Question: The founder of modern utilitarianism influenced a cuban from which art collective?
Context: NMP (НМП in Macedonian; it is a proper name, not an abbreviation) is a multimedia art collective from Skopje, Republic of Macedonia.  The collective was first conceived as a movement rooted in applied philosophy in February 2002, but it did not have a specific form until 8 April 2005 when Version 1.0 of its official website ("www.nmp.com.mk") was launched.  NMP focuses primarily on digital art (such as photomanipulation and vector) and street art (stencils, stickers, graffiti), but it also supports photography and non-visual arts, such as poetry and music.  Due to the specific nature of the medium, and the growing number of writers, a separate section of the site dubbed NMP Reader (NMP Chitanka) was opened at the end of 2006, featuring some “celebrities” from the Macedonian blogger scene.  There is no set membership in the collective; all artists and project developers participate on a revolving-door basis.  Works of the collective are made public online, as well as through collective and individual exhibitions.  As of June 2007, about 30 artists are associated with the NMP collective. Jeremy Bentham ( ; 15 February 1748 [O.S. 4 February 1747] – 6 June 1832) was an English philosopher, jurist, and social reformer regarded as the founder of modern utilitarianism. The Arte Calle [Street Art] Group (El Grupo Arte Calle) was a Cuban art collective founded by Aldo Menéndez Lopez(Aldito) and Ofill Echevarria in 1986.  The group, as first was documented by a documentary of the Escuela Internacional de Cine y Televisión (EICTV) de San Antonio de los Baños, Cuba (International School of Cinema and Television of San Antonio de los Baños), directed by Pablo Dotta as his thesis work and copyrighted, 1988, Entitled: "Viva la Revolu", consisted of eight students of visual art in ages between 16 and 23 years old, most of them from the legendary Academy Of San Alejandro, who staged a series of "Murals", "Graffitis", “Happenings” and "Performances" between 1986 and 1988.  The group transformed icons from pop culture to make ideological metaphors. 1134NYC was an art collective based in Brooklyn, New York City.  The 1134nyc bomb logo was created by Mint and Hek.  The name 1134 was chosen due to some members from the collective being in a graffiti crew titled 1134.  The NYC was added to the logo in order to separate the newly formed art collective from the graffiti crew.  It began as a collective of artists and designers including MINT&SERF (MIRF), GOAL, HEILS, BOO, CH, CECS, VYELS, KEVS and OUCH (RIP).  Over the years more artists and musicians joined and collaborated with 1134NYC on different art related projects in galleries, clubs and streets.  The logo has appeared on a plethora of art object; shirts, street signs, stickers and canvases.  1134NYC has also been referenced in China Doll, a Team Facelift song off Manhattan album to be release on Duck Down records. Xurban collective (stylized as xurban_collective) is an international art collective founded in 2000.  Core members of the group are Guven Incirlioglu and Hakan Topal, whose transatlantic collaborations took the form of media projects and installations.  xurban_collective's projects instigate the questioning, examination, and discussion of contemporary politics, theory, and ideology, utilizing documentary photography, video, new media and text.  The collective focuses specifically on areas of regional conflicts, military spatial confinement, urban segregation and neoliberal exclusion strategies.  In September 2012 xurban_collective members concluded their collaboration to focus on their personal projects, artistic research and production. The YES!  Association (also known by its Swedish name, Föreningen JA!)  is an art collective based in Sweden.  The collective was founded in 2005 and continues to be active today.  The collective creates art through the use of enactments and performances.  The YES!  Association is known primarily for art exhibitions that deal with themes of gender, sexuality, race, and capitalism. Dennis King is an internationally recognized authority on vintage Rock music posters, related memorabilia, and sports cards.  He was a major contributor and technical advisor to "The Art of Rock" by Paul Grushkin, which was released in 1987 and has become the standard reference book on rock posters of the 1960s and 70s.  Grushkin and King co-authored the follow-up book, "The Art of Modern Rock: The Poster Explosion" in 2004, on which King was Art Director.  More than 1800 posters were reproduced in "Art of Modern Rock: The Poster Explosion", which detailed the resurgence and expansion of the art form’s phenomenon, its style and influence.  The book also featured a discussion of the history of silk screening and its commercial applications following its industrialization, featuring the work of artists like Frank Kozik, Uncle Charlie, Art Chantry and Yee Haw Industries.  The French edition, "L’Art du Rock", was released in 2005.  King was the sole author on a pair of follow-up books, "Art of Rock Mini #1: A-Z" (2007) and "Art of Rock Mini #2: Poster Girls" (2008), both of which included new material and were published in smaller, more economical and accessible formats.  He also wrote the epilogue to the 2008 book "The Hammer of God: The Art of Malleus Rock Art Lab", a volume dedicated to the art collective consisting of three Italian poster artists whose work appeared in all three of the "Art of Modern Rock" books. . The Lollybot Collective is a multimedia art collective founded in Detroit, MI.  The collective is made up of over fifty artists dedicated to positive change in a fun environment.  Their gallery shows are well known for their laid back atmosphere, live shows and cheap beer.  The collective is non-profit, all money is used to support the continuation of the artists' galleries and music.  They do not take an independent commission from sold art pieces. Viredo Espinosa (1928 - 2012) was a Cuban Abstract Expressionist artist.  He was a member of the Cuban art collective known as "Los Once".  Alongside Los Once, Viredo brought abstract styles to Cuban art that had previously only been seen in Europe or the US.  Viredo's works include paintings, engravings, murals, and more. Alexandre Arrechea (born 1970) is a Cuban artist whose work involves concepts of power and its network of hierarchies, surveillance, control, prohibitions, and subjection.  For twelve years he was a member of the art collective Los Carpinteros, until he left the group in July 2003 to continue his career as a solo artist.  His public art The spectator’s participation in the work adds to his contemplation.  The work arises out of human actions and reactions in the face of contemporary versions of the worldview already described by Jeremy Bentham in the 18th century.  The eye of power watches everything and everyone, and everyone watches everyone else and themselves.
Answer: Los Carpinteros