Question: Which film director is older, Jan Troell or Agnès Varda?
Context: Land of Dreams is a 1988 Swedish essay film by Jan Troell.  Its original Swedish title is Sagolandet, which means "The land of tales".  Through a series of reportages from contemporary Sweden, Troell uses the film to ponder on the country's transformation since his childhood, into a society he argues has become permeated by rationality at the expense of creativity.  Interweaved with the reportages are conversations with the American existential psychologist Rollo May, the politician Ingvar Carlsson soon before he became the prime minister of Sweden, and former prime minister Tage Erlander.  Filming took place from 1983 to 1986. Everlasting Moments (Swedish: Maria Larssons eviga ögonblick ) is a 2008 Swedish drama film directed by Jan Troell, starring Maria Heiskanen, Mikael Persbrandt and Jesper Christensen.  It is based on the true story of Maria Larsson, a Swedish working class woman in the early 20th century, who wins a camera in a lottery and goes on to become a photographer.  It has been compared to Troell's previous films "Here's Your Life" and "As White as in Snow", which are both set around the same period. Jan Gustaf Troell (born 23 July 1931) is a Swedish film director.  Usually, Troell writes his own scripts and serves as his own director of photography.  His realistic films, with a lyrical photography in which nature is prominent, have placed him in the first rank of modern Swedish film directors along with Ingmar Bergman and Bo Widerberg. La Pointe Courte is a 1955 French drama film directed by Agnès Varda.  The film was Varda's debut, and has been cited by many critics as a forerunner of the French New Wave.  The film takes place in Sète (south of France), la pointe courte is a tiny quarter of the town known as the fisherman's village. The Gleaners and I (French: "Les glaneurs et la glaneuse" ; "The gleaners and the female gleaner", a reference to the director herself) is a 2000 French documentary film by Agnès Varda that features various kinds of gleaning.  It was entered into competition at the 2000 Cannes Film Festival ("Official Selection 2000"), and later went on to win awards around the world.  In a 2014 "Sight and Sound" poll, film critics voted "The Gleaners and I" the eighth best documentary film of all time.  In 2016, the film appeared on No. 99 on BBC's list of the 100 greatest films of the 21st century. The New Land (Swedish: Nybyggarna ) is a 1972 Swedish film co-written and directed by Jan Troell and starring Max von Sydow, Liv Ullmann and Eddie Axberg.  The film is a sequel to Troell's 1971 film "The Emigrants", and both are based on "The Emigrants" novels by Vilhelm Moberg.  Drawing its story from the last two novels, "The Settlers" and "The Last Letter Home", the film is about the Swedish immigrants establishing their home in Minnesota, during the Dakota War of 1862. The Beaches of Agnès (French: "Les plages d'Agnès" ) is a 2008 French documentary film directed by Agnès Varda.  The film is an autobiographical essay where Varda revisits places from her past, reminisces about life and celebrates her 80th birthday on camera.  She has said that it will most likely be her last film. Chris Marker (] ; 29 July 1921 – 29 July 2012) was a French writer, photographer, documentary film director, multimedia artist and film essayist.  His best known films are "La Jetée" (1962), "Le Joli Mai" (1963), "A Grin Without a Cat" (1977) and "Sans Soleil" (1983).  Marker is often associated with the Left Bank Cinema movement that occurred in the late 1950s and included such other filmmakers as Alain Resnais, Agnès Varda, Henri Colpi and Armand Gatti. Agnès Varda (] ; born 30 May 1928) is a Belgian-born film director who has spent most of her working life in France.  Her films, photographs, and art installations focus on documentary realism, feminist issues, and social commentary with a distinct experimental style. Jane B. par Agnès V. is a 1988 French docudrama film directed by Agnès Varda and starring French-English actress Jane Birkin.  The film was conceived when Birkin admitted to Varda she was apprehensive about turning 40 and Varda told her it was a beautiful age and the perfect time to make a portrait on Birkin's life.
Answer: Agnès Varda