num_pages: 72
description: Blackletter type, also known as Fraktur or German Gothic, originated ?with Gutenberg's moveable type, and was based on the contemporary ?calligraphy of that time. From the sixteenth century on, it shared the ?spotlight with roman type in German-speaking countries and was even ?adopted for the printing of Martin Luther's writings. Yet by the ?twentieth century it was increasingly spurned by both commercial ?artists, who embraced roman type for its classical associations, and ?modernist designers, who championed sanserif type for its universal and ?democratic qualities. At the close of the Second World War, the ?identification of blackletter with failed Nazi ideology was inescapable, ?thus effectively ending the four-hundred-year tradition of blackletter ?as a distinctive national script.? ?The essays in Blackletter investigate the rise and fall of blackletter ?type, examining its uses and cultural significance at various points ?throughout history, including the Reformation, the Weimar Republic, the ?Nazi regime, and the post-Berlin Wall period. This title, illustrated ?with numerous color examples of blackletter typefaces and their ?implementation, is a necessity for anyone interested in the history of ?type.?
language: English
title: Blackletter: Type and National Identity
titlecomplete: Blackletter: Type and National Identity
genres: Design
ratings_count: 19
publisher: Princeton Architectural Press