Question: Which Stan Lee comic did two black women author a Marvel spin-off for?
Context: "Bullpen Bulletins" (originally titled "Marvel Bullpen Bulletins") was the news and information page that appeared in most regular monthly comic books from Marvel Comics.  In various incarnations since its inception in 1965 until its demise in 2001, it included items such as previews of upcoming Marvel publications (the "Mighty Marvel Checklist"), news about and profiles of Marvel staff members, occasional references to real-world trends and events, and perhaps most famously, "Stan's Soapbox" (alternately known as "Stan Lee's Soapbox"), a monthly column written by Stan Lee. Multiple Jeopardy a term used by scholars such as Deborah K. King and Patricia Hill Collins describes the way in which oppressive barriers that individuals face contribute to the level of oppression faced due to these factors culminating together to cause further and greater oppression. “The modifier ‘multiple’ refers not only to several, simultaneous oppressions but to the multiplicative relationships among them as well.  In other words, the equivalent formulation is racism multiplied by sexism multiplied by classism."  - Deborah K. King Multiple Jeopardy stems off the term double jeopardy, which when used from a sociological perspective, refers to the additional obstacles individuals face when exposed to multiple disadvantages due to their unique being.  When considering double jeopardy, often times there is an emphasis on just two aspects such as race and gender.  An example of this would be the rights observed by black women.  Not only are these individuals oppressed because they are female, but also because they are black.  These women are a part of a dual oppressive system and are not only hindered by one trait, but by two.  “Not only are colored women . . . handicapped on account of their sex, but they are almost everywhere baffled and mocked because of their race.  Not only because they are women, but because they are colored women."  – Mary Church Terrell“As blacks they suffer all the burdens of prejudice and mistreatment that fall on anyone with dark skin.  As women they bear the additional burden of having to cope with white and black men."  -Frances M. BealMultiple jeopardy differs from double jeopardy, by the fact that instead of just two factors playing into the disadvantages of individuals, there are multiple.  Three common factors that are often observed are the factors of race, class, and gender.  In Deborah King’s article, "Multiple Jeopardy, Multiple Consciousness: The Context of a Black Feminist Ideology", she recounts the ill treatment of black women during the slavery era.  During the slavery time period in America, all black people were subjected to demanding physical labor and harsh brutal punishments; this was due to their race and their class, or their position in society.  However, what sets black women slaves apart is the fact that they often endured struggles that were only subjected to women, namely rape (King).  As Angela Davis put it in her book "Women, Race, and Class", “If the most violent punishments of men consisted in floggings and mutilations, women were flogged and mutilated, as well as raped."  In this scenario, black women could not identify with black males due to their gender and sexuality, nor could they identify with the sexual oppression of white women due to their race and class. Black women in the music industry have gone through a transformation through history.  Beginning in the early 20th century the rise of the positive presence of black women began.  Ma Rainey, known as "Mother of The Blues" by her fans, paved the way for black women to express themselves nationally through music.  As the jazz era emerged, a whole new age of musically talented black women surfaced.  When hip hop surfaced in the 1980s, the black female rapper was produced.  As hip-hop progressed and rap music became popular, the negative portrayal of black women surfaced. "Where We At" Black Women Artists, Inc. (WWA) was a collective of black women artists affiliated with the Black Arts Movement of the 1960s and 1970s.  It included artists such as Dindga McCannon, Kay Brown, Faith Ringgold, Jerri Crooks, Charlotte Kâ (Richardson), and Vivian E. Browne.  It was formed in the spring of 1971, in the wake of an exhibition of the same name organized by 14 black women artists at the Acts of Art Gallery in Greenwich Village.  Themes such as the unity of the Black family, Black male-female relationships, contemporary social conditions, and African traditions were central to the work of the WWA artists.  The group was intended to serve as a source of empowerment for African-American women, providing a means for them to control their self-representation and to explore issues of Black women’s sensibility and aesthetics.  Like AfriCobra, a Chicago-based Black Arts group, the WWA was active in fostering art within the African-American community and using it as a tool of awareness and liberation.  The group organized workshops in schools, hospitals, and cultural centers, as well as art classes for youth in their communities. Stan Lee Meets Superheroes was a limited Marvel Comics series in which comic book writer Stan Lee met one of the characters he has created in each issue.  The series was written by Stan Lee himself and is used to celebrate his 65th year as a Marvel Comics employee.  The series is marked for its tongue-in-cheek humor and the comic book characters' general dislike of Stan Lee.  The series contains five issues in which Stan Lee meets Spider-Man, The Thing, Doctor Doom, Doctor Strange, and the Silver Surfer.  Each issue also contained reprints of issues from each character's respective comic.  An issue in which Stan meets Professor Xavier and Magneto was included with the DVD edition of "". World of Wakanda is a comic book title and a spin-off from the Marvel Comics' Black Panther title.  The series is written by Roxane Gay and poet Yona Harvey, the first two black women to author a series for Marvel.  Alitha E. Martinez and Afua Richardson draw the series. Delores S. Williams is a theologian notable for her formative role in the development of womanist theology and best known for her book "Sisters in the Wilderness".  Her writings over the years have discussed the role intersecting oppressions of race, gender, and class have played in the situation of black women.  As opposed to feminist theology as it was predominately practiced by white women and black theology as predominately practiced by black men, Williams argues that black women's oppression deepens the analysis of oppression in theology.  In "Sisters in the Wilderness," Williams' primarily develops a rereading of the biblical figure, Hagar, to illuminate the importance of issues of reproduction and surrogacy in black women's oppression.  According to Aaron McEmrys, "Williams offers a theological response to the defilement of black women... Womanism is an approach to ethics, theology and life rooted in the experiences of African-American women".  The term "Womanism" was coined by a contemporary of Williams, Alice Walker, used in her 1979 short story "Coming Apart" and again in her 1983 essay collection "In Search of Our Mothers' Gardens".  Williams wrote the eighth chapter of "Transforming the Faiths of our Fathers: Women who Changed American Religion" (2004), edited by Ann Braude. Black Girl Magic (#BlackGirlMagic) is a concept and movement that was popularized by CaShawn Thompson in 2013.  The concept was born as a way to "celebrate the beauty, power and resilience of black women," as described by Julee Wilson from The Huffington Post, and to congratulate black women on their accomplishments.  Referring to a speech made by Michelle Obama at the Black Girls Rock Awards, Thompson explains that black women around the world persevering despite the adversity inspired her to spread the concept of Black Girl Magic.  With these women in mind, Thompson created the social media hashtag, clothing campaign, and rallying cry "Black Girl Magic", in the hopes of counteracting negativity society places on black women. The Black Panther (T'Challa) is a fictional superhero appearing in American comic books published by Marvel Comics.  Created by writer-editor Stan Lee and penciller and co-plotter Jack Kirby, he first appeared in "Fantastic Four" #52 (July 1966). Marvel 2099 is a Marvel Comics imprint, started in 1992, that was originally one possible future of the Marvel Universe, but later revealed in a climax of "Superior Spider-Man Goblin Nation arc" and "Amazing Spider-Man" Vol.  3 #14 to be the Earth of the prime Marvel continuity in the distant future.  It was originally announced by Stan Lee in his "Stan's Soapbox" column as a single series entitled "The Marvel World of Tomorrow", which was being developed by Lee and John Byrne.  This later changed to a line of books under the banner "Marvel 2093" (the date being one hundred years from the year in which the titles launched) before finally being published as "Marvel 2099".  The three of the initial four titles launched—"Doom 2099", "Punisher 2099", and "Spider-Man 2099"—starred futuristic takes on pre-existing characters.  The fourth, "Ravage 2099", featured an all-new superhero, scripted for several months by Stan Lee.  The 2099 line soon expanded to include "2099 Unlimited", "Fantastic Four 2099", "Ghost Rider 2099", "Hulk 2099", "X-Men 2099", and "X-Nation 2099".  While it has been confirmed to be a possible future version of Earth-616, the mainstream Marvel Universe, the 2099 universe has been officially designated as Earth-928 and alternatively dubbed as Earth-616 circa 2099.
Answer: Black Panther