Hou Hsiao-hsien
Filmography -- As director
Table:
Year

English title

Original title

Notes

1980

Cute Girl

就是溜溜的她

First full-length feature film

1981

Cheerful Wind

風兒踢踏踩

1982

The Green, Green Grass of Home

在那河畔青草青

1983

The Sandwich Man

兒子的大玩偶

Directed with Wan Jen and Tseng chuang-hsiang

1983

The Boys from Fengkuei

風櫃來的人

Golden Montgolfiere at the 1984 Three Continents Festival

1984

A Summer at Grandpa's

冬冬的假期

Golden Montgolfiere at the 1985 Three Continents Festival

1985

A Time to Live, A Time to Die

童年往事

FIPRESCI Prize at the 1986 Berlin International Film Festival

1986

Dust in the Wind

戀戀風塵

Entered into the 1985 Three Continents Festival

1987

Daughter of the Nile

尼羅河的女兒

Entered into Directors' Fortnight at the 1988 Cannes Film Festival

1989

A City of Sadness

悲情城市

Golden Lion at the 1989 Venice Film Festival

1993

The Puppetmaster

戲夢人生

Jury Prize at the 1993 Cannes Film Festival

1995

Good Men, Good Women

好男好女

Best Feature Film at the 1995 Hawaii International Film Festival

1996

Goodbye South, Goodbye

南國再見，南國

Entered into the 1996 Cannes Film Festival

1998

Flowers of Shanghai

海上花

Entered into the 1998 Cannes Film Festival

2001

Millennium Mambo

千禧曼波

Technical Grand Prize at the 2001 Cannes Film Festival

2003

Café Lumière

咖啡時光

Japanese production, Entered into the 2004 Venice Film Festival

2005

Three Times

最好的時光

Entered into the 2005 Cannes Film Festival

2007

The Electric Princess House

電姬館

Segment of the anthology film To Each His Own Cinema

2008

Flight of the Red Balloon

Le Voyage du Ballon Rouge
紅氣球的旅行

French production

2011

La Belle Epoque

黃金之弦

Segment of the anthology film 10+10

Consulting the following table plus the context paragraphs provided.

Give the answer to the question: What are the notes of the English title that is the first part in a new series of films produced by Musée d'Orsay ? Return your answer as JSON: {"answer": "YOUR ANSWER"}. Avoid adding external knowledge.

Cute Girl , also known as Lovable You ( Chinese : 就是溜溜的她 ; pinyin : Jiùshì liūliū de tā ) , is a 1980 movie directed by Taiwanese director Hou Hsiao-hsien , starring Kenny Bee , Anthony Chan and Fong Fei Fei . It was Hou Hsiao-hsien 's first feature film .
The Sandwich Man ( Chinese : 兒子的大玩偶 ; pinyin : Erzi de da wan'ou ) is a 1983 Taiwanese film jointly directed by Hou Hsiao-hsien , Wan Jen , and Tseng Chuang-hsiang . The script by Wu Nien-jen is based on a story by Huang Chunming entitled His Son 's Big Doll ( or Puppet ) . Composed of three separate stories , the film vividly portrays Taiwan during the cold war period when the country developed its economy with help from the United States . It is regarded as a hallmark of Taiwanese New Cinema . The English title of the film is derived from the film 's first vignette , directed by Hou Hsiao-hsien , which tells about a man who ekes out a living for his young family by carrying advertisement sandwich boards . The second vignette tells of two ambitious young men who discover too late that a product they are trying to sell is defective . The third vignette explores what happens when a poor laborer is struck by a high-ranking American official 's automobile .
Wan Jen ( Chinese : 萬仁 ; pinyin : Wàn Rén ) ( born 1950 , Taipei ) is a Taiwanese filmmaker . He is an influential figure of Taiwan 's New Wave cinema movement of the 1980s .
The Boys from Fengkuei ( also known as All the Youthful Days ) ( Chinese : 風櫃來的人 ; pinyin : Fēngguì lái de rén ) is a 1983 film directed by Hou Hsiao-hsien .
The Festival of the Three Continents ( French : Festival des 3 Continents ) is an annual film festival held since 1979 in Nantes , France , and is devoted to the cinemas of Asia , and Africa and Latin America . It was founded by Philippe and Alain Jalladeau . The top award in the festival 's competition is the balloon shaped Golden Montgolfiere . In conjunction with the festival is the Produire au Sud , or Producers of the South , a project that provides funding to independent film productions from Asia , Africa and Latin America .
A Summer at Grandpa 's ( Chinese : 冬冬的假期 ; pinyin : Dōng dōng de jiàqī ) is a 1984 film directed by Hou Hsiao-hsien . This film is inspired by screenwriter Chu Tien-wen 's childhood memories , and the first part of Hou 's coming-of-age trilogy , followed by The Time to Live and the Time to Die ( 1985 ) and Dust in the Wind ( 1986 ) .
The Time to Live and the Time to Die , also known as A Time to Live , A Time to Die is a 1985 film directed by Hou Hsiao-hsien . This film is inspired by screenwriter-turned-director Hou 's own coming-of-age story . This film is the second part of Hou 's coming-of-age trilogy , preceded by A Summer at Grandpa 's ( 1984 ) and followed by Dust in the Wind ( 1986 ) .
The International Federation of Film Critics ( FIPRESCI , short for Fédération Internationale de la PRESse CInématographique ) is an association of national organizations of professional film critics and film journalists from around the world for the promotion and development of film culture and for the safeguarding of professional interests . It was founded in June 1930 in Brussels , Belgium . At present it has members in more than 50 countries worldwide .
The 36th annual Berlin International Film Festival was held 14-25 February 1986 . The festival opened with Ginger and Fred by Federico Fellini , which played out of competition at the festival . The Golden Bear was awarded to German film Stammheim directed by Reinhard Hauff . The retrospective dedicated to German actress and film producer Henny Porten was shown at the festival . Claude Lanzmann 's 9 hour long documentary film Shoah about holocaust was screened at International Forum of New Cinema .
Dust in the Wind is a 1986 film by Taiwanese filmmaker Hou Hsiao-hsien . It is based on co-screenwriter Wu Nien-jen 's own experiences , and is the final part of Hou 's coming-of-age trilogy , with the others being A Summer at Grandpa 's ( 1984 ) and The Time to Live and the Time to Die ( 1985 ) . Dust in the Wind was commercially unsuccessful , but is critically acclaimed .
Daughter of the Nile ( Ni luo he nyu er ) ( I kori tou Neilou ) is a 1987 film by Taiwanese filmmaker Hou Hsiao-hsien .
The Directors ' Fortnight ( French : Quinzaine des Réalisateurs ) is an independent section held in parallel to the Cannes Film Festival . It was started in 1969 by the French Directors Guild after the events of May 1968 resulted in cancellation of the Cannes festival as an act of solidarity with striking workers . The Directors ' Fortnight showcases a programme of shorts and feature films and documentaries worldwide .
The 41st Cannes Film Festival was held from 11 to 23 May 1988 . The Palme d'Or went to the Pelle erobreren by Bille August . The festival opened with Le Grand Bleu , directed by Luc Besson and closed with Willow , directed by Ron Howard .
A City of Sadness ( Chinese : 悲情城市 ; pinyin : Bēiqíng chéngshì ) is a 1989 Taiwanese historical drama film directed by Hou Hsiao-hsien . It tells the story of a family embroiled in the White Terror that was wrought on the Taiwanese people by the Kuomintang government ( KMT ) after their arrival from mainland China in the late 1940s , during which thousands of Taiwanese were rounded up , shot , and/or sent to prison . The film was the first to deal openly with the KMT 's authoritarian misdeeds after its 1945 takeover of Taiwan , which had been restored to China following Japan 's defeat in World War II , and the first to depict the February 28 Incident of 1947 , in which thousands of people were massacred . A City of Sadness was the first ( of three ) Taiwanese films to win the Golden Lion award at the Venice Film Festival , and is often considered Hou 's masterpiece . The film was selected as the Taiwanese entry for the Best Foreign Language Film at the 62nd Academy Awards , but was not accepted as a nominee .
The Golden Lion ( Italian : Leone d'Oro ) is the highest prize given to a film at the Venice Film Festival . The prize was introduced in 1949 by the organizing committee and is now regarded as one of the film industry 's most prestigious and distinguished prizes . In 1970 , a second Golden Lion was introduced ; this is an honorary award for people who have made an important contribution to cinema . The prize was introduced in 1949 as the Golden Lion of Saint Mark ( the winged lion which had appeared on the flag of the Republic of Venice ) . Previously , the equivalent prize was the Gran Premio Internazionale di Venezia ( Grand International Prize of Venice ) , awarded in 1947 and 1948 . Before that , from 1934 until 1942 , the highest awards were the Coppa Mussolini ( Mussolini Cup ) for Best Italian Film and Best Foreign Film .
The 46th annual Venice International Film Festival was held from 4 to 15 September 1989 .
The Puppetmaster is a 1993 Taiwanese film directed by Hou Hsiao-hsien . Based on the memoirs of Li Tian-lu , Taiwans most celebrated puppeteer , this story covers the years from Lis birth in 1909 to the end of Japans fifty-year occupation of Taiwan in 1945 . Many consider The Puppetmaster a masterpiece of world cinema . In the British Film Institute 's 2012 Sight & Sound poll , seven critics and three directors named it one of the greatest films ever made .
The Jury Prize ( French : Prix du Jury ) is an award presented at the Cannes Film Festival , chosen by the Jury from the official section of movies at the festival . According to film critic Dave Kehr , the award is intended to recognize an original work that embodies the spirit of inquiry .
The 46th Cannes Film Festival was held from 13 to 24 May 1993 . The Palme d'Or went to Farewell My Concubine by Chen Kaige and The Piano by Jane Campion . The festival opened with My Favorite Season , directed by André Téchiné and closed with Toxic Affair , directed by Philomène Esposito . Jeanne Moreau was the mistress of ceremonies .
Good Men , Good Women ( Chinese : 好男好女 ; pinyin : Hǎonán hǎonǚ ) is a 1995 Taiwanese film directed by Hou Hsiao-hsien , starring Annie Yi , Lim Giong , and Jack Kao . It is the last installment in the trilogy that began with A City of Sadness ( 1989 ) and continued with The Puppetmaster ( 1993 ) . Like its predecessors , it deals with the complicated issues of Taiwanese history and national identity .
The Hawai ' i International Film Festival ( HIFF ) is an annual film festival held in the United States state of Hawaii . HIFF has a focus on Asian-Pacific cinema , education and the work of new and emerging filmmakers . HIFFs primary festival is held annually in Honolulu over November , with additional screenings and events held across the Hawaiian Islands of Oahu , Hawai ' i , Kauai and Maui . The festival also holds a smaller Spring Showcase in March , and runs education and industry events throughout the year . In 2018 , HIFF welcomed over 44,000 attendees .
Goodbye South , Goodbye is a 1996 crime drama film directed by Hou Hsiao-hsien . The film had its premiere at the Cannes Film Festival on 12 May 1996 .
The 49th Cannes Film Festival was held from 9 to 20 May 1996 . The Palme d'Or went to Secrets & Lies by Mike Leigh . The festival opened with Ridicule , directed by Patrice Leconte and closed with Flirting with Disaster , directed by David O. Russell . Sabine Azéma was the mistress of ceremonies .
Flowers of Shanghai is a 1998 Taiwanese film directed by Hou Hsiao-hsien and starring Tony Leung , Hada Michiko , Annie Shizuka Inoh , Shuan Fang , Jack Kao , Carina Lau , Rebecca Pan , Michelle Reis and Vicky Wei . It was voted the third best film of the 1990s in the 1999 Village Voice Film Poll . The film was selected as the Taiwanese entry for the Best Foreign Language Film at the 71st Academy Awards , but was not accepted as a nominee .
The 51st Cannes Film Festival was held from 13 to 24 May 1998 . American director , producer , screenwriter , and film historian Martin Scorsese was the Jury President . The Palme d'Or went to the Greek film Mia aioniotita kai mia mera by Theo Angelopoulos . The festival opened with Primary Colors , directed by Mike Nichols , and closed with Godzilla , directed by Roland Emmerich . Isabelle Huppert was the mistress of ceremonies . In 1998 , two new sections were added to the Official Selection , the Un Certain Regard and the Cinéfondation . The aim of the Cinéfondation section is to support the creation of works of cinema in the world and to contribute to the entry of the new scenario writers in the circle of the celebrities . For this , fifteen to twenty short and medium-length films by students from film schools from around the world are selected and the best three are awarded by the Cinéfondation and Short films Jury . Section Un Certain Regard awards young talent and encourages innovative and audacious works by presenting one of the films with a grant to aid its distribution in France . Lulu on the Bridge , directed by Paul Auster , opened the Un Certain Regard section .
Millennium Mambo ( Chinese : 千禧曼波 ; pinyin : Qiānxī Mànbō ) is a 2001 Taiwanese romantic drama film directed by Hou Hsiao-hsien .
The 54th Cannes Film Festival started on 14 May and ran until 25 May 2001 . Norwegian actress and director Liv Ullmann was the Jury President . The Palme d'Or went to the Italian film The Son 's Room by Nanni Moretti . The festival opened with Moulin Rouge ! , directed by Baz Luhrmann and closed with Les âmes fortes , directed by Raúl Ruiz . The Un Certain Regard section opened with ' R Xmas directed by Abel Ferrara and closed with The Words of My Father ( Le parole di mio padre ) directed by Francesca Comencini .
Café Lumière ( 珈琲時光 , Kōhī Jikō ) is a 2003 Japanese film directed by Taiwanese director Hou Hsiao-hsien for Shochiku as homage to Yasujirō Ozu , with direct reference to the late director 's Tokyo Story ( 1953 ) . It premiered at a festival commemorating the centenary of Ozu 's birth . It was nominated for a Golden Lion at the 2004 Venice Film Festival .
The 61st annual Venice International Film Festival was held between 1 and 11 September 2004 . The festival opened with Steven Spielberg 's The Terminal , and closed with Katsuhiro Otomo 's Steamboy . The Golden Lion was awarded to the film Vera Drake , directed by Mike Leigh . On this edition of the festival , a new independent section , Venice Days ( Giornate degli autori ) , has started for free cinema , new talents and new stories . This section is organized by the ANAC ( National Association of Cinematographic Authors ) and the API ( Independent Authors & Producers ) . Also in this edition , The Secret History of Italian Cinema was launched , a new section of the official selection , with the aim of restoring and systematically rediscovering sides of the Italian cinema that have been forgotten , invisible , unknown or misunderstood . The retrospective was planned for four years , which was extended by a two-year retrospective called These Phantoms : Italian Cinema Rediscovered , followed by one edition of Italian Comedy Retrospective . The Fondazione Prada was the private sector partner of this series .
Three Times ( Chinese : 最好的時光 ; Zuìhǎo de shíguāng ; lit . 'Best of Times ' ) is a 2005 Taiwanese film directed by Hou Hsiao-hsien . It consists of three separate stories of romance , set in different eras , using the same lead actors , Shu Qi and Chang Chen . In A Time for Love , set in 1966 , a soldier ( Chang ) meets an alluring pool-hall hostess ( Shu ) . A Time for Freedom , set in 1911 , focuses on a courtesan 's relationship with a freedom fighter during the Japanese occupation of Taiwan . In A Time for Youth , set in 2005 , a singer forsakes her female lover for a photographer with whom she 's having an affair . The film was nominated for the Palme d'Or at the 2005 Cannes Film Festival , won the Golden Apricot for Best Feature Film at the 2006 Yerevan International Film Festival , and received positive reviews . In 2017 The New York Times listed it as one of the 25 best films of the 21st century . It has been praised for its topical themes of communication , romance and relationships , with each linked symbolically to the era it takes place in .
The 58th Cannes Film Festival started on 11 May and ran until 22 May 2005 . Twenty movies from 13 countries were selected to compete . The awards were announced on 21 May . The Palme d'Or went to the Belgian film L'Enfant by Dardenne brothers . The festival opened with Lemming , directed by Dominik Moll and closed with Chromophobia , directed by Martha Fiennes . Cécile de France was the mistress of ceremonies .
To Each His Own Cinema ( French : Chacun son cinéma : une déclaration d'amour au grand écran ) is a 2007 French anthology comedy-drama film commissioned for the 60th anniversary of the Cannes Film Festival . The film is a collection of 34 short films , each 3 minutes in length , by 36 acclaimed directors . Representing five continents and 25 countries , the filmmakers were invited to express their state of mind of the moment as inspired by the motion picture theatre . The film 's subtitle reads a declaration of love to the big screen .
Flight of the Red Balloon ( French : Le voyage du ballon rouge ) is a 2007 French-Taiwanese film directed by Hou Hsiao-hsien . It is the first part in a new series of films produced by Musée d'Orsay , and tells the story of a French family as seen through the eyes of a Chinese student . The film was shot in August and September 2006 on location in Paris . This is Hou Hsiao-hsien 's first non-Asian film . It references the classic 1956 French short The Red Balloon directed by Albert Lamorisse . The film opened the Un Certain Regard section of the Cannes Film Festival in May 2007 .