The Sun.
London, England, 1845-07-11 00:00:00

M. JULLIEN'S SECOND AND LAST CONCERT MONSTRE,
OR MUSICAL CONGRES.
THREE HUNDRED INSTRUMENTAL PERFORMERS.
SURREY ZOOLOGICAL GARDENS.
TillS EVENING
M. JULLIEN begs respectftilly to Inform the Nobility, Gentry,
and the Public, that in consequence of the immerse success of his
first Concert Monstre (which was pronounced by the 11,ess, as well
as the Visitors, unequalled in the annals of Instrumental Musical
Assemblies), he will give a SECOND CONCERT MONSTRE
THIS EVENING, on the same unprecedented scale of grandeur.
PROGRAMME.—PART I.
Nara.—ln consequence of the great sensation created at the First
Concert Monstre by the Eight Principal Pieces, they will be repeated.
The other Pieces of the Programme have been expressly arranged
for this occasion, and are calculated to give all the effect which such
a formidable Congres Musical and assembly of Talent can produce.
Overture—" Der Freischutz."—Weber.
Quadrille—" The Chimes" Quadrille, composed in honour of her Ma-
jesty's visit to Stowe.—Jullien.
Symphony—" The Allegro Fugue and Triumphal March," of Beet-
hoven's Symphony, in C Minor.—Beethoven.
Polka—The Original Polka, with Introduction, entitled "Invitation
I la Polka," with Echo, &c., Grand Finale and Chorus Effects, first
Introduced into England in 1843, by M. Jullien.—Jullien.
Solo—Cornet-i-Pistons, " Sound the Loud Timbrel," performed by
HERR K(ENIG, with accompaniment of Orchestra and Monstre
Timbrel.—Moore.

THE MINUET QUADRILLE.
Quadrille—Performed by Mons. Jullien's Orchestra for the first time
in public, introducing "The Minuet de la Reine," the favourite airs
of George 11. and Louis XV., " La Carmargo," " Le Minuet des
Graces," " Minuet d'Exaudet," " La Gavotte," and the " Minuet
de la Coeur," arranged in Ancient Style by—Jullien.
LOCKE'S CELEBRATED MUSIC TO " MACBETH."
Ancient Music—The Witches' Glee, "When shall we three meet
again ?"—King.
Introductory Symphony. Recitative, " Speak, Sister, speak, is the
deed done ?" Air, " Many more, many more, nabrders." Chorus,
"He must spill much more blood." Recitative, " Now let's dance."
Chorus, "We should rejoice when good kings bleed." Air, " When
cattle cite, about, about, abo'.t we go." Air, " When winds and
waves are warring." Air, "Let's have a dance upon the heath."
Chorus, "At the night raven's dismal voice." Chores, " And
nimbly, nimbly, dance we still!" Recitative, " Hecate ! come
away!" Air, "My little airy spirit !" Recitative, " Where's
Puckle ?" Chorus, "Come away come away!" Recitative,
"With new flan dew." Chorus, "We fly by night !" With Solos
for Ophicleide, Bassoon, and Oboe, by Messrs. Prospere, Baumann,
and Barrett.—Locke.
Valse—" The Cellarius Valse and Original Mazurka," introduced by
M. Jullien into England last year.—Jullien.
Opera—A grand Selection from Bellini's Opera, "I PURITAN[,'.'
received at the last Concert Monstre with applause unprecedented
in the annals of Instrumental performances ; including the Qua-
tuor, and celebrated " Marcia di Bravura, Suona, la Tromba," per-
formed by 20 trumpets, 20 cornet-a-pistons, 2() trombones, 20
ophicleides, and 20 serpents, accompanied by the Contra Basso
Monstre, kindly sent by his Grace the Duke of Leinster, to be per-
formed on at this Congres Masical.—Bellini.
Galop—" The Post-Horn Galop," performed on Twelve Mail-coach
Guards' Horns (first time with this effect).—Koenig.
PART H.
Overture—" William Tell." Solos by Messrs. Harper, Rousselot,
Richardson, Barret, and Koenig. On this occasion the Long Drum
Monstre (the largest ever made), constructed under the superin-
tendence of M. Jullien, will be played with the accompaniment.
The powerfbl and extraordinary sound of this instrument will add
wonderfully to the effect of " The Storm."—Rossini.
Duet—Flute and Clarionet, " Lo, here the Gentle Lark !" performed
by Messrs. Richardson and Lazarus.—Sir H. Bishop.
Waltz—The music of the celebrated Pas de Flenrs, as danced at her
Maiesty's Theatre by the Danseuses Viennoises.—Maretzek.
Opera—Selection from Meyerbeer's Opera, " ROBERT LE D [ABLE,"
With Solos for Bassoon and Oboe, by Mons. Baumann and Barret,
including the Cavatini, " Robert tot que j'aime," chosurs des chava-
Hers Le vin le Jen. Finale, L'or n' est qu' une chimere.-
-Meyerbeer.

THE ENGLISH QUADRILLE.
Quadrille—Description :—No. 1, Convivial Style ; No. 2, Gothic ;
No. 3, Burlesque ; No. 4, Sentimental, with Solo by Herr Kcenig ;
No. 5, Naval and Military, with an addition of Twenty English
Fifes and Twenty Drums.—JulUen.
Opera_ Selection from Mozart's Opera, "DON JUAN," including
the Quateur, Cavatina, and Grand Finale, with Solos on the
Bassoon, Oboe, and Clarionet, performed by Messrs. Baumann,
Barret, and Lazarus.—Mozart.
Valse—"Le Bouquet Royal."—Jullien.
Symphony—GßAND BATTLE SYMPHONY, performed for the
first time with military Effects.—Beethoven.
"GOD SAVE THE QUEEN,"

Performed for the Second Time in England, in the same style as the
Russian Hymn is played at the Military Fetes In St. Petersburgh,
each bar of the National Anthem being marked by a ROYAL
SALUTE OF CANNON, received at the previous Concert Monstre
(Friday, June 20) with enthusiastic cheering by Twelve Thousand
Persons then present at the Gardens
Tickets to be had of the principal Libraries and Music-sellers, and
at 31. Jullien's DepOt General de Muslque Dansante, 214, Regent-
street.
Tickets purchased previous to the 11th, 2a. 6d. Admission on the
day of the Concert, Os. The Gardens open at Four o'clock. Con-
cert commences at Six o'clock.

ROYAL SURREY ZOOLOGICAL GARDENS.
A DIFFERENT SUBJECT EACH SEASON.
COMIIIATION OF ATTRACTIONS.
ROMANTIC GARDENS AND PROMENADE.
EXTENSIVE AND UNRIVALLED MENAGERIE.
COLOSSAL MODELLED REPRESENTATION OF EDINBURGH,
The Acme of Scenic Illusion.
The ROCK I4ARMONICON from Three till Eight.
&nd on MONDAYS, TUESDAYS, WEDNESDAYS, and THURS-
DAYS, GRAND CONCERTS D'ETE and MAGNIFICENT
DISPLAY of FIREWORKS.
Admission, One Shilling.
Feeding the Carinivora at Half-past Five ; Pelicans and Polar Bears
/X* j Concert at Half-past 81a ; and Fireworks at awl/At Nine.