Question: Bernardo de Muro debuted in performing in "Cavalleria rusticana" by the Italian composer who ushered in which movement?
Context: Bernardo de Irigoyen is a city in the province of Misiones, Argentina.  It has 10,889 inhabitants as per the 2001 census , and is the head town of the General Manuel Belgrano Department.  It carries the name of prominent politician and diplomat Bernardo de Irigoyen. Domenico Monleone (January 4, 1875 – 15 January 1942) was an Italian composer of operas, most noted for his opera "Cavalleria rusticana" of 1907, which for a while rivalled the success of Mascagni's work of the same name which was from the same source.  The work was the third opera to be based on Verga’s 1884 theatrical adaptation of his own short story, "Cavalleria rusticana", Stanislao Gastaldon’s "Mala Pasqua" (1888) being the first, and Mascagni's famous opera (1890) being the second. Fatal Desire (Italian: Cavalleria rusticana) is a 3-D Italian drama film directed by Carmine Gallone.  The film is based on the opera "Cavalleria rusticana" and stars May Britt, Anthony Quinn, Ettore Manni and Kerima.  In the Italian version Quinn was dubbed by Tito Gobbi. Niccola Spinelli (born Turin, Italy 1865 – died Rome 18 October, 1909) was an Italian composer of operas.  Born in Turin, the son of a jurist, he studied composition at the Naples Conservatory under Paolo Serrao.  His opera "Labilia" won the second-place prize in an 1890 opera competition organized by Milanese music publisher Edoardo Sonzogno, and premiered in Rome on 9 May 1890; the first prize went to Pietro Mascagni for "Cavalleria rusticana".  His most well-known work is "A Basso Porto" ("At the Lower Harbor"), which premiered in Cologne on 18 April 1894 to great popular acclaim. Pietro Antonio Stefano Mascagni (] ; 7 December 1863 – 2 August 1945) was an Italian composer most noted for his operas. His 1890 masterpiece "Cavalleria Rusticana" caused one of the greatest sensations in opera history and single-handedly ushered in the "Verismo" movement in Italian dramatic music.  While it was often held that Mascagni, like Leoncavallo, was a "one-opera man" who could never repeat his first success, "L'amico Fritz" and "Iris" have remained in the repertoire in Europe (especially Italy) since their premieres.  Mascagni said that at one point, "Iris" was performed in Italy more often than "Cavalleria" (cf. Stivender). Bernardo de Irigoyen Airport (Spanish: "Aeropuerto Bernardo de Irigoyen" , ICAO: SATI ) is a public use airport located 2 km east of Bernardo de Irigoyen, Misiones, Argentina. Mala Pasqua!  (Bad Easter!)  is an opera in three acts composed by Stanislao Gastaldon to a libretto by Giovanni Domenico Bartocci-Fontana.  The libretto is based on Giovanni Verga's play, "Cavalleria rusticana" ("Rustic Chivalry") which Verga had adapted from his short story of the same name.  "Mala Pasqua!"  premiered on 9 April 1890 at the Teatro Costanzi in Rome, six weeks before Pietro Mascagni's opera "Cavalleria rusticana" which was also based on Verga's play.  Bartocci-Fontana's libretto adds some elements that were not in Verga's original and expands on others.  The name of the Santuzza character was also changed to Carmela, but the basic plot and setting remain the same.  Its title refers to the curse which Carmela places on Turiddu, the lover who had spurned her: "Mala Pasqua a te!"  ("May you have an evil Easter!") .  Following its Rome premiere "Mala Pasqua!"  had a few more performances in Perugia and Lisbon, but it was completely eclipsed by the phenomenal success of Mascagni's opera.  After the 1891 Lisbon run it was not heard again until 2010 when it was given a semi-staged performance in Agrigento, Sicily. This is a discography of Cavalleria rusticana, an opera by Pietro Mascagni.  It premiered at the Teatro Costanzi in Rome on 17 May 17, 1890.  There have been over 100 full-length recordings of "Cavalleria rusticana" published since it was first recorded in Germany in 1909.  Mascagni himself has conducted the opera in two recordings, the best-known of which is the 1940 EMI recording made to mark the 50th anniversary of the opera's premiere.  The performance by the La Scala orchestra and chorus with Lina Bruna Rasa as Santuzza and Beniamino Gigli as Turiddu also has a spoken introduction by Mascagni.  Originally released as an LP, it is available on CD under several historical recording labels, including Naxos. Bernardino de Muro was born on November 3, 1881, in Tempio Pausania, Sardinia, to Antonio Maria and Jeanne-Marie Demuro.  His father was a small landowner.  Bernardo’s formal education ceased at primary school.  Initially self-taught, he began singing in a café in Tempio.  Moving to Rome, he participated in a competition for admission to the Conservatory of St. Cecilia in 1903.  He studied under A. Sbriscia and Alfredo Martino.  His operatic debut was on May 12, 1910, at the Teatro Costanzi in Rome, performing in "Cavalleria rusticana" by Mascagni.  He received flattering reviews for this performance.  In the next few years he performed in "Madama Butterfly", "L'Africaine", "Carmen", and further performances of "Cavalleria rusticana".  Although he was long a star at La Scala, he was largely unknown to American audiences until he began to tour there.  His continued career carried him to such places as the Solis in Montevideo, Uruguay in 1916, the Dal Verme in Milan (performing "Mefistofele"), the Hippodrome, St. Petersburg, Florida, in 1927, and The Dell Ofrecie Grand Opera Company of New York (performing "Aida"). Emilio Venturini (1878 - 1952) was an Italian operatic lyric tenor known for his portrayal of character roles.  He made his professional opera debut in 1900 in Italy where he remained for the next several years.  In 1901 he sang the role of Brighella in Mascagni's "Le maschere" at the Teatro Regio in Turin.  He made his La Scala debut in 1903 as Froh in Wagner's "Das Rheingold" and sang in the premiere of Umberto Giordano's "Siberia".  In 1904, he originated the role of Prince Yamadori in Puccini's "Madama Butterfly" at La Scala.  In 1905, Venturini joined the roster of the Opéra National de Paris.  In 1907 he moved to London to sing with Royal Opera at Covent Garden.  In 1910, Venturini became a member of the Chicago Opera Association where he performed roles until the summer of 1917.  While in Chicago he sang mostly character parts but did sing some major roles like Turiddu in "Cavalleria rusticana", Edgardo in "Lucia di Lammermoor" and the Pinkerton in "Madama Butterfly".  In 1911 he sang the roles of Cassio in Verdi's "Otello" and Spoletta in Puccini's "Tosca" at the Metropolitan Opera.  Venturini also returned to Italy for brief periods in 1910, 1911, and 1916 to perform roles with the Teatro Massimo in Palermo.  In 1921, Venturini joined the roster at La Scala and sang roles with that opera house until 1948.  He notably originated the roles of Il Tempiere in Boito's "Nerone" in 1924 and Pang in Puccini's "Turandot" in 1926.  and was the first to record the role of Nereo in Boito's "Mefistofele" in the 1931 La Scala recording.
Answer: Verismo