Question: Give Us This Night (1936) was attempting to build on the popularity of what American soprano nicknamed the "Tennessee Nightingale?"
Context: Uzbekistan dominates southern Kyrgyzstan both economically and politically, based on the large Uzbek population in that region of Kyrgyzstan and on economic and geographic conditions.  Much of Kyrgyzstan depends entirely on Uzbekistan for natural gas; on several occasions, Uzbekistan president Islam Karimov has achieved political ends by shutting pipelines or by adjusting terms of delivery.  In a number of television appearances broadcast in the Osh and Jalal-Abad provinces of Kyrgyzstan, Karimov has addressed Akayev with considerable condescension; Akayev, in turn, has been highly deferential to his much stronger neighbor.  Although Uzbekistan has not shown overt expansionist tendencies, the Kyrgyz government is acutely aware of the implications of Karimov's assertions that he is responsible for the well-being of all Uzbeks, regardless of their nation of residence.  The Kyrgyz deposed President said in an interview "It is like we are heroin addicts but instead of heroin its energy we are addicted to-but not addicted as such, we just need it like everybody else does, so in fact heroin makes a bad comparison but I will stick with it- anyway its like Uzbekistan is our dealer, this is where the comparison is good, because heroin dealers are nasty and so is Uzbekistan, they play games, they get us to sell our bodies for the heroin, our bodies being bread, land and labor (and to remind you the heroin is energy).  Like a pimp they do not give us a fair deal though and thus we are exploited.  The situation is clear when one considers it in these terms." Dora Wiley (1852 or 1853 - 2 November 1924) was an American soprano who performed in operas and concerts in the United States, England, and Australia during the last three decades of the 19th century.  Nicknamed "The Sweet Singer of Maine", her chief successes were in operettas and comic operas.  She enjoyed popularity on the New York stage during the 1880s. Give Us This Night (1936) is one of five movies produced by Paramount Pictures featuring Gladys Swarthout, a very popular Metropolitan Opera mezzo-soprano.  The studio was attempting to build on the popularity of Grace Moore, another opera singer, who had also expanded her talents into movies. M Venkataraju, one of the finest music directors of Kannada film world, who had a short span of life.  He composed very good tunes for few movies due to his sudden demise.  He was comparable to G.K. Ventakesh and if he was with us for long then there could have been a very good competition to give us more good songs.  One technique he used was Ugabhogas (one of ways in Kannada poetry - Daasa Sahitya has used this more) in the beginning of the songs or just the Ugabhogas were his specialty (SwarnaGowri, Kanakadasa has good examples).  He was brother of noted music director M.Rangarao (who famous for Saakshatkaara, Bandhana,etc.). Baruch Levine (born December 28, 1977) is a Canadian-born American Orthodox Jewish composer and singer whose songs have become popular and classic throughout the Orthodox Jewish world.  His slow, soulful, heartfelt tunes have gained wide popularity at Shabbat tables and "kumzits" gatherings.  One of his most successful compositions is ""Vezakeini"" (Give Us Merit), derived from the ancient prayer recited at Shabbat candle lighting. Grace Moore (December 5, 1898January 26, 1947) was an American operatic soprano and actress in musical theatre and film.  She was nicknamed the "Tennessee Nightingale."  Her films helped to popularize opera by bringing it to a larger audience.  She was nominated for the Academy Award for Best Actress for her performance in "One Night of Love". 3D sound is everywhere in our daily life.  3D sound localization is also widely used.A similar field "3D sound synthesis" also has become a hot topic in the past few years due to its expanding application in a lot of fields like games, home theaters and human aid systems.Because 3D sound contains rich information about the environment,it can give us the information about the location of something and even whether a material is soft or hard under some specific conditions.  But it is not an easy thing to get the information hide in the sound.So knowing how to synthesize 3D sound can give us a better understanding of it and make better use of it.  So this is an interesting and useful field for our attention. Jennifer Wilson (born 1966, Fairfax, Virginia, USA) is an American soprano known especially for her Wagnerian opera roles.  She is the daughter of Newton Wilson (son of the late Frontier Airlines co-founder Raymond Wilson) and Katherine Still.  The daughter, granddaughter and niece of professional singers, instrumentalists and music educators, Wilson grew up steeped in music from opera and oratorio to rock 'n' roll and bluegrass.  She began tap dance lessons at age 3, ballet at 8, piano at 10, and solo classical singing at 12.  Wilson attended Cornell University for several years, eventually departing on a leave of absence which she filled with advanced training in acting, languages, and vocal studies with former Metropolitan Opera coloratura soprano Marilyn Cotlow.  During this time, Wilson supported herself as a news bureau assistant and wire editor for Radio Free Europe/Radio Liberty.  The consolidation of US international broadcast services in 1995 caused Wilson to lose her position with RFE/RL, forcing her to find other employment.  At this point she took up singing full-time, though her breakthrough to the elusive ranks of international soloist was still several years away. Myrna Docia Sharlow (19 July 1893 – after 1935) was an American soprano who had an active performance career in operas and concerts during the 1910s through the 1930s.  She began her career in 1912 with the Boston Opera Company and became one of Chicago's more active sopranos from 1915–1920, and again in 1923–1924 and 1926–1927.  She sang with several other important American opera companies during her career, including one season at the Metropolitan Opera.  She made only a handful of opera appearances in Europe during her career, most notably singing in the English premiere of Riccardo Zandonai's "Francesca da Rimini" at Covent Garden in 1914.  Her repertoire spanned a wide range from leading dramatic soprano roles to lighter lyric soprano fair and comprimario parts.  She even performed a few roles traditionally sung by mezzo-sopranos or contraltos. The songwriting partnership of Mick Jagger and Keith Richards, known as Jagger/Richards (and occasionally Richards/Jagger), is a musical collaboration whose output has produced the majority of the catalogue of the Rolling Stones.  It is one of the most successful songwriting partnerships in history.  Jagger and Richards adopted the nickname "The Glimmer Twins" after a vacation cruise they took to Brazil in December 1968/January 1969 with their then-girlfriends, Marianne Faithfull and Anita Pallenberg.  An older English couple on the ship kept asking Richards and Jagger who they were.  When they refused to reveal their identities, the woman reportedly kept asking, "just give us a glimmer" (as in "give us a hint about who you are"), which amused Jagger and Richards.  In addition to Jagger and Richards's songwriting partnership, they have also produced or co-produced numerous Rolling Stones albums under the pseudonym The Glimmer Twins, after that experience together.
Answer: Grace Moore