Question: Who is an African American work song appearing on Tonight Alright often credited to?

Context paragraphs:
Tonight Alright: Tonight Alright is the sixth studio album by Australian rock band Spiderbait, recorded in Weed, California by producer, Sylvia Massy, which was released on 17 August 2004.  It peaked at No. 14 on the ARIA Albums Chart and was certified platinum in 2005.  It includes the number-one Australian single, a cover version of "Black Betty", and the top 30 single, "Fucken Awesome".  "Live in a Box" was used in the game "Gran Turismo 4", and the cover of "Black Betty" was featured in EA's game "".

Nora Kimball: Nora Koito Kimball-Mentzos or simply Nora Kimball is a ballet teacher and former American ballerina, who is often overlooked for being one of the first African American female soloists—the second -- [at American Ballet Theatre (ABT).  She danced with the ABT in the mid 1980s and as an African American who is also Asian American, preceded Misty Copeland, who is often credited as the first.  ABT has been described as one of the three great American-style classical ballet companies on the world stage today (along with New York City Ballet and San Francisco Ballet).

If You're Happy and You Know It: "If You're Happy and You Know It" is a popular repetitive children's song from the United States, credited to Dr. Alfred B. Smith, midway through the 1900s.  The song has been noted for its similarities to "Molodejnaya", a song appearing in the 1938 Soviet musical film "Volga-Volga".

Black Betty: "Black Betty" (Roud 11668) is a 20th-century African-American work song often credited to Huddie "Lead Belly" Ledbetter as the author, though the earliest recordings are not by him.  Some sources claim it is one of Lead Belly's many adaptations of earlier folk material; in this case an 18th-century marching cadence about a flintlock musket.  There are numerous recorded versions, including a cappella, folk, and rock arrangements.  The best known modern recordings are rock versions by Ram Jam, Tom Jones, and Spiderbait, all of which were hits.

Spiderbait: Spiderbait are an Australian alternative rock band formed in Finley, a small town in rural New South Wales, in 1991 by bass guitarist Janet English, singer-drummer Mark Maher (better known as Kram), and guitarist Damian Whitty.  In 2004 the group's cover version of the 1930s Lead Belly song "Black Betty" reached number one on the ARIA Singles Chart.  They have five top 20 albums: "The Unfinished Spanish Galleon of Finley Lake" (1995), "Ivy and the Big Apples" (1996), "Grand Slam" (1999), "Tonight Alright" (2004), and "Greatest Hits" (2005).  The group have won two ARIA Music Awards with the first in 1997 as 'Best Alternative Release' for "Ivy and the Big Apples" and the second in 2000 as 'Best Cover Art' for their single "Glokenpop".  Since late 2004, the band has been on hiatus to concentrate on solo projects and their personal lives—although periodically returning for occasional gigs.  The band released their first studio album in nine years, the self-titled "Spiderbait" in November 2013.

Jessie Redmon Fauset: Jessie Redmon Fauset (April 27, 1882 – April 30, 1961) was an African American editor, poet, essayist, novelist, and educator.  Fauset’s literary work helped sculpt African American literature in the 1920s as she focused on portraying a true image of African American life and history.  Her black fictional characters were working professionals which was an inconceivable concept to American society during this time Her story lines related to themes of racial discrimination, “passing,” and feminism.  From 1919-1926, Fauset’s position as literary editor of "The Crisis," a NAACP magazine, allowed her to contribute to the Harlem Renaissance by promoting literary work that related to the social movements of this era.  Through her work as a literary editor and reviewer, she discouraged black writers from lessening the racial qualities of the characters in their work, and encouraged them to write honestly and openly about the African American race.  She wanted a realistic and positive representation of the African American community in literature that had never before been as prominently displayed.  Before and after working on "The Crisis," she worked for decades as a French teacher in public schools in Washington, DC and New York City.  She published four novels during the 1920s and 1930s, exploring the lives of the black middle-class.  She also was the editor and co-author of the African-American children's magazine "The Brownies' Book."  She is known for discovering and mentoring other African American writers such as Langston Hughes, Jean Toomer, Countee Cullen, and Claude McKay.

Field holler: The field holler or field call is a mostly historical type of vocal music sung by African slaves to accompany their work, to communicate usefully or to vent feelings.  It differs from the collective work song in that it was sung solo, though early observers noted that a holler, or ‘cry’, might be echoed by other workers.  Though commonly associated with cotton cultivation, the field holler was also sung by levee workers, and field hands in rice and sugar plantations.  Field hollers are also known as corn-field hollers, water calls, and whoops.  An early description is from 1853 and the first recordings are from the 1930s.  The holler is closely related to the call and response of work songs, and arhoolies, to Afro-American and ultimately influenced strands of African American music, such as the blues, rhythm and blues, and spirituals.

Mondo Generator: Mondo Generator (sometimes known as Nick Oliveri and the Mondo Generator) is an American rock hybrid band founded in 1997 by Nick Oliveri.  The name of the band originated when Brant Bjork spray-painted the words on the side of Oliveri's Sunn amplifier.  Mondo means "world" in Italian.  The Oliveri-penned Kyuss song appearing on the 1992 album "Blues for the Red Sun" also took its name from this event, and the amplifier itself appears in the artwork for the album.

White Rose Mission: The White Rose Mission (also known as the White Rose Home for Colored Working Girls and the White Rose Industrial Association) was created on February 11, 1897 as a “Christian, nonsectarian Home for Colored Girls and Women” by African American civic leaders, Victoria Earle Matthews (1861–1907) and Maritcha Remond Lyons (1848–1929).  The settlement house, located on Manhattan's Upper West side in the neighborhood known then as San Juan Hill, was founded to offer refuge, shelter and food for newly arrived African American /Colored women from the southern United States and the West Indies.  Aware of the perilous conditions for young African American women seeking work in New York City, Matthews and Lyons and other volunteers working with The White Rose Mission met incoming vessels.  At Manhattan’s piers, docks and railway stations, volunteers offered assistance to female travelers who often fell prey to unscrupulous employment agents and con artists.  As traveler’s assistance services were generally not available to African American women, the White Rose Mission, under the direction of Victoria Earle Matthews, was founded to address the specific problems facing African American female migrants.

Beyond the Realms of Death: "Beyond The Realms of Death" is a power ballad by British heavy metal band Judas Priest from their 1978 album, "Stained Class".  Vocalist Rob Halford's performance is considered one of his finest ever, and the guitar work is noted as well, especially the solos.  Many reviewers have called it one of the best songs on the album.  The song is considered a Judas Priest classic, with versions of the song appearing on the albums "Priest, Live and Rare", "'98 Live Meltdown", "Live in London", "", "Live Insurrection" and many of the group's compilation albums.  Drummer Les Binks has his only songwriting credit with the band for the song's main riff.

Supporting paragraphs: Tonight Alright Black Betty
Answer: Huddie "Lead Belly" Ledbetter