bluuebunny/crossref_metadata_2025 huggingface dataset:
CUBISM AND THE PSYCHOGENETIC DISTURBANCE OF VISION
Authors: Adamson Jonathan
Published: December 2013

The Essential Cubism 1907–1920 by Douglas Cooper and Gary Tinterow, Tate Gallery, 1983, 449 pp., 249 ills, 93 colour pls, £9.95
PROMOTING FANTIN, MODERATING MANET
Authors: Thomson Richard
Published: December 2013

Fantin‐Latour (Paris, Grand Palais; Ottawa, National Gallery of Canada; San Francisco, California Palace of the Legion of Honour), by Douglas Druick and Michel Hoog, 1982–3, 372 pp., c. 250 ills, 24 in colour, £29.95 (paperback)

Manet, 1832–1883 (Paris, Grand Palais; New York, Metropolitan Museum), by Françoise Cachin, Charles Moffett and Juliet Wilson Bareau, 1983, 548 pp., c. 410 ills, many in colour, £25 (paperback)

Manet and Modern Paris (Washington, National Gallery of Art), by Theodore Reff, 1982–3, 280 pp., c. 240 ills, many in colour, £31.95 (hardback, University of Chicago Press)
ART AND POLITICS IN A WORKERS' STATE
Authors: Wood Paul
Published: December 2013

Russian Constructivism by Christina Lodder, London, Yale University Press, 1983, 400 pp., 160 ills, 16 colour plates, £30
AREAS OF TENSION 900–1200
Authors: Wood Ian
Published: December 2013

The Golden Age of Anglo‐Saxon Art ed. by J. Backhouse, D.H. Turner and Leslie Webster, London: British Museum, 1984, 216 pp., c. 300 ills, 32 in colour, £10

English Romanesque Art 1066–1200 ed. by George Zarnecki, Janet Holt and Tristram Holland, London: Arts Council and Weidenfeld & Nicolson, 1984, 416 pp., c. 500 ills, 50 in colour, £19.95 cased, £10.95 paper
GRIST TO THE MILL
Authors: Ford Charles
Published: December 2013

The Age of Vermeer and De Hooch: Masterpieces of Seventeenth‐Century Dutch Genre Painting, University of Pennsylvania Press and the Symposium: Images of the World: Dutch Genre Painting in its Historical Context, Royal Academy of Arts, 9–10 November 1984.

The Golden Age. Dutch Painters of the Seventeenth‐Century by Bob Haak, London: Thames & Hudson, 1984, 536 pp., 1117 ills (74 in colour), £40

The Dutch Arcadia. Pastoral Art and its Audience in the Golden Age by Alison McNeil Kettering, New Jersey: Montclair, 1983, 339 pp., 200 b & w ills, £45
FROM PLATO TO WARBURG
Authors: Podro Michael
Published: December 2013

The Eloquence of Symbols. Studies in Humanist Art by Edgar Wind, ed. by Jaynie Anderson with a biographical memoir by Hugh Lloyd‐Jones, Oxford: Clarendon Press, 1983, 192 pp., 59 ills, £25

The History of Art as the History of Ideas by Max Dvořák, trans, by John Hardy, London: Routledge & Kegan Paul, 1984, 114 pp., 41 ills, £14.95
WORMALD'S BENCHMARK
Authors: Podro Michael , Fernie Eric
Published: December 2013

Collected Writings. I. Studies in Medieval Art from the Sixth to the Twelfth Centuries by Francis Wormald, ed. by J.J.G. Alexander, T.J. Brown and J. Gibbs, Harvey Miller and Oxford University Press, 1984, 185 pp., 192 ills, £34
ISLAMIC ART: ‘INFINITE RICHES IN A LITTLE ROOM‘?
Authors: Hillenbrand Robert
Published: December 2013

Persian Paintings in the John Rylands Library by Basil W. Robinson, London: Sotheby Parke Bernet, 1980, 365 pp., 315 ills, 16 colour pls, £40

Miniatures from Turkish Manuscripts. A Catalogue and Subject Index of Paintings in the British Library and British Museum by Norah M. Titley, London: The British Library, 1981, 144 pp., 54 ills, £45

Islamic Metalwork from the Iranian World. 8–18th centuries by Assadullah Souren Melikian‐Chirvani, London: HMSO, 1982, 443 pp., 425 ills, 1 colour pl., £60

Arts of the Islamic Book. The Collection of Prince Sadruddin Aga Khan (New York, The Asia Society) by Anthony Welch and Stuart Cary Welch, Ithaca and London: Cornell University Press, for The Asia Society, 1982, 240 pp., 80 ills, 24 colour pls, £42 cloth, £17.50 paper

1400 Years of Islamic Art. A Descriptive Catalogue (London, Khalili Gallery) by Géza Fehérvári and Yasin H. Safadi, London, 1981, 247 pp., 165 colour pls, £20

Exhibition of Islamic Art. Iranian Lustreware of the Thirteenth Century (London, Mansour Gallery) by Géza Fehérvári, London, 1979, 61 pp., 17 colour pls

The Arts of the Book in Central Asia, general editor Basil Gray, London and Paris: Serindia Publications and UNESCO, 1979, 314 pp., 171 ills, 78 colour pls, £40

Mamluk Painting by Duncan Haldane, Warminster: Aris & Phillips, 1978, 107 pp., 72 ills, 1 colour pl., £18

Paradise as a Garden in Persia and Mughal India by Elizabeth B. Moynihan, London: Scolar Press, 1980, 168 pp., 110 ills, £12.50

Spanisch‐Islamiche Systeme sich kreuzender Bögen. III. Die Aljafería in Zaragoza (3 vols) by Christian Ewert, Berlin: Walter de Gruyter, 1978–80, 303 pp., 4 tables, 59 figures, 92 plates, 42 fold‐out diagrams, 450 DM

Lashkari Bazar. Une résidence royale ghaznévide et ghoride (3 vols) 1A: l'architecture by Daniel Schlumberger; 1B: Le décor non figuratif et les inscriptions by Janine Sourdel‐Thomine, Paris: de Boccard, 1978, 110 and 77 pp., 152 pls

Islamische Baukunst in Afghanisch‐S£st£n. Mit einem geschichtlichem Überblick von Alexander dem Grossen bis zur Zeit der Safawiden‐Dynastie by Manfred Klinkott, Berlin: Dietrich Reimer, 1982, 295 pp., 172 line drawings and 7 fold‐out diagrams, 90 DM

Die Seldschuken. Baukunst des Islam in Persien und Turkmenien by Dietrich Brandenburg and Kurt Brüsehoff, Graz: Akademische Druck‐ und Verlagsanstalt, 1980, 93 pp., 34 figures, 72 ills, 11 colour pls

View of Medieval Bhutan. The Diary and Drawings of Samuel Davis 1783 by Michael Aris, London: Serindia Publications and Washington, DC: Smithsonian Institute Press, 1982, 124 pp., 66 ills, 13 colour pls, £18
REAPPRAISING RENOIR
Authors: Adler Kathleen
Published: December 2013

Renoir, catalogue by John House and Anne Distel, with essays by John House, Anne Distel and Lawrence Gowing, London: Arts Council of Great Britain, 1985, 324 pp., ills in colour and b & w, £14.95

Renoir, His Life, Art, and Letters by Barbara Ehrlich White, New York: Harry N. Abrams, 1984, 316 pp., 266 b & w ills, 125 colour plates, £60.50

Renoir by Walter Pach, London: Thames & Hudson, 1984, 128 pp., 68 ills in colour and b & w, £12.95
DUNROAMIN DEFENDED
Authors: Muthesius Stefan
Published: December 2013

Dunroamin, the Suburban Semi and Its Enemies by Paul Oliver, Ian Davis and Ian Bentley, London: Barrie & Jenkins, 1981, 223 pp., 61 b & w ills, £16
THE DISAPPROPRIATION OF ABSTRACT EXPRESSIONISM
Authors: Craven David
Published: December 2013

Abstract Expressionist Painting in America by William Seitz, published for the National Gallery of Art, Washington DC by Harvard University Press: Cambridge, Mass., and London, England, 1983, 490 pp., 295 ills, 63 colour pls, £48

Art‐as‐Politics: The Abstract Expressionist Avant‐Garde and Society by Annette Cox, University Microfilms International, Ann Arbor, Michigan, distributed by Bowker Publishing Company, 1982, 206 pp., 39 ills, £33.25

How New York Stole the Idea of Modern Art by Serge Guilbaut, University of Chicago Press, 1983, 276 pp., 23 ills, £19.10
BRIEF ENCOUNTERS OF THE CULTURAL KIND
Authors: Rifkin Adrian D.
Published: December 2013

Patterns of Intention: On the Historical Explanation of Pictures by Michael Baxandall, New Haven and London: Yale University Press, 1985, 148 pp., 62 ills, 4 colour pls, £12.95
ANTHOLOGIES, MODERNISM, ENTERTAINMENT
Authors: Taylor Roger
Published: December 2013

Pollock and After: the Critical Debate edited by Francis Frascina, London: Harper & Row, 1985, 266 pp., 6 ills, £6.50

Modernism, Criticism, Realism edited by Charles Harrison and Fred Orton, London: Harper & Row, 1984, 280 pp., 7 ills, £6.95
THE GOOD CONSCIENCE OF GERMANY
Authors: Boorman Helen
Published: December 2013

German Art in the Twentieth Century: Painting and Sculpture 1905–1985, Royal Academy of Arts, London, Prestel‐Verlag 1985, edited by Christos M. Joachimedes, Norman Rosenthal, Wieland Schmied, 510 pp., 299 col. ills (mostly plates) and many b&w ills, £14.40
IMPRESSIONISM AND HISTORY: THE REWALD LEGACY
Authors: House John
Published: December 2013

Studies in Impressionism by John Rewald, London: Thames & Hudson, 1985, 232 pp., 119 ills, £25

Cézanne and the End of Impressionism: A Study of the Theory, Technique and Critical Evaluation of Modern Art by Richard Shiff, The University of Chicago Press, 1984, 318 pp., 58 ills, £24.85
THE PHANTOM OF THE SHOW
Authors: Adler Kathleen
Published: December 2013

The New Painting: Impressionism 1874–1886 directed and co‐ordinated by Charles S. Moffett with the assistance of Ruth Berson and Barbara Lee Williams, Fronia E. Wissman, National Gallery of Art, Washington and San Francisco Museum of Art; Oxford: Phaidon Press, 1986, 506 pp., 204 col. plates, 142 b&w ills, £38

A Day in the Country, Impressionism and the French Landscape by Richard Brettelt, Scott Schaefer, Sylvie Gache‐Patin and Françoise Heilbrun, New York: Abrams, 1984, 376 pp., 154 col. plates, 74 b&w ills, £33
PICTURES AT AN EXHIBITION
Authors: Wrigley Richard
Published: December 2013

Painters and Public Life in Eighteenth‐Century Paris by Thomas E. Crow, New Haven and London: Yale University Press, 1985, 290 pp., 6 col. plates, 123 b&w ills, £30
THE ART OF EMBELLISHMENT
Authors: Yarrington Alison
Published: December 2013

Alfred Gilbert by Richard Dorment, New Haven and London: Yale University Press, 1985, 350 pp, 201 ills, 9 col. plates, £19.95

Alfred Gilbert: Sculptor of Eros (Royal Academy of Arts, London), exhibition catalogue: Richard Dorment (editor) Alfred Gilbert: Sculptor and Goldsmith, London: Royal Academy of Arts/Weidenfeld & Nicolson, 1986, 224 pp., many ills, 58 col. plates, £16.95 cased, £8.95 paper
THE CONDITIONS OF PHOTOGRAPHIC CULTURE
Authors: Edwards Steve
Published: December 2013

Photography against the Grain, Essays and Photo Works 1973–1983 by Allan Sekula, Halifax: Press of Nova Scotia College of Art and Design, 1984, 276 pp., 90 ills, £16

‘Photography between Labour and CapitaL’ by Allan Sekula in Mining Photographs and Other Pictures: A Selection From the Negative Archive of Shedden Studio, Glace Bay, Cape Breton. 1948–1968, photographs by Leslie Shedden, essays by Don Macgilivray and Allan Sekula, with an introduction by Robert Wilkie, edited by B. Buchloh, Halifax: Press of Nova Scotia College of Art and Design and the University College of Cape Breton, 1983, 278 pp., 208 ills, $25
NOTES ON A LATE MEDIEVAL ART INDUSTRY
Authors: Rollason Lynda
Published: December 2013

English Medieval Alabasters: with a Catalogue of the Collection in the Victoria and Albert Museum by Francis Cheetham, Oxford: Phaidon & Christie's, 1984, 360 pp., 330 ills, 8 in colour, £85
TERRA FIRMA FOR CONSTABLE AND TURNER
Authors: Powell Cecilia
Published: December 2013

The Discovery of Constable by Ian Fleming‐Williams and Leslie Parris, London: Hamish Hamilton, 1984, 276 pp., col. frontis, and 155 b & w ills, £25

In Turner's Footsteps: Through the Hills and Dales of Northern England by David Hill, London: John Murray, 1984, 128 pp., c. 150 col. and b & w ills, many maps, £12.95

The Later Paintings and Drawings of John Constable by Graham Reynolds, 2 vols, New Haven and London: Yale University Press, 1984. Text vol. 324 pp.; plates vol. 1087 ills (250 in colour), £140

The Paintings of J.M.W. Turner, revised edition, by Martin Butlin and Evelyn Joll, 2 vols, New Haven and London: Yale University Press, 1984. Text vol. 354 pp.; plates vol. 572 ills (over half in colour), £125
HOWL OF MINERVA
Authors: Wood Paul
Published: December 2013

The Originality of the Avant‐Garde and Other Modernist Myths by Rosalind E. Krauss, Cambridge, Mass., and London: MIT Press, 1984, 328 pp., 162 ills, £18.95
ENGAGING EMBROIDERY
Authors: Garb Tamar
Published: December 2013

The Subversive Stitch: Embroidery and the Making of the Feminine by Rozsika Parker, London: The Women's Press, 1984, 247 pp., 106 ills, £14.95 hardback, £7.95 paperback
GOTHIC HEIGHTS AND RADIANT LIGHTS
Authors: Gibbs Robert
Published: December 2013

French Gothic Architecture of the 12th and 13th Centuries by Jean Bony, Berkeley, Los Angeles and London: University of California Press (California Studies in the History of Art 20), 1983, 625 pp., 450 ills, £33.95 paper

The 13th‐century Church at St‐Denis by Caroline Astrid Bruzelius, New Haven and London: Yale University Press, 1985, 223 pp., 76 pls and 34 figs, £30

Gothic Stained Glass 1200—1300 by Louis Grodecki and Catherine Brisac, translated from the French Le Vitrail gothique au XIIIe siècle by Barbara Drake Boehm, London: Thames & Hudson, 1985, 278 pp., 167 ills, 60 in colour, £45
IN SKIRTS AND TROUSERS THAT ARE NOT OF OUR OWN MAKING
Authors: Calcutt John
Published: December 2013

Adorned in Dreams: Fashion and Modernity by Elizabeth Wilson, London: Virago Press, 1985, 290 pp., 44 ills, £5.95
PICASSO'S ART: A BIOGRAPHIC FACT?
Authors: Frascina Francis
Published: December 2013

Je suis le cahier: The Sketchbooks of Picasso edited by Arnold Glimcher and Marc Glimcher, London: Royal Academy of Arts/Thames & Hudson, 1986, 352pp., over 600 ills, £42 hardback, £16.90 paper
BURGIN BETWEEN POLITICS AND ART
Authors: Iversen Margaret
Published: December 2013

Between by Victor Bürgin Oxford and New York: Basil Blackwell in association with The Institute for Contemporary Art, London, 1986, 190 pp., £10.95

The End of Art Theory by Victor Burgin, London: Macmillan, 1986, 221 pp., £6.95 paperback
TIEPOLO: VISUAL DELIGHT AND POETIC PROSE
Authors: Howard Deborah
Published: December 2013

Giambattista Tiepolo: His Life and Art by Michael Levey, New Haven and London: Yale University Press, 1986, 302 pp., 238 ills, £45 Winner of the Sir Banister Fletcher Award for 1987
NEW LIGHT ON WELL‐WORN THEMES
Authors: Fernie Eric
Published: December 2013

Writing in Gold: Byzantine Society and its Icons by Robin Cormack, London: George Philip, 1985, 270 pp., 100 ills, map, £14.95
AN ANTIQUE LAND?
Authors: Ades Dawn
Published: December 2013

The Blood of Kings: Dynasty and Ritual in Maya Art, by Linda Schele and Mary Ellen Miller, London, Sotheby'S Publications, 1987, 336 pp., 123 colour plates, 50 b. & w. ills. and 200 drawings, £39.50
POWER AND VISIBILITY IN THE CITY
Authors: Pollock Griselda
Published: December 2013

George Scharf'S London Sketches and Watercolours of a Changing City 1820–1850 by Peter Jackson, London: John Murray, 1987, 154 pp., 148 ills, £14.95

Londoners by Celina Fox, London: Thames and Hudson, 1987, 272 pp., 20 colour plates, 237 b. & w. ills., £20
AN ICONOGRAPHY OF MISOGYNY
Authors: Nead Lynda
Published: December 2013

Idols of Perversity: Fantasies of Feminine Evil in Fin‐de‐Siècle Culture by Bram Dijkstra, New York and Oxford: Oxford University Press, 1986, 453 pp., 317 b. & w. ills., $37.95
THE FAR PAVILIONS
Authors: Vergo Peter
Published: December 2013

Art and Politics of the Second Empire. The Universal Expositions of 1855 and 1867 by Patricia Mainardi, New Haven and London: Yale University Press, 1987, 248 pp., 3 colour plates, 127 b. & w. ills., £30
MONOGRAPHIC GOTHIC
Authors: Fernie Eric
Published: December 2013

Laon Cathedral: Architecture, by W. W. Clark and R. King, Courtauld Institute Archive, London: Harvey Miller, Part 1 1983, 74 pp., 30 b. & w. ills., £15; Part 2 1987, 80 pp., 19 b. & w. ills., £20

The Royal Abbey of St‐Denis: from its beginnings to the death of Suger, 475–1151, by Sumner McKnight Crosby, edited and completed by Pamela Z. Blum, New Haven: Yale University Press, 1987, 525 pp., 3 colour plates and 124 b. & w. ills., £45
CONDUITS OR CONVENTIONS?
Authors: Harrison Andrew
Published: December 2013

Painting as an Art by Richard Wollheim, London: Thames and Hudson, 1987, 384 pp., 30 colour plates, 358 b. and w. ills., £28. The A. W. Mellon Lectures in the Fine Arts, 1984, delivered at the National Gallery of Art, Washington DC
GWENDOLEN MARY JOHN (1876–1939)
Authors: Cherry Deborah , Beckett Jane
Published: December 2013

Gwen John by Cecily Langdale, New Haven and London: Yale University Press, 1987, 251 pp., 180 colour plates, 199 b. and w. ills., £29.95

Gwen John by Mary Taubman, London: Scolar Press, 1985, 136 pp., 28 colour plates, 44 b. and w. ills., £20
‘FALSE’ HERITAGE/‘TRUE’ HISTORY
Authors: Lowenthal David
Published: December 2013

The Heritage Industry: Britain in a Climate of Decline by Robert Hewison, London: Methuen, 1987, 160 pp., 25 b. and w. ills., £6.95 paperback
VENETIAN ART REINTERPRETED
Authors: Anderson Jaynie
Published: December 2013

Venedig. Die Kunst der Renaissance. Architektur, Skulptur, Malerei 1460–1590 by Norbert Huse and Wolfgang Wolters, Munich: C. H. Beck'Sche Verlagsbuchhandlung, 1986, 424 pp., 33 colour plates, 336 b. & w. illus., DM198

La Pittura in Italia. Il Quattrocento edited by Federico Zeri and Mauro Natale, Milan: Electa Spa, 740 pp., 280 colour plates, 850 b. & w. illus., L.200,000

Venetian Narrative Painting in the Age of Carpaccio by Patricia Fortini Brown, New Haven and London: Yale University Press, 1988, 310 pp., 43 colour plates, 145 b. & w. illus., £35

Storia del restauro e della conservazione delle opere d'arte by Alessandro Conti, Milan: Electa Spa, 1988, 383 pp., 193 b. & w. illus., L48,000

Piety and Patronage in Renaissance Venice. Bellini, Titian and the Franciscans by Rona Goffen, New Haven and London: Yale University Press, 1986, 285 pp., 4 colour plates, 59 b. & w. illus., £30

The Venetian Patriciate. Reality versus Myth by Donald E. Queller, Urbana and Chicago: University of Illinois Press, 1986, 386 pp., $29.95

Domenico Tiepolo. The Punchinello Drawings. Introduction and Legends by Adelheid Gealt, preface by James Byam Shaw, London: British Museum Publications, 1987, 197 pp., 77 colour plates, 27 b. & w. illus., £50
THE FUR OF THE TABBY‐CAT
Authors: Martindale Andrew
Published: December 2013

The Light of Early Italian Painting by Paul Hills, New Haven and London: Yale University Press, 1987, 160 pp., 32 colour plates, 84 b. & w. illus., £20
ART ACCORDING TO BOIME
Authors: Smith Charles Saumarez
Published: December 2013

A Social History of Modern Art, volume 1, Art in an Age of Revolution, 1750–1800 by Albert Boime, Chicago and London, 1987, 283 b. & w. illus., £27.95
PATRONAGE AND ARTISTIC INITIATIVE IN ENGLAND 1700–1760
Authors: Murdoch Tessa
Published: December 2013

Francis Hayman by Brian Allen, New Haven and London: Yale University Press, 1987, 196 pp., 6 colour plates, 142 b. & w. illus., £20 hardback, £7.95 paper

Manners and Morals: Hogarth and British Painting 1700–1760 by Elizabeth Einberg and Rica Jones, London, Tate Gallery, 1987, 253 pp., 239 colour plates, £25 hardback, £15.95 paper
WILFUL INEPTITUDE
Authors: Cranshaw Roger , Lewis Adrian
Published: December 2013

Cézanne: The Early Years, 1859–72 by Sir Lawrence Gowing, et al., London: Royal Academy/Weidenfeld and Nicolson, 1988, 230 pp., 69 colour plates, 61 b. and w. illus., £18.95 hardback, £11.95 paper
MACHINES FOR LEARNING
Authors: Thorne Robert
Published: December 2013

Towards a Social Architecture. The Role of School Building in Post‐War England by Andrew Saint, New Haven and London: Yale University Press, 1987, 268 pp., 14 colour plates, 193 b. and w. illus., £19.95
THE USES OF THE REAL
Authors: Harris Jonathan
Published: December 2013

The Burden of Representation: Essays on Photographies and Histories by John Tagg, Basingstoke: Macmillan, 1988, 242 pp., 40 illus., £7.95
PARADISE LOST: HISTORIES REGAINED
Authors: Cherry Deborah
Published: December 2013

Paradise Lost: Paintings of English Country Life and Landscape: 1850–1914 by Christopher Wood, London: Barrie and Jenkins, 1988, 224 pp., 192 colour plates, £19.95
THE APOTHEOSIS OF DEGAS
Authors: Adler Kathleen
Published: December 2013

Degas by Jean Sutherland Boggs with contributions from Douglas W. Druick, Henri Loyrette, Michael Pantazzi, Gary Tinterow, New York and Ottawa: Metropolitan Museum of Art and National Gallery of Art, 1988, 640 pp., 281 colour plates, 447 b. and w. illus., £35.00

Degas The Nudes by Richard Thomson, London: Thames and Hudson, 1988, 240 pp., 50 colour plates, 176 b. and w. illus., £28.00

Degas by Robert Gordon and Andrew Forge, London: Thames and Hudson, 1988, 288 pp., 121 colour plates, 203 b. and w. illus., £40.00

Degas Images of Women by Richard Kendall, with contributions from Anthea Callen and Dillian Gordon, London: Tate Gallery Publications, 1989, 72 pp., 31 colour plates, 64 b. and w. illus., £6.95
SEMPER FIDELIS
Authors: Whyte Iain Boyd
Published: December 2013

Modern Architecture: A Guidebook for his Students in this Field of Art by Otto Wagner, translated and with an introduction by Harry Francis Mallgrave, Santa Monica: Getty Center Publication Programs, 1988, 185 pp., 46 b. and w. ills., hardback $29.95, paperback $16.95

The Four Elements of Architecture and Other Writings by Gottfried Semper, translated by Harry Francis Mallgrave and Wolfgang Herrmann, introduction by Harry Francis Mallgrave, Cambridge and New York: Cambridge University Press, 1989, 314 pp., 45 b. and w. ills., £35
UPSTAIRS, DOWNSTAIRS IN ELIZABETHAN ENGLAND
Authors: Fraser Valerie
Published: December 2013

House and Household in Elizabethan England: Wollaton Hall and the Willoughby Family by Alice T. Friedman, Chicago: University of Chicago Press, 1989, 227 pp., 8 colour plates, 1 map, 117 b. & w. illus., £24.95
A QUESTION OF COMPULSION
Authors: Harris Jonathan
Published: December 2013

Antifascism in American Art by Cécile Whiting, New Haven and London: Yale University Press, 1989, 238 pp., 107 b. & w. illus., £27.50
LE MODE FRANÇAIS
Authors: Wrigley Richard
Published: December 2013

Aux Armes et aux Arts! Les Arts de la Révolution 1788–1799 edited by Philippe Bordes and Régis Michel, Paris: Editions Adam Biro, 1988, 352 pp., 312 b. &w. and colour illus., FF620 (£77.50) hardback.
NICHOLAS ROERICH: AN IDOL WITH FEET OF CLAY?
Authors: Archer Kenneth
Published: December 2013

Nicholas Roerich: the Life and Art of a Russian Master by Jacqueline Decter with the Nicholas Roerich Museum, London: Thames and Hudson, 1989, 224 pp., 121 illus., £20.00
ART AND AROUSAL
Authors: Nash J.M.
Published: December 2013

The Power of Images, Studies in the History and Theory of Response by David Freedberg, Chicago: University of Chicago Press, 1989, 534 pp., 189 b. & w. illus., £31.95.
COMPELLING ACTS, HAUNTING CONVICTIONS
Authors: Melville Stephen
Published: December 2013

Courbet's Realism by Michael Fried, Chicago and London: The University of Chicago Press, 1990, 378 pp., 16 colour plates, 115 b. & w. illus., £24.95
ALBERT PINKHAM RYDER: A KINDER, GENTLER PAINTER?
Authors: Rosenberg Eric M.
Published: December 2013

Albert Pinkham Ryder by Elizabeth Broun, with catalogue by Eleanor L. Jones, Matthew J. W. Drutt, Sheri L. Bernstein and Elizabeth Broun, Washington, DC: Smithsonian Institution Press, 1989, 344 pp., 50 colour plates, 277 b. & w. illus., $55 hardback, $29.95 paperback

Albert Pinkham Ryder Painter of Dreams by William Innes Homer and Lloyd Goodrich, New York: Harry N. Abrams, Inc., 1989, 256 pp., 65 colour plates, 106 b. & w. illus, £32.00
HANDY ANDY
Authors: Anfam David
Published: December 2013

Andy Warhol. A Retrospective, ed. by Kynaston McShine, New York: Museum of Modern Art, 1989, 480 pp., 325 colour plates, 657 b. & w. illus., £35.00

Warhol. Conversations about the Artist, by Patrick S. Smith, 1988, Ann Arbor: UMI Research Press, 384 pp., £38.50

Warhol, by David Bourdon, 1989, New York: Harry N. Abrams, 85 colour plates, 325 b. & w. illus., £35.00

The Work of Andy Warhol, ed. by Gary Garrels, 1989, Seattle: Bay Press, 196 pp., £7.95
DE‐ESSENTIALIZING DUCHAMP/OR … RROSE SÉLAVY: DADA'S MUTTER STRIPPED BARE
Authors: Hopkins David
Published: December 2013

Marcel Duchamp: Artist of the Century edited by Rudulf E. Kuenzli and Francis M. Neumann, Cambridge, Massachusetts and London: M.I.T. Press, 1989, 267 pp., £17.95
GOTHIC IDOLS
Authors: Wirth Jean , Harvey Katia
Published: December 2013

The Gothic Idol. Ideology and Image‐Making in Medieval Art by Michael Camille, Cambridge, New York and Melbourne: Cambridge University Press, 1989, 407 pp., 181 b. & w. illus., £35
AN APOCALYPSE IN FACSIMILE
Authors: Kauffmann C. M.
Published: December 2013

The Lambeth Apocalypse: Facsimile edition of Lambeth Palace Library Ms 209 with Companion Text Volume by Nigel Morgan, London: Harvey Miller, 1990, 383 pp., approx 300 b. & w. illus., £2,200
THE BODY IN QUESTION
Authors: Hatt Michael
Published: December 2013

Marble Queens and Captives: Women in Nineteenth‐Century American Sculpture by Joy S. Kasson, New Haven and London: Yale University Press, 1990, 293 pp., 103 b. & w. illus., £30.00
THE CARDINAL AND THE NUN, THEIR SCULPTOR AND HIS BROTHER
Authors: Llewellyn Nigel
Published: December 2013

Bernini and the Idealization of Death. The Blessed Ludovica Albertoni and the Altieri Chapel by Shelley Karen Perlove, University Park and London: The Pennsylvania State University Press, 1990, 95 pp., 60 b. & w. illus., £30.90.
THE GREAT WHITE HOPE
Authors: Hoffman Thomas
Published: December 2013

The Weissenhofsiedlung: Experimental Housing Built for the Deutscher Werkbund, Stuttgart, 1927 by Karin Kirsch, New York: Rizzoli, 1989, 224 pp., 348 b. & w. illus., £37.50; Weissenhof 1927 and the Modern Movement in Architecture by Richard Pommer/Christian F. Otto, Chicago and London: The University of Chicago Press, 1991, 381 pp., 8 col. plates, 273 b. & w. illus., £51.95
ARTFUL REWRITINGS AND INTERPRETIVE REPRESSIONS IN NEW FEMINIST ART HISTORIES
Authors: Jones Amelia
Published: December 2013

Women, Art and Society by Whitney Chadwick, New York and London: Thames and Hudson, 1990, 384 pp., 193 b. & w. illus., 40 col. plates, £8.95

Feminine Sentences: Essays on Women and Culture by Janet Wolff, Berkeley and Los Angeles: University of California Press, 1990, 146 pp., 9 b. & w. illus., hardback $35, paperback $12.95
POUSSIN'S PROSPECTS
Authors: Wine Humphrey
Published: December 2013

Nicolas Poussin by Alain Mérot, translated by Fabia Claris, London: Thames and Hudson 1990, 336 pp., 98 col. plates, 346 b.&w. illus., £65

Nicolas Poussin: Dialectics of Painting by Oskar Bätschmann, translated by Marko Daniel, London: Reaktion Books, 1990, 163 pp., 28 col. plates, 88 b.&w. illus., £27

Ideal Landscape: Annibale Carracci, Nicolas Poussin and Claude Lorrain by Margaretha Rossolm Lagerlöf, New Haven and London: Yale University Press, 1990, 247 pp., 40 col. plates, 65 b.&w. illus., £35
UNMASKING ‘OTHERS’, OURSELVES (AND OTHERS)
Authors: Rhodes Colin
Published: December 2013

Primitive Art in Civilized Places by Sally Price, Chicago and London: University of Chicago Press, 1991, 149 pp., 13 b. & w. illus., £8.75

The Myth of Primitivism: Perspectives on Art, edited by Susan Hiller, London and New York: Routledge, 1991, 355 pp., 67 b. & w. illus., £14.99
BODY IMAGES
Authors: Jordanova Ludmilla
Published: December 2013

The Fabric of the Body. European Traditions of Anatomical Illustration by K.B. Roberts and J.D.W. Tomlinson, Oxford: Oxford University Press, 1992, 638 pp., 8 col. plates, approx. 267 b. & w. illus., £95.00

Body Criticism. Imaging the Unseen in Enlightenment Art and Medicine by Barbara Maria Stafford, Cambridge, Mass.: MIT Press, 1991, 587 pp., 247 b. & w. illus., £49.50
EXORCIZING THE DEVIL: A RECONTEXTUALIZATION OF GRÜNEWALD'S ISENHEIM ALTAR
Authors: Stieglitz Ann
Published: December 2013

The Isenheim Altarpiece: God's Medicine and the Painter's Vision by Andrée Hayum, Princeton, New Jersey and Oxford: Princeton University Press, 1989, 195 pp., 8 col. plates, 84 b. & w. illus., £22.50

The Devil at Isenheim: Reflections of Popular Belief in Grünewald's Altarpiece by Ruth Melinkoff, California Studies in the History of Art, Discovery Series 1, Berkeley, Los Angeles, London: University of California Press, xv + 109 pp., 36 col. plates, 16 b. & w. textual illus., £30.00
SPLIT PERSONALITY
Authors: Hughes Anthony
Published: December 2013

The Sculpture of Jacopo Sansovino by Bruce Boucher, 2 vols., New Haven and London: Yale University Press, 1991, 382 pp, frontispiece, 12 col. plates, 467 b. & w. illus., £95.00
THE CITY OBSERVED (FROM HERE AND THERE)
Authors: Pointon Marcia
Published: December 2013

London — World City 1800–1840, edited by Celina Fox, London and New Haven: Yale University Press in association with the Museum of London, 1992, 624 pp., 145 col. plates, 560 b. & w. illus., £45.00
THE WOMAN WHO MISTOOK HER ART FOR A HAT
Authors: Jacobus Mary
Published: December 2013

Berthe Morisot's Images of Women by Anne Higonnet, Cambridge, Mass., and London: Harvard University Press, 1992, 311 pp., 12 col. plates, 111 b. & w. illus., £35.95
AMERICAN CULTURE WARS: PRISONERS OF THE PAST
Authors: Frascina Francis
Published: December 2013

Culture Wars: Documents from the Recent Controversies in the Arts, edited by Richard Bolton, New York: The New Press, 1992, 363 pp., 20 b. & w. illus., $19.95
DISTURBING SITES: THE CHANGING ROLE OF PUBLIC ART
Authors: Holman Valerie
Published: December 2013

Art and the Public Sphere edited by W. J. T. Mitchell, Chicago and London: The University of Chicago Press, (1990) 1992, 268 pp., 2 col. plates, 63 b. & w. illus., £33.50 hdbk, £15.95 pbk

Art et Espace Publics edited by Alain Charre, Givors: OMAC — Maison du Rhône, 1992, 127 pp., 88 b. & w. illus., 137FF.

L'Art et la Ville: Un Dessein sur l'Espace/Art and the City: Designs on Space edited by Monique Faux, Gilbert Smadja, Jean‐Luc Daval, Geneva: Skira, 1990, 259 pp., 136 col. plates, 150 b. & w. illus., 480FF.

Contemporary Public Sculpture: Tradition, Transformation and Controversy by Harriet Senie, Oxford: Oxford University Press, 1992, 276 pp., 111 b. & w. illus., £30.00

Critical Issues in Public Art: Content, Context and Controversy edited by Harriet Senie and Sally Webster, New York: Harper Collins, 1992, 316 pp., 43 b. & w. illus., $30.00
DON'T BE SEDUCED
Authors: Woodall Joanna
Published: December 2013

Van Dyck: Paintings by Arthur K. Wheelock Jnr., Susan J. Barnes, Julius S. Held, Christopher Brown, Carol Christensen, Zirka Zaremba Filipczak, Oliver Millar, Jeffrey Muller, J. Douglas Stewart, Washington, Brussels and London: National Gallery of Art, Washington DC, in association with Thames and Hudson, 1991, 383 pp, 120 col. plates, 186 b. & w. illus., £48.00
LANDSCAPES OF ASSOCIATION
Authors: Barringer Tim
Published: December 2013

Landscape Imagery and Urban Culture in Early Nineteenth‐Century Britain by Andrew Hemingway, Cambridge and New York: Cambridge University Press, 1992, 363 pp., 125 b. & w. illus., £60.00

Fields of Vision: Landscape Imagery and National Identity in England and the United States by Stephen Daniels, Oxford: Polity Press, 1993, 255 pp., 75 b. & w. illus., £39.50
Philistinism and Fetishism
Authors: Bull Malcolm
Published: December 2013

Anthropology, Art and Aesthetics edited by Jeremy Coote and Anthony Shelton, Oxford: The Clarendon Press, 1992, 281 pp., 8 col. plates, 68 b. & w. illus., 4 maps, £45.00
Reviews
Authors: Gray Jeremy , Binski Paul , Marks Richard , Auld Sylvia , Beaulieu Jill , Soth Lauren , Tribe Tania
Published: December 2013

Medieval Illuminators and their Methods of Work by Jonathan J.G. Alexander, New Haven and London: Yale University Press, 1992, 214 pp., 29 col. plates, 218 b. & w. illus., £35.00

Romanesque Architectural Criticism, a Prehistory by Tina Waldeier Bizzarro, Cambridge and New York: Cambridge University Press, 1992, 253 pp., 17 b. and w. illus., £40.00

Rainbow like an Emerald. Stained Glass in Lorraine in the Thirteenth and Early Fourteenth Centuries by Meredith Parsons Lillich (Monographs on the Fine Arts sponsored by College Art Association vol. XLVII). Pennsylvania and London: Pennsylvania State University Press, 1991, 161 pp., col. frontispiece, 218 b. & w. illus., £49.50

The Mediation of Ornament, The A.W. Mellon Lectures in the Fine Arts 1989 (Bollingen Series XXXV — 38) by Oleg Grabar, Princeton, NJ and London: Princeton University Press, 1992, 309 pp., 23 col. plates, 196 b. & w. illus., £35.00.

Corot in Italy. Open‐Air Painting and the Classical‐Landscape Tradition by Peter Galassi, London and New Haven: Yale University Press, 1991, 258 pp., 99 col. plates, 202 b. & w. illus., £35.00

True to Temperament: Van Gogh and French Naturalist Literature by Judy Sund, Cambridge and New York: Cambridge University Press, 1992, 336 pp., 16 col. plates, 59 b. & w. illus., £55.00

Latin American Art of the 20th Century by Edward Lucie‐Smith, London: Thames and Hudson (World of Art Series), 1993, 216 pp., 38 col. plates, 133 b. & w. illus., £6.95
Unrevisionist Visions
Authors: House John
Published: December 2013

The Colour of Time: Claude Monet by Virginia Spate, London: Thames and Hudson, 1992, 348 pp., 135 col. plates, 179 b. & w. illus., £38.00

Beyond Impressionism: The Naturalist Impulse in European Art 1870–1905 by Gabriel P. Weisberg, London: Thames and Hudson, 1992, 303 pp., 85 col. plates, 190 b. & w. illus., £38.00
Matisse: Myth and History
Authors: Cottington David
Published: December 2013

Henri Matisse: A Retrospective by John Elderfield, New York: Museum of Modern Art/London: Thames and Hudson, 1992, 479 pp., 320 col. plates, 272 b. & w. illus., £65.00

Fauve Painting: The Making of Cultural Politics by James D. Herbert, New Haven and London: Yale University Press, 1992, 27 col. plates, 65 b. & w. illus., £29.95
‘Polly Put the Kettle On’
Authors: Smith Lindsay
Published: December 2013

Painting Women: Victorian Women Artists by Deborah Cherry, London: Routledge, 1993, 275 pp., 47 b. & w. illus., £40.00 hdbk, £12.99 pbk
Politeness and Profit
Authors: Donald Diana
Published: December 2013

Painting for Money: The Visual Arts and the Public Sphere in Eighteenth‐Century England by David H. Solkin, New Haven and London: Yale University Press, 1993, 312 pp., 88 col. and b. & w. illus., £40.00
The Ignis Fatuus of Colour
Authors: Saunders Barbara
Published: December 2013

Colour and Culture. Practice and Meaning from Antiquity to Abstraction by John Gage, London: Thames and Hudson, 1993, 335pp., 120 col. plates, 103 b. & w. illus., £38.00
Plutôt La Vie
Authors: Hopkins David
Published: December 2013

Compulsive Beauty by Hal Foster, October Books, Cambridge, Mass. and London: The MIT Press, 1993, 313 pp., b. & w. illus., £22.50
Visualizing Africa
Authors: Youngs Tim
Published: December 2013

Reinventing Africa: Museums, Material Culture and Popular Imagination in Late Victorian and Edwardian England by Annie E. Coombes, New Haven and London: Yale University Press, 1994, 280 pp., 112 b. & w. illus., £35.00

The Red Fez: Art and Spirit Possession in Africa by Fritz W. Kramer, translated by Malcolm Green, London: Verso, 1993, 292 pp., 52 b. & w. illus., £18.95

African Art in Transit by Christopher B. Steiner, Cambridge and New York: Cambridge University Press, 1994, 220 pp., 42 b. & w. illus., £35.00 hdbk, £16.95 pbk
Reviews
Authors: Connor Steven , Foster Alicia , Normand Tom , Howard Maurice , Stephens Lynda , Bury J.B. , Tribe Tania
Published: December 2013

Figuring Jasper Johns by Fred Orton, London: Reaktion Books, 1994, 248 pp., 20 col. plates, 50 b. & w. illus., £25.00

Portraits of Women: Gwen John and her Forgotten Contemporaries by Alison Thomas, Cambridge: Polity Press, 1994, 259 pp., 43 b. & w. illus., £29.50.

Scottish Art in the 20th Century by Duncan Macmillan, Edinburgh: Mainstream Publishing, 1994, 192pp., 193 col. plates, £20.00

The Great Rebuildings of Tudor and Stuart England by Colin Platt, London: University College Press, 1994, 230 pp., 78 b. & w. illus., £30.00 hdbk, £12.95 pbk

Making & Meaning: The Young Michelangelo by Michael Hirst and jill Dunkerton, London: National Gallery Publications, 1994,144 pp., 62 col. plates, 63 b. & w. illus., £16.95

Arquitectura y magia: consideraciones sobre la Idea de El Escorial by René Taylor, Madrid: Ediciones Siruela, 1993, 223 pp., 15 col. plates, 51 b. & w. illus., ptas 3,595

The Decoration of the Royal Basilica of El Escorial by Rosemarie Mulcahy, Cambridge: Cambridge University Press, 1994, 274 pp., 8 col. plates, 95 b. & w. illus., £50.00

The Age of the Baroque in Portugal edited by J.A. Levenson, Washington, DC: National Gallery of Art, 1993, 303 pp., 135 col. plates, £40.00
Conversation Piece
Authors: Woodall Joanna
Published: December 2013

The Making of Rubens by Svetlana Alpers, New Haven and London: Yale University Press, 1995, 178 pp., 54 col. plates, 73 b. & w. illus., £25.00
Reviews
Authors: Elsner Jaś , Courtney Nora , Wine Humphrey , Clunas Craig
Published: December 2013

Domestic and Divine: Roman Mosaics in the House of Dionysos by Christine Kondoleon, Ithaca and London: Cornell University Press, 1995, 361 pp., 4 col. plates, 202 b.& w. illus., £50.95

The Role of Art in the Late Anglo‐Saxon Church by Richard Gameson, Oxford: Clarendon Press, 1995, 312 pp., 32 b. & w. illus., £40.00

The Expression of the Passions: The Origins and Influence of Charles Le Brun's Conférence sur l'expression générale et particulière by Jennifer Montagu, New Haven and London: Yale University Press, 1994, 234 pp., 209 b. & w. illus., £35.00

Painters and Politics in the People's Republic of China, 1949–1979 by Julia F. Andrews, Berkeley, Los Angeles and London: University of California Press, 1994, 568 pp., 12 col. plates, 138 b. & w. illus., £50.00
Postmonography; or, Lost in Space
Authors: Prendeville Brendan
Published: December 2013

Richard Deacon by Jon Thompson, Pier Luigi Tazzi, Peter Schjeldahl, London: Phaidon, 1995, 160 pp., 100 col. plates, 30 b. & w. illus., £19.99

Jimmie Durham by Laura Mulvey, Dirk Snauwaert, Mark Alice Durant, London: Phaidon, 1995, 160 pp., 100 col. plates, 30 b. & w. illus., £19.99

Antony Gormley by John Hutchinson, Sir Ernst Gombrich, Lela B Njatin, London: Phaidon, 1995, 160 pp., 100 col. plates, 30 b. & w. illus., £19.99

Jessica Stockholder by Barry Schwabsky, Lynne Tillman, Lynne Cooke, London: Phaidon, 1995, 160 pp., 100 col. plates, 30 b. & w. illus., £19.99

Rachel Whiteread's House edited by James Lingwood, with essays by Jon Bird, Doreen Massey, Iain Sinclair, Richard Shone, Anthony Vidler, Simon Watney, London: Phaidon, 1995, 144 pp., 68 col. & b. & w. illus., £17.99
Reviews
Authors: Ames‐Lewis Francis , Boomgaard Jeroen , Walsh Linda , Pointon Marcia , Rhodes Colin , Massey Anne
Published: December 2013

The Painter's Practice in Renaissance Tuscany by Anabel Thomas, Cambridge: Cambridge University Press, 1995, 397 pp., 16 col. plates, 93 b. & w. illus., £55.00

Dutch Painting 1600–1800 by Seymour Slive, New Haven and London: Yale University Press, 1995, 379 pp., 111 col. plates, 321 b. & w. illus., £40.00

Diderot on Art Volume One: ‘The Salon of 1765’ and ‘Notes on Painting’, edited and translated by John Goodman, New Haven and London: Yale University Press, 1995, 250 pp., 51 b. & w. illus., £30.00 hdbk, £12.95 pbk

Volume Two: ‘The Salon of 1767‘, 344 pp., 39 b. & w. illus., £30.00 hdbk, £12.95 pbk

The American Landscape. Literary Sources and Documents, edited and with an introduction by Graham Clarke, Mountfield: Helm Information Ltd., 1993, 3 vols, 530 pp.; 480 pp.; 736 pp., £200.00

The English Garden. Literary Sources and Documents, edited and with an introduction by Michael Charlesworth, Mountfield: Helm Information Ltd., 1993, 3 vols, 444 pp.; 600 pp.; 524 pp., £200.00

The Picturesque. Literary Sources & Documents, edited and with an introduction by Malcolm Andrews, Mountfield: Helm Information Ltd., 1994, 3 vols, 512 pp.; 358 pp.; 367 pp., £200.00

Visions of the ‘Neue Frau‘: Women and the Visual Arts in Weimar Germany edited by Marsha Meskimmon and Shearer West, Aldershot, Hants: Scolar Press, 1995, 187 pp., 34 b. & w. illus., £42.50

Burning the Box of Beautiful Things: The development of a postmodern sensibility by Alex Seago, Oxford: Oxford University Press, 1995, 234 pp., 14 col. plates, 106 b. & w. illus., £35.00 hdbk, £16.95 pbk
The Text in the Jew
Authors: Bergman‐Carton Janis
Published: December 2013

The Jew in the Text: Modernity and the Construction of Identity edited by Linda Nochlin and Tamar Garb, London: Thames and Hudson, 1995, 288 pp, 72 b. & w. illus., £18.95
The Gendering of Modernism
Authors: Witzling Mara
Published: December 2013

Women Artists and Writers: Modernist (im)positionings by Bridget Elliott and Jo‐Ann Wallace, London and New York: Routledge, 1994, 204 pp., 63 b. & w. illus., £15.99

Women artists and the Parisian avant‐Garde: Modernism and ‘feminine’ art, 1900 to the late 1920s, by Gill Perry, Manchester and New York: University of Manchester Press, 1995, 186 pp., 32 col. plates, 71 b. & w. illus., £16.99

Seeing and Consciousness: Women, Class and Representation by Gen Doy, Oxford and Washington, DC: Berg Publishers, 1995, 205 pp., 54 b. & w. illus., £14.99
The Work of Emptying
Authors: Fer Briony
Published: December 2013

The Emptiness of the Image; Psychoanalysis and sexual differences by Parveen Adams, London and New York: Routledge, 1996, 173 pp., 19 b. & w. illus., £37.50 hdbk, £11.99 pbk
Benefits of Pre‐ and Intraoperative Planning for Tibial Plateau Leveling Osteotomy
Authors: Collins Josuha E. , Degner Daniel A. , Hauptman Joe G. , DeCamp Charles E.
Published: December 2013

Objective

To determine (1) if preoperative and intraoperative osteotomy planning increases the likelihood that a surgeon will achieve a centered osteotomy during tibial plateau leveling osteotomy (TPLO) and (2) if that centered osteotomy reduces the risk of tibial tuberosity (TT) fractures.

Study Design

Retrospective case series.

Animals

Dogs (n = 406) with cranial cruciate ligament that had TPLO (n = 468).

Methods

Medical records (2007–2010) and radiographs of dogs that had TPLO were reviewed. Osteotomies from Group A (pre and intra‐operative planning) were compared to Group B (free‐hand osteotomy only) investigating the influence of osteotomy planning as well as 21 other variables, looking for any other confounding variables that may also contribute to TT fractures. Data were analyzed with logistic regression and χ2 analysis.

Results

Actual osteotomies were closer to the centered‐osteotomy position in Group A than in Group B (P ≤ .01). TT fractures occurred in 20 cases (4.3% overall). Group A had 0 fractures out of 172 surgeries and Group B had 20 fractures out of 296 surgeries (6.8%). Five variables were found to increase the risk of TT fractures: lack of osteotomy planning, bilateral same‐session surgeries, osteotomy gap, anti‐rotational pin location, and decreased tibial crest width at the insertion of the patellar ligament (P ≤ .05).

Conclusions

Dogs that had osteotomy planning had a more centered osteotomy position and a reduced risk of developing TT factures.
A Reaction Zone Hypothesis for the Effects of Particle Size and Water‐to‐Cement Ratio on the Early Hydration Kinetics of C3S
Authors: Masoero Enrico , Thomas Jeffrey J. , Jennings Hamlin M.
Published: December 2013

The hydration kinetics of tricalcium silicate (C3S) has been the subject of much study, yet the experimentally observed effects of the water‐to‐cement (w/c) ratio and particle size distribution have been difficult to explain with models. Here, we propose a simple hypothesis that provides an explanation of the lack of any significant effect of w/c on the kinetics and for the strong effect of the particle size distribution on the amount of early hydration associated with the main hydration peak. The hypothesis is that during the early hydration period the calcium–silicate–hydrate product forms only in a reaction zone close to the surface of the C3S particles. To test the hypothesis, a new microstructure‐based kinetics (MBK) model has been developed. The MBK model treats the C3S particle size distribution in a statistical way to save computation time and treats the early hydration as essentially a boundary nucleation and growth process. The MBK model is used to fit kinetic data from two published studies for C3S with different size distributions, one for alite (impure C3S) pastes and one for stirred C3S suspensions. The model is able to fit all the data sets with parameters that show no significant trend with particle size, providing support for the reaction zone hypothesis.
Stable and Color‐Tailorable White Light from Blue LEDs Using Color‐Converting Phosphor–Glass Composites
Authors: Yi Seungryeol , Chung Woon Jin , Heo Jong
Published: December 2013

Commercial Ce3+:YAG phosphors were embedded in glass frits. Thermal condition for the viscous sintering of the composite materials was optimized. The phosphor–glass composites had maximum external efficiency of 30% and maximum light extraction efficiency of 39%. Color temperatures of the composites composed of fluorescent glass frits containing Eu3+ and Mn2+ combined with blue LEDs shifted from ~7000 to ~4000 K.
A randomized controlled trial of the effects of nursing care based on Watson's Theory of Human Caring on distress, self‐efficacy and adjustment in infertile women
Authors: Arslan‐Özkan İlkay , Okumuş Hülya , Buldukoğlu Kadriye
Published: December 2013

Aims

To investigate the effects of nursing care based on the Theory of Human Caring on distress caused by infertility, perceived self‐efficacy and adjustment levels.

Background

Infertility leads to individual, familial and social problems. Nursing care standards for women affected by infertility have yet to emerge.

Design

A randomized controlled trial.

Methods

This study was conducted from May 2010–February 2011, with 105 Turkish women with infertility (intervention group: 52, control group: 53). We collected data using the Infertility Distress Scale, the Turkish‐Infertility Self Efficacy Scale Short Form and the Turkish‐Fertility Adjustment Scale. The intervention group received nursing care based on the Theory of Human Caring. Data were analysed using t‐tests, chi‐square tests and intention‐to‐treat analyses.

Results

The intervention and control groups significantly differed with regard to infertility distress, self‐efficacy and adjustment levels. The intervention group's mean self‐efficacy score increased by seven points and adjustment score decreased by seven points (in a positive direction). In addition, there was a significant reduction in infertility distress scores in the intervention group, but there was no change in the control group.

Conclusion

Nursing care based on the Theory of Human Caring decreased the negative impact of infertility in women receiving infertility treatment and increased self‐efficacy and adjustment.
17β‐Estradiol Protects Human Eyelid‐Derived Adipose Stem Cells against Cytotoxicity and Increases Transplanted Cell Survival in Spinal Cord injury
Authors: Zhou Jing , Lu Ping , Ren Hao , Zheng Zefeng , Ji Junfeng , Liu Hua , Jiang Fangzhen , Ling Shucai , Heng Boon Chin , Hu Xueqing , Ouyang HongWei
Published: December 2013

Stem cell transplantation represents a promising strategy for the repair of spinal cord injury (SCI). However, the low survival rate of the grafted cells is a major obstacle hindering clinical success because of ongoing secondary injury processes, which includes excitotoxicity, inflammation and oxidative stress. Previous studies have shown that 17b‐estradiol (E2) protects several cell types against cytotoxicity. Thus, we examined the effects of E2 on the viability of human eyelid adipose‐derived stem cells (hEASCs) in vitro with hydrogen peroxide (H2O2)‐induced cell model and in vivo within a rat SCI model. Our results showed that E2 protected hEASCs against H2O2‐induced cell death in vitro, and enhanced the survival of grafted hEASCs in vivo by reducing apoptosis. Additionally, E2 also enhanced the secretion of growth factors by hEASCs, thereby making the local microenvironment more conducive for tissue regeneration. Overall, E2 administration enhanced the therapeutic efficacy of hEASCs transplantation and facilitated motor function recovery after SCI. Hence, E2 administration may be an intervention of choice for enhancing survival of transplanted hEASCs after SCI.