bluuebunny/crossref_metadata_2025 huggingface dataset:
Mellem værk og virkelighed
Authors: Mejlgaard Lærke
Published: November 2022

To be a spectator is to be separated from both the capacity to know and the power to act. Sådan opridser filosof Jacques Rancière den kritik af tilskuerpositionen, som især avantgarden har givet stemme til. Dog påpeger Rancière, at der intet teater findes uden tilskuere, og heri ligger tilskuerens paradoks. Men kan det lade sig gøre at overkomme paradokset og opløse tilskuerpositionen fuldstændigt? Og hvilket værkbegreb efterlader det teatret med? Diskussionen er ikke ny, men der kommer stadig nye bud på, hvordan tilskueren kan inddrages i værket som deltager eller medskaber. Da jeg påbegyndte arbejdet med den afhandling, der senere skulle blive til dette essay, ville jeg undersøge, hvorvidt teaterkollektivet Rimini Protokoll tilsluttede sig et avantgardistisk frigørelsesprojekt eller stillede sig som modstander af et sådant. Det blev dog hurtigt klart, at jeg ikke skulle lede efter Rimini Protokolls værkbegreb på den ene eller den anden side af frigørelsen, men netop i den paradoksale grænseposition, mellem realitet og fiktiv realitet, mellem fastholdelse og frigørelse fra en passiv tilskuerposition og mellem værk og virkelighed. På de følgende sider vil jeg sætte fokus på, hvordan og hvorfor denne paradoksale position udnyttes og tydeliggøres gennem interaktivitet i forestillingen Home Visit Europe, men også udfordre Rimini Protokolls brug af interaktivitet, ved at se interaktivitet som et nyt ståsted for politisk teater.
En undersøgelse af teatermediet
Authors: Hauge Marie , Simonsen Barbara , Christoffersen Erik Exe
Published: November 2022

På en konference på Laboratoriet i Aarhus 2014 fremlagde Marie Hauge et længerevarende projekt, som bestod i telefonopkald til tilfældige mennesker for at tale med dem om ensomhed. Hun dokumenterede projektet med film og lyd optagelser, og på konferencen var der en diskussion med nogle af de personer, som hun havde været i kontakt med. Jeg opfattede det som et teatermæssigt og menneskeligt interessant projekt, som udfordrede teatermediet. Efterfølgende foreslog jeg, at Marie Hauge skulle beskrive projektet, som en form for kunstnerisk udviklingsvirksomhed, der siden 2014 har udviklet sig. Jeg lavede en udenforstående refleksion over måden at bruge teatermediet som ramme for et personligt møde. Endvidere har Barbara Simonsen, som er leder af Laboratoriet, kommenteret eksperimentet. Det er der kommet følgende ud af.
Are We Really There and in Contact?
Authors: Eriksson Birgit
Published: November 2022

I artiklen Are we really there and in contact? Staging first-hand witnesses of contemporary Danish war- fare af Birgit Eriksson udforskes de æstetiske og politiske dilemmaer i to performances, der bruger soldater og andre, som på første hånd har været vidne til aktuel dansk krigsførelse: Matthaei und Konsortens War – you should have been there (Viborg 2013) og Christian Lollike’s I føling. En krigs- ballet (København/Aarhus 2014-15). Artiklens hovedspørgsmål er, hvordan de to stykkers insisteren på sandhed og virkelighed interagerer med æstetiske strategier, og hvordan brugen af sårbare krigsvidner påvirker vores forståelse af krig og mulighed for kritik.
Landskabet som iscenesætter
Authors: Fentz Christine
Published: November 2022

Landskabet som iscenesætter er et essay af Christine Fentz som omhandler Secret Hotels Vandrefore- stilling A WAY, Mols (2016). Under titlen ”Landscape Dialogues” undersøger Secret Hotel i disse år krydsfeltet mellem deltagerinddragende scenekunst og relationel kunst, bæredygtige tilgange, landskaber og interdisciplinære samarbejder. Vandreforestillingen A WAY blev skabt som en del af denne fortløbende undersøgelse i et samarbejde med den tyske instruktør og teaterpædagog Uta Plate.
Borgerdokumentet - et spørgsmål om autenticitet
Authors: Rousset Thomsen Barbara
Published: November 2022

Essayet Borgerdokumentet - et spørgsmål om autenticitet af Barbara Rousset Thomsen er skrevet på baggrund af observationer under prøverne til forestillingen Borgerdokumentet – et levende arkiv (2016) ved Aarhus Teaters Borgerscene i forbindelse med ’Festival på borgerscenen’. I alt medvirkede 30 borgere fordelt på fem forskellige instruktører. Essayets forfatter var assistent for den ene af instruktørerne, og alle observationer er foretaget på baggrund af dette arbejde med forestillingen, instruktøren og borgerne deri.
Likestilt dramaturgi – mot en heterogen estetisk modell
Authors: Larsen Wenche
Published: November 2022

I artiklen af Wenche Larsen: Likestilt dramaturgi. Mot en heterogen estetisk modell foreslås en heterogen dramaturgimodel baseret på tre handlingsbegreber: Aristoteles’ mythos, Erika Fischer- Lichtes performativitetsbegreb og Knut Ove Arntzens begreb ‘visuel dramaturgi’. Larsens tre dramaturgiske handlingsbegreber er baseret på verbale, visuelle og fysiske repræsentationsformer. Alle vil kunne være strukturerende i et værk, men ofte vil et fremstå som dominerende.
Dokumentarteater, hyperteater og hverdagseksperter – i norsk politisk teater – 1930-2017
Authors: Blekastad Watson Anna
Published: November 2022

Anna Watson ser i artiklen I Dokumentarteater, hyperteater og hverdags-eksperter – i norsk politisk teater – 1930-2017 på brugen af ikke-professionelle aktører og relationel æstetik i norsk politisk teater, med vægt på dokumentarisk teater i tre tidsperioder: 1930-tallet, 1970-tallet og 2010-tallet.
The Soft Animal of Your Body
Authors: Rosendal Nielsen Thomas
Published: November 2022

The Soft Animal of your body af Thomas Rosendal Nielsen er en samtale med performancekunstneren Mette Aakjær, leder af Wunderland. Samtalen omhandler eksperimenter med facilitering af “radical physical and sensory audience participation” (Wunderland, 2016).
Distance, nærvær, autenticitet og dosering
Authors: Hansen Holm Astrid
Published: November 2022

Distance, nærvær, autenticitet og dosering er en samtale mellem iscenesætter, Jon R. Skulberg og dramaturg Astrid Hansen Holm om arbejdet med Den 4. morgen - en forestilling om skabelse og genskabelse med tre personer i rollen som sig selv. Præsten Anne Mette Gravgaard, der har mistet en arm og et ben i en trafikulykke, transkønnede Malene Andreasen og kunstner Finn Adrian Jorkjen.
Teater Nordkraft
Authors: Krøgholt Ida
Published: November 2022

Anmeldelse af Sex in situ, Forestilling på Teater Nordkraft
Intermedial Performance and the vertical perspective
Authors: Christoffersen Erik Exe
Published: November 2022

Why Does Night Come Mother can be considered as a focus change or paradigm shift in relation to intermedial performing arts. The performance re-inscribes reality in the participatory process that takes place in the body of the consciousness of the spectator. At the same time the performance is a staged construction with an audience taking part. The performance destabilizes the balance of the spectator’s sense of vision.
Navigare – The Inauguration of Arken in 1996
Authors: Christoffersen Erik Exe
Published: November 2022

Navigare (1996) was specifically created for the inauguration of ARKEN - Museum of Modern Art as a ‘baptismal’act in the name of art in time and space.
Getting the world back - about working in Hotel Pro Forma’s gravitational fi eld
Authors: Søndergaard Morten , Orrù Anna Maria , Søndergaard Morten
Published: November 2022

Morten Søndergaard about working in Hotel Pro Forma’s gravitational field
* Forskydninger i repræsentation
Authors: Klint Wandahl Emma Sofie
Published: November 2022

This article seeks to facilitate an understanding, of how representational strategies of bodies produced as abnormal can operate within performance contexts. Informed by José Esteban Muñoz’ theory on disidentification and Robert McRuers theory on compulsory able-bodiedness the paper examines how the play Anatomi uses and can be read through the concept of disidentificationas a mode of relocating the contingency of identification possibilities.The strategy of the play offers a critical awareness that enables the audience to see more subtle subversions in stereotyped representation and therefore ultimately creates a context for norm criticism.
Scenekunst i Grønland
Authors: Burkal Ivan
Published: November 2022

Da de første grønlandske skuespillere vendte tilbage til Grønland fra Tuukkaq Teatret i Fjaltring i 1984 var forventningerne store. På trods af flere tiltag som teaterredegørelsen fra 1996 skulle man helt frem til 2010 inden den første lov blev vedtaget. Loven fastlægger rammerne for Grønlands Nationalteater og den tilhørende skuespilleruddannelse.When the first Greenlandic actors returned to Greenland from the Tuukkaq Theater in Fjaltring in 1984, expectations were great. Despite several initiatives such as the theatrical release from 1996, one had to go all the way up to 2010 before the first law was adopted. The Act lays down the framework for Greenland’s National Theater and the related actor education.
Teatervitenskap etter vendingen mot deltagelse – disiplinære skillelinjer for fall?
Authors: Berg Ine Therese
Published: November 2022

Publikumsdeltagelse gjør at skillet mellom teater og sosial hendelse viskes ut, noe som utfordrer teaterbegrepet som baserer seg på relasjonen mellom sal og scene. Med utgangspunkt i Erika Fischer-Lichte og Willmar Sauters performative og «event-orienterte» teaterbegrep ser denne artikkelen på hvordan fenomenet publikumsdeltagelse påvirker kunst- og teaterdiskursen i lys av vitenskapsteoretikeren Thomas F. Gieryns begrep «boundary-work».

Audience participation erases the boundary between theatre and social event and this challenges a concept of theatre based on the relationship between audience and performer. With Erika Fischer-Licthe and Willmar Sauters performative and «event oriented» theatre concepts as starting points, this article uses Thomas F. Gieryn’s concept “boundary work” to look at how the phenomena audience participation influences the art and theatre discourse.
Klasserommet som Agora – et reelt demokratisk rom?
Authors: Storsve Kristine , Rasmussen Bjørn , Gürgens Gjærum Rikke
Published: November 2022

I artikkelen undersøker vi hvorvidt en spesifikk dramapraksis kan bidra til å styrke klasserommets potensial som demokratisk arena. Diskusjonen knytter an til Rancières politiske estetikk, og begrepet om Agora i radikal pedagogisk forstand. Vi finner tegn på at fasilitert dramapraksis med grader av elevselvstyring i klasserommet kan re-etablere en læringskultur nært et ideal om klasserommet som «agora», og dermed bli en del av det reelle politiske demokrati.

In this article, we examine whether a specific drama practice can help strengthen the classroom’s potential as a democratic arena. The discussion relates to Rancière’s political aesthetics, and the concept of Agora in a radical educational sense. We find that facilitated drama practice with degrees of pupils’ self-management in the classroom can re-establish a learning culture close to an ideal of school and classroom as part of a real political democracy.
Dramaturgi som universitetsfag – revisited
Authors: Thygesen Mads , Rosendal Nielsen Thomas
Published: November 2022

Artiklen præsenterer en refleksion over udviklingen af dramaturgifaget ved Aarhus Universitet fra 1960erne til i dag på baggrund af en analyse af uddannelsens historiske studieordninger.
Dramaturgi som vitenskap?
Authors: Gladsø Svein
Published: November 2022

Artiklen diskuterer forskellige teorier fra Hugo Dinger til Janek Szatkowski, der har præsenteret programmer for dramaturgi som videnskab.
De dramaturgiske kompetencer uden for salen
Authors: Kofod Ludvigsen Lotte
Published: November 2022

Fra et praksisperspektiv som producent, anmelder og projektleder argumenterer dette essay for, at det er kombinationen af musikalsk muskulatur, kontraktskompetencer og produktionsdramaturgiske kompetencer, som gør dramaturger i stand til at arbejde effektivt som fundraisere og producenter på teatre og som udviklingskonsulenter i andre brancher.
Dramaturgier til husbehov
Authors: Bech Jensen Per Kap
Published: November 2022

Essayet omhandler dramaturg-rollen under global forvandling.
En dramaturgs bekendelser
Authors: Struck-Madsen Lene
Published: November 2022

Hvad er lighederne mellem en cowboy og en dramaturg? Hvordan flytter man 50 vilde heste fra fra A til B og hvem er det vi løber mod? Hvis teater først opstår når kunsten møder sit publikum, så er dramaturgens rolle essentiel for gennemførelsen af en forestilling. Alligevel er det kun få forestillinger, som krediterer en dramaturg. Hvorfor?
Gyldne øjeblikke
Authors: Hedemann Olsen Mette
Published: November 2022

Når man arbejder med teater med udviklingshæmmede, står man med et potentiale for at skabe et unikt, autentisk, kunstnerisk udtryk i den ene hånd og de mangeartede pædagogiske udfordringer i den anden. Der er mange faktorer, der skal spille sammen, for at resultatet bliver en helstøbt teateroplevelse.
When the Common Ground Seems Shattered
Authors: Charalambides Sarah
Published: November 2022

Surveying different modalities and contradictions inherent to conceptions of commonality and solidarity in the arts, this article explores how cultural producers can resist essentialist configurations of political identity and practise ‘commoning’ within post-Fordist neoliberal capitalism through the notion of partial relationality.
Nedslag i de tidlige danske kunstnergruppers kollektive identitet fra 1930-1957
Authors: Tang Kristensen Jens
Published: November 2022

Siden 1930erne og frem til 1950erne med stiftelsen af Situationistisk Internationale i 1957 har en række danske kunstnergrupper bevidst anvendt kollektivismen som en subversiv aktivistisk og kunstnerisk strategi i kampen mod kapitalisme, imperialisme og totalitarisme. I Danmark kan den kollektive strategi føres tilbage til stiftelsen af Corner-gruppen i 1932, om end reminiscenserne herfra kan følges helt frem til tiden efter 2. Verdenskrig.
From artist to artist-researcher *
Authors: Navndrup Black Laura
Published: November 2022

Presenting a personal account of some of the methodological considerations connected to making the shift from artist to artist researcher, this article asks: how does one create favourable conditions for valid moments of insight to occur in a practice that focuses on participatory choreographic practices involving children and young people? The article unpacks the tangled relationship between ‘practice’ and ‘research,’ and the author proposes the term practice-driven research to suggest an approach where the artistic practice is both the object, the method and the outcome of the research. Drawing parallels to decolonisation practices, the article highlights the importance of shared (re-)naming of central concepts. It is suggested that choreographic strategies that are less concerned with movement language, relying instead on expressive concepts and operating within the field of expanded choreography, may allow the participants to skip the translation of (culturally dependent) movement language and move more readily into a shared, open-ended artistic investigation.Disruption of current prevalent practice within both the social and the artistic field is identified as necessary in order to achieve success in works that span pedagogy, participation and performance (Bishop, 2012), and a practical example of such a disruption strategy based on the KUV project ‘It wont be the same here when it is no longer now’ (2017) is provided.
Theaetetus2 *
Authors: Richardt Strøbech Ralf
Published: November 2022

This article examines what constitutes knowledge in art, law, journalism, and more specifically in artistic research. Taking its formal departure in the famous Theaetetus-dialogue by Plato, the article employs three different approaches to examine conceptions of knowledge.

The first part, Knowledge is perception, examines narratives and imaginary qualities of key figures involved in huge money laundering scandals and other financial crimes in Denmark in 2018. The second part, Knowledge is true belief, elaborates on the concept of knowledge in art, law, and journalism through a series of abstracted dialogues-turned-monologues based on the material presented in the first part. It aims at a better understanding of how Facts, Truth, Time, Relevance, and Knowledge are conceptualized in the three disciplines. Finally, the third part, Knowledge is true belief with an account, elaborates on the core belief underpinning this artistic research project, using a dialogical form with footnotes. This core position is that knowledge in artistic research is based on the merging of knowledge and account, and functions through a specific type of extended discourse which, as conceptualized by Paul Ricoeur, is at once poetic and epistemologically productive imagination.
Knowledge Production in the Arts: History, Concept and Methodological Considerations *
Authors: Nelund Sidsel
Published: November 2022

Since the 1990s, the term knowledge production has been used to designate a set of artistic practices mainly within what would be termed critical art and theory, especially in a European and North American context. This article follows the concept of knowledge production from its inception in the twentieth century’s neoliberal economy into visual arts and practices of artistic, curatorial, and educational research. Recognizing that the term is applied in a widespread, divergent manner, the article proposes a definition of a methodological approach to studies of knowledge production in arts based on actual case studies. It also develops a thorough theorization of the workings of the concept of knowledge production as an apparatus.
AVATAR ME af Fix & Foxy, RE:LOCATIONS festival
Authors: Winkelhorn Kathrine
Published: November 2022

AVATAR ME spillede fra 26.04.2021 til 08.05.2021 som en del af festivalen RE:LOCATIONS, som er produceret af Wildtopia og præsenteres sammen med teaterpartnerne, Teater Nordkraft i Aalborg og Teater Viirus i Helsinki.
Boganmeldelse: PÅ! Begivenhedskultur fra selfie til scenekunst
Authors: Exe Christoffersen Erik
Published: November 2022

Michael Eigtved, 2021.PÅ! Begivenhedskultur fra selfie til scenekunst. Samfundslitteratur.
Interference and Freedom
Authors: Simonsen Barbara , Gade Nielsen Elisabeth
Published: November 2022

This is a collection of interviews with selected artists from the Connections residency programme (2017-2020), held, transcribed and edited by Barbara Simonsen and Elisabeth Gade Nielsen. The interviews revolve around artistic process, collaboration and creative freedom, and provide insight into how the framework of the residency (and its underlying concept of interference as a dramaturgical tool) feeds into the creative process.
Introduction to Peripeti and Serendipity
Authors: Christoffersen Erik Exe , Gregersen Annette , Kibsgaard Birthe
Published: November 2022

Peripeti 2 is about theatre laboratory tradition under the title of Why a Theatre Laboratory? It is in English and includes the programme of a three days’ international symposium from October 4th through 6th 2004. This is the first initiative taken by the Centre for Theatre Laboratory Studies (CTLS), a newly inaugurated centre under Aarhus University in cooperation with Nordisk Teaterlaboratorium. Peripeti include articles on Stanislavski, Meyerhold, Copeau, Decroux, Grotowski, Peter Brook, Théâtre du Soleil, and Odin Teatret and the theatre laboratory praxis of these masters and inventors, including, of course, reflections on their function and effect. In the last article, Eugenio Barba reflects on the creative process of Odin Teatret over the last 40 years. In addition, we also include the curriculum vitae on those participating in the symposium.
The occasion of the symposium is to celebrate the 40th anniversary in October 2004 of Nordisk Teaterlaboratorium/Odin Teatret. Congratulations.
What is a Theatre Laboratory?
Authors: Risum Janne
Published: November 2022

Why a Theatre Laboratory? It  includes the programme of a three days’ international symposium from October 4th through 6th 2004. This is the first initiative taken by the Centre for Theatre Laboratory Studies (CTLS), a newly inaugurated centre under Aarhus University in cooperation with Nordisk Teaterlaboratorium. Peripeti include articles on Stanislavski, Meyerhold, Copeau, Decroux, Grotowski, Peter Brook, Théâtre du Soleil, and Odin Teatret and the theatre laboratory praxis of these masters and inventors, including, of course, reflections on their function and effect. In the last article, Eugenio Barba reflects on the creative process of Odin Teatret over the last 40 years. In addition, we also include the curriculum vitae on those participating in the symposium.
The occasion of the symposium is to celebrate the 40th anniversary in October 2004 of Nordisk Teaterlaboratorium/Odin Teatret. Congratulations.
Vsevolod Meyerhold
Authors: Picon-Vallin Béatrice , Carre Claire
Published: November 2022

Why a Theatre Laboratory? It  includes the programme of a three days’ international symposium from October 4th through 6th 2004. This is the first initiative taken by the Centre for Theatre Laboratory Studies (CTLS), a newly inaugurated centre under Aarhus University in cooperation with Nordisk Teaterlaboratorium. Peripeti include articles on Stanislavski, Meyerhold, Copeau, Decroux, Grotowski, Peter Brook, Théâtre du Soleil, and Odin Teatret and the theatre laboratory praxis of these masters and inventors, including, of course, reflections on their function and effect. In the last article, Eugenio Barba reflects on the creative process of Odin Teatret over the last 40 years. In addition, we also include the curriculum vitae on those participating in the symposium.
The occasion of the symposium is to celebrate the 40th anniversary in October 2004 of Nordisk Teaterlaboratorium/Odin Teatret. Congratulations.
Jacques Copeau
Authors: Pavis Patrice
Published: November 2022

Why a Theatre Laboratory? It  includes the programme of a three days’ international symposium from October 4th through 6th 2004. This is the first initiative taken by the Centre for Theatre Laboratory Studies (CTLS), a newly inaugurated centre under Aarhus University in cooperation with Nordisk Teaterlaboratorium. Peripeti include articles on Stanislavski, Meyerhold, Copeau, Decroux, Grotowski, Peter Brook, Théâtre du Soleil, and Odin Teatret and the theatre laboratory praxis of these masters and inventors, including, of course, reflections on their function and effect. In the last article, Eugenio Barba reflects on the creative process of Odin Teatret over the last 40 years. In addition, we also include the curriculum vitae on those participating in the symposium.
The occasion of the symposium is to celebrate the 40th anniversary in October 2004 of Nordisk Teaterlaboratorium/Odin Teatret. Congratulations.
Children of Silence: Reflections on Forty Years of Odin Teatret
Authors: Barba Eugenio , Barba Judy
Published: November 2022

Why a Theatre Laboratory? It  includes the programme of a three days’ international symposium from October 4th through 6th 2004. This is the first initiative taken by the Centre for Theatre Laboratory Studies (CTLS), a newly inaugurated centre under Aarhus University in cooperation with Nordisk Teaterlaboratorium. Peripeti include articles on Stanislavski, Meyerhold, Copeau, Decroux, Grotowski, Peter Brook, Théâtre du Soleil, and Odin Teatret and the theatre laboratory praxis of these masters and inventors, including, of course, reflections on their function and effect. In the last article, Eugenio Barba reflects on the creative process of Odin Teatret over the last 40 years. In addition, we also include the curriculum vitae on those participating in the symposium.
The occasion of the symposium is to celebrate the 40th anniversary in October 2004 of Nordisk Teaterlaboratorium/Odin Teatret. Congratulations.
Iscenesættelse som tilsynebringelse
Authors: Seel Martin
Published: November 2022

In »Staging as appearing-making« (originally: »Inszenieren als Erscheinenlassen«, 2001) Seel presents an understanding of staging, including a compact definition of the concept, by which he demarcates it as a special aesthetic phenomenon that nevertheless is not reserved for the art or the theatre alone.
Remedierede iscenesættelser
Authors: Heinrich Falk
Published: November 2022

»Can or should we understand MMORPG as theatrical stagings?« Heinrich asks in the article »Remediated stagings.« With the virtual online worlds Second Life and World of Warcraft as examples Heinrich argues that such worlds should not
Teknologien som medspiller
Authors: Risgård Tranholm Mette
Published: November 2022

Under the heading »The technology as participant« Tranholm discusses the role of technology in The Wooster Group’s work with Hamlet (2007). She argues that the juxtaposition of the technological and the living sets off a critical reflection on the production of meaning and images in the performance
Glimrende grundbog
Authors: Langsted Jørn
Published: November 2022

En anmeldelse af Michael  Eigtveds Forestillingsanalyse  - på Rosinante 2003. Forfatteren beskriver grundbogen som en mangelvare og en god introduktion til emnet. Meget kompetent og overbliksskabende. Et kritisk forbehold overfor Eigtveds i hans øjne for snævre  teatralitetsbegreb.
I god Teatertro
Authors: Lauenstein Led Jens Christian
Published: November 2022

En anmeldelse af Tro på teater - Essays om religion og teater udgivelse nr. 3 i bogserien Religion i det 21. århundrede, Københavns Universitet, forlaget Multivers 2006. Bidragydere fra dels teatervidenskabsfolk , dels teologer. anmeldelsen mener ikke, at der bliver tale om nogen egentlig sammentænkning. Redaktør er Dr.phil. Bent Holm
Pretty Woman Walking Down The Street
Authors: Gade Solveig
Published: November 2022

I efteråret 2008 udspillede der sig en teaterforestilling i en container på Halmtorvet i København. Forestillingen udløste voldsom offentlig debat, og længe inden den officielle premieredato havde den udvidet sit sceneområde til medierne. Forestillingen hed Pretty Woman A/S, instruktørerne og konceptmagerne hed Tue Biering og Jeppe Kristensen, scenografen Christian Friedländer og skuepillerne Egill Pálsson, Anders Mossling og Nanna Bøttcher. Herudover spillede en håndfuld kvindelige prostituerede på skift med – og, kunne man tilføje, diverse politikere, socialarbejdere, tidligere prostituerede, teateranmeldere og – journalister, publikum og så alle os andre, der på den ene eller anden måde har været med tilat generere tekster, udsagn og rygter om forestillingen.
Lys og mørke
Authors: Christoffersen Erik Exe
Published: November 2022

Erik Exe Christoffersen skriver om dramaturgier i relation til Ur-Hamlet (2006) og Medeas bryllup (2008)
Værket: Reine Hexerei
Authors: Lauenstein Led Jens Christian
Published: November 2022

Artiklen gennemgår flere af Jürgen Gosch's opsætninger og beskriver, hvorledes deres form, som umiddelbart kunne ligne en variant af den distance, som tysk Regie-teater er så kendt for fra bl.a. Brecht, Müller og Castorf, viser sig at være hans særlige genvej til et relativt traditionelt nærvær. For at kunne fylde scenens rum mednærværende teater, må han først tømme det.
Postavantgarde & postmarxisme
Authors: Andersen Elin
Published: November 2022

Elin Andersens reflekterede og kritiske læsning af Henrik Kaare Nielsen og Karen-Margrethe Simonsens antologi: Æstetik og Politik - analyser af politiske potentialer i samtidskunsten (Klim 2008)
Mobile hjem
Authors: Christensen-Scheel Boel
Published: November 2022

At the turn of the millennium several contemporary performative practices displayed a specific thematic structure related to the sense of belonging and movement, to the tensions between the local and the global, the social and the material. Two of these practices are here presented as “mobile homes”, and their structure is discussed with help of performance theory, art theory and aesthetic philosophy – concepts such as ‘synaesthetics’, ‘performative paradox’, ‘succession’ and ‘neo-existentialism’ are suggested.
Redaktionelt forord
Authors: Redaktion Peripeti
Published: November 2022

Kunst- og teaterpædagogik er konsoliderede discipliner i de nordiske universitetsuddannelser indenfor kunst- og æstetikvidenskab. Dette nummers forskningsartikler undersøger kunstpædagogiske strategier, som lader sig forstyrre af nye kunstneriske udtryksformer, medier eller teorier, såvel som kunstformer, der lader sig forstyrre af kunstpædagogiske strategier med underliggende poetologiske temaer som autenticitet, realitet og fiktion.
Realitet på spill
Authors: Hustvedt Kjersti
Published: November 2022

Hustvedt analyses and discusses two different theatre pedagogical strategies for the staging of so called “everyday experts” and their reality; on the one hand a self-reflexive strategy where the everyday reality is staged as a construction, on the other hand an authenticity strategy where the staged reality is presented as documentation containing the potential for criticism. The two different strategies are presented as different ways of reconstructing and utilizing the boundary between education and art.
Manson - Det Kongelige Teater
Authors: Lehmann Niels
Published: November 2022

Uha, der er meget ude at gå i forestilingen Manson. Omdrejningspunktet er 60‘ernes kultfigur, Charles Manson, og det firedobbelte mord, som han og nogle af hans sektmedlemmer blev dømt for. Vi præsenteres for de begivenheder, der ledte frem til den bestialske gerning, for selve mordet og for den retssag, der fulgte efter. Og det er ikke småting, der hvirvles op undervejs. Forbløffende mange af den vestlige civilisations megatemaer tangeres – nogle meget eksplicit, andre mere implicit.
Kreative processer i "Art-based Research"
Authors: Gjærum Rikke Gürgens , Ramsdal Gro
Published: November 2022

Creative Processes in "Art-Based Research"This article describes an ethno-theatre production called Involuntary outsiders. This theatre production was based on ten research interviews with Norwegian drop outs from high school. Through the article the researchers will explore creative processes generated by the theatre production. They demonstrate how research and theatre become involved in a dialogue with each other. However they also contribute critical reflection concerning the dilemma of the creative researcher standing between the universe of research and the universe of art. The project is analyzed through performance etnography, representation critic, social psychology, identity theory and applied theatre.
Kollektiv kreativitet i forestillinger
Authors: Böhnisch Siemke
Published: November 2022

Collective Creativity in PerformancesThe potential for collective creativity entailed in a conspicuous audience style is examined in this article. In a constructivist approach the article focuses on the difference between inexperienced first-time spectators and the outer theatre frame as a cultural construct. This difference can trigger interruptions and instability. A paradox is seen in the fact that instability is decisive for creativity, but at the same time can be destructive and hard to handle. The article describes how specific interspaces are used in performances for very young audiences in order to make instability both possible and tolerable.
Den kreative proces på Odin Teatret
Authors: Christoffersen Erik Exe , Winkelhorn Kathrine
Published: November 2022

Interview med Eugenio Barba, Ursula Andkjær Olsen og Thomas Bredsdorff på Odin Teatret fredag d. 18. februar 2011 omkring processen bag Det kroniske liv.
Vort kroniske liv
Authors: Carreri Roberta
Published: November 2022

Roberat Carreri beretter om processen bag Odin Teatrets forestilling Det kroniske liv (premiere 12. september 2011).
Menneske-specifikt teater
Authors: Nielsen Thomas Rosendal
Published: November 2022

Essayet diskuterer et internationalt laboratorieprojekt på teatret Carte Blanche, Viborg, hvor deltagere fra Danmark, Spanien, Australien, Tyskland og Belgien udviklede nye strategier for at lave interaktivt teater med børn.
Spilleregler og benspænd
Authors: Christoffersen Erik Exe
Published: November 2022

Artiklen viser nogle eksempler på begrænsninger i den kunstneriske proces. De peger på forskellige mediale benspænd i forhold til form, gruppekultur, rum, bevægelse, improvisation og diskurs. På den baggrund diskuteres nogle principper, som er karakteriserende for benspænd: ubalance, modsætningernes sammenstød og overførsel af fremmedelementer fra et felt til et andet.
Odin Teatret: Det kroniske liv
Authors: Boyding Mia Mimi
Published: November 2022

Eksilteater og lidelsesscenarier med politisk brod
Husets Teater og Holland House: Den Gyldne Drage
Authors: Lehmann Niels
Published: November 2022

En flyvende drage: Æstetisk engagement mellem montagefest og samfundskritik
Max Herrmann og Lessingsyndromet
Authors: Risum Janne
Published: November 2022

In this article I take it upon myself to show that there are good reasons to distinguish between the theatre production as a prepared and structured work of art, and the theatre performance as a transitory presentation of it to spectators; and that there is consequently no reason to presume a general antagonism between the drama as a written work of art and the theatre performance as an event. I do so by primarily discussing the pioneering German theatre scholar Max Herrmann’s (1865-1942) views on both issues, and by also drawing in the views of Aristotle and Lessing. Accordingly I refute Erika Fischer-Lichte’s interpretation of Herrmann’s conception of the theatre performance as entirely corresponding to her own idea of the performative as transitory in her book from 2004, Ästhetik des Performativen (in English The Transformative Power of Performance: A New Aesthetics, 2008).
Den omnipotente krop og det forsvarsløse subjekt
Authors: Andersen Elin
Published: November 2022

The corporeality and the relation to the audience in the theatre are important subjects in the theory of performativity.The same is the case in Erika Fischer-Lichtes book Ästhetik des Performativen 2004. This article is a critical dialogue with Fischer-Lichte - concerning her opinion of embodiment körperlichheit and seeing in the theatre in her book. The article suggests that the body - in spite of its apparently greatness in her view - at the same time becomes a pawn in different power games: in the theatre it concerns the control of the body of the  performer, in the theory of science it deals with the corporeality versus the text as prevailing paradigm, in the esthetic it is a matter of the avant-garde in contrast to the tradition as a model. And finally: what happens to the subjectivity in this regime of the body?
Feedbacksløyfer og henvendthet
Authors: Böhnisch Siemke
Published: November 2022

This article reconsiders Fischer-Lichte’s concept of a so-called feedback loop in performances. In order to develop a systematical thesis that can be applied in performance analysis, Fischer-Lichte’s binary way of thinking is questioned. Actors’ and spectators’ mutual turning to the other is suggested to be decisive for the understanding of feedback loops. The differentiation of forms of turning to the other makes it possible to analyse differences between feedback loops, to connect these differences to genre conventions, and to acting and audience styles.
Person og rolle
Authors: Szatkowski Janek
Published: November 2022

This article presents an attempt to (re)construct a concept of performativity based on a systems theoreticalapproach. It is suggested that performativity could be understood as a way of observing the world with the help of the distinction “person” and “role”. Performativity thus describes how the communication betweenindividuals and groups establishes a structural coupling between the consciousness of the psychic system andcommunication in social systems. This also allows the concept of performativity to investigate how values are generated and used in everyday communication. In a discussion with the concept presented by Professor Erica Fischer-Lichte and by offering an alternative reading of the performance The Lips of Thomas by Mariana Abrahmovic it is suggested that a concept of performativity based on the distinction person/role prove to be more productive analytically.
Afbrydelsesstrategier
Authors: Christoffersen Erik Exe
Published: November 2022

The article discusses interruption as an artform, as a strategy and as traditions of discontinuity in theatre and performance art. The interruption creates a form of error in the work of art and in different media. This means that performative forms can be seen as projects of autenticity. Finaly the article claims that the interruption in work of art is a part of the eventness of the performance.
Signas Salò: affekt og non-etisk katastrofe
Authors: Skjoldager-Nielsen Kim , Schultz Laura Luise
Published: November 2022

Deploying the concepts of affect and catastrophe and drawing upon as well an audience survey as statements from the internet and various newspapers, as well as his own experience as an audience member, in this article, Kim Skjoldager-Nielsen unfolds a critical discussion on the learning potential of the performance 'Saló".
En helt konkret Jeppe
Authors: Rahr Knudsen Louise
Published: November 2022

Forfatteren belyser prøveforløbet på forestillingen 'Jeppe på Bjerget', Aarhus Teater 2012 med særligt fokus på instruktør Milan Peschels principper for iscenesættelse
Dansk teater 3.0
Authors: Rendix Mia
Published: November 2022

Forfatteren argumenterer, ud fra hhv. en æstetisk, demokratisk og kulturhistorisk funderet præmis, for at dansk teater har behov for at adoptere digitaliseringen som en naturlig del af teaterkunstens artistiske og publikumsmæssige satsning.
Og der blev ikke lys!
Authors: Petersen Mary Aniella
Published: November 2022

”Vi lever på et bjerg af lig og smerte,” konstaterede forfatteren Elfriede Jelinek i et interview tilbage i 1992. Netop dette syn på den menneskelige tilværelse driver bestandigt nobelpristageren fra 2004 til at bevæge sig ud i det menneskelige morads’ afkroge som eksempelvis fascisme, patriarkalske magtstrukturer, miljø- og medieforureningen, antisemitisme og kapitalismens sociale destruktion. I dette essay dykker Mary Aniella Petersen ned i Jelinek's umiskendelige dramaturgi kendetegnet ved betydningsforskydninger, refleksion og sproglig tæthed, med særligt fokus på stykket 'Kein Licht' om Fukushima-katastrofen.
Enjoy Poverty, Please
Authors: Kristensen Jeppe
Published: November 2022

The media play an important part in modern art that has to cope with a world ever more functionallydifferentiated while displaying its furthest parts ever more explicit through the media. This article analyzesRenzo Martens’ use of a double audience in the piece Enjoy Poverty, aiming to show how very specificaudience relations can play a part in incorporating the schism between closeness and distance. ThroughNiklas Luhmann’s systems theoretical considerations on the art system it is shown how Martens by chalkingjournalistic documentary in his performed interactions gives form to the schism by on one hand harshlycriticizing aid- and media systems unable to observe their surroundings in a proper manner, and on the otherhand being formed as a piece solely interested in being art.
Værker der virker
Authors: Schultz Laura Luise
Published: November 2022

I de seneste 20 år har vi i forlængelse af den performative vending set en veritabel splintring af værkbegrebet inden for de relationelle og interventionistiske kunstpraksisser. Laura Luise Schultz diskuterer værkbegrebets anvendelighed og udfordringer i forhold til disse aktuelle performative praksisser.
Marina Abramović: The Artist Is Present
Authors: Vestmø Tove
Published: November 2022

Tove Vestmø diskuterer energiudvekslingen mellem performer og publikum i Marina Abramovi´c: The Artist is Present (MoMA, New York, 2010) med afsæt i et interview med Abramovi´c selv.
Ubekymrethedens taktik
Authors: Koefoed Hansen Lone
Published: November 2022

The purpose of the paper is to understand the creative forces in two particular and peculiar workshops at IT conferences, where participants come together to use DIY materials like yarn, fuse beads and defunct toys to experiment with alternative ways of conceptualising technology. Drawing on anarchist Hakim Bey’s notion of Temporary Autonomous Zone as well as on an understanding of knitting as a critical practice, the paper analyses the forces at play in those workshops and argues that the unlikely clash of technologies, materials, event and participants opens up for unique creative forces that allows participants to re-think the future of high-tech.

I “Ubekymrethedens taktik: Om garn, it og flygtigt anarki” undersøger Lone Koefoed Hansen to DIY-workshops (Do-ityourself, eller gør-det-selv), som hun har deltaget i på IT-konferencer. Hun kaster dermed lys på begivenheder, hvor hverken materialer eller metoder er gængse i forhold til, hvad man er vant til på sådanne begivenheder. Gennem sin case fremhæver Koefoed Hansen det særegne i måden at performe verden på. Dels fordi materialerne og tilgangen er helt anderledes end, hvad man ‘normalt’ ser, og dels fordi denne workshoptype fungerer som en ‘midlertidig autonom zone’, hvor alternative virkeligheder og fremtider kan formuleres gennem kreativ handling, der benytter ubekymretheden som kreativ taktik.
Effect of catalyst composition on growth and crack defects of large diamond single crystal under high temperature and pressure
Authors: Xiao Hong-Yu , Li Yong , Bao Zhi-Gang , She Yan-Chao , Wang Ying , Li Shang-Sheng ,   School of Data Science, Tongren University, Tongren 554300, China,   Department of Mathematics and Physics, Luoyang Institute of Science and Technology, Luoyang 471023, China,   School of Materials Science and Engineering, Henan Polytechnic University, Jiaozuo 454000, China
Published: November 2022

Under the condition of 5.6 GPa and 1250–1450 ℃, the diamond single crystals are synthesized in a cubic anvil high-pressure and high-temperature apparatus. High-purity FeNiCo solvents or NiMnCo solvents are chosen as the catalysts. High-purity (99.99%) graphite powders selected as a carbon source. High-quality abrasive grade diamond single crystals with relatively developed (100) or (111) crystal planes are used as crystal seeds. The effects of catalyst composition on crack defects in diamond single crystals are studied carefully. Firstly, using FeNiCo and NiMnCo catalysts respectively, we carry out the diamond single crystal growth experiments. It is found that under the same crystal growth condition, the probability of crystal crack defects in diamond single crystals grown with FeNiCo catalyst is significantly higher than that of crystals grown with NiMnCo catalyst. We believe that this is related to the high viscosity, poor fluidity of FeNiCo catalyst melt, and the large specific surface area of the crystal during growth, which leads to its high requirements for the stability of growth conditions. Secondly, the relationship between the growth time and the limit weight gain speed of the diamond single crystal synthesized, respectively, by FeNiCo catalyst and NiMnCo catalyst are investigated. The results are shown below. 1) The limiting growth rate of diamond single crystal increases with the growth time going by. 2) In the same growth time, the limit growth rate of diamond crystal grown with NiMnCo catalyst is higher than that of diamond crystal grown with NiMnCo catalyst. Thirdly, by scanning electron microscopy (SEM), we calibrate the surface morphology of the synthesized diamond single crystal. The test results show that the diamond single crystal has a high surface flatness. Even for the crystals with crack defects in the interior, the surface flatness is still good. However, Fourier transform infrared (FTIR) measurements show that the nitrogen impurity content of diamond crystal grown by FeNiCo catalyst with crack defect is about 3.66×10–4. The content of nitrogen impurity in the crystal grown by NiMnCo catalyst without crack defect is about 4.88×10–4. The results show that there is no direct correlation between nitrogen impurity content and crack defects in diamond crystal.
CAGE21-1 Cruise Report: AKMA-AKER-GReAT
Authors: Bünz Stefan , Panieri Giuliana
Published: November 2022

The research expedition cruise CAGE21-1 is a major component of the project AKMA and it is organized under the helm of the Norwegian Centre of Excellence for Arctic Gas Hydrate, Environment and Climate, CAGE at UiT The Arctic University of Norway in Tromsø.
The cruise may be known as: CAGE21_1
Annual Report 2021
Authors: Andreassen Karin
Published: November 2022

CAGE investigates the natural release of the greenhouse gas methane from the Arctic seafloor. Vast amounts of methane are trapped at shallow depths below the seafloor as gas hydrates, ice-like mixtures of gas and water. Current warming makes these shallow Arctic greenhouse gas reservoirs particularly vulnerable to thawing. CAGE investigates the processes involved, how these affect the ecosystem, the ocean and the atmosphere, and implications for future climate and environment.
Incidence of acute respiratory symptoms and COVID-19 infection in children in public schools in Bogotá, Colombia, from July to November, 2020
Authors: Moreno-Montoya José , Benavides-Arias Diana , Pérez Luz Amparo , Ruiz Jennifer , García Deidamia , Osejo Iván , Ussa Edwin , Pino Camilo , De La Hoz Fernando Pío
Published: November 2022

Introduction: More than 90% of children infected with COVID-19 worldwide developed mild to moderate disease. In Colombia, during 2020, COVID-19 infections in children stayed below 9.2% of the total cases, with no trends for age group or sex.Objective: To estimate the incidence of acute respiratory symptoms and COVID-19 in children from public schools in Bogotá, Colombia during the second semester of 2020.Material and methods: A telephone survey was conducted in over 5,000 scholar children. Antecedents and use of health services were informed. Descriptive statistics were used.Results: A total of 151.470 persons per day accounting for an IR of 157,8 per 100,000 people; almost three times the rate reported by the official surveillance system in the city.Conclusion: A lack of diagnosis and consultation in children was found compared to the general population. Further research is needed to elucidate the true burden of the disease in children.
Efficacy and safety of four COVID-19 vaccines in preventing SARS-CoV-2 infection: A rapid review
Authors: Morón-Duarte Lina Sofía , Chacón Kelly Rocío , Gutiérrez María Paula , De La Hoz Ilich Herbert , Yomayusa Nancy
Published: November 2022

Introduction: Since the emergence of the SARS-CoV-2, there have been efforts to develop vaccines to control the COVID-19 pandemic.Objective: The present study assessed the efficacy and safety of the BNT162b2, mRNA-1273, ChAdOx1/AZD1222 and Gam-COVID-Vac rAd26-S/rAd5-S vaccines against theSARS-CoV-2.Materials and methods: We searched PubMed/MEDLINE, Google Scholar, Cochrane, and the WHO International Clinical Trials Registry Platform on March 15, 2021. The searchterms used were: “vaccine” OR “vaccination” AND “covid19” OR “coronavirus” OR “sarscov2” AND “bnt162b2” OR “chadox1-S” OR “azd1222” OR “sputnik” OR “Gam-COVID-Vac” OR“mrna” OR “mRNA-1273” . We measured the risk of bias of the studies and the quality of the evidence using GRADE profiles. A qualitative and quantitative analysis of the results of clinical trials is presented.Results: Of the 74 identified studies, 4 were finally included in this review. The efficacies of the BNT162b2, mRNA-1273, ChAdOx1/AZD1222 and Gam-COVID-VacrAd26-S/rAd5-S vaccines against symptomatic COVID-19 were 95,0% (CI95% 90,3-97,6), 94,1% (CI95% 89,3-96,8), 66,7% (CI95% 57,4-74,0), and 91,1% (CI95% 83,8-95,1), respectively. There was moderate certainty of the evidence due to serious indirectness, when we measured the risk of bias of the studies and the quality of the evidence using GRADE profile. The safety profiles were acceptable, and data on serious adverse events (summary RR=0,93; CI95% 0,77-1,12; p=0,16) and deaths from all causes (summary RR=0,70; CI95% 0,33-1,50; p=0,90) showed no significant differences.Conclusion: The results of this review support the level of evidence for the efficacy and safety of the COVID-19 vaccines analysed.