bluuebunny/crossref_metadata_2025 huggingface dataset:
ESTETIKA TARI KUKILO GAYA SURAKARTA GUBAHAN S. MARIDI
Authors: Resi Laras Ambika
Published: May 2023

This research aims to uncover the aesthetic meaning of the Kukila dance through anaesthetical review in order to discover and describe: (1) the form of the Surakarta style Kukiladance which includes its theme, dancers, movements, make-up, costumes, music, and dance formation;(2) an explanation of the concept which symbolizes the form of the dance and the responseof the audience; and (3) an explanation of the aesthetic meaning of the Surakarta style Kukiladance. The form of the research is qualitative descriptive. The research uses a holistic approachwhich places the form of the dance or its sensation as the objective factor, the concept or idea whichsymbolizes as the genetic factor, and the response or emotion of the audience as the affective factorin an interactive communicative study. The research places each factor in an equal position as adata source and in the activity of the analysis.The theories used for researching the Kukila dance are: (1) Theories of Aesthetics; (2) Theoriesof Performing Arts; (3) Theories of Symbolism; and (4) Theories of Communication. Themethods used by the writer for collecting the data include: a library study, direct and indirectÂ observation, and interviews with a number of informants. The conclusions drawn, based on theform, symbols, and emotions of the audience, are that aesthetically, the Kukila dance depicts afriendship between two kinds of birds which are agile, lively, and vivacious in character, while itfunctions as entertainment and can be interpreted as having content which is meaningful forcharacter building. In its implementation, the form of the Kukila dance is expressed through theperformance of presentative and representative movements which are agile, lively, and vivacious,and supported by make-up and costumes resembling the appearance of a bird, as well as dynamicmusic, creating a sense of harmony in a high quality work of art. The Kukila dance is essentiallya popular dance which is often learned by children in elementary school and junior high school.Keywords: Kukila dance, aesthetic, and character building.
KEPENARIAN SUWITRI DALAM TARI TOPENG DI SLARANG LOR, DUKUHWARU, KABUPATEN TEGAL
Authors: Nugroho Fatkhudin Tri
Published: May 2023

The research entitled The Artistry of Suwitri in Masked Dance in the Village of SlarangLor in the Dukuhwaru District of Tegal discusses the process of Suwitriâ€™s artistry as a maskeddancer in Slarang Lor and Suwitriâ€™s performance inTari Topeng Slarang Loror the Masked Danceof Slarang Lor. The method used in this research is qualitative interpretative. The techniques fordata collection include observation of recordings and direct observation, supported by a librarystudy and in-depth interviews. The theoretical foundation for uncovering the process of Suwitriâ€™sartistry uses the theories of Habitus and Pierre Bourdie while the study of Suwitriâ€™s performanceuses Janet Adsheadâ€™s dance analysis and the artistic demands for performing masked dance, whichinclude ngrungokena kendhang, gerakane kudu pas karo pakem, and ndelengna raineng topeng, or listening to the sound of the drum, making sure the movements follow the rules, andwatching the face of the mask. Suwitri is the only masked dance maestro who is able to perform 6different characters, as a result of her artistic background andthe process through which she learnedto dance to a level at which she has been affirmed as a maestro of Slarang Lor Masked Dance.Keywords: Artistry, Suwitri, Slarang Lor Masked Dance.
PERJALANAN RONGGENG TAYUB DI PRIANGAN
Authors: Sudarto Toto
Published: May 2023

A study of ronggeng viewed from the historical perspective interested. In fact it has beeninfluenced by a pre-historical period where human believe in super natural. Peopole in the prehistoric period connected the rituals with dance atraction for their own significance. The ronggengincluded as a dance figure connected to the rituals because of its originally from the saman danceand it similiar to the dance of woman priest. It remains us to the function of â€˜catalystâ€™to theancestors. Ronggeng was symbols of recovery rites in the human believe. Ronggeng was alsosymbol of a fertility rites in the human believe in addition to the relationship of its function hasbeen influenced by the Dongsonâ€™s culture for the mostly Southeast Asia societies where theybelieve on the Goddess of Rice. Therefore the information of ronggeng has been wrote in Indianâ€™sliterature and sculpture or relief panels of the temple. Eventually the ronggeng is identicallywith fertility rites because of its relation to the Sri Devi and in other side is its atraction has alsoviewed as laisure among the aristocrats. In the Islamâ€™s period where performing arts used to be away of dakwah, so that the ronggeng status in herent with the sufi a manifestation of maâ€™rifatâ€™sways, where the human assumted to their God. In feudalism feriod of Priangan the ronggeng as apersonal symbol. During this period ibing keurseus appeared as a new version of tayuban bystressing on aesthetic movement appearance. At last the ronggeng unappeared because of its ignorance to the etic norm of religion.Keywords: the ronggeng, continuities, the changing function.
PROSES PENCARIAN IDENTITAS GERAK GECUL GARENG OLEH SUMAR BAGYO
Authors: Wulandari Dewi , MD Slamet
Published: May 2023

Sumar Bagyo yang dikenal sebagai Gareng Ngesti Pandowo merupakan salah satu pelawak yang populer dengan membawakan karakter Gareng. Gerak gecul merupakan karakter dan identitas panggungnya. Karakter gerak gecul Gareng yang dibawakan oleh Sumar Bagyo merupakan pencitraan akan dirinya dan merupakan ciri khas yang akan sulit ditiru oleh orang lain.Fenomena inilah yang menjadi perbedaannya dengan para pelawak lainnya yang lebih mengedepankan guyon maton. Muncul pertanyaan bagaimana proses kesenimanan Sumar Bagyo dalam mencari gerakgecul Gareng sebagai identitasnya. Penelitian ini menggunakan metode kualitataif dengan pendekatan sejarah. Data dikumpulkan dengan observasi, wawancara, dan pendokumentasian, yang selanjutnya dianalisis dengan menggunakan teori perubahan sosial A. Boskof. Hasil penelitian menunjukkan bahwa faktor kesuksesan karir dan dalam mencari gerak gecul meliputi faktor internal 1) Bagyo memiliki gen seorang Gareng. 2) Bagyo memiliki bakat ndagel dan menari yang terus diasah. 3) mampu menabuh gamelan. 4) sebagai staf Dinas Pariwisata dan Kebudayaan. 5) pengalaman pentas diberbagai tempat dan kalangan. 6) kreatifitas. Sedangkan faktor eksternalnya yaitu 1) Bagyo hidup dilingkungan seni. 2) Bagyo selalu up to date. 3) mempersiapkan bahan lawakan berbeda. 4) mengerti berbagai disiplin ilmu. Kata kunci: gecul, Gareng, karakter.
DRAMA TARI ARJUNA WIWAHA KARYA S. MARIDI MAESTRO TARI TRADISI KARATON GAYA SURAKARTA SEBUAH KAJIAN ESTETIK
Authors: Sumargono Sumargono
Published: May 2023

AbstrakPenelitian ini mengungkap dan mengidentifikasi estetika atau keindahan â€œDrama TariÂ Arjuna Wiwahaâ€ dengan titik perhatian pada analisis unsur-unsur tari dan bentuk hubunganÂ sebagai pembentuk keindahan tari.Oleh karena itu dipaparkan diskripsi drama tari ArjunaÂ Wiwaha secara rinci pada notasi balungan musik tarinya sehingga tempo, laya, pemangkuirama maupun rasa gendhing dan pola kendhangan yang berhubungan dengan rasa gerakÂ tari dapat diidentifikasi sehingga kesan harmoni /selaras muncul dalam koreografi drama tariÂ Arjuna Wiwaha tersebut. Analisi estetik ini juga didasarkan pada konsep estetik kepenariantari tradisi Jawa gaya Surakarta, baik teknik maupun rasa sebagai koridornya. Konsep tersebutÂ meliputi pacak, pancat, lalut, luwes, ulat, wiled, irama, dan gendhing yang kemudiandikenalÂ dengan konsep Hastha Sawanda. Hasil penelitian ini setidaknya dapat memberikan kontribusiÂ untuk analisis estetis tari gaya Surakarta khususnya, yang juga tidak menutup kemungkinanÂ untuk gaya tari yang lain.Kata Kunci: Arjuna Wiwaha, gendhing, dan Estetik.AbstractThis writting will disclose and identify the aesthetics of Arjuna Wiwaha dance by aplyingÂ a special attention to the analysis of danceâ€™s elements and the relations of one element to theÂ others. The notation patterns of the music of the dance were described in detail so that it wasposible to identify the tempo,laya,rhythm,musical taste and the pattern of kendangan mungkus.The result is that we know the choreography of Arjuna Wiwaha dance has a harmonious impression.This aesthetic analysis was based on the aesthetic concept of Javanese traditional dancing ofSurakarta style,both the technique and its taste. The concept covers pacak,pancat, lulut, luwes,ulat, wiled, rhythmand gendhing which are known as hastha sawanda. This writing at least canmake a contribution to the aesthetic analysis on dance of Surakarta style and possibly other styles.Keywords: Arjuna Wiwaha, gendhing, and aesthetic.
TOPENG BABAKAN CIREBON 1900-1990
Authors: Sudarto Toto
Published: May 2023

AbstrakÂ Topeng Babakan Cirebon dalam perjalanannya telah menjadi suatu tonggak yang ikut mewarnai perjalanan sejarah tari di Jawa Barat. Penelitian ini mengungkap perubahan dan perkembangan Topeng Babakan dari tahun 1900 sampai 1990. Kajian terhadap permasalahan tesis ini menggunakan metodologi sejarah, dengan bantuan ilmu sosial dan kebudayaan. Topeng Babakan merupakan seni pertunjukan rakyat yang dalam penyajiannya masih berkaitan dengan upacara-upacara tradisi, seperti ngunjung, mapagsri, ngarot dan lain-lain. Penyebarannya di Jawa Barat bermula dari pertunjukan yang dilakukan secara berkeliling atau bebarang (ngamen) pada awal abad ke-20. Hal ini menarik perhatian kaum menak (bangsawan) untuk mempelajari ketrampilan para dalang topeng Cirebon. Perkembangan berikutnya tarian ini banyak mempengaruhi bentuk tari-tarian yang ada di wilayah Priangan dan Jawa Barat secara umum. Pasang surut kegiatan pementasan Topeng Babakan banyak dipengaruhi oleh perkembangan masyarakat yang mudah berubah seiring dengan perkembangan zaman serta teknologi informasi.Â Kata kunci: Topeng Babakan, bebarang, perubahan dan perkembangan.Â AbstractÂ Throughuot the course of its journey, topeng babakan Cirebon has became a milestone, which has coloured the course of the history of dancein West Java. This research discovers the changes and developments in topeng babakan from 1900 to 1990. The study of the subject of this tesis used a historical approach, with the aid of social and cultural studies. Topeng Babakan is a performing folk art, the performance of which is still related to traditional ceremony such as ngunjung, mapag sri, ngarot, and so on. It spread through West Java, begining as a travelingÂ show or bebarang (troupe of performing beggars) at the start of the 20th century.This drew the attention of the aristocrats or menak, to learn the of Cirebon masked theater. In it subsequent development, this dance greatly influenced other dance forms in the Priangan region and in West Java in general. The rise and fall of topeng babakan performance activities was largely influenced by developments of the age, and developments technology and communication.Â Keyword: topeng babakan, bebarang, changes, and developments.
TARI BRAMASTRA KARYA WAHYU SANTOSO PRABOWO DALAM PANDANGAN METAFORA
Authors: Rachmadani Asri , Pramutomo RM.
Published: May 2023

AbstrakÂ Tari Bramastra merupakan tari yang tergolong dalam tari alus tunggal gaya Surakarta yang disusun oleh Wahyu Santoso Prabowo pada tahun 1984. Tari Bramastra dapat dibawakan oleh penari perempuan maupun laki-laki dengan durasi 10 menit 50 detik. Terbentuknya tari Bramastra berawal dari keadaan yang mengancam umat manusia dengan adanya penciptaan sebuah senjata nuklir dan rudal yang berkekuatan dahsyat. Senjata ini kemudian disetarakan dengan senjata yang ada dalam cerita wayang yaitusenjata Bramastra yang hanya dimiliki oleh Batara Brama (dewa api) yang diturunkan kepada Arjuna. Permasalahan dalam pembahasan penelitian diantaranya bagaimana koreografi Bramastra karya Wahyu Santoso Prabowo dan bagaimana makna tari Bramastra karya Wahyu Santoso Prabowo dipandang dari analisis metafora. Penulisan skripsi ini menggunakan metode penelitian kualitatif dengan pendekatan bentuk, yaitu pengumpulan data yang dilakukan dengan caraobservasi, wawancara, dan studi pustaka. Landasan teori yang digunakan adalah landasan teori dari Y. Sumandiyo Hadi dan Anton M. Moeliono. Hasil dari penelitian dapat disimpulkan yaitu makna yang terkandung dalam tari Bramastra adalah bahwa dalam menggunakan sebuah senjata harus ada perhitungan yang matang sehingga dapat terfikirkan bagaimana dampak dan akibat yang terjadi dari senjata tersebut, dan apabila senjata sudah memenuhi target dari fungsi yang diinginkan akan berakhir dengan sifat yang buruk yaitu munculnya sifat sombong atau congkak karena apa yang diinginkan sudah terpenuhi.Kata kunci : Tari Bramastra, Metafora, Makna.Â AbstractÂ Bramastra dance is a dance that belongs to a single style Solo solus dance composed by Wahyu Santoso Prabowo in 1984. Bramastra dance can be performed by female and male dancers with a duration of 10 minutes 50 seconds. The formation of Bramastra dance begins with a state that threatens mankind with the creation of a powerful nuclear weapon and missile. This weapon is then synonymous with weapons that exist in the puppet story that is Bramastra weapon that is only owned by Batara Brama (god of fire) is passed down to Arjuna.Problems in the discussion of research such as how the choreography Bramastra work of Wahyu Santoso Prabowo and how the meaning of dance Bramastra Wahyu Santoso Prabowo work is viewed from the analysis of meta- phor. Writing this essay using qualitative research methods with a form approach, namely data collection conducted by way of observation, interview, and literature study. The theoretical basisÂ Â used is the theoretical basis of Y. Sumandiyo Hadi and Anton M. Moeliono.The result of the research can be concluded that the meaning contained in Bramastra dance is that in using a weapon there must be a mature calculation so that it can think how the impact and effect of the weapon, and if the weapon has met the target of the desired function will end with the nature the bad is the appearance of arrogance or arrogance because what is desired has been fulfilled.Keywords: Bramastra Dance, Metaphor, Meaning.
IMPLIKATUR DAN DAYA PRAGMATIK DALAM SENI PERTUNJUKAN
Authors: Haryono Sutarno
Published: May 2023

AbstrakÂ Pertuturan antara manusia yang satu dengan yang lain, memerlukan daya pragmatik atau paling tidak kekuatan dialog yang sama memiliki budaya yang sama. Pemahaman implikatur akan lebih mudah jika penutur dan mitra tutur telah berbagi pengalaman. Pengalaman dan pengetahuan tentang konteks tuturan yang melingkupi ujaran atau kalimat- kalimat yang disampaikan oleh penutur. Mitra tutur sulit untuk memahami dan menangkap maksud penutur yang terimplikasikan atau tersirat dari tuturan penutur, jika tidak memiliki pengetahuan dan pengalaman tentang dunia di sekitarnya. Interpretasi dalam memahami kalimat ataupembicaraanharus memiliki kesamaan makna, apa yang dibicarakan diperlukan latar belakang budaya yang tidak berbeda. Dengan demikian akan terjadi komunikasi implikatur yang sama dan tidak akan terjadi interpretasi yang berbeda serta pembicaraan akan terjalin dengan baik.Kata kunci: Pertuturan, Implikatur, Daya Pragmatik, dan Budaya.Â AbstractÂ The speech that takes place between people requires pragmatic force, or at least an equal dialogic force and a similar culture. The understanding of implicature becomes easier if the speaker and interlocutor have a shared experience â€“experienceand knowledge about the context which surrounds the speech or sentences uttered by the speaker. The interlocutor will have difficulty understanding or grasping the implicit meaning contained in the speakerâ€™s utterance if he does not have a similar knowledge or experience of the world around him. In order to interpret or understand a sentence or utterance, the interlocutor must have a similar understanding of what is being said as well as a similar cultural background. In this way, the communication will have the same implicature and there will be no difference in interpretation, thus ensuring a conversa- tion with a good interaction.Keywords: Speech, Implicature, Pragmatic Force, and Culture.
BARONG KUNTISRAYA (Sekilas Segi Estetisnya)
Authors: Adnyana I Nyoman Putra
Published: May 2023

Barong Kuntisraya, a dancing-role play performance, is a traditional Balinese one that makes theÂ useÂ of theme related to the Rwa Bineda myth. Balinese truly put their belief upon Rwa Bineda that becomes the myth. They are sure that the two distinctive or opposite powers appear side by side in the human life in the world. In its on-stageÂ performance,Â it presents two enormous powers through the Barong showing the good and Rangda representing the bad.TheÂ peifo~manceÂ of Barong Kuntisraya is so interesting, either as the show or as the example on the ground that the reflected aesthetic expressions in the performance invites us to think and contemplate the various meanings behind the actions.Key Word:Â Aesthetic, Barong Kuntisraya.
NILAI-NILAI ESTETIS TARI GAMBYONG
Authors: Widyastutiningrum Sri Rochana
Published: May 2023

The performance of Gambyong Dance has a relationship with aesthetic value. This dance expresses the feminineness, softness, and liveliness of a woman. The aesthetic values of Gambyong Dance especially of the harmony between the movement of the dancer and theÂ rhythmÂ of the melody of the drumming. To present the dance, the choreographer and the emotion of the dancer have a great influence in determining the aesthetic of Gambyong Dance. So, if the dancer have a good emotion and is able to express It perfectly, the aesthetic values will exist and might become the expression of the erotic and sensual Gambyong Dance. This expression will fulfill if the Gambyong Dance danced by the dancer who meet the criteria ofÂ JogÃ¨d MataramÂ andÂ Hastha SawandaÂ dances.Key word: Aesthetic value, Joged Mataram,Â andÂ Hastha Sawanda.
IDENTITAS LOKAL SIDOARJO DALAM KOREOGRAFI BANJAR KEMUNING KARYA AGUSTINUS HERI SUGIANTO
Authors: Hermawan Arum Trianingsih , Pramutomo Pramutomo
Published: May 2023

Sidoarjo is known to have the city icon “Shrimp and Milkfish” because it has an area located on the coast and part of the livelihood of the community is fishermen. Coastal communities have distinctive cultural traits and characteristics with the habit of processing marine products. Sedekah Laut or Petik Laut is one of the cultures owned by the coastal community of Sidoarjo which is manifested in the form of the Banjar Kemuning dance. This study seeks to uncover problems related to local identity expressed in the choreography of the Banjar Kemuning dance.  The research problems were analyzed based on the theory of culture and identity, the theory of choreographic concept analysis, the theory of art and identity and the theory of expression. This research is qualitative with data collected through literature study, interviews, and observations of Banjar Kemuning Dance. The results showed that the components of the Banjar Kemuning dance include: (1). Choreography, (2). Accompaniment music; poetry and narration, and (3). Clothing, (4).Properties that as a whole reflect the lives of coastal communities who are active, dynamic and do not forget to be grateful for the marine products they get from God Almighty in the form of a complete unity of the Banjar Kemuning dance.
PROSES MELANIA MENCIPTAKAN TARI DOLALAK LENTERA JAWA DUA
Authors: Noviana Anggella , Yuliarmaherni Ni Nyoman
Published: May 2023

The Dolalak Lentera Jawa Dua Dance is the result of a dance work from Melania Sinaring Putri in 2014. The dance work was created as a form of order from the Purworejo district government. The process of creating the Dolalak Lentera Jawa Dua dance is based on the Dolalak dance style of the Purworejo tradition, namely: Dolalak Mlaranan, Dolalak Pesisiran and Dolalak Kalingesingan. The theory used to discuss the form of presentation in the form of dance elements uses the theory of Sumandiyo Y Hadi, while to discuss the process of creating the Dolalak Lentera Jawa Dua dance using Kartika Sony Dharsono, namely: personal, driving, process and product. The results of the research on the Javanese Lentera Dolalak dance. Two forms of dance created by the group. The combination of the three traditional Dolalak dance styles during the dance creation process by Melania. With changes in movements such as tempo and level, the costumes give the impression of a dashing, agile and firm dancer, supported by dancers moving energetically and femininely.
GAYA PENCIPTAAN HADAWIYAH ENDAH UTAMI DALAM TARI BEDHAYA SANTRI
Authors: Utama Ansilia Erna , Bantolo Matheus Wasi
Published: May 2023

Dance work Bedhaya Santri is a dance work created by Hadawiyah Endah Utami. This reseach discusses the style of creating dance Bedhaya Santri. This reseach aims to discribe the form of serving and creation style present in Santri Bedhaya dance. The method wit data that is characterixed and choreographic approach, which thourgh resistence collection of data namely observation, interview and library studiens. The problems present in this study are discussed using the basis of the theory of Janet Adshead to analyze the form of dance Bedhaya Santri and the style of Dance Creation Bedhaya Santri and Adina Armelagos. The result of Bedhaya Santri dance reseach that discusses the form of serving in it consists of three parts: forward beksan, beksan, reverse beksan. Dance number seven female dancers. Dance music uses Javanese gamelan and sholawat as a mean of approaching yourself to Allah. Makeup uses beautiful makeup, as well as costumes using clothes that cover aurat and face cover curtains as a hallmark in Bedhaya Santri dance. The style of dance creation Bedhaya Santri discusses the characteristic of Hadawiyah Endah Utami in the process of training the body with calm Javan dance tecnique, flowing san detail. The characteristic of the idea of dance breating Islam by processing motion during prayer. The hallmark of the shape of Bedhaya Santri dance is the dancer with ideal posture, costume in the body of women, surtains in the body of women, curtains face over, sholawat tunel, pattern flor manembahing Gusti, smooth, flowing, and broken motion to bring about the impression of dasp, thus making the precial style of choreographer to create work with new innovation of Islamic dance.
PROSES KREATIF WAHYU JATMIKO PADA PENCIPTAAN TARI SIMA SWATANTRA ANJUK LADANG
Authors: Sugiarti Yeni , Pramutomo Pramutomo
Published: May 2023

This study describes the creative process of Wahyu Jatmiko and the form of Sima Swatantra Anjuk Ladang Dance. The problems in this study include : (1) What is the form of Sima Swatantra Anjuk Ladang Dance?and (2) How is the creative process carried out by Wahyu Jatmiko in the creation of Sima Swatantra Anjuk Ladang Dance?. This study uses qualitative research method with a choreographic approach. To dissect the problem of the form of the Sima Swatantra Anjuk Ladang Dance performance and the creative process of Wahyu Jatmiko the author uses the theory 4P Four P’s of Creativity : Person, Process, Press, Product. For dissecting the problem of the form of the Sima Swatantra Anjuk Ladang Dance, the author uses groups choreography elements namely, (1) dance moves, (2) dance room, (3) dance accompaniment, (4) dance title, (5) dance theme, (6 ) type/type of dance (7) mode or method of presentation, (8) number of dancers and gender, (9) makeup and dance costumes, (10) lighting, (11) property.The results of this study indicate that the Sima Swatantra Anjuk Ladang dance is a work created by Wahyu Jatmiko through a creative process that includes stages, namely exploration, improvisation, and composition. The form of this dance is a group choreography with a representational nature.
IDE UNTUK MENYUSUN PROPOSAL PENELITIAN SENI TARI
Authors: Pramutomo R.M.
Published: May 2023

Dance studies have been establishing by inspecting its abilities to some new perspectives in the researchâ€™s field. Indeed, research isa confusing term as Henstein said. The previous curiousities has been inspected by Henstein in orderto arrange a research proposal. Based on a term a research is scholarly, through this article I am going to examine a basic element of previous curiousities called systematic of inquiry By inspecting systematic of inquiry, it will be supporting a new perspective in the research proposal as welL This article is also going to strive the difficulies of finding idea, and hopefully helping to understand precisely what we mean when we speak about research in a scholarly sense.Keywords: idea of research, researchâ€™s scholarly, research proposal.
PERANAN SANGGAR-SANGGAR TARI DALAM PERKEMBANGAN TARI GAYA SURAKARTA DI DAERAH ISTIMEWAYOGYAKARTA
Authors: Sumaryatmi Sumaryatmi
Published: May 2023

Considering Yogyakarta society and Surakarta which is since breaking of Mataram (1755) always seen emulation, hence am awkwardness which [is) very draw if in this timeÂ (mlÂ Yogyakarta in the reality dubbed (by] many Surakarta style dance, situation (017 sebaliknyapun sometime also just happened only its grol~â€™ith [dojnot as fast as Surakarta style dance (in] Yogyakarta.Attendance dance Surakarta style fin) Special Region Yogyakarta seems (do] not get out of Natural Sri Nail;Axis attitude (of) VII which (do] not shutting the door against brought Surakarta style dance it by its wife into its palace, and Natural Sri Nail;Axis attitude (of] VIII following its father, even [at) a period of/to hereinafter develop in the form of other him (Style Nail Alaman). Beside that Yogyakarta society attitude of[is including its governance institutes which [is) reseptif and also have more supple andÂ freeÂ mind to accept new culture elements hence fairif Surakarta style dance can be accepted better by Yogyakarta society. But in its spreading (of) organizational perananan or grup-grup dance Surakarta style which start seen since independence pasca presumably also have big enough share.Â Keyword: Role, Organizational.
SISINGAAN SENI KEMASAN WISATA DI KABUPATEN SUBANG
Authors: Mulyadi Tubagus `
Published: May 2023

ArtistryÂ (of)Â Sisingaan represent Earing people resistance representasisymbolfirst to colonial pra ctice a period of/to power(of) Dutch. Symbol Power grinding this implied in the form of appearance (of) lion idol which (is) stretcher. While resistance form depicted in moppet figure riding lion, please implies that grind will fail by the rising generation. Artistic (of) this tidiness (of) lebeih focussed [by) (at) show estetik facet, without eliminating meaning which consist in in itKeyword:Â  Sisingaan, artistic (of] tidiness
KAYA TARI â€œMANUKSMAâ€ SIKAP TANGGAP MEMBACA LINGKUNGAN
Authors: Wahyudiarto Dwi
Published: May 2023

Chronicle Wanamarta (is] the part of Wanaparwa episode which (is) human being kisah-kasih story with universe. Meruapakan Wanamarta a veiy forest (of] serious condition and is ghostlike, and laterthen.transform to become a big empire as linuwih satriya punjering. Understanding to forest meaning in fact can come near from various dimension. Forest from symbolic meaning dimension, from dimension life (of] universe, from dwelling place side [all] genie, natural ecology dimension, as forest human being dwelling place, as place work, as theft farm, as and asset properties (of] state, andÂ Still many again. How in fact (all] pandawa in face of various the problems, (is] to become the part of gegelisahan which finally have to take choice in forest attitude. Pendawa as excellent orderer, Bima have the spirit (of] remarkable (job/activity], DesignerArjuna offis beauty (of] reliable, Nakula very skilled in farming and developing crop, Observer animal Sadewa and Puntadewa very strong in idea in my me (of] pujabrata in base on spritualÂ workÂ (a II] panda waKeyword: Puppet, Enviroment
Budi Tani Sebagai Ekspresi Ritual Dan Pertunjukan Di Desa Lencoh Kecamatan Sela Kabupaten Boyolali
Authors: Rahmani Dwi
Published: May 2023

Budi Tani Dance performance was grown and developed at Lencoh Village Society as part of syawalan traditional ceremony that conducted on village cleaning day (bersih dusun ). This ceremony was related its advocatesâ€™sociocultural. For Lencoh Village Society, its existence is syncretism that seen through ceremonial activities. By provided offerings and followed Budi Tani Dance performance full of symbols, Lencoh society was attempted to communicate with powerful beings for made dual relationship such as vertically and horizontally. Lencoh society was communicated with its God, ancestors and holy soul to get safety, benediction in its life through vertically relationship. Then, togetherness and devotion sense based on cooperation and assistance each others would built through horizontally relationship. Traditional ceremony of syawalan that conducted on cleaning day (bersih dusun) and followed by Budi Tani Dance performance with magical religious attitude related to norm and social attitude to preserve Lencoh society life as the prop was executed based on belief.Keyword : Folk Dance, Budi Tani Dance
TELAAH TENTANG TARI BENTEN (The Study of Benten Dance)
Authors: Efrida Efrida
Published: May 2023

The widespread nature is a teacher. That term becomes the philosophy of life of the Minangkabau society which finally inspires them in expressing their art life. One of the works of art of Minangkabau artists which is inspired by the natural phenomenon and expressed in the form of dance is Benten Dance. Inspired by a flying eagle rotating motion â€“ turn in the blue sky while stalking its prey, Benten dance symbolize the meaning of love of a mother in taking care of her child. This is in accordance with matrilineal custom Minangkabau society that puts women at the main place in society. In addition, Benten dance moves is also based on silat moves (Indonesian martial art), which if it is described consist of motifs of moves, movement phrases, sentence or kinds of moves and parts of moves. Keyword : Benten Dance
Karya Tari â€œSebuah Catatan Harianâ€: Seni sebagai Media Pembelajaran bagi Anak-anak Tuna Rungu
Authors: Kuncoro Jonet Sri
Published: May 2023

This work try to become a reflection, that we are not alone in this world. In this globalization era where communications expand at full speed, thereâ€™s still the human being which "live alone" in their own world. Of course itâ€™s not things which they wish for, however, that circumstance was a disability they suffered. Everyone has their own world. But childrenâ€™s world of deaf people is a world require to get sympathy, empathy, attention as well as heartfelt intention to assist them. At meanwhile art "telling a story" to us through channel of verbal and nonverbal. Because of its sensitivity and because its way give form to experience, art can jar wire in our soul and reach and also activate the parts of from our own experience which cannot be reached and activated by ordinary information. Art was a representative actualization media, grow self confidence up. Art also the therapy applicable for child suffering concentration trouble, co-ordinate body function, even bounce. Others also as medium of forming of ethic kindness, from values which consisted in art itself, and also in its learning process. For the reason, this work try to a little bit flicking away human side of ourself: is there any of us will share and have the empathy with them, disability children or deaf people which live in their own world? This work try to be a reflection for us about that thingKeyword : dance, therapy, education.
REFLEKSI KEHIDUPAN ABDI DALEM BEDHAYA KERATON KASUNANAN SURAKARTA
Authors: Sutrisno Teguh
Published: May 2023

Tulisan ini mengupas dikotomi kehidupan abdi dalem Keraton Kasunanan Surakarta pada level abdi dalem bedhaya yang merupakan laporan otobiografi yang direaktualisasi dalam bentuk seni pertunjukan berupa kompilasi antara tari dan teater. Satu sisi abdi dalem tersebut harus patuh dan taat pada pranatan dan penguasaan yang absolut ke â€œagungan binatharaanâ€ raja yang tak terbatas, pantang berkata â€œtidakâ€ yang ada hanyalah â€œsendika dawuhâ€ dan ya, iya dan ya dengan â€œsumarahnyaâ€ tanpa bisa berbuat banyak meskipun hati kecilnya bergejolak. Sisi lain kemerdekaan diri terenggut ketika setiap saat harus di keraton dengan sepenuh hati, tanpa harus mempertimbangkan hak azasi manusia sebagai manusia yang berbudi â€œkamanungsanâ€ terjajah oleh absolutisme kekuasaan tanpa batas sebagai bentuk penindasan yang terselubung. Bisa dikatakan tulisan ini semacam laporan eksklusif dalam menguak abdi dalem bedhaya dalam perjalanan kehidupan dengan segala bentuk aktifitas yang melingkupinya. Keyword : Abdi dalem, Uwa Sri
Implementasi Manajemen Strategik dalam Pertunjukan Ramayana Prambanan
Authors: Sari Cahyani Tunggal
Published: May 2023

This study examines the strategic management, in the form of an environmental analysis, of the Ramayana Ballet at Prambanan. Specifically, it examines the strengths and weaknesses of the internal environment, and the opportunities and threats of the external environment of the Ramayana Ballet at Prambanan in its capacity as a business. An environmental analysis is needed inÂ  order to anticipate the old strategies that may undergo changes in the rapid onset and high intensity of globalization. The correction of these strategies may influence the companyâ€™s vision and mission.Â Â Â Â Â Keywords:Â  Environment analysis and strategic management
Paradigma Penelitian
Authors: Haryono Sutarno
Published: May 2023

Research is an attempt to understand facts in a rational empirical way, using a certain procedure in accordance with the method chosen by the researcher. There are two kinds of research, namely quantitative and qualitative. In the research of a particular work, program, or event, using a holistic critical approach, its quality should be viewed from the perspective of its background, its objective formal conditions, and its impact.Â Keywords: Research, quantitative, qualitative, holistic critical.
PERANCANGAN INTERIOR ISLAMIC HEALTH AND SPORTS DENGAN TEMA SEMANGGI DI KOTA SURABAYA
Authors: Riduwan Kenia Amalukha , Ariyanto Ahmad Fadjar
Published: May 2023

ABSTRACTInterior Design of Islamic Health and Sports in Surabaya City is an Islamic health and sports service building by applying the Semanggi theme. This design aims to produce interior design that can meet all the needs of Islamic health fulfillment activities comfortably and safely. The design method uses the design of Pamudji Suptandar, namely through the process of design input, synthesis, and output. The design approach uses the function, aesthetic, ergonomics, and sharia approach. The semanggi motif is taken from the transformation from pillars of the Rahmat Mosque in Surabaya by means of a contemporary style approach. This design has facilities including: Lobby, health & sports corner, pharmacy, examination room, therapy, trainer room, fitness room, Mixed Martial Arts area, retail, cafe, and lavatory which have separate zones between men and women in high privacy spaces .Key words :Interior, Islamic, Health, Sports, Semanggi     ABSTRAK Perancangan Interior Islamic Health and Sports di Kota Surabaya merupakan bangunan pelayanan kesehatan dan rekreasi islami dengan menerapkan tema Semanggi. Perancangan ini bertujuan  menghasilkan desain interior yang dapat memenuhi seluruh kebutuhan aktivitas pemenuhan kesehatan islami dengan nyaman dan aman. Metode perancangan menggunakan perancangan Pamudji Suptandar yaitu melalui proses desain input, sintesa, dan output. Landasan perancangan menggunakan pendekatan fungsi, estetika, ergonomi, dan syariah. Motif semanggi diambil dari transformasi daun semanggi pilar Masjid Rahmat Surabaya melalui pendekatan gaya kontemporer. Perancangan ini memiliki fasilitas diantaranya: Lobby, health & sports corner, apotek, ruang periksa, terapi, trainer, fitness,  Mixed Martial Arts, retail, kafe, dan  lavastory yang memiliki zona terpisah antara laki-laki dan perempuan pada ruang dengan tingkat privasi tinggi. Kata kunci : Interior, Islamic, Health, Sports, Semanggi.
Kajian Visual Hinggi Dan Lau Untuk Upacara Kematian Suku Sumba
Authors: Rizki Ashri Eka , Widyastuti Theresia
Published: May 2023

ABSTRAKHinggi dan lau merupakan Kain Sumba yang digunakan dalam berbagai upacara, salah satunya dalam upacara kematian. Di dalam hinggi dan lau mengandung cerita tersendiri yang menggambarkan Sumba. Permasalahan yang dikaji dalam penelitian ini yaitu: (1) Bagaimana keterkaitan motif hinggi dan lau dengan budaya Sumba? (2) Bagaimana visual dari hinggi dan lau untuk upacara kematian.Penelitian ini merupakan penelitian kualitatif yang menggunakan pendekatan Teori Kebudaya milik Clifford Greetz. Lokasi penelitian dilakukan di Sumba. Berfokus pada analisis Kain Sumba khususnya hinggi dan lau untuk upacara kematian sebagai salah satu hasil kebudayaan dari masyarakat Sumba dapat dibaca untuk memahami budaya masyarakat Sumba. Hinggi dan lau untuk upacara kematian dianggap sakral dan memiliki makna filosofis yang menceritakan mengenai daur kematian, memiliki nilai lebih sebagai wujud penghormatan kepada leluhur serta sebagai wujud simbolis bagi kepercayaan adat.Hasil dari penelitian ini adalah penjelasan mengenai kaitan motif pada hinggi dan lau dengan budaya masyarkat Sumba dalam hal kepercayaan, adat serta sosial dalam tatanan hidup masyarakat Sumba, gambaran dan penjelasan akan visual dari kain hinggi dan lau untuk upacara kematian yang meliputi bentuk kuda, ayam, tau (manusia), udang, dan ular. ABSTRACT  Hinggi and lau are Sumba’s traditional sheet (Kain Sumba) used for ceremonial purposes, one of them is funeral. Hinggi and lau containts its own story that describe Sumba. This research is consisted of following topics : (1) How hinggi and lau’s motive are related to Sumba culture? (2) How hinggi and lau’s visual representation appear on funeral. The approach of this qualitative research utilize the Culture Theory purposed by Clliford Greetz. Research was conducted in Sumba. Focusing on the analysis of Kain Sumba especially hinggi and lau for funeral as one of tangible heritage of Sumba’s people, that can be read, studied and comprehended. Hinggi and lau considered sacred and contais the philosophy that describe the Cyrcle of Death, has the extra virtue of respect to the ancestors and also as a symbolic representation of traditional faith.The result of this research is to describe how hinggi and lau are related to the culture of Sumba people, in faith, social and tribal life of Sumba people. Also as visual description of hinggi and lau for funeral
Grado de conocimiento de las familias del cantón Chimbo, sobre la tenencia responsable de mascotas
Authors: Mora García Edison Raúl , Castillo Hidalgo Edy Paul , Calapaqui Gaibor Karina Gabriela , Espinoza Mora Kleber Estuardo
Published: May 2023

En nuestro entorno los estudios del grado de conocimiento de las familias del cantón Chimbo, sobre la tenencia responsable de las mascotas es nulo, por lo que vimos propicio evaluar de cierta manera esta problemática que está latente y en aumento alrededor del mundo. Objetivo: El objetivo de este trabajo investigativo fue analizar el Grado de conocimiento de las familias del cantón Chimbo, sobre la tenencia responsable de mascotas en sus hogares, investigación realizada en los meses de julio-septiembre de 2022. Metodología: Se utilizó una estadística no experimental, donde se obtuvo información a través de un cuestionario de preguntas donde pudimos conocer cuál es la calidad de vida de los caninos con hogar, su hábitat y cuidados. En esta investigación utilizamos la entrevista (cuestionario y encuesta) en formato digital como método para poder recolectar la información y los datos necesarios. Resultados: Los resultados que se obtuvieron en esta investigación determinan que la mayoría de los encuestados tiene un alto grado de conocimiento sobre la tenencia responsable de mascotas. Conclusiones: Pudimos apreciar que hay un alto grado de responsabilidad de la mayoría de los tutores encuestados en los diversos ámbitos para que una mascota pueda gozar de una vida plena. Área de la ciencia: Medicina veterinaria
Rancang Bangun E-Marketing Wisata Desa
Authors: Umam M Firkul
Published: May 2023

Wisata desa merupakan destinasi wisata dalam bidang budaya, seni, kreatifitas dan kearifan masyarakat. Wisata desa yang berada pada provinsi Lampung, terletak di Desa Braja Harajosari, Kecamatan Braja Selebah, Kabupaten Lampung Timur dan merupakan salah satu dari 37 desa penyanggah taman nasional way kambas dan berbatasan langsung dengan Taman Nasional Way Kambar (TNWK). Proses pemasaran yang dilakukan saat ini masih menggunakan brosur, banner dan memanfaatkan media sosial seperti instagram, dan facebook. Proses tersebut dirasa sudah cukup baik dari segi pemasaran akan tetapi proses manajemen pengolahan data wisata dan penyampaian informasi belum terintegrasi antar bagian yang berkaitan dengan pihak masyarakat seperti penginapan, transportasi, kuliner, edukasi dan kerajinan. Sehingga proses pemasaran yang lakukan masih kurang optimal dari segi manajemen data wisata, akibat dari masalah tersebut pihak wisata tidak dapat mengetahui tingkat pengunjung wisata baik lokal maupun internasional. Metode yang digunakan yaitu extreme programming dan strategi marketing mix untuk mengetahui pendukung dari produk yang akan dipasarkan. Tujuan penerapan sistem pemasaran yaitu mengoptimakan pemasaran wisata desa untuk meningkatkan pasar serta mempermudah proses penyampaian informasi wisata desa kepada masyarakat. Hasil dari penelitian yaitu proses pengolahan data wisata dan pemesanan paket wisata yang dilakukan oleh pengujung secara online.
Evaluation of the IBL Satya Wacana Salatiga Team Achievement Development Program
Authors: Wibowo Cahyo , Dennys Christovel Dese
Published: May 2023

The achievement coaching program aims to introduce, grow, guide, and develop a personality basis that is balanced, intact, and in harmony to provide knowledge and skills according to talent. Sports teams need the right coaching program to achieve maximum performance. This study aimed to identify, reveal, and evaluate the performance development of the IBL Satya Wacana Salatiga team. The evaluation includes context, input, process, and product. The design used in this research is program evaluation, which uses a quantitative and qualitative approach. In comparison, the model used in this study is the CIPP (Context, Input, Process, Product) model. The subjects in this study are all the administrators, coaches, and athletes of the IBL Satya Wacana Salatiga basketball team. They were directly involved in the achievement coaching program. Data collection techniques were collected using a questionnaire, observation, documentation, and interviews. The data analysis technique study uses quantitative descriptive and the Mile and Huberman interactive analysis model. The results and conclusion of the overall evaluation using the CIPP model for the Satya Wacana Salatiga (SWS) basketball team explained that the achievement coaching program implemented was good. However, there were still some areas for improvement in the SWS basketball team achievement coaching program, starting from facilities and infrastructure, funding, and awards. Evaluation in the coaching process continues to improve from time to time.
Analysis of Post Pandemic Covid-19 Students' Activities
Authors: Dedi Supriadi
Published: May 2023

Physical activity is an activity of the body that is carried out systematically and purposefully, both preventive and curative. The purpose of this study was to analyze by knowing how the level of physical activity of students was during the post-covid-19 pandemic. The research method applied is a quantitative descriptive with a survey approach. The subjects in this study were all 32 students of Class X-2 SMA Pasundan 2 Cimahi City. The instrument used was using a questionnaire about physical activity which only took two types of activity out of three types of activity, namely activity during exercise and during free time. The data analysis technique uses a survey quantitative analysis type, namely the proportion technique. From the results of the study  it is known that the physical activity index of students when exercising gets an average score of 2.96 which is included in the less active category, while the physical activity index in their free time has a score of 3.30 which is included in the moderately active category. This indicates that more physical activity is carried out in students' free time than during sport.
Teacher Motivation in Teaching Physical Education During Covid-19 Pandemic
Authors: Tri Martini  , Mudjihartono  , Agus Gumilar  , Salman
Published: May 2023

The purpose of this study was to explore the motivation of Junior High School Physical Education teachers in providing online-based Physical Education instruction in Cimahi City, Indonesia. This study used a quantitative descriptive method. The instrument was a questionnaire distributed through Google form. The population of this study were Physical Education teachers in Cimahi. The sampling technique used purposive sampling technique with the Roscoe method. The data were analyzed by quantitative descriptives in the form of percentages. The result of this study concludes that the motivation of Junior High School Physical Education teachers in providing online-based Physical Education teaching in Cimahi are 4.84% were in the high category, 12.90% were in the medium category, 75.81% were in the low category, and 6.54% were in the very low category. It concludes that the teaching motivation of Junior High School level Physical Education teachers in Cimahi, in implementing online learning, was mostly in the low category.
The Effect of Problem Based Learning (PBL) and Cognitive Ability on Learning Outcomes of Sprint Running in Students of SMP Negeri 8 Tasikmalaya
Authors: Hakim Arif Rahman , Suherman Ayi , Lengkana Anggi Setia , Sri Maryati
Published: May 2023

This study aims to determine: (1) differences in learning outcomes for students who are taught by PBL and direct teaching methods, low and high cognitive abilities. (2) the interaction between learning methods and cognitive abilities on learning outcomes of sprints. (3) differences in learning outcomes of sprinting with the PBL and direct teaching methods in terms of high cognitive ability. (4) the difference in learning outcomes of sprinting with the PBL and direct teaching methods in terms of low cognitive ability. This research is a quasi-experimental research with a factorial design. The research sample was taken using random sampling technique, the number of samples used was 50 students of SMP Negeri 8 Tasikmalaya. Analysis of the data used is the requirements test and hypothesis testing. The results of the study show: (1) there are differences in learning outcomes between students taught by PBL and direct teaching methods, (2) there is an interaction between learning methods and cognitive abilities on learning outcomes of sprints. (3) there are differences in learning outcomes between students who are given learning using the PBL Model and the Direct Instruction Model in groups of students who have high cognitive, (4) there is no difference in the learning outcomes of sprints between students who are given learning using the PBL Model and the Direct Instruction Model in groups of students who have low cognitive abilities.