Question: Moment and Punk Planet, are what type of media?
Context: Demons in the Spring is a collection of twenty short stories by Chicago author Joe Meno.  Released by Punk Planet books in 2008, with illustrations by twenty artists including Charles Burns, Archer Prewitt, Ivan Brunetti, Jay Ryan, Paul Hornschemeier, Anders Nilsen, Geoff McFedtridge, Kelsey Brookes, Kim Hiorthoy, Chris Uphues, Caroline Hwang, Rachell Sumpter, kozyndan, Evan Hecox, and Cody Hudson.  Each of Meno's short stories explores depression, loneliness and insanity in the world.  The characters are off-center and morose. Hairstyles of the Damned is the third novel by Chicago author Joe Meno.  Released by Punk Planet Books in 2004, it has sold over 80,000 copies in ten printings.  It has been optioned for film by Focus Features. Tender as Hellfire is a debut novel by Chicago author Joe Meno.  Released by Punk Planet books in 1999.  Meno limns a near-fantastical world of trailer park floozies, broken-down '76 Impalas, lost glass eyes, and the daily experiences of two boys trying to make sense of their random, sharp lives. Maya Schenwar (born November 10, 1982) is the editor-in-chief of Truthout, and a writer focused on prison-related topics.  She is the author of "Locked Down, Locked Out: Why Prison Doesn't Work and How We Can Do Better" and a co-editor of the anthology "Who Do You Serve, Who Do You Protect?  Police Violence and Resistance in the United States".  She has written about prison issues for Truthout, The New York Times, The Guardian, The Nation, Ms. Magazine, and other publications.  She serves as chair of The Media Consortium's coordinating committee.  Schenwar is also a board member of Love & Protect, an organization that supports those who identify as women and gender non-conforming persons of color who are criminalized or harmed by state and interpersonal violence, and of the Chicago Community Bond Fund, a revolving fund that pays bond for people of color charged with crimes in Cook County, Illinois.  Previous to her work at Truthout, Schenwar was a contributing editor at Punk Planet magazine and served as media coordinator for Voices for Creative Nonviolence. Moment is an independent magazine for a Jewish-American audience and is not tied to any movement or ideology.  The award-winning publication features investigative stories, cultural criticism and highlights the thoughts and opinions of diverse groups of scholars, writers and policymakers.  "Moment" was founded in 1975, by Nobel Prize laureate Elie Wiesel and Jewish activist Leonard Fein, who served as the magazine's first editor from 1975 to 1987.  In its premier issue, Fein wrote that the magazine would include diverse opinions “of no single ideological position, save of course, for a commitment to Jewish life.”  Hershel Shanks served as the editor from 1987 to 2004.  In 2004, Nadine Epstein took over as editor and executive publisher of "Moment." Arthur magazine was a bi-monthly periodical that was founded in October 2002, by publisher Laris Kreslins and editor Jay Babcock.  It received favorable attention from other periodicals such as "L.A. Weekly", "Print", "Punk Planet" and "Rolling Stone".  "Arthur" featured photography and artwork from Spike Jonze, Art Spiegelman, Susannah Breslin, Gary Panter and Godspeed You!  Black Emperor.  Arthur's regular columnists included Byron Coley, Thurston Moore, Daniel Pinchbeck, Paul Cullum, Douglas Rushkoff, and T-Model Ford. A bending moment is the reaction induced in a structural element when an external force or moment is applied to the element causing the element to bend.  The most common or simplest structural element subjected to bending moments is the beam.  The example shows a beam which is simply supported at both ends.  Simply supported means that each end of the beam can rotate; therefore each end support has no bending moment.  The ends can only react to the shear loads.  Other beams can have both ends fixed; therefore each end support has both bending moment and shear reaction loads.  Beams can also have one end fixed and one end simply supported.  The simplest type of beam is the cantilever, which is fixed at one end and is free at the other end (neither simple or fixed).  In reality, beam supports are usually neither absolutely fixed nor absolutely rotating freely. How the Hula Girl Sings is the second novel by Chicago author Joe Meno.  Released by Punk Planet books in 2001. Punk Planet was a 16,000 print run punk zine, based in Chicago, Illinois, that focused most of its energy on looking at punk subculture rather than punk as simply another genre of music to which teenagers listen.  In addition to covering music, "Punk Planet" also covered visual arts and a wide variety of progressive issues — including media criticism, feminism, and labor issues.  The most notable features in "Punk Planet" were the interviews and album reviews.  The interviews generally ran two or three pages, and tended to focus on the motivations of the artist (or organizer, activist, or whoever) being interviewed.  "Punk Planet" tried to review nearly all the records it received, so long as the record label wasn't owned or partially owned by a major label.  This led to a review section typically longer than thirty pages, covering a variety of musical styles.  Although much of the music thus reviewed was, expectedly, aggressive rock, the reviews also covered country, folk, hip-hop, indie rock, and other genres.  The Punk Planet reviews section also encompassed independently released comics, zines, and DVDs. Fear of a Punk Planet is the third album by the southern California punk rock band The Vandals, originally released in 1990 by Triple X Records.  It was their first album to include the lineup of Dave Quackenbush, Warren Fitzgerald, Joe Escalante and Josh Freese, solidifying the band's roster after several years of fluctuation.  This lineup would remain intact for the rest of the band's career, and for this reason "Fear of a Punk Planet" is considered by many fans to be the first proper album by the "new" Vandals.  The album returned the band to their punk rock sound, after having played mostly in a country style on their previous album "Slippery When Ill".  The band would stick to a punk rock formula throughout the rest of their career.  The album's title called to mind the rap album "Fear of a Black Planet" by Public Enemy, released that same year.  It featured guest appearances by Dweezil and Moon Unit Zappa, Scott Thunes and Kelsey Grammer.  An independent music video was filmed for the album's first track, "Pizza Tran."
Answer: magazine