Question: What architectural style is used for the building that houses the museum directed by Fr. Timothy Verdon?
Context: Hoysala architecture is the building style developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India.  Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region.  Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura.  Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli.  Study of the Hoysala architectural style has revealed a negligible Indo-Aryan influence while the impact of Southern Indian style is more distinct. The Museo dell'Opera del Duomo (Museum of the Works of the Cathedral) in Florence, Italy is a museum containing many of the original works of art created for the Cattedrale di Santa Maria del Fiore, the cathedral (Duomo) of Florence.  As of August 2013, the director of the museum is Fr.  Timothy Verdon, an American. Italy has a very broad and diverse architectural style, which cannot be simply classified by period or region, due to Italy's division into several city-states until 1861.  However, this has created a highly diverse and eclectic range in architectural designs.  Italy is known for its considerable architectural achievements, such as the construction of arches, domes and similar structure during ancient Rome, the founding of the Renaissance architectural movement in the late-14th to 16th century, and being the homeland of Palladianism, a style of construction which inspired movements such as that of Neoclassical architecture, and influenced the designs which noblemen built their country houses all over the world, notably in the United Kingdom, Australia and the United States of America during the late-17th to early 20th centuries.  Several of the finest works in Western architecture, such as the Colosseum, the Duomo of Milan, the Mole Antonelliana in Turin, Florence cathedral and the building designs of Venice are found in Italy.  Italy has an estimated total of 100,000 monuments of all varieties (museums, palaces, buildings, statues, churches, art galleries, villas, fountains, historic houses and archaeological remains).  Now Italy is in the forefront of modernist and sustainable design with Architects like Renzo Piano and Carlo Mollino. The Casa de Correos y Telegrafos is the central post office of the city of Lima, Peru.  The building is located in the Historic center of Lima near the Plaza Mayor.  The building was constructed in 1897 in a French architectural style.  Additionally, the building houses the National Postal and Philatelic Museum.  Besides displaying exhibits relating to postal service, the museum showcases exhibits relating to Limean history.  The building is located along Piura street and its interior is lined with shops.  Its facade contains a clock, and a bronze lion depicted with its snout open and devouring correspondence.  The building occupies an area of 6,537 square meters. The Modern Serbo-Byzantine architectural style, Neo-Byzantine architectural style or Serbian national architectural style is the style in Serbian architecture which lasted from the second half of the 19th century to the first half of the 20th century.  This style originated in the tradition of medieval Serbian-Byzantine school and was part of international Neo-Byzantine style. Teutonic Castle in Świecie (Polish: "Zamek krzyżacki w Świeciu") - a partial ruin located in Świecie.  The partial ruin is kept in full-shape from the bank of the river Vistula and Wda - together with a circular tower topped with merlons.  The castle is part of a complex built by the Teutonic Knights in the Gothic architectural style.  The castle was built on the site of a Pomeranian dukes' gord - located by the site of the castle.  Formerly the castle had four corner towers, one of which survived.  The castle is surrounded by a defensive wall and a moat.  In 1410 the castle was looted by Polish forces obliterated the castle.  The castle was owned by the Kingdom of Poland after the Second Peace of Thorn in 1466.  In the sixteenth century, Castellan Konopacki reconstructed the castle into the Renaissance architectural style.  The castle was devastated after the Deluge and since then was not rebuilt.  The castle was furthermore devastated after Prussian forces used the castle as training grounds.  Currently the castle houses a museum, with the tower and castle renovated. Głubczyce Town Hall - a Renaissance building in Głubczyce, Głubczyce County, Opole Voivodeship; in Poland.  The first mention of a town hall in Głubczyce was in 1383, when a thirteenth-century townhouse was reconstructed into the town hall.  The town hall's Renaissance architectural style structure and attic style was built in 1570.  Reconstructions in the years of 1863-1864 and 1936, gave the building its Neo-Gothic architectural style.  The town hall's decorative statues and towers were built in the nineteenth-century.  The town hall was renovated in 2006, partly funded by the European Union. The Colegio de San Gregorio is an Isabelline style building located in the city of Valladolid, in Castile and León, Spain, it was formerly a college and now is housing the Museo Nacional de Escultura museum.  This building is one of the best examples of the architectural style known as Isabelline, which is the characteristic architectural style of the Crown of Castile region during the Catholic Monarchs' reign (late-15th century to early-16th century). The Cattedrale di Santa Maria del Fiore (] ; in English "Cathedral of Saint Mary of the Flower") is the main church of Florence, Italy.  Il Duomo di Firenze, as it is ordinarily called, was begun in 1296 in the Gothic style with the design of Arnolfo di Cambio and completed structurally in 1436 with the dome engineered by Filippo Brunelleschi.  The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink bordered by white and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris. The Serbo-Byzantine architectural style or Vardar architectural school (or "style"), is an ecclesiastical architectural style that flourished in the Serbian Late Middle Ages (ca. 1300–1389), during the reign of the Nemanjić dynasty.  It was developed through fusing contemporary Byzantine architecture and the Raška architectural school to form a new style; by the mid-14th century the Serbian state had expanded to include southern Macedonia, Epirus and Thessaly up to the Aegean Sea.  On these new territories Serbian art was even more influenced by the Byzantine art tradition.  A typical Serbo-Byzantine church has a rectangular foundation, with a major dome in the center with smaller domes around the center one.  Usually Serbo-Byzantine buildings are decorated with frescoes that depict biblical stories.
Answer: Gothic