The Sun.
London, England, 1845-07-10 00:00:00

M. JULLIEN'S SECOND AND LAST CONCERT MONSTRE,
OR MUSICAL CONGRES.
THREE HUNDRED INSTRUMENTAL PERFORMERS.
SURREY ZOOLOGICAL• GARDENS.
TO-MORROW, JULY 11, 1845.
M. JULLIEN begs respectfully to inform the Nobility, Gentry,
and the Public, that in consequence of th,, immense success of his
first Concert Monstre (which was pronounced by the Press, as well
as the Visitors, unequalled in the annals of Instrumental Musical
Assemblies), he will give a SECOND CONCERT MONSTER
TO-MORROW, on the same unprecedented scale of grandeur.
PROGRAMME.—PART I.
No2A.—ln consequence of the great sensation created at the First
Concert Monstre by the Eight Principal Pieces, they will be repeated.
The other Pieces of the Programme have been expressly arranged
for this occasion, and are calculated to give all the effect which such
a formidable Congres Musical and assembly of Talent can produce.
Overture—" Der Freischutz."—Weber.
Quadrille—" The Chimes" Quadrille, composed in honour of her Ma-
jesty's visit to Stowe.—Jullien.
Symphony—" The Allegro Fugue and Triumphal March," of Beet-
hoven's Symphony, in C Minor.—Beethoven.
Polka—The Original Polka, with Introduction, entitled "Invitation
a la Polka," with Echo, &c., Grand Finale and Chorus Effects, first
introduced into England in 1843, by M. Jullien.—Jullien.
Solo—Cornet-à-Pistons, " Sound the Loud Timbrel," performed by
HERR K(ENIG, with accompaniment of Orchestra and Moustre
Timbrel.—Moore.
THE MINUET QUADRILLE.
Quadrille—Performed by Mons. Jullien's Orchestra for the first time
in public, introducing "The Minuet de la Reine," the favourite airs
of George 11. and Louis XV., "La Carmargo," "Le Minuet des
Graces," "Minuet d'Exaudet," " La Gavotte," and the "Minuet
de la Coeur," arranged in Ancient Style by—Jullien.
LOCKE'S CELEBRATED MUSIC TO " 31ACBETIL"
Ancier.t Music—The Witches' Glee, "When shall we three meet
again ?"—King.
Introductory Symphony. Recitative, " Speak, Sister, speak. is the
deed done ?" Air, " Many more, many more, murders." Chorus,
"He must spill much more blood." Recitative, " Now let's dance."
Chorus, "We should rejoice when good kings bleed." Air, " When
cattle d•e, about, about, abo .t we go." Air, "When winds and
waves are warring." Air, " Let's have a dance upon the heath."
Chorus, "At the night raven's Dismal voice." Chorus, "And
nimbly, nimbly, dance we still !" Recitative, " Hecate ! come
away!" Air, "My little airy spirit !" Recitative, " Where's
Puckle ?" Chorus, "Come away! come away !" Recitative,
" With new fall'n dew." Chorus, "We fly by night !" With Solos
for Ophicleide, Bassoon, and Oboe, by Messrs. Prospere, Baumann,
and Barrett.—Locke.
Valse—" The Cellarius Valse and Original Mazurka," introduced by
M. Jullien into England last year.—Jullien.
Opera—A grand Selection from Bellini's Opera, " I PURITANI,"
received at the last Concert Monstre with applause unprecedented
in the annals of Instrumental performances ; including the Qua-
tuor, and celebrated" Marcia di Bravura, Suona, la Tromba," per-
formed by 20 trumpets, 20 cornet-a-pistons, 20 trombones, 20
ophicleides, and 20 serpents, accompa lied by the Contra Basso
Monstre, kindly sent by his Grace the Duke of Leinster, to be per-
formed on at this Congres Musical.--Bellini.
Galop—" The Post-Horn Galop," performed on Twelve Mail-coach
Guards' Horns (first time with this effect).—Koenig.
PART 11.
Overture—" William Tell." Solos by Messrs. Harper, Rousselot,
Richardson, Barret, and Koenig. On this occasion the Long Drum
Monstre (the largest ever made), constructed under the superin-
tendence of M. Jullien, will be played with the accompaniment.
The powerful and extraordinary sound of this instrument will add
wonderfully to the effect of " The Storm."—Rossini.
Duet—Flute and Clarionet, " Lo, here the Gentle Lark !" performed
by Messrs. Richardson and Lazarus.—Sir 11. Bishop.
Waltz—The music of the celebrated Pas de Flours, as danced at her
Majesty's Theatre by the Danseuses Viennolses.—Maretzek.
Opera —Selectien from Meyerbeer's Op .ra," ROBERT LE DIABLE,"
with Solos for Bassoon and Oboe, by Mons. Baumann and Barret,
including the Cavatini, "Robert to, que j'aime," chceurs des chava-
liers Le vin le Jeu. Finale, L'or n' est qu' une chimere.-
-Meyerbeer