Question: Means End has music similar to which Grammy-winning conductor known for choral and wind ensemble music?

Context paragraphs:
Bart Schneemann: Bart Schneemann (born 1954, in Melbourne) is a Dutch oboist, conductor, teacher and artistic director for the Netherlands Wind Ensemble.  In 1977 he graduated from the Conservatory in Amsterdam.  From 1976 to 1996, he was the first chair oboist in the Radio Filharmonisch Orkest and the Rotterdam Philharmonic Orchestra.  He retired from playing in the orchestra to put all his time towards his solo career and his activities in the Netherlands Wind Ensemble.  Schneemann plays a wide repertoire in various formations, ranging from older music (on modern oboe and classical/baroque oboe) to contemporary music.  Many composers have written music especially for him, including Tristan Keuris, Wolfgang Rihm, John Zorn, Gia Kantsjeli, Kevin Volans, George Crumb, György Kurtág and Jacob ter Veldhuis.  He performed solos in various orchestras conducted by, among others: Valeri Gergiev, Edo de Waart, Ernest Bour, Lev Markiz, Frans Brüggen, Roy Goodman and Ton Koopman.  Schneeman also conducted the National Youth Orchestra, the Amsterdam Sinfonietta, the Brabant Orchestra and the North Netherlands Symphony Orchestra.  As a soloist, conductor and in his capacity in the Netherlands Wind Ensemble, he is often asked for stage performances in all kinds of festivals and events worldwide.

Eric Whitacre: Eric Edward Whitacre (born January2, 1970) is a Grammy-winning American composer, conductor, and speaker, known for his choral, orchestral and wind ensemble music.  He is also known for his "Virtual Choir" projects, bringing individual voices from around the globe together into an online choir.  In March2016, he was appointed as Los Angeles Master Chorale's first artist-in-residence at the Walt Disney Concert Hall.

Concerto for Wind Ensemble (Husa): The Concerto for Wind Ensemble is a concerto for wind ensemble by the Czech-born American composer Karel Husa.  It was written for the Michigan State University Wind Ensemble in 1982 and won the first Sudler International Composition Prize in 1983.

Eastman Wind Ensemble: The Eastman Wind Ensemble is an American concert band founded by Frederick Fennell at the Eastman School of Music in 1952.  It is often credited with helping popularize wind music.  Through the group, Fennell redefined "wind ensemble" to refer to a specific kind of wind band with only one player per part, and focusing on original wind music rather than orchestral transcriptions.  The Eastman Wind Ensemble has premiered over 150 works, including works by composers Bernard Rands and Joseph Schwantner.

Symphony No. 3 (Corigliano): The Symphony No. 3, Circus Maximus, is a composition for wind ensemble in eight movements by the American composer John Corigliano.  The work was commissioned by the School of Music, the University of Texas at Austin, for the University of Texas Wind Ensemble.  It was given its world premiere by the University of Texas Wind Ensemble under the conductor Jerry Junkin at the Bass Concert Hall in the University of Texas Performing Arts Center on February 16, 2005.  The symphony is dedicated to Junkin and is the composer's first piece written specifically for concert band.

Concert band: A concert band, also called wind ensemble, symphonic band, wind symphony, wind orchestra, wind band, symphonic winds, symphony band, or symphonic wind ensemble, is a performing ensemble consisting of members of the woodwind, brass, and percussion families of instruments, along with the double bass or bass guitar.  On rare occasions, additional non traditional instruments may be added to such ensembles such as piano, harp, synthesizer, or electric guitar.

Means End: Means End was a Swedish progressive metal band from Stockholm whose sound is spearheaded by SATB choirs, operatic vocals, 8-string guitars, and jazz-fusion compositions.  Their music is likened to an amalgamation of artists such as Eric Whitacre, Devin Townsend, Meshuggah, Yellowjackets.  They are notable for bridging the gap between classical composition and contemporary instrumentalism.

Larry Nickel: Larry Nickel (born March 12, 1952) is a Canadian composer, conductor, music publisher and singer who devotes much of his focus to choral music.  He is an associate composer of the Canadian Music Centre.  and has composed for a wide spectrum of genres; electronic and computer music, string quartet, woodwind and brass quintet, Symphony Orchestra, Symphonic Wind Ensemble and choral ensembles, including both secular and ecclesiastical music.  Primarily, he has written and arranged hundreds of compositions for choirs.  Nickel also works as a choral clinician, occasional university professor, music minister, guest conductor and music festival adjudicator.  Nickel sang professionally with the Vancouver Chamber Choir for six years, directed the Jubilate Vocal Ensemble for five years, and is currently singing with the Vancouver Cantata Singers.  In 2010 Nickel became the owner and co-editor (with Diane Loomer) of Cypress Choral Music Publishing.  Nickel's music is published by Oxford University Press, G. Schirmer, Shawnee Press, Pavane Publishing, Morton Music, Cypress Choral Music, Classica and Canadian International Music.  The Canadian Broadcasting Corporation - CBC Radio - has featured his music many times.

Eugene Migliaro Corporon: Eugene Migliaro Corporon is an American conductor, known for his work with wind ensembles and is a scholar of wind/band music repertoire.  He is co-editor of two literature catalogues, Wind Ensemble/Band Repertoire (1984) and Wind Ensemble Literature (1975), as well as all ten volumes of the Teaching Music Through Performance in Band Series (GIA Publications).  He also is co-host on the Inner Game of Music videotape.

Donald Hunsberger: Donald Hunsberger (born August 2, 1932 in Souderton, Pennsylvania) is an American conductor and arranger.  He served as the conductor of the Eastman Wind Ensemble from 1965 until 2001.  He also held the position of Professor of conducting at the Eastman School of Music.  Generally regarded as a key contributor to the rise of the modern wind ensemble in the twentieth century, Hunsberger's notable contributions include conducting, recording, and arranging music for winds.

Supporting paragraphs: Means End Eric Whitacre
Answer: Eric Edward Whitacre