bluuebunny/crossref_metadata_2025 huggingface dataset:
Meningkatkan Keterampilan Menulis MenggunakanMedia Interaktif pada Siswa Kelas II SDN 25 Palu
Authors: Rahayu Melani , Ijirana  , AR Rommy
Published: December 2024

Penelitian ini bertujuan untuk meningkatkan keterampilan menulis pada siswa kelas II SDN 25 Palu melalui penerapan media interaktif dalam pembelajaran. Metode penelitian yang digunakan adalah Penelitian Tindakan Kelas yang dilaksanakan dalam dua siklus. Setiap siklus terdiri dari tahap perencanaan, pelaksanaan, observasi, dan refleksi. Data dikumpulkan melalui observasi, penilaian produk menulis siswa, dan dokumentasi, yang kemudian dianalisis secara deskriptif untuk mengukur peningkatan keterampilan menulis siswa. Subjek penelitian ini adalah siswa kelas II dengan jumlah 25 orang. Pengumpulan data dilakukan melalui data kuantitatif dari hasil tulisan siswa, sementara data kualitatif diperoleh dari analisis lembar observasi selama proses pembelajaran berlangsung. Indikator keberhasilan penelitian ditetapkan dengan target ketuntasan sebesar 80%. Hasil penelitian menunjukkan bahwa penerapan media interaktif dalam pembelajaran secara signifikan meningkatkan keterampilan menulis siswa. Pada pra-siklus, nilai rata-rata keterampilan menulis siswa hanya mencapai 56%. Setelah penerapan media interaktif, terjadi peningkatan signifikan menjadi 74,4% pada Siklus I dan 87% pada Siklus II. Penelitian ini menunjukkan bahwa penerapan media interaktif dalam pembelajaran menulis di kelas II SDN 25 Palu secara signifikan meningkatkan keterampilan menulis siswa.
INNOVACIÓN TECNOLÓGICA Y TURISMO AGROECOLÓGICO UN BINOMIO PARA LA FORMACIÓN DESDE PLATAFORMAS EDUCATIVAS
Authors: Fernández Alfonso José , Díaz de Montes de Oca María Eugenia , Lares Jiménez Nauddy Omar
Published: December 2024

Las innovaciones tecnológicas mejorarán el proceso de aprendizaje de los estudiantes de turismo agroecológico. Para ello, el objetivo de este artículo es evaluar la innovación tecnológica en la formación de turismo agroecológico desde plataformas educativas durante la pandemia, se enmarca en el enfoque cualitativo y el método de sistematización de experiencia apoyado en un estudio descriptivo, utilizando el formato de Vinculación SocioComunitaria para recolectar la información. El sujeto de investigación fue el propio investigador quien implemento la observación participante y análisis documental, arrojando como resultado, que la innovación tecnológica y las plataformas educativas han abierto nuevas posibilidades para la formación en turismo agroecológico. Se implementaron 8 cursos con diferentes plataformas como WhatsApp, Moodle y YouTube, con 730 participantes en total. Se concluye, que la experiencia permitió ampliar el acceso a la formación, diversificar las estrategias de aprendizaje y fortalecer la interacción entre los participantes. Además, el turismo agroecológico se ha beneficiado de la flexibilidad y accesibilidad que ofrecen las plataformas educativas, valorando la innovación tecnológica, lo que ha sido un factor clave para la continuidad de la formación en turismo agroecológico durante la pandemia.
Tensiones entre una identidad política “Pueblo movilizado”, razón iluminista y democratización
Authors: Fassi María Lidia , Vega María Angélica
Published: December 2024

We read in the Plan de operaciones of Mariano Moreno a political identity (position) in the figure of "the people mobilized" in a positive relationship with their representatives, which circulates as a pre-built in the contemporary novels French y Berutti, Los patoteros de la patria of Juan Carlos Martelli and La campaña of Carlos Fuentes. These stories provide a new module on that legacy and offered a differential sense on the controversial field of narratives about the event May Revolution. The effects of meaning in the description of the scenery of the revolution, in a discursive level, are considered from a historical density, based on texts of historians according to an interdisciplinary perspective of discourse Analysis. Tensions between political identity “mobilized people”, enlightened reason and democratization, put into the discourse, configure the past of the revolution in the fictions and operate as a field of experiences that work on the uncertainty of the future.
Dossier: Paisajes: naturaleza y cultura en la literatura latinoamericana (siglos XIX y XX)
Authors: Chazarreta Daniela Evangelina
Published: December 2024

Este dossier está pergeñado a partir del siguiente interrogante: ¿cuáles son las significaciones con las que asoma el paisaje en la literatura latinoamericana? Este cuadro compuesto por artículos que encaran el paisaje, la naturaleza y sus teorías, de modo muy heterogéneo -desnudando la propia índole de las categorías- está organizado, por cierto, en cuatro núcleos que nos parecen significativos en lo concerniente a la presencia del paisaje y la consideración de la naturaleza en la literatura latinoamericana. El primero de ellos está constituido por las concepciones sobre naturaleza cuyo diseño instaura diversas imágenes sobre lo americano instaladas, sobre todo, desde el siglo XIX. El segundo núcleo se moldea a partir de las estrategias estéticas y retóricas con las que el paisaje se traduce como figura de la naturaleza en diversas textualidades y estéticas; en tercer lugar, ubicamos a los paisajes culturales y espirituales que ponen en diálogo asiduo las implicancias de la dicotomía naturaleza/cultura y, finalmente, dispusimos las teorizaciones sobre el espacio americano y sobre su paisaje.
Sycorax y la noción de naturaleza: una lectura de Una tempestad de Aimé Césaire en la era del Antropoceno
Authors: Silva Cantoni Marcelo
Published: December 2024

We analyze the theater work of the Antillean writer Aimé Césaire: Une tempête, taking into account the readings of thinkers critical of colonialism and of authors who reflect on the current stage of depredation of "Nature" (inherited notion of modernity that will be problematized throughout the work [Latour, 2017]). For this we will stop in the dialogues and in the relationship and disputes that are established between the characters of Prospero, Calibán and Sycorax, and how from those characters (Caliban and Sycorax) can be established figures that project a critic to the "colonial matrix of power" (Quijano, Mignolo). We present a rereading of Une tempête fifty years after its premiere and in relation to a stage that some authors like Bruno Latour (2017), define as “the era of the Anthropocene". We propose, then, to analyze as a starting point the relationship between Caliban and Sycorax as a figure and alternative to the colonial power exercised by Prospero, which translates into civilizational narratives or "narratives of development" (Svampa, Antonelli, 2009), which seeks to exercise power over subaltern subjects and dispose of "Nature" for exploitation.
La maternidad imaginada en Aloma y El carrer de les camèlies, de Mercè Rodoreda
Authors: Jersonsky Eva
Published: December 2024

As it has been indicated by critical readers of Mercè Rodoreda (María Asunción Gómez, Jaume Martí-Olivella y Geraldine Nichols, to name just a few), motherhood and mothers are important figures in her work. In Aloma (1938, rewritten in 1968 and republished in 1969) and El carrer de les Camèlies (1966) this topic becomes particularly interesting because the relationship between mother and son or daughter never appears in the diegesis, it’s an “imagined motherhood”. This figurations of the future child intertwine constantly with the imagination of the space in a movement of approach and distancing in different levels, generating an intersection between domestic and urban spaces and female body thresholds. Focusing on critical places and moments (pregnancies, abortions), we will be able to observe how these two aspects put the protagonists and their imagination in motion.
¿Nombrar la tradición… o el futuro? Folk-lore, posfolklore, folk-link: dudas, comentarios y propuestas
Authors: Molinero Carlos
Published: December 2024

To think about analyze the way in which politics, nation and folklore articulate itself in Latin America implies, at least, to understand to understand the variations in time and reality and the names that refer to it. Also implies the need to adjust corresponding definitions, which we do here for investigation scopes. So in this paper “neofolklore”, “posfolklore”, “folk-communication”, as well as “folklore projection” (folklore showing) and “modern folklore”, are designations analyzed. Briefly tracing the history of theoretical concepts with which folk science proposed to approach author creation, not anonymous, allows us to glimpse how people were conceived, the nation and the art that tried to represent them. Limitations of transferring those concepts to popular music, now, require new points of view, like “affective turn” in social studies. This is especially important when the music whole that includes “creator/issuer, performer, and receivers (actually co-makers)”, transforms it in “musics of use”.
All this leads us, in transcendent substantial cases, the close of that special circle of observation, creation, emission, reception and reimpact in new artists, that in popular creation and when are founded through entire trajectories, constitutes what we call “folk-link”, definition we propose here. Links that, of course, to be such, must be generationally relevant.
De vinculaciones y desvinculaciones. Discusiones en torno al folklore, el nacionalismo y la identidad en el último cuarto del Siglo XX
Authors: Fischman Fernando
Published: December 2024

The field of Folklore was historically a space of articulation between nationalist movements, substantialist ideologies about national identities and the construction of national projects. These discussions were in Argentina as well where the linkage between certain ways of conceptualizing Folklore resulted in a correspondence between an iconography and a repertoire of expressive forms with an idea of ​​national identity. Beginning in the 1970s, some of the foundations on which Folklore studies had been founded and developed in the country began to be rethought. In that context, Martha Blache proposed a reformulation of some of the concepts established in a double dialogic interaction: with social scientists located in the academy and with folklorologists located in artistic training institutions. This article analyzes three nodal issues that Blache addressed in her writings: 1-the link between Folklore and nationalism, 2-the definition of the concept of Folklore and 3-the relationship between Folklore and identity. It also proposes guidelines for further discussion based on these proposals made in the last quarter of the 20th century.
Danzando la Nación: unidad, tensiones y fisuras en la configuración del ser nacional
Authors: Díaz Natalia Elisa
Published: December 2024

Traditional dances have been effective vehicles to give shape to ideas of nation. Within the field of argentine folkloric dances there are two perspectives: the academic-traditional and the expressive-experiential that, from differentiated selective traditions, produce specific national being configurations. The purpose of this work is to analyze spaces for the transmission of dances and to analyze how each current restores a particular idea of ​​ nation about the bodies, spaces and affections of dancers. To do this I was part of three workshops that attached to the first current and two that belonged to the second perspective of dance. As a collection technique I used the observant participation, in some workshops I was able to film the classes and in others I took notes in the field diary. I also did five semi-structured interviews with the teachers of the workshops with the aim of reconstructing the field of folk dances, their history, disputes and borders.
Folklore y transición (1982-1984): estrategias en torno a la canción “Grito santiagueño” de Raúl Carnota
Authors: Mariani Tomás
Published: December 2024

In this work we try, from the comparison of two versions of the song Grito santiagueño, to understand the intervention strategies of a central reference and an emerging reference in the Argentine folklore of the transition to democracy. It's about Mercedes Sosa and Raúl Carnota. The first recorded the song in Como un pájaro libre (1982), his first studio album after returning from exile. The second, author of the song, records it in Suna Rocha/Raúl Carnota (1983), a shared debut album.
Following the socio-discursive model proposed by Claudio Díaz (2009/2013/2016) for folklore we propose a reconstruction of the trajectories and positions of Sosa and Carnota within the system of relationships in which they participated at the time of producing each version of the song (which we analyze as a particular enunciation device). The comparison of the versions as well as the positions of those who produce them and some repercussions in the field of folklore, allow us to affirm that Sosa works as a legitimizer of Carnota's proposal, enabling the latter and its proposal of renewal intention.
Esto es Santiago del Estero: imágenes de la Nación y la Provincia en el Patio del Indio Froilán
Authors: Portela Barbosa Marilia
Published: December 2024

The Patio of Indio Froilán is a family house and cultural space in the city of Santiago del Estero opened to the public on Sundays that offers regional food, drinks, handicraft and musical shows. Dancing folk rhythms is a central activity there and the songs that sound and the words said on stage build images of the Patio related to province and nation. This article seeks to analyze the relationships between dances and images about the Patio, problematizing concepts such as “patio”, “pago” and nation. It is based on research carried out as a Master's thesis in Social Anthropology and uses the ethnographic method. This article emphasizes the importance of Santiago del Estero and Argentine identities in the construction of the Patio as a tourist space and folk dances as accessible to all.
La tradición imaginada en Adán Buenosayres de Leopoldo Marechal y Crónicas del ángel gris de Alejandro Dolina
Authors: Davis González Ana
Published: December 2024

The project of shaping a national tradition in Latin America is closely linked to geoculture, a notion that proposes space and culture as indissoluble concepts. Literature has an essential role in the geocultural process since writers linked to nationalism seek to contribute with their work to conform a tradition in their homeland. In Argentina, the novel Adán Buenosayres (1948) by Leopoldo Marechal (1900-1970) responds to this intention and achieves it due to its subsequent projection in current authors of his country, such as Alejandro Dolina (Buenos Aires, 1944). The production of both has sought to achieve a mythification of Buenos Aires, a space where legendary characters and fantastic elements are combined with situations typical of the idiosyncrasies of Buenos Aires. The present study analyzes the correspondences between their works from discursive strategies used for such purpose and the function they acquire in their corresponding cultural field.
Paisaje, historia y poética urbana en José Agustín Goytisolo
Authors: Santos Margareth
Published: December 2024

The purpose of this article is to discuss the conjunction between history, poetry and city in Taller de arquitectura, by José Agustín Goytisolo, especially in his poem “Bilbao song”.
A member of the so-called Generation of the Years 1950, Goytisolo has often shown a concern for the condition of man in modern society and for his life in the urban centers and Taller de arquitectura as a representative work on his reflections about the human being and his environment. Therefore, we propose to discuss how the poet articulates different visions of the city of Bilbao with the various discourses that emerge from the poem. Through a tour of the political, social and aesthetic history of the late 1960s and the early 1970s in Spain, we have identified and examined the poetic procedures used by the author in configuring the relationships between history, poetry and society present in “Bilbao song”.
Throughout this itinerary, we will exhibit as the author capturing and modulating the voices of “Bilbao song” using the background of images, stories and rhythms, to compose a mosaic that reveals the various faces of the city, its people, its fealty and its charm, and the city of the Franco dictatorship.
Una vanguardia disidente: el caso Casey
Authors: González Carina
Published: December 2024

The Cuban Revolution has generated different forms in which the art intervenes in politics. Inside and out of the hegemonic order, the dissident writing of Calvert Casey (Baltimore 1924 – Roma 1969) works from an esthetic affected by bilingualism and exile that explores desire tied at the Avant-Garde experimentation. This essay examines the construction of the identity in “El regreso” (1962) and its tie with Notas de un simulador (1969) across formal and generic strategies that frame the nouvelle inside the modern Fantasy (Rosemary Jackson) analyzing its bonds with the Gothic literature (María Negroni) and vampirism (Rosalba Campra)
Equipo editorial e Índice
Authors: - -
Published: December 2024

Equipo editorial de RECIAL e índice del Nº 16.
Saber ser siervo. La negación del Estado de derecho en El médico de San Luis (1860)
Authors: Crespo Natalia
Published: December 2024

El médico de San Luis is a socio-sentimental novel (Molina) that fictionalizes, through the mechanism of idealization (López), and within a Christian matrix, the life of a family in the 1860´s. We propose that the novel is constructed throughout the tension of two divergent morals. Following previous texts about the novel (Viñas, 1974; Molina; Chikiar Bauer, 2013), we seek to offer a reading which highlights the implicit moral, the one not mentioned but suggested along the plot. According to this hidden moral, the economy of violence that, within a State of right, is exerted by the Judicial Power is here carried out by one citizen, who has positioned himself in the role of the master. Through a textual close reading, we intend to demonstrate that the authority of the master is based in certain recurrences: his birth and family privileges, his semiotic monopoly, his tendency to plan a future society and his rhetoric capability of constructing his place of enunciation as the one mediating men and God. We conclude that this novel, conservative and hispano-creole, narrates the story of a revenge, in which certain political gestures are condensed: a hard criticism to 1860 Argentine government, the nostalgia of the past during Rosismo and the point of view of a federal member of the social elite.
El monje o el modelo de las retóricas revolucionarias: una metamorfosis del mal
Authors: Videla Martínez Julieta
Published: December 2024

The attraction for terror, mystery and monsters has existed even since ancient times, asthe novels and Hellenistic tragedies, but also Elizabethan drama. However it is from thesecond half of the 18th century and especially towards the French Revolution, when the libertine novels appear in France, also called romans noirs, and the gothic novels inEngland, called tales of terror as a response to the Enlightenment paradigm that takesmedieval materials redefining them in order to create new aesthetic forms. I aminterested here to study the metamorphoses of evil that revolutionary rhetoric, in thiscase, The Monk, operates as a gothic novel through the recovery and resemantization ofmedieval evil, according to which the latter reflect the sinister singularity of modernliterature .I will mainly take the concepts of monstrosity and evil and analyze themhermeneutically to interpret what the metamorphosis of these categories is like in thelate eighteenth century, with the event of the French Revolution in the aforementionedwork. In this work we brace The Monk as a model of the revolutionary rhetoric that willmark the aesthetic trend towards the 19th century thanks to his original commitmentthat is firstly to represent the metamorphosis of evil even using medieval materials, andsecondly, to attend to the place of receptors, caring about producing certain aestheticsthat arouse interest in a new sensibility.
Devenir Pat(ri)agonia: cuerpo y patria en la poética de Ivonne Coñuecar
Authors: Natalini Aixa Valentina
Published: December 2024

A significant reading itinerary opens around a series of writers from southern Chile, whose works ⸺published between 2000 and 2014⸺ interpellate the established imaginary of Nation and the discourses and symbols that reinforce it: flag, anthem, monument. The present work focuses its interest on the poetry collection Patriagonia: Catabática, Adiabática, Anabática (Santiago: LOM, 2014) by the Chilean writer Ivonne Coñuecar (1980, Coyhaique; resident of Rosario, Argentina) in order to explore the ways in which the poetic subject gives shape to its own 'nation': her patria-palabra (homeland-word). The poetic word provides anchorage to the voice(s) that speak throughout constant dislocations: of identity, geography, sex, ideology. From the dispossession of the territory to the dispossession of the body, the poetic subject of Patriagonia undermines the narrative of the democratic transition in Chile to construct her truth. She retraces childhood and adolescence from a present of enunciation that allows her to critically deconstruct her native south, Coyhaique, and the nation, with its institutions and symbols.
El Diário da Peste, de Gonçalo M. Tavares y la pandemia que nos toca vivir
Authors: Koleff Miguel
Published: December 2024

In this work I intend to analyze Diário da Peste [Plague Diary], by Gonçalo M. Tavares, using some theoretical inferences in which Walter Benjamin, Giorgio Agamben, Georges Didi-Huberman and Byung-Chul Han converge. This is an interpretative work focused on the categories of chance, death, catastrophe, duration and testimony with the aim of making explicit the experience of the pandemic that is devastating our world. Thus, starting from some considerations of autobiographical order, the core of the approach stops in the inter-subjective relations promoted by the act of reading, those that involve equally the author and the analyst in the same dynamic in order to face a shared phenomenon.
Pensar las representaciones de la cultura popular en las expresiones literarias y ensayísticas del Cono Sur: un desafío permanente
Authors: González Almada Magdalena , Rogna Juan Ezequiel
Published: December 2024

This article retrieves the work carried out by two research projects based in the “María Saleme de Burnichon” Research Center of the Faculty of Philosophy and Humanities, led by Dr. Pablo Heredia and Dr. Domingo Ighina respectively. These projects continue while redefining work logic that the Southern Cone Study Group has been developing since the early 1990s. For this reason, although the tour will focus on the tasks carried out in the last ten years (collective publications, organization of academic events, conformation of a research program, etc.), the common foundations of both teams will also be reviewed from the direction of Dr. Jorge Torres Roggero. Likewise, sections will be devoted to addressing, succinctly, the choices of the theoretical framework, the challenges, and complexities presented by the object of study and the collective and individual works registered in both research projects.
Para una genealogía de la categoría de heterodoxia. Recorridos por los trazos de una investigación sobre literatura argentina
Authors: Bocco Andrea , Boldini Gabriela , Mercado Javier
Published: December 2024

This article presents the itinerary made by the research team: “Heterodox tours of literatures in Argentina”, during the last decade. The project is currently directed by Prof. Dr. Andrea Bocco. It is made up of twelve researchers. The category of heterodoxy is at the center of our research. It is a conceptual tool that enables alternative modes and routes to read, systematize, historicize the presence of disruptive lines in the development of literatures in Argentina. This writing establishes a genealogy and periodization of this category. Initially, heterodoxy was configured from the syncretism between literature, ideologies and alternative religious discourses. Later, the reflection focused on the operation modes of this category, taking into account their dynamic, relational and historical character. This led to a series of questions around canon, margins, vanguards, off-centers, interdiscursivity and the multiple heterodoxies that intersect in a literary text or series. At this stage, our research problematizes “national literature”. Historically, this category was associated with Rioplatense region (Buenos Aires), european culture and white nation. At this point, literary heterodoxy dismantles homogeneity, pluralizes the category, enables geocultural diversity and orality. Decolonizes Argentine literature, whit latin-american perspective.
En el umbral. Anotaciones sobre un trayecto de investigación
Authors: Boero María Soledad , Vaggione Alicia
Published: December 2024

This presentation reviews the research process executed by the team “Movements in Bonds Between Literature, Art, and Life. Contemporary Writings in Latin America” which belongs to the Program “Latin American Writings. Literature, Theory, and Criticism under Debate” led by Roxana Patiño, both of which were endorsed and evaluated by the SECYT, UNC (Science and Technology Office, National University of Córdoba.) Driven by the questioning of what it means to conduct research tasks in the current context, the written document circumscribes and presents the main guidelines of the Project and highlights the most important activities carried out in recent years. The indicated keywords refer to the critical vocabulary with which the work space that enables this investigation is considered.
Políticas discursivas de la diversidad sexual: Tecnologías de los afectos
Authors: Bustos Silvia , Ceballos Florencia , Cisneros Florencia , Rotger Patricia , Uzin Magdalena
Published: December 2024

Since its beginnings in 2012, this research is situated in the crossroad between sociosemiotics and gender studies, analyzing the ways sexual diversity, non-normative sexual identities and new family models have been reconfigured in different sections of social discourse in Argentina in the two first decades of the 21st century. Our theoretical path builds a genealogy that thinks the relationships between Foucault’s technologies of the self, Teresa de Lauretis’ gender technologies, Haraway’s and Preciado’s contributions, and the relations between feminist theory and affective turn (Sarah Ahmed, Cecilia Macón, Leonor Arfuch). We revisit Laclau’s, Lotman’s, Angenot’s definitions of Rhetoric, to think the political and persuasive dimension of discourse as a naturalization technology, in the analysis of a variety of discourses (literature, written press, educational materials, performances, audiovisual fiction, etc.), building on the hypothesis that the acceptability of non-heteronormative identities and affectivities, as discursive politics is grounded in the social validation of the emotions they put in play and articulate fundamental social evaluations and ideologemes.
Proyecto Khora: cuando investigar literatura es una cuestión epistemológica plural
Authors: Gómez Susana
Published: December 2024

The central routes of the Project Khora are communicated in their latest contributions achieved as a team. We strongly think about the notion of topology and how new readings of literary and critical theory are enabled just in order to recognise the dynamism of literature research. The work offers the possibility of focusing on an epistemology of literature.
Perspectivas materialistas en escrituras contemporáneas
Authors: Milone Gabriela , Jorge Julia , Santucci Silvana
Published: December 2024

In these pages, we will review the most relevant activities and contributions of a research team active since 2012. This team has developed four research projects, these are The experiences of voice, image and body in contemporary poetic writings (2012-2013), Writing, image and body in contemporary poetic experiences (2014-2015), Singular figures: a cartography for reading contemporary writings (2016-2017) and Materialistic perspectives: a critical approach to contemporary writings (2018-2022). All these projects have been endorsed and subsidized by the Secretary of Science and Technology of the National University of Córdoba. From its beginnings until now, they have functioned under the direction of Dr. Gabriela Milone, Assistant Professor of "Hermeneutics" and Conicet's Adjunct Researcher. In different combinations, the four mentioned projects have been integrated by a total of fifteen members. Among them are: the doctors Ana Levstein, Franca Maccioni, Silvana Santucci, Lorena Fioretti, Natalia Lorio; the graduates Adriana Canseco, Anuar Cichero, Julia Jorge, Paula La Rocca, Ana Neuburger, Micaela Van Muylem, Belisario Zalazar; the students Sofia Benmergui and Javier Eduardo Martinez Ramaccioti.
Escrituras latinoamericanas contemporáneas: un derrotero de quince años
Authors: Calomarde Nancy , Patiño Roxana
Published: December 2024

This article focuses on the development of an extensive and complex research process carried out over fifteen years on Latin American literature. The initial purpose was the articulation between teaching and research in this disciplinary field. In this way, together with the progress of research projects for professors as well as undergraduate and graduate thesis, a team was formed that also dealt with teaching tasks (at different levels) and training. To describe the stages of this process, the article is divided into three parts: the first, focuses on the initial research projects that were consolidated and expanded between 2005 and 2014; the second, exposes the expansion to a greater scale of the research in a Research Program made up of three teams; the third, presents the path of two of those teams under the direction of the authors of this article, between 2014 and the present. This fifteen-year research process involved a study on Latin American literature, theory and criticism that gradually specialized in important problematic aspects of the current academic agenda.
Opciones enunciativas y configuración del policial en Crímenes imperceptibles, de Guillermo Martínez
Authors: Quiroga Elena Viviana
Published: December 2024

The present work tries to relate the novel “Crímenes Imperceptibles”, by Guillermo Martínez, with the position of the autor as a social subject within the system of relations from which he writes, especially within the litherary field, with the intention of making his discursive options comprehensible and understandable. Starting with the fact that there is a conditioning relationship between the social place from which the discursive practice is done and the options the autor analyses in his discourse, we believe the writer has accomplished and efficient use of the resources he has picked up throughout his trajectory as a social subject, taking into account the limitations and possibilities he had at the moment he wrote it. From this perspective, we pretend to identify in the novel, the discourse operations the autor has chosen as the most plausible for the construction of the statement, within the crime fiction genre, supporting its use in reasons inferred from objective conditions, taking into consideration the skills gathered by the autor during his profesional career and the possibilities of acceptance.
Chiara Bolognese. Pistas de un naufragio. Cartografía de Roberto Bolaño, Córdoba, Alción Editora, 2010, 317 páginas.
Authors: Aguirre Nicolas
Published: December 2024

En un contexto en que varios sectores de la crítica literaria latinoamericanista han desarrollado una verdadera bolañomanía, este libro viene a representar un aporte más que interesante para pensar sobre la figura de Roberto Bolaño (Santiago de Chile 1953 – Barcelona 2003) desde la constitución de identidades en un mundo líquido y evanescente (para utilizar los términos de Zygmunt Bauman). Revisión y expansión de su tesis doctoral, el libro de Chiara Bolognese explora varios ejes temáticos que atraviesan toda la obra bolañeana: una poética entre la autobiografía y un mundo descentrado, problemáticas de territorialidad y pertenencia, la cuestión identitaria latinoamericana, la experiencia del viaje y, por último, un esbozo sobre la psicología fragmentaria y desequilibrada de los personajes de Bolaño. Posicionado desde dichas líneas interpretativas, el libro traza en su interior un recorrido por los temas que insertan la poética del chileno dentro de algunas marcas y características centrales de los discursos sobre la posmodernidad. El libro se inicia con una “Introducción” en la que se sitúa el estudio en relación al estado de la cuestión crítica en torno al autor y presenta los cinco caminos por los que transitará su estudio.
Elena Oliva, Lucía Stetcher y Claudia Zapata (Editoras). Aimé Césaire desde América Latina. Diálogos con el poeta de la negritud, Santiago de Chile: Ediciones Facultad de Filosofía y Humanidades, Universidad de Chile, 2011.
Authors: Storino Natalia
Published: December 2024

A más de tres años y medio de su fallecimiento, este libro constituye un aporte sustancial para pensar acerca de la figura, trayectoria y obra de Aimé Césaire (26 de junio, 1913 – 17 de abril, 2008). El marco institucional de producción de los ensayos que componen este volumen fue las Primeras Jornadas Caribeñistas desarrolladas en Chile y centradas en la figura de Césaire. A lo largo de sus páginas, este trabajo desarrolla una visión del martiniqueño que, lejos de ser unívoca, simplificada u homogénea, se aproxima al escritor concibiéndolo como una “totalidad compleja y contradictoria” (para usar la expresión de Antonio Cornejo Polar). Los ensayos contemplan tanto su rol político como artístico y dan cuenta de sus vinculaciones y tensiones. En este sentido, las miradas que integran este trabajo dialogan y polemizan entre sí ejerciendo, de ese modo, un hacer discursivo que redunda en una fecunda productividad.
La Argentina de los '90: Representaciones de identidades juveniles en la narrativa contemporánea
Authors: Giovannini Silvina
Published: December 2024

Within the framework of the deep processes of transformation experienced during the Menemism period (deinstitucionalization, social exclusion, depoliticisation, blurring and fragmentation of the social imaginary), we consider that young people are the ones who exhibit more clearly these new conditions of existence. As subjects of specific practices and holders of an specific knowledge, the youth define their identity features in a changeable, dynamic and conflictive way. We are interested in inquiring the types of youth representation and focus specifically on the narrative of the complex link between young people and politics. From a discursive perspective, we tackle a series of short fictions which belong to Juan Forn, Martín Rejtman and Guillermo Saccomano: these writers circumscribe in the Argentinian context of the nineties and present young characters of social referential statute. We worked with the category "manchas temáticas" (thematic spots) by David Viñas (from Drucaroff, 2011) to identify the recurring topics in the developed corpus: the apathy, the errancy, the retreat into the innermost and see how these operate in the representation of the youth literary subjectivity that we analyze.
Polémicas en torno a las representaciones políticas de combatientes de Malvinas: Estrategias de desnaturalización de figuraciones hegemónicas en "Todo el poder a Lady Di" de N. Perlonggher y Los pichiciegos de R. Fogwill
Authors: Belmonte María Eva , Fassi María Lidia
Published: December 2024

This paper seeks to describe strategies denature and interpret modes of representation of subaltern subjects who participated in the historic event, cultural and political development of the Falklands War -Falklands-fighters-, in speeches that 21 engage in explicit and implicit polemics interdiscourse. We focus our reading at the time of explosion of the war and we read constructing national identities and subjectivities-hegemonic discourse devised to legitimize military confrontation, through the development of symbolic-discursive affiliations with Mayo (depending on the version of the Mitre history) and the temporality of the nation. Parallel in the 80s, the regime of significance of militar discourse had a counterpoint discurse in the essay “All Power to Lady Di”, the Perlongher´s novel and in Pichiciegos of R. Fogwill, voices that break the homogeneity of the hegemonic discourse identity: they represent the subaltern subjects as outside the mandate and the duty imposed for the dictatorial state – which had figurated them as the defenders of "be national" -and denature through hegemonic representations humor (irony) and the construction of new collective identification.
Milone, Gabriela (Comp.) - La Obstinación de la escritura, Córdoba, Postales Japonesas, 2013, 188 Páginas.
Authors: La Rocca Paula , Neuburger Ana
Published: December 2024

Una de las reflexiones que aborda la crítica y el pensamiento contemporáneo insiste en el límite impreciso que reúne lectura y escritura, en el recorrido que va de una a la otra. Este paso nos devuelve a la pregunta sobre qué es aquello que nos conduce a escribir. Los ensayos que componen La obstinación de la escritura (Postales Japonesas, Córdoba, 2013) encierran en sí este interrogante. Hay algo que se impone, no sabemos qué y aun así este imperativo asume la forma de una potencia que restituye la materialidad del lenguaje. Hay un modo de leer que retorna como escritura, una singularidad que se expone en la letra. En definitiva, estas lecturas de poetas, filósofos, y críticos no hacen más que abrir la pregunta ética por cómo leer el texto sin ejercer violencia sobre él. O como diríamos con Barthes cómo hacer una lectura justa del texto.
La traducción como performance: lenguajes, creatividad y construcción
Authors: Salomón Sabrina
Published: December 2024

This paper proposes to analyze a perspective of translation based on the concept of performance. It observes how the term "performance" used as modifier and relative to the enactment of a piece of art in general, and the term "performative", understood as assigning meaning or conforming ways of perceiving the world, are conceived in the translation of a series of poems, called performance poems, whose characteristics, typical of poetry aloud (polyphony and voice modes) are highly resistant to written translation. At the same time, through a theoretical itinerary from performative language, performance art, to philosophy and psychoanalysis (Butler, McSweeney, Toro, Deleuze, Winnicott, etc) this work attempts to demonstrate that both terms (performance and performative) converge to account for a type of translation with the same purposes. In order to illustrate these ideas, this paper pursues a performative approach (in both senses of the term) for the translation of Joyelle McSweeney´s poems.
Lenguas Kuñifal: Pasajes entre el Mapuchezungun y el castellano en Elicura Chihuailaf, Liliana Ancalao y Adriana Paredes Pinda
Authors: Mellado Silvia Renée
Published: December 2024

In this paper I explore the decisions on code-switching between mapuchezungun and Spanish in texts and metatexs by three poets: Elicura Chihuailaf, Liliana Ancalao and Adriana Paredes Pinda. Chihuailaf and Ancalao write poems in both languages and they resort to the notion of 'oraliture' to think about the relation between Mapuchezungun and Spanish in writing and translation. Paredes Pinda’s poem is written in a mixture of languages though predominantly in Spanish. She does not translate or use a glossary but translation appears as the core of a reflection on language. In this paper I use the notion of ‘Kuñifal’ (in Mapuche), which means orphan.
Las novelas de Alberto Vanasco: en la estela del surrealismo
Authors: Arce Rafael
Published: December 2024

The paper proposes a reading of Alberto Vanasco’s novelistic work. It focuses on the tension between the avant-garde procedures and the realistic demands of the novel form. This tension has a historical component: the author’s belonging to a polarized generation between the left-wing political commitment and the need for experimentation. Vanasco’s novels make the contradiction between realism and surrealism and between Borges’s teachings and the novel as a form become fruitful. The proposed reading evidences a continuity that goes from the philosophical examination of temporality to the question of the consciousness of the “other” and of the world.
Ancestros textuales y descendencias contemporáneas: el caso Roberto Arlt – Fabián Casas.
Authors: Guidón Santiago
Published: December 2024

The following work proposes a contrastive analysis between the novel El juguete rabioso by Roberto Arlt and its current effects on the narrative corpus of Fabián Casas´s work (Los Lemmings y otros and the nouvelle Ocio), from the general framework of the semanticideological and formal cores of the learning genre.
Calabrese, Elisa, Sábato. Historia y apocalipsis
Authors: Bracamonte Jorge
Published: December 2024

Este texto de Elisa Calabrese propone, con diferentes énfasis, reconsiderar la obra de Ernesto Sábato y actualizar interesantes discusiones acerca de la función artística que la misma suscita. Como señala María Rosa Lojo en su prólogo: “Sábato. Historia y apocalipsis provee valiosas herramientas para la comprensión de un autor poco frecuentado en nuestros días por la crítica académica nacional, aunque sigue despertando interés en nuevas generaciones de estudiosos fuera del país, y aunque el público lector no ha dejado nunca de reconocerlo como uno de los autores contemporáneos fundamentales de la literatura argentina y latinoamericana.”
Patiño, Roxana y Calomarde, Nancy (eds.)- Escrituras Latinoamericanas: literatura, teoría y crítica en debate
Authors: Rupil María Victoria
Published: December 2024

Diálogos, tensiones, debates traman la lectura que la crítica realiza sobre el objeto literario y este, a la vez, está signado por el impacto de los paradigmas teóricos que irrumpen en el orbe de la literatura, pero también en el orbe de lo que se dice sobre ese objeto. Escrituras latinoamericanas es un libro que analiza el revés de la trama de autores, obras, géneros, revistas y objetos actuales para dar cuenta de cómo estos objetos son leídos, construidos, revisitados o actualizados por la crítica del último tercio del siglo XX. Este libro diseña una cartografía necesaria, no un mapa acabado, único, sino que traza los senderos y andamiajes cambiantes que sostienen los pasos de la teoría y la crítica literaria sobre ese objeto, diverso y múltiple, que es la literatura latinoamericana.
La autoficción como espacio de re-construcción de la memoria
Authors: Dalmagro María Cristina
Published: December 2024

La vacilación entre lo novelesco y lo autobiográfico, la necesidad de auto-expresarse, pero sin caer en la exposición que supone una autobiografía clásica, la necesidad de transparencia pero falta de convicción para atreverse a desenmascararse totalmente, rasgos presentes en muchos textos narrativos, condujo a los teóricos a reflexionar sobre la cuestión, discutir categorías y nociones consagradas, acuñar nuevos términos e intentar ajustar caracterizaciones. Hasta el momento, predomina el uso del término “autoficción” relacionado con la idea de ambigüedad, de vacilación, de cruce de fronteras entre lo real y lo ficcional. En este trabajo proponemos reflexionar sobre cómo la categoría de autoficción resulta un espacio privilegiado para la reconstrucción de la memoria individual y colectiva de los protagonistas-autores de las narraciones consideradas. Nos detenemos particularmente en la relación figurativa entre un yo pasado y otro presente, que convoca dos tiempos, dos espacios (el público y el privado). Analizamos en forma acotada Las cartas que no llegaron (2000) de Mauricio Rosencof, Solo los elefantes encuentran mandrágora (1986) de Armonía Somers y Su pequeña eternidad (2005), novela de Teresa Porsecanski. En el caso de este último texto, complementamos la lectura con el aporte teóricos de los estudios de neurociencia que analizan la relación entre memoria-autorrepresentación.
Autoficción, poesía y nombre propio: un debate con puertas abiertas
Authors: Leuci Verónica
Published: December 2024

El presente trabajo propone realizar un recorrido por las principales propuestas teóricas abocadas al estudio de la controvertida categoría de “autoficción”, en primer término, y luego abordar la noción de “nombre propio”, en especial en su funcionamiento en la esfera literaria y, particularmente, a partir de su inclusión en el género lírico. A través de estos dos caminos entrelazados -nombre propio y autoficción- se plantea estudiar la pertinencia de esta última noción –frecuentemente atada a la narrativa– en el orbe poético, para hablar de una operatoria autoficcional, transhistórica y transgenérica, que permita sortear o problematizar el viejo rótulo de “poesía autobiográfica”, que conlleva tradiciones antagónicas en un debate no clausurado y de gran vigencia teórica.
Pensar la sospecha sobre el nombre propio
Authors: Asurmendi de Fernández Cecilia
Published: December 2024

Francisca Aguirre nació en Alicante (España) en 1930.  En el mapa literario español contemporáneo, más allá de una marca grupal con la cual identificar su obra, la autora elegida para nuestra investigación ejercita con su escritura una práctica que da cuenta de la crisis de la modernidad y con ella  participa creativamente, integrándose a un perfil que muestra –como lo plantean J. Gracia y J. Ródenas (2011)– que “La literatura que en España ha abierto el siglo XXI carece de rasgos específicos por deformación o por indigestión y algunas de sus pulsiones más prometedoras tienen que ver menos con la suntuosidad de la ruptura aparente que con la modulación de lo clásico reciente o la búsqueda de su expresión actualizada y renovada.”
Las autopoéticas como máscaras
Authors: Lucifora María Clara
Published: December 2024

Este trabajo consta de dos partes. La primera de ellas pretende realizar un recorrido por los aportes más importantes publicados hasta el momento en torno a las “autopoéticas” o “poéticas de autor”. En la segunda parte, pretendemos dar cuenta de las conclusiones obtenidas a partir de nuestro análisis de este conjunto textual, conceptualizando, por un lado, la existencia de un “espacio autopoético” y por otro, ensayando algunos modos de considerar estos fenómenos en el marco de los estudios sobre la comunicación literaria.
Lauwers, Jan – Sad Face/Happy Face, una trilogía sobre la humanidad. Dramaturgia que provoca
Authors: Palasí Mario Alberto
Published: December 2024

La transposición al papel de la obra posdramática de Jan Lauwers sólo puede ser escrita/leída desde un texto por el cual se pueda experimentar el goce en su singularidad, el goce particular en Uno. Esta es la búsqueda en buena dirección que propone la traducción y puesta en página que realiza Micaela van Muylem de Sad Face/Happy Face. Una trilogía sobre la humanidad, una de las partes que integran la obra Kebang!, publicada en neerlandés en 2009.
La autoficción metapoética de Joaquín Sabina: el lugar desde el que se dice “poeta”
Authors: Barbero Sonia Beatriz , Malik de Tchara Cecilia
Published: December 2024

En su trayectoria como cantautor, Joaquín Sabina ha escrito muchas letras de canciones que constituyen un corpus plausible de ser abordado desde las teorías poéticas. Nos interesa rastrear en este trabajo las huellas de la identidad proyectada analizando los mecanismos con los que construye a través de las letras de sus canciones una autoficción poética. Para ello, nos centraremos en uno de los mecanismos con el que se dice a sí mismo como poeta y que es el de la reflexión metapoética