Question: La Juive and Capriccio are both examples of what type of performance?
Context: Capriccio, Op. 85, is the final opera by German composer Richard Strauss, subtitled "A Conversation Piece for Music".  The opera received its premiere performance at the Nationaltheater München on 28 October 1942.  Clemens Krauss and Strauss wrote the German libretto.  However, the genesis of the libretto came from Stefan Zweig in the 1930s, and Joseph Gregor further developed the idea several years later.  Strauss then took on the libretto, but finally recruited Krauss as his collaborator on the opera.  Most of the final libretto is by Krauss. Ariadna Aleksandrovna Scriabina (Russian: Ариадна Александровна Скрябина ; also Sarah Knut, née Ariadna Alexandrovna Schletzer, pseudonym Régine; 26 October 1905 – 22 July 1944) was a Russian poet and activist of the French Resistance, who co-founded the Zionist resistance group Armée Juive.  She was posthumously awarded the Croix de guerre and Médaille de la Résistance. The Castle of the Jewish (French: "château de la Juive"; (official name: castle of Clementigney, in French: "château de Clementigney"), is a residential castle located in the French city of Besançon (Franche-Comté). The Capriccio on the departure of a beloved brother (Italian: Capriccio sopra la lontananza del suo fratello dilettissimo), BWV 992, is an early work by Johann Sebastian Bach, possibly modeled on the Biblical Sonatas of Johann Kuhnau.  The story that Bach performed it at age nineteen when his brother Johann Jacob left to become an oboist in the army of Charles XII in Sweden is questionable. Krassimira Stoyanova (Красимира Стоянова ) (born in Veliko Tarnovo, 16 August 1962) is a Bulgarian soprano.  She is particularly well known for the title role in "La Juive".  She was awarded the Austrian title of Kammersängerin in 2009. La Juive (] ) ("The Jewess") is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra, Paris, on 23 February 1835. La belle juive (literally, "the beautiful Jewess") was an archetype of 19-century romantic European literature.  The typical appearance of the "belle juive" included long, thick, dark hair, large dark eyes, an olive skin tone, and a languid expression.  Her personality traits could be portrayed either positively or negatively.  The positive portrayal of the "belle juive" was noble, pure, loyal, and exhibited qualities similar to Christian martyrdom.  The negative portrayal was sly, coquettish, and overly sexual. Jacques-François-Fromental-Élie Halévy, usually known as Fromental Halévy (] ; 27 May 179917 March 1862), was a French composer.  He is known today largely for his opera "La Juive". Friederike Grün (14 June 1836- January 1917) was a German operatic soprano who had an active career during the latter half of the 19th century.  Possessing a powerful voice with a wide vocal range, she sang a broad repertoire that encompassed Italian, French, and German opera.  High points from her stage repertoire included the title heroine in Vincenzo Bellini's "Norma", Agathe in Carl Maria von Weber's "Der Freischütz", Leonore in "Fidelio", Rachel in Fromental Halévy's "La Juive", and Valentine in Giacomo Meyerbeer's "Les Huguenots".  She is best remembered today for portraying several roles in the first complete presentation of Richard Wagner's "The Ring Cycle" at the very first Bayreuth Festival in 1876. The Toulon Opera (L'opéra de Toulon), inaugurated on 1 October 1862, is the second-largest opera house in France, after the Palais Garnier in Paris, although it opened thirteen years before the Garnier.  The inaugural performance was "Les Mouquetaires de la reine", a comic opera by Fromental Halévy, followed a few days later by "La Juive", the same composer's most famous opera.
Answer: opera