Question: Acid House DJ Gerald Simpson recorded his 1988 single, and later the album "Black Secret Technology" under what name?
Context: Obey the Time is the eighth studio album by English band The Durutti Column, released in 1990 by Factory Records.  Conceived during the middle of the popularity of acid house in the band's native Manchester, band leader Vini Reilly chose to combine acid house, and other electronic dance music styles, with his signature guitar playing on a new album.  He created the album in his home studio with engineer Paul Miller.  Drummer Bruce Mitchell only plays on one song, with his slot being filled by drum machines on the remaining tracks.  As such, critics have described "Obey the Time" as a Vini Reilly solo album. Nathaniel Pierre Jones, better known by his stage name DJ Pierre, is an American DJ and performer of house music based in Chicago.  He helped to develop the house music subgenre of acid house, as member of Phuture, whose 1987 EP "Acid Tracks", is considered the first acid-house recording.  Allmusic.com calls Jones a crucial DJ and the production wizard partly responsible for the development of Chicago acid-house.  Jones' first single, "Generate Power," became standard fare for scores of producers during the next few years.  Philippe Renaud, a journalist for "La Presse" in Montreal, states that the term "acid house" was coined in Chicago in 1987 to describe the sound of the Roland 303 bass machine, which made its first significant recording appearance on Phuture's Acid Trax (DJ Pierre) in that year. 808 State are an English electronic music group, formed in 1987 in Manchester, taking their name from the Roland TR-808 drum machine.  They were formed by Graham Massey, Martin Price and Gerald Simpson, and they released their debut album, "Newbuild", in September 1988. "Uh-Uh Ooh-Ooh Look Out (Here It Comes)" is the Ashford & Simpson-penned, 1989 single by Roberta Flack.  The single was the follow-up to her number one R&B hit, "Oasis".  "Uh-Uh Ooh-Ooh Look Out (Here It Comes)" stalled at number thirty-seven on the U.S. R&B singles chart, failing to chart on the "Billboard" Hot 100.  In addition, a remix of the single made it to number one on the dance club play chart for one week.  Ashford & Simpson recorded the song themselves for the soundtrack of the 1998 film, Down In The Delta. Acid house is a subgenre of house music developed around the mid-1980s by DJs from Chicago.  The style was defined primarily by the deep basslines and "squelching" sounds of the Roland TB-303 electronic synthesizer-sequencer.  Acid house spread to the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes.  By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Gerald Simpson (born 16 February 1967), better known as A Guy Called Gerald, is a British DJ, record producer and musician.  He was an early member of 808 State, and later achieved success as a solo artist.  He is best known for his early work in the Manchester acid house scene in the late 1980s and the track "Voodoo Ray".  His style developed during the early 1990s, and his 1995 album "Black Secret Technology" would become a "much-touted candidate for 'best jungle album ever.'" "Voodoo Ray" is a 1988 acid house single by Gerald Simpson, recording under the name A Guy Called Gerald.  The single was released in the UK in 1988, in the 7" and 12" vinyl formats, on the Rham!  label. "3 a.m. Eternal" is a song by the British acid house group The KLF.  Numerous versions of the song were released as singles between 1989 and 1992.  In January 1991, an acid house pop version of the song became an international top ten hit single, reaching number-one on the UK Singles Chart and number five on the U.S. "Billboard" Hot 100, and leading to The KLF becoming the internationally biggest-selling singles band of 1991.  When, the following year, The KLF accepted an invitation to perform at the 1992 BRIT Awards ceremony, they caused controversy with a succession of anti-establishment gestures that included a duet performance of "3 a.m. Eternal" with the crust punk band Extreme Noise Terror, during which The KLF co-founder Bill Drummond fired machine-gun blanks over the audience of music industry luminaries.  A studio-produced version of this song was issued as a limited edition mail order 7" single, the final release by The KLF and their independent record label, KLF Communications. Acid techno is a genre of techno that developed out of late 1980s Chicago acid house.  Acid house was essentially house music made with a specific sound, obtained by using very distinctive instruments created mainly by Roland, such as the SH-101 and TB-303 for bass and lead sounds, and the TR-707, TR-808, and TR-909 for percussion.  "Acid" specifically refers to the use of the Roland TB-303, or any other synthesizer designed to emulate its unique sound.  While modern electronic instruments have memory banks of different sounds or "patches", these machines had to be manually set by adjusting control knobs.  The acid sound was obtained by either setting these controls to extreme parameters, or manipulating these controls in real-time as the track was being recorded, something record producers would call "tweaking". Black Secret Technology is the fourth album by house music and drum and bass pioneer A Guy Called Gerald, first released in February 1995 to widespread critical acclaim.  It has since been described as the best jungle album of all-time by "Pitchfork Media" and "Freaky Trigger".
Answer: A Guy Called Gerald