Question: Who is younger, Filippo Tommaso Marinetti or James Leo Herlihy?
Context: Zang Tumb Tumb (usually referred to as "Zang Tumb Tuuum") is a sound poem and concrete poem written by Filippo Tommaso Marinetti, an Italian futurist.  It appeared in excerpts in journals between 1912 and 1914, when it was published as an artist's book in Milan.  It is an account of the Battle of Adrianople, which he witnessed as a reporter for "L'Intransigeant".  The poem uses "Parole in libertà" (words in freedom; creative typography) and other poetic impressions of the events of the battle, including the sounds of gunfire and explosions.  The work is now seen as a seminal work of modernist art, and an enormous influence on the emerging culture of European avant-garde print. Futurism (Italian: "Futurismo" ) was an artistic and social movement that originated in Italy in the early 20th century.  It emphasized speed, technology, youth, and violence, and objects such as the car, the aeroplane, and the industrial city.  Although it was largely an Italian phenomenon, there were parallel movements in Russia, England, Belgium and elsewhere.  The Futurists practiced in every medium of art, including painting, sculpture, ceramics, graphic design, industrial design, interior design, urban design, theatre, film, fashion, textiles, literature, music, architecture, and even Futurist meals.  Its key figures were the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Gino Severini, Giacomo Balla, Antonio Sant'Elia, Bruno Munari, Benedetta Cappa and Luigi Russolo, the Russians Natalia Goncharova, Velimir Khlebnikov, Igor Severyanin, David Burliuk, Aleksei Kruchenykh and Vladimir Mayakovsky, the Belgian Jules Schmalzigaug and the Portuguese Almada Negreiros.  It glorified modernity and aimed to liberate Italy from the weight of its past.  Cubism contributed to the formation of Italian Futurism's artistic style.  Important Futurist works included Marinetti's "Manifesto of Futurism", Boccioni's sculpture "Unique Forms of Continuity in Space", and Balla's painting "Abstract Speed + Sound" (pictured).  To some extent Futurism influenced the art movements Art Deco, Constructivism, Surrealism, Dada, and to a greater degree Precisionism, Rayonism, and Vorticism. Futurist architecture is an early-20th century form of architecture born in Italy, characterized by strong chromaticism, long dynamic lines, suggesting speed, motion, urgency and lyricism: it was a part of Futurism, an artistic movement founded by the poet Filippo Tommaso Marinetti, who produced its first manifesto, the Manifesto of Futurism in 1909.  The movement attracted not only poets, musicians, and artists (such as Umberto Boccioni, Giacomo Balla, Fortunato Depero, and Enrico Prampolini) but also a number of architects.  A cult of the machine age and even a glorification of war and violence were among the themes of the Futurists (several prominent futurists were killed after volunteering to fight in World War I).  The latter group included the architect Antonio Sant'Elia, who, though building little, translated the futurist vision into an urban form. Until joining the Harvard University faculty in 2011, Jeffrey Schnapp was the director of the Stanford Humanities Lab from its foundation in 1999 through 2009.  At Stanford University he occupied the Pierotti Chair in Italian Literature and was professor of French & Italian, Comparative Literature, and German Studies.  Though primarily based in the field of Italian studies, he has played a pioneering role in several areas of transdisciplinary research and led the development of a new wave of digital humanities work.  His research interests extend from antiquity to the present, encompassing the material history of literature, the history of 20th-century architecture and design, and the cultural history of science and engineering.  Trained as a Romance linguist, Schnapp is the author or editor of twenty five books and a large corpus of essays on authors such as Virgil, Dante, Hildegard of Bingen, Petrarch, Machiavelli, and Filippo Tommaso Marinetti, and on topics such as late antique patchwork poetry, futurist and dadaist visual poetics, the cultural history of coffee consumption, glass architecture, and the iconography of the pipe in modern art.  His book "Crowds" was the recipient of the Modernist Studies Association prize for best book of 2006. James Leo Herlihy ( ; February 27, 1927 – October 21, 1993) was an American novelist, playwright and actor. Pranzo Oltranzista is Mike Patton's second solo project.  It is subtitled "Musica da Tavola per Cinque" (literally translated as "Banquet Piece for Five Players"), and is based on "Futurist Cookbook" by Filippo Tommaso Marinetti, written in 1932.  Following the experimental "Adult Themes for Voice", it contains numerous tracks linked by culminary themes and best listened to as a unitary movement.  Featuring Marc Ribot on guitar, William Winant on percussion, Erik Friedlander on cello and John Zorn on alto sax, this is Patton's most technically sophisticated solo project. Poesia (meaning "Poetry" in English) is an Italian magazine founded by Filippo Tommaso Marinetti in Milan in 1905 which was closely associated with the Italian Futurist movement.  During its early existence a total of thirty-one issues were published until the 1920s.  It was headquartered in Verona. Manifesto of Futurism (Italian: "Manifesto del Futurismo") is a manifesto written by the Italian poet Filippo Tommaso Marinetti and published in 1909.  Marinetti expresses an artistic philosophy, Futurism, that was a rejection of the past, and a celebration of speed, machinery, violence, youth and industry; it also advocated the modernization and cultural rejuvenation of Italy. Filippo Tommaso Emilio Marinetti (] ; 22 December 1876 – 2 December 1944) was an Italian poet, editor, art theorist, and founder of the Futurist movement.  He was associated with the utopian and Symbolists artistic and literary community Abbaye de Créteil between 1907 and 1908.  Marinetti is best known as the author of the first "Futurist Manifesto", which was written and published in 1909. Abstract Speed + Sound (Italian: Velocità astratta + rumore) is a painting by Italian Futurist painter Giacomo Balla, one of several studies of motion created by the artist in 1913–14.  Balla chose the automobile as a symbol of speed, reflecting the statement of Futurist founder Filippo Tommaso Marinetti's 1909 first manifesto: "The world's splendor has been enriched by a new beauty: the beauty of speed... A roaring automobile...that seems to run on shrapnel, is more beautiful than the "Victory of Samothrace"."  The painting evokes the sensation of the passing of an automobile, with crisscrossing lines representing sound.
Answer: James Leo Herlihy