Question: Who composed Khandana Bhava–Bandhana based on tintal a prayer song with simple rhythmic structure?

Context paragraphs:
Yürük semai: A yürük semai (also spelled yürük sema'i, yürük sema i, or yürük semâ'î) is a musical form in Ottoman classical music.  It was a movement of a "fasıl" (suite).  It is generally composed in an "usul" (rhythmic structure) of 6/8 or 6/4.

Stomp box: A stomp box or stompbox is a simple percussion instrument consisting of a small wooden box placed under the foot, which is tapped or stamped on rhythmically to produce a sound similar to that of a bass drum.  A stomp box allows a performer such as a singer or guitar player to create a simple rhythmic self-accompaniment.  Stompboxes are most commonly used in American folk and blues music, but they are also used across the musical spectrum.

Khandana Bhava–Bandhana: Khandana Bhava–Bandhana, or Sri Ramakrishna Aratrik, or Sri Ramakrishna Arati, (English: "Breaker of this world’s chain" ), is a Bengali song composed by Hindu monk Swami Vivekananda.  The song, dedicated to the 19th-century mystic Ramakrishna, was composed in 1898.  It is a prayer song, based on Raga "Mishra Kalyana", Tala "Ferta" ("Choutal", "Tintal", "Ektal") used in Indian classical music.

Rhythm in Persian music: Understanding the rhythmic aspect of Iranian music is aided by understanding the rhythmic structure of Persian poetry, the old Persian rhythmic cycles and the rhythmic characteristics of improvised and composed music.  Analysis of more than fifty improvisations and pieces of composed music shows that the rhythmic organisation of "gūsheh-ha" and of musical genres in free metre, stretchable metre or fixed metre may be influenced by Persian poetic metres.

Rhythm in Turkish music: In Ottoman classical music, usul is an underlying rhythmic cycle that complements the melodic rhythm and sometimes helps shape the overall structure of a composition.  An usul can be as short as two beats or as long as 128 beats.  Usul is often translated as "meter", but usul and meter are not exactly the same.  Both are repeating rhythmic patterns with more or less complex inner structures of beats of differing duration and weight.  But a student learning Turkish music in the traditional "meşk" system first memorizes the usul kinetically by striking the knees with the hands.  The student then sings the vocal or instrumental composition while performing the underlying usul.  This pedagogical system helps the student memorize the composition while internalizing the underlying rhythmic structure.

Prose: Prose is a form of language that exhibits a natural flow of speech and grammatical structure, rather than a rhythmic structure as in traditional poetry.  Where the common unit of verse is based on meter or rhyme, the common unit of prose is purely grammatical, such as a sentence or paragraph.

The Happening (2008 soundtrack): The Happening is the soundtrack to the 2008 film of the same name, composed by James Newton Howard.  It was released on June 3, 2008.  This album is the sixth collaboration between composer James Newton Howard and M. Night Shyamalan.  The main theme is a simple rhythmic motif of three notes followed by a grace note to the fourth note, sometimes played as a minor second and sometimes as a minor third.  The soundtrack was recorded at the Sony Scoring Stage.

Tintal: Tintal (or teental, trital; Hindi: तीन ताल) is one of the most famous talas of Hindustani music.  It is also the most common tal in North India.  The structure of tintal is so symmetrical that it presents a very simple rhythmic structure against which a performance can be laid.

Metre (poetry): In poetry, metre is the basic rhythmic structure of a verse or lines in verse.  Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.  The study and the actual use of metres and forms of versification are both known as prosody.  (Within linguistics, "prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.)

List of jazz arrangers: The American Federation of Musicians defines arranging as "the art of preparing and adapting an already written composition for presentation in other than its original form.  An arrangement may include reharmonization, paraphrasing, and/or development of a composition, so that it fully represents the melodic, harmonic, and rhythmic structure".  Jazz arrangers often take music written for other forms like popular music, religious music, or classical music and alter the tempo, rhythm, and the chord structure to re-create music for a jazz idiom.  They can also take so-called head arrangements and commit them to paper.

Supporting paragraphs: Khandana Bhava–Bandhana Tintal
Answer: Swami Vivekananda