Question: Wendy Carlos, an American musican and composer, studied at what University before moving to NewYork in 1962?
Context: Pierluigi Giombini (born 11 December 1956 in Rome) is an Italian songwriter and record producer.  He was born in a family of musicians: his father Marcello Giombini was a composer of secular music and film music as well as being interested in electronic music.  His grandfather was a music professor who specialized in the oboe and also played in orchestras. Giombini therefore had been introduced at an early age to the classics and progressed to study piano and composition at the conservatory.  While he was studying classical music at the Conservatory in Rome, he also listened to 1970s progressive rock groups; Emerson, Lake & Palmer in particular and Wendy Carlos.  It was Wendy Carlos' "Switched-On Bach" records that inspired him to study and create the synth sounds that he later used on his hit records in the 1980s.  Even now he still uses hardware and software synths for his current projects such as 'Web'. The soundtrack to Stanley Kubrick's A Clockwork Orange was released to accompany the 1971 film of the same name.  The music is a thematic extension of Alex's (and the viewer's) psychological conditioning.  The soundtrack of "A Clockwork Orange" comprises classical music and electronic synthetic music composed by Wendy Carlos (then Walter Carlos).  Some of the music is heard only as excerpts, e.g. Edward Elgar's "Pomp and Circumstance March No. 1" (a.k.a. "Land of Hope and Glory") ironically heralding a politician's appearance at the prison.  The main theme is an electronic transcription of Henry Purcell's "Music for the Funeral of Queen Mary", composed in 1695, for the procession of Queen Mary's cortège through London en route to Westminster Abbey.  "March from 'A Clockwork Orange'" (based on the choral movement of the Ninth Symphony by Beethoven) was the first recorded song featuring a vocoder for the singing; synthpop bands often cite it as their inspiration.  Neither the end credits nor the soundtrack album identify the orchestra playing the Ninth Symphony excerpts, however, in Alex's bedroom, there is a close-up of a microcassette tape labeled: "Deutsche Grammophon – Ludwig van Beethoven – Symphonie Nr.  9 d-moll, op. 125 – Berliner Philharmoniker – Chor der St. Hedwigskathedrale – Ferenc Fricsay – Irmgard Seefried, Maureen Forrester, Dietrich Fischer-Dieskau, Ernst Haefliger". Switched-On Bach is the first studio album by the American musician and composer Wendy Carlos, released under her birth name Walter Carlos in October 1968 by Columbia Records.  Produced by Carlos and Rachel Elkind, the album is a collection of pieces by Johann Sebastian Bach performed by Carlos and Benjamin Folkman on a Moog synthesizer.  It played a key role in bringing synthesizers to popular music, which had until then been mostly used in experimental music. Switched-On Bach II is a musical album by Wendy Carlos, produced by Carlos and Rachel Elkind and released in 1973. Beauty in the Beast is a studio album from the American keyboardist and composer Wendy Carlos, released in 1986 on Audion Records, her first for a different label other than Columbia Records since 1968.  The album uses alternate musical tunings and scales, influenced by jazz and world music.  On the back she includes a quote by Van Gogh: "I am always doing what I cannot do yet, in order to learn how to do it." The Well-Tempered Synthesizer is the second studio album from the American musician and composer Wendy Carlos, originally released under her birth name, Walter Carlos, in November 1969 on Columbia Masterworks Records.  Following the success of her previous album, "Switched-On Bach" (1968), Carlos proceeded to record a second album of classical music performed on a modular Moog synthesizer from multiple composers, including Johann Sebastian Bach, Claudio Monteverdi, Domenico Scarlatti, and George Frideric Handel.  Its title is a play on words from Bach's set of preludes and fugues named "The Well-Tempered Clavier". Switched-On Brandenburgs is a 1979 double album by Wendy Carlos.  It was the seventh album released by Carlos, and the fourth album in her project of classical music which also included "Switched-On Bach" (1968), "The Well-Tempered Synthesizer" (1969), "Switched-On Bach II" (1974), and "Switched-On Bach 2000" (1992). Pete Namlook (born 25 November 1960 as Peter Kuhlmann ] in Frankfurt, Germany, died on 8 November 2012) was an ambient and electronic-music producer and composer.  In 1992, he founded the German record label FAX +49-69/450464, which he oversaw.  Inspired by the music of Eberhard Weber, Miles Davis, Antonio Carlos Jobim, Chopin, Wendy Carlos, Tangerine Dream and Pink Floyd, and most important klaus Schulze; He composed and produced his albums while many in collaboration with others. Sonic Seasonings is a studio album from the American keyboardist and composer Wendy Carlos, originally released under her birth name, Walter Carlos, in 1972 as a double album on Columbia Records.  The album features four ambient tracks, each loosely based on each of the four seasons, combining various field recordings with sounds from a Moog synthesizer.  It marks a departure from her previous two albums which featured synthesized renditions of various pieces of classical music.  The album reached No. 168 on the US "Billboard" 200.  In 1998, it was remastered for CD with two previously unreleased tracks. Wendy Carlos (born Walter Carlos; November 14, 1939) is an American musician and composer best known for her electronic music and film scores.  Born and raised in Rhode Island, Carlos studied physics and music at Brown University before moving to New York City in 1962 to study music composition at Columbia University.  Studying and working with various electronic musicians and technicians at the city's Columbia-Princeton Electronic Music Center, she oversaw the development of the Moog synthesizer, then a relatively new and unknown keyboard instrument designed by Robert Moog.
Answer: Brown University