bluuebunny/crossref_metadata_2025 huggingface dataset:
МУЗИЧНИЙ ПРОФІЛЬ РОМАНУ АГАТИ КРІСТІ «ХЛІБ ГЕНІЇВ»
Authors: Граб Уляна Богданівна
Published: December 2021

Мета статті — дослідити музичний контекст роману Агати Крісті «Хліб геніїв» з точки зору відображення проблем британської музичної культури першої третини XX століття та пошуку нових музичних форм. Головним завданням статті є інтерпретація художніх явищ та музичних термінів як певних смислових знаків, за допомогою яких автор передає реальні музично-художні запити свого часу у художньому контексті роману. Методи дослідження. У статті застосовано комплекс загальнонаукових та спеціальних методів, а саме: порівняльний, історичний, біографічний та герменевтичний, а також метод теоретичного узагальнення. Новизна дослідження. Вперше об’єктом дослідження стала вербальна музика роману Агати Крісті «Хліб геніїв», британської письменниці, авторки детективних творів, яка друкувалася під псевдонімом Мері Вестмакотт. «Хліб геніїв», написаний у 1928 році, був одним із шести психологічних романів Агати Крісті. Висновки. Роман Агати Крісті «Хліб геніїв» належить до літературних творів, які можна визначити поняттям «роман, що тяжіє до музики». Авторка вербалізує музику в різних формах, відтворюючи реальний британський музичний контекст 20-х років, вводячи імена композиторів, їхні твори, художні явища тощо в художню концепцію роману. Аналіз їх як певного семантичного орієнтиру дає підстави стверджувати, що авторка зображує проблеми британської музичної культури через своїх героїв та оцінює музичні процеси в континентальній музиці з точки зору естетичних потреб британської музики того часу.
МУЗИЧНА ТВОРЧІСТЬ ДОРИ ПЕЯЧЕВИЧ ЯК ФЕНОМЕН ПІЗНЬОРОМАНТИЧНОГО СТИЛЮ
Authors: Молчанова Тетяна Олегівна
Published: December 2021

Мета статті — проаналізувати музичний доробок хорватської композиторки Дори Пеячевич ХІХ–ХХ століть, визначити принципи виконавської та композиторської майстерності, здійснити класи- фікацію її музичних творів. Методологія. У статті застосовано методологію системного аналізу, яка по- єднала такі методи: аналітичний (реконструкція загальної картини життєвого і творчого шляху Дори Пеячевич на підставі інформації з пояснювальних записок до нотних збірок, уривків із книги хорват- ської музикознавиці Koraljka Kos, дисертації Richard D. Auvil, де зроблено художній переклад текстів пі- сень Дори Пеячевич англійською мовою, інтернет-ресурсів і статті авторки) та обсерваційний (власний педагогічний аналіз та експеримент: керівництво творчим проєктом «Маловідомі жінки-композиторки» з 2011 року, в контексті якого — впровадження в навчальний процес студентів і магістрів класу концерт- мейстерства Львівської національної музичної академії ім. М. Лисенка, кафедри музики Університету ім. Я. Длугоша (курс «Warsztaty Artystyczne», Польща, Ченстохова) творів цієї композиторки і виконання їх на концертній естраді (2020, 2021). Наукова новизна. Запропоновано класифікацію музичних творів Дори Пеячевич із погляду виконавських і композиторських принципів. Висновки. Зазначено, що в історії акаде- мічної музики є чимало забутих імен талановитих жінок-композиторок, які заслуговують на дослідження їхнього життєпису, щоб заповнити значну прогалину в історії світової музичної культури. Доведено, що творчість Дори Пеячевич постає прикладом створення нових традицій композиторського стилю, поза кон- текстом якого неможливо уявити музичне мистецтво Хорватії. Стверджено, що її композиторська спадщина здатна збагати навчальні програми студентів-піаністів, вокалістів та інструменталістів навчальних закладів середньої та вищої музичної ланки, оновити їхні концертні програми. Матеріали дослідження доповнять певні розділи теоретичних навчальних дисциплін «Історія музики», «Аналіз музичних творів», «Музична інтерпретація» та ін.
ІНКЛЮЗИВНА ТЕАТРАЛЬНА ВИСТАВА: ТИПОЛОГІЧНИЙ АСПЕКТ
Authors: Лук’яненко Катерина Олександрівна
Published: December 2021

Мета статті — дослідити особливості інклюзивного театру, виокремити основні типи інклюзивних театральних вистав та притаманні їм виражальні засоби. Методологія дослідження. У процесі дослідження застосований описовий метод (для аналізу оригінальних театральних прийомів для різних форм інклюзивних вистав), методи емпіричного дослідження, спостереження, порівняння, моніторинг та статистичний аналіз для створення загальної картини стану розвитку інклюзивного культурного продукту в Україні та закордоном. Наукова новизна полягає в систематизації різних типів інклюзивних вистав й інтерпретації впровадження інклюзивних культурних проєктів у репертуари театрів України, зокрема у професійні театри ляльок. Здебільшого для людей з інвалідністю технічні, мистецькі, наукові ресурси залишаються недоступними, тому сьогодні особливої актуальності набувають питання, присвячені вивченню саме інклюзивного театру, який лише починає свій розвиток в українському сучасному просторі. Висновки. Під час порівняльного аналізу інклюзивного театру та інклюзивної вистави створили типологізацію інклюзивних вистав та виокремили основні мистецькі прийоми театральних вистав з урахуванням різних форм інвалідності реципієнтів. Інклюзивний театр націлений не лише на людей з інвалідністю, але й сприяє загальному розвитку паритетного суспільства, зменшенню дискримінаційних практик, культурному та освітньому розвитку всіх членів спільноти, а митці мають чітко розмежовувати різновиди інклюзивного театру та формулювати принципи роботи для кожного соціокультурного проєкту.
РОЛЬ ОСВІТНІХ ПРОЦЕСІВ У ФОРМУВАННІ НОВИХ ТЕНДЕНЦІЙ АЗЕРБАЙДЖАНСЬКОГО НАРОДНОГО СЦЕНІЧНОГО ТАНЦЮ НА ПОЧАТКУ XXI СТОЛІТТЯ
Authors: Джафарова Етері
Published: December 2021

Мета статті полягає в дослідженні нових напрямків в хореографічній освіті на прикладі Бакинської хореографічної академії. Методологія дослідження спирається на метод історизму, для дослідження азербайджанського народного сценічного танцю в контексті визначеного історичного періоду розвитку азербайджанської культури. Більш того, розгляд діяльності Бакинської хореографічної академії під час дослідження корелюється з процесами, які відбуваються в сучасному Азербайджані. Метод історизму дозволяє виявити знакові з точки зору історичного процесу тенденції в розвитку азербайджанського народного сценічного танцю. Наукова новизна дослідження полягає в тому, що вперше зроблено дослідження сучасного функціонування азербайджанського народного танцювального мистецтва в XXI столітті. Новизна також визначається новим матеріалом, використаним в даній статті. Вперше систематично класифікуються параметри освітніх методів азербайджанського народного сценічного танцю — специфіка, сценічна реалізація, навчання, культурні взаємозв’язки. Висновки. Поряд з синтезом загального та спеціалізованого досвіду, накопиченого в рамках роботи Бакинської хореографічної академії, висуваються і інші параметри навчання. У статті підкреслюється участь студентів Бакинської хореографічної академії на сценах провідних театрів республіки, формує в них якості культурної і соціальної адекватності вимогам суспільства, контекста. Спеціальні знання хореографічного мистецтва, які обумовлюють подальшу продуктивну діяльність в рамках танцювального мистецтва, вигострюються на професійній сцені.
ВЕСІЛЬНЕ ЖІНОЧЕ ВБРАННЯ У ТРАДИЦІЇ ТА СЬОГОДЕННІ
Authors: Литвиненко Наталія Миколаївна , Пенчук Олександра Петрівна , Лавренюк Ольга Олександрівна , Морозова Анастасія Василівна
Published: December 2021

Мета статті — виявити особливості весільного жіночого вбрання на основі досліджень трансформації модних тенденцій жіночого одягу 1920-х років і сьогодення з урахуванням національних особливостей, притаманних українському вбранню та сучасному трендоутворенню в дизайні одягу й аксесуарів. Подано весільне вбрання, що синтезує сучасні тенденції прямого силуету, оверсайзу та варіативні етноелементи, що акцентують увагу на ментальній індивідуальності нареченої, що живе в сьогоденні, але виявляє шану й повагу до національного характеру, відчуває свою приналежність до традицій України. Методологія дослідження. Комплексний метод історико-культурного та стилістичного аналізу використано для осмислення традицій, культурних засад і методології змін весільної моди. Метод хронологічного аналізу та синтезу — для узагальнення історико-культурних завдань і мистецьких трансформацій моди 1920-х та їх впливу на сьогодення. Аналітично-систематичний метод — для систематизації результатів дослідження проблеми та формулювання провідних напрямів трансформацій весільної моди. Наукова новизна полягає у виявленні особливостей весільного жіночого образу й розширенні науково-теоретичного світогляду еволюції нових технік у крої та модних тенденцій від сучасних дизайнерів весільного вбрання. Запропоновано авторський проєкт весільної колекції вбрання з урахуванням етноспецифіки декорування та екологічних тенденцій в модній індустрії. Висновки. На основі аналізування трендів 1920-х років і сьогодення спроєктовано весільну колекцію з округлою формою, м’якими лініями для підкреслення жіночності та прямокутником — символом мужності та незламності духу української жінки. Фольклорний стиль окреслено як основу для проєктування весільних колекцій, що поєднує й інтерпретує мегатренд екологічності та використання натуральних тканин, перероблення старого текстилю в нові текстури й полотна.
DESIGN OF OPTIMAL INVERSE KINEMATIC SOLUTION FOR HUMANOID ROBOTIC ARMS
Authors: Abulhail Saif F. , Al-Faiz Mohammed Z.
Published: December 2021

One of the main problems in robotics is the Inverse Kinematics (IK) problem. In this paper, three optimization algorithms are proposed to solve the IK of Humanoid Robotic Arms (HRAs). A Particle Swarm Optimization (PSO), Social Spider Optimization (SSO), and Black Hole Optimization (BHO) algorithms are proposed in order to optimize the parameters of the proposed IK. Also, in this paper, each optimization method is applied on both right and left arms to find the desired positions and required angles with a minimum error. Denavit-Hartenberg (D-H) method is used to design and simulate the mathematical model of HRAs for both arms in which each arm has five Degree Of Freedom (DOF). The HRAs model is tested for performance by several positions to be reached by both arms in the same time to find which optimization algorithm is better. Optimal solution obtained by SSO, PSO and BHO algorithms are evaluated and listed in comparison table between them. These optimization algorithms are assessed by calculating the Computational Time (CT) and Root Mean Squared Error (RMSE) for the absolute error vector of the positions. Calculation and simulation results showed that BHO algorithm is better than the other optimization algorithms from point of view of CT and RMSE. The worst RMSE is 0.0864 was calculated using PSO algorithm. But longer CT is 7.6521 second, which was calculated using SSO. While the best RMSE and shorter CT.are  and 3.0156 second respectively were calculated by BHO algorithm. Moreover, in this paper, the Graphical User Interface (GUI) is designed and built for motional characteristics of the HRAs model in the Forward Kinematics (FK) and IK. The optimization algorithms are designed using MATLAB package facilities to simulate the HRAs model and the solution of IK problem.
PERFORMANCE EVALUATION OF FILTER BANK MULTI-CARRIER MODULATION IN MULTIPATH FADING CHANNELS
Authors: Abdulhussein Ali A. , Abdullah Hikmat N.
Published: December 2021

Filter Bank Multi-Carrier (FBMC) modulation is one of the most significant enablers for future 5G technologies. It is a modulation technique for resolving inter-carrier and inter-symbol interference using two possible methods: Frequency Spreading (FS) and Poly Phase (PP) implementation. Cyclic prefixes are used in OFDM for signal robustness, but they have some disadvantages in orthogonal frequency division multiplexing. FBMC is used to solve the disadvantages of OFDM and save a bandwidth.  In this paper, performance comparisons in terms of symbol error rate between OFDM and FBMC systems in AWGN and multipath fading channels are presented. The obtained results show that FBMC over performs OFDM in multipath fading channels and the improvement margin is increased as the number of subcarriers decreased.
Przysposobienie wojskowe podległe 23 Górnośląskiej Dywizji Piechoty u schyłku lat trzydziestych XX w. Organizacja i zasady działania
Authors: Kołodziej Kamil
Published: December 2021

Military training (PW) is preparation of the pre-conscription population for military service, education of young people in the spirit of patriotism and civic responsibility. The research conducted so far has focused on national issues, highlighting the shortcomings of regional research in this matter. This article discuss the structure of the PW subordinate to 23 Infantry Division, its tasks and objectives, focusing largely on the area of the autonomous Silesian Voivodeship in the years 1937–1939.
Role of Polyphenols in Preventing Prostate Cancer Cell Growth by Calcium Channel Blockers: A Review
Authors: Arshad Shafia , Parveen Shazia , Kanwal Sumaira , Rashid Rehmana
Published: December 2021

Prostate cancer (PCa) is the second most widely diagnosed cancer in men and the sixth leading cause of cancer death. Signal transductions are always linked with cancers, and phytochemicals play a predominantly striking role in chemo preventions.  We specifically focused on the researches which have been done in last twenty year by using different search engines including Google Scholar, PubMed, Web of Sciences and Scopus. An increasing number of studies have looked into the role of polyphenols on prostate cancer cell growth, highlighting their ability to target various cellular mechanisms. In this review, we picked out and found the potential role of polyphenols in targeting prostate cancer through calcium channel blockers and concluded that polyphenols are the primary chemo-preventive agents for prostate cancer.

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Plataforma Online de Evaluación de Compromiso Escolar, Versión 3.0: avance hacia un sistema de protección de las trayectorias educativas
Authors: de toro Ximena , Sotomayor Barros Belén , Saracostti Schwartzman Mahia , Rossi Cordero Andrea , Lara Laura
Published: December 2021

Este artículo presenta el Sistema Integrado de Evaluación, Seguimiento y Estrategias de Promoción de Compromiso Estudiantil y Factores Contextuales desarrollado en Chile para su uso potencial en escuelas Iberoamericanas. El sistema web ha tenido un desarrollo incremental basado en diversos proyectos de investigación I+D y busca aportar a uno de los retos de América Latina y el Caribe señalado por organismos internacionales, como es avanzar hacia la construcción de sistemas de protección de las trayectorias escolares. Para su realización se implementó una metodología de desarrollo ágil de software que facilita el trabajo colaborativo llamada SCRUM. Entre los principales resultados se encuentra una plataforma con seis pasos que guían su implementación con recursos de apoyo gráficos y audiovisuales, cuyo potencial de uso es de alto interés para las escuelas en términos de diagnóstico, monitoreo e intervención. Dado que el concepto de compromiso escolar ha adquirido mayor relevancia producto de las consecuencias que tuvo la pandemia del COVID 19, todo el sistema fue ajustado para un contexto de clases presenciales o remotas. El desafío pendiente es la consolidación de esta plataforma en la política educativa nacional para facilitar su uso y masificación.
Evolution of recreational and leisure practices: from classical to creative consumerism
Authors: Shyber Oksana
Published: December 2021

The purpose of the article is to investigate the evolution of recreational and leisure practices from classical to creative consumerism. Methodology. To achieve this goal, methods such as abstraction and systemic and structural-functional analyzes were used to identify a complex picture of the formation of recreational and leisure practices on a broad cultural and historical background. The scientific novelty is that in the domestic cultural discourse for the first time the evolution of recreational and leisure practices is considered: from classical to creative consumerism. The article notes that recreational and leisure issues reflect the transformation of the gradual differentiation of society and the further development of the consumer society in the modes of classical and creative consumerism and are associated with the transition from Fordism to post-Fordism. Conclusions. In creative consumerism, forms of recreational and leisure practices are beginning to be seen as a sign of the individual taste and style of the consumer. There are creative spaces for the implementation of recreational and leisure practices – coworking and anti-cafes. The trends of recreational and leisure practices in the creative society of consumption are immersive productions, quests, creative event tourism, as vacationers are offered each time new scenarios and strategies of recreational and leisure behavior.
The phenomenon of urban memory as a wholeness of time
Authors: Habrel Mykola , Habrel Taras
Published: December 2021

The purpose of the work is to systematically comprehend the phenomenon of the city and its space in the parameters of memory, to consider the memory of the city as a whole of temporal dimension, to outline its «coordinates» in the space of Lviv and to supplement the method of their consideration in design decisions. Methodology. The main provisions of the system approach are used in the article; a set of methods and approaches that will ensure the conceptual unity of the study of theoretical and practical components - content analysis (interpretation of the essence of basic concepts), modeling methods and historical; survey of city residents, as well as graphics-analytical, cartographic methods. The scientific novelty of the work is to reveal the phenomenon of city memory as a whole of time, as well as the analysis of the city through the prism of individual, collective and historical memory. Conclusions. Understanding the memory of the city and place will allow professionals to expand the tools for substantiating design decisions, help preserve and use not only the historical but also create a new environment without harm to the environment and human development, which is especially relevant during the urbanization of the historic environment.
Artistic and compositional features of G. Narbut’s book graphics and possibilities of their interpretation in modern graphic design
Authors: Mel’nyk Oksa , Shtets Julija
Published: December 2021

The purpose of the article is to generalize and systematize the graphic and compositional parameters of G. Narbut's book graphics and to find ways of their interpretation in modern graphic design. The methodology of the research is represented by general scientific and special methods. Analysis, synthesis, comparative, systemic, and empirical methods have become basic in the study of literature and empirical material. Comparative, compositional, visual-graphic, and descriptive methods were used to identify the figurative and semantic characteristics of G. Narbut's graphic works and their influence on modern design. The scientific novelty of the work lies in the complex analysis of G. Narbut's graphic works, revealing the peculiarities of their graphic-compositional solutions and determining the principles of their interpretation in modern design practice. Conclusions. It is revealed that in the context of the formation of the national model of Ukrainian graphic design today, the work of G. Narbut needs not copying, but careful rethinking. The study, systematization, and generalization of the artist's experience open the prospect of development and interpretation in the works of designers of the XXI century. The algorithm of such interpretation is a holistic approach to design and composition; rethinking form from the point of view of traditional art; synthesis of geometric calculation and complex artistic image; the contrast between primary and secondary elements; rhythmic repetitions; emphasis on the vertical axis of symmetry and the author's presentation, corresponding to the demands of today.
The makeup art: social stratification and social myth
Authors: Malyarchuk Kateryna
Published: December 2021

Purpose of the article. The purpose of the article is to analyze the phenomenon of makeup art and its connection with social stratification and social myth. Methodology. The study of the phenomenon of makeup in connection with social mythology and social stratification is associated with the use of general scientific methods of analysis, generalization, synthesis, etc. Not only in line with art history and sociological knowledge, but also knowledge of psychology, cultural studies, philosophy, etc., which provides for the integration and inclusive combination of appropriate methods and approaches. The artistic and typological method made it possible to analyze the phenomenon of makeup, social myth and social stratification as integral phenomena with specific features. The combination of anthropological, axiological and historical approaches with the use of socio-cultural and art criticism tools made it possible to identify the main value-semantic and content-structural constants of these phenomena. Scientific novelty. The art of makeup is presented as the basis of social mythology and its connection with social stratification, which makes it possible to position makeup as one of the backbone components of the socio-cultural system, as well as facilitate the study of the entire spectrum of its cultural phenomena. Conclusions. Makeup, as an axiologically loaded phenomenon, is the basis for the creation of social mythology and support for social stratification, characterizes the processes of social development, significantly affects the public consciousness and behavior of both social groups and individual subjects. By the nature of the course of the processes of being, the phenomenon of makeup allows one to see the specifics of social phenomena and determine their place in the structure of social life. The positive role of makeup is that it is one of the conditions for the integrity of society, providing cultural, art, moral, etc. the continuity of its imperatives. The negative one is that it not only represents the social stratification of society, but also becomes a means of deepening it, stereotyping and accumulating in its practices both positive and negative patterns of sociocultural models of behavior. Because, as part of social mythology, the phenomenon of makeup is ambiguous: on the one hand, it partly threatens social development, and on the other hand, it helps to consolidate people and society in overcoming the challenges of our time.
Artistic and stylistic features of men's costumes of the 1970s in R. Balayan's film "Flights in Dreams and Realities" (Polyoty vo sne i nayavu)
Authors: Chubotina Iryna
Published: December 2021

The purpose of the article is to reveal the artistic and stylistic features of men's costumes in R. Balayan film "Flights in Dreams and Reality" (Polyoty vo sne i nayavu) as significant for Ukrainian cinema and design of the 1970s-1980s. The proposed research contributes to the history of costume in cinema, considering it as an object of design in the context of the 1970s-1980s fashion, world and domestic cultural paradigm. Methodology. Work on the chosen topic involves the following theoretical methods: an analytical research method for generalization and delineation of issues; comparative analysis to identify the features of men's costume in cinema in the context of domestic and world cultural heritage; the art history method will serve to understand the contribution of the visual series in the film to modern design and culture in general. The scientific novelty of the study is to explain the correlation of men's costume in cinema and the fashion mainstream of the late 1970s - early 1980s on the example of the film "Flights in Dreams and Reality". It should be noted that previously the analysis of R. Balayan's work was primarily directed to find the origins of visual imagery and its semantic content; the place and role of costumes in his films, the socio-cultural context in which they were created were not previously considered in detail. Despite the numerous bibliography of materials devoted to the work of R. Balayan and especially "Flights…" (Может нужно было полное название "Flights in Dreams and Reality") which covered the most various artistic aspects, still such as an important component of R. Balayan's films as the costume has been practically ignored. Conclusions. Understanding of the role of costumes in domestic cinema on the example of the film "Flights in Dreams and Reality", which reflects not only the visual part of the film but also the cultural and artistic context of the film, gives a new starting point for studying the history of men's costume and its contribution to modern fashion. The laconism and harmony of figurative solutions of the 1970s experience their last years of popularity in the early 1980s, right before their disappearance, giving us an example of the perfect combination of simple form and deep filling, which can serve as an example to follow in modern men's clothing design.
Gennady Gorbaty's painting: crypto-realism as overcoming imitation of reality
Authors: Mishchenko Iryna
Published: December 2021

The purpose of this article: analysis of Gennady Gorbaty's painting, in the work of which the transition from a realistic reflection of the world to the art of postmodernism, characteristic of Ukrainian art of the late 20th century, was reflected in a peculiar way. The methodology is the application of art analysis, methods of comparison and generalization, biographical and historical approach. The scientific novelty lies in the discovery of the peculiarities of the transformation of the traditional for Soviet art reflection of reality into visual practices of the late 20th – early 21st centuries on the example of the work of a particular artist. Conclusions. Gennady Gorbaty studied at the Kyiv State Art Institute (1981–1987), so his formation was significantly influenced by the traditional school of painting with a mostly realistic reproduction of the world around it and a purely academic hierarchy of genres. The socio-political situation in Ukraine in the late 1980s and early 1990s not only contributed to the liberation from such a view of art, but also intensified attention to the development of both contemporary world art and modernist manifestations that existed  in the culture of the first half of the 20th century. At the same time, many artists became interested in the history of Ukraine, especially in its tragic or dramatic pages, which led to the emergence of numerous compositions with a complex system of symbols and associations, elements borrowed from the paintings of past eras. In the work of Gennady Gorbaty can be consistently traced a variety of influences, which demonstrate his search for his own plastic language, the gradual departure from the conditionally realistic art of the Soviet era and the formation of a peculiar manner of performance. This was facilitated by an acquaintance with Western European art of the late 20th century, as the artist has been working in Germany since the early 1990s. It was one of the German art critics G. Beck who defined the stylistics of G. Gorbaty's works as crypto-realism, in which the emotional beginning, reflected in the color scheme and expression of picturesque textures, is combined with supposedly hidden motives of visible reality. In the works of this author, the blurring of genres, the synthesis in one picture of elements of different artistic epochs – from the Middle Ages to postmodernism – is also noticeable.
The specifics of the formation and development of the artistic style of Mykola Malyshko (1961–1967)
Authors: Horpynych Yurii
Published: December 2021

The purpose of the article. The article identifies the main factors that influenced the formation and development of Mykola Malyshko’s artistic style in the context of the cultural and artistic processes of the 1960s. Methodology. The following scientific methods are combined: analytical, systematic, historico-cultural, contextual, comparative, and art analysis. The use of these methods allowed us to investigate the period of study of Mykola Malyshko at the Kyiv State Art Institute in 1961–1967, to outline the circle of communication of the artist, as well as to determine the characteristic features of his creative style. Scientific novelty. The work is the first fixation of unknown facts from the creative biography of Mykola Malyshko. Conclusions. During the studied period, Malyshko tries himself as an easel painter, monumental painter (mosaic), sculptor. After analyzing the currently existing information, namely «Svoboda, yak vyiavliaietsia, – tse volia dlia svavoli… : [besida Oleny Yehorushkinoi ta Pavla Hudimova z khudozhnykom M. O. Malyshko ta yoho druzhynoiu N. M. Denysovoiu], s. Maliutianka, Kyivskoi obl., 2012–2013 rr.», we can confidently assert that the main factors that influenced the formation and development of Mykola Malyshko’s artistic style in the 1960 s, were active participants in the activities of the club of creative youth «Suchasnyk» and attempts to move away from the methods of socialistic realism in art. This is clearly illustrated by: a mosaic portrait of T. G. Shevchenko made in 1961; exhibitions at the Taras Shevchenko Kiev State University 1963–1964; the development in 1967 of scenography on the occasion of the 70th anniversary of Les Kurbas, which he implemented together with colleagues Viktor Grigorov and Viktor Ponomarev during his studies at the Kiev State Art Institute and in sketches from summer student practice in 1962 and 1964,that the artist himself considers significant in the formation of personal creative style.
Reminiscences of Impressionism in the works of Ukrainian avant-garde artists
Authors: Karpenko Olga
Published: December 2021

The purpose of the study is to reveal the identification of common features in the work of Ukrainian avant-garde artists, which have the character of impressionism. Methodology of the study employs historical-logical, comparative methods, formal analysis and method of interpretation. Scientific novelty of the research consists in the role of impressionism in the formation of the creative manner of such artists of the Ukrainian avant-garde as O. Bogomazov, D. Burliuk, K. Malevich, O. Exter was first explored in the article. Conclusions. Experiments in the spirit of impressionism and post-impressionism helped the representatives of the Ukrainian avant-garde to free themselves from the method of repetition of the full-scale image towards the free transformation of the pictorial sensation and construction of the work with the help of purely pictorial elements, discarding the plot, literature, instructive character and many other layers. Impressionism was the first step in freeing painting from the boundaries of material form
Event practices as an effective tool of public relations
Authors: Pashkevych Maryna
Published: December 2021

Purpose of the article is to turn to the analysis of event practices as an effective tool of public relations for the conceptual understanding of its value potential, which is expressed in communication, contacts, in the harmony of man with the world around him. Methodology is based on the application of general scientific and special methods of cognition, including methods of generalization, synthesis, and analytics, which allow studying event practices as an effective means of social communication. Scientific novelty. Currently, there is a lack of scientific analysis of the key role of domestic event practices in the general system of public relations. The scientific novelty of the work lies in the theoretical generalization of the problem and the definition of categorical statements related to the research topic. Conclusions. As a result of the research, the need to form a new Ukrainian culture of self-realization of individuals, which is due to fundamentally new modifications of socio-cultural institutions, among which the latest event practices used in modern public relations. The impact of PR-methods can be both negative and positive. The nature and functional purpose of these methods depends in general on those who manage and own the technology and their practical implementation. As a result, the role of some PR - technologies in society, to a greater extent, is defined by us as the manipulation of the consciousness of citizens, the role of others - as enlightenment. Due to significant civilizational, technical and technological progress, including the development of the media, the transformation of event technologies in the world and Ukraine has accelerated. Event practices shape public opinion in various cultural spheres and promote positive changes in the mass consciousness. The transition of an essential component of the structure of event practices into a virtualized space will be the essence of the culture of the future. With the development of visual technology, events have acquired new functions - they have become an instrument of political and ideological struggle, a weapon of rebellion, a form of shock, which is an effective tool of modern public relations. This trend, accordingly, increases the role of event practices in the cultural process and in general in public life, stimulates the interest of scientists in their further research.
The technology of creating an art project in the activities of the manager sociocultural sphere
Authors: Tadlia Olersandr
Published: December 2021

The purpose of the study is to identify and analyze the technology of creating an art project as a strategic tool that can provide an effective process of implementing the activities of the manager of the socio-cultural sphere. Methodology of the study is the principles of dialectics, systemic, socio-cultural, and historical approaches, fundamental provisions of the theory of culture. The general scientific and interdisciplinary research methods are used: analysis and synthesis, induction and deduction, comparison. The scientific novelty of the obtained results is to identify the characteristic features of urban music culture that distinguish it from other manifestations of musical culture; providing characteristics of the cultural space of the city as an environment for the realization of urban musical culture; determining the place of the script approach in the life of the representatives of urban music culture. Conclusion. Urban music culture is a complex and multi-vector phenomenon that characterizes the realization of music culture in the form of creating, performing, and listening to music in an urban environment. It demonstrates the attitude of members of the urban community to music and its role in the life and evolution of the urban social and cultural environment demonstrates a public interest in its manifestations through a desire to listen to music, to make music, or to produce works that are well-received by the urban society. The realization of the city's musical culture, its embodiment occurs by performing its basic functions, among which the most important are: axiological, cognitive, educational, communicative, semiotic, relaxation
Managerial aspect of missionary activity of A. Scriabin
Authors: Motorna Tetiana
Published: December 2021

The purpose of the article is to identify the historical and cultural specifics of A. Scriabin's missionary activity in dealing with the features of music management as a value, creative phenomenon of spiritual culture, which has a practical implementation in the conditions of socio-cultural interaction. The methodology includes analytical, comparative-historical, and genre-nominative musicological approaches determined by aesthetic-cultural and philosophical positions, as we have in the works of P. Valeri, O. Losev, L. Sabaneev, in the dissertations of D. Androsova, V. Batanov, Liu Binqian, etc. The methodological foundations of the research are the theory of knowledge, philosophical principles of dialectics of unity and interaction of object and subject, general and individual, spiritual and material, cultural and historical. The scientific novelty lies in the distinctive historical and cultural features of Music Management in the missionary efforts of Fr. Scriabin, directed by the Christian-Hesychast incentives of his ideological attitudes, which fueled both the creative and practical activities of both a brilliant artist and organizational and peacekeeping efforts to protect the "intellectual rebirth" of people during the bloody realities of the first World War. Conclusions. The Christian-Hesychast, including the genesis of the ideological foundations of Fr. Scriabin, who gave the features of music management, organizational and managerial principles determined by the national mentality of the need to "save humanity" through religious unity in an ecumenical-expanding interpretation of planetary-significant actions ("Religare"-communication). Scriabin saw the value-semantic load of organizational and managerial means in the dispatch of the mystery as a planetary-unifying factor-despite the socio-political discord of the first World War. Extra-artistic indicators of missionary activity by their nature are indicated. Scriabins demonstrate the paradigmatic component of combinations of creative-practical and organizational-educational, theoretical-cultural-creative, etc. in the person of outstanding personalities of the last century, the phenomenon of which is indicated in the "Leonardo da Vinci system" by P. Valerie as a marking index of the psychological attitude of a creative person in the last century.
The contribution of A. Pashkevych into the development of Volyn state folk choir in 1978 – 1989
Authors: Stepaniuk Ihor
Published: December 2021

The purpose of the article. The investigation aims to highlight the contribution of Anatoliy Pashkevych to the formation of the Volyn state folk choir in the framework of his life and work. The methodology of investigation is based on such general scientific methods of research as the methods of objectivity and historicism, as well as the special historic-biographic method. The methods of objectivity and historicism allow us to observe the influence of A. Pashkevych on the work and development of the Volyn folk choir. The special historic-biographic method is used to define the work of the composer through his life path. The given method allows generalizing his art achievements of different timespans through the analysis of his personal accomplishments. Scientific novelty. Complex research of artistic work of Volyn state folk academic choir through the framework of life and art involvement of A. Pashkevychis done, the repertoire of the group is analyzed; the influence of the choir on the development of the vocal-choreographic culture of Volyn region and Ukraine is defined. Conclusions. A Pashkevych, as the composer, the singer, and the head of Volyn state choir and other famous choirs of Ukraine, has contributed much into Ukrainian musical culture in 1978 – 1989.
Ukrainian vocal music of the 20th – early 21st century in the pedagogical repertoire of the soloist-vocalist
Authors: Mustafayev Femiy
Published: December 2021

The purpose of the article. The paper describes the contemporary vocal pedagogical repertoire from the standpoint of its representativeness in relation to musical trends of the 20th – early 21st century. The methodology is based on a combination of historical, cultural, systemic, analytical, predictive methods, which made it possible to demonstrate the limited educational repertoire of vocalists, respectively, with didactic tasks and potential openness to expand its genre and style palette in connection with the need to train a universal academic singer. The scientific novelty of the paper lies in the fact that in Ukrainian science for the first time the problematic issues of the content of the pedagogical repertoire of academic vocalists in the context of the genre and style diversity of vocal music of the 20th – early 21st centuries were revealed. Conclusions. The contemporary pedagogical repertoire used in the preparation of academic vocalists does not reflect the stylistic and genre diversity of the musical art of the 20th – early 21st centuries, in particular, it does not contain avant-garde compositions, which have long been a constant of contemporary musical culture. Practical acquaintance with avant-garde classics is possible as part of an elective for those vocalists who plan to specialize in this direction of academic music, however, the pedagogical repertoire of training an academic vocalist does not provide for the performance of works of an avant-garde character and the acquisition of appropriate skills. The reasons for the inexpediency of including avant-garde music of the 20th – early 21st century in the main educational repertoire is the absence of a temporal distance, not always a high artistic level of contemporary works, the impossibility of including contemporary vocal music of an avant-garde character in the anthology due to the peculiarities of its notation and forms of existence, as well as the priority for the educational process of the classical vocal repertoire as such that forms the vocalist’s executive apparatus. At the same time, Ukrainian variety classics of the 20th century is an integral part of the educational repertoire of a contemporary academic vocalist, as it serves as a bridge between elite and popular musical culture.
Arrangement and transcriptions in creations by Alexander Siloty at the mention of traditions for musical and redactional practice at the end of XIXth – the first part of the XXth centuries
Authors: Kulish Mariya
Published: December 2021

Purpose of the article. Consists of research of redactional heritage by Alexander Siloty at the border of the XIXth-XXth centuries and analysis of his arrangement and transcriptions. The methodology consists of using resources-studying, comparative methods, and also method of systematization and generalization. The resources-studying method was used for analyzing previous resources and working with the full edition of redactions by Alexander Siloty. A comparative method was necessary during the comparison of the first piece`s resource and its transcription. Method of systematization and generalization consists of generalization for processed material and summarizing of this exploring. This mythological approach allows the analysis of details previsions information at the thymes of arranging and transcriptions by Alexander Siloty. The scientific novelty of the article consists of an introduction to scientific circulation redactions by Alexander Siloty, which are not explored at this moment, and also in locating of the creating by Alexander Siloty arrangements and transcriptions for piano pieces for orchestral and vocal genres. Сonclusions. Arrangements and transcriptions by Alexander Siloty absorbed in itself basis points of edition`s working by representatives of the previous generation, as C. Cherny and F. Busoni. But pedagogical and performable functions in Alexander Siloty`s redactions were actually balanced, in the same moment when pieces by previous representatives were calculated for the most part only for professional pianists. Identifying during exploration this approach in the way of editions` deleting on amplifications and reductions, did conclusions, that they had full right to take place in the repertoire of the modern pianists and in the pedagogical base of professional piano teachers. Modern pianist sets a goal of the technical problem`s solving and maximally exactly represent of score`s text, and left interpretative goals on the second side. On the other hand, redactions by Alexander Siloty weren`t focused attention on the only pianistic tricks. The general goal of it becomes the individual mind through the personality of the single performer.
The influence of the Italian vocal school on the professional formation of Ukrainian singers (the end of the XVIII – the beginning of the XIX century)
Authors: Rossikhina Maryna
Published: December 2021

The purpose of the article is to study the influences of the Italian vocal school, the traditions of Italian opera performance on the professional development of Ukrainian singers in this period. Methodology. Analysis was carried out on the basis of such methods as historical and chronological to study trends and patterns of Ukrainian music at the end of the 17th – the beginning of the 19th century, analytical – for a comprehensive consideration of the influence of Italian culture on the emergence of opera in East Slavic areas, source – for elaboration and analysis of sources, bio-bibliographic – for studying creative biographies of artists, the method of systematization – for the reduction of all found facts to a logical unity. Scientific novelty. By studying the creative biographies of prominent Ukrainian musicians (M.Berezovsky, D.Bortnyansky, M.Ivanov, S.Gulak-Artemovsky) for the first time the Italian pages of their creative biography were systematized, new facts were introduced into scientific circulation, which allow to clarify the contribution of Italian vocal culture in the development of the Ukrainian opera school at the initial stage of its formation. Conclusions. The interest of the Russian Empire in Western European, especially Italian, opera led to the rapid development of a new era in the history of musical theater in the East Slavic territories. Internships of Ukrainian musicians in Italy, invitations of Italian artists, composers, vocal teachers to the Russian Empire, joint performances on stage with foreign singers give grounds to assert the influence of the Italian vocal school on the skills of Ukrainian opera singers of the end of the 18th – the beginning of the 19th century and laying of the fundamental foundations for the development of the Ukrainian vocal school.
Variety turn as the basis of an eductional concert
Authors: Krypchuk Mykola
Published: December 2021

The purpose of the article is to analyze the creative process of the specifics of creating a variety of turns of different genres in an educational concert. The methodology consists of the use of the following methods: historical (art history), comparative, logical, and generalization, which allowed us to consider the issue of creative approaches as a basis for professional performance on stage. The scientific novelty of the obtained results lies in a qualitatively new approach to the issue of creating variety turns in educational concerts in the context of the formation of a modern specialist of variety art. Conclusions. Firstly, the analysis proved that for a variety of artists, namely in the genre of the compere’s comments, the proposed circumstances are the real circumstances of the concert. Secondly, a specific feature of communication between objects is the principle of interaction through the auditorium. Thirdly, the development of professional skills of improvisation on the stage is the most important condition for the training of future artists in higher art school. Fourthly, the main principle of work in an educational concert is to master a complex form of external and internal attention, which requires a constant «switching» of the way of existence of a variety of artists. Fifthly, when choosing, searching, and working on a variety of image-mask, the basic elements of the various artist's psychotechnics are crucial. Sixthly, various forms of educational concerts are the most important stage in the formation of professional skills of the future variety artist.