Question: Are both Bernard Rose and Fritz Lang part of the film industry?
Context: Bernard Rose (born 4 August 1960) is an English film director most famous for his direction of the 1992 horror film "Candyman" and the 1994 historical romance film "Immortal Beloved". The Tiger of Eschnapur, or in original German, "Der Tiger von Eschnapur", is a 1959 West German-French-Italian adventure film directed by Fritz Lang.  It is the first of two films comprising what has come to be known as "Fritz Lang's Indian Epic"; the other is "The Indian Tomb" "(Das Indische Grabmal").  Fritz Lang returned to Germany to direct these films, which together tell the story of a German architect, the Indian maharaja for whom he is supposed to build schools and hospitals, and the Eurasian dancer who comes between them. Friedrich Christian Anton "Fritz" Lang (December 5, 1890 – August 2, 1976) was an Austrian filmmaker, screenwriter, and occasional film producer and actor.  One of the best-known "émigrés" from Germany's school of Expressionism, he was dubbed the "Master of Darkness" by the British Film Institute. Jeremy Suter (born in London) is an English organist and choral director.  He was a chorister under Sir William McKie at Westminster Abbey.  He attended Harrow and later spent two years at the Royal College of Music before going to Oxford as Organ Scholar of Magdalen College under Bernard Rose.  Following a year at the University of Pennsylvania, Jeremy was invited to return to Magdalen College, Oxford, in order to direct the Chapel Choir whilst Bernard Rose took a sabbatical. In 1975 he was appointed Organist of the Civic Church of All Saints', Northampton and Director of Music at All Saints' Middle School.  Between 1981 and 1991 he was Assistant Organist at Chichester Cathedral and Director of Music at the Prebendal School.  He featured on many broadcasts and recordings made by the Choir of Chichester Cathedral. Cinema of Austria refers to the film industry based in Austria.  Austria has had an active cinema industry since the early 20th century when it was the Austro-Hungarian Empire, and that has continued to the present day.  Producer Sascha Kolowrat-Krakowsky, producer-director-writer Luise Kolm and the Austro-Hungarian directors Michael Curtiz and Alexander Korda were among the pioneers of early Austrian cinema.  Several Austrian directors pursued careers in Weimar Germany and later in the United States, among them Fritz Lang, G. W. Pabst, Josef von Sternberg, Billy Wilder, Fred Zinnemann, and Otto Preminger. Hermann Warm was a German art director for films.  Born in 1889 in Berlin, Germany, Warm was an important figure in the expressionist movement of the 1920s.  Warm entered the German film industry in 1912 after working on-stage for a while.  As well as doing set work on films such as "The Cabinet of Dr. Caligari" and Fritz Lang's "Destiny", Warm also worked with Danish film director Carl Theodor Dreyer on films including "The Passion of Joan of Arc" and "Vampyr".  During World War II, Warm lived in Switzerland and returned to Germany in 1947. Spione ] (English title: Spies, under which title it was released in the United States) is a German silent espionage thriller written and directed by Fritz Lang in 1928.  Lang's wife, Thea von Harbou, worked as a co-writer.  The film was Lang's penultimate silent film and the first for his own production company; "Fritz Lang-film GmbH".  As in Lang's Mabuse films, such as "" and "The Testament of Dr. Mabuse", Rudolf Klein-Rogge plays a master criminal aiming for world domination. Fritz Lang was an Austrian film director, producer and screenwriter.  In Lang's early career he worked primarily as a screenwriter, finishing film scripts in four to five days.  Lang went on to direct popular films of the silent era including "Metropolis" and one of the first important German sound films "M".  Lang went on to direct some of the most important crime and film noir film of the American studio era, such as "The Big Heat".  Lang's final film work was an acting role as himself in Jean-Luc Godard's "Contempt".  Lang returned to America to live out his remaining years. Arthur Roberts July 17, 1890 – February 5, 1961), also known as Arthur E. Roberts, was an American film editor who edited over 100 films during his almost 30 year career.  He began ending towards the end of the silent era of the film industry, his first film being 1927's "The College Hero", directed by Walter Lang.  His last film was Republic's "Lay That Rifle Down" in 1955, after which he spent a brief period as the editor for the television series, "Lassie", before retiring in 1956.  During his career he would work with many famous directors, including Frank Capra (on several films, including "The Donovan Affair"), Lowell Sherman (on "The Royal Bed"), William Seiter (on several films, including "Way Back Home"), Edward Cline (on "Cracked Nuts"), George Cukor ("A Bill of Divorcement"), Dorothy Arzner (the first female member of the DGA, on "Christopher Strong"), Anthony Mann ("Strangers in the Night"), George Archainbaud ("Girls of the Big House"), Fritz Lang ("House by the River"), The Testament of Dr. Mabuse (German: Das Testament des Dr. Mabuse ) is a 1933 German crime film directed by Fritz Lang.  The movie is a sequel to Lang's silent film "Dr. Mabuse the Gambler" (1922) and features many cast and crew members from Lang's previous films.  The film features Rudolf Klein-Rogge as Dr. Mabuse who is in an insane asylum where he is found frantically writing his crime plans.  When Mabuse's criminal plans begin to be implemented, Inspector Lohmann (played by Otto Wernicke) tries to find the solution with clues from gangster Thomas Kent (Gustav Diessl), the institutionalized Hofmeister (Karl Meixner) and Professor Baum (Oscar Beregi Sr.) who becomes obsessed with Dr. Mabuse.
Answer: yes