Question: Who was born first , Carlos Castaneda or Lu Xun?

Context paragraphs:
Former Residence of Lu Xun (Shanghai): The Former Residence of Lu Xun in Shanghai () located at 9 Continental Terrace, Lane 132, Shanyin Road, Hongkou District, Shanghai, China, is the former residence of Lu Xun (1881–1936), a noted Chinese writer.  Lu lived in the house from 1933 to his death in 1936.

Beijing Lu Xun Museum: The Lu Xun Museum () is a museum in Fucheng Gate Avenue, Beijing, China.  The buildings in which the museum situated at was Lu Xun's former Beijing residence.  The writer's house museum was established in 1956.  The museum is dedicated to Lu Xun's life and achievements and features large quantities of scripts, photos, pictures related to Lu.  In addition to materials related to Lu Xun, the museum contains a large collection of artworks.

Selected Stories of Lu Hsun: Selected Stories of Lu Hsun is a collection of English translations of major stories of the Chinese author Lu Xun translated by Yang Hsien-yi and Gladys Yang and first published in 1960 by the Foreign Languages Press in Beijing.  This book was republished in 2007 by the Foreign Languages Press with the updated title of Lu Xun Selected Works.  Stories included in the collection are drawn from three of Lu Xun's story collections: 《吶喊》"Call to Arms" (CTA), 《彷徨》 "Wandering" (W), and 《故事新編》 "Old Tales Retold" (OTR).

Lu Xun Literary Prize: The Lu Xun Literary Prize (or Lu Xun Literature Prize) 鲁迅文学奖 is a literary prize awarded by China Writers Association.  It is one of China's top four literary prizes and is named after Lu Xun and has been awarded every three years since 1995.

Carlos Castaneda: Carlos Castaneda (December 25, 1925 April 27, 1998) was an American author with a Ph.D. in anthropology.

Westernised Chinese language: Common Chinese-language errors by non-native learners of Chinese (sometimes called Westernised Chinese ()), usually refers to a pattern of written or spoken Chinese language, characterised by the significant influence from European languages, with regards to grammar, vocabulary, syntax and word order.  Influences from English are particularly noticeable, especially in translations of literary works and documents in English.  Westernised Chinese lacks the characteristics of traditional Chinese writing, and sometimes poses reading or understanding difficulties to readers because of its awkwardness and/or wordiness.  It is probable that most Westernized Chinese translations are a very direct translation from English into Chinese by native Chinese speakers, given the virtually non-existent demand for native English speakers to perform written translation into Chinese.  In the first half of the 20th century, Lu Xun advocated that translations of Western works into Chinese closely follow the Western structure, but Lu Xun's arguments failed to be persuasive, and translators subsequently used a more natural translation style from English to Chinese.

Lu Xun: Lu Xun, also romanized Lu Hsün, was the pen name of Zhou Shuren (25 September 1881 – 19 October 1936), a leading figure of modern Chinese literature.  Writing in Vernacular Chinese as well as Classical Chinese, Lu Xun was a short story writer, editor, translator, literary critic, essayist, poet, and designer.  In the 1930s he became the titular head of the League of Left-Wing Writers in Shanghai.

Lu Xun (Three Kingdoms): Lu Xun (183–245), courtesy name Boyan, also sometimes referred to as Lu Yi, was a military general and statesman of the state of Eastern Wu during the Three Kingdoms period.  He started his career as an official under the warlord Sun Quan in the 200s CE during the late Eastern Han dynasty and steadily rising through the ranks.  In 219, he assisted Sun Quan's general Lü Meng in an invasion of Jing Province, which led to the defeat and death of Liu Bei's general Guan Yu.  In 222, he served as the field commander of the Wu army in the Battle of Xiaoting against Liu Bei's forces and scored a decisive victory over the enemy.  Lu Xun reached the pinnacle of his career after this battle as Sun Quan regarded him more highly, promoted him to higher positions and bestowed upon him unprecedented honours.  Throughout the middle and the later parts of his career, Lu Xun oversaw and managed both civil and military affairs in Wu while participating in some battles against Wu's rival state, Wei, from time to time.  In his final years, Lu Xun was drawn into a succession struggle between Sun Quan's sons and fell out of Sun Quan's favour as a consequence.  He managed to retain his appointment as Imperial Chancellor – an office he assumed in 244 – but died a year later in frustration.  Lu Xun's role in the Wu government was likened to that of a "custos morum" as he believed firmly in and upheld Confucian principles and practices.  On the one hand, he provided constant and timely advice to Sun Quan to exercise benevolence and consider the welfare of the people.  On the other hand, he vehemently objected to Sun Quan's idea of replacing his legitimate heir apparent in favour of a younger son.

Don Juan Matus: Don Juan Matus is the name used by anthropologist and author Carlos Castaneda to describe a Yaqui Mexican spiritual guide (teacher) in his series of books on Nagualism (although Castaneda repeatedly indicates that "Juan Matus" is pseudonym chosen by the author to protect the bearer's true identity).  He is described as a Native American of Yaqui/Yuma parentage.  Castaneda writes that he first met Matus at a bus depot in Nogales, Arizona, in the early 1960s.  He is described by Castaneda as a 'Man of Knowledge' from a Toltec lineage of seers, who imparts much of his wisdom and clarity through his 'connection' with Castaneda.  The knowledge is described as being passed on to Castaneda by means of actual experiences, simple exercises, talks, and much patience on the part of both, which ends in transforming Castaneda's view of the world.  There is extensive scholarly debate whether Matus was a real person, an allegorical figure, or an invention by Castaneda.

A Madman's Diary: "A Madman's Diary" () is a short story published in 1918 by Lu Xun, a Chinese writer.  It was the first and most influential modern work written in vernacular Chinese in the republican era, and would become a cornerstone piece of the New Culture Movement.  It is placed first in "Call to Arms", a collection of short stories by Lu Xun.  The story was often referred to as "China's first modern short story".  This book was selected as one of the 100 best books in history by the Bokklubben World Library.

Supporting paragraphs: Carlos Castaneda Lu Xun
Answer: Lu Xun