Question: I Dream Too Much is a 1935 romantic comedy film, it stars include which French-American operatic soprano and actress who had an active career from the late 1920s through the early 1970s?
Context: Irma Reichová (14 March 1859 – 5 June 1930) was a Czech operatic soprano who had an active career appearing in European opera houses during the latter half of the nineteenth century.  A dramatic soprano, she was admired for both her musical and acting talent.  She is best remembered for appearing in the world premieres of a number of operas by Antonín Dvořák and Bedřich Smetana. Natalie Bodanya (August 23, 1908 – March 4, 2007) was an American operatic soprano who had an active international career from the late 1920s through the 1940s.  She notably sang at the Metropolitan Opera in New York City from 1937 through 1942 and was a performer with the New York City Opera during the company's 1943-1944 inaugural season. Lily Pons (April 12, 1898 – February 13, 1976) was a French-American operatic soprano and actress who had an active career from the late 1920s through the early 1970s.  As an opera singer she specialized in the coloratura soprano repertoire and was particularly associated with the title roles in "Lakmé" and "Lucia di Lammermoor".  In addition to appearing as a guest artist with many opera houses internationally, Pons enjoyed a long association with the Metropolitan Opera in New York City, where she performed nearly 300 times between 1931 and 1960. I Dream Too Much is a 1935 romantic comedy film directed by John Cromwell.  It stars Henry Fonda, Lily Pons, and Lucille Ball in one of her earliest roles.  It has been described as a "somewhat wispy operetta."  Songs are by Jerome Kern and Dorothy Fields.  The film was nominated for an Academy Award in the category Sound Recording (Carl Dreher). Camilla Pasini (6 November 1875 – 29 November 1935) was an Italian operatic soprano.  Her sister Lina Pasini-Vitale was a well known Wagnerian soprano and her other sister, Enrica Pasini, had a short career as an operatic mezzo-soprano.  Pasini studied at the Accademia Nazionale di Santa Cecilia in Rome and made her professional opera debut in that city at the Teatro Quirino as Inez in Meyerbeer's "L'Africaine".  She most notably originated the role of Musetta in the original 1896 production of Puccini's "La bohème" at the Teatro Regio in Turin.  She also sang that role at numerous other theaters including La Scala, the Teatro Costanzi in Rome, and in Brescia, Genoa, Trieste, and Asti among others.  In 1904, Pasini traveled to South America where she performed on tour in many countries and cities.  In 1905, Pasini married a lawyer with the surname of Muzi and promptly gave up her career for the next six years.  She returned to the stage in 1911 in the premiere of the opera "La Vigilia di Notte" by Teofilo De Angelisro at the Teatro Costanzi.  She retired from the operatic stage somewhere around 1920. Marilyn Mims is an American operatic soprano who had an active career during the 1980s and 1990s.  A regular performer at the Metropolitan Opera from 1988 to 1992, her singing career was cut short after being diagnosed with endometriosis in 1995.  She notably sang the role of Ortlinde on the Met's 1990 recording of "Die Walküre" which won the Grammy Award for Best Opera Recording.  She currently teaches on the voice faculty at Palm Beach Atlantic University. Carmen Melis (15 August 1885 – 19 December 1967) was an Italian operatic soprano who had a major international career during the first four decades of the 20th century.  She was known, above all, as a verismo soprano, and was one of the most interesting singing actresses of the early 20th century.  She made her debut in Novara in 1905 and her career rapidly developed in her native country over the next four years.  From 1909-1916 she performed with important opera companies in the United States; after which she was busy performing at many of Europe's most important opera houses. From 1917 until her retirement from the stage in 1935 she was particularly active at the Teatro Costanzi in Rome and at La Scala in Milan.  After her singing career ended, she embarked on a second career as a voice teacher.  Her most notable student was soprano Renata Tebaldi. Christine Weidinger (born March 31, 1946) is an American operatic soprano who has had an active international career in operas and concerts since the early 1970s.  Her career started at the Metropolitan Opera, after which she was active as a resident artist with opera houses in Germany during the late 1970s and 1980s.  From the 1970s through the 1990s she worked as a guest artist with many leading opera houses throughout Europe, South America, and the United States. Anna Deinet (also Anna von Possart and Anna Deinet-Possart) (22 February 1843 - 18 August 1919) was a German operatic soprano who had an active career during the latter half of the 19th century.  She had a lengthy career at the Bavarian State Opera where she particularly excelled in coloratura soprano roles.  She is best remembered today for portraying Brangäne in the world premiere of Richard Wagner's "Tristan und Isolde" in 1865 and Helmwige in the premiere of Wagner's "Die Walküre" in 1869. Francia White (1909 - October 22, 1984) was an American soprano who had an active career in concerts, operas, operettas, radio, television, and film during the late 1920s through the 1940s.  She began her career as a vaudeville performer in her late teens and then began singing in more serious classical music repertoire during the mid-1930s.  She drew the attention of Hollywood and began working as a ghost singer for films in 1934.  She soon broke into radio in 1935 and was highly active in that medium until 1941.  On television she starred on the musical variety show, "The Bell Telephone Hour", from 1940-1942.  In addition to her radio work, she is chiefly remembered for helping to launch Edwin Lester's Los Angeles Civic Light Opera in 1938 and was one of their main leading ladies up through 1942.
Answer: Lily Pons