Question:  Harry Rimmer was part of a movement that began in what time frame?
Context: A rapid reaction force is a military or police unit designed to respond in very short time frames to emergencies.  When used in reference to police forces such as SWAT teams, the time frame is minutes, while in military applications, such as with the use of paratroops or other commandos, the time frame is hours to days. Repertoire of contention refers, in social movement theory, to the set of various protest-related tools and actions available to a movement or related organization in a given time frame. Dave Rimmer is a music journalist and critic who has written books and articles about a number of pop and rock artists.  He wrote for "Smash Hits" and "The Face" in the 1980s, and wrote a book about 1980s pop entitled "Like Punk Never Happened".  His second book "Once Upon a Time in the East", is about Eastern Europe under Communism.  His third book is about the New Romantic era in 1980s pop, "from the moment Steve Strange and Rusty Egan began their legendary Bowie Nights at Billy's in Soho, through the move to Blitz, and the growth of the Birmingham scene."  Rimmer has contributed to over 50 magazines in the UK, US and Germany.  He lives in Berlin, Germany. Harry Rimmer (1890–1952) was an American evangelist and creationist.  He is most prominent as a defender of creationism in the United States, a fundamentalist leader and writer of anti-evolution publications. Elections to Liverpool City Council were held on 7 May 1992.  One third of the council was up for election and although the Labour party lost overall control of the council, it continued to lead a minority administration with Harry Rimmer as leader of the council. Elections to Liverpool City Council were held on 7 May 1987.  One third of the council was up for election on ordinary rotation; in addition there were extra vacancies in many wards caused by the disqualification of those Labour councillors who were surcharged and banned from office as part of a protest against rate-capping.  As a result, the 33 wards elected a total of 59 councillors.  Prior to the election the disqualification of a large part of the Labour group meant that there was a temporary administration headed by Trevor Jones of the Liberal/SDP Alliance.  As a result of the election, the Labour Party regained overall control of the council, and Harry Rimmer became council leader. The Secrets of Harry Bright is the seventh novel written by former Los Angeles Police Department detective Joseph Wambaugh.  Published in 1985, the book continues a pattern of Wambaugh crime fiction beginning with "The Choirboys" that uses black humor to explore the psychological effects of prolonged stress on veteran police officers.  As with all his novels, "The Secrets of Harry Bright", set in November 1984, is contemporaneous with the time frame in which it was written and includes numerous allusions and references to events and personalities of the time. Christian fundamentalism began in the late 19th and early 20th centuries among British and American Protestants as a reaction to theological liberalism and cultural modernism.  Fundamentalists argued that 19th-century modernist theologians had misinterpreted or rejected certain doctrines, especially biblical inerrancy, that they viewed as the fundamentals of the Christian faith.  Fundamentalists are almost always described as having a literal interpretation of the Bible.  A few scholars regard Catholics who reject modern theology in favor of more traditional doctrines as fundamentalists.  Scholars debate how much the terms "evangelical" and "fundamentalist" are synonymous.  In keeping with traditional Christian doctrines concerning biblical interpretation, the role Jesus plays in the Bible, and the role of the church in society, fundamentalists usually believe in a core of Christian beliefs that include the historical accuracy of the Bible and all its events as well as the Second Coming of Jesus Christ. Several motivations underlie the project.  The primary ambition of MOM is to preserve an image of our era, created by numerous participants all over the planet.  MOM will also contain information which our society is obliged to forward to the future: e.g. description of nuclear waste repositories.  MOM collaborates with the NEA and SKB.  Although the most obvious ambition and often described in the media is the concern about preserving our knowledge, this is not the primary goal of MOM.  Serving as a time capsule MOM is both: in a time frame of millennia it is the story about us, and in a time frame of decades it is a backup.  In times where global warming, nuclear danger and biological warfare threaten the existence of civilization, saving the core knowledge and culture acquired over centuries is a backup measure.  In case of a collapse, the MOM project could help survivors to rebuild civilization.  Linked to this, an another reason is of political order: facing the lack of reactivity of authorities concerning global warming, the MOM project is a reminder of what can happen.  Roman and Greek civilizations whose histories have been reconstructed by the small percentage of texts and artifacts which survived until our days are examples that have inspired the MOM project.  Finally, it's a critic of our digital civilization : according to Kunze, maybe nothing of the 21st century will last in the future, since most of our interactions are now virtual.  The "accuracy versus bullshit" is one of the main themes of the MOM project, worried about loss of information, the project can only aim to save a fragment of the information produced until today, but this fragment has to be representative. The Scipion Nasice Sisters Theatre (Slovene: "Gledališče sester Scipion Nasice" ) was founded on October 13, 1983, with a founding manifesto (The Sister Letter).  The manifesto set this theatre group a time frame of operation – four years – and described its stages from formation to self-destruction.  The Scipion Nasice Sisters Theatre (1983-1987) constituted – along with Laibach and IRWIN groups – one of the three pillars of the Neue Slowenische Kunst retrogarde movement.  Within the retrogarde movement, theatre research engaged in the relation between religion, art and state.  It focused on rituals and the function of spectacle in theatre and in the function of spectacle the state.
Answer: late 19th and early 20th centuries