bluuebunny/crossref_metadata_2025 huggingface dataset:
From the history of Korosten porcelain factory figurines
Authors: Олена Корусь
Published: December 2019

In article the stages of development of Korosten porcelain factory, one of the major and leading fabricators of Ukrainian porcelain industry, and the history of figurines production there have been considered. At first the question of porcelain figurines mass production in Korosten porcelain factory in 1930s have been considered with the involvement of archival sources and have been proved that in the designated period it was not. In return it has been reported, that the factory was an industrial base for Odessa Art College student’s graduation works making. It have been refuted the opinion which exists among art critics that Valentina Tregubova was the author of fist sculpture’s mass production on the factory. Korosten porcelain figurines have been analyzed at all, the sculpture’s authors are presented, stylistic and themes features of these works are have been characterized. At first the historical facts about porcelain figurines production on Korosten porcelain factory have been systematized.
Academy of Fine Arts Vienna and painters of Transcarpathia of the 19th Century
Authors: Лариса Купчинська
Published: December 2019

The article outlines training creative youth of Transcarpathia at the Academy of Fine Arts Vienna, a little known issue in the history of Ukrainian art. Its purpose is to disclose the place and role of one of the leading educational institutions in Europe of the 17th — early 20th centuries in shaping the art school of Transcarpathia. For the first time a list of the Academy’s students originating from Transcarpathia is provided basing on the preliminary analysis of archival documents. The list is divided into several parts. The first part consists of figures that are little-known today. The second one comprises of artists known mainly in Ukraine, who later became the founders of a new art school of Transcarpathia. World famous names are enlisted in the third part. A separate group comprises of students of the Academy who originated from other countries, but became an integral part of the Transcarpathian art history.
Carvings angels in the decorative program of iconostasis: Symbolic concept
Authors: Світлана Оляніна
Published: December 2019

The article deals to the reconstruction of the meaning of sculptures of angels in the symbolic program of Ukrainian iconostases of the 17–18th centuries. It was found that although the carved angels were not part of the iconographic program of the iconostasis, however, have been an important part of its symbolic significance. Statues of angels continued the Byzantine practice of placing of images of the cherubs on the altar barrier and medieval iconostasis, replacing planar images of celestial beings. Carved angels in the iconostases 17–18th centuries retained its ancient sense to point to the altar, as the Holy of Holies of the temple. At the same time of their introduction into the structure of the iconostasis is emphasizing the idea of the liturgical ministry of angels and their role to be of the divine glory. Angels in the decoration of the iconostasis were an additional element that facilitates understanding of the iconographic program, emphasizing the liturgical and eschatological aspects of its symbolic concept.
Staritskies — Ukrainian stage reformers: Notes about the personal role in the art’s history
Authors: Юлія Раєвська
Published: December 2019

Staritskiy family creative activity is presented in the article. They played perhaps the key role in the Ukrainian theatre of the 19th century end — 20th century beginning. Ukrainian national theatre development, profile schools and state theatre organization, an important contribution to the world literal treasury — this is not complete enumeration of the Staritskies heritage. When somebody could find information about Tsarism epoch Ukrainian theatre movement presenter Michael Staritsky in numerous scientific sources, his descendants, who themselves headed Ukrainian national cultural and in particular theatre movement, recently hadn’t even been mentioned anywhere. The author, for example using archive documents, illuminates Ukrainian theatre development conception, purposeful for the Ukrainian theatre rising and its affirmation in the worldwide art.
The radical nonconformity in the artistic Kyiv community of the late 1970s — early 1980s
Authors: Леся Смирна
Published: December 2019

The article deals with a form of nonconformity Kiev wave of the late of 1970s — the beginning of 1980s — a radical nonconformity, based on the search for new conceptual orientations indirectly related to artistic practice. The radical nonconformity was in radical forms of youth art trend and was a phenomenon exclusively urban, cosmopolitan, guided by the tradition of art associated with philosophical and intellectual practices and its representatives can be considered agents of nonconformity «pure ideas». In the late of 1970s it was the individuals, without paying attention to the activities of them it is impossible to consider the history of this area exhausted. This phenomenon, along with «classic nonconformity» is supposedly a couple without understanding the nature of which is difficult to make a holistic view of its ontology
Origin of ornaments of kuntush belts of Ukraine, Belarus and Poland XVII–XIX of centuries
Authors: Ольга Школьна
Published: December 2019

The article is devoted to the sources of «kuntush» belts ornaments on ethnic territories of Ukraine, Belarus and Poland during the Baroque — Romanticism period. We consider some historical facts that shed some light on the origin of various reasons, specific technologies, ethno-cultural traditions.
The impact of political events on the fate of the monuments of Rudolf Valdec
Authors: Квін Енес
Published: December 2019

The article discusses the monuments of Rudolf Valdec, who, apart from Robert Frangeš — Mihanović, was the first Croatian modern sculptor (March 8, 1872, Krapina — February 1, 1929, Zagreb). It considers the reasons for the non-completion of his monuments to Bishop J. J. Strossmayer in Zagreb (the commission went to Ivan Meštrović, bypassing the competition) and in Osijek. The crucial reasons were related to religion, politics and worldview, not art and aesthetics. This proposition is confirmed by the statue standing in Đakovo today made by Osijek sculptor Marijan Sušac, after a sketch by Valdec, put up to mark the 750th anniversary of the founding of the See of Đakovo. Valdec also created two equestrian monuments to King Petar I of Serbia. The first was erected in Veliki Bečkerek (later renamed Zrenjanin) in 1924, and the second in Bijeljina in 1935 (although the sculpting work was completed in 1927). They were taken down when the Germans occupied Yugoslavia in 1941. In 2005, Serbian sculptor Zoran Jezdimirović put up an equestrian statue of the king in Zrenjanin that is practically identical to that of Valdec. In Bijeljina, too, in 2009, the Valdec monument to Petar I was reconstructed and once again erected. In other words, as circumstances changed over the course of time, so the monuments were shifted and once again put up.
Сreative Activity of the Director Andriy Bilous in the State and Independent Kyiv Theaters
Authors: Юлія Гапчук
Published: December 2019

The article discusses the theater directing and producing activities of the famous Ukrainian director Andriy Bilous in the independent and state theaters. The stylistic and genre features of the created productions are analyzed; the figure of the theater director as one of the first in Ukraine to have a successful experience in creating joint projects in both state-owned and independent theaters in Kyiv is reviewed.Theater repertoire policy with a variety of themes, styles, and forms of productions is reviewed and analyzed.
Polymediality of Experience and Communication in Contemporary Practices of Ukrainian Media Art, Theater and Music
Authors: Юлія Доброносова
Published: December 2019

The author examines the media art practices of contemporary Ukrainian media art, theater and music as a space of anthropological experiments; she concludes that the polymediality in the projects of contemporary Ukrainian media artists, directors and composers allows to comprehend transformations of communication in the culture of mediavariety. The significant themes of contemporary Ukrainian theatre are revealed, being subduing a man to the network communications as a digital agent, compensating for the lack of subjective integrity through intensifying network contacts, and dialogue between contemporary media and retro media.
Organizational and creative features of the private French theater Rive Gauche
Authors: Євгенія Захарченко
Published: December 2019

The history and main purpose of the creation of the private French theater Rive Gauche are explored. The activity of the Rive Gauche theater and its organizational and creative peculiarities are considered. The repertoire policy is analyzed, i.e. the period of performances, since the founding of the theater until 2017, as well as the operation and pricing policies.
European Year of Cultural Heritage: History, Purpose and Strategic Objectives
Authors: Наталія Мусієнко
Published: December 2019

Cultural heritage is a strategic resource based on the democratic, ethical, aesthetic and ecological values of society. The European Year of Cultural Heritage emphasized the cultural heritage issues at the level of European structures, as well as at the national and regional levels. An important task of the strategic approach was the development of long-term models of cultural heritage policy and strengthening its role in sustainable development, analysis of its economic and social impact, as well as the role of scientific research on cultural heritage. The European Union’s Horizon 2020 Research and Innovation Framework Program from 2014 to 2020 provides for an investment of 500 million euros in cultural heritage.The aim of the article is to analyze the formation and implementation in 2018 of the European Year of Cultural Heritage as a strategic tool for sustainable development to preserve the cultural heritage of Europe and the formation of European identity in times of large migration waves. The article analyzed the goals and strategic objectives of the Year, considered the initiatives of European governmental and non-governmental organizations on this issue. It is noted that in practice it was the Year of the cultural heritage of the European Union rather than the Year of cultural heritage of the whole Europe.The theoretical and methodological basis of the article are the documents of European institutions on this issue, as well as researches on cultural heritage within the framework of the preparation and implementation of the EYCH, followed by long-term strategy.
Iconostasis as a Vision of the New Jerusalem
Authors: Світлана Оляніна
Published: December 2019

The specifics of the architectural and plastic organization of Ukrainian iconostases of the first half of the 17th century as resulting from a certain symbolic concept is researched in the article. It was discovered that architectural frame of iconostasis emerged and was developed as an attempt to present the Kingdom of God embodied in the image of New Jerusalem. The composition and decorative elements of iconostases are formed within the context of eschatological moods that strengthened in Ukraine during the first half of the 17th century (prior to the year 1666). Influenced by the Book of Revelation, the iconostases of the period usually resemble walls with three entrances, decorated with the images of precious stones, just like the walls of the New Jerusalem were described in the book. Also, iconostases are decorated in a manner, similar to the buildings’ facades, and gold-plated that should have been communicating the idea of the New Jerusalem as a city of gold, full of heavenly palaces.
The First Ukrainian Artistic Intervention to London
Authors: Ольга Петрова
Published: December 2019

The start of the artistic relationship between contemporary Ukrainian artists and foreign entities that operated in Kyiv during the first years of Perestroyka is outlined in the article. I.e., emergence of the BBC News Ukrainian. In commemoration of such outstanding political and cultural event the major art exhibition was invited (with the invitation being financed by the British party) to be presented in United Kingdom. The article includes the comment of the BBC Ukrainian first Head on the founding of the latter and appraisal of the art collection, made by sir John Tusa, then-managing director of the BBC World Service. The exhibition that was displayed in London and Nottingham aided contemporary Ukrainian artists in entering the broader European context.
Communicative Nature of the Boris Lyatoshinsky Early Legacy
Authors: Ігор Савчук
Published: December 2019

The semantic narrative of Boris Lyatoshinky’s 1910’s works has been analyzed in the article. Resulting from the communicative and information interrelation of musical and extra-musical senses of cultural space, this semantic narrative advances the expansion of the hypertext space of culture. I.e., it reconstructs the view of Lyatoshinky’s live and work as a determinant of development for the whole Ukrainian musical culture of the 20th century. Within this framework, communication and, consequently, communication and information processes form a matrix of sorts that urges us to study a musical text as an aggregate of communicative strategies, adapted to the boundaries set by musical culture and society. In this process it is important to take into account such communication lines as: space-time of the creative activity, physical and symbolic planes within which artist’s innovations are manifested; artist’s environment and environment of the researcher, who engages into interpretation; and, as it was stressed, the communicative space of semantic signs, including ideas, images, concepts, emotions, produced by the author’s creative consciousness and reconstructed by an interpreter, that are concentrated within those signs. Using the categorial approach to define the system of the artist’s musical legacy, we, striving to comprehend the immanence of the author’s concept, enrich the routine theoretical components parts of analysis of the musical text with the new areas of values and senses, with the conceptualized communicative interpretation of the text and of artist’s personality.
The Processes of Integration Between Eco-Art and Modern Technologies
Authors: Єгор Тітенков
Published: December 2019

The topical issues of mutual influence of the newest technologies and the ecological trend in contemporary art are researched. The historical overview of the relationship between scientific and technological progress and the evolution of artistic practices in the art of the twentieth century is made. It was found that these processes were synthesized. The concept of ecological art is outlined, as well as contemporary art projects representing this art trend. The influence of the newest technologies on the strengthened dynamics and the establishment of eco-style is analyzed. In particular, the tendency of cooperation of large corporations and artists for the implementation of greate environmental art projects is described. In general, the issues are considered from the two main perspectives: eco-style as counteracting technologies and digital technologies as the means of creating environmental projects with a powerful social message.
The Notes on Visual Culture in the Context of the Hyperreality Phenomenon
Authors: Оксана Чепелик
Published: December 2019

The characteristics of visual culture in the context of the hyperreality phenomenon are researched in the broad sense; also, an overview of particular works of art is made. The topics developed by the artists are explored in the review of the works of art. The complexity and future of digital society regarding the universal surveillance and security of our data is analyzed, which is an urgent challenge for scientists, artists and cultural researchers. The paradigm shift of the world existence is emphasized, with society insensibly turning into an algorithmic one. It is found that digital forms of communication, which have recently been seen as a hope for new opportunities of democratic participation, became a mechanism for transcoding the humanity. The lack of understanding and awareness of the threats posed by the algorithmic society is revealed, which causes the dear peer artists to remain playful frolicsome fellows in the allotted ghetto of the art world, ignoring such dark closed fields and avoiding analysis of the abovementioned circumstances and their fatal consequences. A palette of art practices that interact with the hyperreality phenomenon has been identified; the means of attacking the mutations of modern society by the artists today are described.It is stated that intellectual experiments with forming various senses in order to build a dialogue with society are crucial for the art world, so the prospects for further research are promising, since the identified topics of the hyperreality phenomenon and simulacrum have not been developed yet in Ukrainian contemporary art.
Contemporary Art Process: Nature of Reality and Virtuality
Authors: Лілія Шпирало-Запоточна
Published: December 2019

The interaction of the classical painting tradition and the new technologies within the contemporary art process is considered in the article. The renewed area of Ukrainian contemporary art is explored, its aesthetic, ethical and communicative coordinates are specified. Formation of visual culture is considered as a creative platform for the new virtual practices and innovative forms of the art existence. Among the topical trends of the media art the special emphasis is made on the tendencies and features of development of Ukrainian video art.
Sharing of the Creative Experience of O. Dovzhenko in the Informal Setting
Authors: Олександр Безручко
Published: December 2019

This paper researches and analyses specifics and problems of transferring the creative experience by genial Ukrainian film director O. Dovzhenko to students of the Kyiv Cinema Institute in an informal setting. We discovered that Dovzhenko had several meetings with students of the Kyiv Cinema Institute in an informal setting; we reconstructed his informal lectures that took place in the hotel room and during walks around Kyiv; we discovered the possibility of finding the transcripts of these lectures by O. Dovzhenko in the main Ukrainian and Russian archives.
The Elemental Feelings
Authors: Оксана Ременяка
Published: December 2019

The article deals with the art project by two famous Ukrainian artists—Larysa Pisha and Valeria Trubina. The project was built on work with the unconscious. By the power of the artists art becomes the domain of the intellect, gains awareness and is eventually assimilated by means of the color, of the formal solution, by word and sound. Art makes the transition from the category of the unconscious into the conscious and rational. Monolithic potency of the Universe is split and divided into the fragments convenient for comprehension that manifest the symbols of four elements: Water, Air, Earth, and Fire. In their project the artists created the picturesque world of archetypes, gave shape to the idea, providing the viewers with aesthetic joy, developing a sense of taste, evoking the Elemental Feelings.
Blacksmithing Art in the Eastern Ukraine as a Component Part of Ukrainian Cultural Process
Authors: Світлана Роготченко
Published: December 2019

The development of art and craft of blacksmithing in the Eastern region of Ukraine, specifically in Poltava, Kharkiv, Dnipropetrovsk, and Donetsk oblasts has been analysed. The study of the blacksmithing in Donetsk city and Donetsk oblast was limited to the second half of the 19th century and up to the 2014. The progress of blacksmithing at the temporarily occupied and uncontrolled territories of Ukraine has not been researched by the author. The article focuses on the unique piece blacksmithing art of the national and global scale — Mertsalov palm tree. In 1900 Mertsalov palm tree was displayed at the 1900 Paris Exposition in the pavilion of the coal society. In 1999 the first copy of the Mertsalov palm tree was mounted in Donetsk. This latter palm tree was forged by the Donetsk-based smith Serhiy Kaspruk along with his son Oleh. Mertsalov palm tree became the first contemporary art piece turning the public attention not only to the artwork itself, but to the producing enterprise as well. From the contemporary marketing viewpoint the forged palm tree on display was an event of unprecedented global scope. Mertsalov palm tree was a starting point for the development of blacksmithing art in the Eastern Ukraine that survived the decay during the harsh 20th century and was revived during the early 1980s.
Sacral Painting by Mikhail Vrubel: Problem of Canon (Kyiv Period Of Creative Activity)
Authors: Оксана Сторчай
Published: December 2019

This article considers sacral painting by Mikhail Vrubel (1856–1910), a well-known Russian artist of Polish descent (on his father’s side) during so-called “Kyiv period” (1884–1889). This period is one of the most important in Mikhail Vrubel’s creative activity, when not only the main themes were determined and unique Vrubel’s style was developed but a number of outstanding sacred monumental works were made. This paper studies Mikhail Vrubel’s sacral painting in the context of canon and typical features of Russian church painting of the second half of the 19th century.
On the History of the Modern Exhibition Movement in Ukraine in the late 1980s: Artist Sergey Sviatchenko as a Leader in the Formation of Avant-Garde Expositions
Authors: Ігор Абрамович
Published: December 2019

It is shown that in the late 1980s, during the Perestroika era, among the avant-garde artists in Kiev, the exhibition process perked up. In the last three years of the decade several resonant exhibitions were held, the Center for Contemporary Art “Soviart” was created and several creative art groups were formed. It is explained that such animation was the result of almost instantaneous release of artistic consciousness from stagnant forms not only of the creative process itself, but also of its organization, thanks to Perestroika actions. The artists who took part in the exhibitions of that time, created themselves creative names as prominent figures of the artistic movement, and still continue to influence the situation in the artistic space. One of them was Kharkov artist Sergey Sviatchenko (b. 1952), who has been living in Denmark since 1993. It is shown that, participating in these exhibitions as a collage artist and being an architect of the exposition, Sviatchenko used the techniques of plane image in the organization of the exhibition space. Thanks to Sviatchenko’s creative approach, artistic abilities of his collage thinking, the architectural and planning organization of the space of the first exhibitions of contemporary Ukrainian art gained logical completeness, compositional originality and a clear essential orientation.
Sacred painting in XXI century Ukraine: Paintings of the Church of the Intercession of the Blessed Virgin Mary in the village of Lipovka by Anatoly Krivolap and Igor Stupachenko. 2014–2019
Authors: Олеся Авраменко
Published: December 2019

The author of the article traces, analyzes and demonstrates the complex process of the modern solution of the paintings of the newly built church in the village of Lipivka, Makariv district, Kyiv region. It is about new approaches artists to the creation of religious compositions and the concept of sacred art in the modern world and the artistic process. The study outlines the idea of using the latest materials for the decoration of the temple.The emphasis is on laconicism and generalization of images deliberately created by artists and the use of local open colors. The article was created on the basis of the exhibition of these monumental paintings in the municipal art gallery "Lavra" for the possibility of more detailed acquaintance and study before installing on the walls of the church itself..
The Features of the Monumental Paintings by V. Rudakov and N. Zheltomirska in Odessa Eparchy orthodox temples
Authors: Ганна Акрідіна
Published: December 2019

In the article the monumental paintings by V. Rudakov and N. Zheltomirska in Odessa temples are considered. Characteristic features of contemporary sacred art are revealed due to the use of iconographic, iconological and comparative research methods. The principles of applying Byzantium icon-painting canon in the temples spaces are reviewed. The process of creating painting programs of churches interiors in connection with their dedication to a particular saint or to one of the Great Feasts is analyzed. The technological features of the creation of monumental and decorative design in the selected temples have been ascertained. The process of decorating Odessa churches by the icon painters of the XXI century is considered as a new wave of Christian art development based on Byzantine and Old Russian stylistics.
The systemic pattern of art and culture research and education in public policy as activity vector of the National Academy of Arts of Ukraine
Authors: Олександр Буценко  , Іван Походзей
Published: December 2019

The paper analyzes some key questions of the state policy development in art research and education in Ukraine, interaction of different stakeholders, close relation between researches and practical implementation of results in educational process, role of art education in policy for sustainable development, international experience in solution of challenges facing the modern society.
Digital Technologies in Graphic Design of UK in early 1980s: Visual Manifestations and Application Features
Authors: Леся Даниленко
Published: December 2019

The article examines the impact of emergence of digital technology on the development of graphic design in the United Kingdom in the early 1980s. Changes in graphic designing under the conditions of new technological possibilities and use of graphics editors by designers are revealed. Based on reseach that have been made in the study, the author comes to the conclusion that the visual manifestations of computer effects were most clearly reflected in such genres of UK graphic design as in magazine design, posters and music covers; the brightest examples of these areas in British graphic design and the most significant figures in design are been analyzed.
Digital technology is an indispensable tool for modern scientific research
Authors: Ясміна Кривушенко
Published: December 2019

The article discusses the concepts of reliability of a data source and provides examples of ways to differentiate scientific sources and similar from the rest. The genesis of integration processes in the context of modern digital technologies in the field of scientific research is investigated. The main stages of the development of scientific knowledge are highlighted and its evolution is traced up to the appearance of the global Internet. Changes in approaches to modern research that were caused by the globalization processes of combining information are considered. The modern phenomenon of the creation of interactive databases is analyzed in the context of the noosphere theory of the Ukrainian researcher and cultural figure V.I. Vernadsky and the philosophical concept of the network paradigm of the British-American anthropologist and cybernetics G. Bateson, in whose works the mechanics of the culture of interaction in digital space are examined in detail. Examples of the use of information and communication technologies to study the signs of authenticity of Sevres porcelain manufactory products from the mid-18th to early 19th centuries are given. The ways of applying modern digital technologies in the course of scientific research are clarified.
Circus Art as an object of historical research (the 18th — first half of the 19th century)
Authors: Олег Поспєлов
Published: December 2019

The reflection of the history and the processes of the development of Circus Arts from the Ancient times, in the printed sources of the late 18th — first half of the 19th centuries — scientific studies, encyclopedias, research essays, memoirs, periodicals — have been tracked and analyzed in chronological order, as a part of the research of Circus Art at the Western Ukrainian lands at the time that they were a part of the Habsburg empire. The 16th — 19th centuries’ handbooks on Equestrian Art and Gymnastic Art have been researched. Illustrations from the 17th — 19th centuries’ printed sources are being presented. It turns out that the arts and genres presented at the arena of the modern Circus have been described, depicted and studied by the European authors more than three centuries ago. Most of the sources used by the author are being introduced into the Circus Arts’ research discourse for the first time.
Boris Lyatoshinsky's Early Creativity: The Semantic Aspect
Authors: Ігор Савчук  , Тетяна Гомон
Published: December 2019

The semantic characteristics of Boris Lyatoshinsky's creative heritage of the 1910s are analyzed in the context of the formation of his musical language. Also, a comprehensive analysis of Boris Lyatoshynsky's personality in the early period of life was carried out with the aim of biographical reconstruction by collecting and organizing new information, found works of these years and other archival sources, significantly updating the scenario of the artist's life-creation in the 1910s. In all known so far lists of works by B. Lyatoshinsky this period is represented by three (I. Belz, N. Zaporozhets) and four (V. Samokhvalov) compositions. However, in addition to them, in the 1910s, 31 more works of different genre orientation were written (20 of which were put into musicological circulation), which testifies to the considerable creative potential of the young artist, the originality of his composer's thinking. The material of the study consists of unknown and little-known materials of the sources of the BN Lyatoshinsky Memorial Cabinet-Museum and other museum-archive funds of Ukraine, which form the so-called field of personal documents of the composer.
Historical Genesis of Origin and Development People's Icon in Ukraine
Authors: Іветта Хасанова
Published: December 2019

The paper considers features of historical development and formation of Ukrainian folk icon painting. The periodization of icon painting is given. The paper investigates the process of creative interaction of the artistic trends in icon painting at different historical stages. Also, the paper researches the way artists direct their creativity to traditions of folk culture. The historical formation of Christianity in world’s ideological system is traced as well as historical, political and socio-cultural factors, that influenced the formation of Ukrainian folk icon painting.
The creative and civic activity of Sixtiers in literature
Authors: Мирослава Шевченко
Published: December 2019

The creative and civic activity of Sixtiers were highlighted in literature. The cultural situation of the second half of the twentieth century were characterized in the "official" literature and the epistolary. The article focuses on artists who had a clear and principled civic engagement.
Artistic details within the semantic rhythm of a dramatic play
Authors: Ігор Юдкін-Ріпун
Published: December 2019

The concept of semantic rhythm as the vehicle of making abstraction of an artistic text enables the detection of intentionality and artistic aims inherent for the text. It is the conflict of automatism and intentionality that becomes its basis and enables the widening of rhythmic properties over the macroscopic dimension of a whole work. The rhythmic effects are displayed through the centralization of the semantic space of a text with accentuation (the field structure), through the formation of closed cycles as the textual units and with the rise of distant connections between the remote textual segments. Rhythm is conceived as a non-linear multidimensional phenomenon where the components manifested in text permanently coexist and interact with the latent ones. Semantic rhythm is a particular abstraction, together with the textual semantic net, that is peculiar for its personal location (especially authorization) and positional localization. The relation “part — whole” becomes more important than that of “genus — species” (predicate — subject) determining thus the constructive role of details. This enables describing the semantic rhythm with the names that are reconceived as the partitive designations of some entirety, the rhetoric figure of hendiadys being here taken as an example. The rows of details become the forces of making up textual cycles where the feedback (recursion) between textual components arises as the revelation of its purposefulness. The seclusion of such cycles contributes to the formation of particular textual space and time. It is the subtext that is to be traced behind the interconnection of such cyclic textual elements that they refer to involving thus latent information in the interpretation of a text. The interpretative mission of the rhythmic cycles of details determines their importance for theatre as the instrument of the disclosure of dramatis personae’s intentions that the text of a dramatic play contains. It is in the concept of semantic rhythm as an intentional object that the approaches and experiences of musicology, theatrical study and philology display their mutuality as separate branches of researches of a complex problem.
A replacement name for Encarsia antennata Myartseva, 2014 (Hymenoptera: Aphelinidae)
Authors: Myartseva S.N.
Published: December 2019

A replacement name, Encarsia flagellata nom. nov., is proposed for E. antennata Myartseva, 2014, a junior homonym of E. antennata Myartseva, 2008.
Specific features of the head region in euconodont animals
Authors: Guravskaya G.I. , Kassatkina A.P.
Published: December 2019

New data on morphology of the head region of euconodonts are discussed based on a study of its imprint from the Lower Carboniferous deposits of the Polar Urals (Russia); on its external ventral surface, the animal had an oval expansion of the head region, supposedly, a mouth food sac. A similar structure is also described in one of the imprints from Granton (Great Britain) exposed from internal surfaces. A hypothesis is put forward on the mechanism of functioning of the feeding apparatus in euconodonts which consists of hard S, M, and P tooth elements and H attaching skeletal elements as well as soft connective structures. The food sac probably served for filtering food particles from the water which was removed through special openings and for formation of the food bolus and transferring the latter into the alimentary canal (gut). These data gave to reasons for a new interpretation of feeding behaviour of euconodonts. It is suggested that the euconodont animals were filter feeders adapted to the near-bottom dwelling over substrates, where there was greatest concentration of small food items available for filtration.
Diagnostic et Prise en Charge de l’Acidose Métabolique Recommandations formalisées d’experts communes Société de réanimation de langue française (SRLF) – Société française de médecine d’urgence (SFMU)
Authors: Jung B. , Martinez M. , Claessens Y.-E. , Darmon M. , Klouche K. , Lautrette A. , Levraut J. , Maury E. , Oberlin M. , Terzi N. , Viglino D. , Yordanov Y. , Claret P.-G. , Bigé N.
Published: December 2019

L’acidose métabolique est un trouble fréquemment rencontré en médecine d’urgence et en médecine intensive réanimation. La littérature s’étant enrichie de nouvelles données concernant la prise en charge de l’acidose métabolique, la Société de Réanimation de Langue Française (SRLF) et la Société Française de Médecine d’Urgence (SFMU) ont élaboré des recommandations formalisées d’experts selon la méthodologie GRADE. Les champs de la stratégie diagnostique, de l’orientation et de la prise en charge thérapeutique ont été traités et vingt-neuf recommandations ont été formulées : quatre recommandations fortes (Grade 1), dix recommandations faibles (Grade 2) et quinze avis d’experts. Toutes ont obtenu un accord fort. L’application des méthodes d’Henderson-Hasselbalch et de Stewart pour le diagnostic du mécanisme de l’acidose métabolique est discutée et un algorithme diagnostique est proposé. L’utilisation de la cétonémie et des lactatémies veineuse et capillaire est également traitée. L’intérêt du pH, de la lactatémie et de sa cinétique pour l’orientation des patients en pré-hospitalier et aux urgences est envisagé. Enfin, les modalités de l’insulinothérapie au cours de l’acidocétose diabétique, les indications de la perfusion de bicarbonate de sodium et de l’épuration extra-rénale ainsi que les modalités de la ventilation mécanique au cours des acidoses métaboliques sévères sont traitées dans la prise en charge thérapeutique.
Submergence of the sublittoral-bathyal species into the abyssal zone of the Sea of Japan
Authors: Mironov A. N. , Dilman A. B. , Minin K. V. , Malyutina M. V.
Published: December 2019

The bathymetric ranges of the same deep-sea (2000 m) species in the Sea of Japan and outside it are compared. Among 85 deep-sea species of the Sea of Japan mega- and macrofauna, 25 species are known outside the sea at the depths greater than 2000 m and 45 species are known outside the sea only from the sublittoral and bathyal (2000 m). Remaining 14 species are endemic to the Sea of Japan. The species of the first group, together with eurybathic Sea of Japan endemics (8 species) are classified as pseudoabyssal. The term pseudoabyssal species is used here for eurybathic (sublittoral-abyssal or bathyal-abyssal) species, the distribution of which is restricted to a relatively small area in the abyssal, in present case, to the abyssal within the Sea of Japan. The share of pseudoabyssal species in the abyssal basin of the Sea of Japan (64%) is larger than in any other abyssal region. It is suggested that the large share of pseudoabyssal species is the result of local submergence of the sublittoral-bathyal fauna into the abyssal zone of the Sea of Japan. The abyssal basin of the Sea of Japan is distinguished as a biogeographic province within the abyssal biotic zone.
Hydrothermal mineral associations on 71° n of Mid-Atlantic ridge (first results)
Authors: Kravchishina M. D. , Lein A. Yu. , Boev A. G. , Prokofiev V. Y. , Starodymova D. P. , Dara O. M. , Novigatsky A. N. , Lisitzin A. P.
Published: December 2019

We discuss the preliminary results of the plume and bottom sediments studies of the Trollveggen hydrothermal vent field based on data from the 68th cruise of the RV Akademik Mstislav Keldysh. The hydrothermal vent field is located to the east of the axial zone of the slow-spreading Mohn Ridge close to the Jan Mayen hotspot at a depth of about 550 m (7118 'N, Norwegian-Greenland Basin). The plume of the hydrothermal vent field was characterized by a weak distribution in the water column, anomalies of temperature, density and salinity, a moderate concentration of methane and a low concentration of suspended particulate matter near the bottom. The enrichment of bottom sediments with barium, strontium and some sulfide forming elements (zinc, lead, copper, molybdenum) was shown. Two mineral associations of hydrothermally modified bottom sediments were revealed: pyrite and barite-marcasite. The temperature of hydrothermal fluids was established by the method of thermal and cryometric studies of gas-liquid fluid inclusions in barite (128260C) and using the FeSZnS equilibrium diagram of sulfide minerals (130290C). Our data were close to the data of direct measurements of fluid temperature [28]. We made a comparison of the hydrothermal mineralization of the Trollveggen vent field and the previously studied fields of the Mid-Atlantic Ridge located near the Azores hotspot. As a result we confirmed the influence of ocean depth and PT-conditions on the formation of hydrothermal deposits.
Conductors of the current variations of the sea-surface temperature of the North Atlantic
Authors: Vakulenko N. V. , Sonechkin D. M.
Published: December 2019

It is generally accepted to believe that changes in the heat content of North Atlantic can be a source of surprises in the climate evolution, especially the climate of Europe. The RAPID program providing monitoring of this heat content serves to investigate this problem. However, results of such monitoring cover still too short time period to come to any conclusion. In this regard, changes of the North Atlantics sea surface mean temperature which already is observed during a long enough period (from the middle of the 20-th century) is analyzed as an indirect characteristic of the heat content. Wavelets are used for this purpose. Three scales, which define temporal variability of this characteristic, are found: from two to four, from seven up to ten, and about twenty two years. It is assumed that sources of variations of the first two from the specified scales are wobbles of the Earths rotation axis, and the source of variations of the third scale is the Hale's cycle of heliomagnetic activity.
The mesocyclone over the northern part of the Japan/East sea in February 2013
Authors: Potalova E. Yu. , Kleshcheva T. I. , Permyakov M. S.
Published: December 2019

The case of the influence of the mesoscale cyclone (MC) on the northern part of the Japan/East Sea in 1011 February 2013 was investigated. The passage of the MC was accompanied by a sharp increase in the wind to storm values, a reduction in the total heat transfer by almost two times, an increase of the momentum flux by four times. The perturbations of the hydrological characteristics in the MC trace, estimated from the data of two Argo buoys, were traced to a depth of 300 meters off the west coast of Hokkaido island and up to ~100 m in the deep-water area, which is due to the difference in the background stability of vertical structures. Some estimates of the contribution of various factors to the observed variability of the upper sea layer are given.
Impact of salt finger convection on the structure of oceanic thermohalocline
Authors: Pereskokov A. I.
Published: December 2019

One of the key problems of physical oceanology is to find the efficient global mechanisms able to ensure formation and maintaining of the oceanic thermohalocline accumulating in mid latitudes a huge amount of heat. The conducted research has found a genetic link of this element of macroscale stratification with the intensity of vertical mixing of water due to double-diffusive in form of salt finger convection. Consequently the structural transformation happens as a result of more structured work in the ocean water column of such small-scale process as salt finger convection. Due to this the transition from warm and salt surface waters to deeper ocean layers occurs not very rapidly but comparatively gradually through the fixed transition layer ─ oceanic thermohalocline. The obtained results support our view considering salt finger convection as a climate forming factor.
Solubility of BaSo4 and physicochemical state of barium in seawater
Authors: Savenko V. S. , Savenko A. V. , Pokrovsky O. S.
Published: December 2019

The solubility of barium sulfate in diluted Na2SO4NaNO3 solutions and seawater with 35 salinity at 22C was experimentally studied. Value of the thermodynamic solubility product of barium sulfate = (7.570.87)1011 was ascertain. It was shown that equilibrium concentration of dissolved barium in seawater is equal 30.7 g/l and water layer of the World Ocean is in the state of low undersaturation for BaSO4. Values of the ionic-mean activity coefficient of BaSO4, total activity coefficient and part of free ions of Ва 2+ in seawater, equal 0.108, 0.131, and 0.59, respectively, were determined according to the experimental data.
Picophytoplankton distribution at the Ob section and in western part of the Kara sea
Authors: Belevich T. A. , Ilyash L. V. , Demidov A. B. , Flint M. V.
Published: December 2019

The spatial distribution of picophytoplankton abundance, biomass, chlorophyll a and contribution of picoalgae to total chlorophyll a was studied in the outer Ob estuary with an adjacent shelf and in the western part of the Kara Sea. In August-September picophytoplankton abundance and biomass varied from 0.1 to 17.3106 cell/l and from 0.06 to 9.20 mg С/m3, respectively. Cyanobacteria dominated in plankton picofraction, its contribution to total picophytoplankton biomass did not exceed 11%. The highest contribution of picophytoplankton to the total phytoplankton abundance was observed at a lower (11 mg/m2) chlorophyll a concentration in the euphotic layer. The spatial heterogeneity of picoforms contribution was determined by the silicon concentration.
Genetic diversity of copepod, Limnocalanus macrurus, from Russian Arctic seas
Authors: Gordeeva N. V. , Drits A. V. , Flint M. V.
Published: December 2019

The diversity, phylogenetic relationship and demographic history in glacial relict copepod, Limnocalanus macrurus from estuaries of large Siberian Arctic rivers Ob, Khatanga, Lena, Indigirka and Kolyma were studied using of mitochondrial cytochrome-oxidase c gene (CO I mtDNA). It was shown, that Siberian populations of Limnocalanus macrurus together with ones from Canadian Arctic and the Baltic Sea belong to the single Palearctic phylogenetic lineage, which probably survived in one refugium during the Last Glacial Maximum and then rapidly expand within the Arctic about 21 0007500 years ago. The presence of common haplotypes in L. macrurus from three Arctic seas and lack of differences in haplotypic frequencies may be caused recent origin of populations or present day genetic exchange between them.
Reanalysis data of wind fields above the caspian sea for Calculation of wind-induced waves
Authors: Lopatoukhin L. I. , Yaitskaya N. A.
Published: December 2019

A database covering at least 30 years is required for calculation of the wind-induced waves mode in accordance with recommendations of the World Meteorological Organization. Continuous measurements of wind-induced waves for this period of time are missing or available only for a limited number of offshore strips. Typically this information is a result of calculations based on numerical (spectral) hydrodynamic models of the wind-induced waves while input data is information regarding wind from reanalyzes. Reanalysis can be used for calculation of wind-induced waves without any preliminary processing but not for all offshore zones. The Caspian Sea is used as an example to demonstrate an approach to revision of the National Centers for Environmental Prediction/National Center for Atmospheric Research reanalysis data and study results are provided.
Natural radionuclides 238U, 226RA, AND 222RN in the surface water of the ELKONSKY uranium-ore district (South Yakutiya)
Authors: Chevychelov A. P. , Sobakin P. I. , Kuznetsova L. I.
Published: December 2019

Chemical composition of the surface water and the contents of the radionuclides 238U, 226Ra, and 222Rn in water was examined within the natural and man-made landscapes of South Yakutiya. It was demonstrated that intense water migration of these radionuclides from radioactive dump pits of the man-made landscapes of the Elkonsky uranium-ore district, which were created during the process of wide-scale exploration surveys for radioactive raw materials conducted during the last third of the 20th century, had occurred. Currently, the areas of water dissipation of 238U and 226Ra are detected at a distances of 2 km and greater from the source of the radioactive contamination along the outflow vector.
Regional problems of water use for Siberian industrial agglomerations
Authors: Taseiko O. V. , Moskvichev V. V. , Chernykh D. A.
Published: December 2019

This research is devoted to identification and assessment of basic indicators for regional water use as one of components of social-natural-technogenic system. Basic indicators are estimated on the example of Siberian industrial agglomerations such as Krasnoyarsk and the Kemerovo regions. These regions are considered as pilot for development of the social-natural-technogenic systems concept. Identification of basic indicators is a first stage in the problem of sustainable regional development risks assessment.