Immigration and Social Security Co-ordination (EU Withdrawal) Bill — House of Lords, 2020-09-09
Topic: Immigration
Nicholas Trench (Crossbench, Unknown): My Lords, I am very pleased to follow the noble Lord, Lord Clement-Jones, and will speak in the same area. I will speak to Amendment 69 in the name of the noble Lord, Lord Clement-Jones, to which I have added my name, and to my own Amendment 75. I am particularly indebted to the Incorporated Society of Musicians for its briefing There is considerable overlap between these two amendments, particularly if one understands the term "business", as used in my amendment, to be business in any form. I will return to that point in a moment I wish to associate myself with a passionate and inevitably elegiac speech made by the noble Baroness, Lady Bennett of Manor Castle, on the first group of amendments on Monday. While some people did vote to limit permanent immigration to this country, they did not vote for their own movement—the movement of UK citizens—around Europe to travel, work or study abroad to be curtailed, or for temporary visits in either direction to be affected. But the side of the argument that, "What we do to others will be done to us", has been almost entirely ignored, and continues to be, even though the loss of free movement will have a direct effect on the livelihoods of British workers—including those resident in the UK—unless an agreement is reached I did have a little trouble getting the third limb of my amendment, regarding reciprocal arrangements, into the amendment. I could only do so—as I think the noble Lord, Lord Clement-Jones could with his amendment—with the preceding phrase "for the purposes of comparison", even though we are discussing the direct effects of the Bill as things stand The second thing that has been to a large extent ignored and greatly underestimated is our services sector, which depends on free movement. This is extraordinary, because we are, and have been for some time, primarily a services nation. Services are responsible for 80% of our GDP and just over half the UK’s services exports are to Europe, our closest neighbour My amendment would cover many areas, from engineers to IT and the creative sector, all of whom have concerns about the effect of the loss of free movement and, consequentially, the essential importance of a mobility framework between the UK and the EU. I think we will discuss this when we debate the Trade Bill. Of course, the experience of all these sectors in the UK ought also to be providing a basis for the immigration arrangements of those visiting our country for similar purposes The UK’s creative services before Covid were, as the noble Lord, Lord Clement-Jones, said, worth over £111 billion a year and they employ over 3 million people. I gently remind the Government that the UK’s music industry alone—just one part of the sector—is worth almost four times as much as the fishing industry and is important too, as the whole of the creative sector is, in terms of soft power. If fishing, important though that industry is, is holding up a trade deal in other areas such as services, I wonder whether the Government are losing their sense of perspective about what is important in the round—I emphasise: in the round—for this country There is a particular concern for the performing arts, including music, whose business in Europe is touring, although not exclusively so. Has the Minister seen the ISM’s 2020 report How Open is the UK for the Music Business? It shows that the current immigration system, which is intended to be applied to EU nationals in the new year, is not fit for purpose. Specifically, this includes the permitted paid engagement route—it is not being applied in the manner that, I admit, I helped to negotiate—the standard visitor route and the tier 5 temporary worker, creative and sporting visa route. All those routes have been criticised by artists, promoters, tour managers, music agents and festival organisers. It has become increasingly difficult for non-EEA musicians to obtain visas or to work in the UK, and indeed the same is true of other areas of the creative sector. If this is to be the basis of a reciprocal agreement, things do not bode well From our perspective, it is essential that an arrangement is made with the EU rather than having to go through the nightmare of doing this with 27 individual countries. The recommendation of the Incorporated Society of Musicians is that either the commitments of mode 4 should be extended to include performing or that a multi-entry touring visa, valid for two years and covering the EU, is introduced and that EU nationals are treated in a similar vein. It is becoming clear that mode 4’s conventional interpretation of business activity is too narrow Also, as a result of the loss of the four freedoms, the Government need urgently to negotiate a cultural exemption for the temporary transportation of instruments and equipment or cover the cost of carnets, scrap plans to introduce a charge for musical instrument certificates, maintain the health insurance, ensure that the A1 certificate system continues to be recognised in the EU, and expand the list of CITES-designated points of entry and exit. Transportation by ferry will not be possible between Belfast and the mainland. I hope that all this is being looked at It is also important to understand that there is an inherent sense of reciprocity in our creative sector—which I am sure is true of other areas considered in this grouping—which stands apart from reciprocity as a necessary part of a trade agreement. Much of this is about an exchange of ideas and culture, which is one reason why it is so difficult for many of us to accept the loss of freedom of movement. Nevertheless, in the long term, the better the arrangements we make for our temporary visitors, the greater will be the benefits for us. Some of the arrangements that I have mentioned will apply also to other services, but the performing arts provide an example of some of the widest range of concerns Amendments 75 and 69, like others in this group, ask the Government to develop an evidence base to inform later decision-making. The problem is that time is not on our side. The arts in particular, perhaps more than any other area, have been knocked for six by Covid. It is essential that there is an arrangement for our creative sector by the end of the year, otherwise that sector in particular will suffer a double whammy. The noble Lord, Lord Adonis, expressed it very well on Monday when he said that while "we are legislating in the dark for the withdrawal of many rights of EU citizens coming here, it is also true that we are legislating in the dark for the rights that we are going to be taking away from UK citizens that they can currently exercise in respect of their travel and legitimate business on the continent."—[Official Report, 7/9/20; col. 568.] We are in the dark at the moment. I hope very much that that will not continue to be the case and that we will see some light and hear positive assurances in the next few weeks.