Question: Der göttliche Tivoli is an opera who portrays who?
Context: The Tivoli Theatre, is a theatre in Aberdeen, Scotland, opened in 1872 as Her Majesty's Theatre and was built by the "Aberdeen Theatre and Opera House Company Ltd", under architects James Matthews of Aberdeen and C.B. Phipps, a London-based architect brought in to consult.  The auditorium was rebuilt in 1897 by theatre architect Frank Matcham, but then closed temporarily in 1906, following the opening of the larger His Majesty's Theatre.  The smaller theatre was extensively reconstructed in 1909, again by Frank Matcham, and re-opened in July 1910 as the Tivoli.  The Tivoli was refurbished again in 1938. The New Tivoli Theatre, Sydney, previously known as the Adelphi Theatre and the Grand Opera House, was a theatre and music hall at 329, Castlereagh Street, Sydney, Australia, which was long at the heart of the Tivoli circuit. Det guddomelige Tivoli (The Divine Circus) is a 1982 opera by Per Nørgård.  The opera portrays the schizophrenic Swiss artist Adolf Wölfli (1864-1930) from his harsh upbringing in Switzerland to the asylum where Wölfli spent 30 years while producing his artworks.  Originally composed in Danish the opera was recorded on disc for the first time in 2008 at a performance by Stadttheater Bern in German. The Tivoli Theatre was a major performing arts venue in Melbourne's East End Theatre District, located at 249 Bourke Street.  The theatre's origins dated from 1866, with various remodelling and rebuilding throughout its history.  Its final building opened as the New Opera House in 1901, and was renamed the Tivoli in 1914.  The Tivoli eventually closed in 1966. Adolf Wölfli (February 29, 1864 – November 6, 1930) (occasionally spelled Adolf Woelfli or Adolf Wolfli) was a Swiss artist who was one of the first artists to be associated with the Art Brut or outsider art label. The Madonna Standing (or Madonna al latte) is a small painting by the Flemish artist Rogier van der Weyden dating from about 1430–1432.  It is the left panel of a diptych held in the Kunsthistorisches Museum (KHM), Vienna since 1772.  The right panel portrays St. Catherine and is also attributed by the KHM to van der Weyden, but is inferior in quality and generally regarded as by a workshop member. Nigel Levings is an Australian stage lighting designer.  He has designed lights for over 400 productions.  He works extensively on operas, and has designed a large portion of Opera Australia's repertoire.  Some of his most significant works include operas such as "The Demon" at the Bregenz Festival and for Zurich Opera; "Billy Budd" for the Welsh National Opera, Opera Australia, Canadian Opera Company, and for the English National Opera; "Nabucco" for Opera Australia; "Wozzeck" for Opera Australia; "L'Orfeo" for Innsbrucker Festwochen der Alten Musik and the Berlin State Opera; "A Midsummer Night's Dream" for the 1994 Edinburgh Festival; "La Belle Vivette" for the English National Opera; "Simon Boccanegra" for the Royal Opera House, Washington National Opera, and Dallas Opera; "Falstaff" for Théâtre du Châtelet; "Idomeneo", "Turandot", and "The Barber of Seville" for the Houston Grand Opera; and "Queen of Spades" for the Dallas Opera. Spy of Madame Pompadour (German: Marquis d'Eon, der Spion der Pompadour) is a 1928 German silent film directed by Karl Grune and starring Liane Haid, Fritz Kortner and Alfred Gerasch.  It portrays the life of the eighteenth century figure Marquis d'Eon. Manfred Hemm (born 1961) is an Austrian opera singer who has sung leading bass-baritone roles in the opera houses of Europe and North America.  His discography includes Papageno in "The Magic Flute" for Deutsche Grammophon and the bass soloist in Franz Schmidt's oratorio "Das Buch Mit Sieben Siegeln" for Chandos.  He created the role of Der Stadtrichter in Friedrich Cerha's "Der Rattenfänger" (1987) and the title role in Gottfried von Einem's "Der Tulifant" (1990) in their world premieres. Der Widerspänstigen Zähmung (also: Der Widerspenstigen Zähmung ) (English: "The Taming of the Shrew") is a German-language comic opera in four acts by the German composer Hermann Goetz.  It was written between 1868 and 1872 and first performed at the National Theatre Mannheim on 11 October 1874 under the conductor Ernst Frank.  The libretto, by and the composer, is based on Shakespeare's "The Taming of the Shrew".  The style of the opera shows Goetz turning away from the musical ideas of Richard Wagner towards the classicism of Mozart.  "Der Widerspänstigen Zähmung " was a huge success, not only in Germany but in the United States and in Great Britain, where it received high praise from George Bernard Shaw.
Answer: Adolf Wölfli