Collegiata of Santa Maria Maggiore;Although founded in the 11th and 12th centuries;the Church of Santa Maria Maggiore shows a façade—realized on the occasion of the enlargement of the edifice—that dates back to 1644.It is worth noting the entrance doorjambs with their acanthus vine frieze;the work of stonemasons active in the 12th and 13th centuries between Foligno and Bevagna and;in part;attributed to some masters from Spoleto.The church floor plan has the shape of a Latin cross and has a cross-vaulted nave.In the second half of the 17th century;seven altars and a rich plaster—stucco—decoration were added.On the altars;there are many works ascribable to the 17th century.At the entrance;on the right;the Roman funerary marble of Caius Titienus Flaccus is re-used as a water stoup;it has been there since the 15th century.Next to it there is a baptismal font in the shape of a pix;a work of Gasparino Val di Lugano (1509-1511).;Along the left wall;after the second altar to the left;there is the Baglioni Chapel;commissioned in 1500 by Troilo Baglioni to the artist Bernardino di Betto;better known as Pinturicchio (Perugia;1452 approx.– Siena;11 December 1513).Its floor is richly decorated with 1566 majolica tiles from Deruta.The chapel is entirely fresco decorated by Pinturicchio;starting from the vaults there is:The Enthroned Sibyls;Tiburtine;Erithraean;European;and Samian;on the wall to the left The Annunciation with the artist’s Self-portrait and signature;on the back wall The Adoration of the Shepherds and the Arrival of the Magi;and on the wall to the right The Dispute Among Doctors at the Temple.;Along the left wall;it is also worth pointing out the sandstone Renaissance Pulpit of the artist Simone da Campione (1545).The Main Altar is covered by a Ciborium—a covered tribune supported by columns—sculpted in caciolfa limestone by Rocco di Tommaso da Vicenza (1515).In the Tondi—rounded frames—there are eight terracotta busts;the Prophets (1562);by the artist Giandomenico di Carrara.Close to the pilasters on the sides of the apse there are two works of Perugino;on the left Pieta;SS John the Evangelist and Mary Magdalene;removed from an unknown location and dated 1521;and to the right The Madonna with Child;SS Catherine of Alexandria and Biagio;removed from an unknown location;also dated 1521.