feat_summary_path: finished_summaries/pinkmonkey/Tess of the D'Urbervilles/section_21_part_1.txt
feat_book_id: Tess of the D'Urbervilles.chapter 56
feat_summary_id: chapter 56
feat_summary: {"name": "CHAPTER 56", "url": "https://web.archive.org/web/20180820050202/http://www.pinkmonkey.com/booknotes/monkeynotes/pmTessD66.asp", "summary": "The Herons' landlady, Mrs. Brooks, overhears a part of the conversation between Angel and Tess and grows curious. When Tess leaves Angel and returns to her room, Mrs. Brooks follows at a distance and peeks through the keyhole. She hears Tess scold Alec for making her believe that Angel would never return. She then listens to the heated exchange that occurs between the two. A movement inside the room finally makes Mrs. Brooks hurry downstairs. Awhile later, the landlady notices Tess going out. Soon after Tess's departure, Mrs. Brooks happens to glance at the ceiling and sees a red spot that seems to be growing in size. Convinced that something is wrong, she calls a workman who breaks into the D'Urberville's room. Alec is on the bed, stabbed to death.", "analysis": "Notes Alec's cunning temptations have caused Tess to betray her true feelings and her true husband. When she sees Angel in his pathetic state, she is overcome with feelings of grief and guilt. She tells Angel the truth and sends him away, which almost kills her. In confusion and anger, Tess goes back to the room and turns on Alec. She accuses him of making her believe what he wanted her to believe. They fight bitterly, and Tess obviously loses all self- control. Knowing she will never be able to escape her satanic tormentor, she stabs him to death. It is important to notice that the whole scene is portrayed through the eyes of the landlady, and the details have to be filled in. Hardy obviously wanted to spare the reader from excessive gore. CHAPTERS 57 - 58 Summary A dejected Angel plans to take the first train out of Sanbourne. He returns to his hotel and quickly packs. As he walks toward the station, he sees Tess running towards him. She immediately confesses to having killed Alec, but Angel believes his precious Tess is only having \"temporary hallucinations. Tess, however, insists the murder is real and tries to justify it. Angel begins to believe her and comfort her. He tells her that he loves her, that he will protect her, and that he will never desert her again. They wander around without any destination in mind while looking for a safe accommodation. At last they spy an empty mansion, which they enter through a window. They spent their first night together as a true couple. They remain at the mansion for the next five days, living in a dream world filled with love and happiness and never discussing the past year. The caretaker arrives early on the sixth morning and discovers the loving couple still in bed. It is time for them to move on. Tess dreads facing the reality of the outside world and feels her days are numbered. Angel tries to give her hope, saying they can escape to safety in the north. They travel at night to escape notice. They come upon the ancient pillars of Stonehenge, where Tess lies down exhausted from the flight. As Angel watches over her, she begs him to take care of her sister Liza Lu after her own death; she even suggests they might marry. Then Tess falls asleep amongst the ruins. As daylight breaks, Angel sees men closing in on them, and for the first time, he is forced to accept the truth of Tess's misdeed. When they draw near, he begs them to let Tess sleep, but Tess awakens and realizes what is happening. She is almost relieved that the ordeal of her life is at last coming to an end; she know that fate would never let her happiness last. Notes It is impossible for Angel to believe that Tess is capable of killing anybody, even Alec. For him, his wife is once again a fragile, vulnerable, and delicate woman, incapable of doing harm. Therefore, he thinks her confession is just a temporary imagining. He does not understand Tess's situation or the depth of her love for him. She knows that she will never be able to escape the evil of Alec and spend time with her husband. The thought of living without Angel or with Alec is more than she can bear. Her life means nothing to her in her present circumstances. In her total frustration, she can accomplish the murder. Her seducer's death frees Tess to spend her last moments with Angel, her only true love. During the next few days with him, Tess finds Angel to be everything she has always dreamed him to be. He is kind, loving, thoughtful, forgiving, protective, and encouraging. It is ironic that Angel could accept her as his wife and consummate the marriage when he learned that she was not a virgin; now he fully accepts her as his wife even though she is a murderess. Brazil has certainly changed Angel. It is important to recall Angel's fateful question in Chapter 36 when he asks Tess, \"How can we live together while that man  lives. Now that Alec is gone, Tess and Angel have the opportunity to live in glorious bliss for five days, hidden away from the world and the truth. It is also important to notice the setting for the last scene that Tess and Angel will spend together. They are in the ruins of Stonehenge, a heathen temple. Tess lies upon the altar, which was used for sacrifices in ancient times. Now she is being sacrificed. Amazingly, she is at peace when her captors appear. She has spent her last days in joy with Angel at her side. She knows, because of fate, that her happiness could not continue; therefore, she can easily accept death"}
text: 
  
  Mrs Brooks, the lady who was the householder at The Herons and owner
  of all the handsome furniture, was not a person of an unusually
  curious turn of mind. She was too deeply materialized, poor woman,
  by her long and enforced bondage to that arithmetical demon
  Profit-and-Loss, to retain much curiousity for its own sake, and
  apart from possible lodgers' pockets.  Nevertheless, the visit of
  Angel Clare to her well-paying tenants, Mr and Mrs d'Urberville, as
  she deemed them, was sufficiently exceptional in point of time and
  manner to reinvigorate the feminine proclivity which had been stifled
  down as useless save in its bearings to the letting trade.
  
  Tess had spoken to her husband from the doorway, without entering
  the dining-room, and Mrs Brooks, who stood within the partly-closed
  door of her own sitting-room at the back of the passage, could
  hear fragments of the conversation--if conversation it could be
  called--between those two wretched souls.  She heard Tess re-ascend
  the stairs to the first floor, and the departure of Clare, and the
  closing of the front door behind him.  Then the door of the room
  above was shut, and Mrs Brooks knew that Tess had re-entered her
  apartment.  As the young lady was not fully dressed, Mrs Brooks knew
  that she would not emerge again for some time.
  
  She accordingly ascended the stairs softly, and stood at the door of
  the front room--a drawing-room, connected with the room immediately
  behind it (which was a bedroom) by folding-doors in the common
  manner.  This first floor, containing Mrs Brooks's best apartments,
  had been taken by the week by the d'Urbervilles.  The back room was
  now in silence; but from the drawing-room there came sounds.
  
  All that she could at first distinguish of them was one syllable,
  continually repeated in a low note of moaning, as if it came from a
  soul bound to some Ixionian wheel--
  
  "O--O--O!"
  
  Then a silence, then a heavy sigh, and again--
  
  "O--O--O!"
  
  The landlady looked through the keyhole.  Only a small space of the
  room inside was visible, but within that space came a corner of the
  breakfast table, which was already spread for the meal, and also a
  chair beside.  Over the seat of the chair Tess's face was bowed, her
  posture being a kneeling one in front of it; her hands were clasped
  over her head, the skirts of her dressing-gown and the embroidery of
  her night-gown flowed upon the floor behind her, and her stockingless
  feet, from which the slippers had fallen, protruded upon the carpet.
  It was from her lips that came the murmur of unspeakable despair.
  
  Then a man's voice from the adjoining bedroom--
  
  "What's the matter?"
  
  She did not answer, but went on, in a tone which was a soliloquy
  rather than an exclamation, and a dirge rather than a soliloquy.
  Mrs Brooks could only catch a portion:
  
  "And then my dear, dear husband came home to me ... and I did not
  know it! ...  And you had used your cruel persuasion upon me ... you
  did not stop using it--no--you did not stop! My little sisters and
  brothers and my mother's needs--they were the things you moved me
  by ... and you said my husband would never come back--never; and you
  taunted me, and said what a simpleton I was to expect him! ...  And
  at last I believed you and gave way! ...  And then he came back!
  Now he is gone.  Gone a second time, and I have lost him now
  for ever ... and he will not love me the littlest bit ever any
  more--only hate me! ... O yes, I have lost him now--again because
  of--you!"  In writhing, with her head on the chair, she turned her
  face towards the door, and Mrs Brooks could see the pain upon it,
  and that her lips were bleeding from the clench of her teeth upon
  them, and that the long lashes of her closed eyes stuck in wet tags
  to her cheeks.  She continued: "And he is dying--he looks as if he
  is dying! ...  And my sin will kill him and not kill me! ...  O, you
  have torn my life all to pieces ... made me be what I prayed you in
  pity not to make me be again! ...  My own true husband will never,
  never--O God--I can't bear this!--I cannot!"
  
  There were more and sharper words from the man; then a sudden rustle;
  she had sprung to her feet.  Mrs Brooks, thinking that the speaker
  was coming to rush out of the door, hastily retreated down the
  stairs.
  
  She need not have done so, however, for the door of the sitting-room
  was not opened.  But Mrs Brooks felt it unsafe to watch on the
  landing again, and entered her own parlour below.
  
  She could hear nothing through the floor, although she listened
  intently, and thereupon went to the kitchen to finish her interrupted
  breakfast.  Coming up presently to the front room on the ground floor
  she took up some sewing, waiting for her lodgers to ring that she
  might take away the breakfast, which she meant to do herself, to
  discover what was the matter if possible.  Overhead, as she sat, she
  could now hear the floorboards slightly creak, as if some one were
  walking about, and presently the movement was explained by the rustle
  of garments against the banisters, the opening and the closing of
  the front door, and the form of Tess passing to the gate on her way
  into the street.  She was fully dressed now in the walking costume
  of a well-to-do young lady in which she had arrived, with the sole
  addition that over her hat and black feathers a veil was drawn.
  
  Mrs Brooks had not been able to catch any word of farewell, temporary
  or otherwise, between her tenants at the door above.  They might have
  quarrelled, or Mr d'Urberville might still be asleep, for he was not
  an early riser.
  
  She went into the back room, which was more especially her own
  apartment, and continued her sewing there.  The lady lodger did not
  return, nor did the gentleman ring his bell.  Mrs Brooks pondered on
  the delay, and on what probable relation the visitor who had called
  so early bore to the couple upstairs.  In reflecting she leant back
  in her chair.
  
  As she did so her eyes glanced casually over the ceiling till they
  were arrested by a spot in the middle of its white surface which she
  had never noticed there before.  It was about the size of a wafer
  when she first observed it, but it speedily grew as large as the palm
  of her hand, and then she could perceive that it was red.  The oblong
  white ceiling, with this scarlet blot in the midst, had the
  appearance of a gigantic ace of hearts.
  
  Mrs Brooks had strange qualms of misgiving.  She got upon the table,
  and touched the spot in the ceiling with her fingers. It was damp,
  and she fancied that it was a blood stain.
  
  Descending from the table, she left the parlour, and went upstairs,
  intending to enter the room overhead, which was the bedchamber at
  the back of the drawing-room.  But, nerveless woman as she had now
  become, she could not bring herself to attempt the handle.  She
  listened.  The dead silence within was broken only by a regular beat.
  
  Drip, drip, drip.
  
  Mrs Brooks hastened downstairs, opened the front door, and ran into
  the street.  A man she knew, one of the workmen employed at an
  adjoining villa, was passing by, and she begged him to come in and go
  upstairs with her; she feared something had happened to one of her
  lodgers.  The workman assented, and followed her to the landing.
  
  She opened the door of the drawing-room, and stood back for him
  to pass in, entering herself behind him.  The room was empty; the
  breakfast--a substantial repast of coffee, eggs, and a cold ham--lay
  spread upon the table untouched, as when she had taken it up,
  excepting that the carving-knife was missing.  She asked the man to
  go through the folding-doors into the adjoining room.
  
  He opened the doors, entered a step or two, and came back almost
  instantly with a rigid face.  "My good God, the gentleman in bed is
  dead!  I think he has been hurt with a knife--a lot of blood had run
  down upon the floor!"
  
  The alarm was soon given, and the house which had lately been so
  quiet resounded with the tramp of many footsteps, a surgeon among the
  rest.  The wound was small, but the point of the blade had touched
  the heart of the victim, who lay on his back, pale, fixed, dead, as
  if he had scarcely moved after the infliction of the blow.  In a
  quarter of an hour the news that a gentleman who was a temporary
  visitor to the town had been stabbed in his bed, spread through every
  street and villa of the popular watering-place.
  
  
  
feat_summary_name: CHAPTER 56
target: The Herons' landlady, Mrs. Brooks, overhears a part of the conversation between Angel and Tess and grows curious. When Tess leaves Angel and returns to her room, Mrs. Brooks follows at a distance and peeks through the keyhole. She hears Tess scold Alec for making her believe that Angel would never return. She then listens to the heated exchange that occurs between the two. A movement inside the room finally makes Mrs. Brooks hurry downstairs. Awhile later, the landlady notices Tess going out. Soon after Tess's departure, Mrs. Brooks happens to glance at the ceiling and sees a red spot that seems to be growing in size. Convinced that something is wrong, she calls a workman who breaks into the D'Urberville's room. Alec is on the bed, stabbed to death.
feat_summary_analysis: Notes Alec's cunning temptations have caused Tess to betray her true feelings and her true husband. When she sees Angel in his pathetic state, she is overcome with feelings of grief and guilt. She tells Angel the truth and sends him away, which almost kills her. In confusion and anger, Tess goes back to the room and turns on Alec. She accuses him of making her believe what he wanted her to believe. They fight bitterly, and Tess obviously loses all self- control. Knowing she will never be able to escape her satanic tormentor, she stabs him to death. It is important to notice that the whole scene is portrayed through the eyes of the landlady, and the details have to be filled in. Hardy obviously wanted to spare the reader from excessive gore. CHAPTERS 57 - 58 Summary A dejected Angel plans to take the first train out of Sanbourne. He returns to his hotel and quickly packs. As he walks toward the station, he sees Tess running towards him. She immediately confesses to having killed Alec, but Angel believes his precious Tess is only having "temporary hallucinations. Tess, however, insists the murder is real and tries to justify it. Angel begins to believe her and comfort her. He tells her that he loves her, that he will protect her, and that he will never desert her again. They wander around without any destination in mind while looking for a safe accommodation. At last they spy an empty mansion, which they enter through a window. They spent their first night together as a true couple. They remain at the mansion for the next five days, living in a dream world filled with love and happiness and never discussing the past year. The caretaker arrives early on the sixth morning and discovers the loving couple still in bed. It is time for them to move on. Tess dreads facing the reality of the outside world and feels her days are numbered. Angel tries to give her hope, saying they can escape to safety in the north. They travel at night to escape notice. They come upon the ancient pillars of Stonehenge, where Tess lies down exhausted from the flight. As Angel watches over her, she begs him to take care of her sister Liza Lu after her own death; she even suggests they might marry. Then Tess falls asleep amongst the ruins. As daylight breaks, Angel sees men closing in on them, and for the first time, he is forced to accept the truth of Tess's misdeed. When they draw near, he begs them to let Tess sleep, but Tess awakens and realizes what is happening. She is almost relieved that the ordeal of her life is at last coming to an end; she know that fate would never let her happiness last. Notes It is impossible for Angel to believe that Tess is capable of killing anybody, even Alec. For him, his wife is once again a fragile, vulnerable, and delicate woman, incapable of doing harm. Therefore, he thinks her confession is just a temporary imagining. He does not understand Tess's situation or the depth of her love for him. She knows that she will never be able to escape the evil of Alec and spend time with her husband. The thought of living without Angel or with Alec is more than she can bear. Her life means nothing to her in her present circumstances. In her total frustration, she can accomplish the murder. Her seducer's death frees Tess to spend her last moments with Angel, her only true love. During the next few days with him, Tess finds Angel to be everything she has always dreamed him to be. He is kind, loving, thoughtful, forgiving, protective, and encouraging. It is ironic that Angel could accept her as his wife and consummate the marriage when he learned that she was not a virgin; now he fully accepts her as his wife even though she is a murderess. Brazil has certainly changed Angel. It is important to recall Angel's fateful question in Chapter 36 when he asks Tess, "How can we live together while that man  lives. Now that Alec is gone, Tess and Angel have the opportunity to live in glorious bliss for five days, hidden away from the world and the truth. It is also important to notice the setting for the last scene that Tess and Angel will spend together. They are in the ruins of Stonehenge, a heathen temple. Tess lies upon the altar, which was used for sacrifices in ancient times. Now she is being sacrificed. Amazingly, she is at peace when her captors appear. She has spent her last days in joy with Angel at her side. She knows, because of fate, that her happiness could not continue; therefore, she can easily accept death