 the hudson river school was a mid-19th century american art movement embodied by a group of landscape painters whose aesthetic vision was influenced by romanticism. the paintings for which the movement is named depict the hudson river valley and the surrounding area, including the catskill, adirondack, and the white mountains; eventually works by the second generation of artists associated with the school expanded to include other locales in new england, the maritimes, the american west, and south america. ==overview== neither the originator of the term hudson river school nor its first published use has been fixed with certainty. the term is thought to have originated with the new york tribune art critic clarence cook or the landscape painter homer dodge martin. as originally used, the term was meant disparagingly, as the work so labeled had gone out of favor after the plein-air barbizon school had come into vogue among american patrons and collectors. hudson river school paintings reflect three themes of america in the 19th century: discovery, exploration, and settlement. the paintings also depict the american landscape as a pastoral setting, where human beings and nature coexist peacefully. hudson river school landscapes are characterized by their realistic, detailed, and sometimes idealized portrayal of nature, often juxtaposing peaceful agriculture and the remaining wilderness, which was fast disappearing from the hudson valley just as it was coming to be appreciated for its qualities of ruggedness and sublimity. in general, hudson river school artists believed that nature in the form of the american landscape was an ineffable manifestation of god, though the artists varied in the depth of their religious conviction. they took as their inspiration such european masters as claude lorrain, john constable and j. m. w. turner. their reverence for america's natural beauty was shared with contemporary american writers such as henry david thoreau and ralph waldo emerson. several painters, such as albert bierstadt, were members of the dÃ¼sseldorf school of painting. while the elements of the paintings were rendered realistically, many of the scenes were composed as a synthesis of multiple scenes or natural images observed by the artists. in gathering the visual data for their pain
19th-century_American_painters Cultural_history_of_the_United_States Hudson_River_School Landscape_art Luminism_(American_art_style)