bluuebunny/crossref_metadata_2025 huggingface dataset:
GLUNDHÂNGAN AND PIGEON IN SOCIOCULTURAL PRACTICES OF MADURESE PEOPLE
Authors: Hidayatullah Panakajaya
Published: August 2019

Glundhangan is an ensemble of wooden gamelan played by Madurese people. Glundhangan music is believed as archaic music of Madurese people. It even existed before era of metallophone gamelan. In Jember, glundhângan is closely related to pigeon and usually used for nyata and totta’an dhârâ events. Nyata is an event when a pigeon master succeeds to get his opponent’s pigeon. While totta’an dhârâ is a match of releasing pigeons together and then they, pigeons, come back to pajhudhun (pigeon house) of their masters. Glundhângan is a music which becomes winning signifier of pigeon’s master when he gets his opponent’s pigeon, and it is an accompanying music for pigeons release and return to home. Glundhângan consists of some wooden musical instruments like glundhâng, dhung-dhung, tong-tong, tek-tek, nèng-nèng and ghâghâmbhâng, and they are accompanied by vocal of tembhâng mamaca (ancient version) and kèjhungan (modern version). Every pajhudhun and pigeon master must have musical instruments dhung-dhung or tong-tong in a form of various kentongan made by wood. The music instrument is used by a master as means of communication to pigeons and people. Dhung-dhung instrument of the pigeon master is commonly sacred as other relics like keris. Commonly, the master supplies himself and pigeons with mythical power. It is dhung-dhung itself which becomes identity of glundângan music. For Madurese people, pigeon is treated as special animal. Pigeon is also a manifestation of supernatural power of its master. Glundhângan music and pigeons are articulations of Madurese people that represent social degree, pride at stake, symbol of masculinity and productive distribution of conflict desire among people.
Analisis Persepsi dan Harapan Pelanggan Terhadap Kualitas Layanan Galeri Sangkring Art Space
Authors: Anggiansyah Anggiansyah
Published: August 2019

Abstrak Berbicara mengenai galeri sebagai salah satu jasa yang bergerak di bidang seni, erat kaitannya dengan pembahasan tentang kualitas layanannya. Setiap galeri yang ingin maju dan berkembang, dituntut untuk selalu meningkatkan dan menjaga kualitas layanannya dengan baik. Sebab, hanya dengan cara meningkatkan atau menjaga kualitas layanan yang baik, maka hubungan dengan para pelanggan dapat dipertahankan secara terus-menerus. Sangkring Art Space (SAS) merupakan salah satu galeri seni yang ada di Yogyakarta. Sejak awal berdiri hingga saat ini, SAS rutin mengadakan pameran untuk memenuhi kebutuhan para perupa (pelanggan) yang berpameran di SAS. Penelitian ini difokuskan untuk menganalisis kualitas layanan yang disediakan Galeri SAS. Penelitian ini menggunakan pendekatan kuantitatif yaitu metode penelitian survei dengan alat SERVQUAL oleh Parasuraman dkk (1988). Rancangan penelitian yang digunakan ialah studi potong lintang (cross-sectional) dan populasi yang diminati ialah pelanggan Galeri SAS. Metode pengambilan sampel dilakukan secara tidak acak (non-probability sampling), yaitu berjumlah 40 orang responden, terdiri dari laki-laki dan perempuan dewasa berusia di atas 25 tahun yang berpameran di Galeri SAS. Berdasarkan penelitian ini, ditemukan hasil, nilai ekspektasi sebesar 5.61 dan nilai persepsi sebesar 5.54. Dengan demikian dapat disimpulkan bahwa bahwa ekspektasi melebihi persepsi pelanggan. Artinya kualitas layanan yang disediakan SAS tidak memenuhi ekspektasi pelanggan. Abstract Talking about galleries as one of the services of engaged in arts, is closely related to the discussion of the quality of its services. Every gallery that wants to progress and develop, is required to always improve and maintain the quality of its services well. Because, only by maintaining good service quality, relationships can be maintained with customers continuously. Sangkring Art Space (SAS) is one of the art galleries in Yogyakarta. Since its inception until now, SAS regularly holds exhibitions to meet the needs of artists (customers) who exhibit in SAS. This study is focused on analyzing the quality of services provided by the SAS gallery. This study uses a quantitative approach, namely survey research methods with SERVQUAL tools by Parasuraman et al (PZB, 1988). The study gallery was used as a crosssectional study and SAS gallery customers. The sampling method was conducted by non-probability sampling, which amounted to 40 respondents, consisting of men and women aged over 25 years who exhibited in the SAS gallery. Based on this study, results were found, the expectation value was 5.61 and the perception value was 5.54. Thus it can be concluded that expectations exceed customer perceptions. This means that the quality of services provided by SAS does not meet customer expectations
Investasi Stakeholder Organisasi Seni Pertunjukan: Pengelolaan Organisasi Papermoon Puppet Theatre
Authors: Ardiyasa I Putu
Published: August 2019

Abstrak Bagaimana merawat aset-aset organisasi seni pertunjukan? Sebagai organisasi yang memberdayakan “jasa”, pengelolaan organisasi selau mengacu pada kehadiran penonton dukungan sponsor (funding), sehingga sangat membutuhkan hadirnya kepercayaan penonton kepada organisasi yang berkelanjutan. Organisasi seni pertunjukan cenderung tidak memperhatikan aspek pemeliharaan, karena lebih fokus pada aspek karya. Oleh sebab itu, penelitian ini mengajukan klasifikasi investasi aset terlihat (tangible asset)dan aset tidak terlihat (intangible asset)pada pengelolaan organisasi Papermon Puppet Theatre (PPT). Sembilan orang narasumber diwawancarai untuk mendapatkan informasi terkait topik penelitian tersebut. Hasilnya menunjukkan pada era digital dewasa ini, sosial media sudah menjadi gaya hidup. Bahkan hampir sejajar dengan kebutuhan primer, sehingga setiap orang tidak bisa terlepas dari keberadaan sosial media. PPT berkewajiban selalu memberikan informasi-informasi kepada stakeholder terkait kegiatan PPT. Abstract How to take care of the assets of a performing arts organization? As an organization that empowers "services", the management of the organization always refers to the presence of audience sponsorship (funding), so it really requires the presence of audience trust in sustainable organizations. Performing arts organizations tend not to pay attention to maintenance aspects, because they are more focused on aspects of the work. Therefore, this study proposes the classification of tangible assets and intangible assets in the management of the Papermon Puppet Theater organization. Nine interviewees were interviewed to obtain information related to the research topic. The results show that in today's digital era, social media has become a lifestyle. In fact, it is almost equal to the primary needs, so that everyone cannot be separated from the existence of social media. PPT is obliged to always provide information to stakeholders regarding PPT activities.
Kepemimpinan yang Mampu Mewujudkan Visi menjadi Realitas: Studi Kasus Tim Musik GKI Gejayan Yogyakarta
Authors: Dani Iwan Setiawan
Published: August 2019

Abstrak Topik “kepemimpinan” adalah topik riset fenomena sosial yang paling komprehensif karena kepemimpinan dianggap sebagai faktor penentu keberhasilan organisasi apapun, baik organisasi profit maupun nonprofit. Fenomena sosial yang menjadi objek penelitian ini adalah sebuah organisasi nonprofit/keagamaan: Gereja Kristen Indonesia (GKI) Gejayan Yogyakarta. Gereja yang berdiri tahun 2000 dengan jumlah jemaat awal hanya 200 orang, telah berkembang menjadi gereja yang dihadiri 6.000 orang jemaat tiap minggunya dan mengadakan 10 kali ibadah minggu dari yang semula hanya 2 kali saja. Setiap minggu tidak kurang dari 300 orang volunteer/sukarelawan terlibat dalam pelayanan ibadah. Tujuan penelitian adalah untuk mengetahui model kepemimpinan di GKI Gejayan yang dihasilkan untuk mewujudkan visinya. Metode penelitian yang digunakan adalah kualitatif deskriptif. Data diperoleh dari wawancara mendalam dengan 9 narasumber yang terlibat langsung. Temuan penelitian ini adalah: model kepemimpinan di GKI Gejayan adalah model kepemimpinan yang hadir (attending leadership). Temuan lainnya adalah motivasi para aktivis terdiri dari Spiritual Motivation dan Extrinsic Motivation. Abstract The topic of "leadership" is the most comprehensive topic of research on social phenomena because leadership is seen as a determining factor for the success of any organization, both profit and non-profit organizations. The social phenomenon which become the object of this research is a non-profit/religious organization: the Indonesian Christian Church (GKI) Gejayan Yogyakarta. The church, which was founded in 2000 with an initial number of congregations of only 200 people, has developed into a church that is attended by 6.000 congregations each week and holds 10 times the worship of the original week only two times. Every week no less than 300 volunteers are involved in worship services. The aim of the study was to find out the leadership model of GKI Gejayan which resulted in realizing its vision. The research method used is descriptive qualitative. Data were obtained from indepth interviews with 9 resource persons who were directly involved. The findings of this study are: the leadership model at GKI Gejayan is an Attending Leadership model. Another finding is the motivation of activists consisting of Spiritual Motivation and Extrinsic Motivation.
REDESAIN INTERIOR MOBIL TOILET KELILING UNTUK DIFABEL DI KAWASAN MONAS, JAKARTA PUSAT
Authors: Damayantie Irma , Delaseptina Nabila
Published: August 2019

Toilet umum yang ideal tentunya harus dapat mudah dicapai dan nyaman saat digunakan. Saat ini di Jakarta telah tersedia mobil toilet umum keliling berbentuk bus yang dapat berpindah. Kawasan wisata Monas merupakan salah satu tempat yang memiliki mobil toilet keliling. Lingkungan kota Jakarta saat ini sudah mulai menyadari kehadiran para difabel (pengguna kursi roda), yaitu dengan membantu mengakomodir kebutuhan mereka. Contohnya dengan memasangramp (akses tanjakan miring) yang menghubungkan jalan dengan halte transportasi publik, seperti di stasiun kereta api, bandar udara, halte busway, dan sebagainya. Metode yang digunakan dalam penelitian ini adalah metode penelitian kualitatif, dengan memilih strategi pengumpulan datafenomenologis yang melibatkan semua panca indera dalam melakukan pengamatan terhadap objek penelitian. Hal ini dimulai dari manusia sebagai pembuat dan pengguna artefak, unsur pembentuk wujud/objek, dan kandungan/muatan yang dimiliki artefak. Hasil penelitian akan dibandingkan, kemudian ditarik kesimpulan, dan akhirnya diberikan saran dan rekomendasi untuk masa depan toilet umum keliling, khususnya yang dapat digunakan untuk para difabel. Hasil penelitian toilet umum keliling ini akan memperlihatkan bahwa toilet umum dapat didesain khusus untuk para difabel dengan mempertimbangkan faktor ergonomi. Saran yang diberikan penulis pada akhir penelitian yaitu ingin agar desainer toilet dapat mulai turut dalam membantu para difabel, khususnya di kawasan wisata Monas.
DESAIN INTERIOR MELALUI PENDEKATAN KEBUTUHAN PEMAKAI PADA HUNIAN TERBATAS Studi Kasus: RUSUNAWA Kali Code Cokrodirjan Yogyakarta
Authors: Sholahuddin Muhammad
Published: August 2019

Perkembangan pembangunan dan semakin terbatasnya lahan berimbas pada desain rumah tinggal di antaranya rumah tapak, apartemen, dan rumah susun. Keterbatasan lahan membuat masalah pada perencanaan spasial. Keterbatasan lahan sebenarnya bisa diatasi dengan penerapan mebel multi fungsi, namun ketersediaannya di pasar sangat terbatas. Salah satu kasus adalah di Rumah Susun Sewa / Rusunawa Kali Code Yogyakarta dimana para penghuni harus menaklukkan kepadatan dan kesesakan ruang. Perencanaan desain interior yang mengedepankan sistem multifungsi pada lahan terbatas menjadi kesempatan untuk industri mebel agar lebih banyak memproduksi mebel multi fungsi secara massal. Tujuan dari riset ini adalah untuk mengajukan alternatif desain interior pada lahan terbatas yang tetap dapat mengakomodasi kebutuhan pengguna ruang. Sedangkan sasarannya adalah mendesain produk untuk ruang multi fungsi yang dapat diproduksi secara massal. Metode riset ini menggunakan metode yang biasa digunakan dalam proses desain yang terdiri dari tahap analisis dan sintesis. Hasil dari riset ini adalah sebuah desain interior multi fungsi dengan tema “Transform @ Trick” dengan gaya yang modern.
INTERNET DAN MUSIK: MEDIA SOSIAL SEBAGAI WAHANA PUBLIKASI THE UPSTAIRS DAN DEATH FLAMES
Authors: Nur Rahmat Sujud Puji , Simatupang Lono , Albertus Harsawibawa
Published: August 2019

Nowdays internet has become an important elemen in people life across the globe. Its impact has been seen in various scenes including music business and other artistic fields. Social media, running in support of internet, are now common in use by musicians or bands.  Free of charge and global access of internet and social media provide an opportunity to disseminating the existence of a group of musicians. In this paper I would to show how social media has been utilized by a band to promote their group by themselves, focusing on myspace account of two bands, The Upstairs and death Flames. I divide this paper into introduction, an overview of www.myspace.com as well as a brief profile of the two bands, and a discussion on their account, kinds of responses and communication that established based on the accounts. Keywords: internet, musicians, band,and disseminating
Nyanyian Raego Dalam Pernikahan Adat Golongan Maradika Kulawi Di Sulawesi Tengah
Authors: Stanzah Reza
Published: August 2019

Raego is traditional song in Kulawi etnis, Central Sulawesi. Reago song is used at traditional wedding maradika people. This study using kualitatif method with ethnomusicologists approach. Raego song at wedding's maradika people have distinct function, there are primer and secundary. All of those functions address to support society and society which have its culture. Raego song have their own way to show. Start from the way they perfom their song which dont have direct connection with the song and how they perform it. Keyword : music, function, raego song.
Belentung Sebagai Identitas Musik Pada Komunitas Konser Kampung Desa Jatitujuh Majalengka Jawa-Barat
Authors: Ananias Shintia
Published: August 2019

Belentung is a string instrument made by bamboo inspired by soundscape which is the voice of big toads and also children toys made by a can and thread of mattress. Belentung can be played individually or ansemble. The words “belentung” also refers to the ansemble or music that produced from belentung itself. Belentung ansamble music have four kinds of instrument based on their size and function, such as belentung panggede, panungtun, panembal and pangrecok.            Belentung made by Komunitas Konser Kampung located in the Jatitujuh village, Majalengka, West Java. Komunitas Konser Kampung has been established since June 26th, 1987 and have many art activities, such as in music activities, literature and fine arts. Members of this community are artists, humanists and youth generation of Jatitujuh. This community have so many art activities in Jatitujuh village itself and also in the level of region, Majalengka until out of region. The interaction of Komunitas Konser Kampung with other communities and also with the people made this community realized the importance of group identit, especially music identity. Belentung created as a music identity of Komunitas Konser Kampung because of the uniqness of the organology and the characteristic of their musical.            The qualitative method used to get data in the field, for example observation participate, interview with the local people, documentation and literature study. Ethnomusicology and anthropology approach has been done to analyze and made conclucion.
Musik Dewa-Dewa Dalam Upacara Erau Pelas Benua di Guntung Kota Bontang Kalimantan Timur
Authors: Rizky Yusuf
Published: August 2019

Erau Pelas Benua Guntung is the ritual ceremony that held by Kutai Guntung society Bontang, East Borneo. Erau will be held for seven days. In this ceremony, the erau ritual can’t be held if they are not doing the Pelas Benua. Pelas Benua is a ritual that sorrounds the four direction of the wind in Guntung as the form to clean up from the negative things. This ritual using Dewa-Dewa music as accompanist, the belian communicate to Dewa  Semega, He is The God who control the universe. This research using qualitative method with ethnomusicology perspective. Music Dewa-Dewa is ritual music which is specially used in Pelas Benua procession. Music Dewa-Dewa is an ansamble which consist Klentangan, Gong, Gendang and Gimar instrument.                                                                                                  There are three function of Dewa-Dewa music in this ceremony, as communication, ritual function, and physical response. The form of presentation music Dewa-Dewa always can not be separated with form the context of Pelas Benua ceremony and presenting as the ansamble.
Besoyong Dalam Pesta Adat Belian Paser Nondoi di Kabupaten Penajam Paser Utara Kalimantan Timur
Authors: Kristanti Retno
Published: August 2019

Besoyong is derived from the word soyong which means the spell or prayers, then besoyong means speaking or singing the spell. Besoyong is usually used by Paser tribe as the media to speak to the ancients spirits and Sangiyang through their daily lives. Besoyong has started to be sung in Traditional Festival of Belian Paser Nondoi once a year at Penajam Paser Utara regency, East Kalimantan. This research explains about presentations form of besoyong continue with internal and external incentive factors of besoyong presence in Traditional Festival of Belian Paser Nondoi. This research uses the theory of Alvin Boskoff about internal and external’s factors of social change applied as internal and external incentive factors of besoyong presence in Traditional Festival Belian Paser Nondoi. Besoyong can be presented individually and also with ensemble.  Internal incentive factors of besoyong presence are to elude from evil ghosts, as the mean to invoke clear weather for the festival, as the mean of healing and ast the mean of asking blessing. External incentive factors of besoyong presence are to elevate the district economics & tourism, and to be functioned as the identity of this region.
PENYUTRADARAAN DRAMA MUSIKAL HAMLET KARYA WILLIAM SHAKESPEARE
Authors: Divanti Amanda Putri
Published: August 2019

Hamlet, sebuah kisah tragedi dari Denmark yang membawa pesan moral, sosial dan politik yang mengisahkan tentang Pangeran Hamlet yang berjiwa sensitif bersumpah untuk membalas dendam dengan segala cara yang akhirnya harus dibayar dengan mahal.Hamlet, adalah cerita klasik yang diangkat kedalam sebuah bentuk pertunjukan drama musikal, dengan tari dan musikal, dengan tarian dan nyanyian yang dapat dinikmati oleh para generasi muda. Drama musikal ini khususnya ditujukan kepada para generasi muda, karena melihat jarangnya hiburan dengan kemasan masa kini.
PENCIPTAAN TOKOH JERRY PADA NASKAH DRAMA THE ZOO STORY KARYA EDWARD ALBEE
Authors: Patra I gusti
Published: August 2019

Lakon ini berbicara tentang dampak modernisasi sebuah masyarakat yang membuat orang-orang menderita keterasingan pada kehidupan yang mereka miliki. Selain itu lakon ini juga berbicara menyerang landasan optimisme Amerika1. Selain itu, dalam lakon ini beberapa paham filsafat juga bisa ditemukan dalam naskah ini. Seperti misalnya filsafat eksistensialisme berarti adanya, dan dibedakan dari esensi yang berarti hakikat2. Meskipun The Zoo Story kurang laku di Amerika, sehingga pementasan pertama dilakukan di Berlin Jerman pada tahun 1958, akhirnya The Zoo Story pun dipentaskan di Broadway pada tanggal 14 januari 1960.  Kata kunci : Modernisasi, Optimisme Amerika
PEMERANAN TOKOH HELEN KELLER DALAM NASKAH HELEN KELLER KARYA WILLIAM GIBSON TERJEMAHAN MEYDA BESTARI
Authors: Oryza Nianda
Published: August 2019

Actor is the first device in theatre. On the stage, actors will createthe performance that corespon with structure and texture. While on the stage, actor not be her/him self but she have to be character that she has been choosen. Actor have to has high intelligence and appeal to play Helen Keller in order to the people understand about the information.The system acting theory from Stanislavski is actorchoice to act asHelen Keller. Script Helen Keller by William Gibson can gave challange for actors, not only blind, deaf, and mute, but also actor have to be child 7 years old. So many challenge act that should to through for reach this character. Script of Helen Keller has a moral value about the way to behave difable human. Keyword: actor, act, character, script, Helen Keller, Stanislavski, the system
Figurative Language Analysis on Robert Frost’s A Minor Bird
Authors: Sudibyo Gabriel Chamelia
Published: August 2019

Poem employs a variety of aesthetic devices varying from rhythm, meter, and on textual literary content: figurative language. Through the usage of figurative language, a short poem is capable to deliver more in-depth meaning in each word. In the poem A Minor Bird by Robert Frost, the poet employs symbols and imagery as the most prominent figurative language device. Hence this paper aims to identify these devices and further explains it as a poem breakdown analysis in hope to enlighten readers’ perception and understanding against entry-level poem analysis.
IDENTITAS GENDER DAN SENSUALITAS TUBUH TANDHAK DALAM PANGGUNG PERTUNJUKAN LUDRUK LEROK ANYAR
Authors: Naima Insroatun
Published: August 2019

Penelitian yang berjudul “Identitas Gender Dan Sensualitas Tubuh Tandhak Dalam Panggung Pertunjukan Ludruk Lerok Anyar“ ini menganalisis tentang tubuh para tandhak ludruk  pada kelompok Ludruk Lerok Anyar Kabupaten Malang. Permasalahan yang dikemukakan yaitu: (1) bagaimana tubuh digunakan menjadi alat untuk menunjukkan identitas gender; dan (2) bagaimana tubuh digunakan menjadi alat untuk merepresentasikan nilai sensualitas.Identitas gender dan sensualitas tubuh tandhak ludruk dalam pertunjukkan kelompok Ludruk Lerok Anyar dianalisis menggunakan teori identitas gender dan sensualitas yang dikemukakan oleh Judith Butler dalam buku Gender Trouble. Penelitian ini menggunakan metode kualitatif, dengan teknik pengumpulan data melalui studi pustaka, wawancara, observasi dan pengamatan video rekaman pertunjukan.Hasil penelitian menunjukkan bahwa panggung ludruk mampu memberikan ruang bagi para transgender sebagai tandhak ludruk untuk dapat menunjukkan identitas keperempuanan atau femininnya tanpa harus ditutup-tutupi. Tubuh digunakan menjadi alat untuk menunjukkan nilai sensualitas. Tubuh para tandhak dikonstruksi melalui serangkaian gerak, gesture, make up dan kostum untuk menunjukkan kesan sensual dan mampu membuat penonton laki-laki terpenuhi hasrat sensualnya. Tubuh para tandhak merupakan representasi kesempurnaan tubuh perempuan yang  hanya ada dalam ruang-ruang imajinasi.Kata Kunci: tandhak ludruk, identitas gender, sensualitas tubuh, kelompok Ludruk Lerok Anyar.
Hubungan Wayang dan Gending dalam Pakeliran Wayang Kulit Purwa Gaya Surakarta
Authors: Junaidi Junaidi , Sugiarto Asal
Published: August 2019

Dalang when displaying the puppet characters are always supported by the musical, so the concept of relationship must be known in order to avoid incorrect installation. During this time, only disclosed the names, shapes, make signs, playing with, notations balungan, and functions, but the underlying reasons association has not been described in detail, resulting in the replacement of the pair resulting in the incongruity and crisis gending pakeliran knowledge and techniques . The goal is to know about the underlying reason for the installation of a puppet with the musical in every scene. The method used is descriptive identification, based on the literature data and field observations, while the discussion used the theory of functions gending in pakeliran, namely as an illustration, framed, and unifying. The result is the installation of a puppet with the musical based on the shape and character. Dalang ketika menampilkan tokoh wayang selalu didukung oleh gending, sehingga konsep hubungannya harus diketahui agar tidak terjadi salah pemasangan. Selama ini, hanya diungkapkan tentang nama-nama, bentuk, tanda isyarat, garap, notasi balungan, dan fungsinya, tetapi alasan yang mendasari keterkaitannya belum dijelaskan secara detail, sehingga terjadi penggantian pasangan yang berakibat pada ketidaksesuaian dan krisis pengetahuan serta teknik gending pakeliran. Tujuan tulisan ini adalah ingin mengetahui tentang alasan yang mendasari pemasangan wayang dengan gending dalam setiap adegan. Metode yang digunakan adalah penelitian deskriptif identifikasi, berdasarkan data pustaka dan pengamatan lapangan, sedangkan pembahasannya digunakan teori fungsi gending dalam pakeliran, yaitu sebagai ilustrasi, pembingkai, dan penyatu. Hasilnya berupa pemasangan wayang dengan gending berdasarkan bentuk dan karakter.
Wayang Klithik Robot
Authors: Setiawan1 Gandar
Published: August 2019

Wayang is a autentic culture from Indonesia. Wayang has many figure and character. It is main idea of this make the artwork. Inspiration of the artwork also from observation robot forms. Robot has the furious and futuristic form. Like the progression of technologi, form of robot also more experiencing form progression. Until now, form of robot still identic and can not losed from imajinative forms. This prossesing to make the artwork use created methode from Gustami, it is a three stages six steps creating craft artwork. First stage is eksploration consist of observation and finding refference steps. Second stage is desaigning consist of making the sketch and making the gambar teknik or modeling steps. Third stage is forming consist of create artwork and finished with value and evaluation steps. Result of visual form is a three dimension artwork with futuristic robot form. Visual form the artwork is a transformastion of futuristic wayang klithik with robot form. The puppet figures are Wrekudara and Gatotkaca Combination form is a method for impression and aesthete value of the artwork. Wayang merupakan budaya asli dari Indonesia. Wayang memiliki berbagai macam tokoh dan karakter. Wayang menjadi ide utama dalam penciptaan karya ini. Inspirasi karya juga muncul dari pengamatan bentuk-bentuk robot. Robot memiliki bentuk yang variatif dan futuristik. Sesuai dengan perkembangan teknologi, bentuk robot juga mengalami perkembangan yang lebih bermacam-macam. Sampai saat ini, bentuk robot masih identik dan tidak bisa lepas dari bentuk-bentuk imajinatif. Proses pembuatan karya seni ini menggunakan metode penciptaan dari Gustami, yaitu metode tiga tahap enam langkah dalam menciptakan karya seni kriya. Tahap pertama yaitu eksplorasi yang meliputi langkah pengamatan dan pencarian sumber pustaka. Tahap kedua merupakan tahap perancangan yang terdiri dari langkah pembuatan beberapa sketsa dan pembuatan gambar teknik ataupun model. Tahap yang ketiga yaitu tahap perwujudan yang terdiri langkah pengerjaan karya, dan diakhiri dengan penilaian juga evaluasi karya yang telah jadi. Bentuk visual yang dihasilkan yaitu karya seni tiga dimensi dengan bentuk futuristik menyerupai robot. Bentuk visual karya merupakan penggabungan antara bentuk wayang klithik dengan bentuk robot. Tokoh wayang yang dibuat yaitu Wrekudara dan Gatotkaca. Perpaduan bentuk dilakukan sebagai cara untuk memberikan kesan dan nilai estetik pada karya.
Wrémada: Sebuah Transformasi Tantri dalam Pertunjukan Wayang Bali
Authors: Dwitiya I Kadek Bhaswara
Published: August 2019

“Wrémada” is reinterpretations of once episode of Tantri stories, it’s to respond of social-culture phenomena in Indonesia. As we know, the television programs expose coruption in some departmens and institutions. In the other side, the majority of Indonesia society  wereunderestimating of traditional arts. Based on this phenomena,title of this art work was used “Wrémada”, it’s mean is “the monkey was stunned by position and authorities. This art work to fuse three genre, there are wayang golek, wayang peteng, dan wayang lemah, in which each of those had different of playing technical and space. But they were colaborated to be one unity art work, and so, this art work can be accepted of Baliness society. And it explained once widya component of Tantri’s story, so it be rebornd and reflected by Indonesia society, and so to build a nations character based on local norm and convention. My expectations of tenants, it can be wise and be guided by the chess pariksa or called by the name of chess nayasandhi is the same, different, funds, and danda. “Wrémada” merupakan reinterpretasi dari salah satu cerita dalam Tantri, untuk merespon kondisi sosial budaya bangsa Indonesia dewasa ini. Sebagaimana banyak diberitakan di televisi tentang pejabat tinggi negara yang terjerat kasus korupsi. Fakta demikian ditunjang oleh kondisi budaya bangsa khususnya kesenian tradisional yang menunjukkan adanya gejala mulai terpinggirkan. Atas dasar hal tersebut maka karya ini diberi judul “Wremada”, yang artinya kera yang mabuk jabatan dan kekuasaan.Karya ini merupakan gabungan tiga jenis wayang, yaitu wayang golek, wayang peteng, dan wayang lemah. Ketiganya memiliki teknik bermain dan ruang gerak yang berbeda, kemudian dikolaborasikan menjadi satu kesatuan karya yang utuh. Karya ini dimaksudkan untuk menjabarkan salah satu komponen widya dalam cerita Tantri agar dikenali kembali oleh masyarakat. Karya ini juga diharapkan dapat bermanfaat dalam pembangunan karakter bangsa, khususnya pola perilaku yang sesuai dengan nilai-nilai bangsa sesuai dengan kapasitas masing-masing. Harapan penggarap, karya ini dapat dijadikan cermin bagi masyarakat agar bersikap bijaksana dengan berpedoman pada catur pariksa atau catur nayasandhi,yang meliputi sama, beda, dana, dan danda.
Aktualisasi Diri Ki Seno Nugroho: Tinjauan Pemenuhan Kebutuhan dalam Teori Motivasi Abraham H. Maslow
Authors: Allasso Elisha Orcarus
Published: August 2019

The purpose of this research is to reveal self-actualization Ki Seno Nugroho as a dalang by way of examining his motivation in meeting the level of needs. Maslow’s motivational theory, especially regarding the fulfillment of needs used to analyze self-actualization Ki Seno Nugroho. This research uses ethnographic method in describing field observation and interview result. From the analysis results obtained conclusion self-actualization KiSeno Nugroho is the peak of the process of fulfillment of the needs level. Achievement of self actualization needs begins with knowing the talent and potential. Awareness of the talent possessed dreams as the highest needs and to achieve them must go through a long process. Ki Seno Nugroho has succeeded in actualizing himself and fulfilling his dream through his talent. After he succeeded in realizing his dreams in his youth to become a puppeteer favored by the public, his next dream is to keep fans and prepare the next generation in order to preserve the Javanese culture especially the puppet show. The attainment of self-actualization through the level of fulfillment of needs will continue and develop as long as it lives.Tujuan dari penelitian ini adalah untuk mengungkap aktualisasi diri Ki Seno Nugroho sebagai seorang dalang dengan cara menelisik motivasinya dalam memenuhi tingkat kebutuhan. Teori motivasi Maslow khususnya mengenai pemenuhan kebutuhan digunakan untuk menganalisis aktualisasi diri Ki Seno Nugroho. Penelitian ini menggunakan metode etnografi dalam mendiskripsikan pengamatan lapangan dan hasil wawancara. Dari hasil analisis didapat kesimpulan aktualisasi diri Ki SenoNugroho adalah puncak dari proses pemenuhan tingkat kebutuhan.  Pencapaian kebutuhan aktualisasi diri diawali dengan mengetahui bakat dan potensi yang dimiliki. Kesadaran mengenai bakat yang dimiliki melahirkan impian sebagai kebutuhan tertinggi dan untuk mencapainya harus melalui proses panjang. Ki Seno Nugroho telah berhasil  mengaktualisasikan diri dan mewujudkan impiannya melalui bakat yang dimilikinya. Setelah ia berhasil mewujudkan impiannya di masa muda yaitu menjadi dalang yang digemari oleh masyarakat, impian selanjutnya adalah mempertahankan penggemar dan mempersiapkan generasi berikutnya agar dapat melestarikan budaya Jawa terutama pertunjukan wayang. Pencapaian aktualisasi diri melalui tingkat pemenuhan kebutuhan akan terus berlangsung dan berkembang selama ia hidup.
SPİNAL ANESTEZİDE PREHİDRASYON SEREBRAL OKSİJENASYONU ETKİLER Mİ?
Authors: AYDIN Gülçin , AYDIN Oktay , GENÇAY İşın , PEHLİVANLI Faruk , ÇOLAK Selim , BÜYÜKKOÇAK Ünase
Published: August 2019

Amaç: Bu çalışmanın amacı spinal anestezi öncesi intravenöz yoldan uygulanan kristaloid ve kolloid sıvıların serebral oksijenasyona etkisini araştırmaktır.Gereç ve Yöntemler: Çalışmaya 18-50 yaş arası, spinal anestezi altında opere olacak, Amerikan Anestezistler Derneği I risk grubunda, 75 hasta dahil edildi. Standart monitörizasyon sonrası hastalar 3 gruba ayrıldı. G1; spinal anestezi öncesinde%4 Gelatine Polysuccinate solüsyonu ile iv prehidrasyon, G2; spinal anestezi öncesinde Ringer Laktat solüsyonu ile iv prehidrasyon, G3; prehidrasyon uygulanmayan grup idi. Spinal anesteziden sonra bütün hastalara operasyon boyunca sıvı idamesi 5 ml/kg/saat dozunda iv Ringer Laktat ile sağlandı. Sistolik kan basıncının ≤90 mmHg olması ya da başlangıca göre%20 ‘lik düşme hipotansiyon olarak kabul edildi. Operasyon süresince 5 dakika ara ile hemodinamik parametrelerdeki değişiklikler, bulantı-kusma, titreme komplikasyonları kaydedildi. Serebral oksijenizasyon için bilateral Near Infrared Spectroscopy monitörizasyonu yapıldı. Bulgular: Spinal anestezi öncesi intravenous prehidrasyonun bulantı ve kusma yan etkisini anlamlı olarak azalttığı görülürken (p<0.05), G1’de titreme bulguları anlamlı olarak az idi (p<0,05). G 3’te 15 hastada (%60) efedrin kullanılırken, intravenous prehidrasyonun efedrin ihtiyacını anlamlı olarak azalttığı görüldü (p<0.05). Operasyon süresi uzadıkça her üç grupta da serebral oksijenizasyonda anlamlı düzeyde azalma görülürken sağ ve sol lob beyin oksijenlenmesi açısından gruplar arası fark görülmedi. Operasyon süresi uzadıkça her üç grupta da SAB, DAB, OAB değerlerinde anlamlı düzeyde azalma olduğu görülürken, gruplar arası karşılaştırmada anlamlı fark yoktu. Sonuç: Spinal anestezide, serebral oksijenizasyonun devamı için kolloid ya da kristaloid kullanımı arasında fark olmamakla beraber hidrasyon yapılmayan grupta efedrin kullanımı artırılarak benzer hemodinamik stabilite sağlanmakta ve beyin oksijenlenmesi korunmaktadır.
PERBANDINGAN EFEKTIVITAS MEKANISME TRANSMISI KEBIJAKAN MONETER ANTARA JALUR SUKU BUNGA DENGAN JALUR NILAI TUKAR TERHADAP SASARAN AKHIR INFLASI
Authors: Simanjuntak Martin , Santosa Budi
Published: August 2019

This result discusses the effectiveness of the transmission mechanism of monetary policy by comparing the interest rate channel with the exchange rate channel towards the final inflation taget. This study using regression method Vector Error Correction Model (VECM). In the study of this monetary policy transmission mechanism using secondary data based on monthly time series, namely from January 2011 to December 2015. The data is obtained from Bank Indonesia Financial Economic Statistics (SEKI). From the results of this research, the transmission mechanism of monetary policy exchange rate channel is more effective than monetary policy transmission mechanism interest rate channel; it is proven through the test impulse responses and variance decomposition test. In the exchange rate channel time lag until reach the final target of monetary policy (inflation) is 4 months while for the interest rate channel time lag until reach the final target of monetary policy is 5 months. RPUAB very suitable for use as an operational target in the monetary policy transmission mechanism cause rapid and strong response from RPUAB in responding the shock of monetary policy. RPUAB is the biggest variable that dominates the formation of inflation.
PENGARUH FAKTOR MAKROEKONOMI DAN LIKUIDITAS TERHADAP YIELD CURVE OBLIGASI PEMERINTAH INDONESIA
Authors: Sihombing Pardomuan , Sundoro Hary Saputra
Published: August 2019

The purpose of this study is to estimate the movement of the required yield curve as a reference to predict market expectations. The movement of the yield curve is caused by macroeconomics such as the BI rate, inflation, the money supply, the growth of the production index, foreign exchange reserves and foreign investor ownership. This study uses the help of a VAR (Vector Auto Regression) analysis tool or VECM (Vector Error Correction Model) using data from 2007:2-2016:3. The results of this study indicate that all variables both macroeconomic variables and liquidity variables provide a response to the yield curve of government bonds to long-term. In addition, this paper also explains that all variables both in macroeconomics and liquidity variables only have a small contribution to the yield curve but precisely the variable that makes the biggest contribution is the yield curve
Exploring the Uncharted Territory of Devolution in Zimbabwe
Authors: Mapuva Jephias , Miti George P
Published: August 2019

Devolution, which was incorporated into the Constitution of Zimbabwe through section 264, is a new phenomenon in Zimbabwe. This incorporation came about because of the need for participatory governance and the devolution of power away from the centre. Over the years, local governance has been informed by a plethora of pieces of legislation that do not provide an enabling environment for citizen participation, giving Zimbabwe’s local government a chequered history that excludes citizens from participating in public affairs that affect their lives. An analysis of section 264 of the Constitution revealed that devolution has the propensity to enhance transparency, efficiency and effectiveness as well as the fulfilment of central government’s responsibilities at provincial and local levels. This article argues that the belated implementation of the devolution of power has delayed improved service delivery, effectiveness, efficiency and accountability within local governance. This article further seeks to explain how the implementation of section 264 of the Constitution can bring about good local governance.
Arte doméstica e imagem da nação: um olhar sobre os museus-casa de Rui Barbosa e de Benjamin Constant
Authors: Malta Marize
Published: August 2019

Muitos objetos cotidianos e domésticos que pertenceram a indivíduos do passado, ao serem musealizados, desenvolveram uma simbologia visual para futuros cidadãos brasileiros.  A casa com sua decoração de interior, móveis, objetos, ou seja, com toda a sua arte doméstica, predispunha-se a ter papel significativo no projeto nacional de ordem e progresso, cumprindo um papel primordial de representante da pátria que, na sua forma institucionalizada e preservada se transformaria em museu-casa. A partir da análise das configurações dos museus-casa de Rui Barbosa e de Benjamin Constant, pretende-se lançar luz elucidar acerca da tipologia museu-casa e refletir sobre quest ões como categorias artísticas, reconstituições de ambientes, domesticidade e publicidade, relação de objetos e pessoas, imagens da nação.
Exposições
Authors: Oliveira Emerson Dionisio Gomes de
Published: August 2019

Exposições
Novas tecnologias para... novas (?) expografias
Authors: Chelini Maria Júlia Estefânia
Published: August 2019

Os museus têm enfrentado, nos últimos anos, grandes desafios para sobreviver em um mundo onde as fontes de informação e as possibilidades de lazer são inúmeras. E é geralmente por isso, para atrair o público, em especial o público jovem, que os museus têm buscado utilizar novas ferramentas expográficas, que tornem a mostra mais atrativa e motivadora. Dentre estas estratégias merecem destaque as chamadas novas tecnologias. O presente texto tem por objetivo discutir, através de exemplos positivos e negativos, o uso das tecnologias como ferramenta expográfica, alertando para o uso tentador, e muitas vezes irrefletido, que se faz destas novidades.
Futuros possíveis
Authors: Oliveira Emerson Dionisio Gomes de
Published: August 2019

Futuros possíveis
Formas de organização de exposições nos museus de arte
Authors: Lara Filho Durval
Published: August 2019

Historicamente os gabinetes de curiosidades e dos primeiros museus de arte adotaram diferentes formas de organização dependendo das condições sociais, políticas e culturais. Com o surgimento da história da arte, a organização dos museus passa a ter como referência as categorias por ela privilegiadas, o que será colocado em xeque com as profundas mudanças na arte contemporânea e o 'fim da história da arte'. Hoje, como alternativa paralela ao museu físico, o uso das tecnologias de informação e comunicação podem permitir, por meio de uma organização por múltiplas facetas, uma possível resposta às demandas atuais.
Relação entre índices de preservação e degradação de amostras de papel expostas a condições naturais
Authors: Kruger Eduardo L. , Fritoli Clara Landim
Published: August 2019

No presente estudo, foram confeccionados corpos de prova em papel, os quais foram expostos a diferentes condições naturais de temperatura e umidade relativa em duas bibliotecas universitárias, localizadas em Curitiba e em Caiobá, no Litoral Paranaense. Os papeis foram produzidos com celulose de fibra curta e fibra longa, sem adição de cargas ou adesivos, de modo a possibilitar o estudo das inter-relações entre a degradação das amostras e as condições ambientais de ambas as bibliotecas, comparativamente ao ambiente externo. O objetivo da pesquisa foi o de avaliar a relação entre degradação do papel e o índice de preservação IETP (Índice Efeito Tempo de Preservação), o qual quantifica os efeitos de temperatura e umidade relativa sobre a expectativa de vida dos papeis. As amostras foram acondicionadas em caixas de acrílico revestidas com manta de carvão ativado e com filtro ultravioleta - UV de forma que os efeitos da temperatura e umidade atuassem nos corpos de prova sem interferência de outros fatores de degradação como os gases poluentes e a luz. Na exposição das amostras no ambiente externo, contou-se adicionalmente com abrigos meteorológicos, dentro dos quais foram depositadas as caixas de acrílico naturalmente ventiladas. Os dados climáticos foram registrados em dataloggers e os corpos de prova foram enviados para ensaios físico-químicos antes e após 12 e 24 meses de exposição. Os resultados dos ensaios indicam que os maiores índices de degradação estão correlacionados com aqueles apontados pelas equações de IETP como os de menor permanência para o papel.
A documentação museológica e os novos paradigmas da arte contemporânea
Authors: Silva Mariana Estellita Lins
Published: August 2019

Buscaremos discutir a relação que a arte contemporânea – especificamente obras efêmeras, perecíveis e relacionais, que problematizam a função do objeto no processo artístico – estabelece com a teoria e a prática da documentação museológica. Inicialmente apresentaremos os fundamentos teóricos da documentação e em seguida passaremos para sua aplicação no tratamento de obras de arte tradicionais. Por último, procuraremos identificar os pontos problemáticos trazidos com as novas linguagens da arte contemporânea.
El museo de los visitantes
Authors: Alderoqui Silvia
Published: August 2019

Hoy es imprescindible pensar nuevos modos para integrar a las colecciones y exposiciones con  los públicos. Hay que pasar el tema de los visitantes de los bordes y márgenes al centro. Los museos no deben renunciar a su responsabilidad como instituciones culturales pero es necesario que coexistan diversidades de voces, ya que cuando esto sucede en el marco de una exposición se produce el enriquecimiento de ambos, museos y públicos.
Curadoria do Acervo Paleontológico da Universidade Federal do Rio Grande
Authors: Diniz Debora , Loewenstein Helena , Dentzien-Dias Paula C.
Published: August 2019

O acervo do Laboratório de Geologia e Paleontologia (LGP) é formado, em sua maioria, por fósseis da Planície Costeira do Rio Grande do Sul (PCRS). Estudos vêm sendo desenvolvidos desde meados da década de 1990 sobre este acervo, a despeito dos quais muitos trabalhos ainda devem ser realizados. Para que esta coleção seja internacionalmente conhecida, um amplo trabalho de normatização tem sido desenvolvido a fim de identificar e catalogar os fósseis depositados neste laboratório. Estes fósseis foram distribuídos em 21 classes taxonômicas, cada representada por uma letra. Até o momento 5806 peças/lotes já foram devidamente identificadas e tombadas. Os táxons mais representativos são os invertebrados, principalmente Mollusca e Echinodermata. Outros táxons incluem Teleostei, Chondrichthyes, Toxodontidae, Litopterna, Gomphoteriidae, Artiodactyla, Perissodactyla, Xenarthra, Carnivora, Cetaceae, Testudinata, e Aves. O grande desafio desta coleção é a normatização dos dados, visto que nunca houve uma metodologia de coleta estabelecida. Dados como procedência e data de coleta estão faltando, bem como quem os coletou e identificou. Grande parte destes fósseis foi coletada nas praias do litoral central e sul do Rio Grande do sul. Os fósseis são catalogados, etiquetados e armazenados em condições que garantam a integridade dos espécimes e sua disponibilidade para pesquisadores e estudantes. Para a continuidade do processo de identificação, parcerias dentro da instituição e com grupos da América Latina são de grande importância. Esta coleção possui um grande potencial científico, pois muitos fósseis ainda carecem de estudos aprofundados.
Curiosidade e encantamento
Authors: Ferreira Gustavo Lopes , Carvalho Daniela Franco
Published: August 2019

O texto apresenta os resultados do estudo de público realizado em um museu de ciências durante uma pesquisa, na qual se realizou a produção de um artefato interativo para um museu de ciências, percorrendo desde a sua concepção até a recepção pelos visitantes. O artefato foi uma proposta de fornecimento de uma experiência interativa com o conhecimento científico, relacionado as aves do Cerrado. Nas observações do público percebemos comportamentos e falas dos visitantes que denotaram que o contato com o artefato permitiu mais do que uma experiência intelectual com o conhecimento científico, possibilitou uma experiência estética, pelo aflorar das emoções.
Há sentido na Educação Não Formal na perspectiva da Formação Integral?
Authors: Castro Fernanda Santana Rabello de
Published: August 2019

Apresentamos os conceitos de educação não formal e de formação integral a partir de autores selecionados, problematizando o primeiro. Defendemos a concepção de que uma formação integral engloba diferentes modalidades ou tipologias de educação, de forma integrada e com objetivos comuns, de modo que a ideia de educação não formal perde o sentido diante de uma perspectiva de formação integral. Apresentamos o exemplo específico da educação museal como parte da trama que tece a formação integral, apresentando algumas polêmicas conceituais deste campo específico. Concluímos apresentando a formação integral como ponto de partida para construção de processos educativos emancipatórios e transformadores.
“Museu de um museu”
Authors: Lins Beatriz Accioly
Published: August 2019

Neste artigo, busco olhar para minha experiência dentro do Museu de História Natural de Dublin e extrair dela questionamentos sobre suas especificidades institucionais e de sua imagem como um “museu de um museu”, realizando uma discussão antropológica a respeito de empreendimentos desta natureza, e uma pequena reflexão acerca de representações sobre o passado. Penso que a experiência e os discursos acerca do museu de Dublin nos colocaria uma questão curiosa: seria possível preservar, de alguma maneira, o passado?
Museu como templo e praça pública
Authors: Vaz Adriana
Published: August 2019

Este artigo analisa o Museu Oscar Niemeyer (MON) e seu público. Toma como orientação teórica as noções de hibridação (Canclini), de poder público e grande público (Habermas). A pesquisa aponta para três fatores que justificam a popularidade do MON: o papel do poder executivo, a divulgação na mídia e o modelo jurídico (OSCIP). E conduzem à conclusão de que o MON é um museu pós-moderno e espetacular, cujo valor de uso se inscreve na afinidade do público com a cidade. Portanto, o Estado ao promover uma política pública voltada ao grande público fez do MON um espaço popular.