bluuebunny/crossref_metadata_2025_split huggingface dataset:
VARIASI BAHASA SLANG DALAM TALKSHOW “HITAM PUTIH” TRANS7
Authors: Pasiyah Tahe Elen Inderasari, Rahmadani Linda Fadillah, 
Published: June 2020

Abstrak Bahasa slang menjadi salah satu bahasa yang sangat populer di media sosial. Tujuan penelitian ini untuk mendeskripsikan penggunaan bahasa slang dalam acara talkshow “Hitam putih” di Trans7. Metode dalam penelitian ini adalah deskriptif kualitatif yang hasilnya berupa pendeskripsian kata-kata. Sumber data berwujud percakapan dalam acara Talkshow “Hitam Putih”. Teknik pengumpulan data menggunakan teknik simak dan catat. Teknis analisis data dilakukan dalam tiga tahapan, yaitu proses mencari data, mengelola data, dan menyajikan data. Hasil penelitian menunjukkan bahwa jenis bahasa slang dengan klasifikasi: (a) penggunaan bahasa gaul, seperti loe, gua, baper, okey, viral, akting, pres, dan hoax; (b) penggunaan kosa kata tidak beraturan, seperti baper, mager, kepo, unyu, dan narsis; (c) penggunaan partikel, seperti lo/loh, dong, eh, an, kok, ndak, ya, lah, dan ah; (d) penggunaan istilah bahasa asing, seperti thanks, vity, video, exspor, import, dan stand; serta (e) penggunaan bahasa daerah, seperti sampean, tiada, sopo, inyong, kie, teh, dan mangga. Fungsi yang berbeda-beda dalam tindak komunikasi digunakan untuk mencari jati diri, mengungkapkan ekspresi diri, metalingual, dan emosi serta untuk menunjukkan eksistensi sebagai kaum cendekia atau terpelajar kepada masyarakat luas.Kata kunci: bahasa slang, talkshow, hitam putih, Trans7 AbstractSlang is one of the most popular languages in social media. The purpose of this study is to describe the use of slang in "Hitam and Putih" talkshow on Trans7. It is descriptive qualitative. Data sources are conversations in "Hitam and Putih" Talkshow. It uses refer and note techniques. The data analysis is carried out in three stages, namely, the process of finding data, managing data, and presenting data. The results show the use of (a) slang words, like loe, gua, baper, okey, viral, akting, pres, and hoax; (b) irregular vocabulary, like baper, mager, kepo, unyu , and narsis; (c) particles, like lo/loh, dong, eh, an, kok, ndak, ya, lah, and ah; (d) foreign language terms, like thanks, vity, video, export, import, and stand; (e) local languages, like sampean, tiada, sopo, inyong, kie, teh, and mangga. Different functions of communication are also used in order to look for identity, express self-expression, metalingual, and emotion, and show the existence as scholars to the community.Keywords: slang, talkshow, hitam putih, talkshow, Trans7
STRATEGI BUDAYA TOPENG BETAWI: STUDI KASUS NYI MEH, MAESTRO TOPENG BETAWI
Authors: Mursalim Kiftiawati, 
Published: June 2020

Abstrak Topeng Betawi merupakan kesenian tradisional Betawi yang hingga tahun 1970-an sangat terkenal di masyarakat. Pada tahun 2000-an, kesenian ini redup bahkan terancam punah. Masalah penelitian ini adalah bagaimana strategi yang dilakukan seniman topeng Betawi dalam mempertahankan kesenian tersebut. Tujuan penelitian ini adalah merumuskan sejumlah strategi budaya yang dilakukan untuk mempertahankan kesenian tradisional. Metode penelitian yang dilakukan penulis adalah penelitian lapangan, meliputi wawancara dan observasi lapangan terhadap Nyi Meh, maestro topeng Betawi tahun 1970-an. Penelitian ini merujuk pada teori antropologi budaya yang dikemukakan Koentjaraningrat, Keesing, Malinowski, Ranjabar, Alwasilah, Sendjaja, dan Yunus. Temuan penting penelitian ini adalah idealisme Nyi Meh dalam berkesenian dan melestarikan teater topeng Betawi membawanya pada sejumlah strategi dan sikap dalam menghadapi penghargaan yang tidak memadai dari masyarakat ataupun lembaga pengayom. Hasil penelitian lapangan ini melengkapi tesis Yvone Tri Yoga Hoesodoningsih dan disertasi Ninuk Kleden-Probonegoro mengenai Nyi Meh sebagai kembang (primadona/maestro) topeng Betawi. Kata kunci: topeng Betawi, strategi budaya, pemertahan budaya AbstractBetawi mask is a Betawi traditional art that until the 1970s was very popular in the community. In the 2000s, this art was dim and even threatened with extinction. The problem of this research is how the strategy used by Betawi mask artists in maintaining the art. The purpose of this study is to formulate a number of cultural strategies undertaken to maintain traditional arts. The method of research conducted by the author is field research including interviews and field observations of Nyi Meh, maestro Betawi mask in the 1970s. This research refers to the cultural anthropology theory proposed by Koentjaraningrat, Keesing, Malinowski, Ranjabar, Alwasilah, Sendjaja, and Yunus. An important finding obtained from this research is Nyi Meh's idealism in performing arts and preserving Betawi mask theater led to a number of strategies and attitudes in the face of inadequate appreciation from the public or the protecting institutions. The results of this field study complement the Yvone Tri Yoga Hoesodoningsih thesis and Ninuk Kleden-Probonegoro's dissertation about Nyi Meh as a Betawi mask flower (excellent/maestro). Keywords: Betawi mask, cultural stategy, cultural maintanance
HIKAYAT NABI LOT: SEBUAH KAJIAN INTERTEKSTUAL DAN KAITANNYA DENGAN FENOMENA LGBT DI INDONESIA [The Saga of Prophet Lot: An Intertextual Study and Correlations to LGBT Phenomenon in Indonesia]
Authors: Hasanudin Siti Aisyah , Wirajaya Asep Yudha 
Published: June 2020

This article aims to describe the correlations among intertextuality, hypogram, and transformation in the existing Saga of the Prophet Lot (hereinafter abbreviated as HNL) with the Story of the Prophet Lot (hereinafter abbreviated KNL) in the Holy Quran and also its correlations to the LGBT phenomenon in Indonesia.The problems in this article, that is (1) What is the intertextual relationship between HNL and KNL in the Holy Quran?, (2) How are the similarities and differences of HNL and KNL in the Holy Quran?, (3) What are the background creation of HNL? This article wants to prove that the ancient manuscript entitled HNL is a hypogram and transformation of the KNL contained in the Holy Quran.The method used in this article is content analysis because the authors intend to interpret the events contained in the HNL and then trace the Intertekstualnya relationship with the KNL found in the Holy Quran.In this article the similarities and differences in the two objects that will be examined are explained properly.This HNL script has similarities with KNL in the Holy Quran such as Prophet Lot was instructed by Allah SWT to preach his people such as about leaving their indecent behaviors; the arrival of the Angels at Prophet Lot’s home, Prophet Lot was expelled by his people, and punishment for the Sodomites. The differences only lie in the beginning of the story and at the end of the story of Prophet Lot. Artikel ini bertujuan memaparkan hubungan intertekstual, hipogram, dan transformasi pada naskah Hikayat Nabi Lot (yang selanjutnya disingkat HNL) dengan Kisah Nabi Lot (yang selanjutnya disingkat KNL) dalam Alquran dan juga kaitannya dengan fenomena LGBT di Indonesia. Permasalahan dalam artikel ini, yaitu (1) Bagaimana hubungan intertekstual antara HNL dengan KNL dalam Alquran?, (2) Bagaimana persamaan dan perbedaan HNL dan KNL dalam Alquran?, (3) Apa yang menjadi latar belakang penciptaan HNL? Artikel ini membuktikan bahwa naskah kuno yang berjudul HNL merupakan hipogram dan transformasi dari KNL yang terdapat dalam Alquran. Metode yang digunakan dalam artikel ini adalah analisis konten karena penulis bermaksud menafsirkan peristiwa yang terdapat dalam HNL dan kemudian menelusuri hubungan intertekstualnya dengan KNL yang terdapat dalam Alquran. Artikel ini menjelaskan tentang persamaan dan perbedaan pada kedua objek yang akan di kaji. Naskah HNL memiliki persamaan dengan KNL dalam Alquran. Nabi Lot diperintahkan Allah SWT untuk berdakwah kepada kaumnya agar mau meninggalkan perilaku menyimpang, kedatangan para Malaikat ke rumah Nabi Lot, Nabi Lot diusir oleh kaumnya, dan hukuman bagi kaum Sodom. Adapun perbedaannya hanya terletak pada awal kisah dan akhir cerita Nabi Lot as. w:LsdException Locked="false" Priority="
KAJIAN ANTROPOLOGI SASTRA: CERITA RAKYAT LAKIPADADA DAN PENGARUHNYA DALAM KEHIDUPAN MASYARAKAT [AN ANTROPOLOGY STUDY ON LITERATURE: THE FOLKLORE OF LAKIPADADA AND ITS INFLUENCE IN SOCIAL LIFE]
Authors: Mustafa Mustafa 
Published: June 2020

Lakipadada is one of the Toraja Literary which is filled with the values and concepts of life. it has delivered orally from generation to generation. This paper describes one type of local literary works that felt under legend category. The story told about a noble young man who has death paranoid, therefore he tried to find ‘tang mate’ ‘ternal’ so not being haunted by death. To make this story become more interesting to read and digest, the author put a lot of superstitious contents. Moreover, the story can be an advicing and learning source for the next generations so they will live in the right path of life. . The basic problem that arise in this article is about common belief on how Toraja people (Lakipadada ) will never be crowned as king beyond its own community (Toraja), and also will hard to socialize with other community than Toraja people.. Does this common assumption have any correlations with the content of the story?. The theory that used in this story was structurilism based on Levi-Staruss as exemplified by Ahimsa in the book Structurilism of Levi-Staruss, A myth and Literary Works (2001: 216-256) and it also used descriptive analysis method. The results indicated a structured relationship among elements in the story and social conditions in society.Lakipadada adalah salah satu karya sastra daerah masyarakat Toraja yang sarat dengan nilai-nilai dan konsep-konsep kehidupan. Karya sastra ini disampaikan secara lisan dan turun temurun. Tulisan ini bertujuan mendeskripsikan salah satu karya sastra daerah yang masuk kategori legenda. Cerita ini berkisah tentang seorang pemuda bangsawan yang paranoid akan kematian sehingga dia berusaha mencari mustika tang mate ‘kekal abadi’ agar tidak lagi dihantui kematian. Kisah ini banyak dibumbui cerita supranatural sehingga menarik untuk dibaca dan dipahami. Disamping itu, kisah ini dapat menjadi bahan nasihat dan pembelajaran bagi anak cucu untuk bekal di hari mendatang agar tidak salah langkah/tersesat. Masalah mendasar yang muncul dalam artikel ini adalah adanya asumsi bahwa manusia Toraja (Lakipadada ) tidak bisa menjadi raja di luar daerah Toraja dan tidak bisa membaur dengan masyarakat di luar orang Toraja. Apakah anggapan masyarakat ini mempunyai relasi dengan muatan cerita? . Teori yang digunakan adalah teori strukturalisme berdasarkan Levi-Staruss seperti yang dicontohkan Ahimsa dalm bukunya Strukturalisme Levi-Strauss Mitos dan Karya Sastra (2001: 216-256) dengan metode analisis deskriptif. Hasil yang ditemukan menunjukkan adanya hubungan yang terstruktur antarelemen dalam cerita dan kondisi sosial di masyarakat.
FUNGSI KONTEKSTUAL PERTUNJUKAN SASTRA LISAN KELONG MAKASSAR [Function of Contextual Performance of Kelong Makassar Oral Literature}
Authors: - Nursalam , Saryono Djoko , Dermawan Taufik 
Published: June 2020

This article was intended to know the contextual function of Makassar's kelong oral literature. The data and sources of this research were Pakelong as Makassar artists. The data collection conducted were the study of documentation, in-depth interviews, and observations (field recording, recording, and photo shooting). Moreover, the data analysis stage in this study were through three steps, namely (1) reduction, (2) presentation, and (3) conclusion drawing. Based on the results of this study, it was found that there were four contextual functions of kelong, namely the function of the media of hope, the function of entertainment, the function of preserving tradition, and the educational function.Artikel ini bertujuan tuntuk mengetahui fungsi kontekstual sastra lisan kelong Makassar. Data dan sumber penelitian ini adalah pakelong sebagai seniman Makassar. Pengumpulan data yang digunakan adalah studi dokumentasi, wawancara mendalam, dan observasi (pencatatan lapangan, perekaman, dan pemotretan). Tahap analisis data dalam penelitian ini melalui tiga tahap, yakni tahap (1) reduksi, (2) penyajian, dan (3) penarikan kesimpulan. Berdasarkan hasil penelitian ini ditemukan bahwa fungsi kontekstual kelong ada empat, yakni fungsi media pengharapan, fungsi hiburan, fungsi pemertahan tradisi, dan fungsi edukatif.
DEKONSTRUKSI DALAM NOVEL DADAISME [Deconstruction On Dadaisme]
Authors: Ricardo David Rici 
Published: June 2020

This research entitled "Deconstruction on Dadaisme by Dewi Sartika". This research was intended to describe the forms of deconstruction contained in the novel of Dadaisme and to e inform figures in the Dadaisme novel that shape of deconstruction. Deconstruction explained forms of deviations from the perspective that found in the Dadaisme novel. This research method was using heuristic and hermeneutic methods. The conclusion of this research proved that there were forms od decontruction in the novel. Types of deconstruction from Nedena were sky color deconstruction, sun color deconstruction, protect deconstruction, heaven image deconstruction, hell image deconstruction, and ocean color deconstruction. Types of deconstruction from dr. Aleda were human respiration deconstruction, romantic feelings deconstruction, and sound deconstruction. Types of deconstruction from Isabella was first night deconstruction. Types of deconstruction from Rendi was children’s laughter. Types of deconstruction from Jo was devil’s clothes deconstruction. Types of deconstruction from Flo was killing deconstruction. Types of deconstruction from Michail are angel deconstruction, angel deconstruction consists of wing color deconstruction and wing amount deconstruction.Penelitian ini berjudul “Dekonstruksi dalam Novel Dadaisme Karya Dewi Sartika”. Penelitian ini bermaksud untuk mendeskripsikan bentuk-bentuk dekonstruksi yang terdapat di dalam novel Dadaisme dan menginformasikan tokoh-tokoh di dalam novel Dadaisme yang memunculkan adanya bentuk dekonstruksi. Landasan teori yang digunakan dalam penelitian ini adalah dekonstruksi. Dekonstruksi menjelaskan bentuk penyimpangan cara pandang yang dilakukan tokoh-tokoh yang terdapat dalam novel Dadaisme. Metode yang digunakan dalam penelitian ini adalah metode heuristik dan hermeneutik. Adapun kesimpulan yang dapat diperoleh dari penelitian ini adalah benar bahwa di dalam novel Dadaisme menunjukkan adanya bentuk-bentuk dekonstruksi. Bentuk dekonstruksi Nedena terdiri atas dekonstruksi warna langit, dekonstruksi warna matahari, dekonstruksi melindungi, dekonstruksi gambaran surga, dekonstruksi gambaran neraka, dan dekonstruksi warna air laut. Bentuk dekonstruksi dr. Aleda terdiri atas dekonstruksi alat pernapasan manusia, dekonstruksi perasaan romantis, dan dekonstruksi suara. Bentuk dekonstruksi Isabella adalah dekonstruksi malam pertama. Bentuk dekonstruksi Rendi adalah dekonstruksi tawa anak-anak. Bentuk dekonstruki Jo adalah dekonstruksi pakaian iblis. Bentuk dekonstruksi Flo adalah dekonstruksi membunuh. Bentuk dekonstruksi Michail adalah dekonstruksi malaikat, dekonstruksi malaikat terdiri atas dekonstruksi warna sayap dan dekonstruksi jumlah sayap.
FENOMENA UNGKAPAN TRADISIONAL BAHASA SUNDA DI KOTA BANDUNG: KAJIAN SOSIOLINGUISTIK [THE PHENOMENON OF SUNDANESE LANGUAGE TRADITIONAL EXPRESSION IN BANDUNG CITY: SOCIOLINGUISTICS ANALYSIS]
Authors: Afsari Asri Soraya , Sobarna Cece , Risagarniwa Yuyu Yohana 
Published: June 2020

The purpose of this study is describing the existence and utilization of Sundanese language traditional expressions in Bandung speech community today. The method was descriptive. Data collection techniques was done by direct interviews with informants in the field using Sundanese and in natural situation communication. The main informant was a culture-supporting community who really known-well the traditional expressions. The informant was assumed, at least, to understand it as a form of culture. Moreover, notes techniques was used too. The analytical method used distributional. The results showed that: there are 206 data traditional expressions which is still known by the people in Bandung. The sub-district that is still familiar with traditional expressions is Ujungberung with a percentage of 100%. The sub-district that is unknow-well of traditional expressions is Sumur Bandung with a percentage of 15%. In terms of usage, Sundanese language traditional expressions are still used in the domain of: family, intimate, neighborliness, education, government, employment, and religion. The function of using expessions is to remind, to advise, to admonish, to calm, to affirm, to appeal, and to express the feelings. Penelitian ini bertujuan untuk mendeskripsikan eksistensi dan penggunaan ungkapan tradisional bahasa Sunda yang ada di lingkungan masyarakat tutur Kota Bandung dewasa ini. Metode yang digunakan deskriptif. Teknik pengumpulan data dilakukan dengan cara wawancara langsung kepada informan di lapangan dengan menggunakan bahasa Sunda dan dalam situasi yang asli (natural situation communication). Informan utama yang dipilih adalah masyarakat pendukung budaya yang memahami ungkapan tradisional. Informan tersebut diasumsikan paling tidak mengetahui ungkapan tradisional sebagai sebuah bentuk kebudayaan. Di samping itu, digunakan pula teknik catat. Metode analisis yang digunakan adalah distribusional. Hasil analisis menunjukkan bahwa: ungkapan tradisional yang masih dikenal oleh masyarakat tutur di Kota Bandung berjumlah 206 data. Kecamatan yang masih mengenal ungkapan tradisional dengan baik adalah Ujungberung dengan jumlah persentase 100%. Kecamatan yang sudah tidak lagi mengenal ungkapan tradisional dengan baik adalah Sumur Bandung dengan jumlah persentase 15%. Dari segi penggunaan, ungkapan tradisional bahasa Sunda masih digunakan dalam ranah: keluarga, kekariban, ketetanggan, pendidikan, pemerintahan, kerja, dan agama. Fungsi penggunaan ungkapan untuk mengingatkan, menasihati, menegur, menenangkan, mengiaskan, mengimbau, dan mengungkapkan perasaan.
Reflecting on Reflections on COVID-19
Authors: Dam Ynte K. van , WEBBINK Joke F. 
Published: June 2020

Aim: This paper is an invited reaction to Platje, Harvey & Rayman-Bacchus, March 2020, ‘COVID-19 – reflections on the surprise of both an expected and an unexpected event’ in CEREM 4(1). In the tradition of critical science this paper starts from a discussion of the assumptions underlying the paper it reacts upon.

Findings: The original text is a laudable attempt to initiate a discussion on unpredictable future threats that remains constricted in semantic confusions, misperceptions, misinterpretations, and logical fallacies implying preconceived conclusions. As a logical consequence of a socio-economic system that systematically disregards human wellbeing and welfare – and exploits human weaknesses – in its endless pursuit of short term profit, the current pandemic and its subsequent crisis was expected and predictable, but wilfully ignored. And, unless this crisis will be used to rebuild the socio-economic system for sustainable development, so will be the next one.
Лексико-семантичні та граматичні особливості порівнянь у повісті Володимира Лиса «Соло для Соломії»
Authors: Тиха Лариса 
Published: June 2020

Comparisons, like metaphors and metonyms in the artistic text, add expressiveness and vividness to portraying people, their feelings and the surrounding world. It is one of the most important stylistic tropes, and Volodymyr Lys actively uses this classical figurative language device. It is the comparison that helps the writer to create a specific language picture of the world which represents his idiolect. It is worth mentioning that the creativity of V. Lys, in general, manifests his tendency to create complex artistic images using associations. The majority of the comparative structures are anthropocentric by their nature, that is, in the focus is a personality with the individual distinguishing features, own inner world, communication specifics, relations with nature and surrounding realities. Volodymyr Lys, as a gifted master of a word, creates comparative images on the basis of contrast and does it in his own original way. Most of the comparisons are structures created on a national or traditional basis. Despite this, such comparative constructions in the novel of V. Lys sound in a new way, revealing unique multi-faceted world of the epoch. With their help, the author transmits the entire palette of the relationships between people, their tastes, preferences, attitudes to the world around them, the realities, the new things that appeared in their lives. The central images in V.Lys’ works are the Polishuks and their everyday life. Creating comparisons, the author makes use of the local transformed phraseologisms. However, they are transformed so masterfully that, without losing their essence, they sound in a new way, express the individual speech of the characters, depict their appearance and describe the situation. As to the grammatical features of the comparisons in the prose of V. Lys, both simple and complex structures are masterfully woven into the body of the text, but complex and scattered structures prevail and are of special interest for researchers. Due to their specific structure, they can convey complex feelings, emotional states and attitudes to certain realities of life.
Діалектні та розмовні одиниці в мові газети «Волинь»: стилістичний та лексико-граматичний аспекти
Authors: Деркач Лариса 
Published: June 2020

Themass media as a sphere of speech activity represent a certain style of material presentation, the purpose of which is to inform and captivate the addressees. The functioning of dialecticisms in the texts are usually studied in comparision with the stylistic norms of the literary language and considered as stylization aimed at interaction with the reader, approaching to his worldview. Intensive use of territorially specific language elements not only in modern fiction works but also in the language of the regional periodicals and radio broadcasting caused an increase of interest to the scientific studies of functional-stylistic peculiarities of the dialectal words in the language of modern mass media.
The purpose of the research is to analyze the stylistic motivation of the use of dialectal elements in the language of the periodicals, to find out the genre specification of the penetration of regional spoken units into the language of periodicals and their stylistic function.
The article considers the use of the dialectal elements in the language of regional periodical “Volyn” as a means of emotionally-colored attitude of the authors of publications towards certain objects. The importance is placed on the mechanism of comparison, harping different lexical units of the national language in order to achieve artistic and aesthetic effect in journalism. It is proved that the use of geographically differentiated language elements is determined by the expressive function of language in the media. It has the effect of immediacy, informality, communicative interaction with the reader in his own language. Colloquial lexical items in journalism are a manifestation of updating verbalness in the newspaper discourse. The orientation of the media to the daily/spoken language patterns allows to bring the content of the texts closer to the reader's perception.
The analytical and journalistic materials of the newspaper «Volyn» use live linguistic units (nouns, adjectives, verbs, adverbs, rarely –numerals) in order to reproduce the regional linguistic flavour, the linguistic characteristics of the subjects of publications. Territorially differentiated units in journalism are a convincing manifestation of the implementation of verbal stylistic means in the newspaper discourse. Dialect and colloquial tokens help to identify the individual elements of the ethno-cultural picture of the world of the inhabitants of Volyn in the language of the regional printed editions.