num_pages: 384
description: The quintessential visual artist of the Beat era, Wallace Berman (1926-1976) remains one of the best kept secrets of the late 20th century. A crucial figure in California's postwar underground, Berman was a catalyst who traveled through many different worlds, transferring ideas and dreams from one circle to the next. His larger community is the subject of Semina Culture: Wallace Berman &amp; His Circle, a catalogue to the exhibition organized by the Santa Monica Muesum of Art including previously unexhibited works by 52 artists. Anchoring this publication is Semina, a free-form art and poetry journal that Berman published in nine issues between 1955 and 1964. Although privately made and distributed to a mere handful of friends and sympathizers, Semina is a brilliant compendium of the most interesting artists and poets of its time. Showcasing the individuals who came to define a still potent strand of post-war beat counter-culture,  Semina Culture subtly outlines the energies, values, and foibles of this fascinating circle. Also reprduced here are works by various artists and writers who appear in Berman's own photographs-approximately 100 of which were recently developed from vintage negatives, and will be seen here for the first time. Includes paintings and drawings by Cameron, John Altoon, Jay DeFeo, Bruce Conner and Joan Brown; collages and assemblages by Robert Alexander, Stuart Perkoff, John Reed, George Herms and Jess; poetry by Robert Duncan, David Meltzer, Philip Lamantia and John Wieners; and photographs by Charles Brittin, Walter Hopps and Patricia Jordan. Edited by Michael Duncan and Kristine McKenna. Essays by Michael Duncan and Kristine McKenna and Stephen Fredman. Hardcover, 9 x 11 in./384 pgs / 242 color and 250 b&amp;w.
language: English
title: Semina Culture: Wallace Berman & His Circle
titlecomplete: Semina Culture: Wallace Berman & His Circle
genres: Visual Art, Art
ratings_count: 68
publisher: D.A.P./Santa Monica Museum of Art