Question: Tara Seibel (born February 4, 1973) is an American cartoonist, graphic designer and illustrator from Cleveland, her work has been published in which magazine created in 1994 by a group of artists and collectors including Robert Williams, Fausto Vitello, C.R. Stecyk III (a.k.a. Craig Stecyk), Greg Escalante, and Eric Swenson to both help define and celebrate urban alternative and underground contemporary art?
Context: Alembic was a poetry magazine established by Peter Barry, Ken Edwards, and Robert Gavin Hampson, which appeared eight times during the 1970s.  The first issue appeared in 1973: it was a collection of poems by Barry, Edwards, Hampson and Jim Stewart with graphic work by John Simpson, Robert Snell and Sibani Raychaudhuri.  The work was printed on different colours and sizes of paper - and contained in a plastic bag.  It was sold at the Edinburgh Festival of 1973, where Hampson was working with the Liverpool-based multimedia group Zoom Cortex.  (See Adrian Henri, "Events and Happenings", Thames and Hudson, for Zoom Cortex.) The second issue maintained the same format (a collection of loose pages in a plastic bag) but with an increased number of poets.  Richard Kostelanetz's assemblages have been described by the editors as their model for this mode of publication.  With the third issue, the magazine adopted the standard little-magazine format of the time: A4 pages, card cover, stapled.  Alembic 3, 4 and 5 also marked a more self-conscious engagement with contemporary London-based experimental poetry.  "Alembic" 3 (Spring 1975) announced the intention to engage with "one area of contemporary creative practice' in each issue in order to represent the range of poetry being written in the UK.  This issue focused on contemporary work that had its roots in surrealism.  It included Lee Harwood's essay 'Surrealist Poetry Today', which had been a talk given at the Poetry Society, and it included work by Harwood, Paul Matthews, Jeff Nuttall, Heathcote Williams and others.  "Alembic" 4 was edited solely by Hampson and was dedicated to open field poetry and the idea of place.  Allen Fisher was the featured poet: in addition to work by him, there was also an interview with him conducted by Barry and Edwards.  This issue also included work by Roy Fisher, Eric Mottram, and a small number of American poets, including Alan Davies, who was to be associated with LANGUAGE poetry.  "Alembic" 5 (Autumn 1976)was edited solely by Edwards and focused on experimental prose, including work by Paul Buck, Opal Nations, Jeff Nuttall, Maxim Jakubowski, David Miller, the Canadian writer Greg Hollingshead and James Sherry, who was also associated with LANGUAGE poetry.  This issue was also the first to be offset.  (Like "Alembic" 4.  it had a wrap around cover rather than card.)  "Alembic" 6 (Summer 1977)was again solely edited by Hampson.  It included further work by contributors to earlier issues.  The featured poet was the Australian poet David Miller: as well as poems and essays by Miller, there was also poetry by Robert Lax and a reprint of work by Charles Madge, on both of whom Miller had written.  In addition, there was also work by Rosmarie Waldrop, Tom Leonard, Elaine Randell and Barry MacSweeney.  "Alembic" 7 (Spring 1978), edited by Edwards and Hampson out of Lower Green Farm, was the 'Assemblage Issue', assembled by inviting a range of poets and visual artists to provide the contents.  It included work by Jeremy Adler, Paul Buck, Herbert Burke, Paula Claire, cris cheek, Bob Cobbing, Glenda George, Robert Sheppard, E. E. Vonna-Michel, Lawrence Upton and others.  A particular feature of this issue was that every cover was different: they were hand-printed by Vonna-Michel with a rubber-stamp used for the title.  "Alembic" 9 (to be edited by Hampson) was promised, but never appeared: Edwards had begun to publish "Reality Studios" as a slimmer, faster and more frequent publication.  This eventually metamorphosed (through an amalgamation with Wendy Mulford's Street Editions) into Reality Street, which has been a major publisher of experimental poetry and prose since the 1980s. The Contemporary Art Gallery (CAG) is a non-profit public art gallery in downtown Vancouver, focused on contemporary art.  The CAG exhibits local, national, and international artists, primarily featuring emerging local artists producing Canadian contemporary art.  It has exhibited work by many of Vancouver's most acclaimed artists, including Stan Douglas, Ian Wallace, Rodney Graham, Liz Magor, and Brian Jungen, and it continues to feature local artists such as Damian Moppett, Shannon Oksanen, Elspeth Pratt, Myfanwy MacLeod, and many others.  International artists who have had exhibitions at the CAG include Dan Graham, Christopher Williams, Rachel Harrison, Hans-Peter Feldmann and Ceal Floyer.  Other notable people that have curated or written for the CAG include Douglas Coupland, Beatriz Colomina, Roy Arden, and John Welchman.  In January 2011, Nigel Prince, former curator of the Ikon Gallery in Birmingham U.K., was appointed executive director of the CAG.  Apart from the exhibition of visual art, the Contemporary Art Gallery produces publications, facilitates education and outreach programs, public talks, and visiting artist/curator programs, and maintains a library. Yellow Dog was an underground comix newspaper and later comic book published by the Print Mint in Berkeley, California.  It published 22 issues from 1968 to 1973, featuring many of the period's most notable underground cartoonists, including Robert Crumb, Joel Beck, Robert Williams, Rick Griffin, Greg Irons, and Trina Robbins.  Other frequent contributors included Andy Martin, Franz Cilensek, John Thompson, Buckwheat Florida, Jr., Jim Osborne, Ronald Lipking, and Hak Vogrin.  The founding editor was Print Mint co-publisher Don Schencker. Juxtapoz Art & Culture Magazine (pronounced Jucks-tah-pose) is a magazine created in 1994 by a group of artists and collectors including Robert Williams, Fausto Vitello, C.R. Stecyk III (a.k.a. Craig Stecyk), Greg Escalante, and Eric Swenson to both help define and celebrate urban alternative and underground contemporary art.  "Juxtapoz" is published by High Speed Productions, the same company that publishes "Thrasher" skateboard magazine in San Francisco, California. Tara Seibel (born February 4, 1973) is an American cartoonist, graphic designer and illustrator from Cleveland.  Her work has been published in "Chicago Newcity, Funny Times, The Austin Chronicle, Cleveland Scene, Heeb Magazine, SMITH Magazine, Mineshaft Magazine, Juxtapoz, Jewish Review of Books, Cleveland Free Times, USA Today, US Catholic, The New York Times, Los Angeles Times" and "The Paris Review". Thrasher is a skateboarding magazine founded in January 1981 by Kevin Thatcher, Eric Swenson, and Fausto Vitello, and published by High Speed Productions, Inc. of San Francisco, USA.  The publication consists primarily of skateboard- and music-related articles, photography, interviews and skatepark reviews.  The magazine also maintains a website, which includes segments with names such as "Firing Line" and "Hall of Meat", an online store, a video collection, a radio show, and a forum for registered users.  The company also owns and operates the Double Rock indoor skateboarding facility. The Berlin Biennale (full name: Berlin Biennale für zeitgenössische Kunst, Berlin Biennale for Contemporary Art) is a contemporary art exhibition, which has been held at various locations in Berlin, Germany, every two to three years since 1998.  The curator or curators choose the artists who will participate.  After the event became established, annual themes were introduced.  The Biennale is now underwritten by the German government through the Kulturstiftung des Bundes (Federal Culture Foundation), and is the second most important contemporary arts event in the country, after documenta.  The Berlin Biennale was co-founded on March 26, 1996, by Klaus Biesenbach and a group of collectors as well as patrons of art.  Biesenbach is also the founding director of KW Institute for Contemporary Art and currently serves as Director of MoMA PS1 and Chief Curator at Large at MoMA. Eric Adams is an illustrator, writer, cartoonist Language Arts Teacher and graphic designer.  Best known in comics as the creator of the series Lackluster World, which was nominated for the 2004 Howard E. Day Prize, the 2008 and 2010 Space Prize, and is the winner of the 2010 Champion City Award for Best Limited Series.  As a graphic designer, he is a partner and creative director for Turnstyle Creative. Alexis Gideon (born December 24, 1980) is a visual artist, director, composer and performer best known for his animated video operas.  In 2013, Manhattan’s New Museum of Contemporary Art paired Gideon with William Kentridge in a joint program.  Gideon has performed his video operas over 350 times at various venues including Centro de Arte Contemporáneo de Málaga (2016), Institute of Contemporary Art, Boston (2015), Yerba Buena Center for the Arts (San Francisco) (2015), Moderna Museet in Stockholm, Sweden (2014), Museum of Contemporary Art Cleveland (2014), Museum of Contemporary Art, Chicago (2013), Museum of Contemporary Art, Tucson (2013), Oklahoma City Museum of Art (2013), Portland Art Museum (2013), Wexner Center for the Arts (2012), Times Zone Festival (Bari, Italy) (2010), Sudpol (Luzerne, Switzerland) (2010), Centre d'Art Bastille (Grenoble, France) (2010), Baltimore Museum of Art (2009).  Gideon is notable for his fusion of music, visuals, literature, and mythology.  Gideon's work is in the collection of the Thomas J. Watson Library at the Metropolitan Museum of Art in New York, NY, the Spencer Museum of Art in Lawrence, Kansas as well as in the Debra & Dennis Scholl Collection in Miami, Florida.  Gideon has been cited as a vital and visionary artist, both in the US and internationally. Wendy L'Belle (born February 11, 1972) is an American cartoonist, graphic designer and fashion designer.  L'Belle's creations adorn clothing, accessories, and many other products.  www.uglylittleempire.com and L.A.TUDE are two of L'Belle's most popular licensed properties, and have appeared in a wide variety of media, including clothing, accessories, greeting cards,and animated greetings.  Licensed properties she has created include Harmony Girls, Little Royals, L.A.TUDE, Ugly Little Bitch, ULB, Windy, and LoveBeams.
Answer: Juxtapoz Art & Culture Magazine