Question: Nine Black Alps and Big Data are both bands?
Context: Critical data studies is the systematic study of data and its criticisms.  The field was named by scholars Craig Dalton and Jim Thatcher in their 2015 article titled "What does a critical data studies look like, and why do we care?"  Interest has developed in this domain as a response to the emergence and reliance on 'big data' in contemporary society.  Some of the other key scholars in this discipline include Rob Kitchin and Tracey P. Lauriault.  Scholars have attempted to make sense of data through different theoretical frameworks, some of which include analyzing data technically, ethically, politically/economically, temporally/spatially, and philosophically.  Some of the key academic journals related to critical data studies include the "Journal of Big Data" and "Big Data and Society". Sirens is the fourth studio album by English alternative rock band Nine Black Alps, released on October 8, 2012 on Brew Records.  The album is the first to feature bassist Karl Astbury, following the departure of Martin Cohen in 2011. Glitter Gulch EP is an EP released by English band Nine Black Alps in 2006 on Island Records.  These are all b-sides from the singles released from their debut album, Everything Is, except for "Coldhearted" which is a Black session recording. Paper Crown is the second solo album by Nine Black Alps front-man Sam Forrest, released December 28, 2009 on Desert Mine Music. Randy Bean (born 1956) is a business executive, author, speaker, thought-leader, and chief executive officer of NewVantage Partners LLC, a strategic advisory and management consulting firm which he co-founded in 2001, with offices in Boston, New York, San Francisco, Austin, and Charlotte.  Bean maintains an active involvement in philanthropic and civic affairs, and is a patron and board member of national and community organizations in Boston (MA), Stonington (CT), and St. Louis (MO).  Bean is also the founder and executive director of the Big Data for Social Justice Foundation, a non-profit foundation established in 2016 with the goal of raising awareness of data-driven social justice initiatives and the application of Big Data to global and community issues in the areas of disease, famine, social inequality, and criminal justice disparities.  As a writer and commentator, Bean is known for his observations on the impact of data and analytics on business culture and innovation, and on the emergence of Big Data as a force for business transformation and disruption.  He has also written on the social impact of Big Data. Nine Black Alps are an English alternative rock band, formed in 2003 in Manchester.  The band consists of vocalist-guitarist Sam Forrest, guitarist David Jones, drummer James Galley and bassist Karl Astbury. Candy For The Clowns is the fifth studio album from British rock band Nine Black Alps.  It was released in May 2014 under Hatch Records. Big Data is an American electronic music project created by producer, Alan Wilkis.  Big Data is best known for its single "Dangerous", featuring Joywave, which reached number one on the "Billboard" Alternative Songs chart in August 2014, and was certified gold by the RIAA in May 2015. Big Data Maturity Models (BDMM) are the artefacts used to measure Big Data maturity.  These models help organizations to create structure around their Big Data capabilities and to identify where to start.  They provide tools that assist organizations to define goals around their big data program and to communicate their big data vision to the entire organization.  BDMMs also provide a methodology to measure and monitor the state of a company’s big data capability, the effort required to complete their current stage or phase of maturity and to progress to the next stage.  Additionally, BDMMs measure and manage the speed of both the progress and adoption of big data programs in the organization. Locked out from the Inside is the third studio album by Manchester-based alternative rock band Nine Black Alps, released on October 5, 2009.  The album was released digitally with the purchase of tour tickets on August 6, 2009.  The album was released on the band's own Lost House Records label.
Answer: yes