bluuebunny/crossref_metadata_2025 huggingface dataset:
Pengaruh Burnout Terhadap Turnover Intention pada Karyawan Bagian Weaving PT. Malakasari Textile
Authors: Ekawati Ratna , Hadianti Yesi Fitria
Published: May 2022

Tujuan_Penelitian ini bertujuan untuk mengetahui bagaimana kondisi Burnout dan Turnover Intention karyawan bagian weaving PT. Malakasari Textile dan untuk mengetahui seberapa besar Pengaruh Burnout terhadap Turnover Intention karyawan bagian weaving PT. Malakasari Textile.

Desain/Metode_Jenis penelitian yang digunakan adalah analisis deskriptif dan verifikatif, dengan teknik pengambilan sampel menggunakan teknik nonprobability sampling, sampling yang digunakan sampling aksidental yang merupakan teknik penentuansampel berdasarkan kebetulan ditemui dan cocok sebagai sumber data. Jumlah responden 59 dari 143 karyawan. Jenis data yang digunakan adalah data primer dan data sekunder dengan teknik pengumpulan data melaui wawancara, kusioner dan studi kepustakaan. Data yang diperoleh secara kuantitatif dengan menggunakan alat analisis berupa uji kualitas , uji validitas, uji reabilitas, uji statistik dan uji hipotesis

Temuan_Kondisi Burnout pada karyawan bagian weaving PT. Malakasari berada pada kategori ‘tinggi’ dan Turnover Intention ‘rendah’. Secara parsial pengaruh Burnout terhadap Turnover Intention berpengaruh positif dan signifikan Implikasi_untuk mengurangi turnover intention karyawan bagian weaving PT. Malakasari Textile ini semoga dapat membantu PT. Malakasari Textile untuk bahan evaluasi  perusahaan agar mampu bersaing dengan perusahaan lain terkait kebijakan-kebijakan yang dibuat oleh perusahaan terlebih yang berhubungan langsung mengenai burnout guna mengurangi turnover intention yang tidak diinginkan

Originalitas_ Penelitian mengenai pengaruh burnout terhadap turnover inention karyawan merupakan penelitian pertama yang dilakukan di PT. Malakasari Nisshinbo Denim Industry

Tipe Penelitian_Studi Empiris/Studi Literatur
Image of Corruptible Man
Authors: Beaver Rachel
Published: May 2022

This article offers a reading of Life of Anthony through the lens of gender performance theory and masculinity studies to uncover one fourth-century construction of the ideal Christian man. Through the use of literature contemporary to Athanasius, I argue that Athanasius combined bodily self-presentation with literary and intellectual self-presentation to construct the ideal Christian man and secure his own masculinity in the public eye. One way he achieved this was by creating a hagiographical version of Anthony on whom he could project his own ideological preferences concerning asceticism and masculinity. Athanasius' construction of the Arian as a cunning and feminine figure in his other writings and Anthony as a masculine figure who denounces Arianism effectively typifies fidelity to Nicene orthodoxy as a masculine trait and deviation from Nicene orthodoxy as feminine. This established Anthony as a beacon of masculine orthodoxy for others to emulate.
Draw the Circle Wide(r)
Authors: Ekklesia Dia Gloria
Published: May 2022

This paper interprets Genesis 1 and 2 (creation narrative) using a gender anthropological perspective as an attempt to show gender inclusiveness in Genesis 1 and 2 that embraces gender minorities. Starting from the awareness of the marginalization of gender minorities both inside and outside the church using the biblical text, this article emphasizes that the marginalization of gender minorities is not the main message of Genesis 1 and 2. This paper begins by discussing the context of marginalization of gender minorities using biblical texts to legitimize violence against minority gender identities or orientations. Then this article uses an inclusive gender interpretation of Genesis 1 and 2 to demonstrate an anthropological-based inclusive interpretation of gender injustice and gender justice.
Discipleship
Authors: Tamawiwy August Corneles
Published: May 2022

The future of the church does not depend on the younger generation, but the Lord Jesus Christ. This theological foundation leads the church—in this case GPIB—to a more effective and robust ministry for the Millennial generation through discipleship. This paper aims to show that without discipleship, every effort to reach Millennials to get involved in the church is efficient but has not been effective yet. Modifying worships and traditions to reach Millennials is a form of external transformation, while discipleship talks about internal transformation. Without internal transformation, efficient external transformation efforts have not been effective.
Balance of Risk in COVID-19 Reveals the Extreme Cost of False Positives
Authors: Lyons-Weiler James
Published: May 2022

COVID-19 public health responses, including lockdowns and diagnostic testing strategies, have had consequences. Economic costs (see the CHD paper in this issue) could reach $16 trillion dollars, 90% of the US annual GDP. While harm to small businesses, unemployment, worsening poverty, death from cancer, increased suicides, social isolation, and restriction of freedom all increase the perceived need for drastic responses from the top, flawed measures are costly. A diagnostic assay[1] of tests for COVID-19 depends for its validity on its sensitivity and specificity assessed in terms of the true positive rate (TPR), false positive rate (FPR), true negative rate (TNR), and false negative rate (FNR) of the assays. In this pandemic, Real Time — Polymerase Chain Reaction (RT-PCR) testing has been relied on for drastic top-down responses (as in shutting down the economy of whole nations or the entire world). Here I focus on false positive results where RT-PCR testing suggests many infections by SARS-CoV-2 where there are none. I show by mathematical modeling how reporting positive results of RT-PCR testing, ones known to be false in a measurable percentage of instances, is at least 40 times more impactful (in a detrimental way) than increasing or decreasing the number of tests conducted. To balance the risks of errors in diagnosis, false positive results must be minimized by validating nucleotide sequences and estimates of viremia to avoid flagging individuals as contagious when they are not.
Buying and Selling with the “Mark of the Beast”
Authors: Oller, Jr. John W.
Published: May 2022

The document appended here — an “International Application Published Under the Patent Cooperation Treaty (PCT)” — falls among the many “unprecedented” events witnessed during COVID-19. It was filed June 20, 2019 with the World Intellectual Property Organization (WIPO) under the PCT and its international publication date was March 26, 2020. Some have already scorned the idea that the document appended as the final entry to IJVTPR 1(2) is at least a partial fulfillment of an apocalyptic prophecy concerning the age-old conflict between good and evil. But it is as real and as relevant to COVID-19 as the vaccines that were envisioned and practically in production before SARS-CoV-2 infected the first human in Wuhan. Now, with the burden of the economic shut-down settling upon the people of the planet, the prospect of pandemics more deadly than COVID-19, has made many fearful enough to forfeit their free will to technocrats ready to manage them like robots. The patent applied for is about the buying and selling of “human necessities”. It would authorize the patent holder to use every manner of surveillance of an individual’s bodily states, actions, and thoughts to make the buying and selling of necessary products and services, contingent upon certain “work”, such as receiving or refusing to receive certain vaccines or meeting other requirements set by the patent holder.
Production of Carotenoids from Oil Palm Empty Fruit Bunches: Selection of Extraction Methods
Authors: Anshori Mustofa , Jafar R Muhamad , Lestari Dianika , Kresnowati Made Tri Ari Penia
Published: May 2022

Public awareness of the importance of natural food colorants is increasing. Carotenoids is one of the coloring agents which widely used for food applications to give yellow, orange, or red color in food products. Natural carotenoids can be produced by extraction from various sources, such as carrots and palm oil, or from algae and fungi. Oil Palm Empty Fruit Bunches (OPEFB) as the biomass waste of palm oil industry may still contain carotenoid residue and thereby extraction of OPEFB constitutes the crucial step in carotenoid production. The effects of solvent used for the extraction as well as the size of different parts of OPEFB on the obtained carotenoid were evaluated. The experiments were performed by soxhlet extractor using n-hexane, ethanol, and isopropyl alcohol solvents at the boiling points of each solvent. The ratio of OPEFB to the solvent is 1:60 (w/v) with the variations of the OPEFB size. The results showed that the optimum carotene concentration was obtained from extraction using n-hexane to 1 cm OPEFB spikelet.
Self-Healing of Cracks in Concrete using Bacillus cibi with Different Encapsulation Techniques
Authors: Orozco Christian , Urbino Ivan Jan A.
Published: May 2022

One of the main challenges related to concrete is the formation of cracks, which can greatly diminish its strength and decrease its service life. Repair costs to mitigate these cracks can be high. This study investigated the use of Bacillus cibi to produce a self-healing bio-concrete capable of repairing cracks by itself through microbial activity. Bacteria were introduced into concrete by direct incorporation and encapsulating it in lightweight aggregates (LWA) and diatomaceous earth (DE). Samples of concrete cylinders were tested to quantify crack healing, compressive strength, and water permeability. The results showed that bio-concrete prepared with the LWA encapsulation method was able heal the largest crack width at 0.541 mm after 35 days of wet-dry cycle. Bio-concrete produced from bacteria with no encapsulation exhibited significant enhancement in 28-day compressive strength (57.28 MPa) compared to normal concrete (54.78 MPa) and produced the highest hydraulic conductivity recovery at 85.04% after 35 days of healing. The XRD analysis showed that the bacteria did not cause any major changes to the concrete.
Fundamentalism, Produced
Authors: Johnson Jake
Published: May 2022

This chapter investigates a 1994 production of The Sound of Music put on by a fundamentalist religious community in rural Arizona known as the FLDS. In this production, the familiar musical is adapted to reflect polygamous values and experiences. A home video and published memoirs suggest this production was designed out of a mediated relationship with musicals. Songs and scenes from other film musicals are exchanged in an act of bricolage to craft a particular story of polygamy’s place in America. This production captures the community in the halcyon days just prior to the assent of its now incarcerated prophet Warren Jeffs. This chapter shows how musicals enact a playful relationship with the past to claim belonging in America.
Eugene England
Authors: Haglund Kristine L.
Published: May 2022

A biographical sketch introduces the people and events that shaped England’s work and thought. England spent his young boyhood on a farm in Downey, Idaho. His capacity for friendship and the sheer number of people who felt close to him suggest the deep charisma that underlay his thought. His undergraduate years at the University of Utah and his relationship with Lowell Bennion mark the beginnings of his public thinking about Mormonism. He earned a PhD in English at Stanford, while trying to reconcile his conservative religious and liberal political convictions. He was particularly troubled by the LDS church’s racist policy of withholding priesthood from Black men. Most of England’s career was spent teaching at Brigham Young University, where he was popular with students, but clashed with university administrators and LDS church officials. England’s work exemplifies an important engagement of Mormon theology with liberal Christian thought.
Introduction
Authors: Madrid Alejandro L.
Published: May 2022

This chapter lays out the goals of the book and explains the process of researching and writing it in relation to current topics in biography theory that challenge traditional biographical narratives (especially notions like teleology and scientific research in the humanities). One of the central concerns in this chapter is the affective relationship between biographer and “biographee” in order to question the conventional notions that biographies are “objective” narratives. Instead, this chapter proposes that the biographer’s mediation of archival and ethnographic sources always results in a subjective interpretation of those materials.
Tonic
Authors: Madrid Alejandro L.
Published: May 2022

Using the musical metaphor of tonic as home, this chapter provides an account of Tania León’s childhood in Cuba. It provides novel information about the composer’s musical training on the island as well as her involvement with experimental avant-garde and modernist artistic projects during the first decade of the Cuban revolution. The chapter also provides a glimpse into everyday life after the triumph of the revolution and its positive and negative impact among regular Cuban citizens, especially black individuals. Finally, the chapter provides an entry into the way Cold War policies in Cuba and the United States affected everyday Cubans.
Syncopation and Color
Authors: Madrid Alejandro L.
Published: May 2022

Using the musical metaphor of syncopation and color, this chapter explores León’s experience of blackness in Cuba before and after the revolution, her reticence to be labeled an “Afro-Cuban” or “African American composer,” her rejection of identity politics, and her participation in networks of African American and Latinx expressive culture in the United States—including Dance Theatre of Harlem, Alvin Ailey Dance Theater, and INTAR. The chapter shows the complex ways in which contradictory experiences of race and racism were essential for León to make sense of her new life in the United States and find a personal artistic voice.
Epilogue
Authors: Madrid Alejandro L.
Published: May 2022

The epilogue takes a look at the New York Philharmonic’s premiere of Stride—the title of which is borrowed for this book—in order to move away from the polemics explored in Chapter 6 and return to León’s actual work. Returning to Stride and the idea of León’s personal stride, summons the presence of León’s grandmother and Susan B. Anthony, women whose personal and political struggle—to lift her family from poverty and to pass the amendment that would allow women to vote—were the inspiration for this composition. The story of how Stride came about is in a way the story of Tania León’s stride in life
Des Femmes Avec Du Caractère
Authors: Black Rachel E.
Published: May 2022

This chapter looks at the gendered division of labor in the bouchon, a typical Lyonnais restaurant, while investigating how women’s cooking lends legitimacy and authenticity to these historic establishments. Bouchon food is considered cuisine des mères, deeply tied to women’s domestic culinary traditions. In the context of the bouchon kitchen, women find ways to create value around their labor. In this chapter, the connections between productive and reproductive labor are brought to light in order to challenge stereotypes about who cooks in a restaurant. The presence of tourists allows women to define Lyonnais cuisine through their cooking and storytelling.
Apprentie
Authors: Black Rachel E.
Published: May 2022

This chapter investigates the inherent gender biases in culinary schools and apprenticeship through the author’s personal experiences and that of the winners of the Eugénie Brazier Fellowship. This chapter looks at these young women’s motivations for choosing to become chefs, their experiences at culinary school and during their apprenticeships in order to understand the ways in which these young cooks navigate gender norms and inequality during their culinary training. The author analyses the gendered nature of both professionally training and apprenticeship in order to reveal the structural nature of gender inequality in the culinary arts.
Beyond Bloomers
Authors: Rabinovitch-Fox Einav
Published: May 2022

The introduction outlines the intricate relationship of fashion and feminism in the long twentieth century. Beginning from a discussion of the nineteenth-century bloomer costume and its influence on understandings of feminism, it challenges the myth that feminism and fashion are antithetical by pointing to the various ways in which women sought to make themselves fashionable. It centers fashion as an important site of feminist practice, making the case for why clothing is an essential part of the feminist struggle and ideology. The introduction makes the case for the inclusion of fashion and consumer culture in the scholarship on U.S. feminism, arguing it complicates and expands narratives and periodization, most significantly the waves metaphor. It also offers important definition to terms like “fashion,” “style,” and “feminism.”
Designing Power
Authors: Rabinovitch-Fox Einav
Published: May 2022

The chapter focuses on female fashion designers and their professional organizations--the Fashion Group and NAFAD--and how they contributed to the mainstreaming of feminism in the popular media in the interwar period and afterward. Despite the hardships of the Great Depression and restrictions on design and materials during World War II, these designers and cultural trendsetters promoted new feminist aesthetics in the form of sportswear that became associated not only with the economic independent, physically mobile, modern woman, but also with the idea of Americanism. Aided by Hollywood, the commercial success of sportswear made fashion an important realm where feminist ideas continued to thrive by offering a route for empowerment and influence.
This Is What a Feminist Looks Like
Authors: Rabinovitch-Fox Einav
Published: May 2022

This chapter traces how fashion and beauty culture became central to feminist politics in the 1960s and 1970s. It examines the various approaches among feminists and their debates regarding the role of fashion in the movement and in promoting feminist causes, thus complicating the myth that all feminists in this period were angry, masculine-looking, radical bra burners. Whether they rejected beauty culture, wore minis, or adopted unisex styles, feminists and the women who supported them turned fashion into an important facet of how “the personal is political.” By exploring the influence of feminist icons such as Gloria Steinem and Angela Davis, as well as feminist critiques on the commercialization of women’s bodies, the chapter reveals the possibilities and limits that fashion offered feminism in this period.
The Fashionable Legacies of American Feminism
Authors: Rabinovitch-Fox Einav
Published: May 2022

The epilogue locates the recent revival of fashionable feminist resistance within the larger trajectory of the fashionable legacies of feminism that the book covers, discussing what are the implications of this revised history to contemporary politics. By situating Girlie feminists, female politicians, and pussyhats as part of feminism’s long history of fashionable politics, the epilogue highlights the importance of fashion to understanding feminism’s past, as well as offers a framework for action.
“Sweet Lundus , for Massa to Dream”
Authors: Sandroni Carlos
Published: May 2022

This chapter introduces and discusses lundu and modinha, two genres of urban song with guitar or piano accompaniment, first documented in the late eighteenth century in Portugal, where they were associated particularly with the activities, in Lisbon, of the Brazilian poet Domingos Caldas Barbosa. Found in Brazil throughout the nineteenth century in the printed music for piano and voice, lundu and modinha are considered historically antecedent to the popular music recorded in the nation starting in the early twentieth century. In particular, lundu has commonly been seen in the historiography as a precursor of samba, and as the first Afro-Brazilian-inspired musical genre to gain the interest and acceptance of wider society. This chapter introduces and discusses lundu and modinha, two genres of urban song with guitar or piano accompaniment, first documented in the late eighteenth century in Portugal, where they were associated particularly with the activities, in Lisbon, of the Brazilian poet Domingos Caldas Barbosa. Found in Brazil throughout the nineteenth century in the printed music for piano and voice, lundu and modinha are considered historically antecedent to the popular music recorded in the nation starting in the early twentieth century. In particular, lundu has commonly been seen in the historiography as a precursor of samba, and as the first Afro-Brazilian-inspired musical genre to gain the interest and acceptance of wider society.
Of Birds and Commodities
Authors: Sandroni Carlos
Published: May 2022

This chapter discusses the emergence of samba as a type of commercial popular music whose musical units are songs that can be put on record and composed by authors legally recognized and eventually financially compensated as such. Up until the success of “Pelo telefone,” people associated with samba had not been concerned with documenting authorship, for the genre was not part of the world of professional popular music. Starting in the late 1910s, the increasing success of samba as a commercial genre of popular music transformed the relationships among its practitioners—including, for instance, sambistas such as Heitor dos Prazeres, professional composers such as Sinhô and Noel Rosa, and professional singers such as Francisco Alves. These transformations occurred at the same time as the transition from the old to the new style of samba.
From Malandro to Composer
Authors: Sandroni Carlos
Published: May 2022

This chapter deals with the link between the new style of samba and a Brazilian popular culture figure, the malandro (hustler). The word malandro was used in Brazil in a variety of contexts to refer to people who made their living by engaging in activities that were at the fringes of legality or predominant notions of morality. At this moment of transition to the new style of samba, the idea that its representatives were malandros was widespread in popular culture. This chapter proposes an interpretation of the relationship between samba and malandros by analyzing samba lyrics of the period, including the work of Sinhô, Ismael Silva, Bide, Noel Rosa, and Heitor dos Prazeres. The romanticizing of the malandro way of life is seen as part of a professionalizing strategy employed by sambistas.
A Respectable Spell
Authors: Sandroni Carlos
Published: May 2022

This chapter reexamines the topic of the professionalization of samba by discussing the lyrics of samba songs by Noel Rosa, the most important professional composer in Brazilian popular music during the first half of the 1930s. Special attention is paid to the samba song “Feitiço da Vila” (“The Vila Spell,” Vadico-Rosa), from whose lyrics the title of this book and this chapter were taken. In response to a younger composer, Wilson Batista, who had glorified the proud exhibition of samba’s provocations in society, Rosa compares samba to a musical spell that fools its listeners by avoiding the exhibition of its visible surface signs, and is thus better able to win them over. In the proposed reading, the conversion of the signs of the malandro and of the spell into musical signs helps to consummate the transformation of the malandro sambista into a sambista composer.
Conclusion
Authors: Sandroni Carlos
Published: May 2022

The conclusion reviews the main points made in this work. First, a review of different interpretations of samba’s history sheds new light on firsthand accounts given by samba pioneers. Second, an analysis of commercial samba recordings made in Rio de Janeiro between 1917 and 1933 permits a better understanding of the stylistic change that took place during this period. Third, the aforementioned stylistic change was situated within the historical context of Brazilian popular music and put into dialogue with antecedent musical genres, such as lundu. Finally, although previous studies on samba have bemoaned the genre’s “whitening,” this analysis on its stylistic change suggests, to the contrary, a musical Africanization of samba in the period under consideration.
Ecoperformativity
Authors: McDowell John Holmes
Published: May 2022

In this chapter, John McDowell proposes ecoperformativity as an explanatory model for how expressive culture functions in settings of ecological debate and conflict. He analyzes the referential and performative dimensions of traditional ecological knowledge (TEK) among Indigenous populations of the Otavalo region of Ecuador and Colombia’s Sibundoy Valley, demonstrating that TEK speech acts ground human communities and empower them to take action to defend their relationships with each other and with nonhuman others. Attending to dimensions that render performances of ecological knowledge effective and that move people to action, McDowell makes a strong argument for recognizing expressive culture as a vital tool for both resisting and negotiating environmental change.
Ecopoetics of Place
Authors: Dibaba Assefa Tefera
Published: May 2022

Dibaba analyzes songs and personal experience narratives of suffering and loss due to a history of territorial expropriation, environmental devastation, and the social exclusion of the Oromo people from their homeland. He argues that Finfinne, now known as Addis Ababa, the capital of Ethiopia, is a broken place, ravaged by war, famine, and pollution. Dibaba highlights the ways the Oromo understand their ecological reality and use expressive culture to sustain their emotional resilience. Recognizing that attachments to place involve memories and practices of human sociality as well as human-nonhuman experiences, he argues that reclaiming a broken place involves a form of socioecological rescue that heals and stewards both the land and the people, and he appeals to folklorists to study expressive culture in relation to environmental and social justice.
“The Sound of Freedom”
Authors: Pedelty Mark
Published: May 2022

Mark Pedelty introduces activist projects designed to raise awareness about the harmful impacts of noise pollution on the local ecosystem in the Salish Sea region of Western Washington State and British Columbia. The projects emerged out of a human conflict over the meanings of the sounds created by the increasing number of jet exercises at the Whitby Island naval training grounds. Pedelty’s analysis of changes to the soundscape and peoples’ responses to them draws upon concepts in semiotic ecology, including the idea of sound waves as signifiers. Based on the ideas that hearing is a function of ideology and that sounds articulate values to listeners, Pedelty illustrates the ways music and expressive cultures can be deployed to intervene and to adjudicate such conflicts.
Afterword
Authors: Brondizio Eduardo S.
Published: May 2022

Eduardo Brondizio draws on his experience with international efforts to address climate change in locating Performing Environmentalisms as a timely contribution to a holistic approach to environmental issues. Brondizio discovers in the essays in this book ample promise for a more inclusive, and effective, approach to this defining moment in the Anthropocene. Taking note of the ways human beings have impacted the planet, Brondizio credits Performing Environmentalisms with drawing attention to cultural, philosophical, artistic, and spiritual dimensions in our relationship to nature. He argues that Performing Environmentalisms makes a strong case for recognizing the role of performance and expressive culture in “mobilizing and motivating change,” and indeed, in offering hope to people and communities in the grip of environmental trauma.
Introduction
Authors: Blevins Brooks
Published: May 2022

A fancy banquet hall in a swanky hotel seems an unlikely venue to kick off the first regionwide folk festival in the Ozarks—unless, that is, none of the folk are actually there. When festival organizers and local dignitaries gathered in the Crystal Room of Springfield’s Kentwood Arms on the evening of April 16, 1934, there were no overall-clad fiddlers, no basket weavers with tobacco-stained beards, nairy a bonnet or snuff stick on a woman in sight. No one in the Crystal Room looked like they were standing beneath a chandelier for the first time....
Living off the Land
Authors: Blevins Brooks
Published: May 2022

Chapter 2 examines farm life and the farm economy in the Ozarks in the half century preceding the Great Depression. It highlights a surprisingly diverse agricultural landscape in the region, with different subregions depending upon a variety of “cash crops,” from cotton and tobacco to wheat and apples. Though the chapter challenges views of a monolithic Ozarks devoted to subsistence and survival, it also portrays a region with significant economic diversity and deep geographical divisions dictating prosperity or poverty.
Industry and Image
Authors: Blevins Brooks
Published: May 2022

Chapter 3 chronicles the region’s major industrial activity of the half century preceding the Great Depression. This consists primarily of discussions of extractive industries such as timber/lumber and mining. In both instances this chapter picks up where the final chapter of volume 2 of this trilogy left off, roughly the late 1880s. It follows the timber industry through its peak years in the early nineteenth century through its demise in the post-World War I era and charts the lucrative but environmentally destructive zinc- and lead-mining industries in their two major locations on opposite sides of the Ozarks. The chapter also looks at topics such as labor organizing and politics.
Ozarks Society
Authors: Blevins Brooks
Published: May 2022

Chapter 4 analyzes life in the Ozarks in the half century before the Great Depression through a number of lenses: race, class, religion, gender, and education. Though the region was home to very small numbers of African Americans and Native Americans, both played important roles in certain locales. The region also experienced the same kinds of racist violence that plagued many other parts of the nation in the years sandwiching the turn of the twentieth century. While the Ozarks remained a solidly Protestant region, immigration and industry gradually introduced religious diversity, and the region played a central role in one of the early twentieth century’s key religious stories, the rise of Pentecostalism.
Farm to Factory
Authors: Blevins Brooks
Published: May 2022

Chapter 7 provides a look behind the scenes of a post-World War II Ozarks. In the postwar years the region joined many other rural areas of the nation in a mad rush to attract factories, a rush aided by the demise of the family farm and a large surplus labor supply. Many other Ozarkers took to the highways as migrant agricultural workers. Meanwhile, those who stayed on the farm turned to cattle and poultry as the primary agricultural commodities. The processing of the latter exercised great demographic and cultural changes for parts of the region beginning in the 1990s.
All This Talk about Freedom
Authors: Contreras Ayana
Published: May 2022

Playwright-singer-activist Oscar Brown Jr. believed in not giving up on young people that society had given up on, so when a group of young gang-affiliated youths began loitering in front of a theater where his play was running, rather than call for police intervention, he built a revue around their talent. Meanwhile, on the other side of town, the Conservative Vice Lords, who had rechristened themselves as a street organization, rather than a gang, were concentrating on enterprising hustles that married culture and entrepreneurship, even partnering with Sears & Roebuck and purchasing a Tastee-Freez franchise.
It’s a Tom Tom, Part 1
Authors: Contreras Ayana
Published: May 2022

Black southerners brought barbecue and blues music with them in the Great Migration from the South. Those two pieces of cultural capital turned into immensely profitable, scalable enterprises in Black Chicago that both even sparked a few dynasties. In fact, one successful barbecue pit master even paid for blues singer Garland Green to attend a conservatory, something he saw as just another good investment.
The Coiling Feedback Loop of Time
Authors: Contreras Ayana
Published: May 2022

In some tangible ways, artists are the keepers (or perhaps the documenters) of the culture around them. But their art itself also becomes a part of that culture. The latest generations of artists in Black Chicago are clearly invested in reflecting the community around them, and some are even interested in trying to erect new cultural institutions, even as the institutions borne in an earlier Black Arts Movement have begun to falter.
Introduction
Authors: Schreffler Gibb
Published: May 2022

This introduction to the drum, dhol, and its professional players, dholis, observes a paradox: while dhol resounds throughout the global Punjabi community and beyond, the dholis are experiencing a perceived decline. Their long-standing economic hardships as low-status social actors are secondary to a more recent demoralization rooted in the loss of identity and recognition. The chapter problematizes modern constructs of “Punjab” and “Punjabi music,” to see both how they contribute to a broadly conceived Punjabi identity and how their configuration challenges one’s ability to see dholis and their traditions on their own terms. The conflict is one of national identity operating in neglect of society’s marginalized members’ identities, while simultaneously drawing upon the creations of those members—the dholis—for its conceptual coherence.
Asking Rude Questions
Authors: Schreffler Gibb
Published: May 2022

Each ethnic and local community to which dholis belonged had its unique path for dhol playing, served different local markets, and supplied different kinds of services according to idiosyncratic methods. This chapter introduces each group and representative individuals. These expositions form the book’s core contribution to general knowledge about people who are usually invisible in discourse about Punjab. The data illuminate the lifestyles and attitudes that exemplify membership in different dholi communities. The ethnographic profiles emphasize dialectics of insider and outsider representation and the high level of differentiation each community makes between itself and others.
Becoming and Being a Dholi
Authors: Schreffler Gibb
Published: May 2022

This chapter turns away from dholis’ identities as ethnic group members to see the unifying and (other) dividing traits within their occupational group. Enculturation into particular ways of becoming and being a professional, including participating in a master-and-disciple relationship, is key to what sets off “dholis” as a class distinct from laypeople who play dhol (“dhol players”). The discussion then returns to parsing the professional dhol-playing body to make visible the subtler ways that dholis mark their identities at both ethnic group and individual levels. Choices in aesthetics, methods and materials of constructing instruments, playing technique, knowledge transmission, and repertoire, along with beliefs of what it means to play dhol, are among the ways they realize explicit and implicit boundaries.
Introduction
Authors: Scott Kimberly A.
Published: May 2022

The historical context in which COMPUGIRLS appeared is deliberated, including a general and critical review of the first decade of the new century. Specific attention is paid to how girl-centered programs missed raced-gendered-ethnic identities. The importance of technological advances and their connections to reinforcing biased notions of technological potential is also analyzed. As a foundational chapter, the author’s personal and professional background is explored, as it influenced her conceptualization of COMPUGIRLS.
This Isn’t Like School
Authors: Scott Kimberly A.
Published: May 2022

Success in COMPUGIRLS assumes a definition not generally explored in girl-centered technology programs. Girls’ narratives in this chapter texturize commonly held images of disengagement and disenfranchisement. The complex intersecting identities that participants co-construct illuminate how programs such as COMPUGIRLS facilitate or oppose social institutions’ labels of groups.
A Bibliographic Essay
Authors: Austin Michael
Published: May 2022

The Bibliographical Essay outlines and briefly summarizes all of Fisher’s primary works and significant secondary works. Fisher’s 37 books are divided into regional fiction, Western Americana, Testament of Man series, and other fiction and nonfiction that does not fit one of the three categories. The essay also catalogs Fisher’s short fiction, poetry, occasional writings, drama, and newspaper columns, and it points to major archives of Fisher’s letters and unpublished works. Secondary works considered include three comprehensive bibliographies, all known books of which Fisher is the subject, and selected articles and book chapters of interest to those studying Fisher in a Mormon context.
Death of Democracy, North Carolina
Authors: Gustafson Kristin L.
Published: May 2022

This chapter shows how Josephus Daniels used the Raleigh News & Observer to spread white supremacist Democratic Party propaganda in the North Carolina election of 1898 and foment the Wilmington Massacre. The propaganda demonized Black men as unfit for suffrage and elective office and as sexual predators of white women, a strategy meant to disrupt the state’s fragile, bi-racial Fusionist government. Alexander L. Manly, editor of the Black Wilmington Daily Record, fought back with a blistering editorial exposing white hypocrisy, which the Democrats weaponized against him and the Fusionists. The immediate results: the killing and exile of untold numbers of African Americans from Wilmington, the destruction of a fighting Black press, the overthrow of democratic institutions and norms, the erection of white supremacy, and Black disfranchisement.
Silencing a Generation
Authors: Kelley Blair LM
Published: May 2022

This chapter takes readers inside the world of southern Black journalism after the rise of Jim Crow, when hundreds of editors and writers persisted across the region despite the constant threat of white supremacist violence and lynching. This last chapter circles back to Georgia and tells the story of J. Max Barber, editor of The Voice of the Negro, a journal based in Atlanta that challenged the accommodationist views of Booker T. Washington. Barber’s account of race riots in the city in 1906 – particularly his debunking of white newspaper reports accusing Black men of rape – incurred the wrath of white politicians and the white press. Kelley documents the successful campaign to silence the Voice of the Negro and force its editor into exile.
The Birth of the Angelic Choir
Authors: Marovich Robert M.
Published: May 2022

Chapter 3 opens with Reverend Lawrence Roberts being named pastor of the First Baptist Church of Nutley. Church membership having dwindled to almost nothing, Lawrence and Bootsy set about turning the ship around. They recharged the church’s music ministry by inviting Lawrence’s Voices of Faith community choir to sing periodically for Sunday services. The Voices of Faith soon became First Baptist’s main choir. A brief explanation of the significance of a gospel choir in African American Baptist churches is presented for readers unfamiliar with the practice. When in 1961 the Voices of Faith cut their first album for Savoy Records, the ensemble was rechristened the Angelic Choir.
The Performativity of “Peace Be Still”
Authors: Marovich Robert M.
Published: May 2022

Chapter 8 interprets the meaning of the album’s title track. The book’s hypothesis was that the bombing of the Sixteenth Street Baptist Church in Birmingham, Alabama, which occurred four days prior to the recording session, influenced the haunting performance of the song. Yet neither Cleveland nor Roberts nor the Angelic Choir intended their performance to be a response to the bombing. Indeed, if one wished to find instances of discrimination and violence against African Americans, they need look no further than the Newark area. “Peace Be Still” articulates not so much a protest trope in the traditional sense as coded statements of resistance and resilience. However, in the years since, other artists, including Cleveland himself, have incorporated unambiguous social commentary into their presentation of the song.
The Release of Peace Be Still
Authors: Marovich Robert M.
Published: May 2022

Chapter 9 explores the critical and commercial success of Peace Be Still and the two-part 45-rpm single of the title track. The records were not marketed aggressively in the trade press but instead through the tried-and-true channels of radio airplay, live programs, and word of mouth. Further, Peace Be Still relied almost exclusively on the African American community for sales. To promote Peace Be Still and raise the money to complete construction of the church, the Angelic Choir toured nationally and appeared on television. The chapter also includes a biography of the album cover’s enigmatic artist, Harvey Williams.
I Stood on the Banks of Jordan
Authors: Marovich Robert M.
Published: May 2022

With First Baptist Church under construction and fears that Trinity Temple could not hold the larger crowd expected to turn out, Roberts secured St. John’s Baptist Church in Scotch Plains, New Jersey, to record volume 4, I Stood on the Banks of Jordan. For all of the popularity of Peace Be Still, it was volume 4 that earned the troupe its first Grammy nomination. This chapter chronicles the grand opening of the First Baptist Church and the impact the recordings had on the lives of Angelic Choir personnel and church membership and visibility. The chapter concludes by demonstrating how the success of the Cleveland-Angelic Choir disks stimulated a live recording frenzy for Savoy and its competitors, a practice that dominates the industry today.
Being Human as Praxis
Authors: Carter Christopher
Published: May 2022

How might a renewed understanding of what it means to practice being human shape the development of anti-oppressive foodways and agricultural practices? The aim of this chapter is to answer this question by constructing a decolonial theological anthropology for Christians that countervails the tacit, but dominant understanding of the human person that places whiteness and maleness as pinnacles of Creation and justifies the animalization of Black bodies and exploitation of nonhuman nature. The theological anthropology outlined attempts to equip Christians with the necessary theological scaffolding to reimagine the God-human encounter through a renewed understanding of self-love, solidarity, and holistic interdependence. These three principles serve as guideposts for the development of decolonial foodways, agricultural practices, and socio-economic commitments that aim to attend to the immediate suffering of Black communities and promote the long-term flourishing of those selfsame communities.
Conclusion
Authors: Carter Christopher
Published: May 2022

This chapter provides a review of the key arguments made within each chapter throughout the book and further explains how colonialism and coloniality have been the underlying assumptions that resulted in food and environmental injustice. As such, this chapter unpacks the ways in which this book attempts to dismantle and decolonize those assumptions. With respect to food injustice and decolonial thinking, this book has followed the suggestion of Indigenous scholar Linda Tuhiwai Smith and attempted to center the concerns and worldviews of Black people specifically and other people of color in general. This chapter explains how using a compassion-based approach to center the concerns and worldviews of Black people, helped develop answers to three questions crucial for the development of new foodways: who we are as human beings and Christians, who ought we to become, and how we should live in response to those answers.
Impulses
Authors: Hahn Tomie
Published: May 2022

The opening chapter, “Impulses,” introduces readers to the interdisciplinary concepts of the book and how the senses relate to interdisciplinarity. It presents readers with a background for employing sensory prompts in creative, practice-based settings and how the exercises support an expanding awareness of self and other, stressing communication, accountability, and vulnerability.
Dessert
Authors: Hahn Tomie
Published: May 2022

“Dessert” includes two short examples of experimental “recipe” texts written by the author.
Straightedge
Authors: Maskell Shayna L.
Published: May 2022

In chapter 6, the straightedge ideology—no drinking, no drugs, no smoking, no meaningless sex—that helped defined the DC hardcore scene is examined. More precisely, the chapter argues how straightedge at once reinforced and subverted cultural constructions of race, class, and gender. This includes a redefining and ultimately a recentering of masculinity, one that involves heteronormativity, whiteness, and choices born of middle-class privilege. The remainder of the chapter positions straightedge as a subculture and a social movement, arguing the ways in which noninstitutional forms of resistance can enact social change and recognizing the resistance of personal value identities connected to collective identities.
Embodying (White, Middle-Class) Masculinity
Authors: Maskell Shayna L.
Published: May 2022

As a site of control and self-agency, the body worked as a powerful channel through which DC hardcore punks could perform and negotiate difference. Chapter 7 explores the ways in which these performances of difference – through clothes, through hair, through dance—signaled a (white, classed, masculinized) DC hardcore identity, at once challenging and reinforcing the ways in which these vectors of identity are organized and naturalized through the body. Moreover, these constructions of masculinity are grounded in both a reaction to popular culture and an assertion of agency in the specific sociohistorical context of Washington, DC, in the late ’70s and ’80s.
Introduction
Authors: Clasby Ryan , Nesbitt Jason
Published: May 2022

This chapter introduces the archaeology and history of the Upper Amazon. Although little studied in comparison to Andean archaeology in the neighbouring highlands, the Upper Amazon (a region including waterways such as the Amazon River and Marañon River) has long thought to have been an important region to the development of social complexity in western South America. Through an overview of the volume, this chapter highlights major issues and themes that have been the focus of Upper Amazonian archaeology, including exchange and trade, frontiers and borderlands, and interregional interaction. It finishes by suggesting future directions for the field.
A Record of Early Long-Distance Societal Interaction from Manachaqui Cave in Peru’s Northeastern Andes
Authors: Church Warren B.
Published: May 2022

This chapter summarizes results of excavations at Manachaqui Cave, a stratified rock shelter site beside a pre-Hispanic paved road used by travellers moving between the Andean highlands and the Amazon Basin. During 10,000 years of use, Manachaqui served as a hunting camp, semi-permanent habitation, and a travellers’ camp and refuge from the harsh climate frequently encountered at the cloud forest edge in tropical montane forests. The site and especially its assemblages dating from the Late Preceramic Period through the Early Intermediate Period provide a rare window on the nature of human occupation in the ceja de selva, changing travel and transport technologies, strategies for information exchange using ceramic styles and decorative symbols, and the growth of sociopolitical and economic complexity among autochthonous and autonomous societies on the eastern slopes. Evidence of interregional interaction reflects human decision-making embedded within historical and social contexts, and not just interaction between “cultures” or resource zones. The functionally specialized character of Manachaqui’s material culture offers singular insights into changing modes of pre-Hispanic travel, commodity transport, and societal communication during a crucial period of emerging cultural complexity in Central Andes.