Question: Are Sergei Parajanov and Syed Noor both film directors?

Context paragraphs:
Parajanov: The Last Spring (film): Parajanov: The Last Spring (Russian: Параджанов последняя весна ) (Armenian: Փարաջանով: Վերջին Գարուն ) (French: "Paradjanov : le dernier printemps" ) is a 1992 award-winning documentary by the Russian-Armenian filmmaker Mikhail Vartanov, that also includes the complete surviving footage of Sergei Parajanov's unfinished last film "The Confession", Vartanov's behind-the-scenes sequences of Parajanov at work on the shooting of the "Color of Pomegranates" and other material.  Featured in 7th Annual Russian Academy of Cinema Arts Awards (1993).

Igor Savchenko: Igor Andreyevich Savchenko or Ihor Andriyovych Savchenko (11 October 1906 - 14 December 1950) was a screenwriter and film director, often cited as one of the great early Soviet filmmakers, alongside Sergei Eisenstein, Vsevolod Pudovkin and Aleksandr Dovzhenko.  He is also known for teaching Sergei Parajanov at the Russian film school VGIK, also attended by Parajanov's best friend Mikhail Vartanov.

Syed Noor: Syed Noor (Punjabi, Urdu: ‎ ) is a Pakistani film director based in Lahore.

Majajan: Majajan is a Pakistani Punjabi film directed by Syed Noor which was released across theaters in Pakistan in January 2006.  It has celebrated its Diamond Jubilee at the Pakistani cinemas.  Director of Majajan Syed Noor married the heroine Saima during the filming of this film.  "Majajan" is a love story Syed Noor says he "made most passionately".  Inspired by the life of Baba Bulleh Shah and his 'ishq' with his 'murshad',

Mehndi Waley Hath: Mehndi Waley Hath Is a Punjabi Pakistani film directed by Syed Noor starring Saima, Moammar Rana and Babar Ali.  Mehndi Waley Hath was Syed Noor's unofficial follow up to Choorian and subsequently expectations among the public as well as within the industry were sky high.  There had been reports that Noor had been totally wrapped up in the shooting of what was being seen as his special pet project.  All other productions he was involved in were receiving a cold shoulder while Noor worked painstakingly on Mehndi Waley Hath.  Last summer when the preview trailers were screened they caused mini-hysteria in some centers in the Punjab where audiences demanded them to be replayed over and over!

Ashik Kerib (film): Ashik Kerib (Georgian: აშიკ-ქერიბი) (literally, "the strange lover") is a 1988 film by the Soviet-Georgian and Armenian filmmakers Dodo Abashidze and Sergei Parajanov based on the short story of the same name by Mikhail Lermontov.  It was Parajanov's last completed film and was dedicated to his close friend Andrei Tarkovsky, who had died two years previously.  The film also features a detailed portrayal of Azerbaijani culture.

Jungle Queen (2001 film): Jungle Queen is a Pakistani film directed by Syed Noor and written by his then-wife, Ruckhsana Noor.  The film stars Saima (aka Saima Noor after marrying director Syed Noor in 2005) as the title character.  She is a female Tarzan type who lives in the jungle, swings on vines, rides elephants, etc.  This standard jungle adventure story has a romantic subplot and, being a Lollywood film, some song and dance numbers.

The Legend of Suram Fortress: The Legend of the Suram Fortress (Georgian: ამბავი სურამის ციხისა ) is a 1985 drama film directed by Georgian SSR-born Soviet-Armenian director Sergei Parajanov and Georgian actor Dodo Abashidze.  Sergei Parajanov's first film after 15 years of censorship in the Soviet Union, it is a film stylistically linked with his earlier" The Color of Pomegranates" (1968): The film consists of a series of tableaux; once again minimal dialogue is used; the film abounds in surreal, almost oneiric power.

Sergei Parajanov: Sergei Parajanov (Armenian: Սերգեյ Փարաջանով ; Russian: Серге́й Ио́сифович Параджа́нов ; Georgian: სერგო ფარაჯანოვი ; Ukrainian: Сергій Йо́сипович Параджа́нов ; sometimes spelled Paradzhanov or Paradjanov; January 9, 1924 – July 20, 1990) was a Soviet film director and artist of Armenian descent who made significant contributions to Soviet cinematography through Ukrainian, Armenian, and Georgian cinema.  He invented his own cinematic style, which was totally out of step with the guiding principles of socialist realism (the only sanctioned art style in the USSR).  This, combined with his controversial lifestyle and behaviour, led Soviet authorities to repeatedly persecute and imprison him, and suppress his films.

Sergei Parajanov Museum: The Sergei Parajanov Museum (Armenian: Սերգեյ Փարաջանովի թանգարան ) is a tribute to Soviet Armenian director and artist Sergei Parajanov and is one of the most popular museums in Yerevan.  It represents Parajanov's diverse artistic and literary heritage.

Supporting paragraphs: Sergei Parajanov Syed Noor
Answer: yes