num_pages: 335
description: In pursuing the sources for late eighteenth and nineteenth century demonization of racial and cultural difference this book moves back and forth between the imagined world of literature and the real world of historical experience between fictional romance and what has been called the parallel fictions of the human sciences of anthropology and biology.The author argues that the gothic genre and its various permutations offered a language that could be appropriated consciously or not by racists in a powerful and obsessively reiterated evocation of terror disgust and alienation. But he shows that the gothic itself also evolved in the context of the brutal progress of European nationalism and imperialism and absorbed much from them. This book explores both the gothicization of race and the racialization of the gothic as inseparable processes.Appreciation of the pervasiveness of the gothic in nineteenth-century racial discourse is shown to be fundamental to understanding not only the ways in which racism drew strength from powerful and emotive images but the linkages at both the conscious and unconscious levels with other areas of social discourse and misogyny homophobia class snobbery and popular revulsion at poverty madness and disease.
language: English
title: Gothic Images of Race in Nineteenth-Century Britain
publisher: Stanford Univ Pr