Question: What ballet by Sergei Prokofiev was also used in the theme music for Chambers?

Context paragraphs:
Trapeze (Prokofiev): Sergei Prokofiev's Trapèze Ballet is scored for oboe, clarinet, violin, viola and double bass.  The ballet, closely related to Prokofiev's Quintet, Op. 39 (1924), contains eight movements (in five parts) and lasts 20–25 minutes.  The complete ballet in eight movements was first performed in Gotha, a small German town near Hanover, on 6 November 1925.

Romeo and Juliet (Prokofiev): Romeo and Juliet (Russian: Ромео и Джульетта ), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play "Romeo and Juliet".  Prokofiev reused music from the ballet in three suites for orchestra and a solo piano work.

The Prodigal Son (ballet): The Prodigal Son, or Le Fils prodigue, Op. 46 (Russian: Блудный сын ) is a ballet created for Diaghilev's Ballets Russes by George Balanchine to music by Sergei Prokofiev (1928–29).  The libretto, based on the parable in the Gospel of Luke, was by Boris Kochno, who added a good deal of drama and emphasized the theme of sin and redemption ending with the Prodigal Son's return.  Susan Au writes in "Ballet and Modern Dance" that the ballet was the last of the Diaghilev era, choreographed the year the great impresario died.  She continues: "Adapted from the biblical story, it opens with the prodigal's rebellious departure from home and his seduction by the beautiful but treacherous siren, whose followers rob him.  Wretched and remorseful, he drags himself back to his forgiving father."

Chambers (series): Chambers was a BBC radio and television sitcom.  It was written by barrister Clive Coleman and starred John Bird and Sarah Lancashire in both versions.  The radio version was broadcast on BBC Radio 4 in three series between 1996 and 1999, and the television version was broadcast on BBC One.  The theme music was "Dance with Mandolins" from Prokofiev's "Romeo and Juliet".

Valery Kritskov: Valery Kritskov is a Russian conductor who used to take conducting lessons at the Moscow Institute of Culture which were taught by Kirill Tikhonov.  He graduated from there in 1988 and then worked in Moscow-based Helikon Opera till he got employed with Novaya Opera in 2002.  While there, he conducted many operas including Nikolai Rimsky-Korsakov's "The Snow Maiden" and "The Tsar’s Bride" as well as Anton Rubinstein's "The Demon" and Tchaikovsky's "The Maid of Orleans".  He also conducted works by the Italian composers such as Pietro Mascagni's "Cavalleria rusticana" and Ruggero Leoncavallo's "Pagliacci" and German such as Richard Wagner's "Lohengrin" and Strauss' "Die Fledermaus" as well as a concert dedicated to Vincenzo Bellini.  Besides operas, he is also known for his conducting of the Russian ballet based on works by Tchaikovsky and Sergei Prokofiev as well as German and Austrian ballet composers such as Ludwig Minkus and Charles Gounod.  Later on, he became a conductor of the Coppélia ballet which was based by Léo Delibes work and was produced by Imperial Russian Ballet.  Currently he has two CD recordings called "Chorus of the Novaya Opera Theatre of Moscow" and the "Soloists of the Novaya Opera Theatre of Moscow".

The Tale of the Stone Flower (Prokofiev): The Tale of the Stone Flower, Op. 118 (Russian: Сказ о каменном цветке ), is Sergei Prokofiev's eighth and last ballet, written between 1948 and 1953.  It is based on the Russian Ural folk tale "The Stone Flower" by Pavel Bazhov and is also the last of the trilogy of ballets Prokofiev wrote in the Russian ballet tradition.  It was premiered posthumously in 1954, conducted by Yuri Fayer.

Lieutenant Kijé (Prokofiev): Sergei Prokofiev's Lieutenant Kijé (Russian: Поручик Киже , "Poruchik Kizhe") music was originally written to accompany the film of the same name, produced by the Belgoskino film studios in Leningrad in 1933–34 and released in March 1934.  It was Prokofiev's first attempt at film music, and his first commission from within the Soviet Union; he had lived abroad since the 1917 October Revolution.  After the film's release, Prokofiev adapted the music into what became a popular orchestral suite, his Op.  60.

Cinderella (Prokofiev): Cinderella (Russian: Золушка , "Zolushka"; French: "Cendrillon") Op. 87, is a ballet composed by Sergei Prokofiev to a scenario by Nikolai Volkov.  It is one of his most popular and melodious compositions, and has inspired a great many choreographers since its inception.  The piece was composed between 1940 and 1944.  Part way through writing it Prokofiev broke off to write his opera "War and Peace".  The premiere of "Cinderella" was conducted by Yuri Fayer on November 21, 1945 at the Bolshoi Theatre, with choreography by Rostislav Zakharov and Galina Ulanova in the title role.  "Cinderella" is notable for its jubilant music, lush scenery, and for the comic double-roles of the step-sisters (which can be performed in travesti), more mad than bad in this treatment.

Le pas d'acier (Prokofiev): Le pas d'acier ("The Steel Step" or "The Leap of Steel"; Russian: Стальной скок ) is a 1926 ballet in two scenes (Op. 41) containing 11 dances composed by Sergei Prokofiev.  Prokofiev also created an orchestral 4 movement suite from the ballet (Op. 41b).

Symphony No. 4 (Prokofiev): Symphony No. 4, Op. 47/112 is actually two works by Sergei Prokofiev.  The first, Op. 47, was written in 1929 and premiered in 1930; it lasts about 22 minutes.  The second, Op. 112, is a large-scale revision from 1947; it lasts about 37 minutes.  Both use musical material originally written for Prokofiev's ballet "The Prodigal Son".  The two works are stylistically different, reflecting their respective compositional contexts.  They are formally different too: the instrumentation and scope of the revision is larger.

Supporting paragraphs: Chambers (series) Romeo and Juliet (Prokofiev)
Answer: Romeo and Juliet