bluuebunny/crossref_metadata_2025 huggingface dataset:
The Novel Method of Teaching Physiology and Pathophysiology of Congenital Hypothyroidism to Medical Students: An Educational Intervention Study
Authors: Hassanzadeh Rad Afagh , Shahrokhi Maryam , Koohmanaee Shahin , Medghalchi Nazanin , Atrkar Roshan Zahra , Mehrabi Manoosh , Dalili Setila
Published: November 2022

Background: Teaching congenital hypothyroidism is a challenging aspect of medical education. Objectives: In this study, the authors implemented storytelling plus simulation (Double-S method) to make a new way of understanding the physiology and pathophysiology of the thyroid gland. Methods: An educational intervention study was conducted on 120 medical students in the third and fourth grades of medicine with little or no clinical experience. Participants were randomly divided into the Double-S and lecture-only groups and underwent the same pre-test and post-test. They attended a 120-minute class by the same pediatric endocrinologist. Results: The intragroup analysis showed no significant difference between the pre-test scores of the two groups (P-value = 0.843), but higher post-test scores were obtained in the Double-S method (7.6 vs. 5.3, respectively, P-value = 0.002). Conclusions: This study showed that teaching heavy physiological and pathophysiological content by unique incorporation of simulation and storytelling can improve learning basic and clinical courses in medical students. As our method had a novelty toward common simulation and storytelling methods, it helped medical students from the base to the bedside.
Pengaruh Budaya Organisasi dan Kedisiplinan Terhadap Kepuasan Kerja yang Berdampak pada Kinerja Pegawai Pada Suku Dinas Perhubungan Jakarta Selatan
Authors: Astria Kenny
Published: November 2022

Penelitian ini bertujuan untuk mengetahui pengaruh budaya organisasi dan kedisiplinan terhadap kepuasan kerja yang berdampak pada kinerja pegawai pada Suku Dinas Perhubungan Jakarta Selatan. Metode yang digunakan adalah explanatory research dengan sampel sebanyak 100 responden. Teknik analisis menggunakan analisis statistik dengan pengujian regresi, korelasi, determinasi dan uji hipotesis. Hasil penelitian ini Budaya organisasi berpengaruh signifikan terhadap kepuasan kerja sebesar 42,4%, uji hipotesis diperoleh signifikansi 0,000 < 0,05. Kedisiplinan berpengaruh signifikan terhadap kepuasan kerja sebesar 37,5%, uji  hipotesis diperoleh signifikansi 0,000 < 0,05. Budaya organisasi dan kedisiplinan secara simultan berpengaruh signifikan terhadap kepuasan kerja sebesar 51,5%, uji hipotesis diperoleh signifikansi 0,000 < 0,05.Kepuasan kerja berpengaruh signifikan terhadap kinerja pegawai sebesar 39,7%, uji  hipotesis diperoleh signifikansi 0,000 < 0,05.
Challenges for new adopters in pre-surgical margin assessment by handheld reflectance confocal microscope of basal cell carcinoma; a prospective single-center study
Authors: Richarz Nina , Boada Aram , Jaka Ane , Bassas Julio , Ferrandiz Carlos , Carrascosa Jose Manuel , Yélamos Oriol
Published: November 2022

Introduction: In vivo reflectance confocal microscopy (RCM) is a useful tool for assessing pre-surgical skin tumor margins when performed by a skilled, experienced user. The technique, however, poses significant challenges to novice users, particularly when a handheld RCM (HRCM) device is used.
Objective: To evaluate the performance of an HRCM device operated by a novice user to delineate basal cell carcinoma (BCC) margins before Mohs micrographic surgery (MMS)
Methods: We performed a prospective study of 17 consecutive patients with a BCC in a high-risk facial area (the H zone) in whom tumor margins were assessed by HRCM and dermoscopy before MMS. Predicted surgical defect areas (cm2) were calculated using standardized photographic digital documentation and compared to final defect areas after staged excision.
Results: No significant differences were observed between median HRCM-predicted and observed surgical defect areas (2.95 cm2 [range: 0.83–17.52] vs 2.52 cm2 [range 0.71–14.42]; p=0.586). Dermoscopy, by contrast, produced significantly underestimated values (median area of 1.34 cm2 [0.41-4.64] vs 2.52 cm2 [range 0.71-14.42]; p<0.001). Confounders leading to poor agreement between predicted and observed areas were previous treatment (n=5), a purely infiltrative subtype (n=1), and abundant sebaceous hyperplasia (n=1).
Conclusion: Even in the hands of a novice user, HRCM is more accurate than dermoscopy for delineating lateral BCCs margins in high-risk areas and performs well at predicting final surgical defects.
Indications for Digital Monitoring of Patients With Multiple Nevi: Recommendations from the International Dermoscopy Society
Authors: Russo Teresa , Piccolo Vincenzo , Moscarella Elvira , Tschandl Philipp , Kittler Harald , Paoli John , Lallas Aimilios , Braun Ralph P , Thomas Luc , Soyer H Peter , Malvehy Josep , Puig Susana , Marghoob Ashfaq , Scope Alon , Blum Andreas , Halpern Allan C , Cabo Horacio , Menzies Scott , Stolz Wilhem , Tanaka Masaru , Rabinovitz Harold , Hofmann-Wellenhof Rainer , Bakos Renato Marchiori , Zalaudek Iris , Pellacani Giovanni , Veiga Anna Varela , Maceiras Laura Rosende , De las Heras-Sotos Cristina , Argenziano Giuseppe
Published: November 2022

Introduction: In patients with multiple nevi, sequential imaging using total body skin photography (TBSP) coupled with digital dermoscopy (DD) documentation reduces unnecessary excisions and improves the early detection of melanoma. Correct patient selection is essential for optimizing the efficacy of this diagnostic approach.
Objectives: The purpose of the study was to identify, via expert consensus, the best indications for TBSP and DD follow-up.
Methods: This study was performed on behalf of the International Dermoscopy Society (IDS). We attained consensus by using an e-Delphi methodology. The panel of participants included international experts in dermoscopy. In each Delphi round, experts were asked to select from a list of indications for TBSP and DD.
Results: Expert consensus was attained after 3 rounds of Delphi. Participants considered a total nevus count of 60 or more nevi or the presence of a CDKN2A mutation sufficient to refer the patient for digital monitoring.  Patients with more than 40 nevi were only considered an indication in case of personal history of melanoma or red hair and/or a MC1R mutation or history of organ transplantation.
Conclusions: Our recommendations support clinicians in choosing appropriate follow-up regimens for patients with multiple nevi and in applying the time-consuming procedure of sequential imaging more efficiently. Further studies and real-life data are needed to confirm the usefulness of this list of indications in clinical practice.
Pigmented macules on the head and neck
Authors: Gouda Gracy , Pyne John , Dicker Tony
Published: November 2022

Introduction: Differentiating early melanoma from other flat pigmented lesions on the head and neck is challenging both clinically and dermoscopically, partly due to the wide differential diagnosis and the lack of specific diagnostic algorithms.
Objectives: To review publications covering the dermoscopic features of pigmented macules on the head and neck.
Methods: Embase and PubMed (Medline) database from Jan 2015 to Jan 2021 were searched using a four-step search. Keywords used were dermoscopy/dermatoscopy or epiluminescence microscopy, lentigo maligna (LM), lentigo maligna melanoma (LMM), lichen-planus-like-keratosis (LPLK), solar lentigo (SL), seborrhoeic keratosis (SK), pigmented actinic keratosis (PAK), pigmented Bowen’s disease (pBD), pigmented intraepidermal carcinoma (pIEC) and head and neck.
Results: The commonest reported dermoscopic features of facial melanoma were irregular dots, atypical dots/globules, asymmetric pigmented follicular openings (APFO), rhomboid grey/ black structures, increased vascular network, brown globules/dots and a pattern of circles. Pseudopods, radial streaming, blue white veil, irregular blotches, scar-like depigmentation and atypical pigment network  were recorded in low frequencies. For PAK, pBD and pIEC perifollicular erythema, white/yellow surface scale, linear wavy vessels around hair follicles, hair follicular openings surrounded by a white halo, evident follicles or follicular or keratotic plugs, rosette sign and sharply demarcated borders were the salient features.
Conclusions: Further studies are needed to determine the dermoscopic criteria for pigmented melanocytic and non-melanocytic lesions on the head and neck. Furthermore, there is a gap in the knowledge of site-specific dermoscopic features on specific sites, namely ears, nose, cheeks, scalp and neck which will also benefit from further studies.
A new genus and species of Polynoidae (Annelida: Polychaeta) from the Canary Islands, and update on taxa present in the Northeast Atlantic
Authors: Núñez Jorge , Barnich Ruth , Monterroso Óscar
Published: November 2022

A new polynoid, Webbnesia maculata gen. et sp. nov., was discovered during benthic surveys conducted around the Canary Islands. Its generic characters (absence of cephalic peaks, ventrally inserted lateral antennae, reduced notopodium and chaetae all stout) place it close to Antinoe Kinberg, 1856, Hermadion Kinberg, 1856 and Malmgrenia McIntosh, 1874, but the combination is unique and justifies the erection of a new genus. The new genus and species are described, figured and discussed in detail. An updated list of taxa and an identification key to all genera of Polynoinae Kinberg, 1856 sensu lato currently reported from the extended Northeast Atlantic are given.
Doing Un/Troubled Subject Positions as a Transgender Woman with Autism
Authors: Skewes Lea , Occhino Molly , Herold Maria Dich
Published: November 2022

This paper aims to capture in/exclusion processes in one transgender person’s life, a person who is also diagnosed with autism. We do this through Staunæs’ (2005) concept of troubling subjectivities, which helps us to explore how one specific person, Vera, ‘does’ or negotiates her identities as a neurodiverse transgender woman. We pay particular attention to how the two categories of transgender and autism intersect and which in/exclusion processes they set in motion. In this way, we unfold how identifying as transgender and having been diagnosed with autism spectrum disorder shape Vera’s life. Specifically, we aim to unveil how these two social categories shape her degree of agency in her private social relations and in institutional settings of both education and healthcare. This is important to explore for two reasons: a) the intersections of multiple social categories change the conditions under which someone is allowed to do their particular personhood in different social settings, and b) research shows that a significant number of transgender people also inhabit the clinical category of autism. We show, that while Vera is able to perform identities related to the categories of transgender and autism in personally empowering ways, she is at the same time obstructed by what we refer to as identity overwork. That is, others’ positioning of Vera as ‘troubled’, repeatedly requires her response, on multiple social levels and in various contexts.
Towards a Queer Realism
Authors: Cull Matthew
Published: November 2022

A review of Christopher Chitty: Sexual Hegemony: Statecraft, Sodomy, and Capital in the Rise of the World System. Max Fox ed. Duke University Press, 2020, 222 pages.
Nedbryder feministerne samfundsordenen?
Authors: Skewes Lea
Published: November 2022

Anmeldelse af Mikkel Thorups: Antifeminisme - Kvindehad i lighedens tidsalder
Unconscious bias in organizations
Authors: Clar Maria , Muhr Sara Louise , Reiss Lea Katharina , Storm Kai
Published: November 2022

This special issue revolves around the topic of unconscious bias in organizations. The six articles included draw on diverse disciplinary, theoretical, and methodological approaches to show how unconscious bias play out in organizational settings and how they lead to various forms of discrimination. The articles contribute to the current bias literature by (1) elevating the idea of bias from individualist perspectives toward more contextual considerations, (2) drawing on multiple perspectives from different research fi elds and thereby creating a more interdisciplinary understanding, (3) considering unconscious and discriminatory gender bias in intersection with other markers of social inequality, and (4) by reframing current understandings of bias in organizations toward a more actionable and change-oriented perspective. To conclude, the special issue illustrates novel approaches to and discussions on the matter of investigating bias at the root of discrimination in organizations.
What is at stake in ‘the Practice as Research initiative’?
Authors: Nelson Robin
Published: November 2022

This article begins with a brief history of the emergence of Practice as Research (PaR) noting diferent terminology in diferent contexts and marking misapprehensions and misunderstanding arising from a range of standpoints amongst the individuals and institutions involved. It proceeds to lay out adjustments required in making the shift from “practitioner” to “practitioner-researcher” in the context of contemporary HEIs. Sketching some key changes over the past century which have led to a strong advocacy of embodied cognition in recent years, the article sets out a multi-mode approach in an epistemological model for PaR. he model embraces varying modes of knowing: know what; know how; know that. It is the convergence of evidence adduced by diferent modes of research which contributes to the rigour of the overall approach.
Inventions and institutions
Authors: Kirkkopelto Esa
Published: November 2022

During the irst decade of the new millennium, artistic research has secured its position as an acknowledged mode of academic research. Both among its practitioners and administrators, it has been understood rather as an independent research ield than as a particular research method. Artistic research may proceed according to many methods as well as create methods of its own. Cultivation of this field, keeping it open and growing, poses several problems. his paper 1 will focus on one of them, the criteria of evaluation. What means do we have to criticize artistic research: discuss, agree or disagree, on the quality and signiication of the research done?
Teater og videnskab
Authors: Barba Eugenio , Haahr Refskou. Anne Sophie
Published: November 2022

En holdning, der benægter, hvor vigtig videnskabelig tankegang er for praktisk teaterudøvelse, skader kun sig selv. Principperne, de opnåede resultater, hypoteserne, eksperimenterne og reglerne inden for videnskabelig tankegang bidrager med noget helt essentielt i kunstnerisk praksis: Nemlig det, der svarer til en mytologi.
Gefangen in der Realität?
Authors: Roesen Morten K
Published: November 2022

Under en af opførelserne af min iscenesættelse af Johann Strauss’ og Karl Hafners Die Fledermaus(1874) i Graz 2011 1 varder en kvinde fra publikum, som fik et angstanfald midt under forestillingen. Hun forlod derfor med det samme rummet,alt imens forestillingen spillede videre. En sådan publikumsreaktion er ikke i sig selv bemærkelsesværdig og sådanne afbrydelser forekommer, når der er tale om livebegivenheder, hvor publikum beinder sig i samme tid og rum som aktørerne. Der er altid en vis uforudsigelighed i et forestillingsrum.
Revolutionen som teater
Authors: Andersen Elin
Published: November 2022

Røverne - nyfortolket af Thomas MarkmannInstruktion Therese WillstedtScenografi Jonas Fly FilbertAalborg Teater
Musikkteateret mellom drømmen og hendelsene
Authors: Valberg Tony
Published: November 2022

Den norske musiker og forsker Tony Valberg har mange års erfaring med koncerter og musikdramatik for børn. Med udgangspunkt i forestillingen Draumkvedet, som blev spillet langt over 200 gange i Norge og Sverige, præsenterer han en lang række (musik)dramaturgiske overvejelser og fører læseren ind i den relationelle æstetik og dens forudsætninger i avantgardemusikken og -teatret siden 1950erne. Her tematiseres det interaktive aspekt, børnenes aktive performative medvirken, som et afgørende nyt element i det 21. århundredes musikteater
Under modern conditions, art music has shown a particular need to establish itself as a discipline independent of the other arts, as “pure” instrumental music. However, musical entrepreneurs such as John Cage have delved into aesthetics and performative practices that exceed the boundaries between music and the other arts. A production like the Norwegianchildrens’ music theatre play Draumkvedet (he Dream Song) exemplifies music’s function in music theatre when it 1) unfolds like a traditionally formed narrative and 2) unfolds likea non-linear event that establishes a relational presence. As such, Draumkvedet suggests how music may play a specific role in the musical theatre whether approached as a “work of art” or an “event”.
Sisters Academy
Authors: Worre Hallberg Gry , Lawaetz Anna , Krøgholt Ida
Published: November 2022

Med udgangspunkt i det performance-kunstneriske uddannelseseksperiment Sisters Academy indgår lektor Ida Krøgholt og ’søstrene’ bag Sisters Hope (performer og ph.d.-studerende Anna Lawaetz og performer, kurator og ekstern lektor Gry Worre Hallberg) i en dialog omkring præmissen: Hvis samfundet efter krisen får et helt nyt sæt af værdier funderet i den æstetiske dimension, hvordan ville et uddannelsessystem så se ud? Og hvordan arbejder vi kunstpædagogisk med denne præmis i Sisters Academy?
Det lille og det store drama
Authors: Tessing Schneider Magnus
Published: November 2022

Verdis Macbeth, Otello og Falstaff på Operaen
Theatrical Life of Documents
Authors: Martin Carol
Published: November 2022

The notion that documents provide incontrovertible evidence has long been in question. Yet documents, in both their material and digital forms, are still well respected and are used as sources of information with consequences for the creation of meaning in historical accounts, in legal procedures, and on theatre stages. The theatrical life of documents may or may not contain anything real, in the sense of actual, physical, factual, or material. What is the document, what is its province, and what kinds of meanings does the way in which it is staged produce? I will address these questions in relation to three international performances: Double Edge Theatre’s The Grand Parade directed by Stacy Klein (2013), The Year I Was Born (2010), and The Pixelated Revolution (2011).
Soydans ikke-Breivik og Højgaards ikke-ikke-Breivik
Authors: Böhnisch Siemke
Published: November 2022

In this article I discuss and analyse two highly contested documentary performances, Manifest 2083 (Lollike/CaféTeateret, 2012) and Breiviks Erklärung (Rau/IIPM, 2012), which are based on text documents by the mass murderer and terrorist Anders Behring Breivik. The analysis focuses on questions of enunciation and the embodiment practices of the two solo actors, Sascha Ö. Soydan in Breiviks Erklärung and Olaf Højgaard in Manifest 2083.
Out of the Dark: Samuel Beckett and BBC radio
Authors: Chignell Hugh
Published: November 2022

Samuel Beckett was one of the most influential and famous cultural figures of the twentieth century and his radio contribution is significant. This article recognises both work written for radio as well as readings from novels and adaptations of stage plays. His acceptance at the BBC was problematic but made possible by the creation of the Third Programme.
Det auditive rum i Kædereaktioner
Authors: Frydendahl Ladefoged Louise
Published: November 2022

This article analyzes the sound image in the radio drama Kædereaktioner – en fantasi om Niels Bohr og atombomben from the theories of Donald McWhinnie, Andrew Crisell and Ib Poulsen concerning the elements of the radio drama. The goal is to examine how the listener perceives a work that is only auditory and also which elements are characteristic and key to a radio drama.
I teatrets vold
Authors: Christoffersen Erik Exe
Published: November 2022

Eventministeriet anmeldelse af Amandaværelset
Kritik af kritikken
Authors: Gade Solveig , Schultz Laura Luise
Published: November 2022

The article traces recent debates and conflicts in Danish literary and theatre criticism. These developments and discussions are analysed as manifestations of three different paradigms of critical approach defined by Gavin Butt, Irit Rogoff, and Eve Kosofsky Sedgwick, among others: 1) A classic Kantian model of the allegedly objective, universal judgment that Irit Rogoff calls criticism; 2) a deconstructive, ‘paranoid’ reading for the implicit hierarchies in a work that Rogoff calls critique; 3) a performative, reparative and bodily invested approach that Rogoff calls criticality. The article explores how these different paradigms are simultaneously activated in different constellations in recent heated debates on the importance of race, gender and sexual orientation in contemporary art and literature, and in the critical reception of these.
Henrik Lyding
Authors: Redaktion Peripeti
Published: November 2022

Henrik Lyding deler sit syn på teaterkritikkens rolle
Jakob Steen Olsen
Authors: Redaktion Peripeti
Published: November 2022

Jacob Steen Olsen deler sit syn på teaterkritikkens rolle
Monna Dithmer
Authors: Redaktion Peripeti
Published: November 2022

Monna Dithmer deler sit syn på teaterkritikkens rolle
Borgerscener og kunstkritik
Authors: Byrdal Jørgensen Tine
Published: November 2022

Essay af Tine Byrdal Jørgensen, hvor hun påpeger hvordan borgerscenen udfordrer anmeldernes kunstsyn, hun anfægter deres manglende interesse og deres manglende tilstedeværelse ved borgerforestillinger.
Teaterkritikken og det nyimpresjonistiske
Authors: Arntzen Knut Ove
Published: November 2022

Essay af Knut Ove Arntzen, hvor han fortæller om teaterkritikken i Norge.
Jeg Hører Stemmer
Authors: Winkelhorn Kathrine
Published: November 2022

Kathrine Winkelhorn anmelder Jeg hører stemmer af Zaki Youssef på Sort/Hvid og Det Kongelige Teater
Skrøbelige liv som værk
Authors: Volquartz Lebech Sofie
Published: November 2022

In this article I discuss how the performance lecture Precarious Life uses artistic and research-basedstrategies to examine a double metaphor: How terror works as an autoimmune disease, and how an autoimmune disease works as terror in the body. My inquiry should not be seen as a doubling of the artistic process but rather as an unfolding of the conflict between art and research: Does researchbased performance create knowledge, art or both? My strategy in the performance lecture is clear: to say a number of truths in order to create a space for thinking. At the same time, I challenge the authenticity, we connect with knowledge: Does the spectator believe as much in me as in a researcher? Does the spectator believe the autobiographical aspect? What levels of knowledge are communicated to the spectator? In conclusion, I outline the contours of research-based performance.
Egetræet i vandglasset, pigen i egetræet
Authors: Linnea Ginman Amanda
Published: November 2022

The theatrical communication in Tim Crouch’s play An Oak Tree is analyzed in order to discuss the common conceptual characteristics between the play and Michael Craig-Martin’s installation piece of the same title. This perspective furthers an understanding of the theatrical communication that Crouch creates in An Oak Tree, showing how the audience allows the process of theatricality by using their own perception.
Skønhedens Hotel – Hotel Pro Forma: Et laboratorium for scenekunst
Authors: Volquartz Lebech Sofie
Published: November 2022

Anmeldelse af antologien Skønhedens Hotel – Hotel Pro Forma: Et laboratorium for scenekunst
Kan man tale om krig uden at lyve?
Authors: Rosendal Nielsen Thomas
Published: November 2022

Anmeldelse af 'Til mine Brødre', iscenesat af Annika Silkeberg
Make it real
Authors: Redaktion Peripeti
Published: November 2022

Dette dobbelte nummer af Peripeti beskæftiger sig med begrebet virkelighedsteater. Temanummeret behandler en række konkrete eksempler på virkelighedsteater og præsenterer forskellige optikker på fænomenet. Det hele kan med fordel læses i forlængelse af Peripeti nr. 21 (2014) om dokumentarisme.

Vi vil ikke forsøge at afgrænse virkelighedsteater til bestemte teaterformer. Idéerne bag det, vi her betegner virkelighedsteater, er mangfoldige og kontingente, men der er én tendens, som træder frem i det aktuelle teater, nemlig prioriteringen af aktørernes konkrete realitet og nærvær frem for rollens fiktive dimension. På den måde kan virkelighedsteater forbindes med postdramatisk teater, hvis kvalitet i følge Hans-Thies Lehmann er det reelles indgreb i fiktionen.
Make it real
Authors: Christoffersen Erik Exe
Published: November 2022

I essayet Make it real. Former for virkelighedsteater introducerer Erik Exe Christoffersen til virke- lighedsteater, ikke som en bestemt genre, men som en tilskrivning og en søgen efter noget som unddrager sig teatrets klassiske tradition for repræsentation. Det er en tendens som findes i alle kunstarter som en form for genfortryllelse og italesættelse af, at hvad som helst i princippet kan være teater, og at teater kan foregå hvor som helst.
Performancevandringer i en krigszone
Authors: Christoffersen Erik Exe , Krøgholt Ida
Published: November 2022

Performancevandringer i en krigszone. Essay og interview af Erik Exe Christoffersen og Ida Krøgholt omhandler versioner af vandreperformancen Krig (du skulle have været der) (2013) af Lucas Matthaei, som blev opført i Hørve og Viborg. Essayet iagttager opførelsen i de to byers forskellige rum og med borgere som frivillige aktører. Ved at sammenligne de lokalt forankrede forestillinger, undersøger essayet vandreperformancens greb til at skabe møder mellem borgere, tilskuere og krigens virkelighed. Essayet efterfølges af et interview med Sanna Albjørk, instruktørassistent på Krig (Du skulle have været der): At tage hånd om deltagerne.
Autentisitet i stramme rammer
Authors: Gjefsen Ragnhild
Published: November 2022

Essayet Autentisitet i stramme rammer. Om Rimini Protokolls Home Visit Europe af Ragnhild Gjefsen drøfter hvordan Rimini Protokolls Home Visit Europe i en stram dramaturgisk spilstruktur uden skuespillere skaber unikke møder mellem folk som ikke kender hinanden.
At være borger på Borgerscenen
Authors: Heidelbach Sofie
Published: November 2022

At være borger på Borgerscenen af Sofie Heidelbach er et essay om den kinæstetiske læring hos de medvirkende borgere i forestillingen Processen Aarhus Teaters Borgerscene (2015). Forfatteren var selv medvirkende i forestillingen.
Et interview med Madame Nielsen
Authors: Rex Betina
Published: November 2022

Interviewet med Madame Nielsen er foretaget af Betina Rex på en jernbanecafe midt på Sjælland. Det er en samtale med Madame Nielsen om bevægelse, identitet, utopi og erindring i værk og i krop.
FRAGT på Aarhus Teater
Authors: Szatkowski Janek
Published: November 2022

Anmeldelse af FRAGT sidste del af UDFLUGT Aarhus Teater af Janek Szatkowski.
Prologue
Authors: Christoffersen Erik Exe , Winkelhorn Kathrine
Published: November 2022

Hotel Pro Forma is a Copenhagen-based international laboratory for performing arts – a small production company with substantial influence on the performing arts in Scandinavia and Europe. Since 1985 Hotel Pro Forma has staged more than 50 productions shown in more than 30 countries around the world from New York, Sydney to Taipei. Productions are developed through an intensive period of research, and different themes are taken from a wide-ranging field of interest.

This special English issue  presents selected Hotel Pro Forma productions. Most readers will probably not have seen the performances, which is why we have been at pains to describe the different productions. We have selected those we consider to have influenced the performing arts the most by expanding the medium of the performing arts. Further we wanted to include a number of photos for the reader to get a more precise impression of Hotel Pro Forma’s pioneering works. Some of the articles have previously been published in Danish in: Skønhedens Hotel, Hotel Pro Forma, Et laboratorium for scenekunst, Aarhus University Press, 2015.
The Picture of Snow White
Authors: Krøgholt Ida
Published: November 2022

As reality theater The Picture of Snow White (1994) demonstrates how certain fragments of reality can function as the material of the performance, and at first glance The Picture of Snow White resembles the readymade’s approach to form.
House of The Double Axe - The Meeting of Two Worlds
Authors: Gram Nina
Published: November 2022

House of the Double Axe (1998) can be described as a meeting between two contrasting wor- lds – a pop-world and a medieval universe.
War Sum Up
Authors: Vandsø Annette
Published: November 2022

War Sum Up (2011) is not a ’Gesamtkunstwerk’ in which the separate parts melt seamlessly together and point towards a single joint narrative. Instead the visuals, the choreography, the lyrics and text, the costumes, and the music each live their separate lives.
From Forgotten Works - to Staging as Form
Authors: Winkelhorn Kathrine , Mølle Lindelof Anja
Published: November 2022

This chapter examines Hotel Pro Forma’s staging of Rachmaninov’s Troika: three operas. Aleko, The Miserly Knight and Francesca da Rimini produced at the Belgian opera, La Monnaie and shown at the National Theatre in Brussels.
“This is not Madama Butterfl y”: Hotel Pro Forma’s triple transformation of Puccini’s Madama Butterfl y
Authors: Qvortrup Lars
Published: November 2022

Hotel Pro Forma’s staging of Madama Butterfly at La Monnaie, Brussels in February 2017.
Artistic research for a production
Authors: Winkelhorn Kathrine , Christoffersen Erik Exe
Published: November 2022

How does Hotel Pro Forma develop a new production and what does an artistic process look like? Well, first of all it takes 2-4 years to develop and produce a performance. Each project is associated with extensive research in relation to a topic that will be the focal point of the performance.
* På fremmed grund – om degenerationsteorier i dansk kunst og kultur 1880-1945
Authors: Tang Kristensen Jens
Published: November 2022

With particular focus on prominent Danish medical doctors and psychologists like Frederik Lange (1842-1907), Knud Pontoppidan (1853-1916), Eilert Adam Tscherning (1851-1919) and Carl Jul. Salomonsen (1847-1924) and their definitions of concepts like otherness, dysmorphism and degeneration, this article illustrates how they all had a strong political impact on the avant-garde movements in pre-war Denmark.
* dunst 2001-07
Authors: Vadim Peter
Published: November 2022

“dunst 2001-07 Aesthetics of Abjection” is an article that discusses the significance of artistic experimentation in the gender political association dunst motivated by a rebelliousness that creates a dilemma of both rejecting and allowing heteronormativity to demonize the association itself. The discussion of dunst is based on theories of abjection, the semiotic and disidentification.
* Spasticitet er en kropslig variation
Authors: Flyvbjerg Kornerup Ellen , Flyvbjerg Hesthaven Signe
Published: November 2022

The dance performance SPLASTIC celebrates the potential of spastic movement. This article asks if the performance also avoids reproducing normative narratives about the norm-challenging body. The answer is: Not entirely. But the curious, ugly and unproductive movements allow the dancers to counter bodily normativity and efficiency demands and makes visible the potential.
Hans Lynge – en passioneret amatør i tilblivelsen af den grønlandske teaterscene*
Authors: Kleist Pedersen Birgit
Published: November 2022

Artiklen handler om den internationalt velkendte grønlandske multikunstner, Hans Lynges (1906-1988) væsentlige rolle i den grønlandske teaterhistorie. Han opfattede blandt andet teaterscenen som platform for at bringe samtidige sociale og politiske emner op på en måde, der kunne bringe mere røre i den grønlandsk/danske befolkning end en politisk tale ville kunne formå.The article is about the internationally renowned Greenlandic multi-artist, Hans Lynges (1906-1988) important role in Greenlandic theater history. He perceived, among other things, the theater scene as a platform for bringing up contemporary social and political issues in a way that could bring more touches in the Greenlandic / Danish population than a political speech could achieve.
Det iscenesatte Grønland – Grønland på scenen*
Authors: Kuhlmann Annelis
Published: November 2022

Artiklen belyser temaet om at iscenesætte og performe Grønland. Dette ses som en dobbelt bevægelse, der dels pointerer det nationale teaterudtryk, dels fremhæver det regionale som særegent i et rigsfællesskab. Med udgangspunkt i forestillinger, der med temaer som den grønlandske mand, klima- og miljøproblemer og grønlændere i Danmark trækker artiklen spor til Tuukkaq Teatrets rolle i dansk teater. I forhold til gruppeteatret bliver perspektivet foldet ud til kunstpraksisformer og postkoloniale teaterstudier.This article throws light on staging and performing Greenland. This topic is seen in a double movement, which points out the national theatre expression and emphasizes the regional aspect as particular for the Unity of the Realm. Amongst performances, which with themes like the Greenlandic man, environmental climate problems and Greenlandic peoples in Denmark, this article unfolds its perspective to forms of art practices and postcolonial theatre studies, drawing on the Tuukkaq Theatre as a reference.
Deler og helheter. Om forholdet mellom teater og ideologikritikk.
Authors: Rongved  Amundsen Julie
Published: November 2022

Artikkelen diskuterer begreper som realisme og fiksjonskontrakt og setter dem i sammenheng med den marxistiske tradisjonens forståelse av ideologi. Gjennom disse linsene diskuteres teaterhistoriens bruk av virkelighet og Rimini Protokolls forestilling 100% Oslo.

The article discusses terms like realism and contract of fiction, and sees them through the marxist tradition of ideology. Through these lensens the article focuses on theatre history’s use of the real and on Rimini Protokoll’s performance 100% Oslo.
Teater som mediator i konfliktområder
Authors: Kvam Hilde
Published: November 2022

Fremveksten av religiøs radikalisme og ekstremisme i dagens samfunn gir inntrykk av en uoverkommelig polarisering mellom ulike folkegrupper, etnisiteter og individer tilhørende ulike religioner. Artikkel diskuterer med utgangspunkt i teatervirksomheten i Pataniregionen i Malaysia og Thailand og hvordan en kulturell fellesarv kommer til uttrykk i teateret og bidrar til å nyansere forestillinger om «rene» religioner og identiteter.

The emergence of radical extremism gives the impression of increasing religious and cultural opposition in today’s society. The article discusses how a deeper cultural understanding expressed through the theater in Patani Region in Malaysia and Thailand can help to nuance this picture.
Teaterhistoriens betydning
Authors: Hyldig Keld
Published: November 2022

Artikkelens hensikt er å vise teaterhistoriens verdi og betydning. Med avsett i et hermeneutisk historiesyn beskrives teaterhistorien som et erkjennelsesmessig samspill mellom samtid og fortid. Begrepet om «historisk bevissthet» diskuteres som et akademisk-historiografisk begrep og som begrepsliggjøring av en nødvendig historisk bevissthet i og rundt samtidsteateret. Med utgangspunkt i en hermeneutisk forståelse av den teaterhistoriske bevisstheten vises det hvordan teatervitenskapen og den teaterhistoriske forskningen i det 20. århundre oppsto og utviklet seg i nært samspill med samtidens teater. Avslutningsvis argumenterer artikkelen for den generelle samfunnsmessige verdien og betydningen av teaterhistorisk forskning og skriving.

The purpose of this article is to call attention to the value and significance of theater history. The writing of theater history is described as a hermeneutic inter-play between contemporary and past horizons. The concept of ”historical consciousness” is discussed as an academic historiographical concept and as a conceptualization of a necessary historical consciousness in and around contemporary theater. It is, shown how theatre studies, and especially theatre historiography, in the 20th century, was developed in close interaction with the contemporary theater. In the concluding section, the article argues for a general societal value and significance of theatre historiography.
Redaktionelt forord
Authors: Rosendal Nielsen Thomas
Published: November 2022

I 2010 udgav Peripeti nr. 10 med Dramaturgi som hovedoverskrift. Dengang gav vi ordet til dramaturgerne i anledningen af Peripetis tiende nummer. Denne gang gør vi det igen, fordi Dramaturgiuddannelsen ved Aarhus Universitet markerer sit 60 års jubilæum som universitetsfag.
Kulturpolitikkens rolle i forskningen på Dramaturgi
Authors: Ejgod Hansen Louise
Published: November 2022

In this article, the author explores how and why cultural policy seems to be a strong element in the research at Dramaturgy at Aarhus University. Through analysis of key research publications as well as research interviews with the current members of staff at Dramaturgy (May 2019), she presents three different models for the way in which cultural policy is an element in the research at Dramaturgy: The layer cake, the pillar and the target. In addition, she discusses whether the mediality of theatre is part of the reason why cultural policy is a part of the research field of Dramaturgy more broadly.
Det begyndte med Chr. L. – min egen teaterhistorie
Authors: Ludvigsen Marie C.
Published: November 2022

Det at være dramaturg er ikke kun en profession. Det er en interesse, der præger hele ens liv og samliv med andre mennesker. Det er denne fortælling perspektiv.
De første tre år af mit nye liv
Authors: Blindbæk Bent
Published: November 2022

Bent Blindbæk beretter om sine første tre år på dramaturgistudiet fra 1971, to år før Dramaturgi blev et selvstændigt institut.
Dramaturgisk tænkning i en praksis uden scene
Authors: Marcher Tanja , Lillesø Arendse
Published: November 2022

Hvilken rolle spiller dramaturgi, når vi skaber et improviseret møde sammen med mennesker, der ikke har opsøgt teatret og ikke nødvendigvis opdager, at det er teatrets magi, der skaber den gode oplevelse? Hvordan skaber dramaturgisk tænkning værdi i en praksis langt væk fra teatrets skrå brædder?
Dramaturgi og mennesker
Authors: Højgaard Søren
Published: November 2022

I essayet giver Søren Højgaard indsigt i produktionen af forestillingen 100% Fremmed? Levende fortællinger produceret på Teater Katapult i samarbejde med Københavns Internationale Teater, Metropolis. Han beretter om castingen af de medvirkende danskere med flygtningebaggrund og om det at fortælle sin livshistorie i spændet mellem det interessante og det uinteressante.
Overføringer
Authors: Spender Kristoffer
Published: November 2022

Essayet handler om overgangen fra dramaturgistudiet til at være professionel dramaturg i Norge.
Vores fjende er drømmeløs søvn
Authors: Opstrup Kasper
Published: November 2022

Denne artikel undersøger Thee Temple ov Psychick Youths (TOPY) struktur og metoder igennem en introduktion til templets centrale begreb om okkultur. Okkultur betegner etskæringspunkt mellem kunst, politik og det okkulte, der kom til at fungere som socialt klister for kollektivet, der i løbet af 1980’erne voksede til at blive et internationalt netværk af ligesindede. Afslutningvist diskuterer artiklen fiktionalisering og verdensbygning som metode og reflekterer over, hvilken relevans historien om TOPY, der på forskellige tidspunkter blev udråbt til at være personlighedskult, fanklub og kunstkollektiv, har for nutiden.
Den kollektive læsnings anarki
Authors: Tronegård-Madsen Lau Tobias
Published: November 2022

Denne artikel analyserer, hvordan kunstnerkollektivet Sort Samvittighed bearbejder og bruger litterære tekster i deres forestilling I et forhold fra 2019. Den beskriver deres metode som grundlæggende prattein (van Eikels) med et fokus på forbindelser, kollaborationer og reaktioner frem for forfatternes eventuelle intentioner. Den argumenterer for, at denne praksis skaber et åbent værk, der etablerer fællesskab (Nancy) mellem kunstnerne, forfatterne og publikum.
WOW – a multilayered reflection on collective movements
Authors: Deres Andrea , Bäckman Carolina , Vestreim, Ellesiv S. , Karlsson Sofia , Bigas Bassart Quim
Published: November 2022

Through a collective writing five dance artists share their individual and common experiences of collective, weaving together an intricate body of text. A playful and sincere approach towards different collective settings, modes and textures, exploring the rich complexity of being many in one – what it can entail, unfold and generate
Poetologisk analyse
Authors: Nielsen Thomas Rosendal
Published: November 2022

In many dictionaries, poetics is defined as “the branch of knowledge that deals with the techniques of poetry” or “the aspect of literary criticism that deals with poetry” (e.g. Oxford English Dictionary, accessed 25.9.2020). Within a context of dramaturgy studies, the word is used almost synonymously with the artistic ideology or view of art of the artist (playwright, director, performer etc.) or of the production process, creative method, training regime or institutional framework of theatre and performance. This essay reflects on the complex of problems implied in the concept of poetics, and it suggests a range of research questions to the analysis of poetics in order to delineate and focus the development and dialogue of such studies, especially within the field of dramaturgy.
Generous Attentiveness *
Authors: Heinrich Falk , Bille Milthers Dagmar , Hvidt Grønborg Christine
Published: November 2022

See the introduction by Falk Heinrich.
Reading Guide
Authors: Redaktion Peripeti
Published: November 2022

Læsevejledning /Reading guide for Peripeti 33

Alle tema-artikler i det følgende nummer er fagfællevurderede. Disse er markeret med en * i titlerne. Essays og anmeldelser er ikke fagfællevurderede.

All themed articles in the following issue of Peripeti have undergone peer review. These articles are marked with a * in their title. Essays and reviews have not undergone peer review.
Between ants, humans, disciplinarities and worldviews: creating a performative work from an interdisciplinary starting-point
Authors: Fentz Christine
Published: November 2022

This article examines the interdisciplinary working processes involved in creating a performing arts piece about ants. It maps the collaboration between performing artists and scientists from other research areas. It is an investigation of how to approach interdisciplinary work while also navigating different worldviews, using each other as new prisms on oneself and on unknown material.
Introduction to Falling Is Not Collapsing
Authors: Nelund Sidsel
Published: November 2022

Introduction to Falling Is Not Collapsing
Fra scenerne IV og V
Authors: Day James
Published: November 2022

‘From scenes IV and V’ picks up the search for a preliminary theory of artistic research in and around the years 1972-73, via readings of Peter Weiss’ three-volume novel, The Aesthetics of Resistance and the movie Nightcleaners, shot by the Berwick Street Collective. Practices of artistic research, determined as practices that encourage new forms of cognition through which the possibility for revolution can be ventilated, are suggested to be a dialectical process that articulates its conditions of possibility via investigations of the direct process of its production.
Manifest for skrøbelige autoriteter
Authors: Brink Siem Josefine
Published: November 2022

Teateranmeldelse af Josefine Brink Siem
100% fremmed? Levende fortællinger
Authors: Exe Christoffersen Erik
Published: November 2022

Teateranmeldelse af Erik Exe Christoffersen
At slutte kreds
Authors: Ullerup Schmidt Cecilie
Published: November 2022

Forsøgsscenen (1929-31) undersøges i denne artikel som et historisk tidligt eksempel på en fællesskabsorganiserende kunstnerisk praksis. Ved at analysere Forsøgsscenen ud fra ‘analyseobjekterne’ tidsskriftproduktion, distributionspolitik og infrastrukturel performance flyttes interessen fra receptionen af kunstværket i teaterhistorien og nærmere en materialistisk forståelse af Forsøgsscenens produktionsæstetiske bidrag i avantgardehistorien. Historiografisk anlægges en komparativistisk optik, der finder slægtskab både mellem kollektive organiseringer i 1930erne og slægtskab med samtidskoncepter om selv-institutionalisering som modkultur: redistribuerende, politiske og institutionsdannende praksisser, der udfolder sig som respons på de gængse kunstinstitutioner i senkapitalismen.
Mellom åpne og målstyrte prosesser i samskapingsprosessen av et psykodrama
Authors: Skar Siri M.
Published: November 2022

The co-creation process of a psychodrama is examined through a process analysis (Krøgholt, 2002), in which some dramaturgical decisions in this process are identified. The sequence in which a disagreement arises between two psychodrama leaders about the last scene of the psychodrama is problematised through a perspective analysis level based on Szatkowski’s (2019) theory of poetic hierarchy and a potential paradox of participation in psychodrama is pointed out.
Light Bulbs and Round Tables
Authors: Sandvad Mengers Line , Balslev Strøjer Nanna , Friis Sørensen Trine
Published: November 2022

Why seek further education when working in the curatorial field? How does practice and theory feed off each other in curatorial work? And what is the status of the white cube? Do we need to move beyond this naturalised institution of exhibition making in order to engage with the urgencies of today? These are the main questions of the conversation between Line Sandvad Mengers and Nanna Balslev Strøjer, curators and graduates of the study programme MA in Curating at Aarhus University, and programme coordinator Trine Friis Sørensen.
Creative Interference: A Tool in Designing the Residency Programme Connections
Authors: Hübertz Brekne Anne
Published: November 2022

This essay offers a reflection on creative interference as a dramaturgical tool. The concept of creating and cultivating cross-artistic and cross-sectoral interferences as a starting point for artistic development was developed and applied to the overall design, as well as the practical execution of Connections – a residency programme for choreographic development and international exchange 2017-2020.
100% teater og billedkunst
Authors: Exe Christoffersen Erik
Published: November 2022

Artiklen omhandler det dokumentariske kunstprojekt 100% Fremmed. Det består af 250 portrætter i foto og tekst af borgere fra forskellige steder i Danmark alle med flygtningebaggrund. Udstillingen er kurateret af fotokunstner Maja Nydal Eriksen i samarbejde med Metropolis/KIT, 2017-19 og den har været baggrund for teaterforestillingen ”Levende Fortællinger – 100% Fremmed?”, instrueret af Hans Rønne. Aktørerne var her syv fremmede som også deltog i det store portrætprojekt. Tematisk søger artiklen at belyse interferens mellem ”danskhed og fremmedhed”, mellem statistisk metode og dramaturgi og mellem kunst og pædagogik. Artiklen slutter med et konkret eksempel på en statistisk iscenesættelse af nye musik- og dramaturgistuderende på Aarhus Universitet.
Peripeti
Authors: Christoffersen Erik Exe
Published: November 2022

En intoduktion til Peripeti, samt en præsentation af de fire artikler i tidsskriftet.
Teater og/eller porno
Authors: Langsted Jørn
Published: November 2022

Jørgen Landsted skitserer den vanskelige balance mellem teatrets realitetsniveau og dets fiktionelle niveau og mulighederne for forskydninger mellem det ene og det andet.
At læse Fosse på linierne
Authors: Iversen Solrun
Published: November 2022

Solrun Iversen analyserer det aktuelle stykke Sa ka la (2004) ud fra en sproglig optik, hvor det er den særlige Fosse "lydkvalitet", som er i fokus, det lyriske tilstandsskabende kvaliteter bliver vigtigt.