Question: A triple album released by English musician George Harrison included a song that appears in a reprise and a more well-known version of how many minutes that was previously rejected for inclusion on releases by the Beatles?
Context: "Hear Me Lord" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass".  It appeared as the last track on side four of the original LP format and is generally viewed as the closing song on the album, disc three being the largely instrumental "Apple Jam".  Harrison wrote "Hear Me Lord" in January 1969 while still in the Beatles, but it was passed over for inclusion on what became the band's final album, "Let It Be" (1970). "Run of the Mill" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass".  Harrison wrote the song shortly after the Beatles' troubled "Get Back" sessions in early 1969, during a period when his growth as a songwriter had inadvertently contributed to the dysfunction within the Beatles' group dynamic.  The lyrics reflect the toll that running their company Apple Corps had taken on relationships within the band, especially between Paul McCartney and the other three Beatles, as well as Harrison's dismay at John Lennon's emotional withdrawal from the band.  Commentators recognise "Run of the Mill" as one of several Harrison compositions that provide an insight into events behind the Beatles' break-up, particularly the difficulties surrounding Apple. "I Live for You" is a song by English musician George Harrison originally recorded during the sessions for his "All Things Must Pass" triple album in 1970.  Long available on bootlegs, the song was finally released officially as a bonus track on the 30th anniversary reissue of "All Things Must Pass" in January 2001.  The released recording features only Harrison's lead vocal and Pete Drake's prominent pedal-steel guitar from the 1970 album sessions, with all other instruments overdubbed by Harrison and his son Dhani in 2000.  Despite the wealth of unreleased material recorded for "All Things Must Pass", it was the only new song included with the album's 2001 reissue.  Music critics recognise "I Live for You" as one of many George Harrison compositions that can be interpreted as both a traditional love song and a devotional song. "Isn't It a Pity" is a song by English musician George Harrison from his 1970 solo album "All Things Must Pass".  It appears in two variations there: one the well-known, seven-minute version; the other a reprise, titled "Isn't It a Pity (Version Two)".  Harrison wrote the song in 1966, but it was rejected for inclusion on releases by the Beatles.  In many countries around the world, the song was also issued on a double A-side single with "My Sweet Lord".  In America, "Billboard" magazine listed it with "My Sweet Lord" when the single topped the Hot 100 chart, while in Canada, "Isn't It a Pity" reached number 1 as the preferred side. "All Things Must Pass" is a song by English musician George Harrison, issued in November 1970 as the title track to his triple album of the same name.  Billy Preston released the song originally – as "All Things (Must) Pass" – on his Apple Records album "Encouraging Words" (1970), after the Beatles had rejected it for inclusion on their "Let It Be" album in January 1969.  The composition reflects the influence of the Band's sound and communal music-making on Harrison, after he had spent time with the group in Woodstock, New York, in late 1968, while Timothy Leary's poem "All Things Pass", a psychedelic adaptation of the Tao Te Ching, provided inspiration for his song lyrics. "Awaiting on You All" is a song by English musician George Harrison, released on his 1970 triple album, "All Things Must Pass".  Along with the single "My Sweet Lord", it is among the more overtly religious compositions on "All Things Must Pass", and the recording typifies co-producer Phil Spector's influence on the album, due to his liberal use of reverberation and other Wall of Sound production techniques.  Harrison recorded the track in London backed by musicians such as Eric Clapton, Bobby Whitlock, Klaus Voormann, Jim Gordon and Jim Price – many of whom he had toured with, as Delaney & Bonnie and Friends, in December 1969, while still officially a member of the Beatles.  Musically, the composition reflects Harrison's embracing of the gospel music genre, following his production of fellow Apple Records artists Billy Preston and Doris Troy. All Things Must Pass is a triple album by English musician George Harrison.  Recorded and released in 1970, the album was Harrison's first solo work since the break-up of the Beatles in April that year, and his third solo album overall.  It includes the hit singles "My Sweet Lord" and "What Is Life", as well as songs such as "Isn't It a Pity" and the title track that had been turned down for inclusion on releases by the Beatles.  The album reflects the influence of Harrison's musical activities with artists such as Bob Dylan, the Band, Delaney & Bonnie and Billy Preston during 1968–70, and his growth as an artist beyond his supporting role to former bandmates John Lennon and Paul McCartney.  "All Things Must Pass" introduced Harrison's signature sound, the slide guitar, and the spiritual themes that would be present throughout his subsequent solo work.  The original vinyl release consisted of two LPs of songs and a third disc of informal jams, titled "Apple Jam".  Several commentators interpret Barry Feinstein's album cover photo, showing Harrison surrounded by four garden gnomes, as a statement on his independence from the Beatles. "What Is Life" is a song by the English musician George Harrison, released on his 1970 triple album "All Things Must Pass".  In many countries, it was issued as the second single from the album, in February 1971, becoming a top-ten hit in the United States, Canada and elsewhere, and topping singles charts in Australia and Switzerland.  In the United Kingdom, "What Is Life" appeared as the B-side to "My Sweet Lord", which was the best-selling single there of 1971.  Harrison's backing musicians on the song include Eric Clapton and the entire Delaney & Bonnie Friends band, with whom he had toured during the final months of the Beatles.  Harrison co-produced the recording with Phil Spector, whose Wall of Sound production also employed a prominent string arrangement by John Barham and multiple acoustic rhythm guitars, played by Harrison's fellow Apple Records signings Badfinger. "Behind That Locked Door" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass".  Harrison wrote the song in August 1969 as a message of encouragement to Bob Dylan, who was making a highly publicised comeback to the concert stage, accompanied by the Band, with a headlining performance at the Isle of Wight Festival.  "Behind That Locked Door" is a rare Harrison composition in the country music genre and the second song dealing with the friendship between himself and Dylan, after their 1968 collaboration "I'd Have You Anytime".  Its lyrics address Dylan's elusive nature, and reflect the high regard in which Harrison held the American singer's work.  The same reluctance on Dylan's part to re-engage with a concert audience led to him retreating again from live performance until August 1971, when he responded to Harrison's request to play at the Concert for Bangladesh. "Wah-Wah" is a song by English musician George Harrison, released on his 1970 triple album "All Things Must Pass".  Harrison wrote the song following his temporary departure from the Beatles in January 1969, during the troubled "Get Back" sessions that resulted in their "Let It Be" album and film.  The lyrics reflect his frustration with the atmosphere in the group at that time – namely, Paul McCartney's over-assertiveness and criticism of his guitar playing, John Lennon's lack of engagement with the project and dismissal of Harrison as a songwriter, and Yoko Ono's constant involvement in the band's activities.  Music critics and biographers recognise the song as Harrison's statement of personal and artistic freedom from the Beatles.  Its creation contrasted sharply with his rewarding collaborations outside the group in the months before the "Get Back" project, particularly with Bob Dylan and the Band in upstate New York.
Answer: seven-minute