bluuebunny/crossref_metadata_2025 huggingface dataset:
PROSES PENCIPTAAN Aâ€™BIRING BONE DI KAMPUNG KUNYIâ€™ DESA BAHOREA KECAMATAN BONTOSIKUYU KABUPATEN KEPULAUAN SELAYAR SULAWESI SELATAN Bau Salawati
Authors: Salawati Bau
Published: May 2023

Aâ€™biring Bone is the name of a dance work which is performed in Kampong Kunyiâ€™ in the Village ofBahoreain the Sub-District of Bontosikuyuin the Kepulauan Selayar District of the South Sulawesi Province.The way in which the Aâ€™biring Bone dance â€“ whichin the Selayar language means â€œscouring the coastlineâ€ â€“isconstructed is closely connected to the local community, as it involves the people who live along the coast ofKampong Kunyiâ€™. Aâ€™biring Bone is a work which tells about the lives of the people in the fishing communitywho move from Kampong Tile-Tile to Kampong Kunyiâ€™ when the west monsoon season arrives, and hold aritual before going out to sea and a communal celebration to give thanks for an abundant harvest. This workalso presents a traditional dance that is found in the Sub-District of Bontosikuyu in the KepulauanSelayarDistrict of the South Sulawesi Province, namely the Pakarena BallaBulo dance.Keywords: Form, Creation, Aâ€™biring Bone
TARI CALENGSAI DI KABUPATEN BANYUMAS REPRESENTASI SIMBOL STATUS ETNIS JAWA DAN ETNIS TIONGHOA
Authors: Sullistyaningsih Eikka
Published: May 2023

The goal of this research is to discover the form of the Calengsai dance by looking at theprocess through which the work was created. The artistic treatment or interpretation of theCalengsai dance uses Rahayu Panggahâ€™s theory of Garap (interpretation), beginning with thematerial for interpretation and continuing through to the different considerations for interpretation. In order to reinforce the description about the representation of status symbols present in theCalengsai dance, Marvin Olsenâ€™s concepts of Behavioural Interaction and Symbolic Interactionare used. The method used in writing this thesis is a qualitative method with an ethnochoreologicalapproach which uses an analytical descriptive form of discussion, presenting the data obtainedabout the creative ideas that emerge from the Calengsai dance through Calung, Lengger, andBarongsai. The process of artistic interpretation in the Calengsai dance and the representation ofstatus symbols present in the Calengsai dance can be seen from the analysis of the form of theCalengsai dance. The results of the research show that the role of the Calengsai dance in theBanyumas region is a status symbol for the ethnic Javanese and ethnic Chinese communitiesthrough Behavioural Interaction and Symbolic Interaction that are analyzed by looking at theform of the Calengsai dance.Keywords: Calengsai, Status Symbol, Dance.
PENGGARAPAN BENTUK PERTUNJUKAN RONTEG SINGO ULUNG DI PADEPOKAN SENI GEMA BUANA PRAJEKAN KIDUL, KABUPATEN BONDOWOSO
Authors: Nurchahya Euis Mirna
Published: May 2023

This research uses a qualitative method with an interpretative descriptive form whichpresents a picture, description, and explanation of the data obtained from observation and interviews. The results of the data are then presented and explained accordingly. The performance ofRonteg Singo Ulung was created in 1990 and obtained its copyright in 2004. It has earned anumber of rewards and has also become an icon of the Bondowoso district. The goal of this researchis to discover how the performance of Ronteg Singo Ulung was created and how its differentelements are treated, including the background to its creation, its creator, its motivating factors,its artistic interpretation, and its proponents. The method used for collecting data included alibrary study, together with observation, and interviews.Keywords: Form of Ronteg Singo Ulung and Interpretation.
TOPENG JOKO BLUWO DALAM PERTUNJUKAN WAYANG TOPENG JENGGLONG JOYO, MOJOSONGO, SURAKARTA
Authors: Mulyaningtyas Kristian
Published: May 2023

The object of this research is the masked dance Joko Bluwo, or topengJoko Bluwo, which isfound in Padepokan Jengglong Joyo, Mojosongo, Surakarta, and is a form of folk dance that hasgrown and developed in Surakarta, in particular in the Mojosongo area. The research aims tolearn more about the existence of the arts that are found in Padepokan Jengglong Joyo, Mojosongo,Surakarta, focusing specifically on the movements in the choreography of topeng Joko Bluwo andthe movements of the character of Joko Bluwo. A qualitative method is used to explain the information that was obtained in the field through an ethnochoreological approach. The data wascollected using an interactive method and then analyzed descriptively. The results of the researchshow that topeng Joko Bluwo has a unique character which can be recognized from the shape of themask, the voice, and the movements, in which the arms stretch no higher than the shoulders andthe legs are opened no wider than the width of the body.Keywords: Topeng Joko Bluwo, Padepokan Jengglong Joyo, Choreography, Unique Movements.
FUNGSI DAN MAKNA PERTUNJUKAN TARI SINTRÃˆN DI KABUPATEN PEKALONGAN JAWA TENGAH
Authors: Subagyo Hadi
Published: May 2023

The Sintren dance is a form of folk dance that can be found on the north coast of CentralJava. It is performed by an unmarried female dancer who is in a trancelike state after being possessed by a spirit. It is a highly unique form of performance which has a complex meaning andfunction but its existence is currently a cause for concern since only a small number of groupscontinue to perform this art today. In Pekalongan in particular, the art of Sintren continues to bemulti-functional, and in addition to being a form of entertainment and used for social purposes,it is also closely associated with a ritual function. The meaning contained in the art of Sintrenprimarily describes the life journey of a person from the time he is still inside his motherâ€™s wombto his birth, growth and development, and ultimately his death. The other meaning contained inthe art of Sintren is the poetry which accompanies the performance, describing the beauty of thenatural surroundings, animal and plant life, and things associated with spirits, angels, and goddesses. The poetry is largely in the form of advice or guidance which is reflected in the form offigures of speech.Keywords:Sintren Dance, function, and meaning.
PRAGMATIK TARI KIONGKONG SABUK JANUR DUSUN PLAWAN, NGARGOYOSO, KARANGANYAR
Authors: Fitriani Ria
Published: May 2023

enelitian ini bertujuan untuk mengungkap Pragmatik tari Kiongkong Sabuk Janur dari perspektif linguistik pragmatik untuk menemukan dan mendeskripsikan tentang: (1) Bentuk komponen verbal tari Kiongkong Sabuk Janur yang mencakup: teks bagian narasi, teks bagian pertama: tembang maskumambang, teks bagian kedua: janturan dansenggakan, teks bagian ketiga: senggakan, teks bagian keempat:tembang pangkur, teks doa, teks kegembiraan, dan teks senggakan, Rekapitulasi jenis-jenis tindak tutur komponen verbal pada tari Kiongkong Sabuk Janur; (2) Bentuk komponen nonverbal tari Kiongkong Sabuk Janur yang mencakup: tema, gerak, penari, ekspresi wajah, kostum, iringan, Panggung dan pola lantai, properti; (3) Analisis komplementer komponen verbal dan nonverbal. Bentuk penelitian adalah penelitian kualitatif deskriptif. Penelitian ini menggunakan pendekatan linguistik. Teori yang digunakan untuk mengkaji tari Kiongkong Sabuk Janur adalah: (1) Teori pragmatik dan (2) Teori seni pertunjukan. Simpulannya berdasarkan analisis komplementer komponen verbal dan nonverbal secara kontekstual bahwa tari Kiongkong Sabuk Janur merupakan jenis tarian binatang yang digarap dalam bentuk drama kehidupan sosial yang difungsikan sebagai bentuk hiburan dan memberikan pesan moral untuk meningkatkan semangat kehidupan gotong royong. Makna tari Kiongkong Sabuk Janur adalah mengajarkan betapa pentingnya rasa kebersamaan, gotong royong dalam kehidupan bermasyarakat. Kata kunci: Tari Kiongkong Sabuk Janur, pragmatik, komponen verbal dan nonverbal.
KAJIAN GERAK TARI SUNDA STUDI KASUS TARI JAIPONG
Authors: Mulyadi Tubagus
Published: May 2023

Metode interaktif dengan pendekatan teks tari didapat suatu hasil pembentukan motif dipola oleh gerak baku, gerak selingan, dan gerak variasi. Analisis ini diperlukan dalam upaya pembelajaran dan penciptaan tari Jaipong. Secara teknik pembentukan motif gerak Jaipong terpola dari gerak baku pencak silat dikembangkan dengan selingan gerak dan variasi membentuk motiv-motiv baru sebagai ragam gerak tari Jaipong. Metode yang digunakan dalam analisis motiv gerak adalahEfort-Shape sebagai proses pembentukan koreografi meliputi ketubuhan atau media, tema, dan dinamika serta bentuk meliputi lintasan gerak, level, dan volume gerak. Hasil yang dicapai dalan analisis ini secara teknik dapat digunakan dalam pencatatan sebuah tari maupun pembelajaran tari.Kata kunci: motif, gerak baku, gerak selingan, dan gerak variasi.
PERKEMBANGAN KREATIVITAS DALAM TARI BEDANA KIPAS DI SANGGAR MULI JEJAMA BEBAGI LAMPUNG
Authors: Sofia Arini
Published: May 2023

Tari Bedana kreasi merupakan hasil kreasi tari bedana tradisi. Tari tersebut merupakan tari pergaulan yang bisa disajikan tunggal, berpasangan, atau kelompok dengan menggunakan properti yang digunakan dalam berbagai acara. Tari Bedana yang tadinya ditarikan berpasangan pada masa sekarang ini hanya ditarikan secara kelompok dengan tambahan properti kipas hal ini membuat tarian bedana menjadi lebih menarik dan lebih bebas tidak terikat dengan nilai-nilai tradisi Dahulu tari ini merupakan tarian yang hanya disajikan untuk upacara adat sakral yang hanya ditarikan oleh penari yang ditentukan oleh tetua adat setempat, serta hanya dapat ditampilkan di tempat tertentu. Tari Bedana merupakan tarian sakral yang hanya diadakan pada acara hatam qurâ€™an tapi pada masa sekarang ini Tari Bedana dapat ditampilkan dimana saja kapan saja tanpa harus terikat dengan normanorma adat. Kata kunci: Tari Bedana tradisi menjadi Tari Bedana Kreasi.
BENTUK TARI CAKILAN DALAM PERTUNJUKAN EBEG TEATER JANUR
Authors: Lestari Vicky Yoga
Published: May 2023

Penelitian ini membahas tentang gerak tari Cakilan dalam pertunjukan Ebeg Teater Janur yang di dalamnya menyangkut perkembangan bentuk tari Ebeg yang diakibatkan oleh perubahan sosial masyarakat Banyumas. Salah satu bentuk perkembangan dari tari Ebeg yaitu dengan adanya gerak tari Cakilan. Gerak tari Cakilan menarik untuk diteliti karena di dalamnya terdapat fenomena baru yaitu berupa akulturasi budaya Banyumas dan Surakarta. Penulisan ini menggunakan metode kualitatif. Untuk menjelaskan tentang permasalahan yang muncul dengan menggunakan pendekatan etnokoreologi dan teori-teori yang berhubungan dengan objek yang diteliti. Tahap pengumpulan data penelitian meliputi observasi, wawancara dan studi pustaka serta tahap pengolahan dan analisis data. Hasil dari penelitian ini yaitu mendeskripsikan tentang asal-usul gerak tari Cakilan dalam pertunjukan Ebeg Teater Janur, proses penciptaan dan pembentukannya serta faktor pendukung yang mempengaruhi masuknya tari Cakilan dalam pertunjukan Ebeg Teater Janur.Kata kunci: gerak tari cakilan, pertunjukan ebeg, dan teater janur.
DARI KARYA SASTRA â€œMENAK CINAâ€ MENJADI SEBUAH KARYA TARI
Authors: Yulianingsih Rambat
Published: May 2023

AbstrakSeni sastra jawa yang kaya sangat sayang bila hanya tetap menjadi sebuah manuskrip atau catatan tertulis yang tersimpan dalam musium. Keadaan yang demikian tentu tidak semua orang bisa membacanya ataupun mendapatkan akses untuk bisa memanfaatkannya. Dari keadaan tersebut muncul keinginan untuk mencoba membawa kembali khazanah sastra jawa kedalam suatu bentuk karya seni lain dengan harapan agar sastra jawa lebih dikenal dan bisa diapresiasi. Seperti juga Serat Menak yang berasal dari kitab Qissay Emr Hamza, sebuah kesusastraan persia pada pemerintahan Harun Al Rasyid (766-809). Di melayu kisah ini dikenal dengan nama Hikayat Amir Hamza. Salah satu bagian dari Serat Menak adalah Menak Cina. Kisah ini cukup dikenal dalam budaya Jawa Tengah, khususnya Surakarta. Roman tersebut menjadi dikenal oleh jasa R. Ng. Yasadipura I dalam mengubah karya tersebut kedalam bahasa jawa dipadu dengan cerita panji, yang disusun dalam bentuk sekar macapat.Kata kunci: serat menak, literature seni, dan khasanah sastra Jawa.Â AbstractThe Art literature rich java very fondly if only the remains an manuscripts or a written record stored in museums. The state of being will certainly not everyone can read it or access can use it unit of this condition.Appearing desire to re reading literary into its java a form of artwork another byÂ  hope that literatureÂ  java moreÂ  famous and canÂ  be appreciated as also a letter menak derived from the Qissay Emr Hamza, an outgrowth literature versi in the government Harun Al Rasyid (786 â€“ 809) In malays this story was known as the Hikayat Amir Hanza, one part of fibers menakÂ  isÂ  menakÂ  china.Â  ThisÂ  storyÂ  isÂ  knownÂ  inÂ  centralÂ  javaÂ  culture,Â  especiallyÂ  Surakarta.Â  The romance becameÂ  famous byÂ  service R.Â  Ng. YasadipuraÂ  in turnÂ  to theÂ  language ofÂ  java .InÂ  inte- grated centera ensign arranged in the form of is now re macapat.Keywords: fiber menak, art literature, and khazanah literature java.
SIMBOLISME TARI MAHESA JENAR RARA WILIS DALAM UPACARA PERKAWINAN ADAT JAWA SURAKARTA
Authors: Yasmono Dwi
Published: May 2023

AbstrakPada umumnya orang-orang atau penduduk di daerah Surakarta yang mempunyaiÂ hajat dalam penyelenggaraan perkawinan biasanya menggunakan seni pertunjukkan sebagaiÂ pelengkap upacara. Tari berbentuk pasihan (sepasang lelaki dan perempuan yangÂ menggambarkan percintaan) merupakan salah satu seni pertunjukkan yang ada pada acaraÂ tersebut. tari pasihan banyak macamnya, di antaranya Tari Enggar-Enggar, Tari Driasmara,Tari Karonsih, Tari Lambangsih, Tari Langen Asmara, Tari Yudasmara, serta Tari MahesaÂ Jenar Rara Wilis. Tari pasihan Mahesa Jenar Rara Wilis yang sarat akan petuah/nasihatÂ tergambar dalam sebuah koreografi yang sangat apik dengan penataan sedemikian rupaÂ oleh seorang empu tari Keraton Kasunanan Surakarta. S. Maridi berharap dalam menyusuntarian tersebut kesan yang dimunculkan dapat terserap sebagai nasihat dan sekaligus sebagaiÂ tuntunan di samping sebagai hiburan. Pesan yang diungkapkan dalam tari pasihan MahesaÂ Jenar Rara Wilis dapat ditangkap oleh semua orang dengan kadar kedalaman arti yangberbeda-beda tergantung tebal wawasan dan kecerdasan estetika penikmat seni.Â Kata Kunci: Upacara Perkawinan, Tari Mahesa Jenar Rara Wilis, SimbolÂ AbstractIn general, the people in the Surakarta region who have intent in organizing marriagesÂ typically use performing arts as a complement to the ceremony. Pasihan shaped dance (a pair ofÂ man and woman who portray romance) is one of the performing arts performed at the event. ThereÂ are many kinds of pasihan dance, including Enggar-Enggar Dance, Driasmara Dance, KaronsihÂ Dance, Lambangsih Dance, Asmara Langen Dance, Yudasmara Dance, and Mahesa Jenar RaraÂ Wilis Dance. Mahesa Jenar Rara Wilis pasihan dance that is full of advices and counselsis depictedÂ in a very slick choreography with the arrangement as such by a dance master from KeratonÂ Kasunanan Surakarta. S. Maridi hopes in compiling that dance, the impression given can beÂ absorbed as an advice as well as a guidance,beside as an entertainment. Messages expressed inMahesa Jenar Rara Wilis pasihan dance can be captured by all people at different depth level ofÂ meaning, depending on the thicknessof intellegence and aesthetic insight of connoisseurs of art.Keywords: Marriage Ceremony, Mahesa Jenar Rara Wilis Dance, Symbol.
FUNGSI WAYANG ORANG KRIDO WANDOWO DALAM KEHIDUPAN MASYARAKAT DESA JIWAN, KARANGNONGKO, KLATEN
Authors: Sari Kristian Wulan
Published: May 2023

Penelitian pertunjukan wayang orang â€œKrido Wandowoâ€ di Desa Jiwan, KecamatanÂ Karang Nongko, Kabupaten Klaten adalah untuk mengetahui fungsi dalam Â kehidupan masyarakatnya. Untuk mengetahui secara analitis fungsi wayang orang â€œKrido Wandowoâ€ bagi masyarakat di Desa Jiwan, peneliti menggunakan konsep dari Hâ€™Doubler, terjemahan Agus Tasman. Keberadaan wayang orang â€œKrido Wandowoâ€ ini berfungsi sebagai: hiburan, aksi sosial, sarana pelestarian kesenian, sarana menyampaikan nilai-nilai kehidupan melalui cerita juga merupakan kebanggaan masyarakat desa Jiwan, menjadi ciri khas iconik dan menjadi sumber kekayaan keragaman seni budaya bagi masyarakat Klaten.Â Kata Kunci: wayang orang Krido Wandowo, fungsi, dan masyarakat Jiwan.Â AbstractÂ The research study on the performance of wayang orang â€œKridoWandowoâ€ in the village of Jiwan in the KarangNongko sub-district of Klaten investigates its function in the life of the community. In order to analyze the function of wayang orang â€œKridoWandowoâ€ in the Jiwan village community, the writer uses the concept of Hâ€™Doubler,translated byAgus Tasman.The existence of wayang orang Â â€œKridoWandowoâ€ functions as: entertainment, a form of social action, a medium for art conservation, and a medium for conveying life values through its stories. It is alsoÂ a source of pride for the people of Jiwan village, as well as an iconic trade-mark of the community which provides a source of wealth and diversity in the art and culture of the Klaten community.Â Keywords: wayang orang KridoWandowo, function, and Jiwan community.
SENDHANG SINANGKA SEBAGAI SUMBER INSPIRASI TERCIPTANYA IDE KARYA SENI
Authors: Pamenang Nandhang Wisnu , Pamardi Silvester
Published: May 2023

AbstrakÂ Sumber mata air bagi kehidupan makluk hidup menjadi kebutuhan yang sangat penting bagi keberlangsungan kehidupan. Tanpa adanya kepedulian dari masyarakatnya untuk merawat sumber mata air maka akan berpengaruh terhadap perkembangan ekosistem disekitar area tersebut. Fenomena ini menjadi ketertarikanbagi pengkarya tentang keberadaan sumber mata air yang sangat penting bagi keberlagsungan kehidupan masyarakatnya dan di transformasikan dalam bentuk karya seni pertunjukan. Keberadaan Sendhang Sinangka bagi masyarakat Desa Keloran menciptakan titik temu diantara keduanya. Dalam perspektif ini, masyarakat tidak dapat terlepas dari lingkungan sebagai sumber kehidupan. Begitu pula sebalikya, Sendhang Sinangka juga membutuhkan kesadaran dari masyarakatnya untuk bersinergi dalam membangunsebuah keseimbangan kosmos. Proses penciptaan seni sebagai representasi dari fenomena manfaat sumber air, membawa pengkarya pada pengembangan eksplorasi ruang, membuat alur cerita yang berkaitan dengan Sedhang Sinangka, serta mengakomodir beberapa elemen masyarakat setempat yang juga turut berpartisipasi melakukan proses. Untuk memperkuat esensi dari pertujukan seni, pengkarya melakukan observasi lokasi, wawancara, pendekatan secara emosional kepada penduduk setempat, pengumpulan data, studi pustaka, dokumentasi, analisis data hingga melakukan kroscek data.Kata kunci: Sendhang Sinangka, Inspirasi, Seni Pertunjukan.Â AbstractÂ The source of springs for the life of living beings becomes a very important necessity for the sustainability of life. Without public awareness to treat springs, it will affect the development of ecosystems around the area. This phenomenon becomes the attraction for the pengkarya about spring which is very important for the sustainability of community life and transformed in the form of performance art. The existence of Sendhang Sinangka for Keloran Village community creates similarities between them. In this perspective, society can not be separated from the envi- ronment as a source of life. Similarly, on the contrary, Sendhang Sinangka also requires aware- ness from the community to work together in building the balance of the cosmos. The process of art creation as a representation of the phenomenon of the benefits of water resources, bringing pengkarya on the development of space exploration, create a story line associated with Sedhang Sinangka, and accommodate some elements of local communities who also participate in theÂ Â process. To strengthen the essence of art performances, pengkarya make location observations, interviews, emotional approaches to the local population, data collection, literature studies, docu- mentation, data analysis to cross check data.Keywords: Sendhang Sinangka, Inspiration, Performing Arts.
ANALISIS ESTETIS TARI BROMASTRO KARYA WAHYU SANTOSO PRABOWO
Authors: Sumargono S
Published: May 2023

AbstrakÂ Penelitianini mengungkapdan mengidentifikasi estetika ataukeindahantari Bromastro karya Wahyu Santoso Prabowo dengan titik perahatian pada analisis unsur- unsur tari dan bentuk hubungan sebagai pembentukan keindahan tari.Oleh karena itudipaparkan diskripsi Tari Bromastroyang berhubungan dengan musik tari dan rasa gerak tarinya untuk diidentifikasi, sehingga kesan harmoni muncul dalam koreografi tari tersebut. Analisis estetik ini juga didasarkan pada konsep kepenarian tari tradisi Jawa gaya Surakarta baik teknik maupun rasa sebagai koridornya. Konsep tersebut meliputi pacak, pancat, lulut, luwes, ulat, wiled, irama, dan gendhing yang juga dikenal dengan konsep Hastha Sawanda.Â Kata kunci: Tari Bromastro, gendhing, dan estetikÂ AbstractÂ This writting will disclose and identyfy the aesthetics of Bromastro dance by aplying a special attentionto the analysis of danceâ€™s elementsand the relations of one element to the others. The notation patterns of the music of the dance were describet in detail so that it was posible to identify the tempo, laya, rhythm, musical taste and the pattern of kendangan mungkus. The result is that we know the choreography of Bromastro dance has harmonious impresion. This aestetic analysis was based on the aesthetic concept of javanese traditional dancing of Surakarta style,both the technique and its taste. The concept covers pacak, pancat, lulut, luwe, ulat, wiled, rhythm and gendhing which are known as hastha sawanda.Keywords: Bromastro, gendhing, and aesthetic.
KONSEP BIWANWISALUS DALAM TARI KURSUS
Authors: Sudarto Toto
Published: May 2023

West Java, dance in recognized by Sudanese dance, one kind of Sudanese in Tan Kursus (Course Dance). Tan Kursus developsÂ fromÂ Tayub dance which co//aborted Topeng Cirebon. With in developing of Tan Kursus seems performing art for mans. There are five matters of criteria must be attended for rich of perfectly level for the dancers in Sudanese dance.I would like to study as specially the criteria of danser in kind of Tan Kursus. The criteria are acronym of Biwanwisalus (bisa, wanda, wirahma, sari~ alus). A/us/body coordination: in general skillÂ usesÂ all the body parts, othe,wise to run up the movement of the dance. Wanda/suitable of realizer: the dance structure of reaching of types suitable by the dance with runing up. The type are including costume, make up and dancer body. Wirahma/rasa irama: in on time to cuny of movements rhythm 0/though on time how to understand to ward dance music. Sari/penghayatan: deep understanding of thema and impression for etting energy will accure for the dance to the trough out to became impression wich effected by outsiderhnterpretation ability. Alus/aliran gerak: is throwing down of movement from level to following level withuot accunng difficulty.Key word: Biwanwisalus, Kursus Dance, changes, andÂ developments.
BENTUK PERTUNJUKAN WAYANG BOCAH SRIKANDHI KRIDHA KARYA JONET SRI KUNCORO
Authors: Pamungkas Chrisnar Bagas , Daryono Daryono
Published: May 2023

The Wayang Bocah Srikandhi Kridha show was a dramatical production directed by Jonet Sri Kuncoro that displayed in 36th anniversary celebration of Soerya Soemirat dance studio. The problem with study is how the processing and appearance of the Srikandhi Kridha by Jonet Sri Kuncoro. Based on objects studied, this study uses a qualitative method with a process and shape approach. To find out about the garging process use the thinking of Rahayu Supanggah that include of materi garap, penggarap, sarana garap, perabot garap, penentu garap, pertimbangan garap. Discuss problem forms using concept forms by Rustopo in Sri Rochana Widyastutieningrum about elements that include of structure of a presentation, variety of motion, dance music, makeup and clothing, division of a single dancer and group, dance floor, property, and stage pattern. Studies have shown that a Srikandhi Kridha feature in a dramatic dialogue with the genre of Wayang Orang (bocah), one that concerns materi garap, penggarap, sarana garap, perabot garap, penentu garap, pertimbangan garap. The Wayang Bocah Srikandhi Kridha show set out from director’s concern for the child's world understanding of the puppet story. From reflection of his thought, Jonet took the play of the story with Srikandhi Kridha. Played by students of Soerya Soemirat dance studio. The shape of a Wayang Bocah Srikandhi Kridha show can be seen from all the performance being made into a solid outfit.Keywords: Wayang Bocah, garap, and form.
ELEMEN-ELEMEN KOREOGRAFI DAN REFLEKSI DALAM SAJIAN KARYA TARI TUNJUNG PUTIH
Authors: Jhosua Divany Rico , Widyastuti Mamik
Published: May 2023

Tunjung Putih dance by the choreographer; Divany Rico Jhosua in 2020 is a new traditional art whose dance work creation is motivated by the problem of social discrimination experienced by cross-dressers and cross-gender dancers. The idea of creating this work is the story of Wrahatnala's character while posing as a woman and acting like a sissy. To find out the elements of choreography in Tunjung Putih dance, the author uses the concept presented by Y. Sumandyo Hadi, namely the explanation of the concepts of cultivation through the elaboration of choreographic elements. The result of this study is to know the form of Tunjung Putih dance through the description of 11 elements of choreography in it. Reflection of the creation of Tunjung Putih dance in the form of critical analysis with further research to respondents on issues and responses related to the presentation of this dance work.
ANALISIS GERAK TARI ANOMAN RAHWANA KARYA DIDIK BAMBANG WAHYUDI
Authors: Wardhani Efpry Ayu , Bantolo Matheus Wasi
Published: May 2023

The Anoman Rahwana dance is a dance work in the form of fragments created by Didik Bambang Wahyudi in 1987. This study aims to describe the form of presentation, analysis of motion, and the formation of dance movements of Anoman Rahwana. The research method used is descriptive analytic method with qualitative data, which goes through the stages of data collection, namely observation, interviews, and literature study. The problems that exist in this study are discussed using Soedarsono's theoretical basis to analyze the form of presentation, while for motion analysis using Soedarsono's theoretical basis and motion formation using Doris Humphrey's theory. The results obtained from this study are the Anoman Rahwana dance which discusses the form of the dish, in which there is a structure of the dish which is divided into four parts. Dramatic design in the form of a double cone, with the theme of the war between Anoman and Ravana. Make-up and costumes use the characters in each character, props use swords and candrasa, music design uses Javanese gamelan and uses Antawecana as dialogue, and dance moves derived from Surakarta-style dance moves. The analysis of Anoman Rahwana's dance moves contains representational movements that have a clear meaning and non-representational movements that are worked on to get an artistic form. The formation of Anoman Rahwana's dance movements in its movement patterns contains more designs of opposing lines, dynamics with various different tempos, using functional rhythms and mechanisms, as well as movement motivations inspired by everyday life, as connecting movements or transitions and to distinguish patterns motion in the character of the Surakarta style dashing dance.
HOLISTIK TARI SINGO JOWO LASKAR KARYA UMI USWAHTUN KHASANAH
Authors: Amintamah Novia Nur Nurul , Maryono Maryono
Published: May 2023

This study aims to reveal the meaning contained in the Singo Jowo Laskar Yudho Dance by Umi Uswahtun Khasanah. The meaning of dance can be revealed by paying attention to three problems including: (1) What is the Genetics of Singo Jowo Laskar Dance by Umi Uswahtun Khasanah, (2) What is the objective of the Singo Jowo Laskar Yudho Dance by Umi Uswahtun Khasanah, (3) How Affective is the Singo Jowo Dance of Laskar Yudho by Umi Uswahtun Khasanah. This research was examined by means of a holistic art criticism approach that places three factors: genetic, objective, and affective as a single unit as the source of the flow of meaning. This research is qualitative research with data collection techniques including interviews, observation, reviewing archival documents, and recording. The research findings based on the analysis of genetic, objective, and affective factors in the Singo Jowo Laskar Yudho Dance by Umi Uswahtun Khasanah can reveal that the dance work has a function as entertainment and elevates the historical value of the region, the value of fighting spirit, the value of patriotism and nationalism that is beneficial to the younger generation and society.
PERMAINAN DALAM KESENIAN LAESAN ANAK DI DESA BAJOMULYO KABUPATEN PATI
Authors: Wardhani Ade Nusri Fitria , Aswoyo Joko
Published: May 2023

The study seeks to describe and expalin the imprortance of becoming familiar with the game in a show of laesan the elements in the show. The method useh in this study is a descriptive analysis method that emphasizes on field observations by digging for information and visuals according to facts and data colletion of observation interviews for library studies and document studies. Studies have analyzed the game in a show that uses the theory of Johan Huizinga and Desmita to dissect each elementt of the game including, the song liric, and the property used.
BENTUK SAJIAN BEDHAYA SAPTONGKARA KARYA I NYOMAN CAHYA BERSAMA SULISTYO HARYANTI
Authors: Renansia Erika Meilanawati , Setyoasih Sri
Published: May 2023

This article discusses one form of group dance that tells the expression into a dance form that takes the symbol of Sapta Ongkara in the form of energy that exists in humans and the universe. This dance work was composed by I Nyoman Chaya and Sulistyo Haryanti in 2019. To reveal the form of this bedhaya dance, Y. Sumandiyo Hadi's theory is used to describe its elements. The results obtained in this study are in the form of a description of the work on the Bedhaya Saptongkara dance moves compiled by I Nyoman Chaya and Sulistyo Haryanti as well as the form of the presentation consisting of dance moves, dance themes, types of dance, mode of presentation, number of dancers and gender, dance room, music. dance, make-up and fashion, props, and lighting.
ANALISIS KOREOGRAFI TARI BEDAYA RETNA DUMILAH KARYA S. NGALIMAN TJONDROPANGRAWIT
Authors: Supriyanti Supriyanti , Meilawanti Widya Kinanthi Rahayu
Published: May 2023

Bedaya Retna Dumilah is a type of Surakarta-style classical dance danced by seven female dancers. The composer of this dance was S. Ngaliman Tjondropangrawit in 1978. This Bedaya dance is rarely performed. The form of presentation of the Bedaya Retna Dumilah dance is unique and exciting. The uniqueness of this dance lies in the dance moves, floor patterns, accompaniment, and themes. This study aims to analyze and describe the Choreography of the Bedaya Retna Dumilah Dance by S. Ngaliman Tjondropangrawit. The method was carried out by analyzing the visual data of the Bedaya Retna Dumilah Dance video from the text side and conducting interviews using triangulation to obtain valid data. The choreographic approach was analyzed descriptively from form, technique, and content aspects from Y.Sumandiyo Hadi's book Choreography: form-technique-content. S. Ngaliman composed the Bedaya dance with various innovations from movements, floor patterns, timing, themes, poetry, and dance accompaniment. The renewal of this work is necessary so that it can be taught to students in the Dance Study Program, especially for teaching Surakarta Dance classes. The theme of war plus romance by including dance accompaniment with "sindenan" poetry, which describes the romance between Panembahan Senopati and Retna Dumilah. The results found from the Choreography of the Bedaya Retna Dumilah Dance are that the theme of the dance is an essential part of composing the Bedaya dance. The piece of romance influences all aspects of the Bedaya Retna Dumilah dance composition. The dance theme also determines the color of the new arrangement of the Bedaya Retna Dumilah dance. S. Ngaliman Tjondropangrawit as a dance master from Surakarta. Significantly skillfully incorporating elements of novelty into the Bedaya Retna Dumilah dance. This renewal will attract the younger generation to learn and preserve the Surakarta-style Bedaya dance.
Karya Seni â€œWayang Orang Rahwana Wirodhaâ€: Kualitas Kepenarian pada Sosok Rahwana
Authors: Samsuri Samsuri
Published: May 2023

As we know, dance have a strong energy just for who capable to deepen and exploit the strength inside with the media moving and body. Existing ability in every motion, able to build up a strong individual appearance. Javanese dance has own typical movement. This matter relied on body possibilities formed by tradition, in interaction and dialoguing with the situation outside. With the properties of manner of expression and its essence value, tradition appropriately able to give the possibilities to be entered, to be explored, to create of new tradition among growth various artistic form of dance performance. Many styles and approaches, in the end become the way of how to mean dance from different side where exploration use body can attend to fluctuate according to its context. This work try to elaborated spirit of exploration to get knowing deeper about the character or Rahwana, subject presentation of gagahan in Javanese dance. Keyword : Rahwana, gagahan, character
SISINGAAN SENI KEMASAN WISATA DI KABUPATEN SUBANG
Authors: Mulyadi Tubagus
Published: May 2023

Artistry [of] Sisingaan represent Earing people resistance representasi symbol first to colonial practice a period of/to power [of] Dutch. Symbol Power grinding this implied in the form of appearance [of] lion idol which [is] stretcher. While resistance form depicted in moppet figure riding lion, please implies that grind will fail by the rising generation. Artistic [of] this tidiness [of] lebeih focussed [by] [at] show estetik facet, without eliminating meaning which consist in itKeyword : Sisingaan, artistic [of] tidiness
Eksistensi Pencak Silat dalam Penciptaan Tari Tradisi Gaya Surakarta
Authors: Maryono Maryono
Published: May 2023

The wide range of pencak silat movements used in traditional Surakarta style dance represents their importance in the formation and enrichment of the variety of dance movements in this dance style, especially in the Keprajuritan or Military dance genre. The basic pencak silat movements used for defence, dodging, and stabbing, as well as patterns of combat, have been absorbed and developed in the field of traditional dance to become movements with an expressive quality.Keywords:Â  Pencak silat, basic, enrichment, traditional dance, and military dance.
Visualisasi Garap Gerak dan Karakter dalam Tari Wireng di Mangkunegaran
Authors: Subagyo Hadi
Published: May 2023

The performance of the wireng dance genre is the manifestation of the entirety of a system which is a complexity of treatment of various visual components. The visual treatment of movement and character is the main component of the wireng genre. The treatment of movement and character, which includes the qualities of the movement and character of the strong male dance, refined male dance, and female dance styles in the wireng dance, displays a wealth of vocabulary, technique, and form. In addition, the aesthetical values contained in the dance create an impression which enriches the spiritual experience of the audience. The visual treatment of movement and character also contains an important and serious message for the life and developmentof the wireng dance in the Mangkunegaran Palace. Keywords : Wireng dance, treatment, movement and character.
Fungsi Tembang dalam Seni Pertunjukan Tari
Authors: Maryono Maryono
Published: May 2023

The existence of song in a dance performance does not function simply a musical instrument but rather more comprehensively is a medium which has a great potential for expressing the content or meaning of the dance, which in turn contains a message that is intended to be communicated. It would appear that the existence of song in a dance performance is also an aesthetical medium of expression. The position of song in the performing arts has a number of highly strategic functions, namely: 1) as a medium of expression for the dancers, 2) as a musical element, and 3) as a pointer to content or meaning. The understanding of these three functions of song is based more on the strength, contribution, and support of the potential which is able to bring a dance performance to life. It should be realized that song in a dance performance is a highly significant expression of competence, and for this reason, the way in which it is treated and presented needs to be examined in greater depth in order to discover its true meaning.Keywords : song, function, and dance
Analisis Struktur dan Bentuk Tari Pasihan Bondhan Sayuk: Sebuah Kajian Makna Teks
Authors: Slamet Slamet
Published: May 2023

This study on the meaning of the text in the pasihan dance Bondhan Sayuk aims to discover and understand the text of the Bondhan Sayuk dance as a whole by studying the meaning ofÂ the song used in the musical accompaniment which is the text for the dance music. The research uses a descriptive qualitative method with a multi-disciplinary approach. The techniques used for collecting data include a bibliographical study, observation, and interviews. The creation of the Bondhan Sayuk dance was inspired by the existing Enggar-enggar dance. Sunarno, the choreographer of the Bondhan Sayuk dance, was aware that this dance was originally accompanied by a gamelan composition written by Marto Pangrawit, which was motivated by his desire to have a son. By studying Bondhan Sayuk, it can be seen whether there are any different variations of movement among the dancers. This may occur if there is a different interpretation of the musical text, in particular in the tembang tengahan section. This research focuses more on how the dancers and the audience understand the song text used in the musical accompaniment in relation to the expression of the dance movements. The text used in a performance of Bondhan Sayuk, which exists within a musical context that is filled with meaning, is subsequently manifested in the form of a dance performance and provides a framework of thought for the dancers which theyÂ express in the form of dance, while the audience gains an understanding of the meaning of a performance of Bondhan Sayuk, through its song text and through the dance which create a complete performance, at the time the performance takes place. Keywords : Pasihan, Bondhan Sayuk, and Meaning of the text
Analisa dan Implementasi Sistem Informasi Manajemen Kelurahan Berbasis Web Model Goverment to Citizen
Authors: Roslita Dina
Published: May 2023

SMK Muhammadiyah 1 Marga Tiga dalam proses pengaduan siswa dilakukan secara manual, yaitu dengan cara siswa harus melakukan pengaduan atas perilaku siswa kepada guru BK, kemudian guru BK akan memproses tindakan yang dilaporkan siswa tersebut. Tujuan dari penelitian ini adalah menerapkan aplikasi layanan pengaduan dan layanan berbasis web yang dapat diakses oleh siswa, guru BK (admin), dan kepala sekolah, dan dapat memberikan kemudahan kapada siswa untuk mengetahui informasi pengaduan. Dari permasalahan diatas maka penulis membuat aplikasi yang dapat menampung kritik dan saran, serta dapat melakukan pengaduan tindakan siswa dilingkungan sekolah atau bahkan dilingkungan luar sekolah sesuai dengan perancangan yang telah dilakukan dengan metode Extreme Programming dimulai dari planning, desain, coding, testing sampai pada tahap sofware increment. Sedangkan untuk proses pembuatan aplikasi dengan menggunakan Codeigniter 3 menggunakan bahasa Pemrograman PHP dengan database menggunakan MySQL. Setelah aplikasi berhasil dibuat maka perlu adanya pengujian sistem yakni dengan menggunakan oleh International Organization for Standardization (ISO) 9126 dengan empat kriteria yakni Usability dengan nilai 92,91%, Functional Suitability 100%, Security 92%, dan Performance Efficiency 100%.
Sistem Informasi Pengajuan Cuti Pegawai Berbasis Mobile
Authors: Yusella Annadara
Published: May 2023

Dinas Perindustrian dan Perdagangan Provinsi Lampung mempunyai tugas menyelenggarakan sebagian urusan pemerintahan Provinsi di bidang perindustrian dan perdagangan berdasarkan asas otonomi yang menjadi kewenangan, sistem pengajuan cuti pegawai saat ini masih menggunakan sistem manual. Surat pengajuan cuti dilakukan menggunakan aplikasi Microsoft Word yang selanjutnya akan dicetak kemudian diberikan kepada pegawai yang bersangkutan dan dilakukan proses pengajuan cuti melalui persetujuan atasan. Tujuan penelitian ini adalah membangun sistem cuti pegawai untuk mempermudah pegawai dalam melakukan cuti. Metode pengembangan sistem menggunakan metode extreme programming dan perancangan sistem menggunakan UML.Implementasi sistem ini menggunakan JavaScript dan MySQL sebagai database, serta pengujian sistem menggunakan ISO 25010 Hasil yang dicapai yaitu sistem informasi pengajuan cuti berbasis mobile, semua pegawai dapat mengakses selama 24 jam dalam pengajuan cuti maupun hanya sekedar melihat informasi cuti. Para pegawai tidak lagi harus menghubungi ke bagian kepegawaian, tetapi cukup dengan mengakses aplikasi yang dapat dilakukan melalui fasilitas internet dengan menggunakan aplikasi pengajuan cuti kepegawaian berbasis mobile sehingga proses pembuatan laporan cuti pegawai menjadi lebih mudah. Hasil pengujian ISO 25010 yang telah dilakukan dengan melibatkan 21 Responden bahwa kesimpulan kualitas kelayakan perangkat lunak yang dihasilkan memiliki persentase keberhasilan dengan total rata-rata 93.55%.
Effect of Speed Agility Training and Quickness on Speed Enhancement and Agility: an Experimental Study
Authors: Wijaya Furqon Fauzi , Pungki Indarto
Published: May 2023

This research was conducted at Senior High School 1 Wonogiri. The sample taken was the women's futsal extracurricular group of Senior High School 1 Wonogiri which totaled 17 students. The data collection technique used is the use of tests and measurements. As for the measurement test procedure, researchers use Speed and agility measurement tests. The test instruments used are the 30 meter running test and the shuttle run.  Hasil of this study obtained the value of sig. (The 2-tailed) the treatment group was 0.000. The value of the sig. The (2-tailed) treatment group < 0.05 showed that there was a significant difference between the initial test and the final test. So it can be concluded that speed agility and quickness training affects the level of speed and agility of the women's futsal extracurricular group of Senior High School 1 Wonogiri.
The Effect of Zig-Zag Running Training using Weights on Increasing Dribbling Ability in Football Athletes Club Porma FC U-20th Kepahiang
Authors: Feby Elra Perdima  , Remon Pebriadi  , Nugraha Adita  , Rayvin Domingo Pestano
Published: May 2023

The aim of the study was to determine the effect of zig-zag running training using weights on increasing the dribbling ability of the U-20 year old Kepahiang football club Porma Fc athletes. This study used an experimental method with the One Group Pretest – Posttest design. The research instrument used was the Arsil dribbling test with a validity of 0.71 and a reliability of 0.63. The sample in this study consisted of 30 U-20 year old Kepahiang Porma Fc players. The results of the research on the dribbling test were that the pretest average was 51.23, and the posttest average was 57.7, an increase of 12.62%. The results of the t-test analysis between the pre-test and post-test have a significant effect. The calculation results state that the value of t count = 9.95 ≥ t table = 1.669 with a level of α = 0.05. There is a significant effect of zig-zag running training using weights on increasing the dribbling ability of U-20 year old Porma FC Kepahiang players.
Development of Pencak Silat Learning Media in the Form of Pocket Books for Junior High Schools
Authors: Raibowo Septian , Syafrial  , Arwin  , Prabowo Andika , Permadi Andes
Published: May 2023

This study aims to determine the feasibility of pocket books based on specific motion material for pencak silat self-defense activities in learning self-defense activities for class VII junior high schools and to determine the results of students' readability tests. The research method uses a type of development research or Research and Development (R&D). The population in thi study were students of class VII, totaling 109 students. Then the sampling technique using random sampling amounting to 30 people. Data collection techniques in research using observation, interviews, documentation, and questionnaires. Data analysis techniques in this study used data reduction, data presentation, conclusions and verification, feasibility analysis techniques and pocket book readability tests. The results of the research that has been carried out regarding the development of pencak silat learning media in the form of pocket books for junior high schools are pocket books that are "appropriate" for use as alternative teaching materials by PJOK teachers in schools, and pocket books that are very practical to use for students as a medium. This learning can be seen from the results of the readability test with the results of the percentage of the three aspects totaling 81.11 % categorized as Very Practical.
Consumer Legal Protection Against Default in Buying and Selling E-Commerce
Authors: Budiono Arief , Shaharani Zahira , Prakoso Andria Luhur
Published: May 2023

Introduction: E-commerce is a modern business activity that has two properties: not meeting the parties directly (nonfice) and without the need for a genuine signature by the non-signing parties. Methodology: Type of research using normative juridical research. This study used two approaches: a state approach and a conceptual approach. The primary and secondary data are sourced by qualitative methods of data analysis and the presentation of descriptive data analysis. Results and Discussions: Act No. 19 of 2016 on ITE explains that E-commerce transactions are included in responsible transactions. The legal form of protection is listed in Article 28 (1). The settlement of E-commerce transactions in dispute is carried out using peaceful means. If the line is ineffective, the consumer may sue the owner in accordance with the contents of Article 45 of the Constitution. Conclusion: Consumer law protection has two concepts: preventive and repressive legal protection. Efforts can be completed through litigation or processing of adaptation, negotiation, mediation, conciliation and arbitration)
Introduction: Shakespeare and Montaigne: A Critical History
Authors: Hamlin William M.
Published: May 2023

Hamlin’s introduction traces the history of critical debate on literary connections between Shakespeare and Montaigne from its beginnings in the late eighteenth century up through important recent discussions by Terence Cave, Peter Mack, Lars Engle, Warren Boutcher, Stephen Greenblatt, Peter Platt, and Colin Burrow. Examining the multiple forms of evidence used to support claims of literary influence, Hamlin asks what ‘source study’, ‘verbal borrowing’, and ‘conceptual indebtedness’ might mean and summarizes many instances of Shakespearean interpretation which hinge on the assumption that the English playwright acquired significant familiarity with the writings of the French essayist. Hamlin also discusses John Florio’s English translation of Montaigne’s Essays, first published in 1603, and he touches on early references to Montaigne by Sir William Cornwallis which bear on the question of whether there might have been translations other than Florio’s that aided the dissemination of Montaignian thought in early modern England.