bluuebunny/crossref_metadata_2025 huggingface dataset:
ПРОФЕСІОГРАФІЧНЕ ДОСЛІДЖЕННЯ ДІЯЛЬНОСТІ ПРАЦІВНИКА ПОДАТКОВОЇ СЛУЖБИ УКРАЇНИ
Authors: Корсун С. І. , Плавчан Петер , Затько Йозеф
Published: June 2022

У статті аналізуються підходи до професіографічних досліджень діяльності працівників різних професій. Відзначається, що існуючі тенденції до наукового обґрунтування професіографічних досліджень відповідних професій викликані також фактором появи нових професій та спеціальностей, таких які до цього на ринку праці були невідомі, а з’являються завдяки розвитку економіки та науково-технічного прогресу. Автори звертають увагу, що професія працівника державної податкової служби, з відповідними професійними задачами, в Україні виникла на зорі незалежності. Поряд із цим, функції працівників податкової служби, постійно перебували у процесі нормативно обумовлених змін та трансформацій. Певна стабільність у цьому питанні спостерігалася після прийняття Податкового кодексу України, який набув чинності з 1 січня 2011 року. Автори поставили собі за мету – проаналізувати та дослідити аспекти професійної діяльності працівників державної податкової служби України та виокремити умови та характеристики трудової діяльності професії працівника податкової служби використовуючи професіографічні підходи та методи. Вітчизняні та зарубіжні дослідження умов у яких доводиться працювати податківцям, звертають увагу на проблему ухилення від сплати податків та питанням психологічних механізмів цього явища. Найбільш вагомими факторами відношення людини до сплати податків, на думку дослідників, є: демографічні змінні величини (вік, стать, доходи, соціальний клас, економічне становище, освіта, політичні вподобання, тощо); відношення до мети (відношення до фіскальної влади, уряду, податкових інспекторів); особистісні риси людини (несхильність до ризику, догматизм). Дослідження психологічних особливостей професійної діяльності працівників податкової служби проводилося на підставі запропонованого авторами опитувального листа, що включає в себе перелік основних умов та особливостей діяльності, які можуть справляти безпосередній вплив на професійну діяльність працівників даної професійної сфери. Дані отримані у результаті дослідження дають змогу підійти до формулювання розгорнутого переліку умов та характеристик трудової діяльності професії працівника податкової служби України. Наявність виокремлених високо значимих факторів професійної діяльності може бути оцінена, як вимоги, що професія пред’являє до працівника чи кандидата на посаду. У подальших дослідженнях отримані дані можуть бути використані для побудови професіограми та психограми професії.
«ПСИХОЛОГІЧНА ПЛАТФОРМА МОДЕРАЦІЇ» ЯК ДІЄВА ТЕХНОЛОГІЯ ГРУПОВОГО КОНСУЛЬТУВАННЯ
Authors: Кучманич І. М. , Опанасенко Л. А.
Published: June 2022

Стаття присвячена презентації технологізації групового консультувння у практиці шкільного психолога. Представлена авторська розробка «Психологічна платформа модерації» дозволяє психологу організовувати констурктивну взаємодію школяра з сімейною та освітньою системою для спільного вирішення актуальних проблем, повязаних з їхнім функціонуванням. Технологія модерації побудована на засадах системного підходу, містить чіткі етапи взаємодії з учасниками консультативного процессу, базується на техніці постановки циркулярних запитань. В її основі науково-обргунтована теза: будь-яка проблема (симптоматична поведінка дитини) не є виключно характеристикою особистості, а виникає саме у процесі взаємодії між людьми. У зв’язку з цим, до психологічної роботи варто залучати не тільки саму дитину, а й оточення, комунікація з яким продукує «проблемну поведінку» учня. Мета технології – сприяти розв’язанню проблем, які пов’язані з неконструктивною поведінкою дитини в системах сім’ї та школи, шляхом трансформації взаємин із «суб’єкт – об’єктних» у «суб’єкт – суб’єктні». Технологія спрямована на вирішення проблемних ситуацій дітей шкільного віку, передбачає від 1 до 3 групових зустрічей, кожна з яких складається з 4 етапів і має своє функціональне навантаження: перша зустріч – діагностика проблеми; друга зустріч – факторний аналіз проблеми; третя зустріч – первинна апробація альтернативних шляхів розв’язання проблеми. Чітко технологізована робота психолога дозволяє не тільки здійснити ефективний вплив на якусь конкретну ситуацію, а загалом спроможна підвищити відповідальність кожного учасника процесу модерації.
ПСИХОЛОГІЧНА ДОПОМОГА У ЗАКЛАДАХ ОСВІТИ В ПЕРІОД ВІЙНИ: ЗАПИТИ, МЕТОДИКИ, АЛГОРИТМИ ДІЙ
Authors: Романовська Д. Д.
Published: June 2022

У статті розглядаються результати дослідження змісту та структури діяльності працівників психологічної служби закладів освіти у період війни в Україні на тлі соціально-психологічних наслідків пандемії covid-19. Дослідження проводилось за допомогою методу фокусованого інтерв’ю та онлайн-опитування практичних психологів та соціальних педагогів (224 респонденти) закладів освіти Чернівецької області, які надавали психологічну допомогу учасникам освітнього процесу та внутрішньо переміщеним особам (ВПО). Представлено рейтинговий список запитів учасників освітнього процесу та ВПО, серед яких: емоційні порушення (напруга, тривога, страх, гнів, агресія); втома і виснаження; відновлення почуття контролю; страх сирени; допомога в адаптації до нових умов життя; як розповідати дітям про війну та інше. Також представлено основні методи психологічної допомоги, кризового втручання та відновлення ресурсів, які застосовувались фахівцями найчастіше для стабілізації психоемоційного стану та запобігання формуванню посттравматичного стресового розладу, серед яких: дихальні практики; та техніки нервово-м’язової релаксації; арт-терапевтичні практики та ігротерапія. Частиною психологів (15%) використовувались Basic-Ph технологія, протоколи стабілізації гострого стресового синдрому Аssyst та КПТ технології. За результатами дослідження було сформовано «Алгоритм діяльності працівника психологічної служби у воєнний час»: 1 – надання екстреної (першої) психологічної допомоги (безпека); 2 – нормалізація стану тіла, психоемоційна стабілізація (тілесно-орієнтовані та дихальні практики, когнітивно-поведінкові методи, ЕFT, EMDR, Assyst); 3 – діагностика (за потреби); 4 – психоедукація методам самодопомоги; 5 – робота з емоціями, почуттями (арт-методи, КПТ, програма «Діти і війна» та ін.); 6 – залучення до активностей, рутина (навчання, гуртки, групи підтримки та ін.); 7 – відновлення ресурсної сфери (Вasic-PH, арт-заняття, "Дерево життя", візуалізація, релаксація, медитація, програма «Безпечний простір» та ін.); 8 – впорядкування минуле-теперішнє-майбутнє, за потреби робота з втратами (горем).
Fashioning Family Honour in Renaissance Florence: The Language of Women's Clothing and Gesture in the Frescoes in the Oratory of the Confraternity of the Buonomini di San Martino in Florence
Authors: Hughes-Johnson Samantha
Published: June 2022

The concept of family honor in Quattrocento Florence has traditionally been associated with the ruling classes. Young, nubile females, dressed in the best garments that money could buy, pious, veiled matrons and cittadini resplendent in their red robes provided visual examples of a virtuous model of social perfection. This article though, through new readings of the artistic texts found in the Oratorio dei Buonomini di San Martino, Florence, will illustrate how females from the middle and artisan classes played an equally important role in communicating these ideals.
The Original Statutes of the Ancient and Royal Brotherhood of Our Lady Saint Anne in Dos Hermanas, Spain: Introduction
Authors: González Juan Gavala
Published: June 2022

After a brief introduction to the Confraternity of St. Anne in Dos Hermanas (Spain), this article offers a transcription of its orig­inal 1523 statutes and their translation into English. Aside from be­ing the oldest surviving document from Dos Hermanas, these statutes outline the confraternity’s social and devotional objectives and point to the full participation of both men and women in its administration and activities.
“To Live Piously and to Help the Needy Poor”: The Consortium of S. Allessandro in Colonna, in Bergamo
Authors: Carlsmith Christopher , Foroughi Louisa
Published: June 2022

This essay explores the activities of the Italian consortium of S. Alessandro in Colonna in Bergamo, through an analysis and translation of the Regola (Rule) that governed it for nearly five centuries. Written in Latin in 1363–65, and republished in Italian in the late sixteenth century, the statutes and other primary source documents of this confraternity reflect the (admittedly modest) aspirations, disappointments, and achievements of one group of Bergamo’s citizens as they sought to achieve the “sacred miracle” of brotherhood. The essay also compares the consortium of S. Alessandro in Colonna to other Bergamasque confraternities, especially the large and powerful Misericordia Maggiore (MIA), with a particular focus on how confraternities in Bergamo supported lay and clerical education. Specific topics include the membership, organization, and social purpose(s) of a rather ordinary confraternity, here considered both as an individual case study and as a vehicle of comparison with similar pious associations.
Bolognese ‘Orations’ between Song and Silence: The Laude of the Confraternity of Santa Maria della Morte
Authors: Filocamo Gioia
Published: June 2022

The flagellant confraternity of “Santa Maria della Morte” (Saint Mary of Death) in Bologna, established in 1336, was the first institution to systematically take care of the spiritual needs of those sentenced to death. This charitable activity, highly professionalized, followed a set of prescriptive procedures described in the confraternity’s manual, which has come down to us in several manuscript copies. In twelve of these copies, compiled between the late fourteenth and early sixteenth centuries, the manual is accompanied by “orations” or lauds (laude), giving us a body of 211 poems traditionally sung on specific occasions as indicated in the confraternity’s ancient statutes, including when accompanying the condemned to the gallows. The lack of documented musical references on the alleged performance of these laude leads us to alternative considerations: perhaps the lauds were also used as “orations” for silent prayer, especially formative and helpful for the very pragmatic comforters who were members of the city’s various trade guilds (Arti), active arbiters of civic welfare—at least until the second half of the sixteenth century, when the social composition of the confraternity became an agent and expression of the city’s oligarchy.
Confraternal Gleanings from Post-Tridentine Piacenza: Bishop Paolo Burali d’Arezzo and the Confraternity of the Most Holy Sacrament
Authors: Quagliaroli Serena
Published: June 2022

This article focuses on the situation in the diocese of Piacenza during the episcopate of Paolo Burali d’Arezzo (r. 1568–1576) by placing his work within the post-Tridentine context. One of the most important objectives of the Church after the Council of Trent was the recovery of a closer relationship between the clergy and the faithful and it was pursued through the establishment and renewal of confraternities. In Piacenza, Bishop Burali encouraged the founding of many lay associations and took care to amend and revitalize existing ones, such as the Confraternity of the Most Holy Sacrament. For the one in the cathedral, documentary sources give us much useful information that allows us to speculate on the decorations (no longer extant) in the chapel dedicated to the Most Holy Sacrament executed by Giulio Mazzoni (1519–ca. 1590). Archival sources and local historical-artistical guidebooks allow us to propose a comparison between what Mazzoni achieved in Piacenza and Rome.
Marco Boschini, Matteo Ponzone, and the Altar of the Scuola di San Giorgio degli Schiavoni in Venice
Authors: Trška Tanja
Published: June 2022

In the first decades of the seventeenth century the altar of the Scuola di San Giorgio e Trifone (also known as the Scuola di San Giorgio degli Schiavoni), at the time situated in the Venetian church of San Giovanni del Tempio, was adorned by an altarpiece by Matteo Ponzone (today in the church of Madonna dell’Orto), mentioned in 1664 by Marco Boschini as being “di Casa Stefani.” Boschini’s definition of Ponzone’s altarpiece as belonging to the Stefani family is explained by a 1582 request by the Guardian Grande Paulo (Paolo) de Stefano, who appealed to the general chapter for permission to construct a family tomb in the church of San Giovanni del Tempio in front of the Dalmatian nation’s altar of St. George. Although the construction of a family tomb in front of the confraternity altar affected its later reception as collective confraternal property, the iconography of Ponzone’s altarpiece depicting the confraternity’s patron saints George, Jerome, and Tryphon represents a distinct statement of Dalmatian identity, which the Scuola sought to exhibit within the multicultural society of Venice.
Writers and Religious Brotherhoods in Seventeenth-Century Madrid: The Congregation of the Slaves of the Santísimo Sacramento de la Magdalena
Authors: De Madariaga Elena Sánchez
Published: June 2022

This article examines the participation of writers and artists in the Congregation of the Slaves of the most Holy Sacrament of the Magdalene. It presents the major characteristics of the so-called esclavitudes or congregaciones of “slaves”, a type of religious brotherhood promoted by the court nobility and religious reformers that enjoyed noticeable success in seventeenth-century Madrid. It analyses the presence of poets and writers, including some of the major figures of the time (Cervantes, Lope de Vega, Vélez de Guevara, Quevedo, among others) in the context of courtly patronage and sociability. It also touches on the contribution of literature in general and writers in particular to the construction of a Counter-Reformation religiosity in the capital of the Spanish Monarchy.
The Bigallo Triptych: A Document of Confraternal Charity in Fourteenth-Century Florence
Authors: Levin William R.
Published: June 2022

This article will attempt to place securely an important work of fourteenth-century Florentine painting by one of its greatest artists in its original social milieu and confraternal location, apply­ing several methodologies to accomplish this. It takes up the challenge first by addressing the style of the painter and by reviewing an often overlooked aspect of his career. It then examines the object in ques­tion within the historical development of its form and general content, aided by comparison with others of its type and with reference to the theological climate in which such artworks appeared. Subsequently, following a more detailed exploration of its content, the paper con­siders the results of this inquiry in light of what later documents as well as additional works of art proceeding from the same Florentine ambience affirm. Such a multifaceted approach is mandatory here, for documentation of the painting is entirely lacking for the first 510 years of its existence. Barring future archival discoveries, absolute certainty about the fortunes of the painting during that time will remain elusive. But the present investigation along the lines proposed will allow us to determine that one of Florence’s leading charitable confraternities was almost surely its original owner, and to unravel the meaning and pur­pose that the painting held for that organization’s members and the persons who commissioned the object.
The Confraternities of Modena between the Middle Ages and Renaissance. Rules, Social Profiles and Spirituality
Authors: Al Kalak Matteo
Published: June 2022

This article traces the foundation and development of confraternities in the city of Modena and identifies key events that influenced how lay associations determined the social, spiritual, and cultural responsibilities outlined in their statutes. Over time, how­ever, the confraternities underwent major changes to their corpo­rate identity and subsequently adapted their statutes to reflect those changes. The article also charts the documentary lineage of the regu­lations that governed Modena’s confraternities, revealing the com­plexity of both internal and external influences that affected the ways in which the societies designed, updated, and enforced their statutes.
SENI PANTUN GIRIWANGI KI AKIS
Authors: Setyawan Agus
Published: June 2022

The results of the research showed that the art of Pantun Giriwangi Ki Akis is an art Â form which is closed related to the ritual ceremonies held regularly by the community Â of Baros village in the Arjasari district of Bandung.Â  Â In performance, the structure of this art form includes the preparation of offerings, the reading of a prayer, the recitation of a kind of magical spell or incantation, and other elements known as pangambatan, Â bangbalikan, and mangkat lakon, or the presentation of the story. Â The function of this kind of performance is as a rice ceremony (known as netepken Ibu), an expression of Â thanks, or an exorcism ritual.Â  Â The symbolic meaning contained in the performance reflects the way of life, traditions, and cus- toms of the local community.Â  Â This research Â aims to explain the form, function, and symbolic meaning of Pantun Giriwangi Ki Â Akis, Â contained in the story of Mundinglaya Dikusumah. Â An analytical descriptive method was used for the study. This method is a procedure used to solve a problem by describing the object of the research based on the data collected, and then carrying out an accurate analysis of the data.The data for the research was collected using a Â bibliographical study, including a study of various literature and audio-visual Â recordings.Â  Â The main activity of the study was to watch a recording of a performance and then attempt to identify which were the important parts of the performance to be Â studied and analysed in more depth.Â  Â Additional data was collected through interviews Â and documentation. Â The art of Pantun Giriwangi Ki Akis is closely related to the ritual ceremonies held regularly by the community of Baros village in the Arjasari dis- trict of Bandung. Â This is of great importance since the community believes that by performing Â Pantun as a part of these ritual ceremonies, their lives will become better. Â The art of Pantun Giriwangi Ki Akis contains a number of symbolic mean- ings which set a good Â example to follow and can be used as a foundation on which people can base their Â lives.Â Keywords:Â Pantun Giriwangi Ki Akis, form, function, symbolic meaning
BENTUK, STRUKTUR DAN MAKNA RAGAM HIAS HOTEL SAHID KUSUMA
Authors: Haryanto Eko Sri
Published: June 2022

Dalem Kusumayudhan is a part of the Sahid Kusuma Hotel in Surakarta, and was formerly the residence of Kanjeng Gusti Pangeran Harya Kusumayudha, son of Paku Â Buwana X.Â Â  It has changed ownership several times and been renovated on a number of occasions. Â The last renovation being in the middle of 2008, as part of the ownerâ€™s strategy to attract more tourists to visit and stay in the Sahid Kusuma Hotel.The aim of this research is to discover the style and structure of the ornament variations of the singep tumpangsari in the Sahid Kusuma Hotel, and also the philosophical meaning contained in these ornaments, in relation to the culture of the Â surrounding community.Â  Â It is hoped that the results of this research will be beneficial Â for current efforts to preserve and encourage the use of traditional Javanese ornament Â variations on buildings today.Â Â  The process for collecting and analyzing data and Â information uses a qualitative research method.Â Â  The descrip- tion of the style, Â structure, and the meaning of the ornament variations uses Gadamerâ€™s hermeneutic Â phenomenological approach.In general, the structure of the ornament variations on the object of the research complies with the structural norms of the fine arts discipline, namely: unity, pres- sure, and balance. Â It is hoped that the discovery of the meaning of these ornament variations will enable others to benefit from the philosophical values contained in the ornament variations in the Sahid Kusuma Hotel, namely: leadership, superior- ity, determination, Â strength, and the essence of discovering the meaning of a per- fect life.
RAPA'I UROH DALAM ARAK-ARAKAN KAMPANYE DAMAI ACEH TAHUN 2005
Authors: Soeryana Dharminta
Published: June 2022

After tsunami, Aceh culture experienced very rapid development, especially rapaâ€™i uroh music which had ever halted due to armed conflict. Â The Procession of Aceh peace campaign on 7-8 August 2005 by attending rapaâ€™i uroh music which carry- ing of Aceh peace campaign is the first rise of the existence of rapaâ€™i uroh music in NAD province.In the use of rapaâ€™i uroh music in the context of procession that carrying the Aceh peace Â campaign, there are some part obtaining benefits as useful value, such as social value, emotional expression and raises nationalism values, namely: the group of the rapaâ€™i artist Â itself, the holders (the local and the central government), and large Acehnese society.In the use of the useful value of the rapaâ€™i uroh music in the procession that carry- ing the Acehnese peace campaign, there are some functions that can be obtained: As Image, Â expressing emotion, communication, integrity and cultural symbol.In order this writing contains annalistic explanation, it is required that idea meth- ods Â and system with borrowing the concepts of culture, music, integration and social Â community to find the symptoms from procession that carrying Aceh peace campaign On Â 7-8 August 2005.Â Keywords:Â Rapaâ€™i uroh, procession, peace campaign
KREATIVITAS GUGUM GUMBIRA DALAM PENCIPTAAN JAIPONGAN
Authors: Mulyana Edy
Published: June 2022

The world of Sundaâ€™s dance show on the decade of 1980th was startled by the appearance of Jaipongan. Its appearance became subject of story in various group of community from elite beurocrate, cultural experts and artists. The appearance of Jaipongan was not separated from the name of Gugum Gumbira, because this figure who has created it. This research aimed to reveal the matter of its creativity: Why did he create Jaipongan? How was the process in creating the Jaipongan and its socialization? Why does Jaipongan still exist up to now? Those were the questions which will be answered, while method which used is qualitative method with phenomenology approach. The result of the research showed that the birth of Jaipongan began from the desire of Gugum Gumbira for lifting peopleâ€˜s art anymore, where at that moment its existence was marginalized. Its working concept started from female gender of the singer which called sinden or Ronggeng who had been attractive, except of that in realizing his creation start from peopleâ€˜s character (vulgar, improvisators, and erotic). The existence of Jaipongan had great influence on tradition art of life, such as: Wayang Golek (puppet show), Degung, Kliningan, Calung, Topeng Banjet (Banjet Mask), Tarling ect, and even the pattern of strike and rhitmic pattern was mostly used by pop art, such as Dangdut, Jazz, Campur Sari and other pop art . In spreading of the work, there were supports from all media (printed and electronic) until Jaipongan became famous largely by the whole of element of the community, not only in local level but also in global level.Keywords: Jaipongan (Sundanese dance), creativity
PERUBAHAN MUSIK TRADISI GORONTALO: GAMBUS DAN POLOPALO MENJADI TIPOTUMBA
Authors: Pulukadang Mimy Astuty
Published: June 2022

Tradition art as medium to get societyâ€™s expression had experienced a lot of change according to support the creativity of society. Based on creativity on tradition art force this has humanitarianism point in supporting societyâ€™s life. It supported tradition form medley. Tradition music usually was engaged region, society appetite, trust, tradition and style. Archipelago music history notes to mark sense changing appetite and because of function politics social change. Changing it most verily constitute influence of artistry the world and education knowledge. Its attending is that phenomena, bearing idea Gorontaloâ€™s artist to give aesthetic touch to its tradition music because archipelago music diversity canâ€™t divorce from artists creative job it. Gorontaloâ€™s artist tries to poor idea to merge music Gambus is traditional and Polopalo as Tipotumba without leave traditional methods. Changed process that covers to form, function, and music meaning Tipotumba looked on can represent kawulaâ€™s distortion young of extern culture that progressively on familiar term with their life. This research utilize fenomenologiâ€™s approaching because is seen according to study object, concerning with happening phenomenon on Gorontaloâ€™s society. Downloading to look for a variety source which is lionized deep observational covers studi is library, observation, and interview.Music Tipotumba be not simply realization of creativity one eye but as an estetikâ€™s opus artists that region music Gorontalo cans also be Gorontaloâ€™s society icon at winks national and also international.Keywords: changing, Gambus and Polopalo, Tipotumba
DIALEKTIKA ANTARA REALITAS DAN IDELITAS TEATER PAYUNG HITAM BANDUNG
Authors: - Kurnain
Published: June 2022

This Script is reflection of the trip of Payung Hitam Theater which are expressed in some manuscript, such as â€œ Menunggu Godot (1991), â€œKasparâ€ (1994-2003), and â€œ Merah Bolong Putih Doblong Hitamâ€ (1996-20080) constitute the result of stretching of Indonesia modern theater which develops from un-satisfaction feeling in viewing factual reality which exist in the society. Inheritance which develops on the Modern Theater according to Saini constitutes an effort to express collision or the conflict of values that is difficult to be separated from its artist. The script of dialectic between reality and ideality of the theater Payung Hitam basically starts from the change which is appeared by group through the show of â€œKasparâ€. â€œThe function of drama manuscript is not dominant anymore. The stage of show doesnâ€™t give exposition of story or describe characters of art figure fully and realistically. The Metaphoric happening and archaic emotion are mort showed trough body expressivity of the actor, while verbal language expression becomes more minimal. The expression of theater of this period can be seen as effort to refuse hegemony of verbal language, to refuse the linearity of the story, then to open the slices of the new discourse trough the appearance of boy artistic of the language and things personificationâ€. The peak of rebellion which is done by the group of Payung Hitam Theater is laid on â€œMerah Bolong Putih Doblong Hitamâ€,that is not anymore using of main character manuscript as reference in working. Body and expression of the players then becomes language which substitutes text verbally. For stressing the happening change, in this term is chosen one of drama which is conventional, that is â€œMenunggu Godotâ€, as a measuring tool. Keywords: Dialectic, Realistic, and Idealistic.
REPRESENTASI IDIOM BUDAYA LOKAL DALAM IKLAN ROKOK DI TELEVISI
Authors: Suherlan Yayan
Published: June 2022

Local culture, as the cultural heritage of a nation, was originally adhered to and believed to be a set of rules and norms to be upheld in traditional community life. In a traditional community, individuals tend not to have many choices through which they can formulate their identity, and are inclined to experience difficulty in breaking free from the shackle of normative values which exist in their socio-cultural and socio-religious environment and are adhered to like a doctrine. With the onset of modernity and globalization, the values which were formally a point of reference in a traditional community become worn away until old symbols gradually become weakened and eventually replaced by new symbols provided by the global cultural market. Today, local culture is nothing more than a series of symbols which are packaged as a commodity and have a high market value. Commercial advertisements appear using local cultural idioms as a strategy for their communication. Local culture is presented through verbal and visual language with the aim of creating a positive image of the product on offer. This huge problem is the basic idea of this research. Through a case study approach, the research aims to uncover various aspects which go into the making of an advertisement, or in other words, why is an advertisement created in such an attractive way? Why is the image of an advertisement so important in building the strength of a brand name? The advertisement used as the case study for this research is a cigarette advertisement which can be seen on Indonesian television stations. The main focus of this thesis is visual communication strategy through local cultural representation. This will then show the relationship between culture, image, and the mass media as the agent which conveys the message. The research uses an interpretative method of analysis as a tool for viewing the depth of meaning of the advertisement. Keywords: local culture, advertisement, representation, television
PERAN STRATEGIS TELEVISI KOMUNITAS DALAM PEMBERDAYAAN MASYARAKAT
Authors: - Hartanto
Published: June 2022

â€œGrabag TV, one of the few active community television stations in Indonesia. Grabag TV was founded in 2005 by Hartanto, a lecturer from the Jakarta Institute of the Arts and native of Grabag. At the time, Grabag residents could only receive the commercial television channel RCTI, relayed from Jakarta by antenna because of the villageâ€™s mountainous surroundings. Grabag TV has a small studio, provided basic equipment, and organised training sessions on script-writing, filming and editing. Using the existing antenna, villagers began broadcasting programs written and produced by their fellow citizens. Grabag TV, has two-hour broadcasts every Monday, Wednesday and Friday afternoon. Any villager with an idea for a program or a general interest in broadcasting is welcome to make a contribution. Farmers and traders go on air to talk about their professional problems, plans and strategies. Programs have featured students from primary and secondary schools discussing the positive and negative effects of television on education, part of Grabag TVâ€™s efforts to raise the media literacy of Grabagâ€™s citizens. The art and culture programs often contain popular Javanese dance and music performances. Grabag TV also organised live coverage of elections for the village head, thus providing a new mechanism for monitoring local political processesâ€. Keywords: television, community, media literacy.
NYI BEI MARDUSARI DALAM LANGENDRIYAN MANGKUNEGARAN: SEBUAH TINJAUAN MENGENAI KUALITAS KEPENARIAN SILANG KARAKTER
Authors: - Darmasti
Published: June 2022

This biography of Nyi Tumenggung Mardusari aims to discover her role as an all round artist within the environment of the Mangkunegaran. It is important to do so as her works and ability as an artist have made her a role model for subsequent generations. Her life spanned numerous events and a variety of situations of the era. A multidimensional approach was used, with concepts borrowed from the social sciences, beginning with Mardusariâ€™s background from childhood until she entered the Mangkunegaran, covering her various cultural influences from the palace, methods of study, work experience, creative experience, and the award she received. Her success as an artist was closely connected with her hard work in developing her talent, and the encouragement and opportunities given to her by Mangkunegara VII, who gave her guidance. Other direction was provided by her art teacher, who helped mould her into a revered artist. Nyi Tumenggung Mardusariâ€™s presence as an artist showed her artistic ability in numerous fields, in each of which she excelled: as a dancer, a pesindhen, a batik worker, and a makeup specialist for Surakarta style wedding. Her ability was recognized by many people, both inside and outside the palace and even abroad. As we know, langendriyan have become a very famous show in Mangkunegaran palace. Mardusariâ€™s dance role as Menak Jingga become an example of a crossed gender phenomenon on dance tradition. Its role have comprehended conditions which must be done by and to be a good dancer.Keywords: biography, langendriyan, crossed-gender role
PERUBAHAN BENTUK PERTUNJUKAN TARI RADAP RAHAYU DI BANJARMASIN KALIMANTAN SELATAN
Authors: Nugraheni Edlin Yanuar
Published: June 2022

Changes in the form of dance performance as a means Radap Rahayu Tapung Tawar ceremony in the context of a form of dance entertainment. Changes in shape, can be seen on the element of movement, music, make-up fashion. Radap Rahayu dance forms as a means of Tapung Tawar ceremony amounted to 11 range of motion, the opening song were sung prior to compulsory dance show Radap Rahayu. musik player five people. Position of dancers in front of dancers who Tapung Tawar offered. Music of Radap Rahayu dance as a means of,entertaint the amount depending on the creativity of music players, and adjusted to the demand pattern of the floor. The alteration of fungsion, form and is caused by internal and external factors. The internal factors made by the artist (Banjar tribal socienties), while external factors are changes that are influenced by the Islamic religion, technology, and government (Taman Budaya).Keywords: Dance Radap Rahayu, changes, Banjarmasin.
EKSISTENSI KARYA SENI RUPA POTRET AGUS SUWAGE TAHUN 1995 - 2009
Authors: Zarkasi Much. Sofwan
Published: June 2022

This research entitled â€œExistence of Portrait Fine Arts by Agus Suwage in 1995-2009â€ by Much Sofwan Zarkasi was proposed to know and describe existence of portrait fine arts by Agus Suwage in 1995-2009 that included its birth, aesthetic, and effect for fine arts development in Indonesia. This research used criticism for holistic arts approach which presented three components as information source like artist as source of genetic information, work art as source of objective information and audience as source of affective information. This research resulted in: first, portrait fine arts by Agus Suwage in 1995-2009 were born from process of social and symbolic interaction that Agus Suwage passed. His portrait as subject matter in his portrait fine arts has been solution for seeking form which represented his interest and response to humanity topic freely and intimately according to his personal meaning. Then his portrait fine arts has been developed his popularity in fine arts field, either national or international. Second, portrait fine arts by Agus Suwage in 1995-2009 provided a dynamic fine arts aesthetic with self-portrait and idol figure as his subject matter. Aesthetic in portrait fine arts by Agus Suwage in 1995-2009 was influenced indirectly by his academic experience at graphic design program which is full of symbolic form, structured text and composition represented his idea and personality. This aesthetic as representation of Agus Suwage's personality differenced his portrait fine arts with others. Third, portrait fine arts by Agus Suwage in 1995-2009 brought portrait theme to be popular theme indirectly into contemporary fine arts development in Indonesia, especially intimately visual object among artists, work arts and environment. Portrait fine arts by Agus Suwage in 1995-2009 generated new trend about work arts creation. This trend used self-portrait continuously in fine arts creation in Indonesia.Keywords: birth, aesthetic, and effect.
MAKNA TRILOGI CELENG KARYA SENI LUKIS DJOKO PEKIK
Authors: Nugraha Thomas Edi
Published: June 2022

Djoko Pekikâ€™s Trilogy Of The Wild Boars consist of three art works, namely First The 1996 Milk Of The Wild Boars King, second In The 1998 Indonesians Hunt Wild Boars, third The 1999 Flowerless and sad Telegram. The Trilogy Of The Wild Boars is Djoko Pekikâ€™s is most expensive, monumental master piece. In his period / in his life time / in his generation. Based on such consideration, I can formulate the problems of the research as : What are the important aspect relating to the raise of the trilogy of the wild boars, meaning can be faund in the semiotic perspective, and why does the art collectors motivate to own his/Djoko Pekikâ€™s art works ?.Based on the analysis of data, I can infer the important aspects relating to Djoko Pekikâ€™s trilogy. The important aspects are the artistâ€™s bitter past experiences, the meaning of the trilogy shows the falling down phases of the new order that can be seen on own Djoko Pekikâ€™s art works is influenced by several factor, namely : Djoko Pekikâ€™s art works have high economic value; The art collectors motivation canâ€™t be separated from the strategy of Djoko Pekikâ€™s self-image. From finding got by conclusion of about important aspect related to appearance painting of The Wild Boars. The aspect is bitter experience of past which have been experienced of by artist, while meaning of The Wild Boars to represent the phase depiction collapse the Orde Baru regime. Masterpiece of The Wild Boars push the collector enthusiasm because owning high economic value. The collector enthusiasm do not get out of the strategy of xâ€™self image conducted by Djoko Pekik. Djoko Pekikâ€™s strategy to increase his self-image is done by: 1. Developing good relationship among the artist, curator, and journalist as a publication need.2.Carriying out art exhibition.3. Raising the fresh, sensational ideas.4. Limiting the number of production of his art works.5. Reflecting his suffering past experiences through his at work.Keywords: Djoko Pekik, trilogy of the wild boars, the meaning analisys
PEMBENTUKAN KARAKTER MUSIKAL DAMBUS AIR ANYIR DAN MENDO KABUPATEN BANGKA
Authors: Firdaus Muhammad
Published: June 2022

Kesenian tradisional dambus yang menjadi pusat perhatian penulis dalam penelitian ini merupakan salah satu kesenian yang hampir tersebar di berbagai wilayah Kabupaten Bangka Propinsi Kepulauan Bangka Belitung. Artikel terhadap karakter musikal Dambus Air Anyir dan Mendo mencoba menegaskan kembali bahwa musik (tradisi) adalah â€œalat ukur objektifâ€ dalam melihat cerminan budaya masyarakatnya. Penelitian terhadap karakter musikal Dambus Air Anyir dan Mendo mencoba menguak konstelasi kesenian dambus kaitannya dengan serat-serat budaya masyarakatnya. Persoalan utama yang mencoba dimunculkan adalah mencari jawaban bagaimana apabila dua masyarakat yang berbeda menginterpretasi kesenianÂ  yang sama yakni dambus. Guna menjawab persoalan tersebut penulis meminjam pendekatan konsepÂ garapÂ musikal (karawitan Jawa) yang meliputi tiga kategori utama. Hal ini dikarenakan konsepÂ garapÂ di Bangka Belitung belum dikenal. Ketiga kategori utama adalah, ide garap, proses garap, dan hasil garap. Pencapaian dari penelitian ini dapat diketengahkan bahwa karakter musikal dambus merupakan hasil implementasi penuangan konsep, perilaku serta konstruk budaya secara makro dari masyarakat pengkultusnya.Â Kata kunci:Â karakter musikal dambus, intrepretasiÂ  dan budaya
Ornamen Waruga Pada Rumah Minahasa Sebagai Pencitraan Budaya
Authors: Kolibu Ronald Marthen Pieter
Published: June 2022

WarugaÂ dan rumah hunian Minahasa merupakan artefak budaya yang masih dapat dinikmati sampai saat ini. Rumah Minahasa dengan bentuknya yang khas, menjadi penanda eksistensi budaya Minahasa. Masuknya rumah Minahasa sebagai bagian dari komoditi budaya berdampak pada mulai kaburnya identitas Minahasa dalam produk arsitektur tradisional ini.Â WarugaÂ sebagai produk kebudayaan Minahasa sarat akan simbol-simbol yang dapat diangkat sebagai ornamen khas Minahasa. Bagaimana keberadaan ornamenÂ warugaÂ sebagai produk budaya Minahasa, bagaimana keberadaan rumah Minahasa dapat menjadi citra budaya Minahasa dan bagaimana aplikasi alternatif ornamenÂ warugaÂ mampu berfungsi sebagai citra budaya Minahasa merupakan tiga rumusan masalah yang dapat dijawab dengan mengaplikasikan ornamen padaÂ warugaÂ menjadi ornamen rumah hunian Minahasa. Hal tersebut dapat menjadi penegas ciri/citra rumah Minahasa sebagai produk budayaÂ  Minahasa. Representasi merupakan sebuah pendekatan dalam menjawab permasalah identitas ini. Alternatif desain adalah langkah awal dalam mencapai identitas tersebut, sedangkan pencitraan adalah strategi membentuk identitas budaya baru. Sebuah produk budaya lama dengan kemasan baru yang memberi identitas baru dalam sebuah kebudayaan.Â Kata kunci:Â Rumah hunian Minahasa, ornamen, aplikasi desain, citra budaya.
MAKNA PERTUNJUKAN WAYANG DAN FUNGSINYA DALAM KEHIDUPAN MASYARAKAT PENDUKUNG WAYANG
Authors: - Soetarno
Published: June 2022

Pertunjukan wayang kulit purwa Jawa semenjak kemunculannya sejak zaman Airlangga abad XI hingga sekarang selalu mengalami perkembangan baik dari wujud figur tokohnya maupun teknis pertunjukan. Hal itu dilakukan karena disesuaikan dengan masyarakat pendukung wayang yang selalu mengalami perubahan sosial budaya. Bagi masyarakat pendukung wayang menghayati pertunjukan wayang, bukan sekedar tontonan tetapi menjadi pemberi makna dalam kehidupan. Pertunjukan wayang kulit mengandung konsepsi yang sering digunakan sebagai pedoman sikap dan perbuatan dari kelompok masyarakat tertentu. Konsepsi-konsepsi itu tersirat dalam sikap tokoh atau peristiwa yang berlangsung. Sikap asal dan tujuan hidup, pandangan terhadap hakikat hidup, hubungan manusia dengan lingkungan, hubungan manusia dengan manusia dan hubungan manusia dengan Tuhan. Maka pertunjukan wayang merupakan sumber nilai, dan nilai-nilai yang terkandung tidak lain merupakan nilai esensial dalam kehidupan manusia.Dalam pertunjukan wayang pada lakon tertentu seperti lakon Dewaruci, juga mengandung nilai-nilai filsafati seperti nilai metafisika, nilai antropologis, nilai etika atau estetika dan nilai epistimologi. Di samping nilai filsafati, dalam pertunjukan wayang tidak jarang juga disampaikan kearifan lokal melalui tokoh-tokoh dalam Pandawa atau tokoh Ramayana. Kearifan lokal seperti ajaran asthabrata, panca pratama, astagina dan sebagainya, kiranya dapat dijadikan referensi bagi generasi muda pendukung wayang dalam menjalankan hidup dan kehidupan. Wayang di tengah masyarakat juga mempunyai fungsi yang penting sebagai sarana pendidikan, penghayatan estetis, hiburan, integritas sosial, kegiatan ekonomi dan sebagai lambang yang penuh makna. Seiring dengan kemajuan teknologi, komunikasi dan informasi pertunjukan wayang masih tetap eksis, walaupun mendapat gempuran budaya massa baik dari dalam maupun luar negeri. Keluwesan dan kelenturan sajian wayang kulit yang selalu menghembuskan nafas zaman, maka wayang kulit purwa Jawa masih tetap bertahan dan disenangi masyarakat sebagai tontonan, tuntunan dan tatanan.Â Kata kunci:Â wayang kulit, makna filosofis, fungsinya.
The Twenty Fifth International Conference “Information technologies, computer systems and publications for libraries” (“LIBCOM–2021”): reviewing the events
Authors: Kaverkina A. M. , Kulikova A. A. , Moseeva D. S.
Published: June 2022

The Twenty Fifth International Conference “LIBCOM–2021” – “Information technologies, computer systems and publications for libraries” (December 20–24, 2021, Suzdal, Vladimir Region) is reviewed. The key topics of the conference are presented: current state and prospects for new information, computer and Internet-based technologies in libraries, federal projects and programs by the RF Ministry of Science and Higher Education and Ministry of Culture, innovations in modern educational technologies, legal aspects in the work of libraries and information providers, e-libraries and digital information resources. The focus is made on the following events: scientific and practical conference of the National Library Association “Libraries of the Future” (NALF), the sixth industry conference “Book publishing and libraries: Vectors of interaction” dedicated to the memory of Boris V. Lensky, open session “Digital transformation of libraries: Building digital ecosystems, information archives and new services”, “School libraries under digiti-zation”, Cataloger’s Winter School “The news in the regulative and legal support of library collection development”; dissertation site--public academic board. The conclusions are made.
On the problem of documentology and its methodology
Authors: Pleshkevich E. A.
Published: June 2022

The author's appeal to this issue is caused by ambiguous assessments of documentology in the scientific publications as the universal document developed by Yu. N. Stolyarov.

The scientific and methodological prerequisites for the development of documentology, its hypothesis, the theory of relativity of the document as its methodological basis, as well as the laws of documentology, are analyzed in detail. In his analysis, the author comes to the conclusion that the expressed hypothesis about the division of the concept of a document into the substantive and the functional is based on common ideas on using artificially created objects for the intended or unintended purposes. Therefore, this hypothesis is seen as ascientific. The theoretical ascent is based on the discussion of a number of incorrectly formulated examples taken, as they say, "out of the hat". The scientific argumentation is replaced by manipulative reasoning, starting with the justification of the relevance and practical significance of the study and ending with citing both individual authors and regulatory documents. Reasoning contradicts the rules of for-mal logic. There is a constant confusion of theoretical and empirical reasoning. The provisions on the relative, conditional and conventional status of the document are scientifically incorrect. The proposed laws are not scientific.

At the same time, the author believes that his comments reflect the results of following methodological guidelines introduced by Paul Otlet, far from indisputable, and thus the theoretical work done by Yu. N. Stolyarov is of great scientific importance.
Vain valkoisille, nuorille, hyvinvoiville naisille?
Authors: Molander Lotta , Souto Anne-Mari
Published: June 2022

Moninaisuuden ja rasismin kysymyksiä on tarkasteltu Suomessa korkeakoulutuksen kentällä niukasti. Analysoimme artikkelissa korkeakoulutuksen hakuoppaiden kuvia ja kysymme, millainen on korkeakoulujen hakuoppaiden välittämä kuva ideaaliopiskelijasta: ketkä näkyvät ja ketkä eivät näy kuvissa? Moninaisuuden osalta tarkennamme katsettamme siihen, kuinka rodullistetuiksi ja ei-rodullistetuiksi asemoituja opiskelijoita oppaiden kuvissa esitetään. Lähestymme kuvia representaation, intersektionaalisuuden sekä rasismintutkimuksen käsitteellisistä viitekehyksistä. Tutkimuksemme aineisto koostuu 12 suomenkielisen korkeakoulun hakuoppaiden kuvista. Hyödynnämme kuvien analysoinnissa sekä määrällistä että laadullista sisällönanalyysiä. Tutkimuksemme mukaan korkeakoulujen hakuoppaiden kuvien opiskelijaideaali on valkoihoinen, nuori, hyvinvoiva, iloinen nainen, jolla ei ole fyysisiä toimintarajoituksia tai ulkoisesti näkyvää uskonnollista vakaumusta. Moninaiset erot huomioon ottavalle ja inklusiiviselle opiskelijayhteisölle oppaissa on tilaa vähän, jos laisinkaan. Esimerkiksi vammaiset tai kansalliset vähemmistöt, kuten romanit, ovat näkymättömiä. Korkeakoulutuksen tila on hakuoppaissa normatiivisen valkoinen.
Kriittinen ja raikas katsaus museotyöhön
Authors: Hjelt Nina , Aaltonen Iisa
Published: June 2022

Marginaaleista museoihin -artikkelikokoelma tarkastelee museoiden pyrkimyksiä laajentaa yleisöjä muun muassa tavoittamisen, esittämisen ja kokoelmatyön näkökulmasta sekä museoiden tekemää antirasistista työtä. Se on ensimmäinen suomenkielinen teos, joka käsittelee kyseisiä teemoja museoalalla monitieteisesti ja ajankohtaisen keskustelun huomioiden.
”Aikuislukiot ja aikuislukiolaiset ovat lähellä sydäntäni”
Authors: Heikkilä Mirva
Published: June 2022

Kalle Vihtari, 42, on ohjauksen yliopettaja Haaga-Helia Ammatillisessa opettajakorkeakoulussa. Väitöskirjassaan hän osoitti, että aikuisopiskelu tarjoaa mahdollisuuden uramuutoksiin.