Question: Were Audience of One and Beyond the Call directed by the same person?
Context: Audience of One is an award-winning 2007 documentary film directed by Michael Jacobs that was premiered on 9 March 2007 at South by Southwest in Austin, Texas. Call capture is a telephone-based technology that captures personal data from persons who call a properly provisioned number.  After the call is placed, the system notifies a client of the name, phone number and address of the person calling.  The system was designed as a device for real estate agents and allows one to legally bypass do not call laws. Call forwarding, or call diversion, is a telephony feature of some telephone switching systems which redirects a telephone call to another destination, which may be, for example, a mobile telephone, voicemail box or another telephone number where the desired called party is available.  Call forwarding was invented by Ernest J. Bonanno.  In North America, the forwarded line usually rings once to remind the customer using call forwarding that the call is being redirected.  More consistently, the forwarded line indicates its condition by stutter dial tone.  Call forwarding typically can redirect incoming calls to any other domestic telephone number, but the owner of the forwarded line must pay any toll charges for forwarded calls.  Call forwarding is often enabled by dialing *72 followed by the telephone number to which calls should be forwarded.  Once someone answers, call forwarding is in effect.  If no one answers or the line is busy, the dialing sequence must be repeated to effect call forwarding.  Call forwarding is disabled by dialing *73.  This feature requires a subscription from the telephone company.  Also available in some areas is Remote Access to call forwarding, which permit the control over call forwarding from telephones other than the subscriber's telephone.  VOIP and cable telephone systems also often allow call forwarding to be set up and directed via their web portals. Hidden Singer () is a South Korean entertainment TV program broadcast on JTBC.  The mechanics are a famous singer and several impersonators of the singer.  Each person sings one measure of a song behind the blinds for four rounds.  In the first three rounds, an audience of 100 people vote on the person who they think is not the real singer.  In the final round, the audience votes on who they think is the real singer.  The program is hosted by Jun Hyun-moo. The Encoding/decoding model of communication was first developed by cultural studies scholar Stuart Hall in 1973.  Titled 'Encoding and Decoding in the Television Discourse', Hall's essay offers a theoretical approach of how media messages are produced, disseminated, and interpreted.  As an important member of the Birmingham School of Cultural Studies, Hall had a major influence on media studies.  His model claims that television and other media audiences are presented with messages that are decoded, or interpreted in different ways depending on an individual's cultural background, economic standing, and personal experiences.  In contrast to other media theories that disempower audiences, Hall proposed that audience members can play an active role in decoding messages as they rely on their own social contexts, and might be capable of changing messages themselves through collective action.  In simpler terms, encoding/decoding is the translation of a message that is easily understood.  When you decode a message, you extract the meaning of that message in ways that make sense to you.  Decoding has both verbal and non-verbal forms of communication: Decoding behavior without using words means observing body language and its associated emotions.  For example, some body language signs for when someone is upset, angry, or stressed would be a use of excessive hand/arm movements, red in the face, crying, and even sometimes silence.  Sometimes when someone is trying to get a message across to someone, the message can be interpreted differently from person to person.  Decoding is all about the understanding of what someone already knows, based on the information given throughout the message being received.  Whether there is a large audience or exchanging a message to one person, decoding is the process of obtaining, absorbing, understanding, and sometimes using the information that was given throughout a verbal or non-verbal message. Person of the Year or Man of the Year is an award given to an individual by any type of organization.  Most often, it is given by a newspaper or other news outlet to annually recognize a public person.  Such awards have typically been awarded to one person, near or after the end of a calendar year.  The awardee is usually someone widely known via a news media's audience.  A local newspaper typically gives a Person of the Year award to a local individual.  However, prominent Person of the Year awards have been given to persons well beyond the scope of a given news market, to animals (Secretariat), to two or more persons in the event of a tie, and to groups of persons whose membership is not clear (Ebola fighters).  Also the award is presented annually by some organizations but may be a one-off or occasional event for others. Trilogy of Terror (Portuguese: Trilogia de Terror ) is a 1968 Brazilian horror film directed by José Mojica Marins, Luís Sérgio Person and Ozualdo Candeias.  The film consists of 3 stories adapted from the Brazilian TV series "Além, Muito Além do Além" (Beyond, Much Beyond the Beyond): "O Acordo" (The Agreement), "A Procissão dos Mortos" (Procession of Dead), and "Pesadelo Macabro" (Macabre Nightmare). The moral credential effect is a bias that occurs when a person's track record as a good egalitarian establishes in them an unconscious ethical certification, endorsement, or license that increases the likelihood of less egalitarian decisions later.  This effect occurs even when the audience or moral peer group is unaware of the affected person's previously established moral credential.  For example, individuals who had the opportunity to recruit a woman or African American in one setting were more likely to say later, in a different setting, that a job would be better suited for a man or a Caucasian.  Similar effects also appear to occur when a person observes another person from a group they identify with making an egalitarian decision. A Huey P. Newton Story (2001) is an American film adaptation directed by Spike Lee.  The movie was created, written and performed, as a solo performance, by Roger Guenveur Smith at The Joseph Papp Public Theater.  In this performance, Smith creates a representation of the activist Huey P. Newton’s life and time as a person, a citizen and an activist.  During the performance, images are shown up-stage from activist movement era.  The simple arrangement of Smith sitting in a chair stage-center makes the audience focus on the dialogue of the performer.  Smith captures the attention of the audience throughout the film by putting into play his solo performance skills.  Smith's idea for the performance originated in 1989 and took root as a stage play in 1996.  Smith's performance attempt to show a shy individual that Huey P. Newton believed himself to be.  He did not consider himself a charismatic person, although he had made many contributions to his community.  Smith shows Newton as a conservative individual who is disgusted by having microphones and cameras close to him. Beyond the Call is a 2006 documentary film about three middle-aged men who are former soldiers and modern-day knights.  They travel the world delivering life saving humanitarian aid directly into the hands of civilians and doctors in some of the most dangerous yet beautiful places on Earth, the front lines of war.  It is the directorial debut of Academy Award nominee Adrian Belic.  The film has been screened in over 80 film festivals on five continents, winning 25 awards so far.
Answer: no