Question: Did Albert Camus and Ramón del Valle-Inclán both write?
Context: El marqués de Bradomín.  Coloquios románticos (The Marquis of Bradomin.  Romantic meetings), is a play by the Spanish writer Ramón del Valle-Inclán.  It was first performed in 1906. The Premio Valle-Inclán is a literary translation prize.  It is awarded by the Society of Authors (London) for the best English translation of a work of Spanish literature.  It is named after Ramón del Valle-Inclán.  The prize money is GBP 2000. Albert Camus (] ; 7 November 1913 – 4 January 1960) was a French philosopher, author, and journalist.  His views contributed to the rise of the philosophy known as absurdism.  He wrote in his essay "The Rebel" that his whole life was devoted to opposing the philosophy of nihilism while still delving deeply into individual freedom.  He won the Nobel Prize in Literature in 1957. Divinas palabras (English: "Divine Words") is a 1977 Mexican film directed by Juan Ibáñez and starring Silvia Pinal and Mario Almada.  The film is based on the play of the same name by Spanish author Ramón del Valle-Inclán. Herbert Lottman (August 16, 1927, Brooklyn - August 27, 2014, Paris) was an American author who specialized in writing biographies on French subjects.  An influential biographer, he published 17 biographies, 15 of which were related to French culture, commerce, or politics; including works on Albert Camus, Colette, Gustave Flaubert, Henri Philippe Pétain, Jules Verne, and the Rothschild banking family of France.  He wrote that, just before dying, Albert Camus was pledged to marry.  Camus's estate tried to block his book, partly because of this controversial statement. Esperpento denotes a literary style in Spanish literature first established by Spanish author Ramón María del Valle-Inclán that uses distorted descriptions of reality in order to criticize society.  Leading themes include death, the grotesque, and the reduction of human beings to objects (reification).  The style is marked by bitter irony.  In Latin America, the author most well known for using esperpento is Mexican author Jorge Ibargüengoitia. The Fall (French: La Chute ) is a philosophical novel by Albert Camus.  First published in 1956, it is his last complete work of fiction.  Set in Amsterdam, "The Fall" consists of a series of dramatic monologues by the self-proclaimed "judge-penitent" Jean-Baptiste Clamence, as he reflects upon his life to a stranger.  In what amounts to a confession, Clamence tells of his success as a wealthy Parisian defense lawyer who was highly respected by his colleagues; his crisis, and his ultimate "fall" from grace, was meant to invoke, in secular terms, The Fall of Man in the Garden of Eden.  "The Fall" explores themes of innocence, imprisonment, non-existence, and truth.  In a eulogy to Albert Camus, existentialist philosopher Jean-Paul Sartre described the novel as "perhaps the most beautiful and the least understood" of Camus' books. Bohemian Lights, or "Luces de Bohemia" in the original Spanish, is a play written by Ramón del Valle-Inclán, published in 1924.  The central character is Max Estrella, a struggling poet afflicted by blindness.  The play is a degenerated tragedy ("esperpento") focusing on the troubles of the literary and artistic world in Spain under the Restoration.  Through Max's poverty, ill fortune and eventual death, Valle-Inclán portrays how society neglects the creative. Marcel J. Mélançon is a Canadian philosopher and scientist.  He was born in Saint-Barnabé, Quebec, in 1938, and is mostly known for his book on the French philosopher Albert Camus "Albert Camus, An Analysis of his thought" (Albert Camus.  Analyse de sa pensée).  He has mostly worked together with the biologist Richard D. Lambert. Ramón María del Valle-Inclán y de la Peña (in Vilanova de Arousa, Galicia, Spain, 28 October 1866 – Santiago de Compostela, 5 January 1936) was a Spanish dramatist, novelist and member of the Spanish Generation of 98.  He is considered perhaps the most noteworthy and certainly the most radical dramatist working to subvert the traditionalism of the Spanish theatrical establishment in the early part of the 20th century.  His drama is made all the more important by its influence on later generations of Spanish dramatists.
Answer: yes