Question: Did Boaz Yakin and Max W. Kimmich have the same profession?

Context paragraphs:
Max W. Kimmich: Max Wilhelm Kimmich (also known as M. W. Kimmich; 4 November 1893 in Ulm – 16 January 1980 in Icking, Upper Bavaria) was a German film director and screenwriter during the first half of the 20th century.  He was brother-in-law to Joseph Goebbels.

Hangmen, Women and Soldiers: Hangmen, Women and Soldiers (German: "Henker, Frauen und Soldaten" ) is a propaganda film made by the German filmmaker Johannes Meyer in 1935.  It was produced with the Bavaria film company in Munich.  The screenplay was written by Max W. Kimmich and Jacob Geis after the novel "A Fellow Named Prack" written by Fritz Reck-Malleczewen.

Boaz Yakin: Boaz Yakin (born June 20, 1966) is an American screenwriter and film director based in New York City.  He has written such screenplays as "Fresh" and "A Price Above Rubies", and he directed the feature film "Remember the Titans", among others.

Artisten: Artisten (aka "Harry Piel's 100.  film" or "Prince of the arena") is a German circus movie from 1934 to 1935 starring Susi Lanner, Hans Junkermann, Hilde Hildebrand and Harry Piel, who also acted as director.  The screenplay was written by Max W. Kimmich after the silent movie "The secret of the circus Barré".

Under False Flag: Under False Flag (original title "Unter falscher Flagge") is a German cloak-and-dagger film directed by Johannes Meyer set in World War I, that was produced in Berlin from the end of November 1931 to the beginning of 1932.  The producers were the German UFA (Universum Film AG) and the so-called "Tonbild-Syndikat AG" or "Tobis".  The script to the film was written by Johannes Brandt, Josef Than and Max W. Kimmich after a film novel the latter had written earlier.

The Fox of Glenarvon: The Fox of Glenarvon (German: Der Fuchs von Glenarvon) is a German propaganda film from the Nazi era portraying the years of the Irish fight for independence during World War I.  It was produced in 1940 by Max W. Kimmich and starred Olga Tschechowa, Karl Ludwig Diehl, Ferdinand Marian and others.  The screenplay was written by Wolf Neumeister and Hans Bertram after a novel of the same title by Nicola Rhon (Maria von Kirchbach) that had been published at Ullstein publishing house in 1937.  The shoot lasted from December 1939 to February 1940.  It passed censorship on 22 April 1940 and had its debut in Berlin's Ufa-Palast am Zoo two days later.

Do You Know That Little House on Lake Michigan?: Do You Know That Little House on Lake Michigan?  (German: Kennst du das kleine Haus am Michigansee?)  is a 1929 Czech-German silent film directed by Max W. Kimmich and starring Margot Landa, Václav Norman and Sasa Dobrovolná.  The film's action takes place in the United States.

The Invisible Front: The Invisible Front (German: Die unsichtbare Front ), or "A submarine spying film" or "Ein U-Boot-Spionage-Film" in German, is a German cloak-and-dagger-movie from 1932, directed by Richard Eichberg and starring Trude von Molo, Karl Ludwig Diehl, Veit Harlan and Paul Hörbiger.  The story was written by Robert A. Stemmle, Curt Siodmak and Max W. Kimmich, who also presented the idea to this film to his colleagues.

My Life for Ireland: My Life for Ireland (German: "Mein Leben für Irland" ) is a Nazi propaganda movie from 1941 directed by Max W. Kimmich, covering a story of Irish heroism and martyrdom over two generations under the occupation of the British.  The movie was produced for Nazi-occupied Europe with the intent of challenging pro-British allegiances; yet in some cases it had the unintended effect to make audiences identify the Irish struggle with their own resistance against the Nazis.

The Fugitive from Chicago: The Fugitive from Chicago (German: "Der Flüchtling aus Chicago" ) is a German crime and adventure movie produced in 1933 by director Johannes Meyer.  The screenplay was written by Max W. Kimmich, Hermann Oberländer and Hans Martin Cremer after the 1932 novel of the same title by Curt J. Braun.  The film was a co-production between the film companies of Bavaria (situated in Geiselgasteig near Munich, where most scenes were shot) and Atalanta (situated in Berlin).  Some scenes were shot at the German motorcycle company, Zündapp.  It passed censorship on January 23, 1934, and was presented to the public on January 31, 1934, in Munich and on February 22, 1934, in Berlin.

Supporting paragraphs: Boaz Yakin Max W. Kimmich
Answer: yes