num_pages: 408
description: Tracing the connectionsboth visual and philosophicalbetween new media art and classical Islamic art. In both classical Islamic art and contemporary new media art one point can unfold to reveal an entire universe. A fourteenth-century dome decorated with geometric complexity and a new media work that shapes a dome from programmed beams of both can inspire feelings of immersion and transcendence. In Enfoldment and Infinity  Laura Marks traces the strong similarities visual and philosophical between these two kinds of art. Her argument is more than metaphorical; she shows that the Islamic quality of modern and new media art is a latent deeply enfolded historical inheritance from Islamic art and thought. Marks proposes an aesthetics of unfolding and enfolding in which image information and the infinite image is an interface to information and information (such as computer code or the words of the Qur'an) is an interface to the infinite. After demonstrating historically how Islamic aesthetics traveled into Western art Marks draws explicit parallels between works of classical Islamic art and new media art describing texts that burst into image lines that multiply to form fractal spaces nonorganic life in carpets and algorithms and other shared concepts and images. Islamic philosophy she suggests can offer fruitful ways of understanding contemporary art.
language: English
title: Enfoldment and Infinity: An Islamic Genealogy of New Media Art
publisher: The MIT Press