Question: St. George Maronite Cathedral, Beirut, was inspired by the Basilica di Santa Maria Maggiore, are both from which religion?

Context paragraphs:
Santa Maria Maggiore, Mirandola: The Church of Santa Maria Maggiore (Italian: "Duomo di Mirandola; Chiesa di Santa Maria Maggiore, Mirandola" ) is a Gothic Roman Catholic church in the center of the town of Mirandola, province of Modena, Region of Emilia Romagna, Italy.

Major basilica: Major basilica (Latin: "Basilica maior" ; plural: "Basilicae maiores") is the title given to the four highest-ranking Roman Catholic church buildings, all of which are also "Papal basilicas": the Archbasilica of St. John Lateran, St. Peter's Basilica, the Basilica of St. Paul Outside the Walls, and the Basilica di Santa Maria Maggiore.  All of them are located within the diocese of Rome: St. Peter's Basilica is located in Vatican City and thus within the territory and sovereign jurisdiction of the Holy See.  The other three are geographically located in Italian territory, but enjoy extraterritorial status under the Lateran Treaty.  The Archbasilica of St. John in the Lateran is the seat of the Pope and the site of the Papal Cathedra, and is the oldest and first in rank of the major basilicas.

Basilica of Our Lady of Snows, Thoothukudi: Our Lady of Snows Shrine Basilica is located at Thoothukudi, Tamil Nadu, India.  It is one of the Catholic pilgrimage centers in India dedicated to the Our Lady of Snows, a title given to St. Mary.  The Shrine name refers to the Basilica di Santa Maria Maggiore in Rome.

Basilica di Santa Maria Maggiore: The Basilica di Santa Maria Maggiore (] ; 'Basilica of Saint Mary Major', Latin: "Basilica Sanctae Mariae Maioris" ), or church of Santa Maria Maggiore, is a Papal major basilica and the largest Catholic Marian church in Rome, Italy, from which size it receives the appellation "major".

Bernard Francis Law: Bernard Francis Law (born November 4, 1931) is an American cardinal of the Roman Catholic Church.  He is Archbishop emeritus of Boston, former archpriest of the Basilica di Santa Maria Maggiore, and Cardinal Priest of Santa Susanna, the American Catholic church in Rome.

Luca Cancellari: Luca Cancellari ("Luke Cangellaris"; Greek: Λουκάς Καγκελλάρης) is a Byzantine icon painter posited in some modern Greek encyclopaedias to have lived during the 12th century in Constantinople, where he painted some of the best icons of Virgin Mary.  These works ascribe him the creation of icons like the Madonna Nicopeia in St Mark's Basilica, that ended up in Venice after the conquest of Constantinople by the Crusaders in 1204, the Madonna di San Luca in the namesake Sanctuary, transferred in Bologna in 1160 and bearing the inscription "Opus Lucae Cancellari", or as read by Antonio Masini (1599-1691) "Cancellarii", the Madonna Salus Populi Romani in the Basilica di Santa Maria Maggiore in Rome and other with Greek inscriptions of that period.

Giovanni Garzia Mellini: Giovanni Garzia Mellini (his first name is also rendered Giangarzia while his middle name is also rendered Garsia) (1562 – 2 October 1629) was a Roman Catholic prelate who served as Cardinal-Bishop of Frascati (1629), Cardinal-Priest of San Lorenzo in Lucina (1627–1629), Camerlengo of the Sacred College of Cardinals (1623–1625), Archpriest of the Basilica di Santa Maria Maggiore (1622–1629), Cardinal-Priest of Santi Quattro Coronati (1608–1627), Archbishop (Personal Title) of Imola (1607–1611), and Apostolic Nuncio to Spain (1605–1607).

Pompeo Targone: Pompeo Targone (1575 — ca. 1630), son of a Venetian goldsmith, was an Italian engineer in the service of popes Clement VIII and Paul V.  He built the ciborium tabernacle in the Blessed Sacrament chapel of the Archbasilica of St. John Lateran, and one of the altars in the Basilica di Santa Maria Maggiore.

St. George Maronite Cathedral, Beirut: Saint George Maronite Cathedral (Arabic: كاتدرائية مار جرجس للموارنة‎ ‎ ) is the cathedral of the Maronite Catholic Archeparchy of Beirut, Archdiocese of the city of Beirut, Lebanon.  Its construction, with a Neoclassical facade, interior and plan inspired by the Basilica di Santa Maria Maggiore, began in 1884 and ended in 1894.

Flaminio Vacca: Flaminio Vacca or Vacchi (Caravaggio or Rome, 1538 – Rome, 1605) was an Italian sculptor.  His sculptural work can be seen in Rome in the grandiose funeral chapel of Pope Pius V designed by Domenico Fontana at the Basilica di Santa Maria Maggiore ("Saint Francis"), in the Church of the Gesù (one of four marble angels in the third chapel on the right) and in the right transept of the Chiesa Nuova ("Saint John the Evangelist" and "Saint John the Baptist", both signed).  At the notoriously awkward fountain that marked the terminus of the Acqua Felice, Vacca contributed one of the angels (documented 1588-89,) supporting Sixtus V's coat-of-arms that crown the attic, and a bas-relief "Joshua Leading His People across the Jordan River"; in these commissions for the fountain his partner in the documented payments was Pietro Paolo Olivieri.  His self-portrait (1599) is conserved in the "Protomoteca Capitolina" on the Campidoglio.  At the Villa Medici the two marble "Medici lions" flank the staircase; one is Roman, its pendant, made to match it in 1600, was by Flaminio Vacca.  Vacca's copy was replaced by a copy when Villa Medici was sold by the Grand Duke of Tuscany and moved the lions to Piazza della Signoria, Florence, where with its ancient companion it flanks the steps to the Loggia dei Lanzi.  In Santa Susanna, the prophets "Ezekiel" and "Daniel" have been attributed to him.

Supporting paragraphs: St. George Maronite Cathedral, Beirut Basilica di Santa Maria Maggiore
Answer: Catholic