Question: De vetula ("On the Old Woman") is a long 13th-century elegiac comedy  that was quoted by a scholar who passed away in which year ?
Context: De vetula ("On the Old Woman") is a long 13th-century elegiac comedy written in Latin.  It is pseudepigraphically signed "Ovidius", and in its time was attributed to the classical Latin poet Ovid.  It consists of three books of hexameters, and was quoted by Roger Bacon.  In its slight plot, the aging Ovid is duped by a go-between, and renounces love affairs.  Its interest to modern readers lies in the discursive padding of the story. Elegiac comedy was a genre of medieval Latin literature—or drama—which survives as a collection of about twenty texts written in the 12th and 13th centuries in the liberal arts schools of west central France (roughly the Loire Valley).  Though commonly identified in manuscripts as "comoedia", modern scholars often reject their status as comedy.  Unlike Classical comedy, they were written in elegiac couplets. Denying their true comedic nature, Edmond Faral called them Latin "fabliaux", after the later Old French "fabliaux", and Ian Thomson labelled them Latin comic tales.  Other scholars have invented terms like verse tales, rhymed monologues, epic comedies, and Horatian comedies to describe them.  The Latin "comedies", the dramatic nature of which varies greatly, may have been the direct ancestors of the "fabliaux" but more likely merely share similarities.  Other interpretations have concluded that they are primitive romances, student juvenilia, didactic poems, or merely collections of elegies on related themes. De tribus puellis or The Three Girls is an anonymous medieval Latin poem, a narrative elegiac comedy (or "fabliau") written probably in France during the twelfth or early thirteenth century.  The metre (elegiac couplets) and theme (love) are modelled so thoroughly on Ovid (augmented with quotations from him) that it is ascribed to him in the two fifteenth-century manuscripts in which it is preserved. In Carl Jung's theory of analytical psychology, the Wise Old Woman and the Wise Old Man are archetypes of the Collective Unconscious.  'The "wise old woman"...[or] helpful "old woman" is a well-known symbol in myths and fairy tales for the wisdom of the eternal female nature'.  The 'Wise Old Man, or some other very powerful aspect of eternal masculinity' is her male counterpart. Roger Bacon {'1': ", '2': 'OFM', '3': ", '4': "} (Latin: "Rogerus" or "Rogerius Baconus ", also " Rogerus"; c. 1219/20 – c. 1292 ), also known by the scholastic accolade Doctor , was an English philosopher and Franciscan friar who placed considerable emphasis on the study of nature through empiricism.  In the early modern era, he was regarded as a wizard and particularly famed for the story of his mechanical or necromantic brazen head.  He is sometimes credited (mainly since the 19th century) as one of the earliest European advocates of the modern scientific method inspired by Aristotle and by later scholars such as the Arab scientist Alhazen.  His linguistic work has been heralded for its early exposition of a universal grammar.  However, more recent re-evaluations emphasise that Bacon was essentially a medieval thinker, with much of his "experimental" knowledge obtained from books in the scholastic tradition.  He was, however, partially responsible for a revision of the medieval university curriculum, which saw the addition of optics to the traditional "quadrivium ".  A survey of how Bacon's work was received over the centuries found that it often reflected the concerns and controversies that were central to his readers. Babio (De Babione) is a 12th-century elegiac comedy consisting of 484 lines of elegiac distychs, probably composed in England.  It imitates Roman comedy and is indebted to Ovid, Plautus and Terence.  It is preserved in five manuscripts, four of them in England and one in Berlin. In natural language processing, open information extraction (OIE) is the task of generating a structured, machine-readable representation of the information in text, usually in the form of triples or n-ary propositions.  A proposition can be understood as truth-bearer, a textual expression of a potential fact (e.g., "Dante wrote the Divine Comedy"), represented in an amenable structure for computers [e.g., ("Dante", "wrote", "Divine Comedy")].  An OIE extraction normally consists of a relation and a set of arguments.  For instance, ("Dante", "passed away in" "Ravenna") is a proposition formed by the relation "passed away in" and the arguments "Dante" and "Ravenna".  The first argument is usually referred as the subject while the second is considered to be the object. The Comoedia Lydiae (or Lidia) is a medieval Latin elegiac comedy from the late twelfth century.  The "argument" at the beginning of the play refers to it as the "Lidiades" (line 3, a play on "Heroides"), which the manuscripts gloss as "comedia de Lidia facta" (a comedy made about Lidia) and which its English translator gives as "Adventures of Lidia". Geta, a twelfth-century elegiac comedy by Vitalis of Blois, is a loose adaptation of Plautus’ play, "Amphitryon".  Both tell the story of how Jupiter, transforming himself to look like Amphitryon, sleeps with Amphitryon’s wife, Alcmena.  But in "Geta", Amphitryon is not a Greek military leader but a philosopher, and Hercules, the child who is born from the union of the god and Alcmena, is not even mentioned.  In both stories, Amphitryon’s servant, who is sent on ahead to his master’s estate to announce Amphitryon’s homecoming to Alcmena, is turned away by Mercury, who is disguised as that very servant, and who convinces him that he (Mercury) is the real servant; but in "Geta", this trickery is aided by sophistical arguments, which serve to ridicule sophists in general who style themselves philosophers. The phrase and title There Was an Old Lady Who Swallowed a Fly—alternatively, "I Know an Old Lady Who Swallowed a Fly," or "There Was an Old Woman Who Swallowed a Fly," or "I Know an Old Woman Who Swallowed a Fly"—is a children's rhyme and song of a kind known as cumulative.  The song tells the story of an old woman who swallowed increasingly large animals, each to catch the previously swallowed animal.  There are many variations of phrasing in the lyrics, especially for the description of swallowing each animal.  The spider and fly are described in each verse, but the other animals are only described when they are introduced starting with the bird.  The absurdity stems from the increasingly improbable solutions that only worsen the initial problem and are more likely to cause the woman's death: the logic of swallowing of even more animals of preposterous sizes without dying, contrasted with the expected, matter-of-fact recounting of her death from swallowing an animal larger than herself, when in fact the swallowing of any animal as a solution was absurd.
Answer:  1292