bluuebunny/crossref_metadata_2025 huggingface dataset:
Diferentes métodos de processamento de imagens termográficas para avaliação da temperatura do carpo em bezerros saudáveis
Authors: Borges Pedro Augusto Cordeiro , Silva Danilo Conrado , Silva Nivan Antônio Alves da , Lima Valesca Henrique , Queiroz Paulo José Bastos , Borges Naida Cristina , Silva Luiz Antônio Franco da
Published: May 2022

Resumo Este estudo objetivou comparar três métodos de processamento de imagens termográficas na avaliação da temperatura do carpo de bezerros saudáveis. Adicionalmente, buscou-se avaliar a simetria térmica entre os carpos contralaterais desses bezerros. Foram obtidas imagens termográficas de ambos os carpos de oito bezerros, hígidos, com idade entre 20 e 45 dias e peso médio de 38,65 ± 2,27 kg. As imagens foram analisadas por meio do software GRAYESS® IRT Analyzer 7, que possibilitou a obtenção da temperatura total (Ttot), temperatura da região de interesse (Troi) e temperatura máxima média (Tmax). Não houve diferença entre as temperaturas obtidas pelos métodos Ttot e Troi. O Tmax mostrou temperaturas mais elevadas (p < 0,01) em comparação aos demais métodos. Os três métodos de processamento de imagens apresentaram correlações elevadas e significativas para a temperatura dos carpos direito e esquerdo de bezerros saudáveis, entretanto, o Tmax apresentou maior coeficiente de correlação (r = 0,99), o que sugere maior sensibilidade para identificação de variações térmicas entre os carpos contralaterais. O intervalo de confiança de 99% para a diferença de temperaturas entre os carpos direito e esquerdo (∆d-e) foi de 0,03 a 0,26ºC, o que indica que a variação de temperatura dentro desse intervalo não remete a alteração patológica.
On the margins of diversity management? Travestis, Transsexuals and the world of work
Authors: Paniza Maurício Donavan Rodrigues , Moresco Marcielly Cristina
Published: May 2022

ABSTRACT Although research on LGBT+ diversity in Administration has gained visibility, studies about the transgender population are still scarce. This essay presents a literature review of the experiences of travestis and transsexuals at work. The analysis of the literature led to the creation of four categories of meaning: (1) the construction of trans research agenda in Administration; (2) the places and non-places of travestis and transsexuals in the world of work; (3) trans pedagogy as an organizational diversity category and (4) strategies of transgender expression in the workplace. The categories discussed in this paper indicate possible ways to consolidate a trans research agenda in Brazilian studies on organizational diversity.
Drivers of zooplankton spatial dynamics in a small neotropical river
Authors: Picapedra Pablo Henrique dos Santos , Fernandes Cleomar , Baumgartner Gilmar , Sanches Paulo Vanderlei
Published: May 2022

Abstract Aim Our objective was to describe the structure and spatial patterns of the zooplankton community in a small Brazilian river system (Paranaíba River sub-basin) and evaluate the role of an oxbow lake in the dynamics of this community. Methods Zooplankton samples were collected from sites located in an oxbow lake and the Aporé River bed during the rainy and dry seasons. We collected these samples from the surface and bottom levels of two different zones (littoral and channel). For each hydrological season, analysis of variance was conducted to determine the differences in species richness and abundance of zooplankton among different sites (longitudinal), zones (lateral), and depths (vertical). Cluster analysis was performed to assess the similarity in species composition. In addition, a canonical correspondence analysis was used to select the environmental variables that best explained the variation in zooplankton abundance data. Results We recorded 152 species: 70 rotifers, 53 testate amoebae, 20 cladocerans, and 9 copepods. We observed changes in the species richness and abundance of zooplankton along the longitudinal axis of the river in both the rainy and dry seasons. However, we did not detect any lateral or vertical changes in these attributes. Cluster analysis also indicated that the greatest differences in species composition were in the longitudinal axis of the river. The longitudinal variability of zooplankton was mainly associated with the influence of an upstream oxbow lake, as well as the changes in water flow velocity, turbidity, and concentrations of suspended solids downstream. Conclusions Our results demonstrate the importance of a heterogeneity of hydrological characteristics as a structuring factor of the zooplankton community in the Aporé River. Thus, we highlight the relevance of actions to protect and maintain the natural characteristics of these environments.
How can a language have double-passives but lack antipassives?
Authors: Dikmen Furkan , Demirok Ömer , Öztürk Balkiz
Published: May 2022

Passivization in Turkish may target both internal and external argument positions, for passives of unaccusatives, unergatives and transitives are possible in the language. Interestingly, Turkish also has double passives where the passive morpheme is iterated and both argument positions are saturated. However, the language does not allow for antipassives, where only the internal argument position of a transitive predicate is saturated by passivization. Importantly, under plausible compositional analyses, antipassives are fully predicted, contrary to the fact. Hence, the unavailability of antipassives in a language that has double passives (and passives of unaccusatives) remains as a puzzle, which this paper sets out to solve. In particular, we argue that antipassives are ruled out on the grounds that the passive morpheme is visible to the case calculus in terms of Dependent Case Theory but has to remain caseless throughout the derivation. We show that this account also correctly predicts that internal argument positions that happen to be lexical case positions can never be targeted by passivization. Finally, we provide a fine-grained analysis of internal argument suppression accounting for the aspectual restrictions it has been reported to have, and compare our work to the existing proposals.
Talmy’s typology in serializing languages: Variations on a VP
Authors: Hopperdietzel Jens
Published: May 2022

Two types of resultative constructions that are unevenly distributed across languages (Talmy 2000) can be identified based on the lexicalization of manner and result meaning in the verbal main predicate: resultative secondary predication lexicalizes the manner component, while so called means constructions lexicalize the result component instead. However, this typology has been based primarily on non-serializing languages such as English and certain Romance varieties, in which the secondary manner or result predicate is necessarily non-verbal. This contrasts with resultatives in serializing languages, in which both the manner and result component are realized by verbal predicates, making it difficult to determine the underlying syntactic status of the respective predicates. By investigating the morphosyntactic and semantic properties of resultative serial verb constructions (RSVCs) in two serializing languages, Mandarin and Samoan, I argue that RSVCs are neither a uniform nor special phenomenon (contra Larson 1991; Slobin 2004), but show the same split observed in non-serializing languages. This observation has further implications on a unified configurational analysis of manner and result meaning within a syntactic account of event and argument structure building.
Investigation of the pain factors of rotator cuff tears: a protocol for a scoping review v1
Authors: Yuda Tomohisa , Saito Takashi , Shigetoh Hayato , Kitagawa Takashi
Published: May 2022

Objective： The purpose of this scoping review was to investigate the factors associated with rotator cuff tear pain and summarize them into the incidence, exacerbating, and remitting factors. Introduction： Rotator cuff tears are one of the most common shoulder disorders. A variety of associated factors have been cited in observational studies, and systematic reviews have examined factors associated with symptomatic rotator cuff tears. However, no reports differentiate pain factors into developmental, exacerbating, and remitting factors. Inclusion/exclusion criteria： The study will include patients whose physicians have diagnosed non-traumatic rotator cuff tears using Magnetic Resonance Imaging or ultrasound echo. Outcomes will be a pain, the severity of rotator cuff tear, physical function, and psychological factors. The study design will be observational, with no restrictions on region, race, gender, or language of the original paper. Methods： A systematic search of PubMed, Embase, Web of Science, Cumulative Index to Nursing and Allied Health Literature (CINAHL), and Physiotherapy Evidence Database (PEDro) databases using the keywords “rotator cuff tear”, “pain”, and “etiology” will be conducted during May 2022. In the first screening step, two independent reviewers will review all of the titles and abstracts to exclude irrelevant articles. In the second screening step, two independent reviewers will review all of the full texts to exclude irrelevant articles. Outcomes will focus on rotator cuff tear severity, pain, physical function, and psychosocial factors, categorizing factors associated with pain according to each study design and identifying incidence factors, exacerbating factors and remission factors.
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IN SEARCH OF SCIENTIFIC STUDIES OF TARAS SHEVCHENKO’S POETRY
Authors:   Shevchenko Institute of Literature of the National Academy of Sciences of Ukraine, Kalynchuk А. M.
Published: May 2022

Article updates the works of O. Hrushevskyi and V. Shchepotiev, who replenished the tragic martyrologist of the national culture in the days of Stalin's genocide, as well as M. Markovskyi, who was forced to cease scientific activity. They laid the scientific foundations of Shevchenko studies together with I. Franko, M. Sumtsov, M. Zerov, P. Fylyppovych, M. Dray-Khmara, V. Miyakovskyi, B. Navrotskyi. The purpose of the article is to spread information about the contribution of O. Hrushevskyi, M. Markovskyi and V. Shchepotiev to the development of scientific approaches to the study of the poet's creativity, to update their texts, to correlate them with the problems of the development of Shevchenko's science in the first third of the 20th century. Shevchenko studies are considered in the context of developing by critics’ objective approaches to the study of the artist's heritage. Shevchenko's Intelligence of O. Hrushevskyi, M. Markovskyi and V. Shchepotiev in the early 20th сentury – interesting and relevant in the sense that they testified to the critics' attempts to interpret Shevchenko's achievements of a particular period from the perspective of the psychology of creativity, to consider in the context of the controversy about the historical-literary and folklore sources of his poetry. In their search for scientific research, scientists discussed the known facts, attracted unfamiliar materials, developed problems that were ripe for that period, thus supporting the development of Shevchenko studies in the first third of the 20th century, diversifying its directions. The results of this study can be used in the preparation of an objective monograph on the latest trends, problems, and prospects for the development of Shevchenko studies in the early 20th century.
ORGANIZATIONAL AND SCIENTIFIC ACTIVITIES OF OLEKSANDR DOROSHKEVYCH IN SHEVCHENKO STUDIES (with using the archival sources)
Authors:   Shevchenko Institute of Literature of the National Academy of Sciences of Ukraine, Kаrpinchuk H. V.
Published: May 2022

This article dedicated to Ol. Doroshkevych (1889–1946), one who is the author more than thirty articles about the famous Ukrainian poet Taras Shevchenko. Ol. Doroshkevych also known as the head of the Kyiv branch of the Taras Shevchenko Institute in 1926–1931 years. The participation of the scientist in the organization of Shevchenko Studies in the 1920’s – early 1930’s is investigated. The achievements of the scholar to the study of Shevchenko age, the investigation of poet’s connections with friends and with the Slavic world are determined. The Doroshkevych contribution in the development of the textual principles of the publication of Shevchenko’s works, study of memoirs and letters about the poet are described. The role of Ol. Doroshkevych in Shevchenko Studies of the first half of the twentieth century is determined by using the archival sources of the researcher.
ISSUES OF TRANSLATIONAL MASTERSHIP OF TARAS SHEVCHENKO’S POEMS IN THE JAPANESE SLAVIC STUDIES
Authors:   Taras Shevchenko National University of Kyiv, Bondarenko I. P. , Kuzmenko Yu. S. ,   Taras Shevchenko National University of Kyiv
Published: May 2022

This article aims to outline main tasks when translating poetry of the Great Kobzar into Japanese. Analytical, biographical, contextual-descriptive and comparative methods were used in the study. In particular, the analytical method is applied when examining the Japanese works related to a poetic heritage of T. Shevchenko and its translations, biographical – when considering some facts from life of the Japanese slavists, which contributed to their interest in works of the Ukrainian poet. The contextual-descriptive and comparative methods are used in analyzing translated collections of the Great Kobzar’s poetry in Japanese and problems of the Ukrainian-Japanese literary translation. Poetry of Taras Shevchenko found its readers in Japan thanks to translation efforts of Taisuke Shibuya, Takayuki Murai, Gаchiro Tazawa, Takashi Juge, Shosuke Komatsu, Kazuo Nakai, Takao Hino, Takao Okamoto and Etsuko Fujii. Three main problems of translation mastership can be distinguished in the Japanese slavistics. First, expediency of translating the Kobzar's poems not from the Ukrainian original, but from the Russian and English translations. This issue was brought up by Kazuo Nakai, who noted that this practice of using the Russian or English texts continued until the end of 1990s. Secondly, significant problems in case of the Ukrainian-Japanese literary translation are associated with untranslatables for designation of certain cultural, socio-historical and other phenomena. Third, selection of the modern or obsolete language for translation: Takashi Juge used obsolete words, while Etsuko Fujii chooses the modern Japanese language, so that young people could also read the poems of Kobzar. Thus, the Japanese slavists still have a lot of problems in the field of the Ukrainian-Japanese literary translation, to overcome which each of them uses its own approach. Further study of the Japanese translation of the Ukrainian literary works seem to have potential for deepening cultural and literary relations between two countries.
TWO REFERENCES TO PAUL DE KOCK IN SHEVCHENKO’S NOVEL «THE ARTIST»: AN ATTEMPT OF INTERPRETATION
Authors:   Shevchenko Institute of Literature of the National Academy of Sciences of Ukraine, Boron O.V.
Published: May 2022

The article is devoted to the references to the novels of the French belletrist Paul de Kock «André le Savoyard» and «Frère Jacques» in Shevchenko’s novel «The Artist». The references are analyzed in two aspects – real biographical and strict literary. In the former case, it deals with the degree of authenticity of the episodes relating to Paul de Kock’s books, in the latter case, it deals with the functional significance, the semantics of the intertextual references to these works. In Shevchenko’s novel, the main character treats both novels of Paul de Kock with indifference, regarding them as easy reading which entertains more than educates. As a future prose writer, Shevchenko could learn a method of direct conversation with the reader from the novel of Paul de Kock though this method was generally widespread in Russian literature of the 1820–1830th. The French writer repeatedly addressed his readers, just as Shevchenko did, but such similarities should be considered as typological coincidences in the arsenal of artistic means. Young Shevchenko read not only the works of «high» literature but did not shun belles lettres, in particular works by Paul de Kock who was famous primarily for his frivolous and joking manner of writing. The Ukrainian prose writer endowed a partially autobiographical hero of his novel with correspondent reader’s preferences. It is evident that he did not treat the creativity of the French novelist as something shameful or unacceptable to a young gifted man. Both novels have an expressive moralizing direction. At the same time, they also depict unattractive moments in the lives of aristocrats, young maids, rogues, and even murderers. The proposed observations complement the study of Shevchenko’s reading circle, on the one hand, and, on the other hand, they contribute to a more complete characteristic of the protagonist of perhaps the best work of the writer.
THE ROLE TARAS SHEVCHENKO IN EVALUATION IN OF HIS LIFTTIME CRITICAL REVIEWS
Authors:   Taras Shevchenko National University of Kyiv, Hnatenko V. I.
Published: May 2022

No other book by Ukrainian author has ever compelled so much attention as «Kobzar» («The Bard») by Taras Shevchenko. He was the national poet, who confirmed the identity of Ukrainian people, their history and language. Newspapers and magazines in St. Petersburg almost simultaneously announced literary works by Shevchenko. The majority of criticists of the time acknowledged Shevchenko’s talent and advised him to write his masterpieces in Russian and not in the so called «peasant colloquial speech of Little Russia». 1860 was marked by publishing the last «Kobzar» in his life in St. Petersburg. N. Kostomarov, N. Dobroliubov, D. Mordovtsev, М. Mykhailov, P. Kulish, L. Blummer, A. Plescheev were among those who highly valued the piece, emphasizing melodicism, poetry of the language, national colour and the brilliance of its poems combined with profound national character and folk motives as indispensable parts of Shevchenko’s poetic language. Two volumes edition of «Taras Shevchenko in critics» by O. Boron and M. Nazarenko has appeared as one of the most notable accomplishments in Shevchenko studies (edited by Hrabovych). The first volume features comprehensive live edition of reviews of Shevchenko’s poetry and paintings.
THE IMAGE OF CHYGYRYN IN THE POETRY OF T. SHEVCHENKO AND IN «HISTORY OF RUS PEOPLE»
Authors:   Taras Shevchenko National University of Kyiv, Hudyma А. О.
Published: May 2022

In «History of Rus People» Chygyryn is shown as a city of strong hetman power, where the fate of Ukraine is decided, and at the same time a city of strife, internal conflicts, political disorientation, which ends up with the destruction of the city in 1678 under pressure of the Turks. If the author of «History of Rus People» unfolds before us the history of Chygyryn over about 180 years, then the history of Shevchenko’s Chygyryn dates back more than 240 years. According to T. Shevchenko Chygyryn undergoes three stages of development – Cossack, Haydamaky and the period of decline and oblivion, contemporary to T. Shevchenko. The image of Chygyryn in T. Shevchenko's works usually does not acquire specific external features. The poet mostly represents the image of Chygyryn through an action or an event that takes place in it. For T. Shevchenko, Chygyryn serves as a starting point for certain national-scale actions and processes: the Cossack march («Headscarf»), the election of a hetman («On Holy Sunday»), the Haydamaky movement («Haydamaky»). It is obvious that the fate of Chyhyryn disturbed T. Shevchenko, since, as he clearly saw it, together with the hetman's capital, burned in quite remote for T. Shevchenko year of 1678 and transformed into a regular township, the memory of the role of Chygyryn in the history of Ukraine in its statesmanship period had been forgotten. T. Shevchenko expresses his reflections in this regard in the poetry «Chygyryn, Chygyryn ...». Chygyryn is spiritually related to T. Shevchenko. Ukraine and Chygyryn are in a strong connection in T. Shevchenko’s mind. At the same time, the author of «History of Rus People» refers to Chygyryn and its fate rather distantly, notably, using no epithets regarding Chygyryn. In T. Shevchenko’s works, Chygyryn is associated with the concepts of glory and holiness and becomes symbolic. This is not only the real Chygyryn, whose history has reached both heyday and decline, – for T. Shevchenko – it is a symbol of Cossack glory, statehood, spiritual unity of the people.
ANTIQUE TOPOS IN A STORY “AN ARTIST” BY TARAS SHEVCHENKO
Authors:   Taras Shevchenko National University of Kyiv, Dyachenko S. I.
Published: May 2022

The article analyzes the use of individual names, images and concepts from the great ancient heritage in the story "The Artist" by Taras Shevchenko. The tale selected for the study, as well as other prose works of the writer, testified a thorough knowledge of their author in the history of Greek and ancient Roman culture and literature, skillful use of certain plots, characters from ancient times to characterize individuals, their personal qualities, or when the master as a highly educated art historian has told readers about fine art works by world-class artists or in other similar situations. Following the wise instructions of many of his friends, particularly the outstanding classicist painter, brilliant master of ceremonial portrait K. Bryullov, T. Shevchenko thoroughly researched the works of ancient historians, philosophers and poets, studied European languages, and in most cases he used topics from Bible, ancient Greek and Roman history for his paintings and art works. The ancient topos of the Ukrainian artist were formed first in painting, and later or in parallel - in words that accompanied throughout his creative career. Realizing ancient and life phenomenon, the writer has reproduced them through the prism of his own artistic vision; it is especially masterful in the tale genre. T.Shevchenko lived the inner life of his characters, worked out and applied a whole range of feelings and experiences, through which he resorted to demonstration of new and more significant means of artistic expression. In the story "The Artist" the author employed a lot of antique images that are connected with the direct artistic function of the story of the fate of a young artist, who in a short period of life turned from an apprentice "in a shabby greasy robe" into a trendsetter. The writer depicted the young author of paintings practically from the time of his redemption from serfdom until the last days of his life. In this tale the young artist overcame various difficulties, sufferings, found the strength and cleverness to develop creativity, at the same time he expressed respect and obedience to friends, teachers, mentors. The writer was leading his young artist through a number of different situations and simultaneously was presenting the great cultural importance of the ancient world. In his story "The Artist" T. Shevchenko revealed the fascinating and unique world of Hellenic antiquity, presented to the reader a great number of the ideals that he professed.
THE CINEMA EPOPE ABOUT T. SHEVCHENKO IN THE EDUCATIONAL PROCESS
Authors:   Taras Shevchenko National University of Kyiv, Tkachenko А. О.
Published: May 2022

Nowadays, students are not very willing to read fiction, and there is no other way to solve this problem, except using of audio and video disks, flash drives, radio and TV programs, Internet portals, etc., on a par with paper mediums. Curricula should also be carefully reviewed, including lists for basic and variable reading. Do not chase the number of names and works, but pick the most perfect and original in the artistic aspect. And at the same time – do not impose them imperatively. Perhaps, it is the biggest contradiction of the very idea of stacking programs. However, it is necessary to solve it, because the humanitarian progress is one of the most important factors in the unity of society. And, of course, it is necessary to create a state educational portal (while almost everything is kept on enthusiasm), where to submit the work of the writer, accompanied by its intermedial re-coding. Not to mention the significant cost savings on the reissue of textbooks and chrestomathies, this will tone up the scientific and educational foundations of literary and artistic education. T. Shevchenko's creativity occupies a significant place in our intermedial space, therefore, so in this "cassette" article we confined ourselves to meditations on the documentary-artistic series "Taras Shevchenko. Testament". Moreover, this is exactly student's reflections, accompanied by brief comments of the teacher. Inasmuch as in our pragmatic time, it's not so easy to watch 12 films for one person, students were invited to submit in short reviews not only concise thoughts about films, but also the timing of the most interesting or key scenes and episodes of the series from their point of view. It will also help future audiences orientate in a fairly large time and space of the cinema epopees.
SHEVCHENKO’S HERITAGE IN TIMES OF INFORMATION CHALLENGES
Authors:   Kyiv Bohun military lyceum, Fesenko О. D.
Published: May 2022

The article deals with the topical problem of using Shevchenko’s heritage in the context of novel hybrid war challenges during studying of the Ukrainian language and literature at Bohun Kyiv military lyceum. The innovative research includes the hottest educational problems of the given target audience, including humanistic and cultural consciousness of teenagers. Unveiling the potential of an inherited language program based on Shevchenko’s heritage gives the novel possibility to form and learn patriotic citizens. It is shown that forming of lyceum student’s thinking is tightly connected with assimilation of lexicon in particular of the Shevchenko’s subject matter. The main problems of humanitarian aspect of military education in a hybrid war environment are analyzed. The national verbal content and Shevchenko’s heritage in particular effectively help not only to defend, but to offense as well. The life and art heritage of Taras Shevchenko is the basis for offensive informational and educational strategy at the Bohun Kyiv military lyceum. Educational and training tasks during studying of Shevchenko’s heritage are analyzed, and include the formation of practical communicative skills of the new generation of lyceum students to be successfully self realized in a modern digitalized education. The obtained results include analysis of peculiarities of Shevchenko’s heritage studying according to the Program and during additional events, and a positive feedback of lyceum students to the studied material. Curriculum vitae of Taras Shevchenko is given as an example of purposefulness, fortitude, courage and uncompromising, devotion to Ukraine. Addressing of the art heritage of Shevchenko has shown to be highly productive, among them visiting his memorial places in Kyrylivka, Moryntsi, Kyiv, Chernihiv, Kholodny Yar, Kaniv, Chyhyryn, several places in Kazakhstan. It was confirmed that the Shevchenko’s heritage means the consolidation of the army based on all-nation values of the state language, history, culture, history, enhancing its defense capability. These practical studies showed that using Shevchenko’s heritage at military lyceum is a crucial tool of social views formation, motivation for self seeking, self establishing, in particular during complex transitional teenager period, and for preserving traditional moral imperatives and artistic-esthetical ideals.
FIRST GALICIAN RECEPTION OF SHEVCHENKO’S POETRY (1840–1850’s)
Authors:   Shevchenko Institute of Literature of the National Academy of Sciences of Ukraine, Kharchuk R. B.
Published: May 2022

The author examines the first reception of Shevchenko's poetry in Galicia in the 1840s and 1850s, finding out that Galician writers, including the publishers of «The Dniester mermaid» («Rusalka Dnistrova»), read Shevchenko's poetry in the almanac «Swallow» («Lastivka»). In her opinion, M. Shashkevych was more influenced by I. Kotlyarevsky's «Aeneid» and M. Maksymovуch's collection of Ukrainian songs than from Shevchenko's poetry, though he copied «Bewitched» («Prychynna») from the almanac «Swallow» («Lastivka»). This fact makes it possible to count M. Shashkevуch among the first implicit readers of Shevchenko in Galicia. Such reaction to Shevchenko's work can be explained by the fact that none of the three members of the «Russian Trinity» read the first Kobzar (1840). Y. Holovatsky has received «Chigirinskij kobzar and Gajdamaki. Dve pojemy na malorusskom jazyke Shevchenka» (St. Petersburg, 1844) in 1846 from K. Zap. He has received poems «Trizna» and «Hamalia» as well. This is evidenced not only by K. Zap's letter with the list of books he had to bring to Lviv, but also by the Y. Holovatsky’s memories, which have not been mentioned in Shevchenko's literature before. Y. Holovatsky refused to mention Shevchenko and his works in publications and lectures due to the coward in his house in connection with the report on reading the poem «Haydamaky». His brother Ivan intended to include Shevchenko's poetry in his anthology «The wreath for Ruthenians to Obzhynky» («Vinok Rusynam na obzhynky»), the first and second parts of which were published in 1846 and 1847 in Vienna, but he did not implement this plan. So, the first acquaintance with the poetry of Shevchenko in Galicia was mediated by an almanac «Swallow» («Lastivka»), the first implicit reader of Shevchenko in Galicia was M. Shashkevуch. «Kobzar» (1840) never reached Galicia, but information about «Kobzar» (1844), «Trizna», «Hamalia» and forbidden Shevchenko’s poem «Caucasus» («Kavkaz») circulated in the Galician intellectual environment. The first readers of Shevchenko in Galicia were a few people. The wider audience (mostly seminarists) became acquainted with Shevchenko's poetry following the «Kobzar» (1860).
T. SHEVCHENKO IN THE BELARUSIAN POETS' TRANSLATIONS
Authors:   Taras Shevchenko National University of Kyiv, Kurchenko D.O. , Pogrebnyak O. А. ,   Taras Shevchenko National University of Kyiv
Published: May 2022

The article deals with the T. Shevchenko's Belarusian translations. There is information about Belarusian writers' and translators' work. Speaking of methodology: two types of data analysis being performed ̶ rhetorical text analysis focusing on the broad genre characteristics of articles. The features of the Belarusian translations are analyzed. The overview of recent research and publications that describe the issues of the T. Shevchenko's works translations. Results indicate that Taras Shevchenko's works are very important part of Belarusian history and criticism of literature. Belarusian writers and translators put huge work into discovering and analyzing new sides of T. Shevchenko's works. The article also revealed that the figure of the Ukrainian writer plays the last role in the work of Belarusian writers, Taras Shevchenko was an inspiration for their artistic and scientific works. The translation of the works of T. Shevchenko into the Belarusian language was considered, as well as the analysis of the peculiarities of the translation of the original works into the language of translation, as well as a brief review of studies and publications on Belarusian translation studies, which raise the issues of the Belarusian reception of T. Shevchenko's works. Classics of Belorusian literature and contemporary writers have devoted a great deal of fiction to the Ukrainian writer. It is proved that Belarusian poets with special responsibility approach to the process of translation of works of Ukrainian writer, trying to convey the fullness of Taras Shevchenko's words. The methodological basis is a scientific and descriptive method, it was used to review translations of T. Shevchenko's works, to review translation works, and the method of analysis was applied in the work directly for the features of the translation of original works in the language of translation. Shevchenko's works have been translated into most languages of the world.
PROBLEMS OF THE EDITION OF THE “JOURNAL” IN ACADEMIC EDITIONS OF COMPLETE WORKS OF TARAS SHEVCHENKO`S: HISTORY AND PROSPECTS
Authors:   Shevchenko Institute of Literature of the National Academy of Sciences of Ukraine, Lebid-Hrebeniuk Y. M.
Published: May 2022

The article is conditioned by the need to reflect on the experience of previous publications of Taras Shevchenko's diary as a part of the academic complete works. The purpose is to identify the basic requirements and challenges that the editors will face in preparing the future issue of the Journal. Two main methods of research consist of structural analysis and exactly textual. The article analyzes poet's diary in five full editions of Taras Shevchenko's works, published by the Academy of Sciences at different times. Author especially noted main characteristics, common to all publications — completeness, scientifically-based comments, attention to the needs of the recipient (necessary reference and explanatory apparatus). The article highlights the basic principles of publishing and textology in the diary edition: closely reading into the text, correct only clearly some sort of author's mistakes, attentive work under grammar, vocabulary, phonetics, stylistics. All academic editions of the text have a number of significant deviations from the original, which must be considered and corrected in the future. Further briefly explained the main features of the proposed changes in the next full edition. It is also necessary to return Ukrainian phonetics to Shevchenko’s diary. The editors, guided by the rules of Russian orthography, corrected many words that indicate bilingualism, not only as a stylistic feature of writing a diary, but also the manner of thinking of its author. This article can be useful for the preparation of the researches of the diary of Taras Shevchenko, and also studies devoted to problems of text edition.
THE WOMEN'S MYTHOLOGICAL IMAGES IN THE TARAS SHEVCHENKO'S AND YURIJ VYNNYCHUK'S WORKS
Authors:   Taras Shevchenko National University of Kyiv, Medvedchuk O. P.
Published: May 2022

The article gives a detailed analysis of the mythological women images' transformation in Taras Shevchenko's and Yurij Vynnychuk's works. The peculiarities of using of these images in the poem "Witch", the ballad "Insane woman" by Taras Shevchenko and short stories "Hornlet", "Taste of birch" by Yutij Vynnychuk are examined. It is shown that respectful attitude to women was typical feature of the Ukrainian nation from the remotest times, as a woman plays the most important role in our mental sensation of the world – the role of mother and tradition-keeper. Therefore it is understood that in Ukrainian mythology the images of a witch and a mermaid have not obtain negative connotation, as they have in many other mythologies. The comparative analysis is given, common and different features of the witch and mermaid images in the Taras Shevchenko's and Yurij Vynnychuk's works are determined. The common peculiarity of picturing their heroines as positive and kind women in both authors' creations is defined. Such a position suits the general believes of the Ukrainian nation and represents national and common to mankind values that are reflected in our mythology. Besides, the both authors impart their mythic women with typical for human soul feelings and emotions, such as love, sadness, care, compassion and ability to forgive. The main difference is the fact, that Yurij Vynnychuk combines Ukrainian mythology with European and adds own descriptions in describing the appearance of mermaids and withes, while Taras Shevchenko follows Ukrainian mythological concepts. The reason of this difference is caused by the great lapse of time in almost two centuries between the authors and different peculiarities of style of their works.
TRANSLATOR TARAS SHEVCHENKO
Authors:   Taras Shevchenko National University of Kyiv, Radchuk V. D.
Published: May 2022

The essay highlights the problem of mutual translatability of poems and paintings by Taras Shevchenko by treating them, “Kateryna” and other paired works in particular, in the light of Lessing’s “Laocoon” and from the point of view of modern semiotics and hermeneutics. The cumulative aesthetic influence of the artist’s works along with the integrity of his personality and style are accentuated. Shevchenko's masterpieces are considered as signs materialized by his talent and will in the proper means of an art that are structured as a whole due to the organic interaction of his creative drive and the diversity of semiocodes. With the attitudes of receptive aesthetics and linguistics in view, the study cautiously looks into the future afterlife of Shevchenko’s heritage.
THE SCIENTIFIC INTERPRETATION OF TARAS SHEVCHENKO’S POETRY BY V. SHEVCHUK ACCORDING TO THE BAROQUE EPOCH
Authors:   Taras Shevchenko National University of Kyiv, Slipushko O. M. , Katyuzhynska A. O. ,   Taras Shevchenko National University of Kyiv
Published: May 2022

The purpose of the research is to analyze the influence of the Baroque epoch on the Taras Shevchenko’s poetry, to investigate the peculiarities of V. Shevchuk’s interpretation of the Baroque tradition, in particular the Baroque historiography, symbols and allegories, in the poetic heritage of the artist. The features of the scientific interpretation of Taras Shevchenko’s poetry by V. Shevchuk are analyzed. Particular attention is paid to the influences of the outlook and characteristic features of the Baroque epoch in the poetic heritage of the artist. The scientific views of the scientist on the existence of the Baroque traditions in the creativity of Taras Shevchenko are analyzed, Baroque ideas, motives and images are determined. The role and peculiarities of using Baroque historiography, biblical motives, symbols, allegories, represented in according to Baroque outlook, are substantiated. It was proved, that poet’s creativity is characterized by complexity and versatility, as evidenced by his active usage of meaningful symbols and allegories. In addition, it is determined, that in the poems of the period of exile such baroque motives, as insurmountable oppression, despair, tragedy of the author’s «I», appealed to the topic of death, pessimism, are represented. V. Shevchuk is sure, that the crisis of the spirit, the pessimistic motives, embodied by Taras Shevchenko in poetry, are caused by the deprivation of the living connection with Ukraine. Besides, Taras Shevchenko often refers to historical topics in his poems, in particular Ukrainian Baroque historiography. Therefore, Taras Shevchenko’s creativity is based on biblical motives and an appeal to God. V. Shevchuk thinks, that Taras Shevchenko’s poetry deals with the highest theme in the creation of a universal picture of the world: God and person, while God is a generalized concept and father of people. In conclusion, the literary achievements of the Baroque epoch have become one of the sources of Taras Shevchenko's creativity, influenced the formation of his outlook, and also found its own interpretation in the poet's heritage.
ARCHIVAL DOCUMENTS ABOUT TARAS SHEVCHENKO HOMELAND
Authors:   Shevchenko Institute of Literature of the National Academy of Sciences of Ukraine, Sokoliuk Ju. I.
Published: May 2022

Article by Iu. Sokoliuk Archival Documents on the Birthplace of Taras Shevchenko aims to broaden the scientific understanding of locations that are important for the creative development of Taras Shevchenko. An extremely important aspect of the methodological work is the involvement of archival information in the channels of mass and scientific communication, the discussion at seminars and conferences, publication in specialized publications, etc. Archival documents of the 19th century reflect the features of real life of all segments of the population of Russian Impire. In the given intelligence the author directed his efforts to applied research in the archives of Kyiv. The relevance of the intelligence is that the documents are still unknown to the general public. Some archival cases relate to Mr. Paul Engelhardt's estates, whose serfs were the Boyko-Shevchenko families. Of particular interest are cases of abuse of serfs in the village of Kirilovka. This shows that the human tragedies described by Shevchenko have a true historical basis. Summarizing the rich information material collected by renowned Shevchenko scholars, it should be noted that Shevchenko's childhood in a special way influenced the formation of the poet as an artist and as a person. Modern science opens new pages every day. An address to the original sources is an extraordinarily important aspect of modern Shevchenko’s studies. More and more scientists are interested in this topic. Therefore, we conclude that the archival institutions of Ukraine are still an inexhaustible source for studying the historical realities of T. Shevchenko's life and their influence on the writer's work.
The Concept of «the Manor Estate» in Ukrainian Culture at the End of XVIII – the Beginning of XX Centuries
Authors:   Taras Shevchenko National University of Kyiv, Kazmyrchuk Mariia
Published: May 2022

The aim of the article is to analyze the terms and definitions that using in scientific research of the manor estate culture of Ukraine at the end of XVIII – the beginning of XIX centuries. Also in the article determined the concept of «the manor estate». A scientific novelty of the article is consisted in the fact that for the first time, a historical and terminological analysis of the concept of «the manor estate» was conducted and the system of concepts of the manor estate culture of Ukraine at the end of XVIII – the beginning of XIX centuries was determined. The term «manor estate» is multifaceted in the Ukrainian culture at the end of XVIII – the beginning of XX centuries. It has come a long historical way and has been filled with new content at every stage. Thus there is no clear definition of «manor estate» in the literature. Sometimes there is noticeable confusion in research. The formation of concepts is influenced by economic, social, political, cultural spheres. It is lead to the formation of relationships between existing and newly formed terms. The manor estate was the center of economic life and economic development of the surrounding areas on the economic sphere. It became the basis for the development of the private sector, an element of economic freedom, an economic unit. The manor estate was a one of various settlements’ type on the social sphere. This is associated with a number of different terms, in particular, the most common of them – «homestead». It still causes a lot of confusion in modern scientific researches. «The manor estate» is seen as the property of various social stratums in the socio-political sphere. It gives a creation of different lifestyles and socio-political thought not only of the nobility but also of the bourgeoisie and the intelligentsia. Moreover, modern researchers consider estates as centers of accumulation and spread of culture and various arts in the socio-cultural sphere. They see in them a small homeland, a ancestral and cultural nest, a spiritual territory. After the historical and terminological analysis of the concept of «the manor estate» in Ukrainian culture it should be determinate by following meaning. The manor estate appeared as a complex multifaceted system of economic, socio-political and cultural aspects, based on landownership, entrepreneurship and private property. At the same time it was a unique type of settlement with the representative homestead and park grounds were the center of it. Also it was the center of formation and dissemination of culture, with special processes of organization of life and creativity. And all this could belong to representatives of different classes.
Women’s Hygiene: Body, Hair and Face Skin Care in Traditional Ukrainian Culture In Late 19th – Early 20th Centuries
Authors:   Taras Shevchenko National University of Kyiv, Ignatenko Iryna
Published: May 2022

This article presents an approach to analysis of women’s hygiene and beauty practices in the traditional Ukrainian society. As a key message, the article discusses female hygiene and body care as a historically determined, complex process, affected by popular beliefs stemming from people’s living, natural and, more specifically, climatic conditions. The author presents the rules of society, especially taboos, which influenced women’s hygiene as a special practice. Hence hygiene, body care and beauty standards are recognized as a function of specific social and cultural norms established for woman’s body. In addition, the notion of bodily health, hygiene and beauty was most closely tied to the popular view of «proper» and «improper» days for body care. For instance, ritualistic washing of the body was mandatory on the eve of major calendar holidays, especially Christmas and Easter, however, bathing, washing or sprinkling, practiced during these periods, had as its object rather some sacred than any hygienic purpose. Accordingly, on the days of traditional Christian fasting (Wednesdays and Fridays), it was forbidden to bathe, the same goes for Sundays and the time during certain calendar periods: on the eve of Whit Sunday festivities, Midsummer Night, also after Elijah’s Day or the Feast of Transfiguration. The emphasis was put on hygiene, standards of beauty, care, etc. as a construct of cultural and social norms, where the age and marital status of women would be of great importance. As woman grew older, she had to become more inconspicuous: excessive primping, self-care, and adorning were strongly condemned by the society of that time. Thus, it appears that all hygienic procedures of body and hair care were under the scrutiny of society, with imposition of a significant number of taboos, restrictions and precautions. Women had to follow all those precepts because otherwise they would be accused of violating sacred traditions.