Question: When did one of Bassive's house's music emerges?
Context: Vince Lawrence (born January 6, 1964, Chicago, Illinois, United States) is an American dance music producer, businessman and is one of the leading innovators of the genre of music called "house music".  Industry insiders recognize Lawrence as co-author of "On and On", the first recording officially designated "house music".  He worked with Jesse Saunders in the initial creation of Jes Say Records, designing its logo by hand.  He served as head of marketing and was the lyric writer for "Funk U Up" (the first House track to ever make it onto the Billboard charts), "Undercover" by Dr. Derelict, "Real Love", and many other songs released in the label's heyday.  He also co-authored "Love Can't Turn Around" with Daryl Pandy, which reached #10 in the UK Singles Chart in 1986 and started the House music revolution in the UK.  He organized Trax Records, a Chicago house label.  He is the founder of Slang MusicGroup, which has received numerous gold and platinum awards for their contributions. Grim Brigs (Grid reference NO9091) is a rocky headland on the North Sea at Muchalls, Scotland.  Notable historic features in this vicinity include St. Ternan's Church, Muchalls Castle and Elsick House.  Approximately one kilometre inland is the noted medieval drovers' road known as the Causey Mounth.  The geology of Grim Brigs is associated with the harder rock formations north of the Highland Boundary Fault, which forms the boundary between the Scottish Highlands and Lowlands.  This Highland Boundary Fault emerges at the North Sea approximately four kilometres south of Grim Brigs near the Chapel of St. Mary and St. Nathalan. Raphael Soriano’s first residential commission arose from his knowledge and passion for both language and music.  The main feature of the house was to be a music room with excellent acoustic properties that could accommodate Mrs. Lipetz’s Bechstein Grand piano and up to twenty guests.  Soriano designed the north end of this 15 ft x 32 ft room as a semi circle with continuous windows, creating a real-life backdrop of the vast San Gabriel Mountain Range, for Mrs. Lipetz’s performances.  The site itself is on the pinnacle of a hill overlooking Silver Lake.  Several hundred music albums were accommodated in shelves placed under built-in seating areas, and much of the other furniture in the house was also built-in.  The music room comprised nearly one third of the total 2300 sqft area of the two-bedroom house.  The design is in the International Style, built with traditional wood stud construction, similar to Richard Neutra’s frame, but with one innovate technological detail - steel beams supported the ground floor.  The building was chosen as one of four U.S.A. buildings for the 1937 International Architecture Exhibition in Paris, and with it Soriano won the prestigious Prix de Rome.  The house is in good condition with slight alterations. In Homer's epic poem the Odyssey, Phemius (Greek: Φήμιος, "Phēmios" ) is an Ithacan poet who performs narrative songs in the house of the absent Odysseus.  His audience is made up largely of the suitors (Proci), who live in the house while attempting to persuade Penelope to marry one of them.  In Book 1 of the poem, Phemius performs at their request a version of the theme "The Return from Troy" (a theme that actually existed as a written poem, probably at a slightly later date).  The performance is heard by Penelope.  The story distresses her, since it is a reminder that her own husband has still not returned, and she emerges from her room to ask Phemius to choose a less painful theme.  The proposal is overruled by her son Telemachus, because he thinks that a singer shouldn't be forbidden to sing what his heart tells him to sing, and because it is Telemachus' right as householder to decide, not his mother's. Progressive house is a style (subgenre) of house music.  The progressive house style emerged in the early 1990s.  It initially developed in the United Kingdom as a natural progression of American and European house music of the late 1980s. Bassive, is a French electronic dance music producer and DJ raised in Dubai, United Arab Emirates.  He produces Electro-House, Dutch-House and Progressive-House music. Tame the Volcano is the 1988 final album by the Christian group Crumbächer.  Crumbächer lightens up the subject matter of its unmistakably '80s-born CCM dance/pop.  Ironically, though, the album's highlight comes not from the welcome levity of the novelty numbers, but from one of the poignant moments (which are usually buried under a heavy layer of overearnestness): the album begins and ends with "Once More," Stephen Crumbächer's farewell to the band which bears his name.  The first version ("Once More (With Feeling)") is a typically overproduced bit of big, shiny dance/pop music, but the second ("Once More (For The Band)") features only the singer and his acoustic piano.  One of their hits, "Speechless" is the only song that features all acoustic instruments.  Thanks to the intimacy of the latter, an interesting portrait of the conflicting demands of Christianity and contemporary music emerges from the lyrical cliches. The House of Aviance (acronym: HOA) is one of the ""legendary"" and major vogue-ball houses in the United States, with its base in New York City.  It was founded in Washington, D.C. in 1989 by voguer/dancer, record label owner (CEO/A&R), nightclub host, music artist and secretary Mother Juan Aviance—one of the nightlife personalities of New York City.  Since its founding, the House has played an integral part in U.S and world ball culture, especially U.S. nightlife.  The House of Aviance is one of the longest continuously active Houses to have emerged from the ball scene and is sometimes referred to as "a working house" with membership from all works of life, sexualities and genders.  Its membership include dancers, musicians, DJs, drag queens, performing artists, visual artists, singers, songwriters, music producers and engineers.  The Legendary House of Aviance is especially known for its voguers, performances, runways, fashion, music, music producers and DJs.  Its membership as of 2014 is just over 700 worldwide.  Most of its members are or have been part of nightlife in one way or another.  The House has for a long time stopped competing ("walking") in the ball scene, and as such, ""is not exactly like the voguing houses of Jennie Livingston's film Paris Is Burning, since it does not compete.  The House of Aviance is something of a queer kinship network in which members serve as extended, pretended, and—some would argue—improved family that supports and enables its members."" William Figg’s 1816 map of Eastbourne shows an area called Holly Well Furlong near what was until 1896 the Hollywell fishing hamlet.  This settlement was by the low cliff edge, above the place where fresh water emerges from the chalk.  Below the chalk at this point lies an impervious stratum of gault which causes the rainwater which has seeped through the chalk to spill out almost at sea level.  The fishing settlement was approached from what is now Holywell Road via the lane between the present Helen Gardens and St Bede's Preparatory School.  On the left side of this lane, opposite the present sports complex of St Bede's School, stood Holywell House - said to have been an inn at one time.  The house was standing as early as 1839 and demolished in about 1897.  The pinnacle was formerly known locally as Gibraltar, and the ground around here was the site of lime kilns which were worked by the fishermen. Jesse Saunders (born March 10, 1962 in Chicago, Illinois) is an American DJ, record producer, film producer and entrepreneur.  He is one of the pioneers of house music, often cited as "the originator of House music" by critics and historians.  His 1984 single, "On & On", co-written with Vince Lawrence, was first record with a house DJ as the artist that was pressed and sold to the public.  Chicago Mayor Richard M. Daley declared July 17, 1997, as "Jesse Saunders and the Pioneers of House Music Day" in Chicago.  Since his emergence as a DJ almost three decades ago, Saunders has run several of his own independent labels, and worked extensively in music and film production, as well as artist promotion and management.  In recent years, through House music reunions, a pending book release and a live 'disc-jocumentary' – where, while DJing, he visually takes the audience through the history of House and Electro – Saunders has worked towards erasing the misconceptions associated with the genre's origins.  He is also a long-time member of the National Academy of Recording Arts and Sciences.
Answer: early 1990s