Coronation Street: 60th Anniversary — House of Commons, 2020-12-02
Topic: Culture
Tracy Lynn Brabin (Labour, Centre-left): I could not agree more, and I will go on to talk about how creativity and the creative industries can be a powerhouse and an engine of regeneration in our communities in the north Let me speak a little more personally for a minute. I grew up in a housing estate in Howden Clough in Batley, watching acts at the Batley Variety Club. For a working-class kid like me, it was a source of pride and wonder that huge stars of the day, such as Shirley Bassey and Louis Armstrong, came to my bit of the world. Seeing photographs of Eartha Kitt eating chips in Dewsbury market is sort of mind-blowing. It set me on a path that was hard. I worked in precarious jobs trying to make it, sleeping on couches and living hand to mouth, like so many aspiring actors do. We all know how tough it is to get on in such industries for those who do not have rich parents,. For working-class northern actors, working on "Coronation Street" meant you had arrived. We had grown up watching it, and we wanted to be in it. I got the chance to work with the legends of "Corrie"—Jack and Vera, Raquel, Bet Lynch and Betty Turpin—watching and learning. As someone who had not been to drama school, the ability to memorise pages and pages of script overnight and bring authentic emotions and truth to the work was a skill I learned on that job Many may know me as Tricia Armstrong, but aficionados may also know that I joined the show for three episodes playing Chloe, a toy shop manageress. It was a Christmas episode, and I ended up on top of the roof of the toy shop with Peter Baldwin dressed as Father Christmas. I must have impressed in that role, because I was then invited to come back a number of years later as Tricia Armstrong. That first day was, as the House can imagine, very overwhelming. Everybody in the green room was a famous face. When you have William Roache—he is now, unbelievably, 88—saying, "Would you like a cup of tea, Tracy?", it is quite a surreal experience, as was working with Liz Dawn, who had her lines stuck all over the set like in "The Generation Game", because she could not remember all of it. As long as there was a bit of script somewhere, she was all right. Famously one Christmas she pulled out the chicken and the lines were on the bum of the chicken as it came out—I thought, "Very convenient." Then there was Annie Kirkbride, who we all sadly miss, who played Deirdre. Her wicked sense of humour creased us up in serious scenes Having struggled with the feast and famine nature of the freelance life, it was such a huge relief to have regular paid work, a paid holiday and a chance to save. More than that, it was the honour of being part of something so associated with my class and being in the homes of people every night who shared my accent and my experiences "Corrie" is not just about portrayal or about telling working-class stories brilliantly; it is, as the hon. Member for Warrington South (Andy Carter) says, absolutely about jobs in the north. It is not just about actors and directors, but schedulers, designers, editors, costume and make-up, researchers, the props team, office staff, accountants, carpenters, electricians, painters, security guards and canteen staff—the list goes on Mr Speaker, you may know I am standing to be the candidate for the West Yorkshire Mayor. If I am elected, that experience on "Coronation Street" will drive my creative new deal, because our entertainment industries also have the power to build our economies, to deliver regeneration and to provide opportunity, hope and skills, and that process will take inspiration from "Coronation Street", as it has shown us how important television can be for the economy "Coronation Street" has a bespoke 7.7 acre set in the north-west. It employs about 450 people and hundreds and hundreds of freelancers. It firmly cements the importance of the north in TV’s history, and in its future, too. We know it is a creative powerhouse, and the skills and talent it nurtures and develops have aided and continue to aid the gentrification of Salford I know that ITV takes the development of skills very seriously. To this day, it supports Tony Warren’s determination to be a champion of local talent. Tony wanted to support disadvantaged young people to get a career in an industry that is famously difficult to get started in. Shortly before his death in 2016, he worked with "Coronation Street" and ITV to establish a bursary to support local actors from disadvantaged backgrounds to train at drama schools. I can think of no better legacy for a man whose creation has brought us 60 years of public service broadcasting at its best The success of "Coronation Street" is built on a healthy and well-supported public service broadcasting system. In order to preserve these valuable national treasures, reforms need to be made to protect and support our PSB. I hope that the Minister, when he gets to his feet, will also reflect on that and work with the broadcasters and Ofcom to ensure public service broadcasters can continue to deliver for their audiences and, more urgently, for our regions. Like all parts of life, covid has put massive obstacles in the path of "Coronation Street", and the team has worked hard to overcome them. The Rovers Return is not that busy these days. The desks in the factory are slightly more spread out than they used to be, reflecting the regulations of real life, and keeping cast and crew as safe as possible while bringing familiar entertainment to our homes. While the Minister is here, let me say that large parts of film and television production have been able to get back on track thanks to the support of the Government around insurance. Screen production is part of a creative ecosystem, and to get it fully functioning once again our performing arts, theatres, music festivals and venues also need that insurance support to keep as buoyant as they can be During the last few months of pain and frustration, there have been many times when I am sure that many of us would have found familiarity and comfort in these words from the legendary Blanche, written by my good friend Damon Rochefort: "In my day, summit bad ‘appened you stayed home, got drunk and bit on a shoe." I think that is quite a good metaphor for the times we live in If there is one thing in our country that can cross political divides, it is our love of "Coronation Street". I am incredibly proud to have been part of the show’s history. I am one of thousands of actors, writers, producers, directors, costume makers and off-screen staff who have worked around the clock—trust me, I absolutely mean around the clock—to bring this programme to our screens year after year, decade after decade, never slipping in quality. Now I am proudly one of the millions of fans of "Coronation Street" who make the show so special, and I know that history is still there to be made, so here’s to the next 60 years.