Question: Which movie starring Verna Bloom is produced by Ivan Reitman and Matty Simmons and is an American Comedy Film?
Context: If You Don't Buy This Book, We'll Kill This Dog: Life Laughs, Love and Death at National Lampoon is an American book that was published in 1994.  It is a history based on the author Matty Simmons' involvement with the "National Lampoon" magazine and its various spin-offs including the film "Animal House". Matty Simmons is an American film and television producer, former newspaper reporter for the New York World-Telegram and Sun, and former Executive Vice President of Diner's Club, the first credit card company.  Simmons gained his greatest fame while serving as the chief executive officer of Twenty First Century Communications. National Lampoon's Animal House is a 1978 American comedy film from Universal Pictures.  It was produced by Ivan Reitman and Matty Simmons, directed by John Landis, and stars John Belushi, Tim Matheson, John Vernon, Verna Bloom, Thomas Hulce, Stephen Furst, and Donald Sutherland.  The film, a direct spin-off from "National Lampoon magazine", is about a misfit group of fraternity members who challenge the authority of the dean of Faber College. Legal Eagles is a 1986 American legal crime comedy film directed by Ivan Reitman, written by Jim Cash and Jack Epps, Jr. from a story by Reitman and the screenwriters, and starring Robert Redford, Debra Winger, and Daryl Hannah. Junior is a 1994 American comedy film directed and produced by Ivan Reitman, and starring Arnold Schwarzenegger, Danny DeVito and Emma Thompson.  The film was released in the United States on November 23, 1994.  The film follows Alex Hesse, an Austrian-American scientist who agrees to undergo a male pregnancy as part of a scientific experiment. Verna Bloom (born August 7, 1939) is an American actress.  She co-starred in Clint Eastwood's 1973 film, "High Plains Drifter" and in the 1974 made-for-TV movie "Where Have All The People Gone? " with Peter Graves and Kathleen Quinlan.  She has had roles in more than 30 films and television episodes since the 1960s, including playing Mary, mother of Jesus, in "The Last Temptation of Christ" in 1988 and Marion Wormer in "Animal House" in 1978. Meatballs is a 1979 Canadian comedy film directed by Ivan Reitman.  It is noted for Bill Murray's first film appearance in a starring role and for launching the directing career of Reitman whose later comedies included "Stripes" (1981) and "Ghostbusters" (1984), both starring Murray.  The film also introduced child actor Chris Makepeace in the role of Rudy Gerner.  It was followed by several sequels, of which only "" (1986) had any connection to the original. The Hired Hand is a 1971 American western film directed by Peter Fonda, with a screenplay by Alan Sharp.  The film stars Fonda, Warren Oates, and Verna Bloom.  The cinematography was by Vilmos Zsigmond.  Bruce Langhorne provided the moody film score.  The story is about a man returning to his abandoned wife after seven years of drifting from job to job throughout the Southwestern United States.  The embittered woman will only let him stay if he agrees to move in as a hired hand. Medium Cool is a 1969 American drama film written and directed by Haskell Wexler and starring Robert Forster, Verna Bloom, Peter Bonerz, Marianna Hill and Harold Blankenship.  It takes place in Chicago in the summer of 1968.  It was notable for Wexler's use of cinéma vérité-style documentary filmmaking techniques, as well as for combining fictional and non-fictional content. Memoirs of an Invisible Man is a 1992 American comedy science fiction film directed by John Carpenter and released by Warner Bros., with many scenes taking place in and around San Francisco.  The film is loosely based on "Memoirs of an Invisible Man", a 1987 novel by H.F. Saint.  According to William Goldman's book "Which Lie Did I Tell? ", the film was initially developed for director Ivan Reitman; however, this version never came to fruition, due to disagreements between Reitman and Chevy Chase.  The director deviated from his usual practice of titling the film as "John Carpenter's" because he knew that Warner Brothers would not allow him full artistic control, saying that the studio "is in the business of making audience-friendly, non-challenging movies."
Answer: Animal House