Copyright (Rights and Remuneration of Musicians, etc.) Bill — House of Commons, 2021-12-03
Topic: Mixed Topics
Dean Russell (Conservative, Centre-right): Absolutely; my hon. Friend makes a powerful point. I recall that in the early 2000s there were sites such as Napster, which in their very early stages shared content that I am sure the artist did not even know was being shared. Over time, of course, they changed their approaches. That is such an important point. We have to get the right balance between protecting artists 100%, ensuring innovation with regard to platforms and new forms of engaging with media and music, and making sure that we remain competitive in the UK. If we do not do that, we may do a disservice to up-and-coming artists, especially independent ones, over time Let me continue my music life story. I am pleased to have the artist Limahl—Members may know him—in my constituency. I was chatting to him just today about this issue. I have just realised that I do not want Members to think I am going to give the "Never Ending Story" of my life—the first of many puns; I apologise. From there, though, my love of music was in discovering it and meeting other people who loved it One thing we do not often think about with regard to streaming is the ability it gives us to find like-minded fans—to engage with others, to support others and to find people who are also really into certain bands and musicians, often very niche ones. Those musicians are not always pop or rock-and-roll stars; they may be musicians who work on film soundtracks or spend time as backing singers or backing artists. That shows the breadth of what we talk about when we are discussing streaming and, in terms of copyright and its role in legislation and in Government, the complexity that is involved in what look, on the surface, like very simple changes; actually, when we dig deeper, we realise that they affect people in many ways. I urge the Government to ensure—I have had warm words and clear assurances on this—that they engage now and make sure that we have those conversations with all parties so that we do not just end up representing one group and inadvertently creating issues for many others Let me fast-forward—or skip forward, perhaps, in the music terminology—to university. Not many people know this, but I did poetry when I was at university. I even did poetry on stage, which is probably what led me a few years later to publish some children’s books. I was fortunate to meet some fantastic, like-minded people who were setting up a radio station at my university, De Montfort University in Leicester. We set up—I say "we", but they did most of the work; my friends set up a radio station called DemonFM. This was about 25 years ago. These incredible people, including a guy called Chris North, one of my friends, were instrumental in making that radio station happen. We came together not because we all liked the same music but because we loved music, and we loved making sure that people could hear that music wherever they lived in Leicester, within the available FM range. For me, that meant tapping into a group who were not just passionate about music, but actually doing something about it; one of the important themes of our discussion is making sure that we do not inadvertently limit people’s ability to access music, whether that is via streaming or through radio and other routes. During that time, I met some incredibly inspirational people, some of whom went on to work in the industry or in radio.