Question: Which song descended from "I'll Overcome Some Day" and used "O Sanctissima "?
Context: Emancipado (] ) was a term used for an African descended social-political demographic within the population of Spanish Guinea (modern day Equatorial Guinea) that existed in the early to mid 1900s.  This segment of the native population had become assimilated into the former White society of Spanish Guinea which primarily existed along the coastline communities of the continental part of the country, as well as on the islands of Bioko and Annabon. "O Sanctissima " (O most holy) is a Roman Catholic hymn in Latin, seeking the prayers of the Blessed Virgin Mary, and often sung in various languages on her feast days.  The earliest known publication was from London in 1792, presenting it as a traditional song from Sicily; but no original source or date has been confirmed for the simple melody or the poetic text.  The tune is often called "Sicilian Mariners Hymn" or similar titles, referring to the seafarers' nightly invocation of Mary as their maternal protector: Our Lady, Star of the Sea.  The tune has been notably reused for the German Christmas carol "O du fröhliche" (O, how joyful), the English recessional hymn "Lord, Dismiss Us With Thy Blessing", and the first half of the American civil rights anthem "We Shall Overcome". "Start Without You" is a song by British recording artist Alexandra Burke.  Featuring vocals from Jamaican American reggae rapper Laza Morgan, it was written by Kristian Lundin, Eddy Grant, Savan Kotecha, Julian Bunetta, and RedOne.  The song is an R&B song, which incorporates reggae fusion and dancehall.  According to Burke the song was inspired by her Jamaican heritage and her need for a summer song.  The song came about after studio sessions booked with RedOne produced a number of new records that were going to be used for a re-release of "Overcome" or Burke's second album. "Broken Heels" is a song performed by British singer Alexandra Burke, released as the second single from her debut album, "Overcome".  It was written by the Moroccan producer RedOne, Bilal Hajji, Savan Kotecha and produced by RedOne, the single was released on digital download in the United Kingdom on 17 January 2010 and physically on the following day, on 18 January 2010. The Chinese character description languages are several proposed languages to most accurately and completely describe Chinese (or CJKV) characters and information such as their list of components, list of strokes (basic and complex), their order, and the location of each of them on a background empty square.  They are designed to overcome the inherent lack of information within a bitmap description.  This enriched information can be used to identify variants of characters that are unified into one code point by Unicode and ISO/IEC 10646, as well as to provide an alternative form of encoding for rare characters that do not yet have a standardized encoding in Unicode or ISO/IEC 10646.  Many aim to work for Kaishu style and Song style, as well as to provide the character's internal structure which can be used for easier look-up of a character by indexing the character's internal make-up and cross-referencing among similar characters. "We Shall Overcome" is a gospel song which became a protest song and a key anthem of the Civil Rights Movement.  The song is most commonly attributed as having descended lyrically from "I'll Overcome Some Day", a hymn by Charles Albert Tindley that was first published in 1900. Bill Tan is an American entrepreneur who founded Transcendent Endeavors, a company based out of New York City that uses National Institutes of Health grants to develop digital communication tools.  Tan used his personal experience as a young immigrant to America as inspiration to create digital tools to help others overcome communication barriers.  Tan came to the United States from China when he was 15 years old and often knew more English than other members of his family.  He was often the family interpreter and as a teenager he set his goals on one day creating a better solution. Greensleeves Rhythm Album #27: Diwali, also known as the Diwali Riddim, is an album and popular dancehall riddim that came to prominence in 2002.  The riddim is credited to Jamaican producer Steven "Lenky" Marsden and appeared on several international hit songs by Sean Paul, Bounty Killer, Elephant Man, Lumidee, Brick & Lace (although its single "Love is Wicked" was not released until 2007), and Wayne Wonder.  It is recognized as arguably the most prominent and popular riddim of 2002 based on the number of top-ten hit songs that charted in Jamaica or internationally that used the instrumental, such as "Get Busy," "No Letting Go," "Pon de Replay," "Never Leave You (Uh Oooh, Uh Oooh)," "Overcome," "Elephant Message," "Sufferer," "Party Time," and "Love Is Wicked."  To this day, the riddim and the songs sampling it are still played on Jamaican radio stations every so often and is considered a classic. "Autumn Day in Kui Prefecture" is a poem by 8th-century Chinese poet Du Fu (712–770).  The full title of this poem is "Autumn Day in Kui Prefecture, A Song Submitted to Supervisor Zheng and Advisor Li, in One Hundred Rhymes" (according to title translation by Alfreda Murck).  As a poem, "Autumn Day in Kui Prefecture" is an example of Tang poetry, which received considerable attention during the Song dynasty, in Song poetry, and later, even through modern times.  During the Song dynasty Du Fu's "Autumn Day in Kui Prefecture" received particular attention, with the poem being subtly alluded to through rhyme-scheme referencing by Su Shi and his circle: in other words, Su Shi and the poets of his circle wrote poems which utilized the same rhyming words from Du Fu's poem, thus subtly referencing the sense and sentiment of Du Fu's line, but without overtly stating what might be censured as inappropriate.  This allowed him and others to express opinions about government and society, without suffering the consequences, as Su Shi had previously done, in the Crow Terrace Poetry Trial, when his poetry was used as evidence resulting in his conviction and exile. "The Island" is the third single from Australian drum and bass band Pendulum to be released from their third studio album, "Immersion".  It was released on 19 September 2010.  "The Island" is a song split into two parts; "Dawn" and "Dusk", with "Dawn" receiving the majority of radio airplay.  In a recent interview, Swire stated that the premise of lyrics has to do with "two young lovers" and how they overcome adversity.  The single includes remixes by DJ and record producer Tiësto, and by drum and bass DJ and record producer Lenzman.  A Steve Angello, AN21 and Max Vangeli remix of the song was released as a digital single on 24 November 2010.  To promote the single, Pendulum also held a remix competition, releasing a free pack of remix stems taken from the "Dawn" part which was won by Madeon at the age of 16.  The "Dusk" part uses a sample from Missy Elliott's "I'm Really Hot".  Devin Townsend used the song as a structural basis for his song "Save Our Now" from his fifteenth studio album "Epicloud".
Answer: We Shall Overcome