Question: Háry János and Fedora, are which type of dramatic play?

Context paragraphs:
Háry János: Háry János is a Hungarian folk opera (that is, a spoken play with songs, in the manner of a "Singspiel") in four acts by Zoltán Kodály to a Hungarian libretto by Béla Paulini (1881–1945) and Zsolt Harsányi, based on the comic epic "The Veteran" ("Az obsitos") by János Garay.  The first performance was at the Royal Hungarian Opera House, Budapest, 1926.  The subtitle of the piece is "Háry János kalandozásai Nagyabonytul a Burgváráig" – "János Háry: his Adventures from Nagyabony (Great Abony) to the Vienna Burg".  The UK stage premiere was at the Buxton Festival in 1982 conducted by Anthony Hose with Alan Opie in the title role.

Journey's End: Journey's End is a 1928 dramatic play, the seventh of English playwright R. C. Sherriff.  It was first performed at the Apollo Theatre in London by the Incorporated Stage Society on 9 December 1928, starring a young Laurence Olivier, and soon moved to other West End theatres for a two-year run.  It was included in Burns Mantle's "The Best Plays of 1928–1929".  The piece quickly became internationally popular, with numerous productions and tours in English and other languages.  A 1930 film version was followed by other adaptations, and the play influenced other playwrights, including Noël Coward.

Fedora (opera): Fedora is an opera in three acts by Umberto Giordano to an Italian libretto by Arturo Colautti, based on the play "Fédora" by Victorien Sardou.  Along with "Andrea Chénier" and "Siberia", it is one of the most notable works of Giordano.

Háry János (1941 film): Háry János is a 1941 Hungarian musical film directed by Frigyes Bán and starring Antal Páger, Margit Dajka and Kató Bárczy.  It is based on the folk opera "Háry János" which was made into a later film in 1965.

Háry János (1965 film): Háry János is a 1965 Hungarian musical film directed by Miklós Szinetár and starring Ádám Szirtes, Mária Medgyesi and Teri Tordai.  It is an adaptation of the folk opera " Háry János" which had previously been made into a film in 1941.

Mohammed ben Abdallah (playwright): Mohammed ben Abdallah (born 1 January 1944) is a Ghanaian playwright, director and founder of the Legon Road Theatre who became head of School of Performing Arts at the University of Ghana in 2003.  His works portray postcolonial drama that integrates both indigenous and European themes relevant in contemporary African societies.  Written in 1972, ben Abdullah's first book, "The Slaves", became the foremost non-American dramatic play to win the Randolph Edmund's Award of the National Association for Speech and Dramatic Arts.  Ben Abdallah held cabinet positions during the Military government of the Provisional National Defence Council.

La Turista: La Turista is a play by the American playwright Sam Shepard, first performed in New York City in 1967.  The title refers to the most common illness among tourists.  The two main characters are Salem and Kent, which are also the names of brands of cigarettes.  It is a two-act dramatic play.  The first act takes place in Mexico, and the second in the United States.  Some see this play as a reference to the Vietnam war.

The Diver (play): The Diver is a dramatic play written in 2008 by Hideki Noda and Colin Teevan.  It premiered in London in 2008 at the Soho Theatre and the US premiere occurred in 2010 at The University of Michigan.  The play combines a modern psychiatric case with traditional Japanese Noh theatre and includes elements of the world's first novel, "The Tale of Genji" and a Noh play, "Ama" (also the term for Japanese pearl divers).

The Drag (play): The Drag is a dramatic play written by Mae West under her pen name Jane Mast.  The play opened in out-of-town tryouts in New Jersey and Connecticut, but was later forced to close for its portrayal of homosexuality and cross-dressing.  The play never opened on Broadway, as West had planned.  This play was the follow-up to West's highly controversial play "Sex".

Harlem Duet: Harlem Duet is a 1997 dramatic play by Canadian playwright Djanet Sears.  Billie, a young graduate student in Harlem, deals with her husband Othello leaving her for a white woman named Mona.  The play moves through time to show Billie and Othello's relationship (or an analogue thereof) being torn apart by racial tensions in Harlem in 1860, 1928, and the present.  Though the characters draw inspiration from Shakespeare's play "Othello", Billie and the story are original creations.

Supporting paragraphs: Háry János Fedora (opera)
Answer: opera