num_pages: 248
description: The Gothic novel emerged out of the romantic mist alongside a new conception of the home as a separate sphere for women. Looking at novels from Horace Walpole's Castle of Otranto to Mary Shelley's Frankenstein  Kate Ferguson Ellis investigates the relationship between these two phenomena of middle-class culture--the idealization of the home and the popularity of the Gothic--and explores how both male and female authors used the Gothic novel to challenge the false claim of home as a safe protected place. Linking terror -- the most important ingredient of the Gothic novel -- to acts of transgression Ellis shows how houses in Gothic fiction imprison those inside them while those locked outside wander the earth plotting their return and their revenge. 
language: English
title: The Contested Castle: Gothic Novels and the Subversion of Domestic Ideology
publisher: University of Illinois Press