DOLORIC POETICS OF M. VORONYI'S AND G. CHUPRYNKA'S LYRICS
Authors:   Bogomolets National Medical University, Shevel Tamara , Shevel Natalia ,   Bogomolets National Medical University
Published: June 2024

A new philosophical system of thinking and modern original poetics and aesthetics at the turn of the century was marked by the appearance of poets such as S. Baudelaire or P. Verlaine, who formed the theoretical platform of symbolism with a breakthrough into the mysterious subconscious. The modern cultural-psychological type of sensuality, which was formed at the end of the 19th century, is marked by mystical apocalyptic experiences and melancholy, the search for God and the aesthetics of suffering. M. Voronyi and G. Chuprynka were bright representatives of their time, so we find a lot in common in their worldview and creative work, in particular, regarding Doloric poetics, motives of suffering and symbols of tears. Therefore, their poetic work deserves careful consideration through the prism of Dolorism, since such motifs are dominant in the works of these representatives of early Ukrainian modernism. On the other hand, in Ukrainian literary studies, we do not have separate studies devoted to Doloric aesthetics and the motif of suffering. The purpose of the article is a thorough and purposeful analysis of the Doloric poetics of the lyrics of M. Voronyi and G. Chuprynka through the prism of the historical-literary process of the beginning of the 20th century. and taking into account the ideological and aesthetic views and extraordinary personality of the artists. The task is to find out the origins of the motifs of suffering, longing, pain, to highlight the corresponding doloric imagery in poetry, in particular the image of tears. A set of research methods is used in the methodology for successful implementation of the assigned tasks. Comparative analysis made it possible to single out common views, creative principles, Doloric motives and images of G. Chuprynka and M. Voronyi. The typological method made it possible to explain the similarity of aesthetic phenomena by the conditions of social and literary development, typological convergences of creativity. The biographical method was useful for examining the history of the creative individuality of artists, explaining the nuances of Doloric themes and images. The psychological method made it possible to more adequately decode the inner world of the artist. The results of the research are an in-depth analysis of the poetic work of M. Voronyi and G. Chuprynka, based on a new philosophical system of thinking and oriented to the modern artistic trend of the turn of the century with original poetics and aesthetics, with a breakthrough into the mysterious subconscious. It has been determined that dolorism in the poetry of both artists is a continuation of the folklore tradition of the genre of laments, trenos and laments in baroque literature, the genre of elegy. Common to both poets is the symbolic load of the image of the heart and the reason for its appearance – following the slogans of modern art. Tests and suffering as components of the image of a traveler in the works of G. Chuprynka and M. Voronyi are considered. It has been found that the ideological and philosophical basis of the motif of suffering in the lyrics of G. Chuprynka are Verlaine motifs, but with the victory of the life-affirming principle as a result of the struggle throughout the creative work of "motifs of decay" and living motifs. M. Voronyi focused on A. Schopenhauer, and also developed the Hegelian dialectic of subject and object, but he also selectively assimilated pessimistic reflections.