Question: Wang Xuejun is a choreographer for what New York-based entertainment company performing classical Chinese dance?
Context: Classical Chinese grammar is the grammar of Classical Chinese, a term that first and foremost refers to the written language of the classical period of Chinese literature, from the end of the Spring and Autumn period (early 5th century BC) to the end of the Han Dynasty (220 AD).  The term "Classical Chinese" is also often used for the higher language register used in writing during most of the following centuries (a register generally referred to by sinologists as "Literary Chinese"); however, this article focuses on the grammar used in the classical period. Shen Yun Performing Arts is a performing-arts and entertainment company formed in New York City.  It performs classical Chinese dance, ethnic and folk dance, and story-based dance, with orchestral accompaniment and solo performers.  The Shen Yun website translates the phrase "shen yun" as "the beauty of divine beings dancing". Wang Xuejun is an Australian ballet dancer of Chinese descent, as well as a performer of Chinese classical and folk dance.  He trained at the Beijing Dance Academy, and has performed as a principal dancer with Australia Sydney Dance Company.  More recently he has been a principal dancer and choreographer for the New York-based Shen Yun Performing Arts. Regulated verse -- also known as Jintishi (: "jìntǐshī"Wade–Giles: "chin-t'i shih"literally: "modern-form poetry" ) -- is a development within Classical Chinese poetry of the "shi" main formal type.  Regulated verse is one of the most important of all Classical Chinese poetry types.  Although often regarded as a Tang Dynasty innovation, the origin of regulated verse within the Classical Chinese poetic tradition is associated with Shen Yue (441–513), based on his "four tones and eight defects" (四聲八病) theory regarding tonality.  There are three types of regulated verse: the eight-lined "lüshi", the four-lined "jueju", and the linked couplets of indeterminate length "pailu".  All regulated verse forms are rhymed on the even lines, with one rhyme being used throughout the poem.  Also, and definitionally, the tonal profile of the poem is controlled (that is, "regulated").  Furthermore, semantic and tonal parallelism is generally required of certain interior couplets.  During the Tang Dynasty, the "Shen-Song" team of Shen Quanqi and Song Zhiwen greatly contributed to the development of this Classical Chinese verse form. Gugyeol is a system for rendering texts written in Classical Chinese into understandable Korean.  It was chiefly used during the Joseon Dynasty, when readings of the Chinese classics were of paramount social importance.  Thus, in "gugyeol", the original text in classical Chinese was not modified, and the additional markers were simply inserted between phrases.  The Korean reader would then read the parts of the Chinese sentence out of sequence to approximate Korean (SOV) rather than Chinese (SVO) word order.  A similar system for reading classical Chinese is used to this day in Japan and is known as "Kanbun". Fashion One is a global television network founded by Michael Gleissner and owned by the New York-based entertainment company, Bigfoot Entertainment.  Launched on April 8, 2010, the TV network broadcasts programming related to fashion, entertainment and lifestyle internationally across multiple platforms, including direct-to-home satellite television, cable television, internet television and IPTV. Qing poetry refers to the poetry of or typical of the Qing dynasty (1644–1911).  Classical Chinese poetry continued to be the major poetic form of the Qing dynasty, during which the debates, trends and widespread literacy of the Ming period began to flourish once again after a transitional period during which the Qing dynasty had established its dominance.  Also, popular versions of Classical Chinese poetry were transmitted through Qing dynasty anthologies, such as the collections of Tang poetry known as the "Quantangshi" and the "Three Hundred Tang Poems".  The poetry of the Qing Dynasty has an ongoing and growing body of scholarly literature associated with its study.  Both the poetry of the Ming dynasty and the poetry of the Qing dynasty are studied for poetry associated with Chinese opera, the developmental trends of Classical Chinese poetry and the transition to the more vernacular type of Modern Chinese poetry, as well as poetry by women in Chinese culture. Classical Chinese poetry genres are those genres which typify the traditional Chinese poems written in Classical Chinese.  Some of these genres are attested to as early as the publication of the Classic of Poetry, dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE, in what is now China, but at that time was composed of various independent states.  The term "genres" refers to various aspects, such as to topic, theme, and subject matter, what similes or metaphors were considered appropriate or how they would be interpreted, and other considerations such as vocabulary and style.  These genres were generally, but not always independent of the Classical Chinese poetry forms.  Many or most of these forms and genres were developed by the Tang Dynasty, and the use and development of Classical Chinese poetry genres actively continued up to until the May Fourth Movement, in 1919, and still continues even today in the 21st century. Wang Xuejun (; born December 1952) is a Chinese politician and former senior regional official.  He served as the Governor of Anhui from 2013 to 2015, then was promoted to Communist Party Secretary of Anhui, a position he held from 2015 to 2016. Classical Chinese poetry forms are those poetry forms, or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese.  Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the "Classic of Poetry", dating from a traditionally, and roughly, estimated time of around 10th-7th century BC.  The term "forms" refers to various formal and technical aspects applied to poems: this includes such poetic characteristics as meter (such as, line length and number of lines), rhythm (for example, presence of caesuras, end-stopping, and tone contour), and other considerations such as vocabulary and style.  These forms and modes are generally, but not invariably, independent of the Classical Chinese poetry genres.  Many or most of these were developed by the time of the Tang Dynasty, and the use and development of Classical Chinese poetry and genres actively continued up to until the May Fourth Movement, and still continues even today in the 21st century.
Answer: Shen Yun Performing Arts