num_pages: 192
description: Choice Outstanding Academic TitleExplores how whiteness is culturally constructed in American films.Performing Whiteness crosses the boundaries of film study to explore images of the white body in relation to recent theoretical perspectives on whiteness.Drawing on such diverse critical methodologies as postcolonial studies, feminist film criticism, anthropology, and phenomenology, Gwendolyn Audrey Foster examines a wide variety of films from early cinema to the present day in order to explore the ways in which American cinema imposes whiteness as a cultural norm, even as it exposes its inherent instability.In discussions that range from The Philadelphia Story to Attack of the 50 Foot Woman, Foster shows that, though American cinema is an all-white construct, there exists the possibility of a healthy resistance to cultural norms of race, gender, sexuality, and class.Table of Contents1. Performing Whiteness2. Inventing Whiteness3. White Face, White Space4. The Bad-White Body5. Performing the "Good" White6. Performing the "Bad" White7. Performing White Otherness
language: English
title: Performing Whiteness: Postmodern Re/Constructions in the Cinema
titlecomplete: Performing Whiteness: Postmodern Re/Constructions in the Cinema (Suny Postmodern Culture)
ratings_count: 6
publisher: State University of New York Press