bluuebunny/crossref_metadata_2025 huggingface dataset:
Expanding the gestural model of lexical tone: Evidence from two dialects of Serbian
Authors: Karlin Robin
Published: December 2021

There is mounting evidence suggesting that temporal information is necessary in representations of lexical tone. Gestural models of tone provide a natural entry point to linking abstract association with physical realization, but remain underdeveloped. We present the results of two acoustic production studies on two dialects of Serbian, a lexical pitch accent language. In the Belgrade dialect, pitch accents are aligned relatively late in the tone-bearing unit, while in the Valjevo dialect, pitch accents are phonetically retracted, sometimes into the preceding syllable. We varied the phonetic duration of syllable onsets of candidate tone-bearing units in falling (experiment 1) and rising (experiment 2) pitch accents, and measured the effects on the timing of F0 excursions. Consistent interactions between F0 excursions and the segmental content indicate that the phonological system of abstract tone association is the same in both dialects, despite differences in temporal alignment. We argue that this apparent mismatch between association and alignment can be expressed straightforwardly in the Articulatory Phonology framework by allowing tone gestures to coordinate with other gestures in all the ways that segmental gestures can, rather than restricting tone to c-center coordination.
YEŞİL PSİKOLOJİK İKLİM ÖLÇEĞİ: TÜRKÇE’YE UYARLAMA ÇALIŞMASI
Authors: ERBAŞI Ali
Published: December 2021

Bu araştırmanın amacı, Norton vd. (2014) tarafından geliştirilen ve Norton vd. (2017) tarafından revize edilen “Yeşil Psikolojik İklim Ölçeği”ni Türkçe’ye uyarlamaktır. Öncelikle orijinal ölçeği geliştiren yazarlardan elektronik ortamda izin alınmıştır. Sonrasında ölçek Türkçe’ye araştırmacı tarafından çevrilmiş ve uzman görüşlerine başvurulmuştur. Dil ve anlam bakımından değerlendirmeleri tamamlanan ölçek, Konya ilinde aktif işgücü piyasasının farklı sektörlerindeki (çalıştığı şirkette bir sürdürülebilirlik politikasının var olup olmadığını bilen) 144 tam zamanlı özel sektör çalışanına uygulanmıştır. Örneklem grubundan elde edilen verilere uygulanan açımlayıcı faktör analizi (AFA) sonucunda ölçekteki toplam 5 maddenin tek faktör altında örüntülendiği ve tek faktöre ait toplam varyans açıklama oranının %66.709 olduğu belirlenmiştir. Elde edilen faktör yapısının doğruluğunu incelemek için uygulanan doğrulayıcı faktör analizi (DFA) sonucunda ki-kare uyumu beklendiği şekilde anlamsız çıkmıştır (p>0.05). χ2/SD, RMSEA, GFI, CFI, IFI, RFI, NFI, TLI, RMR değerlerinin mükemmel uyum derecesinde; SRMR ve AGFI değerlerinin iyi uyum derecesinde olduğu bulgulanmıştır. Ölçeğin güvenirlik düzeyini inceleyebilmek için yapılan Cronbach Alpha iç tutarlılık katsayısı α=0.872 olarak tespit edilmiştir. Madde toplam korelasyon katsayıları 0.803 ile 0.521 aralığında bulunmuştur. Ölçeğin %27’lik alt ve üst gruplardaki madde puan ortalamaları arasındaki farkın anlamlı olduğu belirlenmiştir (p=0.000). Sonuçta Türk kültürüne uygun geçerli ve güvenilir bir ölçek (Yeşil Psikolojik İklim Ölçeği) elde edilmiştir.
Soviet City Cinema: Approaches to Historical Research
Authors:   South Ural State University, Volkov E. V. , Sapronov M.V. ,   South Ural State University
Published: December 2021

The article is devoted to the methodology of studying the Soviet era city cinema as a social space. It presents a historiographic review of research in this direction, which shows that the city cinema, as the central link in the practice of “going to the cinema”, was an important independent element of everyday life, and its social space was historically changeable and shaped by several stakeholders (government, administration of the cinema network, and viewers). For a full-fledged historical analysis of a cinema, additional specific sources are required. As the main concept for studying the cinema, the authors propose to use the theory of the philosopher and sociologist Henri Lefebvre, formulated in his book "The production of space" (1974). According to the French thinker, space in a broad sense can be physical (material component), mental (rational principle) and social (social practices and relationships). As a result of their social activity, people influence all types of spaces, with the process of production of space, physical, mental, and social, taking place within society. If we apply Lefebvre's theory to study the cinema as a cultural phenomenon, it should be investigated at three levels: “representation of space” (material forms), “spatial practices” (management and functioning), “space of representation” (experience and interpretation of “going to the cinema"). For each level of studying the cinema as a social space, different types of historical sources are utilized, the characteristics of which are presented in the article. In this context, along with other sources, attention is paid to sources of personal origin (ego-documents).
From the First Satellite to Human Space Flights: the Space Project in the System of the Khrushchev Economy (Second Half of the 1950s – First Half of the 1960s)
Authors:   Institute of World History, Russian Academy of Sciences, Pivovarov N. Yu. ,   First Moscow State Medical University
Published: December 2021

The development of the space industry became one of the priority areas of Soviet science and engineering in the second half of the 20th century. At the same time, the question of the cost of the Soviet space program remains open. The lack of direct data led to various kinds of speculation. The article analyzes the approximate cost of the Soviet space project in the first decade of its existence based on the declassified documents from the former archive of the Politburo of the Central Committee of the CPSU. The article shows from which budget items the Soviet space program was financed. The author demonstrates that the financing of the Soviet space program was organized not as an annual budget expenditure, but as expenses for the implementation of individual programs. Every year, the budget of the USSR was adjusted depending on the volume of work performed. In addition to direct financing, the necessary material and technical resources were allocated for the space projects. An approximate calculation shows that the USSR spent about 20.19 billion rubles in old prices in 1955–1960 and 98.8 million rubles in new prices in 1961–1964. In total, during in the first space decade, the USSR spent about 2 billion rubles in new prices and almost 20 billion rubles in old ones. Comparing with other items of expenditure during the same years, the author shows that the total expenditure on Soviet space program did not exceed 0.30%.
Between Trauma and Oblivion: Actualizing the Historical Memory of the West Siberian Peasant Uprising of 1921
Authors:   Tyumen Scientific Centre,Siberian Branch,  Russian  Academy of  Sciences, Kliueva V. P. , Liskevich N. A. ,   Tyumen Scientific Centre,Siberian Branch,  Russian  Academy of  Sciences
Published: December 2021

The article is devoted to the historical memory of the West Siberian peasant uprising of 1921. In addition, the authors study the signs of cultural trauma among the descendants of the uprising’s participants and discuss the process of forgetting and accentuating trauma in local communities. The paper is based on field materials (2018) in the Tyumen region, supplemented by archival and published materials. During the Soviet period, the historical memory of the peasant uprising was represented through official publications and school education. According to the official point of view, the rebels, as people who protected their property, ended up in the negative category of the “Whites” or were completely excluded from the context of the events of the 1920s. Based on the description of cultural trauma (Eyerman), we argue that the memory of peasant uprisings became traumatic only in the post-Soviet period, after the formation of the opinion “all participants of the uprising are victims” in public space. Local history experts regularly reproduce social practices of commemoration in the Tyumen region. However, these practices have not become part of the public discourse. The reason for this is the loss of family memory replaced by collective historical memory.
Schader, Miriam (2017). Siyasi Bir Kaynak Olarak Din: Berlin ve Paris’teki Sahraaltı Afrikalı Göçmenler. Springer VS: Göttingen, Germany. 257 pages
Authors: Biçakcı Harun
Published: December 2021

Kitap Tanıtımı: Schader, Miriam (2017). Religion as a Political Resource Migrants from Sub-Saharan Africa in Berlin and Paris (Siyasi Bir Kaynak Olarak Din:Berlin ve Paris’teki Sahraaltı Afrikalı Göçmenler). Springer VS: Göttingen, Germany. 257 pages
Evaluación de AIoT en modelos computacionales en la nube y en el borde aplicado a la detección de mascarillas
Authors: Quiñonez-Cuenca Felipe , Maza-Merchán Cristian , Cuenca-Maldonado Nilvar , Quiñones-Cuenca Manuel , Torres Rommel , Sandoval Francisco , Ludeña-González Patricia
Published: December 2021

La COVID-19 ha provocado graves daños a la salud: centenas de millones de personas infectadas y varios millones de fallecidos en el mundo. Los programas de vacunación de cada Gobierno han influido en el decaimiento de estos índices, pero con la aparición de nuevas mutaciones del coronavirus más contagiosas, la preocupación sobre la efectividad de las vacunas se hace presente. Frente a esta situación el uso de mascarillas sigue siendo eficaz para prevenir la transmisión y contagio de la COVID-19. Lo que ha generado una creciente demanda de servicios de detección automática de mascarillas, que permita recordar a las personas la importancia del empleo de estas. En este trabajo se plantea un análisis del rendimiento de un sistema AIoT para la detección del uso correcto, incorrecto y sin mascarilla basado en dos modelos computacionales de Cloud y Edge, con la finalidad de determinar qué modelo se adecua mejor en un entorno real (interior y exterior) sobre la base de la confiabilidad del algoritmo, uso de recursos computacionales y tiempo de respuesta. Los resultados experimentales demuestran que el modelo computacional Edge presentó un mejor desempeño en comparación con el Cloud.
DETECTING SERVER-SIDE ENDPOINTS IN WEB APPLICATIONS BASED ON STATIC ANALYSIS OF CLIENT-SIDE JavaScript CODE
Authors:   Lomonosov Moscow State University (Moscow, Russian Federation), Sigalov D. A. , Khashaev A. A. ,   Lomonosov Moscow State University (Moscow, Russian Federation), Gamayunov D. Yu. ,   Lomonosov Moscow State University (Moscow, Russian Federation)
Published: December 2021

The problem of server-side endpoint detection in the context of blackbox security analysis of dynamic web applications is considered. We propose a method to increase coverage of server-side endpoint detection using static analysis of client-side JavaScript code to find functions which generate HTTP requests to the server-side of the application and reconstruct parameters for those functions. In the context of application security testing, static analysis allows to find such functions even in dead or unreachable JavaScript code, which cannot be achieved by dynamic crawling or dynamic code analysis. Evaluation of the proposed method and its implementation has been done using synthetic web application with endpoints vulnerable to SQL injections, and the same application was used to compare the proposed method with existing solutions. Evaluation results show that adding JavaScript static analysis to traditional dynamic crawling of web applications may significantly improve server-side endpoint coverage in blackbox application security analysis.
THE ATTACKERS POWER BOUNDARIES FOR TRACEABILITY OF ALGEBRAIC GEOMETRIC CODES ON SPECIAL CURVES
Authors:   FGANU NII “Specvuzavtomatika”, Deundyak V. M. ,   Southern Federal University, Zagumennov D. V. ,   Southern Federal University (Rostov-on-Don, Russia)
Published: December 2021

Broadcast encryption is a data distribution protocol which can prevent malefactor parties from unauthorized accessing or copying the distributed data. It is widely used in distributed storage and network data protection schemes. To block the socalled coalition attacks on the protocol, classes of error-correcting codes with special properties are used, namely c-FP and c-TA properties. We study the problem of evaluating the lower and the upper boundaries on coalition power, within which the algebraic geometry codes possess these properties. Earlier, these boundaries were calculated for single-point algebraic-geometric codes on curves of the general form. Now, we clarified these boundaries for single-point codes on curves of a special form; in particular, for codes on curves on which there are many equivalence classes after factorization by equality of the corresponding points coordinates relation.
THE ISSUE OF CONTEMPORANEITY AS CULTURAL AND HISTORICAL TOTALITY IN THE WORKS OF BORIS GROYS
Authors:   Tomsk State University (Tomsk, Russian Federation), Baboshko Elena Y. , Galkin Dmitriy V. ,   Tomsk State University (Tomsk, Russian Federation)
Published: December 2021

The authors refer the issue of definition of contemporaneity as cultural and historical totality basing on the research results of a well-known theorist Boris Groys. Analyzing the progress of his ideas, the authors conclude, that the philosopher’s considerable contribution to the science is composed of the next phase of the development of the thesis about the art language as the base of contemporaneity construction and of the “natural selection” of contemporary art structures. The latter is not simply reduced to the postmodern “polylogue” variant, but implies a kind of contemporaneity patterns niche and “stabilization”. The patterns naturally tend to become complementary due to simple juxtaposition/ overlay in general time context. According to the authors, this circumstance does not prevent them from being turned by different political forces into locally dominating contemporaneity patterns (as in the case of Gesamkunstwerk Stalin). Contemporary art provides simple experience, that helps to retain the illusion of single and seemingly total contemporaneity. B. Groys leads us to the thought that art provides conditions for generating a significant reflective distance in relation to different social and historical situations. The distance gives an artist the opportunity to consider the reality comprehensively, given the autonomy, through the art language. However, we believe, that the most important philosopher’s achievement is not only drawing parallels between cultural and social and historical processes, based on the concept of art strategies influencing the social dynamics. He also managed to approach one of the most significant issues in culture theory and history – the opportunity to define contemporaneity as cultural and historical totality. According to his modernity theory, the origin of contemporaneity is hidden in the avant-garde art manifestation. He interprets the utopic by its nature modernist discourse, applied in art practice, through Nietzscheian will to power as redefining the new age philosophy. This article aims to analyze the progress of the issue of contemporaneity in the works of B. Groys and to explicate the complexity of considering contemporaneity as cultural and historical totality. The authors believe that the thorough study of the phenomenon of total artwork (Gesamtkunstwerk) as a soviet Stalin project and critics’ opinion analysis helps to create arguments limiting the opportunity of considering contemporaneity as totality.
THE FEATURES OF PUBLIC SPACE FORMATION WITHIN CULTURAL HERITAGE AREAS OF INFLUENCE
Authors:   Siberian Federal University (Krasnoyarsk, Russian Federation), Saveliev Matvei V. , Unagaeva Natalya A. ,   Siberian Federal University (Krasnoyarsk, Russian Federation), Fedchenko Irina G. ,   Siberian Federal University (Krasnoyarsk, Russian Federation)
Published: December 2021

The authors consider the problem of formation of open public spaces within areas affected by the influence of cultural heritage sites. The focus here is on the historical center of Krasnoyarsk city. Relevance of the research is determined, on the one hand, by the current trend for the formation of comfortable urban environment in public open spaces. On the other hand, by the appearance of numerous implemented projects, including those in Krasnoyarsk, which have identical functional and objective content, detached from the cultural and historical context of the environment. The analysis of the “Map of areas with special land use requirements related to the protection of cultural heritage objects” in the historic center of Krasnoyarsk revealed the following characteristic morphotypes of public open spaces (genesis types) within cultural heritage areas: territory adjacent to a single cultural heritage object (protection zone of a cultural heritage object), which is part of the street; territory adjacent to a single cultural heritage object (protection zone of a cultural heritage object), which is inside the development area (yard, courtyard garden, manor house); a street formed by the facades of several cultural heritage objects on one or both sides; a square or a garden square, which is part of the architectural ensemble – an object of cultural heritage; the territory of the quarter formed by a group of cultural heritage objects, and which is a cultural heritage protection zone; a park or square within the protected historic green space. Each type is analyzed using examples, survey of protection zones of cultural heritage, the established urban planning regulations within their boundaries regarding the availability of requirements for the improvement of public open spaces. The authors touch upon the problems of landmark attractions, preservation of identity in the historical and cultural environment of the settlement. They also formulate the principles of public open space formation within influence areas of cultural heritage objects on the basis of various methodological approaches approved by the Department of Urban Planning within the School of Architecture and Design of the Siberian Federal University.
BARRIERS IN DEVELOPMENT OF SMART EDUCATION: SOCIO-CULTURAL PECULIARITIES OF RUSSIA
Authors:   National Research Tomsk Polytechnic University (Tomsk, Russian Federation), Chmykhalo Alexander Yu. , Korobeynikova Larisa A. ,   National Research Tomsk Polytechnic University (Tomsk, Russian Federation)
Published: December 2021

Smart Education is the most advanced stage of the evolution in education associated with new information and communication technologies. The world is forming a new technical and technological reality. Digital media technologies (smartphones, wi-fi connections) penetrate into open spaces of cities and towns (parks, gardens, etc.). Modernity dictates the need for a person to acquire such knowledge and skills that should allow him not only working effectively, but also spending his free time productively. This situation is not entirely new, but it makes researchers find solutions for further implementation of smart technologies in the education system in order to search for the most appropriate answers to this challenge. Russia needs to accelerate the transition to education of the future, which involves the modernization of all educational processes. The presented research touches upon the issue of the development of Smart Education in Russia. The paper reveals the current state and identifies the key barriers in the development of smart education in the world. The empirical basis of the work is a sociological survey conducted in March-June 2018. The survey used the technique of semi-formalized interviews with representatives of five groups of stakeholders: government officials, heads of organizations, teachers, students and researchers. The educational system of Tomsk (Russia) affects the interests of all above mentioned stakeholders. The survey was aimed at the determination of the role of Smart technologies in education, their importance, barriers and prospects of implementation. The article presents the results of a sociological study that revealed the position of stakeholders in relation to various aspects of the socio-cultural environment that has an impact on the formation of smart education in Russia. The evaluation of the results of the implementation of smart city and smart education projects in Europe, America and Asia shows the presence of private success, which has not led to the formation of unambiguously positive examples of their implementation. Synergy, which unites the efforts of many participants of these projects, has not yet led to the realization of the ultimate goal – significant indicators in improving the quality of life of citizens. The comparative analysis of barriers to further development of smart education identified in the studies of foreign authors with the assessment of Russian stakeholders shows the existence of significant differences between them. The introduction of smart technologies in the life of Russian society is catching up. This leads to a rather superficial nature of acquaintance of Russian society of smart education and a lack of reflection on the barriers to its implementation.
THE CULTURE OF THE GAME, THE SOUND PRODUCTION AND THE SOUND OF HARPISTS
Authors:   Novosibirsk State Conservatory (Academy) named after M.I. Glinka (Novosibirsk, Russian Federation), Pokrovskaya Nadezhda N.
Published: December 2021

Firmly rooted myths about the harp as an instrument in something exceptional and extraordinarily beautiful it is difficult to correlate with the current practice of playing it. The author tries to explain to composers and the mass of listeners what are the differences between these ideal ideas about the instrument with the game of modern artists and tries to find the possibility of these differences smooth out. The author sees such opportunities first of all in finding the causes of “bad” sound at the time of the game. They can be covered in the advantages or disadvantages of the device and condition of the modern instruments and in defects of statement of hands of the player. The last, in turn, may depend on the peculiarities of the physiological and psycho physiological nature of the player. Based on his teaching experience the author explains the dependence of the difficulties of sound production on the structure of arms, hands, fingers and even the growth of the harpist and offers ways to overcome some of the physical shortcomings. The author emphasizes that a special role in the work on improving the sound has a gradually developing ability of the student to hear himself as without constant critical listening to his game development of the musician is impossible. In addition to defects in sound production, which can also be determined by the low level of teaching, the sound quality is influenced by the harpist’s playing culture the terms of which largely converge with the requirements of the culture of the game on all the instruments. This is a game without errors, smoothness of sound, rhythm, accuracy in the transmission of the author’s text, purity of intonation. But the harpists in addition to these general requirements to the culture of the game when working on a musical text, there are special difficulties that are caused by the structure of the harp itself; continuous buzzing of its strings, imperfection of its pedal and fork mechanisms. To preserve the purity of harmony the harpist must have a high level of technology of clearing of unnecessary (buzzing) strings: separate fingers, separate hands-free or both of hands together. For instant, silent permutation of the pedals and precise coordination of simultaneous movements of the fingers, hands and feet, he must have an excellent vestibular apparatus. To tune the harp desirable absolute pitch. In addition, as each harp has its own acoustic features (ringing or booming, long or short sound) and different menzures, the harpist forced achieving its beautiful sound to fit the manner of sound production to this instrument. We also have to take into account the conditions of the game on the harp: the humidity and the density of the air and the acoustics of the halls.
ARCHITECTURE AND DESIGN: SUBSTITUTION IN ART TRANING OF DECORATIVE DISCIPLINES IN PROJECT FIELD
Authors:   I.I. Polzunov Altai State Technical University (Barnaul, Russian Federation), Pomorov Sergey B. , Prokhorov Sergey A. ,   I.I. Polzunov Altai State Technical University (Barnaul, Russian Federation), Shadurin Alexander V. ,   I.I. Polzunov Altai State Technical University (Barnaul, Russian Federation), Prokhorov Nikita S. ,   I.I. Polzunov Altai State Technical University (Barnaul, Russian Federation)
Published: December 2021

The purpose of our exploration is to investigate the computer technology impact on the development of art component in the modern design and engineering education. This is a case in the first instance of traditional arts such as Drawing, Painting and Sculpture. The thematic justification there is to analyse transformation trends of art image creation in a changing development context in the design area. The evolving methodological modern concept requires preservation and development the evolution way of things from its realistic perception (image) to its usage in the capacity of artistic tools and modern information technology tools. It would be instructive to examine the painting methodology of such authors as Nikolai Beschastnov, Vadim Kulakov, Irina Stor, Yuriy Avdeev, Gusein Guseinov, Victor Dyminskiy, Aleksey Sheboldaev (Painting), Yuriy Kirtser (Drawing and painting) as well as the legacy of classic and modern painters. In process of training painting and decorative transformations, information technology adaptation and appliance aim to educate high-level designers and architects. Careful study of nature combine with information technology art tools – this is a key stone of student training of Fine Arts departure of Institute of Architecture and Design Altay State Technical University. Perfect art skills together with technical achievements provides an opportunity to expand and enrich creative potential in carrying out tasks of any kind of complexity importing an art component in the modern design culture. Interest in information technology in a class-room environment Drawing-Painting-Sculpture is no doubt. It’s fascinatingly for students. New methodologies of Institute of Architecture and Design test and endorse in several subjects: Painting and Coloristics, Drawing, Colour transformations in design culture. Based on methodological experiments developed in Fine Arts departure of Institute of Architecture and Design Altay State Technical University and other Russian universities authors suppose that the modern information technology impact on new art architect training methodologies, student abilities for abstract creative reasoning, preserving art component legacy in architect education.
MUSICAL DRAMATICS OF CHILDREN'S PUPPET SHOW
Authors:   Novosibirsk Musical College named after A.F. Murov (Novosibirsk, Russian Federation), Reshetova Natalia M.
Published: December 2021

The musical dramaturgy of a child's puppet show is a unique phenomenon, characterized by brevity, conciseness, minimalism of forms and structures. It relies on the generally accepted laws of theatrical productions, which include the exposition, the outset, the culmination, the denouement, and so on. Specific features of the children's puppet show are manifested in the plot-sense, figurative and genre aspects, as well as in the means of musical and artistic expressiveness. The basis of the puppet show is the genre of the fairy tale, which in the form accessible to the children reveals the main meaning of the artwork. Through the genre of fairy tales, children distinguish good deeds, truth and lies, learn about living and inanimate nature, people, fairy-tale characters, fantasize, ponder, memorize. The imagery that are revealed in the puppet show are actual to the child. The musical side of the performances contributes to his perception. Particular importance is the theater dramaturgy and musical dramaturgy of the children's puppet show. They contribute to the organization of the musical and artistic consciousness of the child, who first gets acquainted with the theater world. The musical dramaturgy of the children's puppet show is based on song and folklore genres. The musical and artistic expressiveness is based on the melody of the word and the structural and rhythmic patterns of verbal speech. The analysis of the integral dramaturgy of the children's puppet show testifies to the birth of original, original genre models – a fairy tale with music, a musical fairy tale and an interactive performance. Children's puppet show is close to the psychology of children's perception. At the same time, it has musical, artistic, teaching and educational significance. Puppet show captivates and helps children enter into real life with the help of artistic-figurative and musical-figurative experiences and impressions. In this process, dramaturgy, as well as various means of musical and artistic expression, a decisive role in the play. Moreover, successful dramaturgic decisions of the play control the perception and consciousness of the audience and lead it to the expected results for the authors of show. With respect to the children's audience, the result should be considered not entertainment, but educational and educational success. It is here that the main meaning of children's puppet shows is concluded, which through the artistic influence form and develop the personality of a small person.
FORMATION OF CULTURAL VALUES OF STUDENTS IN THE PROCESSING OF RUSSIAN FOLK SONGS
Authors:   Tyumen State University (Tyumen, Russian Federation), Chernysheva Ekaterina N. , Tyaglova Svetlana A. ,   Tyumen State University (Tyumen, Russian Federation)
Published: December 2021

The article proposes the author's version of the in-depth work with the folk original source, which contributes to the formation of cultural values of students in the course of the Arrangement course of the teaching course Academic Choir at the Tyumen State Institute of Culture. A distinctive feature of the course is the regional component – Russian folk songs of the Tyumen region and the region are used as musical material for student work. As part of the study, we identified the following contradictions: – between the prescription of the State educational standards on interdisciplinary disciplines, the student's ability to navigate in the diversity of culture and the competences offered by the curriculum for the discipline “Arrangement”, which are focused on creating a new creative product; – between the student’s constant need for creative self-realization and the insufficiently high level of his creative skills; – between installations of legislation in the field of education for the education of the individual with a high level of education, morality, and value installations that are incorrectly laid down by the mass culture. Therefore, we position the processing of a folk song not as an end in itself, but as a means of personal involvement of the student in the culture of his people, the transmission of sociocultural experience between generations. The goal of the “Arrangement” course is to create a value attitude of students to Russian culture in the process of creative work with a folk original source (Russian folk song) by expanding the course’s objectives to interdisciplinary and research (problem-searching, creative, heuristic, etc.), activating cognitive and creative activity of students. Formation of students' value attitude to the Russian folk musical culture in the process of creative work with a folk song, we propose to carry out at the following stages: search, motivational-incentive, research, analytical, creative, performing. Through contact with the sample of Russian song and its transformation, a student's interest in his origins, his pedigree, and cultural norms in the way of life and art is awakened. The effectiveness of the formation of cultural values of students through the Russian folk song is determined under the condition of positive motivation and initiative of students to learn cultural values, subject-subject interaction between the teacher and the student, enhancing independent cognitive activity, introducing the student to artistic creativity, creating conditions for self-discovery.
POTANIN'S EPISTOLAR HERITAGE IN THE CONTEXT OF ARCHEOGRAPHY
Authors:   Tomsk State University (Tomsk, Russian Federation), Golev Ivan A.
Published: December 2021

The author makes a historical reconstruction of the publishing work of Russian researchers based on historiographic sources. The article contains information about the first experience of publishing a letter from Grigory Potanin to Nikolai Naumov, which was found by the Tomsk local historian I.E. Lyasotsky in 1948. In the mid-1950s, the Leningrad researcher A.G. Grumm-Grzhimailo was working on it. He invited the Siberian researchers Ya.R. Kosheleva, N.N. Yanovsky and S.F. Koval. The work on collecting Potanin's letters, preserved in various museums and archives of the country, lasted more than 30 years. In 1977, the first part of the four-part edition of Potanin's letters was published in Irkutsk. It was made according to all the rules of archeography. The author of the article reports that in 1987 the publishing work resumed. Over the course of five years, five parts of letters by G.N. Potanin. The publication was prepared by the same researchers who worked on the release of the first part in 1977. The article notes the high level of archaeographic preparation of the publication. It includes 731 letters written by Potanin in 1859–1919. The text of all letters is given in compliance with modern spelling rules. All letters are supplemented with comments, they indicate the storage location of the original of each document, information about the people mentioned by Potanin is given, a name index is attached. In the appendix to the fifth part there is a bibliography of the works of G.N. Potanin, corrections of errors and typos made by the Tomsk researcher N.V. Serebrennikov. The article contains information about personal letters of G.N. Potanin in scientific collections and journals that were published in the 1980s–1990s in Tomsk and Barnaul. In addition, the scientists of the Scientific Library of Tomsk State University N.V. Vasenkin and G.I. Kolosov found a correspondence between Grigory Potanin and the Barnaul poetess Maria Vasilyeva. As a result, in 2004, the book was published with 184 letters from Potanin addressed to his future wife. This edition complements the epistolary heritage of G.N. Potanin. In the conclusion of this article, the author notes that unpublished letters of Potanin are kept in the collection of the TSU Scientific Library. The identification, archaeographic processing and publication of these letters help the research of the scientific heritage of G.N. Potanin.
THE LEGAL BASIS FOR THE FORMATION OF THE MUSEUM SCIENCE OF IMPERIAL TOMSK UNIVERSITY
Authors:   Tomsk State University (Tomsk, Russian Federation), Karachencev Ivan S. , Dmitrienko Nadezhda M. ,   Tomsk State University (Tomsk, Russian Federation)
Published: December 2021

This article is dedicated to solving the actual scientific problem about the legislative foundations of museum construction. The materials of Imperial Tomsk University make it possible to examine the application of such important act documents as the University Charter of 1863 and the tsarist decree on the opening of the university in Tomsk in 1888. The authors analyze the content of the legislativ acts, find out the list of museums allowed by the authorities. The historical paradox in the museum history of Tomsk University is revealed. According to the University Charter of 1863, there were four faculties in Russian universities as a rule. They created rooms and museums of zoology, mineralogy, botany, anatomy, history and archaeology. These museums also were planned at Tomsk University during its foundation in 1878. Following the law, the head of the construction committee professor V.M. Florinskiy founded the Archaeological Museum at Tomsk University in 1882. However, the opening of Imperial Tomsk University took place in 1888 and only single medical faculty was opened. On the basis of provisional states, university museums of zoology, mineralogy, botany and anatomy were financed from the state treasury. The Archaeological Museum was out of state, and F.M. Florinskiy himself provided its work. He attracted donations in the form of money and museum collections, formed rich funds for archaeology, ethnography, and history. Without any outside support, he made and published a catalogue in three volumes of the Archaeological Museum. Therefore, he transformed the university’s museum into one of the most famous in Russia. Four other museums relied on state support as well as charity. They were equipped well and provided with money for scientific expeditions to collect museum subjects. Prominent researchers such as botanists S.I. Korzhinskiy and P.N. Krylov, geologist A.M. Zaitsev zoologist N.F. Kashchenko and anatomist N.M. Maliev worked in the university museums. The government's decision to allow females to work in the museums played an important part in the personnel provision of the university museums. In 1916, two graduates of the Siberian Higher Women's Courses, T. Tripolitova and E. Kiselyova, were admitted to the botanical and zoological museums of Imperial Tomsk University. At the end of the article, the authors admit that the legislative regulation of museum science at Imperial Tomsk University in the late 19th and early 20th century had some shortcomings. But complete rejection of laws issued before 1917 had an adverse effect on Tomsk University’ museums of Soviet era.
THE LIFE STYLE IN ROCK-CULTURE
Authors:   Perm State Institute of Culture (Perm, Russian Federation), Dyukin Sergey G.
Published: December 2021

The concept of Life style is Important category of modern cultural antropology. Among many styles of modern Russian culture we can highlight the life style that is characteristic of rock-culture. Methodology of the research is founded on the participant observation and participant narrative inreview. As a result of the research we can name features of this life style. The structure elements of the rock-life style are the degree of unity of style, attitude to deviations, appearance, border between private and public spheres, free time, kind and focus of communications, the main values. The main feature of rock-life style is its unstructured and inseparability from other styles, tolerance towards. One from specific expression of the rock-life style is tendency to deviant practices. The chief among them is drinking. Subjects of rock-culture often make only declarations of such position, but not everybody realise it in practice. Rock-musicians associate drinking with the transition from one role to another. Tendency to deviations entails relativism in appearance. Appearance symbols become irrelevant. Democracy remains the only requirement for appearance. The relativism in external forms of expression entails enternal ambivalence. Disregard for borders between public and private spheres or work amd free time is formed. The main instrument of this process is radical creative attitude to reality. The creation becomes ethical imperative of rock-culture. This fact entails constructive content of free time and the rejection from dysfunctional practices and dysfunctional communications. Ultimatly, disregard for external symbols, ante-fashion strategies, filling free time with creative activity, versatile communications, permanent carnival of everyday life, routinization of holiday, deviant practices, radical creative attitude to reality form concept that is dominant of the life style in the rock-culture. This is the value of freedom with its derived practices. We talk about different dimensions of freedom. This is freedom of expression, freedom of creativity, freedom from dysfunctional conditions and srereotypes in ethics and morals. Besides it, we can talk about individualization. This feature is the method transformation of the system of social stratification. Rock-musicians and representatives of their circle are boycotting «normal» system of social relations. They create their own society where the main criterias of social stetus become creative potential and charisma.
THEORETICAL AND METHODOLOGICAL ISSUES OF LEGAL PREDICTION
Authors:   Institute of State and Law of the Russian Academy of Sciences (Moscow, Russian Federation), Agamirov Karen V.
Published: December 2021

The article explores the theoretical and practical aspects of predictability of the future of legal systems based on legal forecasting as a direction of scientific activity, designed to for-mulate the importance of new vectors of legal development for the state, society and the indi-vidual. By combining general theoretic, axiological, personal and instrumental methodological means and expanding the ideological field of jurisprudence, legal forecasting contributes to the realization of social needs and state interests. The conversion of theoretical paradigms of legal forecasting into the practical sphere is ensured by the creation of predictive models of regulations and the development of concrete proposals concerning the modernization of legis-lation to the law-making bodies. At present, there is every reason to speak about the significant shortcomings in the field of legal forecasting both in Russia and worldwide. A clear confirmation of this thesis is the fact that despite the predictability of the coronavirus pandemic (before it was atypical pneumonia, avian influenza, Ebola), no state was ready for full legal regulation in the context of the pan-demic and did not think through the legal ways out of it. Operational law-making was con-ducted everywhere through trial and error, creating internally contradictory and insufficiently effective legal regimes, creating excessive restrictions on human rights and simply legislative confusion, sometimes bordering on absurdities. The haphazardness of the legislative process, which legal forecasting is intended to put a barrier to, is expressed among other things in the number of laws adopted. The existence of a significant number of reference rules, supplements and amendments, "changes to changes" manifold hampers the application of rules, while the development of conceptual draft laws is practically an exception. At the federal level, there is no legal forecasting as a direction of scientific support for lawmaking, and planning is limited to the draft laws submitted to the upcoming session of the State Duma. The situation is no better at the regional level. All this shows that the system of public administration does not in a due measure rely on the powerful predictive potential inherent in the nature of law and legal thought, which includes the understanding of the nature of law and its diverse manifestations in real public life. It follows that the concept of legal forecasting has a universal and timeless significance. It brings together all general theoretical, axiological, personal and instrumental methodological means and provides the conditions for obtaining reliable forecasts regarding the dynamics of legal and related political, economic, social and spiritual phenomena and processes.
MEDIATION AS AN ALTERNATIVE WAY OF SETTLING FAMILY DISPUTES IN THE RUSSIAN FEDERATION
Authors:   Perm Branch of the National Research University ", Bryukhina Eugenia R. ,   Higher School of Economics", Chertkova Ekaterina A. ,   PJSC T Plus (Perm, Russian Federation)
Published: December 2021

The article examines the specific goals and objectives of family mediation, the characte-ristics of the status and work of the mediator and the characteristics of the procedure of recon-ciliation of the parties to the family legal conflicts, touches on the problems of legislation and practice of mediation in the consideration of family legal conflicts. The article substantiates the need to distinguish mediation in disputes arising from family legal relations as a separate type of conflict resolution procedures with the participation of a mediator. Modern formation and development of civil society in conditions of democracy reveals more and more interest of participants of legal relations in independent settlement of disputable situations. With the adoption of Federal Law No. 193-FZ of 27.07.2010 "On alternative dis-pute resolution procedure with the participation of a mediator (mediation procedure)" media-tion is increasingly being used as one of the most efficient non-jurisdictional means of dispute resolution. The article substantiates the need to distinguish mediation in disputes arising from family legal relations as a separate type of conflict resolution procedure with the participation of a mediator. The methodology of the study is based on the formal-legal method, which is used in the study of the legal institution of mediation. In addition, as part of the study of the fre-quency and nature of the use of mediation procedures for the resolution of disputes referred to the court, the statistical method was used. The paper examines the legislation on mediation of the Russian Federation, identifies some problems of law enforcement, and proposes possible ways to solve them. The article proposes to eliminate legislative contradictions regarding the possibility of recourse to court with an agreement on mediation, to indicate in the Federal Law "On Mediation" the existence of a mediation agreement is not a condition but a basis for mediation, as well as to legislate the possibility of mediation by telecommunication.
SOME QUESTIONS ABOUT CHILD ADOPTION
Authors:   Altay State University (Barnaul, Russian Federation), Kasantseva Aleksandra E.
Published: December 2021

Adoption is the preferred form of placement of a child without parental care in a family. The advantage of this form of placement is its permanent nature. In addition, the legal rela-tionship arising between the adoptive parent and his or her ancestors and the adopted child and his or her descendants is equivalent to a parental relationship. Like parental legal relation-ships, the legal relationship between adoptive parents and adoptees is presumed to be perpetual. Unlike other entities raising a child without parental care, adoptive parents may give the adopted child a new name and change the date and place of birth. The legal composition giving rise to a family legal relationship between the adoptive parent and his or her ancestors and the adopted child and his or her descendants is the consent of a number of persons. An enforceable court order for the adoption of a child is a confirming legal fact. It con-firms that the consent of all persons and authorities has been obtained and the child has been placed in the adoptive family. The question arises regarding the consent of the child's parents to his adoption. The con-sent to the adoption is equal to their renunciation of the child, which does not contradict the Convention on the Rights of the Child. Nevertheless, the rules of the Family Code on adop-tion should not initiate a parent's renunciation of his/her child. A child has the right to live and be brought up in his or her own family and to know his or her parents. If a parent relinquishes his or her child, the parental rights should first be removed and then the child should be put up for adoption without his or her consent. The current legal provisions on adoption have other inaccuracies, which are discussed in this article.