bluuebunny/crossref_metadata_2025_split huggingface dataset:
Age specificity of individual typological characteristics in persons of different professions
Authors: Bulygina V. G. , Vlasov A. V. , Dubinsky A. A. , Pronicheva M. M. 
Published: February 2020

In modern conditions, individualization and optimization of training and additional professional education of a wide range of specialists are increasing in order to strengthen the “personnel base” and solve complex internal and external tasks. Individualized training involves: 1) selecting people according to the criteria of personal predisposition to this type of professional activity; 2) building an adequate system of external training influence within the framework of specialized training and training of personnel. Occupational health and medicine as disciplines and practical areas are faced with the task of using labor as a factor of health and self-development of a person, increasing his vitality, adaptability and professional longevity. The purpose of the study is to identify individual typological profiles, considering professional activity and age, for improving professional selection, development and support of various professions ‘ specializations.The sample included 389 people (average age–29.5±8.5 years), including 169 participants of the professional community “Institute for development of leaders” and 220 people-extreme specialists. Respondents belonged to the following professional profiles: administrative and managerial; information technology; research and security. The following methodological complex is used: o. SSS; o. TIPI; o. MMPI; o. Grasmika; o. BIS/BAS; o. EPQ; subjective scale for evaluating one’s own entrepreneurial skills.It was revealed that the combination of a high level of activation system aimed at obtaining additional new stimulation, risk propensity and low emotional stability was characteristic for persons of administrative and managerial profile. Individual and typological characteristics of the security profile were similar to the previous group, except for a lower educational level and pronounced egocentrism. Persons with an information and analytical profile of professional activity were characterized by a low level of activation system and emotional instability. They were prone to risk. Individuals of the research profile were characterized by low self-control, emotional instability when focusing on subjective criteria.The greatest information content of psychological variables was revealed for the age group from 16 to 21 years. Checking the predictive value of discriminant models, where the target variables were professional activity profiles, revealed the high quality of the model only when the subjects were assigned to the group of the security profile.The information content of diagnostics of individual typological characteristics for solving problems of predicting behavioral response and professional selection is confirmed. The characteristics of specialists in various professional profiles have predictive value in relation to the risk of disadaptation and decompensation when changing their employment status.
Family Photography as a phatic construction
Authors: Blanco Patricia Prieto 
Published: February 2020

When the camera became a domestic consumer good, photography was adapted to the needs of private production and reception (Slater, 1991: 50). The family archive contains images of selfportrayal, whose form is oriented towards established patterns, like cartes-de-visite, since they are
received privately as well as in a quasi-public area (wallet, desk in an office etc.).

Family photography gains its performative character by means of its phatic function (Malinowski, 1923/1949: 315-7), inscribed in a historical and socio-cultural frame (Hirsch, M. 1997: 10-2). It actuates in the border between naivety and formality, and these Memory-Pictures (Keppler, 1994: 187) create an impression of reliability and authenticity by their ritualized reception.

The storage in a family archive and the perfomativity of its reception oscillate between the paradigm of scripture and the regime of narration (Langford, 2006: 227). The characterization of the media category ‘family photography’ by means of the phatic function of communication, and the
identification of suitable tools for the analysis, are the topics of this article.
Repackaging Popular Culture: Commentary and Critique in Community
Authors: Barnett Tully , Kooyman Ben 
Published: February 2020

Contemporaneous with the collision of Science Fiction/Fantasy with the mainstream evident in the success of nerd culture show The Big Bang Theory (2007- ), Joss Whedon’s The Avengers (2012), the growth of Comic Con audiences and so on, Dan Harmon developed Community (2009- ), a sitcom depicting a study group at a second-rate community college. The show exemplifies a recent gravitation away from the multi-camera, laugh-track driven sitcom formula, alternating between “straight” episodes dealing with traditional sitcom premises, though always inflected with self-aware acumen, and more ambitious, unconventional episodes featuring outlandish premises, often infused with the trappings of genre and geek fandom. The show presents apocalyptic action- and Western-style paintball wars, epidemics that evoke zombie cinema, a Yahtzee game that spirals into alternate timelines, and a high-stakes Dungeons and Dragons game that blurs the boundaries between reality and fantasy. Both the straight and the unconventional episodes ultimately serve the same purpose, examining the intersection between nerd culture and everyday life. This essay discusses a number of episodes which exemplify Community’s intersections between everyday life and popular culture, charting the show’s evolving preoccupation with pop culture and intertwining of reality and fantasy. It discusses Community’s self-referentiality as a sitcom, its ambitious and elaborate recreations of and homages to pop culture artefacts, and its explicit gravitation towards Science Fiction and Telefantasy in its third season. Through its various homages to popular culture and ongoing depiction of fan culture, we posit that the show is both a work of fandom and a work about fandom, advocating for the pivotal role of fandom in everyday life and for popular culture as a tool for interpreting, comprehending and navigating life. In this respect, the show contributes to the long history of both the sitcom and Telefantasy as vehicles for cultural commentary.
Selling Across the Spectrum: The Multiplatform Brand Flows of Heroes
Authors: Giannini Erin 
Published: February 2020

This article examines how the NBC show Heroes (Tailwind Productions/Universal Media Studioes, 2006-10) and its use of product placement across multiple platforms represented an early response by networks and advertisers to concerns over ad-skipping and alternate viewing platforms by attempting to reconfigure how brand flow operates across multiple platforms. Not only did the series employ ‘second shift aesthetics’ (Caldwell 2003, 135), which represents networks bringing viewer-users back to the programme by ‘further engag[ing] and activat[ing] the text’ (Caldwell 2004, 50), but the products integrated within the text are pulled into the available world of Heroes’ alternative platform’s textual world, particularly Nissan branded cars. As Henry Jenkins writes: ‘Old media are not being displaced. Rather, their framework and structure shifted by the introduction of new technology’ (2006, 3-4). How these products are used within Heroes' storylines and its interaction with characters and platform goes beyond simple placement to make the product another character within the show. Further, I examine the way in which Heroes, as a transmedia text, provided many points of entry for viewer-users to interact with it. While an analysis of fan activity is not the focus of this article, it is important to note these possibilities because of the ways in which the promotional apparatus of the network utilized these types of convergences for the series. Yet, in the case of Heroes, this was achieved by suturing new technological abilities of brand extension with an older model of ad- supported television (namely, the single-sponsorship model of early American television), both within the terrestrial television series and across multiple platforms. With the 2008 writers’ strike derailing narrative television for that season—leading to prematurely ended or truncated seasons, or outright cancellations—these transmedia elements became both contentious and useful on both the production and narrative level.
Dr Dario Llinares in Conversation with Dr Sarah Atkinson
Authors: Llinares Dario , Atkinson Sarah 
Published: February 2020

Dr Dario Llinares interviews Dr Sarah Atkinson about the core themes addressed in her recent monograph Beyond the Screen: Emerging Cinema and Engaging Audiences (Bloomsbury, 2014). The conversation explores the context for new conceptualisations of cinema, which encompass and reflect the myriad ways film can be experienced beyond the auditorium in a digitally networked society. They also explore the historical antecedents for embodied cinema, discuss examples of expanded, extended and mobile film spectatorship, and postulate as to the effect of these transformations for film production, criticism and scholarship. KEYWORDS Expanded Cinema; Film Criticism; Film Theory; Digital Technology; Mobile Cinema; Spectatorship
The Aesthetics of Zipai: From Wechat Selfies to Self-Representation in Contemporary Chinese Art and Photography
Authors: De Seta Gabriele , Proksell Michelle 
Published: February 2020

Zipai, literally ‘self-shot’, is the Chinese word for ‘selfie’, and it indicates both the action and the product of taking a picture of oneself. This paper presents an account of the “ways of working” through which the authors – a media anthropologist and a performance artist – negotiated a collaborative approach to zipai. The essay begins with a discussion of contemporary practices of self-representation on Chinese digital media, arguing that the zipai uploaded by Chinese users on online platforms can be understood as locational and relational self-portraits, a media-specific genre of vernacular photography. It then proceeds to consider the ethical implications of appropriating vernacular photography for artistic and ethnographic representation, proposing to adapt the practice of filtering as an ethical intervention. After an overview of contemporary works by Chinese artists and photographers engaging with the aesthetics of zipai, the essay concludes with a reflection on the possibilities of collaboration between art practice and media anthropology.
Mobile Music Listening: The Users and their Art of Making Do Lionel Detry
Authors: Detry Lionel 
Published: February 2020

Research on mobile music listening lacks empirical data to provide a good understanding of the practice. My ethnography of mobile listeners aims at investigating the act of listening by taking into account situational and technical dimensions of the practice. In this paper, I support a theoretical position to consider the listening environment when investigating the practice of mobile music listening. By looking closely at the affordances and constraints of the situation of use and of the technical device, it is possible to determine how these aspects configure the practice. My interpretations, based on Antoine Hennion’s (2002) concept of ‘performance’ of listening, confirm the idea of listening as a product of the ecology in which it takes place. Further interpretations can lead to detail the more creative practices of the listeners and develop a typology of users.
Together While Apart? Mediating Relationships and Intimacy. An Introduction.
Authors: Prieto Patricia , Schreiber Maria 
Published: February 2020

Video abstract
This special issue of Networking Knowledge - Journal of the MeCCSA-PGN seeks to explore how interpersonal relationships are mediated in contemporary contexts. Digital technologies and the practices associated with them enable us to interact with our social network of support in seemingly easy ways: we just need to use the touch of a finger on a mobile phone screen to show that we care. It does, however, also take only the same effort and the same fingertips to enact hate. Acts of disaffection, often crystallized as revenge, originate, in nests and corners of intimacy (Bachelard 1958, p.XXXVII), and when disseminated widely can be fatal1. Recently, acts of disaffection, or rather hate, - especially against diffuse, imagined collectives such as “the refugees” - have also appeared in the more public realms of forums, comments sections of online news, or social media feeds. A perception of anonymity might result in ‘disinhibition effects’ (Suler 2004) and sometimes quite extreme forms of hate speech (Gelber & McNamara 2016), which poses new challenges for media education and online governance.
Interrogating the pragmatics of mediated affect and disaffection is a necessity. In mediated interpersonal relationships, the intimate and the emotional are often subjected to a set of infrastructures, called affordances by others (Wright and Parchoma, 2011), as well as to set of practices. The contributions that make up Together While Apart? highlight the emotive dimension of mediated communication. The common thread of all contributions to this issue is the focus on how relationships, intimacy, and (dis)affect are constituted and negotiated through media.
Happy #monthsary babe! Vernacular readings and practices of monthsaries among young couplings on social media
Authors: Abidin Crystal 
Published: February 2020

Video abstract
Romantic monthsaries, or monthly commemorations of the date on which a couple first got together, are increasingly practiced by young couples and archived on social media. As a form of visually oriented practice, monthsaries are fraught with vernacular readings, perceptions, and practices. This paper investigates the practice of monthsaries among ‘young couplings’, which I define as the experiences of young people’s partnering practices in their teenage years and/or their initial experience of early partnering regardless of the age of first coupling, in which young couples do not yet have any formal status, are unable to experience domestic living together, and have limited opportunities to be alone and intimate. In the absence of any scholarly precedence and adopting a Grounded Theory approach, this paper is an exploratory study that approaches monthsaries through internet folk knowledge, forum threads and visual displays of monthsaries on Instagram.
Mediated Storytelling Practices and Productions: Archival Bodies of Affective Evidences
Authors: Lee Jamie A. 
Published: February 2020

Video abstract
Through hands-on work collecting digital video oral histories for the Arizona Queer Archives, bodies and bodies of knowledge in ongoing affective states of simultaneous becoming and unbecoming can be observed and encountered. Both interviewing and storytelling techniques in select oral histories are considered here to stress the salient and affective processes of mediation and (un)becoming that unfold in front of and behind the camera as part of the production of digital archival stories and subsequent access to streaming technologies. In order to explore the details of archival production, the oral history interview is understood here as a space of both intimate and public storytelling—an affective assemblage. This paper introduces archives as affective multimodalities that work to tenderly hold and structure bodies, technologies, and stories especially as these come together and apart in states of (un)becoming.
Algorithmic love: “Quit playin’ games with my <3”
Authors: Cambre Carolina 
Published: February 2020

Some of the rich history of the <3 is laced with myths and monsters, and reveals this particular cipher is anything but a trivial emoticon: rather, its ambiguous affective weight makes it an ideal interface for the ineffable. This conceptual essay is an exploration through a different approach to the traditional visual essay. Here, the author-composed photo-collages function as a meditation on a theme by pondering and theorizing along with the text, ideas of the heart emoticon in the fractal matrix of sign types, with some of the multiple possibilities and implications associated with its use by both individuals and corporations. Paralleling the subject/object relations figured forth through the Medusa myth, with the idea that not knowing about the algorithmic influences on the <3 of intimate digital messaging may serve to turn the subject into an object. This paper thus calls for algorithmic literacies, broadly conceived as agility in critically discerning how decision-making is presented to the individual in matters of the <3.
Sexism From Page to Screen
Authors: O'Meara Radha 
Published: February 2020

This article analyses how characters are described in recent Hollywood screenplays, and notes that female characters are routinely described very differently than male characters. Male characters are commonly named and described expansively, whereas female characters are often unnamed, described meagrely, highly sexualised and infantalised. How characters are described in screenplays matters, because it impacts on production practices, the nature of workplaces, the films produced, and the gender representations we see daily on our screens. Conceptualizing this as a problem of screenwriting rather than an abstract problem of representation helps us imagine and enact change for people both imagined and real.
Embodied Online Activism: Breastfeeding Activism (Lactivism) on Facebook
Authors: Mecinska Lula 
Published: February 2020

Online support communities for people with various health problems and related online activist groups have been the focus of scholarly attention for three decades. The arrival of social media increased the popularity and breadth of both phenomena. Breastfeeding online activism represents an interesting case in how it connects the (health) support and activist online presences of breastfeeding women. Furthermore, breastfeeding activism - or lactivism - is a form of embodied activism, often performed through breastfeeding. Stemming from over six years of observant participation in breastfeeding spaces online, this article traces the ways in which lactivists use Facebook to further their cause. From the creation of support groups, through the use of Facebook capabilities to organise action and create structures, to Facebook specific forms of mass action, including image flooding and negrating, I argue that the emergence of lactivism as we know it is intimately connected with, and through, the medium.
Charlie Hebdo Attack and Discourses of Muslims in British and Danish Newspapers: A cross-cultural critical discourse analysis of four newspapers
Authors: Lawrie Michelle 
Published: February 2020

A perceived shift to the right when representing Muslims in the press in Europe has beenevident in recent years. Events such as 9/11, the July 2005 London bombings, broaderEuropean discussions and mainstreaming of populist discourses have marked a significant shiftin the media focusing on Muslims living in Europe.
This paper outlines the discourses used to represent Muslims, via conducting multimodalcritical discourse analysis. The paper focuses on the 2015 Charlie Hebdo terrorist attack andcross-culturally compares four newspapers in two countries – the UK and Denmark. Resultsindicate a recontextualisation of the terrorist attack situating the threat within each country,with newspapers positioned as ‘left’ utilising the same framing and discourses of right leaningnewspapers. This situated threat is demonstrated through discourses framing both countries incontrast to Muslim ‘values’. Furthermore, both countries focus on utilising Muslim ‘voices’who are part of a Star System that are critical of Muslim communities.
Introduction
Authors: Senaratne Madhushala , Gable Olivia 
Published: February 2020

In contrast to previous themed and conference-based issues of the journal, the papers in this standard issue are diverse in their exploration of themes and modes of enquiry. Their themes range from health communication to protest, and from queer narratives to search for home. Significantly, the papers engage with different forms, platforms, and means of mass media, communications, and culture, including community-based communication, forms of political communication, strategies of lobbying, and creative cultural resistance. At the same time, the research contexts of these authors are also varied, with case studies drawn from the EU, Israel, Kenya, and India. However, it is in the diverse nature of these papers that a unique standpoint is offered, bringing together global perspectives on culture, people, and organisations, and their complex interactions with and understandings of media and forms of communications.
CITY BRANDING KECAMATAN PONCOKUSUMO SEBAGAI KAWASAN DESA WISATA DI KABUPATEN MALANG
Authors: Anindyo Saza Azizah , Khairina Hendita , Indraprista Amanda Putri , Francisca Sherlly Cindya 
Published: February 2020

This study aims to find a structured city branding model of Poncokusumo District of Malang Regency as a tourism village area in Malang Regency by using aspects / dimensions of city branding by Kavaratzis (2004). This analysis is carried out in 2 stages, namely primary communication and secondary communication. The point of view in this study uses the point of view of communication which views a brand as part of public relations. Researchers used qualitative descriptive methods with data collection techniques, in-depth interviews, observation, and documentation. The informant selection technique uses a purposive sampling technique while the data analysis technique uses Miles & Huberman, consist of data reduction, data presentation, and data verification and data validity using source triangulation. The results of this study indicate that the structured city branding model through the Kavaratzis city branding concept conducted by the Malang District Culture and Tourism Office has not yet been found. This is because the Malang District Culture and Tourism Office has not yet developed an effective primary communication where the official as the program owner can clearly communicate the concept of a tourism village and its development. Secondary communication in the development of Poncokusumo Subdistrict as a tourist village area experienced a problem, which is the absence of special publications by the Culture and Tourism Office of Malang Regency, so that the popularity of Poncokusumo Subdistrict as a tourist village area could not reach the Top of Mind. The Poncokusumo District Brand as a tourist village area is less known because there is no special event that lifts the tourism village and the publication is less so that Poncokusumo District as a tourist village area is less known by the public. Keywords: City Branding, Poncokusumo, Tourism Village
“SUPPLEMENTATION OF ZINC IN ACUTE AND CHRONIC HEAT STRESS ON ANTIOXIDANT CHANGES IN WISTAR ALBINO RATS”
Authors: Bedadala Antony Madhuri , M Anthony David 
Published: February 2020

ABSTRACT:
Introduction: Heat stress is a major health burden with potential health out-comes. Oxidative stress is a metabolic dysfunction that carries oxidative damage of cells and tissues. Zinc is a co-factor against oxidative stress. Aim: The present study was done to evaluate the Supplementation of zinc in acute and chronic heat stress on antioxidant changes in wistar albino rats. Methodology: 36 Wistar albino rats were selected for the study. They were divided into 2 Groups. Group A was acutely and Group B was chronically heat stressed rats and both were zinc pretreated. The Enzymatic and Non enzyme activity in them were estimated.
Results: After acute and chronic heat stress, i) there was a significant increase (P <0.001) in lipid peroxidation activity. ii) Enzymatic and Non-enzymatic antioxidants were reduced (P < 0.001) iii) Rats pretreated with zinc showed a decrease (P< 0.001) in lipid peroxidation and increase (P < 0.001) in enzymatic antioxidants (P < 0.001) and Non enzymatic antioxidants.
Key Words: antioxidants, heat stress, wistar albino rats