bluuebunny/crossref_metadata_2025 huggingface dataset:
On Semantic Continuity: the Domain of ‘Pushing’ in Slavic Languages
Authors: Reznikova Tatiana I.
Published: December 2021

The paper examines the semantic domain of ‘pushing’ on the material of 8 Slavic languages. We focus on the cases where the zone of caused motion intersects with adjacent fields. The analysis shows that lexical contiguity occurs at two levels. First, at a synchronic level: lexemes that refer to a caused motion event may also cover meanings from an adjacent zone. Second, in a diachronic perspective: as a result of historical changes, verbs may lose their source semantics, completely shifting to a contiguous field.
“Hero” or “Anti-hero”? (The Problem of the Hero in the Works of M. Gorky in the Early 1920s)
Authors: Primochkina Natal'ya
Published: December 2021

The article considers one of the key elements of Gorky’s philosophical-ethical system – the concept of a “hero”, noting a profound difference between, on the one hand, the writer’s treatment of a “Person”, capitalized (Chelovek s bol’shoi bukvy), and meaning a full-fledged, creatively gifted and spiritually rich human being, and on the one hand, a “hero”, who was forced to recourse to violence and even murder under conditions of war and revolution. The article draws on Gorky’s works, all of which appeared in the summer of 1923: the essay “Hero” and two short stories – “The Story of the Hero” and “Caramora”. There, a heroic figure, being afraid of life and of other people, due to his egoism and existential loneliness, turns into an “antihero”, a traitor and a murderer. Our analysis of the poetics of these works makes it possible to align it to the poetics of modernism and the avant-garde. The notorious Gorky humanism, writ large during the revolutionary years and immediately after, brought to life works, where the writer protested against the “heroism” of soldiers and revolutionaries ready to kill their own people like enemies. In the 1930s, supporting the class ideology of Bolshevism, Gorky tried to “streamline” his works and wrote a series of “Stories about Heroes”, in which he celebrated the heroes of the Revolution and of the (Russian) Civil War. However, the stories turned out to be uncompelling and unmemorable; the images of the characters – schematic. Despite all his efforts, Gorky has never managed to create any significant works in which the valiant heroic type would be glorified.
The Autobiographical “I” in Skitalets’s Novelette “Stages”: Comparison of Editions
Authors: Liang Cheng
Published: December 2021

The article examines the “manifestation” of the autobiographical hero in Skitalets’s novelette “Stages”, which exists in two editions – 1908 and 1937. The first edition appeared when the writer already had a footing in literary circles; the second was published shortly after his return to Homeland from emigration, in 1934. Both editions contain a first-person narrative and relate the author's life story. However, in the earlier editions, Skitalets focuses on the analysis of the inner world, revealing the psychological changes in the hero’s mind. In the latter, the author mainly explores the development of the personality under certain influence of his environment and various circumstances. Moreover, from the very beginning the author was guided by the canon of socialist realism, wishing to present the growth of a “social” person, who subordinates the individual to the collective and is ready to offer his entire life for the revolutionary cause.
ІНФОРМАЦІЙНО-КОМУНІКАЦІЙНІ ДИСТАНЦІЙНІ ТЕХНОЛОГІЇ В МУЗИЧНІЙ ОСВІТНІЙ ПРАКТИЦІ
Authors: Кречко Наталія Михайлівна
Published: December 2021

Мета статті — проаналізувати можливості та перспективи дистанційних інформаційно-комунікаційних технологій та використання «хмарних» ресурсів в освітній практиці музикантів. Методи дослідження — вивчення літературних джерел з указаної тематики, узагальнення власного педагогічного досвіду в умовах дистанційної освіти, спостереження щодо результатів тих чи інших форм застосування інформаційно-комунікативних технологій (ІКТ) та хмарних технологій (Cloud Technology) в широкому спектрі освітянської сфери. Новизна статті — диференційований аналіз методів упровадження інформаційно-комунікативних технологій та Cloud Technology в навчальний процес музичної освітньої практики та висвітлення як проблемних, так і перспективних елементів цього процесу. Висновки. На основі аналізу методів застосування інформаційно-комунікативних онлайн-технологій робиться висновок, що вони не замінять безпосереднього контакту з викладачем, але можуть бути корисними як додаткові теоретично-практичні заняття, консультації, елементи контролю організації самосійної роботи студентів, засоби розширення комунікативних фахових можливостей, а також спонукати до пошуку нових креативних рішень на шляху реалізації художньої ідеї. Визначається роль нових форм презентації музичного продукту завдяки IКT технологіям, що підвищує інтерес до академічного хорового мистецтва.
КОНЦЕРТ A-MOLL ДЛЯ ФОРТЕПІАНО З ОРКЕСТРОМ С. ЛЮДКЕВИЧА — ВІДНАЙДЕНИЙ ЗРАЗОК ПЕРШОГО УКРАЇНСЬКОГО ФОРТЕПІАННОГО КОНЦЕРТУ
Authors: Макаревич Андрій Анатолійович
Published: December 2021

Мета статті — проаналізувати історію створення Станіславом Людкевичем трьох концертів для фортепіано з оркестром, зокрема Концерту a-moll; дослідити подальшу виконавську проблематику цього твору; з’ясувати місце Концерту у творчості композитора та його жанрову унікальність. Методи дослідження ґрунтуються на історичному, джерелознавчому та аналітичному методах. Історичний метод дає можливість висвітлити процес роботи С. Людкевича над Концертом a-moll, розглянути наявні розбіжності трактувань щодо кількості творів цього жанру в композиторській спадщині Людкевича та їхні історії написання серед різних наукових праць та у відгуках його сучасників. Джерелознавчий дає змогу виявити шляхи сучасних пошуків, ознайомлення з рукописами всіх творів С. Людкевича в жанрі інструментального, а саме фортепіанного, концерту, кінцевим результатом чого стали редагування віднайденого Концерту a-moll, його підготовка до видання та прем’єрне виконання автором статті. Аналітичний метод дає змогу дослідити особливості тематизму і процесів формотворення, розглянути складну будову Концерту a-moll та поєднання композитором в одному творі двох різних форм: варіаційної та сонатно-симфонічної. Наукова новизна. Уперше системно аналізується Концерт a-moll для фортепіано з оркестром С. Людкевича. З головних результатів і висновків можна: 1) скласти детальнішу картину музичної спадщини С. Людкевича, зокрема його практично невідомого Концерту a-moll як одного з перших зразків жанру інструментального концерту в українській музиці; 2) виявити характерні риси композиторського та піаністичного стилю С. Людкевича; 3) визначити вплив Концерту a-moll на подальшу роботу композитора в жанрі фортепіанного концерту; 4) визначити причини забуття та невідомості двох перших фортепіанних концертів С. Людкевича та важливість їхнього долучення до музичної спадщини композитора та до репертуарного списку піаністів.
IMPLEMENTASI ALAT BANTU PERTANIAN MAN-TOOLS KNM DESA TEJAMULYA UNIVERSITAS MAJALENGKA
Authors: Mardiana Ardi , Rusnandi Enang , Susanti Deffy
Published: December 2021

In the agricultural sector, the role of tools, the grouping of agricultural tolls and machines cannot be separated from the definition of the tools and machines can be distinguished from the general case because a machine can be driven by human power or automatically. Reflecting on the modern agricultural system that has been implemented in developed countries, such as Japan, America, and China. The pattern of agriculture in Indonesia must immediately improve. The reason is that most farmers in Indonesia have not been able to maximize the development of tools, technology and utilize modern agricultural tools to boost the productivity of the rice fields.
VARIASI PERSENTASE ABU BATU TERHADAP KARAKTERISTIK MARSHALL DALAM CAMPURAN HRS BASE
Authors: Salim Muchtar , Hadi Gunawan
Published: December 2021

Abu batu terdiri dari butiran-butiran halus dan gradasi yang memenuhi persyaratan gradasi untuk aggregat halus dan filler. fungsi filler adalah untuk mengisi rongga dalam campuran, dan meningkatkan stabilitas dari campuran aspal. Penelitian ini bertujuan untuk mengetahui pengaruh variasi penggunaan abu batu sebagai filler dalam campuran HRS-Base terhadap properties Marshall. Penelitian dilakukan dengan membuat Design mix formula (DMF) untuk mendapatkan Kasar Aspal Optimum (KOA). Menggunakan KOA yang telah didapat, kemudian persentase bahan filler abu batu divariasi sebanyak 1%, 1,5% dan 2%, 2,5% dan 3%. Penambahan filler abu batu dari 1% sampai 3 % meningkatkan nilai stabilitas, rongga terisi apal, dan Marshall Qoutient yaitu masing-masing dari 883,45 kg menjadi1121,66 kg, 69,66 % menjadi 72,68 %, dan 266,10 kg/mm menjadi 299,91 kg/mm dan nilai rongga dalam campuran dan nilai rongga dalam agregat (VMA) mengalami penurunan masing-masing yaitu dari 5,57 % menjadi 4,79 % dan dari 18,36 % menjadi 17,53%. Hasil penelitian menunjukan nilai stabilitas, nilai rongga terisi aspal dan nilai Marshall Qoutient meningkat bersamaan meningkatnya kandungan filler abu batu dalam campuran HRS – Base. Sedangkan nilai rongga dalam campuran dan rongga dalam agregat (VMA) menurun saat kandungan filler abu batu meningkat.
Design and Build Chatroom Application as Student Consultation Media Based on Android
Authors: Bastian Alvian , Solihin Muhammad Affiq , Irdan Anggi Amelia , Jalal Novita Maulidya
Published: December 2021

To support the governmentâ€™s program in preventing the spread of COVID-19 virus, it is expected to reduce direct communication between fellow students and lecturers. The purpose of this research to create interactive media that can provide consulting service for students with academic advisor (PA) without direct contact. It is expected for this research, students can be more proactive in interacting with their academic advisor in discussing academic and non-academic problems. The method used in this research is using Android Studio and Visual Studio Code as an Integrated Development Environment (IDE) and using a no-relational (NoSQL) realtime database on firebase. The advantage of this research is that the system to be developed does not use physical servers anymore but all databases are stored in the cloud system. The result of this research is chatroom application consisting of 7 modules namely application login with username and password, searching user, chatting user, list consultation, student input consultation, edit data consultation, and account setting.
LIFETIME MAXIMIZATION OF A MOBILE WSN USING ZRP-FUZZY CLUSTERING PROTOCOL BASED ON ANT-LION OPTIMIZER
Authors: Saadi Amnah A. , Awad Osama A.
Published: December 2021

Wireless Sensor Networks require energy-efficient protocols for communication and data fusion to integrate data and extend the lifetime of the network. An efficient clustering algorithm for sensor nodes will optimize the energy efficiency of  WSNs. However, the clustering process requires additional overhead, such as selection of cluster head, cluster creation, and deployment. This paper prepared a modified ZRP  for mobile WSN  clustering scheme and optimization using ant-lion optimization algorithm and so far named as mobility cluster head fuzzy logic based on the zone routing protocol (ZRP-FMC-ALO). Which proposed fuzzy logic approach based on three descriptors node for the selection of the CH nodes such as, residual energy, the concentration, and the centrality of the node and also exploited the concept of the mobility of the  Base Station (BS) to prolong the life span of a WSN. The performance of the proposed protocol compared with the famous protocol such as LEACH. Using the MATLAB simulator and the result shows that it outperforms in terms of the WSN network lifetime, the average remaining-consuming energy, and the number of a live node.
BLIND RESTORATION USING CONVOLUTION NEURAL NETWORK
Authors: Muhson Meryem H. , Al-Ani Ayad A.
Published: December 2021

Image restoration is a branch of image processing that involves a mathematical deterioration and restoration model to restore an original image from a degraded image. This research aims to restore blurred images that have been corrupted by a known or unknown degradation function. Image restoration approaches can be classified into 2 groups based on degradation feature knowledge: blind and non-blind techniques. In our research, we adopt the type of blind algorithm. A deep learning method (SR) has been proposed for single image super-resolution. This approach can directly learn an end-to-end mapping between low-resolution images and high-resolution images. The mapping is expressed by a deep convolutional neural network (CNN). The proposed restoration system must overcome and deal with the challenges that the degraded images have unknown kernel blur, to deblur degraded images as an estimation from original images with a minimum rate of error.
A PROPOSED SIGN LANGUAGE MODEL FOR SPEECHLESS PERSONS USING EEG SIGNALS
Authors: Al-Anbary Areej H. , Al-Qaraawi ‎ Salih M.
Published: December 2021

Recently, algorithms of machine learning are widely used with the field of electroencephalography (EEG)-Brain-Computer interfaces (BCI). In this paper, a sign language software model based on the EEG brain signal was implemented, to help the speechless persons to communicate their thoughts to others.  The preprocessing stage for the EEG signals was performed by applying the Principle Component Analysis (PCA) algorithm to extract the important features and reducing the data redundancy. A model for classifying ten classes of EEG signals, including  Facial Expression(FE) and some Motor Execution(ME) processes, had been designed. A neural network of three hidden layers with deep learning classifier had been used in this work. Data set from four different subjects were collected using a 14 channels Emotiv epoc+ device. A classification results with accuracy 95.75% were obtained ‎for the collected samples. An optimization process was performed on the predicted class with the aid of user, and then sign class will be connected to the specified sentence under a predesigned lock up table.
Siły polskie pod Zbarażem 10 lipca 1649 roku
Authors: Rogowicz Marek
Published: December 2021

The article presents the size and composition of the Polish forces near Zbaraż, with a breakdown into individual regiments and banners, at the beginning of the fights that began on 10 July 1649. In addition to repeating and arranging what was already known, many new findings have been introduced and errors contained in older literature have been corrected.
Geneza asystencji wojskowej w II Rzeczypospolitej
Authors: Hac Piotr
Published: December 2021

The article presents the issue of the genesis of military assistance in the Second Polish Republic. In interwar Poland, this term was understood as providing aid by the armed forces for the benefit of civil authorities, primarily in connection with ensuring public safety, or in the event of natural disasters. The text analyzes Polish and foreign experiences with the use of the army for the indicated purposes, as well as characterizes the regulations of foreign countries established before 1918 in this field. In the period from January to April 1919, basic regulations concerning the discussed issues were issued.
Eugeniusz Quirini de Saalbrück, Kartki z działalności żołnierzy polskich we Francji i ich ewakuacja do Wielkiej Brytanii w czerwcu 1940 r.
Authors: Quirini-Popławska Danuta
Published: December 2021

Memoirs of Eugeniusz Quirini de Saalbrück illuminate his activity as a cultural and educational clerk in 1940 at the Officers’ Rallying Station in Camp de Carpiagne, the unexpected surrender of France was a great tragedy, Polish soldiers wanted to fight and refused to lay down their arms. The Polish government-in-exile decided to continue the fight with English allies and to evacuate soldiers, including those from Camp de Carpiagne to the port of Saint Jean de Luz, from where they reached Plymouth on ship „Batory”.
Stage design of the modern Ukrainian director theater
Authors: Popova Oksana
Published: December 2021

The purpose of the article is to identify and analyze the leading directions in the development of stage design in modern domestic director's theater, as well as to explore the problem of director's search in stage design. Methodology. A systematic method was applied, aimed at theoretical and artistic, and practical comprehension of the main aspects of the process of solving a stage work in the complex of organizing stage action and stage space; the method of artistic-critical analysis in the process of studying the modern theatrical repertoire, made it possible to study the stage design of the domestic director's theater in the variety of its forms; the typological method, helped to systematize traditional and innovative approaches to the development and implementation of stage design, as well as to determine its features in modern Ukrainian theater; the method of figurative and stylistic analysis, thanks to which the specifics of the stage design of modern productions of Ukrainian theater directors have been identified and analyzed; the hermeneutic method helped to identify and interpret the meanings laid down by the director in the rhythm-chronotopic configuration of the stage design. Scientific novelty. The directing-staging and scenographic activity of the leading Ukrainian directors (B. Polishchuk, D. Kostyuminsky, S. Masloboyshchikova) has been investigated, the variable variety of approaches to solving stage design in modern Ukrainian drama theater has been revealed and their influence on the artistic structure of the performance has been characterized; the specifics of the design solution for a modern theatrical performance by Ukrainian stage designers, as well as production directors, have been determined. Сonclusions. The transformations of the functions and vocabulary of stage design in Ukrainian directing theater XXI century are directly related to changes in the visual aesthetics of modern theatrical art, the problems of interpretation of the literary source, and its stage embodiment. Taking over the functions of a theatrical artist, stage directors strive to create a unique author's environment for a dramatic situation, visualizing a literary text in the space-time continuum of presentation in accordance with the individual definition of the meaning of the production, in an effort to accurately illuminate their own concept. But in the production, carried out by theatrical artists, the dominant position is occupied by the image - the performance is a series of visual images, and visual symbols exert an emotional impact on the viewer, which is usually stronger than a dramatic text and acting.
Inheritance of traditions in the training of artistic embroidery
Authors: Varyvonchyk Anastasia
Published: December 2021

The purpose of the study light the problem related to the tracking of the historical evolution of embroidery, creative activity of the people's masters (on the example of the popular master P. Vlasenko), and determine the development of educational and teaching activities in the direction of embroidery art. The problem of restoring real events of the historical and pedagogical process occurring in schools-workshops on Ukrainian lands is updated. The leading task arose the question of drawing attention to the names of the patients of the late XIX century of the twentieth century, which contributed to the development of professional pedagogy, but whose activities through prohibitions and persecution did not receive appropriate lighting and was comprehensively studied. To develop an urgent problem of historical Ukrainian self-identification, it is important to establish deliberately forgotten figures, restoring the stupid pages of history Methodology is based on the principles of historical and art historical analysis, methods of systematization of factual material, and typological analysis. To identify the personal contribution of masters in the development of art embroidery, a biographical method of historical, psychological, historical, and pedagogical knowledge was used. Scientific novelty. It is the disclosure of new facts and a solid analysis of the pictorial activities of patients, which were engaged in the development of decorative and applied arts. For the first time, a biographical study of the vital activity of the Master of People's Art of the Ukrainian SSR P. Vlasenko, clarified its contribution to the Ukrainian culture. Reflecting a picture of a person's life as a whole, the relationship between individual histories with the history of society is covered. Conclusions. Based on the results of the study and art historical generalization, we can draw conclusions that traditions and modernity are closely intertwined. Paying attention to the treasures of folk art, telling about the unique experience of the masters of the past, the ways of development of educational and teaching activities in the direction of embroidery art are determined. The transfer of art historical experience when teaching students the basics of composite constructions, recognizing the technological and technical execution of traditional ornamental embroidery, makes it possible to apply the surveyed skills in the future. By offering the current generation to receive knowledge in educational institutions and, accordingly, motivating them, pedagogical groups provide the opportunity to self-consciously revive and distribute the traditions of past generations, promoting Ukrainian art.
Evolution of musical means in piano "symphonies" by S.Yarunsky
Authors: Kamenska Veronika
Published: December 2021

The purpose of the article is to investigate in the piano work of the Ukrainian composer S.Yarunsky in his four symphonies for piano, a new type of figurative content and innovative means of musical expression. Methodology. The method of complex analysis is applied: the figurative content and musical form of four “symphonies” for piano are analyzed and their stylistic features are revealed. The scientific novelty lies in the fact that for the first time in Ukrainian musicology, the Four Symphonies for Piano by S.Yarunsky have been analyzed in detail and conclusions have been drawn based on this analysis. Conclusions. Four “symphonies” for piano by S.Yarunsky in Ukrainian music of the 1990s were indeed a new and important word. At that time, the composer formed his position regarding this genre: the use of the term “symphony” is associated with the author's desire to expand the timbre palette of the instrument, to orchestral multi-timbre thinking. S.Yarunsky is constantly looking for new themes and subjects, including those related to the era of pre-Christian Russia. The artist significantly expands the scope of the maticism to create specific images, looking for new means of musical expression and compositional schemes. A little time has passed since the appearance of S.Yarunsky's “symphonies”, but they managed to enter the creative process of modern Ukrainian music and performing practice.
Retrospective of Competition and Festival Events and the Emergence of the Musical Olympic Movement in Ukraine in the 20s of the XX century
Authors: Rosenko Anna
Published: December 2021

The purpose of the article is to carry out a scientific analysis of works aimed at studying the socio-cultural, organizational, methodological, and musical-creative aspects of the competition-festival movement, as well as individual groups of art history and historical and cultural works devoted to the creative biography and biographies of prominent figures of Ukrainian musical culture, whose initiative and organizational activities led to the emergence of the Olympic musical movement in Ukraine. The methodology consists of the use of source study and historiographic methods in the development of scientific literature, as well as historical-cultural, historical-musicological, comparative-historical, and biographical methods to determine the contribution of Ukrainian composers and outstanding musicians to the development of the competitive and musical Olympic movement in Ukraine. The scientific novelty of the work lies in the implementation of a comprehensive art study of the origin and development trends of the musical Olympic movement in Ukraine. Conclusions. The paper analyzes the research and publications of authors in the field of the competition and festival movement in modern Ukraine, summarizing works on the history of Ukrainian music, which cover the mid-1920s - early 1930s, i.e. the period of the emergence and active development of the musical Olympic movement in Ukraine, the continuity of times from the origins to the revival of the All-Ukrainian Musical Olympiad is shown.
The artistic dimensions of Semuel Franklin Cody’s show activity
Authors: Khlystun Olena
Published: December 2021

The purpose of the article is to analyze the main milestones of life, stages of cultural and artistic activities and reveal the personality of Samuel Franklin Cody - a representative of show business and professional art showman of the late nineteenth - early twentieth century. Methodology. A number of scientific search methods have been used. The biographical method became optimal for revealing the main stages of the showman's life. The study is also based on methodological tools integrated with culturology, history, art history. General scientific methods are used - analysis, synthesis, and principles of scientific analysis - reliability, impartiality, etc. Scientific novelty. For the first time in Ukrainian science, in particular art history, an attempt was made to analyze the life, artistic activity, and significance of showman Samuel Franklin Cody. Conclusions. Samuel Francis Cody is the most famous showman, creator of the show "Wild West" and author of large kites Cody War-Kites, which could lift people. In S.-F. Cody, no doubt, was an innate talent of the showman, which was supported by certain traits - courage, openness to the new, impartiality, activity, generosity, adventurism, etc. The first role is played by the brightness of the image, the diversity of talents, the desire to create, entertain the audience, and be in the center of its attention. Without exaggeration, as a pioneer in today's popular show business S.-F. Cody can be considered the most talented person of his time, who saw far ahead and played a significant role in the formation of world show business, the profession of the showman, and the whole socio-cultural reality.
Directing of the contemporary French avant-garde theater Nanter-Amandier: stylistic and conceptual innovations
Authors: Tatarenko Maryna
Published: December 2021

The purpose of the article is consideration of stylistic and conceptual innovative ideas directed by the modern French avant-garde theater Nanter-Amandier. The methodology consists of the application of empirical, art history, analytical, axiomatic, functional methods of researching the concept of ideas of avant-garde directing of Nanterre-Amandier theater, its innovations, and search for radical reforms of stage skills, phenomenal artistic techniques of theatrical forms. Scientific Novelty. For the first time, empirical analysis and substantiation of the concept of ideas of avant-garde directing of the Nanterre-Amandier Theater, its innovations in the search for original artistic and creative solutions of stage forms. Conclusions. Directors of the modern French avant-garde theater J.-P. Vincent, J.-L. Martinelli and F. Ken successfully embodied innovative artistic techniques by transforming the reality surrounding the modern human and transmitting it to the viewer - this breaks the close relationship of artistic intentions with the socio-cultural environment. The depiction of the world by modern directors of the French avant-garde theater is characterized by a deep and holistic rethinking of it in accordance with the specifics of socio-historical processes, the development of scientific and technological progress, the general philosophical and aesthetic picture of the world, and others.
Formation of information culture of society in the conditions of digitalization
Authors: Denysiuk Zhanna , Yakovlev Оlexander
Published: December 2021

The purpose of the work is to investigate the formation of information culture as a defining characteristic of modern communicative practices and socio-cultural existence of man in the digital environment. The research methodology consists in the application of analytical, semiotic, systemic, culturological methods in the study of information as a fundamental factor in the formation of information culture and in general the digital environment of the information society. Information is a subsystem capable of transforming all spheres of society, while forming the needs and skills in obtaining, processing and transmitting information. Oversaturation and rapid circulation of information encourages the introduction of the concept of information culture, which can become a cognitive filter in the selection of information. The scientific novelty of the work is to expand information on the impact of information on the deepening of socio-cultural competencies, the level of socialization and education of the individual due to the information factor, as well as the ability to resist the negative effects of information on society in various forms. Information culture should become the core of the modern digital environment not only as an indicator of literacy and competence, but also as a general worldview vector that can influence the explanation of reality, commenting on current events, promoting important norms and values. Conclusions. In recent decades, information culture has become increasingly relevant as a phenomenon generated by the information society, mediated by Internet communication and modern communication practices in general. The development of modern digital information space generates a huge amount of information that is transmitted from person to person, but, at the same time, grows into a social phenomenon that shapes the thinking, behavior and actions of communities. The information culture of society becomes tangential and affects various spheres of life, which can no longer be understood and defined outside the information context, while serving as an effective factor in human perception of the surrounding reality, the world at large. Information culture is directly related to the social nature of the individual, due to the relevant values ​​and worldviews. Modern information culture is inextricably linked with technological progress and means of communication, which are the determining factors of social development that can influence the way of social life and worldview. Thus, the formation of information culture of society becomes an important and continuous process, mediated by the influence of information of human existence.

Key words: information, information culture, communicative practices, communication, digitalization, information society.
The creative personality as a subject of culture in the paradigm dimensions of understanding
Authors: Ovcharuk Oljgha
Published: December 2021

The purpose of the article is to substantiate the essence of paradigmaticity, to determine the basic paradigm dimensions of cultural comprehension of the phenomenon of personality. The methodology of research consists in the application of synergetic, axiological, cultural-hermeneutic approaches and analytical, semiotic, phenomenological methods to comprehend the personality as a subject of culture, capable of representing universal cultural meanings, values and ideals through various forms of creative practices, choosing a personal vector of creative self-realization. Scientific novelty of the work lies in the fact that for the first time in the problem field of cultural studies on the basis of paradigmatic as a sign of modern postnonclassical humanitarianism is justified paradigm dimensions of comprehension of personality, based on discursiveness, multiple intellectual forms of scientific knowledge, as well as interpretive variability of artistic thinking. In the context of culturological comprehension of personality as a cultural subject universal paradigm dimensions are defined: interscientific, humanitarian, subject-value, activity-creative. Conclusions. Interscientific paradigmal dimension allows to systematize the directions of evolution of scientific views on the phenomenon of personality from the position of different spheres of scientific knowledge. Through humanitarian paradigmatic dimension the person is presented as a creative personality within phenomenological hermeneutics; in the context of discursive technologies of personality self-projection, the possession of which becomes an important condition of its successful creative self-realization. The creative personality in the context of the subject-value dimension acts as a bearer of cultural values as the works of spiritual culture. Culturological research of personality in its basic - activity-creative paradigmatic dimension allows to consider the creative personality through creative activity, on the basis of which reincarnation of the personality himself into the subject of culturecreativity takes place.
The phenomenon of Korean wave in Metamodern European cultural environment
Authors: Osadcha Larysa
Published: December 2021

Purpose of the article is to analyze reasons of rapid growth of the Korean cultural product popularity in European cultural environment, to identify coincidence of the worldview, aesthetic, gaming demands of the Western consumer audience and art patterns of the Korean mass-culture. The phenomenon of the rapid popularity growth of Korean cultural products is called the “Korean wave. According to statistics, K-pop forms 2% of GDP (for comparison, Korean aviation – 0,7 %). On March 2020 the artistic heritage of the nowadays most popular Korean pop-band BTS was recognized “the strategic export product” of South Korea. That’s why it is actually to study out reasons for the great popularity of the “Korean wave” among the Western European cultural environment. Methodology. Theoretical basis of the exploration includes authors as of the applying field of cultural science, so of the fundamental one. For example, N. Tytkova (2020) analyzes style peculiarities of the Korean wave, Y. Pak (2015) outlines the genealogy of the phenomenon according to the Korean ethnic mentality specificity. Appealing to the theoretical works of R. Popty (1996) and F. Jameson (2008), T. Vermeulen and R. van der Akker (2010) has facilitated deeper understanding as of the Metamodern features of the actual European culture so the specificity of nowadays Korean pop-culture. Scientific novelty. Popularity of the Southern Korean pop-culture in Europe and Northern America is caused not only by the marketing peculiarities of the K-pop industry but also by its reasoning with key values and demands of the metamodern Western culture, such as “new sincerity”, “sober fanaticism”, “pragmatic romanticism”, “causal esotericism”. Conclusions. The powerful request for the youth artifacts and practices is been formed in the West. But artistic and academic discourse is still been under the influence of distrustfully critical postmodern narrative. Thus, the rupture between the West’s philosophical self-reflective vocabulary and applied requests for the new sincerity, and new romanticism has created favorable conditions for the youth-oriented mass-culture import.
The influence of information culture on the formation of the image of a superhero of the XXI century
Authors: Gaiduk Oksana
Published: December 2021

The purpose of the article is to investigate the influence of information culture on the formation of a superhero image of the XXI century. The research methodology includes such methods as analysis, synthesis, and systems approach, which makes it possible to trace and determine the vector of influence of information culture and digital processes taking place in connection with the informatization of society, on the transformation of the image of a superhero. The scientific novelty lies in the fact that virtual and augmented reality in the popularization of Ukrainian superheroes acts as a phenomenon that is considered not only as a result of interaction with people but also as an artifact of the new information era; the peculiarities of becoming a national hero as the basis of self-identification of modern Ukrainian society in the context of the specifics of information and communication technologies, are analyzed. Conclusions. Information culture is considered as a sphere of culture associated with the functioning of information in society and the formation of information qualities of a person. However, the phenomenon of the influence of information culture on the formation of the hero's image through the basis of society's self-identification in the modern dimension still remains unexplored. On a personal level, a person is surrounded by images, contradictory and disproportionate, and begins to simply consume the symbols and images of newly created superheroes. The structure of information culture includes a worldview component that provides motivation for information training of the individual; knowledge of the information environment, the laws of its operation, the ability to navigate in information flows. The information level of modern man is determined by his information culture, and the information culture of the individual, as a culture in general, reflects the active creative activity of man, and, accordingly, the development of man himself as a subject of this activity.
THE MEDIA INFLUENCE OF TELEVISION FORMATS ON THE VIEWER’S MIND
Authors: Kot Halyna
Published: December 2021

The purpose of the article is to examine and assess the role played by television in modern society in defining the classification of entertaining television formats and the television formats influence on the recipients’ minds. The methodology of the research is based on the selection of the actual material on the suggestive properties study of television is based on the domestic and foreign scholars’ concepts, as well as on the philosophers views, sociologists, semiotics, cultural scientists, art critics, who consider television as a phenomenon of modern culture. The scientific novelty of the work lies in that the semantic properties' perception of reality on TV has got a tendency to withdraw from person’s conscious control and society, pushing the subconscious of the viewer to mythological stereotyping. Conclusions. In practice, everyone is influenced by various media. Creating the whole picture of reality with all its contradictions can bring us to a comprehensive understanding of the world in all its diversity, which will help, in our opinion, overcome the crisis on a television screen, where today a vivid visual image often covers the lack of spirituality and the screen’s aggressiveness.
Artist of «troubled silence.» Mykola Bezdilny
Authors: Kuziv Mykhailo , Tiutiunnyk Iryna
Published: December 2021

The purpose of the article is to highlight the peculiarities of the paintings of the amateur artist of the period of socialist realism Mykola Bezdilny and to draw parallels with the professional art of the 1970s and 1980s. Methodology. Methods of systematization, art analysis, historical and comparative methods are applied. The scientific novelty is to identify the influence of centralized creative structures of the second half of the twentieth century for the self-realization of artists who acquired creative skills in their own way. In particular, the figure of the artist Mykola Bezdilny was chosen for the analysis as a bright representative of the amateur Ternopil region, who showed the ability to admire not only different genres and types of fine arts but also constantly analyze other interpretations of the painting, "try", "move" in technical and philosophical and aesthetic terms. The obtained results are important for further research of the problems of amateur and amateur fine arts in Ukraine. Conclusions. It is determined that M. Bezdilny, as a bright representative of socialist-realist amateur art, reached a high level of painting due to systematic work and interaction with professional painting. It focused on the true essence of the work, its depth, the transfer of harmony of nature, rather than the external beauty of the picture. Against the background of features that are characteristic of the work of many amateur artists and amateurs revealed a clear tendency of M. Bezdilny to his favorite plot, composition, constant change of sound of paint, attempts at impressionistic dynamic brushstroke, and complex color.
Inter-artistic theory of modernism: reflections on the book by Elena Korchova "Musical modernism as terra cognita"
Authors: Moklytsia Maria
Published: December 2021

The purpose of the article is to analyze the theoretical aspect of the concept of musical modernism O. Korchova, to identify debatable aspects important for the creation of the inter-artistic theory of modernism. Methodology: used historical, cultural, and comparative methods, with the involvement of philosophy and psychology. The scientific novelty of the study is that the musicological concept of modernism is compared with the literary, which proves the need to create an inter-artistic theory of modernism, necessary in the practice of stylistic analysis of modernist works. Conclusions. An important achievement of O. Korchova's research is the search for a "stylistic formula" of each composer of the epoch. The artist is looking not just for a consonant style or form, but for himself and his style. Individual style does not arise from simple combinations of borrowed. Styles of modernism conflict with each other, to combine them, to avoid eclecticism, you need to find a way and a reason to combine. The way to find your style is never purely artistic, it is always vital. Modernists, putting art in the first place in aesthetics, discovered the concept of life creation, which distinguishes the modernist from the artists of previous eras. Life-creation is a special way of an artist into art, movement simultaneously in two dimensions, external and internal, their constant coordination and gradual transformation of oneself, with life and works together, into a cultural phenomenon. And if this happened - then something unique was formed, unique, completely individual, and at the same time universal, something original and holistic, something that will become a value for contemporaries and descendants, that is, the author's style. Just as it is not easy for every artist to find his style, so it is not easy for a researcher to find a formula for this style. But without such a goal, the study of creativity will be historiographical, descriptive, and rhetorical. It is important for every scholar who studies specific texts of culture to understand the trends of the era and the psychology of the creative process, all the laws that unite.
Рreparation of lectures on musical arts in the class of vocal ensemble
Authors: Svitylo Svіtlana
Published: December 2021

The purpose of the article is to consider the methodological aspects of training music teachers in the class of a vocal ensemble. thanks to which they acquire skills and abilities that are logically correlated with vocal and pedagogical, choir tasks. It is emphasized that the main and specific component of his professional competence is primarily the ability to perform music, including vocal, which is the basis of his work on the musical development of members of a vocal ensemble or choir. The task is to reveal the main methodological aspects that are important in the process of ensemble performance, in particular, to achieve coherence, the balance of all components, harmonious sound of parts, individual vocalists, the whole group while singing. The methodology of the article is theoretical methods of analysis and synthesis, which characterize the main components of the role of each type of ensemble (intonation, metrorhythmic, diction), their organic combination, revealed the features of individual types of ensemble, the role and significance of each. It is noted that the pop vocal ensemble has specific features that characterize it as a kind of modern musical performance. He represents a new style in popular music, new forms of collective vocal performance (female, male, mixed; vocal-instrumental ensembles, rock bands, and pop groups, etc.). The scientific novelty of the work is the focus on the methods of working with a vocal group that seeks to develop their own, individual manner of performance. Conclusions. The rapid development of pop vocal performance, solo, and the ensemble has contributed to the fact that in recent decades in Ukraine has expanded the network of higher educational institutions for music and pedagogical training in "specialty singing", which provides the possibility of their professional activities as performers in vocal ensembles and, at the same time, as leaders of such collectives. and this requires proper methodological support of the educational process in institutions of higher professional education.
Narrative concepts of modern Ukrainian composers’ creations under the influence of myths or socio-cultural environment
Authors: Stepurko Victor
Published: December 2021

The purpose of the article is to reveal the modern perception of the world, characterized by the accumulation of facts and events that cause confusion and distrust in the creative personality of new contradictions, discrepancies with real life, forming his creative thinking in a mythological way, based on combinations of different levels of perception. The methodology of the study is based on the studies of R. Bart, K. Bremon, AJ Greimas, K. Levi-Strauss, J. Lotman, W. Propp, P. Reeker, and other scholars who have considered the principles of narratives in the mysteries of the archaic era in historical and cultural orientation, to identify in them common or different from modernity. Narrative concepts of contemporary Ukrainian composers are also considered in the context of research by M. Bakhtin, E. Benvenist, B. Gasparov, E. Paduchev, and others, as a ratio of myth and narrative, given the commonality of metaphor, imagery, and symbolism. Scientific novelty. It is established that the narrative message is an expression of the authors 'desire: to return to the public space the introverted ethos of mystical suggestions of ancient erotic myths, the revival of ancient mythologized historical images, mythological narratives of the "living soul of nature ", synthesis of avant-garde ideas and pagan folklore, pagan mythology and secret rites of Carpathian molfars (magicians), the formation of narratives that are not related to any confessional style of Christian churches, expressing their own understanding of the concept of spirituality, etc. Conclusions. It is found that the narrative understanding of the world in all areas of civilization: in myths, legends, fairy tales, music, cinema, etc., is based on the formation of certain areas of personality behavior as a result of interaction with the world. Completion of this process is marked by the structuring and awareness of one's own "I" as a self-narrator, developing in the social environment in a continuous creative movement.