Question: Which associate professor for Tulane edited a poetry collection whose title alludes to James Baldwin's "The Fire Next Time"?
Context: The Fire Next Time is a 1963 book by James Baldwin.  It contains two essays: "My Dungeon Shook — Letter to my Nephew on the One Hundredth Anniversary of Emancipation," and "Down At The Cross — Letter from a Region of My Mind."  The first essay, written in the form of a letter to Baldwin's 14-year-old nephew, discusses the central role of race in American history.  The second essay deals with the relations between race and religion, focusing in particular on Baldwin's experiences with the Christian church as a youth, as well as the Islamic ideas of others in Harlem. The Fire This Time: A New Generation Speaks About Race is a 2016 essay and poetry collection edited by Jesmyn Ward, the title alluding to James Baldwin's seminal 1963 text "The Fire Next Time". Maggie Butt is an English poet and novelist who has published five poetry books, one novel, one pamphlet, one e-book/MP3 and an edited collection of essays.  Her latest poetry collection "Degrees of Twilight" was published in July 2015 by The London Magazine, and her novel "House of Dreams"(as Maggie Brookes) by Endeavour Press in November 2015.  She is a Royal Literary Fund Fellow at the University of Kent, Canterbury and Associate Professor at Middlesex University where she has taught creative writing since 1990.  Her poetry has been published in international magazines and been turned into choreography and a mobile phone app. Jesmyn Ward is an American novelist and an associate professor of English at Tulane University.  She won the 2011 National Book Award for Fiction and a 2012 Alex Award with her second novel "Salvage the Bones", a story about familial love and community covering the 10 days preceding Hurricane Katrina, the day of the cyclone, and the day after.  Prior to her appointment at Tulane, Ward was an assistant professor of Creative Writing at the University of South Alabama.  From 2008 to 2010, Ward had a Stegner Fellowship at Stanford University.  She was the John and Renée Grisham Writer in Residence at the University of Mississippi for the 2010–2011 academic year.  Ward joined the faculty at Tulane in the fall of 2014.  In 2013 she released her memoir "Men We Reaped". Mary Quade (born October 21, 1971) is an American writer of poetry and nonfiction.  In 2003, her poetry collection "Guide to Native Beasts" won the Cleveland State University Poetry Center First Book Prize, chosen by judge Marilyn Krysl.  Her second collection, "Local Extinctions", was published in 2016 by Gold Wake Press.  She earned her A.B. from the University of Chicago and her M.F.A. from The University of Iowa Writers’ Workshop.  Her work has been awarded an Oregon Literary Fellowship (2001) and three Ohio Arts Council Individual Excellence Awards (Poetry 2006, Poetry 2010, Prose 2014).  She is an Associate Professor of English at Hiram College where she teaches creative writing. Whiteness studies is an interdisciplinary arena of inquiry that has developed beginning in the United States, particularly since the late 20th century, and is focused on what proponents describe as the cultural, historical and sociological aspects of people identified as white, and the social construction of "whiteness" as an ideology tied to social status.  Pioneers in the field include W. E. B. Du Bois ("Jefferson Davis as a Representative of Civilization", 1890; "Darkwater", 1920), James Baldwin ("The Fire Next Time", 1963), Theodore W. Allen ("The Invention of the White Race," 1976, expanded in 1995), Ruth Frankenberg ("White Women, Race Matters: The Social Construction of Whiteness", 1993), author and literary critic Toni Morrison ("Playing in the Dark: Whiteness and the Literary Imagination", 1992) and historian David Roediger ("The Wages of Whiteness", 1991).  By the mid-1990s, numerous works across many disciplines analyzed whiteness, and it has since become a topic for academic courses, research and anthologies. Between the World and Me is a 2015 book written by Ta-Nehisi Coates and published by Spiegel & Grau.  It is written as a letter to the author's teenaged son about the feelings, symbolism, and realities associated with being black in the United States.  Coates recapitulates American history and explains to his son the "racist violence that has been woven into American culture."  Coates draws from an abridged, autobiographical account of his youth in Baltimore, detailing the ways in which institutions like the school, the police, and even "the streets" discipline, endanger, and threaten to disembody black men and women.  The work takes inspiration from James Baldwin's 1963 "The Fire Next Time".  Unlike Baldwin, Coates sees white supremacy as an indestructible force, one that black Americans will never evade or erase, but will always struggle against. Tales of Heichū (Heichū monogatari) belongs to the genre of uta monogatari poem tales that emerged in Japanese literature from the mid 10th to the early 11th centuries.  As early as the "Collection of Ten-Thousand Leaves" ("Manyōshū"), a poetry collection completed around 759, there appeared poems introduced by brief prose narrations.  The imperial court began to come alive with poetry from around this time.  People exchanged poetry with one another on topics as diverse as love and politics and religion.  Towards the end of the 9th century it was common for individual poets to keep compilations of their own verse, sometimes explaining in prose the circumstances behind a poem's composition.  The highest honor was to have ones poem selected for inclusion in the "Collection of Ancient and Modern Poetry" (Kokinshū), the first imperial poetry collection, which was completed around 905.  By the middle of the 10th century the idea of a poem paired with a prose narration seems to have taken hold, and "Tales of Ise" (Ise monogatari), "Tales of Heichū", and "Tales of Yamato" (Yamato monogatari) seem to have emerged at about this same time.  Also, the second imperial poetry collection, "Collection of Later Poetry" (Gosenshū), commissioned in 951 and compiled shortly thereafter, has many narrative qualities.  The only extant manuscript of "Tales of Heichū" is a 61-page codex discovered in 1931 that seems to date from the Kamakura Period (1185–1333), some three hundred years after the work's probable date of composition. James Baldwin: A Soul on Fire is an American stage play about author and activist James Baldwin.  It was written by Howard Simon and first performed in 1999.  Originally directed by Chuck Patterson, the first run starred Charles Reese as James Baldwin and Forrest McClendon as his counterpart, an ethereal force which takes multiple identities. James Arthur "Jimmy" Baldwin (August 2, 1924 – December 1, 1987) was an American writer and social critic.  His essays, as collected in "Notes of a Native Son" (1955), explore palpable yet unspoken intricacies of racial, sexual, and class distinctions in Western societies, most notably in mid-20th-century America.  Some of Baldwin's essays are book-length, for instance "The Fire Next Time" (1963), "No Name in the Street" (1972), and "The Devil Finds Work" (1976).  An unfinished manuscript, "Remember This House", was expanded upon and adapted for cinema as the Academy Award-nominated documentary film "I Am Not Your Negro".
Answer: Jesmyn Ward