Question: Which film genre do the films "Crazy English" and "Capturing the Friedmans" belong to?

Context paragraphs:
Film genre: A film genre is a motion picture category based on similarities in either the narrative elements or the emotional response to the film (namely, serious, comic, etc.).  Most theories of film genre are borrowed from literary genre criticism.  The basic genres include fiction and documentary, from which subgenres have emerged, such as docufiction and docudrama.  Other subgenres include the courtroom and trial-focused drama known as the legal drama.  Types of fiction which may seem unrelated can also be combined to form hybrid subgenres, such as the melding of horror and comedy in the "Evil Dead" films.  Other popular combinations are the romantic comedy and the action comedy film.

Li Yang (Crazy English): Li Yang (; born 1969 in Changzhou, Jiangsu) is a Chinese educator and language instructor.  He is the creator of "Crazy English", an unorthodox method of teaching English.  He claimed to have taught English to more than 20 million people in a decade.

Andrea Morricone: Andrea Morricone (born 10 October 1964) is an Italian composer and conductor, known for his film scores.  He is the son of composer Ennio Morricone.  He composed the film scores for the American films "Capturing the Friedmans" and "Liberty Heights".  He collaborated with his father on the famous score for "Cinema Paradiso", for which they won a BAFTA Award.  He has also composed music for many other Italian films.

Woman's film: The woman's film is a film genre which includes women-centered narratives, female protagonists and is designed to appeal to a female audience.  Woman's films usually portray "women's concerns" such as problems revolving around domestic life, the family, motherhood, self-sacrifice, and romance.  These films were produced from the silent era through the 1950s and early 1960s, but were most popular in the 1930s and 1940s, reaching their zenith during World War II.  Although Hollywood continued to make films characterized by some of the elements of the traditional woman's film in the second half of the 20th century, the term itself disappeared in the 1960s.  The work of directors George Cukor, Douglas Sirk, Max Ophüls, and Josef von Sternberg has been associated with the woman's film genre.  Joan Crawford, Bette Davis, and Barbara Stanwyck were some of the genre's most prolific stars.

Andrew Jarecki: Andrew Jarecki is an American filmmaker, musician, and entrepreneur.  He is best known for the Emmy-winning 2015 documentary series "", which led to the arrest and imprisonment of Durst.  He is also known for the documentary film "Capturing the Friedmans", which won eighteen international prizes including the Grand Jury Prize at the Sundance Film Festival and the New York Film Critics Circle award, and was nominated for an Academy Award.  He also co-founded Moviefone and created the KnowMe iOS platform.

Debbie Nathan: Debbie Nathan (born 1950) is an American feminist journalist and writer, with a focus on cultural and criminal justice issues concerning abuse of children, particularly accusations of satanic ritual abuse in schools and child care institutions.  She also writes about immigration, focusing on women and on dynamics between immigration and sexuality.  Nathan's writing has won a number of awards.  She appears in the 2003 Oscar-nominated film "Capturing the Friedmans".  She has been affiliated with the National Center for Reason and Justice, which, among other things, provides support to persons who may have been wrongly accused of sexual abuse.

OP Eiga: OP Eiga (オーピー映画 ) , also known as Ōkura Eiga (大蔵映画 ) is the largest and one of the oldest independent Japanese studios which produce and distribute pink films. Along with Shintōhō Eiga, Kantō, Million Film, and Kōji Wakamatsu's production studio, Ōkura was one of the most influential studios on the pink film genre.  Among the many notable pink films released by the studio are Satoru Kobayashi's "Flesh Market" (1962), the first film in the pink film genre.

Capturing the Friedmans: Capturing the Friedmans is a 2003 HBO documentary film directed by Andrew Jarecki.  It focuses on the 1980s investigation of Arnold and Jesse Friedman for child molestation.  It was nominated for the Academy Award for Documentary Feature in 2003.

Crazy English (film): Crazy English is a 1999 Chinese documentary directed by Zhang Yuan.  The film premiered along with Zhang's "Seventeen Years" at the 1999 Locarno International Film Festival.  It established Zhang's position as a "legitimate" director after years of working independently from, and often at odds with, the Chinese authorities.

Actuality film: The actuality film is a non-fiction film genre that, like the documentary film, uses footage of real events, places, and things, yet unlike the documentary is not structured into a larger argument, picture of the phenomenon or coherent whole.  In practice, actuality films preceded the emergence of the documentary.  During the era of early cinema, actualities—usually lasting no more than a minute or two and usually assembled together into a program by an exhibitor—were just as popular and prominent as their fictional counterparts.  The line between "fact" and "fiction" was not so sharply drawn in early cinema as it would become after the documentary came to serve as the predominant non-fiction filmmaking form.  An actuality film is not like a newspaper article so much as it is like the still photograph that is published along with the article, with the major difference being that it moves.  Apart from the traveling actuality genre, actuality is one film genre that remains strongly related to still photography.

Supporting paragraphs: Crazy English (film) Capturing the Friedmans
Answer: documentary