num_pages: 164
description: Many people associate Surrealism with politics, but it was also permeated by occult ideas, a fact often overlooked by art historians. This fascinating book concerns the magical subculture and the central role it played in the development of a great art movement. This occult influence goes beyond general themes to the movement's very heart. The antinomian stance of Surrealism can be traced directly to the influence of radical nineteenth century magi such as Eliphas Levi, whose Dogma and Ritual o High Magic was widely read by Surrealism's ideologues. Amongst these we find its progenitor Andre Breton. The book shows how many Surrealists and their predecessors were steeped in magical ideas: Kandinsky, with his involvement with Theosophy, the sorcery of Salvador Dali; the alchemy of Pablo Picasso and the shamanism of Max Ernst and Leonora Carrington. Surrealism did not establish itself in Britain until the 1930s but a select few felt something in the air. Almost ten years before the Surrealist experiments with automatic drawing, an obscure English artist, Austin Osman Spare had perfected the technique. Nadia Choucha shows, convincingly, that occult and surrealist philosophies were often interchangeable. Surrealism and the Occult is seminal reading for art historians and occultists alike, while artists will find it a vital guide to the unlocking of the imagination.
language: English
title: Surrealism & the Occult
titlecomplete: Surrealism & the Occult
genres: History, Occult, Art History, Philosophy, Magic, Nonfiction, Art
ratings_count: 100
publisher: Mandrake of Oxford