Question: What was the the collective work of the author who wrote "The Chronicles of England, Scotland, and Ireland" commonly known as?
Context: ) was an English chronicler, whose work, commonly known as "Holinshed's Chronicles", was one of the major sources used by William Shakespeare for a number of his plays. This is a list of the most important Chronicles relevant to the kingdom of England in the period from the Norman Conquest to the beginning of the Tudor dynasty (1066–1485).  The chronicles are listed under the name by which they are commonly referred to.  Some chronicles are known under the name of the chronicler to whom they are attributed, while some of these writers also have more than one work to their name.  Though works may cover more than one reign, each chronicle is listed only once, with the dates covered.  Only post-conquest dates have been included.  Though many chronicles claim to describe history "from the earliest times" (from Brutus, from the creation, ab urbe condita), they are normally only useful as historical sources for their own times.  Some of the later works, such as Polydore Vergil and Thomas More, are as close to history in the modern sense of the word, as to medieval chronicles. There has not been a government of England since 1707 when the Kingdom of England ceased to exist as a sovereign state, as it merged with the Kingdom of Scotland to form the Kingdom of Great Britain.  Kingdom of Great Britain continued from 1707 until 1801 when it merged with the Kingdom of Ireland to form the United Kingdom of Great Britain and Ireland, which itself became the United Kingdom of Great Britain and Northern Ireland (UK) in 1922 (in reality; in name in 1927) upon independence for most of the island of Ireland.  The UK since then has gone through significant change to its system of government, with devolved parliaments, assemblies and governments in Scotland, Wales and Northern Ireland.  England, however, remains under the full jurisdiction, on all matters, of the Parliament of the United Kingdom of Great Britain and Northern Ireland and the UK government as no devolved administration has been created for England within the new structure.  This situation has led to the anomaly, known as the West Lothian question, which is that Scottish Members of Parliament (MPs) are able to vote on legislation that affects only England whereas English MPs can not vote on certain Scottish matters due to devolution.  In some cases, such as top-up university tuition fees and foundation hospitals, the votes of Scottish MPs have been crucial in helping pass legislation for England that the majority of English MPs have opposed. Holinshed's Chronicles, also known as Holinshed's Chronicles of England, Scotland, and Ireland, is a collaborative work published in several volumes and two editions, the first in 1577, and the second in 1587.  It was a large, comprehensive description of British history. The field holler or field call is a mostly historical type of vocal music sung by African slaves to accompany their work, to communicate usefully or to vent feelings.  It differs from the collective work song in that it was sung solo, though early observers noted that a holler, or ‘cry’, might be echoed by other workers.  Though commonly associated with cotton cultivation, the field holler was also sung by levee workers, and field hands in rice and sugar plantations.  Field hollers are also known as corn-field hollers, water calls, and whoops.  An early description is from 1853 and the first recordings are from the 1930s.  The holler is closely related to the call and response of work songs, and arhoolies, to Afro-American and ultimately influenced strands of African American music, such as the blues, rhythm and blues, and spirituals. Moses Nagari or Moses ben Judah (in Hebrew, Moshe ben Yehuda ha-Nagari was a medieval Jewish philosopher and writer.  According to Steinschneider, he lived at Rome, Italy about 1300, and his name should be read "Na'ar", part of the Ne'arim family ("Adolescentoli").  Moses wrote "Ma'amar ba-Ma'areket," an index to Maimonides' "Moreh Nebukim," and explanations of philosophical terms, printed, together with Saul Cohen's philosophical questions on the "Moreh" addressed to Isaac Abravanel, at Venice in 1574.  This being considered a fragment of a collective work on the "Moreh," it was erroneously called "Qetzat Bi'ure ha-Moreh." Barbara Cassin (] ; born October 24, 1947) is a French philologist and philosopher, born in 1947 in Boulogne-Billancourt.  A past Director at Jacques Derrida's Collège international de philosophie and director of research (senior research chair) at the CNRS.  In 2006 she succeeded Jonathan Barnes to the directorship of the leading centre of excellence in Ancient philosophy, Centre Leon-Robin, at the Sorbonne.  Her work centers on Sophism and rhetoric, and their relation to philosophy.  In a footnote in 2007's "Logic of Worlds", Alain Badiou portrays her work as a synthesis of Heideggerian thought with the linguistic turn.  From 1991 to 2007 she co-directed with Alain Badiou the series L'Ordre Philosophique, at Le Seuil publishers.  She is the author of "L'Effet Sophistique" (1995) and the editor of "Vocabulaire Européen des Philosophies", ( 2004) an international collective work of philosophers sponsored by the European Union.  She has also written "Google-moi.  La Deuxième Mission de l'Amérique" (2007), In September 2012 a Cerisy symposium about her works was held, with contributions by Xavier North, Étienne Balibar, Fernando Santoro, Michel Deguy, Souleymane Bachir Diagne, Philippe-Joseph Salazar and Alain Badiou. King Duncan is a fictional character in Shakespeare's "Macbeth."  He is the father of two youthful sons (Malcolm and Donalbain), and the victim of a well-plotted regicide in a power grab by his trusted captain Macbeth.  The origin of the character lies in a narrative of the historical Donnchad mac Crinain, King of Scots, in Raphael Holinshed's 1587 "The Chronicles of England, Scotland, and Ireland," a history of Britain familiar to Shakespeare and his contemporaries.  Unlike Holinshed's incompetent King Duncan (who is credited in the narrative with a "feeble and slothful administration"), Shakespeare's King Duncan is crafted as a sensitive, insightful, and generous father-figure whose murder grieves Scotland and is accounted the cause of turmoil in the natural world. The reduction of carbon emissions, along with other greenhouse gases (GHGs), has become a vitally important task of international, national and local actors.  If we understand governance as the creation of “conditions for ordered rule and collective action” then, given the fact that the reduction of carbon emissions will require concerted collective action, it follows that the governance of carbon will be of paramount concern.  We have seen numerous international conferences over the past 20 years tasked with finding a way of facilitating this, and while international agreements have been infamously difficult to reach, action at the national level has been much more effective.  In the UK, the Climate Change Act 2008 committed the government to meeting significant carbon reduction targets.  In England, these carbon emissions are governed using numerous different instruments, which involve a variety of actors.  While it has been argued by authors like Rhodes that there has been a “hollowing out” of the nation state, and that governments have lost their capabilities to govern to a variety of non-state actors and the European Union, the case of carbon governance in England actually runs counter to this.  The government body responsible for the task, the Department of Energy and Climate Change (DECC), is the “main external dynamic” behind governing actions in this area, and “rather than hollowing out (there has actually been a strengthening of) central co-ordination”.  The department may rely on other bodies to deliver its desired outcomes, but it is still ultimately responsible for the imposition of the rules and regulations that “steer (carbon) governmental action at the national level”.  It is therefore evident that carbon governance in England is hierarchical in nature, in that “legislative decisions and executive decisions” are the main dynamic behind carbon governance action.  This does not deny the existence of a network of bodies around DECC who are part of the process, but they are supplementary actors who are steered by central decisions.  This article focuses on carbon governance in England as the other countries of the UK (Scotland, Wales and Northern Ireland) all have devolved assemblies who are responsible for the governance of carbon emissions in their respective countries. Ann Stewart Anderson is an artist from Louisville, Kentucky whose paintings have "focused on the rituals of being a woman."  Anderson is known for her part in creating the collective work, the "Hot Flash Fan," a fabric art work about menopause funded by the National Endowment for the Arts.  She was the executive director of the Kentucky Foundation for Women.
Answer: Holinshed's Chronicles