bluuebunny/crossref_metadata_2025 huggingface dataset:
Inhalatory and intravenous colistin in treating ventilator-associated pneumonia due to acinetobacter species: Should we combine them?
Authors: Matijasevic Jovan , Gavrilovic Srdjan , Andrijevic Ilija , Andrijevic Ana , Milic Svetislava , Vukoja Marija
Published: October 2018

Background/Aim. Acinetobacter is one of the most common causes of nosocomial infections, especially ventilatorassociated pneumonia (VAP). Considering the increased presence of multidrug-resistant microorganisms and the lack of novel antibiotics, colistin merged as the last-resort antibiotic for life threatening nosocomial infections. Intravenous use of antibiotics is accepted as a gold standard for the treatment of pneumonia, but additional administration of inhaled antibiotics in the treatment of VAP has shown to be advantageous in some clinical trials. The aim of this study was to investigate the effect of inhalatory colistin as an adjunct to intravenous colistin on the survival of patients with VAP caused by Acinetobacter species. Methods. We conducted a retrospective study to evaluate the efficacy of combination of inhalatory and intravenous colistin vs. intravenous colistin alone in 69 patients in the Intensive Care Units (ICU) with VAP caused by Acinetobacter baumannii. The patients were treated in the ICU at the Institute for Pulmonary Diseases of Vojvodina, Sremska Kamenica (Serbia) in the period from January, 2013 to March, 2018. Baseline demographic data, severity of the disease, comorbidities, colistin regimen and length of the treatment were collected. The primary outcome was 28-day mortality. Results. Twenty seven of total 69 (39.1%) patients received combined intravenous and inhalatory colistin. Forty two (60.9%) patients received only intravenous colistin. Compared to the combined use of the drug (intravenous and inhalatory colistin), patients receiving intravenous colistin alone had a significantly increased risk of death during 28 days [25.9% vs. 61.9%, respectively; odds ratio (OR) 4.464, 95% confidence interval (CI) 1.539?2.925; p = 0.006]. Length of colistin use (> 7 days) was also associated with reduced survival (OR 0.22; 95% CI 0.080?0.606; p = 0.003). After adjusting for baseline severity of the illness (APACHE score) and length of colistin treatment, patients receiving only intravenous colistin had greater 28-day mortality rate compared to patients receiving both intravenous and inhalatory colistin (OR 6.305; 95% CI 1.795?22.153; p = 0.004). Conclusion. Our results suggest that adding inhalatory to intravenous colistin might be beneficial in the treatment of VAP caused by Acinetobacter species.
In Search of Atlantis: Underwater Tourism between Myth and Reality
Authors: Melotti Marxiano
Published: October 2018

In post-modernity, the millenarian search for mythical sites has become a tourist attraction and the process of culturalization of consumption has created and is creating a new global heritage. Places already celebrated for leisure have been reinvented as mythical and archaeological sites. A good example is the Atlantis Hotel on Paradise Island, in the Bahamas. Here, Plato’s mythical Atlantis has inspired an underwater pseudo-archaeological reconstruction of a civilization that most likely had never existed. The myth-making force of the sea transforms the false ruins and affects how they are perceived. This is quite consistent with a tourism where authenticity has lost its traditional value and sensory gratifications have replaced it. A more recent Atlantis Hotel in Dubai and another one under construction in China show the vitality of this myth and the strength of the thematization of consumption. Other examples confirm this tendency in even more grotesque ways. At the core of this process there is the body: the tourist’s and the consumer’s body. The post-modernity has enhanced its use as tool and icon of consumption.
Branding local heritage and popularising a remote past: The example of Haugesund in Western Norway
Authors: Guttormsen Torgrim Sneve
Published: October 2018

Since the national romantic era, the Haugesund region of Norway has been associated with patriotism and heroism as it is believed to be the homeland of the Viking hero Harald Fairhair, the first king of Norway. In the arrival hall at the airport outside Haugesund the passengers are today faced with the following words: “Welcome to the Homeland of the Viking Kings”. The slogan refers to official regional attraction strategies based on a late modern Viking enthusiasm, used in efforts to increase local identity, to enchant a visitor market and to brand the region, in short, to create pride and glory. In this paper, dynamics of heritage production at Haugesund are examined by emphasising how a popular and commercial past (“the experience society”) mediates public debates and conflicts, thus questioning the function experts within the field of archaeology and the cultural heritage management have in local communities.
Overcoming Issues in Ancient Puerto Rican Boulder Art Research: Reflections from the La Mina Petroglyph Project
Authors: Rogers Rhianna C.
Published: October 2018

Puerto Rico has long been understood by archaeologists as a key geographical location for understanding the succession of cultural occupations in the Caribbean (Alegría, 1965; Curet, 2006; Siegel, 2005.) Unfortunately, despite the importance of archaeology in this region, the island has been continuously effected by socio-economic instability, lack of archaeological funding opportunities, few specialized academic programs, and a heavy focus on cultural resource management (CRM) rather than academic research. Though more Puerto Rican-focused archaeologists have joined the academic discussion, publications in this area are still relatively low and heavily focused on CRM and salvage work. Poor funding and resources for non-consulting archaeological projects has relegated Puerto Rico to the “island with the lowest number of publications in the Spanish Caribbean.” (L.A. Current, 2006 pg. 656). This paper will highlight some of the limitations of working in Puerto Rican archaeology. We will use the experiences we gained from our research project at the La Mina archaeological site to shed light on some of the difficulties we encountered as well as (hopefully) encourage an increase in academic and financial support for this understudied region of the Caribbean.
Public Engagement through Burial Landscapes: Cupids and Ferryland, Newfoundland
Authors: Lacy Robyn Sarah
Published: October 2018

British occupation of Newfoundland dates to the early 1600s with the founding of settlements such as Cupids and Ferryland. While records of deaths exist at both colonies, their seventeenth-century burial grounds have not been located. Historic burial grounds in Newfoundland come with certain characteristic features: surviving gravestones in a rocky landscape, views of the ocean, and often a large cross on top of a hill. Though not visible at the sites in question, these ‘lost’ burial landscapes can be employed as an engagement tool by archaeologists. By exploring a ‘lost’ burial landscape with visitors, a dialogue is opened to speculate where the settlers were buried and why. While indirect, discussing these themes with visitors provokes thought on historic vs. modern burial practices and acknowledges the seventeenth-century dead within the context of the modern landscape. This article aims to explore the use of burial landscapes to engage visitors in a conversation about early colonial history, but also about mortality in both historic and modern contexts.
International Activity of the Russian Orthodox Church during the “New Deal” Between the State and the Church. Periodization and the Elements of Crisis
Authors: BEGLOV A. L.
Published: October 2018

The article describes the international activities of the Russian Orthodox Church of the Moscow Patriarchate during the “new deal” in the state-church relations (late 1930s – first half of the 1950s). Depending on the direction of the international activities of the Russian Church, which the Soviet leadership considered to be the priority of the moment, the author outlines five main stages of the “new deal”. The first stage dated to the late 1930s – 1943, when the “new policy” remained a secret policy of the Stalinist leadership aimed at including Orthodox religious structures in the new territories, included into the USSR in 1939–1940, into the management system of the Moscow Patriarchate, and then to establish contacts with allies on religious channels through the anti-Hitler coalition. The second stage occurred in 1943–1948, when the main efforts of church diplomacy were aimed at including the Orthodox Churches of Eastern Europe in the orbit the influence of the Moscow Patriarchate and (after 1945) an unsuccessful attempt was made to achieve the leading role of the Russian Orthodox Church in the world Orthodoxy. The third stage occurred in 1948– 1949, when the crisis of the “new deal” took shape. Finally, the fourth stage began after 1949 with the inclusion of the Russian Orthodox Church in the international movement for peace and overcoming the crisis of state-church relations. The author pays special attention to the Moscow meeting of the heads and representatives of the Orthodox Churches of 1948, which revealed a divergence in the interests of the state and the Church and launched a crisis of the “new deal”. In addition, the article makes an excursion into the history of foreign policy activity of representatives of the Russian Orthodox Church in the period before the 1917 revolution, as well as its international relations in the interwar period�
EFEKTIVITAS STRATEGI PEMBELAJARAN KEKUATAN BERDUA TERHADAP KEMAMPUAN MENGIDENTIFIKASI UNSUR INTRINSIK PUISI OLEH SISWA KELAS X SMA NEGERI 1 PAHAE JULU TAHUN PEMBELAJARAN 2016/2017
Authors: Natalina S Chanrika , Siregar Rosdiana
Published: October 2018

Penelitian ini bertujuan untuk mengetahui keefektivan Strategi Kekuatan Berdua dalam pembelajaran mengidentifikasi unsur intrinsik puisi. Populasi dalam penelitian ini berjumlah 103 siswa kelas X SMA Negeri 1 Pahae Julu. Sampel dalam penelitian ini berjumlah 26 orang yang diambil dengan teknik random sampling. Instrumen yang digunakan untuk menjaring data adalah tes esai. Metode yang digunakan dalam penelitian ini adalah metode eksperimen. Pengujian hipotesis dilakukan dengan menggunakan uji “t”. Dari pengolahan data, diperoleh nilai rata-rata pre test = 50, standar deviasi = 7,62, dan termasuk dalam kategori baik dan baik tidak ada atau 0%, kategori cukup sebesar 42% sebanyak 11 orang siswa, kategori kurang sebesar 57% sebanyak 15 orang siswa dan kategori sangat kurang sebanyak 0%. Nilai rata-rata post test = 61.5, standar deviasi = 8.56, dan termasuk dalam kategori, yaitu kategori sangat baik tidak ada, kategori baik sebanyak 15,3% sebanyak 4 siswa, kategori cukup 69,2% sebanyak 18 siswa, dan kategori kurang sebanyak 15,3% sebanyak 4 siswa, sedangkan kategori sangat kurang tidak ada atau 0%. Berdasarkan uji normalitas, hasil pre test dan post test berdistribusi normal. Kemudian berdasarkan uji homogenitas dinyatakan bahwa sampel berasal dari populasi yang homogen. Setelah uji homogenitas dan normalitas dilakukan, maka diketahui t0 sebesar 5,04 selanjutnya t0 tersebut dikonsultasikan dengan tabel t dengan taraf signifikan α 5% dengan satu pihak dimana dk=(n-1) maka ttabel = 2,05 sehingga jika dibandingkan dengan t0 dengan ttabel maka t0>ttabel (5,04 > 2,05) maka hipotesis nihil (H0) ditolak dan hipotesis alternatif (Ha) diterima. Akhirnya dapat disimpulkan bahwa penggunaan Strategi Pembelajaran Kekuatan Berdua berpengaruh positif terhadap kemampuan mengidentifikasi unsur intrinsik puisi kelas X SMA Negeri 1 Pahae Julu Tahun Pembelajaran 2016/2017.Kata Kunci : Strategi kekuatan berdua, unsur intrinsik puisi, mengidentifikasi unsur intrinsik.
ANALISIS KESALAHAN STRUKTUR FRASA DALAM TEKS EKSPOSISI SISWA KELAS X SMA NEGERI 15 MEDAN TAHUN PEMBELAJARAN 2016/2017
Authors: S B Berutu Novita , Barus Sanggup
Published: October 2018

Penelitian ini bertujuan untuk mendeskripsikan bentuk kesalahan struktur frasa dalam teks eksposisi siswa kelas X SMA Negeri 15 Medan Tahun Pembelajaran 2016/2017. Sumber data  penelitian ini adalah teks eksposisi siswa kelas X SMA Negeri 15 Medan tahun pembelajaran 2016/2017. Data dalam penelitian ini adalah kesalahan struktur frasa siswa kelas X SMA Negeri 15 Medan tahun pembelajaran 2016/2017.Metode penelitian yang digunakan adalah metode deskriptif kualitatif, yaitu mendeskripsikan suatu keadaan alamiah mengenai kesalahan struktur frasa dalam teks eksposisi siswa kelas X SMA Negeri 15 Medan.Untuk menemukan dan mengklasifikasikan kalimat yang mengandung unsur kesalahan struktur frasa digunakan teknik membaca dan mencatat.Instrumen dalam penelitian ini adalah peneliti sendiri (Human Instrument).Hasil penelitian menunjukkan bahwa pada menulis teks eksposisi sisa kelas X SMA Negeri 15 Medan ditemukan kesalahan struktur frasa. Bentuk kesaalahan struktur frasa teks eksposisi siswa kelas X SMA Negeri 15 Medan tahun Pembelajaran 2016/2017 terbagi atas lima macam, yaitu frasa benda, frasa kerja, frasa sifat, frasa depan dan frasa keterangan. Dari kelima bentuk kesalahan struktur frasa tersebut  terdapat bentuk kesalahan yang paling menonjol, yaitu frasa depan.Kata kunci: Kesalahan Berbahasa, Frasa dan Teks Eksposisi
HASIL BELAJAR MENGANALISIS TEKS NEGOSIASI SISWA KELAS X MAS PROYEK UNIVA MEDAN TAHUN PEMBELAJARAN 2016/2017 (STUDI PERBANDINGAN PENGGUNAAN LKPD DAN PEMBELAJARAN KONVENSIONAL)
Authors: Sari Putri Purnama , Hadi Wisman
Published: October 2018

Penelitian ini bertujuan untuk mengetahui perbedaan hasil belajar menganalisis teks negosiasi antara yang menggunakan LKPD dengan pembelajaran konvensional siswa kelas X MAS Proyek Univa Medan Tahun Pembelajaran 2016/2017. Pengambilan sampel dilakukan secara acak (random sampling), maka diperoleh sampel untuk masing-masing kelas A sebanyak 36 siswa dan kelas B sebanyak 33 siswa. Metode yang digunakan dalam penelitian ini adalah metode eksperimen two group posttest only control design. Instrumen yang digunakan untuk memperoleh data penelitian adalah tes essay. Data yang diperoleh menunjukkan bahwa hasil belajar menganalisis teks negosiasi yang menggunakan LKPD memiliki rata-rata 77.53berada pada kategori baik sedangkan dengan pembelajaran konvensional rata-rata 57.79berada pada kategori cukup. Pengujian hipotesis thitung = 6.71 kemudian dikonsultasikan pada taraf nyata  5% diperoleh ttabel = 2.000. Karena thitung> ttabel atau 6.71 > 2.000, maka hipotesis nihil (H0) ditolak. Hal ini membuktikan bahwa ada perbedaan hasil belajar menganalisis teks negosisasi kelas yang menggunakan LKPD dan pembelajaran konvensional siswa kelas X MAS Proyek Univa Medan Tahun Pembelajaran 2016/2017. Kata Kunci : Hasil Belajar, Menganalisis, Teks Negosiasi
KEBIASAAN MENULIS BUKU HARIAN DENGAN MENGGUNAKAN MODEL PEMBELAJARAN PROBLEM BASED LEARNINGPADA SISWA KELAS VII SMP MUHAMMADIYAH 2 MEDAN TAHUN PEMBELAJARAN 2017/2018
Authors: LESTARI P OKTAVIA
Published: October 2018

Penelitian ini bertujuan untuk mengetahui kebiasaan menulis buku harian dengan menggunakan model problem based learning oleh siswa kelas VII SMP Muhammadiyah 2 Medan Tahun Pembelajaran 2017/2018 yang berjumlah 68 orang siswa yang terdiri dari dua kelas. Untuk menentukan sampel, peneliti menggunakan teknik random sampling atau acak kelas sehingga diperoleh kelas eksperimen, yaitu kelas VII-1 yang berjumlah 38 siswa dan kelas kontrol, yaitu kelas VII-2 yang berjumlah 30 siswa.Metode yang digunakan dalam penelitian ini adalah metode eksperimen. Alatpengumpulan data adalah tes esai yaitu menulis buku harian. Variabel dalam penelitian ini adalah variabel VII-1 yaitu kemampuan menulis buku harian dengan menggunakan model pembelajaran Problem Based Learning dan variabel VII-2 tanpa menggunakan model Problem Based Learning.Kemampuan menulis buku harian dengan menggunakan model pembelajaran Problem Based Learning pada kelas eksperimen mendapatkan nilai rata-rata 83,84 dengan persentase nilai 66-79 yang berjumlah 15 orang atau 39,47% dikategorikan baik. Sedangkan pada kelas kontrol yang menggunakan metode ceramah mendapatkan nilai rata-rata 63 dengan persentase nilai 40-54 yang berjumlah 10 orang atau 33,33% dikategorikan kurang.Berdasarkan hasil perhitungan uji hipotesis, diperoleh thitung = 13,44. Selanjutnya harga thitung ini dibandingkan dengan harga ttabel dengan taraf signifikan α = 0,05 dan dk = 38 + 30 – 2 = 66 maka diperoleh ttabel = 1,997. Dengan demikian dapat dikatakan thitung < ttabel yaitu 13,44 < 1,997. Maka Ha diterima dengan hipotesis.Kebiasaan Menulis Buku Harian Dengan Menggunakan Model Pembelajaran Problem Based Learningpada Siswa Kelas VII Tahun Pembelajaran 2017/2018. Kata Kunci : Problem Based Learning, Menulis, Kebiasaan Menulis Buku Harian
ANALISIS KESALAHAN KOHESI DAN KOHERENSI DALAM KARANGAN DESKRIPSI SISWA KELAS X SMK SWASTA DHARMA PATRA PANGKALAN SUSU TAHUN PEMBELAJARAN 2016/2017
Authors: Sumarni Siti , Barus Sanggup
Published: October 2018

Kohesi adalah salah satu standar yang menandai bahwa sebuah teks atau wacana itu dianggap komunikatif, tanpa kohesi teks atau wacana tidak dianggap komuikatif dan setiap unsur-unsur di dalammnya saling berhubungan. Sedangkan koherensi dalam kalimat atau paragraf adalah hubungan timbal balik yang logis, kompak dan baik antarkalimat atau unsur – unsur yang membentuk kalimat atau paragraf bahkan sebuah karangan. Penelitian ini merupakan penelitian deskriptif kualitatif. Penelitian ini menggunakan karangan siswa kelas X SMK Swasta Dharma Patra Pangkalan Susu sebagai subjek penelitian, yang dipilih sebanyak 30 karangan. Teknik penentuan subjek didasarkan pada pengambilan sampel yang dilakukan secara random sampling, yaitu dari 4 kelas paralel diambil 1 kelas, yaitu kelas X TKJ-1. Adapun objek penelitiannya adalah kesalahan kohesi dan koherensi. Metode analisisnya menggunakan metode analisis deskriptif kualitatif. Instrument yang digunakan pada penelitian ini adalah human instrument. Hasil penelitian ini menunjukkan bahwa jumlah total kesalahan yang ditemukan sebanyak 26 kesalahan yang terdiri dari 17 kesalahan kohesi dan 9 kesalahan koherensi. Kata Kunci: Analisis, Kohesi, Koherensi
Analisis Struktur Batin Puisi Sesamar Kasih Pencari Rezeki Karya Dwi Ayu Utami Nasution
Authors: Sebayang Sri Kurnia Hastuti
Published: October 2018

Puisi nama menggunakan bahasa yang bervariasi dan menjadikan isi lebih menarik bagi pembaca karya sastra untuk mengetahui lebih dalam makna yang ingin disampaikan oleh pengarang yang terdapat dalam karyanya tersebut. Puisi sebagai karya sastra menggunakan bahasa sebagai media untuk mengungkapkan makna. Dalam hal ini pengamatan atau pengkajian terhadap puisi khususnya dilihat dari gaya bahasanya sering dilakukan. Peneliti memilih puisi nama  sebagai objek studi kajian puisi. Pemilihan puisi namaini didasarkan pada struktur batin dan struktur fisik puisi yang menarik untuk dikaji lebih jauh. Puisi tersebut mengandung maksud kompleksitas berkaitan dengan bahasanya yang ingin disampaikan oleh pengarang.Sepengetahuan penulis belum ada yang mengkaji baik dari aspek bahasa yang digunakan, maka hal tersebut menjadi penting untuk dikaji. Alasan tersebut yang mendorong penulis untuk mengadakan penelitian tentang bahasa yang digunakan pengarang dalam menyampaikan makna dan pesan cerita untuk mengkaji unsur fisik dan unsur batin dari puisi sebuah nama.
Desain Media Pembelajaran Berbasis Daring Memanfaatkan PortalSchoology pada Pembelajaran Apresiasi Sastra
Authors: Yuhdi Achmad , Amalia Nadra
Published: October 2018

Proses pembelajaran di era digital saat ini tak lepas dari teknologi informasi internet. Berbagai program aplikasi/ portale learning ditawarkan,mulai dari berbayar hingga gratis. Tulisan ini bertujuan untuk mendeskripsikan desain media pembelajaran memanfaatkan salah satu portal e learning yang tidak berbayar, yakni schoology. Schoology membantu dosen dalam membuka kesempatan komunikasi yang luas kepada mahasiswa agar mahasiswa dapat lebih mudah untuk mengambil peran/bagian dalam diskusi dan kerja sama dalam tim. Selain itu, Schoology juga mempunyai banyak ciri dan fungsi yang menarik untuk dimanfaatkan oleh mahasiswa. Schoology juga didukung oleh berbagai bentuk media seperti video, audio dan imge yang dapat menarik minat belajar mahasiswa. Schoology mengarahkan mahasiswa mengaplikasikan penggunaan tekonologi dalam pembelajaran. Kata Kunci: media internet, e learning, schoology
KEMAMPUAN MENGIDENTIFIKASI STRUKTUR DAN UNSUR KEBAHASAAN OLEH SISWA KELAS VIII SMP NEGERI 12 MEDAN TAHUNPEMBELAJARAN 2017/2018
Authors: Siregar Nova Yanti , Ini Rosma
Published: October 2018

Penelitian ini menggunakan sampel yaitu sebanyak 81 siswa kelas VIII.Adapun metode yang digunakan dalam penelitian ini adalah metode deskriptif, peneliti tidak melakukan kontrol manipulasi variabel penelitian.Instrumen yang digunakan dalam penelitian ini adalah tes untuk mengetahui kemampuan mengidentifikasi teks ulasan berdasarkan struktur dan unsur kebahasaan oleh siswa kelas VIII SMP Negeri 12 Medan tahun pembelajaran 2017/2018.Ditinjau dari tabel uji kategori, terdapat 2 (2,5%) siswa tergolong dalam kategori baik dengan rentang nilai 70-84, 41 (50,6%) siswa tergolong dalam kategori cukup dengan rentang nilai 60-69, 30 (37%) siswa tergolong dalam kategori kurang dengan rentang nilai 50-59, dan 8 (9,9%) siswa tergolong dalam kategori sangat kurang dengan rentang nilai 0-49. Berdasarkan tabel frekuensi dan kategori penilaian, maka dapat disimpulkan bahwa kemampuan mengidentifikasi teks ulasan berdasarkan struktur dan unsur kebahasaan masih tergolong dalam kategori cukup.Hal tersebut disebabkan karena siswa masih belum mampu mengidentifikasi seluruh unsur kebahasaan yang ada pada teks, serta masih melakukan kesalahan dalam mengidentifikasi strukturteks ulasan.Hal ini yang terjadi pada siswa kelas VIII SMP Negeri 12 Medan.
KERAJINAN BATIK DAN PERKEMBANGANY STUDI KASUS PADA ARDHINA BATIK MEDAN
Authors: Delila Trisna , Wiratma Sri
Published: October 2018

Penelitian ini bertujuan untuk: “Mengetahui bagaimana Kerajinan Batik pada Ardhina Batik Medan yang dikaji dari perkembangan motif, warna dan fungsi”.Sampel pada penelitian ini adalah untuk mengeneralisasikan hasil penelitian sample. Jadi sampel pada penelitian ini adalah memfokoskan pada perkembangan motif, warna, dan fungsi dilihat secara makro. Pengumpulan data dilakukan dengan studi kepustakaan, observasi serta wawancara sehingga dapat diketahui proses perkembangan motif, warna dan fungsi yang ada di Ardhina Batik Medan. Metode yang digunakan adalah teknik analisis data kualitatif yaitu mengumpulkan data secara fakta yang diperoleh melalui hasil wawancara selanjutnya mengklasifikasi data yang penting dan disusun secara sistematis tentang batik dilihat dari motif, warna, dan fungsi yang ada di Ardhina Batik Medan. Dari hasil penelitian dapat diketahui bagaimana perkembangan kerajinan batik dilihat dari motif, warna, dan fungsi yang ada di Ardhina Batik Medan. Dimana perkembangan mengalami perubahan yang dilihat dari perkembangan motif yang dulunya masih menggunakan motif gorga dan sekarang sudah mulai memilih motif yang seseuai permintaan konsumen. Kemudian warna dimana dulunya warna yang dipakai warna merah, hitam, dan putih dan sekarang warna yang dipakai sekarang sudah ditambah menjadi kuning, dan hijau dan fungsi yang dulunya hanya bersifat resmi atau pada suasana formal sekarang batik dijadikan untuk fashion dan aksesoris.Kata Kunci: Kerajinan Batik dan Perkembanganya
STUDI PENATAAN TAMAN SEKOLAH PENERIMA ADIWIYATA DI KABUPATEN LANGKAT DITINJAU DARI SEGI PRINSIP DESAIN TAMAN
Authors: Agustina Meri Agustina , Saragi Daulat Saragi
Published: October 2018

ABSTRAKPenelitian ini bertujuan untuk (1) melihat bagaimana penataan taman sekolah penerima Adiwiyata di Kabupaten Langkat melalui sudut pandang desain, dan (2) menilai sejauh mana penataan taman dengan menerapkan prinsip-prinsip desain taman pada sekolah penerima Adiwiyata di Kabupaten Langkat. Waktu penelitian selama 1 bulan yaitu pada Februari hingga Maret 2016. Lokasi penelitian adalah daerah Langkat, Sumatera Utara. Populasi dalam penelitian ini berjumlah 32 sekolah penerima Adiwiyata, dan sampel berjumlah 4 sekolah penerima Adiwiyata. Penelitian ini menggunakan metode deskriptif kualitatif dengan menguraikan penataan taman masing-masing sekolah yang diteliti berdasarkan instrumen penilaian penataan taman oleh tim penilai. Hasil kajian 4 sekolah penerima Adiwiyata menunjukkan bahwa, (1) Penataan taman pada SD. Negeri No. 058111 Kampung Satu sudah memenuhi empat prinsip desain taman dengan baik, yaitu kesatuan pada keseimbangan bersifat statis atau formal, baik simetris maupun asimetris, pusat perhatian pada bentuk dan ukuran, serta irama dan pergerakan bersifat progresif, dan berselang. (2) Penataan taman pada SD. Negeri No. 050728 Pekan Tanjung Pura sudah memenuhi empat prinsip desain taman dengan baik, yaitu kesatuan pada keseimbangan bersifat statis atau formal, baik simetris maupun asimetris, pusat perhatian pada bentuk, serta irama dan pergerakan bersifat pengulangan, dan progresif. (3) Penataan taman pada SMP. Negeri 1 Stabat sudah memenuhi tiga prinsip desain taman dengan cukup baik, yaitu kesatuan pada keseimbangan bersifat statis atau formal, baik simetris maupun asimetris, serta irama dan pergerakan bersifat pengulangan, progresif, dan berselang. (4) Penataan taman pada SMA. Negeri 1 Padang Tualang sudah memenuhi tiga prinsip desain taman dengan baik, yaitu kesatuan pada keseimbangan bersifat statis atau formal, baik simetris maupun asimetris, serta irama dan pergerakan bersifat pengulangan, dan progresif.Kata Kunci: Penataan Taman, Prinsip Desain Taman, dan Adiwiyata
ORNAMEN PADA MASJID TUANKU PAMANSIANGAN NAGARI KOTO LAWEH KABUPATEN TANAH DATARSUMATERA BARAT
Authors: Izzati Fauziana , Munaf Yuniarti , SK Dharsono
Published: October 2018

AbstrakMasjid Tuanku Pamansiangan merupakan masjid yang mempunyai nilai sejarah serta memiliki ornamen khas Minangkabau. Adapun motif -motif yang terdapat pada masjid yaitu: pucuak rabuang, sakek tagantuang, pandan tajulai, sikambang manih, aka cino, saik galamai, mangkuto, kuciang lalok, dan kaligrafi. Warna-warna yang terdapat pada ormanen masjid Tuanku Pamansiangan yaitu: merah, hijau putih, dan coklat keemasan. Ornamen yang terdapat pada masjid Tuanku Pamansiangan diterapkan pada tiang-tiang masjid, mimbar, dinding, serta jendela-jendela masjid. Adapun fungsi ornamentasi pada masjid Tuanku Pamansiangan yaitu sebagai penghias permukaan atau bidang-bidang pada bangunan tersebut, selain itu juga memiliki fungsi simbolis dapat ditemukan dalam bentuk ornamentasi berbentuk kaligrafi yang berisikan penjelesan tentang tahun pembuatan mesjid serta tahun selesai pembangunannya.           Kata Kunci :Masjid, Ornamen, Bentuk, Fungsi AbstractTuanku Pamansiangan Mosque is a mosque that has historical value and has a typical Minangkabau ornament. The motives found in the mosque are: rabuang pucuak, sakek tagantuang, pandan tajulai, sikambang manih, aka cino, saik galamai, mangkuto, kuciang lalok, and calligraphy. The colors found in the Tuanku Paman mosque are: red, white, green and golden brown. Ornaments in the Tuanku Pamansiangan mosque are applied to mosque pillars, pulpits, walls, and mosque windows. The ornamentation function of Tuanku Pamansiangan mosque is to decorate the surface or fields in the building, but it also has a symbolic function which can be found in the form of ornamentation in the form of calligraphy which contains descriptions of the year of the mosque and the year of its construction.. Keywords:Masjid, Ornaments, Shapes, Functions
KULOUK KERINCI DALAM KARYA MAHKOTA PUTAI
Authors: Nopia Reno , Akmal Ahmad , Munaf Yuniarti
Published: October 2018

AbstrakKulouk merupakan  salah satu pelengkap pakaian berupa penutup kepala yang dipakai sebagai mahkota pengantin perempuan masyarakat Melayu Kerinci. Penciptaan karya dengan judul “Kulouk Kerinci dalam Karya Mahkota Putai” bertujuan untuk menghadirkan kembali makna filosofis tentang perempuan Kerinci yang terdapat pada kulouk Kerinci yaitu pada bagian lingkaran gelang dan tujuh kunci pada kulouk Kerinci menjadikan karakter perbedaan perempuan Kerinci dengan perempuan daerah lainnya. Hiasan pelengkap kulouk mengandung makna filosofis tentang peran perempuan KerinciLingkaran gelang dan tujuh kunci di sebelah kanan gelang kulouk mencerminkan sifat-sifat perempuan yang harus dijunjung tinggi oleh para perempuan dalam kehidupan masyarakat Kerinci. Kulouk Kerinci sebagai ide penciptaan karya seni dalam perancangan kreasi dalam bentuk mahkota putai sebagai salah satu karakter yang mewakili bentuk kulouk Kerinci.Metode yang dipakai untuk penciptaan karya yaitu melalui observasi, wawancara, dokumentasi dan proses kreasi arstistik diantaranya eksperimen,perenungan serta pembentukan desain. Karya ini melahirkan penciptaan karya mahkota putai yangdirancang menjadi tiga bentuk desain yaitu difungsikan untuk perempuan remaja,  perempuan dewasa dan perempuan tua. Penciptaan karya memaknai perempuan yang diistimewakan, perempuan yang dijunjung tinggi mempunyai sifat dan peran perempuan yang terdapat pada kuloukKerinci.            Kata Kunci:Kulouk, Hiasan Kepala Perempuan, Kerinci. AbstractKulouk is one of the complementary clothing in the form of a head covering that is used as the crown of the Melayu Kerinci community bride. The creation of the work entitled "Kulouk Kerinci in Mahkota Putai's Work" aims to bring back the philosophical meaning of Kerinci women contained in Kerinci's kulouk in the circle section of the bracelet and the seven keys in the Kerinci kulouk make the character of Kerinci's women's differences with other regional women. Kulouk complementary decoration contains philosophical meaning about the role of Kerinci women. The circle of the bracelet and the seven keys to the right of the kulouk bracelet reflect the qualities of women that women must uphold in the life of the Kerinci community. Kulouk Kerinci as an idea of the creation of works of art in the design of creations in the form of a putai crown as one of the characters representing the form of Kerinci's kulouk. The method used for the creation of works is through observation, interviews, documentation and the process of artistic creation including experimentation, reflection and design formation This work gave birth to the creation of the Putai crown work which was designed into three forms of design, namely for young women, adult women and old women. Creation of works means women who are privileged, women who are upheld have the nature and role of women found in the Kerinci curriculum. Keywords:Kulouk, Headdress for Women, Kerinci
LAGU TIAS DALAM UPACARA PERNIKAHAN ADAT SIMALUNGUN DI DESA BANGUN PURBA (STUDI KAJIAN, BENTUK PENYAJIAN, FUNGSI DAN MAKNA LAGU)
Authors: Oktavianus Eko Putra
Published: October 2018

"Songs Tias in Simalungun traditionalwedding ceremony in the village bangun purba (Studies of studies, forms ofpresentation, function and meaning of the song)”. This study aims to find outabout the song tias of form of presentation, function and meaning of the song inthe wake of early marriage ceremonies. This study is based on a theoreticalfoundation to explain the meaning assessment form, function and meaning of thesong. This research was conducted in the village bangun purba, during thewedding ceremony Simalungun. Data collected through literature study,observation, interviews, and documentation. This research was seen at thebeginning of the event to completion, with the aim of seeing the form ofpresentation, function and meaning of the song in the traditional Simalungun. Thefunction of this song was made to entertain the "boru" who come to the party"Tondong" which was performed during traditional wedding ceremonySimalungun wherever they are, including in the village bangun purba. And at thesame time see how the lives of people in the village get up early, and some clansin the area woke up early. This song has a meaning about a boy who had changedwhen he married them. The song is sung by a singer in the show, which isaccompanied by some traditional musical instruments Simalungun
SENANDUNG BERTELUR KAU SINANGIN PADA MASYARAKAT MELAYU DI KOTA TANJUNGBALAI (STUDI TERHADAP BENTUK MUSIK, FUNGSI DAN MAKNA)
Authors: Anshor Arrini Shabrina
Published: October 2018

This study aims to find out about the musical forms You Sinangin laying humming,humming to determine the function of laying You Sinangin, and to know themeaning of chanting laying You Sinangin the Malay community in Tanjungbalai.The theory used in this study includes the understanding of music, musical forms,music functions, and the theory of meaning. The method in this study using aqualitative description. Data collection techniques used were interviewsobservation and documentation are made directly to pesinandong in Tanjungbalai.The population in this study is adatyang figure amounted to 4 people consisting of3 players Gubang musical instruments, and 1 person pesinandong. Results ofresearch and interviews show that this form of music in hum laying You Sinaginhas 7 motif in the 10 phrase, namely 5 phrases antecedent (question) and 5 phrasesconsequent (answer) and there are 5 sentence is a sentence I, sentence II, sentenceIII, sentence IV, and V. sentence humming laying function as accompaniment YouSinangin ceremony, an emotional disclosure functions and entertainment functions.And the meaning tekandung in humming laying You Sinangin consists of a feelingof meaning, the meaning of the tone and meaning of the goal.
KAJIAN MAKNA, NILAI DAN BENTUK LAGU TAWAR SEDENGE SEBAGAI LAGU SELINGAN DALAM UPACARA NASIONAL DI SMP NEGERI 1 TAKENGON KABUPATEN ACEH TENGAH
Authors: Jayanti Amalia Putri
Published: October 2018

Assessment Form, Meaning, Value song TawarSedenge As song interlude in National Ceremony in junior high school 1 CentralAceh district. Essay. Sendratasik majors. Music Education Program. Faculty ofLanguage and Art. Medan State University in 2015. This study discusses themeaning, value and form Tawar Sedenge song as the song interlude at a nationalceremony. The research was conducted in order Gayo society, especially theyounger generation can understand the meaning, value (meaning is the intentionof the song lyric bargaining sedenge, while the value is to assess the meaning of ameaning) and the form of songs bargaining sedenge as anthem Gayo people whoalways sung on the great days, especially at the national ceremony in SMP Negeri1 Takengon, Central Aceh district. The theory used in this research is the theoryof meaning that examines denotative and connotative meaning, value theory,which examines the theory of form sentences, phrases and motifs, which are veryuseful in the study. The method used in this research is descriptive qualitativemethod. Research location in SMP Negeri 1 Takengon, Central Aceh district. Thesample was a song that is sung sedenge bargaining as the song interlude in anational ceremony. The technique of collecting data through observation,interviews, documentation, and laboratory work. The data analysis techniqueused is descriptive qualitative analysis method that is accompanied by thepresentation of data and drawing conclusions. According to the research done, itcan be in the know that the meaning of the song bargaining sedenge based on themeaning of denotation and connotation contains a message to the communityGayo so grateful, and welfare of the land so that people Gayo Gayo rise andvictorious from the downturn. The value contained in the song bargainingsedenge adalan value can increase the sense of nationalism is love of thehomeland, which are vital values (education) and the spiritual (religious, beauty,culture) that have been arranged in a hierarchy. Tawar Sedenge song form thatAABBAABB, consisting of 2 forms or themes that form a sentence and thesentence B.
MUSIK BECANANG DALAM MALAM ADAT BEGURU PADA MASYARAKAT GAYO KECAMATAN BEBESEN, KABUPATEN ACEH TENGAH (Kajian terhadap bentuk penyajian dan bentuk musik)
Authors: Arigustika Dara
Published: October 2018

Becanang Traditional Music In The EveningBeguru in Gayo Society Bebesen Districts, District Central Aceh (Study of the form ofpresentation and form of music). Faculty Of Language and Art. Medan State University,2015.This research is a study about the existence of the forms of presentation becanangmusic and music form becanang the Gayo people in the District of Central Aceh DistrictBebesen. The purpose of this study was to determine the presence of music in the districtbecanang Bebesen, form of presentation and form of music in the evening becanangbeguru indigenous community in the district of Gayo Bebesen, District Central Aceh.Thisresearch is based on theoretical foundation to explain the meaning of existence,understanding forms of presentation, understanding forms of music, understanding nightbecanang indigenous communities beguru Gayo. The method in this study used aqualitative descriptive method. The sample in this study is penatuah customaryunderstanding of the cultural traditions of indigenous communities which are also GayoGayo people of Central Aceh district. This data collection is done by the method ofobservation, interviews, laboratory work and literature study. This study was taken at thesite of the District Bebesen, Central Aceh district and the research was conducted fromJune 2015 through to August 2015. The results showed that the presence in the districtBebesen becanang music still plays an important role in any wedding processionindigenous Gayo people which can be seen from its function, especially in the traditionalevening event Beguru to be a communication tool and as a sign that Beguru event tobegin. Form of presentation of music becanang played with several musical instrumentstradition and consists of Gegedem, cymbals, Memong and gong, music becanang has avery important role in every stage of the traditional events marriage Gayo society,especially on the eve of indigenous Beguru as a communication tool caller localcommunities and as a sign that the traditional evening Beguru begin. Becanang musicalform only play three different forms of rhythm alone, three rhythm is played in alternatingturns, the most prominent bring rhythm motif is gegedem, on Memong instruments,cymbals and gongs just follow it, cymbals used as a regulator of tempo.
PEMBELAJARAN PERKUSI PADA EKSRAKURIKULER MARCHING BAND DI MAN 1 MEDAN
Authors: HABIBI MUHAMMAD RIZKI
Published: October 2018

In Extracurricular Learning Percussion Marching Band in MAN 1Medan. Faculty of Language and Arts University of Medan in 2015.This study aims to determine the learning percussion in extracurricularMarching Band in MAN 1 Medan, Iskandar Wlliam road no. 7BMedan. The experiment was conducted in February and March 2015.The method used in this research is descriptive qualitative method.Samples in this study are all members of the percussion players andcoaches totaled 14 people, amounting to one person percussion. Datacollection was conducted by literature study and field observations areinterviews and documentation. Once all the data collected, the data isanalyzed to answer all questions researchers. Analysis of the datapresented in the form of descriptive gradually in writing, thenclassified according to content or material concerned shall. After theanalysis conducted found that the learning outcomes percussionapplied by coaches in extracurricular Marching Band MAN 1 Theterrain is very nice and helpful for students. The students can readmusic well, signs of musical expression, know tempo. Courage anddiscipline of the students are also well embedded, so that the targetwhich is expected by the coach and the school can achieve its fullpotential.
BENTUK PENYAJIAN DAN FUNGSI MUSIK DALAM UPACARA THAU CHIT PADA AGAMA KHONGHUCU DI YAYASAN BUDI MULIA KECAMATAN LUBUK PAKAM KABUPATEN DELI SERDANG
Authors: SINAGA KRISTIAN
Published: October 2018

Presentation Form And Function In Ceremony Thau Music Chit On Confucian Religion inYayasan Budi Mulia Lubuk Pakam District of Deli Serdang. Faculty of Language and Art. StateUniversity of Medan. This study aims to determine rites Chit Thau, the usefulness of theinstrument, the form of presentation and function of music in Chit Thau ceremony at the Confucianreligion in Yayasan Budi Mulia Lubuk Pakam District of Deli Serdang. This study is based on atheoretical foundation that explains the sense of form, sense of presentation, understanding thefunction, understanding music, understanding, Thau ceremony Chit, and understanding ofConfucianism. This research was conducted at Yayasan Budi Mulia Lubuk pakam District of DeliSerdang in June to August 2015. The method in this research use descriptive qualitative researchmethods. The population in this study is saikong (prayer leaders), community, and musicians atthe ceremony Thau Chit Confucian Religion in Yayasan Budi Mulia Lubuk Pakam District of DeliSerdang, while samples totaling 28 people. Data collected through observation, interviews,documentation, and strudi literature. These results indicate that the rites Thau Chit divided intoeight parts, namely Huat Piau is cleaning the altar and sending letters to the god of hell. WangPai is a tribute to the gods of heaven. Old Phou is the process invites the god of the earth. TiauHun is the process of summoning spirits. Mong Ek is the process of bathing spirit. Iok Pai Wang isa tribute to the god of medicine. Sio Ui house burning spirit. And Koei Kio is the return of thespirit of the gods .. Uses istrument music at the ceremony Thau Confucianism is Choei Chit Khinand Er Hu as a carrier melody, as rithem drums, bells and la Bua carrier tempo. Form ofpresentation of the music at the ceremony Thau Chit Confucianism is divided into three parts,namely musical homage to the gods, notification to the spirit, and the spirit returns to music.There are three functions of the music at the ceremony Thau Chit Confucianism, which is afunction of aesthetic pleasure and emotional expression, communication function and endorsementof religious rituals and functions contributes to the continuity and stability of culture.
PENGARUH MODEL PEMBELAJARAN KOOPERATIF TIPE THINK PAIR SHARE (TPS) TERHADAP HASIL BELAJAR LAGU NUSANTARA SISWA KELAS VIII-I SMP YP PEMBANGUNAN GALANG
Authors: Siahaan Sahat Maruli
Published: October 2018

This study aimed to determine the effect of student learning outcomes by applying the learningmodel Think Pair Share (TPS) on the archipelago song class VIII-I in SMP YP PembangunanGalang of the Academic Year 2016/2017.This type of research is True experimental design with pretest-Psottest Control GroupDesign. The population in the study were all second semester VIII class consisting of 3 classes.Sampling was done by random sampling. Sample chosen is a class VIII-I as the experimental classlearning model Think Pair Share, amounting to 30 people and VIII-II as a control group withconventional learning models which amounted to 32 people. The instrument used in this studyused multiple-choice test of 25 questions with four possible answers that have validator. Thestatistics are used to test the hypothesis of this study is to test t, As a prerequisite test used to testthe normality and homogeneity.Based on the post-test and analysis of data obtained an average value of 78.26experimental group and the average value of the control group 66. From the results of hypothesistesting, it turns out the alternative hypothesis (Ha) is accepted. Testing the hypothesis in researchusing hypothesis testing t-test two parties and of the calculation of the statistics obtained by value t= 4.60 t the next price compared to the price ttabel with significance level of 5% was obtainedtable = 2.0 then t ≥ t table or - t ≤ - t table is ≥ 2.0 or -4.60 4.60 ≤ -2.0. Then the results of testinghypothesis Ho is rejected and Ha is accepted.Based on data analysis and discussion of the results of hypothesis testing, theconclusion of this study was no significant difference in the use of learning model Think PairShare (TPS) to the learning outcomes obtained by students on track archipelago VIII-I in SMP YPPembangunan Galang of the Academic Year 2016/2017.
BENTUK PENYAJIAN LAGU OEMAR BAKRIE DI MARCHING BAND SWATAMI PADA GEBYAR PENDIDIKAN NASIONAL KABUPATEN LABUHANBATU UTARA
Authors: Buana Utari Arsy
Published: October 2018

The results showed that one form of emotional expression that is channeledthrough the music and therefore, the group marching band Swatami onarranemen songs Oemar Bakrie brought by Marching band Swatami using threecategories of instrument, namely: instrument Percussion in tone (Glockenspiel,vibraphone, Xylophone, Marimba), brass instruments (trumpet, Mellophone,Baritone, Tuba), and percussion (Senar drum, tenor drum, bass drum, cymbals).Choosing songs Omar bakrie for in the arrangements with the shape Marchingband. Bakrie Oemar tempo songs using 163 has 51 bars and has two variations ofthe melody, the melody forms A and B. Form benuk melodic presentation of thesong sung by Oemar Bakrie Swatami Marching band is a form of selfappreciation for issuing arts talent. Using costumes and makeup of their pridethat seemed interesting and luxurious for a show. Using display / position playersmake this show the higher thevalue of his art.
ANALISIS STRUKTUR JARINGAN EPIDERMIS DAN DERIVATNYA PADA DAUN BEBERAPA TUMBUHAN HIDROFIT SEBAGAI MATERI BAHAN AJAR MATA KULIAH ANATOMI TUMBUHAN
Authors: Puspitasari Wina Dyah
Published: October 2018

ABSTRAKPenelitian ini bertujuan untuk menganalisis struktur jaringan epidermis dan derivatnya pada daun beberapa tumbuhan hidrofit yaitu tumbuhan Eichornia crassipes L, Nelumbo nucifera Gaertn., Pistia stratiotes L dan Nymphaea pubescens Willd.  Metode yang digunakan ada penelitian ini adalah  Metode deskriptif untuk menggambarkan struktur sel epidermis dan derivatnya (stomata dan trikoma) daun pada beberapa tumbuhan yang hidup dipermukan air berdasarkan pengamatan irisan membujur dan melintang sel-sel epidermis pada permukaan atas dan bawah daun dengan mikroskop cahaya. Hasil penelitian menunjukkan bahwa seluruh jenis tumbuhan hidrofit yang diteliti memiliki stomata dengan tipe anomositik. Eichornia crassipes L memiliki stomata pada kedua permukaannya (amfistomatik), sedangkan ketiga jenis lainnya hanya memiliki stomata pada bagian atas saja (Epistomatik), Kerapatan dan indeks stomata tertinggi terdapat pada jenis Nelumbo nucifera Gaertn. sebesar 1389.51 dan 0.36, diikuti olehn Nymphaea pubescens Willd. sebesar 1350.92 dan 0.4. Hasil penelitian ini dapat menjadi media pembelajaran pada mata kuliah dan praktikum Anatomi tumbuhan.Kata kunci:  epidermis, derivat epidermis, stomata, tumbuhan hidrofit
HUBUNGAN MONITORING PARENTAL DAN KEBIASAAN PEER GROUP DENGAN PERILAKU MEROKOK REMAJA SLTP DI KOTA MATARAM
Authors: Mukminah Mukminah
Published: October 2018

The purpose of this study was to determine the relationship between peer and parental control factors and smoking behaviour of adolecents among junior high school students in Mataram. Observational study was used to collect data from 108 students aged 12 to 17 on their own smoking status and parental controls. The result showed secondary students who smoke are subjected to peer group pressures and they have fewer parental controls with regard to smoking. More pressures on smoking within the peer groups were associated with a greater likelihood of smoking behaviour (p>0.05; p=0.642). However, parental controls on smoking have also been found to have influence to decreasing the likelihood of smoking behaviour among 7th and 8th students (p>0.05; p=0.440).  In general, peers has stronger effects on initiation of adolecents smoking behavior than parental control influences. This findings suggest that more extensive controls on smoking at home may reduce adolecents smoking behaviour. Thus, smoking prevention for adolecents might be focused on social context such as, resisting to peer pressure and enhacing parental communication. Keywords: adolescent; smoking behavior; parental control; peer