Question: What type of dance is Shozo Sato?
Context: Shozo Sato, an internationally renowned Japanese master of Zen arts and visionary theatre director, most known for adapting Western classics to Japanese Kabuki theatre. Ayano Sato (佐藤 綾乃 , Satō Ayano ) is a former Japanese idol who is a former member of the female idol group Up Up Girls (Kakko Kari) and the K-pop cover dance group UFZS. Tokihiro Satō (佐藤 時啓 , Satō Tokihiro , born in September 14, 1957 in Sakata, Yamagata Japan) is a Japanese photographer.  Sato is best known for his unusual expressions of light and space and interpretations of performance and dance.  Receiving his MFA and BFA in Music and Fine Arts from Tokyo National University of Fine Arts and Music in 1981, Sato was originally a trained sculptor, but decided to go with photography to better communicate his ideas. The Concheros dance, also known as the Chichimecas, Aztecas and Mexicas, is an important traditional dance and ceremony which has been performed in Mexico since early in the colonial period.  It presents syncretic features both pre-Hispanic and Christian.  The dance has strong visual markers of its pre-Hispanic roots with feathered regalia, indigenous dance steps and indigenous instruments such as drums.  However, the name Concheros comes from a type of lute made with an armadillo shell, showing Spanish influence.  The dance in its current form was the adaptation of the old “mitote” dance to Catholicism as a means of preserving some aspects of indigenous rite.  It remained a purely religious ceremony until the mid 20th century when political and social changes in Mexico also gave it cultural significance as a folk dance.  Since the later 20th century, a sub group of the dance called Aztecas or Mexicas has emerged with the aim of eliminating the European influence, often with political aims.  This form of the dance migrated to the United States in the mid-1970s and can be seen in states such as California in Mexican American communities. The Mariko Aoki phenomenon (青木まりこ現象 , Aoki Mariko genshō ) is a Japanese expression referring to an urge to defecate that is suddenly felt after entering bookstores.  The phenomenon's name derives from the name of the woman who mentioned the phenomenon in a magazine article in 1985.  According to Japanese social psychologist Shozo Shibuya, the specific causes that trigger a defecation urge in bookstores are not yet clearly understood (as of 2014).  There are also some who are skeptical about whether such a peculiar phenomenon really exists at all, and it is sometimes discussed as one type of urban myth.  At the same time, there are also intellectuals who have attempted to discover the mechanisms behind the phenomenon using knowledge from fields such as biology and psychology. Red Ninja: End of Honor, known in Japan as Red Ninja: Kekka no Mai (紅忍 血河の舞 , Reddo Ninja Kekka no Mai, , "Red Ninja: Blood River Dance") , is a 2005 video game for the PlayStation 2 and Xbox platforms, created in a collaboration between the game developer (now ERTAIN Corporation) and the film writer Shinsuke Sato.  It was published by Vivendi Games.  The game's theme song "Foolish Dream" was performed by Yoko Ishida.  The game was poorly received and was Tranji Studios' only published title. Borealonectes is a genus of rhomaleosaurid pliosauroid, a type of plesiosaur.  Its fossils were found in the Callovian-age (Middle Jurassic, about 165-161 million years ago) Hiccles Cove Formation of Melville Island, Canada, one of the islands in the Canadian Arctic Archipelago.  It is based on a skull, neck vertebrae, and the right forelimb of one individual.  Named in 2008 by Sato and Wu, "Borealonectes" is one of the few plesiosaurs known from the Jurassic of North America, and the first marine reptile from the Canadian Arctic with a well-preserved skull.  The type species is "B. russelli." Kabuki (歌舞伎 ) is a classical Japanese dance-drama.  Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers. A taxi dance hall is a type of dance hall where dancers, usually young women, called taxi dancers are paid to dance with usually male patrons.  The owners of a taxi dance hall provide music and a dance floor for their patrons and taxi dancers.  In the United States during the 1920s and 1930s, when taxi dancing was at its peak, patrons of taxi dance halls would typically buy dance tickets for ten cents each.  When they presented a ticket to a taxi dancer, she would dance with them for the length of a single song.  Taxi dancers earned a commission on every dance ticket that they collected.  The "ticket-a-dance" system was the centerpiece of the taxi dance halls.  Taxi dance halls are vividly represented on the ouverture of Henry Miller novel Sexus, where the narrator falls in love with a taxi dancer after meeting her on a Thursday night, circa 1928. Japan House is a learning facility founded in 1976 by Shozo Sato.  It is part of the College of Fine and Applied Arts, at the University of Illinois at Urbana–Champaign.
Answer: classical Japanese dance-drama