Traditions and Innovations in Contemporary Vocal and Choral Art
Authors:   Professor of Arts PhD, Department of Choral Conducting, Faculty of Performing and Musicology, Kharkiv National University of Arts, Kharkiv, Ukraine. Email: olenamb1@gmail.com., Batovska Olena , Grebenuk Natalia ,   Professor PhD, Department of Choral Conducting, Faculty of Performing and Musicology, Kharkiv National University of Arts, Kharkiv, Ukraine. Email: ng29rebenuk@gmail.com., Byelik-Zolotaryova Nataliya ,   PhD Candidate, Associate Lecturer, Department of Choral Conducting, Faculty of Performing and Musicology, Kharkiv National University of Arts, Kharkiv, Ukraine. Email: 1bueliikzolotava3i@ukr.net., Ivanova Yuliia ,   PhD Candidate, Associate Lecturer, Department of Choral Conducting and Academic Vocal, Faculty of Music Art, Kharkiv State Academy of Culture, Kharkiv, Ukraine. Email: Ivochkaulia@gmail.com., Sukhomlinova Tetiana ,   PhD Candidate, Senior Lecturer, Department of Choral Conducting and Academic Vocal, Faculty of Music Art, Kharkiv State Academy of Culture, Kharkiv, Ukraine. Email: sukhomlinova1tety@gmail.com., Kaushnian Iana ,   PhD Candidate, Senior lecturer, Department of Solo Singing and Opera Training, Faculty of Performing and Musicology, Kharkiv National University of Arts, Kharkiv, Ukraine. Email: yanina4kashubi2@ukr.net.
Published: December 2022

"The problem of traditions and innovations in vocal and choral performance is a large-scale, many-sided integral system. This phenomenon of musical culture combines the classical direction and modernization of interpretation processes, which determines the topicality of the research. The aim of the article was to reveal the phenomenon of traditions and innovations in vocal and choral art as a complex multi-vector phenomenon that includes components of different scales, content, and functions that they perform. Methods. The research involved theoretical and practical methods. Problem: theoretical methods are represented by the analysis and arrangement of materials; identification of the main elements of the problem; generalization of the data obtained during the research. The practical methods are based on the search for and collection of scientific concepts and empirical data from the fields of performance, history, pedagogy, philosophy, aesthetics, medicine; on the monitoring of educational, as well as concert and performing activities; creative collaboration with soloists and the choral group. Results. The problem of traditions and innovations in vocal and choral performance is based on the following blocks: preservation of classical principles of academic vocal performance; their synthesis with discoveries and achievements of other spheres; modernization promoted by the expansion and updating of the genre framework, as well as modern engineering equipment. Conclusions. The fact of significance of the phenomenon of traditions and innovations in vocal and choral performance for the culture of society was revealed during the research. Its universality as a many-sided, flexible, large-scale integral phenomenon which consists of many different elements that play a leading role in its formation and are closely related was proved. Its interaction with different areas of society is shown. Prospects. The issue of traditions and innovations in vocal and choral performance is constantly enriched with new content, expands the scope of its implementation and interaction with various forms of social consciousness, science, medicine, which necessitates further study of this phenomenon. Keywords: academic vocal performance; performance software support; practice of vocal and choral art; educational and performance activities; breathing exercises; artistic directing; monitoring of educational and concert practice. "