have the suzanne paintings and you have photographs and you don't have a one-to-one correspondence and so for that the cycle is is is imported so that's the only thing we have basically we there is no other constraint so then it's very portable and we come back to the polarization for example okay then the colored image is not strange today oh it is it is because there is a there is a hold on the the gun yeah so so let me see let me see zouri so in this in this setup you are given the input and the output okay and you are your