Question: Benjamin Hanby composed what song that originated with a poem by Emily Huntington Miller?
Context: Emily Windsnap is a series of children's fantasy novels written by British author Liz Kessler, inaugurated by "The Tail of Emily Windsnap" in 2003 and continuing as of 2015.  It is illustrated primarily by Sarah Gibb and published by Orion in Britain, Candlewick in America.  The series originated as a poem that Kessler was writing about a "little girl who lived on a boat but had a big secret"; an editor recommended that Kessler turn the poem into a book. "Up on the House Top" is a Christmas song written by Benjamin Hanby in 1864.  It has been recorded by a multitude of singers, most notably Gene Autry in 1953. "Darling Nelly Gray" is a 19th-century popular song written and composed by Benjamin Hanby.  It is written as from the point of view of an African-American male slave in Kentucky whose sweetheart has been taken away by slave-owners.  The man mourns his beloved, who has been sold South to Georgia (where the slave’s life was conventionally regarded as harsher).  He eventually dies and joins her in heaven. Benjamin Russell Hanby (July 22, 1833 – March 16, 1867), also given as Benjamin Russel Hanby, was an American composer, educator, and pastor who wrote approximately 80 songs.  The most famous of his compositions are "Darling Nelly Gray", the Christmas songs "Up on the House Top", "Jolly Old Saint Nicholas", and the hymn "Who Is He In Yonder Stall?" . Emily Huntington (January 3, 1841 – December 5, 1909) was an author and home economics educator.  She is credited as the originator of the phrase 'kitchen-garden' which was used by early home economics groups. Emily Huntington Miller, (October 22, 1833 – November 2, 1913) Author, Poet, Educator. "Jolly Old Saint Nicholas" is a Christmas song that originated with a poem by Emily Huntington Miller (1833-1913), published as "Lilly's Secret" in "The Little Corporal Magazine" in December 1865.  The song's lyrics have also been attributed to Benjamin Hanby, who wrote a similar song in the 1860s, Up on the Housetop.  However, the lyrics now in common use closely resemble Miller's 1865 poem. Kyokusui-no-en (曲水の宴 ("Winding stream party" ) ) is a modern Japanese ceremony replicating a historical party game played by the nobility.  Participants must compose a tanka poem beside a stream, within a time limit set by the passage of a lacquer cup of sake floating towards them on the water.  When the cup reached the poet, they were expected to drink its contents, either as a celebration of the poem's completion or as a forfeit if they had not composed a suitable verse in time.  The first "kyokusui-no-en" events were reportedly held in the Kofun period during the reign of Emperor Kenzō, making the ceremony around 1,500 years old.  Other sources, however, suggest that the game originated in the Heian period, around 500 years later; it appears in scrolls from that period and is mentioned in "The Pillow Book" of Sei Shōnagon.  There is also evidence of a Chinese version popularised by Wang Xizhi, which dates back as far as 353; poems composed at this event were recorded in Wang's famous work, the "Lantingji Xu". "Bread and Roses" is a political slogan as well as the name of an associated poem and song.  It originated from a speech given by Rose Schneiderman; a line in that speech ("The worker must have bread, but she must have roses, too.")  inspired the title of the poem "Bread and Roses" by James Oppenheim.  The poem was first published in "The American Magazine" in December 1911, with the attribution line "Bread for all, and Roses, too'—a slogan of the women in the West."  The poem has been translated into other languages and has been set to music by at least three composers. "Mná na hÉireann" (English: "Women of Ireland" ), is a poem written by Ulster poet Peadar Ó Doirnín (1704–1796), most famous as a song, and especially set to an air composed by Seán Ó Riada (1931–1971).  As a modern song, "Mná na hÉireann" is usually placed in the category of Irish rebel music ; as an eighteenth-century poem it belongs to the genre (related to the "aisling") which imagines Ireland as a generous, beautiful woman suffering the depredations of an English master on her land, her cattle, or her self, and which demands Irishmen to defend her, or ponders why they fail to.  The poem also seems to favor Ulster above the other Irish provinces.  Ó Doirnín was part of the distinctive Airgíalla tradition of poetry, associated with southern Ulster and north Leinster; in this poem he focuses on Ulster place-names, and he sees the province as being particularly assaulted (for instance, he says that being poor with his woman would be better than being rich with herds of cows and the shrill queen who assailed Tyrone, in Ulster, i.e. Medb who attacked Cooley, as the borderlands of Ulster, which would have lain in ancient Airgíalla).  This may be because, besides being the poet's home, until the success of the Plantation of Ulster the province had been the most militantly Gaelic of the Irish provinces in the sixteenth and seventeenth centuries.
Answer: Jolly Old Saint Nicholas