Question: What is the nationality of the painter that painted the Sorrow of Telemachus?

Context paragraphs:
Crestano Menarola: Crestano Menarola (1605 - 1687) was an Italian print-maker and painter of the Baroque period.  He trained in Vicenza under Alessandro Maganza, then moved to work in Bassano del Grappa.  He followed the style of Paolo Veronese.  He also painted for churches and palaces, but little of his painted work remains.  He painted for the presbytery in Asiago.  He painted portrait of Federico da Molin for the Audience Hall in the Palazzo Pretorio of Bassano.  He painted altarpieces for the Cathedral and the chapel of Spirito Santo in the church of San Francisco in Bassano.  His son, Marco, was also a painter.  Pietro Menarola, an engraver, was also a member of his family.  A "Sacrifice of Iphigenia", attributed to Menarola is in display in the Pinacoteca of Palazzo Chiericati, Vicenza.  Among his prints, is a "Descent of the Holy Spirit", after a design of Jacopo Bassano.

The Sorrow of Telemachus: The Sorrow of Telemachus is a 1783 oil painting by Angelica Kauffman.  It is in the collection of the Metropolitan Museum of Art.

Giovanni Francesco Nagli: Giovanni Francesco Nagli (circa 1615 - 1675) was an Italian painter of the Baroque period.  He was a follower of the style of Simone Cantarini and later of the prominent Baroque painter Guercino, who was born in Cento in what is now Emilia-Romagna.  It for the latter reason that Nagli, as follower of Guercino, is called "il Centino", despite being mostly active in Rimini from 1629 onward.  He painted a "Sant'Agostino at his desk", now in the Pinacoteca of Rimini.  He painted a "saint" at the gallery of Cesena.  He painted a "Bambino killing a Dragon" at San Francesco Saverio, Rimini.  He painted an altarpiece depicting "St Anthony of Padua preaching to the Fish",which was once the main altarpiece of the Church of the Theatines, Rimini

Phiale Painter: The Phiale Painter was a painter of the Attic red-figure style.  He was active around 460 to 430 BC.  The Phiale Painter is assumed to have been a pupil of the Achilles Painter.  In contrast to his master, he liked to depict narrative scenes.  He painted several large chalice "kraters", often with two registers of figures; unlike his master, he seems to have preferred larger vessels in general.  This is shown by his white-ground works, which are not well known, but more expressive than those of the Achilles Painter.  Apart from a number of "lekythoi", he painted two chalice "kraters" in white-ground technique, a rarity at the time.  His themes may be partially influenced by contemporary theatre.  His preferred name for "kalos" inscriptions is that of Euaion, son of Aeschylus.  His conventional name is based on the fact that a painted "phiale", a vase shape rarely equipped with figural depictions, is known from him.

Bernardino Lanini: Bernardino Lanini (1511 – c. 1578), also known as Bernardino Lanino, was an Italian painter of the Renaissance period, active mainly in Milan.  He was a pupil of the painter Gaudenzio Ferrari.  In Milan, he painted the "Last Supper" for the church "San Nazaro Grande".  he painted a "Holy family" for the church of "Sant’Ambrogio", now in Brera Gallery.  He painted frescoes on the "Life of the Magdalen" for the church of "San Cristoforo" in Vercelli.  He painted a "St Catherine" for the church "San Celso".  He frescoed sibyls for the Novara Cathedral.  He also painted for a chapel in the Basilica of San Magno, Legnano.  Other paintings are in Saronno.

Eretria Painter: The Eretria Painter was an ancient Greek Attic red-figure vase painter.  He worked in the final quarter of the 5th century BC.  The Eretria Painter is assumed to have been a contemporary of the Shuvalov Painter; he is considered one of the most interesting painters of his time.  Many of hist best works are painted on "oinochoai" and belly "lekythoi".  His paintings often depict many figures, moving in groups across all available surfaces.  He also painted such vessels as figure-shaped vases or head-shaped "kantharoi".  Much as the vase shapes he painted on are unusual, his themes are conventional: Athletes, satyrs and maenads, and mythological scenes.  There are also some careful studies of women.  He also painted white-ground vases.  A "lekythos" in New York shows a funeral scene, typical of white-ground painting: Achilles is mourning Patroclus; the nereids bring him new weapons.  The Eretria Painter's drawing style influenced later artists, e.g. the Meidias Painter and his school.

Angelica Kauffman: Maria Anna Angelika Kauffmann {'1': ", '2': ", '3': 'RA', '4': "} (30 October 1741 – 5 November 1807), usually known in English as Angelica Kauffman, was a Swiss Neoclassical painter who had a successful career in London and Rome.  Remembered primarily as a history painter, Kauffmann was a skilled portraitist, landscape and decoration painter.  She was one of the two female founding members of the Royal Academy in London in 1768.

Giovanni Battista Barbiani: Giovanni Battista Barbiani (1593–1650) was an Italian painter of the Baroque period, active in Ravenna.  Among his works are altarpieces of "St. Andrew" and "St. Joseph" for the Franciscan church.  For the dome of the chapel of the "Madonna del Sudore" in the Cathedral of Ravenna, he painted a fresco of the "Assumption of the Virgin".  He painted a ' St. Peter' in Sant' Agata in Ravenna.  He painted in the style of Bartolomeo Cesi.  Along with Cesare Pronti, he painted in the church of San Romualdo (designed by Luca Danesi, of the Camaldolese Abbey, now home to the Biblioteca Classense of Ravenna.  The grand corridor in the Abbey is also frescoed by Barbiani with famous benedictine and camaldolese monks.  His nephew Andrea Barbiani was also a painter in Ravenna and Rimini.

Tarporley Painter: The Tarporley Painter was a Greek Apulian red-figure vase painter.  His works date to the first quarter of the 4th century BC.  The Tarporley Painter is his period's most important representative of the so-called "Plain Style".  He is considered to have been the pupil and successor of the Sisyphus Painter, as indicated by his elegant fine-limbed figures and the solemn facial expressions of his woman and cloaked youths.  He painted garments in a less balanced style then the Sisyphus Painter.  His heads are often oval and lean forwards.  The spaces between his figures are often filled with flowers, branches or vines.  Over time, his drawing style becomes more fluid, but also less precise.  He painted especially on bell "kraters", on which he often depicted dionysiac themes and theatrical scenes.  His work includes the first known "phlyax" vase, showing the punishment of a thief, accompanied by a metric verse inscription.  Mythological scenes by him are rare.  There appears to be an especially close relationship between the work of the Tarporley Painter and that of the Dolon Painter, perhaps they cooperated directly for some time.  His succession is represented by three separate schools, each clearly influenced by him.  The most important painter of the first is the Schiller Painter, of the second the Hoppin Painter and of the third the Painter of Karlsruhe B9 and the Dijon Painter.

Enrico Coleman: Enrico Coleman (21 June 1846 – 14 February 1911) was an Italian painter of British nationality.  He was the son of the English painter Charles Coleman and brother of the less well-known Italian painter Francesco Coleman.  He painted, in oils and in watercolours, the landscapes of the Campagna Romana and the Agro Pontino; he was a collector, grower and painter of orchids. Because of his supposedly Oriental air, he was known to his friends as "Il Birmano", the Burmese.

Supporting paragraphs: The Sorrow of Telemachus Angelica Kauffman
Answer: Swiss