Question: Andrea di Mariotto del Minga helped decorate the Studiolo of Francesco I in this town hall where
Context: The Palazzo Vecchio (] "Old Palace") is the town hall of Florence, Italy.  It overlooks the Piazza della Signoria with its copy of Michelangelo's "David" statue as well as the gallery of statues in the adjacent Loggia dei Lanzi. Abate Andrea Belvedere (born 1646) was an Italian painter of the Baroque period.  He was born at Naples and a pupil of Giovan Battista Ruoppolo, and excelled in painting still-life paintings of fruit and flowers.  He moved to Spain in 1692, and was employed by Charles II of Spain; and in conjunction with Luca Giordano (who painted the figures), he helped decorate the Escorial.  Napier describes Belvedere as imitator, yet also a competitor of the Flemish still-life painter Abraham Brueghel.  Among his pupils or followers were Baldassare de Caro, Tommaso Realfonso, and Nicola Casissa. Andrea del Minga or Andrea di Mariotto del Minga (1540–1596) was a Florentine painter of the Mannerist style.  He was employed in Giorgio Vasari's team that decorated of the Studiolo of Francesco I in the Palazzo Vecchio. Andrea di Niccolò, also Andrea di Niccolò di Giacomo, (1440-1514) was an Italian painter of the Sienese School. Andrea del Castagno (or Andrea di Bartolo di Bargilla; 1421 – 19 August 1457) was an Italian painter from Florence, influenced chiefly by Tommaso Masaccio and Giotto di Bondone.  His works include frescoes in Sant'Apollonia in Florence and the painted equestrian monument of Niccolò da Tolentino (1456) in the Cathedral in Florence.  He in turn influenced the Ferrarese school of Cosmè Tura, Francesco del Cossa and Ercole de' Roberti. Francesco Tartagnini was an Italian decorative painter of the 18th century.  He died circa 1800.  He is said to have trained with the brothers Bottani from Cremona, and then with Giovanni Bellavite at the Mantua Academy of Fine Arts.  He helped decorate the frescoes of the church of Sant'Andrea, as well as the Palazzo D'Arco, Mantua . Francesco Fontebasso (4 October 1707 – 31 May 1769) was an Italian painter of the late-Baroque or Rococo period of Venice.  He first apprenticed with Sebastiano Ricci, but was strongly influenced by his contemporary, Giovanni Battista Tiepolo.  In 1761, Fontebasso visited Saint Petersburg and produced ceiling paintings and decorations for the Winter Palace.  Fontebasso returned to Venice in 1768.  He helped decorate a chapel in San Francesco della Vigna. Francesco Santafede (16th century) was an Italian painter of the Renaissance period, active mainly in Naples.  He was the father of the painter Fabrizio Santafede, a pupil of Andrea Sabbatini (Andrea di Salerno).  He was a colleague of Francesco Imparato, and like his son, emerged from the studio of Andrea Sabbatini, although he appears to have also followed the style of Giovanni Filippo Criscuolo. Andrea del Verrocchio (] ; 1435 – 1488), born Andrea di Michele di Francesco de' Cioni, was an Italian painter, sculptor, and goldsmith who was a master of an important workshop in Florence.  He became known by his nickname "Verrocchio", from "vero occhio", which in Italian means "true eye", a tribute given to him for his artistic achievement.  Few paintings are attributed to him with certainty, but a number of important painters were trained at his workshop.  His pupils included Leonardo da Vinci, Pietro Perugino and Lorenzo di Credi.  His greatest importance was as a sculptor and his last work, the Equestrian statue of Bartolomeo Colleoni in Venice, is generally accepted as a masterpiece. Andrea di Giusto (c. 1400- 2 September 1450, Florence), rarely also known as Andrea Manzini or Andrea di Giusto Manzini was a Florentine painter of the late Gothic to early Renaissance style in Florence and its surrounding countryside.  Andrea was heavily influenced by masters Lorenzo Monaco, Bicci di Lorenzo, Masaccio, and Fra Angelico, and tended to mix and match the motifs and techniques of these artists in his own work.  Andrea was an eclectic painter and is considered a minor master of Florentine early Renaissance art.  Andrea trained under Bicci di Lorenzo as a "garzone".  He painted his most significant works, three altarpieces, in the Florentine contado, or countryside; these altarpieces were created for Sant’Andrea a Ripalta in Figline, Santa Margarita in Cortona, and the Badia degli Olivetani di San Bartolomeo alle Sacce near Prato.  Aside from his major altarpieces, Andrea painted several Frescoes over the course of his career.  He, along with other minor masters, are also known to have provided several different types of art, including triptychs and frescoes, for Romanesque pievi, or rural churches with baptistries.  Moreover, he was well-known for several types of smaller craft objects, such as small tabernacles.  He is said to have worked between 1420 and 1424 under Bicci di Lorenzo on paintings for Santa Maria Nuova.  In 1436, he is said to have worked with Masaccio in painting the "Life of San Giuliano" for the Polyptych of Pisa, including the painting of the "Madonna and Child".  He also appears to have collaborated in 1445 with Paolo Uccello in the Capella dell'Assunta in the Prato Cathedral.  In 1428, he is listed as a member of the "Arte dei Medici e Speziali" guild in Florence as "Andrea di Giusto di Giovanni Bugli".  His son, Giusto d'Andrea, was also a painter and worked with Neri di Bicci and Benozzo Gozzoli.  Andrea died in Florence in 1450.
Answer: Florence, Italy