Question: Who has won a kind of Academy Award, Peter Billingsley or Seijun Suzuki?
Context: Kenji Suzuki (鈴木 健二 , Suzuki Kenji , born January 23, 1929) is a former television announcer for the NHK in Japan.  He retired in 1988.  He is the younger brother of film director Seijun Suzuki. The following is the filmography of Takeo Kimura, the Japanese art director, writer, and film director who has art-directed more than 200 films over a span of more than six decades and ranks among Japan's best-known art directors.  His training began with the Nikkatsu Company in 1941, whose production division was merged into Daiei during the wartime industry reorganization, where he was promoted to art director in 1945.  His debut film as such was "Umi no yobu koe" (1945).  Nikkatsu re-opened its production studio in 1954 and Kimura moved there.  He worked with several directors, including top action director Toshio Masuda on films such as "Red Quay" (1958) with top star Yujiro Ishihara and "Gangster VIP" (1968) starring Tetsuya Watari.  However, his longest and most famous collaboration has been with director Seijun Suzuki, which began with "The Bastard" (1963).  Together they developed a bold, expressive style exemplified in "Gate of Flesh" (1964) and "Tokyo Drifter" (1966).  Suzuki often rewrote his scripts with Kimura, who was given his first screenwriting credit on "The Flower and the Angry Waves" (1964).  Kimura was also a part of Guryū Hachirō, the pen name of the writing group that formed around Suzuki in the mid-1960s and wrote "Branded to Kill" (1967). Fighting Elegy (けんかえれじい , Kenka erejii ) is a 1966 Japanese film directed by Seijun Suzuki.  Filmmaker Kaneto Shindō adapted the script from the novel by Takashi Suzuki.  The film has also screened under the titles Violence Elegy, Elegy to Violence, Elegy for a Quarrel and The Born Fighter at various film festivals and retrospectives. Peter Billingsley (born April 16, 1971), also known as Peter Michaelsen and Peter Billingsley-Michaelsen, is an American actor, director, and producer, known for his role as Ralphie in the 1983 movie "A Christmas Story" and as "Messy Marvin" in the Hershey's Chocolate Syrup commercials during the 1970s.  He began his career as an infant in television commercials. Go to Hell, Hoodlums!  (くたばれ愚連隊 , Kutabare gurentai , aka Fighting Delinquents) is a 1960 Japanese film directed by Seijun Suzuki for the Nikkatsu Corporation.  It is Suzuki's first color film. Story of a Prostitute (春婦伝 , Shunpuden ) is a 1965 Japanese film directed by Seijun Suzuki.  It is based on a story by Taijiro Tamura who, like Suzuki, had served as a soldier in the war. Seijun Suzuki (鈴木 清順 , Suzuki Seijun ) , born (24 May 1923 – 13 February 2017), was a Japanese filmmaker, actor, and screenwriter.  His films are known for their jarring visual style, irreverent humour, nihilistic cool and entertainment-over-logic sensibility.  He made 40 predominately B-movies for the Nikkatsu Company between 1956 and 1967, working most prolifically in the yakuza genre.  His increasingly surreal style began to draw the ire of the studio in 1963 and culminated in his ultimate dismissal for what is now regarded as his magnum opus, "Branded to Kill" (1967), starring notable collaborator Joe Shishido.  Suzuki successfully sued the studio for wrongful dismissal, but he was blacklisted for 10 years after that.  As an independent filmmaker, he won critical acclaim and a Japanese Academy Award for his Taishō Trilogy, "Zigeunerweisen" (1980), "Kagero-za" (1981) and "Yumeji" (1991). Masayuki Takagi (高木雅行 , Takagi Masayuki ) is a Japanese film producer.  He was nominated in 1956 for the Academy Award for Best Foreign Language Film for producing Kon Ichikawa's "The Burmese Harp".  His other film production credits include Ichikawa's "Ghost Story of Youth" (1955) and "The Heart" (1955), Seijun Suzuki's "The Bastard" (1963), "Our Blood Will Not Forgive" (1964) and "Tattooed Life" (1965), and Shohei Imamura's "Unholy Desire" (1965).  He also served as associate producer for part of "Tora!  Tora!  Tora! " (1970). Victory Is Mine (港の乾杯　勝利をわが手に , Minato no Kanpai: Shōri o Waga Te ni , aka Harbour Toast: Victory Is in Our Grasp) is a 1956 Japanese B movie directed by Seijun Suzuki for the Nikkatsu Corporation.  It is Suzuki's first film, credited under his given name Seitarō Suzuki.  The film was primarily a vehicle for an already popular song. Underworld Beauty (暗黒街の美女 , Ankokugai no bijo ) is a 1958 Japanese film directed by Seijun Suzuki.  It marked Suzuki's first CinemaScope film and was also the first to be credited to his assumed name, Seijun Suzuki.
Answer: Japanese Academy Award for his Taishō Trilogy