FAST FRAME OPTIMISATION IN AN AUDIO ENCODER

Abstract: In a transform encoder for audio data, encoded data in the form of mantissas, exponents and coupling data is packed into fixed length frames in an output bitstream. The fields within the frame for carrying the different forms of data are variable in length, and space within the frame must be allocated between them to fit all of the required information into the frame. The space required by the various data types depends on certain encoding parameters, which are calculated for a particular frame before the data is encoded, thus ensuring that the encoded data will fit into the frame before the computationally expensive encoding process is carried out. Information in relation to, for example, transform length, coupling parameters and exponent strategy are determined, which allows the space required for the coupling and exponent data to be calculated. The mantissa encoding parameters can then be iteratively determined so that the encoded mantissas will fit into the frame with the other encoded data. The determined encoding parameters are stored and the audio data is encoded according to those parameters after it has been determined that the encoded data will fit into the frame.

Description: FAST FRAME OPTIMISATION IN AN AUDIO ENCODER Technical Field S This invention relates to audio coders, and in particular to the encoding and packing of data into fixed length frames. Background Art 0 In order to more efficiendy broadcast or record audio signals, the amount of information required to represent the audio signals may be reduced. In the case of digital audio signals, the amount of digital iriforrnation needed to accurately reproduce the original pulse code modulation (PCM) samples may be reduced by applying a digital compression algorithm, resulting in a digitally compressed representation of the original signal. The goal of the S digital compression algorithm is to produce a digital representation of an audio signal which, when decoded and reproduced, sounds the same as the original signal, while using a minimum of digital irforrnadon for the compressed or encoded representation. Recent advances in audio coding technology have led to high compression ratios while 0 keeping audible degradation in the compressed signal to a minimum. These coders are intended for a variety of applications, including 5.1 channel film soundtracks, HDTV, laser discs and multimedia. Description of one applicable method can be found in the Advanced Television Systems Committee (ATS Standard document entided "Digital Audio Compressior- (AC-3) Standard", Document A/52, 20 December, 1995, and the disclosure of 5 that document is hereby expressly incorporated herein by reference. In the basic approach, at the encoder the time domain audio signal is first converted to the frequency domain using a bank of filters. The frequency domain coefficients, thus generated, are converted to fixed point representation. In fixed point syntax, each coefficient is 0 represented as a mantissa and an exponent. The bulk of the compressed bitstream transmitted to the decoder comprises these exponents and mantissas. The exponents are usually transmitted in their original form. However, each mantissa must be truncated to a fixed or variable number of decimal places. The number of bits to be used for coding each mantissa is obtained from a bit allocation algorithm which may be based on the masking property of the human auditory system. Lower numbers of bits result in higher compression ratios because less space is required to transmit the coefficients. However, this may cause high quantization errors, leading to audible distortion. A good distribution of available bits to each mantissa forms the core of the advanced audio coders. Further compression is possible by employing differential coding for the exponents. In this case the exponents for a channel are differentially coded across the frequency range. The first exponent is sent as an absolute value. Subsequent exponent information is sent in differential form, subject to a maximum limit. That is, instead of sending actual exponent values, only the difference between exponents is sent In the extreme case, when exponent sets of several consecutive blocks in a frame are almost identical the exponent set for the first block only are sent. The subsequent blocks in the frame reuse the previously sent exponent values. In the above mentioned AC-3 standard, the audio blocks and the fields within the blocks have variable lengths. Certain fields, such as exponents, may not be present in a particular audio block, and even if present it may require different number of bits at different times depending on the current strategy used and signal characteristics. The mantissas appear in each block, however the bit allocation for the mantissas is performed globally. One approach could be to pack all information, excluding the mantissas, for all the audio blocks into the AC-3 frame. The remaining space in the frame is then used to allocate bits to all the mantissas globally. The mantissas for each block, quantized to appropriate bits using the bit allocation output, are then placed in die proper field in the frame. This type of approach is cumbersome and has high memory and computation requirements, and hence is not practical for a real time encoder meant for consumer application. - 3 Summary of the Invention In accordance witii the present invention, there is provided a method of processing input audio data for compression into an encoded bitstream comprising a series of fixed size frames, each of the fixed size frames having a plurality of variable size fields containing coded data of different types, the method including the steps of: receiving input data to be coded into a frame of the output bitstream; preprocessing the input data to determine at least one first coding parameter to be used for coding die input data into at least one of die variable size fields in the frame, wherein die value of the at least one first coding parameter affects the data space size required for the at least one variable size field; storing die at least one first coding parameter determined in the preprocessing step; allocating data space in die frame for at least one other of die variable size fields on the basis of the determined at least one first coding parameter; deteπnining at least one second coding parameter for coding data into the at least one other variable sized field on die basis of said allocated space; and coding the input data into the variable sized fields of the frame using die first and second coding parameters. The present invention also provides a method for transform encoding audio data having a plurality of channels for transmission or storage in a fixed length frame of an encoded data bitstream, the frame including variable length fields for encoded exponents, encoded mantissas and coupling data, the method including die steps of: obtaining input audio data for a frame; deteπnining a transform length parameter for the audio data; determining coupling parameters for the audio data; determining an exponent strategy for the audio data; calculating space required in the frame for die exponent and coupling data fields on die basis of t e determined transform lengui parameter, coupling parameters and exponent strategy; - 4. calculating space available in the frame for d e encoded mantissa field according to d e calculated space required in die frame for die exponent and coupling data fields; determining a mantissa encoding parameter on the basis of the calculated available space; and encoding die audio data into exponent data, mantissa data and coupling data utilising the transform lengdi parameter, coupling parameters, exponent strategy and mantissa encoding parameter, and packing die encoded audio data into the respective fields in the frame. The present invention further provides a transform audio encoder for encoding audio data having a plurality of channels for transmission or storage in a fixed length frame of an encoded data bitstream, the frame including variable lengdi fields for encoded exponents, encoded mantissas and coupling data, the encoder including: an input buffer for storing input audio data for a frame; means for deternining a transform lengdi parameter, coupling parameters and an exponent strategy for the audio data; means for calculating space required in d e frame for d e exponent and coupling data fields on the basis of d e determined transform length parameter, coupling parameters and exponent strategy; means for calculating space available in die frame for die encoded mantissa field according to die calculated space required in me frame for the exponent and coupling data fields; means for determining a mantissa encoding parameter on the basis of me calculated available space; and encoding means for encoding the audio data into exponent data, mantissa data and coupling data utilising die transform length parameter, coupling parameters, exponent strategy and mantissa encoding parameter, and packing die encoded audio data into the respective fields in die frame. Preferably the transform audio encoder includes a storage means for storing the transform 5 - length parameter, coupling parameters, exponent strategy and mantissa encoding parameter for use by d e encoding means in encoding the audio data. Embodiments of the invention address the problems discussed above by estimating at die beginning of the frame processing die bit-usage for different fields, based upon some basic analysis of the input signal. Given the fixed frame size, the coding strategies for each field are chosen such that die total bits required is witiiin the size of d e frame. The iteration for the bit allocation is done at the beginning itself so that at later stage no computationally expensive back-tracking is necessary. According to the approach described in detail hereinbelow, in the initial stage of the processing of a frame, it is advantageous to perform only the necessary computations which are to be used to base die decisions for die different strategies to be used for coding of different fields throughout the frame. Each such decision is recorded in a table which is used during the later stage. The processing of de frame can be done in a metfiodical manner such tiiat the iteration for die bit allocation requires rninimal computation. In the initial processing stage of a frame, based on some basic analysis of die signal, all coding strategies for the entire frame such as exponent strategy and coupling co-ordinate strategy may be determined. Secondly, the bit requirements for each field of me frame, excluding that for mantissas, can be estimated. From the knowledge of die bit usage for all fields, die bits available for mantissas is calculated. Using a Modified Binary Convergence Algorithm (MBCA) the value for d e bit allocation parameters, csnroffset and fsnroffset, which lead to a maximum usage of available bits, is determined. A Fast Bit Allocation Algorithm (FBAA) attempts to only estimate the total bits required for mantissas witii a particular value of csnroffset and fsnroffset, avoiding all operations which are not necessary for the estimation process. 6 - Once die values for csnroffset and fsnroffset are determined, the frame processing can be performed at block level, in a water-fall metiiod. Since the estimates are always conservative, it is guaranteed tiiat at the end of die frame processing the total bits required shall not exceed Λe specified frame size. This avoids expensive back-tracking unavoidable by otiier approaches. Brief Description of the Drawings The invention is described in greater detail hereinbelow, by way of example only, dirough description of embodiments thereof and with reference to the accompanying drawings, wherein: Figure 1 is a diagrammatic illustration of the data structure of an encoded AC-3 data stream showing die composition and arrangement of data frames and blocks; Figure 2 is diagrammatic block diagram of a digital audio coder according to an embodiment of die present invention; and Figure 3 is a flow diagram of a data processing system or encoding audio data according to an embodiment of me invention. Detailed Description of me Preferred Embodiments The input to die AC-3 audio encoder comprises stream of digitised samples of the time domain audio signal. If the stream is multi-channel die samples of each channel appear in interleaved format The output of the audio encoder is a sequence of synchronisation frames of the serial coded audio bit stream. For advanced audio encoders, such as the AC-3, the compression ratio can be over ten times. Figure 1 shows die general format of an AC-3 frame. A frame consists of the following distinct data fields: • a synchronisation header (sync information, frame size code) - 7 • die bit-stream information (information pertaining to die whole frame) • die 6 blocks of packed audio data • two CRC error checks The bulk of the frame size is consumed by the 6 blocks of audio data. Each block is a decodable entity, however not all information to decode a particular block is necessarily included in d e block. If information needed to decode blocks can be shared across blocks, then that information is only transmitted as part of die first block in which it is used, and die decoder reuses die same information to decode later blocks. All information which may be conditionally included in a block is always included in the first block. Thus, a frame is made to be an independent entity: there is no inter-frame data sharing. This facilitates splicing of encoded data at the frame level, and rapid recovery from transmission error. Since not all necessary information is included in each block, die individual blocks in a frame may vary in size, widi the constraint that the sum of all blocks must fit the frame size. A form of AC-3 encoder is illustrated in block diagram form in Figure 2. The major processing blocks of die AC-3 encoder as shown are briefly described below, with special emphasis on issues which are relevant to the present invention. Input format AC-3 is a block structured coder, so one or more blocks of time domain signal, typically 12 samples per block and channel, are collected in an input buffer before proceeding with additional processing. Transient Detection Blocks of d e input signal for each channel are analysed with a high pass filter 12 to detect die presence of transients 14. This information is used to adjust me block size of the TDAC (time domain aliasing cancellation) filter bank 16, restricting quantization noise associated - 8 - with die transient witiiin a small temporal region about the transient. In presence of transient die bit 'ύlksw' for de channel in die encoded bit stream in the particular audio block is set. TDAC Filter Each channel's time domain input signal is individually windowed and filtered witii a TDAC- based analysis filter bank 16 to generate frequency domain coefficients. If the blksw bit is set, meaning that a transient was detected for the block, tiien two short transforms of length 256 each are taken, which increases die temporal resolution of die signal. If not set, a single long transform of lengdi 512 is taken, tiiereby providing a high spectral resolution. The number of bits to be used for coding each coefficient needs to be obtained next. Lower number of bits result in higher compression ratio because less space is required to transmit d e coefficients. However, tiiis may cause high quantization error leading to audible distortion. A good distribution of available bits to each coefficient forms uie core of die advanced audio coders. Coupling Processor (18) Further compression can be achieved in AC-3 encoder by use of a technique known as coupling. Coupling takes advantage of the way die human ear determines directionality for very high frequency signals. At high audio frequencies (approximately above 4KHz.), die ear is physically unable to detect individual cycles of an audio waveform and instead responds to the envelope of die waveform. Consequentiy, d e encoder combines die high frequency coefficients of the individual channels to form a common coupling channel. The original channels combined to form die coupling channel are called the coupled channels. The most basic encoder can form the coupling channel by simply taking the average of all die indi idual channel coefficients. A more sophisticated encoder could alter d e signs of the individual channels before adding them into die sum to avoid phase cancellation. The generated coupling channel is next sectioned into a number of bands. For each such band - 9 - and each coupling channel a coupling co-ordinate is u-ansmitted to the decoder. To obtain die high frequency coefficients in any band, for a particular coupled channel, from the coupling channel, die decoder multiplies the coupling channel coefficients in that frequency band by the coupling co-ordinate of mat channel for that particular frequency band. For a dual channel encoder a phase correction information is also sent for each frequency band of the coupling channel. Superior methods of coupling channel formation are discussed in the specification of International Patent Applications PCT/SG97/00076, entitied "Method and Apparatus for Estimation of Coupling Parameters in a Transform Coder for High Quality Audio", and PCT/SG97 00075 entided "Method and Apparatus far Phase Estimation in a Transform Coder or High Quality Audio" . The disclosures of those specifications are hereby expressly incorporated herein by reference. Rematrixing (20) An additional process, rematrixing, is invoked in die special case ti at the encoder is processing two channels only. The sum and difference of die two signals from each channel are calculated on a band by band basis. If, in a given band, the level disparity between die derived (matrixed) signal pair is greater tiian die corresponding level of the original signal, the matrix pair is chosen instead. More bits are provided in d e bit stream to indicate tins condition, in response to which the decoder performs a complementary unmatrixing operation to restore die original signals. The rematrix bits are omitted if die coded channels are more tfian two. The benefit of this technique is that it avoids directional unmasking if die decoded signals are subsequently processed by a matrix surround processor, such as Dolby (TM) Prologic decoder. Conversion to Floating Point (22) The transformed values, which may have undergone rematrix and coupling processing, are - 10 converted to a specific floating point representation, resulting in separate arrays of binary exponents and mantissas. This fioating point arrangement is maintained throughout die remainder of die coding process, until just prior to the decoder's inverse transform, and provides 144 dB dynamic range, as well as allows AC-3 encoder to be implemented on ehher fixed or floating point hardware. Coded audio information consists essentially of separate representation of the exponent and mantissas arrays. The rernaining coding process focuses individually on reducing the exponent and mantissa data rate. The exponents are coded using one of the exponent coding strategies. Each mantissa is truncated to a fixed number of binary places. The number of bits to be used for coding each mantissa is to be obtained from a bit allocation algorithm which is based on the masking property of die human auditory system. Exponent Coding Strategy (24) Exponent values in AC-3 are allowed to range from 0 to -24. The exponent acts as a scale factor for each mandssa, equal to 2"** p . Exponents for coefficients which have more than 24 leading zeros are fixed at -24 and the corresponding mantissas are allowed to have leading zeros. The AC-3 encoded bit stream contains exponents for independent, coupled and the coupling channels. Exponent information may be shared across blocks within a frame, so blocks 1 tiirough 5 may reuse exponents from previous blocks. AC-3 exponent transmission employs differential coding technique, in which the exponents for a channel are differentially coded across frequencies. The first exponent is always sent as an absolute value. The value indicates the number of leading zeros of d e first transform coefficient. Successive exponents are sent as differential values which must be added to die prior exponent value to form die next actual exponent value. 1 1 The differential encoded exponents are next combined into groups. The grouping is done by one of the three mediods: D 15, D25 and 045. These together with "reuse " are referred to as exponent strategies. The number of exponents in each group depends only on the exponent strategy. In the D 15 mode, each group is formed from tiiree exponents. In D45 four exponents are represented by one differential value. Next, tiiree consecutive such representative differential values are grouped together to form one group. Each group always comprises 7 bits. In case ώe strategy is "reuse" for a channel in a block, then no exponents are sent for that channel and die decoder reuses die exponents last sent for tiiis channel. Pre-processing of exponents prior to coding can lead to better audio quality. One such form of processing is described in the specification of PCT/SG98/0O0O2, entided "Method and Apparatus for Spectral Exponent Reshaping in a Transform Coder for High Quality Audio", the disclosure of which is hereby expressly incorporated herein by reference. Choice of die suitable strategy for exponent coding forms an important aspect of AC-3. D 15 provides die highest accuracy but is low in compression. On the otiier hand tiansmitting only one exponent set for a channel in die frame (in die first audio block of d e frame) and attempting to " euse * die same exponents for die next five audio blocks, can lead tα high exponent compression but also sometimes very audible distortion. Several mediods exist for determination of exponent strategy. One such method is described in the specification of PCT/SG98/00009, entided "A Neural Network Based Method for Exponent Coding in a Transform Coder for High Quality Audio ", the disclosure of which is hereby expressly incorporated herein by reference. Bit Allocation for Mantissas (26) The bit allocation algorithm analyses the spectral envelope of de audio signal being coded, with respect to masking effects, to determine the number of bits to assign to each transform coefficient mantissa. In d e encoder, die bit allocation is recommended to be performed globally on the ensemble of channels as an entity, from a common bit pool. - 12 - The bit allocation routine contains a parametric model of die human hearing for estimating a noise level threshold, expressed as a function of frequency, which separates audible from inaudible spectral components. Various parameters of die hearing model can be adjusted by die encoder depending upon the signal characteristics. For example, a prototype masking curve is defined in terms of two piece wise continuous line segment each with its own slope and y-intercept. Optimisation From the foregoing description, it is clear tiiat audio blocks and die fields witiiin the blocks have variable lengtiis. Certain fields, such as exponents, may not be present in a particular audio block, and even if present it may occupy different amounts of space at different times depending on the current strategy used and signal characteristics. The mantissas appear in each audio block. However the bit allocation for die mantissas must be performed globally. One solution could be to pack all information, excluding the mantissas, of all blocks into the AC-3 frame. The remaining space in the frame is then used to allocate bits to all mantissas globally. The mantissas for each block, quantized to the appropriate bits using die bit allocation output, are then put in die proper place in the frame. This type of approach is cumbersome and has high memory and computation requirements, and hence is not practical for a real time encoder meant for consumer application. The key to d e problem is estimation at die beginning of die frame processing the bit-usage for different fields, based upon some basic analysis of die input signal. Given die fixed frame size, the coding strategies are chosen such that die total bits required is witiiin the constraint. The iteration for die bit allocation is done at die beginning itself so that at later stages no computationally expensive back-tracking is necessary. - 13 The recommended approach is - in die initial stage of the processing of a frame, perform only me necessary computations which are to be used to base die decisions for the different strategies for coding of different fields tiiroughout the frame. Each such decision is recorded in a table which is used during the later stage. For example, die bit usage of exponents is dependent on die exponent coding strategy (24) and die parameters - chbwcod (channel band width code), cplbegf (coupling begin frequency) and cplendf (coupling end frequency). Once the exponent coding strategy for all channels in all blocks is known, the space used by exponents in die frame can be easily calculated. Similarly, knowing whether coupling co-ordinates are to be sent in a block or not, die bit usage by coupling parameters is known immediately. Using simple techniques as described hereinbelow, it is indeed possible to determine at the initial stage of die frame processing, the bit requirements of each of die fields. Once die bits that would be used by other fields are estimated, the bits that would be available for mantissas is known. The information of the available bits for mantissas is used to perform "Fast Bit Allocation". This algorithm takes as input the raw masking curve and die available bits for mantissas and determines die bit allocation parameters, specifically values of csnroffset and fsnroffset (refer to AC-3 standard document) which lead to optimal utilisation of available bits. The term "fast" is used since no mantissa quantization is done in this stage. The iteration just attempts to estimate the bit-usage without actually coding the mantissas. Once the value of csnroffset and fsnroffset is determined, the normal frame processing begins. At each step of die processing, die decision tables are read to decide die strategy for die coding of each field. For example, coupling co-ordinates for a channel ch in audio block b/k no are coded using die strategy "cplcoe [bik_noJ [ch]". The mantissas are encoded using the specified csnroffset and fsnroffset. The quantized mantissas can be direcdy packed into the AC-3 frame since it can be guaranteed that the total size of the bits will not - 14 exceed the given frame size. The memory requirements are minimised by use of this technique since the original mantissas for a block are no longer required once it has been quantized. In die odier approach where mantissas are quantized and en the used space is checked against die available one, it is possible that die mantissas may have to be re-quantized later to a different quantization level and hence the original mantissas for all blocks may have to be retained till me end, thus leading to more buffer requirements. In die present approach, die space occupied by a mantissa is released after die quantization, allowing die memory to be reused for other processing. The final bit allocation is performed at die block level, thus bit allocation pointers for all audio blocks do not have to be retained concurrently in die buffer at one time. The advantages of the recommended metiiod are manifold. Firstiy, after die initial processing is done and the strategy decisions are taken, the subsequent processing of die frame is very simplistic. Since estimation of bits for mantissas is done in die initial phase, back-tracking is no longer necessary. Suppose die mantissas are quantized and packed witii certain values far bit allocation parameters. Then it is observed tiiat die bits required exceed the available space. Then quantization and packing with different set of values for bit allocation pointers is performed. This process continues till an optimal solution is found. Such a method is not suited for a real time application. Or suppose, that exponents of a frame are coded with a certain strategy and at the end of die coding of exponents of die sixdi block it is found at the space required by exponents is too less or too much for die given frame size. Then a different set of exponent strategies is selected and exponents are re-coded using the new strategy. This again will be too expensive for the real time encoder. The AC-3 frame has to satisfy certain constraints. For example Page 37, ATSC Standard 15 states that: /. The size of block 0 and 1 combined will never exceed 5/8 of the frame. 2. The sum of block 5 mantissa data and auxiliary data will never exceed the final 3/8 of the frame. Now, suppose after processing of block 0 and 1 die first constraint is found to be violated. Then certain strategies (such as exponent coding strategy or bit allocation parameters) will have to be modified to remain within the constraints. This means, block 0 and 1 may need to be re-processed, and in die worst case, several times over before die condition is met. Wi die help of initial estimates, before die actual processing is done, die strategies can be appropriately modified to satisfy such constraints. This makes sure die encoder does not fail with "kiUer-bitstreαms" . Frame Processing A method for die processing of a frame according to a preferred embodiment of the present invention is described in steps hereinbelow witii reference to die flow graph shown in Figure 3. Transient Detection The buffered input is examined to detect the presence of transients. The variable blksw is defined as a two-dimensional array mat stores information about transients. If 'blksw [blkjioj [chj - 1 ' , then it means channel ch ' in die audio block 'blk io ' is found to have a transient. If 'blksw [b/kjnoj [ch] = 0' no transient was detected. Coupling and Rematrixing Following die suggestion in the AC-3 standard that in presence of transient a channel should not be coupled, me blksw information is used to determine if widiin a block a channel is to be coupled into the coupling channel. Even if a transient is not detected, a channel should not be coupled if its signal characteristics 16 are much different dian the other coupled channels, otherwise die distortion can increase significantly. That is, if die correlation coefficient of die already coupled channels and die channel to be next coupled is lesser than a given threshold, then the channel should be coded independently and should not be treated as a coupled channel. The parameter cplinυ is used to specify if a channel forms a coupled channel. Thus, if 'chincpl [bJkjioJ [ch] = 7 ' then it means channel '[ch]' in die audio block 'blkjno ' is coupled. If 'chincpl [blk_no] [ch] = 0' the channel is to be coded as an independent channel. (Note: The pseudo-code is in C++ format wtih '//' signifying comments). if (blksw [blk no] [ch] = - 0) //transient does not exist { if (correlation _f actor (bfk_no,ch) > min_correlationJimit) { chincpl [blkjno] [ch] = 1 ; //channel in coupling ) else chincpl [blkjno] [ch] = 0 ; //coupling off for this channel } else //transient exists chincpl [blk_no] [ch] = 0;//coupling off If die number of channels coupled in a block are more than one men coupling is considered on tiiat audio block and so 'cplinu [blkjxo] = V. The chincpl and cplinu are used to deteπnine how often the coupling co-ordinates need to be sent. Two approaches can be followed to deteπnine if coupling co-ordinates should be sent for a channel in an audio-block. The simple approach is following the suggestion in the AC-3 standard for the basic encoder that : coupling co-ordinates must be sent in alternate blocks. 17 - For better quality a more deterministic approach can be adopted. Suppose coupling coordinate ψ, is sent for a block. For die next block die co-ordinates are not sent if die corresponding co-ordinate ψ, +1 for die block is very similar to die co-ordinate ψ, computed for the previous block. The similarity test can be based on a direshold testing. Suppose 1 1 Ψι + ι - Ψ; 1 1 < T, where 7 is a pre-defined constant, men no co-ordinates are sent, else the computed co-ordinate ψ /+1 is sent. It should be noted that in the case that a channel is coupled in block B, but was not coupled in previous block B IΛ , then according to specifications of die standard, die co-ordinates must be sent in block B,. If for a coupled channel 'ch' in die audio block 'block no' co-ordinates are to be sent, die parameter ' cpcoe [b/k io] [ch] = /'. Using the information cplinu [blkjio] [ch] and chincpl [blkjno] [ch] and cplcoe [b/kjio] [ch] the number of bits used for die coupling information in each block can be estimated. //for estimation of bit usage by coupling-coordinates for (blkjio - 0 ; blkjio < 6 ; btkjio + +) //for all blocks { if (cplinu [blkjio}} //coupling in use in this block { for (ch = 0 ; ch < nfchans ; ch+ +J ( υsβdj)its + + ; //cplcoe-cplcoordinate exist flag if (chincpl [blkjno] [ch] && cplcoe [blkjio] [ch]) { usβd_bits + = (2 + //for mstrcplco 4*ncplbnd [blkjio] [ch] + //cp/coexp 4*ncplbnd [blkjno] [ch]) ; //cplcomant } - 18 ; The variable υsedjbits maintains a count of die bits used in die frame. Similarly available Jbits is die number of free bits avatiable in the frame. The variable ncplbnd represents the number of coupling bands. The rerriatrixing for each block is performed next. It is necessary to perform tiiis step before the exponents can be extracted. For rematrix and coupling phase flags, because their bit requirement is very low, a crude figure (based on worst case analysis) can be used. A very precise estimate of ύieir bit consumption is, however, still possible. The specification of die aforementioned International Patent Application PCT/SG97/00075, entided "Method and Apparatus for Phase Estimation in a Transform Coder for High Quality Audio ", describes means for extermination of die phase fiags. Mediods for coupling channel formation are discussed in die specification of die aforementioned International Patent Application PCT/SG97/00076 "Method and Apparatus for Estimation of Coupling Parameters in a Transform Coder for High Quality Audio ". The basic operation of me system described tiierein is presented below for reference. "Assume that the frequency domain coefficients are identified as: a„- for the first coupled channel, b„ for the second coupled channel, Cj, for the coupling channel. For each sub-band, the value ∑β, * b, is computed, index i extending over the frequency range of the sub-band. If ∑β, * b, > 0, coupling for the sub-band is performed as c, - {a, + b,)/2. Similarly, if ∑β, * b, .< 0, then coupling strategy for the sub-band is as c, = (a, - b)/2. - 19 - Adjacent sub-bands using identical coupling strategies may be grouped together to form one or more coupling bands. However, sub-bands with different coupling strategies must not be banded together, if overall coupling strategy for a band is c,= (a,+ b)/2 , ie for all sub-bands comprising the band the phase flag for the band is set to + 1, else it is set to 5 -7. " Exponent Strategy In AC-3 the exponents are used to derive close approximation of die log power spectrum density. The bit allocation algoritiim uses die log power spectrum density for allocation bits 0 to mantissa. To compute me total bits requirements for mantissas, dierefore, die exponents must be computed before the bit allocation algorithm starts. For that, die exponent strategy for coding of exponents is to be determined. Several ediods exist for determination of exponent strategy. One such metiiod is described 15 in die patent specification entitled "A Neural Network Based Method for Exponent Coding in a Transform Coder for High Quality Audio ". The algorithm described tiierein takes as input the exponent set of a channel for each audio block and generates die suitable strategy for coding of each exponent set. The basis of the system described tiierein can be expressed as follows: 0 "We define a set of exponent coding strategies {S Q , S f , S* ...}. Let strategy S 0 be defined as reuse. That is, if exponent set E t = (e v e Θ,. 2 # .... θ,,^,), uses strategy S 0 for coding then essentially no exponent is transmitted, Instead the receiver is directed to use exponents of E,. t as those of exponents E f . Next, let S, be the exponent coding strategy 25 where all exponents are differentially encoded with the constraint that the difference between any two consecutive exponents is always - 1, + 1 or 0. That is, for exponent coding strategy S,, the maximum allowed difference, L, equals +/-J. Similarly, for strategy S JJ , let the maximum allowed difference, be +/-2, and so on for S^ S*, 30 77?β inputs (E 9 E t , E ..., E^j are presented to the neural network system. The output (QQ, o„ o 2 , .... o,,.,) of tha system is the exponent strategy corresponding to each exponent set. " 20 For die case of AC-3, the generic coding strategy mentioned above needs to be slightiy modified {S 0 =Reuse, S X =D45, Sj=025, S^-DIS}. However, since the mediod is essentially based on die similarity test for exponent sets, the neural weights provided in the example of die patent can still be used in mis case. Witii die knowledge of the exponent strategy the exponent coding and decoding can easily be done. The strategy also helps determine die bits used by exponents. In AC-3 the first exponent value is always sent as an absolute value witii 4-bLt resolution. The subsequent exponents are sent as differential values. Firstly, the starting and ending frequency bins for each channel must be determined. For independent channels they are defined as: startf [block jio] [channel j o] - 0 ; //starting coefficient if (cplinu [block toj [channel Jio] && chincpl[blkjιo] [ch]) { //if coupling in use and this channel is a coupled channel βnd [blkjio] [ch] = 37 + t2*cplbegf; ) else //no coupling or not coupled { endffbfkjo] [ch] = 37 + (3* (chbwcod + 12)1; For die coupling channel ' startf [blk JIO] [ch] = 37 + 12*cplbegf and 'endffblkjtoj [ch] = 37 + 12*(cplendf+ 31'. For the lfe channel die start and end frequency are pre-defined as 0 and 7, respectively. Using this information, the number of bits for coding of exponents for every channel can be pre-computed as: For independent and coupled channels 21 exponent isagβ [blk jio] [ch] = 4 + 7*truncate ((endf [blkjio] [ch]-1)/3); //for exp. strategy D15 exponent jjsage [blk jio] [ch] - 4 + 7*truncate ((endf [blkjio] [ch]-1)/6); //for exp. strategy D25 exponent isage [blkjio] [ch] - 4 + 7*truncate ((endf [blkjio] [ch]- 1)/12); //for exp. strategy D45 For die coupling channel exponent jjsage [blkjio] [ch] = 4 + 7*truncate ((endf [blkjio] [chj-startf [blkjio] [ch))/3l; //for exp. strategy D15 exponent isage [blkjιo][ch] =4+ 7*trυncate ((endf [blkjio] [chj-startf [blkjio] [ch])/6); //for exp. strategy D25 exponent jjsage [blk jio] [ch] = 4+ 7*truncate ((endf [blk jio] [ch]- startf [blk jιo]fch})/12); //for exp. strategy D45 The lfe always uses 4+7*2 = 18 bits for the exponents. The exponent j/sage for each channel witiiin each block is added to variable bit isage to determine total bit usage. Exponent Coding and Decoding After die exponent coding strategy is deterrnined for all the audio-blocks, die exponents are coded accordingly. The coded exponents are next to be decoded so that die exact values of exponents which are seen by die decoders are used by the encoder for the bit allocation algorithm. However, if using die metiiod described in die specification of the aforementioned International Patent Application PCT/SG98/0002 "Method and Apparatus for Spectral Exponent Reshaping in a Transform Coder for High Quality Audio" , die exponents prior to encoding are processed (re-shaped) in a way such that at the end of the processing tiiey already are exacdy in the form in which after the coding (at encoder) and decoding (at ■ 22 . decoder) tiiey appear at decoder. This means, die extra effort in decoding is avoided. PSD Integration and Excitation Curve The decoded exponents are mapped into a 13-bits signed log power spectral density function. psd [blkjio] [ch] [bin] = (3072 - (exponent [blkjio] [ch] [bin] < < 7 )); [From ATSC Std.] The fine grain PSD values are integrated witiiin each of a multiplicity of l/6th octave band, using log-addition to give band-psd. From die band-psd the excitation function is computed by applying the prototype masking curve to the integrated PSD spectrum. The result of the computation is tiien offset downward in amplitude by a pre-defined factor. Raw Masking Curve The raw masking (noise level threshold) curve is computed from the excitation function, as shown below. The hearing threshold hdιQ[] is given in the ATSC standard. The otiier parameters fscod and dppbcod are predefined constants. for (bin = startf [blkjio] [ch] ; bin < endf [blkjio] [ch] ; bin + +) // all bins { if (bndpsd [blkjio] [ch] [bin] < dbkneel { excite + = (fdbknee - bndpsd [blkjio] [ch] [bin]) > > 2); } mask [blkjio] [ch] [bin] ~ max (excite [blkjio] [ch] [bin], hth [fscod] [bin]); } [From ATSC Std.] Fast Bit Allocation Using the three pieces of information, namely die PSD, raw masking curve of each channel and the total available bits for all mantissa, iteration for the bit allocation is performed. 23 It is important to note that die operation described in previous steps do not need to be repeated for die iteration phase. The raw masking curve is for each iteration modified by die values csnroffset and fsnroffset followed by some simple processing, such as table lookup. After each iteration the bits to be allocated for all mantissas is calculated. If the bit usage is more than available, the parameters csnroffset and fsnroffset are decreased. Similarly, if die bit usage is less than available, the parameters csnroffset and fsnroffset are increased appropriately. The bit allocation pointer is calculated using die routine given below. //calculation for bit allocation pointers Calculate_Baps (int blkjno, int ch, int csnroffset, int fsnroffset) { do { snroffset = ((csnroffset - 15) < < 4 + fsnroffset) < <2; mask [blkjio] [ch] [j] - = floore; if (mask [blkj o] [ch] [j] < 0) {mask [blkjio] [ch] [j] = 0;} mask (blk jio) [ch] [j] & = OxlfeO; mask [blkjio] [ch] [j] + = floor; for (k = ; min (bndtabfj] + bndszlj], endf [blkjio] [ch]); k+ +) { address = (psd [blkjio] [ch] [i] - mask [blkjio] [ch] [j]) > > 5; address = min (63, max (O.address)); bap [blkjio] [ch] [i] = quantize able [baptab [address]] ; i+ +; } } while (endf (blk IO] [ch] > bandtab [j* +]); } [partially From ATSC Std.] The bit- allocation-pointers or baps are used to determine how many bits are required for all 24 - tiie mantissas. Note diat certain mantissas in AC-3 (tiiose quantized to levels 3, 5 and 11) are grouped togedier to provide furdier compression. This is taken care of to some extent by modifying die quantize able. For example, in AC-3 tiiree level 1 mantissas are grouped togedier and stored as a 5 bit value. Thus for level 3 mantissas die quantize able reads 5/3 = 1.67 bits. For die grouping phase, if die number of mantissas of level 3 in a block is not a multiple of tiiree, the last one or two remaining mantissas are coded by considering die third as a zero. To take care of tiiis in die estimate the value of 2*(5/3) is added to die estimate of each block (see pseudo-code below). This compensates slight inaccuracy for level 3 mantissas' estimate. Similarly, for inaccuracies in estimation of level 5 and 11 mantissas, values 2*(7/3) and l*(7/2) are added to die estimate of each block, respectively. This correction can be seen in the code below. Note that the effect is that die estimate is always conservative, tiiat it may be more than actual usage but is never otiierwise. This is an important characteristic of the proposed metiiod which must be followed at all levels because if at die end of the whole processing it is found tiiat the bits used exceed die available bits, several expensive computations may have to be redone, leading to error in die timing of die system. On the other hand, unused bits detected in die end can pose no such problem as they can always be included as auxiliary bits (dummy bits). //for estimating bit usage by mantissas Estimate jnantissajjits (int csnroffset, int fsnroffset) f int mantissa isage = 0 ; for (blkjio = 0 ; blkjio < 6 ; blkjio + + //for all blocks f for (ch = 0 ; ch < no _of jhannels ; ch + +) //for all channels ( Calculate J3aps (blkjio, ch, csnroffset, fsnroffset); - 25 for (bin = startf [blkjio] [ch] ; bin < endf [blkjio] [ch] ; bin + +) //all bins { mantissa jjsage + = bap [blkjno] [ch] [bin]; //add the mantissa bins } } mantissa jjsage + = (10/3 + 14/3 + 7/2) ; //conservative estimate } return mantissa usage; } The bit usage witii die given value of csnroffset and fsnroffset is compared witii die estimated available space. If die bit usage is less than available tiien the csnroffset and fsnroffset value must be accordingly incremented, likewise if usage is more than available tiien the parameters csnroffset and fsnroffset must be accordingly decremented. According to AC-3 Standard, csnroffset can have a different value in each audio block, but is fixed witiiin die block for all channels. Fsnroffset can be different for each channel witiiin d e block. With so many variables, the computation required to finally arrive at the values diat leads to minimal signal distortion with the rnaxhnum usage of available bits can be very expensive. The recornmendation in die standard for the basic encoder is "The combination of csnroffset and fsnroffset are chosen which uses the largest number of bits without exceeding the frame size. This involves an iterative approach. " For a real time solution, it is very important diat die number iterations is minimised. An average DSP core could take from — 1 Mips (million instruction per seconds) for each iteration. Firsdy, some simplification is suggested. Since csnroffset and fsnroffset determine approximately the quality, it may not be necessary to have different values across a frame. - 26 To provide a fast convergence for a real time encoder, some reasonable simplifications are made. The simplification recommended is that the iteration be done with only one value of csnroffset and fsnroffset for all audio blocks and all channels. A linear iteration is definitely non-optimal. In AC-3 csnroffset can have values between 0 to 63. Similarly, fsnroffset is 0 to 15. This means that in the worst case 64 + 16 - 80 iterations ( — 50 Mips) may be required for convergence to the optimal value. Basically, the linear iteration is 0(ri), where n is the number of possible values. A Modified Binary Convergence Algorithm (MBCA) is therefore suggested which in the worst case guarantees convergence in 0<log-,«) time. Optimis j:snr (int availablejbits, int begin :snr, int cυrrjssnr, int endjzsnr) { used = Estimate jnantissajbits (cur csnr, 0 /*fsnr*/),' (V /^termination test */ if (currjcsnr/2*2 f^currjcsnr) //if odd (2) { if (used < = availablejbits) (3) ( return currjzsnr ; //converged to a value (4) } else { return curr csnr - 1 ; //prev. value should be o.k. (5) } } if (used < = available bits) (6) ( 27 - if (availablejbits - used < allowed wastage/*5*/) (7) { return currjcsnr ; (8) } else { return Optimise _csnr (availablejbits, currjcsnr, (9) currjcsnr + (end_csnr • cυrr_csnr)/2 , endjcsnr) ; } else //currently using more than available { return Optimisejcsnr (availablejbits, begin _csnr, (10) begin _csnr + (currjcsnr - begin _csnr)/2, currj snr) ; The algorithm is recursive in nature. First time it is called as Optimise jcsnr (availablejbits, 0, 32, 64). The function Estimate jnanϋssajjfts is called to determine die bit usage with die csnroffset = 32 and fsnroffset = 0 (1). If he used bits are less than available (6), then check if die bits wasted are less dian a threshold value (7). If yes, ignore the wastage to produce a fast convergence and therefore return the current csnroffset value as the optimal (8). If not, the new value of csnroffset to be tried with is exactly between currj:snr = 32 and endj:snr = 64, that is die next csnroffset = 48 (9). If die used bits are more an available, then the new value αf csnroffset to be tried with is exactly between begin snr * 0 and curr_csnr = 32, that is die next csnroffset = 16 (10). The convergence must end when the currjjsnr is an odd value. At this point it means that - 28 widi curr_csnr-1 bit usage by mantissas is less than available and that with curr j csnr + 7 bit usage by mantissas is more man available. If with curr csnr bit usage by mantissas is less than or equal to available the optimal value is curr_csnr (3) else with currjzsnr- 1 (5) bit usage can always be satisfied. It can be noted that if, with csnroffset = 0 the bits required by mantissas is more than available, tiien some bits from other fields (e.g. exponent field) must be made free to be able to code mantissa bits with a valid csnroffset value. This aspect also highlights die fact that if mantissa optimisation is kept as die last processing step a condition can arise in which no valid csnroffset can result in a valid compression. For example, consider a case where csnroffset = 37 is the value for which mantissa usage is optimised. The following traces dirough the above algorithm to check how it proceeds. At first it is called witii Optimise jsnr (availablejbits, 0, 32, 64). Since 37 > 32, die number of used bits will be less than die available. The function is recursively called as Optimise csnr (availablejbits, 32, 48, 64). Now witii curr csnr - 48 the available bits will be less then used. Therefore the function is again recursively called as Optimisejjsnr (availablejbits, 32, 40, 48). Again 40 > 37, therefore more bits are used than available. The function is called as Opti isejcsnr (availablejbits, 32, 36, 40). Next Optimisejcsnr (availab/e iits, 36, 37, 38). Therefore it finally converges to a value of 37. It can be easily seen that function Estimate jnantissajbits is in the worst case called 6 times. Since it is essentially binary, it should noted that log 2 64=6 is not a co-incident. Of course the same algorithm can be used for optimising the value of fsnroffset for the frame. Since fsnroffset value ranges from 0 to 15, in the worst case log 2 16=4 iterations are required. Therefore die optimization of MBCA compared to the linear iterative method is 80/(6+4) = 8 times faster. Normal Frame Processing After die values for csnroffset and fsnroffset have been obtained, die normal processing of 29 the frame continues. Block by block processing is done. The coding of fields are performed according to die table of strategies formed earlier. Coupling co-ordinates and coded exponents are generated according to die strategies devised. In each block the core bit allocation algorithm computes die bit allocation for each mantissa with the pre-defined values of csnroffset and fsnroffset and the mantissas are quantized and packed into die AC-3 stream. The foregoing detailed description of die preferred implementations of the present invention has been presented by way of example only, and is not intended to be considered limiting to the invention as defined in die appended claims.

Claims: - 30 Claims: 1. A method of processing input audio data for compression into an encoded bitstream comprising a series of fixed size frames, each of die fixed size frames having a plurality of variable size fields containing coded data of different types, the method including the steps of: receiving input data to be coded into a frame of the output bitstream; preprocessing the input data to αetermine at least one first coding parameter to be used for coding die input data into at least one of the variable size fields in die frame, wherein die value of the at least one first coding parameter affects the data space size required for the at least one variable size field; storing the at least one first coding parameter determined in the preprocessing step; allocating data space in die frame for at least one other of the variable size fields on the basis of die determined at least one first coding parameter; determining at least one second coding parameter for coding data into the at least one other variable sized field on die basis of said allocated space; and coding the input data into die variable sized fields of die frame using die first and second coding parameters. 2. A method as claimed in claim 1, wherein the frame is arranged in a plurality of data blocks, each block having die plurality of variable size fields corresponding to different coded data types. 3. A metiiod as claimed in claim 1 or 2, wherein a transform coding technique is employed such that die coded data includes exponent data and mantissa data. 4. A method as claimed in claim 3, wherein die input audio data includes a plurality of channels and the coded data includes coupling parameters relating to the plurality of channels. 5. A mediod as claimed in claim 3 or 4, wherein die at least one second coding parameter - 31 - comprises at least one parameter required for coding the mantissa data. 6. A method as claimed in claim 5, wherein the at least one first coding parameter includes an exponent strategy for coding said exponent data. 7. A metiiod as claimed in claim 5 or 6, wherein the at least one first coding parameter includes a block switch parameter indicating a transform length for the transform encoding technique. 8. A method as claimed in claim 7, wherein the block switch parameter is deterrnined according to the detection of transients in die input audio data. 9. A method as claimed in claim 5, 6 or 7, wherein the at least one first coding parameter includes a coupling strategy between multiple channels in the input audio data. 10. A metiiod as claimed in any preceding claim, wherein die input audio data is coded substantially in accordance with the AC-3 audio coding standard. 11. A method for transform encoding audio data having a plurality of channels for transmission or storage in a fixed lengdi frame of an encoded data bitstream, die frame including variable lengdi fields for encoded exponents, encoded mantissas and coupling data, the method including the steps of: obtaining input audio data for a frame; determining a transform length p rameter for the audio data; determining coupling parameters for the audio data; determining an exponent strategy for the audio data; calculating space required in the frame for the exponent and coupling data fields on the basis of the determined transform length parameter, coupling parameters and exponent strategy; calculating space available in the frame for the encoded mantissa field according to - 32 - d e calculated space required in the frame for die exponent and coupling data fields; determining a mantissa encoding parameter on die basis of die calculated available space; and encoding die audio data into exponent data, mantissa data and coupling data utilising the transform lengdi parameter, coupling parameters, exponent strategy and mantissa encoding parameter, and packing the encoded audio data into the respective fields in the frame. 12. A method as claimed in claim 11, wherein die mantissa encoding parameter is deterrnined according to an iterative bit allocation algorithm utilising a power spectral density function and a raw masking curve function for the input audio data, as well as die calculated available space. 13. A method as claimed in claim 11 or 12, wherein the audio data is encoded substantially in accordance with die AC-3 audio coding standard, and wherein two mantissa encoding parameters are determined, being csnroffset and fsnroffset. 14. A transform audio encoder for encoding audio data having a plurality of channels for transmission or storage in a fixed length frame of an encoded data bitstream, the frame including variable lengdi fields for encoded exponents, encoded mantissas and coupling data, die encoder including: an input buffer for storing input audio data for a frame; means for determining a transform length parameter, coupling parameters and an exponent strategy for the audio data; means for calculating space required in the frame for the exponent and coupling data fields on the basis of die determined transform lengdi parameter, coupling parameters and exponent strategy; means for calculating space available in the frame for the encoded mantissa field according to die calculated space required in the frame for the exponent and coupling data fields; - 33 - means for determining a mantissa encoding parameter on the basis of die calculated available space; and encoding means for encoding the audio data into exponent data, mantissa data and coupling data utilising die transform lengui parameter, coupling parameters, exponent strategy and mantissa encoding parameter, and packing the encoded audio data into the respective fields in the frame. 15. A transform audio encoder as claimed in claim 14, including a storage means for storing die transform lengdi parameter, coupling parameters, exponent strategy and mantissa encoding parameter for use by die encoding means in encoding the audio data.

Inventors: ABSAR MOHAMMED JAVED, ALVAREZ-TINOCO ANTONIO MARIO, GEORGE SAPNA, ABSAR, MOHAMMED, JAVED, ALVAREZ-TINOCO, ANTONIO, MARIO, GEORGE, SAPNA
Applicants: ABSAR MOHAMMED JAVED, ALVAREZ TINOCO ANTONIO MARIO, GEORGE SAPNA, SGS THOMSON MICROELECTRONICS A, ABSAR, MOHAMMED, JAVED, ALVAREZ-TINOCO, ANTONIO, MARIO, GEORGE, SAPNA, SGS-THOMSON MICROELECTRONICS ASIA PACIFIC (PTE) LTD.
Application year: 1998
Main classification: G10L7
IPC codes: G10L19