Question: From which French philosopher's work did John Maus derive the title of the album whose positive response caused him to grow more widely accepted as an outsider artist?

Context paragraphs:
Stanley Dyson: Stanley Dyson (1920–2007) was an art teacher and is something of an Outsider Art artist, loosely linked to the genre of naïve art.  He is perhaps not technically an Outsider Artist (defined by French painter Jean Dubuffet as art created outside the boundaries of official culture), but he was creating art away from the mainstream and was not part of any school of artists.

Loy Allen Bowlin: Loy Allen Bowlin (1909–1995), also known as "The Original Rhinestone Cowboy", was an outsider artist from McComb, Mississippi.  His artwork largely included bejeweling his clothing, Cadillac, home and even his dentures with thousands of rhinestones. Bowlin's life and work have been acclaimed by various outsider art critics and periodicals including Raw Vision.

Jean-Baptiste Botul: Jean-Baptiste Botul is a fictional French philosopher created in 1995 by the journalist Frédéric Pagès and other members of a group calling itself the Association of the Friends of Jean-Baptiste Botul.  Originating as a literary hoax, the names of both Botul and his philosophy of "botulism" derive from botulism, an illness caused by the bacterium "Clostridium botulinum".  References to Botul were first made in publications by members of the association and later turned up in texts by writers who were not party to the hoax and thought Botul was a real person, notably the French philosopher Bernard-Henri Lévy.  There is now an annual Botul Prize awarded for a book that mentions Botul.

Scottie Wilson: Scottie Wilson (6 June 1888 – 1972), born Louis Freeman, was a Scottish, Jewish, outsider artist known particularly for his highly detailed style.  Starting his artistic career at the age of 44, his work was admired and collected by the likes of Jean Dubuffet and Pablo Picasso and is generally accepted to be in the forefront of 20th-century outsider art.

We Must Become the Pitiless Censors of Ourselves: We Must Become the Pitiless Censors of Ourselves is the third album from the American electronic musician John Maus, released in 2011, on Ribbon Music in the United States and Upset the Rhythm in the UK.  Critics met the album with generally favorable reviews.  The title is derived from French philosopher Alain Badiou's "Fifteen Theses on Contemporary Art".

John Maus: John Maus (born February 23, 1980) is an American musician, singer, songwriter, composer, and academic from Minnesota.  An early collaborator of Ariel Pink, he has released several albums that incorporate elements of 1980s synth-pop, post-punk, and Medieval music.  He is a former professor of philosophy at the University of Hawaii and his intellectual pursuits are reflected in his style and approach to music.  His first two albums, "Songs" (2006) and "Love Is Real" (2007), generally drew negative reviews upon release.  After the positive response to 2011's "We Must Become the Pitiless Censors of Ourselves", Maus grew more widely accepted as an outsider artist, and there was a critical reevaluation of his earlier work.

Al Carbee: Albert Nickerson "Al" Carbee (February 10, 1914 – October 3, 2005) was a reclusive artist from Saco, Maine whose mixed media artwork merges collage, photography, diorama, and portraiture.  He has been frequently identified as an outsider artist.  His work is most commonly noted for enthusiastically featuring photographs and collages of Barbie dolls.

Nebular hypothesis: The nebular hypothesis is the most widely accepted model in the field of cosmogony to explain the formation and evolution of the Solar System (as well as other planetary systems).  It suggests that the Solar System formed from nebulous material.  The theory was developed by Immanuel Kant and published in his "Allgemeine Naturgeschichte und Theorie des Himmels" ("Universal Natural History and Theory of the Heavens"), published in 1755.  Originally applied to the Solar System, the process of planetary system formation is now thought to be at work throughout the Universe.  The widely accepted modern variant of the nebular hypothesis is the solar nebular disk model (SNDM) or solar nebular model.  It offered explanations for a variety of properties of the Solar System, including the nearly circular and coplanar orbits of the planets, and their motion in the same direction as the Sun's rotation.  Some elements of the nebular hypothesis are echoed in modern theories of planetary formation, but most elements have been superseded.

Naomi Hall: Naomi Hall is an American musician.  She gained fame in the outsider music community after her music was featured on the Incorrect Music Show.  After her introduction on that show, Hall was asked to cover another outsider artist's work, B.J. Snowden's "In Canada" and would record its introductory theme.  Hall currently lives in Seattle, Washington and continues to record and perform her music.  

Karl Brendel: Karl Brendel is the pseudonym of Karl Genzel (21 March 1871 – 21 August 1925), a schizophrenic outsider artist and one of the "schizophrenic masters" profiled by Hans Prinzhorn in his field-defining work "Artistry of the Mentally Ill" (1923, in German; English edition 1972).  He was the only sculptor profiled in Prinzhorn's work, and the work also includes more illustrations of his work (twenty-four sculptures and eight drawings) than that of any other profiled artist.

Supporting paragraphs: We Must Become the Pitiless Censors of Ourselves John Maus
Answer: Alain Badiou