Question: Who was born first out of directors George Cukor and John Greyson?

Context paragraphs:
Romeo and Juliet on screen: William Shakespeare's Romeo and Juliet may be one of the most-screened plays of all time.  The most notable theatrical releases were George Cukor's multi-Oscar-nominated 1936 production "Romeo and Juliet", Franco Zeffirelli's 1968 film "Romeo and Juliet", and Baz Luhrmann's 1996 MTV-inspired "Romeo + Juliet".  The latter two were both, at the time, the highest-grossing Shakespeare films.  Cukor featured the mature actors Norma Shearer and Leslie Howard as the teenage lovers while Zeffirelli populated his film with beautiful young people, and Baz Luhrmann produced a heavily cut fast-paced version aimed at teenage audiences.

Glenn Schellenberg: Glenn Schellenberg is a Canadian composer.  He is a frequent collaborator of director John Greyson, having composed the music for three of Greyson's films.  For one of these films, "Zero Patience", Schellenberg was nominated, along with Greyson, for a Genie Award for Best Original Song for the song "Just Like Scheherazade".

George Cukor: George Dewey Cukor ( ; July 7, 1899 – January 24, 1983) was an American film director.  He mainly concentrated on comedies and literary adaptations.  His career flourished at RKO when David O. Selznick, the studio's Head of Production, assigned Cukor to direct several of RKO's major films, including "What Price Hollywood? " (1932), "A Bill of Divorcement" (1932), "Our Betters" (1933), and "Little Women" (1933).  When Selznick moved to MGM in 1933, Cukor followed and directed "Dinner at Eight" (1933) and "David Copperfield" (1935) for Selznick and "Romeo and Juliet" (1936) and "Camille" (1936) for Irving Thalberg.

The Making of Monsters: The Making of Monsters is a Canadian short film, directed by John Greyson and released in 1991.  Made while Greyson was a student at the Canadian Film Centre, the film's premise is that Bertolt Brecht is alive and living in Toronto, and actively interfering with the production of a heavily sanitized movie of the week about the 1985 death of Kenneth Zeller in a gaybashing attack.

John Greyson: John Greyson (born March 13, 1960) is a Canadian director, writer, video artist, producer and political activist, whose work frequently deals with gay themes.  Greyson is also a professor at York University's film school, where he teaches film and video theory, film production and editing.

Born Yesterday (1950 film): Born Yesterday is a 1950 American comedy-drama film directed by George Cukor.  The screenplay was credited to Albert Mannheimer based on the stage play of the same name by Garson Kanin.  According to Kanin's autobiography, Cukor did not like Mannheimer's work, believing it lost much of the value of the play, so he approached the playwright about writing the screenplay from his own play.  Because of some legal entanglements, Kanin did not receive screen credit.

Danny Gilmore: Danny Gilmore (born December 23, 1973) is a Canadian actor.  He has appeared in a number of films and television shows, starting with his role as Vallier in John Greyson's "Lilies" (1996).  He has also appeared "L'Âge des ténèbres".  (2007), the third film in Denys Arcand's trilogy, which began with "The Decline of the American Empire" (1986) and continued with the Academy Award winning "The Barbarian Invasions" (2003).  He also starred in the international releases: "Gaz Bar Blues", "Les Fils de Marie" and "Marie Antoinette".

Pissoir (film): Pissoir, retitled Urinal in some countries, was the first feature film directed and released by John Greyson.

Woman's film: The woman's film is a film genre which includes women-centered narratives, female protagonists and is designed to appeal to a female audience.  Woman's films usually portray "women's concerns" such as problems revolving around domestic life, the family, motherhood, self-sacrifice, and romance.  These films were produced from the silent era through the 1950s and early 1960s, but were most popular in the 1930s and 1940s, reaching their zenith during World War II.  Although Hollywood continued to make films characterized by some of the elements of the traditional woman's film in the second half of the 20th century, the term itself disappeared in the 1960s.  The work of directors George Cukor, Douglas Sirk, Max Ophüls, and Josef von Sternberg has been associated with the woman's film genre.  Joan Crawford, Bette Davis, and Barbara Stanwyck were some of the genre's most prolific stars.

The Corn Is Green (1979 film): The Corn Is Green is a 1979 American made-for-television drama film starring Katharine Hepburn as a schoolteacher determined to bring education to a Welsh coal mining town, despite great opposition.  It was directed by George Cukor, the tenth and last collaboration on film between the director and the actress, and is the second and last made-for-television film directed by Cukor.  The filming was done in Wales.  It was adapted from the play of the same name by Emlyn Williams, and had previously been filmed in 1945 with Bette Davis in the main role.

Supporting paragraphs: George Cukor John Greyson
Answer: George Dewey Cukor