Question: What was the final work of the Christian interpolation where the text refers to Christ and his execution by Pontius Pilate?
Context: The extant manuscripts of the writings of the 1st-century Romano-Jewish historian Flavius Josephus include references to Jesus and the origins of Christianity.  Josephus' "Antiquities of the Jews", written around 93–94 AD, includes two references to the biblical Jesus Christ in Books and and a reference to John the Baptist in Book .  Scholarly opinion varies on the total or partial authenticity of the reference in of the "Antiquities", a passage that states that Jesus the Messiah was a wise teacher who was crucified by Pilate, usually called the "Testimonium Flavianum".  The general scholarly view is that while the "Testimonium Flavianum" is most likely not authentic in its entirety, it is broadly agreed upon that it originally consisted of an authentic nucleus, which was then subject to Christian interpolation and/or alteration.  Although the exact nature and extent of the Christian redaction remains unclear, there is broad consensus as to what the original text of the "Testimonium" by Josephus would have looked like. In the canonical gospels, Pilate's court refers to the trial of Jesus in praetorium before Pontius Pilate, preceded by the Sanhedrin preliminary hearing.  In the Gospel of Luke, Pilate finds that Jesus, being from Galilee, belonged to Herod Antipas' jurisdiction, and so he decides to send Jesus to Herod.  After questioning Jesus and receiving very few replies, Herod sees Jesus as no threat and returns him to Pilate.  Fearing defilement, the Jews did not enter the court, and Pilate's discussion with them occurred outside the praetorium. Christian interpolation is a subsidiary category of scribal interpolation in manuscript transmission.  The term generally refers in textual criticism to the specific phenomena of textual insertion and textual damage to Jewish sources text during Christian scribal transmission, but may also refer to possible interpolation in secular Roman texts, such as the case of Tacitus on Christ. The Roman historian and senator Tacitus referred to Christ, his execution by Pontius Pilate, and the existence of early Christians in Rome in one page of his final work, "Annals" (written "ca."  AD 116), . Pilate most commonly refers to Pontius Pilate Golgotha is a 1935 French film about the death of Jesus Christ, released in English-speaking countries as Behold the Man.  The film was directed by Julien Duvivier, and stars Harry Baur as Herod, Jean Gabin as Pontius Pilate, and Robert Le Vigan plays Christ. Ecce homo ("behold the man", ] , ] ) are the Latin words used by Pontius Pilate in the Vulgate translation of John , when he presents a scourged Jesus Christ, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion.  The original Greek is Ίδε ό άνθρωπος ("Ide ho anthropos").  The Douay-Rheims Bible translates the phrase into English as "Behold the man!"  The scene has been widely depicted in Christian art. Ecce Homo is a statue of the Christian figure, Jesus of Nazareth, during his trial after being imprisoned by the Romans.  The statue's title, "Ecce Homo," is an allusion to the famous proclamation by Pontius Pilate, "Behold the Man."  The statue, made entirely of carved wood, depicts Jesus in a horrific state of suffering and anguish.  Although its creator remains anonymous, "Ecce Homo" is believed to have been carved in Spain sometime around the year 1600 AD.  Like many forms of Baroque era art, the focus of this piece comes in the form of an emotional connection with Christ.  In the Summer 2010 issue of the Loyola University Magazine, Jonathan Canning explains the artistic technique used by the creator to convey this emotion, "His [Christ’s] skin has been painted to reveal bruising and welts beneath the skin, while small, red glass beads have been set into the sculpture’s open wounds to suggest flowing blood."  Additionally, Christ's face has been carved so that he is looking down, with an expression that depict complete misery.  It is believed that the artist's aim was to trigger a sympathetic response with the viewer.  The pathos attributed to this piece may have been intended to serve as a form of worship in which Christians create an emotional connection with Christ. Ablution, in religion, is a prescribed washing of part or all of the body or of possessions, such as clothing or ceremonial objects, with the intent of purification or dedication.  In Christianity, both baptism and footwashing are forms of ablution.  In liturgical churches, ablution can refer to purifying fingers or vessels related to the Eucharist.  In the New Testament, washing also occurs in reference to rites of Judaism part of the action of a healing by Jesus, the preparation of a body for burial, the washing of nets by fishermen, a person's personal washing of the face to appear in public, the cleansing of an injured person's wounds, Pontius Pilate's washing of his hands as a symbolic claim of innocence and foot washing, now partly a symbolic rite within the Church.  According to the Gospel of Matthew, Pontius Pilate declared himself innocent of the blood of Jesus by washing his hands.  This act of Pilate may not, however, have been borrowed from the custom of the Jews.  The same practice was common among the Greeks and Romans. The Pilate stone is a damaged block (82 cm x 65 cm) of carved limestone with a partially intact inscription attributed to, and mentioning, Pontius Pilate, a prefect of the Roman province of Judaea from AD 26–36.  It was discovered at the archaeological site of Caesarea Maritima in 1961.  The artifact is particularly significant because it is an archaeological find of an authentic 1st-century Roman inscription mentioning the name "Pontius Pilatus".  It is contemporary to Pilate's lifetime, and accords with what is known of his reported career.  In effect, the writing constitutes the earliest surviving record and a contemporaneous evidence for the historical existence of this person; otherwise known from the New Testament, and brief mentions in retrospective Roman histories, which have themselves survived in still-later copies.
Answer: Annals