  la traviata (, "the fallen woman"taruskin, chapter 11: literally the woman gone astraymeadows, p. 582) is an opera in three acts by giuseppe verdi set to an italian libretto by francesco maria piave. it is based on la dame aux camÃ©lias (1852), a play adapted from the novel by alexandre dumas, fils. the opera was originally entitled violetta, after the main character. it was first performed on 6 march 1853 at the la fenice opera house in venice. piave and verdi wanted to follow dumas in giving the opera a contemporary setting, but the authorities at la fenice insisted that it be set in the past, "c. 1700". it was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.david kimbell, in holden 2001, p. 995. ==composition history== for verdi, the years 1851 to 1853 were filled with operatic activity. first, he had agreed with the librettist salvadore cammarano on a subject for what would become il trovatore, but work on this opera could not proceed while the composer was writing rigoletto, which premiered in venice in march 1851. in addition, personal affairs in his home town limited his activities that spring, but after rigolettos success in venice, an additional commission was offered by brenna, the secretary of la fenice. after verdi's return from paris a contract was signed in may 1852, with performances scheduled for march 1853, although no subject was chosen at that time. verdi sees the lady of the camellias play verdi and giuseppina strepponi had visited paris from late 1851 and into march 1852. in february the couple attended a performance of alexander dumas filss the lady of the camellias. as a result of this, verdi biographer mary jane phillips-matz reports, the composer immediately began to compose music for what would later become la traviata.phillips-matz, p. 303 however, julian budden notes that verdi had probably read the dumas novel some time before and, after seeing the play and returning to italy, "he was already setting up an ideal operatic cast for it in his mind,"budden, p. 115 shown by his dealings with la fenice. on their return to italy, the composer had immediately set to work on trovatore for the january 1853 premiere in rome, but at the same time seemed to have ideas for the music for traviata in his head. composing for venice francesco maria piave was to be engaged to write the new libretto and the two men tried to come up with a suitable subject, but the composer complained that his librettist "had not yet offered him an 'original' or 'provocative' idea". writing to piave, he added that "i don't want any of those everyday subjects
1853_operas Italian-language_operas La_Fenice_world_premieres Operas Operas_by_Giuseppe_Verdi Operas_set_in_France Paris_in_fiction