Question: What was the name of the stage manager character in the Rodgers and Hammerstein musical which contained the show tune "No Other Love"?
Context: "I Have Dreamed" is a show tune from the 1951 Rodgers and Hammerstein musical, "The King and I".  In the original Broadway production it was sung by Doretta Morrow and Larry Douglas.  It has since become a standard, with many artists recording the song.  The tune has been accused of similarities to Alfred Newman's track, "The Hill of the Brilliant Green Jade", from the 1944 film "The Keys of the Kingdom" starring Gregory Peck, though only seven notes are the same. "I Whistle a Happy Tune" is a show tune from the 1951 Rodgers and Hammerstein musical, "The King and I."  It is sung by the Governess Anna Leonowens (played by Gertrude Lawrence) to her son Louis after the curtain rises on Act One of the musical, to persuade him not to be afraid as they arrive in Siam to serve the King. "Do-Re-Mi" is a show tune from the 1959 Rodgers and Hammerstein musical "The Sound of Music".  Within the story, it is used by Maria to teach the notes of the major musical scale to the Von Trapp children who learn to sing for the first time, even though their father disallowed frivolity after their mother's death.  Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names.  Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song.  According to assistant conductor Peter Howard, the heart of the number – in which Maria assigns a musical tone to each child, like so many Swiss bell ringers – was devised in rehearsal by Rittmann (who was credited for choral arrangements) and choreographer Joe Layton.  The fourteen note and tune lyric – 'when you know the notes to sing...' – were provided by Rodgers and Hammerstein; the rest, apparently, came from Rittmann.  Howard: 'Rodgers allowed her to do whatever she liked.  When we started doing the staging of it, Joe took over.  He asked Trude for certain parts to be repeated, certain embellishments.' "Some Enchanted Evening" is a show tune from the 1949 Rodgers and Hammerstein musical "South Pacific".  It is "the single biggest popular hit to come out of any Rodgers and Hammerstein show."  It is a three-verse solo for the leading male character, Emile, in which he describes seeing a stranger, knowing that he will see her again, and dreaming of her laughter.  He sings that when you find your "true love", you must "fly to her side, / And make her your own". "Shall We Dance?"  is a show tune from the 1951 Rodgers and Hammerstein musical, "The King and I".  It is sung by Anna Leonowens and the King of Siam, played by Gertrude Lawrence (in the original Broadway production) and Yul Brynner respectively.  In addition, it was sung by Valerie Hobson in the original London West End production, and Marni Nixon (who only voiced-over songs while Deborah Kerr acted) in the 1956 film of "The King and I".  The song is about Anna reminiscing over the idea of finding love at an English dance.  The song comes about after a conflict of love's meaning between Anna and the King; the King believes that love is a "silly complication of a pleasant simplicity" and a "fairy tale" while Anna believes that love is real and is natural.  They sing the song "The Song of the King" which expresses predominantly the viewpoint of the King.  After the song, Anna is trying to explain the idea of love in a simple way to the King and becomes caught up in her own experience of love at first sight which is told in the song "Shall We Dance?" . "No Other Love" is a show tune from the 1953 Rodgers and Hammerstein musical "Me and Juliet". Me and Juliet is a musical comedy by Richard Rodgers (music) and Oscar Hammerstein II (lyrics and book) and their sixth stage collaboration.  The work tells a story of romance backstage at a long-running musical: assistant stage manager Larry woos chorus girl Jeanie behind the back of her electrician boyfriend, Bob.  "Me and Juliet" premiered in 1953 and was not considered a success, although it ran for much of a year on Broadway and returned a small profit to its backers. "People Will Say We're In Love" is a show tune from the Rodgers and Hammerstein musical "Oklahoma! " (1943).  In the original Broadway production, the song was introduced by Alfred Drake and Joan Roberts. "Edelweiss" is a show tune from the 1959 Rodgers and Hammerstein musical "The Sound of Music".  It is named after the edelweiss, a white flower found high in the Alps "(Leontopodium alpinum)".  It was created for the 1959 Broadway production of "The Sound of Music" in the role originated by performer Theodore Bikel as a song for the character of Captain Georg Ludwig von Trapp.  In the musical, Captain von Trapp and his family sing this song during the concert near the end of Act II as a statement of Austrian patriotism in the face of the pressure put upon him to join the navy of Nazi Germany following the Anschluss.  It is also Captain von Trapp's subliminal goodbye to his beloved homeland, using the flower as a symbol of his loyalty to Austria.  In the 1965 film adaptation, the song is also sung by the Captain earlier in the film when he rediscovers music with his children. "I Enjoy Being a Girl" is a show tune from the 1958 Rodgers and Hammerstein musical "Flower Drum Song".  It is the showpiece for the Linda Low showgirl character.  The musical is a comedic love story about growing up Chinese in America, the clash between the traditional values of the old country and the modern ways of America.
Answer: Larry