RESEARCH ON THE ARCHITECTURAL EVOLUTION OF CERAMIC ARCHITECTURE AND THE CHANGE OF EMOTIONAL BEHAVIOR IN DESIGN -- TAKING THE CERAMIC ARCHITECTURE UNEARTHED IN WUWEI FROM THE HAN DYNASTY TO THE WEI AND JIN DYNASTIES AS AN EXAMPLE
Authors: Dong Wenbin , Wei Wenbin 
Published: July 2022

Background

Pottery architecture has always been a necessary physical reference for architectural historians to study and textual research the history of Chinese ancient architectural art. Compared with murals and documents, ceramic architecture is more accurate and reliable because of its architectural art characteristics and the stability of tomb preservation. From the Han Dynasty to the Wei and Jin Dynasties, ceramic architecture reached its peak in Chinese history. Both quantitative characteristics and shape characteristics have a high degree of artistic characteristics of the times. Based on the three pottery buildings unearthed in Wuwei from the Han Dynasty to the Wei and Jin Dynasties, combined with the representative pottery buildings unearthed all over the country, this paper investigates the architectural changes and social background of the pottery buildings from the Han Dynasty to the Wei and Jin Dynasties, as well as the political and cultural factors that led to these changes. At the same time, the emotional changes of pottery craftsmen in design are studied.

Research Methods

Taking the past dynasties as the vertical axis and the regional space as the horizontal axis, this paper discusses and summarizes the regional and era characteristics of ceramic architecture in the Han, Wei and Jin Dynasties. Combined with the relevant historical background and literature records for further demonstration. The self-awareness scale compiled by fenigstein, Scheier and Buss (1975) include three dimensions: internal self-awareness, public self-awareness and social anxiety. This study selected the dimension of social anxiety, including 6 items (for example, “public speaking makes me feel better”Feel anxious “), using a 5-point score (0 = very inconsistent with me, 4 = very consistent with me). Single factor verification is conducted for this dimension, and the fitting indicators are as follows: χ 2/df = 1.64, NNFI = 0.98, CFI = 0.99, GFI = 0.99, RMSEA = 0.037. The Cronbach coefficient of social anxiety subscale α Is 0.72.

Research Results

Through the comparison of ceramic buildings in different dynasties and regions, it is concluded that the buildings in the north are the deformation of towers, and the buildings in the south are the deformation of watchtowers and viewing towers. At the same time, combined with literature research, it is concluded that the main reason for these changes is climate, followed by political, cultural and other factors. In the process of their influence on anxiety during production, the response pointing to emotion plays an intermediary role, and the psychological elasticity plays a regulatory role. The mediating effect of life events on anxiety through the response pointing to emotion is regulated by psychological elasticity. That is, the higher the psychological elasticity, the lower the anxiety caused by making pottery through coping style; On the contrary, the lower the level of psychological elasticity, the higher the anxiety caused by making pottery through the impact of coping styles.

Research Conclusion and Significance

After detailed demonstration, the research results are in line with the literature records and regional cultural characteristics. Its significance is to provide chronological basis for cultural relics unearthed in different regions, but there is no clear chronology. At the same time, this study broadens the direction of follow-up researchers by deconstructing the emotional changes of pottery craftsmen.