bluuebunny/crossref_metadata_2025 huggingface dataset:
CONCEPTUAL MODEL OF HIGHER EDUCATIONAL PROGRAM ON COMMUNICATIVE DESIGN
Authors:   Taurida Academy of V. I. Vernadsky Crimean Federal University, Simferopol, Respublika Krym, Russian Federation, Gabriyelyan T. O.
Published: October 2021

The article describes the process and the result of a series of seminars "Education of the Future: Communicative Design", held to develop a conceptual model of the educational program on communicative design. The purpose of the seminars was to identify the needs of graphic artists from the point of view of improving the quality and the relevance of education. Goal setting was preceded by a triune problem of mismatch of the existing educational program with modern realities, represented by: the students' vision; a set of competencies; training directions. The methodology to study the current situation is chosen "from the bottom up", when students directly or indirectly describe the educational environment in which they would like to be. To do this, a few weeks before the seminars, participants received background information about what communicative design is in the form of an article and XNUMX keywords (modules) that they had to work with. The first seminar involved the placement of modules for training courses. At the second stage, it was necessary to evaluate the modules according to the relevance of their use in the educational program. At the third stage, which was eventually combined with the fourth, participants had to arrange conditional modules for six specializations (educational trajectories): contemporary art, illustrator, digital designer, graphic designer, art and creative director, motion designer. The result of the seminars was a conceptual model of the educational program on communicative design, presented as a set of conditional modules distributed by training courses and volume (duration) in the context of the educational program. It was also revealed that the educational program on communicative design can and should combine all six specializations (educational trajectories). Only this approach will allow the graduate to become a sought-after specialist in the modern professional environment and the labor market.
DEVELOPMENT OF ENVIRONMENTAL DESIGN IN RUSSIA AND IN CHINA AT THE PRESENT STAGE
Authors:   Saint Petersburg Stieglitz State Academy of Art and Design, Saint Petersburg, Russian Federation, Xiaogeng Chang ,   College of Humanities and Social Sciences Beijing Institute of Petrochemical Technology, Daxing District, Beijing, People’s Republic of China
Published: October 2021

The article is devoted to the main issues of environmental design development as an academic and scientific discipline. The author analyzes the place of the "environmental design" specialty in the educational systems of various countries, in particular, Russia and China. It is pointed out, that only in these countries the subject under study belongs to the field of education in the sphere of art and culture. That forms some features of students’ training, as well as in the methodology, goals and content of environmental design as a scientific field. This work studies the problems that arise in the process of training specialists and of their subsequent employment in Russia and in China. In particular, the author notes that there is an equation of the concepts of "environmental design" and "environmental approach" in Russia, which leads to misunderstanding of the theoretical boundaries of environmental design. In the article these two concepts are distinguished. Examining environmental design through the prism of the Ervin Laszlo’s "grand synthesis" theory, the author concludes that environmental design is a complex discipline, which synthesizes different scientific fields, and can have further dynamics in the development. Environmental design is presented as a field of activity that combines economic and cultural aspects within the framework of creative work. Due to the specificity of environmental design, as well as to the desire of Russia and China to increase cultural capital, this discipline has prospects for expanding the field of research in future. Also, the article highlights three possible directions for further development of environment design, including architectural, landscape and exhibition approaches.
TO THE QUESTION OF SACRED MEANINGS IN N. SABITOV’S PIANO CYCLE "SEVEN TUNES"
Authors:   Ufa State Institute of Arts named after Zagir Ismagilov, Ufa, Republic of Bashkortostan, Russian Federation, Garipova N. F.
Published: October 2021

Interest in the piano work of the Bashkir composer Nariman Sabitov especially increased on the eve of the 95th anniversary of his birth. In 2004, the author of this article published an essay on the composer’s piano cycle "Seven Tunes". However, the perception of music changes over time. This article is supplemented by analytical studies related to the development of folklore, with a special view on poetic folklore in terms of sacred, magical and mythological problems. There are interesting works in this direction. They pushed the author to re-analyze the musical content of the cycle from this point of view. The emergence of new analysis tools made it possible to supplement the composer's idea of the piano cycle and to clarify some, at first glance, contradictory composer’s solutions. An updated look at the semantics of the piano cycle, in our opinion, expands the content component of the cycle as a whole and allows the performers to enrich their own concept when performing or independently studying the composition.
“BROTHER BUNNY“ OPERA FOR CHILDREN BY FATTAH: GENRE AND COMPOSITION FEATURES
Authors:   Russian State Specialized Academy of Arts, Moscow, Russian Federation, Chistyakov R. V.
Published: October 2021

Azon Nurtynovich Fattah (1922–2013), an outstanding composer, pianist, Honored Artist of the Tatar Autonomous Soviet Socialist Republic, is known among professional musicians primarily for the charm of his songwriting. Yet his music is little known to modern audience. The peak of composer's popularity came in the 1960–70s, when his songs were performed, for example, by Joseph Kobzon and Lev Leshchenko, Maya Kristalinskaya, Gelena Velikanova and Elena Kamburova. Fattah's works include a significant number of chamber-instrumental compositions and plays for orchestras by Yu. V. Silantyev, B. P. Karamyshev, V. V. Meshcherin, several musical comedies, the most famous of which was “Winged” (on the libretto of the wonderful children's poet V. I. Viktorov). The composer also created three operas, among which — the children's opera “Brother Bunny”. The interest of the widest audience in Fattah music at that time was initiated by the composer's film works, namely, music for tapes for children and youth: “The Tale of the Boy-Kibalchish”, “Scuba Diving at the Bottom”, “Young from the Schooner Columbus”. The audience especially remembered the songs that became real hits: “There Was a Stormy Time”, “How Can We Live Without the Sea”, “Song of Cycling Tourists”. Thus, the children's theme occupies one of the central positions in the composer's heritage. It is important that “Brother Bunny” opera stands out among the composer’s opera works by genre type and performing composition and continues the line of Soviet music compositions for the youngest ones, begun by Sergei Prokofiev. “Brother Bunny” is not only an opera for children (figuratively and subjectively accessible to the younger audience of listeners), it is intended for execution by children themselves, which determines the features of its structure, the composition of the participants and some characteristic features of the musical language. This article is an attempt to analyze this opus from the perspective of style guidelines and musical language in the context of Russian music traditions.
S. YAKOVENKO AND HIS SKILLS IN THE CONTEXT OF THE INTERPETATION OF Y. BOUTSKO’S MONO-OPERA "DIARY OF A MADMAN"
Authors:   Ippolitov-Ivanov State Musical Pedagogical Institute, Moscow, Russian Federation, Podguzova O. A.
Published: October 2021

Sergey Borisovich Yakovenko is the People's Artist of Russia, a famous musician, vocal teacher and Doctor of Art History. He entered a bright page in the history of Russian vocal art of the XXth century. Starting from the 1950s, as a vocalist, he was in great demand for chamber vocal performances, with some of them being composed by modern musicians. Yakovenko was able to operate freely with a whole stock of expressive means, inherent for avant-garde music, allowing him to take part in the most difficult performances of the latest vocal and vocal-instrumental compositions, which manifested his inclination to the theater, to the disclosure of the dramaturgy of works. S. B. Yakovenko’s stage talent declared itself in its fullness during the performance of mono- operas, among them "Diary of a Madman" by Yuriy Butsko (1968), which received a great resonance in the theatrical life of Russia. The general content of this article is the analysis of S. B. Yakovenko’s performing skill, which gave birth to a wide range of character images, generated by the protagonist’s imagination. After the analysis of audio and video recordings of the vocalist’s performances, as well as his numerous scientific works and conversations, the author discovers several important features typical for the performing interpretation by S. B. Yakovenko. These are his vocal-dramaturgical principles and vocal-theatrical direction. In Y. Boutsko’s opera "Diary of a Madman" the unique performance palette of S. B. Yakovenko allows the singer to create eight various, rapidly interchanging images, using exclusively the resources of his voice, while being on an empty stage without props and with little or no gesture or mime.
VICTOR ULYANICH AND HIS LADOZVONN INTEGRATED MUSIC-THEORETICAL SYSTEM (portrait of the composer)
Authors:   Gnesins Russian Academy of Music, Russian Federation, Moscow, Stepanova M. A.
Published: October 2021

This article is an interview with Victor Ulyanich — composer, Honored Artist of Russia, founder of the Computer Music Department of the Gnesins Russian Academy of Music, Professor, Ph.D. in History of Arts. The interview preceded by a brief characteristic of the composer's creativity, genre preferences and characterological content of his compositions, including nature and its sacredness, cosmos and human within it, correlations of all things in the Universe, temptation and resistance to it, and Christian ideas. The main attention is focused on a number of aspects of the Ladozvonn integrated musictheoretical system, which was created by the composer. In order to fully reveal the parameters of its functioning, the author conducted an interview with the composer, which fits seamlessly into the outline of the article. In the process of the dialogue, important points were revealed concerning the use of the main tool of the Ladozvonn system — colored rectangular matrices, the concepts of invariance and fractality, and timbre dramaturgy as a functional analogue of the system in harmony. During the dialogue with the musician, the author substantiates the need to introduce such special terms as "ladozvonn" and "ladozvonn tree" into compositional and musicological usage, as well as to refer not to mathematical, but to musical categories in the process of working on a computer work. The composer raises questions about the repertoire of computer music, and in conclusion, expresses an opinion on the state of modern culture and the composer's place in the world.
PUBLIC ART IN EDUCATIONAL AND RESEARCH ENVIRONMENT
Authors:   Russian State University for the Humanities, Moscow, Russian Federation, Kartseva С. A. ,   Moscow International University, Moscow, Russian Federation
Published: October 2021

Combining educational environment with art has a long tradition within university museums, which are a valuable research resource, responsive to the needs of teaching, research and educational activities. At the same time, today not every school, university or research center has or can afford such museums. The article discusses innovative formats of interaction between educational institutions and artistic practices through public art — contemporary art practice, intended for the unprepared audience and implying the demonstration of art in a public, non-institutional environment. The article reveals the essence of the concept of public art, its evolution from understanding itself as an object to procedural and social practice; indicates the communicative, cultural and symbolic potential of public art in the formation of environments, communities, in the promotion of innovative ideas on the basis of universities or other educational institutions on the example of projects implemented at the National Research University Higher School of Economics, Moscow International University, Skolkovo Innovation Center. The conclusions of the article are the practical recommendations for creating public art projects on the territory of modern educational and research centers, based on communicative, site-specific, socially engaged approach.
TIME CHALLENGE: COMPUTER AND INTERNET TECHNOLOGIES IN VOCAL ENSEMBLE TRAINING
Authors:   Russian State Specialized Academy of Arts, Moscow, Russian Federation, Grinko O. G.
Published: October 2021

The relevance of the article lies in the urgent need to introduce modern computer and Internet technologies in the creative educational process. The considered methods and approaches in vocal ensemble training with use of such technologies are designed primarily for the initial stage of work on music. The use of innovative teaching tools indicated in the study allows to make a variety of classes, to conduct them remotely, as well as to optimize the time spent on the classroom load, the share of which is concentrated on artistic work with this approach. Introduction of MOODLE distance learning platform and IGTV Instagram technologies into creative educational process allows to record offline classes of long duration. Yandex, Mail, and Google cloud services provide disk space for saving tasks and visual materials that can be used by an unlimited number of students at the same time. Dorico or Sibelius music editors help to eliminate rhythmic problems while working on a piece of music, which can correctly sound the musical text, Cubase and Reaper programs indicate inaccuracies of intonation in voice recording. Video conferences in social networks Vkontakte, Facebook, WhatsApp, Android, IOs, Scype, Zoom, etc. are also useful, thanks to which it is possible to conduct some types of online classes with the participation of a teacher, concertmaster and students. It is important that these technologies are available to healthy students as well as students with disabilities.
THE METHOD OF BIONIC SHAPING IN TEACHING BACHELORS OF INDUSTRIAL DESIGN (experiment results)
Authors:   Russian State University named after A. N. Kosygin, Moscow, Russian Federation, Strizhak A. V. , Kazakova N. U. ,   Russian State University named after A. N. Kosygin, Moscow, Russian Federation
Published: October 2021

Nowadays design, as a discipline, is still in the process of evolving. The consequences of this process can be seen in changes of classical forms of teaching design in higher education. One of the most popular methods of obtaining new ideas of shaping in design is experiment. The authors of the article also consider it to be one of the most effective forms of design education for students. In order to prove it and obtain new forms and methods of design training at the Industrial Design Department of the Institute of Design of the RSU named after A. N. Kosygin а pedagogical experiment was conducted. The experiment in design education was considered as a way to get new ideas in shaping of industrial products. In the course of the pedagogical experiment students used artistic images of wildlife for the formation of design objects based on associative-shaped modeling. According to the results of the pedagogical experiment, a new methodology of educational design in the direction of "Design" was developed, based on the principles of bionic shaping of objects of graphic and industrial design — by the method of associative-shaped modeling. The use of the developed methods resulted in the increase of the level of term and graduation projects of students of the Industrial Design Department, what was repeatedly noted by specialists in the field of design.
PRACTICAL COURSE CONTENT OF RUSSIAN GRAMMAR FOR CHINESE STUDENTS
Authors:   Russian State Specialized Academy of Arts, Moscow, Russian Federation, Suvorova A. G.
Published: October 2021

The article discusses the role and place of grammar in the practical course of teaching Russian as a foreign language. It analyzes the difficulties faced by Chinese students in learning Russian and provides ways to overcome them. The article gives recommendations on reading and understanding the text content based on familiar lexical and grammatical material, and pays great attention to how Chinese students acquire the necessary level of communicative competence using intensive teaching method. The purpose of the article is to show how students learn Russian as a foreign language in the process of teaching a practical course in speech communication using grammatical material. The article uses the following materials and methods: vocabulary and phonetics combined with grammar, which are the building blocks that make it possible to form speech both orally and in writing. Authentic texts created in the conditions of natural speech communication, tables, and didactic games are used as text material for studying grammar. In the process of practical mastering Russian, foreign students solve problems of self-realization and disclosure of their creative potential and ability to communicate in Russian using correct grammatical forms. The methods of Russian grammar as a foreign language offered in the article help Chinese students not only to learn grammatical categories of Russian language, but also to get acquainted with some fragments of Russian culture through different language units, which open up a number of opportunities for them to positively perceive Russian culture and study difficult cases of Russian grammar.
PIANO PIECES OF A. S. ARENSKY ON THE EXAMPLE OF THE CYCLE OP. 36
Authors:   Moscow State Tchaikovsky Conservatory, Moscow, Russian Federation, Gorshkova A. M.
Published: October 2021

The article is dedicated to the piano works of Anton S. Arensky (1861–1906), one of the most famous Russian composers of the late XIXth – early XXth centuries. Throughout his career, the composer turned to various genres (he created three operas, a ballet, a lot of symphonic and chamber pieces), but compositions for piano solo were among his favorites. This genre in many ways corresponded to the specifics of the composer's talent, his inclination towards chamberness and lyricism, and became a kind of "creative laboratory", where many tendencies, later used in other genres, were worked out. It was in piano pieces that the most attractive qualities of his music were revealed — an amazing melodic gift, finesse and detailed elaboration of all aspects of composition. The author pays particular attention to the cycle of 24 piano pieces Op. 36. Due to embodiment of many melodic, texture, and harmony features typical for Arensky, it became a kind of quintessence of his piano style. It is also important that many features of the composer’s style influenced musicians of the next generation, including Sergey Rachmaninoff and Nikolay Medtner.
THE ROLE OF LITERATURE AND HUMANITARIAN EDUCATION IN SOCIO-ECONOMIC BEHAVIOUR OF RUSSIAN YOUTH
Authors:   Central Economics and Mathematics Institute of the Russian Academy of Sciences, Moscow, Russian Federation, Vinokurova N. A. , Tabachnikova O. M. ,   University of Central Lancashire, Preston, England
Published: October 2021

The article aims to trace the cultural continuity of generations in Russian context by studying the interaction between literary preferences of modern students and their moral choice. Special attention is paid to the role of humanitarian education in forming both literary taste and moral values of young people. Our approach includes both sociological and cultural methods. The article analyzes the results of a sociological study conducted in 2019, where the semiotics of behaviour in hypothetical conditions of setting up one's own business by young specialists is superimposed on the literary priorities of the respondents. Our hypothesis is that, despite the processes of globalization, national cultural and moral values that originated in the XIth century in the ideas of Metropolitan Hilarion, who proclaimed the internal law above the external, continue to live and largely shape the worldview of modern Russian youth. This philosophical heritage is transmitted, in particular, through humanitarian education and especially through the works of classical Russian literature, as shown by the analysis of the results of our sociological research. The article also outlines directions for further development of the topic we have studied.
ON THE SOCIAL STATUS OF PIANISTS-CONCERTMASTERS
Authors:   Russian State Specialized Academy of Arts, Moscow, Russian Federation, Kalitzky V. V.
Published: October 2021

The relevance of the research lies in the long overdue need to re-evaluate the role of the pianistconcertmaster in the performing and pedagogical processes, as well as to review the level of financial support for these musicians. The main reasons for the unfavorable situation in their social status are the lack of activity of piano-concertmasters themselves; the lack of an appropriate consolidated position among musicians working with concertmasters (performers on various instruments, singers, choreographers, conductors, directors, teachers of relevant disciplines in educational institutions, etc.), managers of creative and educational organizations, researchers of performing arts; insufficiently developed system of training pianists-concertmasters in professional activities. As a result, we note the absence of appropriate legislative decisions on financing these musicians' work. The article attempts to systematize the data of relevant state and non-state resources, that analyze the level of material remuneration for the work of pianistsconcertmasters. The income of these musicians, which does not correspond to the level of their education, as well as intellectual, emotional and physical expenses, are clearly shown. As a possible way to correct this situation, the author suggests a concept that includes a number of provisions that allow increasing the prestige of the concertmaster profession by its universal recognition. The mechanism of such a system includes a clearly defined goal and criteria for achieving it, tasks, implementation methods and expected results.
ROCK OPERA GENRE AND ITS OUTSTANDING EXAMPLES IN THE MUSICAL CULTURE OF THE LAST THIRD OF THE XXTH CENTURY
Authors:   Russian State Specialized Academy of Arts, Moscow, Russian Federation, Tsihan Xia
Published: October 2021

The article reveals the features of rock opera as a genre of mass musical culture in the last third of the XXth century. On the example of two outstanding genre samples — "Jesus Christ Superstar" by E. Lloyd-Webber and T. Rice and "The Star and Death of Joaquin Murieta" by A. Rybnikov and M. Zakharov — the specifics of the plot interpretation, dramaturge organization, musical and expressive means and life forms of the work are considered. At the same time the author presents the background content of the two rock operas, the characteristics of their creators and the history of the first performance. The conclusion is drawn about their significance in modern mass musical culture. The media side of a rock opera is also emphasized, which tunes it to comparison with the art of cinema, establishing a connection between rock opera and musical, as one of the most popular and communicative genres of modern musical theater. The conclusions highlight the liveliness and innovation of the two works, which are an organic part of rock aesthetics. Both works introduce into the musical and poetic text "lexemes" the spoken language of youth as markers of the genre and attributes of belonging to rock culture. Until now, they are undisputed masterpieces of world popular music and stage culture.
KAZAKHSTAN`S MODERN MASS CULTURE IN THE CONTEXT OF MUSICAL REVIVAL TRENDS
Authors:   Kazakh National University of Arts, Nur-Sultan, Kazakhstan, Murzaliyeva S. S.
Published: October 2021

In the last third of the XXth century, traditional Kazakh musical instruments acquired a new sound. Folk music of Kazakhstan has been enriched by a wide variety of musical styles based on traditional folk music. The young generation is of great interest to performers with new technical capabilities. Traditional instruments are experiencing a second wave of reconstruction, electric musical instruments (electric dombyra, electric sherter, electric kobyz, etc.) appear, thereby a new performing tradition is born in the mass musical culture of Kazakhstan. Musicians-performers use new compositional techniques, introduce electronic patterns, etc., maintaining connection with national traditions of Kazakh folklore. Kazakh festivals provide an unprecedented opportunities to demonstrate their musical products to musicians and promoters, which is especially important for attracting a diverse audience to the revived repertoire.
ISSUES OF ETHNOCULTURAL TRADITIONS DEVELOPMENT IN MODERN ARTISTIC PRACTICE
Authors:   Abai Kazakh National Pedagogical University, Almaty, Republic of Kazakhstan, Murataev K. K. , Krykbayeva S. M. ,   Kazakh National Women's Teacher Training University, Almaty, Republic of Kazakhstan
Published: October 2021

The article deals with insufficiently studied theoretical aspects of revealing and analyzing new elements and motives of artistic and compositional means of expression in folk art, as well as topical issues concerning determining principles and possible options for their creative development in modern decorative and applied art, design, and artistic practice in general. The most important structural features of shaping in traditional art in the ontologically interrelated system "nature — man — object" are analyzed. The main structurally stable elements and components in Kazakh folk ornament are distinguished and characterized, these are the circle, S-shaped element, cruciform and triangular components. The evolution of their ideological and figurative interpretation and symbolism is traced, and their role in the genesis of folk art traditions formed over thousands of years is revealed. The selected basic elements of folk ornament, as the main components of means of artistic expression, are proposed to be defined and developed in line with modern interpretations of artistic and aesthetic categories — dynamics, statics, harmony and their decorative variations in accordance with the volumetric and spatial features of form.
SYMPHONY CONCERTO FOR PERCUSSION AND ORCHESTRA "SACRED FIRE 2008" BY TANG JIANPING: THE PROGRAM AND ITS INSTRUMENTAL IMPLEMENTATION
Authors:   Russian State Specialized Academy of Arts, Moscow, Russian Federation, Zekang Chen
Published: October 2021

The article introduces the famous Chinese composer Tang Jianping's "Sacred Fire 2008" Symphony Concerto for percussion instruments for the first time. The composition inherits the principles of a classical concert, in which the idea of a competition between a solo instrument (or a group of instruments) and an orchestra is brought to the fore. The Concerto was written for a triple orchestra with a significant expansion of the percussion instrument group, which are represented by both European varieties and national phono instruments (small Chinese cymbals and Peking Gong), helping the composer to achieve unusual timbre combinations. The soloist's part is also assigned to percussion tools. The considerable expansion of the percussion instruments and their promotion to leading positions is due not only to special attention to their timbre and imaginative capabilities. Among the reasons is the author's desire to establish a connection with ritual music through percussions, which is extremely important considering his special attention to the history and culture of his country. The Concerto is permeated with symphonic development, as indicated by a number of specific features that are revealed through musicological analysis. Special attention is paid to the Concerto program, which was inspired by the XXIXth Summer Olympic Games, but has a deeper meaning — it reflects the worldview of Chinese people and Chinese history.
PRE-MOSCOW PERIOD IN THE ACTIVITIES OF P. A. PABST (1854–1878)
Authors:   Moscow State Tchaikovsky Conservatory, Moscow, Russian Federation, Merkulov А. М.
Published: October 2021

The article investigates for the first time in Russian and foreign musical science the early period of activity of P. A. Pabst, an outstanding Russian pianist of German origin and Professor at the Moscow Conservatory from 1878 to 1897. The author studies the ways of the musician's formation, the influence of his inner circle — his father August Pabst and brother Louis Pabst, as well as the influence of his teachers and senior colleagues — Louis Köhler, Anton Door, Adolf Blassmann, Franz Liszt, A. G. and N. G. Rubinstein. A wide historical material, often first introduced into scientific use (reviews in foreign and Russian press, memories of contemporaries, reference publications, archival documents, etc.), traces the artist's tour routes to Königsberg, Dresden, Riga, Warsaw, Smolensk, etc.; notes his collaboration with the largest performers of the time — Ole Bull, V. V. Bezekirsky, A. G. Menshikova, etc.; recreates the features of the young Pabst's performing style, especially his solo (piano and organ), but also ensemble and concertmaster art; reveals the repertoire preferences of those years; compares the creative principles of the early period with those of mature pianism, manifested later in Moscow. The result is a complete performing image of a wonderful musician.
SOME STYLE FEATURES OF VIOLIN WORKS BY N. K. MEDTNER
Authors:   Lemmens Institute (Conservatory), Leuven, Belgium, Maytesian T. D.
Published: October 2021

The article examines violin works by Nikolay Karlovich Medtner in the context of creative collaboration with his wife A. N. Medtner and his elder brother, violinist and conductor A. K. Medtner, who repeatedly made orchestral arrangements of piano works by Nikolay Karlovich. General and specific features of each of the five opuses are characterized: Three Nocturnes op. 16, Two Canzones op. 43 and Sonatas op. 21, 44 and 57. The leading role of the theme, the originality of rhythm, combining the static nature of ostinato episodes with improvisation are emphasized. The scale of the concept and the philosophical depth of violin works also determined new conceptual possibilities, which were revealed in the interpretation of forms, genre orientation and figurative content. The study of Medtner's creativity allows to expand the knowledge about the Silver Age violin art through a new search for eternal cultural values.
SOUND IMAGE OF A CUCKOO IN INSTRUMENTAL MUSIC BY COMPOSERS OF THE XVIITH — XIXTH CENTURIES
Authors:   Children's Art School no. 1 named after N. P. Rakov, Kaluga, Russian Federation, Limitovskaya A. V. , Alekseeva I. V. ,   Ufa State Institute of Arts named after Zagir Ismagilov, Ufa, Republic of Bashkortostan, Russian Federation
Published: October 2021

The article presents the results of the research on musical and artistic creation of the image of one of the most striking creatures — the cuckoo. The ways to implement the peculiarities of its singing in instrumental compositions of the XVIIth – XIXth centuries are revealed and described in cultural and stylistic context. The authors analyze the role of timbre-intonational components of the bird's singing in the formation of some acoustic model, which becomes the basis for its representation by instrumental means in composer's works. The special sound pitch and rhythmic organization, together with timbre, representing the characteristics of the acoustic signal source, make it possible to recognise the cuckoo's voice in nature, while measured and repeated intonational complex becomes an absolute index-sign for perception. This research revealed that the method of artistic modeling appears to be the main one in creating the image of a cuckoo in music. A two-step falling intonational figure, which migrates in the works of composers of different styles and nationalities, becomes the invariant. Preserving its main features, it changes under the influence of the context — metrorhythmic, dynamic, agogic and other components of the text. Distinguishing the characteristic intonation in our perception, the timbre component largely determines its transformation in a musical text. The result is a wide development of timbre-intonational model.
ART MEDIATION IN RUSSIA AND FRANCE: GENERAL AND DIFFERENCES
Authors:   Moscow University for the Humanities, Moscow, Russian Federation, Ilinskaya N. I.
Published: October 2021

The article discusses the phenomenon of art mediation. The relevance of this problem is due to the fact that the concept of art mediation, or "museum as a cultural mediator", is relatively new in Russia. It is mainly adopted in our country by contemporary art museums, often nonstate. At the same time, in a number of countries around the world, and especially in France, the concept of art mediation (médiation culturelle), or "museum-mediator", firmly rooted in museum practice, in the legal field, as well as in university education and training, practically forcing out the more familiar for Russia term "museum pedagogics" (pédagogie muséale). In this regard, it is important to think about and understand the French experience in this field and how it can be applied in the Russian context, outside the still relatively small sphere of private and contemporary art museums, where this experience is already being applied.
INCLUSION AND ATTITUDE TOWARDS EDUCATION OF ART STUDENTS
Authors:   Institute of Education Management of the Russian Academy of Education, Moscow, Russian Federation, Sobkin V. S. , Sobkina A. V. ,   Performing Arts School of Oleg Tabakov, Moscow, Russian Federation, Lykova T. A. ,   Institute of Education Management of the Russian Academy of Education, Moscow, Russian Federation; Institute of Foreign Languages of the Peoples' Friendship University of Russia, Moscow, Russian Federation
Published: October 2021

The article presents the study results of the characteristics of the attitude of students with disabilities and students with preserved health to higher education in the field of culture. Motivation for higher education and requirements to its content, as well as results of the structural analysis of the aims and motives for higher education are considered. Answers of students with preserved health and students with various types of disabilities are compared, also age dynamics and answers of students of different faculties (theater, music, fine arts) are analyzed. The study involved 167 RGSAI students, 98 of them — with preserved health and 67 — with disabilities. Questionnaire survey method was used; the results were processed by mathematical statistics methods. It is shown, that with age students undergo a restructuring of educational motivation from social desirability to personification, the desire to develop their own abilities. It is revealed, that for students with disabilities the meaning of studying at a university to a much greater extent, in comparison with students with preserved health, is to develop their abilities and opportunities for socialization. For healthy students the priority is to become a specialist in a particular field in order to subsequently have a high-paid job. For students with disabilities university education is an important institution of socialization and a platform for their social activity. Structural analysis identified the basic semantic modalities that determine the differences in students' motives and goals for obtaining higher education.
Features of the adverse effect of drinkers on children in microsocial environment
Authors: Linskiy Igor , Kuzminov Valerii , Minko Oleksandr , Kozhyna Hanna , Grynevych Yevheniia , Ovcharenko Mykola , Chugunov Vadim , Postrelko Valentyn , Denysenko Mykhailo , Plekhov Vladyslav , Tkachenko Tetiana , Zadorozhnyi Volodymyr , Malykhina Nataliia , Minko Oleksiy , Lakynskyi Roman , Vasilyeva Olga , Yurchenko Olha
Published: October 2021

The purpose of the work is to study individual manifestations of adverse effects of drinking people on children in their microsocial environment. In four regions of Ukraine (Kharkiv, Luhansk and Zaporizhzhia regions, as well as the city of Kyiv), during 2018—2020, 1742 people were examined, who belonged to three qualitatively different comparison groups: patients with alcohol dependence (AD) (393 people); healthy relatives of alcohol-dependent patients (274 people) and representatives of the general population (1075 people). Of these surveyed, respondents were identified who had children in the environment: 288 persons among healthy people and 121 persons among patients with AD). Further research focused on this particular contingent. The main research tool was the questionnaire of the international research consortium GENAHTO (Gender, Alcohol, and Harms to Others). The obtained data were processed by methods of mathematical statistics (variance and correlation analysis) on a computer using Excel 2016 spreadsheet program (with the Data Analysis package). The influence of the presence of drinkers in the environment of children on the frequency of manifestations of their distress is described. It has been confirmed that the most common reason for the disadvantage of children is their own drinking parents, as well as other (except for parents and siblings) drinking relatives. It was found that in healthy respondent’s unfavorable behavioral features of relatives and friends of drinkers always directly correlate with indicators of the disadvantage of children in their environment, while in respondents’ dependent on alcohol these correlations have a complex, mosaic nature, which requires further research to establish the causes of this phenomenon. and its use in practical work.
Tourism Actors' Engagement and Logics of Whale Protection and Conservation in Norway
Authors: Bertella Giovanna
Published: October 2021

The perception of activities that may harm whales and their coexistence with whale tourism can be problematic for a destination's attractiveness and its potential role in setting good standards for the sector and educating tourists. This research note investigates the online debate about the legitimacy of a research project on wild whales in Norway. In particular, it investigates the local tourism actors' engagement in such debate, and how the two sides of the debate argue for the legitimacy of different logics of whale protection and conservation. The findings derived from a thematic and discourse analysis show that the local tourism sector and academia minimally engage in the debate and that the debate presents elements of different logics relating to the traditional and compassionate conservation paradigms. This article considers the tourism actors' non-engagement in the aforementioned debate as a missed opportunity, and concludes by inviting the reader to reflect on the collaboration between the tourism sector and academia, in particular its desirability, motivations, and consequences.
Creeping occupation of Georgian territories and
Russian aggression against Georgians living in occupied territories
Authors: Modebadze Valery
Published: October 2021

This
article describes the creeping occupation of Georgian territories and Russian
aggression against the local civilian population. It explains in detail how Russia violates
international norms and rules and treats the civilian population in the
occupied territories of Georgia. Since
the occupation of the Georgian territories, Russia constantly discriminates
against the local Georgian people and treats them very inhumanly. Many Georgian families were forced to abandon
Abkhazia and South Ossetia due to this inhuman treatment. The legal status of Georgians living in the
occupied territories considerably worsened after the Russian Federation signed
a treaty on “alliance and strategic partnership” with Abkhazia and South
Ossetia. As time passes, Russia is creating more obstacles and problems for
local Georgian people and treats them very inhumanly. Georgians living in the occupied territories
are deprived of all human rights and are treated as second-rate citizens by
puppet regimes in Abkhazia and South Ossetia. Georgian people living close to the occupation line also face enormous
problems due to the creeping annexation of Georgian territories. Russian Federation tries to expand the
boundaries of South Ossetia at the expense of Georgian lands. As a result of this creeping occupation local
Georgian people living close to the occupied territories constantly lose their
vital agricultural lands, which are the only source of income for them.
LEVERAGING DATA MINING TECHNIQUES IN DEVELOPING AN INTEGRATED FRAMEWORK TO PREDICT THE HEALTH PREDICTIONS
Authors: Sharma Mridul , Sharma Mridul
Published: October 2021

Our exploration traces the data mining techniques with their applications, clinical, and informational pieces of Clinical Predictions. In clinical and clinical benefits locales, in light of rules and the openness of PCs, a great deal of data is starting up. A great deal of information can't be ready by individuals to make investigation and treatment plans in a brief period. A significant goal is to assess information mining procedures in clinical and medical services applications to encourage clear selections. It furthermore gives a pointto-point conversation of clinical information mining methods that can work on different parts of Clinical Predictions. It is another amazing advancement that is of inordinate interest in the virtual world. It is a computer programming subfield that utilizations existing data in different informational collections to transform it into new investigations and results. It utilizes AI and data base administration to isolate ongoing models from gigantic instructive lists and the data identified with these models. The original assignment is to eliminate information via software or self-loader implies. The various parameters included in information mining incorporate forecasting, path analysis, clustering and other analysis.
Efficacy of online mindfulness in heart disease: A systematic review protocol
Authors:   Tehran University of Medical Sciences, Tehran, Iran, Doustmehraban Maryam , Ferdosian Hengameh , Emami Seyed Ali , Sedighi Elahe , Moridi Mina , Zamanian Hadi
Published: October 2021

Review question / Objective: The aim of this systematic review is to investigate the efficacy of mindfulness interventions on physiologic and psychological outcomes in heart disease. Condition being studied: Heart disease is one of the most important life-threatening conditions and various psychological and physical treatments are considered for them. one of the psychological interventions which is used widely in a chronic disease context, is mindfulness-based interventions that could be delivered online. Information sources: Web OF Science Core Collection; EMBASE; Scopus; Psych Info.
A new EPOR/CD131 heteroreceptor agonist EP-11-1: a neuroprotective effect in experimental traumatic brain injury
Authors: Antsiferov Oleg V. , Cherevatenko Roman F. , Korokin Mikhail V. , Gureev Vladimir V. , Gureeva Anastasia V. , Zatolokina Marija A. , Avdeyeva Elena V. , Zhilinkova Lyudmila A. , Kolesnik Inga M.
Published: October 2021

Introduction: EP-11-1 (UEHLERALNSS) is a short-chain erythropoietin derivative without have erythropoietic activity. It was created by modifying a peptide mimicking the spatial structure of the erythropoietin a-helix B pHBSP. One of the promising directions of its administration is the correction of morphofunctional disorders that occur in traumatic brain injury (TBI).

Materials and methods: The study was performed in 160 male Wistar rats, weighing 180–200 g.TBI was simulated using the drop-weight method. To assess the emerging morphofunctional disorders and a degree of their correction, we used the severity of neurological deficit, indicators of locomotor activity and exploration, a marker of brain injury S100B and morphological examination.

Results and discussion: The combined administration of a new EPOR/CD131 heteroreceptor agonist EP-11-1 with citicoline and trimetazidine led to a more pronounced correction of the neurological deficit when compared not only to the group of the ”untreated” animals, but also to the groups of animals to which these drugs had been administered as monotherapy (p < 0.05). The same tendency was also observed in the study of locomotor activity and exploration. A biochemical study showed that the administration of all three combinations led to a statistically significant (p < 0.05) decrease in the S-100B concentration compared not only to the group of “untreated” animals, but also to the groups of animals to which these drugs had been administered as a monotherapy.

Conclusion: The results of the conducted experiments prove the most pronounced positive dynamics in the combined administration of the new EPOR/CD131 heteroreceptor agonist EP-11-1with citicoline and trimetazidine.
Epidemiological analysis of fractional order COVID-19 model with Mittag-Leffler kernel
Authors: Farman Muhammad ,   Department of Mathematics and Statistics, University of Lahore, Lahore-54590, Pakistan, Akgül Ali , Nisar Kottakkaran Sooppy , Ahmad Dilshad , Ahmad Aqeel , Kamangar Sarfaraz , Saleel C Ahamed ,   Art and Science Faculty, Department of Mathematics, Siirt University, 56100 Siirt Turkey,   Department of Mathematics, College of Arts and Sciences, Wadi Aldawaser, 11991, Prince Sattam bin Abdulaziz University, Saudi Arabia,   Department of Mechanical Engineering, College of Engineering, King Khalid University, Abha 61421, Saudi Arabia
Published: October 2021

This paper derived fractional derivatives with Atangana-Baleanu, Atangana-Toufik scheme and fractal fractional Atangana-Baleanu sense for the COVID-19 model. These are advanced techniques that provide effective results to analyze the COVID-19 outbreak. Fixed point theory is used to derive the existence and uniqueness of the fractional-order model COVID-19 model. We also proved the property of boundedness and positivity for the fractional-order model. The Atangana-Baleanu technique and Fractal fractional operator are used with the Sumudu transform to find reliable results for fractional order COVID-19 Model. The generalized Mittag-Leffler law is also used to construct the solution with the different fractional operators. Numerical simulations are performed for the developed scheme in the range of fractional order values to explain the effects of COVID-19 at different fractional values and justify the theoretical outcomes, which will be helpful to understand the outbreak of COVID-19 and for control strategies.