ELECTRONIC MUSICAL INSTRUMENT

Abstract: In an electronic musical instrument, for example, an electronic keyboard instrument, an electronic drum apparatus, a rhythm machine, an automatic performing apparatus or an automatic accompanying apparatus, a later second musical tone which is assigned to a musical tone-generating channel and an earlier musical tone of the same pitch which has been already assigned to the musical tone-generating channel are generated in a superposed manner. The change in volume is reproduced in a manner that the generated volume of either the first or the second musical tones of the same pitch, whichever is generated preferentially, is absorbed into the generated volume of the other musical tone. Also, the change in volume generated by the second musical tone due to decay is reproduced by changing the volume generated by the first musical tone.

Description: The present invention relates to an electronic musical instrument, for example, an electronic keyboard instrument, an electronic drum apparatus, a rhythm machine, an automatically performing apparatus, an automatically accompanying apparatus or the like. The invention is concerned with a processing technique in the case where the same note is repeated in a superposed manner, that is, the second or later note is struck before the first note has decayed. In the playing of one known electronic musical instrument, where a second musical tone to be generated is initiated by striking a key so that the second musical tone is superposed on a first (same) musical tone which has been already assigned to a musical tone-generating channel as a result of previously striking the same key, the processing has hitherto been performed in such a way that the second musical tone is simply assigned to a musical tone-generating channel different from the musical tone-generating channel to which the first musical tone was assigned. Also, in a second known electronic musical instrument, the processing has been further performed in that, following the processing as described above, generation of the first musical tone decays quickly when generation of the second musical tone is started. In musical instruments of the kind in which each note decays or dies away, each tone is generated by striking a tone-generating body (string, diaphragm or the like). Accordingly, when the tone-generating body which has generated a musical tone generates the same musical tone again in a superposed manner, the previously generated tone is weakened when the tone-generating body is struck again and a newly generated tone is added. Taking the piano for an example, where successive strikes are made so as to superpose the same musical tone, a string which is still vibrating following the previous key-depression, is struck again by a hammer, the vibration caused by the previous key-depression is partially damped by contact with the hammer, and energy generated by the new key-depression is added. However, in the first known electronic musical instrument described above, the generated volume is increased when the same note is struck a second time before the tone from the previous strike has died away. This represents an unrealistic reproduction or poor simulation of the real instrument. This shortcoming is largely overcome by the second known electronic musical instrument described above but leads to another problem in that the tone is quickly weakened when the second musical tone superposed on the first musical tone has a small generated volume (amplitude) as compared with the earlier struck first tone. An object of the present invention is to eliminate such problems and provide an electronic musical instrument wherein the generated volume does not increase unwantedly or decrease suddenly and the two musical tones are slurred together naturally without giving a sense of incongruity when the same musical note is repeated in a manner such that the respective tones are superposed. Another object of the present invention is to provide an electronic musical instrument capable of performing a high-fidelity simulation of the generated volume in the case where the same musical tones are generated in a superposed manner. An electronic musical instrument in accordance with one aspect of the present invention has musical tone-generating channels and comprises:- first detecting means for detecting whether or not a later second musical tone to be generated and which is assigned to one of said musical tone-generating channels and an earlier first musical tone which has been arleady assigned to one of said musical tone-generating channels are of the same tone, second detecting means for detecting the volume of said second musical tone or a value equivalent to such volume and for detecting the volume of said first musical tone when said second musical tone is to be generated, or a value equivalent to such volume, calculating means which calculates a composite volume or a value equivalent to such composite volume, from said volume of said second musical tone and said volume of said first musical tone or on values equivalent to such volume, changing means responsive to said first detecting means detecting that said first and second musical tones are of the same tone, for changing the volume of the musical tone-generating channel to which either said first musical tone or said second musical tone, whichever is generated preferentially, is assigned or has been assigned, or for changing a value equivalent to such volume, to said composite volume or to said value equivalent to the composite volume, and releasing means for freeing that musical tone-generating channel to which the other of said musical tones, whichever is generated non-preferantially, is assigned or has been assigned. Accordingly, a generated volume of either the second or the first same musical tone which is generated preferentially is changed to the composite generated volume, and a change in volume is reproduced in such a manner that a generated volume of the musical tone not generated preferentially is absorbed into the generated volume of the musical tone generated preferentially. The detecting means may be a detecting means for detecting the incipient volume of the second musical tone (or the value equivalent to that incipient volume) and the generated volume of the first musical tone at the instant at which the second musical tone would be generated (or the value equivalent to that generated volume), based on a constituent tone mainly providing a continuing portion of the first and second musical tones, to be generated to give a feeling of volume. The changing means may be a changing means for changing an envelope of either the second or the first musical tone, whichever is generated preferentially, and thereby changes the generated volume of the musical tone generated preferentially (or the value equivalent to that generated volume) to the composite generated volume (or the value equivalent to the composite generated volume). An electronic musical instrument in accordance with another aspect of the invention has musical tone-generating channels and comprises, first detecting means for detecting whether or not a later second musical tone and which is assigned to one of said musical tone-generating channels to be generated, and an earlier first musical tone which has been already assigned to another of said musical tone-generating channels are of the same tone, second detecting means for detecting the volume of said first musical tone when said second musical tone is to be generated or a value equivalent to such volume, calculating means for calculating an ongoing volume or a value equivalent to such ongoing volume, based on said volume or said value equivalent to such volume, said ongoing volume WEL being given by the following equation:- WEL = KD x WOL where KD is a factor providing a reduced volume for said first musical tone when said second musical tone is generated, and WOL is said volume of said first musical tone or said value equivalent to such volume, and changing means responsive to said first detecting means detecting that said second and first musical tones are of the same tone, for changing the volume of said first musical tone generated by said another of said musical tone-generating channels to said ongoing volume WEL or to said value equivalent to the ongoing volume WEL. Accordingly, the generated volume of the first musical tone is changed and the change in volume caused by decay of the second musical tone is reproduced. The second detecting means may be a detecting means for detecting the volume of the first musical tone (or the value equivalent to that generated volume), based on a constituent tone mainly providing a continuing portion of the first musical tone, to give a feeling of volume. The changing means may be a changing means for changing an envelope of the first or previous musical tone, and thereby the volume of the first musical tone (or the value equivalent to that volume) to the remainder volume (or the value equivalent to that remainder volume). The electronic musical instrument may be an electronic keyboard musical instrument, an electronic drum apparatus, a rhythm machine, an automatically performing apparatus, or an automatically accompanying apparatus. The invention is further described, by way of example, with reference to the accompanying drawings, in which:- Fig. 1 is a block schematic diagram of part of an electronic musical instrument to which preferred embodiments of the invention are applied, Fig. 2 is a schematic block diagram of a first embodiment of an electronic musical instrument in accordance with the invention, Fig. 3 is a flow-chart illustrating the basic problem of programs executed by a microcomputer of the embodiment of Fig. 2, Fig. 4 is a touch-response data-attack level conversion graph relating to the embodiment of Fig. 2, Figs. 5 and 6 are flow-charts illustrating a detecting routine of consecutive strikes and a changing routine of an envelope, which are routines executed by the microcomputer, respectively, Figs. 7 and 8 are waveform graphs showing musical tone envelopes which have been processed based on the flow-charts in Fig. 3, Fig. 5 and Fig.6, respectively, Figs. 9 and 10 show various changed examples of Fig.8, Figs. 11 and 12 are envelope waveform graphs relating to the embodiment of Fig.2, Fig. 13 is an envelope waveform graph showing envelopes of a first constituent tone A, a second constituent tone B1 and a second constituent tone B2, relating to modified examples of the embodiment of Fig.2, Figs. 14 and 15 are waveform graphs showing musical tone envelopes corresponding to Fig.7 and to Fig.8 of the embodiment relating to the modified examples, respectively, Fig.16 is a flow-chart of a detecting routine of consecutive strikes of a second embodiment of an electronic musical instrument in accordance with the invention, Fig.17 is a flow-chart of a changing routine of an envelope of the embodiment of Fig.16, and Figs. 18 and 19 are an envelope waveform graph of a first constituent tone A' and a second constituent tone B' in a modified example of the embodiment of Fig.16 and a touch response data-attack level conversion graph corresponding to Fig.4 of the embodiment of Fig.2, respectively. The electronic musical instrument to which the invention may be applied comprises a decaying tone system (a percussive system) and may, for example, be an electronic pianoforte, an electronic harpsichord or an electronic clavicord. In the embodiment of Fig.2, which is based on key-press operation (key depression) or key-off operation (key release) of each key on a keyboard 20 comprising a plurality of keys of corresponding pitches for musical notes to be produced, a key operation-detecting circuit 22 under control of a microcomputer 21, detects an operated key. The detecting circuit 82 further detects the key-pressed state or the key-off state, and stores pitch information denoting the pitch of the operated key and key-press/off information representing the key-pressed/off states, in a built-in buffer. Under the control of the microcomputer 21, the stored information is supplied to the microcomputer 21 through a bus 23 as key code data BKYC, a key state flag BKYS and a total number KEN of changed keys showing the number of keys changed during the storing period. Similarly, the speed of key-depression, the strength of key touch on depression of a key and the like based on key operation are detected by a touch response-detecting circuit 24, and are stored in a buffer built in the touch response-detecting circuit 24 as touch response information. Under control of the microcomputer 21, the stored data are supplied to the microcomputer 21 through the bus 23 as touch response data BKTD corresponding to the data BKYC,BKYS and the like. Furthermore, the state of operation of a group of manually operable members 25 which changes or adjusts the tone quality or characteristics, for example, to that of a piano, that of a harpsichord, the volume (power level) and the like are detected by a manually operable member-detecting circuit 26 and are supplied to the microcomputer 21 as manually operable member data MNPh. Also, the operation of a group of pedals 27, comprising a damper pedals which extend the decay time by inhibiting damping and sostenuto pedals which inhibit damping while a key is pressed and a sostenuto pedal is depressed and which provides for quickly decay of the musical tone through damping upon release of the sostenuto pedal after releasing the key, is detected by a pedal-detecting circuit 28. A damper state flag FCDS and a sostenuto state flag are supplied to the microcomputer 21. The manually operable member data MNPh and the damper state flag FCDS and the like represent the states of the manually operable members and the states of the pedals at the instant of supply to the microcomputer 21. Also, the key code BKYC, key state flag BKYS and touch response data BKTD constitute key data BKYD. A detailed description of the sostenuto state flag and the processing relating thereto and the like is left to the known references and the like, and is omitted for simplification. The microcomputer 21 comprises a central processing unit (CPU) 21A for executing predetermined programs, a read only memory (ROM) 21B for storing the programs, a random access memory (RAM) 21C as a working memory for executing the programs and as various registers assigned for storing the manually operable member data MNPh, damper state flag FCDS, key data BKYD and the like, and a timer circuit 21D for measuring time in the programs. Then, in the present embodiment, by executing the programs through the manually operable member data MNPh, damper state flag FCDS, key data BKYD and the like, a musical tone-generating circuit 29 having thirtytwo musical tone-generating channels is controlled to generate a desired musical tone by means of a predetermined assigned musical tone-generating channel. Musical notes are emitted from a speaker 31 through an amplifier 30. In the present embodiment, it is assumed that a musical tone, like a piano tone, consists of (a) a first constituent tone A which mainly constitues an initial portion (so-called attack part A and decay part D in the ADSR representation) which consists of a hammer tone, and a string-strike having a large quantity of harmonic components immediately after key-depression, and (b) a second constituent tone B which mainly constitutes a continuing portion (a sustaining part S and a release part R) following the initial portion and which consists of a string tone having a small quantity of harmonic components and a small quantity of changes in the tone quality to give a feeling of volume. Also, in the present embodiment, it is assumed that the musical tone is generated by generating the first constituent tone A and the second constituent tone B in different musical tone-generating channels, respectively. In other words, thirtytwo musical tone-generating channels from a first channel to a thirtysecond channel of the musical tone-generating circuit 29 are divided into combinations so that the combination of the first and the second channels, ... the combination of the third and the fourth channels, the combination of the thirtyfirst and the thirtysecond channels each generate a desired musical tone, respectively. Then, the first constituent tone A is assigned to the even-numbered channel and the second constituent tone B is assigned to the odd-numbered channel to generate the desired musical tone. The basic operation of the electronic musical instrument in accordance with the invention which is constituted as described above will be described in detail with reference to the flow-chart of Fig. 3. A. By turning on the power switch, the basic program is started, and the contents of the RAM 21C in the micro-computer 21 which are assigned as various registers are cleared, and the key operation-detecting circuit 22, the touch response-detecting circuit 24, the manually operable member-detecting circuit 26, the pedal-detecting circuit 28, and further the musical tone-generating circuit 29 are initialized. B. By means of the manually operable member, data MNPh are read from the manually operable member-detecting circuit 26, parameters are read from a predetermined table stored in the ROM 21B and are converted into a group of parameters GTEm relating to a musical tone generation, and the group of converted parameters GTEm is written into a predetermined register(s) GTEmR. This register(s) GTEmR is installed in correspondence to each of thirtytwo musical tone-generating channels constituting the musical tone-generating circuit 29, in other words, in correspondence to each envelope waveform-producing channel corresponding to each musical-generating channel. C. The damper state flag FCDS showing the pedal state of the damper pedal of the group of pedals 27 by "1" is read from the pedal detecting circuit 28, and is written into a register FCDSR. D. The key code BKYC based on the pitch information(s) and the key state flag BKYS showing the key-depressed state by "1" based on the key-press/off information(s) stored in the buffer after the instant of the previous read-out from the key operation-detecting circuit 22, are read in a time sequence of production. Based on the key-press/off information(s), the total number KEN of the changed keys showing the number of keys having changed after the instant of the previous read-out is read. Likewise, the touch response data BKTD area read from the touch response-detecting circuit 24 in a time sequence of production. The key code BKYC, key state flag BKYS and touch response data BKTD make up the key data BKYD in a co-ordinated manner as described above, and are re-written into the corresponding area of the register BKYR in a time sequence of production. Also, the total number of changed keys KEN is written into a register BKENR as a number of new processing-wait keys BKEN. E. Whether or not the processing of key operation based on key-press or key-off has been completed is determined according as to whether or not the number of processing-wait keys BKEN written into the register BKENR is "0". Where the number of processing-wait keys BKEN is "1" or more and the processing of key operation has not been completed, go to Step G. F. When the number of processing-wait keys BKEN is "0" in the decision in Step E and the processing of key operation has been completed, a predetermined envelope processing is performed sequentially as follows in each envelope waveform-producing channel. (I) A predetermined table of envelope waveforms stored in the ROM 21B is read. Furthermore, based on the group of parameters GTEm relating to musical tone generation written into the corresponding register GTEmR and on a key code KYC written into the similarly corresponding registers KYCR and KTDR and touch response data KTD as described later, a group of rates RTj and a group of break instant levels (levels at instants of discontinuation) LBPj are calculated and are produced. These groups have a rate RT showing a value of change of envelope per predetermined unit time (including a plus or minus sign according to an increase (swell) or decay of the envelope) and a break instant level LBP showing the envelope level at the instant of change of the accumulated rate RT, in other words, at the instant of change of slope of the envelope, respectively. Also, from the group of parameters GTEm relating to musical tone generation, a first changing rate RTS showing a negative value of change per predetermined unit time and a second changing rate RTA showing a positive value of change per predetermined unit time in changing the envelope, are calculated and are produced. Furthermore, an attack level LATK is produced by the conversion table stored in advance in the ROM 21B in correspondence with touch response data KTD-attack level LATK conversion graph as shown in Fig. 4. (Hereinafter, the group of rate RTj, group of break instant levels LBPj, first changing rate RTS, second changing rate RTA and attack level LATK are referred to as "envelope parameters"). II) Based on the calculated predetermined group of rates RTj and group of break instant levels LBPj, an envelope level LEV is calculated. In other words, an envelope waveform is calculated. The calculation of the envelope level LEV is performed as follows:-A portion corresponding to an envelope step j written into a register jR in the group of break instant levels LBPj written into a register LBPjR, is written into a register LBPR, and a portion corresponding to the envelope step j written into the register jR in the group of rate RTj written into the register RTjR, is written into a register RTR. Subsequently, the rate RT written into the register RTR is accumulated on the envelope level LEV and, when this accumulated value reaches the break instant level LBP written into the register LBPR, l is added to the envelope step j, and the number after the addition is written into the register jR as a new envelope step j, and so on. This procedure is performed repeatedly. III) In the envelope waveform produced as just described above, when the attack part A in the so-called ADSR representation is completed (this fact is decided by whether or not the envelope level LEV has reached a break instant level LBP''-AT'' (attack level LATK) corresponding to completion of the attack part A), an attack end flag EV''-AT'' is set of "0" and, when the release part R is completed (this fact is decided by whether or not the envelope level LEV has reached a break instant level LBP''-END'' corresponding to completion of the release part R), an envelope end flag EV''-END'' is set to "0". By the "0" of the envelope end flag EV''-END'', the corresponding musical tone-generating channel is released. This group of rates RTj, group of break instant levels LBPj, first changing rate RTS, second changing rate RTA, attack level LATK, and the rate RT, break-instant level LBP, envelope level LEV and envelope step j which are to be calculated, and the various flags EV''-AT'' and EV''-END'' including a muting processing request flag DMPQ and a muting in-processing flag RDMP as described later are installed in a manner of correspondence in each envelope waveform-producing channel. Accordingly, the registers RTjR, LBPjR, RTSR, RTAR, RTR, LBPR, LEVR, jR, EV-ATR, EV-ENDR, DMPQR and RDMPR into or from which those data are written or read are installed on an envelope waveform-producing channel basis. Then, these registers constitute one group on an envelope waveform-producing channel basis and hereafter are handled as one group. Where an in-processing flag RKOF of the key-off envelope to be written into a register RKOFR is set to "1" and a key-off processing (Step M) as described later is started, and when the damper state flag FCDS written into the register FCDSR is set to "0" showing that the damper pedal of the group of pedals 27 is not in the depressed or activated state, the attack end flag EV''-AT'' written into the corresponding register EV-ATR is set to "0", showing completion of the attack part A, and thereafter the key-off envelope in-processing flag RKOF is reset to "0", and thereby the envelope waveform is changed to a predetermined key-off envelope. Furthermore, where the muting processing request flag DMPQ written into the corresponding register DMPQR is set to "1", showing request for a muting processing, this muting processing request flag DMPQ is reset to "0", and to give a felling of attack by generating tones characterizing the attack, a change to a predetermined muting envelope is performed after the attack end flag EV''-AT'' has shown completion of the attack part A likewise. The methods of producing the key-off envelope and the muting envelope are in accordance with the above-described methods. After an envelope processing, return to step B. G. Where the number of the processing-wait keys BKEN is "1" or more and processing of key operation has not been completed in the decision in Step E, the oldest key data BKYD among the key data BKYD written into the register BKYR is read (first-in, first-out method), and a decision is made as to whether or not the key corresponding to the key data BKYD by the key state flag BKYS comprised in the key data BKYD read is in the depressed state. When the key state flag BKYS shows "0" amd the key is not in the depressed state but in the off-state, go to Step M. H. Where the key state flag BKYS shows "1" and the key is in the depressed state in the decision in Step G, "1" is subtracted from the number of processing-wait keys BKEN written into the register BKENR, and the number after the subtraction is written into the register BKENR as a new number of processing-wait keys BKEN. I. Detecting routine of consecutive strikes. This detecting routine of consecutive strikes will be described later in detail based on a flow-chart as shown in Fig. 5. J. By deciding whether or not a changing processing start flag DMPF written into a register DMPFR is set to "1" showing start of changing processing the pressure of consecutive strikes is decided. When the changing processing start flag DMPF is set to "0" and no start of changing processing is shown and no consecutive strikes are performed, go to Step L. K. Where the changing processing start flag DMPH is set to "1" showing start of changing processing and consecutive strikes are performed in the decision in Step J, proceed to a changing routine of an envelope. This changing routine of an envelope will be described later in detail based on a flow-chart as described with reference to Fig. 6. After completion of the envelope changing routine, return to Step E. L. Where the changing processing start flag DMPF is set to "0" and start of changing processing is not shown and no consecutive strikes are performed in the decision in Step J, "1" is subtracted from the number of processing-wait keys BKEN written into the register BKENR, and the number after the subtraction is written into the register BKENR as a new number of processing-wait keys BKENR. Assignment of musical tones is performed in a manner such that the key code BKYC, the key state flag BKYS set to "1" and the touch response data BKTD of the predetermined key data BKYD read from the register BKYR, are written as the key code KYC, the key state flag KYS and the touch response data KTD of the key data KYD respectively into the registers KYCR, KYSR and KTDR corresponding to the key code KYC, the key state flag KYS and the touch response data KTD among the key code KYC, the key state flag KYS, the touch response data KTD and the pitch data FQY which are installed for each musical tone-assignment channel installed corresponding to each musical tone-generating channel. Further, the pitch data FQY which has been calculated and produced by the group of parameters GTEm relating to musical tone generation written into the corresponding register GTEm and the key code KYC written into the register KYCR, is written into a register FQYR. Furthermore, in accordance with the corresponding envelope waveform-producing channel, the muting processing request flag DMPQ, the muting in-processing flag RDMP and the key-off envelope in-processing flag RKOF are reset to "0", and are written into the predetermined registers DMPQR, RDMPR and RKOFR. The register jR into which the envelope step j is written and the register LEVR into which the envelope level LEV is written, are cleared. Also, the group of rate RTj, the group of break instants LBPj, the first changing rate RTS, the second changing rate RTA and the attack level LATK are written into the registers RTjR, LBPjR, RTSR, RTAR and LATKR, and the various flags of the registers EV-ATR and EV-ENDR are set to "1". Assignment of the musical tone-generating channel, in other words, to the musical tone-assignment channel is performed as follows in the combination, such as the first and the second channels, the third and the fourth channels, .... or the thirtyfirst and the thirtysecond channels as is the case with the musical tone-generating channel. I) A combination of musical tone-generating channels which has completed tone generation and is free is detected from the key state flag KYS written into the register KYSR of each musical tone-assignment channel and the envelope end flag EV''-END'' written into the register EV-ENDR of each envelope waveform-producing channel, and is assigned as described above, and the tone generation is directed to start. A timer TST counting from musical tone assignment written into a register TSTR installed corresponding to the respective musical tone-assignment channel is reset. Next, return to Step E. II) Where no free combination of musical tone-generating channels is detected, based on the envelope level LEV written into the respective registers LEV and EV-ATR of the envelope waveform-generating channel corresponding to each second constituent tone B and the attack end flag EV''-''AT'' of each first constituent tone A and each constituent tone B, the combination of musical tone-generating channels which is generating a tone and has completed the attack part A and whose envelope level LEV is lowest is detected. Then, assignment is performed as described above, and the tone generation is directed to start. Furthermore, the time TST counting from the musical tone assignment is reset. Next, return to Step E. In addition, in this case, a processing of stopping tone generation is performed by resetting the register LEVR, but it is desirable to apply a quick decay processing. M. Where the key state flag BKYS is set to "0" showing the key-off state wherein the key is not pressed in the decision in Step G, "1" is subtracted from the number of processing-wait keys BKEN written into the register BKENR, and the number after the subtraction is written into the register BKENR as a new number of processing-wait keys BKEN. By the key code BKYC comprised in the key data BKYD written into the register BKYR, the musical tone assignment channel is detected wherein in the key code KYC and the key state flag KYS written into the respective registers KTCR and KYSR in each musical tone-assignment channel, the key codes BKYC and KYC are the same and the key state flag KYS is set to "1" showing that the key is in the depressed state, and the key-off envelope in-processing flag RKOF is set to "1" showing that a key-off envelope processing is being processed, the key state flag KYS is changed to "0" showing the key-off state, the key-off processing is directed to start. Next, return to Step E. Where a musical tone-generating channel as described above is not detected, return intact to Step E. The detecting routine of consecutive strikes (Step I) will be described in detail on a step basis with reference to Fig.5. A detection of consecutive strikes wherein musical tones of the same pitch are generated in a superposed manner is performed by searching for the musical tone-generating channel which is generating an effective tone of the same pitch/depression of the same key based on the second constituent tone B. I-1. The The number of loops n written into a register nR is initialized to "1", and the muting processing start flag DMPF written into the register DMPFR is initialized to "0", indicating no muting processing. I-2. By the damper state flag FCDS written into the register FCDSR, a decision is made as to whether or not the damper pedal of the group of pedals 27 is depressed and a damping processing is to be inhibited even after the key is released. Where the damper pedal is not in the depressed state, the damper state flag FCDS shows "0" and damping processing is not inhibited, the generated tone continuing time in the musical tone-generating channel to which a damping processing is to be applied is short, and there is no fear of causing a problem even if a special processing is not performed, and therefore the routine is ended. I-3. Where the damper state flag FCDS shows "1" and damping processing is inhibited (damper ON) in the decision in Step I-2, a decision is made as to whether or not the key code BKYC of a newly depressed key (hereinafter referred to as "new key-press") in suitable consecutive strikes which key code BKYC is written into the register BKYCR, and the key code KYC written into the register KYCR of the musical tone-generating channel of the channel number corresponding to the number of loops n written into the register nR are the same. Where the key code BKYC of the new key-press and the key code KYC are the same, go to Step I-6. I-4. Where the key code BKYC of the new key-press and the key code KYC are not the same in the decision in Step I-3, "2" is added to the number of loops n, and the number after the addition is written into the register nR as the new number of loops n. I-5. The number of musical tone-generating channels N being thirtytwo in the present embodiment, which number is stored in the ROM 21B; is compared with the number of loops n written into the register nR and if the number of loops n is not larger, return to Step I-3 in a repeated manner, and if the number of loops n is larger, no consecutive strikes exist corresponding to all musical tone-generating channels, and therefore the routine is ended. I-6. Where the key code BKYC of the new key-press and the key code KYC are the same in the decision in Step I-3, a decision is made as to whether or not the muting in-processing flag RDMP written into the register RDMPR of the musical tone-assignment channel for the musical tone-generating channel of the channel number corresponding to the number of loops n is "1", showing that muting processing is being performed. Where the muting in-processing flag RDMP shows "1" and the muting processing is being performed, because the muting processing has been performed for consecutive strikes processing of the same key by the previous consecutive strikes detection, go to Step I-4 to search for the others. In addition, where a quick decay processing in item II is performed in the assignment to the musical tone-generating channel in the key-press processing of Step L, when the quick decay processing is being performed, the processing is performed likewise. I-7. Where the muting in-processing flag RDMP shows "0" and the muting processing is not being performed in the decision in Step I-6, it is assumed to be the old key-press of the same key depressed previously (hereinafter referred to as "old key-press") which is in a suitable consecutive strikes relation, and the number of loops n representing the channel number of the old key-press is written into a register AOCHR as a channel number AOCH of the old key-press. Also, the changing processing start flag DMPF is set to "1" showing start of changing processing, being written into the register DMPFR. In the detecting routine of consecutive strikes, in short, the same key has been already assigned to any of the musical tone-generating channels based on the second constituent tone B, and the musical tone-generating channel generating an effective tone is searched, and the channel number of that musical tone-generating channel is written into the register AOCHR, and the changing processing start flag DMPF is set to "1" showing a change start processing. Accordingly, the musical tone-generating channel is excluded wherein, even if the same key, the generated tone-continuing time is short and start of muting processing has been already directed in consecutive strikes processing. In addition, as described above, detection of consecutive strikes is performed on a new key-press basis, and therefore the musical tone-generating channel generating an effective tone takes place only by one at a maximum. The changing routine of an envelope (Step K) will be described in detail on a step basis with reference to Fig. 6. In addition, the musical tone-generating channel to which the second constituent tone B of the old key to be processed in that changing routine of an envelope (Step K) is assigned is the musical tone-generating channel of the channel number of the old key-press which is detected in the detecting routine of consecutive strikes (Step I) and written into the register AOCHR. In other words, the registers relating to the second constituent tone B of the old key-press used for the following processing are the registers and the like corresponding to the musical tone-generating channel of the channel number of the old key-press written into the register AOCHR. K-1. A decision is made as to whether or not the changing processing start flag DMPF written into the register DMPFR is set to "1" showing the start of changing processing. Where the changing processing start flag DMPF shows "1" and a changing processing is not started, the routine is ended. K-2. Where the changing processing start flag DMPF shows "1" and the changing processing is started in the decision in Step K-1, assuming that a new key-press has been made to generate a tone, the envelope waveform of the second constituent tone B is simulated, and the generated volumes WNL and WOL of the second constituent tones B of the new key-press and the old key-press are calculated as follows, and the composite generated volume WSL of the second constituent tone B is calculated. In addition, a simulation of the envelope waveform is performed in a manner such that, based on the key code BKYC(KYC), touch response data BKTD (KTD) and manually operable member data MNPh from the table in the ROM 21B, the envelope parameters required for producing a predetermined envelope waveform are calculated and produced, and a producing operation of the envelope waveform is simulated at a high speed. 1) Generated volume WNL of the second constituted tone B to be generated by a new key-press:- The envelope waveform of the second constituent tone B of a new key-press is simulated, and the envelope level LEV(t) at an instant t=T1 when the envelope waveform completes the attack part A is evaluated, and this envelope level LEV(t) is written into a register WNLR as the generated volume of the second constituent tone B of the new key-press. WNL=LEV(t), t=T1 Since the envelope level LEV(t) at t=T1 is the same as the attack level LATK, the attack level LATK may be used in place thereof. 2) Generated volume WOL of the second constituent tone B to be generated by the old key press:- Similar simulation is performed, and the second constituent tone B of the old key-press at an instant t=T1+T2 when the envelope waveform of the second constituent tone B of the new key-press completes the attack part A, in other words, the envelope level LEV(t) of the musical tone-generating channel of the channel number AOCH of the old key-press written into the register AOCHR is evaluated. This envelope level LEV(t) is written into a register WOLR as the generated volume WOL of the second constituent tone B of the old key-press. WOL=LEV(t), t=T1+T2 The current value of the envelope level LEV of the second constituent tone B of the old key-press written into the register LEVR may be used as an approximation in place of the envelope level LEV(t). In this case, if the envelope waveform of the second constituent tone B of the old key-press has not completed the attack part A, the attack level LATK of the second constituent tone B is used in place of the envelope level LEV(t). T1 the time lapse from musical tone assignment of a new key-press to completion of the attack part A by the envelope waveform of the second constituent tone B T2 the time lapse from musical tone assignment of the old key-press to musical tone assignment of a new key-press. The time lapse T1 is evaluated by simulating the envelope waveform of the second constituent tone B, and the time lapse T2 is obtained by reading the instantaneous value of the time TST counted from the assignment which has been written into the corresponding register TSTR, showing the time elasped from the musical tone assignment of the old key-press. 3) Composite generated volume WSL of the second constituent tone B:- Since a proportion of the energy of the old key-press is lost upon a new key-press, the generated volume of the second constituent tone B of the old key-press after the new key-press (ongoing generated volume) is decreased to a value of the generated volume WOL of the second constituent tone B of the old key-press multiplied by the "remaining" factor KD. Accordingly, the ongoing generated volume evaluated by multiplying the generated volume WOL of the second constituent tone B of the old key-press by the remaining factor KD and the generated volume WNL of the second constituent tone B of the new key-press are squared respectively and added, and thereafter its square root is extracted, and thus the composite generated volume WSL of the second constituent tone B is evaluated. WSL=√ (KD x WOL)² + (WNL)² The remaining factor KD differs depending upon the way of striking the tone-generating body, the amount of damping of the tone-generating body, the strength of the strike and the like, namely, the key code BKYC(KYC), touch response data BKTD(KTD) and manually operable member data MNPh. For example, in the case of a piano, a hammer strikes strongly against a string upon a heavy key-depression and weakly touches it upon a light key-depression, and therefore the remaining factor KD differs depending upon the strength of touch (key-press). Also, the amount of damping of the string differs depending on the tone pitch of the string. In other words, though the remaining factor KD differs depending upon the tone pitch, owing to the measures to prevent the string from generating an unclear tone, for example, the roundness of the head of the hammer of the high-pitch tone part is made smaller in comparison with that of the hammer of the low-pitch tone part so that the time of contact of the hammer with the string does not become longer than required, and a felt covering the head of the hammer of the high-pitch tone part is made thinner than that of the low-pitch tone part, and so on, the change in the remaining factor KD is reduced. Furthermore, in the low-pitch tone region, the vibrating state of the string cannot be neglected relative to the movement of the hammer, and a so-called meeting strike off setting the movement of the string takes place, and therefore the remaining factor KD may be changed by the tone pitch and the interval of key-press, or to make the mechanism simple, random elements can be added. Also, since the effect given differs depending upon the degree of higher harmonics, the remaining factor KD may be changed on a constituent tone basis when the constitution is made with a large number of constituent tones. Furthermore, where the tone qualities of various musical instruments can be generated, the remaining factor KD may be changed corresponding to the characteristics of the musical instrument, in other words, corresponding to the tone quality. In the present embodiment, to simplify the processing, assuming a fixed decrease of 10%, KD=0.9 is set. K-3. A decision is made as to whether or not the generated volume WNL of the second constituent tone B of the new key-press written into the register WNR is larger than the generated volume WOL of the second constituent tone B of the old key-press written into the register WOLR. Where the generated volume WNL of the second constituent tone B of the new key-press is not larger than the generated volume WOL of the second constituent tone B of the old key-press, go to Step K-5. It is also possible to use the ongoing generated volume WEL of the second constituent tone B of the old key-press after the new key-press in a second embodiment as described later in place of the generated volume WOL of the second constituent tone B of the old key-press. K-4. Where the generated volume WEL of the second constituent tone B of the new key-press is larger than the generated volume WOL of the second constituent tone B of the old key-press in the decision in Step K-3, a processing of preferentially generating the tone of the new key-press is performed, and the envelope of the second constituent tone B of the new key-press is made to correspond to the composite generated volume WSL of the second constituent tone B. In other words, assignment to the musical tone-generating channel and the like performed in Step L is performed for the new key-press, and calculation of envelope parameters of the second constituent tone B is performed as follows based on the touch response data WKTD of the second constituent tone B of the new key-press after changing. 1) Where the generated volume of the second constituent tone B of the new key-press after changing is taken as the composite generated volume WSL, the attack level WATK of the second constituent tone B of the new key-press after changing is assumed to be equal to the composite generated volume WSL of the second constituent tone B. WATK=WSL Where the attack level WATK of the second constituent tone B of the new key-press exceeds a maximum value LATK max. of the attack level, assume WATK=LATKmax . 2) Touch response data WKTD of the second constituent tone B of the new key-press after changing:- The touch response data WKTD of the second constituent tone B of the new key-press after changing is obtained by converting the attack level WATK of the second constituent tone B of the new key-press after changing, on using the inverse conversion table thereof stored in advance in the ROM 21B in accordance with the touch response data KTD-attack level LATK conversion graph. 3) Assignment to the musical tone-generating channel:- Assignment to the musical tone-generating channel and the like performed in Step L is performed for the new key-press, and a muting processing of the old key-press is performed. Then, in calculating and producing the envelope parameters of the second constituent tone B in the case of assignment to the new key-press, the touch response data WKTD of the second constituent tone B of the new key-press after changing obtained in the above-mentioned 2) is used in place of the touch response data BKTD. Also, muting of the old key-press is performed in a manner such that the channel number AOCH of the old key-press written into the register AOCHR is written into a register WDCHR as a number WDCH of the channel to be muting-processed, and the muting processing request flag DMPQ and the muting in-processing flag RDMP of the envelope waveform-producing channel corresponding to the channel number WDCH of muting processing to be performed which has been writeen into the register WDCHR, are set to "1", showing a request for a muting processing or muting in-processing. In addition, it is also possible that preferential assignment is made to the musical tone-generating channel to which the old key-press has been assigned, or preferential assignment is made to the musical tone-generating channel of the old key only when no free musical tone-generating channel exists. Furthermore, it is unnecessary to perform a muting processing of the first constituent tone A. K-5. Where the generated volume WNL of the second constituent tone B of the new key-press is not larger than the generated volume WOL of the second constituent tone B of the old key-press in the decision of Step K-3, a processing of preferentially generating the tone of the old key-press and a processing of making the envelope of the second constituent tone B of the old key-press correspond to the composite generated volume WSL are performed in Steps K-5 to K-19. First, in Step K-5, the envelope level WLEV of the second constituent tone B of the old key-press after changing is calculated and written into a register WLEVR. Where the generated volume of the second constituent tone B of the old key-press after changing is taken as the composite generated volume WSL, the envelope level WLEV of the second constituent tone B of the old key-press after changing is assumed to be equal to the composite generated volume WSL of the second constituted tone B. WLEV=WSL . Where the envelope level WLEV of the second constituent tone B of the old key-press exceeds the maximum value LATKmax. of the attack level, assume WLEV=LATKmax . K-6. A decision is made as to whether or not the envelope level WLEV of the second constituent tone B of the old key-press after changing written into the register WLEVR, is larger than the attack level LATK of the second constituent tone B of the old key-press written into a register LATKR. Where the envelope level WLEV of the second constituent tone B of the old key-press after changing is not larger than the attack level LATK of the second constituent tone B of the old key-press, go to Step K-11. K-7. Where the envelope level WLEV of the second constituent tone B of the old key-press after changing is larger than the attack level LATK of the second constituent tone B of the old key-press in the decision in Step K-6, the touch response data WKTD of the second constituent tone B of the old key-press after changing is calculated in accordance with Step K-4, and based on the touch response data WKTD, envelope parameters are calculated and are produced. Furthermore, the register jR into which the envelope step J is to be written, is cleared. K-8. A decision is made as to whether or not the envelope level LEV of the second constituent tone B of the old key-press, read from the corresponding register LEVR, is larger than the predetermined break instant level LBPj written into the register LBPjR corresponding to the envelope Step j written into the register jR. Where the envelope level LEV of the second constituent tone B of the old key-press is not larger than the predetermined break instant level LBPj corresponding to the envelope step j, go to Step K-10. K-9. Where the envelope level LEV of the second constituent tone B of the old key-press is larger than the break point level LBPj corresponding to the envelope step j in the decision in Step K-8, l is added to the envelope step j, and the number after the addition is written into the register jR as a new envelope step j. Next, return to Step K-8. K-10. Where the envelope level LEV of the second constituent tone B of the old key-press is not larger than the predetermined break instant level LBPj corresponding to the envelope step j in the decision in Step K-8, this break instant level LBPj is written into the register LBPR, the rate RTj is written into the register RTR, and the attack end flag EV''-AT'' is set to "1". Next, go to Step K-19. K-11. Where the envelope level WLEV of the second constituent tone B of the old key-press after changing is not larger than the attack level LATK of the second constituent tone B of the old key-press in the decision in Step K-6, a decision is made as to whether or not the envelope level WLEV of the second constituent tone B of the old key-press after changing, written into the register WLEVR, is larger than the envelope level LEV of the second constituent tone B written into the register LEVR. Where the envelope level WLEV of the second constitudent tone B of the old key-press after changing is not larger than the envelope level LEV of the second constituent tone B, go to Step K-14. K-12. Where the envelope level WLEV of the second constituent tone B of the old key-press after changing is larger than the envelope level LEV of the second constituent tone B in the decision in Step K-11, a decision is made as to whether or not the envelope waveform of the second constituent tone B of the old key-press has completed the attack part A. Where the attack end flag EV''-AT'' shows "1" and the envelope waveform of the second constituent tone B of the old key-press has not completed the attack part A, return to Step K-7. K-13. Where the attack end flag EV''-AT'' shows "0" and the attack part A has been completed in the decision in Step K-12, the second changing rate RTA having a positive value is written into the register RTR as the rate RT, and the envelope level WLEV of the second constituent tone B of the old key-press after changing is written into a register LATKR as the attack level LATK, and the attack end flag EV''-AT'' is set to "1". Next, go to Step K-15. K-14. Where the envelope level LEV of the second constituent tone B of the old key-press after changing is not larger than the envelope level LEV of the second constituent tone B in the decision in Step K-11, the first changing rate RTS having a negative value is written into the register RTR as the rate RT, and the attack end flag EV''-AT'' is set to "0". K-15. The final envelope step j of the attack part A, corresponding to the predetermined break instant level LBPj equal to the attack level LATK, is written into the register jR. K-16. A decision is made as to whether or not the envelope level WLEV of the second constituent tone B of the old key-press after changing, written into the register WLEVR is larger than the predetermined break instant level LBPj corresponding to the envelope step j written into the register jR. Where the envelope level WLEV of the second constituent tone B of the old key-press after changing is larger than the predetermined break instant level LBPj written into the register LBPjR corresponding to the envelope step j, go to Step K-18. K-17. Where the envelope level WLEV of the second constituent tone B of the old key-press after changing is not larger than the predetermined break instant level LBPj corresponding to the envelope step j in the decision in Step K-16, l is added to the envelope step j, and the number after the addition is written into the register jR as a new envelope step j. Next, return to Step K-16. K-18. Where the envelope level WLEV of the old key-press after changing is larger than the predetermined break instant level LBPj corresponding to the envelope step j in the decision in Step K-16, l is subtracted from the envelope step j, and the number after the subtraction is written into the register jR as a new envelope step j, and the envelope level WLEV of the second constituent tone B of the old key-press after changing is written into the register LBPR. K-19. Assignment to the musical tone-generating channel and the like performed in the above-described Step L is performed for the new key-press. Since generation of the second constituent tone B of the new key-press becomes unnecessary, the second constituent tone B of the new key-press is not generated. In other words, all of the contents of the registers RTjR, LBPjR, EV-ATR, EV-DKR and EV-END corresponding to a channel number ANCH of the new key-press written into a register ANCHR are cleared. Also, assignment to the musical tone-generating channel to which the old key-press is assigned, may be inhibited. The above-described changing routine of the envelope is such that, in short, assuming that a new key-press has generated a tone, the envelope waveform of the second constituent tone B is simulated, the generated volumes WNL and WOL of the second constituent tone B of the new key-press and the old key-press are calculated, the composite generated volume WSL of the second constituent tone B is calculated, and the envelope of the key-press generating the greater of the volumes WNL and WOL of the sceond constituent tone B is preferentially changed, and the musical tone-generating channel to which the key-press generating the smaller volume of WNL and WOL of the second constituent tone B is assigned, is released. Accordingly, in short, basically, detection of consecutive strikes is performed by searching for the musical tone-generating channel generating an effective tone of the same pitch based on the second constituent tone B, and a preferential processing of tone generation and a changing processing of the envelope are performed, that is, the old key-press or the new key-press generating the greater volume is preferentially processed and the envelope thereof is changed, and the musical tone-generating channel to which the key-press generating the smaller volume is assigned is released. In the embodiment, to avoid complication of description, the values set in advance are used for the first changing rate RTS and the second changing rate RTA, but it is desirable to make calculation and setting so that the envelope reaches the next break instant LBP after T1 (refer to Step K-2). Also, if the tone quality or character (timbre) of the second constituent tone B is set so that the changing in tone quality made by the touch response data KTD can be neglected, or to simplify the processing, preferential tone generation by the old (or new) key-press in a fixed manner may be performed without performing a processing of deciding which of the new and old key-presses is to generate a tone preferentially. In accordance with the present embodiment, when the same key is depressed twice consecutively and the generated volume WNL of the second constituent tone B of the new key-press is the greater, a tone is generated as shown in Fig.7 and, when the generated volume WOL of the second constituent tone B of the old key-press is the greater, a tone is generated as shown in Fig.8, and the tone which is being generated and a new tone are connected smoothly while giving a natural feeling of consecutive strikes. In addition, Fig.8 shows only one example to avoid complication of description, and Figs. 9 and 10 show various modified examples of the second constituent tone B of the old key-press. Fig.9 relates to consecutive strikes after completion of the attack part A, and "a" shows the case without consecutive strikes, "b" shows the case wherein Steps proceed in a sequence of K-1→...K-5→ K-6→ K-11→ K-14→...K-19, "c" shows the case wherein Steps proceed in a sequence of K-1→ ...K-5→ K-6→ K-11→ K-12→ K-13...→K-19, and "d" shows the case wherein Steps proceed in a sequence of K-1→ ... K-5→ K-6→ K-7→...K-19. Also, Fig.10 relates to consecutive strikes before completion of the attack part A of the first musical tone, and "a" shows the case without consecutive strikes, "e" shows the case wherein Steps proceed in a sequence of K-1→ ...K-5→ K-6→ K-11→ K-14→...K-19, "f" shows the case wherein Steps proceed in a sequence of K-1→ ...K-5→ K-6→ K-11→ K-12→ K-7→ ...K-19, and "g" shows the case where Steps proceed in a sequence of K-1→ ...K-5→ K-6→ K-7→...K-19. Also, the rectangular waveforms as shown respectively at the lower parts of Figs. 7 and 8 show the depressed state and the released state of the earlier or first key depression and the later or second depression of the same key. The envelope waveform of the musical tone generated becomes a composite waveform of the envelope waveform of the first constituent tone A and the envelope waveform of the second constituent tone B, as shown in an envelope waveform graph in Fig.11. As is obvious from Fig. 12 representing those waveforms respectively in a logarithmic representation, as to the second constituent tone B, the amounts of change in the envelope per predetermined unit time in the envelope waveforms after the decay part D become nearly the same, and in the same key, the envelope waveforms after the decay part D of the second constituent B are regarded as similar shapes. In the present embodiment, the musical tone-generating channels are formed in a combined manner, and the first constituent tone A and the second constituent tone B are assigned to the combination of musical tone-generating channels, but the musical tone-generating channel to which the first constituent tone A is assigned, is freed earlier than the musical tone-generating channel to which the second constituent tone B is assigned as is obvious from Fig.12, and therefore by performing an assigning processing separately without forming combinations, the musical tone-generating channels can be utilized effectively. Modified examples of the above embodiment will now be explained. In one modified example, the change in tone quality of the continuing portion of the musical tone generated is enriched. In constituting the continuing portion with a plurality of second constituent tones B, for example, as shown in Fig. 13, this portion is constituted by second constituent tones B1 and B2. In the second constituent tone B1, higher harmonic components of the continuing portion at a heavy strike are strong and the envelope is relatively short and in the second constituent tone B2, higher harmonic components of the continuing portion at a light strike are weak and the envelope is relatively long, as will be explained. In this modified example, the musical tone-generating circuit 29 is constituted of fortyeight musical tone-generating channels from a first channel to a fortyeighth channel. The first channel to the third channel, the fourth channel to the sixth channel, ...., the fortysixth channel to the fortyeighth channel form combinations generating desired musical tones, respectively. Also, the second constituent tone B2 is assigned to the first channel, the fourth channel, ...., the second constituent tone B is assigned to the second channel, the fifth channel, ...., and the first constituent tone A is assigned to the third channel, the sixth channel ...., respectively, to produce a musical tone. Thus, based on the second constituent tone B2 having a relatively long envelope, detection of consecutive strikes of the same note is performed by searching for the musical tone-generating channel generating an effective tone of the same pitch, and change of the envelope is performed based on the sum of the generated volumes of the second constituent tone B1 and the second constituent tone B2. Thereby the key-press generating a relatively high volume in the sum of generated volumes is given priority and the musical tone-generating channel to which the key-press generating a relatively low volume in the sum of generated volumes is assigned is freed. The other basic operations are similar to the embodiment as described above. Figs. 14 and 15 are waveform graphs showing envelopes of generation of the musical tones of the modified example corresponding to Figs. 7 and 8. In a second modified embodiment, a new key-press is assigned intact without performing any changing processing, and a changing processing of the envelope is performed only for the old key-press, as will now be described. In addition, the same symbols as those used in the first embodiment denote the same components, and only portions differing particularly from the first embodiment will be described, and a further description of like parts is omitted. In this embodiment, since a muting processing for the old key-presses is not performed, a plurality of musical tone-generating channels generate an effective tone and therefore a changing processing of the envelope is performed by detecting all of the old key-presses for the purpose of changing the envelope. The flow-chart of the basic program in the embodiment is similar to the flow-chart of the basic program as shown in Fig. 3 relating to the first embodiment. A detecting routine for consecutive strikes in the embodiment is shown in Fig.16, and, in comparison with the detecting routine of consecutive strikes as shown in Fig.5 relating to the first embodiment, Step I-2' to Step I-6' correspond to and are the same as Step I-2 to Step I-6 of the first embodiment respectively, and Step I-1' and Step I-7' are as follows. I-1'. The difference from Step I-1 is that, in addition to the processing of Step I-1, a total number k of the old key-presses which becomes the object of changing the envelope to be written into a register kR is initialized to "0". I.7'. Differences from Step I-7 are as follows, 1) "1" is added to the total number k of the old key-presses, and the number after the addition is written into the register kR as a new total number k of the old key-presses. 2) The new total number k of the old key-presses is written as a number i into a register iR into which is written the number i which shows the old key-press assigned to a i-th musical tone-generating channel out of a plurality of musical tone-generating channels to which the old key-press is assigned among the old key-presses possible to exist in a multiple number. Subsequently, in place of writing the number of loops n representing the channel number of the old key-press as the old key-press of the same key previously depressed, which is in a suitable consecutive strikes relation thereto, into the register AOCHR as the channel number AOCH of the old key-press, 3) as the old key-press the number of loops n representing the channel number of the old key-press is written into a register AOCHiR as a channel number AOCHi of the i-th old key-press relating to a plurality of musical tone-generating channels to which the old key-press is assigned, and further, 4) processing returns to Step I-4'. The changing routine (Step K') of an envelope will be described in detail on a step basis with reference to Fig.17. In addition, the musical tone-generating channel to which the second constituent tone B of the old key-press to be processed in the changing routine of an envelope (Step K') is assigned is the musical tone-generating channel of the channel number of the old key-press which is detected in the detecting routine of consecutive strikes (Step I'), written into the register AOCHiR. In the changing routine of an envelope in this embodiment, in comparison with the changing routine of an envelope as shown in Fig. 6 of the first embodiment, Step K-1', Step K-7' to Step K-11', and Step K-14' to Step K-18' correspond respectively to and are the same as Step K-1, Step K-7 to Step K-11, and Step K-14 to Step K-18 of the first embodiment, and Steps K-3, K-4, K-6, K-12 and K-13 are omitted, and the changed Steps K-1', K-5' and K-19' and Steps K-20', K-21' and K-22' added to process a plurality of old key-presses are as follows. The difference of Step K-2' from Step K-2 is as follows. 1) Calculation of the generated volume WNL of the second constituent tone B to be generated by the new key-press is not performed, 2) calculation of the generated volume WOL of the second constituent tone B to be generated by the old key-press is performed, and 3) in place of calculation of the composite generated volume WSL of the second constituent tone B, calculation of an ongoing generated volume WEL of the second constituent tone B of the old key-press is performed. This ongoing generated volume WEL of the second constituent tone B of the old key-press is evaluated by multiplying the generated volume WOL of the second constituent tone B to be generated by the old key-press by the remaining factor KD:- WEL=KD x WOL K-5'. The difference from Step K-5 is that in place of the composite generated volume WSL of the second constituent tone B in Step K-5, the ongoing generated volume WEL of the second constituent tone B of the old key-press is used. K-19'. The difference from Step K-19 is to perform an assigning processing of the new key-press without performing the processing of "generating no second constituent tone B of the new key-press" in Step K-19. K-20'. The number of loops i to be written into the register iR is initialized to "1", and the musical tone-generating channel to which the second constituent tone B of the old key-press to be processed is assigned, is applied as the musical tone-generating channel of the channel number of the old key-press written into a register AOCH1R (AOCHiR, i=1) in place of the musical tone-generating channel of the channel number of the old key-press written into the register AOCHR in the first embodiment. K-21'. A decision is made as to whether or not the number i which is written into the register iR and shows the old key-press assigned to the i-th musical tone-generating channel among a plurality of musical tone-generating channels to which the old key-press is assigned, is smaller than the total number k of the old key-presses written into the register kR. Where the number i showing the number of the musical tone-generating channel to which the old key-press is assigned is not smaller than the total number k of old key-presses, go to Step K-19'. K-22'. Where the number i showing the old key-press assigned to the i-th musical tone-generating channel is smaller than the total number k of old key-presses in the decision in Step K-21', a processing of all old key-presses has not been completed, and therefore "1" is added to the number i denoting the old key-press assigned to the i-th musical tone-generating channel to process the next old key-press. The number after the addition is written into the register iR as a new number i showing the number of the musical tone-generating channel to which the old key-press is assigned. The musical tone-generating channel to which the second constituent tone B of the old key-press to be processed is assigned, is applied to the musical tone-generating channel of the channel number of the old key-press written into the register AOCHiR corresponding to the number i showing the old key-press assigned to a new i-th musical tone-generating channel in place of the musical tone-generating channel of the channel number of the old key-press written into the register AOCHR in the first embodiment. Next, return to Step K-2'. In the present embodiment, the modified examples of the first embodiment are also applicable. Other modified examples of the present embodiment will be explained. - Modified example 1 - A modified example wherein a musical tone to be generated is generated from one musical tone-generating channel as one composite musical tone without dividing the tone into the first constituent tone A and the second constituent tone B as described above will be described. In an envelope waveform graph in Fig.11, the envelope waveform of a musical tone generated becomes a composite waveform of an envelope waveform of the first constituent tone A and an envelope waveform of the second constituent tone B. The difference from the first embodiment is that "1" is added to the number of loops n in place of adding "2" thereto in Step 1-4' of the detecting routine of consecutive strikes. Also, another difference is that in Step K-2' of the changing routine of an envelope, the generated volume WOL of the second constituent tone B to be generated by the old key-press is evaluated by adding the envelope level of the first constituent tone A to an evaluated multiple. The first constituent tone A is obtained from the envelope level LEV of a musical tone (composite tone) generated by a conversion table or the like corresponding to the envelope waveform graph in Fig.11. The evaluated multiple is obtained by multiplying the envelope level of the second constituent tone B, obtained from the envelope level of a musical tone (composite tone) generated by a conversion table or the like corresponding to the envelope waveform graph in Fig.11 in the same way, by the "remaining" factor KD. As a simple processing, the generated volume WOL of the second constituent tone B to be generated by the old key-press may be replaced by the envelope level LEV of the musical tone (composite tone) generated. - Modified example 2 - In another modified example wherein, to obtain the change in tone quality of the continuing portion and to reduce the number of constituent tones, the tone of the initial portion and the tone of the continuing portion are contained at different ratios in the first constituent tone A and the second constituent tone B instead of constituting a musical tone generated with the first constituent tone A and second constituent tone B. This will now be described. A musical tone generated as shown in Fig. 18 consists of first and second constituent tones A' and B'. The first constituent tone A' which is not varied excessively in tone quality by the strength of touch and constitutes mainly the initial portion of a light key-depression, provides a lesser number of higher harmonic components and gives a round feeling. The second constituent tone B' which is generated as a result of a heavy touch constitutes mainly the continuing portion of a heavy key-depression which, in the case of a piano, contains a greater number of higher harmonic components and gives a hard feeling. Fig.19 shows a touch response data KTD-attack level LATK conversion table showing a relationship between the touch response data KTD and the attack level LATK which is equivalent to Fig.4 as described above. Accordingly, at a light key-depression, the second constituent tone B' is not generated, and the first constituent tone A' dominates the musical tone. In addition, the difference from the first embodiment is that in Step K-2' of the changing routine of an envelope, the generated volume WOL to be generated by the old key-press is evaluated by adding the generated volumes of the first constituent tone A' and the second constituent tone B', respectively. In the modified example 1 and the modified example 2, the ratio of constituent tones is changed, and therefore the tone quality may be changed. Also, the modified example 1 and the modified example 2 may be applied to the first embodiment. All of the registers used in each embodiment are installed in areas assigned imaginally to the RAM 21C of the micro-computer 21 as described above. The present invention is applicable to the processing in the case wherein the musical tone generated by the so-called key switch or the like is generated in a superposed manner in an electronic drum apparatus, rhythm machine or the like. Also, in that case, it is also possible that, to enhance the performability, for example, by performing quick consecutive strokes or beats, the same musical tone is assigned to two or more key switches or the like, and the same musical tone is generated by alternately operating these switches or the like. Furthermore, in a performing apparatus such as a rhythm machine or an automatic accompaniment apparatus which can store or program a performance, automatically perform or automatically accompany or the like, the present invention is applicable also where the same musical note is repeated in a superposed manner by means of read-converting key-press/off information generated by a key-press/off operation of the first embodiment into key-press/off information generated in such a performing apparatus or information equivalent thereto and changing the other processings peculiar to the performing apparatus so as to correspond thereto.

Claims: An electronic musical instrument having musical tone-generating channels and comprising: first detecting means (1) for detecting whether or not a later second musical tone to be generated and which is assigned to one of said musical tone-generating channels and an earlier first musical tone which has been already assigned to one of said musical tone-generating channels are of the same tone, second detecting means (2) for detecting the volume of said second musical tone or a value equivalent to such volume and for detecting the volume of said first musical tone when said second musical tone is to be generated, or a value equivalent to such volume, calculating means (3) which calculates a composite volume or a value equivalent to such composite volume, from said volume of said second musical tone and said volume of said first musical tone or on values equivalent to such volumes, changing means (4) responsive to said first detecting means (1) detecting that said first and second musical tones are of the same tone, for changing the volume of the musical tone-generating channel to which either said first musical tone or said second musical tone, whichever is generated preferentially, is assigned or has been assigned, or for changing a value equivalent to such volume, to said composite volume or to said value equivalent to the composite volume, and releasing means (5) for freeing that musical tone-generating channel to which the other of said musical tones, whichever is generated non-preferentially, is assigned or has been assigned. An electronic musical instrument as claimed in claim 1, in which said second detecting means (2) detects said volume of said second musical tone or said value equivalent to such volume, said volume of said first musical tone when said second musical tone is to be generated or said value equivalent to such volume, based on a constituent tone predominantly providing a continuing portion of said first and second musical tones. An electronic musical instrument as claimed in claim 1, in which said composite volume WSL is given by the following equation WSL = / (KD x WOL)² + (WNL)² where KD is a factor providing a reduced volume for said first musical tone when said second musical tone is to be generated, WNL is said volume of said second musical tone or said value equivalent to such volume, and WOL is said volume of said first musical tone when said second musical tone is to be generated or said value corresponding to the volume. An electronic musical instrument as claimed in claim 1,2 or 3, in which said changing means (4) changes an envelope of either said first or said second musical tone, whichever is generated preferentially, and thereby changes the volume of said musical tone generated preferentially or said value equivalent to the volume of such preferential tone to said composite volume or to said value equivalent to the composite volume. An electronic musical instrument as claimed in claim 4, in which said releasing means (5) which changes said envelope either said first or second musical tone which is generated non-preferentially, and thereby quickly frees said musical tone-generating channel to which said musical tone which is generated non-preferentially is assigned or has been assigned. An electronic musical instrument as claimed in claim 5, in which said musical tone generated non-preferentially is said later second musical tone, said releasing means (5) suppresses generation of a constituent tone predominantly providing a continuing portion of said second musical tone. An electronic musical instrument having musical tone-generating channels and comprising: first detecting means (1') for detecting whether or not a later second musical tone which is assigned to one of said musical tone-generating channels to be generated, and an earlier first musical tone which has been already assigned to another of said musical tone-generating channels are of the same tone, second detecting means (2') for detecting the volume of said first musical tone when said second musical tone is to be generated or a value equivalent to such volume, calculating means (3') for calculating an ongoing volume or a value equivalent to such ongoing volume, based on said volume or said value equivalent to such volume, said ongoing volume WEL being given by the following equation:- WEL = KD x WOL where KD is a factor providing a reduced volume for said first musical tone when said second musical tone is generated, and WOL is said volume of said first musical tone or said value equivalent to such volume, and changing means (4') responsive to said first detecting means (1') detecting that said second and first musical tones are of the same tone, for changing the volume of said first musical tone generated by said another of said musical tone-generating channels, to said ongoing volume WEL or to said value equivalent to the ongoing volume WEL. An electronic musical instrument as claimed in claim 7, in which said second detecting means (2') detects said volume of said first musical tone or said value equivalent to such volume, based on a constituent tone predominantly providing a continuing portion of said first musical tone. An electronic musical instrument as claimed in claim 7 or 8, in which said changing means (4') changes the envelope of said first musical tone, and thereby changes said volume of said first musical tone or said value equivalent to such volume, to said ongoing volume WEL or to said value equivalent to the ongoing generated volume. An electronic musical instrument as claimed in any of claims 1 to 9, in which said second detecting means (2,2') detects the volume of the first musical tone or said value equivalent to such volume by simulating the envelope waveform of the first musical tone. An electronic musical instrument as claimed in any of claims 1 to 9, in which said second detecting means (2,2') detects the volume of the first musical tone or said value equivalent to such volume from the envelope level of the first musical tone. An electronic musical instrument as claimed in any of claims 3 to 11, in which said factor is a value corresponding to the intensity of musical tone, the interval between onset of said second and first musical tones, the pitch of musical tone, and the quality of musical tone, and/or the number of degree of higher harmonics of musical tone. An electronic musical instrument as claimed in claim 12, in which said factor is a value to which a random value is further added. An electronic musical instrument as claimed in claim 13, in which said factor further corresponds to a number of higher harmonies of musical tone. An electronic musical instrument as claimed in any of claims 1 to 14, in which said electronic musical instrument is an electronic keyboard musical instrument, an electronic drum apparatus, a rhythm machine, an automatically performing apparatus, or an automatic accompaniment apparatus. An electronic musical instrument as claimed in any of claims 1 to 14 which is a keyboard instrument, and in which the first detecting means (1,1') detects whether or not a new key-depression and a previous key-depression are consecutive strikes by means of the same key.

Inventors: FUJISAWA, MINORU, OTSUKA, SATOSHI
Applicants: ROLAND CORPORATION
Application year: 1989
Main classification: G10H1
IPC codes: G10H1