Question: Who owns the High Renaissance palace that is only a few blocks from Sant'Eligio degli Orefici?

Context paragraphs:
Palazzo dello Strozzino: Palazzo dello Strozzino is a Renaissance palace in Florence, region of Tuscany, Italy.  The stone Renaissance facade is located on Piazza degli Strozzi, diagonal to the Southeast corner of the imposing Palazzo Strozzi.  The Northern façade on Via dei Anselmi houses the entrance to the Cinema Odeon.

Sant'Eligio Maggiore: Sant’Eligio Maggiore is a church in Naples, southern Italy.  It is located near Piazza Mercato (Market Square), and was built during the reign of Charles of Anjou by the same congregation that built the nearby Sant’Eligio hospital in 1270.  It is the first church built in Naples by the Angevin dynasty.

High Renaissance: In art history, High Renaissance is the period denoting the apogee of the visual arts in the Italian Renaissance.  The High Renaissance period is traditionally taken to begin in the 1490s, with Leonardo's fresco of the Last Supper in Milan and the death of Lorenzo de' Medici in Florence, and to have ended in 1527 with the sacking of Rome by the troops of Emperor Charles V.  This term was first used in German (Hochrenaissance) in the early nineteenth century, and has its origins in the "High Style" of painting and sculpture described by Johann Joachim Winckelmann.  Over the last twenty years, use of the term has been frequently criticized by academic art historians for oversimplifying artistic developments, ignoring historical context, and focusing only on a few iconic works.

Sant'Eligio degli Orefici: Sant'Eligio degli Orefici is a church in Rome, Italy.  It is located in the rione Regola, near via Giulia, on a corner of the via of the same name that ends below the Lungotevere dei Tebaldi, a few blocks northwest of the Palazzo Farnese.

Palazzo Massimo alle Colonne: The Palazzo Massimo alle Colonne is a Renaissance palace in Rome, Italy.  The palace was designed by Baldassarre Peruzzi in 1532-1536 on a site of three contiguous palaces owned by the old Roman Massimo family and built after arson destroyed the earlier structures during the Sack of Rome (1527).  In addition the curved façade was dictated by foundations built upon the stands for the stadium (odeon) of the emperor Domitian.  It fronts the now-busy Corso Vittorio Emanuele II, a few hundred yards from the front of the church of Sant'Andrea della Valle.

Palazzo Farnese: Palazzo Farnese (] ) or Farnese Palace is one of the most important High Renaissance palaces in Rome.  Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy.

Venus of Urbino: The Venus of Urbino is an oil painting by the Italian painter Titian, which seems to have been begun in 1532 or 1534, and was perhaps completed in 1534, but not sold until 1538.  It depicts a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace.  It is now in the Galleria degli Uffizi in Florence.

Alhambra: The Alhambra ( ; ] ; Arabic: الْحَمْرَاء‎ ‎ ] , "Al-Ḥamrā", lit.  "The Red One"), the complete Arabic form of which was "Qalat Al-Hamra", is a palace and fortress complex located in Granada, Andalusia, Spain.  It was originally constructed as a small fortress in AD 889 on the remains of Roman fortifications, and then largely ignored until its ruins were renovated and rebuilt in the mid-13th century by the Moorish emir Mohammed ben Al-Ahmar of the Emirate of Granada, who built its current palace and walls.  It was converted into a royal palace in 1333 by Yusuf I, Sultan of Granada.  After the conclusion of the Christian Reconquista in 1492, the site became the Royal Court of Ferdinand and Isabella (where Christopher Columbus received royal endorsement for his expedition), and the palaces were partially altered to Renaissance tastes.  In 1526 Charles I & V commissioned a new Renaissance palace better befitting the Holy Roman Emperor in the revolutionary Mannerist style influenced by Humanist philosophy in direct juxtaposition with the Nasrid Andalusian architecture, but which was ultimately never completed due to Morisco rebellions in Granada.

Palazzo Mozzi: Palazzo Mozzi or Palazzo de' Mozzi is an early Renaissance palace, located at the end of the Piazza de' Mozzi that emerges from Ponte alle Grazie and leads straight to the palace where via San Niccolò becomes via de' Bardi in the Quartiere of Santo Spirito (San Niccolò) in the Oltrarno section of Florence, region of Tuscany, Italy.  The 13th-century palace housed the gallery of the highly successful antiquarian Stefano Bardini, of which the remnants were left to the commune, where they assembled the Museo Bardini or Mozzi Bardini, displaying Florentine art and artifacts up to the early Renaissance.  The gardens elaborated against the hillside behind the palace were added mainly by Bardini.

Palazzo della Cancelleria: The Palazzo della Cancelleria (Palace of the Chancellery, referring to the former Apostolic Chancery of the Pope) is a Renaissance palace in Rome, Italy, situated between the present Corso Vittorio Emanuele II and the Campo de' Fiori, in the rione of Parione.  It was built between 1489–1513 by Donato Bramante (1444–1514) as a palace for Cardinal Raffaele Riario, Camerlengo of the Holy Roman Church, and is regarded as the earliest Renaissance palace in Rome.  The Palazzo houses the Papal Chancellery, is an extraterritorial property of the Holy See, and is designated as a World Heritage Site.

Supporting paragraphs: Sant'Eligio degli Orefici Palazzo Farnese
Answer: Italian Republic