Question: Which opera in three acts and an epilogue by Igor Stravinsky.did Stravinsky felt the urge to compose another After completing ?
Context: Concerto in E-flat, subtitled Dumbarton Oaks 8-v-1938 (1937–38) is a chamber concerto by Igor Stravinsky, named for the Dumbarton Oaks estate of Robert Woods Bliss and Mildred Barnes Bliss in Washington, DC, who commissioned it for their thirtieth wedding anniversary.  Composed in Stravinsky's neo-classical period, the piece is one of Stravinsky's two chamber concertos (the other being the Concerto in D, for strings, 1946) and is scored for a chamber orchestra of flute, B♭ clarinet, bassoon, two horns, three violins, three violas, two cellos, and two double basses.  The three movements, Tempo giusto, Allegretto, and Con moto, performed without a break, total roughly twelve minutes.  The concerto was heavily inspired by Bach's set of Brandenburg Concertos, and was the last work Stravinsky completed in Europe, started in spring 1937 at the Château de Montoux near Annemasse, near Geneva, Switzerland, and finished in Paris on March 29, 1938 . Les noces (French; English: The Wedding ; Russian: Свадебка , "Svadebka") is a ballet and orchestral concert work composed by Igor Stravinsky for percussion, pianists, chorus, and vocal soloists.  The composer gave it the descriptive title: "Choreographed Scenes with Music and Voices."  Though initially intended to serve as a ballet score, it is often performed without dance.  It premiered under the musical direction of Ernest Ansermet at the Ballets Russes with choreography by Bronislava Nijinska on June 13, 1923, in Paris.  Several versions of the score have been performed, either substituting orchestra for the percussion and pianos or using pianolas in accordance with a version of the piece that Stravinsky abandoned without completing. The Rake's Progress is an opera in three acts and an epilogue by Igor Stravinsky.  The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings "A Rake's Progress" (1733–1735) of William Hogarth, which Stravinsky had seen on 2 May 1947, in a Chicago exhibition. Mavra is a one-act opera buffa composed by Igor Stravinsky, and one of the earliest works of Stravinsky's 'neo-classical' period.  The libretto of the opera, by Boris Kochno, is based on Alexander Pushkin's "The Little House in Kolomna".  Mavra is about 25 minutes long, and features two arias, a duet, and a quartet performed by its cast of four characters.  The opera has been characterised as both an homage to Russian writers, and a satire of bourgeois manners and the "Romeo and Juliet" subgenre of romance.  Philip Truman has also described the music as satirising 19th-century comic opera.  The dedication on the score is to the memory of Pushkin, Glinka and Pyotr Ilyich Tchaikovsky. John Reardon (8 April 193016 April 1988) was an American baritone and actor who was noted for his performances on television, including many appearances on the PBS children's television show "Mr. Rogers' Neighborhood".  Reardon was a member of the New York Metropolitan Opera from 1965 until 1977, appearing in such operas as "Carmen" and "Jenufa".  In 1967, Reardon created the role of Orin Mannon (the equivalent of Orestes in Aeschylus' Oresteia) in the world premiere of Marvin David Levy's "Mourning Becomes Electra".  He co-starred with Phil Silvers on Broadway in the Jule Styne musical "Do Re Mi" introducing the standard song "Make Someone Happy."  He also appeared on Broadway in "New Faces of 1956" and Gian Carlo Menotti's "The Saint of Bleecker Street".  He performed the role of Schaunard in the famous 1956 recording of "La Boheme" conducted by Sir Thomas Beecham.  In 1960 he created a main role of Mr. McC in a nine-minute opera "Introductions and Good-Byes" by Lukas Foss, premiered on May 5, 1960 in New York City with New York Philharmonic conducted by Leonard Bernstein.  In 1969 he created the role of Dr. Stone in the premiere of Menotti's "Help, Help, the Globolinks! " at the Santa Fe Opera.  Reardon was chosen by Igor Stravinsky to sing the role of Nick Shadow on Stravinsky's second recording of his opera "The Rake's Progress".  Reardon also appears on several of Ben Bagley's "Painted Smiles" "Revisited" albums. The Symphony in Three Movements is a work by Russian expatriate composer Igor Stravinsky.  Stravinsky wrote the symphony from 1942–45 on commission by the Philharmonic Symphony Society of New York.  It was premièred by the New York Philharmonic Orchestra under Stravinsky on January 24, 1946. The Cantata by Igor Stravinsky is a work for soprano, tenor, female choir, and instrumental ensemble (of two flutes, oboe, cor anglais (doubling second oboe), and cello), and was composed from April 1951 to August 1952.  The premiere performance on 11 November 1952 was by the Los Angeles (Chamber) Symphony Society (to whom the work is dedicated), conducted by Stravinsky himself.  After completing the opera "The Rake's Progress", Stravinsky felt the urge to compose another work setting English words, but in a non-dramatic form . Fyodor Ignatievich Stravinsky (Russian: Фёдор Игна́тиевич Страви́нский ), 20 June [O.S. 8 June] 1843 , in Golovintsy, Minsk Governorate 4 December [O.S. 21 November] 1902 ) was a Russian bass opera singer and actor of Polish descent.  He was the father of Igor Stravinsky and the grandfather of Soulima Stravinsky. His first commercial recording was the complete piano solo works of Igor Stravinsky.  Since then he has recorded music by Alexander Scriabin, Robert Schumann and Olivier Messiaen, the piano part of Igor Stravinsky's "Petrushka" with the New Philharmonia under Erich Leinsdorf, and Béla Bartók's "Music for Strings, Percussion and Celesta" with Sir Georg Solti and the London Symphony Orchestra.  He has completed a cycle of recordings devoted to the entire piano music of Enrique Granados.  Subsequently he undertook to record Franz Liszt's 12 "Transcendental Etudes" and "12 Etudes", Op. 1.  Rajna has often performed his own two piano concertos. The Stravinsky Fountain (French:" La Fontaine Stravinsky") is a whimsical public fountain ornamented with sixteen works of sculpture, moving and spraying water, representing the works of composer Igor Stravinsky.  It was created in 1983 by sculptors Jean Tinguely and Niki de Saint Phalle, and is located on Place Stravinsky, next to the Centre Pompidou, in Paris.
Answer: The Rake's Progress