bluuebunny/crossref_metadata_2025 huggingface dataset:
MEMBONGKAR KESALAHAN POLA ASUH ANAK DALAM MITOS-MITOS DI INDONESIA
Authors: Liliani Else
Published: January 2019

This article is about a research conducted to clarify (1) the structuralcharacteristics of myths in Indonesia, (2) the child-rearing patterns found in themyths, (3) errors in child rearing reflected in the myths, and (4) the relevance of themyths and child-rearing patterns to the contemporary realities in Indonesia.With the myths in Indonesia as the objects of the research, by means ofpurposive random sampling, 15 myths were selected for study. The data wereobtained by means of a read-and-write technique and they were analyzed by (1)reading the myths and seeking the story units and (2) organizing the story units inaccordance with the story development. The validity of the data was tested throughsemantic validity and their reliability was tested by repeated readings.The research results indicate that (1) the structural characteristics of mythsin Indonesia are, among others, that (a) in child rearing the mother figures have thecharacteristic of being gentle and a part of the father figures have the characteristicof being stern, (b) most of the myths have the social background of the lower classand the economic background of the poor, (c) the child figures possess asufficiently good need of achievement and a sufficiently good emotional quotient,(d) the child figures experience considerable social conflict, (e) the parent figuresplay minimum parts in the story, and (f) most of the child figures receivepunishments and experience dehumanization, (2) the patterns of child rearing arefound to have enough variety but they are mostly dominated by authoritarian,neglectful, and indulgent ones, (3) the errors of child rearing reflected are, amongothers, the minimum roles of parents and a disproportional child-rearing pattern ofgiving more punishments than rewards, and (4) the myths put under study haverelevance to today’s matters related to child rearing such as education, health, andchild abuse.Keywords: myths, structure and pattern of child rearing
DARI HOMOTOPIA KE HETEROTOPIA PERUBAHAN KONSTRUKSI RUANG DALAM FIKSI INDONESIA
Authors: - Pujiharto
Published: January 2019

This article is about a study aimed at (1) knowing whether there has been achange from epistemological to ontological domination in Indonesian fiction and(2) the repertoire of ontological foregrounding strategies that forms an organizedsystem called the postmodernism poetics of Indonesian fiction and especiallythose related to space.To attain its aim, the study applies the postmodernism theory. The theoryproposes that the change from modern to postmodern fiction is signaled by achange from epistemological to ontological domination in fiction. Furthermore, toknow how the repertoire of postmodernist foregrounding strategies operates inIndonesian fiction, the heterocosm theory is suggested.The result of the study indicates that a change from epistemological toontological domination has occurred in Indonesian fiction. In Indonesian fiction, avariety in the repertoire of ontological foregrounding strategies related to spaceconstruction has been found. The strategies are interpolation, misattribution,juxtaposition, and migration.Keywords: epistemological, ontological, strategy
PENGGUNAAN GRAMATIKA DALAM WACANA POLITIK: STUDI REPRESENTASI BAHASA SEBAGAI SISTEM MAKNA SOSIAL DAN POLITIK
Authors: Santoso Anang
Published: January 2019

The grammar of the Indonesian language is greatly made use of inpolitical discourse and especially after the era of the Old Order. Via grammaticalforms, the political elite fights for its power and ideology, both explicitly andimplicitly, causing an unbalanced political communication. A research study thisarticle is about was conducted to (1) describe and interpret the utilization ofgrammaticality in political discourse and (2) clarify why certain grammaticalforms are paid special attention while others are not.The study applied a critical qualitative approach with a “critical discourseanalysis” design from Fairclough (1989: 1995). In this perspective, no textproduced by the political elite is neutral from political interest. Discourse is asocial construction and results from social-historical and political conditions.There is no discourse which is a social vacuum. Discourse is a social creationreflecting the interests of certain social groups.The research results indicate that (1) each group of the Indonesianpolitical elite uses transitivity with material meaning, agent nominalization, thepassive voice, and the negative form to show its power and hide its ideologicalposition, (2) each assumes the role of information provider, shows its authority inthe presence of the other groups and the Indonesian society, and asserts its powerby choosing to use the personal pronouns we and I, (3) it makes considerable use ofmodality expressing authority, and (4) there are institutional and cultural processesexplaining why certain grammatical forms are paid special attention while othersare not.Keywords: grammaticality, political discourse
GENRE CERITA SILAT DALAM SASTRA INDONESIA
Authors: Susanto Dwi
Published: January 2019

There are several genres in literature such as mystery, detective, gothic, and crimegenres. Something unique in Indonesian literature is the martial art story genre, which maynot be found in other countries’ literature, especially in western literature. From itsformula, such a genre can be part of the world literature because it emphasizes the pluralityand the acceptance of other cultures. This article briefly describes the development of themartial art story genre in Indonesia, consisting of two parts, namely the genre as a productand a process of reception of Chinese literature through Chinese descendants and the genredeveloped from indigenous traditional stories in Indonesia. Although such a division is stilldebatable, this article describes the development from those two processes.Keywords: martial art story, reception of Chinese literature, Indonesian tradition
REPRESENTASI KEBAHASAAN DALAM TEKS BERITA SURAT KABAR (SEBUAH ANALISIS WACANA KRITIS)
Authors: Busri Hasan
Published: January 2019

Representation is a strategy that journalists employ to present events in newsitems. Language expresses social functions and meanings in situational and culturalcontexts in society. This study employed phenomenology. The data sources were dailynewspapers Kompas, Jawa Pos, and Surya, which were randomly selected. The data werecollected through focused observations, theoretical and logical triangulations, andsnowballing. The researcher was the main instrument, equipped with a data codification,descriptive analysis guideline, explanatory analysis guideline, and data corpus table. Thedata were analyzed by using the descriptive and critical discourse analyses. The analysiswas interactive, involving reduction, display, and inference drawing (verification). Thestudy shows the following findings. (1) Vocabulary representation consists of associationand metaphor. (2) Grammar representation consists of process and participation. (3)Representation of clause combination or local coherence consists of elaboration,additional extension, contrast extension, optional extension, and heightening extension.Keywords: representation, news item, critical discourse
PERANG TARIF DALAM INDUSTRI LAYANAN JASA TELEPON SELULER: ANALISIS WACANA IKLAN OPERATOR TELEPON SELULER DI MEDIA MASSA
Authors: Syamsi Kastam
Published: January 2019

As a product of media, advertisements in both print and electronic media withtheir hegemony are made to persuade readers or listeners to act as the advertisements wish,namely buying the advertised products. Based on an analysis of mass media, inadvertisements by cellular phone operators, there is a price war as a strategy to attractconsumers. Each cellular phone operator tries to show an image that the company offersthe lowest price. This may influence and deceive consumers as the party that is forced touse the company’s service. In practice, an offer with a low price usually needs a conditionand requirement that consumers have not known before. Therefore, it is necessary thatconsumers should be selective and critical in digesting an advertisement made by a cellularphone operator offering a low price.Keywords: advertisement, cellular phone operator, mass media
FROM HIGH SCHOOL TO UNIVERSITY: A REVIEW ON TRANSITION, CORRELATION, AND PERCEPTIONS
Authors: Liando Nihta V. F.
Published: January 2019

Artikel ini memaparkan suatu kajian tentang transisi antara sekolahmenengah atas dan universitas. Tujuan dari artikel ini adalah untuk menyajikansebuah gambaran yang jelas tentang berbagai penelitian yang membahas isu-isutransisi, dengan memberikan deskripsi penelitian yang telah dilakukan, terutamayang berkaitan dengan korelasi antara SMA dan universitas. Lebih khusus lagi,artikel ini memberikan gambaran apakah performansi bahasa Inggris siswa diSMA berpengaruh pada saat mereka belajar bahasa Inggris pada tahun pertamauniversitas. Untuk melengkapi pembahasan, beberapa penelitian menyangkutpersepsi mahasiswa tentang peralihan dari SMA ke unversitas, khususnyapengalaman mereka menjalani pendidikan di SMA turut dikemukakan dalamartikel ini.Kata kunci: SMA, universitas, transisi, persepsi
THE DEAD BODY IN “GRIEF”
Authors: Nugroho Henriono
Published: January 2019

Stilistika adalah kajian linguistik terhadap teks sastra dan non-sastra. Artikel inimembahas analisis stilistika semiotik terhadap puisi dengan Systemic FunctionalLinguistics dan Verbal Art Semiotics. Pembahasan dilakukan melalui kajian pustaka dananalisis dokumen, dengan menggunakan metode deskriptif and pendekatan intrinsikobjektif. Data pembahasan berupa data kualitatif. Analisis semantik menghasilkan maknaautomatized dan foregrounded. Makna pertama menghasilkan kohesi leksikal yangmenghasilkan pokok pembicaraan. Sementara itu, makna yang kedua menghasilkanmakna literer yang menciptakan tema.Kata kunci: makna automatized, makna foregrounded, makna lliterer
PEMENTASAN TEATER INDONESIA 2001-2005 (Analisis Rubrik Teater Majalah Tempo)
Authors: - Nurhadi
Published: January 2019

This article describes titles of drama scripts or theatre performances in Indonesiareviewed in Tempo in 2001-2005. The data resources were review articles on theatres in themagazine recorded in a compact disc. The data were collected by sorting all the articles,categorizing them based on the problems, reading them carefully, and making notes onthem. The data were analyzed using the descriptive qualitative technique. The findingsshowed that theatre performances in Indonesia reviewed in Tempo in 2001-2005 included:11 foreign scripts, 7 translation scripts, 8 adaptation scripts, 29 purely Indonesian scripts,2 Javanese scripts, and 7 articles on theatres. The number of foreign, translation, andadaptation scripts was 26. This number was almost the same as that of purely Indonesianscripts (and Javanese scripts) which was 31, so that the ratio was 26:31. The findingsshowed that Tempo, in terms of its theatre orientation, reviewed domestic and foreigntheatres equally.Keywords: theatre performance, theatre column, review, Tempo magazine.
TENUN GRINGSING ORELASI MOTIF, FUNGSI, DAN ARTI SIMBOLIK
Authors: Utami Sri
Published: January 2019

Abstrak Penelitian ini bertujuan mendeskripsikan tenun gringsing, baik dari sisi korelasi motif, fungsi, maupun arti simboliknya. Hasil penelitian sebagai berikut. Kain  tenun Gringsing  terdapat  di  desa Tenganan,  Pegringsingan, Karangasem, Bali.Tenun Gringsing tergolong dalam Wastra Wali atau Kain Bebali (Kain Bali) sebagai kain sakral yang sangat sederhana baik dalam penampilan maupun pembuatannya. Berbagai kain tenunan hasil produksi masyarakat Tenganan Bali, tidak hanya digunakan sebagai pakaian saja tetapi juga dikaitkan dengan berbagai kepercayaan. Ia ikut mengiringi berbagai ritual keagamaan, adat, dan daur hidup manusia. Di samping itu, kain Bali, khususnya kain Gringsing, dipercaya sebagai sarana pengobatan. Kain ini dianggap sakral karena dipercaya dapat memberikan petuah, petunjuk, harapan, dan kesembuhan. Kesemuanya diungkapkan dengan berbagai nama, warna, corak, dan  ragam hias kain.
PERHIASAN KALIGRAFI SECARA FUNGSI DAN ESTETIKA
Authors: Kurniawan Ramadhani
Published: January 2019

Tujuan pembahasan ini adalah mendeskripsikan tema penciptaan prosevisualisasi teknik dan bentuk perhiasan kaligrafi secara fungsi dan estetika. Metode yang digunakan dalam penciptaan perhiasan adalah metode eksplorasyaitu mengolah dan menjelajahi bentuk yang sudah ada dan dikembangkan lagkemudian dilakukan observasi melalui media elektronik dan cetak atau kondisosial yang ada di lingkungan sekitar. Metode eksperimen dilakukan untuk menciptakan bentuk kaligrafi  yang sesuai dengan ide serta pengembangan teknidalam membuat perhiasan. Hasil  dari  pembahasan  dapat  disimpulkan  sebagai  berikut:  (1)  Temperhiasan kaligrafi secara fungsi  dan  estetika lebih menonjolkan pada sisi keislaman  yang menginspirasi  pada Asmaul-Husna,  yaitu  sifat-sifat Allah,  (2proses visualisasi perhiasan dikerjakan dengan teknik kerawang, patri, dan codengan menggunakan bahan logam lunak, seperti perak, alumunium, tembaga, kuningan dan peuter, dengan kecenderungan warna logam yang ditonjolkan, (3bentuk atau visualisasi perhiasan adalah penggambaran dari kaligrafi (khat) yandijadikan sebagai pedoman dalam pembuatan perhiasan, seperti kalung dan cincinKarya yang dikerjakan 10 perhiasan dengan berat yang tidak sama, yaitucincin“Al-Musawwir” berat 5,9 gr, cincin “Al-Majid” berat 19,4 gr, cincin “Al-Haqqberat 4,2 gr, kalung “Al-Lathif” berat 60 gr, kalung “Al-Wahid” berat 42 gr, kalun“An-Nur” berat 20 gr, kalung  “Adz-Zahir” berat 45 gr,kalung  “Al-Musawwirberat 57,4 gr, kalung “Al-Qowiyy” berat 36,5 gr, kalung “Al-Jabbar” berat 25 gr.
POLA CYCLICAL PADA HUBUNGAN ANTARA DESAIN INTERIOR DENGAN ILMU PENGETAHUAN
Authors: Prasetya Rahmawan D.
Published: January 2019

Desain  Interior  bertugas  merancang  suatu  ruang  hunian  agar  sesuai dengan  individu  yang  menghuni  dan  menggunakannya.  Tujuan  utama perancangannya jelas, yaitu untuk meningkatkan kualitas hidup pemakai ruang. Desain  interior,  sebagai  bidang  seni  terapan,  memiliki  sifat  interdisipliner.  Ia memerlukan  pengetahuan  bidang  ilmu  lain  untuk  berkembang.  Hubungan keduanya, antara desain interior dengan ilmu pengetahuan memiliki pola cyclical. Proses  perancangan  interior  memerlukan  seni  dan  ilmu  pengetahuan  untuk menghasilkan produk desain interior. Hasil produk desain memberikan peluang untuk  diteliti  dengan  metode  penelitian  ilmiah.  Temuan-temuan  dari  penelitian itulah  yang  menjadi  dasar  bagi  perancangan  interior  selanjutnya.  Pola  cyclical tersebut mendorong bidang desain interior menjadi semakin berkembang.
DWITUNGGAL DALAM DIMENSI LONTAR: DUALISME DALAM PENCIPTAAN SENI LUKIS
Authors: Yudha I Made Bendi
Published: January 2019

Art is an expression of feeling representing the crystalization of ideasthat result from imaginative experiences through observation and exploration ofsuch social life as religion, culture, custom and tradition, and naturalenvironment. These are all encouraged by internal stimulus and intuitive urgethat stimulate emotion and imagination to be expressed in a painting art.To Balinese people, lontar is one of the human cultural achievementscontaining dual values and spiritual teaching to guide people to have a physicallyand mentally harmonious and balanced social life. The observed andcomprehended values contained in lontar have inspired the writer during thecreative process.By understanding the balance concept of contained in lontar we canwisely interpret the phenomena of life in our recent social environment which ischaracterized by intrigues of personal interests and violation of moral norms thatresult in horizontal conflicts as represented by the changes of life style andmental attitude such as damaged environment, degraded human value and status,pressure to others, and so on.The understanding of the values has inspired to visualize thephylosophical and conceptual context in the painting artwork of abstractive andrepresentative form with variative colors by impasto technique to have artisticpersonal symbols.Keywords: painting, dual dimension of life
PELAKSANAAN PEMBELAJARAN SENI DRAMA SEJAK USIA DINI
Authors: - Sumaryadi
Published: January 2019

Regarding the implementation of art education in schools, it is seen that art performance education is put in the third position after visual arts and literature. Among other forms of art performance, drama’s position is under music and dance. Drama is a performance delineating human life, which is acted on stage in front of public. The story generally has conflicts, performed through movements, actions and dialogs. Drama needs introducing to children. The attempts to introduce drama to children should be done as early as possible since the early ages have appropriate space and time, which are strategic to implant basic values in children. Related to this, there are at least two things to be put into consideration. The first is related to literature and the second to art performance. The former covers the determination of theme, synopsis, characters and characterization, plot, dramatic conflict, setting and language use. The latter includes script writing, directing, producer, technical staff, players, and audience. Keywords: art education, drama, early ages
STRUKTUR RUPA TOPENG BALI KLASIK
Authors: Suardana I Wayan
Published: January 2019

This study of classical Balinese masks aims at discovering and introducing the local and traditional Balinese values with a hope that the result might become input for mask development in Indonesia. The focus of the study is the mask forms, especially those related to symbols in religious belief. The data were collected from references, informants chosen proportionally through purposive sampling and notes from historic sources as well as direct field notes. The result shows that based on structure and form there is similarity between classical Balinese masks and puppets. The similarity can be seen from their dots, lines, shapes, colors, and textures. The form elements reached the peak since the fall of Majapahit. The art traditions of East Java that had gone through synthesis were continued in Bali and accumulated with the local culture. The process enriched the existing arts, producing pajegan, panca, and bobondreasan masks. The masks are used as educational media applied in Hindu religious teachings and philosophy. The characters are taken from Mahabaratha and Ramayana epics. Keywords: visual structure, classical Balinese masks
FILOSOFI MULTIKULTURALISME DALAM PENDIDIKAN MUSIK
Authors: Salim Djohan
Published: January 2019

In these recent years, the issue of multiculturalism cannot be ignored in education. It has become a topic of discussions in various settings, such as academic and non-academic forums, political debates, cultural studies, and popular news. The aim of this article is to answer questions about what multiculturalism is and what it means to educators, especially those in music education. Support to music educators in all levels to understand and to implement multicultural music education is crucial. It also aims at describing multicultural music education in the United States and in other countries, including the philosophical ideas, problems and opportunities behind what are stated about multiculturalism. It is hoped that this article can give more perspectives about multiculturalism in education. Keywords: multiculturalism, political debates, music education
BEBERAPA PENDEKATAN SOSIOLOGIS DALAM PENELITIAN KARAWITAN
Authors: Suparno T. Slamet
Published: January 2019

Basically, several approaches from many different fields of study,such as history, philosophy, anthropology, psychology, economy and sociology,can be applied in any researches, including a research on karawitan. This writingexplains how sociological approach is applied to study karawitan. Principally,this approach analyze the relationship between society and karawitan art, itsliterary values and the social values, the artists' background and the problems ofart life in society. Several concepts and theories in sociology can be used toanalyze karawitan as the object.Key words: karawitan (a Javanese music), art and sociological approach
DEKONSTRUKSI DIRI SENDIRI DALAM PROSES PENCIPTAAN KARYA SENI
Authors: Swasono Ph Ign. Hening
Published: January 2019

Self deconstruction is a means of breaking down the established art creation, representing individual identity and abandoning modern art or conventional art creation. It was applied in a work of art, whose forms were cracked wood constructed like paintings. In the new concept of art creation, self-deconstruction of Derrida and Nagajurna was applied. The deconstruction as a concept of creating and acting bravely to break down reality and imitating self creation was applied until the zero point. In other words, the emptiness is stability. “All possible” is the concept of creation applied by the writer. The concept was realized by using used wood as a medium of expression of artistic moments. The installation was composed of several different media such as wood, plastic and iron. The concept also abandoned single medium (the modern view of art creation). This art creation used the integration of creation and recreation as well. The creation technique applied was assemblage, collage, and knock­down system with shifting understanding, namely function replacement. The knock-down system in the installation was made based on the artist's will or on the art viewers, display areas and the surrounding. In the name of deconstruction, the writer believes that the created arts are multi-interpretable. Key words: deconstruction, installation art and interpretation
PENINGKATAN KREATIVITAS SENI DALAM DESAIN BUSANA
Authors: Yuliati Nanie Asri
Published: January 2019

Creativity in cloth designing is one of aspects to improve fashion products. The products in garment industry include many kinds of clothes in the markets, such as women's, men's, children's and adults' clothes for many occasions like parties' and work's clothes. To compete in the markets, fashion designers have to be creative in designing the clothes. Creativity is new ideas in designing to create novel designs and products suitable with the current trends. To trigger creativity in the learning of fashion design, the role of learning sources is important so that the students get inspired by the novelties to create new fashion. The learning sources include electronic media (TV, video and the internet), printed media (fashion books and magazines, tabloids, and newspapers) as well as direct sources observed in daily life. Varied learning sources will improve creativity in fashion design learning. Key words: learning sources, creativity, cloth design
MENGENAL ESTETIKA RUPA DALAM PANDANGAN ISLAM
Authors: - Martono
Published: January 2019

Islam sebenarnya tidak melarang orang berkesenian, justru menganjurkan berseni untuk menuju kebaikan dan keindahan dunia dan akhirat untuk mendekatkan diri kepada Sang Pencipta. Sebagai seorang seniman, pendidik seni bekerja dengan seni, beribadah dengan seni yang sudah geluti selama ini jangan sampai ada karaguan, karena keraguan akan menyesatkan. Untuk mencapai keindahan tertinggi dengan melibatkan latihan spiritual. Sesuai peringkatnya keindahan dapat dibagi menjadi (1) keindahan sensual dan duniawi, yaitu keindahan yang terkait dengan hedonisme dan materialisme, (2) keindahan alam, ciptaan Tuhan (3) keindahan akliah yaitu keindahan yang ditampilkan karya seni yang dapat merangsang pikiran dan renungan, (4) keindahan rohaniah berkaitan dengan ahklak dan adanya pengetahuan tentang hakikat segala sesuatu yang ada dalam diri seseorang atau karya seni, dan (5) keindahan Illahi. Kata kunci: estetika, seni rupa, dan estetika Islam
RELASI ESTETIKA WAYANG DAN ESTETIKA AGAMA
Authors: Mukti Muh.
Published: January 2019

Keberadaan budaya bangsa untuk sekarang ini, tidak selalu berjalan dengan estetika agama, wayang di antaranya. Oleh karena itu, perlu dilakukan pemikiran bagaimana wayang tersebut berjalan dengan estetika agama. Agar wayang berjalan dengan estetika agama, harus disambungkan dengan dakwah. Untuk keperluan itu, digunakan tasykil, yakni ajakan secara langsung kepada penonton untuk dakwah usai wayang. Wayang setelah disambungkan dengan dakwah, berubah jenisnya menjadi kesenian dakwah, terminologinya ganda: wayang, tasykil, dan dakwah, tuntunannya agama, dan bentuknya sambung. Kata kunci: estetika, estetika wayang, dan estetika agama
DISTORSI BENTUK IMAJINER UNTUK PENCAPAIAN HARMONI
Authors: Yudha I Made Bendi
Published: January 2019

Art is an expression of feeling and soul. It is the crystallization of anidea that derives from imaginative soul experience through observation, deepthinking on the phenomena of social environment. Then, through intellectualability and internal or external motivation raises an intuitive vibration thatstimulates inner emotion to be artistically expressed through the language ofvisual art work.For Balinese, rerajahan is one of literature works which has a valueand symbolic meaning of the all life aspects both on macro and micro cosmos.It is also depicting the energy that is a symbol of gods and evil character.These all are the reflection of dualistic. These concepts which are overlappingand interdependent to each other must be kept appropriately in order tomaintain the harmony.The concept of harmony that exists in rerajahan seems neglected oreven left behind when we compare with the phenomena life in society. Thiscan be seen on the inappropriate acts either to the nature or human life. As weknow, an exploitation of natural resources, the inappropriate authority acts ofparticular parties or people, gender, discrimination on law and human rights,and inappropriate acts of state administration.These phenomena generally make the increase of ecological crisis andthe degradation of human moral or get the level of social poverty even worse. Atpresent, these inappropriate acts are getting out of control because the spreadtakes place both on the low and elite levels. So, these are very complexphenomena just like a messy thread that needs to be solved holistically. Thecomprehension of all the above values have brought some ideas regarding on thelife meanings in which its philosophical concepts in an abstract way astatically areimplemented into the painting art work by combining both the representative andabstractive concepts. It is also implemented in term of applying varied line, color,and textures. It is hope that impasto technique can represent certain symbol andmeaning in order to give the value of the authenticity of the art work which has anartistic personal values and novelty.Key word : Painting art work, distortion of imaginary shape and harmony
PERSPEKTIF HISTORIS CAMPURSARI DAN CAMPURSARI ALA MANTHOU’S
Authors: Laksono Joko Tri
Published: January 2019

Campursari is an ensemble of a highly and aesthetically musical taste of various musical instruments, each of wich has distinctive characteristics and playing patterns. The problems arising from the difference in the system of notation and harmony can be overcome in so far each, musician is aware of the importance of togetherness needed in the musical performance. In history instrumentation of campursari cannot leave karawitan and music keroncong which represents beginning at first merger from bath the ensembles. Manthou’s as originators campursari tries to alli the instrumentation becames one fully unity especially about its tune. Kata kunci: musik campursari, perspektif historis
REPRESENTASI INDHANG DALAM KESENIAN LENGGER DI BANYUMAS
Authors: Priyanto Wien Pudji
Published: January 2019

Kesenian Lengger merupakan salah satu bentuk kesenian khas Banyumas yang dilaksanakan berkaitan dengan upacara mulai menanam padi sampai dengan panen padi usai. Dalam pementasannya kesenian ini terbagi menjadi empat babak yaitu, (1) babak Gambyongan, (2) babak Badutan, (3) babak Ebeg-ebegan (Jathilan) dan, (4) babak Baladewan. Masyarakat meyakini bahwa penari Lengger atau Jathilan yang memiliki Indhang pasti dalam pementasannya memiliki kemampuan, ketrampilan, kekuatan yang lebih ibandingkan dengan mereka yang tidak memiliki indhang. Indhang diperoleh dengan cara menjalankan Laku yaitu bersemadi/konsentrasi di tempat/makam yang dianggap keramat baik oleh kelompok kesenian maupun masyarakat setempat. Penari yang kerasukan Indhang akan memiliki daya tarik dan kekuatan tersendiri misalnya mampu menari berjam-jam tanpa lelah, memiliki aura atau pamor yang berbeda dengan aslinya, untuk indhang jathilan dapat merasuk ke penari dengan cara mendem/ndadi mereka akan berbuat sesuat diluar kemampuan dirinya. Di samping itu bagi yang mempercayai atau yakin penari lengger yang kerasukan indhang maka akan dapat mengobati anak atau seseorang yang sedang sakit dengan cara mencium/meniup kening atau memberikan air putih yang telah didoakan. Kata Kunci : Representasi, Indhang dan Kesenian Lengger
PENGUKURAN RESPONS ESTETIK SISWA DENGAN SEMANTIC DIFFERENTIAL
Authors: Prihadi Bambang
Published: January 2019

Penelitian ini bertujuan menemukan dan mengungkap karakteristik instrumen pengukuran respons estetik, yang dapat digunakan untuk mengukur respons siswa terhadap karya seni rupa (lukisan). Sasaran penelitian pengembangan ini adalah instrumen pengukuran respons estetik untuk siswa sekolah menengah pertama dan respons siswa sebagai hasil uji coba. Subjek penelitian ini adalah siswa Kelas VII SMP Negeri 4 Yogyakarta. Teknik analisis data yang digunakan adalah analisis faktor, analisis reliabilitas, dan analisis varians dengan pengukuran ulang. Hasil penelitian menunjukkan bahwa proses pengembangan instrumen pengukuran respons estetik meliputi penyusunan kisi-kisi, pemilihan butir-butir semantic differential dan stimulus (lukisan), penyusunan instrumen, dan uji coba instrumen. Berdasarkan analisis faktor, instrumen pengukuran respons estetik yang dikembangkan tersebut memiliki validitas yang baik (varians total yang dapat dijelaskan keseluruhan = 70,65%). Instrumen pengukuran ini mampu mengukur respons estetik siswa menurut faktor evaluatif, formal (kebentukan), dan stimulatif (kesan gerak), yang berarti bahwa siswa menunjukkan kecenderungan menilai kualitas, merasakan bentuk, dan menangkap kesan gerak pada lukisan. Faktor evaluatif direpresentasikan oleh butir 'tidak indah—indah', 'jelek-bagus', 'tidak suka—suka', dan 'tidak mirip—mirip'. Faktor formal direpresentasikan oleh butir 'gelap—terang ', 'kusam—cemerlang', dan 'kabur—jelas'. Faktor stimulatif direpresentasikan oleh butir 'sederhana—rumit', 'hidup—mati', 'kacau—tenang', dan 'kaku—luwes'. Instrumen respon estetik ini memiliki reliabilitas yang baik (konsistensi internal alpha = 0,82 dan koefisien stabilitas rij = 0,71). Analisis varians dengan pengukuran ulang menunjukkan bahwa instrumen pengukuran respons estetik siswa tersebut menunjukkan sensitivitas terhadap karakteristik lukisan. Terdapat pengaruh gaya dan tema lukisan serta interaksinya terhadap respons estetik siswa. Kata kunci: respons estetik, semantic differential, instrumen
VERBA TURUNAN DALAM BAHASA JAWA
Authors: Mulyati Siti
Published: January 2019

This study aims to describe the affixation process, semantic change in the formation of derived verbals, and the functions that such verbals can serve in Javanese sentences. It employed the descriptive approach. The data were collected from sentences the Djaka Lodang magazine and spoken discourse in society. They were collected through reading, listening, and recording. The data were analyzed using the substitution method. The findings show that derived verbals in Javanese can be formed using prefixes N-, maN-, ka-, ke-, di-/ dipun-, and bawa ha, infixes -um- and -in-,suffixes -i, -a, -en, --an, -na, -ana, and -ake/-aken, confix ka-/ -an, and combined affixes N-/ -i, N-/ -ake, N- / -a, N- / -na, N-/ -ana, di-/ -i, di- / -a, di- / -na, di- / ake, -in-/ -an, -in-/ -ake, -in-/ -ana, and -um- / -a. Derived verbs in Javanese can be both active verbs and passive verbs. They can function as subjects, predicates, objects, complements, or adverbials in sentences.
PEMBELAJARAN MENYIMAK APRESIATIF CERITA PENDEK DENGAN STRATEGI BELAJAR KOOPERATIF
Authors: Nurhidayati Nurhidayati
Published: January 2019

This study aimed to describe the improvement in the learning of appreciative short-story listening through a cooperative learning strategy. It employed an action research design. The data were those of the implementation of the learning of appreciative listening, which included pre-listening, listening, and post-liste ning stages. The data collecting instruments consisted of an observation guide, accompanied by a tape recorder and field notes, and a rubric for the analysis of the appreciative listening results. The findings showed that the cooperative learning strategy was effective in the whole learning process of listening. The students attained a mean of 91.6 (very good) at the end of Cycle I and a mean of 93 (very good) at the end of Cycle II.
STRUKTUR, ESTETIKA, DAN PERUBAHAN KONTEKS DALAM WACANA PIDATO UPACARA PERKAWINAN MASYARAKAT JAWA
Authors: Mulyana Mulyana
Published: January 2019

This study aims to describe language use in a wedding ceremony in terms of linguistic elements making a speech discourse possess Javanese literary esthetics and expressions of contexts and changes occurring in wedding ceremonies conducted by Javanese people. This study employed a sociolinguistic approach involving discourse analysis. It used data obtained from wedding ceremony speeches. The speeches were documented directly from Javanese wedding ceremonies in the area of Yogyakarta. The results of the data analysis are as follows. First, the spoken languages in Javanese wedding ceremonies include Javanese, Indonesian, and a mixed language called Jawindo (Jawa-Indonesia). Second, there are a variety of esthetic elements employed in wedding speech discourse. Third, changes in wedding speech discourse result from the underlying contexts.
KESOPANAN TINDAK TUTUR MENYURUH DALAM BAHASA INDONESIA
Authors: Manaf Ngusman
Published: January 2019

This study aims to describe verbal expressions by Indonesian speakers in the speech act of commanding politely in Indonesian. The data sources were Indonesian speech acts made by native speakers of Indonesian; they were collected through observations and interviews. The data were qualitatively analyzed using pragmatic  theories. The results of the analysis show that there are two primary ways that native speakers of Indonesian use to perform the speech act of commanding politely. First, commands are performed by means of phatic expressions showing intimacy and appreciation. Second, they are performed through phatic expressions showing a minimization of force and burden. Keywords: speech acts, phatic express
FUNGSI PRAGMATIK METAFORA DALAM WACANA SURAT PEMBACA BERBAHASA INDONESIA
Authors: Nirmala Deli
Published: January 2019

This study aims to describe the pragmatic functions of metaphors in the discourse of letters to the editor in Indonesian. The data were collected through non-participant observations using a note-taking technique. They were analyzed using referential, distributional, introspective, reflexive, and abducting inference techniques. The findings show that the metaphors in the discourse of letters to the editor show assertive, directive, and expressive pragmatic functions. Such functions indicate indirectness of meanings in metaphorical expressions. The indirectness of meanings shows the writers’ politeness strategies to maintain good relations with the readers. The writers give freedom to the readers to agree or disagree with the proposed discourse.
PENINGKATAN KOMPETENSI BERWACANA LISAN DENGAN METODE INVESTIGASI KELOMPOK
Authors: Maman Mayong
Published: January 2019

This study aims to describe the improvement in the process and outcomes of the spoken discourse learning through the group investigation method. The subjects were Year XI students of the Natural Science Program of SMAN 1 Sungguminasa South Sulawesi. This was a classroom action research study using a model by Elliot. The data were collected through observations and a performance test. The research findings were as follows. First, the group investigation method was capable of improving the students’ seriousness, enthusiasm, motivation, cognition, and skills in the implementation of the spoken discourse competence learning. Second, the method was capable of improving the students’ learning outcomes in each cycle. At the end of the cycle, the students’ activities in the learning process increased significantly.
PEMAKNAAN IDEOLOGIS PERJUANGAN RAKYAT PALESTINA DALAM CERITA PENDEK JABALUN-NÂR KARYA ALI AT-THANTAWY
Authors: Manshur Fadlil
Published: January 2019

This study aims to explain issues of Palestinian people’s struggle against the English occupation in Ali At-Thantawy’ short story Jabalun-Nâr. It employed the theories of genetic structuralism and ideology. The findings are as follows. First, Palestinian people’s responses to the fate of their nation occupied by English people are reflected in the behaviors of two main characters, Irfan and Mukhtar. Second, in social reality, Palestinian people face their nation’s internal challenges, namely the unstable and explosive political-military conditions in struggling against the English occupation on the Paletinian land. Third, the two main characters are effective subjects of thoughts capable of penetrating Palestinian people’s minds with the nationalism spirit to fight against the English occupation. Fourth, the meaning of Jabalun-Nâr is ‘volcano’, a symbol of Palestinian people’s strength successful in defeating English colonists.
SUFISME DALAM SYAIR HAMZAH FANSURI
Authors: Haryadi Haryadi
Published: January 2019

This study aims to reveal the divine vision, worldly vision, and concept of makingthe self close to God according to Hamzah Fansuri. The data sources were Syair Perahu I and Syair Perahu II transcribed by Braginsky. The data were collected through repeated reading. They were analyzed using the qualitative descriptive technique with a reference to literary and sufism theories. The study reveals three conclusions. First, according to Hamzah Fansuri, human beings’ closeness to God can reach the highest level, namely the unification of the creature and the creator. Second, Hamzah Fansuri views the world as something temporary and the life after as something eternal. Third, Hamzah Fansuri’s concept of making the self close to God includes (a) being aware of the self, (b) remembering God and expressing praises, (c) performing good deeds, (d) controlling the passion and living simple life, and (e) avoiding evil deeds.
THE FEMINIST VOICE IN LUCILLE CLIFTON’S THE THIRTY EIGHTH YEAR, MISS ROSIE AND FINAL NOTE TO CLARK
Authors: Harjani Emilia Tetty
Published: January 2019

This study is an analysis of three poems Thirty Eighth Year, Miss Rosie and final note to clark written by Lucille Clifton, a contemporary black American poet and writer. It intends to find out what the works articulate, showing the feminist voice. The analysis was conducted sociologically based on the selection criteria that they have the same theme as the common ground, and the data were collected through library research. The results show that the speakers of the poems articulate their consciousness of self-worthvoicing basic feminist perspective against confining domestic life, white hegemonic beauty standard, and male role in black American household.
KONTESTASI IDEOLOGI DALAM SASTRA PRANCIS MASA PERANG DUNIA KEDUA
Authors: Udasmoro Wening
Published: January 2019

This study aims to explore the constestation of French writers’ ideologies during the era of World War II through their works. The primary data sources were “Le Mur”by Sartre, “L’Etranger” by Albert Camus, and “L’Attente de Dieu” Simone Weil. On the one hand the writers play roles as ones telling the world through their fiction, but on the otherhand they have active roles in positioning their believed ideologies. The study employed the Critical Discourse Analysis method. The discourses emphasize that God is viewed as personal, social, historical experiences contested by Sartre, Camus, and Weil in their works. They discuss God using different perspectives. The findings show that God isphilosophically positioned at the levels of being existent and non-existent, present and absent, and active and passive. Sartre and Camus are on the same line when talking about God’s absence in human existence. Meanwhile, Simone Weil, who is very religious, views that God is concretely present in human life.
MODEL MULTILITERASI DALAM PERKULIAHAN PENDIDIKAN BAHASA DAN SASTRA INDONESIA
Authors: Sari Esti Swatika
Published: January 2019

This study aims to describe a model of literacy in the Indonesian Language and Literacy Education course. It employed the qualitative descriptive method involving three subjects, namely Dialectical Speaking, Syntopical, Creative, and Critical Reading, and Discourse Analysis. The data were collected through a questionnaire for lecturers, interviews with students, student assignment documents, learning materials, and lecturers’ evaluation system. The findings are as follows. First, in Dialectical Speaking, the multiliteracy competencies developed are linguistic, gestural, and spatial competencies. Second, in Syntopical, Creative, and Critical Reading, they are linguistics, visual, audiovisual, and spatial competencies. Third, in Discourse analysis, they are linguistics, spatial, and visual competencies. Multiliteracy in a course can also be viewed from the practice situation, open learning, critical thinking reflection, and transformative practice.
STRUKTUR DAN MAKNA UNDANG-UNDANG SULTAN ADAM PADA MASA KERAJAAN BANJAR KALIMANTAN SELATAN
Authors: Effendi Rustam
Published: January 2019

This study aims to describe the backgrounds of the birth and meaning of Undangundang Sultan Adam (UUSA). It employed the hermeneutic method and philology. The data source was the UUSA text written in the era when Sultan Adam reigned over the Banjar Kingdom in 1825-1857. The findings are as follows. First, the birth of UUSA was due to the fight of two sects, i.e. ahlusunah waljamaah and ahlal albidaah. Second, the whole meaning of the UUSA text shows that: (1) the Banjar Kingdom was a theocratic kingdom, (2) ulemas and religious organizations played dominant roles in the government, (3) legal religious organizations were those in the Safii sect, (4) UUSA was written on the basis of the ideas of the ulema of the Banjar Kingdom, namely Haji Djamaloedin, and (5) UUSA aimed to serve as religious experience perfection, a guide for judges to make decisions, and an attempt to counter other religious organizations growing during the era.
WATAK DAN PERJUANGAN PEREMPUAN DALAM NOVEL-NOVEL KARYA PENULIS PEREMPUAN INDONESIA DAN MALAYSIA AWAL ABAD 21
Authors: Purbani Widyastuti
Published: January 2019

This study aims to identify and reveal the traits and struggles of female characters in eight novels written by Indonesian and Malaysian women writers in the early 21stcentury. This is a qualitative study employing content analysis. The study reveals that all main female characters in these eight novels are strong and tough women living in a discriminativepatriarchal society in which women are seen as the second class society and object of sexual desire. The main female characters in the both Indonesian and Malaysian novels under study are fighting for either themselves or other female characters against gender discrimination and sexual abuse. Some female characters struggle to gain knowledge and skills for a better position, and some struggle to get economic welfare. While the Indonesian characters use human rights for gender equity and moral justice, the Malaysian characters use religious and moral conduct as the foundation for their struggle.
PENGEMBANGAN EVALUASI PEMBELAJARAN BAHASA INDONESIA BERBASIS TAKSONOMI STRUCTURE OF OBSERVED LEARNING OUTCOME
Authors: Subyantoro Subyantoro
Published: January 2019

This study aims to describe characteristics and principles of the development of evaluation kits based on the taxonomy of the Structure of Observed Learning Outcome (SOLO) in the Bahasa Indonesia subject and to test the effectiveness. It employed a research and development design. It was conducted up to the seventh stage, namely operationalproduct revision, a revision after obtaining feedback from field testing. The results of the study are as follows. First, the characteristics of the evaluation kits include item types, time allocation, tasks, critical thinking skills, and problem solving skills. Second, the principles of the development of evaluation kits include appropriate item types, tasks,critical thinking skills, and problem solving skills. Third, the evaluation kits consist of conceptual materials, evaluation grids, item cards, test packages and instructions, and answer keys accompanied by assessment and scoring rubrics. Fourth, the effectiveness of the evaluation kits is indicated by the test validity and reliability and the item difficulty index and discrimination index.
SERIAL TELEVISI DEXTER SEBAGAI ANAKRONISME DALAM SASTRA POPULER
Authors: Adi Ida Rochani
Published: January 2019

In the popular literature context, this study aims to investigate: (1) how the formulation of the characterization of Dexter in the television serial Dexter violates the tradition of literary characterization, and (2) how the formula of moral values is dramatized through Dexter, who is a sociopath, psychopath, serial killer, and person without moral. The research object was the television serial Dexter, which ranks five in popularity in the world. The data were collected by documenting 84 episodes of the serial having been broadcast since 2006. They were analyzed by means of content analysis and qualitative descriptive techniques. Based on the findings, the conclusions are as follows. First, there is a violation or anachronism of characterization through the main character in the serial. Second, the dramatized moral values still contain conventional values although they are in different forms.
KAIDAH PELESAPAN DALAM KONSTRUKSI KALIMAT MAJEMUK BAHASA INDONESIA
Authors: Setiawan Teguh
Published: January 2019

This research study aims to describe the rules of ellipsis in compound andcomplex sentences. The sources of the data were two newspapers, Kompas andKedaulatan Rakyat, the edition of March 2002. The data were collected by usingobservation and recording techniques. They were then analyzed by the substitutionmethod. On the basis of this method, the omission and substitution techniques wereemployed.Based on the analysis of the findings, the subject, predicate and object ellipsiscan be found in compound sentences and the subject ellipsis in complex sentences.The rules of ellipsis in compound sentences are that (1) the omission can be doneif the omitted element is the same; (2) the omission of the subject and predicate isalways made in the clause after the coordinative conjunction and the omission of theobject is made in the clause before the coordinative conjunction; (3) the referentialcharacteristic of the omitted element is always anaphoric. The rules of ellipsis incomplex sentences are that (1) the omitted element must be the same; (2) the omittedelement is in the clause preceded by a subordinative conjunction or the dependentclause; (3) the referential characteristic of the omitted element is cataphoric oranaphoric.