Question: Palazzo Fantuzzi is from what form of architecture that followed Gothic and was succeeded by Baroque?
Context: Palazzo del Te or Palazzo Te is a palace in the suburbs of Mantua, Italy.  It is a fine example of the mannerist style of architecture, and the acknowledged masterpiece of Giulio Romano.  Although formed in Italian, the usual name in English of Palazzo del Te is not that now used by Italians.  The official modern name, and by far the most common name in Italian, is Palazzo Te.  The English name arises because and English-speaking writers, especially art historians, still most often call it "Palazzo Del Te". Renaissance architecture is the European architecture of the period between the early 14th and early 17th centuries in different regions, demonstrating a conscious revival and development of certain elements of ancient Greek and Roman thought and material culture.  Stylistically, Renaissance architecture followed Gothic architecture and was succeeded by Baroque architecture.  Developed first in Florence, with Filippo Brunelleschi as one of its innovators, the Renaissance style quickly spread to other Italian cities.  The style was carried to France, Germany, England, Russia and other parts of Europe at different dates and with varying degrees of impact. The Palazzo Fantuzzi is a monumental Renaissance style palace located on Via San Vitale number 23 in central Bologna.  It rises near the church of Santi Vitale e Agricola. The Palazzo Barbarigo Minotto (also called Palazzo Minotto Barbarigo) is a 15th-century palace on the Grand Canal in Venice, northern Italy, next to the much larger Palazzo Corner.  Built in the Venetian Gothic style, it was originally two palaces, Palazzo Barbarigo and Palazzo Minotto, later joined together.  The Barbarigo palace was owned by the Barbarigo family for several centuries and was the birthplace of Gregorio Barbarigo, who once refused the Papal Crown.  It was later owned by the Minotto and Martinengo families. The Baroque Revival, also known as Neo-Baroque (or Second Empire architecture in France), was an architectural style of the late 19th century.  The term is used to describe architecture which displays important aspects of Baroque style, but is not of the Baroque period proper—i.e., the 17th and 18th centuries.  Elements of the Baroque architectural tradition were an essential part of the curriculum of the École des Beaux-Arts in Paris, the pre-eminent school of architecture in the second half of the 19th century, and are integral to the Beaux-Arts architecture it engendered both in France and abroad.  An ebullient sense of European imperialism encouraged an official architecture to reflect it in Britain and France, and in Germany and Italy the Baroque revival expressed pride in the new power of the unified state. Gothic Architecture is an architectural style that flourished in Europe during the High and Late Middle Ages.  It evolved from Romanesque architecture and was succeeded by Renaissance architecture.  Originating in 12th century France and lasting into the 16th century, Gothic architecture was known during the period as "Opus Francigenum " ("French work") with the term "Gothic" first appearing during the later part of the Renaissance.  Its characteristics include the pointed arch, the ribbed vault (which evolved from the joint vaulting of Romanesque architecture) and the flying buttress.  Gothic architecture is most familiar as the architecture of many of the great cathedrals, abbeys and churches of Europe.  It is also the architecture of many castles, palaces, town halls, guild halls, universities and to a less prominent extent, private dwellings, such as dorms and rooms. Brick Renaissance is the Northern European continuation of brick architecture after Brick Romanesque and Brick Gothic.  Although the term Brick Gothic is often used generally for all of this architecture, especially in regard to the Hanseatic cities of the Baltic, the stylistic changes that led to the end of Gothic architecture did reach Northern Germany and northern Europe with delay, leading to the adoption of Renaissance elements into brick building.  Nonetheless, it is very difficult for non-experts to distinguish transitional phases or early Brick Renaissance, as the style maintained many typical features of Brick Gothic, such as stepped gables.  A clearer distinction only developed at the transition to Baroque architecture.  In Lübeck, for example, Brick Renaissance is clearly recognisable in buildings equipped with terracotta reliefs by the artist Statius von Düren, who was also active at Schwerin (Schwerin Castle) and Wismar (Fürstenhof). The architecture of Manchester demonstrates a rich variety of architectural styles.  The city is a product of the Industrial Revolution and is known as the first modern, industrial city.  Manchester is noted for its warehouses, railway viaducts, cotton mills and canals - remnants of its past when the city produced and traded goods.  Manchester has minimal Georgian or medieval architecture to speak of and consequently has a vast array of 19th and early 20th-century architecture styles; examples include Palazzo, Neo-Gothic, Venetian Gothic, Edwardian baroque, Art Nouveau, Art Deco and the Neo-Classical. French Renaissance architecture is the name given to the French architecture, between the 15th and early 17th centuries, in different regions of the Kingdom of France.  Stylistically, Renaissance architecture followed Gothic architecture (born in France in the 12th century) and was succeeded by Baroque architecture. The architecture of the Portuguese Renaissance intimately linked to Gothic architecture and gradual in its classical elements.  The Manueline style (circa 1490-1535) was a transitional style that combined Renaissance and Gothic ornamental elements to buildings that were architectonically closer to Gothic architecture, as is the Isabelline style of Spain.  Manueline was succeeded by a brief Early Renaissance phase (c. 1530-1550), closer to Classical canons, followed by the adoption of Mannerist (late Renaissance) forms.  Portuguese Mannerism, specially in secular architecture, is characterised by simplicity in the organisation of façades and relative lack of decoration, being often referred to as "Estilo Chão" (plain style).  Even with the arrival of Baroque architecture in the late 17th century, Portuguese architecture continued to use Mannerist forms well into the 18th century.
Answer: Renaissance