Question: Who is responsible for the Intelligen Design Movement?
Context: The Good Design movement was an artistic movement or design concept that originated in the 1930s, but took form principally in the United States immediately after the Second World War.  Designs made under the influence of Good Design include buildings and furniture, but also everyday objects such as kitchen implements, household objects and garden tools.  Names associated with the movement include Charles and Ray Eames, László Moholy-Nagy and Hans Wegner, Colonial Revival (also Neocolonial, Georgian Revival or Neo-Georgian) architecture was and is a nationalistic design movement in the United States and Canada.  Part of a broader Colonial Revival Movement embracing Georgian and Neoclassical styles, it seeks to revive elements of architectural style, garden design, and interior design of American colonial architecture. The intelligent design movement is a neo-creationist religious campaign for broad social, academic and political change to promote and support the pseudoscientific idea of intelligent design (ID), which asserts that "certain features of the universe and of living things are best explained by an intelligent cause, not an undirected process such as natural selection."  Its chief activities are a campaign to promote public awareness of this concept, the lobbying of policymakers to include its teaching in high school science classes, and legal action, either to defend such teaching or to remove barriers otherwise preventing it.  The movement arose out of the previous Christian fundamentalist and evangelistic creation science movement in the United States, and is driven by a small group of proponents.  The overall goal of the intelligent design movement is to overthrow materialism and atheism.  Its proponents believe that society has suffered "devastating" cultural consequences from adopting materialism and that science is the cause of the decay into materialism because it seeks only natural explanations, and is therefore atheistic.  They believe that the scientific theory of evolution implies that humans have no spiritual nature, no moral purpose, and no intrinsic meaning.  They seek to "reverse the stifling dominance of the materialist worldview" represented by the theory of evolution in favor of "a science consonant with Christian and theistic convictions." The Viridian Design Movement was an aesthetic movement focused on concepts from bright green environmentalism.  The name was chosen to refer to a shade of green that does not quite look natural, indicating that the movement was about innovative design and technology, in contrast with the "leaf green" of traditional environmentalism.  The movement tied together environmental design, techno-progressivism, and global citizenship.  It was founded in 1998 by Bruce Sterling, a postcyberpunk science fiction author.  Sterling always remained the central figure in the movement, with Alex Steffen perhaps the next best-known.  Steffen, Jamais Cascio, and Jon Lebkowsky, along with some other frequent contributors to Sterling's Viridian notes, formed the Worldchanging blog.  Sterling wrote the introduction to Worldchanging's book ("Worldchanging: A Users Guide for the 21st Century"), which (according to Ross Robertson) is considered the definitive volume on bright green thinking.  Sterling formally closed the Viridian movement in 2008, saying there was no need to continue its work now that bright green environmentalism had emerged. Gae Aulenti (] ; 4 December 1927 – 31 October 2012) was a prolific Italian architect, whose work spans industrial and exhibition design, furniture, graphics, stage design, lighting and interior design.  She was well known for several large-scale museum projects, including the Musée d'Orsay in Paris (1980–86), the Contemporary Art Gallery at the Centre Pompidou in Paris, the restoration of Palazzo Grassi in Venice (1985–86), and the Asian Art Museum of San Francisco with HOK (firm) (2000–2003).  Aulenti was one of the few women designing in the postwar period in Italy, where Italian designers sought to make meaningful connections to production principles beyond Italy.  This avant-guarde design movement blossomed into an entirely new type of Italian architecture, one full of imaginary utopias leaving standardization to the past. John G. West is a Senior Fellow at the Seattle-based Discovery Institute (DI), and Associate Director and Vice President for Public Policy and Legal Affairs of its Center for Science and Culture (CSC), which serves as the main hub of the Intelligent design movement. Open-source hardware (OSH), consists of physical artifacts of technology designed and offered by the open design movement.  Both free and open-source software (FOSS) as well as open-source hardware is created by this open-source culture movement and applies a like concept to a variety of components.  It is sometimes, thus, referred to as FOSH (free and open-source hardware).  The term usually means that information about the hardware is easily discerned so that others can make it - coupling it closely to the maker movement.  Hardware design (i.e. mechanical drawings, schematics, bills of material, PCB layout data, HDL source code and integrated circuit layout data), in addition to the software that drives the hardware, are all released under free/libre terms.  The original sharer gains feedback and potentially improvements on the design from the FOSH community.  There is now significant evidence that such sharing can drive a high return on investment for investors. Guillermo Gonzalez (born 1963 in Havana, Cuba) is an astrophysicist, proponent of intelligent design, and an assistant professor at Ball State University, a public research university, in Muncie, Indiana.  He is a senior fellow of the Discovery Institute's Center for Science and Culture, considered the hub of the intelligent design movement, and a fellow with the International Society for Complexity, Information and Design, which also promotes intelligent design. Uncommon Dissent: Intellectuals Who Find Darwinism Unconvincing is a 2004 anthology edited by William A. Dembski in which fifteen intellectuals, eight of whom are leading intelligent design proponents associated with the Discovery Institute's Center for Science and Culture (CSC) and the International Society for Complexity, Information and Design (ISCID), criticise "Darwinism" and make a case for intelligent design.  It is published by the publishing wing of the paleoconservative Intercollegiate Studies Institute.  The foreword is by John Wilson, editor of the evangelical Christian magazine "Christianity Today".  The title is a pun on the principle of biology known as common descent.  The Discovery Institute is the engine behind the intelligent design movement. The indie design movement is made up of independent designers, artists, and craftspeople who design and make a wide array of products − without being part of large, industrialised businesses.  The indie design movement can be seen as being an aspect of the general indie movement and DIY culture.
Answer: John G. West