bluuebunny/crossref_metadata_2025 huggingface dataset:
MUSIK GENJRING SEBAGAI SARANA DAKWAH ISLAMIAH
Authors: Wibowo Markus , Santosa Santosa
Published: June 2022

ABSTRAKPenyebaran suatu agama bisa dilakukan dengan berbagai cara, antara lain dengan memanfaatkan seni sebagai medium. Di Indonesia musik tradisi telah lama ada dan pada umumnya dipakai sebagai sarana untuk upacara-upacara keagamaan, sehingga seni (musik) sudah menjadi barang biasa dan akrab dengan masyarakat, khususnya pedesaan, yang sebagian besar masih mempertahankan nilai-nilai tradisi leluhur.Agama Islam membawa suasana baru bagi kehidupan masyarakat Jawa yang sebelumnya sangat akrab dengantradisi Hindu-Budha. Pengaruh Islam terhadap kebudayaan Jawa tidak hanya membawa pembaharuan dalam kehidupan sehari-hari, tetapi juga sampai kepada bidang seni musik.Genjring sebagai produk dari masuknya Islam sangat berperan sebagai salah satu medium bagi penyebaran agama Islam dan telah menjadi bagian dari kesenian tradisional Nusantara yang mempunyai hak sama dengan kesenian-kesenian tradisiolanl lain; ia mampu, dengan kelebihannya, menjadi alat pemersatu masyarakat desa yang mayoritas beragama Islam. Tulisan ini memaparkan musik Genjring sebagai sarana yang efektif untuk dakwah yang penelitiannya telah dilakukan di daerah Purbalingga dengan cara mendatangi lokasi dan mengadakan pengamatan secara teliti terhadap para pemain Genjring.Kata kunci: Genjring, Islam, Dakwah, Kitab BarzanjiABSTRACTThe spread of a religion can be done in various ways, such as by utilizing arts as a medium. Indonesia’s traditional music has long existed and is generally used as a means for religious ceremonies, so music has become a regular item and are familiar with the community, especially in rural areas, which are mostly still maintain the tradition of ancestral values. Islamic religion brought a new atmosphere to the Java people’s lives who are very familiar with the Hindu-Buddhist tradition. Islamic influence on the culture of Java not only bring renewal in our daily lives, but also to music.Genjring as a product of the advent of Islam was instrumental as a medium for the spread of Islam and has been part of this archipelago traditional art and it has the same rights as other traditional arts; it was, with all of it’ssupremacy, able to become an integral tool for villagers of Muslim majority. This paper describes Genjring musicas an effective means of propaganda which research has been done in the area Purbalingga by visiting the site and held a thorough observation of the Genjring players.Keywords: Genjring, Islam, Dakwah, Kitab Barzanji
“NYORA” RE-INTERPRETASI REALITAS SOSIAL PASCA PANEN DALAM SENI PERTUNJUKAN
Authors: Santosa Gempur , Supanggah Rahayu
Published: June 2022

Tulisan ini tentang karya seni pertunjukan “Nyora” yang secara etimologi berasal dari istilah Sunda, yaitu nyora. Dalam Bahasa Indonesia nyora dapat diartikan bersuara dan berbunyi. Dalam karya ini, “Nyora” diartikan sebagai persenyawaan dari aktivitas dan interaksi musikal yang berangkat dari suara lingkungan, kesenian setempat, dan suara batiniah sebagai doa atau persembahan yang ditujukan ke Pernyai atau Dewi Sri dalam dimensi ruang dan waktu. Komposisi musik dibangun atas penelaahan yang berangkat dari dua macam realitas, yakni realitas sosial objektif dan realitas sosial subjektif. Realitas sosial objektif dapat diterjemahkan dari spirit masyarakat dengan latar belakang peladang dan pesawah ketika syukuran panen di lingkungan masyarakat Subang bagian tengah. Realitas sosial subjektif diterjemahkan melalui kesadaran terhadap suara-suara atas realitas yang tampak atau aktivitas sehingga menimbulkan persepsi untuk mencari makna atau nilai lokal di dalam masyarakat.Kata Kunci : Seni Pertunjukan, Pernyai, Realitas SosialABSTRACTThe text is about performing art of “Nyora”. Nyora etymology is if followed by Sundanese language. These are nyora. In Indonesia nyora means voice and sound. Referred by “Nyora” means compound of activity and musical interaction that comes from soundscape, local art, and inmost voice as a prayer or inscription to shown of a Pernyai or Dewi Sri in the dimensions of space and time away. Music’s composition built on review that’s comes of two kind realness, those are; objective social reality is society’s spirit with a background of cultivator or a farmer when the people’s harvest within the society on the Central Subang Region. Subtractive social reality in action or activity. As a result it gives to responses for meaning or value in the local society.Key word : Performing Art, Pernyai, Social Reality
WORKSHOP PEMBUATAN INSTRUMEN DAN PENYUSUNAN MUSIK BAMBU UNTUK PESERTA “FESTIVAL SWARA DELING 2015” DI SURAKARTA
Authors: Suwardi Al.
Published: June 2022

Program Pengabdian Kepada Masyarakat yang telah dilaksanakan adalah bentuk kegiatan pelatihan yang lebih ditekankan pada proses alih kemampuan tentang membuat instrumen musik bambu, cara menyajikan, dan cara-cara menyusun musik inovatif. Ada beberapa metode yang digunakan dalam proses ini yaitu: tahap pemaparan organologi bambu, eksplorasi instrumen, penyusunan karya baru, dan tahap penyajian.Berdasarkan ruang lingkup program yang dirancang maka kegiatan ini menghasilkan luaran sebagai berikut: (1) dokumentasi audio visual proses pembuatan instrumen musik bambu, (2) dokumentasi pergelaran karya musik hasil workshop penciptaan karya inovatif dalam bentuk audio visual, (3) menelorkan generasi pengrajin instrumen musik bambu, (4) menelorkan penyusun musik bambu yang inovatif, (5) menumbuhkan animo generasi penerus terhadap musik bambu baik dalam bentuk tradisional maupun inovasi, dan (6) artikel ilmiah (jurnal lokal) tentang proses pembuatan instrumen musik bambu.Kata kunci : karya inovatif , dokumentasi audio visual, instrumen musik bambu,
Karya Rakut Sitelu
Authors: Tarigan Brepin
Published: June 2022

Rakut Sitelu adalah salah satu unsur yang ada dalam konsep Sangkep Nggeluh yang fungsinya untuk menentukan kedudukan seseorang dalam bersosial dan berbudaya kedalam tiga kategori yaitu Sukut, Kalimbubu, dan Anak Beru. Sukut adalah pihak yang menjadi tuan rumah dalam suatu upaca adat istiadat maupun ritual, kalimbubu adalah pihak yang sangat dihormati karena dianggap menjadi perwakilan Dibata (Tuhan) dibumi pemberi tendi dan darah, sedangkan Anak Beru adalah pihak yang mengerjakan pekerjaan sukut dalam upacara adat istiadat maupun ritual. Namun dalam sistem Rakut Sitelu kedudukan tersebut akan berganti melalui proses ertutur sehingga tidak ada kedudukan tetap dan kasta dalam masyarakat Karo. Namun dewasa ini sistem Rakut Sitelu menjadi artifisal karena berbagai pengaruh diantaranya jabatan, ekonomi, dan tantangan hidup. Fenomena tersebut membuat pengkarya merasa perlu menciptakan sebuah kritisi melalui media musik kemasan seni pertunjukan yang digagas dari konsep falsafah hidup masyarakat Karo dengan sumber bunyi dan rhitem dari gendang sarunei dalam kemasan seni pertunjukan dengan durasi pertunjukan lebih kurang 50 menit. Komposisi ini diberi judul “Rakut Sitelu” dan dibagi menjadi tiga bagian yaitu Sukut, Kalimbubu, dan Anak Beru. Namun komposisi ini tidak dapat berdiri sendiri-sendiri melainkan terkait antara yang satu dengan bagian lainnya. Masing-masing dalam bagian tersebut mempunyai makna tersendiri yang terkait dengan sistem Rakut Sitelu. ABSTRACTRakut Sitelu is one of the elements contained in the concept Sangkep Nggeluh whose function is to determine the position of a person in a sociable and cultured into three categories Sukut, Kalimbubu, and Anak Beru. Sukut is party to host a customs ceremony and rituals, Kalimbubu is the highly respected because it is considered to be a representative Dibata (God) on earth giver tendi and blood, while the Anak Beru is a party that does the work Sukut ceremonial customs and rituals. However, within the Rakut Sitelu these positions will change through the process ertutur so there is no fixed position and caste in society Karo. But today it is the Rakut Sitelu sytem be artifisal due to various influences such positions, the economy, and the challenges of life. That phenomenon makes composer felt the need to create a critique through packaging music media performance art conceived of the concept of community Karo philosophy of life with the sound source and rhitem of drum sarunei in the packaging art show with performances duration of approximately 50 minutes. This composition was given the title of “Rakut Sitelu” and is divided into three parts, namely Sukut, Kalimbubu, and Anak Beru. However, this composition can not stand alone but bound between the one with the other parts. Respectively in the section has its own meaning related to the raccoon Sitelu system.
TEATER KOMA SEBUAH HARAPAN YANG TERUS BERLANGSUNG
Authors: Mardjono Johann
Published: June 2022

Tulisan ini adalah hasil penelitian ketika penulis membuat karya film dokumenter otobiografi Nano Riantiarno pendiri sekaligus pengelola Teater Koma. Metode yang dipakai dalam penelitian ini adalah metode historis-kritis, yaitu melakukan studi kepustakaan atas tulisan-tulisan tentang Nano Riantiarno dan Teater Koma. Data didapatkan dengan melakukan wawancara langsung kepada yang bersangkutan. Dalam tulisan ini membahas mengenai Teater Koma sebagai kelompok teater yang selama 33 tahun telah berkiprah di panggung pertunjukan kesenian di Indonesia. Teater ini telah mementaskan sebanyak 119 kali pementasan, baik di Jakarta maupun di daerah. Suatu pertanyaan yang memerlukan jawaban adalah, bagaimana Teater Koma dapat bertahan hidup sampai sekarang. Suatu fenomena yang tidak dipunyai oleh kelompok teater yang ada saat ini di Indonesia. Teater Koma telah berhasil membentuk suatu komunitas teater, tempat penggemarnya selalu mengapresiasi pertunjukan-pertunjukan yang diproduksinya dan mempunyai anggota tetap dan setia lebih dari 80 orang, serta penonton tetap dan setia lebih dari 6000 orang.Â Kata Kunci:Â Teater rakyat, mencari kebahagiaan, harapan.
MAKNA RAGAM HIAS SARUNG TENUN SUTERA MANDAR
Authors: - Amri
Published: June 2022

This article summarized from the research report aimed at finding out the development of the ornament form of woven silkÂ sarongÂ ofÂ MandarÂ and its symbolic meanings. The method used was a descriptive qualitative one. The data was collected through observation, interviews and literature. Safri Sairinâ€™s theory was used to study the development of the form of the ornament and Bagus Gede Trigunaâ€™s was used to study the symbolic meanings. The research results showed that the development of the ornament form of the woven silkÂ sarongÂ ofÂ MandarÂ had something to do with socio cultural changes, the economical level of the society, and the creativity of the weaver. The ornament in rectangle form in the society ofÂ Polewali MandarÂ symbolizes nature, glorious values of human characteristics and the concept of self-control.Â Keywords:Â Â woven cloth, silkÂ sarongÂ ofÂ Â Mandar, and development.
DIYAT SARIREDJO: PANDANGAN DAN KONSEP PEMIKIRANNYA
Authors: Setiawan Aris
Published: June 2022

Diyat Sariredjo is a highly skilled maestro of East Javanese karawitan. His name is often mentioned in relation to thedevelopment of karawitan in East Java at the time when he was a composer, arranger, and head of the karawitan group atRadio Republik Indonesia in Surabaya. Because of the regulation for a routine broadcast of East Javanese karawitan,Diyatâ€™smusical patterns on the kendang and rebabwere usedwidely as a reference by karawitan artists throughout EastJava and in particular in Surabaya.Diyat not only performed East Javanese style gending but also initiated a number ofmonumentalworks of karawitan.Dayat Sariredjomay be said to be the onlymaestro ofEast Javanese karawitanwho is notonly a highly skilled performer but also has the ability to formulate concepts and theories of East Javanese style karawitan.This was supported further by his position as a teacher at Sekolah Menengah Karawitan Indonesia and SekolahTinggiKesenianWilwatikta Surabaya during the 1980s.He transmittedmany thoughts and ideas both to his studentsand colleagues. One of the concepts that Diyat Sariredjomanaged to develop was an analysis of pathet and the sirikantones in compositions of East Javanese karawitan.Diyatâ€™s version of pathet is unique since it is basedmore on the strongseleh of themainmelody (balungan) in a gending (referred to as the tonic). In addition, in order to reinforce the sense ofpathet, every gending has certain â€œprohibitedâ€ noteswhich should be avoided (sirikan). ToDiyat, these notes should beavoided in order that the colour of a particular pathetmay emergemore strongly.On the contrary, if a gending contains toomany of these prohibited notes, the colour or sense of the pathet in a gendingmay become obscure or biased.Keywords:Maestro, concept of thoughts, pathet, prohibited notes.
REKONSTRUKSI TARI BEDHAYA DIRADA META DI MANGKUNEGARAN
Authors: Rokhim Nur
Published: June 2022

This article is the result of a study into the reconstruction of the BedhayaDiradaMeta dance in theMangkunegaran.This dance is interesting in that it uses the name Bedhaya and is performed by seven male dancers. The battle whichMangkunegara I experienced in the forest of Sitakepyak on the day of Monday Pahing 17 Sura in the year Wawu1681J/1756 AD was the event which inspired the creation of Bedhaya Dirada Meta. The meaning of the BedhayaDiradaMeta dance is closely related to the philosophy ofMangkunegara Iâ€™s struggle, promoting the concept of Islamicteachings (Sufism). In addition to this concept, the use of seven dancers is related to the events experienced byMangkunegaraI when he was fighting against theDutch. A socio-cultural approach was used, taken fromthe field of social and politicalsciences. In order to discover the history ofMangkunegara Iâ€™s struggle, in relation to existing texts ormanuscripts, a literary(hermeneutic) framework was used, with a historical method, in order to obtain reliable data. The reconstruction of theBedhayaDiradaMeta dance by Daryono, Hartanto, andWahyu Santoso Prabawa, was founded on the problem ofcreativity in the field of dance.Keywords: Reconstruction, BedhayaDiradaMeta dance.
RUPA DAN MAKNA SIMBOLIS BATIK MOTIF MODANG, CEMUKIRAN
Authors: Sudarwanto Aan
Published: June 2022

This article presents and identifies the formand symbolicmeaning of the batikmotif known asmodang, cemukiran. Thepresentation beginswith an explanation of the formof the batikmotifmodang, cemukiran, followed by an interpretationof the symbols surrounding it. The symbols are interesting in that a single symbol can explain a dual function, namely atranscendent-vertical function (related to reference, size, and the behavioural patterns of the community) and an immanenthorizontalfunction (as a means of communication based on its context and close connection with the solidarity of thesupporting community). In order to discovermore about the symbols surrounding the batikmotifmodang, cemukiran, itis first necessary to learn about the background of the personwho designed thismotif. Based on the nature of thought of theJavanese with regard to sacred symbols,which are constantly used as guidelines in every aspect of their lives, themodangand cemukiranmotif can be understood to be a symbol of flames.Modang and cemukiran aremotifswhich have certainsimilarities from the point of view of their visual form. The modang motif can be said to be a form of stylization of thearrangement or organization of the shape of firewhich has a flexible nature. Based on this analysis, the shape of the fire canbe said to be closer to its real form, whereas the shape of the cemukiranmotif ismore of a deformation of shape; that is, anornamentation created by breaking down and then rearranging the shape to achieve the desired form. In itsmanifestation, fireis elaborated in the formofmodang and cemukiranmotifs,whose application appears on batik cloth, the decorative plating onthe sheath of a traditional dagger or keris, and a number of ornaments on the interior of the palace or keraton.Keywords: Symbol,Modang,Cemukiran, FlamesÂ
SEKALA NISKALA: Realitas Kehidupan Dalam Dimensi Rwa Bhineda
Authors: Ardana I Ketut
Published: June 2022

Â The SekalaNiskalamusicwas inspired by the society social conflicts. It used cross culture concept asmusic applications thatcollaborate between the kwartets and gamelan luwang. It consists of three compositions are: Sekala,Niskala, and Ananda.Purpose of thismusic are: 1) gift knowledge to society obout the sekala niskala concept; 2) interpretations sekala niskalaworldin symbols, such as: tones andmelodys; 3) doing develop to traditionalmusicwith â€œnowdays creativityâ€; 4) result the newmusic. SekalaNiskalamusic can be useful for society as reflection the sekala niskala concept phenomenon in the publics live.SekalaNiskalamusic is considered newmusic that usingmusic character and semiotics approach.Keywords:music, rwa bhineda, sekala, niskala, ananda.
PERJALANAN HIDUP DAN KREATIFITAS SANG PESINDHÃˆN
Authors: Saraswati Batari Ayu
Published: June 2022

The article entitled â€œThe Life Journey and Creativity of the PesindhÃ¨nâ€ was in theory encouraged by a desire to understandaspects of the workmanship, the thoughts, and the success of Nyi Ngatirah who was moulded under the guidance anddirection of Ki Nartasabda. Nyi Ngatirah was chosen as the subject for the research because she was a skilled andsuccessful pesindhÃ¨n who created various innovations and made numerous developments and refinements to the cÃ©ngkokused in sindhÃ¨nan. In an endeavour to discover and study the workmanship of Nyi Ngatirah, the writer used akarawitanological approach which was integrated with a number of concepts from humanities and social disciplines in orderto complement and guide the analysis. In addition to studying her work, Nyi Ngatirah as a person was also studied. Theresults of the research showed that Nyi Ngatirah succeeded in making an important contribution for the development andcontinued existence of sindhÃ¨nan in particular and karawitan in general. In addition, the research showed that thecÃ©ngkok used in sindhÃ¨nan can always be developed in accordance with the ability of each performer and according to thecurrent day and age.Keywords: sindhenan, cengkok, and treatment.
KEBERADAAN ARTEFAK GERABAH DI DESA MELIKAN
Authors: Wahyuningsih Novita
Published: June 2022

This article is the result of the analysis from a study about earthenware jugs in the village of Melikan. The method used forthis research is a qualitative research method. This qualitative research method is descriptive in nature since it describes andexplains a particular phenomenon. The location of the research is the village of Melikan in the Wedi district of Klaten. Theapproach used is that of hermeneutic interpretation. The problems addressed in the research are: 1) What are the origins of theearthenware jug? 2) What are the developments and forms of earthenware jugs in Indonesia? and 3) How do earthenwarejugs continue to exist in the village of Melikan? The aim of this research is to discover the origin of the earthenware jug, itsdevelopments and forms in Indonesia, and its existence in the village of Melikan. The benefits of the research are that it willprovide new information and make a contribution to literature on the subject of earthenware jugs, and it is hoped that it willcomplement other existing studies. The results of this research show that the earthenware jug as a container for drinking waterhas its origins in the kundika from India; there are two kinds of development of the earthenware jug in Indonesia, namelytraditional earthenware jugs and new earthenware jugs; the existence of the earthenware jug in the village of Melikan isstill evident to this day, with a number of new types, shapes, functions, uses, and also new developments in the materials used,the manufacturing technology, and marketing process. To date there are 30 different types of earthenware jug in the villageof Melikan.Keywords: jug, earthenware, Melikan village.
WAYANG ORANG KALANGAN ELITE KUNTI NALIBROTO
Authors: Widyarani Dhita Anindya
Published: June 2022

The existence of Wayang Orang (a form of traditional Javanese stage show) in Jakarta is characterized by the involvementof the elite community who, as both performers and funders, make it possible for the art of Wayang Orang to continue to existand develop. The Kunti Nalibroto troupe, one of the elite Wayang Orang groups in Jakarta, was chosen as the object of thestudy, with the aim of discovering various facts related to the existence of Wayang Orang groups among the elite communityin Jakarta. The formulation of the problems addressed in this research is as follows: (1) Why do the elite choose the art ofWayang Orang as a way of self expression? (2) What is the concept of Wayang Orang among the elite community of KuntiNalibroto? (3) What is the potential of the elite Kunti Nalibroto Wayang Orang group? Within the conceptual framework,the concepts used are concepts of â€˜roleâ€™, â€˜statusâ€™, and â€˜elite communityâ€™. The research uses an analytical descriptive methodwith a qualitative and phenomenological approach to outline the characteristics and facts about the Wayang Orang groupsamong elite community in Jakarta. The techniques used for collecting data included a bibliographical study, observation, andinterviews. From the results of the study, it can be concluded that: (1) The elite choose Wayang Orang as a means of selfexpression because they need an activity for relaxation in order to maintain a balanced life, and by practicing Wayang Orangthey are able to return to their traditional cultural roots and cultivate their spiritual, sensory, and physical needs; (2) TheKunti Nalibroto Wayang Orang group is a non-profit organization whose members all belong to the elite female community(socialites) and who aim to support the development of the traditional arts by holding regular Wayang Orang performances;(3) All the potential of this group is displayed to a maximum in Kunti Nalibrotoâ€™s performances, and in the future this grouphas the potential to continue to exist in the world of Wayang Orang and to make a contribution to the preservation anddevelopment of the art of Wayang Orang in Indonesia.Keywords: Wayang Orang, elite, Kunti Nalibroto.
KONTRIBUSI ORANG-ORANG TIONGHOA DI SURAKARTA DALAM KEBUDAYAAN JAWA 1895-1998
Authors: Rustopo Rustopo
Published: June 2022

Artikel ini merupakan kajian sejarah sosial-budaya, tentang orang-orang Tionghoa di Surakarta yang berperan penting dalam pengembangan kebudayaan Jawa dan sekaligus menjadi jawa. Aspek temporalnya dibatasi dari 1085 hingga 1998. Tahun 1985 menandai awal sebuah proses sejarah yang menempatkan orang Tionghoa sebagai pengembang kebudayaan Jawa yang kreatif.Sebaliknya tahun 1998 merupakan tragedi yang menempatkan orang-orang Tionghoa menjadi korbannya. Untuk mengkaji sejarah tentang orang-orang Tionghoa di Surakarta ini menerapkan pendekatan dan analisis historis. Teori psikologis perkembangan digunakan untuk memahami upaya-upaya mereka menjadi Jawa. untuk memahami interaksi sosial dan kultural orang-orang Tionghoa dan Jawa digunakan teori-teori antropologi budaya dan sosiologi pengetahuan. Proses sejarah sebagai realitas kultural dimulai dari Gam Kam dalam industri seni pertunjukan ini diikuti oleh pengusaha-pengusaha Tionghoa lainnya yang membawa wayang wong panggung mencapai puncak popularitasnya. Dalam bidang lainnya yang membawa wayang wong panggung ini diikuti oleh pengusaha-pengusaha Tionghoa lainnya yang membawa wayang wong panggung mencapai puncak popularitasnya. Dalam bidang lain muncul dua tokoh Tionghoa yang kontras; yang pertama Tjan Tjoe Siem, mewakili intelektual tinggi dan yang kedua Kho Djien Tiong, mewakili pemikir dan kreator ke;as rakyat (massa). Yang pertama diangkat sebagai guru besar dalam Bahasa dan Sastra Jawa, dan yang kedua diakui sebagai guru besar dalam dunia seni pertunjukan lawak.TerakhirÂ adalah tokoh yang mewakili keunikan yang tidak ada duanya. Ia merupakan orang Tionghoa yang luluhÂ dalam dunia kehidupan Jawa melalui seni pertunjukan, seni rupa, bahasa, arsitektur, kepurbakalaan,Â permuseuman, adat-istiadat dan upacara keraton. Ia adalah Go Tik Swan, yang derajat kejawaannyadianggap paling matang di antara orang-orang Tionghoa lainnya. Semua karya-karya mereka mewakiliÂ Jawa yang â€˜baruâ€™. Jawa â€˜baruâ€™ yang mereka hasilkan merupakan hibrida antara unsur-unsur kebudayaanÂ keraton, rakyat, kota, desa, tradisional, modern. Dalam realitas kultural, Jawa â€˜baruâ€™ made by Chinese inibagaimanapun telah membuat Surakarta dan Jawa menjadi beradab. Sebaliknya dalam realitas sosialÂ â€˜Surakartaâ€™ telah memperlakukan orang-orang Tionghoa secara biadab.Kata kunci: Seni, Kebudayaan, Surakarta, Jawa, Tionghoa
MAKNA SENI LUKIS HITAM PUTIH KARYA I.G.N NURATA TAHUN 1990-2010
Authors: Sitompul Maraja
Published: June 2022

This article is the result of a study entitled â€œA Study of the Meaning of Black and White Paintings by I.G.N. Nurata from1990-2010.â€ The study takes as its object the black and white paintings of I.G.N. Nurata as a medium of expression, andaims to: 1) describe and analyze the background to the creation of I.G.N. Nurataâ€™s black and white paintings; 2) describe andanalyze the form of I.G.N. Nurataâ€™s black and white paintings; and 3) describe the response of the observer towards I.G.N.Nurataâ€™s black and white paintings. In order to obtain the necessary results, the research method adopted a holistic approachwhich focussed on six of I.G.N. Nurataâ€™s black and white paintings. The method used for collecting data included abibliographical study, participatory observation, documentation, and interviews. The data was analyzed mainly through aninterpretational analysis. Based on the results of the research, it could be concluded that: 1) I.G.N. Nurataâ€™s black and whitepaintings between 1990 and 2000 are visualized strongly in imaginary forms, through traditional visual language andcultural codes, in order to articulate symbolism and metaphors; 2) I.G.N. Nurataâ€™s black and white paintings between 2001and 2010 are still visualized in imaginary form, through traditional visual language and cultural codes, with the addition ofan increasingly intense use of elements of modern visual language such as the use of volume and perspective; and 3) On thewhole, there is a message of harmony between the macro, micro, and meta cosmos, in accordance with the doctrine â€œTri HitaKaranaâ€ which teaches us how to live in harmony with God, with other people, and with nature, including the spiritualworld.Keywords: Symbols through imaginative form, Visual Metaphors, Black and White Paintings
Gears in Motion Towards the Iranian Revolution
Authors: PAVLİ Kalliope
Published: June 2022

Modern Iran, once an important issue of rivalry between the Great Powers for influences, resources and trade routes, was formed through a sequence of small and larger revolutions. Its geopolitical position had raised the “Persian Question”, as Lord Curzon put it, with the Qājār Dynasty granting commercial and business privileges to England and Russia, as well as concessions of archeological excavations. The aim of the article is to follow the steps taken by the Iranian people against the colonial powers' exploitation, towards the Revolution; merchants and clerics at first, who gradually transformed the bustling markets into a political arena at the turn of the nineteenth century that Persia's entry into the world economy made social inequalities more apparent. We will see facts that surround the era, such as the Constitutional Revolution, a parliamentary victory in the Middle East, as well as the coup d'état by Pahlavi and the establishment of his dynasty. As nationalism was an integral part of this dynasty, reflecting the political-military context in which it originated, Pahlavi Dynasty set the interpretations of antiquity at the heart of their paternalistic ideology, banks were erected in the place of amphitheaters where the holy martyrdom of Karbalā used to revive and the ritual Shiite world was silenced. Iran not only was becoming secular but violent as well, while the continuation of concessions and the opulence of state officials and western businessmen gave the people the sense that there is a perpetuation of colonialism. The last uprising will lead to the Iranian Revolution, which will call into question the role of the West.
XIX. Yüzyıl Osmanlı-İran İlişkilerinde Derin Bir Krizin Tahlili: Tüccar Malları ve Alacak Meselesi
Authors: AZAP Eralp Yaşar
Published: June 2022

XVI. yüzyıldan itibaren İran’a hâkim olan hanedanlar ile Osmanlı Devleti arasında yaşanan mücadeleler, genellikle kimin doğuda sözünün geçeceği üzerine kurgulanmış siyasetlerin ürünüydü. Safeviler, Afşarlar, Zendler ve son olarak Kaçarlar, Osmanlı Devleti ile yüzyıllar boyunca sınır ve mezhep temelli problem üzerine savaştılar. Bazı dönemler İran’daki hanedanlar zaman zaman ise Osmanlı Devleti bu savaşların galibi olsa da iki devletin arasında mücadeleye sebep olan sorunlar hiçbir dönemde tam olarak çözümlenmedi. XIX. yüzyıl, iki ülkenin sadece doğudan değil, batıdan ve kuzeyden de kuşatma atlına alındığı bir yüzyıldı. Bu yüzyılın son evresine bir hanedan değişikliği ile giren İran, Kaçarların hâkimiyetinde Osmanlı Devleti ile sınır, aşiretler, mezhep ve kutsal bölgelere sahip olma gibi konularda büyük anlaşmazlıklar yaşamaktaydı. Feth Ali Şah ve Sultan II. Mahmut’un askeri mücadelesinin başlayacağı 1820 yılına kadar Osmanlı Devleti ile İran’ın yaşadığı sorunlara eklenen İranlı tüccarların problemleri ve Osmanlı Devleti’nin doğusunda görev yapan paşaların başına buyruk hareketleri, iki devlet arasında derin krizlerin çıkmasına zemin hazırladı. İranlı tüccarların büyük bir loncaya sahip olduğu Erzurum’da yaşanan mal zaptı ve bölgenin önemli paşalarından Abdülhamit Paşa’nın Revan Serdarı Hüseyin Han ile girdiği maddi ilişki, çok büyük bir sorun haline dönüştü. Gerek I. Erzurum Antlaşması’na gerekse de sonrasına taşınan bu iki meselenin nasıl bir kriz olduğu, seyri ve çözümü, bu makalenin konusudur. Çalışma; Farsça, İngilizce ve Türkçe kaynaklar kullanılarak vücuda getirilmiştir.
Contributions of psychogeography to understanding unconscious dimensions of lived workplace experience
Authors: Stein Howard F. , Allcorn Seth
Published: June 2022

This article explores the contribution that the concept of psychogeography can offer to organisational research, theory, consulting, leadership, management, and employees. Through several stories/storytelling coupled with psychodynamic interpretations, it examines and illustrates how people in workplace organisations invest space and artefacts with unconscious personal and group significance; how space and objects serve as powerful metaphors as well as utilitarian, task-based tools. Organisational space and objects are often used to serve as symbols of strong and powerful leaders. Ordinary workplace phenomena such as buildings, entrances, doors, desks, conference rooms and tables, and pictures turn out to possess enormous psychogeographic significance in what Michael Diamond calls the “unconscious life of organisations”. Projection-driven psychogeographic transference and its traps are discussed and illustrated. The article concludes with a discussion of the usefulness of a psychogeographic perspective in understanding and working with ordinary organisational leadership–management–employee relationships, task performance, research, and consulting.
Promoting mentalizing in organisations through learning operative groups
Authors: Di Stefano Giovanni
Published: June 2022

Current and pressing scientific and technological changes are producing drastic transformations within organisations, creating anxiety and uncertainty and inhibiting the reflective function of the workers who experience conditions of senselessness and estrangement from their work. This article presents a case study from learning operative group training sessions aimed to promote the identity work through the (re)activation of the reflective function towards the definition of new shared meanings. As part of a broader organisational development process, group training sessions based on learning operative groups were arranged in order to offer participants a group reflective space in which each of them could share her or his thoughts and feelings. Organisational changes require workers to face the challenge of constantly developing new professional skills, thereby threatening personal identity and separating it from the professional function and leading to a situation of “identity ambiguity” which becomes difficult to maintain. The learning operative group setting allowed a critical reflection within the organisational development process and promoted mutual trust, empathy, and perspective taking, that, in turn, fed reflective practices in support of individual identities.
Accessing the psychodynamics of organisations through applied organisational poetry
Authors: Stein Howard F. , Allcorn Seth
Published: June 2022

This article explores the contribution applied poetry can make to psychodynamic-ally informed qualitative inquiry into the lived experience of workplaces. “What it is like to work here.” The authors propose that, as a different way of knowing, applied poetry complements traditional research methods. The authors explain what applied organisational poetry is, how it “works”, how it fosters self-reflection within the researcher/consultant, and how it functions as a metaphoric “tuning fork” that resonates with clients, interviewees, and group members who share an attuned awareness in their lives awakened in the poems. The authors offer three illustrations of the poet co-author’s applied organisational poems and how, as qualitative research data, they contribute to psychodynamically informed interpretation and intervention in workplaces. The article concludes with a story or “case example” of what the approach discussed here “looks like” in the lived world of an organisational intervention.
Suffering at meaning: containment in crisis
Authors: Lucey Aideen
Published: June 2022

When anxiety about survival is high it can interfere with the capacity for containment in organisations. The very anxieties that are in such need of containment can be damaging to ways of functioning that are necessary for containing relationships. In certain organisations the ability to tolerate painful feelings is limited and as a result the capacity for containment is impaired. As a consultant working in these circum-stances the task that is required is that of building or rebuilding the container before thinking, in Bion’s sense, can take place. Having an awareness of the state of the organisational container can help the consultant to make a judgement about the level of complexity they are likely to encounter in the work and enable them to plan interventions accordingly. Using examples from my consultancy practice I describe a process of “suffering at meaning” as the way in which containing relationships might be developed so that painful experiences can be faced.
“… When what’s needed is imagination”: using remote platforms for group relations and organisational practices
Authors: Carlyle Jo-anne , Buzaityte-Kašalyniene Jolita , Speičytė-Ruschhoff Erika , Tanner Chris
Published: June 2022

This article positions itself at a particular moment in time to benchmark the shift to online working for group relations and organisational consultancy practices. Drawing on varied experiences of working online during the global pandemic of 2020, the authors describe the impact that remote working is having on traditional assumptions about systems-psychodynamic work. It contributes to an appraisal of what different approaches are needed in the online sphere. It discusses the oppor-tunities for more global participation and the current challenges to existing cultural assumptions. The article is structured around the themes of: setting the scene—opening the window to online working; losing and finding ourselves in the online space; the renaissance of lateral approaches to leadership; the question of where the unconscious goes in 2D space; and finally looks at implications for structuring the online space, including design issues for workshops and conferences.
Lost in the present moment—an action research study on employee experience of involvement in change processes in the public sector in Denmark
Authors: Broeng Susanne
Published: June 2022

This article focuses on the importance of organisational culture in organisational change processes and development, and is supported by an action research study of a change process in the public sector in Denmark. The main objective of the study is to gain insight into employees’ subjective experience of involvement in change processes. By examining employee experience, this study takes us a step away from the main theme of research in change processes that focuses on organisational change management. The conclusion of the study points out four main themes, which are as follows: 1) the employee experience of involvement in change processes was a feeling of not being involved even though a formal involve-ment was prepared; 2) the groups presented different reactions to the experience of not being involved, from developing containment in one group to regressive avoidance behaviour and social defence in others; 3) organisational social defence was a main factor in developing a “them” and “us” culture between employees and the management; and 4) there was a lack of organisational containment stemming from overwhelming emotions and the lack of a shared meaning and understanding between employees and the management.
Cancer treatment and survivorship statistics, 2022
Authors: Miller Kimberly D. , Nogueira Leticia , Devasia Theresa , Mariotto Angela B. , Yabroff K. Robin , Jemal Ahmedin , Kramer Joan , Siegel Rebecca L.
Published: June 2022

The number of cancer survivors continues to increase in the United States due to the growth and aging of the population as well as advances in early detection and treatment. To assist the public health community in better serving these individuals, the American Cancer Society and the National Cancer Institute collaborate triennially to estimate cancer prevalence in the United States using incidence and survival data from the Surveillance, Epidemiology, and End Results cancer registries, vital statistics from the Centers for Disease Control and Prevention’s National Center for Health Statistics, and population projections from the US Census Bureau. Current treatment patterns based on information in the National Cancer Database are presented for the most prevalent cancer types by race, and cancer‐related and treatment‐related side‐effects are also briefly described. More than 18 million Americans (8.3 million males and 9.7 million females) with a history of cancer were alive on January 1, 2022. The 3 most prevalent cancers are prostate (3,523,230), melanoma of the skin (760,640), and colon and rectum (726,450) among males and breast (4,055,770), uterine corpus (891,560), and thyroid (823,800) among females. More than one‐half (53%) of survivors were diagnosed within the past 10 years, and two‐thirds (67%) were aged 65 years or older. One of the largest racial disparities in treatment is for rectal cancer, for which 41% of Black patients with stage I disease receive proctectomy or proctocolectomy compared to 66% of White patients. Surgical receipt is also substantially lower among Black patients with non‐small cell lung cancer, 49% for stages I‐II and 16% for stage III versus 55% and 22% for White patients, respectively. These treatment disparities are exacerbated by the fact that Black patients continue to be less likely to be diagnosed with stage I disease than White patients for most cancers, with some of the largest disparities for female breast (53% vs 68%) and endometrial (59% vs 73%). Although there are a growing number of tools that can assist patients, caregivers, and clinicians in navigating the various phases of cancer survivorship, further evidence‐based strategies and equitable access to available resources are needed to mitigate disparities for communities of color and optimize care for people with a history of cancer. CA Cancer J Clin. 2022;72:409‐436.
Impaired immunosuppressive role of myeloid-derived suppressor cells in acquired aplastic anemia
Authors: Dong Peiyuan , Chen Lingyun , Wu Hongfei , Huo Jiali , Jiang Zhongxing , Shao Yingqi , Ren Xiang , Huang Jinbo , Li Xingxin , Wang Min , Nie Neng , Zhang Jing , Jin Peng , Zheng Yizhou , Ge Meili
Published: June 2022

Myeloid-derived suppressor cells (MDSC) are a group of heterogeneous immature myeloid cells and display immunosuppressive function. In this study, MDSC populations were evaluated in acquired aplastic anemia (AA) (n=65) in which aberrant immune mechanisms contributed to bone marrow destruction. Our data demonstrate that both the proportion and immunosuppressive function of MDSC are impaired in AA patients. Decreased percentage of MDSC, especially monocytic MDSC, in the blood of AA patients (n=15) is positively correlated with the frequency of T-regulatory cells, bone marrow level of WT1 and decreased plasma level of arginase-1. RNA sequencing analyses reveal that multiple pathways including DNA damage, interleukin 4, apoptosis, and Jak kinase singnal transducer and activator of transcription are upregulated, whereas transcription, IL-6, IL-18, glycolysis, transforming growth factor and reactive oxygen species are downregulated in MDSC of AA (n=4), compared with that of healthy donors (n=3). These data suggest that AA MDSC are defective. Administration of rapamycin significantly increases the absolute number of MDSC and levels of intracellular enzymes, including arginase-1 and inducible nitric-oxide synthase. Moreover, rapamycin inhibits MDSC from differentiating into mature myeloid cells. These findings reveal that impaired MDSC are involved in the immunopathogenesis of AA. Pharmacologically targeting of MDSC by rapamycin might provide a promising therapeutic strategy for AA.
Public health response following an iGAS outbreak in a residential aged care facility in Queensland
Authors: Van Zeeland Jai C , Rupasinghe Heshani , Young Megan K
Published: June 2022

During an 18-day period, beginning in April 2020, three residents with invasive group A streptococcal infections (iGAS) were reported at a single residential aged care facility (RACF) in Brisbane’s northern geographical region. All three cases were hospitalised with severe illness; two of the cases died as a result of the illness. The Metro North Public Health Unit (PHU) led the public health investigation and response, targeting infection control measures and offering chemoprophylaxis to all 142 staff and 119 residents at the facility. The outbreak was declared over in June, after 30 days of no new cases. Isolates from all three cases were shown to have identical strain typing, emm89. The benefits and challenges of implementing mass chemoprophylaxis in this setting are discussed.
La asociatividad como estrategia financiera para el desarrollo de los emprendimientos de las madres solteras de Guayaquil
Authors: Proaño-Castro Milton , Martillo-Pazmiño Ítalo , Segarra-Jaime Humberto
Published: June 2022

El objetivo de esta investigación es analizar la asociatividad como estrategia financiera para el desarrollo de los emprendimientos de las madres solteras de Guayaquil. La metodología utilizada es de diseño bibliográfico y de tipo documental donde se pretende describir el funcionamiento, las ventajas desventajas y características que posee esta estrategia financiera utilizada por las madres solteras de Guayaquil para sus emprendimientos. La asociatividad se refiere al conjunto de personas que se han unido voluntariamente para cubrir sus necesidades y alcanzar aspiraciones económicas, sociales y culturales comunes por medio de una empresa de propiedad conjunta y democráticamente controlada. Es necesario que el Estado y otra entidades públicas o privadas difundan la estrategia financiera de asociatividad con mayor proporción para que las madres solteras establezcan emprendimientos y conozcan cómo funcionan, cuáles son sus beneficios, sus debilidades y ventajas de manera que el Estado pueda notar mayor interés en este grupo de mujeres capaces de lograr cumplir sus metas y alcanzar objetivos comunes, como conseguir darles un mejor futuro a sus familias, alcanzar beneficios económicos y poder apoyar a su género obteniendo empoderamiento económico, social y cultural en el país.
The Validity and Reliability of Electronic Students’ Worksheet Based on Discovery Learning on Thermochemical Topic
Authors: Soenarko I Gede Karunia , Purwoko Agus Abhi , Hadisaputra Saprizal
Published: June 2022

This study aims to evaluate an electronic student worksheets product based on discovery learning that valid and reliable on thermochemical topic. The development of electronic student worksheets-based on discovery learning follows the steps of the 4D development model, namely define, design, develop, disseminate. The feasibility test of the developed learning device was analyzed using a validation sheet. The assessment of the feasibility of the learning tools developed was carried out by three expert validators who are competent in the field of education at the University of Mataram. Criticisms and suggestions given by the validator are used as improvements to the developed electronic student worksheets. Data analysis was carried out using descriptive percentage techniques, Aiken's V index, and percentage of agreement. The validation results show that the developed electronic student worksheets component is included in the valid category with an average validity value of 0.79. The results of the agreement between validators showed that the developed electronic student worksheetshad a percentage of more than 75% which was included in the reliable category. Based on the results of the validation and reliability tests, the electronic student worksheets based on discovery learning developed can be concluded to be valid and reliable. A more complete and detailed explanation of the development of electronic student worksheets based on discovery learning and validation results is presented in this article.
Meaning and Value in the Proverb of the Bugis Dialect of Bone
Authors: Ali Ali , Idris Idris , Suputra Gusti Ketut Alit , Ardianto Ardianto
Published: June 2022

This study examines the meaning and value of the proverbial Bugis dialect of Bone in Koninis Village, Simpang Raya District, Banggai Regency. The purpose of this study was to describe the meanings and values contained in the proverb of the Bugis dialect of bone. The type of research used is a descriptive approach using qualitative methods so that it is easy to understand the data in this study in the form of written words. The research location was conducted in Koninis Village, Banggai Regency. The source of the data used in this study is the results of interviews obtained from informants regarding the Bugis dialect of the Bone dialect. Data collection techniques in this study used interview and recording techniques. Furthermore, the data analysis techniques used in this study were data collection, data reduction, data presentation, and conclusions and verification. The results of this study found that there were 5 types of meaning from 17 data on the proverbial Bugis dialect of bone that had been analyzed, namely; 1) connotative meaning, 2) denotative meaning, 3) proverb meaning, 4) affective meaning, 5) association meaning. Furthermore, it was found that there are 3 types of values contained in the proverb of the Bugis dialect of Bone, namely; 1) values related to human problems with themselves, 2) values related to human problems with God, 3) values related to human problems with fellow humans.