Question: Who designed the style of building that Koepelgevangenis is one of three of in the Netherlands?
Context: The Smyk Department Store was constructed in 1948-1952, designed by Zbigniew Ihnatowicz and Jerzy Romański, at the intersection of Bracka, Widok, Krucza, and Aleje Jerozolimskie, the building was designed in the late modernist style, however, the majority of new projects being built in Warsaw at the time were constructed in the politically favourable socialist realist style.  The modernist design of Smyk made it a unique building at the time, yet also a very controversial one.  Stalin believed that modernism was the architecture of capitalism and particularly disliked it as the favoured style in the decades just before the Second World War and thus its association with the Second Polish Republic.  Unlike much of Warsaw's immediate pre-war architecture, the building is simple and functional, using no excess motifs or decorations to enhance its contemporary appearance.  The current owner of the building is the "Centre for Development & Investments - Poland Sp.  Zoo" The Koepelgevangenis is a former prison in Haarlem, Netherlands.  It is one of three Panopticon-style buildings situated in the country.  Designed by Willem Metzelaar, the building was completed in 1901.  A Rijksmonument, the prison closed in 2016.  After the prison's closure, the building, along with the one at Arnhem, was used to house asylum seekers to the Netherlands. The Anderson-Carlson Building is a historic six-flat apartment building in the West Ridge community area of Chicago, Illinois.  George E. Carlson and F. Anderson commissioned the building, which was completed in 1928 and owned by Anderson's family for the first 27 years of its existence.  The building was designed by Godfrey E. Larson, a Chicago architect who later worked as a field representative for the Public Works Administration.  The apartment was built in the Spanish Baroque Revival style, which can be seen in the pilasters and swan's-neck pediment in its entryway and the two windows designed to resemble balconies.  While many six-flat apartments were constructed in West Ridge and neighboring Rogers Park in the 1920s, the Anderson-Carlson Building is the only one designed in the Spanish Baroque Revival style and one of the few with a highly detailed design.  The building has been largely unaltered since its construction; with the exception of one window, every major feature of the building is still present, and five of its six apartments have maintained their original design.  On November 15, 2003, the building was added to the National Register of Historic Places. The Church of St. Joseph is a historic church building located at 1109 K Street in Los Banos, California.  Built in 1923, the church was designed in the Romanesque Revival style, a common style for church buildings.  Charles Fantoni, a San Francisco architect, designed the church; it is one of only three surviving Fantoni designs, the other two being Saints Peter and Paul Church in San Francisco and Our Lady of Help Christians Church in Watsonville.  The church's design features extensive use of rounded arches, arches and vaults in both the interior and exterior of the building, and a low pitched roof atop the apse.  The church is the only Romanesque building in Los Banos and its surrounding communities.  The building no longer functions as a church and is used by the Los Banos Arts Council. The Four Nineteen Building is a historic gas station building located at 419 E. 83rd St. in the Chatham community area of Chicago, Illinois.  The station was built in 1928 by William D. Meyering and David L. Sutton, two local real estate businessmen.  The station is an example of the Domestic style of gas station architecture, in which stations were designed to resemble small houses.  A wooden canopy supported by brick piers covers the building's front entrance and two garage bays extend from either side, making the station part of a subtype of the Domestic style appropriately named "House with Canopy and Bays".  The station's walls are built with clinker bricks laid in a skintled pattern, a combination of two Chicago construction innovations.  Clinker bricks were heated at higher temperatures than standard bricks, making them swollen, dense, and differently colored; the bricks were generally discarded until the 1920s, when Chicago architects began to build with them.  The skintled pattern of brickwork consisted of rough and irregular bricklaying in which bricks stuck out of and into the wall at different angles.  The building's parapet roof is tiled with multicolored Mission style clay tiles, which were thought to pair well with skintled walls by architects of the era.  Gas stations constructed from the 1930s onward generally had more functional designs, and as of 1999, the Four Nineteen Building was one of only sixteen Domestic-style gas stations remaining in Chicago and one of three with both a canopy and bays. Frits van Dongen (born 12 March 1946, 's-Hertogenbosch) is an architect from the Netherlands.  He designed a canal-side municipal theatre for the city of Leeuwarden with his firm De Architecten Cie. The building he designed that is known as The Whale is in an area known as the Oostelijke Handelskade (Eastern Docklands area) that includes "some of The Netherlands' most cutting-edge housing developments including Piraeus, designed by Hans Kollhoff and Christian Rappit, "Hoop, Liefde en Fortuin" (named after three windmills that used to dominate this area) by Rudy Uytenhaak" and one of Jamie Oliver's "Fifteen" restaurants.  R otterdam Maaskant Prize for Young Architects 2005 winner Oliver Thill and his architecture partner André Kempe, both from East Germany, both worked in van Dongen's office. The Panopticon is a type of institutional building designed by the English philosopher and social theorist Jeremy Bentham in the late 18th century.  The concept of the design is to allow all ("pan-") inmates of an institution to be observed ("-opticon") by a single watchman without the inmates being able to tell whether or not they are being watched.  Although it is physically impossible for the single watchman to observe all cells at once, the fact that the inmates cannot know when they are being watched means that all inmates must act as though they are watched at all times, effectively controlling their own behaviour constantly.  The name is also a reference to Panoptes from Greek mythology; he was a giant with a hundred eyes and thus was known to be a very effective watchman. The David W. Smouse Opportunity School is an historical building located in Des Moines, Iowa, United States.  The building was designed by the Des Moines architectural firm of Proudfoot, Rawson, Souers & Thomas in the Tudor Revival style.  The school opened in 1931 and served the educational needs of 165 students with physical disabilities and were unable to attend a regular public school.  The facility was designed for their individual needs.  The blackboards were tilted to prevent glare for the visually impaired, rooms were designed to carry sound vibrations for the hearing impaired students.  Large windows and three courtyards provided fresh air.  One of the courtyards had a fountain.  The restrooms were adapted, temperature controls in each classroom, and a rooftop playground were included in the building’s design.  A swimming pool was added in 1955.  Financial gifts were used to purchase works of art throughout the building.  Imported ceramic tiles, wrought iron signs, working fireplaces and decorative light fixtures also adorned the facility.  The school was listed on the National Register of Historic Places in 2002. The Koepelgevangenis is a former prison in Arnhem, Netherlands.  It is one of three Panopticon-style buildings situated in the country.  Designed by Johan Metzelaar, the building was completed in 1886.  A Rijksmonument, the prison closed in 2016.  After the prison's closure, the building, along with the one at Haarlem, was used to house asylum seekers to the Netherlands. The Bennett Building at 93-99 Nassau Street, or 139 Fulton Street, between Fulton and Ann Streets in the Financial District of Lower Manhattan, New York City is a ten-story plus penthouse cast-iron loft building.  It was commissioned by James Gordon Bennett Jr., the publisher of the "New York Herald" newspaper, and designed by Arthur D. Gilman in the French Second Empire style, the architect's only existing work in New York City.  The building's three fully designed facades face Fulton, Nassau, and Ann Streets.  Constructed in 1872-73 at six stories, the mansard roof was removed and three floors and a penthouse were added in 1890-92 by James M. Farnsworth for the building's new owner, John Petit.  In 1894, Farnsworth constructed an extension of the building to Ann Street.  In both cases, Farnsworth's additions carefully followed Gilman's original design.  The Bennett Building is the tallest building in the world with an entirely cast-iron facade.
Answer: Jeremy Bentham