num_pages: 208
description: Viewing hip-hop as the postmodern successor to African American culture's Jazz modernism, this book examines hip-hop music's role in the history of the African-American experience.Spectacular Vernaculars examines hip-hop's cultural rebellion in terms of its specific implications for postmodern theory and practice, using the politics of reception as its primary rhetorical ground. Hip-hop culture in general, and rap music in particular, present model sites for such an inquiry, since they enact both postmodern modes of production --the appropriation of tropes, technologies, and material culture--and a potential means of resistance to the commodification of cultural forms under late capitalism. By paying specific attention to the historical and cultural context of hip-hop as a black artform and locating its practice of resistance in terms of a postmodernist reading of consumer culture, this book offers a complex reading of hip-hop as a postmodern practice, with implications both for theories of postmodernism and cultural studies as a whole.
language: English
title: Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism (Suny Series, Postmodern Culture)
titlecomplete: Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism (Suny Series, Postmodern Culture) (Suny Postmodern Culture)
genres: Research, Music
ratings_count: 30
publisher: State University of New York Press