bluuebunny/crossref_metadata_2025 huggingface dataset:
A Comparison of Facial Proportions in Pleasing and Unpleasing Smile Photographs from Nepalese Population
Authors: Basnet Bishal Babu
Published: December 2019

Introduction: Facial proportion and dental proportions are matters of interest for dental professionals to craft a beautiful smile. In facial analyses, the role of different proportions cannot be overlooked when planning dento facial treatment. This study aims to determine the different facial proportions; smile index, lower smile index, nose width to outer inter commissural width, intercanine width to outerinter commissural width, nose width to intercanine width and outer intercommissural width to lower facial height in esthetically pleasing smile (ES) and esthetically unpleasing smile (US) groups.

Materials and methods: The frontal smiling photographs (N=152, 74 pleasing and 78 unpleasing smile) were gathered and different linear measurements were carried out using digital ruler. The facial proportions were derived and comparisons were made amongst groups and differences were examined in comparison to standard accepted proportion (such as Golden proportion).

Results: Average smile index of ES (5.899±1.201) was lower than that of US group (6.421±1.675).The golden proportion was not valid for smile indices in each group. Mean nose width to intercanine width ratio significantly differed in ES and US. The outer inter commissural width to lower facial height was not statistically significantly different from 1:1 ratio.

Conclusion: Most facial proportions in pleasing and unpleasing smiles showed no difference. The outer intercommissural width to lower facial height was found in 1:1 proportion current study with possible utilization in determining vertical dimension of occlusion.
Prosthetic Rehabilitation of Patient with Anterior Segmental Mandibulectomy Using Cast Partial Removable Denture: A Clinical Report
Authors: Maharjan Anil , Joshi SP , Shrestha P.
Published: December 2019

Marginal mandibulectomy involves resection of mandibular body with overlying soft tissues while maintaining inferior cortex of mandible and its continuity. It may lead to numerous problems associated with mastication, speech and deglutition and esthetics. Problems associated with such defect depend upon location and extent of surgical resection. Prosthodontic rehabilitation of such patient poses challenges because of obliterated vestibular depth, inadequate denture bearing areas for support, lesser number of remaining teeth. This article describes rehabilitation of patient who underwent anterior segmental mandibulectomy with cast partial removable denture to replace the missing teeth and maintain esthetics.
Localized Bone Augmentation and Implant Site Development-Review with a case
Authors: Koirala Pramod Kumar , Pradhan S , Gorkhali RS
Published: December 2019

Guided bone regeneration (GBR) has been used for the regeneration of bone in conjunction with the placement of dental implants, for augmentation of resorbed alveolar crests, and to treat localized ridge deformities. It is based on the principle of protecting bone regeneration against overgrowth of tissues formed by rapidly proliferating non-osteogenic cells. In this case, the space created by the Titanium mesh supported platelet rich fibrin membrane was filled by tissues with features of newly formed bone. No residual bone defects were observed and an increase of the alveolar width and height was observed. No untoward effects on bone regeneration were observed except membrane exposure after 4 and 1/2months. This case shows a satisfactory result concerning GBR technique or implant site development.
APORTE A LA DESCRIPCIÓN DE FAVRELLA LORENSIS (LISSON, 1907) AMMONOIDEA ZITTEL, 1884 DEL VALANGINIANO, LIMA, PERU
Authors: Villaseca Robertson Andrea
Published: December 2019

Presentamos aportes para mejorar a las descripciones originales de Favrella lorensis (Lisson, 1907) a partir de 70 ejemplares recolectados en la localidad tipo. El material fue recolectado del Morro Solar, Chorrillos, Lima y después depositadas en el Museo de Historia Natural “Vera Alleman Haeghebaert” de la Universidad Ricardo Palma, Lima, Perú. Se comparó con el holotipo T.19 (48703) de F. lorensis, el cual  se encuentra en el Museo de Mineralogía y Paleontología de la facultad de Ingeniería Geológica de la Universidad Nacional de Ingeniería, Lima, Perú  y  se revisó bibliografía taxonómica especializada. Complementamos  la descripción con: Parte parcial de la sutura, ejemplares con sección trapezoidal, individuos de diferentes tamaños y  además de tener la primera colección de F. lorensis del Perú.
OSTREACEA (BIVALVIA) DE LA COLECCIÓN VÍCTOR BENAVIDES CACERES DEPOSITADOS EN EL MUSEO DE HISTORIA NATURAL “VERA ALLEMAN HAEGHEBAERT” DE LA UNIVERSIDAD RICARDO PALMA, LIMA, PERÚ (CRETÁCEO SUPERIOR, PERÚ)
Authors: Alleman Haeghebaert Vera
Published: December 2019

Se registra un total de once ostras perteneciendo a cuatro géneros: Aetostreon Bayle, 1878, Cameleolopha Vyalov, 1936, Exogyra Say, 1820 y Nicaisolopha Vyalov, 1936, todos del Cretáceo superior de las localidades de Cajamarca, Chota, La Encañada y de Ancash, Sihuas, Perú.  Se determinaron cuatro especies: Exogyra africana Coquand, 1862 var. peruana  Paulcke, 1903; Exogyra (Costagyra) olisiponensis Sharpe, 1850 var. duplex Paulcke, 1903; Exogyra mermeti (Coquand, 1862) y Nicaisolopha nicaisei Vyalov, 1936.
REGISTRO DE LAS VISITAS DE PHOENICOPTERUS CHILENSIS (MOLINA, 1782) A LOS HUMEDALES DE LA REGIÓN CALLAO, PERÚ
Authors: Carazas Nestor , Podestá Jorge
Published: December 2019

Se reporta la visita de Parihuanas Phoenicopterus chilensis (Molina, 1782) a los humedales de la Región Callao, Perú de abril a enero en números variables de uno a 14 individuos durante los años 1998 al 2018. Las observaciones fueron de adultos, juveniles e inmaduros. El registro más antiguo para estos humedales es el reportado en agosto de 1998 por Edward Brinkley y el mayor registro fue en agosto de 2017 con 14 individuos.
TOXICIDAD AGUDA DE TRES PLAGUICIDAS (BUTACLOR, OXICLORURO DE COBRE Y CLORPIRIFOS) SOBRE EL ANFÍPODO BENTÓNICO MARINO APOHYALE GRANDICORNIS (KROYER, 1845) (CRUSTACEA: HYALIDAE)
Authors: Sotelo-Vásquez Diana Lina , Iannacone Jose Alberto
Published: December 2019

Los plaguicidas han sido enormemente utilizados desde tiempos antiguos, en la agricultura para la protección de cultivos del ataque de plagas. Sin embargo, la mayoría de estos genera una alta contaminación ambiental; y a pesar de la regulación, estos siguen llegando por diferentes vías a las aguas marinas. El presente trabajo evaluó la toxicidad de tres plaguicidas de uso comercial en el Perú: el herbicida Butaclor, el insecticida Clorpirifos y el fungicida Oxicloruro de Cobre, sobre el anfípodo marino Apohyale grandicornis (Krøyer, 1845). Se realizaron bioensayos ecotoxicológicos con los tres modelos empleando protocolos estandarizados, además se efectuó una prueba de sensibilidad utilizando Dicromato de Potasio. Asimismo, tomando como base los ensayos agudos, se evaluó el riesgo ambiental de los tres plaguicidas a nivel acuático, mediante el cálculo del cociente de riesgo (CR). La secuencia de mayor a menor toxicidad según la CL50 (Concentración Letal media) de los plaguicidas fue: Butaclor˃ Clorpirifos˃ Oxicloruro de Cobre. Para la prueba de sensibilidad con Dicromato de Potasio se halló un valor de CL50 de 13,04 mg·L-1. El herbicida Butaclor registró la mayor toxicidad de todos los plaguicidas evaluados a las 96h de exposición en A. grandicornis con CL50 de 0,019 mg·L-1 mostrando una toxicidad 1,11 veces mayor que el Clorpirifos y 28,42 más que el Oxicloruro de Cobre. Finalmente tanto el Butaclor como el Clorpirifos presentan un riesgo ambiental sobre A. grandicornis; mientras que el Oxicloruro de cobre sólo mostró riesgo ambiental al utilizar el factor de seguridad para el cálculo del Cociente de riesgo.
An ethnic genetics – case study of B&H: facts, fallacies and myths
Authors: Hadžiselimović Rifat
Published: December 2019

The post-war period (1996 to presence) in the Western Balkans is colored by a kind of competition among (pseudo) scientists and self-proclaimed experts in search for the deepest roots of a particular ethnic group. General conclusions have been reached based of the distribution of a single or only few genetic markers, with no reference to the specific pheno-genotype system studied. The conclusions were all biased by earlier misconceptions and myths about the successive colonization of the Balkans and the inter-genetic relationships among regional populations. In this paper we elaborate methodology and limitations and misconceptions that arise from unsubstantiated use thereof.
Genetic characterization of autochthonous varieties of "Lubeničarka" pear using AFLP markers
Authors: Radoš Ljubomir , Vučković Bojana , Krmpot Tanja , Vokurka Aleš , Kovačević Zlatan
Published: December 2019

n this paper, we present the results of the examination of the genetic characteristics of 7 autochthonous varieties of "Lubeničarka" pear (watermelon pear) that are typical for the Banjaluka region, using AFLP molecular markers. In order to reliably confirm that there are differences among selected varieties we have analyzed their genetic profiles using AFLP genetic markers and established, based on the Jaccard similarity coefficient, that there is a genetic variability among the studied varieties. Furthermore, based on these analyzes we have classified these varieties into 3 groups of which variety G_19 has a very large coefficient (0.4369) when compared to other varieties. These results might be immensely important for present and future pear breeding and genetic improvement program.
CONTROL OF ELEMENTS OF CONSTRUCTION MACHINES AND METAL STRUCTURES USING LOW-APERTURE MAGNETOSTRICTIVE SENSORS
Authors: Bohachev I.V.
Published: December 2019

The aim of the work is to develop a method and technique for ultrasonic testing of elements of building machines and metal structures using low-aperture magnetostrictive transducers.A study was conducted to detect cracks in the prototype. The crack was grown artificially by repeated variable bending loads on the part.It was shown that the delay time for the signal to pass through the cracked section of the sample increased by 0,5∙10-6 s compared to the delay time when the signal passed through the defect-free portion of the sample, and the signal amplitude decreased by more than 10 times.Currently, ultrasonic testing methods for detecting surface cracks are the most promising. It seems advisable to direct further actions to an in-depth study of the transformation and interference of various types of waves in ultrasound paths and the development of methods for monitoring various objects.
CFD SIMULATION OF TEMPERATURE REGIMES OF THE COMBUSTION ZONE OF STABILIZER-TYPE BURNERS WITH ASYMMETRIC FUEL SUPPLY
Authors: Fialko N.М. , Prokopov V.G. , Sherenkovskyi Ju.V. , Alioshko S.O. , Meranova N.O. , Rokytrko K.V.
Published: December 2019

The results of computer simulation of the heat state of the combustion zone and the burnup rate of fuel for stabilizer burners with asymmetric fuel distribution are presented. The features of temperature fields in this zone that are characteristic of the conditions under study are revealed. The analysis of these features in the aspect of their conditionality by the two-stage combustion of fuel gas is carried out.
CONSTRUCTION CALCULATION OF MOBILE HEAT STORAGE
Authors: Demchenko V.G. , Gron S.S. , Pogorelova N.D.
Published: December 2019

Modern thermal power is built based on three components: generation, transmission, and distribution of thermal energy. In this industry, another fourth element which was previously virtually absent is energy storage. Energy storage completely change our usual heat supply system. Heat storage is a serious factor in saving energy and improving environmental safety. The introduction of autonomous high and low potential heat storage systems is a real opportunity for the development of Intelligence Smart Grid heating systems. Therefore, the study of mobile heat storage batteries and the choice of methods for their design calculation and performance is an important task of modern science and technology. For this purpose, a study was conducted to determine the charging and discharge time of a mobile heat accumulator, depending on the type, volume, and temperature of the heat storage material. Types of thermal energy accumulation, classes of thermal accumulators, range of operating temperatures for a thermal accumulator were analyzed, design features of accumulators, operating time and methods of calculation of design parameters were considered. It is concluded that the method of calculation of MTA depends on the selected type of heat storage material. Although, phase transition materials have a higher heat storage density than liquid solutions, the design of liquid thermal batteries is much more attractive regarding technological, technical, and economic parameters. As a result of the study, the dependence of the MTA charging rate on the heat source power was obtained, the required amount of heat was determined, the average battery cooling time from the volume of the heat storage material, and the heat losses through the MTA body was analyzed. The results obtained must be taken into account when choosing the design and capacity of the battery.
«The Strong-Willed Face of National Post-eclecticism»: Ukrainian Art-Association of the last quarter of the XX century in the Culture of the Era
Authors: Ігор АБРАМОВИЧ
Published: December 2019

The program of activity of the Kiev art association The Strong-Willed Face of National Post-eclecticism (1987 — early 1990s) was analyzed in the context of the history of Ukrainian Art of transition from the time of Perestroika to the first years of Independence. It is shown that at that time art historians were not as popular as practical artists were plotting new intellectual lines of generalization and reflection on social events, the creators themselves became at the helm of artistic interpretation of reality, its transformation and explanation for themselves and the audience of those phenomena. It was found that the important for artists of the The Strong-Willed Face… was the conceptual, ideological content of creativity, its principal manifestation: O. Tistol, K. Reunov, N. Matsenko, Ya. Bystrovа and M. Skugareva had their own creative concept, adhered to it in their works that distinguishes their work of this time among other representatives of the New Wave. It was found that, on the one hand, the creativity of the artists The Strong-Willed Face… was an offshoot of the New Wave, fitting into this phenomenon for a number of signs (vitalism, pictorial expressiveness, propensity for play and mythologization); on the other hand, The Strong-Willed Face… occupied a separate niche in the above artistic process, is characterized by a focus on national issues, actualization of the issue of national identity and carried out a kind of artistic and cultural research in this area by means of not art history, but visual art itself.
Visual temptation in 21st century music
Authors: Жак Амблард
Published: December 2019

With the new century began a metamorphosis of traditional art categories. The visual arts have been generalizing, even trivializing the use of sound in some of their works. A little later, especially since 2010, some composers, symmetrically, and as in a «counter-attack», have been designing installations, i.e. works of visual obedience. Nowadays, the visual aspect, in musical works, increasingly tends to develop. Czech composer Ondrej Adamek may have achieved his most notoriety by designing his Air machines, real musical sculptures. Pascal Dusapin recently completed his old fantasy of total art in a remarkable installation, Mille plateaux (2014). Do these examples betray the beginning of a fusion between the arts ? Or the end of each of them ?
Expression of fear, horror and despair in bacon’s painting: “three etudes for figures at the base of the crucifixion” (1944)
Authors: ЮЛІЯ АЗАРОВА
Published: December 2019

The article presents a detailed analysis of one of F. Bacon’s main pictures — “Three Etudes for Figures at the Base of the Crucifixion” (1944), as well as its late variation — “The Second Version of the Triptych 1944” (1988). Author uses the iconological method and shows the specifics of Bacon’s artistic intention that associates with the grotesque depiction of complex existential motifs of fear, horror and despair. Author studies a painting language of Bacon and focuses on the spatial organization of work, color palette, visual solution.Author considers the semantics of the figures and hypothesizes on the anti-narrative nature of this work. Author relies on the books of contemporary art historians (M. Harrison, L. Ficacci, D. Sylvester, J. Russell) and identifies the main sources of inspiration by Bacon’s “Triptych” (“La Coiffure” by E. Degas, “Guernica” and “Anatomy: Three Women” by P. Picasso, “Bathers” P ezanne). At the same time, author emphasizes that Bacon, who inherits the ideas of his predecessors does not stop at imitation, but goes further and creates his own style flamboyant, a “fiery style” that brings him well-deserved fame. The author draws on the assessments of leading art critics (L. Gowing, G. Melville, S. Hunter) and notes that Bacon’s “Triptych” serves as a turning point in the art of the 20th century, because this work accumulates a negative καιρός.The phantasmagoria of the lifeless “ghost world”, “world ruins”, and “world ashes” that Bacon plays in his picture shows the viewer how the world is alienated from man and man is alienated from the world
The experience of visual art in the rhythm of global transformations. New models of artistic action
Authors: Наталія БУЛАВІНА
Published: December 2019

A complete analysis of Ukrainian contemporary visual art’s functioning models and their features, and international scene from the middle of 2010’s until present time. There were comprehended and shown reactions of creative intellectual activity on the cultural globalization and imposed dictate of dominant global art-structures. Outlined is the nature of changes in the main institutional configuration of today’s contemporary art, including forms, connections, means and the amplitude of interaction between the participants. There was noticed a significant shift in the Ukrainian art field, shaped approximately after the year of 2010, connected with the emergence of entirely new communicative relationships, that are developing outside of pyramidal institutional vertical, and are carried out in the network. There were identified new creations of the contemporary art in the texture of artistic life — art-things. Also, there was demonstrated the significance of the artist’s signature in the new alliances of the virtual forms of art. Formulated a new content of the creative aspect of artist’s profession, that is determined and demanded by global trends. Indicated are the main prerequisites to actualize the interest to the artistic collectivism in both local and international environment. Clarified the key points of the phenomena of an overwhelming amount of texts regarding visual arts and the dominance of press-release. Found out the future perspectives of the new formats of artistic actions and the main structural elements of the system of Ukrainian visual arts in the context of global discourse.
Development and organization of group art projects as one of the means of researching the development of contemporary Ukrainian art
Authors: Анастасія ГОНЧАРЕНКО
Published: December 2019

The general tendencies of development of contemporary Ukrainian art in the context of creation of group art projects are determined. Some features of artistic life, the key events of which are the organization of international exhibitions, art fairs, residences and curatorial projects, are considered. The object of analysis was the features of curatorial methods in the preparation and organization of exhibition projects related to commercial, aesthetic, social and other aspects. The processes of preparation of exhibition projects in Ukraine are analyzed as a separate phenomenon of culture in the evolution of exhibition practice. Studies of the creation of group art projects will examine the transformation of modern Ukrainian art and interpret it, and contribute to delivering its wide audience and, accordingly, will enter into a social context that is essential for its functioning. The publication also deals with the issues of exhibiting works of contemporary art, the influence of public context on the aesthetic value of works and the problem of interaction of the artist with the public
The psychodelic poster as manifestation of pop-art movement in the british graphic design of the 1960-s years
Authors: Леся ДАНИЛЕНКО
Published: December 2019

The article reveals the preconditions for the emergence of a specific visual style and a special genre in the field of poster— a «psychodelic poster» in the 1960s in the United Kingdom.It is established that during the pop art movement, due to the popularity of the idea of replicating, from all branches of British graphic design it was poster that developed the most and got the status of the cult genre that caused the emergence of the so called phenomenon «poster boom». It is argued that it was exactly the poster that allowed to fully reveal the bright opportunities that were opened due to the new technical and artistic means of the pop art movement. The psychodelic posters of the British underground studio «Hapshash & The Colored Coat» have been analyzed as the most striking representative of the pop art movement in British graphic design. Though the pop-art soon declined, it became a prelude of postmodernism in the former avant-garde circles.
The figure of a woman in contemporary visual art of Ukraine
Authors: Тетяна МЕЛЬНИК
Published: December 2019

The article is focuses on topic of illumination of the image of women in the fine arts of Ukraine during the period of independence. On the basis of analysis and systematization of scientific sources and research of archival museum bases, the specificity of the female imagery in various art was described, namely: video art, painting, performative practices, as well as the state of processes related to the development and stagnation of feminist directed art in Ukraine. The projects overviewed are Tenderness by Olsia Ostrovska; Female and Oviposition by Hrytsia Erde; Lilit Community by Elia Parvulesku; as well as the video, created by Oksana Chepelyk along with prominent Ukrainian writer Oksana Zabuzhko Chronicles of Fortinbras. In their video work Life-time game Alina Yakubenko and Ksenia Hnylytska presented motherhood and housekeeping as the theme for computer game.
Innovations in Ukrainian Modern Art: New Technologies
Authors: Тетяна МІРОНОВА
Published: December 2019

. In Ukrainian art of the XX–XXI centuries the dominant position has taken by contemporary art. In addition to the traditional art, many trends are being developed based on the various media, such as digital-art, internet-art, VR, interactive art, narrower types of net-art, software-art, game-art, as well as scientific progress — science-art, bio-art and others. All of these practices operate in the realm of technical transformation, where image performs a minor function. Updating of artistic practices is associated with updates to expressiveness. Changes in the artistic process caused by technology development are twofold: related to the update of the facilities and resources and digital technologies. The main characteristic of contemporary art is its interactivity, as the opportunity for the viewer to interact with the artist and to participate in the creation of works. And the biggest difference between digital and traditional art is that it exists only at the time of its creation and requires the immediate presence of the author or viewer.The world of art today has undergone several major changes that have affected all its traditional types and industries, disrupting the development of artistic practices related to the use of new technologies (their impact can be compared with the revolutionary invention of photography and cinema). Technological updates in this collaboration are mostly applied, acting as a «mediator» between the author’sidea and its tangible embodiment. As a result of technical innovations, new principles of exhibition space construction have emerged, and the process of transporting and exhibiting works has been modernized, expanding opportunities for exchange and cultural connections. The opportunity to virtually visit art events on the Internet and view museum exhibits from anywhere in the world, anyone can create art objects, freely distributing them on social networks. This all creates a renewed perception of reality, channelling social experience into the realm of the visual. By its nature, art that responds quickly and acutely to transformation and innovation is beginning to use its full range of technical and scientific achievements
New technologies at the Venice Biennials the beginning of the XXI century
Authors: Олег СИДОР
Published: December 2019

The article focuses on the analysis of selected examples of the use of new technologies in the artworks presented in the Venice Biennale during 2001–2017. Going along with time, national projects at the Biennale are forced at least to take the new technologies into account if not to build their presentations based entirely on them. Technology is no longer concealed or hidden: it is a matter of bravado. It is used to mark the vague profile of the “new poetics,” the exact sense of which is still unclear and incomprehensible to us. It has been pointed that turning to the new technologies does not always produce striking artworks, full of attractive images (i.e. Breaking the Waves  by Lars von Trier).
Works of Victor Marushchenko: a documentary photo in the artistic space
Authors: Галина СКЛЯРЕНКО
Published: December 2019

The article analyzes the work of the famous Kiev photographer Viktor Marushchenko, covering several decades of Ukrainian art (1970s to 2000s), reflected important epochian tendencies. In particular: the development of Soviet documentary, which is not going beyond the limits of reportage, was nevertheless uncomfortable with generalizing figurative meanings, and the gradual incorporation of photography into the space of art. The photos of the master not only recorded important events of the time, but also became part of the artistic culture, thanks to photographs that transform the boundaries of visual aesthetic experience.
Artistic priorities of theater innovation: the challenges of time or the departure from archaic perception
Authors: Світлана ШУМАКОВА
Published: December 2019

It has been found that how modern theater is an art that postulates the priorities of a new cultural field and reveals the trajectories of its dynamics in new dimensions. The «Theater of Modernity» strives to be always super-actual and initiates the most effective principles of appeal to the mind. Therefore, a new intonation has been heard recently in the usual many-sided forms of presenting ideas by the theater. It is not defined by the usual framework and is determined by factors of a special order, in particular, the concept of post-dramatism, which carries a new theatrical «enzyme», a new world outlook. The prevailing situation in art highlights the idea of the basics of the formation of the modern image of the world, and therefore denotes the vector of art evolution as a new type of visuality and dominance of the visually oriented art form of the present as such. Thus, modern theater, often referred to as post-dramatic, the nature of which lies mainly in the global trend of separation from the tradition of drama, becomes an influential tool that expands the horizons of heightened empathy and vision in the context of updating the visual strategy. What actually erases the boundaries of traditional artistic aesthetics, deepening the genre-species connection, demanding constant updating of ideas about the possibilities of art and its merging with those areas of life that have never before been perceived in an artistic context.Therefore, a free experiment suppresses tradition and creates an experimental space for stimuli to reflection, rather than sensory perception, an invitation to reflect on the proposed problems, an invitation to take part in a special intellectual ritual. Accordingly, it can be said that stage art embodies in the current situation general invariant trends in the development of a new landscape of culture.In conclusion, we emphasize that this is a statement of a special kind of aesthetics, a special field of art, which can be considered, firstly, a new aesthetic philosophy; secondly, a special artistic space, and thirdly a laboratory of the latest theatrical formulas and forms; fourthly, — both the first, and the second, and the third, — taken together, — as art grafting in a zone of vulnerability.
Heroes make you think
Authors: Богдан Троха
Published: December 2019

Author discusses the mechanisms of mythologization of modern figures of heroes in the latest culture. He also analyzes the competences of the creator of such figures and their relationship with the very process of mythologization. He also describes the causes of this phenomenon in contemporary culture.The cultural attractiveness of the return to mythical models can be seen both in their aesthetic attractiveness and in the need, inherent in human nature, to search for the answers to existential questions. Since they are not sought for various reasons in philosophy or religion, art returning to mythical ambiguity and multi-facetedness, bringing contemporary man the possibility to return to the certainty of attitudes and choices sanctioned by mythical tradition, becomes in a natural way a space of essential meanings.
“The Warsaw Autumn” of the 1950s though 1960s and Ukrainian communicative context
Authors: Ігор САВЧУК
Published: December 2019

The specifics of the Ukrainian–Polish cultural relations during the late 1950s and early 1960s were outlined in the article. The area of research covers the strategies of development of the European festival movement, in particular the festival form of popularization of contemporary art and performing concepts of the well-known avant-garde music festival The Warsaw Autumn, established in Poland in 1956. Special attention was drawn to the importance of the communicative processes that accompanied the dissemination of the innovative music of the time from West to East, and to the role of Boris Lyatoshinsky in this discourse. Being a pillar of Ukrainian modern music, he inspired the constellation of young composers who would later join the Sixtiers dissident movement; they were predominantly graduates of Lyatoshinsky’s composing class at the Tchaikovsky Kyiv State Conservatory.Boris Lyatoshinsky’s participation in the Warsaw Autumn as a member of official delegation was explored as well. The analytics was conducted based on the rediscovered letters from H. Batsevych and T. Okhlevsky, prominent Polish cultural figures, to B. Lyatoshinsky, as well as on the memoirs of O. Strashynsky, a Ukrainian-born conductor. Communication, established by Lyatoshinsky (which resulted in popularization of his oeuvre in Poland and, respectively, of the works by the Polish composers—in Ukraine), enabled to define the Ukrainian–Polish discourse of the time as virtually the most active period of the Ukrainian–Polish post-warcultural initiatives.It should be added that sheet music, audio recordings, study guides to the contemporary composing techniques, brought home from the Polish festival, as well as free, no-taboo or cliche atmosphere at Lyatoshinsky’s composing class prompted the expansion of the ideas of the avant-garde culture that captured his immediate students and the whole young Ukrainian composing generation of the 1960s. This may be traced in the first explicitly avant-garde compositions of V. Godziatsky, V. Guba, L. Grabovsky, etc. This musical and worldview shift within the Ukrainian musical culture later was identified as Ukrainian musical avant-garde, while its protagonists were labeled as the Sixtiers composers.
Konaklama İşletmelerinde Çalışan Personelin Örgütsel Bağlılıklarının Çeşitli Açılardan İncelenmesi
Authors: ÖZDEMİR Halil Özcan
Published: December 2019

Bu
araştırmada konaklama sektöründe görev yapmakta olan çalışanların örgütsel
bağlılık düzeylerinin belirlenmesi ve çeşitli açılardan incelenmesi amaçlanmıştır.
Bu doğrultuda Nevşehir ilindeki 4 ve 5 yıldızlı otellerde çalışmakta olan 325
otel çalışanının görüşleri alınmıştır. Nicel araştırma yöntemlerinden ilişkisel
tarama modelinde yürütülen çalışmada veriler, Örgütsel Bağlılık Ölçeği ile
toplanmıştır. Verilerin çözümlenmesi aşamasında betimsel istatistikler,
ilişkisiz ölçümlerde t testi, tek yönlü varyans analizi, çoklu karşılaştırma
LSD testi ve Pearson korelasyon testi hesaplanmıştır. Araştırma sonucunda otel
çalışanlarının en yüksek bağlılıklarının devam bağlılığı olduğu, en düşük
bağlılıklarının da normatif bağlılıkları olduğu tespit edilmiştir. Çalışanların
cinsiyetlerine ve medeni durumlarına göre örgütsel bağlılıklarının anlamlı bir
değişiklik göstermediği belirlenmiştir. Konaklama sektöründe çalışan kişilerin
duygusal ve devam bağlılıklarının eğitim düzeylerine göre anlamlı bir
değişiklik gösterdiği tespit edilmiştir. Ayrıca çalışanların yaşları ve
kıdemleri ile örgütsel bağlılıkları arasında düşük düzeyde ilişkiler olduğu ya
da anlamlı ilişkiler bulunmadığı belirlenmiştir. Araştırma sonucunda elde
edilen sonuçların literatüre ve bilime katkı sunacağı düşünülmektedir.
Problem Genişletme Etkinliklerinin Problem Çözme Başarısına ve Üstbilişe Etkisi
Authors: ALAN Seyfi , ÖZSOY Gökhan
Published: December 2019

Bu çalışmanın amacı, problem genişletme etkinliklerinin öğrencilerin
problem çözme başarısına ve üstbiliş becerisine etkisinin incelenmesidir. Bu
doğrultuda araştırma, ön test-son test kontrol gruplu deneysel desen üzerine
modellenmiştir. Araştırma, 2015-2016 eğitim öğretim yılının ikinci döneminde
Rize İli Merkez İlçesi’nde bir ilkokulda, 31’i deney ve 30’u kontrol grubunda
olmak üzere, toplam 61 öğrenci ile dokuz hafta boyunca yürütülmüştür.
Araştırmada, deney grubunda yer alan öğrencilere problem genişletme
etkinlikleri uygulaması yapılırken, kontrol grubunda yer alan öğrencilerin
öğrenme sürecine herhangi bir müdahale yapılmamıştır. Araştırmada kullanılan
veriler; problem çözme başarı testi ile üstbilişsel bilgi ve beceri ölçeği
kullanılarak elde edilmiştir. Araştırma sonucunda, deney grubundaki
öğrencilerin uygulama süreci sonunda hem problem çözme başarısında hem de
üstbilişsel bilgi ve beceri düzeylerinde artış olduğu görülmüştür. Ayrıca bu
artışın deney grubunda, kontrol grubuna oranla daha yüksek olduğu gözlenmiştir.
Bunun yanında hem kontrol hem deney            test
ve son-testte problem çözme başarı testi ile üstbiliş bilgi ve beceri ölçeğinin
yüksek düzeyde korelasyona sahip olduğu görülmüştür. Elde edilen sonuçlara göre,
problem genişletme etkinliklerinin hem problem çözme başarısında hem de
üstbiliş bilgi ve becerilerinde artış sağladığı belirlenmiştir.
Aktif Spor Yapan Amatör Sporcuların Spor Ortamında Fair Play (Sportmen) Davranışlarının İncelenmesi
Authors: PEPE Kadir , KARA Arif , ÖZKURT Rabia , DALAMAN Osman
Published: December 2019

Araştırma aktif
spor yapan amatör sporcuların spor ortamında fair play ( sportmen)
davranışlarının incelenmesi amacıyla yapılmaktadır. Araştırmanın evreni Isparta
ili Gençlik ve Spor İl Müdürlüğünde lisanslı olarak amatör sporla ilgilenen sporculardan,
örneklem gurubu ise bu sporculardan gönüllülük esasına göre tesadüfi örneklemle
seçilmiş 700 sporcudan oluşmaktadır. Bu sporcular cinsiyet açısından 247 kadın,
453 erkek, spor dalları açısından ise, 417 takım,283 bireysel sporcudur. Araştırmada
veriler teorik kısım yazılı kaynaklardan, çalışma alanındaki veriler ise anket
yöntemiyle elde edilmiştir. Anket olarak Koç,
(2013) tarafından geliştirilmiş olan “Beden eğitimi dersi sportmenlik davranışı
ölçeği, kullanılmıştır. Ölçek geliştirme sürecinde ölçeğin Alpha güvenirlik
katsayısı 0.85 olarak hesaplanmıştır. Anketler katılımcılarla birebir
görüşülerek konu hakkında bilgi verildikten sonra doldurtulmuştur. Elde edilen
veriler istatistik işlem için bilgisayar ortamına aktarılmış ve uygun
istatistik programda değerlendirilmiştir. İstatistik işlem olarak Frekans (%),Chi-Square (X2),
Independent Samples T Test işlemleri
yapılmıştır. Değişkenler arası farklılıkların tespitinde 0,05 güven aralığı
olarak kabul edilmiştir.Elde edilen verilere göre; katılımcıların spor yarışmalarında
çoğunlukla Fair play (sportmen) davranış içerisinde yarıştıkları, değişkenler
arasında yapılan karşılaştırmalı istatistiksel analizde, kadınların erkelere
göre, bireysel spor yapanların, takım sporcularına göre daha (Fair Play)
sportmen davrandıkları görülmektedir. Yani 0,05 manidarlık düzeyinde anlamlı
bir ilişki bulunmaktadır(p<0,05). Sonuç olarak; aktif spor yapan amatör
sporcuların çoğunlukla yarışmalarında Fair Play(sportmen) kurallara göre
yarıştıklarını, değişkenlerden kadınların erkeklere göre, bireysel spor
yapanların, takım sporcularına göre daha (Fair Play) sportmen davrandıklarını
söyleyebiliriz.
Zasady ogólne dotyczące praktyk pokutnych na podstawie Libri poenitentiales
Authors: Kieling Michał
Published: December 2019

The article discusses the most important premises which deal with Christian penance from the VI to the XI century. The main sources for the above article are the Penitential Books (Libri Poenitentiales), published as part of the series of Źródła Myśli Teologicznej (ŻMT 58), collected and edited by A. Baron and H. Pietras in 2011. The article consists of three parts. The first part examines the meaning of penance in the life of Christians as a medicine for sin which is an illness of the soul and the body. The second part presents the teaching of peniten­tials on the twelve ways of absolving from sins. The third part provides practical suggestions for confessors and penitents. The Penitential Books, as a witness to the development of penitential practices, confirm the role of individual spiritual therapy in the life of the Christian. This process of regaining of one’s spiritual health takes place, on one hand, through the grace of God’s Mercy, and, on the other hand, through penitential practices whose aim was internal conversion and outward change in one’s way of life.
Dwie wersje Modlitwy Pańskiej odczytane w kluczu inicjacyjnym
Authors: Mateja Leszek
Published: December 2019

The article attempts to prove the validity of Origen’s thesis that two versions of the Lord’s Prayer noted by evangelists Matthew and Luke represents two dif­ferent prayers. To validate the thesis, the author interprets extracts from the New Testament by using the initiation method. Through this method he demonstrates that catechumens were probably taught the version of the Lord’s Prayer noted by Luke, while the version written by Mark could be destined for those who had been baptised.
La difesa dell’identità del corpo risorto con quello terreno nel De resurrectione di Metodio di Olimpo
Authors: Mejzner Mirosław
Published: December 2019

Dialog Metodego O zmartwychwstaniu (De resurrectione) jest obszernym i po­głębionym przedstawieniem kościelnego rozumienia tego dogmatu w kontekście polemiki z niektórymi poglądami Orygenesa i platonizujących nurtów w chrześ­cijaństwie. W początkach IV w., jednym z kluczowych problemów teologicznych było wykazanie racjonalności formuły „zmartwychwstanie ciała” oraz szczegó­łowe wyjaśnienie jej treści. Celem artykułu jest wskazanie i opisanie elementów, uznanych przez Metodego za konieczne i konstytutywne dla prawowiernego ro­zumienia dogmatu oraz analiza zastosowanej przez niego argumentacji, ukierun­kowanej na wykazanie tożsamości ciała zmartwychwstałego z ziemskim, tak co do materii, jak i formy. W artykule podjęta też została próba zrozumienia zasadni­czych motywacji, które w okresie prześladowań Dioklecjańskich skłoniły bisku­pa Olimpu do zajęcia się w sposób tak kompleksowy kwestią zmartwychwstania. W świetle dotychczasowych studiów zaproponowana też została ocena argumen­tacji autora De resurrectione w kontekście doktrynalnej polemiki w jego czasach.
Dreams in Evagrius Ponticus’ life and teaching
Authors: Rivas Rubén Peretó
Published: December 2019

There are few late antiquity authors who pay more attention than Evagrius to dreams. For him, visions and dreams are not a way to prophesy the future or to keep in contact with the dead. They are basically a way to know oneself and the state of one’s own spiritual life. After contextualizing the theories on dreams in the most significant authors of that period, I discuss the place that visions and dreams occupied in the Evagrian corpus, describing their mechanisms as a complex ope­ration between passions, memory and the influence of demons.
Necator pauperum i necator egentium w prawodawstwie synodów galijskich V-VII wieku
Authors: Skibiński Tomasz
Published: December 2019

One of the characteristic concepts present in the documents of the Gallic sy­nods from the 5th to the 7th centuries is necator pauperum (slayer of the poor), and related to it necator egentium (slayer of the needy). This article aims to analyse the use of these expressions in the synodal legislation. It shows that the notion generally refers to two types of abuse: retention of the offers due to the Church, and various forms of seizure of Church property. The synods also stipulate severe penalties against those judged guilty of being “slayers of the poor”. The study presents the Gallic Church during a very intense political, social and cultural tran­sition. It is a Church looking for its place in the new post-roman world, at a time of new opportunities and new dangers.
Jan Chryzostom o śpiewie i muzyce. Zarys problematyki
Authors: Szczur Piotr
Published: December 2019

This article has been divided into three parts. The first part discusses the im­portance of singing and music in Jewish and Christian traditions; the second part discusses Chrysostom’s observations on singing and secular music (a lot of space is devoted to criticizing the obscene songs) and Jewish; the last part of the article is devoted to Christian singing. John Chrysostom attributed the great importance of singing and music and pointed to their various positive functions and actions. However, he criticized apotropaic and convivial songs, and theatrical and wedding songs as well. He also spoke negatively about Jewish songs and music. Chrysostom encouraged to introduce the repertoire of Christian songs to every dimension of hu­man existence. It had several goals: 1) to raise moral values of Christians’ life, who should avoid singing or listening to obscene theatrical songs; 2) to resist the strong influence of Judaism on a significant part of Christians in Antioch; 3) to establish the repertoire of Christian songs that would be sung for the glory of God.
„Nie ma nic ważniejszego od religii, nic wznioślejszego od wiary” (Epistula 72, 12). Wiara w świetle listów św. Ambrożego
Authors: Wysocki Marcin
Published: December 2019

The presented paper discusses the issue of faith in St. Ambrose’s letters. According to him, there is nothing more important than faith and therefore he refers repeatedly in his correspondence to various issues related to faith. So Ambrose’s letters are the perfect practical complement to his dogmatic and exe­getical works. The above article on the basis of the reading of his letters shows the faith as a gift to be developed and improved, having the source in the Scriptures; richness of faith and its reference to other virtues and the Christian faith in relation to Jews and Gentiles are shown as well.
Świętość i sakramentalność małżeństwa w myśli Jana Chryzostoma
Authors: Wysocki Marcin
Published: December 2019

John Chrysostom, bishop of Constantinople, in his works as one of the first Church Fathers, spoke a lot about marriage. First of all, Christian matrimony, according to his teaching, was the unity of the bodies from whom the commu­nion of two person – man and woman – follows. The unity and uniqueness were the essential features of the matrimony. Only true love, which comes from God, can build true unity of husband and wife. That’s why Chrysostom calls matri­mony „sacrament (mysterion) of love”. Greek word „mysterion” has in John Chrystosom’s works two meanings: mystery of marriage and mysterious activity of God. Because Holy God is the creator of matrimony it can be called holy and sacred.
Multimodal Balance Training Supported by Rhythmical Auditory Stimuli in Parkinson’s Disease: A Randomized Clinical Trial
Authors: Capato Tamine T.C. , de Vries Nienke M. , IntHout Joanna , Barbosa Egberto R. , Nonnekes Jorik , Bloem Bastiaan R.
Published: December 2019

Background:

Balance impairment in Parkinson’s disease (PD) improves only partially with dopaminergic medication. Therefore, non-pharmacological interventions such as physiotherapy are important elements in clinical management. External cues are often applied to improve gait, but their effects on balance control are unclear.

Objective/Methods:

We performed a prospective, single-blind, randomized clinical trial to study the effectiveness of balance training with and without rhythmical auditory cues. We screened 201 volunteers by telephone; 154 were assigned randomly into three groups: (1) multimodal balance training supported by rhythmical auditory stimuli ( n = 56) (RAS-supported multimodal balance training); (2) regular multimodal balance training without rhythmical auditory stimuli ( n = 50); and (3) control intervention involving a general education program ( n = 48). Training was performed for 5 weeks, two times/week. Linear mixed models were used for all outcomes. Primary outcome was the Mini-BESTest (MBEST) score immediately after the training period. Assessments were performed by a single, blinded assessor at baseline, immediately post intervention, and after one and 6-months follow-up.

Results:

Immediately post intervention, RAS-supported multimodal balance training was more effective than regular multimodal balance training on MBEST (difference 3.5 (95% Confidence Interval (CI) 2.2; 4.8)), p < 0.001). Patients allocated to both active interventions improved compared to controls (MBEST estimated mean difference versus controls 6.6 (CI 5.2; 8.0), p < 0.001 for RAS-supported multimodal balance training; and 3.0 (CI 2.7; 5.3), p < 0.001 for regular multimodal balance training). Improvements were retained at one-month follow-up for both active interventions, but only the RAS-supported multimodal balance training group maintained its improvement at 6 months.

Conclusion:

Both RAS-supported multimodal balance training and regular multimodal balance training improve balance, but RAS-supported multimodal balance training–adding rhythmical auditory cues to regular multimodal balance training–has greater and more sustained effects.