Question: Which Italian composer's music from the Renaissance and the Baroque periods was performed by Rinaldo Alessandrini?

Context paragraphs:
Jean-Baptiste Besard: Jean-Baptiste Besard (c.1567 – c.1625) was a Burgundian lutenist, composer and anthologist notable for publishing two anthologies which collected a diverse range of musical works of the Renaissance and early Baroque periods and included instructions on playing the lute.

Claude V. Palisca: Claude Victor Palisca (Nov 24, 1921, Fiume, Italy -– Jan 11, 2001) was an internationally recognized authority on early music, especially opera of the renaissance and baroque periods, and was Henry L. and Lucy G. Moses Professor Emeritus of Music at Yale University.  He is best known for co-writing (with Donald Jay Grout) the standard textbook "A History of Western Music" (3rd-6th editions, 1980-2001), as well as for his substantial body of work on the history of music theory in the Renaissance, reflected in his editorship of the Yale Music Theory in Translation series and in the book "Humanism in Italian Renaissance Musical Thought" (1985); in particular, he was the leading expert on the Florentine Camerata.  His 1968 book "Baroque Music" in the Prentice-Hall "history of music" series ran to three editions.

Giovanni Giacomo Gastoldi: Giovanni Giacomo Gastoldi (ca. 1554 – 4 January 1609), was an Italian composer of the late Renaissance and early Baroque periods.  He is known for his 1591 publication of "balletti" for five voices.

Trinity Baroque: Trinity Baroque is an English group of musicians who focus on the Renaissance and Baroque periods.  Founded at Trinity College, Cambridge, they are formed of a pool of 6-8 singers, sometimes expanding to larger vocal and instrumental forces.  The ensemble has formed close relationships with the music of Heinrich Schütz, Jan Pieterszoon Sweelinck and Johann Sebastian Bach, and focus on one-to-a-part performances.  Their programmes usually blend sacred and secular music, and are in a style which often joins the chosen pieces into a semi-theatrical sequence on a particular theme or season.

Acqua Vergine: Acqua Vergine is one of several Roman aqueducts that delivers pure drinking water to Rome.  Its name derives from its predecessor "Aqua Virgo", which was constructed by Marcus Vipsanius Agrippa in 19 BC.  Its terminal castellum is located at the Baths of Agrippa, and it served the vicinity of Campus Martius through its various conduits.  In an effort to restore fresh water to Rome during the Renaissance, Pope Nicholas V, in 1453, renovated the main channels of the Aqua Virgo and added numerous secondary conduits under Campo Marzio.  The original terminus, called a "mostra", which means "showpiece", was the stately, dignified wall fountain designed by Leon-Battista Alberti in Piazza dei Crociferi.  Due to several additions and modifications to the end-most points of the conduits during the years that followed, during the Renaissance and Baroque periods, the Acqua Vergine culminated in several magnificent "mostre" - the Trevi Fountain and the fountains of Piazza del Popolo.

Luigi Piovano: Luigi Piovano is an Italian cellist and conductor.  He is Principal Cellist of the Orchestra dell'Accademia Nazionale di Santa Cecilia, guest Principal Cellist of the Tokyo Philharmonic Orchestra, and guest principal cellist of the Seoul Philharmonic Orchestra.  He has recorded on both the modern cello and the Baroque cello (the latter including work as cellist of Concerto Italiano with Rinaldo Alessandrini, chamber music of Robert Schumann with the Michelangelo Piano Quartet for the Chandos label, and the Cello Sonatas of Johannes Brahms).  He has also recorded the complete cello works of Camille Saint-Saëns and the Cello Suites of Johann Sebastian Bach

Rinaldo Alessandrini: Rinaldo Alessandrini (born 25 January 1960) is a virtuoso on Baroque keyboards, including harpsichord, fortepiano, and organ.  He is founder and conductor of the Italian early music ensemble Concerto Italiano, performing music of Monteverdi, Vivaldi, Couperin, Bach, and others.  He is considered a foremost interpreter of early Italian opera.

Giovanni Priuli: Giovanni Priuli (or Prioli,<ref name="Roche/Saunders, Grove online">Roche/Saunders, Grove online</ref> ca. 1575–1626) was an Italian composer and organist of the late Renaissance and early Baroque periods.  A late member of the Venetian School, and a contemporary of Claudio Monteverdi, he was a prominent musician in Venice in the first decade of the 17th century, departing after the death of his associate Giovanni Gabrieli and ending his career at the Habsburg court in Austria.  His music straddled the dividing-line between Renaissance and Baroque idioms.

Claudio Monteverdi: Claudio Giovanni Antonio Monteverdi (] ; 15 May 1567 (baptized) – 29 November 1643) was an Italian composer, string player and choirmaster.  A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and the Baroque periods of music history.

Giles Farnaby: Giles Farnaby (c. 1563 – November 1640) was an English composer and virginalist of the Renaissance and Baroque periods.

Supporting paragraphs: Rinaldo Alessandrini Claudio Monteverdi
Answer: Claudio Giovanni Antonio Monteverdi