Question: Which old-time banjo player, who recorded for Folkways Records, influenced Fleming Brown?
Context: Troy Boswell (born May 23, 1966), known professionally as Leroy Troy, is an old-time banjo player from Goodlettsville, Tennessee.  His banjo style is the clawhammer or frailing style, distinct from more commonly found Scruggs style banjo playing in modern bluegrass.  He often performs humorous or comedy songs from the old-time music genre.  Troy often uses a washboard with various sound making devices affixed to it.  The "Bicycle Wreck" song is often played by Troy on the washboard.  Major musical influence attributed to Uncle Dave Macon and others taught by him.  Troy debuted on the Grand Ole Opry in 1988 and was the National Old-Time Banjo Champion in 1996. Folkways: The Original Vision was released in 1989 and is the first album created by Folkways Records under new acquisition by the Smithsonian Center for Folklife and Cultural Heritage following the death of the record label's founder, Moses Asch.  Funds were raised for the acquisition of the label to be established as a non-profit entity in conjunction with the Smithsonian Institution by the collaborative recording A Vision Shared: A Tribute to Woody Guthrie and Lead Belly (Columbia Records, 1988) by artists such as Bruce Springsteen, Bob Dylan, and U2.  was digitally remastered and re-released in 2005 by Folkways Records. Walt Koken (born October 9, 1946, Columbia, Missouri) is an American claw-hammer banjo player, fiddler, and singer, who received the Nashville Old-Time String Band Association's Heritage Award for 2016.  Koken was prominent in the old-time music revival during the 1960s, and continues to be a leader and mentor in the old-time music old-time music community today. Moses Asch (December 2, 1905 – October 19, 1986), often known as Moe Asch, was a Polish-American recording engineer and record executive.  He founded Asch Records, which then changed its name to Folkways Records when the label transitioned from 78 RPM recordings to LP records.  Asch ran the Folkways label from 1948 until his death in 1986.  Folkways was very influential in bringing folk music into the American cultural mainstream.  Some of America's greatest folk songs were originally recorded for Asch, including "This Land Is Your Land" by Woody Guthrie and "Goodnight Irene" by Lead Belly.  Asch sold many commercial recordings to Verve Records; after his death, Asch's archive of ethnic recordings was acquired by the Smithsonian Institution, and released as Smithsonian Folkways Records. Moran Lee "Dock" Boggs (February 7, 1898 – February 7, 1971) was an influential old-time singer, songwriter and banjo player.  His style of banjo playing, as well as his singing, is considered a unique combination of Appalachian folk music and African-American blues.  Contemporary folk musicians and performers consider him a seminal figure, at least in part because of the appearance of two of his recordings from the 1920s, "Sugar Baby" and "Country Blues", on Harry Smith's 1951 collection "Anthology of American Folk Music".  Boggs was first recorded in 1927 and again in 1929, although he worked primarily as a coal miner for most of his life.  He was "rediscovered" during the folk music revival of the 1960s and spent much of his later life playing at folk music festivals and recording for Folkways Records. Uncle Dave Macon (October 7, 1870 – March 22, 1952), born David Harrison Macon—also known as "The Dixie Dewdrop"—was an American old-time banjo player, singer, songwriter, and comedian.  Known for his chin whiskers, plug hat, gold teeth, and gates-ajar collar, he gained regional fame as a vaudeville performer in the early 1920s before becoming the first star of the Grand Ole Opry in the latter half of the decade. Fleming Brown, (December 19, 1926 – 1984), born in Marshall, Missouri.  He was a banjo player and one of the early teachers at Chicago's Old Town School of Folk Music.  As an artist, Brown specialized in traditional songs of the Southern Appalachians.  He was influenced by old-time banjo players such as Uncle Dave Macon and Dock Boggs.  Brown supported himself as a graphic artist and as such never performed widely outside of Chicago. James "Dink" Roberts (September 15, 1894 – August 30, 1989) was an American old-time banjo player.  His performances, which were recorded in the 1970s by folklorists, illustrate a style of playing that pre-dates the blues. DaCosta Woltz was an American old time banjo player from Galax, Virginia.  His band, DaCosta Woltz's Southern Broadcasters played Appalachian old-time string band and square dance music and recorded in the late 1920s.  Ben Jarrell, of Surrey County, North Carolina, and father of influential fiddle and banjo musician Tommy Jarrell, played with the Southern Broadcasters.  DaCosta Woltz was a promoter of patent medicine, the mayor of Galax, and a first-rate banjo player. Smithsonian Folkways is the nonprofit record label of the Smithsonian Institution.  It is a part of the Smithsonian's Smithsonian Center for Folklife and Cultural Heritage, located at Capital Gallery in downtown Washington, D.C. The label was founded in 1987 after the family of Moses Asch, founder of Folkways Records, donated the entire Folkways Records label to the Smithsonian.  The donation was made on the condition that the Institution continue Asch's policy that each of the more than 2,000 albums of Folkways Records remain in print forever, regardless of sales.  Since then, the label has expanded on Asch’s vision of documenting the sounds of the world, adding six other record labels to the collection, as well as releasing over 300 new recordings.  Some well-known artists have contributed to the Smithsonian Folkways collection, including Pete Seeger, Ella Jenkins, Woody Guthrie, and Lead Belly.  Famous songs include "This Land Is Your Land", "Goodnight, Irene", and "Midnight Special."  Due to the unique nature of its recordings, which include an extensive collection of traditional American music, children's music, and international music, Smithsonian Folkways has become an important collection to the musical community, especially to ethnomusicologists, who utilize the recordings of "people's music" from all over the world.
Answer: Moran Lee "Dock" Boggs