Method of decoding encoded speech signals

Abstract: A method for decoding encoded speech signals in which encoded speech signals are decoded by sine wave synthesis based upon the information of respective harmonics spaced apart at a pitch interval. The harmonics are obtained by transforming speech signals into the corresponding information on the frequency axis. The decoding method includes the steps of appending zero data to a data array representing the amplitude of the harmonics to produce a first array having a pre-set number of elements, appending zero data to a data array representing the phase of the harmonics to produce a second array having a pre-set number of elements, inverse orthogonal transforming the first and second arrays into the information on the time axis, and restoring the original time waveform signal of the original pitch period based upon the produced time waveform signal.

Description: This invention relates to a method for decoding encoded speech signals. More particularly, it relates to such decoding method in which it is possible to diminish the amount of arithmetic-logical operations required at the time of decoding the encoded speech signals. There are known various encoding methods for effecting signal compression by taking advantage of statistic characteristics of audio signals, inclusive of speech and audio signals, in the time domain and the frequency domain, and psychoacoustic characteristics of the human auditory system. These encoding methods may roughly be classified into encoding on the time domain, encoding on the frequency domain and analysis/synthesis encoding. High-efficiency encoding of speech signals may be achieved by multi-band excitation (MBE) coding, single-band excitation (SBE) coding, linear predictive coding (LPC) and coding by discrete cosine transform (DCT), modified DCT (MDCT) or fast Fourier transform (FFT). With the MBE coding and harmonic coding methods, among these speech coding methods, in which sine wave synthesis is utilized on the decoder side, amplitude interpolation and phase interpolation are carried out based upon data encoded at and transmitted from the encoder side, such as amplitude data and phase data of harmonics, time waveforms for harmonics, the frequency and amplitude of which are changed with lapse of time, are calculated, and the time waveforms respectively associated with the harmonics are summed to derive a synthesized waveform. Consequently, a number on the order of tens of thousands of times of sum-of-product operations (multiplying and summing operations) are required for each block as a coding unit with the use of an expensive high-speed processing circuit. This proves a hindrance in applying the encoding method to, for example, a hand-portable telephone. It is therefore a principal object of the present invention to provide a method for decoding encoded speech signals. The present invention provides a method of decoding encoded speech signals in which the encoded speech signals are decoded by sine wave synthesis based upon the information of respective harmonics spaced apart from one another at a pitch interval. These harmonics are obtained by transforming speech signals into the corresponding information on the frequency axis. The decoding method includes the steps of appending zero data to a data array representing the amplitude of the harmonics to produce a first array having a pre-set number of elements, appending zero data to a data array representing the phase of the harmonics to produce a second array having a pre-set number of elements, inverse orthogonal transforming the first and second arrays into the information on the time axis, and restoring the time waveform signal of the original pitch period based upon a produced time waveform. The encoded speech signals may be derived by processing of digitised samples of an analogue electrical signal by an acoustic to electrical transducer such as a microphone. According to the present invention, the respective harmonics of neighbouring frames are arrayed at a pre-set spacing on the frequency axis and the remaining portions of the frames are stuffed with zeros. The resulting arrays are inversely orthogonal transformed to produce time waveforms of the respective frames which are interpolated and synthesized. This allows to reduce the volume of the arithmetic operations required for decoding the encoded speech signals. With the method for decoding encoded speech signals, encoded speech signals are decoded by sine wave synthesis based upon the information of respective harmonics spaced apart from one another at a pitch interval, in which the harmonics are obtained by transforming speech signals into the corresponding information on the frequency axis. Zero data are appended to a data array representing the amplitude of the harmonics to produce a first array having a pre-set number of elements, and zero data are similarly appended to a data array representing the phase of the harmonics to produce a second array having a pre-set number of elements. These first and second arrays are inverse orthogonal transformed into the information on the time axis, and the original time waveform signal of the original pitch period is restored based upon the produced time waveform signal. This enables synthesis of the playback waveform based upon the information on the harmonics in terms of frames of different pitches with a smaller volume of the arithmetic-logical operations. Since the spectral envelopes between neighbouring frames are interpolated smoothly or steeply depending upon the degree of pitch changes between the neighbouring frames, it becomes possible to produce synthesized output waveforms suited to varying states of the frames. It should be noted that, with the conventional sine wave synthesis, amplitude interpolation and the phase or frequency interpolation are carried out for each harmonics and the time waveforms of the respective harmonics, the frequency and the amplitude of which are changed with lapse of time, are calculated in dependence upon the interpolated harmonics and the time waveforms associated with the respective harmonics are summed to produce a synthesis waveform. Thus the volume of the sum-of- product operations reaches a number of the order of several thousand steps. With the method of the present invention, the volume of the arithmetic operations may be diminished by several thousand steps. Such reduction in the volume of the processing operations has an outstanding practical merit since the synthesis represents the most critical portion in the overall processing operations. By way of an example, if the present decoding method is applied to a decoder of the multi-band excitation (MBE) encoding system, the processing capability of the decoder may be decreased by several MIPS (millions of instructions per second) as compared to a score of MIPS required with the conventional method. The invention will be further described by way of non-limitative example with reference to the accompanying drawings, in which:- Fig.1 illustrates amplitudes of harmonics on the frequency axes at different time points. Fig.2 illustrates the processing, as a step of an embodiment of the present invention, for shifting the harmonics at different time points towards left and stuffing zero in the vacant portions on the frequency axes. Figs.3A to 3D illustrate the relation between the spectral components on the frequency axes and the signal waveforms on the time axes. Fig.4 illustrates the over-sampling rate at different time points. Fig.5 illustrates a time-domain signal waveform derived on inverse orthogonal transforming spectral components at different time points. Fig.6 illustrates a waveform of a length Lp formulated based upon the time-domain signal waveform derived on inverse orthogonal transforming spectral components at different time points. Fig.7 illustrates the operation of interpolating the harmonics of the spectral envelope at time point n1 and the harmonics of the spectral envelope at time point n2. Fig.8 illustrates the operation of interpolation for re- sampling for restoration to the original sampling rate. Fig.9 illustrates an example of a windowing function for summing waveforms obtained at different time points. Fig.10 is a flow chart for illustrating the operation of the former half portion of the decoding method for speech signals embodying the present invention. Fig.11 is a flow chart for illustrating the operation of the latter half portion of the decoding method for speech signals embodying the present invention. Before proceeding to description of the decoding method for encoded speech signals embodying the present invention, an example of the conventional decoding method employing sine wave synthesis is explained. Data sent from an encoding apparatus (encoder) to a decoding apparatus (decoder) include at least the pitch specifying the distance between harmonics and the amplitude corresponding to the spectral envelope. Among the known speech encoding methods entailing sine wave synthesis on the decoder side, there are the above-mentioned multi-band excitation (MBE) encoding method and the harmonic encoding method. The MBE encoding system is now explained briefly. With the MBE encoding system, speech signals are grouped into blocks every pre-set number of samples, for example, every 256 samples, and converted into spectral components on the frequency axis by orthogonal transform, such as FFT. Simultaneously, the pitch of the speech in each block is extracted and the spectral components on the frequency axis are divided into bands at a spacing corresponding to the pitch in order to effect discrimination of the voiced sound (V) and unvoiced sound (UV) from one band to another. The V/UV discrimination information, pitch information and amplitude data of the spectral components are encoded and transmitted. If the sampling frequency on the encoder side is 8 kHz, the entire bandwidth is 3.4 kHz, with the effective frequency band being 200 to 3400 Hz. The pitch lag from the high side of the female speech to the low side of the male speech, expressed in terms of the number of samples for the pitch period, is on the order of 20 to 147. Thus the pitch frequency is fluctuated from 8000/147 ≒ 54 Hz to 8000/20 = 400 Hz. In other words, there are present about 8 to 63 pitch pulses or harmonics in a range up to 3.4 kHz on the frequency axis. Although the phase information of the harmonic components may be transmitted, this is not necessary since the phase can be determined on the decoder side by techniques such as the so- called least phase transition method or zero phase method. Fig.1 shows an example of data supplied to the decoder carrying out the sine wave synthesis. That is, Fig.1 shows a spectral envelope on the frequency axis at time points n = n 1 and n = n 2 . The time interval between the time points n 1 and n 2 in Fig.1 corresponds to a frame interval as a transmission unit for the encoded information. Amplitude data on the frequency axis, as the encoded information obtained from frame to frame, are indicated as A 11 , A 12 , A 13 , ...for time point n 1 and as A 21 , A 22 , A 23 , ...for time point n 2 . The pitch frequency at time point n = n 1 is ω 1 , while the pitch frequency at time point n = n 2 is ω 2 . It is the main processing contents at the time of decoding by usual sine wave synthesis to interpolate two groups of spectral components different in amplitude, spectral envelope, pitch or distances between harmonics, and to reproduce a time waveform from time point n 1 to time point n 2 . Specifically, in order to produce a time waveform by an arbitrary m'th harmonics, amplitude interpolation is carried out in the first place. If the number of samples in each frame interval is L, an amplitude A m (n) of the m'th harmonics or the m'th order harmonics at time point n is given by Am ( n ) = n 2 - n L A 1 m + n - n 1 L A 2 m , n 1 ∋ n ≺ n 2 If, for calculating the phase  m (n) of the m'th harmonics at the time point n , this time point n is set so as to be at the n 0 'th sample counted from the time point n 1 , that is n - n 1 = n 0 , the following equation (2) holds:  m ( n ) = m ·ω 1 · n 0 + n 2 0 2 L m (ω 2 -ω 1 ) +  1 m In the equation (2),  1m is the initial phase of the m'th harmonics for n = n 1 , whereas ω 1 and ω 2 are basic angular frequencies of the pitch at n = n 1 and n = n 2 , respectively and correspond to 2π/pitch lag. m and L denote the number of the harmonics and the number of samples in each frame interval, respectively. This equation (2) is derived from with the frequency ω m (k) of the m'th harmonics being ω m ( k ) = ( n 2 - k )ω 1 m / L + ( k - n 1 )ω 2 m / L , where n 1 ≤ k < n 2 If, using the equations (1) and (2), the equation (3) W m ( n ) = A m ( n ) cos ( m ( n )) is set, this represents the time waveform W m (n) for the m'th harmonics. If we take the sum of time waveforms for all of the harmonics, we obtain the ultimate synthesized waveform V(n). The above is the conventional decoding method by routine sine wave synthesis. If, with the above method, the number of samples for each frame interval L is e.g., 160, and the maximum number m of harmonics is 64, about five sum-of-product operations are required for calculations of the equations (1) and (2), so that approximately 160 x 64 x 5 = 51200 times of the sum-of-product operations are required for each frame. The present invention envisages to diminish the enormous volume of the sum-of-product operations. In their paper "Computationally Efficient Sine-Wave Synthesis and its Application to Sinusoidal Coding", IEEE Speech Processing 1988, pp. 370-373, Mc Aulay et. al. proposed the use of the FFT-overlap-add method at a 100Hz rate, but based on sine-wave parameters coded at a 50 Hz rate and thus saving half of the computational overhead. The method for decoding the encoded speech signals according to the present invention is now explained. What should be considered in preparing the time waveform from the spectral information data by the inverse fast Fourier transform (IFFT) is that, if a series of amplitudes A 11 , A 12 , A 13 , ... for n = n 1 and a series of amplitudes A 21 , A 22 , A 23 , ... for n = n 2 are simply deemed to be spectral data and reverted by IFFT to time waveform data which is processed by overlap-and-add (OLA), there is no possibility of the pitch frequency being changed from mω 1 to mω 2 . For example, if the waveform of 100 Hz and a waveform of 110 Hz are overlapped and added, a waveform of 105 Hz cannot be produced. On the other hand, A m (n) shown in the equation (1) cannot be derived by interpolation by OLA because of the difference in frequency. Consequently, the series of amplitudes are correctly interpolated and subsequently the pitch is caused to be changed smoothly from mω 1 to mω 2 . However, it makes no sense to find the amplitude A m by interpolation from one harmonics to another as conventionally since the effect of diminishing the volume of the arithmetic operations cannot be achieved. Thus it is desirable to calculate the amplitude A m at a time by IFFT and OLA. On the other hand, the signal of the same frequency component can be interpolated before IFFT or after IFFT with the same results. That is, if the frequency remains the same, the amplitude can be completely interpolated by IFFT and OLA. In this consideration, the m'th harmonics at time n = n 1 and n = n 2 in the present embodiment are configured to have the same frequency. Specifically, the spectral components of Fig.1 are converted into those shown in Fig.2 or deemed to be as shown in Fig.2. That is, referring to Fig.2, the distance between neighbouring harmonics in each time point is the same and set to 1. There is no valley nor zero between neighbouring harmonics and the amplitude data of the harmonics are stuffed beginning from the left side on the abscissa. If the number of samples for the pitch lag, that is the pitch period, at n = n 1 , is l 1 , l 1 /2 harmonics are present from 0 to π , so that the spectrum represents an array having l 1 /2 elements. If the number l 1 /2 is not an integer, the fractional number is rounded down. In order to provide an array made up of a pre-set number of elements, e.g., 2 N elements, the vacated portion is stuffed with 0s. On the other hand, if the pitch lag at n = n 2 is l 2 , there results an array representing a spectral envelope having l 2 /2 elements. This array is converted by zero stuffing in a similar manner to give an array a f2 [i] having 2 N elements. Consequently, an array a f1 [i], where 0 ≤ i < 2 N for n = n 1 and an array a f2 [i], where 0 ≤ i < 2 N for n = n 2 , are produced. As for the phase, phase values at the frequencies where the harmonics exist are stuffed in a similar manner, beginning from the left side, and the vacated portion is stuffed with zero, to give arrays each composed of a pre-set number 2 N of elements. These arrays are p f1 [i], where 0 ≤ i < 2 N for n = n 1 and p f2 [i], where 0 ≤ i < 2 N for n = n 2 . The phase values of the respective harmonics are those transmitted or formulated with in the decoder. If N = 6, the pre-set number of elements 2 N is 2 6 = 64. Using a set of the arrays of the amplitude data afl[i], af2[i] and the arrays of the phase data pf1[i], pf2[i], inverse FFT (IFFT) at time points n = n 1 and n = n 2 is carried out. The IFFT points are 2 N+1 and, for n = n 1 , 2 N+1 complex conjugate data are produced from each 2 N -element arrays a f1 [i], p f1 [i] and processed by IFFT. The results of IFFT are 2 N+1 real- number data. The 2 N point IFFT may also be carried out by a method of diminishing the arithmetic operations of IFFT for producing a sequence of real numbers. The produced waveforms are denoted a t1 [j], a t2 [j], where 0 ≤ j < 2 N+1 . These waveforms a t1 [j], a t2 [j] represent, from the spectral data at n = n 1 and n = n 2 , the waveforms for one pitch period by 2 N+1 points, without regard to the original pitch period. That is, the one-pitch waveform, which should inherently be expressed by the l 1 or l 2 points, is over-sampled and represented at all times by 2 N+1 points. In other words, one- pitch waveform of a pre-set constant pitch is produced without regard to the actual pitch. Referring to Figs.3A 1 to 3D, explanation is given for the case for N = 6, that is, for 2 N = 2 6 = 64 and 2 N+1 = 2 7 = 128, with l 1 = 30, that is for l 1 /2 = 15. Fig.3A 1 shows inherent spectral envelope data accorded to the decoder. There are 15 harmonics in a range of from 0 to π on the abscissa (frequency axis). However, if the data at the valleys between the harmonics are included, there are 64 elements on the frequency axis. The IFFT processing gives a 128-point time waveform signal formed by repetition of waveforms of the pitch lag of 30, as shown in Fig.3A 2 . In Fig.3B 1 , 15 harmonics are arrayed on the frequency axis by stuffing towards the left side as shown. These 15 spectral data are IDFTed to give 1-pitch lag time waveform of 30-samples, as shown in Fig.3B 2 . On the other hand, if the 15 harmonics amplitude data are arrayed by stuffing towards left as shown in Fig.3C 1 , and the remaining (64-15) = 49 points are stuffed with zeros, to give a total of 64 elements, which are IFFTed, there results a time waveform signal of sample data of 128 points for one pitch period, as shown in Fig.3C 2 . If the waveform of Fig.3C 2 is drawn with the same sample interval as that of Figs.3A 2 and 3B, a waveform shown in Fig.3D is produced. These data arrays a t1 [j] and a t2 [j], representing the time waveforms, are of the same pitch frequency, and hence allow for interpolation of the spectral envelope by overlap-and-add of the time waveform. For ¦((ω 2 - ω 1 )/ω 2 ¦ ≤ 0.1, the spectral envelope is interpolated smoothly and, if otherwise, that is if ¦(ω 2 - ω 1 )/ω 2 ¦ > 0.1, the spectral envelope is interpolated acutely. Meanwhile, ω 1 , ω 2 stand for pitch frequencies for the frames for time points n 1 , n 2 , respectively. The smooth interpolation for ¦(ω 2 - ω 1 )/ω 2 ¦ ≤ 0.1 is now explained. The required length (time) of the waveform after over- sampling is first found. If the over-sampling rates for time points n = n 1 and n = n 2 are denoted ovsr 1 and ovsr 2 , respectively, the following equation (7) holds: ovsr 1 = 2 N +1 / l 1 ovsr 2 = 2 N +1 / l 2 This is shown in Fig.4 in which L denotes the number of samples for a frame interval. By way of an example, L = 160. It is assumed that the over-sampling rate is changed linearly from time n = n 1 until time n = n 2 . If the over-sampling rate, which is changed with lapse of time, is expressed as ovsr(t), as a function of time t , the waveform length L p after over-sampling, corresponding to the pre- over-sampling length L, is given by That is, the waveform length Lp is a mean over-sampling rate (ovsr 1 + ovsr 2 )/2 multiplied by the frame length L. The length Lp is expressed as an integer by rounding down or rounding off. Then, a waveform having a length L p is produced from a t1 [i] and a t2 [i]. From a t1 [i], the waveform having the length L p is produced by ã t 1 [ i ] = a t 1 [mod (( offset' + i ), 2 N +1 )] offset' = 2 N 0≤ i < L p wherein mod(A, B) denotes a remainder resulting from division of A by B. The waveform having the length L p is produced by repeatedly using the waveform a t1 [i]. Similarly, from a t2 [i], the waveform having the length L p is calculated by ã t 2 [ i ] = a t 2 [mod (( offset + i ), 2 N +1 )] offset = 2 N +1 - mod (( L p - offset' ), 2 N +1 ), 0≤ i < L p Fig.5 illustrates the operation of interpolation. Since phase adjustment is made so that the centre points of the waveforms a t1 [i] and a t2 [i] each having the length 2 N+1 are located at n = n 1 and n = n 2 , it is necessary to set an offset value offset' to 2 N . If this offset value offset' is set to 0, the leading ends of the waveforms a t1 [i] and a t2 [i] will be located at n = n 1 and n = n 2 . In Fig.6, a waveform a and a waveform b are shown as illustrative examples of the above-mentioned equations (9) and (10), respectively. The waveforms of the equations (9) and (10) are interpolated. For example, the waveform of the equation (9) is multiplied by a windowing function which is 1 at time n = n 1 and linearly decayed with lapse of time until becoming zero at n = n 2 . On the other hand, the waveform of the equation (10) is multiplied by a windowing function which is 0 at time n = n 1 and linearly increased with lapse of time until becoming 1 at n = n 2 . The windowed waveforms are added together. The result of interpolation a ip [i] is given by a ip [ i ] = ã t 1 [ i ] L p - i L p + ã t 2 [ i ] i L p , 0≤ i < L p The pitch-synchronized interpolation of the spectral envelopes is achieved in this manner. This is equivalent to interpolating the respective harmonics of the spectral envelopes at time n = n 1 and the respective harmonics of the spectral envelopes at time n = n 2 . The waveform is reverted to the original sampling rate and to the original pitch frequency. This achieves the pitch interpolation simultaneously. The over-sampling rate is set to ovsr ( i ) = ovsr 1 L - i L + ovsr 2 i I , 0≤ i < I Then, idx(n) is defined by idx ( n ) = 0, n = 0 In place of definition of the equation (12), idx(n) may also be defined by or Although the definition of the equation (14) is most strict, the above-given equation (12) practically is sufficient. Meanwhile, idx(n), 0 ≤ n < L denotes with which index distance the over-sampled waveform a ip [i], 0 ≤ i < L P should be re-sampled for reversion to the original sampling rate. That is, mapping from 0 ≤ n < L to 0 ≤ i < L p is carried out. Thus, if idx(n) is an integer, the waveform a out (n) may be found by a out [n] = a ip [idx(n)], o ≤ n < L However, idx(n) is usually not an integer. The method for calculating a out [n] by linear interpolation is now explained. It should be noted that the interpolation of higher order may also be employed. a out [n] = a ip [┌ idx(n) ┐] X {idx(n) - └idx(n)┘} X a ip [└idx(n)┘] X {┌idx(n)┐ - idx(n) } 0 < n < l for (┌idx(n)┐ ≠ └idx(n)┘) where ┌x┐ is a maximum integer not exceeding x and └x┘ is the minimum integer not lower than x. This method effects weighting depending on the ratio of internal division of a line segment, as shown in Fig.8. If idx(n) is an integer, the above-mentioned equation (15) may be employed. This gives a out [n], that is a waveform desired to be found (0 ≤ n < L). The above is the explanation of smooth interpolation of the spectral envelope for ¦(ω 2 -ω 1 )/ω 2 ¦ ≤ 0.1. If otherwise, that is . ¦(ω 2 -ω 1 )/ω 2 ¦ > 0.1, the spectral envelope is interpolated acutely. The spectral envelope interpolation for ¦(ω 2 -ω 1 )/ω 2 ¦ > 0.1 is now explained. In such case, only the spectral envelope is interpolated, without interpolating the pitch. The over-sampling rates ovsr 1 , ovsr 2 are defined in association with respective pitches, as in the above equation (7). ovsr 1 = 2 N+1 / l 1 ovsr 2 = 2 N+1 / l 2 The lengths of the waveforms after over-sampling, associated with these rates, are denoted L 1 , L 2 . Then, L 1 = L ovsr 1 L 2 = L ovsr 2 Since the pitch is not interpolated, and hence the over-sampling rates ovsr 1 , ovsr 2 are not changed, the integration as shown by the equation (8) is not carried out, but multiplication suffices. In this case, the result is turned into an integer by rounding up or rounding off. Then, from the waveforms a t1 , a t2 , the waveforms of lengths L 1 , L 2 are produced, as in the above-mentioned equation (9). ã t1 [ i ] = a t1 [mod(( offset' + i ), 2 N +1 )] offset' = 2 N 0 ∋i≺L 1 ã t2 [ i ] = a t2 [mod(( offset + i ), 2 N +1 )] offset = 2 N +1 - mod(( L 2 - offset' ), 2 N +1 ), 0∋ i ≺ L 2 The equations (19), (20) are re-sampled at different sampling rates. Although windowing and re-sampling may be carried out in this order, re-sampling is carried out first for reversion to the original sampling frequency fs, after which windowing and overlap-add (OLA) are carried out. For the waveforms of the equations (19), (20), indices idx 1 (n), idx 2 (n) for re-sampling the waveforms are respectively found by idx 1 (n) = n ovsr 1 , 0 ≤ idx 1 (n) < L1 idx 2 (n) = n ovsr 2 , 0 ≤ idx 2 (n) < L2 Then, from the above equation (21), the equation (23) a 1 [n] = ã t1 [┌idx 1 (n)┐] x {idx 1 (n) - └idx 1 (n)┘} +ã t1 [└idx 1 (n)┘] x {┌idx 1 (n)┐ -idx 1 (n)} (when ┌idx 1 (n)┐ ≠ └idx 1 (n)┘) a 1 [n] = ã t1 [idx 1 (n)] (when ┌idx 1 (n)┐ = └idx 1 (n)┘) 0≤n<L is found, whereas, from the equation (22), the equation (24) a 2 [n] = ã t2 [┌idx 2 (n)┐] x {idx 2 (n) - └idx 2 (n)┘} +ã t2 [└idx 2 (n)┘] x {┌idx 2 (n) - idx 2 (n)┐} (when ┌idx 2 (n)┐ ≠ └idx 2 (n)┘) a 2 [n] = ã t2 [idx 2 (n)] (when ┌idx 2 (n)┐ = └idx 2 (n)┘) 0≤n<L is found. The waveforms a 1 [n] and a 2 [n], where 0 ≤ n < L, are waveforms reverted to the original waveform, with its length being L. These two waveforms are suitably windowed and added. For example, the waveform a 1 [n] is multiplied with a window function Win[n] as shown in Fig.9A, while the waveform a 2 [n] is multiplied with a window function 1-W in [n] as shown in Fig.9B. The two windowed waveforms are then added together. That is, if the ultimate output is a out [n], it is found by the equation a out [n] = a 1 [n]W in [n] + a 2 [n] (i-W in [n]) For L = 160, examples of the window function W in [n} include W in [n] = 1, 0 ≤ n < 50, W in [n] = (110-n)/60, 50≤ n < 110, and W in [n] = 0, 110 ≤ n < 160. The above is the explanation of the method for synthesis with pitch interpolation and of that without pitch interpolation. Such synthesis may be employed for synthesis of voiced portions on the decoder side with multi-band excitation (MBE) coding. This may be directly employed for a sole voiced (V)/unvoiced (UV) transient or for synthesis of the voiced (V) portion in case V and UV co-exist. In such case, the magnitude of the harmonics of the unvoiced sound (UV) may be set to zero. The operation during synthesis are summarized in the flow charts of Figs.10 and 11. The flow charts illustrate the state in which the processing at n = n 2 comes to a close and attention is directed to the processing at n = n 2 . At the first step S11 of Fig.10, an array A f2 [i] specifying the amplitude of the harmonics and an array P f2 [i] specifying the phase at time n = n 2 obtained by the decoder are defined. M 2 specifies the maximum number of order of the harmonics at time n 2 . At the next step S12, these arrays A f2 [i] and P f2 [i] are stuffed towards left, and 0s are stuffed in the vacated portions in order to prepare arrays each having a fixed length 2 N . These arrays are defined as a f2 [i] and f f2 [i]. At the next step S13, the arrays a f2 [i] and f f2 [i] of the fixed length 2 N are inverse FFTed at 2 N+1 points. The result is set to a t2 [j]. At step S14, the result a t1 [j] of the directly previous frame is taken and, at the next step S15, the decision as to continuous/non-continuous synthesis is given based upon the pitch at time points n = n 1 and n = n 2 . If decision is given for continuous synthesis, the program transfers to step S16. Conversely, if decision is given for non-continuous synthesis, the program transfers to step S20. At step S16, the required length Lp of the waveform is calculated from the pitch at time points n = n 1 and n = n 2 , in accordance with the equation (8). The program then transfers to step S17 where the waveforms a t1 [j] and a t2 [j] are repeatedly employed in order to procure the necessary length L p of the waveform. This corresponds to the calculations of the equations (9) and (10). The waveforms of the length L p are multiplied with a linearly decaying triangular window function and a linearly increasing triangular function and the resulting Windowed waveforms are added together to produce a spectral interpolated waveform a ip [n], as indicated by the equation (11). At the next step S19, the waveform a ip [i] is re-sampled and linearly interpolated in order to produce the ultimate output waveform a out [n] in accordance with the equation (16). If the decision is given for non-continuous synthesis at step S15, the program transfers to step S20 in order to select the required lengths L 1 , L 2 of the waveforms from the pitches at the time points n = n 1 and n = n 2 . The program then transfers to the next step S21 where the waveforms a t1 [j] and a t2 [j] are repeatedly employed in order to procure the necessary waveform lengths L 1 , L2. This corresponds to calculations of the equations (19), (20). With the above-described decoding method for encoded speech signals of the illustrated embodiment, the volume of the sum-of- product processing operations by the inverse FFT for N = 6, 2 N = 64 and 2 N+1 = 128, is approximately 64 x 7 x 7. This can be found by setting x = 128 since the volume of the sum-of-product processing operations for x-point complex data by IFFT is approximately (x/2) logx x 7. On the other hand, the volume of the sum-of-product processing operations required for calculating the equations (11), (12), (16), (19), (20), (23) and (24) is 160 x 12. The sum of these volumes of the processing operations, required for decoding, is of the order of 5056. This accounts for about less than one-tenth of the volume of the sum-of-product processing operations required for the above-described conventional decoding method, which is of the order of approximately 51200, thus enabling the processing volume for the decoding operation to be diminished significantly. That is, with the conventional sine wave synthesis, the amplitude and the phase or the frequency of each harmonics are interpolated, and the time waveforms for each harmonics, the frequency and the amplitude of which are changed with lapse of time, are calculated on the basis of the interpolated parameters. A number of such time waveforms equal to the number of the harmonics are summed together to produce a synthesized waveform. Thus the volume of the sum-of-product processing operations is on the order of tens of thousand steps per frame. With the method of the illustrated embodiment, the volume of the processing operations may be diminished to several thousand steps. The practical merit accrued from the reduction in the volume of the processing operations is outstanding because the synthesis represents the most critical portion in the waveform analysis synthesis system employing the multi-band excitation (MBE) system. Specifically, if the decoding method of the present invention is applied to e.g., MBE, the processing capability as a whole of several MIPS is required in the conventional system, while it can be reduced to slightly less than 1 MIPS with the illustrated embodiment. The present invention is not limited to the above-described illustrative embodiments. For example, the decoding method according to the present invention is not limited to a decoder for a speech analysis/synthesis method employing multi-band excitation, but may be applied to a variety of other speech analysis/synthesis methods in which sine wave synthesis is employed for a voiced speech portion or in which the unvoiced speech portion is synthesized based upon noise signals. The present invention finds application not only in signal transmission or signal recording/reproduction but also in pitch conversion, speed conversion, regular speech synthesis or noise suppression.

Claims: A method for decoding encoded speech signals in which the encoded speech signals are decoded by sine wave synthesis based upon the information of respective harmonics spaced apart from one another at a pitch interval, said harmonics being obtained by transforming speech signals into the corresponding information on the frequency axis, comprising the steps of: appending zero data to a data array representing the amplitude of said harmonics to produce a first array having a pre-set number of elements; appending zero data to a data array representing the phase of said harmonics to produce a second array having a pre-set number of elements; inverse orthogonal transforming said first and second arrays into the information on the time axis; and restoring the time waveform signal of the original pitch period based upon a produced time waveform. The method for decoding encoded speech signals as claimed in claim 1, wherein two neighbouring frames of the time waveform produced on inverse orthogonal transforming the first array into the information on the time axis are repeatedly used in order to procure a required length of a time waveform of the neighbouring frames, the time waveform of the neighbouring frames now having the required waveform length and being processed with pre-set Windowing and subsequently overlap-added to produce an overlap-added waveform which is interpolated in dependence upon the original pitch period to output a time waveform signal of a pre-set sampling rate. The method for decoding encoded speech signals as claimed in claim 2, wherein if the change in the pitch between the neighbouring frames is small, the spectral envelope is interpolated smoothly, whereas, if otherwise, that is if the change in the pitch between the neighbouring frames is not small, the spectral envelope is interpolated acutely. The method for decoding encoded speech signals as claimed in claim 3, wherein if the change in the pitch between the neighbouring frames is small, both the pitch and the spectral envelope are interpolated, whereas, if otherwise, that is if the change in the pitch between the neighbouring frames is not small, only the spectral envelope is interpolated. The method for decoding encoded speech signals as claimed in claim 3, wherein with the pitch frequencies for frames for time points n 1 , n 2 of ω 1 , ω 2 , the spectral envelope is interpolated smoothly and steeply if ¦(ω 2 -ω 1 )/ω 2 ¦ ≤ 0.1 and if ¦(ω 2 -ω 1 )/ω 2 ¦ > 0.1, respectively. The method for decoding encoded speech signals as claimed in any one of claims 1 to 5, wherein two neighbouring frames of the time waveform produced on inverse orthogonal transforming the first array into the information on the time axis are repeatedly used in order to procure a required length, the time waveform of the neighbouring frames having the required length and being re-sampled in dependence upon respective pitch periods and the re-sampled time waveforms being Windowed in a pre-set manner and overlap-added to produce an output waveform. The method for decoding encoded speech signals as claimed in any one of claims 1 to 6, applied to sine wave synthesis in the speech analysis/synthesis employing multi-band excitation. Apparatus for decoding encoded speech signals in which the encoded speech signals are decoded by sine wave synthesis based upon the information of respective harmonics spaced apart from one another at a pitch interval, said harmonics being obtained by transforming speech signals into the corresponding information on the frequency axis, the apparatus comprising: means for appending zero data to a data array representing the amplitude of said harmonics to produce a first array having a pre-set number of elements; means for appending zero data to a data array representing the phase of said harmonics to produce a second array having a pre-set number of elements; means for inverse orthogonal transforming said first and second arrays into the information on the time axis; and means for restoring the time waveform signal of the original pitch period based upon a produced time waveform and outputting the restored time waveform signal. A communication apparatus incorporating apparatus according to claim 8.

Inventors: MATSUMOTO JUN, SHIGUCHI MASAYUKI, MATSUMOTO, JUN, SHIGUCHI, MASAYUKI, MATSUMOTO, JUN, C/O SONY CORPORATION, Shiguchi, Masayuki, c/o Sony Corporation
Applicants: SONY CORP, SONY CORPORATION
Application year: 1995
Main classification: G10L19
IPC codes: G10L19, G10L21, G10L13