Question: Who released an album on May 15, 1978, featuring a spacey symphonic rock rock trip into outer space utilizing the electro-mechanical keyboard developed and built in 1963.
Context: It Came from Outer Space!  is the first full-length album released by the Christian rock band Dweeb.  Dweeb were an indie band from Coventry, UK, from 2002 – 2011.  It Came from Outer Space!  was released in 2007 by Risen Records; the label's ninth CD release.  The band was made up of Tim Alford, Matt Donald, 'The Badgerman' and Dave Ashworth. Aurora dos Sonhos is the third studio album by the Brazilian progressive rock group Apocalypse.  One year after "Perto do Amanhecer", Apocalypse released "Aurora dos Sonhos" through Musea Records.  The album dealt with different issues like conservation of nature, science fiction and spirituality.  The tracks scan the fields of Neo Prog and Symphonic Rock with comfort, most of the guitar melodies are fantastic, while Eloy Fritsch seems to be another talented keyboard wizard, torturing his minimoog synthesizer with easiness.  Lots of shifting moods and diverse textures guarantee another enjoyable release by the band. David Bagsby (born September 4, 1960) is an American musician, film maker, photographer and composer born in Tulsa, Oklahoma.  His original take on contemporary progressive music lead his work to appear on feature films, including Steve Balderson's "Watch Out" (2009), based on the novel by Joseph Suglia and starring Matt Riddlehoover.  Bagsby has studied under Jazz guitarist Stanley Jordan in St. Louis, Missouri.  His music encompasses progressive/symphonic rock, humanly impossible rhythmic hierarchies, translated nature recordings, acoustic guitar works and pieces utilizing perfect tuning systems & Euclidean Space. The Mellotron is an electro-mechanical, polyphonic tape replay keyboard originally developed and built in Birmingham, England, in 1963.  It evolved from a similar instrument, the Chamberlin, but could be mass-produced more effectively.  The instrument works by pulling a section of magnetic tape across a head.  Different portions of the tape can be played to access different sounds. Pulling Rabbits Out of a Hat is the thirteenth studio album by American pop band Sparks.  It was originally released in June 1984, on the label Atlantic.  It was not very well received and failed to capitalise on the commercial success of their 1983 album "In Outer Space".  The album developed the light synthpop sound of "In Outer Space" but with slightly darker lyrics revolving around Ron Mael's favourite subject matter: relationships. Killer Klowns from Outer Space is an EP by American punk rock band the Dickies, released in 1988 through Restless Brand Records.  It features the song, "Killer Klowns", the title song from the 1988 film "Killer Klowns from Outer Space". Rock Rock Kiss Kiss Combo is the debut album of Danish indie rock band The Fashion.  It was released September 15, 2003 by Sony BMG Denmark.  The album featured the singles “Let's Go Dancing”, and “Roller Disco Inferno” and the album was given extensive airplay on Danish radio.  The album subsequently became the MTV Fresh Pick of the Week. 10.000 Anos Depois Entre Vénus e Marte (In English: "10,000 Years Later Between Venus and Mars"), is a progressive rock album, by Portuguese musician José Cid, released on 15 May 1978.  It is a spacey symphonic rock trip into outer space, dominated by Mellotron, string synth, and other synthesizers, with supporting use of guitars, bass, and drums. Clearlight is a French progressive rock band from the 1970s, although their best known work was produced in England, and released by a major British record company.  While progressive rock is an appropriate overall genre for the band, much of their work delves into other genres including psychedelic music, jam band music, symphonic rock, space rock, jazz fusion, and new-age music. Atmosphere: Electronic Suite is an album by Eloy Fritsch, a keyboard player known for his work in the progressive rock group Apocalypse.  As a solo artist he creates cosmic electronic music.  The closest comparison would be probably Vangelis, if considering his early work, which included many analogue instruments.  Nevertheless, Fritsch has found his own style within melodic Electronic music framework.  The opus reveals once again Fritsch’s ecological convictions: he presently defends the virtues of the gas envelope that allow everyone to live on Earth: the Atmosphere, a theme which is carried over to the album art featuring a cloud formation juxtaposed with outer space.  The music is sweeping, majestic, and at times orchestral.  It moves from clear melodic themes that are somewhat earthly to the more experimental out-there stuff in the middle of the album, only to return to anthemic epicness by the end.
Answer: José Cid