bluuebunny/crossref_metadata_2025 huggingface dataset:
Southern Poetry: Antebellum to Contemporary
Authors: Raymond Claire
Published: February 2019

Southern poetry embraces dichotomous elements: it contains poems lauding the Confederacy, and also poems deeply critical and mournful of the racist violence, oppression, and racist terrorism that characterize the region’s history. Yet a common thread runs through Southern poetry—attention to the land, the rural South as a character in its own right, and with that attention to the land a quality of haunting and being haunted by the history of the South: the violence of colonization, enslavement, the Civil War, Reconstruction, Jim Crow. Twentieth-century poet Etheridge Knight, born in Mississippi, lyrically describes the earth of Mississippi merging with the graves of his ancestors, calling him home to a place where, as a black man, he is not safe. Nineteenth-century poet Sidney Lanier, born in Georgia and, like Knight, a man who had experienced imprisonment, shapes in his poetry a mythical country where trees and rivers and indigenous crops become forces superseding the human; but Lanier, a soldier for the Confederacy, does not mention enslavement in his poetry. In Southern poetry, this blind spot—the white Southern poet who does not see or reflect upon the racist violence of enslavement, Jim Crow, lynching—is often submerged into a poetry melancholic and obsessed with unnamable violence and loss, even as African American poets of the South often name this loss in terms of personal memory. Myth—of the aristocratic, agrarian South—in white Southern poetry, and memory—of personal risk and suffering—in African American Southern poetry, can be understood together as a common pull to write the land, albeit from different perspectives.
Seguín, Juan Nepomuceno
Authors: de la Teja Jesús F.
Published: February 2019

Juan Nepomuceno Seguín (1806–1890) was the leading Mexican-Texan military figure of the Texas Revolution (1835–1836) to participate on the Texas side of the struggle. He was the only Mexican Texan to serve in the Senate of the Republic of Texas and was the last Mexican Texan to serve as mayor of San Antonio until the 1980s. Having fled to Mexico to avoid violence at the hands of enemies he made during his tenure as mayor, he commanded an auxiliary cavalry company of fellow Mexican-Texan exiles in the Mexican army until the end of the US-Mexico War. During his effort to reestablish himself in Texas in the 1850s he wrote his memoirs of the Texas Revolution. He was one of only three Mexican Texans to do so, and the only one to have them published during his lifetime. Seguín returned to Mexico on the eve of the US Civil War to participate in Mexico’s civil conflicts. In about 1870 he permanently settled in Nuevo Laredo, where he died in 1890.
Asian American Children’s Literature
Authors: Park Dahlen Sarah
Published: February 2019

Asian American children’s literature includes books of many different genres that depict some aspect of the Asian diaspora. In total, the books should depict the breadth and depth of Asian diasporic experiences. Children’s books published in the early 20th century include mostly folktales, while books published after the 1965 Immigration Act tend to include contemporary fiction, poetry, and biographies. They address topics such as immigration and acculturation as well as capture landmark moments and experiences in Asian American history, such as the incarceration of Japanese Americans during World War II and the transnational, transracial adoption of Asian children to the United States. Books published at the turn of the 20th century have broached newer topics, such as mixed-race identities, and are written in a variety of genres including fantasy. As noted by the Cooperative Children’s Book Center, the number of books by and/or about Asian Americans published is disproportionate to the total number of books published each year and to the population of Asians in the Americas. Also some Asian American writers continue to publish on topics unrelated to their identities. Academic researchers, practitioners, and writers have addressed various aspects of how this body of literature represents Asian Americans, mostly noting distortions and erasure and offering suggestions for improvement, emerging topics, and engagement with young people.
Asian American Queer Performance
Authors: Huang Vivian L.
Published: February 2019

Asian American queer performance indexes racialized, gendered, and sexualized forms and modes of performance created by, for, and about Asians in an American context. Since the 1980s, queer and ethnic studies have conceptualized performance not only as object of study (e.g., staged performance, visual art, film) but also as a method of critique and hermeneutic for troubling knowledges of Asian American encounter and subject formation. Performance in this sense can be understood as Asian American and queer in its engagement with and critical rescripting of histories and ideologies of empire, nationalism, war, globalization, migration, missionizing, white supremacy, and cis-normative heteropatriarchy that constitutes themes of Asian American studies. The interdisciplinary field of performance studies offers quotidian performance, racial performativity, and gender performativity as discursive tools with which to consider social conventions and scripts that render Asian American queer formation legible and dynamic toward future rewritings.
Sri Lankan American Literature and Culture
Authors: Karunanayake Dinidu
Published: February 2019

Despite the prominent work produced by Sri Lankan American writers Michael Ondaatje and Rienzi Crusz since the 1970s, Sri Lankan American literature and culture has maintained a doubly marginalized position in Asian America due to the historical disregard of South Asian America and the dominance of Indian America. Literary and cultural work by writers and artists of the first and second generations reveal how Sri Lankan America is, to use Rajiv Shankar’s phrase, “a part, yet apart” of the South Asian American milieu as well as postcolonial Sri Lankan studies. First-generation writers initially reflect on the common diasporic theme of nostalgia for the land of origin, but their larger body of work is not directly related to “Sri Lankan” topics. For instance, Ondaatje, who gained prominence as a “Canadian postmodernist,” kept Sri Lanka largely peripheral in his early poetry until his 1982 memoir Running in the Family. However, after the outbreak of the Sri Lankan civil war between the government and the Liberation Tigers of Tamil Eelam (LTTE), presaged by the state-sanctioned pogrom of Tamils known as the Black July riots of 1983 that occasioned a second wave of immigration to North America, the volatile political background at home and the national “betrayal” by the Sinhalese Buddhist government became a major thematic motif for Sri Lankan American writing. Indran Amirthanayagam’s 1993 poetry collection The Elephants of Reckoning reveals a new responsibility embraced by the diasporic writer—to recognize that “the dead have tongues” and to pose the question: “What are they saying?” Shyam Selvadurai’s Funny Boy (1994) reiterates Amirthanayagam’s position, becoming a blueprint for a new generation of Sri Lankan American writers and popular cultural artists invested in social justice vis-à-vis not only race, ethnicity, and citizenship but also politics of gender and sexuality. Second-generation Sri Lankan American writing such as V. V. Ganeshananthan’s novel Love Marriage (2008) experiments with new archival forms by mediating traumatic “inherited memories” of the civil war, pointing to the future directions of the Sri Lankan American literary and cultural terrain.
Literary Perspectives on Asian Americans in the Midwest
Authors: Sarmiento Thomas Xavier
Published: February 2019

Literature that features Asian Americans in the Midwest simultaneously functions as an archive that documents the existence and experiences of people of Asian descent in the heartland and as a provocation to reimagine the relationship between race, place, and (trans)national belonging. Although Asian people have been immigrating to the middle of the country since the late 19th century, the Midwest continues to figure as a hinterland where Asian people do not reside and have no desire to visit. Thus, fictional, semi-fictional, and autobiographical accounts of the region from the perspective of Asian Americans, spanning at least eight decades, help debunk the impression that Asian Americans are practically nonexistent in the Midwest, or that Midwestern Asian Americans do not have an authentic sense of racial-ethnic identity. These novels, short stories, memoirs, and plays not only engage the strangeness of being of Asian descent in America’s heartland, but also they explore imaginative ideas of affinity and place: what it means to dream of elsewheres or to rework the realities of “here” from the lens of so-called nowheres. Some of these texts depict the history of Asian migration to and refugee resettlement in the US interior, gesturing toward alternative genealogies of movement and displacement. Others create new worlds that fuse food (e.g., pop and tea, hotdish and chicken afritada), language, and other transcultural practices. Midwestern Asian American literature encompasses stories by and about East Asian, Southeast Asian, and South Asian peoples whose lives intersect with gender, sexuality, class, and ableness. Literature about Asian Americans in the Midwest often communicates a sense of racial isolation: the loneliness and abjection Asian Americans feel in being the only Asian person or one of a handful of persons treading in a sea of whiteness. However, it also can provoke readers to reimagine the Midwest as Asian, female empowering, and queer. Whereas dominant cultural attitudes often associate the region as devoid of people, opportunities, and racial, gender, and sexual diversity, Midwestern Asian American literature represents the heartland as abundant, with counter-narratives that encompass emotional attachments to place, social interactions different from those on the coasts, and Asian American characters who inhabit areas that are often seen as incompatible with, if not hostile to, cultural difference. The range of stories indicates more broadly that there is no unified Asian Midwest or Asian American experience. Rather, the literature of Asian Americans in the Midwest calls attention to the significance of space and place in conceptualizing racial formations as diverse and dynamic.
Transpacific Femininities
Authors: Cruz Denise
Published: February 2019

Although it may not be a truth universally acknowledged, the pages of Asian American literature are nevertheless filled with complex representations of transpacific women. These constructions of Asian femininity counter the more recognizable versions of Asian women that have circulated from the late 19th century to the present: archetypes of the Asian mother as symbolic of a lost homeland, the exotic and submissive Asian butterfly, or the vilified and dangerous dragon lady. These persistent characterizations of Asian femininity are in one sense no surprise, especially given the longstanding Orientalist binary (Edward Said) that imagined the East as the West’s submissive and feminized other and the frequent connection between women and the land in nationalist fiction. As a critical framework and archival methodology, transpacific femininities reconfigures the centrality of gender, sexuality, and transpacific experience to Asian American literature. Transpacific femininities was originally conceived as a mode of analysis for a specific historical context and literary form: the Philippines in the early to mid-20th century and representations of women in prose. But it is ultimately a more capacious model that (a) recovers a long history of the importance of women to transpacific literature, (b) carefully considers how multiple empires and nations influenced the Pacific, and (c) counters the feminization of Asia by revealing how writers were actively involved in redefining the terms of national identities, communities, and transpacific relations. The plural “femininities” underscores instability and contradictions in texts and authorial strategies, for while transpacific femininities is above all a feminist way of reading, the term also recognizes that these authors and texts do not all advocate feminist practices.
Asian Americans in Pre–World War II Cinema
Authors: Gates Philippa
Published: February 2019

From the dawn of cinema in 1895 to the coming of World War II, the representation of Asian immigrants on the American screen shifted from unwanted aliens to accepted, if exotic, citizens—in other words, from Asian immigrants to Asian Americans. Since World War II, American race relations have been defined mainly through the comparison of white and black experiences; however, in the latter half of the 19th century and the first half of the 20th, white American fears about racial and cultural purity focused on Asian immigration. Although there was immigration from other Asian countries, at the time, the vast majority of Asian immigrants were arriving from China. In newspaper articles and popular fiction, writers exploited and extended Yellow Peril fears about Chinese immigration through tales of Chinese immorality and criminality. American filmmakers then capitalized on these familiar stories and repeated the stereotypes of the evil “Oriental villain” such as Dr. Fu Manchu and the benign “model minority” such as detective Charlie Chan. American culture more broadly, and American film more specifically, conflated different Asian peoples and cultures and represented Asian immigration, for the most part, through white American attitudes toward Chinese immigrants. In film, this resulted in Japanese and Korean American actors playing Chinese and Chinese American characters before the war, and Chinese and Korean American actors playing Japanese characters during and after the war. More notoriously, however, American films often cast white actors in Chinese roles, especially when those characters were more prominent in the narrative. This practice of “yellowface” contributed to the continuance of stereotyped representations of Chinese characters in film and exposed the systemic racism of a film industry that rarely allowed Asian Americans to represent themselves. With World War II, the Japanese replaced the Chinese as America’s Yellow Peril villain, and American race relations turned from the question of Asian immigration to that of African American civil rights.
Melodrama and Asian American Performance
Authors: Na Eunha
Published: February 2019

American theater has long used melodramatic elements to shape the contour of racial dynamics and its representations for white mainstream audiences. Recurrent tropes of racial melodrama have appeared in such works as George Aiken’s stage adaptation of Uncle Tom’s Cabin (1858) and Dion Boucicault’s The Octoroon (1859), asserting a strong influence on the public perception of the ethical flaws of slavery and the ambiguity of racial identities. With its sympathetic portrayals of racial minorities as virtuous, innocent victims of social injustice, racial melodrama engaged white viewers in stories of racialized characters that aroused basic human feelings of compassion and sympathy as well as a sense of moral righteousness that encouraged and mobilized political actions, such as abolitionist movements, well beyond the theater.

Modern and contemporary Asian American dramatists have adopted formal and thematic elements of melodrama and its affective strategies as a way to gain public visibility and re-articulate prevailing ethnic stereotypes formulated within a binary framework peculiar to melodrama. Melodrama’s emotional intensity and stylistic excesses effectively help to convey the historical, social, and emotional experiences of Asian Americans, including migration, displacement, and injustices such as Japanese American World War II incarceration. At the same time, Asian American dramatists’ critical revision of the melodramatic mode complicates the gendered and racialized dynamic that has defined the cultural identity of Asian Americans against white, mainstream America. The clearly melodramatic characteristics in Gladys Ling-Ai Li’s The Submission of Rose Moy (1924) seemingly reaffirm the stark division between Asian and American identities, only to reveal their ambiguities and uncertainties. While Velina Hasu Houson’s Asa Ga Kimashita (1981) and Tea (1987) render the suffering of Japanese American female characters emotionally relatable to the viewer as a universal experience, Asian female victimhood also serves as a melodramatic sign of national abjection under the violence of American racism and imperialism. Melodrama meets stage realism in Wakako Yamauchi’s The Music Lessons (1980) and in Philip Kan Gotanda’s The Wash (1985), where melodramatic pathos is facilitated through the plays’ attention to socio-political and psychological realism. Contemporary Asian American culture’s continued use of melodrama is most notable in transnational films such as The Wedding Banquet (1993) and Saving Face (2004), works that explore the potentials and limitations of melodrama as a critical aesthetic strategy.
New Mexico Newspapers
Authors: Fonseca-Chávez Vanessa
Published: February 2019

The literary and cultural legacy of Spanish-language and bilingual newspapers in New Mexico provides insight into the changing political climate of the territory and state from the early 19th century to the years following statehood in 1912. As such, New Mexico newspapers provided an outlet for Hispanic New Mexicans to publish political commentary and literary production that promoted cultural preservation and served as a mode of resistance to incoming Anglo-American outsiders who arrived to this region in the years prior to and following the Mexican–American War (1846–1848). While newspapers came and went, the literature published and later recovered through more contemporary efforts of preservation and dissemination can be viewed as an important contribution to the current body of literature that informs regional New Mexican studies as well as larger Chicano/a literary and Latino/a literary studies.
Emigration and 19th-Century British Colonial Settler Narratives
Authors: Wagner Tamara S.
Published: February 2019

Colonial settler narratives comprise chiefly fictional as well as autobiographically inspired or anecdotal writing about emigration and settler life. The 19th century saw an increasingly systematic mass migration across the globe that proceeded on an unprecedented scale. Global movements, including emigration and return, were facilitated by improved transport technology, new trading routes, and burgeoning emigration societies. A new market for writing about migration and the settler world emerged. The settler narratives of British colonizers present a valuable record of growing public interest in the experience of emigrants and settlers at the time. Whereas accounts of first-hand experience at first simply formed a central part of an expanding information industry and were promptly harnessed by pro-emigration propaganda, settler narratives quickly evolved into a diverse set of writing that consisted of (1) prescriptive and cautionary accounts, presented in narrative form, (2) tales of exploration and adventure, including bush yarns and mateship narratives, as well as (3) detailed descriptions of everyday settler life in domestic and increasingly also New Woman fiction. Equally important, writing produced within the settler colonies had a twofold relationship with British-authored literature, written at the imperial center, and hence participated in the formation of literary traditions on several levels. Exploring Victorian narratives of the colonial settler world helps map how genre travels and becomes transformed, shaping the literature of a global 19th century. These narratives provide a rich source of material for a much-needed reassessment of the diverse experiences and representations of emigration and settlement in the 19th century, while demanding renewed attention as an important part of literary history.
Emotions in Organizations
Authors: Fisher Cynthia
Published: February 2019

There has been an “affective revolution” in organizational behavior since the mid-1990s, focusing initially on moods and affective dispositions. The past decade has seen a further shift toward investigating the complex roles played by discrete emotions in the workplace. Discrete emotions such as fear, anger, boredom, love, gratitude, and pride have their own appraisal antecedents, subjective experiences, and action tendencies that prepare people to respond to their current situation. Emotions have intrapersonal effects on the person experiencing them in terms of attention, motivation, creativity, information processing and judgment, and well-being. Some emotions have characteristic voice tones or facial expressions that serve the interpersonal function of communicating one’s state to interaction partners. For this reason, emotions are integral to social processes in organizations such as leadership, teamwork, negotiation, and customer service. The effects of emotions on behavior can be complex and context-dependent rather than straightforwardly mechanistic. Individuals may regulate the emotions they experience, the extent to which they display what they feel, and the actions they choose in response to how they feel.

Research has tended to focus on negative emotions (e.g., anger or anxiety) and their potential negative effects (e.g., aggression or avoidance), but negative emotions can sometimes have positive consequences. Discrete positive emotions have been relatively ignored in organizational research but feeling and expressing positive emotions often have positive consequences. There is considerable scope for investigating the ways in which specific discrete emotions are experienced, regulated, expressed, and acted upon in organizational life. There may also be a case for intentional efforts by organizations and employees to increase the occurrence of positive emotions at work.
Reflection and Intercultural Competence Development
Authors: Nardon Luciara
Published: February 2019

Increasing levels of cultural diversity requires a system of higher education structured to facilitate intercultural learning and develop individuals who are prepared to work in a culturally diverse environment, and can make decisions and manage people cognizant of cultural differences. Three main approaches to facilitate intercultural learning in the classroom have emerged: transfer of cultural knowledge, cultural experiences, and reflection on experience. Each of these approaches has a role to play at different stages of intercultural development. Three stages of intercultural development are proposed: (1) Monocultural stage, referring to a stage in which individuals are unaware of cultural differences; (2) Cross-cultural stage, in which individuals recognize and understand cultural differences but lack behavioral skills to deal with them; and (3) Intercultural stage, in which individuals can draw on a repertoire of behaviors to influence and shape intercultural interactions in ways that facilitate understanding and create opportunities for cooperation. Reflection on experience is proposed to be particularly useful to support the development of intercultural competence. Reflection is a thinking process focusing on examining a thought, event, or situation to make it more comprehensible and to learn from it. A four-step reflection process is proposed: (1) Describe experience; (2) Reflect on experience; (3) Learn from experience; and (4) Apply learning. Suggestions on using reflection in the classroom are proposed.
Advice: Communicating to Support and Influence
Authors: MacGeorge Erina , Van Swol Lyn
Published: February 2019

Advice is a recommendation for action that includes both suggestions for behavior and ways of feeling and thinking about the problem. It is a ubiquitous phenomenon in personal and professional settings, and functions as a form of both social support and social influence. Advice often improves coping and decision-making outcomes but can also be perceived as intrusive, threaten recipient’s sense of competence and autonomy, and damage relationships.

Although advisors often have expertise that can benefit the recipient, advice recipients often discount and underutilize advice, to their disadvantage. Recipients are more likely to utilize advice from advisors they trust, who engender confidence, and who have more expertise or experience. They are also more likely to seek and use it when they have not thought of solutions independently. Recipients who are overconfident, have more expertise, or have more power than an advisor are much less likely to seek and utilize advice. When giving advice, advisors often consider different factors than they would if they were making decisions for themselves, resulting in advice that is more normative and less tailored to individual preferences.

Advice can be delivered in a variety of ways, and this stylistic variation has consequences for recipient outcomes. For example, highly direct or blunt forms of advice underscore the advisor’s implicit claim to status and often generate more negative evaluations of the advice and advisor. Advice message content also influences recipients’ advice evaluation. Content that emphasizes efficacy of the action, feasibility, and limitations of the advice tends to improve evaluation and utilization of advice. This research is synthesized in advice response theory (ART), which indicates that advice outcomes are influenced by message content and style, interaction qualities, advisor characteristics, recipient traits, and features of the situation for which or in which advice is sought. Behaviors that co-occur with advice, such as argumentation, emotional support, and planning, also influence outcomes. The sequencing of advice in interaction also matters; the integrated model of advice (IMA) indicates that advice in supportive interactions is best placed after emotional support and problem analysis.

The contexts in which advice are given influence the exchange and outcomes of advice. These include personal and professional relationships, in which relational cognitions and professional norms affect the process and outcomes of advising; groups and organizations, in which advising processes become complex due to the multiplicity of relationships, goals, and expectations; cultures, in which advice-seeking and advice-giving varies in perceived appropriateness; and digital environments, which are often valued for advice that is unobtainable elsewhere.
Aggregation and Journalism
Authors: Coddington Mark
Published: February 2019

News aggregation—or the process of taking news from published sources, reshaping it, and republishing it in an abbreviated form within a single place—has become one of the most prominent journalistic practices in the current digital news environment. It has long been an important part of journalism, predating reporting as a form of newsgathering and distribution. But it has often been a poorly, or at best incompletely, understood practice. Aggregation was widespread in the 18th and 19th centuries through copying and republishing of newspaper articles in ways that sometimes showed little regard for copyright or individual authorship. But in recent decades, more sophisticated forms of aggregation have proliferated, both automated and manual, and on virtually every digital platform on which news is disseminated. Aggregation draws from the norms and values of both modern professional journalism and Internet culture and writing. That amalgam of standards and practices shapes aggregation as a hybrid practice that is built on professional journalism yet marginal within it.

News aggregators’ economic effect on the online news marketplace has been intensely debated, but research has shown them to be generally helpful to the news sites they aggregate from, expanding the news ecosystem and sending readers through hyperlinks. Their legal legitimacy has also come under scrutiny, though they have encountered significantly more restrictions in Europe than in the United States or elsewhere. Professionally, aggregation is built on the practices of reporting and relies on reporting as both the predominant source of its information and the blueprint for its methods of verification. But its defining characteristic is its secondary status relative to reporting, which shapes its methods of gathering evidence as well as its professional identity and values. Overall, news aggregation plays a growing role in the contemporary news environment, though its influence is complex, multifaceted, and ambiguous.
Fact-Checking as Idea and Practice in Journalism
Authors: Graves Lucas , Amazeen Michelle A.
Published: February 2019

Fact-checking has a traditional meaning in journalism that relates to internal procedures for verifying facts prior to publication, as well as a newer sense denoting stories that publicly evaluate the truth of statements from politicians, journalists, or other public figures. Internal fact-checking first emerged as a distinct role in U.S. newsmagazines in the 1920s and 1930s, decades in which the objectivity norm became established among American journalists. While newspapers have not typically employed dedicated fact-checkers, the term also refers more broadly to verification routines and the professional concern with factual accuracy. Both scholars and journalists have been concerned with a decline of internal fact-checking resources and routines in the face of accelerated publishing cycles and the economic crisis faced by news organizations in many parts of the world.

External fact-checking consists of publishing an evidence-based analysis of the accuracy of a political claim, news report, or other public text. Organizations specializing in such “political” fact-checking have been established in scores of countries around the world since the first sites appeared in the United States in the early 2000s. These outlets may be based in established news organizations but also “good government” groups, universities, and other areas of civil society; practitioners generally share the broad goals of helping people become better informed and promoting fact-based public discourse. A burgeoning area of research has tried to measure the effectiveness of various kinds of external fact-checking interventions in countering misinformation and promoting accurate beliefs. This literature generally finds that fact-checking can be effective in experimental settings, though the influence of corrections is limited by the familiar mechanisms of motivated reasoning.
Foreign Correspondents
Authors: Paterson Chris
Published: February 2019

The role of foreign correspondent has long been prominent in journalism but is undergoing considerable change. While many in this role are considered elite, and have a very high profile, others practice their reporting in anonymous and sometimes precarious conditions. Prominent types of foreign correspondent are the capital correspondent, bureau chief, and conflict correspondent. Conflict correspondents can, in turn, be categorized into three main types depending on how they perceive their role: the propagandist; the recorder of history; and the moralist. The role of foreign correspondent has been the subject of a great deal of research, including analyses of news content focused on the nature of bias and story selection and framing in international reporting, and observational and interview-based studies of practitioners of the role. Research has sought to shift the focus from elite correspondents for international media organizations to the myriad local media professionals who play an increasing role in shaping international news stories; to the move toward social media as a newsgathering and news-dissemination tool; to the safety of journalists—as their work becomes increasingly imperiled around the world; and to the vital but largely hidden role of news agencies in shaping international news.
Journalists’ Professional Roles and Role Performance
Authors: Mellado Claudia
Published: February 2019

Professional roles are a key topic in journalism research along with the fundamental elements in defining journalism as a profession. For many decades, scholars have devoted their efforts to analyzing normative standards and journalistic ideals, while their analysis through the lens of professional performance has remained in the background. Nevertheless, considerably more attention has been paid over the past decade to the theorization of the different concepts in play when analyzing professional roles in journalism, especially the study of journalistic role performance (i.e., the manifestation of professional roles in both news decisions and the news outcome that reaches the public). Studies on journalistic role performance are able to tell us how or to what extent news professionals have enough autonomy for their role conceptions or perceptions to be manifested in journalistic practices, as well as in the news product made available to the public.

So far, research on journalistic role performance has systematically found patterns of multilayered hybridization in journalistic cultures across and within advanced, transitional, and non-democratic countries. Several studies have also shown significant discrepancies depending on societal, organizational, and individual factors, as well as a wide gap between journalistic ideals and professional practices. Some of these studies have also found significant discrepancies between journalists’ role conceptions and their perceived role enactments.

Future studies need to address the intrinsic capacity of social media platforms to deinstitutionalize communication through parallel channels, which may turn out to be a crucial element when it comes to performing both traditional and new journalistic roles.
News Ecology and News Ecosystems
Authors: Wiard Victor
Published: February 2019

“News ecology” and “news ecosystems” are two terms often used in journalism studies. They are, however, different concepts that draw from different lines of research and are used by different groups of scholars rarely connected to one another.

The notion of “news ecology” stems from media ecology, a branch of media theory that aims at understanding the effects that mediated technologies have on communication and social interactions. Media ecology has challenged traditional media research by focusing on how communicative technologies impact media consumption on a daily basis. Specifically it argues that communicative technologies encompass a set of implicit rules that affect how humans see, understand, and think about the contents that are being mediated. Building on these principles, “news ecology” is a relevant notion to reflect on how citizens get acquainted with the news as well as the diversity of technologies involved in news use. The notion aims at capturing the fact that news products exist in a diversity of formats, are consumed in diverse manners, and take place on different sites and platforms. Out of all the economic, social and technological changes of the last decades, the popularization of the Internet is often seen as the keystone of this change. However, most recent reception studies mention the terms “news ecology” without relating it to media ecology.

The use of the “news ecosystem” metaphor in journalism studies is more recent and focuses on the diversity of actors involved in news production and diffusion. If some scholars use a restricted definition of ecosystems (i.e., the ecosystems of blogs, websites, or social networking sites), others give it a more organic and composite meaning (i.e., the ecosystems of actors, technologies, and contents produced in a specific area or regarding a specific topic). Using the first definition, one can analyze the configuration of news ecosystems online, the diversity of actors involved in news production and their relationships, as well as how news circulates through diverse technologies. Using the second definition forces researchers to consider news as a complex social practice in which a diversity of actors competes to influence the news narrative through mediated and unmediated practices.

The two research traditions rarely intersect, as media and news ecology focus more on the reception side of news (i.e., the impact of mediums on people) and the study of news ecosystems has so far paid more attention to the production and diffusion of news. However, they share similarities—such as the facts that they both analyze media as dynamic processes are not normative in nature, or focus on complexity and change more than structure and stability—and could inspire one another in an effort to break the production/reception dichotomy in journalism studies.
The Media and Political Behavior
Authors: Boomgaarden Hajo G. , Schmitt-Beck Rüdiger
Published: February 2019

Media are key for the functioning of democracy. It is the essential link between politics and citizens, providing critical information and interpretation of politics and room for debate. Given this central role of the media for democratic political processes, questions about how mediated political information would affect citizens’ perceptions of and attitudes toward politics, as well as ultimately political behavior, have been dominant in research in the field of political communication. While vast amounts of mid-range theories and empirical insights speak in favor of influences of media on citizens, there is little in terms of a universal theoretical framework guiding political media effects research, which makes it difficult to give a conclusive answer to the question: how and, in particular, how much do the media matter? It may matter for some people under some conditions in some contexts relating to some outcome variables. Technological changes in media systems pose additional challenges, both conceptually and methodologically, to come to comprehensive assessments of media influences on citizens’ political cognitions, attitudes, or behaviors. Research needs to be clearer as to which conceptualization of media is followed and how such conceptualization may interact with other dimensions of media attributes. Measurement of media use and reception needs to take into account the increasing complexities of how citizens encounter political information, and it requires alignment with the conceptualization of media. Political media effect theories should not continue developing side by side, but should attempt to find a place in a more comprehensive model and take into account how they relate to and possibly interact with other approaches. In sum, the field of political media effects, while vast and covering a range of aspects, would do well to consider its role and purpose in increasingly complex media environments and, accordingly, provide more integrative perspectives, conceptually, methodologically, and theoretically.
Global Migration: Causes and Consequences
Authors: Helms Benjamin , Leblang David
Published: February 2019

International migration is a multifaceted process with distinct stages and decision points. An initial decision to leave one’s country of birth may be made by the individual or the family unit, and this decision may reflect a desire to reconnect with friends and family who have already moved abroad, a need to diversify the family’s access to financial capital, a demand to increase wages, or a belief that conditions abroad will provide social and/or political benefits not available in the homeland. Once the individual has decided to move abroad, the next decision is the choice of destination. Standard explanations of destination choice have focused on the physical costs associated with moving—moving shorter distances is often less expensive than moving to a destination farther away; these explanations have recently been modified to include other social, political, familial, and cultural dimensions as part of the transaction cost associated with migrating. Arrival in a host country does not mean that an émigré’s relationship with their homeland is over. Migrant networks are an engine of global economic integration—expatriates help expand trade and investment flows, they transmit skills and knowledge back to their homelands, and they remit financial and human capital. Aware of the value of their external populations, home countries have developed a range of policies that enable them to “harness” their diasporas.
Terrorism and Religion: Boko Haram
Authors: Imerman Dane
Published: February 2019

Despite operating as a regional terrorist organization in Nigeria, Boko Haram has gained international attention since kidnapping 276 schoolgirls in 2014. Scholarly research on the organization has since surged, but the literature is still in its formative stages in that it remains fractured and in need of greater synthesis. This assessment of the scholarly literature focuses on two of the most pressing questions concerning religion and Boko Haram and concludes by raising a third question concerning foreign influences that deserves greater scholarly attention.

First, what are the causal implications of religion for explaining Boko Haram’s genesis, evolution, and particularly its violent tactics, as opposed to alternative explanations—economic inequality and depravation, political corruption, anti-imperialism, educational disparities, etc.? Second, to what degree is Boko Haram the latest iteration of Islamist violence in Northern Nigeria versus an organization with distinctive origins requiring fresh analysis?

Neither question has been definitively answered. While religion is a clear motivation for Boko Haram, questions remain concerning whether it is a root motivation or a symptom of secular causes. Additionally, Boko Haram’s synthetic character—as a Nigerian Islamist group that is simultaneously networked with multiple transnational terrorist organizations—makes it difficult to categorize. Finally, questions concerning foreign influences over Boko Haram—both ideological and financial—have been raised but few empirically validated answers have been produced, offering fertile ground for future research.
Women’s Political Movements and Civil Society in Africa
Authors: Tripp Aili Mari
Published: February 2019

The roots of contemporary women’s mobilization in Africa were in nationalist movements and in the early single-party era, when women’s mobilization was often closely aligned with and controlled by the ruling party and state. This changed in the multiparty era after the 1990s and how new forms of mobilization came to be characterized by their autonomy from political parties and the state. This autonomy allowed for new issues to be taken up as well new forms of mobilization ranging from grass-roots activism to nationwide campaigns, broad coalitions and cyber activism. In the early 21st century, the demands range from opposition to all forms of violence against women, to financing of businesses, the right to abortion, the adoption of gender quotas in government and the legislature, and many other concerns. After the mid-2000s, restrictions on freedom of association and speech began to impinge once again on civil society in many countries, sometimes constraining women’s activism.
The Political Economy of War and Violence in Africa: A Hegelian and Marxist Interpretation
Authors: Kabamba Patience
Published: February 2019

African history tells us of a world dominated by capitalism whose supreme value is profitability; a world where profit is the unsurpassable human achievement. This political economy, quite literally, means the production and redistribution of mass violence across the continent. In such a world, all human relations have turned into merchandise. A manifestation of this appears in the attitude of “having” such that to “be” is reduced to “have.” This capitalist process turns objects into nature, and nature into objects, particularly in Africa, where people have become victims of the fetish of merchandise, as well as the perpetuators.

Analyzing the structural violence created by colonial power dynamics from a Marxian and Hegelian perspective reveals the opposite of passivity for all involved. The colonial powers searched for profit, intellectualized the necessity of profit, and formed and perpetuated a dialectic of social relations in such a way that they related to profit. These intentional activities reduced desire, joy, and fear into social relations driven by the profit motive. The legacy of these dynamics arises from history and are best understood in that context.

Although history has a certain inertia and velocity, the movement of these issues are dialectical and leave the possibility for choice open, so various actors have taken diverse paths. Some post-colonial African leaders joined the world of profit and led their countries to violence and wars. Others resisted but were overwhelmed by the democratic dictatorship of merchandise.

Wars and mass violence in Africa are the result of both the colonial structural violence caused by the search for profit and the choices many African leaders made to follow merchandised and clientelized types of relationships with their own people.

The historical (Real, Retold, and Radical), genealogical, and ontological histories were the driving forces that caused the violence and resulted in contemporary African bloodshed.
Border Politics in Africa
Authors: Nugent Paul
Published: February 2019

African borders, which mostly follow the contours of the former colonies, are widely regarded as artificial and yet have enjoyed remarkable longevity. On the one hand, there have been relatively few serious secessionist and/or irredentist bids. On the other hand, a limited number of border disputes have been settled and mostly without recourse to conflict. This is often attributed to the willingness of states to accept the principle of the intangibility of borders inherited from colonialism and the associated legal principle of uti possidetis. Most claims to secession are based on a preexisting sense of territoriality, whereas there are relatively few that are premised on the rights of peoples to self-determination. It has been pointed out that claims to secession are often tabled as a bargaining position rather than as a nonnegotiable demand. However, the secession of South Sudan has created a genuine precedent, and there has been an upsurge of secessionist movements that reflects this reality. In addition, there has been a proliferation of fresh border disputes, which reflects the increased competition for valuable resources such as oil. This would suggest that some of the landscape of border politics is undergoing a shift.

However, a number of factors continue to work in favor of the reproduction of existing borders. Paradoxically, the fact that guerrilla insurgencies tend to breed in borderlands, from where movements either aspire to take over the existing state or seek to carve out zones of de facto control, means that the borders themselves are not challenged. War economies depend on transboundary flows in which local populations themselves are deeply invested. Moreover, the flight of displaced populations and refugees toward borders may create greater insecurity at the margins but also tends to reinforce borders in both a legal and a practical sense. Finally, the struggle to determine the basis on which trade and transport is managed involves associational actors operating at the national level. Equally, fishermen, herders, farmers, and other local actors frequently invoke national affiliations to justify their own right to exploit resources within border zones. At the border itself, one observes a convergence of international, national, and local political scales in a particularly striking manner.