bluuebunny/crossref_metadata_2025 huggingface dataset:
“Una medida ilegal, susceptible de anulación, no da siempre derecho a reparación”, comentarios al fallo de la Corte Suprema del 26.04.2021, Rol 85.305-2020
Authors: Matheus Hidalgo Mayerlin
Published: December 2021

Este trabajo tiene como objeto comentar el fallo de la Corte Suprema del 26.04.2021, Rol 85.305-2020. En especial, hacer una crítica al entendimiento actual de la responsabilidad patrimonial de la Administración y de la falta de servicio como factor de imputación, teniendo en cuenta que tal entendimiento permite que existan actividades de la Administración que aun causando daños no comportan responsabilidad para esta ni la obligación de repararlos, como sucede con los actos administrativos declarados ilegales.
Ornamental motives in the modern packing products of Ukraine
Authors: Chuieva Oksana
Published: December 2021

The purpose of the article. The research analyzes the transformations of traditional Ukrainian ornamental motifs and decorative and symbolic images in relation to their use in the design of modern packaging products; It was observed that the appeal of designers to established ornamental forms and decorative-symbolic images gives expressiveness to graphic solutions in the design of the packaging. The article emphasizes the possibility of using the established ornamental motifs in the contemporary design activity of graphic designers for qualitative design-development only if the project activity combines a creative approach based on thorough research on the background of an extremely limited palette and surface-already-existing work of ornamental heritage. The methodology of the study is to apply a systematic approach that helps to reveal the peculiarities of the use of ornamental motifs in the packaging of goods in different consumer segments. The scientific novelty consists in determining the necessity of combining creative and scientific approaches for careful/careful adaptation or adaptation of traditional Ukrainian ornamentation in the design of packaging products; in shaping the latest / renewed vision of not only established ornamental motifs but also bold, unexpected decisions and creative transformations filled with new content. Conclusions. Based on the analysis of samples of packaging products in the design of which we use ornamental motifs and decorative and symbolic images, we have come to the conclusion that modern revisions of graphic designers demonstrate not only the commitment to direct application of authentic ornamental motifs and the use of already well-established and acquaintance consumers of motifs from Ukrainian ornamentation, and application in practical developments of unexpected decisions and transformation, which in turn adds not only an update to the perception of traditional orn entalno and decorative solutions, but also to attract yet untapped segment of consumers. Thanks to the popularization of Ukrainian ornament with the help of packaging design, graphic design projects also play the role of researcher and educator for a wide range of consumers of packaged goods in different consumer segments.
The problem of social and anthropological crises in the painting of Vasyl Kurylyk
Authors: Beregovska Khrystyna
Published: December 2021

The purpose of the article is to solve the problem of social crises and human degradation in the secular paintings of the Canadian-Ukrainian artist William Kurelek (1927-1977) on the example of selected works. Methodology. General scientific and interdisciplinary research methods were used to solve the set tasks: analysis, synthesis, hermeneutic and comparative methods. The method of formal and stylistic analysis made it possible not only to identify the origin of individual works, but also to characterize the artistic processes that took place in the Canadian-Ukrainian environment and which are reflected in the work of W. Kurelek. This methodological approach helps us to characterize the composition of the work (space, time, color, light, composition, perspective). Scientific novelty. For the first time in the context of art discourse, on the example of specific works of the artist, we analyzed the acute social problems that William Kurelek showed in his paintings. Conclusions. The article analyzes the preconditions for the creation of some secular works by William Kurelek, as well as the artistic and stylistic features of his paintings on current social issues. In particular, we analyze the problem of globalization, social crisis and spiritual and ethical degradation of personality. Social issues are divided into: temptation, race, oppression of "inferior", abortion, fear, the routine of the "third world", the contrast of good and evil, justice and betrayal, love and hate, and others.
Formation and Development of the Kyiv School of Art Textiles: Traditions and Innovations
Authors: Maydanets-Barhylevych Olena
Published: December 2021

The purpose of the article is to outline – based on analyzing the development of the Kyiv School of Decorative Arts in context of the historical and artistic process of the XXth to XXIst centuries – the main principles of specialization Art Textiles on the ground of the Mykhaylo Boychuk Kyiv State Academy of Decorative and Applied Arts and Design. The methodology consists of applying an art history approach to historical and artistic analyses of works of artistic textiles, as well as the systematic consideration of peculiarities of the Kyiv School of Decorative Arts. The scientific novelty lies in the substantiation of a phenomenon of the Kyiv School of Art Textiles, creative-pedagogical and scientific-methodological means in teaching students, themes of diploma theses as an important component in preserving ethnic memory, and national-cultural identity. Conclusions. The results of the study highlight the features of the artistic language of the Kyiv School of Textiles, the specifics of scientific and pedagogical methods used in the Academy, as well as the creative guidelines of the teaching staff. Defined are prospective trends of development and strengthening of the Department of Art Textiles and Costume Modelling, principles of comprehending the conventional art and its transformation into the newest stylistic forms to meet today’s requirements. The scientific research gives an idea of ​​the current state of decorative art and artistic textiles, and the creative contribution of the scientific and pedagogical staff of the ATCM Department in the context of the integration of Ukrainian art into the European cultural space.
Ukrainian art since the early 2000s: the "second revival" in the world’s cultural field
Authors: Mironova Tatiana
Published: December 2021

The purpose of the article is to determine the place of Ukrainian art during the active transformations of the world art space. The scientific novelty lies in the study of the world's leading art fairs and the participation of Ukrainian artists in these platforms of the art market, as well as the analysis of modern leading Ukrainian art fairs and festivals. Methodology. The main methodological approach in determining the place of Ukrainian art during the active transformations of the world art space is the structural-system approach, and when analyzing the activities of leading Ukrainian art fairs in the context of world art development - the contextual method. The applied methods allowed to determine the main vectors of development of the private art segment of Ukrainian art of the 1990s - 2020s. Conclusions. In recent years, a new global art space has been formed and developed in the art world. Traditionally, the Western world dictates the rules of world art, but the exotic nature of everything that comes from the North and Eastis of interest to art lovers and professionals. Renewal of the cultural and artistic process in Ukraine at the beginning of the XXI century. and powerful social changes became the basis for many art festivals and art fairs of both regional and national scale. Initiatives of independent curators and gallerists' search for new formats for demonstrating the artistic achievements of Ukrainian artists have inspired the emergence of a number of interdisciplinary cultural projects of national importance. These artistic events set the vector for the development of communication in the modern cultural sphere. In general, Ukrainian art is developing several parallel coordinate systems that operate on different principles and offer different agendas. Among the latest trends that determine its development - digitalization, virtualization, commercialization, blurring the boundaries between elite and mass art, loss of integrity, polystylistic aspect, exemption from any rules of regulation. Like world cultural projects, Ukrainian festivals and art fairs are a type of artistic form of actualization of contemporary art and its interaction with society. For example, Kyiv Art Week is a landmark event in the cultural space of Ukraine, which brings together influential artists, collectors, and representatives of many worlds and Ukrainian cultural institutions.
The potential of cultural services in modern conditions of Ukrainian society development
Authors: Golovach Nataliya
Published: December 2021

The purpose of the article is to study the potential of cultural services in the new socio-economic conditions and in the context of the decentralization reform of Ukrainian society. The methodology is to apply such methods as comparative analysis and synthesis to characterize cultural services both in Ukraine and abroad; philosophical and logical to reveal the modern potential of cultural services in the new socio-economic conditions. The scientific novelty of the work is that the problems of innovative development of Ukraine, in particular in terms of technological systems, were analyzed and the role of culture, creative industries and cultural services in the development of modern society was clarified. Conclusions. At the present stage, the problems of innovative development of Ukraine are actualized precisely by technological methods. In turn, in the era of globalization, culture is becoming a «lifeline» that can bring society out of economic and social stagnation, and creative industries contribute to the creation of new innovative markets. Today, the development of creative industries is an important task for many countries, and creativity is a key point for a society based on knowledge and an efficient economy, as it significantly contributes to the development of various spheres of life and the country as a whole. In Ukraine, decentralization reform opens up great prospects for development for communities, as most small towns have significant tourist, recreational, cultural, historical and natural potential, and therefore there is a need to develop their own development strategy in the new socio-economic conditions. Meanwhile, the decentralization reform has contributed to the revitalization of primary cultural (club) infrastructure, including cultural hubs, which contributes to the creation of high-quality cultural goods and services to meet the cultural needs of the community. Ukraine also already has interesting examples of transforming former factories into creative hubs, including «Art Factory Platform», «UNIT.City», «Art Factory Mechanics», «Lem Station» and «!FESTrepublic» etc. However, in Ukrainian society the issue of discussing and approving a «minimum cultural basket» remains unresolved, which will contribute to the formation of single information and cultural space and provide guarantees for the population in obtaining cultural services and equal access to them.
Features and Discussion Aspects of the Concepts of Occasion and Event
Authors: Syrota Liliia
Published: December 2021

The purpose of the article is to compare worldview, philosophical and scientific approaches to the definition of the concepts of celebration and event.  To suggest your own definition of the event. Methodology. The author uses general scientific research methods (analysis, synthesis, systematization, comparison, opposition, description, specification). The article also based on semantic, functional research methods. The scientific novelty. The concept of “down” is the closest in meaning to the event In the socio-cultural context, since it has the organizational aspect (the stage of preparation, conduct) that dominates the event. Conclusions. An event is a set of steps/actions aimed at creating family, corporate or official mass meetings. It has always been aimed at the development and implementation of a service.
Pedagogical narratives of choral conductor L. M. Venediktov
Authors: Stepurko Victor
Published: December 2021

The purpose of the article is to consider the teaching activity of the professor of NMAU named after P. I. Tchaikovsky L. M. Venediktov, who in communication with students formed an understanding of the essence of creative personality in kinship with society, and the expression of their own vision of artistic paths and civilizational progress of society contributed to the rapid development of culture by future generations of creative youth. The methodology is related to the use of pedagogical narrative technologies, from the point of view of activating the creative potential of higher education students, focusing on the threefold connection of language, communication, and social component, focuses not only on the logical presentation of events but also in a certain state of society. Scientific novelty. For the first time the teaching activity in the context of the theory of historical and psychological narrative is considered, the pedagogical school of the teacher is analyzed as a way of systematization by the individual of historical experience and its transfer to students on the basis of the psychological narrative. The diversity of the teacher's efforts in combining language content of different levels of orientation is revealed: intellectual, emotional, sensory, visual, etc. Conclusions. The features of psychological, historical, and biographical narrative concepts used by the teacher to achieve the professional and spiritual growth of his students are described. It was stated that the teaching activity of the outstanding Maestro was crowned by a whole galaxy of outstanding artists who now work in many countries of the world and in Ukraine.
Sonata for violin and piano as a Serafim Orfeyev’s creative views
Authors: Shcherbakova Olga
Published: December 2021

The purpose of the article is to identify the intonation-content complex of the Sonata for Violin and Piano by the representative of the Odesa School of Composers Serafym Orfeyev in the area of the performer's interpretation of the symbolism of the sonata, comparison of similar works of Ukrainian composers in a specific historic period and identifying the original artistic concept of Orfeyev's work in accordance with his mindset. The scientific novelty is based on the fact that for the first time the work of Orfeyev, which has not yet been the subject of scientific research, is considered, and the significance of the composer's contribution to the development of the instrumental sonata of the XX century is revealed. Methodology. The personal features of the artist's creative preferences are determined through a complex of musical symbolism and reflection of the multiple meaning of the Orthodox church tradition of choral art, mythological information of folk-historical archaism in combination with professional achievements in the development of the chamber sonata genre. Conclusions. Sonata's analysis points to the signs of S. Orfeyev's stylistic search, which was expressed in the spread of the specifics of choral writing, to the comprehension of which (on the example of the works of Mykola Leontovych and Anatolii Lyadov) the composer paid great attention; in instrumental thinking, which was reflected in the saturation of the fabric of the ensemble work with a polyphonic plexus of voices, and especially hidden polyphony. The connection with folk art influences the reproduction of an expressive dynamic picture of a folk holiday. A rather complex synthesis of the dramatic and the lyrical creates a unique, deeply emotional concept of a musical work, which vividly complements the genre of the instrumental sonata with new features in the traditional romantic color.
Сhoir conductor Mykola Hobdych: the facets of a creative personality
Authors: Zalevska Olena
Published: December 2021

The purpose of the article is to analyze the creative personality of Mykola Hobdych, to consider the directions of his multifaceted activity for 30 years, to confirm the significant contribution of the artist to the revival of the national choral art of Ukraine, to draw the attention of musicologists to the study of the creative work of the master of choral performance. Methodology. Historical and general scientific methods were used in the analysis of the choral movement in Ukrainian society during the period of state independence, the comparative method revealed a significant contribution of the Kyiv Chamber Choir to the revival of national traditions of spiritual singing, the systematic method was used to assess the activity of the choir leader Gobdich. The scientific novelty is that for the first time M. Hobdych's creative interaction with such modern composers as Lesya Dychko, Viktor Stepurko, Myroslav Skoryk, Romuald Tvardovsky, Valentyn Silvestrov was noted, the importance of his organizational, publishing, and scientific activity was emphasized. Conclusions. At the turn of the XX and XXI centuries, the flourishing of spiritual choral creativity is strongly connected with the creative activity of M. Hobdych and the Kyiv Chamber Choir, as the founders of the International Festival "Golden-Domed Kyiv", which was able to revive the links between past and present. M. Hobdych's creative activity as a choirmaster. arranger, editor, and cultural figure deserves the more meticulous attention of musicologists.
Classical crossover in the modern musical space of Ukraine
Authors: Muravitska Svitlana
Published: December 2021

The purpose of the article is to consider the genesis of the classical crossover and traces its path of development in the Ukrainian cultural and artistic space. The methodology involves a combination of historical and cultural, analytical, and comparative methods, which clarified the place of the classical crossover in modern music culture. The scientific novelty of the study is that for the first time in Ukrainian science, Ukrainian representatives of the classical crossover are considered. Conclusions. At the turn of the 20th – 21st centuries one of the areas that synthesize the achievements of academic and variety (rock, pop, electronic music) art has become a classic crossover. The origins of this trend are more ancient and go back to the 1960s when the first attempts were made to synthesize academic and variety performance. Famous Ukrainian singers of the academic school D. Hnatiuk, Yu. Gulyaev, A. Mokrenko, D. Petrinenko, L. Ostapenko performed both classical and variety works. Today, a striking example of the synthesis of academic and variety vocal art is the duets of F. Mustafayev – T. Samaya and V. Stepova – V. Sinchuk. Ukrainian singer, soprano of the new generation Arina Domski is the only representative of the Ukrainian scene, which consistently turns to the direction of the classical crossover, synthesizing in its performance variety and academic vocal repertoire.
Chamber vocal works by Ivan Karabyts in the Ukrainian musicological discourse
Authors: Kushch Viktoriia
Published: December 2021

The purpose of the article is to characterize the most significant works of Ukrainian scientists dedicated to the chamber vocal music by Ivan Karabytsand to identify promising areas for further study. The methodology involves the use of theoretical, systematic, and analytical methods to characterize the scientific works of Ukrainian scientists, which examines the chamber vocal works by Ivan Karabyts. The scientific novelty of the work lies in the identification of promising areas of research of chamber vocal and pop song creativity by Ivan Karabyts as a representative component of Ukrainian music of the second half of the 20th century. Conclusions. In modern Ukrainian musicology, the work by I. Karabyts is incompletely presented: the least researched to date are his chamber vocal works and pop songs are almost unstudied, although this musical layer is representative of both the composer’s work and Ukrainian music of the second half of the 20th century. Among the scientific works of Ukrainian researchers, the most important are the dissertations by O. Haluzevska and O. Hurkova, in which the issues of musical poetics and stylistic features of several vocal cycles by I. Karabyts were considered. Among the promising areas of research of chamber vocal works of the composer are the interaction of verbal and musical components, the interpenetration of elements of academic and non-academic music, the processes of stylistic synthesis.
Specifics of Production Activity in terms of Soviet Chronotope
Authors: Likhuta Igor
Published: December 2021

The purpose of the article is to analyze the features of production in the Soviet chronotope, as a historical period of formation of the profession of producer in Ukraine. The methodology involves recourse to an interdisciplinary approach, as well as the use of comparative and historical-logical methods of analysis. The scientific novelty lies in the detailed and systematic disclosure of the causal relationship of events and phenomena in the cultural practices of the Soviet chronotope, which in one way or another influenced the history of the Ukrainian production and determined the specifics of production. Conclusions. A comprehensive study of the history of the profession of producer of the Soviet chronotope period after the 1930 – early 90 of the last century revealed the specifics of the formation of Ukrainian production, revealed the features of cultural practices of the Soviet chronotope, identified obstacles to its entry into market relations.
Sacred foundations of A. Scriabin's fret system in relation to O. Messian's modality
Authors: Motorna Tetiana
Published: December 2021

The purpose of the article is to understand the archetypal root of the whole-tone constructions of Fret structures of A. Scriabin and A. Messian in reflecting the detachment from the harmonic system that is relevant for the twentieth century in favor of a linear-melodic approach, determined by the archaic structures of the Indo-Iranian melodic basis. The methodology of the research is a cultural and historical concept in the traditions of A. Losev, in which certain means of expressing art are tested by the cultural genesis and cultural ideas of the time. We use analytical, comparative-historical, and genre-nominative musicological approaches based on aesthetic, cultural, and philosophical positions. The hermeneutical lines of the intonation approach in musicology in the traditions of B. Asafyev and B. Yavorsky in Ukraine, which are in contact with the verbal-centrist approach to music in the French tradition and are clearly expressed by J.-J. Rousseau and his followers of the level of Y. Kristeva, are also important for the work. The scientific novelty is determined by the primacy of the author of the study in the statement of the origins of the sacred determination of Fret thinking and O. Scriabin, and O. Messian in the cultural incentives of Indo-Iranian archaism. This stimulated "scythism" in the Slavic art world of the early twentieth century and Celtic-eastern references to the developments of C. Debussy, determining the Indo-philosophical orientation of Fr. Messian's franciscanism. Conclusions. Cultural and social sources of interval-fret constructions by A. Scriabin and A. Messian point in both cases to the Iranian-Indian basis of European archaism, which in the French composer finds a frank bias towards Hindu-philosophical and rhythmic borrowing. IN O. Scriabin paradoxically closes the search for Scythian-Iranian roots of archaic semantic positions, multi-vector discussed in the circles of Russian Futurists (led by N. Kulbin) and Polish Symbolists. The semitone-whole-tone melodic basis, which encourages support for the quart in A. Scriabin and K. Debussy, fueled the discovery of a new modality of A. Messian, which established in the vanguard of the second wave Scriabin's "nerve" as a mysterious and liturgical interpretation of the musical expression in "Light" by K. Stockhausen, the memorial symbolism of L. Nono and absurdist abstractionism of the works of P. Boulez, others.
Style trends of modern vocal performance
Authors: Feiyu Yang
Published: December 2021

The purpose of the article is devoted to the peculiarities of creative interpretation of musical works in vocal performance, namely the consideration of a number of professional and personal characteristics of singers, as well as three interrelated stages of the process of creative interpretation. The methodology of the study is dialectical and systemic methodologies used in the field of cultural studies. General scientific and logical methods of analysis, synthesis, induction, and deduction, historical and comparative research of the problem are used. The author applies a hermeneutic approach to the study of the essence of vocal-performing style, identifying the personal content of objects to be interpreted. The scientific novelty of the work lies in deepening ideas about modern stylistic trends in vocal performance, clarifying the essence of the concepts of «performing style», «vocal-performing style», substantiating the tendency to interest in classical vocal works in modern vocal performance. Conclusions. Nowadays there is a steady tendency to interest in classical vocal works. The more significant, richer, and deeper in content the works of the past, the greater the preconditions for the interpretations of performers of one era and subsequent eras to be quite diverse and modified in the future, by bringing unique and individual means of expression in the interpretation of classical works. Active development of the classical tradition can be considered a stable and natural trend in the development of modern vocal and performing arts.
Gordon Craig`s "über-marionette" concept as an expressive means of a puppet theatre
Authors: Buchma Olga
Published: December 2021

Purpose of the article. To study the process of the emergence of stage truth in the live-action puppet art. To define the peculiarity of creating stage truth by the expressive means of the puppet theatre. To analyze the theoretical works by Gordon Craig concerning the aesthetic concept of "über-marionette". To designate the ways of realization of stage truth in puppet theatre with the help of Gordon Craig`s "über-marionette" concept. Methodology of the research consists in the application of methods of system analysis, analogy, comparison, and opposition to analyze the "über-marionette" concept in comparative description with the expressive means and aesthetic principles of the live-action puppet art. The scientific novelty of the article is in the view on the nature of stage truth, in considering Gordon Craig`s "über-marionette" concept in the context of psychophysical image creation in puppet theatre and in searching for the ways to realize stage truth of puppet theatre in the context of new puppeteer`s artistic techniques. Conclusions. A live-action puppet, regardless of its system, genre restrictions, and movement characteristics, obeys its own conventional truth. The Puppeteer has Gordon Craig's stage truth. Gordon Craig in his theory of the "über-marionette" substantiated a new kind of stage truth needed by the puppeteer. Thanks to it the puppeteer can transform in his own way and even identify himself with the doll image. However, Craig did not elaborate on the actor's practice of achieving such stage truth. Guided by his theoretical works, one can only make an assumption about the practical implementation of the "über-marionette" theory in the stage practice of the live-action puppet art.
Ukrainianization of national opera theater
Authors: Vasylenko Kateryna
Published: December 2021

The purpose of the article is to single out artistic and organizational peculiarities of opera art of the period from the Ukrainian National Republic in the 1930s. To illuminate the role and importance of prerequisites and formation of Ukrainianization as a factor of formation of national opera culture in the first half of XX century. The methodology lies in the application of comparativist and comparative-historical methods, which allowed to highlight and compare the period, researched, from its beginning to the extreme years. Allowed to characterize historical events with a retrospective distance of a century. The scientific novelty consists of incomprehension of the influence of Ukrainianization on opera art in Ukraine. For the first time, the Ukrainianization of the culture of the population from the time of the UPR to the appearance of the very concept of "Ukrainianization", which appeared after the formation of the Ukrainian Soviet Socialist Republic, is considered in detail. Conclusions. Through the analysis of scientific publications, monographs, and archival sources we can determine the approaches and formation of the policy of "Ukrainianization" of opera art in the first half of the twentieth century. There is a possibility to compare the "Ukrainization" of the national opera art in the period of the Ukrainian People's Republic and the Ukrainian Socialist Soviet Republic.
Stage creativity of Bogdan Stupka: features of the techniques and methods of his acting skills
Authors: Gusakova Nina , Khvostova Taisiya
Published: December 2021

The purpose of the article. To highlight the specific features of the stage work of the outstanding theatrical figure B. Stupka and to characterize the peculiarities of the techniques and methods of his acting skills. The methodology of research of Bohdan Stupka's stage activity is based on: analytical method - for the elaboration of culturological, art and theatrical scientific literature; typological method - to identify and determine the techniques of his acting skills; art history method - determining the contribution of B. Stupka to the development of Ukrainian drama theater and stylistic specifics of its acting art, the individuality of artistic search, the identification of artistic and aesthetic features of his stage work; cognitive method - to substantiate the uniqueness of the artist's acting skills, to identify and outline the specifics of his individual creative methods in the process of working on the artistic image. The scientific novelty of the study lies in the comprehensive analysis of the stage work of B. Stupka as one of the leading Ukrainian theater masters of the late XX - early XXI century. The peculiarities of the techniques and methods of his acting skills are described for the first time. Conclusions. As a result of the analysis of the research it can be concluded that the special, original, specific features of B. Stupka's work were the observance of key criteria of the aesthetic value of the production; deep penetration into the psychology of the character and its full disclosure; philosophical approach to understanding the literary source; the true nature of the feelings and way of life of the character; endowing the character with rigidly organized plasticity.
Identity of personality and specificity of its self-presentation in virtual communicative space
Authors: Volynets Viktoriia
Published: December 2021

The purpose of the article is to reveal the features of constructing a personal identity in a virtual environment. Methodology. The choice of research methods is determined by the purpose of the article and the subject of research, in particular, general scientific and empirical techniques are used, based on a systematic approach to the analysis of works on the problems of interpretation of virtual identity. The scientific novelty of the obtained research results lies in the correlation of the essence of the concepts "real identity" and "virtual identity", identifying the features and risks of the formation of the latter. The article highlights the factors of human construction of a "virtual" identity, which often occurs due to dissatisfaction of the individual with his real identity. It is emphasized that virtual reality provides ample opportunities for self-expression and disclosure of personal potential, but the desire to always "be online" affects the physical health of the user, thereby increasing his anxiety, leads to fatigue and irritability, exacerbation of hyperdynamic. The problem of excessive immersion in cyberspace has been identified: by abusing being in it, an unformed personality can lose life landmarks, assimilate programmed solutions and ready-made mental stamps. Conclusions. In social networks, a person can easily create an ideal image of himself, which is less authentic than the real one, because it reflects the individual's idea of an invented, ideal set of their own qualities, which are completed with ready visual, textual and audio network tools. Social "slowing down" in the Internet environment significantly reduces the moral level of communication in social networks and messengers. Even today, the level of trust among young people in semi-anonymous messages on the Internet is higher than in traditional sources of information. At the same time, the unsystematic acquisition of knowledge in this way does not allow young people to form an established picture of the world, leaving it largely fragmented.
Technology as a factor in the cultural development of mankind: a study of the production nature of primitive culture
Authors: Sovhyra Tetiana
Published: December 2021

Purpose of article. Explore technological progress in the context of the development of a primitive culture. The methodology is based on an integrated approach and relies on analytical (when analyzing philosophical, art history, cultural studies literature on the subject of research), historical (when clarifying the stages of development of primitive culture), and conceptual (when analyzing the role of technology in the cultural development of mankind) research methods. The scientific novelty of the article lies in the fact that for the first time the formative role of technology in the cultural development of mankind is investigated, and also the cooperative nature of the production of artifacts of primitive culture is determined. Conclusions. As a result of the study of archaeological finds of primitive culture, it has been established that in the course of cultural evolution, tools of labor have become cultural artifacts, works of art. The emergence of production technologies (stone processing, fire control, metal melting) radically transformed the specifics of the organization of production activities, and therefore changed the course of cultural development. Therefore, in the course of the study, the formative role of technology in the formation of artistic culture was proved.
COMPUTER GAMES AS A COMPONENT OF CULTURE AND A SUBJECT OF CULTURAL RESEARCH
Authors: Trach Yuliia
Published: December 2021

The purpose of the article is to characterize computer games as a component of culture and a subject of cultural research. The methodology involves distraction from the technological aspects of the genesis and implementation of computer games and is determined mainly by the humanitarian guidelines for the phenomenon under study. Thus, the methodological principles are based on the cultural research concept of computer games as a value of modern culture. The scientific novelty is that for the first time in Ukrainian cultural research the need to study computer games as a component of culture is actualized. Conclusions. The article highlights the need for cultural research of computer games as a full and equal component of culture. Attention is paid to the scale of the computer games spread, their importance for culture and the individual, as well as the impact on various spheres of human life. Conclusions. It is emphasized that the issue of the creation and functioning of computer games in modern society is an inexhaustible source for further research, including in cultural research. Computer games are a wide “field” for the application of the latest IT developments, philosophical ideas, and artistic innovations. Therefore, this issue will remain in the focus of research not only for cultural scientists but also for philosophers, educators and psychologists, sociologists, economists, and jurists, given the pace and scale of the information spread and communication technologies, and most importantly their complexity.
Idyllic story in the creation of modern nations narratives, on the example of German, Jewish and Ukrainian painting
Authors: Frankiv Roman , Boyko Khrystyna
Published: December 2021

The purpose of the article is to identify the features of idyllic artistic plots related to German, Jewish and Ukrainian national narrative. Try to evaluate their motivating mechanism. The methodology is the use of ideological and plot analysis, methods of comparison and generalization. The scientific novelty is to expand the understanding of the plot content of some works of German, Jewish and Ukrainian art, in the context of their nation - creative motivation. Conclusions. The period of creation of modern nations became a great challenge for art. An important motivating role belongs to the creation of the image of the "ideal being", the mandate to which the new community promised. Thus, the nation-creative plot is, in one way or another, connected with sacralization sentiments. German painting in the Romantic era operated with paintings of idyll, which, however, contains memories of the Middle Ages as an era of even greater perfection. Thus arose the motivating potential of "return" to the epic of the past. Jewish art culture is characterized by a tradition of associating the ideal being with the holy city of Jerusalem, a "return" to which also has motivating potential. In Ukrainian art, there are also plots of natural idyll, but the situation of "ideal existence" is connected with the inner state of man - the warrior "Cossack Mamaу", who gains personal freedom for creativity. As a result of the study, it was found that idyllic plots associated with the creation of modern national narratives in German, Jewish and Ukrainian painting have a number of common and distinctive features. Common features include the presence of sacred content and solidarity of the surrounding community. Distinctive features are different vector of orientation of the motivating plot. In art related to the German narrative of ideal nation existence, vector can be described as epoch-centric, with the Jewish narrative as city-centric, and with Ukrainian as anthropocentric.
Te Deum for mixed choir a cappella by Dmytro Stetsiuk in the context of Ukrainian religious music
Authors: Tyshchenko Mykhailo
Published: December 2021

The purpose of the article is the insert to the scientific research the complete analysis of masterpiece by known Ukrainian composer Dmytro Stetsiuk Te Deum for mixed choir a capella and draw the attention of the choir conductors, who would like to insert to their music collectives a masterpiece, written in the tendencies of modern music and that can be performed either in the liturgy or in concerts. The methodology of the exploration is based on the combination of the general scientific (historical and comparative) and special musicological( of the genre, general and the dramaturgical-intonational analysis), that gives the opportunity to regard the historical basics of the Catholic liturgic tradition, and from another side-see the ways of its development and renovation. Scientific Novelty. The research is the first analysis of Te Deum for the mixed choir in the context of the modern tendencies of Ukrainian composers. Conclusions. The analysis of Te Deum for the mixed choir a capeella by Dmytro Stetsiuk in the context of religious music and in the sphere of the creative search of the modern Ukrainian composers proves the fact, that this masterpiece is written in the liturgic tradition and develops it in the intonational side. Componist completely uses the canonic text, but gives his own regard for it, also understanding of the main idea. The traditional melody of Te Deum from one side gives the unity of the composition, from another gives the basics for the modern stylization, because of intonation, voice tembre (the unity of the different groups of the choir), harmonical, factual (harmony and polyphony). This way are revealed individual traits of the composer and also the modern regard on the medieval liturgic text. The exploration of the masterpiece`s score gives the reason to be sure, that it is not only in the liturgical tradition, but also can be performed in the concert hall.
Suit of Nikita Koshkin "Toys of the Prince" in the context of the dynamics of renewal of guitar art of the XX century
Authors: Tushchenko Mykhaylo
Published: December 2021

Purpose of the article is to study the nature of the embodiment of the peculiarities of the creative method of M. Koshkin in the «Prince's Toys» suite. Methodology. To solve the set tasks, genre-style analysis and executive analysis were used. Scientific novelty: this work is an illumination of the results of one's own experience in interpreting M. Koshkin's suite «The Prince's Toys» based on a combination of performing and research activities. Nikita Koshkin's guitar music is viewed in conjunction with the general dynamics of the 20th century's art renewal. Conclusions. When creating music for the guitar, the composer skillfully used the potential of this instrument. The work on the composition took into account the historical possibilities of the guitar in the performance of classical music, including the entire experience of the existence of a six-string guitar. The language of Koshkin's works always comes from the specifics of the guitar. The composer-guitarist uses all the resources of the instrument in order to create the effect of its versatility, to demonstrate the boundlessness of its possibilities.
Directing concept as a way to create a figurative system of performance
Authors: Melnychuk Yuriy
Published: December 2021

Purpose of the Article. Publication of new approaches in the mode of work on literary texts to create concepts for future performances. The methodology is used in the application of analytical, empirical, art history, formal-analytical and system-analytical methods in the analysis of theoretical works and established features of artistic phenomena. The scientific novelty of the study is an attempt to use the term "concept of performance" to denote a specific transition from the analysis of literary texts to the search for the parameters of the idea, which ends with the creation of a new version of the play by adapting or updating. This is a conditional boundary between the pre-rehearsal and rehearsal periods when the director proceeds to test the concepts in practice during rehearsals. Identifying the influence of post-dramatic aesthetics on the modern theatrical process of Ukraine in the use of documentary texts to create a figurative system of performance, outlining the characteristics of post-dramatic theater in modern stage readings. Conclusions. The director's work on the idea of ​​the future play is a unique process that is constantly in the spotlight of researchers of performing arts. From the beginning of the XXI century. we can observe a gradual change of the classical theatrical paradigm and the influence of the aesthetics of post-dramatic theater on the theatrical process in Ukraine. Gone are the days when the drama was considered the unalterable basis of a future play, and the theater was only an illustrator of literature. Today, the director is a full-fledged author of the play, embodies on stage his very subjective understanding of dramatic texts, given their relevance to the problems of modern life. The article attempts to identify and outline new trends in the approach to creating the concept of performance is based on analysis and creative rethinking of literary texts, to return this term to the theatrical lexicon for the most meaningful transfer of the specifics of the process of birth and finding ways to implement it with the team theater.
UKRAINIAN NATIONAL BIOGRAPHY ARCHIVE (2000–2020): TRANSFORMATION OF CONTENT
Authors: Yatsenko Oleh , Vernik Oleksii , Vernik Yuliia
Published: December 2021

The purpose of the article is to present the process of formation of a biographical resource, to depict the current state of its updated version - the electronic Ukrainian National Biographical Archive (UNBA) to analyze the changes that occurred during 2000-2020 in the formation of the biographical array of the database (DB) "Personalities" - a fundamental component of the electronic UNBA. The methodology consists of a combination of general scientific methods of analysis of theoretical material and statistical and comparative methods of analysis of specific empirical data, their systematization, and generalization. The scientific novelty of the study is characterized by obtaining unique information about the dynamics of the distribution of UNBA personnel - important figures of Ukrainian culture - by thematic headings, chronological periods, gender distribution. Conclusions. Formed by UNBA, today is the largest national electronic biographical resource. The emergence of modern sources in Ukraine, which open to the reader new, undeservedly forgotten, silent for various reasons, contributes to a large-scale change in the volume of biographical resources. Qualitative processing of these sources significantly multiplies the UNBA register, significantly increases its informative aspect. The analysis showed the versatility of the presented information on its thematic, chronological, gender distribution. In addition, it identified problems that should be taken into account when further filling the resource, in particular the significant uneven distribution of personnel by domain and article, incomplete chronological information about births, deaths, and burials, insufficient attention to biographical sources before the XIX century.
WEBSITES OF ARCHIVAL DIRECTION WITHIN CONDUCTING GENEALOGICAL RESEARCH
Authors: Artemenkova Olena
Published: December 2021

The purpose of the article is to analyze the peculiarities of the functioning of archival websites for genealogical research. The methodology consists of using general scientific methods of analysis and generalization. A descriptive method was also used, which allowed revealing the specified question in more detail. The scientific novelty of the presented work is the expansion of ideas about the practical use of archival websites as an interesting comprehensive resource for genealogical research. Also revealed peculiarities of the use of materials of web resources of public and private structures for genealogical search. Conclusions. It is proved that in view of modern world trends of informatization and digitalization of archival institutions the state archives of Ukraine as custodians of valuable historical and cultural heritage are actively working on electronic resources of their own generation, primarily the development of websites. It was stated that purposeful work is being done to fill the central and regional websites of the archives, online exhibitions of documents are taking place, photo projects are being implemented, and contacts with foreign colleagues are being established. which, in turn, is the basis of innovative activities of modern archival affairs. The functioning of archives available remotely to the Internet user is an optimal tool for solving conceptual problems of searching for genealogical material for the study of genealogy, first of all, metric books, confessional documents, etc. Non-state electronic resources are also of great importance, which, first of all, are an important source basis for studying the genesis of one's pedigree.