Question: A Place in Time and South of the Border are both examples of what kind of film?
Context: The Norfolk and Western Railroad Historic District encompasses an historic industrial district of Norfolk, Virginia.  Centered on the tracks of the Norfolk and Western Railroad between Bowden's Ferry Road and Monticello Avenue, it extends as much as three blocks north and south of the tracks, including within its bounds most of the industrial resources found in that area.  This area was developed roughly between 1890 and the 1930s, and includes fine examples of late 19th century commercial brick architecture, and a few fine examples of Art Deco styling.  The district partially overlaps the Park Place Historic District to the north, and the Williamston-Woodland Historic District to the south. In philosophy, a thick concept (sometimes: "thick normative concept", or "thick evaluative concept") is a kind of concept that both has a significant degree of descriptive content and is evaluatively loaded.  Paradigmatic examples are various virtues and vices such as "courage", "cruelty", "truthfulness" and "kindness".  Courage for example, may be given a rough characterization in descriptive terms as '…opposing danger to promote a valued end'.  At the same time, characterizing someone as courageous typically involves expressing a pro-attitude, or a (prima facie) good-making quality – i.e. an evaluative statement. The Fane of Shadows is a temple that journeys the worlds on the currents of the secret Weave, in the fictional setting of the Forgotten Realms campaign in "Dungeons & Dragons".  The place has many names in many tongues, and is also known as the Temple of Night or the Umbral Shrine.  Created by Shar, it serves as many dark gods of many worlds, and as a gift of the god of shadows to their faithful—a sanctuary that journeys through time and worlds.  It also serves as a bastion/armory for the servants of the twilight.  It is located within the Lightless Lake (The Moonmere) in the Gulthmere Forest, but it only materializes during a certain date at midnight, and stays only temporarily in each world for a short time.  Upon its arrival onto Toril, the Fane appeared within the depths of the Lightless Lake in a diffuse, ochre light.  The entirety of the temple is situated on an invisible platform encapsulated within a dome of air.  The architecture includes black-veined columns, graceful arches, and thick pillars all crafted from marble, basalt, obsidian, or ebony.  The Fane of Shadows is guarded by a host of shadows inside the courtyard area.  They are only hostile to those not subservient to shadow.  The courtyard contains a statue garden of hundreds of obsidian sculptures, all of them depicting the innumerable world's gods of shadow.  Statues of Toril's deities of night and shadow, Shar and Mask, are among the collection.  Beyond its doors it contains a long, wide hallway, the Grand Hall, filled with shadows and bathed in a low, green light.  Painting and mosaics line the walls, while tables and pedestals are hidden inside alcoves along it.  These alcoves usually hold an item of great power, one of the many gifts of shadow found within.  Only one gift may be taken from the Fane of Shadows.  A husky, female voice tries to persuade its guests in a perceived, familiar tongue into taking an item of power.  The Grand Hall also contains the caretaker of the temple, who materializes from the shadows.  He is an elderly man, with solid black eyes, and his duty is to serve his calling into the shadow.  The hallway ends at a pair of double doors, which leads into the inner sanctum.  The inner sanctum contains a skydome ceiling of black encrusted in gems, representing the night sky of the world in which it currently exists in.  The inner sanctum itself has a polished slate floor inlaid with an amethyst border, and in its center lies a black sphere bordered in purple, Shar's symbol.  A horsehoe-shaped altar lies in the center of the symbol on some kind of black crystalline substance, under an area of ceiling of the blackest black, depicting Shar's moon.  It is underneath this symbol where a host receives the transforming energy of the greatest gifts offered by the Shadow Weave: the transformation into a shade.  Black curtains line the walls of the inner sanctum, as well as a mosaic of the Weave Tap.  Entrance into the Fane of Shadows requires either being adept in the Shadow Weave, or reverence to a god or goddess of shadow. Labor discrimination as defined by Kenneth Arrow is “the valuation in the market place of personal characteristics of the worker that are unrelated to worker productivity”.  It can be thus understood as the differentiation of workers based on characteristics such as color, race, origin, gender etc. that can be classified as factors that do not have a role in determining his or her productivity.  There are multiple dimensions that need to be considered when discussing such discrimination.  The most obvious is that the group discriminated against is paid less for identical jobs.  This is known as wage discrimination and is the most prevalent form of discrimination.  The attempt to combat such a form of discrimination can be seen in increasing equal pay legislation in different countries.  Examples of this are the Equal Pay Act (1970), Sex Discrimination Act (1975), and Employment Protection Act (1975), but the effectiveness of such legislation is subject to much debate.  Secondly, that the level of unemployment for the disadvantaged group in general is higher than that of other groups that do not face such discrimination.  Thirdly, there is discrimination based on the kind of jobs that they have access to, the discriminated group given preference for repetitive and menial tasks.This is known as employment discrimination, where an individual is excluded from a job that is worked on by a person with equal productivity.  When this happens, the disadvantaged group is employed for a job he or she is over-qualified for, simply because the group does not have access to better paying jobs in par to their counterparts and are denied opportunities of recruitment and promotion.  A general misconception prevails that discrimination is only practiced by the employer.  This is not true.  In addition to employer discrimination, customer discrimination can also exist in the market.  Customers may prefer to transact with only a certain kind of people. The problem of dirty hands concerns whether political leaders or other like actors can ever be justified in committing even gravely immoral actions when "dirtying their hands" in this way is necessary for realizing some important moral or political end, such as the preservation of a community's continued existence or the prevention of imminent societal catastrophe.  If political actors can be so justified, a paradox or contradiction seems to emerge because it appears that these actors can, or even must, carry out actions that are, "ex hypothesi", morally impermissible.  Classic examples of situations in which the problem of dirty hands could arise include ticking time bomb scenarios of the kind popularized by the television series, "24".  The problem of dirty hands lies at the point where moral philosophy, political philosophy, and political ethics all intersect. Ritz Guitar Co. produced guitars in 1988 and 1989 over an 8-month period in Southern California in Wayne Charvel's workshop in Ontario.  The company became known quality based upon Wayne's notoriety and for their amazing cracked shell mosaic finishes on their 'Neptune' series which was originally patented, designed and built by Andy Soler.  Each little piece of shell was hand-cracked and stuck on the guitar body by hand.  Introduced to Andy Soler's nephew Eric Galletta and eventually produced by Wayne Charvel, Andy Soler and Eric Galletta with Ritz being financially backed and majority owned co founders Brad Becnel's Sunset Ladders (Sunset Guitars) of South El Monte, CA and Cliff Wildes (Microtech International Inc CEO and the band "Off White") of East Haven Conn, they made around 150 guitars with only about 25 being the cracked shell 'Neptune' models.  The first two collectable models were handmade by Wayne Charvel in Gold Abalone and gold plated hardware for Cliff Wildes and a White Abalone for Brad Becnel, both featured in Ritz magazine ads.  The other models were the 'Exotic' series, which used rare woods (e.g. Cocobolo) and kept them as a natural finish, there was a one off 'Exotic' model made from small pieces of rare woods stuck together like a mosaic to form the body of the guitar, in a similar idea to the shell finished 'Neptune' series.  The lower cost 'Classic' Series had painted or Zolatone finishes with Wayne Charvel making his first ever 1 of a kind Midi guitar in corvette red for Wildes.  All body shapes were Strat style, however, there is a rumor that a V shaped Ritz Neptune exists.  The examples of shell types available were; Violet Oyster, Brown Lip, Black Lip, Green Shell, Abalone Shell, Nautilius Shell, and Snake Lip.  Most Ritz Neptunes had Alder bodies for their light weight and some with Maple or Bubinga bodies under the shell finish.  They mainly used Seymour Duncan, PAF (pickup) or Schaller Guitarenparts pickups (The Schaller's were custom made for Ritz and looked a little like EMG's and renamed as 'Ritz pickups' for the catalog, the Schaller's were the pick ups that Michael Angelo Batio used on his Rocket model.) .  All came with the Kahler Tremolo System Spyder model.  The guitars retailed for over $2000.00.  Most of the later Ritz guitars featured Warmoth Guitars necks made for Ritz as Ritz were running out of money and time to make their own.  These necks were thinner than the Ritz made necks but still very good.  The Warmoth logo can be located at the join on the on these necks if you take them off.  Also a few Ritz Guitars were made after the demise of the company in 1991.  This is thought to be because Wayne Charvel had a few Ritz necks left over and he attached them to one off custom orders at a little less money.  A great book to read by the man himself Wayne Charvel is “The Custom Guitar Shop” which includes the Ritz story. A Place in Time is a 2007 American documentary film directed by Angelina Jolie. South of the Border is a 2009 American documentary film directed by Oliver Stone.  The documentary premiered at the 2009 Venice Film Festival.  Writer for the project Tariq Ali calls the documentary "a political road movie".  Stone stated that he hopes the film will help people better understand a leader who is wrongly ridiculed "as a strongman, as a buffoon, as a clown." Courtly love (or fin'amor in Occitan) was a medieval European literary conception of love that emphasized nobility and chivalry.  Medieval literature is filled with examples of knights setting out on adventures and performing various services for ladies because of their "courtly love".  This kind of love is originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love changed and attracted a larger audience.  In the high Middle Ages, a "game of love" developed around these ideas as a set of social practices.  "Loving nobly" was considered to be an enriching and improving practice. A table of correspondences is an esoteric table that lists purported magical, supernatural, occult, medicinal or similar advice in connection with the subjects being indexed.  Tables of correspondences are provided as reference tools in casting spells and creating magic circles.  A table of correspondences can be as simple as a list of colors and their associated magical properties.  A more sophisticated examples might include multiple columns and indexes.  For example, a summary of ritual advice by auspicious time and place might include: alchemical or symbolic formulae to influence plants, animals, spirits or deities.  Although distinct from sympathetic magic, examples can be found in ancient Greek medical theory, (the four humours), and Traditional Chinese Medicine.
Answer: American documentary