Abstract:
A musician discovery system is provided. The musician discovery system includes a first interface for displaying a plurality of musicians organized according to a musical characteristic. The system includes a second interface for presenting multimedia information about a first musician from the plurality of musicians displayed on the first interface. The system includes means for comparing a second plurality of musicians with the first musician using the multimedia information presented on the second interface about the first musician. Furthermore, the system includes a third interface for recommending a second musician from the second plurality of musicians based on the comparing means.

Description:
CROSS REFERENCE TO RELATED APPLICATIONS 
       [0001]    This application claims the benefit of and priority to U.S. Provisional Application Ser. No. 61/324,171 filed Apr. 14, 2010, the disclosure of which is incorporated herein by reference in its entirety. 
     
    
     FIELD OF THE INVENTION 
       [0002]    The technology generally relates to systems and methods for exploring music and discovering artists. An artist can be understood as a musician within the context of the present invention. 
       BACKGROUND OF THE INVENTION 
       [0003]    Conventional metrics for gauging the popularity of an artist include CD sales and radio plays. However, these metrics are less useful for discovering new, up-and-coming artists. This is because conventional metrics do not take into account of other platforms used by fans today to explore music, such as, for example, social media networks or video streaming websites. 
         [0004]    Hence, systems and methods are needed to provide comprehensive, real-time tracking and analysis of up-and-coming artists. In addition, a discovery tool is needed for finding new artists and new music. 
       SUMMARY OF THE INVENTION 
       [0005]    The invention, in various embodiments, features systems and methods for exploring music and discovering artists. 
         [0006]    In one aspect, a musician discovery system is provided. The system includes a first interface for displaying multiple musicians organized according to a musical characteristic. The system also includes a second interface for presenting multimedia information about a first musician from the musicians displayed on the first interface. The system additionally includes means for comparing a second set of musicians with the first musician using the multimedia information presented on the second interface about the first musician. The system further includes a third interface for recommending a second musician from the second set of musicians based on the comparing means. 
         [0007]    In another aspect, a computer-assisted method for discovering musicians is provided. The method includes selecting multiple musicians from a library database based on information supplied by a user via a computer interface. The method includes organizing the musicians according to at least one musical characteristic. The method also includes permitting the user to select a first musician from the multiple musicians and presenting multimedia information about the first musician to the user collected from a plurality of media sources in electrical communication with the library database. The method further includes comparing a second set of musicians from the library database with the first musician to determine their similarity or dissimilarity with the first musician and recommending a second musician from the second set of musicians to the user based on the comparing. 
         [0008]    In other examples, any of the aspects above can include one or more of the following features. In some embodiments, the multiple musicians can be selected based on an input by a user. The input can be a musician name or a musical genre. 
         [0009]    In some embodiments, the multiple musicians are ranked by the first interface according to the musical characteristic. The musical characteristic can be a popularity score and the first interface ranks the plurality of musicians according to their corresponding popularity scores. The popularity score can be weighted according to a genre type associated with each musician. In some embodiments, one or more musicians are selected for display from the multiple musicians if their popularity scores are above a threshold. In some embodiments, one or more musicians are selected for display from the multiple musicians if their popularity scores are below a first threshold and above a second threshold. 
         [0010]    In some embodiments, a similarity score is assigned to each of the second set of musicians and the similarity scores are compared to a threshold. In some embodiments, the similarity score associated with the second musician selected from the second set of musicians can be higher than the threshold. In some embodiments, the similarity score associated with the second musician selected from the second set of musicians is lower than the threshold. 
         [0011]    In some embodiments, the multimedia information about the first musician includes at least one of biography, song, photo, blog, video or tweet associated with the first musician. In some embodiments, the musician discovery system further includes a library database for storing the multimedia information corresponding to the multiple musicians. The library database can be in electrical communication with at least one of a music database, a website, a photo database, a search engine and a video database. 
         [0012]    In some embodiments, the third interface recommends the second musician based on a feature of musical similarity or dissimilarity between the first and second musicians. In some embodiments, the third interface is further adapted to display a third set of musicians from the library database who share a feature of musical similarity or dissimilarity with the first musician. The third interface can also rank the third set of musicians according to their degrees of similarity of dissimilarity with the first musician. 
         [0013]    In some embodiments, the musician discovery system further includes a fourth interface for providing advertisement related to the plurality of musicians. 
         [0014]    Other aspects and advantages of the invention will become apparent from the following detailed description, taken in conjunction with the accompanying drawings, illustrating the principles of the invention by way of example only. 
     
    
     
       BRIEF DESCRIPTION OF THE DRAWINGS 
         [0015]    The advantages of the technology described above, together with further advantages, may be better understood by referring to the following description taken in conjunction with the accompanying drawings. The drawings are not necessarily to scale, emphasis instead generally being placed upon illustrating the principles of the technology. 
           [0016]      FIG. 1  shows a diagram of an exemplary artist discovery interface. 
           [0017]      FIGS. 2A-F  show diagrams of an exemplary artist information card. 
           [0018]      FIG. 3  shows a diagram of another exemplary artist information card. 
           [0019]      FIG. 4  shows a diagram of an exemplary similarity interface. 
           [0020]      FIG. 5  shows a diagram of an exemplary network environment. 
       
    
    
     DETAILED DESCRIPTION OF THE INVENTION 
       [0021]      FIG. 1  shows an exemplary online artist discovery interface  100  according to one embodiment of the technology. As illustrated, interface  100  includes input field  102  through which a user can supply text-based inputs to the interface. A user can enter the inputs in free form via field  102  or select them from a drop down menu associated with field  102 . Interface  100  is also configured to present a list of “most buzzed” artists  106  and a list of “up and coming” artists  108 . In addition, interface  100  comprises an advertisement region  110  for targeted advertising. 
         [0022]    In one embodiment, “most buzzed” list  106  is configured to provide a list of artists who are familiar to music listeners. Interface  100  generates “most buzzed” list  106  by searching for artists in one or more libraries in communication with interface  100  and assigning a familiarity score to each of the artists found. Interface  100  can compute an artist&#39;s familiarity score using systems and methods described in application Ser. Nos. 12/101,013 and 12/100,966, incorporated herein by reference. Known methods for computing an artist&#39;s familiarity score include determining the number of reviews and posts published about the artist in a given time period, tracking media attention received by the artist on social media websites and measuring the artist&#39;s media presence through online sales, radio plays and online media references. 
         [0023]    In certain embodiments, the libraries can be located on a web server in electronic communication with a user device from which interface  100  is displayed. The libraries can store metadata, web content, musical tracks, videos and photos associated with a plurality of artists. In certain embodiments, the web server may include search engines providing efficient searches of the libraries by artist names, track titles or album titles, for example. In certain embodiments, the web server includes processing modules to control the operation of interface  100 . Further details regarding network environment of the present technology is discussed below with reference to  FIG. 4 . 
         [0024]    Interface  100  is adapted to populate “most buzzed” list  106  with only those artists whose familiarity scores are above a threshold. The threshold can be predetermined or dynamically selected and/or adjusted based on the number of results generated from the search. For instance, if too few “most buzzed” artists are identified based on the threshold, interface  100  is adapted to lower the threshold until a sufficient number of artists are found for display via “most buzzed” list  106 . In addition, interface  100  can order artists on “most buzzed” list  106  according to their familiarity scores. For example, an artist who is more familiar to listeners can be ranked higher on the lists than a less familiar artist. 
         [0025]    In another embodiment, “most buzzed” list  106  is configured to provide a list of artists who are popular with music listeners. To generate such a list, interface  100  is adapted to compute a popularity score for each artist found from one or more libraries in communication with interface  100 . A popularity score can be computed by weighting the artist&#39;s familiarity score by a factor that accounts for the popularity of the artist. In certain embodiments, each familiarity score is weighted according to the artist&#39;s music sales figures or survey information about the artist. For example, the more revenue an artist generates based on his or her music, the higher the artist&#39;s popularity score is. In certain embodiments, each familiarity score is weighted according to a music genre type associated with the artist. For example, artists who are associated with a hip-pop genre are given a greater weight for ranking purposes than artists who are associated with a classical genre. In certain embodiments, each familiarity score is weighted according to the popularity of the artist among a certain listener demographic. For instance, those artists who are more popular with the 16 to 25 year-old listener demographic are assigned a greater weight than those who are less popular with the same demographic. Listener statistics such as age can be collected on an opt-in basis when, for instance, a listener accesses his or her personal account with the artist discovery system of the present technology. In certain embodiments, each familiarity score is weighted according to the reliability of the sources from which information about the popularity of the artist is collected. In certain embodiments, each familiarity score is weighted according to one or more music-related statistics collected within a specified time frame, such as the number of times an artist&#39;s videos had been played, the number of times an artist&#39;s name had been searched via interface  100  or any other search engines, the total air time associated with an artist, and the number of show appearances by an artist. In certain embodiments, each familiarity score is weighted according to certain tour-related statistics such as ticket sales generated from an artist&#39;s tour, the number of people who attended an artist&#39;s tour, and the number of cities on an artist&#39;s tour. In some embodiments the tour status, i.e., whether an artist is on tour, is used to weigh a familiarity score. 
         [0026]    Interface  100  is adapted to display via “most buzzed” list  106  only those artists whose popularity scores are above a certain threshold. The threshold can be predetermined or dynamically selected and/or adjusted based on the number of results generated from the search. 
         [0027]    In another embodiment, “most buzzed” list  106  is configured to provide a list of artists who are popular with listeners and who share similar musical qualities as those embodied by one or more terms supplied by a user to interface  100 . A user can supply information to interface  100  via any client terminals that are configured to display interface  100 . Exemplary client terminals are described below with reference to  FIG. 4 . 
         [0028]    In operation, upon the user entering information via field  102  and clicking “explore” button  104  to submit the information, interface  100  is adapted to search for artists in one or more libraries in communication with interface  100  and assign a similarity score to each of the artists identified. Each similarity score reflects the degree of musical similarity between the artist and the input information. Exemplary inputs to search field  102  include one or more artist names, music track titles, music genres or a combination thereof. As one example, if a user enters the names of two artists in field  102 , the similarity score computed for a third artist reflects how musically similar the third artist is to both of the named artists. As another example, if a user enters the name of a first artist in conjunction with an album title associated with a second artist, the similarity score for a third artist reflects how musically similar the third artist is to the named artist and the named album. A similarity score and can be computed based on similarities in musical genre, tempo, rhythm, beats, melody, pitch, harmony, or timbre, for example. A similarity score can be computed based on the frequency two artists are mentioned together in media outlets such as blogs, news articles, tweets, etc. A similarity score can also be computed using the systems and methods described in application Ser. Nos. 12/101,013 and 12/100,966 incorporated herein by reference. Interface  100  is also adapted to compute a popularity score for each of the artists identified using any one of the popularity score determination means described above. Interface  100  is further adapted to populate “most buzzed” list  106  with only those artists whose similarity scores are above a first threshold and whose popularity scores are above a second threshold. 
         [0029]    According to yet another embodiment, “most buzzed” list  106  is configured to provide a list of popular artists who possess musical qualities dissimilar to those embodied by one or more user-supplied inputs via field  102 . In one example, interface  100  populates “most buzzed” list  106  with only those artists whose similarity scores are below a first threshold and whose popularity scores are above a second threshold. In another example, interface  100  assigns a dissimilarity score to each of the artists searched and populates “most buzzed” list  106  with only those artists whose dissimilarity scores are above a first threshold and whose popularity scores are above a second threshold. An artist&#39;s dissimilarity score reflects the degree of dissimilarity between the artist and the user-supplied information. A dissimilarity score and can be computed based on differences in musical genre, tempo, rhythm, beats, melody, pitch, harmony, or timbre, for example. A dissimilarity score can also be computed using the systems and methods described in application Ser. Nos. 12/101,013 and 12/100,966. 
         [0030]    According to another aspect of the technology, interface  100  is configured to display “up and coming” list  108 . In one embodiment, “up and coming” list  108  presents a list of artists who are currently not familiar to music listeners but are rising in familiarity. Interface  100  generates such “up and coming” list  108  by searching for artists in one or more libraries in communication with interface  100  and assigning a familiarity score to each artist identified. Interface  100  is adapted to populate “up and coming” list  108  with only those artists whose familiarity scores are below a first threshold but above a second threshold. 
         [0031]    In another embodiment, up and coming” list  108  is configured to display a list of artists who are currently not popular with music listeners but are rising in popularity. Interface  100  generates such “up and coming” list  108  by computing a popularity score for each of the artists identified from one or more libraries coupled to interface  100 . The popularity score of an artist can be determined by weighting the artist&#39;s familiarity score using any of the weighting methods described above. Interface  100  is adapted to populate “up and coming” list  108  with only those artists whose popularity scores are below a first threshold but above a second threshold. 
         [0032]    In another embodiment, “up and coming” list  108  is configured to provide a list of up and coming artists who have similar musical qualities as those embodied by one or more input terms. To generate such a list, interface  100  assigns a similarity score to each of the artists identified from one or more libraries in communication with interface  100 . Interface  100  is also adapted to compute a popularity score for each of the artists. “Up and coming” list  106  presents only those artists whose similarity scores are above a first threshold and whose popularity scores are below a second threshold but above a third threshold. 
         [0033]    In yet another embodiment, “up and coming” list  108  is configured to provide a list of up and coming artists who possess musical qualities dissimilar to those captured by one or more input terms. In one example, “up and coming” list  108  is configured to present those artists who have similarity scores below a first threshold and popularity scores below a second threshold but above a third threshold. In another example, “up and coming” list  108  is configured to present those artists who have dissimilarity scores above a first threshold and popularity scores below a second threshold but above a third threshold. 
         [0034]    In some embodiments, artists who appear on each of “most buzzed” list  106  and “up and coming” list  108  can be additionally grouped by musical genres such as, for example, Indies, Metal, Country, etc. In some embodiments, “most buzzed” list  106  or “up and coming” list  108  provides a list of “most buzzed” or “up and coming” artists, respectively, associated with only one or more user-specified musical genres. 
         [0035]    According to another aspect of the technology, for each artist who appears on “most buzzed” list  106  or “up and coming” list  108 , interface  100  is adapted to show certain representative information about the artist in region  112 . Region  112  can display a representative photo of the artist, a representative video of the artist, a familiarity ranking assigned to the artist, one or more songs by the artist representative of the artist&#39;s talent, or a combination thereof. In certain embodiments, region  112  is linked to or expands into artist information card  200 , as shown in  FIG. 2 , which will be described below in detail. 
         [0036]    In another aspect, interface  100  includes advertisement region  110  that is configured to provide targeted advertisements based on content displayed in interface  100 . Advertisement region  110  can present advertisement related to one or more artists on “most buzzed” list  106  or “up and coming” list  108 . Advertisement region  110  can also present advertisement related to user input terms entered via field  102  so that advertisements are tailored to a user&#39;s interest. Exemplary advertisements can be on latest music tours, recent album releases or fashion attires popular among artists who are presented in interface  100 . 
         [0037]    In some embodiments, artist discovery interface  100  can include a radio-playing element (not shown) configured to play music by at least one artist on “most buzzed” list  106  or “up and coming” list  108 . In some embodiments, based on an artist identified on either of the lists, the radio-playing element can play music by other artists who are similar or dissimilar in musical style as the identified artist. 
         [0038]      FIGS. 2A-F  illustrates various embodiments of an artist information card  200  according to one aspect of the technology. In general, artist information card  200  is configured to present information about a particular artist collected from a plurality of media sources such as from a library, an online source, or a third-party database that contain multimedia content such as videos, music tracks, photos or metadata. In certain embodiments, the library is located on a web server in electronic communication with a user device from which card  200  is displayed. In certain embodiments, the web server includes processing modules to control the operation of card  200 . In certain embodiments, the web server collects information about a particular artist from third-party databases and websites for presentation via card  200 . Further details regarding network environment of the present technology is discussed below with reference to  FIG. 5 . 
         [0039]    As shown in  FIGS. 2A-F , artist information card  200  can include an “audio” tab  206  displaying a music play region, a “videos” tab  202  displaying a video display region, a “photos” tab  204  displaying a photo display region, a “tweets” tab  212  displaying a region, a “news” tab  210  displaying a news region, and a “bio” tab  208  displaying a biography region. 
         [0040]    As shown in  FIG. 2A , artist information card  200  includes music play region  206  that allows a user to play select tracks by the artist featured in the region  112 . Card  200  is adapted to retrieve the tracks from databases located on one or more web servers in communication with card  200  or from tracks posted online. The databases may be internal databases or third-party databases owned by music content providers such as Rhapsody™. Card  200  can select for presentation those tracks by the artist that are most representative of the artist&#39;s musical talent, most requested, most popular, or by any other selection criterion. Similarly, card  200  can order the tracks by their release date, their popularity, the number of times each track has been played via card  200 , or by any other ordering criterion. Music play region  206  is configured such that a user can browse titles of all available tracks associated with the artist before selecting the one he or she wants to play. In some embodiments, the music play region  206  can play music by other artists who have similar or dissimilar musical style as the featured artist. 
         [0041]    As shown in  FIG. 2B , artist information card  200  can include video display region  202  that allows a user to play videos about the artist featured in region  112 . Card  200  is adapted to retrieve the videos from databases located on one or more web servers in communication with card  200  or from videos posted online. Exemplary videos include music videos featuring the artist, interview videos with the artist, or third-party videos discussing the artist. Video display region  202  is configured such that a user can browse all the available videos about the artist before selecting the one he or she wants to view. 
         [0042]    As shown in  FIG. 2C , artist information card  200  can include photo display region  204  that allows a user to view photos of the featured artist. Card  200  is adapted to retrieve the photos from databases located on one or more web servers in communication with card  200  or from photos posted online. Photo display region  204  can be configured such that a user can browse thumbnail images of all available photos associated with the artist before selecting the one he or she wants to view in a larger size or better resolution. 
         [0043]    As shown in  FIG. 2D , artist information card  200  can further include region  210  for displaying latest postings about the artist supplied by the artist himself or by a third party. Such information can be obtained from twitter pages, blogs, facebook pages, myspace pages, chatrooms, or other social networking websites. Content in region  210  is updated in real-time or in near real-time. In certain instances, the artist himself can directly post to region  210  to provide tour dates, concert locations, greetings to the fans, etc. In certain instances, a user can post comments about the artist to region  210 . Information posted in region  210  can be sorted in chronological order as it first appears or in accordance with the reliability of the sources from which the information is collected. 
         [0044]    As shown in  FIG. 2E , artist information card  200  can include news region  212  for providing latest news published on the artist. Such information can be obtained from a magazine site or a database owned by a news reporting agency, for example. 
         [0045]    As shown in  FIG. 2F , artist information card  200  can also include an artist biography region  208  for displaying biographical information about the featured artist. Card  200  is adapted to retrieve the biographical information from databases located on one or more web servers in communication with card  200  or from online sources such as Wikipedia, gossip websites and news websites or from music data services such as the Rovi Corporation. In certain instances, the information presented about the artist can be sorted according to the reliability of the sources from which the information is collected. For instance, information gathered about the artist from personal interviews, artist blogs, or trusted sites such as Wikipedia can be more prominently displayed than information collected about the artist from a gossip website. 
         [0046]    In some embodiments, the artist information card  200  includes a “share” option  218  that allows a user to send card  200  to another via email. “Share” option  218  can also allow the user to embed artist information card  200  into a third-party website as a web widget, i.e., a stand-alone application. This effectively allows the user to turn artist information card  200  into a dynamic web application sharable on one or more third-party websites. For example, upon clicking “share” option  218 , a user is presented with a list of third party websites such as Facebook, Twitter, etc. The user can then select one of the websites, such as Facebook, to embed the artist information card  200  so that it appears on his Facebook profile. 
         [0047]    In some embodiments, artist information card  200  can generate a list of artists who have similar musical qualities as the artist featured in card  200 . A user can access the list by choosing “similar” option  216 , for example. An illustrative list of similar artists is shown in  FIG. 4  and will be described in detail below. In some embodiments, the artist information card  200  can include a “dissimilar” option (not shown), through which a user can access a list of artists who have dissimilar musical qualities as the featured artist. 
         [0048]    In some embodiments, artist information card  200  includes a “favorite” option  220 . Upon a user selecting “favorite” option  220 , the artist featured in the card  200  is saved in a list of favorite artists associated with the user. In addition, the user can retrieve card  200  at any point in time by choosing the artist from his “favorite” list. 
         [0049]      FIG. 3  shows another embodiment of artist information card  200 . As illustrated, card  200  can include, in one display, the music play region  206 , the video display region  202 , the photo display region  204 , the region  212 , the news region  210  and the biography region  208 . 
         [0050]    In some embodiments, artist information card  200  includes an advertisement region  220  adapted to provide customized advertisement based on the content displayed in card  200 . For example, advertisement region  220  can present advertisement about the artist&#39;s latest tour or upcoming album or singles releases. Advertisement region  220  can advertise albums or tracks that share similar musical qualities as the featured artist. Advertisement region  220  can also advertise goods or services the artist has talked about recently or products that have appeared with the artist. For example, advertisement region  220  can advertise clothes worn by the artist in a photo displayed in region  204 . 
         [0051]    Artist information card  200  can be accessed from a variety of sources. In some embodiments, a user can access artist information card  200  from interface  100  via region  112  that is associated with either “most buzzed” list  106  or “up and coming” list  108 . For example, as shown in  FIGS. 2A-F , region  112  can be expanded into an artist information card  200 . In some embodiments, a user can access artist information card  200  directly from interface  100  by entering information about a particular artist via field  102  of interface  100 . In some embodiments, the artist information card  200  can be made available via a third-party website or found from an online search or link. 
         [0052]    For example, artist information card  200  can be implemented as a hover box, which is a Graphic User Interface (GUI) event that can be triggered when a user moves or hovers his cursor over a particular area of the GUI, such as over the name of an artist who appears on “most buzzed” list  106  or “up and coming” list  108  in artist discovery interface  100  or over a name mentioned in a third-party GUI. Artist information displayed in a hover box can be a portion of the information displayed in artist information card  200  or the entire content of artist information card  200 . 
         [0053]    As another example, a user can embed artist information card  200  in a third-party web interface by using, for example, “share” option  218  as described above. Exemplary embeddable interfaces include blog postings, facebook entries, myspace pages, etc. 
         [0054]      FIG. 4  provides an exemplary interface  300  displaying a “similarity” list  302 . In one embodiment, “similarity” list  302  presents those artists who share similar musical qualities as an artist featured in artist information card  200 . In another embodiment, “similarity” list  302  presents those artists who possess musical qualities similar to those captured by terms supplied by a user via field  102  of interface  100 . 
         [0055]    Interface  300  can generate “similarity” list  302  by first conducting a search for similar artists in one or more libraries in communication with interface  300 . In certain embodiments, the libraries are located on a web server in electronic communication with a user device from which interface  300  is displayed. In certain embodiments, the web server includes processing modules to control the operation of interface  300 . Further details regarding network environment of the present technology is discussed below with reference to  FIG. 5 . 
         [0056]    Interface  300  is configured to assign a similarity score to each artist searched that reflects the degree of similarity between the artist and the searched term. A similarity score can be computed based on similarities in musical genre, tempo, rhythm, beats, melody, pitch, harmony, timbre or a combination thereof. A similarity score can also be computed using the systems and methods described in application Ser. Nos. 12/101,013 and 12/100,966. “Similarity” list  302  is adapted to present those artists whose similarity scores are above a select threshold. Interface  300  can order the artists who appear on “similarity” list  302  according to their similarity scores, with the artist having the highest score highest on the list and the artist with the lowest score lowest on the list, for example. 
         [0057]    For each artist who appears on “similarity” list  302 , interface  300  is adapted to show certain representative information about the artist in region  304 . For instance, region  304  can display a representative photo of the artist, a representative video of the artist, a similarity ranking assigned to the artist, one or more songs by the artist or a combination thereof. In certain instances, region  304  can indicate how much an artist&#39;s similarity score has changed in comparison to an earlier time. The change can be represented as a percentage change or as a whole number indicating a change in position on list  304 . In certain instances, region  304  is linked to or expandable into artist information card  200 , described above with reference to  FIG. 2 . Hence, a user can drill down on each artist presented on “similarity” list  304 . 
         [0058]    According to another aspect of the technology, interface  300  can generate a list of artists who share dissimilar musical qualities as an artist featured in artist information card  200 . In another embodiment, interface  300  can generate a list of dissimilar artists based on an input term supplied by a user via field  102  of interface  100 . 
         [0059]    In one example, a “dissimilarity” list includes those artists whose similarity scores are below a select threshold. In another example, a “dissimilarity” list includes those artists whose dissimilarity scores are above a select threshold. 
         [0060]    According to yet another aspect of the technology, interface  300  includes a targeted advertisement region  306  for presenting advertisements customized based on the content displayed in interface  300 . Advertisement region  306  can advertise goods or services related to at least one artist on list  304 . Advertisement region  306  can also advertise goods or services related to a common feature among all the artists. For example, advertisement region  306  can advertise an album by an artist who is not on the list, but is in the same musical genre as the artists listed. 
         [0061]    In some embodiments, interface  300  can include a radio-playing element (not shown) configured to play music by at least one artist on “similarity” list  302 . In some embodiments, the radio-playing element can play music by at least one artist on a “dissimilarity” list (not shown) generated by the interface  300 . 
         [0062]      FIG. 5  provides an exemplary network environment  400 . Network environment  400  includes one or more clients  402 , an artist server  404  and a plurality of web servers  406 . Each of clients  402 , artist server  404  and web servers  406  is in mutual communication with network  420 . 
         [0063]    Each of clients  402  can be a computing device operated by a user. A computing device as used herein refers to any device with a processor and memory that can execute instructions. Computing devices include, but are not limited to, personal computers, server computers, portable computers, laptop computers, personal players, personal digital assistants (PDAs), cellular telephones, e-mail clients, tablets, Internet Protocol televisions (IPTV) and game consoles. These computing devices can run one or more application programs and an operating system. Each client  402  can include a wired or wireless interface to network  420 . In certain embodiments, clients  402  are configured to display interfaces  100 ,  200  or  300  to users of the artist discovery system as well as allow the users to interface with the system. In general, interfaces  100 ,  200  and  300  are platform independent and can run on a variety of computing platforms. 
         [0064]    Artist server  404  can include one or more libraries or storage modules for storing metadata, photos, musical tracks and videos associated with a plurality of artists. Metadata can take the form of parameters, lists or other data structures. Metadata can include numerical, text, pictorial and other information about an artist. Photos can be in form of TIF, PNG, JPG, GIF or any other photo file format. Musical tracks can be in the form of MP3, MIDI, WAV, WMA, or any other audio file format. Videos can be in the form of AVI, MPEG, FIV or any other video file format. 
         [0065]    Artist server  404  can also include processing modules to control the operation of interfaces  100 ,  200  and  300 . Artist server  404  can further include one or more search engines to enable efficient searches of the information stored in the libraries or storage modules. Searches can be conducted by artist names, album titles, track titles, or other musical characteristics. 
         [0066]    In certain embodiments, artist server  404  is configured to access the internet via network  420  to search for pertinent artist information. In certain embodiments, artist server  404  communicates with a plurality of external web servers  406  via network  420 . These web servers can host third-party music content, photo content, video content or metadata about artists. In certain instances, artist server  404  includes algorithms designed to conduct targeted queries of information in servers  406  as well as on the internet. 
         [0067]    In certain embodiments, library server  404  is adapted to search its libraries and storage modules for artist-related information and supply such information to interfaces  100 ,  200  and  300  for display. In certain embodiments, library server  404  queries third-party servers  406  for artist-related information for presentation via interfaces  100 ,  200  and  300 . In certain embodiments, library server  404  searches online content for artist information. In certain embodiments, library server  404  updates its own database with information obtained from external servers or from the internet. 
         [0068]    One skilled in the art will realize the invention may be embodied in other specific forms without departing from the spirit or essential characteristics thereof. The foregoing embodiments are therefore to be considered in all respects illustrative rather than limiting of the invention described herein. Scope of the invention is thus indicated by the appended claims, rather than by the foregoing description, and all changes that come within the meaning and range of equivalency of the claims are therefore intended to be embraced therein.