A Study on the Artistic World of Unpa park Kyung Rang, a Successor of Yoeongnam Dance
Authors:   Korean Society of Gyobang and Culture, Baek Jae Hwa 
Published: January 2025

In the world of Park Kyung-rang’s dance, the time of learning and the time of individual constant effort, which are difficult to encounter in the world of open dancers, are limited. Even after taking up the teenage years, not only the outstanding teacher from his twenties, but also Kang Ok-nam, who was a hidden master of Kwon Bun who was in the early night, and Kim Ae-jeong, of Masan Kwon Bun, were invited as dance teachers to study dance. These two were the people who did not appear in public, hiding that they had been involved in Kwon Bun after liberation.
He didn’t hesitate to go to the people and learn. Because of such a learning attitude and the insight of dance, Park Kyung-rang, who is rich in today’s repertoire, exists.
Park Kyung-rang’s stubborn professionalism, which does her best to communicate with evil so that her limp feet do not become a part of her dance on stage, did not come true overnight, and I think it is an asset of great roots that promises Tantandae as a dancer Baek Jae-hwa in 2011. Criticism of the Arts and Culture of the Year-round. Beyond the fascination of Gyeonggukjimu, Park Kyung-rang’s Yeongnam Gyobangcheong dance.
Park Kyung-rang’s dance world can be summarized as follows.
Hana. He is a descendant of a generation of entertainment families, and the entertainment of Kim Chang-hoo’s great-grandfather became the seed of Park Kyung-rang, the current dancer, and Park Kyung-rang, the master of Yeongnam Gyobangcheong dance.
2. Meeting a good teacher was easier than anyone else because the culture of growth that was seen, heard, and raised was easy to encounter traditional culture and art. This can be interpreted as an easy access point for continuous traditional culture and art.
3. You can see the ability of a dancer to lead linked learning and progressive learning without staying in a good teacher or a single teacher.
4. When the change in perception of Gyobang is undercooked, the artistry of courage and perseverance is seen to overcome the error of perception through time flow and continuous activities.
5. It is compiling the charm of the Yeongnam dance by continuously performing the dance with the spirit of Yeongnam, which was scattered.
The Yeongnam Gyobangcheong Dance, the representative work of Unpa Park Kyung-rang, is summarized as follows.
First, the Yeongnam Gyobangcheong Dance is attractive through its integration with music, the existence of various playgrounds that are not easily seen in other traditional dances, acceptance of modern senses of visuals, scientificization of works, and differentiation of body use.
Second, the Yeongnam Gyobangcheong Dance is a work that has revived today’s Gyobang by walking a single path firmly and upright from the era of barren Gyobang awareness.
Third, the Yeongnam Gyobangcheong Dance is the textbook and the beginning of the Gyobang dance of this era, and it has become the cornerstone of the traditional dance that opens tomorrow, showing an exemplary model of cultural heritage toward the next generation.