Question: Luzzasco Luzzaschi and Carlo Gesualdo were both composers during which time period?
Context: The Gesualdo Six are a vocal sextet specialising in the performance of renaissance polyphony, directed by Owain Park.  The repertoire of this early music ensemble is including a cappella pieces from the renaissance masters, like Claudio Monteverdi and Carlo Gesualdo, as well as more modern vocal works by contemporary composers. Simone Verovio ("fl."  1575 – 17 December 1607) was a Dutch calligrapher, engraver, printer, and editor.  He was born (perhaps with the name Simon Werrewick ) in 's-Hertogenbosch and moved to Rome no later than 1575.  By 1586 he began printing music books, using engraved plates.  These were some of the first music books published in this manner.  Some of the books he printed seem to have been engraved by Van Buyten, however through various editions the attribution changes.  He printed Luzzasco Luzzaschi's "Madrigali" (1601) and Claudio Merulo's "Toccate d'intavolatura" (1598, 1604). Carlo Gesualdo di Venosa (8 March 1566 – 8 September 1613), Prince of Venosa and Count of Conza, was an Italian Renaissance composer. Girolamo Belli (1552 – c. 1620) was an Italian composer and music teacher of the late Renaissance.  He was closely associated with the Ferrara School in the 1580s, having previously studied with Luzzasco Luzzaschi, and was noted for his composition of both madrigals and sacred music. Livia d'Arco (c. 1565–1611) was an Italian singer in the court of Alfonso II d'Este in Ferrara.  She was sent there with the household of Margherita Gonzaga d'Este at the time of Margherita's marriage to Alfonso in 1579, and was a young woman at the time, around fifteen.  Livia was the daughter of a minor Mantuan noble, and was perhaps sent to the court in Ferrara because of her musical potential.  When she arrived, she began studying the viol with Luzzasco Luzzaschi and Ippolito Fiorini.  After a few years of study she joined Laura Peverara, Tarquinia Mola and Anna Guarini in the "Concerto delle donne"; the first record of her singing with them was in 1582.  Like the other members of the "Concerto", poems were written in her honor, specifically by Torquato Tasso and Angelo Grillo under the pseudonym Livio Celiano.  In 1585 she was married to Conte Alfonso Bevilacqua. This is a list of casts of New York City Ballet co-founder and balletmaster George Balanchine's 1960 Monumentum pro Gesualdo, made to Igor Stravinsky's eponymous music composed in honor of the 400th birthday of Don Carlo Gesualdo and consisting of Stravinsky's orchestrations of Don Carlo's madrigals.  The premiere took place on November 16, 1960 at City Center of Music and Drama, New York. Il Perdono di Gesualdo (in English, The Pardon of Gesualdo) is an altarpiece created in 1609 by the Florentine painter Giovanni Balducci for a commission from the madrigal composer Carlo Gesualdo, Prince of Venosa, of the kingdom of Naples.  Conserved in the private chapel of Gesualdo’s church, Santa Maria delle Grazie, the painting underwent important restorations in the late twentieth century, following the destructive Irpinia earthquake of 1980. Girolamo Alessandro Frescobaldi (] ; also Gerolamo, Girolimo, and Geronimo Alissandro; September, 15831 March 1643) was a musician from Ferrara, one of the most important composers of keyboard music in the late Renaissance and early Baroque periods.  A child prodigy, Frescobaldi studied under Luzzasco Luzzaschi in Ferrara, but was influenced by a large number of composers, including Ascanio Mayone, Giovanni Maria Trabaci, and Claudio Merulo.  Girolamo Frescobaldi was appointed organist of St. Peter's Basilica, a focal point of power for the Capella Giulia (a musical organisation) from 21 July 1608 until 1628 and again from 1634 until his death. Luzzasco Luzzaschi (c. 1545 – 10 September 1607) was an Italian composer, organist, and teacher of the late Renaissance.  He was born and died in Ferrara, and despite evidence of travels to Rome it is assumed that Luzzaschi spent the majority of his life in his native city.  He was a skilled representative of the late Italian madrigal style, along with Palestrina, Wert, Monte, Lassus, Marenzio, Gesualdo and others. Gesualdo: Death for Five Voices (German: "Tod für fünf Stimmen") is a 1995 film by German director Werner Herzog filmed for ZDF television.  The film explores the music of Carlo Gesualdo and the legends surrounding Gesualdo's personality, his cursed castle, and his murder of his wife and her lover.  Between narration and interviews, several of Gesualdo's madrigals are performed.  Herzog calls "Death for Five Voices" "one of the films closest to my heart."
Answer: Italian Renaissance