Question: Are La Périchole and Jenůfa in the same language?
Context: Euskaltzaindia (literally, "group of keepers of the Basque language"; often translated Royal Academy of the Basque Language) is the official academic language regulatory institution which watches over the Basque language.  It carries out research on the language, seeks to protect it, and establishes standards of use.  It is known in Spanish as La Real Academia de la Lengua Vasca (being under the royal patronage of the Spanish monarchy, like the Real Academia Española) and in French as Académie de la Langue Basque. Jenůfa    (Její pastorkyňa, "Her Stepdaughter" in Czech) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer, based on the play "Její pastorkyňa" by Gabriela Preissová.  It was first performed at the Brno Theater, Brno, 21 January 1904.  It was written between 1896 and 1902, and counts among the first operas written in prose. Alyson Cambridge is an American operatic soprano.  A native of Washington D.C., she attended school in Cambridge and Oberlin College and studied at the Curtis Institute of Music.  In 2003 she won the Metropolitan Opera National Council Auditions, which gained her entrance into the Metropolitan Opera's Lindemann Young Artist Development Program.  In 2004 she made her Met debut as Frasquita in Georges Bizet's "Carmen".  She has since appeared in several roles with that company, including Giannetta in "L'elisir d'amore", a Flower Maiden in "Parsifal", Karolka in "Jenůfa", Crobyle in "Thaïs", and Bianca in "La Rondine". Jane Henschel (born 2 March 1952) is an American operatic mezzo soprano.  Henschel, who was born in Wisconsin, studied at the University of Southern California, and then pursued further studies in Germany, where she has made her home.  Her numerous opera appearances include Baba the Turk in Igor Stravinsky's "The Rake’s Progress" with Glyndebourne Festival Opera, the Saito Kinen Festival Matsumoto, and the Salzburg festival; Brangäne in Richard Wagner’s "Die Walküre" with Paris Opéra and the Los Angeles Opera; the Principessa in Giacomo Puccini’s "Suor Angelica" with conductor Riccardo Chailly and the Royal Concertgebouw Orchestra; Blanche de la Force in Francis Poulenc’s "Dialogues des Carmélites" in Amsterdam; Kostelnicka Buryjovka in Leoš Janáček’s "Jenůfa" under Seiji Ozawa in Japan; and the Kabanicka in Janáček’s "Katya Kabanova" at the Salzburg Festival among others. Vera Vasilyevna Zorina (Russian: Вера Васильевна Зорина ; real surname - Popova; 1853 - 1903) was a Russian operetta singer (mezzo-soprano), best known as a Russian romances (or 'Gypsy art-songs') performer.  She became famous after playing the part of Stesha in the popular musical "Gypsy Songs in Characters" by Nikolai Kulikov.  Another highly popular part of hers was La Périchole in the Jacques Offenbach's operetta.  Vera Zorina (an ethnic Russian) is regarded as a founder of the "Gypsyan line" in Russian operetta. La Périchole (] ) is an opéra bouffe in three acts by Jacques Offenbach.  Henri Meilhac and Ludovic Halévy wrote the French-language libretto based on the 1829 one act play "Le carrosse du Saint-Sacrement" by Prosper Mérimée, which was revived on 13 March 1850 at the Théâtre-Français.  Offenbach was probably aware of this production, as he conducted the orchestra of the Comédie-Française from around this time.  Another theatrical creation that pre-dates Offenbach's opéra bouffe and may have influenced the piece is a farce by Desforges and Théaulon given on 21 October 1835 at the Théâtre du Palais-Royal. La Plataforma per la Llengua (the Pro-Language Platform) is a non-governmental organisation born in 1993 in Barcelona (Catalonia), in order to defend and promote Catalan Language all over the Catalan-speaking territories in the European States where it is spoken: Spain, France, Andorra and Italy.  Their activities include the development of sociolinguistic studies and a constant monitoring on the status of the Catalan language, in collaboration with other organizations, foundations and public agencies.  Even it is based in Barcelona, it has delegations in Valencian Community, Alghero and in several Catalan regions.  Moreover, La Plataforma per la Llengua works together with some Northern Catalonia, La Franja, Andorra and Balearic Islands organisations.  There are so many aims; one of them is to guarantee the linguistic rights to Catalan-speaking people and the use of Catalan language as a connexion tool in all the fields and territories where it is spoken . Loretta Di Franco is an American operatic soprano who is chiefly known for her more than 900 performances at the Metropolitan Opera from 1961-1995.  Originally a member of the Met's opera chorus, she eventually was promoted to singing small comprimario roles beginning with one of the pages in Wagner's "Tannhäuser" and the peasant girl in "The Marriage of Figaro" in 1961.  She went on to win the Metropolitan Opera National Council Auditions in 1965 which led to her first substantial role, Chloe in "The Queen of Spades".  She continued to appear annually at the Met for the next 30 years, performing both leading and supporting roles.  Some of the parts she performed at the Met included Annina in "La traviata", both the Aunt and Barena in Janáček's "Jenůfa", Barbarina and Marcellina in "The Marriage of Figaro", Berta in "The Barber of Seville", Countess Ceprano in "Rigoletto", the Dew Fairy and the Sandman in "Hansel and Gretel", Feklusa in "Káťa Kabanová", the First Lady in "The Magic Flute", the Flower Seller in Britten's "Death in Venice", Frasquita in "Carmen", Gerhilde in "Die Walküre", Giannetta in "L'elisir d'amore", Helen in "Mourning Becomes Electra", Ines in "Il trovatore", Jouvenot in "Adriana Lecouvreur", Kate Pinkerton in "Madama Butterfly", Laura in "Luisa Miller", Lauretta in "Gianni Schichi", Lisa in "La sonnambula", Marianne in "Der Rosenkavalier", Marthe in "Faust", Musetta in "La bohème", Oscar in "Un ballo in maschera", Samaritana in "Francesca da Rimini", Woglinde in both "Das Rheingold" and "Götterdämmerung", Xenia in "Boris Godunov", Zerlina in "Don Giovanni", and title role in "Lucia di Lammermoor".  In 1991 she created the role of the Woman with Child in the world premiere of John Corigliano's "The Ghosts of Versailles". Trial by Jury is a comic opera in one act, with music by Arthur Sullivan and libretto by W. S. Gilbert.  It was first produced on 25 March 1875, at London's Royalty Theatre, where it initially ran for 131 performances and was considered a hit, receiving critical praise and outrunning its popular companion piece, Jacques Offenbach's "La Périchole".  The story concerns a "breach of promise of marriage" lawsuit in which the judge and legal system are the objects of lighthearted satire.  Gilbert based the libretto of "Trial by Jury" on an operetta parody that he had written in 1868. Eilene Hannan AM (24 July 194611 July 2014) was an Australian operatic soprano with an international reputation.  She was particularly associated with opera sung in English, although she also sang in other languages.  She was as well known as an actress as she was a singer.  Her repertoire included Mozart's Pamina, Susanna, Cherubino, Dorabella and Zerlina; Mimì in Puccini's "La bohème"; Natasha Rostova in Prokofiev's "War and Peace"; Tatiana in Tchaikovsky's "Eugene Onegin"; Marzelline in Beethoven's "Fidelio"; Mélisande in Debussy's "Pelléas et Mélisande"; Blanche in Poulenc's "Dialogues of the Carmelites"; the title roles in Janáček's "Káťa Kabanová", "Jenůfa" and "The Cunning Little Vixen"; the Marschallin in Richard Strauss's "Der Rosenkavalier"; Princess Eboli in Verdi's "Don Carlos"; Pat Nixon in Adams' "Nixon in China"; Wagner's Sieglinde and Venus; Salome in Massenet's "Hérodiade"; and Monteverdi's Poppea.
Answer: no