The Sun.
London, England, 1856-12-26 00:00:00

THEATRE ROYAL, DRUM LANE.--.
Lessee, Mr. E. T. Smith.
Acting Manager, Mr. C. Mathews. Stage Manager, Mr. R.
Roxby. Scenic Artist, Mr. W. Beverley.
GREAT ATTRACTION for the CHRISTMAS HOLIDAYS.
First Night of the Grand Christmas Pantomime, the most
magnificent ever produced on the English stage.
The First Morning Performance of the Pantomime will take
place on WEDNESDAY, Dec. 31, at 2 o'clock.
The great Comedian of the age, Mr. Charles Mathews, and
s powerful Dramatic Company.
THIS EVENING, Dec. 26, and following Evening, her
Majesty's Servants will perform
SIMPSON AND CO.
In which Mr. Charles Mathews and the talented Dramatic
Company will appear.
After which will be produced an entirely new and original
Symbolical, hyperbolical, parabolical, and. extra-physiog-
nomical grotesque, statuesque, and picturesque Grand Comic
Christmas Pantomime, which for some time past has employed
the unrivalled. resources of this extensive establishment. and
which will be called or entitled, as it is entitled to be called,
SEE, SAW, MARGERY DAW ;
Or Harlequin Holiday, and the Island of Ups and Downs.
The scenery entirely new, painted by and under the direc-
tion of Mr. William Beverley and numerous assistants. The
machinery by J. Tucker and assistants. The properties, de-
corations, tricks, changes, and transformations by Messrs.
Needham, Glindon, &c. The masks, models, and physiog-
nomical devices designed and executed by the celebrated
Dykwynkyn. The overture and music composed and arranged
by Herr Anschuez. The choregraphic arrangements under
the personal supervision of M. Petit. The comic scenes con-
structed by and under the direction of Harry Boleno. The
peculiar grotesque opening invented and written by E. L.
Blanchard, author of " Harlequin and the Seven Ages of
Man," " Jack and Jill," Humming Top," " Hudibras," &c.,
and the whole arranged and produced under the direction of
Mr. Robert Roxby.
Ye anciente and truthful legend on ye which ye pantomime
its story is founded
"See, saw, Margaret Daw,
" Sold her bed, and laid upon straw."
MSS. of Nursery Rhymes in British Mus eum.
Region of Reverses, in the Island of Ups and Downs. Yea,
the Great Globe itself."
" Here we go up, up, up,
" Here we go down, down, down ;
" Here we go backwards and forwards,
" And here we go round and round."
Juvenile Chorus of the earliest period, supposed to belong to
the One. Up, Mr. Topham ; Down, Mr. Low ; Opera.
box, Kid Glove, Tiger and Brougham, and porirteT-monnaie
(attendants upon Up), Signor Lorgnette.
Hard
• ightfitt.,
Master Saurebox, and Monsieur Chiuque ; d Lp, Dupli-
cate, Distraint, and Rags (attendants upon Down), Mr. F
hard;Mr. Popdl, Mr. Quodbam, and Mr Patchwell. An-
nual appearance of Holyday iu her Emblematic Car. Holyday
(the Genius of the Season), Miss Marian Stanley ; Sport and
Pastime (her attendants), Misses Lovelaugh and Lightheart ;
Dame Necessity (who is on this occasion made a virrue of by
particular desire), Mrs. Selby. How Invention, the Daughter
of Necessity, is called upon to assist the development of the
story, while Holyday invites both Up and Down to enjoy
themselves. Holyday's Home in the Green Bower of Mistletoe
and Winter Garden of the Fairies.—Mistletoe (the Fairy
Queen), Miss E. Wadham ; Fairy Spirits of the Kisses that
have been given under the Mistletoe, by upwards of 100
Ladies of the Corps de Ballet. Grand Ballet —Miss
Rosina Wright, Mdlles. J. and E. Osmont, and the Co-
ryphees. The Golden Gates leaning to the Palace of
Huggamugga.—Herald (with a Proclamation), Mr.
Hornogold ; Guards, Messrs. Stiffneck, Headsup,
Eyesright, Shoulderarms. Stand-at-ease, and March-
well ; Tailor, Mr. Broadcloth ; Cobbler, Mr. Waxend ; Black-
smith, Mr. Anvil ; the Princess Margery Daw (afterwards
Columbine), Madame Boleno ; Shilly and Shelly (her Maids
of Honour), Misses Dithery and Dothery. How Margery
Daw has no notion of work herself, and the contempt she
shows towards those who do work. Interior of the Palace of
King Huggamugga. King Huggamugga (Sovereign of the
Land of Sixes and Sevens), Mr Dawking ; Hurly- Burly (Lord
Chancellor), Mr. Bigwig ; Niminy-Piminy (the Lord. Cham-
berlain), Mr. Noodledom ; Higgledy-Piggledy (Goldstick in
Waiting), Mr. Muddle; other Members of the Court, Messrs.
Bow, Scrape, Cringe, Crouch, Tagsag, Merrywag, Perriwig,
and Hatband; Court Milliner Madame Crinoline ; Drawing
Master, Professor Crayon ; Governess, Miss Frump ; Music
Master, Signor Hurdigurdi ; Maid in Waiting, Miss Sweet-
temper ; Chef de Cuisine, Mr. Cook ; Prince Popinjay (of
the Land of Prettistory), Mr. Finefeather ; his Retinue,
Messrs. Glare, Dazzle, Gleam, Glitter, and Cutashine. How
the Princess is taught a wholesome lesson by Necessity, and
of the change that takes place in consequence. Cottage of
Necessity, with a Prospect of Hard Work in the Distance.
The Enchanted Wor kbox—The Sampler and the Exemplar,
and. the pretty piece of work that Margery Daw makes of it.
Inhabitants of the Workbox :—Row of Pins, Messrs. Sharp,
Bent, Crooked, Pinaday, Groatayear, &c. ; Regiment of
Needles (ready drilled), Messrs. Largeeye, Smalleye, Longsix,
Splitup, Snapoff, &c. ; Thimble, Master Tom Thumb ;
Worsted, Mr. Bawlaway ; Bodkin, Mr. Pierce ; Tape Mea
sure, Mr. Inchbald; Hook and Eye, Messrs. How and Some-
bodyelse ; Shirt Buttons, Mr. Earlypurly ; Scissors, Mr.
Shearsteel. How Margery Daw makes an important discovery
and the audience also, and how, led by Necessity, she is com-
pelled to alter her opinions and change her position. The Mine
of Labour, leading to the Mine of Wealth.—Labour (the Parent
of Health, Wealth, and Happiness), Mr. Strong'i'th'arm.
What Margery Daw goes to see, what she saw, and the re-
ward that Holyday bestows. Grand Scenic and Mechanical
Effects, exhibiting (in process of construction) the Fairy Fac-
tory of Fancy, completed with the assistance of Labour and
Imagination. Brilliant Tableau. The Transformation :—Two
Harlequins, Herr Deulin and Signor Veroni ; two Sprites,
the Brothers Elliott ; two Pantaloons, Mr. Barnes and Mr. G.
Tanner; two Clowns, Messrs. Harry Boleno and Flexmore ;
the Gent, Mr. Halford ; two Columbines, Madame Boleno
and Miss Honey. The Ups and Downs of the Harlequinade,
showing the Ins and Outs and Turns About of the Pantomime
Rally ; Toy Warehouse, Butcher's and Baker's Shop
(Bolenos, Denlin, Tanner, and Raiford).— A pink of polite-
ness—Clown very toyish—Getting a nutcracker, which turns
out a nobby toy—First and last toys for gambling—Marbles
versus dice—Despatches, loaded, and off they go—Harlequin
takes a private box—Clown takes Chatterton's situation as
boxkeeper—Kite-flying—A game of Cricket, by which sospe
of the players get bowled out, and afterwards stumped,
which turns out a long stop—The uses and abuses of the crin-
oline—A Jack in the box—A box of regular British toys and
a basket of French bread (bricks)—Aldershott a size smaller
—Grand review of infantry—A military ball—Going in for a
buster—Coming out with a roll—Clown make a peel to
baker's feelings—List, oh, List—Squaring a round of beef—
Clown takes a steak and gets a chop in return—Pantaloon
tries his hand at a game and loses by it —Cut and come again
—Clown takes a butcher's shop, which Harlequin makes too
hot to hold him. Tailor's Shop and Perfumery Warehouse (Ve-
roni, Barnes, and Honey). A gentleman in search of a tailor—
A suit that is quite the ticket—Tire Oude wrapper—Railway
wrappers--Transferdepot--Washing machine—extraordinary—
Something that won't wash—Cleaned out--Scent in and sent out-
Foreign versus English toothpowder —Hungary water—A
Frangipani bouquet—Wonderful effects of the Pistachio nut-
powder—A case of real distress—Pantaloon in a fix—Fur

nished Apartments for Single Men (Bolenos, Deulin, and
Tanner).—Clown and Pantaloon in high life—A domestic re-
volution—Turning the tables—To bed, to bed—A drop too
much Clown now begins to reflect —The looking-glass follows
his example—Two heads better than one—Clown takes a turn
on the sofa, which also takes a turn on its own account—

Multiplication altercation, which ends with a regular row in
the house. Judkia's Gas-regulating Machine and General
Patent Office and Stationer's Shop (Veroni, Barnes, and
Honey.)—Clown, being in Fleet-street, goes the pace rather
fast—The language of the eyes (1-talian of .curse) which
everybody understands—Bath post versus London post—Re-
gulators Wanted railway regulators, army regulators, gas
regulators, smoke regulators—Sewing, cutting, washing,
pressing, and ironing done by a turn—Clown makes a shift
which makes Pantaloon a little• shirty—A box of common
scents—A fresh supply of blacks from America—A Dred-ful
scene ensues. Mechi's Model Farm (Bolenos, Deulin, and

Tanner.)—Harvest-home —A. rakish dance by rustic lads and
lasses—The milky way—Harlequin makes a pump of himself
—A. strong smell of game—A farm-yard visitor—Clown finds
the pig a very great bore—Pantaloon finds the dog gets
greatly attached to him —Prize Poultry—Cochin China and
couch in England —Novel hatching—The old mail—Full in-
side—Clown off by the Express and Pantaloon by the
Rocket—Mappin's Cutlery and Shilling Razor Warehouse,
King William-street, City (the whole of the double
company will appear in this scene.)—Pantaloon proposes
to take a bus—Present and future—Weight of public opinion
—A change for the better—The people's own bus—When
fool meets fool then comes the tug of fun—Collision, crash,
smash, and dash—Garotte preventive—Moustache move-
ment—A pair of sharp blades—Clowns 'prove themselves a
case for cutlery—Holloway stopped by Holloway's oint-
ment—The duel —A cut direct—Forewarned, forearmed—
Public nuisances of 1856-oh, my Crinoline—A high wind,
a regular blow up, and glorious termination to Ups and
Downs in Holiday's Fairy Home.
The reduced prices as follows, varying throughout the
house to suit every one :—Galleries, 6d. and ls. ; Second
Circle of Boxes, is. 6d. ; Pit, 2s. ; First Circle of Boxes,
2s. 6d. ; Dress Boxes, 3s. ; Stalls, ss. ; Private Boxes,
10s. 6d., V. ls., 1/. lls. 6d., and 21. 2s.

ROYAL LYCEUM THEATRE.
Lessee, Mr. C. Dillon.
THIS v.VENINfi, December 26, will be produced an
entirely new and original combination of burlesque and pan-
tomime, entitled

CONRAD AND MEDORA;
or, Harlequin Corsair and the Little Fairy at the Bottom of
the Sea. The burlesque opening by W. Brough, Esq.,
founded upon the ballet of Le Corsair, as produced at Her
Majesty's Theatre. The harlequinade upon things in gene-
ral. The new and magnificent scenery painted by Mr. F.
Fenton. Characters in the opening :
Conrad (the Corsair) Miss Woolgar
Birharto (his lieutenant) Mr. J. L. Toole
Seyde Pasha .. Mr. Barrett
Sing Smanl
Ynssiff
Medora . . Mrs. Charles Dillon
Gnlnar Mrs. B. White
Znliem
Submarina...(her first appearne.e) Miss Jessie Ryder
Serena Miss Marie Wilton
Clowns Mr. Tom Matthews and
Mr. H. Marshall
Mr. Stilt
Mr, J. Marshall
, Miss Clara Morgan
On Boxing Night, and on Saturday, Dec. 27, the historical
play of WILLIAM TELL will commence the performances.
William Tell, Mr. C. Dillon. A `Morning Performance of the
Pantomime every Saturday, at 2 o'clock, commencing on Sa-
turday, Dec. 27. The box-Ogee open daily, from- 11 to 5,
under the snperntenElence of Mr. Chatterton, jun
Carriages conveying parties to the Private Boxes to set
down at the State entrance in Burleigh-street.

Pantaloon .
Harlequin
Columbine.