bluuebunny/crossref_metadata_2025 huggingface dataset:
Criminal responsibility for stealing in international law
Authors: Ogorodnikova Nina Vladimirovna , Poltavets Valeria Vladimirovna , Gigineyshvili Maria Teymurazovna , Zharkikh Ekaterina Aleksandrovna
Published: August 2021

This paper is focused on comparative analysis of crimes against property as they are defined in international treaties and Russian Criminal Code. The methodological basis of the study is a set of doctrinal, comparative and linguistic methods. A comparative analysis of international and national criminal legislation providing liability for stealing of property was carried out. The forms of stealing have been determined and their elements have been described. As a result of the study it can be concluded that there is no well-structured system of crimes against property on universal level. Even though there is common understanding of crimes against property in domestic and international law, the Criminal Code of Russian Federation does not share the approach of international treaties in the matter of formulating some elements of actus reus.
Results on a faster iterative scheme for a generalized monotone asymptotically
Authors: Abed Athraa Najeb , Abed II Salwa Salman
Published: August 2021

This article devoted to present results on convergence of  Fibonacci-Halpern scheme (shortly, FH) for monotone asymptotically αn-nonexpansive  mapping (shortly, ma αn-n mapping) in partial ordered Banach space (shortly, POB space). Which are auxiliary theorem for demi-close's proof of this type of mappings, weakly convergence of increasing FFH-scheme to a fixed point with aid monotony of a norm and  Σn+=∞1 λn= +∞, λn =min{hn , (1-hn)} where hn ⸦ (0,1)   where is associated with FH-scheme for an integer n>0 more than that, convergence amounts to be strong by using Kadec-Klee property and finally, prove that this scheme is weak-w2 stable up on suitable status.
Sewage Analysis as a Tool for Environmental Surveillance of SARS-CoV-2: Experience from Delhi, India
Authors:   Consultant (Higher Administrative Grade) and Officer In-Charge, Enterovirus Division, National Centre for Disease Control, Delhi, India, Prakash Charu
Published: August 2021

Background: The COVID-19 pandemic caused by SARS-CoV-2 has resulted in more than 150 thousand deaths in India. SARS-CoV-2 is known to be excreted in stool samples in the range of 102 to 108 gene copies per gram of faeces. Waste-water Based Epidemiology has been advocated by researchers all over the world as a method for environmental surveillance of COVID-19. Objectives: The present study was carried out to determine the presence of SARS-CoV-2, and to quantify it in sewage samples in Delhi, and to estimate the Sensitivity of WBE for COVID-19 Surveillance. Methods: A total of 49 waste water samples from seven different sites in Delhi were each concentrated by three different methods, Ultrafiltration, PEG precipitation and Two-phase separation method. RT-qPCR was done for N1, N2, and E gene of SARS-CoV-2. The minimum number of infected individuals required to yield a positive result was calculated. Results: Out of the 49 samples tested in triplicate, 35 (71.43%) were positive for at least one of the three primers for SARS-CoV-2 (N1, N2 or E) by Method A and 33(67.35%) by Method B. The average concentration calculated for Delhi, using data of the seven sites, was 1.25 x 104 g.c./L of sewage. Approximately 7.5 active cases per 1000 population are required to yield a positive result for Environmental Surveillance. Discussion: SARS-CoV-2 RNA could be successfully isolated from sewage samples in Delhi using Ultrafiltration and PEG precipitation for concentration. The practical limit of detection of the virus in waste water is low enough to make this a highly sensitive method for Environmental Surveillance of COVID-19. The detection of SARS-CoV-2 in sewage is a very useful tool with immense public health significance. It can provide an early warning signal of the presence of disease, and facilitate preparedness for the same.
Comparison of Aerobic and Anaerobic Capacities among Smoker and Non-smoker Male Collegiate Population
Authors:   Physiotherapist at Ekbalpur Nursing Home 9, Ibrahim Rd, Ekbalpur, Khidirpur, Kolkata, West Bengal, India, Qaiser Mahvish
Published: August 2021

Background: Cigarette smoking is common among the male collegiate population. It causes various negative effects on their body, particularly it affects the lungs. Hence, the aim of this study is to compare the aerobic and anaerobic capacities among the smoker and non-smoker male collegiate population. Methods: 68 healthy male college students participated in this study. Aerobic capacity was assessed by 3-minute step test. Anaerobic capacity was assessed by 30-meter sprint fatigue test. T-test was used to compare the data between groups. Result: Present study reported that smokers had a higher heart rate after performing 3-minute step test. The fatigue index was higher in smokers as compared to non-smokers. Conclusion: From the present study it can be concluded that cigarette smoking reduces the aerobic and anaerobic capacities of an individual.
Attitude on HIV/ AIDS and the Effectiveness of Structured Teaching Programme on Attitude regarding HIV/ AIDS among the Industrial Workers in a selected Public Sector Undertaking Agency at Cuddalore District, Tamilnadu
Authors:   Lecturer in Nursing, Rani Meyyammai College of Nursing, Thiruvetkulam, Annamalai Nagar, Chidambaram, Tamil Nadu, India, Sivagamy B
Published: August 2021

Introduction: HIV, the virus that causes AIDS (Acquired Immunodeficiency Syndrome) has become one of the world’s most serious health and development challenges. HIV not only affects the health of individuals, but also leaves severe impacts on households, communities, and the development and economic growth of nations. The worst affected is the business world, which is not only suffering from the cost of the workforce, but also the decrease in profits and productivity level both for the employers and the employees. Methods: A quantitative research approach with pre-experimental one group pre-test–post-test design was used to identify the attitude towards HIV/ AIDS and to evaluate the effectiveness of the STP among 123 industrial workers using convenient sampling technique. Results:There was a favourable attitude towards the basic concept of HIV/ AIDS, treatment aspects, regarding HIV testing and in the prevention of HIV there was a minimal change in attitude; regarding the rights of the HIV affected people, there was a highly favourable attitude among the subjects and caring for the HIV positive people which indicated that the STP was effective.
Knowledge, Attitude and Practice towards COVID-19 among Social Media Users in an Engineering College, South India
Authors:   Senior Resident, Department of Psychiatry, Amrita Institute of Medical Sciences, Amrita Vishwa Vidyapeetham , Kochi, Kerala, India, Mathew Kathleen Anne
Published: August 2021

Background: COVID-19 pandemic has been affecting the global health system profoundly. Various measures have been taken to contain the disease spread. This study was conducted with the aim of assessing the knowledge, attitude and practices in relation to COVID-19 in social media users among college-going students. Methods: A cross –sectional web-based study was conducted among the students of an engineering college in south India. The study questionnaire was adapted from an earlier study which included four segments to collect information regarding socio-demographic details, knowledge, attitude and practices regarding COVID-19. Descriptive statistics was employed and the results were expressed as numbers and percentages. Results: A total of 252 engineering students took part in the study. 251 participants (99.6 %) had knowledge about the symptoms of COVID-19 and 243 (96.4%) participants knew the methods of transmission of the virus. With regard to the attitude towards COVID-19, 246 (97.6%) individuals felt that taking adequate precautions will reduce disease transmission, and 179 (71.0%) individuals completely agreed with the government’s decision to implement the lockdown. Regarding practices related to COVID-19, 214 (84.9%) individuals regularly disinfected their hands, 249 (98.8%) respondents wore a mask regularly, and 226 (89.7%) participants adhered to social distancing norms. Conclusion: The respondents in this study who were social media users in an engineering college in south India had fairly good knowledge, displayed a positive attitude and followed responsible practices with regard to COVID-19. Promotion of knowledge and awareness about the right practices related to COVID-19 among the public is necessary to ensure the adoption of effective preventive behaviours.
Activation of the Oxidative Stress in Culexquinquefasciatus by the Augmented Productionof Reactive Oxygen Species (ROS) in responseto Stachytarpheta jamaicensis Exposure
Authors:   Research & Development Centre, Bharathiar University, Coimbatore, Tamil Nadu, India, PK Vinu Rajan
Published: August 2021

Introduction: Plant-based knowledge has been used for generations for personal protection from various mosquito species. The notion of applying such traditional perspectives in vector control research has received extensive attention in recent years. Unlike other common patterns, the present investigation has tried to explore the augmented production of reactive oxygen species (ROS) in response to Stachytarpheta jamaicensis exposure with special inference on larvicidal potential, mode of action of phytochemical compounds, and oxidative stress. Methods: The larvicidal potential was determined as per the WHO protocol. Ultraviolet-visible spectroscopy was used to determine the excessive production of ROS. GC-MS was employed to characterise the phytochemical constituents. The statistical analysis was done by using SPSS version 24.0.0. Result: The acetone extract has been found to exhibit a maximum range of toxicity in terms of larvicidal potential and reactive oxygen species formation. Among the 40 phytochemical elements characterised, Cyclopropane, 1,1,2,2-Tetramethyl; Phenyl-Acetonitrile; Pyranone; Tetradecene; Neophytadiene; Mome Inositol; Monocrotaline; and Squalene may be responsible for the augmented production of ROS in the Culex quinquefasciatus. Conclusion: The phytochemical elements in Stachytarpheta jamaicensis displayed extensive toxicity and inhibited the normal development of Culex quinquefasciatus mosquitoes by augmented production of reactive oxygen species, indicating its prominent role in oxidative stress.
Impact of School Health Education on Prevalence of Dengue Fever in Lucknow City, India
Authors:   Regional Office of Health & Family Welfare, Govt. of India, Kendriya Bhawan, 9th Floor, Aliganj, Lucknow, India, Kamal Shaukat
Published: August 2021

Of the six vector-borne diseases prevalent in the country, dengue is the second largest cause of morbidity and mortality. The disease is widely prevalent in all parts of the country with variation in intensity including Uttar Pradesh, the largest state of India. Though the disease is known to be urban in nature, cases are being reported from rural areas too. Uttar Pradesh experienced a statewide outbreak of dengue in 2016 and reported 15033 cases and 42 deaths, of which 2772 cases (18.44% of the state) and 18 deaths (42.86% of the state) occurred in the district of Lucknow. The disease is tackled under the guidelines of the Directorate of the National Vector Borne Disease Control Programme (NVBDCP). Accordingly, source reduction and prevention from mosquito bites are the most important techniques in order to prevent the disease spread. Various means like pamphlets and posters containing signs and symptoms of the disease including source reduction and prevention from mosquito bites, written in simple language (Hindi), video clips etc. were used as health educational material. Selected secondary/junior schools were visited as per daily schedule during the month of July in 2017 and 2018, respectively. The sensitisation of the school children played a significant role in bringing down dengue morbidity by 83.73% and 74.74% and mortality by 88.89% and 94.44%, during 2017 and 2018, respectively in comparison to 2016, whereas the case fatality rate (CFR) declined from 0.65% in 2016 to 0.14% in 2018, as the school children along with their teachers played an important role in sensitisation towards the prevention of dengue, due to which they not only became actively involved but also communicated the required messages pertaining to the elimination of breeding sites and prevention from mosquito bites.
Baseline Anti-HBs Antibody Titre in Health Care Workers in a Tertiary Health Care Centre in Faridabad, India
Authors:   Professor, Department of Microbiology, ESIC Medical College, Faridabad, Haryana, India, Khatter Sonia
Published: August 2021

Introduction: Healthcare workers (HCWs) are at a high risk of acquiring hepatitis B virus (HBV) infection through occupational exposure which is preventable through hepatitis B vaccination. Aims: Therefore, we aim to establish the seroprevalence of anti-Hepatitis B surface (anti-HBs) antibody in the HCWs in a tertiary care setup to assess the level of protection that workers in these high-risk zones have. Methods and Material: Serum specimens from participants were tested at the Microbiology laboratory of ESIC Medical College & Hospital, Faridabad. Three ml of venous blood was collected aseptically in a vacutainer. The serum anti-HBs titre was detected by Enzyme-linked immunoassay (ELISA) using the Monolisa Anti-HBs PLUS (Bio-Rad) as per manufacturer’s instruction. Results: Of the 218 HCWs included, 145 (66.51%) were vaccinated, and 73 (33.49%) were unvaccinated. HCWs were grouped into five categories which comprise doctors from all disciplines (n=53), nursing staff (n=50), technicians (n=52), nursing orderly (NO) (n=34),and housekeeping (n=29). Among various groups of HCWs, the vaccination rate was highest among doctors (96.23%) than the other groups. While comparing the anti-HBs titre among the unvaccinated HCWs, it has been seen that out of 73 (33.49%) HCWs, majority of the NO (76.47%) were having titre below 10 mIU/ml followed by housekeeping (73.68%), technicians (70.58%), and nursing staff (33.33%). Conclusions: All HCWs should be regularly screened for HBs antigen along with administration of a booster dose and monitoring of anti-HBs titre.
Declining COVID-19 Mortality with the Lockdown in India
Authors:   Assistant Professor, Department of Chemistry, DDU Gorakhpur University, Gorakhpur, Uttar Pradesh, India, Singh Geeta
Published: August 2021

Background & Objectives: Nationwide lockdown was imposed in India to contain the spread of COVID-19, -which had its own associated benefits. Though lockdown caused substantial losses to the various sectors of people, but it served the very purpose for which it was imposed in the nation in an indirect way and the same has been discussed in this article. This article has been developed with a view of reflecting the impact of disease and declining COVID mortality further to the imposition of lockdown in India. Methods: An exploratory research technique was used for studying the impact of lockdown on mortality rate due to COVID-19 by conducting data analysis on openly available situation reports of the WHO. Further, the adverse impacts of COVID-19 on migrants, women, and children have been discussed in this article. Results: Though the positive cases of COVID-19 are rising with the removal of the lockdown but the mortality rate is continuously reducing post the completion of lockdown. Also, the article reveals that the most adversely affected due to the disease in India are migrants, women, and children. Interpretations and Conclusions: India, having a population of more than 200 million, has got the lowest COVID mortality rate among the countries with a population of more than 200 million. The COVID-19 mortality rate in India started declining further to the imposition of lockdown. All sections of the society got substantially impacted by the pandemic but the ones majorly impacted are women, children and migrant workers. The economical shortfall due to imposed lockdown and pandemic is recovering at a gradually increasing rate but still the COVID precautionary measures need to be adopted by all, till the government asks for not following the same.
Assessment of COVID-19 Vaccine Acceptance among Health Care Workers and General Population - A Cross-Sectional Survey
Authors:   Department of Pharmacology, Chettinad Hospital & Research Institute, Chettinad Academy of Research and Education (CARE), Kelambakkam, Chennai, Tamil Nadu, India, R Arunkumar
Published: August 2021

Introduction: This cross-sectional survey was conducted to estimate the proportion of participants among health care workers and general population who are willing to get vaccinated against COVID-19 and those who are not, and to identify the reasons for vaccine hesitancy among the participants. Methods: Health care workers of a tertiary care hospital and the general population residing in the nearby areas of the tertiary care hospital were predominantly included in the study. A specific questionnaire was designed, validated, and administered to the participants after obtaining consent. Result: The responses were collected using Google Form and compiled in an excel sheet for analysis. The difference in opinion with regard to acceptance of the COVID-19 vaccine was statistically analysed using Chi-square test. The vaccine acceptance rate was high among the general population (70.2%) as compared to health care workers (56.7%) (p = 0.0006, highly significant). The remaining proportions of participants (43.3% of health care workers and 29.8% of general population) were hesitant to receive the COVID-19 vaccine. Conclusion: The reasons for vaccine hesitancy were fear of harmful effects, doubtful efficacy, lack of transparency in clinical trials, and fast track vaccine development.
Is Man the New Prospective Amplifying Host? Evolving Faces of SARS-CoV Dynamics and the Epidemiological Challenges
Authors:   Scientist ‘G’, Department of Community Medicine, Armed Forces Medical College, Pune, Maharashtra, India, Tilak Rina
Published: August 2021

Introduction: The ongoing COVID-19 pandemic has wreaked havoc across the globe. Health systems are grappling with an unprecedented pressure, as the highly virulent SARS-CoV-2 strain is spreading unhinged, under a yet to be understood selection pressure. To understand the underlying causes, and the rapidly evolving disease epidemiology, we need to look closely and comprehend the evolutionary dynamics of the Human Coronaviruses or the HCoV. Methods: The research about this narrative review was conducted using digital platforms like PubMed/Medline, Semantic Scholar, medXiriv, Google Scholars, NIH, EMBL repository, John Hopkins CSSE COVID-19 Data, ResearchGate, and all the mentioned published work, peer-reviewed research articles, and data, have been accessed using the same. Results: The global rise in COVID-19 incidence and the declining trend witnessed in CFR clearly indicates rapid adaptability of the virus across a widespread population encompassing varied genetic make-up, race, diversity, and others. The last two decades have witnessed two HCoV related epidemics viz. the highly pathogenic Severe Acute Respiratory Syndrome Coronavirus or SARS-CoV and MERS-CoV. While both instances reflect the suspected role of bats as the common reservoir host, the differing intermediate hosts and subsequent spill over to humans is alarming. Conclusions: Through this review, we hypothesise that large-scale pandemics such as this, with alarming instances of differential case incidence patterns in widely varied climatic and geographical conditions put forth the rapid genetic adaptability of coronaviruses. This raises further concerns of a prospective “amplifying-host” in man keeping in mind the widely prevalent asymptomatic silent carriers of COVID-19 currently present across the globe.
Guillain Barre Syndrome in a Young Man with SARSCoV-2: A Rare Association
Authors:   Professor of Medicine & Head, Department of Pulmonary Medicine, Maulana Azad Medical College, New Delhi, India, Kumar Naresh
Published: August 2021

Guillain Barre Syndrome (GBS) is usually a post-infectious autoimmune disease that manifests as acute ascending flaccid paralysis. The disease is usually uncommon. However, recently it was reported in a few COVID-19 cases before complete resolution of COVID symptoms. An association between olfactory-gustatory disturbances and sensory abnormalities is frequently observed in GBS with COVID-19. The electrophysiological studies usually reveal a demyelinating pattern. Respiratory involvement, as part of respiratory muscle paralysis or COVID-19 pneumonia, is associated with poor recovery in affected patients. Here, we present a case of a young man, pre-morbid healthy, who presented with GBS with mild COVID-19 infection. He successfully recovered after treatment with Intravenous immunoglobulin IVIg.
Application of medicinal plants for decorative purposes by the local populatuion on the North Black Sea coast (Bulgaria)
Authors: Boycheva Petya , Ivanov Dobri , Yaneva Galina
Published: August 2021

The aim of the present study is to identify medicinal plants used for decorative purposes by the local population along the Northern Black Sea coast (Bulgaria). A survey was conducted in the period 2014-2020. The interviews with the local population were conducted “face to face” with the help of pre-prepared original questionnaires. The surveyed locals are 709 people from 32 settlements. Respondents were randomly selected. They are of different age groups, gender, ethnicity, education and employment. The folk names of the used medicinal plants are recorded. The results show that a significant proportion of respondents (52.89%) use medicinal plants for decorative purposes. The medicinal plants used for decorative purposes by the locals are 73 species, belonging to 61 genera from 30 families. The present study is part of a larger ethnobotanical study of medicinal plants in the region of the North Black Sea coast.
Comparative ethnobotanical analysis of the used medicinal plants in the region of the Northern Black Sea coast (Bulgaria)
Authors: Boycheva Petya , Ivanov Dobri
Published: August 2021

The current ethnobotanical study summarizes the use of medicinal plants by locals in the region of the Northern Black Sea Coast, Bulgaria. The survey was conducted in the period between 2014 and 2020. After prior informed consent, 709 local residents from 32 settlements were interviewed. The interviews with the local population were conducted using the “face to face” technique with the help of pre-prepared original questionnaires. The study presents quantitative ethnobotanical information on the use of medicinal plants in the study area. The results were analyzed using quantitative indices: Respondent Consensus Ratio (FIC), Loyalty Level Index (FL) and Significance Value Index (IVs). A total of 332 species of medicinal plants belonging to 250 genera of 90 families have been identified for the region of the Northern Black Sea Coast. The largest number of citations are registered for the use of medicinal plants for culinary purposes and for use in human medicine. The use of medicinal plants in other household applications has been studied.
Technological properties of triticale (Secale cereale L.) grown under unconventional agriculture
Authors: Dochev Veselin
Published: August 2021

During the period 2019 - 2020, a study was conducted on soil type calcic chernozem with Kolorit triticale variety. The experiment is based on the block method, in four replications with a size of the experimental plot of 10 m2. Sowing was carried out in October with a sowing rate of 500 sprouts/m2 after the predecessor sugar beet. In the appropriate periods, treatments were made in 4 variants: 1) Control - untreated variant, 2) Treatment with biodynamic preparations: 500 + Fladen preparation + preparation 501, 3) Treatment with biological preparations: Heliosulfur + Free N, 4) Combined treatment with the same biodynamic and biological preparations.

Preparation 500 was applied in the phase of autumn and spring triticale tillering - 5% solution. Preparation 501 was applied in the phase of ear formation - 1.5 g for 30 l of water/da. Fladen preparation was applied in the phase of autumn and spring tillering - 1.5% solution. Heliosulfur was applied in the ear formation phase - flowering at a dose of 50 ml/da, on an appropriate date on the biodynamic calendar. Free N was applied to the soil in the phase of autumn and spring tillering at a dose of 50 ml/da, on an appropriate date on the biodynamic calendar.

The analysis of the technological qualities is made according to the respective ISO methodology. The statistical data processing was performed with the STATGRAPH program.

The application of biodynamic and biological preparations and their joint use leads to an increase in the content of Nitrogen-free Extracts, an increase in the content of Minerals and Ca in the variant treated with a combination of biodynamic and biological preparations. Treatment with biodynamic preparations has been shown to increase the dry matter and organic matter content of the grain, while when compared to the control one, a difference in the same indicators has been observed only in the second year of the experiment with biological preparations. Treatment with biodynamic and biological preparations and their joint use did not affect the content of N, P and K.
PAT PINURBA
Authors: Afrita Oky Bima Reza
Published: August 2021

Pat Pinurba merupakan koreografi kelompok yang terinspirasi dari konsep kiblat papat lima pancer yang berarti “empat arah yang ke lima pusat” di Jawa. Judul ini diambil dari bahasa Sanskerta, Pat berasal dari kata papat yang berarti empat, sedangkan Pinurba berasal dari kata purba yang berarti kekuasaan. Pat Pinurba dapat dimaknai sebagai empat yang dikuasai/dikendalikan.  Karya tari Pat Pinurba diekspresikan secara simbolis dan ditarikan oleh delapan penari, empat penari putra dan empat penari putri. Esensi kualitas gerak lembut dan keras (kendho dan kenceng) serta kualitas gerak dengan tempo lambat/pelan dalam teknik tari alusan Jawa yang tenang, mengalir, lambat dan detail menjadi inspirasi dasar untuk mengekspresikan karya Pat Pinurba. Karya tari ini didukung dengan video mapping, sehingga pencahayaan yang digunakan membutuhkan beberapa special light. Pendekatan koreografis yang digunakan pada karya tari Pat Pinurba yaitu sensasi ketubuhan, sensasi emosi, sensasi imaji, dan ritus ekspresi.Pat Pinurba is a dance art work created as a group choreography. This title took from sanskerta language, “Pat” from the word papat which means four, then “Pinurba” from the word purba which means control. Pat Pinurba has a meaning to control the four. Kiblat papat lima pancer concept which means “four directions then the fifth is the central” in Java, was take to express Pat Pinurba. Pat Pinurba shown symbolisly and danced by eight dancers, four male dancers and four female dancers. The soft and strong movement quality (kendho and kenceng) also the dinamic movement in alusan dance from Java which are smooth, flow, slow, and detail become a basic inspiration to express Pat Pinurba. This dance art work supported with a video mapping, so it needs a special lights. To create this choreography it used fisical sensation, emosional sensation, imaginal sensation, and ritual expression.
ANALISIS KOREOGRAFI TARI KETIMANG BURONG SUKU SAWANG
Authors: Afnal Martha Sarassati
Published: August 2021

Tari Ketimang Burong adalah sebuah pertunjukan tari yang lahir dari masyarakat suku Sawang Belitung. Tari ini adalah tari kelompok yang ditarikan oleh 6 orang penari laki-laki dan 6 orang penari perempuan secara berpasangan. Dilihat dari gerak, pola lantai, dan syair yang dilantunkan oleh para penyanyi memberikan gambaran mengenai kehidupan keseharian masyarakat suku Sawang yang dahulunya adalah suku yang menghabiskan hidupnya di lautan lepas.  Pemahaman analisis koreografi terdiri dari prinsip-prinsip kebentukan yang meliputi: keutuhan, variasi, repetisi, transisi, rangkaian, perbandingan dan klimaks.Dengan pendekatan Koreografi yang meliputi aspek bentuk, teknik, dan isi, serta menganalisis gerak tari dari aspek tenaga, ruang, dan waktu. Ketiga konsep tersebut merupakan satu kesatuan dalam bentuk tari yang tidak dipisahkan dan merupakan satu kesatuan bentuk tari yang utuh.  Tari Ketimang Burong suku Sawang merupakan suatu tari hiburan dengan bentuk koreografi tari kelompok. Koreografi dalam tari ini memiliki motif gerak yang sangat sederhana, setiap motif geraknya dilakukan berulang-ulang. Dari kesederhanan yang terdapat dalam tari Ketimang Burong menyimpan berbagai makna disetiap hal yang terkait dengan tari tersebut, diantaranya tema, gerak, kostum, pola lantai, dan syair yang menjadi aspek penting dalam tari Ketimang Burong. This researchment analyze choreography of Ketimang Burong as a dance that comes from Sawang’s People of Belitung. This dance is a group dance that was danced by 6 male dancers and 6 female dancers in pairs. This dance is a dance that’s very closely related to daily life of the Sawang’s people. Judging from the motion, pattern of the floor, and the lyrics that sung by the singer provide an overview of the tribe of Sawang people who were former as the tribe who spend their life  in the sea.  This Researchment uses choreography appoarch, covering the aspect of form, technique, and content. And analyze the motion of dance from the aspect of energy, space, and time. The three concepts are unity in the form of dance that is not separated and is a unified whole dance form. The understanding of choreographic analysis consists of the principles of deformity which include : wholeness, variety, repetition, transition, sequence, comparison and climax.  Ketimang Burong dance of Sawang’s people is a entertainment dance where the form of choreography is a group dance. Choreography in this dance has a very simply motif, it is like every single of motion motif is done repeatedly. From the simplicity of Ketimang Burong dance, there are various meaning in ever thing related to the dance among theme are theme, motion, costume, floor pattern, and poem which become important aspect in Ketimang Burong dance.
Rancangan Multimedia Tari Kreasi Anak “Oray-orayan” Untuk Pembelajaran SBdP di Sekolah Dasar
Authors: Wahyuni Khaerunnisa Sri , Kusdiana Aan , Pranata Oyon Haki
Published: August 2021

Penelitian yang dilakukan ini dilatarbelakangi oleh pentingnya rancangan multimedia tari pada pembelajaran SBdP. Penelitian ini bertujuan untuk mendeskripsikan hasil dan bentuk rencana multimedia tari kreasi anak “oray-orayan” untuk pembelajaran SBdP di Sekolah Dasar. Dalam pembelajaran SBdP, media pembelajaran yang digunakan berupa video dari internet. Video tersebut masih sederhana didalamnya hanya berupa gerakan tari, tidak terdapat animasi gerak tari dengan menggunakan tokoh kartun, tidak ada langkah-langkah menari serta tidak terdapat gambar dan teks sebagai materi pendukung. Media pembelajaran ini termasuk hal penting dalam proses pembelajaran, karena sebagai alat perantara dalam proses pembelajaran yang digunakan untuk menyampaikan informasi dalam proses pembelajaran antara guru terhadap peserta didik dalam menyampaikan informasi. Diharapkan dapat menciptakan pembelajaran yang lebih bermakna dengan pengembangan yang dilakukan terhadap salah satu media pembelajaran. Penelitian ini menggunakan metode kualitatif dengan analisis data secara deskriptif dengan menggunakan data hasil FGD (Focus Group Discuss). berdasarkan data FGD yang di dapatkan, rancangan Multimedia Tari Kreasi Anak “Oray-orayan” mendapatkan kelayakan dan memenuhi kriteria yang diinginkan untuk dijadikan sebagai media pembelajaran yang dapat digunakan untuk pembelajaran SBDP di SD. ABSTRACT This Research is backed the importance of multimedia design dance on SBdP learning. This research aims to describe the results and form of multimedia plan of childern Dance Creations “Oray-orayan” for learning SBdP in elemntary school. In SBdP learning, the learning media used is video from the Internet. The Video is still simple in the form of dance movement, there is no animation of dance motion using cartoon characters, there are no dance steps and there are no pictures and texts as supporting material. This learning Media is important in the learning process, because as an intermediate tool in the learning process used to convey information in the learning process between teachers and students in conveying information. It is hoped that you can create more meaningful learning with the development done with one of the learning media. This research uses qualitative methods with descriptive data analysis using FGD (Focus Group Discuss)result data. Based on the FGD data obtained, the Multimedia design of the children's Dance creations "OrayOrayan" is qualified and fulfills criteria which is desirable to serve as a learning medium that can be used to study SBdP in SD.
MAKNA SIMBOLIS TARI RAWAYAN KARYA GUGUM GUMBIRA
Authors: Ayuningsih Dwi Risnawati
Published: August 2021

Tari Rawayan merupakan tari Jaipongan karya Gugum Gumbira Tirasondjaja yang diciptakan tahun 1986 sebagai hadiah dalam acara memperingati hari ulang tahun Ibu Negara Republik Indonesia yaitu Raden Ayu Siti Hartinah atau yang akrab disapa ibu Tien Soeharto di gedung Sasono Langen Budoyo Taman Mini Indonesia Indah Jakarta. Tari Rawayan merupakan suatu tarian yang berisi wejangan kepada seluruh masyarakat khususnya pada masa pemerintahan bapak Soeharto dan ibu Tien bahwa dalam masa pembangunan yang sedang berlangsung ini, bapak Soeharto dan ibu Tien harus ingat dan hati-hati dalam mempertahankan nilai-nilai tradisi yang dimiliki bangsa Indonesia. Nilai-nilai tradisi tersebut adalah nilai-nilai kehati-hatian dalam bertindak akan segala sesuatu. Penelitian ini memfokuskan pada makna simbolis yang terkandung dalam tari Rawayan. Untuk menjawab permasalahan tersebut digunakan pendekatan hermeneutika dengan teori intensional Weber. Pendekatan hermeneutika membantu peneliti dalam memahami sisi historis dan humanistik dari latar belakang penciptaan tari Rawayan dan sosok Gugum Gumbira dalam menciptakan tari Rawayan. Teori intensional mengungkapkan bahwa makna hadir berdasarkan niat dan tujuan dari sang pencipta tari. Teori tersebut membantu memahami makna tersirat pada tari Rawayan yang terkandung dari berbagai aspek pendukung tari yaitu gerak tari, rias busana, serta iringan tari. Ketiga aspek pendukung tari tersebut menuju pada satu makna yang sama yaitu makna kehati-hatian dalam menjalani kehidupan. ABSTRACT Rawayan dance is a Jaipongan dance by Gugum Gumbira Tirasondjaja which was created in 1986 as a gift to commemorate the birthday of the First Lady of the Republic of Indonesia, Raden Ayu Siti Hartinah or familiarly known as Tien Soeharto's in Sasono Langen Budoyo building Beautiful Indonesia Miniature Park Jakarta. Rawayan dance is a dance that contains advice to the entire community, especially during the reign of Mr. Soeharto and Mrs. Tien that in this ongoing development period, Mr. Soeharto and Mrs. Tien must remember and be careful in maintaining the traditional values of the Indonesian people.These traditional values are the values of prudence in acting on everything. This study focuses on the symbolic meaning contained in Rawayan dance, to answer the problems of the research, a hermeneutic approach is used with the intentional theory put forward by Max Weber. The hermeneutic approach helps researchers to understand the historical and humanistic side of the background of the creation of Rawayan dance and Gugum Gumbira's own figure in creating Rawayan dance. Intentional theory reveals that meaning is present based on the intention and purpose of the creator of dance. The theory helps researchers to understand the implicit meal found in Rawayan dance. The symbolic meaning contained in Rawayan dance can be seen from many aspects of dance support namely dance moves, dressing, and dance accompaniment. Of the three aspects of supporting the dance, headed on one and the same meaning is the meaning of caution in living life.
ASUH ASAH BABAKEH: ARYA TARI SEBAGAI UNGKAPAN KERINDUAN CUCU KEPADA ATUK
Authors: Sophia Ayang
Published: August 2021

Asuh Asah Babakeh merupakan karya yang terinspirasi dari pengalaman empiris tentang kasih sayang seorang Atuk terhadap cucu. Atuk (bahasa Minang: kakek) merupakan salah satu orang yang berperan penting dalam pendidikan awal mengenali kehidupan penata tari. Beliau yang mengajar ilmu pengetahuan, agama, beragam cara hidup di dunia melalui nyanyian, cerita dan contoh peristiwa. Atuk telah wafat meninggalkan kesan yang mendalam sampai saat ini. Karya tari ini merupakan persembahan ucapan terima kasih untuk Almarhum dari lubuk hati yang terdalam. Asuh Asah Babakeh merupakan koreografi kelompok dengan garap kontemporer yang berakar dari tradisi Minangkabau. Garap gerak berpijak pada tari Babuai yang bernafaskan budaya Minangkabau. Demikian juga musik tarinya yang dikomposisi khusus untuk koreografi ini diharapkan dapat membangun nuansa budaya Minangkabau serta imajinasi tema untuk menguatkan dramatisasi pada setiap bagian koreografinya. Tema pada karya ini adalah ungkapan rasa rindu pada kasih sayang antara cucu dengan Atuk. Menggunakan tipe tari dramatik serta cara ungkap simbolis. Struktur Koreografi dibagi menjadi empat adegan. Menggunakan properti tari lampu togok (lampu minyak yang sudah dimodifikasi), serta properti panggung untuk menambah estetika penampilan serta menguatkan ekpresi tarinya. Karya ini ditarikan oleh 9 orang penari dan dipentaskan di panggung proscenium stage. ABSTRACT Asuh Asah Babakeh is a creation inspired by the empirical experience of a choreographer about the closeness and affection of a Atuk for grandchildren. Atuk (Minang language: grandfather) is one that plays an important role in early education in recognizing the lives of dance stylists. He teaches science, religion, various ways of living in the world through songs, stories and examples of events. Atuk has died leaving a deep impression until this day. This dance an offering of thanks to the deceased from the bottom of my heart. Asuh Asah Babakeh is a group choreography with contemporary work rooted in the Minangkabau tradition. Work on movements resting on the Babuai dance that breathes Minangkabau culture. Likewise, the dance music composed specifically for this choreography is expected to build the nuances of Minangkabau culture as well as the theme's imagination and strengthen the dramatization of each part of the dance. The theme in this work is an expression of longing for affection between grandchildren and Atuk. Using the type of dramatic dance and symbolic expression. The structure of Choreography is divided into four scenes. Using the togok lamp dance property (modified oil lamp), as well as the stage property to add aesthetic appearance and strengthen the dance expression. This work was danced by nine dancers and performed on the proscenium stage
TARI GUEL SEBAGAI IDENTITAS MASYARAKAT GAYO
Authors: Monita Gustira
Published: August 2021

ABSTRAKTari Guel dipahami sebagai sebuah simbolis gerak yang memberikan interaksi dinamis pada penontonnya, yaitu tentang pembentukan makna dalam realitas kehidupan sehari-hari oleh-orang-orang Gayo. Dalam memahami bentuk keseluruhan ataupun makna yang terkandug di dalamnya Tari Guel lebih mengutamakan rasa. Tari Guel juga dipandang sebagai museum gerak tak benda yang menyimpan banyak sejarah masyarakat Gayo. Guel adalah identitas penting suku Gayo, menyimpan banyak simbol sejarah yang sudah sepatutnya dipecahkan dan diungkapkan. Agar suku Gayo dan keberadaannya tidak hilang terbawa arus modernisasi. Penelitian ini menggunakan pendekatan Antropologi, yang memandang seni sebagai bagian dari aktivitas budaya manusia. Pendekatan Antropologi digunakan untuk melihat konteks, yang akan membedah kehidupan sosial masyarakat dan adat istiadat Gayo, yang berkaitan dengan Tari Guel dan keberadaannya yang masih dijaga serta dilestarikan oleh masyarakat Gayo. Selain itu penelitian ini juga menggunakan pendekatan Koreografis. Pendekatan ini adalah sebagai teks yang digunakan untuk membedah bagaimana bentuk penyajian dan keseluruhan struktur yang terdapat pada Tari Guel.ABSTRACT Guel dance is understood as a symbolic movement that provides dynamic interaction to the audience, namely about the formation of meaning in the reality of daily life by the Gayo people. In understanding the overall form or meaning contained in it, Guel Dance prioritizes taste. The Guel dance is also seen as a museum of intangible objects that holds much of the history of the Gayo people. Guel is an important identity of the Gayo tribe, holding many historical symbols that should be solved and revealed. So that the Gayo tribe and its existence will not be lost in the current of modernization. This research uses the Anthropology approach, which views art as part of human cultural activities. Anthropology is defined as the science of humans, specifically about their origin, race, customs, beliefs in the past, society and culture. Anthropology used as a context, which will dissect the social life of the people and the customs of Gayo, relating to the Guel Dance and its existence which is still preserved and preserved by the Gayo people. Besides this research also uses a choreographic approach. This approach is a text used to dissect the form of presentation and overall structure contained in the Guel Dance.
LIGAS: KOREOGRAFI TENTANG PERJUANGAN PETANI TANAH TAMBANG DI BELITUNG
Authors: Asmanabillah Bella
Published: August 2021

ABSTRAK“Ligas” merupakan koreografi kelompok yang ditarikan oleh penari laki-laki dan perempuan. Karya ini terispirasi dari pengamatan penata terhadap keadaan agraris masa kini di pulau Belitung. Keadaan petani ladang terlihat sangat miris, karena gagal panen yang terjadi di tahun 2019 akibat kemarau dan pencemaran lingkungan dari pertambangan. Pertambangan yang semakin marak membuat tanah dan air di pulau Belitung menjadi tercemar. Garapan tari kontemporer ini, berakar dari budaya Melayu Belitung, yang mengangkat dilematis perjuangan hidup petani dalam mengais bulir-bulir padi jenis Gogo. Tipe karya garapan ini adalah tari Dramatik, dengan mode simbolis. Karya ini terdiri, introduksi yang menggambarkan situasi bumi yang awalnya subur hingga menjadi gersang. Adegan 1, menggambarkan aktivitas bercocok tanam di ladang. Adegan 2, terjadi konflik lahan pertanian menjadi rusak akibat pertambangan. Adegan 3, petani berusaha memperbaiki keadan dengan sekuat tenaga. Ending, seluruh penari melakukan pesta panen padi sebagai rasa syukur dengan menari Sepen secara berpasang-pasangan. ABSTRACT “Ligas" was a group choreography that is danced by male and female dancers. This work was inspired by stylist's observations of the current agrarian situation in the Belitung area. Farmers looked very concerned because the harvest failure that occurred in 2019 due to drought and environmental pollution that occurred due to mining activities. Contemporary dance arose from the Belitung Malay culture which raised the dilemma of farmers' life struggles in scavenging grains of Gogo rice. This type of work was a Dramatic dance, with a symbolic fashion. This work consists of an introduction that illustrated the situation of a fertile earth to become arid. Scene 1, described farming activities in the field. Scene 2, a conflict in agricultural land became damaged due to mining. Scene 3, the farmer tried to improve his condition with all his strength. Ending, all dancers hold a rice harvest party as a thanksgiving by dancing in half in pairs.
TITIK-TITIK SYNDROME: KONDISI PENDERITA POSSESSION SYNDROME SEBAGAI SUMBER PENCIPTAAN TARI
Authors: Rachmawati Fetri Ana
Published: August 2021

ABSTRAKPengalaman sebagai penderita Possession Syndrome yang diderita penulis dijadikan dasar permasalahan dalam karya tari ini. Melalui metode riset kualitatif yang digunakan untuk mengumpulkan hasil riset tentang possession syndrom yang berada di sekitar lingkungan penulis. Kemudian berlanjut ketahap penentuan tema, judul, dan proses penciptaan. Tema yang dipilih untuk karya tari ini yakni “kondisi penderita Possession Syndrome”. Pemilihan tema ini juga mengacu pada permasalahan di masyarakat yang selalu mengaitkan Possession Syndrome dengan hal–hal mistik, sehingga yang terjadi perlakuan yang didapat oleh penderita memberi dampak yang semakin buruk bagi tubuh penderita tersebut. Karya tari ini menggunakan sepuluh penari perempuan, jumlah sepuluh hanya untuk keperluan komposisi, dipilih penari perempuan karena penderita Possession Syndrome lebih dominan perempuan. Dalam karya ini akan dimunculkan teror – teror audio dan teror visual yang hadir dari lighting, kehadiran teror audio visual memberi dampak ketidak nyamanan bagi penonton hal ini merupakan gambaran dari kondisi yang dialami penderita “Possession Syndrome”ABSTRACTThe experience of suffering from a Possession Syndrome suffered by the author was then used as a basis for problems in this dance work. Through qualitative research methods that are used to collect research results on the Possession Syndrome that is around the author's environment. Then it continues to determine the theme, title, and process of creation. The theme chosen for this dance work is "patient’s condition Possession Syndrome". The selection of this theme also refers to problems in society that always associate Possession Syndrome with mystical matters, so that what happens to the treatment obtained by sufferers has an increasingly bad impact on the body of the sufferer. This dance works using ten female dancers, the number ten only for the purposes of the composition, selected dancers woman for Possession Syndrome sufferers more dominant female.In this work an audio and visual terror will emerge that comes from lighting, the presence of audiovisual terror has an impact on the audience's inconvenience, this is a picture of the conditions experienced by sufferers of "possession syndrome".
Buai Ba Ayun
Authors: Saputra Agung
Published: August 2021

Buai Ba Ayun merupakan sebuah karya tari yang berpijak pada tradisi Minangkabau, tepatnya di pesisir Padang, Sumatra Barat yaitu tari Buai. Tari Buai ini menceritakan tentang seorang ibu yang sedang membuai anak sambil berdendang.Karya tari ini merupakan proses lanjutan dari penciptaan karya pada koreografi III, namun tetap terdapat perubahan-perubahan baik secara gerak, kostum, penari, dan properti, serta adanya pengembangan isi tema.Jenis karya tari ini adalah koreografi kelompok yang ditarikan oleh 5 penari yang terdiri dari 2 penari perempuan dan 3 penari laki-laki. Karya tari ini bermula dari rangsang kinestetik dan idesional. Tipe tari yang digunakan adalah tipe tari dramatik, sedangkan mode penyajiannya adalah simbolik.Pemilihan budaya Minangkabau sebagai orientasi garapan tari, karena latar belakang keluarga penata berasal dari ranah Minang. Hal tersebut menjadi wajar karena latar belakang budaya setiap seniman sedikit banyak pasti berpengaruh terhadap penciptaan karya seninya. Karya tari ini diharapkan selain memberikan pengalaman visual kepada penikmat atau penonton, juga memberi pesan bahwa kasih sayang itu jangandisalah gunakan karena akan berakibat fatal dalam suatu hubungan.Kata Kunci : Buai, Kasih sayang, Koreografi