Question: Who co-produced with the Beastie Boys the album featuring "Sure Shot"
Context: The Young and the Useless were an American punk band formed in the early 1980s that consisted of Adam Trese, Arthur Africano, David Scilken and future Beastie Boys member Adam Horovitz.  They were managed by former Beastie Boys manager Nick Cooper.  Their first recording "Real Men Don't Floss" was released by Ratcage Records.  It is rumoured that they recorded a second album, but it was never released and its whereabouts is unknown.  They played shows in New York City clubs including: A7, CBGB, Rock Lounge, Mudd Club, Club 57, Rock Hotel and 2+2; and played with Bad Brains, The Stimulators, Dead Kennedys, Ramones, P.I.L., Hüsker Dü, the Mob, the Necros, Adrenalin O.D. and the Beastie Boys. Ill Communication is the fourth studio album by American hip hop group Beastie Boys.  It was released on May 31, 1994 by Grand Royal Records.  Co-produced by Beastie Boys and Mario C., the album is among the band's most varied releases, drawing from hip hop, punk rock, jazz and funk.  As with their prior release "Check Your Head", this album continues the band's trend away from sampling and towards live instruments. Some Old Bullshit is a collection of several early Beastie Boys EPs, recorded in the early 1980s.  These recordings present a sound radically different from that of the hip-hop sound generally associated with the band.  Instead, these songs represent the band's part in the early New York hardcore scene.  The album also features taped segments originally heard on "Noise The Show", a popular hardcore radio show on WNYU in New York that played early recordings from the Beastie Boys.  These segments feature the hyperbolic introductions of "Noise The Show"' s host, Tim Sommer, an early supporter of the band. Beastie Boys Anthology: The Sounds of Science is the first Beastie Boys anthology composed of greatest hits, B-sides, and previously unreleased tracks.  The retail release comes with a tri-fold sleeve that displays the majority of the band's album covers, as well as a booklet of liner notes.  The title of the anthology is from the song of the same name, featured on their second album, "Paul's Boutique". "Brass Monkey" is a song by the New York rap group Beastie Boys.  It was a single released from their first album "Licensed to Ill".  It is also on the Beastie Boys' compilation album "Solid Gold Hits".  It samples "Bring It Here" by Wild Sugar.  The song features the Roland TR-808 drum machine. "Sure Shot" is a song by American hip hop group Beastie Boys, released as the third single from their 1994 album "Ill Communication".  The single was released a few days after the release of the album, on May 31, 1994.  The track features a sample from jazz flautist Jeremy Steig's "Howlin' For Judy", which provides the main instrumental part of the song. Frederick C. "Sure Shot" Dunlap (May 21, 1859 – December 1, 1902) was a second baseman and manager in Major League Baseball from 1880 to 1891.  He was the highest paid player in Major League Baseball from 1884 to 1889.  He has also been rated by some contemporary and modern sources as the greatest overall second baseman of the 19th century.  He earned the nickname "Sure Shot" for the strength and accuracy of his throws to first base, and was also sometimes referred to in the 1880s as the "King of Second Basemen." "Paul Revere" is a song by American hip hop group Beastie Boys, released as the third single from their debut album "Licensed to Ill" (1986).  It was written by Adam Horovitz, Joseph Simmons, Darryl McDaniels, and Rick Rubin.  It was produced by Rick Rubin and the Beastie Boys.  The song tells a fictional story of how the Beastie Boys met. Destroy 2 (sometimes called Eye & Chew) was a short-lived Japanese noise rock band.  Consisting of only two members, Yamantaka Eye of Boredoms (vocals) and Chew Hasegawa of Corrupted (drums), they released one infamous recording in 1996 called "We Are Voice and Rhythm Only".  This was actually a live recording of a concert in Osaka done as a support for Brutal Truth on their Japanese tour in February 1995.  Running for little over 10 minutes, it nevertheless features 48 songs, the longest of which is "24H?"  (39 seconds).  Note that the song running times also include audience cheering and an introduction ("Next song is...") by Eye at the beginning and Eye's obligatory cry of "Fankoo!"  ("Thank you") at the end.  Apart from that, the songs consist mostly of Chew attacking his drum set and Eye screaming the track titles in Engrish at the top of his lungs, generally creating a lot of feedback (which is sometimes mistaken for guitars).  The album also includes two cover versions: "Beastie Boys" (from the early Beastie Boys EP "Pollywog Stew") and "Nazi Punks Fuck Off! " (originally by Dead Kennedys), although the vocals of these have been sped up somewhat (and the songs reduced to one verse and one chorus) to fit into 18 and 17 seconds, respectively. "3-Minute Rule" is the 7th track on the album "Paul's Boutique" by American hip hop group the Beastie Boys, released on July 25, 1989.  The track was produced and written by the Beastie Boys & the Dust Brothers, and engineered by Mario Caldato & Allen Abrahamson.
Answer: Mario C.