Question: Non-Format is a graphic design team that is responsible for the re-design of the music magazine founded in what year?

Context paragraphs:
Graphic design: Graphic design is the process of visual communication and problem-solving using one or more of typography, photography and illustration.  The field is considered a subset of visual communication and communication design, but sometimes the term "graphic design" is used synonymously.  Graphic designers create and combine symbols, images and text to form visual representations of ideas and messages.  They use typography, visual arts and page layout techniques to create visual compositions.  Common uses of graphic design include corporate design (logos and branding), editorial design (magazines, newspapers and books), wayfinding or environmental design, advertising, web design, communication design, product packaging and signage.

Kali Nikitas: Kali Nikitas (born 1964) received an MFA from CalArts in graphic design a BFA in graphic design from the University of Illinois at Chicago.  She and her husband, Rich Shelton, are the partners of Graphic Design for Love (+$).  Clients have included: The School of Architecture at Northeastern, The Walker Art Center, Southern California Institute of Architecture, The Weisman Museum, and SOO Visual Art Center.

Non-Format: Non-Format is a contemporary London-based Anglo-Scandinavian graphic design team specialising in design projects for the publishing and music industries.  The firm was founded by Kjell Ekhorn and Jon Forss in 2000.  They have worked for The Leaf Label and also closely with Lo Recordings, whom they have designed a vast majority of well over 60 releases with.  They created artwork for Stateless for both their album and singles.  They are also responsible for the recent complete redesign and art direction of the monthly British music magazine "The Wire".

Philip B. Meggs: Philip Baxter Meggs (30 May 1942 – 24 November 2002) was an American graphic designer, professor, historian and author of books on graphic design.  His book "History of Graphic Design" is a definitive, standard read for the study of graphic design.

Cavan Huang: Cavan Huang is a graphic designer, creative director, and design educator.  He attended McGill University in Montreal where he studied history and urban planning.  Huang then studied graphic design from 2003–2005 at Rhode Island School of Design in Providence.  He creates motion based visuals that enhance the way design is looked at and how we visualize space.  Much of his inspiration comes from the details of cities, lights, traffic, sounds, and people.  Huangs work can be found in Contemporary Graphic Design, The New York Times, AdAge Magazine, a PBS Documentary, the Time Warner Center, AIGA, TED, CANNES LIONS, the Webby Awards, and the White House.

Motion graphic design: Motion graphic design is a subset of graphic design in that it uses graphic design principles in a filmmaking or video production context (or other temporally evolving visual medium) through the use of animation or filmic techniques.  Examples include the kinetic typography and graphics used in film and television opening sequences, and the spinning, three-dimensional station identification logos of some television channels.  The art form has been around for decades, and has advanced in technical sophistication over time.

Lorraine Wild: Lorraine Wild was born in Ontario, Canada, but has lived in America for a greater part of her life.  She is a graphic designer, published writer, art historian, and art instructor of design.  In 1973, she entered the Cranbrook Academy of Art program which was, at the time, under the leadership of Michael and Katherine McCoy.  In 1975, she received her BFA.  Two years later, she moved to New York to work for Vignelli Associates from 1977-1978.  During this time, she was researching the history of American graphic design post World War II.  This personal interest of research led her to further studying at Yale University where she earned an MFA degree in 1982.  While at Yale University, she designed "Perspecta 19", which was Yale’s architectural journal.  Along with "Perspecta 19", she also designed the Chamber Works and Theatrum Mundi portfolios for the architect Daniel Libeskind, and the book of architect John Hejduk entitled "Mask of Medusa" in 1985.  Her work on the designs of these books helped launch her fast-growing reputation for thoughtful and distinctive design in books on architecture, art, and design.  Her MFA thesis entitled "Trends in American Graphic Design: 1930-1955" was recognized as an important contribution to design scholarship and led to many commissions for essays.  During the early 1980s, she taught in the University of Houston’s architecture school.  In 1983, she wrote "More Than A Few Questions About Graphic Design Education," which was regarded as a very influential essay.  It was first published in "The Design Journal".  In the article, she gives a provocative analysis which became the driving force for recharacterizing graphic design education in the United States.  From here on, her reputation continued to soar and her work earned national recognition.

The Wire (magazine): The Wire (cover title Wire) is a British avant garde music magazine, founded in 1982 by jazz promoter Anthony Wood and journalist Chrissie Murray.  The magazine initially concentrated on contemporary jazz and improvised music, but branched out in the early 1990s to various types of experimental music.  Since then it has covered modern classical, free improvisation, avant rock, electronica, hip hop, new jazz, Modern composition, traditional musics and beyond

The Art Institute of Cincinnati: The Art Institute of Cincinnati is a two-year private college of graphic design.  It was accredited by the Accrediting Commission of Career Schools & Colleges of Technology (ACCSCT).  It was founded as the ACA or the Academy of Creative Arts, and it offers an associate degree of Graphic Design and a three-year bachelor's degree of Graphic Design.

Morteza Momayez: Morteza Momayez (Persian: مرتضی ممیز‎ ‎ ; August 26, 1935 – October 25, 2005) was an Iranian graphic designer.  He was one of the founders of Iranian Graphic Design Society (IGDS) and held a membership to Alliance Graphique Internationale (AGI).  He was the president of Tehran International Poster Biennial and Editor-in-chief of “Neshan”.  Throughout his career, Momayez initiated many cultural institutes, exhibitions and graphic design publications.  The renowned pioneer of graphic design in Iran, Momayez received the Art & Culture Award of Excellency from the president of Iran in 2004.

Supporting paragraphs: Non-Format The Wire (magazine)
Answer: 1982