num_pages: 296
description: In Shapeshifters Aimee Meredith Cox explores how young Black women in a Detroit homeless shelter contest stereotypes critique their status as partial citizens and negotiate poverty racism and gender violence to create and imagine lives for themselves. Based on eight years of fieldwork at the Fresh Start shelter Cox shows how the shelter's residentswho range in age from fifteen to twenty-twoemploy strategic methods she characterizes as choreography to disrupt the social hierarchies and prescriptive narratives that work to marginalize them. Among these are dance and poetry which residents learn in shelter workshops. These outlets for performance and self-expression Cox shows are key to the residents exercising their agency while their creation of alternative family structures demands a rethinking of notions of care protection and love. Cox also uses these young women's experiences to tell larger stories: of Detroit's history the Great Migration deindustrialization the politics of respectability and the construction of Black girls and women as social problems. With Shapeshifters Cox gives a voice to young Black women who find creative and non-normative solutions to the problems that come with being young Black and female in America.
language: None
title: Shapeshifters: Black Girls and the Choreography of Citizenship
publisher: Duke University Press Books