bluuebunny/crossref_metadata_2025 huggingface dataset:
Analysis of Degradability of Blackberry (Rubus glaucus) Subjected to Different Storage Conditions
Authors: Teneda Ramos Eduardo , Cáceres Miranda Lorena , Escudero Villa Pedro , Fuentes Pérez Esteban , Varela Aldás José
Published: May 2024

The purpose of this study was to assess how different storage conditions and types of containers affect blackberries (Rubus Glaucus), fruits that are particularly susceptible to post-harvest deterioration. Comparisons were made between two temperature conditions: room temperature (19 °C) and refrigeration (4 °C), and three types of container materials: low-density polyethylene (LDPE), polypropylene (PP), and polylactic acid (PLA). The findings indicated that refrigeration is the most effective strategy for maintaining the quality of blackberries during storage. This method significantly preserved the weight and stability of the fruit, with PLA standing out in this respect. Additionally, a considerable reduction in microbial activity was observed under refrigeration, with LDPE proving to be the most effective at inhibiting mold growth. These results underscore the importance of properly controlling both temperature and container materials type to extend shelf life and preserve the quality of blackberries, which is crucial not only for the food industry, where maintaining freshness and flavor is imperative, but also for consumers who seek high-quality fruit products.
Effect of High Heels on Strength of Knee Extensors and Q Angle in Adult Females - A Systematic Review
Authors: - Ritu Sharma , - Dr. Pradeep Borkar
Published: May 2024

Abstract: Objective: To explore what the research suggests on the effect of high heels on the strength of
knee extensors and Q angle in adult females.
Data Sources: Study Design: A systematic review was conducted considering the data sources from
PubMed, Google Scholar, Medline, Science Direct, and Research Gate databases using the keywords
High Heels, Knee extensors Muscles, and Q angle which were identified, sorted, and screened according
to the inclusion criteria and exclusion criteria post which the studies were assessed or quality. Data is
extracted from a selected internet site such as the data sources from PubMed, Google Scholar, Medline,
Science Direct, and Research Gate databases. Articles then were screened with PEDro scale hence,
included in qualitative synthesis.
Result: A total of 60 published articles were selected out of which 43 articles were used to extract the
data 11 randomized control trials were screened according to the PEDro scale and the rest were
excluded.
Conclusion: In comparison to women wearing flat heels, the study indicated that women wearing
wedges and pointed heels had significantly less strength in their knee extensors. Heel height on average
is 3 inches. With the help of the data gathered for this study, it was confirmed that, when the heel
height was increased, there was a significant difference in the Q angle value between the zero and
three-inch heel heights when the subject was standing. While those who wear pointed and wedge heels
have a markedly higher Q angle than those who wear flat heels, their Q angle is normal.
Pourquoi les féministes ne mangent pas les animaux
Authors: Zaccour Suzanne
Published: May 2024

Peut-on être féministe et manger des animaux ? Si cette question parait saugrenue, c’est que nous n’avons pas l’habitude de voir l’élevage comme une industrie qui exploite le corps des individu·es, qui contrôle leur sexualité et leur reproduction, et qui passe outre leur consentement. En creusant un peu, on s’aperçoit que la consommation de viande est associée à la virilité et que les justifications à l’exploitation animale font écho à la culture du viol. Lorsqu’on exploite une vache sous prétexte qu’elle y consent, lorsqu’on sexualise les truies pour mieux se les approprier, lorsqu’on enferme les poules pour les prétendre « en liberté », on bafoue le consentement et l’intégrité corporelle qui sont si chèr·es au féminisme. De même, à prétendre que manger des animaux n’est qu’un choix personnel, on oublie que le privé est politique – le slogan le plus iconique de la pensée féministe. Et que dire de l’affirmation selon laquelle l’éleveur exploite « par amour », un refrain bien connu des victimes de violence conjugale ? Ce texte présente une critique féministe de l’exploitation animale. Il est composé d’extraits adaptés du livre que l’autrice fera bientôt paraitre.
Les actions directes pour les animaux : l’histoire comme manuel d’instruction
Authors: Éthier Valérie
Published: May 2024

Cet article développe une analyse historique des actions directes dans le mouvement de défense des droits des animaux. Après un court passage s’intéressant à l’action directe, il retrace l’histoire des mouvements du Front de libération animale (ALF), de Stop Huntingdon Animal Cruelty (SHAC) ainsi que de l’Open Rescue et des récentes poursuites contre les activistes pour les animaux.
Questions d’éthique intergalactique
Authors: Duhamel Vincent
Published: May 2024

Ce texte propose une expérience de pensée qui questionne la légitimité et la rationalité du spécisme. Imaginons que des extraterrestres viennent nous visiter pour goûter à de la chair humaine, comment pourrions-nous les en dissuader ? Leur dire qu’ils ne peuvent pas nous tuer parce que nous sommes des humains n’aurait évidemment pas de poids, mais nous pourrions peut-être les convaincre en faisant appel à leur sens moral. S’appuyant sur la thèse de Peter Singer selon laquelle la raison est comme un escalier mécanique qui mène à prendre une perspective de plus en plus impartiale, Vincent Duhamel considère que nous avons toutes les raisons de penser que des extraterrestres développés technologiquement seraient assez moralement avancés pour prendre en considération nos intérêts - peu importe que nous soyons moins intelligents ou moins cognitivement sophistiqués qu’eux.
Des fois, ça marche. Entrevue sur une ferme véganique en Suisse
Authors: Heiligtag Sarah , Krishnapillai Lucas
Published: May 2024

Les sanctuaires nous laissent déjà entrevoir une vie commune avec les animaux qui ne soit pas marquée par leur exploitation. En tenant compte de leurs préférences (par exemple, quelle proximité ielles souhaitent entretenir avec les humain.es ou encore la façon dont ils souhaitent organiser leur quotidien), l’étape qui suit leur libération est mise en actes. Toutefois, ces expériences sont souvent cantonnées à des espaces restreints et qui sont sur le fil financièrement. En Suisse Alémanique, à une heure de Zurich, se joue autre chose. Sarah Heilligtag, avec les projets Hof Narr et Transfarmation, vient proposer un changement d’échelle. Hof Narr est le nom de sa ferme véganique au sein de laquelle elle accueille des animaux dits de ferme. L’idée est de montrer qu’il est possible de produire du maraîchage pour assurer sa subsistance et d’offrir un accueil aux animaux qui en ont besoin. Elle fut contactée par des agriculteur.ices refusant de continuer à tuer ou à profiter de leurs animaux, curieux.ses de ses solutions. Émerge alors Transfarmation, un programme destiné à celles et ceux intéressé.es à effectuer une transition d’une agriculture classique vers une agriculture véganique. Cet entretien nous donne les détails de cette histoire.
Emerging Trends and Issues in English Language Teaching: A Bibliometric Analysis
Authors: Aziz Moazma Abdul , Azizullah Amber , Baloch Sanober
Published: May 2024

English language has been considered a lingua franca and used as a medium of instruction in Pakistan. The English language has been taught with traditional methods of teaching, which fail to develop language competency among learners. The study has been designed to analyze Pakistan's emerging English teaching trends based on available literature. The data has been collected by secondary literature published in various research journals. The articles were selected by inclusion and exclusion criteria by searching with key words of English language teaching. We then selected various articles, read them, and used them as a resource. For this purpose, the content analysis was used by Braun and Clark (2006) by focusing on the content of the paper. It has been found that there needs to be more technology in language teaching and technological resources for teaching purposes, along with a shortage of language teaching skills and professional development of the teachers in English language teaching. Using technology in the classroom is recommended, adopting multi-model learning and communicative language teaching.
Impact of Collaborative Learning on Student`s Academic Performance in Teacher’s Education Program
Authors: Nazeef Nagina Muhammad , Khan Amsa , Ali Jaffar
Published: May 2024

Creating a classroom environment for learners to participate actively and engage is an integral element of a comprehensive educational initiative for actively learning students in higher education institutions. Students collaborate to attain goals through collaborative learning. The idea behind collaborative learning is that students may help each other learn and build a deeper comprehension of the subject matter by working together. The study examines the influence of collaborative learning on the academic performance of students at B.Ed. Levels focusing on social factors such as interaction with peers, interaction with teachers, and social media usage influence CL and collaborative learning to improve the student's academic performance. Social constructivism theory was used to observe student performance. Data have been collected through questionnaires from four private universities. Findings were evaluated through SPSS version 22; the composite reliability of the instrument was measured as α=0.954. The results of the regression analysis confirmed and accepted all three hypotheses. It can be concluded that all three independent variables - student interaction with peers, interaction with teachers, and social media use- positively impact collaborative learning and help students improve their academic performance and achieve their goals. The results of this study suggest that collaborative learning is an effective approach to enhancing academic Performance in higher education (B.Ed. Honors) and that social factors play an important role in promoting collaboration among students. The findings have implications for teaching and learning practices in higher education, where collaborative learning may be especially beneficial. Overall, this research highlights the importance of collaborative learning in promoting academic development in students.
Hiệu quả đầu tư trên thị trường chứng khoán Việt Nam dựa vào phương pháp phân tích kỹ thuật
Authors: Nguyễn Duy Linh  , Phạm Thị Mỹ Châu  , Lưu Thu Quang
Published: May 2024

Hiện nay, tồn tại sự không thống nhất giữa nhà học thuật và nhà đầu tư về hiệu quả đầu tư chứng khoán dựa vào phương pháp phân tích kỹ thuật (PTKT). Các nghiên cứu trước đây về thị trường chứng khoán (TTCK) Việt Nam chủ yếu sử dụng phương pháp kiểm định thống kê t. Tuy nhiên, phương pháp này được chứng minh là không phù hợp khi đối tượng nghiên cứu là giá cổ phiếu do những giả thuyết bị vi phạm. Vì vậy, bài nghiên cứu sử dụng phương pháp bootstrap với dữ liệu giá đóng cửa hàng ngày của chỉ số VNIndex từ khi đi vào hoạt động cho đến cuối năm 2021. Kết quả nghiên cứu cho thấy rằng, sử dụng phương pháp PTKT có thể nâng cao hiệu quả đầu tư chứng khoán của nhà đầu tư, với tỷ suất lợi nhuận (TSLN) hàng năm là 12,85%. Sự hiệu quả này vẫn được duy trì khi phí giao dịch được đề cập.
Breaking the Mould in Public Safety Education
Authors: Hommersen Paul , Lints Karen
Published: May 2024

The pace of change in our world is unprecedented, and Sheridan College looked to break the mould on how public safety education had been done when it came to creating community safety. This included how we perceive community safety, how students could learn to leave a mark and even how they access knowledge. In this presentation, we discussed the importance of interdisciplinary and inter- professional approaches, and how a zero-textbook approach can facilitate student learning and adaptability.
Pivoting Culinary Education During COVID-19 Part Two
Authors: Woodhouse Adrian , Ellwood Steve , Lynch Tim
Published: May 2024

This work follows from the article Pivoting Culinary Education During Covid 19 Part 1:Setting the Pedagogic Scene, whereby culinary lecturers from the Food Design Institute, Otago Polytechnic, New Zealand, recall their response to the Covid 19 pandemic and the move to online  learning.
The story starts with New Zealand entering lockdown and the students having only days to return to their hometowns and engage with online learning resources. Student’s initial fears and concerns about the future of their culinary studies are further compounded with media reports about the demise of the hospitality industry. In response to the students’ academic and emotional needs, the lecturers reframe the disruption of Covid 19 as a unique learning opportunity.  The lecturers quickly reposition the course to embrace the new possibilities that exist within a new Covid 19 landscape. In doing so, they alleviate student concerns and prepare them for an alternative culinary future.
The story focuses a second-year culinary arts project, where students have traditionally worked alongside the local food producers and their respective brand identities to develop new food products. Typically, students design and develop artisanal food offerings that would be found for sale at a local farmers’ market or within bespoke food retailer. However, with every shop and farmers market in New Zealand now closed, the students project learning is refocused, and explores how artisanal food products now interact with customers in a virtual online world.
Throughout the course, the lecturers continue to balance the students motivational, social, and academic needs, factors which they know are important in a distance learning environment. This article provides invaluable insights and learnings for culinary educators, who are having to reimagine culinary education in a world of continued lockdown’s and changing consumer purchasing and consumption behaviours.
Reflection on Practical Innovation Beyond COVID
Authors: Ortmann Bettine
Published: May 2024

In January 2020, I kicked off the research for an innovation project at the Copenhagen School of Design and Technology (KEA). I went to NRF in New York together with 40.000 other curious practitioners and academics wanting to explore the latest trends within retail. Commerce was going online – the landscape of physical retail was changing dramatically from places of transactions to spaces for experiences. Physical experiences that called for a totally new approach to retail. The scope of my innovation project was to get insights into this trend and best practices and to develop an intuitive and easy guide on how to use the physical space as a brand channel. I was highly motivated to embark on the research project – my biggest challenge was to find time for doing all the research. My spring was jam-packed with physical lecturing and other stuff going on. Then COVID hit the world.
This paper will explore how the research was carried out in the volatile, uncertain, complex and ambiguous environment beyond COVID with the help of 80 students from KEA’s programme in Entrepreneurship & Design. How new ways of distance working and new tools were implemented overnight. And how we (almost) succeeded in doing a very hands-on three-dimensional case study for six case companies.
We live in a VUCA-World. The term VUCA was first coined in 1985 by economists and university professors Waren Bennis and Burt Nannus in their book "Leaders. The Strategies For Taking Charge" and was originally used to describe conditions resulting from the Cold War. VUCA is an acronym for volatility, uncertainty, complexity and ambiguity. And that was certainly the situation at KEA and in rest of the world in spring 2020[1].
[1] https://whatis.techtarget.com/definition/VUCA-volatility-uncertainty-complexity-and-ambiguity
Decision Making in the Innovation Process: Data-Driven vs. Data-Informed
Authors: Abac Muge
Published: May 2024

There has been a growing trend in the use of data-related buzzwords, and “data-driven decision-making” is one of them. This buzzword is often confused with “data-informed decision-making,” emphasizing the need to understand the role of data for effective decision-making. The article explains this misconception through tables and insights from experts like Geoffrey Moore, Tendayi Viki and Alexander Osterwalder. It emphasizes the need for a balanced approach, using both qualitative and quantitative data, and suggests starting with qualitative insights before moving to quantitative analysis. Ultimately, it stresses the importance of aligning organizational structures to leverage data effectively for innovation.
Who is John the Snail and When Can We Meet Him?: Parent Perspectives on Children’s Engagement in a Forest Nature Program
Authors: Zimanyi Louise , Rossovska Olga
Published: May 2024

This study explores parent perspectives on how time spent in nature and natural settings, including their own experiences with the natural world, might influence their child’s play, learning and holistic development and connections in and to the natural world. Through a survey and focus group, parents identified benefits of participation in a forest nature program including increased time outdoors, play confidence, risk-taking opportunities, improved health, wellness and the developing seeds of environmental stewardship and reciprocity. Parents reported that benefits far outweighed risks related to weather, insects and injuries. The study’s findings strongly support The Ontario Ministry of Education’s pedagogical guidelines for the early years and national and global recommendations that advocate for active play in nature and outdoors, with its risks, as essential for healthy child development. The research contributes to the expanding literature and efforts on how best to collectively support and advocate for accessible land-based programs in the early years.
Perceptions of Academic Supports for Indigenous Nursing Students
Authors: Ha Chau , Ahenakew Sharon , Campbell Margaret
Published: May 2024

Given the education completion gap between Indigenous students and non-Indigenous students and the need for more Indigenous nurses, support for Indigenous nursing students is imperative for academic success. Indigenous nursing students face a number of barriers to success and struggle with the demands of the university setting.  Academic, financial, personal, and cultural supports may assist students to successfully adapt and overcome these barriers. Educational institutions, such as Saskatchewan Polytechnic, have recognized barriers to Indigenous student success and have put a variety of measures in place to assist students. This paper aims to examine the current literature on Indigenous nursing student perception and academic support staff perception of available supports. The literature suggests that facilitative factors such as collaborative relationships between support services, individual supports, the learning environment, financial supports, and student characteristics all play a role in the academic success of students. Stressors, health, institutional racism, and feelings of shame and self-doubt are some barriers students must overcome.  Within the larger context, students’ pre-university educational experience, the academic environment, and program characteristics impact the effectiveness of support services. Indigenous nursing students and Indigenous students from other programs share similar perceptions as to the effectiveness of support services. The perception of academic staff is that the needs of both Indigenous nursing and non-nursing students are similar. Although there is little research in the area of library services in relation to how they support Indigenous nursing student success, student perceptions of other support services are positive when students use them...
Paramedic Students' Experiences with Simulation-Based Learning
Authors: Jacobs Rick
Published: May 2024

Technically oriented industries demand job-ready skill sets from employees upon the immediate completion of their post-secondary studies. To meet these needs, many post-secondary institutions have mandated the incorporation of simulation-based learning (SBL) into curriculum, across a wide array of disciplines (Fang, Tan, Thwin, Tan, & Koh, 2011). The purpose of this research was to explore the experiences of three recent graduates of a paramedic program that had engaged in an ambulance simulator used in curriculum at a western Canadian post-secondary institution. An investigation examined how the design and associated physical interactions within an industrial simulation, facilitated in this post-secondary institution, affected learning outcomes and emotion responses of the research participants. Interview data gathered revealed differing personal experiences grouped into four categories associated with learning in SBL: realism, facilitation, learning outcomes, and personal responses. For SBL to be compelling to the learner, it must be realistic, facilitated by properly trained staff, and aligned with clearly established and valid learning outcomes capable of inducing physical and emotions responses. The incorporation of an ambulance simulator to augment a program already rich in SBL was an effective training tool for use in this mobile-healthcare application.
Kolofon S6
Authors: Christoffersen Erik Exe
Published: May 2024

Peripeti
© Peripeti and the writers
 
Editors ofthis special issue: Erik Exe Christoffersen and Kathrine Winkelhom
Lars Qvortrup's and Theresa Bener's articles were written in English. All other articles are translated from Danish by Kathrine Winkelhom
Thanks to John Kendal for language revision and proofreading Thanks to Hotel Pro Forma for all photos
This issue ofPeripeti is published with support from Lasson Andersens Fond
Editorial board:
Janicke Branth, Erik Exe Christoffersen (resp.) Michael Eigtved, Solveig Gade, Falk Heinrich, Kjersti Hustvedt, Jens Christian Lauenstein Led, Johan Holm Mortensen, Susanne Hjelm Pedersen, Thomas Rosendal Nielsen, Laura Luise Schultz, Mads Thygesen and Mette Tranholm
Layout: Lho Brockhoff
Cover photos: The One Who W hispers, 2012 (Claudi Thyrrestrup)
Print: Werks Offset Edition: 400
ISSN: 1604-0325
Peripeti is published by Department ofDramaturgy, Aarhus University
Address:
Peripeti
Department of Dramaturgy,
Institute for Communication and Culture Aarhus University
Langelandsgade 139 DK - 8000 Århus C
Editor: aekexe@cc.au.dk www.peripeti.dk
Kolofon P29/30
Authors: Christoffersen Erik Exe
Published: May 2024

Peripeti 29-30
© Peripeti og forfatterne
Temaredaktion
Nina Cramer, Jeuno JE Kim, Storm Møller Madsen, Mette Tranholm, Laura Luise Schulrz og Karen Vedel
Redaktion
Janicke Branth, Erik Exe Christoffersen, Michael Eigtved, Solveig Gade, Falk Heinrich, Kjersti Husrvedr, Jens Christian Lauenstein Led, Johan Holm Mortensen, Susanne Hjelm Pedersen, Thomas Rosendal Nielsen, Laura Luise Schultz (ansv.), Mads Thygesen og Metre Tranholm
Layout: Lho Brockhoff
 
Omslagsforo: Yong Sun Gullach: Re-enacring the Transnational Adoptee. Foto: Christine Denck
ISSN: 1604-0325
Peripeti udgives af Afdeling for Dramaturgi (Aarhus Universitet) i samarbejde med Teater- og Performancestudier (Københavns Universitet) og Dramatikeruddannelsen (Den Danske Scenekunstskole). Dette nummer udgives i samarbejde med scenekunstfestivalen Transistor Meetings som er støttet af Statens Kunstfond. Alle temaartikler er fagfællevurderede. I indholdsfortegnelsen er disse markeret med en*.
 
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Abonnement (ro numre): 150 kr. Løssalg 100 kr. Internet: http://www.peripeti.dk/bestilling/ Fra efteråret 2018 bliver Peripeti et digitalt tidsskrift som kan findes på hjemmesiden
Redaktionsadresse
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Peripeti
Afdeling for Dramaturgi
Institut for Kommunikation og Kultur, Aarhus Universitet
Langelandsgade 139. DK 8000 Århus C
Redaktion: laura@hum.ku.dk solveigg@hum.ku.dk aekexe@cc.au.dk
Kolofon S8
Authors: Christoffersen Erik Exe
Published: May 2024

Peripeti
© Peripeti og forfatterne
Temaredaktion
Ine Therese Berg, Rikke Gürgens Gjærum, Siren Leirvåg, Ragnhild Tronstad
Redaktion
Janicke Branth, Solveig Daugaard, Erik Exe Christoffersen, Michael Eigtved, Solveig Gade, Falk Heinrich, Kjersti Hustvedt, Jens Christian Lauenstein Led, Johan Holm Mortensen, Susanne Hjelm Pedersen, Thomas Rosendal Nielsen, Laura Luise Schultz (ansv.), Mads Thygesen, Mette Tranholm og Cecilie Ullerup Schmidt
Layout: Ivan Micic
Omslagsfoto: Konferenceåbning Teatervitenskap – historiografi, teori og praksis 25. maj 2018, performance af Siri og Snelle. Foto: Eirik Blekesaune.
ISSN: 1604-0325
Peripeti udgives af Afdeling for Dramaturgi (Aarhus Universitet) i samarbejde med Teater- og Performancestudier (Københavns Universitet) og Den Danske Scenekunstskole. Dette særnummer er støttet af Norsk Kulturråd.
This special issue is supported by The Norwegian Arts Council.
 
Alle artikler er fagfællevurderede.
Bestilling
This special issue is printed in a limited edition and can be ordered from:
Dette særnummer er trykt i et begrænset oplag og kan bestilles fra:
inetberg@gmail.com Pris 100 kr + porto
Fra efteråret 2018 er Peripeti et digitalt tidsskrift, som kan findes på hjemmesiden:
https://tidsskrift.dk/peripeti/
Redaktionsadresse
www.peripeti.dk
Peripeti
Afdeling for Dramaturgi
Institut for Kommunikation og Kultur, Aarhus Universitet
Langelandsgade 139.
DK 8000 Århus C
Redaktion: aekexe@cc.au.dk laura@hum.ku.dk solveigg@hum.ku.dk
The Slow Integration of Sustainability into Contemporary Theatre and Performance Practices in Cameroon
Authors: T. Nsah Kenneth , N. Malung Lisette , M. Ngunyam Noella
Published: May 2024

The Cameroonian theatre landscape, both Anglophone and Francophone, is not left untouched by current concerns and discourses about climate change, ecological degradation, and particularly environmental/natural sustainability. In this article, we will examine the emerging inclusion of sustainability in theatre and performances in Cameroon. Specifically, we will discuss the ways in which choices of costumes, makeup, stage props, and occasionally thematics reflect and seek to promote the sustainable management of Nature. Methodologically, we will employ data gathered from five current theatre troupes in Cameroon, interviews conducted with some theatre directors and practitioners, and the personal experiences of (some) co-authors who are also theatre practitioners. We will begin by discussing some unsustainable practices that characterised much of previous Cameroonian theatrical performances and then proceed to present the evolution of the situation, especially as demonstrated in the choices and deployment of costumes, makeup, stage props, and thematics in a selection of theatre performances and theatre scripts. In this way, we hope to highlight the contribution of Cameroonian theatre towards ensuring a just and sustainable planet Earth for all.
Den store brand, af Roland Schimmelpfennig, iscenesat af Simon Boberg, Svalegangen
Authors: Branth Janicke
Published: May 2024

Den Store brand spillede på Svalegangen fra d. 10.09 til den 08.10 2022Medvirkende: Maja Juhlin, Kirstine Hedrup, Victor Marcussen, Lue Støvelbæk, Marie Tourell Søderberg, Bebe RisenforsInstruktion: Simon BobergOversættelse: Kristian ErhardsenScenografi: Edward Lloyd PierceMusik: Bebe RisenforsLysdesign: Henrik SlothLyddesign: Anton Bast
Theben på den gule febers tid, instrueret af Eugenio Barba, Odin Teatret
Authors: Christoffersen Erik Exe
Published: May 2024

Theben på den gule febers tid spillede 12.09 til 16.09 i Holstebro og turnerer i Frankrig, Polen og Italien. Forestillingen er Odin Teatrets sidste ensembleforestilling instrueret af Eugenio Barba. Odin Teatret fortsætter med forskellige soloforestillinger, arbejdsdemonstrationer og workshops i forskellige lande.Tekst og instruktion: Eugenio BarbaSkuespillere: Kai Bredholt, Roberta Carreri, Donald Kitt, Iben Nagel Rasmussen, Julia VarleyScenisk rum: Odin TeatretKostumer og rekvisitter: Lena Bjerregaard, Antonella Diana, Odin TeatretMusikalsk ledelse: Elena FlorisLysdesign: Fausto ProSupervisor lysdesign: Jesper KongshaugVisual art konsulent: Francesca TesonieroInstruktørassistenter: Elena Floris, Dina Abu Hamdan Assistenter: Gregorio Amicuzi, Juliana Capilé, Tatiana HorevichtDramaturg: Thomas BredsdorffPlakat: Peter BystedFotos: Francesco Galli, Rina SkeelTurnéleder: Anne SavageRådgivere: Nathalie Jabalé, Ulrik Skeel
Hostages of Me
Authors: Biering Tue
Published: May 2024

Hostages of Me by Tue Biering and Hvad har vi egentlig haft gang i? Etiske, sociale og kunst­neriske undersøgelser by Jeppe Kristensen: In two articles, the founders of FIX&FOXY are reflecting on how the production company can develop theater and performances, in order to make the audience reflect on societal dilemmas.
What Have We Really been Up To? Ethical, Social and Artistic Enquiries
Authors: Kristensen Jeppe
Published: May 2024

Hostages of Me by Tue Biering and Hvad har vi egentlig haft gang i? Etiske, sociale og kunst­neriske undersøgelser by Jeppe Kristensen: In two articles, the founders of FIX&FOXY are reflecting on how the production company can develop theater and performances, in order to make the audience reflect on societal dilemmas.
Land without Dreams, 2018
Authors: Exe Christoffersen Erik
Published: May 2024

Land without Dreams is produced by FIX&FOXY in collaboration with Eventministeriet at The Royal Danish Theatre.
Actor: Lise Lauenblad.
Director and writer: Tue Biering.
Dramaturge: Tanja Diers.
AVATAR ME, 2020
Authors: Winkelhorn Kathrine
Published: May 2024

The festival is produced by Wildtopia and presented in collaboration with theatre partners, Teater Nordkraft in Aalborg and Teater Viirus in Helsinki.
Cast: Marcela Nistor, Robin Khor Yong Kuan, Bertwin Ravi D’souza, Lalisa Costa and Lillian Tshabalala.
Director: Tue Biering.
Producer: Annette Max Hansen.
Dramaturg and co-director: Linn Haldrup Lorenzen.
Coordinator and co-director: Camilla Gürtler.
Activist theatre and the agitprop legacy*
Authors: Warstat Matthias
Published: May 2024

Political theatre today seems to be dominated once again by activist approaches that want to have a direct impact on political conflicts with a clear agenda. When it comes to interpreting this new liaison of theatre and activism, it seems nearly unavoidable to look back at the historical avant-gardes around 1930. With the contemporary situation as a starting point, this article analyses the agitprop tradition focusing on the German example. It discusses to what extent one can speak of an agitprop legacy in Germany despite the dissolution of the agitprop groups under the Nazi regime; when and in what this legacy becomes recognisable and how today’s activist theatre groups refer to the models, problems and crises of the historical agitprop troupes.
Forming a circle*
Authors: Ullerup Schmidt Cecilie
Published: May 2024

Forsøgsscenen (The Experimental Stage, 1929-31) is examined as a historically early example of com­munity-organising artistic practice. By analysing Forsøgsscenen based on cultural objects such as their production of a little magazine, their distribution policy and their infrastructural performance, the scholarly inquiry is shifted from the reception of the artwork in theatre history, towards approaching a materialist understanding of Forsøgsscenen's production aesthetic contribution in avant-garde history. Historiographically, a comparativist perspective is employed, which finds kinship both between collective organisations in the 1930s and kinship with contemporary concepts of self-institutionalisation as counterculture: redistributive, political and institution-forming prac­tices that unfold as a response to the common art institutions in late capitalism.
Sites and sights of tension: cultural memory of gender and colonial power in East Asia*
Authors: Ravn Borggreen Gunhild
Published: May 2024

Taking the sculpture entitled Statue of Peace (2011) by South Korean artists Kim Seo-kyung and Kim Eun-sung as a focus point, the article explores issues of gender and colonial power in the East Asian region related to the cultural memory of “comfort women” of Korean origin. Analyses of the sculpture and its context show how geographical locations and visual representation are related to atrocities and colonial violence. It shows how the sculpture becomes both a weapon and object of violence in global solidarity.
Andersens drøm
Authors: Kuhlmann Annelis
Published: May 2024

Anmeldelse
[The issue has been reconstructed from a scanned version of a printed issue, which might result in minor flaws in the text. This is also the cause of the odd page breaks.]
Redaktionelt forord
Authors: Redaktion Peripeti
Published: May 2024

Kunst som handling og gøren, ikke som tegn og væren. Denne forståelse synes at være det, der knytter de eksisterende forestillinger om performativitet inden for kunstarterne sammen. I den forbindelse har man talt om »den performative vending« i kunsten – hvilket man også kunne betegne som en peripeti inden for kunstvidenskaberne. Det er denne vending, som dette nummer af Peripeti stiller skarpt på.
It’s fucking 80 years after Duchamp
Authors: Øster Larsen Lene
Published: May 2024

Through an analysis of Danish artist Jakob Boeskovs work »My Doomsday Weapon«, Lene Øster Larsen explores the implications and possibilities of political and interventionist artistic tactics.
Performative Realism
Authors: Tortzen Bager Lene
Published: May 2024

Anmeldelse af Performative Realism – Interdisciplinary Studies in Art and Media Eds. Rune Gade og Anne JerslevMuseum Tusculanum Press, 2005University of Copenhagen
Kolofon P8
Authors: Christoffersen Erik Exe
Published: May 2024

Peripeti
© Peripeti og forfatterne
 
TEMAREDAKTION
Janicke Branth, Erik Exe Christoffersen, Birgitte Hesselaa, Laura Schultz og Mads Thygesen.
REDAKTION
Erik Exe Christoffersen (ansv.), Janicke Bramh, Falk Heinrich,
Mads Thygesen, Thomas Rosendal Nielsen, Birgitte Hesselaa, Laura Schultz, Solveig Gade, Michael Eigtved, Jens Christian Lauenstein Led og Jeppe Sejer Sørensen (PR).
Layout: Christian Brink Christensen, T homas Rosendal Nielsen og Mads Thygesen
Forsiden: Thomas Levin og Christine Albeck Børge i »Hjem, Kære hjem« (Teater Grob 2006, foto: Miklos Szabo).
Bagside: »War President« Ooe Wezorek, 2004); citat fra Martin Crimp: Advice to lraqi Women
The Guardian, G2 (Guardian Newspapers, d. 10. april, UK 2003, s. 11).
Tryk: Werks Offset
Oplag: 500
ISSN: 1604-0325
REDAKTIONSADRESSE
Peripeti
Afdeling for Dramaturgi Institut for Æstetiske Fag, Aarhus Universitet, Langelandsgade 139,
DK- 8000 Århus C.
E-mail: aekexe@hum.au.dk
BESTILLING OG ABONNEMENT
peripeci@hum.au.dk Abonnement (to numre): 150 kr. Løssalg 100 kr.
Internet: http://www.dramacurgi.au.dk/forskning/publikationer/peripeti
Peripeti udgives af Afdeling for Dramaturgi (Aarhus Universitet) i samarbejde med Teatervidenskab (Københavns Universitet) og Dramatikeruddannelsen (Aarhus Teater) Tidsskriftet udgives med støtte fra Forskningsrådet for Kultur og Kommunikation. Alle temaartikler gennemgår et peer re­ view. Peripeci udkommer to gange om året.
Planlagte udgivelser: Instruktion og iscenesættelse (nr. 9 - forår 2008), Dramaturgi (nr. 10 - Efterår 2008).
Tidligere udgivelser: Jon Fosse (nr. 1-2004), W hy a Theatre Laboracory? (nr. 2-2004), Ny dansk dramatik (nr. 3-2005), Dogme og dramaturgi (nr. 4 - 2005), Ny Fransk Dramatik (særnummer 2005), Henrik Ibsen (nr. 5 -2006), Performacivitet (nr. 6 - 2006), Teatertekster (nr. 8- Efterår
2007), Serendipitet (særnummer - 2007).
Kolofon P9
Authors: Christoffersen Erik Exe
Published: May 2024

Peripeti
© Peripeti og forfatterne
 
TEMAREDAKTION
Erik Exe Christoffersen, Thomas Rosendal Nielsen, Jens Christian Lauenstein Led.
 
REDAKTION
Erik Exe Christoffersen (ansv.), Janicke Branch, Falk Heinrich,
Mads Thygesen, Thomas Rosendal Nielsen, Birgitte Hesselaa, Laura Schultz, Solveig Gade, Michael Eigcved, Jens Christian Lauenstein Led og Malene Rostgaard Chrestensen (PR).
Layout: Christian Brink Christensen, Thomas Rosendal Nielsen og Mads Thygesen
Omslag: Et Drømmespil (Betty Nansen, 2007, Forside: Sofie Gråbøl og Olaf Johannessen, Bag­ side: Sofie Gråbøl, foto: Natascha T hiara Rydvald).
 
Korrektur: Maiken Brøndum Ravn, Thomas David Kragebæk, Silja Løvik, Kjersti Huscved Tryk: Werks Offset
Oplag: 500
ISSN: 1604-0325
Peripeti udgives af Afdeling for Dramaturgi (Aarhus Universitet) i samarbejde med Teatervidenskab (Københavns Universitet) og Dramatikeruddannelsen (Aarhus Teater). Tidsskriftet udgives med støtte fra Forskningsrådet for Kultur og Kommunikation. Alle temaartikler er fagfællevurderede.
REDAKTIONSADRESSE
Peripeti
Afdeling for Dramaturgi Institut for Æstetiske Fag, Aarhus Universitet, Langelandsgade 139,
DK- 8000 Århus C.
E-mail: aekexe@hum.au.dk
BESTILLING OG ABONNEMENT
peripeti@hum.au.dk Abonnement (to numre): 150 kr. Løssalg 100 kr.
Internet: http://www.dramaturgi.au.dk/forskning/publikationer/peripeti Peripeti udkommer to gange om året.
Planlagte udgivelser: Dramaturger og dramaturgier (nr. ·10- Efterår 2008).
Tidligere udgivelser: Jon Fosse (nr. 1 - 2004), Why a Theatre Laboratory? (nr. 2 - 2004), Ny dansk dramatik (nr. 3 - 2005), Dogmer og dramaturgi (nr. 4 - 2005), Ny Fransk Dramatik (særnum­ mer 2005), Henrik Ibsen (nr. 5- 2006), Performativicet (nr. 6 - 2006), Teatralitet (nr. 7- 2007),
Teatertekster (nr. 8 - Efterår 2007), Serendipitet (særnummer - 2007).
Kolofon P14
Authors: Christoffersen Erik Exe
Published: May 2024

Peripeti
© Peripeti og forfatterne
Temaredaktion
Mads Thygesen, Solveig Gade og Laura Schultz.
 
Redaktion
Janicke Branth, Erik Exe Christoffersen (ansv.), Michael Eigtved, Solveig Gade, Louise Ejgod Hansen, Falk Heinrich, Birgitte Hesselaa, Thomas D. Kragebæk, Jens Christian Lauenstein Led, Thomas Rosendal Nielsen, Laura Schultz og Mads Thygesen.
Layout: Christian Brink Christensen og Thomas D. Kragebæk
Omslag: Antichrist (Aarhus Teater 2010) Anne Sofie Espersen og Jacob Madsen Kvols.
Foto Rumle Skafte. Tryk: Werks Offset Oplag: 500
ISSN: 1604-0325
Peripeti udgives af Afdeling for Dramaturgi (Aarhus Universitet) i samarbejde med Teatervidenskab (Københavns Universitet) og Dramatikeruddannelsen (Aarhus Teater). Tidsskriftet udgives med støtte fra Forskningsrådet for Kultur og Kommunikation.
Alle temaartikler er fagfællevurderede.
 
Redaktionsadresse
Peripeti
Afdeling for Dramaturgi Institut for Æstetiske Fag, Aarhus Universitet, Langelandsgade 139,
DK- 8000 Århus C.
E-mail: aekexe@hum.au.dk
 
Bestilling og abonnement peripeti@hum.au.dk Abonnement (to numre): 150 kr. Løssalg 100 kr.
Internet: http://www.dramaturgi.au.dk/forskning/publikationer/peripeti
Peripeti udkommer to gange om året.
Kolofon P16
Authors: Rosendal Nielsen Thomas
Published: May 2024

Peripeti
© Peripeti og forfatterne
Temaredaktion
Siemke Bohnisch, Rikke Giirgens Gjærum, Thomas Rosendal Nielsen og Erik Exe Christoffersen.
Redaktion
Janicke Branth, Erik Exe Christoffersen (ansv.), Michael Eigtved, Solveig Gade, Louise Ejgod Hansen, Falk Heinrich, Birgitte Hesselaa, Kjertsi Hustvedt, Thomas D. Kragebæk, Jens Christian Lauenstein Led, Thomas Rosendal Nielsen, Laura Schultz og Mads Thygesen.
Layout: Christian Brink Christensen og Thomas D. Kragebæk Omslag: Hotel Pro Forma: Ellen, 2010. Foro: Roberto Fortuna Tryk: Werks Offset
Oplag: 500
ISSN: 1604-0325
Peripeti udgives af Afdeling for Dramaturgi (Aarhus Universitet) i samarbejde med Teatervidenskab (Københavns Universitet) og Dramatikeruddannelsen (Aarhus Teater). Tidsskriftet udgives med støtte fra Forskningsrådet for Kultur og Kommunikation.
Alle temaartikler er fagfællevurderede.
Redaktionsadresse
Peripeti
Afdeling for Dramaturgi
Institut for Æstetisk og Kommunikation, Aarhus Universitet,
Langelandsgade 139, DK- 8000 Århus C.
E-mail: aekexe@hum.au.dk www.peripeti.dk
Bestilling og abonnement peripeti@hum.au.dk Abonnement (to numre): 150 kr. Løssalg 100 kr.
Internet: http://www.dramaturgi.au.dk/forskning/publikationer/peripeti
Peripeti udkommer to gange om året.
Kolofon S3
Authors: Rosendal Nielsen Thomas
Published: May 2024

Peripeti
© Peripeti og forfatterne
Temaredaktion
Janek Szatkowski, Erik Exe Christoffersen og Thomas Rosendal Nielsen
 
Redaktion
Janicke Branth, Erik Exe Christoffersen (ansv.), Michael Eigtved, Solveig Gade, Louise Ejgod Hansen, Falk Heinrich, Birgitte Hesselaa, Kjersti Hustvedt, Thomas D. Kragebæk,
Jens Christian Lauenstein Led, Thomas Rosendal Nielsen, Laura Schultz og Mads Thygesen.
Layout: Christian Brink Christensen og Thomas D. Kragebæk
Omslag: © Kirsten Justesen, ICE PLINTH Formation #3, 2000 og RYGSKRIVER I BACK WRIT ER #2, 1985
Tryk: Werks Offset
Oplag: 500
ISSN: 1604-0325
Peripeti udgives af Afdeling for Dramaturgi (Aarhus Universitet) i samarbejde med Teatervidenskab (Københavns Universitet) og Dramatikeruddannelsen (Aarhus Teater). Tidsskriftet udgives med støtte fra Forskningsrådet for Kultur og Kommunikation.
Dette særnummer er støttet afAarhus Universitets Forskningsfond og Bikubenfon­ den. Alle temaartikler er fagfællevurderede.
Redaktionsadresse
Peripeti
Afdeling for Dramaturgi Institut for Æstetiske Fag, Aarhus Universitet, Langelandsgade 139,
DK- 8000 Århus C.
E-mail: aekexe@hum.au.dk
Bestilling og abonnement peripeti@hum.au.dk Abonnement (to numre): 150 kr. Løssalg 100 kr.
Internet: http://www.dramaturgi.au.dk/forskning/publikationer/peripeti
Peripeti udkommer to gange om året.
‘Soft skills’ para triunfar en publicidad
Authors: Montaña Blasco Mireia
Published: May 2024

El sector de la comunicación y, en concreto, el publicitario, siempre ha sido considerado de los más estresantes. Este hecho vuelve a ser de actualidad a raíz de la publicación del estudio reciente ¿Por qué te vas? de UnaDeDos. Este informe nace de la voluntad de entender los motivos del abandono de muchos profesionales de la industria. También indaga en las causas, más concretas, que llevan a las mujeres creativas a marcharse de las agencias, al llegar a la treintena.
Low-noise preamplifier for scanning tunneling microscope
Authors: Tang Hai-Tao , Mi Zhuang , Wang Wen-Yu , Tang Xiang-Qian , Ye Xia , Shan Xin-Yan , Lu Xing-Hua ,   Center for Applied Physics, Institute of Physics, Chinese Academy of Sciences, Beijing 100190, China,   School of Physical Sciences, University of Chinese Academy of Sciences, Beijing 100190, China
Published: May 2024

The current preamplifier is one of the important components of the scanning tunneling microscope (STM), and its performance is crucial to the basic operations of the STM system, as well as for the development of demanding novel functionalities such as autonomous atomic fabrication. In this study, the factors that affect the performance of a current preamplifier, including its noise spectrum density and the bandwidth, are analyzed in depth, and a preamplifier is designed and fabricated specifically for the STM system. By using a carefully selected low-noise op amp chip, the optimized current preamplifier has a noise floor as low as 4 \begin{document}$ {\mathrm{f}}{\mathrm{A}}/\sqrt{{\mathrm{H}}{\mathrm{z}}} $\end{document} and a bandwidth of 2.3 kHz, at its most sensitive transimpedance gain of 1 GΩ. It has three transimpedance gains, 10 MΩ, 100 MΩ, and 1 GΩ, that can be switched through digital control signals. A two-switch configuration is adopted to minimize the noise floor while maintaining the optimal bandwidth. The current detectable by this three-level preamplifier ranges from pA to μA, satisfying the requirements of most STM operations. Using this preamplifier, the fundamental functions of the STM system are successfully demonstrated, including surface topographic characterization, scanning tunneling spectroscopy, and single atom/molecule manipulation. The measurement of shot noise in tunneling current is also explored, and a linear relationship between shot noise and tunneling current is obtained by carefully analyzing noise. It is illustrated that the Fano factor of the shot noise in a normal metallic tunneling junction is approximately equal to 1, revealing the expected Poisson process for electron tunneling in such a scenario. The results are valuable for the high-resolution characterization of correlation systems in the future.
Use of MatriDerm with Split-Thickness Skin Graft in Post-traumatic Full-Thickness Wound Defects in Orthopedic Cases: A Case Report and Systematic Review of the Literature
Authors: Vasios Ioannis S. , Makiev Konstantinos G. , Georgoulas Paraskevas , Ververidis Athanasios , Drosos Georgios , Tilkeridis Konstantinos
Published: May 2024

The management of complex and severe lower-extremity injuries is challenging for the orthopedic surgeon. When the primary or secondary closure of the defect is not feasible, complex procedures with graft (split-thickness or full-thickness) or flap (pedicled or free) are required. These procedures are performed by specialized plastic surgeons and are at high risk for adverse effects, even high morbidity among both the donor and acceptor sites. Furthermore, split-thickness skin grafts (STSGs) often lead to unsatisfactory results in terms of mechanical stability, flexibility, and aesthetics due to the lack of underlying dermal tissue. Consequently, dermal substitutes, such as MatriDerm (MedSkin Solutions Dr Suwelack AG, Billerbeck, Germany), have been proposed and further developed as a treatment option addressing the management of full-thickness wound defects in conjunction with STSGs. We aimed to present a case of post-traumatic full-thickness wound defect of the left foot after traumatic amputation of the digits that was treated with MatriDerm combined with autologous STSG. In addition, we performed a systematic review of the literature to delineate the efficacy of the use of MatriDerm combined with STSGs in orthopedic cases exclusively.
Association of Preulcerative Foot Care and Outcomes of Diabetic Foot Ulceration
Authors: Tan Tze-Woei , Tolson Jeffrey P. , Aristizabal Juan C. Arias , Urbina Diego J. , Fermawi Sarah A. , Weinkauf Craig , Marrero David G , Armstrong David G.
Published: May 2024

Background: The purpose of this study was to determine the association of preulcerative foot care and outcomes of diabetic foot ulcerations (DFUs).

Methods: This retrospective cohort study using the Mariner all-payers claims data set included participants with a new DFU from 2010 to 2019. Patients were stratified into two cohorts (foot care and control) based on whether they had received any outpatient foot care within 12 months before DFU. Adjusted comparison was performed by propensity matching for age, sex, and the Charlson Comorbidity Index (1:2 ratio). Kaplan-Meier estimates and logistic regression examined the association between foot care and outcomes of DFUs.

Results: Of the 307,131 patients in the study cohort, 4.7% (n = 14,477) received outpatient preulcerative foot care within the 12-month period before DFU. The rate of major amputation was 1.8% (foot care, 1.2%), and 9.0% of patients had hospitalizations for foot infection within 12 months after DFU (foot care, 7.8%). In the study cohort, patients who received pre-DFU foot care had greater major amputation-free survival (P < .001) on Kaplan-Meier estimate. In both the study and matched cohorts, multivariable analysis demonstrated that foot care was associated with lower odds of major amputation for both study (odds ratio [OR], 0.56; 95% confidence interval [CI], 0.48–0.66) and matched (OR, 0.61; 95% CI, 0.51–0.72) cohorts, and lower odds of hospitalizations for a foot infection in both study (OR, 0.91; 95% CI, 0.86–0.96) and matched (OR, 0.88, 95% CI, 0.82–0.94) cohorts.

Conclusions: Among patients with a new DFU, those who received outpatient preulcerative foot care within 12 months of diagnosis had lower risks of major amputation and hospitalizations for foot infection.