bluuebunny/crossref_metadata_2025 huggingface dataset:
RANCANGAN CITY BRANDING KOTA PADANG PENTINGNYA SEBUAH BRANDING DALAM PERKEMBANGAN KOTA
Authors: Satria Baris
Published: February 2018

The final work is titled Draft City Branding Padang city. The introduction has not been packagedproperly. It creates an image that is less attractive for tourists, when in fact the City The potential thatought to be proud of by the people. This design uses the theory of city branding, communication theory,design theory and the theory of color. Therefore, in the design of this time are highlighted in The laterthrough verbal and visual messages, tagline and media applications that are effective and efficient.As for media design is the logo along with the explanation. Design a billboard mediaapplications, facebook account, t-shirts, mugs, keychains, signed area, posters, pins, post card, sticker,calendar and jlaxchange. All the media is part of the process of city branding Padang city.Keywords: Concept, City Branding, Padang.
IKLAN ENAMEL DAN PENGGAMBARAN PERUBAHAN KOTA DI ZAMAN HINDIA BELANDA
Authors: Melati Karina Rima
Published: February 2018

Ads enamel is present as part of a media phenomenon in the world of advertisingcommunication made with a complex reproductive techniques and has a characteristic thatdistinguishes it from other advertising media. Factors affecting the visual content of the message inthe repertoire of developmental enamel advertising in Indonesia, developed along with the progressespecially in the areas of economy, as well as an attempt penetration with idioms - idioms to suit itstarget market.The next development was the emergence of new ideas in making an alternativeadvertisement-based enamel, such as the packaging of food products (packaging), ashtrays, trays ortrays, seat backrest, backrest calendar, memo backrest, clocks, thermometers and so giant thatcreated with an attractive design.Keywords: Ads enamel, Delineation change the city, Past the Dutch East Indies
PERLINDUNGAN HUKUM TERHADAP DESAINER GRAFIS SEBAGAI PESERTA DALAM LOMBA DESAIN GRAFIS BERDASARKAN UNDANG-UNDANG NOMOR 19 TAIIUN 2002 TENTANG HAK CIPTA
Authors: Mayasari Novi
Published: February 2018

Copyright is essentially a part of intangible/incorporeal property which the ownership isseparated from the ownership of the object. Consequently, the enactment of " the participants' worksbelong to the committee" clause cannot be interpreted as the transfer of both of the property rights andcopyright of the works. This study is aimed to know how the graphic designer as a participant in a graphicdesign competition correlated with the existence of "the participants' works belong to the committee"clause is legally protected.The data in this study were obtained by juridical-normative-empirical- research (mixture study).The data obtained from both the library research and the field research were analyzed using descriptivequalitativeapproach. Descriptive approach analyzes only applied at the description level in which factswere analyzes and presents in a systematic way so that it can be more easily understood and inferred.Qualitative approach doesnot emphasize its analysis on numerical data processed by the statisticalmethod. However it doesnot mean that qualitative approach doesn't use quantitative data. Thequantitative data were used but the emphasis wasnot on the hypothesis testing but rather on the attemptto answer the research question through argumentative and formal ways of thinking.The results of this study indicate that most people, especially graphic designers didn't understandthat property rights and copyright of work are two separate things and they assumed that " theparticipants' works belong to the committee" clause as a transfer of both property and copyright of adesign. Thus often caused problems dealed were generated from the illegal use by the committee such asthe use of the works without the cretor's permission, the committee's decision that the competition had nowinner or that the prize is distributed evenly to all the nominees.Keywords: Copyright, Design, Graphic Design
Filsafat Anti-Korupsi
Authors: Widyatmoko FX
Published: February 2018

Buku Filsafat Anti-Korupsi setidaknya memberi wawasan akar perilaku tindak korupsi. Darisitu diharapkan manusia mengenal sisi gelap dalam dirinya, dan sebagai jalan setelah mengenalsisi gelap yaitu manusia perlu melakukan transendensi diri. Wattimena, yang juga seorangpengajar di Fakultas Filsafat UNIKA Widya Mandala, Surabaya (seturut waktu diterbitkannyabuku ini), menjelaskan transendensi diri sebagai berikut: “…saya menyarankan, agar kita semuabelajar untuk mengenali dorongan-dorongan berkuasa, berburu nikmat, gejolak sisi-sisi hewani,kemalasan berpikir, dan kekosongan jiwa kita sebagai manusia. Semuan itu harus diakui dandikenali. Setlah itu kita perlu untuk membangun niat, komitmen, serta teknik untuk menata danmalampaui sisi-sisi gelap yang bercokol di dalam diri kita, maupun diri semua manusia tersebut.”(halaman 201) Lantas, tidak asing manakala simbol korupsi, atau luasnya kejahatan, menunjuk pada duniahewan (tikus, kucing, ular, dsb). Pula menunjuk pada kenikmatan (dasi, mobil mewah, dsb),kekuasaan (sionggasana, raja, dsb). Setidaknya, masih terdapat beragam simbol bagi korupsi.Dari situ sisi-sisi gelap kian nampak, dan dari situ pula manusia kian dikenalkan pada berbagairepresentasi kekuatan gelap yang bercokol dalam dirinya, meski tetap menyisakan sisi gelap yangtak tertembusi, selain juga – seturut pemahaman saya - kita diajak menciptakan simbol bagiusaha dalam melakukan pelampauan/transendensi diri. Katakanlah, simbol-simbol positif.
BOROBUDUR TEMPLE PRE AND POST COLONIAL ERA
Authors: Banindro Baskoro Suryo
Published: February 2018

Borobudur temple is a heritage of Buddhism culture in Indonesia, which located at Magelang city, Central Java Province. The temple was built at the golden era of Syailendra dynasty, built among 800 AD or around 9th century. Beside known as one of Indonesia’s main tourism destination, it is also a central of Buddhism spiritual religion liturgies and rituals. Borobudur ever was in a tremendous golden era but also the darkness was covered its existence until hundred of years and it’s began to be revealed in the era of colonial. For decades, the rejuvenation and revitalization effort to rebuild the temple back to the original shape been accomplished. Through serious treatments, Borobudur becoming the inspiration source of cultural activities of various aspect that manifested, mainly history, arts, tourism, economy, research, science and also religion. The walls of Borobudur are full of reliefs that picture the Buddhism philosophy, and turn out to be a masterpiece with a high aesthetic in the accession of civilization in its era. Now, beside stated as one of the World Heritages by UNESCO, also 2 titles given to the temple; as the archeology site heritages, the biggest Buddhism temple in the world, and also recorded in Guinness World Records.
Social Semiotics and Visual Grammar: A Contemporary Approach to Visual Text Research
Authors: Moerdisuroso Indro
Published: February 2018

This article outlines a visual text reading based on social semiotics approach, that is the visual grammar. It is an account of the explicit and implicit knowledge and practices around a resource, consisting of the elements and rules underlying a culture-specific form of visual communication. It required a general comprehension of social semiotics to obtain a deeply understanding to visual grammar. The differences between social semiotics and general semiotics expressed to accomplish its purpose. The concern of visual grammar is the relationship between ‘drawn participants’ and social life. Visual grammar can be positioned as a contemporary approach to visual texts meaning-making. Study of visual arts seems to entail visual grammar to play a more important role amid the phenomenon of visual culture that increasingly characterizes the lives of today’s society.
Traditional Thai Music Competition: The Culture of Pipat Competition
Authors: Phansue Veera
Published: February 2018

The title of this research is “The Culture of Pipat Competition” has three purposes as follows: 1) To study the knowledge of Pipat competition; 2) To study the process of Pipat competition; 3) To study the process of judging and deciding a Pipat competition. This research used the qualitative method and presented the research by using descriptive analysis. The results found that; 1) The knowledge of Pipat competition. The competition is to bring ensembles to perform their skills and abilities. Mostly, in a Pipat ensembles the knowledge and skills displayed are governed by a definite set of form and rules during the competition. Only the Pipat Mon that there is no any form or rule in the competition. The ensembles that want to join the competition have to prepare very well in term of musicians and place for rehearsal before the event. Moreover, the conductor of ensemble has to be highly skilled and experienced in coming up with a new technique for playing in order to take an advantage over the rivals. And the conductor should know the strength and weakness of the rivals too. 2) The Study of the process of Pipat competition. The competition has a certain set of forms and rules. The detail of forms and rules will be set by each competitor agreement and it is very easy for practice. It is different from the competition that there is no form or rule so, this kind of competition, the musicians should have a lot of knowledge and in an easy and a relax ways without strict rule, form or time in the competition many kinds of songs will be played. Therefore the conductor must plan everything for the competition. There are 2 types of competition; 1) different song, each ensembles will take turn to play a song and begin with the basic melody until the highly complicated notes and those songs must be in the same style. 2) same song, each ensemble plays same song simultaneously during the whole competition. This kind of competition is very serious and if any of the ensemble cannot play or keep pace with the melody it means they lose the competition. 3) Study of the process of deciding and judging a Pipat competition. There are 3 types of judging in the Pipat competition. 1. The musician and the singer know the result by themselves. 2. The audience decides who wins the competition. 3. The judge decides who wins the competition. The advantage of decision is choosing the best ensemble with developed technique and playing method while the disadvantage is when the musicians do not accept the decision often leading to quarrel and disharmony.
The Development of Formal Ceremonial Coronation Attire of Seri Paduka Baginda yang di-Pertuan Agong From I-XIV Starting From 1957 until 2016
Authors: Ibrahim Nor Idayu Binti
Published: February 2018

There is specific formal attire wear by “Seri Paduka Baginda Yang di-Pertuan Agong”. The exploration related with Malaysia royal institution and royal etiquettes are aspiring, interesting and there are numbers of printed publications had discovered in depth, onto this fields. Unfortunately, most of them have not yet discovered in-depth research about the development of formal ceremonial coronation attire of “Seri Paduka Baginda Yang diPertuan Agong”. The purpose of this paper is to discover the development of ceremonial coronation attire and to document the knowledge regarding the research paper topic. Meyer Schapiro theory of style is used in this research equivalent to feature its style and design of the ceremonial coronation attire. Method applied was the qualitative method because it is the suitable approach to gathering valid data from the experience experts. It is also discussed on the style, muskat and the design of ceremonial attires of them. The coronation attire also known as Royal Regalia. The items are Tengkolok di-Raja, Pending di- Raja, Short Keris and Long Keris. Finally, this research hopefully will benefit and provide a vital source of references to the Malay civilization, researchers, academicians, scholars, students, cultural activist, and also Malaysian regarding with the formal coronation ceremonial attire of “Seri Paduka Baginda Yang di- Pertuan Agong” especially back dated during the period of 1957 until 2016.
Sahita’s Performance, Satire of the Life of Javanese Women
Authors: Ardhiani Yustina Devi
Published: February 2018

Sahita is a performance art group established in Surakarta-Central Java with four members of Javanese women who are in their forties to fifties. On stage performance, Sahita acts upon old women who are not pretty, but plump, attractive, energic, and humorous. Their performance is considered “uncommon” considering the fact that Sahita’s cultural background is Javanese which is dominated by youth, beauty, proportional body as the beauty of female bodily form, and gentle manner as women described on stage performance. The research questions highlights why Sahita prefers to have satire style and chooses traditional art as the basis in producing new works? The data are gained through field observation, deep interview and library study. The finding reveals that Sahita prefers the satire style to express what is hard to talk in the daily life and to express critics in humorous ways so that the critized party can also enjoy the performance. In their works, Sahita makes traditional art as its base because of its strong background in traditional art and because of its unlimited exploration. What makes Sahita unique besides its members who are all women voicing women’s anxiety, Sahita also presents traditional art with contemporary taste in their works.
DOLO BELILILE BENTUK, KARAKTER, DAN PERILAKU KOMODO DI PULAU KOMODO KABUPATEN MANGGARAI BARAT, NUSA TENGGARA TIMUR
Authors: Jemri Edison Neolaka S.Sn. Melki
Published: February 2018

Dolo belilile adalah sebuah karya tari yang menggambarkan bentuk, Karakter, dan perilaku Komodo dipulau Komodo, Kabupaten Manggarai Barat-Nusa Tenggara Timur. Mengupas tentang bentuk komodo(bentuk tangan, kaki, kepala, leher, mata) yang dihadirkan kembali dalam bentuk baru yang berbeda yangditarikan dalam bentuk koreografi dengan gerak, pola lantai, desain gerak, arah hadap, level, waktu, dantenaga. Karakter yang lebih mengarah kepada sifat misterius, dingin, namun biasa menjadi bengis dan liarsaat kelaparan dan merasa terusik kenyamanannya. Perilaku yang lebih mengambil esensi pada cara makan,cara minum, cara menatap, cara berjalan, hingga pola hidup menyendiri, berdua, dan saat mengelompok.Karya ini memadukan dua tipe tari yaitu tipe studi dan dramatik. Studi yang lebih mengacu padapengembangan gerak dasar cara berjalan komodo dan bentuk tangan dan kaki serta jari-jari Komodo. Karyatari ini menggunakan mode penyajian simbolis representasional. Gerak di garapan ini menggunakan geraktari kontemporer yang berkonsep warna-warna gerak primitif yang berasal dari kabupaten Manggarai Barat.Menggunakan duabelas penari campuran antara putra dan putri yang terbagi sesuai dengan adegan tarinya.Instrumen musik yang digunakan dalam tarian ini adalah; ceng-ceng, jimbe, seruling, udupot, conga bedug,dan biola. Lantunan syair adat dan lagu daerah Dolo juga turut mewarnai koreografi ini.Inti karya ini adalah kemenangan sejati dalam kebersamaan yang diungkapkan dalam bentuk KoreografiLingkungan. Mengajak masyarakat untuk melihat perjalanan kisah komodo yang selama ini menjadibinatang langka yang berusaha bertahan hidup dihutan lindung yang besar dan gersang. Pemerintahdiharapkan dapat mengubah pola pikir untuk tidak meremehkan dan menomerduakan sektor seni, budayadan pariwisata karena kehidupan alam, budaya, dan habitat komodo teryata dapat menjadi aset daerah yangmembanggakan di mata dunia. Mari sama-sama bergandengan tangan, berpesta dan bergembira bersamamerayakan kemenangan ini, menyatukan rasa dan semangat membangun NTT menjadi makmur, bersahabat,semakin maju, cinta budaya dan alam.Kata kunci: bentuk, karakter, perilaku komodo
Tari Gandrung Terob Sebagai Identitas Kultural Masyarakat Using Banyuwangi
Authors: RINA MARTIARA dan ARIE YULIA WIJAYA Mrs.
Published: February 2018

Tari Gandrung Terob sebagai Identitas Kultural Masyarakat Using Banyuwangi. Gandrung Terobmerupakan objek yang dikaji guna mengupas pola pikir masyarakat Using Banyuwangi. Sudut pandang yangdipakai adalah Strukturalisme Levi-Strauss. Struktur merupakan susunan bagian-bagian dari suatu sistemyang saling terkait. Segala sesuatu yang memiliki bentuk diyakini memiliki struktur. Struktur kalimat dalambahasa yang terdiri atas susunan huruf, fonem, dan kata, tidak akan memiliki arti apabila tidak terdapatrelasi-relasi yang menghubungkannya untuk mendapatkan struktur yang bermakna. Keberadaan tari Gandrung Terob dilihat secara menyeluruh, tidak saja sebatas teks dan keterkaitan antarteks saja, melainkan pada konteks sosial budaya masyarakatnya. Melalui cara pandang holistik ini akanditemukan pola pikir masyarakat Using sebagai pemilik tari Gandrung Terob. Hal yang paling mendasardalam melihat pola pikir adalah melihat konsep, sehingga Gandrung Terob tidak hanya dilihat sebagaiartefak semata melainkan sebagai pandangan hidup atau ideologi masyarakat Using sebagai penyangganya. Key Words: Gandrung Terob, Using, Identitas Kultural
WAYANG WONG LANGEN LESTARI BUDOYO DONOMULYO SEBUAH KAJIAN GAYA WAYANG WONG PEDESAAN
Authors: Surojo Mr.
Published: February 2018

Wayang wong Lestari Budaya Donomulyo who was born and developed in rural communities Donomulyo an individual and collective expression of the rural art style. This Wayang wong was founded in1932 by R. Sanghadi as a palace of Yogyakarta Sultanate courtiers.This transformation and culture ofpalace formality was a cultural diffusion of the cultural center of the (palace) to a small cultural center(rural), thus giving birth to an art style that is different from the original. This diffusion certainly related tothe role Kridha Beksa Wirama in 1918 as an arts institution devoted to the general public, including peoplefrom the countryside The rural of wayang wong is a rustic contemporary art form of the distribution and development of theforegoing, where the elements that influence complex either in a linear kesejarahannya of Kridha BeksaWirama and social culture. That is, in the process of formation of wayang wong arable quality, especiallychoreography has a unique claim as the expression of which is produced by the artist that is a blend of rusticpalace of art with the art of rural tradition "ndeso". This traditional art is an art form that originates andstems as well have been perceived as belonging to the arts community. Hasil accepted as tradition, theinheritance devolved from the older to the younger generation. Keyword : wayang wong, traditional, rural style, the diffusion
TARI GAJA MENUNGGANG MASYARAKAT SUKU SAWANG BELITUNG: ANALISIS TANDA DAN MAKNA
Authors: Renaldhi Dion
Published: February 2018

Tari Gaja Menunggang Masyarakat Suku Sawang Belitung: Analisis Tanda dan Makna. Tulisanini menganalisis tanda dan makna yang terkandung dalam tari Gaja Menunggang sebagai hasil karya darimasyarakat suku Sawang, yang mencerminkan nilai-nilai yang terkandung dalam kehidupan sehari-harimasyarakat pendukungnya. Setiap tanda tentunya memiliki motif, paling tidak seperti itulah pendapat yangdikemukakan oleh Charles Sanders Pierce. Mengacu dari pendapat tersebut, maka setiap penandaan terhadapsesuatu yang terdapat dalam tari Gaja Menunggang tentu memiliki maksud dan tujuan yang tersembunyi.Penafsiran atas tanda-tanda ini harus dikembalikan ke budaya asalnya, karena tanda-tanda tersebut bisa tidakbermakna atau dalam beberapa kasus bisa berbicara lain dari makna sebenarnya.Kata kunci: tari Gaja Menunggang, suku Sawang, tanda, makna.
PERANG BAJAU
Authors: Diantori Mr.
Published: February 2018

PERANG BAJAU ang terinspirasi dari cerita turun temurun di daerah Tulang Bawang, Menggala,Lampung yang menceritakan perang besar yang terjadi antara perompak Cina dengan masyarakat TulangBawang. Cerita ini diyakini memang benar-benar terjadi, dengan diperkuat adanya beberapa bukti yang adadi sekitar sungai Tulang Bawang yang terletak di kampung Ujung Gunung, Menggala, yaitu sebuah bukitmenyerupai kapal yang tertelungkup, yang disebut oleh masyarakat setempat “bukit Kapal Cina”, dansebuah pulau yang disebut “pulau Daging” dianggap merupakan tumpukan dari mayat-mayat mereka yangmenjadi korban pada peperangan dahsyat tersebut.Karya tari ini menggambarkan suasana ketidaknyamanan rakyat Tulang Bawang atas peristiwaperampokan dan pembantaian yang terjadi di daerah mereka yang akhirnya menyebabkan rakyat bangkit danmelawan perompak.Adapun koreografinya merupakan penggabungan gerak Chang Quan salah satu aliran Wushu dariberbagai aliran yang ada di Cina utara yang memiliki karakter gerak yang kuat, cepat, dengan langkah yanglebar dengan banyak variasi loncatan dan putaran. Untuk gerak Lampung mengacu pada gerak pencak danigol yaitu tari yang dilakukan oleh laki-laki, memiliki karakter gerak yang membumi dan tajam. Ditarikanoleh lima orang penari laki-laki yang berbentuk suita terdiri dari empat adegan.Kata kunci: bajau, perang, karya tari
ROUK BETINO
Authors: Atika Merlia
Published: February 2018

Rouk Betino dalam bahasa Melayu berarti Rok Perempuan. Rok identik dengan perempuan, sehinggakarya tari ini merupakan ungkapan keberagaman sifat dan karakter perempuan di balik rok yangdikenakannya. Koreografi Rouk Betino terinspirasi dari cara perempuan Melayu Riau memakai kain songketsebagai bagian dari identitas kulturalnya. Kesadaran artistik dibentuk melalui pengembangan fungsi kain,status sosial, simbol, berbagai sifat dan karakternya. Pembeda status dan karakter perempuan Melalyutercermin dari cara pakai rok sebagai kostum dan properti antara perempuan yang sudah menikah dan yangmasih gadis, terutama sifat dan karakter masing-masing. Ekspresi simbolis karya ini adalah perjuanganperempuan yang hebat dan kuat, baik dalam kedudukannya sebagai ibu maupun pemimpin keluarga.Kekuatan pesan komunikasi dari koreografi ini adalah bahwa perempuan merupakan motivator dandinamisator masyarakat Melayu. Ia adalah manusia kuat dan hebat.Kata kunci: koreografi, rok, ekspresi, simbol
KARAKTERISTIK EMPAT TOKOH PADA WAYANG TOPENG MALANG
Authors: Hidajat Robby
Published: February 2018

Karakteristik tokoh dalam Lakon Panji terkait dengan konsepsi konsmologi Jawa yang hidup dalampikiran para pendukungnya. Pemahaman ini dimaksudkan untuk memahami nilai pendidikan, kaitannyadengan konsepsi yang melatar belakangi tokoh-tokoh di dalam lakon yang disajikan. Pada Lakon WayangTopeng Malang ditemukan empat tokoh sentral (inti) yaitu: Panji Asmarabangun, GaluhCandrakirana, Gunungsari, dan Klana Sewandana. Adapun keterkaitan dari empat tokoh tersebutadalah bersandar pada kosmologi Jawa yang disebut macapat, yaitu tentang kesadaran tentang adanyanilai-nilai kearifan local yang mampu membentuk kepribadian masyarakat pendukungnya.Kata kunci: karakterisik, Nilai, Lakon, Panji
Kasetyan
Authors: Setyaningsih Endang
Published: February 2018

Karya Tari Berjudul Kasetyan adalah komposisi tari puteri yang berbentuk srimpen, yakni refleksi kesetiaan atau sikap tidak ingkar janji Dewi Drupadi yang diambil dari cerita Mahabarata. Drupadi sebagai putri dari kerajaan Pancala yang dilahirkan dari api pemujaan yang kemudian menjadi istri Raja Yudhistira. Karya ini berangkat dari rangsang idesional dan gagasan yang kemudian memilih temakesetiaan Drupadi dengan tipe tari Dramatik. Mode penyajian adalah simbolisrepresentasional dengan menggunakan empat penari puteri. Ide penciptaan karya merupakan hasil eksplorasi dan analisis dari pola-pola gerak tari tradisi puteri yaitu tari Srimpi. Pengembangan geraknya mengacu pada motif gerak tari tradisi puteri gaya Surakarta, seperti gerak lenggut, manglung, lumaksana lara maju mundur, ogek lambung, sembahan laras, sekar suwun dan berbagai motif gerak bahkan sendi. Aspek koreografi lain yang mendukung penciptaan karya ini adalah penataan setting panggung yang menggunakan trap di area up center sebagai dimensi ruang yang berbeda untuk mendukung perjalanan tiap adegan. A Dance titled Kasetyan is a composition of a female dance which have a form of srimpen, this dance is a reflection of a loyalty or Goddess Draupadi’s attitude that doesn’t break a promise which taken from the Mahabharata. Draupadi as the daughter of Panchala born from veneration fire which later became the wife of King Yudhishthira. This artwork departs from the idea that excitatory idesional and then choose the theme of Draupadi’s loyalty with the Dramatic type dance. The presentation mode is symbolic-representational using four female dancers. The idea from the creation of thisartwork is the result of exploration and analysis from the patterns of traditional female dance called Srimpi. Development of the choreography refers to the motion motive of femaletraditional dance from Surakarta style, such as lenggut motion, manglung,lumaksana laras maju mundur, ogek lambung, sembahan laras, sekar suwun and various motifs motion even the joints. Another aspect of choreography that supports the creation of this artwork is the arrangement of stage setting that uses trap in up center area as another dimension to support the plot of each scene.
Ritus Barong
Authors: Putra I Gede Radiana
Published: February 2018

"Ritus Barong”, adalah judul yang dipilih untuk garapan tari ini. Karya ini menggambarkan tentang tahapan sakral Barong Ket yang ada di desa Singapadu, Kabupaten Gianyar, Bali. Tahapan tersebut berupa tahap ngetus (melepas bagian barong), tahap ngatep (memasang kembali bagian tersebut), dan tahap nyambleh (menyucikannya kembali). Prosesi ini sangat sakral bagi masyarakat Singapadu. Singapadu terkenal dengan kesenian dan tradisi budaya barongnya. Barong yang disakralkan sudah menjadi kebanggaan budaya Singapadu.Barong menjadi inspirasi untuk menciptakan sebuah karya tari, berawal dari kesenangan penata menari dan mengikuti kunjungan spiritual Barong Ket Singapadu. Barong identik dengan suara-suara gongseng yang menambah kesan sakral dan magis. Pengolahan gongseng tersebut sebagai pendukung musikalitas karya tari yang banyak memainkan musik-musik internal, dari tubuh penari itu sendiri. Gongseng merupakan salah satu bagian terpenting dari barong. Oleh karena itu, penggunaan properti gongseng dengan rasa musikalitasnya digarap sebagai studi gerak kaki.Karya tari “Ritus Barong” merupakan koreografi garap kelompok dengan sepuluh penari laki-laki. Tujuh orang laki-laki sebagai penari inti, pada saat tertentu menggambarkan kebersamaan warga masyarakat Singapadu, dua orang penari sebagai penari barong dan seorang penari rangda. Melalui karya ini diharapkan muncul regenerasi penari barong setidaknya penari menguasai unsur-unsur gerak tari Barong.
Tari Agirang: Usaha Mengubah Persepsi Masyarakat Bali Terhadap Joged Bumbung
Authors: Rahayu Putu Merina
Published: February 2018

Agirang merupakan garapan tari kreasi baru yang terinspirasi dari tari Joged Bumbung.. Tari Joged Bumbung merupakan kesenian rakyat populer di Bali yang biasanya dipentaskan pada musim sehabis panen, hari-hari raya, serta hari-hari penting lainnya, dan masih mengandung nilai-nilai moral yang mengangkat tema sosial dalam pengkemasannyaTujuan diciptakannya karya tari ini yaitu agar dapat mengubah persepsi masyarakat Bali terhadap tari Joged Bumbung yang berkembang saat ini. Joged Bumbung diharapkan tetap memiliki nilai-nilai budaya tinggi yang berfungsi sebagai hiburan bagi masyarakat lokal maupun wisatawan
STRUKTUR DAN ESTETIKA ANGGUK PUTRI “SRI LESTARI” DI DUSUN PRIPIH KULON PROGO
Authors: Suryati .
Published: February 2018

The angguk is one among many types ofthe selawatan genre, it is an Indonesian traditional Islamic liturgical music. While the selawatan is normally perfomed by a group of men, the angguk includes a group of female dancers as the accompaniment to the selawatan musicians. This additional accompaniment accommodates the transformation form, from music to perfoming art. This study focuses on the analysis of structure and aesthetics of the performance ofthe “Sri Lestari” female angguk group in the Pripih village,at Kulon Progo district. The art was performed by young female dancers who were dressed in colorful costumesto attract the attention of audience. This study concludes that the performing art has been influenced by other type of the selawatan elements, such as the dolalak, which originated from Purworejo, Central Java. The angguk music which is very simple and monotous as the result of subsequent repetition with only little variations, is the verse reading effect of the pantun, which is a typical of traditional letter’s vocal arts. Whilethe pantun characterizes general musical structure, the instrumentation, rhythmic, and the tempo of the music, gives the essence of aesthetic meaning toward the genre. The dance has been used to enhance the performing aesthetics to invite the attention of the audience. Keywords: Angguk, selawatan, aesthetics.
Teknik Casting Pada Perhiasan Guna Menunjang Daya Beli
Authors: Kusumo Pandansari
Published: February 2018

Along with the development of jewelry in Indonesia, several techniques of making are used. in the design of industrial products, jewelry by casting tehcniques is one of the techniques of making jewelry of bulk; using several models of jewelry will obtain many products of casting at the same time. This casting technique is very supportive in the process of production, working efficiently and also cost efficient. But when the jewelry products are made manually, it will not achieve high productivity results as expected.Keyword: casting technique, efficently, high productivity
El maestro investigador: Reconstructor de sentido profesional e identidad
Authors: Mejía J. Marco Raúl
Published: February 2018

En este desencuentro, muy propio de la cultura occidental, ubica Maturana las dificultades de una idea de ciencia que lleva a aceptar las explicaciones científicas en una forma reduccionista, en cuanto se cree que expresan el fenómeno que se investiga en lo fundamental, teniendo la creencia de que su validez depende de las referencias directas o indirectas a una realidad objetiva en la cual el observador es independiente de ella.
Pedagogía y formación de docentes en el siglo XXI
Authors: Bernal de Rojas Aura Elena
Published: February 2018

Cultura proviene del término latino 'cultus', que designa la acción de cultivar la tierra y, en sentido figurado, la acción de cultivar el espíritu. Los etnólogos Malinowsky y Mead definieron la cultura como el conjunto de representaciones y de comportamientos adquiridos por los humano en cuanto seres sociales. En cuanto los escenarios de la cultura, Ricardo Nassiff, señala que la cultura comprende desde el trabajo del artesano hasta la creación estética más elevada, desde la técnica hasta la ciencia, desde las formas básicas de la comunidad hasta las más complejas de la organización política o económica, fruto de la tendencia del ser humano de expresar sus deseos o sus concepciones más íntimas (Nassiff, 1984).
Experiencia del grupo de cirugía bariátrica y metabólica del Hospital Universitario de Neiva durante un año
Authors: Barrero Sánchez Angie J. , Carballo Bernal Mayra A. , Chimbaco Bonilla Diego Fernando , León Ortíz Adriana L. , Mancini Castrillón Javier Leonardo , Pinzón Santos Guillermo , Poveda Conde Lithey Cristina , Salcedo Córdoba Arnold , Polanía Héctor Adolfo
Published: February 2018

Objetivo: Describir los resultados quirúrgicos, metabólicos y de percepción corporal obtenidos en pacientes sometidos a Cirugía Bariátrica, para establecer la efectividad del procedimiento en pacientes obesos. Materiales y métodos: estudio serie de casos. Se revisaron 35 historias clínicas de pacientes intervenidos quirúrgicamente por el equipo de Cirugía Bariátrica entre Septiembre del 2011 a septiembre del 2012. Resultados: El 91% de los pacientes presentó una o más comorbilidades asociadas, siendo las gastrointestinales las más frecuentes. La técnica más aplicada fue el Bypass gástrico. El 12% presentó complicaciones posquirúrgicas. Todos redujeron su peso con una media de pérdida de índice de masa corporal (IMC) al primer y sexto mes de 5.4 y 11,6 kg/m2 respectivamente. Los pacientes con asa alimentaria a 150cm tuvieron una mayor pérdida peso al sexto mes (2kg/m2 más) respecto a aquellos con asa alimentaria de 100cm. El 98% reportó disminución de los síntomas gastrointestinales y el 30% redujo las cifras de glicemia. El 20% de pacientes diabéticos y el 12,5% de los hipertensos continuaron con medicamentos para su enfermedad. Conclusiones: La Cirugía Bariátrica es una técnica efectiva para reducir el IMC y mejorar las comorbilidades asociadas a la obesidad. Así mismo, disminuye la necesidad del uso de medicamentos. La autopercepción de la imagen corporal posquirúrgica mejora ostensiblemente.
Estado nutricional y capacidad funcional en la unidad de crónicos del Hospital Universitario de Neiva
Authors: Medina Rolando , Sanjuan Juan , Concha Yamileth , Murcia Luz Aida , Medina Cabrera María Mónica , Polanía Héctor Adolfo
Published: February 2018

Introducción: En Colombia el estado nutricional se describe en una amplia gama de malnutrición, que se refiere a su relación con los resultados clínicos, el estado nutricional y el estado funcional están estrechamente relacionados, pero rara vez se describe. El objetivo de este estudio es describir el estado nutricional y funcional de los pacientes con enfermedades crónicas ingresados en una institución de alto nivel de complejidad. Métodos: Estudio de corte transversal, el estado nutricional se midió mediante valoración subjetiva global (SGA) y el estado funcional utilizando índice de Karnofsky (KI). Las pruebas no paramétricas se utilizaron para las comparaciones entre grupos funcionales evaluados. Resultados: Se identificaron un total de 58 pacientes, 36 (62,1%) eran hombres y 22 (37,9%) eran de una zona rural y más bajo nivel socio económico. El estado de la enfermedad crónica más frecuente se relaciona con traumatismos en 18 (31,0%) de los pacientes y las enfermedades neurológicas en 12 (20,7%) pacientes, de acuerdo con SGA, 52 (89,7%) los pacientes fueron clasificados con cualquier estado de desnutrición; la mitad de ellos como desnutrición severa (C) y desnutrición leve o sospecha de malnutrición (B), KI máxima fue de 60 puntos con una mediana de 30 puntos (40-50). La puntuación KI fueron similares, según la clasificación de SGA (p = 0,5279). Conclusión: la mayoría de los pacientes con enfermedades crónicas tienen ningún estado de malnutrición y cualquier dependencia funcional, teniendo en cuenta las necesidades especiales y evaluación de estrategias. El trauma es una causa relacionada con el estado de la enfermedad crónica.
Placenta acreta en aborto tardío con posterior histerectomía
Authors: Gómez Quintero Gustavo Federico , Bahamón Mendoza Andrés Alberto , Ferreira Narváez Fidel Ernesto
Published: February 2018

La placenta acreta en el embarazo temprano es una entidad poco frecuente pero debe ser considerada una complicación severa del embarazo que puede ser asociada con hemorragia masiva anteparto e intraparto pudiendo potencialmente comprometer la vida. En este estudio se presenta una paciente con cesárea anterior y ecografía del segundo trimestre que reporta placenta de implantación anterior baja, que se presenta como un aborto inevitable de 20 semanas de gestación, posterior a maduración cervical y expulsión fetal con retención placentaria y hemorragia masiva, requiriendo histerectomía subtotal de emergencia con una recuperación posterior a la cirugía adecuada. El estudio de patología reportó placenta acreta. La placentación anormal en el embarazo temprano ha tenido un incremento marcado debido al aumento en la tasa de cesáreas en las últimas décadas. El objetivo principal de reportar este caso es enfatizar en el reconocimiento temprano de las alteraciones de placentación en el primer y segundo trimestre del embarazo, en aquellas pacientes con factores de riesgo es necesario una evaluación detallada en búsqueda de acretismo, con el fin de poder anticipar complicaciones derivadas de esta patología y así poder impactar positivamente en la morbilidad y mortalidad materna asociada.
BIOACTIVE CONSTITUENTS RESPONSIBLE FOR THE ANTI-INFLAMMATORY ACTIONS OF JATROPHA CURCAS
Authors: F. B. C. OKOYE OGECHI O. ANYANWU*, K. G NGWOKE,
Published: February 2018

Inflammatory disorders are linked to the pathogenesis of several diseases. Limitations posed by synthetic anti-inflammatory agents had inspired the need to source for more effective and safer natural alternatives. This study evaluated the anti-inflammatory activities of the twig extracts and fractions of Jatropha Curcas (J. curcas) and also identify the phytocompounds responsible for its anti-inflammatory activities. The methanol/methylchloride extract of J. curcas twig was fractionated into n-hexane, ethyl acetate and butanol fractions. The effects of extracts and fractions of J. curcas twig on xylene induced topical inflammation were evaluated. HPLC and LC-MS of the promising fraction was evaluated. Results showed that the extract exhibited high anti-inflammatory activity at 500 µg/ear (66%) and 250 µg/ear (51%) compared to the positive control, piroxicam with 45% inhibition at 250 µg/ear. Ethyl acetate fraction significantly (p<0.05) suppressed the development of xylene ear edema compared to Piroxicam. HPLC of the fractions revealed the anti-inflammatory phytocompounds; pinoresinol, orientine, quercetin, septicin and naamin F. LC-MS analysis mass spectra showed mass peaks [M-H]-of m/z 299.4, 599.1 and [M+H]+m/z 301 which represents a mass of 300 of an unknown compound. These findings suggest that the twigs of J. curcas possess promising anti-inflammatory phytocompounds which justify its use in the management of inflammatory conditions in traditional medicines.
Evaluación de la Escala EFD-66 como herramienta para predecir la adherencia al tratamiento en pacientes con enfermedades crónicas no transmisibles
Authors: Pedroza Cosío Gabriela Anahí , Sánchez Escobar Laura Elena , Munguía Lozano Silvia , Beltrán Lagunes Luis , Ferrer Álvarez José Guillermo , Medina Arreguín Rosana , López Hernández Daniel
Published: February 2018

Objetivo. Los objetivos del presente estudio son validar la construcción de la escala de fases de duelo (EFD-66) como instrumento para medir las etapas de duelo (ED) y evaluar su utilidad para discriminar entre pacientes con enfermedad crónica no transmisible (ECNT) que cumplen con adherencia al tratamiento farmacológico (ATF) en la consulta médica ambulatoria.

Métodos. Se realizó un estudio transversal para determinar la asociación entre las ED y la ATF, en los meses de abril a octubre de 2015. La recogida de datos se realizó mediante un diseño prolectivo. Se aplicaron tres instrumentos: una cédula sociodemográfica, la escala EFD-66 y el cuestionario de Morisky-Green. Se reclutaron pacientes con antecedente de ECNT procedentes de la Clínica de Medicina Familiar “Gustavo A. Madero”, en la Ciudad de México. Los datos se analizaron con las pruebas estadísticas apropiadas.

Resultados. Se incluyó un total de 165 pacientes. Se observó que altos puntajes en las subescalas de negación (razón de momios [RM]: 1,124; intervalo de confianza de 95% [IC95%]: 1,066-1,186; P < 0,001), de ira (RM: 1,157; IC95%: 1,080-1,240; P < 0,001) y de depresión (RM: 1,071; IC95%: 1,029-1,116; P = 0,001) se asocian con falta de ATF; sin embargo, un puntaje elevado en la subescala de aceptación (RM: 0,913; IC95%: 0,880-0,948; P < 0,001) se asocia con ATF. La mayor sensibilidad entre las subescalas se observó en las etapas de negación e ira (área bajo la curva [ABC]: 0,597 en ambas).

Conclusiones. La EFD-66 es un instrumento que presenta una buena validez de construcción como instrumento para medir las ED y permite detectar pacientes con ECNT que cumplen con ATF, por lo que recomendamos su aplicación en la consulta médica ambulatoria. Además, nuestros hallazgos indican que el duelo es un factor de riesgo que incrementa la falta de ATF.
Risk analysis for the reintroduction and transmission of measles in the post-elimination period in the Americas
Authors: Lemos Daniele Rocha Queiroz , Franco Aidee Ramirez , de Oliveira Garcia Marcio Henrique , Pastor Desiree , Bravo-Alcantara Pamela , de Moraes Jose Cassio , Domingues Carla , Pamplona de Goes Cavalcanti Luciano
Published: February 2018

Objective. To propose and test a model for analyzing municipalities’ level of risk of reintroduction and transmission of the measles virus in the post-elimination period in the Americas.

Methods. An ecological-analytical study was conducted using data on the measles epidemic that occurred in 2013–2015 in northeastern Brazil. The variables for analysis were selected after an extensive review of scientific literature on the risk of importation of measles cases. A univariate analysis considering the presence or absence of confirmed cases of measles in 184 municipalities in the state of Ceará, Brazil, was carried out to evaluate the association between the dependent variable and 23 independent variables, grouped into four categories: 1) characteristics of the municipalities; 2) quality indicators for immunization programs and epidemiological surveillance; 3) organizational structure for the public health response; and 4) selected impact indicators. A P value < 0.05 was considered significant. All variables with P < 0.200 were analyzed using multivariate logistic regression. Based on the results, the municipalities were categorized by four levels of risk (“low,” “medium,” “high,” and “very high”).

Results. The model sensitivity was 95% for concordance between municipalities classified as “high risk” and “very high risk” and those that had an epidemic between 2013 and 2015 in Ceará. Of the 38 municipalities that had an epidemic, 76% (29/38) were classified as “high risk” and “very high risk”; 146 municipalities did not report cases (P < 0.0002).

Conclusions. Given the imminent risk of reintroduction of measles circulation in the post-elimination period in the Americas, this model may be useful in identifying areas at greater risk for reintroduction and continued transmission of measles. Knowledge of vulnerable areas could trigger appropriate surveillance and monitoring to prevent sustained transmission.
Bamboo use for the housing industry in Ghana: Urban Stakeholders’ Perception
Authors: Akoto S.D.
Published: February 2018

The study was undertaken to determine stakeholders’ perception on bamboo housing; finding the benefits and identifyingperceived challenges in the use of bamboo for housing in urban centres. Personal interviews, questionnaire administration andfield observations were used to gather information from 114 purposively and conveniently selected respondents in Abokobi,Dwobor and Fumesua, as well as key informants from International Network for Bamboo and Rattan. Two main types ofbamboo housing were found in the study areas; the traditional bahareque and modern prefabricated bamboo houses. The resultsalso showed that affordability (35.9%), generation of employment (23.7%), easy maintenance (15.2%), good air circulation(10.7%), durability (7.8%), control of deforestation (4.1%) and purification of the environment (2.6%) were some of the benefitsstakeholders associated with the use of bamboo for housing. Lack of technical know-how (34.67%), people’s misconception aboutbamboo housing (33.33%), lack of funds (24.00%) and inadequate assistance from the government (8.00%) were perceivedchallenges encountered by people involved in bamboo housing. Most respondents hold the view that bamboo housing is forthe poor (44.00%), not durable (29.33%), lack of appropriate technology (16.00%) and unsuitable bamboo species (10.67%).Awareness creation in the use of bamboo for housing should involve intensive education on the use, treatment and qualities ofbamboo for housing in the various communities is paramount.
A sintaxe das construções de matéria e origem no Português Brasileiro
Authors: Pinheiro Sedrins Adeilson
Published: February 2018

Este trabalho discute a sintaxe das construções de matéria e origem no português brasileiro, focalizando o padrão de extração apresentado por essas construções e contrapondo ao padrão encontrado para extração de construções genitivas. A análise desenvolvida, bem como a hipótese central para a explicação dos diferentes padrões de extração encontrados apontam para o fato de que a resistência à extração de adjuntos adnominais de matéria e origem deve-se à própria natureza categorial desses modificadores. A discussão apresentada toma como referencial teórico o Programa Minimalista, conforme apresentado em Chomsky (1995, 2000, 2001).
Descrição de um aspecto da variedade do português falada pelos Fulni-ô revisitado
Authors: Pereira da Silva Fábia , Francisca da Costa Januacele
Published: February 2018

Na aldeia indígena Fulni-ô, cerca de 4.000 índios são falantes bilíngues. Eles usam o Yaathe, língua materna, e o português, língua de contato. A variedade de Português falada por esses índios apresenta uma série de interferências, em diferentes níveis, do sistema materno. Neste trabalho, vamos descrever um desses aspectos no nível da sintaxe. Os pressupostos teórico-metodológicos que embasam este trabalho são os da sintaxe comparativa.
Da imagem ao texto: A construção do tópico discursivo em manuscritos escolares de histórias em quadrinhos
Authors: Dikson Dennys , Calil Eduardo
Published: February 2018

Inserido no campo de estudo da Genética Textual e assumindo como base teóricometodológica os estudos sobre manuscritos escolares e processos de escritura em ato de alunos recém-alfabetizados (CALIL, 2008, 2009), este trabalho analisa a construção do tópico discursivo (LINS, 2008) a partir da sequência de imagens oferecida por uma história em quadrinhos da Turma da Mônica. Nosso objeto de investigação é o manuscrito “O Cebolinha Atrapalhado”, escrito por duas alunas do 2º ano do Ensino Fundamental (08 anos de idade), no qual constatamos que o tópico discursivo construído ,pela interpretação das alunas é feito a partir do destaque de alguns elementos imagéticos relacionados à ação isolada do personagem e de cada quadrinho e não pela articulação narrativa entre eles.
Olhos de pedra: história e monstruosidade em Notre-Dame de Paris
Authors: Martins Ana Claudia Aymoré
Published: February 2018

A sensibilidade literária do século XIX, permeada pelo Romantismo, problematizou e tornou fluidas as fronteiras convencionais entre concepções antagônicas como belo e feio, bem e mal, real e fantástico. Redefiniu o que a tradição estética denominava de “grotesco”, dando a este uma importância inédita para a arte. Mas, mais do que ser simplesmente uma opção estética, a recorrência do tema da monstruosidade em obras ficcionais oitocentistas frequentemente desnudou as inquietações da época a respeito do devir histórico. Tomando como base essas premissas, iremos analisar o romance hugoano Notre-Dame de Paris, em seus possíveis entrelaçamentos com uma visão da História como monstruosidade.
O Simulacro e a Cópia de Botticelli: relações entre o Corcunda e a Vênus no conto de Rubem Fonseca
Authors: Barros Fellipe Ernesto
Published: February 2018

Este trabalho propõe-se a uma análise geral do conto de Rubem  Fonseca (2001), intitulado “O Corcunda e a Vênus de Botticelli”, em que o autor dá vida a um corcunda prolixo, exibido e estrategista que objetiva seduzir uma bela mulher utilizando-se de poesia como estratégia de sedução e erotismo. Para tanto, observamos a relação que se estabelece entre os objetos copiados e representados em referências à obra literária de Victor Hugo (Notre Dame de Paris) e à pintura de Botticelli (Nascimento de Vênus), configurando-se o diálogo entre linguagens da pintura, da literatura, do modelo platônico sobre simulacro e da Poética de Aristóteles.
Cicatrizes urbanas: a violência através da lente do detetive ficcional
Authors: Matias Marcus Vinicius
Published: February 2018

O desenvolvimento dos centros urbanos e suas inevitáveis  aglomerações, cada vez mais caóticas, de toda sorte de trabalhadores, burgueses e demais habitantes, possibilitaram o também desenvolvimento de uma ameaça que crescia junto com as cidades: a violência urbana. Cada vez mais crescente, tal ameaça leva os poderes dominantes a criarem um novo método de controle e moralização social: a marginalização do “bom bandido” e a manutenção da ordem social pela figura do detetive e sua investigação analítica dos crimes. Assim, os alvos das análises deste artigo serão a forma como esse investigador foi ficcionalizado, suas representações ideológicas e a crítica sobre elas, tendo as manifestações da violência como pano de fundo.