In many robotic domains such as flexible automated manufacturing or personal assistance, a fundamental perception task is that of identifying and localizing objects whose 3D models are known. Canonical approaches to this problem include discriminative methods that find correspondences between feature descriptors computed over the model and observed data. While these methods have been employed successfully, they can be unreliable when the feature descriptors fail to capture variations in observed data; a classic cause being occlusion. As a step towards deliberative reasoning, we present PERCH: PErception via SeaRCH, an algorithm that seeks to find the best explanation of the observed sensor data by hypothesizing possible scenes in a generative fashion. Our contributions are: i) formulating the multi-object recognition and localization task as an optimization problem over the space of hypothesized scenes, ii) exploiting structure in the optimization to cast it as a combinatorial search problem on what we call the Monotone Scene Generation Tree, and iii) leveraging parallelization and recent advances in multi-heuristic search in making combinatorial search tractable. We prove that our system can guaranteedly produce the best explanation of the scene under the chosen cost function, and validate our claims on real world RGB-D test data. Our experimental results show that we can identify and localize objects under heavy occlusion--cases where state-of-the-art methods struggle.
The philosophy of the Render, Match and Refine (RMR) approach proposed by Stevens and Beveridge @cite_9 motivates our work. RMR explicitly models interaction between objects by rendering the scene and uses occlusion data to inform measurement of similarity between the rendered and observed scenes. It then uses a global optimization procedure to iteratively improve the rendered scene to match the observed one. PERCH, our proposed algorithm, operates on a similar philosophy but differs in several details. The explanation cost' we use to compare the rendered and observed scene is based purely on 3D sensor data, as opposed to the 2D edge-feature and per-pixel depth differences used in RMR that make it vulnerable to offset errors between the rendered and observed 2D scenes. Moreover, the explanation cost we propose can be decomposed over the objects in the scene, thereby obviating the need for exhaustive search over the joint object poses.
@cite_9
1965237885
How an object appears in an image is determined in part by interactions with other objects in the scene. Occlusion is the most obvious from of interaction. Here we present a system which uses 3D CAD models in combination with optical and range data to recognize partially occluded objects. Recognition uses a hypothesize, perturb, render, and match cycle to arrive at a scene-optimized prediction of model appearance. This final scene-optimized prediction is based upon an iterative search algorithm converging to the optimal 3D pose of the object. During recognition, evidence of terrain occlusion in range imagery is mapped through the model into the optical imagery in order to explain the absence of model features. A similar process predicts the structure of occluding contours. Highly occluded military vehicles are successfully matched using this approach. This work proposes a process for efficiently searching over combinations of individual object 6D pose hypotheses in cluttered scenes, especially in cases involving occlusions and objects resting on each other. The initial set of candidate object poses is generated from state-of-the-art object detection and global point cloud registration techniques. The best-scored pose per object by using these techniques may not be accurate due to overlaps and occlusions. Nevertheless, experimental indications provided in this work show that object poses with lower ranks may be closer to the real poses than ones with high ranks according to registration techniques. This motivates a global optimization process for improving these poses by taking into account scene-level physical interactions between objects. It also implies that the Cartesian product of candidate poses for interacting objects must be searched so as to identify the best scene-level hypothesis. To perform the search efficiently, the candidate poses for each object are clustered so as to reduce their number but still keep a sufficient diversity. Then, searching over the combinations of candidate object poses is performed through a Monte Carlo Tree Search (MCTS) process that uses the similarity between the observed depth image of the scene and a rendering of the scene given the hypothesized pose as a score that guides the search procedure. MCTS handles in a principled way the tradeoff between fine-tuning the most promising poses and exploring new ones, by using the Upper Confidence Bound (UCB) technique. Experimental results indicate that this process is able to quickly identify in cluttered scenes physically-consistent object poses that are significantly closer to ground truth compared to poses found by point cloud registration methods. This article describes a technique that can reliably align arbitrary 2D depictions of an architectural site, including drawings, paintings, and historical photographs, with a 3D model of the site. This is a tremendously difficult task, as the appearance and scene structure in the 2D depictions can be very different from the appearance and geometry of the 3D model, for example, due to the specific rendering style, drawing error, age, lighting, or change of seasons. In addition, we face a hard search problem: the number of possible alignments of the painting to a large 3D model, such as a partial reconstruction of a city, is huge. To address these issues, we develop a new compact representation of complex 3D scenes. The 3D model of the scene is represented by a small set of discriminative visual elements that are automatically learned from rendered views. Similar to object detection, the set of visual elements, as well as the weights of individual features for each element, are learned in a discriminative fashion. We show that the learned visual elements are reliably matched in 2D depictions of the scene despite large variations in rendering style (e.g., watercolor, sketch, historical photograph) and structural changes (e.g., missing scene parts, large occluders) of the scene. We demonstrate an application of the proposed approach to automatic rephotography to find an approximate viewpoint of historical paintings and photographs with respect to a 3D model of the site. The proposed alignment procedure is validated via a human user study on a new database of paintings and sketches spanning several sites. The results demonstrate that our algorithm produces significantly better alignments than several baseline methods. The goal of this work is to represent objects in an RGB-D scene with corresponding 3D models from a library. We approach this problem by first detecting and segmenting object instances in the scene and then using a convolutional neural network (CNN) to predict the pose of the object. This CNN is trained using pixel surface normals in images containing renderings of synthetic objects. When tested on real data, our method outperforms alternative algorithms trained on real data. We then use this coarse pose estimate along with the inferred pixel support to align a small number of prototypical models to the data, and place into the scene the model that fits best. We observe a 48 relative improvement in performance at the task of 3D detection over the current state-of-the-art [34], while being an order of magnitude faster.