Question: The cover art for the album caintain "White Shadows" was a representation of what?
Context: Nick Egan (born July 4, 1957 in London, England) is a visual design artist, and director of music videos, commercials and film.  He graduated from the Watford College of Art and Design with a DGA in 1976.  While attending college, he created cover art for the singles "White Man In Hammersmith Palais" and "Tommy Gun" for The Clash and T-shirt design for the single "Sheena is A Punk Rocker" for The Ramones.  His first chart topping album cover was Dexys Midnight Runners' 'Searching For The Young Soul Rebels'.  He collaborated with former Sex Pistols manager and fashion entrepreneur Mr. Malcolm McLaren, for whom he designed the album cover for Bow Wow Wow's 'See Jungle'.  His longtime partnership with McLaren McLaren led the art direction of McLaren's own inventive albums; Duck Rock and 'Fans'.  Egan relocated from Britain to New York, where he created cover art for legendary artists like Bob Dylan and Iggy Pop.  Egan also art directed books; John Lennon "Listen To These Pictures" by Rock-n-Roll photographer Bob Gruen and Bob Dylan's "Drawn Blank". "White Shadows" is a song by British rock band Coldplay.  It is the third track on their third studio album "X&Y" (2005) and released as the sixth overall single from the album on 8 June 2007.  The song was co-produced by the band and their long-time producer Ken Nelson, while it was engineered by Rich Costey.  "White Shadows" also features musical contributions by Brian Eno, who plays synthesizers on the track. Where Shadows Forever Reign sixth studio album by black metal band Dark Funeral.  The album was released through Century Media Records on July 3rd 2016 .  "Where Shadows Forever Reign" is the first album to feature the new vocalist Heljarmadr.  The album was recorded in Dugout Studios in Uppsala Sweden and the cover art for the album was created by legendary artist Kristian ′Necrolord′ Wåhlin. Bob Roberts was an American cinematographer, noted for his work as a cinematographer during the Golden Age of Argentine Cinema from the late 1930s to the early 1950s.  Before moving to Argentina in the late 1930s he worked on W. S. Van Dyke's "White Shadows in the South Seas" (1928).  In 1944 the Argentine Academy of Cinematography Arts and Sciences gave Roberts the "Best Cinematographer" award for the critically acclaimed "Su mejor alumno", and at the 1946 Argentine Film Critics Association Awards he won the Silver Condor Award for Best Cinematography with Humberto Peruzzi and José María Beltrán for "Pampa bárbara" (1945).  He worked on films like "The Three Musketeers" (1946), "Madame Bovary" (1947) and "Facundo, el tigre de los llanos" (1952).  His last film was with Julio Porter on "Marianela" (1955). Bumpers was a double sampler album from Island Records, released in Europe and Australasia in 1970; there were minor variations in track listings within Europe but the Australian release was fundamentally different.  The title refers to the training shoes which can be seen on the front of the album cover but there may also be a less obvious reference to the meaning "unusually large, abundant or excellent".  The album is left to present itself; there are no sleeve notes, the gatefold interior consists of a photograph showing publicity shots of the featured acts attached to the bole of a tree, without any identification.  This image is flanked by the track listings, but even there, the information given is unreliable.  Unlike its predecessors "You Can All Join In" and "Nice Enough To Eat", there are no credits for cover art (the cover art was by Tony Wright, his first sleeve for Island), photography or design.  The impression is left that the album's production was rushed, presumably to leave enough lead-time to promote the albums featured.  The English version of the album came out in two pressings, one with the pink label and "i" logo, the other with the label displaying a palm motif on a white background and a pink rim, each version with some minor variations in the production of individual tracks. Get Damned is the third studio album from metalcore band The Agony Scene, which was released under Century Media Records on October 23, 2007.  The original release contained only 11 tracks.  The cover art that is most commonly displayed is not the true "cover", to say; it is merely a cardboard slip-cover.  The small, inverted coffin (superimposed with a ↓/downward-facing arrow) is a cut-out window in the outer sleeve, which exposes a portion of the art beneath it.  Once removed, the true cover is revealed: a skull (minus the jaw bone), which is impaled with skewers throughout.  The coffin and arrow we see through the slip-cover window is etched into the middle of the skull's forehead.  There is no text on this "skull" version of the cover.  The inverted coffin/arrow seems to be a symbolic representation of the album, as it is re-printed in a multitude of places, including the front cover, back cover, liner notes, and on the CD pressing, itself. X&Y (stylized as X & Y) is the third studio album by the British rock band Coldplay.  It was released on 6 June 2005 by Parlophone in the United Kingdom, and a day later by Capitol Records in the United States.  The album was produced by Coldplay and producer Danton Supple.  It is noted for its troubled and urgent development, with producer Ken Nelson having originally been tasked with producing much of the album; however, many songs written during his sessions were discarded owing to the band's dissatisfaction with them.  The album's cover art is a combination of colours and blocks, which is a representation of the Baudot code. Never the Twain Shall Meet is a 1931 talking film produced and distributed by Metro-Goldwyn-Mayer and starring Leslie Howard and Conchita Montenegro.  It is based on the book by Peter B. Kyne.  The film was directed by W. S. Van Dyke and was filmed in Tahiti like Van Dyke's two previous south sea adventures "The Pagan" and "White Shadows in the South Seas".  The film is a remake of a 1925 silent film of the same name. Cover art it is either an artwork as illustration or photograph on the outside of a published product such as a book (often on a dust jacket), magazine, newspaper (tabloid), comic book, video game (box art), DVD, CD, videotape, or music album (album art).  The art has a primarily commercial function, i.e., to promote the product it is displayed on, but can also have an aesthetic function, and may be artistically connected to the product, such as with art by the creator of the product.     Scribes and typographers (today’s cover artists), like architects, have been shaping visual spaces for countless years.  Certain proportions keep recurring in their work because they please the eye and the mind, just as certain sizes keep recurring because they are comfortable to the hand.   Even the Web benefits.    For too long typographic style and its accompanying attention to detail have been overlooked by website designers... In years gone by this could have been put down to the technology, but now the web has caught up.   Cover art not only sells, but enhances function, form and content of published works. The White Shadow (1923), also known as White Shadows in the US, is a British drama film directed by Graham Cutts and starring Betty Compson, Clive Brook, and Henry Victor.
Answer: Baudot code