num_pages: 296
description: Memory, Allegory, and Testimony in South American Theater traces the shaping of a resistant identity in memory, its direct expression in testimony, and its indirect elaboration in two different kinds of allegory. Each chapter focuses on one contemporary playwright (or one collaborative team, in the case of Brazil) from each of four Southern Cone countries and compares the playwrights’ aesthetic strategies for subverting ideologies of Carlos Manuel Varela (memory in Uruguay), Juan Radrigán (testimony in Chile), Augusto Boal and his co-author Gianfrancesco Guarnieri (historical allegory in Brazil), Griselda Gambaro (abstract allegory in Argentina).
language: English
title: Memory, Allegory, and Testimony in South American Theater: Upstaging Dictatorship
titlecomplete: Memory, Allegory, and Testimony in South American Theater: Upstaging Dictatorship (Routledge Advances in Theatre and Performance Studies)
publisher: Routledge