Question: What was the ethnicity of the danseur, choreographer, artistic director, actor, and author that said, "Fracci gave the world a new idea of the ballerina in 19th-century Romantic ballets"?

Context paragraphs:
Erik Bruhn: Erik Belton Evers Bruhn (3 October 1928 – 1 April 1986) was a Danish danseur, choreographer, artistic director, actor, and author.

Ann Marie DeAngelo: Ann Marie DeAngelo is an American choreographer, director, producer, teacher, and former dancer.  She was leading ballerina with the Joffrey Ballet, where she later served as associate director at the time of the company's move to Chicago, Illinois in 1995.  DeAngelo was the founding artistic director of Mexico's Ballet de Monterrey, and served as artistic director of Ballet Omaha during the 1990s.  She founded of her own experimental troupe in the late 1980s called Ballet D’Angelo, creating several full-evening productions, which toured extensively in Europe.

Ross Priory: Ross Priory is an early 19th-century country house located west of Gartocharn, West Dunbartonshire, on the south shore of Loch Lomond, Scotland.  From the 14th century the estate, known as The Ross, was owned by a branch of the Buchanan family of Buchanan Castle, who built a house here in 1695.  The present house is the result of remodelling by James Gillespie Graham and was complete in 1816.  The term "priory" does not imply ecclesiastical provenance, but is simply a 19th-century romantic affectation.  Sir Walter Scott spent time at Ross Priory in the years following the rebuilding.  It was owned by subsequent members of the Leith-Buchanan family until the later 20th century.  In 1973 it was sold to Strathclyde University and now serves as a recreational and conference centre.

Carla Fracci: Carla Fracci (] ; born 20 August 1936, Milan) is an Italian ballet dancer and actress.  Thanks to her extensive career and her acclaimed interpretation of several classical romantic ballets such as "La Sylphide", Fracci became one of the most experienced and recognized interpreters of Romantic ballets.  “As Erik Bruhn once said, [Fracci] gave the world a new idea of the ballerina in 19th-century Romantic ballets.”  Her career highlights include "Nijinsky", "Giselle" (American Ballet Theatre), Complete Bell Telephone Hour Performances: Erik Bruhn 1961-1967.

Igor Belsky: Igor Dmitrievich Belsky (Russian: Игорь Дмитриевич Бельский ; 28 March 1925, Saint Petersburg, Russia – 3 July 1999, Saint Petersburg) was a Russian ballet dancer and choreographer.  After 20 years of solo work (1942–62) he became a chief choreographer of Maly Theatre (1962–73), artistic director of Kirov Ballet (1973–77), artistic director of Cairo Ballet (1977–78), chief ballet master at the Leningrad Music Hall (1979–92), and artistic director of the Vaganova Academy of Russian Ballet.

Franz Hilverding: Franz Anton Christoph Hilverding (1710–1768), aka Hilferding, was an Austrian choreographer and dancer.  For a time Hilverding served as the director of the Imperial Theatre in St. Petersburg, Russia.  Hilverding, simultaneously as his contemporaries Jean Baptiste de Hesse, and own assistant Gaspare Angiolini, contributed to the development of the Ballet d'Action, for which Jean Georges Noverre would get lasting credit with the publication of his Letters on Dancing and Ballets.  Ballets d'action emphasized a cohesive dramatic and expressive element to performances, with costumes, plot, and movement all serving the purpose of the story.  Hilverding studied in Paris from 1734 and 1736, and may have been inspired by the ballerina Marie Sallé, who was one of the first to explore this notion of cohesive dramatic ballets.  He started creating dramatic ballets as court choreographer in Vienna in the 1740s, many using the stories of mythological lovers.  Hilverding reworked Rameau's Le Turc Généreux (1758) from Lés Indes Galantes, which is immortalized in a print by Bernardo Bellotto entitled Le Turc Généreux.  Ballet Pantomime executé à Vienne sur le théâtre de la cour, le 26 Avril 1758, in the British Museum.  Invited by Czarina Elizabeth in 1758, he became court choreographer in St Petersburg.  He brought his dancers with him to Russia, and did much to progress the talent of the Russian dancers.  He tried to use Russian themes in his ballets, and depicted Russia as the "Defender of Virtue" in his "Virtue's Refuge."  Hilverding returned to Vienna in 1764 and staged "Le Triomphe de l'Amour" which starred Marie Antoinette and her brothers Ferdinand and Archduke Maximilian Francis of Austria.

Ballet Russe de Monte Carlo: The company Ballets Russes de Monte Carlo (note the plural) was formed in 1932 after the death of Diaghilev and the demise of Ballets Russes.  Its director was Wassily de Basil (usually referred to as Colonel W. de Basil), and its artistic director was René Blum.  They fell out in 1936 and the company split.  The part which de Basil retained went through two name changes before becoming the Original Ballet Russe.  Blum founded "Les Ballets de Monte Carlo", which changed its name to Ballet Russe de Monte Carlo (note the singular) when Léonide Massine became artistic director in 1938.  It operated under this name until it disbanded some 20 years later.

John Clifford (choreographer): John Clifford, born June 12th is the founder / artistic director of the original Los Angeles Ballet (1974–1985), and the chamber sized touring ensemble, Ballet of Los Angeles (1988–1991) and the creator of “CASABLANCA, THE DANCE” produced by Warner Bros.  Theatre Ventures, Inc. (which premiered in Beijing, China at the historic "Great Hall of the People" in 2005) and his Los Angeles Dance Theater.  Before that time,Clifford was a principal dancer and choreographer with George Balanchine’s New York City Ballet, (1966–1974) and guest artist from 1974–1980, and was widely considered to be Balanchine’s protégé (Saturday Review).  He choreographed his first (of 8) ballets for the NYC Ballet under Balanchine at age 20 thus making him the 2nd youngest choreographer in history ever to be attached to a major company.  The first was Balanchine himself who was 20 yrs-old when he choreographed his first ballet for Serge Diaghilev's "Ballets Russes."  During his time with Balanchine, in his early 20's, he also was a guest choreographer with co's ranging from the San Francisco Ballet, to the Royal Winnipeg Ballet, to the Deutsche Oper Ballet in Berlin.  Clifford's works were also featured in many TV shows and movies, such as "Flashdance," "The Man Who Loved Women," and TV series such as "Dynasty," "Glitter," and other shows produced by Blake Edwards and Aaron Spelling.

Zdravljica: "Zdravljica" (] ; English: "A Toast") is a "carmen figuratum" poem by the 19th-century Romantic Slovene poet France Prešeren, inspired by the ideals of "Liberté, égalité, fraternité".  It was written in 1844 and published with some changes in 1848.  Four years after it was written, Slovenes living within Habsburg Empire interpreted the poem in spirit of the 1848 March Revolution as political promotion of the idea of a united Slovenia.  In it, the poet also declares his belief in a free-thinking Slovene and Slavic political awareness.  In the late 1980s, it was adopted as the national anthem of Slovenia.

Louis Robitaille (dancer): Louis Robitaille, {'1': ", '2': ", '3': ", '4': "} (born December 21, 1957) is a Canadian ballet dancer and artistic director.  He was discovered at a high school dance performance and received a scholarship to train at Les Ballets Jazz de Montreal.  He danced with Anik Bissonnette in Eddy Toussaint's dance company, where they received notoriety.  He also danced with Les Grands Ballets Canadiens as a principal dancer.  He became the artistic director of Les Ballets Jazz de Montreal in 1998 where he oversaw a re-visioning of the company.  He was made an Officer of the Order of Canada in 1995 and a Knight of the National Order of Quebec in 1996.

Supporting paragraphs: Carla Fracci Erik Bruhn
Answer: Danish