bluuebunny/crossref_metadata_2025 huggingface dataset:
MINAT MAHASISWA MEMILIH MATA KULIAH STUDI KHUSUS SENI LUKIS PADA JURUSAN SENI RUPA FAKULTAS BAHASA DAN SENI UNIVERSITAS NEGERI MEDAN ANGKATAN 2014
Authors: Manurung Merry , Sugito Sugito
Published: October 2018

Penelitian ini bertujuan untuk mengetahui gambaran minat mahasiswa memilih M.K studi khusus seni lukis pada Jurusan Seni Rupa FBS Unimed Angkatan 2014, untuk mengetahui sesuaikah minat mahasiswa memilih M.K studi khusus seni lukis pada Jurusan Seni Rupa FBS Unimed Angkatan 2014, dan untuk mengetahui hasil belajar M.K Studi Khusus Seni Lukis mahasiswa pada Jurusan Seni Rupa FBS Unimed Angkatan 2014. Sampel penelitian ini adalah mahasiswa yang memilih M.K studi khusus seni lukis angkatan 2014 berjumlah 34 orang. Teknik pengumpulan data menggunakan dokumentasi, dan angket. Analisis data menggunakan metode deskriptif kualitatif. Temuan hasil penelitian, M.K studi khusus seni lukis adalah M.K yang paling diminati sebesar 43,038% (34 orang), seni patung 3,797% (3 orang), seni kriya 13,924% (11 orang), fotografi 0%, seni grafis komputer 39,241% (31 orang). Mahasiswa memilih M.K studi khusus seni lukis karena keinginan sendiri sebesar 97,059% (33 orang), memilih karena rasa simpatik pada pengajar dan karena dorongan orang tua sebesar 0%, memilih karena diajak sebesar 2,941% (1 orang). Hasil belajar M.K Studi Khusus seni lukis mahasiswa angkatan 2014 adalah sebesar 73,529%  (25 orang) nilai sangat bagus yakni nilai A, dan 17,647% (6 orang) nilai bagus yakni nilai B, nilai C, dan D sebesar 0%, dan 3 orang nilai E sebesar 8,824%.Kata Kunci: minat, mahasiswa, dan seni lukis.
ANALISIS PATUNG DEWA MURUGAN DI DESA PADANG CERMIN KECAMATAN SELESAI KABUPATEN LANGKAT DI TINJAU DARI BENTUK DAN GAYA MENURUT KITAB SILPASASTRA
Authors: Triana Hilda , Mangatas Mangatas
Published: October 2018

Penelitian ini bertujuan untuk menjelaskan apakah Patung Dewa Murugan yang ada di Desa Padang Cermin Kecamatan Selesai Kabupaten Langkat tersebut telah sesuai dengan bentuk dan gaya menurut kitab Silapasastra. Sampel dalam penelitian ini adalah satu buah Patung Dewa Murugan Di Desa Padang Cermin Kecamatan Selesai Kabupaten Langkat yang diteliti dengan menggunakan metode penelitian deskriptif kualitatif. Pada penelitian menunjukan: Bahwa bentuk dan gaya Patung Dewa Murugan di Desa Padang Cermin Kecamatan Selesai Kabupaten Langkat ternyata tidak sesuai dengan ketetapan dalam Kitab Silpasastra. Saran bagi pematung agar membuat patung yang sesuai dengan aturan-aturan yang telah ditetapkan dalam Kitab Silpasastra. Kata Kunci: patung, bentuk, gaya, kitab silpasastra.
KEUNIKAN BABI
Authors: Walfiyah Reno Walfiyah , Afatara Narsen Afatara
Published: October 2018

Tugas akhir ini merupakan  visualisasi berdasarkan imajinasi penulis dalam bentuk lukisan, dengan subject matter keunikan babi. Terdapat sudut pandang yang berbeda ada  yang menghalalkan babi ada pula agama yang mengharamkan babi. Di suatu tempat babi menjadi ukuran derajat atau tingkatan masyarakat, babi juga menjadi sajian wajib saat ritual untuk suatu agama tertentu. Secara umum orang memandang babi adalah sebagai hewan yang paling menjijikan, hal tersebut didasarkan dengan beberapa alasan seperti hewan pemakan kotorannya sendiri, hewan yang selalu memuntahkan makanannya kemudian dimakan lagi dan ditambah dengan cacing pita yang sangat identik dengan babi menjadikan orang tambah kurang suka terhadap hewan yang satu ini. Permasalahan yang dimunculkan dalam tugas akhir ini adalah: 1). Apasaja hal-hal yang menarik dari babi sehingga diangkat ke dalam karya seni lukis, 2). Mengapa keunikan babi dapat menjadi konsep penciptaan seni lukis, 3) Bagaimana cara memvisualisasikan keunikan babi dalam karya seni. Berdasarkan rumusan masalah, maka tulisan ini memiliki tujuan: 1). Mendeskripsikan apa saja keunikan babi, 2). Mendeskripsikan keunikan babi sebagai konsep karya seni lukis, 3)  Memvisualisasikan ke dalam wujud karya seni lukis dengan subject matter keunikan babi. Kata Kunci: Babi dan Unik
FUNGSI TOPENG TEMBUT-TEMBUT DESA SEBERAYA KECAMATAN TIGA PANAH KABUPATEN KARO
Authors: Sembiring Sartika Br , Guntur Guntur Guntur
Published: October 2018

AbstrakPenelitian mengenai  fungsi topeng Tembut-Tembut Seberaya berkaitan dengan proses upacara ritual yang dilakukan di Desa Seberaya. Upacara Ritual tersebut merupakan budaya tradisi yang sudah berlangsung sejak kemunculan pertunjukan topeng ini. Pertunjukan yang dilakukan berhubungan dengan pemanggilan air hujan. Dalam ritual pemanggilan air hujan, dilakukan beberapa tahap prosesi oleh generasi penerus topeng. Prosesi yang dilaksanakan memiliki runtutan dalam tata pelaksanaannya. Ada tahapan yang harus dilaksanan oleh generasi penerus apabila topeng ini akan dipertontonkan untuk masyarakat luas. Penelitian ini bertujuan untuk mengetahui bagaimana fungsi tembut-tembut Desa Seberaya dalam budaya tradisi dan modern saat ini. Metode yang digunakan adalah kualitatif interpretatif dengan pendekatan teori Feldman. Fungsi suatu karya seni terdiri dari fungsi personal, fungsi sosial dan fungsi fisik. Hasil penelitian menunjukkan bahwa fungsi tembut-tembut mengalami pergeseran seiring perkembangan zaman. Nilai sakral pada tembut-tembut berkaitan dengan upacara ritual pemanggilan air hujan tetap masih ada, berbeda ketika tembut-tembut menjadi sebuah pertunjukkan dalam sebuah acara pertunjukkan. Fenomena yang ada pada masa sekarang adalah tembut-tembut digunakan sebagai sebuah acara pertunjukkan. Kata Kunci: Topeng, Tembut-tembut, Ritual, dan Fungsi. AbstractResearch on the function of the Tembut-TembutSeberaya mask is related to the process of ritual ceremonies performed in Seberaya Village. The ritual ceremony is a traditional culture that has been going on since the appearance performed in Seberaya Village. The ritual ceremony is a traditional culture that has been going on since the appearance of this mask show. Performances related to rainwater calling. In the ritual of summoning rainwater, several stages procession are carried out by the next generation of masks. The procession carried out has a sequence in its implementation. There are stages that must be carried out by the next generation if this mask will be shown to the wider community. This study aims to find out how the function of Seberaya Village's pottery is in traditional and modern culture. The method used is interpretative qualitative with the Feldman theory approach. The function of an artwork consists of personal functions, social functions and physical functions. The results of the research show that the functions of the pottery experience a shift over time. The sacred value of the pots associated with the ritualceremony of summoning rainwater still remains, different when the pottery becomes a performance in a performance event. The phenomenon that exists today is that pottery is used as a show.  Keywords: Mask, Shots, Rituals and Functions.
EKSPERIMEN PENGGUNAAN BERBAGAI BAHAN LIMBAH UNTUK MEMUNCULKAN TEKSTUR LUAR KOTAK TISU DENGAN TEKNIK MOZAIK DAN KOLASE
Authors: Naibaho Yunika Br , Azmi Azmi Azmi
Published: October 2018

ABSTRAKPenelitian ini bertujuan untuk mengetahui bahan, tekstur dan teknik yang digunakan untuk mendapatkan hasil tekstur pada  bagian luar kotak tisu. Waktu penelitian selama 2 bulan yaitu pada Desember 2016 sampai dengan Februari 2017. Lokasi penelitian adalah di Jalan Perjuangan No.175 dan di Jalan Danau Singkarak, Gang. Madrasyah No. 22 B Medan.Penelitian ini menggunakan metode deskriptif kualitatif dengan menguraikan masing-masing subjek yang diteliti, dengan menggunakan dua data yakni data primer diperoleh dari hasil eksperimen, observasi dan data sekunder diperoleh dari hasil dokumentasi yaitu dengan mengambil foto dan mengamati langsung hasil eksperimen. Hasil dari 15 buah karya eksperimen penggunaan berbagai bahan limbah untuk tekstur luar kotak tisu yang diantaranya  kotak tisu dengan bahan limbah Ranting Kayu Mahoni, limbah Batu Warna, limbah Kaca Cermin, limbah Kulit Telur, limbah Batok Kelapa, limbah Potongan Kayu Segitiga, limbah Batu Acak, limbah Kaca Warna, limbah Serbuk Kayu, limbah Daun Pisang, limbah Daun Jati Kering, limbah Kulit Pete Cina, limbah Kulit Jagung, dan limbah Serabut Kelapa.Hasil temuan penelitian eksperimen ini menunjukkan bahwa, pada setiap bahan Limbah yang digunakan pada eksperimen dapat memunculkan Tekstur yang berbeda-beda setelah diterapkan. Penggunaan bahan limbah yang diterapkan ini dapat menjadi peluang usaha baru di bidang kerajinan.Kata Kunci : Eksperimen, Limbah, dan Tekstur.
ANALISIS KARYA SENI KERAJINAN ANYAM TALI KUR SISWA KELAS X MADRASAH ALIYAH NEGERI 1 STABAT BERDASARKAN TEKNIK BENTUKDAN WARNA
Authors: Ujung Citra Sari , Chairani Chairani Chairani
Published: October 2018

ABSTRAKPenelitian ini dilakukan diMadrasah Aliyah Negeri 1 Stabat yang bertujuan untuk mengetahui serta mendeskripsikan hasil analisis karya kerajinan anyam tali kur siswa kelas X Madrasah Aliyah Negeri 1 Stabat berdasarkan teknik bentuk dan warna.Sampel pada penelitian ini menggunakan teknik proporsive sampling(Bertujuan). Adalah teknik pengambilan sampel didasarkan pada tujuan tertentu dengan memperhatikan ciri-ciri dan karakteristik populasi.penelitian ini adalah karya siswa Kelas X Madrasah Aliyah Negeri 1 Stabat yg berjumlah 35 karya. Pengumpulan data dilakukan melalui instrument penelitian, observasi, dokumentasi dan wawancara bertanya langsung dengan para siswa.Dari penelitian yang dilakukan secara keseluruhan berdasarkan pengamatan aspek-aspek yang telah ditentukan, maka siswa kelas X Madrasah Aliyah Negeri 1 Stabat dapat diketahui hasil karya seni kerajinan tali kur mengalami perubahan dan lebih baik. Teknik yang dipakai pada hasil karya anyam siswa Kelas X Madrasah Aliyah Negeri 1 Stabat adalah teknik anyaman cengkeh dan simpul pangkal, simpul kordon. Bentuk yang dipakai pada hasil karya anyam siswa Kelas X Madrasah Aliyah Negeri 1, Hasil menunjukan adalah anyaman tas, gelang tangan, tempat minum, tempat tisu, tas dompet. Penggunaan warna menunjukan warna yang selaras, kombinasi warna dan susunan warna yang kontras, tetapi ada juga yang memakai satu warna. Kata Kunci:Anyaman Tali kur Teknik, Bentuk, dan Warna
LIMPAPEH PADA BAJU KURUANG BASIBA
Authors: Rahmawati Rahmawati , Akmal Ahmad , Awerman Awerman
Published: October 2018

AbstrakLimpapeh atau attacus atlas merupakan kupu-kupu besar dengan  bentangan sayap yang luas, yang memiliki warna coklat kemerahan dan dihiasi sedikit warna putih. Kebiasaan limpapeh hinggap pada rumah, bangunan, pepohonan, dedaunan dan bunga yang sedang bermekaran. Bagi masyarakat Minangkabau limpapeh adalah sebutan untuk  perempuan Minangkabau yang sudah beranjak dewasa yang bertanggung jawab menjaga garis keturunan berikutnya, berdasarkan garis keturunan ibu yang akan menjadi penghuni dalam rumah gadang. Bentuk limpapeh dalam penciptaan karya ini adalah sebagai motif dari baju kuruang basiba, baju kuruang basiba merupakan pakaian perempuan Minangkabau yang mempunyai ciri khas yaitu pada bagian samping baju  terdapatnya siba dan kikik. Bentuk sayap limpapeh yang terdapat pada bagian dada, lengan dan bawahan baju serta bentuk limpapeh yang berbentuk utuh yang berterbangan sehingga membuat baju kuruang basiba, ini lebih menarik.           Kata Kunci: limpapeh, baju kuruang, basiba AbstractLimpapeh or attacus atlas is a large butterfly with a broad stretch of wings, which has a reddish brown color and is decorated with a little white color. The habit of leaking on the house, building, trees, leaves and flowers are blooming. For Minangkabau people limpapeh is a term for Minangkabau women who have grown up who are responsible for maintaining the next lineage, based on the maternal lineage that will become residents in the gadang house. The form of limpapeh in the creation of this work is as a motif of kuruang basiba clothes, kuruang basiba clothes are Minangkabau women's clothing which has the characteristic that on the side of the shirt there is siba and kikik. The limpapeh wing shape that is found on the chest, arms and subordinates of the clothes as well as the full shape of the limpapeh which flies to make kuruang basiba clothes, this is more interesting. Keywords: limpapeh, kuruang basiba's clothes
PEREMPUAN KERINCI SEBAGAI IDE DALAM PENCIPTAAN KARYA SENI LUKIS
Authors: Daniati NIa , Sastra Andar Indra , Dharsono Dharsono
Published: October 2018

AbstrakPerempuan di daerah Kerinci sangat diistimewakan, seperti menarik garis keturunan dari pihak ibu (perempuan) yang disebut dengan sistem matrilineal. Selain menarik garis keturunan dari pihak ibu (perempuan) sistem pewarisan juga datangnya dari kaum perempuan, seperti sko (pusaka) yang berbentuk gelar, tetapi dipakai oleh mamak (saudara laki-laki ibu) dan orang sumendo (suami ibu); dan harta pusaka tinggi; seperti rumah dan sawah dikendalikan oleh perempuan. Perempuan Kerinci selalu menerapkan etika beradat kemanapun pergi, sehingga mereka dihormati dan disegani di dalam masyarakat. Etika beradat perempuan Kerinci yakni “sesuai dengan Icopake.” Icopakeperempuan Kerinci sifatnya lunak  atau lemah lembut, seperti malu pada laki-laki, takut pada janji, mulut manih kecindam murah (ketika berbicara lemah lembut tutur katanya dan sopan santun), pandai memilihara diri, rajin mengurus rumah tangga, , dan menurut kata junjungan (suami). Metode yang dipakai dalam penciptaan karya ini observasi, dokumentasi, dan eksperimen. Karya ini menggambarkan tentang kekaguman pengkarya terhadap perempuan Kerinci yang diwujudkan kedalam karya seni lukis dengan menghadirkan berbagai kegiatan yang dilakukan oleh perempuan Kerinci dalam kehidupan sehari-hari. Perwujudan karya menggunakan konsep reinterpretasi yang menggambarkan kembali aktivitas perempuan Kerinci dalam berbagai aspek mulai dari kesawah sampai pada aktivitasnya dalam adat yang diwujudkan ke dalam karya seni lukis dengan gayadekoratif.           Kata Kunci:Perempuan Kerinci, kekaguman dan seni lukis AbstractKulouk is one Women in Kerinci regency are very special, such as drawing a bloodline from mother (female) called the matrilineal system. In addition to drawing a line frommother (female) inheritance system also came from women, such as sko (heirloom) in the form of a title, but was used by mamak (mother's brother) and sumendo (mother's husband); and high inheritance, like houses and rice fields controlled by women. Kerinci women always apply ethical ethics wherever they go, so they were respected in society. Kerinci's civilized ethics are "in accordance with the Icopake." Icopake female Kerinci is soft or gentle, such as being ashamed of men, fear of promises, low-priced mouth when she speaks softly and politely), good at choosing herself , diligently taking care of the household, and according to the word lord (husband). The method used in the creation of this work is observation, documentation, and experimentation. This work illustrates the admiration of the artists for Kerinci women who embodied the work of painting by presenting various activities carried out by Kerinci women in their daily lives. The embodiment of the work uses the concept of reinterpretation which re-illustrates the activities of Kerinci women in various aspects ranging from the crater to the activities in adat which are embodied in painting with decorative style.. Keywords:Kerinci’s women, admiration and painting
RAGAM HIAS DAN FUNGSI BATIK MINANG NAGARI PANYAKALAN KABUPATEN SOLOK
Authors: Dahlia Putri , Akmal Ahmad , Munaf Yuniarti
Published: October 2018

AbstrakPenelitian ini berjudul “Ragam Hias dan Fungsi Batik Minang Nagari Panyakalan Kabupaten Solok”, membahas tentang bentuk motif dan fungsi batik Minang, serta dampak yang ditimbulkan dengan adanya batik tersebut terhadap masyarakat. Sebagai produk budaya, batik Minang mempunyai nilai strategis dalam sistem budaya dan perekonomian sebagian masyarakat. Nilai budaya dan filosofi yang dikandung dipahami melalui simbol berupa motif hias pada batik. Penelitian ini menggunakan metode kualitatif. Teori estetis Edmund Burke Feldman menyangkut struktur, gaya, dan fungsi karya seni, digunakan dalampembahasan mengenai Batik Minang. Feldman membagi fungsi seni menjadi tiga bagian, yaitu fungsi personal (personal function of art), fungsi sosial (social function of art) dan fungsi fisik (physical function of art). Perkembangan batik Minang dewasa ini cenderung dipengaruhi aspek ekonomi dan sosial budaya. Begitu pula sistem keahlian dilakukan melalui pengembangan terhadap produk yang lebih kreatif dan variatif dalam bentuk maupun fungsi. Hal ini menjadi salah satu faktor penopang keberlangsungan seni batik Minang ini. Di era global ini batik Minang dikembangkan dan dimanfaatkan sebagai unsur estetik modern dengan maksud memberi nuansa eksotisme suatu penampilan, beberapa di antaranya berkembang menjadi produk industri seni sebagai material kebutuhan dan permintaan konsumen luarProvinsi           Kata Kunci:Batik Minang, Fungsi, Estetika, Panyakalan AbstractThis research entitled "Decorative and Function Batik Minang in Panyakalan Solok Regency", discusses the form of motif contained in batik Minang art, and the impact that arises with the art of batik on society. As a cultural product, Minang batik art also has strategic value in cultural system and economy of some society. The value of culture and philosophy conceived through the symbol of decorative motifs on this batik art.This research uses qualitative method. Aestetic theory Edmund Burke Feldman about the structure, style, and function of artwork, used in the discussion of batik Minang. Feldman devides the function into three parts, that is personal function of art, fungsi sosial the social function of art, and physical function of art.The development of batik Minang today tend to be influenced by economic and socio-cultural aspects.Similarly, system expertise is done through the development of products that are more creative and varied in form and function. This became one of the factors supporting the continuity of batik Minang art. In this global era batik Minang is developed and utilized as an aesthetic element of modern interior with the intention to give feel of exoticism an appearance, some of which developed into art industry product as material requirement and demand of foreign consumer. Keywords: Batik Minang, Function, Aesthetic, Panyakalan
ANALISIS STRUKTUR MUSIK DAN TEKNIK BERMAIN BIOLA FOUR SEASON “WINTER” KARYA KOMPONIS ANTONIO VIVALDI
Authors: Simangunsong Christine
Published: October 2018

This study aims to determine how the structure of music andviolin technique Four Season "Winter" by composer Antonio Vivaldi.In the discussion of this study used the theories related to researchtopics such as Antonio Vivaldi biography, analytical understanding,understanding of musical forms, musical structure and technique ofplaying the violin. The method used by the researchers in this study isdescriptive-qualitative method. The sample in this study such as thesheet music and videos of Four Season "Winter" by composer AntonioVivaldi. The techniques of data collection in this research are workinglaboratory analysis the melody of violin instrument like musicalstructure and technique of playing the violin and literature studyconducted at the Laboratory of the Department of Music Arts, Facultyof Languages and Arts, State University of Medan. From the results ofthis study can be obtained structure of music Four Season "Winter" bycomposer Antonio Vivaldi has 63 bars with 12 motifs includingoriginal motive literal replications and development, up and downsequence, bridges, enlargement of the interval, 10 phrases and is a 3-part song form complex / major played by violin playing techniques asdiverse namely legato, staccato, trill, double stops, and sforzando andusing the dynamic crescendo, mezzo forte, forte, piano, with the righthand position of mixed fingering position of the I-VII. Interpretationof the Four Seasons "Winter" tells the eerie atmosphere transitionalclimate when winter freeze with the sound of the wind through thestrains indicated cruel instrument tones on the violin.
The Presentation Form of Mamözi Göndra Music In Accompanying Nias War Dance on Furai Studio of Medan
Authors: SIMAMORA AGUSTYNUS SAPUTRA
Published: October 2018

The result of this study indicates that the presence of music mamözi göndra which isinherited by their ancestors is still extant. A way of presenting music mamözi göndradivided into three sections: preparation before the music mamözi göndra performedbefore the word fahugo used , after fahugo used musical instruments mamözi göndraplayed together in the show, the process of closing music mamözi göndra done onlywith the code of the trainer music or göndra mamözi music artists . There are five musicfunctions mamözi göndra namely : The function of entertainment, self-expression,communication, a dance, economics. Göndra mamözi musical instruments used aregöndra as a carrier tempo and pulse, faritia as the carrier beats / pulse, aramba as aguide to determine the initial knock
BENTUK PENYAJIAN DAN BENTUK MUSIK RAPA’I PASEÉ PADA MASYARAKAT ACEH DI GAMPONG AWE KECAMATAN SYAMTALIRA KABUPATEN ACEH UTARA
Authors: Fitriani Desi
Published: October 2018

This research have purpose ti investigate the existence and the instruments used inRapa’i Pasee art at Gampong Awe Syamtalira subdistrict Nort Aceh regency. Thetheory used in this research including the explanation of the existence, the presentationfrom, explanation meaning of music, music elements, and the organology of musicinstruments.The population in thi research is music group of Rapa’i Pasee that consistof 16 players, they are 2 was called Syekh (leader), and 14 are music players. Thesample in this research is all population that consist 13 persons. The methods used inthis research is observation, interviewed, and documentation. The data processing andanalysis technic used quality deseriptive research type. The interview result showedRapa’i Pasee at Gampong Awe Syamtalira subdistrict North Aceh regency now was sointerested by people. The Rapa’i Pasee was showed as entertainment in some events,usually like independence day or in prophrt Muhammad Saw birthday or to wecome thecountry guests. The instruments used is Rapa’i Pasee (like rebana but in big size). Thepresentation from showed in Rapa’i Pasee played consist 4 chapter (scene), that isSaleum Aneuk Syahi/Cahi, Saleum Aneuk Rakan, Kisah (story) and closing scene.Rapa’i Pasee have own harmony, Rapa’i Pasee have music from one part, two partsnad three parts. Music from one part was sel up in Saleum Rakan and closing scene,two parts in Saleum Aneuk Syahi/Cahi, and three part was set up in Kisah scene
PEMANFAATAN LAGU-LAGU ANAK DALAM PEMBELAJARAN TEMATIK DI TK IPAC CHANDRA KUSUMA SCHOOL MEDAN
Authors: Suheri Eko
Published: October 2018

The world’s children are playing anywhere and any time, children always foundtime to play. The aim of this study, 1) to know learning thematic. 2) to know themethods used. 3) to know the results of thematic learning children’s songs. 4) todetermine the constraints faced by teachers. The study describes the theoryutilization of instructional media, Theory of children’s songs, thematic theorywhich explains the thematic is a complex model by combining multiple subjects ina single theme. The method used in this research is qualitative descriptivemethods. Data collected by literature study method, observation and observations,interviews, documentation and data analysis techniques. This study took place inIPAC Chandra Kusuma School Medan. Results utilization of thematic learning inearly childood. Thematic is a complex model by combining multiple subjects in asingle theme. Thematic learning outcomes that help the child to come forward andtheir expression in terms of singing and speech. Learning methods are usedlecture and demonstration methods. Constraints faced by teaching the differencein intelligence levels between children with one another. And the lack of effectivelearning time because the only available half an hour of learning.
MAKNA DAN NILAI LAGU YANG TERKANDUNG DALAM SYAIR LAGU HAHOLONGI MA SIDOLI KARYA DOMPAK SINAGA SERTA PROSES PENCIPTAANNYA
Authors: Siregar Nasriani
Published: October 2018

This study aims to determine the meaning of the valuecontained in the song lyrics haholongi ma Sidoli worksDompak sinaga. The theory used is the meaning, value, Songand Poetry. The meaning is the meaning or intent of a wordthat summed. Values mean something that has a quality angle,song is a composition of the tone or voice. The researchmethod used is descriptive qualitative. This research wasconducted in Humbang Hasundutan and research was startedin December 2015 to February 2016. The study populationwas not there. While the sample is Haholongi Song Ma SidoliDompak Sinaga work as much as one song and DompakSinaga. The results of this study indicate that the meaning ofthe song lyric Haholongi Ma Sidoli were lovers who are notdestined for a brotherly relationship (match). The values onthe song lyric Haholongi Ma Sidoli is: enjoyment value, thevalue of patience, the value of love, psychiatric tilapia, thevalue of life.
PELATIHAN ANGKLUNG BAGI KAUM IBU LANSIA DI YAYASAN SOKA GAKKAI MEDAN
Authors: Deswita Rema Yuni
Published: October 2018

Angklung Training ForElderly Mother in Soka Gakkai Foundation Medan. Essay. Faculty of Language andArts, State University of Medan. Supervisor: (1) Esra PT Siburian, M. Sn, (2) AdinaSastra Sembiring,M.Pd.This study aims to determine how the role of mother angklung for the elderly in thefoundation Soka Gakkai field through the angklung training process. The approach usedin this research is descriptive and qualitative. Descriptive approach is used to focus onthe actual problem as they are at the time of research training at the foundation SokaGakkai angklung underway.Qualitative approach used to describe the problem in training activities angklungin foundation Soka Gakkai. The object of research, namely mothers angklung, SokaGakkai members, especially in the field of 20 people and 1 coach. This research datacollected by direct observation field where research, interviews to several elderly momsand coaches as well as chairman of the association of mothers in the foundation of theSoka Gakkai.Angklung chosen by the mother Elderly Foundation Soka Gakkai Indonesia on thegrounds of Angklung is a musical instrument that is a heritage native Indonesia. Simplemusical instrument made of bamboo which was originally a musical instrument played towar but thanks to the cold hands of the father Angklung Daeng Soetigna transformed intoa musical instrument that has a diatonic tones world standard that can be used in all thesong's accompaniment.Practicing music is also useful for the health of the elderly, taken from the title of thispaper researchers believe that playing angklung useful to stimulate the motion system ofthe elderly who have fallen and psychology useful for the elderly. By having groups thatperform activities together would be very useful for the Elderlypsychologyinordernottofeellonely.
KAJIAN BENTUK DAN MAKNA LAGU “GAMBIRI TOPI PASAR” DI DESA SARIMATONDANG KECAMATAN SIDAMANIK KABUPATEN SIMALUNGUN
Authors: Purba Chrismay Denny
Published: October 2018

The purpose of this research is to know the origin of Gambiri Topi Pasar song, to know the formof Gambiri Topi pasar song, to know the meaning contained in Gambiri Topi Pasar song, toknow the character of Gambiri Topi Pasar song, to know how the response of Simalungunsociety in Sarimatondang Village Sidamanik District Simalungun Regency against Gambiri TopiPasar song.The theory used in this research is the theory of study that explains the definition of study that is ordescribes a detailed matter so that the review, music theory is music is a cultural activity that isvery familiar with human life, the form theory is the form is a scheme or a whole structure fromseveral phrases, the theory of meaning that uses the theory of semiotics and semantic theory, thetheory of Gambiri Topi Pasar song is a story that describes the relationship of romance betweenyoung people.The method in this research is descriptive qualitative method. Based on the results of researchconducted it can be seen that the origin of the song Gambiri Topi Pasar is an ethnic song inheritedfrom the ancestors of the community Simalungun to generation hereditary orally. His trademarkuses Inggou Simalungun. The Gambiri Topi Pasar form of the song consists of two forms: formA consists of phrases a and a'. form B consists of the phrases b and b'. The meaning of GambiriTopi Pasar song is an individual meaning that is now used as a death song.
BUKU DODING HALELUYA SEBAGAI SALAH SATU MEDIA PELESTARIAN LAGU RAKYAT SIMALUNGUN DI GKPS SIMALINGKAR
Authors: Sipayung Febri Ridho
Published: October 2018

This study aims to find out what folk song title Simalungun in Doding book Hallelujah,how is the form of the folk songs and the effectiveness of its conservation through replacementmethod lyrics/poems for the congregation GKPS Simalingkar.This study is based on the theoretical foundation to explain the meaning of HallelujahDoding Books, Media, Preservation, and Folk Songs SimalungunThe method used is descriptive qualitative. The population in this study are allSimalungun folk songs that are in the book Hallelujah Doding the 36 songs and 10 congregationsGKPS Simalingkar. The techniques of Data collection in this study conducted by fieldobservations, literature studies, interviews and documentations.Generally, this research shows that the contribution of 36 folk songs in the bookDoding Simalungun Hallelujah create varied impressions in the book. as well as with the form ofsongs that mostly consists of two parts. And look also the effectiveness of the preservation of thefolk song lyrics Simalungun with replacement method/lyrics towards more religious makeHallelujah Doding books as one of the media in the preservation of the folk song SimalungunGKPS Simalingkar.
PEMBELAJARAN ANSAMBEL GESEK EKSTRAKURIKULER DI SMK METHODIST CHARLES WESLEY MEDAN
Authors: Simanjuntak Kevin Justinus Elwadi
Published: October 2018

This study is about the String Ensemble Learning in Extracurricular at SMK MethodistCharles Wesley Medan. The purpose of learning is to know the learning process of stringensemble extracurricular, knowing in teaching methods and materials string ensemble, knowingthe learning ability of ensembles extracurricular participant, and to identify constraints stringensemble extracurricular teaching at SMK Methodist Charles Wesley Medan.The study is based on theoretical foundation to explain the theory of learning, thelearning component, understanding ability, sense of ensemble, string ensemble understanding, andextracurricular activities.This study will take a place in Jalan Padang Golf (In), Central Business District BlockCC-DD Polonia, Medan Polonia. This study uses descriptive qualitative research, observation,interviews, documentation and literature review. The samples are part of the population that isabout to be investigated, which in this study were teachers and all students who take the stringensemble extracurricular activities are 15 students and 1 teacher.Once the entire data has been collected, then analyzed to answer all the questions ofthe study. The learning process is carried out for 60 minutes, the time used to explain the theory isa 15-minute and 45-minute practice. The implementation stage string ensemble learning studentswho take these activities are all students in both the junior high school students Methodist CharlesWesley, the high school students of Charles Wesley Methodist School, and SMK Methodist CharlesWesley were merged into a single string ensemble group.In the ensemble learning process swipe at SMK Methodist Charles Wesley Medanmaterial used is a script of classical music such as Baroque and Rokoko, Romantic, Classical andContemporary Classical. The obstacles in the form of incomplete facilities, differences in levels ofstudent proficiency, and student attendance in a regular schedule that already exists. Students canbe said to be capable of if the students can play an instrument properly, in accordance with goodtechnique, mastering the material well, and can play with a harmonious ensemble.
BENTUK DAN MAKNA ENDE JEIR PADA MASYARAKAT MANDAILING DI KELURAHAN WEK V PADANGSIDIMPUAN
Authors: SINAGA LAURI NOVITA
Published: October 2018

Lauri Novita Sinaga. NIM 2131140024. Forms And Meaning Of Ende Jeir In The Mandailing Society InWek V Village Padangsidimpuan. Faculty of Language and Art. State University of Medan 2017.This study aims to determine the form and significance of the Ende Jeir in the Mandailing Society inKelurahan Wek V Padangsidimpuan. The purpose of this research is to find out the form of Ende Jeirsong in Mandailing community in Wek V Padangsidimpuan Village, to know the meaning contained inEnde Jeir in Mandailing community in Wek V Padangsidimpuan Village, to know the function of EndeJeir in Mandailing community in Wek V Village Padangsidimpuan, to know the response of local peopleto preserve Ende Jeir on Mandailing community in Wek V Padangsidimpuan Village.The theory used is form, meaning, function, and Ende. The shape is the arrangement of the frame of asong that is determined according to the parts of the sentence. Meaning is the purpose that is derivedfrom things that want to be shown by something or want to be expressed, exposed, with the word actuallydoes not interfere with the value of taste. The function of music is to express the taste, and simultaneouslyas an activity of various types of human communication. Ende is a traditional song (folksong), whichrepresents the representation of structure, function and cultural values.Methods in this research using qualitative descriptive method. The samples in this study were the lectureand audio visuals of Ende Jeir, singer Ende Jeir, artist and community Wek V Padangsidimpuan Village.This data collection is done by observation method or observation, interview, and documentation. Thisresearch was taken at Kelurahan Wek V Padangsidimpuan, and this research was conducted from August2017.The results of this study indicate that the form of Ende Jeir song consists of a one part song form, with AA 'form. the meaning of Ende Jeir is a prayer, plea, expectation of parents to his daughter who is doingthis marriage and singing to advise on a good domestic life. Ende Jeir function is as symbolicrepresentation media, media of emotional expression and media of cultural preservation. Ende Jeir needsto be preserved because it begins to be forgotten and left behind. For that, it needs to be developed andintroduced in the young generation so as not to just disappear.
PENGARUH MODEL PEMBELAJARAN SAVI (SOMATIS, AUDIOTORI, VISUAL, INTELEKTUAL) TERHADAPHASIL BELAJAR SISWA KELAS VII DALAM PEMBELAJARAN LAGU DAERAHSETEMPAT SMP PARULIAN 2 MEDAN
Authors: LISA NORA
Published: October 2018

This study aims to determine the effect of learning model SAVI (SomaticAudiotori, Visual, Intellectual Property) to the learning outcomes of students class VIISMP Parulian 2 Medan.This study is based on a theoretical foundation to explain the learning model SAVI(Somatic Audiotori, Visual, Intellectual), learning outcomes, and Song local area, alongwith the hypothesis.The research method in this study using an experimental research. This type of researchis True Experimental Design with pretest design -Posttest Control Group Design. Thepopulation in the study were all students of class VIII SMP Parulian 2 field consistingof 4 classes. Sampling was done by random sampling by taking two classes, namely theclass VII4 as an experimental class that numbered 30 people and VII2 class as thecontrol class that numbered 30 people. The instrument used to determine studentlearning outcomes is the achievement test in the form of multiple choice numbered 30and 20 items that have been declared valid for the experimental class and control classthat has been tested on VII1 class in junior Parulian 2 Medan.The second class are given a pretest to determine the ability of the student before thebeginning of the treatment given in each grade, with an average value of 38.83experimental class and control class 35.83. then given a different treatment, theexperimental class learning model SAVI (Somatic, Audiotori, Visual, Intellectual) andgrade control with conventional learning (direct). After learning is completed givenpostes, obtained postes with an average value of 76.83 experimental class and controlclass 66.87. Hypothesis test results using a different test (t-test) obtained t> t table soHa is received, so that the results showed that there was a 15.67% influence learningmodel SAVI (Somatic, Audiotori, Visual, Intellectual) the learning outcomes of studentsof class VII in Learning Locally in the Junior songs Parulian 2 Medan.
KONTRIBUSI MUSIK KLASIK SEBAGAI IRINGAN TARIAN BALLET DI ROYAL BALLET CENTRE MEDAN
Authors: Purba Johana Teresia
Published: October 2018

This study aims to find out the background of the use of classical music as Balletdance accompaniment, whatever classical music title used as Ballet danceaccompanist, and how the contribution of classical music as Ballet danceaccompaniment.This research is based on a theoretical explanation of the meaningof contribution, classical music, music accompaniment and Ballet dance. Thisresearch was conducted in September 2017 until November 2017. This researchuses Qualitative Descriptive method, which become population and sample in thisresearch is Ballet students at Intermedite level at Royal Ballet Center Medan. Thisresearch takes place on Jl. General Ahmad Yani No 104 A Medan. The data werecollected by observation, interview, visual / drawing / documentation, literaturestudy and triangeles.The results of this study indicate that the contribution ofclassical music as Ballet dance accompaniment that is as one motion of relaxation,motion confirmation, atmosphere builder, trigger memory and as an illustration.Classical music contributes greatly to Ballet dance accompaniment. Whenperforming the initial stage or heating the music used is Le Cygne. Movement isdone at this stage is the plie movement, then in the second stage or core of the musicused is Swan Lake, then the move is done Swan Lake dance that resembles themovement of swans, movements performed in accordance with the classical musicused
FUNGSI DAN TEKNIK PERMAINAN ALAT MUSIK TRADISIONAL MANDAILING UYUP-UYUP DI DESA PARGARUTAN JAE TAPANULI SELATAN
Authors: Silaban Eben Ezer
Published: October 2018

This study aims to determine Function, Game Techniques and Organic Uyup-Uyup In PargarutanVillage Jae Tapanuli Selatan. The purpose of this research is to know the function, game techniqueand organology of mandailing uyup-uyup instrument in Pargarutan Jae Tapanuli Selatan Villagecommunity. The theory used is function, game technique and organology. The function of music isto express the taste and simultaneously as an activity of various types of human communication.Organology is the study of the structure of musical instruments based on sound sources, how toproduce sounds and system of alignment. Game technique is a way or technique of touch on amusical instrument over a particular tone according to the instructions or notation. The methodused in this research is qualitative descriptive method. The sample in this research is one artist andfive people of Pargarutan Jae Village. Data collection was done by observation, interview, anddocumentation. This research was taken in Pargarutan Jae Village, and this research was carriedout from October 2017. The function of Uyup-uyup music instrument in South Tapanuli there arethree of the first is the function of emotional disclosure is a medium for someone to express feelingsand emotional through the game of uyup-uyup instruments that use systematic way of presentingthe sound. The second is the entertainment function in which the South Tapanuli also needentertainment that is the entertainment of playing a uyup-uyup instrument at rest in the rice fields.Third is the Communication Function where when calling the opposite sex across the paddy fieldthe man repeatedly played uyup-uyup. Organic musical instrument Uyup-uyup consists of fiveparts, namely rice stalks, coconut leaves and lidi as a binder of coconut leaves. The game techniquein the uyup-uyup instrument is divided into the first three sections that are played in a sitting /standing position, the second way of blowing uyup-uyup is by way of the mouth is placed at thebase of the top of the uyup-uyup instrument, the third position of the finger finger, first startingfrom the left hand with the beginning of the index finger and the second hole of the middle fingerand then on the right hand begins with the index finger and the hole of both middle fingers.
IMPLEMENTASI TEKNIK VOKAL NASAL PADA PADUAN SUARA MAHASISWA SOLFEGGIO CHOIR UNIVERSITAS NEGERI MEDAN
Authors: Siregar Siska Magdalena
Published: October 2018

Penelitian ini bertujuan untuk mengetahui proses implementasi teknik vokal nasalpada Paduan Suara Mahasiswa Solfeggio Choir Universitas Negeri Medan. Tujuanpenelitian ini adalah untuk mengetahui karakteristik teknik vokal Nasal padaPaduan Suara Mahasiswa Solfeggio Choir Universitas Negeri Medan, untukmengetahui fungsi implementasi teknik vokal Nasal pada Paduan Suara MahasiswaSolfeggio Choir Universitas Negeri Medan, untuk mengetahui hasil yang diperolehsetelah mengimplementasikan teknik vokal Nasal pada Paduan Suara MahasiswaSolfeggio Choir Universitas Negeri Medan.Teori yang digunakan adalah teori implementasi, teknik vokal, teknik vokal nasal,paduan suara. Implementasi adalah perluasan aktivitas yang saling menyesuaikan.Teknik vokal adalah suatu cara memproduksi suara yang baik dan benar, sehinggasuara yang keluar terdengar jelas, indah, merdu, dan nyaring. Teknik vokal nasaladalah vokal yang diartikulasikan dengan udara yang keluar dari hidung yangmenghasilkan bunyi suara yang sengau. Paduan suara atau koor merupakan istilahyang merujuk kepada ensambel musik yang terdiri atas penyanyi-penyanyi maupunmusik yang dibawakan oleh ensambel tersebut.Metode dalam penelitian ini menggunakan metode deskriptif kualitatif. Sampeldalam penelitian ini adalah anggota Paduan Suara Mahasiswa Solfeggio ChoirUniversitas Negeri Medan, partitur dan audio visual dari lagu Tandai Ma Au.Pengumpulan data ini dilakukan dengan metode observasi atau pengamatan,wawancara, dokumentasi dan studi kepustakaan. Penelitian ini di ambil diSekretariat Paduan Suara Mahasiswa Solfeggio Choir Universitas Negeri Medan,dan penelitian ini dilaksanakan dari bulan Oktober 2017.Hasil penelitian ini menunjukkan bahwa implementasi teknik vokal nasal padaPaduan Suara Mahasiswa Solfeggio Choir Universitas Negeri Medan harus diawalidengan pemanasan, olah vokal serta berlatih pernafasan terlebih dahulu karena haltersebut sangat penting dan berpengaruh pada saat bernyanyi agar tidak terjadicedera pada pita suara. setelah melakukan pemanasan lalu terapkanlah teknik nasaltersebut dengan menyanyikan sebuah lagu. Contoh lagu yang diambil adalah lagu2Tandai Ma Au. Hasil yang diperoleh pada saat bernyanyi menggunakan tekniknasal tersebut adalah suara yang dikeluarkan terdengar lebih jernih dan liris berbedaketika bernyanyi dengan teknik biasa.
BENTUK PENYAJIAN ANSAMBEL GONDANG SABANGUNAN PADA UPACARA PANANGKOK SARING-SARING DI DESA PATOR JANJI MATOGU KECAMATAN ULUAN KABUPATEN TOBA SAMOSIR
Authors: Purba Fenny Hannatasya
Published: October 2018

The results showed that the presence of Gondang Sabangunan in the village PartorJanji Matogu important role in any traditional events in the village Partor Janji Matoguwhich can be seen from the function, especially in traditional events Panangkok Saringsaring to accompany tortor when dropping crates to the location of the tomb new,accompany tortor the hula when handing rudang-rudang and accompany tortor bonahasuhutan that will bring rudang-rudang into the house. Forms of presentationgondang played using ensemble gondang Sabangunan, this ensemble plays a repertoiregondang sipitu in the event panangkok Saring-saring is Gondang At first, Gondangsomba-somba, Gondang mangaliat, Gondang Pasu-pasu, Gondang sahata saoloan,Gondang hasahaton, Gondang sitiotio , Gondang Sipitu particular musical formgondang mangaliat accentuate the melody played by Bolon sarune musical instrumentsand other musical instruments taganing, ogung, hesek serves as an accompanimentmelody and tempo beats with a value thatisdifferent foreach instrument
KOMPARASI MUSIK GUBANG DAN MUSIK GONDANG PORANG DALAM IRINGAN BAPUNCAK DI KOTA TANJUNGBALAI ASAHAN
Authors: Sari Melan
Published: October 2018

Purpose of this study is to investigate the formation of existence Gubang music, and GondangPorang music in accompaniment Bapuncak in Tanjungbalai Asahan, form music Gubang inaccompaniment Bapuncak, form Gondang Porang music in accompaniment Bapuncak, withcomparation from form Gubang music and form Gondang Porang music in accompanimentBapuncak in Kota Tanjungbalai AsahanThe theory used in this research include music theory, analisys form music theory,comparationGubang music, Gondang Porang music, and Bapuncak as base in study for get output is want.This research make in Tanjungbalai Asahan City. The population and sample is: recorded file ofGubang music and Gondang Porang music, music instructor, four Gondang Porang musicplayers, traditional self players, and sample is: recorded file of Gubang music and GondangPorang music, music instructor all at once traditional self instructor, four Gondang Porang musicplayers . The method used in this research isqualitative descriptive. Data collection techniquesused were library research, laboratory work, field observations, interviews, anddocumentation.Processing techniques and data analysis using qualitative descriptive researchtype.According to the research results,Gubang music have many fungtion from last period, howeverbecome accompaniment for entertainment at now period. Existence Gondang Porang music fromlast period until now stil like accompaniment Bapuncak. Form Gubang music is two motif m1 andm2, no have frase and sentence, because all of it is repeating rithym. Form Gondang Porangmusic is two sentence, that is sentence A with a like question frase and x like answer frase. Frommotif A have two motif, that is m1 and m2. In Sentence B found two frase that is b like questionfrase and y as answer frase, be found two motif at sentence B that is m3 and m4.
IMPLEMENTASI METODE SUZUKI DALAM PEMBELAJARAN BIOLA TINGKAT DASAR DI ERA MUSIKA MEDAN
Authors: Bernadetta Arga Novia
Published: October 2018

This study aims to describe the implementation of basic level violin learningusing the Suzuki method in the Medan Musika Era. The subjects in this study were students who tookviolin instruments in the Medan Musika Era. This study focused on the problems associated with theimplementation of basic level violin learning with the Suzuki method, which was viewed from theprocess of the steps of the study. This study used descriptive qualitative research methods, namelya research method that aims to describe in detail and clearly about a phenomenon which is the focusof research. The results of the research on the implementation of basic level violin learning usingthe Suzuki method in the Medan Musika Era show as follows (1) Education 'starts at a very earlyage by not limiting students who learn violin in the Musika Era. (2) Prioritizing to teach students tolisten to just play a musical instrument, by the way the teacher demonstrates the song learned by thenew student, the student mimics the song. (3) Violin learning takes place by giving songs that are inSuzuki's books repeatedly. (4) Learning to read beam notation using fingering in accordance withwhat is in the Suzuki method book.