The Sun.
London, England, 1845-07-11 00:00:00

M. JULLIEN'S SECOND AND LAST CONCERT MONSTER,
OR MUSICAL CONGRES.
THREE HUNDRED INSTRUMENTAL PERFORMERS. -
SURREY ZOOLOGICAL GARDENS.
Tmis EVENING
M. JULLIEN begs respectfully to inform the Nobility, Gentry,
and the Public, that in conseq ence of the immense success of his
first Concert Monstre (which was pronounced by the Press, as well
es the Visitors, unequalled he the annals of Instrumental Musical
Assenthlies), he will give a SECOND CONCERT MONsTRE
TINS EVENIN,I, on the same unprecedented scale of grandeur.
PROGRAMME.—PART I.
NOTA..—In consequence of the great sensation created at the First
Concert Monstre by the Eight Principal Pieces, they will he revated.
The other Pieces of the Programine have been expressly atranged
for this occasion, and are calculated to give all the eff et which such
a formidable Cenures Musical and assembly of Talent can produce.
Ov.-rtitre—" Der Freischutz."—Weber.
Quadrille—" The Chimes" Quadrille, composed in honour of her Ma-
jesty's visit to Stows.—Jullien.
Symphony—" The Allegro Fugue and. Triumphal March," of Beet-
hoven's Symphony, in C Minor.—Beethoven.
Polka—The Original Polka, with Introduction, entitled "Invitation
a la Polka," with Echo, &c., Grand Finale and Chorus Effects, first
introduced into England in 843, by M. Jullien.—Jullien.
Solo—Cornet-A-Pistons, " Sound the Loud , Timbrel," pe formed by
HERR KCENIG, with accompaniment of Orchestra and Monstre
Timbrel. —Moore.
THE MINUET QUADRILLE.
Quadrille—Performed by Mons Jullien's Oichestra for the first time
in nubile, introducing "The Ml uet de la Reine," the favourite airs
of t leorgo H. and Louis XV., " La Cannargo," "Le Minuet des
Graces," " Minuet d'Exaudet," " La Cavotte," and the "Minuet
de la emir," arran,ed to Ancient Style by—Jullien.
LOCKE'S CELEBRATED MU-11C TO "MACBETH."
Ancla t Music—The Witches' Glee, "When shall we three meet
again ?"King.
Introductory Symphony. Recitative, " Speak, SisV, speak, is the
de,od done?" Air. "Many more, many more, miners." Chorus,
"He must spill much more blood." Recitative, " Now let's dance."
Chorus, "We should rejoice when good kings bh ed." Air, " When
cattle de, about, about. abo t we go." Air, "When winds and
waves are warring." Air, " Let's have a dance upon the heath."
Chorus, "At the night raven's .lismal voice." Chorus, "And
nimbly, nimbly, dance we , till !" Recitative, "Hecate! come
away!" Air, "My little airy spirit !" Recitative, " Where's
l'uckie?" Chorus, "Come away! come away 1" Recitative,
" With new fall'n dew " Chorus, "We fly by night !" With Solos
for Ophicletde, Blssoon, and Oboe, by Messrs. Prospere, Baumann,
and Barrett.—Locke.
Valse—" The Cellartus Valse and Original Mazurka," introduced by
M. Jullien Into England last year.—Jullien.
Opera—A grand Selection from Bellini's Opera, "I PURITANI,"
received at the last Concert Monstre with applause unprecedented
in the annals of Instrumental performances ; including the Qua-
tuor, and celebrated " Marcia di Bravura, Suoua, la Tromba," per-
formed by 20 trumpets, 20 cornet-I-pistons, 20 trombones, 20
ophicleides, and 20 serpents, accompa tied by the Contra Basso
Monstre, kindly sent by his Grace the Duke of Leinster, to be per-
fonmed on at this Congres Musical.—delllni•
Galop—" The Post-Horn Galop," performed on Twelve Mail-coach
Guards' Horns (first time with this effect).—Kcenig.
PART H.
Overture—"Willtam Tell." Solos by Messrs. Harper, Rousselet,
Ri:•barison, Barret, awl Ko.nig. On this occasion the Long Drum
Moii,tre (the lar,:est ever made), constructed under the superin-
tendence of M. Jullien, w:11 be played with the accompaniment.
The powerful and extraordinary sound of this instrument will add
wonderfully to the effect of " The Storm."—Rossini.
Duet—Flute and Clarionet, "Lo, here the Gentle Lark!" performed
by Messrs. Richardson and T.azarus.—Sir H. Bishop.
Waltz—The music of the celebrated Pas de Fleurs, as danced at her
Majesty's Theatre by the Danseuses Vientiolses.—Maretzek.
Opera—Selecti. n from Meyerbeer's Op ra, " ROB ERT LE D IAB L E,"
with Solos for Bassoon and Oboe, by Mons. Baumann and Barret,
including the Cavatini, "Robert to que j'aime," chceurs des cheva-
liers Le vin le Jen. Finale, L'or n' est qa' one ehimere.-
-Meyerbeer.

THE ENGLISH QUADZILLE.
Quadrille—Description :—No. 1, Convivial Style ; No. 2, Gothic ;
No. 3, Burlesque; No. 4, Sentimental, with Solo by Herr Kcenlg ;
No. 5, Naval and Military, with an addition of Twenty English
Fifes and Twenty Drums.—Jullien.
Opera—;election from Mozart's Opera, "DON JUAN." including
the Quateur, Cavatina, and Grand Finale, with Solos on the
Bassoon, Oboe, and Clarionet, performed by Messrs. Baumann,
Barret, and Lazarus.—Mozart.
False—" Le Bouquet Roy 11."—Jullien.
Symphony—GßAND BATTLE SYMPHONY, performed for the
"GOD SAVE THE QUEEN,"
. .
first time with Military Effects.—Beethoven.

Performed for the Second Time in England, ,n the same styl3 as the
Russian Hymn Is played at the Military Fetes in St. Petersburgh,
each bar of the National Anthem being marked by a ROYAL
SALUTE OF CANNON, received at the previous Concert Monstre
(Friday, June 20) with enthusiastic cheering by Twelve Thousand
Persons then present at the Gardens
Tickets to be bad of the prin, ipal Libraries and Music-sellers, and
at M. Jullien's Depot General de Musique Dansante, 214, Regent-
street.
Tickets purchased previous to the 11th, 2s. 6d. Admission on the
day of the Concert, as. The Gardens open at Four o'clock. Con-
cert commences at six o'clock.