Question: Who was in a band that worked with Alan Edwards?
Context: Alembic was a poetry magazine established by Peter Barry, Ken Edwards, and Robert Gavin Hampson, which appeared eight times during the 1970s.  The first issue appeared in 1973: it was a collection of poems by Barry, Edwards, Hampson and Jim Stewart with graphic work by John Simpson, Robert Snell and Sibani Raychaudhuri.  The work was printed on different colours and sizes of paper - and contained in a plastic bag.  It was sold at the Edinburgh Festival of 1973, where Hampson was working with the Liverpool-based multimedia group Zoom Cortex.  (See Adrian Henri, "Events and Happenings", Thames and Hudson, for Zoom Cortex.) The second issue maintained the same format (a collection of loose pages in a plastic bag) but with an increased number of poets.  Richard Kostelanetz's assemblages have been described by the editors as their model for this mode of publication.  With the third issue, the magazine adopted the standard little-magazine format of the time: A4 pages, card cover, stapled.  Alembic 3, 4 and 5 also marked a more self-conscious engagement with contemporary London-based experimental poetry.  "Alembic" 3 (Spring 1975) announced the intention to engage with "one area of contemporary creative practice' in each issue in order to represent the range of poetry being written in the UK.  This issue focused on contemporary work that had its roots in surrealism.  It included Lee Harwood's essay 'Surrealist Poetry Today', which had been a talk given at the Poetry Society, and it included work by Harwood, Paul Matthews, Jeff Nuttall, Heathcote Williams and others.  "Alembic" 4 was edited solely by Hampson and was dedicated to open field poetry and the idea of place.  Allen Fisher was the featured poet: in addition to work by him, there was also an interview with him conducted by Barry and Edwards.  This issue also included work by Roy Fisher, Eric Mottram, and a small number of American poets, including Alan Davies, who was to be associated with LANGUAGE poetry.  "Alembic" 5 (Autumn 1976)was edited solely by Edwards and focused on experimental prose, including work by Paul Buck, Opal Nations, Jeff Nuttall, Maxim Jakubowski, David Miller, the Canadian writer Greg Hollingshead and James Sherry, who was also associated with LANGUAGE poetry.  This issue was also the first to be offset.  (Like "Alembic" 4.  it had a wrap around cover rather than card.)  "Alembic" 6 (Summer 1977)was again solely edited by Hampson.  It included further work by contributors to earlier issues.  The featured poet was the Australian poet David Miller: as well as poems and essays by Miller, there was also poetry by Robert Lax and a reprint of work by Charles Madge, on both of whom Miller had written.  In addition, there was also work by Rosmarie Waldrop, Tom Leonard, Elaine Randell and Barry MacSweeney.  "Alembic" 7 (Spring 1978), edited by Edwards and Hampson out of Lower Green Farm, was the 'Assemblage Issue', assembled by inviting a range of poets and visual artists to provide the contents.  It included work by Jeremy Adler, Paul Buck, Herbert Burke, Paula Claire, cris cheek, Bob Cobbing, Glenda George, Robert Sheppard, E. E. Vonna-Michel, Lawrence Upton and others.  A particular feature of this issue was that every cover was different: they were hand-printed by Vonna-Michel with a rubber-stamp used for the title.  "Alembic" 9 (to be edited by Hampson) was promised, but never appeared: Edwards had begun to publish "Reality Studios" as a slimmer, faster and more frequent publication.  This eventually metamorphosed (through an amalgamation with Wendy Mulford's Street Editions) into Reality Street, which has been a major publisher of experimental poetry and prose since the 1980s. The Queensland Theatre was established in 1970 by Alan Edwards AM MBE, and was granted the prefix "Royal" in 1984.  The company is the state's flagship professional theatre company, headed up Executive Director, Sue Donnelly, and Artistic Director, Sam Strong.  Each year Queensland Theatre presents a season of mainstage plays which includes comedies, classic drama and new Australian work.  Each year a number of shows are co-produced with other state theatre companies and key performing arts organisations.  Actors from around the country appear for the Company. Alan Edwards (born 1955) is an English publicist and founder of PR company The Outside Organisation.  Over the last 40 years, Edwards has worked with a variety of clients in the entertainment business, from The Rolling Stones, The Spice Girls, Amy Winehouse, David Gilmour, Beverley Knight, Prince, Michael Jackson, Jon Bon Jovi, The Who, Paul McCartney, David Beckham and Victoria Beckham.  In 1996, Edwards founded The Outside Organisation and Edwards has been named the number 1 entertainment PR in the UK by "PR Week" magazine for three consecutive years (2015, 2016, 2017).  Current clients include British Summer Time Hyde Park, Lin Manuel Miranda, Blondie, Carrie Underwood, Naomi Campbell and David Bowie. Peter Geoffrey Edwards, AM (born 29 August 1945) is an Australian diplomatic and military historian.  Educated at the University of Western Australia and the University of Oxford, Edwards worked for the Department of Foreign Affairs, the Australian National University and the University of Adelaide before being appointed Official Historian and general editor of "The Official History of Australia's Involvement in Southeast Asian Conflicts 1948–1975" in 1982.  The nine-volume history was commissioned to cover Australia's involvement in the Malayan Emergency, Indonesia–Malaysia confrontation and Vietnam War.  Edwards spent fourteen years at the Australian War Memorial (AWM) writing two of the volumes, while also researching, editing, and dealing with budget limitations and problems with staff turnover.  Since leaving the AWM in 1996, Edwards has worked as a senior academic, scholar and historical consultant.  In 2006 his book "Arthur Tange: Last of the Mandarins" won the Queensland Premier's History Book Award and the Western Australian Premier's Book Award for Non-Fiction. Robert Alan "Bob" Edwards (born May 16, 1947) is an American broadcast journalist, a Peabody Award-winning member of the National Radio Hall of Fame.  He gained reputation as the first host of National Public Radio's flagship program, "Morning Edition".  Starting in 2004, Edwards then was the host of "The Bob Edwards Show" on Sirius XM Radio and "Bob Edwards Weekend" distributed by Public Radio International to more than 150 public radio stations.  Those programs ended in September 2015. The Who are an English rock band that formed in 1964.  Their classic line-up consisted of lead singer Roger Daltrey, guitarist and singer Pete Townshend, bass guitarist John Entwistle, and drummer Keith Moon.  They are considered one of the most influential rock bands of the 20th century, selling over 100 million records worldwide and holding a reputation for their live shows and studio work. Hold That Girl is a 1934 American comedy film directed by Hamilton MacFadden and written by Dudley Nichols and Lamar Trotti.  The film stars James Dunn, Claire Trevor, Alan Edwards, Gertrude Michael, John Davidson and Robert McWade.  The film was released on March 24, 1934, by Fox Film Corporation. Clear All Wires!  is a 1933 American pre-Code comedy film directed by George W. Hill and written by Bella Spewack, Sam Spewack and Delmer Daves.  The film stars Lee Tracy, Benita Hume, Una Merkel, James Gleason, Alan Edwards and Eugene Sigaloff.  The film was released on February 24, 1933, by Metro-Goldwyn-Mayer. Night Without Pity is a 1961 British crime film directed by Theodore Zichy and starring Sarah Lawson, Neil McCallum, Alan Edwards and Michael Browning. Alan Edwards (born 21 October 1943) is a British sprint canoer who competed in the late 1960s.  He was eliminated in the semifinals of the K-4 1000 m event at the 1968 Summer Olympics in Mexico City.
Answer: John Entwistle