Question: Did both Howard Norman and Hart Crane write modernist poetry?
Context: Stacy Szymaszek (born July 17, 1969 in Milwaukee, Wisconsin) is a poet and the author of the books "hart island" (Nightboat Books, 2015), "Emptied of All Ships" (Litmus Press, 2005) and "Hyperglossia" (Litmus Press, 2009), as well as numerous chapbooks of poetry, including "austerity measures" (Fewer and Further Press, 2012), "Orizaba: A Voyage with Hart Crane" (Faux Press, 2008), "Stacy S.: Autoportraits" (OMG, 2008) and "Pasolini Poems" (Cy Press, 2005).  Her book "Journal of Ugly Sites and Other Journals" won the 2014 Ottoline Prize from Fence Books.  From 1999 to 2005, she worked at Woodland Pattern Book Center in Milwaukee's Riverwest neighborhood.  In 2005, she moved to New York City where she is the current Director of the Poetry Project at St. Mark's Church. The last new poem meant to be published in Hart Crane's life, "The Broken Tower" (1932) has been widely acknowledged as one of the best lyrics of Crane's last years, if not his career.  In keeping with the varieties and difficulties of Crane criticism, the poem has been interpreted widely—as death ode, life ode, process poem, visionary poem, poem on failed vision—but its biographical impetus out of Crane's first heterosexual affair (with Peggy Cowley, estranged wife of Malcolm Cowley) is generally undisputed .  Written early in the year, the poem was rejected by "Poetry", and only appeared in print (in "The New Republic") after Crane's famous suicide by water (compare his great homosexual love-cycle "Voyages"). Harold Hart Crane (July 21, 1899 – April 27, 1932) was an American poet.  Finding both inspiration and provocation in the poetry of T. S. Eliot, Crane wrote modernist poetry that was difficult, highly stylized, and ambitious in its scope.  In his most ambitious work, "The Bridge", Crane sought to write an epic poem, in the vein of "The Waste Land", that expressed a more optimistic view of modern, urban culture than the one that he found in Eliot's work.  In the years following his suicide at the age of 32, Crane has been hailed by playwrights, poets, and literary critics alike (including Robert Lowell, Derek Walcott, Tennessee Williams, and Harold Bloom), as being one of the most influential poets of his generation. Vilborg Dagbjartsdóttir (born 18 July 1930) is an Icelandic poet.  She published her first book of poetry in 1960 and became one of the few women in Iceland to write modernist poetry.  Her third book of poems, "Kyndilmessa" (1971; Candlemass), has been described as a "breakthrough".  Innovative features in her works include the use of colloquial language and images of daily life.  Like Jón úr Vör she combined lyrical realism with romantic imagery.  Vilborg has been active in the feminist movement, and her works are concerned with the status of women in society as well as social inequality in general.  She has published a number of books for children, including non-fiction works and translations. Swedish modernist poetry denotes modernist poetry of Swedish literature.  It developed in the 1930s and 1940s.  Distinguishing features was the lust to experiment, and to try a variety of styles, usually free prose without rhymes or metric syllables. The Glossolalia debate (Norwegian: "Tungetaledebatten" ) was a literary debate on modernist poetry in Norway in the 1950s.  The debate started with Arnulf Øverland's nationwide touring with the speech "Tungetale fra Parnasset" (English: Glossolalia from the Parnassus ) in 1953, characterizing modernist literature as babble and nonsense.  His talk was published in "Arbeiderbladet" in 1954, and resulted in a fierce debate.  Among the defenders of modernist poetry were Odd Solumsmoen, Olav Dalgard and Paal Brekke, while poet and literary critic André Bjerke joined Øverland's criticism. Michael D Snediker is a well-known poet and a scholar of American literature and disability theory.  He was a Queens National Scholar and Associate Professor of American Literature at Queen’s University, in Kingston, Ontario.  His poetry has appeared in "The Cortland Review",1 The Paris Review,2 "Blip Magazine", "The Beloit Poetry Journal", "Blackwarrior Review", "Court Green", "Crazyhorse", "Jubilat", "Margie", "Pleiades".  He has been nominated twice for the prestigious Pushcart Prize.  His widely reviewed book "Queer Optimism: Lyric Personhood and Other Felicitous Persuasions" (University of Minnesota Press, 2008).  offers new readings of the poetry of Emily Dickinson, Hart Crane, Elizabeth Bishop, and Jack Spicer.  He is currently at work on a new book, on “The Aesthetics of Disability: American Literature and Figurative Contingency.”  He received his Ph.D in English from The Johns Hopkins University.  He currently teaches at the University of Houston. The Broken Tower is a 2011 American black-and-white student film directed, written, produced, edited by and starring James Franco.  The film was made by Franco as his Masters thesis for his MFA in filmmaking from New York University.  The film is about American poet Hart Crane.  Franco appears in the starring role as Crane along with Michael Shannon as one of Crane's lovers.  "The Broken Tower" made its world premiere in April 2011 at Boston College.  It was shown at the 2011 Los Angeles Film Festival (LAFF) in June and released on DVD in 2012.  The film includes the recitation by Franco of several of Crane's poems both as voice-over additions to the film, as well as actual readings of several poems rendered by Franco as portraying Crane himself. White Buildings was the first collection (1926) of poetry by Hart Crane, an American modernist poet, critical to both lyrical and language poetic traditions. Howard A. Norman (born 1949), is an American award-winning writer and educator.  Most of his short stories and novels are set in Canada's Maritime Provinces.  He has written several translations of Algonquin, Cree, and Inuit folklore.  His books have been translated into 12 languages.
Answer: no