Question: The Morita-za, also known later as the Shintomi-za, was one of the major Kabuki theaters in Edo, now which modern-day city?
Context: Kabuki (歌舞伎 ) is a classical Japanese dance-drama.  Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers. Koide Ichijūrō (湖出市十郎, died 29 October 1800) was a Japanese kabuki composer-performer (唄方 "uta-kata") of "long songs" (長唄 "naga uta") of the Edo period.  He was at first a student of Yoshizumi Kosaburo 1st (1699-1753) and identified himself as Yoshizumi Ichijuro.  From 1747 he appeared at the Morita-za, one of the three venues of Edo.  Afterwards he became a disciple of Fujita Yoshiji 1st (1714-1771）, and changed his own stagename to Fujita Okada.  In 1768 he took the name Koide, and in opposition to Fujita Yoshiji's monopoly on the Ichimura-za, became active at the Nakamura-za, together with Nakamura Fujiro 1st (1719–86), receiving recognition also in Osaka.  During the Meiwa-Tenmei period (1764–89) when the "meriyasu" genre of solo songs was in vogue he received recognition for "shirotae" (白妙, "white cloth cherry") and the "kouta" song "kurokami" ("black hair").  The name Ichijūrō was taken up by 2nd, 3rd, (and according to one tradition a 4th) generation of performers of his songs. The Kawarazaki-za (河原崎座 ) was one of the major kabuki theatres in Edo (modern-day Tokyo) during the Edo period and into the Meiji period.  Not being one of the four theatres formally licensed by the Tokugawa shogunate, the theatre was largely inactive for long stretches of time, operating only when the Morita-za, facing financial difficulties or physical destruction of its theatre building, temporarily loaned its license to the Kawarazaki-za.  It was established in 1656 and was managed by members of the Kawarazaki family of actors until 1875. The Ichimura-za (市村座 ) was a major kabuki theatre in the Japanese capital of Edo (later, Tokyo), for much of the Edo period, and into the 20th century.  It was first opened in 1634 and was run by members of the Ichimura family for much of the following nearly three centuries before it was destroyed by fire in 1932.  It has not been rebuilt. The Morita-za (森田座・守田座), also known later as the Shintomi-za (新富座), was one of the major Kabuki theaters in Edo (modern-day Tokyo) during the Edo period and into the beginning of the 20th century.  It was established in January 1660, and run by the Morita family of actors until its destruction in the 1923 Great Kantō earthquake which destroyed much of Tokyo. Ukiyo (浮世 , "Floating World") describes the urban lifestyle, especially the pleasure-seeking aspects, of the Edo-period Japan (1600–1867).  The Floating World culture developed in Yoshiwara, the licensed red-light district of Edo (modern Tokyo), which was the site of many brothels, "chashitsu", and kabuki theaters frequented by Japan's growing middle class.  A prominent author of the "ukiyo" genre was Ihara Saikaku, who wrote "The Life of an Amorous Woman".  The "ukiyo" culture also arose in other cities such as Osaka and Kyoto. The Nakamura-za (中村座; founded 1624) was one of the three main kabuki theatres of Edo () alongside the Morita-za and Ichimura-za.  It was founded by Nakamura Kanzaburō 1st ().  The Nakamura-za relocated to the new capital Tokyo in 1868 and reopened under Nakamura Kanzaburō I's last direct descendant Nakamura Kanzaburo XIII (1828–1895) as zamoto.  It was later also called the Miyako-za (都座 ). The Itabashi execution grounds (板橋刑場 , Itabashi Keijō ) were one of the three sites in the vicinity of Edo (the forerunner of present-day Tokyo, Japan) where the Tokugawa shogunate executed criminals in the Edo period.  Located near Itabashi-shuku, the first post station from Edo on the Nakasendō (a major inland route to Kyoto), it is within the city limits of modern-day Itabashi, Tokyo near JR Itabashi Station. Naka no Shibai (中の芝居, Central Theatre), also known as Naka-za (中座), was one of the major kabuki theatres in Osaka, Japan. Morita Kanya XII (十二代目守田勘弥 ) (9 November 1846 – 21 August 1897) was the leading Japanese theatre manager of the first half of the Meiji period, between 1868 and 1912.  He built the first modern theater, the Shintomi-za (新富座), which incorporated Western features such as gaslights and chairs.  The theater opened in June 1878, and was located at a foreign settlement in Tsukiji, Tokyo.  He was also a crucial factor in attracting the new audience, the aristocracy, into the kabuki theaters (Kikan).
Answer: Tokyo