Villa Fabri;Completely immersed in the typical Umbrian landscape full of olive trees;overlooking the rolling hills between Assisi and Spoleto;the 16th century Villa Fabri stands in the middle of the hill;right outside Porta del Lago of Trevi.;It was Girolamo Fabri who had the Villa built;“for the solace of his old age;and the joy of the posterity of the village”;at the end of the 16th century.In 1891;it was bought at first by the Bohemian Council;and then passed over to the Ethiopian Council.In 2000;with the purchase of the Villa by the Trevi Municipality;the course of its history has changed.It is also because of its recent “affiliation” to the European Garden Heritage Network-EGHN that the Villa has become the seat of the Rete Regionale Ville;Parchi e Giardini dell'Osservatorio Regionale per la Biodiversità e il Paesaggio Rurale— the Regional Network of Villas;Parks and Gardens for biodiversity and rural landscape.;The building assumes its form in the main body and in the wing added by the Bohemians.The Main Floor is recognizable by the three large central arches and the aedicule-windows.The facades are finely decorated with graffiti depicting figures of Bohemian Angels and Saints and;on the northern side;by the View of Bohemian Towns.Such decorations date back to 1912 and 1914;and are the work of B.Cila and of the Benedictine Abbot Pantaleo Mayor.;The interior of the villa is also very well kept;starting from the very entrance;the atrium;it preserves more than one frescoed room;suggestive places rich with allegorical figures;and the chapel;frescoed by Cila and the Abbot Pantaleo Mayor.It represents an interesting and almost the only Italian example of the school of Beuron;a Swedish artistic movement that developed during the mid-19th century and was inspired by Egyptian;Greek;Roman and Byzantine painting models.;The Garden of the Villa is set on three grassy terracings.To the southeast;they are framed by a vast Olive Tree grove—called Chiusa—from where the Exravirgin of Olive Oil is produced.;And it is right from this same direction that it is possible to admire the most imposing and suggestive façade of the complex;especially the double staircase in stone located between the second and third level;with a nymphaeum and three large niches;of which the central one is enriched with Sculpted Atlases.