Question: "I'm in Disgrace" is the opening track on the second side of which English rock band formed in Muswell Hill, North London,1975 concept album, "Schoolboys in Disgrace"?
Context: Muswell Hillbillies is an album by the English rock group The Kinks.  Released in November 1971, it was the band's first album for RCA Records.  The album is named after the Muswell Hill area of North London, where band leader Ray Davies and guitarist Dave Davies grew up and the band formed in the early 1960s. The Guy Chester Centre is a large estate of the Methodist Church of Great Britain in Muswell Hill, in north London.  The centre plays an important role in north London as a place of residence for young and elderly people, Christian conference centre and community centre. Highgate Wood is a 28 hectare (70 acre) area of ancient woodland in North London, lying between East Finchley, Highgate Village, and Muswell Hill.  It was originally part of the ancient Forest of Middlesex which covered much of London, Hertfordshire and Essex and was mentioned in the Domesday Book.  It lies in the London Borough of Haringey, but is owned and managed by the City of London Corporation. Muswell Hill railway station was in Muswell Hill in North London, just north of the junction of Muswell Hill and Muswell Hill Place.  Nothing remains of the station; Muswell Hill Primary School occupies its former site. "No More Looking Back" is the penultimate track on The Kinks' 1975 concept album, "Schoolboys in Disgrace".  Like all of the other tracks on the album, it was written by Ray Davies. "I'm in Disgrace" is the opening track on the second side of The Kinks' 1975 concept album, "Schoolboys in Disgrace".  It was written by Ray Davies. Cranley Gardens railway station was a station in the Muswell Hill area of north London.  It was located between Highgate station and Muswell Hill station at the junction of Muswell Hill Road and Cranley Gardens.  Nothing remains of the station today and its site is now occupied by housing and a school. A Railway Collision (also known as "A Railroad Wreck") is a 1900 British short silent drama film, directed by Walter R. Booth and produced by Robert W. Paul.  The film depicts a stretch of single-track railway running through mountainous terrain on an embankment above a lake and a yacht.  A goods train passes a signal, stops and begins reversing back up the track.  A fast express train comes out of a tunnel in front of the goods train, on the same track.  The two trains collide head-on and plunge down an embankment.  It was one of a number of sensationalist "trick films" made at Paul's Animatograph Works, his studio in Muswell Hill in north London, and represents one of only a very small number of surviving films by Paul. Muswell Hill is a suburb of north London, in the London Borough of Haringey and the London Borough of Barnet.  It is one of the more expensive suburbs in London situated near to Highgate, Hampstead, East Finchley and Crouch End. The Kinks were an English rock band formed in Muswell Hill, North London, in 1964 by brothers Ray and Dave Davies.  They are regarded as one of the most important and influential rock bands of the '60s decade.  The band emerged during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the United States until their touring ban in 1965.  Their third single, the Ray Davies-penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States.  Between the mid-1960s and early 1970s, the group released a string of hit singles; studio albums drew good reviews but sold less than compilations of their singles.  Their music was influenced by a wide range of genres, including rhythm and blues, British music hall, folk and country.  They gained a reputation for reflecting English culture and lifestyle, fueled by Ray Davies' observational writing style.  Albums such as "Face to Face" (1966), "Something Else" (1967), "The Kinks Are the Village Green Preservation Society" (1968), "Arthur" (1969), "Lola Versus Powerman" (1970), "Muswell Hillbillies" (1971), along with their accompanying singles, are considered among the most influential recordings of the period.
Answer: The Kinks