bluuebunny/crossref_metadata_2025_split huggingface dataset:
Гуцульська діалектна лексика і фразеологія в українській художній мові: лексикографічне опрацювання
Authors: Ґрещук Василь 
Published: March 2020

Hutsul dialect lexicon and ﬁxed expressions in Ukrainian ﬁction language: lexicological explorationThe article is devoted to the modern Ukrainian dialectology. It presents the conception of the project of the dictionary of Hutsul dialect lexemes used in the texts of Ukrainian ﬁction of 19th–21st century. The author analyzes in detail lexicographical explorations of his predecessors which rep- resent lexical scope of Hutsul dialect and deal with crucial theoretical issues, connected with the conception of the dictionary of Hutsul lexemes in ﬁction texts.Huculska leksyka i frazeologia dialektalna w ukraińskiej literaturze pięknej: spojrzenie leksykograﬁczneNiniejszy artykuł jest poświęcony współczesnej dialektologii ukraińskiej. Przedstawiono w nim koncepcję stworzenia słownika dialektyzmów huculskich, wykorzystywanych w ukraiń- skich tekstach literackich XIX–XXI wieku. Autor szczegółowo analizuje prace leksykograﬁczne poprzedników, które reprezentują bogactwo dialektu huculskiego, a także wyjaśnia wiele kwestii teoretycznych związanych z układaniem słownika dialektyzmów huculskich obecnych w tekstach literackich.
Status sufiksów „-er-” i „-or-” w formach liczebnikowych w języku chorwackim
Authors: Fałowski Przemysław 
Published: March 2020

Status of numeral-forming suffixes -er- and -or- in standard Croatian languageThe main purpose of the present publication is to investigate frequency and status of two paral­lel suffixes -er- and -or- that form Croatian collective numerals. The analysis is focused on the re­search material collected from literary texts, normative Croatian publications grammars, dictionar­ies and popular language guides. This paper attempts to compare theses regarding these suffixes put forward by Croatian linguists with the usage in practice presented in online corpora http://riznica.ihjj.hr. The investigation demonstrated that puristic language policy applied in Croatia, especially in the 1990s, caused disappearance of “less-Croatian” suffix -or-. The only exception is numerical noun četvorica, that entered the Croatian language in the 19th century, which is regular part of the standard Croatian language until today.Normativni status sufiksa -er- i -or- u tvorbi brojevnih izvedenica uhrvatskome standardnom jezikuRad prikazuje analizu frekvencije inormativnog statusa dvaju paralelnih sufiksa -er- i -or- kojima se tvore hrvatske brojevne izvedenice. Analiza se zasniva na podacima preuzetim iz hrvat­skih književnih tekstova, normativnih priručnika gramatike, rječnici te jezičnih savjetnika. Cilj je ovoga rada također usporediti preporuke hrvatskih jezikoslovaca uvezi sa sufiksima -er- i -or- s jezičnom praksom zastupljenom uhrvatskom jezičnom korpusu http://riznica.ihjj.hr. Na osnovi istraživanja može se zaključiti da puristička jezična politika, koju je vodila većina hrvatskih jezi­koslovaca uglavnom od 90-ih godina 20. stoljeća, izazvala je polagani nestanak “manje hrvatskog” sufiksa -or-. Taj proces nije potpuno zahvatio brojevnu imenicu četvorica, koju su uveli vukovci u 19. stoljeću, zbog čega taj oblik danas pripada hrvatskomu standardnom jeziku.
Didaktická gramatika jako zdroj poznání a inspirace
Authors: Hrdlička Milan 
Published: March 2020

Didactic grammar as a source of learningand inspirationThe term “grammar” may be vague; therefore we now speak of various sorts of grammar — depending on which language element it is focused on. We distinguish for example synchronous and diachronous grammar, semasiological and onomasiological, descriptive and prescriptive, etc. For­eign language learning does also have its special characteristics and so we have didactic grammar which focuses on a language from a perspective of a non-native speaker. Didactic grammar does not only adopt the findings of the above mentioned grammars but thanks to its special focus brings its own findings about the grammar functions of the foreign language.Дидактическая грамматика как источник знания и вдохновенияВ связи с неопределенностью и размытостью понятия «грамматика» в настоящее время принято говорить об отдельных видах грамматики, выделяемых на основании их ориентации на определенный аспект грамматической системы языка. Различают, например, грамматику син­хронную и историческую, семасиологическую и ономасиологическую, дескриптивную и пре-скриптивную и др. Своей спецификой в преподавании иностранного языка обладает и грамматика, рассматривающая язык с точки зрения иноязычного пользователя. Дидактическая не только использует результаты вышеперечисленных грамматик, но и сама, благодаря своему особому подходу, приносит новые знания о функционировании грамматической системы.
O początkach badań dialektologicznych Południowej Słowiańszczyzny 120 lat po projekcie Milana Rešetara
Authors: Kudera Jacek 
Published: March 2020

On the origins of dialectological research into South Slavic languages, 120 years since Milan Rešetar’sprojectPaper presents the brief history of the first investigations into South Slavic dialects. It contains the Polish translation of Rešetar’s questionnaire “Pitanja ogovoru prostoga naroda” published in 1897, with some comments on methodology. The author presents the investigated dialectic phenom­ena in the field of phonetics, morphology and syntax based on afew responses. Some lexical charac­teristics of speech at the time are also explored. The instructions are compared with the contemporary approach to dialectological research. Other comments on the pioneer research are presented from the perspective of diachronic dialectology.O počecima dijalektoloških istraživanjakod južnih Slavena povodom 120 godišnjice Rešetarovog projektaRad predstavlja kratku povijest prvih dijalektoloških istraživanja kod južnih Slavena. On sadrži ipoljski prijevod Rešetarovoga upitnika Pitanja ogovoru prostoga naroda objavljenog 1897 s meto­dološkim komentarima. Na osnovu nekoliko odgovora, autor donosi istražene dijalektološke pojave na području fonetike, morfologije isintakse. Također, navodi ineka leksička obilježja ondašnjeg govora. Upute su uspoređene isa suvremenom metodologijom dijalektoloških istraživanja. Navede­ni su idrugi komentari opionirskom istraživanju uperspektivi dijakronijske dijalektologije.
Potencjał słowotwórczy wybranych czasowników dźwiękonaśladowczych w języku czeskim i polskim
Authors: Malanowska-Statkiewicz Marta 
Published: March 2020

Selected onomatopoeic verbs in Czech and Polish languages — word-forming potentialThe article is acontrastive analysis of word-forming potential for six Czech and Polish ono­matopoeic verbs, such as: HLTAT / ŁYKNĄĆ; 2 CHLEMTAT / CHŁEPTAĆ; 3 CHROUPAT / CHRUPAĆ; 4 MLASKAT / MLASKAĆ; 5 SRKAT / CHLIPAĆ; 6 ŠPLOUCHAT / CHLUPAĆ. Using methodology of word-formation nests, two aspects of these words were analyzed: 1 abstract word-forming paradigm, 2 aword-forming chain. The analysis showed that in both languages ono­matopoeic verbs quite regularly will derive verbs naming the result of the action and the verbs expressing intensity or weakening of the action. In Czech language there are also verbs naming completion of the action, verbs accentuating the beginning of the action or its direction. Word-form­ing chains are different: Czech are constituted by: verb → adjective → adverb, Polish by: verb → noun → verb.Ke slovotvornému potenciálu zvukomalebných slovesv češtině a polštiněZáměrem autorky je konfrontovat slovotvorný potenciál onomatopoických sloves češtiny apolštiny spojených s jídlem apitím, např.: 1 HLTAT/ŁYKNĄĆ; 2 CHEMLAT/CHŁEPTAĆ; 3 CHROUPAT/CHRUPAĆ; 4 MLASKAT/MLASKAĆ; 5 SRKAT/CHLIPAĆ; 6 ŠPLOUCHAT/CHLUPAĆ. Používá při tom metodologii slovotvorných hnízd, což znamená 1 vertikální analýzu hnízda — až na typický slovotvorný svazek, 2 horizontální — postupnou derivaci, kterou lze popsat v rámci slovotvorných řetězců. Zanalýzy vyplývá, že se v obou jazycích derivují substantiva s významem výsledků děje aslovesa vyjadřující zesílení nebo zeslabení děje. K typickému českému slovotvorném svazku patří také slovesa s významem úplnosti děje, slovesa zdůrazňující začátek procesu nebo jeho směr. Slovotvorné řetězce jsou v obou jazycích odlišné: v češtině je tvoří základní sloveso → adjektivum → adverbium; v polštině: základní sloveso → substantivum → sloveso
Утицај функционалностилске и жанровске диференцијације на употребу падежа у „Стенографским белешкама Народне скупштине Краљевине Србије за 1898. годину”
Authors: Pavlović Jelena 
Published: March 2020

The impact on function and genre differential on the use of case in The Stenography Notes of the Kingdom of Serbia Parliament in the Year 1898The subject of the paper is the analysis of the influence of stylistic and genre differential on the use of cases in the Stenography notes of the Kingdom of Serbia Parliament in the year 1989. The initial hypothesis was that the influence is based on: a presence of the administrative and legal register; b presence of spoken and written variants; c presence of certain subgenres. It has been established that there are sentences that belong to both the administrative/legal and everyday language register. The sentences involving the administrative and legal register are mostly encountered in the written subgenres the meaning of conditionality, criteria. Discussions are characterized by a number of predetermined expression which can be explained via the influence of the conversational style. Only a small number of sentence constructions that are linked to certain subgenres reports, budget proposals, etc. have been noted.Wpływ funkcjonalno-stylistycznej i gatunkowej dyferencjacji na użycie przypadków w Stenograficznych zapisach Narodowej Skupsztiny Królestwa Serbii za 1898 rokW pracy dokonano analizy wpływu stylistycznej i gatunkowej dyferencji na użycie przypad­ków w Stenograficznych zapisach Narodowej Skupsztiny Królestwa Serbii za 1898 rok. Punktem wyjścia była hipoteza, że wpływ dokonuje się na poziomie: a stylu administracyjno-prawnego; b wariantu ustnego i pisemnego; c określonych podgatunków. Ustalono, że istnieją konstrukcje, które przynależą do administracyjno-prawnej i ogólnej warstwy językowej. Konstrukcje warstwy administracyjno-prawnej najczęściej spotyka się w podgatunkach pisemnych znaczenie warun­kowości, kryteriów. Rozprawy charakteryzuje pojawianie się stałych wyrażeń, co tłumaczy się wpływem stylu wypowiedzi ustnej. Zauważono małą liczbę konstrukcji związanych z określonymi podgatunkami sprawozdania, projekt budżetu itd..
Obcy w kuchni. Jedzenie jako sposób realizacji opozycji „swoje–obce” i „arystokratyczne–plebejskie” w kulturze rosyjskiej do XIX w.
Authors: Chrząszcz Matylda 
Published: March 2020

Foreign in the kitchen. Food as a way to implement “familiar–foreign” and “patrician–plebeian” oppositions in Russian culture till 19th centuryThe paper addresses the problem of eating habits as an identification code which defines affiliation to a particular community or a social layer. Till 17th century there was no distinction between aristocratic and plebeian dishes in Old Russian cuisine. 17th century brought differentiation between the diet of aristocracy and lower layers of society. During the reign of Peter the Great selection of dishes as well as the way of their preparation and eating became an identification code denoting belonging to the Western aristocratic culture. At the turn of the 18th and 19th centuries the division into aristocratic and plebeian kitchen was established. The changes in Russian cuisine were also related to attitude toward the foreign influences and often were politically motivated. Literary source used in the paper is represented mostly by fragments of the works by Russian writers such as Nikolai Gogol, Ivan Goncharov and Leo Tolstoy. Чужие на кухне. Еда как способ реализации оппозиции «свое–чужое» и «аристократическое–плебейское» в русской культуре до XIX столетияВ настоящей статье еда рассматривается как идентификационный код, определяющий принадлежность к данному общественному слою или группе. В древнерусской кухне не наблюдалось существенной разницы между плебейскими и аристократическими блюдами. Разница стала замечаться лишь только в XVIII столетии при Петре I, когда подбор блюд, способ их приготовления и способ приема пищи стали кодами, посредством которых определялась принадлежность к западной аристократической культуре. Это строгое разделение на «аристократическое» и «плебейское» в русской кухне упрочилось на рубеже XVIII и XIX столетий. Описываемые в статье перемены в русской кухне были связаны с отношением русских к чужим влияниям и довольно часто основывались на политических началах. В качестве иллюстративного литературного материала в статье использованы фрагменты романов Николая Гоголя, Ивана Гончарова и Льва Толстого.
Między nekrofilią a objawieniem tajemnicy. Mortualne poszukiwania Ladislava Klímy
Authors: Gawarecka Anna 
Published: March 2020

Between necrophilia and epiphany: Thanatological fascinations of Ladislav KlímaThanatological themes often appear in Ladislav Klíma’s prose as a characteristic keystone of his anthropological project. In some of the writer’s novel and short stories e.g. Utrpení knížete Sternenhocha, Jak bude po smrti, Slavná Nemesis the topic of death introduces large-scale philosophical or metaphysical speculations. It also functions as a way depicting death which is confirmed in the cultural tradition. In both cases Klíma plays a perverse and complicated game with the typical components of the European eschatological imagination. On the one hand, he shows those components in a grotesque manner, which means treating the human mortality without appriopriate respect and dignity, on the other hand he incorporates thanatological topics into his controversial project of a new cosmogony and deification of man. Mezi nekrohilií a odhaleným tajemstvím. Mortuální hledání Ladislava KlímyMortuální tematika v tvorbě Ladislava Klímy tvoří specifický klíč k jeho antropologickému projektu. V některých Klímových románech a povídkách například Utrpení knížete Sternenhocha, Jak bude po smrti, Slavná Nemesis téma smrti otevírá cestu k široce pojatým filozofickým nebo metafyzickým úvahám a aktivizuje kódy mortuálních obrazů utkvělých v představách tradiční kultury. V obou případech Klíma vede složitou a určitým způsobem přelomovou hru s komponenty tanatického imaginaria umístěného ve všeobecných, skupinových evropských představách. Těmto komponentům propůjčuje groteskní rozměr, čímž zpochybňuje povinnost zobrazování eschatologických motivů s úctou či respektem a začleňuje je do svého — komplikovaného a kontroverzního — projektu nové kosmogonie a koncepce lidské deifikace.
Souboje a tance se smrtí v zrcadle nesmrtelnosti z české a slovenské polistopadové prózy
Authors: Machala Lubomír 
Published: March 2020

Battles and dancing with death in the mirror of immortality in Czech and Slovak prose written after November 1989Thematization of human mortality has often been present in Czech and Slovak prosaic works written after 1989. This article presents and sometimes also analyses and interprets in detail these works. The author, for example, points out that in Trýznivé město, a trilogy written by D. Hodrová, people try to play games with death, or to struggle with it. In the novels written by P. Koudelka Peříčka, peříčka or M. Kundera Nesmrtelnost/Immortality the phenomenon of immortality is reflected. Since the 1990s, many younger Czech writers have been tending towards the so-called action genres and that is why depictions of violent death appear in their books more frequently. H. Andronikova vividly depicts a man’s fatal fight with a mortal disease. Out of Slovak prosaic works dealing with the issue of mortality, the author of the article thoroughly analyzes prose by M. Vadas Prečo sa smrtka smeje, P. Macsovský Mykať kostlivcami and P. Vilikovský Letmý sneh. The author concludes that most of the novels reflecting the phenomenon of immortality have significantly enriched national literatures of both countries. Дуэли и танцы со смертью в зеркале бессмертияв чешской и словацкой прозе после ноябрьских событийТема человеческого бессмертия часто встречается в чешской и словацкой прозе после 1989 г. В статье представлен обзор, анализ и интерпретация произведений, в которых писатели обращаются к исследуемой теме. В трилогии Город мучений Trýznivé město Д. Годровой герои пытаются играть со смертью или бороться с ней. В романах П. Коуделки Перо, перо Peříčka, peříčka и М. Кундеры Бессмертие Nesmrtelnost проанализирован феномен бессмертия. В 1990-х годы многие молодые чешские писатели например, Р. Лудва и М. Урбан обращаются к приключенческим жанрам, в их произведениях прослеживается мотив насильственной смерти. В творчестве Г. Андроникова показано столкновение человека со смертельной болезнью. Темы смерти в словацкой прозе анализируется на материале произведений Почему Смерть смеётся Prečo sa smrtka smeje М. Вадаса, Трясущийся скелет Mykať kostlivcami П. Мачовского и Тающий снег Letmý sneh П. Виликовского.
Обликовање говора о смрти на почецима српске поезије за децу и младе
Authors: Rastegorac Vladimir Vukomanović 
Published: March 2020

The forming of the discourse about death in Serbian poetry for children and young adults during its inceptionRepresentations of death in Serbian poetry for children and young adults have not been researched systematically to this day. The goal of this paper, therefore, is to point out the initial positions taken up during the forming of these representations, through the analysis of verses by Jovan Sundečić and by Đorđe Rajković. In brief, both poets view death as something that has power over man, the main difference being that Sundečić constructs the theme of death within a Christian framework without using humor, while Rajković abandons the framework of Christianity and assigns a significant role to humor in his writing about death. Репрезентация высказываний о смертив первых сербских поэтических произведениях для детей и подростковПредставления о смерти в сербской поэзии для детей и подростков до сих пор подробно не исследовались. В связи с этим цель настоящей работы — систематизировать исходные проявления этих идей в стихотворениях Иоанна Сундечича и Джордже Райковича. У обоих поэтов смерть показана одинаково: как нечто, имеющее власть над человеком. При этом, однако, Сундечич оформляет высказывания о смерти согласно христианскому пониманию и без тени юмора, а Райкович, обращаясь к этой теме, выходит за рамки христианства и уделяет значительное место юмору.
Метафоричност смрти у роману Нечиста крв Борисава Станковића
Authors: Vukićević Dragana 
Published: March 2020

Metamorphic nature of death in B. Stankovicʼs novel Sophka Impure BloodThe paper shifts the focus of research on B. Stankovic’s novel Sophka Impure Blood from a naturalistic to a mythopoetic approach. Sophka’s double destructive nature is being related to Eros and Thanatos. Eroto-thanatic symbolization of body and space in which Sophka exists is being analyzed as well as Sophka’s double sacrifice: obedience to the so-called Law of the Father in patriarchal environment on one side, and self-giving to Black Eros, Male from the Darkness on the other. In Stankovic’s novel Thanatos and Eros are like Siamese twins, inseparable, and the world of the heroine, in which they rule, is being portrayed through their metamorphic emanations. Sophka herself is interpreted through both matriarchal and patriarchal principles. As for the matriarchal principle, she represents a personification of a dangerous and fatal woman one of the characters regards her as a fatal nymph, while another seeks salvation in death. Through the patriarchal principle she is interpreted as a victim of a phallogocentric patriarchal world. Metamorficzość śmierci w powieści Nieczysta krew Borisava StankoviciaW analizie powieści Bory Stankovicia Nieczysta krew uwaga badawcza została przeniesiona z perspektywy naturalistycznej na mitopoetykę. Podwójny charakter Sofki prowadzi do związku z Erosem i Tanatosem. Analizie poddany został zatem proces erotycznej i tanatycznej symbolizacji ciała i przestrzeni, w której funkcjonuje Sofka, a także jej podwójne cierpienie związane z jednej strony z posłuszeństwem wobec Prawa Ojca w środowisku patriarchalnym, a z drugiej — z poddaniem się Czarnemu Erosowi, Mężczyźnie z Ciemności. W utworze Stankovicia Tanatos i Eros są z sobą nierozerwalnie połączeni, niczym bliźniacy syjamscy, a świat bohaterki, nad którą mają władzę, został ukazany poprzez ich metaforyczne emanacje. Postać Sofki można z kolei rozpatrywać poprzez pryzmat zasady matriarchatu, rozumianego jako niebezpieczne, śmiercionośne kobiece prawo jeden z bohaterów postrzega Sofkę jako zabójczą nimfę, inny szuka ratunku przed nią w śmierci, jak i przez pryzmat patriarchatu — jako ofiarę fallocentrycznego patriarchalnego świata.
Zapiski z „Miasta Umarłych”. Obóz koncentracyjny Jasenovac i Stara Gradiška w literackich narracjach tanatologicznych i dyskursie pamięci obszaru postjugosłowianskiego
Authors: Szperlik Ewa 
Published: March 2020

Notes from “the city of the dead”: Jasenovac and Stara Gradiška concentration camps in thanatological narratives and in the memory discourse of the post-Yugoslav areaThis paper discusses selected Holocaust narratives of the post-Yugoslav area, which were set in the history of Hitler’s Europe due to the establishment of the pro-Nazi Pavelić regime The Independent State of Croatia. They were also set in the context of the concealment policy, when both places and events related to concentration camps, Jasenovac and Stara Gradiška, were ousted from collective memory by the authorities of communist Yugoslavia. Concentration camp memoirs and records — autothanatographies J. Derrida, A. Ubertowska — reflecting on the post-Yugoslav area of Tito’s epoch had been a tabooed realm of unsolicited truths S. Buryła for a few decades due to political reasons and have recently been reintroduced into official discourse of memory. They also address the questions of the end of Western civilisation, the topos of the concentration camp as the territory of the reign of death and struggle for survival. The five selected thanatological testimonies present the Holocaust and the nightmare of World War II as an essential part of reflection on the human condition H. Arendt and they also show the phenomenon of collective trauma D. LaCapra. Bilješke iz „Grada Mrtvih”. Konclogor Jasenovac i Stara Gradiška u književnim tanatološkim naracijama i u diskursu kolektivnog pamćenja na području bivše JugoslavijePredmet razmatranja u ovom tekstu su odabrani autobiografski zapisi o Holokaustu sa područja bivše Jugoslavije, stavljene u vizuru povijesti hitlerove Europe povodom osnivanja režima Ante Pavelića kakva je bila NDH. Istodobno vrlo je važan u ovoj analizi kontekst politike prešućivanja te brisanja iz kolektivnog pamćenja mjesta i dogaᵭaja vezanih uz logore smrti: Jasenovac i Stara Gradiška koje su vlasti komunističke Jugoslavije nakon II svjestkog rata uspješno poricale. Vraćene u zadnje vrijeme javnom pamćenju sjećanja i uspomene na logor – „autotanatografije J. Derrida, A. Ubertowska – bile su nekoliko decenija prešućivane ili od javnosti skrivane u Titovoj državi te zbog političkih razloga spadale su u zonu nepoželjnih istina S. Buryła. Zabilježena vlastita sjećanja na konclogora – kasnije proskribiranih autora/svjedoka – bave se univerzalnom temom smrti, rušenja civilizacije zapadnog kruga, konclogora kao područja svevladajuće smrti, istrebljivanja i životnjske borbe za preživljavanje zatočenika. Pet odabranih logorskih testimonija prikazuje traumu II svjestkog rata D. LaCapra te govori o stanju čovječanstva u postratnom razdoblju H. Arendt.