The Wind in the Willows

The Wind in the Willows is a children's novel by Scottish novelist Kenneth Grahame, first published in 1908. Alternatingly slow-moving and fast-paced, it focuses on four anthropomorphised animals: Mole, Rat (a European water vole), Toad, and Badger. They live in a pastoral version of Edwardian England. The novel is notable for its mixture of mysticism, adventure, morality, and camaraderie, and celebrated for its evocation of the nature of the Thames Valley.
In 1908, Grahame retired from his position as secretary of the Bank of England. He moved back to Berkshire, where he had lived as a child, and spent his time by the River Thames, doing much as the animal characters in his book do – to quote, "simply messing about in boats" – and expanding the bedtime stories he had earlier told his son Alastair into a manuscript for the book.
The novel was in its 31st printing when playwright A. A. Milne adapted part of it for the stage as Toad of Toad Hall in 1929. In 1949, the first film adaptation was produced by Walt Disney as one of two segments in the package film The Adventures of Ichabod and Mr. Toad.
In 2003, The Wind in the Willows was listed at #16 in the BBC's survey The Big Read.[1] More than a century after its original publication, it was adapted again for the stage, as a 2014 musical by Julian Fellowes. In his preface, A. A. Milne writes,
One can argue over the merits of most books, and in arguing understand the point of view of one's opponent. One may even come to the conclusion that possibly he is right after all. One does not argue about The Wind in the Willows. The young man gives it to the girl with whom he is in love, and if she does not like it, asks her to return his letters. The older man tries it on his nephew, and alters his will accordingly. The book is a test of character. We can't criticize it, because it is criticizing us. ... It is a Household Book; a book which everybody in the household loves, and quotes continually; A book which is read aloud to every new guest and is regarded as the touchstone of his worth. But I must give you one word of warning. When you sit down to it, don't be so ridiculous as suppose that you are sitting in judgement...the art of Kenneth Grahame. You are merely sitting in judgment on yourself. You may be worthy: I don't know. But it is you who are on trial.