Question: Barbara Frittoli made her Metropolitan Opera debut in a opera by what composer?
Context: Maria de Francesca-Cavazza is a German operatic soprano and voice teacher.  Raised in the United States, she is a graduate of the Sherwood Conservatory of Music at the Columbia College Chicago where she was a pupil of Maria Hussa-Greve and Garvin Williamson.  In 1961, she won the Metropolitan Opera National Council Auditions.  Shortly thereafter, she moved to Germany to pursue further studies at the Hochschule für Musik Köln with Margarete Düren.  She made her professional opera debut in 1962 at the Cologne Opera in a minor role, and the following year performed her first leading role with that company as Tsaritsa Militrisa in Nikolai Rimsky-Korsakov's "The Tale of Tsar Saltan".  She then appeared as a leading soprano at several German opera houses, working as a member of the Opernhaus Wuppertal (1964-1965), the Kiel Opera House (1965-1967), the Staatsoper Nürnberg (1967-1976), and the Staatsoper Stuttgart (1976-1986).  As a guest artist, she has made appearances at the Bavarian State Opera, the Bayreuth Festival and the Vienna State Opera, among others.  She can be heard and seen in the role of the Cardillac's daughter in Hindemith's opera Cardillac, conducted by Wolfgang Sawallisch, on a 1985 Munich DVD issued by Deutsche Grammophon.  De Francesca-Cavazza has taught on the music faculties of conservatories in Munich and Nuremberg. Christopher Bolduc (born March 12, 1980) is an American operatic baritone.  A national semi-finalist in the 2007 and 2008 Metropolitan Opera National Council Auditions, first prize winner in the 2009 Sullivan Foundation competition and 2011 recipient of a $50,000 grant from the Annenberg Foundation, Bolduc made his Metropolitan Opera debut in 2013 in Nico Muhly's opera "Two Boys" and currently sings leading roles in the opera houses of Europe and North America. Lilian Sukis (born 29 June 1939, Kaunas) is a Canadian operatic soprano of Lithuanian birth.  After earning diplomas from the University of Toronto and McMaster University, she made her professional opera debut in 1964 as Kate Pinkerton in Giacomo Puccini's "Madama Butterfly" with the Canadian Opera Company.  In 1965 she sang the role of Countess Almaviva in Wolfgang Amadeus Mozart's "The Marriage of Figaro" at the Stratford Festival.  That same year she became a pupil at the Metropolitan Opera Studio and School.  She made her debut at the Met in 1967 as Helen Niles in the world premiere of Marvin David Levy's "Mourning Becomes Electra".  In 1969 she became a member of the Bavarian State Opera where she remained for more than 20 years.  She has also appeared as a guest artist with several major opera houses and opera festivals internationally, including the Bayreuth Festival, the Frankfurt Opera, Graz, the Hamburg State Opera, the Salzburg Festival, and the Vienna State Opera among others. Kathleen Deanna Battle (born August 13, 1948) is an American operatic soprano known for her distinctive vocal range and tone.  Born in Portsmouth, Ohio, Battle initially became known for her work within the concert repertoire through performances with major orchestras during the early and mid-1970s.  She made her opera debut in 1975.  Battle expanded her repertoire into lyric soprano and coloratura soprano roles during the 1980s and early 1990s until her eventual dismissal from the Metropolitan Opera in 1994.  After a 22-year absence from the Met, Battle performed a concert of spirituals at the Metropolitan Opera House in November 2016. The Metropolitan Opera Club is a private social club within the Metropolitan Opera House in New York.  Founded in 1893 and incorporated in 1899, the Club maintains its own dining room (designed by Angelo Donghia and later renovated by Peter Pennoyer) and boxes on the dress circle level of the opera house, and is open to its members for several performances a week during the opera season.  Informally known as the "Opera Club", the Club is independent of the Metropolitan Opera Association (the official name of the Metropolitan Opera). Joyce Castle (born Lillian Joyce Malicky, on January 17, 1939, in Beaumont, Texas) is an American mezzo-soprano who has had an active opera career for the last four decades.  She earned degrees in music from The University of Kansas and the Eastman School of Music.  She made her professional opera debut in 1970 at the San Francisco Opera as Siebel in Charles Gounod's "Faust".  In 1984 she became the first woman to portray Mrs. Lovett in an operatic staged production of at the Houston Grand Opera.  She spent seven years performing with opera companies in France during the 1970s, after which her career has mainly been spent performing with opera companies throughout the United States.  She has sung leading roles at the Metropolitan Opera for nine seasons and has also appeared frequently at the New York City Opera.  Her career was recently profiled in the June 2010 issue of "Opera News".  She currently teaches on the voice faculty of the University of Kansas. Barbara Frittoli (born 19 April 1967) is an Italian operatic soprano who has sung leading roles in opera houses throughout Europe and in the United States.  She was born in Milan and graduated from the Milan Conservatory.  She made her Metropolitan Opera debut in 1995 as Micaela in "Carmen" and has gone on to sing in over 80 performances there including Donna Elvira in "Don Giovanni", Fiordiligi in "Così fan tutte", Angelica in "Suor Angelica", Desdemona in "Otello", the title role in "Luisa Miller", Amelia in "Simon Boccanegra", Vitellia in "La clemenza di Tito" and Alicia Ford in "Falstaff". Russell Christopher (12 March 1930 in Grand Rapids, Michigan – 9 November 2014) was an American operatic baritone who specialized in comprimario roles.  He received his Bachelor's and Master's degrees from the University of Michigan, where he was a soloist in the University of Michigan Men's Glee Club.  His voice teachers included Philip Duey and Raymond McDermot.  He made his professional opera debut in 1959 as the Emperor in Giacomo Puccini's "Turandot".  In 1963 he won the Metropolitan Opera National Council Auditions.  Between 1963 and 1991 he appeared in a total of 1,410 performances at the Metropolitan Opera. Carmen (] ; ] ) is an opera in four acts by French composer Georges Bizet.  The libretto was written by Henri Meilhac and Ludovic Halévy, based on a novella of the same title by Prosper Mérimée.  The opera was first performed at the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalized its first audiences. The Stresa Festival Orchestra is a formation composed by young and talented musicians, coming from renewed european orchestras, calling by Gianandrea Noseda to perform every year some original production for the Stresa Festival.  The debut of the Orchestra, on 26 August 2003 with Mozart’ "Don Giovanni", began the project of the concert performances of different operas: "Così fan tutte" (2004), "Le nozze di Figaro" (2005), "The magic flute" (2006), "La clemenza di Tito" (2007), "The Rake’s progress" (2008), "La Cenerentola" (2009), "Idomeneo" (2010).  During the years many singers was invited such as Evgenij Akimov, Simone Alberghini, Sergej Alexashkin, Tatiana Borodina, Nicola Beller Carbone, Natale De Carolis, Mariella Devia, Barbara Frittoli, Vivica Genaux, Massimo Giordano, Andrew Kennedy, Alessandra Marianelli, Peter Mattei, Sally Matthews, Francesco Meli, Maxim Mironov, Tomislav Muzek, Laura Polverelli, Nicola Ulivieri, Franco Vassallo.
Answer: Georges Bizet