Question: Who was born first, Teinosuke Kinugasa or Max Reinhardt

Context paragraphs:
Teinosuke Kinugasa: Teinosuke Kinugasa (衣笠 貞之助 , Kinugasa Teinosuke ) (1 January 1896 – 26 February 1982) was a Japanese actor and film director.  He was born in Kameyama, Mie Prefecture and died in Kyoto.  Kinugasa won the 1954 Palme d'or at Cannes for "Jigokumon" ("The Gate of Hell").

Dedication of the Great Buddha: Dedication of the Great Buddha (大仏開眼 , Daibutsu kaigen ) is a 1952 Japanese film directed by Teinosuke Kinugasa.  It was entered into the 1953 Cannes Film Festival.

Jujiro: Jujiro (十字路 , Jūjiro ) , also known as "Crossroads", "Crossways", "Shadows of the Yoshiwara" or "Slums of Tokyo", is a 1928 silent Japanese film drama directed by Teinosuke Kinugasa.

Akira Iwasaki: Akira Iwasaki (岩崎昶 , Iwasaki Akira ) (18 November 1903 – 16 September 1981) was a prominent left-wing Japanese film critic, historian, and producer.  Born in Tokyo, he became interested in film from his student days at Tokyo University.  Early on, he helped introduce German experimental film in Japan, and was instrumental in getting Teinosuke Kinugasa's masterpiece "A Page of Madness" screened in Tokyo.  Afterward, he became involved in Marxist politics and established a career promoting progressive cinema and criticism.  He wrote or edited over thirty books of film criticism, history, theory and biography during his career.  He was also involved in film production, first serving from the late 1920s as a central member of the Proletarian Film League of Japan (Prokino), where he acted as not only the theoretical brain of the movement alongside Genjū Sasa, but also as a filmmaker.  When Prokino was effectively eliminated by police oppression under the Peace Preservation Law, Iwasaki continued his critical activities, becoming involved in the Yuibutsuron Kenkyūkai with such thinkers as Jun Tosaka, but was eventually arrested in 1940, in part for his opposition to the Film Law, which authorized increased government control of the film industry.  He was the only film critic arrested by the ideological police during the war.  After his release, he worked for a time at the Tokyo office of the Manchukuo Film Association thanks to the help of Kan'ichi Negishi.

The Romance of Yushima: The Romance of Yushima (婦系図 湯島の白梅 , Onna Keizu Yushima no Shiraume ) (おんなけいず ゆしまのしらうめ), aka "The White Plum of Yushima", is a 1955 black-and-white Japanese film directed by Teinosuke Kinugasa.

Gate of Hell (film): Gate of Hell (地獄門 , Jigokumon ) is a 1953 Japanese jidaigeki film directed by Teinosuke Kinugasa.  It tells the story of a samurai (Kazuo Hasegawa) who tries to marry a woman (Machiko Kyō) he rescues, only to discover that she is married.  Filmed using Eastmancolor, "Gate of Hell" was Daiei Film's first color film and the first Japanese color film to be released outside Japan.

Musei Tokugawa: Musei Tokugawa (徳川 夢声 , Tokugawa Musei , 13 April 1894 – 1 August 1971) was a Japanese benshi, actor, raconteur, essayist, and radio and television personality.  Musei (as he was called) first came to prominence as a benshi, a narrator of films during the silent era in Japan.  He was celebrated for his restrained but erudite narration that was popular among intellectual film fans.  He concentrated on foreign films such as "The Cabinet of Dr. Caligari" at high-class theaters like the Aoikan and the Musashinokan, but also performed Japanese works such as Teinosuke Kinugasa's experimental masterpiece "A Page of Madness" (1926).  As the silent era ended, Musei switched to storytelling on stage and on radio, and also began acting and doing narrations in films.  He was also famous for his essays, humorous novels, and autobiographical writings, publishing nearly fifty books in his life.  With the advent of television in Japan, Musei also became a prominent presence in that medium.

Max Reinhardt: Max Reinhardt (September 9, 1873 – October 30, 1943) was an Austrian-born American theatre and film director, intendant, and theatrical producer.  With his innovative stage productions, he is regarded as one of the most prominent directors of German-language theatre in the early 20th century.  In 1920, he established the Salzburg Festival with the performance of Hofmannsthal's "Jedermann".

A Page of Madness: A Page of Madness (狂った一頁 , Kurutta Ippēji or Kurutta Ichipeiji ) is a silent film by Japanese film director Teinosuke Kinugasa, made in 1926.  It was lost for forty-five years until being rediscovered by Kinugasa in his storehouse in 1971.  The film is the product of an avant-garde group of artists in Japan known as the Shinkankakuha (or School of New Perceptions) who tried to overcome naturalistic representation.

1954 Cannes Film Festival: The 7th Cannes Film Festival was held from 25 March to 9 April 1954.  With Jean Cocteau as President of the Jury, the Grand Prix went to the "Gate of Hell" by Teinosuke Kinugasa.  The festival opened with "Le Grand Jeu" by Robert Siodmak.  This was the last festival with a predominantly French Jury.

Supporting paragraphs: Teinosuke Kinugasa Max Reinhardt
Answer: Max Reinhardt