Question: How did Faith in the Earth and Thus Spoke Zarathustra progress Friedrich Nietzsche's own form of unique belief system?
Context: Also sprach Zarathustra , Op. 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich Nietzsche's philosophical novel of the same name.  The composer conducted its first performance on 27 November 1896 in Frankfurt.  A typical performance lasts half an hour. Thus Spoke Zarathustra: A Book for All and None (German: "Also sprach Zarathustra: Ein Buch für Alle und Keinen" , also translated as Thus Spake Zarathustra) is a philosophical novel by German philosopher Friedrich Nietzsche, composed in four parts between 1883 and 1885 and published between 1883 and 1891.  Much of the work deals with ideas such as the "eternal recurrence of the same", the parable on the "death of God", and the "prophecy" of the "Übermensch", which were first introduced in "The Gay Science". The Last man, or the Last race (German: "der letzte Mensch"), is a term used by the philosopher Friedrich Nietzsche in "Thus Spoke Zarathustra" to describe the antithesis of his imagined superior being, the "Übermensch", whose imminent appearance is heralded by Zarathustra.  The last men are tired of life, take no risks, and seek only comfort and security. Joy Wants Eternity is a five piece post-rock band from Seattle.  The band has drawn comparisons to Explosions in the Sky and Mogwai in album reviews with its melodic passages and equal parts ambience through heavily effected guitar.  The Joy Wants Eternity song "You are the Vertical, You are the Horizon" was featured on radio talk show "Sound Opinions".  The band has played multiple shows with post-rock bands Caspian, Beware of Safety, and Seattle's own You.May.Die.In.The.Desert.  The band's current label is XTAL Records.  It can be surmised that the name of the band is a reference to the philosophical poem Zarathustra's roundelay of Friedrich Nietzsche's Thus Spoke Zarathustra (see Walter Kaufmann's translation). "God is dead" (German:    ; also known as the death of God) is a widely quoted statement by German philosopher Friedrich Nietzsche.  It first appears in Nietzsche's 1882 collection "The Gay Science" ("Die fröhliche Wissenschaft ", also translated as "The Joyful Pursuit of Knowledge and Understanding") However, it is most famously associated with Nietzsche's classic work "Thus Spoke Zarathustra" ("Also sprach Zarathustra "), which is most responsible for making the phrase popular. A Mass of Life (German: Eine Messe des Lebens ) is a cantata by English composer Frederick Delius, based on the German text of Friedrich Nietzsche's philosophical novel "Thus Spoke Zarathustra".  In 1898, Delius had written a male choir and orchestral setting of "Midnight Song" from the same work, and this was revised to form part of the "Mass". Also sprach Zarathustra (Thus Spoke Zarathustra or Thus Spake Zarathustra) is the oil painting cycle by Lena Hades painted from 1995 to 1997 and inspired by Friedrich Nietzsche's philosophical novel of the same name.  The painter created her first painting on December 1995 in Moscow.  The "Thus Spake Zarathustra" cycle is a series of twenty-eight oil paintings made by the artist from 1995 to 1997 and thirty graphic works made in 2009.  Twenty-four of the paintings depict so-called round-headed little men and their struggles in life.  The remaining four depict Zarathustra himself, his eagle and serpent.  Six paintings of the series were purchased by the Moscow Museum of Modern Art and by some important private collectors.  The oil painting "Also Sprach Zarathustra" series was exhibited several times — including the exhibition at the Institute of Philosophy of the Russian Academy of Sciences in 1997 and at the First Moscow Biennale of contemporary art in 2005. Also sprach Zarathustra (German for "Thus Spoke Zarathustra") is a book by Friedrich Nietzsche, published from 1883 to 1885. The Übermensch (German for "Beyond-Man", "Superman", "Overman", "Superhuman", "Hyperman", "Hyperhuman"; ] ) is a concept in the philosophy of Friedrich Nietzsche.  In his 1883 book "Thus Spoke Zarathustra" (German: "Also sprach Zarathustra" ), Nietzsche has his character Zarathustra posit the Übermensch as a goal for humanity to set for itself.  It is a work of philosophical allegory, with a structural similarity to the Gathas of Zoroaster/Zarathustra. "Faith in the Earth" is the German philosopher Friedrich Nietzsche's mytho-poetic formulation of his re-valued conception of our possible experience of divinity as contained in his book "Thus Spoke Zarathustra".  Although not traditionally religious in the sense of positing the existence of a divine entity or entities, Nietzsche's way of thinking is just as far removed from atheistic materialism as it is from theistic spiritualism.  Closely related to the tradition of negative theology, Nietzsche confesses his own oblique form of belief, from his early poem "Dem unbekannten Gott," to the deep meaning of the "Dionysian Dithyrambs".  Put simply, we speak least erroneously when we observe a strict adherence to the use of the word "divine" as a verb, and not a noun.  To divine is to orient without teleology: we can divine the way without knowing where we are going, while yet still being oriented.  Nietzsche's name for this uncanny experience is "amor fati," and it names not things, but a way things can change.
Answer: Nietzsche's name for this uncanny experience is "amor fati," and it names not things, but a way things can change.