Question: The Housemartins and This Picture, have which genres in common?

Context paragraphs:
Punk rock subgenres: A number of overlapping punk rock subgenres have developed since the emergence of punk rock (often shortened to "punk") in the mid-1970s.  Even though punk genres at times are difficult to segregate, they usually show differing characteristics in overall structures, instrumental and vocal styles, and tempo.  However, sometimes a particular trait is common in several genres, and thus punk genres are normally grouped by a combination of traits.

Emoji: Emoji are ideograms and smileys used in electronic messages and Web pages. Emoji are used much like emoticons and exist in various genres, including facial expressions, common objects, places and types of weather, and animals.  Originally meaning pictograph, the word "emoji" comes from Japanese "e" (絵, "picture") + "moji" (文字, "character").  The resemblance to the English words "emotion" and "emoticon" is purely coincidental.

All-female band: An all-female band is a musical group in popular music genres such as rock, blues, jazz and related genres which is exclusively composed of female musicians.  This is distinct from a girl group, in which the female members are solely vocalists, though this terminology is not universally followed.  While all-male bands are common in many rock and pop scenes, all-female bands are less common.

Inglourious Basterds (soundtrack): Quentin Tarantino's Inglourious Basterds: Motion Picture Soundtrack is the soundtrack to Quentin Tarantino's motion picture "Inglourious Basterds".  It was originally released on August 18, 2009.  The soundtrack uses a variety of music genres, including spaghetti western soundtrack excerpts, R&B and a David Bowie song from the 1982 remake of "Cat People."  "The Man with the Big Sombrero", a song from the 1943 screwball comedy "Hi Diddle Diddle", was rerecorded in French for the movie.  This is the first soundtrack for a Quentin Tarantino film not to feature dialogue excerpts.  The album was nominated for a Grammy Award for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media, but lost to the "Slumdog Millionaire" soundtrack.

The Housemartins: The Housemartins were an English Alternative rock band formed in Hull who were active in the 1980s.  Many of the Housemartins' lyrics were a mixture of Marxist politics and Christianity, reflecting singer Paul Heaton's beliefs at the time (the back cover of "London 0 Hull 4" contained the message, "Take Jesus – Take Marx – Take Hope").  The group's cover version of the Isley Brothers' "Caravan of Love" was a UK Number 1 single in December 1986.

This Picture: This Picture were a UK alternative rock band that was formed in 1989 in Cheltenham, England and broke up in 1995, after releasing two albums.

Music of Nepal: Music of Nepal refers to the various musical genres heard in Nepal.  With more than fifty ethnic groups, the music of the country is highly diverse.  Genres like pop, rock, Nep-hop ko bato, folk, classical music, and ratna music are widely found, but many less common genres are yet to be cataloged.  Rap also sometimes appears on the Nepalese music charts.  Many of the country's musical bands are based in Kathmandu valley, especially the recent ones focused on pop and rock.

Nettō! Gekitō! Quiz-tō!!: Nettō!  Gekitō!  Quiz-tō!!  (熱闘!  激闘!  クイズ島!!  , Hot Fighting!  Fierce Fighting!  Quiz Island!! )  is a quiz arcade game that was released by Namco in 1993 only in Japan; it runs on the company's NA-2 hardware, and is the tenth title from them which allows scores that do not end in "0".  It is also the second game from the company for which a knowledge of all three Japanese writing systems (Hiragana, Katakana, and Kanji) is essential if players wish to succeed with it (the first was "Bakuretsu Quiz Ma-Q Dai Bōken", which had been released in the previous year - but it only allowed two players to play simultaneously).  The players must help four characters called Kufū (工夫), Hana No Sei (花の精), Koseibutsugakusha (古生物学者) and Nōfu (農夫) regain control of an island, by answering multiple-choice questions (like what Scott and Stanley had to do to regain the crown's lost jewels in "Bakuretsu Quiz"); each of the characters starts out in one of the four corners of the island and conquers a square once they have cleared its stage.  They can then decide which square they want to move to next, by pressing one of the Answer Buttons - and if one character moves onto another one's conquered square it will invoke a special type of quiz, in which the conquered square's owner will set the trespasser eight questions (and there shall be a keyword that is common to all eight answers).  If the trespasser answers all eight questions correctly he (or she, in the case of Hana No Sei) will take possession of the square; but if they should get one wrong, the owner will send the trespasser back to their last conquered square.  If there are less than four players, four characters named Chisogin Bob (地底人ボブ), Ringu (リング), Makoto (まこと) and Pochi (ポチ) shall fill in for the missing ones (until they have been defeated) - and most of the stages have four-answer questions, but there are also ones that have picture questions, ones with only two and three answers, ones of four different genres, ones that players shall receive twice the usual time bonus for answering, and ones that will decrease the required number of correct answers by one before they start.  Once all thirty-six squares on the island have been conquered by the last surviving player, the final boss, Chitei Daimao (地底大魔王) shall emerge from underneath the island for the first time in 300 years (meaning that the last time he did it would have been in 1693); he has three different phases, and each time the last surviving player answers all eight questions in one phase correctly, he will change colour (in the case of the third phase, he will explode, much like all the animal opponents in the game do when defeated).  The player will then be treated to the unique ending sequence of his or her character - however, unlike in "Exvania", all four of them have good endings.

Cropped Out: Cropped Out is an annual multi-venue music festival held in Louisville, Kentucky, co-founded in 2010 by Ryan Davis and James Ardery.  According to the festival's website, "Cropped Out aims to celebrate a select fistful of contemporary musicians, artists, and artisans whom we feel reflect a greater undercurrent of sonic, visual, and conceptual exploration.  It is our intention to turn heads toward the talents of those often omitted, overlooked, or cropped out of 'the big picture'.  These are the minds most interesting to us, the minds most capable of emerging from and quickly returning to their lightlessness, if only to be briefly met by a niche appreciation...The fest is designed to highlight the creative efforts of Louisville natives, friends, family, and fellow thinkers from Nashville to Chicago to Brooklyn and beyond."  The festival stays true to this ethos, presenting independent bands and a general DIY scene in an intimate, affordable setting.  The primary genres featured in the festival are Indie rock and post-punk, but expands into other genres such as folk, avant-garde, free jazz, hardcore punk, noise rock and even hip-hop and alternative country.  Cropped Out has close ties with Drag City Records, Thrill Jockey Records, Sophomore Lounge among other independent labels.

Electric Circus (album): Electric Circus is the fifth studio album by rapper Common, released December 10, 2002 on the now-defunct MCA Records.  The album was highly anticipated and praised by many critics for its ambitious vision.  However, it was not as commercially successful as his previous album, "Like Water for Chocolate", selling under 300,000 copies.  An eclectic album, "Electric Circus" featured fusions of several genres such as hip hop, pop, rock, electronic, and neo soul.  "I wasn't feeling hip hop," the rapper remarked.  "So my motivation for that album were other genres of music, like Pink Floyd and Jimi Hendrix.  It wasn't hip hop."  This was Common's second and last album for MCA, and the label's final release prior to its absorption into Geffen Records.

Supporting paragraphs: The Housemartins This Picture
Answer: alternative rock