bluuebunny/crossref_metadata_2025 huggingface dataset:
Algebraic minimal surfaces in $\mathsf R^4$
Authors: Small Anthony
Published: October 2016

There exists a natural correspondence between null curves in $\mathbf{C}^4$ and "free" curves on $\mathcal O(1)\oplus \mathcal O(1)$; it underlies the existence of "Weierstrass type formulae" for minimal surfaces in $\mathbf{R}^4$. The construction determines correspondences for minimal surfaces in $\mathbf{R}^3$, and constant mean curvature 1 surfaces in $\mathrm{H}^3$; moreover it facilitates the study of symmetric minimal surfaces in $\mathbf{R}^4$.
A note on a theorem of Sparr
Authors: Ameur Y.
Published: October 2016

We prove that, regardless of the choice of a positive, concave function $\psi$ on $\mathbf{R}_{+}$ and a "weight function" $\lambda$, the weighted $\ell_2$-space $\ell_2(\psi(\lambda))$ is $c$-interpolation with respect to the couple $(\ell_2,\ell_2(\lambda))$, where $c\leq\sqrt{2}$. Our main result is that $c=\sqrt{2}$ is best possible here; a fact which is implicit in the work of G. Sparr.
Dityrambisk semantik
Authors: Brandt Per Aage
Published: October 2016

Per Aage Brandt: Dityrambisk semantik
Det
Authors: Andersen Jørn Erslev
Published: October 2016

Jørn Erslev Andersen: Det
Forord
Authors: Huang Marianne Ping
Published: October 2016

Marianne Ping Huang: Forord
Byen
Authors: Helle Merete Pryds
Published: October 2016

Merete Pryds Helle: Byen
Vandrende klipper
Authors: Rasmussen René
Published: October 2016

René Rasmussen: Vandrende klipper
Broget by
Authors: Schmidt Rigmor Kappel
Published: October 2016

Rigmor Kappel Schmidt: Broget by
Versekrise
Authors: Mallarmé Stéphane
Published: October 2016

Stéphane Mallarmé: Versekrise
Melos, opsis, logos
Authors: Ringgaard Dan
Published: October 2016

Dan Ringgaard: Melos, opsis, logos
Stemmen og røsten
Authors: Roer Hanne
Published: October 2016

Hanne Roer: Stemmen og røsten
Atterboms akustik
Authors: Engdahl Horace
Published: October 2016

Horace Engdahl: Atterboms akustik
To postkort fra Roskilde
Authors: Laugesen Peter
Published: October 2016

Peter Laugesen: To postkort fra Roskilde
Kaliningrad
Authors: Roepstorff Andreas
Published: October 2016

Andreas Roepstorff: Kaliningrad
Drömmen om vår plats i universum
Authors: Tängerstad Erik
Published: October 2016

Erik Tängerstad: Drömmen om vår plats i universum
Utopiske Europa (UE)
Authors: Jalving Mikael
Published: October 2016

Mikael Jalving: Utopiske Europa (UE)
Marcel Cohen - en hilsen
Authors: Brandt Per Aage
Published: October 2016

Per Aage Brandt: Marcel Cohen - en hilsen
Verbal transskription - 6 A.M.
Authors: Williams William Carlos
Published: October 2016

William Carlos Williams: Verbal transskription - 6 A.M.
Ud på natten, når det regner ...
Authors: Mortensen Henning
Published: October 2016

Henning Mortensen: Ud på natten, når det regner ...
Det eneste hun ville var at danse
Authors: Petersen Sanne Graakjær
Published: October 2016

Sanne Graakjær Petersen: Det eneste hun ville var at danse
En by
Authors: Walser Robert
Published: October 2016

Robert Walser: En by
By og "Kleine Form": Kracauer og Benjamin
Authors: Gelley Alexander
Published: October 2016

Alexander Gelley: By og "Kleine Form": Kracauer og Benjamin
Uendeligheden i korte træk
Authors: Jensen Mads Storgaard
Published: October 2016

Mads Storgaard Jensen: Uendeligheden i korte træk
Pynchon og tresserne
Authors: Cowart David
Published: October 2016

David Cowart: Pynchon og tresserne
Fiktionens brugbare hestelort
Authors: Blok Rasmus
Published: October 2016

Rasmus Blok: Fiktionens brugbare hestelort
Annonce
Authors: Laugesen Peter
Published: October 2016

Peter Laugesen: Annonce
Kierkegaard & Nietzsche & Slavemoralen
Authors: Bøggild Jacob
Published: October 2016

Jacob Bøggild: Kierkegaard & Nietzsche & Slavemoralen
Bidragydere
Authors: Bidragydere Bidragydere
Published: October 2016

Bidragydere
Det hjælpeløse Europa
Authors: Musil Robert
Published: October 2016

Robert Musil: Det hjælpeløse Europa
Essayet som form
Authors: Adorno Theodor W.
Published: October 2016

Theodor W. Adorno: Essayet som form
Essayet som huskeseddel
Authors: Johannesen Georg
Published: October 2016

Georg Johannesen: Essayet som huskeseddel
Jeg skelner
Authors: Andersen Jørn Erslev
Published: October 2016

Jørn Erslev Andersen: Jeg skelner
Det endeløse essay
Authors: Jensen Carsten
Published: October 2016

Carsten Jensen: Det endeløse essay
Redaktionelt forord: Snyderum - repræsenterende rum i litteratur og kunst
Authors: Passage Redaktionen
Published: October 2016

Redaktionelt forord: Snyderum - repræsenterende rum i litteratur og kunst
Litteraturen og rummet
Authors: Genette Gérard
Published: October 2016

Gérard Genette: Litteraturen og rummet
Robinson og civilisationen
Authors: Ifversen Jan
Published: October 2016

Jan Ifversen: Robinson og civilisationen
Redaktionelt forord
Authors: Passage Redaktionen
Published: October 2016

Redaktionelt forord.
Afvæbning af det sakrale
Authors: Feldvoss Lars
Published: October 2016

Lars Feldvoss: Afvæbning af det sakrale
Bidragydere
Authors: Passage Passage
Published: October 2016

Bidragydere
Redaktionelt forord
Authors: Passage Redaktionen
Published: October 2016

Redaktionelt forord
Nærindstillinger
Authors: Andersen Tore Rye
Published: October 2016

Tore Rye Andersen: Nærindstillinger
Brazil og fantasien
Authors: Laustsen Carsten Bagge , Ugilt Rasmus
Published: October 2016

Carsten Bagge Laustsen og Rasmus Ugilt: Brazil og fantasien
Æstetikkens ramme
Authors: Wallenstein Sven-Olov
Published: October 2016

Sven-Olov Wallenstein: Æstetikkens ramme
Besværgelser
Authors: Iversen Stefan
Published: October 2016

Stefan Iversen: Besværgelser
Anakoluthon
Authors: Hauge Hans
Published: October 2016

Hans Hauge: Anakoluthon
Kentauren fanget i labyrinten
Authors: Jensen Erik Granly
Published: October 2016

Erik Granly Jensen:Kentauren fanget i labyrintenAnmeldelse af Arne Melberg: Aesthetics of Prose
Den arabiske roman fra 1980’erne og frem
Authors: Guth Stephan
Published: October 2016

Stephan Guth: “The Arabic Novel since the 1980s”The study examines some recurrent motifs in Arabic novels from the 1980s until the early 2000s in the light of an analytical method that assigns “postmodern” features their place in a trinary structure of meaning. Faced with the destruction of their “houses”, the heroes start to “dig” in the ruins and, later in the period, begin to discover “treasures” that seem to have survived undamaged: An alternative approach in a time where the term “postmodernism” has come under attack as being too Eurocentrist.
Revner, sprækker og skred. Noveller af Helle Helle, Pia Juul og Naja Marie Aidt i 00’erne
Authors: Mønster Louise
Published: October 2016

Louise Mønster: “Splits, Cracks and Slippages: Short Stories by Helle Helle, Pia Juul and Naja Marie Aidt in the 00s”The article analyses short stories by Helle Helle, Pia Juul and Naja Marie Aidt which address family and love relations, and it discusses the way in which they relate to presentations of new Danish literature. It is argued that these short stories are typical for the first decade of the 21th century in their focus on close relations, everyday life and contemporary society, whereas it seems more problematic to align them with the understanding of new Danish literature as a critique of the idea of cultural radicalism and the welfare state.
Redaktionelt forord
Authors: Redaktion Passage
Published: October 2016

Redaktionelt forordEditorial
“Un-kinged himself”
Authors: Thorup Mikkel
Published: October 2016

Mikkel Thorup: "“Un-kinged himself” - Amerikanernes baglæns march ind i revolutionen"AbstractMikkel Thorup: “‘Un-kinged himself’”: The American Backward March into RevolutionThe article explores legitimization strategies in the American Revolution seeking to understand how they bypassed the inherent illegitimacy of any revolution. Dealing with four seminal texts, two from the pre-revolutionary period and two from the early revolutionary years 1775-6, the article seeks to highlight how the revolutionaries legitimised their revolution as a defense of their inherent rights as free-men, that is, how The American revolution and its monumental political transformation was legitimised as a restorative rebellion only seeking to restore what had been lost or violated.
Frigørelsens poetik
Authors: Ladegaard Jakob
Published: October 2016

Jakob Ladegaard: "Frigørelsens poetik - Den franske revolution og poetisk indbildningskraft i Wordsworths The Prelude"AbstractJakob Ladegaard: “The Poetics of Emancipation – Poetic Imagination and The French Revolution in Wordsworth’s The Prelude”It has often been argued that William Wordsworth’s tribute to poetic imagination in his great epic poem The Prelude (1805/1850) should be read as the mature poet’s farewell to the historical and political world of The French Revolution to which the young Wordsworth was greatly attached. The present essay argues to the contrary that the elaboration of the concept of imagination in the poem is tied to an affirmative re-interpretation of the popular and democratic elements of the revolution in the face of its disappointing decline into elitism, terror and The Revolutionary Wars. A close reading of The Prelude’s narration of the poet’s travels to France during the revolution suggests that poetic imagination is not the exclusive property of the artistic genius, but a common principle put into democratic practice by anonymousmasses on the roads of France. The relations thus established in the poem between the poet and the people are interpreted through the lenses of the English republican tradition and recent democratic theories advanced by French philosophers like Cornelius Castoriadis, Claude Lefort and Jacques Rancière.
Revolutionen, moderniteten og de mulige genrer
Authors: Eriksson Birgit
Published: October 2016

Birgit Eriksson: "Revolutionen, moderniteten og de mulige genrer - Om selvbestemmelse og historieskrivning hos Goethe"AbstractBirgit Eriksson: “Revolution, Modernity and Possible Genres: Self-Determination and Writing of History in Goethe’s Work”The article deals with Goethe and the French revolution. Contrary to the usual description of Goethe’s attitude towards the revolution as distant and reluctant it investigates the significance of the revolution in some of his literary works from the 1790’es, primarily the novella cycle Conversations of German Refugees (1795) and the Bildungsroman Wilhelm Meister’s Apprenticeship (1795-96). In his writings Goethe explored some of the crucial questions of the revolution, especially the possibility of self-determination and the relationship between individual and general history. The article shows that Goethe’s use of literary genres (epic, novel, novella, drama and others) can be understood as experiments with various ways of conceiving subjectivity and history – and thereby also ways of dealing with the revolution and modernity in general.
Hvad er revolutionær litteratur?
Authors: Ohldieck Hans Jacob
Published: October 2016

Hans Jacob Ohldieck: "Hvad er revolutionær litteratur? - Om nybarokken som tænkning og litterært udtryk i lyset af Den cubanske revolution"AbstractHans Jacob Ohldieck: “What is Revolutionary Literature? On Neobaroque as Thought and Literary Expression in Light of the Cuban Revolution”The article discusses two contrasting conceptions of revolutionary literature in the aftermath of the Cuban revolution of 1959: the “revolutionary novel”, drawing on a tradition of realism and an epic underpinning of the revolutionary project, and neobaroque, of which Cuban author Severo Sarduy created a theoretical framework on the basis of José Lezama Lima’s novel Paradiso. Through the figure of Sarduy, the dominant aesthetics of the Cuban literary sphere of the 60’s was confronted with a neobaroque theory with a radically different view on the characteristics of revolutionary literature.
Besættelsens kulturliv. Beskyttelsesrum, væksthus, modstandslomme og askebægerindustri
Authors: Hertel Hans
Published: October 2016

Hans Hertel: “Danish Cultural Life During the Occupation: Shelter, Greenhouse, Pocket of Resistance, Ashtray Industry”Due to the special Danish occupation conditions, compared to other nations under Nazi rule, in spite of censorship, restrictions and persecution, the arts and media were able to pursue a relatively free course, benefiting from the isolation and the demand for cultural goods. The article analyzes how German propaganda and domestic cultural collaborationism were countered by three currents: an early patriotic revival, a more conscious ‘immune defence’ and an open cultural mobilization and resistance, mostly via illegal media. Furthermore how, in the words of the French critic Tzvetan Todorov, ‘context became text’, i.e. how the reception of classical arts as well as of ‘American’ jazz and youth culture was influenced by the political situation 1940-1945.
At skrive fra torturbødlens stol. Om forfatterens valg og metoder i Gaute Heivolls "Himmelarkivet"
Authors: Simonhjell Nora
Published: October 2016

Nora Simonhjell: “Writing From the Chair of the Torturer”The Norwegian author Gaute Heivolls novel Himmelarkivet [The Archive in Heaven], is both a documentary novel and a reflection upon the creative writing process itself. In January 1945 Louis Hogganvik was arrested by the Gestapo. He was tortured, and ended up comitting suicide. Hogganvik’s destiny has been silenced both in the family history and in the local community, until Heivoll started to write this novel. At one point he is back in the torture chamber, and ends up sitting in the same chair as the man in charge for the torture. How does this bodily repetition affect the contemporary young author’s narrative strategies?
Hvem ejer Kafka?
Authors: Butler Judith
Published: October 2016

Judith Butler: “Who Owns Kafka?”The legal battle between the state of Israel and the German literary archive over the question of who owns Kafka’s work has prompted Israeli lawyers to argue that Kafka is an asset of the Jewish people and hence, of Israel. At stake is Kafka’s own complex cultural formation as a Prague Jew writing in German who alternately praised and disavowed Zionism. Equally troubling is the assumption that Israel represents the Jewish people and that Kafka might be conceived as an asset. Judith Butler proposes a reading of Kafka’s parables that quarrels with both sides of the legal case, seeking recourse to stories and fiction as a way of illuminating the limits of law and the diasporic (and messianic) alternative to Jewish nationalism.
Længsel efter positiv frihed
Authors: Schramm Moritz
Published: October 2016

Moritz Schramm: “Longing for Positive Freedom. Social Utopias in Kafka’s Short Prose Text “Der Ausflug ins Gebirge””Since Hans Thies Lehmann’s essay from 1984 on Franz Kafka’s early short prose text, “Der Ausflug ins Gebirge” (1910), it has been read as an “allegory of language”. From this point of view the text mirrors the alleged tendency in Kafka’s works to reduce referentiality in articulating instead the writing-process in literature itself. Focusing on the social interactions in “Der Ausflug ins Gebirge” this essay proposes a different reading. According to this reading, the text opens for a new understanding of the utopian thinking in Kafka’s works, where the notion of positive freedom and the struggle for recognition are particularly important.
Forhalingens retorik
Authors: Madsen Carsten
Published: October 2016

Carsten Madsen: “The Rhetoric of Deferral. The Experience of the Distant in Franz Kafka’s Prose”Based on readings of several of Franz Kafka’s short stories, this article develops the thesis that every attempt at human action in his prose is reduced to sheer motion by a “rhetoric of deferral”, thus defusing the motive that was supposed to structure and orient the narrative. Further, the article discusses how the reader constituted by Kafka’s prose is subjected to a literary experience dominated by the distant, in such a way that even the near belongs to the distant. Finally, in reference to Kenneth Burke’s understanding of action, motion and identification, and to MauriceBlanchot’s understanding of “the game of distant and near”, the article contends that the literary experience of reading Kafka belongs to a peculiar realm of experience. Reading Kafka is explained as an experience of the possible that, although nonsymbolic of the real, is nonetheless closely connected to the general conditions of experience.
En ny avantgarde? - Nye stemmer, nye udgivelser, nye teknologier
Authors: Doubinsky Sébastien
Published: October 2016

Sébastien Doubinsky: “A New Avant-Garde? New Voices, New Publishing Houses and New Technologies on the French Literary Scene”With the development of the Internet and the emergence of new approaches and technologies, we witness a growing amount of literature or literary forms based on the Internet on the French scene, as French writer and publisher François Bon observes in his essay, Après le livre. This short presentation focuses on three examples that serve as illustrations of the shift taking place (François Bon, Thibault de Vivies, a French writer whose work develops both on the page and the cyberpage, and the author himself, whose Éditions du Zaporogue use the print-on-demand possibility) in order to try and define the possibilities and limits of the Internet in the French literary landscape.
Hybride tilbageblik
Authors: Tanderup Sara
Published: October 2016

Sara Tanderup: "Hybride tilbageblik - Montage, fotografi og mediebevidsthed i den moderne eksperimenterende erindringsroman"AbstractSara Tanderup: “Hybrid Memories: Montage, Media and Photography in Modern, Visual Memory-Novels”The article focuses on intermediality as a strategy of representing memory, trauma and loss in contemporary literature. Analysing works by Alexander Kluge, W.G. Sebald, Aleksandar Hemon and Jonathan Safran Foer, the article examines the visual novels in a media perspective. Taking as a point of departure W.J.T. Mitchell’s theory of the relation between words and images, the article points to a tension within the genre: the visual novels, or ‘photo-novels’, seem torn between, on the one hand, a modernist tradition which is critical towards the modern culture of media and images and turns towards literature as a ‘last bastion’ of continuity and stability in relation to the past – and another tendency, which seems to embrace the other media and the new possibilities they bring for thinking, telling and remembering in words and images.
Store forventninger
Authors: Stephensen Jan Løhmann
Published: October 2016

Jan Løhmann Stephensen: "Store forventninger - Ord, billeder og fortællinger i litteratur, film og antilitteratur"AbstractJan Løhmann Stephensen: “Great Expectations: Word, Image, and Narrative in Literature, Film, and Anti-Literature”Focusing on Deborah Chiel’s novelization of Glaser & Cuarón’s adaptation of Charles Dickens’ classic novel Great Expectations, this article studies how the “translation” back and forth between the different media of literature and film is negotiated within the very grammar of these works. To this end, the way media-specific differences as well as historical shifts in intermedia hierarchies (e.g. visual culture) have influenced the aesthetic strategies of these three specific artworks will be analysed and subsequently discussed in broader terms.
Tv-serien som vor tids roman?
Authors: Nielsen Jakob Isak
Published: October 2016

Jakob Isak Nielsen: "Tv-serien som vor tids roman?"AbstractJakob Isak Nielsen: “The TV Series as the Novel of our Time?”In recent years contemporary TV series – particularly American one-hour drama series such as The Sopranos (HBO, 1999-2007), The Wire (HBO, 2002-2008) and Mad Men (AMC, 2007-) – have often been likened to many of the canonic works within the history of the novel. This article discusses the validity of this hypothesis byhighlighting a number of similarities between the two art forms before ultimately demonstrating how they differ from each other and how they are best understood as products of particular media-systemic circumstances.
Forensisk litteratur
Authors: Bøndergaard Johanne Helbo
Published: October 2016

Johanne Helbo Bøndergaard: "Forensisk litteratur"AbstractJohanne Helbo Bøndergaard: “Forensic Literature”This article considers a shift in contemporary culture from an era of testimony to an Era of Forensics. Based on Eyal Weizman’s concept of forensic aesthetics a certain mode in contemporary literature on memory and the past is suggested. Works that include traces of the past in the form of photographs and documentation next to the literary text are considered within this framework and Aleksandar Hemon’s novel The Lazarus Project from 2007 is discussed as a case in point.
Den billedlige vending
Authors: Mitchell W.J.T.
Published: October 2016

W.J.T. Mitchell: "Den billedlige vending"AbstractW.J.T. Mitchell: “The Pictorial Turn”Taking as a point of departure Richard Rorty’s idea of the history of philosophy as a series of “turns”, Mitchell’s essay from 1992 argues that the so-called ‘linguistic turn’, predominant in the 20th century, has been superseded by a ‘pictorial turn’. The essay thus, in Mitchells own words, “looks at the way modern thought has reoriented itself around visual paradigms that seem to threathen and overwhelm any possibility of discursive mastery.” Analysing theories by e.g. Panofsky and Althusser, the essay “looks at pictures ‘in theory’ – and at theory in itself as a form ofpicturing”.
Redaktionelt forord
Authors: Passage Redaktionen
Published: October 2016

Passage 69 sætter fokus på nogle af de markante nyorienteringer, der i de seneste år har kunnet iagttages på lyrikkens felt, dansk såvel som internationalt. Her er der ikke kun blevet rokket ved værkforståelsen inden for digtets og digtsamlingens traditionelle rammer; disse rammer er også selv blevet udfordret og overskredet. Der er sket en perforering af lyrikkens almindelige former, som bl.a. er kommet til udtryk ved, at lyrikken har blandet sig med andre kunstarter, og at en del poesi har fundet nye publiceringskanaler og udfoldelsesrum. I det nye årtusinde er lyrikken for alvor trådt ind på de elektroniske mediers område, ligesom den har manifesteret sig stadigt tydeligere i det offentlige rum, hvor der har været en stor vækst i antallet af lyrikoplæsninger, - performances og -festivaller. Passage 69 indeholder 9 artikler, der beskræftiger sig med samtidslyrik mellem genrer, kunstarter og medier. Artiklerne kommer bl.a. ind på emner som multimodal poesi; digital poesi og materialitet; stemmens og kroppens betydning i samtidspoesien; forholdet mellem musik og lyrik; konceptuel poesi samt relationen mellem moderne lyrik og litteraturvidenskab.
Det multimodale ikon
Authors: Conte Joseph M.
Published: October 2016

I den indledende artikel af Joseph M. Conte, “Det multimodale ikon: Syn, lyd og kognition i nyere poesi”, opridses poesiens historie frem til i dag med udgangspunkt i den tese, at der er sket et skift i den måde, hvorpå vi afkoder poesi. Mens man tidligereopfattede poesi som en kunstart, der kun udtrykte sig i én kode, nemlig bogstaverne på bogsiden, er digtet i den digitale tidsalder blevet et multimodalt ikon, i hvilket tekst og billede samvirker i betydningsdannelsen på en kompleks måde. Hvis fortolkeren skal være på højde med den nyeste poesi, kræver det ifølge Contesåledes også nye tilgange og kompetencer.Joseph M. Conte: “The Multimodal Icon: Sight, Sound and Intellection in Recent Poetries”This article examines the shift from single to multiple semiotic modes in poetry during the age of digital media. While one can argue that in the history of poetry the text has always represented “sight, sound and intellection,” the propagation of digital media and the devolution of popular culture into a predominantly graphical regime have made an irrevocable impression on poetry on-the-page. The production of multimodal poetry in print literature presents the hybridization of text and image, or typography and the visual arts. In the multimodal poetry of Emily McVarish,Steve McCaffery and Geof Huth, the reader encounters two or more semiotic modes simultaneously. The relation between text and image is not one of dependency or autonomy but rather a bilateral interactivity that requires and stimulates a cognitive poetics. Such print works demand that readers pursue a multiplicity of readingpaths and develop the interpretive skills required by multimodal metaphor in which signs are drawn from more than one mode.
Når lyrikken tager form. Boghistorie og nymaterialitet
Authors: Rasmussen Krista Stinne Greve
Published: October 2016

Materialitetsproblematikken reflekteres ud fra en anden synsvinkel i Krista Stinne Greve Rasmussens artikel “Når lyrikken tager form. Boghistorie og nymaterialitet”, der er optaget af spørgsmåletom materialitet i trykte værker af Naja Maria Aidt, Mette Moestrup og Ursula Andkjær Olsen og viser, hvordan boghistorie kan anvendes som teoretisk afsæt for diskussionen af poesiens eksperimenter i relation til bogmediet.Krista Stinne Greve Rasmussen: “When Poetry Takes Shape. Book History and New Materiality”The article draws on the research field of Book History in an attempt to analyze new forms of materiality emerging in Danish poetry after 2000. The theoretical distinction between work, text, and document can help us to understand how poetical works increasingly articulate meaning in the material documents that present the text of the work. The development within new media creates a desire for that which Hans Ulrich Gumbrecht has termed “presence effects”. Analyzing works of Naja Maria Aidt, Mette Moestrup, and Ursula Andkjær Olsen the article demonstrates howBook History can be used as a theoretical point of departure for discussing experiments with materiality in poetry which are instances of a more general interest in the analogue world. Thus, there is a need for a greater understanding of the importanceof materiality within literature.
Skoven, loven og løgnen. Ikke-læsninger af poesistykker af Pia Juul, Mette Moestrup og Ursula Andkjær Olsen
Authors: Kemp Susanne
Published: October 2016

Mette Moestrup og Ursula Andkjær Olsen er højprofilerede skikkelser i nyere dansk lyrik, og som sådan spiller de også en central rolle i Susanne Kemps “Skoven, loven og løgnen. Ikke-læsninger af poesistykker af Pia Juul, Mette Moestrup ogUrsula Andkjær Olsen”, hvor der sættes fokus på den sprogligt fornyende tendens i poesien efter år 2000 og præsenteres en ikke-læsning i den forstand, at det er teksternes sproglige greb, der vægtes, frem for traditionelle læsningers mere indholdsfokuserede optikker.Susanne Kemp: “The Woods, the Law, and the Lie. Non-Readings of Poetry by Pia Juul, Mette Moestrup, and Ursula Andkjær Olsen”Contemporary poetry is mostly described in correlation with reality and the world that surrounds us. The article considers and examines poems by Pia Juul, Mette Moestrup, and Ursula Andkjær Olsen in a different perspective; their innovative use of language. Thus, this study demonstrates how poetry in the 21st century isespecially characterized by language features that are closer to spoken Danish than to traditional poetic language. In the examination of Helt i skoven the article points out how Pia Juul uses the woods to create a poetic space. In the analyses of kingsizethe article argues that Mette Moestrups text acts on several linguistic levels. In the examination of Ægteskabet mellem vejen og udvejen the article shows how Ursula Andkjær Olsen changes the concept of “lie” into a textual “truth”.
Tvetunget tale. Om Ursula Andkjær Olsens ‘Selvoptagelser’ (2006)
Authors: Pedersen Birgitte Stougaard
Published: October 2016

Ursula Andkjær Olsen indgår desuden i Birgitte Stougaard Pedersens “Tvetunget tale – om Ursula Andkjær Olsens ‘Selvoptagelser’ (2006)”, hvor Olsens poesivideo “Selvoptagelser” danner udgangspunkt for en diskussion af stemmen i samtidslyrikken. Artiklen undersøger den lyriske stemmeføring på grænsen mellem skrift og lyd, ligesom den tematiserer,hvordan stemmen i samtidslyrikken mere generelt genforhandler forestillinger om stemmen på en performativ basis og skubber til forestillinger om, hvad lyrik er og kan som genre.Birgitte Stougaard: “Double Talk. On Ursula Andkjær Olsen’s ‘Selvoptagelser’ (2006)”From the perspective of voice the article investigates the poetry video “Selvoptagelser” by the Danish poet Ursula Andkjær Olsen. The article takes its point of departure in a literary concept of voice but also wishes to include a concept of voice centered around the material and performative qualities of the acoustic voice. From a mediated and technological perspective, the voice in Andkjær Olsen’s video exhibits and plays with the relations between the voice of the poet and the voice of the text itself.
Vi er ikke robotter, hvis man kan sige det på den måde. Digressiv køretur gennem Nikolaj Zeuthens flerstrengede fejlbarlighedskunst
Authors: Schweppenhäuser Jakob
Published: October 2016

Jakob Schweppenhäuser fører dette spørgsmål om stemme og lyd videre, når han i “Vi er ikke robotter, hvis man kan sige det på den måde” sætter fokus på sangteksten og dermed forholdet mellem lyrik og musik. Med udgangspunkt i Nikolaj Zeuthen og orkestret Skammens Vogn eksemplificerer Schweppenhäuser, hvordanman kan nærme sig dette felt, ligesom han mere specifikt diskuterer, hvordan spørgsmålet om fejlbarlighed er centralt i Zeuthens virke.Jakob Schweppenhäuser: “We Are Not Robots, so to Speak. Digressive Drive Through the Multipronged Fallible Art of Nikolaj Zeuthen”As a singer, songwriter, comic artist, lyricist, novelist and playwright, Nikolaj Zeuthen has developed a characteristic artistic expression, which formally as well as thematically evokes a fundamental impression of fallibility: He sings out of tune,his comics are slipshod and the human beings who populate his universe struggle with everything from unemployment and receiving disappointing presents to deep and existential doubts and fears. The interrelations in relationships, between family members and between people in general are saturated with awkward, embarrassing, shameful feelings. As the genre of lyrics – in a literary aspect – is strongly underexposed, the article is centered around Zeuthen’s work within the frame of his band, Skammens Vogn: the interplay between words, voice and tones.
Konceptuel litteratur
Authors: Serup Martin Glaz
Published: October 2016

Herefter følger Martin Glaz Serups artikel “Konceptuel litteratur”, der præsenterer en kortlægning af de sidste 10 års konceptuelle litteratur med særlig vægt på dansk poesi. Parallelt med at samtidslyrikken i sin bevægelse i feltet mellem billedkunst og musik nedtoner betydningen af digteren med stort D, er den konceptuelle poesi – og herunder også postproduktionen – med til at flytte opmærksomheden fra kunstens æstetiske niveau til dens idémæssige og materielle forudsætninger.Martin Glaz Serup: “Conceptual literature”This article presents the last ten years of conceptual literature through a series of intertwining movements with a special focus on Danish conceptual literature and how it is embedded in and closely connected to the Nordic and North American scenes. The article gives a brief history of the theoretical background of conceptualism, within both visual art and literature. A discussion of what is (not) conceptual literature unfolds alongside the distinctions made among the related concepts of conceptual literature, poetic documents, post-production and uncreative writing. Furthermore, the article provides both an overview of the most important recent international monographs, anthologies and debates on conceptual literature as well as an attempt to compile a complete list of the full books of conceptual poetry that have been published in Denmark in the last ten years.
Dansk lyrik og litteraturvidenskab efter 1990
Authors: Larsen Peter Stein
Published: October 2016

Passage 69 afrundes med Peter Stein Larsens “Dansk lyrik og litteraturvidenskab efter 1990”, der omhandler lyrikkens parløb med moderne litteraturvidenskab. Det vises, at den danske litteraturforsknings nybrud igennem de seneste årtier har været i samklang med udviklingen inden for den poetiske genre, og at litteraturvidenskabelige strømninger såsom dekonstruktion, fænomenologi, formalisme, litteraturhistorisk kontekstualisering samt interartielle og intermediale studier i høj grad har baseret sig på studier af netop lyrik. Taler diverse bestsellerlister ikke til lyrikkens fordel, gør den store indflydelse, som lyrikken har haft for udviklingen af litteraturforskningen det således.Peter Stein Larsen: “Danish Poetry and Literary Criticism Since 1990”The article examines the interrelationship between Danish poetry and literary criticism in the last decades. The thesis is that a number of breakthroughs in literary criticism since 1990 have been closely linked to the poetic genre. Five dominant trends in Danish literary criticism have had a significant interaction with poetry inthe last decades, namely deconstruction, phenomenology, formalism, interartial studies, and literary-historical contextualization. This is demonstrated in the article by readings of works of literary criticism and a wide range of Danish poetry fromrecent years.
Hvad taler vi om, når vi taler om Bernhard?
Authors: Nielsen Nielsen , Frantzen Mikkel Krause
Published: October 2016

Nielsen & Mikkel Krause Frantzen: “What do We Talk about When We Talk about Thomas Bernhard?”What do we talk about when we talk about Thomas Bernhard? What does Bernhard himself talk about when he talks? And goes on talking? To us and in us and far beyond us? What is it? What? Acting as the two cerebral hemispheres in a Bernhard caused concussion, Nielsen and Mikkel Krause Frantzen (each deeply lost in his own sphere and yet generating some sort of interference and reverberation between the two), try to recover by laying bare the sense of reading Bernhard: Why are we laughing, what exactly is it that makes us laugh, and what is it that finally, towards the End, always touches us, deeply, when we read and read and read Thomas Bernhard? This attempt leads through the canonized and dangerously infecting écriture-voice of Bernhard, through the self-creating self-destruction, the status of suicide and the absolute Truth, the excited misanthropy versus human compassion, the triangle of depression, melancholia & mania, the state of walking versus the state of getting nowhere at high speed, not to mention the scandal of the toilets in Austrian restaurants. And – of course – it all ends in the deadly Bernhardian laughter and Austria as the only qualified heavenly hell on earth.
Mod en neutral seksualitet! eller Roland Barthes som queerteoretiker?
Authors: Leer Jonatan
Published: October 2016

Jonatan Leer: “Towards a Neutral Sexuality! or Roland Barthes as a Queer Thinker?”This article argues that the work of Roland Barthes has interesting perspectives in common with queer theory. This argument is put forward by using his concept of ‘the neutral’ that Barthes defines as “that which outplays the paradigm”. This notion was presented at a series of lectures at Collège de France in 1977. Through a reading of Barthes’ autobiography, Roland Barthes par Roland Barthes (1975), the article demonstrates how Barthes tries to outplay the paradigms that rule over the hegemonic understanding of gender and sexuality. Furthermore, the fragmented text presents a vision of a sexual utopia, a neutral sexuality, that tries – like queer theory – to go and think beyond a binary conception of gender and sexuality. Finally, it is suggested that we should start to think about a movement of “French queer theory” in the late 1970’s that beside Barthes includes Jean Baudrillard.
Den emotive metro. Louis-Ferdinand Céline og vidnesbyrdlitteraturen
Authors: Hansen Troels Hughes
Published: October 2016

Troels Hughes Hansen: “The Emotive Metro. Louis-Ferdinand Céline and Witness Literature”The article proposes a new angle on the last novels of the French writer Louis-Ferdinand Céline (1894-1961). It is suggested that certain formal traits of the so-called German Trilogy can be regarded as more or less analogous to themes and problems normally associated with witness literature. This interpretation adds an ethical dimension to Céline’s oeuvre insofar as his chronicle incorporates the voices of an exiled community and thereby in a certain manner speaks for a group more or less damned by official history. Knowing, however, that his testimony will not be easily accepted by the public because of the author’s collaboration, Céline develops a literary style designed to reach a hostile reader on an emotional rather than a rational level.
Sult og ensomhed er kilden til min skrift – en forelæsning på Stanford Universitet
Authors: Yan Mo
Published: October 2016

Mo Yan: “Hunger and Loneliness: My Muses”Mo Yan’s text is a Danish translation of a lecture in Chinese that he gave at Stanford University in 2000.
Hvor moderne er dannelsen?
Authors: Øhrgaard Per
Published: October 2016

Review of Birgit Eriksson: Moderne dannelse. Goethes Wilhelm Meister og dannelsesromanens aktualitet. Aarhus: Aarhus Universitetsforlag, 2013, 308 sider.
Religionssatirens fødsel ud af grådighedskritikkens ånd
Authors: Brink Dennis Meyhoff
Published: October 2016

Dennis Meyhoff Brink: “The Birth of Religious Satire”At the threshold of the twelfth century a seminal event occurred in European literature. For the first time in European history, satirical texts openly attacked the Christian Church exposing it as imbued with avarice, corruption, bribery, and greed for money. Satirical texts such as the Treatise of Garcia of Toledo, which describes how clerics worship the “martyrs’” Silver and Gold, and the so-called Money-Gospel in which the pope praises the bliss of wealth, gave birth to a new and distinctly anticlerical form of satire. Although this new anticlerical satire at first only constituted a small and anonymous underground movement, it was later continued and developed by satirists such as Erasmus, Molière, Swift, Diderot, Voltaire and Heine. In this way, anticlerical satire became a major tradition in modern European literature.The article first describes how the European tradition for anticlerical satire was born out of an increasingly skeptical attitude towards clerical cupidity and simony in the eleventh and twelfth centuries. Secondly, it analyses the above mentioned satires by focusing on the grotesque differences between Christian ideals and clerical practice in the satires. Finally, it argues that this new anticlerical satire constituted a tradition of its own, which was fundamentally different from the carnivalistic tradition, made famous by Mikhail Bakhtin.
Slaveriets profitabilitet. Økonomi og moral i fransk melodrama om den haitianske revolution, 1792-1798
Authors: Kjærgård Jonas Ross
Published: October 2016

Jonas Ross Kjærgård: “The Profitability of Slavery. Economy and Morals in French Melodrama on the Haitian Revolution, 1792-1798”This article investigates how French revolutionary melodrama depicted the institution of slavery after the outbreak of the Haitian revolution in 1791. Prior to the slave rebellion in France’s most important Caribbean colony, St.-Domingue (present day Haiti), abolitionary writers and intellectuals had presented the argument that slavery was not only morally wrong but also economically unprofitable. For the more radical writers of the 1770s, such as Abbé Raynal and Louis-Sébastien Mercier, slavery was an evil that called for revolutionary violence in the colonies. However, when news of the actual slave revolt and its violent incidents reached France, the stance on violence and the interconnection of morals and economy changed. Through a reading of three plays the article aims to show that the Haitian revolution – as well as the radicalization of the French revolution – caused play writers to condemn violence among the slaves; to urge rebelling slaves to return to the plantations; and to present a colonial system in which slaves became free workers in return for their promise to work hard and accept the continuation of French colonial rule.
Trykkemaskinens politiske økonomi. Værdien af viden og litteraturens pris i 1830’ernes England
Authors: Johansen Thomas Palmelund
Published: October 2016

Thomas Palmelund Johansen: “The Political Economy of the Printing Press. The Value of Knowledge and the Price of Literature in 1830s Britain”The article explores the use of the printing machine as a symbol and illustration of enlightenment and economizing principles in the cheap periodical literature of Britain in the 1830s. Focussing on two key cheap periodicals from the period it seeks to highlight the central role played by the printing press and steam print in the self-image of the publishers of cheap instructive and wholesome ‘useful’ and scientific literature targeting an upper working-class audience in the attempt to curb the influence of the illegal radical papers. The printing machine as an ideal object provi-ded an illustration of the economic and social structure of civilized society while at the same time symbolizing enlightenment and reason as opposed to ignorance and violence. The use of the material production of print as an instruction in political economy is seen as an attempt to engage with the reader and bring forth a sense of interconnectedness between the social classes based on underlying economic principles of e.g. division of labour.
All in. Gambling i litteraturen fra Lessing til finanskrisen
Authors: Thomasen Laura Søvsø , Sørensen Henrik Kragh
Published: October 2016

Laura Søvsø Thomasen & Henrik Kragh Sørensen: “All in. Gambling in Literature From Lessing to the Financial Crisis”For centuries, gambling has been a recurring theme in fiction. Since the recent credit crunch of 2008, gambling has attained a partly new role in the emerging genre of “crunch fiction”. It can now be connected to financial speculation in ways that also showcase the abstract, even fictional character of modern markets and wealth. In this article, we draw connections and comparisons between the 19th century literary gambler and contemporary crunch fiction as expressed in e.g. Sebastian Faulks’ A Week in December (2009) and J. D. Chandor’s film Margin Call (2011).
Forkert nummer - Telefonen som ledemotiv i Botho Strauß’ forfatterskab og slægtskabet med den pessimistiske teknologitænkning
Authors: Schiølin Kasper
Published: October 2016

Kasper Schiølin: “Wrong Number: The Telephone as a Leitmotif in the Work of Botho Strauß and the Affinity with the Pessimistic Philosophy of Technology”The article explores the telephone as a central leitmotif in the writings of German author Botho Strauß. It stresses that Strauß in different ways deliberately ‘short-circuits’ the phone, so that it does not facilitate meaningful communication but only increases loneliness and despair. The last part of the article shows how this artistic inversion of the phone becomes a questioning of technology, corresponding to the technological pessimism of early philosophy of technology.
Sorte strømper, grønne tråde. Proust og inversionens hermeneutik
Authors: Danius Sara
Published: October 2016

Sara Danius: “Black Socks, Green Threads: On Proust and the Hermeneutics of Inversion”Inversion – especially sexual inversion – is a major preoccupation in In Search of Lost Time, just as it is manifest in other writers in the period. Still, the theme of homoerotic love has been marginalized in the reception of Proust. Why? Because he wanted it that way. In Proust, it turns out, inversion is more than a theme. It is part not only of what he said but also of how he said what he said. This article suggests that inversion serves as a fundamental rhetorical device, one that offered Proust an ingenious mechanism for doing what he wanted to do in approaching the theme of same-sex desire and, equally important, for instructing his readers in the art of reading.
Proust som indflydelsesmaskine
Authors: Thing Neal Ashley Conrad
Published: October 2016

Neal Ashley Conrad Thing: “Proust as Engine of Influence”Marcel Proust’s main oeuvre, In Search of Lost Time (1913-27), is an engine of influence. The novel is, increasingly, affecting pratices of writing, ways of reasoning, and the concept of man. The influence of Proust’s novel has not been mapped in Denmark. Generalisations are thriving, but thanks to reception recearch it is possible to reveal Proust’s significant influence on Danish reviewers, critics and writers.
Bidragydere
Authors: Redaktionen Redaktionen
Published: October 2016

List of contributors
Johannes Ewald i romanhistorien. En omdatering og revurdering af Herr Panthakaks Historie
Authors: Gjerlevsen Simona Zetterberg
Published: October 2016

Simona Zetterberg Gjerlevsen: “Johannes Ewald in the History of the Novel. A Redating and Revaluation of The Story of Mr. Panthakak”The article undertakes an investigation of the relationship between two of Johannes Ewald’s prose works: The Story of Mr. Panthakak and an abstract from the journal The Foreigner. In so doing, the article disproves prevailing assumptions of the dating of The Story of Mr. Panthakak as it provides evidence that the story is written later than The Foreigner. This has important consequences for the view of Ewald’s authorship since The Story of Mr. Panthakak makes use of a number of fictionality techniques such as zero focalization, meta commentaries, fictive characters and unrealistic events associated with the novel. Accordingly, this article suggests that a redating of The Story of Mr. Panthakak together with an attention to its techniques of fictionality show that Ewald anticipated what was to become the dominating literary genre: the novel.
Tobiasdage. En historisk roman
Authors: Hultberg Peer
Published: October 2016

Peer Hultberg: Tobiasdage. En historisk roman
Grog & Capstan
Authors: Laugesen Peter
Published: October 2016

Peter Laugesen: Grog & Capstan
Fem sider af en roman undervejs
Authors: Grøndahl Jens Christian
Published: October 2016

Jens Christian Grøndahl: Fem sider af en roman undervejs
Richardson og den moderne roman
Authors: Østergaard Claus Bratt
Published: October 2016

Claus Bratt Østergaard: Richardson og den moderne roman
Mellem spejle - om meta-romanens selvreflektion
Authors: Huang Marianne Ping
Published: October 2016

Marianne Ping Huang: Mellem spejle - om meta-romanens selvreflektion
Realisme som repetition
Authors: Andersen Frits
Published: October 2016

Frits Andersen: Realisme som repetition
Metaforen i midten - et essay om repræsentation i renæssancen
Authors: Østergaard Claus Bratt
Published: October 2016

Claus Bratt Østergaard: Metaforen i midten - et essay om repræsentation i renæssancen
Den nødvendige svimmelhed
Authors: Sørensen Peer E.
Published: October 2016

Peer E. Sørensen: Den nødvendige svimmelhed
Den skjulte læser - Om Peer E. Sørensen Håb og Erindring
Authors: Engdahl Horace
Published: October 2016

Horace Engdahl: Den skjulte læser - Om Peer E. Sørensen Håb og Erindring
Digt
Authors: Kirkeby Per
Published: October 2016

Digt af Per Kirkeby
Rygte og atlas
Authors: Huang Marianne Ping
Published: October 2016

Marianne Ping Huang: Rygte og atlas
Af kærlighedens billeder - eller Om videnskabens og venskabets vision og grænse
Authors: Christensen Peter
Published: October 2016

Peter Christensen: Af kærlighedens billeder - eller Om videnskabens og venskabets vision og grænse
Verden er, som den er
Authors: Helle Merete Pryds
Published: October 2016

Merete Pryds Helle: Verden er, som den er
Om ikke at ville være til uden at kunne fordi litteratur
Authors: Rasmussen Bent Nylander
Published: October 2016

Bent Nylander Rasmussen: Om ikke at ville være til uden at kunne fordi litteratur
Anisotropy effects on the performance of wurtzite GaN impact-ionization-avalanche-transit-time diodes
Authors: Dai Yang , Yang Lin’an , Xu Shengrui , Hao Yue
Published: October 2016

We demonstrate that a GaN impact-ionization-avalanche-transit-time (IMPATT) diode exhibits a higher frequency and a wider bandwidth in the basal plane (Γ–M direction) than along the c-axis (Γ–A direction). Because of the better efficiency, RF power, and negative resistance performance at a high frequency, the use of the diode in the Γ–M direction is more appropriate for high-frequency operation. In addition, the diodes are cut off when the specific contact resistances are ∼10−6 and ∼10−5 Ω·cm2. Thus, the very high specific contact resistance of p-type GaN of about ∼10−4 Ω·cm2 provides an important limitation to the fabrication of pn junction GaN IMPATT diodes.