num_pages: 32
description: Born in 1964, Liam Gillick was one of the artist - including Damien Hirst and Angela Bulloch who dominated British art through the 1990s. He's spent years as the post-conceptual crowd-pleaser, with a controversial solo show in the German pavilion at the Venice Biennale 2009 only the most recent triumph. His sculptural forms and settings seem terse, yet, writes curator Robert Fleck, ''they evince a strong almost celebratory intellectual presence.'' This monumental 256-page, full-color catalog serves as a comprehensive mid-career retrospective, compiled by the artist himself. With his muscular combination of words, forms and ideas, the works are both narrative and non-narrative. For example, in ''The State itself Becomes a Super Whatnot,'' a vivid aluminum and Plexiglas installation derives, in the artist's words, ''from Brazilian research into Scandinavian car production.'' Gillick has created over 2000 multi-dimensional works exploring - in his casual, playful yet deepl
language: English
title: Liam Gillick: Renovation Filter, Recent Past and Near Future by Gillick, Liam, Roberts, Catson, Steeds, Lucy (1999) Paperback
titlecomplete: Liam Gillick: Renovation Filter, Recent Past and Near Future by Gillick, Liam, Roberts, Catson, Steeds, Lucy (1999) Paperback
publisher: Arnolfini Gallery