Question: Do the bands Frou Frou and Starsailor, play the same genre of music?
Context: Arsen Sheklian, better known by his stage name Arsen Roulette, (born July 23, 1976) is an American singer, lyricist, guitar player and upright bass player from Fresno, California.  Roulette is a prolific songwriter penning more than 100 songs in the Rockabilly Genre, a mixture of Rock and Roll, Blues and American Hillbilly music.  In 1996 Arsen discovered Rocabilly music and in 1997 Arsen formed the rockabilly trio "Arsen Roulette and the Ricochets", the bands rotating members were a veritable whose who of neo-rockabilly giants.  After several name changes and a successful U.S. tour, the trio grew into a quartet of semi-permanent musicians, mainly European Rock-A-Billy musicians who play full-time in other bands of this genre.  Arsen Roulette makes bi-annual pilgrimages to Europe, frequently headlining Europe's biggest Rockabilly events; Summer Jamboree, Hemsby, Screamin' Festival and the Brighton Rumble just to name a few. Stoner rock or stoner metal is a rock music fusion genre that combines elements of heavy metal and/or doom metal with psychedelic rock and acid rock.  The name references cannabis consumption.  The term desert rock is often used interchangeably with the term "stoner rock" to describe this genre; however, not all stoner rock bands would fall under the descriptor of "desert rock".  Stoner rock is typically slow-to-mid tempo and features a heavily distorted, groove laden bass-heavy sound, melodic vocals, and "retro" production.  The genre emerged during the early 1990s and was pioneered foremost by the Californian bands Kyuss and Sleep. Morbid Angel is an American death metal band based in Tampa, Florida formed in 1983 by guitarist and sole remaining original member Trey Azagthoth, original vocalist and bassist Dallas Ward, and original drummer Mike Browning.  Widely considered as one of the most influential bands in the genre and important in the transition of death metal from its thrash metal roots, they were one of the first bands to incorporate guttural vocals, up-tempo blast beats, atonality in guitar playing, multiple tempo changes and dark atmosphere.  They have been described as one of "the most influential and emulated bands in death metal", alongside Cannibal Corpse, and have been cited as an influence by many later bands.  They were also the first death metal band to experience mainstream success in connection with being signed to Giant Records in 1992, heavy rotation of their music videos on MTV, and having the music video for the song "God of Emptiness" shown on an episode of "Beavis and Butt-head".  Their first four albums are considered classics in the genre. Frou Frou were a British electronic duo composed of Imogen Heap and Guy Sigsworth.  They released their only album, "Details," in 2002.  Both of them wrote, produced and played instruments on the tracks, while Heap also provided vocals.  Frou Frou amicably disbanded in 2003 to go their separate ways musically, but have more recently stated the possibility of new Frou Frou collaborations. Imogen Jennifer Heap (born 9 December 1977), known professionally as Imogen Heap ( ), is an English singer, songwriter, record producer and audio engineer.  She is known for her involvement in electronic music and as a member of the short-lived project Frou Frou.  Born in the London Borough of Havering, Heap became classically trained in piano, cello and clarinet at a young age.  She began writing songs at the age of 13 and, while attending boarding school, taught herself both guitar and drums, as well as music production on Atari computers.  Heap signed to independent record label Almo Sounds at the age of 18 and later began working with experimental pop band Acacia, alongside Guy Sigsworth, as a frequent guest vocalist. Starsailor is an English post-Britpop band, formed in 2000.  Since its formation the band has included guitarist and vocalist James Walsh, drummer Ben Byrne, bassist James Stelfox and keyboardist Barry Westhead. Emo is a genre of rock music characterized by an emphasis on emotional expression, sometimes through confessional lyrics.  It emerged as a style of post-hardcore from the mid-1980s hardcore punk movement of Washington, D.C., where it was known as emotional hardcore or emocore and pioneered by Washington, D.C. hardcore bands such as Rites of Spring and Embrace.  However, as the genre was taken up by a new generation of musicians in the early 1990s, its sound and meaning shifted and changed and it was reinvented as a style of indie rock and pop punk by bands such as Jawbreaker, Sunny Day Real Estate, Weezer, and Jimmy Eat World.  By the mid-1990s, numerous emo acts such as Braid, The Promise Ring, and the Get Up Kids emerged in the Midwestern and Central United States, and several independent record labels began to specialize in the genre.  Meanwhile, a more aggressive style of emo, screamo, had also emerged, pioneered by the San Diego bands Heroin and Antioch Arrow. The New Wave of New Wave (NWONW) was coined by music journalists to describe a subgenre of the British alternative rock scene in the early 1990s, in which bands displayed post-punk and new wave influences, particularly from bands such as The Clash, Blondie, Wire, and The Stranglers.  The associated bands generally played guitar-based rock music often accompanied by keyboards.  The movement was short lived and several of the bands involved were later linked with the more commercially successful Britpop, which it immediately preceded, and the NWONW was described by John Harris of "The Guardian" (one of the journalists who first coined the term) as "Britpop without the good bits".  The "NME" played a major part in promoting and covering the genre, and promoted the "On" event, which featured many of the bands they had labelled NWONW. This is a list of avant-garde metal artists, regional scenes, and record labels.  Avant-garde metal or avant-metal, also known as experimental metal, is a subgenre of heavy metal music loosely defined by use of experimentation and characterized by the use of innovative, avant-garde elements, large-scale experimentation, and the use of non-standard and unconventional sounds, instruments, song structures, playing styles, and vocal techniques.  It evolved out of progressive rock and various forms of metal, including extreme metal, particularly the extreme subgenre death metal.  Some early examples are the King Crimson releases "Larks' Tongues in Aspic" and "Red" in 1973 and 1974 respectively, and the 1976 Led Zeppelin album "Presence".  The genre emerged in the early 1980s through the efforts of bands such as Celtic Frost and Voivod, who pioneered the genre.  Other pioneers of avant-garde metal include Boris, Earth, Helmet, maudlin of the Well, Neurosis, Sunn O))), and Mr. Bungle.  In the late 1990s, Misanthropy Records emerged as a promoter of Norwegian avant-garde metal until it folded in 2000, and, according to Jeff Wagner, in the late 1990s and early 2000s, a so-called "new wave of avant-garde metal" was spearheaded by The End Records.  Some other record labels which promote avant-garde metal are Aurora Borealis, The Flenser, Holy Records, Hydra Head Records, Ipecac Recordings, Napalm Records, the Relapse Entertainment imprint of Relapse Records, Seventh Rule Recordings, and Southern Lord Records.  In the United States, local avant-garde metal scenes have emerged in the San Francisco Bay Area, with bands such as Giant Squid, Grayceon, and Ludicra, Boston, with bands such as Isis, Kayo Dot, and maudlin of the Well and Seattle.  According to the "New York Times", some regional scenes that developed in the mid-1990s included the cities of Tokyo, Los Angeles, and Oslo. This is a list of power metal bands including notable bands that have at some point in their careers played power metal or heavily contributed to the genre's development.  Power metal is a subgenre of heavy metal music combining characteristics of traditional metal with speed metal, often within symphonic context.  Generally, power metal is characterized by a more uplifting sound, in contrast to the heaviness and dissonance prevalent in styles such as doom metal and death metal.  Power metal bands usually have anthem-like songs with fantasy-based subject matter and strong choruses, thus creating a theatrical, dramatic and emotionally "powerful" sound.  Power metal has two distinct early styles, which developed in parallel.  US Power Metal was developed in the mid/late 80s, pioneered by bands such as Omen characterized by harsh thrashy sound and a focus on speed and soaring operatic vocals.  It was directly influenced by speed metal and NWOBHM, and had a drop in popularity in the 90s.  European Power Metal was developed in the late 80s by key bands such as Helloween, and was more melodic, employing keyboards, synths and anthem-like songs.
Answer: no