Question: What film edited by J. Terry Williams was directed by Norman Jewison?
Context: Lou Lombardo (February 15, 1932 – May 8, 2002) was an American filmmaker whose editing of the 1969 film "The Wild Bunch" has been called "seminal".  In all, Lombardo is credited on more than twenty-five feature films.  Noted mainly for his work as a film and television editor, he also worked as a cameraman, director, and producer.  In his obituary, Stephen Prince wrote, "Lou Lombardo's seminal contribution to the history of editing is his work on "The Wild Bunch" (1969), directed by Sam Peckinpah.  The complex montages of violence that Lombardo created for that film influenced generations of filmmakers and established the modern cinematic textbook for editing violent gun battles."  Several critics have remarked on the "strange, elastic quality" of time in the film, and have discerned the film's influence in the work of directors John Woo, Quentin Tarantino, Kathryn Bigelow, and the Wachowskis, among others.  While Lombardo's collaboration with Peckinpah lasted just a few years, his career was intertwined with that of director Robert Altman for more than thirty years.  Lombardo edited Altman's 1971 film "McCabe & Mrs. Miller" (1971), which had "a radical approach to the use of dialogue and indeed other sound, both in and beyond the frame."  Towards the end of his career Lombardo edited "Moonstruck" (1987) and two other films directed by Norman Jewison.  While his editing is now considered "revolutionary" and "brilliant", Lombardo was never nominated for editing awards during his career. The Hurricane is a 1999 American biographical sports drama film directed and produced by Norman Jewison.  The film stars Denzel Washington as Rubin "The Hurricane" Carter, a former middleweight boxer who was wrongly convicted for a triple murder in a bar in Paterson, New Jersey.  The script was adapted by Armyan Bernstein and Dan Gordon from Carter's autobiography "The Sixteenth Round: From Number 1 Contender To 45472" and the non-fiction work "Lazarus and the Hurricane: The Freeing of Rubin "The Hurricane" Carter" by Sam Chaiton and Terry Swinton. Stephen Elliott Rivkin is an American film editor best known for his editing work on the "Pirates of the Caribbean" film series as well as his work with director James Cameron as an editor on "Avatar", for which he was nominated for an Academy Award.  Rivkin has edited three films for director Norman Jewison as well as has worked extensively with director Gore Verbinski.  Stephen Rivkin is an elected member of the American Cinema Editors and currently serves as the Vice President of the organization.  He was also associate producer on two films. Jesus Christ Superstar is a 1973 American musical drama film directed by Norman Jewison and co-written by Jewison and Melvyn Bragg based on the Andrew Lloyd Webber/Tim Rice rock opera of the same name.  The film, featuring a cast of Ted Neeley, Carl Anderson, Yvonne Elliman, Barry Dennen, Bob Bingham, and Kurt Yaghjian, centers on the conflict between Judas and Jesus during the week before the crucifixion of Jesus. The Statement is a 2003 drama film directed by Norman Jewison and starring Michael Caine.  It is based on a 1996 novel by Brian Moore, and the screenplay was written by Ronald Harwood.  The plot was inspired by the true story of Paul Touvier, a Vichy French police official, who was indicted after World War II for war crimes.  In 1944, Touvier ordered the execution of seven Jews in retaliation for the Resistance's assassination of Vichy France minister Philippe Henriot.  For decades after the war he escaped trial thanks to an intricate web of protection, which allegedly included senior members of the Roman Catholic priesthood.  He was arrested in 1989 inside a Traditionalist Catholic priory in Nice and was convicted in 1994.  He died in prison in 1996.  "The Statement" is the most recent film directed by Jewison. John Scott (born Patrick John O'Hara Scott, 1 November 1930), also known as Johnny Scott and Patrick John Scott, is an English film composer and music conductor.  Scott has collaborated with well-known directors and producers, including Mark Damon, Richard Donner, Charlton Heston, Mike Hodges, Hugh Hudson, Norman Jewison, Irvin Kershner, Daniel Petrie, Roger Spottiswoode, and Norman J. Warren, among others. A Place to Stand is a 1967 film produced and edited by the Canadian artist and filmmaker Christopher Chapman for the Ontario pavilion at Expo 67 in Montréal, Québec, Canada.  For the film, he pioneered the concept of moving panes, of moving images, within the single context of the screen.  At times there are 15 separate images moving at once.  This technique, which he dubbed "multi-dynamic image technique" has since been employed in many films, notably Norman Jewison's 1968 film "The Thomas Crown Affair".  Mr. Jewison has credited Mr. Chapman as the creator of the edit style.  The technique can also be seen on television in the series "24". The Russians Are Coming, the Russians Are Coming is a 1966 DeLuxe Color American comedy film directed by Norman Jewison in Panavision.  It is based on the Nathaniel Benchley novel "The Off-Islanders", and was adapted for the screen by William Rose. Sidney J. Furie (born February 28, 1933) is a Canadian film director, screenwriter, and producer best known for his extensive work in both British and American cinema between the 1960s and early 1980s.  Like his contemporaries Norman Jewison and Ted Kotcheff, he was one of earliest Canadian directors to achieve mainstream critical and financial success outside their native country at a time when its film industry was virtually nonexistent.  He won a BAFTA Film Award and was nominated for a Palme d'Or for his work on the acclaimed spy thriller "The Ipcress File" starring Michael Caine. J. Terry Williams (August 25, 1930 – March 22, 2015) was an American film editor credited on about thirty feature films and television movies.  He was nominated at the 39th Academy Awards for Best Film Editing for the film "The Russians Are Coming, the Russians Are Coming" (1966).  His nomination was shared with Hal Ashby.
Answer: The Russians Are Coming, the Russians Are Coming