bluuebunny/crossref_metadata_2025 huggingface dataset:
“MESİH SIRRI”: SAKRAMENTLER FİKRİNİN KUTSAL KİTAP’TAKİ DAYANAĞI (PAVLUS)
Authors: SEYFELİ Canan
Published: December 2021

Makalenin konusu Pavlus’un “Mesih sırrı” fikridir. Pavlus ve “Mesih sırrı” fikri Hıristiyan sakramentler fikrinin Kutsal Kitap’taki dayanağı olarak ele alınmıştır. Hıristiyanlığın temel fikirleri kısmen Eski Antlaşma’ya daha çok İsa ve İncillere dayanmakla beraber çoğunluğunu bugünkü şekliyle ilk formülüze eden Pavlus’tur. “Mesih sırrı” fikri Pavlus’a aittir ve Mesih öğretisinin sır kavramı üzerinden yeniden tanımlanmasıdır. Pavlus Mesih, sır ve “Mesih sırrı” kavramını mistisizm ve sembolizm yüklü bir anlamda kullanmıştır. Mesih veya “Mesih sırrı”nın sakramentlerle ilişkili olarak Kutsal Kitap’taki en açık ifadesi ve göstergesi Evharistiyadır (Son Akşam Yemeği). Bunu Pavlus, “Mesih’te bir olmak” diye de ifade etmiştir. Tanrı’nın sır olan tasarısı Mesih’tir. “Mesih sırrı” Pavlus’a ve başkalarına ifşa olarak onlara Tanrı’nın bilgeliği (Mesih) lütfedilmiştir. Bu bilgelik “Mesih sırrı”nın ifşasıdır ve inananlarda Vaftizle gerçekleşir, ancak Evharistiya Mesih’te bir olmanın temeli ve doruk noktasıdır. Tek olan “Mesih sırrı”nı Kilise Babaları önce Mesih’le ilgili inançları sakrament diye tanımlayarak çoğaltmışlardır. Ardından Yunanca mysteriondan Latince sacramentuma dönüşüme paralel olarak uygulamalara sakrament diyen ilk kişi Tertullian olmuştur. O, “Mesih sakramenti”ne işareti bulunan sır anlamı yüklemiştir. İlk sakramental süreci tamamlayan Evharistiya olmuştur. Ardından sırasıyla Vaftiz ve Konfirmasyon (Mühürleme), Tövbe, Evlilik, Ruhban Takdisi ve Hasta Yağı (Son Yağla Meshetme) sakramental anlamını tamamlamıştır. Böylece ilk defa Augustin’de ifadesini bulan sakramentler fikri, sakramental sürecini Hıristiyanlığın bugünkü biçimine paralel olarak tamamlamıştır. Sonuç olarak Pavlus’un “Mesih sırrı” fikri sakramentler fikrinin Kutsal Kitap’taki dayanağı ve çıkış noktasıdır.
The Civic Сhamber of the Russian Federation: its Creation and Stages of Development
Authors: Sungurov A.
Published: December 2021

The article examines the creation of the Civic Chamber of the Russian Federation (CCRF) and the evolution of its activities in the context of the social-political evolution in Russia during the last fifteen years. The Civic Chamber activities are analyzed using the authors’ conception of mediator-institutes. The Chambers’ activities are normatively based on three federal laws, therefore it is a serious element of the paternalistic model of interaction between the government and society in Russia. The gradual change of balance between ‘active’ and ‘loyal’ members of CCRF towards the ‘loyal’ part is noticed. This shift is a result of changes in the political regime as well as changes in the chambers’ membership. During the last seven years half of its composition is formed from the representatives of Civic Chambers of the subjects of the Russian Federation, who passed through double control for loyalty.
Party-Political and Socio-Economic Сonsequences of Elections to the German Bundestag
Authors: Belov V.B.
Published: December 2021

The article examines the results of the last Bundestag elections. They marked the end of the Angela Merkel era and reflected the continuation of difficult party-political and socio-economic processes in the informal leader of the European Union. The main attention of the research focuses on the peculiarities of the election campaign of the leading parties and of the search for ways of further development of Germany in the face of urgent economic and political challenges. These challenges include the impact of the coronavirus crisis, the impact of the energy and digital transition to a climate-neutral economy, and the complex international situation. Based on original sources, the author analyzes the causes of the SPD victory and the CDU/CSU bloc defeat, the results of the negotiations of the Social Democrats with the Greens and Liberals, the content of the coalition agreement from the point of view of the prospects for the development of domestic and foreign policy and the economy of Russia's main partner in the west of the Eurasian continent. The conclusion is made about the absence of breakthrough ideas, the consistent continuation of the course started by the previous government for a carbon-free economy and the strengthening of the role of Germany in Europe and the world. For this course, conflicts and problems in achieving the set goals will be immanent due to the compromising nature of the coalition agreements.
СЦЕНІЧНИЙ ПЕРФОРМАНС У СИСТЕМІ НОВОГО ГУМАНІТАРНОГО ЗНАННЯ
Authors: Гринишина Марина Олександрівна
Published: December 2021

Метою статті є висвітлення концепції нового гуманітарного знання як складної, багатопрофільної та адаптивної системи. Методологія дослідження передбачає аналіз проблемного поля посткультури та виявлення його малодосліджених лакун; вона також визначає перформанс як один із найяскравіших феноменів посткультури; нарешті, вона допомагає встановити мотивації до вивчення історії й практики сценічного перформансу в контексті нового гуманітарного знання. Наукова новизна дослідження визначається значними змінами в культурному та мистецькому житті, генерованими розвитком гуманітарних знань, а також розширенням інформаційно-аналітичного поля культурних ініціатив та впровадженням цифрових технологій у процес творення художнього продукту. У цьому контексті також виявлено зв’язок між естетичними та художніми інноваціями у культурі й складністю системи художнього аналізу та мінливістю знань, отриманих у системі професійної освіти. Висновки. Було доведено, що формування нового гуманітарного знання стало одним із результатів модернізації гуманітарної, зокрема, культурологічної сфери — переходу до мобільної, багатопарадигмальної, методологічно багаторівневої моделі знання, що відповідає так званим «мінливим» креативним структурам із їхньою здатністю швидко ревізувати певні реалії та цінності й створювати нові практики. Вказано, що натепер найактуальнішою категорією нового гуманітарного знання є перформативні дослідження, сфокусовані на аналізі проявів перформативності. У їхній системі дослідницьких координат перформативний поворот став одним із вихідних пунктів епохи посткультури. В підсумку зазначено, що історія і практика сценічного перформансу, який від кінця минулого століття став повноправним учасником процесу організації складної, різноманітної, художньо неоднорідної театральної системи, перманентно підживлюють цікавість до перформативної тематики. Водночас функціонально та методологічно збагачене нове гуманітарне знання підтримує прогрес перформативної аналітики в системі нових театральних досліджень, насамперед щодо «нової візуальності» й перформансу як його важливої складової.
СПЕЦИФІКА ТЕАТРАЛЬНОЇ ІНСЦЕНІЗАЦІЇ ТВОРІВ В. ВИННИЧЕНКА НАПРИКІНЦІ ХХ – ПОЧАТКУ ХХІ СТ.
Authors: Сорока Марина Василівна
Published: December 2021

Мета статті — розглянути театральну інсценізацію творів В. Винниченка в українському театрі наприкінці ХХ – початку ХХІ ст. Методологія дослідження полягає у використанні аналізу, синтезу та логічного узагальнення. Зокрема, під час контент-аналізу квантифікували п’єси В. Винниченка й інтерпретували концептуально-художні пошуки театральних діячів. Тематичний аналіз ювілейних публікацій, наукових досліджень та рецензій на п’єси засвідчив значну увагу національного театру до проблематики творів В. Винниченка. Наукова новизна полягає в аналізі режисерських втілень п’єс В. Винниченка «Чорна Пантера і Білий Ведмідь», «Гріх» та «Брехня» на українській сцені, а також у порівнянні вистави «Гріх» різних епох (Г. Юри і М. Горохова). Висновки. З’ясовано, що на початку 1990-х років ХХ століття п’єси В. Винниченка привертали увагу багатьох українських митців. Водночас режисерські втілення подекуди неочікувано дивували. Виявлено, що найбагатшу сценічну історію з-поміж усіх творів письменника мають п’єси «Чорна Пантера і Білий Ведмідь», «Гріх» та «Брехня». В истави Г. Юри і М. Горохова за п’єсою «Гріх» мають як подібні риси, так й істотно різняться. Зокрема, обидва режисери за основу обрали моральний аспект, у якому виділили три позиції спільного і відмінного: ціннісні орієнтації — ідеал; позиція — умови — вибір; відповідальність — проступок — кара. Наголосимо, що найбільш переконливого й цілісного втілення п’єси В. Винниченка набули у постановках А. Бабенко. Режисерка, застосовуючи нововведення, насичує вистави символізмом і створює образ швидкоплинності людського життя та вічності мистецтва. Доведено, що постановки п’єс В. Винниченка наочно засвідчують, що в українській драматургії і театральному мистецтві зростає особистісне начало, а вистави набувають ознак ідеологічної драми. Сьогодні актуально сприймається нагальна потреба відновлювати історично перевірені обставини й ситуації, висвітлюючи об’єктивні процеси розвитку театрального мистецтва в Україні.
ANALISIS PENGGUNAAN BLOK PENYEKAT (BAFFLE BLOCK) UNTUK MEREDUKSI GERUSAN PADA ABUTMENT PILAR JEMBATAN
Authors: Djunur Lutfi Hair , Kasmawati Kasmawati
Published: December 2021

Gerusan lokal merupakan proses alamiah yang terjadi disungai akibat perubahan morfologi sungai atau adanya bangunan air yang menghalagi aliran. Adanya bangunan  air tersebut meyebabkan perubahan karakteristik aliran yang berpengaruh terhadap gerusan disekitar abutmen pilar jembatan. Untuk melindungi abutmen pilar jembatan dari penggerusan, diperlukan suatu desain bangunan blok penyekat yang mampu mereduksi gerusan dari derasnya aliran air sehingga abutmen pilar jembatan dapat terlindungi. Pada penelitian ini dibuat model berupa abutmen pilar jembatan dengan blok penyekat. Dengan menggunakan 3 model blok penyekat yang berbeda dimensi ini menggunakan tiga variasi debit yang berbeda dalam empat kali simulasi pengaliran. Berdasarkan hasil analisis dan perencanaan blok penyekat diperoleh efektifitas dalam mereduksi gerusan disekitar abutmen pilar jembatan, yaitu dimensi blok penyekat 1:1, blok penyekat 1:3 dan blok penyekat 1:5. Ketiga model blok penyekat untuk mengetahui perubhan penampang saluran. pola gerusan, volume gerusan dan parameter aliran yang terjadi disekitar abutmen pilar jembatan.Penelitian jembatan adalah tanpa blok penyekat yaitu 32,80%, blok penyekat 1:1 yaitu 43, 32%, blok penyekat 1:3 yaitu 10,01 %  dan blok penyekat 1:5 yaitu 47,77 %. Hasil dari simulasi pengaliran menunjukkan gerusan maksimum bergantung  pada kecepatan  aliran , tinggi aliran,angka Froude, Reynold dan blok penyekat
Pengetahuan Ibu dan Anak tentang Konsumsi Makanan Kariogenik dengan Status Kesehatan Mulut
Authors: Pay Mery Novaria , Wali Agusthinus
Published: December 2021

Preschool children are a group of children who are vulnerable to dental and oral diseases because they generally still have behaviors or personal habits that are less supportive of dental health. Disease prevention is effective if parents provide education in an effort to improve children's dental health. The purpose of this study was to determine the relationship between the level of knowledge of mothers and preschool children about the consumption of cariogenic foods on oral health status in Taebenu District, Kupang Regency. This research method is an observational study with a cross-sectional design. The research subjects were 66 consisting of 33 preschoolers aged 4-6 years and 33 mothers of preschool children. Mother and child's knowledge variable was measured by a questionnaire by filling in true and false choices. Oral hygiene status variables were measured using an interview guide. The results of the correlation analysis showed that the mother's knowledge variable (p=0.000) had a significant effect on oral hygiene status. The variable of children's knowledge (p=0.447)  was not significantly related to oral hygiene status. The conclusion is mother's knowledge about cariogenic food consumption is related to oral health status. Children's knowledge about cariogenic food consumption is not related to oral health status.

Anak prasekolah merupakan kelompok anak rentan terhadap penyakit gigi dan mulut karena umumnya masih mempunyai perilaku atau kebiasaan diri yang kurang menunjang terhadap kesehatan gigi. Pencegahan penyakit efektif apabila orang tua melakukan edukasi dalam upaya peningkatan kesehatan gigi anak. Tujuan penelitian ini adalah untuk mengetahui hubungan tingkat pengetahuan ibu dan anak pra sekolah tentang konsumsi makanan kariogenik  terhadap status kesehatan mulut di Kecamatan Taebenu Kabupaten Kupang. Metode penelitian ini merupakan penelitian observasional dengan rancangan cross- sectional. Subjek penelitian berjumlah 66 yang terdiri dari anak prasekolah usia 4-6 tahun sebanyak 33 orang dan ibu dari anak prasekolah sebanyak 33 orang. Variabel pengetahuan ibu dan anak diukur dengan kuesioner dengan mengisi pilihan benar dan salah. Variabel status kebersihan mulut diukur menggunakan panduan wawancara. Hasil analisis korelasi menunjukkan bahwa variabel pengetahuan ibu (p=0.000) berpengaruh secara signifikan dengan status kebersihan mulut. Variabel pengetahuan anak (p=0,447) secara signifikan tidak berhubungan dengan status kebersihan mulut. Kesimpulannya adalah pengetahuan ibu tentang konsumsi makanan kariogenik berhubungan dengan status kesehatan mulut. Pengetahuan anak tentang konsumsi makanan kariogenik tidak berhubungan dengan status kesehatan mulut.
Perilaku Sopir Taksi Antar Kabupaten Dalam Provinsi Pontianak – Putussibau Dalam Cara Menjaga Kesehatan Gigi Dan Mulut Terhadap Angka DMF-T
Authors: Miftahul’uyun Nahr Adhiyasha , Mahmiyah Erma , Rusmali Rusmali
Published: December 2021

Behavior is an activity or activity concerned, which can be observed directly or indirectly. In their daily behavior in maintaining health, especially the dental and oral health of the drivers who have a habit of stopping at rest areas, they consume snacks, sweet and sticky foods, and soft drinks that can cause tooth decay, while the time has passed. This study aims to determine the effect of the behavior of taxi drivers between districts in the Province of Pontianak-Putussibau majors on the number (DMF-T). This study uses a survey method, with the type of descriptive research. The population in this study amounted to 158 people, the sample was taken using a purposive non-random sampling technique so that it became 60 people. The results of this study indicate the behavior of taxi drivers with very good behavior criteria as many as 3 people, good 17 people, not good 40. The DMF-T number for taxi drivers with free criteria is 2 people, very low 1 person, 18 people, moderate 34 people, and 5 people, and very high criteria were not found, with an average DMF-T 4 in the medium category. The conclusion is that the behavior of taxi drivers is included in the unfavorable criteria, namely 40 people (66.7%), with DMF-T numbers in the medium category as many as 34 people (56.7%). And the average number of DMF-T 4, included in the medium category.

Perilaku adalah suatu kegiatan atau aktivitas organisme yang bersangkutan, yang dapat diamati secara langsung maupun tidak langsung. Dalam perilaku sehari-hari dalam menjaga kesehatan, terutama kesehatan gigi dan mulut para sopir mempunyai kebiasaan setiap singgah di tempat istirahat, mereka mengonsumsi makanan ringan, makanan yang manis dan lengket dan minuman soft drink yang dapat menimbulkan kerusakan gigi, sedangkan waktunya telah melewati jam makan. Penelitian ini bertujuan untuk mengetahui pengaruh perilaku sopir taksi antar Kabupaten dalam Provinsi jurusan Pontianak-Putussibau terhadap angka (DMF-T). Penelitian ini menggunakan metode survey, dengan jenis penelitian deskriptif. Populasi dalam penelitian ini berjumlah 158 orang, sampel diambil menggunakan teknik purposive nonrandom sampling sehingga menjadi 60 orang. Hasil penelitian ini menunjukkan perilaku sopir taksi dengan kriteria perilaku sangat baik sebanyak 3 orang, baik 17 orang, kurang baik 40. Angka DMF-T sopir taksi dengan kriteria bebas sebanyak 2 orang, sangat rendah 1 orang, rendah 18 orang, sedang 34 orang, dan tinggi 5 orang, serta kriteria sangat tinggi tidak ditemukan, dengan angka rata-rata DMF-T 4 dengan kategori sedang. Kesimpulan bahwa perilaku sopir taksi termasuk dalam kriteria kurang baik yaitu sebanyak 40 orang (66,7%), dengan angka DMF-T dengan kategori sedang sebanyak 34 orang (56,7%). Dan angka rata-rata DMF-T 4, termasuk dalam kategori sedang.
Literature Review: Efektivitas Penggunaan Media Video Dalam Meningkatkan Pengetahuan Menyikat Gigi Yang Benar Pada Anak Sekolah Dasar
Authors: Claudia Claudia , Purwaningsih Endang , Ulfah Siti Fitria
Published: December 2021

Elementary school-age children still have the largest proportion of dental and oral health problems, one of which is caused by low knowledge about proper tooth brushing, knowledge can be increased through dental health education learning, including especially video media. The use of video media is considered to be able to increase the knowledge of correct brushing of teeth in elementary school children because it is able to display images and sounds so that children like it. The purpose of this study was to determine the effectiveness of using video media in increasing the knowledge of proper brushing of teeth in elementary school children. This type of research is a literature review. The search for journals was carried out in 2015-2020 on the Google Scholar, DOAJ, PubMed database in English and Indonesian. The results of this study showed an increase in student's knowledge after counseling with video media from the medium category to the good category so that research using video media was more effective. It can be concluded that the use of video media is effective in increasing the knowledge of correct brushing of teeth in elementary school children.

Anak usia sekolah dasar masih memiliki proporsi terbesar masalah kesehatan gigi dan mulut, salah satunya yang disebabkan oleh rendahnya pengetahuan tentang menyikat gigi yang benar, pengetahuan dapat ditingkatkan melalui pembelajaran pendidikan kesehatan gigi termasuk khususnya media video. Penggunaan media video dinilai mampu meningkatkan pengetahuan menyikat gigi yang benar pada anak sekolah dasar karena mampu menampilkan gambar dan suara sehingga anak-anak menyukai. Tujuan Penelitian ini adalah untuk mengetahui efektivitas penggunaan media video dalam meningkatkan pengetahuan menyikat gigi yang benar pada anak sekolah dasar. Jenis penelitian ini adalah literature review. Pencarian jurnal dilakukan tahu 2015-2020 pada data base Google Scholar, DOAJ, PubMed dalam bahasa inggris dan indonesia Hasil penelitian ini adanya peningkatan pengetahuan siswa/i setelah dilakukan penyuluhan dengan media video dari kategori sedang menjadi kategori baik, sehingga penelitian menggunakan media video lebih efektif. Dapat disimpulkan bahwa penggunaan media video efektif untuk meningkatkan pengetahuan menyikat gigi yang benar pada anak sekolah dasar.
Perilaku Tenaga Kesehatan Gigi dalam Menerapkan Protokol Kesehatan Di Puskesmas Se-Kota Kupang Di Masa New Normal
Authors: Nubatonis Melkisedek O. , Wali Agusthinus , Sakbana Boby Irsan
Published: December 2021

Efforts to improve health status are carried out in the form of activities with promotive, preventive, curative, and rehabilitative approaches that are carried out in an integrated, comprehensive, and sustainable manner, in practice, there are still health problems, especially dental and oral health problems. One of the factors causing dental and oral health problems as well as handwashing activities is health behavior, health behavior in seeking healing is still hampered by the covid 19 pandemic outbreak. Therefore, researchers are interested in conducting research on the behavior of dental health workers in implementing health protocols at the Public health center in the whole city of Kupang in the new normal. The purpose of the study was to determine the behavior of dental health workers in implementing health protocols at health centers throughout the city of Kupang in the new normal period. Descriptive analysis research design. The research sample was 30 people. The results of data analysis showed that the knowledge of knowledge with good criteria was 26 people (86.7%), the attitude of respondents in the application of health protocols had the most attitudes with good criteria as many as 26 people (86.7%) and the actions of respondents in implementing the protocol. Health has the most actions with good criteria as many as 27 people (90%). It was concluded that the respondents' knowledge, attitudes, and actions in the application of health protocols had good criteria.

Upaya peningkatan derajat kesehatan diselenggarakan dalam bentuk kegiatan dengan pendekatan promotif, preventif, kuratif dan rehabilitatif yang dilaksanakan secara terpadu, menyeluruh dan berkesinambungan, dalam pelaksanaannya masih terjadi masalah kesehatan  khususnya masalah kesehatan gigi dan mulut. Salah satu faktor penyebab masalah kesehatan gigi dan mulut serta kegiatan cuci tangan adalah perilaku kesehatan, perilaku kesehatan dalam mencari penyembuhan masih terhambat dengan adanya wabah pandemi covid 19. Oleh karena itu peneliti tertarik untuk melakukan penelitian tentang perilaku tenaga kesehatan gigi dalam menerapkan protokol kesehatan di puskesmas se-kota kupang di masa new normal. Tujuan penelitian untuk mengetahui perilaku tenaga kesehatan gigi dalam menerapkan protokol kesehatan di puskesmas se-kota kupang di masa new normal. Desain penelitian analisis deskriptif. Sampel penelitian sebanyak 30 orang. Hasil analisis data menunjukkan bahwa  pengetahuan pengetahuan dengan kriteria baik sebanyak 26 orang (86,7%), sikap responden dalam penerapan protokol kesehatan yang paling banyak memiliki sikap dengan kriteria baik sebanyak 26 orang (86,7%) dan tindakan tindakan responden dalam penerapan protokol kesehatan paling banyak memiliki tindakan dengan kriteria baik sebanyak 27 orang (90%). Disimpulkan bahwa pengetahuan, sikap dan tindakan responden dalam penerapan protokol kesehatan rata-rata kriteria baik.
MALWARE DETECTION SYSTEM BASED ON DEEP LEARNING TECHNIQUE
Authors: Edie Zahraa Z. , Jasim Ammar D.
Published: December 2021

In this paper, we propose a malware classification and detection framework using transfer learning based on existing Deep Learning models that have been pre-trained on massive image datasets, we applied a deep Convolutional Neural Network (CNN) based on Xception model to perform malware image classification. The Xception model is a recently developed special CNN architecture that is more powerful with less overfitting problems than the current popular CNN models such as VGG16, The experimental results on a Malimg Dataset which is comprising 9,821 samples from 26 different families ,Malware samples are represented as byteplot grayscale images and a deep neural network is trained freezing the convolutional layers of Xception model adapting the last layer to malware family classification , The performance of our approach was compared with other methods including KNN, SVM, VGG16 etc. , the Xception model can effectively be used to classify and detect  malware families and  achieve the highest validation accuracy  than all other approaches including VGG16 model which are using image-based malware, our approach does not require any features engineering, making it more effective to adapt to any future evolution in malware, and very much less time consuming than the champion’s solution.
RFID-BASED USERS’ LOCALIZATION IN THE CROWDED AREAS
Authors: Baqir Noor E. , Al-Nouman Mohammed I.
Published: December 2021

Managing crowded areas is an extremely and difficult task. Several people might be injured or lost their lives every year because of mal organization of the crowded areas. There are many regular crowded events where this problem continuous and create social and personal upheaval, namely, if not resolved, perhaps destroy the image of the administrators and organizers. One such events is the anniversary pilgrimage Hajj, where Millions visits the holy sites Makkah (mecca) in Saudi Arabia to perform various rituals. In Addition, there are other regular events attracts much more participants. During this event, some of the pilgrims get lost and are unable to reach back to their places. There are many techniques that used to manage and track users in the crowded areas, like Wi-Fi, Mobile networks and RFID. In this article we proposed an integrated management model to solve this problem. The proposed model is based on web system that use maps and location, and use the IOT tools to track and monitor users. This proposed architecture can be utilized to solve various challenges related to management of the crowd in general and management of pilgrims in particular. This model can be adapted to any crowded event.
MOLLUSCS FROM THE UPPER MESOPHOTIC ZONE IN A SCARCELY KNOWN REEF OF THE WESTERN EQUATORIAL ATLANTIC
Authors: Barroso Cristiane Xerez , Freitas João Eduardo Pereira de , Spotorno Paula , Tâmega Frederico Tapajós de Souza , Franklin Júnior Wilson , Matthews-Cascon Helena
Published: December 2021

Despite the increasing focus on biodiversity of mesophotic coral ecosystems (MCEs) on a global scale, some biological groups, such as molluscs, are still poorly investigated. The taxonomic diversity of the molluscan fauna of a scarcely known MCE of the Western Equatorial Atlantic, Northeastern Brazil, was surveyed. Samples were collected along the shallower strata of the upper mesophotic zone (between 33-36 m depth). Twenty-one taxa (nine species of gastropods, ten species of bivalves, and two taxa of chitons) were listed, two of which (Novastoa sp. and Thylaeodus sp.) are potential endemic species. A new northern limit of distribution of Persicula moscatellii was established and seven species had new bathymetric records for living specimens (Barbatia domingensis, Barbatia cancellaria, Lamychaena hians, Leiosolenus bisulcatus, Pinctada imbricata, Hipponix incurvus, and Persicula moscatellii). Hipponix costellatus are the most representative species with 49 individuals, followed by Lima caribaea with six individuals. The present work is the first contribution to the knowledge of the molluscan fauna associated with consolidated substrates from this little-known MCE.
Keywords: mesophotic coral ecosystems, tropical reef, molluscan diversity, Brazilian Province, conventional SCUBA.
Marketing researches and promotion works of art in the fine art’s marketing
Authors: Akimov Dmytro
Published: December 2021

The purpose of the article. Research and analysis of marketing technology algorithms by means of market segmentation in fine arts marketing. The methodology of the study is to apply comparative, empirical, and theoretical methods. This methodological approach allows us to analyze the processes of segmentation of the fine arts market with the subsequent use of research results in the marketing processes of promoting works of art from artist to consumer. The scientific novelty consists in expanding the notions about the research of marketing processes in the art market. The article establishes that in the second half of the XX century - at the beginning of the XXI century in the art market very actively and effectively were used and are used marketing models and technologies. But professional scientific activity, scientific researches in the field of art market marketing have been conducted and are conducted insufficiently. Therefore, it can be stated that artistic creativity is the area of meticulous attention of large, small, and medium-sized businesses, which, in turn, created the art market, but still has not attracted specialists in this field of sociological, economic, marketing sciences. Scientific, research work on the positioning of works of art aims to determine the main market qualities of works of art, their recognizability for further promotion of works in the markets using advertising and other marketing mechanisms. The main purpose of the article: analysis of the specifics of the realization of classical marketing technologies (marketing researches, positioning of works of fine art) in the marketing of fine arts. Conclusions. The analysis of the problems of using traditional marketing technologies in art marketing carried out in the article gives grounds to state that such technologies are used in the art market, but they differ significantly from other market areas. Besides, due regard should be paid to the effectiveness of marketing technologies in the art market. Note that such traditional marketing technology as marketing researches is insufficiently used in the marketing of fine arts. Technology deserves special attention in art marketing. The technology of positioning works of art and artists deserves special attention in art marketing. The positioning of works of art in the implementation of the marketing approach allows the market to implement such strategies to meet the demand for works of art as: negative demand, lack of demand, latent demand, declining demand, irregular demand, full demand, excessive demand, unwanted demand.
Culturological survey of primitive art artifacts
Authors: Sovhyra Tetiana
Published: December 2021

The purpose of the article is to explore technological progress in the context of the development of a primitive culture. The methodology is based on an integrated approach and relies on analytical (when analyzing philosophical, art history, cultural studies literature on the subject of research), historical (when clarifying the stages of development of primitive culture), and conceptual (when analyzing the role of technology in the cultural development of mankind) research methods. The scientific novelty of the article lies in the fact that for the first time the formative role of technology in the cultural development of mankind is investigated, and also the cooperative nature of the production of artifacts of primitive culture is determined. Conclusions. As a result of the study of archaeological finds of primitive culture, it has been established that in the course of cultural evolution, tools at hand have become cultural artifacts, and in the end – and works of art. The introduction of technological inventions has radically changed the specifics of the manufacture of art products. Consequently, as a result of the transformation of technological devices and understanding the logic of the organization of the production process, there is not only a decrease in the form of artifacts but also an improvement in the aesthetic form.
Monumental painting in stone Catholic churches of Eastern Galicia in the second half of XVIII century. Topography, compositional types and techniques of illusionistic monumental art
Authors: Lysun Yaryna
Published: December 2021

The purpose of the article is to analyze compositional types, topography, methods, and techniques used in the formal solution of mural compositions in the Catholic churches of Eastern Galicia in the second half of the XVIII century. The methodology lies in the usage of art historical methods of stylistic analysis and generally scientific methods of analysis, synthesis, induction, deduction. The scientific novelty of the research is in the analysis of methods and techniques used by Galician masters in the second half of XVII century for implementation of mural compositions that were interpreted, adapted to local artistic traditions. The research can be used in the attribution of saved samples of the monumental art. Conclusions. The monumental painting in the Polish-Lithuanian Commonwealth, in particular in Galicia, developed in the context of artistic trends in West and Central European countries. Chronologically, the development of monumental painting in Galicia ranged from the thirties until the late XVIII century. As for the formal characteristics of monumental art, in the territory of the Commonwealth, the most common were three compositional types of polychrome: local variation of Italian «quadro riportato», illusionistic and panoramic. The basis of the first is the method of placing of the image on the vault area, framed with imitated or sculpted frame, the second is based on the quadrature and other methods and techniques of illusionistic monumental art, the third includes a panoramic image on the vault. In Galicia, the third type of vault decoration has not become widespread. Visiting masters were the bearers of these trends. They implemented the polychrome in local cathedrals, using a wide variety of methods and techniques for the formal solutions of mural compositions, typical for European art schools. Later, local artists adopted this experience, creating polychromes with certain interpretations of compositional types.
The Wilhelm Kotarbinski’s Monumental Art in the Collection of the Khanenko Museum
Authors: Sakorska Oleksandra
Published: December 2021

The purpose of the article is to systematize and provide the art analysis of the monumental works by Ukrainian-Polish artist Wilhelm Kotarbinski from the collection of the Khanenko Museum. The main target is to put into scientific circulation four friezes and two compositions for desudeports of the Khanenko Museum, to describe the compositions and to perform their attributive analysis. The methodology of the article is to apply general scientific and particular approaches and methods of research of the given theme, that allow to outline the time frame of creation of paintings, attribute individual plots, and find compositional prototypes. Involves the use of complex and analytical methods in systematizing and generalizing theoretical material, as well as methods of morphological, compositional, artistic, stylistic, and complex analysis when working with illustrative material. The scientific novelty of the work consists lies in an in-depth art analysis and dating of the monumental works of Wilhelm Kotarbinski from the collection of the Khanenko Museum. The specifics of the artist's artistic method on the example of his works for the Red antechamber of the Khanenko Museum are considered. The information set out in the article indicates the time frame for the creation of the entire decoration of the museum. The monumental decorative ensemble of the Red Antechamber is a striking example of the interior of "historicism", and in this context has not been considered in detail. The analysis of Kotabrinsky's compositions, their scientific attribution, the found prototypes of separate images reveals a method of work of the artist and tendencies of an epoch in fine and decorative art. Penetration into the artistic image of Kotarbinsky in the context of the era of historicism and the artistic life of the city of Kyiv brings complexity and depth to the work. Conclusions. The article summarizes the world and Ukrainian scientific experience of studying the artistic heritage by Wilhelm Kotarbinski. The following attributions have been introduced into scientific circulation: the time frame for creating the original decorative decoration of the Red Antechamber of the Khanenko Museum has been determined, iconographic prototypes for Wilhelm Kotarbinskie's frieze "Allegory of Ancient Egypt", "Allegory of the Orient Countries" have been found.
Formation and provision of cultural needs of modern human
Authors: Filina Tetyana
Published: December 2021

The purpose of the article is an analysis of the current condition of formation and provision of cultural needs of modern humans. The methodology of the study is based on an interdisciplinary approach comprising analysis and synthesis, generalization, description. The scientific novelty of the results lies in the complex review of human cultural needs; the role of family, social and cultural institutes, and mass media is defined; the main problems influencing the cultural needs of modern Ukrainians are described. Conclusions. Modern people live in a fundamentally new society that requires deliberate satisfaction of needs. Cultural needs and the ways of their satisfaction, cultural products that a person consumes define its personality. The cultural needs of the 21st century should create striving for self-perfection and transformation of the world. The key role in the process is played by family, media, and social institutes. The governments should support the production and consumption of cultural products, providing wide access for their citizens and comprehensive satisfaction of their needs. Considering cultural products as intellectual achievements and at the same time, consumer  products related to the market rules make it possible.
Cultural and historical preconditions for the formation and development of piano art in Rivne region
Authors: Tsiuliupa Natalia , Serhiichuk Diana
Published: December 2021

Purpose of the article. The article reveals the historical dynamics of piano art of Rivne region and its formation at the present stage of development. Methodology. The concept of the study is based on the application of a set of scientific methods, namely: historical - involved in the chronological sequence of analysis of scientific publications; system approach that summarizes the achievements of piano art of Rivne region at the present stage of its development. The scientific novelty of the work lies in the implementation of a comprehensive musicological analysis of piano performance as a phenomenon of Ukrainian culture. An assessment of the historical preconditions for the development of piano art is given. The ways of formation and development of piano art in Rivne region are determined. Conclusions. Based on the factual material, it is established that the piano art of Rivne region has reached the stage of maturity in its development. Evidence of this is the rapid growth of piano art (performance and pedagogy) of the region and the saturation of this process with positive changes. The main factor in the formation of the piano art of the region is the borrowing and assimilation of national musical heritage.
The activity of singer Zoja Ghajdaj as a member of the jury of vocal competitions
Authors: Katsalap Olena
Published: December 2021

The purpose of the article is to study one of the important areas of professional activity of Ukrainian singer Z. Ghajdaj – the work as a member of the jury of vocal competitions in the second half of the 1950s – early 1960s. In the field of this scientific problem, to show the importance of these creative projects in European and world dimensions, the specifics and the conditions of their implementation, the peculiarities of involving famous performers in the work of the jury, the originality of Z. Ghajdaj's creative approaches in promoting the professional development of Soviet opera singers. The methodology consists in the application of the source study method for the analysis of archival documents, which contain reliable information on the involvement and work of Z. Ghajdaj in the jury of vocal competitions, and other scientific materials on the research topic, specifically historical – to study socio-political conditions that influenced the possibilities and motivation for holding vocal competitions and attracting Soviet vocalists to participate in them, bio-bibliographic – to determine the place of this direction of the singer's activity in her creative biography, general scientific methods (analysis, synthesis, generalization) – in order to thoroughly study the problem and form a reasoned conclusion. The scientific novelty of the article lies in the expansion of information about the specifics of involvement and professional activity of Z. Ghajdaj as a member of the jury of vocal competitions, the holding of which intensified during the Khrushchev «Thaw» of the second half of the 1950s – early 1960s. Together with the opportunity to work in the jury, the singer received more opportunities to apply her many years of performing experience in the process of competitive listening to Soviet singers, evaluating and determining the best of them. Conclusions. The analysis of Z. Ghajdaj's creative activity as a member of the jury of vocal competitions made it possible to identify the level of these competitions in the world music space and the circumstances of their holding in the conditions of the «Cold War» and Khrushchev «Thaw» of the second half of the 1950s – early 1960s, their role in the formation of the creative career of the participants, the degree of involvement of the singer in this artistic work and her contribution to the professional development of Soviet opera singers.
Jazz instrumental music of the second half of the XX – the beginning of the XXI century: expressional, style and culturological aspects
Authors: Kostenov Oleksandr
Published: December 2021

The purpose of the article is to analyze the stylistic development of jazz instrumental music of the second half of the XX –the beginning of the XXI century in the context of the formation of academic music and European culture. The methodology involves the use of historical, culturological, analytical, and comparative methods, which reveals the features of the stylistic development of jazz instrumental music of this period. The scientific novelty lies in the study of the stylistic development of jazz instrumental music of the second half of the XX –the beginning of the XXI century in the context of the formation of academic music and European culture. Conclusions. Nowadays, modern jazz instrumental music is a serious conceptual art that exists in a variety of forms and styles. It can be argued that every style emerged in jazz in the second half of XX – the beginning of the XXI century based on mixing expressive elements of different styles. Both in academic music and in jazz, polystylistic lays the foundations for the formation of a mixed or synthetic style, a musical metalanguage, or, as V. Silvestrov points out, an all-encompassing musical style.
Ukrainian artistic crafts within scientific writings of local researchers
Authors: Varyvonchyk Anastasia
Published: December 2021

The purpose of the article is to disseminate information on the formation, development, the genesis of art crafts in Ukraine and determining the status of the study of the scientific problem of leveling their meaning. The monographs presented, books, albums, articles noted the essence of technologies for performing products in decorative and applied arts, in which the features of the figurative structure of artistic works are subject to a comprehensive analysis of art historical directions. The methodology of the study is based on the factual, bibliographic, and topological consideration of materials, on the analysis of the art historical, historical, cultural nature used by the method of accumulating and systematization of factual material. Analytical, deductive, and inductive methods were also used, providing the possibility of summing up common outcomes based on the information received from the primary sources, archival documents, materials, memories of witnesses of events. The scientific novelty is to disclose the foundations of the scientific content of Ukrainian artistic classes based on the analysis of the origin, kinship, the development of phenomena denoted by the words "crafts" and "Industry". Analyzing the works of scientists about the creation of products of patterned textile artistic weaving, embroidery, carpets, wood threads, pottery, painting. We put the question of the emergence of the most well-known industries of traditional art crafts in Ukraine. Drawing attention to the fact that in the post-war years numerous mechanized factories, equipped with the production of domestic equipment, increased production of consumer goods, production took an active part in the district, regional and interregional social resources, the union was exhibited by artistic fields at exhibitions of state and international levels At the end of the twentieth century in the area of the local industry there is a decline. Many organizations affected art crafts during the NTR (scientific and technical revolution) and engineering growth. The Ministry of Local Industry was carried out to control numerous enterprises for the manufacture of works of art. Conclusions. Based on the results of the study of the source base and the study of archival materials, we can draw conclusions that in the analyzed publications of the authors, there is not enough attention to the industrial aspect, namely the activities of the production association, factories who worked with art crafts in Ukraine. Artists are mentioned by scientists, and there is no subject consideration of the case, there is confusion in the interpretation of key concepts. In our opinion, insufficient attention of researchers and scientists, this important topic is due to the lack of practical experience in production, knowledge of the industrial artistic association and demonstrates the low theoretical level of analysis in this important industry - art and production, namely production, creating artworks.
Iconography of intertwined branches in M. Buraček’s landscapes during 1917–1924: (regarding problems of adaptation of Young Polish Japonisme in the works of Ukrainian students of the Krakow Academy of Arts)
Authors: Pavelchuk Ivanna
Published: December 2021

The purpose of the article is to analyze M. Buraček’s winter landscapes from the collection of the Zaporizhzhia Art Museum: “Winter” (1917), “Apple Trees in Winter. Dziunkiv”(1922), “Branches in the Hoarfrost”(1924) and to substantiate the reflections associated with the Young Polish Japonisme mastered by the Ukrainian artist while studying at the Krakow Academy of Arts. Methodology. In order to solve the problem set in the publication, the following methods were used: comparative – in connection with clarifying the analogies between the landscapes of M. Buraček of 1917–1924 and the plots of Polish artists of the 1900s; hermeneutic - to understand the connection between the traditions of ukiyo-e Japanese woodblock prints and particularities of the Polish improvisations of early XX century. The scientific novelty of the publication consists in the fact that the works of M. Buraček proposed for consideration are analyzed for the first time in the context of the problem of assimilation of Young Polish Japonisme among Ukrainian students of the Krakow Academy of Arts. Conclusions. It was found that the landscape plots of kachō-ga, inspired by the Polish artistic background, had been adapted in the works of M. Buraček during the period: 1917–1924. The then strivings of the below Krakiw pioneers from Young Poland’s artistic environment contributed to the renewal of M. Buraček’s thematic repertoire: W. Weiss, J. Voinarski, K. Gomolaks, T. Richter, F. Ruszczyc, T. F. Simon, J. Stanislawski, W. Tadeusz, J. Tchaikovsky. The study of the landscape repertoire of M. Buraček during 1917–1924, which had been formed during his studies at the Krakow Academy of Arts, results in confirming the Krakiw Japonisme reflections traced in his works attributable to the first quarter of XX century.
The song genre in the work of Ukrainian composers of the first half of the ХХth century: through the prism of folklore, kitsch, and hit
Authors: Dubrovnyj Taras
Published: December 2021

The purpose of the article is to consider the development of the genre of the song of the first half of the twentieth century. The methodology of the research is based on the historical and cultural and artistic methods of studying the genre of the song. The scientific novelty is to consider the genre of the song at different stages of its development (from folklore, amateur level, Kitsch, Biedermeier to a mass song, samples of socialist realist kitsch, pop culture, hits, etc.). Conclusion. The genre of songs during the first half of the twentieth century became one of the binding links of the "low" and "high" culture and due to its availability and easier perception, with frequent use of techniques and methods of Kitch, which later fallen the basis of pop culture, enabled the birth of such a The phenomenon as a hide, separate samples of which became a "classic", are popular today, taking their niche in the treasury of national musical culture.