Question: What company did the person, that sits on the board of an audio recognition and cognition company, found?
Context: Raffaella Ida Rumiati is professor of cognitive neuroscience at the International School for Advanced Studies ["Scuola Internazionale Superiore di Studi Avanzati"], (SISSA), Italy.  She sits on the editorial board of the journal "Cognitive Neuropsychology", and is an action editor for the journal "Brain and Cognition".  Rumiati is also a member of the steering committee of the European Workshop on Cognitive Neuropsychology.  and a member of The NeuroGenderings Network. Dame Victoria Geraldine Bruce, DBE, CPsychol, FBPsS, FRSE, FBA (born 4 January 1953), known as Vicki Bruce, is a British psychologist, Professor of Psychology and former Head of the School of Psychology at Newcastle University.  She is known for her work on human face perception and person memory, including face recognition and recall by eyewitnesses and gaze and other aspects of social cognition.  She is also interested in visual cognition more generally.  She was made a Dame in the 2015 Birthday Honours list. TuneSat is an online audio recognition service launched in 2009 which enables music copyright holders to detect where their work is being used.  Rights owners upload their audio files, and TuneSat begins to search and track results of matches. The Quad Digital Audio Processor (QDAP) was a Digital Signal Processor (DSP) based printed circuit card designed at Computer Consoles Inc. (CCI) in Rochester, NY.  The QDAP was a service circuit module developed as part of the companies digital telephony switching system.  The main function of the card was the processing of incoming digital audio to detect the speech patterns using speaker independent speech recognition.  The CCI digital switch was deployed as part of the Digital Audio Intercept System (DAIS II), Automatic Voice Response (AVR), and Interactive Voice System (IVS) products.  The initial QDAP board is notable for introducing speech recognition into the public telephone network to automate the handling of operator assisted telephone calls. Interlocking directorate refers to the practice of members of a corporate board of directors serving on the boards of multiple corporations.  A person that sits on multiple boards is known as a "multiple director".  Two firms have a "direct interlock" if a director or executive of one firm is also a director of the other, and an "indirect interlock" if a director of each sits on the board of a third firm.  This practice, although widespread and lawful, raises questions about the quality and independence of board decisions. Ulric Gustav Neisser (December 8, 1928 – February 17, 2012) was a German-born American psychologist and member of the US National Academy of Sciences.  He has been referred to as the "father of cognitive psychology."  Neisser researched and wrote about perception and memory.  He posited that a person's mental processes could be measured and subsequently analyzed.  In 1967, Neisser published "Cognitive Psychology", which he later said was considered an attack on behaviorist psychological paradigms.  "Cognitive Psychology" brought Neisser instant fame and recognition in the field of psychology.  While "Cognitive Psychology" was considered unconventional, it was Neisser's "Cognition and Reality" that contained some of his most controversial ideas.  A main theme in "Cognition and Reality" is Neisser's advocacy for experiments on perception occurring in natural ("ecologically valid") settings.  Neisser postulated that memory is, largely, reconstructed and not a snap shot of the moment.  Neisser illustrated this during one of his highly publicized studies on people's memories of the Challenger explosion.  In his later career, he summed up current research on human intelligence and edited the first major scholarly monograph on the Flynn effect.  A "Review of General Psychology" survey, published in 2002, ranked Neisser as the 32nd most cited psychologist of the 20th century. SoundHound Inc., founded in 2005, is an audio recognition and cognition company.  It develops sound-recognition and sound-search technologies.  Its feature product is a music recognition mobile app called SoundHound.  In 2015, it released two new products, a voice-recognition virtual assistant mobile app called "Hound" and a voice-enabled artificial intelligence developer platform called "Houndify".  The company’s headquarters are in Santa Clara, California. Kamran Elahian(Persian: کامران الهیان‎ ‎ ) is an Iranian-American Entrepreneur who is the chairman and co-founder of Global Catalyst Partners, an international, multistage, technology-oriented venture capital firm.  GCP has invested in leading-edge technology companies in the U.S., China, Japan and Israel.  Kamran serves on the boards of Actelis Networks, Beceem Communications, iKoa and SoundHound. Modular Audio Recognition Framework (MARF) is an open-source research platform and a collection of voice, sound, speech, text and natural language processing (NLP) algorithms written in Java and arranged into a modular and extensible framework that attempts to facilitate addition of new algorithms. MARF may act as a library in applications or be used as a source for learning and extension.  A few example applications are provided to show how to use the framework.  There is also a detailed manual and the API reference in the javadoc format as the project tends to be well documented.  MARF, its applications, and the corresponding source code and documentation are released under the BSD-style license. Culture in music cognition refers to the impact that a person's culture has on their music cognition, including their preferences, emotion recognition, and musical memory.  Musical preferences are biased toward culturally familiar musical traditions beginning in infancy, and adults' classification of the emotion of a musical piece depends on both culturally specific and universal structural features.  Additionally, individuals' musical memory abilities are greater for culturally familiar music than for culturally unfamiliar music.  The sum of these effects makes culture a powerful influence in music cognition.
Answer: Global Catalyst Partners