num_pages: 344
description: From the poetry of Wordsworth and Byron to the painting of John Constable and Caspar David Friedrich to the precinematic institutions of the panorama and diorama, The Return of the Visible in British Romanticism lends new vigor to ongoing debates about the nature of Romanticism, nineteenth-century culture, and the origins of cinema.
language: English
title: The Return of the Visible in British Romanticism
titlecomplete: The Return of the Visible in British Romanticism
ratings_count: 2
publisher: The Johns Hopkins University Press