Question: Who wrote the lyrics to a musical based on a book whose author wrote for The New Yorker?
Context: Hannah Green (1927–1996) was an American author, born in Cincinnati, Ohio and lived on Barrow Street, in Greenwich Village, New York.  As an undergraduate at Wellesley, she enrolled in Vladimir Nabokov's survey of Russian literature in translation, which she later wrote about in "The New Yorker".  Ms. Green completed her MFA at Stanford University with Wallace Stegner.  There she met Tillie Olsen, and the two began a lifelong friendship.  In 1960, she was a recipient of the first of many MacDowell Colony residencies.  Among her published work are articles in "The New Yorker", the books, "The Dead of the House" (1973) and "Golden Spark, Little Saint: My Book of the Hours of Saint Foy" (2000), and the children's book, "In the City of Paris".  For several years, Ms. Green taught in the writing programs of Stanford, Columbia, and New York University.  Until her death in 1996, she was married to the American artist John Wesley. Elwyn Brooks "E. B." White (July 11, 1899 – October 1, 1985) was an American writer.  He was a contributor to The New Yorker magazine and a co-author of the English language style guide "The Elements of Style", which is commonly known as "Strunk & White".  He also wrote books for children, including "Stuart Little" in 1945, "Charlotte's Web" in 1952, and "The Trumpet of the Swan" in 1970.  "Charlotte's Web" was voted the top children's novel in a 2012 survey of "School Library Journal" readers, an accomplishment repeated from earlier surveys. The World in Six Songs: How the Musical Brain Created Human Nature is a popular science book written by the McGill University neuroscientist Daniel J. Levitin, and first published by Dutton Penguin in the U.S. and Canada in 2008, and updated and released in paperback by Plume in 2009, and translated into six languages.  Levitin’s second "New York Times" bestseller, following the publication of "This Is Your Brain on Music", received praise from a wide variety of readers including Sir George Martin, Sting, Elizabeth Gilbert, and Adam Gopnik.  The "Los Angeles Times" called it "masterful".  The "New York Times" wrote: "A lively, ambitious new book whose combined elements can induce feelings of enlightenment and euphoria.  Will leave you awestruck." " The Times" wrote "Levitin is such an enthusiastic anthropologist, such an exuberant song and dance man, such a natural-born associative thinker, that you gotta love the guy."  It was named one of the best books of 2008 by the "Boston Herald" and by "Seed Magazine". Wolcott Gibbs (March 15, 1902 – August 16, 1958) was an American editor, humorist, theatre critic, playwright and author of short stories, who worked for "The New Yorker" magazine from 1927 until his death.  He is best remembered for his 1936 parody of "Time" magazine, which skewered the magazine's inverted narrative structure.  Gibbs wrote, "Backward ran sentences until reeled the mind"; he concluded the piece, "Where it all will end, knows God!"  He also wrote a comedy, "Season in the Sun", which ran on Broadway for 10 months in 1950–51 and was based on a series of stories that originally appeared in "The New Yorker." Akash Kapur (born October 28, 1974) is an Indo-American journalist and author.  He is the author of a non-fiction book titled "India Becoming", which was selected by "The New Yorker" and "The New Republic" as a Best Book of 2012; by"Newsweek" as one of its three Must Reads on Modern India; and by the "New York Times Book Review" as an "Editors' Choice."  An episode from the book was also excerpted in The New Yorker magazine. Berton Roueché ( ; April 16, 1910 – April 28, 1994) was a medical writer who wrote for "The New Yorker" magazine for almost fifty years.  He also wrote twenty books, including "Eleven Blue Men" (1954), "The Incurable Wound" (1958), "Feral" (1974), and "The Medical Detectives" (1980).  An article he wrote for "The New Yorker" was made into the 1956 film "Bigger Than Life", and many of the medical mysteries on the television show "House" were inspired by Roueché's writings. Arthur Kimmig Getz (May 17, 1913 – January 19, 1996) was an American illustrator best known for his fifty-year career as a cover artist for "The New Yorker" magazine.  Between 1938 and 1988, two hundred and thirteen Getz covers appeared on "The New Yorker", making Getz the most prolific "New Yorker" cover artist of the twentieth century.  Getz was also a fine artist, painted murals for the Works Progress Administration Program, wrote and illustrated children's books, and taught at the School of Visual Arts in New York City, the University of Connecticut, and the Washington Art Association in Washington, Connecticut.  In addition to his "New Yorker" covers and spot drawings, Getz's illustrations were published in "American Childhood", "Audubon", "Collier's", "Consumer Reports", "Cue", "Esquire", "Fortune", "The Nation", "The National Guardian", "The New Masses", "The New Republic", "PM", "Reader's Digest", "Saturday Review", "Stage", and "The Reporter". Brendan Gill (October 4, 1914 – December 27, 1997) wrote for "The New Yorker" for more than 60 years.  He also contributed film criticism for "Film Comment" and wrote a popular book about his time at the "New Yorker" magazine. Charlotte's Web is a stage musical with music and lyrics by Charles Strouse, and a book by Joseph Robinette based on the book by E. B. White. Katharine Sergeant Angell White (September 17, 1892 – July 20, 1977) was a writer and the fiction editor for "The New Yorker" magazine from 1925 to 1960.  In her obituary, printed in "The New Yorker" in 1977, William Shawn wrote that "More than any other editor except Harold Ross himself, Katharine White gave "The New Yorker" its shape, and set it on its course."
Answer: Charles Strouse