Cultural Objects (Protection from Seizure) Bill — House of Commons, 2022-01-28
Topic: Culture
Anthony Howe Browne (Conservative, Centre-right): As I said in my earlier intervention, I strongly welcome the Bill. That is not because any of the 38 institutions that might take advantage of it are in my constituency—I have not checked the full list of institutions, but I am pretty sure none of them is there. However, I know that a lot of my constituents enjoy these big exhibitions, as some of my hon. Friends have said, and I declare an interest because I also went to the 1972 Tutankhamun exhibition at the British Museum. I remember being part of the big queues outside it with my parents, and I have very vivid memories of seeing those Egyptian artefacts. It is incredibly important that we carry on having these big blockbuster exhibitions, by giving foreign galleries and institutions the reassurance they need when lending to the UK. I have seen other international blockbuster exhibitions. My right hon. Friend the Member for Central Devon (Mel Stride) mentioned the Terracotta army. That has also been to the UK and I went to see it The Bill is especially important because of the disruptions we have seen to international air travel. Indeed, I have personal experience of that. When the Icelandic volcano erupted I was in Malta, on a little holiday with my family in a nice hotel by a swimming pool. Then the airspace closed and I was condemned to stay in Malta at this lovely hotel for another week before a hole emerged in the volcanic ash cloud and we managed to escape to Toulouse and drive back to the UK. So clearly disruption to international travel does happen—I have experienced that myself The other thing that no one has mentioned yet is that we are in a period of rising international tensions. We have had debates here about possible events in Ukraine. Clearly tensions are mounting between the west and China. Many of the blockbuster exhibitions that we have and want to attract come from those two countries—for example, the terracotta army from China. Other hon. Members have mentioned the Hermitage Museum, which is one of the world’s biggest museums, with an incredible wealth of exhibits that we may want to bring to the UK. In a time of rising international tension, we want to be able to give reassurance to galleries and museums in other countries that they can lend to us in full safety I want to give one little anecdote about the Hermitage Museum in St Petersburg. If people have never visited it, I strongly recommend it if they can ever get there. It is one of the most extraordinary buildings on the planet and a real tribute to the—I am not quite sure how to put this—wealth of the Tsarist regime, which built the winter palace. It has rooms that are made out of gold, malachite and everything else. The building itself is as astonishing as any of the exhibits in there, and it is vast. It has such a wealth of art that the Russian empire and then the Soviets built up and put in there. A lot of that art—there are Picassos and so on—is stuff that we would want to see in the UK There are also a lot of Russian icons, and this is relevant to today’s debate. It is illegal in Russia to export any of the icons, but there is a really busy industry in making replica icons that people might want to exhibit at home. The gift shop of the Hermitage Museum sells replicas of the icons that are on display there. As it is not allowed to export real icons, you get a certificate of fakeness when you buy a replica—a very nicely done certificate saying, "We confirm this is a fake"—and you can then export it. I bought a little icon which is proudly in my sitting room now. When I went out through Moscow airport—I went back to Moscow—the customs official uncovered it, and I said, "Ah, but it is fake, look I’ve got a certificate of fakeness." The official said, "But this certificate of fakeness, it could be fake." [Laughter.] Clearly there are big concerns about exporting and expropriating different bits of cultural heritage. The Bill is important because of concerns about air travel and rising international tensions. It is important to continue blockbuster exhibitions, for all the economic reasons that various hon. Friends have mentioned. Tourism is a £75 billion industry, and blockbuster exhibitions are important for that. People come from other countries to the UK to see those exhibitions. One reason why the Bill is important is that if the Hermitage Museum or the Chinese Government are thinking about where their exhibits might go, they will go to only one or two places in the world. They want to lend them to the place that can give the greatest reassurance. The fact that we can provide this extra reassurance makes it more likely that they will agree to UK institutions as opposed to institutions elsewhere I want to end on one little note that is not totally relevant to this debate, but almost is. There is a reciprocal debate about what we do with the Elgin marbles; the Minister may or may not want to comment on this later. We have the Elgin marbles here in the UK, and there is obviously a big debate about whether they should or should not go back to Greece. I do not want to reopen that whole debate, but there is an issue about whether we could lend them to Greece for an exhibition and what sort of reassurance we could get that we would get them back. That is a mirror image of the legislation that we are talking about today. I put that there; maybe we could encourage other countries to give similar legal reassurances I fully support the Bill and the amendments that my right hon. Friend tabled. I think we should all say Aye to it.