Discourse of trauma and transformation of memory in the novel of J. S. Foer’s “Extremely Loud and Incredibly Close”
Authors: Kretova Olena , Bohdanova Inha 
Published: July 2024

The article is devoted to considering the peculiarities of trauma discourse in the context of dynamics and transformations of individual and collective memory based on the material of the novel by the modern American writer J. S. Foer “Extremely Loud and Incredibly Close”. Sociocultural dynamics of the first quarter of the 21st century causes significant changes in the spheres of collective imagination and memory, which finds its expression in the literary discourse, one of the significant types of which is currently the discourse of trauma. In turn, the category of trauma acquires universal status in modern humanitarianism. This determines the relevance of the research topic. The purpose of the article is to consider the discursive specificity of J. S. Foer’s novel «Extremely Loud and Incredibly Close» in the context of trauma, individual and collective memory. The subject of consideration is the peculiarities of the representation of trauma in the context of the transformation of memory in the novel by J. S. Foer. The novelty of the study consists in the attempt to distinguish the discourse of trauma related to the peculiarities of the narrator’s vision of reality and the socio-cultural determinations of trauma that affect the entire society, that is, to isolate the universal discourse of social trauma in the novel compared to individual trauma. The task of the research: to analyse the specific features of the discourse of trauma in J. S. Foer’s novel; find out the correlation between trauma discourse and transformations of individual and collective memory; to justify the universal nature of the trauma discourse in the novel. Historical-cultural, hermeneutic and discursive methods were used in the research process. The discourse of trauma in the novel acquires universal features and concerns all the narrators of the novel, who form its plot. The visual component that forms the visual-symbolic narrative of the novel actualizes the synesthetic perception of the trauma and its totality, spread not only to the family of the main character, but also to the entire society. At the same time, the graphic and visual experiments and findings of the author allow us to interpret the text as a complex postmodern and metamodern whole. The trauma discourse in the novel captures the transformations of individual and collective memory, which are aimed at restoring the functionality of the existence of people and communities on both the cognitive and emotional-affective levels. The discourse of trauma acquires features of totality, while remaining rational and avoiding signs of self-obsession, which enables catharsis as life after and with trauma. The symbolic nature of the processes taking place in the collective consciousness and imagination represents itself through the transformations of discourse, which record the transformations of memory. Prospects for further research are outlined by the possibility of considering the discourse of trauma in a wider cultural, linguistic and sociological context.