The Sun.
London, England, 1856-01-05 00:00:00

Being a. LEGEND of the MEETING of the MONARCHS.
" It was a marvellous sweets and goodlye sight to see those
two Princes, in the flower() of their age, in the height of their
etrengthe and in the dignitie of their maulye beautye, com-
pleading two great Nations, that bade been so long rivals and
enemies, instead of leading hostile armies to desolate and
destroys, meet in that peaceful valleye, and embrace like
brothers, in the sighte of the choice nobilitie of either land."
—The Chroniclers.
The Pantomime invented, arranged, and produced by Mr.
A. Ramie, with the same attention to Scenery, Costumes,
and Effects, which has characterised the prosluctione of " Ri-
golette," "II Trovatore," " L'Etoile du Nord," and the
various Operas lately produced at this, the recognised chief
Theatre in Europe for Spectacular Display. The entirely New
and most elaborate Scenery Painted by and under the Super-
intendence of Mr. WILLIAM BEVERLEY, assisted by
Messrs. Cuthbert, C. Adams, W. Shalders, W. Glover, and
numerous Assistants. The Openinz written by Mr. George
Augustus Sala. The .Musie composed by Mr. Loder (who has
ebligingly lent his aid on account of the Pantomime being
Dreduced at this Theatre). The Ballet and Incidental
ancesarranged by Mr. Benjamin Barnett, The Comic Tricks
invented by the Brothers Brough, Mr. A. Harris, and
Mr. William Dorrington. The New Spectacular Designs by
M. Guerin, of Paris. The Extensive and Complicated Machi-
nery by Mr. 11. Sleman and numerous Assistants. The Ori-
ginal and Ultra-Grotesque Masks by Mr. G. Ewing. The
Novel and Costly Properties by Mr. Prescott, assisted by Mr.
Moreland. The Ladies' Costumes by Mrs. James, assisted by
Mr. Beauchamp, The Gentlemen's Costumes by Mr. Smithers,
assisted by Mr. Lawrence. The Armoury Department by
Mr. Hogg. The Chappellerie by Mrs. Walker. Copyist,
Mr. Horton. Prompter, Mr. Rance. Perruquier, Mr. Rick-
ards, of Brydges-street, Covent-garden. Tho Novel Gas
Arrangements by Mr. Palmer and Assistants. The Whole
Production being under the Immediate Superintendence of
Mr. A. HARRIS.

Mourners at On:ATtaTiNictois on One Throne. The Coro-
nation with the Coronals of Valour by the Genius of Victory.

MORNING PERFORMANCE, on SATURDAY, Jan. 5, at

Two o'clock.

Treasurer, Mr. Hingston, to whom the Superintendence of
the Auditorium has been entrusted.
The Box-office is now open, under the direction of Mr,
O'Reilly. Private Boxes (which may also be taken at the prin-
cipal Libraries), 31. 35., 21, 25., 11. ls., and 12s. Grand Bal-
cony, 4s. Upper Boxes, 2s. 6d. Amphitheatre Stalls, 2s. Pit,
2s. Gallery, is.
Half-price at Nine o'clock, Balcony, 35.; Upper Boxes,
Is. 6d. Pit, 15.; Gallery, 6d.

THEATRE ROYAL DRURY-LANE.
Lessee, Mr. E. T. SMITH.
Acting Manager, Mr. CHARLES 'MATHEWS.
Stage Manager, Mr. ROBERT ROXIIY.
The Box office open daily, from Ten till Six o'clock, under the
superintendence of Mr. Edward Chatterton.
The REDUCED PRICES at this Theatre as follow:—Pri-
vate boxes, to hold two persons, 10s. 6cl. (Is. for each person
extra) ; on the grand tier, one guinea ; proscenium and stage
boxes, 2/. 2s. ; galleries, 6d. and ls. ; pit, 2s. ; upper boxes,
Is. 6d. ; first circle, 2s. 6d.; dress circle, 3s.
MORNING PERFORMANCE EVERY WEDNESDAY,
at Two o'clock.
Mr. Charles Mathews in Two Pieces.
THIS EVENING, will be performed
THE GREAT GUN TRICK.
After which will be produced an entirely Novel and Original
Inductive, Instructive, Anti-Hypochondriacal, Periodical,
Episodical, Magical, Tragical, Logical, Chronological, Gra-
phical, Chorographical, Philosophical, Cryptographieal,
Parabolical, Symbolical, Rhythmical, Mimical, Academical,
Meelmelaft; 'Technical, Pyrotechnieg Historical, Harmo-
nical, Heroical, Typical, Allegorical, Metaphorical, Chime-
rical, Satirical, Historical, Metrical, Symmetrical, Lyrical,
Musical, Practical, Poetical, Whimsical, Fantastic, and Side
Shakespearean new
GRAND COMIC CHRISTMAS PANTOMIME,
Which for many for many weeks past has engaged the ex-
tensive and unrivalled resources of this establishment, and
which will now appear under the additional, traditional,
and peculiarly suggestive title of
HEY DIDDLE DIDDLE ; or, Harlequin King Nonsense
and the Seven Ages of Man.
The Scenery entirely New, painted by and under the super-
intendence of Mr. William Beverley, assisted by Messrs.
James, Wilson, Gompertz, and numerous assistants.
The Machinery by Mr. Tucker and assistants. The Pro-
perties, Decorations, &c., by Messrs. Needham, Glindon, and
others. The Tricks by Messrs. Roe and assistants. Tho
Chorographic Arrangements under the direction of Madame
Louise. Tho Masks and Personal Appointments designed and
executed by the celebrated Dykwynkyn, Artist in Panto-
mimic Physiolognomy, and Photographic Delineator of
Elves, Sprites, and Goblins to the Court of Fairy Land. The
Overture and Music composed and arranged by Mr. J. 11.
Tully. The Comic Scenes by Harry Bolen°, Glindon, and
E. L. Blanchard. The Grotesque Burlesque Opening in-
vented and written by E. L. Blanchard, Author of " Harle-
quin Hudibras," " King Humming•top," " Jack and Jill,"
&c. ; and the whole arranged and produced under the super-
intendence of Mr. Robert Roxby.
First of the Seven Ages—" The Infant."
HALL OF NURSERY RHYMES,
In the dominions of King Nonsense.
Heroes of Nursery Literature.
Jack Sprat, Mr. Eatnofat ; Simple Simon, Mr. Tom Noddy ;
Little Jack Horner, Master Plummy ; Little Ilb Peep, Miss
Fortywinks ; Little Tommy Tucker, Master Singsong ;
Humpty Dumpty, Mr. Eggshell ; Little Boy Blue, Master
Blowhorn ; Old Mother Hubbard, Mrs. Leaveabono ; The
Cat and the Fiddle (from an original Kit-cat Portrait), by a
distinguished Player; King Nonsense (the Ruler of a great
many Lines), Mr. Glindon ; Spirit of Common Sense (on an
occasional visit), Miss Fanny Reeves ; Baby in Cradle, Little
Toddlekins ; Routine and Redtape (banished to Noodledom),
Messrs. Musty and Rusty ; Old Friends and New Faces-
" They have their Exits and their Entrances."
Second Age—" The School Boy."
" Then the whining school-boy with his satchel
And shining morning face, creeping like snail unwillingly
to school."

Sc ene I.
TliE CAVERNS- Or THE GNOME BRITANNICUS IN

SUBTERRANEANU SSIA.

Gnomes—Britannicus (a fine old English Gnome), one of
the oldea time, bearing a close resemblance to the " Old
Gentleman," fully answering to his co-Gnome-en ; a pure un-
adulterated British Spirit, strongly opposed to anything in the
shape of Foreign Wines, French Brandy, and great in his be-
lief in Beer, 'Baecy, Beef, and Boxing—Mr. John Neville.
Ballabile des Diablotines, by Mesdemoiselles E. Honey,
Ricks, Arlington, Cleveland, Granville, Losh, Brown, Page,
Gregory, Rose, Kendall, Martinez, Gessolin, Turtle, Ford,
Stewart, Ranoe, and Clare.
Assistant Gnomes—Blue Fire, Mr. Williams ; Phosphorus-
ton, Mr. Samuels ; Candescentington, Mr. A. Smith ; Match-
well, Mr. Saunders ; Ignisfatty, Mr. P. A. James ; Red-
Ilazen, Mr. Voller ; Crates-vomit, Mr. Spindle ; Torchlight,
Mr. Jafrer ; Blazeton, Mr. Parkes ; Sulphurite, Mr. Topham ;
ramington, Mr. Paxman ; Gassington, Mr. B. Brown ; Crater-
vomit, Mr. Simkins ; Hotspark, Mr. J. Jones; Illuminoso ;Mr.
Blockey ;
Nitrebank, Mr. Pratt.
Scene 11.
THE LAND'S END, CORN WALL, WITH THE CAR
OF THE DRAGONS.
_ Good Tlumour—(a familiar spirit, whose familiarity is con-
ducive to the very reverse of contempt. The prettiest page in
the whole volume of the Pantomime)—Miss Harriet Gordon.
Diorama—No. 1.
THE EMPEROR NAPOLEON'S ARRIVAL IN
LONDON,
And his Enthusiastic Reception.
Diorama—No, 2.
QUEEN VICTORIA'S VISIT TO NAPOLEON'S
TOMB,
• In tile, Hotel des Invalides at Paris.
" And o'er that shrine the last Remembrance quench
Of Malice 'twixt the English and the French !"
S6ene 111.

THE DECK OF " THE GREAT HARRY," FOUR-
DECKER,
128 (Inns
(the first English Man-of-War). The vessel lying
alcnvide the Quay at Dover, with
T---RE EMBARKATION OF HENRY THE EIGHTH.
Henry the Eighth (a stout monarch, of middle age, residing
fetes time ago at No. 1, Westminster, whose idea was that
tie impossible to have too much of a good thing, or a good
og. A good wife being a good thing, he thought that the
?lore wives he had the better. Himself being a good king,
1."5 decided that he could not make tdb much of himself, and
4" is accordingly made as extensive as possible in the person
of
phriaftayithful represeatative)—Mr. Harry Pearson.
Pretty
Poppet (Page to King Henry Vlll.)—Master Sloman.
The Queen of England—Mr. Jones.
Maids of the Bedchamber to the English Queen—Mesdlles.
fey, Pinky, Daisy, Pansy, and Lily.
Cardinal Wolsey (a nautical gentleman much accustomed to
swim on bladders in seas of glory,") vide Shakespere—Mr.
4-• Q. Villiers.
Sir Jasper Spritsail (commander of the Great Harry), a
weather-beaten seaman, who—paradoxical as it may appear
will not allow himself to be beaten by the weather, and
*whose maxim is " Needs must when the Old Harry Drives "
—Mr. D. Stewart.
Crew—Tom Bowline, Mr. Silver • Jack Halyards, Mr. Up-
ham ; Jim Foremast, Mr. Partingeon ; Bob Ilolystone, Mr.
Ledyard ; Joe Sheetanchor, Mr. T. B. Smith ; Davy Dock',
Mr, Woodfield; Ted Trunchion, Mr. Freby ; Tim Towrope,
Mr. Henry ; Dick Longboat, Mr. Barry ; Peter Stanchion,
Mr. Sims ; Bill Figurehead, Mr. Soloman ; Hal Hammock,
Mr. Harvey ; Charles Caboose, Mr. White ; Sam Sailcloth,
Mr. Mazzoni ; Nat Northpole, Mr. Fredericks ; Bill Bunt-
line Mr.
Payne.
Diorama—No.
3.

VILLAGE OF PRETTYWELL,
with distant view of the Village Church and surrounding
country. —Early Morning.
Young Hopeful (afterwards Harlequin), Signor Verroni ;
Hobbedyhoy (his schoolfellow—afterwards Clown) Harry Bo-
leno ; Dr. Birch (the Village Schoolmaster—afterwards Pan-
taloon), Mr. G. Tanner; His Pupils, Masters Fagg, Bragg,
Wagg, Nagg, Lagg, Magg, Stagg, and Tagg ; Rosa (Ward to
" The Justice," and afterwards Columbine), Madame Boleno ;
Miss Starch, Governess at " Mrs. Howdydo's Establishment
for Young Ladies," in the Village of Prettywell-cum-Thankye).
Miss Buckram ; Her Pupils—Misses Prattle, Rattle, Giggle,
Suiggle, noggle, Joggle, Fangle, Dangle, Sidle, Ogle, Romp,
Flirt, Slypuss, and Simperwell ; Hobson (the Village Carrier),
Mr. Packer ; Bun-woman, Mrs. Goody.
Sums summed up somehow—School Forms and Ceremonies,
Lessons not Lessened, and Cartoons for Young England—The
Plum Cake and the Seedy Schoolmaster- Working the Oracle
and Playing the Truant—How Young Hopefulwants to catch
a Fish, and how Hobbedyhoy contrives to hook it—How the
Schoolmaster tries the rod, and how well somebody catches
it—How Young Hopeful blows his own trumpet, and the
Young Ladies Establishment comes out all two, to, two too
—a Game at Cricket and Dr. Birch bowled out.
Third Age— " The Lover."
" Then the Lover,
Sighing like furnace with woful ballad
Made to his Mistress's eyebrow."
BLACKSMITH'S FORGE AND ROAD-SIDE INN (Sunset).
Ilobb and Nobb (the Village Blacksmiths), Messrs. Batter
and Clatter ; afterwards Sprites, The Brothers Elliot ;
Doublcstout (Mine Host of the " Leather Bottle), Mr. Arfa-
narf ; Cuminsir (Head Waiter), Mr. Readytongue ; Yesser
and Noser (his Assistants), Messrs. Cut and Run ; Cook, Mr.
Bastewell ; Boots, Mr. Tizzy ; Chambermaid, Miss Bobaday ;
Scrjeant Kite (a Recruiting Officer—afterwards Pantaloon),
Deulin Johnson ; " The Justice" (one of the " Great Un-
paid"—afterwards Clown), Tom Matthews ; Flipper and
Flunkey (his Footman) Messrs. Cringe and Crawley ; Re-
cruits, Messrs. Gawky, Gahy, Grimm, Glumm, Gabble, and
Grinaway ; Fifer, Mr. Tootle ; Drummer, Mr. Rowdydow ;
Clodhopper and Chawbacon (Agricultural Labourers), Messrs.
Bumpkin and Joskyn.
The sparks from the anvil amorous and hammer-us—The
Iron struck whilst it is hot—The Lover's Sonnet—The Jus-
tice's tongue and course of True Love—neither running
smooth—" List, list, oh, list !"—which he does--The conse-
quences thereof, and how Scrjeant Kite, being the Author of
a great Military Work, gets a good Review.
Fourth Age—" The Soldier."
" Then a Soldier,
Full of strange oaths, and bearded like the pard,
Jealous ill honour, sudden and quick in quarrel,
Seeking the bubble reputation, even in the cannon's mouth,"
OLD ABBEY RUINS (Evening).
The Trysting Place and the Lover's Reverie—" Oh, there's
nothing half so sweet in life as Love's young dream."
" Dream on, good youth, and show the world awake,
The wondrous chaage that only love can make."
The Spirit of Love, Miss Wadham—Cupid. (her Messenger),
Master Mischief.
Hope, Joy, Desire, Happiness, Truth, Delight, Rapture,
Romance, &e., by Misses Richardson, E. Richardson, L.
Honey, &e.
Rapid, Mechanical, and Marvellous Scenic Metamorphosis,
revealing
THE ABODE OF bOVE.
Illumined by the Electric Light of One Hundred Bright Eyes,
Grand Ballet d'Amour—Principal Dancer, Miss Rosina
Wright, assisted by Mdlles. Therese, Marian Lees, &c.
Fifth Age—" The Justice."
" And then the Justice,
In fair round belly, with good capon lined ,
With eyes severe, and beard of formal cut,
Full of wise saws and modern instances ;
And so he plays his part."
JUSTICE HALL tic THEIGHT OLD MANOR HOUSE,
TWIL.
Farmer Whackstraw, Mr. Grumblewell ; Constable, Mr,
Hardstaff; Villagers, Messrs, Gape, Grin, Stare, Shiver,
Tremble, Delve, 4re. A memorable Sentence and a recent
Period put to it —The Country Squire and the Effects of a
great Cause—How the Justice loses his Heir, and how the
Fugitives become bawled after.
Sixth Ago —" Tho Lean and Slippered Pantaloon."
The Ruined Cottage of Old Age—Winter—Firelight. Old Age
(sans teeth, sans eyes, sans teeth, sans taste, sans everything),
Mr. Centenarian.
Seventh Ago—sans teeth, sans eyes, sans taste, sans every-
thing."
Sudden Talismanic Dissolving of the Snow to the
BRIGHT REALMS OF PERPETUAL SUMMER.
Double Pantomimic Transmogrification.
The Two Harlequins Signor Verroni and Herr Furth.
The Two Columbines ... Mme. Boleno and Marie Charles.
The Two Pantaloons Messrs. Tanner and Deulin Johnson
Tho Two Sprites The Brothers Elliott.
The Two Clowns Harry Boleno and Tom Matthews.
A SCENE OF INTEREST—TWO TO ONE—Boleno.
Buttered Peas—Cheese it—Taking the Pledge—Pop't up—
pop't in, and pop't out—Equal Division—Principal and In-
terest—How to evade the Act—Betting versus Cigars—
" What's the odds so long as you're happy ?"—The Right Tip
—How to raise the Wind—The Odds to the Hod—List, oh,
list !—Wrong to-back-her, and no Returns—Settling Day, a
regular Settler—Gone for the Leger—ln for the Oaks- A
Bankrupt's Stock, and a Case of Bale, concluding with
regular Smash.

/OYA.CIS FROM ENGLAND TO FRANCE, with A STORM
at SEA.
Scene IV.
INTERIOR. OF THE CHATEAU OF FRANCIS I.
Between Guisnes and Ardennes.
Francis I.—(Next door neighbour of the aforesaid Henry
No. 1., Westminster, but who himself " didn't quite
live in Westminster" for an obvious reason—" he lived t'other
side of the water.") A monarch of the same age as Henry,
and nearly of the same size ; joint author (with Henry VIII.)
of the original plot of the gorgeous Drama, YE BELLE
ALLIA.NCE, now represented for the first time in a complete
state on the Theatre of European Politics. A monarch with
a hooked nose (who, in consequence, always looks sharp)—
Mr. W. Shalders.
Pages.—Mesdemoiselles Fitzjcrald, Bennett, St. Clair,
Webber, Gaveston, E. Gaveston, Prince, &c., &c.
Lo Sire do Firmboisy.—(Lord Grand Chamberlain to the
French King)—Mr. H. Caries.
Queen of France.—Mr. Gougk.
Maids of the Bed-Chamber of the French Queen.—Mesdles.
brapblanc, Contrepoint, Rideaufln, Oreillerine.
Scene V.
Tllll FIELD OF TIIE CLOTH OF GOLD.

Introducing a Grand Pas de Rosicre, by Miss Emma Horne.
Mesdemoiselles Hicks, E. Honey, Gosselin, Ranoe, Kendall,
Martinez' Rose, Arlington, Losh, Gregory, Turtle, Ford,
Stewart, Page, Rouse, Brown, St. Clair, Granville, Wood-
ward, and Tressider.
linglish Courtiers.—Norfolk, Mr. Roba. Suffolk, Mr. Ab-
Nolen, Buckingham, Mr. Jay. Rutland, Mr. Andrews. Cum-
berland, Mr. Sphinx. Northumberland, Mr. Cox. Essex, Mr.
James. Sussex, Mr. Thomas.
French Courtiers.—Chateau Margeaux, Mr. Thompson.
Chateaux Lafitte, Mr. Rivers. Bordeaux, Mr. Abby. St. Jul-
lien, Mr. Charles. St. Estafet, Mr. Reynolds. Bourgoyne, Mr.
Waters. De Chablis, Mr. Tower. Do Champagne, Mr. Scott.
GRAND TOURNAMENT of the FIELD of the CLOTH of
GOLD.
(After Molbien's celebrated Picture in Hampton Court Palace.)
Scene VI.
GRAND CORRIDOR IN THE CHATEAU,
Loading to the Bed-chamber of the Monarchs.
Pour Fine Normandy Lassies, Six Feet Two Inches in their
Clogs.

Scene 'II.
T/1E OUTSIDE OF BLONDETTE'S FARM.

Blendetto (a village Rosiere so purely innocent, that she
NT; no harm in having three lovers at a time, two of them
being kings)—Miss Emma Horne.
Coquelicot—a rustic youth, whose name being translated
yule " Spier's Dictionary") signifies " Poppy." He is, never-
theless, the reverse of Soporific, being particularly wide
awake. (He is one of the three lovers alluded to, who does
not happen to be a king, and takes his measures accordingly'
--Mr. C. Brown.

Scene VIII.
The Abode of the Fairy Queen in
THE GOLDEN GROVES OF GOOD HUMOUR,

(By Mr. Wm. Beverley.)

Th Fairy Queen Miss E. Thorne
General Transformation.

Harlequin Mr, C. BROWN,
Pantaloon W. A. BARNES.
(The Transatlantic Pantomimist.)
Columbine Miss EMMA HORNE.
Clown The GREAT FLEXMORE.
ADULTERATIONREDLEAD - BUILDINGS, TU
.RMERIC-ROW,
SQUARE
A Glass of Ale and a Stomach-ache for 4d. -Genuine double-
you.up.stout—Up to Snuff and down to Pepper—How the
Bread Rises—Sweet upon Sugar. All pickles to believe in
Pickles—Chalk-farm Dairy—Cows v. Pumps—Gunpowder
Tea, " warranted to go off"—Pale Ale peculiarities.
Imps.—Quassia, Mr. Wyatt ; Strychnine, Mr. Scott; Blue
Ruin, Mr. Carter ; Oxyplumbi, Mr. Strangeways.
The terror of The " Times"—The Lancinations of the
Lancet"—Rlack Crosses in Red Lead-square.
THE WIZARD'S LABORATORY IN THE CHATEAU DE
ME VHISTOPHILES, HELIGOLAND.
Magic Somersaults—The Bewitched Ottoman - The Dragon
A la diable —The Inextinguishable, Inexhaustable, Unstopper-
able, Go-a-head Bottle-4. 1001. Reward, who'll Shoot a
Clown 1"--The Blunderbuss of Botheration—Bursting of the
Wizard's Bust—Small Wizards made to order, Pattern Pre-
sented—Quickest way to Nowhere—How to make Harlequins
—The way to Crush the Crushers.
THE NEW CASTLE OF BALMORAL.
Rusticity in the Highlands—Pipers and Pastoralities
Highland Reel, introducing a grand Flexmorean Medley -The
Portfolio of Inexhaustibility and Universality—The Incaptur-
able Harlequin—Very " fowl" proceedings—The Seductive
Sedan-chair—Strange Birds in a Cage.
WATCHMAKERS' ESTABLISHMENT, CHRONOMETI-
CAL-VILLE—MILLINERS' ESTABLISHMENT, BON-
NETVILLE BELLHANGERS' ESTABLISHMENT,
BELLEVILLE.
Home from Scotland—Cab Fares and Mayne Force —The
Movements of the Age—
What's o'clock—" The Clock strikes
two"—How to Ring a Belle—Umbrella Courtship—Who's
your Hatter ?—Early Closing Association—" Love Laughs
a t Locksmiths"—La Varsoviana—The Strike of Belles against
Time.
Grand Equestrian Feats, by Signor Flexmorini.
HIGH-STREET, SPIRIT-SQUARE.
Apartments to Let.
A Cold Roll for Breakfast—The Organised Nuisance Ta-
bleaux—Punch's Poeket Book—Patent Perambulators Ast-
ley's Equestrian Feats—Policemen and Cooks—Monsieur
lieree—All-round Collars and Punch's Coats—The quickest
way to the Coal-cellar—Spirit Rapping Extraordinary.
HAIR-DRESSER'S, FILTER MANUFACTORY,
PICKFORD'S PARCEL WAREHOUSE, AND NEWS
VENDER. THE WEST END AND THE CITY.
The Purifying of. Old Zither Thames7-Tko.lansioA of ('Scott's Tavern, Haymarket,-and Samuel others Ludgate- -

A SCENE OF INDUSTRY.—BoIeno.
A sweet Place--Tlonesty the best Policy—Honey and Whacks
(Wax)—Rising Steps and Steps Rising—Catching Bees all a
Hum—lt Beehovos you to Beehave when you attack a Bee-
hive—Swarming and Warming—Enlarged Heads upon a New
Principle—Domestic Bees—Long Needles—Royal Summons
—Arrival of Queen Bee and Suite—Grand Charge—Tableau.
SCENE OF EXCITEMENT—PARIS EXHIBITION--A
CAFE BESIEGED.—BoIeno.
The (Russian excepted)—Fraternisa-
tion—Cordiality" All the World's a Stage !"
—Arrival of the , orld and his Wife, and the whole of his
McetingofAolfl tNhaetiAonll7es_.
Family, commencing with their Eldest Daughter, the " Fa-
" Sporting World ;" the
t h e " Wide
s 11i o
"Dramaticnab le V,Tlo‘iriodri;,"l
the
nwdwboy,,l,tah
upside
down
;"World ;" the "'Picked World ; and the "World in Arms."
Lodgings at a Premium—Not a bed to be had—" My Lodging
Is on the cold (coal) Ground"—Clown and Pantaloon go Down
to Bed—" A Sweet Good Night to all."
A SCENE OF CONFUSION (LAID IN BEDS).
" To bed, to bed"—"'Tie when to Sleep the World retires"
—The Night Mare, which makes Clown a little hoarse—As
Thick as Three in a bed—A Night Concert, which (lie-concerts
the Lodgers— "We won't go home till morning"—Putting
them on the Shelf—Natives and a Settler—The War Whoop,
the War Dance, and a Warming-pan Accompaniment--Fire !
Fire! Fire ! The House in an Uproar - Speedy Exit of some
of the Lodgers, which finishes with "Confusion worse con-
founded."