Abstract:
A method of cutting one&#39;s own hair in a multitude of styles and lengths comprises placing one&#39;s head in an upside-down position and combing or brushing the hair in a downward fashion and thereafter shaking the head so as to let the hair settle. The hair is then gathered at the scalp and a first elastic band is wrapped about the hair adjacent the scalp so as to leave a length of hair extending beyond the first band. The head is then placed in an upright position and a second elastic band is wrapped about the length of hair directly adjacent the first band. The second band is then slid along the length of hair away from the first band until the desired length is reached. The ends of the hair extending beyond the second band are then cut along the outer edge of the second band. To produce a softer cut, the first band may be slid along the length of hair toward the second band prior to cutting the ends of the hair.

Description:
BACKGROUND 
     1. Field of Invention 
     This invention relates to a new innovative, all around, versatile method of haircutting, and more specifically, a method which allows an unskilled individual to cut one&#39;s own hair precisely and uniformly. Particularly, though not exclusively for females. 
     2. Description of Prior Art 
     Hairstylists, or the like, have been a prevailant option for the general public in order to get stylish professional looking haircuts. Although hairstylists have created many new haircuts and styles, an individual has no guarantees or reassurances that one will receive a haircut one asks for, or the same haircut and style each time. Nor are there any guarantees the haircuts will be precise and uniform, as hairstylists perform by memory and experience. Thus this option does not give an individual much control in resulting haircuts. 
     Also, the process of going to a hairstylist can be expensive, time consuming, tedious, and inconvenient. Millions of dollars are spent by the general public for haircuts, and the cost to an individual can reach well into the thousands during the course of a lifetime. Today&#39;s society is style, cost, and time conscious, and with the expense and time spent on having haircuts done by a professional, many individuals search for alternative options, thus, there is a need. 
     Although various alternative options through devices and methods have been developed in the past, most are complicated, bothersome, or cumbersome, and very limited in the scope of options, such as, lengths, haircuts, styles, uniformity, and precision, and most are risky or highly susceptible to error. 
     Objects and Advantages 
     Accordingly, besides the objects and advantages of being able to cut one&#39;s own hair, I believe I have developed a new method which advantageously overcomes many of the aforementioned problems at a minimum of error, risk, effort, time, and expense, that requires no assistance or bothersome devices, and allows an unskilled individual to perform and achieve precise, uniform, professional looking results, simply, and easily. 
     Further objects and advantages of the present invention are: 
     (a) to provide an option of saving hundreds, even thousands of dollars, by lessening the need to go to a hairstylist to get professional looking haircuts. 
     (b) to provide an option of having complete, total control of resulting haircuts, whereby giving one more independence and freedom of choice. 
     (c) to provide an option of stylish haircuts quickly, easily, conveniently, inexpensively, and efficiently. 
     (d) to provide an option of a simple, safe method of haircutting, so simple and safe, a child of reasonable age, supervised, could cut their own hair. 
     (e) to provide an option of a haircutting method which can also be used on another, as well as one&#39;s own self, just as easily. 
     (f) to provide an option of an ecologically safe, non polluting, economical, reliable, quality method of haircutting. 
     (g) to provide an option of a haircutting method which is easily maintainable, and, or repeatable for a lifetime, whereby making an individuals life easier. 
     (h) to provide an option of a haircutting method which requires no added service requirements or continuous fees. 
     (i) to provide an option of a different, all around, versatile, useful, worthwhile, fun, and exciting method of haircutting that does not require any training or engenuity, whereby stimulating and encouraging creativeness. 
     (j) to provide an option of haircuts and styles that can be used with all hairtypes, such as straight, curly, thick, or thin. 
     (k) to provide an option of a haircutting method that adapts to each individual&#39;s frame of head and face, whereby complimenting and contouring to each individual that uses it. 
     (l) to provide an option of a multitude of all around, versatile haircuts containing, layers, bangs, sidekicks, ends (or all one length), and even combinations of these. 
     (m) to provide an option of haircutting that leads to self accomplishment, whereby boosting one&#39;s self esteem, and giving one a feeling of fulfillment and pride. 
     (n) to provide an option of a haircutting method which contains a multitude of lengths, haircuts, and styles that can range from a soft to a stacky result and look. 
     (o) to provide an option of a haircutting method that requires no special judgements to make, lengths and styles can be changed quickly, easily, and simply. 
     (p) to provide an option of a haircutting method which contains simple, common household materials such as, a mirror, most any haircutting instrument, hairbands, and, or, the use of one&#39;s own thumb and index finger, or index and forefinger. 
     (q) to provide an option of a worry free, highly maneuverable haircutting method that can be used and manipulated easily and efficiently for precision haircuts, that is reliable and constant. 
     (r) to provide an option of a haircutting method that leaves no irregularities or clusters, whereby lessening the fears of home and self haircutting. 
     (s) to provide an option of a haircutting method that requires no manual dexterity or special tools, whereby lessening the burden of a user. 
     (t) to provide an option of lessening the time consumed for haircuts or trips to a hairstylist. 
     (u) to provide an option that lessens the fear of contracting aids, or diseases, that may be possible when a cutting instrument is used on an individual by another, if nicks, cuts, or bleeding occurs, whereby putting one at greater ease. 
     Still further objects and advantages will become apparent from a consideration of the ensueing description and drawings. 
    
    
     DRAWING FIGURES 
     In the drawings, closely related figures have the same number but different alphabetic suffixes. 
     FIGS. 1a to 1h illustrates front and side views of various aspects of preferred embodiments. 
     FIGS. 2a to 2d illustrates a side view of various aspects of an individual in perspective positions pertaining to invention. 
     FIGS. 3a to 3d are front and a side views of individual illustrating preferred embodiments of invention. 
     FIGS. 4a and 4b illustrates a front and side view of perspective positions of preferred embodiments. 
     FIGS. 5a and 5b illustrates a front and side view of more perspective positions of preferred embodiments. 
     FIGS. 6a to 6d are a front and side views individual illustrating a second preferred embodiment of invention. 
     FIG. 7 illustrates a side view of perspective positions of second preferred embodiments. 
     FIG. 8 illustrates a side view of more perspective positions of second preferred embodiments. 
     FIGS. 9a to 9e illustrates front and side views of perspective positions of a third preferred embodiment. 
     FIGS. 10a to 10e illustrates front and side views of perspective positions of a fourth preferred embodiment. 
     FIGS. 11a to 11d illustrates back and front views of indidual in perspective positions of a fifth preferred embodiment. 
    
    
     REFERENCE NUMERALS IN DRAWINGS 
     
         ______________________________________20      hair          22    ends24      band #1       26    length of hair28      band #2       30    preferred areas32      crown of head 34    cutting lines36      bridge of nose                 38    forehead40      bangs         42    sidekicks44      parting line  46    multitude of bands______________________________________ 
    
     SUMMARY 
     In accordance with the present invention a new innovative, all around, versatile method of haircutting which can be used to cut one&#39;s own hair, or others, simply and easily, with a multitude of options, such as, haircuts, styles, and lengths. A method which requires no devices, and allows an unskilled individual to cut hair precisely, uniformly, efficiently, conveniently, and inexpensively, with professional looking results. 
     DESCRIPTION 
     FIGS. 1 to 11 
     FIGS. 1a and 1b illustrates a front and side view of a hairless head showing a preferred area 30a, located on top of head, midway between crown of head 32, and edge of forehead 38, aligned with bridge of nose 36, boxed in. FIG. 2a illustrates a side view of an individual standing, bent over at waist, with head positioned upside down, so that hair 20 is flowing downward uniformly to ends 22a. FIG. 2b illustrates a same view as FIG. 2a with a preferred small sized &#34;teri cloth, endless, elastic, hairband&#34; added, band #1 24, wrapped around hair 20 at scalp, in direct alignment with bridge of nose 36, with a length of hair 26 protruding. FIGS. 3a and 3b illustrates a front view of individual&#39;s head in an upright standing position, with another preferred small sized &#34;teri cloth, endless, elastic, hairband&#34; added, band #2 28, directly up next to band #1 24. FIG. 3b shows a horizontal cutting line 34a added shown in broken lines directly on the outer side of band #2 28, that is even, and level to band #2 28. FIGS. 3c and 3d illustrate a front and side view of head with a multitude of bands 46 added. Length of hair 26 is up, straight, in direct alignment with bridge of nose 36, and preferred area 30a. A horizontal cutting line 34a is shown in broken lines, directly on the outer side of the last band added of the multitude of bands 46, that is even, and level to the last band added of the multitude of bands 46. FIGS. 4a and 4b illustrate a front and side view of head with band #1 24 positioned at scalp, and band #2 28 positioned just before ends 22a. Length of hair 26 is up, straight, in direct alignment with bridge of nose 36, and preferred area 30a, inbetween. A horizontal cutting line 34a is shown in broken lines, directly on the outer side of band #2 28, that is even, and level to band #2 28. FIGS. 5a and 5b illustrate a front and side view of head with both band #1 24, and band #2 28, positioned directly up next to each other, just before ends 22a. Length of hair 26 is up, straight, in direct alignment with bridge of nose 36, and preferred area 30a. A horizontal cutting line 34a is shown in broken lines, directly on the outer side of band #2 28, that is even, and level to band #2 28. 
     FIGS. 1c and 1d illustrate a side and front view of preferred area 30b, located on forehead 38, aligned with bridge of nose 36, boxed in. FIG. 2c illustrates a side view of individual standing, bent midway at waist, with front of head facing the ground, and hair 20 flowing downward uniformly to ends 22b. FIG. 2d illustrates a same view as FIG. 2c with band #1 24 added, wrapped around hair 20 at forehead 38, in direct alignment with bridge of nose 36, positioned within preferred area 30b, with length of hair 26 protruding. FIG. 6a illustrates a front view of head in upright standing position, with band #1 24 at forehead 38, in direct alignment with bridge of nose 36 (length of hair 26 is not shown to further illustrate preferred area 30b unobstructed). FIGS. 6b and 6c illustrates a side view of head with band #2 28 added, directly up next to band #1 24, positioned at forehead 38, aligned with bridge of nose 36. FIG. 6c shows a vertical cutting line 34b added shown in broken lines directly on the outer side of band #2 28, that is even, and level to band #2 28. FIG. 6d illustrates a side view of head with a multitude of bands 46 added. Length of hair 26 is out, straight, in direct alignment with bridge of nose 36, and preferred area 30b. A vertically cutting line 34b is shown in broken lines, directly on the outer side of the last band added of the multitude of bands 46, that is even, and level to the last band added of the multitude of bands 46. FIG. 7 illustrates a side view of head with band #1 24 positioned at forehead 38, aligned with bridge of nose 36, and band #2 28 positioned just before ends 22b. Length of hair 26 is out, straight, in direct alignment with bridge of nose 36, and preferred area 30b, inbetween. A vertical cutting line 34b is shown in broken lines, directly on the outer side of band #2 28, that is even, and level to band #2 28. FIG. 8 illustrates a side view of head with both band #1 24, and band #2 28, positioned directly up next to each other, just before ends 22b. Length of hair 26 is out, straight, in direct alignment with bridge of nose 36, and preferred area 30b. A vertical cutting line 34b is shown in broken lines, directly on the outer side of band #2 28, that is even, and level to band #2 28. 
     FIG. 1e illustrates a front view of preferred area 30c, located near the edge of top of forehead 38, arched in, with lines indicating small to larger amounts of bangs 40. FIG. 9a illustrates a front view of head with band #1 24 wrapped around hair 20 at scalp, within preferred area 30a, with bangs 40 sectioned out within preferred area 30c. FIG. 9b illustrates a same view as FIG. 9a, with ends 22c of bangs 40 gathered together at, and aligned with bridge of nose 36. FIG. 9c illustrates a side view of FIG. 9b, with bangs 40 firmly against forehead 38, and ends 22c of bangs 40 uniformly flipped out, straight, at bridge of nose 36. A vertical cutting line 34b is shown in broken lines, just before ends 22c of bangs 40. FIGS. 9d and 9e illustrate a same view as FIGS. 9b and 9c with band #2 28 added, wrapped around the gathered bangs 40, at the bridge of the nose 36, with a length of the ends 22c protruding. FIG. 9e shows a vertical cutting line 34b added, shown in broken lines, directly on the outer side of band #2 28, that is even, and level to band #2 28. 
     FIGS. 1f and 1g illustrate right and left side views of preferred areas 30d and 30e, located in front to above each ear, etched in, with lines indicating small to larger amounts of sidekicks 42a and 42b. FIG. 10a illustrates a front view of head with band #1 24 wrapped around hair 20 at scalp, within preferred area 30a, with sidekicks 42a and 42b sectioned out, evenly, on each side of head, within preferred areas 30d and 30e. FIGS. 10b and 10c are right and left side views of FIG. 10a, illustrating a further view of sidekicks 42a and 42b within preferred areas 30d and 30e. FIG. 10d illustrates a front view with sidekicks 42a and 42b pulled directly up, and straight. A horizontal cutting line 34a is shown in broken lines, just before ends 22d of sidekicks 42a and 42b. FIG. 10e illustrates a same view as FIG. 10d with band #2 28 added, wrapped around the gathered sidekicks 42a and 42b, near the ends 22d, with the ends 22d protruding. A horizontal cutting line 34a is shown in broken lines, directly on the outer side of band #2 28, that is even, and level to band #2 28. 
     FIG. 1h illustrates a front view of preferred areas 30f and 30g, located on each shoulder and straight down, boxed in, with lines indicating short to longer lengths. FIG. 11a illustrates a back view of a head of hair 20 with uppermost body, showing a parting line 44 in the middle, starting at crown of head 32, straight down, to ends 22e. FIG. 11b illustrates a same view as FIG. 11a with hair 20 parted, sectioned into two, with each section brought to the front, and laid one on each shoulder. FIG. 11c illustrates a front view of head with uppermost body, hair 20 is sectioned uniformly into two sections, and laid one on each shoulder. A horizontal cutting line 34a is shown in broken lines, just before each section of ends 22e. FIG. 11d illustrates a same view as 11c with bands #1 24 and #2 28 added, wrapped around each gathered section, near the ends 22e, with the ends 22e protruding. A horizontal cutting line 34a is shown in broken lines, directly on the outer side of band #2 28, that is even, and level to band #2 28. 
     Operations 
     FIGS. 1 to 11 
     The manner of using the haircutting method is preferred on clean, dry hair, in front of a mirror, and in sequences as follows (hands and cutting instrument are not shown in drawings to illustrate unobstructed views): 
     FIGS. 1a, 1b, 2a, 2b, 3, 4a, 4b, 5a, and 5b are preferred in sequence with method on short to long layered cuts. FIG. 1a and 1b illustrate short to long layered cuts preferred area 30a. As in FIG. 2a, an individual stands, bent over at waist, so that head is upside down. While in this position, until otherwise indicated, hair 20 is combed or brushed downward (not shown) to bring ends 22a uniformly flowing downward. Next, head is slightly shaken (not shown) to let hair 20 settle, hair 20 is then carefully gathered (not shown) at scalp, within preferred area 30a. Band #1 24 is then wrapped (not shown) around hair 20 firmly, at scalp, within preferred area 30a, aligned with bridge of nose 36, leaving a length of hair 26 protruding, as in FIG. 2b. 
     Next, individual stands upright, facing mirror (not shown), and adds (not shown) band #2 28 on, directly next to band #1 24, as in FIG. 3a. At this point, individual has a multitude of options, such as, lengths, and styles, of layered cuts, the length of hair 26 can be cut at this point for the shortest cut, as shown in FIG. 3b, or individual can choose differentiating lengths and styles by sliding one or more bands, first band #2 28, second band #1 24, along length of hair 26 towards ends 22a. Length of hair 26 is kept up, straight, in direct alignment with preferred area 30a, and bridge of nose 36 at all times after first band, band #2 28, is slid towards ends 22a, using fingers, preferrably index and forefinger, of one hand, holding (not shown) first band, band #2 28, slid. By sliding band #2 28 alone to desired length of haircut, as in FIGS. 4a and 4b, resulting cuts will be a stacked style of layers. By sliding band #1 24 up, towards band #2 28, resulting cuts will be a softer style of layers, the softest being, slid directly up to and next to band #2 28, as in FIGS. 5a and 5b. For an even softer cut and style, one band, band #1 24, can be used alone (not shown). For even stackier cuts and styles, a multitude of bands 46 can be used as shown in FIGS. 3c and 3d. 
     After individual chooses desired length, and style, by sliding one or more bands, first band #2 28, second band #1 24, then, using other hand, ends 22a are cut (not shown) on the outer side of first band slid, band #2 28, towards ends 22a , or the last band added of the multitude of bands 46, horizontally even, level, and uniform, down to, the outer side of band, band #2 28 or the last band added of the multitude of the bands 46, using cutting line 34a as in FIGS. 3b, 3c, 3d, 4a, 4b, 5a, and 5b as an example, preferrably with scissors (not shown). 
     FIGS. 1c, 1d, 2a, 2c, 2d, 6a, 6b, 7, and 8 are preferred in sequence with method on longer feathered layered cuts. FIGS. 1c and 1d illustrates longer feathered layered cuts preferred area 30b. As in FIG. 2a, individual stands, bent over at waist, so that head is upside down. While in this position, hair 20 is combed or brushed downward (not shown) to bring ends 22a uniformly flowing downward. Next, individual lifts upper body (not shown) midway, as in FIG. 2c, slightly shakes head (not shown) to let hair 20 settle, and carefully gathers (not shown) hair 20 at forehead 38, inbetween eyebrows, within preferred area 30b. Band #1 24 is then wrapped (not shown) around hair 20 firmly, at forehead 38, inbetween eyebrows, within preferred area 30b, aligned with bridge of nose 36, leaving a length of hair 26 protruding, as in FIG. 2d. 
     Next, individual stands upright, as in FIG. 6a, facing mirror (not shown), and adds (not shown) band #2 28 on, directly next to band #1 24, as in FIG. 6b. At this point, individual has a multitude of options, such as, lengths, and styles, of layered cuts, or the last band added of the multitude of the bands 46, by sliding one or more bands, first band #2 28, second band #1 24, along length of hair 26 towards ends 22b. Length of hair 26 is kept out, straight, in direct alignment with preferred area 30b, and bridge of nose 36 at all times after first band, band #2 28, is slid towards ends 22b, using fingers, preferrably index and forefinger, of one hand, holding (not shown) first band, band #2 28, slid. By sliding band #2 28 alone to desired length of haircut, as in FIG. 7, resulting cuts will be a stacked style of layers. By sliding band #1 24 towards band #2 28, resulting cuts will be a softer style of layers, the softest being, slid directly up to and next to band #2 28, as in FIG. 8. For an even softer cut and style, one band, band #1 24, can be used alone (not shown). For even stackier cuts and styles, a multitude of bands 46 can be used as shown in FIG. 6d. 
     After individual chooses desired length, and style, by sliding one or more bands, first band #2 28, second band #1 24, then, using other hand, ends 22b are cut (not shown) on the outer side of first band slid, band #2 28, towards ends 22b, or the last band added of the multitude of bands 46, vertically even, level, and uniform, up to, the outer side of band, band #2 28, or the last band added of the multitude of bands 46, using cutting line 34b as in FIGS. 6c, 6d, 7 and 8 as an example, preferrably with scissors (not shown). 
     FIGS. 1a, 1b, 2a, 2b, 1e, 9a, 9b, and 9c are preferred in sequence with method on bangs 40. FIGS. 1a and 1b illustrate preferred area 30a. As in FIG. 2a, individual stands, bent over at waist, so that head is upside down. While in this position, hair 20 is combed or brushed downward (not shown) to bring ends 22a uniformly flowing downward. Next, hair 20 is gathered (not shown) at scalp, within preferred area 30a. Band #1 24 is then wrapped (not shown) around hair 20 firmly, at scalp, within preferred area 30a, leaving length of hair 26 protruding, as in FIG. 2b. 
     FIG. 1e illustrates bangs 40 preferred area 30c. Next, individual stands upright, facing mirror (not shown), and carefully sections (not shown) out desired amount of bangs 40 evenly, as in FIG. 9a. Next, ends 22c of bangs 40 are gathered (not shown), at bridge of nose 36, as in FIG. 9b, with fingers (not shown). Then, with one hand, using thumb underneath and index finger on top (not shown), bangs 40 are kept firmly against forehead 38, straight, down, and tense, by gathered ends 22c, at bridge of nose 36 at all times, or band, band #2 28, can be used if so desired as shown in FIGS. 9d and 9e. Next, thumb is slid slightly down and out, while rotating index finger slightly up at the same time (not shown), or the band, band #2 28, is held by the thumb and index finger and rotated in the same manner (not shown), flipping gathered ends 22c of bangs 40 directly out, and straight, at bridge of nose 36, as in FIGS. 9c and 9e. Then, using other hand, ends 22c are cut (not shown) at desired length, or directly up to the outer side of band #2 28, vertically even, level, and uniform, using cutting line 34b as in FIG. 9c as an example, preferrably with scissors (not shown). Further variations (not shown) are also possible, such as, flipping ends 22c of bangs 40 out on forehead 38, or holding ends 22c of bangs 40 straight out, in direct alignment with preferred area 30b, etc . . . , before cutting. 
     FIGS. 1a, 1b, 2a, 2b, 1f, 1g, 10a, 10b, 10c, and 10d are preferred in sequence with method on sidekicks 42a and 42b. FIGS. 1a and 1b illustrate preferred area 30a. As in FIG. 2a, individual stands, bent over at waist, so that head is upside down. While in this position, hair 20 is combed or brushed downward (not shown) to bring ends 22a uniformly flowing downward. Next, hair 20 is gathered (not shown) at scalp, within preferred area 30a. Band #1 24 is then wrapped (not shown) around hair 20 firmly, at scalp, within preferred area 30a, leaving length of hair 26 protruding, as in FIG. 2b. 
     FIGS. 1f and 1g illustrate sidekicks 42a and 42b preferred areas 30d and 30e. Next, individual stands upright, facing mirror (not shown), and carefully sections (not shown) out desired amount of sidekicks 42a and 42b evenly, on each side of head, as in FIGS. 10a, 10b, and 10c. One section of sidekick 42a is then pulled straight up (not shown) above head, and combed or brushed upward (not shown), to bring ends 22d uniformly up. Then, using one hand, sidekick 42a is held (not shown) up, straight, tense, and firmly inbetween straightened index and forefinger (not shown) at desired length of cut at all times, a band, band #2 28, can be used if so desired as shown in FIG. 10e. Next, using other hand, ends 22d are cut (not shown) above fingers (not shown), or on the outer side of band #2 28, horizontally even, level, and uniform, down to fingers (not shown), or band #2 28, using cutting line 34a as in FIGS. 10d and 10e as an example, preferrably with scissors (not shown). Method is then repeated with other sidekick 42b. Sidekicks 42a and 42b are then both held up, straight, one with each hand (not shown), compared lengths, and matched. Further variations (not shown) are also possible, such as, holding ends 22d of sidekicks 42a and 42b up slightly forward or back, or ends 22d of sidekicks 42a and 42b can be gathered, together, at forehead 38, within preferred area 30b, etc . . . , before cutting. 
     FIGS. 1h, 11a, 11b, and 11c are preferred in sequence with method on all one length of hair 26, or ends 22e. FIG. 1h illustrates preferred areas 30f and 30g. While standing in an upright position, facing mirror (not shown), hair 20 is combed or brushed straight, downward (not shown) to bring ends 22e uniformly downward. Hair 20 is then parted into two sections, using parting line 44 in FIG. 11a as an example, from the back of head, starting at crown of head 32, straight, down to nape of neck. Each section is then brought forward (not shown) and laid one on each shoulder, as in FIGS. 11b and 11c. Next, starting with one section, hair 20 is combed or brushed again (not shown), straight, down, to insure ends 22e are flowing downward uniformly. Then with one hand, ends 22e are held (not shown) down, straight, tense, and firmly inbetween straightened index and forefinger (not shown) at desired length of cut at all times, or bands, band #1 24 and #2 28, can be used if so desired as shown in FIG. 11d. Next, using other hand, ends 22e are cut (not shown) underneath fingers (not shown), or on the outer side of band #2 28, horizontally even, level, and uniform, up to fingers (not shown), or band #2 28, using cutting line 34a as in FIGS. 11c and 11d as an example, preferrably with scissors (not shown). Method is then repeated with other section. Sections are then both held down, straight, one with each hand (not shown), compared lengths, and matched. By cutting ends 22e held (not shown) as close to body as possible, results will be a straighter cut and style. By cutting ends 22e held (not shown) slightly away or further from body, results will be a stackier cut and style. Further variations (not shown) are also possible, such as, holding ends 22e slightly in towards neck, or out towards ends of shoulders, etc . . . , before cutting. 
     Summary, Ramifications, and Scope 
     Thus the reader will see that the haircutting method of this invention is economical, versatile, reliable, precise, efficient, convenient, easy, fun, and so simple, even a child of reasonable age can cut their own hair, supervised. That it can be done in minutes, easily maintained, or repeated for a lifetime, with a choice of a multitude of stylish, professional looking haircuts, providing superior options in home and self haircutting, without the need of bothersome devices, and with a minimum of risk, error, and cost. 
     While my above description contains many specifications, these should not be construed as limitations on the scope or spirit of the invention, but rather as exemplifications of one or more preferred embodiments thereof. Many variations are possible. For example: 
     * can be used by an individual on another 
     * can be used with any band, size, or number of bands 
     * can be used with most any haircutting instrument 
     * can be used outside of preferred areas 
     * haircuts and styles can be combined 
     * bent over body positions can differ 
     * sectioned amounts of hair can be used in preferred areas 
     Accordingly, the scope and spirit of the invention should be determined not by the embodiments and examples illustrated, but by the appended claims and their legal equivalents.