bluuebunny/crossref_metadata_2025 huggingface dataset:
Filosofar en la peligrosa infancia
Authors: Andrade Sergio
Published: July 2022

¿De qué modos se pueden reflejar los movimientos del pensamiento de unos chicos con otros, o del mismo chico respecto a otro momento del proceso?, ¿cómo revelar la inquietud que agita las ideas?, ¿de qué forma asistir a la confrontación de razones que se expresan en un terreno poco definido y plural? La actividad de los talleres en Filosofar con Niñxs da testimonio e implica un trabajo sobre la enseñanza que viene aprendiendo de los chicos y que espera inquietar el pensar de quienes entren en contacto con esta experiencia a partir de atender a esas peligrosas voces, las voces de las infancias.
El escenario, un instrumento
Authors: Arce José Luis
Published: July 2022

La especificidad del músico escénico incorpora el mundo sonoro, las desafinaciones, los ruidos espantosos, los ruidos de una época. Estupefaciente del escenario-cerebro capaz de fisicalizar lo intangible, ariete de inconsciente, constructor del mismo. La pregunta es si se traspone miméticamente lo que sabemos de él, lo que lo dopa, lo que lo complace. La música como elemento objetivador o subjetivador, colabora a no montar sus determinaciones, sino a ser la acupuntura que acciona sobre la morfogenética del espectáculo, hilvanando con su ritual poético de develación, los estratos más secretos de la conciencia e instando a participar de su incertidumbre. Rompiendo la reminiscencia simbólica del concierto, para asumir el ‘aquí y ahora’ ígneo de lo que se presenta y aparece y no de lo que se re-presenta o asocia. El aparecer es del rango de la epifanía. Y cuando la música lo hace, anuncia, pues es profética (Jacques Attali).
Es tan público lo íntimo. Seguimiento proyecto radicado: Esquemas humanos provisorios
Authors: Sciú Rosario
Published: July 2022

Esquemas humanos provisorios nace en torno a inquietudes sobre las vicisitudes del accionar del cuerpo en el espacio íntimo. En su descripción, las palabras clave que identifican el proyecto y la brújula que orienta sus miembros son: “poéticas corporales, doméstico, performance”. Trabajar sobre estas temáticas implica poder vislumbrar lo ajeno en la propia intimidad, analizar hábitos cotidianos y privados de las poéticas corporales.
Nuno Ramos: citação, descontinuidade, devir
Authors: Andrade João Paulo
Published: July 2022

O artigo investiga a produção do artista brasileiro Nuno Ramos a partir de chaves conceituais que permitem um trânsito por suas obras a partir da perspectiva de um limite da comunicação e da linguagem.
Una estrategia de la gráfica múltiple. Análisis de “El incendio y las vísperas” de Graciela Sacco.
Authors: Marcó del Pont Celia
Published: July 2022

Este breve ensayo apunta a reflexionar sobre ciertos elementos emergentes que deja avizorar la obra de la artista rosarina Graciela Sacco.Partiendo de un corpus de sus obras, en especial de la imagen de “El incendio y las vísperas”, materializada de múltiples formas y sobre distintos soportes, siguiendo a Foucault en su análisis sobre Manet, tomamos algunos aspectos que consideramos sustantivos. Se trata de la integración, en la materialidad de la obra, del soporte, formando parte de la construcción del significado. Esto aporta a la comprensión de la múltiple presentación de la obra en distintos escenarios.Por una parte, contextualizamos la obra durante su proceso de producción y posproducción, en referencia directa a los factores sociales y el momento históricos del acontecimiento, que le dan vida y sentido.Otro aspecto que se considera en el trabajo es el de las fronteras, entre lo público y lo privado (la calle o el museo), entre el ámbito institucional, la galería de arte privada y la utilización del espacio público, semi público, lo cerrado o lo abierto, como lugar de exhibición.El desarrollo de estos temas conduce a un modo posible de comprender los contenidos y las estrategias de materialización y circulación de la obra de Graciela Sacco como un todo diverso y a su vez integrado.
Bailar la distancia: identidades corporales en el margen.
Authors: Saldívar Halac Natalia Saraí
Published: July 2022

Este texto se generó a partir del registro del proceso de Villerxs, un proyecto de investigación metodológica, corporal y escénica radicado en el CePIA. El proyecto utiliza la danza como herramienta para preguntarse acerca de la construcción de las identidades corporales de jóvenes cordobeses en situación de vulnerabilidad. La búsqueda alrededor del cómo representar lo ajeno desde afuera es uno de los nudos de la propuesta, que encuentra un lugar de reflexión activa en los cuerpos de quienes bailan.
Diálogos “Políticas de lo vivo”
Authors: Blázquez Gustavo , Gómez Comini Cristina , Villegas Jorge
Published: July 2022

En Diálogos invitamos a lxs directores escénicos Jorge Villegas y Cristina Gómez Comini y al investigador Gustavo Blázquez a pensar desde qué enfoque o perspectiva entienden lo vivo en su propia práctica (artística, teórica, pedagógica) y qué aspectos de lo emergente social y político resultan un interés o desafío para el arte contemporáneo. En la charla reflexionan acerca de lo estético en oposición a lo estático, de lo imprevisible del trabajo creativo con otrxs, del binomio vida-muerte como una categoría improductiva para comprender la contemporaneidad y revisan el vínculo con los espectadores como la posibilidad de tener experiencias colectivas en el teatro.
Experiencias de tiempo como constructoras de corporeidad: un relato desde la práctica artística para la reflexión colectiva acerca de las relaciones temporales en el arte
Authors: Salem Talma
Published: July 2022

Este ensayo tiene como objetivo compartir la experiencia del proyecto “CAMINANDO: estudios sobre la lógica del preludio de Giulia Palladini y la práctica artística como investigación”,[1] radicado en el Centro de Producción e Investigación en Artes de la Universidad Nacional de Córdoba en el marco del CePIABIERTO2018. Se trata de una exposición de cómo las preguntas sobre temporalidad atraviesan nuestro hacer.

[1] "CAMINANDO: estudios sobre la lógica del preludio de Giulia Paladini y la práctica artística como investigación" es un proyecto de producción e investigación artística radicado en el Centro de Producción e Investigación Artística de la Universidad Nacional de Córdoba (CePIA), Argentina en el marco del CePIABIERTO 2018. Dirección del proyecto: Paulina L. Antacli. Coordinación y dirección artística: Talma Salem. Interpretes-creadoras: Mariana Saur, Melanie Passardi, Roxana Martin y Sabrina Lescano. Encargado técnico y registro visual: Matías Zanotto. Acompañamiento y producción de textos: Penélope Arolfo. Blog: https://inmersionessituacionespreludio.wordpress.com/
Pasolini: El artista que vislumbra en la oscuridad del tiempo
Authors: Buyatti Natalia
Published: July 2022

El presente artículo reflexiona en torno a Pier Paolo Pasolini y su relación con la temporalidad, a partir del análisis de la obra teatral Calderón. En esta obra, el artista, remitiéndose a formas teatrales y pictóricas arcaicas, revitalizó un sentido que aparentaba estar muerto y opera fuertemente sobre su presente creando un gesto que instaura una relación particular entre tiempos. Acudimos a teorías de la filosofía y del teatro para detectar las operaciones artísticas existentes en la obra que develan el funcionamiento de la violencia sistémica que permanece invisible en el tiempo. En el primer apartado, tomamos el artículo ¿Qué es lo contemporáneo? de Giorgio Agamben, y establecemos vínculos entre la vida y obra de Pasolini y la definición de contemporáneo que ofrece el filósofo. En el segundo apartado, analizamos la operación de visibilización de lo invisible que realizó Pasolini, a partir del estudio de la categoría de violencia sistémica propuesta por Žižek. Por último, estudiamos la relación entre arte y violencia en Pasolini a partir de la investigación de Angélica Liddell.
In a long time. Notas sobre la reconstrucción dialógica del shock vanguardista
Authors: Yovino Enzo Nicolás
Published: July 2022

En este trabajo intentaré poner en relación la crítica de Hal Foster a las implicaciones del shock –o de la estética del shock, como yo lo entiendo– que Peter Bürger sostiene en la Teoría de la vanguardia (1974), con ciertas nociones que el autor alemán esboza en su artículo “La verdad estética” (1988). Voy a exponer cómo una parte de las objeciones que Foster presenta están contestadas en ese artículo y esto nos llevará a un punto de convergencia entre ambos autores, que toman prestadas herramientas conceptuales del psicoanálisis. No obstante, como mostraré, tal convergencia puede entenderse también en términos pragmático-comunicativos.
¿El retorno del original? Aura, arte y reproductibilidad (de Benjamin a Groys)
Authors: Lenarduzzi Victor
Published: July 2022

Este texto se propone reconsiderar y problematizar los aportes formulados por Walter Benjamin para el análisis del arte y la reproductibilidad técnica para ponerlos en contacto, por una parte, con los interrogantes que nos presenta el arte contemporáneo en el contexto de la cultura mediática actual y, por otra, con las elaboraciones que Boris Groys ha producido para repensar estas cuestiones, como también sus potenciales teóricos. De este modo, partimos de una revisión de las relaciones entre arte y reproducción y la formulación del concepto de aura, para dirigirnos luego a las transformaciones de la cultura y las reelaboraciones conceptuales que permiten descifrarlas.
Lo que mueve un muro. La obra El castillo de Jorge Méndez Blake
Authors: Cohen Verónica
Published: July 2022

Una pared de ladrillos en una sala de exposiciones. En el centro, el libro El castillo de Franz Kafka reemplaza un ladrillo y produce una ondulación en el muro. Esta obra homónima de Jorge Mendez Blake genera una imagen contundente. Tanto es así que sus imágenes se viralizaron en las redes bajo el título “El poder de un libro”. El objetivo de este trabajo es analizar esta obra, sobre todo en relación a su construcción de espacios a partir del concepto de “habitar” de Martin Heidegger, según el cual no sólo habitamos físicamente un espacio, sino que el mismo lenguaje es nuestra morada. Finalmente, habiendo indagado en estos aspectos que incluyen tanto la obra de Blake como la de Kafka, volveremos a la imagen en las redes sociales para reflexionar acerca de los sentidos contenidos en esta recepción de la obra.
Derivas de una Colección
Authors: Mansilla Julieta , Pumilla Florencia
Published: July 2022

El presente artículo es un acercamiento a la instancia experimental del Proyecto “DESVÍOS. LA DERIVA COMO ESTRATEGIA METODOLÓGICA”, acontecida en la ciudad de Santa Rosa, La Pampa, en diciembre de 2018; centrada en la investigación “Colección Particular” de la artista visual Florencia Pumilla, integrante del Proyecto. Este texto incluye dos relatos de dicha experiencia.
Diálogos #5
Authors: Tarde Marika Colectivo , Una escena propia. Encuentro de directoras provincianas Colectivo , Manifiesto Colectivo
Published: July 2022

Para este número invitamos a tres colectivos de la ciudad de Córdoba, con la propuesta de conversar sobre la relación entre sus prácticas y los contextos en que se inscriben: el colectivo de fotoperiodismo colaborativo Colectivo Manifiesto, el espacio colectivo de exploración del género y las sexualidades Tarde Marika y el espacio de encuentro de directoras de artes escénicas Una escena propia. Encuentro de directoras provincianas.El diálogo se abre con el relato sobre qué movilizó a cada colectivo a reunirse y, a lo largo de tres bloques, se reflexiona sobre los modos de vincularse, la intervención sobre el espacio público, cómo problematizar la representación colectiva, las violencias que atraviesan el campo social y las propias prácticas –principalmente las de signo patriarcal– y las herramientas que permiten resistir y transformar estas condiciones.
Los fusilamientos de Alejandro Román: narraturgia y teatro de lo real
Authors: Gutiérrez Bracho Carlos
Published: July 2022

En septiembre de 2014, México vivió uno de los casos de desaparición forzada que más impacto han tenido en las últimas décadas: 43 estudiantes fueron secuestrados por la policía y el ejército mexicano. Inspirado por esta tragedia, el dramaturgo Alejandro Román escribe Los fusilamientos, un texto narratúrgico que construye basado en documentos, testimonios e imágenes reales, para proponer su propia verdad sobre este hecho. En él, además, explora dos masacres más, una ocurrida el mismo año, en Tlatlaya, Estado de México, y el fusilamiento de españoles ocurrido en 1808, en Madrid, España. Para el escritor y poeta, desde una visión zambraniana, estas historias se vuelven motivo de exploración artística para hacerle frente al terror que el Estado ha querido instaurar a través de sus crímenes institucionalizados.
Atlas del Yukkuman: Huellas de la memoria
Authors: Chemes María Soledad , Medina María José , Rosenzvaig Marina , Zamora Díaz Andrea Florencia
Published: July 2022

En esta obra-capítulo invitamos a las personas a escribir su mapa interno de la dictadura a partir de sus recuerdos personales y/o colectivos en una computadora, mientras la escritura era proyectada en la pared, reencontrándose así con el elemento vivo que se hacía presente: la memoria. Este ejercicio colectivo se convirtió en presente que narra, que enuncia, que crea realidad. El resultado es un texto colectivo en el cual las personas han compartido sus voces, experiencias y recuerdos.
¿Cuándo hay archivo?
Authors: Isidori Julia Victoria
Published: July 2022

¿Que define al género archivo? La categorización ¿responde exclusivamente a características de formato o puede también pensarse el archivo como una poética no visible de aproximación a ciertas temáticas? ¿Cuáles son esas temáticas abordadas recurrentemente desde perspectivas archivistas? La confección de un corpus de análisis para responder a estas preguntas llevó a preguntarnos qué incidencia tienen los discursos del arte en la categorización de experiencias en determinados formatos. 
Teóricamente, esto atenta contra las posturas teóricas fenomenológicas: en lugar de preguntar qué es archivo, nos preguntamos cuándo se opta por esta poética. Tal análisis situado busca, en primer lugar, descubrir la injerencia política de las experiencias estéticas que recuperan situaciones particulares para insertarlas en circuitos exhibitivos, y en segundo lugar, qué implica que esos circuitos se vinculen con ciertas temáticas archivándolas.
álbum fotográfico familiar. Reflexiones sobre la relación entre fotografía y memoria
Authors: Gimeno Casas María del Carmen
Published: July 2022

En este artículo se plantea una serie de reflexiones sobre el cambio que ha supuesto el paso de la fotografía analógica a la fotografía digital tomando el álbum fotográfico familiar como objeto de estudio. Esta digitalización de la fotografía no ha sido únicamente un cambio técnico. Dicha evolución ha significado todo un abanico de nuevas formas de fotografía, así como nuevas maneras de entender y relacionarnos con la imagen. Entre estos paradigmas recientes, se encuentra la relación entre memoria y fotografía. Una relación que parece incuestionable pero que deja de ser tan firme al enfrentarse a los modelos actuales de la fotografía.
The state and status of geological collections in United Kingdom museums: 2001. Part 2. Nature of the collections
Authors: Fothergill H.
Published: July 2022

The Geological Curators’ Group, established in 1974, undertook a survey in 1981 investigating the “State and Status of Geology in United Kingdom Museums”. This survey, the first of its kind, set out to provide a snap-shot impression of how the nation’s geological collections were cared for, regarded, used and housed. It allowed the Geological Curators’ Group to focus its members’ efforts, influencing, where possible, policy decisions regarding the future of many “at risk” collections and assisting museums in need to specialist curatorial advice. In 2001 it was felt that more than enough time had elapsed since the original survey, and that there was a need to repeat the process, explore other areas of museum management, care and use of collections and compare, where able, the results from the two surveys 20 years apart. With access to new funding opportunities, museums have expanded and in some cases changed beyond all recognition. More funding appears to be available to all, but with 45% of respondees listing lack of staff time or expertise as their biggest “threat”, will the “new” curators or collection managers be able to dedicate the resources to chasing these elusive funding streams and proving that they are meeting targets and performance indicators whilst maintaining often historically and scientifically important collections? The United Kingdom has a unique history in the field of geological curation and collections, with many museums holding collections and specimens of un-recognised scientific and historical value. Should the heritage and culture community feel confidence in their continued care? What problems do we, the curators, perceive with the current “State and Status” of the collections we hold in trust? The “State and Status of Geological Collections in United Kingdom Museums: 2001” report provides another “snap-shot” of the UK’s collections and explores how the position of these collections has changed in 20 years.
The state and status of geological collections in United Kingdom museums: 2001. Part 3. Documentation
Authors: Fothergill H.
Published: July 2022

The Geological Curators’ Group, established in 1974, undertook a survey in 1981 investigating the “State and Status of Geology in United Kingdom Museums”. This survey, the first of its kind, set out to provide a snap-shot impression of how the nation’s geological collections were cared for, regarded, used and housed. It allowed the Geological Curators’ Group to focus its members’ efforts, influencing, where possible, policy decisions regarding the future of many “at risk” collections and assisting museums in need to specialist curatorial advice. In 2001 it was felt that more than enough time had elapsed since the original survey, and that there was a need to repeat the process, explore other areas of museum management, care and use of collections and compare, where able, the results from the two surveys 20 years apart. With access to new funding opportunities, museums have expanded and in some cases changed beyond all recognition. More funding appears to be available to all, but with 45% of respondees listing lack of staff time or expertise as their biggest “threat”, will the “new” curators or collection managers be able to dedicate the resources to chasing these elusive funding streams and proving that they are meeting targets and performance indicators whilst maintaining often historically and scientifically important collections? The United Kingdom has a unique history in the field of geological curation and collections, with many museums holding collections and specimens of un-recognised scientific and historical value. Should the heritage and culture community feel confidence in their continued care? What problems do we, the curators, perceive with the current “State and Status” of the collections we hold in trust? The “State and Status of Geological Collections in United Kingdom Museums: 2001” report provides another “snap-shot” of the UK’s collections and explores how the position of these collections has changed in 20 years.
The state and status of geological collections in United Kingdom museums: 2001. Part 4. Storage
Authors: Fothergill H.
Published: July 2022

The Geological Curators’ Group, established in 1974, undertook a survey in 1981 investigating the “State and Status of Geology in United Kingdom Museums”. This survey, the first of its kind, set out to provide a snap-shot impression of how the nation’s geological collections were cared for, regarded, used and housed. It allowed the Geological Curators’ Group to focus its members’ efforts, influencing, where possible, policy decisions regarding the future of many “at risk” collections and assisting museums in need to specialist curatorial advice. In 2001 it was felt that more than enough time had elapsed since the original survey, and that there was a need to repeat the process, explore other areas of museum management, care and use of collections and compare, where able, the results from the two surveys 20 years apart. With access to new funding opportunities, museums have expanded and in some cases changed beyond all recognition. More funding appears to be available to all, but with 45% of respondees listing lack of staff time or expertise as their biggest “threat”, will the “new” curators or collection managers be able to dedicate the resources to chasing these elusive funding streams and proving that they are meeting targets and performance indicators whilst maintaining often historically and scientifically important collections? The United Kingdom has a unique history in the field of geological curation and collections, with many museums holding collections and specimens of un-recognised scientific and historical value. Should the heritage and culture community feel confidence in their continued care? What problems do we, the curators, perceive with the current “State and Status” of the collections we hold in trust? The “State and Status of Geological Collections in United Kingdom Museums: 2001” report provides another “snap-shot” of the UK’s collections and explores how the position of these collections has changed in 20 years.
The state and status of geological collections in United Kingdom museums: 2001. Part 5. Environmental Conditions
Authors: Fothergill H.
Published: July 2022

The Geological Curators’ Group, established in 1974, undertook a survey in 1981 investigating the “State and Status of Geology in United Kingdom Museums”. This survey, the first of its kind, set out to provide a snap-shot impression of how the nation’s geological collections were cared for, regarded, used and housed. It allowed the Geological Curators’ Group to focus its members’ efforts, influencing, where possible, policy decisions regarding the future of many “at risk” collections and assisting museums in need to specialist curatorial advice. In 2001 it was felt that more than enough time had elapsed since the original survey, and that there was a need to repeat the process, explore other areas of museum management, care and use of collections and compare, where able, the results from the two surveys 20 years apart. With access to new funding opportunities, museums have expanded and in some cases changed beyond all recognition. More funding appears to be available to all, but with 45% of respondees listing lack of staff time or expertise as their biggest “threat”, will the “new” curators or collection managers be able to dedicate the resources to chasing these elusive funding streams and proving that they are meeting targets and performance indicators whilst maintaining often historically and scientifically important collections? The United Kingdom has a unique history in the field of geological curation and collections, with many museums holding collections and specimens of un-recognised scientific and historical value. Should the heritage and culture community feel confidence in their continued care? What problems do we, the curators, perceive with the current “State and Status” of the collections we hold in trust? The “State and Status of Geological Collections in United Kingdom Museums: 2001” report provides another “snap-shot” of the UK’s collections and explores how the position of these collections has changed in 20 years.
The state and status of geological collections in United Kingdom museums: 2001. Part 6. Conservation
Authors: Fothergill H.
Published: July 2022

The Geological Curators’ Group, established in 1974, undertook a survey in 1981 investigating the “State and Status of Geology in United Kingdom Museums”. This survey, the first of its kind, set out to provide a snap-shot impression of how the nation’s geological collections were cared for, regarded, used and housed. It allowed the Geological Curators’ Group to focus its members’ efforts, influencing, where possible, policy decisions regarding the future of many “at risk” collections and assisting museums in need to specialist curatorial advice. In 2001 it was felt that more than enough time had elapsed since the original survey, and that there was a need to repeat the process, explore other areas of museum management, care and use of collections and compare, where able, the results from the two surveys 20 years apart. With access to new funding opportunities, museums have expanded and in some cases changed beyond all recognition. More funding appears to be available to all, but with 45% of respondees listing lack of staff time or expertise as their biggest “threat”, will the “new” curators or collection managers be able to dedicate the resources to chasing these elusive funding streams and proving that they are meeting targets and performance indicators whilst maintaining often historically and scientifically important collections? The United Kingdom has a unique history in the field of geological curation and collections, with many museums holding collections and specimens of un-recognised scientific and historical value. Should the heritage and culture community feel confidence in their continued care? What problems do we, the curators, perceive with the current “State and Status” of the collections we hold in trust? The “State and Status of Geological Collections in United Kingdom Museums: 2001” report provides another “snap-shot” of the UK’s collections and explores how the position of these collections has changed in 20 years.
The state and status of geological collections in United Kingdom museums: 2001. Part 9. General questions
Authors: Fothergill H.
Published: July 2022

The Geological Curators’ Group, established in 1974, undertook a survey in 1981 investigating the “State and Status of Geology in United Kingdom Museums”. This survey, the first of its kind, set out to provide a snap-shot impression of how the nation’s geological collections were cared for, regarded, used and housed. It allowed the Geological Curators’ Group to focus its members’ efforts, influencing, where possible, policy decisions regarding the future of many “at risk” collections and assisting museums in need to specialist curatorial advice. In 2001 it was felt that more than enough time had elapsed since the original survey, and that there was a need to repeat the process, explore other areas of museum management, care and use of collections and compare, where able, the results from the two surveys 20 years apart. With access to new funding opportunities, museums have expanded and in some cases changed beyond all recognition. More funding appears to be available to all, but with 45% of respondees listing lack of staff time or expertise as their biggest “threat”, will the “new” curators or collection managers be able to dedicate the resources to chasing these elusive funding streams and proving that they are meeting targets and performance indicators whilst maintaining often historically and scientifically important collections? The United Kingdom has a unique history in the field of geological curation and collections, with many museums holding collections and specimens of un-recognised scientific and historical value. Should the heritage and culture community feel confidence in their continued care? What problems do we, the curators, perceive with the current “State and Status” of the collections we hold in trust? The “State and Status of Geological Collections in United Kingdom Museums: 2001” report provides another “snap-shot” of the UK’s collections and explores how the position of these collections has changed in 20 years.
The state and status of geological collections in United Kingdom museums: 2001. Part 11. Assessment of findings
Authors: Fothergill H.
Published: July 2022

The Geological Curators’ Group, established in 1974, undertook a survey in 1981 investigating the “State and Status of Geology in United Kingdom Museums”. This survey, the first of its kind, set out to provide a snap-shot impression of how the nation’s geological collections were cared for, regarded, used and housed. It allowed the Geological Curators’ Group to focus its members’ efforts, influencing, where possible, policy decisions regarding the future of many “at risk” collections and assisting museums in need to specialist curatorial advice. In 2001 it was felt that more than enough time had elapsed since the original survey, and that there was a need to repeat the process, explore other areas of museum management, care and use of collections and compare, where able, the results from the two surveys 20 years apart. With access to new funding opportunities, museums have expanded and in some cases changed beyond all recognition. More funding appears to be available to all, but with 45% of respondees listing lack of staff time or expertise as their biggest “threat”, will the “new” curators or collection managers be able to dedicate the resources to chasing these elusive funding streams and proving that they are meeting targets and performance indicators whilst maintaining often historically and scientifically important collections? The United Kingdom has a unique history in the field of geological curation and collections, with many museums holding collections and specimens of un-recognised scientific and historical value. Should the heritage and culture community feel confidence in their continued care? What problems do we, the curators, perceive with the current “State and Status” of the collections we hold in trust? The “State and Status of Geological Collections in United Kingdom Museums: 2001” report provides another “snap-shot” of the UK’s collections and explores how the position of these collections has changed in 20 years.
The state and status of geological collections in United Kingdom museums: 2001. Part 12. Recommendations and further investigations
Authors: Fothergill H.
Published: July 2022

The Geological Curators’ Group, established in 1974, undertook a survey in 1981 investigating the “State and Status of Geology in United Kingdom Museums”. This survey, the first of its kind, set out to provide a snap-shot impression of how the nation’s geological collections were cared for, regarded, used and housed. It allowed the Geological Curators’ Group to focus its members’ efforts, influencing, where possible, policy decisions regarding the future of many “at risk” collections and assisting museums in need to specialist curatorial advice. In 2001 it was felt that more than enough time had elapsed since the original survey, and that there was a need to repeat the process, explore other areas of museum management, care and use of collections and compare, where able, the results from the two surveys 20 years apart. With access to new funding opportunities, museums have expanded and in some cases changed beyond all recognition. More funding appears to be available to all, but with 45% of respondees listing lack of staff time or expertise as their biggest “threat”, will the “new” curators or collection managers be able to dedicate the resources to chasing these elusive funding streams and proving that they are meeting targets and performance indicators whilst maintaining often historically and scientifically important collections? The United Kingdom has a unique history in the field of geological curation and collections, with many museums holding collections and specimens of un-recognised scientific and historical value. Should the heritage and culture community feel confidence in their continued care? What problems do we, the curators, perceive with the current “State and Status” of the collections we hold in trust? The “State and Status of Geological Collections in United Kingdom Museums: 2001” report provides another “snap-shot” of the UK’s collections and explores how the position of these collections has changed in 20 years.
The state and status of geological collections in United Kingdom museums: 2001. Part 13. References, further information and acknowledgements
Authors: Fothergill H.
Published: July 2022

The Geological Curators’ Group, established in 1974, undertook a survey in 1981 investigating the “State and Status of Geology in United Kingdom Museums”. This survey, the first of its kind, set out to provide a snap-shot impression of how the nation’s geological collections were cared for, regarded, used and housed. It allowed the Geological Curators’ Group to focus its members’ efforts, influencing, where possible, policy decisions regarding the future of many “at risk” collections and assisting museums in need to specialist curatorial advice. In 2001 it was felt that more than enough time had elapsed since the original survey, and that there was a need to repeat the process, explore other areas of museum management, care and use of collections and compare, where able, the results from the two surveys 20 years apart. With access to new funding opportunities, museums have expanded and in some cases changed beyond all recognition. More funding appears to be available to all, but with 45% of respondees listing lack of staff time or expertise as their biggest “threat”, will the “new” curators or collection managers be able to dedicate the resources to chasing these elusive funding streams and proving that they are meeting targets and performance indicators whilst maintaining often historically and scientifically important collections? The United Kingdom has a unique history in the field of geological curation and collections, with many museums holding collections and specimens of un-recognised scientific and historical value. Should the heritage and culture community feel confidence in their continued care? What problems do we, the curators, perceive with the current “State and Status” of the collections we hold in trust? The “State and Status of Geological Collections in United Kingdom Museums: 2001” report provides another “snap-shot” of the UK’s collections and explores how the position of these collections has changed in 20 years.
Earth Science Education - Ways of Working Together
Authors: King H.
Published: July 2022

The GEES Subject Centre is a UK-wide organisation dedicated to supporting learning and teaching in higher education in the three disciplines of Geography, Earth and Environmental Sciences. The activities and services provided, and relevant contact details are reported.
The Bone Trail: generating enthusiasm for earth sciences in the classroom and museum
Authors: Barnes E.
Published: July 2022

"The Bone Trail" is an exciting education project which was piloted in 2006. It was funded jointly by the British Society for the History of Science, Bolton Local Authority Secondary Strategy, and the Manchester Museum. Ateam of three educators - one academic historian of science (the author), and two science teachers (Peter Fowler and Alison Henning) - designed two full days of activities for Year 9 students on the history of comparative anatomy, geology, and palaeontology.
The past must have a future
Authors: w P. N.
Published: July 2022

This issue, the first of volume 7, contains some of the papers presented at the one-day meeting Has the Past a Future? held at the Geological Society of London on 24th September 1998. The meeting was organised by John Thackray for the History of Geology Group , the Geological Curators' Group, and the GeoConservation Commission. Altogether eight papers were presented of which five appear herein. In addition Chris Green (Royal Holloway, Egham) spoke on the work of the Curry Fund of the Geologists' Association, John Martin (Leicestershire Museums) recalled the considerable work and stages involved in collecting, conserving and exhibiting the Rutland Dinosaur, while John Thackray (Natural History Museum, London) discussed the longevity of modem electronic archives.
Rescuing an orphan mineral collection; the case of the University of Newcastle mineral collection at the Hancock Museum
Authors: McLean S.G.
Published: July 2022

In late 1995 the mineral collection from the University of Newcastle Department of Geology was transferred to the Hancock Museum. For five years the collection had been stored in an unsuitable warehouse with a high relative humidity. The specimens, together with the original cabinets, were moved and carefully rehabilitated. The cabinets were reconstructed, while the specimens were cleaned, recatalogued and rehoused by staff of the Hancock assisted by members of the local branch of the Russell Society. The collection numbers nearly 7500 specimens some of which were collected by Arthur Russell and C.T. Trechmann, and represent material from the North Pennines in particular but also British and foreign localities.
Comment on 'Type and Figured specimens in the Geology Museum, University of the West Indies, Mona Campus, Jamaica'
Authors: Donovan S. K.
Published: July 2022

Brown and Langner's (2002) recent compilation of the specimens in the type and figured collection of the Geology Museum, University of the West Indies, Mona (UWIGM), is a welcome contribution. It alerts the geological community to some of the treasures in a museum that has failed to be noticed in some notable and widely referenced compilations of geological collections (Cleevely 1983, Webby 1989). However, in reading Brown and Langner's paper, it was obvious that records in their list of type and figured specimens were incomplete or incorrect. I am therefore writing to provide a brief supplement to an already valuable resource.
A Century of Graptolite Research in Cambridge
Authors: Rickards R.B.
Published: July 2022

Graptolite research in Cambridge was dominated during the first half of the 20th Century by two people: Gertrude Elles and Oliver Bulman. They had quite different approaches to research, and to curation of collections. Elles' research was primarily field-based and her curatorial procedures a curator's headache; Bulman's work was primarily laboratory based and palaeobiological. The present author overlapped with and succeeded Bulman, and his curatorial biases led to his succeeding A. G. Brighton as Curator of the Sedgwick Museum. The nature of these changes through the century and the contribution to graptolite research on a wider scale are analysed.
Total quality management in Museums
Authors: Bowden A.
Published: July 2022

Written guidelines defining the individual procedures which make up a documentation system are an invaluable tool to good quality collection management - this paper explains the rational behind this statement and provides a format to written procedural documents.
Reflections on 25 years of curation
Authors: Cooper J.A.
Published: July 2022

The Geological Curators' Group is right to celebrate its achievements after 25 years, but can we afford to be complacent? The Group's early and continuing reputation arose from its willingness to address issues. A personal and perhaps provocative account of 25 years in the profession considers if any questions remain and some suggestions based on solid curatorial experience are proffered.
Lost & Found: 255. Pleistocene Shell collections from County Wexford and the Dublin Mountains
Authors: Roche Elaine
Published: July 2022

A collection of Pleistocene shells from County Wexford and the Dublin Mountains is currently housed in the fossil collection of the Geological Survey of Ireland. Little information is available with regards to specific locations of these Wexford shells and also with regards to the collector/collectors.
The trade in Brazilian fossils: one palaeontologist's perspective
Authors: Martill D.
Published: July 2022

The Santana and Crato formations of the Araripe Basin are a prolific source of exceptionally well preserved mid Cretaceous fossils. Fossils are collected from the Crato Formation as a byproduct of quarrying activity, but those from the Santana Formation are mined commerically. The commerical trade in Brazilian fossils is illegal, but the trade flourishes. Despite occasional attempts to stamp out the trade, widespread corruption allows its continuity. A legitimate case can be made for the legalisation of the fossil trade that would be of benefit to the international scientific community and to the local communities where the fossils are found.
Fossils for sale: is it good for science?
Authors: Larson N.L.
Published: July 2022

People love to collect everything from rocks and flowers to antiques and art. It is the nature of people to be amazed by things in the world and to want to own a part of it. For everything that people collect there is, and always has been, someone selling those things to make a living.
Phoney Stones
Authors: Davis M.
Published: July 2022

Museums staff should uphold the highest ethical standards and not research illicit specimens. To possess illicitly removed specimens may, in some cases, represent a criminal offence of handling stolen goods.
Three lectures on the life and literary character of the Rev. Dr George Young D.D., by Martin Simpson, February 1862
Authors: Thornton P.
Published: July 2022

The following three lectures on the Rev Dr George Young (1777-1848) were intended to be given, in 1862 to successive meetings of the Whitby Literary and Philosophical Society (founded 1823) by its then Curator, Martin Simpson (1800-1892). In the event only the first lecture was delivered, the mild criticisms of Dr Young voiced by Simpson on that occasion, which resulted in adverse press reports and the publication of letters of disapprobation, apparently being unacceptable to the Society's Council and Members.
Micropalaeontological models at The Natural History Museum, London
Authors: Miller C.G.
Published: July 2022

Micropalaeontological models of foraminifera, radiolaria, coccoliths and ostracods have been displayed in the galleries of The Natural History Museum, London since the 1800s. Some of these models, such as the d'Orbigny and Reuss/Fric models of foraminifera and Blaschka's glass models of radiolaria, are historically and scientifically significant while others such as Muller's conodont models, are less well known and have never been displayed. The historic and scientific significance of 11 sets of models are reviewed in this article and brief comments included on the history of their display in the galleries.
Toezicht en opsporing door de Inspectie Gezondheidszorg en Jeugd
Authors: Amelink Quirine , Schleeper Lorraine , Leistikow Ian , Hirsch Ballin Marianne
Published: July 2022

Toezicht en opsporing door de Inspectie Gezondheidszorg en Jeugd – Een verkenning van juridische knelpunten

Bepaalde normoverschrijdingen kunnen zowel een bestuursrechtelijke als een strafrechtelijke reactie oproepen, hetgeen zich kan manifesteren in sfeercumulatie en sfeerovergang. In de literatuur ontbreekt specifieke aandacht voor eventuele problematiek omtrent sfeerovergang en sfeercumulatie binnen het zorgveld, terwijl juist het feit dat de IGJ als toezichthouder ook een opsporingstaak heeft bijzondere vraagstukken rondom het samenspel van toezicht en opsporing oproept. In deze bijdrage wordt toegelicht hoe de opsporingstaak van de IGJ is georganiseerd en welke juridische consequenties de tweeledige taak van de IGJ heeft. Gebleken is dat de juridische consequenties van het samenspel van toezicht en opsporing op het gebied van de gezondheidszorg beperkt zijn ten aanzien van de inzet van bevoegdheden, maar omvangrijk in het kader van gegevensuitwisseling.
Ongevalsonderzoek en leren
Authors: van Delden Lex , Zouridis Stavros , Baart Marjolein , Hoekstra Linda
Published: July 2022

Ongevalsonderzoek en leren – Lessen voor toezichthouders

De toepassing van incident- en ongevalsonderzoek (voorvalonderzoek) in de toezichtpraktijk lijkt in populariteit toe te nemen. Terwijl dit gebeurt, ligt voorvalonderzoek theoretisch steeds meer onder vuur vanuit de zogeheten Safety II-benadering. Het idee dat voorvalonderzoek faalmechanismen blootlegt, is breed verspreid. De Safety II-benadering laat zien dat alleen het onderzoeken van voorvallen, zonder ook te onderzoeken wanneer en waarom het niet tot falen komt, tot verkeerde conclusies kan leiden en het risico op falen juist kan vergroten. Desondanks biedt het onderzoeken van voorvallen toezichthouders een kans om met hun onderzoek aan te sluiten op de leeromgeving van beleid en uitvoering. Op basis van literatuur en een onderzoek naar het leervermogen van Rijkswaterstaat formuleren we in deze bijdrage enkele lessen voor toezichthouders die hun voorvalonderzoek willen aansluiten op beleid en uitvoering. Belangrijk blijkt dat voorvalonderzoek geen speldenprik is, maar onderdeel van het ‘systeemleren’ bij beleids- en uitvoeringsorganisaties. Ook staat of valt leren met de selectie van (bijna-)incidenten en -ongevallen die worden onderzocht. Tevens gaan leren en schuldvragen niet goed samen, is het van belang te zorgen voor (institutioneel) geheugen en moeten ook toezichthouders mee in de trend dat steeds meer publieke taken door netwerken van organisaties worden uitgevoerd.
Verantwoording door toezichthouders
Authors: van der Heijden Machiel , Overman Sjors , Schillemans Thomas
Published: July 2022

Verantwoording door toezichthouders – Lessen voor Nederland uit internationaal onderzoek

Toezichthouders hebben onafhankelijkheid nodig om deskundig en ongebonden toezicht te kunnen uitoefenen. Deze noodzaak staat op enigszins gespannen voet met principes van de democratische rechtsstaat, waardoor passende vormen van verantwoording nodig zijn om de uitvoering van publieke taken door toezichthouders inzichtelijk te maken en op de noodzakelijke democratische controle toe te zien. Dit artikel bespreekt de kernthema’s en kerninzichten uit internationaal onderzoek naar verantwoording door inspecties en (markt)toezichthouders. Allereerst laten we zien dat er achter het schijnbaar eenduidige begrip ‘verantwoording’ een baaierd aan gerelateerde subbetekenissen schuil gaat. Door dit conceptuele landschap te doorgronden geeft het artikel een aantal handvatten waarmee actuele beleidsvragen over de positionering van toezicht, en passende verantwoording door toezichthouders, kunnen worden bezien. Op die basis bieden we vervolgens een overzicht van conceptuele aangrijpingspunten en empirische vraagstukken die in de internationale literatuur over toezicht en verantwoording naar voren komen. Drie thema’s staan hierin centraal: de spanning tussen verantwoording en onafhankelijkheid; de positionering van nationale toezichthouders in internationale netwerken en regelsystemen; en de groeiende inzichten in gedragseffecten en gedragsprocessen van (verantwoording door) toezicht.
In gesprek met Aute Kasdorp
Authors: Merz Anna , Welp Pieter
Published: July 2022

In gesprek met Aute Kasdorp

In de serie ‘in gesprek met een pas gepromoveerde onderzoeker’ geven we aandacht aan promotieonderzoeken die voor toezichthouders relevant zijn. Hiervoor interviewen we als redactie van het Tijdschrift voor Toezicht (recent) gepromoveerde onderzoekers over hun onderzoek en de betekenis ervan voor het toezicht.

In dit interview spraken Anna Merz en Pieter Welp, redacteuren van het Tijdschrift voor Toezicht, met Aute Kasdorp die recent promoveerde aan de Erasmus Universiteit Rotterdam op zijn onderzoek naar de reactie van toezichthouders op maatschappelijk schadelijk, maar desalniettemin legaal gedrag van onder toezicht staande organisaties. Hij heeft Supervision Strategy opgericht; een bedrijf dat inzet op het ontwikkelen van effectieve strategieën en methoden voor toezicht en handhaving.