bluuebunny/crossref_metadata_2025 huggingface dataset:
Effect of mantle oxidation state and escape upon the evolution of Earth's magma ocean atmosphere
Authors: Katyal Nisha , Ortenzi Gianluigi , Grenfell John Lee , Noack Lena , Sohl Frank , Godolt Mareike , García Muñoz Antonio , Schreier Franz , Rauer Heike
Published: September 2020

The magma ocean is a critical phase determining how Earth's atmosphere developed into habitability. However there are major uncertainties in the role of key processes such as outgassing from the planetary interior and escape to space which determine subsequent atmospheric evolution.  We investigate the impact of outgassing of species and escape of H2 for different mantle redox states upon the composition and evolution of the atmosphere for the magma ocean period. We include an important new atmosphere-interior coupling namely the redox evolution of the mantle which strongly affects the outgassing of species. We simulate volatile outgassing and chemical speciation at the surface for various redox states of the mantle by employing a C-H-O based chemical speciation model combined with an interior outgassing model.We then apply a Line-By-Line radiative transfer model (GARLIC) to study the remote appearance of the planet in terms of the thermal infrared emission and transmission. Finally, we use a diffusion-limited and energy-driven  escape model for calculating the loss of H2 from the atmosphere. We obtain that the outgoing longwave radiation and effective height of the atmosphere are potentially influenced by the redox state of the mantle and the volatile outgassing from the magma ocean. An atmosphere above a reduced mantle consisting of light H2 emits larger outgoing radiation to space and has a larger effective height compared with heavier, oxidized atmospheres consisting of H2O and CO2 lying above an oxidized mantle. We simulate responses in the nature and composition of the atmosphere over the magma ocean period. Results also suggest that outgassing rates of H2 can be a factor of x10 larger than those of diffusive H2 escape rate during this period. We evaluate the mass-loss timescale of H2 via escape of the primary outgassed H2 atmosphere to be within few tens of Myr. Our work presents useful input to guide future studies such as those discussing exoplanetary interior composition and its possible links with atmospheric composition that might be estimated from observed infrared spectra (via retrieval) by future planned missions such as ELT, ARIEL and JWST etc.
Behavioral Reactions and Psychological Responses to 2019-nCoV: A Narrative Review
Authors: Ranaei Vahid , Pilevar Zahra , Aghamolaei Teamur
Published: September 2020

Context: The emerging 2019-nCoV outbreak has involved almost all countries worldwide. Although the timely dissemination of clear and accurate information on threats of the disease might cause panic, it is needed for rapid adoption and implementation of prevention and control measures. From the early stages of outbreaks, the behavioral responses and public risk perception should be carefully monitored for further policies and corrective measures. Evidence Acquisition: In the current narrative review article, the psychological and behavioral responses are reviewed after an introduction to the risk perception and role of social and personal behavioral changes in the 2019-nCoV outbreak. Additionally, the impact of public perception on mental health problems and containment of the outbreak is discussed. Results: The consequences of the outbreak affect both infected and non-infected people in communities. People may experience loneliness, fear of catching the disease, and loss of loved ones during the outbreak. The timely understanding of the situation, implementation of urgent psychological interventions, and emotional supports are necessary to encourage people to fight this long-term outbreak and prevent subsequent mental health problems. Conclusions: High self-control and public perception can mediate the associated psychological impacts of stressful conditions in outbreaks.
The Effect of Eccentric Resistance Training with and Without Blood Flow Restriction on Serum IL6 and MMP9 Levels in Young Active Men
Authors: Eslamdoust Mohammad , Ghazalian Farshad , Gholami Mandana , Ebrahim Khosrow , Bazgir Behzad
Published: September 2020

Background: It has been assumed that during and after BFR exercises, many blood factors are activated and angiogenesis response is stimulated in the arteries. Objectives: Therefore, the current study aimed to determine the effect of two eccentric resistance training methods with and without blood flow restriction on serum IL6 and MMP9 levels in active young men. Methods: In this quasi-experimental study, 16 healthy men with a mean age of 27.8 ± 2.85 (years), the weight of 79.4 ± 12.4 (kg), and a body mass index of 25.5 ± 3.7 (kg/m2) were randomly assigned to either low-intensity eccentric group with BFR or the high-intensity eccentric without BFR. The high-intensity (70% - 80% maximum voluntary contraction MVC) eccentric exercise without BFR included 3 - 5 cycles of eccentric contraction of the quadriceps muscles, up to exhaustion, whereas low-intensity eccentric exercise executed similar exercise modality at intensity of 20% - 30% MVC with blood flow restriction up to exhaustion. Blood samples were taken from antecubital both before and after the exercise to measure serum IL6 and MMP9 values using the ELISA method. Data were analyzed using paired t-test and analysis of variance with repeated measure test in SPSS version 22. A P value of < 0.05 was defined as statistically significant. Results: High-intensity resistance per se and low-intensity resistance exercise with BFR similarly resulted in a non-significant reduction of IL-6 and elevated levels of MMP-9 serum levels in active young men. Conclusions: Overall, the results indicated that a low-intensity resistance exercise session with restricted blood flow and a high-intensity resistance exercise without blood flow restriction equally did not affect IL6 and MMP9 serum of active young men. Further studies are needed to clarify the exact exercise modality that sufficiently stimulates angiogenesis.
A Prospective Cross-Sectional Study on Exhaled Nitric Oxide and Sensitivity to Indoor Inhaled Aeroallergens in Patients with Rhinosinusitis with Nasal Polyps
Authors: Nabavi Mohammad , Arshi Saba , Bemanian Mohammadhasan , Fallahpour Morteza , Torabizadeh Mehdi
Published: September 2020

Background: Rhinosinusitis is a nasal and paranasal sinus infection. Chronic infection and allergies are two major causes of nasal polyp formation. Objectives: In this study, we examined the relationship between NO and aeroallergens to determine the relationship between exhaled nitric oxide level and sensitivity to aeroallergens in chronic rhinosinusitis with nasal polyps (CRSwNP) patients referring to Hazrat Rasool Hospital in Tehran from December 2016 to May 2017. Methods: A cross-sectional study was conducted on 72 patients. The prick test and exhaled NO measurements were done to determine allergens in CRSwNP patients. Statistical analysis was done to determine the relationship between the allergy and sensitivity to indoor aeroallergens in patients with CRSwNP. Results: The correlation coefficient of. 0.014 and 0.001 were evaluated for Mosquito and Cockroach respectfully, which were significantly correlated with nitric oxide. The less correlation with nitric oxide was 0.003, which was evaluated for MUCOR. Conclusions: This study showed that most people with CRSwNP had a sensitivity to at least one indoor aeroallergen, and cockroaches were the most common allergen in patients with CRSwNP with a 17.9% prevalence. This study showed that the correlation of FeNO with the sensitivity of these patients to home aeroallergens can be used, and this correlation for mosquito and cockroach aeroallergens is very valuable. The NO level and prick testing of aeroallergens can be used to estimate the relapse or lack of appropriate response to medical treatment in patients with CRSwNP.
Resilience Skills Training Versus Metacognitive Therapy: A Comparison of Effectiveness on Anxiety in Nurses Working in Intensive Care Units and Emergency Department
Authors: Hasani Halimeh , Zarei Bahare , Danaie Zahra , Mahmoudi Rad Gholam Hossein
Published: September 2020

Background: Anxiety is an outcome of stressful work environments like clinical environments, which harms the mental health and delays provision of services to patients, consequently. Objectives: This study examined the effects of resilience skills training and metacognitive therapy on nurses’ anxiety who work in intensive care units and an emergency department. Methods: This randomized controlled field trial was carried out on 54 nurses working in ICU, PICU, and NICU units and the emergency department of Valiasr Hospital, Birjand, Iran. The participants were allocated via permuted block randomization into three groups of resilience, metacognitive therapy, and control. Research instruments include a demographics form and the Spielberger anxiety inventory. Parametric statistics (e.g., ANOVA, repeated measures ANOVA, Chi square and Fisher’s exact test) were employed for data analysis in SPSS (V.19) (P < 0.05). Results: In the resilience group, the mean scores of trait and state anxiety significantly decreased immediately and one month after the intervention compared to the period before the intervention (P < 0.001). However, there was no significant difference in the metacognitive therapy group in terms of the mean score of trait and state anxiety in the three stages of study (P > 0.05). There were significant differences between the three groups in terms of trait and state anxiety mean score changes before and immediately after the intervention, and before and one month after the intervention (P < 0.05). Conclusions: Resilience skills training were more efficient than metacognitive therapy in attenuating anxiety in emergency and intensive care nurses. Nursing managers are recommended to hold resilience skills training sessions to alleviate nurses’ anxiety.
Basis of legal regulation and Internet censorship in China
Authors: Lin' Do
Published: September 2020

This article examines the basis of legal regulation and Internet censorship in China. The genesis, development and relevant regulatory basis of legal regulation of Internet in China is examined. The author comes to the conclusion that on the one hand, Internet in China is subject to tight control due to the rapid development of technologies of observation and increase of police access to user data. Currently, China is one of the leaders in engineering and export of automated instruments for monitoring social networks. The citizens face restrictions based on the control of login accounts that give access to the Internet; blockchain apps and their developers are also subject to control and must provide registration of real names of the users; international corporations, such as Apple, Microsoft, Linkedin, are forced to bend to the demands of Chinese authorities and help to determine and punish the users who do not adhere to the censorship requirements in China. On the other hand, Chinese government makes everything possible for the large scale implementation of information technologies into socioeconomic life of the country, namely industrial and commercial sectors. Usage of internet in the sphere of sociopolitical life restricted, since China justifiably sees a threat to political stability and social security of the country.
To the question on conducting anti-corruption examination of normative legal acts using a mathematical model
Authors: Bakhtina Mariya Sergeevna
Published: September 2020

This article considers the possibility of conducting anti-corruption examination using fuzzy mathematical modeling. The author substantiates the characteristics of propensity for corruption of laws, for which is obtained functional dependency on the types and number of corruptiogenic based on the fuzzy conclusion. Predictive anti-corruption valuation should be based on certain criteria, which are currently absent and replaced by the professional knowledge, experience and competences of the expert. Attention is given to the method of expert research using mathematical models of fuzzy sets. The problems dealt with in jurisprudence fully correspond to the theory of fuzzy sets by physical content, specificity of source data, nature of data, and solution methods. Application of this model, including by state and municipal executive branches, would allow to significantly reduce the timeframe  of conducting anti-corruption examination, lower labor costs and probability of expert error, unify the results of anti-corruption examination, and classify normative legal acts depending on the category of corruption risk for further tasks. The absence of scientific developments in this field impedes the implementation of advanced information technologies in legal science and practice. This method allows to make greater use of modern achievements in allied fields, first and foremost, in computer technology.
Peculiarities associated with police inquiry into administrative violations committed on the Internet
Authors: Novgorodov Dmitrii
Published: September 2020

The object of this research consists in public relations that form in the course of initiation of cases on administrative violations committed on the Internet as part of the duties of law enforcement agencies. The subject of this research is the federal legislation and departmental normative legal acts of the Russian Federation regulating the organization of work of different police units, as well as case law materials. Analysis is conducted on the national legislation, statistical data provided by the Ministry of Internal Affairs of the Russian Federation, case law on administrative violations that were committed on the Internet. Having analyzed the materials of cases on administrative violations committed on the Internet, the author concludes that the law enforcement agencies sometimes evade their official duties, and exercise functions not typical of their positions. For example, the district police officers monitor the Internet for prevention and identification of administrative offences in the area served by them; if evidence of an offence is detected, administrative proceedings are initiated. The author offers the ways for solving the indicated problem.
Apollo's “gift of Harmony and Rhythm”: Emilio de' Cavalieri’s ballo “O che nuovo miracolo”
Authors: Bezuglaia Galina Aleksandrovna
Published: September 2020

The article analyzes the music-dance interaction in Emilio de' Cavalieri’s ballo “O che nuovo miracolo” (“Oh what a new miracle”, Florence, 1589). The topicality of the research is determined by the interest in the epoch of generation and formation of the theatre ballet show genre. The purpose of the research is to study the music-plastic ties manifesting themselves at different levels of a form implemented in a complex multi-sided interaction. The author reveals traditional techniques of adjustment based on the commonness of measured length of syllables/motives/steps, and innovative forms of interaction manifesting themselves in the correlation between the plastic properties of a dance with metrics, rhythm, texture and timbres of the music fabric. The analysis of the peculiarities of musical creative work is based on the historical, historical-typological and intertextual research methods. The author analyzes the multilayered structure of the piece of music consisting in the rotation of complex visual and music-intonation transformations and in the explication of contrasting and symmentrically consistent entities of dance and music. The author concludes about a special dramatic meaning gained by the form of music-choreography explication, found by Cavalieri, symbolizing the process of acquiring “the gift of Harmony”. Multilayered intertextual crossings formed a complex composition that can be referred to as one of unique artistic findings of the epoch.   
Genre evolution of the Russian viola repertory
Authors: Shevtsova Anastasiya Vladimirovna
Published: September 2020

The research object is Russia’s repertory heritage including compositions for viola by the composers of the 20th century. The works are considered from the viewpoint of a direct impact on their appearance of the brightest representatives of the Russian viola school V.V.Borisovsky, F.S. Druzhinin and Yu.A. Bashmet. The analysis is based on pieces devoted to V.V. Borisovsky (Sonata for viola and Piano by V. Kryukov and S. Vasilenko, “Songs of the Dead” and Rhapsody for viola and piano by A. Veprik, A suite for viola and piano by V. Gaigerova) and to Yu.A. Bashmet (A liturgy for a large orchestra and a solo viola “Bemoaned by the Wind” and “Styx” for viola, choir and orchestra by G. Kancheli), and the works by F.S. Druzhinin (Sonata for solo viola and Variations for solo viola). The works are considered from the position of a player’s influence on the composers’ interest in the solo manifestation of viola and its gradual development. The author defines the term “character-performer” corresponding with the image of a violist of the 20th century. The author denotes the new features of solo viola repertory as a result of the work of the above mentioned violists: the acknowledgement of a uniqueness of a viola voice, the establishment of a viola as a bright concert instrument, the expansion of a used range of a viola, the revelation of a mystic component of a viola timbre, the definition of a unique unifying ability of a viola timbre, a full technical liberation of an instrument, and the need for a co-author thinking of a player.   
Pierre Boulez and Heinz Holliger: on the problem of transformation of a musical language
Authors: Petruseva Nadezhda Andreevna
Published: September 2020

The article focuses on the problem of transformation of a musical language, the correlation between an esthetic guideline, an invention, a composition technique and a language. The author describes the two strategies of life and work of Pierre Boulez which allowed him to gain significant cultural authority, and enumerates the persons who had influenced Boulez’s esthetics. In a broad esthetic and philosophical context, the author shows the turn from the technique to the language in esthetical and theoretical texts of Pierre Boulez; describes the three concepts of the language, the period of synthesis following the period of rejection, and Boulez’s concerns about the problems of music perception. In the context of Boulez’s thesis about the unity of an invention, a technique and a language, the author considers the piece for viola “Trema” (1981) by Heinz Holliger, Boulez’s adherent. The author uses a comprehensive approach as a combination of elements of comparative analysis, musical phenomenology (focusing of mind on music structures), and hermeneutics (the process of understanding, interpreting). The research material is of a methodical importance for modern educational courses of theory and history of music. The author arrives at the conclusion that Boulez, as well as Kant, directs the concept of art towards Aristotle's category of “poiesis” as “craft and creation”; focuses on the overcoming of the esthetics of rejection (preceding the classic-romantic tradition) in Boulez’s turn to the period of “synthesis” which includes not only the turn from a technique to a language, but also electroacoustic “sound manufacturing”.  The following aspects of Hollinger’s “Trema” are considered for the first time: the idea, the principles of new solo music, the new technique. The author arrives at the conclusion about “Trema” belonging to the “multilayered music epoch” and that radical rethinking of a musical language sharpens communication.   
“Again, as before, alone…” On the signs of self-intertextuality in the late works of P.I. Tchaikovsky
Authors: Ponomareva Elena Vladimirovna
Published: September 2020

The article considers the problem of textual borrowings from his own compositions as a way of author’s self-understanding and self-interpreting, in the style formation of the latest period of Tchaikovsky’s work (1890-1893). The research is based on the last vocal cycle of the composer - Six Romances, op. 73 (1893). The problem field of the research also covers a range of compositions related to the last four years of the composer’s life: “The Queen of Spades” opera, Sixth Symphony, “The Nutcracker” ballet, and an opera “Iolanta”. Special attention is given to the integral stylistic substantiation of such specific techniques of “self-hermeneutics” as anagrammatizing, self-citing, tonal reminiscences, and composition-drama correlations. The author considers the declared problem in the intertextual context, classifying it as “self-intertextuality”, and uses the intertext methodology of the French structuralist school (F. Saussure, Ju. Kristeva), and the Russian researchers of the phenomenon of self-intertextuality (V. Toporov, T. Fateeva). An additional methodological direction is a mythopoetic substantiation of anagrammatizing (the detection of an author’s monogram), for which the author uses the instruments of onomastic concepts of myth (A. Losev, Yu. Lotman). As a result of such an integrative (intertextual and mythopoetic) approach, very “unexpected” (at least at first sight) manifestations of self-intertextuality (the presence of a monogram “SNA”, citations from various compositions, non-conventional tone plan and “anti-final” cyclic composition in the music cycle) are comprehensively semantically substantiated by the author’s myth about “Name acquisition”. Thus, the discovered methodological strategy can be used for studying particular opuses and corpus-based text forms.   
The “from despair to immortality of soul” concept in the interpretation of Beethoven’s Sonata op.111
Authors: Vartanov Sergei
Published: September 2020

The research subject is Beethoven’s view of life of the late period - the topical issue for a performing musician: without understanding of the fundamental changes in his style, it is impossible to adequately interpret the late piano sonatas. The last of them - Sonata op.111 - has been an object of discussion not only among musicians, but also among writers for almost two centuries. The author detects the following types of dialogue in Sonate op.111: a) a dialogue with Beethoven’s previous compositions; b) a dialogue - within the latest period - with Ninth Symphony op.25 and Missa Solemnis op.123; c) a dialogue with the music of predecessors; d) an imaginary dialogue of Beethoven and Goethe (of the period of “Faust” completion); e) a dialogue op.111 with the world culture. The author arrives at the following conclusions: whilst the formation of the concept of interpretation is usually related to the performance activities of romanticists - Paganini and List, the prerequisites of the phenomenon of interpretation can be found already in the works and ideas of Beethoven - he is a precursor of romanticists of the 19th century. Each of his works is individualized, and doesn’t contain patterns or cliches. To play his compositions outside of the concept means to be not able to adequately convey the spirit of Beethoven’s music. With all their strict architectonics, Beethoven’s works appeal to spontaneity of self-expression - a pianist, as an actor, should experience this music “in the here and now”.   
Russian musical “Petersburgiana”: a historical journey
Authors: Kholodova Mariya Vladimirovna
Published: September 2020

The article considers one of the most important topics of Russian discourse - the issue of St.Petersburg, particularly the understanding of the phenomenon of Petersburg in the works of composers. The purpose of the research is to trace back the process of formation of Russian musical “Petersburgiana”. The main task is to reconstruct segmentary materials related to the aspects of manifestation of Petersburg in the works of Russian composers. The research methods are determined by the interdisciplinary nature which synthesizes the approaches of comparative history, culturology, and music theory. As the key works, the author chooses the works related to the “Petersburg text”, particularly the work by V.Toporov who was the first to introduce this term into the literature studies. It serves as a basis for the understanding of the phenomenon of Petersburg in other forms of art. The scientific novelty of the research consists in the fact that it is the first to study the evolution of Russian musical “Petersburgiana”, which started in the 18th century and during its 300-year history produced more than 800 opuses. The author outlines the key topics and images of Petersburg embodiment using the examples of the works of the composers of the 18th - 21st centuries, organized according to their genre and chronologically. These materials are the result of the research work; they outline promising concepts and aspects for the further comprehensive analysis of Petersburg in Russian music culture in terms of the works of its creators.
Interpretation of Boris Godunov's part by Bulgarian opera stars: B. Hristov and N. Giaurov
Authors: Zhang Hui
Published: September 2020

The subject of this study is the interpretation of Boris Godunov's part in the opera of the same name by M.P. Mussorgsky by two Bulgarian opera stars: B. Hristov and N. Giaurov, as well as their approach to working on this role. Aiming to reveal the main semantic accents of the interpretation of the title part of the opera "Boris Godunov", the author analyzed reviews and essays of opera critics, biographical works of researchers of the singers' creativity, as well as memoirs of their contemporaries and interviews with the artists themselves as research material. The relevance of the presented work is seen in the need to carefully study the world performing heritage of the opera scene, which will create the basis for new, worthy interpretations. According to the results of the research, the author came to the conclusion that Christ's main semantic emphasis in the interpretation of the party is placed on the lofty, worthy aspirations of the tsar, who, being a dreamer and a knight, sought to exalt and strengthen his state, but fell victim to boyar resistance and the inexorable course of Russian history. Giaurov does not justify Godunov at all, although he forms the image of an awe-inspiring and admiring sovereign - monumental, domineering and proud. If Hristov, following Mussorgsky, saw in Tsar Boris a man crushed by power, then for Giaurov, as for Pushkin, the image of a tsar who subordinated everything human in himself to his main goal - power is closer.
Concepts of foreign policy as sources for administrative legal regulation in the area of foreign affairs
Authors: Pavlyuk Al'bert Valentinovich
Published: September 2020

This article analyzes the concepts of foreign policy enacted over the period from 1993 to 2016 as the goal-setting documents of foreign policy that greatly impact the policy-making process in the Russian Federation in the area of international relations. The author examines different approaches towards definition of the term “concept” given in the national and foreign sources. A technical-legal analysis of consolidation of the foreign policy concepts of 1993, 2000, 2008, 2013 and 2016 is carried out. The modern achievements of the theory of cognition comprise the methodological framework for this research. The general philosophical, theoretical and empirical methods (dialectics, systemic method, analysis, synthesis, analogy, deduction, observation, and modeling) were also applied in the course of study. The author determines contradictions in the order of confirmation, publishing and cancellation of the effect of foreign policy strategy from 1993 to 2016; as well as gives recommendations on unifying the approach  towards technical-legal order of acceptance of foreign policy concepts for the purpose of formulation of universal rules for acceptance of doctrinal documents.
Aggregate as a type of multiplicity of administrative offences: concept and legal formalization
Authors: Akhtanina Natal'ya Anatol'evna
Published: September 2020

The object of this research is social relations emerged on the basis of administrative-legal norms, which regulate the aggregate of administrative offences. The subject of this research is the scientific literature, normative legal acts and law enforcement practice related to the concept of the aggregate of administrative offences. The author examines approaches of the scientists of various law schools to the concept of aggregate of administrative offences, its development and transformation in time. The author indicated the flaws in the current administrative legislation in part of the absence of legislative consolidation of the concept of “aggregate” of offence, which results in occurrence of a number of problems. The article explores the legal norms that regulate aggregate of offences in administrative legislation of the Russian Federation. A comparative analysis is conducted on consolidation of the aggregate of offences in administrative and criminal law. The scientific novelty is defined by upcoming changes in administrative legislation. This is the reason why improvement of the Code of Administrative Offences of the Russian Federation with regards to regulation of the question of the aggregate of administrative offences gains more relevance. A conclusion is made on the need for establishing in law the unified detailed definition of the “aggregate” of administrative offences, which would allow ensuring more effective application of legal norms. A need is also underlined for the need of legislative consolidation of such feature of offences that are a part of the aggregate as “absence of bringing to accountability for earlier commission of an unlawful act”.  
Social security of state civil servants in form of insurance
Authors: Averyanova Maria Igorevna , Gusev Aleksei Yur'evich
Published: September 2020

The subject of this research is the legal norms and law enforcement practice in the area of social security of civil servants trough implementation of insurance mechanism. The object of this research is insurance as a special organizational-legal form of social security of the citizens. A detailed analysis is conducted on the various forms and types of insurance (compulsory and voluntary, social and state), offered by a legislator in social security of this category of employees. Special attention is given to the compulsory state social insurance, its legal nature, peculiarities of medical insurance of civil servants. The scientific novelty consists in carrying out a summarized analysis of the development and current state of legal regulation and law enforcement practice on the questions of establishment and implementation of insurance mechanisms of social security of civil servants. It is determined that the right of civil servants to social security is exercised mostly through implementation of  various forms and types of insurance mechanisms of heterogeneous sectoral nature. The compulsory state social insurance is envisaged only with regards to civil and municipal servants, and represents a subtype of compulsory social insurance. There is a need for legalization of this concept by means of introduction of corresponding amendments to social-insurance legislation. Compulsory state insurance also has the key features of social-security relations, which allows viewing it as one of the organizational-legal forms of the system of social security. The author suggests regulating the question of insurance coverage of civil servants on the federal level in case of infliction of harm to their life and health while on service, as well as pass a law on medical insurance of public servants.
Ceramic art of Russian Primorye
Authors: Chernova Anna Viktorovna
Published: September 2020

The goal of this work is determination of the development stages of ceramic art in Russian Primorye, as well as their specificity. It is established that the history of ceramic art of this region alongside its current stage are insufficiently studied. The evolution of ceramic art of Primorye is viewed in the context of its manufacture and production. The author examines the role of the three major factories – Vladivostok Porcelain Factory, Artemovsk Porcelain Factory, and Spassky Plant in development of ceramic art of Russian Primorye. The  two main development stages of ceramic art in Primorye are determines. The first one includes the activity of porcelain factories in Vladivostok and Artem, as well as pottery plant in Spassk-Dalny, which resulted in the inflow of certified specialists in the area of decorative-applied arts and formation of a unique style of the regional ceramic art. The second one includes the forms of existence of ceramic art in Primorye after closing the factories and creation of private workshops that developed the ceramic branch of decorative-applied art, namely souvenirs, use of pottery and porcelain objects in landscape and interior design, as well as involvement of ceramics in inclusive education.  
Notebooks of Roman Feierstein as a mirror of his personality
Authors: Rozin Vadim Markovich
Published: September 2020

This article analyzes notebooks of the artist, architect and designer Roman Feierstein. They reflect certain aspect of over twenty yearlong artworks of the master, who immigrated to Germany with his family. The research presents separate sketches and fragments of the diary thoughts. The author analyzes the personality of Roman Feierstein, and advances a hypothesis that he lived in between two cultures (German and Russian), having created his own world. Being an artist, designer and immigrant, the endowed this world with aesthetics, constructive and reflective features, which is evident in his notebooks. As a result of this study, the author came to better understanding of the transformation of Roman Feierstein’s personality; was able to explain certain peculiarities of his works in immigration, advance a hypothesis on the character of drawings and texts from the notebooks; as well as use some results of reconstruction of personality of Pavel Florensky for the analysis of evolution of personality of the master.
Analytics of trauma in aesthetic discourse
Authors: Fokeeva Mariia Petrovna
Published: September 2020

The subject of this research is the fundamental concepts of the analytics of trauma and means of their integration into an aesthetic discourse. The goal of this work consists in determination of theoretical aspects of the aesthetics of trauma. The impact of historical trauma of the XX century upon a man and entire communities is tremendous; and art becomes the space for representation of traumatic experience. The author examines such types of art as literature, cinema and painting, and demonstrates the ways of deflection of traumatic experience in the artworks. Discipline of the aesthetics of art is viewed as an autonomous phenomenon, which is of great importance for the development modern philosophical and aesthetic concepts. The research methods are structured on the philosophical-aesthetic approach that leans on the analysis of individual concepts of the aesthetics of trauma; aesthetic methods of research in development of aesthetic concepts in the context of practical examination of literary text are laced with the methods of literary studies and culturological approach. The conclusion is made that literature and cinematography re-create narrative around the historical trauma by testifying to the trauma in such way that the recipient could borrow the narrative and experience a relief in working through the trauma by means of the language of art. Painting depicts frightful, and allows the audience to feel therapeutic effect through clashing with the frightful.
Fashion design within the structure of contemporary design
Authors: Melkova Svetlana
Published: September 2020

The object of this research is fashion design as one of the new directions in design. Design is constantly developing due to broadening of its area of application and people demonstrate new ideas and demands. The subject of this research is the conceptual-terminological apparatus of fashion design. The author reveals the content of the new concept of “fashion design” that reflects vast proliferation of design activity generated by fashion, including costume design, fashion magazines, magazine covers, fashion illustrations, fashion albums, advertising of fashionable brands, etc. The foal of research consists in systematization of sketchy theoretical data on fashion design as a new trend of design. The scientific novelty consists in interpretation of the term “fashion design” and determination of its role within the structure of contemporary design. The conducted research allows identifying close connection of this concept with costume design and graphic design. The presented materials can be used in teaching professional disciplines of “Graphic Fashion Design” and “Project Design” to graphic designers and fashion designers. The research results found application in educational process of future designers in Kemerovo State Institute of Culture.  
Manifestation of female image in iconography of the Tibetan thangka and orthodox icon
Authors: Belova Darya Nikolaevna
Published: September 2020

This article analyzes the female beginning reflected in the Buddhist art of thangka, and emphasizes its specificity in comparison with the Orthodox icon. The author examines symbolism of the key visual elements that form iconography of female characters and their color solution, as well as analyzes the symbolism of light in thangka painting and painting of icons. In drawing parallels between light symbolism of a female image in both types of religious paintings, the author determines their definite similarity in perception of light as a divine beginning of enlightened mind. The subject of this study is the Tibetan thangka and the Orthodox icon, viewed in the context of evolution of the female divine image within the chronological framework of the XV – XVII centuries. The relevance is substantiated by the growing interest of various experts to the religious painting thangka. In examination of sacred images of Buddhist thangkas and Orthodox icons were applied the comparative-historical and iconographic methods that lean on philosophical, culturological and art scientific materials. The novelty consists in the fact that based comparative analysis of the material of Tibetan thangkas and Orthodox icons, the author explores the traditions of depicting light manifestations of sacred images of women. Iconographic plot traces the formation of light and its role in creation of the female guise of wisdom. The conclusion is made that for assessing the Tibetan Buddhist art of thangka and Orthodox icon it is necessary to grasp the essence of female beginning and significance of the symbolism of light that indicates the aspect of wisdom and love on the path of spiritual growth. 
Creativity in Martin Heidegger's existentialism
Authors: Tomyuk Ol'ga Nikolaevna
Published: September 2020

In the conditions of globalization with characteristic for this era sociocultural transformations, the anthropological problematic, which emphasizes the role of interrelation between creativity and personal being, comes to the forefront. The object of this study is creativity in the philosophical-cultural concept of M. Heidegger. The subject is the phenomenon of creation in M. Heidegger's existentialism. Reference to the concept of M. Heidegger is not accidental, since the problem of human and creativity is focal in his philosophical writings. In his work “The Origin of the Work of Art”, Heidegger sets an ontological vector of studying creativity in art, assigning to being as such the core position.  The article explores M. Heidegger's understanding of creation, which he describes using the terms of "being", "time", "space", "unconcealment", "truth", "thingness", "beautiful", and "beauty".The theoretical and methodological basis of the study was the cultural and historical method. The appeal to the existential-phenomenological methodology allows identifying the peculiarities of comprehension of creativity in the concept of M. Heidegger. The systemic approach serves as the foundation for examining the phenomenon of creativity as a system. It is determines that Heidegger explains creativity as the artist’s way to personal fulfillment. The conclusion is made that according to the philosopher not every work can be attributed to creation, but only those that reflect the system of views of the artist and specificity of time. For Heidegger, art is the space of existence and creation; the essence of art consists in the truth being created in creation.
Iconography of the Turkish female headwear in theatricalized images of the late XVI – XVII centuries
Authors: Tiuteleva Sofia
Published: September 2020

This article presents the results of research of visual sources related to oriental, and namely Turkish headwear, as well as varieties of its reception by the European painters of the late XVI – XVII centuries. The subject of this research is the perception of visual and scenic European traditions of certain forms of female headware of that time. The author examines different visual sources that describe the European representations on the Turkish female headwear, as well as scenic and allegorical costumes of the period in question. Such multi-symbolic item as theatrical costume requires application of semiotic method of research. The article also used the traditional for art history methods, historical and formal analysis. The study of similar instances allows seeing the overall picture of sources of creation of forms of the contemporary scenic European costumes. The conclusion is made on the positive and diverse application of the shapes of Turkish headwear in theatricalized and allegorical images of the late XVI – XVII centuries, their gradual transformation and shifting away from perceptions of these shapes as purely ethnic.
Collecting within the system of sociocultural practices
Authors: Makarova Elena Aleksandrovna
Published: September 2020

This article is dedicated to systematization and analysis of the key principles of the social practice of collecting. Analyzing the causes of collecting activity alongside motives and prerequisites for collecting, the author explores the social character of interaction between an object and a human. The article touches upon the phenomenon of personification of things and objectification of people. Significant attention is paid to comprehension of the basic principles of collecting – a thing as such, and the time as the main condition of transformation of that think into a collectable item. The article reviews the integrated processes of cultural interaction in the course of creation and utilization of collection. Giving characteristics to communication space, the author determines and scrutinizes the three fields of communication: “subject – exhibit item” (interaction between the owner of collection and its items); “subject – subject” (the entire range of means of communication interaction, which makes a collection public and information rich; and “collection – audience” (interactive events created for the formation of cross-cultural communication).
Opera and religion: the experience of staging the opera “The Greek Passion” by Bohuslav Martinu in the Ural Opera Ballet Theatre
Authors: Shishkin Andrei Gennadievich
Published: September 2020

Opera “The Greek Passion”, based upon Nikos Kazantzakis’ novel “Christ Recrucified”, demonstrated the Biblical story in “passions” of the XX century: in 2019 it was staged for the first time in Russia by Ural Opera Ballet Theatre. The article analyzes Martinu’s interpretation of the genre of passion, related to music and folk mistrial nature of this genre. Experience of interaction of the theatre in the course of staging the spectacle with representatives of the Russian Orthodox Church is reviewed. The research describes the transformation of conflict between true and false Christianity, the themes of inner transfiguration of a person. Analysis is conducted within the methodological framework of the modern theory and history of culture, in combination of culturological, philosophical and theatrological methods of interpretation. It is noted that the captured by stage directors idea on conversion of Christianity into a part of cultural tradition that can lead to the loss of its spiritual content. A conclusion is made that art and religion can be viewed as the equivalents ways of acquainting with the generally recognized humanistic values.
The role of mask in art culture of the Russian Silver Age
Authors: Kirillova Natal'ya Borisovna
Published: September 2020

The subject of this article is the role of mas in art culture of the Silver Age as a peculiar era of the “Russian Renaissance”. The term was introduced by N. A. Berdyaev and is present in a number of hisp philosophical writings. The object of this research is the Silber Age, perceived by the author as a somewhat mythological concept. Within the history of Russian culture “Golden Age” is attributed to the time of Pushkin, while “Silver Age” is a period of the bloom of modernism at the turn of XIX-XX centuries, when creative revival coincided in the visual and scenic arts, literature, music, science, and social life. The goal of this work consists in the analysis of dynamics and interconnection between artistic pursuits of the era of Russian modernism and the role of mask in this process The research results testify to the fact that in the Silver Age art prevails the cult of mask as a so-called challenge, protest against reality, which defined its special role in the works of painters, theatrical designers, symbolist poets, avant-garde filmmakers, whose experiments were aimed at determination of the new forms of relationships between art and the public. The relevance of study is substantiated by “interchange” of eras: new trends in development of sociocultural sphere of turn of XX-XXI centuries, when mask came into the people’s everyday life, and the image (persona) becomes an intrinsic part of communication process.
The European and Russian policies on preventing cyberterrorism (on the example of fight against Cyber Jihad
Authors: Litvinova Tatiana Nikolaevna
Published: September 2020

The subject of this research is to determine similarities and differences in the fight against “Cyber Jihad” in policy of the European Union and the Russian Federation. The object of this research is the prevention of cyberterrorism as a threat to national and international security, associated with the dynamic development of information technologies worldwide, absence of censorship and the wide availability of materials published on the Internet. The author describes the legal framework for countering cyberterrorism in the European Union and the Russian Federation. Special attention is given to the difference in approaches in the European and Russian legislation towards fight against undesirable materials in the global network, difficulties related to countering "Cyber-Jihad", identification of people from risk groups who may be involved in terrorist activities as a result of hostile propaganda. The scientific novelty of this work consists in the empirical proof that the difference in approaches to countering cyberterrorism in the European Union and the Russian Federation significantly reduces the results of fight against the global "Cyber Jihad". The author reveals the key legal, technical and ideological difficulties in the fight against "Cyber-Jihad", underlines the need for coordination of the efforts of Europe and Russia in this area, as well as indicates the importance of prevention and ideological counter-propaganda among youth and at-risk population groups.