description: Ever since Pauline Kael wrote her controversial essay "Raising Kane" (available in print in her omnibus collection For Keeps), film fans and scholars have debated the "authorship" of Citizen Kane. Most audiences and critics agree that it is one of the greatest American movies, but Kael claimed that the genius behind Kane was not writer-director-producer-actor Orson Welles, but coscenarist Herman Mankiewicz. Others attribute the film's power to the influence and contributions of John Houseman or the incredible innovations of cinematographer Gregg Toland. In this superbly researched book, Robert Carringer proves conclusively that Kane is not the product of any individual artist, but the collective work of a brilliant team working under Welles's supervision. Without Mankiewicz, Toland, and the talented designers and technicians who worked on the film, Kane could never have become what it is. As Carringer covers each step of the film's production, from conception to final release, he leads readers through the enormously complex process of making a great movie. He also provides an introductory chapter about an unfilmed project Welles worked on before Kane, an adaptation of Joseph Conrad's Heart of Darkness. In his concluding chapter on The Magnificent Ambersons, Welles's follow-up to Kane, Carringer argues that the latter film suffered precisely because its collaborators failed to achieve the artistic harmony that had made Kane so successful. --Raphael Shargel
language: English
title: The Making of Citizen Kane
titlecomplete: The Making of Citizen Kane
characters: Herman J. Mankiewicz, Orson Welles
genres: Film, Media Tie In, Nonfiction
ratings_count: 98
publisher: Univ of California Pr