Question: Dramaturgy is a sociological perspective commonly used in microsociological accounts of social interaction in everyday life,  later acknowledge as an influence, had earlier presented his notions of dramatism in 1945, which in turn derives from Shakespeare, what's the phrase that begins a monologue from William Shakespeare's, "As You Like It", spoken by the melancholy Jaques in Act II Scene VII?
Context: City & Community is a quarterly peer-reviewed academic journal published by Wiley-Blackwell on behalf of the Community and Urban Sociology Section of the American Sociological Association.  It was established in 2002 and is currently edited by Lance Freeman (Columbia University) and Sudhir Venkatesh (Columbia University).  Vance Puchalski (Columbia University) is the managing editor.  The previous editors were Anthony Orum (University of Illinois at Chicago), followed by Hilary Silver (Brown University.  The journal covers the interface of global and local issues, locally embedded social interaction and community life, urban culture and the meaning of place, and sociological approaches to urban political economy, as well as urban spatial arrangements, social impacts of local natural and built environments, urban and rural inequalities, virtual communities, and other topics germane to urban life and communities that will advance general sociological theory. The Seven Ages of Man is a series of paintings by Robert Smirke, derived from a monologue from William Shakespeare's "As You Like It", spoken as the melancholy Jaques in Act II Scene VII.  The phrase begins as "all the world's a stage".  The stages referred are: infant, schoolboy, lover, soldier, justice, pantaloon and old age. The Presentation of Self in Everyday Life is a 1956 sociology book by Erving Goffman, in which Goffman uses the imagery of the theatre in order to portray the importance of human social interaction.  Originally published in Scotland in 1956 and in the United States in 1959, it is Goffman’s first and most famous book, for which he received the American Sociological Association’s MacIver award in 1961. This Happy Breed is a play by Noël Coward.  It was written in 1939 but, because of the outbreak of World War II, it was not staged until 1942, when it was performed on alternating nights with another Coward play, "Present Laughter".  The two plays later alternated with Coward's "Blithe Spirit".  The title, a reference to the English people, is a phrase from John of Gaunt's monologue in Act II, Scene 1 of William Shakespeare's "Richard II". Dramaturgy is a sociological perspective commonly used in microsociological accounts of social interaction in everyday life.  The term was first adapted into sociology from the theatre by Erving Goffman, who developed most of the related terminology and ideas in his 1959 book, "The Presentation of Self in Everyday Life".  Kenneth Burke, whom Goffman would later acknowledge as an influence, had earlier presented his notions of dramatism in 1945, which in turn derives from Shakespeare.  However, the fundamental difference between Burke's and Goffman's view is that Burke believed that life was in fact theatre, whereas Goffman viewed theatre as a metaphor.  If we imagine ourselves as directors observing what goes on in the theatre of everyday life, we are doing what Goffman called dramaturgical analysis, the study of social interaction in terms of theatrical performance. This Happy Breed is a 1944 British Technicolor drama film directed by David Lean.  The screenplay by Lean, Anthony Havelock-Allan and Ronald Neame is based on the 1939 play of the same title by Noël Coward.  The title, a reference to the English people, is a phrase from John of Gaunt's monologue in Act II, Scene 1 of William Shakespeare's "Richard II".  (Laurence Olivier provides the uncredited introductory narration.) Jaber F. Gubrium (Jay Gubrium) is a sociologist and has been a professor in the University of Missouri Department of Sociology since 2002.  He chaired the Department from 2002 to 2016.  Before that, he was a professor of sociology at the University of Florida (1987-2002) and at Marquette University (1970-1987).  He is currently a visiting professor in the College of Nursing at the University of Massachusetts, Amherst.  Gubrium's areas of specialization are aging and health, care and everyday life, family discourse, human services ethnography, identity construction, social interaction, qualitative methods, and narrative analysis.  He has developed a constructionist approach to the life course (see Gubrium, Holstein & Buckholdt 1994) and, with collaborator James Holstein, has formulated an analytic vocabulary for studying identity as an institutional formation (see Gubrium & Holstein 2001) and family as a category of experience (Gubrium & Holstein 1990).  Eschewing zero-sum perspectives about the borders and influences of roles and identities, which can be glibly conclusive, the approach is methodically elaborated in relation to the complex practices of power in social interaction. The Lizard (Ödlan ), Op.  8, is an incidental music for orchestra by Jean Sibelius for a play of that name by Mikael Lybeck (1864-1925).  He supplied music for two scenes: Act II Scene 1 and Act II Scene 3.  Sibelius completed it in 1909 and conducted the first performance at Helsinki's Swedish Theatre on 6 April 1910 .  Although it is rarely played, Sibelius told his friend and patron Axel Carpelan that it was "one of the most exquisite works that I have written". "All the world's a stage" is the phrase that begins a monologue from William Shakespeare's "As You Like It", spoken by the melancholy Jaques in Act II Scene VII.  The speech compares the world to a stage and life to a play, and catalogues the seven stages of a man's life, sometimes referred to as the seven ages of man: infant, schoolboy, lover, soldier, justice, Pantalone and old age, facing imminent death.  It is one of Shakespeare's most frequently quoted passages. Jaques ( ) is one of the main characters in Shakespeare's "As You Like It".  The 'Melancholy Jaques' as he's always being called is one of Duke Senior's noblemen who lives with him in the Forest of Arden.  The role has long been a favorite for famous Shakespearean actors.
Answer: All the world's a stage