num_pages: 278
description: This study provides a new view of a composer long considered to be one of the century's most rigorously intellectual creators, Anton Webern. By examining a central pre-twelve-tone work, the Trakl cycle, Op 14, in the context of the Viennese intellectual and artistic climate, Shreffler shows how Webern's responses to Trakl's complex verse enabled him to expand his musical vocabulary. The author's emphasis on Webern's compositional process is of particular whether because of the anxiety of creating a new musical language, or because of an innate hyper-perfectionism (or both), Webern rejected most of what he composed. A close examination of the manuscript sources--fragments, sketches, and fair copies--of Webern's comparatively neglected middle-period lieder enables her to shed light on Webern's musical language and his working methods.
language: English
title: Webern and the Lyric Impulse: Songs and Fragments on Poems of George Trakl
titlecomplete: Webern and the Lyric Impulse: Songs and Fragments on Poems of George Trakl (Studies In Musical Genesis, Structure, and Interpretation)
ratings_count: 3
publisher: Clarendon Press