Question: IN 2005 WHAT AUSTRALIAN - AMERICAN LYRIC SOPRANO PERFOMED IN GIULIO CESARE?
Context: A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra.  The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera.  Lyric sopranos have a range from approximately middle C (C4) to "high D" (D6).  This is the most common female singing voice.  There is a tendency to divide lyric sopranos into two groups, light and full. Giulio Cesare la Galla (or Julius Cæsar Lagalla or Giulio Cesare Lagalla) (1576–1624) was a professor of philosophy at the Collegio Romano in Italy. Giulio Cesare Casseri (1552, Piacenza, Italy – 8 March 1616, Padua, Italy), also written as Giulio Casser, Iulius Casserius, Giulio Casserio, Giulio Casserio of Piacenza, was an Italian anatomist. Giulio Cesare Luini (Varallo Sesia, 1512- After 1565) was an Italian painter.  Giulio was a colleague of Gaudenzio Ferrari in the decoration of the Sacro Monte di Varallo. Danielle de Niese (born 11 April 1979) is an Australian-American lyric soprano.  After success as a young child in singing competitions in Australia, she moved to the United States where she developed an operatic career.  From 2005 she came to widespread public attention with her performances as Cleopatra in "Giulio Cesare" at Glyndebourne, England. Giulio Cesare in Egitto (] ; Italian for "Julius Caesar in Egypt", HWV 17), commonly known as Giulio Cesare, is a dramma per musica ("opera seria") in three acts composed for the Royal Academy of Music by George Frideric Handel in 1724.  The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676).  The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons and is now one of the most often performed Baroque operas. Renzo Antonio Bartolomeo Canestrari (Piagge, Italy, August 19, 1924 – January 28, 2017) was an Italian psychiatrist.  A student of Giulio Cesare Pupilli and Cesare Musatti, he was one of the foremost pioneers in the rebirth of Italian psychology after World War II, as well as the founder of the Bologna School of Gestalt Psychology and the guiding force behind it for 40 years. "Svegliatevi nel core" is an aria taken from Act I, Scene IV of the Italian language opera seria, "Giulio Cesare", by George Frideric Handel.  The aria is written for the role of “Sesto”, a soprano in trouser role, including during the premiere, who sings it to assure his mother that he will avenge the death of his father, Pompey, who was assassinated by the Egyptians, instructed by Tolomeo (Ptolemy XIII Theos Philopator) to demonstrate the Egyptians' loyalty to Julius Caesar.  The words were written by Nicola Francesco Haym. A spinto soprano (also lirico-spinto, spinto lyric soprano or "pushed lyric") is a type of operatic soprano voice that has the limpidity and easy high notes of a lyric soprano, yet can be "pushed" on to achieve dramatic climaxes without strain.  This type of voice may possess a somewhat darker timbre, too, than the average lyric soprano.  It generally uses "squillo" to "slice" through the sound of a full orchestra, rather than singing over the orchestra like a true dramatic soprano. Vivian Della Chiesa (October 9, 1915 – January 6, 2009) was an American lyric soprano who achieved a high level of popularity in the United States singing on the radio during the 1940s and the early 1950s.  She performed a wide variety of classical and popular works from opera to musical theatre, jazz, and popular songs.  She sang on a number of radio programs during her career, including "The American Album of Familiar Music", "The American Melody Hour", and "The Standard Hour" among others.  A particularly important triumph for her radio career was a 1943 radio concert of Brahms’s "Deutsches Requiem" with conductor Arturo Toscanini and the NBC Symphony Orchestra.  In addition to her radio career, Della Chiesa performed actively on the opera stage, mostly at the Chicago City Opera Company and the Chicago Opera Company, during the 1930s and 1940s.  In the 1950s, she became a successful nightclub singer, headlining at major clubs in Las Vegas, Reno, and in major venues in other cities throughout the United States.  After her singing career ended she worked as a voice teacher and a fundraiser for charity.
Answer: Danielle de Niese