Question: Do both Andrea Sisson and Nagisa Oshima work with film?
Context: Kei Satō (佐藤 慶 , Satō Kei ) was a Japanese character actor and narrator.  He was born in Aizu.  He is known for his work with Japanese New Wave director Nagisa Oshima, and for several films with Kaneto Shindo, such as "Onibaba" and "Kuroneko".  He won the best actor award from "Kinema Junpo" for the films "The Ceremony" and "Nihon no akuryō".  He also worked as a narrator for many documentaries, both on television and film. Cinématon is a 199-hour-long experimental film by French director Gérard Courant.  It was the longest film ever released until 2011.  Composed over 28 years from 1978 until 2006, it consists of a series of over 2,987 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time.  Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley.  Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar.  Courant's favourite subject was a 7-month-old baby.  The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010. Andrea Sisson is an American interdisciplinary artist working in installation, imagery, performance, video/film, writing, sound, and conceptualist art.  She is a 2010 U.S. Fulbright Program Fellow for academia and art, and named a Filmmaker Magazine "25 New Face of Independent Film" 2013. Fruit Chan Gor (; born 15 April 1959) is an independent Hong Kong Second Wave screenwriter, filmmaker and producer, who is best known for his style of film reflecting the everyday life of Hong Kong people.  He is well known for using amateur actors (such as Sam Lee in "Made in Hong Kong", Wong Yau-Nam in "Hollywood Hong Kong") in his films.  His name became familiar to many Hong Kongers only after the success of the 1997 film "Made in Hong Kong", which earned many local and international awards.  Chan was deeply influenced by the era of sixties film in Japan, for the reason that they were not afraid to produce realistic movies that addressed society's problems.  In particular, Nagisa Oshima, a Japanese director during the sixties was someone who Chan looked up to and thought of when directing Made in Hong Kong. Tomoyo Oshima (大島 ともよ , Ōshima Tomoyo , born 1949 Akita, Japan) is a Japanese film editor, known as editor of Nagisa Oshima's and Shuji Terayama's films in her young days.  She is the director of Tokyo Filmex, a film festival. Max, Mon Amour a.k.a. Max, My Love is a 1986 film directed by Nagisa Oshima, starring Charlotte Rampling, Anthony Higgins, Victoria Abril, Pierre Étaix and Milena Vukotic.  The screenplay was written by Oshima and Jean-Claude Carrière, and the film was produced by Serge Silberman. Fumio Watanabe (渡辺文雄 , Watanabe Fumio , October 31, 1929 – August 4, 2004) was a Japanese actor most known for his work with Japanese New Wave director Nagisa Oshima.  He was born in Tokyo and graduated from the University of Tokyo before joining the Shōchiku studio in 1956. The Ceremony (儀式 , Gishiki ) is a 1971 film directed by Nagisa Oshima, starring Kenzo Kawarasaki and Atsuko Kaku.  The film takes place in postwar Japan, following a Japanese clan through their wedding and funeral ceremonies, and the lengths the family goes to preserve their traditions in spite of the damage it causes to the younger generations. Nagisa Oshima (大島 渚 , Ōshima Nagisa , March 31, 1932 – January 15, 2013) was a Japanese film director and screenwriter.  His films include "In the Realm of the Senses" (1976), a sexually explicit film set in 1930's Japan, and "Merry Christmas, Mr. Lawrence" (1983), about Japanese WW2 prisoners of war. Cruel Story of Youth (青春残酷物語 , Seishun Zankoku Monogatari ) is a 1960 Japanese film directed by Nagisa Oshima, starring Yusuke Kawazu and Miyuki Kuwano as teenage delinquents and lovers.  It is Oshima's second feature film and is known for its elements of French "nouvelle vague".  The film won the 1960 Blue Ribbon Awards for Best Newcomer for Oshima.
Answer: yes