num_pages: 168
description: Lee Friedlanders exploration of one of photographys most enduring genres began almost by chance in the late 1970s when a teacher colleague at Rice University in Houston lined up a regular schedule of nude models for his students. Almost immediately Friedlander found that he preferred to photograph the models at their homes and ingeniously deployed household objects such as bedside lamps potted plants and sofa fabrics to play off against the angular poses of the models and the emphatic framing of the overall composition. Friedlanders nudes show every blemish every contour that makes each body unique while his flash often serves to counter this realism with a softening effect that often recedes the bodys shadow right up to its outline. With the publication of Friedlanders nude portraits of Madonna (prints of which fetch huge sums) the series became among the photographers best known work and eventually saw publication in 1991 from Jonathan Cape. Lee The Nudes significantly expands on the Cape edition (itself long out of print) with a total of 84 nudes plus a new layout and design by Katy Homans and new separations by Thomas Palmer. As such it offers the most lavish presentation of this key series in Friedlanders massive oeuvre.Lee Friedlander (born 1934) first came to public attention in the landmark exhibition New Documents  at The Museum of Modern Art New York in 1967. More than 40 books about his work have been published since the early 1970s including Self-Portrait  Sticks and Stones  Cherry Blossom Time in Japan  Family  America by Car  People at Work  The New Cars 1964 and Mannequin . His career was the focus of a major traveling retrospective organized by The Museum of Modern Art in 2005.
language: English
title: Lee Friedlander The Nudes: A Second Look
publisher: D.A.P./Distributed Art Publishers