num_pages: 408
description: Reality first appeared in the late 1980sin the sense not of real life but rather of the TV entertainment genre inaugurated by shows such as Cops and Americas Most Wanted; the daytime gabfests of Geraldo Oprah and Donahue; and the tabloid news of A Current Affair. In a bracing work of cultural criticism Eric Harvey argues that reality TV emerged in dialog with another kind of entertainment that served as its foil while borrowing its techniques: gangsta rap. Or as legendary performers Ice Cube and Ice-T called it reality rap.Reality rap and reality TV were components of a cultural revolution that redefined popular entertainment as a truth-telling medium. Reality entertainment borrowed journalistic tropes but was undiluted by the caveats and context that journalism demanded. While N.W.A.s Fuck tha Police countered Cops vision of Black lives in America the reality rappers who emerged in that groups wake such as Snoop Doggy Dogg and Tupac Shakur embraced realitys visceral tabloid sensationalism using the media's obsession with Black criminality to collapse the distinction between image and truth. Reality TV and reality rap nurtured the world we live in now where politics and basic facts dont feel real until they have been translated into mass-mediated entertainment.
language: English
title: Who Got the Camera?: A History of Rap and Reality
publisher: University of Texas Press