Question:  "Cäcilie", Op. 27 No. 2, is the second in a set of four songs composed by a man that died in what year?
Context: "Morgen!"  ("Tomorrow!")  is the last in a set of four songs composed in 1894 by the German composer Richard Strauss.  It is designated Opus 27, Number 4. "Heimliche Aufforderung" ("The Secret Invitation" or "The Lover's Pledge"), Op.  27 No. 3, is one of a set of four songs composed by Richard Strauss in 1894.  It was originally for voice and piano, but it was orchestrated in 1929 by the German conductor Robert Heger.  The text is from a poem in German by John Henry Mackay. "Cäcilie", Op.  27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. Pribaoutki is a cycle of four songs composed by Igor Stravinsky in 1914 to Russian texts by Alexander Afanasyev.  Its Russian title has no direct English equivalent, although Richard Taruskin suggests "nonsense rhymes" or "jingles."  (The French subtitle appearing in the score, "Chansons plaisantes," is descriptive, not a translation.)  "Pribaoutki" takes about four minutes to perform. Ralph Vaughan Williams' Four Last Songs cycle is made up of four songs: "Procris," "Tired," "Hands, Eyes, and Heart," and "Menelaus."  All of the songs were composed between 1954 and 1958.  The cycle is best suited for mezzo-soprano, although, the original program note from the cycle's 1959 premiere acknowledges that all of the songs may be sung by a baritone, except for "Hands, Eyes, and Heart" "which is a woman's song."  It is suggested that the four songs were originally intended to be two separate song cycles with "Menelaus" and "Procris" belonging to one cycle and "Tired" and "Hands, Eyes, and Heart" belonging to another.  However, there is debate in the scholarly community about this proposed song cycle grouping.  Renée Chérie Clark in her essay, "A Critical Appraisal of Four Last Songs" suggests, citing a letter from the composer to a friend at Cornell University, that Vaughan Williams actually intended for "Menelaus" and "Hands, Eyes, and Heart" to be grouped together.  The composer's death in 1958 left both cycles unfinished, and in 1960, they were assembled by the composer's widow, Ursula Vaughan Williams, and published as set by Oxford University Press.  The texts of all four songs are poems written by Vaughan Williams' wife Ursula who penned several books of poetry throughout her lifetime as well as a biography of her late husband.  "Procris" and "Menelaus" deal with figures from ancient Greek and Roman mythology and epic poetry while "Tired" and "Hands, Eyes, and Heart" depict images of love between a husband and wife. Let There Be Love is Joni James debut album, recorded in 1953 and released by MGM Records at the end of the year.  It was released in a four-disc 10-inch 78-rpm record box, in both a two-disc 7-inch 45-rpm extended-play foldout album and a four-disc 45-rpm regular-play box and on a 10-inch 33⅓-rpm album.  The serial number, 222, coincidentally included James's lucky number, "22," which appeared in many of her record serial numbers all over the world.  The album is the first to present its songs as a book in music, opening with "Let There Be Love" and closing with "I'll Be Seeing You", with the songs telling a story start to finish.  The memorable cover was done at M-G-M Pictures Studios in Culver City by artist Russ Gale.  From the album a single of "Let There Be Love" and "You're Nearer" was shipped to radio stations.  Then, by public demand, a single of "You're My Everything" and "You're Nearer" was released.  This album offered Joni's second recording of "Let There Be Love," which had been released in an earlier version in 1952 as her first single on Sharp Records in Chicago, then going to M-G-M Records for further distribution.  Both recordings were arranged and conducted by Lew Douglas.  "Let There Be Love" went to the top of the album charts and was the sixth-best-selling album of 1953.  In 1956 the album was reissued as a 12-inch L.P. and in three single EPs; there was no EP set including the entire album.  For this release, four Joni James singles were added, but one of them had never been released.  That was "I Need You Now," which was to have followed the hit "My Love, My Love" but was canceled when Eddie Fisher came out with a version recorded several weeks after Joni's.  M-G-M had expected Joni's original version to go straight to #1.  For the new album the first four songs and second four songs were switched to get "You're My Everything" in the outside groove of the L.P. to facilitate disc jockey play.  So, for 50 years, the story the album tells has been garbled.  In 1961 the album got new cover art, a new serial number (E3931), and an electronically simulated stereo release.  Released again on compact disk with yet more bonus tracks, the album is in its fifth decade as a best seller.  Joni James hopes for yet another release which will restore the original song order.  Significantly, for her last M-G-M album, "Bossa Nova Style", Joni included new recordings of several songs from "Let There Be Love", including a new single of "You're Nearer."  That album was arranged by Lew Douglas's protégé Chuck Sagle.  This information comes from Wayne Brasler, longtime President of the Joni James International Fan Club and the writer of the album notes for all Joni James' CD releases. Yer Favourites is a two-disc compilation album by The Tragically Hip.  The tracks for "Yer Favourites" were selected by the band's fans on its website and were remastered.  The compilation includes a total of seven songs from "Fully Completely" (the most songs of any album on the compilation), six songs from "Road Apples", five songs from "Phantom Power", four songs from "Up to Here", four songs from "Day for Night", two songs from "Trouble at the Henhouse", two songs from "Music @ Work", two songs from "In Violet Light", two songs from "In Between Evolution" and one song from the band's "self-titled EP".  It also included two new songs, "No Threat" and "The New Maybe".  It was released both as a stand-alone and two-disc set; it was also released as part of the "Hipeponymous" box set.  The compilation debuted at number 8 on the Canadian Albums Chart in 2005.  In 2016, the compilation re-entered the Canadian Albums Chart, contemporaneous with the release of "Man Machine Poem" and the announcement of lead singer Gord Downie's cancer diagnosis. The first works in Bengali, written in Old Bengali, appeared between 10th and 12th centuries C.E.  The collection of these words is generally known as the "Charyapada".  There are as many as 50 to 51 songs.  But we got only 46 and a tore one of them(23).  These are mystic songs composed by various Buddhist seer-poets: Luipada, Kanhapada, Kukkuripada, Chatilpada, Bhusukupada, Kamlipada, Dhendhanpada, Shantipada, Shabarapada, Arcjhanpada, Bhadehpada, Dharmapada, Dhombipada, Mohidharpada, Khonkonpada, Binapada,Birupada, Thantrikpada etc.  Among them Kanhapada composed highest number of songs,13.  And the second position goes to Bhusukupada,8. We haven't got any songs composed by Thantrikpada.  The first song is composed by Luipada.  The famous Bengali linguist Haraprasad Shastri discovered the palm leaf "Charyapada" manuscript in the Nepal Royal Court Library in 1907. Richard Georg Strauss (11 June 1864 – 8 September 1949) was a leading German composer of the late Romantic and early modern eras.  He is known for his operas, which include "Der Rosenkavalier", "Elektra", "Die Frau ohne Schatten" and "Salome"; his Lieder, especially his "Four Last Songs"; his tone poems, including "Don Juan", "Death and Transfiguration", "Till Eulenspiegel's Merry Pranks", "Also sprach Zarathustra", "Ein Heldenleben", "Symphonia Domestica", and "An Alpine Symphony"; and other instrumental works such as "Metamorphosen" and his Oboe Concerto.  Strauss was also a prominent conductor in Western Europe and the Americas, enjoying quasi-celebrity status as his compositions became standards of orchestral and operatic repertoire. "Ruhe, meine Seele! " , Op.  27, No. 1, is the first in a set of four songs composed by Richard Strauss in 1894.  It was originally for voice and piano, and not orchestrated by Strauss until 1948, after he had completed one of his "Four Last Songs", "Im Abendrot ".  The words are from a poem "Ruhe, meine Seele! "  (Rest, my soul) written by the poet Karl Henckell.
Answer: 1949