bluuebunny/crossref_metadata_2025 huggingface dataset:
Methodological Note Concerning the Symposium "Why a Theatre Laboratory?"
Authors: Barba Eugenio
Published: November 2022

Eugenio Barba
Why a Theatre Laboratory? It  includes the programme of a three days’ international symposium from October 4th through 6th 2004. This is the first initiative taken by the Centre for Theatre Laboratory Studies (CTLS), a newly inaugurated centre under Aarhus University in cooperation with Nordisk Teaterlaboratorium. Peripeti include articles on Stanislavski, Meyerhold, Copeau, Decroux, Grotowski, Peter Brook, Théâtre du Soleil, and Odin Teatret and the theatre laboratory praxis of these masters and inventors, including, of course, reflections on their function and effect. In the last article, Eugenio Barba reflects on the creative process of Odin Teatret over the last 40 years. In addition, we also include the curriculum vitae on those participating in the symposium.
The occasion of the symposium is to celebrate the 40th anniversary in October 2004 of Nordisk Teaterlaboratorium/Odin Teatret. Congratulations.
Konstantin Sergeyevich Stanislavski
Authors: Ruffini Franco , Dean John
Published: November 2022

Why a Theatre Laboratory? It  includes the programme of a three days’ international symposium from October 4th through 6th 2004. This is the first initiative taken by the Centre for Theatre Laboratory Studies (CTLS), a newly inaugurated centre under Aarhus University in cooperation with Nordisk Teaterlaboratorium. Peripeti include articles on Stanislavski, Meyerhold, Copeau, Decroux, Grotowski, Peter Brook, Théâtre du Soleil, and Odin Teatret and the theatre laboratory praxis of these masters and inventors, including, of course, reflections on their function and effect. In the last article, Eugenio Barba reflects on the creative process of Odin Teatret over the last 40 years. In addition, we also include the curriculum vitae on those participating in the symposium.
The occasion of the symposium is to celebrate the 40th anniversary in October 2004 of Nordisk Teaterlaboratorium/Odin Teatret. Congratulations.
Jerzy Grotowski and Ludwik Flaszen
Authors: Kolankiewicz Leszek , Osinski Zbigniew , Ziółkowski Grzegorz , Salata Kris
Published: November 2022

Jerzy Grotowski and Ludwik Flaszen
Why a Theatre Laboratory? It  includes the programme of a three days’ international symposium from October 4th through 6th 2004. This is the first initiative taken by the Centre for Theatre Laboratory Studies (CTLS), a newly inaugurated centre under Aarhus University in cooperation with Nordisk Teaterlaboratorium. Peripeti include articles on Stanislavski, Meyerhold, Copeau, Decroux, Grotowski, Peter Brook, Théâtre du Soleil, and Odin Teatret and the theatre laboratory praxis of these masters and inventors, including, of course, reflections on their function and effect. In the last article, Eugenio Barba reflects on the creative process of Odin Teatret over the last 40 years. In addition, we also include the curriculum vitae on those participating in the symposium.
The occasion of the symposium is to celebrate the 40th anniversary in October 2004 of Nordisk Teaterlaboratorium/Odin Teatret. Congratulations.
Idioti og dogmeæstetik
Authors: Lauenstein Led Jens Christian
Published: November 2022

I artiklen, »Idioti og dogmeæstetik«, belyser Jens Christian Lauenstein Led betydnings- fulde ligheder og forskelle mellem Triers dogmefilm og dogmeæstetikken hos den tyske teaterinstruktør Frank Castorf.
Ambiguitetsæstetik
Authors: Lehmann Niels
Published: November 2022

Kobling mellem film og teater finder vi i Niels Lehmanns artikel, »Ambiguitetsæstetik«, der beskriver den tvetydige kobling af autenticitetslængsel og artificialitetsbevidsthed i Triers film og Jon Fosses dramatik.
Bag æstetikteoriens moderne guldalderkonstruktion: 1700-tallets æstetiske sansninger
Authors: Erslev Andersen Jørn
Published: November 2022

Bag æstetikteoriens moderne guldalderkonstruktion: 1700-tallets æstetiske sansninger
‚Jeg’ (det) er en anekdote
Authors: Naumann Matthias
Published: November 2022

In his analysis of Ohad Naharins Virus (Batsheva Dance Company, 2001), Bloody Mess (Forced Entertainment, 2004), and Stadt als Beute (René Pollesch, Volksbühne im Prater, 2001), Matthias Naumann writes about the gesture of speech in contemporary theatre.
Teaterteksten som metaforisk struktur
Authors: Elung-Jensen Peter
Published: November 2022

In his analysis of four different modern playwrights, Peter Elung-Jensen writes about the metaphorical structure. In doing so, he brings the question of poetics to the foreground.
Dit hjem er et minefelt!
Authors: Thygesen Mads
Published: November 2022

Taking the vocabulary of French philosopher Gilles Deleuze as a methodological point of departure, Mads Thygesen writes about political satire in Advice to Iraqi Women (2003) by Martin Crimp.
Hvilken virkelighed? Hvis virkelighed?
Authors: Branth Janicke
Published: November 2022

In this short article about the seminar on research and drama held at the Theatre of Aarhus in september 2007, Janicke Branth presents a series of thoughts on the relationship between art and reality in contemporary theatre.
At vove virkeligheden
Authors: Vedel Henriette
Published: November 2022

In this short essay, Henriette Vedel examines the use of documentary material in the Danish theatre Mungo Park's Sandholm (2006).
Den gjenoppståtte teatermaskin
Authors: Arntzen Knut Ove
Published: November 2022

In the article »The Resurgent Theatre-Machine« Arntzen points out a paradox in the relationship between what he calls a Theatre of Art and a Theatre-Machine. The paradox consists in the fact that the Theatre of Art, i.e. the avant-garde, on the one hand stands in opposition to the Theatre-Machine, i.e. art as craft. On the other hand however Arntzen observes the resurgence of the Theatre-Machine inside the framework of the Theatre of Art in contemporary theatre.
Den faustiske maske
Authors: Kuhlmann Annelis
Published: November 2022

In »The Mask of Faust« Kuhlmann reflects on danish director Sam Besekows (1911-2001) staging of himself as an artist in his work. She shows how the director’s »masking« of himself as mythological figures create images that on the one hand serves as sources of inspiration for the actors, and on the other hand unveils the specific professional identity of the director.
Bare Interior Grey light
Authors: Christoffersen Erik Exe
Published: November 2022

In his article »Bare Interior Grey Light« Christoffersen discusses an attempt to orchestrate a division between the theatrical and the performative levels in Beckett’s Endgame (1958) by a special staging grip, which he names the vertical optic.
En kanonpræstation
Authors: Andersen Elin
Published: November 2022

En anmeldelse af Erik Exe Christoffersens bog Teaterhandlinger fra 2007 på forlaget Klim - en stillingtagen til kanonbegrebet og til bogens argumentation for at Modernitet, modernisme og kunstens autonomi er sammenhængnde begreber. 
Exe Christoffersens righoldige, men temmelig uoverskuelige bog Teaterhandlinger om modernitetens teater, set i eksperimenter, læst i tekster og dramaer, klassiske som aktuellemed en intention om en »håndholdt« modernistisk kanon.
Om skønheden i den interaktive installationskunst
Authors: Heinrich Falk
Published: November 2022

Heinrich analyses three interactive installations and outlines a rudimentary theory for the notion of beauty in interactive art. Interactive beauty is identified as a judgment unfolding as performative ‘flow’ on the one hand and on the other as a potential for overcoming the rigid limits of the algorithmic systems.
Interaktive audiodramaer i byens rum
Authors: Kortbek Karen Johanne
Published: November 2022

Kortbek examines the interactive audio drama, AudioMove, invented and staged by »Teater Katapult« (Catapult Theatre) through discussing the concept of making the city ‘come alive’ through an interactive drama as well as the technological conditions for the participant’s experience.
Computerspillets interaktive dramaturgi
Authors: Ertløv Hansen Ole
Published: November 2022

Ertløv Hansen rethinks the classic narrative terms of ‘syuzhet’ and ‘fabula’, as understood in film theory, into the domain of computer games and accounts for the ways in which the terms can lead to a deepened understanding of the interplay between game and gamer.
Den nye dreng i klassen
Authors: Wolf Iversen Mette
Published: November 2022

I det følgende vil jeg forsøge at nærme mig, hvorfor virkelighedsteatret i sig selv er et intrikat begreb, og hvorledes genrens selvforståelse opererer med et sandhedsideal, der har betydning for såvel proces, dramaturgens funktion og i sidste ende for interaktionen med publikum.
To små teatre
Authors: Ejgod Hansen Louise
Published: November 2022

The article examines how cultural policy promotes and restricts different forms of theatre organization. Three types of theatre organizations, the institution, the group and the project, are used to analyze the relationship between organization and artistic production. The object of the analysis is the local theatre system in Denmark in general and the cases of Randers EgnsTeater and Holbæk Teater in particular.
Den hierarkiske anarkisme
Authors: Otterstrøm Sara
Published: November 2022

How did the Volksbühne Theatre arise and which values does it embrace? To which degree has the artistic content and the organisational structure been influenced by politics? By using examples and witness reports, a picture of Volksbühne’s identity in the political landscape is drawn.
At give en ny virkelighedsoplevelse dramatisk form!
Authors: Gabold Ingolf
Published: November 2022

Den seriøse konkurrence til familien som livsform diskuteres i Sommer, således som Hesselaa også påpeger, men spørgsmålet vi stiller i Sommer er: Hvad er den bærende konstruktion for familien i det forrige århundrede? Og hvad vil den bærende konstruktion for familien være i dette århundrede?
Evig genkomst
Authors: Barba Eugenio
Published: November 2022

Odin Teatrets instruktør Eugenio Barba reflekterer over den kreative og dramaturgisk proces i teatret.
Theatrum Mundi: Ur-Hamlet
Authors: Christoffersen Erik Exe
Published: November 2022

Ur-Hamlet er baseret på Saxo Grammaticus’ historie Vita Amlethi fra Gesta Danorum (ca. 1200), et råt, middelalderligt hævnsagn og kilde til Shakespeares selvrefleksive renæssancedrama Hamlet (1601). Forestillingen blev opført af Theatrum Mundi Ensemble (2006), som er et nomadisk netværk knyttet til Odin Teatret.
Om Saxo, Hamlet og forestillingen
Authors: Barba Eugenio , Vestergaard Mónica C.
Published: November 2022

Eugenio Barba skriver om Saxo, Hamlet og forestillingen Ur-Hamlet i lyset af teaterhistoriens figurer som Hamlet, Don Juan, Doktor Faustus og Harlekin, som  er bastard-arketyper af ukendte mødre og utallige fædre. De trådte ind i vores moderne kultur med de første professionelle kompagnier, som specialiserede sig i at sælge underholdning, da det europæiske teaters dukkede op i »Guldalderen« mellem 1550 og 1650.
Ødipus vor samtidige
Authors: Dahl Christian
Published: November 2022

Christian Dahls artikel »Ødipus vor samtidige« sætter Christoph Menkes tragedieteori i perspektiv. Menkes omfortolkning af den tragiske ironi indebærer en væsentlig teatralisering af tragedien, hvor den tragiske helt erfarer sig selv som marionet og tilskuer i et skuespil, der ikke tillader ham autonomi. Menke knytter an til det genrehistoriske faktum, at tragediens novum som performativ kunstart bestod i, at den i modsætning til eksempelvis den mundtlige, episke tradition forudsætter en skreven tekst, som de dramatiske karakterer er bundet til. Teksten er den dramatiske eksistens’ skæbne.
Den tragiske cæsur
Authors: Erslev Andersen Jørn
Published: November 2022

Jørn Erslev Andersens artikel »Den tragiske cæsur« undersøger Friedrich ölderlins analyser af Sofokles. Hölderlins anvender betegnelsen »cæsur« som en analytisk term til lokalisering af den »dødelige« vending i en tragedie. Han henter eksplicit betegnelsen »cæsur« fra gængs verslære, nemlig som betegnelse for et rytmisk brud i et givet metrisk mønster. Han udvider dog betydningen således, at en cæsur nu også betyder et brud i en tragedies ellers sammenhængende forløb af dramatiske scener og dialoger.
Den tragiske æstetik
Authors: Richard Anne Birgitte
Published: November 2022

Anne Birgitte Richard belyser i »Den tragiske æstetik« forholdet mellem følelser, krop og fællesskab medudgangspunkt i analyser af såvel klassiske tragedier som moderne fortolkninger af genren. Artiklen ser bl.a. nærmere på, hvordan kroppen og affekten tematiseres og bringes i bevægelse i de moderne tragiske former som Paul Andersons film Magnolia (1999) og Astrid Saalbachs skuespil Aske til Aske (1998).
Efter Franklins drage
Authors: Thygesen Mads
Published: November 2022

Mads Thygesens artikel »Efter Franklins drage« analyserer tysk og engelsk samtidsdramatik gennemGeorge Steiners teori om tragediens død. Artiklen bygger på hans forskningsarbejde, som blev præsenteret i afhandlingen Dialogue/end of dialogue  - udsigelse i ny europæisk dramatik fra 2009
Medlidenvækkende
Authors: Lund Jacob
Published: November 2022

Jacob Lunds artikel om  "Medlidenvækkende" diskuterer forholdet mellem tragediedigtning og historieskrivning med udgangspunkt i en analyse af Jens Albinus’ iscenesættelse af Primo Levi romanen Hvis dette er et menneske (Det Kongelige Teater, 2010).
En forestilling om forstillelse.
Authors: Kuhlmann Annelis
Published: November 2022

I artiklen analyseres  Kaj Munks Ordet med fokus på, hvordan miraklet blev iscenesat med en tragisk undertone af Lars Norén på Det Kongelige Teater i 2008, og hvordan opsætningen blev mødt i en teaterkritisk kulturkontekst.  Forfatteren undersøger navnlig forestillingens teatralitet, og hvordan Lars Noréns omgang med Ordet er blevet til en iscenesættelse, der tager livtag med kulturarven og den dobbeltbundne tragedie i kærligheden.
Erfaringsfattigdom
Authors: Müller-Schöll Nikolaus
Published: November 2022

The lecture ”Poverty of Experience – Performance Practices after the Fall” by Nikolaus Müller-Schöll was presented at the international seminar ”After the Fall”, held at The Danish Royal Theatre in 2009 on the occasion of the 20th anniversary of the Fall of the Berlin Wall. The author has kindly permitted Peripeti to print a translated version of his lecture. Deploying Walter Benjamin’s concept of Poverty of Experience Müller-Schöll conducts an analysis of the crisis in not only experience but also the world of ideas as such in the time following the era of the cold war, the disastrous development of the (Western) financial markets and thereby the last great ideology remaining after the fall of the Berlin Wall, namely capitalism. Following this, he analyses a number of European performance practices, namely those of the performance group White Horse, the director duo Hofmann & Lindholm and Phillip Quesne’s group Vivarium Studio, exploring how these practices address the circumstances “after the fall” in an manner where they expose their own “poverty of experience” whilst very consciously dedicating themselves to an unspectacular scenic poverty.
Re-Do: Performance-rester
Authors: Schneider Rebecca , D Solveig
Published: November 2022

Rebecca Schneider’s essay “Re-Do: Performance Remains” constitutes one of several versions circulating in academia of Schneider’s ‘original’ essay “Performance Remains”, first printed in Performance Research in 2001. The author kindly permitted Peripeti to print a translation of this specific version of the essay. The circulation of different versions of ’the same’ text is significant, since Schneider in this essay precisely deconstructs the conventional dichotomy between stable documents and ephemeral performances. Not only does the history of the essay itself testify to the fact that texts and other documents are heir to the same flaws and transformations as oral and performative manifestations, but more importantly, Schneider wants to draw attention to the documentary and archival aspects of performance itself, as it is expressed for example in oral traditions and historical re-enactments, in which another kind of historical knowledge is transmitted than the one based on artifacts and documents.
Arkivet som mødested
Authors: Kuhlmann Annelis
Published: November 2022

Annelis Kuhlmann discusses the newly established archive of Odin Teatret. She finds, however, that the archive of Odin Teatret includes Odin Teatret’s well-known practice of re-circulating artistic material from one performance to another. In this practice one might find a truly new understanding of historiography as directed not only towards preservation, but also towards re-activating preserved historical material, for example through the living theatre’s transmission of archival knowledge.
Levendegørelse og publikumsdeltagelse
Authors: Vatne Ingrid
Published: November 2022

Based upon a comparative analysis of two dramatized tours, Lys i Mørket (eng.: Light, The Old Town open-air Museum, Denmark) and the Dungeon (Warwick Castle, England), Vatne discusses dramaturgical strategies in museum communication with a focus on how the visitor-participation contributes to the process of meaning.
Remediering som kunstpædagogisk strategi
Authors: Christoffersen Erik Exe
Published: November 2022

Christoffersen analyses a theatrical production process he conducted with university students. The art pedagogical project was based upon the pedagogical and artistic strategy of ‘remediation’, inspired by contemporary art projects by Tue Biering and Jeppe Christensen among others. Christofferesen describes and analyses a particular form of group and identity formation through theatrical re-mediation and combination of filmic narratives with the biographies of the participants.
Kunstuddannelser i forandring
Authors: Branth Janikke , Malling Skov Jeppesen Rasmus Malling Skov Jeppesen , Geertsen Anne
Published: November 2022

Peripeti har spurgt rektorerne på fire danske kunstuddannelser, hvilke udfordringer og muligheder de ser for udvikling af kunstpædagogik på deres skoler. Hvordan håndterer de forholdet mellem tradition og udvikling? Mellem en pædagogik baseret på erfaringsbaseret intuition og baseret på systematisk refleksion? Mellemstadigt aktuelle romantiske ideer om det skabende subjekt på den ene side og samtidens tværmediale og kollektive kunstprojekter på den anden. Og hvordan takler de presset fra omverdenen – fx i form af Bologna-processen?
Sisters Hope
Authors: Worre Hallberg Gry , Lawaetz Anna
Published: November 2022

I denne artikel indføres læseren i fiktionsuniverset og læringsmetoden Sisters Hope, der er inspireret af en ny tendens indenfor performancekunsten, som vi kalder ’levende og relationelle fiktive paralleluniverser’. Især udfoldes forskydningen af lærer- og elevrollen indenfor Sisters Hopes absurde univers i forhold til mere traditionelle læringsmetoder.
I Love it!
Authors: Müller Anne , Raft Rasmussen Alette
Published: November 2022

Med udgangspunkt i sokraktiske spilleregler har drama- og teaterpædagogerne Anne Müller og Alette Raft Rasmussen undersøgt mulige parametre for kunstpædagogikken i det 21. århundrede. Denne  mailkorrespondance er et uddrag af dialogen. Anne Müller er Cand. Mag i dramaturgi, ogunderviser på Virum Gymnasium og Ingrid Jespersens Gymnasieskole. Alette Raft Rasmussen er BA i Teatervidenskab og Retorik, stud. MA i Drama- og tetaterpædagogik, samt lektor på professionshøjskolen UCC,Pædagoguddannelsen i Nordsjælland.
Tillid i kreative samarbejder
Authors: Redvall Eva Novrup , Strandvad Sara Malou
Published: November 2022

Trust in Creative Collaborations.This article considers trust as a central ingredient in creative collaboration. Based on several case studies of development processes in the Danish film industry, the analysis exemplifies three kinds of trust: 1) calculative trust in emerging collaborations, 2) trust based on relations or identity in established collaborations, and 3) knowledge-based trust in the institutional field.
Det Kongelige Teater og skabende strategier
Authors: Winkelhorn Kathrine , Christoffersen Erik Exe
Published: November 2022

Udgangspunktet for artiklen er Cathrine Pohers arbejde som gæsteinstruktør på forestillingen På den anden side, Det Kongelige Teater, Portscenen, 2010. Artiklen fokuserer på forskellige lag i de kreative processer og ser på samspillet mellem en kreativ ledelsesstrategi og en produktionsstrategi. Vi har derfor valgt et dobbeltinterview med Cathrine Poher og skuespilchef Emmet Feigenberg for at dække de to lag i den kreative proces. Herudover bringer vi som dokumentation Cathrine Pohers manifest for arbejdet med forestillingen samt hendes noter til den første og anden workshop.
En montage om den kreative proces
Authors: Christoffersen Erik Exe , Winkelhorn Kathrine
Published: November 2022

Hotel Pro Forma: Ellen.
Michael Thalheimer
Authors: Gade Solveig
Published: November 2022

Klassikerbarber og gestuskoreograf.
Shakespeare: Hamlet
Authors: Schneider Magnus Tessing
Published: November 2022

Vagtskifte og magtskifte: en allegorisk læsning af Hamlet
Bent Holm: Tyrk kan tæmmes
Authors: Kvam Kela
Published: November 2022

Anmeldelse
Nærværsformer
Authors: Lehmann Niels
Published: November 2022

Using Erika Fischer-Lichte’s attempt to pin down the ontology of performative art, the article defends a constructivist approach to performativity. The first half of the article consists of an argument for placing Fischer-Lichte’s theory within the poetological framework of the avantgarde. With the help of the notion of operative closure lifted out of systems theory as presented by Niklas Luhmann, the second half presents the constructivist approach which is seen as opposed to performance ontology as such and, in particular, the avangarde version of this approach.
Det performerendes performativitet
Authors: Vandsø Anette
Published: November 2022

This article analyses the eventness of the American composer John Cages famous ‘silent piece’, 4’33’’ (1952) in order to strengthen our general conceptual understanding the artistic ’performance’, particularly its performativity.
Barrie Kosky’s The Lost Echo: rethinking tragic catharsis through affective emergenc(e)y
Authors: Farrell Charlotte
Published: November 2022

Taking as her point of departure Barrie Kosky's 'post tragedy' "The Lost Echo" and referring to the concept of 'affective emergenc(e)y' Charlotte Farrell argues for a rethinking of the Aristotelian concept of tragic catharsis and the distinction between audience and performance, subject and object traditionally associated with this concept.
Affektiv samstemning i katastrofens felt
Authors: Fritsch Jonas , Stavning Thomsen Bodil Marie
Published: November 2022

Jonas Fritsch og Bodil Marie Stavning Thomsen samtaler med Brian Massumi og Erin Manning om blandt andet affektbegrebet anskuet i forhold til risikiosamfundets nye medier og globalisering. Interviewet her er et uddrag, og den fulde version kan læses på Peripetis hjemmeside
Krigsdramaturgi
Authors: Ullerup Schmidt Cecilie
Published: November 2022

Med fokus på forestillingen "Hate Radio" af International Institute for Political Murder diskuterer forfatteren hvordan man kan iscenesætte krig i samtidsteatret i lyset af de seneste årtiers nye måder og midler for krigsførelse
Opera/teater i nye formater
Authors: Hov Live
Published: November 2022

The article deals with the relationship between actors/singers and spectators in mediatized versions of theatreand opera. A critical survey of these new genres constitutes the basis for a theoretical discussion about theliveness of theatrical experience, with references to texts by Auslander, Benjamin and Fischer-Lichte.
Redaktionelt forord
Authors: Redaktion Peripeti
Published: November 2022

Kunstfagene har ikke længere førsteret til kreativitetsbegrebet. Men i den såkaldte kognitive kapitalismes tidsalder, hvor den globale konkurrence på innovation, kreativitet og viden er blevet en slags ny stor fortælling, har kunstfagene stadig en vigtig rolle at spille – det er i det mindste den ubeskedne holdning, som ligger bag denne publikations bidrag. Kunstfagenes bidrag til kreativitetsdiskursen kan fungere som ressource for nye former for erkendelsesmæssig og økonomisk fremskridt, men også som en nødvendig torn i øjet på et samfund, der forsøger at blive transparent for sig selv, eller som en sten i skoen for en løber, der har tendens til at glemme, hvorfor han løber. Dette særnummer af Peripeti er et af resultaterne af et forskningskollokvium på Institut for Æstetiske Fag (nu en del af Institut for Æstetik og Kommunikation), der siden 2009 har diskuteret betingelser og retninger for aktuel forskning i kreative processer med et kunstvidenskabeligt afsæt. Der har været tale om et mødested
Kreativitet og videnspolitik
Authors: Løhmann Stephensen Jan
Published: November 2022

In recent years, the discourse on the university and its societal role has seen an increase in the use of the concepts of creativity and knowledge in tandem. By arguing that Lyotard’s “The Postmodern Condition” seems to have prefigured – and to some extent even influenced – a conception of the creative aspects of knowledge production, concurrent with the rethinking of creativity in numerous other fields, this paper analyses the reason why this conceptual interconnectedness has suddenly occurred.

Jan Løhmann Stephensen åbner teorianalytisk med artiklen “Kreativitet og videnspolitik – perspektiver på kreativitetsbegrebets indtog i og relevans for universitetets vidensproduktion”. Artiklen giver en indføring i kreativitetsbegrebet ved at stille skarpt på den måde, som kreativitet og viden i de senere år er blevet vævet ind i hinanden i diskursen om universitetet og dets samfundsmæssige rolle. I artiklen analyserer Løhmann baggrunden for denne konceptuelle sammensmeltning og lancerer et bud på, hvordan videnskabens tiltagende skabende karakter skal forstås.
Kunstbaseret forskningspraksis
Authors: Rosendal Nielsen Thomas
Published: November 2022

This paper presents a systems theoretical approach to (continually) reconfigure the relation between academic and artistic production of knowledge in so-called art based research projects. The foundation of the argument is an insistence on retaining the difference between artistic and academic knowledge (production) instead of trying to negotiate some kind of synthesis. In this way, both academic and artistic processes will hopefully be able to use the ‘otherness’ of the process to stimulate its self-critical knowledge production in pro-active and yet unforeseeable ways.

I “Kunstbaseret forskningspraksis – En systemteoretisk analysestrategi” foreslår Thomas Rosendal Nielsen en måde at tænke forholdet mellem kunst og videnskab på i tilrettelæggelsen og vurderingen af kunstbaseret forskningspraksis. Rosendal Nielsen forholder sig kritisk til syntesedannelser mellem kunstnerisk og videnskabelig vidensproduktion og forsvarer i stedet håndteringen af kunst og videnskab som to adskilte, men præcist koblede styringsprincipper i en kreativ proces, der udnytter forskellen mellem kunst og videnskab strategisk til at facilitere udvikling.
Ledelse af kreativ tænkning
Authors: Krøgholt Ida
Published: November 2022

Artiklen “Ledelse af kreativ tænkning. Teaterkreativitet for erhvervslivskursister” beskæftiger sig med de udfordringer, kunstfagene møder, når kunstens kreative former overføres til andre steder og kontekster. Artiklens centrale analyseobjekt er en teaterfagligt forankret kreativ proces udført for erhvervslivskursister på Aarhus Universitet. Artiklen undersøger gennem case-analysen, hvordan æstetisk ‘andethed’ kan struktureres og faciliteres til kursister i erhvervslivet og giver et bud på, hvordan vi kan beskrive den æstetiske ydelse af en sådan proces.
Prediction of band gap of transition metal sulfide with Janus structure by deep learning atomic feature representation method
Authors: Sun Tao , Yuan Jian-Mei ,   School of Mathematics and Computational Science, Xiangtan University, Xiangtan 411105, China,   Hunan Key Laboratory for Computation and Simulation in Science and Engineering, Xiangtan 411105, China
Published: November 2022

With the development of artificial intelligence, machine learning (ML) is more and more widely used in material computing. To apply ML to the prediction of material properties, the first thing to do is to obtain effective material feature representation. In this paper, an atomic feature representation method is used to study a low-dimensional, densely distributed atomic eigenvector, which is applied to the band gap prediction in material design. According to the types and numbers of atoms in the chemical formula of material, the Transformer Encoder is used as a model structure, and a large number of material chemical formula data are trained to extract the features of the training elements. Through the clustering analysis of the atomic feature vectors of the main group elements, it is found that the element features can be used to distinguish the element categories. The Principal Component Analysis of the atomic eigenvector of the main group element shows that the projection of the atomic eigenvector on the first principal component reflects the outermost electron number corresponding to the element. It illustrates the effectiveness of atomic eigenvector extracted by using the transformer model. Subsequently, the atomic feature representation method is used to represent the material characteristics. Three ML methods named Random Forest (RF), Kernel Ridge Regression (KRR) and Support Vector Regression (SVR) are used to predict the band gap of the two-dimensional transition metal chalcogenide compound MXY (M represents transition metal, X and Y refer to the different chalcogenide elements) with Janus structure. The hyperparameters of ML model are determined by searching for parameters. To obtain stable results, the ML model is tested by 5-fold cross-validation. The results obtained from the three ML models show that the average absolute error of the prediction using atomic feature vectors based on deep learning is smaller than that obtained from the traditional Magpie method and the Atom2Vec method. For the atomic eigenvector method proposed in this paper, the prediction accuracy of the KRR model is better than that of the results obtained from the Magpie method and Atom2Vec method. It shows that the atomic feature vector proposed in this paper has a certain correlation between the features, and is a low-dimensional and densely distributed feature vector. Visual analysis and numerical experiments of material property prediction show that the atomic feature representation method based on deep learning extraction proposed in this paper can effectively characterize the material features and can be applied to the tasks of material band gap prediction.
Inversion models of internal solitary wave propagation speed in ocean based on least squares method and support vector machine
Authors: Liang Ke-Da , Liu Teng-Fei , Chang Zhe , Zhang Meng , Li Zhi-Xin , Huang Song-Song , Wang Jing ,   School of Physics and Optoelectronic Engineering, Ocean University of China, Qingdao 266100, China
Published: November 2022

The propagation speed is one of the important parameters of the internal solitary wave (ISW). How to obtain the ISW speed through optical remote sensing images accurately and quickly is an important problem to be solved. In this paper, we simulate ISW optical remote sensing imaging, obtain an experimental database, and build the ISW speed inversion model based on a single-scene optical remote sensing image by using the least squares method and the support vector machine. The accuracy of the ISW speed inversion model is tested by using MODIS Image and GF-4 image data of the South China Sea. The study results are shown below. The least squares ISW speed inversion model can give the regression equation, which is more intuitive and has less accuracy in the water depth ranging from 300 m to 399 m, while the support vector machine ISW speed inversion model has high accuracy in the water depth ranging from 400 m to 1200 m and from 83 m to 299 m. Therefore, the two kinds of ISW speed inversion models have different advantages, and can be applied to the inversion of the ISW speed in the real ocean.
Instructions and experiential learning have similar impacts on pain and pain-related brain responses but produce dissociations in value-based reversal learning
Authors: Atlas Lauren Y , Dildine Troy C , Palacios-Barrios Esther E , Yu Qingbao , Reynolds Richard C , Banker Lauren A , Grant Shara S , Pine Daniel S
Published: November 2022

Recent data suggest that interactions between systems involved in higher order knowledge and associative learning drive responses during value-based learning. However, it is unknown how these systems impact subjective responses, such as pain. We tested how instructions and reversal learning influence pain and pain-evoked brain activation. Healthy volunteers (n=40) were either instructed about contingencies between cues and aversive outcomes or learned through experience in a paradigm where contingencies reversed three times. We measured predictive cue effects on pain and heat-evoked brain responses using functional magnetic resonance imaging. Predictive cues dynamically modulated pain perception as contingencies changed, regardless of whether participants received contingency instructions. Heat-evoked responses in the insula, anterior cingulate, and other regions updated as contingencies changed, and responses in the prefrontal cortex mediated dynamic cue effects on pain, whereas responses in the brainstem’s rostroventral medulla (RVM) were shaped by initial contingencies throughout the task. Quantitative modeling revealed that expected value was shaped purely by instructions in the Instructed Group, whereas expected value updated dynamically in the Uninstructed Group as a function of error-based learning. These differences were accompanied by dissociations in the neural correlates of value-based learning in the rostral anterior cingulate, thalamus, and posterior insula, among other regions. These results show how predictions dynamically impact subjective pain. Moreover, imaging data delineate three types of networks involved in pain generation and value-based learning: those that respond to initial contingencies, those that update dynamically during feedback-driven learning as contingencies change, and those that are sensitive to instruction. Together, these findings provide multiple points of entry for therapies designs to impact pain.
Suppressed prefrontal neuronal firing variability and impaired social representation in IRSp53-mutant mice
Authors: Kim Woohyun , Shin Jae Jin , Jeong Yu Jin , Kim Kyungdeok , Bae Jung Won , Noh Young Woo , Lee Seungjoon , Choi Woochul , Paik Se-Bum , Jung Min Whan , Lee Eunee , Kim Eunjoon
Published: November 2022

Social deficit is a major feature of neuropsychiatric disorders, including autism spectrum disorders, schizophrenia, and attention-deficit/hyperactivity disorder, but its neural mechanisms remain unclear. Here, we examined neuronal discharge characteristics in the medial prefrontal cortex (mPFC) of IRSp53/Baiap2-mutant mice, which show social deficits, during social approach. We found a decrease in the proportion of IRSp53-mutant excitatory mPFC neurons encoding social information, but not that encoding non-social information. In addition, the firing activity of IRSp53-mutant neurons was less differential between social and non-social targets. IRSp53-mutant excitatory mPFC neurons displayed an increase in baseline neuronal firing, but decreases in the variability and dynamic range of firing as well as burst firing during social and non-social target approaches compared to wild-type controls. Treatment of memantine, an NMDA receptor antagonist that rescues social deficit in IRSp53-mutant mice, alleviates the reduced burst firing of IRSp53-mutant pyramidal mPFC neurons. These results suggest that suppressed neuronal activity dynamics and burst firing may underlie impaired cortical encoding of social information and social behaviors in IRSp53-mutant mice.
Kiaa1024L/Minar2 is essential for hearing by regulating cholesterol distribution in hair bundles
Authors: Gao Ge , Guo Shuyu , Zhang Quan , Zhang Hefei , Zhang Cuizhen , Peng Gang
Published: November 2022

Unbiased genetic screens implicated a number of uncharacterized genes in hearing loss, suggesting some biological processes required for auditory function remain unexplored. Loss of Kiaa1024L/Minar2, a previously understudied gene, caused deafness in mice, but how it functioned in the hearing was unclear. Here, we show that disruption of kiaa1024L/minar2 causes hearing loss in the zebrafish. Defects in mechanotransduction, longer and thinner hair bundles, and enlarged apical lysosomes in hair cells are observed in the kiaa1024L/minar2 mutant. In cultured cells, Kiaa1024L/Minar2 is mainly localized to lysosomes, and its overexpression recruits cholesterol and increases cholesterol labeling. Strikingly, cholesterol is highly enriched in the hair bundle membrane, and loss of kiaa1024L/minar2 reduces cholesterol localization to the hair bundles. Lowering cholesterol levels aggravates, while increasing cholesterol levels rescues the hair cell defects in the kiaa1024L/minar2 mutant. Therefore, cholesterol plays an essential role in hair bundles, and Kiaa1024L/Minar2 regulates cholesterol distribution and homeostasis to ensure normal hearing.
Regulated degradation of the inner nuclear membrane protein SUN2 maintains nuclear envelope architecture and function
Authors: Krshnan Logesvaran , Siu Wingyan Skyla , Van de Weijer Michael , Hayward Daniel , Guerrero Elena Navarro , Gruneberg Ulrike , Carvalho Pedro
Published: November 2022

Nuclear architecture and functions depend on dynamic interactions between nuclear components (such as chromatin) and inner nuclear membrane (INM) proteins. Mutations in INM proteins interfering with these interactions result in disease. However, mechanisms controlling the levels and turnover of INM proteins remain unknown. Here, we describe a mechanism of regulated degradation of the INM SUN domain-containing protein 2 (SUN2). We show that Casein Kinase 2 and the C-terminal domain Nuclear Envelope Phosphatase 1 (CTDNEP1) have opposing effects on SUN2 levels by regulating SUN2 binding to the ubiquitin ligase Skp/Cullin1/F-BoxβTrCP (SCFβTrCP). Upon binding to phosphorylated SUN2, SCFβTrCP promotes its ubiquitination. Ubiquitinated SUN2 is membrane extracted by the AAA ATPase p97 and delivered to the proteasome for degradation. Importantly, accumulation of non-degradable SUN2 results in aberrant nuclear architecture, vulnerability to DNA damage and increased lagging chromosomes in mitosis. These findings uncover a central role of proteolysis in INM protein homeostasis.
A low-cost, open-source evolutionary bioreactor and its educational use
Authors: Gopalakrishnan Vishhvaan , Crozier Dena , Card Kyle J , Chick Lacy D , Krishnan Nikhil P , McClure Erin , Pelesko Julia , Williamson Drew FK , Nichol Daniel , Mandal Soumyajit , Bonomo Robert A , Scott Jacob G
Published: November 2022

A morbidostat is a bioreactor that uses antibiotics to control the growth of bacteria, making it well-suited for studying the evolution of antibiotic resistance. However, morbidostats are often too expensive to be used in educational settings. Here we present a low-cost morbidostat called the EVolutionary biorEactor (EVE) that can be built by students with minimal engineering and programming experience. We describe how we validated EVE in a real classroom setting by evolving replicate Escherichia coli populations under chloramphenicol challenge, thereby enabling students to learn about bacterial growth and antibiotic resistance.
Economics and equity in the development of Open Research Europe
Authors: Johnson Rob
Published: November 2022

Open Research Europe (ORE) is the open access peer-reviewed publishing platform offered by the European Commission as an optional service to Horizon 2020 and Horizon Europe beneficiaries at no cost to them. The platform enables researchers to publish open access without paying out of their research budgets and while complying with their open access obligations. This paper identifies potential financing and governance model(s) that would operationalize ORE as a collective publishing enterprise, supported by research funders and possibly research organizations, as of 2026. The aim of this study is to develop a sustainable, scalable funding model that is not based on article publication charges (APCs). To this end, the main business and financing models for not-for-profit publishing services were reviewed, based on a series of case studies and interviews with seven leading not-for-profit service providers. The paper outlines possible business model(s) for the financing of the operations of the Open Research Europe platform in the future and sets out actionable recommendations for implementing such a business model, appropriate to the scope and scale of the endeavour. It assesses how to incorporate equity into the design of Open Research Europe; and how to make Open Research Europe sustainable in the long run.
CAGE21-4 Cruise Report: Oil slicks, gas flares and glacial landforms in Hopendjupet and Sentralbanken
Authors: Winsborrow Monica , Patton Henry , Jakobsen Frank , Pau Mauro , Akinselure Abidemi , Jensen Andre
Published: November 2022

The cruise visited several areas in Hopendjupet, and Sentralbankrenna in the central Barents Sea, and had the following scientific objectives:

Surveying and sampling of gas seepage associated with known and assumed sandstone reservoirs sub-cropping at the sea floor due to erosion of overlying cap rocks in Hopendjupet and Sentralbanken
Surveying and sampling of gas seepage related to leakage along faults and geological structures breaching the seafloor in Hopendjupet and Sentralbanken
Sampling of oil in sea surface slicks and within shallow sediment cores
Surveying of landforms associated with the retreat of the Barents Sea Ice Sheet in the outer Sentralbankrenna area

The cruise may be known as: CAGE21_4
Hot Vents in an Ice-Covered Ocean - HACON21 expedition
Authors: Bünz Stefan , Ramirez-Llodra Eva
Published: November 2022

The HACON cruise is a major component of the FRINATEK HACON project, which aims at investigating the role of the Gakkel Ridge and Arctic Ocean in biological connectivity amongst ocean basins and global biogeography of chemosynthetic ecosystems. The HACON cruise was designed to conduct a multidisciplinary survey of the Aurora seamount centred around the identified black smokers in 2014. The scientific goal was to obtain visual and physical samples of the different habitats on the seamount to better understand hydrothermal vent communities on the Gakkel ridge and abyssal communities of an Arctic seamount, to assess the sphere of influence of the Aurora vent field across the seamount and adjacent seafloor regions.
The cruise may be known as: Hacon21
Preventive measures focused on the urban-rural interface protect rural food-producing communities from SARS-CoV-2
Authors: Polo Gina , Soler-Tovar Diego , Villamil-Jiménez Luis Carlos , Mera Carlos
Published: November 2022

Introduction: Rural food-producing communities are fundamental for the development of economic activities associated with sustainability and food security. However, despite the importance of rurality in Colombia, preventive strategies continue to be implemented homogeneously, without considering the dynamics of SARS-CoV-2 in rural food-producing communities.Objective: To model real areas in Colombia involving rural and urban populations that have intrinsic SARS-CoV-2 transmission dynamics. Characterize rural-urban interactions by means of a parameter that provides different scenarios and allows us to identify interactions capable of preventing SARS-CoV-2 transmission in rural food-producing communities.Materials and methods: The dynamics of SARS-CoV-2 infection was modeled in five case studies (Boyacá, Caquetá, Cundinamarca, Santander and Sucre) considering urban and rural areas and their interaction (connectivity) in the urban-rural interface. For this purpose, an epidemiological compartmental model considering a classification of individuals according to their economic activity and their epidemiological status was assessed. Results: Preventive measures focused on the urban-rural interface impact the number of deaths in rural areas. Hence, it is possible to assume that the dynamics of the disease in rural areas depend on the constant interaction with infected individuals from urban areas, which occurs due to the food production dynamics in the urban-rural interface. Conclusions: Preventive measures should focus on places of high transmissibility and risk for rural communities, such as the urban-rural interface. This work highlights the importance of national heterogeneous preventive measures and the protection of rural communities from the social and economic impacts of SARS-CoV-2.
Validación clínica de la prueba RT-LAMP para el diagnóstico rápido del SARS-CoV-2
Authors: Hurtado Leidy , Díaz Diana , Escorcia Katherine , Flórez Laura , Bello Yesit , Díaz Yirys , Navarro Elkin , Pacheco Leonardo C. , Galán Nataly , Maestre Ronald , Acosta Antonio , Pacheco Lisandro A.
Published: November 2022

Introducción. Desde el primer reporte en la provincia de Wuhan (China) en el año 2019, el SARS-CoV-2 se ha diseminado por todo el mundo, provocando un enorme impacto en la salud pública. Para su diagnóstico, la Organización Mundial de la Salud ha incentivado el desarrollo de pruebas rápidas, de simple ejecución, sensibles y específicas, que complementan la RT-qPCR como prueba de referencia. La prueba RT-LAMP ha mostrado ser una excelente alternativa para la detección del SARS-CoV-2 en diferentes biofluidos.Objetivo. Validar la técnica RT-LAMP colorimétrica en muestras de hisopado nasofaríngeo previamente confirmadas por RT-qPCR, usando el protocolo Charité, Berlín, Alemania.Materiales y métodos. Un total de 153 muestras de hisopado nasofaríngeo de individuos con sospecha de COVID-19 se sometieron a RT-qPCR y RT-LAMP, usando un estuche comercial colorimétrico (NEB, Germany). La RT-LAMP se practicó con las muestras de ARN extraídas del hisopado nasofaríngeo y con muestras crudas sin previa extracción de ARN. El resultado fue evaluado por un simple cambio de color en la reacción.Resultados. La sensibilidad y especificidad de la técnica RT-LAMP para detectar el gen N del SARS-CoV-2 mediante un set de cebadores previamente reportados (set de Broughton), arrojó valores de 0,97 (0,85-1,00) y 0,81 (0,65-0,92), respectivamente, con un intervalo de confianza del 95%. Otro set de cebadores dirigidos contra otra región del mismo gen (set de Lalli) arrojó valores de sensibilidad y especificidad de 0,96 (0,78-1,00) y 0,77 (0,55-0,92), respectivamente. Sin previa extracción de ARN, se encontró que la sensibilidad fue del 0,95 (0,74-1,00) y la especificidad del 0,88 (0,64-0,99).Conclusiones. Estos resultados evidencian que la técnica RT-LAMP podría considerarse una prueba diagnóstica rápida, de fácil ejecución, libre de equipos sofisticados, sensible y específica, para el diagnóstico del SARS-CoV-2 en muestras de hisopados nasofaríngeos.