Question: What Remains of Us and Without the King, are of which genre?
Context: The well-made play (French: "la pièce bien faite" , pronounced ] ) is a dramatic genre from nineteenth-century theatre first codified by French dramatist Eugène Scribe.  Dramatists Victorien Sardou, Alexandre Dumas, fils, and Emile Augier wrote within the genre, each putting a distinct spin on the style.  The well-made play was a popular form of entertainment.  By the mid-19th century, however, it had already entered into common use as a derogatory term.  Henrik Ibsen and the other realistic dramatists of the later 19th century (August Strindberg, Gerhart Hauptmann, Émile Zola, Anton Chekhov) built upon its technique of careful construction and preparation of effects in the genre problem play.  "Through their example", Marvin Carlson explains, "the well-made play became and still remains the traditional model of play construction." Nataruk in Turkana County, Kenya, is the site of an archaeological investigation which has uncovered the 10,000-year-old remains of 27 people.  These remains have garnered a great deal of media attention for possible bioarchaeological evidence of interpersonal violence.  According to the "Nature" article published by Mirazón Lahr and colleagues, the skeletons present the earliest evidence for intergroup violence among hunting-foraging populations, what they interpret as a "massacre".  According to Mirazón Lahr et al., the remains of adults and six children, show signs of a violent end, having been clubbed or stabbed and left to die without burial.  Two of the male remains had stone projectile tips lodged in the skull and thorax.  However, a Brief Communication Arising published in "Nature" by Stojanowski and colleagues calls into question much of the alleged evidence of a "massacre".  Their critique centers on two main points.  First, these authors suggest that much of the evidence of peri-mortem trauma identified by Mirazón Lahr et al. is equally - if not more - likely to have occurred after deposition, that is, after the skeletons were buried, intentionally or otherwise.  Second, Stojanowski et al. disagree over the interpretation of the site formation processes.  Where Mirazón Lahr et al. see little evidence for intentional burial at the site, Stojanowski and colleagues argue that the bodies at Nataruk are mostly articulated, spatially organized, non-commingled, and preserve limited variation in body positioning, all of which are inconsistent with skeletons from well-documented massacre sites. Invasion literature (or the invasion novel) is a literary genre most notable between 1871 and the First World War (1914) but still practised to this day.  The genre first became recognizable starting in Britain in 1871 with "The Battle of Dorking", a fictional account of an invasion of England by Germany.  This short story was so popular it started a literary craze for tales that aroused imaginations and anxieties about hypothetical invasions by foreign powers, and by 1914 the genre had amassed a corpus of over 400 books, many best-sellers, and a world-wide audience.  The genre was influential in Britain in shaping politics, national policies, and popular perceptions in the years leading up to the First World War, and remains a part of popular culture to this day.  Several of the books were written by or ghostwritten for military officers and experts of the day who believed that the nation would be saved if the particular tactic that they favoured was or would be adopted. The literary genre of science fiction is diverse, and its exact definition remains a contested question among both scholars and devotees.  This lack of consensus is reflected in debates about the genre's history, particularly over determining its exact origins.  There are two broad camps of thought, one that identifies the genre's roots in early fantastical works such as the Sumerian "Epic of Gilgamesh" (earliest Sumerian text versions c. 2150–2000 BCE).  A second approach argues that science fiction only became possible sometime between the 17th and early 19th centuries, following the scientific revolution and major discoveries in astronomy, physics, and mathematics. The actuality film is a non-fiction film genre that, like the documentary film, uses footage of real events, places, and things, yet unlike the documentary is not structured into a larger argument, picture of the phenomenon or coherent whole.  In practice, actuality films preceded the emergence of the documentary.  During the era of early cinema, actualities—usually lasting no more than a minute or two and usually assembled together into a program by an exhibitor—were just as popular and prominent as their fictional counterparts.  The line between "fact" and "fiction" was not so sharply drawn in early cinema as it would become after the documentary came to serve as the predominant non-fiction filmmaking form.  An actuality film is not like a newspaper article so much as it is like the still photograph that is published along with the article, with the major difference being that it moves.  Apart from the traveling actuality genre, actuality is one film genre that remains strongly related to still photography. What Remains of Us (original title: Ce qu'il reste de nous) is a 2004 Canadian documentary film exploring the survival of the nonviolent resistance movement in Tibet.  The documentary was shot over eight years without the knowledge of the Chinese authorities. "King Without a Crown" is a song by Hasidic reggae singer Matisyahu.  The song was originally from his 2004 debut studio album "Shake off the Dust... Arise" and then a shorter edited version was released as an official single in late 2005 in support of his second studio album, "Youth".  A live version of the song also appeared on his album "Live at Stubb's" (in Austin, Texas).  The live version from Austin is the radio version.  The song hit #28 on the "Billboard" Hot 100 and #7 on the Modern Rock Tracks chart, making it Matisyahu's biggest hit of his career.  On some limited editions of "Youth" and on the "King Without a Crown" three-track EP, there is a bonus track of "King Without a Crown" remixed by Mike D of the Beastie Boys.  Along with the song "Youth", "King Without a Crown" is different from other songs on the album "Youth", in that it has a lengthy guitar solo more in the spirit of rock than of reggae.  "King Without a Crown" was also played in the movie "Knocked Up". Gérald Neveu (August 10, 1921, Marseille - February 28, 1960, Paris) was a French poet.  Called by some "one of the gentlest poètes maudits", he was born to Louis Neveu and Marthe Bonnaud in Marseille.  Having lost his family and job and having become an alcoholic, he lived as a hobo and dreamer in Marseille sleeping in friends's studios, homeless shelters or psychiatric clinics (together with Artaud he went through electroshocks).  Since 1947 he was a member of the French Communist Party.  In 1950 he befriended Jean Malrieu with whom he created the magazine "".  A few months before his death he came to Paris where he was found dead one day; the cause of his death remains unknown.  His wallet contained only a piece of paper saying "without hair, without teeth, without money, without a woman, without an apartment etc." British hip hop is a genre of music, and a culture that covers a variety of styles of hip hop music made in Scotland, England, Wales and Northern Ireland (Great Britain).  It is generally classified as one of a number of styles of urban music.  British hip hop was originally influenced by the dub/toasting introduced to the United Kingdom by Jamaican migrants in the 1960s–70s, who eventually developed uniquely influenced rapping (or speed-toasting) in order to match the rhythm of the ever-increasing pace and aggression of Jamaican-influenced dub in the UK and to describe street/gang violence, similar to that in the US.  UK rap has also been heavily influenced by US hip-hop.  British hip hop, particularly that originating from London, was commercially superseded by grime, however, after a post-millennium boom period, the genre remains a hotbed of talent. Without the King is a 2007 documentary film by Michael Skolnik, an American filmmaker.  It follows problems of Swaziland, a landlocked country in southern Africa.
Answer: documentary