Question: Where dod tje Hong Kong film director, who redid the 1946 American Christmas fantasy comedy-drama film produced and directed by Frank Capra, attend college?
Context: Frank Warner Capra (March 20, 1934 – December 19, 2007), known as Frank Capra Jr., was an American film and television producer.  He was one of the three children of film director Frank Capra and his second wife, Lucille.  His own sons, Frank Capra III and Jonathan Capra, are assistant directors. It's a Wonderful Life is a 1946 American Christmas fantasy comedy-drama film produced and directed by Frank Capra, based on the short story "The Greatest Gift", which Philip Van Doren Stern wrote in 1939 and published privately in 1945.  The film is considered one of the most loved films in American cinema and has become traditional viewing during the Christmas season. Clifton Ko (; born 1958) is a Hong Kong film director, actor, producer and scriptwriter.  He graduated from Kwun Tong Maryknoll College, and entered TV and film industry in late 1970s, firstly worked with director Clifford Choi.  In this period he wrote Choi's "No U-Turn" (1981) and "Teenage Dreamers" (), and John Woo's comedy "Once a Thief".  In 1982 Ko entered Raymond Wong's the newly founded Cinema City & Films Co., and directed his first film "The Happy Ghost" in 1984.  The film series, like all his major works, is a slapstick comedy with moral teaching, family value, and optimism.  Ko, together the company, is prolific in making "Chinese New Year movies".  Important titles include family comedy series "It's a Mad, Mad, Mad World" (beginning in 1987); "Chicken and Duck Talk", a collaboration with comedian/writer Michael Hui; and ensemble comedy series "All's Well, Ends Well" (beginning in 1992); and "It's a Wonderful Life" (1994) (Stokes). Vicky Wong Wai-kit ( ) is a Hong Kong film director.  He co-directed the 2016 film "Trivisa" produced by Hong Kong film director Johnnie To and screen writer Yau Nai Hoi.  Trivisa has won numerous awards including Best Screenplay, Best Editing, Best Actor, Best Director and Best Picture at the 36th Hong Kong Film Awards, Best film at the Hong Kong Film Critics Society Award.  Vicky was also nominated for Best New Director at the 53th Golden Horse Film Festival and Awards. Lady for a Day is a 1933 American pre-Code comedy-drama film directed by Frank Capra.  The screenplay by Robert Riskin is based on the short story "Madame La Gimp" by Damon Runyon.  It was the first film for which Capra received an Academy Award nomination for Best Director and the first Columbia Pictures release to be nominated for Best Picture. Ceremony for the 21st Hong Kong Film Awards was held on 21 April 2002 in the Hong Kong Cultural Centre and hosted by Eric Tsang, Cecilia Yip, Jacqueline Pang and Cheung Tat-Ming.  Twenty-three winners in eighteen categories were unveiled.  The year's biggest winner was "Shaolin Soccer", winning six awards in total.  Its director and leading actor Stephen Chow clinched Best Director and a long-awaited Best Actor title after being nominated for the award seven times since 1991.  The 21st Hong Kong Film Awards also saw the establishment of the Best Asian Film category, open to all non-Hong Kong films commercially released in Hong Kong within the previous calendar year.  The first winner for this category is the Japanese animated feature "Spirited Away". The Hong Kong Film Award for Best Director is an award presented annually at the Hong Kong Film Awards (HKFA).  It is given to honour the best director of a Hong Kong film.  The 1st Hong Kong Film Awards ceremony was held in 1982, with no formal nomination procedure established; the award was given to Allen Fong for his direction of "Father and Son."  After the first award ceremony, a nomination system was put in place whereby no more than five nominations are made for each category and each entry is selected through two rounds of voting.  Firstly, prospective nominees are marked with a weight of 50% each from HKFA voters and a hundred professional adjudicators, contributing towards a final score with which the top five nominees advance to the second round of voting.  The winner is then selected via a scoring process where 55% of the vote comes from 55 professional adjudicators, 25% from representatives of the Hong Kong Film Directors' Guild and 20% from all other HKFA Executive Committee Members. 92 Legendary La Rose Noire is a 1992 Hong Kong comedy film written and directed by Jeffrey Lau and starring Tony Leung, Maggie Shiu, Teresa Mo, Wong Wan-sze and Fung Bo Bo.  The film was nominated for eight awards at the 12th Hong Kong Film Awards, where Leung won his second Hong Kong Film Award for Best Actor and Fung won her first Hong Kong Film Award for Best Supporting Actress.  "92 Legendary La Rose Noire" was ranked number 75 of the Best 100 Chinese Motion Pictures at the 24th Hong Kong Film Awards.  The film was followed two sequels, one released in 1993 titled "Rose Rose I Love You", where Leung reprises his role but features a new storyline, and another released in 1997 confusingly titled "Black Rose II", also featuring a new storyline and different cast. Miracles () is a 1989 Hong Kong action comedy film directed by Jackie Chan, who also starred in the lead role and worked as stunt co-ordinator.  The film is set in 1930s Hong Kong and is a variation of Frank Capra's "Lady for a Day" and "Pocketful of Miracles", which in turn were based on "Madame La Gimp", a short story by Damon Runyon.  This movie is written by Edward Tang with inputs from Jackie.  The movie was remade in Hindi as Singh Is Kinng with Akshay Kumar and Katrina Kaif.  A similar subplot also appears in the 1973 Hindi film Loafer. A Chinese Ghost Story () is a 1987 Hong Kong romantic comedy horror film starring Leslie Cheung, Joey Wong and Wu Ma, directed by Ching Siu-tung and produced by Tsui Hark.  The plot was loosely based on a short story about Nie Xiaoqian from Qing dynasty writer Pu Songling's "Strange Stories from a Chinese Studio" (聊齋誌異), and also inspired by the 1960 Shaw Brothers Studio film, "The Enchanting Shadow".  The film was popular in Hong Kong and several Asian countries, including South Korea and Japan, when released.  Most notably it boosted the stardom of Joey Wong, won Leslie Cheung popularity in Japan, and sparked a trend of folklore ghost films in the Hong Kong film industry, including two sequels, an animated film, a television series and a 2011 remake.  The film was ranked number 50 of the Best 100 Chinese Motion Pictures presented at the 24th Hong Kong Film Awards.
Answer: Kwun Tong Maryknoll College