bluuebunny/crossref_metadata_2025 huggingface dataset:
СТРАТЕГИИ РАЗВИТИЯ ФИННО-УГОРСКОГО ТУРИЗМА В СЕВЕРО- ЗАПАДНОМ ФЕДЕРАЛЬНОМ ОКРУГЕ
Authors: Eltc E.
Published: December 2019

В статье рассматриваются формируемые в рамках финноугорского движения стратегии развития туризма, направленного на продвижение наследия финноугорских народов и предусматривающего активное вовлечение в эко и этнотуризм местного населения. Определяются особенности распространения этих стратегий в СевероЗападном федеральном округе.

The article considers the strategies of sustainable tourism, emerging within the framework of FinnoUgric movement, aimed at promoting FinnoUgric cultural and historical heritage with active local community involvement and enhancing the economic efficiency in the spheres of eco and ethnotourism. Particular features for the application of strategies in in NorthWestern Federal District of Russia are defined.
ЧЕЛОВЕЧЕСКИЙ КАПИТАЛ И ЭФФЕКТИВНОСТЬ ТРУДОВЫХ СТРАТЕГИЙ НАСЕЛЕНИЯ ПРИГРАНИЧНОГО РЕГИОНА
Authors: Kozyreva G.
Published: December 2019

Статья посвящена проблемам развития и использования человеческого капитала лесосырьевого приграничного региона. На основе эмпирических данных пилотного социологического опроса одного из муниципальных образований Республики Карелия сделан типологический анализ трудовых стратегий его жителей.

The article is devoted to the problems of development and use of human capital in the forestraw materials border region. Using empirical data from a pilot sociological survey of one of the municipalities of the Republic of Karelia, a typological analysis of the labor strategies of residents is made.
Nuevos sujetos, viejos reclamos. Conflictos en la horticultura platense ayer y hoy
Authors: Fernandez Lisandro Federico , Lemmi Soledad
Published: December 2019

The following work proposes to address the study of the conflicts that developed in the horticultural sector of La Plata towards the middle and end of the 90s and today. The research is based on the methodology of comparativestudies, from which both similarities and differences between two or more historical-social processes are sought. In this case, variables linked to the economic and political conjuncture, to production, to the social subjects involved in it, as well as tothe horticultural structure, will be compared. Variables linked to conflict will also be contrasted: who are the different subjects in the confrontation, what are the other objects of attack, what do they demand, what methods do they adopt, who wins and who loses. Finally, it addresses what historical, social and economic territoriality is configured as a result of the confrontations. We advance here that as a product of the crisis that occurred in the 1990s, the La Plata horticultural territory was reconfigured as a consequence of a national ethnic replacement among social subjects, as well as the functions that old and new horticulturists fulfill in the horticultural social structure. However, the similarities of the complaints and the ways of resolving them do not cease to surprise despite the changes that have taken place.FERNANDEZ, Lisandro Federico; LEMMI, Soledad. Nuevos sujetos, viejos reclamos. Conflictos en la horticultura platense ayer y hoy. Estudos Sociedade e Agricultura, jun. 2018, v. 26, n. 2, p. 257-284, ISSN 2526-7752.
Da violência opressora à negociação institucional: a judicialização dos conflitos agrários no cenário alagoano
Authors: Castro Ana Carolina de Sousa , Lages Anabelle Santos , Assis Wendell Ficher
Published: December 2019

This article aims to understand the process of judicialization of agrarian conflicts that has intensified in the state of Alagoas, Brazilian recent decades. The analysis focuses on the creation of a branch specialized in the treatment of territorial disputes, seeking to decode how agrarian litigation has been received and treated in the judicial sphere. Based on the examination of 241 lawsuits filed between 2008 and 2014 and using in-depth interviews with legal subjects (judges, prosecutors, lawyers and public defenders) and representatives of social movements and INCRA, it is maintained that judicialization is the product and result of a process of historical tension that at the same time imposes rationalization on land conflicts and reconfigures the features of violence. Based on the analysis of the empirical material, we find that in the Alagoas agrarian branch the evocation of legality, celerity and myopic affirmation of property rights have been triggered in the justification of judicial decisions that continue to perpetuate social injustices. Therefore, far from promoting a fair equalization of agrarian conflicts, the judicialization of disputes has contributed to perpetuate a scenario of violence, which nevertheless presents itself as a contemporary institutional approach.CASTRO, Ana Carolina; LAGESE, Anabelle Santos; ASSIS, Wendell Ficher. Da violência opressora à negociação institucional: a judicialização dos conflitos agrários no cenário alagoano. Estudos Sociedade e Agricultura, jun. 2018, v. 26, n. 2, p. 309-330.
A ciência e seus usos na política: uma reflexão sobre a Política Baseada em Evidências
Authors: Carneiro Maria José , Rosa Teresa da Silva
Published: December 2019

This article discusses the limits and possibilities of utilizing science as a basis for policy decision making. Based on 28 interviews, it analyzes the means by which these social actors involved with the elaboration of three public policies for biodiversity conservation in the state of Rio de Janeiro (RJ, Brazil) make use of scientific knowledge. At least four configurations of interrelations between the scientific and policy realm were identified: (1) when science serves as the technical basis for policy decision making; (2) when the resort to science is intermediated by technical understanding which “translates” scientific knowledge; (3) when scientific knowledge is dismissed as not corresponding to hegemonic political interests; (4) when science is also perceived as apolitical field of dispute. Results contribute towards developing a critique of linearity in the formulation of public policies based on scientific evidence.CARNEIRO, Maria José; ROSA, Teresa da Silva. A ciência e seus usos na política: uma reflexão sobre a Política Baseada em Evidências. Estudos Sociedade e Agricultura, jun. 2018, v. 26, n. 2, p. 331-352, ISSN 2526-7752.
Formación de Agenda de los Programas de Trasferencia de Renta en los países del Cono Sur de América
Authors: Luna Cijanes Felipe José , Flexor Georges Gérard
Published: December 2019

This article presents the research on the agenda formation process of the Income Transfer Programs (PTR) in the countries of the Southern Cone of America: Argentina, Brazil, Paraguay and Uruguay. The objective was to know which were the main institutions, social policies, actors and critical junctures that influenced the entry into the governmental agenda of the PTR in these nations. The approaches to agenda formation and historical institutionalism with their concepts of path dependence and critical junctures were used as a theoretical reference, because they allow a comparative study of public policies. It is a hermeneutic investigation, documentary, descriptive, analytical and comparative. It is a case study whose units of analysis are the PTR in the countries of the Southern Cone of America. The temporality defined was the first decade of the 21st century, because in that period those programs were implemented and with very important results. The results of the investigation show the elements and particularities of the processes in each nation.Keywords: social policies; PTR; agenda formation, historical institutionalism.
CIJANES, Felipe José Luna; FLEXOR, Georges Gérard. Formación de Agenda de los Programas de Trasferencia de Renta en los países del Cono Sur de América. Estudos Sociedade e Agricultura,v. 26, n. 3, p. 584-607, out. 2018.Submitted in july 2018.Accepted in august 2018.
PEMANFAATAN IKAN GABUS (Channa striata) DAN TOMAT (Lypersion esculentum mill) SEBAGAI PENYEDAP RASA ALAMI
Authors: Fitri Rika Ramadahani , Asih Esthy Rahman
Published: December 2019

Asam glutamat merupakan salah satu dari 20 asam amino yang ditemukan padaprotein. Rasa gurih dapat berasal dari bahan alami, diantaranya adalah asamglutamat dari ikan gabus dan tomat. Saat ini di Provinsi Riau, ikan gabus adalahikan lokal yang banyak digemari karena tingginya kandungan protein pada ikanini dan banyaknya predator ikan gabus di sungai-sungai yang banyak terdapat diRiau khususnya. Ikan gabus mengandung air, rendah lemak, natrium, karbohidrat,rendah kalori, dan bebas kolesterol. Ikan gabus juga mengandung nutrisi pentingtermasuk kalsium, fosfor, besi, kalium, dan niasin. Tomat juga merupakan panganlokal yang mengandung asam glutamate, selain itu tomat juga mengandungglukosa yang dapat dimanfaatkan sebagai pengganti gula. Adanya kandunganasam glutamat maka perlu dibuat penyedap rasa yang berasal dari ikan gabus dantomat.Percobaan ini dengan tiga perlakuan berbeda dari masing-masing sampelyaitu perlakuan A (tepung ikan gabus 40 gr dan tepung tomat 30 gr), perlakuan B(tepung ikan gabus 50 gr dan tepung tomat 40 gr), perlakuan C tepung ikan gabus(60 gr dan tepung tomat 50 gr). Semua perlakuan ditambahkan masing-masingbawang merah 40 gr, bawang putih 30 gr, garam 30 gr dan lada putih 3 gr.Selanjutnya masing-masing perlakuan dilakukan uji organoleptik denganparameter warna, aroma dan rasa.Berdasarkan hasil uji organoleptik penyedap rasa, didapatkan hasilkonsentrasi terbaik dari ketiga percobaan konsentrasidengan rata-rata warna (A)4,7, (B) 4,8 dan (C) 4,7, rata-rata aroma (A) 4,6, (B) 4,7 dan (C) 4,8, rata-rata rasa(A) 4,5, (B) 3,7 dan (C) 4,6. Pada percobaan konsentrasi C tingkat kesukaantepung ikan gabus 60 gr dan tepung tomat 50 gr pada tingkat kesukaan rasa danaroma. Sedangkan tingkat kesukaan warna pada perlakuan konsentrasi B 50 grtepung ikan gabus dan 40 gr tepung tomat.
Importance of harvesting system and variety for storage losses of sugar beet
Authors: Hoffmann Christa , Engelhardt Meik , Gallmeier Michael , Gruber Michael , Märländer Bernward
Published: December 2019

Damage resulting from harvest operations increases the storage losses of sugar beet. Because of different equipment, the kind and extent of damage may differ between harvesting systems. The objective of the study was to analyze (I) the impact of different harvesting systems and cleaning intensities on damages of sugar beet, and furthermore, (II) the effect of these damages on storage losses. In 2015 and 2016 at four sites, two sugar beet varieties were harvested with two six-row harvesters (axial rollers versus turbines for cleaning) using three cleaning intensities with three replicates in tracks of 200m length. Roots were stored in a climate container at 9°C for 5 and 12 weeks. The results show that the diameter of root tip breakage and surface damage increased with cleaning intensity. Marked differences occurred among varieties and sites. The factor analysis indicates that the extent of damage (root tip breakage, surface damage) had a considerable impact on the infestation with mold and rots, the accumulation of invert sugar and sugar losses after storage. However, the higher root tip breakage of beets harvested by harvester2 was accompanied by lower sugar losses than in harvester1 after 12weeks storage, in particular with the aggressive cleaning intensity. The marked impact of the cleaning intensity emphasizes the importance of the operator and of the optimal setting of the harvester for a good harvest quality and thus storability of sugar beet.
Pflanzenschutz im Zuckerrübenanbau in Deutschland – Situationsanalyse 2018
Authors: Ladewig Erwin , Buhre Cord , Kenter Christine , Stockfisch Nicol , Varrelmann Mark , Mahlein Anne-Katrin
Published: December 2019

Die Kontrolle von Schaderregern ist eine wesentliche Voraussetzung zur Sicherung der Erträge von Kulturpflanzen. Diese Situationsanalyse stellt das Auftreten von Unkräutern, Krankheiten und tierischen Schädlingen im Zuckerrübenanbau in Deutschland dar und erläutert die Verfahren zu ihrer Kontrolle. Wesentlicher Baustein des integrierten Pflanzenschutzes, der in der EU maßgeblich ist, sind Sorten mit Resistenz- oder Toleranzeigenschaften, z.B. gegenüber Rizomania oder Nematoden. Zur Bekämpfung von Schad- erregern werden auch chemische Pflanzenschutzmittel eingesetzt, deren aktuelle und mittelfristige Verfügbarkeit gezeigt ist. Hier steht der Zuckerrübenanbau derzeit vor großen Herausforderungen, insbesondere durch den Wegfall der neonicotinoiden Saatgutbeizungen ab 2019. Neben der Zulassungssituation, die auch noch weitere Wirkstoffe betrifft, spielt auch die Entwicklung von resistenten Schaderregern eine entscheidende Rolle für die Verfügbarkeit effizienter chemischer Bekämpfungsverfahren. Konsequenzen für den zukünftigen Pflanzenschutz im Zuckerrübenanbau werden aufgezeigt. Für eine längerfristige Nutzung der vorhandenen Wirkstoffe ist ein spezifisches Resistenzmanagement unerlässlich.
The importance of active learning elements in the design of online courses
Authors: Koohang Alex , Paliszkiewicz Joanna , Klein Deanna , Horn Nord Jeretta
Published: December 2019

The purpose of this study was to investigate learners' perceived views about the importance of including active learning elements in the design of online courses giving attention to three selected variables: age, gender, and college status. The subjects participated in the study were undergraduate and graduate students taking online courses at a medium-sized University in the Midwest, USA. ANOVA was used to analyze the collected data. Significant mean differences were reported for all three selected variables. Conclusion, implications, and recommendations for future research are made.
Crops and Envy in Cilicia
Authors: PARKER Robert
Published: December 2019

Günder and Ender Varinlioğlu have recently published a short verse text from rough Cilicia, apparently engraved on a door post and dated to the 3rd/4th c. AD. It reads ‘For my masters I bring [or, protect: κομίζω] produce; but to the envious, a penis!᾿. A phallus is carved below it. The editors identify the speaker as the god Priapus. This article discusses the problem of translating κομίζω, and goes on to illustrate Priapus’ power against the evil eye of the envious, and to discuss his relation to garden produce: does he merely protect it, or also help it to grow? But it then presents an alternative interpretation suggested by G. O. Hutchinson: the speaker on this view would be not Priapus but the building itself on which the line was inscribed, a warehouse of some kind. Phallic symbols could avert the evil eye whether associated with Priapus or not: the editors of the new inscription have helpfully collected many further examples of phalli inscribed on doorposts or lintels in the same region (where Priapus is otherwise unattested). On either view it is likely that the verse was not composed for this context but was a protective formula of broader use like the widely-attested ‘Victorious Heracles son of Zeus lives here. Let no evil enter!’.
Ein Königssohn, der Mops hieß (oder Mucks?): von Phantasie-Inschriften, antiken Fabeleien und Namenbelegen zwischen Pylos und Karatepe
Authors: SCHÜRR Diether
Published: December 2019

Dem Historiker Xanthos, der Lyder genannt und im 5. Jh. v. Chr. lebend, wurde eine seltsame Geschichte zugeschrieben, die einen Lyder namens Mopsos mit der Stadt Askalon, dem heutigen Aschkelon im Süden Israels, verbindet. Er habe da wegen ihrer Hybris die Atargatis [eigentlich eine Göttin] zusammen mit ihrem Sohn Ichthys [Fisch] in einem See ertränkt, und sie sei von Fischen gefressen worden – offenbar eine krude euhemeristische Erfindung. Athenaios führt sie – nicht mehr als zwei Sätze – in den ‚Deipnosophistai‘ (VIII 37) nach dem Historiker Mnaseas an. Da Mopsos ein griechischer Name (vor allem von zwei sagenhaften Sehern) ist1 , dürfte er hier an die Stelle des gräzisierten lydischen Namens Moxos getreten sein: Nikolaos von Damaskus berichtet von einem Lyderkönig dieses Namens, und er hat mit dem Mopsos des Xanthos das Ertränken in einem See gemeinsam2.
On early antiquarians in Asia Minor to the start of the 19th century
Authors: DUGGAN Terrance Michael Patrick
Published: December 2019

This paper covers a period of 400 years, from 1400 to 1800, and the antiquarian activities of more than 60 named Europeans, there are doubtless others, who were involved in transcribing, and at times, through their agents and Ottoman associates, guides, villagers and Greek priests, those who related the position and at times enabled the physical removal of ancient inscriptions from Asia Minor; as well as the associated antiquarian collecting of “marbles,” ancient manuscripts, medals-coins, inscribed gem-stones and other inscription bearing materials. Some of this material was lost at sea, while some ancient inscriptions brought from Asia Minor were da­maged, lost or destroyed in warfare in Europe. Following Ciriaco de Pizzicolli’s transcriptions in the 15th c. and the few inscriptions transcribed by Pierre Belon in 1546-9, it seems to have been the Bishop of Agria (Eger), Antonius Verantius’s transcription of the Res Gestae Divi Augusti and the copy made by Busbecq’s servants in Ankara in 1555 which, when circulated and then published, underlined to European scholars the importance of the surviving ancient epigraphic record in Asia Minor. From the start of the 17th c. an increasing number of educated European antiquarians undertook the recording of the surviving visible inscriptions, largely in coastal re­gions and along the major trade routes of Asia Minor. Note is taken of the variety of recorded Ottoman views concerning these ancient inscriptions, of their transcription and, at times, their removal by European berat holders; together with some examples of the inaccuracies of the transcriptions of inscriptions that were made.
Pontic Athens: an Athenian Emporion in Its Geo-Historical Context
Authors: COŞKUN Altay
Published: December 2019

The least significant of all ancient settlements called Athenai was located east of Trapezous on the Pontic coast. It maintained its name well into the 20th century, when its successor was renamed Pazar. That Arrian provides us with the first (surviving) description of this chorion is due to a storm that compelled him to anchor parts of the Roman fleet in its little harbour (AD 132). In the 6th century, Prokopios mentions the village only to refute the local tradition that it had been founded by its more famous namesake. Scholars have shared this skepticism and thus largely relegated Pontic Athens to footnotes or condemned it to complete oblivion. But nothing is more plausible than regarding it as a result of Perikles’ expedition to the Euxine (ca. 437/35 BC). Athenai may have a pre-history as a Milesian apoikia called Limne. Less certain is the role it played after the breakdown of Athenian thalassocracy (405 BC). It probably stood under Sinopean hegemony, before being absorbed into the Pontic kingdom in the early-2nd century BC. By then, however, Pontic Athens had shared the economic downturn of the area between Trapezous and Phasis. It lived on as a village regardless, and thus demonstrates that a polichnion could escape the historical record for centuries without ceasing to exist.
Dust, vacuum cleaners, (war) machines and the disappearance of the interior
Authors: Stoppani Teresa
Published: December 2019

Working on the ambiguity and circularity intrinsic to the operation of ‘dusting’, this paper explores the role of dust in the definition, organisation and dissolution of the domestic interior in its 20th century representations. An analysis of images from the visual arts, film, and advertising, shows how their readings of dusting offer contradictory interpretations of space that blur the distinction of interior and exterior and expose the permeability of their boundaries. In Richard Hamilton’s iconic collage of 1956, ‘what makes today’s homes so different, so appealing’ (as its title recites), is the fact that, behind the exposed bodies of the inhabitants of the modern home and besides the pervasive presence of telecommunication media, the act of dusting is here performed by an alter-ego of the female inhabitant reduced to a diminutive appendage of the vacuum cleaner. The new dusting appliance not only removes dust but, participating in the dynamics of the mediatic and machinic centre-less interior, it sucks up (together with dust), all familiar connotations of domesticity. Vacuumed, the interior is fragmented, multiplied and centrifugally dispersed; made permeable and exposed it is no longer separable from world events. Other examples follow, from literary divertissement (Graham Greene’s facetious political satire), to tongue-in-cheek high art (Jeff Koons’s vacuum cleaner taxonomies), to consumerism and advertising (Dyson’s 1990s high-tech commercials), to show that while dust continues to return, invincible, the enclosures and (false) security of the 20th century interior are, more than vacuumed, literally and lightly laughed away.
Interior Ecologies:
Authors: Lee Gini
Published: December 2019

simply put, ecology is a relational concept that concerns the exploration of interactions between the individual, their communities and the environments that sustain them, and this is not confined to the human domain. Although the normative understanding of ecology in everyday use can infer the world of organisms and systems found in the ‘natural’ world, its etymological roots lie in relatively recent interpretations of the Greek oikos and the study of the house and habitation. If it follows that ecological thinking applied to interiors is predicated upon relational thinking, then research into interior ecological practice should offer up alternative concepts for design that move beyond ‘green’ environmentalism and associated sustainable design approaches to embrace a range of disciplinary and theoretical domains. The IDEA JOURNAL 2010 Interior Ecologies provocation arises from an interest in exposing how a critical ecological approach to interiors can enable expanded locales for research and experiment in private and public realms. Commonly held concepts regarding the vulnerability of the ongoing sustainability and stability of designed habitats in the face of global political, societal and economic change frequently promote technological regimes and societal education as factors aiding recovery over developing more conservative and lateral responses influenced by novel design strategies. Projects such as Paul Virilio’s and Diller, Scofidio + Renfro’s Native Land Stop Eject, at Foundation Cartier, Paris in 2008, graphically bring into focus the predicted global mobility of communities and cultures due to climatic and other environmental dynamics, and such issues are increasingly being explored by emerging urban design and architectural research and practice. The provocation Interior Ecologies: exposing the evolutionary interior seeks to elicit parallel interior-focused research and discourse influenced by speculations into environmental and social change to uncover emerging explorations into contemporary interior spatial, material and performative practices.
MAPPING INTERIOR ADJACENCIES
Authors: Weinthal Lois
Published: December 2019

Film and photography successfully mimic the way we occupy the interior. both give views to the placement of furniture, objects, and characters that move between them. Often small details such as a jacket resting on a chair or a glass filled with coffee or wine tells us if it is morning or evening and brings with it the element of time. These ephemeral details provide entry points into a narrative that we visually complete.
The Failings of a Fleet of Fools:
Authors: Catina Aleks
Published: December 2019

‘It is a philistine prejudice that conflicts and problems are dreamt up merely for the sake of their solution. Both in fact have additional tasks in the economy and history of life, tasks which they fulfil independently of their own solutions.’  - Georg Simmel
In November 1982 the New Scientist published a map of eleven power stations in Greater London which were lined up for decommission. With their institutional raison d’e?tre expired these objects no longer justified their monumental scale in the heart of the post-industrial city. Two shells, at Battersea and Bankside, escaped demolition and were earmarked for civic use. The encounter with these found interiors challenges the design expert to reflect upon what these seemingly alien spaces offer to an age in which the image of the contemporary prevails over sense of continuity.
THE EZRA POUND HOUSE:
Authors: León Jorge
Published: December 2019

The project developed by the MLDG1 architecture and design studio involved profound research into the ontological bases of the logic used in architectural projects. It defends the need for not only designing the architectonic aspects of buildings, but also, and simultaneously, of formulating the deep logic that rules the very language of its con-formation. This is a fundamental characteristic of the projective process that the authors have termed ‘monadic architecture’. In our analysis, we have opted for a logical-spatial ontology that explicitly seeks to undermine all sharp distinctions between the exterior and interior, questioning their epistemological grounds and including the building’s exterior in the projective logic of the interior, which is principally instantiated via the use of optical-visual relations.
To this end, the project enters into dialogue with the principal theoretical forms of conceiving this relation, developed over the last three decades, via the analysis of its logical functioning in the works of Peter Eisenman, Bernard Tschumi and Rem Koolhaas. In this context, the Ezra Pound House will be the first practical example of the ‘monadic architecture’ developed by MLDG. Its design embodies a spatio-visual and corporeal schema (both in its material and tectonic aspects and in the corporeal shifting of its users) which has never been explored, either under the concept of language or that of scale. The project developed by MLDG involves the infinite openness of the logic of the design of interior spaces to the exterior of a project via its introduction into the logic of absolute interiority as a historical characteristic of Mediterranean architecture.
Binding Interiority
Authors: Macken Maria
Published: December 2019

Architectural space is usually documented in the form of orthographic projections, that is, plan, section and elevation drawings, with perspective and three-dimensional models. These render the space in a particular way and hence have limitations and specificity. The artist’s book – that is, a book made as an original work of art, with an artist or architect as author – offers a different mode of presenting documentation and reading representation. ‘Binding Interiority’ argues that the qualities and characteristics of the artist’s book, coupled with the content of architectural documentation, coalesce to form a mode of three-dimensional representation conducive to particular and different readings of drawings, representation and the interior. Through Charles Rice’s writing on interiority, and ‘interior’s doubleness’, this paper explores the book’s interiority. Works by the author, and others employing volumetric devices, such as pop-up and ‘peepshow’ books, demonstrate aspects of this interiority. In particular, the cut and fold ‘origami architecture’ of Masahiro Chatani and the spatiality of the Japanese technique of okoshi-ezu, or ‘folded drawings’, are examined.These drawings which have a three-dimensionality to them, and employ a book-like folding structure, relate to the notion of the book as a folded model.This paper examines the way in which interiority can be present within the representation of interior architecture, that is, representation itself that has interiority, in the form of the book.As will be demonstrated, this interiority shifts the perception of space and the objecthood of the representation, and introduces a temporal reading of representation.
The Given (Interior) World
Authors: Loo Stephen , Gibson Ross
Published: December 2019

The following is an attempt to write, following Derrida, to illustrate (if at all possible) the parergon; a supplement, fragment, detached from and outside of the main exposition (that is framed by, and framed as, the interior of the project), the latter being an artwork called K2-02 that is nothing more than a voidal space. This writing, as parergonal, demonstrates that it is itself another territory with an interiority; but because it is in an ensemble which makes up the artwork, the writing is also a part of the innermost territory of the project. The interior territory of K2-02 can paradoxically be nothing other than an incessant parergonality.
The Great Indoors
Authors: Preston Julieanna
Published: December 2019

This paper locates an interior condition, The Great Indoors, relative to the The Great Outdoors via historical and contemporary notions of wilderness and its associations to awe, wonder, fear and chaos. Initially posited as sites of spatial retreat and protective shelter, such interiors are shown to be observatories of external weather phenomena. Extending beyond the conventions of the picturesque view given by overlooks or large expanses of window glass, The Great Indoors is considered as a temporal and political vessel vulnerable to contemporary (interior) storm clouds. The migration of atmosphere-forming weather and wilderness across the sill is most notably activated by the works of Henry David Thoreau, John Ruskin, Vladimir Jankovic, James Turrell, and New Zealand Architects, Stuart Gardyne and Michael Bennett.
Making the Great Outdoors Better:
Authors: Grindstaff Beverley
Published: December 2019

The credit-rich late-twentieth and early-twenty first centuries allowed for the rise of a broad spectrum of new consumer habits. In suburban America, homeowners realized their individual dreams and newly enabled profligate tastes in lavish professional and do-it-yourself (DIY) remodelling projects. Chief among their architectural and interior design modifications is the so-called ‘outdoor kitchen,’ installed in over a million American households and projected to become a stock feature of all upscale housing by 2015. In definition, it is an amorphous, wall-less room with individually determined dimensions, appliances and functionalities sited in what one owner-designer identifies as the previously underutilised space of the backyard. Currently free of restricting code or traditions, the outdoor kitchen is determined by and gives form to diverse but intersecting discourses of Do-It-Yourself home projects, home spas and meditative spaces, the yearning for resorts left unvisited in the wake of 9/11, changing gender relations, televised food programs that fuse celebrity and the act of cooking, the ‘obesity epidemic’ and the elevation of food itself from mere nutrition to a source of novelty and entertainment. Thus the outdoor kitchen is a new arena of socio-domestic performance, the built environment of the contemporary ‘American Dream.’
Liquid Surfaces
Authors: Brown Alexandra , Volz Kirsty
Published: December 2019

Exploring the interactions between liquid surfaces and their relationship to the figure of the fille fatale in dark genres of film and television, this paper suggests that the liquid surface not only disrupts our understanding of architecture as a static structural envelope, but also acts to destabilise the image of the innocent girl in science fiction and horror films and television. The discussion focuses on three relatively recent depictions of young girls who confront (or are forced to confront) the liquid surface: Mitsuko’s submersion in the water vessels of an apartment building in Dark Water (2002), Ofelia and the muddy interior of the tree in Pan’s Labyrinth (2006), and the watery floor of Eleven’s psychic state in Stranger Things (2016). Working with Jill Stoner’s understanding of minor architectures and their ability to deterritorialise both physical structures and structures of power, the paper asks to what extent the liquid surface encounters of Ofelia, Mitsuko and Eleven exist as reflections of each character’s experiences, or as currents of agency through which the fille fatale reshapes her world. In doing so the research considers the ways in which fictional liquid surfaces operate as a visual minor architecture that elicits a questioning of social and physical norms.
Absence of Structure
Authors: Cys Joanne
Published: December 2019

In mainstream design practice, the disciplines of interior design and landscape architecture most commonly come together in the context of an architectural project. In a typical project team, the two professions will not readily intersect or overlap as the architecture is always in-between, and although they may consult with each other, the two disciplines may not necessarily collaborate. Collaboration is more than simply teamwork and the necessary consultation that takes place amongst members of a project team. True collaboration between disciplines occurs when practitioners consciously step beyond their professional boundaries and engage in a new process of design that is informed by their collaborators from other professional areas. Focusing on the experiences of the interior design and landscape architecture members of two teams in a recent design competition the paper investigates what can occur when interior and landscape practitioners work together as members of multi-disciplinary team to address a series of design briefs that are not necessarily architectural, but are deliberately open, experimental and address a multitude of scales.
Spaces of Architectural Overcoming
Authors: Smith Cathy
Published: December 2019

This paper reflects an interest in how interior and landscape sites are connectedin their capacity to exceed or ‘overcome’ architecture and practice conventions of designing, making and use. In professional architectural practice, these conventions are generally treated as distinct and hierarchical steps. This reflects a view of life that is ordered, controlled and deterministic. Referring to ideas that affirm the unpredictable and evolutionary nature of life, I argue for more experimental, improvised spatial practices. I have drawn from Elizabeth Grosz’s writings about space and time to show how we can use change and spontaneous making in everyday life as designing. This has helped me to question how spaces are produced, and the singular design ‘authority’ of the architect or building designer. I have found that working in interior and landscape sites provides more opportunities for unplanned construction connected to the lives of those who inhabit space: opening up architecture and architectural practice to unpredictable forces repressed in professional practice. This paper, part of my doctoral research, explores the conceptual and practical dimensions of experimental interior projects.
Living Outside with the Sun
Authors: Mckay Christina
Published: December 2019

This paper reflects upon the history of design of outdoor living spaces, a typology that blends interior directly with landscape. In Australasia, outdoor living is a symbol of contemporary life style but it must adapt to the danger of over-exposure to the sun’s ultraviolet rays. Tempering openness to the summer sky is not just a choice but rather a survival strategy.
The relationship of European descendents to the Antipodean sun has fluctuated over time. In Victorian times, hats, copious clothing and villa verandahs protected prized pale complexions. Tanned skin branded the labouring classes and the native population. In the 1920s, the ancient Greek practice of heliotherapy was hailed as beneficial for the treatment of tuberculosis. Concurrently architecture clipped verandahs and proposed open sun terraces, sometimes scantily clad by a pergola. The negative consequences of this sun-worship were not known until the 1980s when the relation between ultraviolet rays and skin cancer was made and the recognition that one in three Australasians will be affected. Living outside with the sun therefore requires modification. Sunscreen is prescribed for application every two hours; hats, clothing and sun-glasses protect the body but hinder communication between people and their surroundings. Traditional solid shade shields direct rays, but deny the warmth of the sun, which is often so welcome in temperate New Zealand. Open shade sails fail to acknowledge the fact that ultraviolet rays scatter. Living well outside is not simple.
Architecture of Alienation
Authors: Hannah Dorita
Published: December 2019

This paper approaches the emergence, over the 20th century, of a public architecture that occupies sights/sites once associated with industry and social alienation, in this case the conversion of London’s Bankside Power Station into the Tate Modern Art Museum. Utilising Bertolt Brecht’s revolutionary theories on performance, the celebrated architecture of Herzog and De Meuron is investigated alongside ‘Double Bind’, an installation by the late Spanish artist Juan Mun?oz whose work highlights the quality of isolation in the contemporary metropolis. In investigating architecture and installation, a space is opened up between the art and architecture revealing a performativity that engages with 20th century trauma and the crisis of the modern. This spatial dynamic forms an architecture of alienation where the participants are estranged from the environment, rendering them strangers, even within familiar environments ... tourists in their own land.
Re-discovering the Creative Collage in the Architectural Representation
Authors: Tongmyong Seungkoo Jo
Published: December 2019

Collage has been termed the most important artistic device of the twentieth century in artistic representation. Collage proposed radically different ideas about the nature of order, and about the nature of artistic space. It is not limited to the visual arts, but also provides a means of contending with a diverse sense of order by association and dependence on the relationships of disparate elements, not necessarily the elements themselves. It is a unique means of presentation that has had a profound effect on art and architecture. This paper raises two critical questions: which new order does collage propose? How has the idea of collage affected the making of architecture? As a means of understanding the implications of collage as a method of representation, this study aims to describe how these principles – order, relationships, and communication – have been used in the contemporary architectural representation.
( I M ) M A T E R ( I A L I T Y ) and the Black-Box Theatre as an ‘Empty Space’ of Re-production
Authors: Hannah Dorita
Published: December 2019

This paper examines a paradigmatic interior from the 20th century, the ‘black-box theatre’, associated with a fundamental rejection of the potential role played by the built-form within the art-form. Material space is denied in order to establish an apparent void-space. This perceived emptiness is reflected in a paucity of architectural and theatrical discourse surrounding the model. However an investigation of its physical and discursive absences suggests its apparent ‘lack’ veils a surplus of meaning. Such gaps and their associations with theatrical production reveal complicated links to the space of human reproduction and its attendant excesses which, in turn, leads to a distinctive link between the black-box and Plato’s notion of ‘chora’. This uncovering of material through the im-material, proposes a more embodied and performative approach to theatre space and to readings of the interior.
An Interpretive and Contextual Approach to Interior Design Education
Authors: Poldma Tiiu
Published: December 2019

The teaching and learning of interior design processes are collaborative exercises situated in experience in the phenomenological sense. Researchers interested in evolving interior design philosophies need to understand the underlying values inherent in existing theories and the contradictions that occur when these theories oppose actual interior design processes as they are taught and explored in the studio environment.
This paper is organised along three streams. First, the rationale situates the dichotomies that currently exist in design theory production and pedagogy. Second, the study methodology and data analysis are described. Finally, consideration is given to how design pedagogies could be restructured in light of these findings and how theory and practice can be viewed as symbiotic parts of a whole rather than as theoretical opposites.
Representational Space in the Prince Asaka Residence
Authors: Tipene Luke
Published: December 2019

Jun’ichirô Tanizaki’s In Praise of Shadows (1933) describes a theory of aesthetics based on shadows. He suggests that contrary to Western ideas of highly visible space, ambiguity and darkness are distinct characteristics of Japanese interiors. Kazuo Nakajima describes this condition as the blending of social practices and interior elements in indeterminate spaces of the vernacular Japanese home, and suggests the decline of such interiors has threatened the psychological stability of Japan since Western engagement, from the Meiji restoration of 1868.
Almost as affirmation of Nakajima’s fears, the same year Tanizaki’s essay was originally published in Japan, the Art Deco Residence of Prince Akaka was completed in Minato-ku, Tokyo. Now a house museum, this assemblage of interiors is credited room-by-room to either the French interior designer Henri Rapin or the Japanese Construction Bureau of the Imperial Household, confirming for Nakajima a division between Western and Japanese concepts of space.
This paper questions Nakajima’s dualist reading of the Residence’s interiors by unpacking the complexities of Western engagement in the Japanese interior since the Meiji restoration until the 1930s. Additionally, this paper examines parallel concepts of interior space that directly influenced the Residences conception, from the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris and the 1920s Culture Life movement in Japan. From these historic and contextual examinations, this paper demonstrates a fundamental shift from the concept of space in the Japanese interior described by Tanizaki and Nakajima. It suggests that Western engagement displaced how value was attributed in the interior, from things that were unseen to things that were seen.
Growing a Discipline
Authors: Vischer Jacqueline , Poldma Tiiu
Published: December 2019

A variety of competing pedagogical orientations have accompanied the evolution of university-based Interior Design teaching. A review of relevant literature indicates that a range of pedagogical models are available, each rooted in a distinct design discipline such as architecture and industrial design. A new undergraduate Interior Design program is described, in order to demonstrate an approach to integrating theory and practice. Diverse teaching influences on the development of a course of study in Interior Design in the context of an established multi-disciplinary design faculty are illustrated. The new program’s pedagogical approach is demonstrated through an examination of the first and second year studio subjects. The paper concludes with a summary of the program’s strengths and weaknesses, and suggestions are made to promote ways to integrate theory and practice through broadening the theoretical discourse that could allow Interior Design to be explored through other relevant and critical social disciplines.
Constructing 'independent women' through space
Authors: Jerome Kristine Peta
Published: December 2019

This paper explores the relevant space in the transformation of a particular populations in transition. It does this by drawing on data from a women's refuge currently in operation in Southeast Queensland. Specifically, the information presented here describes the significance of the spatial domain in the production of 'independent women'. This is managed by examining a small segment of data from an independent refuge model. Findings from this examination illustrate that space is a key constituent in the production of 'independence' and managing space in a particular way is an important activity in the construction of the 'refuge culture'
On Whenua, Landscape and Monumental Interiors
Authors: Yates Amanda
Published: December 2019

There is an intersection of landscape and interior within pre-contact Maori building practice. Throughout New Zealand the land bears imprints from such interventions as the terracing of pa1 to form defensible, habitable zones; the recessing of rua-kai2 to form storage vessels within the ground; the indenting of umu3; and the imprinting of the interiors of whare puni4. This paper explores the manner in which this excavational practice destabilises the clear distinctions between the Western spatial disciplines of interior design, landscape architecture, and architecture. The paper speculates that this carving practice may offer opportunities for intercultural, interdisciplinary space making.
This exploration moves between cultures, between perceptions of landscape and whenua, between landscape, interior and architectural disciplines. These betweens are theorised as a practice, as a mode of making contemporary space which draws from the history and specificity of this land and indigenous culture. This theorised practice has been embodied in a series of buildings developed over the last seven years. Step House, and Continuum House are discussed in relation to notions of landscape interiors and nature-culture continuums. The built works are sited in-between; between bodies in space, and the body of the land; between architecture, landscape and the interior; between indigenous and Western cultures.
Narrative research + the built environment
Authors: Smith Dianne
Published: December 2019

Narration or story telling is proposed as a process which enables researchers in interior design/architecture to deal with the crux of environmental design - experience and relationships. This approach addresses the limitations of more superficial understandings of the built environment represented by discussions of form or appearance. Narration generally occurs as written or verbal accounts, but it may also involve graphical representations, stained glass, movement, dance, or music (Barthes: 1979). How narrative inquiry is of value in the study of interior architecture, and consequently for research into the built environment is discussed in this paper with specific attention to identifying how these concepts may be applicable for research focusing on environmental interpretation and the construction of meaning.
Front Matter
Authors: Churchill Lynn
Published: December 2019

ProvocationIDEA Journal submission categoriesReferees