Question: Are the subjects of both The Blank Generation and The Ten-Year Lunch performers from New York?
Context: The Blank Generation is the earliest published D-I-Y "home movies" of New York punk's birth filmed by Amos Poe and Ivan Kral, legendary 1970s guitarist with Iggy Pop, Blondie and Patti Smith. Avis Richards is an American award-winning producer, director and philanthropist.  In 2005, she founded the Birds Nest Foundation.  Based in New York City, the 501(c)(3) organization works to provide other non-profit charities media content at little to no cost.  In addition, Richards has produced and directed hundreds of episodes and films including "Lunch: The Film", "Lunch NYC" and "Dylan’s Lunchbox". William Terry Ork was an American band manager and record producer for the new wave/punk music scene in New York City in the mid 1970s.  Ork is associated with the success of the club CBGB as manager for punk band Television and musician Richard Hell.  Ork arrived in New York City in 1968 to help Andy Warhol with Warhol's movies.  While working as the manager of a film bookstore called "Cinemabilia", Ork met Billy Ficca, Tom Verlaine and Hell of the Neon Boys and introduced them to Richard Lloyd.  Ork began managing the new band when they reformed as Television.  In 1975, he founded Ork Records which released Television's "Little Johnny Jewel" (1975), Richard Hell's "Blank Generation", The Marbles' "Red Light" (1979) and Mick Farren's "Lost Johnny", among other recordings.  Farren said, "Terry Ork was an idealist, as true to the punk ethic as you could be, which means that when it all started getting slick, and the bands were getting deals, Terry was left behind."  He died in San Diego on October 20, 2004. The Ten-Year Lunch: The Wit and Legend of the Algonquin Round Table is a 1987 American documentary film about the Algonquin Round Table, a floating group of writers and actors in the "Roaring Twenties" in New York City, which included great names such as Dorothy Parker, Robert Benchley, George S. Kaufman, Edna Ferber, Marc Connelly, Harold Ross and Harpo Marx.  It was produced and directed by Aviva Slesin and narrated by Heywood Hale Broun. In New York City, there is an extensive water supply system that supports several programs and infrastructure pertaining to the city's food supply.  City officials, agencies, and organizations cooperate with rural farmers to grow food more locally, as well as protect waterways in the New York metropolitan area.  The New York City Department of Education operates a school-time and summertime breakfast/lunch program.  However, New York City is also deprived of supermarkets in several neighborhoods, and the city has combatted this issue by allowing extra street vendors to operate in the city.  To encourage food safety, New York City also has a restaurant-grading system that it introduced in 2010.  Because of its various food programs, New York City has become a model for food systems internationally. York (First Exit to Brooklyn) is an album by The Foetus Symphony Orchestra featuring Lydia Lunch, released in 1997 by Thirsty Ear Recordings.  Unlike Foetus' other albums, "York" is a wholly collaborative work.  A "travelogue and exploration of DUMBO (Down Under the Manhattan Bridge Overpass)", "York" features J. G. Thirlwell as composer and conductor for a group of notable New York City musicians.  The musicians, almost all of which had worked with Thirlwell before, were encouraged to freely improvise on their parts.  Lydia Lunch, a regular Thirlwell collaborator, narrates the proceedings. "Death Valley '69" is a song by American alternative rock band Sonic Youth and featuring Lydia Lunch.  The song was written and sung by Thurston Moore and fellow New York musician Lunch, and recorded by Martin Bisi in 1984.  A demo version of the song was released in December 1984 on Iridescence Records.  A re-recorded version was released in EP format with different artwork in June 1985; this version was featured on their second studio album, "Bad Moon Rising". Peter Allen Peyser is a United States public affairs consultant.  He is a former member of the administration of New York City Mayor Edward I. Koch, former Chief of Staff to Rep. Geraldine A. Ferraro (D-NY) and former staffer to Reps. James J. Delaney (D-NY) and Peter H. Kostmayer (D-PA).  In 2012, he founded Peyser Associates LLC, a public affairs and strategic business consulting firm with offices in New York City and Washington, DC.  From 2005-2012 he was a Principal at Blank Rome Government Relations LLC, a subsidiary of the law firm Blank Rome LLP.  He was Managing Principal of the firm from 2006-2012.  Prior to joining Blank Rome, Mr. Peyser was president of Peyser Associates, Inc., a Washington, DC based public affairs firm from 1982-2005. "Night and Day" is a song written by Roxanne Seeman and Billie Hughes.  Seeman and Hughes recorded a demo of the song performed by Billie Hughes.  Seeman took the song demo to New York and dropped it off with a letter for Tunc Erim, A&R at Atlantic Records.  A week later, Tunc Erim invited Seeman to lunch where he told her that Ahmet Ertegun and Doug Morris liked the song and wanted to show it to Mike Rutherford of Mike + The Mechanics.  After the lunch, Seeman went to see Vicky Germaise in Arif Mardin's office at the Atlantic Recording Studios.  Germaise asked Seeman if she had another copy and overnighted the demo to Arif Mardin who was in Los Angeles, producing Bette Midler's upcoming album. "Blank Generation" is the title track of Richard Hell and the Voidoids' 1977 debut album "Blank Generation".  A rewrite of Rod McKuen's 1959 record "The Beat Generation," Richard Hell wrote the new lyrics during his time with the band Television, and performed it live with another band, The Heartbreakers.  The Sex Pistols' song "Pretty Vacant" was directly inspired by "Blank Generation".
Answer: yes