Question: Which film director has had the most notable films, Emile Ardolino or Seijun Suzuki?
Context: Emile Ardolino (May 9, 1943 – November 20, 1993) was an American film director, choreographer, and producer, best known for his films "Dirty Dancing" (1987) and "Sister Act" (1992). Underworld Beauty (暗黒街の美女 , Ankokugai no bijo ) is a 1958 Japanese film directed by Seijun Suzuki.  It marked Suzuki's first CinemaScope film and was also the first to be credited to his assumed name, Seijun Suzuki. Seijun Suzuki (鈴木 清順 , Suzuki Seijun ) , born (24 May 1923 – 13 February 2017), was a Japanese filmmaker, actor, and screenwriter.  His films are known for their jarring visual style, irreverent humour, nihilistic cool and entertainment-over-logic sensibility.  He made 40 predominately B-movies for the Nikkatsu Company between 1956 and 1967, working most prolifically in the yakuza genre.  His increasingly surreal style began to draw the ire of the studio in 1963 and culminated in his ultimate dismissal for what is now regarded as his magnum opus, "Branded to Kill" (1967), starring notable collaborator Joe Shishido.  Suzuki successfully sued the studio for wrongful dismissal, but he was blacklisted for 10 years after that.  As an independent filmmaker, he won critical acclaim and a Japanese Academy Award for his Taishō Trilogy, "Zigeunerweisen" (1980), "Kagero-za" (1981) and "Yumeji" (1991). Yumiko Nogawa (野川由美子 , Nogawa Yumiko ) (born August 30, 1944) is a Japanese actress born in Kyoto, Japan.  She has starred in several movies, notably "Gate of Flesh" (1964), a Japanese erotic film, part of a trilogy of films she made with director Seijun Suzuki.  Including "Story of a Prostitute" (1965) and "Carmen from Kawachi" (1966), these films are known as Nogawa's "Flesh Trilogy".  Nogawa has appeared in numerous films in Japan, including director Nagisa Oshima's "The Pleasures of the Flesh" (1965) and "Zatoichi and the Fugitives" (1968), the eighteenth film in the "Zatoichi" series.  She has also appeared in television series on Nippon Television, TV Tokyo, Fuji TV, and NHK. Takeo Kimura (木村 威夫 , Kimura Takeo , April 1, 1918 – March 21, 2010) was a Japanese art director, writer and film director.  Beginning his career in 1945 he art-directed well over 200 films.  He was one of Japan's best known art directors, most famously for his collaborations with cult director Seijun Suzuki through the 1960s at the Nikkatsu Company, exemplified by "Tokyo Drifter" (1966).  Other directors with whom he frequently worked include Toshio Masuda, Kazuo Kuroki, Kei Kumai and Kaizo Hayashi.  At age 90 he made his feature film directorial debut with "Dreaming Awake" (2008).  He had also worked as a critic, writer, painter, photographer and teacher. Kenji Suzuki (鈴木 健二 , Suzuki Kenji , born January 23, 1929) is a former television announcer for the NHK in Japan.  He retired in 1988.  He is the younger brother of film director Seijun Suzuki. Everything Goes Wrong (すべてが狂ってる , Subete ga kurutteru , aka The Cliff and The Madness of Youth) is a 1960 Japanese Sun Tribe film directed by Seijun Suzuki and starring Tamio Kawachi and Yoshiko Yatsu in her film debut.  The story follows Jirō, a rebellious high schooler, in his sadomasochistic and criminal misadventures, specifically as they relate to his girlfriend, mother and her lover.  The film was produced and distributed by the Nikkatsu Company. " Kinema Junpo" called it an early masterpiece in Suzuki's career. The following is the filmography of Takeo Kimura, the Japanese art director, writer, and film director who has art-directed more than 200 films over a span of more than six decades and ranks among Japan's best-known art directors.  His training began with the Nikkatsu Company in 1941, whose production division was merged into Daiei during the wartime industry reorganization, where he was promoted to art director in 1945.  His debut film as such was "Umi no yobu koe" (1945).  Nikkatsu re-opened its production studio in 1954 and Kimura moved there.  He worked with several directors, including top action director Toshio Masuda on films such as "Red Quay" (1958) with top star Yujiro Ishihara and "Gangster VIP" (1968) starring Tetsuya Watari.  However, his longest and most famous collaboration has been with director Seijun Suzuki, which began with "The Bastard" (1963).  Together they developed a bold, expressive style exemplified in "Gate of Flesh" (1964) and "Tokyo Drifter" (1966).  Suzuki often rewrote his scripts with Kimura, who was given his first screenwriting credit on "The Flower and the Angry Waves" (1964).  Kimura was also a part of Guryū Hachirō, the pen name of the writing group that formed around Suzuki in the mid-1960s and wrote "Branded to Kill" (1967). Fighting Elegy (けんかえれじい , Kenka erejii ) is a 1966 Japanese film directed by Seijun Suzuki.  Filmmaker Kaneto Shindō adapted the script from the novel by Takashi Suzuki.  The film has also screened under the titles Violence Elegy, Elegy to Violence, Elegy for a Quarrel and The Born Fighter at various film festivals and retrospectives. Victory Is Mine (港の乾杯　勝利をわが手に , Minato no Kanpai: Shōri o Waga Te ni , aka Harbour Toast: Victory Is in Our Grasp) is a 1956 Japanese B movie directed by Seijun Suzuki for the Nikkatsu Corporation.  It is Suzuki's first film, credited under his given name Seitarō Suzuki.  The film was primarily a vehicle for an already popular song.
Answer: Seijun Suzuki