biglam/cooper-hewitt-alt-text huggingface dataset:
Mount Holy Cross
Thomas Moran, American, b. Britain, 1837–1926, 1874
Graphite on blue-gray wove paper
Drawing

Oblique horizontal view of a mountain range across a valley with a peak whose fissures form the Cross in the left center.
Design for a Vase
Ennemond Alexandre Petitot, French, 1727 – 1801, 1764
Etching on laid paper
Print

Design for a lidded vase with two goats' heads on the sides. The vase is decorated with leaves, branches, and a winged cupid, with gadroon and leaf ornament and friezes. The plate is signed and numbered.
Double Staircase with Iron Balustrade Design
Moreau, French, active 18th century, 1761-1762
Engraving on laid paper
Print

Double staircase with pierced iron balustrade design, Below the platform of the staircase is a niche with fountain with a dragon; on either side of the niche are vases. The plate is signed.
Fragment
, 16th century
Medium, silk, metallic Technique: woven

Large floral discs surrounded by curved leaves.
Fragment of cushion cover or panel
Païsane Chinoise
François Boucher, French, 1703–1770, 1738-1745
Etching on laid paper
Print

Plate printed with a woman in Chinese costume (chinoiserie), standing in a landscape, and holding a basket with a fish. The plate is signed and numbered.
Design for a Silk Brocade
, 1775–1790
Graphite, brush and gouache, brush and oxidized white on paper
Drawing

One repeat is shown consisting of two bunches of flowers which are intended to alternate in vertical rows and to alternate in horizontal rows with a bunch of flowers and ears of grain which is loosely connected with a flower bough and with three flower boughs which are connected by a garland, respecitvely.
Stage Design, Imaginary City
Angelo Toselli, ca. 1765? – 1826, early 19th century
Pen and brown ink on paper with uneven edges, lined with cream paper
Drawing

Horizontal rectangle. Design for a stage set.  Broad staircases leading up to a group of classical temples of various shapes (rectangular and round).  A large arch spans above the staircases.
Piazza de' Cavalli in Piacenza
Pietro Narducci, Italian, active 1809 - 1841, 1825–50
Pencil on paper
Drawing

A left S.Francesco, at right the Palazzo Municipale.  The equestrian statues of Duke Alessandro Farnese and of Duke Ranuccio Farnese are in the foreground.  Framed.  Caption: "Piazza di'Cavalli a Piacenza"
Face et Profil de la Menuiserie du Confident
Richard de Lalonde, French, active 1780–96, 1775-1788
Etching on off-white laid paper
Print

Frontal and profiled views of the carpentry design for the "Confidence" couch (1921-6-279-25). The plate is signed and numbered.
The Nativity
Felice Giani, Italian, 1758–1823, 1813–18
Pen and ink, brush and brown wash on paper
Drawing

On verso: interior of chapel Bentivoglio, in San Giacomo in Bologna