bluuebunny/crossref_metadata_2025 huggingface dataset:
Effect of SiO2 Solid Loading and Sintering Temperatures on the Physical Properties of SiO2-NiO Foam
Authors: Muda Rizamarhaiza , Azmi M. Azham , Mahzan Shahruddin , Elwalwal Hatem Mostafa , Ahmad Sufizar , Taib Hariati
Published: November 2018

Porous ceramic is a type of material that has highly open and partially interconnected pores. It has a wide range of applications which include catalyst support, electrical conductivity, refractory insulation of furnaces, filtration, adsorption, and separation. There are many conventional methods for producing silica foam including direct forming, steam heating, freeze casting and the polymeric sponge method which is also known as the replication method. In this study, SiO2-NiO foam was fabricated using 25wt. %, 30wt % and 35wt.% of SiO2 and 5wt.% of NiO under different sintering temperatures (850 °C and 1050 °C) via replication method. The morphologies of SiO2-NiO foams were observed using Scanning Electron Microscopy (SEM) while the identification of the different phases of foam was analysed using X-Ray Diffraction (XRD). The XRD analysis indicated that there were only SiO2 and NiO present and no additional phases were detected after sintering. The effects of sintering temperature (850 °C, 1050 °C) and SiO2 solid loading on properties such as apparent porosity, bulk density and shrinkage were investigated. It was found that when the solid loading of SiO2 and sintering temperature increased, the density of SiO2-NiO foams increased in the range of 0.6373 g/cm3 to 0.8165 g/cm3. On the other hand, the porosity percentage obtained increased from 78.51 % to 81.63 %. The density and porosity analyses showed that the density of foam increases when the porosity of SiO2-NiO foam decreases. However, the shrinkage after sintering ranged between 3.5081cm to 6.9975 cm at 850C ̊ and 7.3618 cm to 8.3704 cm at 1050 °C respectively. Thus, this proves that SiO2-NiO foam can be successfully fabricated through the replication method.
Effect of Various Solid Loadings in Producing Silica-Nickel Oxide (SiO2- NiO) Foams
Authors: Nazaruddin Nur Azieyana , Ahmad Sufizar , Taib Hariati , Mahzan Shahruddin , Abu Bakar Sharifah Adzila Syed , Elwalwal Hatem Mostafa
Published: November 2018

Porous ceramic body is broadly utilized in the engineering discipline in this globalization era especially in the industrial applications. This is due to the advantages of one of the ceramic foams characteristics that can exhibit highly open pore and have a good interconnectivity. At the present study, the formation of Silica-Nickel oxide (SiO2-NiO) foams was developed by using the replication method with various solid loadings of 20wt. %, 25wt. %, 30wt. %, 35wt. % by adding a fixed amount of 5wt. % composition of Nickel Oxide (NiO) and sintered at a temperature of 1250°C. The Polyethylene Glycol (PEG) and Carboxymethyl Cellulose (CMC) as the binders to bind the particles and as thickening agent for the slurries formation. The cylindrical shape polyurethane acts as a template of the SiO2-NiO foams. The properties of physical and mechanical of the SiO2-NiO foams are being characterized through the morphology analysis via the Scanning Electron Microscope (SEM). Bulk density and apparent porosity tests are determined by adapting the Archimedes Principles. The compressive test has been carried out to identify the compressive strength of SiO2-NiO foams. The results obtained during the morphology analysis show the size of the pores appeared differently between the ranges of 268.81µm to 516.17µm. The result of the density and porosity of the porous SiO2-NiO foams recorded results between the ranges of 0.452g/cm3 to 0.775g/cm3 and 68.5% to 81.2%. This indicates that the variable of solid loading reveals the effect on the properties of the SiO2-NiO foams. Thus, the increasing of the solid loading will decrease the average size of the pores. However, with the decreasing of the average size of the pores will increase the density and the compressive strength of SiO2-NiO foams.
Influence of Heat Treatment and Milling Speed on Phase Stability of Ba0.5Sr0.5Co0.8Fe0.2O3-δ Composite Cathode Solid Oxide Fuel Cell
Authors: Tan Kang Huai , Rahman Hamimah Abdul , Taib Hariati , Ahmad Sufizar , Yusop Umira Asyikin , Ibrahim Himi
Published: November 2018

This study presents the preparation of barium strontium cobalt ferrite (BSCF)–samarium doped ceria (SDC) added samarium doped ceria carbonate (SDCC) cathode for solid oxide fuel cell (SOFC). The aim of this study is to investigate the effect of heat treatment on compatibility and characterization of BSCF composite. Calcined BSCF was mixed with SDCC and SDC by ball milling at 150 and 200 rpm respectively. Subsequently, both were uniaxially pressed to form pellets and sintered at 600°C for 2 hours. The BSCF behavior of composite samples was characterized via X-ray diffraction to determine the crystalline phase of BSCF composite. Fourier transform infrared spectroscopy was used to determine the existence of carbonate bond. Field emission scanning electron microscopy was used to examine the grain morphology. The crystalline BSCF phase percentage increased and secondary phases reduced when the milling speed decreased. After milling, BSCF composites still displayed uniform elemental distribution. Heat treatment has an impaired crystalline phase of perovskite BSCF. Without heat treatment, the BSCF composites showed agglomerate and unmolded particles.
Effect of Milling Process and Calcination Temperature on the Properties of BSCF-SDC Composite Cathode
Authors: Yusop Umira Asyikin , Rahman Hamimah Abdul , Abdullah Suraya Irdina , Panuh Dedikarni
Published: November 2018

The ionic conductivity, super conductivity, ferroelectricity, and magnetic resistance of barium strontium cobalt ferrite (BSCF) make it a good solid cathode material. This study aims to investigate the influence of milling process and calcination temperature on the behaviour of nanocomposite cathode BSCF–samarium-doped ceria (SDC). The BSCF–SDC composite powders were mixed using two milling processes, namely, wet milling and dry milling. The composite cathode powders were mixed through wet milling by high-energy ball milling at 550 rpm for 2 hours. For dry milling, the powders were milled at 150 rpm for 30 minutes. The powders then underwent calcination at 900 °C, 950 °C, 1050 °C, and 1150 °C for 2 hours. The composite cathodes were examined on the basis of phase and microstructure through field emission scanning electron microscopy (FESEM) and X-ray diffraction (XRD), respectively. In conclusion, the selection of suitable milling process and calcination temperature is important in eliminating secondary phases in BSCF–SDC composite cathodes and in enhancing their properties.
Corrosion Performance of Aluminum and Stannum as Beverage Packaging
Authors: Ismail Azzura , Kar Sim Liew , Ibrahim Himi
Published: November 2018

The corrosion performance of tinplate (Sn) and aluminum (Al) can as beverage packaging was studied in different acidity of soft drinks available in market. The research objective is to evaluate the acidity of different beverage to corrosion attack. The performance of coating layer provides by manufacturer to enhance corrosion attack was studied as well as corrosion mechanism penetrate on these nonferrous alloy. Electrochemical analysis was used to identify breakdown potential and corrosion damage was analyzed using SEM and energy dispersive spectrometry. Overall, the corrosion rates of stannum are much higher than aluminum for both new and used packaging. From Tafel results, the most corrosion resistant performed by soft drink 1 with pH 2.45 in aluminum packaging followed by manufactured aluminum. Corrosion resistance reduced in tinplate followed by manufactured tinplate. The most corrosion resistance condition was found on the aluminum sheet without manufacturing process that immersed in soft drink A according to its lowest corrosion rate 0.0703mm/yr, followed by manufactured aluminum sheet immersed in soft drink A with second lowest corrosion rate 0.0711mm/yr. All cyclic curves in this test showed that there was no pitting occurred on specimens as the reverse anodic curve was shifted to lower currents and negative hysteresis was produced. From SEM analysis, aluminum was oxidized and oxide film formed on surface to protect the material whereas the tinplate can was corroded and holes produced after electrochemical test. In both corrosion rate measurement and microscope analysis, it was clearly proved that aluminum can had more anti-corrosion properties than tinplate can. There was showed that some leading effect due to can manufacturing to an increasing corrosion rate to the metal beverage cans.
Failure Analysis on Heat Exchanger Tube Bundle Exposed to Naphthenic Acid Corrosion
Authors: Mazlan Siti Nur Farhana , Ismail Azzura , Noh Lokman Mohd , Ahmad Sufizar
Published: November 2018

Naphthenic acid is a sort of organic acid which present in crude oil and cause severe corrosion in certain circumstances. This type of acid will lead to the corrosion phenomenon known as naphthenic acid corrosion (NAC). Damage mechanism by NAC attack can be analysed using Scanning Electron Microscope (SEM), Electron-dispersive X-ray (EDX) and X-ray Diffraction (XRD). These characterization methods aim to observe the morphology, element content, and crystal structure of the NAC. The objective of this research is to apply failure analysis (FA) on heat exchanger (HE) tube bundle made form stainless steel 410 (SS410). SEM reveals the inter-granular attack initiate to crack propagation. A particular result of interest is that nickel catalytically decomposes naphthenic acids at high temperatures (e.g. 270°C) via a catalytic mechanism. For XRD testing, the corrosion product have been known and the main causes that lead to the corrosion has been detected which there is a formation of chromium carbide continuously along the pipe tube. However there is also formation of iron sulphide and chromium sulphide obtained in the XRD analysis where both are the reaction element that can retard the formation of NAC. Material selection is the most crucial task to resists from corrosion attack especially in high temperature applications. The mechanism of resistance of these elements provides insight into the failure mode of 304 and 400 series stainless steel in NA service.
Strategic human resource management practices of Western MNEs in Africa: Standardization, localization or both?
Authors: Azungah Theophilus
Published: November 2018

When Western multinational enterprises seek to transfer their preferred strategic human resource management (SHRM) practices to their subsidiaries in Africa, they face numerous challenges. Some of these challenges arise from Africa’s particular cultural and institutional features. In Africa, parent country nationals (PCNs) prefer to standardize SHRM practices embedded in western values while host country nationals (HCNs) prefer to localize practices in accordance with African cultural and institutional specificities. This conceptual paper analyzes research on the motives and strategies for standardization and localization of SHRM practices and develops a set of propositions on how these practices are utilized in African subsidiaries of western multinationals. On the basis of published case examples I illustrate preferences for standardization, localization and a combination of both approaches. I discuss the implications of my study in terms of future research directions and lessons for practitioners.
Comprehensive model for understanding and enhancing pro-environmental purchase behavior: Towards a conceptual framework
Authors: Achchuthan S. , Umanakenan R. , Kajenthiran K.
Published: November 2018

Inculcating pro-environmental purchase behavior is beneficial to both individuals and the society at large. The TPB has been generally applied to understand and examine pro-environmental purchase behavior. However, as the underpinnings of this theory are not adequate to understand the entire process of the development of pro-environmental purchase behavior, a more comprehensive theoretical framework is required. Combining the TPB with the VBN Theory provides such a comprehensive theoretical framework. Moreover, the presented model incorporates green perceived value and green Skepticism to predict pro–environmental purchase behavior strongly and to tackle the puzzle like green marketing myopia meticulously. It suggests that pro – environmental purchase behavior may be strongly predicted by pro- environmental purchase intention, green perceived value and green skepticism. The implications of this framework for theory and practice are discussed, as directions for future research, which would be of use to researchers and practitioners in the societal marketing field.
All couplings localization for quasiperiodic operators with monotone potentials
Authors: Jitomirskaya Svetlana , Kachkovskiy Ilya
Published: November 2018

We establish Anderson localization for quasiperiodic operator families of the form

(H(x)\psi)(m)=\psi(m+1)+\psi(m-1)+\lambda v(x+m\alpha)\psi(m)

for all coupling constants

\lambda > 0

and all Diophantine frequencies

\alpha

, provided that

v

is a 1-periodic function satisfying a Lipschitz monotonicity condition on [0,1). The localization is uniform on any energy interval on which the Lyapunov exponent is bounded from below.
Slovenski glasbeniki v graškem Ferdinandeju
Authors: Kuret Primož
Published: November 2018

Slovenski glasbeniki v graškem Ferdinandeju
Glasba v šolskih redih ljubljanske protestantske stanovske šole
Authors: Rijavec Andrej
Published: November 2018

Glasba v šolskih redih ljubljanske protestantske stanovske šole
Prešeren v glasbi
Authors: Bulovec Štefka
Published: November 2018

Prešeren v glasbi
Komorne skladbe Srečka Koporca
Authors: Leskovic Roman
Published: November 2018

Komorne skladbe Srečka Koporca
Appariran per me le stell'in cielo Orlanda di Lassa in Julija Skjavetića. Stilno-kritična primerjava
Authors: Kos Koraljka
Published: November 2018

Glede na  to, da je struktura renesančnega madrigala v veliki meri določena z odnosom med tekstom in glasbo, omogoča primerjava dveh ali več del na isti tekst dragoceno možnost odkrivanja osebnega izraza posameznih skladateljev. V pričujočem prispevku sta analizirana in primerjana dva madrigala, ki sta bila komponirana na isti tekst na začetku klasične dobe v razvijanju te kompozicijske vrste. Lassova skladba je nastala med leti 1552 in 1554 (prvič objavljena 1560), Skjavetićeva pa je bila objavljena leta 1562. Predloga Appariran per me le stell' in cielo, na katero sta bila komponirana oba madrigala, je tipično petrarkistična alegorična slika v enajstercu, bogata na metaforah in izrazitih muzikabilnih kvalitetah. Lasso in Skjavetić sta pristopila k temu tekstu na bistveno različen način. Na temelju istih značilnosti renesančne polifonije je vsak od njiju ustvaril izrazito oseben glasbeni korelat pesnitve. Čeravno je Skjavetić na začetku svojega madrigala prinesel melodični citat v čast velikemu mojstru, je nadaljnji potek njegove skladbe popolnoma različen od Lassove. O tem ne govorijo samo modus in kadence, ampak tudi tekstura in formalna zasnova njegovega madrigala. Medtem ko se Lassova glasba giblje brez ekstremnih notnih vrednosti, s pogosto rabo silabičnosti in sloga nota proti noti, z zmerno rabo ponavljanja in redkih primerov deskriptivniosti, pa je Skjavetić v svojem madrigalu razvil bogat kontrapunktični slog, ki ga označujejo komplicirana ponavljanja manjših ali večjih delov teksta, mojstrska raba kadenc, kontrastiranje med bujno melizmatiko in silabičnostjo kot nasprotjema med posameznimi vrstami gibanja. Lassova skladba rase v širokem loku k zaključku in deluje kot vedra, lahkotna slika, nastala iz splošne atmosfere teksta, Skjavetić pa je s fino igro detajlov oživel slikovite, emocionalne in zvočne plasti poetične predolge.
Novo v mladinskih zborih Slavka Osterca
Authors: Bedina Katarina
Published: November 2018

Novo v mladinskih zborih Slavka Osterca
Značilnosti samospevov Kamila Maška
Authors: Špendal Manica
Published: November 2018

Značilnosti samospevov Kamila Maška
Sprache in der tschechischen Neuen Musik
Authors: Doubravová Jarmila
Published: November 2018

Sprache in der tschechischen Neuen Musik
Glazbena situacija Dubrovnika od druge polovine XVI do uključivo početka XVII stoljeća s posebnim osvrtom na djelovanje Lamberta i Henrika Courtoysa
Authors: Demović Miho
Published: November 2018

Glazbena situacija Dubrovnika od druge polovine XVI do uključivo početka XVII stoljeća s posebnim osvrtom na djelovanje Lamberta i Henrika Courtoysa
The Works of Stefan the Serb in Byzantine Music Manuscripts of the 15th and 16th Centuries
Authors: Stefanović Dimitrije
Published: November 2018

The Works of Stefan the Serb in Byzantine Music Manuscripts of the 15th and 16th Centuries
Zbirka »FLORES JESSAEI« Daniela Lagkhnerja (Lacknerja)
Authors: Sivec Jože
Published: November 2018

Zbirka »FLORES JESSAEI« Daniela Lagkhnerja (Lacknerja)
Klavirska sonata Franca Šturma
Authors: Bedina Katarina
Published: November 2018

Klavirska sonata Franca Šturma
Les concerts à Paris en 1830
Authors: Lesure François
Published: November 2018

Les concerts à Paris en 1830
Belgrade as Subject of Musical Compositions
Authors: Velimirović Miloš
Published: November 2018

Belgrade as Subject of Musical Compositions
Odmevi poezije Josipa Murna-Aleksandrova v slovenski glasbeni literaturi
Authors: Pokorn Danilo
Published: November 2018

Odmevi poezije Josipa Murna-Aleksandrova v slovenski glasbeni literaturi
Iz Štrekljeve korespondence
Authors: Kumer Zmaga
Published: November 2018

Iz Štrekljeve korespondence
Die Anfänge des deutschsprachigen Musiktheaters in Graz zwischen Publikumsnähe und Aufklärung
Authors: Flotzinger Rudolf
Published: November 2018

Die Anfänge des deutschsprachigen Musiktheaters in Graz zwischen Publikumsnähe und Aufklärung
"Slovenski glazbenici" u gradji za "Biografski i muzikografski leksikon" Franje Kuhača
Authors: Franković Dubravka
Published: November 2018

"Slovenski glazbenici" u gradji za "Biografski i muzikografski leksikon" Franje Kuhača
Stilna orientacija glasbe protestantizma na Slovenskem
Authors: Sivec Jože
Published: November 2018

Stilna orientacija glasbe protestantizma na Slovenskem
O kompozitorskom liku Avgusta Armina Lebana (1847-1879) na temelju gradje za Biografski i muzikografski leksikon Franje Kuhača
Authors: Franković Dubravka
Published: November 2018

O kompozitorskom liku Avgusta Armina Lebana (1847-1879) na temelju gradje za Biografski i muzikografski leksikon Franje Kuhača
Peta simfonija Lucijana Marije Škerjanca
Authors: Kartin-Duh Monika
Published: November 2018

Peta simfonija Lucijana Marije Škerjanca
Barok in skladatelji 20. stoletja
Authors: Stevens Halsey
Published: November 2018

Barok in skladatelji 20. stoletja
Sociologija glasbe in muzikologija
Authors: Supičić Ivo
Published: November 2018

Sociologija glasbe in muzikologija
Menzuralni fragment iz Nadškofijskega arhiva v Ljubljani
Authors: Höfler Janez
Published: November 2018

Menzuralni fragment iz Nadškofijskega arhiva v Ljubljani
Reforma obrednega petja srbske pravoslavne cerkve na začetku XIII. stoletja
Authors: Rihtman Cvjetko
Published: November 2018

Reforma obrednega petja srbske pravoslavne cerkve na začetku XIII. stoletja
Začetki glasbenega ekspresionizma na Slovenskem
Authors: Klemenčič Ivan
Published: November 2018

Začetki glasbenega ekspresionizma na Slovenskem
Nova najdba iz pisem Francu Šturmu
Authors: Bedina Katarina
Published: November 2018

Nova najdba iz pisem Francu Šturmu
"Za špitalom nekdo hodi..." - prispevek k vprašanju interetničnih odnosov v ljudskem izročilu
Authors: Kumer Zmaga
Published: November 2018

"Za špitalom nekdo hodi..." - prispevek k vprašanju interetničnih odnosov v ljudskem izročilu
Mediteranski vidiki jugoslovanskega glasbenega prostora
Authors: Bergamo Marija
Published: November 2018

Mediteranski vidiki jugoslovanskega glasbenega prostora
Sodobna ljudska plesna glasba v Egiptu in sorodni pojavi v ljudski glasbi Kosova
Authors: Pettan Svanibor
Published: November 2018

Sodobna ljudska plesna glasba v Egiptu in sorodni pojavi v ljudski glasbi Kosova
Fragmenti srednjeveških koralnih rokopisov s poznogotsko notacijo v Ljubljani
Authors: Snoj Jurij
Published: November 2018

Fragmenti srednjeveških koralnih rokopisov s poznogotsko notacijo v Ljubljani
Missa sopra la Bergamasca – prispevek k poznavanju ustvarjanja J. K. Dolarja
Authors: Faganel Tomaž
Published: November 2018

Missa sopra la Bergamasca – prispevek k poznavanju ustvarjanja J. K. Dolarja
Dva lista z Binchoisovo in brezimno glasbo 15. stoletja v ljubljanski Narodni in univerzitetni knjižnici
Authors: Snoj Jurij
Published: November 2018

Dva lista z Binchoisovo in brezimno glasbo 15. stoletja v ljubljanski Narodni in univerzitetni knjižnici
Kataklizma avantgarde med socrealističnim normativizmom in nacionalno bitnostjo slovenske glasbe
Authors: Bevc Cvetka
Published: November 2018

Kataklizma avantgarde med socrealističnim normativizmom in nacionalno bitnostjo slovenske glasbe
Od „donečega“ pojava do transcendentalne „idealne istine“. Po sledi „glasov“, „melodije“ in „simfonije“ v estetskem sistemu Franceta Vebra
Authors: Bergamo Marija
Published: November 2018

Od „donečega“ pojava do transcendentalne „idealne istine“. Po sledi „glasov“, „melodije“ in „simfonije“ v estetskem sistemu Franceta Vebra
Iz glasbenega dela Valentina Lechnerja
Authors: Špendal Manica
Published: November 2018

Iz glasbenega dela Valentina Lechnerja
Bibliografija člankov I–XXV
Authors: Frelih Darja
Published: November 2018

Bibliografija člankov  I–XXV
Uvodna beseda
Authors: Odbor Uredniški
Published: November 2018

Uvodna beseda
Izvori inspiracije „Ohridske legende“ Stevana Hristića
Authors: Mosusova Nadežda
Published: November 2018

Izvori inspiracije „Ohridske legende“ Stevana Hristića
Muzika u srpskoj pravoslavnoj crkvi u Trstu
Authors: Petrović Danica
Published: November 2018

Muzika u srpskoj pravoslavnoj crkvi u Trstu
Muzika, etos i prošlost u Hektorovićevu Ribanju i ribarskom prigovaranju
Authors: Bujić Bojan
Published: November 2018

Muzika, etos i prošlost u Hektorovićevu Ribanju i ribarskom prigovaranju
Dušan Stular. Ob devetdesetem rojstnem dnevu
Authors: Mihalek Dušan
Published: November 2018

Dušan Stular.  Ob devetdesetem rojstnem dnevu
O zvočni in glasbeni identiteti (tokrat malo drugače)
Authors: Cvetko Igor
Published: November 2018

O zvočni in glasbeni identiteti (tokrat malo drugače)
Slovenska glasba v narodnoosvobodilnem boju
Authors: Križnar Franc
Published: November 2018

Slovenska glasba v narodnoosvobodilnem boju
Prilog problemu središta u zapadnoevropskoj glazbi
Authors: Kričevcov Nataša
Published: November 2018

Prilog problemu središta u zapadnoevropskoj glazbi
Western Musical Influences in Persia
Authors: Farhat Hormoz
Published: November 2018

Western Musical Influences in Persia
Slovenska glasbena moderna in Marij Kogoj
Authors: Loparnik Borut
Published: November 2018

Slovenska glasbena moderna in Marij Kogoj
Teoretične osnove artikulacije, deklamacije in izvajalske manire sredi 18. stoletja
Authors: Faganel Tomaž
Published: November 2018

Teoretične osnove artikulacije, deklamacije in izvajalske manire sredi 18. stoletja
Giuseppe Tartini i njegov krug u hrvatskim arhivskim zbirkama
Authors: Katalinić Vjera
Published: November 2018

Giuseppe Tartini i njegov krug u hrvatskim arhivskim zbirkama
Koncert za violino in orkester v d-molu G. Tartinija (D. 45) - poizkus analize v času in prostoru
Authors: Rijavec Andrej
Published: November 2018

Koncert za violino in orkester v d-molu G. Tartinija (D. 45) - poizkus analize v času in prostoru
Musikikonographie und Volksmusik in der slowenischen bildenden Kunst
Authors: Kuret Primož
Published: November 2018

Musikikonographie und Volksmusik in der slowenischen bildenden Kunst
Melodični postopki v glasbi Iva Petrića
Authors: O'Loughlin Niall
Published: November 2018

Glasba Iva Petrića (r. 1931) je bila vedno melodično usmerjena. Obenem pa je skladatelj vedno kazal in še vedno kaže zanimanje za instrumentalne tehnike in barve ter za prepričljivo formo. Njegova glasba petdesetih let, še posebej Sonate za pihalne instrumente, odseva tradicionalen pristop melodičnega pisanja, medtem ko v Sonatah za klarinet in rog postanejo Hindemithovi vplivi očitni. Precejšnjo melodično fleksibilnost kaže Klarinetni koncert, tako da s Koncentantno glasbo (1961-62) Petrićev stil doseže prehodno fazo, v kateri je nemalo melodičnih metamorfoz. V delih, kot sta Élégie sur le nom de Carlos Salzedo za harfo in Croquis sonores (1963) za komorni ansambel, imamo opraviti s serialnimi prijemi. V slednji skladbi je melodičen zapis fragmentaren, ritmično iregularen in uporablja vseh dvanajst poltonov. Pojavi se t.i. prostorska notacija. Sedem skladb za sedem instrumentov odseva enostavno serialnost, značilnost, ki je skladatelj poslej ni več razvijal. Simfonične mutacije (1964) predstavljajo začetek utrjevanja in pretanjevanja Petrićevih skladateljskih postopkov. Čeprav oblikovno zanimivo, se zdi to delo še posebej značilno zavoljo tematskih preoblikovanj in svobodne asociativnosti podobnih tipov tem kot povezujočega faktorja med posameznimi deli skladbe. Po vrsti komornih del je Petrić v letih 1968-69 ustvaril tri pomembne kompozicije: Integrale v barvah za orkester, Intarzije za ansambel in Quatour 1969 za godalni kvartet. V teh delih so melodične celice in motivi uporabljeni tako za izoblikovanje melodičnih linij kot tudi melodičnih tekstur. Vse te drobne melodične celice so podvržene vrsti iznajdljivih, a obenem slišnih preoblikovanj, pri čemer je opazna sinhronizacija melodičnih glasov. Petrićeva dela sedemdesetih let vključujejo sonatam podobne skladbe za klavir, komorne sestave in orkester s koncertantno tretiranimi solističnimi instrumenti. Tudi tukaj skladatelj manipulira in preoblikuje kratke melodične celice tako v melodične linije kot v spremljevalne teksture, ki jih prevevajo nesinhronizirani ostinati. Uporaba dolgih not in njihove razdelave je značilna za Lirizme za rog in klavir, Meditacije za klavirski trio, violinsko Sonato in še posebej za Quatuor 1979. V orkestralnih delih s solističnimi instrumenti so orkestralni parti veliko bolj razdelani in vodijo do učinkov, ki melodično kot taki niso slišni. Sinhronizacija melodičnih elementov je včasih natančna, kot na primer v Dialogues concertants za čelo, običajno - kot v Trois images za violino (1973) - pa je samo približna, vezana na sistem primarnih in sekundarnih dirigentskih intervencij. Pihalna dela, kot so Episodes lyriques (1973) za oboo in Jeux concertants (1978) za flavto, slonijo na kalejdoskopičnih teksturah, ki se poigravajo z melodičnimi fokusi. Osemdeseta leta kažejo Petrićevo vrnitev v "taktno" regularnost, v delih, kot sta Koncert za trobento in orkester (1986) in Moods and Temperaments (1987), ki pa vsemu navkljub odsevata melodične procese značilne za sedemdeseta leta.
"Slovenski duh" kot poetska kategorija
Authors: Barbo Matjaž
Published: November 2018

"Slovenski duh" kot poetska kategorija
Viktor Parma - raziskovalna izhodišča
Authors: Frelih Darja
Published: November 2018

Viktor Parma - raziskovalna izhodišča
Angeli z glasbili v Srednji vasi pri Šenčurju in v Gostečah
Authors: Kuret Primož
Published: November 2018

Angeli z glasbili v Srednji vasi pri Šenčurju in v Gostečah
Alcune osservazioni sulla cultura musicale a Capodistria al tempo di Antonio Tarsia
Authors: Cavallini Ivano
Published: November 2018

Alcune osservazioni sulla cultura musicale a Capodistria al tempo di Antonio Tarsia
Antonio Tarsia: analiza stila i funkcija skladateljskoga opusa
Authors: Stipčević Ennio
Published: November 2018

Antonio Tarsia: analiza stila i funkcija skladateljskoga opusa
Osterčeva "avantgardnost" v luči Drugega godalnega kvarteta (1934)
Authors: Bergamo Marija
Published: November 2018

Osterčeva "avantgardnost" v luči Drugega godalnega kvarteta (1934)
Bibliografija o Slavku Ostercu
Authors: Sivec Jože
Published: November 2018

Bibliografija o Slavku Ostercu
Osterčeva pisma Juanu C. Pazu
Authors: Škulj Edo
Published: November 2018

Osterčeva pisma Juanu C. Pazu
Prepletanje tradicionalnega in novega v povojni srbski glasbi
Authors: Milin Melita
Published: November 2018

Prepletanje tradicionalnega in novega v povojni srbski glasbi
Šest maš Venčeslava Wratnyja
Authors: Nagode Aleš
Published: November 2018

Šest maš Venčeslava Wratnyja
Isaac Posch in njegova inštrumentalna dela s posebnim ozirom na variacijske suite za instrumentalni sestav zbirke Musicalische Ehrenfreudt (1618)
Authors: Kokole Metoda
Published: November 2018

Isaac Posch in njegova inštrumentalna dela s posebnim ozirom na variacijske suite za instrumentalni sestav zbirke Musicalische Ehrenfreudt (1618)
Musikinstrumente österreichischer Klavierbauer im Landesmuseum Ptuj/Petau (Slowenien)
Authors: Koter Darja
Published: November 2018

Musikinstrumente österreichischer Klavierbauer im Landesmuseum Ptuj/Petau (Slowenien)
Židje v slovenski ljudski pesmi
Authors: Kumer Zmaga
Published: November 2018

Židje v slovenski ljudski pesmi
Glasbeno-analitični nastavki: k pojmovanju deskripcije tonskega stavka
Authors: Stefanija Leon
Published: November 2018

Glasbeno-analitični nastavki: k pojmovanju deskripcije tonskega stavka
Glasbeno-analitični nastavki: med idejo in strukturo
Authors: Stefanija Leon
Published: November 2018

Glasbeno-analitični nastavki: med idejo in strukturo
Zvočni svet Primoža Ramovša (1921-1999)
Authors: Klemenčič Ivan
Published: November 2018

Zvočni svet Primoža Ramovša (1921-1999)
Beispiele der Theoriebildung in der Musikwissenschaft
Authors: Davidović Dalibor
Published: November 2018

Beispiele der Theoriebildung in der Musikwissenschaft
Muzički instrumenti u srednjovjekovnoj likovnoj umjetnosti
Authors: Kos Koraljka
Published: November 2018

Muzički instrumenti u srednjovjekovnoj likovnoj umjetnosti
Leoš Janáček and the Avant-garde of the Twenties
Authors: Štědroň Miloš
Published: November 2018

A brief consideration of Janáček's connections with the modernist trends in the music of the twenties involves an exact analysis of his later work. In the work of this composer who was born in the fifties of the last century we find a number of the fundamental problems of modern music, such as melodies and chords of the forth, the whole-tone scale, the loss of tonality and tonal centre, some characteristics of tetrachordal groups, the beginnings of bitonality, an original use of macro- and micro-techtonics often operating with the so-called constant montage, and finally the beginnings of working with two desparate layers at the same time. The author tries to show the relation of Janáček, composer and man, to the avant-garde of the twenties. His relation to Schönberg was intensest in 1920 when he studied his »Harmonielehre« in detail; later, however, it assumed a critical aspect, as can be seen from his observations on the book mentioned and on certain compositions of Schönberg (Serenade in Venice 1925). After the encounter of both composers in Berlin (1926) Janáček wrote to Max Brod: »Schreker and Schönberg came to me to compliment me on the opera Káta Kabanova. This gave me the greatest pleasure . . .« He emphasized consciously his relation to the avant-garde in the speech on the occasion of his promotion on January 28tn, 1925, when he said: ». . . The moderns Schreker, Schönberg, Debussy feel in the same manner as I . . .« In the last two years of his life Janáček came to know the work of Berg also. He realised intuitively the profound significance of the genius of the Austrian musical dramatist and commented in the following manner: ». . . He is a dramatist of astounding significance, of deep truth. Let him speak! . . . his every note has been steeped in blood . . .« The author draws attention to the apparent ideological similarity of »Wozzeck« and of Janáček's last opera »From the House of the Dead«. The paper brings some additional evidence of Janáček's connections with the avant-garde. The author points out that Paul Hindemith first performed Janáček's violin sonata in 1923 and that he prepared some further performances. His relation to Béla Bartók is indicated by the concert arranged by Janáček in Brno on March 3rd, 1925. Janáček heard, analysed and criticised also a number of compositions by Igor Stravinsky. Further the enthusiasm of the younger generation for Janáček's work is documented: the two letters of Paul Dessau, the visit of the American experimentalist Henry Cowell who later nominated Janáček together with Bartók, Hába, Křenek, Berg and so on as honorary members of the New Music Society of California, the sincere relation of the Prague Society for Modern Music to the composer who had been its honorary member since December 16th, 1924. Finally the author outlines the most important characteristics of the music of the twentieth century in Janáček's work, which clearly forshadow the sphere of European music of the twenties and thirties.
Kogojevi pogledi na slovensko narodno pesem
Authors: Loparnik Borut
Published: November 2018

Kogojevi pogledi na slovensko narodno pesem
Karmen Salmič Melodične in harmonske tonske strukture v orkestralnih skladbah Demetrija Žebreta
Authors: Salmič Karmen
Published: November 2018

Pričujoči glasbeno-analitični prispevek obravnava spreminjanje melodičnih in harmonskih tonskih struktur ter njihovo medsebojno učinkovanje v osmih orkestralnih skladbah Demetrija Žebreta, učenca Slavka Osterca in enega od zmerno modernistično usmerjenih ustvarjalcev slovenske orkestralne glasbe v 1. polovici 20. stoletja. Analiza skladb je pokazala, da se v Žebretovi glasbi "staro" druži z "novim" na različne načine. Večinoma so elementi stare tonalnosti vkomponirani v novo teksturo, zvočnost, stavčno gradnjo in ritmično-metrične kombinacije na nekaj različnih načinov. Skladbe iz časa skladateljevega iskanja radikalnejših rešitev v smeri odklona od tonalnosti pa se skrajno približajo meji neurejene atonalnosti, brez poskusa njihove dodekafonske sistematike.
Glasba je glasba svetov! Glasba svetov pri poučevanju glasbe na visokih šolah
Authors: Schüler Nico
Published: November 2018

Članek ponuja primere, kako vključevanje glasbe nezahodnih kultur prispeva pri študiju v mejah “strnjenega” učnega načrta, v katerem so različne glasbene discipline močno povezane druga z drugo: na primer teorija, zgodovina, izvajalska praksa, pedagogika itd. ter njihove poddiscipline. Medtem ko se članek osredotoča predvsem na glasbeno teorijo, zvočne zaznave in muzikologijo, pa so splošni komentarji namenjeni razširjanju pogleda na glasbo z globalnim pogledom.
„Internet Killed the Video Star?” Vizualna glasba med teorijo, tehnologijo, mediji in estetiko
Authors: Barber-Keršovan Alenka
Published: November 2018

Članek v grobih potezah skicira razvoj vizualizacije glasbe, ki je v osemdesetih letih prejšnjega stoletja vodila k etabliranju videoklipa kot samostojne estetske oblike ter glasbene televizije (MTV) kot specializiranega medija za ta glasbeni žanr. Omenjeni razvoj obravnava v kompleksnem odnosu med teoretičnimi predpostavkami, estetskimi konvencijami ter tehnološkimi in distribucijskimi možnostmi. Videoklip predstavlja posebno na področju popularne glasbe še vedno pomembno izrazno sredstvo in marketinško strategijo, čeprav se z digitalno tehnologijo in internetom pojavljajo tudi nove oblike glasbene komunikacije in audio-vizualne ustvarjalnosti.
Razvojne karakteristike i dostignuća srpske romantične solo-pjesme
Authors: Kučukalić Zija
Published: November 2018

Razvojne karakteristike i dostignuća srpske romantične solo-pjesme
Zbirka »Neue Teutsche Lieder« (Nürnberg 1588) Wolfganga Stricciusa
Authors: Sivec Jože
Published: November 2018

Zbirka »Neue Teutsche Lieder« (Nürnberg 1588) Wolfganga Stricciusa
Prvine melodične dikcije v Kogojevih otroških pesmih
Authors: Loparnik Borut
Published: November 2018

Prvine melodične dikcije v Kogojevih otroških pesmih
Margins of Music
Authors: Davidović Dalibor
Published: November 2018

The poetics of Marko Radmio (1910–1996) was marked by the rejection of the concept of “composer,” with the argument that the term implies the reduction of that which is musical to knowledge and technique. In contrast, in the forgotten German expression Tondichter (tone poet) Radmio found preserved the essence of the musical and therefore used this term when trying to designate his own activities. In this paper, the consequences of this change are explored both through Radmio’s music and through his thoughts on music.
Compositional System of Osvaldas Balakauskas
Authors: Daunoravičienė Gražina
Published: November 2018

Against the background of the Lithuanian professional music modernisation over the late Soviet period through to the early 21st century, the study focuses on the theoretical-compositional system of dodecatonics by the most consistent Lithuanian modernist Osvaldas Balakauskas (b. 1937). Based on it, the conceptualisation of the composer’s creative process, the modern expression construing specificity, the socio-political and cultural context, and the aesthetic value will be revealed. By interpreting the process of modernisation from the viewpoint of parataxical comparativism, the relationship between the dodecatonics and other 20th century ­stheoretical-compositional systems as well as the theoretical tradition will be examined. The issues of individualisation of the 12-tone technique and the implementation of the principles of the Dodecatonics in Balakauskas’’ compositions will be discussed. The system is contextualised in the milieu of the inculcation of “formalistic” modernist doctrines in Lithuania and the USSR and of the updating of composing systems and the development of new ones.
Foreword
Authors: Pompe Gregor
Published: November 2018

Viewed from a historical perspective, the twentieth century appears to have largely broken with the fundamental traits that marked the nineteenth century. In some respects, however, certain specific characteristics were enhanced. This is particularly true of the emphasised subjectivism and the drive to innovate. Both of these premises arise from the Romantic desire for the characteristic, for that which is new each time and subjectively marked.
Latvian Music History in the Context of 20th-century Modernism and Postmodernism. Some Specific Issues of Local Historiography
Authors: Kudiņš Jānis
Published: November 2018

Do the terms “modernism” and “postmodernism” objectively characterize the trends in the music history of the 20th century or are they merely theoretical abstractions? How can they be applied to the music history of specific countries, for example, when analysing a local historical experience? The article will consider these questions primarily to focus on the representation of the modernist and postmodernist aesthetics in the stylistic developments of the 20th-century Latvian music history.
Razvoj i oblici glagoljaškog pjevanja u sjevernoj Dalmaciji
Authors: Bezić Jerko
Published: November 2018

Razvoj i oblici glagoljaškog pjevanja u sjevernoj Dalmaciji
Zborovske kompozicije Slavka Osterca
Authors: Šegula Tomaž
Published: November 2018

Zborovske kompozicije Slavka Osterca
Zlogovanje v ljudski pesmi
Authors: Kumer Zmaga
Published: November 2018

Zlogovanje v ljudski pesmi
Uticaj folklornih elemenata na strukturu romantizma u srpskoj muzici
Authors: Mosusova Nadežda
Published: November 2018

Uticaj folklornih elemenata na strukturu romantizma u srpskoj muzici
Nekatere posebnosti vokalne melodike Vatroslava Lisinskega. Prispevek k analizi njegovega stila
Authors: Kos Koraljka
Published: November 2018

Nekatere posebnosti vokalne melodike Vatroslava Lisinskega. Prispevek k analizi njegovega stila
Kogojeva scenska glasba »V kraljestvu palčkov«
Authors: Klemenčič Ivan
Published: November 2018

Kogojeva scenska glasba »V kraljestvu palčkov«
»Ecce, quomodo moritur justus« J.Gallusa, M. A. Ingegnerija in O. di Lassa
Authors: Sivec Jože
Published: November 2018

»Ecce, quomodo moritur justus« J.Gallusa, M. A. Ingegnerija in O. di Lassa
Predgovor
Authors: Cvetko Dragotin
Published: November 2018

Predgovor
Parthia in trije Concerti Johanna Adama Scheibla v arhivu Študijske knjižnice v Ptuju
Authors: Rijavec Andrej
Published: November 2018

Parthia in trije Concerti Johanna Adama Scheibla v arhivu Študijske knjižnice v Ptuju
Note sulla poetica di Bellini. A proposito di I Puritani
Authors: Petrobelli Pierluigi
Published: November 2018

Note sulla poetica di Bellini. A proposito di I Puritani
Nemška opera v Ljubljani od leta 1861 do 1875
Authors: Sivec Jože
Published: November 2018

Nemška opera v Ljubljani od leta 1861 do 1875
Zum Begriff des Rokokostils in der Musik
Authors: Pečman Rudolf
Published: November 2018

Zum Begriff des Rokokostils in der Musik
Melodika v klavirskih skladbah Marija Kogoja
Authors: Klemenčič Ivan
Published: November 2018

Melodika v klavirskih skladbah Marija Kogoja
Korpusi na poti v šole: jezikovnotehnološko izpopolnjevanje učiteljev
Authors: Stritar Mojca , Dobrovoljc Kaja
Published: November 2018

Slovensko društvo za jezikovne tehnologije (SDJT) je v sodelovanju s Filozofsko fakulteto v Ljubljani in Trojino, zavodom za uporabno slovenistiko, jeseni 2012 na šolah po Sloveniji izvajalo jezikovnotehnološko izpopolnjevanje učiteljev, ki ga je na podlagi javnega naročila male vrednosti sofinanciralo Ministrstvo za izobraževanje, znanost, kulturo in šport RS ter se neposredno povezuje z Resolucijo o nacionalnem programu za jezikovno politiko 2007–2011.1 Kot je bilo izpostavljeno v obrazložitvi naročila, se večina učiteljev slovenščine v okviru formalnega izobraževanja še ni srečala z jezikovnimi viri in orodji, ki so se v zadnjih letih izkazali za nepogrešljivo kompetenco pri pripravljanju učencev na delovanje v e-okolju. Sem se umeščata poznavanje in uporaba jezikovnih tehnologij, ki deloma zastarel opis jezika, kakršnega nudijo obstoječi normativni priročniki, dopolnjujejo z aktualiziranim opisom sodobne slovenščine.
Korpusne metode in njihov odsev v jezikoslovnih teorijah 20. stoletja
Authors: Krek Simon
Published: November 2018

V 20. stoletju se je strukturalizem vzpostavil kot osrednja jezikoslovna teorija, v prvi polovici stoletja predvsem s svojim začetnikom Ferdinandom de Saussurjem, v drugi polovici pa z likom Noama Chomskega. Zadnji je vztrajno zavračal smiselnost analiz obsežnih količin besedil, ki jih je obravnaval kot nezanimive v primerjavi z jezikovno intuicijo naravnega govorca. Vzporedno s strukturalizmom so se množile tudi jezikoslovne smeri, ki so opozarjale na nezadostnost prevladujoče jezikoslovne paradigme in na teoretske uvide, ki jih je omogočila šele sistematična analiza velikih količin besedil. Prispevek obravnava dileme, ki izhajajo iz navedene dihotomije in umešča t. i. korpusno jezikoslovje v širši jezikoslovni kontekst.
Najboljši ali lažni prijatelji? Luščenje slovensko-hrvaških prevodnih ustreznic in lažnih prijateljev iz korpusov
Authors: Fišer Darja , Ljubešić Nikola
Published: November 2018

V prispevku predstavimo korpusni pristop k samodejnemu luščenju prevodnih ustreznic in lažnih prijateljev med slovenščino in hrvaščino. Pristop izkorišča ortografske podobnosti med jezikoma in temelji na predpostavki distribucijske semantike, ki se glasi, da govorci obeh jezikov besede s podobnim pomenom uporabljamo v podobnih kontekstih. To nam po eni strani omogoča hitro izgradnjo slovensko-hrvaškega dvojezičnega leksikona, za katero razen primerljivih spletnih korpusov ne potrebujemo nobenega drugega vira znanja. Po drugi strani pa lahko na podlagi iste predpostavke s pomočjo korpusnih podatkov prepoznamo tiste sorodnice, ki so si podobne zgolj površinsko, leksikalizirajo pa različne pojme in se zato tudi različno uporabljajo. Predstavljen pristop je jezikovno neodvisen, zaradi česar je privlačen za številna področja računalniške obdelave naravnega jezika, kjer še vedno vlada veliko pomanjkanje leksikalnih virov, njihove ročne izdelave pa si ne moremo privoščiti. Pristop je prav tako zelo koristen v leksikografiji in za poučevanje tujih jezikov, saj nam pomaga osvetliti leksikalne posebnosti za določen jezikovni par oziroma strokovno področje.
Terminologija odnosov z javnostmi: korpus — luščenje — terminološka podatkovna zbirka
Authors: Logar Berginc Nataša , Vintar Špela , Arhar Holdt Špela
Published: November 2018

V prispevku prikazujemo analizo luščenja eno- in večbesednih terminoloških kandidatov, ki smo ga izvedli za potrebe priprave terminološke podatkovne zbirke odnosov z javnostmi na podlagi korpusa KoRP z luščilnikom LUIZ. Podrobneje se posvečamo dvojemu: (a) izluščenim enobesednim samostalniškim terminološkim kandidatom, katerih seznam primerjamo s pogostostnim seznamom samostalnikov v korpusu KoRP in vrednotimo glede na terminološkost, kot sta jo prepoznala dva področna strokovnjaka, ter (b) izluščenim večbesednim nizom z glagolskim in samostalniškim jedrom. Nadgrajeno metodo luščenja in izboljšan prikaz rezultatov smo dopolnili še z analizo priklica. Potrdili oz. ugotovili smo, da je v primerjavi s pogostostnim seznamom terminološki potencial enot v zgornjem delu seznama izluščenih samostalnikov večji, da imajo izluščeni glagolski besedni nizi predvsem kolokacijsko vrednost, ne pa tudi terminološke, in da so najbolj terminološko produktivni vzorci luščenja samostalniških zvez z naslednjo zgradbo: [pridevnik + samostalnik], [pridevnik + in + pridevnik + samostalnik] ter [pridevnik + pridevnik + samostalnik]. Analiza priklica je pokazala predvsem nizko stopnjo strinjanja med obema področnima strokovnjakoma, sicer pa je bil priklic razmeroma visok.
Izgradnja modelov za prepoznavanje imenskih entitet za hrvaščino in slovenščino
Authors: Ljubešić Nikola , Stupar Marija , Jurić Tereza , Agić Željko
Published: November 2018

Prispevek predstavlja razvoj prosto dostopnih modelov za prepoznavanje in klasifikacijo imenskih enot za hrvaški in slovenski jezik. Poskusi se osredotočajo na najbolj informativne jezikovne lastnosti, pri čemer upoštevajo dostopnost jezikovnih orodij za oba jezika. Poleg standardnih jezikovnih lastnosti so upoštevane tudi distribucijske lastnosti, ki so bile izračunane iz velikih neoznačenih enojezičnih korpusov. Uporaba distribucijskih lastnosti izboljša rezultate za 7-8 točk v meri F1, uporaba oblikoslovnih informacij pa dodatno za 3-4 točke, in to pri obeh jezikih. Najboljši naučeni model skupaj s testno množico za primerjavo z obstoječimi in bodočimi sistemi ter model za oblikoslovno označevanje hrvaščine s programom HunPos so dostopni za prenos za uporabo v znanstvene in komercialne namene.
Slovenščina 2.0: “Jezikovne tehnologije”
Authors: Erjavec Tomaž , Žganec Gros Jerneja
Published: November 2018

Raziskave in razvoj na področju jezikovnih tehnologij se danes za jezike sširokim krogom govorcev pospešeno prenašajo v komercialne sisteme, kipostajajo vse bolj razširjeni. Denimo, rešitve samodejne prepoznave govora in samodejne sinteze govora se množično vgrajujejo v cenovno ugodne programske pakete, namenjene predvsem uporabi na osebnih računalnikih in prenosnih telefonih. Evropa je danes eden najnaprednejših trgov za jezikovne tehnologije. Evropska unija si prizadeva, da so potrebna orodja in viri na razpolago za vse njene jezike, kot tudi glavne svetovne komercialne jezike, s čimer utira pot večjezikovni informacijski družbi ter enotnemu digitalnemu trgu.
Slovar sodobnega slovenskega jezika: leksikografska tradicija in/ali inovacija
Authors: Gantar Polona
Published: November 2018

Ko je bil konec maja 2013 objavljen Predlog za izdelavo Slovarja sodobnega slovenskega jezika, se je tako na strokovnih forumih kot v medijih razvila debata o tem, ali naj novi slovar slovenskega jezika sledi leksikografski tradiciji, kot se je oblikovala s Slovarjem slovenskega knjižnega jezika, ali naj se od te tradicije oddalji. Ker so se ob tem oblikovali različni pogledi na razumevanje slovarske tradicije kot tudi na vključevanje sodobnih slovarskih praks, želimo v prispevku na podlagi analize zasnove SSKJ in SNB ter s prispevki, ki se kakorkoli nanašajo na koncept bodočega slovarja slovenskega jezika, ugotoviti, katere elemente leksikografske teorije in prakse lahko pojmujemo kot tradicionalne ter katere so predlagane novosti v slovenski leksikografiji. Vzporedno predlagamo tudi zasnovo novega slovarja v ključnih segmentih, tj. z vidika uporabnika, medija in uporabe jezikovnotehnološkega znanja, ki bi zadostila opisu sodobnega slovenskega jezika, ki kar v največji meri zadovoljuje potrebe jezikovne skupnosti v današnjem času in okoliščinah.