bluuebunny/crossref_metadata_2025 huggingface dataset:
Can gray values be converted to Hounsfield units? A systematic review
Authors: Eguren Marjorie , Holguin Anderson , Diaz Karla , Vidalon Jose , Linan Carlos , Pacheco-Pereira Camila , Lagravere Vich Manuel Oscar
Published: June 2021

Objectives:

The purpose of this systematic review was to answer the focus question: “Could the gray values (GVs) from CBCT (cone beam computed tomography) be converted to Hounsfield units (HUs) in multidetector computed tomography (MDCT)?”

Methods:

The included studies try to answer the research question according to the PICO strategy. Studies were gathered by searching several electronic databases and partial grey literature up to January 2021 without language or time restrictions. The methodological assessment of the studies was performed using The Oral Health Assessment Tool (OHAT) for in vitro studies and the Quality Assessment of Diagnostic Accuracy Studies (QUADAS-2) for in vivo studies. The Grading of Recommendations Assessment, Development and Evaluation (GRADE system) instrument was applied to assess the level of evidence across the studies.

Results:

2710 articles were obtained in Phase 1, and 623 citations remained after removing duplicates. Only three studies were included in this review using a two-phase selection process and after applying the eligibility criteria. All studies were methodologically acceptable, although in general terms with low risks of bias. There are some included studies with quite low and limited evidence estimations and recommendation forces; evidencing the need for clinical studies with diagnostic capacity to support its use.

Conclusions:

This systematic review demonstrated that the GVs from CBCT cannot be converted to HUs due to the lack of clinical studies with diagnostic capacity to support its use. However, it is evidenced that three conversion steps (equipment calibration, prediction equation models, and a standard formula (converting GVs to HUs)) are needed to obtain pseudo Hounsfield values instead of only obtaining them from a regression or directly from the software.
Semiotics as a postmodern recovery of the cultural unconscious
Authors: Deely John
Published: June 2021

This essay explores the terminology of semiotics with an eye to the historical layers of human experience and understanding that have gone into making the doctrine of signs possible as a contemporary intellectual movement. Using an essentially Heideggerian view of language as a heuristic hypothesis, the name semiotics is examined in light of the realization that only with Augustine's Latin signum was the possibility of a general doctrine of signs introduced, and that first among the later Latins was the idea of sign as a general mode of being specifically verifiable both in nature and in culture in establishing the texture of human experience vindicated according to an explanation of how such a general mode of being is possible. The contemporary resumption through Charles Peirceof the Latin line of vindication completed especially by Poinsot is explored along these same lines in terms of considerations of why the term semiotics has emerged as, so to speak, the logically proper name of the global interest in signs.
Umberto Eco's semiotic threshold
Authors: Nöth Winfried
Published: June 2021

The "semiotic threshold" is U. Eco's metaphor of the borderline between the world of semiosis and the nonsemiotic world and hence also between semiotics and its neighboring disciplines. The paper examines Eco's threshold in comparison to the views of semiosis and semiotics of C. S. Peirce. While Eco follows the structuralist tradition, postulating the conventionality of signs as the main criterion of semiosis, Peirce has a much broader concept of semiosis, which is not restricted to phenomena of culture but includes many processes in nature. Whereas Eco arrives at the conclusion that biological processes, such as the ones within the immune system, cannot be included in the program of semiotic research, Peirce's broader defmition of semiosis has meanwhile become thefoundation of semiotic studies in biology and medicine and hence in biosemiotics and medical semiotics.
Language as a "mirror of nature"
Authors: Hintikka Jaakko
Published: June 2021

How does language represent ("mirror") the world it can be used to talk about? Or does it? A negative answer is maintained by one of the main traditions in language theory that includes Frege, Wittgenstein, Heidegger, Quine and Rorty. A test case is offered by the question whether the critical ''mirroring'' relations, especially the notion of truth, are themselves expressible in language. Tarski's negative thesis seemed to close the issue, but dramatic recent developments have decided the issue in favour of the expressibility of truth. At the same time, the "mirroring" relations are not natural ones, but constituted by rule-governed human activities à la Wittgenstein's language games. These relations are nevertheless objective, because they depend only on the rules of these "games", not on the idiosyncrasies of the players. It also turns out that the "truth games" for a language are the same as the language games that give it its meaning in the first place. Thus truth and meaning are intrinsically intertwined.
A note on Vico and Lotman: Semiotics as a "science of imagination"
Authors: Danesi Marcel
Published: June 2021

The Italian philosopher Giambattista Vico foreshadowed many of the ideas currently being entertained by the modem cognitive and human sciences. By emphasizing the role of the imagination in the production of meaning, Vico showed how truly ingenious the fIrst forms of representation were. His view that these forms were "poetic" is only now being given serious attention, as more and more linguists and psychologists come to realize the role of metaphor in the generation of abstract systems of representation. The Estonian semiotician Yuri Lotman espoused a basically similar view, highlighting the role of the poetic imagination in the generation of the textuality that holds cultures together in meaningful ways. A comparison of these two exceptional thinkers has never been entertained. This note aims to do exactly that. Specifically, it takes a first glimpse at the parallels of thought and method that inhere in the main works of these two ground-breaking thinkers. Such a comparison will establish a theoretical framework to make semiotics a true "science of the imagination". It will show that semiosis and representation are not tied to any innate neural mechanisms, but rather to a creative tendency in the human species to literally "invent itself'.
Интерсемиотическое пространство: Адриянополь в Петербурге "Преступления и наказания Ф. М. Достоевского " [The intersemiotic space: Adrianopol in F. Dostoevsky's "Crime and punishment" St. Petersburg]
Authors: Torop Peeter
Published: June 2021

The intersemiotic space: Adrianopol in F. Dostoevsky's "Crime and punishment" St. Petersburg. The article focuses on the peculiarities of the intertextual space of culture and the means of its analysis. Level analysis, compositional analysis and chronotopical analysis are juxtaposed in the paper. Textual and intertextual chronotopical analyses are considered separately. Two aspects of textual processuality are juxtaposed: the history of text production and the role of the manuscript page structure as a reflection of the writer's style and mode of thinking (especially in the interserniotic relationship between picture, drawing andword); the history of text reception, its intersemiotic translation into different sign systems and its existence in culture in a scattered state. In this connection the notions of the individual and mental text are juxtaposed. As an example a page of F.Dostoevsky's notebook is taken, where an intricate combination of picture, calligraphy and text offers an interesting infonnation on the methods of formation of text conception.
Жанровая дефиниция произведений Достоевского [On the definition of genre of Dostoevsky's works]
Authors: Avramets Irina
Published: June 2021

On the definition of genre of Dostoevsky's works. The article mostly addresses Dostoevsk's own definitions of genres of his works, either explicated in the texts (subtitles, prefaces) or contained in the writer's letters; or rather the relationship between the scholarly strategies of defining genres and the writer's own view, as evidenced. by subtitles which, in some sense, are part of the text (in nearly, but not precisely, the same way as the titles themselves are). The writer's own definitions, then, can be regarded as possible objects of the scholarly interpretation. Agreement, or lack thereof, between the author's and the scholars' definitions may be due both to similarity vs dissimilarity between the definition standards inherent in the respective epochs and to specific interpretation aspects. In the latter case, agreement is more cornman in studies focusing on vastly different problems unrelated to genre, whereas disagreement is more frequent in studies concerned with the genres of Dostoevsky's works. One of the reasons why his own definitions must be critically revisited is that certain titles of his workscan be basically viewed as subtitles or genre definitions insofar as they in some way define the variety of the text regardless of the underlying criterion: narrative, "discourse", type of source, genre, or genre variety. Indeed, both these subtitles and, sometimes, the writer's own genre definitions tum out to be pretense, an imitation of "standard" subtitles or genre definitions, respectively. Titles themselves sometimes look like subtitles, thus "exposing the device" and demonstrating this mimicry not merely by violating semantic and syntactic relations in the case of subtitles (sign/name/title/ subtitle and virtual reference/"reality" of text - and relationships such as those between title and subtitle; title and the principal text; and subtitle and principal text), but also by the fact that their position is "marked". Dostoevsky not just failed to follow his own "final genre definitions" within the text, as reflected in the subtitles, and not just changed them repeatedly in his letters, but in the official documents, too, he sometimes defined genres in a way which did not agree with either the subtitles or his own definitions given in his letters.Dostoevsky frequently changed the genre definitions not merely during his work on a text, which would be only natural, and not merely many years after it had been completed, published, revised, and republished (which might be ascribed to memory errors), but also shortly after the completed manuscript had been shipped to the publishers or after the text had been published or republished. While the logic underlying these changes must be studied and interpreted, it is evident that the scholars are often unable to accept the author's own "final genre definitions" both because these are often unavailable in subtitles, and because of the "Proteic" nature of their use by the writer in various contexts.
Русский стих: метрика, системы стихосложения, просодия (генеративный подход) [Russian verse: Its metrics, versification systems, and prosody (Generative synopsis)]
Authors: Lotman Mihhail
Published: June 2021

Russian verse: Its metrics, versification systems, and prosody (Generative synopsis). In the article the general verse metre theory and its application to Russian verse is adressed, allowing us, thereby, to observe not the single details, but only the most general characteristics of verse. The treatment can be summarised in the five following points: 1) the basis for the phenomenon of verse is its metrical code: the special feature of verse text is the presence of its metre (this feature is common to every verse type, to the most regular verse, as well as to vers libre); 2) the nature of verse metre is extralinguistic, there is no metre within a language, the latter can only induce certain limitations in choosing a metre; 3) metre is an abstract chain of translational symmetry, the elementary period of which is called verse foot (i.e. firstly, verse feet are contained in every versification system, incl. syllabic verse and free verse, and, secondly, verse feet can not be defined in terms of natural language, e.g., as the combination of short and long or accented and unaccented syllables).4) in verse text, metre appears through the medium of natural language: verse metre is coded in terms of natural language; the nature of its codification is detennined by the versification system. Hence, every verse metre can be realised in different versification systems, e.g. iambus can occur in syllabic-accentual, syllabic-quantitative, and some other versification systems;5) verse prosody is a consequence of the influence of verse metre on the prosodies of language; the range of transformation of a language system by verse metre extends from the unification of the strength of verse accents in accentual verse to such artificial formations as the origination of long syllables in languages which lack phonological quantity.
The book at the outskirts of culture: Cortázar's first almanac
Authors: Sanjinés José
Published: June 2021

The notion of intersemiosis suggests the game relationships between the multiple interacting signifying spheres of culture, but the term can also be fitly applied to the study of certain extraordinary artistic texts. This study makes use of one such book, Julio Cortazar's Around the Day in Eighty Worlds, to show how the sui generis interplay of the book's semantic spheres simultaneously models and renews the complex cultural processes of the production of meaning. This often reprinted and hard-tocategorize book that for years has remained at the outskirts of Latin American culture is also an ideal example to explore the dynamics between the center and periphery of culture as well as the writer's role in the creative renewal of cultural repertoires. By drawing a bridge over the apparent gap between the semiotics of culture and the semiotics of the artistic text, the present study attempts to approximate the critical-creative spirit of the late great theoretician Yurij Lutman.
Semiotic pollution: Deliberations towards an ecology of signs
Authors: Posner Roland
Published: June 2021

This article compares the material pollution of life's elementary resources, i.e., water, soil, and air, with the semiotic pollution of the elementary resources of sign-processes, i.e., channel, sign-matter, and message; code, signifier, and signified; as well as context, sender, and recipient. It is claimed that semiotic pollution interferes with sign-processes as much as material pollution interferes with the fundamental processes of life; both types of pollution are similar in that they produce stress for human beings in current societies. It is argued that semiotics is able to provide the conceptual tools necessary to develop policies that can reduce semiotic pollution. As is shown, however, additional research is required to operationalize and metricize generalized concepts of semiotic pollutionsuch as "channel-related", "semiosis-related", and "situation-related noise".
Teddy bears, Tamagotchis, transgenic mice: A semiotic typology of artificial animals
Authors: Schmauks Dagmar
Published: June 2021

The expression "artificial animal" denotes a range of different objects from teddy bears to the results of genetic engineering. As a basis for further investigation, this article first of all presents the main interpretations and traces their systematic interconnections. The subsequent sections concentrate on artificial animals in the context of play. The development of material toys is fueled by robotics. It gives toys artificial sense organs, limbs, and cognitive abilities, thus enabling them to act in the real world. The second line of development, closely related to research into Artificial Life, creates virtual beings "living" on computer screens. Themost essential difference between these variants are the sense modalities involved in interaction. Virtual beings can only be seen and heard, whereas material toys can be touched as well. Therefore, the simulation of haptic qualities plays an important role. In order to complete the proposed typology, two further areas are outlined, namely artificial animals outside play and "artificial animals in the medium of flesh" which are alive but designed and created by man. Research on artificial animals belongs to an extended notion of ecosemiotics, as they are part of ecosystems which may themselves be virtual such as the Internet.
An introduction to phytosemiotics: Semiotic botany and vegetative sign systems
Authors: Kull Kalevi
Published: June 2021

Asking, whether plants have semiosis, the article gives a review of the works on phytosemiotics, referring to the tradition in botany that has seen plants as non-mechanic systems. This approach can use the concept of biological need as the primary holistic process in living systems. Demonstrating the similarity between the need and semiosis, it is concluded that sign is a meronomic entity. A distinction between five levels of sign systems is proposed: cellular, vegetative, animal, linguistic, and cultural. Vegetative sign systems are those which are responsible for the morphogenesis and differentiation within an organism, thus belonging to all multicellular organisms.
The circular semiosis of Giorgio Prodi
Authors: Cimatti Felice
Published: June 2021

Prodi's semiotics theory comes into being to answer a radical question: if a sign is a cross-reference, what guarantees the relation between the sign and the object to which it is referring? Prodi rebukes all traditional solutions: a subject's voluntary intention, a convention, the iconic relation between sign and object. He refutes the fIrst answer because the notion of intention, upon which it is based, is, indeed, a fully mysterious entity. The conventionalist answer is just as unsatisfactory for it does nothing but extends to a whole group that which cannot be explained for a single component; the iconic one, finally, is rejected toosince in this case the notion of "likeliness", as the basis of the concept of "iconicity", is not explained. Prodi's answer is to locate the model of semiotic relations in the figure of the circle. The circle is life, which is nothing else but an infinite chain of translation and recognition relations amidst ever more complex systems. The circle has neither a beginning nor an end. It has no foundation, no established rule. It holds no cause that cannot become, in turn, effect. Semiosis, then, is based upon life for life, itself, is intrinsically semiotic. We can put the world in signs, that is we can come to know it, because we, ourselves, are a part of that very worldthat through us is made known. Finally, what this implies is that being inside the circle of semiosis-life, an issue arises what is beyond that circle: that is both an aesthetic and a religious problem.
The semiotics of animal freedom: A zoologist's attempt to perceive the semiotic aim of H. Hediger
Authors: Turovski Aleksei
Published: June 2021

The works, views and ideas of Heini Hediger (1908-1992), one of the most distinguished and influential zoologist of the 20th century, had and still have an enormous impact on contemporary understanding of animal behaviour. His views on territorial, social, etc. aspects of animal behaviour are based on semiotic concepts derived from Umwelt-theory (J. v. Uexküll) and combined with ideas from modern ethology. Hediger's special attention was devoted to the area of animal-man communications; he treated these problematic phenomena as a system of semiosis-processes, in a mainly holistic way. Hediger's approach inspires the author to propose a notion "the need for impression" to be used in zoosemiotic analyses.
Introduction: Special issue on semiotics of nature
Authors: Nöth Winfried , Kull Kalevi
Published: June 2021

Introduction: Special issue on semiotics of nature
Physiosemiosis in the semiotic spiral: A play of musement
Authors: Deely John
Published: June 2021

A main question for semiotics today is how far does the paradigm for the action of signs, semiosis. extend. There is general agreement by now that semiosis extends at least as far as awareness or cognition occurs, which includes the entire domain of animal sign usage, or zoosemiosis. The open question today is whether semiotics is broader still, and on this question two positions have emerged. The comparatively conservative position would extend semiotics to the whole of living things. This extension was first formally proposed and argued under the label phytosemiotics, the study of an action of signs in the realm of vegetable life. The conservative faction has rallied around the label of biosemiotics. The more radical faction argues that even this extension leaves something out, namely, the physical universe at large which surrounds and upon which depends all life. The radical argument is that what is distinctive of the action of signs is the shaping of the past on the basis of furore events, a shaping that can be discerned even in the rocks and among the stars - a veritable physiosemiosis, theoretical justification and practical exploration ofwhich marks the final frontier of semiotic inquiry.
"Matter as effete mind": Peirce's synechistic ideas on the semiotic threshold
Authors: Santaella Lucia
Published: June 2021

Following Peirce's broad concept of semiosis as a foundation of a field ofsrudy, the semiotics ofphysical nanrre, it is argued that we have to explore the interconnections of Peirce's semiotics with metaphysics. These interconnections will be analyzed in five steps: (1) Peirce's radical antidualism and evolutionism, implied in his synechistic ideas, (2) Peirce's semiotic statement that "all this universe is perfused with signs if it is not composed exclusively of signs" (CP 5.448, n.1), (3) Peirce's bold statement that "matter is effete mind, inveterate habits becoming physical laws" (CP 6.24), (4) his theory of final causation, which can only be properly understood in the light of semiosis, (5) his metaphysics and his methodeutics in relation to semiotics. The laws of nature are discovered by abductive inference revealing an affinity between the human mind and the designs of nature. Hence, the formal laws of thought are not simply laws of our minds but laws of the intelligibility of things.
Conway's game of life and the ecosystem represented by Uexküll's concept of Umwelt
Authors: Marcus Solomon
Published: June 2021

Inspired by a mathematical ecology of thearre (M. Dinu) and the eco-grammar systems (E. Csuhaj-Varju et al.), this paper gives a brief analysis of simple cellular automata games in order to demonstrate their primary semiotic features. In particular, the behaviour of configurations in Conway's game of life is compared to several general features of Uexküll's concept of Umwelt. It is concluded that ecological processes have a fundamental semiotic dimension.
Nature between fact and fiction: A note on virtual reality
Authors: Larsen Svend Erik
Published: June 2021

The paper places the trendy notion of virtuality and virtual reality in a conceptual and historical context that makes it useful in a semiotic perspective. Virtuality is connected with the classical notion of fictionality, in its meaning of both invention and deception. Historically an active, a passive, and a neutral version of the concept can be distinguished. The notion is reinterpreted as a variant of the semiotic processes of deixis. In relation to nature - scenarios, prognoses, hypotheses, etc. - virtuality is seen as a means of anchoring the human subject in nature instead of constructing a nonreal universe separated from it.
Ecosemiotics and the sustainability transition
Authors: Oelschlaeger Max
Published: June 2021

The emerging epistemic community of ecosemioticians and the multidisciplinary field of inquiry known as ecosemiotics offer a radical and relevant approach to so-called global environmental crisis. There are no environmental fixes within the dominant code, since that code overdetermines the future, thereby perpetuating ecologically untenable cultural forms. The possibility of a sustainability transition (the attempt to overcome destitution and avoid ecocatastrophe) becomes real when mediated by and through ecosemiotics. In short, reflexive awareness of humankind's linguisticality is a necessary condition for transforming ecologically maladaptive cultural forms. As a multidisciplinary, interdisciplinary research program integrating the human and natural sciences, ecosemiotic inquiry closes the gap between biophysical ecology and human ecology. A provisional outline of a pragmatic theory of ecoserniotics attempts to describe the processes by which adaptive cultural changes might be facilitated and points toward substantive content areas that constitute sites for further research. Ecosemiotic inquiry frames cultural codes as these shape and reproduce the ongoing stream of individual and societal choices that shape distinctively human existence in a larger context of biophysical realities that drive natural selection. However, while ecosemiotics is a necessary condition for the sustainability transition, it is not a sufficient condition.
Bioinvasion, globalization, and the contingency of cultural and biological diversity: Some ecosemiotic observations
Authors: Emmeche Claus
Published: June 2021

The increasing problem of bioinvasion is investigated as an example of an ecosemiotic problematic. One concern is the scarcity of scientific knowledge about long term ecological and evolutionary consequences of invading species. It is argued that a natural science conception of the ecology of bioinvasion should be supplemented with an ecosemiotic understanding of the significance of these problems in relation to human culture, the question of cultural diversity, and what it means to be indigenous or foreign. Bioinvasion, extinction of native species, and overall decrease in biodiversity, may go along with decreased cultural diversity; as when the loss of local agricultural traditions lead to genetic erosion. There are possible ecosemiotic parallels between language extinction and species extinction, both being related to globalisation. It is argued that the case of bioinvasion reveals the existence of two kinds of ecosemiotic contingency, (1) evolutionary openended and partly random generation of new species and extinction of old ones; (2) the historicity of culture in general and "culture's nature" specifically in the demarcation of a set of landscapes characteristic to a particular nation and piece of human history.
Bioethics, semiotics of life, and global communication
Authors: Ponzio Augusto , Petrilli Susan
Published: June 2021

Ethical problems connected with biological and medical discoveries in genetic engineering, neurobiology and pharmaceutical research, reach a unified and critical point of view in bioethics as a specific discipline. But even before reaching this stage, ethical problems already belong to two totalities: the semiobiosphere. and the current social form of global communication. Coherently with its philosophical orientation, bioethics must necessarily keep accountof this double contextualisation. The semiobiosphere is the object of study of global semiotics or the semiotics of life. Global semiotics is of particular interest to bioethics not only because of the broad context it provides for the problems treated by bioethics, but also because it provides bioethics with an adequate contextualisation both in terms of extension, of quantity, as well as of quality. From this point of view, "contextualisation" also means critical reformulation. We are now alluding to the need of viewing bioethical problems in the light of today's socio-economic context, that is, in the context of globalcommunication-production. These contextualisations are closely related from the viewpoint of ethics. Semiotics as global semiotics or semiotics of life must accept the responsibility of denouncing incongruencies in the global system, any threats to life over the entire planet inherent in this system.
S/E ≥ 1: A semiotic understanding of bioengineering
Authors: Hoffmeyer Jesper
Published: June 2021

Natural (non-cultivated) systems are nmed to economize their use of energy as much as possible, and thereby to produce minimal amounts of entropy. It is suggested that this has been obtained by optimizing the evolutionary creation of semiotic controls on all processes of life. As long as biological (ultimately photosynthetic) energy sources satisfied most human needs for energy consumption, these biosemiotic controls remained largely undisturbed, with the result that production systems remained sustainable. The industrial revolution instantiated a ruphure of this balanced situation. The semiotic control function (S) would no longer match the size of the energy flow (E). In the industrial production system, energy flows have dramatically been increased, while the S component has not been taken care of. This has created a dangerously low S/E ratio, and it is suggested that this low S/E ratio constitutes a fundamental explanation of the environmental crisis. In order to restore a sustainable production system, we will now have to develop technological means for a strong increase in the S factor of the production system. It is suggested that this can be obtained through a development of considerate, gentle, and clever forms of biosemiotic technology.
Towards a semiotic definition of trash
Authors: Keskpaik Riste
Published: June 2021

The phenomenon of trash has rarely been addressed in the cultural theoretical literature. However, its structural similarity with the concept of taboo as well as its role in the dynamics of culture has been stated. Current paper aims to summarize the partial contributions that have been made so far, localize them in a larger semiotic framework, and deriving from Lonnan's approach to culture suggest a few further ideas for a semiotic definition of trash. It is proposed to define trash as a phenomenon marking the boundary between culhlre and non-culture/nature. In the context of the deepening environmental crisis (to which accumulation of trash contributes) a semiotic approach opens a new perspective for identifying the origin of the problem in our mind/culture rather than in nature.
Mimicry: Towards a semiotic understanding of nature
Authors: Maran Timo
Published: June 2021

Mimicry has been an important topic for biology since the rise of the Darwinian theory of evolution. However. by its very narure mimicry is a sign process and the quest for understanding mimicry in biology has intrinsically always been a semiotic quest. In this paper various theories since Henry W. Bates will be examined to show how the concept of mimicry has been shifted from perceptual resemblance to a particular communicative structure. A concept of mimicry will then be formulated which emphasizes its dynamic properties, and finally, mimicry will be considered in the framework of ecosemiotics.
The emergence of signs of living feeling: Reverberations from the first Gartherings in Biosemiotics
Authors: Emmeche Claus
Published: June 2021

The emergence of signs of living feeling: Reverberations from the first Gartherings in Biosemiotic
Unlimited semiosis and heteroglossia (C.S. Peirce And M. M. Bakhtin)
Authors: Mladenov Ivan
Published: June 2021

The article draws parallels between Bakhtin's literary theory and some of Peirce's philosophical concepts. The comparisons with Bakhtin go beyond the theory of heteroglossia and reveal that related notions were implicitly originated by Dostoevsky. The elaboration of the concepts of dialogue, "self" and "other" continue into the ideas of consciousness, iconic effects in literature, and the semiotic aspect of thought. Especially important in this chapter is the aspect of Peirce's theory concerned with with the endless growth of interpretation and sign building, or unlimited semiosis. Peirce's discussion of unlimited semiosis is not among the less elaborated ones. Quite on the contrary, it is one of the most important of his ideas on signs. As a semiotic notion it is widely exploited in many related areas. However, it is not often used as an analytical tool to examine literature or to other works of art. Here, we will employ this notion in conjuction with Bakhtin's doctrine of heteroglossia.
Prosody and versification systems of ancient verse
Authors: Lotman Maria-Kristiina
Published: June 2021

The aim of the present study is to describe the prosodic systems of the Greek and Latin languages and to find out the versification systems which have been realized in the poetical practice. The Greek language belongs typologically among the mora-counting languages and thus provides possibilities for the emergence of purely quantitative verse, purely syllabic verse, quantitative-syllabic verse and syllabic-quantitative verse. There is no purely quantitative or purely syllabic verse in actual Greek poetry; however, the syllabic-quantitative versification systems (the Aeolian tradition) and quantitative-syllabic versification systems (the Aeolian tradition) were in use. The Latin language, on the other hand, has a number of features, which characterize it as a stress-counting language. Since at the same time there exists also the opposition of short and long syllables, there are preconditions for the syllabic, accentual and quantitative principle, as well as for the combinations of these. The Roman literary heritage shows examples of purely accentual, syllabic-quantitative, quantitative-syllabic, as well as of several other combinatory versification systems.
Translating the seventeen syllables
Authors: Sütiste Elin
Published: June 2021

The present paper focuses on the similarities and differences between the formal characteristics of the traditional Japanese haiku and the translated haiku. more specifically, on the relations between the 5-7-5 syllable pattern in the Japanese haiku, and the patterns of syllable arrangement employed in the translations. Due to the influence of the target culture context, there emerge certain conventions in rendering the haiku form. the appearance of which is observed in the body of 420 haiku translations, made by 7 translators. On the basis of the overall frequency of appearance, as well as in respect to individual translators, tentative characterisation is proposed as to which types of syllable arrangement patterns can be considered more form-oriented than others in the context of the translated haiku, i.e., an attempt is made to mark the boundary between the "haiku-like" patterns and the "unhaiku-like" patterns.
Metaphors of nature and organicism in the epistemology of music: A "biosemiotic" introduction to the analysis of Jean Sibelius' symphonic thought
Authors: Tarasti Eero
Published: June 2021

Metaphors of nature and organism play a central role in the epistemes of the Western culture and arts. The entire project of the 'modern' meant a separation of man from the cosmos and its laws. Signs and symbols are thought to be arbitrary and conventional social constructions. However, there are many returns to iconic imitations of nature and biological principles also in such an esoteric art as music. One of the highest aesthetic categories in Western art music is the so-called 'organic growth' which particularly manifests in symphony. The concepts of 'organic/inorganic' can be used as analytic terms, whereby one might even compare such composers as Jean Sibelius and Gustav Mahler. Music is said to be 'organic' when its theme actors live in their proper Umwelt ; all music material stems from the same themes ; all musical events follow each other coherently ; music strives for some goal. Moreover the Ueküll idea of a particular lch-Ton of every organism can be turned back to music. Hence we can say that every musical piece is like an 'organism' which has its lch-Ton detennining which signs it accepts and how it acts in the musical environmentof its own and formed by other musical works.
A note on biorhetorics
Authors: Kull Kalevi
Published: June 2021

This article analyses the possibility to look at living systems as biorhetorical systems. Rhetorics of biology, which studies the rhetoric of biological discourse, is distinguishable from biorhetorics, which attempts to analyse the expressive behaviour of organisms in terms of primordial (unconscious) rhetoric. The appearance of such a view is a logical consequence from recent developments in new (or general) rhetorics on the one hand (e.g., G. A. Kennedy's claim that rhetoric exists among social animals), and from the biosemiotic approach to living systems on the other hand.
A sign is what? A dialogue between a semiotician and a would-be realist
Authors: Deely John
Published: June 2021

A sign is what? A dialogue between a semiotician and a would-be realist
The chicken and the Orphean egg: On the function of meaning and the meaning of function
Authors: Emmeche Claus
Published: June 2021

A central aspect of the relation between biosemiotics and biology is investigated by asking: Is a biological concept of function intrinsically related to a biosemiotic concept of sign action, and vice versa? A biological notion of function (as some process or part that serves some purpose in the context of maintenance and reproduction of the whole organism) is discussed in the light of the attempt to provide an understanding of life processes as being of a semiotic nature, i.e., constituted by sign actions. Does signification and communication in biology (e.g., intracellular communication) always presuppose an organism with distinct semiotic or quasi-semiotic functions? And, symmetrically, is it the case that functional relations are simply not conceivable without living sign action? The present note is just an introduction to a project aiming at elucidating the relations between biofunction and biosemiosis.
Umwelt and semiosphere
Authors: Lotman Mihhail
Published: June 2021

In the paper an attempt is made to treat the basic concepts of biosemiotics and semiotics of culture in a wide intellectual context. The three leading paradigms of the current intellectual discourse are distinguished, which could be conventionally designated as “classical”, “modern” and “postmodern”: Peirce’s semiosis stands for the classical, Umwelt for the modern and semiosphere for the postmodern semiotic space.
Semiosphere: A chemistry of being
Authors: Kotov Kaie
Published: June 2021

The concept of semiosphere coined by Lotman in analogy of Vernadsky’s biosphere can be considered as a starting point for the new model in the semiotics of culture that enables us to conceptualise the human culture in its great diversity, as well as a certain single system as a part of this diversity. Present article will clarify some points of dissonance between Lotman and Vernadsky, as well as consider the dual influence of Vernadsky and Prigogine on the workings of the semiosphere in relation to the cultural dynamics. As a conclusion, the article entertains the idea that if we take the comparison with Vernadsky a bit further, the concept of semiosphere could be reinvented rather as a main transformative force of the (human) environment.
Beyond self and other: On the neurosemiotic emergence of intersubjectivity
Authors: Favareau Donald
Published: June 2021

The explosive growth over the last two decades of neuroscience, cognitive science, and “consciousness studies” as generally conceived, remains as yet unaccompanied by a corresponding development in the establishment of an explicitly semiotic understanding of how the relations of sign exchange at the neuronal level function in the larger network of psychologically accessible sign exchange. This article attempts a preliminary foray into the establishment of just such a neurosemiotic. It takes, as its test case and as its point of departure, recent discoveries from the neurobiological research on viuso-motor transformations and on the widespread cortical phenomena of selectively tuned, single-neuron response to argue for a vision of “intersubjectivity” whereby the ens rationis arising as a function of the neuronal semiosphere may be abstracted, constructed, and shared mutually across agents.
On the epigenesis of meaning in robots and organisms: Could a humanoid robot develop a human(oid) Umwelt?
Authors: Ziemke Tom
Published: June 2021

This paper discusses recent research on humanoid robots and thought experiments addressing the question to what degree such robots could be expected to develop human-like cognition, if rather than being preprogrammed they were made to learn from the interaction with their physical and social environment like human infants. A question of particular interest, from both a semiotic and a cognitive scientific perspective, is whether or not such robots could develop an experiential Umwelt, i.e. could the sign processes they are involved in become intrinsically meaningful to themselves? Arguments for and against the possibility of phenomenal artificial minds of different forms are discussed, and it is concluded that humanoid robotics still has to be considered “weak” rather than “strong AI”, i.e. it deals with models of mind rather than actual minds.
Three types of semiotic indeterminacy in Monod’s philosophy of modern biology
Authors: Artmann Stefan
Published: June 2021

Synthesizing important research traditions in information theory, structuralist semiotics, and generative linguistics, at least three main types of semiotic indeterminacy must be distinguished: Kolmogorov’s notion of randomness defined as sequential incompressibility, de Saussure’s principle of contingency of sign which ensures the possibility of translation between different sign systems, and Chomsky’s idea of indefiniteness in generative mechanisms as a requirement for the explanation of semiotic creativity. These types of semiotic indeterminacy form an abstract system useful for the description of concrete sign processes in their syntactic, semantic, and pragmatic dimension. In his philosophical reflections on modern biology, Jacques Monod used the conceptual opposition chance versus necessity to analyse several phenomena of indeterminacy (especially in molecular biology). The biosemiotic approach to life permits to apply the suggested system of semiotic indeterminacy on these phenomena.
Where bonds become binds: The necessity for Bateson’s interactive perspective in biosemiotics
Authors: Harries-Jones Peter
Published: June 2021

The paper examines important discrepancies between major figures influencing the intellectual development of biosemiotics. It takes its perspective from the work of Gregory Bateson. Unlike C. S. Peirce and J. von Uexküll, Bateson begins with a strong notion of interaction. His early writings were about reciprocity and social exchange, a common topic among anthropologists of the time, but Bateson’s approach was unique. He developed the notion of meta-patterns of exchange, and of the “abduction” of these metapatterns to a variety of other phenomena, in both biology and in game theory. Later, Bateson’s concept of ecology of mind, the product of interactive phenomena, was modified by a non-purposive cybernetics. Biosemiotics has yet to adopt Bateson’s interactive stance, which is absent from Peirce’s approach to communication, of Uexküll’s functional cycles, and of Hoffmeyer’s discussion of the relation between culture and environment. Rather than pursuing notions of appropriate “subjectivity” through changed ethical response to ecological conditions (Hoffmeyer’s discussion of empathy), the paper discusses the advantages of an approach that continues to focus on conditions of paradox and pathology. Specifically, Bateson’s resolution of the relation between culture and environment arises from situations of blocked communication where ecological bonds become binds.
On the zoosemiotics of health and disease
Authors: Turovski Aleksei
Published: June 2021

The main feature of the signs of health in the animal habitus and behaviour can be characterised as the readiness to adequately (for a species) serve the need for impression (in animalistic elements of the Umwelt). The signs of disease, however multifarious and diverse, generally display certain lack of Umwelt-oriented attentiveness, alertness. Attention of deeply afflicted animals is strongly Innenwelt-oriented; and in some species a set of such signs, suggesting sickness or mortal disease is used as a set of traits in the mimicry of dying. The semiotic factors in health-disease relationships are apparently connected with intuition — like responses creating in the semiosphere a structure of Umwelt-Innenwelt polarized tensions, important in ecological and evolutional developments.
Pragmatics and biosemiotics
Authors: Sharov Alexei A.
Published: June 2021

Pragmatics, i.e., a system of values (or goals) in agent behavior, marks the boundary between physics and semiotics. Agents are defined as systems that are able to control their behavior in order to increase their values. The freedom of actions in agents is based on the distinction between macrocharacters that describe the state or stage, and micro-characters that are interpreted as memory. Signs are arbitrarily established relations between micro- and macro-characters that are anticipated to be useful for agents. Three kinds of elementary signs (action, perception, and association) have been developed in agents via evolution and learning to support useful and flexible behaviors. The behavior of agents can be explained, predicted, and modified using the optimality principle, according to which agents select those actions that are expected to increase their value. However, agents may select actions based on their own model of the world, which have to be reconstructed in order to predict their behavior. Pragmatics in agents can be induced, learned from individual experience or natural selection, or adopted.
Biological evolution — a semiotically constrained growth of complexity
Authors: Igamberdiev Abir U.
Published: June 2021

Any living system possesses internal embedded description and exists as a superposition of different potential realisations, which are reduced in interaction with the environment. This reduction cannot be recursively deduced from the state in time present, it includes unpredictable choice and needs to be modelled also from the state in time future. Such non-recursive establishment of emerging configuration, after its memorisation via formation of reflective loop (sign-creating activity), becomes the inherited recursive action. It leads to increase of complexity of the embedded description, which constitutes the rules of generative grammar defining possible directions of open evolutionary process. The states in time future can be estimated from the point of their perfection, which represents the final cause in the Aristotelian sense and may possess a selective advantage. The limits of unfolding of the reflective process, such as the golden ratio and the golden wurf are considered as the canons of perfection established in the evolutionary process.
Energy and evolutionary semiosis
Authors: Taborsky Edwina
Published: June 2021

This paper sets up a thought-experiment that examines the transformation of energy into codified mass. This transformation is understood as a semiosic action of interpretation. The semiosic action is analyzed within five “predicate” or “verbal modes” which establish different processes of transformation or interpretation. These “predicate modes”, which are sign processes, take place in different areas of reality, the external realm and the internal realm. The external realm is composed of discrete objects and their interactions. Its processes are examined within classical mechanics and this paper posits a semiosic codification that is unique to these external processes. The internal realm is a holistic endoperspective with no recognition of discrete objects. Its processes are examined within quantum and field processes and this paper posits a semiosic codification that is unique to the internal processes. However, rather than promoting one or the other realm as a valid interpretation of reality, this paper suggests that both the external and internal energy-mass processes are necessary components of our universe.
Introduction: Re-reading of cultural semiotics
Authors: Torop Peeter
Published: June 2021

Introduction: Re-reading of cultural semiotics
Thinking about literary thought
Authors: Kristeva Julia , Trottier Marc
Published: June 2021

Thinking about literary thought