  marie taglioni (april 23, 1804 â april 24, 1884) was an italian/swedish ballet dancer of the romantic ballet era, a central figure in the history of european dance. ==biography== taglioni was born in stockholm, sweden, to the italian choreographer filippo taglioni and the swedish ballet dancer sophie karsten, maternal granddaughter of the swedish opera singer christoffer christian karsten and of the polish opera singer and actress sophie stebnowska. her brother, paul (1808â1884), was also a dancer and an influential choreographer; they performed together early in their career. taglioni rose to fame as a danseuse when her father (and teacher) created the ballet la sylphide (1832) for her. designed as a showcase for taglioni's talent, it was the first ballet where dancing en pointe had an aesthetic rationale and was not merely an acrobatic stunt, often involving ungraceful arm movements and exertions, as had been the approach of dancers in the late 1820s. marie taglioni was one of the most celebrated ballerinas of the romantic ballet, which was cultivated primarily at her majesty's theatre in london, and at the thÃ©Ã¢tre de l'acadÃ©mie royale de musique of the paris opera ballet. in 1827 taglioni left the ballet of her majesty's theatre to take up a three-year contract in saint petersburg with the imperial ballet (known today as the kirov/mariinsky ballet). it was in russia after her last performance in the country (1842) and at the height of the "cult of the ballerina", that a pair of her pointe shoes were sold for two hundred rubles, reportedly to be cooked, served with a sauce and eaten by a group of balletomanes. in july 1845, she danced with lucile grahn, carlotta grisi, and fanny cerrito in jules perrot's pas de quatre. taglioni was also known for shortening her skirt in the performance la sylphide, which was considered highly scandalous at the time. she shortened all of her skirts to show off her excellent pointe work, which the long skirts hid. her father was approving of the shortening of the skirt because he also wanted everyone to see how good his daughter was en pointe. taglioni retired from performing in 1847; for a time she took up residence at the ca' d'oro on the grand canal in venice. when the ballet of the paris opera was reorgani
1804_births 1884_deaths 19th-century_Italian_ballet_dancers Ballet_teachers Burials_at_PA"re_Lachaise_Cemetery Italian_ballerinas Paris_Opera_Ballet_dancers Prima_ballerinas Swedish_ballerinas Swedish_people_of_Italian_descent