Question: What nationality was the composer who coined the term Furniture Music ?
Context: Martin Leonard Skutnik III (born 1953 in Mississippi, known as Lenny) is an American former employee of the Congressional Budget Office.  He is notable for an act of heroism which led to him being mentioned by President Ronald Reagan in the State of the Union Address, which coined the term "Lenny Skutnik" referring to notable people who are invited to sit in the gallery at a State of the Union address or other joint meeting of Congress.  Skutnik has held various jobs as a painter, supermarket porter, and cook for the Burger Chef restaurant chain.  He has also worked in a meat packing plant and in a furniture factory. The term "M-Base" is used in several ways.  In the 1980s, a loose collective of young African-American musicians including Steve Coleman, Graham Haynes, Cassandra Wilson, Geri Allen, Robin Eubanks, and Greg Osby emerged in Brooklyn with a new sound and specific ideas about creative expression.  Using a term coined by Steve Coleman, they called these ideas "M-Base-concept" (short for "macro-basic array of structured extemporization") and critics have used this term to categorize this scene’s music as a jazz style.  But Coleman stressed "M-Base" doesn’t denote a musical style but a way of thinking about creating music.  As famous musicians did in the past, he also refuses the word "jazz" as a label for his music and the music tradition represented by musicians like John Coltrane, Charlie Parker, Louis Armstrong, etc.  However, the musicians of the M-Base movement, which also included dancers and poets, strived for common creative musical languages, so their early recordings show a lot of similarities reflecting their common ideas, the experiences of working together, and their similar cultural background.  To label this kind of music, jazz critics have established the word "M-Base" as a jazz style for lack of a better term, distorting its original meaning. Human furniture is a form of bondage and sexual objectification in which a person's body is incorporated into a tray, foot stool, chair, table, cabinet or other pieces of furniture.  The term forniphilia, coined by Jeff Gord, is also used for human furniture. Furniture music, or in French musique d’ameublement (sometimes more literally translated as "furnishing" music), is background music originally played by live performers.  The term was coined by Erik Satie in 1917. Industrial music is a genre of experimental and electronic music that draws on transgressive or provocative sounds and themes.  The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza; on Throbbing Gristle's debut album "The Second Annual Report", they coined the slogan "industrial music for industrial people".  In general, the style is harsh and challenging.  AllMusic defines industrial as the "most abrasive and aggressive fusion of rock and electronic music"; "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term Radical Computer Music was coined by the Danish/Faroese musician/artist Parl Kristian Bjørn Vester, aka Goodiepal or Gæoudjiparl van den Dobbelsteen, while a teacher in composition at the Royal Academy of Music in Aarhus, Denmark, between 2004-2008.  The term relates to the ongoing project "Mort Aux Vaches Ekstra Extra", which is a compositional game scenario conceived by Goodiepal in 2004 questioning the role of the composer, time, notation and media.  Radical Computer Music has been presented frequently by Goodiepal at numerous lectures, performances and exhibitions throughout the western world since 2007.  It is fundamentally music notated, not "by" computer networks but "for" computer networks, as a gesture towards the machine and the artificial intelligence expected to develop from it.  The compositional ideas behind Radical Computer Music are currently among the most debated theories in modern European theoretical composition. In urban sociology, fragmentation refers to the absence or the underdevelopment of connections between the society and the groupings of some members of that society on the lines of a common culture, nationality, race, language, occupation, religion, income level, or other common interests.  This gap between the concerned group and the rest might be social, indicating poor interrelationships among each other; economical based on structural inequalities; institutional in terms of formal and specific political, occupational, educative or associative organizations and/or geographic implying regional or residential concentration.  bell hooks coined the term when addressing the problem of 'hierarchy of oppression' within the feminist movement; where some felt experiencing more types of oppression gave greater validity to one's opinion and, therefore undermined group strength and solidarity within the movement as much as non-interscectional identity did in the 1970s [where female identity was seen predominantly through the lens of white, middle-class women and didn't take into consideration that identity could be made up of many more cultural influences such as race, gender, sexuality, spirituality etc. all intersecting across points of privilege and oppression].  hooks argued for greater inclusivity, mutual support and an understanding of various types of feminism within the movement; each sharing the same equity goals, yet having different ideas on the methods to achieve such goals. A bowl sink, the first coined term for the more commonly known "vessel sink", is a free-standing sink that sits directly on the counter-top or furniture on which it is mounted.  Originally invented by Meredith Wolf, a former Rhode Island resident, the product is now a worldwide decorative piece of art which serves as a sink and provides decor. Éric Alfred Leslie Satie (] ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist.  Satie was a colourful figure in the early 20th-century Parisian avant-garde.  His work was a precursor to later artistic movements such as minimalism, Surrealism, repetitive music, and the Theatre of the Absurd. Han chauvinism is a term coined by Mao Zedong in 1956 to criticize ethnocentrism among the majority Han people of China.  In his speech, titled "Ten Major Relations", Mao stated that "on the relationship between the Han nationality and the minority nationalities... we put the emphasis on opposing Han chauvinism".  This anti-chauvinistic idea is part of the People's Republic of China's "zhonghua minzu" conception of China as a multi-ethnic nation, both historically and in the present, which includes not only the Han but also 55 ethnic minorities.  This is expressed in the constitution of the People's Republic of China, which states that China is a "unitary [multiethnic] state created jointly by the people of all its nationalities" and that "it is necessary to combat big [ethnic group] chauvinism, mainly Han chauvinism, and to combat local [ethnic] national[ist] chauvinism".
Answer: French