num_pages: 338
description: Entertainment Weekly's controversial critic of more than two decades looks back at a life told through the films he loved and loathed.Owen Gleiberman has spent his life watching movies-first at the drive-in where his parents took him to see wildly inappropriate adult fare like Rosemary's Baby when he was a wide-eyed 9 year old then as a possessed cinemaniac who became a film critic right out of college. In Movie Freak  his enthrallingly candid funny and eye-opening memoir Gleiberman captures what it's like to live life through the movies existing in thrall to a virtual reality that becomes over time more real than reality itself.Gleiberman paints a bittersweet portrait of his complicated and ultimately doomed friendship with Pauline Kael the legendary New Yorker film critic who was his mentor and muse. He also offers an unprecedented inside look at what the experience of being a critic is really all about detailing his stint at The Boston Phoenix and then starting in 1990 at EW  where he becomes a voice of obsession battling-to a fault-to cling to his independence.Gleiberman explores the movies that shaped him from the films that first made him want to be a critic ( Nashville and Carrie ) to what he hails as the sublime dark trilogy of the 1980s ( Blue Velvet  Sid and Nancy  and Manhunter ) to the scruffy humanity of Dazed and Confused to the brilliant madness of Natural Born Killers to the transcendence of Breaking the Waves to the pop rapture of Moulin Rouge! He explores his partnership with Lisa Schwarzbaum and his friendships and encounters with such figures as Oliver Stone Russell Crowe Richard Linklater and Ben Affleck. He also writes with confessional intimacy about his romantic relationships and how they echoed the behavior of his bullying philandering father. And he talks about what film criticism is becoming in the digital a cacophony of voices threatened by an insidious new kind of groupthink.Ultimately Movie Freak is about the primal pleasure of film and the enigmatic dynamic between critic and screen. For Gleiberman the moving image has a talismanic power but it also represents a kind of sweet sickness a magnificent obsession that both consumes and propels him.
language: English
title: Movie Freak: My Life Watching Movies
publisher: Hachette Books