Question: Which propaganda film was released first, Tunisian Victory or Triumph of the Will?
Context: D III 88 (sometimes written as DIII 88) is a 1939 German drama film directed by Herbert Maisch and Hans Bertram and starring Christian Kayßler, Otto Wernicke and Heinz Welzel.  It was made as a propaganda film with the support of Luftwaffe chief Hermann Göring, and was the last of a series of Nazi aviation films to be made before the outbreak of World War II .  It was one of the most commercially successful films released during the Nazi era.  It was praised by Joseph Goebbels as "an irreproachable film of national destiny".  The title, referring to the serial number of the Albatros D.III flown by one of the characters in the World War I, was an attempt to re-inforce the propaganda link between the modern Luftwaffe and that of World War I. Triumph of the Will (German: Triumph des Willens ) is a 1935 German propaganda film directed, produced, edited, and co-written by Leni Riefenstahl.  It chronicles the 1934 Nazi Party Congress in Nuremberg, which was attended by more than 700,000 Nazi supporters.  The film contains excerpts from speeches given by Nazi leaders at the Congress, including Adolf Hitler, Rudolf Hess and Julius Streicher, interspersed with footage of massed Sturmabteilung (SA) and Schutzstaffel (SS) troops and public reaction.  Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening titles.  The film's overriding theme is the return of Germany as a great power, with Hitler as the leader who will bring glory to the nation.  Because the film was made after the 1934 Night of the Long Knives (on 30 June) many prominent Sturmabteilung (SA) members are absent—they were murdered in that Party purge, organised and orchestrated by Hitler to replace the SA with the Schutzstaffel (SS) as his main paramilitary force. Titanic is a 1943 German propaganda film made during World War II in Berlin by Tobis Productions for UFA.  Despite the fact that a British company had already released a German-language film about the  in 1929, the film was commissioned by Nazi Propaganda Minister Joseph Goebbels with the intent of showing not only the superiority of German filmmaking, but also as a propaganda vehicle which would show that British and American capitalism was responsible for the disaster.  The addition of an entirely fictional heroic German officer to the ship's crew was intended to demonstrate the superior bravery and selflessness of German men as compared to the British officers. Desert Victory is a 1943 film produced by the British Ministry of Information, documenting the Allies' North African campaign against Field Marshal Erwin Rommel and the Afrika Korps.  This documentary traces the struggle between General Erwin Rommel and Field Marshal Bernard Montgomery, from the German's defeat at El Alamein to Tripoli.  The film was produced by David MacDonald and directed by Roy Boulting who also directed Tunisian Victory and "Burma Victory".  Like the famous "Why We Fight" series of films by Frank Capra, "Desert Victory" relies heavily on captured German newsreel footage.  Many of the most famous sequences in the film have been excerpted and appear with frequency in History Channel and A&E productions.  The film won a special Academy Award in 1943 and the 1951 film "" took sections of the film for its battle footage. Der Sieg des Glaubens (English: The Victory of Faith, Victory of Faith, or Victory of the Faith ) (1933) is the first propaganda film directed by Leni Riefenstahl.  Her film recounts the Fifth Party Rally of the Nazi Party, which occurred in Nuremberg from 30 August to 3 September 1933.  The film is of great historic interest because it shows Adolf Hitler and Ernst Röhm on close and intimate terms, before Röhm was shot on the orders of Hitler during the Night of the Long Knives on 1 July 1934.  All known copies of the film were destroyed on Hitler's orders, and it was considered lost until a copy turned up in the 1990s in the United Kingdom. Tunisian Victory is a 1944 Anglo-American propaganda film about the victories in the North Africa Campaign. Josef “Sepp” Allgeier (6 February 1895 – 11 March 1968) was a German cinematographer who worked on around fifty features, documentaries and short films.  He began his career as a cameraman in 1911 for the Expreß Film Co. of Freiburg.  In 1913 he filmed newsreels in the Balkans.  He then became an assistant to Arnold Fanck, a leading director of Mountain films.  He worked frequently with Luis Trenker and Leni Riefenstahl, both closely associated with the genre.  He was Riefenstahl's lead cameraman on her 1935 propaganda film "Triumph of the Will".  During the Second World War, Allgeier filmed material for newsreels.  He later worked in West German television.  His son is the cinematographer Hans-Jörg Allgeier. A propaganda film is a film that involves some form of propaganda.  Propaganda films may be packaged in numerous ways, but are most often documentary-style productions or fictional screenplays, that are produced to convince the viewer of a specific political point or influence the opinions or behavior of the viewer, often by providing subjective content that may be deliberately misleading. Blutendes Deutschland (English "Bleeding Germany") is a German documentary/propaganda film.  Two versions were made, a shorter version in December 1932 and a second one that was released shortly after the Nazi seizure of power in late March 1933.  Presented in montage form, sources for the film included old photographs, documents and newsreels.  A second section, entitled "Germany Awakens" traced the history of the Nazi party up to the German federal election, March 1933.  The film traced the history of Germany from the Franco-Prussian War, the founding of the Second Reich, the First World War, the occupation of the Ruhr, the martyrdoms of Albert Leo Schlageter, Horst Wessel and others, the rise of Hitler, the foundation of the Harzburg Front and their eventual victory. The Eternal Jew is a 1940 antisemitic German Nazi propaganda film, presented as a documentary.  The film's initial German title is Der Ewige Jude, the German term for the character of the "Wandering Jew" in medieval folklore.  At the insistence of Nazi Germany's Minister of Propaganda, Joseph Goebbels, the film was directed by Fritz Hippler.
Answer: Triumph of the Will