Question: Which director is considered a feminist, Kim Ki-duk or Chantal Akerman?
Context: Hanging Out Yonkers is an unfinished 1973 Belgian-American documentary movie by Chantal Akerman. No Home Movie is a French-Belgian 2015 documentary film directed by Chantal Akerman, focusing on conversations between the film-maker and her mother just months before her mother's death.  Premiering at the Locarno Film Festival on 10 August 2015, it is Akerman's last film. La Captive (The Captive) is a 2000 drama film directed by Chantal Akerman and featuring Olivia Bonamy, Sylvie Testud, and Stanislas Merhar. Je Tu Il Elle (English: "I You He She" ) is a 1974 French-Belgian film by the Belgian film director Chantal Akerman.  To celebrate the 30th anniversary of the Teddy Awards, the film was selected to be shown at the 66th Berlin International Film Festival in February 2016. A Couch in New York (French title "Un divan à New York") is a 1996 film about an anonymous exchange of apartments between a successful New York psychoanalyst and a young woman from Paris.  It was written and directed by Chantal Akerman. Kim Ki-duk (29 September 1934 – 7 September 2017) was a South Korean film director and professor.  Best known outside of Korea for his 1967 giant monster film "", Kim Ki-duk directed 66 movies in total from his directorial debut in 1961 until his retirement from the film industry in 1977.  Along with Kim Soo-yong and Lee Man-hee, Kim was one of the leading young directors of the Korean cinematic wave of the 1960s.  The most distinctive and successful genre of this period was the melodrama (청춘영화 - "cheongchun yeonghwa").  He is not related to Kim Ki-duk, the South Korean director of "3-Iron". News from Home is a 1977 avant-garde documentary film directed by Chantal Akerman.  The film consists of long takes of locations in New York City, set to Akerman's voice-over as she reads letters her mother sent her between 1971 and 1973, when the director lived in the city. Chantal Anne Akerman (] ; 6 June 19505 October 2015) was a Belgian film director, artist and professor of film at the City College of New York.  Her best-known film is "Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles" (1975).  According to film scholar Gwendolyn Audrey Foster, Akerman's influence on feminist filmmaking and avant-garde cinema has been substantial. Kim Ki-duk ( ] ; born December 20, 1960) is a South Korean filmmaker noted for his idiosyncratic art-house cinematic works.  His films have received many distinctions in the festival circuit, making him one of the most important contemporary Asian film directors.  Major festival awards include Golden Lion at 69th Venice International Film Festival for "Pietà", Silver Lion for Best Director at 61st Venice International Film Festival for "3-Iron", Silver bear for Best Director at 54th Berlin International Film Festival for "Samaria" and Un Certain Regard prize at 2011 Cannes Film Festival for Arirang.  His most widely known feature is "Spring, Summer, Fall, Winter... and Spring" (2003), included in film critic Roger Ebert's Great Movies.  Two of his films served as official submissions for Academy award for best foreign language film as South Korean entries.  He has given scripts to several of his former assistant directors including Juhn Jai-hong ("Beautiful" and "Poongsan") and Jang Hoon ("Rough Cut"). Les Rendez-vous d'Anna (English: "The Meetings of Anna" ) is a 1978 French-Belgian-West German film by the Belgian film director Chantal Akerman.
Answer: Chantal Anne Akerman