Question: What type of painting work is the illustrator of Chaos Marauders is also known for?
Context: Painting 1946, also known as Painting or Painting (1946), is an oil-on-linen painting by the Irish-born artist Francis Bacon.  It was originally intended to depict a chimpanzee in long grass (parts of which may be still visible); Bacon then attempted to paint a bird of prey landing in a field.  Bacon described the work as his most unconscious, the figurations forming without his intention.  In an interview with David Sylvester in 1962, Bacon recalls: Nepalese Painting believed to have embraced western influences after 1850 with a work of Bhajuman [Chitrakar], a traditional artist who became acquainted with western Realism after visiting Europe.  Bhajuman, also known as Bhajumacha Chitrakar, was a court painter of Jung Bahadur Rana, who visited Europe in 1850 after becoming Prime Minister of Nepal.  As a member of the new Prime Minister's entourage, Bhajuman also visited Paris and London.  Soon after the return, western Realism supposedly influenced Bhajuman's paintings, marking the start of modern trend.  An unsigned painting - supposedly to have painted by Bhajuman - depicts a Thapa General in a full military regalia.  This painting remained a pivotal example of considerable departure from an established traditional school of Nepali painting to western school of art practice.  However, the recent discovery of the illustrations by Raj Man Singh Chitrakar (1797-1865) for his patron a British Resident Brian Houghton Hodgson, sheds light on the western Realism entering Nepal way before the influences brought in by Bhajuman Chitrakar. Yamamoto Shōun (山本 昇雲 , December 30, 1870 - May 10, 1965) , who is also known as Matsutani Shōun, was a Japanese print designer, painter, and illustrator.  He was born in Kōchi, Kōchi into a family of retainers of the Shogun and was given the name Mosaburo.  As a teenager, he studied Kanō school painting with Yanagimoto Doso and Kawada Shoryu.  At about age 17, he moved to Tokyo, where he studied Nanga painting with Taki Katei.  At 20 years of age, he was employed as an illustrator for "Fugoku gaho", a pictorial magazine dealing with the sights in and around Tokyo.  In his latter career, Shōun primarily produced paintings.  He died in 1965, at the age of 96. Jesús Reyes Ferreira, (1880-1977) born José de Jesús Benjamín Buenaventura de los Reyes y Ferreira and also known as Chucho Reyes, was a self-taught artist and antiques/art collector and vendor.  Reyes Ferreira began painting on crêpe paper, a delicate material not meant to last, as a way of decorating paper meant to wrap sales from his antiques/art store.  The decorated paper became popular enough to be sold on its own.  Although he began this activity in Guadalajara, he did not produce the bulk of his work until after he moved to Mexico City when he was 58 years old.  Here he continued collecting and selling objects such as colonial art and Mexican handcrafts and folk art, being one of the early exponents for the appreciation of these objects.  He also spent several hours a day painting.  His work was first exhibited in 1950 with his first individual exhibition in 1967 at the Palacio de Bellas Artes after a half century of painting.  As a self-taught painter, his works are relatively simple and often are dismissed as folk painting but they were and his aesthetics were praised by famous artists and architects at the time. John Blanche is a British fantasy and science fiction illustrator and modeler known for his work for Games Workshop's White Dwarf magazine, Warhammer Fantasy Battle, Warhammer Fantasy Roleplay and Warhammer 40,000 games and his role as art director for the company, including his work in the field of fantasy miniature painting, and for illustrations for various game book and Fighting Fantasy publications. Chaos Marauders is a card-based board game for 2-4 players designed by Stephen Hand, illustrated by John Blanche and was published by Games Workshop in 1987.  A second edition was published by Fantasy Flight Games in 2009. Ink wash painting, also known as literati painting, is an East Asian type of brush painting of Chinese origin that uses black ink—the same as used in East Asian calligraphy—in various concentrations.  For centuries, this form of Chinese art was practiced by highly educated scholar gentlemen or literati. Lloyd Sexton Jr. (1912–1990), who is also known as Leo Lloyd Sexton Jr. was an American painter born in Hilo, Hawaii on March 24, 1912.  In 1931 he entered the School of the Museum of Fine Arts, Boston.  In 1933 he had a show of flower paintings at the Vose Galleries in Boston, followed by exhibitions at the Honolulu Museum of Art and at Gump's in San Francisco.  He spent several years in Europe, painting and traveling during the summers and studying at the Slade School of Art in London during the winters.  In his third and final year of instruction there, one of his figure paintings won first prize, and in 1936 a flower painting was exhibited the Royal Academy in London.  Sexton returned to Hilo in 1937 and concentrated on figure painting and portraiture.  That same year his painting "Nanea" was accepted and exhibited at the Royal Academy.  Sexton executed a large number of portraits and, beginning in 1934, before he left for Europe, did two commissions for the Hawaiian Pineapple Company.  He was a frequent and popular exhibitor in group shows in Honolulu.  He also had one-person shows at Honolulu's Grossman-Moody Gallery in 1957 and at the Hilton Hawaiian Village Hotel Gallery in 1961.  A retrospective of his work was held at the Contemporary Arts Center, Honolulu Advertiser Gallery, in 1966.  He died in Honolulu on March 23, 1990 Wilhelm Heinrich Detlev "Big Bill" Körner (November 1878 – August 11, 1938), also known as Wilhelm Heinrich Dethlef Koerner, William HD Koerner, WHDK, or W.H.D. Koerner, was a noted illustrator of the American West whose works became known to new audiences when his painting, nicknamed "A Charge to Keep", was used as the cover image for the ghostwritten biography by the same name by George W. Bush.  This painting, which hung in the Oval Office during the Bush presidency was of special interest to journalists due to the interpretation given by Bush of the painting's meaning in light of the meaning and title attached to the painting by the artist. Symphony in White, No. 2, also known as The Little White Girl is a painting by James Abbott McNeill Whistler.  The work shows a woman in three-quarter figure standing by a fireplace with a mirror over it.  She is holding a fan in her hand, and wearing a white dress.  The model is Joanna Hiffernan, the artist's mistress.  Though the painting was originally called "The Little White Girl", Whistler later started calling it "Symphony in White, No. 2".  By referring to his work in such abstract terms, he intended to emphasize his "art for art's sake" philosophy.  In this painting, Heffernan wears a ring on her ring finger, even though the two were not married.  By this religious imagery, Whistler emphasizes the aesthetic philosophy behind his work.
Answer: fantasy miniature painting