Question: Artist Juanita McNeely has prompted comparisons to an artist born in what year?
Context: Juanita McNeely (born 1936, St. Louis, Missouri) is an American feminist artist known for her bold works that illustrate the nude female experience in her figurative paintings, prints, paper cut-outs and ceramic pieces.  Feminist elements in her work include the portrayal of female experiences such as abortion, rape, and menstruation with a display of powerful emotion.  Her recurring health problems and expressive figurative compositions have prompted comparisons to Frida Kahlo.  According to McNeely, "we as women must continue the struggle to hold on to our rights, or let the children lead the way." Juanita du Plessis (née Naude) is a famous Afrikaans singer, born on 26 April in Windhoek, Namibia.  She became known for her song "Ska-Rumba".  Du Plessis' singing career began in 1998 with her debut album "Juanita".  That year she won the CMA (Country Music Association in Namibia) awards as best singer, best songwriter and the Association’s Award for outstanding achievement. Daisuke Igarashi (五十嵐大介 , Igarashi Daisuke ) is a critically acclaimed manga artist born in Saitama (2 April 1969), Japan.  He began his professional career in 1993.  Igarashi is known among manga fans for his bold, detailed art style and innovative storytelling.  While his works are often described as fantastical, they can hardly be categorized as traditional fantasy stories; instead, Igarashi draws inspiration from folklore and nature combined with surrealism and spiritual themes to create a style that has earned comparisons to the films of Hayao Miyazaki (Igarashi himself stated in an interview that Miyazaki's film "My Neighbor Totoro" was a key influence on his decision to become a manga artist). Anita Slavin Arkin Steckel (February 24, 1930, Brooklyn, New York – March 16, 2012, Manhattan, New York) was an American feminist artist known for paintings and photomontages with sexual imagery.  She was also the founder of the arts organization "The Fight Censorship Group", whose other members included Hannah Wilke, Louise Bourgeois, Judith Bernstein, Martha Edelheit, Eunice Golden, Juanita McNeely, Barbara Nessim, Anne Sharpe and Joan Semmel. The Armada of 1779 was a combined Franco-Spanish naval enterprise intended to divert British military assets, primarily of the Royal Navy, from other war theatres by invading the Kingdom of Great Britain during the American Revolutionary War.  The proposed plan was to seize the Isle of Wight and then capture the British naval base of Portsmouth.  Ultimately, no fleet battles were fought in the Channel and the Franco-Spanish invasion never materialized.  This threat to Great Britain prompted comparisons to the earlier Spanish Armada of 1588. Víctor Vázquez is a photographer and a contemporary conceptual artist born in San Juan, Puerto Rico.  Víctor Vázquez has been working as an artist for more than 20 years, creating photographs, three-dimensional objects, videos and installation works in which the human body figures both conceptually and formally.  Vázquez offers a series of semiotic constructs that navigate identity, ritual, politics and anthropological inquiry.  Themes include the duality of language and meaning and the relationships between nature and culture.  He was an artist in resident at Cuerpos Pintados, Fundacion America in Santiago, Chile, in the year of 2002 and at Proyecto ´ace Art Center in Buenos Aires in the year 2006. Ruth Vollmer (1903 - 1982 New York City), was a German artist born in Munich.  She was born in 1903 and named Ruth Landshoff.  Her father, Ludwig Landshoff, was a musicologist and conductor and her mother, Phillipine Landshoff, was an opera singer.  Their family was Jewish.  At age 19 she began to work as an artist and took the advice of her father to draw every day.  She also had many connections to the teachers and students at the Bauhaus.  In 1930 she married a pediatrician named Hermann Vollmer, whom she met in Berlin.  Ruth and Hermann move from Germany to New York in 1935.  Ruth begins work designing window displays for Bonwit Teller, Tiffany's, Lord & Taylor, and other department stores.  Her displays experimented with wire, steel, and copper mesh to create figural forms.  In 1943, Vollmer becomes a U.S. citizen.  In 1944 she receives a commission from the Museum of Modern Art for its fifteenth anniversary exhibition, "Art in Progress."  Vollumer continues to work with wire mesh and shows her work "Composition in Space" at the Museum of Modern Art's 1948 exhibition "Elements of Stage Design."  In 1950, she was commissioned to create a mural for the lobby of 575 Madison, where Vollmer created a large wall relief that used wire rods and wire mesh to play with light, texture, and transparency.  Vollumer visits Giacometti for a second time during the summer of 1951.  During the 1950s she begins to works with clay as well.  Additionally, in 1954 she begins to teach at the Children's Art Center at the Fieldston School in Riverdale and continued to teach until the mid-sixties.  In 1960, Vollmer participates in the NYU discussion series "Artists on Art" with her friend Robert Motherwell.  1960 is an important year because she also has her first one-person exhibition at Betty Parson's Section Eleven gallery space.  Throughout the 1960s Vollmer works with bronze and as well as showing at Betty Parson's gallery several times.  In 1963, she joins the group American Abstract Artists (AAA) and includes her work in their exhibitions from 1963 on.  By 1970 Vollmer's art is working with complex geometrical forms and mathematical concepts, particularly spirals and platonic solids.  Sol LeWitt wrote a short essay on Vollmer's work for "Studio International" titled "Ruth Vollmer: Mathematical Forms."  Vollmer protests the cancellation of the Hans Haacke at The Solomon R. Guggenheim exhibition by writing a letter to the director, Thomas Messer, in 1971.  In 1976, she had a large one-person exhibition at the Neuberger Museum of Art.  In 1982, Ruth Vollmer dies after a long battle with Alzheimer's.  A majority of her large personal art collection of over one hundred sculptures, paintings, and drawings is donated to MoMA.  Her art collection included works by Carl Andre, Mel Bochner, Eva Hesse, Sol LeWitt, Ad Reinhardt, Frank Stella, Agnes Martin, and Chryssa. Chucho el Roto (1858–1885) was a Mexican bandit active in the late 19th century, whose life story has been the basis of number of books, plays and other media since before his death.  His real name was Jesús Arriaga; the nickname "Chucho" (literally "mutt") is a common diminutive of Jesús in Mexico and "roto", literally "broken", can mean "discarded" or ragged".  He was born in the state of Tlaxcala in 1858.  After being forced to abandon his family, Chucho became a bandit, becoming famous in the late 1870s and the first half of the 1880s.  His fame came from his ability to cross Mexico’s strong socioeconomic circles and use this ability to rob from the wealthy.  His legend also includes the love of fine clothes and the theater despite his humble birth and the sharing of at least some of his gains with the poor.  The last aspect has prompted comparisons between him and Robin Hood.  Chucho was last arrested in 1884 and died in the prison of San Juan de Ulúa in Veracruz in 1885. Anna Elizabeth Gilbert is an American artist born in Eugene, Oregon, USA.  She was the 2007 and 2009 winner of the "Inspirational Artist of the Year" award for the National Momentum Awards on Indieheaven.com in Nashville, Tennessee.  She self-produced her first two albums with music and lyrics that she wrote herself.  Her third album was produced with Charlie Peacock in Nashville at The Art House and is licensed by BMI.  Her fourth musical project was an EP titled "Like a River", produced by Sam Ashworth was also made at The Art House. Frida Kahlo de Rivera (] ; born Magdalena Carmen Frida Kahlo y Calderón; July 6, 1907 – July 13, 1954) was a Mexican painter, who mostly painted self-portraits.  Inspired by Mexican popular culture, she employed a naïve folk art style to explore questions of identity, postcolonialism, gender, class, and race in Mexican society.  Her paintings often had strong autobiographical elements and mixed realism with fantasy.  In addition to belonging to the post-revolutionary "Mexicanidad" movement, which sought to define a Mexican identity, Kahlo has been described as a Surrealist or magical realist.  Her work has been celebrated internationally as emblematic of Mexican national and indigenous traditions, and by feminists for what is seen as its uncompromising depiction of the female experience and form.
Answer: 1907