Recovering the latent photorealistic faces from their artistic portraits aids human perception and facial analysis. However, recovering photorealistic faces from stylized portraits while preserving identity is challenging because the fine details of real faces can be distorted or lost in stylized images. In this paper, we present a new Identity-preserving Face Recovery from Portraits (IFRP) method to recover latent photorealistic faces from unaligned stylized portraits. Our IFRP method consists of two components: Style Removal Network (SRN) and Discriminative Network (DN). The SRN is designed to transfer feature maps of stylized images to the feature maps of the corresponding photorealistic faces. By embedding spatial transformer networks into the SRN, our method can compensate for misalignments of stylized faces automatically and output aligned realistic face images. The DN is used to enforce recovered face images to be similar to authentic faces. To ensure the identity preservation, we promote the recovered and ground-truth faces to share similar visual features via a distance measure which compares features of recovered and ground-truth faces extracted from a pre-trained VGG network. Our approach is evaluated on a large-scale synthesized dataset of real and stylized face pairs and outperforms the state-of-the-art methods. In addition, we demonstrate that our method can also recover photorealistic faces from unseen stylized portraits (unavailable in training) as well as original paintings.
Johnson @cite_21 train a generative network for a fast style transfer using perceptual loss functions. The architecture of their generator network follows the work @cite_35 and also uses residual blocks. Another concurrent work @cite_8 , named Texture Network, employs a multi-resolution architecture in the generator network. Ulyanov @cite_17 @cite_39 replace the spatial batch normalization with the instance normalization to achieve a faster convergence. Wang @cite_0 enhance the granularity of the feed-forward style transfer with multimodal CNN which performs stylization hierarchically via multiple losses deployed across multiple scales.
@cite_35 @cite_8 @cite_21 @cite_39 @cite_0 @cite_17
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A citing sentence is one that appears in a scientific article and cites previous work. Citing sentences have been studied and used in many applications. For example, they have been used in scientific paper summarization, automatic survey generation, paraphrase identification, and citation function classification. Citing sentences that cite multiple papers are common in scientific writing. This observation should be taken into consideration when using citing sentences in applications. For instance, when a citing sentence is used in a summary of a scientific paper, only the fragments of the sentence that are relevant to the summarized paper should be included in the summary. In this paper, we present and compare three different approaches for identifying the fragments of a citing sentence that are related to a given target reference. Our methods are: word classification, sequence labeling, and segment classification. Our experiments show that segment classification achieves the best results. Transferring artistic styles onto everyday photographs has become an extremely popular task in both academia and industry. Recently, offline training has replaced online iterative optimization, enabling nearly real-time stylization. When those stylization networks are applied directly to high-resolution images, however, the style of localized regions often appears less similar to the desired artistic style. This is because the transfer process fails to capture small, intricate textures and maintain correct texture scales of the artworks. Here we propose a multimodal convolutional neural network that takes into consideration faithful representations of both color and luminance channels, and performs stylization hierarchically with multiple losses of increasing scales. Compared to state-of-the-art networks, our network can also perform style transfer in nearly real-time by performing much more sophisticated training offline. By properly handling style and texture cues at multiple scales using several modalities, we can transfer not just large-scale, obvious style cues but also subtle, exquisite ones. That is, our scheme can generate results that are visually pleasing and more similar to multiple desired artistic styles with color and texture cues at multiple scales. Transferring artistic styles onto everyday photographs has become an extremely popular task in both academia and industry. Recently, offline training has replaced on-line iterative optimization, enabling nearly real-time stylization. When those stylization networks are applied directly to high-resolution images, however, the style of localized regions often appears less similar to the desired artistic style. This is because the transfer process fails to capture small, intricate textures and maintain correct texture scales of the artworks. Here we propose a multimodal convolutional neural network that takes into consideration faithful representations of both color and luminance channels, and performs stylization hierarchically with multiple losses of increasing scales. Compared to state-of-the-art networks, our network can also perform style transfer in nearly real-time by conducting much more sophisticated training offline. By properly handling style and texture cues at multiple scales using several modalities, we can transfer not just large-scale, obvious style cues but also subtle, exquisite ones. That is, our scheme can generate results that are visually pleasing and more similar to multiple desired artistic styles with color and texture cues at multiple scales. Recent research endeavors have shown the potential of using feed-forward convolutional neural networks to accomplish fast style transfer for images. In this work, we take one step further to explore the possibility of exploiting a feed-forward network to perform style transfer for videos and simultaneously maintain temporal consistency among stylized video frames. Our feed-forward network is trained by enforcing the outputs of consecutive frames to be both well stylized and temporally consistent. More specifically, a hybrid loss is proposed to capitalize on the content information of input frames, the style information of a given style image, and the temporal information of consecutive frames. To calculate the temporal loss during the training stage, a novel two-frame synergic training mechanism is proposed. Compared with directly applying an existing image style transfer method to videos, our proposed method employs the trained network to yield temporally consistent stylized videos which are much more visually pleasant. In contrast to the prior video style transfer method which relies on time-consuming optimization on the fly, our method runs in real time while generating competitive visual results.