num_pages: 5
description: Understanding a fellow African American poet’s stated desire to be “a poet—not a Negro poet,” as that poet’s wish to look away from his African American heritage and instead absorb white culture, Hughes’ essay spoke to the concerns of the Harlem Renaissance as it celebrated African American creative innovations such as blues, spirituals, jazz, and literary work that engaged African American life. Notes Hughes, “this is the mountain standing in the way of any true Negro art in America—this urge within the race toward whiteness, the desire to pour racial individuality into the mold of American standardization, and to be as little Negro and as much American as possible.” (Poetry Foundation)
title: The Negro Artist and the Racial Mountain
publisher: The Nation