Question: Paul Hindemith and Louis-Hector Berlioz were composers of orchestral works; which composer was known for his works during the Romantic period?

Context paragraphs:
Frances James (soprano): Frances James (3 February 1903 22 August 1988) was a Canadian soprano who specialized in concert repertoire.  She worked prolifically as a performer on CBC Radio and as a recitalist from the late 1920s through the 1950s; premiering works by numerous Canadian composers of note and championing works by contemporary international composers.  Her performances were noted for their musical intelligence and sophistication.  Her singing was admired by several important composers, including Benjamin Britten, Paul Hindemith, and Darius Milhaud.  While her performances, both live and on radio/disc, were mainly from the concert repertoire, she did perform in some broadcasts of operas on the radio and in the 1931 world premiere of Healey Willan's ballad opera "Prince Charlie and Flora".  In 1984 she was awarded the Canadian Music Council Medal.

Oregon East Symphony: The Oregon East Symphony is an orchestra based in Pendleton, Oregon, United States.  Highlights of the orchestra's repertoire include ongoing cycles of the orchestral works of Beethoven and Mahler, as well as major works by Elgar, Mozart, Hindemith, Rachmaninoff and Dvořák.  The orchestra has also presented world-premieres of works by composers including Emily Doolittle, John McKinnon, Leandro Espinosa, Margaret Mayer and the film-composer Christopher Thomas.

Hindemith Prize: The international Paul Hindemith Prize promotes outstanding contemporary composers within the framework of the Schleswig-Holstein Music Festival (SHMF).  The award commemorates the musical pedagogy of Paul Hindemith, who wrote the composition "Plöner Musiktag" in 1932 on behalf of the Staatliche Bildungsanstalt Plön.  The music prize is endowed with 20,000 € and goes together with a composition commission.  The prize is presented annually by the Hindemith Foundation in Blonay (Switzerland), the Walter and Käthe Busche Foundation, the Rudolf and Erika Koch Foundation, the Gerhard Trede Foundation, the Franz Wirth Memorial Trust and the Cultural Office of the Free and Hanseatic City of Hamburg since 1990.  Since 2010, the winner is found partly by a composition competition.  The work of the prize winner is to be premiered within the framework of the Schleswig-Holstein Music Festival.

Emmanuel Chabrier: Alexis Emmanuel Chabrier (] ; January 18, 1841September 13, 1894) was a French Romantic composer and pianist.  Although known primarily for two of his orchestral works, "España" and "Joyeuse marche", he left an important corpus of operas (including "L'étoile"), songs, and piano music.  He was admired by composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Schmitt, Stravinsky, and the group of composers known as Les six.  Stravinsky alluded to "España" in his ballet "Petrushka"; Gustav Mahler called "España" "the beginnings of modern music" and alluded to the "Dance Villageoise" in the "Rondo Burleske" movement of his Ninth Symphony.  Ravel wrote that the opening bars of "Le roi malgré lui" changed the course of harmony in France, Poulenc wrote a biography of the composer, and Richard Strauss conducted the first staged performance of Chabrier's incomplete opera "Briséïs".

Igor Štuhec: Igor Štuhec (born 15 December 1932) is a contemporary Slovenian composer, who lives in Ljubljana and Maribor.  He studied composition at the Ljubljana Academy of Music under Lucijan Marija Škerjanc and Matija Bravničar.  He continued his studies at the Vienna Academy of Music and Dramatic Art under Hanns Jelinek, and also at the Darmstädter Ferienkurse.  After some early neo-classical orchestral works that show his mastery of traditional techniques, Štuhec gradually moved towards the adoption of new techniques in the early 1960s.  Although in 1955 he had produced a musique concrète composition in "Biological Transformation", the radical change came with the chamber pieces "Situacija" (1963) and "Silhuete" (1964) and the orchestral "Differentiations" (1964), all of which exhibit his assimilation of 12-note and aleatory procedures.  Štuhec's skill is particularly evident in miniatures such as the "Minikoncert", where his writing is at its most delicate and the textures are almost always crystal clear.  A later group of orchestral works extending his textural techniques, notably the concertos and the three "Entuziazmi" pieces, display a vivid imagination and a strong rhythmic momentum.  Also among his works are two operas, "Zupanova Micka" (1948) and

20th-century classical music: 20th-century classical music describes orchestral works, chamber music, solo instrumental works (including keyboard music), electronic music, choral music, songs, operas, ballets, concertos, symphonies, and related forms, as well as fantasies, rhapsodies, fugues, passacaglias and chaconnes, variations, oratorios, cantatas, suites, improvisational and newly developed formal concepts such as variable and mobile forms, that have been written and performed since 1900.  This era was without a dominant style and composers have created highly diverse kinds of music.  Modernism, impressionism, post-romanticism, neoclassicism, expressionism, and, later, minimalism were all important movements.  Atonality, serialism, "musique concrète" and electronic music were all developed during this period.  Jazz was an important influence on many composers in this period.

Orchestral Works by Tomas Svoboda: Orchestral Works by Tomas Svoboda (sometimes abridged as Orchestral Works) is a classical music album by the Oregon Symphony under the artistic direction of James DePreist, released by the record label Albany in 2003.  The album was recorded at the Arlene Schnitzer Concert Hall in Portland, Oregon during three performances in January and June 2000.  It contains three works by Tomáš Svoboda, a Czech-American composer who taught at Portland State University for more than 25 years: "Overture of the Season", Op. 89; "Concerto for Marimba and Orchestra", Op. 148; and Symphony No. 1 (of Nature), Op. 20.  The album's executive producers were Peter Kermani, Susan Bush, and Mark B. Rulison; Blanton Alspaugh served as the recording producer.

Hector Berlioz: Louis-Hector Berlioz (] (English: ); 11 December 1803 – 8 March 1869) was a French Romantic composer, best known for his compositions "Symphonie fantastique" and "Grande messe des morts" (Requiem).  Berlioz made significant contributions to the modern orchestra with his "Treatise on Instrumentation".  He specified huge orchestral forces for some of his works, and conducted several concerts with more than 1,000 musicians.  He also composed around 50 songs.  His influence was critical for the further development of Romanticism, especially in composers like Richard Wagner, Nikolai Rimsky-Korsakov, Franz Liszt, Richard Strauss, and Gustav Mahler.

Paul Hindemith: Paul Hindemith ( ) (16 November 1895 – 28 December 1963) was a prolific German composer, violist, violinist, teacher and conductor.  Notable compositions include his song cycle "Das Marienleben" (1923), "Der Schwanendreher" for viola and orchestra (1935), and opera "Mathis der Maler" (1938).  Hindemith's most popular work, both on record and in the concert hall, is likely the "Symphonic Metamorphosis of Themes by Carl Maria von Weber", written in 1943.

Symphony: Mathis der Maler: Symphony: Mathis der Maler ("Matthias the Painter") is among the most famous orchestral works of German composer Paul Hindemith.  Music from the symphony was incorporated into, or reworked for, Hindemith's opera "Mathis der Maler", which concerns the painter Matthias Grünewald (or Neithardt).

Supporting paragraphs: Paul Hindemith Hector Berlioz
Answer: Louis-Hector Berlioz