num_pages: 257
description: Can postmodern accounts of the gaze - deriving from the psychoanalytic theories of Freud, Lacan, Fanon, and Riviere - tell us anything about those structures of vision prior to, and repressed by, modernity? Shakespeare's Visual Regime examines the tragedies, histories, and Roman plays for an emergent early modern spectatorial subject, thereby locating Shakespearean theatre within those discourses most crucial to the contemporary exposition and disruption of regimes of perspective painting, cartography, optics, geometry, Puritan anti-theatrical polemic, and the occult.
language: English
title: Shakespeare’s Visual Regime: Tragedy, Psychoanalysis and the Gaze
titlecomplete: Shakespeare’s Visual Regime: Tragedy, Psychoanalysis and the Gaze
publisher: Palgrave Macmillan