Question: Piano Concerto No. 3 in C major is a concerto by a Soviet composer whose works include such widely heard works as the March from what?
Context: Piano Concerto No. 3 in C major, Op. 26, is a concerto by Sergei Prokofiev.  It was completed in 1921 using sketches first started in 1913. The Piano Concerto No. 3 in E flat major, Op.  29 by Camille Saint-Saëns, was composed in 1869.  The concerto is written in 3 movements.  When the concerto was first performed by Saint-Saëns himself at the Leipzig Gewandhaus in 1869 it was not well received, possibly because of its harmonic experimentation.  Saint-Saëns's third concerto is not as often performed as his famous second concerto, or the fourth or fifth concertos, but it is still an important addition to the piano concerto repertoire.  It was dedicated to Élie-Miriam Delaborde, a pianist who is believed to have been the natural son of Charles-Valentin Alkan. The compositions of Sergei Rachmaninoff (1873–1943) cover a variety of musical forms and genres.  Born in Russia, he studied at the Moscow Conservatory with Nikolai Zverev and Anton Arensky, and while there, composed some of his most famous works, including the first piano concerto (Op. 1) and the Prelude in C-sharp minor (Op. 3, No. 2).  Although spread over three different opuses, he did go on to complete an important set of 24 preludes in all the major and minor keys.  His Symphony No. 1 (Op. 13) was one of his first compositions as a "Free Artist" after graduation, and subsequently his first critical failure.  The derision he received sent him into depression.  After being sent through autosuggestive therapy, he composed his second piano concerto (Op. 18), which is still part of the major orchestra repertoire today.  In 1909, he made his first tour of the United States, and composed Piano Concerto No. 3 (Op. 30), notable for its difficult cadenza.  After this, due to migration from Russia in 1917 and his busy concert career, his output as a composer decreased, and during this period, he completed only six compositions.  His last work, "Symphonic Dances" (Op. 45), was completed in 1940. Pyotr Ilyich Tchaikovsky's Piano Concerto No. 3 in E-flat major, Op.  posth.  75, was originally begun as a symphony in E-flat.  The composer ultimately abandoned this symphony, but, in 1893, started to rework it into a piano concerto, before abandoning all but the first movement, which he completed as a concert piece for piano and orchestra.  It was published posthumously, in 1894, as a single-movement "Allegro Brillante".  The Symphony No. 6 "Pathétique" was the last of Tchaikovsky's compositions to be performed in his lifetime, but the "Allegro Brillante", now known as the Piano Concerto No. 3, was his last completed composition. Ludwig van Beethoven's Piano Concerto in E flat major, WoO 4, is one of his earlier works, written in 1784 when he was only 14.  Only the solo piano part survives today, although there are some indications in the manuscript for orchestral cues.  On the occasions when the work has been performed, the orchestral part has had to be arranged beforehand.  The concerto is sometimes referred to as Piano Concerto No. 0, as it came before all of Beethoven's other piano concertos.  It is rarely performed.  Pianists Howard Shelley & Ronald Brautigam have each made their own reconstructions of the concerto. Sergei Sergeyevich Prokofiev ( ; Russian: Сергей Сергеевич Прокофьев , "Sergej Sergejevič Prokofjev" ; 27 April 1891 – 5 March 1953) was a Soviet composer, pianist and conductor.  As the creator of acknowledged masterpieces across numerous musical genres, he is regarded as one of the major composers of the 20th century.  His works include such widely heard works as the March from "The Love for Three Oranges," the suite "Lieutenant Kijé", the ballet "Romeo and Juliet" – from which "Dance of the Knights" is taken – and "Peter and the Wolf."  Of the established forms and genres in which he worked, he created – excluding juvenilia – seven completed operas, seven symphonies, eight ballets, five piano concertos, two violin concertos, a cello concerto, a Symphony-Concerto for cello and orchestra, and nine completed piano sonatas. The Yellow River Piano Concerto () is a piano concerto arranged by a collaboration between musicians including Yin Chengzong and Chu Wanghua, and based on the "Yellow River Cantata" by composer Xian Xinghai.  Since its politicised premiere in 1969 during the Cultural Revolution, the Concerto has become popular in China and amongst overseas Chinese nationalists.  It is noted for a difficult solo part.  This piano concerto and the Butterfly Lovers' Violin Concerto, which tells the story of the Butterfly Lovers, are two internationally known Chinese works that combine Western music methodology with Chinese source materials. Piano Concerto No. 4 in C minor, Op.  44 by Camille Saint-Saëns, is the composer's most structurally innovative piano concerto.  In one sense it is structured like a four-movement symphony, but these are grouped in pairs.  That is, the piece is divided into two parts, each of which combines two main movements (I.  A moderate-tempo Theme and Variations in C Minor; II.  A slower, related Theme and Variations in Ab Major; III.  Scherzo in C Minor; IV.  Finale in C Major).  However, in each part there is a bridge-like transitional section, between the two main "movements" – for example, a fugal Andante in part II functions as an interlude between the two main triple-meter sections. The Piano Concerto No. 2 in B-flat major, Op.  19, by Ludwig van Beethoven was composed primarily between 1787 and 1789, although it did not attain the form it was published as until 1795.  Beethoven did write another finale for it in 1798 for performance in Prague, but that is not the finale that it was published with.  It was used by the composer as a vehicle for his own performances as a young virtuoso, initially intended with the Bonn Hofkapelle.  It was published in 1801 following Beethoven's Piano Concerto No. 1 in C major, which actually had been composed well after this piece in 1796 and 1797. The Concerto for Flute, Harp, and Orchestra in C major, K.  299/297c, is a concerto by Wolfgang Amadeus Mozart for flute, harp, and orchestra.  It is one of only two true double concertos that he wrote (the other being his Piano Concerto No. 10; though his Sinfonia Concertante for Violin, Viola, and Orchestra could just as well be considered a "double concerto"), as well as the only piece of music by Mozart for the harp.  The piece is one of the most popular such concertos in the repertoire, as well as often being found on recordings dedicated to either one of its featured instruments.
Answer: The Love for Three Oranges