Question: Which Shakespeare play that is believed to have been written in 1610-11 did Yvette Lu hold a major role in?
Context: Lu Xun (183–245), courtesy name Boyan, also sometimes referred to as Lu Yi, was a military general and statesman of the state of Eastern Wu during the Three Kingdoms period.  He started his career as an official under the warlord Sun Quan in the 200s CE during the late Eastern Han dynasty and steadily rising through the ranks.  In 219, he assisted Sun Quan's general Lü Meng in an invasion of Jing Province, which led to the defeat and death of Liu Bei's general Guan Yu.  In 222, he served as the field commander of the Wu army in the Battle of Xiaoting against Liu Bei's forces and scored a decisive victory over the enemy.  Lu Xun reached the pinnacle of his career after this battle as Sun Quan regarded him more highly, promoted him to higher positions and bestowed upon him unprecedented honours.  Throughout the middle and the later parts of his career, Lu Xun oversaw and managed both civil and military affairs in Wu while participating in some battles against Wu's rival state, Wei, from time to time.  In his final years, Lu Xun was drawn into a succession struggle between Sun Quan's sons and fell out of Sun Quan's favour as a consequence.  He managed to retain his appointment as Imperial Chancellor – an office he assumed in 244 – but died a year later in frustration.  Lu Xun's role in the Wu government was likened to that of a "custos morum" as he believed firmly in and upheld Confucian principles and practices.  On the one hand, he provided constant and timely advice to Sun Quan to exercise benevolence and consider the welfare of the people.  On the other hand, he vehemently objected to Sun Quan's idea of replacing his legitimate heir apparent in favour of a younger son. The Philadelphia Shakespeare Festival is an annual Shakespearean theatre festival in Philadelphia.  Every year, The Festival produces two or three productions of Shakespeare's plays.  Starting out as the Red Heel Theatre in 1989, and changing name and purpose in 1993, The Philadelphia Shakespeare Festival is now the region’s only theatre devoted entirely to Shakespeare’s works.  In 2008/9, they engaged in intensive planning with the board of directors and cultural and community leaders and decided to re-brand and rename the company to better reflect their programming.  The Philadelphia Shakespeare Theatre now has several programs for adults and students including a lecture series featuring world-renowned Shakespeare scholars, Shakespeare School Tour which also tours in schools, and a Classical Acting Academy providing early career actors with intense classical training culminating in a free summer Shakespeare play for the public. "The Taming of the Shrew" in performance has had an uneven history.  Popular in Shakespeare's day, the play fell out of favour during the seventeenth century, when it was replaced on the stage by John Lacy's "Sauny the Scott".  The original Shakespearean text was not performed at all during the eighteenth century, with David Garrick's adaptation "Catharine and Petruchio" dominating the stage.  After over two hundred years without a performance, the play returned to the British stage in 1844, the last Shakespeare play restored to the repertory.  However, it was only in the 1890s that the dominance of "Catharine and Petruchio" began to wain, and productions of "The Shrew" become more regular.  Moving into the twentieth century, the play's popularity increased considerably, and it became one of Shakespeare's most frequently staged plays, with productions taking place all over the world.  This trend has continued into the twenty-first century, with the play as popular now as it was when first written. The Tempest is a play by William Shakespeare, believed to have been written in 1610–11, and thought by many critics to be the last play that Shakespeare wrote alone.  It is set on a remote island, where the sorcerer Prospero, rightful Duke of Milan, plots to restore his daughter Miranda to her rightful place using illusion and skillful manipulation.  He conjures up a storm, the eponymous tempest, to cause his usurping brother Antonio and the complicit King Alonso of Naples to believe they are shipwrecked and marooned on the island.  There, his machinations bring about the revelation of Antonio's lowly nature, the redemption of the King, and the marriage of Miranda to Alonso's son, Ferdinand. Professor Thomas J. King Jr. (July 25, 1925 – 1994) was an educator, and an early user of word processing and sequence analysis to compare available early versions of William Shakespeare's plays for identification of variant texts and their analysis.  Dr. King's historical work also researched original prompt copies of Elizabethan Era and Jacobean Era plays contemporary to Shakespeare, along with their marginalia, in order to identify stage directions and infer physical staging of Shakespeare's plays at the Globe and other London venues, as well as at provincial halls and inns where Elizabethan troupes performed on tour.  In his extensive studies, Prof. King created databases of every Shakespeare play and other extant Elizabethan contemporary playhouse documents, by scene and character, to determine number of lines, and therefore the roles that could be doubled with sufficient time between for costume change, thus enabling him to determine the size of a working Elizabethan theater company. Yvette Lu, M.D. is a Canadian independent film and stage actress, filmmaker, singer, composer, writer and producer, as well as a licensed family physician.  Based in Vancouver, British Columbia, Canada, Lu has starred in many independent films, most notably "Food for the Gods" and "Servants of War".  She is best known for her starring role as "Sheenyana" in the 2007 short film "Food for the Gods".  She co-composed the film's musical score and is the lead singer on its soundtrack.  Lu has starred or held major roles in various stage productions, including "The Tempest", "A Midsummer Night's Dream", and "Joseph and the Amazing Technicolor Dreamcoat".  In addition to her University of British Columbia medical degree, Lu has training in acting and music from UBC, Circle in the Square Theatre School in New York, Vancouver's Schoolcreative, and the Royal Conservatory of Music. Otello is a 1906 Italian silent film based on the 1887 opera of the same name by Giuseppe Verdi, both being based on the William Shakespeare play "Othello".  The film was directed by and starred Mario Caserini, playing opposite his wife Maria Caserini.  It is believed to be the earliest film adaptation of the play, released in Italy on October 30, 1906. Food for the Gods (often referred to online as FFTG) is a 2007 Canadian short, science fiction, romance film from award-winning writer/filmmaker H. Scott Hughes.  The film stars Yvette Lu and Danny Dorosh as two star-crossed lovers in a plot reminiscent of stories of Pocahontas and Captain John Smith.  The film is based on a short story by Patricia C. Hughes.  It is set in the year 2057. DSI: Disease Scene Investigation is a children's Web series produced by the provincial government of British Columbia, Canada, for its "Immunize BC" website.  An obvious pun on "", it stars Yvette Lu as a high tech nurse, guiding two high school students through their investigations into infectious diseases threatening their high school.  The series, co-produced by TSTP productions and the Provincial Health Services Authority (British Columbia), is designed to teach children and parents in British Columbia about the importance of disease prevention.  The series is directed by C. Galloway.  The Web series also appears on YouTube. Hamlet, also known as Le Duel d'Hamlet, is a 1900 French film adaptation of an excerpt from the William Shakespeare play "Hamlet".  It is believed to have been the earliest film adaptation of the play, and starred actress Sarah Bernhardt in the lead role.  It was directed by Clément Maurice.  The film is two minutes in length.  It also was one of the first films to employ the newly discovered art of pre-recording the actors' voices, then playing the recording simultaneous to the playing of the film.  So, while produced during the silent film era, the film is technically not a silent film.
Answer: The Tempest