinematographic questions, especially around sound and the extra-visual senses, including touch and the haptic. Martel’s first three features—La ciénaga (2001), La niña santa (2004), and La mujer sin cabeza (2008)—are often referred to as the “Salta Trilogy” and depict the life of the conservative middle classes in the provincial setting of Salta, Northwest Argentina, where Martel grew up. They have been read as critiquing gender, sexual, ethnic, and class power structures, while questions of phenomenology, the body, the senses, and the use of sound have also been to the fore. The more recent Zama (2017) is a departure from the earlier features in a number of respects: it is Martel’s first literary adaptation (of Antonio di Benedetto’s 1956 novel of the same name), the first of her features not to be set in Salta, and the first to have a male protagonist. Set in the colonial era, it is also Martel’s first historical film. However, it shares certain aesthetic and thematic tendencies with the earlier films. In particular, early readings of Zama indicate that it will be read as an exploration of the colonial underpinnings of the racist, classist society examined in the earlier features. In addition, Martel has made a number of short films. Of these, Rey Muerto (1995) and Nueva Argirópolis (2010) have attracted the most critical attention.
Gothic Art in Italy
Authors: Thompson Nancy 
Published: February 2020

This article covers a period in Italy, c. 1250 to c. 1400, often characterized as the beginnings of the Renaissance in Italy. While many scholars in the past—from Giorgio Vasari in the 16th century to 19th- and 20th-century founders of the discipline—sought the “primi lumi,” or first lights, of the Renaissance in the 13th- and 14th-century art of Italy, more recent scholarship in the field is concerned with the contexts in which art in this period was commissioned, created, and received. Some of the larger contextual concerns that have driven scholarship since the late 20th century are the proliferation of the mendicant orders and their roles as patrons; the burgeoning mercantile economy that fueled artistic and architectural commissions; the political power of the communes and the ways that art and architecture reflected and created civic identity; the reception of works of art by a variety of audiences; and the importance of materials and techniques in the creative lives of artists. Additionally, due in large part to Vasari’s love of Florence and Florentine art, a great deal of scholarship in the field attends to Florentine art and to central Italian art more generally. This article reflects that bias and contains scholarship mainly on central Italian art. The title of this entry implies that it is concerned only with Italian art that is related in some way—visually, socially, theologically—to the art of northern Europe, where what art historians call the Gothic style originated in the 12th century. While some of the scholarship in this article centers on artistic exchange between northern Europe and Italy or examines Italian art that is Gothic in style, it is not limited to these issues. This article is intended to serve advanced undergraduates, beginning graduate students, and scholars seeking to do research in a new field, and it includes almost all books, many of them published within the past twenty years, with the intent that the bibliographies of the books will lead students and researchers to the older sources and periodical literature relevant to their scholarly interests.
Partial Sacrectomy for Resection of a Sacral Chordoma: 2-Dimensional Operative Video
Authors: Gagliardi Martin Julian , Guiroy Alfredo , Sícoli Alfredo , Masanés Nicolás Gonzalez , Ciancio Alejandro Morales 
Published: February 2020

Abstract
Sacral chordomas are infrequent tumors that arise from remnants of the notochord. They are most often found in the sacrum and skull-base.
1,2
These lesions rarely metastasize and usually have an indolent and oligosymptomatic clinical course. Chordomas show low sensitivity to standard radiation therapy and chemotherapy. Operative resection with wide resection margins offers the best long-term prognosis, including longer survival and local control.
1,3
However, achieving a complete resection with oncological margins may be difficult because of the anatomic complexity of the sacrococcygeal region.
4
The main complications of sacral resection include infections, wound closure defects, and anorectal and urogenital dysfunction. The rate of these complications is significantly increased when the tumor involves the S2 level or above.
We report the case of a 64-yr-old male who presented with progressive sacrococcygeal pain and a feeling of incomplete evacuation. A heterogeneous, osteolytic lesion was found at the sacrococcygeal region. Full body imaging tests were negative for other lesions. A computed tomography (CT) guided biopsy was made. We usually use the midline approach in case we have to include the needle path in the resection. The pathology confirmed a sacrococcygeal, low-grade chordoma. We decided to perform an en bloc resection. A posterior, partial sacrectomy was planned distal to the S4 level.
Neutrino oscillations at low energy long baseline experiments in the presence of nonstandard interactions and parameter degeneracy
Authors: Yasuda Osamu 
Published: February 2020

Abstract
We discuss the analytical expression of the oscillation probabilities at low energy long baseline experiments, such as Tokai to HyperKamiokande (T2HK) and Tokai to HyperKamioka and Korea (T2HKK), in the presence of nonstandard interactions (NSIs). We show that these experiments are advantageous in the exploration of the NSI parameters ($\epsilon_D$, $\epsilon_N$), which were suggested to be nonvanishing to account for the discrepancy between the solar neutrino and Kamioka Liquid scintillator Anti-Neutrino Detector data. We also show that, when the NSI parameters are small, parameter degeneracy in the CP phase $\delta$, $\epsilon_D$ and $\epsilon_N$ can be resolved by combining data of the T2HK and T2HKK experiments.
Reducing Nursing Student Anxiety in the Clinical Setting: An Integrative Review
Authors: Cornine Amanda 
Published: February 2020

Abstract

AIM
The aim of this review was to examine nonsimulation strategies to reduce undergraduate nursing student anxiety in the clinical setting.

BACKGROUND
The anxiety nursing students often experience during clinical rotations can affect their academic performance and interpersonal interactions.

METHOD
An integrative review was undertaken following guidelines by Whittemore and Knafl. The search was limited to articles published from 1999 to 2018 to increase the likelihood that they included the generations of students currently most prevalent in nursing programs, millennials and generation Z.

RESULTS
Most researchers (17 studies) supported their interventions as somewhat effective in reducing nursing student anxiety in the clinical setting. A number of limitations of the research were identified.

CONCLUSION
Various faculty-led and student-led interventions may reduce student anxiety in the clinical setting. Further rigorous research on this topic is needed to provide a strong evidence base for such interventions.
Attitudes Toward Spiritual Care and the Provision of Spiritual Care Interventions Among Jordanian Baccalaureate Nursing Students: Prevalence and Correlates
Authors: Musa Ahmad S. 
Published: February 2020

Abstract

AIM
The aim of this study was to identify aspects and frequencies of spiritual care intervention provided by baccalaureate nursing students and to explore factors associated with the frequency of spiritual care interventions.

BACKGROUND
Provision of spiritual care is a part of good quality nursing and is an important dimension in patients’ health and well-being.

METHODA
A cross-sectional descriptive and correlational design was employed. A convenience sample of 267 Jordanian baccalaureate nursing students completed a structured, self-administered questionnaire.

RESULTS
Participants had a low mean level of provision frequency for religious spiritual care interventions. Nursing students with a greater spiritual perspective, positive attitudes toward spiritual care, and adequate education and training in spiritual care were more likely to provide interventions more frequently.

CONCLUSIONS
Jordanian baccalaureate nursing students provide religious spiritual care interventions only infrequently. Implications for nursing education, clinical field experience, and nursing program curricula are explored.