bluuebunny/crossref_metadata_2025 huggingface dataset:
National Identity in Latin-American Literature
Authors: Liscano Juan
Published: March 2007

If we admit that Latin-American literature is a part of what is called Western culture, why, I ask myself, has it not been able to influence any of the great literatures of the West, outside of the Spanish? To be more precise, when I speak of influencing, I am not referring to the historico-cultural event that signifies Latin America, which has changed the West, but specifically to literature, that is, writing, the book, the language, the contents, the creative structure and the symbols. From its origins until today, Latin-American literature, like Jugoslavian literature—in spite of the Nobel prize awarded to Ivo Andric—or Bulgarian or Icelandic, remains a marginal phenomenon. It is produced within a closed circuit, having no real resonance except in Spain. Furthermore, it struggles between two guilt feelings: one, that of being late with regard to renovating currents of fashions of the day and the other, that of not responding to its own reality. Because of those burdens of a guilty conscience, it often feigns innovation by following outside models or exalting a nationalist realism that has not produced the slightest new form but only a mediocre art of propaganda. It simulates and copies, or it lags behind. It either tries to be up to date or pretends to overcome this uneasiness by inventing an intransigent Americanism, behaving like a telluric barbarian or accepting traditional popular forms that may produce works such as Martin Fierro, whose value for the Latin-Americans cannot be denied but whose range is limited.
Is the Universe Changing?
Authors: Audouze Jean
Published: March 2007

Today we know, and this will be the subject of this article, that the universe is in continuous evolution, even revolution. This observation has been possible only quite recently. It was necessary to wait for the observations of distant galaxies, undertaken between 1930 and 1950 by Edwin P. Hubble, the astronomer who was the first to show that the universe as a whole is presently expanding. We know now also that the form of the constellations closest to us, such as the Great Bear, has been modified over the last millennia. Ancient astronomers, and with them the rest of humanity, imagined at that time that the universe was eternal and unchangeable. Astrophysicists today are convinced, in the large majority, that twenty billion years ago the universe went through a unique phase during which it was very hot and very dense. To this phenomenon they have given the name of the original or primordial explosion. As will be seen later, certain people believe that the universe will once again experience this great “heat”, which will be generated during future contractions. Others foresee an increasingly frozen and empty future for the universe. Between this glorious past and this uncertain future, the universe each day reveals more of its splendor thanks to the arrival of modern techniques of observation and the beginning of the conquest of space. The purpose of this article is to give a brief survey of the manner in which astronomers see the universe today; working from the position of man in the universe, his relation to it begins to be understood better.
Money and Markets
Authors: Kelly A. K.
Published: March 2007

In this essay, we consider a set of related questions concerning the role and nature of money, the working of markets, and the relationship between forms of social organization and money. Among other things, we speculate that efforts to purge the neo-classical theory of markets of the phenomenon of false trading have been misguided in the sense that they fail to grasp the dependence of a market system on the existence of some false trading.
“His Life, His Works”: Some Observations On Literary Biography
Authors: May Georges
Published: March 2007

For some time it has been fashionable in literary circles to reject what is called scornfully the biographical method. It was inevitable. No mode lasts forever. Sooner or later, there is a change. This method was the law for too long. It had no rival. Under its tutelage the motto for teaching literature was “the man, his work”. It was by its authority that students were taught that La Fontaine was in charge of waterways and forests and master of the hunt before writing his Fables, that they had to learn by heart; or that Beaumarchais had been a clockmaker, musician, secret agent and business man before inventing the character of Figaro, proposed for their admiration. There has been a reaction. Our irreverent and contentious age has put an end to that absolute sovereignty. For a good quarter of a century this practice and the assumptions on which it rests has been on trial, in the name of the various and at times even contradictory conceptions and theories about the nature of literature. These have in common, however, the belief in the independence of literature with regard to the human being who was the instrument of its creation, as well as the anathema cast by this fact on what is commonly accepted as “referential illusion”.
The Hagiographical Tale: Doctrinaire Expression of Medieval Spirituality
Authors: Meneses Paulo
Published: March 2007

All specialists who question the diverse components of the medieval universe stress that the ecclesiastical institution occupied a choice place within the sociocultural structure of that world. This is true because of the solidity of its implantation in the century and particularly because of the efficacity of its doctrinal function. In the cultural domain, the production and transmission of knowledge (in addition to the practice of indoctrination that it supposes), the Church was completely sovereign. The ecclesiastical institutions (from simple parish churches to cathedrals and episcopal sees, as well as convents and monasteries) were responsible for the foundation and rise of medieval schools, universities, the centers where books were produced—or more precisely, manuscripts—and the organization of libraries.
Biography and Its Tensions
Authors: Pélicier Yves
Published: March 2007

We are again going through a period of expansion in biographical literature. There is an ever greater number of publications, demonstrating the libido biographica of the reading public and also showing the interest of authors for a genre that is often treated with a great deal of care and rigor. This is not the first time in the history of letters, and each of us can find in his library a quantity of ancient, classic or modern works proving the constancy of this production. However, the contemporary phenomenon takes on a different meaning. The appetite for the biographical seems to be directly linked to its value as testimony. We are living in an era of distrust with regard to rules and codes. Every individual is called on to organize his conduct and invent his existence, from which comes, it seems, this need for an example that also expresses a taste for history and a need for more truth than entertainment from the author of biographies.
Biography, or Life as a Story
Authors: Tatossian Arthur
Published: March 2007

Biography is a story, and a story is something that is meant to be told. It is thus quite evident that biography is the tale of a life: a life-story (Lebensgeschichte in German). But then the question arises as to what exactly is a story and how apt is it for representing life within the limits of this representation as compared to other representations of life: the painted or written portrait, the private diary, the oral or tape-recorded interview, the curriculum vitae, the anthropometric file or the epitaph, which at least has the merit of being concise.
Anthropoanalysis and the Biographical Approach: Lou Andreas-Salomé
Authors: Matarasso Michel
Published: March 2007

Certain lives are transcribed like musical scores that compose themselves in a transparent register and whose traces—memories and written works—remain present, long-lasting or eternal. In a way, biography consists in deciphering them, then recomposing them through some process—condensation, for example—in modifying chronological time into writing-reading time or in shifting, regrouping certain facts or certain parameters. In some cases we discover that they give a dynamic and structure homologous or very near to those of narratives, epics or marvelous tales. The life of Lou Andreas-Salomé belongs to these cycles that are, in some respects, exceptional.
Icarus Estranged
Authors: Revol Jean
Published: March 2007

Out of what the West now terms contemporary art, some would construct the synthesis and final accomplishment of every civilization, of all the great forms of art that have followed one another, blending and overlapping ever since man has existed and began expressing himself, like a fugue with innumerable developments that always returns to focus on the same theme, headed in the same direction. This evolution, as strangely loaded with analogies as it is rigidly anachronous, has borne, followed and determined without failing, the mutations in our image. Art of the West in particular, in all its principal incarnations from ancient mythologies all the way to Rodin, from the Romanesque pilgrimage down to Daumier and Picasso—moving through culminating points of extreme harmony or tension: Rembrandt, Goya, Soutine—is presented as the great figure of a God in human appearance. Around this figure has been formed an entire world in which the real has continually been re-invented as art renewed its statements of it. Did this God and this world lose soul and memory on the day when the photographer's lens, a disastrously incorruptible witness, indicated the limits of very strict anthropomorphism?
The Idea of Chance: Attitudes and Superstitions
Authors: Renard Jean-Bruno
Published: March 2007

At first approach the use of the word “superstition” is such that it is impossible to apply the term strictly in the human sciences. Its connotation, that is its content, is particularly subjective and negative. And its extension, that is its area of application, is indefinite and makes of it a concept that can refer to just about anything.
Free Trade: the Ethics of Nations
Authors: Taquey Charles H.
Published: March 2007

“States have no morality, they have interests,” remarked an overzealous diplomat. And in this same manner we sometimes see that reasons of state take priority over moral rules. A sweet young thing testifying before a committee of the United State Congress said “sometimes you have to put yourself above the law,” no doubt repeating something that had been said to her. At a time when unrestrained application of the reasons of state can only lead to violence that can no longer be sustained, we can judge to what extent such remarks are without foundation.
Dualism and Renaissance: Sources for a Modern Representation of the Body
Authors: Le Breton David
Published: March 2007

Representations of the body depend on a social framework, a vision of the world and a definition of the person. The body is a symbolic construction and not a reality in its own right. A priori, its characterization seems to be self-evident, but ultimately nothing is less comprehensible. Far from being unanimously accepted by human societies, making the body stand out as a reality in some way distinct from man seems an uneasy effort, contradictory between one time and place and another. Many societies do not retain it as part of their vision of the world. They do not detach man from his body in the dualist fashion so common to Western man. We might recall here the incident recounted by Maurice Leenhardt, who asked an elderly Kanak what the West had contributed to Melanesia. The answer surprised him. “What you brought us is the body”. With the intrusion of cultural and social values and forms from the Western world that tend to individualism, there came an awareness of the body as a barrier and a boundary distinguishing each person from every other person. In the societies to which we refer, the components of a person include the flesh without setting this off separately. The body itself is an abstraction. On the phenomenological level, only a person whose body gives him a face and establishes his presence in the world can exist. Man is indiscernible from the flesh that models him.
On Metempsychosis
Authors: Bonan Ronald
Published: March 2007

The philosopher has always been engrossed with the notion of death. Schopenhauer understood this and elevated the idea to the rank of the Muses:

“Death is the true inspiring genius and the musagete of philosophy. This is why Socrates defined it as θανἑτoν μɛλέτη” (Plato, Phaedra, 81a).

This notion has been presented to us by turns in its various aspects, at times as a metaphysical concept, at other times as an ethnological or religious reality.
The Basket, Hair, the Goddess and the World
Authors: Assayag Jackie
Published: March 2007

In the past few years, anthropological research concerned with the ethnographic aspects of ritual practices has renewed its interest in the meaning of ritual symbolism. This research has been possible because of a methodological inversion, namely, starting with a descriptive study of the rites rather than analyzing religious beliefs, contrarily to what was the moraine frontale of traditional history of religion.
The Skewed Path: Essaying as Un-Methodical Method
Authors: Kauffmann R. Lane
Published: March 2007

Is the essay literature or philosophy? A form of art or a form of knowledge? The contemporary essay is torn between its belletrist ancestry and its claim to philosophical legitimacy. The Spanish philosopher Eduardo Nicol captured the genre's uncertain status when he dubbed it “almostliterature andalmostphilosophy” (Nicol 1961:207). The problem is hardly a new one. It goes back to what Plato called the “ancient quarrel” between poetry and philosophy, and more recently to the German Romantic theorist, Friedrich Schlegel, who called for a mode of criticism which would be at once philosophical and poetic. But today, when the status of critical discourse is up for grabs, reflecting the crisis of knowledge in the universities, the question of the essay takes on a new urgency. Now the predominant form of writing in the human sciences, it cannot avoid the challenge to define itself according to the prevailing standards of scientific knowledge and method.
The Relevance of Postmodernism for Social Science
Authors: Murphy John W.
Published: March 2007

Over the past few years postmodernism has been gaining popularity. Because the works of writers such as Jacques Derrida, Michel Foucault, Gilles Deleuze, Jacques Lacan, and Félix Guattari, for example, are now readily available to the English reader, a novel intellectual force is present that must be assessed (Hassan, 1985). Terms such as “mise en abîme”, “libido”, “schizo-analysis”, “undecidables”, and so forth must be explained and their relevance for social analysis deciphered. Furthermore, a conception of knowledge, a research methodology, and an image of social order that are consistent with these somewhat odd ideas have been introduced, and thus must be evaluated with respect to their sociological importance. At first, due to the strange language that is adopted and the nature of the philosophy offered, postmodernism appears to the uninitiated as an attempt to subvert rational discussion.
Contacts of Continents: the Silk Road
Authors: Zwi Werblowsky R.J.
Published: March 2007

The problems and the history of contacts between distant continents in bygone ages and long before the age of fast and easy travel, have always fascinated both professional scholars and the interested public. Was ancient history really nothing but the history of co-existing and isolated geographic, cultural and political “islands?” Already at school we learned too much about migrations of peoples, economic contacts, influences on art styles, conquests, and the rise, expansion and fall of empires to believe that. The (highly improbable) theory that certain archaeological finds in America suggest, or even prove, Mediterranean influence (e.g., the arrival of Phoenician ships), or the alleged Viking discovery of America centuries before Columbus, or Thor Heyerdahl's adventurous journey to prove South American influence on remote Pacific islands did not fail to cause widespread interest and even excitement (although many scholars still feel that Heyerdahl's epic adventure, thrilling as it is, failed to prove what it set out to prove). The island of Madagascar is pretty close to the African continent, but its language exhibits more points of contact with Polynesian than with African tongues. And the blow-bellows used by Malagache smiths are similar to those used in Malaysia and unlike those known to African metalworkers. Clearly the Polynesians, those great ancient mariners, sailed further than originally seemed likely. Musicologists studying the cantillation of the Hebrew Bible in the liturgy of the ancient Jewish communities on the Malabar coast in India discovered to their surprise that it was similar to the cantillation not of the Babylonian but of the Yemenite Jews! This surprise was, of course, no surprise to those who knew anything about trade-winds and shipping routes between South Arabia and the Indian coast. Historians of religion, even more than general historians, studying the spread and expansion of religious ideas and movements have realised long ago that the beginning of all wisdom is a basic knowledge of economic geography.
“An Odor of Man”: Melanesian Evolutionism, Anthropological Mythology and Matriarchy
Authors: Juillerat Bernard
Published: March 2007

The evolutionist theories of Bachofen on the priority of matriarchy are today no more than one of the most unusual pieces of the historical museum of anthropology. The wealth and diversity of historical and literary sources therein are juxtaposed with the construction of a conjectural chronology organizing the relationship between the sexes in a progressive mode and in accordance with an immanent finality. But it is also necessary to distinguish, on the one hand, Bachofen's historicism as an expression of the evolutionist tendencies of that time, based on natural sciences and the results of Darwin's work, and, on the other, interest in the inter-sexual relationship within the social institution. For the invention of successive stages in order to propose a social history of sexuality is based as much on evolutionism as on constitutive psychic representations of the individual. By projecting these representations into a pseudo-historical period and by ordering them, at each level, in terms of the two parameters of domination / subjection and collectivity / individuality, Bachofen assigned semantics to history and an evolutionary sense to transformations in marriage and the family. And by conferring historical validity on the myths of Antiquity, he set forth an implicit denial both of the work of the imagination (not to say sub-conscious, which would be an anachronism for this pre-Freudian period) as well as of ideological ruses in the political field. Bachovian evolutionism thus developed a new myth out of the ancient myths, false witnesses of the past but authentic representatives of the ahistorical present of the psyche, endowing with scientific color the image of humanity progressing from dominance of the mother and collectivism to the triumph of the father and individualism. The idea of “matriarchy” (Mutterrecht) in Bachofen is indeed to be taken in the sense of “maternal dominance” (as the German expression better suggests), and not that of political power of women.
Philosophy in Literature
Authors: Daley James
Published: March 2007

The question of what is philosophy, leads, it would seem, inevitably to diverse and conflicting, if not at times contradictory, answers. It is not only a matter of different philosophic perspectives, but also of fundamentally opposed conceptions of philosophy. Varying philosophic intentions and aims underlie what is taken to be the nature of philosophy and disagreement abounds. Philosophies then tend to differ not so much in terms of what they disagree about but what they consider philosophically sound and important. Phenomenology may share some concerns about basic philosophic problems, like intentionality, with ordinary language philosophy. But they diverge again sharply about the question of what philosophy should accomplish for, and what difference it makes to, human knowledge and understanding. The one sees intentionality as the pervasive structure of human consciousness and reality, and the other sees it as simply part of the various ways in which the uses of language can explain, and thus do away with, philosophical questions on perplexity. This difference about what philosophy should accomplish, its purpose, is not resolvable. It is what on each approach must be considered the very nature of philosophy and its primary task.
The Sacred and the Profane Day
Authors: Starobinski Jean
Published: March 2007

The day is one of the fundamental experiences of our natural existence. The obvious cycle of the sun, the alternation of sleep and being awake provide a link between the life of the body and the great regularity that assigns their successive moments to light and to darkness. Only a simplified abstraction allows us to consider time lived as an homogeneous flow. Our existence, in its proper substance and in its larger environment, is dominated by the rhythm of days and nights. Our very experience of the reality of objects is subject to it: the universe of things depends on the light of day that reveals it. It shrivels and becomes uncertain when night falls, with terror and dreams taking its place. The evidence that appears with the clarity of day is not of the same order as apparitions that arise from the depth of darkness.
Representation in Chemistry
Authors: Hoffmann R. , Laszlo P.
Published: March 2007

Chemical structures are among the trademarks of our profession, as surely chemical as flasks, beakers and distillation columns. When someone sees one of us busily scribbling formulas or structures, he or she has no trouble identifying a chemist. Yet these familiar objects, which accompany our work from start to end, from the initial doodlings (Fig. I) to the final polished artwork in a publication (Fig. II), are deceptively simple. They raise interesting and difficult questions about representation. It is the intent of this article to reflect upon molecular graphics.
Parallogic: As Mind Meets Context
Authors: Hanson Barbara Gail
Published: March 2007

Parallogic models the relationship between mind and context. It, as does the excerpt above, suggests that systems of logic are context specific and therefore parallel. This model points out that perceived departures in mental process, reasoning, may be more apparent than real. It also suggests a new way to conceive of mental illness by separating breakdowns in mental process from shifts in mental process.
The Hermeneutics of the Young Marx
Authors: Balaban Oded
Published: March 2007

In the History of Philosophy, the atomistic physics of Epicurus and of Democritus have been considered as very similar. Contrary to the more conventional view, Marx considers this similarity as only apparent. He indicates that as an analysis becomes more fundamental and specific, a basic difference becomes clearer. At the end of his analysis Marx indicates that there is an inner contradiction in each of those theories. Marx also intended to explain the reasons for this contradiction but, regrettably, his explanation has not been found among his writings. This paper must be considered as an attempt to reconstruct Marx's own philosophical presuppositions in his efforts to interpret ancient atomistic philosophy and to throw light on the beginnings of his critical method.
Solitude in Ancient Taoism
Authors: Koch Philippe J.
Published: March 2007

In so far as the Tao Te Ching and the Chuang Tzu are life-philosophies, they are philosophies of solitude. My aim in the following pages is to explain and defend this claim, clarifying the distinctive kind of solitude that is taught by Lao Tzu and Chuang Tzu.
The Story About Life: Biography in the Yoruba Obituaries
Authors: Lawuyi Olatunde B.
Published: March 2007

What we intend to do here is to present the obituary as a simple story in which an individual's life makes sense in terms of cultural assumptions on values, on meaningful relations, and achievements. The brevity of the story we consider is made so by the relative dearth of information which an obituary contains. But, in spite of the scarcity of information, the story still reveals a clear orientation: the obituary has meaning only in the context of socio-economic inequality and the exchange facilitated by that inequality. Our task in this paper is to attempt a description of this orientation to an “outsider”. The emphasis is not so much on the structure of the discourse but the cultural knowledge which guides the discourse.
The Caste System in Statu Nascendi
Authors: Chenet François
Published: March 2007

Within the realm of structures of society, the caste system, a unique example among all the aspects of human adventure, represents at the level of social morphology, that is in the manner of grouping characteristic of a society, India's most original contribution to human history within all great civilizations, to the point that India's civilization is generally identified by the principal feature of its morphology.
The Adventure of a Negation: Literature and the History of Ideas
Authors: Faucheux Michel
Published: March 2007

The time has come to rehabilitate the history of ideas in French literary studies, primarily because we should retreat from the disrepute attached to all universalising approaches to the real in the name of an ever-increasing subdivision of knowledge which proves on occasion to be shortsighted or stultifying.
Scholastic Economics and Arab Scholars: The “Great Gap” Thesis Reconsidered
Authors: Ghazanfar S.M.
Published: March 2007

Joseph Alois Schumpeter (1883-1950) stands among the intellectual giants of the twentieth century, especially in the field of economics; in his long and varied impact on the profession, he is second only to Maynard Keynes. He was a pragmatist in his economic philosophy, an “objective scientific investigator with no particular axe to grind” (Newman, et al., 746). His encyclopedic History of Economic Analysis, edited after his death by his wife and published in 1954, is a monument to his gigantic and versatile achievements; and it remains the locus classicus of almost all works in this area.
Introduction
Authors: Coppens Yves
Published: March 2007

For many years, M. Jean d'Ormesson has been doing me the honor of asking me to write for Diogenes. More recently, he suggested that I should coordinate an issue of this review that would be devoted to my extended discipline, History, but history in the way in which I understand it. It was certainly not for lack of interest that I did not reply to the first request but, no doubt, because of the sense of a chronic lack of time - almost a pleonasm - from which I, like everyone else, suffer. It was not because I was cured that I accepted the second invitation but probably because I allowed myself, with full knowledge of the facts, to entertain the idea that editing an issue would take up less time than simply contributing. … In fact, as everyone knows, the opposite is true, especially when the occasional editor also volunteers to be one of the contributors. This issue is now completed and I sincerely thank M. Jean d'Ormesson for having wished to entrust me with this task that I have enjoyed very much.
The First Moments of the Universe: The Limits of Knowledge
Authors: Reeves Hubert
Published: March 2007

The contemporary astrophysicist today deals with questions that bear on the area known to traditional philosophy as “metaphysics.” Consequently, it is tempting to cross the threshold. One can allow oneself to be tempted by the idea that science is in a position to provide solutions to ancient and venerable metaphysical quests. One can even imagine, according to the wish expressed two thousand years ago by Epicurus, that it can calm our “metaphysical anxieties.”
The Evolution of the Universe
Authors: Celâl Şengör A.M.
Published: March 2007

The universe, of which our domicile the planet Earth forms but a minuscule part, has an architecture that changes and has been changing in time. In other words, it has a history of evolution. Lack of experimental evidence denies us the knowledge of what the universe was like “at the time of its origin,” as discussed by Hubert Reeves in the preceding chapter. Neither do we know much about its geometry, simply because our observatories are concentrated, for all practical purposes, vanishingly close to a single point in an immensity whose size can only be measured by the billions of years required by light to go from one extremity to another!
Our Home, the Planet Earth
Authors: Celâl Şengör A.M.
Published: March 2007

The earth, the abode of the only form of intelligent life in the universe of which we are aware, is a minor member of a system of nine planets, 40 or so moons and about 100 billion asteroids orbiting around the Sun, an average-size member of the 100-billion-star community making up our galaxy, the Milky Way. It is the third planet to the Sun, which it orbits, following an almost circular elliptical path maintaining an average distance of 1.5×108 km, with the longest and the shortest radii now being 1.53×108 km and 1.47×10 km respectively (Fig. 1). This orbit is subject to changes in its “eccentricity” (i.e., in how much it deviates from a circle) with periods of 105 and 4×10 years5 years (Fig. 2A). In addition, the elliptical orbit itself slowly rotates as shown in Fig. 2B, in what we call the precession.
The Cosmology of the Architecture of Cities
Authors: Schabert Tilo
Published: March 2007

Let us imagine that we decided to visit cities at different places in the world. During our journey we would probably consult often one or more of these books known as “travel guides,” which, in our case, describe one or more cities for the benefit of the traveler who knows nothing about them or has only a slight idea of what they are like.

Presumably we would be told not infrequently that in the cities being described something is “reflected” - that the city architecture of Paris reflects the immortality - obsessed self-glorification of French kings, emperors, or national presidents; that the baroque layout of Rome reflects the triumphant Catholicism of the counter- Reformation ; that the skyscrapers of Manhattan reflect the unbridled creativity of American civilization.
Conceptualizing Contextual Emotion The Grounds for “Supra-Rationality”
Authors: Hanson Barbara Gail
Published: March 2007

[Anne:] “I can't, I'm in the depths of despair. Can you eat when you are in the depths of despair?”

“I've never been in the depths of despair, so I can't say,” said Marilla.

“Weren't you? Well did you ever try to imagine you were in the depths of despair?”

” No, I didn't.”

“Then I don't think you can understand what it's like. It's a very uncomfortable feeling indeed. When you try to eat a lump comes right up in your throat and you can't swallow anything, not even if it was a chocolate caramel.”

—L.M. Montgomery, Anne of Green Gables.

Emotion, as a “suprarational” property, transcends rationality in that it can be thought of as a group, contextual rather than as a solely individual trait, and thus is a higher order property, as the above quote suggests. This proposal arises from a metatheoretical analysis of models available to broach questions of emotion. I use metatheoretical in the sense of both the context of theory production and the theory of theory. From the first arose the idea that emotion, through the use of irrationality, has surfaced as a working equivalent to inexplicability or rational relativity, and can be modelled more adequately as suprarational, with a unique nature in its own right. The latter led me to propose that the concept of emotion as contextual, a higher order group level property, is possible and tentatively profitable.
The Ethical Concepts of Judaism and of Ancient Greece
Authors: Roshwald Mordecai
Published: March 2007

The purpose of this essay is to compare and contrast some salient, though not always clearly recognized and acknowledged, aspects of the ethical perception characterizing the Judaic and the ancient Greek civilizations. To allow a succint treatment, a topic of this range imposes selectivity which, in turn, involves a subjective judgement in making the choices of representative expressions of these vast cultures. While this limitation is readily admitted, our selections are not made from marginal or esoteric texts, but rely on central and mainstream sources that are well known or easily accessible.
Language Influence and Culture: Comments on the Impact of English on Shona
Authors: Ngara Emmanuel
Published: March 2007

This paper describes some aspects of the mutual impact of languages in a bilingual situation where one language is dominant and the other subordinate. The influence of the two languages on each other is effected through the user, namely, the bilingual. When the bilingual is in the process of learning the second language, his mother tongue influences his mastery of the former, resulting in the process that has been variously referred to as mother tongue interference, approximation, or interlanguage. However, the influence does not take place in one direction only; in other words, it is not only a case of the mother tongue influencing the second language. If the second language is a dominant language its impact on the bilingual's first language can have far reaching implications.
The Vernacularization of African Languages after Independence
Authors: Chimhundu Herbert
Published: March 2007

To vernacularize a language is to reduce it to a vernacular. In 1953, UNESCO defined a vernacular as the language of a group that is politically or socially dominated by a group that speaks another language. This paper argues that this domination need not be colonial or racial, and that in fact many postindependence African rulerships are more comfortable in situations that are contrived to ensure that the indigenous languages of their own countries continue to be vernacularized. The same foreign language that was used in the past by a racist colonial minority is now used by an indigenous elitist minority to keep the majority disempowered by making grassroots participation in national issues and debates difficult or impossible.
Photography and Other Menaces to Nineteenth-Century French Literary and Artistic Traditions
Authors: Melara Miriella
Published: March 2007

When the news of the invention of the daguerreotype left the halls of the French Academy of Sciences in 1839, it fell on the ears of an eager and receptive public, spellbound by the miracle of such an invention. The rapid popularization of the daguerreotype, and subsequently, of less time-consuming photographic processes, forced critics and artists alike to vehemently defend a definition of art that either categorically excluded the new medium or open-mindedly included it within the ranks of a modern or industrialized art. If one maintained, as many did, that the nature and essence of art/literature can be clearly defined and that this definition must be grounded in tradition, coming to terms with what photography was and where it rightfully belonged required either a staunch reaffirmation of one's beliefs about aesthetics or a reassessment of those beliefs. In either case, photography functioned as a disruptive element that did not cause but contributed to an (already existing) artistic movement in which the integrity and solidity of aesthetic definitions and orthodoxies were being questioned and tested. In the minds of those apprehensive and suspicious of the new medium, industrialization, as well as political and social change, had already begun to sound the death knell for art as it had traditionally been conceived. If art/literature had become contaminated by industry, technological advancement and democratic principles, the conservative French nineteenth-century thinker saw it as his duty to save the former from certain destruction. “Saving” art/literature required a fundamental reinforcement of the belief in the closure and soundness of aesthetic definitions whose truth tradition had supposedly guaranteed. Uncovering the presuppositions behind aesthetic definitions that claim to speak in the name of tradition, self-evident truths, and even the nature of man is an endeavor worth pursuing because this manner of thinking leads to a kind of tyranny that has as its goal the suppression of questions, critical inquiry and thus, independent thinking. This study seeks to examine a small part of French aesthetic theory during a period in which change, instability and revolution became almost commonplace. The reactions of conservative artists and critics to post 1840s literary and artistic practices will be scrutinized in order to unveil the deep-seated fears and beliefs that found conservative backlashes to that which is referred to as “new” or “progressive.”
Money and the Russian Classics
Authors: Anikin Andrei V.
Published: March 2007

There are various ways to describe the type of society that developed, at least in America and Europe, over the last two centuries. One of the better known ones is the civilization of money. Different people, depending on their world view, can judge this fact differently: to deny it, however, is impossible. This is especially obvious now, when the most grandiose and stubborn attempt at liberating society from the power of money – allegedly in order to subordinate money to higher ideals – has ended in total failure.
A Story of the Utopian Vision of the World
Authors: Fischer Roland
Published: March 2007

A map of the world that does not include Utopia is not worth glancing at, for it leaves out the country at which humanity is always landing.

Oscar Wilde

The further ahead one looks, the more the vision of the distant future resembles the golden age of the mythical past.

John Cohen

Being condemned (or chosen?) to be “the missing link” on its way to perfectibility (or redemption?) - half animal/half human - we always need in some way or another the transcendence of a Utopian Vision. It therefore comes as no surprise that most of the essays in this issue, reflecting a vision of the world today, are openly or covertly concerned with Utopian expectations. Hence, it might be worthwhile to trace the origins and reflect in flashbacks - following the pioneering technique of the French film-maker Alain Resnais - a story of the Utopian Vision.
Atomism at the End of the Twentieth Century
Authors: Grössing Gerhard
Published: March 2007

All things by immortal power,Near or far,Hiddenly,To each other linked areThat thou canst not stir a flowerWithout troubling of a star.Francis Thompson (1859-1907)

Picture a rainbow: under ideal conditions, you will not only see the primary and the (fainter) secondary rainbow, but you will also realize there is a zone between the two which is considerably darker than the surrounding sky, and you will see the series of very faint and narrow bands of colors, usually pink and green alternately, at the inner side of the primary bow. For centuries these narrow bands, called “supernumerary arcs,” have been a riddle to those who set out to explain the rainbow phenomenon scientifically.
A Twentieth Century Renaissance? The Price and Promise of Cultural Change
Authors: Artigiani Robert
Published: March 2007

European intellectuals diagnosed the end of the nineteenth century as “the sickness of an age.” Schopenhauer's pessimistic books suddenly became popular; Nietzsche announced the “death of god”; and Max Nordeau's Degeneration was an international best seller. To be sure, this mood of despair was initially limited to a handful of poets and philosophers. But once the outbreak of World War I revealed what “the treacherous years were all the while making for and meaning,” the sense that the West had somehow been betrayed by its own most fundamental accomplishments and beliefs was globalized. Thomas Mann's Magic Mountain captured the idea neatly by describing Europe as a tuberculosis sanatorium behind whose walls splendid accomplishment rapidly rotted toward calamity. Spengler's Decay of the West and the early volumes of Toynbee's Study of History argued that decline was inevitable. As Europeans lost faith in their ability to erect The Heavenly City Of The Eighteenth Century Philosophers [Becker, 1932], the era of “enlightenment optimism” gave way to Auden's “Age of Anxiety.” If, as T.S. Eliot put it in East Coker, “the quiet-voiced elders” bequeathed us “merely a receipt for deceit,” then, to cite again W.B. Yeats’ famous poem, it became increasingly obvious that “things fall apart, the center cannot hold.” “[F]ollowing some rough beast” that “slouches toward Bethlehem to be born,” modern civilization began a desperate search for new values that could orient society in an unexpected world.
The Imagination as Unifying Principle in the Works of Blake and Wordsworth
Authors: Lambo John A.
Published: March 2007

The central concern of this paper is to prove that Blake and Wordsworth, in spite of some revealing differences between them, essentially share the same world view. Before showing how this works, we first of all should discuss, however briefly, the main difference between them.

The main difference between Blake and Wordsworth is perhaps discernible in the way they respond to Nature or the physical frame of things. Here, their remarks on each other would be quite illuminating. Though there is no evidence that they knew each other personally, there is concrete proof that they read some of one another's works and even commented on them. Three sources immediately come to mind in this regard: first, there is Samuel Palmer's anecdote that Wordsworth borrowed a copy of Blake's Songs of Innocence and of Experience from a friend that “he read and read and took … home to read again”; second, we have Blake's 1826 annotations to the poems of Wordsworth contained in Keynes' Nonesuch Edition of Blake; third, there is Henry Crabb Robinson's Diary, Reminiscences, and Correspondence.
Poetic Translation Examples taken from Paul Valéry and Yunus Emre
Authors: Kayra Erol
Published: March 2007

Literary translation, especially poetic translation, is one of the rare domains where aesthetic, literary, and technical fields meet. This characteristic makes it the sort of work where a number of theoretical and practical problems converge. It is necessary to approach the issue on three essential planes. The first is theoretical: translation is an operation defined by rules; the second, functional: translation is a practical procedure, which is to say an a posteriori task; the third, specific: poetic translation is itself a poetic activity.

Let us begin with the last. From the point of view of literary creation, there is actually no specific difference between the original text and that of the translation. For poet and translator alike take part in a creative act, each laboring according to his means and tastes. For each of them linguistic competence and poetic competence are essential. Indeed, the act of translating is based on a “task of purification of words and ideas” which requires the application of mental effort on the one hand to the problems and the constraints of the poetic art as such, and on the other hand, to the descriptive and analytic nature of language, which is also music. Which is to say that one should not see translation as a simple operation of a lexical order. Nor should one forget that each language requires a specific lexical classification.
Black Holes Viewed from Within: Hell in Ancient Egyptian Thought
Authors: Hornung Erik
Published: March 2007

Among the ancient Egyptian hieroglyphs is a sign that can be termed and defined as a “Black Hole.” It is a circle (writing being two-dimensional) filled in black, appearing in the Old Kingdom Pyramid Texts for the first time. Initially serving as a determinative for concepts like “death” or “enemy,” it is also later used for words like “pit,” “hole,” or “cave,” and in a few rare instances this black circle determines the word for the Netherworld (dat) or shade.
Considerations of Roman Painting
Authors: Grandazzi Alexandre
Published: March 2007

“The first thing discovered in the excavation begun on the Tower of the Annunciation was a painting eleven hands wide and four and a half hands high. It depicts two large festoons of fruits and flowers, a man's head, which is very large and jovial, a ram, an owl, various birds and other things. It seemed to me to be one of the greatest paintings found to date. Having stopped in with me to see it this morning, the sculptor ordered it removed on Tuesday …

“April 10: Detached from the wall and placed on a cart this morning, the great painting arrived at the royal palace in excellent condition.”
From Film Image to History
Authors: Tuñón Julia
Published: March 2007

La diversité des témoignages historiques est presque infinie. Tout ce que l'homme dit ou écrit, tout ce qu'il fabrique, tout ce qu'il touche peut et doit renseigner sur lui.Marc Bloch

Judging from all the evidence we have, it appears that History must start again to look at aspects of the human existence in their time and must open up to the realm of imagination, of affectivity, and of mental attitudes; to put it differently, it must work from a new basis of sensibility and with different questions, with novel sources and themes that permit us to learn more about what happens in the public and private spheres, about the exceptional and the common, about the real and the symbolic, about social practices and about the dominant ideology, as well as the links that connect those divergent fields. Such an approach presupposes a particular attitude toward historical evidence.
Historical Practice and Responsibility
Authors: Bédarida François
Published: March 2007

We are frequently asking ourselves today about the role of the historian in a rapidly changing world. Some expect the past provide them with an explanation or a justification of the present. Others search in history for the basic roots of identity or even for keys to the future. More than ever we are being faced with what Lucien Febvre perceived to be the social function of the historian: “to organize the past as a function of the present.” From this arises a responsibility toward society, as the knowledge that is being produced gains its authenticity through being stamped as officially “scientific.” Faced with the expectations of society and the attention of the public, the historian has been called upon to disentangle events and to furnish a guiding thread, frequently by blending his role as a critic with a civic and an ethical one. Even when we are not dealing with the attempt to set up the historian, through an appeal to his great expertise, as the licensed sage in town, it must be stressed that assuming the rostrum in response to the questions of the time is-provided that the rules of the discipline are strictly adhered to-perfectly legitimate in that it provides history with signifiant depth.
History and Rhetoric
Authors: Ricœur Paul
Published: March 2007

An inquiry into the rhetorical aspects of history may seem paradoxical, given that historical discourse is not typically included among those types which, since Aristotle, have been understood to be governed by rhetoric; these types being the deliberative council, the tribunal and the commemorative assembly. It was to these specific audiences that the three kinds of discourse—the deliberative, judiciary, and panegyric—were addressed. However, are the boundaries of the historian's audience sufficiently delineated in order to allow us to identify it as a specific addressee? This first objection, which regards the very legitimacy of the subject of these remarks, can be met by noting a common trait that links history to the above-mentioned three types of discourse; that is, competition between opposed discourses requiring a choice. In each case the aim is to structure a debate that calls for a clear-cut decision. Yet a major problem of the discipline of history is that it allows both for widely varying descriptions of the same series of events, and sanctions the use of a variety of equally acceptable rules or preferences for interpreting a given slice of the past.