Question: Who did American jazz tenor saxophonist Coleman Randolph Hawkins, also know as Hawk, perform on the 1961 jazz album Further Definitions?
Context: Further Definitions is a 1961 jazz album by Benny Carter and his orchestra, rereleased on CD in 1997 coupled with his follow-up album, 1966's Additions to Further Definitions.  The earlier album is Carter's best-known, recorded with an all-star line-up that included Coleman Hawkins, with whom Carter had recorded in Paris in 1937, using the same configuration of instruments: four saxophones, piano, guitar, bass, and drums. Body and Soul is an album by the jazz tenor saxophonist Coleman Hawkins, including recordings made between 1939 and 1956.  It takes its name from one of Hawkins' most famous performances — a 1939 recording of "Body and Soul"; the album also contains a 1956 recording of the same piece.  (Because of the fame of the 1939 recording, there have been a number of compilations with the same title, including another from RCA, under its Topaz imprint, and a boxed set from Proper.) Benjamin Francis Webster (March 27, 1909 – September 20, 1973) was an American jazz tenor saxophonist.  Born in Kansas City, Missouri, he is considered one of the three most important "swing tenors" along with Coleman Hawkins and Lester Young.  Known affectionately as "The Brute" or "Frog", he had a tough, raspy, and brutal tone on stomps (with growls), yet on ballads he played with warmth and sentiment.  He was indebted to alto saxophonist Johnny Hodges, who, he said, taught him to play his instrument. The Hawk Flies High is a 1957 album by jazz tenor saxophonist Coleman Hawkins.  Apart from Barry Galbraith and Jo Jones on guitar and drums, the line-up of his accompanying sextet had a bebop background, namely J.J. Johnson on trombone, Idrees Sulieman on trumpet, pianist Hank Jones, and Oscar Pettiford on bass. Harry Allen (born October 12, 1966) is an American jazz tenor saxophonist born in Washington, D.C. Early on he was recognized in high school as an exceptional talent able to play tunes such as "Body and Soul" in the style of tenor players Coleman Hawkins, Ben Webster, Flip Phillips, and Sam Donahue.  He is a traditionalist in the manner of Scott Hamilton.  He is best known for his work with John Colianni, Keith Ingham, John Pizzarelli, and Bucky Pizzarelli. Paul Bascomb ((1912--) 12, 1912 , Birmingham, Alabama – 02, 1986(1986--) (aged (1986)-(1912)-((12)<(02)or(12)==(02)and(02)<(12)) ) , Chicago) was an American jazz tenor saxophonist, noted for his extended tenure with Erskine Hawkins.  He is a 1979 inductee of the Alabama Jazz Hall of Fame. The Genius of Coleman Hawkins is a 1957 album by tenor saxophonist Coleman Hawkins, featuring the Oscar Peterson quartet. Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed Hawk and sometimes "Bean", was an American jazz tenor saxophonist.  One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn".  While Hawkins is strongly associated with the swing music and big band era, he had a role in the development of bebop in the 1940s. "Bean and the Boys" is a bebop composition written in 1948 by the American jazz tenor saxophonist Coleman Hawkins.  It is a contrafact of "Lover Come Back To Me". Arnett Cleophus Cobb (August 10, 1918 – March 24, 1989) was an American jazz tenor saxophonist, sometimes known as the "Wild Man of the Tenor Sax" because of his uninhibited stomping style.  Cobb wrote the words and music for the jazz standard "Smooth Sailing" (1951), which Ella Fitzgerald recorded for Decca on her album "Lullabies of Birdland".
Answer: Benny Carter