Northern Times.
Liverpool, Merseyside, England, 1859-01-03 00:00:00

GORGEOUS EQUESTRIAN PAGEANTS.
And Extraordinary Displays of Horsemanship

The Morning
Performances

representation will be quite equal to the Evening
. The Circus will be brilliantly illuminated with

Myriads of Gas Jets.
On Monday next, the 3rd instant, and during the week, the
allegorical, mythological, gorgeous, superb, magnificent,• elabo-
rate, splendid fairy spectacle = of

CINDERELLA • OR THE LITTLE GLASS SLIPPEI

Neither time, labour, nor expense, has beten spared in the pro-
duction of this "Christmas Piece," for not only will the whole of
the paraphernalia and accessories be of the best and newest
description, but the vast number ofjuveniles of both sexes, dressed
in exact accordance with the model of that day, will render the
spectacle strikingly illustrative of the fairy incidents intended to be
conveyed by the autho.
The diminutive Po.
Hen g

trained expressly for the spectacle by Mr:
icw and magnificent dresses and appointments,
ged by Mrs. Hengler. The dances and tableaux by Mr. C.
ckson. The music composed by Mr. Jackman. The properties,
carriages, &c., are deserving of special mention, from the fact that
they are all modelled and produced in exact imitation of the chaste
designs handed down from that peculiar period. A new and
elegant carpet will cover the whole of the arena, and the couches
and ,ettees will be of crimson and gold, marginated with the purest

The whole of the fairy spectacle will be produced by and under
the immediate superintendence of Mr. C. Hengler
Cinderella, Miss Jenny Louise Hengler ; The Prince, Miss Jack-
son; Constance and Wilhelnaina, the proud sisters, Misses Hengler
and Berthe • Witch, Mr. Jackson. Lathes and nobles of the court,
by a host of Juvenile Performers.
In the course of the spectacle, Pa'ne's First Set will be danced
by Miss Hengler, Miss Jenny Louise Hengler, Miss Mary Aim
Hengler, Miss Simpson, Miss Jackson, Master Hengler, Master
Russelli, and Master Clarke. Polka by Miss Mary Ann Hengler
and Master Clarke.

The following interesting and picturesque incidents will be pour-
trayed during the spectacle ; discovery of Cinderella in her kitchen
busily engaged in domestic employment ; the harsh and unmerited
ill-treatment she receives from her proud and haughty sisters;
Cinderella's despair ; she is dooined to continue her drudgery;
cards of invitation sent to her proud sisters to attend
THE PRINCE'S GRAND BALL ! POVERTY AND HUMILITY !

Grief of Cinderella at not being permitted to accompany her sisters;
her passive submission in assisting them in their toilet ; the depar-
ture for the ball, and injunctions to the little drudge; Cinderella's
desire and anxiety to be present at the royal ball ; her disappoint-
ment; sudden appearance of her godmother, the Witch, who informs
the dejected girl that she has the power of allowing her to appear at
the Fancy Ball ; the rapture and gratitude of Cinderella at her un-

, _ ......
expected good fortune:
TIIE WITCH DESIRES HER TO RETtTEN BEFORE THE CLOCK STRIKES

TWELVE

Her miserable attire is instantly,transformed into an elegant Ball
Costume; a pumpkin and four mice are metamorphised into a most
magnficent STATE CAantwom, drawn by four steeds of beauty.
The next scene will suddenly change the arena into a GRAND
BAIL Room, elegantly carpeted, and illuminated by a splendid chan-
delier ; astonishment and envy of the proud sisters at the beauty of
the stranger; The Prince craves permission to dance with Cindrella.
JULLIEN'S QUADRILLES, by all the Juvenile Artistes.

During the excitement of the dance, Cinderella forgets the Witch's
instructions, and suddenly hears the hour of twelve striking ; her
consternation and departure; in her hurry she leaves the slipper
behind, which is found by the Prince ; his grief at losing the
stranger ; a reward of £l,OOO to any one who may find the owner,
and marriage of the lady it may fit; re-appearance of Cindrella at
her domestic duties • wonderment of the proud sisters • the herald
announces the reward, and the hand of the Prince to the fair owner
of the glass slipper ; the anxiety and efforts of the proud sisters
to wear the slipper ; their failure and vexation ; Cinderella, who asks
leave to try it, is contemptuously laughed at by her sisters for her
presumption • she is allowed to try the slipper—zr FITS ! and she
produces its fellow, to the mortification and astonishment of the
now humiliated sisters—

TIER PRINCE APPEARS AND CLAIMS CINDERELLA AS HIS BRIDE!
Downfall of pride and triumph of humility.
For the First Time, an amusingly graphic Ballet of Action, with
new dresses, music, &c., the impersonations unrivalled for point,
humour, and novelty, introducing original scenes, entitled
SAWNEY BOX, THE COOPER.
THE COURIER OF ST. PETERSBURGH
rkir NIGHTLY

THE MOST EMINENT EQUESTRIAN ARTISTES IN
THEIR ADMIRED ACTS.

PRICER OF ADMISSION
Stalls, and Reserved Seats . . .
Box es
Second Class Seats, Pit, or Promenade
Gallery

Half-price-for Children under twelve years of a

is Od.
. . .Os 641.
;e, to Stalls, Boxes,

and Second seats.
Second Price at Nine o'clock to Boxes and Stalls only.
Equestrian Directors—Mr. Felix Revolti and Mr. Wild.
Acting Manager, Charles Bishop.

nd Director

Mr. CHAS. HENGLER

PHILHARMONIC HALL, LIVERPOOL
M JU'LLIEN'S

_
FAREWELL CONCERT,
THIS EVENING, JANUARY 3, 1859.
FOR ONE NIGHT ONLY.
FIRST APPEARANCE Ix LIVERPOOL OF THE CELEBRATED

VIOLINIST,
WIENIAWSKI

THE WORLD-RENOWNED SOPRANO,
MA DAME ANNA B I SHOP,
SINCE HER RETURN FROM
lIER TRIUMPHANT MUSICAL TOUR IN EUROPE, AMERICA

AND AUSTRALIA.
Boxes and Stalls (reserved seats), 2s 6d; Gallery,
(unreserved), Is.

Tickets may be had at the Office'of the Philharmonic Society,
Exchange-court, Exchange-street East, and at the Hall at the time
of the Concert. Doors open at Seven, Coneert to commence at
Eight.