num_pages: 363
description: This comprehensive study formulates an original theory that dramatic song must be perceived as a separate genre situated between poetry, music, and theater. It focuses on John Arden, Margaretta D'Arcy, Edward Bond, Peter Barnes, John Osborne, Peter Nichols, Harold Pinter, Tom Stoppard, Peter Shaffer, and John McGrath.
language: English
title: The Function of Song in Contemporary British Drama
titlecomplete: The Function of Song in Contemporary British Drama
ratings_count: 2
publisher: UNKNO