Draw a straight line down the middle of your paper. Sketch in sweeping curved lines on either side of the center line. Make horizontal rectangles to split the center line into thirds. Put 2 upside-down curves below the bottom rectangle to make the legs. Draw a triangle with curved sides so its point extends up past the top rectangle. Add straight horizontal lines between the curves to form the girders. Make Xs in each of the spaces along the girders. Sketch lines inside of the archway to add the supports. Put a rounded square on top of the tower to add the point. Finished.

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You can either position your paper vertically or horizontally when you start drawing the Eiffel Tower. Work lightly in pencil to add a line down the center of your paper to use as a guide. Be sure to leave a small gap at the top and the bottom of the sheet so you have room to add some details later. Start one of your curved lines on the right side of the guide you drew earlier. Leave a small gap between the guide and the curved line at the end. As you draw the line toward the bottom of your paper, make the curve get further away from the line. Make another curved line that’s symmetrical to the first one on the other side of the guide. Your drawing will look similar to a triangle with curved sides. The perspective of the drawing resembles standing near the base of the Eiffel Tower and looking up at it. Measure a third of the way down the length of the guide line and make a narrow horizontal rectangle that extends slightly past the curved lines on each side. Then measure another third down the center guide so you know where to place the next rectangle. Make the second rectangle about twice as thick and long as the first one so it looks like it’s closer to you. The rectangles are the bottoms of the Eiffel Tower’s viewing platforms. The curves on the bottom will be the arch that spans between the tower’s legs. Start from the center guide just below the bottom rectangle and curve it out until it’s parallel with the first sweeping curve you made on the side. Repeat the process on the other side of the tower so the arch is symmetrical. Make another curved line just underneath the first one so it looks like an archway. Start the base of the triangle on top of the lowest rectangle about a third of the way in from each end. Make a curved line up from the lower rectangle that’s parallel with the outer curve of the tower so it goes through the top rectangle. End the line halfway between the top rectangle and the end of the guide line. Draw the other side of the triangle coming up from the other side to form a point on...


Draw a straight, horizontal line for the ground. Make a 5 in (13 cm)-wide rectangle in the center for the castle keep. Add towers by making rectangles 1⁄4 in (0.64 cm) taller than the keep.

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If you’re trying to make it as neat as possible, use a ruler to sketch the line. Make it at the bottom of the page so you have plenty of room above it for the castle. This line will be the base you use for the rest of the outline. Another option is to draw a curved line for a hill or a cliff. You could draw a castle on top of a cliff with a long, winding path leading to it, for instance. The keep is the small, center part of the castle where the front door will be. Find the center point in the ground line and measure out from it. Draw vertical lines to mark the sides of the keep, then connect them with a horizontal line, forming the top of the keep.  Make the keep taller than it is wide. The castle may look a little squashed if the towers are much taller than the keep. Keep in mind that, if you draw a castle seen from the side, some parts of the keep may not be visible. A simple way to create towers is to make these rectangles about the same height as the keep. Then, extend them a little more so they rise above the keep. They are there to protect the castle, so they should be tall enough for the castle guards to look out over the walls. Another option is to make keeps with a curved base and slightly slanted sides. This will make them stand out even more when you add tops to them.


Draw a tall, vertical rectangle. Sketch a trapezoid on the side of the rectangle. Draw 2 horizontal rectangles inside the vertical rectangle. Add buttons to the front of the tower. Finished.

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This will be the front of the computer tower. Draw it on the left or right side of the monitor, and make it slightly taller than the monitor is. To make the trapezoid, start by drawing a vertical line to the side of the rectangle that’s slightly shorter than the side. Then, connect the top ends of the vertical line and the side with a straight line. Do the same thing for the bottom ends. When you’re finished, the outline of the computer tower will look three-dimensional. If you’re drawing the computer tower on the right side of the monitor, draw the trapezoid on the left side of the tower. If it’s on the left side of the monitor, draw the trapezoid on the right side of the tower. These will be where the buttons on the computer tower go. Place one near the top of the tower and one near the middle. The size of each rectangle doesn’t need to be precise, but make each one about 1/10th the height of the tower. To draw the buttons, sketch evenly spaced circles down the length of each vertical rectangle. Add 1-3 circles per rectangle. You can also draw a power button on the front of the tower. Just draw a small circle on the lower half of the tower, then draw another circle around it.


Draw a tic-tac-toe grid. Look for a factor that is common to both numbers. Divide the factor into each number. Find a factor that is common to the two quotients. Divide this new factor into each quotient. Extend your grid if necessary. Draw a circle around the numbers in the first column and last row of your grid. Complete the multiplication.

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A tic-tac-toe grid is two sets of parallel lines that intersect each other perpendicularly. The lines form three rows and three columns and looks like the pound key (#) on a phone or keyboard. Write your first number in the top-center square of the grid. Write your second number in the top-right square of the grid. For example, if you are trying to find the least common multiple of 18 and 30, write 18 in the top center of your grid, and 30 in the top right of your grid. Write this number in the top-left square of your grid. It is helpful to use prime factors, but you don’t necessarily have to. For example, since 18 and 30 are both even numbers, you know that that they both have a factor of 2. So write 2 in the top-left of the grid. Write the quotient in the square below either number. A quotient is the answer to a division problem.  For example, 18÷2=9{\displaystyle 18\div 2=9}, so write 9 under 18 in the grid.  30÷2=15{\displaystyle 30\div 2=15}, so write 15 under 30 in the grid. If there is no factor common to both quotients, you can skip this and the next step. If there is a common factor, write it in the middle-left square of the grid. For example, 9 and 15 both have a factor of 3, so you would write 3 in the middle-left of the grid. Write this new quotient below the first ones.  For example, 9÷3=3{\displaystyle 9\div 3=3}, so write 3 under 9 in the grid.  15÷3=5{\displaystyle 15\div 3=5}, so write 5 under 15 in the grid. Follow this same process until you reach a point where the last set of quotients have no common factor. You can think of it as drawing an “L” for “least common multiple.” Write a multiplication sentence using all of these factors. For example, since 2 and 3 are in the first column of the grid, and 3 and 5 are in the last row of the grid, you would write the sentence 2×3×3×5{\displaystyle 2\times 3\times 3\times 5}. When you multiply all of these factors together, the result is the least common multiple of your two original numbers. For example, 2×3×3×5=90{\displaystyle 2\times 3\times...


Draw a triangle onto thick paper, then cut it out. Draw a square onto thick paper, then cut it out. Cut a 1 cm (0.39 in) slit in each end of a drinking straw. Stick the triangle and square into the slots on the straw to make an arrow. Put a pin through the center of the straw and into the pencil eraser. Use a big piece of soft clay as a quick and easy base. Write the 4 primary and 4 intermediate directions on a paper plate. Push the clay ball into the center of plate to keep it in place. Take your wind vane outside to find the direction the wind is blowing.

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Use a ruler to draw a  4 cm (1.6 in) line onto your paper to make a base for a triangle. Next, place your ruler perpendicular to the line at the halfway mark and trace a 5 cm (2.0 in) line to make an upside down "T." Then, use your ruler to draw lines connecting the top of the upside down "T" to each side of the base line. Finally, cut out the triangle with a pair of scissors.  For instance, you might use a manila folder, index cards, poster board, cardstock paper, or an old cereal box. Use colorful paper or decorate your cutout to make your wind vane look nice. It's okay if your measurements are estimated. You'll use this triangle as an arrow point. Make your square about 7 cm (2.8 in) long on each side, with your sides roughly even. It’s okay to estimate the measurements, but it’s best to draw your square larger than the triangle. Then, use a pair of scissors to cut out the square, which will be the other end of your arrow. Try cutting out the corner of your paper so 2 sides of your square are already done for you. Use your ruler to measure 7 cm (2.8 in) on 1 side of your paper and draw a line. Then, measure 7 cm (2.8 in) on the bottom of your paper and draw a line that crosses your first line to create a square. Use your scissors to cut out the square. Hold your scissors parallel to the straw. Then cut an even slit through each side so that your arrow pieces will slide onto the ends of the straw. Although they don’t need to be exact, your slits should be about 1 centimetre (0.39 in) long and directly opposite each other so you can stick the paper in them.  The slit should go through both of the side walls on each end of the straw. If you have a drinking straw that bends, cut off the bendy part. Then, cut slits in the remaining straight section. Put the triangle on one end of the straw with the point facing out. Then, slide the square onto the other end. When you’re finished, your straw will look like an arrow. If the triangle and square won’t stay in place, put a dab of glue onto the paper before you slide...


Draw a vertical line and divide it into 8 equal sections. Sketch Connect and refine the outlines of the different parts of the body. Add in smaller details, like the hands and facial features. Draw clothes Erase any unnecessary lines and shade in your drawing.

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Each section will be equal to 1 head length, which is the length of your person’s head from top to bottom. Generally, adult figures are 8 head lengths tall, so marking this on your paper at the beginning will help you keep the proportions of your drawing right.  Draw horizontal lines to divide up the vertical line, and keep in mind that the top horizontal line will be the top of your person’s head and the bottom line will be the bottom of your person’s feet. If you want to draw a child, divide the vertical line into fewer head lengths since children are generally shorter than adults. For example, use 3 head lengths for a toddler, or use 6 for a 10-year old. rough outlines of the different parts of the body. Use the head lengths you marked on the paper to help you with the proportions. Make sure you include rough outlines for the head, arms, body, and legs. Don’t worry about making the shapes precise yet since this is just a rough sketch.  The outline of the head should fall within the top head length section. The outlines of the person’s body and arms should start in the second head length section and extend down to the fourth section. The outlines of the legs should take up the lower 4 head length sections. Trace around the outer edges of the body to connect the different outlines so they flow together seamlessly. At this point, you can start adjusting the proportions of the body to make it look more masculine or feminine, depending on what you’re going for.  If you want to draw a person with masculine features, broaden the shoulders, chest, and waist, and also take in the hips so they’re narrower. In general, use more angular lines as you define the outline of your drawing. To draw a person with feminine features, narrow the shoulders and chest area, and broaden the hips and thighs. Try to use rounder, softer lines to outline your figure. You should also sketch the outlines of the feet, hair, and knees. If you’re drawing a person with feminine features, add breasts and round out the hips and thighs. For a...


Draw a vertical line connecting the 2 rays of the angle. Measure the length of the adjacent side to find the run. Measure the length of the opposite side to find the rise. Divide rise by run to find the slope of the angle. Use your calculator to determine the degrees of the angle.

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To determine the number of degrees in an acute angle, connect the 2 rays to form a triangle. Line up the short end of your ruler with the bottom ray, then draw a vertical line intersecting the other ray using the long side of your ruler. The vertical line creates a right triangle. The angle formed by the adjacent side (the bottom ray of the angle) of the triangle and the opposite side (the vertical line) measures 90 degrees. Place the end of your ruler at the vertex of the angle. Measure the length of the adjacent side from the vertex to the point where it intersects with the opposite side. This amount is the run value in your slope equation, where slope = rise/run. If you measured 7, your equation at this point would be "slope = rise/7." Set the short end of your ruler flush against the adjacent side of the triangle. Measure the length of the vertical line from the point where it meets the adjacent side to the point where it meets the upper ray of the angle (the hypotenuse of your triangle). This amount is the rise value in your slope equation. If you measured 5, you would fill in your equation so that "slope = 5/7." The slope is the steepness of the diagonal line, or hypotenuse, of your triangle. Once you know this number, you can calculate the degrees of your acute angle. To continue the example, the equation "slope = 5/7" would yield "slope = 0.71428571." Type the value for slope into your scientific calculator, then press the inverse tan button (tan-1). This will give you the degrees of the angle. To continue the example, with a slope of 0.71428571, the angle is 35.5 degrees.


Draw a vertical line down the middle of your paper. Draw a second line horizontally across the paper so that it intersects with the vertical line. Write a heading at the top of each column, in the small space you left between the top of the page and the horizontal line. List the details about each thing that make it different from the other.

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Use a ruler to help you keep the line straight, and draw the line from top-to-bottom. It does not matter if your paper is vertical or horizontal; it is your preference based on how much room you would like to have for writing from side-to-side. Use your ruler to measure about ½-1 inch from the top so that you leave room to write headings at the top of each column. The T-chart is used for comparing and contrasting things, so you will write the two things you are comparing in each heading. Examples of things to compare include:  Computers Smartphones Stories People Cities Countries Use bullet points or numbers to organize your list. Keep the details in the correct column.  There is no column or space to write what the two things have in common, like in the Venn diagram above. You will simply list how the two things differ from one another. For example, you might list how the United States is different from Australia. Under the “United States” heading, you would list information such as population size, number of states, the Constitution, and other pertinent information. Then, under the “Australia” heading, you would list the corresponding information about Australia.


Draw a vertical line that extends below the center of the head. Make a small horizontal line halfway through the line to make the upper body. Draw 2 legs that extend down from the waistline. Sketch 2 arms that extend from where the head meets the body. Add clothes to the body. Finished.

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The line should be the same size as the head. This will be the guideline for the torso of your chibi character.  Keep the line light so it's easy to go back and erase the pencil. If you prefer to draw your character turning, bending, or crouched, for instance, you can skip this step. Decide how wide you want your character's waist to be and sketch a horizontal line halfway on the vertical torso line. The horizontal line will become your character's waistline. Then, draw an angled line coming from each side of waistline that narrows near the head. Place your pencil at 1 end of the waistline and make a slanting line goes down and slightly in towards the vertical guideline. Do this for the opposite side and then make an upside-down V shape that's centered on the guideline. The upside-down V will distinguish the 2 legs. The arms can be as narrow or thick as you like, but ensure that they extend just below the waistline. Then, make a small rounded circle at the end of each arm to represent the hands. If you like, you can make the hands more detailed by drawing fingers or jewelry. If you're drawing a simple character, you could draw a plain top and pants or a dress. For a more detailed character, include a few more features, such as socks, shoes, a tie, a belt, or a scarf. Feel free to add accessories to your character. For example, if you're drawing a chibi wizard, draw a cloak and staff.


Draw a vertical wavy line. Draw another wavy line coming down off the end of the first one to create a point. Repeat the process and gradually make the flames taller and taller. Reverse the process to draw the other side of the flames. Draw a smaller outline of the flames inside of the big one. Add an even smaller outline of the flames inside of the second one. Color in your flames using red, orange, and yellow. Erase all of the pencil lines in your drawing.

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Start where you want the base of the flames to be. Then, draw the vertical wavy line going up toward the top of your page. Stop when the line is about one-third the height you’d like the tallest part of the flames to be. Give the line 2 to 3 waves. This is the start of one of the flickering tails on your flames. Start at the top of the first wavy line you drew, and follow the curvature of that line. As you get further away from the starting point, increase the distance between the two lines so you create a thick, wavy tail. Make the distance at the thickest point about one-fourth the length of the first wavy line. Stop when you’re about halfway to the base of the flames. Make this second wavy line about half the length of the first one. Your flames will have several of these tails, and they’re what make the flames look like they’re flickering and burning. First, draw a vertical wavy line going up toward the top of your page that's connected to the last point you stopped at. Make it the same length as the first vertical wavy line that you drew. Then, draw another wavy line coming down from the end of the first line to create a new tail on the flame. Keep doing this until you reach the point where you want the center of your flames to be. Since you’re making the downward wavy lines half the length of the upward wavy lines, the flames will get taller each time you add a new tail. This is how real flames look—they’re usually tallest in the center and shorter on the ends. Once you’ve reached the point where you want the center (and tallest part) of your flames to be, continue drawing the wavy tails, but now make the downward wavy lines longer than the upward wavy lines. Draw a wavy line down toward the bottom of the page that's connected to the last point you stopped at. Make it the same length as the first wavy line you drew. Then, draw a wavy line up toward the top of the page that’s about half as long. This will cause the tails on the flames to get gradually shorter and shorter. Continue drawing new tails until...


Draw a warm bath. Add epsom salt. Soak in the mineral bath. Make an epsom salt compress.

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Studies have shown that soaking a cramped muscle can help improve blood flow and relax the muscle out of its tense, cramped state. Be sure that the water is not too hot, to prevent burns and discomfort. Epsom salt, which is made of magnesium sulfate, is a popular soaking solution for sore or cramped muscles. Add approximately one to two cups of epsom salt per gallon of water in the bathtub. It's okay to completely submerge your body in the epsom salt bath if you want to. At the very least, though, you should completely submerge the part of your body experiencing muscle cramps. Soak for at least 12 minutes to experience the relaxing effects of a mineral bath. Talk to your doctor about how long and how often it is safe to soak in an epsom salt bath. If you do not want to soak in the bath, you can also prepare a compress using the same measurements as you would for a bath. Simply soak a clean towel in the epsom salt bath and apply directly to the cramped muscle.


Draw an 20 in (51 cm) wide semicircle on a sheet of red paper. Cut the semicircle out with scissors.

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Place a ruler along the bottom edge of your paper. Tie a pencil to a piece of string, then hold the end of the string against the paper at the 10 in (25 cm) mark. Hold the string taut and use the pencil to draw an arc from the 1 in (2.5 cm) mark to the 20 in (51 cm) mark. You can make a smaller hat by making it 18 inches (46 cm) wide instead. If you see any pencil marks, use an eraser to get rid of them. If you want to make a fancier felt hat, use the semicircle you just cut out to trace and cut another semicircle out of red felt.


Draw an arc across both rays. Draw an interior arc. Draw a second interior arc intersecting the first interior arc. Draw a line from the vertex to the point where the arcs intersect.

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Open the compass to any width, and place the point of the compass at the angle’s vertex. Swing the compass so that the pencil draws an arc that crosses both rays of the angle. For example, you might have angle BAC. Place the compass tip on point A. Swing the compass so that it draws an arc intersecting ray AB at point D, and ray AC at point E. Move the compass so that the point sits on the location where the first arc intersects the first ray. Swing the compass, drawing an arc inside of the angle. For example, place the compass tip on point D and draw an arc inside the angle. Without changing the width of the compass, move the point to the location where the first arc intersects the second ray. Swing the compass, drawing an interior arc that intersects the first interior arc you drew. For example, place the compass tip on point E and draw an arc intersecting the first interior arc. Label the point of their intersection point F. Use a straightedge to ensure that the line is accurate. This line bisects the angle. For example, use a straightedge to draw a line connecting points F and A.


Draw an oval and divide it into 4 sections. Draw the eyes Sketch the eyebrows above the horizontal line. Add the nose halfway between the horizontal line and the chin. Draw the mouth about halfway between the nose and chin. Add the ears to the side of the head. Draw the hair Erase the horizontal and vertical guidelines you drew.

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This will be the basic outline of your anime character’s head. The proportions don’t have to be exact, but make the oval narrower at the bottom since that will be the chin. Once you’ve drawn the oval, draw a horizontal line through the center of it. Then, draw a vertical line through the center of it that intersects with the horizontal line. Later, you'll use these lines as guides to draw the facial features. If you want your character to have a wider face, widen the bottom of the oval so it’s just slightly narrower than the top. Or, if you want your character to have a slender face, make the bottom of the oval even narrower than the top. There's no single head shape used for all anime characters, so you can experiment until you find one you like. underneath the horizontal line. Anime eyes are big and exaggerated, and they usually take up about 1/4 to 1/5 of the height of the face. To draw one, start by drawing a thick upper lash line just underneath the horizontal line you drew and on one side of the vertical line. Then, draw a semicircle coming down off the upper lash line, and draw a black pupil in the center of it. Next, draw a narrow, horizontal line underneath the circle for the lower lash line. Finally, shade in the circle around the pupil, leaving some white space so it looks like light is reflecting off of your character’s eyes. Do the same thing on the other side of the vertical line to make the other eye. Draw a long, downward curving line for each eyebrow. Make them slightly longer than the upper lash line you drew for the eyes. Then, thicken the ends of the brows that are at the center of the face. If you’re drawing a feminine anime character, make the eyebrows fairly thin. For a masculine character, thicken the eyebrows so they’re more prominent on the face. Anime noses are subtle, and they’re usually only defined when you’re looking at a character from the side. To draw your character’s nose, draw a short, simple vertical line along the center of the face at the halfway point between the...


Draw an oval shape for Kobe's head. Make four horizontal lines. Observe the six dots that I added. Draw in the eyes. Step 5: Draw in the two shapes between the eyes and nose. Erase the construction lines. Shade the edges and area between the nose and the eyebrows. Then shade the forehead. Shade the cheeks and chin. Shade the lips. Finished.

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Notice that the bottom of the oval looks like an upside down trapezoid while the top of the oval shape is rounded. The top line MUST intersect the midway point of the oval shape. The lowest line should be placed at the bottom of the chin. After drawing the top and bottom lines, add two EVENLY SPACED lines between the top and bottom line. At the end of step two, you should have THREE evenly spaced segments between the top and bottom lines (refer to the picture). The top four map out the corners of Kobe's eyes, while the bottom two map out the corners of his mouth. Lets look at their relationship. Notice that these dots are leaning towards the right side of the oval. This is due to the fact that Kobe's head is slightly turned. Also, take a second to notice the distance in between the two eyes is equal to one eye length. Finally, notice that the middle part of the space designated for each eye, will line up with the outer corners of the mouth. Now, draw in the six dots. ...The upper eyelid as a rainbow shape and the bottom lid is close to a straight line. Notice that the iris is partially blocked by the upper eyelid. Encapsulate the eye in the oval shape that I just added.  In this step, make the bottom of the nose by drawing three connected, upside down arches. Do not worry about the bridge of the nose yet. After you make the bottom of the nose, draw the shape for the upper lip...... The upper lip looks like a squished McDonald's logo (picture the golden arches squished). Add the bottom lip. It is similar to a banana shape. Notice that the bottom lip is thicker than the top lip. Now that we have the eyes and part of the mouth done, take a second to notice the perfect square that is formed when you connect the points from the middle of the eye and the corners of the mouth. Make adjustments if you do not have this perfect square. Like the bottom lip, these shapes are very similar to banana shapes. They will help us shade the nose later.  Now add in the ears. Due to the fact that Kobe's head is turned; it appears...


Draw anything you want to add to your card. Attach the drawings to the 3D card.

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Perhaps draw clouds, trees, bushes, and people! Then cut out your drawings, neatly and carefully. In this tutorial, the artist has chosen to draw a snake that is coming up out of the card––it's a good idea to choose an image pose that suggests movement or length, to make the surprise even more exciting when the recipient opens the card. Use tape or glue to position the drawings in the right spot. Close the card to check it fits well, then you're done!


Draw attention to your eyes. Arch those eyebrows. Use lipstick.

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You can do this by wearing bold eyeshadow, thick eyeliner, and black mascara so that people will look at your eyes first before naturally looking vertically down to create an illusion. You can also apply concealer to the circles under your eyes to make them pop even more. Emphasizing your eyes is a great way to make your face look thinner. To emphasize your eyes even more, you can create cat eyes by making your eyeliner move up past the outside corners of your eyes. Giving your brows a bit more of a dramatic arch can help your face look a bit longer. Though you don’t want to overdo it, you should try to give your brows a nice arch in the center, so the arch lines up with your eyes, while keeping them pretty thick. Too-thin brows can drown out your face and make it look more round, so make sure you keep those brows fairly thick and arched. For an even more dramatic look, you can fill in your brows with eyebrow pencil. Applying lipstick to your lips can make your face look a bit thinner because it will draw attention to your lips. For an added effect, use lip liner and create a slightly exaggerated cleft in your upper lip to make your face look even longer than it really is. If lipstick isn’t your thing, you can go for a more subtle color or a lip gloss instead.


Draw designs onto the jar with hot glue before painting it. Paint delicate designs by hand using a small paintbrush. Use adhesive stencils to paint specific designs. Use cut adhesive vinyl to create reverse stencils. Create a customizable jar with chalkboard paint. Spray paint the jar if you are in a hurry.

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Clean the jar first, then draw designs onto it using hot glue. Allow the glue to set, then paint over the jar, preferably with spray paint. Allow the paint to dry, then distress and/or seal the jar, if desired.  You can draw simple designs, such as dots, swirls, or hearts. You can also write words on the glass instead, such as "Love" or "Witch Brew." If you don't have hot glue, you can try using puffy paint instead. The raised designs won't be as prominent and they will take longer to dry. Apply just a single coat of acrylic paint; if you apply more than that, the edges of your design may become blurred or uneven. Depending on how thick your coat of paint was, your design could end up looking somewhat translucent, which could lend your jar a delicate appearance. Print out a picture that you like, then tape it inside the jar. Paint your jar using the picture as a guide, then pull the picture out. Clean your jar, then apply your desired adhesive stencil. Apply 2 to 3 coats of acrylic paint to the inside of the stencil with a pouncer (a round, foam brush). Peel the stencil away, then allow the paint to dry. Seal the jar as desired. If you are using a paintbrush, apply the paint from the outside edges of the stencil inward. Clean your jar first, then cut a shape out of adhesive vinyl or contact paper. Smooth the shape onto the jar taking care to avoid any raised designs. Apply 2 to 3 coats of acrylic paint, allowing each one to dry. Peel the stencil away, then fill in any chips using spare paint and a small paintbrush.  If you wish to seal your jar, do so before you remove the stencil. Avoid painting over the stencil. This will reduce chipping when you go to take it off. Draw the shape by hand or use a cookie cutter to trace it. You can paint the entire jar with chalkboard paint, or apply it using a stencil/reverse stencil. Let the paint cure for several days. Prime the paint by rubbing chalk over it, then wiping if off. Draw a picture or write a message using chalk. For a twist, paint over the chalkboard jar...


Draw four congruent right triangles. Arrange the triangles so that they form a square with sides a+b. Rearrange the same four triangles such that they form two equal rectangles inside a larger square. Recognize that the area not formed by the triangles is equal in both arrangements. Set the areas of each arrangement equal to each other.

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Congruent triangles are ones that have three identical sides. Designate the legs of length a and b and hypotenuse of length c. The Pythagorean Theorem states that the sum of squares of the two legs of a right triangle is equal to the square of the hypotenuse, so we need to prove a2 + b2 = c2. Remember, the Pythagorean Theorem only applies to right triangles. With the triangles placed in this way, they will form a smaller square (in green) inside the larger square with four equal sides of length c, the hypotenuse of each triangle. The larger square has sides of length a+b. You can rotate (turn) the entire arrangement by 90 degrees and it will be exactly the same. You can repeat this as many times as you like. This is only possible because the four angles at the corners are equal. Again, the larger square will have sides of length a+b, but in this configuration there are two rectangles (in grey) of equal size and two smaller squares within the larger square. The larger of the smaller squares (in red) has sides of length a, while the smaller square (in blue) has sides of length b. The hypotenuse of the original triangles is now the diagonal of the two rectangles formed by the triangles. In both cases, you have a large square with sides of a+b. Given this, the areas of both of the large squares are equal. Looking at both arrangements, you can see that the total area of the green square must equal the areas of the red and blue squares added together in the second arrangement.  In both arrangements we partially covered the surface with exactly the same amount, four grey triangles that didn't overlap. This means that also the area left out by the triangles must be equal in both arrangements. Therefore, the area of the blue and the red square taken together must be equal to the area of the green square. The blue area is a2, the red area, b2 and the green area, c2. The red and blue squares must be added together to equal the area of the green square; therefore, blue area + red area = green area: a2 + b2 = c2. This...


Draw half-circles inside the middle of the basket to make apples. Make circular oranges with small flower stalks next to the apples. Sketch at least 1 to 2 bananas off to the side of the basket. Draw small circles that are clustered together to form a bunch of grapes. Sketch a whole pineapple for an exotic fruit basket. Use a blending stump to shade the fruit and give it dimension. Erase unnecessary lines and color the drawing if you like. Finished.

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Decide how many apples you'd like to place in your basket and sketch a half-circle for each apple near 1 end of the basket. Give each half-circle a slight dip near the stem so your apple isn't perfectly round. Go back and draw a small stem poking out of the top of each apple.  Draw the apples so they overlap a little and keep in mind that apples near the front of your basket will appear larger than ones that are tucked in the back. Practice drawing apples that are pointed in different directions so you see the stem on some or the bottom end on others. Sketch at least 1 or 2 circles or half-circles for the oranges. If you like, draw a very small circle on each orange and shade it in darker so it looks like the orange's flower stalk. If your oranges are tucked into the basket, make the upper half that are closer to larger than the ones near the back of the basket. If your oranges are placed on top of other fruits, make them completely round. Draw a long curve that looks like a smile and make a parallel curved line about 1 inch (2.5 cm) above it. Connect the ends of the curves to make the stem and tip of the banana. To create a cluster of bananas, draw another curved line so it's parallel to the top line. Then, draw a small square at 1 end in order to make the stems. If you'd rather put the bananas in the middle of the basket, draw a cluster of them in the center. Remember that a cluster of 4 or 5 bananas are attached by the stem. Give your basket of fruit an interesting dimension by draping the grapes from inside the basket over the side. Draw the grapes so they're small and coin-sized compared to the larger oranges and apples in your basket. If it helps, lightly draw the outline of the cluster so you know the overall shape of the grapes. Then, fill in the outline with lots of small circles. To make the cluster look more realistic, draw a thin line between some of the grapes, which will look like a stem that's connecting them. To fill a large space in the basket, draw a large oval for the main part of the...


Draw in light pencil strokes. Look at the skeletal and muscle structure if you have trouble with proportions. Exaggerate the parts you want to stand out. Adjust the drawing as needed. Finished.

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If you try to draw in pen from the beginning, you won't be able to correct mistakes as you go. Plus, when you start out, you want to create guides for your drawing. At the end, you erase those guides, so they need to be in pencil. Light pencil marks are important because if you draw too heavily, you'll leave indentations in the paper. Most art students have trouble with proportions at some point! A way to help with that is to study how an animal or human is built based on their basic anatomy. Try looking up anatomical drawings online for what you're drawing and sketching those as practice. A figure drawing class would also be helpful in learning how to draw cartoons. Cartoons are meant to be exaggerated because they tell a story just by the way they're drawn. If your character is angry, you may want to exaggerate their head with an angry expression. If your character is fierce, you may want to exaggerate their muscles or armor. To achieve this, make these portions slightly bigger or overdone in comparison with the rest of the body. As you draw, don't be afraid to make changes to the shape of the character. Erase the outer lines and draw in new ones if they don't look right or continue to adjust the shape of the face to make it look sharper or cuter. You're drawing in pencil so you can make changes throughout the picture. Plus, as you draw, you'll be able to see the shape you want your cartoon character to take.


Draw lines or dots with hot glue if you are in a hurry. Sew suede circles to the heels and toes if you have more time. Use silicone sealer if you want the socks to be waterproof. Finished.

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Create cardboard inserts for your socks, just like you would for puffy paint soles. Squeeze out lines of hot glue across the bottom of your socks, or make dots instead. Wait a few minutes for the glue to dry, then remove the cardboard inserts.  Hot glue dries rigid, so this method will work the best on thicker socks. If you use it on thinner socks, make the hot glue dots/lines thin. Make the lines horizontal so that they go from side-to-side. They can be straight or squiggly. If you made dots, arrange them in a grid-like pattern. Do not coat the entire bottom of the sock with a solid layer of hot glue. It won't be comfortable to walk on at all. Cut 1 circle and 1 oval out of suede. Use a leather hole puncher to make holes around the perimeter of each shape, about 1⁄2 inch (1.3 cm) apart. Use a darning needle to hand-sew the circle to the heel of your sock, and the oval to the toe. Repeat this step for the second sock.  This will work the best on crochet or knit socks and slippers, but you can try it on store-bought socks in a pinch. Use the same yarn to sew the shapes on that you used to make your socks. If you used thick yarn, choose a thinner yarn in the same color instead. You can do this with shelf liner too. Don't use fake suede or fake leather; they are too slippery. Create cardboard inserts for your socks, just like with puffy paint soles. Apply a swirl of silicone sealer to the underside of each sock. Use your hand or a craft stick to spread the sealer into a thin, even layer. Wait 24 hours before removing the cardboard and wearing the socks.  This method will make the socks stiff. It is recommended for handmade socks or slippers rather than thin, store-bought ones. If you are using your hand, it would be best to wear vinyl gloves. Silicone sealer comes in white and clear. You can also use a brush-on rug backing or rubber compound (i.e.: Plasti-Dip).


Draw monsters and doodle. Draw from direct observation. Use short lines. Practice proportions. Draw snakes.

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Just scribble! Get your creative juices flowing this way. You’ll actually start to observe how things come together, and you’ll start to develop a steady hand. This will also help you hone your creativity because you’ll be drawing all your own ideas. This is a great way to learn how things fit together and how to draw common objects. Try to draw the couch in your living room, or the tree in your back yard, or anything else. It’s probably best to start with objects rather than landscapes. Landscapes can be tough because you're dealing with perspective. However, it is completely up to you! Short lines make it much easier to draw straight lines, squares, and circles. It’s much more natural for us to draw using short lines. Just try drawing using tiny dashes and you’ll find that you have much more control over your pen or pencil. Try to see proportions everywhere. Compare the size of your fingers to the size of your hand, the size of your backpack to that fence off in the distance, etc. Start by drawing the simplest things you can think of, like a square house and a person standing next to it. Once you start to feel comfortable with basic proportions you can move on. You don’t like snakes? Well, too bad! Drawing snakes is a great way to help you practice drawing parallel and concurrent lines more effectively. It’s a good way to free your hand. If you’re finding it really difficult, start by drawing circles next to each other in the shape of a snake. Make the first circle the largest, and then each one smaller after that. Now draw parallel lines on the top and bottoms of all these circles. That's the idea behind drawing a snake.


Draw out 4 triangles of equal size on a piece of cardboard. Cut your triangles out with scissors or a utility knife. Glue 2 triangles together at the edge with a glue gun. Attach your other 2 sides together and combine your pieces. Draw and cut out a square base for your pyramid. Draw vertical and horizontal lines with a permanent marker to make bricks. Use a butter knife or popsicle stick to spread glue over each face. Sprinkle sand over your pyramid to make it look real.

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Each triangle has to be exactly the same size to make a perfect pyramid. Measure your base first and then draw a line extending from the center. Use a ruler as a straight edge to draw connecting lines between the top of your center line and each end of the triangle's base. To make a medium-sized pyramid, make each triangle 8 inches (20 cm) wide and 12 inches (30 cm) tall from the center. Place your cardboard on a stable work surface and hold it in your nondominant hand. Use your dominant hand to cut along each side of each triangle. Continue cutting until you have 4 triangles of equal sizes. If your cardboard is too thick to be cut with scissors, put a cutting board down and lay each piece of cardboard flat. Use a utility knife to cut each triangle out by dragging it through the cardboard along each section of your outline. Plug in a glue gun and set it down nearby to let the glue heat up. Use both hands to hold 2 triangles with their bases flat on the work surface and lean them together so that 2 of their edges meet. Use your nondominant hand to hold them together near the top as you grab your glue gun. Pull the trigger on the glue gun as you slide it along the edge where your 2 faces meet. Hold your 2 sides still for 45-60 seconds to give your glue time to initially dry. Set your 2 pieces aside and leave them for 10-20 minutes to let the glue fully set. Glue the other 2 sides together the same way and let them air dry. Once you have 2 pieces, arrange them in the center of your work surface so that each remaining edge is connecting. You should be looking at an unglued pyramid at this point. Use your glue gun to run hot glue along the 2 remaining edges and let it dry for 10-20 minutes. After you put glue along the 2 remaining edges, lightly press your pieces together for 30-45 seconds to keep any gaps closed as it dries. You can draw your base out so that it fits perfectly around your pyramid by holding your glued triangles in place and using the base of each face as a straight edge. You can also choose to...


Draw out the pH scale. Label the pH scale. Talk about common acids and bases. Explain what the scale shows. Discuss the chemistry behind acids and bases.

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Get some paper and markers or crayons. Draw a long, thin, vertical rectangle and draw lines to divide it into 14 sections. Have kids color in each section a different color. Try to create a scale of gradually shifting colors -- for instance, start with light yellow in the bottom section, then move through yellow-orange, orange, red-orange, red, violet, purple, indigo, blue, blue-green, etc. Have the kids label each section of the scale with a number in consecutive order, with 0 at the bottom and 14 at the top. Write “Acids” near the bottom and “Bases” at the top. Explain that numbers 0-6.9 apply to acids, 7 is neutral, and 7.1-14 refer to bases. Explain that acids and bases are found all over the place. For instance, bodies use acids to help digest food, and many cleaning products contain bases. Ask the kids to name some common substances and guess if they are acidic or basic.  You can mention that acidic substances, like orange juice or tomatoes, taste sour. Bases, like baking soda or soap, are bitter. This is also a good time to explain that some acids and bases are very strong and can be harmful. Battery acid and ammonia (a base) are two dangerous substances that may be encountered at home, for instance. Another activity might be to have the children draw or write the mane of some common acids and bases and then identify where they fall on the acid/base scale. Tell the kids that some substances are acidic and some are basic, and that the pH scale helps people determine how strong those substances are. Point out that many common substances are acids and bases, and mark them on the scale. Common substances and their pH levels include:  Bleach (13) Soapy water (12) Baking soda (9) Pure water (7) Black coffee (5) Lemon juice (2) If the kids are more advanced or have some knowledge of chemistry, explain that bases produce negative hydroxide ions (OH-) and acids produce positive hydrogen ions (H+). The greater the concentration of H+ ions, the stronger the acid (and vice versa).  If the kids know a bit about...


Draw pictures on your letter. Add a border. Address the envelope. Give the letter to your parents to send.

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Now that you've finished writing your letter, you can decorate it however you'd like! You might want to draw some Christmas trees, a reindeer, or a snowman. You can even draw a portrait of Santa himself! Santa is sure to get a kick out of that.  Use crayons, markers, colored pencils, and pens to draw all sorts of Christmas pictures. If you make a few mistakes, don't worry. Santa loves little imperfections. However, if you really want to start over, you can. If you want, you can draw a border around the edges of your letter. Your border can be anything you want! You can do simple line border or draw a patterned border made of stars or Christmas trees. Ask your parents for an envelope, and slide your letter inside. On the front of the envelope, write “Santa Claus, North Pole” in big, clear letters. That way, the postman will know where to send the letter. Seal the envelope when you're done. Feel free to decorate the envelope, too! They'll know how to get it to Santa. Soon, your letter will be on its way to the North Pole! Santa will be impressed by all the work you put into writing it. It might be cool to ask your parents to show you the North Pole on a map so you can see where your letter is going. It looks cold there, doesn't it?


Draw something or try creative writing. Write a story. Make a maze. Update your diary or start one if you don't already have one. Be inspired by household objects.

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You can copy things from books, or make up some funny images of completely imaginary creatures or characters. Draw a picture for a friend or a family member. Whether it's a short story or a giant novel, grab a notebook or a laptop and start a story. Maybe you've got random inspiration but don't know when to let it out on paper but when you're bored, it's a perfect time to write a story. You could also write jokes, letters to the editor, comments on blogs or YouTube videos (keep them positive) or poems. Maybe you have a small pet, like a mouse, gerbil or hamster. If so, you could set up some Lego bricks or building blocks in a maze formation. Or, use cans to make a little labyrinth. Put a treat at the finish for your pet and see if he/she gets it. Don't put your pet into a maze if it doesn't want to do it. Write in it or read what you wrote in the past. It's always fun to see what you went through before and what your thoughts were. Look for things around the house that will give you an idea of what to do. For example, if you saw a pencil, it could inspire you to write. Almost any object can inspire you to read. Or, a spoon could encourage you to cook or a needle to sew.


Draw the body by drawing a really sloppy oval. Add the 2 ovals. Draw the muzzle and joints. Add ear and legs. Complete the legs. Add paws. Using a pen, draw on top of your sketch. Erase the pencil sketch and add details. Color your wolf.

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Draw a bean-shaped elongated oval for the body. Make sure that you are using a pencil for the draft sketch, so you can erase it afterwards to make it neat. One oval should be bigger and longer and should point slanted upward. This is the wolf’s neck and head. The other oval should be drawn on the other end of the body. A long, thinner, vertical oval will be added for the tail. Just beside the tail and at the base of the slanted oval, add two circles for the leg joint. For the muzzle, add a smaller oval pointing in the same direction as the neck/head oval. Add a tear-shaped figure below the muzzle this would be the jaw. Because of the angle, only one ear is visible. And to draw this, just draw a small rounded triangle pointing the opposite direction as the muzzle. Add the legs by drawing lines below the leg joints. The hind leg should bend towards the tail. Add similar lines to define the width of the wolf legs. The bottom part of the legs should look flat into the ground. Add another pair of legs behind the ones you drew before. Because they are only slightly visible from the view, just draw a small part of them, peeking behind the legs Add 2 pairs of circles at the end of the flat base of the legs. You should have the basic outline now. Put in mind the overlapping lines and parts that should be hidden. Remember to use fuzzy-looking crooked lines to get the wolf’s furry look. The line art might not look perfect and crisp, but it should look neat when the pencil is erased. You can add details like the ears, eyes, mouth, nose, paws, claws and fur. You can also add extra lines to emphasize the paw and the fur. Depending on the breed, wolves can go in different shades from gray to brown or even white.


Draw the body by drawing an oval. Add joints and head. Finish the neck and add the ears. Add muzzle and legs. Add eyes and tail and finish the hind legs. Using a pen, draw on top of your sketch. Erase the pencil sketch and add details. Color your wolf.

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Draw a bean-shaped elongated oval for the body. Make sure that you are using a pencil for the draft sketch, so you can erase it afterwards to make it neat. Draw a circle at the one end of the bean, this will be the head. For the hind joints, draw two overlapping circles. One should be smaller because it’s for the hind leg that is not in full view from the angle. At around the chest part of the wolf, add a slightly elongated circle for the fore legs. Draw two-pointed curves on top of the head for the ears. Unlike foxes, wolf ears are smaller. To work out the neck (or the scruff) just draw two slightly curved lines and connect both sides of the head to the bean-shaped body. For the hind legs, start by drawing curved lines from the leg joint. The lines should bend outwards towards the tail part of the wolf. For the fore legs, you can just add 2 thick lowercase “l”. Since one of the wolf’s legs is hidden, only a small part of the other leg could be seen. For the muzzle, add a small letter “U” at the head. For the eyes, just add two small tear-shaped figures above the muzzle. Finish the hind leg by adding a similar shape to the one you did earlier but this time, add some small paws at the end of the legs. The tail is hardly seen because it’s hidden behind the hind legs. Because of that, you can just add a long curvy line at the end of the bean-shaped body. You should have the basic drawing skeleton now. Put in mind the overlapping lines and parts that should be hidden. Remember to use fuzzy-looking crooked lines to get the wolf’s furry look. The line art might not look perfect and crisp, but it should look neat when the pencil is erased. You can add details like the ears, eyes, mouth, nose, paws, claws and fur. You can also add extra lines to emphasize the paw and the fur. Depending on the breed, wolves can go in different shades from gray to brown or even white.


Draw the grid. Decide your labels. Be careful of spacing.

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You will first need a grid on which to draw your graph. You can either purchase grid paper or you can draw it yourself using a ruler. Make sure that the lines are straight and evenly spaced. They should be a distance apart as is appropriate for the graph you intend to produce. You can have an L-shaped graph or a t-shaped graph. It will depend on whether or not you need to show negative values. The L or t base will be your main axis, or the baseline for your values. The horizontal line is called the x-axis and the vertical line is called the y-axis. You will need to determine what will go on the x and y axes. This will depend on the type of data you are trying to show. The two should be correlated and accurately present the data you are trying to show. Assign the label to the axes and then label the intervals of change in evenly spaced increments along the axes. One common example would be for the x-axis to represent time and the y-axis to represent a value that changes over time. You will want to carefully determine the increments by looking closely at the data you need to represent. Be sure that you have enough space to clearly show all of your data. Both axes should go beyond the last datapoint you need to show.


Draw the head and the body. Add the ears and the jaw. Add a big letter “S”. Add arm(s) and legs. Add 2 set of long ovals under the each circle. Using a pen, draw on top of your sketch. Erase the pencil sketch and add details. Color your squirrel.

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Draw a circle for the head and a pear-shaped figure just below it. Optional: draw a vertical line from both ends of the pear. Make sure that you are using a pencil for the draft sketch so you can erase it afterwards to make it neat. Draw 2 tall pointed arcs for the ears. Add a horizontal oval at the bottom of the head. This will be the jaw or the cheek of the squirrel. This will be your squirrel tail. Draw a circle at the base of the pear, this will be the squirrel’s hip bone. Since the angle is on the ¾ view, only half of the other hip bone should appear. For the arm, add a long tilted U on the body. This will be your squirrel’s paws. Put in mind the overlapping lines and parts that should be hidden. The line art might not look perfect and crisp but it should look neat when the pencil is erased. You can add details like the ears, eyes, mouth, nose and fur. You can also add extra lines to emphasize the paw and the fur. Squirrel can go in different shades from orange to red or even brown or gray, all depending on the breed.


Draw the pattern on the boards. Choose a paint for the cornhole boards. Use a brush or roller to apply a layer of paint to the boards. Consider using spray paint. Dry the boards for at least 2 hours before applying another coat of paint.

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If you're creating a detailed pattern or design, take a pencil and draw the design directly on the primed boards. This will give you an outline for painting the boards. If you're making geometric designs (such as angles that point toward the hole) use a ruler or yardstick to draw straight lines. Decide how glossy you want the painted boards to be. For a slight shine, choose a semigloss paint. For very shiny boards, pick a high gloss paint. Determine if you want to paint the boards a single color or if you want to paint each of them different colors. For example, you might paint 1 of the boards red and the other board blue. For detailed boards, use different colors or hues on each board. Open the paint and use a paint stirrer to combine the pigment and binders in the paint. Either dip a paintbrush into the paint can and wipe the excess on the rim of the can or pour the paint into a paint tray. Dip a roller into the tray and roll it back a few times to load the roller with paint. Brush or roll a thin layer of paint evenly over the board. If you dislike painting or want to quickly get an even layer of paint on the boards, buy spray paint. Wear a face mask when using the spray paint so you don't breathe in the fumes. Spray the paint slowly and evenly so it doesn't pool on the boards. To ensure that overspray from the spray paint won't get on any surrounding items, move things away from your work space and lay a drop cloth over the entire area. Follow the manufacturer's drying instructions or wait at least 2 hours before you apply another coat of paint. You'll probably need to paint a total of 3 to 5 coats of paint, waiting the full 2 hours between each coat of paint. Darker colors of paint or higher quality paint will need fewer coats of paint.


Draw whatever is stressing you out. Release emotion onto the page. Keep an illustrated journal.

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Be detailed and don't hold back. Draw literal or metaphorical representations of scenarios that indicate the sources of your stress. Creating a visual equivalent of what you’re facing is a powerful way to affect your feelings, and even help conceptualize solutions.  Destroy the representation of your stress. Scribble all over it, or tear the page into tiny pieces. Use your hands to make the act of destruction especially satisfying. Throw it all away! Just the act of metaphorically throwing your stressors away can be powerfully therapeutic. Without intending to draw anything in particular, simply apply your drawing utensil to a blank sheet of paper. Close your eyes.  Focus on whatever emotions you’re feeling and would like to get rid of.  Once you’re focused on an emotion, allow it to pass through your arm and hand onto the sheet of paper.  Allow your emotion, not your mind, to dictate the movement of the pen or pencil. Whatever comes out on the page is simply an expression of what you’re feeling. Since visual art is nonverbal, you don’t have to struggle to try to express yourself with words. Evoking feelings through creative expression can literally help you release emotions you’re holding in.  Recognize that the illustration itself is insignificant. Focus purely on the act of drawing.  By doing this, you’ll be more mindful of the present moment.  This allows your mind to clear itself and calmly begin to recalibrate your emotions. You can conceptualize the journal in a certain way, or as a catch-all for your drawings.  You may want to focus on drawing everything you feel positively about in life.  Alternatively, you may simply want to draw everything that frustrates you.  Or you can simply attempt to draw things that you find aesthetically pleasing.  Keep a specific version of an illustrated journal in which you draw about feelings or ideas that come to you in specific contexts. For instance, keep a dream diary by your bed and attempt to draw what your imagination conjures in your dreams.


Draw while you take notes. Do homework for your other classes. Write a joke for every paragraph (or half a page) of notes.

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Doodling helps you kill time, but is not so distracting that you will be unable to tell what is going on in class. Bring a notebook and a pen wherever you are, so you easily can open the notebook and kill some time. Doodling as you take notes, or making doodles about your notes, will actually help you remember what you learned in class, as well as make the class more interesting. It will make your notes more distinctive, and you will be able to remember more of what happened during the discussion. Some classes are so slow that you can do homework while keeping your notes open. This will decrease the amount of time you spend doing boring school things by doubling up. If you have printouts, these are easy to hide underneath your textbook for the class you are in.  If you understand the material in class before your teacher finishes lecturing about it, you can read ahead and finish your homework for that class. Finding jokes in the lesson can help you settle in with the material and start to enjoy it, and it’s an easy thing to do while you take notes.  Start with puns, as these are the easiest form of jokes.  They are also unapologetically bad, no matter how good they are, so you don’t have to worry about being funny. “Washington?  He’s lucky if he’s a Washingpound!”  It’s bad, but it still took time to think it up. These also have the benefit of being possible captions for your doodling.


Draw your race.

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This can help to give a clear physical idea of what you're working with. If drawing isn't your forte, another option can be to write out a physical assessment on your new race to help give an overall description.


Dream about the future you want. Dream about your favorite things. Roleplay in your dreams. Dream up something creative.

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Daydreaming with a goal in mind can help you motivate yourself to achieve it. Let yourself imagine your life as you'd like it to turn out. Play out your future as you see it unfolding, giving yourself total freedom to indulge your fantasies. Will you become president? Move to a tropical island? Start your own company? Fall in love and start a family? In your daydreams, anything is possible.   Try imagining all the things that would make you happy and putting them into a story. Keeping the story and characters consistent will make it more fun and easier when finding yourself in different surroundings. Keep your stories and situations positive, and build on them each time you daydream. You could also try creating a vision board. These are fantastic tools for situations where you're trying to imagine a specific outcome or need motivation to achieve a goal. Maybe it's not quite as productive as dreaming about your goals, but it's fun to daydream about your favorite things. Dream about things that make you happy, like certain people, activities, places, even foods that bring a smile to your face. Keep in mind, however, that if you make a habit of dreaming of your favorite things as a way to take your mind off of what's right in front of you, you might experience a decrease in happiness.  For example, give yourself a lift by daydreaming about your favorite vacation spot. Your daydream will increase your happiness more if you actually have plans to go there at some point. But if you let yourself daydream about something that's unattainable, like getting romantically involved with someone who isn't single, daydreaming can be a recipe for frustration. Imagine a real life situation and act it out in your mind. Act out the movements in your mind just as powerfully as if you were going to do it. This will enhance your problem-solving ability and your ability to think from another person's point of view.   For a different twist, imagine yourself thrown into the world of your favorite book or movie.  What would you do? ...


Dream up a visual story. Expand your idea into a story. Write a screenplay. Storyboard your film.

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Because most movies are essentially visual stories, the first step is coming up with an idea that you want to turn into a movie. What's something that you'll have to see to believe? You don't have to have every detail in place, but you should have a basic idea of the premise.  Think about the movies you like to watch, or the books you like to read and consider what makes them so interesting. Is it the characters, the action, the visuals, or the theme? Whatever it is, keep that element in mind as you plan your movie. Write out a list of all the props, locations and actors which are currently available locally then develop a film around this. Keep a dream journal, dreams like films are visual stories and dreams. Keep a notebook with you for writing ideas down. Read the news stories in the papers. Have a basic idea, and work with that. Narrow it down as you go along while writing the plot. The essentials for building a story from your idea have to do with character. Who is your protagonist? What does your protagonist want? What keeps them from getting it? How will the protagonist be changed? If you can answer all these questions, you're on your way to a great story.  It's been said that all stories have one of two basic premises: A stranger arrives and shakes up the normal way of things, or a hero departs and goes on a journey.  Make sure your story has a beginning, in which the scenario and the characters are introduced, a middle, in which the conflict builds, and an ending, in which the conflict is resolved. Most stories have exciting points that make it awesome. However, too many can spoil the play. A screenplay breaks every moment of the story into an individual, film-able scene. While it may be tempting to want to costume-up and start filming every scene as it comes, you'll be in much better shape if you can plan things out beforehand and think of your film scene-by-scene.  A screenplay writes out all the dialog, attributed to each character, along with some physical directions, exposition, and camera...


Dredge the eggs in flour. Mix the annatto powder and warm water. Combine the batter ingredients. Coat the eggs with batter. Heat oil in a deep pan. Fry the eggs. Drain and cool slightly.

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Sprinkle 1 cup (250 ml) flour into a small dish with shallow sides. Roll the freshly peeled quail eggs in the flour until each one is well-coated all the way around. Note that you could also use corn flour when dredging the eggs instead of wheat flour. Corn flour has a lower gluten content, but otherwise, it will act the same way as the wheat flour acts and will adhere just as effectively. Dilute the annatto powder by mixing it into 3/4 cup (185 ml) warm water. Stir with a whisk until dissolved.  Annatto powder is mostly used as a coloring agent, and when combined correctly, it should produce a deep orange color. It does give the batter a hint of flavor, though. If you do not have annatto powder, you can use orange food color instead. Place a few drops of orange food coloring, or a few drops of red and yellow food colorings, into the warm water and mix until you get a deep orange color. The food coloring will not give the batter the same exact taste as the annatto powder gives it, but the color should be about the same. Mix another 1 cup (250 ml) flour, baking powder, and diluted annatto together in a large bowl, using a whisk. Combine thoroughly until there are no lumps.  To improve the quality of the batter, set it off to the side for about 30 minutes before coating the eggs. Letting the batter sit allows the flour to become more thoroughly hydrated, creating a thicker, richer batter as a result. The resting time also gives the baking powder more time to activate. Be careful, though, since allowing the batter to rest for more than 30 minutes can cause some of the bubbles produced by the baking powder to escape, creating a denser, less airy batter as a result. Also note that the baking soda is not an absolutely essential ingredient. Some recipes leave it out completely. You could leave it out, as well, and the result will simply be a slightly denser batter. Toss the eggs into the batter mixture. Roll them around gently until all sides are covered in batter. If you do not want to get your fingers sticky, use...


Dress and look appropriate. Arrive early and get prepared. Avoid some common mistakes when reviewing your contract.

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Looking your best is a big part of successfully auditioning and landing a role.  Exactly how you should dress and look will largely depend on the role you are auditioning for.  However, there are some standards that can generally apply to any audition.  Keep some of these tips in mind to help boost your chances of getting the role you're auditioning for:[  You will want to wear makeup.  Go for a natural look and avoid any trendy or overly stylish elements. Dress well for the audition.  Avoid blue jeans, baggy clothes or wearing something that could look strange or unprofessional. Try to recapture the look that you had in your headshots. You should try to look as if you were ready to film the actual commercial. You should always arrive early before an audition to give yourself a much better chance of getting the role.  Arriving early will give you time to pick up the copy, ask questions and get ready for the moment of your audition.  Always make sure to give yourself plenty of time to help you be prepared and to make your audition a successful one.  Don't be afraid to ask questions about your role or the style of the commercial. Spend some time practicing your lines out-loud. It can be helpful to work on a few different methods of playing the role. Stay focused, positive and professional while you wait for your audition. Keep relaxed and have fun with your audition. If you've successfully auditioned, you will be offered the role and asked to sign some form of contract.  The exact terms of your contract will vary greatly depending on the role, the company, the project and if you are a unionized actor.  However, there are some common mistakes that you can avoid making.  Always read over your contract entirely and make sure you understand everything you are agreeing to. If you don't understand your contract, you can try speaking with your attorney to learn more. Look out for any exclusivity agreements.  These will prevent you from working on other projects. Learn how long your contract will last and what you can...


Dress appropriately for your character. Choose a hairstyle that reveals character. Select accessories which suggest a story or create a mysterious element to your character. Select a gender that adds to the intrigue of your character.

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Consider the time/place you are making for your character. A princess in a medieval setting won't be running around in men's clothing (unless, of course, she is a runaway and this is important to her character!) Robocop would choose black over pink dress wear.  He wouldn't wear tights.  Robin Hood, on the other hand, would. Slicked-back hair suggests a slick character. Messy hair, a laid-back and, perhaps, confused character.  Hair that's arranged unusually or dyed pink or blue might suggest a character who has a flair for being original or off-beat. Why does your vampire wear a chain around his neck? What's up with the lightning scar on the forehead of your roleplaying Voldemort character? These accessories ask a question that begs an answer. They make your character interesting. The obvious choice, of course, is to select your own gender for the gender of your roleplaying character. But roleplaying is about breaking boundaries.  Why not try selecting the opposite gender for your roleplaying character? You might find an avenue into creating an inspiring and original character.


Dress appropriately for your court appearance. Let your friends know about any courtroom rules. Know what time your hearing is and arrive early. Be prepared to go through security. Treat everyone you encounter with respect.

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You will want to dress conservatively.   Dressing professionally and conservatively is a sign of respect for the judge and the court. Acting respectfully is very important for courtroom conduct. Men should wear a suit or dress slacks and a dress shirt. Women should wear a conservative dress, business suit, or dress pants and a dress shirt. Flip flops, excessively high heels, and sneakers shouldn't be worn to a trial. Avoid wearing loud bright colors or all black. Wear only necessary jewelry such as a wedding ring or watch. Don't wear heavy bracelets, earrings, or necklaces. Avoid any clothing that is revealing or that has any explicit language or images on it. Cover any visible tattoos. Sunglasses and hats must be removed before entering the courtroom. If you are going to have friends and family present in court, they will need to know how to conduct themselves.   Any guests in the courtroom should plan to arrive on time for the hearing. Cell phone use is prohibited in the courtroom. Guests should not eat, drink, or chew gum in the courtroom. Children are permitted in most courtrooms, but they will need to be quiet and respectful of the trial. Children who are disruptive may be removed from the courtroom. All conversations should take place outside of the courtroom. You will want to arrive early and wait outside the courtroom to be called.   Contact the court ahead of time if you aren't aware of what time you need to be there. Plan to allow extra time to find parking or to get public transportation. When you get to the courthouse, ask courthouse staff where you should wait. Most court buildings have a security checkpoint.   You may need to go through a metal detector. Make sure you can remove all metal objects from your clothing. Do not bring weapons with you into the courthouse. These items are banned. Avoid bringing drugs and tobacco products with you. Illegal drugs should never be brought to a courthouse. Remember to make eye contact with people you speak to.  Always say "Thank You" to anyone who gives you...


Dress appropriately to suplex. Choose the right practice partner. Practice in a safe area. Lead into the suplex with a strike. Get into the suplex hold.

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Clothing that is too loose can get tangled with your practice partner, which could cause injury to either or both of you. You'll want you and your partner to be wearing clothing that allows a free range of motion without being baggy. When doing this move, to perform safely you'll need to grab onto the fabric of your partner's shorts/pants. Clothing that rips easily should be avoided. Once you've mastered this move, you'll likely be able to do it with people who are different sizes. To begin with, you should choose someone who is roughly your weight and height. This will make it easier for you to get the hang of the move. People who are significantly heavier than you may be impossible for you to suplex. Those who are too light might not offer enough resistance. It's best to practice this move on a flat, padded surface to best prevent the chance of an injury occurring. Pillows are not recommended, as the padding in these isn't intended to cushion the impact of a fall. You should also make sure your practice area is free of obstacles, like toys, trees, or tripping hazards. The classic setup for the suplex involves your partner being slightly bent at the waist. To get your partner into this position, you may want to pretend to strike them in the gut, so it looks natural for them to be in this bent position. Many pro wrestlers will use a toe kick to the belly to enter this setup.You could also use a fake gut punch to get into position. Facing your partner head on, take your left arm and put it behind their neck. They should do the same to you. With your free hand, reach down and grab a firm hold of your partner's shorts/pants and have your partner grip your shorts/pants firmly as well. If you or your partner are wearing a belt, this can be a useful handhold. You can also grab a handful of the fabric tightly.


Dress appropriately. Consider how you'll carry your things. Pack an emergency kit Take only the gear you'll truly need. Bring plenty of water and high-energy foods.

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Wear padded cycling shorts and a lightweight, breathable cycling jersey. At the very least, shorts and a t-shirt will do – anything that will wick your sweat, and that you can comfortably cycle in all day. Consider wearing gloves to protect your hands from the bite of the wind and the friction of the handlebars. Bring your clip-in cycling shoes, if you have them, but be sure to pack a lightweight pair of extra shoes so that you can walk around comfortably when you're off the saddle. Last, but not least: wear a helmet!  It is important that the shorts are padded. Cycling shorts are specially designed with extra fabric to protect your groin, rear, and inner thighs from the friction of sitting on a bicycle seat all day. Make sure that they fit well! If it's cold, consider wearing leggings, thermals, or lightweight sweats over your cycling shorts. The slight added weight and loss of mobility will be worth protecting your bare legs from the wind-chill. If it'll be bright out, wear sunglasses to keep the sun's rays out of your eyes while cycling. This is especially important if you find yourself biking directly toward the position of the sun! The choice is largely dependent on comfort and capacity. Feel free to use a backpack, if you'll just be gone for the day and you don't need much. If you are taking a longer trip, think about buying or making panniers so that you can easily carry things on the back of your bike. If you are going on a very long trip, consider building or buying a small trailer or caddie to pull behind your bicycle. . Include a small portable tire pump, a tire patch kit, and a basic toolkit in case something goes wrong with your bike. Make sure that you know how to use these tools; practice beforehand! Consider carrying a basic first-aid kit: antiseptic wipes, ibuprofen, and a few band-aids. At its most basic, your toolkit might include a set of Allen wrenches and a tire lever. You can use the tire lever to easily pry away a bike tire when you need to patch or replace your tube. In a pinch, you...


Dress appropriately. Equip other useful gear. Take only what you can realistically use. Stay vigilant. Don’t leave behind a mess.

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There’s a good chance that whatever you wear is going to get dirty or torn, so wear older garments that you don’t mind ruining. Comfortable clothing will allow you to move around freely, which can be helpful should you have to do any climbing or other maneuvering. It’s also a good idea to pull on a pair of thick-soled, closed-toed shoes or boots to protect your feet from sharp exposed edges.  Wear pants and tops with long sleeves to minimize your exposure to unsanitary messes.  If you’re going to actually enter the dumpster, wear sturdy fabrics like denim, nylon or leather and keep as much of your body covered as possible. Remove any accessories you don’t want to lose before you get inside. Feel free to bring along anything else that you think might come in handy, like a pair of thick gloves or a small stepping stool or milk crate to help you get up into the dumpster. Night dives should be accompanied by a flashlight or headlamp to make it easier to see. Don’t forget to also bring some kind of spacious container to stash your discoveries in.  A durable canvas laundry bag can make a great way to transport your finds back home. Use a long pole to poke around in the trash until something catches your attention. If you’re careful enough, there may be no need to get inside the receptacle at all. Flashlights may also be necessary during the daytime if the dumpster is especially deep or situated in the shade. While you may be tempted to bring back anything and everything of potential value from your dive, it’s best to limit your haul to the things you have a specific need for. Otherwise, useless items will just accumulate and eventually find their way into the trash again.  Organize your finds into a few separate piles: things you can use, things other people might be able to use and things you can sell.  If you don’t find anything worth keeping, cut your losses and move on to the next spot. As mentioned, dumpster diving is looked upon with notoriety. If you’re not paying attention, you may end up being surprised by...


Dress appropriately. Keep your distance. Do not feed the monkeys. Consider your body language. Be careful when taking pictures.

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It’s best to wear plain and simple clothing when going into an environment with monkeys.  Do not wear jewelry. Remove all piercings. Leave anything shiny at home, for example, sequin-covered shirts. Long hair should be tied up or put back. Consider wearing contact lenses instead of glasses. Leave your purse, fannypack or backpack at home. Monkeys in popular vacation areas have been known to raid them for food and treats. Set aside your fantasies about getting close to a cute and loveable monkey. Sure, it’s possible to cultivate a relationship with monkeys over a long period of time. And some monkeys are tamer than others. But you must always remember that, no matter what, monkeys are wild animals. Keeping your distance is important step in preventing a monkey attack. Remember:  Some species of monkeys have up to four times the strength of a human being. Monkeys are unpredictable. Monkey bites are dangerous due to the high levels of bacteria in their mouths. Monkeys are common carriers of rabies. It’s almost always a bad idea to have food in the vicinity of a monkey, as food is one of the most common reasons a monkey will attack.  This applies to food you’ve kept hidden in a container, too. Monkeys have an amazing sense of smell and can even detect food that’s still in its packaging.  Plus, giving food to one monkey will likely attract others, which may interpret your refusal to feed them as a sign of aggression and be a reason for them to attack.  It may seem like innocent fun and other people may be doing it, but please: do not feed the monkeys. Avoid smiling at monkeys or making any sort of gesture that shows or bares your teeth. To a monkey, a big toothy grin is a sign of threat and aggression. Don't yell at, sing to, tease or heckle the monkey. Avoid any postures that would seem aggressive to a fellow human being and keep your motions minimal. Being aggressive will only get you attacked. You’ve found the coolest location, the light is right, and there are tons of cute monkeys just waiting to be...


Dress for humidity. Dress for the freezing cold. Dress for fluctuating temperatures.

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Humidity causes you to sweat more than you would normally, and it’s important to consider this if you want your clothing to remain sweat free. When dressing for humidity, choose outfits that fall away from your body and touch your skin as little as possible.  Avoid synthetic fabrics at all costs. Swap out jeans and t-shirts in favor of long, flowy dresses. It’s very hard to look fashionable when you’re also trying not to freeze to death, but it can be done. Pick warm fabrics like wool, fleece, cashmere, down and flannel and avoid cotton.  Dress in heavy layers and don’t skimp on the outerwear. You can always take it off inside. Do not leave any exposed skin. Exposed skin leaves you vulnerable to frostbite. If you’re concerned about wearing the wrong shoes, bring a cuter pair of shoes to change into once you’re inside. Some areas of the world experience extreme temperature fluctuations – even within the course of just one day. Dress for the unexpected by wearing extra layers and packing additional layers to wear when your light layers just don’t cut it.  In addition to wearing a light cardigan, pack an anorak or fleece for when the sun goes down. If a simple pair of tights is not sufficient, double up on tights, or swap out regular tights in favor of fleece lined leggings. If you’re carrying a purse or bag, throw in  an extra pair of socks, along with some mittens and a warm hat.


Dress for it. Decorate or go to a beautiful place. Smell like food. Play upbeat music. Be alone.

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No matter the kind of date you plan, wearing something new, or something he especially loves, will help the day feel special. If you wear dresses, try a slinky dress, or a curve-hugging skirt. If you wear suits, wear a well-tailored suit and an open collared shirt. Opt for fabric that feels good to the touch, like silk or velvet. If you aren't worried about matching the décor, wear red.  Consider underwear. Wearing lingerie under your beautiful outfit will make every step of dressing and undressing a Valentine's day activity. Think sheer panties or boxer briefs, thigh highs, a garter belt, a thong, or a bustier. Dress him up too. If your husband is the kind of guy who likes to be dressed up, embrace that. Buy him something you know he wants, or something you think he'd look especially hot in. The same ideas that work for you work for him. You can get him clothes to show off, or something more intimate to wear just for you. If you're going hiking for Valentine's day, you can even get him some attractive exercise wear, like shiny bike shorts or a mesh tank top. If your husband prefers feeling in control of his own outfit, plan ahead. Tell him you want to buy him something special, and look around online together till you find the right thing. The place you'll be spending time together should be beautiful. You might go to an elegant restaurant, take a hike at sunrise, or walk the beach at sunset. Depending on your aesthetic, you and your husband might enjoy a stroll through a community garden, a visit to an art-deco movie theater, or a visit to a graffitied canal.  If you are decorating at home, put out clean tablecloths in dark or warm colors. Stick some candles in candle holders or old wine bottles, or make floating candles. Clean up. A mess is depressing, and draping it with streamers is like giving up. If you're celebrating at home, tidy your home. Put away all evidence of work. Put flowers in a vase, and drop petals on the tablecloth or into the bowl of floating candles. Food might provide all the scent you...


Dress for the occasion. Give yourself time to settle before the party. Greet guests warmly. Mingle with guests. Stay calm when things go wrong. Attend to guests throughout the party. Avoid drinking too much alcohol. Don’t use your phone unless absolutely necessary. Open gifts at children’s parties. Thank guests for coming to the party. Send thank you cards.

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The last thing you want is to be in a chic outfit that’s completely unsuited to chasing after children for two or three hours. Nor do you want to wear stilettos that may make your legs look fabulous but your feet ache an hour into your hosting duties. Choose your attire wisely so that you look nice and well put together, but also with a mind to being comfortable so that you’re not a cranky host or hostess. Try to have everything in place at least 30 minutes before the party starts. That includes yourself. This will allow you to catch a breath and be more relaxed when you welcome guests and be more prepared in case guests arrive early. Doing this will set the tone for the rest of the party, and it will be a good tone.  If you’re running behind and a guest arrives early, greet the person nicely and explain you’re behind schedule. Asking the guest to help with something can help alleviate the awkwardness. If it’s a dinner party at your home, have appetizers and drinks out and ready for guests when they arrive. You should greet each guest as he or she arrives, hopefully by name. As the host or hostess of the party, it’s your responsibility to make them feel welcome, to make them feel you’re happy they are there. Offer to take their coats; show them around if you’re able to; either receive the gift or explain where to put it; say thank you for the gift; and explain the plans for the party, if applicable. Have a craft or non-competitive game or activity at children’s parties for newcomers until everyone arrives. As the host or hostess of the party, it’s your job to make everyone feel comfortable during the party. Talk with your guests; genuinely listen to what they’re saying; respond authentically; ask them questions; introduce guests to those they don’t know; and so forth.  Don’t wait for others to generate the party’s energy. You get it going, help it sustain itself from that point forward, and enjoy yourself while doing so! The more you put others at ease, the better the party will be. Drinks will be spilled....


Dress formally. Wear a hat. Carry a fake gun. Carry a cigar.

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Gangsters in the 20s and 30s dressed up rather elegantly. A typical outfit included an all-black, grey, or pinstriped suit with a tie. Keep the color scheme simple; stick to black, white, grey or brown.  If you don't have a suit jacket, then wear a vest and roll up the sleeves of your collared shirt. Either wear a white collared shirt with a black tie or a black collared shirt with a white tie. Wear a pair of black or brown dress shoes. Find a black, white, gray, or pinstriped fedora. A popular look among traditional mobsters was to wear a black hat with white trim, or white hat with gray trim. Be sure that the hat matches your suit. Again, stick with neutral colors like black, white, grey, and brown. Toy guns can be purchased from Halloween stores or toy stores. Consider buying a squirt gun and spray-painting it black. In old films, criminals, gangsters, and other "bad guys" were often portrayed smoking cigars. While you certainly don't have to smoke it, carrying a cigar around will add an authentic element to your costume.


Dress kids appropriately. Watch for signs of excessive cold or heat. Keep kids well hydrated. Apply sunscreen and avoid direct sun.

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You should plan accordingly when the weather is either very cold or very hot. Dress your kids for their activities – this means a coat or snowsuit, mittens, scarf, hat, and boots for snow play, layered clothing for intermediate temperatures, and light clothing when it's hot.  The key to dressing for cold weather is layering. Active kids will get hot outdoors, even when it’s cold. The problem is that they will sweat, and this dampness can be uncomfortable and actually make them lose body heat more quickly – this is a risk for hypothermia. Dress them in layers so that, for example, they can remove their heavy coat if they overheat.  Try three layers: an inner level that keeps dabs moisture and keeps it away from most of the body (polyester and modern materials are good; cotton is not). A middle layer is for insulation. This can consist of wool or fleece and even be in several layers. Finally, an outer layer is for the usual wind, water, and ice clothing – coat with hood, hat, snow pants, etc. A child who is too hot or too cold will show signs to look for. If you recognize any of these signs, take steps to get him inside to either cool down or warm up. If your child's symptoms do not go away within a few minutes, then call your child's doctor. Call 911 or emergency services if symptoms are severe.  Exposure to excessive heat can lead to muscle cramps, for example, and also fainting. These may be signs of heat exhaustion or heat stroke. Dizziness, weakness, nausea, or lack of coordination are indications that something is seriously wrong. Dark colored urine is a sign that the child is dehydrated.   Children who are too cold may or may not say anything. Believe a child if she says she is too cold. Shivering, for example, though minor, is the first symptom of hypothermia. More serious signs include dizziness, hunger, nausea, fatigue, rapid breathing, and lack of coordination. One of the best things you can do to avoid heat-related illnesses in children is to make sure that they drink enough fluids. As said above,...


Dress like a hipster. Wear skinny jeans, especially of bright colors or patterns. Wear glasses. Wear ironic tops. Dress vintage. Find suitable footwear. Accessorize. Mismatch and layer.

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Fashion is just as important as your taste in music. While shopping at vintage stores remains a staple for many hipsters, this is not a given, nor does it need to be a part of the hipster wardrobe.  Avoid buying labeled gear from stores run by the label itself (so very not nice consumerism). Instead, look for independent retailers because supporting obscure retailers is "totally deck". For example, buy from local mixed fashion stores near you. Be sure to assess what you're wearing. Are you layering? Are you buying local? What's the color or specific style this season? Are you advertising something on your shirt that hipsters identify with? These can be for anyone of either of the two genders. Hipster men tend to be as skinny as the women.  Note that male hipsters actually probably wear skinny jeans more than the girls (girls prefer leggings). Alternatively, for women, high-waisted pants (a.k.a. "mom jeans") may also be worn. Hipsters love ironic eyewear such as shutter shades, oversized plastic framed glasses, Buddy Holly glasses, and most commonly authentic Ray Ban Wayfarers in all the colors of the rainbow. Some hipsters wear glasses even though they have 20/20 vision!  In this case, pop out the lenses or make sure they're just regular glass. For tops, the following are good picks: band shirts such as Pink Floyd, Metallica, Van Halen, etc., plaid shirts, cowboy shirts, flannels, and anything in gingham, plaid, checkered patterns, paisley, vintage florals.  Many hipsters sport tops with appliques, images of animals or forests, other images, characters from children's TV shows, and ironic phrases or even book covers. Fitted hoodies are perfect, too. Consider a vintage floral or lace dress. Your Granny's closet is definitely a good source; however, you should know how to sew and restyle vintage clothing to fit you. Hipster shoes include cowboy boots, combat boots, vintage shoes, unusual shoes, and a range of flats.  Converse are no longer hipster. They look great and you can wear them pretty much anywhere, but...