Question: Love is Blindness was the final track on the 1991 U2 album produced by which two men?
Context: Achtung Baby ( ) is the seventh studio album by Irish rock band U2.  It was produced by Daniel Lanois and Brian Eno, and was released on 18 November 1991 on Island Records.  Stung by criticism of their 1988 release, "Rattle and Hum", U2 shifted their musical direction to incorporate influences from alternative rock, industrial music, and electronic dance music into their sound.  Thematically, "Achtung Baby" is darker, more introspective, and at times more flippant than their previous work.  The album and the subsequent multimedia-intensive Zoo TV Tour were central to the group's 1990s reinvention, by which they abandoned their earnest public image for a more lighthearted and self-deprecating one. Dedicated to astronaut John Glenn the album was another in a series of concept albums studying the exploration of unusual meters and polytonality within a jazz context.  Recorded between May 3, 1961 and February 12, 1962, it was put on tape in many of the same sessions that appear on "Time Further Out".  Brubeck encouraged the quartet members towards development of new time signatures for this album.  The first track, "Countdown," is based on a typical "8 to the bar" boogie, stride piano in the manner of Earl Hines or Teddy Wilson, but with two extra notes added in, giving a meter count of 10.  AC/DC's song "Whole Lotta Rosie" has an opening riff directly mimicking this track.  Michael Katzif considers the track so smoothly played that some people may be unaware of the unusual time signature.  "Eleven Four" uses a pattern of five beats, then two sets of three to create the feel of eleven.  In the track "Why Phillis" some players stick to 3/4 time, others adhere to 4/4, while others move between the time signatures.  "Someday My Prince Will Come" had been previously recorded by the Quartet before, juxtaposing triple and quadruple meters in the album "Dave Digs Disney", but the track was re-done on this album to further realize the rhythmic possibilities of poly-rhythm, including adding a rhythm of 2/4 to the mix.  "Castilian Blues" and "Castilian Drums" have time signatures of 5/4, the latter being unsurprisingly a percussion showpiece.  The next four tracks, "Fast Life," "Waltz Limp," "Three's a Crowd," and "Danse Duet" were written for a ballet entitled "Maiden in the Tower."  Different characters in the performance have themes with different time signatures, and as they interact the interplay and contrasts of the various rhythms are paraded.  The album's final track, as originally issued, is a standard blues in 4/4 time, hence the title "Back to Earth." "Love Is Blindness" is a song by rock band U2, and the twelfth and final track on their 1991 album "Achtung Baby".  The song was written on piano by lead singer Bono during the recording sessions for U2's 1988 album "Rattle and Hum".  Originally intending to give the song to singer Nina Simone, the band decided to keep it for "Achtung Baby" after playing it together.  Thematically, the song describes a failing romance, mixing personal themes with imagery of metaphorical acts of terrorism.  During the recording sessions for "Achtung Baby", guitarist the Edge separated from his wife, Aislinn O'Sullivan.  The separation had a major effect on the development of the song; Bono said that the ending guitar solo was a cathartic experience for the Edge, as he snapped several guitar strings during the recording. "Mothers of the Disappeared" is a song by Irish rock band U2.  It is the eleventh and final track on their 1987 album "The Joshua Tree".  The song was inspired by lead singer Bono's experiences in Nicaragua and El Salvador in July 1986, following U2's participation in the Conspiracy of Hope tour of benefit concerts for Amnesty International.  He learned of the Madres de Plaza de Mayo, a group of women whose children had "forcibly disappeared" at the hands of the Argentine and Chilean dictatorships.  While in Central America, he met members of COMADRES, a similar organization whose children had been abducted by the government in El Salvador.  Bono sympathized with the Madres and COMADRES and wanted to pay tribute to their cause. There's Nothing Wrong with Love is the second full-length album released by indie rock band Built to Spill.  The line-up for the album was guitarist and vocalist Doug Martsch, bassist Brett Nelson, and drummer Andy Capps.  "There's Nothing Wrong with Love" was recorded in May and June 1994, and released September 13, 1994, on the Up Records label.  It was produced by Phil Ek.  The songs "Car" and "Distopian Dream Girl" were released as singles.  The video for "In the Morning" was featured on "Beavis and Butt-head". " Pitchfork" ranked "There's Nothing Wrong with Love" No. 24 on its Top 100 Albums of the 90s list.  An unlisted final track is a satirical preview of the next Built to Spill album.  None of the clips on the track are real Built to Spill songs.  Sub Pop reissued the album on vinyl in 2015. The Swan Road (Ukrainian: Лебединий шлях, Lebedynyy shlyakh) is the third album by the Ukrainian black metal band Drudkh, released in 2005.  It is characterized by shorter songs and more prominent lyrics than are found on previous Drudkh releases; the lyrics are all taken from the work "The Haidamakas" (1841) by Ukrainian national poet Taras Shevchenko, narrating about the famous Ukrainian anti-Polish peasant rebellion of 1768.  The name of the introductory track comes from the year 1648, when the greatest Cossack anti-Polish uprising set in Ukraine.  The final track is an epic song on the destruction of Zaporizhian Sich by the Russian army in 1775.  This album contains an increased use of distortion in the mix and more frequent usage of blast beats, but the last three tracks are considerably more low-key for Drudkh, with the final track being a folk ballad, presaging the direction they would pursue farther on the following year's "Songs of Grief and Solitude". Le Cœur d'un homme is an album by the French singer Johnny Hallyday.  It was released on November 12, 2007, and achieved huge success in France and Belgium (Wallonia).  It was led by the single "Always", a number 2 hit in France, and contains a cover version of Francis Cabrel's 1989 single "Sarbacane".  French actor Bruno Putzulu wrote one song of the album.  The final track of the album, "I Am the Blues", co-written by U2's lead singer Bono, is a rare example of a Hallyday song in English. "Whole Lotta Rosie" is a song by Australian hard rock band AC/DC.  It is the eighth and final track on the band's fourth Australian album, "Let There Be Rock", released in Australia in March 1977, and was written by Angus Young, Malcolm Young, and Bon Scott.  It is also the eighth and final track on the international version of the album, released in June the same year. "The Wanderer" is the tenth and final track from U2's 1993 studio album, "Zooropa".  It is one of the few U2 songs without Bono on lead vocals, instead featuring country singer Johnny Cash.  The Edge provides harmonising backing-vocals throughout the song, but the country style howl at the end is by Bono. Forever by Your Side is the 13th studio album of American popular R&B vocal group the Manhattans, originally released in 1983 by Columbia Records.  The album was recorded at Celestial Sound Studios (New York, NY), Studio Sound Recorders (North Hollywood), Universal Recording Studio (Chicago, III) and produced by George Tobin Productions Inc, Leo Graham Enterprises, Mighty M. Productions Ltd.  This album brought the two singles by The Manhattans of 1983: the song "Crazy" and the title track "Forever by Your Side".  The ballad "Crazy" was the big hit of this album, peaked at #4 on the R&B chart.  The love song "Forever by Your Side" had moderate success in the United States, peaked at #30 on the R&B chart, but has become a great success and a romantic classic in Brazil two years later, when she was part of the soundtrack of a soap opera in the country in 1985.  The success made "Forever by Your Side" gain a Portuguese version the following year, called "Pra Sempre Vou Te Amar", which also was successful in Brazil and was recorded by several Brazilian artists.  Another highlight of this album was the song "Just The Lonely Talking Again", which was later re-recorded by Whitney Houston in 1987, on her second studio album "Whitney".  The original release of ""Forever by Your Side"" from 1983 in Vinyl LP has only eight tracks.  In 2014, the album was remastered on CD with the caption ""Expanded Edition"" and brought five bonus tracks, totaling 13 tracks.  These bonus tracks include the single version of "Crazy", "Just The Lonely Talking Again" and "Love Is Gonna Find You", with shorter durations than the original songs on the album.  There is also the instrumental version of great success "Crazy", without the voices of The Manhattans.  The final track number 13, "Lovin' You Did not Come Easy", was also recorded by The Manhattans, but, curiously, was never released in any album of the group.  The song was released this 2014 remaster as an previously unreleased song, over thirty years after it was recorded.
Answer: Daniel Lanois and Brian Eno