bluuebunny/crossref_metadata_2025 huggingface dataset:
Wayang dalam Tari Sunda Gaya Priangan
Authors: Rusliana Iyus
Published: October 2017

ABSTRACTÂ This paper is a study on the potential Â of puppet (wayang) Â in the scope of Sundanese Â culture of Â Priangan subculture, Â especially Â dance. Â Formerly Â the term Â of wayang Â means Â to call dolls made of wood which Â are Â played Â by a puppeteer (dalang) Â in a performance Â of puppetry Â art or to tell Â the story Â of its performance, Â andÂ  it is also directly Â to call the art of WayangÂ  Â Golek puppetry. Later, the potential Â of wayang affects strongly Â to the various Â aspects of life which are related Â to belief and art, including Â to Sundanese Â dance of Priangan style. Since Â wayang con- sists of religious sense which is implied in the story, thus wayang in Sundanese Â dance of Priangan style is not Â separated from the mission Â or moralÂ  value to the guidance Â of life. The emerge of Wayang Wong Priangan Â revealed as a dance drama with dialogue carrying Â the story of wayang in complete or partly, Â and there are always, Â conflicts Â between the evil wayang Â characters Â and the ones who extinguish Â the evils.Â Keywords: Priangan subculture, Wayang Dance, Priangan styleÂ Â Â ABSTRAKÂ Tulisan ini merupakan kajian terhadap potensi wayang dalam lingkup budaya Sunda subkultur Priangan, khususnya seni tari. Awalnya kata wayang diartikan untuk menyebut boneka dari kayu yang dimainkan dalang dalam pertunjukan seni pedalangan atau untuk menunjukkan ceritanya dalam pertunjukan seni padalangan, dan juga bisa secara langsung untuk menyebut seni padalangan Wayang Golek. Selanjutnya potensi wayang ini berpengaruh kuat ke dalam beberapa aspek kehidupan yang berbau kepercayaan dan juga kesenian, termasuk ke tari Sunda gaya Priangan. Karena wayang mengandung makna religius yang tersirat dalam isi ceritanya, maka wayang dalam tari Sunda gaya Priangan tidaklah lepas dari misi atau pesan moral ke arah tuntunan hidup. Lahirnya Wayang Wong Priangan, terungkap sebagai bentuk dramatari berdialog dengan membawakan cerita wayang secara utuh atau sebagian, dan senantiasa adanya pertentangan antara tokoh wayang yang jahat dengan yang menumpas kejahatan.Â Kata kunci: subkultur Priangan, Tari Wayang, gaya Priangan
Menggelar Narasidan Reputasi: PameranSeniRupa sebagai Pergelaran
Authors: Simatupang G. R. Lono Lastoro
Published: October 2017

AbstrakPembagian seni secara konvensional ke dalam Seni Rupa dan Seni Pertunjukan dapat dituduhsebagai faktor pendorong tidak saling bertegursapanya kajian kedua ranah seni tersebut. Penelitian ini menggunakan metode kajian pertunjukan. Hasil penelitian ini menyajikan tawaran cara pandang pergelaran (performance) sebagai salah satu alternatif perspektif untuk menjembatani kajian kedua ranah seni tersebut. Penulis berpendapat bahwa melihat pameran seni rupa sebagai peristiwa pergelaran berpeluang menghasilkan wilayah kajian baru dalam kajian seni rupa. Cara pandang pergelaran bahkan juga dapat dimanfaatkan lebih lanjut untuk mengkaji akuisisi dan koleksi seni rupa.Kata kunci: pameran seni rupa, pergelaran, kajian pertunjukanAbstractThe conventional division of arts into Arts and Performing Arts can be blamed as an impedingfactor for conversation between studies of the two art realms. This research uses performance studies method.This research result proposes performance as analternative perspective to bridge both studies. It argues that viewing arts exhibition as performance might give result to a new field of arts studies. Performance perspectives even can be applied further to examine arts acquisition and collection.Key words: arts exhibition, performance, performance studies
Perwujudan Keyakinan akan Keberadaan Mahluk Halus dalam Komik Kawin ka Kunti
Authors: Kasmana Kankan , Sabana Setiawan , Gunawan Iwan , Ahmad Hafiz Aziz
Published: October 2017

AbstrakMahluk halus dalam masyarakat Sunda merupakan fenomena antara mitos dan realitas. Kepercayaan terhadap mahluk yang dianggap immateri-spiritual ini mempengaruhi kehidupan masyarakat, dan banyak diangkat dalam media populer. Tahun 1986 hadir komik Sunda berjudul Kawin ka Kunti, bercerita tentang pernikahan manusia dan mahluk halus, Kuntianak. Penelitian ini bersifat kualitatif, secara deskriptif menguraikan tentang pengemasan mitos dan tradisi dalam komik sebagai wujud interteks. Analisis intertekstualitas digunakan dalam penelitian berupaya mencari representasi teks berupa keyakinan akan keberadaan mahluk halus di masyarakat Sunda yang muncul dalam komik. Diperoleh kesimpulan bahwa interteks hadir dalam komik berupa keyakinan akan keberadaan mahluk halus, meliputi wujud hantu, kehadiran mantra berupa jampe pamakena, serta adat istiadat yang berkaitan dengan mahluk halus. Imaji hantu dalam komik ini adalah representasi dari konsep, pandangan, kepercayaan akan kehadiran mahluk halus. Gambarannya bisa jadi merupakan sebuah imaji perseptual, yang hadir dalam diri komikus didasarkan pada referensi eksternal di lingkungan komikus berada. Kata Kunci: Mahluk Halus, Komik, Intertekstual, Sunda, Tradisi AbstractSpiritual beings within Sundanese is both myth and reality phenomenon. This spiritual-immaterial belief influences Sundanese people’s life, where it frequently appears in popular media. In 1986, there was a comic titled Kawin ka Kunti, told a story about spiritual being (Kuntianak)-human marriage.It is a qualitative research which descriptively explains how myth and tradition are wrapped as an intertext form. Uses intertextual analysis, this research attempts to find text representation in form of belief on spiritual beings existence in the comic. It is then concluded that intertext exists in the comic in form of belief on spiritual beings existence comprises of incarnation of several ghosts, spells presence in form of jampe pamakena, as well as custom related to ghosts. Ghost imaging in this comic is a representation of concept, point of view, and belief of jurig (ghost). It may come in form of perceptual imaging, presents in anything that is based on external reference of the comic artist her/himself.Keywords: Jurig (ghost), Comic, Intertextual, Sunda, Tradition
Re-Interpretasi Budaya Tradisi dalam Karya Seni Kontemporer Bandung Karya Radi Arwinda
Authors: Soetisna Putri Kiki Rizky , Sabana Setiawan
Published: October 2017

AbstrakBandung memiliki posisi begitu penting dalam perkembangan seni rupa kontemporer Indonesia.Perkembangan yang pesat paska boom tahun 2000an serta peran penting salah satu akademi seni tertua di Indonesia menjadi lahan subur bermunculannya seniman muda dengan karakter yang khas. Karakter yang khas tersebut salah satuya dimiliki oleh Radi Arwinda, seorang seniman yang dibesarkan dari lingkungan keluarga yang begitu tertarik pada kebudayaan tradisi, namun tumbuh dan berkembang di kota urban dengan dipengaruhi oleh kultur populer Jepang dan Amerika lewat film animasi, dan komik. Karya-karya Radi pada perkembangannya merupakan upaya re-interpretasi budaya, mengubah struktur dengan pembacaan personal terhadap fenomena di masyarakat.Penelitian ini menggunakan pendekatan metodologi kualitatif secara deskriptif dengan menganalisis berbagai macam data literatur serta data hasil wawancara dan observasi yang mendukung penelitian. Penelitian ini juga meminjam pendekatan kritik seni untuk menginterpretasikan karya.(Kata-kata Kunci: Radi Arwinda re-interpretasi budaya tradisi, seni rupa kontemporer, , Bandung)AbstractBandung has a very important position in the development of contemporary art in Indonesia. The rapid development after the boom of the 2000s as well as the important role of one of the oldest art academy in Indonesia to be fertile ground emergence of young artists with a distinctive character. Distinctive character is one of owned by Radi Arwinda, an artist who grew up in the so interested in cultural tradition family environment, but thrive in an urban city with popular Japan and the US culture influenced through animated films and comics. Radi works on the development of an attempt to re-interpretation of the culture, changing the structure of the personal reading of the phenomena in the society. This study uses descriptive qualitative methodological approach to analyzing a wide range of literature data as well as data from interviews and observations to support research. The study also borrow approach of art criticism to interpret the works.(Key Words:Radi Arwinda,traditional cultural re-interpretation, contemporary art, Bandung)
Sakuren: Konsep Spasial Sebagai Prasyarat Keselamatan Masyarakat Keselamatan Masyarakat Budaya Padi di Kasepuhan Ciptagelar
Authors: Kusdiwanggo Susilo , Sumardjo Jakob
Published: October 2017

ABSTRACTIn the rice culture of KasepuhanCiptagelar society, life will emerge after sakuren brought together (pangawinan). Life is not static, but dynamic and cyclical. Sakuren should be sought through the ngalasuwung, that is a process of ritual activity. Ngalasuwung performed through pattern of space motion katuhu or kenca. Goal of ngalasuwung is to achieve a suwung. The process of ngalasuwung does not cease after the reality of sakuren found. Reality of sakuren remains to be mated (pangawinan) in suwung space. Aim of pangawinan is obtain pancer. Through an ethnographic approach, sakuren cultural theme as a result of a domain analysis, studied simultaneously with taxonomic analysis and elaborated with thick description. Comprehensive studies show that sakuren is an existential meaning which should be pursued and a prerequisite for obtaining safety and sustainability.Keywords: KasepuhanCiptagelar, pangawinan, pancer, sakurenABSTRAKDalam budaya padi masyarakat Kasepuhan Ciptagelar, kehidupan akan muncul setelah sakuren dipertemukan. Kehidupan tidak bersifat statis, melainkan dinamis dan siklis. Sakuren adalah konsep sepasang. Sakuren harus dicari melalui proses ngalasuwung, yaitu sebuah proses aktivitas ritual. Ngalasuwung dilakukan dengan dengan pola gerak ruang katuhu atau kenca. Tujuan ngalasuwung adalah mencapai ruang suwung. Proses ngalasuwung tidak berhenti setelah realitas sakuren ditemukan. Realitas sakuren masih harus dikawinkan dalam ruang suwung. Tujuan pangawinan adalah memperoleh pancer (keselamatan). Melalui pendekatan etnografi, tema kultural sakuren sebagai hasil dari analisis domain, dikaji secara simultan dengan analisis taksonomi dan dielaborasi dengan thick description. Kajian komprehensif menunjukkan bahwa sakuren merupakan makna eksistensial yang harus diupayakan dan menjadi prasyarat untuk memperoleh keselamatan dan keberlanjutan hidup masyarakat budaya padi Ciptagelar.Kata Kunci :Kasepuhan Ciptagelar, pangawinan, pancer, sakuren
Kitsch dalam Iklan TV Komersial dan Selera Konsumer Indonesia
Authors: Hanif Wildan , Piliang Yasraf Amir
Published: October 2017

ABSTRAKIklan TV komersial memiliki hubungan timbal balik dengan selera konsumer. Penelitian mengenai iklan TV bermuatan kitsch, yang sering dikaitkan dengan selera rendah ini, mencoba menjawab bagaimana gambaran selera masyarakat konsumer Indonesia pada tahun 2015. Metode yang digunakan adalah metode lintas disiplin dengan pendekatan Cultural studies. Penelitian ini menguraikan gambaran selera massa konsumer Indonesia sebagai dampak dari tayangan iklan TV komersial. Dengan mengambil sampel “Iklan Biji Selasih Serbuk Panas Dalam Bintang Toedjoe”, didapati bahwa iklan tersebut mengandung unsur budaya global yang bercampur (hibrid) dengan budaya lokal dan mitos populer khas Indonesia. Hasil penelitian ini juga menunjukkan bahwa selera masyarakat Indonesia, terutama kelas menengah bawah, sangat terkait dengan karakter manusia Indonesia yang memiliki naluri berkesenian yang tinggi, suka pamer, percaya tahayul, mudah dipengaruhi oleh budaya dari luar, dan bersifat hipokrit. Kata Kunci : Kitsch, Selera Konsumer, Iklan TVABSTRACTCommercial TV advertising has a considerable influence on the tastes of consumers. Research on the kitsch-laden TV ads, which are often associated with bad taste, try to answer how is the consumer tastes of the people of Indonesia in 2015. The method used is the method of cross-disciplinary approach to Cultural studies. This study provides a picture of the mass consumer tastes Indonesia as a result of commercial TV ad impressions. By taking samples of “Biji Selasih Serbuk Panas Dalam Bintang Toedjoe” " TV ad, found that the advertisement contained elements of global culture mixed (hybrid) with the local culture and popular myths typical of Indonesia. The results of this study also showed that the tastes of Indonesian people, especially the lower middle class, strongly associated with the character of Indonesian people who have a high artistic instinct, happy to show off, but easily influenced by the culture from the outside, believe in superstitious, and is hypocritical.Keywords: Kitsch, Consumer Tastes, TV ad
Representasi Perempuan Indonesia Melalui Artikel Mode Pada Majalah Femina
Authors: Warhani Ariani , Sabana Setiawan , Ardianti Ira
Published: October 2017

AbstrakMajalah merupakan salah satu bentuk media massa telah lahir sejak lama sebagai sarana media informasi dan alat pendidikan bagi masyarakat. Bagi perempuan, informasi dapat diperoleh salah satunya melalui majalah wanita.Majalah Femina adalah salah satu majalah wanita pertama di Indonesia sehingga memiliki pembaca dari beberapa generasi yang berbeda. Tujuan dari penelitian ini untuk menganalisis visual artikel mode dengan menggunakan analisis semiotika dari awal majalah Femina terbit tahun 1974 hingga 2015 untuk melihat elemen visual dan tanda sebagai representasi perempuan Indonesia melalui artikel mode. Metode yang digunakan pada penelitian ini adalah metode kualitatif dengan pendekatan diakronik dengan pemaparan secara deskriptif melalui studi literature pengumpulan artikel mode.Pendekatan pada penelitian ini menggunakan pendekatan semiotika diakronik dengan analisis semiotika.Penelitian ini fokus untuk mendapatkan representasi citra perempuan di Indonesia dengan melalui elemen-elemen visual yang terdapat pada artikel mode, sehingga mengetahuicitra melalui pemahaman mendalam tentang situasi sosial budaya perempuan di Indonesia.Kata Kunci: perempuan, mode, majalah, visual, semiotika.ABSTRACTMagazine is one of mass media that have been born since a long time as a means of information and educational tools for the community. Information can be obtained for women from women’s magazine. Femina magazine is one of the first magazines in Indonesia that have readers from several generations. The aim of this study was to see the visual elements and the sign as representation of Indonesia women from Femina magazine’s visual article mode using semiotic analysis during 1974 to 2015. The method used in this study is a qualitative method diachronic approach with descriptive exposure through the study literature mode article Femina magazine. This research is going to appearance at the representation of the image of women in Indonesia with through visual elements contained in article mode. Thus the visual mode produces an image through a deep understanding of the social and cultural situation of women in Indonesia.Key words: women, mode, magazine, visual, semiotic
Narasi Cahaya Kearifan Lokal Dalam Film Sang Pencerah Karya Hanung Bramantyo
Authors: Puspitasari Dyah Gayatri , Sabana Setiawan , Ahmad Hafiz Azis
Published: October 2017

ABSTRACTÂ Narrative is an important element in film. Its sequence has certain logic related to the meaning of film story. A film is the work of a director, its events sequence has accommodated certain message or in- tention of the director. The study of Sang Pencerah by Hanung Bramantyo applies the text visual nara- tive analysis using narrative theory of Genette and semiotics of Peirce as supporting theory. The result of the analyses finds out that Sang Pencerah is a film structure in three chapters with linier pattern. The light aspect correlated Â with the meaning of enlightment seems to be used as the binding factor of the main story. By analysing various visual signs it is found that the enlightment idea (pencerahan) in the film is the western rationality of modernism versus Ahmad Dahlan. It is a rationality which manifests hospitality and local wisdom as a strong identity which balances the modernity.Â Keywords: narrative, film, light, message, modernismÂ Â Â Â ABSTRAKÂ Narasi merupakan unsur penting dalam film. Urutannya mengandung logika tertentu yang berkaitan dengan makna cerita film. Film dapat dikatakan sebagai narasi yang merep- resentasikan realitas. Namun karena film merupakan gubahan sutradara, maka urutan peris- tiwa itu tentunya sudah dibubuhi pesan atau niatan tertentu sutradara. Dengan mengambil film Sang Pencerah karya Hanung Bramantyo sebagai studi kasus, dilakukan identifikasi pesan dan makna yang termuat di dalam film tersebut. Kajian ini menggunakan metode analisis teks visual naratif dengan teori narasi Genette dan semiotika Peirce sebagai pembantu. Dari hasil analisis struktur narasiditemukan bahwa Sang Pencerah merupakan film alur tiga babak dengan pola linier. Aspek cahaya yang dikorelasikan dengan makna pencerahan, tampak dimanfaat- kan sebagai pengikat rangkaian inti cerita. Melalui analisis berbagai penanda visual selanjutnya ditemukan bahwa gagasan pembaharuan (pencerahan) yang diketengahkan sutradara dalam film ini merupakanrasionalitas modernisme Barat versus Ahmad Dahlan. Sebuah rasionalitas yang mengejawantahkan kesantunan dan kearifan lokal sebagai keutuhan jati diri pengimbang kebaharuan.Â Kata kunci: narasi, film, cahaya, pesan, modernismeÂ
Seni Rupa Pasemah: Arah Hadap dan Orientasi Karya Seni Rupa Pasemah
Authors: Suryanegara A. Erwan , Sachari Agus
Published: October 2017

ABSTRACTÂ In Bukit Barisan of southern Sumatra, exactly in Lahat and Pagaralam, South Sumatra, was found remains of megalithic artifacts. The artifacts in the form ofvisual arts are in larger quantities, particu- larly sculptures other than paintings,reliefs, etc. Surveys and literature studies show that visual arts as those contemporary Pasemah visual arts are not yet discovered in other regions. One ofspecial charac- teristics is Point of the Orientation and the Orientation of sculptures which is not referring to point of the compass, rather to the object of nature surroundings. The Pasemah visual arts are never apart from the underlyingEcocentric concept and in harmony with the worship of ancestral souls in a cosmocentric mystical culture. The uniqueness of Pasemah visual arts is, actually, potential that must be excavated and prolif- erated as learning for citizens and, thus, inspire community surroundings in particular and Nusantara societies in general.Â Keywords: Pasemah, sculpture, megalithic, point, orientationÂ Â Â Â Â ABSTRAKÂ Bukit Barisan bagian selatan Sumatra, tepatnya di Lahat dan Pagaralam, Sumatra Selatan, ditemukan peninggalan artefak-artefak megalitik. Secara kuantitatif memperlihatkan bahwa jumlah artefak berwujud karya seni rupa (visual) lebih banyak, terutama yang berbentuk pa- tung selain lukisan, relief, dan sebagainya. Kajian atas hasil survei dan studi literatur membuk- tikan bahwa seperti karya visual Pasemah itu memang tidak ditemukan di kawasan lain yang sezaman. Satu kekhasannya adalah Arah Hadap dan Orientasi patung yang tidak mengacu ke- pada arah mata angin, tetapi kepada objek alam di sekitarnya. Karya-karya visual Pasemah itu tidak pernah lepas dari konsep ekosentris yang menjadi konsep mendasar dan selaras dengan pemujaan arwah leluhur dalam peradaban mistis yang kosmosentris. Keunikan karya visual Pasemah sesungguhnya merupakan potensi yang harus digali dan ditumbuhkembangkan se- bagai pembelajaran bagi anak bangsa, sehingga dapat menginspirasi masyarakat sekitar khu- susnya maupun masyarakat Nusantara umumnya.Â Kata kunci: Pasemah, patung, megalitik, arah, orientasi
Makna Tindakan Pragmatik Bedhaya Tejaningsih pada Jumenengan K.G.P.H Tejawulan Sebagai Raja Paku Buwana XIII di Surakarta
Authors: Maryono Maryono
Published: October 2017

AbstractThe presence of Bedhaya Tejaningsih in the inauguration or jumenengan ritual of K.G.P.H Tejawulan is evidently not only a form of entertainment but also contains a symbolic meaning. In this pragmatic study of Bedhaya Tejaningsih, the writer uses a pragmatic linguistic approach. The research is qualitative interpretative in nature and uses as a basic reference pragmatic theories and performing art theories. The methods used for collecting data include a library study, observation, and interviews. The results of the study show that the meaning of the presence of the dance Bedhaya Tejaningsih in the jumenengan ritual of K.G.P.H Tejawulan is a form of entertainment, exemplification, and credibility. As a form of entertainment, the presence of the dance Bedhaya Tejaningsih at the king coronation provides an aesthetical presentation for the audience. The meaning of its exemplification is seen in the request it makes to the general public to follow the example of a good and wise leader who always prioritizes his love for the people in the way he provides them with protection, peace, and security. The meaning of credibility is K.G.P.H Tejawulan is request that the people will give their support and recognition of his inauguration to become king so that he gains legitimacy based on the cultural tradition of the Kasunanan Palace in Surakarta.Keywords: Bedhaya Tejaningsih dance, meaning of pragmatic action, and jumenengan.AbstrakKehadiran Bedhaya Tejaningsih pada ritual jumenengan K.G.P.H Tejawulan rupanya tidak sekadar bentuk hiburan, namun mengandung makna simbolis. Pada Penelitian pragmatik Bedhaya Tejaningsih, peneliti menggunakan pendekatan linguistik pragmatik. Bentuk penelitiannya bersifat kualitatif interpretatif dengan dasar rujukan teori-teori pragmatik dan seni pertunjukan. Metode pengumpulan datanya dengan cara: studi pustaka, observasi dan wawancara. Hasil kajian menunjukkan bahwa makna kehadiran tari Bedhaya Tejaningsih pada ritual jumenengan K.G.P.H Tejawulan merupakan bentuk hiburan, keteladanan dan kredibilitas. Sebagai bentuk hiburan kehadiran tari Bedhaya Tejaningsih pada penobatan raja secara keseluruhan sajiannya memberikan santapan estetis bagi penonton. Makna keteladanan yang ditemukan adalah bentuk permintaan terhadap masyarakat untuk meneladani figur pemimpin yang baik dan bijak yang selalu mengutamakan cinta kasih dalam mengayomi masyarakat, menciptakan ketentraman dan kedamaian. Makna kredibilitas adalah permohonan K.G.P.H Tejawulan terhadap masyarakat untuk memberi dukungan dan pengakuan atas penobatannya sebagai raja supaya memiliki legitimasi berdasar adat budaya Karaton Kasunanan Surakarta.Kata kunci: tari Bedhaya Tejaningsih, makna tindakan pragmatik, dan jumenengan.
Menggali Filsafat Wayang Beber untuk Mendukung Perkembangan Industri Kreatif Batik Pacitan
Authors: Suyanto Suyanto
Published: October 2017

AbstractThis article entitled "Digging the Wayang Beber Philosophy to Encourage the Development of Creative Industries of Batik in Pacitan Regency”. It is the juice from the results of our research in the second year. This research was conducted to look at the extent to which the condition of the Wayang Beber Pacitan its relationship with growth and development of industrial and economic aspects, as well as her role as media strengthening local wisdom and efforts increase the economy of communities in Pacitan Regency.This research uses the theory of action research approach through four stages; first determine the focus of the second, the third data collection, analysis and interpretation of data, and a fourth action field. The method is carried out in several stages: the stage of the Assessment, the design stages, the stages of socialization, mentoring and training stages, the stages of production, and the stages of launching. Results of the study in the second year it has also become the third year research reference i.e. dissemination draft corporate identity branding guide ecotourism village of batik and a draft training module design motifs reserved for industrial cluster batik craftsmen so able to improve the economy of Pacitan Regency society.Keywords: Philosophy of Wayang Beber, Batik Motif Pacitan, and Improving the Economy of the Community.Abstrak Artikel ini berjudul “Menggali Filsafat Wayang Beber Untuk Mendorong Perkembangan Industri Kreatif Batik di Kabupaten Pacitan” Ini merupakan perasan dari hasil penelitian kami pada tahun kedua. Penelitian ini dilakukan untuk melihat sejauh mana kondisi Wayang Beber Pacitan hubungannya dengan pertumbuhan dan perkembangan aspek ekonomi dan industri, serta perannya sebagai media penguatan kearifan lokal dan upaya peningkatan perekonomian masyarakat di Kabupaten Pacitan. Penelitian ini menggunakan pendekatan teori action research melalui empat tahapan; pertama menentukan fokus, kedua pengumpulan data, ketiga analisis dan interpretasi data, dan keempat tindakan lapangan. Metode yang dilakukan dalam beberapa tahapan : Tahapan Pengkajian, Tahapan Perancangan, Tahapan Sosialisasi, Tahapan Pendampingan dan Pelatihan, Tahapan Produksi, dan Tahapan Launching. Hasil penelitian pada tahun kedua ini juga menjadi acuan penelitian tahun ketiga yaitu desiminasi draft corporate identity branding panduan ekowisata kampung batik dan draft modul pelatihan perancangan desain motif batik yang diperuntukkan bagi pengrajin klaster industri batik Pacitan sehingga mampu meningkatkan perekonomian masyarakat Kabupaten Pacitan.Kata Kunci: Filsafat Wayang Beber, Motif Batik Pacitan, dan Peningkatan Perekonomian Masyarakat
Media Seni Budaya Tradisional Masyarakat Pedesaan dalam Mendukung Pengembangan Pangan di Kecamatan Rancakalong Sumedang
Authors: Rizal Edwin , Anwar Rully Khairul
Published: October 2017

ABSTRAKPenelitian ini dilatarbelakangi oleh alasan bahwa, di Negara kita sebagian besar masyarakatnya menggantungkan hidup di ladang-ladang pertanian, terkadang masih mengalami kesulitan dalam menyebarkan informasi, khususnya informasi pembangunan yang sangat dibutuhkan oleh para petani untuk meningkatkan kualitas maupun kuantitas hasil pertaniannya. Kendala tersebut disebabkan oleh kurangnya kemampuan sumber daya manusia maupun peralatan untuk menjangkau daerah-daerah terpencil yang sulit secara geografis, ataupun terbatasnya kemampuan masyarakat untuk mengaksesnya baik karena faktor ekonomi (finansial) maupun pengetahuan. Sehingga tidak mengherankan apabila di tengah-tengah abad informasi ini, masih ditemukan suatu daerah yang tidak atau belum tersentuh oleh informasi dari luar. Urgensi penelitian adalah ingin mengukur tingkat penggunaan media tradisional pada masyarakat pedesaan dalam mendukung pengembangan pangan di Kecamatan Rancakalong Kabupaten Sumedang. Metode yang digunakan dalam penelitian ini adalah metode deskriptif dengan menggunakan pendekatan kualitatif. Hasilnya, bahwa penggunaan media seni budaya tradisional pada masyarakat Rancakalong sangat erat kaitannya dengan pengembangan pangan.Kata Kunci: Media Tradisional, Masyarakat Pedesaan, Pengembangan PanganABSTRACTThis research is motivated by the reason that in Indonesia the majority of communities depend on farms, sometimes still have difficulty in disseminating information, particularly the information that is needed by farmers to improve the quality and quantity of agricultural products. The difficulty caused by the lack of human resources and equipment to reach areas that are geographically isolated, or limitation of the public access, it either because of economic factors (financial) and knowledge. So it is not surprising that in the midst of the information age, there is still an area that is not or has not been touched by the information from the outside. This research was also to measure the level of use of traditional media in rural communities in supporting of food development in Kecamatan Rancakalong Kabupaten Sumedang. The method used in this research is descriptive method with qualitative approach.As a result, that the use of traditional cultural arts media on society Rancakalong is closely associated with the development of food.Keywords: Traditional Media, Rural Communities, Food Development
Budaya Panengen Sebagai Representasi Simbolik Kepemimpinan Desa Cikalong
Authors: Engkus Engkus Engkus
Published: October 2017

ABSTRACTThemain problem in the research is dualism leadership in the life of the Cikalong village: Formal and informal leader. The aim of the research to collect data, fact and analyze some problems, either directly or indirectly, to know about the dualism deeply. The qualitative methodology and technical approach of the research are observation, interview, and documental history. The results of research, there are some positive and negative influencing from gotong-royong and also from leadership in the life of Cikalong village society. The negatively influencing (for Islamic greatness), because of fervently doctrine of forefathers were called cultural of Panengen. In other words the followers have special ritual in certain days that implemented in daily life. The policy of the head of the village as a physical and social development administrator has big enough potential toward implementation of continued national development.Keywords: culture of panengen, value,manners, government of the village.ABSTRAKMasalah utama dalam penelitian ini adalah adanya dualisme kepemimpinan dalam kehidupan masyarakat di Desa Cikalong: Pemimpin formal dan pimpinan informal.Tujuan penelitian ini mengumpulkan data, fakta dan menganalisis beberapa masalah, baik secara langsung maupun tidak langsung untuk mengetahui dengan mendalam tentang dualisme tersebut.Pendekatan metodologi kualitatif dan teknik penelitian adalah observasi, interview, dan historik dokumental.Hasil penelitian ditemukan adanya pengaruh positif dan negatifnya dari sistem gotong royong serta darikepemimpinan dalam kehidupan masyarakat di Desa. Pengaruh negatif terutama berkaitan dengan syi’ar Islam yang terhambat, disebabkan oleh karena patuhnya sebagian besar masyarakat menganut ajaran dari leluhurnya yang disebut budaya Panengen. Dengan kata lain para penganutnya masih melaksanakan ritual khusus di waktu-waktu tertentu yang terimplementasi dalam kehidupan sehari-hari. Kebijakan kepala desa sebagai administrator pembangunan fisik dan kemasyarakatan berpotensi besar terhadap keberlanjutan pembangunan nasional.Kata kunci:budaya panengen, tata nilai,budi pekerti,pemerintahan desa
Rekontruksi pikukuh Tilu dalam Manajemen Babarit pada Upacara Serentaun Cigugur Kuningan
Authors: Suhaenah Euis , Rohaeni Ai Juju , Listiani Wanda
Published: October 2017

ABSTRAKPenelitian ini menemukan teori manajemen komunitas khususnya konsep pikukuh tilu dalam manajemen babarit dan model manajemen babarit dalam upacara adat. Luaran penelitian Fundamental ini berupa jurnal terakreditasi atau bereputasi internasional, laporan penelitian. Penelitian ini menggunakan metode deskriptif analisis kualitatif, sebagai langkah awal pengumpulan data dilakukan dengan mengadakan obervasi lapangan. Hal ini menitikberatkan pada pengamatan yang didukung dengan wawancara dan perekaman kejadian. Wawancara dilakukan dengan pelaku, tokoh yang terlibat langsung, dan tokoh seniman yang terlibat didalamnya. Teknik wawancara yang mendalam dengan cara memilih informan kunci guna mendapatkan validitas data yang menghasilkan deskripsi yang lebih utuh dan menyeluruh. Hasil penelitian merujuk pada pola pikir masyarakat Sunda Wiwitan dengan konsep Pikukuh Tilu yakni ngaji badan, tuhu/mikukuh kana tanah, madep ka ratu-raja, dalam upacara adat ada 3 (tiga) tahapan dalam proses pengelolaan manajemen babarit yakni, ngajayak, babarit, nutu.Kata kunci :pikukuh tilu, manajemen komunitas, upacara adat, babarit, Cigugur Kuningan ABSTRACTThe research found the community management theory especially the babarit management with pikukuh tilu concept and the babarit management model in traditional ceremonies. Output this research are Accredited Scientific journal or international reputation.This research used the qualitative descriptive analysis. Field observation applied as the first step. The observation focuses on interview add event recording. The interview conducted with the informansuch as artists that involved in seren taun. Depth interview technique through the main informan get the valid data for the solid result and comprehensive desription. The research resultedrefer to the Sundanese mindset with the Pikukuh Tilu concept in traditional ceremonies through the tree steps of the Babarit management proses; ngajayak, babarit, nutu.Keywords:Pikukuh Tilu, Community Mangement, Tradisional ceremonies, Babarit, Cigugur Kuningan
Sendratari Rara Jonggrang Dalam Perspektif Koreografis dan Pariwisata
Authors: Hersapandi Hersapandi
Published: October 2017

ABSTRACT "The Rara Jonggrang Ballet" was a dance drama without dialogue that took the story of the legend of Prambanan temple. This choreography tourist art was created as an alternative travel destination renewable tourist performing arts in Yogyakarta. The logic of economic law of supply and demand of the total number of tourists visiting Prambanan temple for 2.992 person/day was a business opportunity creatively to improve the economic viability and competitiveness forces of the nation's comparative advantage and competitive choreography art of travel was believed to be the new icon of the tourist attraction in attractions Prambanan temple. The creative process of creation ballet Rara Jonggrang (cultural creativity) and the creative process in the economy (economic creativity) was a strategic part in building a creative economy based on the values of local wisdom, thus contributing to the strengthening of the economy of traditional arts and community supporters.Keywords: ballet, choreography, art, travel, management, creative economyABSTRAK“Sendratari Rara Jonggrang” adalah drama tari tanpa dialog yang mengambil cerita dari legenda candi Prambanan. Koreografi seni wisata ini dicipta sebagai alternatif destinasi seni pertunjukan wisata terbarukan di Yogyakarta. Logika hukum ekonomi antara permintaan dan penawaran dari jumlah angka kunjungan wisatawan ke candi Prambanan sebesar 2.992 orang/hari merupakan peluang bisnis kreatif untuk meningkatkan kemampuan ekonomi dan kekuatan daya saing bangsa. Keunggulan komparatif dan kompetitif koreografi seni wisata ini diyakini dapat menjadi ikon baru daya tarik wisatawan di objek wisata candi Prambanan. Proses kreatif penciptaan sendratari Rara Jonggrang (kreativitas budaya) dan proses kreatif dalam perekonomian (kreativitas ekonomi) merupakan bagian strategis dalam membangun ekonomi kreatif yang berbasis pada nilai-nilai kearifan lokal, sehingga memberi kontribusi bagi penguatan seni tradisi dan ekonomi masyarakat pendukungnya.Kata kunci: sendratari, koreografi, seni wisata, manajemen, ekonomi kreatif
Determinants of Anemia Among Pregnant Women Attending in a Tertiary Level Hospital, Kathmandu
Authors: Mulepati Sumitra , Chaudhary Tanuja Kumari
Published: October 2017

Background: Anemia is a common problem in pregnancy, particularly in developing countries which causes low birth weight and increased risk of maternal and perinatal morbidity and mortality.Methods: A descriptive cross-sectional study was adopted to determine the factors associated with anemia among pregnant Systematic Random Sampling technique was used and sample size was 280 pregnant women who visited the antenatal clinic of the Tribhuwan University Teaching Hospital, Kathmandu. Data was collected by face to face interview technique by pretested questionnaire. Chi-square, bivariate, multivariate logistic regression model was used, and statistical significance was determined with a 95% confidence level.Results: Mean age of respondents was 25.86±4.191 years. Anemia among pregnant women was 22.1%.The significant determinants associated with anemia were pregnant women who had not taken iron regularly (AOR=18.380, 95% CI=3.687-91.624, p=0.005).Conclusion: The results indicate that anemia is still prevalence in pregnant women in tertiary level hospital at Kathmandu. Irregular intake or discontinuation of iron was significant factor for anemia. Therefore, pregnant women and their family members need counseling about the importance of regular intake of iron during pregnancy.Med Phoenix Vol.2(1) July 2017, 24-33
Long-term outcomes of tissue-based ACTH-antibody assay–guided transsphenoidal resection of pituitary adenomas in Cushing disease
Authors: Erfe J. Mark , Perry Avital , McClaskey John , Inzucchi Silvio E. , James Whitney Sheen , Eid Tore , Bronen Richard A. , Mahajan Amit , Huttner Anita , Santos Florecita , Spencer Dennis
Published: October 2017

OBJECTIVE

Cushing disease is caused by a pituitary micro- or macroadenoma that hypersecretes adrenocorticotropic hormone (ACTH), resulting in hypercortisolemia. For decades, transsphenoidal resection (TSR) has been an efficacious treatment but with certain limitations, namely precise tumor localization and complete excision. The authors evaluated the novel use of a double-antibody sandwich assay for the real-time quantitation of ACTH in resected pituitary specimens with the goals of augmenting pathological diagnosis and ultimately improving long-term patient outcome.

METHODS

This study involved a retrospective review of records and an analysis of assay values, pathology slides, and MRI studies of patients with Cushing disease who had undergone TSR in the period from 2009 to 2014 and had at least 1 year of follow-up in coordination with an endocrinologist. In the operating room, biopsy specimens from the patients had been analyzed for tissue ACTH concentration. Additional samples were simultaneously sent for frozen-section pathological analysis. The ACTH assay performance was compared against pathology assessments of surgical tumor samples using receiver operating characteristic (ROC) analysis and against pre- and postoperative MRI studies.

RESULTS

Fourteen patients underwent TSR with guidance by ACTH-antibody assay and pathological assessment of 127 biopsy samples and were followed up for an average of 3 years. The ACTH threshold for discriminating adenomatous from normal tissue was 290,000 pg/mg of tissue, based on jointly maximized sensitivity (95.0%) and specificity (71.3%). Lateralization discordance between preoperative MRI studies and surgical visualization was noted in 3 patients, confirming the impression that MRI alone may not achieve optimal localization. A majority of the patients (85.7%) attained long-term disease remission based on urinary free cortisol levels, plasma cortisol levels, and long-term corticosteroid therapy. Comparisons of patient-months of remission and treatment failure showed that the remission rate in the study sample statistically exceeds the rate in historical controls (71.9%; p = 0.0007, Fisher’s exact test). Long-term unexpected hormonal deficiencies were statistically similar between study patients (29%) and those in a meta-analysis (25%; p = 0.7596, Fisher’s exact test).

CONCLUSIONS

These preliminary findings reflect the promising potential of tissue-based ACTH-antibody–guided assay for improving the cure rates of Cushing disease patients undergoing TSR. Further studies with larger sample sizes, further refinements of assay interpretation, and longer-term follow-ups are needed.
Role of the temporal pole in temporal lobe epilepsy seizure networks: an intracranial electrode investigation
Authors: Abel Taylor J. , Woodroffe Royce W. , Nourski Kirill V. , Moritani Toshio , Capizzano Aristides A. , Kirby Patricia , Kawasaki Hiroto , Howard Matthew , Werz Mary Ann
Published: October 2017

OBJECTIVE

A convergence of clinical research suggests that the temporal pole (TP) plays an important and potentially underappreciated role in the genesis and propagation of seizures in temporal lobe epilepsy (TLE). Understanding its role is becoming increasingly important because selective resections for medically intractable TLE spare temporopolar cortex (TPC). The purpose of this study was to characterize the role of the TPC in TLE after using dense electrocorticography (ECoG) recordings in patients undergoing invasive monitoring for medically intractable TLE.

METHODS

Chronic ECoG recordings were obtained in 10 consecutive patients by using an array customized to provide dense coverage of the TP as part of invasive monitoring to localize the epileptogenic zone. All patients would eventually undergo cortico-amygdalohippocampectomy. A retrospective review of the patient clinical records including ECoG recordings, neuroimaging studies, neuropathology reports, and clinical outcomes was performed.

RESULTS

In 7 patients (70%), the TP was involved at seizure onset; in 7 patients (70%), there were interictal discharges from the TP; and in 1 case, there was early spread to the TP. Seizure onset in the TP did not necessarily correlate with preoperative neuroimaging abnormalities of the TP.

CONCLUSIONS

These data demonstrate that TPC commonly plays a crucial role in temporal lobe seizure networks. Seizure onset from the TP would not have been predicted based on available neuroimaging data or interictal discharges. These findings illustrate the importance of thoroughly considering the role of the TP prior to resective surgery for TLE, particularly when selective mesial resection is being considered.
Quantitative cerebral blood flow using xenon-enhanced CT after decompressive craniectomy in traumatic brain injury
Authors: Vedantam Aditya , Robertson Claudia S. , Gopinath Shankar P.
Published: October 2017

OBJECTIVE

Few studies have reported on changes in quantitative cerebral blood flow (CBF) after decompressive craniectomy and the impact of these measures on clinical outcome. The aim of the present study was to evaluate global and regional CBF patterns in relation to cerebral hemodynamic parameters in patients after decompressive craniectomy for traumatic brain injury (TBI).

METHODS

The authors studied clinical and imaging data of patients who underwent xenon-enhanced CT (XeCT) CBF studies after decompressive craniectomy for evacuation of a mass lesion and/or to relieve intractable intracranial hypertension. Cerebral hemodynamic parameters prior to decompressive craniectomy and at the time of the XeCT CBF study were recorded. Global and regional CBF after decompressive craniectomy was measured using XeCT. Regional cortical CBF was measured under the craniectomy defect as well as for each cerebral hemisphere. Associations between CBF, cerebral hemodynamics, and early clinical outcome were assessed.

RESULTS

Twenty-seven patients were included in this study. The majority of patients (88.9%) had an initial Glasgow Coma Scale score ≤ 8. The median time between injury and decompressive surgery was 9 hours. Primary decompressive surgery (within 24 hours) was performed in the majority of patients (n = 18, 66.7%). Six patients had died by the time of discharge. XeCT CBF studies were performed a median of 51 hours after decompressive surgery. The mean global CBF after decompressive craniectomy was 49.9 ± 21.3 ml/100 g/min. The mean cortical CBF under the craniectomy defect was 46.0 ± 21.7 ml/100 g/min. Patients who were dead at discharge had significantly lower postcraniectomy CBF under the craniectomy defect (30.1 ± 22.9 vs 50.6 ± 19.6 ml/100 g/min; p = 0.039). These patients also had lower global CBF (36.7 ± 23.4 vs 53.7 ± 19.7 ml/100 g/min; p = 0.09), as well as lower CBF for the ipsilateral (33.3 ± 27.2 vs 51.8 ± 19.7 ml/100 g/min; p = 0.07) and contralateral (36.7 ± 19.2 vs 55.2 ± 21.9 ml/100 g/min; p = 0.08) hemispheres, but these differences were not statistically significant. The patients who died also had significantly lower cerebral perfusion pressure (52 ± 17.4 vs 75.3 ± 10.9 mm Hg; p = 0.001).

CONCLUSIONS

In the presence of global hypoperfusion, regional cerebral hypoperfusion under the craniectomy defect is associated with early mortality in patients with TBI. Further study is needed to determine the value of incorporating CBF studies into clinical decision making for severe traumatic brain injury.
Hospital-acquired conditions: predictors and implications for outcomes following spine tumor resection
Authors: Lakomkin Nikita , Hadjipanayis Constantinos G.
Published: October 2017

OBJECTIVE

Hospital-acquired conditions (HACs) significantly compromise patient safety, and have been identified by the Centers for Medicare and Medicaid Services as events that will be associated with penalties for surgeons. The mitigation of HACs must be an important consideration during the postoperative management of patients undergoing spine tumor resection. The purpose of this study was to identify the risk factors for HACs and to characterize the relationship between HACs and other postoperative adverse events following spine tumor resection.

METHODS

The 2008–2014 American College of Surgeons’ National Surgical Quality Improvement Program database was used to identify adult patients undergoing the resection of intramedullary, intradural extramedullary, and extradural spine lesions via current procedural terminology and ICD-9 codes. Demographic, comorbidity, and operative variables were evaluated via bivariate statistics before being incorporated into a multivariable logistic regression model to identify the independent risk factors for HACs. Associations between HACs and other postoperative events, including death, readmission, prolonged length of stay, and various complications were determined through multivariable analysis while controlling for other significant variables. The c-statistic was computed to evaluate the predictive capacity of the regression models.

RESULTS

Of the 2170 patients included in the study, 195 (9.0%) developed an HAC. Only 2 perioperative variables, functional dependency and high body mass index, were risk factors for developing HACs (area under the curve = 0.654). Hospital-acquired conditions were independent predictors of all examined outcomes and complications, including death (OR 2.26, 95% CI 1.24–4.11, p = 0.007), prolonged length of stay (OR 2.74, 95% CI 1.98–3.80, p < 0.001), and readmission (OR 9.16, 95% CI 6.27–13.37, p < 0.001). The areas under the curve for these models ranged from 0.750 to 0.917.

CONCLUSIONS

The comorbidities assessed in this study were not strongly predictive of HACs. Other variables, including hospital-associated factors, may play a role in the development of these conditions. The presence of an HAC was found to be an independent risk factor for a variety of adverse events. These findings highlight the need for continued development of evidence-based protocols designed to reduce the incidence and severity of HACs.
The influence of institutional factors on e-governance development and performance: An exploration in the Russian Federation
Authors: Vidiasova Lyudmila , Dawes Sharon S.
Published: October 2017

This research explored the effect of institutional factors on e-governance development and performance, with particular attention to Russian Federation conditions. The authors conducted a multi-method case study that explores how institutional factors appear to influence the performance of e-governance. Using the case of the Russian Federation, the analysis focused on underlying regulative, normative, and cultural factors revealed through international and domestic studies, government structures, legal foundations, and choices made about what to monitor and measure. We found strong hierarchical structures with fragmented responsibilities, and laws and regulations that focus mainly on the role of authorities, formal power and technologies. In terms of performance, most attention is paid to monitoring e-services and technical infrastructure with almost no attention to citizen engagement, empowerment, or participation. These dominant trends contribute to institutional traps (including internal fragmentation, inflexible patterns of interaction, expectations of corruption, over reliance on international rankings) that significantly limit the development of e-governance and its promises of administrative reform, better public services, and new concepts of citizenship. The research concludes with an argument that a multi-faceted approach to assessment provides greater understanding of a given country’s e-governance pattern and its prospects for future development.