Question: Who has more notable job titles mentioned, Jean-Philippe Rameau or Giovanni Battista Pergolesi?
Context: Pergolesi is a 1932 Italian historical musical film directed by Guido Brignone and starring Elio Steiner, Dria Paola and Tina Lattanzi.  It portrays the brief life of the eighteenth century Italian composer Giovanni Battista Pergolesi. Il Flaminio is a 1735 opera buffa by Giovanni Battista Pergolesi to a libretto by Gennaro Antonio Federico, first performed at the Teatro Nuovo, Naples.  Untypically in Pergolesi's difficult and short career the opera was an immediate success and continued to be staged up to 1750. Jean-Philippe Rameau (] ; (1683--)25 1683 – (1764--)12 1764 ) was one of the most important French composers and music theorists of the Baroque era.  He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer for the harpsichord of his time, alongside François Couperin. L'Olimpiade is an opera in the form of a dramma per musica in three acts by the Italian composer Giovanni Battista Pergolesi.  Pergolesi took the text, with a few modifications, from the libretto of the same name by Pietro Metastasio.  The opera first appeared during the Carnival season of 1735 at the in Rome and "came to be probably the most admired" of the more than 50 musical settings of Metastasio’s drama. Adriano in Siria is an opera by Giovanni Battista Pergolesi setting Metastasio's libretto of the same name.  It was the third of his four opere serie, premiered at Teatro San Bartolomeo in Naples on 25 October 1734.  Pergolesi also provided a comic intermezzo "La contadina astuta", later better known as "Livietta e Tracollo", to a libretto by Tomasso Mariani. Stabat Mater is a musical setting of the "Stabat Mater " sequence, composed by Giovanni Battista Pergolesi in 1736.  Composed in the final weeks of Pergolesi's life, it is scored for soprano and alto soloists, violin I and II, viola and basso continuo (cello and organ). Il prigionier superbo ("The Proud Prisoner") is an "opera seria" in three acts composed by Giovanni Battista Pergolesi to a libretto attributed to Gennaro Antonio Federico and based on an earlier libretto by Francesco Silvani for Gasparini's opera, "La fede tradita e vendicata".  It was premiered at the Teatro San Bartolomeo in Naples on 5 September 1733 and received further performances in October.  The opera, with its labyrinthine plot involving the rivalry of Metalce (King of the Goths) and Viridate (Prince of Denmark) for the hand of Rosmene (a Norwegian princess whose father is Metalce's prisoner), soon sank into oblivion, but its comic intermezzo, "La serva padrona" (also by Pergolesi) was to achieve considerable success when performed on its own. La conversione e morte di San Guglielmo ("The Conversion and Death of Saint William") is a sacred musical drama ("dramma sacro") in three parts by the Italian composer Giovanni Battista Pergolesi.  The libretto, by Ignazio Mancini, is based on the life of Saint William of Aquitaine as recounted by Laurentius Surius.  It was Pergolesi's first operatic work, possibly written as a study exercise for his conservatory.  The work was premiered at the Monastery of Sant'Agnello Maggiore, Naples in the summer of 1731. Giovanni Battista Draghi (] ; 4 January 1710 – 16 March 1736), best known as Pergolesi (] ) or Giovanni Battista Pergolesi, was an Italian composer, violinist and organist. Baroque music ( or ) is a style of Western art music composed from approximately 1600 to 1750.  This era followed the Renaissance music era, and was followed in turn by the Classical era.  Baroque music forms a major portion of the "classical music" canon, being nowadays widely studied, performed, and listened to.  Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rameau, Marc-Antoine Charpentier, Arcangelo Corelli, Tomaso Albinoni, François Couperin, Giuseppe Tartini, Heinrich Schütz, Giovanni Battista Pergolesi, Dieterich Buxtehude, and Johann Pachelbel.
Answer: Jean-Philippe Rameau