Question: Both Dariush Mehrjui and Paul W. S. Anderson are members of the Iranian Academy of the Arts?

Context paragraphs:
The Pear Tree: The Pear Tree ("Derakht-e-Golabi") is a 1998 Iranian drama movie written and directed by Dariush Mehrjui with Homayoun Ershadi and Golshifteh Farahani in the lead.  The movie was noted for the exemplary craftsmanship of Dariush Mehrjui on his examination of the Iranian bourgeoisie.  This movie is also the debut film of the veteran Iranian actress Golshifteh Farahani.

Paul W. S. Anderson: Paul William Scott Anderson (born 4 March 1965) is an English film director, producer, and screenwriter who regularly works in science fiction films and video game adaptations.

Dariush Mehrjui: Dariush Mehrju'i (Persian: داریوش مهرجویی‎ ‎ , born on 8 December 1939 in Tehran, also spelled as "Mehrjui", "Mehrjoui", and "Mehrjuyi") is an Iranian director, screenwriter, producer, film editor and a member of the Iranian Academy of the Arts.

Gholam-Hossein Sa'edi: Gholām-Hossein Sā'edi MD (Persian: غلامحسین ساعدی‎ ‎ , also transliterated as Gholamhoseyn Sa'edi and Ghulamhusayn Sa'idi; January 4, 1936 in Tabriz – November 23, 1985 in Paris) was a prolific Iranian writer.  He has published over forty books, representing his talents in the fiction genres of drama (under the pen name Gohar Morad or Gowhar Murad according to Library of Congress transliteration]), the novel, the screenplay, and the short story in addition to the non-fiction genres of cultural criticism, travel literature and ethnography.  Many consider the screenplay for "Gav" ("The Cow"), Dariush Mehrjui's 1969 film, to be Sa'edi's magnum opus as it ushered in the New Wave Iranian cinema.  After the 1979 revolution and his subsequent exile, he maintained an important figure in the scene of Persian literature despite the Iranian diaspora of which he unwillingly became a part.  Till his death in Paris, due to depression and related alcoholism, he remained one of the most prominent and prolific of Iranian writers and intellectuals internationally.

Mum's Guest: Mum's Guest (Persian: مهمان مامان‎ ‎ , translit.  Mehman-e Maman, Romanized as Mehmān-e Māmān) is a 2004 Iranian family comedy film directed by Dariush Mehrjui.  It is based on a book of the same name by Iranian author, Houshang Moradi Kermani.  It was commissioned by Sima Film, the film studio of Iranian national broadcaster, IRIB.  It did very well at the Iranian box office and won a number of prizes at the 22nd Fajr Film Festival.

Negar Foroozandeh: Negar Foroozandeh (Persian: نگار فروزنده‎ ‎ ) born 1979) is an Iranian actress.  Among her many films are Ekhrajiha and Dayere Zangi.  She has worked with many famous Iranian directors such as Dariush Mehrjui, Masoud Kimiai, Ebrahim Hatamikia and Parisa Bakhtavar.

Pari (film): Pari (Persian: پری) is a 1995 Iranian motion picture directed by Dariush Mehrjui.  The film is an unauthorized "loose" adaptation of J. D. Salinger's 1961 book "Franny and Zooey".  Though the film could be distributed legally in Iran since the country has no official copyright relations with the United States, Salinger had his lawyers block a planned screening of the film at Lincoln Center in 1998.  Mehrjui called Salinger's action "bewildering," explaining that he saw his film as "a kind of cultural exchange."

Hamoon Bazha: Hamoon Bazha is a documentary film by Mani Haghighi.  It is about a famous Iranian cult film named Hamoon directed by Dariush Mehrjui.

Iranian Academy of the Arts: The Iranian Academy of Arts (IAA) (Persian: فرهنگستان هنر ایران; formally Academy of Arts of the Islamic Republic of Iran) was established in March 2000.  It is one of the four academies of the Islamic Republic of Iran; the other three are: The Iranian Academy of Medical Sciences, The Iranian Academy of Sciences and The Iranian Academy of Persian Language and Literature.  The IIA is an authorised entity affiliated with presidential administration.

The Cow (film): The Cow (Persian: گاو‎ ‎ , Gāv or Gav) is a 1969 Iranian film directed by Dariush Mehrjui, written by Gholam-Hossein Saedi based on his own play and novel, and starring Ezzatolah Entezami as Masht Hassan.  Critics widely consider it the first film of the Iranian New Wave.

Supporting paragraphs: Dariush Mehrjui Paul W. S. Anderson
Answer: no