The Sun.
London, England, 1857-03-24 00:00:00

ER MAJESTY'S THEATRE.
SEASON 1857.

In announcing the arrangements for another season, the
Director of her Majesty's Theatre cannot but refer, with sin-
cere gratitude, to the success which attended'his efforts, un-
der very trying circumstances, in the season of 1856.
Dramatic Opera, which in every foreign State is fostered by
Government aid, is, in this country, denied the support which-
is extended to other departments of art; and it is to the
patronage of the upper classes, who have rallied round the
establishment, that the country owes the prosperity of a
noble lyrical institution, which no unsupported individual
efforts could maintain in a manner worthy of its old renown.
In acknowledging the munificent assistance which enabled
him to conquer the unprecedented difficulties of last year, the
Director cannot sufficiently express his grateful appreciation
of the delicacy with which it was bestowed. Support was
freely and nobly accorded for the sole purpose of insuring the
prosperity of the institution, and the counsel which added to
its value was never accompanied by a word to shackle the
dis.retion or impair the authority of the direction. To this
the success of the past season is greatly owing; and from the
generous confidence w th which the subscribers have renewed
their subscriptions for the present year, without awai:ing the
publication of the annual programme, the Director derives
the assurance that he has not altogether disappointed the
patrons of the theatre, and that he may rely on the continu-
ance of the cordial encouragement by which he has been
hitherto upheld, and under which it is hoped still higher
triumphs may be achieved than were immediately attainable
on the restoration of the establishment.

The enthusiasm which welcomed the re-opening of her Ma-
jesty's Theatre was not confined to the subscribers. The
hearty interest and genuine appreciation displayed by the
audiences who thronged the house from the first night to the
closing farewell demand the warmest thanks of the Director,
which he will endeavour practically to express by renewed
efforts in the service of the public.
The Director is most anxious to acknowledge how much he
Is indebted to Maddle Piccolomini and all the artistes whose
talents contributed to the success of last year, not merely 1)r
those efforts of genius which won the sympathy and admira-
tion of the subscribers and the public, but for that high
artistic feeling and honourable fidelity which secured the
audience from disappointment, and enabled the Direction to
produce the entertainments promised for each evening with-
out a single change of performance—a fact without precedent
in Operatic history.
The advantages peculiar to her Majesty's Theatre—its cen-
tral position, and associations now more than a century old
—give to it a natural pre-eminence of which no occasional
circumstances can ever permanently deprive it. These ad-
vantages will be turned to account by a Company combining
the prestige of acknowledged genius with the attraction of
new candidates for the highest rank of their profession. Those
who last year won favour at the hands of strangers will re-
appear to claim the cordial recognition which an English
audience never refuses to established favourites ; and the
direction has been further strengthened by an accession of
new aspirants of the highest order, whose merits are already
acknowledged on the stages of Italy, and who only await the
verdict of the subscribers and frequenters of her Majesty's
Theatre to confirm their fame.
. .

Although, in an Establishment especially devoted to Italian
Opera, the compositions of Italy will naturally predominate,
the gems of other schools will not be neglected.
Ballet will continue to be supported by the most famous of
established Artistes and the most promising of those who are
ambitious of the same distinction.
It is hoped that the organisation of every department will
prove completely worthy of that state of renewed prosperity
to which her Majesty's Theatre has now attained.
The following are the arrangements already completed :

Madame ALBONI,
Mdle. MARIA SPEZIA
(Of La Scala, Milan ; La
Fenice, Venice ; San Carlos,
Lisbon, dw.—her first ap-
_peamnce), •

Mdle. BAILLOU,
Madame FRANC
Mdle. BERTI,
Mdle. POMA,
Mdle, TRENETA RAMOS
(Of the Teatro Regio, Turin
—her first appearance),

Mdle. ANGIOLA ORTOLANI
(Of La Scala, Milan ; L'Ori-
ente, Madrid, &c.—her first
appearance),

AND
Mdle. PICCOLOMINI.

Sig. ANTONIO GIUGLINI,
(Of La Scala, Milan; Carlo
Felice, Genoa; San Carlos,
&c.—his first appearance),
Sig. JACOPI,
Sig. MERCURIALI,
Sig. LUIGI BOTTARDI
(Of the Carlo Felice, Genoa,
&c.—his first appearance),
Sig. BELLETTI,
Sig. BENEVENTANO,
Sig. NAPOLEONE ROSSI,
Sig. GIOVANNI CORSI
Director of the Mnsic and
Sous-Directeur and Maitre d
Suggeritore---S
BAL

r(Of La Scala, Milan, and
Italian Opera, Paris, &c.—
his first appearance),
Sig. BAILLOU,
Sig. DE SOROS,
Sig. GARIBOLDI,
AND
Sig. FILIPPO VIALETTI
(Of La Scala, Milan ; La Fe-
nice, Venice ; L'Oriente,
Madrid, &c.—his first ap-
pearance).

3onductor—Sig. BONETTI.
[u Chant—Sig. VASCHETTI.
ig. FONTANA.
LET.

Mdle. CAROLINA
POCCHINI
(Of the Karnther Thor, Vi-
enna ; La Scala, Milan ;
San Carlo; Naples ; Carlo
Felice, Genoa, &c.—her
first appearance).
Mdle. MARIE TAGLIONI,
Mdle. BOSCHEI'TI,
Mdle. KATRINE,
Mdle. TERESA ROLLA
(Of La Fenice, Venice—her
first appearance).
Mdle. LUIGIA BRUNETTI
(Of the Carlo Felice, Genoa—
her first appearance),

Mdlo. ELISA SALVIONE
(Of La Scala, Milan—her first

appearance),
Mdlo. GIUSEPPINA
MORLACCHI

(Of the Teatro Eegio, Turin—
her first appearance),
Mdle. ISABELLA KAR-

LISKI

(Of the Academie Imperiale,
Paris—her first appearance),
Mdle. CAROLINA PAS-
QUALI
(Of the Imperial Theatres of
yienna and Milan her
first appearance),
And Madame ROSATI.

M. PAUL TAGLIONI,
dig. RONZANI,
M. CHARLES,
M. PIERRE MASSOT
(Of the Oriente, Madrid—his
first appearance),
Sig. FILIPO BARATTI
(His first appearance),

Sig. CASARE CHECCHETTI
(His first appearance),
Signori RAFFAELLE GAM-
BARDELLA, LUIGI VA-
RINI, LUIGI TURBINO,
and PIETRO BUZZIO (of
the Teatro Regio, Turin,
and Carlo Felice, Genoa—
their first appearance).

Maitres de Ballet—
M. PAUL TAGLIONI, Sig. RONZANI, and M. MASSOT.
Regissenr do la Danse—M. PETIT.
Master of the School of Instruction_ M. MASSOT.

3fadlle. PICCOLONINI
Will arrive early in April, and, in addition to the characters
which last season she made her own, will appear in a varied
and attractive repertoire.

Madlle. SPEZIA
Will have the honour to appear for the First Time at the
Opening of the Season in Donizetti's Opera of
LA FAVORITA.

Immediately after
Madße. ORTOLANI
Will make her first appearance asElvira, is Operant
I PITRITANI.
Madlie. ORTOLANI.
Signor GIUGLINI.

Elvira.
Arturo

Madame ALBONI
Will arrive before the Ist of May, and will make her first ap-
pearance this Season as Azneena, in Verdi's Opera of
IL VOVATORE.

The Union of Three of these distinguished Prime Donne.
Madlle. SPEZIA, Maxine. ORTOLANI, and iMadlle.. PIC-
COLOMINI,
Will be effected in Mozart's Opera of
IL DON GIOVANNI,
Which will be producezl with the perfection of ensemble and
details necessary to realise the intentions of its great author.
All the great Artistes of the Establishment will j, in in aiding
the ends of the Director to do honour to the noble work of
the Shakspeare of music. •

Signor GIUGLINI.
This charming Tenor will have the honour of inaugurating
the opening of the Theatre, and will make his first appear-
ance as Fernando, in the Opera of