num_pages: 272
description: Tracing the relationship between Abstract Expressionist artists and contemporary intellectuals, particularly the French existentialists, Nancy Jachec here offers a new interpretation of the success of America's first internationally recognized avant-garde art form. She argues that Abstract Expressionism was promoted by the United States government because of its radical character, which was considered to appeal to a Western European populace perceived by the State Department as inclined toward Socialism.
language: English
title: The Philosophy and Politics of Abstract Expressionism, 1940–1960
titlecomplete: The Philosophy and Politics of Abstract Expressionism, 1940–1960
ratings_count: 6
publisher: Cambridge University Press