Question: Where did the form of music played by Die Rhöner Säuwäntzt originate?

Context paragraphs:
Pantun Sunda: Pantun Sunda is a type of Sundanese oral narrative performance interspersed with songs and music played on a "kacapi", a kind of zither.  A pantun is intended to be recited during an evening-length performance during which a single performer relates the story of a hero’s initiation: The protagonist leaves his kingdom in order to seek experiences, beautiful princesses to become his wife, power, other kingdoms to subject, the realization of a dream (Rosidi 1984a:143); after having succeeded in reaching his goal he finally returns to his kingdom.  Alongside descriptions of historical events, the stories often contain mythical elements.  Pantun were originally not written down, the bards often being illiterate and in many cases blind.  Originally the performances had a sacred character, as was clear from the offerings made at the beginning of the recitation and also from the content of the introductory part of the story, called rajah, which was an invocatory song, imploring the help of divine figures to ward off bad influences.  The linguistic form of the pantun was not strictly fixed, however the dominant form employed in most pantun is the octosyllabic verse.  For a detailed description of the nature and form of a Sundanese pantun you are referred to Eringa (1949), to Hermansoemantri (1977–79).

Bubu music: Bubu music is traditional music played by the Temne people in Sierra Leone.  The music was originally used in witchcraft ceremonies, but later it turned into a popular religious processional style played during Ramadan.  In its folk form, the music is played by blowing on bamboo cane flutes and on metal pipes -often repurposed auto parts.

Peşrev: Peşrev (pronounced ] in Turkish), "Pişrev" ([piʃˈɾev] ), "peshrev," or "pishrev;" called "bashraf" بشرف in Arabic; is an instrumental form in Turkish classical music.  It is the name of the first piece of music played during a group performance called a fasıl (] ).  It also serves as the penultimate piece of the "Mevlevi ayini", ritual music of the Mevlevi order, under the name "son peşrev" (final peşrev), preceding "son semai".  It usually uses long rhythm cycles, stretching over many measures as opposed to the simpler usul the other major form of instrumental music uses, "saz semai".

Skiffle: Skiffle is a music genre with jazz, blues, folk and American folk influences, usually using a combination of manufactured and homemade or improvised instruments.  Originating as a term in the United States in the first half of the 20th century, it became popular again in the UK in the 1950s, where it was associated with artists such as Lonnie Donegan, The Vipers Skiffle Group, Ken Colyer and Chas McDevitt.  Skiffle played a major part in beginning the careers of later eminent jazz, pop, blues, folk and rock musicians and has been seen as a critical stepping stone to the second British folk revival, blues boom and British Invasion of the US popular music scene.

Cachi Cachi music: Cachi Cachi music, also spelled Kachi Kachi, Kachi-Kachi and Katchi-Katchi, is a term that was coined to refer to music played by Puerto Ricans in Hawaii, when they migrated to Hawaii.  It is a "variation of dance music found in Hawaii".  Sometimes cachi cachi "involves fast, improvised solos" on the guitar.  The "influence on Hawai'i endures to this day in the musical form known as "cachi cachi" played on the quarto [sic] and derivative of the Puerto Rican jibaro style."  "Jibaro" means peasant in Spanish.

Background music: Background music refers to various styles of music or soundscapes primarily intended to be passively listened to.  It is not meant to be the main focus of an audience, but rather to supplement that which is meant to be focused upon.  Music that is played at a low volume and is not the main focus of an audience is also referred to as background music.  Traditional examples of background music include music played at various social gatherings and music played in certain retail venues.  It is also common to employ background music in various electronic media including film, television, video games, and Internet videos such as video blogs.

Kantrum: Kantrum (Thai กันตรึม) is a type of folk music played by the Khmer in Isan, Thailand, living near the border with Cambodia.  It is a fast, traditional dance music.  In its purest form, cho-kantrum, singers, percussion and fiddles dominate the sound.  A more modern form using electric instrumentation arose in the mid-1980s.

Chillador: A chillador is a very small guitar-shaped fretted stringed instrument, usually with 10, 12, or 14 metal strings, in paired or tripled courses.It is played in Peru and in some border areas in Bolivia, usually has 5 courses like its cousin, the charango.  The sort of music played on chillador it is very much like the music played on charango.  The main difference between charango and chillador is that the charango soundbox is made of an armadillo shell while the chillador is just a little guitar.

Die Rhöner Säuwäntzt: Die Rhöner Säuwäntzt are a Skiffle-Bluesband from Eichenzell-Lütter in Hessen, Germany.  The line-up consists of Martin Caba, Christoph Günther and Christoph Leipold playing Skiffle-Blues with lyrics based on Rhön Mountains dialect and other Hessian dialects varieties.  The expression "Säuwäntzt" means pork belly and refers also to untidy or unruly children and youth.

Minoru Kojima: Minoru Kojima (born 11 October 1968) was the original guitarist for Japanese experimental punk band The Mad Capsule Markets.  He is also known as Scene or Shin Murohime, which is apparently a conglomeration of characters from the names of different Boøwy members.  He started The Mad Capsule Markets (which at the time was called Berrie) in 1985, with vocalist Hiroshi Kyono, in an attempt to create "loud, punk music" after becoming "bored" with music played on television and radio.  After the release of Mad's Noël Coward "Humanity", Minoru left the band and was replaced by "support guitarist" Ai Ishigaki.  In 1991 Minoru started Die in Cries and in 1994 became a member of The Bloody Imitation Society.  Over the years Minoru worked with more bands and even went solo for a short time before returning to Mad to play on "Good Day" from their album "010" and playing on their "Cistm Konfliqt" tour.

Supporting paragraphs: Die Rhöner Säuwäntzt Skiffle
Answer: United States