Republic of the Philippines
HOUSE OF REPRESENTATIVES
Quezon City, Metro Manila

SEVENTEENTH CONGRESS
SECOND REGULAR SESSION

HOUSE BILL no.6966

Introduced by Hon. Anthony M. Bravo

EXPLANATORY NOTE

The 198/ Constitution, Articles 14 Sec. 14 and 15 read:

Section 14. The State shall foster the preservation, enrichment, and
dynamic evolution of a Filipino national culture based on the principle in unity in
diversity in a climate of free artistic and intellectual expression.

Section 15, Arts and letters shall enjoy the patronage of the State. ‘he State
shall conserve, promote, and popularize the nation’s historical and cultural heritage

and resources, as well as artistic creations.

This bill seeks to support the independent film industry in the Philippines. Our
independent fiim industry has created a growing international interest in Filipino works, borne
out of the increasing number of awards garnered by our filmmakers at prestigious film festivals.
Some notable winners include: Ang Pagdadalaga ni Maximo Oliveros which won 15 international
awards, including three awards at the Berlinale (The Teddy award, International Jury Prize at
the Kindertest and Special Mention from the Children’s Jury of the Kinderfest). It is also the first
Philippine film nominated for Best Foreign Film at the Independents’ Spirit Awards in the US.
Kubrador was honored with the International Critic's Award by the FIPRESCI (short for
Fédération Internationale de la Presse Cinématographique, in English, known as International
Federation of Film Critics) during the 2006 Moscow International Film Festival; and in 2007, it
was nominated Best ASEAN film in the Bangkok International Film Festival. Rigodon won the
best feature film award in the international competition category at the eighth International
Panorama of Independent Filmmakers in Athens, Greece last September 30, 2006. Rigodon was
also invited to screen at the Museum of Modern Art (MoMA) in 2007. —_ Neo-Lounge, an
outstanding documentary, was adjudged Best Documentary Film in the 34th Brussels
International Independent Film Festival in 2007.


Independent films are calied such, because they were not produced by the established
film companies, and by necessity, finished on much smaller budgets. Their independence allows
them to challenge the status quo, tackling heretofore unexplored subject matter, inviting the
audience not only to feel but to think.

They present a genuine alternative cinema to the current crop of mainstream
productions in movies and television, which are primarily geared towards profit, and as such,

are dictated by the usual commercial formulas.

Currently, the government supports independent films through the Film Develop

nt

Council of the Philippines (FDCP) and through programs such as the Cinemalaya Philippine
Independent Film Festival. ‘The awards “seek to discover, encourage, and honor the cinematic
works of Filipino filmmakers that boldly articulate and freely interpret the Filipino experience
with fresh insight and artistic integrity.”

However, this is not enough. In 1999, figures from the FDCP showed that the
Philippines produced 199 films. But it took a dive in 2004, producing only 55 films. Nestor
Jardin, president of the Cinemalaya in 2005, and a board member of the Film Development
Council, believes that this decline can be attributed to a lot of things; one of which is the money
factor involving the high production costs that come with putting together a film as well as high
amusement taxes imposed here in the Philippines. Thus, if not given financial support,
independent filmmakers may soon fall into the trap of pandering to the audience in order to sell
their movies. Since these films cannot and should not rely on box office receipts to recoup their
production costs, the state should take steps to encourage these filmmakers to maintain their
independence, by rewarding those films which performed well in prestigious film competitions.
These filmmakers can use these grants to offset their costs and use the rest as seed money for
their next note-worthy project.

HON. ANTHYAY M. BRAVO, Ph.D.
COOP-NATCCO PARTYLIST


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Republic of the Philippines
HOUSE OF REPRESENTATIVES
Quezon City, Metro Manila

SEVENTEENTH CONGRESS
SECOND REGULAR SESSION

HOUSE BILL NO6966

Introduced by Hon. Anthony M. Bravo

AN ACT

SUPPORTING THE PRODUCTION OF PHILIPPINE INDEPENDENT FILMS BY PROVIDING
INCENTIVES TO FILMMAKERS WHO ARE GIVEN HONORS IN NOTABLE INTERNATIONAL
FILM COMPETITIONS

Be it enacted by the Senate and House of Representatives of the Philippines in Congress
assembled:

SECTION 1. Short Title. - This Act shall be known as the “Philippine Independent Film

Incentives Act of 2013”.

SECTION 2. Declaration of Policy. - It 1s the policy of the state to promote and support
the development and growth of the local film industry, in general, and the production of
independent films, in particular. The State shall endeavor to discover, encourage, and honor the
cinematic works of Filipino filmmakers that boldly articulate and freely interpret the Filipino

experience with fresh insight and artistic integrity.

SECTION 3. Grants for award-winning films. - To achieve this law’s purpose, Philippine
independent films that have been awarded the Best Film prize or its equivalent including those
that merited recognition for technical excellence in respected international film competitions or

cinema festivais shail be given the following incentives:

3.1 A grant of five million pesos (Php 5,000,000.00) to the film production or entity that

produces the award winning full-length feature or documentary film;


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3.2. A grant of three million pesos (Php 3,000,000.00) to the film production or entity

that produces the award winning short feature or documentary film;

23. Full tax exemptions relevant to the screening of the film and its commercial

exhibition, including those levied by local government units (LGUs);

3.4, The award winning film shall be considered and shall have the honor of being given

an automatic rating of an “A” film being granted by the Cinema Evaluation Board.

SECTION 4. Eligibility for Grants. ~To be eligible for a grant under Section 3.1, films must
he made by Filipino filmmakers who have not yet directed more than 3 full-length commercial
feature films. The total production budget for the full-length feature or documentary film
should not exceed three million pesos (Php 3,000,000.00). The film length should be between

90 to 120 minutes.

To be eligible for a grant under Section 3.2, the film must be made by a Filipino
filmmaker. The total production budget for the short feature or documentary film should not
exceed one million pesos (Php P1,000,000.00). The film length should not be more than 20

minutes (no minimum length).

All films should not have been produced by commercial producers, to guarantee the

filmmakers’ creative control over the film.

SECTION 5. Implementing Agency — National Commission for Culture and the Arts
(NCA) is hereby authorized and directed to adopt a system to implement and carry out the
provisions of this Act. The NCCA shall, within sixty (60) days from the effectivity of this Act,

promulgate ruies and regulations to carry out and enforce the provisions of this Act.

SECTION 6. Appropriations. - A special fund amounting to fifty million pesos (Php

50,000,000.00) which shall be sourced from the funds of the Philippine Amusement and Gaming


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Corporation (PAGCOR) ts hereby created. Uther amounts as may be necessary to carry out the

provisions of this Act, are hereby authorized to be appropriated from the National Treasury.

SECTION 7. Separability Clause. - If any provision or part hereof, is held invalid or
unconstitutional, the remainder of the Act or the provision not otherwise affected shall remain

valid and subsisting.

SECTION 8. Kepeaing Clause. - Any law, presidential decree or issuance, executive
order, letter of instruction, administrative order, rule or regulation contrary to, or inconsistent

with the provisions of this Act is hereby repealed, modified or amended accordingly.

SECTION 9. kffectivity Clause. - ‘This Act shail take effect fifteen (15) days after its

publication in at least two (2) newspapers of general circulation.

Approved,